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    <title>New Books in Popular Culture</title>
    <language>en</language>
    <copyright>New Books Network</copyright>
    <description>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠

Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠

Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
    <image>
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      <title>New Books in Popular Culture</title>
    </image>
    <itunes:explicit>no</itunes:explicit>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Interview with Scholars of Popular Culture about their New Books</itunes:subtitle>
    <itunes:author>Marshall Poe</itunes:author>
    <itunes:summary>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠

Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠

Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
    <content:encoded>
      <![CDATA[<p>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.</p>
<p>Discover our 150+ channels and browse our 28,000+ episodes on our website: <a href="http://newbooksnetwork.com">⁠<u>newbooksnetwork.com</u>⁠</a></p>
<p>Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: <a href="https://newbooksnetwork.substack.com/">⁠<u>https://newbooksnetwork.substack.com/</u>⁠</a></p>
<p>Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
    </content:encoded>
    <itunes:owner>
      <itunes:name>New Books Network</itunes:name>
      <itunes:email>marshallpoe@newbooksnetwork.com</itunes:email>
    </itunes:owner>
    <itunes:image href="https://megaphone.imgix.net/podcasts/e2f0a3b2-eec0-11e8-8465-8bb71b57e673/image/a7c526979a3cd3b810fc704c151df227.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
    <itunes:category text="Society &amp; Culture">
    </itunes:category>
    <itunes:category text="History">
    </itunes:category>
    <item>
      <title>Eileen G'Sell, "Lipstick" (Bloomsbury, 2026)</title>
      <description>From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G’Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G’Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.<br>Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, <a href="https://bookshop.org/a/12343/9798765135587">Lipstick</a><em> </em>(Bloomsbury, 2026) by Eileen G’Sell, part of the <em>Object Lessons </em>series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2522</itunes:duration>
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    <item>
      <title>The Shawshank Redemption in China: An Interview with Matti Lehtonen</title>
      <description>How can an entirely foreign cast perform the American “The Shawshank Redemption” in the Chinese language across China? In this episode of the Nordic Asia podcast, Julie Yu-Wen Chen talks with Matti E. Lehtonen, a Finnish national who shares his journey from a decades-long career in engineering and business to a starring role in the first Chinese-language stage production of The Shawshank Redemption performed by an all-foreign cast.

Directed by the legendary Zhang Guoli, this production marks a cultural milestone in Chinese theater. Matti discusses his portrayal of the librarian, a tragic figure who represents the “saddest role” in a story otherwise defined by hope.

This episode dives into why Zhang Guoli insisted on foreign actors to avoid stereotypical and slightly fake portrayals of foreigners and how this choice may have helped the play navigate censorship. Matti also discusses the complexities of proactive self-censorship, securing government approvals for every city, and performing with a censor in the audience. Join us for a fascinating look at cross-cultural artistic collaboration and the evolving landscape of performance art in contemporary China.

Julie Yu-Wen Chen is Professor of Chinese Studies and Asian studies coordinator at the Department of Cultures at the University of Helsinki (Finland).

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 17 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How can an entirely foreign cast perform the American “The Shawshank Redemption” in the Chinese language across China? In this episode of the Nordic Asia podcast, Julie Yu-Wen Chen talks with Matti E. Lehtonen, a Finnish national who shares his journey from a decades-long career in engineering and business to a starring role in the first Chinese-language stage production of The Shawshank Redemption performed by an all-foreign cast.

Directed by the legendary Zhang Guoli, this production marks a cultural milestone in Chinese theater. Matti discusses his portrayal of the librarian, a tragic figure who represents the “saddest role” in a story otherwise defined by hope.

This episode dives into why Zhang Guoli insisted on foreign actors to avoid stereotypical and slightly fake portrayals of foreigners and how this choice may have helped the play navigate censorship. Matti also discusses the complexities of proactive self-censorship, securing government approvals for every city, and performing with a censor in the audience. Join us for a fascinating look at cross-cultural artistic collaboration and the evolving landscape of performance art in contemporary China.

Julie Yu-Wen Chen is Professor of Chinese Studies and Asian studies coordinator at the Department of Cultures at the University of Helsinki (Finland).

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can an entirely foreign cast perform the American “<a href="https://www.imdb.com/title/tt0111161/"><em>The Shawshank Redemption</em></a>” in the Chinese language across China? In this episode of the Nordic Asia podcast, Julie Yu-Wen Chen talks with Matti E. Lehtonen, a Finnish national who shares his journey from a decades-long career in engineering and business to a starring role in the first Chinese-language stage production of <em>The Shawshank Redemption</em> performed by an all-foreign cast.</p>
<p>Directed by the legendary Zhang Guoli, this production marks a cultural milestone in Chinese theater. Matti discusses his portrayal of the librarian, a tragic figure who represents the “saddest role” in a story otherwise defined by hope.</p>
<p>This episode dives into why Zhang Guoli insisted on foreign actors to avoid stereotypical and slightly fake portrayals of foreigners and how this choice may have helped the play navigate censorship. Matti also discusses the complexities of proactive self-censorship, securing government approvals for every city, and performing with a censor in the audience. Join us for a fascinating look at cross-cultural artistic collaboration and the evolving landscape of performance art in contemporary China.</p>
<p>Julie Yu-Wen Chen is Professor of Chinese Studies and Asian studies coordinator at the Department of Cultures at the University of Helsinki (Finland).</p>
<p>The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).</p>
<p>We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>0</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jerry West and Jonathan Coleman, "West by West: My Charmed, Tormented Life" (Little, Brown and Co, 2011)</title>
      <description>He is one of basketball's towering figures: "Mr. Clutch," who mesmerized his opponents and fans. The coach who began the Lakers' resurgence in the 1970s. The general manager who helped bring "Showtime" to Los Angeles, creating a championship-winning force that continues to this day.

Now, for the first time, the legendary Jerry West tells his story -- from his tough childhood in West Virginia, to his unbelievable college success at West Virginia University, his 40-year career with the Los Angeles Lakers, and his relationships with NBA legends like Bill Russell, Wilt Chamberlain, Kareem Abdul-Jabbar, Magic Johnson, Shaquille O'Neal, and Kobe Bryant. Unsparing in its self-assessment and honesty, West by West: My Charmed, Tormented Life (Little, Brown and Co, 2011) is far more than a sports memoir: it is a profound confession and a magnificent inspiration.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>He is one of basketball's towering figures: "Mr. Clutch," who mesmerized his opponents and fans. The coach who began the Lakers' resurgence in the 1970s. The general manager who helped bring "Showtime" to Los Angeles, creating a championship-winning force that continues to this day.

Now, for the first time, the legendary Jerry West tells his story -- from his tough childhood in West Virginia, to his unbelievable college success at West Virginia University, his 40-year career with the Los Angeles Lakers, and his relationships with NBA legends like Bill Russell, Wilt Chamberlain, Kareem Abdul-Jabbar, Magic Johnson, Shaquille O'Neal, and Kobe Bryant. Unsparing in its self-assessment and honesty, West by West: My Charmed, Tormented Life (Little, Brown and Co, 2011) is far more than a sports memoir: it is a profound confession and a magnificent inspiration.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>He is one of basketball's towering figures: "Mr. Clutch," who mesmerized his opponents and fans. The coach who began the Lakers' resurgence in the 1970s. The general manager who helped bring "Showtime" to Los Angeles, creating a championship-winning force that continues to this day.</p>
<p>Now, for the first time, the legendary Jerry West tells his story -- from his tough childhood in West Virginia, to his unbelievable college success at West Virginia University, his 40-year career with the Los Angeles Lakers, and his relationships with NBA legends like Bill Russell, Wilt Chamberlain, Kareem Abdul-Jabbar, Magic Johnson, Shaquille O'Neal, and Kobe Bryant. Unsparing in its self-assessment and honesty, <a href="https://bookshop.org/a/12343/9780316053501"><em>West by West: My Charmed, Tormented Life</em> </a>(Little, Brown and Co, 2011) is far more than a sports memoir: it is a profound confession and a magnificent inspiration.</p>
<p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6011</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Kate Crane, "Whatever Happened to Eddy Crane?: A Memoir and an Investigation" (Hanover Square Press, 2026)</title>
      <description>Kate Crane's new memoir, Whatever Happened to Eddy Crane?: A Memoir and an Investigation" (Hanover Square Press, 2026) starts when Crane was in eighth grade and her father, a truck mechanic in an industrial neighborhood of Baltimore, left for work and didn't come home. City detectives figured he must have run away, but Kate had a deep-rooted instinct: he must have been killed. Kate, her mother, and her younger sister were left stunned, with no answers, no explanation, and no concrete resolution on the horizon. Twenty years later in New York, Kate is determined to unearth the truth. She reopens the investigation with the Baltimore police department, tracks down retired detectives who'd worked on Eddy's case, and chases leads with old friends through the dark back alleys of her hometown, dead set on finding solace, for her family and herself. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kate Crane's new memoir, Whatever Happened to Eddy Crane?: A Memoir and an Investigation" (Hanover Square Press, 2026) starts when Crane was in eighth grade and her father, a truck mechanic in an industrial neighborhood of Baltimore, left for work and didn't come home. City detectives figured he must have run away, but Kate had a deep-rooted instinct: he must have been killed. Kate, her mother, and her younger sister were left stunned, with no answers, no explanation, and no concrete resolution on the horizon. Twenty years later in New York, Kate is determined to unearth the truth. She reopens the investigation with the Baltimore police department, tracks down retired detectives who'd worked on Eddy's case, and chases leads with old friends through the dark back alleys of her hometown, dead set on finding solace, for her family and herself. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kate Crane's new memoir, <a href="https://bookshop.org/a/12343/9781335449399">Whatever Happened to Eddy Crane?: A Memoir and an Investigation" </a>(Hanover Square Press, 2026) starts when Crane was in eighth grade and her father, a truck mechanic in an industrial neighborhood of Baltimore, left for work and didn't come home. City detectives figured he must have run away, but Kate had a deep-rooted instinct: he must have been killed. Kate, her mother, and her younger sister were left stunned, with no answers, no explanation, and no concrete resolution on the horizon. Twenty years later in New York, Kate is determined to unearth the truth. She reopens the investigation with the Baltimore police department, tracks down retired detectives who'd worked on Eddy's case, and chases leads with old friends through the dark back alleys of her hometown, dead set on finding solace, for her family and herself. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2618</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c7366de8-37d1-11f1-a620-1fa2abbce6a8]]></guid>
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    </item>
    <item>
      <title>Daphne A. Brooks, "Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince" (Duke UP, 2026)</title>
      <description>Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478033301">Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince</a> (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.<br>Contributors<strong>:</strong> Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2297</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[32ea6da8-3707-11f1-adbe-e31eeb20ff2e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1558270774.mp3?updated=1776064727" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Robichaud, "Stories of the Stones: Imagining Prehistory in Britain, Ireland and Brittany" (Reaktion, 2026)</title>
      <description>Stories of the Stones: Imagining Prehistory in Britain, Ireland and Brittany (Reaktion, 2026) by Dr. Paul Robichaud explores how ancient monuments – standing stones, megaliths and earthworks – have been reimagined across the centuries in folklore, literature, art and popular culture. From medieval myths to Romantic fascination and from folk-horror cinema to Julian Cope, the powerful stories inspired by these enigmatic sites reflect the beliefs and anxieties of each era. Spanning Britain, Ireland and Brittany, the book includes iconic places such as Stonehenge and Newgrange, as well as lesser-known sites steeped in local lore. While the monuments' original meanings remain mysterious, our interpretations reveal deep emotional and cultural connections to the ancient landscape. Richly illustrated and wide-ranging, this book is ideal for readers interested in prehistoric monuments, storytelling traditions and the enduring power of place.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 13 Apr 2026 08:10:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Stories of the Stones: Imagining Prehistory in Britain, Ireland and Brittany (Reaktion, 2026) by Dr. Paul Robichaud explores how ancient monuments – standing stones, megaliths and earthworks – have been reimagined across the centuries in folklore, literature, art and popular culture. From medieval myths to Romantic fascination and from folk-horror cinema to Julian Cope, the powerful stories inspired by these enigmatic sites reflect the beliefs and anxieties of each era. Spanning Britain, Ireland and Brittany, the book includes iconic places such as Stonehenge and Newgrange, as well as lesser-known sites steeped in local lore. While the monuments' original meanings remain mysterious, our interpretations reveal deep emotional and cultural connections to the ancient landscape. Richly illustrated and wide-ranging, this book is ideal for readers interested in prehistoric monuments, storytelling traditions and the enduring power of place.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781836391708">Stories of the Stones: Imagining Prehistory in Britain, Ireland and Brittany</a> (Reaktion, 2026) by Dr. Paul Robichaud explores how ancient monuments – standing stones, megaliths and earthworks – have been reimagined across the centuries in folklore, literature, art and popular culture. From medieval myths to Romantic fascination and from folk-horror cinema to Julian Cope, the powerful stories inspired by these enigmatic sites reflect the beliefs and anxieties of each era. Spanning Britain, Ireland and Brittany, the book includes iconic places such as Stonehenge and Newgrange, as well as lesser-known sites steeped in local lore. While the monuments' original meanings remain mysterious, our interpretations reveal deep emotional and cultural connections to the ancient landscape. Richly illustrated and wide-ranging, this book is ideal for readers interested in prehistoric monuments, storytelling traditions and the enduring power of place.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2551</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1fb566f2-3711-11f1-be37-d7405a0d9466]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6170705509.mp3?updated=1776068442" length="0" type="audio/mpeg"/>
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    <item>
      <title>Matthew Bothwell, "The Invisible Universe: Why There's More to Reality than Meets the Eye" (Simon and Schuster, 2021)</title>
      <description>Since the dawn of our species, people all over the world have gazed in awe at the night sky. But for all the beauty and wonder of the stars, when we look with just our eyes we are seeing and appreciating only a tiny fraction of the Universe. What does the cosmos have in store for us beyond the phenomena we can see, from black holes to supernovas? How different does the invisible Universe look from the home we thought we knew? In ﻿The Invisible Universe: Why There's More to Reality than Meets the Eye (Simon and Schuster, 2021) Dr Matt Bothwell takes us on a journey through the full spectrum of light and beyond, revealing what we have learned about the mysteries of the Universe.This book is a guide to the ninety-nine per cent of cosmic reality we can’t see – the Universe that is hidden, right in front of our eyes. It is also the endpoint of a scientific detective story thousands of years in the telling. It is a tour through our Invisible Universe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 12 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since the dawn of our species, people all over the world have gazed in awe at the night sky. But for all the beauty and wonder of the stars, when we look with just our eyes we are seeing and appreciating only a tiny fraction of the Universe. What does the cosmos have in store for us beyond the phenomena we can see, from black holes to supernovas? How different does the invisible Universe look from the home we thought we knew? In ﻿The Invisible Universe: Why There's More to Reality than Meets the Eye (Simon and Schuster, 2021) Dr Matt Bothwell takes us on a journey through the full spectrum of light and beyond, revealing what we have learned about the mysteries of the Universe.This book is a guide to the ninety-nine per cent of cosmic reality we can’t see – the Universe that is hidden, right in front of our eyes. It is also the endpoint of a scientific detective story thousands of years in the telling. It is a tour through our Invisible Universe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the dawn of our species, people all over the world have gazed in awe at the night sky. But for all the beauty and wonder of the stars, when we look with just our eyes we are seeing and appreciating only a tiny fraction of the Universe. What does the cosmos have in store for us beyond the phenomena we can see, from black holes to supernovas? How different does the invisible Universe look from the home we thought we knew? In ﻿<a href="https://bookshop.org/a/12343/9780861544387">The Invisible Universe: Why There's More to Reality than Meets the Eye</a> (Simon and Schuster, 2021) Dr Matt Bothwell takes us on a journey through the full spectrum of light and beyond, revealing what we have learned about the mysteries of the Universe.<br>This book is a guide to the ninety-nine per cent of cosmic reality we can’t see – the Universe that is hidden, right in front of our eyes. It is also the endpoint of a scientific detective story thousands of years in the telling. It is a tour through our Invisible Universe.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4081</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[389c0612-34b9-11f1-835b-f388a14fc143]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1671954525.mp3?updated=1775811381" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter D. McDonald, "The Impossible Reversal: A History of How We Play" (U Minnesota Press, 2026)</title>
      <description>Tracing the cultural history of play--from Fluxus to SimCity Games and gamified activities have become ubiquitous in many adults' lives, and play is widely valued for fostering creativity, community, growth, and empathy. But how did we come to our current understanding of what it means to play? The Impossible Reversal: A History of How We Play charts the transformation of notions of playfulness beginning in the second half of the twentieth century, when a legion of artists, academics, and engineers developed new ways of theorizing, structuring, and designing ludic activity. Through examples ranging from experimental Fluxus games to corporate role-playing exercises and from the Easy Bake Oven to Tetris, The Impossible Reversal presents four styles of playfulness characteristic of the "era of designed play": the impossible reversal, which puts a player in a seemingly hopeless scenario they must upend with a tiny gesture; expending the secret, which involves silly rules that gain an obscure power and require players to embrace failure; simulated freedom, a satiric criticism of the ordinary world; and oblique repetition, a way of playing that stumbles toward unimaginable outcomes through simple, meaningless, and endlessly iterated acts. A unique genealogical account of play as both concept and practice, The Impossible Reversal illuminates how playfulness became essential for understanding cultural, technical, and economic production in the United States. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 11 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Tracing the cultural history of play--from Fluxus to SimCity Games and gamified activities have become ubiquitous in many adults' lives, and play is widely valued for fostering creativity, community, growth, and empathy. But how did we come to our current understanding of what it means to play? The Impossible Reversal: A History of How We Play charts the transformation of notions of playfulness beginning in the second half of the twentieth century, when a legion of artists, academics, and engineers developed new ways of theorizing, structuring, and designing ludic activity. Through examples ranging from experimental Fluxus games to corporate role-playing exercises and from the Easy Bake Oven to Tetris, The Impossible Reversal presents four styles of playfulness characteristic of the "era of designed play": the impossible reversal, which puts a player in a seemingly hopeless scenario they must upend with a tiny gesture; expending the secret, which involves silly rules that gain an obscure power and require players to embrace failure; simulated freedom, a satiric criticism of the ordinary world; and oblique repetition, a way of playing that stumbles toward unimaginable outcomes through simple, meaningless, and endlessly iterated acts. A unique genealogical account of play as both concept and practice, The Impossible Reversal illuminates how playfulness became essential for understanding cultural, technical, and economic production in the United States. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tracing the cultural history of play--from Fluxus to SimCity Games and gamified activities have become ubiquitous in many adults' lives, and play is widely valued for fostering creativity, community, growth, and empathy. But how did we come to our current understanding of what it means to play?<a href="https://bookshop.org/a/12343/9781517916220"> The Impossible Reversal: A History of How We Play</a> charts the transformation of notions of playfulness beginning in the second half of the twentieth century, when a legion of artists, academics, and engineers developed new ways of theorizing, structuring, and designing ludic activity. Through examples ranging from experimental Fluxus games to corporate role-playing exercises and from the Easy Bake Oven to Tetris, The Impossible Reversal presents four styles of playfulness characteristic of the "era of designed play": the impossible reversal, which puts a player in a seemingly hopeless scenario they must upend with a tiny gesture; expending the secret, which involves silly rules that gain an obscure power and require players to embrace failure; simulated freedom, a satiric criticism of the ordinary world; and oblique repetition, a way of playing that stumbles toward unimaginable outcomes through simple, meaningless, and endlessly iterated acts. A unique genealogical account of play as both concept and practice, The Impossible Reversal illuminates how playfulness became essential for understanding cultural, technical, and economic production in the United States. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1873</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1efa1eee-33ef-11f1-82b9-ef4cc7cf976a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8556074751.mp3?updated=1775724015" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Margaret Heffernan, "Embracing Uncertainty: How Writers, Musicians and Artists Thrive In An Unpredictable World" (Policy Press, 2025)</title>
      <description>Most people hate and fear uncertainty. It causes such stress and anxiety that we often choose certain surrender over doubt, becoming passive, dependent, addicted―and more anxious than ever. Doubling down on the certainties promised by technology and micro-management only makes things worse, leaving no opportunity for innovation, adaptation or invention. Artists live with uncertainty constantly―but instead of waiting for the future, they run towards making it, with agency and freedom. What can we learn from them, about facing into a future that grows more uncertain daily?

At a time when organizations of all kinds crave innovation but complain their people lack creativity and initiative, the arts have never been so essential to our future. We may not all be artists, but we can learn to think like them. In ﻿Embracing Uncertainty: How Writers, Musicians and Artists Thrive In An Unpredictable World (Policy Press, 2025) ﻿Margaret Heffernan makes a compelling argument for the vital integration of art into all aspects of our lives and for artists to guide us with their stamina, freedom and endurance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 11 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Most people hate and fear uncertainty. It causes such stress and anxiety that we often choose certain surrender over doubt, becoming passive, dependent, addicted―and more anxious than ever. Doubling down on the certainties promised by technology and micro-management only makes things worse, leaving no opportunity for innovation, adaptation or invention. Artists live with uncertainty constantly―but instead of waiting for the future, they run towards making it, with agency and freedom. What can we learn from them, about facing into a future that grows more uncertain daily?

At a time when organizations of all kinds crave innovation but complain their people lack creativity and initiative, the arts have never been so essential to our future. We may not all be artists, but we can learn to think like them. In ﻿Embracing Uncertainty: How Writers, Musicians and Artists Thrive In An Unpredictable World (Policy Press, 2025) ﻿Margaret Heffernan makes a compelling argument for the vital integration of art into all aspects of our lives and for artists to guide us with their stamina, freedom and endurance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Most people hate and fear uncertainty. It causes such stress and anxiety that we often choose certain surrender over doubt, becoming passive, dependent, addicted―and more anxious than ever. Doubling down on the certainties promised by technology and micro-management only makes things worse, leaving no opportunity for innovation, adaptation or invention. Artists live with uncertainty constantly―but instead of waiting for the future, they run towards making it, with agency and freedom. What can we learn from them, about facing into a future that grows more uncertain daily?</p>
<p>At a time when organizations of all kinds crave innovation but complain their people lack creativity and initiative, the arts have never been so essential to our future. We may not all be artists, but we can learn to think like them. In<a href="https://bookshop.org/a/12343/9781447372684"> ﻿Embracing Uncertainty: How Writers, Musicians and Artists Thrive In An Unpredictable World</a> (Policy Press, 2025) ﻿Margaret Heffernan makes a compelling argument for the vital integration of art into all aspects of our lives and for artists to guide us with their stamina, freedom and endurance.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4301</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8bd69e0-33ee-11f1-bae3-cb39147ece98]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6712274325.mp3?updated=1775723868" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jan Yager, "Time Masters: Eleven Secrets to Greater Productivity and Life Fulfillment" (Hannacroix Craft Books, 2026)</title>
      <description>Jan Yager's latest book, Time Masters: Eleven Secrets to Greater Productivity and Life Fulfillment (Hannacroix Craft Books, 2026), examines the question: Ever wonder how people become successful? They master time in a way that makes them more productive and prosperous. Yager, author of the international bestseller How to Finish Everything You Start, maps out 11 principles of more effective time management, with each letter in T-I-M-E M-A-S-T-E-R-S having a key concept/related chapter. Dr. Yager's latest book is a game changer, offering new insights and examples from a diverse group of achievers. Each secret/chapter is enhanced at the end by one or more exercises.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jan Yager's latest book, Time Masters: Eleven Secrets to Greater Productivity and Life Fulfillment (Hannacroix Craft Books, 2026), examines the question: Ever wonder how people become successful? They master time in a way that makes them more productive and prosperous. Yager, author of the international bestseller How to Finish Everything You Start, maps out 11 principles of more effective time management, with each letter in T-I-M-E M-A-S-T-E-R-S having a key concept/related chapter. Dr. Yager's latest book is a game changer, offering new insights and examples from a diverse group of achievers. Each secret/chapter is enhanced at the end by one or more exercises.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jan Yager's latest book, <a href="https://www.drjanyager.com/time-masters-11-secrets-to-greater-productivity-and-life-fulfillment/">Time Masters: Eleven Secrets to Greater Productivity and Life Fulfillment</a><em> </em>(Hannacroix Craft Books, 2026), examines the question: E<em>ver wonder how people become successful? </em>They master time in a way that makes them more productive and prosperous. Yager, author of the international bestseller <em>How to Finish Everything You Start</em>, maps out 11 principles of more effective time management, with each letter in T-I-M-E M-A-S-T-E-R-S having a key concept/related chapter. Dr. Yager's latest book is a game changer, offering new insights and examples from a diverse group of achievers. Each secret/chapter is enhanced at the end by one or more exercises.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2911</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db0d40c4-33e6-11f1-a648-237c6599ad87]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7309316423.mp3?updated=1775721136" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pavel Brunssen, "The Making of 'Jew Clubs': Performing Jewishness and Antisemitism in European Football and Fan Cultures" (Indiana UP, 2025)</title>
      <description>Today we are joined by Pavel Brunssen, a Research Associate and Alfred Landecker Lecturer at the Research Center on Antigypsyism at Heidelberg University and author of The Making of “Jew Clubs”: Performing Jewishness and Antisemitism in European Football and Fan Cultures (Indiana UP, 2025).

In our conversation, we discussed the difference between Jewish clubs and “Jew Clubs,” the overlapping of antisemitism and philosemitism in football fan cultures, the language politics of clubs and supporter’s organizations, and the inability to completely master the unmastered past.

In The Making of “Jew Clubs,” Brunssen looks at four “Jew Clubs” – clubs that have been identified by either the organization, their supporters, or their opponents as having a Jewish identity. He focuses on Bayern Munich FC, FK Austria Vienna, Ajax Amsterdam, and Tottenham Hotspur. Each provides an angle into his deeply researched and theoretical discussion of how a club can become identified with Jewish identity, without necessarily having a significant number of Jewish members or supporters or even having identified as Jewish. His investigation into this phenomenon provides him a space to understand how postwar Europeans have attempted to come to terms with the unmasterable past of antisemitism and the Holocaust.

In his chapter on Bayern Munich FC, Brunssen examines a club that has self-consciously adopted a “Jew Club” identity as a way of working through the club’s complicated wartime history. Bayern Munich’s administration and fans each promote the club’s Jewish heritage, particularly expressed through the former president Kurt Landauer, as a way of creating a space between their association and German football’s Nazi past. For the club, their celebration of Landauer demonstrates their cosmopolitan values, but for fans Landauer’s legacy offers a space to critique the club’s current engagement with organizations such as the Qatari government.

FK Austria Vienna has long been associated with Jewishness because of the club’s location in Vienna, its association with café culture, and its “modern” style of play. Today the club mobilizes its “Jew Club” identity to differentiate itself from its rival Rapid Vienna and to repudiate the actions of a radical right segment of its own supporters.

Ajax Amsterdam became a “Jew Club” in response to the taunts of their rivals from Rotterdam – Feyenoord. Ajax supporters became “Super Jews” in response and the club’s carnivalesque stadium atmosphere creates a “virtual Jewish space.” The fandom’s philosemitism both opens the door for Jewish agency, including of fans from Israel, and normalizes antisemitic chants from rival fans.

Tottenham Hotspur might be the most infamous “Jew Club” in the world. Its identity emerged in the 1930s and by the 1970s, the club’s supporters adopted the Y-word as a form of linguistic reclamation. In becoming the Y-army, they take back the powerful taboo of the slur from their opponents, but Brunssen questions whether such linguistic triangulation works and points to the club’s ongoing efforts to police against the Y-word in public forums.

Brunssen’s work is fascinating, well researched, and theoretically rigorous. It will be of interest to scholars interested in antisemitism, football, and memory culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today we are joined by Pavel Brunssen, a Research Associate and Alfred Landecker Lecturer at the Research Center on Antigypsyism at Heidelberg University and author of The Making of “Jew Clubs”: Performing Jewishness and Antisemitism in European Football and Fan Cultures (Indiana UP, 2025).

In our conversation, we discussed the difference between Jewish clubs and “Jew Clubs,” the overlapping of antisemitism and philosemitism in football fan cultures, the language politics of clubs and supporter’s organizations, and the inability to completely master the unmastered past.

In The Making of “Jew Clubs,” Brunssen looks at four “Jew Clubs” – clubs that have been identified by either the organization, their supporters, or their opponents as having a Jewish identity. He focuses on Bayern Munich FC, FK Austria Vienna, Ajax Amsterdam, and Tottenham Hotspur. Each provides an angle into his deeply researched and theoretical discussion of how a club can become identified with Jewish identity, without necessarily having a significant number of Jewish members or supporters or even having identified as Jewish. His investigation into this phenomenon provides him a space to understand how postwar Europeans have attempted to come to terms with the unmasterable past of antisemitism and the Holocaust.

In his chapter on Bayern Munich FC, Brunssen examines a club that has self-consciously adopted a “Jew Club” identity as a way of working through the club’s complicated wartime history. Bayern Munich’s administration and fans each promote the club’s Jewish heritage, particularly expressed through the former president Kurt Landauer, as a way of creating a space between their association and German football’s Nazi past. For the club, their celebration of Landauer demonstrates their cosmopolitan values, but for fans Landauer’s legacy offers a space to critique the club’s current engagement with organizations such as the Qatari government.

FK Austria Vienna has long been associated with Jewishness because of the club’s location in Vienna, its association with café culture, and its “modern” style of play. Today the club mobilizes its “Jew Club” identity to differentiate itself from its rival Rapid Vienna and to repudiate the actions of a radical right segment of its own supporters.

Ajax Amsterdam became a “Jew Club” in response to the taunts of their rivals from Rotterdam – Feyenoord. Ajax supporters became “Super Jews” in response and the club’s carnivalesque stadium atmosphere creates a “virtual Jewish space.” The fandom’s philosemitism both opens the door for Jewish agency, including of fans from Israel, and normalizes antisemitic chants from rival fans.

Tottenham Hotspur might be the most infamous “Jew Club” in the world. Its identity emerged in the 1930s and by the 1970s, the club’s supporters adopted the Y-word as a form of linguistic reclamation. In becoming the Y-army, they take back the powerful taboo of the slur from their opponents, but Brunssen questions whether such linguistic triangulation works and points to the club’s ongoing efforts to police against the Y-word in public forums.

Brunssen’s work is fascinating, well researched, and theoretically rigorous. It will be of interest to scholars interested in antisemitism, football, and memory culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Pavel Brunssen, a Research Associate and Alfred Landecker Lecturer at the Research Center on Antigypsyism at Heidelberg University and author of <a href="https://bookshop.org/a/12343/9780253073389">The Making of “Jew Clubs”: Performing Jewishness and Antisemitism in European Football and Fan Cultures</a><em> </em>(Indiana UP, 2025).</p>
<p>In our conversation, we discussed the difference between Jewish clubs and “Jew Clubs,” the overlapping of antisemitism and philosemitism in football fan cultures, the language politics of clubs and supporter’s organizations, and the inability to completely master the unmastered past.</p>
<p>In <em>The Making of “Jew Clubs,” </em>Brunssen looks at four “Jew Clubs” – clubs that have been identified by either the organization, their supporters, or their opponents as having a Jewish identity. He focuses on Bayern Munich FC, FK Austria Vienna, Ajax Amsterdam, and Tottenham Hotspur. Each provides an angle into his deeply researched and theoretical discussion of how a club can become identified with Jewish identity, without necessarily having a significant number of Jewish members or supporters or even having identified as Jewish. His investigation into this phenomenon provides him a space to understand how postwar Europeans have attempted to come to terms with the unmasterable past of antisemitism and the Holocaust.</p>
<p>In his chapter on Bayern Munich FC, Brunssen examines a club that has self-consciously adopted a “Jew Club” identity as a way of working through the club’s complicated wartime history. Bayern Munich’s administration and fans each promote the club’s Jewish heritage, particularly expressed through the former president Kurt Landauer, as a way of creating a space between their association and German football’s Nazi past. For the club, their celebration of Landauer demonstrates their cosmopolitan values, but for fans Landauer’s legacy offers a space to critique the club’s current engagement with organizations such as the Qatari government.</p>
<p>FK Austria Vienna has long been associated with Jewishness because of the club’s location in Vienna, its association with café culture, and its “modern” style of play. Today the club mobilizes its “Jew Club” identity to differentiate itself from its rival Rapid Vienna and to repudiate the actions of a radical right segment of its own supporters.</p>
<p>Ajax Amsterdam became a “Jew Club” in response to the taunts of their rivals from Rotterdam – Feyenoord. Ajax supporters became “Super Jews” in response and the club’s carnivalesque stadium atmosphere creates a “virtual Jewish space.” The fandom’s philosemitism both opens the door for Jewish agency, including of fans from Israel, and normalizes antisemitic chants from rival fans.</p>
<p>Tottenham Hotspur might be the most infamous “Jew Club” in the world. Its identity emerged in the 1930s and by the 1970s, the club’s supporters adopted the Y-word as a form of linguistic reclamation. In becoming the Y-army, they take back the powerful taboo of the slur from their opponents, but Brunssen questions whether such linguistic triangulation works and points to the club’s ongoing efforts to police against the Y-word in public forums.</p>
<p>Brunssen’s work is fascinating, well researched, and theoretically rigorous. It will be of interest to scholars interested in antisemitism, football, and memory culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4576</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e2798bae-3302-11f1-a645-2b70267c5061]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3713819469.mp3?updated=1775623054" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jordan Treske, "Building the Milwaukee Bucks: Kareem Abdul-Jabbar, Oscar Robertson, and the Rapid Rise of an NBA Franchise, 1968-1975" (McFarland, 2025)</title>
      <description>In three short years, the Milwaukee Bucks went from merely an idea to NBA champions. What started as a quest by Marvin Fishman and eventually Wesley Pavalon to get Milwaukee back in the big leagues became something bigger than they could have imagined. They attracted a hard-working coach in Larry Costello, a pioneer in Wayne Embry and some of the biggest talents in the game of basketball with Kareem Abdul-Jabbar and Oscar Robertson. The pieces fell into place for a franchise that asserted themselves as a force to be reckoned with in the NBA. Building the Milwaukee Bucks: Kareem Abdul-Jabbar, Oscar Robertson, and the Rapid Rise of an NBA Franchise, 1968-1975 (McFarland, 2025) covers the unique formation of the NBA franchise that helped restore the image of the city of Milwaukee amid civil unrest and the departure of Major League Baseball as well as why Abdul-Jabbar never found comfort being the face of the Bucks while living in Milwaukee.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In three short years, the Milwaukee Bucks went from merely an idea to NBA champions. What started as a quest by Marvin Fishman and eventually Wesley Pavalon to get Milwaukee back in the big leagues became something bigger than they could have imagined. They attracted a hard-working coach in Larry Costello, a pioneer in Wayne Embry and some of the biggest talents in the game of basketball with Kareem Abdul-Jabbar and Oscar Robertson. The pieces fell into place for a franchise that asserted themselves as a force to be reckoned with in the NBA. Building the Milwaukee Bucks: Kareem Abdul-Jabbar, Oscar Robertson, and the Rapid Rise of an NBA Franchise, 1968-1975 (McFarland, 2025) covers the unique formation of the NBA franchise that helped restore the image of the city of Milwaukee amid civil unrest and the departure of Major League Baseball as well as why Abdul-Jabbar never found comfort being the face of the Bucks while living in Milwaukee.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In three short years, the Milwaukee Bucks went from merely an idea to NBA champions. What started as a quest by Marvin Fishman and eventually Wesley Pavalon to get Milwaukee back in the big leagues became something bigger than they could have imagined. They attracted a hard-working coach in Larry Costello, a pioneer in Wayne Embry and some of the biggest talents in the game of basketball with Kareem Abdul-Jabbar and Oscar Robertson. The pieces fell into place for a franchise that asserted themselves as a force to be reckoned with in the NBA. <a href="https://bookshop.org/a/12343/9781476697758">Building the Milwaukee Bucks: Kareem Abdul-Jabbar, Oscar Robertson, and the Rapid Rise of an NBA Franchise, 1968-1975</a> (McFarland, 2025) covers the unique formation of the NBA franchise that helped restore the image of the city of Milwaukee amid civil unrest and the departure of Major League Baseball as well as why Abdul-Jabbar never found comfort being the face of the Bucks while living in Milwaukee.</p>
<p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4231</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6801f54e-3241-11f1-a81d-c79e787d7c8d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3574366879.mp3?updated=1775539108" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Is "For All Mankind" the Most Ambitious Show on Television?</title>
      <description>It’s the Pop Culture Professors, and we analyze the first two episodes of season five of For All Mankind, Apple+TV’s alternate history show about a world in which the space race never ended.

First, we discuss the season premiere, “First Light.” We focus on the presentation of Mars as an alternative to the social and political system of Earth, and explore the degree to which a Martian rebellion seems likely. We look at the alternate history of the show's depiction of 2012, including the presidency of Al Gore and the analogy between Mars and Iraq.

Then, we tackle episode two, “The Hard Six.” We focus on the apparent discovery of extraterrestrial life and how that relates to the Fermi Paradox and the Great Filter hypothesis; rights and citizenship on Mars; "Craters": as refugees or undocumented migrants; Dev Ayessa's continued pursuit of utopia. We also offer a critical appraisal of the episode as a work of drama, and answer listener's questions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the Pop Culture Professors, and we analyze the first two episodes of season five of For All Mankind, Apple+TV’s alternate history show about a world in which the space race never ended.

First, we discuss the season premiere, “First Light.” We focus on the presentation of Mars as an alternative to the social and political system of Earth, and explore the degree to which a Martian rebellion seems likely. We look at the alternate history of the show's depiction of 2012, including the presidency of Al Gore and the analogy between Mars and Iraq.

Then, we tackle episode two, “The Hard Six.” We focus on the apparent discovery of extraterrestrial life and how that relates to the Fermi Paradox and the Great Filter hypothesis; rights and citizenship on Mars; "Craters": as refugees or undocumented migrants; Dev Ayessa's continued pursuit of utopia. We also offer a critical appraisal of the episode as a work of drama, and answer listener's questions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the Pop Culture Professors, and we analyze the first two episodes of season five of For All Mankind, Apple+TV’s alternate history show about a world in which the space race never ended.</p>
<p>First, we discuss the season premiere, “First Light.” We focus on the presentation of Mars as an alternative to the social and political system of Earth, and explore the degree to which a Martian rebellion seems likely. We look at the alternate history of the show's depiction of 2012, including the presidency of Al Gore and the analogy between Mars and Iraq.</p>
<p>Then, we tackle episode two, “The Hard Six.” We focus on the apparent discovery of extraterrestrial life and how that relates to the Fermi Paradox and the Great Filter hypothesis; rights and citizenship on Mars; "Craters": as refugees or undocumented migrants; Dev Ayessa's continued pursuit of utopia. We also offer a critical appraisal of the episode as a work of drama, and answer listener's questions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4574</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a21c5182-3306-11f1-85e1-ff58c8900d25]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7541536623.mp3?updated=1775624656" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katharine K. Wilkinson, "Climate Wayfinding: Healing Ourselves and the Planet We Call Home" (Amber Lotus Publishing, 2026)</title>
      <description>When maps come up short and the path ahead is uncertain, how do we find our way? Visionary climate leader Katharine K. Wilkinson offers a compassionate and empowering guide to navigating from ache to action, doubt to possibility.

Through transformational programs and books, including the national bestseller All We Can Save, Wilkinson has inspired hundreds of thousands of climate journeys. In Climate Wayfinding: Healing Ourselves and the Planet We Call Home ﻿(﻿Amber Lotus, 2026) she shares a proven process for looking inward with care, outward with curiosity, and forward with courage. Ultimately, readers chart a course toward playing their unique part in our collective healing.

With her singular blend of warmth and rigor, Wilkinson lights the way through stirring personal essays, interwoven with the wisdom of other climate leaders and the beauty of poetry, art, and song. A book to sit with and savor, Climate Wayfinding also invites engagement with journaling prompts, practical exercises, and guides for conversation.

Whether steeped in climate or newly curious, readers will discover something grounding and generative in these pages. The terrain ahead is calling—and we have everything we need to find our way. (Source: here)

Dr. Katharine Wilkinson is a climate leader named by Time magazine as one of 15 “women who will save the world.” Her publications include the New York Times bestseller, Project Drawdown, and the co-edited, All We Can Save, which is an anthology of writings on climate change named among the 10 best science books of 2020 by Smithsonian magazine. Dr. Wilkinson is the co-founder and executive director of the All We Can Save Project and Co-host of the podcast, A Matter of Degrees.

In this interview with Dr. Patricia Houser, Dr. Katharine Wilkinson discusses the unique organization of the Climate Wayfinding book--with its strategic juxtaposition of inspirational essays, poetry, music and reflective passages. This “quilt of components” says Wilkinson, was honed in a series of workshops designed to help people find meaningful and impactful roles as climate leaders/workers.

Selected subtopics and excerpts of the conversation can be found at the following timestamps:

0:04 mins. The podcast opens with the author explaining that people today are confronting a world where the earth’s features no longer resembles what is on a map—we are literally “map-less.” [Background instrumental music: folk_acoustic from Pixabay]

3:04 “Most books talk to you. These pages hope to walk with you.”

4:18 The Author explains, when she is asked “What can I do?” about the climate crisis, she feels that the answer is really, “something of a Russian doll:”

Wilkinson: We ask, what can I do? But sitting within that question are often other bigger wonderings about what it means to be alive at this time, what it means to contribute, where we belong, how are we going to cope?

5:12 Wilkinson: This is an unusual book in the sense that it grew out of this experiential learning and leadership development program and then found its way onto the page.

6:41 Explaining who the book is written for and who is it designed to help

10:41 How the reflective passages and invitations to meditate in this book help people prepare for climate work

15:08 The power of community building as part of a preparation for climate work, has its parallels in history.

17:15 The challenge of better engaging the 89% of people around the world who would like to see more climate action.

24:40 The website climatewayfinding.earth offers audio versions of specially designed meditations printed in the book.

26:45 Features of the website linked to the book.

30:00 Wilkinson: What I hope is that readers, that reading groups, that people who come through the program, they feel at the end of it more equipped for the ongoing work of orientation and navigation and finding our next steps.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When maps come up short and the path ahead is uncertain, how do we find our way? Visionary climate leader Katharine K. Wilkinson offers a compassionate and empowering guide to navigating from ache to action, doubt to possibility.

Through transformational programs and books, including the national bestseller All We Can Save, Wilkinson has inspired hundreds of thousands of climate journeys. In Climate Wayfinding: Healing Ourselves and the Planet We Call Home ﻿(﻿Amber Lotus, 2026) she shares a proven process for looking inward with care, outward with curiosity, and forward with courage. Ultimately, readers chart a course toward playing their unique part in our collective healing.

With her singular blend of warmth and rigor, Wilkinson lights the way through stirring personal essays, interwoven with the wisdom of other climate leaders and the beauty of poetry, art, and song. A book to sit with and savor, Climate Wayfinding also invites engagement with journaling prompts, practical exercises, and guides for conversation.

Whether steeped in climate or newly curious, readers will discover something grounding and generative in these pages. The terrain ahead is calling—and we have everything we need to find our way. (Source: here)

Dr. Katharine Wilkinson is a climate leader named by Time magazine as one of 15 “women who will save the world.” Her publications include the New York Times bestseller, Project Drawdown, and the co-edited, All We Can Save, which is an anthology of writings on climate change named among the 10 best science books of 2020 by Smithsonian magazine. Dr. Wilkinson is the co-founder and executive director of the All We Can Save Project and Co-host of the podcast, A Matter of Degrees.

In this interview with Dr. Patricia Houser, Dr. Katharine Wilkinson discusses the unique organization of the Climate Wayfinding book--with its strategic juxtaposition of inspirational essays, poetry, music and reflective passages. This “quilt of components” says Wilkinson, was honed in a series of workshops designed to help people find meaningful and impactful roles as climate leaders/workers.

Selected subtopics and excerpts of the conversation can be found at the following timestamps:

0:04 mins. The podcast opens with the author explaining that people today are confronting a world where the earth’s features no longer resembles what is on a map—we are literally “map-less.” [Background instrumental music: folk_acoustic from Pixabay]

3:04 “Most books talk to you. These pages hope to walk with you.”

4:18 The Author explains, when she is asked “What can I do?” about the climate crisis, she feels that the answer is really, “something of a Russian doll:”

Wilkinson: We ask, what can I do? But sitting within that question are often other bigger wonderings about what it means to be alive at this time, what it means to contribute, where we belong, how are we going to cope?

5:12 Wilkinson: This is an unusual book in the sense that it grew out of this experiential learning and leadership development program and then found its way onto the page.

6:41 Explaining who the book is written for and who is it designed to help

10:41 How the reflective passages and invitations to meditate in this book help people prepare for climate work

15:08 The power of community building as part of a preparation for climate work, has its parallels in history.

17:15 The challenge of better engaging the 89% of people around the world who would like to see more climate action.

24:40 The website climatewayfinding.earth offers audio versions of specially designed meditations printed in the book.

26:45 Features of the website linked to the book.

30:00 Wilkinson: What I hope is that readers, that reading groups, that people who come through the program, they feel at the end of it more equipped for the ongoing work of orientation and navigation and finding our next steps.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When maps come up short and the path ahead is uncertain, how do we find our way? Visionary climate leader Katharine K. Wilkinson offers a compassionate and empowering guide to navigating from ache to action, doubt to possibility.</p>
<p>Through transformational programs and books, including the national bestseller <em>All We Can Save</em>, Wilkinson has inspired hundreds of thousands of climate journeys. In<a href="https://bookshop.org/a/12343/9781524899899"> </a><a href="https://bookshop.org/a/12343/9781524899899">Climate Wayfinding: Healing Ourselves and the Planet We Call Home</a><em> </em>﻿(﻿Amber Lotus, 2026) she shares a proven process for looking inward with care, outward with curiosity, and forward with courage. Ultimately, readers chart a course toward playing their unique part in our collective healing.</p>
<p>With her singular blend of warmth and rigor, Wilkinson lights the way through stirring personal essays, interwoven with the wisdom of other climate leaders and the beauty of poetry, art, and song. A book to sit with and savor, <a href="https://bookshop.org/a/12343/9781524899899">Climate Wayfinding</a><em> </em>also invites engagement with journaling prompts, practical exercises, and guides for conversation.</p>
<p>Whether steeped in climate or newly curious, readers will discover something grounding and generative in these pages. The terrain ahead is calling—and we have everything we need to find our way. (Source: <a href="https://www.climatewayfinding.earth/book">here</a>)</p>
<p>Dr. Katharine Wilkinson is a climate leader named by Time magazine as one of 15 “women who will save the world.” Her publications include the <em>New York Time</em>s bestseller,<em> Project Drawdown,</em> and the co-edited, <em>All We Can Save</em>, which is an anthology of writings on climate change named among the 10 best science books of 2020 by <em>Smithsonian</em> magazine. Dr. Wilkinson is the co-founder and executive director of the All We Can Save Project and Co-host of the podcast<em>, A Matter of Degrees</em>.</p>
<p><em>In this interview with Dr. Patricia Houser, Dr. Katharine Wilkinson discusses the unique organization of the Climate Wayfinding book--with its strategic juxtaposition of inspirational essays, poetry, music and reflective passages. This “quilt of components” says Wilkinson, was honed in a series of workshops designed to help people find meaningful and impactful roles as climate leaders/workers</em>.<br></p>
<p>Selected subtopics and excerpts of the conversation can be found at the following timestamps:</p>
<p>0:04 mins. The podcast opens with the author explaining that people today are confronting a world where the earth’s features no longer resembles what is on a map—we are literally “map-less.” [Background instrumental music: folk_acoustic from <a href="https://pixabay.com/users/folk_acoustic-25300778/">Pixabay</a>]</p>
<p>3:04 “Most books talk to you. These pages hope to walk with you.”</p>
<p>4:18 The Author explains, when she is asked “What can I do?” about the climate crisis, she feels that the answer is really, “something of a Russian doll:”</p>
<p>Wilkinson: <em>We ask, what can I do? But sitting within that question are often other bigger wonderings about what it means to be alive at this time, what it means to contribute, where we belong, how are we going to cope?</em></p>
<p>5:12 Wilkinson: <em>This is an unusual book in the sense that it grew out of this experiential learning and leadership development program and then found its way onto the page</em>.</p>
<p>6:41 Explaining <em>who</em> the book is written for and<em> who</em> is it designed to help</p>
<p>10:41 How the reflective passages and invitations to meditate in this book help people prepare for climate work</p>
<p>15:08 The power of community building as part of a preparation for climate work, has its parallels in history.</p>
<p>17:15 The challenge of better engaging the 89% of people around the world who would like to see more climate action.</p>
<p>24:40 The website climatewayfinding.earth offers audio versions of specially designed meditations printed in the book.</p>
<p>26:45 Features of the website linked to the book.</p>
<p>30:00 Wilkinson: <em>What I hope is that readers, that reading groups, that people who come through the program, they feel at the end of it more equipped for the ongoing work of orientation and navigation and finding our next steps.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2017</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Fiction’s Lost Ambition with Writer Sam Kahn</title>
      <description>Fiction has “lost its ambition,” and not only that, “its centrality to the culture,” Sam Kahn says in a recent piece on “Castalia,” his popular Substack newsletter. We explore that proposition in our wide-ranging conversation about contemporary fiction and its ailments. What’s especially sad about the diminished role that fiction plays in the culture is that, in our Age of Upheaval, circumstances beg for the sort of wide-angled treatment that novelists like Saul Bellow and Norman Mailer supplied in their day. What happened? Kahn is also an editor at the digital-magazine Persuasion and he edits “The Republic of Letters” on Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Fiction has “lost its ambition,” and not only that, “its centrality to the culture,” Sam Kahn says in a recent piece on “Castalia,” his popular Substack newsletter. We explore that proposition in our wide-ranging conversation about contemporary fiction and its ailments. What’s especially sad about the diminished role that fiction plays in the culture is that, in our Age of Upheaval, circumstances beg for the sort of wide-angled treatment that novelists like Saul Bellow and Norman Mailer supplied in their day. What happened? Kahn is also an editor at the digital-magazine Persuasion and he edits “The Republic of Letters” on Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fiction has “lost its ambition,” and not only that, “its centrality to the culture,” Sam Kahn says in a recent <a href="https://samkahn.substack.com/p/what-has-gone-wrong-with-fiction">piece</a> on “Castalia,” his popular Substack newsletter. We explore that proposition in our wide-ranging conversation about contemporary fiction and its ailments. What’s especially sad about the diminished role that fiction plays in the culture is that, in our Age of Upheaval, circumstances beg for the sort of wide-angled treatment that novelists like Saul Bellow and Norman Mailer supplied in their day. What happened? Kahn is also an editor at the digital-magazine <em>Persuasion </em>and he edits “The Republic of Letters” on Substack.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3434</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Peter Richardson, "Brand New Beat: The Wild Rise of Rolling Stone Magazine" (U California Press, 2026)</title>
      <description>Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Rolling Stone's</em> first decade was truly rock and roll: chaotic, wild, and unpredictable. <a href="https://bookshop.org/a/12343/9780520399396">Brand New Beat: The Wild Rise of Rolling Stone Magazine</a> (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, <em>Rolling Stone</em> and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.<br>Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how <em>Rolling Stone</em> became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how <em>Rolling Stone</em> both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, <em>Rolling Stone</em> leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2965</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>David Arditi, "Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok" (Anthem Press, 2026)</title>
      <description>Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok ﻿(Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners’ uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok ﻿(Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners’ uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who makes a living from the music industry? In <a href="https://bookshop.org/a/12343/9781839995958">Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok</a> ﻿(Anthem Press, 2026) <a href="https://bsky.app/profile/davidarditi.bsky.social">David Arditi</a>, <a href="https://www.davidarditi.com/">an associate professor of sociology</a> at the <a href="https://www.uta.edu/academics/faculty/profile?username=arditi">University of Texas at Arlington</a>, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners’ uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2416</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Daniel Rachel, "This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich" (Akashic Books, 2026)</title>
      <description>Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime?

In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today.

Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London.

Daniel Rachel’s website and Instagram.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 05 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime?

In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today.

Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London.

Daniel Rachel’s website and Instagram.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime?</p>
<p>In <a href="https://bookshop.org/p/books/this-ain-t-rock-n-roll-pop-music-the-swastika-and-the-third-reich-daniel-rachel/8912ffdb05d4c6d8?ean=9781636142852&amp;next=t">This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich</a><em> </em>(Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today.</p>
<p>Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include <em>Too Much Too Young, the 2 Tone Records Story</em>; <em>Isle of Noises: Conversations with Great British Songwriters</em>; and <em>The Lost Album of the Beatles: What If the Beatles Hadn't Split Up?</em> He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London.</p>
<p>Daniel Rachel’s <a href="https://danielrachel.com/">website</a> and <a href="https://www.instagram.com/danielrachelauthor/?hl=en">Instagram</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Backbeat Books, 2021), <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025), and <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.</p>
<p>Bradley on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3431</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[122bd4a8-2e5b-11f1-8f7d-f707d0e4156d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9299226183.mp3?updated=1775110586" length="0" type="audio/mpeg"/>
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    <item>
      <title>Eleanor Houghton, "Charlotte Brontë's Life in Clothes" (Bloomsbury 2026)</title>
      <description>﻿Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf

Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes ﻿﻿(Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges.

Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton.

Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders &amp; Boundaries, Boydell Press, 2024.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 05 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf

Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes ﻿﻿(Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges.

Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton.

Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders &amp; Boundaries, Boydell Press, 2024.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf</p>
<p><em>Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.</em><br>These garments were present as she penned <em>Jane Eyre</em>, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.<br>Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, <a href="https://bookshop.org/a/12343/9781350514089">Charlotte Brontë's Life Through Clothes</a><em> </em>﻿﻿(Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.<br>Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.<br>These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges.</p>
<p>Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited.</p>
<p>Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the <a href="https://brontebirthplace.com/">Brontë Birthplace</a> in Thornton.</p>
<p><a href="https://www.alexiswolf.co.uk/">Alexis Wolf</a> is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of <a href="https://boydellandbrewer.com/book/transnational-women-writers-in-the-wilmot-coterie-1798-1840-9781783277889/">Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders &amp; Boundaries</a>, Boydell Press, 2024.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1791</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK9018081423.mp3?updated=1775206463" length="0" type="audio/mpeg"/>
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    <item>
      <title>Beth Derderian, "Art Capital: Museum Politics and the Making of the Louvre Abu Dhabi" (Stanford UP, 2026)</title>
      <description>Museums often served nationalist and imperialist interests in the past, but the primary force in the 21st century is the market. Museum franchising—exemplified by the Louvre Abu Dhabi—is one of the most visible cases of the increasing entanglement of art and museums with capital interests. Such projects are often touted as global enterprises diversifying the art world. Frequently, critics of these controversial projects question these claims and market influence.

The intersection of these two forces—increasing capitalization and moving toward inclusivity—creates a fundamental tension, and that is the subject of Beth Derderian's Art Capital﻿: Museum Politics and the Making of the Louvre Abu Dhabi ﻿(Stanford UP, 2026). Focusing on the decade between the Louvre Abu Dhabi's announcement and its eventual opening, the book analyzes how major shifts away from the 19th- and 20th-century paradigm of culture-state representation play out in museums' and artists' everyday practices. Derderian traces the emergence of a new logic, wherein the ways that artists represent the state shift, as does the notion of what constitutes 'good art.' In addition, these intersecting forces spur preemptive erasures that neutralize and depoliticize difference for museum publics.

Drawing on ethnographic research with artists, curators, museum staff, gallerists, art teachers, and other arts professionals, this book analyzes the UAE art world as a microcosm of these massive, epistemic changes.

Beth Derderian is Assistant Professor of Modern Middle East Studies and Anthropology at the Crown Center for Middle East Studies at Brandeis University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 04 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Museums often served nationalist and imperialist interests in the past, but the primary force in the 21st century is the market. Museum franchising—exemplified by the Louvre Abu Dhabi—is one of the most visible cases of the increasing entanglement of art and museums with capital interests. Such projects are often touted as global enterprises diversifying the art world. Frequently, critics of these controversial projects question these claims and market influence.

The intersection of these two forces—increasing capitalization and moving toward inclusivity—creates a fundamental tension, and that is the subject of Beth Derderian's Art Capital﻿: Museum Politics and the Making of the Louvre Abu Dhabi ﻿(Stanford UP, 2026). Focusing on the decade between the Louvre Abu Dhabi's announcement and its eventual opening, the book analyzes how major shifts away from the 19th- and 20th-century paradigm of culture-state representation play out in museums' and artists' everyday practices. Derderian traces the emergence of a new logic, wherein the ways that artists represent the state shift, as does the notion of what constitutes 'good art.' In addition, these intersecting forces spur preemptive erasures that neutralize and depoliticize difference for museum publics.

Drawing on ethnographic research with artists, curators, museum staff, gallerists, art teachers, and other arts professionals, this book analyzes the UAE art world as a microcosm of these massive, epistemic changes.

Beth Derderian is Assistant Professor of Modern Middle East Studies and Anthropology at the Crown Center for Middle East Studies at Brandeis University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Museums often served nationalist and imperialist interests in the past, but the primary force in the 21st century is the market. Museum franchising—exemplified by the Louvre Abu Dhabi—is one of the most visible cases of the increasing entanglement of art and museums with capital interests. Such projects are often touted as global enterprises diversifying the art world. Frequently, critics of these controversial projects question these claims and market influence.</p>
<p>The intersection of these two forces—increasing capitalization and moving toward inclusivity—creates a fundamental tension, and that is the subject of Beth Derderian's <a href="https://bookshop.org/a/12343/9781503644762">Art Capital﻿: Museum Politics and the Making of the Louvre Abu Dhabi</a><em> </em>﻿(Stanford UP, 2026). Focusing on the decade between the Louvre Abu Dhabi's announcement and its eventual opening, the book analyzes how major shifts away from the 19th- and 20th-century paradigm of culture-state representation play out in museums' and artists' everyday practices. Derderian traces the emergence of a new logic, wherein the ways that artists represent the state shift, as does the notion of what constitutes 'good art.' In addition, these intersecting forces spur preemptive erasures that neutralize and depoliticize difference for museum publics.</p>
<p>Drawing on ethnographic research with artists, curators, museum staff, gallerists, art teachers, and other arts professionals, this book analyzes the UAE art world as a microcosm of these massive, epistemic changes.</p>
<p>Beth Derderian is Assistant Professor of Modern Middle East Studies and Anthropology at the Crown Center for Middle East Studies at Brandeis University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1879</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3158262794.mp3?updated=1775105719" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eivind Røssaak, "The Cory Arcangel Hack: Digital Culture and Aesthetic Practice" (MIT Press, 2025)</title>
      <description>The first in-depth exploration of the work of artist Cory Arcangel, a pioneer of DIY-new media art whose influential “hacks” subvert the confines of Big Tech.

Cory Arcangel (b. 1978)—perhaps best known for Super Mario Clouds, the most referenced artistic game hack in art history—became one of the first artists from a new generation of punk DIY–new media geeks to capture the attention of the art world.Combining the hands-on skills from the 1990s net art scene and the 2010s post-internet art’s fondness for memes and the generic image, Arcangel demonstrated the way cultural expressions are intimately connected to media technologies and how these technologies can be pranked for cultural critique. In The Cory Arcangel Hack: Digital Culture and Aesthetic Practice ﻿﻿(MIT Press, 2025), Eivind Røssaak shows how Arcangel’s body of work defines a particular strain of postconceptual art that is fundamental for understanding the digital world we live in.Today, the question is not what comes first, humans or machines, but what the forces regulating expressive flows are. Arcangel’s aesthetic and micropolitical critique of mediation at the level of codes and chips enables us to think critically with computational articulations through specific aesthetic clashes and disjunctions, identified in the book as critical “flow-cut arrangements.” This book explores three dominant arrangements in Arcangel’s work—the flow-break hack, the flow-remix hack, and the flow-parody hack—that pinpoint areas of both creativity and concern before and after platform capitalism.﻿﻿﻿Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 04 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The first in-depth exploration of the work of artist Cory Arcangel, a pioneer of DIY-new media art whose influential “hacks” subvert the confines of Big Tech.

Cory Arcangel (b. 1978)—perhaps best known for Super Mario Clouds, the most referenced artistic game hack in art history—became one of the first artists from a new generation of punk DIY–new media geeks to capture the attention of the art world.Combining the hands-on skills from the 1990s net art scene and the 2010s post-internet art’s fondness for memes and the generic image, Arcangel demonstrated the way cultural expressions are intimately connected to media technologies and how these technologies can be pranked for cultural critique. In The Cory Arcangel Hack: Digital Culture and Aesthetic Practice ﻿﻿(MIT Press, 2025), Eivind Røssaak shows how Arcangel’s body of work defines a particular strain of postconceptual art that is fundamental for understanding the digital world we live in.Today, the question is not what comes first, humans or machines, but what the forces regulating expressive flows are. Arcangel’s aesthetic and micropolitical critique of mediation at the level of codes and chips enables us to think critically with computational articulations through specific aesthetic clashes and disjunctions, identified in the book as critical “flow-cut arrangements.” This book explores three dominant arrangements in Arcangel’s work—the flow-break hack, the flow-remix hack, and the flow-parody hack—that pinpoint areas of both creativity and concern before and after platform capitalism.﻿﻿﻿Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The first in-depth exploration of the work of artist Cory Arcangel, a pioneer of DIY-new media art whose influential “hacks” subvert the confines of Big Tech.</p>
<p>Cory Arcangel (b. 1978)—perhaps best known for <em>Super Mario Clouds</em>, the most referenced artistic game hack in art history—became one of the first artists from a new generation of punk DIY–new media geeks to capture the attention of the art world.<br>Combining the hands-on skills from the 1990s net art scene and the 2010s post-internet art’s fondness for memes and the generic image, Arcangel demonstrated the way cultural expressions are intimately connected to media technologies and how these technologies can be pranked for cultural critique. In <a href="https://bookshop.org/a/12343/9780262552547">The Cory Arcangel Hack: Digital Culture and Aesthetic Practice</a><em> </em>﻿﻿(MIT Press, 2025), Eivind Røssaak shows how Arcangel’s body of work defines a particular strain of postconceptual art that is fundamental for understanding the digital world we live in.<br>Today, the question is not what comes first, humans or machines, but what the forces regulating expressive flows are. Arcangel’s aesthetic and micropolitical critique of mediation at the level of codes and chips enables us to think critically with computational articulations through specific aesthetic clashes and disjunctions, identified in the book as critical “flow-cut arrangements.” This book explores three dominant arrangements in Arcangel’s work—the flow-break hack, the flow-remix hack, and the flow-parody hack—that pinpoint areas of both creativity and concern before and after platform capitalism.﻿<br>﻿<br>﻿Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2635</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e99fb834-2e59-11f1-9b38-b7ff89fa1db1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3626162533.mp3?updated=1775109939" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chiang Mai 2015</title>
      <description>The Gastronomica podcast returns to the air, bringing listeners new interviews with authors from the latest issues of Gastronomica: The Journal for Food Studies. In this episode, Alyssa James of Gastronomica’s Editorial Collective hosts award-winning writer and historian Camille Bégin for a discussion of “Chiang Mai 2015,” a creative nonfiction account of a family trip and a search for sustenance that becomes entangled with questions of illness, climate, and care. In her memoir of failed culinary tourism, a story set against the smoky skies of northern Thailand, Camille asks what it means to travel, to look for meaning, and to eat ethically. In conversation with Alyssa, Camille talks about how the haze shapes her story, reflects on the politics of culinary tourism, and shows how food can become a small anchor in times of crisis.

“Chiang Mai 2015” was published in the Spring 2025 issue of Gastronomica (25.1) and is available online here.

Camille Bégin is the author of Taste of the Nation: The New Deal Search for America’s Food (University of Illinois Press, 2016). Her personal essays have appeared in Gastronomica, Adelaide Magazine, and the scientific journal, Brain. She is currently writing a food memoir called Crumbs: A Trail of Taste and Illness. Website here

Alyssa A. L. James is an anthropologist and postdoctoral scholar at the USC Society of Fellows. Her current book project, Revival Grounds, examines coffee, heritage, and temporality in Martinique. Learn more here

Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica’s podcast feed to stay updated on the newest episodes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 03 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Gastronomica podcast returns to the air, bringing listeners new interviews with authors from the latest issues of Gastronomica: The Journal for Food Studies. In this episode, Alyssa James of Gastronomica’s Editorial Collective hosts award-winning writer and historian Camille Bégin for a discussion of “Chiang Mai 2015,” a creative nonfiction account of a family trip and a search for sustenance that becomes entangled with questions of illness, climate, and care. In her memoir of failed culinary tourism, a story set against the smoky skies of northern Thailand, Camille asks what it means to travel, to look for meaning, and to eat ethically. In conversation with Alyssa, Camille talks about how the haze shapes her story, reflects on the politics of culinary tourism, and shows how food can become a small anchor in times of crisis.

“Chiang Mai 2015” was published in the Spring 2025 issue of Gastronomica (25.1) and is available online here.

Camille Bégin is the author of Taste of the Nation: The New Deal Search for America’s Food (University of Illinois Press, 2016). Her personal essays have appeared in Gastronomica, Adelaide Magazine, and the scientific journal, Brain. She is currently writing a food memoir called Crumbs: A Trail of Taste and Illness. Website here

Alyssa A. L. James is an anthropologist and postdoctoral scholar at the USC Society of Fellows. Her current book project, Revival Grounds, examines coffee, heritage, and temporality in Martinique. Learn more here

Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica’s podcast feed to stay updated on the newest episodes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The <em>Gastronomica</em> podcast returns to the air, bringing listeners new interviews with authors from the latest issues of <em>Gastronomica: The Journal for Food Studies</em>. In this episode, Alyssa James of <em>Gastronomica</em>’s Editorial Collective hosts award-winning writer and historian Camille Bégin for a discussion of “Chiang Mai 2015,” a creative nonfiction account of a family trip and a search for sustenance that becomes entangled with questions of illness, climate, and care. In her memoir of failed culinary tourism, a story set against the smoky skies of northern Thailand, Camille asks what it means to travel, to look for meaning, and to eat ethically. In conversation with Alyssa, Camille talks about how the haze shapes her story, reflects on the politics of culinary tourism, and shows how food can become a small anchor in times of crisis.</p>
<p>“Chiang Mai 2015” was published in the Spring 2025 issue of <em>Gastronomica </em>(25.1) and is available online <a href="https://doi.org/10.1525/gfc.2025.25.1.39">here</a>.</p>
<p>Camille Bégin is the author of <em>Taste of the Nation: The New Deal Search for America’s Food</em> (University of Illinois Press, 2016). Her personal essays have appeared in <em>Gastronomica, Adelaide Magazine, </em>and the scientific journal, <em>Brain.</em> She is currently writing a food memoir called <em>Crumbs: A Trail of Taste and Illness</em>. Website <a href="https://www.camillebegin.org/">here</a></p>
<p>Alyssa A. L. James is an anthropologist and postdoctoral scholar at the USC Society of Fellows. Her current book project, <em>Revival Grounds</em>, examines coffee, heritage, and temporality in Martinique. Learn more <a href="https://aaljames.com/">here</a></p>
<p>Listeners can now find the <em>Gastronomica </em>podcast on the New Books Network <a href="https://newbooksnetwork.com/category/academic-partners/gastronomica">here</a>. Subscribe to <em>Gastronomica’s </em>podcast feed to stay updated on the newest episodes.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2449</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8a05a826-2dae-11f1-b490-635a2b44c360]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8332698910.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Parish with Jake Uitti, "The Chief: The Story of the Boston Celtics’ Most Enigmatic Icon" (Triumph, 2026)</title>
      <description>A memoir of basketball, dedication, and longevity from Boston Celtics legend Robert Parish

Growing up in the heart of Louisiana, Robert Parish and his three younger siblings played baseball, football, and tennis―but never basketball. Still, by seventh grade, Parish stood 6'6" and couldn't escape the attention of Coleman Kidd, the junior high basketball coach who saw potential before Parish could see it in himself. And though he was the worst player on the team that first season―handed the last jersey left, No. 00―it would become the number that now hangs in the Boston Garden rafters.

In The Chief: The Story of the Boston Celtics’ Most Enigmatic Icon (Triumph, 2026), the famously reserved Parish opens up for the first time about the full scope of his life―from attending a predominantly white high school during the uneasy years of integration to becoming the anchor of one of the greatest teams in NBA history. With honesty, humility, and plenty of dry humor, Parish reflects on his start with the Golden State Warriors and his trade to Boston, the years alongside Larry Bird and Kevin McHale, the Celtics’ epic rivalries of the 1980s, and the later years with the Charlotte Hornets and Chicago Bulls, finally walking away from the game on his own terms.

Insightful, introspective, and powerful, The Chief is a rare look into the life of an NBA giant who always let his game do the talking―until now.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 03 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A memoir of basketball, dedication, and longevity from Boston Celtics legend Robert Parish

Growing up in the heart of Louisiana, Robert Parish and his three younger siblings played baseball, football, and tennis―but never basketball. Still, by seventh grade, Parish stood 6'6" and couldn't escape the attention of Coleman Kidd, the junior high basketball coach who saw potential before Parish could see it in himself. And though he was the worst player on the team that first season―handed the last jersey left, No. 00―it would become the number that now hangs in the Boston Garden rafters.

In The Chief: The Story of the Boston Celtics’ Most Enigmatic Icon (Triumph, 2026), the famously reserved Parish opens up for the first time about the full scope of his life―from attending a predominantly white high school during the uneasy years of integration to becoming the anchor of one of the greatest teams in NBA history. With honesty, humility, and plenty of dry humor, Parish reflects on his start with the Golden State Warriors and his trade to Boston, the years alongside Larry Bird and Kevin McHale, the Celtics’ epic rivalries of the 1980s, and the later years with the Charlotte Hornets and Chicago Bulls, finally walking away from the game on his own terms.

Insightful, introspective, and powerful, The Chief is a rare look into the life of an NBA giant who always let his game do the talking―until now.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A memoir of basketball, dedication, and longevity from Boston Celtics legend Robert Parish</p>
<p>Growing up in the heart of Louisiana, Robert Parish and his three younger siblings played baseball, football, and tennis―but never basketball. Still, by seventh grade, Parish stood 6'6" and couldn't escape the attention of Coleman Kidd, the junior high basketball coach who saw potential before Parish could see it in himself. And though he was the worst player on the team that first season―handed the last jersey left, No. 00―it would become the number that now hangs in the Boston Garden rafters.</p>
<p>In <a href="https://bookshop.org/a/12343/9781637279618">The Chief: The Story of the Boston Celtics’ Most Enigmatic Icon</a> (Triumph, 2026), the famously reserved Parish opens up for the first time about the full scope of his life―from attending a predominantly white high school during the uneasy years of integration to becoming the anchor of one of the greatest teams in NBA history. With honesty, humility, and plenty of dry humor, Parish reflects on his start with the Golden State Warriors and his trade to Boston, the years alongside Larry Bird and Kevin McHale, the Celtics’ epic rivalries of the 1980s, and the later years with the Charlotte Hornets and Chicago Bulls, finally walking away from the game on his own terms.</p>
<p>Insightful, introspective, and powerful, <em>The Chief</em> is a rare look into the life of an NBA giant who always let his game do the talking―until now.</p>
<p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3474</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK5195344823.mp3?updated=1774942750" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marty Friedman with Jon Wiederhorn, "Dreaming Japanese" (Permuted Press, 2024)</title>
      <description>Marty Friedman is a multi-platinum recording artist and government-appointed Ambassador to Japan Heritage. He has written three books in Japanese and had long running columns in the Asahi Weekly, Nikkei Entertainment, Cyzo, Big Comic, Young Guitar, Guitar World and Burrn.

The show opens with a moving tribute to Ozzy Osbourne, formerly of Black Sabbath, who passed away on July 25, 2025. Friedman then turns to the reason for writing his book, co-authored with Jon Wiederhorn. He talks about the co-writing process and describes it as “putting his musical abilities into words.” His latest solo release, Drama, he calls his best and most romantic work to date — a largely orchestral album that stretches beyond his usual style.

He also reflects on the Japanese entertainment industry, the uniquely Japanese idea of heta-uma, idol music, and the role of “cuteness” in J-Pop. Producers such as Tsunku and Komuro Tetsuya play a key role in drawing out this unique appeal. J-Pop carries deeper cultural nuance than outsiders might assume. In addition, Friedman reflects on scandals, music managers ,and his first rehearsal with a J-Pop band.

Read our book review of Dreaming Japanese (Permuted Press, 2024) as reviewed by Stephen Mansfield. Subscribe to the Books on Asia podcast, and the Books on Asia newsletter featuring new releases, book reviews and the latest podcast episodes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 03 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Marty Friedman is a multi-platinum recording artist and government-appointed Ambassador to Japan Heritage. He has written three books in Japanese and had long running columns in the Asahi Weekly, Nikkei Entertainment, Cyzo, Big Comic, Young Guitar, Guitar World and Burrn.

The show opens with a moving tribute to Ozzy Osbourne, formerly of Black Sabbath, who passed away on July 25, 2025. Friedman then turns to the reason for writing his book, co-authored with Jon Wiederhorn. He talks about the co-writing process and describes it as “putting his musical abilities into words.” His latest solo release, Drama, he calls his best and most romantic work to date — a largely orchestral album that stretches beyond his usual style.

He also reflects on the Japanese entertainment industry, the uniquely Japanese idea of heta-uma, idol music, and the role of “cuteness” in J-Pop. Producers such as Tsunku and Komuro Tetsuya play a key role in drawing out this unique appeal. J-Pop carries deeper cultural nuance than outsiders might assume. In addition, Friedman reflects on scandals, music managers ,and his first rehearsal with a J-Pop band.

Read our book review of Dreaming Japanese (Permuted Press, 2024) as reviewed by Stephen Mansfield. Subscribe to the Books on Asia podcast, and the Books on Asia newsletter featuring new releases, book reviews and the latest podcast episodes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marty Friedman is a multi-platinum recording artist and government-appointed Ambassador to Japan Heritage. He has written three books in Japanese and had long running columns in the <em>Asahi Weekly</em>, <em>Nikkei Entertainment</em>, <em>Cyzo</em>, <em>Big Comic</em>, <em>Young Guitar</em>, <em>Guitar World</em> and <em>Burrn</em>.</p>
<p>The show opens with a moving tribute to Ozzy Osbourne, formerly of Black Sabbath, who passed away on July 25, 2025. Friedman then turns to the reason for writing his book, co-authored with Jon Wiederhorn. He talks about the co-writing process and describes it as “putting his musical abilities into words.” His latest solo release, <em>Drama</em>, he calls his best and most romantic work to date — a largely orchestral album that stretches beyond his usual style.</p>
<p>He also reflects on the Japanese entertainment industry, the uniquely Japanese idea of <em>heta-uma, </em>idol music, and the role of “cuteness” in J-Pop. Producers such as Tsunku and Komuro Tetsuya play a key role in drawing out this unique appeal. J-Pop carries deeper cultural nuance than outsiders might assume. In addition, Friedman reflects on scandals, music managers ,and his first rehearsal with a J-Pop band.</p>
<p>Read our <a href="https://booksonasia.net/2025/07/27/review-dreaming-japanese/">book review</a> of <a href="https://bookshop.org/a/12343/9798888453629">Dreaming Japanese</a> (Permuted Press, 2024) as reviewed by Stephen Mansfield. <a href="https://linktr.ee/Booksonasia">Subscribe</a> to the Books on Asia podcast, and the <a href="https://mailchi.mp/551d4de3d669/books-on-asia?mc_cid=b7bcbc365e&amp;mc_eid=4b86655ad1">Books on Asia newsletter</a> featuring new releases, book reviews and the latest podcast episodes.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3244</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4258279e-2e5b-11f1-af34-0790d818bfbc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7316807713.mp3?updated=1775111057" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa Auf der Maur, "Even the Good Girls Will Cry: A '90s Rock Memoir" (DaCapo, 2026)</title>
      <description>Melissa Auf der Maur's new memoir, Even the Good Girls Will Cry: A '90s Rock Memoir(DaCapo, 2026) is a remarkably open-hearted, clear-eyed memoir of the '90s Alternative era by the bassist of Hole and The Smashing Pumpkins Even the Good Girls Will Cry begins with Auf der Maur's bohemian upbringing in Montreal, where her early, deep connection to art and music gave her entry to the colorful and thriving local creative scene. Working as a cassette DJ and ticket girl, she would see (and sometimes meet) the luminaries who'd pass through town--Nirvana, Jane's Addiction, Pavement, Sonic Youth. Thanks to a thrown beer bottle and a long-shot fan letter to a PO Box, her band Tinker scored a life-changing opening slot for The Smashing Pumpkins and, sensing her natural talent on bass, Billy Corgan recommended her to Courtney Love, just one of the many uncanny threads that weaves destiny throughout this riveting memoir. Whisked from her local scene and thrust into the eye of a hurricane of grief on a global stage, Melissa joined Hole for the band's 1994 Live Through This world tour just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with Courtney Love at the center of it all. It was a tour of passionate intensity, as a chaotic yet stunningly powerful band constantly threatened to spin out of control. Melissa brings the reader with raging intimacy into the action, offering a heroic portrait of the unforgettable Courtney Love as she howled into the darkness as if to keep grief at bay. That was only the beginning of Melissa's journey through alternative rock. Part rock memoir, part travel diary, part psychedelic scrapbook, Even the Good Girls Will Cry is a behind-the-scenes rock 'n' roll memoir with a soulful intimacy and mystic undertone that sets it apart from memoirs by her peers. It is a vivid dispatch from the last analog decade, artistically capturing that bygone era in all its messy, angsty glory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 02 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Melissa Auf der Maur's new memoir, Even the Good Girls Will Cry: A '90s Rock Memoir(DaCapo, 2026) is a remarkably open-hearted, clear-eyed memoir of the '90s Alternative era by the bassist of Hole and The Smashing Pumpkins Even the Good Girls Will Cry begins with Auf der Maur's bohemian upbringing in Montreal, where her early, deep connection to art and music gave her entry to the colorful and thriving local creative scene. Working as a cassette DJ and ticket girl, she would see (and sometimes meet) the luminaries who'd pass through town--Nirvana, Jane's Addiction, Pavement, Sonic Youth. Thanks to a thrown beer bottle and a long-shot fan letter to a PO Box, her band Tinker scored a life-changing opening slot for The Smashing Pumpkins and, sensing her natural talent on bass, Billy Corgan recommended her to Courtney Love, just one of the many uncanny threads that weaves destiny throughout this riveting memoir. Whisked from her local scene and thrust into the eye of a hurricane of grief on a global stage, Melissa joined Hole for the band's 1994 Live Through This world tour just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with Courtney Love at the center of it all. It was a tour of passionate intensity, as a chaotic yet stunningly powerful band constantly threatened to spin out of control. Melissa brings the reader with raging intimacy into the action, offering a heroic portrait of the unforgettable Courtney Love as she howled into the darkness as if to keep grief at bay. That was only the beginning of Melissa's journey through alternative rock. Part rock memoir, part travel diary, part psychedelic scrapbook, Even the Good Girls Will Cry is a behind-the-scenes rock 'n' roll memoir with a soulful intimacy and mystic undertone that sets it apart from memoirs by her peers. It is a vivid dispatch from the last analog decade, artistically capturing that bygone era in all its messy, angsty glory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Melissa Auf der Maur's new memoir, <a href="https://bookshop.org/a/12343/9780306833755">Even the Good Girls Will Cry: A '90s Rock Memoir</a>(DaCapo, 2026) is a remarkably open-hearted, clear-eyed memoir of the '90s Alternative era by the bassist of Hole and The Smashing Pumpkins Even the Good Girls Will Cry begins with Auf der Maur's bohemian upbringing in Montreal, where her early, deep connection to art and music gave her entry to the colorful and thriving local creative scene. Working as a cassette DJ and ticket girl, she would see (and sometimes meet) the luminaries who'd pass through town--Nirvana, Jane's Addiction, Pavement, Sonic Youth. Thanks to a thrown beer bottle and a long-shot fan letter to a PO Box, her band Tinker scored a life-changing opening slot for The Smashing Pumpkins and, sensing her natural talent on bass, Billy Corgan recommended her to Courtney Love, just one of the many uncanny threads that weaves destiny throughout this riveting memoir. Whisked from her local scene and thrust into the eye of a hurricane of grief on a global stage, Melissa joined Hole for the band's 1994 Live Through This world tour just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with Courtney Love at the center of it all. It was a tour of passionate intensity, as a chaotic yet stunningly powerful band constantly threatened to spin out of control. Melissa brings the reader with raging intimacy into the action, offering a heroic portrait of the unforgettable Courtney Love as she howled into the darkness as if to keep grief at bay. That was only the beginning of Melissa's journey through alternative rock. Part rock memoir, part travel diary, part psychedelic scrapbook, Even the Good Girls Will Cry is a behind-the-scenes rock 'n' roll memoir with a soulful intimacy and mystic undertone that sets it apart from memoirs by her peers. It is a vivid dispatch from the last analog decade, artistically capturing that bygone era in all its messy, angsty glory.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2712</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e8297fe6-2cd1-11f1-b603-7ba648b8638f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6876357630.mp3?updated=1774941790" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Mann Reconsidered: Heat and Collateral</title>
      <description>It’s the Pop Culture Professors, and in this show we conclude our series on the films of Michael Mann. Structured as a knock-out tournament, we have set his eight most highly regarded movies in single-elimination competition. Today, we consider Heat (1995) and Collateral (2004). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work. And we conclude the series by ranking the top Michael Mann movies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 01 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the Pop Culture Professors, and in this show we conclude our series on the films of Michael Mann. Structured as a knock-out tournament, we have set his eight most highly regarded movies in single-elimination competition. Today, we consider Heat (1995) and Collateral (2004). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work. And we conclude the series by ranking the top Michael Mann movies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the Pop Culture Professors, and in this show we conclude our series on the films of Michael Mann. Structured as a knock-out tournament, we have set his eight most highly regarded movies in single-elimination competition. Today, we consider Heat (1995) and Collateral (2004). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work. And we conclude the series by ranking the top Michael Mann movies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2422</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[da7e985e-2cb8-11f1-b036-cbb5b0332660]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6709880187.mp3?updated=1774930949" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Hall, "Building Resilient Futures" (Austin Macauley, 2023)</title>
      <description>Explore resilience from personal, organizational, and national perspectives with expert Robert Hall in this discussion of his book ﻿Building Resilient Futures (Austin Macauley, 2023). Discover case studies from COVID-19, the Winter War, and more, highlighting how resilience can be cultivated and applied.


  Types of resilience: personal, social, urban, national

  Case studies: COVID-19, Winter War, Ladbroke Grove disaster

  The importance of community and social bonds in resilience

  The paradox of preparedness and resource redundancy

  Lessons from history: Shackleton, Finnish resilience, and more


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 01 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Explore resilience from personal, organizational, and national perspectives with expert Robert Hall in this discussion of his book ﻿Building Resilient Futures (Austin Macauley, 2023). Discover case studies from COVID-19, the Winter War, and more, highlighting how resilience can be cultivated and applied.


  Types of resilience: personal, social, urban, national

  Case studies: COVID-19, Winter War, Ladbroke Grove disaster

  The importance of community and social bonds in resilience

  The paradox of preparedness and resource redundancy

  Lessons from history: Shackleton, Finnish resilience, and more


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Explore resilience from personal, organizational, and national perspectives with expert Robert Hall in this discussion of his book ﻿<a href="https://bookshop.org/a/12343/9781035812639">Building Resilient Futures </a>(Austin Macauley, 2023). Discover case studies from COVID-19, the Winter War, and more, highlighting how resilience can be cultivated and applied.</p>
<ul>
  <li>Types of resilience: personal, social, urban, national</li>
  <li>Case studies: COVID-19, Winter War, Ladbroke Grove disaster</li>
  <li>The importance of community and social bonds in resilience</li>
  <li>The paradox of preparedness and resource redundancy</li>
  <li>Lessons from history: Shackleton, Finnish resilience, and more</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3190</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7db31b12-2cb9-11f1-918a-1b90d81b48c8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9616278481.mp3?updated=1774931280" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeffrey Wasserstrom, "Everything You Wanted to Know about China*: * But Were Afraid to Ask" (Brixton Ink, 2025)</title>
      <description>What does Xi Jinping share with Mao Zedong? Why is Confucius still central to a communist state? What really happened in Tiananmen Square—and why is it still a taboo?In this accessible and politically astute primer ﻿Everything You Wanted to Know about China*: * But Were Afraid to Ask ﻿(Bui ﻿Jones Books, 2026) acclaimed historian Jeffrey Wasserstrom tackles the questions many are afraid to ask about China. Drawing on decades of research and first-hand experience in Beijing, Shanghai, and Hong Kong, Wasserstrom offers clear, unflinching answers to topics often shrouded in cliché, censorship, or moral panic.From personality cults and protest movements to censorship, soft power, and trade wars, Everything You Wanted to Know About China (But Were Afraid to Ask) demystifies the People’s Republic without exoticising it—offering a vital starting point for understanding one of the most powerful and misunderstood countries in the world.Structured as a series of conversational questions and answers—edited from an extended dialogue and reframed around key themes in History, Politics, and Culture— this is a necessary book for anyone seeking to cut through the noise.

Jeffrey Wasserstrom is Chancellor's Professor of History at the University of California, Irvine.

Lucas Tse is Examination Fellow at All Souls College, Oxford.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 31 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What does Xi Jinping share with Mao Zedong? Why is Confucius still central to a communist state? What really happened in Tiananmen Square—and why is it still a taboo?In this accessible and politically astute primer ﻿Everything You Wanted to Know about China*: * But Were Afraid to Ask ﻿(Bui ﻿Jones Books, 2026) acclaimed historian Jeffrey Wasserstrom tackles the questions many are afraid to ask about China. Drawing on decades of research and first-hand experience in Beijing, Shanghai, and Hong Kong, Wasserstrom offers clear, unflinching answers to topics often shrouded in cliché, censorship, or moral panic.From personality cults and protest movements to censorship, soft power, and trade wars, Everything You Wanted to Know About China (But Were Afraid to Ask) demystifies the People’s Republic without exoticising it—offering a vital starting point for understanding one of the most powerful and misunderstood countries in the world.Structured as a series of conversational questions and answers—edited from an extended dialogue and reframed around key themes in History, Politics, and Culture— this is a necessary book for anyone seeking to cut through the noise.

Jeffrey Wasserstrom is Chancellor's Professor of History at the University of California, Irvine.

Lucas Tse is Examination Fellow at All Souls College, Oxford.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does Xi Jinping share with Mao Zedong? Why is Confucius still central to a communist state? What really happened in Tiananmen Square—and why is it still a taboo?<br>In this accessible and politically astute primer ﻿<a href="https://buijones.com/books/everything-you-wanted-to-know-about-china/">Everything You Wanted to Know about China*: * But Were Afraid to Ask</a><em> </em>﻿(Bui ﻿Jones Books, 2026) acclaimed historian Jeffrey Wasserstrom tackles the questions many are afraid to ask about China. Drawing on decades of research and first-hand experience in Beijing, Shanghai, and Hong Kong, Wasserstrom offers clear, unflinching answers to topics often shrouded in cliché, censorship, or moral panic.<br>From personality cults and protest movements to censorship, soft power, and trade wars, Everything You Wanted to Know About China (But Were Afraid to Ask) demystifies the People’s Republic without exoticising it—offering a vital starting point for understanding one of the most powerful and misunderstood countries in the world.<br>Structured as a series of conversational questions and answers—edited from an extended dialogue and reframed around key themes in History, Politics, and Culture— this is a necessary book for anyone seeking to cut through the noise.</p>
<p>Jeffrey Wasserstrom is Chancellor's Professor of History at the University of California, Irvine.</p>
<p>Lucas Tse is Examination Fellow at All Souls College, Oxford.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4839</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2ab433f6-2c0f-11f1-9bc7-0ff808bfdedd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7972157103.mp3?updated=1774858065" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Allan, "Cinema before the World: The Global Routes of the Lumière Brothers" (Fordham UP, 2026)</title>
      <description>Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history.

Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives.

The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be.

Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media.

Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 29 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history.

Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives.

The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be.

Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media.

Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781531514044">Cinema Before the World: The Global Routes of the Lumière Brothers</a> (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history.</p>
<p>Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives.</p>
<p>The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be.</p>
<p><em>Cinema before the World</em> offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media.</p>
<p><strong>Michael Allan</strong> is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of <em>In the Shadow of World Literature: Sites of Reading in Colonial Egypt </em>(Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal <em>Comparative Literature</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2156</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7c8027e6-299c-11f1-a711-d3d6771ae5fb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8942442789.mp3?updated=1774589245" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Mann Reconsidered: Ali and The Last of the Mohicans</title>
      <description>It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ali (2001) and The Last of the Mohicans (1992). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 27 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ali (2001) and The Last of the Mohicans (1992). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ali (2001) and The Last of the Mohicans (1992). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1822</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d6635450-28d8-11f1-80ae-078fa6835928]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9361838356.mp3?updated=1774504650" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Jaffe, "Work Won't Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone" (Bold Type Books, 2021)</title>
      <description>In Work Won’t Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone ﻿(Bold Type Books, 2021), Sarah Jaffe argues that modern culture encourages workers to see their jobs as a “labor of love.” This idea tells people that passion and dedication should motivate them more than pay or working conditions. Jaffe shows that this belief often allows employers to justify low wages, long hours, and poor treatment. Through stories of workers across many fields, such as teachers, domestic workers, nonprofit employees, artists, athletes, and tech workers, the book demonstrates how devotion to work is used to normalize exploitation. Jaffe calls for a reevaluation of the relationship between work, identity, and personal fulfillment, suggesting that workers should organize collectively and demand fair compensation and conditions instead of relying on passion alone.

Sarah Jaffe is a journalist and labor reporter who writes about work, inequality, and social movements. Her work has appeared in major publications such as The Nation, The Washington Post, and The Guardian. Jaffe has long reported on labor struggles and worker organizing, including movements like Occupy Wall Street and the Fight for $15 campaign. She is also the author of Necessary Trouble and most recently From the Ashes: Grief and Revolution in A World on Fire. She is co-host of the labor podcast Belabored. Her writing focuses on how economic systems shape everyday life and workers’ experiences.

My co-producer on this episode is Kelly Knight, a graduate student in the MA program in Communication at Oakland University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Work Won’t Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone ﻿(Bold Type Books, 2021), Sarah Jaffe argues that modern culture encourages workers to see their jobs as a “labor of love.” This idea tells people that passion and dedication should motivate them more than pay or working conditions. Jaffe shows that this belief often allows employers to justify low wages, long hours, and poor treatment. Through stories of workers across many fields, such as teachers, domestic workers, nonprofit employees, artists, athletes, and tech workers, the book demonstrates how devotion to work is used to normalize exploitation. Jaffe calls for a reevaluation of the relationship between work, identity, and personal fulfillment, suggesting that workers should organize collectively and demand fair compensation and conditions instead of relying on passion alone.

Sarah Jaffe is a journalist and labor reporter who writes about work, inequality, and social movements. Her work has appeared in major publications such as The Nation, The Washington Post, and The Guardian. Jaffe has long reported on labor struggles and worker organizing, including movements like Occupy Wall Street and the Fight for $15 campaign. She is also the author of Necessary Trouble and most recently From the Ashes: Grief and Revolution in A World on Fire. She is co-host of the labor podcast Belabored. Her writing focuses on how economic systems shape everyday life and workers’ experiences.

My co-producer on this episode is Kelly Knight, a graduate student in the MA program in Communication at Oakland University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781568589374">Work Won’t Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone</a><em> </em>﻿(Bold Type Books, 2021), Sarah Jaffe argues that modern culture encourages workers to see their jobs as a “labor of love.” This idea tells people that passion and dedication should motivate them more than pay or working conditions. Jaffe shows that this belief often allows employers to justify low wages, long hours, and poor treatment. Through stories of workers across many fields, such as teachers, domestic workers, nonprofit employees, artists, athletes, and tech workers, the book demonstrates how devotion to work is used to normalize exploitation. Jaffe calls for a reevaluation of the relationship between work, identity, and personal fulfillment, suggesting that workers should organize collectively and demand fair compensation and conditions instead of relying on passion alone.</p>
<p>Sarah Jaffe is a journalist and labor reporter who writes about work, inequality, and social movements. Her work has appeared in major publications such as The Nation, The Washington Post, and The Guardian. Jaffe has long reported on labor struggles and worker organizing, including movements like Occupy Wall Street and the Fight for $15 campaign. She is also the author of <em>Necessary Trouble</em> and most recently <em>From the Ashes: Grief and Revolution in A World on Fire. </em>She is co-host of the labor podcast Belabored. Her writing focuses on how economic systems shape everyday life and workers’ experiences.</p>
<p>My co-producer on this episode is Kelly Knight, a graduate student in the MA program in Communication at Oakland University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4131</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[680aaf40-2760-11f1-864c-434b1f08ab74]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1166259415.mp3?updated=1774343243" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alan McDougall, "Dreams and Songs to Sing: A People's History of Liverpool FC from Shankly to Klopp" (Cambridge UP, 2025)</title>
      <description>Today we are joined by Alan McDougall, Professor of History at the University of Guelph, and the author of Dreams and Songs To Sing: A People’s History of Liverpool F.C. From Shankly to Klopp (Cambridge: Cambridge University Press, 2025). In our conversation, we discussed the rise of Liverpool as a global football club, the crises that beset the club during the Heysel and Hillsborough disasters, and the necessity of inherent optimism of fandom in contemporary sports.

In Dreams and Songs to Sing, McDougall writes the history of Liverpool FC from Shankly to Klopp in a register that will appeal to both popular and scholarly readers. McDougall is a lifelong Liverpool supporter, and he is careful to point out where his connections to the club and its fandom might shade his examination, but he also shows how those same affective connections allow him to a unique entry point into issues only visible to fans and that supports can be even more critical than a detached observer. This is especially true in his investigation of Heysel and Hillsborough.

The book proceeds roughly chronologically. The book’s early chapters examine the club’s connection to Liverpool’s working-class district 4 and to their Anfield home ground. He pays special attention to the supporter’s end - the notorious Kop. Using oral history interviews, McDougall illustrates the exceptional pull of the stadium to both local and global fans.

The heart of the book is its engaging, thick description of the club’s history during the Shankly era. McDougall shows that not only was Shankly a very successful manager, and quite funny, but that he ran the club with a sense of Liverpool’s local identity. A man who arrived at the right time – he benefitted from Liverpool’s growing global reputation; Beatlemania gave the city a sound but players and fans rubbed shoulders with comics, musicians, and poets.

Shankly embodied the very local socialist, working-class attitudes of the majority of club supporters. His retirement shook the whole city. McDougall uses a family repository of letters to show how people from around the city, the country, and the world wrote to him to express sadness at him leaving and to wish him luck.

McDougall’s account might be from an insider, but his analysis does not shy away from shining a light on the difficult social politics that accompanied the club’s enormous success on the field. European Cup victories sit alongside the deadly hooligan violence at Heysel. Black players like Howard Gayle and John Barnes face racism from the club’s supporters. The club first ignores and then undervalues the rise of women’s football.

McDougall’s history ends in the Klopp era – perhaps a mercy to Liverpool fans! He shows how the contemporary club embodies the idea of a global club with a local heart. The international ownership of the club has successfully navigated the rise of the Premier League and the increasing commercialization of European football, but local supporters have been innovative at creating a culture of resistance to changes that could undermine the glocal identity of Liverpool. Klopp symbolized this new football club: cosmopolitan, emotional, forward, successful.

Compelling and hard to put down, McDougall’s Dreams and Songs to Sing will appeal to all readers of sports history. It will be of particular interest to Liverpool supporters and football fanatics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>315</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today we are joined by Alan McDougall, Professor of History at the University of Guelph, and the author of Dreams and Songs To Sing: A People’s History of Liverpool F.C. From Shankly to Klopp (Cambridge: Cambridge University Press, 2025). In our conversation, we discussed the rise of Liverpool as a global football club, the crises that beset the club during the Heysel and Hillsborough disasters, and the necessity of inherent optimism of fandom in contemporary sports.

In Dreams and Songs to Sing, McDougall writes the history of Liverpool FC from Shankly to Klopp in a register that will appeal to both popular and scholarly readers. McDougall is a lifelong Liverpool supporter, and he is careful to point out where his connections to the club and its fandom might shade his examination, but he also shows how those same affective connections allow him to a unique entry point into issues only visible to fans and that supports can be even more critical than a detached observer. This is especially true in his investigation of Heysel and Hillsborough.

The book proceeds roughly chronologically. The book’s early chapters examine the club’s connection to Liverpool’s working-class district 4 and to their Anfield home ground. He pays special attention to the supporter’s end - the notorious Kop. Using oral history interviews, McDougall illustrates the exceptional pull of the stadium to both local and global fans.

The heart of the book is its engaging, thick description of the club’s history during the Shankly era. McDougall shows that not only was Shankly a very successful manager, and quite funny, but that he ran the club with a sense of Liverpool’s local identity. A man who arrived at the right time – he benefitted from Liverpool’s growing global reputation; Beatlemania gave the city a sound but players and fans rubbed shoulders with comics, musicians, and poets.

Shankly embodied the very local socialist, working-class attitudes of the majority of club supporters. His retirement shook the whole city. McDougall uses a family repository of letters to show how people from around the city, the country, and the world wrote to him to express sadness at him leaving and to wish him luck.

McDougall’s account might be from an insider, but his analysis does not shy away from shining a light on the difficult social politics that accompanied the club’s enormous success on the field. European Cup victories sit alongside the deadly hooligan violence at Heysel. Black players like Howard Gayle and John Barnes face racism from the club’s supporters. The club first ignores and then undervalues the rise of women’s football.

McDougall’s history ends in the Klopp era – perhaps a mercy to Liverpool fans! He shows how the contemporary club embodies the idea of a global club with a local heart. The international ownership of the club has successfully navigated the rise of the Premier League and the increasing commercialization of European football, but local supporters have been innovative at creating a culture of resistance to changes that could undermine the glocal identity of Liverpool. Klopp symbolized this new football club: cosmopolitan, emotional, forward, successful.

Compelling and hard to put down, McDougall’s Dreams and Songs to Sing will appeal to all readers of sports history. It will be of particular interest to Liverpool supporters and football fanatics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Alan McDougall, Professor of History at the University of Guelph, and the author of <em>Dreams and Songs To Sing: A People’s History of Liverpool F.C. From Shankly to Klopp </em>(Cambridge: Cambridge University Press, 2025). In our conversation, we discussed the rise of Liverpool as a global football club, the crises that beset the club during the Heysel and Hillsborough disasters, and the necessity of inherent optimism of fandom in contemporary sports.</p>
<p>In <em>Dreams and Songs to Sing</em>, McDougall writes the history of Liverpool FC from Shankly to Klopp in a register that will appeal to both popular and scholarly readers. McDougall is a lifelong Liverpool supporter, and he is careful to point out where his connections to the club and its fandom might shade his examination, but he also shows how those same affective connections allow him to a unique entry point into issues only visible to fans and that supports can be even more critical than a detached observer. This is especially true in his investigation of Heysel and Hillsborough.</p>
<p>The book proceeds roughly chronologically. The book’s early chapters examine the club’s connection to Liverpool’s working-class district 4 and to their Anfield home ground. He pays special attention to the supporter’s end - the notorious Kop. Using oral history interviews, McDougall illustrates the exceptional pull of the stadium to both local and global fans.</p>
<p>The heart of the book is its engaging, thick description of the club’s history during the Shankly era. McDougall shows that not only was Shankly a very successful manager, and quite funny, but that he ran the club with a sense of Liverpool’s local identity. A man who arrived at the right time – he benefitted from Liverpool’s growing global reputation; Beatlemania gave the city a sound but players and fans rubbed shoulders with comics, musicians, and poets.</p>
<p>Shankly embodied the very local socialist, working-class attitudes of the majority of club supporters. His retirement shook the whole city. McDougall uses a family repository of letters to show how people from around the city, the country, and the world wrote to him to express sadness at him leaving and to wish him luck.</p>
<p>McDougall’s account might be from an insider, but his analysis does not shy away from shining a light on the difficult social politics that accompanied the club’s enormous success on the field. European Cup victories sit alongside the deadly hooligan violence at Heysel. Black players like Howard Gayle and John Barnes face racism from the club’s supporters. The club first ignores and then undervalues the rise of women’s football.</p>
<p>McDougall’s history ends in the Klopp era – perhaps a mercy to Liverpool fans! He shows how the contemporary club embodies the idea of a global club with a local heart. The international ownership of the club has successfully navigated the rise of the Premier League and the increasing commercialization of European football, but local supporters have been innovative at creating a culture of resistance to changes that could undermine the glocal identity of Liverpool. Klopp symbolized this new football club: cosmopolitan, emotional, forward, successful.</p>
<p>Compelling and hard to put down, McDougall’s <em>Dreams and Songs to Sing </em>will appeal to all readers of sports history. It will be of particular interest to Liverpool supporters and football fanatics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3941</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[414d6a20-26eb-11f1-bc7f-d308c0b5edb5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9376676294.mp3?updated=1774293603" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Mann Reconsidered: Ferrari and Manhunter</title>
      <description>It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ferrari (2023) and Manhunter (1986). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 22 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ferrari (2023) and Manhunter (1986). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ferrari (2023) and Manhunter (1986). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1787</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[859fafaa-2455-11f1-a7de-a7b36bec198e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4895066612.mp3?updated=1774008748" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Danny Bate, "Why Q Needs U: A History of Our Letters and How We Use Them" (Bonnier Books, 2025)</title>
      <description>Every letter you’re reading right now has a fascinating story to tell, having been on a long linguistic, historical, political and social journey. The English alphabet is a tool we’ve inherited down the centuries from ancient creators around the world. The alphabet hasn’t always had its present form, but rather has undergone all sorts of changes and evolutions to suit the needs of the time. Did you know that five English letters come from a single graphic grandparent? Or that we may know the specific person who invented the letter G? Do you know why Z is the sixth letter for the Greeks, yet the last for us? Or why Q needs to be followed by U?In Why Q Needs U: A History of Our Letters and How We Use Them (Bonnier Books, 2025), linguistic expert Dr. Danny Bate takes readers on a fascinating odyssey through the English alphabet, not just to share fun facts but to reveal the alphabet’s hidden mechanisms and inspire a newfound sense of wonder in this ancient tool. He will not only leave readers amazed by the letters they use every day but equipped to spot connections in languages across the world. He also aims to explain and defend the peculiar way English today uses these ancient symbols. Why does a silent final E turn hop into hope? Why are the Cs in circus pronounced differently? And why is there an L in salmon and a K in know?

Each chapter is a self-contained adventure into history, etymology, politics and more, but will also contribute to a general appreciation for how our alphabet developed, how it has changed and how it fits into a wider world of writing.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 21 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Every letter you’re reading right now has a fascinating story to tell, having been on a long linguistic, historical, political and social journey. The English alphabet is a tool we’ve inherited down the centuries from ancient creators around the world. The alphabet hasn’t always had its present form, but rather has undergone all sorts of changes and evolutions to suit the needs of the time. Did you know that five English letters come from a single graphic grandparent? Or that we may know the specific person who invented the letter G? Do you know why Z is the sixth letter for the Greeks, yet the last for us? Or why Q needs to be followed by U?In Why Q Needs U: A History of Our Letters and How We Use Them (Bonnier Books, 2025), linguistic expert Dr. Danny Bate takes readers on a fascinating odyssey through the English alphabet, not just to share fun facts but to reveal the alphabet’s hidden mechanisms and inspire a newfound sense of wonder in this ancient tool. He will not only leave readers amazed by the letters they use every day but equipped to spot connections in languages across the world. He also aims to explain and defend the peculiar way English today uses these ancient symbols. Why does a silent final E turn hop into hope? Why are the Cs in circus pronounced differently? And why is there an L in salmon and a K in know?

Each chapter is a self-contained adventure into history, etymology, politics and more, but will also contribute to a general appreciation for how our alphabet developed, how it has changed and how it fits into a wider world of writing.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every letter you’re reading right now has a fascinating story to tell, having been on a long linguistic, historical, political and social journey. The English alphabet is a tool we’ve inherited down the centuries from ancient creators around the world. The alphabet hasn’t always had its present form, but rather has undergone all sorts of changes and evolutions to suit the needs of the time. Did you know that five English letters come from a single graphic grandparent? Or that we may know the specific person who invented the letter G? Do you know why Z is the sixth letter for the Greeks, yet the last for us? Or why Q needs to be followed by U?<br>In <a href="https://bookshop.org/a/12343/9781785307447"><em>Why Q Needs U: A History of Our Letters and How We Use Them</em> </a>(Bonnier Books, 2025), linguistic expert Dr. Danny Bate takes readers on a fascinating odyssey through the English alphabet, not just to share fun facts but to reveal the alphabet’s hidden mechanisms and inspire a newfound sense of wonder in this ancient tool. He will not only leave readers amazed by the letters they use every day but equipped to spot connections in languages across the world. He also aims to explain and defend the peculiar way English today uses these ancient symbols. Why does a silent final E turn hop into hope? Why are the Cs in circus pronounced differently? And why is there an L in salmon and a K in know?</p>
<p>Each chapter is a self-contained adventure into history, etymology, politics and more, but will also contribute to a general appreciation for how our alphabet developed, how it has changed and how it fits into a wider world of writing.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3293</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[33968798-2355-11f1-a580-6b2091d21a69]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7255363198.mp3?updated=1773898676" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mike Huguenor, "Elvis Is Dead, I'm Still Alive: The Story of Asian Man Records" (Clash, 2026)</title>
      <description>Sourced from over a hundred hours of interviews with musicians, producers, booking agents, label owners, writers, fans, employees, volunteers, friends and family, Elvis is Dead, I’m Still Alive: The Story of Asian Man Records tells the singular story of Asian Man Records.

In its first thirty years, Asian Man Records released over 400 albums, all from the garage at Mike Park’s parents’ house. Founded when Park was in his early twenties, the label has started and supported the careers of musicians across many generations, all free from the pressures of the larger music industry. It seemed things could even stay that way forever, until an unexpected email arrived…

Spanning early releases by breakout artists like Less Than Jake and Alkaline Trio, to albums that went viral on TikTok, every record has its own story. All of them connect back to Mike Park, the record label founder, who went from struggling with racism as a Korean American in an overwhelmingly white town, to his current status as international underground inspiration.

Written by Mike Huguenor, a musician who has seen the label from inside and out, this music biography documents thirty years in the life of a record label unlike any other—the one and only Asian Man Records.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 21 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Sourced from over a hundred hours of interviews with musicians, producers, booking agents, label owners, writers, fans, employees, volunteers, friends and family, Elvis is Dead, I’m Still Alive: The Story of Asian Man Records tells the singular story of Asian Man Records.

In its first thirty years, Asian Man Records released over 400 albums, all from the garage at Mike Park’s parents’ house. Founded when Park was in his early twenties, the label has started and supported the careers of musicians across many generations, all free from the pressures of the larger music industry. It seemed things could even stay that way forever, until an unexpected email arrived…

Spanning early releases by breakout artists like Less Than Jake and Alkaline Trio, to albums that went viral on TikTok, every record has its own story. All of them connect back to Mike Park, the record label founder, who went from struggling with racism as a Korean American in an overwhelmingly white town, to his current status as international underground inspiration.

Written by Mike Huguenor, a musician who has seen the label from inside and out, this music biography documents thirty years in the life of a record label unlike any other—the one and only Asian Man Records.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sourced from over a hundred hours of interviews with musicians, producers, booking agents, label owners, writers, fans, employees, volunteers, friends and family, <a href="https://bookshop.org/a/12343/9781960988843">Elvis is Dead, I’m Still Alive: The Story of Asian Man Records</a><em> </em>tells the singular story of Asian Man Records.</p>
<p>In its first thirty years, Asian Man Records released over 400 albums, all from the garage at Mike Park’s parents’ house. Founded when Park was in his early twenties, the label has started and supported the careers of musicians across many generations, all free from the pressures of the larger music industry. It seemed things could even stay that way forever, until an unexpected email arrived…</p>
<p>Spanning early releases by breakout artists like Less Than Jake and Alkaline Trio, to albums that went viral on TikTok, every record has its own story. All of them connect back to Mike Park, the record label founder, who went from struggling with racism as a Korean American in an overwhelmingly white town, to his current status as international underground inspiration.</p>
<p>Written by Mike Huguenor, a musician who has seen the label from inside and out, this music biography documents thirty years in the life of a record label unlike any other—the one and only Asian Man Records.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3139</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7317f644-2351-11f1-b641-f3fde92575e5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4400506396.mp3?updated=1773896542" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karima Moyer-Nocchi, "The Epic History of Macaroni and Cheese: From Ancient Rome to Modern America" (Columbia UP, 2026)</title>
      <description>Today, macaroni and cheese is the ultimate comfort food, a staple of weeknight dinners, family gatherings, and Soul Food restaurants. Humble though the dish may seem, its history is filled with surprising twists and turns. Renaissance cardinals and popes dined on elaborate pasta-and-cheese concoctions laced with costly spices. In the eighteenth century, wealthy young Englishmen made macaroni a symbol of continental sophistication. Black women, whose contribution has long been overshadowed, played a crucial role in establishing the dish as an American tradition from the nation’s founding through the Civil Rights Movement.

The Epic History of Macaroni and Cheese: From Ancient Rome to Modern America (Columbia UP, 2026) by Dr. Karima Moyer-Nocchi is a delectable history of macaroni and cheese, tracing an extraordinary journey of cultural exchange and social change. Karima Moyer-Nocchi reveals the religious, political, and industrial forces that shaped its evolution alongside stories of the unsung figures who crafted the dish as we know it today: enslaved cooks who preserved and adapted traditions, immigrant chefs who introduced new variations, and practical homemakers looking to nourish their families with an affordable meal. She emphasizes the adaptability of macaroni and cheese, which in different times has served as both an indulgence on the elite table and sustenance to those struggling to survive, crossing borders, social classes, and cultural divides. Deeply researched and rich with enticing details, this book uncovers the creativity and resilience that brought a beloved food to our tables. The Epic History of Macaroni and Cheese also shares centuries of recipes—from ancient Roman authors to celebrity chefs, reworked for modern kitchens—that provide a hands-on way to experience the evolution of this iconic dish.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today, macaroni and cheese is the ultimate comfort food, a staple of weeknight dinners, family gatherings, and Soul Food restaurants. Humble though the dish may seem, its history is filled with surprising twists and turns. Renaissance cardinals and popes dined on elaborate pasta-and-cheese concoctions laced with costly spices. In the eighteenth century, wealthy young Englishmen made macaroni a symbol of continental sophistication. Black women, whose contribution has long been overshadowed, played a crucial role in establishing the dish as an American tradition from the nation’s founding through the Civil Rights Movement.

The Epic History of Macaroni and Cheese: From Ancient Rome to Modern America (Columbia UP, 2026) by Dr. Karima Moyer-Nocchi is a delectable history of macaroni and cheese, tracing an extraordinary journey of cultural exchange and social change. Karima Moyer-Nocchi reveals the religious, political, and industrial forces that shaped its evolution alongside stories of the unsung figures who crafted the dish as we know it today: enslaved cooks who preserved and adapted traditions, immigrant chefs who introduced new variations, and practical homemakers looking to nourish their families with an affordable meal. She emphasizes the adaptability of macaroni and cheese, which in different times has served as both an indulgence on the elite table and sustenance to those struggling to survive, crossing borders, social classes, and cultural divides. Deeply researched and rich with enticing details, this book uncovers the creativity and resilience that brought a beloved food to our tables. The Epic History of Macaroni and Cheese also shares centuries of recipes—from ancient Roman authors to celebrity chefs, reworked for modern kitchens—that provide a hands-on way to experience the evolution of this iconic dish.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today, macaroni and cheese is the ultimate comfort food, a staple of weeknight dinners, family gatherings, and Soul Food restaurants. Humble though the dish may seem, its history is filled with surprising twists and turns. Renaissance cardinals and popes dined on elaborate pasta-and-cheese concoctions laced with costly spices. In the eighteenth century, wealthy young Englishmen made macaroni a symbol of continental sophistication. Black women, whose contribution has long been overshadowed, played a crucial role in establishing the dish as an American tradition from the nation’s founding through the Civil Rights Movement.</p>
<p><a href="https://bookshop.org/a/12343/9780231560733"><em>The Epic History of Macaroni and Cheese: From Ancient Rome to Modern America</em> </a>(Columbia UP, 2026) by Dr. Karima Moyer-Nocchi is a delectable history of macaroni and cheese, tracing an extraordinary journey of cultural exchange and social change. Karima Moyer-Nocchi reveals the religious, political, and industrial forces that shaped its evolution alongside stories of the unsung figures who crafted the dish as we know it today: enslaved cooks who preserved and adapted traditions, immigrant chefs who introduced new variations, and practical homemakers looking to nourish their families with an affordable meal. She emphasizes the adaptability of macaroni and cheese, which in different times has served as both an indulgence on the elite table and sustenance to those struggling to survive, crossing borders, social classes, and cultural divides. Deeply researched and rich with enticing details, this book uncovers the creativity and resilience that brought a beloved food to our tables. <em>The Epic History of Macaroni and Cheese</em> also shares centuries of recipes—from ancient Roman authors to celebrity chefs, reworked for modern kitchens—that provide a hands-on way to experience the evolution of this iconic dish.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4464</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[12869e2a-22a7-11f1-8ff7-13769245ef4c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2789970001.mp3?updated=1773823854" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emma Chapman, "Radio Universe: How to Explore Space Without Leaving Earth" (Hachette UK, 2026)</title>
      <description>In Radio Universe: How to Explore Space Without Leaving Earth (Hachette UK, 2026) award-winning astrophysicist Emma Chapman takes us on an electrifying voyage through the cosmos using one of the most powerful, yet overlooked, tools in science: the radio wave. With dazzling clarity and humour, Chapman reveals how these invisible messengers glide through space, bounce off planets, tunnel through clouds and slip past galactic dust – carrying secrets of the universe that no other kind of light can uncover.

We follow a single radio wave as it escapes Earth and travels outward – ricocheting off the Moon, tunnelling through Venus’s furnace-thick atmosphere, tracing ancient ice hidden in Mercury’s shadows and diving deep into the swirling arms of the Milky Way. Along the way, we meet black holes that roar louder than stars, pulsars more precise than atomic clocks and galaxies lit by the very first starlight. We explore volcanic pancake planets, death-defying neutron stars, the eerie possibility of alien broadcasts – and the fragile question of our own future in the cosmos.A celebration of human ingenuity and cosmic curiosity, The Radio Universe reveals that the true frontier of space isn’t ‘out there’ – it’s humming quietly all around us, waiting to be heard.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 19 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Radio Universe: How to Explore Space Without Leaving Earth (Hachette UK, 2026) award-winning astrophysicist Emma Chapman takes us on an electrifying voyage through the cosmos using one of the most powerful, yet overlooked, tools in science: the radio wave. With dazzling clarity and humour, Chapman reveals how these invisible messengers glide through space, bounce off planets, tunnel through clouds and slip past galactic dust – carrying secrets of the universe that no other kind of light can uncover.

We follow a single radio wave as it escapes Earth and travels outward – ricocheting off the Moon, tunnelling through Venus’s furnace-thick atmosphere, tracing ancient ice hidden in Mercury’s shadows and diving deep into the swirling arms of the Milky Way. Along the way, we meet black holes that roar louder than stars, pulsars more precise than atomic clocks and galaxies lit by the very first starlight. We explore volcanic pancake planets, death-defying neutron stars, the eerie possibility of alien broadcasts – and the fragile question of our own future in the cosmos.A celebration of human ingenuity and cosmic curiosity, The Radio Universe reveals that the true frontier of space isn’t ‘out there’ – it’s humming quietly all around us, waiting to be heard.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.hachette.co.uk/titles/emma-chapman/radio-universe/9781529398977/"><em>Radio Universe: How to Explore Space Without Leaving Earth</em> </a>(Hachette UK, 2026) award-winning astrophysicist Emma Chapman takes us on an electrifying voyage through the cosmos using one of the most powerful, yet overlooked, tools in science: the radio wave. With dazzling clarity and humour, Chapman reveals how these invisible messengers glide through space, bounce off planets, tunnel through clouds and slip past galactic dust – carrying secrets of the universe that no other kind of light can uncover.</p>
<p><br>We follow a single radio wave as it escapes Earth and travels outward – ricocheting off the Moon, tunnelling through Venus’s furnace-thick atmosphere, tracing ancient ice hidden in Mercury’s shadows and diving deep into the swirling arms of the Milky Way. Along the way, we meet black holes that roar louder than stars, pulsars more precise than atomic clocks and galaxies lit by the very first starlight. We explore volcanic pancake planets, death-defying neutron stars, the eerie possibility of alien broadcasts – and the fragile question of our own future in the cosmos.<br>A celebration of human ingenuity and cosmic curiosity, <em>The Radio Universe</em> reveals that the true frontier of space isn’t ‘out there’ – it’s humming quietly all around us, waiting to be heard.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4400</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9ac76e6c-21ef-11f1-b4df-8b60fb4a8820]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8671834386.mp3?updated=1773745062" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title> Robert J. Coplan, "The Joy of Solitude: How to Reconnect with Yourself in an Overconnected World" (Simon and Schuster, 2025)</title>
      <description>Solitude is part of the human experience. But just like other relationships, your relationship with solitude can be satisfying, intimate, and enhance your well-being, or it can leave you wanting, stuck in a cycle of sadness, anxiety, or anger. Regardless of whether you're starved for “me time” or struggling with loneliness, most of us have never thought carefully about how to get the most out of the time we spend by ourselves. As a result, we’re missing out on what could be a deeply enriching aspect of our lives. But how can we unlock the positive power of solitude? 

In The Joy of Solitude: How to Reconnect with Yourself in an Overconnected World (Simon and Schuster, 2025) Robert Coplan draws from diverse fields including psychology, neuroscience, literature, and sociology to guide readers through solitude’s many dimensions and its profound effects on mental health and well-being. In this enlightening book, you will discover: 


  The many different types of solitude, ranging from enjoyable to challenging, each influencing personal experiences in unique ways.

  Why choosing to spend even fifteen minutes alone each day can help stabilize your mood, recharge your battery, and spark creativity.

  A deeper understanding of extraverts and introverts and their (often misunderstood) relationship to solitude. -What alone time looks like in a world where social connection is always a click away. 

  Groundbreaking scientific insights into the effects of both loneliness and “aloneliness.”

  The surprising ways that time alone can enhance relationships with others.

  Practical strategies for harmonizing moments of social engagement and solitude, crucial for achieving optimal life satisfaction. 


The Joy of Solitude is a vital resource for those who wish to understand the complexities of solitude and its potential to enhance mental health, creativity, and self-discovery. Whether you seek affirmation for your love of solitude or strive to find balance within it, Coplan’s insights are indispensable tools for enriching your relationship with yourself and others.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Solitude is part of the human experience. But just like other relationships, your relationship with solitude can be satisfying, intimate, and enhance your well-being, or it can leave you wanting, stuck in a cycle of sadness, anxiety, or anger. Regardless of whether you're starved for “me time” or struggling with loneliness, most of us have never thought carefully about how to get the most out of the time we spend by ourselves. As a result, we’re missing out on what could be a deeply enriching aspect of our lives. But how can we unlock the positive power of solitude? 

In The Joy of Solitude: How to Reconnect with Yourself in an Overconnected World (Simon and Schuster, 2025) Robert Coplan draws from diverse fields including psychology, neuroscience, literature, and sociology to guide readers through solitude’s many dimensions and its profound effects on mental health and well-being. In this enlightening book, you will discover: 


  The many different types of solitude, ranging from enjoyable to challenging, each influencing personal experiences in unique ways.

  Why choosing to spend even fifteen minutes alone each day can help stabilize your mood, recharge your battery, and spark creativity.

  A deeper understanding of extraverts and introverts and their (often misunderstood) relationship to solitude. -What alone time looks like in a world where social connection is always a click away. 

  Groundbreaking scientific insights into the effects of both loneliness and “aloneliness.”

  The surprising ways that time alone can enhance relationships with others.

  Practical strategies for harmonizing moments of social engagement and solitude, crucial for achieving optimal life satisfaction. 


The Joy of Solitude is a vital resource for those who wish to understand the complexities of solitude and its potential to enhance mental health, creativity, and self-discovery. Whether you seek affirmation for your love of solitude or strive to find balance within it, Coplan’s insights are indispensable tools for enriching your relationship with yourself and others.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Solitude is part of the human experience. But just like other relationships, your relationship with solitude can be satisfying, intimate, and enhance your well-being, or it can leave you wanting, stuck in a cycle of sadness, anxiety, or anger. Regardless of whether you're starved for “me time” or struggling with loneliness, most of us have never thought carefully about how to get the most out of the time we spend by ourselves. As a result, we’re missing out on what could be a deeply enriching aspect of our lives. But how can we unlock the positive power of solitude? </p>
<p>In <a href="https://bookshop.org/a/12343/9781668053416">The Joy of Solitude: How to Reconnect with Yourself in an Overconnected World</a> (Simon and Schuster, 2025) Robert Coplan draws from diverse fields including psychology, neuroscience, literature, and sociology to guide readers through solitude’s many dimensions and its profound effects on mental health and well-being. In this enlightening book, you will discover: </p>
<ul>
  <li>The many different types of solitude, ranging from enjoyable to challenging, each influencing personal experiences in unique ways.</li>
  <li>Why choosing to spend even fifteen minutes alone each day can help stabilize your mood, recharge your battery, and spark creativity.</li>
  <li>A deeper understanding of extraverts and introverts and their (often misunderstood) relationship to solitude. -What alone time looks like in a world where social connection is always a click away. </li>
  <li>Groundbreaking scientific insights into the effects of both loneliness and “aloneliness.”</li>
  <li>The surprising ways that time alone can enhance relationships with others.</li>
  <li>Practical strategies for harmonizing moments of social engagement and solitude, crucial for achieving optimal life satisfaction. </li>
</ul>
<p>The Joy of Solitude is a vital resource for those who wish to understand the complexities of solitude and its potential to enhance mental health, creativity, and self-discovery. Whether you seek affirmation for your love of solitude or strive to find balance within it, Coplan’s insights are indispensable tools for enriching your relationship with yourself and others.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1852</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67ff7e52-21cc-11f1-a797-bbc5d31fbf45]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8239714676.mp3?updated=1773729805" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Mann Reconsidered: Thief and The Insider</title>
      <description>It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition, starting with Thief (1981) Vs. The Insider (1999). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 17 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition, starting with Thief (1981) Vs. The Insider (1999). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition, starting with Thief (1981) Vs. The Insider (1999). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1734</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e0107e8a-2115-11f1-8053-a7f83eec5795]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5349781576.mp3?updated=1773651399" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A Star Is Born (1937)</title>
      <description>﻿A Star Is Born has been filmed four times, but the first version is the best: a combination of Singin’ in the Rain and Death of a Salesman, David O. Selznick’s production drips with “movie” and artificiality, yet still delivers an ending that seems taken from Greek tragedy. No stars were harmed in the making of this film–yet the film also dramatizes the harm inflicted by a steady diet of fame. It’s not an indictment of Hollywood, but an illustration of how the machine works.

Incredible bumper music by John Deley.

If you’re interested in reading Dorothy Parker, Robert Carson, and Alan Campbell’s excellent screenplay, you can find it here. The collection Memo from David O. Selznick is an addictive edition of hundreds of memos, telegrams, and letters from the producer about the films he helped create, A Star Is Born among them.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 16 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿A Star Is Born has been filmed four times, but the first version is the best: a combination of Singin’ in the Rain and Death of a Salesman, David O. Selznick’s production drips with “movie” and artificiality, yet still delivers an ending that seems taken from Greek tragedy. No stars were harmed in the making of this film–yet the film also dramatizes the harm inflicted by a steady diet of fame. It’s not an indictment of Hollywood, but an illustration of how the machine works.

Incredible bumper music by John Deley.

If you’re interested in reading Dorothy Parker, Robert Carson, and Alan Campbell’s excellent screenplay, you can find it here. The collection Memo from David O. Selznick is an addictive edition of hundreds of memos, telegrams, and letters from the producer about the films he helped create, A Star Is Born among them.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿<em>A Star Is Born </em>has been filmed four times, but the first version is the best: a combination of <em>Singin’ in the Rain </em>and <em>Death of a Salesman</em>, David O. Selznick’s production drips with “movie” and artificiality, yet still delivers an ending that seems taken from Greek tragedy. No stars were harmed in the making of this film–yet the film also dramatizes the harm inflicted by a steady diet of fame. It’s not an indictment of Hollywood, but an illustration of how the machine works.</p>
<p>Incredible bumper music by <a href="https://www.johndeleymusic.com/">John Deley</a>.</p>
<p>If you’re interested in reading Dorothy Parker, Robert Carson, and Alan Campbell’s excellent screenplay, you can <a href="https://bookshop.org/p/books/a-star-is-born-alan-campbell/53f1600e60f774f9?ean=9798350501131&amp;next=t">find it here.</a> The collection <a href="https://bookshop.org/p/books/memo-from-david-o-selznick-the-creation-of-gone-with-the-wind-and-other-motion-picture-classics-as-reveale-d-in-the-producer-s-private-letters-tele/6cbae2e30a48aaf4?ean=9780375755316&amp;next=t"><em>Memo from David O. Selznick</em></a> is an addictive edition of hundreds of memos, telegrams, and letters from the producer about the films he helped create, <em>A Star Is Born </em>among them.</p>
<p>Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show <a href="https://letterboxd.com/15minfilm/">on Letterboxd</a> and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, <a href="https://pagesandframes.substack.com/"><em>Pages and Frames</em></a>, where he writes about books and movies, as well as his many film-related author interviews on <a href="https://newbooksnetwork.com/category/arts-letters/film"><em>The New Books Network</em></a><em>. </em>Read Mike Takla’s substack, <a href="https://miketakla1.substack.com/"><em>The Grumbler’s Almanac</em></a>, for commentary on offbeat topics of the day.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1538</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0048a306-1e93-11f1-8bfc-9fb145810c7d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7760477012.mp3?updated=1773375332" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eurie Dahn, "Snack" (Bloomsbury, 2026)</title>
      <description>In the hierarchy of foods, snacks are deemed trivial – perhaps even childish – especially in contrast to meals, which are seen as substantial and necessary. The multiple aisles devoted to sweet and savory treats in supermarkets, and the availability of snacks even at places like home improvement and department stores, speak to the popularity of snacking. But the ubiquity of snacks is relatively new and not common to all countries.In Snack (Bloomsbury, 2026), part of the Object Lessons series, Dr. Eurie Dahn traces the story of snacking culture through specific snacks, including Flamin' Hot Cheetos, cheese crackers, and Choco Pies, and in the contexts of ethnicity, popular culture, diet culture, and even parenting. Snack is an idiosyncratic cultural history that offers surprisingly filling food for thought.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 16 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the hierarchy of foods, snacks are deemed trivial – perhaps even childish – especially in contrast to meals, which are seen as substantial and necessary. The multiple aisles devoted to sweet and savory treats in supermarkets, and the availability of snacks even at places like home improvement and department stores, speak to the popularity of snacking. But the ubiquity of snacks is relatively new and not common to all countries.In Snack (Bloomsbury, 2026), part of the Object Lessons series, Dr. Eurie Dahn traces the story of snacking culture through specific snacks, including Flamin' Hot Cheetos, cheese crackers, and Choco Pies, and in the contexts of ethnicity, popular culture, diet culture, and even parenting. Snack is an idiosyncratic cultural history that offers surprisingly filling food for thought.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the hierarchy of foods, snacks are deemed trivial – perhaps even childish – especially in contrast to meals, which are seen as substantial and necessary. The multiple aisles devoted to sweet and savory treats in supermarkets, and the availability of snacks even at places like home improvement and department stores, speak to the popularity of snacking. But the ubiquity of snacks is relatively new and not common to all countries.<br>In <a href="https://bookshop.org/a/12343/9798765108840">Snack</a><em> </em>(Bloomsbury, 2026), part of the <em>Object Lessons </em>series, Dr. Eurie Dahn traces the story of snacking culture through specific snacks, including Flamin' Hot Cheetos, cheese crackers, and Choco Pies, and in the contexts of ethnicity, popular culture, diet culture, and even parenting. <em>Snack</em> is an idiosyncratic cultural history that offers surprisingly filling food for thought.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2620</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4abdd728-1e91-11f1-b30e-0b758cb89ba4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1905971793.mp3?updated=1773374605" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>An Evening with Philip Roth: A Conversation with Bernard Avishai, Igor Webb, and Steven Zipperstein</title>
      <description>The YIVO Institute was pleased to present a special evening with acclaimed novelist Philip Roth. Roth read excerpts from his new novel, Nemesis (2010), which tells the story of a terrifying polio epidemic raging in Newark, New Jersey in the summer of 1944 and its devastating effect on the closely knit, family-oriented community and its children. Through this story, Roth addresses profound questions of human existence: What types of choices fatally shape a life? How does the individual withstand circumstance?

Preceding the reading was a panel discussion with YIVO Executive Director Jonathan Brent, Bernard Avishai (Hebrew University), Igor Webb (Adelphi University) and Steven Zipperstein (Stanford University).

This reading and discussion originally took place on May 18, 2011.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The YIVO Institute was pleased to present a special evening with acclaimed novelist Philip Roth. Roth read excerpts from his new novel, Nemesis (2010), which tells the story of a terrifying polio epidemic raging in Newark, New Jersey in the summer of 1944 and its devastating effect on the closely knit, family-oriented community and its children. Through this story, Roth addresses profound questions of human existence: What types of choices fatally shape a life? How does the individual withstand circumstance?

Preceding the reading was a panel discussion with YIVO Executive Director Jonathan Brent, Bernard Avishai (Hebrew University), Igor Webb (Adelphi University) and Steven Zipperstein (Stanford University).

This reading and discussion originally took place on May 18, 2011.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The YIVO Institute was pleased to present a special evening with acclaimed novelist Philip Roth. Roth read excerpts from his new novel, <em>Nemesis</em> (2010), which tells the story of a terrifying polio epidemic raging in Newark, New Jersey in the summer of 1944 and its devastating effect on the closely knit, family-oriented community and its children. Through this story, Roth addresses profound questions of human existence: What types of choices fatally shape a life? How does the individual withstand circumstance?</p>
<p>Preceding the reading was a panel discussion with YIVO Executive Director Jonathan Brent, Bernard Avishai (Hebrew University), Igor Webb (Adelphi University) and Steven Zipperstein (Stanford University).</p>
<p>This reading and discussion originally took place on May 18, 2011.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4023</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[27b47912-1cd4-11f1-bf56-178d3490d2c4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6194526603.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carlin Wing, "Bounce: Balls, Walls, and Bodies in Games and Play" (MIT Press, 2026)</title>
      <description>Bounce: Balls, Walls, and Bodies in Games and Play (MIT Press, 2026) follows an array of bouncing balls through the histories of nonelectronic and electronic games, across the spectrum of play, game, and sport, and into the domains of physics, material science, animation, and computing. The book’s focus on bounce sidesteps the focus on play found in much of the game studies literature and broadens the scope of game history by spotlighting an interaction that is central to thousands of physical and digital games and sports. The book is divided into three sections that introduce different kinds of bounce to address the matter of the ball, the virtuality of bounce, and bounded spectacle: Ricochet in ancient tennis is set against modern tennis’s true bounce; squash and stretch in animation serves as a mirror of the pings and pongs of computer bounce; and the bounce feel in Electronic Art’s FIFA video game series and pok ta pok of the Mesoamerican game ulama elaborate the contrasting positions of these two mythological games.

Carlin Wing is Associate Professor of Media Studies at Scripps College.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 11 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Bounce: Balls, Walls, and Bodies in Games and Play (MIT Press, 2026) follows an array of bouncing balls through the histories of nonelectronic and electronic games, across the spectrum of play, game, and sport, and into the domains of physics, material science, animation, and computing. The book’s focus on bounce sidesteps the focus on play found in much of the game studies literature and broadens the scope of game history by spotlighting an interaction that is central to thousands of physical and digital games and sports. The book is divided into three sections that introduce different kinds of bounce to address the matter of the ball, the virtuality of bounce, and bounded spectacle: Ricochet in ancient tennis is set against modern tennis’s true bounce; squash and stretch in animation serves as a mirror of the pings and pongs of computer bounce; and the bounce feel in Electronic Art’s FIFA video game series and pok ta pok of the Mesoamerican game ulama elaborate the contrasting positions of these two mythological games.

Carlin Wing is Associate Professor of Media Studies at Scripps College.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780262553216">Bounce: Balls, Walls, and Bodies in Games and Play</a> (MIT Press, 2026) follows an array of bouncing balls through the histories of nonelectronic and electronic games, across the spectrum of play, game, and sport, and into the domains of physics, material science, animation, and computing. The book’s focus on bounce sidesteps the focus on play found in much of the game studies literature and broadens the scope of game history by spotlighting an interaction that is central to thousands of physical and digital games and sports. The book is divided into three sections that introduce different kinds of bounce to address the matter of the ball, the virtuality of bounce, and bounded spectacle: Ricochet in ancient tennis is set against modern tennis’s true bounce; squash and stretch in animation serves as a mirror of the pings and pongs of computer bounce; and the bounce feel in Electronic Art’s <em>FIFA</em> video game series and pok ta pok of the Mesoamerican game ulama elaborate the contrasting positions of these two mythological games.</p>
<p>Carlin Wing is Associate Professor of Media Studies at Scripps College.</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2663</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[14c591f8-1b97-11f1-a76e-eff5f57b3658]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4718537204.mp3?updated=1773047274" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Austin McCoy, "Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made" (Atria/One Signal, 2026)</title>
      <description>For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America.

Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&amp;B, and rap as they created a sound unlike any the world had heard before.

But the De La Soul experience didn’t end there. These weren’t just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them.

Now, in Living in a D.A.I.S.Y. Age﻿: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made.

One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist’s right to control their creations. And after a lifetime left out of music’s digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans.

Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves.



Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 11 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America.

Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&amp;B, and rap as they created a sound unlike any the world had heard before.

But the De La Soul experience didn’t end there. These weren’t just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them.

Now, in Living in a D.A.I.S.Y. Age﻿: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made.

One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist’s right to control their creations. And after a lifetime left out of music’s digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans.

Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves.



Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For fans of <em>Dilla Time </em>and <em>The Chronicles of DOOM, a</em> culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America.</p>
<p>Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&amp;B, and rap as they created a sound unlike any the world had heard before.</p>
<p>But the De La Soul experience didn’t end there. These weren’t just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout <em>3 Feet and Rising</em>, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them.</p>
<p>Now, in <a href="https://bookshop.org/a/12343/9781668047941"><em>Living in a D.A.I.S.Y. Age﻿: The Music, Culture, and World De La Soul Made </em></a>(Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made.</p>
<p>One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist’s right to control their creations. And after a lifetime left out of music’s digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans.</p>
<p><em>Living in a D.A.I.S.Y. Age </em>will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves.</p>
<p><br></p>
<p>Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> (he/him) is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3012</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[87069612-1b9d-11f1-b4e0-e7e267d0885a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1694796542.mp3?updated=1773049906" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dana A. Williams, "Toni at Random: The Iconic Writer's Legendary Editorship" (Amistad, 2025)</title>
      <description>An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon's profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation's most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself requested that Dana Williams be the one to tell this story, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random: The Iconic Writer's Legendary Editorship (Amistad, 2025) demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison's contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon's profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation's most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself requested that Dana Williams be the one to tell this story, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random: The Iconic Writer's Legendary Editorship (Amistad, 2025) demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison's contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon's profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation's most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself requested that Dana Williams be the one to tell this story, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired,<a href="https://bookshop.org/a/12343/9780063011977"> Toni at Random: The Iconic Writer's Legendary Editorship</a> (Amistad, 2025) demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison's contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.<br></p>
<p>Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[15bac6b6-1b95-11f1-8bea-dfb6477127c5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6258893097.mp3?updated=1773046425" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Glen Oglaza, "When I Stories" (Pegasus, 2024)</title>
      <description>As news reporters, we are in the story-telling business, the eye witnesses to history, writing, it's ‎said, ‘the first draft of history'.‎

﻿The fall of the Berlin Wall. Lockerbie. Hillsborough. Dunblane. Mad Cow disease. 9/11. ‎These are all events that have entered our national, and international, consciousness. Events so ‎momentous that we can all say where we were, what we were doing, when the Berlin Wall fell, or ‎when the planes hit the Twin Towers. Award-winning television news reporter and political ‎correspondent, Glen Oglaza, can say exactly where he was when these events happened. He was ‎there, he had a front-row seat as history unfolded. And in this informative and fascinating account of ‎those years, he allows the reader to be there too. From Thatcher and the miners' strike, to the Gulf ‎War, the Good Friday Agreement and Tony Blair at Number Ten, captivating national and global ‎events are all given an intriguing new inside angle. ‎

Glen Oglaza is an award-winning television news reporter and political correspondent with more than twenty-five years' experience with ITN and Sky News. At ITN, he covered many of the biggest stories of the 1980s and 1990s, and was part of the award-winning ITN teams covering the Fall of the Berlin Wall, the plight of the Kurds in the wake of the First Gulf War, and the massacre in Dunblane. He was BAFTA-nominated for his coverage of the London Poll Tax riot. As a political correspondent, he covered the governments of Tony Blair, Gordon Brown and David Cameron.

Glen is also an accomplished poet with several volumes of poetry published these Religion Fake News and Misdemeanors, No Words, always and his latest collection Spam and other poems.

In this podcast we discuss Glen's books When ﻿I Stories and More When I Stories ﻿(Pegasus, 2024), starting in local journalism in Television news with ITN and Sky News, and the great events he covered during his career.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 09 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As news reporters, we are in the story-telling business, the eye witnesses to history, writing, it's ‎said, ‘the first draft of history'.‎

﻿The fall of the Berlin Wall. Lockerbie. Hillsborough. Dunblane. Mad Cow disease. 9/11. ‎These are all events that have entered our national, and international, consciousness. Events so ‎momentous that we can all say where we were, what we were doing, when the Berlin Wall fell, or ‎when the planes hit the Twin Towers. Award-winning television news reporter and political ‎correspondent, Glen Oglaza, can say exactly where he was when these events happened. He was ‎there, he had a front-row seat as history unfolded. And in this informative and fascinating account of ‎those years, he allows the reader to be there too. From Thatcher and the miners' strike, to the Gulf ‎War, the Good Friday Agreement and Tony Blair at Number Ten, captivating national and global ‎events are all given an intriguing new inside angle. ‎

Glen Oglaza is an award-winning television news reporter and political correspondent with more than twenty-five years' experience with ITN and Sky News. At ITN, he covered many of the biggest stories of the 1980s and 1990s, and was part of the award-winning ITN teams covering the Fall of the Berlin Wall, the plight of the Kurds in the wake of the First Gulf War, and the massacre in Dunblane. He was BAFTA-nominated for his coverage of the London Poll Tax riot. As a political correspondent, he covered the governments of Tony Blair, Gordon Brown and David Cameron.

Glen is also an accomplished poet with several volumes of poetry published these Religion Fake News and Misdemeanors, No Words, always and his latest collection Spam and other poems.

In this podcast we discuss Glen's books When ﻿I Stories and More When I Stories ﻿(Pegasus, 2024), starting in local journalism in Television news with ITN and Sky News, and the great events he covered during his career.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>As news reporters, we are in the story-telling business, the eye witnesses to history, writing, it's ‎said, ‘the first draft of history'.‎</em></p>
<p>﻿The fall of the Berlin Wall. Lockerbie. Hillsborough. Dunblane. Mad Cow disease. 9/11. ‎<br>These are all events that have entered our national, and international, consciousness. Events so ‎momentous that we can all say where we were, what we were doing, when the Berlin Wall fell, or ‎when the planes hit the Twin Towers. Award-winning television news reporter and political ‎correspondent, Glen Oglaza, can say exactly where he was when these events happened. He was ‎there, he had a front-row seat as history unfolded. And in this informative and fascinating account of ‎those years, he allows the reader to be there too. From Thatcher and the miners' strike, to the Gulf ‎War, the Good Friday Agreement and Tony Blair at Number Ten, captivating national and global ‎events are all given an intriguing new inside angle. ‎</p>
<p>Glen Oglaza is an award-winning television news reporter and political correspondent with more than twenty-five years' experience with ITN and Sky News. At ITN, he covered many of the biggest stories of the 1980s and 1990s, and was part of the award-winning ITN teams covering the Fall of the Berlin Wall, the plight of the Kurds in the wake of the First Gulf War, and the massacre in Dunblane. He was BAFTA-nominated for his coverage of the London Poll Tax riot. As a political correspondent, he covered the governments of Tony Blair, Gordon Brown and David Cameron.</p>
<p>Glen is also an accomplished poet with several volumes of poetry published these Religion Fake News and Misdemeanors, No Words, always and his latest collection Spam and other poems.</p>
<p>In this podcast we discuss Glen's books <a href="https://pegasuspublishers.com/books/glen-oglaza/when-i-stories">When ﻿I Stories</a><em> </em>and<em> </em><a href="https://pegasuspublishers.com/books/glen-oglaza/more-when-i-stories">More When I Stories</a><em> </em>﻿(Pegasus, 2024)<em>,</em><a href="https://pegasuspublishers.com/books/glen-oglaza/more-when-i-stories"> </a>starting in local journalism in Television news with ITN and Sky News, and the great events he covered during his career.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4624</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[57df2386-192c-11f1-a9ef-4bab04e1d197]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8563722795.mp3?updated=1772781614" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Tourist’s Guide to Lost Yiddish New York City with Henry Sapoznik</title>
      <description>The Tourist’s Guide to Lost Yiddish New York City (SUNY Press, 2025) offers a new look at over a century of Yiddish culture in New York City. Author Henry H. Sapoznik focuses on theater, music, architecture, crime, Black-Jewish cultural interactions, restaurants, real estate, and journalism to tell the history of New York’s Yiddish popular culture from 1880 to the present. Culled from over five thousand Yiddish and English newspaper articles of the period, and thanks to new research from previously inaccessible materials, the book reveals fresh insights into the influence of Yiddish culture on New York City and showcases the culture’s persistent

Join YIVO for a discussion with Sapoznik about this new book, led by Eddy Portnoy.

This discussion originally took place on October 23, 2025.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 08 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Tourist’s Guide to Lost Yiddish New York City (SUNY Press, 2025) offers a new look at over a century of Yiddish culture in New York City. Author Henry H. Sapoznik focuses on theater, music, architecture, crime, Black-Jewish cultural interactions, restaurants, real estate, and journalism to tell the history of New York’s Yiddish popular culture from 1880 to the present. Culled from over five thousand Yiddish and English newspaper articles of the period, and thanks to new research from previously inaccessible materials, the book reveals fresh insights into the influence of Yiddish culture on New York City and showcases the culture’s persistent

Join YIVO for a discussion with Sapoznik about this new book, led by Eddy Portnoy.

This discussion originally took place on October 23, 2025.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9798855801736">The Tourist’s Guide to Lost Yiddish New York City</a><em> </em>(SUNY Press, 2025) offers a new look at over a century of Yiddish culture in New York City. Author Henry H. Sapoznik focuses on theater, music, architecture, crime, Black-Jewish cultural interactions, restaurants, real estate, and journalism to tell the history of New York’s Yiddish popular culture from 1880 to the present. Culled from over five thousand Yiddish and English newspaper articles of the period, and thanks to new research from previously inaccessible materials, the book reveals fresh insights into the influence of Yiddish culture on New York City and showcases the culture’s persistent</p>
<p>Join YIVO for a discussion with Sapoznik about this new book, led by Eddy Portnoy.</p>
<p>This discussion originally took place on October 23, 2025.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3866</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f6290a42-18d3-11f1-95d6-af2a9b4562ce]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4465825899.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tamara Kay, "Sesame Street Around the World: Culture, Politics, and Transnational Organizational Partnerships" (Oxford UP, 2025)</title>
      <description>Given the sometimes extraordinary politicization of culture, it is surprising that Sesame Street has gained acceptance and legitimacy in more than fifty countries. Sesame Street's global success raises two questions. First, how does a US icon like Sesame Street spread around the world, gaining acceptance as a local cultural product? Second, how does the nonprofit that created it, Sesame Workshop, and its partners around the world navigate cultural differences, manage conflicts, and construct shared collective representations to create Sesame Street programs that resonate with local audiences?

In Sesame Street Around the World: Culture, Politics, and Transnational Organizational Partnerships (Oxford UP, 2025), Dr. Tamara Kay answers these questions using data from seven years of intensive ethnographic fieldwork and 200 in-depth interviews with Sesame Workshop staff and international partners-including their real-time interactions-from seventeen countries within four regions around the world.

Dr. Kay argues that Sesame Workshop's secret is its engagement in coproduction, meaning it works with partners as a transnational team to create local Sesame Street programs together. Through coproduction, Sesame Workshop and its partners create new collective identities by constructing value to align their interests and exchanging complex cultural knowledge to both customize and build alliances. She traces the successive processes of coproduction, beginning with the imagination of the cultural product, to its disassembly, reconstitution, and dissemination. Coproduction privileges the creation of new knowledge that emerges from transnational interaction, and uses that new knowledge to create a hybrid cultural product. The Sesame Street case grapples with and illuminates culture in transnational interaction, providing insight into a range of other transnational organizational partnerships and different kinds of hybrid cultural products.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 07 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Given the sometimes extraordinary politicization of culture, it is surprising that Sesame Street has gained acceptance and legitimacy in more than fifty countries. Sesame Street's global success raises two questions. First, how does a US icon like Sesame Street spread around the world, gaining acceptance as a local cultural product? Second, how does the nonprofit that created it, Sesame Workshop, and its partners around the world navigate cultural differences, manage conflicts, and construct shared collective representations to create Sesame Street programs that resonate with local audiences?

In Sesame Street Around the World: Culture, Politics, and Transnational Organizational Partnerships (Oxford UP, 2025), Dr. Tamara Kay answers these questions using data from seven years of intensive ethnographic fieldwork and 200 in-depth interviews with Sesame Workshop staff and international partners-including their real-time interactions-from seventeen countries within four regions around the world.

Dr. Kay argues that Sesame Workshop's secret is its engagement in coproduction, meaning it works with partners as a transnational team to create local Sesame Street programs together. Through coproduction, Sesame Workshop and its partners create new collective identities by constructing value to align their interests and exchanging complex cultural knowledge to both customize and build alliances. She traces the successive processes of coproduction, beginning with the imagination of the cultural product, to its disassembly, reconstitution, and dissemination. Coproduction privileges the creation of new knowledge that emerges from transnational interaction, and uses that new knowledge to create a hybrid cultural product. The Sesame Street case grapples with and illuminates culture in transnational interaction, providing insight into a range of other transnational organizational partnerships and different kinds of hybrid cultural products.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Given the sometimes extraordinary politicization of culture, it is surprising that Sesame Street has gained acceptance and legitimacy in more than fifty countries. Sesame Street's global success raises two questions. First, how does a US icon like Sesame Street spread around the world, gaining acceptance as a local cultural product? Second, how does the nonprofit that created it, Sesame Workshop, and its partners around the world navigate cultural differences, manage conflicts, and construct shared collective representations to create Sesame Street programs that resonate with local audiences?</p>
<p>In <a href="https://bookshop.org/a/12343/9780190844295">Sesame Street Around the World: Culture, Politics, and Transnational Organizational Partnerships</a> (Oxford UP, 2025), Dr. Tamara Kay answers these questions using data from seven years of intensive ethnographic fieldwork and 200 in-depth interviews with Sesame Workshop staff and international partners-including their real-time interactions-from seventeen countries within four regions around the world.</p>
<p>Dr. Kay argues that Sesame Workshop's secret is its engagement in coproduction, meaning it works with partners as a transnational team to create local Sesame Street programs together. Through coproduction, Sesame Workshop and its partners create new collective identities by constructing value to align their interests and exchanging complex cultural knowledge to both customize and build alliances. She traces the successive processes of coproduction, beginning with the imagination of the cultural product, to its disassembly, reconstitution, and dissemination. Coproduction privileges the creation of new knowledge that emerges from transnational interaction, and uses that new knowledge to create a hybrid cultural product. The Sesame Street case grapples with and illuminates culture in transnational interaction, providing insight into a range of other transnational organizational partnerships and different kinds of hybrid cultural products.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2746</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e2344f50-1861-11f1-8b29-b36a2ef495b1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6517801791.mp3?updated=1772694499" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael James Roberts et al., "Roll and Flow: The Cultural Politics of Skateboarding and Surfing" (San Diego State UP, 2024)</title>
      <description>In Roll and Flow: The Cultural Politics of Skateboarding and Surfing (San Diego State UP, 2024),  Michael James Roberts, Kristin Lawler, and David P. Cline take the widespread participation of skateboarders and surfers in the Black Lives Matter movement as a catalyst to reconsider the significance of the cultural politics of surfing and skateboarding. It is the first academic volume to bring together leading scholars in the areas of both surfing and skateboarding studies. This episode also invites Jarret Rose to discuss his contribution to this anthology.

Michael O. Johnston, Ph.D. is an Associate Professor of Sociology at William Penn University, where he specializes in the cultural and interpretive study of space, behavior, and identity. His scholarship examines how designed environments shape social interaction, connectedness, and moral life across diverse settings. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His current research projects include the study of escape rooms as emotion-structured environments, temporal urban environments in rural historical towns, student experiences of hanging out and being at home while at college and university, and a more recent study on the making of rodeo. To learn more about his work, visit his personal website, Google Scholar profile, or connect with him on Bluesky (@professorjohnst.bsky.social) or Twitter/X (@ProfessorJohnst). He can also be reached directly by email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 06 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Roll and Flow: The Cultural Politics of Skateboarding and Surfing (San Diego State UP, 2024),  Michael James Roberts, Kristin Lawler, and David P. Cline take the widespread participation of skateboarders and surfers in the Black Lives Matter movement as a catalyst to reconsider the significance of the cultural politics of surfing and skateboarding. It is the first academic volume to bring together leading scholars in the areas of both surfing and skateboarding studies. This episode also invites Jarret Rose to discuss his contribution to this anthology.

Michael O. Johnston, Ph.D. is an Associate Professor of Sociology at William Penn University, where he specializes in the cultural and interpretive study of space, behavior, and identity. His scholarship examines how designed environments shape social interaction, connectedness, and moral life across diverse settings. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His current research projects include the study of escape rooms as emotion-structured environments, temporal urban environments in rural historical towns, student experiences of hanging out and being at home while at college and university, and a more recent study on the making of rodeo. To learn more about his work, visit his personal website, Google Scholar profile, or connect with him on Bluesky (@professorjohnst.bsky.social) or Twitter/X (@ProfessorJohnst). He can also be reached directly by email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://sdsupress.sdsu.edu/ROLLandFLOW.html">Roll and Flow: The Cultural Politics of Skateboarding and Surfing</a> (San Diego State UP, 2024),  <a href="https://sociology.sdsu.edu/faculty-and-staff/roberts">Michael James Roberts</a>, <a href="https://mountsaintvincent.edu/academics/undergraduate-college/areas-of-study/all-areas-of-study/department-of-sociology/faculty/kristin-lawler/">Kristin Lawler</a>, and <a href="https://history.sdsu.edu/people/cline">David P. Cline</a> take the widespread participation of skateboarders and surfers in the Black Lives Matter movement as a catalyst to reconsider the significance of the cultural politics of surfing and skateboarding. It is the first academic volume to bring together leading scholars in the areas of both surfing and skateboarding studies. This episode also invites <a href="https://jarrett-rose.com/">Jarret Rose</a> to discuss his contribution to this anthology.</p>
<p>Michael O. Johnston, Ph.D. is an Associate Professor of Sociology at William Penn University, where he specializes in the cultural and interpretive study of space, behavior, and identity. His scholarship examines how designed environments shape social interaction, connectedness, and moral life across diverse settings. He is the author of <a href="https://bookshop.org/p/books/the-social-construction-of-a-cultural-spectacle-floatzilla-michael-o-johnston/94ce27c27664fba1?ean=9781666929720&amp;next=t">The Social Construction of a Cultural Spectacle: Floatzilla</a> (Lexington Books, 2023) and <a href="https://bookshop.org/p/books/community-media-representations-of-place-and-identity-at-tug-fest-reconstructing-the-mississippi-river-michael-o-johnston/d580c6ec9b0a790c?ean=9781666908770&amp;next=t">Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River</a> (Lexington Books, 2022). His current research projects include the study of escape rooms as emotion-structured environments, temporal urban environments in rural historical towns, student experiences of hanging out and being at home while at college and university, and a more recent study on the making of rodeo. To learn more about his work, visit his <a href="https://profjohnston.weebly.com/">personal website</a>, <a href="https://scholar.google.com/citations?user=nPdv1bEAAAAJ&amp;hl=en">Google Scholar</a> profile, or connect with him on Bluesky (@professorjohnst.bsky.social) or Twitter/X (@ProfessorJohnst). He can also be reached directly by <a href="mailto:johnstonmo@wmpenn.edu">email</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3659</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[50f85dec-16db-11f1-975a-b7771595f785]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4270063745.mp3?updated=1772526874" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Vet at the End of the Earth: Adventures with Animals in the South Atlantic</title>
      <description>The role of a resident vet in the remote islands of the Falklands, St. Helena, Ascension, and Tristan da Cunha encompasses many wonderful complexities: caring for the world’s oldest living land animal (a 200-year-old giant tortoise, denizen of the St. Helena governor’s lawn); pursuing mystery creatures and invasive microorganisms; relocating herds of reindeer; and rescuing animals in extraordinarily rugged landscapes, from subtropical cloud forests to volcanic cliff faces. Dr. Hollins’s tales of island vet life are not only full of ingenuity and astounding fauna—they are also steeped in the unique local cultures, history, and peoples of the islands, far from the hustle of continental life.﻿

Our guest is: Dr. Jonathan Hollins, who graduated from Emmanuel College, Cambridge, and has been a working vet for four decades. Since the mid-2000s, he has spent long periods as a senior vet overseas in the South Atlantic. He has written for the British national press and presented documentary features for BBC Radio 3 and Radio 4. He lives on St. Helena.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:


  Doctors By Nature

  Just Like Family

  Living Night

  The Killer Whale Journals

  The Shark Scientist

  Endless Forms

  The Well-Gardened Mind

  Bugs: A Day in the Life

  My What-if Year

  The Climate Change Scientist

  At Every Depth


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 05 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The role of a resident vet in the remote islands of the Falklands, St. Helena, Ascension, and Tristan da Cunha encompasses many wonderful complexities: caring for the world’s oldest living land animal (a 200-year-old giant tortoise, denizen of the St. Helena governor’s lawn); pursuing mystery creatures and invasive microorganisms; relocating herds of reindeer; and rescuing animals in extraordinarily rugged landscapes, from subtropical cloud forests to volcanic cliff faces. Dr. Hollins’s tales of island vet life are not only full of ingenuity and astounding fauna—they are also steeped in the unique local cultures, history, and peoples of the islands, far from the hustle of continental life.﻿

Our guest is: Dr. Jonathan Hollins, who graduated from Emmanuel College, Cambridge, and has been a working vet for four decades. Since the mid-2000s, he has spent long periods as a senior vet overseas in the South Atlantic. He has written for the British national press and presented documentary features for BBC Radio 3 and Radio 4. He lives on St. Helena.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:


  Doctors By Nature

  Just Like Family

  Living Night

  The Killer Whale Journals

  The Shark Scientist

  Endless Forms

  The Well-Gardened Mind

  Bugs: A Day in the Life

  My What-if Year

  The Climate Change Scientist

  At Every Depth


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The role of a resident vet in the remote islands of the Falklands, St. Helena, Ascension, and Tristan da Cunha encompasses many wonderful complexities: caring for the world’s oldest living land animal (a 200-year-old giant tortoise, denizen of the St. Helena governor’s lawn); pursuing mystery creatures and invasive microorganisms; relocating herds of reindeer; and rescuing animals in extraordinarily rugged landscapes, from subtropical cloud forests to volcanic cliff faces. Dr. Hollins’s tales of island vet life are not only full of ingenuity and astounding fauna—they are also steeped in the unique local cultures, history, and peoples of the islands, far from the hustle of continental life.﻿<br></p>
<p>Our guest is: Dr. Jonathan Hollins, who graduated from Emmanuel College, Cambridge, and has been a working vet for four decades. Since the mid-2000s, he has spent long periods as a senior vet overseas in the South Atlantic. He has written for the British national press and presented documentary features for BBC Radio 3 and Radio 4. He lives on St. Helena.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/doctors-by-nature">Doctors By Nature</a></li>
  <li><a href="https://newbooksnetwork.com/andrea-laurent-simpson">Just Like Family</a></li>
  <li><a href="https://newbooksnetwork.com/living-night">Living Night</a></li>
  <li><a href="https://newbooksnetwork.com/the-killer-whale-journals">The Killer Whale Journals</a></li>
  <li><a href="https://newbooksnetwork.com/sharks-a-day-in-the-life">The Shark Scientist</a></li>
  <li><a href="https://newbooksnetwork.com/endless-forms">Endless Forms</a></li>
  <li><a href="https://newbooksnetwork.com/exploring-new-paths-to-mental-health-a-discussion-with-sue-stuart-smith">The Well-Gardened Mind</a></li>
  <li><a href="https://newbooksnetwork.com/bugs-a-day-in-the-life">Bugs: A Day in the Life</a></li>
  <li><a href="https://newbooksnetwork.com/my-what-if-year">My What-if Year</a></li>
  <li><a href="https://newbooksnetwork.com/shuang-ye-wu">The Climate Change Scientist</a></li>
  <li><a href="https://newbooksnetwork.com/at-every-depth-2">At Every Depth</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3587</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5315dc24-16d3-11f1-900e-43808dc7caff]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1785012001.mp3?updated=1772523507" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rachel Walther, "Born to Lose: The Misfits Who Made Dog Day Afternoon" (Headpress, 2026)</title>
      <description>In her new book, Born to Lose: The Misfits Who Made Dog Day Afternoon (Headpress, 2026) film historian Rachel Walther draws on extensive archival research delving into the film’s backstory, tracing how an unbelievable true crime tale of love, bank robbery, and LGBTQI+ activism became a box-office smash and catapulted a group of Brooklyn outsiders into the media spotlight. Name-checked on TV shows from The Simpsons to Drunk History, and now a Broadway play, Dog Day Afternoon’s legacy continues to inspire filmmakers, writers, and actors. Walther’s deep dive interrogates the film’s place in the 1970s zeitgeist, set against a background of antiwar activism and the fight for gay and trans rights, and in doing so shows its continuing relevance today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 05 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In her new book, Born to Lose: The Misfits Who Made Dog Day Afternoon (Headpress, 2026) film historian Rachel Walther draws on extensive archival research delving into the film’s backstory, tracing how an unbelievable true crime tale of love, bank robbery, and LGBTQI+ activism became a box-office smash and catapulted a group of Brooklyn outsiders into the media spotlight. Name-checked on TV shows from The Simpsons to Drunk History, and now a Broadway play, Dog Day Afternoon’s legacy continues to inspire filmmakers, writers, and actors. Walther’s deep dive interrogates the film’s place in the 1970s zeitgeist, set against a background of antiwar activism and the fight for gay and trans rights, and in doing so shows its continuing relevance today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="https://bookshop.org/a/12343/9781915316509">Born to Lose: The Misfits Who Made Dog Day Afternoon</a><em> </em>(Headpress, 2026) film historian Rachel Walther draws on extensive archival research delving into the film’s backstory, tracing how an unbelievable true crime tale of love, bank robbery, and LGBTQI+ activism became a box-office smash and catapulted a group of Brooklyn outsiders into the media spotlight. Name-checked on TV shows from <em>The Simpsons</em> to <em>Drunk History</em>, and now a Broadway play, <em>Dog Day Afternoon</em>’s legacy continues to inspire filmmakers, writers, and actors. Walther’s deep dive interrogates the film’s place in the 1970s zeitgeist, set against a background of antiwar activism and the fight for gay and trans rights, and in doing so shows its continuing relevance today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3147</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[73e45bae-16d0-11f1-a472-235bb13db0bf]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6131878974.mp3?updated=1772523131" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Victor Navarro-Remesal, "Zen and Slow Games" (MIT Press, 2026)</title>
      <description>A deep dive into the reflective modes of playfulness in video games. Slowness and reflectiveness have always been part of the video game medium, though they have been used very differently throughout its history. In Zen and Slow Games ﻿(MIT Press, 2026), Víctor Navarro-Remesal challenges the dominant discourse of action and quick reflexes in video games to offer an analysis of reflectiveness as a style in games, tracing its evolution from its origins to the present time. Two labels are of particular importance: the Zen modes (and later, Zen games) of the 2000s, especially during the Casual Revolution, and the slow games or slow gaming movement, which started in the 2010s and is ongoing today. The term “reflective games” is offered as an umbrella to bring together these and other labels to raise awareness and discussion of slow gaming.

Víctor Navarro-Remesal is a media scholar specializing in games working at TecnoCampus, Universitat Pompeu Fabra in Barcelona, Spain.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A deep dive into the reflective modes of playfulness in video games. Slowness and reflectiveness have always been part of the video game medium, though they have been used very differently throughout its history. In Zen and Slow Games ﻿(MIT Press, 2026), Víctor Navarro-Remesal challenges the dominant discourse of action and quick reflexes in video games to offer an analysis of reflectiveness as a style in games, tracing its evolution from its origins to the present time. Two labels are of particular importance: the Zen modes (and later, Zen games) of the 2000s, especially during the Casual Revolution, and the slow games or slow gaming movement, which started in the 2010s and is ongoing today. The term “reflective games” is offered as an umbrella to bring together these and other labels to raise awareness and discussion of slow gaming.

Víctor Navarro-Remesal is a media scholar specializing in games working at TecnoCampus, Universitat Pompeu Fabra in Barcelona, Spain.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A deep dive into the reflective modes of playfulness in video games. Slowness and reflectiveness have always been part of the video game medium, though they have been used very differently throughout its history. In <a href="https://bookshop.org/a/12343/9780262553568">Zen and Slow Games</a><em> </em>﻿(MIT Press, 2026), Víctor Navarro-Remesal challenges the dominant discourse of action and quick reflexes in video games to offer an analysis of reflectiveness as a style in games, tracing its evolution from its origins to the present time. Two labels are of particular importance: the Zen modes (and later, Zen games) of the 2000s, especially during the Casual Revolution, and the slow games or slow gaming movement, which started in the 2010s and is ongoing today. The term “reflective games” is offered as an umbrella to bring together these and other labels to raise awareness and discussion of slow gaming.<br></p>
<p>Víctor Navarro-Remesal is a media scholar specializing in games working at TecnoCampus, Universitat Pompeu Fabra in Barcelona, Spain.</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2274</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cd70c96a-15f8-11f1-b3ba-5b7705012c3b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2548650683.mp3?updated=1772429552" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ani DiFranco and Lauren Coyle Rosen, "The Spirit of Ani: Reflections on Spirituality, Feminism, Music, and Freedom" (Akashic Books, 2026)</title>
      <description>Rebekah Buchanan talks with Ani DiFranco about her latest collaborative work The Spirit of Ani: Reflections on Spirituality, Feminism, Music and Freedom (Akashic Books, 2026). In this powerful collaborative work, the legendary folk-rock star and feminist icon is in conversation with author, artist, and cultural anthropologist Lauren Coyle Rosen. In these exchanges, Ani is remarkably open about her creativity, spirituality, personal experiences, and evolving consciousness. She is vulnerable and unapologetic, offering an unprecedented window into her fiercely prolific journeys. Rebekah 

Expanding on themes from her best-selling memoir, Ani also offers fascinating reflections on contemporary popular culture—ranging from gender and queer politics, to the music industry in the virtual age, to climate change. The book includes previously unpublished photographs and journal entries, song-birth sheets, paintings, and the lyrics for some of her most treasured songs. The coauthors explore how Ani’s music and art are profoundly tied to her experiences of the interconnectedness of all consciousness and tuning in to receive creative inspiration. Ani’s striking openness produces a book that is both meditative and activating. This is a must-read for anyone intrigued by the dedication, intuition, and vision that drive Ani’s lifelong journey of creating art that not only reflects, but also empowers, transforms, and heals.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Rebekah Buchanan talks with Ani DiFranco about her latest collaborative work The Spirit of Ani: Reflections on Spirituality, Feminism, Music and Freedom (Akashic Books, 2026). In this powerful collaborative work, the legendary folk-rock star and feminist icon is in conversation with author, artist, and cultural anthropologist Lauren Coyle Rosen. In these exchanges, Ani is remarkably open about her creativity, spirituality, personal experiences, and evolving consciousness. She is vulnerable and unapologetic, offering an unprecedented window into her fiercely prolific journeys. Rebekah 

Expanding on themes from her best-selling memoir, Ani also offers fascinating reflections on contemporary popular culture—ranging from gender and queer politics, to the music industry in the virtual age, to climate change. The book includes previously unpublished photographs and journal entries, song-birth sheets, paintings, and the lyrics for some of her most treasured songs. The coauthors explore how Ani’s music and art are profoundly tied to her experiences of the interconnectedness of all consciousness and tuning in to receive creative inspiration. Ani’s striking openness produces a book that is both meditative and activating. This is a must-read for anyone intrigued by the dedication, intuition, and vision that drive Ani’s lifelong journey of creating art that not only reflects, but also empowers, transforms, and heals.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rebekah Buchanan talks with Ani DiFranco about her latest collaborative work <a href="https://bookshop.org/a/12343/9781636142777">The Spirit of Ani: Reflections on Spirituality, Feminism, Music and Freedom</a> (Akashic Books, 2026). In this powerful collaborative work, the legendary folk-rock star and feminist icon is in conversation with author, artist, and cultural anthropologist Lauren Coyle Rosen. In these exchanges, Ani is remarkably open about her creativity, spirituality, personal experiences, and evolving consciousness. She is vulnerable and unapologetic, offering an unprecedented window into her fiercely prolific journeys. Rebekah </p>
<p>Expanding on themes from her best-selling memoir, Ani also offers fascinating reflections on contemporary popular culture—ranging from gender and queer politics, to the music industry in the virtual age, to climate change. The book includes previously unpublished photographs and journal entries, song-birth sheets, paintings, and the lyrics for some of her most treasured songs. The coauthors explore how Ani’s music and art are profoundly tied to her experiences of the interconnectedness of all consciousness and tuning in to receive creative inspiration. Ani’s striking openness produces a book that is both meditative and activating. This is a must-read for anyone intrigued by the dedication, intuition, and vision that drive Ani’s lifelong journey of creating art that not only reflects, but also empowers, transforms, and heals.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2331</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2f547176-15f5-11f1-a317-c323b863e84f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8059318255.mp3?updated=1772428727" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jieun Kiaer, "Emoji Speak: Communication and Behaviours on Social Media" (Bloomsbury, 2023)</title>
      <description>Emoji Speak: Communication and Behaviours on Social Media (Bloomsbury, 2023) by Dr. Jieun Kiaer provides an in-depth discussion of emoji use in a global context, this volume presents the use of emoji as a hugely important facet of computer-mediated communication, leading Dr. Kiaer to coin the term 'emoji speak'.
Exploring why and how emojis are born, and the different ways in which people use them, this book highlights the diversity of emoji speak. Presenting the results of empirical investigations with participants of British, Belgian, Chinese, French, Japanese, Jordanian, Korean, Singaporean, and Spanish backgrounds, it raises important questions around the complexity of emoji use.
Though emojis have become ubiquitous, their interpretation can be more challenging. What is humorous in one region, for example, might be considered inappropriate or insulting in another. Whilst emoji use can speed up our communication, we might also question whether they convey our emotions sufficiently. Moreover, far from belonging to the youth, people of all ages now use emoji speak, prompting Kiaer to consider the future of our communication in an increasingly digital world.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 02 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jieun Kiaer</itunes:subtitle>
      <itunes:summary>Emoji Speak: Communication and Behaviours on Social Media (Bloomsbury, 2023) by Dr. Jieun Kiaer provides an in-depth discussion of emoji use in a global context, this volume presents the use of emoji as a hugely important facet of computer-mediated communication, leading Dr. Kiaer to coin the term 'emoji speak'.
Exploring why and how emojis are born, and the different ways in which people use them, this book highlights the diversity of emoji speak. Presenting the results of empirical investigations with participants of British, Belgian, Chinese, French, Japanese, Jordanian, Korean, Singaporean, and Spanish backgrounds, it raises important questions around the complexity of emoji use.
Though emojis have become ubiquitous, their interpretation can be more challenging. What is humorous in one region, for example, might be considered inappropriate or insulting in another. Whilst emoji use can speed up our communication, we might also question whether they convey our emotions sufficiently. Moreover, far from belonging to the youth, people of all ages now use emoji speak, prompting Kiaer to consider the future of our communication in an increasingly digital world.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350135116"><em>Emoji Speak: Communication and Behaviours on Social Media</em></a> (Bloomsbury, 2023) by Dr. Jieun Kiaer provides an in-depth discussion of emoji use in a global context, this volume presents the use of emoji as a hugely important facet of computer-mediated communication, leading Dr. Kiaer to coin the term 'emoji speak'.</p><p>Exploring why and how emojis are born, and the different ways in which people use them, this book highlights the diversity of emoji speak. Presenting the results of empirical investigations with participants of British, Belgian, Chinese, French, Japanese, Jordanian, Korean, Singaporean, and Spanish backgrounds, it raises important questions around the complexity of emoji use.</p><p>Though emojis have become ubiquitous, their interpretation can be more challenging. What is humorous in one region, for example, might be considered inappropriate or insulting in another. Whilst emoji use can speed up our communication, we might also question whether they convey our emotions sufficiently. Moreover, far from belonging to the youth, people of all ages now use emoji speak, prompting Kiaer to consider the future of our communication in an increasingly digital world.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2517</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK2126846644.mp3?updated=1692044663" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joanna Bourke, "Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker" (Reaktion, 2026)</title>
      <description>Why do certain women become icons of evil? Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker (Reaktion, 2026) by Professor Joanna Bourke offers the first comparative, non-sensationalist account of five of the most reviled women in the modern Anglophone world: Myra Hindley, Rosemary West, Aileen Wuornos, Karla Homolka and Karla Faye Tucker. It examines their lives, crimes and cultural reception in the UK, USA and Canada, asking how violence committed by women is understood, judged and remembered. Going beyond moral outrage or tabloid headlines, the book explores how concepts of 'evil' are shaped by history, belief systems and social context. Through historical and ethical reflections, it offers a deeper, more critical engagement with female violence, and considers how society should respond to those who commit acts of unimaginable harm.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 01 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Why do certain women become icons of evil? Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker (Reaktion, 2026) by Professor Joanna Bourke offers the first comparative, non-sensationalist account of five of the most reviled women in the modern Anglophone world: Myra Hindley, Rosemary West, Aileen Wuornos, Karla Homolka and Karla Faye Tucker. It examines their lives, crimes and cultural reception in the UK, USA and Canada, asking how violence committed by women is understood, judged and remembered. Going beyond moral outrage or tabloid headlines, the book explores how concepts of 'evil' are shaped by history, belief systems and social context. Through historical and ethical reflections, it offers a deeper, more critical engagement with female violence, and considers how society should respond to those who commit acts of unimaginable harm.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do certain women become icons of evil? <a href="https://bookshop.org/a/12343/9781836391746"><em>Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker</em> </a>(Reaktion, 2026) by Professor Joanna Bourke offers the first comparative, non-sensationalist account of five of the most reviled women in the modern Anglophone world: Myra Hindley, Rosemary West, Aileen Wuornos, Karla Homolka and Karla Faye Tucker. It examines their lives, crimes and cultural reception in the UK, USA and Canada, asking how violence committed by women is understood, judged and remembered. Going beyond moral outrage or tabloid headlines, the book explores how concepts of 'evil' are shaped by history, belief systems and social context. Through historical and ethical reflections, it offers a deeper, more critical engagement with female violence, and considers how society should respond to those who commit acts of unimaginable harm.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3669</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2fc7ba6e-12df-11f1-a5d3-53ed7d27b3fb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2286179451.mp3?updated=1772088584" length="0" type="audio/mpeg"/>
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    <item>
      <title>Michael Glover Smith, "Bob Dylan as Filmmaker: No Time to Think" (McNidder and Grace, 2026)</title>
      <description>A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take.

Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression.

The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval."

Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it’s festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert.

Michael on Twitter and Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 28 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take.

Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression.

The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval."

Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it’s festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert.

Michael on Twitter and Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take.</p>
<p><a href="https://bookshop.org/p/books/bob-dylan-as-filmmaker-no-time-to-think-michael-glover-smith/15a491cb2af2350b?ean=9780857162991&amp;next=t"><em>Bob Dylan as Filmmaker: No Time to Think</em></a> (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include <em>Eat the Document</em>--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic <em>Renaldo and Clara</em> (1978), both directed by <em>Dylan himself; and the darkly surreal Masked and Anonymous</em> (2003), directed by Larry Charles but co-written by and starring Dylan. <em>Bob Dylan as Filmmaker</em> explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression.</p>
<p>The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's <em>Rolling Thunder Revue</em> (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting <em>Shadow Kingdom </em>(2021), a stylized livestream performance; and James Mangold's<em> A Complete Unknown</em> (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval."</p>
<p>Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, <em>Hekla</em>, starring Elizabeth Stam, will have it’s festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, <em>Relative</em>, stars Wendy Robie (<em>Twin Peaks</em>) and is distributed by Music Box Films. His previous book, <em>Flickering Empire: How Chicago Invented the U.S. Film Industry</em> (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert.</p>
<p>Michael on <a href="https://x.com/whitecitycinema?lang=en">Twitter</a> and <a href="https://bsky.app/profile/whitecitycinema.bsky.social">Bluesky</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Backbeat Books, 2021), <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025), and <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.</p>
<p>Bradley on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4692</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[16fc3f00-13a2-11f1-9998-b39606c40d84]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9547239277.mp3?updated=1772172449" length="0" type="audio/mpeg"/>
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    <item>
      <title>Clarissa E. Francis, "Black Women's Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement" (Routledge, 2025)</title>
      <description>Black Women's Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement (Routledge, 2025) explores scholarship, practice, and advocacy for Black women’s pursuit of bodily autonomy, sexual freedom, and pleasure. Inspired by Megan Thee Stallion’s song "Hot Girl Summer" and pleasure activism, Dr. Clarissa E. Francis ("The Real Hot Girl Doc") examines the cultural and social impacts of "hot girl" music and its transformative effects on Black women’s sexual liberation journeys. Francis introduces readers to the Hot Girl Movement, addressing intergenerational trauma, denial of bodily autonomy, and pleasure politics.

This book offers a historical review and current documentation of Black women’s role in the evolving movement for sexual liberation in the United States, with a particular focus on Atlanta, Georgia. Chapters delve into the history of systemic oppression, presenting research on Black women’s experiences with gendered racism while demonstrating the socio-cultural influences shaping Black women’s sexual liberation. The book centers Black women’s narratives, featuring the work of sexologists, clinicians, somatic practitioners, and community organizers in guiding Black women to achieve sexual liberation.

The final chapter outlines conclusions of the research on the Hot Girl Movement and provides recommendations for participating in and supporting this movement. This interdisciplinary text is essential reading for scholars, clinicians, healing practitioners, birthworkers, and activists, including those in fields of sexuality, sex therapy, sociology, gender studies, Black/Africana studies, public health, and social justice. ﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 28 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Black Women's Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement (Routledge, 2025) explores scholarship, practice, and advocacy for Black women’s pursuit of bodily autonomy, sexual freedom, and pleasure. Inspired by Megan Thee Stallion’s song "Hot Girl Summer" and pleasure activism, Dr. Clarissa E. Francis ("The Real Hot Girl Doc") examines the cultural and social impacts of "hot girl" music and its transformative effects on Black women’s sexual liberation journeys. Francis introduces readers to the Hot Girl Movement, addressing intergenerational trauma, denial of bodily autonomy, and pleasure politics.

This book offers a historical review and current documentation of Black women’s role in the evolving movement for sexual liberation in the United States, with a particular focus on Atlanta, Georgia. Chapters delve into the history of systemic oppression, presenting research on Black women’s experiences with gendered racism while demonstrating the socio-cultural influences shaping Black women’s sexual liberation. The book centers Black women’s narratives, featuring the work of sexologists, clinicians, somatic practitioners, and community organizers in guiding Black women to achieve sexual liberation.

The final chapter outlines conclusions of the research on the Hot Girl Movement and provides recommendations for participating in and supporting this movement. This interdisciplinary text is essential reading for scholars, clinicians, healing practitioners, birthworkers, and activists, including those in fields of sexuality, sex therapy, sociology, gender studies, Black/Africana studies, public health, and social justice. ﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032699455">Black Women's Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement</a> (Routledge, 2025) explores scholarship, practice, and advocacy for Black women’s pursuit of bodily autonomy, sexual freedom, and pleasure. Inspired by Megan Thee Stallion’s song "Hot Girl Summer" and pleasure activism, Dr. Clarissa E. Francis ("The Real Hot Girl Doc") examines the cultural and social impacts of "hot girl" music and its transformative effects on Black women’s sexual liberation journeys. Francis introduces readers to the Hot Girl Movement, addressing intergenerational trauma, denial of bodily autonomy, and pleasure politics.</p>
<p>This book offers a historical review and current documentation of Black women’s role in the evolving movement for sexual liberation in the United States, with a particular focus on Atlanta, Georgia. Chapters delve into the history of systemic oppression, presenting research on Black women’s experiences with gendered racism while demonstrating the socio-cultural influences shaping Black women’s sexual liberation. The book centers Black women’s narratives, featuring the work of sexologists, clinicians, somatic practitioners, and community organizers in guiding Black women to achieve sexual liberation.</p>
<p>The final chapter outlines conclusions of the research on the Hot Girl Movement and provides recommendations for participating in and supporting this movement. This interdisciplinary text is essential reading for scholars, clinicians, healing practitioners, birthworkers, and activists, including those in fields of sexuality, sex therapy, sociology, gender studies, Black/Africana studies, public health, and social justice. ﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4007</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Michèle Schaal, "Grrrl Writing: Virginie Despentes's Authorial Politics" (Peter Lang, 2026)</title>
      <description>When Virginie Despentes (1969) published her provocative debut novel Baise-moi in 1994, no one could have anticipated how she would gradually become a literary, feminist, and punk icon. This book is the first holistic, interdisciplinary approach to Despentes's novels and evolution as an author. Using feminist, queer, literary, and punk theories, the book examines how Despentes has developed and refined her Grrrl writing in Baise-moi, Les Chiennes savantes, and Les Jolies choses. Michèle Schaal's Grrrl Writing: Virginie Despentes's Authorial Politics (Peter Lang, 2026) specifically illustrates how her unique authorial politics, infused with punk, genre- and genderbending praxes, have provided an acerbic critique of still largely heteropatriarchal French society. Despentes's Grrrl writing denounces how this system engenders and thrives on injustice and social inequities, but also how conventions at play in classic or populist literary genres can perpetuate oppression as well
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When Virginie Despentes (1969) published her provocative debut novel Baise-moi in 1994, no one could have anticipated how she would gradually become a literary, feminist, and punk icon. This book is the first holistic, interdisciplinary approach to Despentes's novels and evolution as an author. Using feminist, queer, literary, and punk theories, the book examines how Despentes has developed and refined her Grrrl writing in Baise-moi, Les Chiennes savantes, and Les Jolies choses. Michèle Schaal's Grrrl Writing: Virginie Despentes's Authorial Politics (Peter Lang, 2026) specifically illustrates how her unique authorial politics, infused with punk, genre- and genderbending praxes, have provided an acerbic critique of still largely heteropatriarchal French society. Despentes's Grrrl writing denounces how this system engenders and thrives on injustice and social inequities, but also how conventions at play in classic or populist literary genres can perpetuate oppression as well
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When Virginie Despentes (1969) published her provocative debut novel Baise-moi in 1994, no one could have anticipated how she would gradually become a literary, feminist, and punk icon. This book is the first holistic, interdisciplinary approach to Despentes's novels and evolution as an author. Using feminist, queer, literary, and punk theories, the book examines how Despentes has developed and refined her Grrrl writing in Baise-moi, Les Chiennes savantes, and Les Jolies choses. Michèle Schaal's <a href="https://bookshop.org/a/12343/9781800791435">Grrrl Writing: Virginie Despentes's Authorial Politics</a><em> </em>(Peter Lang, 2026) specifically illustrates how her unique authorial politics, infused with punk, genre- and genderbending praxes, have provided an acerbic critique of still largely heteropatriarchal French society. Despentes's Grrrl writing denounces how this system engenders and thrives on injustice and social inequities, but also how conventions at play in classic or populist literary genres can perpetuate oppression as well</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2149</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a61e4168-1084-11f1-a3a3-57bf5f2b26db]]></guid>
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    <item>
      <title>Ashely Alker, "99 Ways to Die: And How to Avoid Them" (St. Martin's Press, 2026)</title>
      <description>In 99 Ways to Die: And How To Avoid Them (St. Martins Press, 2026) emergency medicine doctor Ashley Alker presents an illuminating, hilarious, and practical guide to 99 of the most terrifying ways to die and how to avoid them. Dr. Alker is a self-described death escapologist—or, in more familiar terms, an emergency medicine doctor. She has seen it all, from flesh-eating bacteria to the work of a serial killer to the more mundane but no less deadly, and her work outwitting the end has uniquely prepared her to write this book. Dr. Alker manages to shock readers while making them laugh, educating them on how to outsmart a wide range of deadly situations and conditions. Many of the chapters include stories from her experiences in life and medicine, at times heartwarming, others heartbreaking. Sections include explorations of sex, poison, drugs, biological warfare, disease, animals, crime, the elements, and much more. An Anthony Bourdain-style greatest hits tour of death, 99 Ways to Die is entertaining while it informs. Full of valuable advice and wild stories, this riveting read might just save your life.

﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 23 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In 99 Ways to Die: And How To Avoid Them (St. Martins Press, 2026) emergency medicine doctor Ashley Alker presents an illuminating, hilarious, and practical guide to 99 of the most terrifying ways to die and how to avoid them. Dr. Alker is a self-described death escapologist—or, in more familiar terms, an emergency medicine doctor. She has seen it all, from flesh-eating bacteria to the work of a serial killer to the more mundane but no less deadly, and her work outwitting the end has uniquely prepared her to write this book. Dr. Alker manages to shock readers while making them laugh, educating them on how to outsmart a wide range of deadly situations and conditions. Many of the chapters include stories from her experiences in life and medicine, at times heartwarming, others heartbreaking. Sections include explorations of sex, poison, drugs, biological warfare, disease, animals, crime, the elements, and much more. An Anthony Bourdain-style greatest hits tour of death, 99 Ways to Die is entertaining while it informs. Full of valuable advice and wild stories, this riveting read might just save your life.

﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://us.macmillan.com/books/9781250359643/99waystodie/">99 Ways to Die: And How To Avoid Them</a><em> </em>(St. Martins Press, 2026) emergency medicine doctor Ashley Alker presents an illuminating, hilarious, and practical guide to 99 of the most terrifying ways to die and how to avoid them. Dr. Alker is a self-described death escapologist—or, in more familiar terms, an emergency medicine doctor. She has seen it all, from flesh-eating bacteria to the work of a serial killer to the more mundane but no less deadly, and her work outwitting the end has uniquely prepared her to write this book. Dr. Alker manages to shock readers while making them laugh, educating them on how to outsmart a wide range of deadly situations and conditions. Many of the chapters include stories from her experiences in life and medicine, at times heartwarming, others heartbreaking. Sections include explorations of sex, poison, drugs, biological warfare, disease, animals, crime, the elements, and much more. An Anthony Bourdain-style greatest hits tour of death, 99 Ways to Die is entertaining while it informs. Full of valuable advice and wild stories, this riveting read might just save your life.</p>
<p>﻿<a href="https://rebekahjbuchanan.com/">Rebekah Buchanan</a> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2426</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[19fe930a-102e-11f1-a6fb-d76c98d231d7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2992750183.mp3?updated=1771793200" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)</title>
      <description>In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.

British Blonde: Women, Desire and the Image in Post-War Britain (Yale UP, 2025) by Professor Lynda Nead examines postwar Britain through the changing ideals of femininity that reflected the nation’s evolving concerns in the twenty-five years following the Second World War. At its heart are four iconic women whose stories serve as prompts for broader accounts of social and culture change: Diana Dors, the quintessential blonde bombshell; Ruth Ellis, the last woman to be hanged in Britain; Barbara Windsor, star of the Carry On films; and the Pop artist Pauline Boty. Together, they reveal how class, social aspiration, and desire reshaped the cultural atmosphere of the 1950s and 1960s, complicating gender roles and visual culture in the process.

Richly illustrated with paintings, photography, film stills, and advertisements, this interdisciplinary and engagingly written study offers a highly original perspective on an era that transformed Britain’s visual and cultural identity.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 22 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.

British Blonde: Women, Desire and the Image in Post-War Britain (Yale UP, 2025) by Professor Lynda Nead examines postwar Britain through the changing ideals of femininity that reflected the nation’s evolving concerns in the twenty-five years following the Second World War. At its heart are four iconic women whose stories serve as prompts for broader accounts of social and culture change: Diana Dors, the quintessential blonde bombshell; Ruth Ellis, the last woman to be hanged in Britain; Barbara Windsor, star of the Carry On films; and the Pop artist Pauline Boty. Together, they reveal how class, social aspiration, and desire reshaped the cultural atmosphere of the 1950s and 1960s, complicating gender roles and visual culture in the process.

Richly illustrated with paintings, photography, film stills, and advertisements, this interdisciplinary and engagingly written study offers a highly original perspective on an era that transformed Britain’s visual and cultural identity.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.</p>
<p><a href="https://bookshop.org/a/12343/9781913107499"><em>British Blonde: Women, Desire and the Image in Post-War Britain</em> </a>(Yale UP, 2025) by Professor Lynda Nead examines postwar Britain through the changing ideals of femininity that reflected the nation’s evolving concerns in the twenty-five years following the Second World War. At its heart are four iconic women whose stories serve as prompts for broader accounts of social and culture change: Diana Dors, the quintessential blonde bombshell; Ruth Ellis, the last woman to be hanged in Britain; Barbara Windsor, star of the Carry On films; and the Pop artist Pauline Boty. Together, they reveal how class, social aspiration, and desire reshaped the cultural atmosphere of the 1950s and 1960s, complicating gender roles and visual culture in the process.</p>
<p>Richly illustrated with paintings, photography, film stills, and advertisements, this interdisciplinary and engagingly written study offers a highly original perspective on an era that transformed Britain’s visual and cultural identity.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3365</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[43f12b58-0e3c-11f1-9fe4-5f3441c59806]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9228003063.mp3?updated=1771578989" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marc Masters, "High Bias: The Distorted History of the Cassette Tape" (UNC Press, 2023)</title>
      <description>The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities.
High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect.
Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical.
Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 22 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>231</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marc Masters</itunes:subtitle>
      <itunes:summary>The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities.
High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect.
Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical.
Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities.</p><p><a href="https://bookshop.org/a/12343/9781469675985"><em>High Bias: The Distorted History of the Cassette Tape</em> </a>(UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect.</p><p>Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical.</p><p>Marc Masters is a music journalist whose work has appeared on <em>NPR</em> and in the <em>Washington Post</em>, <em>Pitchfork</em>, <em>Rolling Stone</em>, and <em>Bandcamp Daily</em>. He is also the author of <em>No Wave</em>. Marc Masters on <a href="https://twitter.com/Marcissist">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3320</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ce0ff774-0ea0-11f1-b0fa-83fc4f001c26]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9039434191.mp3?updated=1711909883" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessica Martin, "Feminisms and Domesticity in Times of Crisis: The Rise of the Austerity Celebrity" (Bloomsbury, 2025)</title>
      <description>Is the home still a site for feminist resistance? In Feminisms and Domesticity in Times of Crisis: The Rise of the Austerity Celebrity Jessica Martin, a Lecturer in Sociology and Social Policy at the University of Leeds, examines the rise of postfeminist celebrities in the era of covid and the cost-of-living crisis. Drawing on 4 case studies, the book demonstrates how much of the seemingly feminist celebrity activism of recent years has reinforced and justified social inequalities. The book explains and contextualises many current media issues, from the ‘trad wife’ and nostalgic gender politics, to the complicated politics of mumsnet, blogging and business coaches. Offering a nuanced account of the possibilities for alternatives, whilst cautioning that even explicitly anti-poverty feminist campaigning is constrained by a reactionary media landscape, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding contemporary life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 21 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Is the home still a site for feminist resistance? In Feminisms and Domesticity in Times of Crisis: The Rise of the Austerity Celebrity Jessica Martin, a Lecturer in Sociology and Social Policy at the University of Leeds, examines the rise of postfeminist celebrities in the era of covid and the cost-of-living crisis. Drawing on 4 case studies, the book demonstrates how much of the seemingly feminist celebrity activism of recent years has reinforced and justified social inequalities. The book explains and contextualises many current media issues, from the ‘trad wife’ and nostalgic gender politics, to the complicated politics of mumsnet, blogging and business coaches. Offering a nuanced account of the possibilities for alternatives, whilst cautioning that even explicitly anti-poverty feminist campaigning is constrained by a reactionary media landscape, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding contemporary life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is the home still a site for feminist resistance? In <a href="https://bookshop.org/a/12343/9781350332232">Feminisms and Domesticity in Times of Crisis: The Rise of the Austerity Celebrity</a> <a href="https://bsky.app/profile/jessmartin.bsky.social">Jessica Martin</a>, a <a href="https://essl.leeds.ac.uk/sociology/staff/1159/dr-jessica-martin">Lecturer in Sociology and Social Policy at the University of Leeds</a>, examines the rise of postfeminist celebrities in the era of covid and the cost-of-living crisis. Drawing on 4 case studies, the book demonstrates how much of the seemingly feminist celebrity activism of recent years has reinforced and justified social inequalities. The book explains and contextualises many current media issues, from the ‘trad wife’ and nostalgic gender politics, to the complicated politics of mumsnet, blogging and business coaches. Offering a nuanced account of the possibilities for alternatives, whilst cautioning that even explicitly anti-poverty feminist campaigning is constrained by a reactionary media landscape, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding contemporary life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2214</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[56e747d4-0d5a-11f1-9bc9-8fe16b925bf3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6885264823.mp3?updated=1771481727" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Santiago Fouz-Hernández, "The Films of Bigas Luna" (Manchester UP, 2025)</title>
      <description>Written by Professor Santiago Fouz-Hernández (Durham University), The Films of Bigas Luna (Manchester UP, 2025) ﻿is the first comprehensive English-language study of the complete filmography of Spanish filmmaker Bigas Luna, spanning from Tatuaje (1976) to DiDi Hollywood (2010).Engaging with theoretical frameworks such as haptic cinema, erotic cinema, auteur theory, and studies of gender, sexuality, and national identity, the book situates close readings of Bigas Luna’s films within broader discussions of production and marketing. Fouz Hernández draws on extensive archival research―including original screenplays, press materials, and interviews with industry professionals―while engaging with previous scholarship in multiple languages.Structured into five thematic chapters, the book explores key concerns in Bigas Luna’s work, including genre, gender representation, Iberian and Mediterranean identities, and meta-cinematic narratives. It can be read as a cohesive study of his oeuvre or as a reference for specific films.

The interview is hosted by Dr Fiona Noble, Lecturer in Spanish and Latin American Studies at the University of Stirling, Scotland, and the author of Subversive Spanish Cinema: The Politics of Performance (Bloomsbury, 2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Written by Professor Santiago Fouz-Hernández (Durham University), The Films of Bigas Luna (Manchester UP, 2025) ﻿is the first comprehensive English-language study of the complete filmography of Spanish filmmaker Bigas Luna, spanning from Tatuaje (1976) to DiDi Hollywood (2010).Engaging with theoretical frameworks such as haptic cinema, erotic cinema, auteur theory, and studies of gender, sexuality, and national identity, the book situates close readings of Bigas Luna’s films within broader discussions of production and marketing. Fouz Hernández draws on extensive archival research―including original screenplays, press materials, and interviews with industry professionals―while engaging with previous scholarship in multiple languages.Structured into five thematic chapters, the book explores key concerns in Bigas Luna’s work, including genre, gender representation, Iberian and Mediterranean identities, and meta-cinematic narratives. It can be read as a cohesive study of his oeuvre or as a reference for specific films.

The interview is hosted by Dr Fiona Noble, Lecturer in Spanish and Latin American Studies at the University of Stirling, Scotland, and the author of Subversive Spanish Cinema: The Politics of Performance (Bloomsbury, 2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Written by Professor Santiago Fouz-Hernández (Durham University), <a href="https://bookshop.org/a/12343/9780719090431">The Films of Bigas Luna</a> (Manchester UP, 2025) ﻿is the first comprehensive English-language study of the complete filmography of Spanish filmmaker Bigas Luna, spanning from <em>Tatuaje</em> (1976) to <em>DiDi Hollywood</em> (2010).<br>Engaging with theoretical frameworks such as haptic cinema, erotic cinema, auteur theory, and studies of gender, sexuality, and national identity, the book situates close readings of Bigas Luna’s films within broader discussions of production and marketing. Fouz Hernández draws on extensive archival research―including original screenplays, press materials, and interviews with industry professionals―while engaging with previous scholarship in multiple languages.<br>Structured into five thematic chapters, the book explores key concerns in Bigas Luna’s work, including genre, gender representation, Iberian and Mediterranean identities, and meta-cinematic narratives. It can be read as a cohesive study of his oeuvre or as a reference for specific films.</p>
<p><em>The interview is hosted by Dr Fiona Noble, Lecturer in Spanish and Latin American Studies at the University of Stirling, Scotland, and the author of </em><a href="https://www.bloomsbury.com/uk/subversive-spanish-cinema-9781350152472/">Subversive Spanish Cinema: The Politics of Performance</a> <em>(Bloomsbury, 2020)</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4428</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0c983604-0d4e-11f1-9ea8-cbf2d0d32188]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7576651203.mp3?updated=1771476676" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The American Mirage: How Reality TV Upholds the Myth of Meritocracy  </title>
      <description>In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. The American Mirage addresses this puzzle by exposing the stark reality of today’s media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation. Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news.

Instead, millions flock to entertainment programs that showcase real-life success stories, such as American Idol, Shark Tank, and MasterChef. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news. By taking seriously what people casually watch every day, The American Mirage shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people’s lives.

Our guest is: Dr. Eunji Kim, who is an Assistant Professor of Political Science at Columbia University. As a political communication scholar, she primarily studies the impact of media content on mass attitudes and political behavior. She is the author of The American Mirage: How Reality TV Upholds the Myth of Meritocracy. Her research explores a range of topics, and has been published in many leading journals including the American Political Science Review, American Journal of Political Science, Journal of Politics, and Proceedings of the National Academy of Sciences.

Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the creator and producer of the Academic Life podcast, and writes the show’s newsletter at ChristinaGessler.Substack.com.

Playlist for listeners:

Understanding Disinformation

100 Years of Radio in South Africa

You Have More Influence Than You Think

Black Girls and How We Fail Them

Live From The Underground

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 19 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. The American Mirage addresses this puzzle by exposing the stark reality of today’s media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation. Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news.

Instead, millions flock to entertainment programs that showcase real-life success stories, such as American Idol, Shark Tank, and MasterChef. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news. By taking seriously what people casually watch every day, The American Mirage shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people’s lives.

Our guest is: Dr. Eunji Kim, who is an Assistant Professor of Political Science at Columbia University. As a political communication scholar, she primarily studies the impact of media content on mass attitudes and political behavior. She is the author of The American Mirage: How Reality TV Upholds the Myth of Meritocracy. Her research explores a range of topics, and has been published in many leading journals including the American Political Science Review, American Journal of Political Science, Journal of Politics, and Proceedings of the National Academy of Sciences.

Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the creator and producer of the Academic Life podcast, and writes the show’s newsletter at ChristinaGessler.Substack.com.

Playlist for listeners:

Understanding Disinformation

100 Years of Radio in South Africa

You Have More Influence Than You Think

Black Girls and How We Fail Them

Live From The Underground

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. <em>The American Mirage</em> addresses this puzzle by exposing the stark reality of today’s media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation. Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news.</p>
<p>Instead, millions flock to entertainment programs that showcase real-life success stories, such as <em>American Idol</em>, <em>Shark Tank</em>, and <em>MasterChef</em>. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news. By taking seriously what people casually watch every day, <em>The American Mirage</em> shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people’s lives.</p>
<p>Our guest is: Dr. Eunji Kim, who is an Assistant Professor of Political Science at Columbia University. As a political communication scholar, she primarily studies the impact of media content on mass attitudes and political behavior. She is the author of <a href="https://press.princeton.edu/books/hardcover/9780691267197/the-american-mirage?srsltid=AfmBOoq_wtY49XON0lVb1BqDLt313NI7GevFsxuo-2tdxCqUFH2qiCht">The American Mirage: How Reality TV Upholds the Myth of</a> <a href="https://press.princeton.edu/books/hardcover/9780691267197/the-american-mirage?srsltid=AfmBOoq_wtY49XON0lVb1BqDLt313NI7GevFsxuo-2tdxCqUFH2qiCht">Meritocracy</a>. Her research explores a range of topics, and has been published in many leading journals including the <em>American Political Science Review</em>, <em>American Journal of Political Science</em>, <em>Journal of Politics</em>, and <em>Proceedings of the National Academy of Sciences</em>.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a writing coach and editor for academics. She is the creator and producer of the Academic Life podcast, and writes the show’s newsletter at <a href="https://christinagessler.substack.com/">ChristinaGessler.Substack.com.</a></p>
<p>Playlist for listeners:</p>
<p><a href="https://newbooksnetwork.com/understanding-disinformation">Understanding Disinformation</a></p>
<p><a href="https://newbooksnetwork.com/100-years-of-radio-in-south-africa-volume-1">100 Years of Radio in South Africa</a></p>
<p><a href="https://newbooksnetwork.com/you-have-more-influence-than-you-think-how-we-underestimate-our-powers-of-persuasion-and-why-it-matters">You Have More Influence Than You Think</a></p>
<p><a href="https://newbooksnetwork.com/black-girls-and-how-we-fail-them">Black Girls and How We Fail Them</a></p>
<p><a href="https://newbooksnetwork.com/live-from-the-underground">Live From The Underground</a></p>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2884</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>David M. Henkin, "Out of the Ballpark: How to Think about Baseball" (Oxford UP, 2026)</title>
      <description>All over the world, masses of people watch, follow, document, and obsess over baseball. Everything remarkable about the impact of baseball derives from the game's history and cultural status as events that draw people together in these ways. Understanding baseball as a cultural phenomenon is therefore less a matter of mastering the vocabulary of the game or merely recollecting its iconic stadiums, players, and stats. While all those details compel insiders and inspire fans, baseball's peculiar and persistent appeal can only be understood by adopting a wider lens. It requires reckoning with the history of structured competition. The classic backyard game of catch between a father and son draws meaning from its associations with the organized sport and its history. The challenge lies less in finding one perfect spot to look, but rather in identifying the many different places where baseball has accumulated significance.

Out of the Ballpark: How to Think about Baseball (Oxford University Press, 2026) reconsiders the character, meaning, and delights of the game by exploring both baseball's unusual features and the sport's many resonances with other aspects of modern life. To this end, it abandons several assumptions and mythologies that underlie most approaches to histories of baseball: that it is unique among sports and fundamentally different from other kinds of entertainment; that it is specific to the United States; that it has changed fundamentally in recent years; and that the keys to understanding it lie primarily in examining what happens on the field of play.

Instead, David M. Henkin moves across time and space to examine baseball's history since the nineteenth century and beyond US borders. He takes readers inside the structures of clubs and leagues, interprets the sacred scripture of rulebooks, and illuminates some of baseball's rites and rituals that are often associated with honor and manhood. He charts baseball's significance along the routes of American and Japanese imperial expansion and the shifting maps of race and ethnicity in the US. Baseball is found at negotiating tables that pit capital against labor and in pivotal moments in the history of mass media. Here, we are shown how baseball might offer a complex and capacious space for thinking about such things as spectatorship, success, community, order, and contingency in the modern world.

David M. Henkin is Professor of History at the University of California, Berkeley, where he has taught courses on society and culture in nineteenth-century America for close to three decades.

Caleb Zakarin is CEO and Publisher of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>All over the world, masses of people watch, follow, document, and obsess over baseball. Everything remarkable about the impact of baseball derives from the game's history and cultural status as events that draw people together in these ways. Understanding baseball as a cultural phenomenon is therefore less a matter of mastering the vocabulary of the game or merely recollecting its iconic stadiums, players, and stats. While all those details compel insiders and inspire fans, baseball's peculiar and persistent appeal can only be understood by adopting a wider lens. It requires reckoning with the history of structured competition. The classic backyard game of catch between a father and son draws meaning from its associations with the organized sport and its history. The challenge lies less in finding one perfect spot to look, but rather in identifying the many different places where baseball has accumulated significance.

Out of the Ballpark: How to Think about Baseball (Oxford University Press, 2026) reconsiders the character, meaning, and delights of the game by exploring both baseball's unusual features and the sport's many resonances with other aspects of modern life. To this end, it abandons several assumptions and mythologies that underlie most approaches to histories of baseball: that it is unique among sports and fundamentally different from other kinds of entertainment; that it is specific to the United States; that it has changed fundamentally in recent years; and that the keys to understanding it lie primarily in examining what happens on the field of play.

Instead, David M. Henkin moves across time and space to examine baseball's history since the nineteenth century and beyond US borders. He takes readers inside the structures of clubs and leagues, interprets the sacred scripture of rulebooks, and illuminates some of baseball's rites and rituals that are often associated with honor and manhood. He charts baseball's significance along the routes of American and Japanese imperial expansion and the shifting maps of race and ethnicity in the US. Baseball is found at negotiating tables that pit capital against labor and in pivotal moments in the history of mass media. Here, we are shown how baseball might offer a complex and capacious space for thinking about such things as spectatorship, success, community, order, and contingency in the modern world.

David M. Henkin is Professor of History at the University of California, Berkeley, where he has taught courses on society and culture in nineteenth-century America for close to three decades.

Caleb Zakarin is CEO and Publisher of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>All over the world, masses of people watch, follow, document, and obsess over baseball. Everything remarkable about the impact of baseball derives from the game's history and cultural status as events that draw people together in these ways. Understanding baseball as a cultural phenomenon is therefore less a matter of mastering the vocabulary of the game or merely recollecting its iconic stadiums, players, and stats. While all those details compel insiders and inspire fans, baseball's peculiar and persistent appeal can only be understood by adopting a wider lens. It requires reckoning with the history of structured competition. The classic backyard game of catch between a father and son draws meaning from its associations with the organized sport and its history. The challenge lies less in finding one perfect spot to look, but rather in identifying the many different places where baseball has accumulated significance.</p>
<p><a href="https://bookshop.org/a/12343/9780197789551">Out of the Ballpark: How to Think about Baseball</a><em> </em>(Oxford University Press, 2026)<em> </em>reconsiders the character, meaning, and delights of the game by exploring both baseball's unusual features and the sport's many resonances with other aspects of modern life. To this end, it abandons several assumptions and mythologies that underlie most approaches to histories of baseball: that it is unique among sports and fundamentally different from other kinds of entertainment; that it is specific to the United States; that it has changed fundamentally in recent years; and that the keys to understanding it lie primarily in examining what happens on the field of play.</p>
<p>Instead, David M. Henkin moves across time and space to examine baseball's history since the nineteenth century and beyond US borders. He takes readers inside the structures of clubs and leagues, interprets the sacred scripture of rulebooks, and illuminates some of baseball's rites and rituals that are often associated with honor and manhood. He charts baseball's significance along the routes of American and Japanese imperial expansion and the shifting maps of race and ethnicity in the US. Baseball is found at negotiating tables that pit capital against labor and in pivotal moments in the history of mass media. Here, we are shown how baseball might offer a complex and capacious space for thinking about such things as spectatorship, success, community, order, and contingency in the modern world.</p>
<p>David M. Henkin is Professor of History at the University of California, Berkeley, where he has taught courses on society and culture in nineteenth-century America for close to three decades.</p>
<p><em>Caleb Zakarin is CEO and Publisher of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3794</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Robert P. Kolker and David Wyatt, "The Film Auteur: Angles of Vision" (Routledge, 2026)</title>
      <description>An accessible introduction to the concept of the auteur (author) in film theory.

In ﻿The Film Auteur: Angles of Vision (Routledge, 2026) Robert Kolker and David Wyatt provide readers with a history of auteur theory, from its initial origins in France in the late 1940s as an outgrowth of the cinematic theories of the French film critics and theorists André Bazin and Alexandre Astruc, to the canonizing work of American film critic Andrew Sarris in the 1960s. After a streamlined account of the various postwar renaissances in film - the shock of “Neorealism”, the “New Wave,” and “New American Cinema” - the book features detailed examinations of the work of forty-eight auteurs, including F.W. Murnau, Jean-Luc Godard, Ida Lupino, Alfred Hitchcock, Yasujirō Ozu, Stanley Kubrick, Spike Lee, Pedro Almodóvar, and Jane Campion. In its focus on a limited number of auteurs, this book aims to offer a map of representative figures rather than an exhaustive or comprehensive list, providing an informative entry point to the study of the auteur.

Essential reading for any students of film theory and film studies, particularly those taking classes on the auteur.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 17 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An accessible introduction to the concept of the auteur (author) in film theory.

In ﻿The Film Auteur: Angles of Vision (Routledge, 2026) Robert Kolker and David Wyatt provide readers with a history of auteur theory, from its initial origins in France in the late 1940s as an outgrowth of the cinematic theories of the French film critics and theorists André Bazin and Alexandre Astruc, to the canonizing work of American film critic Andrew Sarris in the 1960s. After a streamlined account of the various postwar renaissances in film - the shock of “Neorealism”, the “New Wave,” and “New American Cinema” - the book features detailed examinations of the work of forty-eight auteurs, including F.W. Murnau, Jean-Luc Godard, Ida Lupino, Alfred Hitchcock, Yasujirō Ozu, Stanley Kubrick, Spike Lee, Pedro Almodóvar, and Jane Campion. In its focus on a limited number of auteurs, this book aims to offer a map of representative figures rather than an exhaustive or comprehensive list, providing an informative entry point to the study of the auteur.

Essential reading for any students of film theory and film studies, particularly those taking classes on the auteur.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An accessible introduction to the concept of the auteur (author) in film theory.</p>
<p>In <a href="https://bookshop.org/a/12343/9781032502458">﻿The Film Auteur: Angles of Vision</a> (Routledge, 2026) Robert Kolker and David Wyatt provide readers with a history of auteur theory, from its initial origins in France in the late 1940s as an outgrowth of the cinematic theories of the French film critics and theorists André Bazin and Alexandre Astruc, to the canonizing work of American film critic Andrew Sarris in the 1960s. After a streamlined account of the various postwar renaissances in film - the shock of “Neorealism”, the “New Wave,” and “New American Cinema” - the book features detailed examinations of the work of forty-eight auteurs, including F.W. Murnau, Jean-Luc Godard, Ida Lupino, Alfred Hitchcock, Yasujirō Ozu, Stanley Kubrick, Spike Lee, Pedro Almodóvar, and Jane Campion. In its focus on a limited number of auteurs, this book aims to offer a map of representative figures rather than an exhaustive or comprehensive list, providing an informative entry point to the study of the auteur.</p>
<p>Essential reading for any students of film theory and film studies, particularly those taking classes on the auteur.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3328</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bb04160c-0b02-11f1-ba62-2b1a9d5ade54]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6390558444.mp3?updated=1771224218" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>His Girl Friday</title>
      <description>﻿The average estimated words-per-minute in a feature film is 90; His Girl Friday (1940) clocks in at 240. And yet the fast dialogue is only one of its many fascinations. Everything about it perfectly lands: the script, the casting, the camerawork, the minor players–all contribute to what can be called, without the kind of hyperbole found in the Morning Post, a perfect film. It’s as cynical as Network yet as joyful as Singin’ in the Rain and skewers the news-tainment complex with an affection for its perpetrators. Join us for an appreciation for one of the best.

Incredible bumper music by John Deley.

Admirers of the film will enjoy this beautifully designed book edition of the original screenplay, in which the original dialogue from the film is reproduced complete with an accompanying commentary.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 16 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿The average estimated words-per-minute in a feature film is 90; His Girl Friday (1940) clocks in at 240. And yet the fast dialogue is only one of its many fascinations. Everything about it perfectly lands: the script, the casting, the camerawork, the minor players–all contribute to what can be called, without the kind of hyperbole found in the Morning Post, a perfect film. It’s as cynical as Network yet as joyful as Singin’ in the Rain and skewers the news-tainment complex with an affection for its perpetrators. Join us for an appreciation for one of the best.

Incredible bumper music by John Deley.

Admirers of the film will enjoy this beautifully designed book edition of the original screenplay, in which the original dialogue from the film is reproduced complete with an accompanying commentary.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿The average estimated words-per-minute in a feature film is 90; <em>His Girl Friday</em> (1940) clocks in at 240. And yet the fast dialogue is only one of its many fascinations. Everything about it perfectly lands: the script, the casting, the camerawork, the minor players–all contribute to what can be called, without the kind of hyperbole found in the <em>Morning Post</em>, a perfect film. It’s as cynical as <em>Network </em>yet as joyful as <em>Singin’ in the Rain</em> and skewers the news-tainment complex with an affection for its perpetrators. Join us for an appreciation for one of the best.</p>
<p>Incredible bumper music by <a href="https://www.johndeleymusic.com/">John Deley</a>.</p>
<p>Admirers of the film will enjoy <a href="https://bookshop.org/p/books/his-girl-friday-charles-lederer/8529f9e1e4eb4be9?ean=9798350501193&amp;next=t">this beautifully designed book edition of the original screenplay</a>, in which the original dialogue from the film is reproduced complete with an accompanying commentary.</p>
<p>Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show <a href="https://letterboxd.com/15minfilm/">on Letterboxd</a> and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, <a href="https://pagesandframes.substack.com/"><em>Pages and Frames</em></a>, where he writes about books and movies, as well as his many film-related author interviews on <a href="https://newbooksnetwork.com/category/arts-letters/film"><em>The New Books Network</em></a><em>. </em>Read Mike Takla’s substack, <a href="https://miketakla1.substack.com/"><em>The Grumbler’s Almanac</em></a>, for commentary on offbeat topics of the day.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1630</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1949716a-08a3-11f1-b5ad-0f88c345f81d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7760042522.mp3?updated=1770963420" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexis Lerner, "Post-Soviet Graffiti: Free Speech in Authoritarian States" (U Toronto Press, 2025)</title>
      <description>Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states.

For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text.

The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states.

Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 16 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states.

For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text.

The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states.

Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781487525422">Post-Soviet Graffiti: Free Speech in Authoritarian States</a> (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states.</p>
<p>For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, <em>Post-Soviet Graffiti</em> provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text.</p>
<p>The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states.</p>
<p><em>Post-Soviet Graffiti</em> reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2777</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[484c69ea-0aab-11f1-809b-0303f9422cfb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1114785961.mp3?updated=1771187001" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dan Hassler-Forest, "Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood" (U Minnesota Press, 2026)</title>
      <description>Fast and Furious Franchising charts the transformation of Hollywood through the story of one of its most successful cinematic universes. Released in 2001, The Fast and the Furious became an unexpected hit, developing into a seven-billion-dollar media franchise with nine direct sequels (so far), one “sidequel,” copious spin-offs, and licensing deals from board games to theme park rides.

In Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood (U Minnesota Press, 2026), Dr. Dan Hassler-Forest shows how Fast and Furious paved the way for a new form of serialized storytelling that balanced new distribution practices and expansion into international markets with a savvy awareness of representational politics. By following the series’s development over the past twenty-five years, Fast and Furious Franchising reveals distinct phases that reflect larger media-industrial trends: the postclassical blockbuster era of the early 2000s; the emergence of the megafranchise between 2008 and 2014; the franchise’s “imperial” era, from 2015 through 2019; and the postpandemic crisis era of media saturation and franchise fatigue.

While examining this rapidly changing media landscape, Dr. Hassler-Forest offers lively, insightful analyses of the films as they have embraced ever-more-ludicrous plots and unlikely character turns while always maintaining their signature faith in the power of family. As he illuminates the role of the Fast and Furious movies in the global entertainment industry, Dr. Hassler-Forest shows how the films’ improbable success proves Dominic Toretto’s adage that, whether “you win by an inch or a mile . . . winning’s winning.”

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 14 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Fast and Furious Franchising charts the transformation of Hollywood through the story of one of its most successful cinematic universes. Released in 2001, The Fast and the Furious became an unexpected hit, developing into a seven-billion-dollar media franchise with nine direct sequels (so far), one “sidequel,” copious spin-offs, and licensing deals from board games to theme park rides.

In Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood (U Minnesota Press, 2026), Dr. Dan Hassler-Forest shows how Fast and Furious paved the way for a new form of serialized storytelling that balanced new distribution practices and expansion into international markets with a savvy awareness of representational politics. By following the series’s development over the past twenty-five years, Fast and Furious Franchising reveals distinct phases that reflect larger media-industrial trends: the postclassical blockbuster era of the early 2000s; the emergence of the megafranchise between 2008 and 2014; the franchise’s “imperial” era, from 2015 through 2019; and the postpandemic crisis era of media saturation and franchise fatigue.

While examining this rapidly changing media landscape, Dr. Hassler-Forest offers lively, insightful analyses of the films as they have embraced ever-more-ludicrous plots and unlikely character turns while always maintaining their signature faith in the power of family. As he illuminates the role of the Fast and Furious movies in the global entertainment industry, Dr. Hassler-Forest shows how the films’ improbable success proves Dominic Toretto’s adage that, whether “you win by an inch or a mile . . . winning’s winning.”

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fast and Furious Franchising charts the transformation of Hollywood through the story of one of its most successful cinematic universes. Released in 2001, <em>The Fast and the Furious</em> became an unexpected hit, developing into a seven-billion-dollar media franchise with nine direct sequels (so far), one “sidequel,” copious spin-offs, and licensing deals from board games to theme park rides.</p>
<p>In <a href="https://bookshop.org/a/12343/9781452975320">Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood</a> (U Minnesota Press, 2026), Dr. Dan Hassler-Forest shows how Fast and Furious paved the way for a new form of serialized storytelling that balanced new distribution practices and expansion into international markets with a savvy awareness of representational politics. By following the series’s development over the past twenty-five years, <em>Fast and Furious Franchising</em> reveals distinct phases that reflect larger media-industrial trends: the postclassical blockbuster era of the early 2000s; the emergence of the megafranchise between 2008 and 2014; the franchise’s “imperial” era, from 2015 through 2019; and the postpandemic crisis era of media saturation and franchise fatigue.</p>
<p>While examining this rapidly changing media landscape, Dr. Hassler-Forest offers lively, insightful analyses of the films as they have embraced ever-more-ludicrous plots and unlikely character turns while always maintaining their signature faith in the power of family. As he illuminates the role of the Fast and Furious movies in the global entertainment industry, Dr. Hassler-Forest shows how the films’ improbable success proves Dominic Toretto’s adage that, whether “you win by an inch or a mile . . . winning’s winning.”</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2961</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9746929c-07f3-11f1-ac1a-8f4768d54f1e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7568118901.mp3?updated=1770888056" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Rees, "Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986" (De Capo, 2026)</title>
      <description>Paul Rees' Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986 (De Capo, 2026) is a massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves Paul Rees' Raised on Radio is, remarkably, the first biography of the (at the time) critically derided and yet massively popular AOR (album-oriented rock) bands whose heyday was 1976-1986, when groups like Journey, Boston, Foreigner, Toto, and REO Speedwagon sold many millions of albums, toured stadiums, and whose songs continue to stream in record numbers. Many of them still tour. And sure, they were punching bags for the elitist rock critics more interested in covering punk and new wave, terminally uncool, and never fashionably cutting edge, but their music was, and is, the soundtrack to so many people's lives. Who among music fans (of a certain age) didn't pump their fist to "Don't Stop Believin'" (long before The Sopranos), play air guitar to "More Than a Feeling," bellow along with Toto's "Africa," or have their heart broken to the strains of "Can't Fight This Feeling"? Even better: their tour stories and the tales of making the music are as entertaining and eye-opening as any of the antics from the annals of rock and roll history. Cocaine use was rampant, intra-band fighting was par for the course, and for better or worse, the groups' members lived life to excess. In so many ways, it was these artists' music (they are responsible for the power ballad) and lifestyles that led directly to the soon-to-follow hair metal scene. And in spite of what the critical establishment wrote, it turns out the music has aged . . . rather well! Raised on Radio is a stadium-sized, massively entertaining oral history in the bestselling tradition of Meet Me in the Bathroom, Nothin' But A Good Time, and Please Kill Me, capturing a time and a place that was as big and booming and as unabashed as the music that provided its soundtrack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 14 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Paul Rees' Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986 (De Capo, 2026) is a massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves Paul Rees' Raised on Radio is, remarkably, the first biography of the (at the time) critically derided and yet massively popular AOR (album-oriented rock) bands whose heyday was 1976-1986, when groups like Journey, Boston, Foreigner, Toto, and REO Speedwagon sold many millions of albums, toured stadiums, and whose songs continue to stream in record numbers. Many of them still tour. And sure, they were punching bags for the elitist rock critics more interested in covering punk and new wave, terminally uncool, and never fashionably cutting edge, but their music was, and is, the soundtrack to so many people's lives. Who among music fans (of a certain age) didn't pump their fist to "Don't Stop Believin'" (long before The Sopranos), play air guitar to "More Than a Feeling," bellow along with Toto's "Africa," or have their heart broken to the strains of "Can't Fight This Feeling"? Even better: their tour stories and the tales of making the music are as entertaining and eye-opening as any of the antics from the annals of rock and roll history. Cocaine use was rampant, intra-band fighting was par for the course, and for better or worse, the groups' members lived life to excess. In so many ways, it was these artists' music (they are responsible for the power ballad) and lifestyles that led directly to the soon-to-follow hair metal scene. And in spite of what the critical establishment wrote, it turns out the music has aged . . . rather well! Raised on Radio is a stadium-sized, massively entertaining oral history in the bestselling tradition of Meet Me in the Bathroom, Nothin' But A Good Time, and Please Kill Me, capturing a time and a place that was as big and booming and as unabashed as the music that provided its soundtrack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Paul Rees' <a href="https://bookshop.org/a/12343/9780306836046">Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986</a><em> </em>(De Capo, 2026) is a massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves Paul Rees' Raised on Radio is, remarkably, the first biography of the (at the time) critically derided and yet massively popular AOR (album-oriented rock) bands whose heyday was 1976-1986, when groups like Journey, Boston, Foreigner, Toto, and REO Speedwagon sold many millions of albums, toured stadiums, and whose songs continue to stream in record numbers. Many of them still tour. And sure, they were punching bags for the elitist rock critics more interested in covering punk and new wave, terminally uncool, and never fashionably cutting edge, but their music was, and is, the soundtrack to so many people's lives. Who among music fans (of a certain age) didn't pump their fist to "Don't Stop Believin'" (long before The Sopranos), play air guitar to "More Than a Feeling," bellow along with Toto's "Africa," or have their heart broken to the strains of "Can't Fight This Feeling"? Even better: their tour stories and the tales of making the music are as entertaining and eye-opening as any of the antics from the annals of rock and roll history. Cocaine use was rampant, intra-band fighting was par for the course, and for better or worse, the groups' members lived life to excess. In so many ways, it was these artists' music (they are responsible for the power ballad) and lifestyles that led directly to the soon-to-follow hair metal scene. And in spite of what the critical establishment wrote, it turns out the music has aged . . . rather well! <em>Raised on Radio</em> is a stadium-sized, massively entertaining oral history in the bestselling tradition of <em>Meet Me in the Bathroom</em>, <em>Nothin' But A Good Time</em>, and <em>Please Kill Me,</em> capturing a time and a place that was as big and booming and as unabashed as the music that provided its soundtrack.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2801</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2eacfd58-07ed-11f1-be90-7fc677f017c4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6343181522.mp3?updated=1770885956" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ian Gittins, "The Cure: A Perfect Dream" (Gemini Books, 2025)</title>
      <description>The story of The Cure: a tall tale of a truly unique British band.

The Cure's story is a fantastical pop fable, but their trajectory has not been one of unbroken success. Along the way, their uneven, uneasy pop odyssey has taken in fierce intra-band tensions and fall-outs, numerous line-up changes and even a bitter court case that saw original group members feuding over payments and ownership of the band's name.

There has been alcoholism, substance abuse and countless long, dark nights of the soul, many of which have been translated into luscious dark-rock symphonies.

From gawky teenage art-punks in Crawley to gnomic, venerable rock royalty with 30 million record sales to their name, their journey has been a scarcely believable, vivid pop hallucination. The Cure: A Perfect Dream (Gemini Books, 2025) is the tall tale of a truly unique British band. It's the story of The Cure.

This fully updated edition includes a deep dive into the band's long-awaited 14th studio album released in 2024: Songs of a Lost World.

Ian Gittins has interviewed and reviewed The Cure during a 30-year career as a music writer on titles such as Melody Maker, Time Out, Q and the Guardian. He is the co-author with Motley Crew's Nikki Sixx of the 2007 New York Times best-seller The Heroin Diaries: A Year in the Life of a Shattered Rock Star. He lives in London.

Ian Gittin’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 12 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The story of The Cure: a tall tale of a truly unique British band.

The Cure's story is a fantastical pop fable, but their trajectory has not been one of unbroken success. Along the way, their uneven, uneasy pop odyssey has taken in fierce intra-band tensions and fall-outs, numerous line-up changes and even a bitter court case that saw original group members feuding over payments and ownership of the band's name.

There has been alcoholism, substance abuse and countless long, dark nights of the soul, many of which have been translated into luscious dark-rock symphonies.

From gawky teenage art-punks in Crawley to gnomic, venerable rock royalty with 30 million record sales to their name, their journey has been a scarcely believable, vivid pop hallucination. The Cure: A Perfect Dream (Gemini Books, 2025) is the tall tale of a truly unique British band. It's the story of The Cure.

This fully updated edition includes a deep dive into the band's long-awaited 14th studio album released in 2024: Songs of a Lost World.

Ian Gittins has interviewed and reviewed The Cure during a 30-year career as a music writer on titles such as Melody Maker, Time Out, Q and the Guardian. He is the co-author with Motley Crew's Nikki Sixx of the 2007 New York Times best-seller The Heroin Diaries: A Year in the Life of a Shattered Rock Star. He lives in London.

Ian Gittin’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The story of The Cure: a tall tale of a truly unique British band.</p>
<p>The Cure's story is a fantastical pop fable, but their trajectory has not been one of unbroken success. Along the way, their uneven, uneasy pop odyssey has taken in fierce intra-band tensions and fall-outs, numerous line-up changes and even a bitter court case that saw original group members feuding over payments and ownership of the band's name.</p>
<p>There has been alcoholism, substance abuse and countless long, dark nights of the soul, many of which have been translated into luscious dark-rock symphonies.</p>
<p>From gawky teenage art-punks in Crawley to gnomic, venerable rock royalty with 30 million record sales to their name, their journey has been a scarcely believable, vivid pop hallucination. <a href="https://bookshop.org/a/12343/9781786752031"><em>The Cure: A Perfect Dream</em></a> (Gemini Books, 2025) is the tall tale of a truly unique British band. It's the story of The Cure.</p>
<p>This fully updated edition includes a deep dive into the band's long-awaited 14th studio album released in 2024:<em> Songs of a Lost World</em>.</p>
<p>Ian Gittins has interviewed and reviewed The Cure during a 30-year career as a music writer on titles such as <em>Melody Maker</em>, <em>Time Out</em>, <em>Q and the Guardian</em>. He is the co-author with Motley Crew's Nikki Sixx of the 2007 New York Times best-seller <em>The Heroin Diaries: A Year in the Life of a Shattered Rock Star</em>. He lives in London.</p>
<p>Ian Gittin’s <a href="https://iangittins.com/">website</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Backbeat Books, 2021), <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025), and <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.</p>
<p>Bradley on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2181</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f2fec4ae-0728-11f1-8a21-07c81ad2871e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5426045428.mp3?updated=1770800994" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>What Went Wrong with The Night Manager?</title>
      <description>It’s The Pop Culture Professors, and we consider the final three episodes of The Night Manager, season two. We ask what went wrong with the second season, as some promising beginnings are overwhelmed by an unwise decision to bring back a central character. At an ideological level, we consider whether the season’s themes of patrimony and imperialism manage to break through the somewhat cliché-ridden nature of the dramatization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 11 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we consider the final three episodes of The Night Manager, season two. We ask what went wrong with the second season, as some promising beginnings are overwhelmed by an unwise decision to bring back a central character. At an ideological level, we consider whether the season’s themes of patrimony and imperialism manage to break through the somewhat cliché-ridden nature of the dramatization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s The Pop Culture Professors, and we consider the final three episodes of<em> The Night Manager</em>, season two. We ask what went wrong with the second season, as some promising beginnings are overwhelmed by an unwise decision to bring back a central character. At an ideological level, we consider whether the season’s themes of patrimony and imperialism manage to break through the somewhat cliché-ridden nature of the dramatization.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1418</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0fa24056-0650-11f1-8a51-8fabf4106113]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8508436385.mp3?updated=1770707906" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Areum Jeong, "K-Pop Fandom: Performing Deokhu from the 1990s to Today" (U Michigan Press, 2026)</title>
      <description>K-Pop Fandom: Performing Deokhu from the 1990s to Today (U Michigan Press, 2026) insists that K-pop fan practices and activities constitute a central productive force, shaping not only K-pop’s explosive global popularity, but also K-pop’s cultural impacts, politics, and horizons of possibility. Over the past three decades, the K-pop fandom and its activities have expanded, intensified, and diversified along myriad dimensions, assuming novel social, technological, and economic forms, some of which are unique to K-pop, and some of which reflect broader cultural and industrial logics of globalized mass entertainment culture. Areum Jeong argues that K-pop fans, in performing deokhu—a Korean term connoting an “avid fan”—perform a materialization of affective labor that also seeks to produce good relationships between asymmetrically positioned actors in the K-pop ecosystem.

Through an autoethnography of becoming a K-pop deokhu, Jeong connects their experiences to generations of K-pop fans, showing simultaneously how fandom practices have shifted over time and the intricacies of fan labor participation. This personal connection paved the way for participant-observation and co-performer witnessing methodologies in the study, which crucially allowed for collaborating with fans whose communal pursuits have been stigmatized by dominant discourses that denigrate their activities as solely addictive, uncritical, and wasteful. Jeong’s genre-spanning corpus of fan activities and analyzing its contexts and contents represents an important contribution to the making of a fan archive that is also an archive of affective labor.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>K-Pop Fandom: Performing Deokhu from the 1990s to Today (U Michigan Press, 2026) insists that K-pop fan practices and activities constitute a central productive force, shaping not only K-pop’s explosive global popularity, but also K-pop’s cultural impacts, politics, and horizons of possibility. Over the past three decades, the K-pop fandom and its activities have expanded, intensified, and diversified along myriad dimensions, assuming novel social, technological, and economic forms, some of which are unique to K-pop, and some of which reflect broader cultural and industrial logics of globalized mass entertainment culture. Areum Jeong argues that K-pop fans, in performing deokhu—a Korean term connoting an “avid fan”—perform a materialization of affective labor that also seeks to produce good relationships between asymmetrically positioned actors in the K-pop ecosystem.

Through an autoethnography of becoming a K-pop deokhu, Jeong connects their experiences to generations of K-pop fans, showing simultaneously how fandom practices have shifted over time and the intricacies of fan labor participation. This personal connection paved the way for participant-observation and co-performer witnessing methodologies in the study, which crucially allowed for collaborating with fans whose communal pursuits have been stigmatized by dominant discourses that denigrate their activities as solely addictive, uncritical, and wasteful. Jeong’s genre-spanning corpus of fan activities and analyzing its contexts and contents represents an important contribution to the making of a fan archive that is also an archive of affective labor.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780472057894">K-Pop Fandom: Performing Deokhu from the 1990s to Today</a> (U Michigan Press, 2026) insists that K-pop fan practices and activities constitute a central productive force, shaping not only K-pop’s explosive global popularity, but also K-pop’s cultural impacts, politics, and horizons of possibility. Over the past three decades, the K-pop fandom and its activities have expanded, intensified, and diversified along myriad dimensions, assuming novel social, technological, and economic forms, some of which are unique to K-pop, and some of which reflect broader cultural and industrial logics of globalized mass entertainment culture. Areum Jeong argues that K-pop fans, in performing <em>deokhu</em>—a Korean term connoting an “avid fan”—perform a materialization of affective labor that also seeks to produce good relationships between asymmetrically positioned actors in the K-pop ecosystem.</p>
<p>Through an autoethnography of becoming a K-pop <em>deokhu</em>, Jeong connects their experiences to generations of K-pop fans, showing simultaneously how fandom practices have shifted over time and the intricacies of fan labor participation. This personal connection paved the way for participant-observation and co-performer witnessing methodologies in the study, which crucially allowed for collaborating with fans whose communal pursuits have been stigmatized by dominant discourses that denigrate their activities as solely addictive, uncritical, and wasteful. Jeong’s genre-spanning corpus of fan activities and analyzing its contexts and contents represents an important contribution to the making of a fan archive that is also an archive of affective labor.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2243</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1137430548.mp3?updated=1770622129" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Wilson, "The Power and the Glory: The History of the World Cup" (Bold Type Books, 2025)</title>
      <description>As the world prepares for the 2026 World Cup, Jonathan Wilson’s new book, The Power and the Glory: The History of the World Cup (Bold Type Books, 2025), presents a new history of what has become the greatest celebration of humanity on earth, and reveals how the World Cup has grown hand in hand with the political, economic, and social forces of our time.

Since 1930, the World Cup has become a truly global obsession. It is the most watched sporting event on the planet, and 211 teams competed to make it into the 2022 tournament. From its inception, it has also been a vehicle for far more than soccer. A tool for self-mythologizing and influence-peddling, The World Cup has played a crucial role in nation-building, and continues to, as countries negotiate their positions in a globalized world.The Power and the Glory is a comprehensive history of the matches and goals, the tales of scandal and triumph, the haggling and skullduggery of the bidding process, and the political and cultural tides behind every tournament. Jonathan Wilson details not merely what happened but why, based on fresh interviews and meticulous research. The book is as much about the legends of the sport, from Pelé to Messi, as it is about the nations that made them, from Mussolini’s Italy to partitioned Germany to controversy-ridden Qatar.Brimming with politics, heart, and drama, on and off the pitch, The Power and the Glory is the definitive story of the greatest cultural event of our time.

Dr. Andrew O. Pace is a historian of the US in the world who specializes in the fog of war. He is currently a DPAA Research Partner Fellow at the University of Southern Mississippi and a co-host of the Diplomatic History Channel on the New Books Network. He is also working on his first book which examines why the United States pursued victory at practically all costs during World War II. He can be reached at andrew.pace@usm.edu or via his website here. Andrew is not an employee of DPAA, he supports DPAA through a partnership. The views presented are those of the author and do not necessarily represent the views of DPAA, DoD or its components. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 08 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As the world prepares for the 2026 World Cup, Jonathan Wilson’s new book, The Power and the Glory: The History of the World Cup (Bold Type Books, 2025), presents a new history of what has become the greatest celebration of humanity on earth, and reveals how the World Cup has grown hand in hand with the political, economic, and social forces of our time.

Since 1930, the World Cup has become a truly global obsession. It is the most watched sporting event on the planet, and 211 teams competed to make it into the 2022 tournament. From its inception, it has also been a vehicle for far more than soccer. A tool for self-mythologizing and influence-peddling, The World Cup has played a crucial role in nation-building, and continues to, as countries negotiate their positions in a globalized world.The Power and the Glory is a comprehensive history of the matches and goals, the tales of scandal and triumph, the haggling and skullduggery of the bidding process, and the political and cultural tides behind every tournament. Jonathan Wilson details not merely what happened but why, based on fresh interviews and meticulous research. The book is as much about the legends of the sport, from Pelé to Messi, as it is about the nations that made them, from Mussolini’s Italy to partitioned Germany to controversy-ridden Qatar.Brimming with politics, heart, and drama, on and off the pitch, The Power and the Glory is the definitive story of the greatest cultural event of our time.

Dr. Andrew O. Pace is a historian of the US in the world who specializes in the fog of war. He is currently a DPAA Research Partner Fellow at the University of Southern Mississippi and a co-host of the Diplomatic History Channel on the New Books Network. He is also working on his first book which examines why the United States pursued victory at practically all costs during World War II. He can be reached at andrew.pace@usm.edu or via his website here. Andrew is not an employee of DPAA, he supports DPAA through a partnership. The views presented are those of the author and do not necessarily represent the views of DPAA, DoD or its components. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the world prepares for the 2026 World Cup, Jonathan Wilson’s new book, <a href="https://bookshop.org/a/12343/9781645030409">The Power and the Glory: The History of the World Cup</a><em> </em>(Bold Type Books, 2025), presents a new history of what has become the greatest celebration of humanity on earth, and reveals how the World Cup has grown hand in hand with the political, economic, and social forces of our time.</p>
<p>Since 1930, the World Cup has become a truly global obsession. It is the most watched sporting event on the planet, and 211 teams competed to make it into the 2022 tournament. From its inception, it has also been a vehicle for far more than soccer. A tool for self-mythologizing and influence-peddling, The World Cup has played a crucial role in nation-building, and continues to, as countries negotiate their positions in a globalized world.<br><em>The Power and the Glory</em> is a comprehensive history of the matches and goals, the tales of scandal and triumph, the haggling and skullduggery of the bidding process, and the political and cultural tides behind every tournament. Jonathan Wilson details not merely what happened but why, based on fresh interviews and meticulous research. The book is as much about the legends of the sport, from Pelé to Messi, as it is about the nations that made them, from Mussolini’s Italy to partitioned Germany to controversy-ridden Qatar.<br>Brimming with politics, heart, and drama, on and off the pitch, <em>The Power and the Glory</em> is the definitive story of the greatest cultural event of our time.</p>
<p>Dr. Andrew O. Pace is a historian of the US in the world who specializes in the fog of war. He is currently a DPAA Research Partner Fellow at the University of Southern Mississippi and a co-host of the Diplomatic History Channel on the New Books Network. He is also working on his first book which examines why the United States pursued victory at practically all costs during World War II. He can be reached at <a href="mailto:andrew.pace@usm.edu">andrew.pace@usm.edu</a> or via his website <a href="https://www.andrewopace.com/">here</a>. Andrew is not an employee of DPAA, he supports DPAA through a partnership. The views presented are those of the author and do not necessarily represent the views of DPAA, DoD or its components. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a4570bfe-0318-11f1-b8f8-9fb6d3dc8a6c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2946949078.mp3?updated=1770354007" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hilary French, "Ballroom: A People’s History of Dancing" (Reaktion Books, 2022)</title>
      <description>In the early twentieth century, American ragtime and the Parisian tango fuelled a dancing craze in Britain. Public ballrooms were built throughout the country, providing a glamorous setting for dancing. The new English style, defined in the 1920s and followed by the films of Fred Astaire and Ginger Rogers in the 1930s, ensured that ballroom dancing continued to be the most popular British pastime until the 1960s, rivalled only by cinema.
Ballroom: A People's History of Dancing (Reaktion, 2022) by Dr. Hilary French explores the vibrant history of ballroom and Latin dancing: the dances, lavish venues, competitions and influential instructors. It also traces the decline of couple dancing and its resurgence in recent years with the hugely popular TV shows Strictly Come Dancing and Dancing with the Stars.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 07 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>175</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hilary French</itunes:subtitle>
      <itunes:summary>In the early twentieth century, American ragtime and the Parisian tango fuelled a dancing craze in Britain. Public ballrooms were built throughout the country, providing a glamorous setting for dancing. The new English style, defined in the 1920s and followed by the films of Fred Astaire and Ginger Rogers in the 1930s, ensured that ballroom dancing continued to be the most popular British pastime until the 1960s, rivalled only by cinema.
Ballroom: A People's History of Dancing (Reaktion, 2022) by Dr. Hilary French explores the vibrant history of ballroom and Latin dancing: the dances, lavish venues, competitions and influential instructors. It also traces the decline of couple dancing and its resurgence in recent years with the hugely popular TV shows Strictly Come Dancing and Dancing with the Stars.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the early twentieth century, American ragtime and the Parisian tango fuelled a dancing craze in Britain. Public ballrooms were built throughout the country, providing a glamorous setting for dancing. The new English style, defined in the 1920s and followed by the films of Fred Astaire and Ginger Rogers in the 1930s, ensured that ballroom dancing continued to be the most popular British pastime until the 1960s, rivalled only by cinema.</p><p><a href="https://bookshop.org/a/12343/9781789145151"><em>Ballroom: A People's History of Dancing</em></a> (Reaktion, 2022) by Dr. Hilary French explores the vibrant history of ballroom and Latin dancing: the dances, lavish venues, competitions and influential instructors. It also traces the decline of couple dancing and its resurgence in recent years with the hugely popular TV shows Strictly Come Dancing and Dancing with the Stars.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2574</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fa2a3876-92ef-11ee-bdbb-3311d137f1c4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6584900596.mp3?updated=1701727608" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bill Kopp, "What's the Big Idea: 30 Great Concept Albums" (Hozac, 2025)</title>
      <description>As long as there has been music, the form has been used as a vehicle for storytelling. Artists who have something to say often find that putting it into music is the ideal means of communicating thoughts and feelings to others. And the concept-album form is a logical extension of that storytelling impulse, often writ large. It allows the writer to tackle bigger themes, more involved story lines, more finely textured characters and ideas.

In the pages of What’s the Big Idea? (Hozac, 2025), author Bill Kopp explores 30 remarkable concept albums, drawing on new, firsthand interviews with the artists behind their creation.

Author of the critically acclaimed Disturbing the Peace, Kopp turns us down the darkest road of musical blind-spots yet, the concept album, a previously shunned genre, now worthy of your curiosity. And then you hear something like Ogden’s Nut Gone Flake, and The Turtles Present Battle of the Bands, or S.F. Sorrow, and you’re really second-guessing yourself now, right? As it turns out, there’s something genuinely interesting about this “concept” in itself, and it lends us a look into a world when musical creativity really had been unleashed in its full glory. Yes, those extravagances produced much audio garbage, but very few people even get that chance anymore, despite the ease of home recording. Even Captain Sensible and The Church committed this ‘big ideas’ into noteworthy efforts, along with Hawkwind, William Shatner, Ghostface Killa, and of course, Pete Townshend, who graciously offers an exclusive interview here.

Bill Kopp is a freelance journalist and the author of Reinventing Pink Floyd: From Syd Barrett to the Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave.

Bill Kopp’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 07 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>311</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As long as there has been music, the form has been used as a vehicle for storytelling. Artists who have something to say often find that putting it into music is the ideal means of communicating thoughts and feelings to others. And the concept-album form is a logical extension of that storytelling impulse, often writ large. It allows the writer to tackle bigger themes, more involved story lines, more finely textured characters and ideas.

In the pages of What’s the Big Idea? (Hozac, 2025), author Bill Kopp explores 30 remarkable concept albums, drawing on new, firsthand interviews with the artists behind their creation.

Author of the critically acclaimed Disturbing the Peace, Kopp turns us down the darkest road of musical blind-spots yet, the concept album, a previously shunned genre, now worthy of your curiosity. And then you hear something like Ogden’s Nut Gone Flake, and The Turtles Present Battle of the Bands, or S.F. Sorrow, and you’re really second-guessing yourself now, right? As it turns out, there’s something genuinely interesting about this “concept” in itself, and it lends us a look into a world when musical creativity really had been unleashed in its full glory. Yes, those extravagances produced much audio garbage, but very few people even get that chance anymore, despite the ease of home recording. Even Captain Sensible and The Church committed this ‘big ideas’ into noteworthy efforts, along with Hawkwind, William Shatner, Ghostface Killa, and of course, Pete Townshend, who graciously offers an exclusive interview here.

Bill Kopp is a freelance journalist and the author of Reinventing Pink Floyd: From Syd Barrett to the Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave.

Bill Kopp’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As long as there has been music, the form has been used as a vehicle for storytelling. Artists who have something to say often find that putting it into music is the ideal means of communicating thoughts and feelings to others. And the concept-album form is a logical extension of that storytelling impulse, often writ large. It allows the writer to tackle bigger themes, more involved story lines, more finely textured characters and ideas.</p>
<p>In the pages of <a href="https://hozacrecords.com/product/pre-order-whats-the-big-idea-30-great-concept-albums-book-by-bill-kopp/"><em>What’s the Big Idea?</em></a> (Hozac, 2025), author Bill Kopp explores 30 remarkable concept albums, drawing on new, firsthand interviews with the artists behind their creation.</p>
<p>Author of the critically acclaimed <em>Disturbing the Peace</em>, Kopp turns us down the darkest road of musical blind-spots yet, the concept album, a previously shunned genre, now worthy of your curiosity. And then you hear something like <em>Ogden’s Nut Gone Flake</em>, and <em>The Turtles Present Battle of the Bands</em>, or <em>S.F. Sorrow</em>, and you’re really second-guessing yourself now, right? As it turns out, there’s something genuinely interesting about this “concept” in itself, and it lends us a look into a world when musical creativity really had been unleashed in its full glory. Yes, those extravagances produced much audio garbage, but very few people even get that chance anymore, despite the ease of home recording. Even Captain Sensible and The Church committed this ‘big ideas’ into noteworthy efforts, along with Hawkwind, William Shatner, Ghostface Killa, and of course, Pete Townshend, who graciously offers an exclusive interview here.</p>
<p>Bill Kopp is a freelance journalist and the author of <em>Reinventing Pink Floyd: From Syd Barrett to the Dark Side of the Moon</em> and <em>Disturbing the Peace: 415 Records and the Rise of New Wave</em>.</p>
<p>Bill Kopp’s <a href="https://30conceptalbums.com/">website</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Backbeat Books, 2021), <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025), and <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.</p>
<p>Bradley on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2565</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[81ea6a14-02cf-11f1-ad9b-6b704dd557d2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2215108154.mp3?updated=1770323310" length="0" type="audio/mpeg"/>
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    <item>
      <title>Robert Guffey, "Hollywood Haunts the World: An Investigation into the Cinema of Occulted Taboos" (Headpress, 2026)</title>
      <description>In Hollywood Haunts the World: An Investigation into the Cinema of Occulted Taboos (Headpress, 2026), Robert Guffey deconstructs the most powerful taboos of the twentieth century (and the initial decades of the twenty-first century) by analyzing how disturbing and transgressive ideas involving Theosophy, Gnosticism, Freemasonry, Darwinian Evolution, Surrealism, Freudian and Jungian psychology, race relations, paranoia, UFOs, xenophobia, political conspiracies, the JFK assassination, virtual reality, and alternate dimensions have been reflected in films — both American and foreign — throughout the past one hundred years.

Popular films and TV shows that fall under cutting-edge scrutiny include Guillermo del Toro’s Nightmare Alley, Larry Wade Carell’s Girl Next, Matt Shakman’s WandaVision, Anthony and Joe Russo’s Avengers: Infinity War, Scott Derrickson’s Dr. Strange, Steven Spielberg’s Ready Player One, Jennifer Kent’s The Babadook, Christopher Nolan’s Inception, Stanley Kubrick’s Eyes Wide Shut, Vince Gilligan’s Breaking Bad, Oliver Stone’s JFK, Mark Frost and David Lynch’s Twin Peaks, John Carpenter’s They Live, Alan Pakula’s The Parallax View, John Frankenheimer’s The Manchurian Candidate, Jack Arnold’s It Came from Outer Space, Edgar G. Ulmer’s The Man from Planet X, Robert Florey’s Murders in the Rue Morgue, Buster Keaton’s Sherlock Jr., and Victor Sjöström’s The Phantom Carriage.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 04 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Hollywood Haunts the World: An Investigation into the Cinema of Occulted Taboos (Headpress, 2026), Robert Guffey deconstructs the most powerful taboos of the twentieth century (and the initial decades of the twenty-first century) by analyzing how disturbing and transgressive ideas involving Theosophy, Gnosticism, Freemasonry, Darwinian Evolution, Surrealism, Freudian and Jungian psychology, race relations, paranoia, UFOs, xenophobia, political conspiracies, the JFK assassination, virtual reality, and alternate dimensions have been reflected in films — both American and foreign — throughout the past one hundred years.

Popular films and TV shows that fall under cutting-edge scrutiny include Guillermo del Toro’s Nightmare Alley, Larry Wade Carell’s Girl Next, Matt Shakman’s WandaVision, Anthony and Joe Russo’s Avengers: Infinity War, Scott Derrickson’s Dr. Strange, Steven Spielberg’s Ready Player One, Jennifer Kent’s The Babadook, Christopher Nolan’s Inception, Stanley Kubrick’s Eyes Wide Shut, Vince Gilligan’s Breaking Bad, Oliver Stone’s JFK, Mark Frost and David Lynch’s Twin Peaks, John Carpenter’s They Live, Alan Pakula’s The Parallax View, John Frankenheimer’s The Manchurian Candidate, Jack Arnold’s It Came from Outer Space, Edgar G. Ulmer’s The Man from Planet X, Robert Florey’s Murders in the Rue Morgue, Buster Keaton’s Sherlock Jr., and Victor Sjöström’s The Phantom Carriage.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://headpress.com/product/hollywood-haunts-the-world/">Hollywood Haunts the World: An Investigation into the Cinema of Occulted Taboos</a><em> </em>(Headpress, 2026), Robert Guffey deconstructs the most powerful taboos of the twentieth century (and the initial decades of the twenty-first century) by analyzing how disturbing and transgressive ideas involving Theosophy, Gnosticism, Freemasonry, Darwinian Evolution, Surrealism, Freudian and Jungian psychology, race relations, paranoia, UFOs, xenophobia, political conspiracies, the JFK assassination, virtual reality, and alternate dimensions have been reflected in films — both American and foreign — throughout the past one hundred years.</p>
<p>Popular films and TV shows that fall under cutting-edge scrutiny include Guillermo del Toro’s <em>Nightmare Alley</em>, Larry Wade Carell’s <em>Girl Next</em>, Matt Shakman’s <em>WandaVision</em>, Anthony and Joe Russo’s <em>Avengers: Infinity War</em>, Scott Derrickson’s <em>Dr. Strange</em>, Steven Spielberg’s <em>Ready Player One</em>, Jennifer Kent’s <em>The Babadook</em>, Christopher Nolan’s <em>Inception</em>, Stanley Kubrick’s <em>Eyes Wide Shut</em>, Vince Gilligan’s <em>Breaking Bad</em>, Oliver Stone’s <em>JFK</em>, Mark Frost and David Lynch’s <em>Twin Peaks</em>, John Carpenter’s <em>They Live</em>, Alan Pakula’s <em>The Parallax View</em>, John Frankenheimer’s <em>The Manchurian Candidate</em>, Jack Arnold’s <em>It Came from Outer Space</em>, Edgar G. Ulmer’s <em>The Man from Planet X</em>, Robert Florey’s <em>Murders in the Rue Morgue</em>, Buster Keaton’s <em>Sherlock Jr.</em>, and Victor Sjöström’s <em>The Phantom Carriage</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3913</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1780dc2c-00d0-11f1-8b4c-c3f92c3bfe54]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5990113763.mp3?updated=1770103992" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gaoheng Zhang, "Italian Dumplings and Chinese Pizzas: Transcultural Food Mobilities" (Fordham UP, 2025)</title>
      <description>Italian Dumplings and Chinese Pizzas: Transcultural Food Mobilities (Fordham UP, 2025) by Dr. Gaoheng Zhang designs a novel analytical framework to approach transcultural food mobilities, a culinary phenomenon that has been with us for decades as a result of colonialism and globalization.Why is it surprising for some of us to read the pairing of “Chinese” with “pizzas” and “Italian” with “dumplings,” such as proposed in the book’s title? After all, in some regions of the two countries, Italians eat frequently dumplings, and Chinese frequently make baked, steamed, or fried flatbread with toppings or fillings. Furthermore, when dumplings are made in Italy by Chinese migrants or Chinese Italians, or when pizzas are made in China by Italian migrants, Chinese Italians, or Chinese without apparent ties with Italy, are these culinary products Chinese, Italian, Chinese-Italian, or something else? Why do we need to care for such labeling dilemmas?This book shows how China-Italy food mobilities relayed in popular culture helped forge Chi­nese and Italians’ socioeconomic identities in recent decades by fundamentally shaping contempo­rary Chinese and Italian consumer cultures. This book addresses China-Italy food cultures against the backdrops of two epoch-making socioeconomic processes. During the 1980s, Chinese cuisine became the first non-European food widely available in Italy, thanks to the widespread presence of Chinese eateries. Only American fast food, which established itself in Italy around the same time, enjoyed comparable popularity as a destination for Italian culinary tourism. Meanwhile, in the early 1990s, together with American hamburgers and fried chicken, the American food chain Pizza Hut’s pizzas and spaghetti were the first non-Asian foods that post-Mao Chinese customers recognized as “Western.” The book proposes a critical framework that analyzes transcultural food mobilities by seriously assessing the confluence of diverse mobilities and their impact on food cultures. Ulti­mately, the study shows that a sophisticated interpretation of transcultural food mobilities can help address alterity and build understanding in a world of increasing political and cultural polarization.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 31 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Italian Dumplings and Chinese Pizzas: Transcultural Food Mobilities (Fordham UP, 2025) by Dr. Gaoheng Zhang designs a novel analytical framework to approach transcultural food mobilities, a culinary phenomenon that has been with us for decades as a result of colonialism and globalization.Why is it surprising for some of us to read the pairing of “Chinese” with “pizzas” and “Italian” with “dumplings,” such as proposed in the book’s title? After all, in some regions of the two countries, Italians eat frequently dumplings, and Chinese frequently make baked, steamed, or fried flatbread with toppings or fillings. Furthermore, when dumplings are made in Italy by Chinese migrants or Chinese Italians, or when pizzas are made in China by Italian migrants, Chinese Italians, or Chinese without apparent ties with Italy, are these culinary products Chinese, Italian, Chinese-Italian, or something else? Why do we need to care for such labeling dilemmas?This book shows how China-Italy food mobilities relayed in popular culture helped forge Chi­nese and Italians’ socioeconomic identities in recent decades by fundamentally shaping contempo­rary Chinese and Italian consumer cultures. This book addresses China-Italy food cultures against the backdrops of two epoch-making socioeconomic processes. During the 1980s, Chinese cuisine became the first non-European food widely available in Italy, thanks to the widespread presence of Chinese eateries. Only American fast food, which established itself in Italy around the same time, enjoyed comparable popularity as a destination for Italian culinary tourism. Meanwhile, in the early 1990s, together with American hamburgers and fried chicken, the American food chain Pizza Hut’s pizzas and spaghetti were the first non-Asian foods that post-Mao Chinese customers recognized as “Western.” The book proposes a critical framework that analyzes transcultural food mobilities by seriously assessing the confluence of diverse mobilities and their impact on food cultures. Ulti­mately, the study shows that a sophisticated interpretation of transcultural food mobilities can help address alterity and build understanding in a world of increasing political and cultural polarization.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781531512163"><em>Italian Dumplings and Chinese Pizzas: Transcultural Food Mobilities</em> </a>(Fordham UP, 2025) by Dr. Gaoheng Zhang designs a novel analytical framework to approach transcultural food mobilities, a culinary phenomenon that has been with us for decades as a result of colonialism and globalization.<br>Why is it surprising for some of us to read the pairing of “Chinese” with “pizzas” and “Italian” with “dumplings,” such as proposed in the book’s title? After all, in some regions of the two countries, Italians eat frequently dumplings, and Chinese frequently make baked, steamed, or fried flatbread with toppings or fillings. Furthermore, when dumplings are made in Italy by Chinese migrants or Chinese Italians, or when pizzas are made in China by Italian migrants, Chinese Italians, or Chinese without apparent ties with Italy, are these culinary products Chinese, Italian, Chinese-Italian, or something else? Why do we need to care for such labeling dilemmas?<br>This book shows how China-Italy food mobilities relayed in popular culture helped forge Chi­nese and Italians’ socioeconomic identities in recent decades by fundamentally shaping contempo­rary Chinese and Italian consumer cultures. This book addresses China-Italy food cultures against the backdrops of two epoch-making socioeconomic processes. During the 1980s, Chinese cuisine became the first non-European food widely available in Italy, thanks to the widespread presence of Chinese eateries. Only American fast food, which established itself in Italy around the same time, enjoyed comparable popularity as a destination for Italian culinary tourism. Meanwhile, in the early 1990s, together with American hamburgers and fried chicken, the American food chain Pizza Hut’s pizzas and spaghetti were the first non-Asian foods that post-Mao Chinese customers recognized as “Western.” The book proposes a critical framework that analyzes transcultural food mobilities by seriously assessing the confluence of diverse mobilities and their impact on food cultures. Ulti­mately, the study shows that a sophisticated interpretation of transcultural food mobilities can help address alterity and build understanding in a world of increasing political and cultural polarization.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2555</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[38b9a65a-fd9a-11f0-90da-cb574d15cd40]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2622601705.mp3?updated=1769750087" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Gallagher, "Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal" (U Texas Press, 2025)</title>
      <description>In Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal (U Texas Press, 2025), Dr. Mark Gallagher presents an examination of male screen sex appeal and the ways that race, ethnicity, and national origin combine with performance tools and film and television style to aid or inhibit actors’ circulation on an increasingly global stage.

Sex appeal is complicated, especially for screen actors. Looking good is not enough. Charisma and charm have to register when the camera rolls. And sexiness has to travel. Today’s heartthrobs are expected to raise temperatures all around the world.

Cosmosexuals theorizes male sex appeal as a form of capital in an age of international stardom. Screen scholar Dr. Gallagher assembles a diverse cast—Idris Elba, Pedro Pascal, Simu Liu, Ryan Gosling, and more—analyzing how each actor uses his appearance, voice, and movement to perform in ways that viewers across cultural divides register as sexually appealing. Cosmosexuals also explores the intersection of global sex appeal and exoticism in historical and contemporary contexts—from the malleable racial identities of Omar Sharif and Conrad Veidt to Mads Mikkelsen’s “accented whiteness”—and assesses the barriers that confine nonwhite actors, in spite of their talent or celebrity. Far more than handsome faces and chiseled abs, male sex symbols emerge as laborers subject to disciplinary regimes steeped in patriarchy, racism, and structural inequity. As such, they have much to tell us about the economies of taste at work in the construction of screen masculinity and the terms of human desire.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 30 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal (U Texas Press, 2025), Dr. Mark Gallagher presents an examination of male screen sex appeal and the ways that race, ethnicity, and national origin combine with performance tools and film and television style to aid or inhibit actors’ circulation on an increasingly global stage.

Sex appeal is complicated, especially for screen actors. Looking good is not enough. Charisma and charm have to register when the camera rolls. And sexiness has to travel. Today’s heartthrobs are expected to raise temperatures all around the world.

Cosmosexuals theorizes male sex appeal as a form of capital in an age of international stardom. Screen scholar Dr. Gallagher assembles a diverse cast—Idris Elba, Pedro Pascal, Simu Liu, Ryan Gosling, and more—analyzing how each actor uses his appearance, voice, and movement to perform in ways that viewers across cultural divides register as sexually appealing. Cosmosexuals also explores the intersection of global sex appeal and exoticism in historical and contemporary contexts—from the malleable racial identities of Omar Sharif and Conrad Veidt to Mads Mikkelsen’s “accented whiteness”—and assesses the barriers that confine nonwhite actors, in spite of their talent or celebrity. Far more than handsome faces and chiseled abs, male sex symbols emerge as laborers subject to disciplinary regimes steeped in patriarchy, racism, and structural inequity. As such, they have much to tell us about the economies of taste at work in the construction of screen masculinity and the terms of human desire.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781477332832"><em>Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal</em> </a>(U Texas Press, 2025), Dr. Mark Gallagher presents an examination of male screen sex appeal and the ways that race, ethnicity, and national origin combine with performance tools and film and television style to aid or inhibit actors’ circulation on an increasingly global stage.</p>
<p>Sex appeal is complicated, especially for screen actors. Looking good is not enough. Charisma and charm have to register when the camera rolls. And sexiness has to travel. Today’s heartthrobs are expected to raise temperatures all around the world.</p>
<p><em>Cosmosexuals</em> theorizes male sex appeal as a form of capital in an age of international stardom. Screen scholar Dr. Gallagher assembles a diverse cast—Idris Elba, Pedro Pascal, Simu Liu, Ryan Gosling, and more—analyzing how each actor uses his appearance, voice, and movement to perform in ways that viewers across cultural divides register as sexually appealing. <em>Cosmosexuals</em> also explores the intersection of global sex appeal and exoticism in historical and contemporary contexts—from the malleable racial identities of Omar Sharif and Conrad Veidt to Mads Mikkelsen’s “accented whiteness”—and assesses the barriers that confine nonwhite actors, in spite of their talent or celebrity. Far more than handsome faces and chiseled abs, male sex symbols emerge as laborers subject to disciplinary regimes steeped in patriarchy, racism, and structural inequity. As such, they have much to tell us about the economies of taste at work in the construction of screen masculinity and the terms of human desire.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4234</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[46dcf3ba-fcda-11f0-b928-2f1c43eba65c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1257447000.mp3?updated=1769667745" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rolando Pujol, "The Great American Retro Road Trip: A Celebration of Roadside Americana" (Artisan Publishers, 2025)</title>
      <description>Rolando Pujol's The Great American Retro Road Trip: A Celebration of Roadside Americana (Artisan, 2025) celebrates the nostalgic pleasures of America's vintage signs, quirky roadside attractions, and offbeat fast food relics in this irresistible retro road trip across the country. The Great American Retro Road TripThe Great American Retro Road Trip is a coast-to-coast journey chronicling retro roadside America. Discover classic giant roadside attractions, from The Coffee Pot and The Big Duck to the World's Largest Paint Can and the Haines Shoe House. Or iconic signage, like the dazzling Yoken's neon sign, and the classic Moon Motel sign. Still-standing vintage locations of America's favorite chain restaurants, from Pizza Hut to McDonald's to Taco Bell. Through Pujol's anecdotes and clever narrative, readers will come away with a sweeping sense of roadside charm that still exists, as well as a desire to see it all for themselves. These lingering traces of America's past are an archive of disappearing roadside signage and architecture, and they tell a story of American ingenuity, creativity, and community. Whether you pick up this book for the nostalgia-inducing photos, the heartwarming stories, or as a reference for planning your own trip, you'll be encouraged to, as Pujol says, "Let your curiosity guide you."
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 29 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Rolando Pujol's The Great American Retro Road Trip: A Celebration of Roadside Americana (Artisan, 2025) celebrates the nostalgic pleasures of America's vintage signs, quirky roadside attractions, and offbeat fast food relics in this irresistible retro road trip across the country. The Great American Retro Road TripThe Great American Retro Road Trip is a coast-to-coast journey chronicling retro roadside America. Discover classic giant roadside attractions, from The Coffee Pot and The Big Duck to the World's Largest Paint Can and the Haines Shoe House. Or iconic signage, like the dazzling Yoken's neon sign, and the classic Moon Motel sign. Still-standing vintage locations of America's favorite chain restaurants, from Pizza Hut to McDonald's to Taco Bell. Through Pujol's anecdotes and clever narrative, readers will come away with a sweeping sense of roadside charm that still exists, as well as a desire to see it all for themselves. These lingering traces of America's past are an archive of disappearing roadside signage and architecture, and they tell a story of American ingenuity, creativity, and community. Whether you pick up this book for the nostalgia-inducing photos, the heartwarming stories, or as a reference for planning your own trip, you'll be encouraged to, as Pujol says, "Let your curiosity guide you."
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.instagram.com/rolandopujol/?hl=en">Rolando Pujol'</a>s <a href="https://bookshop.org/a/12343/9781648293719">The Great American Retro Road Trip: A Celebration of Roadside Americana</a><em> </em>(Artisan, 2025) celebrates the nostalgic pleasures of America's vintage signs, quirky roadside attractions, and offbeat fast food relics in this irresistible retro road trip across the country. <em>The Great American Retro Road Trip</em>T<em>he Great American Retro Road Trip</em> is a coast-to-coast journey chronicling retro roadside America. Discover classic giant roadside attractions, from The Coffee Pot and The Big Duck to the World's Largest Paint Can and the Haines Shoe House. Or iconic signage, like the dazzling Yoken's neon sign, and the classic Moon Motel sign. Still-standing vintage locations of America's favorite chain restaurants, from Pizza Hut to McDonald's to Taco Bell. Through Pujol's anecdotes and clever narrative, readers will come away with a sweeping sense of roadside charm that still exists, as well as a desire to see it all for themselves. These lingering traces of America's past are an archive of disappearing roadside signage and architecture, and they tell a story of American ingenuity, creativity, and community. Whether you pick up this book for the nostalgia-inducing photos, the heartwarming stories, or as a reference for planning your own trip, you'll be encouraged to, as Pujol says, "Let your curiosity guide you."</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3528</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c573fc7c-fc0e-11f0-836a-e396bcfb6b39]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1199263817.mp3?updated=1769580946" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Justin L. Mann, "Breaking the World: ﻿﻿Black Insecurity and the Horizons of Speculation" (Duke UP, 2026)</title>
      <description>Breaking the World: Black Insecurity and the Horizons of Speculation (Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization"-- Provided by publisher.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 29 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Breaking the World: Black Insecurity and the Horizons of Speculation (Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization"-- Provided by publisher.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478029816">Breaking the World: Black Insecurity and the Horizons of Speculation </a>(Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization"-- Provided by publisher.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9debb738-fc10-11f0-99b6-0fe2a847083e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4445756857.mp3?updated=1769581139" length="0" type="audio/mpeg"/>
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    <item>
      <title>163* The Drama of Celebrity with Sharon Marcus (JP)</title>
      <description>As Oscar Season rolls around, Recall This Book looks back to John's 2019 discussion with Columbia University professor Sharon Marcus about The Drama of Celebrity, her tour-de-force account of how stars are born, publicized, and in time devoutly scrapbooked by adoring fans.

They tackle a question at least as old as Sarah Bernhardt: who or what makes a star? Rather than crediting star making to the culture industry, to fans, or to star themselves, Sharon makes the case that all three forces together constitute a celebrity creation machine.

After discussing her archival work on theatrical scrapbooking in Indiana, Sharon pulls from the vaults a marvelous Hollywood memoir, Brooke Haywood’s Haywired. That triggers discussion of the studio system and how its models of celebrity are and are not with us today.

Sharon’s two Recallable Books also capitalize on mid-century notions of celebrity: Mommie Dearest by Christina Crawford and Edie: American Girl by Jean Stein and George Plimpton. John’s choice, The Entertainer by Margaret Talbot, another biographical account written by a star’s daughter, gives a slightly rosier perspective on the family memoir.

Discussed in this episode:


  Sharon Marcus, The Drama of Celebrity


  Daniel Boorstin, The Image (“a person who is known for his well-knownness”)

  Theodor Adorno and Theodore Horkheimer, “Culture Industry” in Dialectic of Enlightenment


  Henry Jenkins, “Textual Poachers“

  Dick Herbdige, “Subculture: The Meaning of Style“

  Mark Twain, Patented Scrapbook Innovator


  Brooke Hayward, Haywire


  Christina Crawford, Mommie Dearest


  Jean Stein, George Plimpton, Edie, American Girl


  Margaret Talbot, The Entertainer



Read the episode here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 29 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As Oscar Season rolls around, Recall This Book looks back to John's 2019 discussion with Columbia University professor Sharon Marcus about The Drama of Celebrity, her tour-de-force account of how stars are born, publicized, and in time devoutly scrapbooked by adoring fans.

They tackle a question at least as old as Sarah Bernhardt: who or what makes a star? Rather than crediting star making to the culture industry, to fans, or to star themselves, Sharon makes the case that all three forces together constitute a celebrity creation machine.

After discussing her archival work on theatrical scrapbooking in Indiana, Sharon pulls from the vaults a marvelous Hollywood memoir, Brooke Haywood’s Haywired. That triggers discussion of the studio system and how its models of celebrity are and are not with us today.

Sharon’s two Recallable Books also capitalize on mid-century notions of celebrity: Mommie Dearest by Christina Crawford and Edie: American Girl by Jean Stein and George Plimpton. John’s choice, The Entertainer by Margaret Talbot, another biographical account written by a star’s daughter, gives a slightly rosier perspective on the family memoir.

Discussed in this episode:


  Sharon Marcus, The Drama of Celebrity


  Daniel Boorstin, The Image (“a person who is known for his well-knownness”)

  Theodor Adorno and Theodore Horkheimer, “Culture Industry” in Dialectic of Enlightenment


  Henry Jenkins, “Textual Poachers“

  Dick Herbdige, “Subculture: The Meaning of Style“

  Mark Twain, Patented Scrapbook Innovator


  Brooke Hayward, Haywire


  Christina Crawford, Mommie Dearest


  Jean Stein, George Plimpton, Edie, American Girl


  Margaret Talbot, The Entertainer



Read the episode here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As Oscar Season rolls around, Recall This Book looks back to John's 2019 discussion with Columbia University professor Sharon Marcus about <em>The Drama of Celebrity</em>, her tour-de-force account of how stars are born, publicized, and in time devoutly scrapbooked by adoring fans.</p>
<p>They tackle a question at least as old as Sarah Bernhardt: who or what makes a star? Rather than crediting star making to the culture industry, to fans, or to star themselves, Sharon makes the case that all three forces together constitute a celebrity creation machine.</p>
<p>After discussing her archival work on theatrical scrapbooking in Indiana, Sharon pulls from the vaults a marvelous Hollywood memoir, Brooke Haywood’s <em>Haywired</em>. That triggers discussion of the studio system and how its models of celebrity are and are not with us today.</p>
<p>Sharon’s two Recallable Books also capitalize on mid-century notions of celebrity: <em>Mommie Dearest</em> by Christina Crawford and <em>Edie: American Girl </em>by Jean Stein and George Plimpton. John’s choice, <em>The Entertainer </em>by Margaret Talbot, another biographical account written by a star’s daughter, gives a slightly rosier perspective on the family memoir.</p>
<p>Discussed in this episode:</p>
<ul>
  <li>Sharon Marcus, <a href="https://press.princeton.edu/books/hardcover/9780691177595/the-drama-of-celebrity">The Drama of Celebrity</a>
</li>
  <li>Daniel Boorstin, <a href="https://en.wikipedia.org/wiki/The_Image:_A_Guide_to_Pseudo-events_in_America">The Image</a> (“a person who is known for his well-knownness”)</li>
  <li>Theodor Adorno and Theodore Horkheimer, “Culture Industry” in <a href="https://www.sup.org/books/title/?id=1103">Dialectic of Enlightenment</a>
</li>
  <li>Henry Jenkins, “<a href="https://books.google.com/books/about/Textual_Poachers.html?id=xxwAZj22IdoC">Textual Poachers</a>“</li>
  <li>Dick Herbdige, “<a href="https://books.google.com/books/about/Subculture.html?id=ZLTAPZ4_dLAC">Subculture: The Meaning of Style</a>“</li>
  <li>Mark Twain, <a href="https://news.lib.wvu.edu/2015/02/23/mark-twain-scrapbook-innovator/">Patented Scrapbook Innovator</a>
</li>
  <li>Brooke Hayward, <a href="https://en.wikipedia.org/wiki/Haywire_(book)">Haywire</a>
</li>
  <li>Christina Crawford, <a href="https://en.wikipedia.org/wiki/Mommie_Dearest">Mommie Dearest</a>
</li>
  <li>Jean Stein, George Plimpton, <a href="https://www.amazon.com/Edie-American-Girl-Jean-Stein/dp/0802134106">Edie, American Girl</a>
</li>
  <li>Margaret Talbot, <a href="https://www.amazon.com/Entertainer-Movies-Fathers-Twentieth-Century/dp/1594631883">The Entertainer</a>
</li>
</ul>
<p><a href="https://recallthisbook.org/wp-content/uploads/2019/12/rtb20-marcus-celebrity-transcript.pdf">Read </a>the episode here.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1930</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[47f83520-fc7b-11f0-9483-031caaec770f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3030516270.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Misty L. Heggeness, "Swiftynomics: How Women Mastermind and Redefine Our Economy" (U California Press, 2026)</title>
      <description>A feminist romp through pop culture that illuminates how women influence and shape the economy.

Taylor Swift isn't just a pop megastar. She is a working woman whose astounding accomplishments defy patriarchal norms. And while not all women can be Beyoncé or Dolly Parton or Reese Witherspoon, the successes of these trailblazing stars help us understand the central role of women in today's economy.

Swiftynomics: How Women Mastermind and Redefine Our Economy (U California Press, 2026) assesses the complex economic lives of everyday American women through the stories of groundbreakers like Taylor Swift, Misty L. Heggeness digs into the data, revealing women's hidden contributions and aspirations—the unexamined value they create by pursuing their own ambitions. She highlights the abundance of productive activity in their daily lives and acknowledges the barriers they still face.

Exploring critical reforms regarding caregiving and gendered labor, this book offers advice for women to thrive in an economy that was not built for them.

More about the author: Misty L. Heggeness is co-director of the Kansas Population Center, Associate Professor of Economics and Public Affairs at the University of Kansas, and former Principal Economist and Senior Advisor at the US Census Bureau. She is also creator of The Care Board, a dashboard of economic statistics built by and for caregivers that brings their economic contributions into the fold.

Learn more about Swifynomics: here

Learn more about Misty: here

More about the host: Kailey Tse-Harlow is a Chinese-Irish writer born and raised in Boston’s Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a freelance publicist part-time.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 27 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A feminist romp through pop culture that illuminates how women influence and shape the economy.

Taylor Swift isn't just a pop megastar. She is a working woman whose astounding accomplishments defy patriarchal norms. And while not all women can be Beyoncé or Dolly Parton or Reese Witherspoon, the successes of these trailblazing stars help us understand the central role of women in today's economy.

Swiftynomics: How Women Mastermind and Redefine Our Economy (U California Press, 2026) assesses the complex economic lives of everyday American women through the stories of groundbreakers like Taylor Swift, Misty L. Heggeness digs into the data, revealing women's hidden contributions and aspirations—the unexamined value they create by pursuing their own ambitions. She highlights the abundance of productive activity in their daily lives and acknowledges the barriers they still face.

Exploring critical reforms regarding caregiving and gendered labor, this book offers advice for women to thrive in an economy that was not built for them.

More about the author: Misty L. Heggeness is co-director of the Kansas Population Center, Associate Professor of Economics and Public Affairs at the University of Kansas, and former Principal Economist and Senior Advisor at the US Census Bureau. She is also creator of The Care Board, a dashboard of economic statistics built by and for caregivers that brings their economic contributions into the fold.

Learn more about Swifynomics: here

Learn more about Misty: here

More about the host: Kailey Tse-Harlow is a Chinese-Irish writer born and raised in Boston’s Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a freelance publicist part-time.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A feminist romp through pop culture that illuminates how women influence and shape the economy.</p>
<p>Taylor Swift isn't just a pop megastar. She is a working woman whose astounding accomplishments defy patriarchal norms. And while not all women can be Beyoncé or Dolly Parton or Reese Witherspoon, the successes of these trailblazing stars help us understand the central role of women in today's economy.</p>
<p><a href="https://bookshop.org/a/12343/9780520403123">Swiftynomics: How Women Mastermind and Redefine Our Economy </a>(U California Press, 2026) assesses the complex economic lives of everyday American women through the stories of groundbreakers like Taylor Swift, Misty L. Heggeness digs into the data, revealing women's hidden contributions and aspirations—the unexamined value they create by pursuing their own ambitions. She highlights the abundance of productive activity in their daily lives and acknowledges the barriers they still face.</p>
<p>Exploring critical reforms regarding caregiving and gendered labor, this book offers advice for women to thrive in an economy that was not built for them.</p>
<p>More about the author: Misty L. Heggeness is co-director of the Kansas Population Center, Associate Professor of Economics and Public Affairs at the University of Kansas, and former Principal Economist and Senior Advisor at the US Census Bureau. She is also creator of The Care Board, a dashboard of economic statistics built by and for caregivers that brings their economic contributions into the fold.</p>
<p>Learn more about Swifynomics: <a href="https://www.swiftynomics.com/">here</a></p>
<p>Learn more about Misty: <a href="https://www.mistyheggeness.com/">here</a></p>
<p>More about the host: <a href="https://www.kaileytseharlow.com/">Kailey Tse-Harlow</a> is a Chinese-Irish writer born and raised in Boston’s Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a freelance publicist part-time.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2704</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[19f58f64-fa88-11f0-99d7-efb65f50621b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7118527066.mp3?updated=1769413135" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kay Dickinson, "Fernando: A Song by ABBA" (Duke UP, 2025)</title>
      <description>Since its release in 1976, ABBA's song "Fernando" has been loved by fans around the globe both for its sing-along chorus and its revolutionary spirit.

In Fernando: A Song by ABBA (Duke UP, 2025), Kay Dickinson takes readers from Sweden and Chile to Australia and Poland, tracing the complicated ways the song could express support with anticapitalist and Third World liberation struggles while remaining an unrepentant commodity.

A song about freedom fighters was unlikely to become a pop mega-hit, yet as Dickinson demonstrates, ABBA's lucrative, longstanding appeal rests on their ability to bridge contradictions within everyday life.

Five decades later, "Fernando's" rousing calls for freedom continue to resonate with gay liberation movements and other social struggles, demonstrating how a song can be both revolutionary and an envoy for global capital.

Kay Dickinson is Programme Convenor for Creative Arts and Industries at the University of Glasgow and author of Supply Chain Cinema: Producing Global Film Workers.

Kay on the University of Glasgow’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 26 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since its release in 1976, ABBA's song "Fernando" has been loved by fans around the globe both for its sing-along chorus and its revolutionary spirit.

In Fernando: A Song by ABBA (Duke UP, 2025), Kay Dickinson takes readers from Sweden and Chile to Australia and Poland, tracing the complicated ways the song could express support with anticapitalist and Third World liberation struggles while remaining an unrepentant commodity.

A song about freedom fighters was unlikely to become a pop mega-hit, yet as Dickinson demonstrates, ABBA's lucrative, longstanding appeal rests on their ability to bridge contradictions within everyday life.

Five decades later, "Fernando's" rousing calls for freedom continue to resonate with gay liberation movements and other social struggles, demonstrating how a song can be both revolutionary and an envoy for global capital.

Kay Dickinson is Programme Convenor for Creative Arts and Industries at the University of Glasgow and author of Supply Chain Cinema: Producing Global Film Workers.

Kay on the University of Glasgow’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since its release in 1976, ABBA's song "Fernando" has been loved by fans around the globe both for its sing-along chorus and its revolutionary spirit.</p>
<p>In <a href="https://bookshop.org/p/books/fernando-a-song-by-abba-kay-dickinson/a11353abd2219c89?ean=9781478032496&amp;next=t">Fernando: A Song by ABBA</a><em> </em>(Duke UP, 2025), Kay Dickinson takes readers from Sweden and Chile to Australia and Poland, tracing the complicated ways the song could express support with anticapitalist and Third World liberation struggles while remaining an unrepentant commodity.</p>
<p>A song about freedom fighters was unlikely to become a pop mega-hit, yet as Dickinson demonstrates, ABBA's lucrative, longstanding appeal rests on their ability to bridge contradictions within everyday life.</p>
<p>Five decades later, "Fernando's" rousing calls for freedom continue to resonate with gay liberation movements and other social struggles, demonstrating how a song can be both revolutionary and an envoy for global capital.</p>
<p>Kay Dickinson is Programme Convenor for Creative Arts and Industries at the University of Glasgow and author of <em>Supply Chain Cinema: Producing Global Film Workers.</em></p>
<p>Kay on the University of Glasgow’s <a href="https://www.gla.ac.uk/schools/cca/staff/kaydickinson/">website</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Backbeat Books, 2021), <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025), and <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.</p>
<p>Bradley on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3419</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6279e772-f834-11f0-a20f-fb52963f3036]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1507705774.mp3?updated=1769156609" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>M. Hinds and J. Silverman, "Johnny Cash International: How and Why Fans Love the Man in Black" (U Iowa Press, 2020)</title>
      <description>In Johnny Cash International: How and Why Fans Love the Man in Black (University of Iowa Press, 2020), Michael Hinds and Jonathan Silverman examine transnational and translocal fandoms and the legacy of Johnny Cash beyond the United States. Hinds and Silverman explore Cash fandom through YouTube comments, fan pilgrimages to the American South, and other unique relationships to the Man in Black. Hinds and Silverman use ethnography, documentary, and fieldwork and discover the ways Cash transcends race, class, geography, and politics. Cash’s identity as an American performer finds a way to inspire fans worldwide. Starting with their experiences with Cash fans in Norway and Northern Ireland, Hinds and Silverman expand their exploration into the legacy of Johnny Cash to show the ways fans use modern technology and real-world fan communities to create global fan sites and cultures. Hinds and Silverman’s Johnny Cash International is a unique and thoughtful book into why fans love the Man in Black.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 26 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Michael Hinds and Jonathan Silverman examine transnational and translocal fandoms and the legacy of Johnny Cash beyond the United States...</itunes:subtitle>
      <itunes:summary>In Johnny Cash International: How and Why Fans Love the Man in Black (University of Iowa Press, 2020), Michael Hinds and Jonathan Silverman examine transnational and translocal fandoms and the legacy of Johnny Cash beyond the United States. Hinds and Silverman explore Cash fandom through YouTube comments, fan pilgrimages to the American South, and other unique relationships to the Man in Black. Hinds and Silverman use ethnography, documentary, and fieldwork and discover the ways Cash transcends race, class, geography, and politics. Cash’s identity as an American performer finds a way to inspire fans worldwide. Starting with their experiences with Cash fans in Norway and Northern Ireland, Hinds and Silverman expand their exploration into the legacy of Johnny Cash to show the ways fans use modern technology and real-world fan communities to create global fan sites and cultures. Hinds and Silverman’s Johnny Cash International is a unique and thoughtful book into why fans love the Man in Black.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781609387013"><em>Johnny Cash International: How and Why Fans Love the Man in Black</em></a><em> </em>(University of Iowa Press, 2020), Michael Hinds and Jonathan Silverman examine transnational and translocal fandoms and the legacy of Johnny Cash beyond the United States. Hinds and Silverman explore Cash fandom through YouTube comments, fan pilgrimages to the American South, and other unique relationships to the Man in Black. Hinds and Silverman use ethnography, documentary, and fieldwork and discover the ways Cash transcends race, class, geography, and politics. Cash’s identity as an American performer finds a way to inspire fans worldwide. Starting with their experiences with Cash fans in Norway and Northern Ireland, Hinds and Silverman expand their exploration into the legacy of Johnny Cash to show the ways fans use modern technology and real-world fan communities to create global fan sites and cultures. Hinds and Silverman’s <em>Johnny Cash International</em> is a unique and thoughtful book into why fans love the Man in Black.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4227</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a4a5bfb0-e573-11ea-9612-c36b8d2c7ffc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5935568111.mp3?updated=1769162519" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert P. Kolker and Nathan Abrams, "Kubrick: An Odyssey" (Pegasus Books, 2024)</title>
      <description>The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker.
The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years.
Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick’s personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I.
This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century.
Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.
Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 24 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>183</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert P. Kolker and Nathan Abrams</itunes:subtitle>
      <itunes:summary>The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker.
The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years.
Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick’s personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I.
This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century.
Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.
Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The definitive biography of the creator of <em>2001: A Space Odyssey, The Shining,</em> and <em>A Clockwork Orange,</em> presenting the most in-depth portrait yet of the groundbreaking filmmaker.</p><p>The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years.</p><p><a href="https://bookshop.org/a/12343/9781639366248"><em>Kubrick: An Odyssey</em></a><em> </em>(Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick’s personal, private, public, and working life. <em>Stanley Kubrick: An Odyssey</em> investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like <em>Burning Secret, Napoleon, Aryan Papers</em>, and <em>A.I.</em></p><p>This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century.</p><p>Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of <em>A Cinema of Loneliness</em> and <em>The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema</em>; editor of <em>2001: A Space Odyssey: New Essays</em> and <em>The Oxford Handbook of Film and Media Studies</em>; and co-author of <em>Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film</em>.</p><p>Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of <em>Jewish Film and New Media: An International Journal</em>, as well as the author of <em>The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema</em>, and <em>Stanley Kubrick: New York Jewish Intellectual</em>, and co-author of <em>Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.</em></p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3453</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c3917fcc-f7d3-11f0-a303-832c520a9510]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6756584634.mp3?updated=1703699343" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Is 28 Years Later: The Bone Temple the Most Important Movie of the Year?</title>
      <description>It’s The Pop Culture Professors, and today we analyze the new movie 28 Years Later: The Bone Temple. A parable of humanism and dehumanization centered on two charismatic leaders, the movie hits its marks intellectually and aesthetically. We consider its themes and ideas, and ask whether this movie and its predecessor – last year’s 28 Years Later – will be come to be considered significant works in contemporary popular culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 21 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and today we analyze the new movie 28 Years Later: The Bone Temple. A parable of humanism and dehumanization centered on two charismatic leaders, the movie hits its marks intellectually and aesthetically. We consider its themes and ideas, and ask whether this movie and its predecessor – last year’s 28 Years Later – will be come to be considered significant works in contemporary popular culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s The Pop Culture Professors, and today we analyze the new movie 28 Years Later: The Bone Temple. A parable of humanism and dehumanization centered on two charismatic leaders, the movie hits its marks intellectually and aesthetically. We consider its themes and ideas, and ask whether this movie and its predecessor – last year’s 28 Years Later – will be come to be considered significant works in contemporary popular culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1898</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7f617770-f5ae-11f0-99aa-0b87cbc79afd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3538727324.mp3?updated=1768879142" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Friends of Attention, "Attensity! A Manifesto of the Attention Liberation Movement" (Crown, 2026)</title>
      <description>“You are correct: something is seriously wrong.” So begins Attensity: A Manifesto of the Attention Liberation Movement ﻿(Crown, 2026) written by members of the friends of attention collective. That something is that our attention, and it is being captured and commodified by corporate entities that see our attention as a precious resource, perhaps as fundamental as water, that can be mined and extracted. This new process of extraction, called human fracking by the collective, is not simply a timewaster, with every minute introducing another tiktok video to scroll through. Rather our attention should be understood as a fundamental aspect of what makes us human, and expression of our humanity and of our love and attention to others.

Faced with the daily loss of more and more of our shared humanity, the Friends of Attention are appealing for an awakening, a collective reclamation of our attention from the frackers. Attensity is a clarion call that sees collective solidarity as the means by which we can be a bulwark against those who would pilfer our attention. Attensity argues that a practice of study, coalition building, and a relationship to attention sanctuaries, can be the answer to one of the great fundamental questions of our era: why do we feel so disconnected from our own humanity and from the humanity of others.

D. Graham Burnett is the Henry Charles Lea Professor of the History of Science at Princeton University. Alyssa Loh, a filmmaker, co-directed the short film “Twelve Theses on Attention.” And Peter Schmidt is the program director of the Strother School of Radical Attention.

Recommended Books and Films:


  Deva Woodly, Black Lives Matter and the Democratic Necessity of Social Movements


  Tim Wu, The Attention Merchants


  RaMell Ross, Hale County This Morning, This Evening


  Ian Chaney, Observer


  Histories of Scientific Observation


Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 20 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>“You are correct: something is seriously wrong.” So begins Attensity: A Manifesto of the Attention Liberation Movement ﻿(Crown, 2026) written by members of the friends of attention collective. That something is that our attention, and it is being captured and commodified by corporate entities that see our attention as a precious resource, perhaps as fundamental as water, that can be mined and extracted. This new process of extraction, called human fracking by the collective, is not simply a timewaster, with every minute introducing another tiktok video to scroll through. Rather our attention should be understood as a fundamental aspect of what makes us human, and expression of our humanity and of our love and attention to others.

Faced with the daily loss of more and more of our shared humanity, the Friends of Attention are appealing for an awakening, a collective reclamation of our attention from the frackers. Attensity is a clarion call that sees collective solidarity as the means by which we can be a bulwark against those who would pilfer our attention. Attensity argues that a practice of study, coalition building, and a relationship to attention sanctuaries, can be the answer to one of the great fundamental questions of our era: why do we feel so disconnected from our own humanity and from the humanity of others.

D. Graham Burnett is the Henry Charles Lea Professor of the History of Science at Princeton University. Alyssa Loh, a filmmaker, co-directed the short film “Twelve Theses on Attention.” And Peter Schmidt is the program director of the Strother School of Radical Attention.

Recommended Books and Films:


  Deva Woodly, Black Lives Matter and the Democratic Necessity of Social Movements


  Tim Wu, The Attention Merchants


  RaMell Ross, Hale County This Morning, This Evening


  Ian Chaney, Observer


  Histories of Scientific Observation


Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“You are correct: something is seriously wrong.” So begins <a href="https://bookshop.org/a/12343/9798217086153"><em>Attensity</em>: </a><a href="https://bookshop.org/a/12343/9798217086153">A Manifesto of the Attention Liberation Movement</a><em> ﻿</em>(Crown, 2026) written by members of the friends of attention collective. That something is that our attention, and it is being captured and commodified by corporate entities that see our attention as a precious resource, perhaps as fundamental as water, that can be mined and extracted. This new process of extraction, called human fracking by the collective, is not simply a timewaster, with every minute introducing another tiktok video to scroll through. Rather our attention should be understood as a fundamental aspect of what makes us human, and expression of our humanity and of our love and attention to others.</p>
<p>Faced with the daily loss of more and more of our shared humanity, the Friends of Attention are appealing for an awakening, a collective reclamation of our attention from the frackers. <em>Attensity</em> is a clarion call that sees collective solidarity as the means by which we can be a bulwark against those who would pilfer our attention. <em>Attensity </em>argues that a practice of study, coalition building, and a relationship to attention sanctuaries, can be the answer to one of the great fundamental questions of our era: why do we feel so disconnected from our own humanity and from the humanity of others.</p>
<p>D. Graham Burnett is the Henry Charles Lea Professor of the History of Science at Princeton University. Alyssa Loh, a filmmaker, co-directed the short film “Twelve Theses on Attention.” And Peter Schmidt is the program director of the Strother School of Radical Attention.</p>
<p>Recommended Books and Films:</p>
<ul>
  <li>Deva Woodly, <a href="https://odysseybookstore.com/book/9780197603956"><em>Black Lives Matter and the Democratic Necessity of Social Movements</em></a>
</li>
  <li>Tim Wu, <a href="https://odysseybookstore.com/book/9780804170048"><em>The Attention Merchants</em></a>
</li>
  <li>RaMell Ross, <a href="https://www.halecountyfilm.com/"><em>Hale County This Morning, This Evening</em></a>
</li>
  <li>Ian Chaney, <a href="https://www.observerfilm.org/"><em>Observer</em></a>
</li>
  <li><a href="https://www.mpiwg-berlin.mpg.de/resources/publications/books/0095"><em>Histories of Scientific Observation</em></a></li>
</ul>
<p><a href="https://www.ithaca.edu/faculty/cholmes">Chris Holmes</a> is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, <a href="https://www.bloomsbury.com/us/kazuo-ishiguro-against-world-literature-9781501388422/"><em>Kazuo Ishiguro Against World Literature</em></a>, is published with Bloomsbury Publishing. He is the co-director of <a href="https://www.ithaca.edu/academics/school-humanities-and-sciences/writing/new-voices-festival">The New Voices Festival</a>, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4060</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[97b24b36-f4e3-11f0-917a-cb3d5a789738]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7616837956.mp3?updated=1768792045" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Lynch, "Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth" (Oxford UP, 2025)</title>
      <description>Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they are often thought to be folk songs. Although he died in poverty and most of his music was quickly forgotten, by the early twentieth century he was hailed as the “Father of American Music” and had become a symbol of US democracy. In Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth (Oxford University Press, 2025), Christopher Lynch examines the reception of Foster and his music between the composer’s death and the 1930s. It is an unusual book—part biography, part sourcebook, part scholarly reflection, part reception history, part myth buster. Lynch divides the book into three sections which each contain anywhere from ten to eighteen primary sources that provide evidence for how Foster’s American reception changed over time. He frames these primary documents with five essays that examine the ever-changing myths around Foster, why those myths developed, and how the collecting practices and biases of Foster devotees and his family members influenced the national memory about the composer and his most famous songs.

Christopher Lynch, PhD, is a musicologist and Head of the Theodore M. Finney Music Library in the University of Pittsburgh Library System, where he helps curate the Stephen Foster Memorial museum and archive. His research examines minstrelsy, popular song, and music theater as sites for contesting American ideals. He is co-editor of Listening Across Borders: Musicology in the Global Classroom and his work has been published in numerous journals.

Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they are often thought to be folk songs. Although he died in poverty and most of his music was quickly forgotten, by the early twentieth century he was hailed as the “Father of American Music” and had become a symbol of US democracy. In Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth (Oxford University Press, 2025), Christopher Lynch examines the reception of Foster and his music between the composer’s death and the 1930s. It is an unusual book—part biography, part sourcebook, part scholarly reflection, part reception history, part myth buster. Lynch divides the book into three sections which each contain anywhere from ten to eighteen primary sources that provide evidence for how Foster’s American reception changed over time. He frames these primary documents with five essays that examine the ever-changing myths around Foster, why those myths developed, and how the collecting practices and biases of Foster devotees and his family members influenced the national memory about the composer and his most famous songs.

Christopher Lynch, PhD, is a musicologist and Head of the Theodore M. Finney Music Library in the University of Pittsburgh Library System, where he helps curate the Stephen Foster Memorial museum and archive. His research examines minstrelsy, popular song, and music theater as sites for contesting American ideals. He is co-editor of Listening Across Borders: Musicology in the Global Classroom and his work has been published in numerous journals.

Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they are often thought to be folk songs. Although he died in poverty and most of his music was quickly forgotten, by the early twentieth century he was hailed as the “Father of American Music” and had become a symbol of US democracy. In<a href="https://bookshop.org/a/12343/9780197811696"> </a><a href="https://bookshop.org/a/12343/9780197811696">Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth</a><em> </em>(Oxford University Press, 2025), Christopher Lynch examines the reception of Foster and his music between the composer’s death and the 1930s. It is an unusual book—part biography, part sourcebook, part scholarly reflection, part reception history, part myth buster. Lynch divides the book into three sections which each contain anywhere from ten to eighteen primary sources that provide evidence for how Foster’s American reception changed over time. He frames these primary documents with five essays that examine the ever-changing myths around Foster, why those myths developed, and how the collecting practices and biases of Foster devotees and his family members influenced the national memory about the composer and his most famous songs.</p>
<p>Christopher Lynch, PhD, is a musicologist and Head of the Theodore M. Finney Music Library in the University of Pittsburgh Library System, where he helps curate the Stephen Foster Memorial museum and archive. His research examines minstrelsy, popular song, and music theater as sites for contesting American ideals. He is co-editor of <em>Listening Across Borders: Musicology in the Global Classroom</em> and his work has been published in numerous journals.</p>
<p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/">Kristen M. Turner</a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3698</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8d7e746-f4b2-11f0-bdc9-57d3800c366e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3634821315.mp3?updated=1768771420" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Min Joo Lee, "Finding Mr. Perfect: K-Drama, Pop Culture, Romance, and Race" (Rutgers UP, 2025)</title>
      <description>Finding Mr. Perfect: K-Drama, Pop Culture, Romance, and Race (Rutgers UP, 2025) by Dr. Min Joo Lee explores the romantic relationships between Korean men and women who were inspired by romantic Korean televisual depictions of Korean masculinity to travel to Korea as tourists. Dr. Lee argues that disparate racialized erotic desires of Korean pop culture fans, foreign tourists to Korea, Korean men, and the Korean nation converge to configure the interracial and transnational relationships between these tourists and Korean men. Lee observes how racial prejudices are developed and manifested through interracial and transnational intimate desires and encounters. This book is the first to examine the interracial relationships between Hallyu tourists and Korean men. Furthermore, it is the first to analyze Korea as a popular romance tourist destination for heterosexual women. Finding Mr. Perfect illuminates South Korean popular culture’s transnational fandom and tourism as a global phenomenon where fantasies and realities converge to have a tangible impact on individual lives.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Finding Mr. Perfect: K-Drama, Pop Culture, Romance, and Race (Rutgers UP, 2025) by Dr. Min Joo Lee explores the romantic relationships between Korean men and women who were inspired by romantic Korean televisual depictions of Korean masculinity to travel to Korea as tourists. Dr. Lee argues that disparate racialized erotic desires of Korean pop culture fans, foreign tourists to Korea, Korean men, and the Korean nation converge to configure the interracial and transnational relationships between these tourists and Korean men. Lee observes how racial prejudices are developed and manifested through interracial and transnational intimate desires and encounters. This book is the first to examine the interracial relationships between Hallyu tourists and Korean men. Furthermore, it is the first to analyze Korea as a popular romance tourist destination for heterosexual women. Finding Mr. Perfect illuminates South Korean popular culture’s transnational fandom and tourism as a global phenomenon where fantasies and realities converge to have a tangible impact on individual lives.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978841567">Finding Mr. Perfect: K-Drama, Pop Culture, Romance, and Race</a> (Rutgers UP, 2025) by Dr. Min Joo Lee explores the romantic relationships between Korean men and women who were inspired by romantic Korean televisual depictions of Korean masculinity to travel to Korea as tourists. Dr. Lee argues that disparate racialized erotic desires of Korean pop culture fans, foreign tourists to Korea, Korean men, and the Korean nation converge to configure the interracial and transnational relationships between these tourists and Korean men. Lee observes how racial prejudices are developed and manifested through interracial and transnational intimate desires and encounters. This book is the first to examine the interracial relationships between Hallyu tourists and Korean men. Furthermore, it is the first to analyze Korea as a popular romance tourist destination for heterosexual women. <em>Finding Mr. Perfect</em> illuminates South Korean popular culture’s transnational fandom and tourism as a global phenomenon where fantasies and realities converge to have a tangible impact on individual lives.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1844</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a910250a-f291-11f0-9f75-4b187e544d6f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8595764349.mp3?updated=1768536829" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Oline Eaton, "Finding Jackie: The Second Act of America's First Lady" (Diversion Books, 2023)</title>
      <description>In her new book, Finding Jackie: A Life Reinvented (Diversion Books, 2023), scholar and writer Oline Eaton examines the story of an era's biggest "star of life," Jaqueline Bouvier Kennedy Onassis, as she coped with trauma and built a new existence in an unstable world during the time between JFK's murder in 1963 and the death of her second husband, Aristotle Onassis, in 1975. Jackie Kennedy was universally loved and to this day is still remembered as dignified, classy, a superior wife, mother, decorator, and hostess. But what story lies beneath that of the former First Lady? What is the true tale of the woman who later wore leather miniskirts, grew her hair long, and married infamous Greek shipping tycoon Ari Onassis?
Eaton charts the taboo and often dismissed story of Jackie, the life of a woman reinventing herself time and time again. In Finding Jackie, she follows the "star of life" through her tragedies and triumphs with all the urgency and uncertainty she faced. Revealed is the Jackie the world has never seen, the Jackie who climbed pyramids, held fascinating jobs, lived abroad, married a scandalous man, saw a sex movie with him in a theater, and then judo-flipped a photographer on her way out. She frolicked braless and barefoot in Capri. She saved Grand Central. She stepped outside the rarefied world she'd been born into and exemplified the cultural changes of the 1960s and 70s. With newly released archival evidence, Finding Jackie illuminates the disconnect between the public story and what is now known of Jackie Kennedy Onassis' actual private life. Jackie has long been celebrated for her style rather than her substance but, when set in its full historical context, her story resonates today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 18 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Oline Eaton</itunes:subtitle>
      <itunes:summary>In her new book, Finding Jackie: A Life Reinvented (Diversion Books, 2023), scholar and writer Oline Eaton examines the story of an era's biggest "star of life," Jaqueline Bouvier Kennedy Onassis, as she coped with trauma and built a new existence in an unstable world during the time between JFK's murder in 1963 and the death of her second husband, Aristotle Onassis, in 1975. Jackie Kennedy was universally loved and to this day is still remembered as dignified, classy, a superior wife, mother, decorator, and hostess. But what story lies beneath that of the former First Lady? What is the true tale of the woman who later wore leather miniskirts, grew her hair long, and married infamous Greek shipping tycoon Ari Onassis?
Eaton charts the taboo and often dismissed story of Jackie, the life of a woman reinventing herself time and time again. In Finding Jackie, she follows the "star of life" through her tragedies and triumphs with all the urgency and uncertainty she faced. Revealed is the Jackie the world has never seen, the Jackie who climbed pyramids, held fascinating jobs, lived abroad, married a scandalous man, saw a sex movie with him in a theater, and then judo-flipped a photographer on her way out. She frolicked braless and barefoot in Capri. She saved Grand Central. She stepped outside the rarefied world she'd been born into and exemplified the cultural changes of the 1960s and 70s. With newly released archival evidence, Finding Jackie illuminates the disconnect between the public story and what is now known of Jackie Kennedy Onassis' actual private life. Jackie has long been celebrated for her style rather than her substance but, when set in its full historical context, her story resonates today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="https://bookshop.org/a/12343/9781635767933"><em>Finding Jackie: A Life Reinvented</em></a> (Diversion Books, 2023), scholar and writer <a href="https://olineeaton.com/">Oline Eaton</a> examines the story of an era's biggest "star of life," Jaqueline Bouvier Kennedy Onassis, as she coped with trauma and built a new existence in an unstable world during the time between JFK's murder in 1963 and the death of her second husband, Aristotle Onassis, in 1975. Jackie Kennedy was universally loved and to this day is still remembered as dignified, classy, a superior wife, mother, decorator, and hostess. But what story lies beneath that of the former First Lady? What is the true tale of the woman who later wore leather miniskirts, grew her hair long, and married infamous Greek shipping tycoon Ari Onassis?</p><p>Eaton charts the taboo and often dismissed story of Jackie, the life of a woman reinventing herself time and time again. In Finding Jackie, she follows the "star of life" through her tragedies and triumphs with all the urgency and uncertainty she faced. Revealed is the Jackie the world has never seen, the Jackie who climbed pyramids, held fascinating jobs, lived abroad, married a scandalous man, saw a sex movie with him in a theater, and then judo-flipped a photographer on her way out. She frolicked braless and barefoot in Capri. She saved Grand Central. She stepped outside the rarefied world she'd been born into and exemplified the cultural changes of the 1960s and 70s. With newly released archival evidence, Finding Jackie illuminates the disconnect between the public story and what is now known of Jackie Kennedy Onassis' actual private life. Jackie has long been celebrated for her style rather than her substance but, when set in its full historical context, her story resonates today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3370</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[70bd1854-8d34-11ed-be7c-5377a4cbc59e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7528945597.mp3?updated=1672950049" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Johanna Lukate, "(Dis)Entangled: Black Hair, Race, and Identity" (Coronet, 2025)</title>
      <description>Even before we get to introduce ourselves by name, our hair has already started to tell stories about who we are, where we are from and where we are at. Our hair is tangled up in the interplay of race, gender, class, nationality, sexuality, power and beauty. It is an avid storyteller and a consummate performer - whether we like it or not. If our hair could talk, what stories would it tell about us?

(Dis)entangled: ﻿Black Hair, Race, and Identity (Coronet, 2025) ﻿delves into the intricate and deeply personal relationship between Black individuals and their hair, exploring - through a collection of diverse experiences - the profound significance of hair as a conduit for self-expression, resilience, and collective memory within communities around the world. Each story illuminates the complex tapestry of experiences surrounding Black hair, shedding light on its intersections with gender, race and identity.Through the voices of those who have walked this textured path, the book ultimately seeks to empower readers to embrace their own unique journey of self-discovery, one strand at a time.

This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has just been published (2025, Oxford University Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 16 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Even before we get to introduce ourselves by name, our hair has already started to tell stories about who we are, where we are from and where we are at. Our hair is tangled up in the interplay of race, gender, class, nationality, sexuality, power and beauty. It is an avid storyteller and a consummate performer - whether we like it or not. If our hair could talk, what stories would it tell about us?

(Dis)entangled: ﻿Black Hair, Race, and Identity (Coronet, 2025) ﻿delves into the intricate and deeply personal relationship between Black individuals and their hair, exploring - through a collection of diverse experiences - the profound significance of hair as a conduit for self-expression, resilience, and collective memory within communities around the world. Each story illuminates the complex tapestry of experiences surrounding Black hair, shedding light on its intersections with gender, race and identity.Through the voices of those who have walked this textured path, the book ultimately seeks to empower readers to embrace their own unique journey of self-discovery, one strand at a time.

This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has just been published (2025, Oxford University Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Even before we get to introduce ourselves by name, our hair has already started to tell stories about who we are, where we are from and where we are at. Our hair is tangled up in the interplay of race, gender, class, nationality, sexuality, power and beauty. It is an avid storyteller and a consummate performer - whether we like it or not. If our hair could talk, what stories would it tell about us?</p>
<p><a href="https://bookshop.org/a/12343/9781399700993">(Dis)entangled: ﻿Black Hair, Race, and Identity</a> (Coronet, 2025) ﻿delves into the intricate and deeply personal relationship between Black individuals and their hair, exploring - through a collection of diverse experiences - the profound significance of hair as a conduit for self-expression, resilience, and collective memory within communities around the world. Each story illuminates the complex tapestry of experiences surrounding Black hair, shedding light on its intersections with gender, race and identity.<br>Through the voices of those who have walked this textured path, the book ultimately seeks to empower readers to embrace their own unique journey of self-discovery, one strand at a time.<br></p>
<p>This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her <a href="https://global.oup.com/academic/product/the-game-9780197812280?cc=us&amp;lang=en">new book</a> has just been published (2025, Oxford University Press).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2742</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[da51f608-f1c8-11f0-8cfc-4b2fa28f879f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9333122428.mp3?updated=1768450802" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Night Manager Episodes 1—3 Analysis: It Never Ends!</title>
      <description>It’s The Pop Culture Professors, and we analyze the first three episodes of The Night Manager, season two. We consider the season as a continuation of Le Carré’s narrative, and consider how far the themes of this new iteration of the series match those of Le Carré’s wider body of work. We look into the ideologies (and views on ideology) that underpin the series, and consider the extent to which the Pine character, cycling endlessly from one identity to the next, is a hero for our post-truth age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 16 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we analyze the first three episodes of The Night Manager, season two. We consider the season as a continuation of Le Carré’s narrative, and consider how far the themes of this new iteration of the series match those of Le Carré’s wider body of work. We look into the ideologies (and views on ideology) that underpin the series, and consider the extent to which the Pine character, cycling endlessly from one identity to the next, is a hero for our post-truth age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s The Pop Culture Professors, and we analyze the first three episodes of <em>The Night Manager</em>, season two. We consider the season as a continuation of Le Carré’s narrative, and consider how far the themes of this new iteration of the series match those of Le Carré’s wider body of work. We look into the ideologies (and views on ideology) that underpin the series, and consider the extent to which the Pine character, cycling endlessly from one identity to the next, is a hero for our post-truth age.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1844</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3e207f46-f1c5-11f0-88d7-dbda61e99f4c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9488773348.mp3?updated=1768448812" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vanessa Díaz and Petra R. Rivera-Rideau, "P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance" (Duke UP, 2026)</title>
      <description>P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance (Duke UP, 2026) explores the work of Puerto Rican musical superstar Bad Bunny (Benito A. Martinez Ocasio), focusing on his cultural and political significance.Global superstar Bad Bunny, like many other Puerto Ricans, has lived a life marked by public crises—blackouts, hurricanes, political corruption and oppression, among others—that have exposed the ongoing impacts of colonialism in Puerto Rico. Offering a portrait of the past and future of Puerto Rican resistance through one of its loudest and proudest voices, P FKN R draws on interviews with musicians, politicians, and journalists as well as ethnographic research to set Bad Bunny and Puerto Rican resistance in a historical, political, and cultural context. Authors Vanessa Díaz and Petra Rivera-Rideau—creators of the “Bad Bunny Syllabus”—demonstrate Bad Bunny’s place in a long tradition of infusing both joy and protest into music and honor the many evolving forms of daily resistance to oppression and colonialism that are part of Puerto Rican life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 14 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance (Duke UP, 2026) explores the work of Puerto Rican musical superstar Bad Bunny (Benito A. Martinez Ocasio), focusing on his cultural and political significance.Global superstar Bad Bunny, like many other Puerto Ricans, has lived a life marked by public crises—blackouts, hurricanes, political corruption and oppression, among others—that have exposed the ongoing impacts of colonialism in Puerto Rico. Offering a portrait of the past and future of Puerto Rican resistance through one of its loudest and proudest voices, P FKN R draws on interviews with musicians, politicians, and journalists as well as ethnographic research to set Bad Bunny and Puerto Rican resistance in a historical, political, and cultural context. Authors Vanessa Díaz and Petra Rivera-Rideau—creators of the “Bad Bunny Syllabus”—demonstrate Bad Bunny’s place in a long tradition of infusing both joy and protest into music and honor the many evolving forms of daily resistance to oppression and colonialism that are part of Puerto Rican life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478033332">P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance</a> (Duke UP, 2026) explores the work of Puerto Rican musical superstar Bad Bunny (Benito A. Martinez Ocasio), focusing on his cultural and political significance.Global superstar Bad Bunny, like many other Puerto Ricans, has lived a life marked by public crises—blackouts, hurricanes, political corruption and oppression, among others—that have exposed the ongoing impacts of colonialism in Puerto Rico. Offering a portrait of the past and future of Puerto Rican resistance through one of its loudest and proudest voices, <em>P FKN R</em> draws on interviews with musicians, politicians, and journalists as well as ethnographic research to set Bad Bunny and Puerto Rican resistance in a historical, political, and cultural context. Authors Vanessa Díaz and Petra Rivera-Rideau—creators of the “Bad Bunny Syllabus”—demonstrate Bad Bunny’s place in a long tradition of infusing both joy and protest into music and honor the many evolving forms of daily resistance to oppression and colonialism that are part of Puerto Rican life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3420</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4b166e28-f04d-11f0-8dcf-1b0b5a1782f3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3711930154.mp3?updated=1768288542" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Angie Hobbs, "Why Plato Matters Now" (Bloomsbury, 2025)</title>
      <description>Does Plato matter? An ancient philosopher whose work has inspired and informed countless thinkers and poets across the centuries, his ideas are no longer taught as widely as they once were. But, as Angie Hobbs argues in this clear-sighted book ﻿Why Plato Matters Now (Bloomsbury, 2025), that is a mistake.If we want to understand the world we live in – from democracy, autocracy and fake news to celebrity, cancel culture and what money can and cannot do – there is no better place to start than Plato. Exploring the intersection between the ancient and the modern, Professor Hobbs shows how Plato can help us address key questions concerning the nature of a flourishing life and community, healthcare, love and friendship, heroism, reality, art and myth-making. She also shows us how Plato's adaptation of the Socratic method and dialogue form can enable us to deal with contested issues more constructively.Plato's methodology, arguments, ideas and vivid images are explained with a clarity suitable both for readers familiar with his work and for those approaching Plato for the first time. This book shows why Plato really matters, now more than ever.

Angie Hobbs is emerita Professor of the Public Understanding of Philosophy at the University of Sheffield. She gained a degree in Classics and a PhD in Ancient Philosophy at the University of Cambridge, and her chief interests are in ancient philosophy and literature, and ethics and political theory from classical thought to the present, and she has published widely in these areas, including Plato and the Hero. She works in a number of policy sectors, and contributes regularly to media around the world, including many appearances on In Our Time on Radio 4; she has spoken at the World Economic Forum at Davos, the Athens Democracy Forum, the Houses of Parliament, the Scottish Parliament and Westminster Abbey and been the guest on Desert Island Discs and Private Passions. Website here

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 14 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Does Plato matter? An ancient philosopher whose work has inspired and informed countless thinkers and poets across the centuries, his ideas are no longer taught as widely as they once were. But, as Angie Hobbs argues in this clear-sighted book ﻿Why Plato Matters Now (Bloomsbury, 2025), that is a mistake.If we want to understand the world we live in – from democracy, autocracy and fake news to celebrity, cancel culture and what money can and cannot do – there is no better place to start than Plato. Exploring the intersection between the ancient and the modern, Professor Hobbs shows how Plato can help us address key questions concerning the nature of a flourishing life and community, healthcare, love and friendship, heroism, reality, art and myth-making. She also shows us how Plato's adaptation of the Socratic method and dialogue form can enable us to deal with contested issues more constructively.Plato's methodology, arguments, ideas and vivid images are explained with a clarity suitable both for readers familiar with his work and for those approaching Plato for the first time. This book shows why Plato really matters, now more than ever.

Angie Hobbs is emerita Professor of the Public Understanding of Philosophy at the University of Sheffield. She gained a degree in Classics and a PhD in Ancient Philosophy at the University of Cambridge, and her chief interests are in ancient philosophy and literature, and ethics and political theory from classical thought to the present, and she has published widely in these areas, including Plato and the Hero. She works in a number of policy sectors, and contributes regularly to media around the world, including many appearances on In Our Time on Radio 4; she has spoken at the World Economic Forum at Davos, the Athens Democracy Forum, the Houses of Parliament, the Scottish Parliament and Westminster Abbey and been the guest on Desert Island Discs and Private Passions. Website here

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Does Plato matter? An ancient philosopher whose work has inspired and informed countless thinkers and poets across the centuries, his ideas are no longer taught as widely as they once were. But, as Angie Hobbs argues in this clear-sighted book ﻿<a href="https://bookshop.org/a/12343/9781399403412">Why Plato Matters Now </a>(Bloomsbury, 2025), that is a mistake.<br>If we want to understand the world we live in – from democracy, autocracy and fake news to celebrity, cancel culture and what money can and cannot do – there is no better place to start than Plato. Exploring the intersection between the ancient and the modern, Professor Hobbs shows how Plato can help us address key questions concerning the nature of a flourishing life and community, healthcare, love and friendship, heroism, reality, art and myth-making. She also shows us how Plato's adaptation of the Socratic method and dialogue form can enable us to deal with contested issues more constructively.<br>Plato's methodology, arguments, ideas and vivid images are explained with a clarity suitable both for readers familiar with his work and for those approaching Plato for the first time. This book shows why Plato really matters, now more than ever.</p>
<p>Angie Hobbs is emerita Professor of the Public Understanding of Philosophy at the University of Sheffield. She gained a degree in Classics and a PhD in Ancient Philosophy at the University of Cambridge, and her chief interests are in ancient philosophy and literature, and ethics and political theory from classical thought to the present, and she has published widely in these areas, including Plato and the Hero. She works in a number of policy sectors, and contributes regularly to media around the world, including many appearances on In Our Time on Radio 4; she has spoken at the World Economic Forum at Davos, the Athens Democracy Forum, the Houses of Parliament, the Scottish Parliament and Westminster Abbey and been the guest on Desert Island Discs and Private Passions. Website <a href="http://angiehobbs.com/">here</a></p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4712</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[efae980a-f059-11f0-828d-97ae691d30ce]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8609853624.mp3?updated=1768293107" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter F. Burns et. al, "Disneyland Politics: How a Medium-Size City and Corporate Giant Coexist" (Temple UP, 2025)</title>
      <description>When Walt Disney decided to build Disneyland in Anaheim, CA in the 1950s, the move presented a puzzle for Anaheim’s government: How would the city balance the interests of private investors against those of the citizenry when the two came into conflict?

Disneyland Politics: How a Medium-Size City and Corporate Giant Coexist (Temple UP, 2025) by Dr. Peter F. Burns, Dr. Matthew O. Thomas, and Max R. Bieganski is a cogent examination of this urban power struggle, which has been playing out for 70 years. The authors show how the city was initially bound to the Disneyland Imperative, which placed the theme park above everything else in the city, including other economic development projects. However, starting in the 1990s, citizens pushed back against the corporation and its supporters, wanting a more balanced public policy agenda and ultimately loosening the stranglehold Disneyland had over the city’s political order.

Recounting the history of Disney’s power in action and the tension between democratic governance and reliance on private investment, Disneyland Politics illustrates how those who pursue alternative agendas attempt to get their way, and how the fight for a more balanced public policy agenda has changed local power dynamics to be less favorable to Disneyland over time.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 14 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When Walt Disney decided to build Disneyland in Anaheim, CA in the 1950s, the move presented a puzzle for Anaheim’s government: How would the city balance the interests of private investors against those of the citizenry when the two came into conflict?

Disneyland Politics: How a Medium-Size City and Corporate Giant Coexist (Temple UP, 2025) by Dr. Peter F. Burns, Dr. Matthew O. Thomas, and Max R. Bieganski is a cogent examination of this urban power struggle, which has been playing out for 70 years. The authors show how the city was initially bound to the Disneyland Imperative, which placed the theme park above everything else in the city, including other economic development projects. However, starting in the 1990s, citizens pushed back against the corporation and its supporters, wanting a more balanced public policy agenda and ultimately loosening the stranglehold Disneyland had over the city’s political order.

Recounting the history of Disney’s power in action and the tension between democratic governance and reliance on private investment, Disneyland Politics illustrates how those who pursue alternative agendas attempt to get their way, and how the fight for a more balanced public policy agenda has changed local power dynamics to be less favorable to Disneyland over time.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When Walt Disney decided to build Disneyland in Anaheim, CA in the 1950s, the move presented a puzzle for Anaheim’s government: How would the city balance the interests of private investors against those of the citizenry when the two came into conflict?</p>
<p><a href="https://bookshop.org/a/12343/9781439926857">Disneyland Politics: How a Medium-Size City and Corporate Giant Coexist</a> (Temple UP, 2025) by Dr. Peter F. Burns, Dr. Matthew O. Thomas, and Max R. Bieganski is a cogent examination of this urban power struggle, which has been playing out for 70 years. The authors show how the city was initially bound to the Disneyland Imperative, which placed the theme park above everything else in the city, including other economic development projects. However, starting in the 1990s, citizens pushed back against the corporation and its supporters, wanting a more balanced public policy agenda and ultimately loosening the stranglehold Disneyland had over the city’s political order.</p>
<p>Recounting the history of Disney’s power in action and the tension between democratic governance and reliance on private investment, <em>Disneyland Politics</em> illustrates how those who pursue alternative agendas attempt to get their way, and how the fight for a more balanced public policy agenda has changed local power dynamics to be less favorable to Disneyland over time.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2069</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f879e262-f051-11f0-8604-233c43f17463]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6511309166.mp3?updated=1768290136" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>"Plenty for All: The Art of Rick Fröberg" (Akashic Books, Ltd., 2016)</title>
      <description>Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform. Plenty for All: The Art of Rick Fröberg (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life’s work, mostly in chronological order.

One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg’s line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg’s paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career.

Plenty for All is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg’s work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 11 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform. Plenty for All: The Art of Rick Fröberg (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life’s work, mostly in chronological order.

One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg’s line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg’s paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career.

Plenty for All is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg’s work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform.<a href="https://www.akashicbooks.com/catalog/plenty-for-all/"> </a><a href="https://www.akashicbooks.com/catalog/plenty-for-all/">Plenty for All: The Art of Rick Fröberg</a> (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life’s work, mostly in chronological order.</p>
<p>One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg’s line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg’s paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career.</p>
<p><em>Plenty for All</em> is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg’s work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2020</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90f302ba-eda2-11f0-9825-73bf890006d3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1242025554.mp3?updated=1767995060" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stuart Klawans, "Crooked, But Never Common: The Films of Preston Sturges" (Columbia UP, 2023)</title>
      <description>In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. 
Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 10 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stuart Klawans</itunes:subtitle>
      <itunes:summary>In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. 
Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--<em>The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, </em>and<em> The Miracle of Morgan's Creek </em>among them--all from screenplays he alone had written. </p><p>Stuart Klawans' <a href="https://bookshop.org/a/12343/9780231207294"><em>Crooked, But Never Common: The Films of Preston Sturges</em></a> (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes.</p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3128</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d1fa2c82-ecd2-11f0-8236-1f4d224e6dec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5870694932.mp3?updated=1671887786" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rob Harvilla, "60 Songs That Explain The 90s" (Twelve, 2023)</title>
      <description>A companion to the #1 music podcast on Spotify, this book takes listeners through the greatest hits that define a weirdly undefinable decade.
The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&amp;B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In 60 Songs That Explain The 90s (Twelve, 2023), Ringer music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 10 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>214</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rob Harvilla</itunes:subtitle>
      <itunes:summary>A companion to the #1 music podcast on Spotify, this book takes listeners through the greatest hits that define a weirdly undefinable decade.
The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&amp;B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In 60 Songs That Explain The 90s (Twelve, 2023), Ringer music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A companion to the #1 music podcast on Spotify, this book takes listeners through the greatest hits that define a weirdly undefinable decade.</p><p>The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&amp;B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In <a href="https://bookshop.org/a/12343/9781538759462"><em>60 Songs That Explain The 90s</em></a> (Twelve, 2023), <em>Ringer </em>music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3183</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c8e76d2c-ecd1-11f0-b6e4-fbf20bf373a0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9980615990.mp3?updated=1702317250" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Barbara Jane Brickman, "Suffering Sappho! Lesbian Camp in American Popular Culture" (Rutgers UP, 2023)</title>
      <description>An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.

In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 08 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.

In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, <em>Suffering Sappho!</em> traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.</p>
<p>In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and <em>Journal of Women’s History</em>) discuss <em>Suffering Sappho! </em>First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4563</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e4436490-ec0e-11f0-8155-4fd10ef83f84]]></guid>
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    <item>
      <title>Pluribus Episodes 8 &amp; 9 Analysis: It’s Over!</title>
      <description>It’s The Pop Culture Professors, and we continue our analysis of Pluribus, with our thoughts on episode 8, “Charm Offensive” and episode 9, “La Chico o El Mundo.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 03 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we continue our analysis of Pluribus, with our thoughts on episode 8, “Charm Offensive” and episode 9, “La Chico o El Mundo.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">The Pop Culture Professors</a>, and we continue our analysis of Pluribus, with our thoughts on episode 8, “Charm Offensive” and episode 9, “La Chico o El Mundo.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[04ec3f0c-e7f8-11f0-9ec3-97e2a246af92]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8036897442.mp3?updated=1767372032" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott Feinberg, “The Hollywood Reporter’s 100 Greatest Film Books of All Time” (2023)</title>
      <description>In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole.
Scott Feinberg has led The Hollywood Reporter’s awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood’s biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University’s Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 03 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Feinberg</itunes:subtitle>
      <itunes:summary>In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole.
Scott Feinberg has led The Hollywood Reporter’s awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood’s biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University’s Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the October 12, 2023 issue of <em>The Hollywood Reporter, </em>Scott Feinberg offered an annotated list of the <a href="https://www.hollywoodreporter.com/lists/best-movie-books-all-time/">100 greatest film books of all time</a>. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole.</p><p>Scott Feinberg has led <em>The Hollywood Reporter’s</em> awards coverage since 2011 (he covered awards for the <em>Los Angeles Times</em> before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for <em>Awards Chatter</em>, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood’s biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University’s Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3305</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>J. W. Rinzler and Lee Unkrich, "Stanley Kubrick's The Shining" (Taschen, 2023)</title>
      <description>In 1966 Stanley Kubrick told a friend that he wanted to make “the world’s scariest movie.” A decade later Stephen King’s The Shining landed on the director’s desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 31 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lee Unkrich</itunes:subtitle>
      <itunes:summary>In 1966 Stanley Kubrick told a friend that he wanted to make “the world’s scariest movie.” A decade later Stephen King’s The Shining landed on the director’s desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1966 Stanley Kubrick told a friend that he wanted to make “the world’s scariest movie.” A decade later Stephen King’s The Shining landed on the director’s desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book <a href="https://www.taschen.com/en/limited-editions/film/66983/stanley-kubrick-s-the-shining"><em>Stanley Kubrick's The Shining</em></a><em> </em>(Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew.</p><p><a href="https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html"><em>Nathan Abrams</em></a><em> is a professor of film at Bangor University in Wales. </em><a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029"><em>His most recent work</em></a><em> is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a7272bbe-e5b5-11f0-9b46-8f5688a7afd2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9347398037.mp3?updated=1675198505" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anna Zeide, "US History in 15 Foods" (Bloomsbury, 2023)</title>
      <description>From whiskey in the American Revolution to Spam in WWII, food reveals a great deal about the society in which it exists. Selecting 15 foods that represent key moments in the history of the United States, this book takes readers from before European colonization to the present, narrating major turning points along the way, with food as a guide.

US History in 15 Foods (Bloomsbury, 2023) takes everyday items like wheat bread, peanuts, and chicken nuggets, and shows the part they played in the making of America. What did the British colonists think about the corn they observed Indigenous people growing? How are oranges connected to Roosevelt's New Deal? And what can green bean casserole tell us about gender roles in the mid-20th century? Weaving food into colonialism, globalization, racism, economic depression, environmental change and more, Anna Zeide shows how America has evolved through the food it eats.
Anna Zeide is Associate Professor of History and the founding director of the Food Studies Program in the College of Liberal Arts &amp; Human Sciences at Virginia Tech, USA. She has previously written Canned: The Rise and Fall of Consumer Confidence in the American Food Industry (2018), which won a 2019 James Beard Media Award, and co-edited Acquired Tastes: Stories about the Origins of Modern Food (2021). Twitter. Website. 
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 31 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anna Zeide</itunes:subtitle>
      <itunes:summary>From whiskey in the American Revolution to Spam in WWII, food reveals a great deal about the society in which it exists. Selecting 15 foods that represent key moments in the history of the United States, this book takes readers from before European colonization to the present, narrating major turning points along the way, with food as a guide.

US History in 15 Foods (Bloomsbury, 2023) takes everyday items like wheat bread, peanuts, and chicken nuggets, and shows the part they played in the making of America. What did the British colonists think about the corn they observed Indigenous people growing? How are oranges connected to Roosevelt's New Deal? And what can green bean casserole tell us about gender roles in the mid-20th century? Weaving food into colonialism, globalization, racism, economic depression, environmental change and more, Anna Zeide shows how America has evolved through the food it eats.
Anna Zeide is Associate Professor of History and the founding director of the Food Studies Program in the College of Liberal Arts &amp; Human Sciences at Virginia Tech, USA. She has previously written Canned: The Rise and Fall of Consumer Confidence in the American Food Industry (2018), which won a 2019 James Beard Media Award, and co-edited Acquired Tastes: Stories about the Origins of Modern Food (2021). Twitter. Website. 
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From whiskey in the American Revolution to Spam in WWII, food reveals a great deal about the society in which it exists. Selecting 15 foods that represent key moments in the history of the United States, this book takes readers from before European colonization to the present, narrating major turning points along the way, with food as a guide.</p><p><br></p><p><a href="https://bookshop.org/a/12343/9781350211971"><em>US History in 15 Foods</em></a> (Bloomsbury, 2023) takes everyday items like wheat bread, peanuts, and chicken nuggets, and shows the part they played in the making of America. What did the British colonists think about the corn they observed Indigenous people growing? How are oranges connected to Roosevelt's New Deal? And what can green bean casserole tell us about gender roles in the mid-20th century? Weaving food into colonialism, globalization, racism, economic depression, environmental change and more, Anna Zeide shows how America has evolved through the food it eats.</p><p>Anna Zeide is Associate Professor of History and the founding director of the Food Studies Program in the College of Liberal Arts &amp; Human Sciences at Virginia Tech, USA. She has previously written <em>Canned: The Rise and Fall of Consumer Confidence in the American Food Industry</em> (2018), which won a 2019 James Beard Media Award, and co-edited <em>Acquired Tastes: Stories about the Origins of Modern Food </em>(2021). <a href="https://twitter.com/aezeide"><em>Twitter</em></a><em>. </em><a href="https://annazeide.org/"><em>Website</em></a><em>. </em></p><p><em>Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2304</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3777865379.mp3?updated=1676387008" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andy Cowan, "B-Side: A Flipsided History of Pop" (Headpress, 2023)</title>
      <description>In his new book B-Sides: A Flipsided History of Pop (Headpress, 2023), Andy Cowan explores a century of music b-sides. Pop music would be a different beast without the B-Side. Music history is riven with songs deemed throwaway that revolted against their lowly status and refused to be denied. Be it rock'n'roll's national anthem ('Rock Around The Clock'), disco's enduring game-changer ('I Feel Love') or hip-hop's most notorious dis track ('Hit 'Em Up'), all three started life as the so-called 'lesser' track on releases primed for maximum chart impact. But the B-side has done much more than make stars of Bill Haley, Donna Summer and 2Pac. Whether it was the Beatles, the Kinks and the Yardbirds in the 60s, Elton John, the Who and Queen in the 70s, Depeche Mode, the Cure and Prince in the 80s, or Oasis, Pulp and Radiohead in the 90s, the B-side allowed many of the world's greatest artists freedom to experiment with no commercial constraints in an age where physical product ruled the roost. A quickfire A-Z of 500+ flips, B-SIDE is the first serious examination of the format's covert role in pushing the musical envelope. Best read with one eye on YouTube and one ear on a streaming service, its revelations will prick up the ears of music fans of all persuasions.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 30 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andy Cowan</itunes:subtitle>
      <itunes:summary>In his new book B-Sides: A Flipsided History of Pop (Headpress, 2023), Andy Cowan explores a century of music b-sides. Pop music would be a different beast without the B-Side. Music history is riven with songs deemed throwaway that revolted against their lowly status and refused to be denied. Be it rock'n'roll's national anthem ('Rock Around The Clock'), disco's enduring game-changer ('I Feel Love') or hip-hop's most notorious dis track ('Hit 'Em Up'), all three started life as the so-called 'lesser' track on releases primed for maximum chart impact. But the B-side has done much more than make stars of Bill Haley, Donna Summer and 2Pac. Whether it was the Beatles, the Kinks and the Yardbirds in the 60s, Elton John, the Who and Queen in the 70s, Depeche Mode, the Cure and Prince in the 80s, or Oasis, Pulp and Radiohead in the 90s, the B-side allowed many of the world's greatest artists freedom to experiment with no commercial constraints in an age where physical product ruled the roost. A quickfire A-Z of 500+ flips, B-SIDE is the first serious examination of the format's covert role in pushing the musical envelope. Best read with one eye on YouTube and one ear on a streaming service, its revelations will prick up the ears of music fans of all persuasions.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book <a href="https://bookshop.org/a/12343/9781915316134"><em>B-Sides: A Flipsided History of Pop</em></a><em> </em>(Headpress, 2023), <a href="https://b-side.website/">Andy Cowan</a> explores a century of music b-sides. Pop music would be a different beast without the B-Side. Music history is riven with songs deemed throwaway that revolted against their lowly status and refused to be denied. Be it rock'n'roll's national anthem ('Rock Around The Clock'), disco's enduring game-changer ('I Feel Love') or hip-hop's most notorious dis track ('Hit 'Em Up'), all three started life as the so-called 'lesser' track on releases primed for maximum chart impact. But the B-side has done much more than make stars of Bill Haley, Donna Summer and 2Pac. Whether it was the Beatles, the Kinks and the Yardbirds in the 60s, Elton John, the Who and Queen in the 70s, Depeche Mode, the Cure and Prince in the 80s, or Oasis, Pulp and Radiohead in the 90s, the B-side allowed many of the world's greatest artists freedom to experiment with no commercial constraints in an age where physical product ruled the roost. A quickfire A-Z of 500+ flips, B-SIDE is the first serious examination of the format's covert role in pushing the musical envelope. Best read with one eye on <a href="https://www.youtube.com/@B-Sidebook/playlists">YouTube</a> and one ear on a streaming service, its revelations will prick up the ears of music fans of all persuasions.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2950</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[339cff96-3227-11ee-abf2-a398b2837ea0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR9073172765.mp3?updated=1691317019" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathryn Cornell Dolan, "Breakfast Cereal: A Global History" (Reaktion Books, 2023)</title>
      <description>Breakfast Cereal: A Global History (Reaktion, 2023) by Dr. Kathryn Dolan presents the long, distinguished and surprising history of breakfast cereal.
Simple, healthy and comforting, breakfast cereals are a perennially popular way to start the day around the world. They have a long, distinguished and surprising history – around 10,000 years ago, with the advent of agriculture, people began breaking their fast with porridges made from wheat, rice, corn and other grains. It was only in the second half of the nineteenth century, however, in the United States, that a series of entrepreneurs and food reformers created the breakfast cereals we recognize today: Kellogg’s Corn Flakes, Cheerios and Quaker Oats, among others.
In this global, entertaining and well-illustrated account, Dr. Dolan explores the history of breakfast cereals, including many historical and modern recipes that the reader can try at home.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathryn Cornell Dolan</itunes:subtitle>
      <itunes:summary>Breakfast Cereal: A Global History (Reaktion, 2023) by Dr. Kathryn Dolan presents the long, distinguished and surprising history of breakfast cereal.
Simple, healthy and comforting, breakfast cereals are a perennially popular way to start the day around the world. They have a long, distinguished and surprising history – around 10,000 years ago, with the advent of agriculture, people began breaking their fast with porridges made from wheat, rice, corn and other grains. It was only in the second half of the nineteenth century, however, in the United States, that a series of entrepreneurs and food reformers created the breakfast cereals we recognize today: Kellogg’s Corn Flakes, Cheerios and Quaker Oats, among others.
In this global, entertaining and well-illustrated account, Dr. Dolan explores the history of breakfast cereals, including many historical and modern recipes that the reader can try at home.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789146950"><em>Breakfast Cereal: A Global History</em></a> (Reaktion, 2023) by Dr. Kathryn Dolan presents the long, distinguished and surprising history of breakfast cereal.</p><p>Simple, healthy and comforting, breakfast cereals are a perennially popular way to start the day around the world. They have a long, distinguished and surprising history – around 10,000 years ago, with the advent of agriculture, people began breaking their fast with porridges made from wheat, rice, corn and other grains. It was only in the second half of the nineteenth century, however, in the United States, that a series of entrepreneurs and food reformers created the breakfast cereals we recognize today: Kellogg’s Corn Flakes, Cheerios and Quaker Oats, among others.</p><p>In this global, entertaining and well-illustrated account, Dr. Dolan explores the history of breakfast cereals, including many historical and modern recipes that the reader can try at home.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4078</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[84ce3b50-e274-11f0-b542-33cc309f7953]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3399035366.mp3?updated=1681413229" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helle Strandgaard Jensen, "Sesame Street: A Transnational History" (Oxford UP, 2023)</title>
      <description>In Sesame Street: A Transnational History (Oxford UP, 2023), author Helle Strandgaard Jensen tells the story of how the American television show became a global brand. Jensen argues that because the show's domestic production was not financially viable from the beginning, Sesame Street became a commodity that its producers assertively marketed all over the world. Sesame Street: A Transnational History combines archival research from seven countries, bolstering an insightful analysis of how local reception and rejection of the show related to the global sales strategies and American ideals it was built upon.
Contrary to the producers’ oft-publicized claims of Sesame Street’s universality, the show was heavily shaped by a fixed set of assumptions about childhood, education, and commercial entertainment. This made sales difficult as Sesame Street met both skepticism and direct hostility from foreign television producers who did not share these ideals. Drawing on insights from new histories about childhood, education, and transnational media, the book lays bare a cultural clash of international proportions rooted in divergent approaches to children's television. In doing so, it provides a reflective backdrop to the many ongoing debates about children's media.
In contrasting the positive receptions and renunciations of Sesame Street, Jensen demonstrates that it was only after a substantial rethinking of Sesame Street’s aims and business model that this program ended up on numerous broadcasting schedules by the mid-1970s. Along the way, this rethinking and the constant negotiations with potential international buyers created and shaped the business and corporate brand that paved the way for the Sesame Street we know today.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Helle Strandgaard Jensen</itunes:subtitle>
      <itunes:summary>In Sesame Street: A Transnational History (Oxford UP, 2023), author Helle Strandgaard Jensen tells the story of how the American television show became a global brand. Jensen argues that because the show's domestic production was not financially viable from the beginning, Sesame Street became a commodity that its producers assertively marketed all over the world. Sesame Street: A Transnational History combines archival research from seven countries, bolstering an insightful analysis of how local reception and rejection of the show related to the global sales strategies and American ideals it was built upon.
Contrary to the producers’ oft-publicized claims of Sesame Street’s universality, the show was heavily shaped by a fixed set of assumptions about childhood, education, and commercial entertainment. This made sales difficult as Sesame Street met both skepticism and direct hostility from foreign television producers who did not share these ideals. Drawing on insights from new histories about childhood, education, and transnational media, the book lays bare a cultural clash of international proportions rooted in divergent approaches to children's television. In doing so, it provides a reflective backdrop to the many ongoing debates about children's media.
In contrasting the positive receptions and renunciations of Sesame Street, Jensen demonstrates that it was only after a substantial rethinking of Sesame Street’s aims and business model that this program ended up on numerous broadcasting schedules by the mid-1970s. Along the way, this rethinking and the constant negotiations with potential international buyers created and shaped the business and corporate brand that paved the way for the Sesame Street we know today.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780197554166"><em>Sesame Street: A Transnational History</em></a> (Oxford UP, 2023), author Helle Strandgaard Jensen tells the story of how the American television show became a global brand. Jensen argues that because the show's domestic production was not financially viable from the beginning, <em>Sesame Street</em> became a commodity that its producers assertively marketed all over the world. <em>Sesame Street: A Transnational History </em>combines archival research from seven countries, bolstering an insightful analysis of how local reception and rejection of the show related to the global sales strategies and American ideals it was built upon.</p><p>Contrary to the producers’ oft-publicized claims of <em>Sesame Street</em>’s universality, the show was heavily shaped by a fixed set of assumptions about childhood, education, and commercial entertainment. This made sales difficult as <em>Sesame Street</em> met both skepticism and direct hostility from foreign television producers who did not share these ideals. Drawing on insights from new histories about childhood, education, and transnational media, the book lays bare a cultural clash of international proportions rooted in divergent approaches to children's television. In doing so, it provides a reflective backdrop to the many ongoing debates about children's media.</p><p>In contrasting the positive receptions and renunciations of <em>Sesame Street</em>, Jensen demonstrates that it was only after a substantial rethinking of <em>Sesame Street</em>’s aims and business model that this program ended up on numerous broadcasting schedules by the mid-1970s. Along the way, this rethinking and the constant negotiations with potential international buyers created and shaped the business and corporate brand that paved the way for the <em>Sesame Street</em> we know today.</p><p><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3443</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b1f2c9e-e27c-11f0-b1ea-e333b1664742]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5399985617.mp3?updated=1682174527" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How to Fix Baseball with author Jane Leavy</title>
      <description>For hard-core baseball folks, for anyone who cares for the future of the game, veteran baseball writer Jane Leavy compels attention with her provocative book, Make Me Commissioner: I Know What’s Wrong With Baseball And How To Fix It (Grand Central, 2025). Our conversation focuses on her proposed solutions to the core problem of a sport in the destructive grip of a data-driven analytics mindset. For example, because the numbers crowd dictates that hitters should swing for the fences, they too often strike out, and home runs themselves, she says, have become boring. Her fix: wrap plexiglass around the outfield wall at every major-league ballpark, so that each wall is a uniform eighteen feet high. That way, teams will be forced to invest in speedy players able to hit lots of exciting doubles and triples. Leavy may not become commissioner, but out of her deep love for the game, and with edgy good humor, she is forcing an overdue scrutiny of what was once known as America’s National Pastime.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 27 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For hard-core baseball folks, for anyone who cares for the future of the game, veteran baseball writer Jane Leavy compels attention with her provocative book, Make Me Commissioner: I Know What’s Wrong With Baseball And How To Fix It (Grand Central, 2025). Our conversation focuses on her proposed solutions to the core problem of a sport in the destructive grip of a data-driven analytics mindset. For example, because the numbers crowd dictates that hitters should swing for the fences, they too often strike out, and home runs themselves, she says, have become boring. Her fix: wrap plexiglass around the outfield wall at every major-league ballpark, so that each wall is a uniform eighteen feet high. That way, teams will be forced to invest in speedy players able to hit lots of exciting doubles and triples. Leavy may not become commissioner, but out of her deep love for the game, and with edgy good humor, she is forcing an overdue scrutiny of what was once known as America’s National Pastime.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For hard-core baseball folks, for anyone who cares for the future of the game, veteran baseball writer Jane Leavy compels attention with her provocative book, <a href="https://bookshop.org/a/12343/9780306834660">Make Me Commissioner: I Know What’s Wrong With Baseball And How To Fix It </a>(Grand Central, 2025). Our conversation focuses on her proposed solutions to the core problem of a sport in the destructive grip of a data-driven analytics mindset. For example, because the numbers crowd dictates that hitters should swing for the fences, they too often strike out, and home runs themselves, she says, have become boring. Her fix: wrap plexiglass around the outfield wall at every major-league ballpark, so that each wall is a uniform eighteen feet high. That way, teams will be forced to invest in speedy players able to hit lots of exciting doubles and triples. Leavy may not become commissioner, but out of her deep love for the game, and with edgy good humor, she is forcing an overdue scrutiny of what was once known as America’s National Pastime.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3507</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[181deefe-dfce-11f0-b9a7-738ca9593b8a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3160379067.mp3?updated=1766473897" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Pollack-Pelzner, "Lin-Manuel Miranda: The Education of an Artist" (Simon and Schuster, 2025)</title>
      <description>Hello, this is Eric LeMay, a host on the New Books Network. Today, I speak with Daniel Pollack-Pelzner, author of the new artist’s biography Lin-Manuel Miranda: The Education of an Artist (Simon &amp; Schuster, 2025). The book was recently named one of NPR’s Books We Loved for 2025. Pollack-Pelzner is a cultural historian, theater critic, and teacher at Portland State University, whose writing has appeared in The New Yorker, The Atlantic, and The New York Times.

Pollack-Pelzner’s biography offers a captivating exploration of Miranda’s artistic journey—from a sensitive child in Manhattan’s Washington Heights to the visionary creator of Hamilton whose voice has reshaped musical theater and popular culture. This book captures a living artist in motion, weaving together countless threads of collaboration, cultural synthesis, and personal revelation that define Miranda’s work.

In our conversation, we focus on the challenge of writing biography itself. How does a scholar and critic approach the story of someone whose art feels both deeply personal and expansively historical? How does one trace the education of an artist who learned not in isolation, but through community, heritage, and creative exchange? Pollack-Pelzner guides us through these questions with the grace of a storyteller and the precision of a historian, drawing on unparalleled access to Miranda’s inner circle and his own interviews with the artist.

This is a book about how an artist finds his voice, and a conversation about how a biographer finds the shape of a life. Join me for this engaging discussion with the delightful Daniel Pollack-Pelzner.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 27 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Hello, this is Eric LeMay, a host on the New Books Network. Today, I speak with Daniel Pollack-Pelzner, author of the new artist’s biography Lin-Manuel Miranda: The Education of an Artist (Simon &amp; Schuster, 2025). The book was recently named one of NPR’s Books We Loved for 2025. Pollack-Pelzner is a cultural historian, theater critic, and teacher at Portland State University, whose writing has appeared in The New Yorker, The Atlantic, and The New York Times.

Pollack-Pelzner’s biography offers a captivating exploration of Miranda’s artistic journey—from a sensitive child in Manhattan’s Washington Heights to the visionary creator of Hamilton whose voice has reshaped musical theater and popular culture. This book captures a living artist in motion, weaving together countless threads of collaboration, cultural synthesis, and personal revelation that define Miranda’s work.

In our conversation, we focus on the challenge of writing biography itself. How does a scholar and critic approach the story of someone whose art feels both deeply personal and expansively historical? How does one trace the education of an artist who learned not in isolation, but through community, heritage, and creative exchange? Pollack-Pelzner guides us through these questions with the grace of a storyteller and the precision of a historian, drawing on unparalleled access to Miranda’s inner circle and his own interviews with the artist.

This is a book about how an artist finds his voice, and a conversation about how a biographer finds the shape of a life. Join me for this engaging discussion with the delightful Daniel Pollack-Pelzner.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hello, this is Eric LeMay, a host on the New Books Network. Today, I speak with <a href="https://www.danielpollackpelzner.com/">Daniel Pollack-Pelzner</a>, author of the new artist’s biography <a href="https://bookshop.org/a/12343/9781668014707">Lin-Manuel Miranda: The Education of an Artist</a> (Simon &amp; Schuster, 2025). The book was recently named one of NPR’s Books We Loved for 2025. Pollack-Pelzner is a cultural historian, theater critic, and teacher at Portland State University, whose writing has appeared in <em>The New Yorker</em>, <em>The Atlantic</em>, and <em>The New York Times</em>.</p>
<p>Pollack-Pelzner’s biography offers a captivating exploration of Miranda’s artistic journey—from a sensitive child in Manhattan’s Washington Heights to the visionary creator of <em>Hamilton</em> whose voice has reshaped musical theater and popular culture. This book captures a living artist in motion, weaving together countless threads of collaboration, cultural synthesis, and personal revelation that define Miranda’s work.</p>
<p>In our conversation, we focus on the challenge of writing biography itself. How does a scholar and critic approach the story of someone whose art feels both deeply personal and expansively historical? How does one trace the education of an artist who learned not in isolation, but through community, heritage, and creative exchange? Pollack-Pelzner guides us through these questions with the grace of a storyteller and the precision of a historian, drawing on unparalleled access to Miranda’s inner circle and his own interviews with the artist.</p>
<p>This is a book about how an artist finds his voice, and a conversation about how a biographer finds the shape of a life. Join me for this engaging discussion with the delightful Daniel Pollack-Pelzner.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3599</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2d96eea0-df03-11f0-9bc9-a370a1931507]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4100471008.mp3?updated=1766386755" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sustainability, Identity, Artisans and Designers</title>
      <description>Long before the fashion industry formally addressed questions of sustainability and advocated for “slow fashion,” a husband-and-wife design duo were working to create handcrafted leather-goods and functional women’s sportswear that could be worn for decades. Active from the 1940s to the late 1960s, the Phelps quickly won acclaim, attracting a broad clientele and becoming known for quality, utility, and craftsmanship.

Using vintage metal insignia and hardware, the Phelpses designed bags and belts that answered the need for American-made luxury goods during and after World War II. They worked to revive artisan workshops, fostered positive work environments for their employees, and employed injured veterans.

In Artisans and Designers: American Fashion Through Elizabeth and William Phelps, Dr. Rebecca Jumper Matheson offers the first in-depth analysis of the Phelpses’ partnership, their contributions to the fashion industry, and their forward-thinking business practices. She connects their work to larger conversations about sustainable fashion, consumerism, industrialization practices, and the intersection of art with American identity during and after World War II. The result is a richly-illustrated account of a brand, and the classic pieces that stood the test of time.

Guest: Dr. Rebecca Jumper Matheson is a fashion historian and adjunct instructor at the Fashion Institute of Technology. Her research focuses on nineteenth- and twentieth-century American women’s dress, using interdisciplinary approaches to discover women’s narratives as designers, makers, sellers, and consumers. She is the author of three monographs, including Artisans and Designers: American Fashion Through Elizabeth and William Phelps.

Host: Dr. Christina Gessler is the producer of the Academic Life podcast. She holds a Ph.D. in history, which she uses to explore what stories we tell and what happens to those we never tell.

Playlist for listeners:


  Big Box USA

  Every Purchase Matters

  Stitching Freedom

  Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany

  Smithsonian American Women

  You Are Not American

  Archival Etiquette: What to Know Before You Go

  Once Upon A Tome

  Get PhDone

  
Becoming The Writer You Already Are


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>303</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Long before the fashion industry formally addressed questions of sustainability and advocated for “slow fashion,” a husband-and-wife design duo were working to create handcrafted leather-goods and functional women’s sportswear that could be worn for decades. Active from the 1940s to the late 1960s, the Phelps quickly won acclaim, attracting a broad clientele and becoming known for quality, utility, and craftsmanship.

Using vintage metal insignia and hardware, the Phelpses designed bags and belts that answered the need for American-made luxury goods during and after World War II. They worked to revive artisan workshops, fostered positive work environments for their employees, and employed injured veterans.

In Artisans and Designers: American Fashion Through Elizabeth and William Phelps, Dr. Rebecca Jumper Matheson offers the first in-depth analysis of the Phelpses’ partnership, their contributions to the fashion industry, and their forward-thinking business practices. She connects their work to larger conversations about sustainable fashion, consumerism, industrialization practices, and the intersection of art with American identity during and after World War II. The result is a richly-illustrated account of a brand, and the classic pieces that stood the test of time.

Guest: Dr. Rebecca Jumper Matheson is a fashion historian and adjunct instructor at the Fashion Institute of Technology. Her research focuses on nineteenth- and twentieth-century American women’s dress, using interdisciplinary approaches to discover women’s narratives as designers, makers, sellers, and consumers. She is the author of three monographs, including Artisans and Designers: American Fashion Through Elizabeth and William Phelps.

Host: Dr. Christina Gessler is the producer of the Academic Life podcast. She holds a Ph.D. in history, which she uses to explore what stories we tell and what happens to those we never tell.

Playlist for listeners:


  Big Box USA

  Every Purchase Matters

  Stitching Freedom

  Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany

  Smithsonian American Women

  You Are Not American

  Archival Etiquette: What to Know Before You Go

  Once Upon A Tome

  Get PhDone

  
Becoming The Writer You Already Are


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Long before the fashion industry formally addressed questions of sustainability and advocated for “slow fashion,” a husband-and-wife design duo were working to create handcrafted leather-goods and functional women’s sportswear that could be worn for decades. Active from the 1940s to the late 1960s, the Phelps quickly won acclaim, attracting a broad clientele and becoming known for quality, utility, and craftsmanship.</p>
<p>Using vintage metal insignia and hardware, the Phelpses designed bags and belts that answered the need for American-made luxury goods during and after World War II. They worked to revive artisan workshops, fostered positive work environments for their employees, and employed injured veterans.</p>
<p>In <em>Artisans and Designers: American Fashion Through Elizabeth and William Phelps, Dr. Rebecca Jumper Matheson</em> offers the first in-depth analysis of the Phelpses’ partnership, their contributions to the fashion industry, and their forward-thinking business practices. She connects their work to larger conversations about sustainable fashion, consumerism, industrialization practices, and the intersection of art with American identity during and after World War II. The result is a richly-illustrated account of a brand, and the classic pieces that stood the test of time.</p>
<p>Guest: Dr. Rebecca Jumper Matheson is a fashion historian and adjunct instructor at the Fashion Institute of Technology. Her research focuses on nineteenth- and twentieth-century American women’s dress, using interdisciplinary approaches to discover women’s narratives as designers, makers, sellers, and consumers. She is the author of three monographs, including <em>Artisans and Designers: American Fashion Through Elizabeth and William Phelps</em>.</p>
<p>Host: <a href="https://christinagessler.com/">Dr. Christina Gessler</a> is the producer of the Academic Life podcast. She holds a Ph.D. in history, which she uses to explore what stories we tell and what happens to those we never tell.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/big-box-usa#entry:377094@1:url">Big Box USA</a></li>
  <li><a href="https://newbooksnetwork.com/every-purchase-matters#entry:413702@1:url">Every Purchase Matters</a></li>
  <li><a href="https://newbooksnetwork.com/stitching-freedom#entry:300506@1:url">Stitching Freedom</a></li>
  <li><a href="https://newbooksnetwork.com/dear-miss-perkins-a-story-of-frances-perkinss-efforts-to-aid-refugees-from-nazi-germany#entry:369570@1:url">Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany</a></li>
  <li><a href="https://newbooksnetwork.com/considering-museum-work-a-conversation-with-curators-from-the-smithsonian#entry:140933@1:url">Smithsonian American Women</a></li>
  <li><a href="https://newbooksnetwork.com/you-are-not-american#entry:413678@1:url">You Are Not American</a></li>
  <li><a href="https://newbooksnetwork.com/archival-etiquette-what-to-know-before-you-go#entry:97648@1:url">Archival Etiquette: What to Know Before You Go</a></li>
  <li><a href="https://newbooksnetwork.com/once-upon-a-tome#entry:300515@1:url">Once Upon A Tome</a></li>
  <li><a href="https://newbooksnetwork.com/get-phdone-proven-strategies-for-tackling-your-writing-roadblocks#entry:294552@1:url">Get PhDone</a></li>
  <li>
<a href="https://newbooksnetwork.com/becoming-the-writer-you-already-are-2#entry:263549@1:url">Becoming The Writer You Already A</a>re</li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3340</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[581a9300-dd1b-11f0-bc57-f3c33384e18f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5633098797.mp3?updated=1766177725" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pluribus Episodes 6 &amp; 7 Analysis: I Feel Fine!</title>
      <description>It’s The Pop Culture Professors, and we continue our analysis of Pluribus, with our thoughts on episode 6, “HDP” an episode 7, “The Gap.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 24 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we continue our analysis of Pluribus, with our thoughts on episode 6, “HDP” an episode 7, “The Gap.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">The Pop Culture Professors</a>, and we continue our analysis of Pluribus, with our thoughts on episode 6, “HDP” an episode 7, “The Gap.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4095</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3f4fe45a-dcea-11f0-8fe4-fb7784a25634]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2879094667.mp3?updated=1766156506" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas Manuel Ortiz, "Why We Struggle to Go Green: Hard Truths about the Clean Energy Transition" (Texas A&amp;M Press, 2025)</title>
      <description>Clean energy won’t save us from the effects of climate change.Amid corporate Net Zero campaigns, the politics of the Green New Deal, and the calls to abandon fossil fuels for renewable technology — or vice versa — lies a troubling truth: No clean technological solutions can solve the problem of human-induced climate change.To find a credible path to a sustainable future, we must set aside hopes of building our way out of humanity's addictions to energy and material convenience. In Why We Struggle to Go Green: Hard Truths about the Clean Energy Transition (Texas A&amp;M Press, 2025), Tom Ortiz offers a clear-eyed assessment of our efforts to mitigate the effects of climate change. As a mechanical engineer who has traversed the conventional and renewable energy landscapes for 30 years, Ortiz provides an in-depth yet easy-to-understand assessment of the harsh reality facing mankind.Bridging the gap between academic research and journalism, Ortiz shows why there are no easy answers in the energy transition. Beginning with a general overview of human energy use and a summary of key physical constraints on energy and natural resource extraction, the book details five pillars of the transition: electrification, carbon capture and storage, hydrogen, recycling, and carbon pricing. Ortiz concludes with recommendations for changes society can make that, while perhaps painful and controversial, will reduce our collective environmental impact and bequeath a more manageable legacy to future generations.Why We Struggle to Go Green cuts through the hype and rhetoric to offer something rare: climate change realism from someone who’s spent decades looking for solutions.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 24 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Clean energy won’t save us from the effects of climate change.Amid corporate Net Zero campaigns, the politics of the Green New Deal, and the calls to abandon fossil fuels for renewable technology — or vice versa — lies a troubling truth: No clean technological solutions can solve the problem of human-induced climate change.To find a credible path to a sustainable future, we must set aside hopes of building our way out of humanity's addictions to energy and material convenience. In Why We Struggle to Go Green: Hard Truths about the Clean Energy Transition (Texas A&amp;M Press, 2025), Tom Ortiz offers a clear-eyed assessment of our efforts to mitigate the effects of climate change. As a mechanical engineer who has traversed the conventional and renewable energy landscapes for 30 years, Ortiz provides an in-depth yet easy-to-understand assessment of the harsh reality facing mankind.Bridging the gap between academic research and journalism, Ortiz shows why there are no easy answers in the energy transition. Beginning with a general overview of human energy use and a summary of key physical constraints on energy and natural resource extraction, the book details five pillars of the transition: electrification, carbon capture and storage, hydrogen, recycling, and carbon pricing. Ortiz concludes with recommendations for changes society can make that, while perhaps painful and controversial, will reduce our collective environmental impact and bequeath a more manageable legacy to future generations.Why We Struggle to Go Green cuts through the hype and rhetoric to offer something rare: climate change realism from someone who’s spent decades looking for solutions.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Clean energy won’t save us from the effects of climate change.<br>Amid corporate Net Zero campaigns, the politics of the Green New Deal, and the calls to abandon fossil fuels for renewable technology — or vice versa — lies a troubling truth: No clean technological solutions can solve the problem of human-induced climate change.<br>To find a credible path to a sustainable future, we must set aside hopes of building our way out of humanity's addictions to energy and material convenience. In <a href="https://bookshop.org/a/12343/9781965766286">Why We Struggle to Go Green: Hard Truths about the Clean Energy Transition</a> (Texas A&amp;M Press, 2025), Tom Ortiz offers a clear-eyed assessment of our efforts to mitigate the effects of climate change. As a mechanical engineer who has traversed the conventional and renewable energy landscapes for 30 years, Ortiz provides an in-depth yet easy-to-understand assessment of the harsh reality facing mankind.<br>Bridging the gap between academic research and journalism, Ortiz shows why there are no easy answers in the energy transition. Beginning with a general overview of human energy use and a summary of key physical constraints on energy and natural resource extraction, the book details five pillars of the transition: electrification, carbon capture and storage, hydrogen, recycling, and carbon pricing. Ortiz concludes with recommendations for changes society can make that, while perhaps painful and controversial, will reduce our collective environmental impact and bequeath a more manageable legacy to future generations.<br><em>Why We Struggle to Go Green</em> cuts through the hype and rhetoric to offer something rare: climate change realism from someone who’s spent decades looking for solutions.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2701</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e5ccfc8c-dc04-11f0-baec-5fa8af1dba03]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2000577001.mp3?updated=1766057648" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patrick C. Fleming, "Animating the Victorians: Disney's Literary History" (UP of Mississippi, 2025)</title>
      <description>Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children’s literature. Animating the Victorians: Disney’s Literary History (University Press of Mississippi, 2025) explores Disney’s adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney’s writers engaged not just with the texts themselves but with the contexts in which they were written, their authors’ biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print.

But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney’s animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney’s adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age.

An audiobook will be available in January 2026.

Patrick C. Fleming is a scholar of Victorian studies and children's literature.

Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 23 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children’s literature. Animating the Victorians: Disney’s Literary History (University Press of Mississippi, 2025) explores Disney’s adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney’s writers engaged not just with the texts themselves but with the contexts in which they were written, their authors’ biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print.

But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney’s animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney’s adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age.

An audiobook will be available in January 2026.

Patrick C. Fleming is a scholar of Victorian studies and children's literature.

Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children’s literature. <a href="https://bookshop.org/a/12343/9781496855381">Animating the Victorians: Disney’s Literary History</a><em> </em>(University Press of Mississippi, 2025)<em> </em>explores Disney’s adaptations of Victorian texts like <em>Alice in Wonderland</em>, <em>Oliver Twist</em>,<em> Treasure Island</em>,<em> Peter Pan</em>, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney’s writers engaged not just with the texts themselves but with the contexts in which they were written, their authors’ biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print.</p>
<p>But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney’s animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney’s adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age.</p>
<p>An audiobook will be available in January 2026.</p>
<p>Patrick C. Fleming is a scholar of Victorian studies and children's literature.</p>
<p><a href="https://tulane.academia.edu/kunze">Peter C. Kunze</a><em> is an assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2266</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[48e8d29c-dc4a-11f0-8b5c-e37a57c1c6bd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1162733629.mp3?updated=1766087606" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hilary Davidson, "A Guide to Regency Dress: from Corsets and Breeches to Bonnets and Muslins" (Yale UP, 2025)</title>
      <description>In A Guide to Regency Dress: from Corsets and Breeches to Bonnets and Muslins (Yale UP 2025), celebrated dress historian Dr. Hilary Davidson brings together nearly 20 years of research on Regency fashion in an illustrated guide for the first time. All the elements of the Regency wardrobe of both men and women—from coats, gowns and undergarments to shoes, accessories, beauty, hair and jewellery—are assembled, along with their textiles and trimmings.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 22 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In A Guide to Regency Dress: from Corsets and Breeches to Bonnets and Muslins (Yale UP 2025), celebrated dress historian Dr. Hilary Davidson brings together nearly 20 years of research on Regency fashion in an illustrated guide for the first time. All the elements of the Regency wardrobe of both men and women—from coats, gowns and undergarments to shoes, accessories, beauty, hair and jewellery—are assembled, along with their textiles and trimmings.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780300282412"><em>A Guide to Regency Dress: from Corsets and Breeches to Bonnets and Muslin</em>s</a> (Yale UP 2025), celebrated dress historian Dr. Hilary Davidson brings together nearly 20 years of research on Regency fashion in an illustrated guide for the first time. All the elements of the Regency wardrobe of both men and women—from coats, gowns and undergarments to shoes, accessories, beauty, hair and jewellery—are assembled, along with their textiles and trimmings.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3424</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c6b1e784-dc01-11f0-b726-1b433c6cf32f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4365766285.mp3?updated=1766056428" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jane Eisner, "Carole King: She Made the Earth Move" (Yale UP, 2025)</title>
      <description>Jane Eisner is a widely published journalist who held leadership positions at the Philadelphia Inquirer and The Forward. She is the author of Taking Back the Vote. Eisner lives in New York City. In our wonderful interview we discuss her new book, Carole King: She Made the Earth, (Yale UP, 2025), and her thoughts on what made Carole King the start that she is.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 21 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jane Eisner is a widely published journalist who held leadership positions at the Philadelphia Inquirer and The Forward. She is the author of Taking Back the Vote. Eisner lives in New York City. In our wonderful interview we discuss her new book, Carole King: She Made the Earth, (Yale UP, 2025), and her thoughts on what made Carole King the start that she is.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jane Eisner is a widely published journalist who held leadership positions at the Philadelphia Inquirer and The Forward. She is the author of Taking Back the Vote. Eisner lives in New York City. In our wonderful interview we discuss her new book, <a href="https://bookshop.org/a/12343/9780300285840">Carole King: She Made the Earth</a>, (Yale UP, 2025), and her thoughts on what made Carole King the start that she is.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2546</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5550cc3a-dbad-11f0-a5a5-4ba74bd377a9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9011909243.mp3?updated=1766019925" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Max Brzezinski, "Under Pressure: A Song by David Bowie and Queen" (Duke UP, 2025)</title>
      <description>In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure (Duke University Press, 2025), Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure.

Max Brzezinski is the author of Vinyl Age: A Guide to Record Collecting Now.

Max on Instragram

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 19 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>307</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure (Duke University Press, 2025), Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure.

Max Brzezinski is the author of Vinyl Age: A Guide to Record Collecting Now.

Max on Instragram

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In <a href="https://bookshop.org/p/books/under-pressure-a-song-by-david-bowie-and-queen-max-brzezinski/749fd209d377df1c?ean=9781478031192&amp;next=t">Under Pressure</a><em> </em>(Duke University Press, 2025), Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure.</p>
<p>Max Brzezinski is the author of <em>Vinyl Age: A Guide to Record Collecting Now</em>.</p>
<p>Max on <a href="https://www.instagram.com/max__brzezinski/?hl=en">Instragram</a></p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Backbeat Books, 2021), <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025), and <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.</p>
<p>Bradley on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3544</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64ea84d0-dac0-11f0-a27a-a3657d0820b0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4816163082.mp3?updated=1766019787" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeffrey Kroessler, "Rural County, Urban Borough: A History of Queens" (Rutgers UP, 2025) This</title>
      <description>﻿The borough of Queens is the largest of New York City’s five boroughs. It holds more people than Chicago or Los Angeles. And thanks to immigration, it is today home to a population of extraordinary ethnic, religious and linguistic diversity.﻿ Queens is also the subject of a new book by Jeffrey Kroessler, Rural County, Urban Borough: A History of Queens, published by Rutgers University Press.

Kroessler, an expert on the history and preservation of Queens, was working on the final edits for Rural County, Urban Borough when he died in 2023. His wife, the architect Laura Heim, took up the work of moving the book through the publication process. She selected and placed the images in the book and wrote its Preface and Acknowledgements.

Rural County, Urban Borough is a history with a strong sense of place. Covering the the history of Queens from European settlement to the present, Kroessler charts centuries of change in the landscape. He shows how politics, industry, transportation, government and real estate interests all shaped the borough. Linking Queens to New York City and the wider world, Kroessler illuminates important elements of American metropolitan history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 19 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿The borough of Queens is the largest of New York City’s five boroughs. It holds more people than Chicago or Los Angeles. And thanks to immigration, it is today home to a population of extraordinary ethnic, religious and linguistic diversity.﻿ Queens is also the subject of a new book by Jeffrey Kroessler, Rural County, Urban Borough: A History of Queens, published by Rutgers University Press.

Kroessler, an expert on the history and preservation of Queens, was working on the final edits for Rural County, Urban Borough when he died in 2023. His wife, the architect Laura Heim, took up the work of moving the book through the publication process. She selected and placed the images in the book and wrote its Preface and Acknowledgements.

Rural County, Urban Borough is a history with a strong sense of place. Covering the the history of Queens from European settlement to the present, Kroessler charts centuries of change in the landscape. He shows how politics, industry, transportation, government and real estate interests all shaped the borough. Linking Queens to New York City and the wider world, Kroessler illuminates important elements of American metropolitan history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿The borough of Queens is the largest of New York City’s five boroughs. It holds more people than Chicago or Los Angeles. And thanks to immigration, it is today home to a population of extraordinary ethnic, religious and linguistic diversity.﻿ Queens is also the subject of a new book by Jeffrey Kroessler, <a href="https://bookshop.org/a/12343/9781978837812">Rural County, Urban Borough: A History of Queens,</a> published by Rutgers University Press.</p>
<p>Kroessler, an expert on the history and preservation of Queens, was working on the final edits for <em>Rural County, Urban Borough </em>when he died in 2023. His wife, the architect Laura Heim, took up the work of moving the book through the publication process. She selected and placed the images in the book and wrote its Preface and Acknowledgements.</p>
<p><em>Rural County, Urban Borough</em> is a history with a strong sense of place. Covering the the history of Queens from European settlement to the present, Kroessler charts centuries of change in the landscape. He shows how politics, industry, transportation, government and real estate interests all shaped the borough. Linking Queens to New York City and the wider world, Kroessler illuminates important elements of American metropolitan history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e056b526-dae3-11f0-ba2f-0b7fe026f9dc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6309336219.mp3?updated=1765933532" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lucy Jeffery and Anna Váradi, "Replaying Communism: Trauma and Nostalgia in European Cultural Production" (CEU Press, 2025)</title>
      <description>In this episode, host Andrea Talabér (CEU Press) sat down with Lucy Jeffery and Anna Váradi to talk about their edited volume, Replaying Communism: Trauma and Nostalgia in European Cultural Production. The volume explores the lasting impact of the communist era across Central and Eastern Europe, with chapters thematically threaded through by concepts including curation, immersion, interaction, humor, and authenticity. In the podcast we talked about what it means to “replay” communism, about the trauma/nostalgia paradigm in relation to cultural production, and about inter-generational experiences of media depicting the communist period.

You can purchase a copy here.

You can find out more about the Replaying Communism project here. If you would like to cooperate with Anna and Lucy, or you have a similar project, please contact them via the replayingcommunism@gmail.com email address.

The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.



Interested in CEU Press’s publications? Click here to find out more: https://ceupress.com/

Stay tuned for future episodes and subscribe to our podcast to be the first to be notified.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 17 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5717ee10-da0c-11f0-a801-433286877087/image/d5005406b7d4e21410de45be2ff5ce46.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, host Andrea Talabér (CEU Press) sat down with Lucy Jeffery and Anna Váradi to talk about their edited volume, Replaying Communism: Trauma and Nostalgia in European Cultural Production. The volume explores the lasting impact of the communist era across Central and Eastern Europe, with chapters thematically threaded through by concepts including curation, immersion, interaction, humor, and authenticity. In the podcast we talked about what it means to “replay” communism, about the trauma/nostalgia paradigm in relation to cultural production, and about inter-generational experiences of media depicting the communist period.

You can purchase a copy here.

You can find out more about the Replaying Communism project here. If you would like to cooperate with Anna and Lucy, or you have a similar project, please contact them via the replayingcommunism@gmail.com email address.

The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.



Interested in CEU Press’s publications? Click here to find out more: https://ceupress.com/

Stay tuned for future episodes and subscribe to our podcast to be the first to be notified.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, host Andrea Talabér (CEU Press) sat down with Lucy Jeffery and Anna Váradi to talk about their edited volume, <em>Replaying Communism: Trauma and Nostalgia in European Cultural Production</em>. The volume explores the lasting impact of the communist era across Central and Eastern Europe, with chapters thematically threaded through by concepts including curation, immersion, interaction, humor, and authenticity. In the podcast we talked about what it means to “replay” communism, about the trauma/nostalgia paradigm in relation to cultural production, and about inter-generational experiences of media depicting the communist period.</p>
<p>You can purchase a copy <a href="https://www.routledge.com/cart/add?isbn=9789048574322">here</a>.</p>
<p>You can find out more about the <em>Replaying Communism</em> project <a href="https://sites.google.com/view/replayingcommunism/home">here</a>. If you would like to cooperate with Anna and Lucy, or you have a similar project, please contact them via the <a href="mailto:replayingcommunism@gmail.com">replayingcommunism@gmail.com</a> email address.</p>
<p>The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.</p>
<p><br></p>
<p>Interested in CEU Press’s publications? Click here to find out more: <a href="https://ceupress.com/">https://ceupress.com/</a></p>
<p><br>Stay tuned for future episodes and subscribe to our podcast to be the first to be notified.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5717ee10-da0c-11f0-a801-433286877087]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2858368536.mp3?updated=1765841198" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amber Day, "Caught in the Crosshairs: Feminist Comedians and the Culture Wars" (Indiana UP, 2025)</title>
      <description>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.

Caught in the Crosshairs: Feminist Comedians and the Culture Wars ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 16 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.

Caught in the Crosshairs: Feminist Comedians and the Culture Wars ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.</p>
<p><a href="https://bookshop.org/a/12343/9780253073150">Caught in the Crosshairs: Feminist Comedians and the Culture Wars</a> ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.</p>
<p><em>Caught in the Crosshairs</em> is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2994</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1941ef12-d94b-11f0-bbe6-e7e7c968efcd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4347170492.mp3?updated=1765757921" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amber Day, "Caught in the Crosshairs: Feminist Comedians and the Culture Wars" (Indiana UP, 2025)</title>
      <description>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.

Caught in the Crosshairs: Feminist Comedians and the Culture Wars ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 16 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.

Caught in the Crosshairs: Feminist Comedians and the Culture Wars ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.</p>
<p><a href="https://bookshop.org/a/12343/9780253073150">Caught in the Crosshairs: Feminist Comedians and the Culture Wars</a> ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.</p>
<p><em>Caught in the Crosshairs</em> is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2994</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f2e97b8-d951-11f0-9558-af9046aadc87]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6981602855.mp3?updated=1765757921" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Curtis Marez, "Producing Precarity: The Costs of Making TV in Poor Places" (NYU Press, 2025)</title>
      <description>In Producing Precarity (NYU Press, 2025) Curtis Marez examines the television industry’s practice of “offshoring” production to impoverished sites within the US. Marez, focuses on state efforts to attract film and TV producers to poor places with tax incentives, discounted public lands, and subsidized infrastructures. He argues that these efforts result in the redistribution of wealth from poor people of color, Indigenous people, and other taxpayers to Los Angeles-based media makers, while also diverting money that could be used for education and health care to the wealthy. The popular series produced in these places, such as Breaking Bad, The Watchmen, Lovecraft County, The Walking Dead, and Vida, are praised by critics and awards organizations and highlighted by streaming services for challenging genre, casting, and narrative conventions. However, many of these shows rely on racialized and gendered low-wage labor for production, and diversity, equity, and inclusion representations can sometimes perpetuate repression, such as depicting police as diversity champions. Producing Precarity examines how contemporary streaming shows from these areas promote racial inequality in ideology and content, as well as materially through their local production methods, and perceptually through streaming distribution modes that discourage viewers from understanding how TV is made. Marez also provides examples of local resistance, including movements against a police training center and a film studio in Atlanta, as well as anti-gentrification movements in Latinx neighborhoods of LA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 15 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Producing Precarity (NYU Press, 2025) Curtis Marez examines the television industry’s practice of “offshoring” production to impoverished sites within the US. Marez, focuses on state efforts to attract film and TV producers to poor places with tax incentives, discounted public lands, and subsidized infrastructures. He argues that these efforts result in the redistribution of wealth from poor people of color, Indigenous people, and other taxpayers to Los Angeles-based media makers, while also diverting money that could be used for education and health care to the wealthy. The popular series produced in these places, such as Breaking Bad, The Watchmen, Lovecraft County, The Walking Dead, and Vida, are praised by critics and awards organizations and highlighted by streaming services for challenging genre, casting, and narrative conventions. However, many of these shows rely on racialized and gendered low-wage labor for production, and diversity, equity, and inclusion representations can sometimes perpetuate repression, such as depicting police as diversity champions. Producing Precarity examines how contemporary streaming shows from these areas promote racial inequality in ideology and content, as well as materially through their local production methods, and perceptually through streaming distribution modes that discourage viewers from understanding how TV is made. Marez also provides examples of local resistance, including movements against a police training center and a film studio in Atlanta, as well as anti-gentrification movements in Latinx neighborhoods of LA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://nyupress.org/9781479836727/producing-precarity/">Producing Precarity</a> (NYU Press, 2025) Curtis Marez examines the television industry’s practice of “offshoring” production to impoverished sites within the US. Marez, focuses on state efforts to attract film and TV producers to poor places with tax incentives, discounted public lands, and subsidized infrastructures. He argues that these efforts result in the redistribution of wealth from poor people of color, Indigenous people, and other taxpayers to Los Angeles-based media makers, while also diverting money that could be used for education and health care to the wealthy. The popular series produced in these places, such as Breaking Bad, The Watchmen, Lovecraft County, The Walking Dead, and Vida, are praised by critics and awards organizations and highlighted by streaming services for challenging genre, casting, and narrative conventions. However, many of these shows rely on racialized and gendered low-wage labor for production, and diversity, equity, and inclusion representations can sometimes perpetuate repression, such as depicting police as diversity champions. Producing Precarity examines how contemporary streaming shows from these areas promote racial inequality in ideology and content, as well as materially through their local production methods, and perceptually through streaming distribution modes that discourage viewers from understanding how TV is made. Marez also provides examples of local resistance, including movements against a police training center and a film studio in Atlanta, as well as anti-gentrification movements in Latinx neighborhoods of LA.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3147</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[27c03118-d845-11f0-8fd3-87305025dbdf]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5927026707.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jerry Moore, "Cat Tales: A History" (Thames &amp; Hudson, 2025)</title>
      <description>For as long as cats have coexisted with humans, they have been feared, revered and respected. They appear as dynamic hunters in Palaeolithic carvings and cave paintings; were venerated as gods in ancient Egypt; and still have the power to fascinate and frighten us, as the popularity of Joe Exotic, the self-styled Tiger King, shows.

How did we go from hunting, and being hunted by, cats to keeping them as pets in our homes? In Cat Tales: A History (Thames &amp; Hudson, 2025), Dr. Jerry Moore presents a wide-ranging and captivating history, charting cats’ journey from the African plains of the Pleistocene through the first human settlements in the Near East and on to ships setting sail for the Americas. What emerges is a complex picture of mutual domestication: cats chose to live with us as much as we chose to live with them, and as our growing cities bring the world’s wild cats into closer contact with humans, we must learn new ways to live together.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 14 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For as long as cats have coexisted with humans, they have been feared, revered and respected. They appear as dynamic hunters in Palaeolithic carvings and cave paintings; were venerated as gods in ancient Egypt; and still have the power to fascinate and frighten us, as the popularity of Joe Exotic, the self-styled Tiger King, shows.

How did we go from hunting, and being hunted by, cats to keeping them as pets in our homes? In Cat Tales: A History (Thames &amp; Hudson, 2025), Dr. Jerry Moore presents a wide-ranging and captivating history, charting cats’ journey from the African plains of the Pleistocene through the first human settlements in the Near East and on to ships setting sail for the Americas. What emerges is a complex picture of mutual domestication: cats chose to live with us as much as we chose to live with them, and as our growing cities bring the world’s wild cats into closer contact with humans, we must learn new ways to live together.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For as long as cats have coexisted with humans, they have been feared, revered and respected. They appear as dynamic hunters in Palaeolithic carvings and cave paintings; were venerated as gods in ancient Egypt; and still have the power to fascinate and frighten us, as the popularity of Joe Exotic, the self-styled Tiger King, shows.</p>
<p>How did we go from hunting, and being hunted by, cats to keeping them as pets in our homes? In <a href="https://bookshop.org/a/12343/9780500029534">Cat Tales: A History</a> (Thames &amp; Hudson, 2025), Dr. Jerry Moore presents a wide-ranging and captivating history, charting cats’ journey from the African plains of the Pleistocene through the first human settlements in the Near East and on to ships setting sail for the Americas. What emerges is a complex picture of mutual domestication: cats chose to live with us as much as we chose to live with them, and as our growing cities bring the world’s wild cats into closer contact with humans, we must learn new ways to live together.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2302</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6465c23e-d71b-11f0-8a51-bfd4936834e2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4338337028.mp3?updated=1765517525" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michelle Anya Anjirbag, "Appropriated Tales: Race and the Disney Fairy-Tale Mode" (Wayne State UP, 2025)</title>
      <description>In Appropriated Tales﻿: Race and the Disney Fairy-Tale Mode (Wayne State UP, 2025), scholar Michelle Anya Anjirbag examines Disney's method of fairy-tale storytelling to determine how the corporation has shaped public understanding of what fairy tales are and who belongs within them. Covering a span of years "from mermaid to mermaid"—from the 1989 animated The Little Mermaid to the 2023 live-action remake starring Halle Bailey—she deconstructs and interrogates Disney's corporate commodification of multiculturalism and diversity, centering its impact on misrepresented people and cultures over the stated intentions of the producers. Further, Anjirbag demonstrates that Disney shapes childhood experiences and imagination in a way that strategically promotes American cultural imperialism. Through close film analysis, applied critical theory, and social analysis of the Disney corporation, Anjirbag unearths a new framework for studies of Disney fairy tales and how they shape popular culture.

For a limited time, Wayne State University Press is offering a discount when customers use the code RHOLIDAY.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 14 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Appropriated Tales﻿: Race and the Disney Fairy-Tale Mode (Wayne State UP, 2025), scholar Michelle Anya Anjirbag examines Disney's method of fairy-tale storytelling to determine how the corporation has shaped public understanding of what fairy tales are and who belongs within them. Covering a span of years "from mermaid to mermaid"—from the 1989 animated The Little Mermaid to the 2023 live-action remake starring Halle Bailey—she deconstructs and interrogates Disney's corporate commodification of multiculturalism and diversity, centering its impact on misrepresented people and cultures over the stated intentions of the producers. Further, Anjirbag demonstrates that Disney shapes childhood experiences and imagination in a way that strategically promotes American cultural imperialism. Through close film analysis, applied critical theory, and social analysis of the Disney corporation, Anjirbag unearths a new framework for studies of Disney fairy tales and how they shape popular culture.

For a limited time, Wayne State University Press is offering a discount when customers use the code RHOLIDAY.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814351086">Appropriated Tales﻿: Race and the Disney Fairy-Tale Mode</a><em> </em>(Wayne State UP, 2025), scholar Michelle Anya Anjirbag examines Disney's method of fairy-tale storytelling to determine how the corporation has shaped public understanding of what fairy tales are and who belongs within them. Covering a span of years "from mermaid to mermaid"—from the 1989 animated <em>The Little Mermaid</em> to the 2023 live-action remake starring Halle Bailey—she deconstructs and interrogates Disney's corporate commodification of multiculturalism and diversity, centering its impact on misrepresented people and cultures over the stated intentions of the producers. Further, Anjirbag demonstrates that Disney shapes childhood experiences and imagination in a way that strategically promotes American cultural imperialism. Through close film analysis, applied critical theory, and social analysis of the Disney corporation, Anjirbag unearths a new framework for studies of Disney fairy tales and how they shape popular culture.</p>
<p>For a limited time, Wayne State University Press is offering a discount when customers use the code RHOLIDAY.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3815</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d4594f7a-d71b-11f0-9265-879ae3e06059]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8733927716.mp3?updated=1765517781" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title> Camesia O. Matthews, "The Dental Fitness Advantage: How a Healthy Mouth Enhances Total Body Health and Elevates Performance" (Playbook Scholars, 2025)</title>
      <description>Ready to move beyond routine dental checkups and unlock your body’s full potential? In The Dental Fitness Advantage: How a Healthy Mouth Enhances Total Body Health and Elevates Performance ﻿(Playbook Scholars, 2025), Dr. Camesia O. Matthews, a general and sports dentist, introduces the concept of dental fitness, a breakthrough approach that links oral health to whole-body wellness, athletic performance, and even confidence. With clear science and relatable analogies, Dr. Matthews uncovers surprising connections between the mouth and the body: from how oral bacteria influence heart disease and Alzheimer’s to why your “bite” affects sleep quality and body balance, and how wearing a custom-fitted sports mouthguard could even boost athletic performance. The book is built on five practical pillars: Prevention, Posture, Protection, Presentation, and Psychology. It also includes a unique assessment tool, the Dental Fitness Score, which helps you track your progress.


  Each pillar offers simple, actionable steps to help you:

  Prevent issues before they start

  Improve sleep, balance, and even muscle strength

  Guard against avoidable dental injuries

  Boost confidence with a healthy smile


The Dental Fitness Advantage is an empowering guide for athletes, professionals, and anyone seeking to feel, look, and perform at their best, starting with the mouth.

About the author:

Dr. Camesia O. Matthews is a Massachusetts-based general and certified sports dentist, author, and community advocate. She is passionate about connecting oral health to total-body wellness and helping people live healthier, stronger lives.

A graduate of Howard University College of Dentistry, where she was inducted into the Omicron Kappa Upsilon National Dental Honor Society, Dr. Matthews has led and participated in numerous outreach events, including international mission trips. In July 2020, she received the National Dental Association’s Special Recognition Award for her research on reducing the spread of COVID-19 in dental clinics.

Her expertise has been featured on Boston’s WCVB news channel and in Top Doctor magazine, which praised her patient-centered approach to dentistry.

Outside of her work, Dr. Matthews enjoys reading, playing piano, exercising, traveling, and cheering for her favorite basketball teams.

If you're interested in finding out your dental fitness score, please visit: here

More about the host:

Kailey Tse-Harlow is a Chinese-Irish writer born and raised in Boston’s Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a publicist and book marketing manager at Pellien PR, where she helps authors book podcast interviews and plan nationwide book tours.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 13 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ready to move beyond routine dental checkups and unlock your body’s full potential? In The Dental Fitness Advantage: How a Healthy Mouth Enhances Total Body Health and Elevates Performance ﻿(Playbook Scholars, 2025), Dr. Camesia O. Matthews, a general and sports dentist, introduces the concept of dental fitness, a breakthrough approach that links oral health to whole-body wellness, athletic performance, and even confidence. With clear science and relatable analogies, Dr. Matthews uncovers surprising connections between the mouth and the body: from how oral bacteria influence heart disease and Alzheimer’s to why your “bite” affects sleep quality and body balance, and how wearing a custom-fitted sports mouthguard could even boost athletic performance. The book is built on five practical pillars: Prevention, Posture, Protection, Presentation, and Psychology. It also includes a unique assessment tool, the Dental Fitness Score, which helps you track your progress.


  Each pillar offers simple, actionable steps to help you:

  Prevent issues before they start

  Improve sleep, balance, and even muscle strength

  Guard against avoidable dental injuries

  Boost confidence with a healthy smile


The Dental Fitness Advantage is an empowering guide for athletes, professionals, and anyone seeking to feel, look, and perform at their best, starting with the mouth.

About the author:

Dr. Camesia O. Matthews is a Massachusetts-based general and certified sports dentist, author, and community advocate. She is passionate about connecting oral health to total-body wellness and helping people live healthier, stronger lives.

A graduate of Howard University College of Dentistry, where she was inducted into the Omicron Kappa Upsilon National Dental Honor Society, Dr. Matthews has led and participated in numerous outreach events, including international mission trips. In July 2020, she received the National Dental Association’s Special Recognition Award for her research on reducing the spread of COVID-19 in dental clinics.

Her expertise has been featured on Boston’s WCVB news channel and in Top Doctor magazine, which praised her patient-centered approach to dentistry.

Outside of her work, Dr. Matthews enjoys reading, playing piano, exercising, traveling, and cheering for her favorite basketball teams.

If you're interested in finding out your dental fitness score, please visit: here

More about the host:

Kailey Tse-Harlow is a Chinese-Irish writer born and raised in Boston’s Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a publicist and book marketing manager at Pellien PR, where she helps authors book podcast interviews and plan nationwide book tours.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ready to move beyond routine dental checkups and unlock your body’s full potential? In <a href="https://bookshop.org/a/12343/9798999976802">The Dental Fitness Advantage: How a Healthy Mouth Enhances Total Body Health and Elevates Performance</a><em> ﻿</em>(Playbook Scholars, 2025), Dr. Camesia O. Matthews, a general and sports dentist, introduces the concept of dental fitness, a breakthrough approach that links oral health to whole-body wellness, athletic performance, and even confidence. With clear science and relatable analogies, Dr. Matthews uncovers surprising connections between the mouth and the body: from how oral bacteria influence heart disease and Alzheimer’s to why your “bite” affects sleep quality and body balance, and how wearing a custom-fitted sports mouthguard could even boost athletic performance. The book is built on five practical pillars: Prevention, Posture, Protection, Presentation, and Psychology. It also includes a unique assessment tool, the Dental Fitness Score, which helps you track your progress.</p>
<ul>
  <li>Each pillar offers simple, actionable steps to help you:</li>
  <li>Prevent issues before they start</li>
  <li>Improve sleep, balance, and even muscle strength</li>
  <li>Guard against avoidable dental injuries</li>
  <li>Boost confidence with a healthy smile</li>
</ul>
<p>The Dental Fitness Advantage is an empowering guide for athletes, professionals, and anyone seeking to feel, look, and perform at their best, starting with the mouth.</p>
<p>About the author:</p>
<p>Dr. Camesia O. Matthews is a Massachusetts-based general and certified sports dentist, author, and community advocate. She is passionate about connecting oral health to total-body wellness and helping people live healthier, stronger lives.</p>
<p>A graduate of Howard University College of Dentistry, where she was inducted into the Omicron Kappa Upsilon National Dental Honor Society, Dr. Matthews has led and participated in numerous outreach events, including international mission trips. In July 2020, she received the National Dental Association’s Special Recognition Award for her research on reducing the spread of COVID-19 in dental clinics.</p>
<p>Her expertise has been featured on Boston’s WCVB news channel and in Top Doctor magazine, which praised her patient-centered approach to dentistry.</p>
<p>Outside of her work, Dr. Matthews enjoys reading, playing piano, exercising, traveling, and cheering for her favorite basketball teams.</p>
<p>If you're interested in finding out your dental fitness score, please visit: <a href="https://dentalfitnesspillars.com/">here</a></p>
<p>More about the host:</p>
<p><a href="https://www.kaileytseharlow.com/">Kailey Tse-Harlow</a> is a Chinese-Irish writer born and raised in Boston’s Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a publicist and book marketing manager at Pellien PR, where she helps authors book podcast interviews and plan nationwide book tours.</p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2820</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6dd32188-d660-11f0-bd80-3f71c453376e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9267273380.mp3?updated=1765437559" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Living Night: On the Secret Wonders of Wildlife After Dark</title>
      <description>When the sun sets, things start to get interesting among wild animals. Wherever we live, whether in the city or suburbs or country, darkness conjures a hidden world of wildlife that most of us rarely glimpse. Foxes, wolves, and bears prowl while skunks, opossums, and porcupines lurk; fireflies send flashing signals to potential mates; raccoons rummage for food; owls and bats fly overhead.

Wildlife biologist Sophia Kimmig is our guide to the startling behaviors of these and many more nocturnal creatures. Introducing us to night’s wild inhabitants, she reveals what life for them is like in this parallel world—how it looks, feels, and smells—and the ingenious ways some creatures thrive after sunset. Living Night: On the Secret Wonders of Wildlife After Dark (Experiment, 2025) ﻿helps us appreciate how essential darkness is: not just a time but a diverse habitat all to itself—one that we still know too little about, and that we must urgently protect for the benefit of the world’s flora and fauna that depend on the day–night cycle.

Our guest is: Dr. Sophia Kimmig, who researches how wild animals adapt to changing habitat conditions at an institute of the Leibniz Society in Berlin. In lectures, journalism, and books, she pursues her goal of bringing people closer to the diversity and value of nature and creating acceptance for nature and species protection. She lives in Berlin.

Our host is: Dr. Christina Gessler, who is an experienced writing coach and developmental editor for academics. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:


  Doctors by Nature

  The Killer Whale Journals

  Endless Forms

  Facing Infinity

  The Light Between Apple Trees

  In the Garden Behind the Moon

  The Climate Change Scientist

  Bugs: A Day in the Life

  The Shark Scientist

  The Well-Gardened Mind


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 11 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When the sun sets, things start to get interesting among wild animals. Wherever we live, whether in the city or suburbs or country, darkness conjures a hidden world of wildlife that most of us rarely glimpse. Foxes, wolves, and bears prowl while skunks, opossums, and porcupines lurk; fireflies send flashing signals to potential mates; raccoons rummage for food; owls and bats fly overhead.

Wildlife biologist Sophia Kimmig is our guide to the startling behaviors of these and many more nocturnal creatures. Introducing us to night’s wild inhabitants, she reveals what life for them is like in this parallel world—how it looks, feels, and smells—and the ingenious ways some creatures thrive after sunset. Living Night: On the Secret Wonders of Wildlife After Dark (Experiment, 2025) ﻿helps us appreciate how essential darkness is: not just a time but a diverse habitat all to itself—one that we still know too little about, and that we must urgently protect for the benefit of the world’s flora and fauna that depend on the day–night cycle.

Our guest is: Dr. Sophia Kimmig, who researches how wild animals adapt to changing habitat conditions at an institute of the Leibniz Society in Berlin. In lectures, journalism, and books, she pursues her goal of bringing people closer to the diversity and value of nature and creating acceptance for nature and species protection. She lives in Berlin.

Our host is: Dr. Christina Gessler, who is an experienced writing coach and developmental editor for academics. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:


  Doctors by Nature

  The Killer Whale Journals

  Endless Forms

  Facing Infinity

  The Light Between Apple Trees

  In the Garden Behind the Moon

  The Climate Change Scientist

  Bugs: A Day in the Life

  The Shark Scientist

  The Well-Gardened Mind


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When the sun sets, things start to get interesting among wild animals. Wherever we live, whether in the city or suburbs or country, darkness conjures a hidden world of wildlife that most of us rarely glimpse. Foxes, wolves, and bears prowl while skunks, opossums, and porcupines lurk; fireflies send flashing signals to potential mates; raccoons rummage for food; owls and bats fly overhead.</p>
<p>Wildlife biologist Sophia Kimmig is our guide to the startling behaviors of these and many more nocturnal creatures. Introducing us to night’s wild inhabitants, she reveals what life for them is like in this parallel world—how it looks, feels, and smells—and the ingenious ways some creatures thrive after sunset. <a href="https://bookshop.org/a/12343/9781891011931">Living Night: On the Secret Wonders of Wildlife After Dark</a><em> </em>(Experiment, 2025) ﻿helps us appreciate how essential darkness is: not just a time but a diverse habitat all to itself—one that we still know too little about, and that we must urgently protect for the benefit of the world’s flora and fauna that depend on the day–night cycle.</p>
<p>Our guest is: Dr. Sophia Kimmig, who researches how wild animals adapt to changing habitat conditions at an institute of the Leibniz Society in Berlin. In lectures, journalism, and books, she pursues her goal of bringing people closer to the diversity and value of nature and creating acceptance for nature and species protection. She lives in Berlin.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is an experienced writing coach and developmental editor for academics. She is the producer and show host of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/doctors-by-nature">Doctors by Nature</a></li>
  <li><a href="https://newbooksnetwork.com/the-killer-whale-journals">The Killer Whale Journals</a></li>
  <li><a href="https://newbooksnetwork.com/endless-forms">Endless Forms</a></li>
  <li><a href="https://newbooksnetwork.com/facing-infinity-2">Facing Infinity</a></li>
  <li><a href="https://podcasts.apple.com/us/podcast/the-light-between-apple-trees-rediscovering-the/id477719156?i=1000732111383">The Light Between Apple Trees</a></li>
  <li><a href="https://newbooksnetwork.com/in-the-garden-behind-the-moon">In the Garden Behind the Moon</a></li>
  <li><a href="https://newbooksnetwork.com/shuang-ye-wu">The Climate Change Scientist</a></li>
  <li><a href="https://newbooksnetwork.com/bugs-a-day-in-the-life">Bugs: A Day in the Life</a></li>
  <li><a href="https://newbooksnetwork.com/sharks-a-day-in-the-life">The Shark Scientist</a></li>
  <li><a href="https://newbooksnetwork.com/exploring-new-paths-to-mental-health-a-discussion-with-sue-stuart-smith">The Well-Gardened Mind</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3898</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[81fabff0-d4d9-11f0-9305-7760bc442944]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2824617477.mp3?updated=1765269197" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>YIVO Archives and Library, "100 Objects from the Collections of the YIVO Institute for Jewish Research" ﻿(﻿YIVO, 2025)﻿</title>
      <description>Delve into Jewish history through 100 unique objects from the YIVO Archives and Library with ﻿100 Objects from the Collections of the YIVO Institute for Jewish Research ﻿(﻿2025)﻿. This gorgeously-illustrated coffee table book contains images and essays which represent modern Jewish history and culture through YIVO's one hundred years of collecting. The volume highlights a variety of manuscripts, photographs, ritual objects, and other ephemera.

ּBook can be purchased here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 10 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Delve into Jewish history through 100 unique objects from the YIVO Archives and Library with ﻿100 Objects from the Collections of the YIVO Institute for Jewish Research ﻿(﻿2025)﻿. This gorgeously-illustrated coffee table book contains images and essays which represent modern Jewish history and culture through YIVO's one hundred years of collecting. The volume highlights a variety of manuscripts, photographs, ritual objects, and other ephemera.

ּBook can be purchased here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Delve into Jewish history through 100 unique objects from the YIVO Archives and Library with ﻿<em>100 Objects from the Collections of the YIVO Institute for Jewish Research </em>﻿(﻿2025)<em>﻿.</em> This gorgeously-illustrated coffee table book contains images and essays which represent modern Jewish history and culture through YIVO's one hundred years of collecting. The volume highlights a variety of manuscripts, photographs, ritual objects, and other ephemera.</p>
<p>ּBook can be purchased <a href="https://yivo-institute.myshopify.com/products/100-objects-from-the-collections-of-the-yivo-institute-for-jewish-research">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1913</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[95687ae6-d4c0-11f0-af78-eb8ae574fb31]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8712925517.mp3?updated=1765258654" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Timothy Gitzen, "Unscripting the Present" (SUNY Press, 2025)</title>
      <description>Timothy Gitzen's Unscripting the Present (SUNY Press, 2025) interrogates contemporary sex panics in the United States, looking especially at popular culture texts to conceptualize queer youth survival strategies. Sex panics saturate contemporary discourse and politics in the United States. While such panics have a long history, they are now infused with rhetoric, logics, and methods of security that turn queer sexuality into an existential crisis. Queer youth bear the brunt of this crisis, with their presumed innocence always in danger of being lost. Unscripting the Present interweaves analysis of laws and lawsuits, news media, sociological studies, and popular culture both to understand contemporary sex panics and to highlight how queer youth find ways to survive in the here and now. Developing a novel technique of "unscripting," Gitzen focuses our attention on those impromptu moments when things go awry in representations of queer youth-moments that disrupt securitization's social "scripts." Foregoing well-worn promises of things getting better, texts such as Netflix's "Sex Education", the film "Love, Simon", and the multimodal show "Skam" upend the anxious hyperfocus on what's to come in favor of a hopeful present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 09 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Timothy Gitzen's Unscripting the Present (SUNY Press, 2025) interrogates contemporary sex panics in the United States, looking especially at popular culture texts to conceptualize queer youth survival strategies. Sex panics saturate contemporary discourse and politics in the United States. While such panics have a long history, they are now infused with rhetoric, logics, and methods of security that turn queer sexuality into an existential crisis. Queer youth bear the brunt of this crisis, with their presumed innocence always in danger of being lost. Unscripting the Present interweaves analysis of laws and lawsuits, news media, sociological studies, and popular culture both to understand contemporary sex panics and to highlight how queer youth find ways to survive in the here and now. Developing a novel technique of "unscripting," Gitzen focuses our attention on those impromptu moments when things go awry in representations of queer youth-moments that disrupt securitization's social "scripts." Foregoing well-worn promises of things getting better, texts such as Netflix's "Sex Education", the film "Love, Simon", and the multimodal show "Skam" upend the anxious hyperfocus on what's to come in favor of a hopeful present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Timothy Gitzen's <a href="https://bookshop.org/a/12343/9798855801651">Unscripting the Present</a> (SUNY Press, 2025) interrogates contemporary sex panics in the United States, looking especially at popular culture texts to conceptualize queer youth survival strategies. Sex panics saturate contemporary discourse and politics in the United States. While such panics have a long history, they are now infused with rhetoric, logics, and methods of security that turn queer sexuality into an existential crisis. Queer youth bear the brunt of this crisis, with their presumed innocence always in danger of being lost. <em>Unscripting the Present</em> interweaves analysis of laws and lawsuits, news media, sociological studies, and popular culture both to understand contemporary sex panics and to highlight how queer youth find ways to survive in the here and now. Developing a novel technique of "unscripting," Gitzen focuses our attention on those impromptu moments when things go awry in representations of queer youth-moments that disrupt securitization's social "scripts." Foregoing well-worn promises of things getting better, texts such as Netflix's "Sex Education", the film "Love, Simon", and the multimodal show "Skam" upend the anxious hyperfocus on what's to come in favor of a hopeful present.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2486</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[35822756-d404-11f0-9a09-639c12ea1415]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2140415516.mp3?updated=1765178226" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pluribus Episodes 4&amp;5 Analysis: We Need a Little Space</title>
      <description>It’s The Pop Culture Professors, and we analyze the fourth and fifth episodes of Vince Gilligan’s new series Pluribus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we analyze the fourth and fifth episodes of Vince Gilligan’s new series Pluribus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">The Pop Culture Professors</a>, and we analyze the fourth and fifth episodes of Vince Gilligan’s new series Pluribus.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3101</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b9067f1c-d0d2-11f0-8fc8-e30b761fbf2d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6037745640.mp3?updated=1764826632" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Grace Kessler Overbeke, "First Lady of Laughs: The Forgotten Story of Jean Carroll" (NYU Press, 2024)</title>
      <description>Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all.

First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll’s personal scrapbook, First Lady of Laughs restores Jean Carroll’s remarkable story to its rightful place in the lineage of comedy history and Jewish American performance.

Jane Scimeca, Professor of History at Brookdale Community College

Website here

@janescimeca.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all.

First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll’s personal scrapbook, First Lady of Laughs restores Jean Carroll’s remarkable story to its rightful place in the lineage of comedy history and Jewish American performance.

Jane Scimeca, Professor of History at Brookdale Community College

Website here

@janescimeca.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Before <em>Hacks</em> and <em>The Marvelous Mrs. Maisel</em>, there was the comedienne who started it all.</p>
<p><a href="https://bookshop.org/a/12343/9781479818150">First Lady of Laughs: The Forgotten Story of Jean Carroll</a><em> </em>(NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, <em>Girl in a Hot Steam Bath</em>, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on <em>The Ed Sullivan Show</em>.<br>Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.<br>Drawing on archival footage, press clippings, and Jean Carroll’s personal scrapbook, <em>First Lady of Laughs</em> restores Jean Carroll’s remarkable story to its rightful place in the lineage of comedy history and Jewish American performance.</p>
<p>Jane Scimeca, Professor of History at Brookdale Community College</p>
<p>Website <a href="https://www.janescimeca.com/">here</a></p>
<p>@janescimeca.bsky.social</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2652</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[17ff72f2-d002-11f0-b9d4-fb39afa567de]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4422395078.mp3?updated=1764737038" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bradley J. Borougerdi, "Cannabis: A Global History" (Reaktion, 2025)</title>
      <description>Bradley Borougerdi joins Jana Byars to talk about Cannabis: A Global History (Reaktion, 2025). An international cultural history of the multifunctional plant. Cannabis explores the historical, pharmacological, and cultural significance of the controversial plant. Beginning with cannabis's origins as a food source in Southeast Asia, Borougerdi describes the global evolution of cannabis over the centuries, with a particular focus on its spread across the Atlantic and its modern renaissance in cuisine. The book also investigates the stimulant's mood-altering forms of consumption, from smoking to edibles and drinks. A richly illustrated guide, this book draws together a diverse account of international cannabis cultures in a single, captivating narrative.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 04 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Bradley Borougerdi joins Jana Byars to talk about Cannabis: A Global History (Reaktion, 2025). An international cultural history of the multifunctional plant. Cannabis explores the historical, pharmacological, and cultural significance of the controversial plant. Beginning with cannabis's origins as a food source in Southeast Asia, Borougerdi describes the global evolution of cannabis over the centuries, with a particular focus on its spread across the Atlantic and its modern renaissance in cuisine. The book also investigates the stimulant's mood-altering forms of consumption, from smoking to edibles and drinks. A richly illustrated guide, this book draws together a diverse account of international cannabis cultures in a single, captivating narrative.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bradley Borougerdi joins Jana Byars to talk about <a href="https://bookshop.org/a/12343/9781836390077"><em>Cannabis: A Global History</em></a> (Reaktion, 2025). An international cultural history of the multifunctional plant. Cannabis explores the historical, pharmacological, and cultural significance of the controversial plant. Beginning with cannabis's origins as a food source in Southeast Asia, Borougerdi describes the global evolution of cannabis over the centuries, with a particular focus on its spread across the Atlantic and its modern renaissance in cuisine. The book also investigates the stimulant's mood-altering forms of consumption, from smoking to edibles and drinks. A richly illustrated guide, this book draws together a diverse account of international cannabis cultures in a single, captivating narrative.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3000</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d25d3662-d010-11f0-81cf-abf39b15301b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4501159555.mp3?updated=1764743302" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elliott Kalan, "Joke Farming: How to Write Comedy and Other Nonsense" (U Chicago Press, 2025)</title>
      <description>In Joke Farming: How to Write Comedy and Other Nonsense, Elliott Kalan (U Chicago Press, 2025) explains that it’s easier to write jokes when you have a dependable method for doing so. All jokes, he argues, are built from the same elements: structure, premise, voice, tone, wording, and audience—and these elements can be applied to any comedic genre, from stand-up to sitcoms to satire. Kalan analyzes examples from his own career—including jokes that he wrote (and rewrote and rewrote and rewrote . . . ) as head writer for The Daily Show with Jon Stewart—as well as material from a diverse array of comedians, writers, and filmmakers, highlighting the phrasing, rhythm, and precise details that make their work so dang funny.Drawing on his experiences in professional writers’ rooms as well as episodes from everyday life, Kalan’s guide to jokes will appeal to aspiring writers, their mentors, comedy fans, and anyone who has to speak at a wedding. Joke Farming points the way toward a writing process that lessens stress and agony and yields more reliable rewards: a surprising tagline, a hilarious word choice, and—most importantly—a bigger laugh from the audience, whoever they may be.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 04 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Joke Farming: How to Write Comedy and Other Nonsense, Elliott Kalan (U Chicago Press, 2025) explains that it’s easier to write jokes when you have a dependable method for doing so. All jokes, he argues, are built from the same elements: structure, premise, voice, tone, wording, and audience—and these elements can be applied to any comedic genre, from stand-up to sitcoms to satire. Kalan analyzes examples from his own career—including jokes that he wrote (and rewrote and rewrote and rewrote . . . ) as head writer for The Daily Show with Jon Stewart—as well as material from a diverse array of comedians, writers, and filmmakers, highlighting the phrasing, rhythm, and precise details that make their work so dang funny.Drawing on his experiences in professional writers’ rooms as well as episodes from everyday life, Kalan’s guide to jokes will appeal to aspiring writers, their mentors, comedy fans, and anyone who has to speak at a wedding. Joke Farming points the way toward a writing process that lessens stress and agony and yields more reliable rewards: a surprising tagline, a hilarious word choice, and—most importantly—a bigger laugh from the audience, whoever they may be.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226829920">Joke Farming: How to Write Comedy and Other Nonsense</a>, Elliott Kalan (U Chicago Press, 2025) explains that it’s easier to write jokes when you have a dependable method for doing so. All jokes, he argues, are built from the same elements: structure, premise, voice, tone, wording, and audience—and these elements can be applied to any comedic genre, from stand-up to sitcoms to satire. Kalan analyzes examples from his own career—including jokes that he wrote (and rewrote and rewrote and rewrote . . . ) as head writer for <em>The Daily Show with Jon Stewart</em>—as well as material from a diverse array of comedians, writers, and filmmakers, highlighting the phrasing, rhythm, and precise details that make their work so dang funny.<br>Drawing on his experiences in professional writers’ rooms as well as episodes from everyday life, Kalan’s guide to jokes will appeal to aspiring writers, their mentors, comedy fans, and anyone who has to speak at a wedding. <em>Joke Farming</em> points the way toward a writing process that lessens stress and agony and yields more reliable rewards: a surprising tagline, a hilarious word choice, and—most importantly—a bigger laugh from the audience, whoever they may be.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3130</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[05c1e12a-d010-11f0-a202-fbaf293d3813]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9112903930.mp3?updated=1764743625" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jon Willis, "The Pale Blue Data Point: An Earth-Based Perspective on the Search for Alien Life" (U Chicago Press, 2025)</title>
      <description>A thrilling tour of Earth that shows the search for extraterrestrial life starts in our own backyard.Is there life off Earth? Bound by the limitations of spaceflight, a growing number of astrobiologists investigate the question by studying life on our planet. Astronomer and author Jon Willis shows us how it’s done, allowing readers to envision extraterrestrial landscapes by exploring their closest Earth analogs in ﻿The Pale Blue Data Point: An Earth-Based Perspective on the Search for Alien Life (U Chicago Press, 2025). With Willis, we dive into the Pacific Ocean from the submersible-equipped E/V Nautilus to ponder the uncharted seas of Saturn’s and Jupiter’s moons; search the Australian desert for some of Earth’s oldest fossils and consider the prospects for a Martian fossil hunt; visit mountaintop observatories in Chile to search for the telltale twinkle of extrasolar planets; and eavesdrop on dolphins in the Bahamas to imagine alien minds.With investigations ranging from meteorite hunting to exoplanet detection, Willis conjures up alien worlds and unthought-of biological possibilities, speculating what life might look like on other planets by extrapolating from what we can see on Earth, our single “pale blue dot”—as Carl Sagan famously called it—or, in Willis’s reframing, scientists’ “pale blue data point.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 03 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A thrilling tour of Earth that shows the search for extraterrestrial life starts in our own backyard.Is there life off Earth? Bound by the limitations of spaceflight, a growing number of astrobiologists investigate the question by studying life on our planet. Astronomer and author Jon Willis shows us how it’s done, allowing readers to envision extraterrestrial landscapes by exploring their closest Earth analogs in ﻿The Pale Blue Data Point: An Earth-Based Perspective on the Search for Alien Life (U Chicago Press, 2025). With Willis, we dive into the Pacific Ocean from the submersible-equipped E/V Nautilus to ponder the uncharted seas of Saturn’s and Jupiter’s moons; search the Australian desert for some of Earth’s oldest fossils and consider the prospects for a Martian fossil hunt; visit mountaintop observatories in Chile to search for the telltale twinkle of extrasolar planets; and eavesdrop on dolphins in the Bahamas to imagine alien minds.With investigations ranging from meteorite hunting to exoplanet detection, Willis conjures up alien worlds and unthought-of biological possibilities, speculating what life might look like on other planets by extrapolating from what we can see on Earth, our single “pale blue dot”—as Carl Sagan famously called it—or, in Willis’s reframing, scientists’ “pale blue data point.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A thrilling tour of Earth that shows the search for extraterrestrial life starts in our own backyard.<br>Is there life off Earth? Bound by the limitations of spaceflight, a growing number of astrobiologists investigate the question by studying life on our planet. Astronomer and author Jon Willis shows us how it’s done, allowing readers to envision extraterrestrial landscapes by exploring their closest Earth analogs in ﻿<a href="https://bookshop.org/a/12343/9780226822402"><em>The Pale Blue Data Point: An Earth-Based Perspective on the Search for Alien Life</em> </a>(U Chicago Press, 2025). With Willis, we dive into the Pacific Ocean from the submersible-equipped E/V <em>Nautilus</em> to ponder the uncharted seas of Saturn’s and Jupiter’s moons; search the Australian desert for some of Earth’s oldest fossils and consider the prospects for a Martian fossil hunt; visit mountaintop observatories in Chile to search for the telltale twinkle of extrasolar planets; and eavesdrop on dolphins in the Bahamas to imagine alien minds.<br>With investigations ranging from meteorite hunting to exoplanet detection, Willis conjures up alien worlds and unthought-of biological possibilities, speculating what life might look like on other planets by extrapolating from what we can see on Earth, our single “pale blue dot”—as Carl Sagan famously called it—or, in Willis’s reframing, scientists’ “pale blue data point.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4718</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff6e88b6-cf54-11f0-a86d-078abefe8de4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8108091002.mp3?updated=1764662705" length="0" type="audio/mpeg"/>
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    <item>
      <title>Sabrina Mittermeier, "Fan Phenomena: Disney" (Intellect Books, 2023)</title>
      <description>Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company’s reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts.
The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 30 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sabrina Mittermeier</itunes:subtitle>
      <itunes:summary>Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company’s reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts.
The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sabrina Mittermeier's edited volume <a href="https://bookshop.org/a/12343/9781789386776"><em>Fan Phenomena: Disney</em></a> (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company’s reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts.</p><p>The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3254</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[61820fdc-ca2d-11f0-b7f7-a79a9e23abfe]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1741907773.mp3?updated=1673472192" length="0" type="audio/mpeg"/>
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    <item>
      <title>Stefania Marghitu, "Teen TV" (Routledge, 2021)</title>
      <description>Stefania Marghitu's Teen TV (Routledge, 2021)explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and youth cultures. Organized chronologically, Teen TV starts with Baby Boomers and moves to Gen X, Millennials, and Gen Z as a way to contextualize and discuss cultural and historical contexts of teen television and television audiences. The book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-channel era that included youth targeted spaces like MTV, the WB, and the CW, to the rise of streaming platforms and global crossovers. It covers the thematic concerns and narrative structure of the coming-of-age story, and the prevalent genres of teen TV, and milestones faced by teen characters. The book also includes interviews with creators and showrunners of hit network television teen series, including Degrassi's Linda Schulyer, and the costume designer that established a heightened turn in the significance of teen fashion on the small screen in Gossip Girl, Eric Daman. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 30 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stefania Marghitu</itunes:subtitle>
      <itunes:summary>Stefania Marghitu's Teen TV (Routledge, 2021)explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and youth cultures. Organized chronologically, Teen TV starts with Baby Boomers and moves to Gen X, Millennials, and Gen Z as a way to contextualize and discuss cultural and historical contexts of teen television and television audiences. The book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-channel era that included youth targeted spaces like MTV, the WB, and the CW, to the rise of streaming platforms and global crossovers. It covers the thematic concerns and narrative structure of the coming-of-age story, and the prevalent genres of teen TV, and milestones faced by teen characters. The book also includes interviews with creators and showrunners of hit network television teen series, including Degrassi's Linda Schulyer, and the costume designer that established a heightened turn in the significance of teen fashion on the small screen in Gossip Girl, Eric Daman. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stefania Marghitu's <a href="https://www.routledge.com/Teen-TV/Marghitu/p/book/9781138713895"><em>Teen TV</em></a> (Routledge, 2021)explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and youth cultures. Organized chronologically, <em>Teen TV </em>starts with Baby Boomers and moves to Gen X, Millennials, and Gen Z as a way to contextualize and discuss cultural and historical contexts of teen television and television audiences. The book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-channel era that included youth targeted spaces like MTV, the WB, and the CW, to the rise of streaming platforms and global crossovers. It covers the thematic concerns and narrative structure of the coming-of-age story, and the prevalent genres of teen TV, and milestones faced by teen characters. The book also includes interviews with creators and showrunners of hit network television teen series, including <em>Degrassi's</em> Linda Schulyer, and the costume designer that established a heightened turn in the significance of teen fashion on the small screen in <em>Gossip Girl,</em> Eric Daman. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5068</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76e96a56-d508-11eb-9c64-77c604896b1a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2850544813.mp3?updated=1625861808" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Josh Levine, "Pretty, Pretty, Pretty Good: Larry David and the Making of Seinfeld and Curb Your Enthusiasm, Fully Revised and Updated" (ECW Press, 2025)</title>
      <description>Josh Levine's Pretty, Pretty, Pretty Good: Larry David and the Making of Seinfeld and Curb Your Enthusiasm, Fully Revised and Updated (ECW Press, 2025) is fully revised and includes a full insightful episode guide to the entire "Curb Your Enthusiasm." For Larry David, success was no sure thing. A frustrated New York comic who was known to walk off the stage in disgust, David was barely making a living. At least until his friend Jerry Seinfeld asked him to create a new kind of television sitcom for NBC. The result — Seinfeld — started slowly but became a gigantic hit. But most people didn’t know that the real genius behind the show was Larry David. Rich beyond his wildest dreams, David still had something to prove — and some television boundaries to push. And so he created Curb Your Enthusiasm, the improvised comedy that cast aside political correctness and made for hilarious, cringeworthy TV, a show that dared to relive the disastrous Seinfeld finale and turn it into a triumph. This second, fully updated edition of Pretty, Pretty, Pretty Good offers a complete episode-by-episode guide to the series and recounts David’s early struggle to succeed in television and movies, the creation and development of his hit sitcoms, and his later success starring in the HBO film Clear History and the Broadway hit Fish in the Dark. It also explores Larry’s on- and offscreen relationships with famous pals like Richard Lewis, Ted Danson, and Jerry, Jason, Julia, and Michael. Filled with candor and humor David himself would respect, Pretty, Pretty, Pretty Good is an essential companion to a comedic force.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 29 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Josh Levine's Pretty, Pretty, Pretty Good: Larry David and the Making of Seinfeld and Curb Your Enthusiasm, Fully Revised and Updated (ECW Press, 2025) is fully revised and includes a full insightful episode guide to the entire "Curb Your Enthusiasm." For Larry David, success was no sure thing. A frustrated New York comic who was known to walk off the stage in disgust, David was barely making a living. At least until his friend Jerry Seinfeld asked him to create a new kind of television sitcom for NBC. The result — Seinfeld — started slowly but became a gigantic hit. But most people didn’t know that the real genius behind the show was Larry David. Rich beyond his wildest dreams, David still had something to prove — and some television boundaries to push. And so he created Curb Your Enthusiasm, the improvised comedy that cast aside political correctness and made for hilarious, cringeworthy TV, a show that dared to relive the disastrous Seinfeld finale and turn it into a triumph. This second, fully updated edition of Pretty, Pretty, Pretty Good offers a complete episode-by-episode guide to the series and recounts David’s early struggle to succeed in television and movies, the creation and development of his hit sitcoms, and his later success starring in the HBO film Clear History and the Broadway hit Fish in the Dark. It also explores Larry’s on- and offscreen relationships with famous pals like Richard Lewis, Ted Danson, and Jerry, Jason, Julia, and Michael. Filled with candor and humor David himself would respect, Pretty, Pretty, Pretty Good is an essential companion to a comedic force.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Josh Levine's <a href="https://bookshop.org/a/12343/9781770418370">Pretty, Pretty, Pretty Good: Larry David and the Making of Seinfeld and Curb Your Enthusiasm, Fully Revised and Updated</a><em> </em>(ECW Press, 2025) is fully revised and includes a full insightful episode guide to the entire "Curb Your Enthusiasm." For Larry David, success was no sure thing. A frustrated New York comic who was known to walk off the stage in disgust, David was barely making a living. At least until his friend Jerry Seinfeld asked him to create a new kind of television sitcom for NBC. The result — Seinfeld — started slowly but became a gigantic hit. But most people didn’t know that the real genius behind the show was Larry David. Rich beyond his wildest dreams, David still had something to prove — and some television boundaries to push. And so he created Curb Your Enthusiasm, the improvised comedy that cast aside political correctness and made for hilarious, cringeworthy TV, a show that dared to relive the disastrous Seinfeld finale and turn it into a triumph. This second, fully updated edition of Pretty, Pretty, Pretty Good offers a complete episode-by-episode guide to the series and recounts David’s early struggle to succeed in television and movies, the creation and development of his hit sitcoms, and his later success starring in the HBO film Clear History and the Broadway hit Fish in the Dark. It also explores Larry’s on- and offscreen relationships with famous pals like Richard Lewis, Ted Danson, and Jerry, Jason, Julia, and Michael. Filled with candor and humor David himself would respect, <em>Pretty, Pretty, Pretty Good</em> is an essential companion to a comedic force.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2458</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0bd28730-caa8-11f0-b2f8-03c998d41ff3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9735855523.mp3?updated=1764149364" length="0" type="audio/mpeg"/>
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    <item>
      <title>Meg Bernhard, "Wine" (Bloomsbury, 2023)</title>
      <description>Today I talked to Meg Bernhard about her new book Wine (Bloomsbury, 2023). Agricultural product and cultural commodity, drink of ritual and drink of addiction, purveyor of pleasure, pain, and memory - wine has never been contained in a single glass. Drawing from science, religion, literature, and memoir, Wine meditates on the power structures bound up with making and drinking this ancient, intoxicating beverage.
While wine drunk millennia ago was the humble beverage of the people, today the drink is inextricable with power, sophistication, and often wealth. Bottles sell for half a million dollars. Point systems tell us which wines are considered the best. Wine professionals give us the language to describe what we taste.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 28 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Meg Bernhard</itunes:subtitle>
      <itunes:summary>Today I talked to Meg Bernhard about her new book Wine (Bloomsbury, 2023). Agricultural product and cultural commodity, drink of ritual and drink of addiction, purveyor of pleasure, pain, and memory - wine has never been contained in a single glass. Drawing from science, religion, literature, and memoir, Wine meditates on the power structures bound up with making and drinking this ancient, intoxicating beverage.
While wine drunk millennia ago was the humble beverage of the people, today the drink is inextricable with power, sophistication, and often wealth. Bottles sell for half a million dollars. Point systems tell us which wines are considered the best. Wine professionals give us the language to describe what we taste.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Meg Bernhard about her new book <a href="https://bookshop.org/a/12343/9781501383618"><em>Wine</em></a><em> </em>(Bloomsbury, 2023). Agricultural product and cultural commodity, drink of ritual and drink of addiction, purveyor of pleasure, pain, and memory - wine has never been contained in a single glass. Drawing from science, religion, literature, and memoir, Wine meditates on the power structures bound up with making and drinking this ancient, intoxicating beverage.</p><p>While wine drunk millennia ago was the humble beverage of the people, today the drink is inextricable with power, sophistication, and often wealth. Bottles sell for half a million dollars. Point systems tell us which wines are considered the best. Wine professionals give us the language to describe what we taste.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3517</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0aa51774-ca3a-11f0-93e1-b76e43ef0a87]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1402511751.mp3?updated=1689362762" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natalie Porter, "Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders" (ECW Press, 2025)</title>
      <description>A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again.

Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 28 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again.

Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, <a href="https://bookshop.org/a/12343/9781778524769">Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders</a> (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again.</p>
<p>Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of <em>Caddying on the Color Line</em>, a history of African American golf caddies in the U.S. South.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2724</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dd3e98ac-c9ab-11f0-928b-cba1fc11b0c9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4712991363.mp3?updated=1764040172" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marion Turner, "The Wife of Bath: A Biography" (Princeton UP, 2023)</title>
      <description>Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.
A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.
Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 27 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marion Turner</itunes:subtitle>
      <itunes:summary>Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.
A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.
Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ever since her triumphant debut in Chaucer's <em>Canterbury Tales, </em>the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In <a href="https://press.princeton.edu/books/hardcover/9780691206011/the-wife-of-bath"><em>The Wife of Bath: A Biography</em></a><em> </em>(Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.</p><p>A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.</p><p>Entertaining and enlightening, funny and provocative, <em>The Wife of Bath</em> is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2697</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a141de4e-8c65-11ed-b81d-4b6977cca81e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5005503762.mp3?updated=1672862390" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Treena Orchard, "Sticky, Sexy, Sad:  Swipe Culture and the Darker Side of Dating Apps" (Aevo, U Toronto Press, 2024)</title>
      <description>In this NBN episode, host Hollay Ghadery speaks with Treena Orchard about her memoir, Sticky, Sexy, Sad: Swipe Culture and the Darker Side of Dating Apps (Aevo, U Toronto Press, 2024). 

Jane Goodall meets Carrie Bradshaw in Sticky, Sexy, Sad – an insightful, empowering memoir by an anthropologist who lays her own life bare as she explores the cultural matrix of digital courtship.

Lifelong luddite Treena Orchard was a newly sober woman coming off a much-needed break from relationships, reluctantly taking the digital plunge by downloading a dating app. Instead of the fun, easy experiences advertised on swiping platforms, she discovered endless upkeep, ghosting, fleeting moments of sexual connection, and a steady flow of misogyny.

In Sticky, Sexy, Sad, Orchard uses her skills as both an anthropologist who studies sexuality and a sex-positive feminist to explore what it feels like to want love while also resisting the addictive pull of platforms designed to make us swipe-dependent. She asks important questions for those searching for love in the modern era: What are the social and human impacts of using dating apps? How can we maintain our integrity and warm-blooded desire for intimacy while swiping? Can we resist some of the problematic aspects of swipe culture? Is love on dating apps even possible?

Revealing how dating apps are powerful social and sexual technologies that are radically transforming sexuality, relationships, and how we think about ourselves, this remarkable book cracks the code of modern romance. Told with humor and vulnerability, Sticky, Sexy, Sad is a riveting and inspiring guide to staying true to ourselves amid the digitization of love in the twenty-first century.

Treena Orchard is an anthropologist and associate professor in the School of Health Studies at Western University. She researches and engages in activist debates about sexuality, gender, and health among diverse cultural and digital communities. Deeply committed to public scholarship, she regularly writes for and is featured in leading online publications, including Cosmopolitan, Men’s Health, and The Conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this NBN episode, host Hollay Ghadery speaks with Treena Orchard about her memoir, Sticky, Sexy, Sad: Swipe Culture and the Darker Side of Dating Apps (Aevo, U Toronto Press, 2024). 

Jane Goodall meets Carrie Bradshaw in Sticky, Sexy, Sad – an insightful, empowering memoir by an anthropologist who lays her own life bare as she explores the cultural matrix of digital courtship.

Lifelong luddite Treena Orchard was a newly sober woman coming off a much-needed break from relationships, reluctantly taking the digital plunge by downloading a dating app. Instead of the fun, easy experiences advertised on swiping platforms, she discovered endless upkeep, ghosting, fleeting moments of sexual connection, and a steady flow of misogyny.

In Sticky, Sexy, Sad, Orchard uses her skills as both an anthropologist who studies sexuality and a sex-positive feminist to explore what it feels like to want love while also resisting the addictive pull of platforms designed to make us swipe-dependent. She asks important questions for those searching for love in the modern era: What are the social and human impacts of using dating apps? How can we maintain our integrity and warm-blooded desire for intimacy while swiping? Can we resist some of the problematic aspects of swipe culture? Is love on dating apps even possible?

Revealing how dating apps are powerful social and sexual technologies that are radically transforming sexuality, relationships, and how we think about ourselves, this remarkable book cracks the code of modern romance. Told with humor and vulnerability, Sticky, Sexy, Sad is a riveting and inspiring guide to staying true to ourselves amid the digitization of love in the twenty-first century.

Treena Orchard is an anthropologist and associate professor in the School of Health Studies at Western University. She researches and engages in activist debates about sexuality, gender, and health among diverse cultural and digital communities. Deeply committed to public scholarship, she regularly writes for and is featured in leading online publications, including Cosmopolitan, Men’s Health, and The Conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this NBN episode, host Hollay Ghadery speaks with Treena Orchard about her memoir, <a href="https://bookshop.org/a/12343/9781487549305">Sticky, Sexy, Sad: Swipe Culture and the Darker Side of Dating Apps</a> (Aevo, U Toronto Press, 2024). </p>
<p>Jane Goodall meets Carrie Bradshaw in <em>Sticky, Sexy, Sad</em> – an insightful, empowering memoir by an anthropologist who lays her own life bare as she explores the cultural matrix of digital courtship.</p>
<p>Lifelong luddite Treena Orchard was a newly sober woman coming off a much-needed break from relationships, reluctantly taking the digital plunge by downloading a dating app. Instead of the fun, easy experiences advertised on swiping platforms, she discovered endless upkeep, ghosting, fleeting moments of sexual connection, and a steady flow of misogyny.</p>
<p>In <em>Sticky, Sexy, Sad,</em> Orchard uses her skills as both an anthropologist who studies sexuality and a sex-positive feminist to explore what it feels like to want love while also resisting the addictive pull of platforms designed to make us swipe-dependent. She asks important questions for those searching for love in the modern era: What are the social and human impacts of using dating apps? How can we maintain our integrity and warm-blooded desire for intimacy while swiping? Can we resist some of the problematic aspects of swipe culture? Is love on dating apps even possible?</p>
<p>Revealing how dating apps are powerful social and sexual technologies that are radically transforming sexuality, relationships, and how we think about ourselves, this remarkable book cracks the code of modern romance. Told with humor and vulnerability, <em>Sticky, Sexy, Sad</em> is a riveting and inspiring guide to staying true to ourselves amid the digitization of love in the twenty-first century.</p>
<p>Treena Orchard is an anthropologist and associate professor in the School of Health Studies at Western University. She researches and engages in activist debates about sexuality, gender, and health among diverse cultural and digital communities. Deeply committed to public scholarship, she regularly writes for and is featured in leading online publications, including <em>Cosmopolitan</em>, <em>Men’s Health</em>, and <em>The Conversation</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2457</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d368d5c-c9ae-11f0-9b09-6ffea7548952]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2534926854.mp3?updated=1764041488" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sharon White Rewires Disco</title>
      <description>At the center of 1970s New York's most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as "edgy, deep, aggressive, tech, synthy, percussive and lush," White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barriers in spaces where women were told they didn't belong. Her five-decade career didn't just challenge disco's male-dominated DJ culture; it redefined it, paving the way for future generations of women behind the decks. In this season finale, we explore how one visionary artist carved out space in disco's inner sanctum and what her trailblazing journey reveals about women—especially queer Black women—who shaped the sound and culture of an era from behind the booth.

In the Season 2 Finale, hosts Ryan Purcell and Kristie Soares talk with legendary DJ Sharon White. Born in West Babylon, New York, White studied music at the New York School of Music before becoming a radio disc jockey. In 1975, she transitioned to club DJing, finding near-instant success at legendary venues including Studio 54, the Saint, Paradise Garage, Sahara, Limelight, and the Warehouse. She has been credited by several other women DJs, including Lizzz Krizer and Wendy Hunt, for helping them break onto the scene. White is still DJing today, and you can find her mixes on SoundCloud and Mixcloud.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Nov 2025 17:49:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/088e9a44-ca28-11f0-858a-1beb3b3fa205/image/2bf8e46b1948456e1dba645f473a0d04.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>At the center of 1970s New York's most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as "edgy, deep, aggressive, tech, synthy, percussive and lush," White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barriers in spaces where women were told they didn't belong. Her five-decade career didn't just challenge disco's male-dominated DJ culture; it redefined it, paving the way for future generations of women behind the decks. In this season finale, we explore how one visionary artist carved out space in disco's inner sanctum and what her trailblazing journey reveals about women—especially queer Black women—who shaped the sound and culture of an era from behind the booth.

In the Season 2 Finale, hosts Ryan Purcell and Kristie Soares talk with legendary DJ Sharon White. Born in West Babylon, New York, White studied music at the New York School of Music before becoming a radio disc jockey. In 1975, she transitioned to club DJing, finding near-instant success at legendary venues including Studio 54, the Saint, Paradise Garage, Sahara, Limelight, and the Warehouse. She has been credited by several other women DJs, including Lizzz Krizer and Wendy Hunt, for helping them break onto the scene. White is still DJing today, and you can find her mixes on SoundCloud and Mixcloud.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At the center of 1970s New York's most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as "edgy, deep, aggressive, tech, synthy, percussive and lush," White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barriers in spaces where women were told they didn't belong. Her five-decade career didn't just challenge disco's male-dominated DJ culture; it redefined it, paving the way for future generations of women behind the decks. In this season finale, we explore how one visionary artist carved out space in disco's inner sanctum and what her trailblazing journey reveals about women—especially queer Black women—who shaped the sound and culture of an era from behind the booth.</p>
<p>In the Season 2 Finale, hosts Ryan Purcell and Kristie Soares talk with legendary DJ Sharon White. Born in West Babylon, New York, White studied music at the New York School of Music before becoming a radio disc jockey. In 1975, she transitioned to club DJing, finding near-instant success at legendary venues including Studio 54, the Saint, Paradise Garage, Sahara, Limelight, and the Warehouse. She has been credited by several other women DJs, including Lizzz Krizer and Wendy Hunt, for helping them break onto the scene. White is still DJing today, and you can find her mixes on SoundCloud and Mixcloud.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4080</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[088e9a44-ca28-11f0-858a-1beb3b3fa205]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5819413553.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jim Cullen, "1980: America's Pivotal Year" (Rutgers UP, 2022)</title>
      <description>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.
1980: America's Pivotal Year (Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.
Jim Cullen is the author of numerous books, including The American Dream: A Short History of an Idea that Shaped a Nation, Those Were the Days: Why ‘All in the Family’ Still Matters, and From Memory to History: Television Versions of the Twentieth Century. He teaches history at the newly-founded upper division of Greenwich Country Day School.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 23 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jim Cullen</itunes:subtitle>
      <itunes:summary>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.
1980: America's Pivotal Year (Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.
Jim Cullen is the author of numerous books, including The American Dream: A Short History of an Idea that Shaped a Nation, Those Were the Days: Why ‘All in the Family’ Still Matters, and From Memory to History: Television Versions of the Twentieth Century. He teaches history at the newly-founded upper division of Greenwich Country Day School.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.</p><p><a href="https://bookshop.org/a/12343/9781978831179"><em>1980: America's Pivotal Year</em></a><em> </em>(Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.</p><p>Jim Cullen is the author of numerous books, including <em>The American Dream: A Short History of an Idea that Shaped a Nation</em>, <em>Those Were the Days: Why ‘All in the Family’ Still Matters</em>, and <em>From Memory to History: Television Versions of the Twentieth Century. </em>He teaches history at the newly-founded upper division of Greenwich Country Day School.</p><p><em>Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d4301da-c7b1-11f0-a59c-b77e28d8ea90]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2841973336.mp3?updated=1663614111" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adrienne Domasin ed., "The Psychgeist of Pop Culture: The Last of Us" (Playstory Press, 2025)</title>
      <description>﻿The Psychgeist of Pop Culture: The Last of Us (Playstory Press, 2025) explores the psychological themes at the heart of The Last of Us franchise. Authors from media, culture, and fandom studies explore how trauma, grief, morality, survival, and revenge shape the story’s characters and influence their choices. This book examines these themes across both video games (The Last of Us and The Last of Us 2) and HBO television adaptation, focusing on their unique approaches to telling the same emotionally resonant stories. This includes close readings of key characters - such as Ellie and Joel - and considers how their experiences reflect broader human struggles.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 23 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿The Psychgeist of Pop Culture: The Last of Us (Playstory Press, 2025) explores the psychological themes at the heart of The Last of Us franchise. Authors from media, culture, and fandom studies explore how trauma, grief, morality, survival, and revenge shape the story’s characters and influence their choices. This book examines these themes across both video games (The Last of Us and The Last of Us 2) and HBO television adaptation, focusing on their unique approaches to telling the same emotionally resonant stories. This includes close readings of key characters - such as Ellie and Joel - and considers how their experiences reflect broader human struggles.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781257828470">﻿The Psychgeist of Pop Culture: The Last of Us</a> (Playstory Press, 2025) explores the psychological themes at the heart of The Last of Us franchise. Authors from media, culture, and fandom studies explore how trauma, grief, morality, survival, and revenge shape the story’s characters and influence their choices. This book examines these themes across both video games (The Last of Us and The Last of Us 2) and HBO television adaptation, focusing on their unique approaches to telling the same emotionally resonant stories. This includes close readings of key characters - such as Ellie and Joel - and considers how their experiences reflect broader human struggles.</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>954</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2c9ca0c0-c6c7-11f0-9c55-fb58039eae11]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9844491321.mp3?updated=1763722262" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Oana Godeanu-Kenworthy, "Videotape" (Bloomsbury, 2025)</title>
      <description>Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War.In the West, its advent deepened the trends of the age: individualism, consumerism, the fragmentation of society, and the consolidation of corporate power in the entertainment industry and its victory over the regulatory powers of the state. In the East, it encouraged new forms of socialization and economic exchanges, while announcing the gradual crumbling of government control over the imagination of the people.By the mid-1990s, the VHS format was displaced by the DVD. The DVD would eventually give way to streaming. As explored in Videotape (Bloomsbury, 2025), by Dr. Oana Godeanu-Kenworthy in the Object Lessons series, the cultural legacy of the videotape continues to inform our relationship to technology, privacy, and to entertainment.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 22 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War.In the West, its advent deepened the trends of the age: individualism, consumerism, the fragmentation of society, and the consolidation of corporate power in the entertainment industry and its victory over the regulatory powers of the state. In the East, it encouraged new forms of socialization and economic exchanges, while announcing the gradual crumbling of government control over the imagination of the people.By the mid-1990s, the VHS format was displaced by the DVD. The DVD would eventually give way to streaming. As explored in Videotape (Bloomsbury, 2025), by Dr. Oana Godeanu-Kenworthy in the Object Lessons series, the cultural legacy of the videotape continues to inform our relationship to technology, privacy, and to entertainment.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War.<br>In the West, its advent deepened the trends of the age: individualism, consumerism, the fragmentation of society, and the consolidation of corporate power in the entertainment industry and its victory over the regulatory powers of the state. In the East, it encouraged new forms of socialization and economic exchanges, while announcing the gradual crumbling of government control over the imagination of the people.<br>By the mid-1990s, the VHS format was displaced by the DVD. The DVD would eventually give way to streaming. As explored in <a href="https://bookshop.org/a/12343/9798765100011">Videotape</a><em> </em>(Bloomsbury, 2025), by Dr. Oana Godeanu-Kenworthy in the Object Lessons series, the cultural legacy of the videotape continues to inform our relationship to technology, privacy, and to entertainment.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2693</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3a8f9db0-c5e4-11f0-90ea-5fcea13bdcc2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6549897846.mp3?updated=1763624699" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Brown, "Eyeliner’s Buy Now" (Bloomsbury 2025) </title>
      <description>Michael Brown undertakes a thorough study of Eyeliner's ﻿Eyeliner's Buy Now (Bloomsbury 2025) a vaporwave homage to the kitsch electronic sounds of the 1980s and 1990s.

Eyeliner's BUY NOW (2015) belongs to a new genre for our times: vaporwave. Emerging in the early 2010s on the internet, vaporwave originated with a cohort of millennial artists who reimagined the musical soundtracks of 1980s-1990s consumerism with an adroit mixture of irony and sincerity. One of these was Eyeliner, the alias of New Zealand computer musician Luke Rowell (a.k.a. Disasteradio). For his vaporwave masterpiece, Rowell harnessed computer software to craft a unique album, a catchy, funky, and witty tour through the utopias of advertising at "the end of history." BUY NOW epitomizes a new kind of album for the internet age: made DIY-style, all digital, free, licensed under Creative Commons, and released to a "virtual" community, an online scene without geographic center.

Drawing on original interviews and the album's production archive, Eyeliner’s BUY NOW (Bloomsbury 2025) uses BUY NOW's story to investigate what it means to create, distribute, and consume independent music in an era of global networks and digital technology. It places the album in both the real-world and online contexts of Rowell's life and career, from early websites to the Spotify era, from Lower Hutt to the world.

Michael Brown on Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 22 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Michael Brown undertakes a thorough study of Eyeliner's ﻿Eyeliner's Buy Now (Bloomsbury 2025) a vaporwave homage to the kitsch electronic sounds of the 1980s and 1990s.

Eyeliner's BUY NOW (2015) belongs to a new genre for our times: vaporwave. Emerging in the early 2010s on the internet, vaporwave originated with a cohort of millennial artists who reimagined the musical soundtracks of 1980s-1990s consumerism with an adroit mixture of irony and sincerity. One of these was Eyeliner, the alias of New Zealand computer musician Luke Rowell (a.k.a. Disasteradio). For his vaporwave masterpiece, Rowell harnessed computer software to craft a unique album, a catchy, funky, and witty tour through the utopias of advertising at "the end of history." BUY NOW epitomizes a new kind of album for the internet age: made DIY-style, all digital, free, licensed under Creative Commons, and released to a "virtual" community, an online scene without geographic center.

Drawing on original interviews and the album's production archive, Eyeliner’s BUY NOW (Bloomsbury 2025) uses BUY NOW's story to investigate what it means to create, distribute, and consume independent music in an era of global networks and digital technology. It places the album in both the real-world and online contexts of Rowell's life and career, from early websites to the Spotify era, from Lower Hutt to the world.

Michael Brown on Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michael Brown undertakes a thorough study of Eyeliner's<em> ﻿</em><a href="https://bookshop.org/a/12343/9781501394997">Eyeliner's Buy Now</a> (Bloomsbury 2025) a vaporwave homage to the kitsch electronic sounds of the 1980s and 1990s.</p>
<p>Eyeliner's <em>BUY NOW</em> (2015) belongs to a new genre for our times: vaporwave. Emerging in the early 2010s on the internet, vaporwave originated with a cohort of millennial artists who reimagined the musical soundtracks of 1980s-1990s consumerism with an adroit mixture of irony and sincerity. One of these was Eyeliner, the alias of New Zealand computer musician Luke Rowell (a.k.a. Disasteradio). For his vaporwave masterpiece, Rowell harnessed computer software to craft a unique album, a catchy, funky, and witty tour through the utopias of advertising at "the end of history." <em>BUY NOW</em> epitomizes a new kind of album for the internet age: made DIY-style, all digital, free, licensed under Creative Commons, and released to a "virtual" community, an online scene without geographic center.</p>
<p>Drawing on original interviews and the album's production archive, <a href="https://bookshop.org/p/books/eyeliner-s-buy-now-music-curator-michael-brown/4e6d4e554e06ac34?ean=9781501394997&amp;next=t">Eyeliner’s <em>BUY NOW</em></a> (Bloomsbury 2025) uses <em>BUY NOW</em>'s story to investigate what it means to create, distribute, and consume independent music in an era of global networks and digital technology. It places the album in both the real-world and online contexts of Rowell's life and career, from early websites to the Spotify era, from Lower Hutt to the world.</p>
<p>Michael Brown on <a href="https://bsky.app/profile/jingajik.bsky.social">Bluesky</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Backbeat Books, 2021), <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025), and <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.</p>
<p>Bradley Morgan on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3764</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f592590-c6a1-11f0-84c9-f77f142b3a61]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6705819310.mp3?updated=1763705823" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lester D. Friedman, "Citizen Spielberg" (U of Illinois Press, 2022)</title>
      <description>Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery.
This new edition of Citizen Spielberg ﻿(University of Illinois Press, 2022) expands Friedman’s original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker.
Incisive and discerning, Citizen Spielberg, Second Edition, offers a career-spanning appraisal of a moviemaking icon.
Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>115</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lester D. Friedman</itunes:subtitle>
      <itunes:summary>Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery.
This new edition of Citizen Spielberg ﻿(University of Illinois Press, 2022) expands Friedman’s original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker.
Incisive and discerning, Citizen Spielberg, Second Edition, offers a career-spanning appraisal of a moviemaking icon.
Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery.</p><p>This new edition of<em> </em><a href="https://bookshop.org/a/12343/9780252086182"><em>Citizen Spielberg</em></a><em> </em>﻿(University of Illinois Press, 2022) expands Friedman’s original analysis to include films of the 2010s like<em> Lincoln </em>and<em> Ready Player One. </em>Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker.</p><p>Incisive and discerning, <em>Citizen Spielberg</em>, Second Edition, offers a career-spanning appraisal of a moviemaking icon.</p><p><em>Nathan Abrams is a professor of film at Bangor University in Wales [</em><a href="https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams"><em>https://research.bangor.ac.uk/...</em></a><em>(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [</em><a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029"><em>https://oxford.universitypress...</em></a><em>]. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9775b5d8-c2fa-11f0-bd88-2be2d056ccf3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3820665642.mp3?updated=1648568253" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Doug MacCash, "Mardi Gras Beads" (Louisiana UP, 2022)</title>
      <description>The first in a new LSU Press series exploring facets of Louisiana’s iconic culture, Mardi Gras Beads (2022) delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. It explores their origins before World War One through their ascent to the premier parade catchable by the Depression era. Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change.
Doug MacCash covers New Orleans art and culture for NOLA.com, The Times- Picayune, and The New Orleans Advocate. 
Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.
Check out some of MacCash's other pertinent writings from NOLA.com here: 
"Pretend Karens, marching traffic cones and French Quarter Fools: An amazing Monday before Mardi Gras"
"Biodegradable Mardi Gras beads might be rarest throw of 2022 - or ever"
"Mardi Gras flashback: Texas artist, 65, says she was first to bare breasts for beads at Carnival"
﻿Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Doug MacCash</itunes:subtitle>
      <itunes:summary>The first in a new LSU Press series exploring facets of Louisiana’s iconic culture, Mardi Gras Beads (2022) delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. It explores their origins before World War One through their ascent to the premier parade catchable by the Depression era. Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change.
Doug MacCash covers New Orleans art and culture for NOLA.com, The Times- Picayune, and The New Orleans Advocate. 
Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.
Check out some of MacCash's other pertinent writings from NOLA.com here: 
"Pretend Karens, marching traffic cones and French Quarter Fools: An amazing Monday before Mardi Gras"
"Biodegradable Mardi Gras beads might be rarest throw of 2022 - or ever"
"Mardi Gras flashback: Texas artist, 65, says she was first to bare breasts for beads at Carnival"
﻿Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The first in a new LSU Press series exploring facets of Louisiana’s iconic culture, <em>Mardi Gras Beads</em> (2022) delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. It explores their origins before World War One through their ascent to the premier parade catchable by the Depression era. Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. <em>Mardi Gras Beads</em> concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change.</p><p>Doug MacCash covers New Orleans art and culture for NOLA.com, <em>The Times- Picayune</em>, and <em>The New Orleans Advocate</em>. </p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.</em></p><p>Check out some of MacCash's other pertinent writings from NOLA.com here: </p><p><a href="https://www.nola.com/entertainment_life/mardi_gras/article_365d27a8-98ed-11ec-968c-6b7814687f56.html">"Pretend Karens, marching traffic cones and French Quarter Fools: An amazing Monday before Mardi Gras"</a></p><p><a href="https://www.nola.com/entertainment_life/mardi_gras/article_cce75bb6-89da-11ec-bf32-cfb56784d5bb.html">"Biodegradable Mardi Gras beads might be rarest throw of 2022 - or ever"</a></p><p><a href="https://www.nola.com/entertainment_life/mardi_gras/article_7e29bd38-2f2d-11eb-a9da-eb68ec24820e.html">"Mardi Gras flashback: Texas artist, 65, says she was first to bare breasts for beads at Carnival"</a></p><p><em>﻿Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2336</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[363bedac-c2f8-11f0-b108-0713220c2034]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8698051048.mp3?updated=1650138246" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michelle McSweeney, "OK" (Bloomsbury, 2023)</title>
      <description>"OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. OK (Bloomsbury, 2023), by Dr. Michelle McSweeney and published by Bloomsbury in 2023, explores this story
OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michelle McSweeney</itunes:subtitle>
      <itunes:summary>"OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. OK (Bloomsbury, 2023), by Dr. Michelle McSweeney and published by Bloomsbury in 2023, explores this story
OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. <a href="https://bookshop.org/a/12343/9781501367182"><em>OK</em></a> (Bloomsbury, 2023), by Dr. Michelle McSweeney and published by Bloomsbury in 2023, explores this story</p><p>OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2396</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d921a78-c300-11f0-a188-3b6a8c85276d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6905440797.mp3?updated=1680802366" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pluribus Episode 3 Analysis: The Amazonification of Everything</title>
      <description>It’s The Pop Culture Professors, and we analyze the third episode of Vince Gilligan’s new series Pluribus. We talk through this episode as a literalization of the problem of being an individual in late-stage capitalism or, if you prefer, the Amazonification of everything.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 16 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we analyze the third episode of Vince Gilligan’s new series Pluribus. We talk through this episode as a literalization of the problem of being an individual in late-stage capitalism or, if you prefer, the Amazonification of everything.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">The Pop Culture Professors</a>, and we analyze the third episode of Vince Gilligan’s new series Pluribus. We talk through this episode as a literalization of the problem of being an individual in late-stage capitalism or, if you prefer, the Amazonification of everything.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1728</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d61c91b2-c232-11f0-9cc9-2b5db2fdeb1d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7319522102.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Páraic Kerrigan, "LGBTQ Visibility, Media and Sexuality in Ireland" (Routledge, 2020)</title>
      <description>“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television.
Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 16 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Páraic Kerrigan</itunes:subtitle>
      <itunes:summary>“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television.
Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“<a href="https://www.youtube.com/watch?v=oKuFrdnxbHQ">We know what we want, and one day, our prince will come</a>,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s <em>Upwardly Mobile</em>. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In <em>LGBTQ Visibility, Media, and Sexuality in Ireland, </em>Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the <em>Late Late Show, </em>queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television.</p><p><a href="https://www.averillearls.com/"><em>Avrill Earls</em></a><em> is the Executive Producer of </em><a href="https://digpodcast.org/"><em>Dig: A History Podcast</em></a><em> (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4417</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[16d74c8c-c135-11f0-a9f7-d7cf29063818]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4650452736.mp3?updated=1763109894" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Caroline Jack, "Business as Usual: How Sponsored Media Sold American Capitalism in the Twentieth Century" (U Chicago Press, 2024)</title>
      <description>Business as Usual: How Sponsored Media Sold American Capitalism in the Twentieth Century, (U Chicago Press, 2024) ﻿reveals how American capitalism has been promoted in the most ephemeral of materials: public service announcements, pamphlets, educational films, and games—what Caroline Jack calls “sponsored economic education media.” These items, which were funded by corporations and trade groups who aimed to “sell America to Americans,”found their way into communities, classrooms, and workplaces, and onto the airwaves, where they promoted ideals of “free enterprise” under the cloaks of public service and civic education. They offered an idealized vision of US industrial development as a source of patriotic optimism, framed business management imperatives as economic principles, and conflated the privileges granted to corporations by the law with foundational political rights held by individuals. This rhetoric remains dominant—a harbinger of the power of disinformation that so besets us today. Jack reveals the funding, production, and distribution that together entrenched a particular vision of corporate responsibility—and, in the process, shut out other hierarchies of value and common care.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 13 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Business as Usual: How Sponsored Media Sold American Capitalism in the Twentieth Century, (U Chicago Press, 2024) ﻿reveals how American capitalism has been promoted in the most ephemeral of materials: public service announcements, pamphlets, educational films, and games—what Caroline Jack calls “sponsored economic education media.” These items, which were funded by corporations and trade groups who aimed to “sell America to Americans,”found their way into communities, classrooms, and workplaces, and onto the airwaves, where they promoted ideals of “free enterprise” under the cloaks of public service and civic education. They offered an idealized vision of US industrial development as a source of patriotic optimism, framed business management imperatives as economic principles, and conflated the privileges granted to corporations by the law with foundational political rights held by individuals. This rhetoric remains dominant—a harbinger of the power of disinformation that so besets us today. Jack reveals the funding, production, and distribution that together entrenched a particular vision of corporate responsibility—and, in the process, shut out other hierarchies of value and common care.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780226835136">Business as Usual: How Sponsored Media Sold American Capitalism in the Twentieth Century</a>, (U Chicago Press, 2024) ﻿reveals how American capitalism has been promoted in the most ephemeral of materials: public service announcements, pamphlets, educational films, and games—what Caroline Jack calls “sponsored economic education media.” These items, which were funded by corporations and trade groups who aimed to “sell America to Americans,”<br>found their way into communities, classrooms, and workplaces, and onto the airwaves, where they promoted ideals of “free enterprise” under the cloaks of public service and civic education. They offered an idealized vision of US industrial development as a source of patriotic optimism, framed business management imperatives as economic principles, and conflated the privileges granted to corporations by the law with foundational political rights held by individuals. This rhetoric remains dominant—a harbinger of the power of disinformation that so besets us today. Jack reveals the funding, production, and distribution that together entrenched a particular vision of corporate responsibility—and, in the process, shut out other hierarchies of value and common care.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4238</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sophie Bishop, "Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture" (U California Press, 2025)</title>
      <description>How are influencers changing the arts? In Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture (U California Press, 2025) Sophie Bishop, an Associate Professor in the University of Leeds’ School of Media and Communication analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer’s techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 12 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How are influencers changing the arts? In Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture (U California Press, 2025) Sophie Bishop, an Associate Professor in the University of Leeds’ School of Media and Communication analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer’s techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are influencers changing the arts? In <a href="https://bookshop.org/a/12343/9780520402706">Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture</a> (U California Press, 2025) <a href="https://bsky.app/profile/sophiebishop.bsky.social">Sophie Bishop</a>, <a href="https://sophiebishop.co.uk/">an Associate Professor</a> in the <a href="https://ahc.leeds.ac.uk/media/staff/5858/sophie-bishop">University of Leeds’ School of Media and Communication</a> analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer’s techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1923</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db2bb3c2-beb3-11f0-b605-eb5de88c3425]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6675973968.mp3?updated=1762834273" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Brown's War on Disco</title>
      <description>In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race.

The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era.

Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity.

With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Nov 2025 23:26:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5d38dfe6-bf56-11f0-aef7-a374429ee52e/image/72cbcd7c4d7f2b8a2a07622a40e5cf5a.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race.

The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era.

Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity.

With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race.</p>
<p>The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era.</p>
<p>Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity.</p>
<p>With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3686</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5d38dfe6-bf56-11f0-aef7-a374429ee52e]]></guid>
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    </item>
    <item>
      <title>James Trefil and Shobita Satyapal, "Supermassive: Black Holes at the Beginning and End of the Universe" (Smithsonian Books, 2025)</title>
      <description>Black holes, demystified: follow along the quest to understand the history and influence of one of space science's most fascinating and confounding phenomenaLed by physicist James Trefil and astrophysicist Shobita Satyapal, Supermassive: Black Holes at the Beginning and End of the Universe (Smithsonian Books, 2025) traverses the incredible history of black holes and introduces contemporary developments and theories on still unanswered questions about the enigmatic objects. From the early work of Albert Einstein and Karl Schwarzschild to an insider look at black hole-galaxy connection research led by co-author Satyapa, the comprehensive book surveys an exciting and evolving branch of space science, with topics that include:


  Visibility of black holes

  Quasars, the brightest objects in the universe

  The black hole at the center of the Milky Way

  Popular theories on the origin of black holes

  Cosmic X rays

  Death of supermassives

  Black hole collisions

  Black holes in science fiction


Invisible to the naked eye and telescopes, black holes have mystified and entranced astronomers, scientists, and humanity for more than a century. The first image of a supermassive black hole was only unveiled in 2019, and new black holes are continually discovered. Supermassive illuminates what we know about black holes so far and what we have yet to uncover.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 08 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Black holes, demystified: follow along the quest to understand the history and influence of one of space science's most fascinating and confounding phenomenaLed by physicist James Trefil and astrophysicist Shobita Satyapal, Supermassive: Black Holes at the Beginning and End of the Universe (Smithsonian Books, 2025) traverses the incredible history of black holes and introduces contemporary developments and theories on still unanswered questions about the enigmatic objects. From the early work of Albert Einstein and Karl Schwarzschild to an insider look at black hole-galaxy connection research led by co-author Satyapa, the comprehensive book surveys an exciting and evolving branch of space science, with topics that include:


  Visibility of black holes

  Quasars, the brightest objects in the universe

  The black hole at the center of the Milky Way

  Popular theories on the origin of black holes

  Cosmic X rays

  Death of supermassives

  Black hole collisions

  Black holes in science fiction


Invisible to the naked eye and telescopes, black holes have mystified and entranced astronomers, scientists, and humanity for more than a century. The first image of a supermassive black hole was only unveiled in 2019, and new black holes are continually discovered. Supermassive illuminates what we know about black holes so far and what we have yet to uncover.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Black holes, demystified: follow along the quest to understand the history and influence of one of space science's most fascinating and confounding phenomena<br>Led by physicist James Trefil and astrophysicist Shobita Satyapal, <a href="https://bookshop.org/a/12343/9781588347893">Supermassive: Black Holes at the Beginning and End of the Universe</a> (Smithsonian Books, 2025) traverses the incredible history of black holes and introduces contemporary developments and theories on still unanswered questions about the enigmatic objects. From the early work of Albert Einstein and Karl Schwarzschild to an insider look at black hole-galaxy connection research led by co-author Satyapa, the comprehensive book surveys an exciting and evolving branch of space science, with topics that include:<br></p>
<ul>
  <li>Visibility of black holes</li>
  <li>Quasars, the brightest objects in the universe</li>
  <li>The black hole at the center of the Milky Way</li>
  <li>Popular theories on the origin of black holes</li>
  <li>Cosmic X rays</li>
  <li>Death of supermassives</li>
  <li>Black hole collisions</li>
  <li>Black holes in science fiction</li>
</ul>
<p>Invisible to the naked eye and telescopes, black holes have mystified and entranced astronomers, scientists, and humanity for more than a century. The first image of a supermassive black hole was only unveiled in 2019, and new black holes are continually discovered. <em>Supermassive </em>illuminates what we know about black holes so far and what we have yet to uncover.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3702</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1845091288.mp3?updated=1762409902" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julie Fette, "Gender by the Book: 21st-Century French Children's Literature" (Routledge, 2025)</title>
      <description>Gender by the Book: 21st-Century French Children's Literature (Routledge, 2025) investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children’s right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children.

Guest Julie Fette, author of Gender by the Book: 21st-Century French Children's Literature published in October 2024 by Routledge. Dr. Fette is Associate Professor of French Studies at Rice University where she is also Rice Faculty Scholar at the Center for the Middle East, Baker Institute and a Faculty Affiliate with the Center for the Study of Women, Gender, and Sexuality. She is also the author of Exclusions: Practicing Prejudice in French Law and Medicine, 1920-1945 from Cornell University Press in 2012 and the co-author of the textbook Les Français from Hackett in 2021, as well as numerous articles and book chapters on subjects from gender and professional life in France to teaching French studies in the classroom and online. 

Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Gender by the Book: 21st-Century French Children's Literature (Routledge, 2025) investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children’s right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children.

Guest Julie Fette, author of Gender by the Book: 21st-Century French Children's Literature published in October 2024 by Routledge. Dr. Fette is Associate Professor of French Studies at Rice University where she is also Rice Faculty Scholar at the Center for the Middle East, Baker Institute and a Faculty Affiliate with the Center for the Study of Women, Gender, and Sexuality. She is also the author of Exclusions: Practicing Prejudice in French Law and Medicine, 1920-1945 from Cornell University Press in 2012 and the co-author of the textbook Les Français from Hackett in 2021, as well as numerous articles and book chapters on subjects from gender and professional life in France to teaching French studies in the classroom and online. 

Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032601540">Gender by the Book: 21st-Century French Children's Literature</a> (Routledge, 2025) investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children’s right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children.</p>
<p>Guest Julie Fette, author of <em>Gender by the Book: 21st-Century French Children's Literature </em>published in October 2024 by Routledge. Dr. Fette is Associate Professor of French Studies at Rice University where she is also Rice Faculty Scholar at the Center for the Middle East, Baker Institute and a Faculty Affiliate with the Center for the Study of Women, Gender, and Sexuality. She is also the author of <em>Exclusions: Practicing Prejudice in French Law and Medicine, 1920-1945 </em>from Cornell University Press in 2012 and the co-author of the textbook <em>Les Français</em> from Hackett in 2021, as well as numerous articles and book chapters on subjects from gender and professional life in France to teaching French studies in the classroom and online. </p>
<p>Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2490</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6d7ac250-bad5-11f0-9d94-1302e2b9aab8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8682537851.mp3?updated=1762408882" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marcus Chown, "A Crack in Everything: How Black Holes Came in from the Cold and Took Cosmic Centre Stage" (Apollo, 2025)</title>
      <description>What is space? What is time? Where did the universe come from? The answers to mankind's most enduring questions may lie in science's greatest enigma: black holes.A black hole is a region of space where gravity is so strong that nothing, not even light, can escape. This can occur when a star approaches the end of its life. Unable to generate enough heat to maintain its outer layers, it shrinks catastrophically down to an infinitely dense point.When this phenomenon was first proposed in 1916, it defied scientific understanding so much that Albert Einstein dismissed it as too ridiculous to be true. But scientists have since proven otherwise. In 1971, Paul Murdin and Louise Webster discovered the first black hole: Cygnus X-1. Later, in the 1990s, astronomers using NASA's Hubble Space Telescope found that not only do black holes exist, supermassive black holes lie at the heart of almost every galaxy, including our own. It would take another three decades to confirm this phenomenon. On 10 April 2019, a team of astronomers made history by producing the first image of a black hole.A Crack in Everything: How Black Holes Came in from the Cold and Took Cosmic Centre Stage (Apollo, 2025)is the story of how black holes came in from the cold and took cosmic centre stage. As a journalist, Marcus Chown interviews many of the scientists who made the key discoveries, and, as a former physicist, he translates the most esoteric of science into everyday language. The result is a uniquely engaging page-turner that tells one of the great untold stories in modern science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What is space? What is time? Where did the universe come from? The answers to mankind's most enduring questions may lie in science's greatest enigma: black holes.A black hole is a region of space where gravity is so strong that nothing, not even light, can escape. This can occur when a star approaches the end of its life. Unable to generate enough heat to maintain its outer layers, it shrinks catastrophically down to an infinitely dense point.When this phenomenon was first proposed in 1916, it defied scientific understanding so much that Albert Einstein dismissed it as too ridiculous to be true. But scientists have since proven otherwise. In 1971, Paul Murdin and Louise Webster discovered the first black hole: Cygnus X-1. Later, in the 1990s, astronomers using NASA's Hubble Space Telescope found that not only do black holes exist, supermassive black holes lie at the heart of almost every galaxy, including our own. It would take another three decades to confirm this phenomenon. On 10 April 2019, a team of astronomers made history by producing the first image of a black hole.A Crack in Everything: How Black Holes Came in from the Cold and Took Cosmic Centre Stage (Apollo, 2025)is the story of how black holes came in from the cold and took cosmic centre stage. As a journalist, Marcus Chown interviews many of the scientists who made the key discoveries, and, as a former physicist, he translates the most esoteric of science into everyday language. The result is a uniquely engaging page-turner that tells one of the great untold stories in modern science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is space? What is time? Where did the universe come from? The answers to mankind's most enduring questions may lie in science's greatest enigma: black holes.<br>A black hole is a region of space where gravity is so strong that nothing, not even light, can escape. This can occur when a star approaches the end of its life. Unable to generate enough heat to maintain its outer layers, it shrinks catastrophically down to an infinitely dense point.<br>When this phenomenon was first proposed in 1916, it defied scientific understanding so much that Albert Einstein dismissed it as too ridiculous to be true. But scientists have since proven otherwise. In 1971, Paul Murdin and Louise Webster discovered the first black hole: Cygnus X-1. Later, in the 1990s, astronomers using NASA's Hubble Space Telescope found that not only do black holes exist, supermassive black holes lie at the heart of almost every galaxy, including our own. It would take another three decades to confirm this phenomenon. On 10 April 2019, a team of astronomers made history by producing the first image of a black hole.<a href="https://bookshop.org/a/12343/9781804544327"><br>A Crack in Everything: How Black Holes Came in from the Cold and Took Cosmic Centre Stage</a> (Apollo, 2025)is the story of how black holes came in from the cold and took cosmic centre stage. As a journalist, Marcus Chown interviews many of the scientists who made the key discoveries, and, as a former physicist, he translates the most esoteric of science into everyday language. The result is a uniquely engaging page-turner that tells one of the great untold stories in modern science.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a81aaa3c-bad6-11f0-867f-afd647f8fe9b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9100604427.mp3?updated=1762409804" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Springsteen’s "Nebraska" as a Political, Sonic, and Personal Document</title>
      <description>It’s The Pop Culture Professors, and we consider Bruce Springsteen’s 1982 album Nebraska as personal and political document. With the release of the Nebraska 82 box set, and Deliver Me From Nowhere – about the making of the album – we take up the musical and social importance of Springsteen’s lo-fi lament. One of us has been listening to Nebraska for their whole adult life, the other had never heard of it until a week ago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 05 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>231</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we consider Bruce Springsteen’s 1982 album Nebraska as personal and political document. With the release of the Nebraska 82 box set, and Deliver Me From Nowhere – about the making of the album – we take up the musical and social importance of Springsteen’s lo-fi lament. One of us has been listening to Nebraska for their whole adult life, the other had never heard of it until a week ago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">The Pop Culture Professors</a>, and we consider Bruce Springsteen’s 1982 album Nebraska as personal and political document. With the release of the Nebraska 82 box set, and Deliver Me From Nowhere – about the making of the album – we take up the musical and social importance of Springsteen’s lo-fi lament. One of us has been listening to Nebraska for their whole adult life, the other had never heard of it until a week ago.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3659</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[66a39fee-b9bb-11f0-9d05-2ffbcaee7916]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5901702253.mp3?updated=1762288181" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Springsteen’s "Nebraska" as a Political, Sonic, and Personal Document</title>
      <description>It’s The Pop Culture Professors, and we consider Bruce Springsteen’s 1982 album Nebraska as personal and political document. With the release of the Nebraska 82 box set, and Deliver Me From Nowhere – about the making of the album – we take up the musical and social importance of Springsteen’s lo-fi lament. One of us has been listening to Nebraska for their whole adult life, the other had never heard of it until a week ago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 05 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>231</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we consider Bruce Springsteen’s 1982 album Nebraska as personal and political document. With the release of the Nebraska 82 box set, and Deliver Me From Nowhere – about the making of the album – we take up the musical and social importance of Springsteen’s lo-fi lament. One of us has been listening to Nebraska for their whole adult life, the other had never heard of it until a week ago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">The Pop Culture Professors</a>, and we consider Bruce Springsteen’s 1982 album Nebraska as personal and political document. With the release of the Nebraska 82 box set, and Deliver Me From Nowhere – about the making of the album – we take up the musical and social importance of Springsteen’s lo-fi lament. One of us has been listening to Nebraska for their whole adult life, the other had never heard of it until a week ago.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3659</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[356bcbc2-b9bb-11f0-bc13-cf3578bde634]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4325834617.mp3?updated=1762288181" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rebecca van Laer, "Cat" (Bloomsbury, 2025)</title>
      <description>Dr. Rebecca van Laer and her partner purchase a home and move in with their senior cats, Toby and Gus. Their loved ones see this as a step toward an inevitable future-first comes the house, then a dog, then a child. But what if they are just cat people?Moving between memoir, philosophy, and pop culture, Cat (Bloomsbury, 2025) is a playful and tender meditation on cats and their people, part of the Object Lessons series. Van Laer considers cats' role in her personal narrative, where they are mascots of laziness and lawlessness, and in cultural narratives, where they appear as feminine, anarchic, and maladapted, especially in comparison to dogs.From the stereotype of the 'crazy cat lady' to the joy of cat memes to the grief of pet loss, van Laer demonstrates that the cat-person relationship is free of the discipline and dependence required by parenting (and dog-parenting), creating a less hierarchical intimacy that offers a different model for love.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dr. Rebecca van Laer and her partner purchase a home and move in with their senior cats, Toby and Gus. Their loved ones see this as a step toward an inevitable future-first comes the house, then a dog, then a child. But what if they are just cat people?Moving between memoir, philosophy, and pop culture, Cat (Bloomsbury, 2025) is a playful and tender meditation on cats and their people, part of the Object Lessons series. Van Laer considers cats' role in her personal narrative, where they are mascots of laziness and lawlessness, and in cultural narratives, where they appear as feminine, anarchic, and maladapted, especially in comparison to dogs.From the stereotype of the 'crazy cat lady' to the joy of cat memes to the grief of pet loss, van Laer demonstrates that the cat-person relationship is free of the discipline and dependence required by parenting (and dog-parenting), creating a less hierarchical intimacy that offers a different model for love.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Rebecca van Laer and her partner purchase a home and move in with their senior cats, Toby and Gus. Their loved ones see this as a step toward an inevitable future-first comes the house, then a dog, then a child. But what if they are just cat people?<br>Moving between memoir, philosophy, and pop culture, <a href="https://bookshop.org/a/12343/9798765114629">Cat</a><em> </em>(Bloomsbury, 2025) is a playful and tender meditation on cats and their people, part of the Object Lessons series. Van Laer considers cats' role in her personal narrative, where they are mascots of laziness and lawlessness, and in cultural narratives, where they appear as feminine, anarchic, and maladapted, especially in comparison to dogs.<br>From the stereotype of the 'crazy cat lady' to the joy of cat memes to the grief of pet loss, van Laer demonstrates that the cat-person relationship is free of the discipline and dependence required by parenting (and dog-parenting), creating a less hierarchical intimacy that offers a different model for love.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1702</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[390a110c-b697-11f0-a67a-9ff7ca5fbf44]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6738302800.mp3?updated=1761942405" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Maniates, "The Living-Green Myth" (Polity Press, 2025)</title>
      <description>Dr. Michael F. Maniates is a leading scholar in environmental politics and sustainability studies whose work has fundamentally reshaped how researchers and policymakers understand consumption, responsibility, and power in environmental change. 

In this current book, The Living-Green Myth (Polity Press, 2025), he identifies recurring paradoxes in the sustainable-consumption agenda: the tendency to propose modest behavioral solutions for immense systemic problems, to depoliticize governance, and to avoid confronting growth. He believes the mantra of “buy green, live lean, save the planet” is a con of recent and unseemly origin. It fosters pernicious assumptions about social change, separates individuals from their real power in the world, and fuels damaging consumption. It thrives because it meets the short-term priorities of governments and business, not the long-term needs of the planet's human and non-human inhabitants. Environmentally concerned individuals can make a meaningful difference in the world, and living green is a start. But alone, it can do more harm than good.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 02 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dr. Michael F. Maniates is a leading scholar in environmental politics and sustainability studies whose work has fundamentally reshaped how researchers and policymakers understand consumption, responsibility, and power in environmental change. 

In this current book, The Living-Green Myth (Polity Press, 2025), he identifies recurring paradoxes in the sustainable-consumption agenda: the tendency to propose modest behavioral solutions for immense systemic problems, to depoliticize governance, and to avoid confronting growth. He believes the mantra of “buy green, live lean, save the planet” is a con of recent and unseemly origin. It fosters pernicious assumptions about social change, separates individuals from their real power in the world, and fuels damaging consumption. It thrives because it meets the short-term priorities of governments and business, not the long-term needs of the planet's human and non-human inhabitants. Environmentally concerned individuals can make a meaningful difference in the world, and living green is a start. But alone, it can do more harm than good.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Michael F. Maniates is a leading scholar in environmental politics and sustainability studies whose work has fundamentally reshaped how researchers and policymakers understand consumption, responsibility, and power in environmental change. </p>
<p>In this current book, <a href="https://bookshop.org/a/12343/9781509527465">The Living-Green Myth</a><em> </em>(Polity Press, 2025), he identifies recurring paradoxes in the sustainable-consumption agenda: the tendency to propose modest behavioral solutions for immense systemic problems, to depoliticize governance, and to avoid confronting growth. He believes the mantra of “buy green, live lean, save the planet” is a con of recent and unseemly origin. It fosters pernicious assumptions about social change, separates individuals from their real power in the world, and fuels damaging consumption. It thrives because it meets the short-term priorities of governments and business, not the long-term needs of the planet's human and non-human inhabitants. Environmentally concerned individuals can make a meaningful difference in the world, and living green is a start. But alone, it can do more harm than good.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3080</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[79bcd37e-b61a-11f0-9212-a362a26afbc7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6389134199.mp3?updated=1761888690" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tamar Mitts, "Safe Havens for Hate: The Challenge of Moderating Online Extremism" (Princeton UP, 2025)</title>
      <description>Content moderation on social media has become one of the most daunting challenges of our time. Nowhere is the need for action more urgent than in the fight against terrorism and extremism. Yet despite mass content takedowns, account suspensions, and mounting pressure on technology companies to do more, hate thrives online. Safe Havens for Hate: The Challenge of Moderating Online Extremism (Princeton University Press, 2025) looks at how content moderation shapes the tactics of harmful content producers on a wide range of social media platforms.Drawing on a wealth of original data on more than a hundred militant and hate organizations around the world, Dr. Tamar Mitts shows how differing moderation standards across platforms create safe havens that allow these actors to organize, launch campaigns, and mobilize supporters. She reveals how the structure of the information environment shapes the cross-platform activity of extremist organizations and movements such as the Islamic State, the Proud Boys, the Oath Keepers, and QAnon, and highlights the need to consider the online ecosystem, not just individual platforms, when developing strategies to combat extremism.Taking readers to the frontlines of the digital battleground where dangerous organizations operate, Safe Havens for Hate sheds critical light on how governments and technology companies grapple with the tension between censorship and free speech when faced with violence, hate, and extremism.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 31 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>403</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Content moderation on social media has become one of the most daunting challenges of our time. Nowhere is the need for action more urgent than in the fight against terrorism and extremism. Yet despite mass content takedowns, account suspensions, and mounting pressure on technology companies to do more, hate thrives online. Safe Havens for Hate: The Challenge of Moderating Online Extremism (Princeton University Press, 2025) looks at how content moderation shapes the tactics of harmful content producers on a wide range of social media platforms.Drawing on a wealth of original data on more than a hundred militant and hate organizations around the world, Dr. Tamar Mitts shows how differing moderation standards across platforms create safe havens that allow these actors to organize, launch campaigns, and mobilize supporters. She reveals how the structure of the information environment shapes the cross-platform activity of extremist organizations and movements such as the Islamic State, the Proud Boys, the Oath Keepers, and QAnon, and highlights the need to consider the online ecosystem, not just individual platforms, when developing strategies to combat extremism.Taking readers to the frontlines of the digital battleground where dangerous organizations operate, Safe Havens for Hate sheds critical light on how governments and technology companies grapple with the tension between censorship and free speech when faced with violence, hate, and extremism.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Content moderation on social media has become one of the most daunting challenges of our time. Nowhere is the need for action more urgent than in the fight against terrorism and extremism. Yet despite mass content takedowns, account suspensions, and mounting pressure on technology companies to do more, hate thrives online. <em>Safe Havens for Hate: The Challenge of Moderating Online Extremism</em> (Princeton University Press, 2025) looks at how content moderation shapes the tactics of harmful content producers on a wide range of social media platforms.<br>Drawing on a wealth of original data on more than a hundred militant and hate organizations around the world, Dr. Tamar Mitts shows how differing moderation standards across platforms create safe havens that allow these actors to organize, launch campaigns, and mobilize supporters. She reveals how the structure of the information environment shapes the cross-platform activity of extremist organizations and movements such as the Islamic State, the Proud Boys, the Oath Keepers, and QAnon, and highlights the need to consider the online ecosystem, not just individual platforms, when developing strategies to combat extremism.<br>Taking readers to the frontlines of the digital battleground where dangerous organizations operate, <em>Safe Havens for Hate</em> sheds critical light on how governments and technology companies grapple with the tension between censorship and free speech when faced with violence, hate, and extremism.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2721</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f297dce4-b4ee-11f0-a747-df8a4ccfda02]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6305368493.mp3?updated=1761760572" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian Baker, "The Road" (Akashic Books, 2025)</title>
      <description>The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker’s many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses.

While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more.

The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker’s–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 29 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker’s many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses.

While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more.

The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker’s–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781636142715">The Road</a><em> </em>(Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker’s many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses.</p>
<p>While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in <em>The Road</em>, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more.</p>
<p><em>The Road </em>is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker’s–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2047</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6b4c13e0-b3d6-11f0-ab5b-6bef1c29c441]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8444314199.mp3?updated=1761640161" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Disco's Revenge</title>
      <description>In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances.﻿

In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 28 Oct 2025 19:59:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/65d3cc0a-b43f-11f0-b840-b3afc8e294d2/image/6bfe6615836290eaa05ffa9500ea24b5.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances.﻿

In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances.﻿</p>
<p>In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3542</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[65d3cc0a-b43f-11f0-b840-b3afc8e294d2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6661837232.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kubrick’s Worlds: Power, Paranoia, and the Politics of the Human Condition</title>
      <description>In this episode of International Horizons, Interim Director Eli Karetny speaks with film scholar Nathan Abrams about the enduring relevance of Stanley Kubrick and what his work can teach us about our current era. From the nuclear absurdities of Dr. Strangelove to the cosmic rebirth of 2001: A Space Odyssey, Kubrick’s films expose the fragile line between technological mastery and moral collapse. Abrams unpacks Kubrick’s fascination with war, authority, and obedience, his roots in the New York Jewish intellectual tradition, and his exploration of mystical and mythic themes—from Kabbalah to The Odyssey. Together, they reveal how Kubrick’s cinematic universe reflects our own: a world where human creativity, paranoia, and power intertwine in both terrifying and illuminating ways.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 28 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode of International Horizons, Interim Director Eli Karetny speaks with film scholar Nathan Abrams about the enduring relevance of Stanley Kubrick and what his work can teach us about our current era. From the nuclear absurdities of Dr. Strangelove to the cosmic rebirth of 2001: A Space Odyssey, Kubrick’s films expose the fragile line between technological mastery and moral collapse. Abrams unpacks Kubrick’s fascination with war, authority, and obedience, his roots in the New York Jewish intellectual tradition, and his exploration of mystical and mythic themes—from Kabbalah to The Odyssey. Together, they reveal how Kubrick’s cinematic universe reflects our own: a world where human creativity, paranoia, and power intertwine in both terrifying and illuminating ways.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of <em>International Horizons</em>, Interim Director Eli Karetny speaks with film scholar Nathan Abrams about the enduring relevance of Stanley Kubrick and what his work can teach us about our current era. From the nuclear absurdities of <em>Dr. Strangelove</em> to the cosmic rebirth of <em>2001: A Space Odyssey</em>, Kubrick’s films expose the fragile line between technological mastery and moral collapse. Abrams unpacks Kubrick’s fascination with war, authority, and obedience, his roots in the New York Jewish intellectual tradition, and his exploration of mystical and mythic themes—from Kabbalah to <em>The Odyssey</em>. Together, they reveal how Kubrick’s cinematic universe reflects our own: a world where human creativity, paranoia, and power intertwine in both terrifying and illuminating ways.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[acadbf16-b307-11f0-8780-b7f0481ad98d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9247436191.mp3?updated=1761550645" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gilles Deleuze, "On Painting" (U Minnesota Press, 2025)</title>
      <description>Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss:

Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press.

Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze’s Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion!

From the inside flap:

“

”

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu

Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 26 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss:

Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press.

Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze’s Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion!

From the inside flap:

“

”

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu

Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss:</p>
<p>Deleuze, Gilles. 2025. <a href="https://bookshop.org/a/12343/9781517918408">On Painting</a><em>. </em>Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press.</p>
<p>Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (<a href="https://deleuze.cla.purdue.edu/">website here</a>). Dan is also the translator of Deleuze’s <em>Francis Bacon: The Logic of Sensation</em>, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion!<br></p>
<p>From the inside flap:</p>
<p>“</p>
<p>”</p>
<p>Nathan Smith is a PhD candidate in Music Theory at Yale University</p>
<p>nathan.smith@yale.edu</p>
<p><em><strong>Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on painting</strong></em><em>From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5988</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af8698ec-b105-11f0-a682-23c379c4701a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1358027017.mp3?updated=1761330533" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hector Vera, "Yardstick Nation: The Metric System in America" (Vanderbilt UP, 2025)</title>
      <description>Why is there no metric system in the United States? Why is it that a country known for its openness to the future, its scientific innovations, and its preference for practicality has not adopted the most practical, scientific, and innovative system of measurement? Yardstick Nation: The Metric System in America (Vanderbilt UP, 2025) by Dr. Hector Vera answers these questions by analyzing the political, economic, and international factors that determined the trajectory of the United States as a nation self-excluded from one of the most successful global technical languages.

Using a historical-comparative approach and qualitative analysis of archival material, the book examines the trajectories of American scientists, engineers, politicians, and industrialists from 1787 to 1982, to detail what they wanted to attain and to explain what was actually possible to achieve given the political and economic conditions in which they lived. Yardstick Nation argues that in order to understand the unbreached distance between the United States and the metric system, we must consider the interaction between three structural elements: historical timing, state infrastructural power, and international economic integration.

Dr. Vera’s systematic look at when and why countries have adopted the metric system shows that its introduction is never casual. In the countries that voluntarily embraced the metric system, this was the result of either deep internal political transformations or momentous changes in the international economy. When the adoption of the metric system is politically driven, it comes as the result of a social revolution, independence war, national unification, or the draft of a new constitution. When it is propelled by economic factors, metrication is part of the efforts of economically stagnant countries to integrate into international markets.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 25 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Why is there no metric system in the United States? Why is it that a country known for its openness to the future, its scientific innovations, and its preference for practicality has not adopted the most practical, scientific, and innovative system of measurement? Yardstick Nation: The Metric System in America (Vanderbilt UP, 2025) by Dr. Hector Vera answers these questions by analyzing the political, economic, and international factors that determined the trajectory of the United States as a nation self-excluded from one of the most successful global technical languages.

Using a historical-comparative approach and qualitative analysis of archival material, the book examines the trajectories of American scientists, engineers, politicians, and industrialists from 1787 to 1982, to detail what they wanted to attain and to explain what was actually possible to achieve given the political and economic conditions in which they lived. Yardstick Nation argues that in order to understand the unbreached distance between the United States and the metric system, we must consider the interaction between three structural elements: historical timing, state infrastructural power, and international economic integration.

Dr. Vera’s systematic look at when and why countries have adopted the metric system shows that its introduction is never casual. In the countries that voluntarily embraced the metric system, this was the result of either deep internal political transformations or momentous changes in the international economy. When the adoption of the metric system is politically driven, it comes as the result of a social revolution, independence war, national unification, or the draft of a new constitution. When it is propelled by economic factors, metrication is part of the efforts of economically stagnant countries to integrate into international markets.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is there no metric system in the United States? Why is it that a country known for its openness to the future, its scientific innovations, and its preference for practicality has not adopted the most practical, scientific, and innovative system of measurement? <a href="https://bookshop.org/a/12343/9780826507846">Yardstick Nation: The Metric System in America</a> (Vanderbilt UP, 2025) by Dr. Hector Vera answers these questions by analyzing the political, economic, and international factors that determined the trajectory of the United States as a nation self-excluded from one of the most successful global technical languages.</p>
<p>Using a historical-comparative approach and qualitative analysis of archival material, the book examines the trajectories of American scientists, engineers, politicians, and industrialists from 1787 to 1982, to detail what they wanted to attain and to explain what was actually possible to achieve given the political and economic conditions in which they lived. <em>Yardstick Nation</em> argues that in order to understand the unbreached distance between the United States and the metric system, we must consider the interaction between three structural elements: historical timing, state infrastructural power, and international economic integration.</p>
<p>Dr. Vera’s systematic look at when and why countries have adopted the metric system shows that its introduction is never casual. In the countries that voluntarily embraced the metric system, this was the result of either deep internal political transformations or momentous changes in the international economy. When the adoption of the metric system is politically driven, it comes as the result of a social revolution, independence war, national unification, or the draft of a new constitution. When it is propelled by economic factors, metrication is part of the efforts of economically stagnant countries to integrate into international markets.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3464</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6e9eee5c-b07d-11f0-9c57-0f121d1c1d79]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4809504092.mp3?updated=1761271535" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott D. Anthony, "Epic Disruptions: 11 Innovations That Shaped Our Modern World" (Harvard Business Review Press, 2025)</title>
      <description>Epic Disruptions: 11 Innovations That Shaped Our Modern World (Harvard Business Review Press, 2025) arrives at the perfect moment as artificial intelligence and other technologies promise to unleash another wave of major transformation. This book is a kaleidoscopic look at how eleven disruptive innovations—including the iPhone, transistor, disposable diapers, and Julia Child's The Art of French Cooking—reshaped industries and societies, propelling humanity toward new frontiers. It masterfully weaves together the fascinating stories behind history's most transformative disruptions—from ninth-century China to twenty-first-century Silicon Valley. Through the eleven pivotal innovations that it covers, including the printing press, mass-produced automobiles, the McDonald's revolutionary food system, and the iPhone, the author Dartmouth Business School Professor Scott D. Anthony reveals the hidden patterns behind world-changing breakthroughs from gunpowder to generative AI. These forces of disruption are repeatedly rewriting the rules of business, society, and human possibility. Through vivid storytelling and sharp analysis, Professor Anthony introduces the iconoclasts who dared to think differently—the Renaissance-era scientists, French-cooking enthusiasts, and corporate visionaries who saw opportunities others missed. This books shows how disruptions actually took place.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Epic Disruptions: 11 Innovations That Shaped Our Modern World (Harvard Business Review Press, 2025) arrives at the perfect moment as artificial intelligence and other technologies promise to unleash another wave of major transformation. This book is a kaleidoscopic look at how eleven disruptive innovations—including the iPhone, transistor, disposable diapers, and Julia Child's The Art of French Cooking—reshaped industries and societies, propelling humanity toward new frontiers. It masterfully weaves together the fascinating stories behind history's most transformative disruptions—from ninth-century China to twenty-first-century Silicon Valley. Through the eleven pivotal innovations that it covers, including the printing press, mass-produced automobiles, the McDonald's revolutionary food system, and the iPhone, the author Dartmouth Business School Professor Scott D. Anthony reveals the hidden patterns behind world-changing breakthroughs from gunpowder to generative AI. These forces of disruption are repeatedly rewriting the rules of business, society, and human possibility. Through vivid storytelling and sharp analysis, Professor Anthony introduces the iconoclasts who dared to think differently—the Renaissance-era scientists, French-cooking enthusiasts, and corporate visionaries who saw opportunities others missed. This books shows how disruptions actually took place.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781647829711">Epic Disruptions: 11 Innovations That Shaped Our Modern World</a> (Harvard Business Review Press, 2025) arrives at the perfect moment as artificial intelligence and other technologies promise to unleash another wave of major transformation. This book is a kaleidoscopic look at how eleven disruptive innovations—including the iPhone, transistor, disposable diapers, and Julia Child's The Art of French Cooking—reshaped industries and societies, propelling humanity toward new frontiers. It masterfully weaves together the fascinating stories behind history's most transformative disruptions—from ninth-century China to twenty-first-century Silicon Valley. Through the eleven pivotal innovations that it covers, including the printing press, mass-produced automobiles, the McDonald's revolutionary food system, and the iPhone, the author Dartmouth Business School Professor Scott D. Anthony reveals the hidden patterns behind world-changing breakthroughs from gunpowder to generative AI. These forces of disruption are repeatedly rewriting the rules of business, society, and human possibility. Through vivid storytelling and sharp analysis, Professor Anthony introduces the iconoclasts who dared to think differently—the Renaissance-era scientists, French-cooking enthusiasts, and corporate visionaries who saw opportunities others missed. This books shows how disruptions actually took place.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3829</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[84d81d06-afe7-11f0-82df-933d425e2337]]></guid>
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    </item>
    <item>
      <title>Harry Cliff, "Space Oddities: The Mysterious Anomalies Challenging Our Understanding of the Universe" (Doubleday, 2024)</title>
      <description>Nothing captivates the human imagination like the vast unknowns of space. Ancient petroglyphs present renderings of the heavens, proof that we have been gazing up at the stars with wonder for thousands of years. Since then, mankind has systematically expanded our cosmic possibilities. What were once flights of fancy and dreams of science fiction writers have become nearly routine – a continuous human presence orbiting the Earth, probes flying beyond our solar system, and men walking on the moon. NASA and the Russian space program make traveling to the stars look easy, but it has been far from that. Space travel is a sometimes heroic, sometimes humorous, and always dangerous journey fraught with perils around every corner that most of us have never heard of or have long since forgotten.Space Oddities: The Mysterious Anomalies Challenging Our Understanding of the Universe (Doubleday, 2024) brings these unknown, offbeat, and obscure stories of space to life. From the showmanship and bravado of the earliest known space fatality, German Max Valier, to the first ever indictment under the Espionage Act on an Army officer who leaked secrets concerning the development of early U.S. rockets; and the story of a single loose bolt that defeated the Soviet Union’s attempt to beat America to the moon.Author Joe Cuhaj also sheds light on the human aspects of space travel that have remained industry secrets – until now: how the tradition of using a musical playlist to wake astronauts up began, fascinating tales about inventions like the Fischer Space Pen, Omega watches, and even Tang breakfast drink.In addition to fun and entertaining space trivia, Space Oddities also features stories of the profound impact that space travel has had on challenges right here at home, like the effort by civil rights leaders and activists in the 1960s to bring the money from the space program back home to those in need on Earth; NASA’s FLATs (First Lady Astronaut Training) program and the 13 women who were selected to become astronauts in 1960, but were denied a chance at flying even after successfully completing the rigorous astronaut training program; and, the animals who many times sacrificed their lives to prove that man could fly in space.Filled with rare and little-known stories, Space Oddities will bring the final frontier to the homes of diehard space readers and armchair astronauts alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Nothing captivates the human imagination like the vast unknowns of space. Ancient petroglyphs present renderings of the heavens, proof that we have been gazing up at the stars with wonder for thousands of years. Since then, mankind has systematically expanded our cosmic possibilities. What were once flights of fancy and dreams of science fiction writers have become nearly routine – a continuous human presence orbiting the Earth, probes flying beyond our solar system, and men walking on the moon. NASA and the Russian space program make traveling to the stars look easy, but it has been far from that. Space travel is a sometimes heroic, sometimes humorous, and always dangerous journey fraught with perils around every corner that most of us have never heard of or have long since forgotten.Space Oddities: The Mysterious Anomalies Challenging Our Understanding of the Universe (Doubleday, 2024) brings these unknown, offbeat, and obscure stories of space to life. From the showmanship and bravado of the earliest known space fatality, German Max Valier, to the first ever indictment under the Espionage Act on an Army officer who leaked secrets concerning the development of early U.S. rockets; and the story of a single loose bolt that defeated the Soviet Union’s attempt to beat America to the moon.Author Joe Cuhaj also sheds light on the human aspects of space travel that have remained industry secrets – until now: how the tradition of using a musical playlist to wake astronauts up began, fascinating tales about inventions like the Fischer Space Pen, Omega watches, and even Tang breakfast drink.In addition to fun and entertaining space trivia, Space Oddities also features stories of the profound impact that space travel has had on challenges right here at home, like the effort by civil rights leaders and activists in the 1960s to bring the money from the space program back home to those in need on Earth; NASA’s FLATs (First Lady Astronaut Training) program and the 13 women who were selected to become astronauts in 1960, but were denied a chance at flying even after successfully completing the rigorous astronaut training program; and, the animals who many times sacrificed their lives to prove that man could fly in space.Filled with rare and little-known stories, Space Oddities will bring the final frontier to the homes of diehard space readers and armchair astronauts alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nothing captivates the human imagination like the vast unknowns of space. Ancient petroglyphs present renderings of the heavens, proof that we have been gazing up at the stars with wonder for thousands of years. Since then, mankind has systematically expanded our cosmic possibilities. What were once flights of fancy and dreams of science fiction writers have become nearly routine – a continuous human presence orbiting the Earth, probes flying beyond our solar system, and men walking on the moon. NASA and the Russian space program make traveling to the stars look easy, but it has been far from that. Space travel is a sometimes heroic, sometimes humorous, and always dangerous journey fraught with perils around every corner that most of us have never heard of or have long since forgotten.<a href="https://bookshop.org/a/12343/9780385549042"><br></a><a href="https://bookshop.org/a/12343/9780385549042">Space Oddities: The Mysterious Anomalies Challenging Our Understanding of the Universe</a> (Doubleday, 2024) brings these unknown, offbeat, and obscure stories of space to life. From the showmanship and bravado of the earliest known space fatality, German Max Valier, to the first ever indictment under the Espionage Act on an Army officer who leaked secrets concerning the development of early U.S. rockets; and the story of a single loose bolt that defeated the Soviet Union’s attempt to beat America to the moon.<br>Author Joe Cuhaj also sheds light on the human aspects of space travel that have remained industry secrets – until now: how the tradition of using a musical playlist to wake astronauts up began, fascinating tales about inventions like the Fischer Space Pen, Omega watches, and even Tang breakfast drink.<br>In addition to fun and entertaining space trivia,<em> Space Oddities</em> also features stories of the profound impact that space travel has had on challenges right here at home, like the effort by civil rights leaders and activists in the 1960s to bring the money from the space program back home to those in need on Earth; NASA’s FLATs (First Lady Astronaut Training) program and the 13 women who were selected to become astronauts in 1960, but were denied a chance at flying even after successfully completing the rigorous astronaut training program; and, the animals who many times sacrificed their lives to prove that man could fly in space.<br>Filled with rare and little-known stories, <em>Space Oddities</em> will bring the final frontier to the homes of diehard space readers and armchair astronauts alike.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3973</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[adacca62-afea-11f0-9377-4f14eca844da]]></guid>
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    </item>
    <item>
      <title>What Do You Want Out of Life? A Philosophical Guide to Figuring Out What Matters</title>
      <description>What do you want out of life? To make a lot of money, work for justice, run marathons, sing in a choir, have children, travel the world? The things we care about in life—family, friendship, leisure activities, work, our moral ideals—often conflict, preventing us from doing what matters most to us. Even worse, we don’t always know what we really want, or how to define success. Blending personal stories, philosophy, and psychology, this insightful and entertaining book offers invaluable advice about living well by understanding your values and resolving the conflicts that frustrate their fulfillment.Dr. Valerie Tiberius introduces you to a way of thinking about your goals that enables you to reflect on them effectively throughout your life. She illustrates her approach with vivid examples, many of which are drawn from her own life, ranging from the silly to the serious, from shopping to navigating prejudice. Throughout, the book emphasizes the importance of interconnectedness, reminding us of the profound influence other people have on our lives, our goals, and how we should pursue them. At the same time, the book offers strategies for coping with obstacles to realizing your goals, including gender bias and other kinds of discrimination. Whether you are changing jobs, rethinking your priorities, or reconsidering your whole life path, What Do You Want Out of Life?: A Philosophical Guide to Figuring Out What Matters (Princeton UP, 2024) is an essential guide to helping you understand what really matters to you and how you can thoughtfully pursue it.

Our guest is: Valerie Tiberius, who is the Paul W. Frenzel Chair in Liberal Arts and professor of philosophy at the University of Minnesota. Her books include Well-Being as Value Fulfillment: How We Can Help Each Other to Live Well and The Reflective Life: Living Wisely with Our Limits. She lives in Minneapolis.

Our host is: Dr. Christina Gessler, who is a dissertation and grad student coach, and a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast, and writes the show’s newsletter at christinagessler.substack.com.

Listeners may enjoy this playlist:


  How We Show Up

  The Good-Enough Life

  Tell Me What You Want

  Taking A Break from Overworking and Underliving

  How Can Mindfulness Help

  Meditation For Beginners

  Making A Meaningful Life


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help to support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 280+ Academic Life episodes? Find them here. Thank you for listening!﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 23 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What do you want out of life? To make a lot of money, work for justice, run marathons, sing in a choir, have children, travel the world? The things we care about in life—family, friendship, leisure activities, work, our moral ideals—often conflict, preventing us from doing what matters most to us. Even worse, we don’t always know what we really want, or how to define success. Blending personal stories, philosophy, and psychology, this insightful and entertaining book offers invaluable advice about living well by understanding your values and resolving the conflicts that frustrate their fulfillment.Dr. Valerie Tiberius introduces you to a way of thinking about your goals that enables you to reflect on them effectively throughout your life. She illustrates her approach with vivid examples, many of which are drawn from her own life, ranging from the silly to the serious, from shopping to navigating prejudice. Throughout, the book emphasizes the importance of interconnectedness, reminding us of the profound influence other people have on our lives, our goals, and how we should pursue them. At the same time, the book offers strategies for coping with obstacles to realizing your goals, including gender bias and other kinds of discrimination. Whether you are changing jobs, rethinking your priorities, or reconsidering your whole life path, What Do You Want Out of Life?: A Philosophical Guide to Figuring Out What Matters (Princeton UP, 2024) is an essential guide to helping you understand what really matters to you and how you can thoughtfully pursue it.

Our guest is: Valerie Tiberius, who is the Paul W. Frenzel Chair in Liberal Arts and professor of philosophy at the University of Minnesota. Her books include Well-Being as Value Fulfillment: How We Can Help Each Other to Live Well and The Reflective Life: Living Wisely with Our Limits. She lives in Minneapolis.

Our host is: Dr. Christina Gessler, who is a dissertation and grad student coach, and a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast, and writes the show’s newsletter at christinagessler.substack.com.

Listeners may enjoy this playlist:


  How We Show Up

  The Good-Enough Life

  Tell Me What You Want

  Taking A Break from Overworking and Underliving

  How Can Mindfulness Help

  Meditation For Beginners

  Making A Meaningful Life


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help to support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 280+ Academic Life episodes? Find them here. Thank you for listening!﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do you want out of life? To make a lot of money, work for justice, run marathons, sing in a choir, have children, travel the world? The things we care about in life—family, friendship, leisure activities, work, our moral ideals—often conflict, preventing us from doing what matters most to us. Even worse, we don’t always know what we really want, or how to define success. Blending personal stories, philosophy, and psychology, this insightful and entertaining book offers invaluable advice about living well by understanding your values and resolving the conflicts that frustrate their fulfillment.<br>Dr. Valerie Tiberius introduces you to a way of thinking about your goals that enables you to reflect on them effectively throughout your life. She illustrates her approach with vivid examples, many of which are drawn from her own life, ranging from the silly to the serious, from shopping to navigating prejudice. Throughout, the book emphasizes the importance of interconnectedness, reminding us of the profound influence other people have on our lives, our goals, and how we should pursue them. At the same time, the book offers strategies for coping with obstacles to realizing your goals, including gender bias and other kinds of discrimination. Whether you are changing jobs, rethinking your priorities, or reconsidering your whole life path, <a href="https://bookshop.org/a/12343/9780691241395">What Do You Want Out of Life?: A Philosophical Guide to Figuring Out What Matters</a><em> </em>(Princeton UP, 2024) is an essential guide to helping you understand what really matters to you and how you can thoughtfully pursue it.</p>
<p>Our guest is: Valerie Tiberius, who is the Paul W. Frenzel Chair in Liberal Arts and professor of philosophy at the University of Minnesota. Her books include <em>Well-Being as Value Fulfillment: How We Can Help Each Other to Live Well</em> and <em>The Reflective Life: Living Wisely with Our Limits. </em>She lives in Minneapolis.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a dissertation and grad student coach, and a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast, and writes the show’s newsletter at christinagessler.substack.com.</p>
<p>Listeners may enjoy this playlist:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/community-building-and-how-we-show-up">How We Show Up</a></li>
  <li><a href="https://newbooksnetwork.com/the-good-enough-life">The Good-Enough Life</a></li>
  <li><a href="https://newbooksnetwork.com/tell-me-what-you-want">Tell Me What You Want</a></li>
  <li><a href="https://newbooksnetwork.com/need-a-break-from-overworking-and-underliving">Taking A Break from Overworking and Underliving</a></li>
  <li><a href="https://newbooksnetwork.com/skills-for-scholars-how-can-mindfulness-help">How Can Mindfulness Help</a></li>
  <li><a href="https://newbooksnetwork.com/meditation-episode">Meditation For Beginners</a></li>
  <li><a href="https://newbooksnetwork.com/how-to-stop-chasing-happiness-and-make-a-meaningful-life-instead">Making A Meaningful Life</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help to support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 280+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> Thank you for listening!﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3881</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0747506e-af01-11f0-a191-0f118fff41a0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6741145269.mp3?updated=1761108217" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Greg Soden, "Unscripted Moments: Conversations with Propagandhi (2020-2025)" (Earth Island Books, 2025)</title>
      <description>Propagandhi formed in 1986 in Portage la Prairie, Manitoba, Canada and are now based in Winnipeg. Their outspoken influence and consistency in anti-fascist, animal-friendly, gay-positive, and pro-feminist ideas have inspired thousands of hardcore, thrash metal and punk rock music fans across four decades.

Unscripted Moments: A Podcast About Propagandhi began in 2020 as a fan-made song-by-song podcast exploring each release by the band. The podcast also features bonus episodes about touring, recording and more with friends, fans and collaborators from throughout the bands musical career.

Among the hundreds of episodes about the band's music are more than fifteen hours of candid interviews with past and present members of Propagandhi recorded between 2020 and 2025. The conversations vary widely in topic and discuss songwriting, touring stories, favourite cover songs and side projects, as well as personal hobbies and interests of the band members. These edited interviews with Chris Hannah, Jord Samolesky, John Samson Fellows, Todd Kowalski, David Guillas, and Sulynn Hago span the career of the band from their earliest demos through to the recording of their eighth album, At Peace, released in May 2025.

Propagandhi has released music with G7 Welcoming Committee, Recess Records, Fat Wreck Chords, and Epitaph Records. The 200+ episodes of Unscripted Moments: A Podcast About Propagandhi have been downloaded more than half a million times and are available to stream everywhere podcasts are available.

Greg Soden is the host of 'Unscripted Moments: A Podcast About Propagandhi' and a super-fan of the band, with whom he worked to put together this book of candid conversations over the last five years.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 22 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Propagandhi formed in 1986 in Portage la Prairie, Manitoba, Canada and are now based in Winnipeg. Their outspoken influence and consistency in anti-fascist, animal-friendly, gay-positive, and pro-feminist ideas have inspired thousands of hardcore, thrash metal and punk rock music fans across four decades.

Unscripted Moments: A Podcast About Propagandhi began in 2020 as a fan-made song-by-song podcast exploring each release by the band. The podcast also features bonus episodes about touring, recording and more with friends, fans and collaborators from throughout the bands musical career.

Among the hundreds of episodes about the band's music are more than fifteen hours of candid interviews with past and present members of Propagandhi recorded between 2020 and 2025. The conversations vary widely in topic and discuss songwriting, touring stories, favourite cover songs and side projects, as well as personal hobbies and interests of the band members. These edited interviews with Chris Hannah, Jord Samolesky, John Samson Fellows, Todd Kowalski, David Guillas, and Sulynn Hago span the career of the band from their earliest demos through to the recording of their eighth album, At Peace, released in May 2025.

Propagandhi has released music with G7 Welcoming Committee, Recess Records, Fat Wreck Chords, and Epitaph Records. The 200+ episodes of Unscripted Moments: A Podcast About Propagandhi have been downloaded more than half a million times and are available to stream everywhere podcasts are available.

Greg Soden is the host of 'Unscripted Moments: A Podcast About Propagandhi' and a super-fan of the band, with whom he worked to put together this book of candid conversations over the last five years.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Propagandhi formed in 1986 in Portage la Prairie, Manitoba, Canada and are now based in Winnipeg. Their outspoken influence and consistency in anti-fascist, animal-friendly, gay-positive, and pro-feminist ideas have inspired thousands of hardcore, thrash metal and punk rock music fans across four decades.</p>
<p>Unscripted Moments: A Podcast About Propagandhi began in 2020 as a fan-made song-by-song podcast exploring each release by the band. The podcast also features bonus episodes about touring, recording and more with friends, fans and collaborators from throughout the bands musical career.</p>
<p>Among the hundreds of episodes about the band's music are more than fifteen hours of candid interviews with past and present members of Propagandhi recorded between 2020 and 2025. The conversations vary widely in topic and discuss songwriting, touring stories, favourite cover songs and side projects, as well as personal hobbies and interests of the band members. These edited interviews with Chris Hannah, Jord Samolesky, John Samson Fellows, Todd Kowalski, David Guillas, and Sulynn Hago span the career of the band from their earliest demos through to the recording of their eighth album, At Peace, released in May 2025.</p>
<p>Propagandhi has released music with G7 Welcoming Committee, Recess Records, Fat Wreck Chords, and Epitaph Records. The 200+ episodes of Unscripted Moments: A Podcast About Propagandhi have been downloaded more than half a million times and are available to stream everywhere podcasts are available.</p>
<p>Greg Soden is the host of 'Unscripted Moments: A Podcast About Propagandhi' and a super-fan of the band, with whom he worked to put together this book of candid conversations over the last five years.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2339</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[62bf542c-ae12-11f0-b7b5-cfa367e832b3]]></guid>
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    </item>
    <item>
      <title>Megan Walsh, "The Subplot: What China Is Reading and Why It Matters" (Columbia Global Reports, 2022)</title>
      <description>What does contemporary China’s diverse and exciting fiction tell us about its culture, and the relationship between art and politics?

The Subplot: What China Is Reading and Why It Matters (Columbia Global Reports, 2022) by Megan Walsh takes us on a lively journey through a literary landscape like you’ve never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel-laureate Mo Yan, and what is widely hailed as a golden-age of sci-fi. Chinese online fiction is now the largest publishing platform in the world.

Fueled by her passionate engagement with the arts and ideas of China’s people, Walsh, a brilliant young critic, shows us why it's important to finally pay attention to Chinese fiction—an exuberant drama that illustrates the complex relationship between art and politics, one that is increasingly shaping the West as well. Turns out, writers write neither what their government nor foreign readers want or expect, as they work on a different wavelength to keep alive ideas and events that are censored by the propaganda machine. The Subplot vividly captures the way in which literature offers an alternative—perhaps truer—way to understanding the contradictions that make up China itself.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 21 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What does contemporary China’s diverse and exciting fiction tell us about its culture, and the relationship between art and politics?

The Subplot: What China Is Reading and Why It Matters (Columbia Global Reports, 2022) by Megan Walsh takes us on a lively journey through a literary landscape like you’ve never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel-laureate Mo Yan, and what is widely hailed as a golden-age of sci-fi. Chinese online fiction is now the largest publishing platform in the world.

Fueled by her passionate engagement with the arts and ideas of China’s people, Walsh, a brilliant young critic, shows us why it's important to finally pay attention to Chinese fiction—an exuberant drama that illustrates the complex relationship between art and politics, one that is increasingly shaping the West as well. Turns out, writers write neither what their government nor foreign readers want or expect, as they work on a different wavelength to keep alive ideas and events that are censored by the propaganda machine. The Subplot vividly captures the way in which literature offers an alternative—perhaps truer—way to understanding the contradictions that make up China itself.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does contemporary China’s diverse and exciting fiction tell us about its culture, and the relationship between art and politics?</p>
<p><a href="https://bookshop.org/a/12343/9781735913667">The Subplot: What China Is Reading and Why It Matters</a> (Columbia Global Reports, 2022) by Megan Walsh takes us on a lively journey through a literary landscape like you’ve never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel-laureate Mo Yan, and what is widely hailed as a golden-age of sci-fi. Chinese online fiction is now the largest publishing platform in the world.</p>
<p>Fueled by her passionate engagement with the arts and ideas of China’s people, Walsh, a brilliant young critic, shows us why it's important to finally pay attention to Chinese fiction—an exuberant drama that illustrates the complex relationship between art and politics, one that is increasingly shaping the West as well. Turns out, writers write neither what their government nor foreign readers want or expect, as they work on a different wavelength to keep alive ideas and events that are censored by the propaganda machine. <em>The Subplot</em> vividly captures the way in which literature offers an alternative—perhaps truer—way to understanding the contradictions that make up China itself.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2281</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Carl Rollyson, "The Making of Sylvia Plath (UP Mississippi, 2024)</title>
      <description>Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer.

Until now, little sustained attention has been paid to the influences on Plath’s life and work. What movies did she watch? Which books did she read? How did media shape her worldview? In this meticulously researched biography ﻿The Making of Sylvia Plath (UP Mississippi, 2024), Carl Rollyson explores the intricate web of literature, cinema, spirituality, psychology, and popular culture that profoundly influenced Plath's life and writing. At the heart of this biography is a compelling exploration of William Sheldon’s seminal work, Psychology and the Promethean Will, which Plath devoured in her quest for self-discovery and understanding. Through Plath’s intense study of this work, readers gain unprecedented access to Plath's innermost thoughts, her therapeutic treatments, and the overarching worldview that fueled her creative genius.Through Sheldon as well as Plath’s other influences, Rollyson offers a captivating survey of the symbiotic relationship between an artist and the world around her and offers readers new insights into the enigmatic mind of one of the most important writers of the twentieth century.  

Jane Scimeca, Professor of History at Brookdale Community College Website here

@janescimeca.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 21 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer.

Until now, little sustained attention has been paid to the influences on Plath’s life and work. What movies did she watch? Which books did she read? How did media shape her worldview? In this meticulously researched biography ﻿The Making of Sylvia Plath (UP Mississippi, 2024), Carl Rollyson explores the intricate web of literature, cinema, spirituality, psychology, and popular culture that profoundly influenced Plath's life and writing. At the heart of this biography is a compelling exploration of William Sheldon’s seminal work, Psychology and the Promethean Will, which Plath devoured in her quest for self-discovery and understanding. Through Plath’s intense study of this work, readers gain unprecedented access to Plath's innermost thoughts, her therapeutic treatments, and the overarching worldview that fueled her creative genius.Through Sheldon as well as Plath’s other influences, Rollyson offers a captivating survey of the symbiotic relationship between an artist and the world around her and offers readers new insights into the enigmatic mind of one of the most important writers of the twentieth century.  

Jane Scimeca, Professor of History at Brookdale Community College Website here

@janescimeca.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of <em>The Bell Jar</em>, her semiautobiographical novel, to her groundbreaking poetry as exemplified by <em>Ariel</em>. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer.</p>
<p>Until now, little sustained attention has been paid to the influences on Plath’s life and work. What movies did she watch? Which books did she read? How did media shape her worldview? In this meticulously researched biography <a href="https://bookshop.org/a/12343/9781496854063">﻿The Making of Sylvia Plath</a> (UP Mississippi, 2024), Carl Rollyson explores the intricate web of literature, cinema, spirituality, psychology, and popular culture that profoundly influenced Plath's life and writing. At the heart of this biography is a compelling exploration of William Sheldon’s seminal work, <em>Psychology and the Promethean Will</em>, which Plath devoured in her quest for self-discovery and understanding. Through Plath’s intense study of this work, readers gain unprecedented access to Plath's innermost thoughts, her therapeutic treatments, and the overarching worldview that fueled her creative genius.<br>Through Sheldon as well as Plath’s other influences, Rollyson offers a captivating survey of the symbiotic relationship between an artist and the world around her and offers readers new insights into the enigmatic mind of one of the most important writers of the twentieth century.  <br></p>
<p>Jane Scimeca, Professor of History at Brookdale Community College <a href="https://www.janescimeca.com/">Website here</a></p>
<p>@janescimeca.bsky.social</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3303</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d7431fe-ad82-11f0-8046-2fdfb350f57d]]></guid>
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    <item>
      <title>Peter C. Zimmerman, "The Jazz Masters: Setting the Record Straight" (UP of Mississippi, 2021)</title>
      <description>The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.
Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.
The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.
This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.”
﻿Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter C. Zimmerman</itunes:subtitle>
      <itunes:summary>The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.
Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.
The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.
This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.”
﻿Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781496837431"><em>The Jazz Masters: Setting the Record Straight</em></a><em> </em>(UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.</p><p>Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.</p><p>The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching <em>The Jazz Masters</em>. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.</p><p>This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, <em>The Jazz Masters</em> goes a long way toward “setting the record straight.”</p><p><em>﻿Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3365</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Stevie Suan, "Anime's Identity: Performativity and Form Beyond Japan" (U Minnesota Press, 2021)</title>
      <description>A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? 
In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>338</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stevie Suan</itunes:subtitle>
      <itunes:summary>A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? 
In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? </p><p>In <a href="https://bookshop.org/a/12343/9781517911782"><em>Anime's Identity: Performativity and Form Beyond Japan</em></a><em> </em>(U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.</p><p><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3518</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK2344347369.mp3?updated=1671572222" length="0" type="audio/mpeg"/>
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    <item>
      <title>Bradley Morgan, "U2: Until the End of the World" (Weldon Owen, 2025)</title>
      <description>Bradley Morgan’s U2: Until the End of the World (Gemini Books, 2025) celebrates fifty years of U2 with a career-spanning retrospective featuring more than 150 images that trace the band’s journey from Dublin pubs to sold-out arena tours.

Morgan delves into the history of U2, offering an intimate look at their formation and the evolution of their unique sound. From Boy and The Joshua Tree to Achtung Baby and beyond, the book captures how each album marked a creative turning point and cemented U2’s place as musical pioneers. Through vivid photography and thoughtful storytelling, Morgan highlights the band’s artistic growth and commitment to social activism. From Live Aid to Amnesty International, U2’s impact on global causes is as significant as their musical legacy. Readers also gain a rare glimpse into the lives of Bono, The Edge, Adam Clayton, and Larry Mullen Jr., as individuals, collaborators, and lifelong friends behind one of the most influential bands in the world.

A music journalist and media arts professional, Bradley Morgan is the director of CHIRP Radio 107.1 FM’s music film festival, manages partnerships for the station, and serves on the associate board of the Art Institute of Chicago’s Gene Siskel Film Center. He also interviews authors of music and pop culture books for the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 19 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Bradley Morgan’s U2: Until the End of the World (Gemini Books, 2025) celebrates fifty years of U2 with a career-spanning retrospective featuring more than 150 images that trace the band’s journey from Dublin pubs to sold-out arena tours.

Morgan delves into the history of U2, offering an intimate look at their formation and the evolution of their unique sound. From Boy and The Joshua Tree to Achtung Baby and beyond, the book captures how each album marked a creative turning point and cemented U2’s place as musical pioneers. Through vivid photography and thoughtful storytelling, Morgan highlights the band’s artistic growth and commitment to social activism. From Live Aid to Amnesty International, U2’s impact on global causes is as significant as their musical legacy. Readers also gain a rare glimpse into the lives of Bono, The Edge, Adam Clayton, and Larry Mullen Jr., as individuals, collaborators, and lifelong friends behind one of the most influential bands in the world.

A music journalist and media arts professional, Bradley Morgan is the director of CHIRP Radio 107.1 FM’s music film festival, manages partnerships for the station, and serves on the associate board of the Art Institute of Chicago’s Gene Siskel Film Center. He also interviews authors of music and pop culture books for the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bradley Morgan’s <a href="https://bookshop.org/a/12343/9798886743579">U2: Until the End of the World</a> (Gemini Books, 2025) celebrates fifty years of U2 with a career-spanning retrospective featuring more than 150 images that trace the band’s journey from Dublin pubs to sold-out arena tours.</p>
<p>Morgan delves into the history of U2, offering an intimate look at their formation and the evolution of their unique sound. From <em>Boy</em> and <em>The Joshua Tree</em> to <em>Achtung Baby</em> and beyond, the book captures how each album marked a creative turning point and cemented U2’s place as musical pioneers. Through vivid photography and thoughtful storytelling, Morgan highlights the band’s artistic growth and commitment to social activism. From Live Aid to Amnesty International, U2’s impact on global causes is as significant as their musical legacy. Readers also gain a rare glimpse into the lives of Bono, The Edge, Adam Clayton, and Larry Mullen Jr., as individuals, collaborators, and lifelong friends behind one of the most influential bands in the world.</p>
<p>A music journalist and media arts professional, Bradley Morgan is the director of CHIRP Radio 107.1 FM’s music film festival, manages partnerships for the station, and serves on the associate board of the Art Institute of Chicago’s Gene Siskel Film Center. He also interviews authors of music and pop culture books for the <em>New Books Network</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2086</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[196671a6-ab07-11f0-b317-eb086dc41280]]></guid>
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    </item>
    <item>
      <title>Arnar Eggert Thoroddsen, "Icelandic Pop: Then, Today, Tomorrow, Next Week" (Reaktion Books, 2025)</title>
      <description>Iceland punches well above its weight in the world of music, producing global icons like Björk, Sigur Rós, Of Monsters and Men, and Laufey, while at the same time nurturing a vibrant local scene. Icelandic Pop: Then, Today, Tomorrow, Next Week (Reaktion, 2025) by Dr. Arnar Eggert Thoroddsen explores how Iceland’s unique social habits, institutions and everyday practices contribute to its thriving music culture.

﻿ Tracing the development of Icelandic popular music since the rock ’n’ roll era, it examines key influences shaping the scene, from Reykjavík’s musicians to national institutions like radio and concert venues. With engaging explanations of sociological factors, the book sheds light on why Iceland has become a powerhouse in music. An illuminating journey through Iceland’s music history, this is a celebration of the artistry and cultural forces behind its global impact.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 18 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Iceland punches well above its weight in the world of music, producing global icons like Björk, Sigur Rós, Of Monsters and Men, and Laufey, while at the same time nurturing a vibrant local scene. Icelandic Pop: Then, Today, Tomorrow, Next Week (Reaktion, 2025) by Dr. Arnar Eggert Thoroddsen explores how Iceland’s unique social habits, institutions and everyday practices contribute to its thriving music culture.

﻿ Tracing the development of Icelandic popular music since the rock ’n’ roll era, it examines key influences shaping the scene, from Reykjavík’s musicians to national institutions like radio and concert venues. With engaging explanations of sociological factors, the book sheds light on why Iceland has become a powerhouse in music. An illuminating journey through Iceland’s music history, this is a celebration of the artistry and cultural forces behind its global impact.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Iceland punches well above its weight in the world of music, producing global icons like Björk, Sigur Rós, Of Monsters and Men, and Laufey, while at the same time nurturing a vibrant local scene. <a href="https://bookshop.org/a/12343/9781836391142">Icelandic Pop: Then, Today, Tomorrow, Next Week</a> (Reaktion, 2025) by Dr. Arnar Eggert Thoroddsen explores how Iceland’s unique social habits, institutions and everyday practices contribute to its thriving music culture.</p>
<p>﻿ Tracing the development of Icelandic popular music since the rock ’n’ roll era, it examines key influences shaping the scene, from Reykjavík’s musicians to national institutions like radio and concert venues. With engaging explanations of sociological factors, the book sheds light on why Iceland has become a powerhouse in music. An illuminating journey through Iceland’s music history, this is a celebration of the artistry and cultural forces behind its global impact.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2599</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7096672e-ab02-11f0-9663-278a3b011694]]></guid>
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    </item>
    <item>
      <title>The Light Between Apple Trees: Rediscovering the Wild Through a Beloved American Fruit</title>
      <description>As a child in the foothills of the Himalayas, Priyanka Kumar was entranced by forest-like orchards of diverse and luscious fruit—especially apples. These biodiverse orchards seemed worlds away from the cardboard apples that lined supermarket shelves in the United States. Yet on a small patch of woods near her home in Santa Fe, Kumar discovered a wild apple tree—and the seeds of an odyssey were planted. Could the taste of a feral apple offer a doorway to the wild? In The Light Between Apple Trees: Rediscovering the Wild Through a Beloved American Fruit, Kumar takes us on a dazzling and transformative journey to rediscover apples, unearthing a rich and complex history while illuminating how we can reimagine our relationship with nature.Apples are popular, but in our everyday lives we rarely encounter more than a handful of varieties: of the sixteen thousand apple varieties once celebrated in America, scarcely a fifth remain accessible. Kumar reveals the richness of a hidden world, bringing readers to the vibrant forests and orchards where historic trees still survive. These mature and wild orchards offer more than just fruit: they are havens for creatures from hummingbirds to bears and a living connection to generations past. She brilliantly weaves together science and childhood memories with the apple’s storied history, from its roots in Kazakhstan to Spanish orchards in the Southwest and Thomas Jefferson’s beloved Monticello fruitery. Kumar shows how—if we follow untamed paths—the tang and texture of an apple can lead us back to the wild.

Our guest is: Priyanka Kumar, who is the author of Conversations with Birds, and The Light Between Apple Trees. Her essays appear in The New York Times, The Washington Post, Los Angeles Review of Books, Orion, and Sierra magazine. She holds an MFA, and has taught at the University of California Santa Cruz and the University of Southern California. Her feature documentary, The Song of the Little Road, is in the permanent collection of the Academy of Motion Pictures Arts and Sciences, and her awards include an Alfred P. Sloan Foundation Award, a New Mexico/New Visions Governor’s Award, an International Center for Jefferson Studies Fellowship, and an Academy of Motion Pictures Arts and Sciences Fellowship.

Our host is: Dr. Christina Gessler, who is a writing coach and freelance editor. She is the producer of the Academic Life podcast, and writes the show's newsletter.

Playlist for listeners:


  Big Box USA

  In The Garden Behind the Moon

  Disabled Ecologies

  Endless Forms

  The Well-Gardened Mind


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As a child in the foothills of the Himalayas, Priyanka Kumar was entranced by forest-like orchards of diverse and luscious fruit—especially apples. These biodiverse orchards seemed worlds away from the cardboard apples that lined supermarket shelves in the United States. Yet on a small patch of woods near her home in Santa Fe, Kumar discovered a wild apple tree—and the seeds of an odyssey were planted. Could the taste of a feral apple offer a doorway to the wild? In The Light Between Apple Trees: Rediscovering the Wild Through a Beloved American Fruit, Kumar takes us on a dazzling and transformative journey to rediscover apples, unearthing a rich and complex history while illuminating how we can reimagine our relationship with nature.Apples are popular, but in our everyday lives we rarely encounter more than a handful of varieties: of the sixteen thousand apple varieties once celebrated in America, scarcely a fifth remain accessible. Kumar reveals the richness of a hidden world, bringing readers to the vibrant forests and orchards where historic trees still survive. These mature and wild orchards offer more than just fruit: they are havens for creatures from hummingbirds to bears and a living connection to generations past. She brilliantly weaves together science and childhood memories with the apple’s storied history, from its roots in Kazakhstan to Spanish orchards in the Southwest and Thomas Jefferson’s beloved Monticello fruitery. Kumar shows how—if we follow untamed paths—the tang and texture of an apple can lead us back to the wild.

Our guest is: Priyanka Kumar, who is the author of Conversations with Birds, and The Light Between Apple Trees. Her essays appear in The New York Times, The Washington Post, Los Angeles Review of Books, Orion, and Sierra magazine. She holds an MFA, and has taught at the University of California Santa Cruz and the University of Southern California. Her feature documentary, The Song of the Little Road, is in the permanent collection of the Academy of Motion Pictures Arts and Sciences, and her awards include an Alfred P. Sloan Foundation Award, a New Mexico/New Visions Governor’s Award, an International Center for Jefferson Studies Fellowship, and an Academy of Motion Pictures Arts and Sciences Fellowship.

Our host is: Dr. Christina Gessler, who is a writing coach and freelance editor. She is the producer of the Academic Life podcast, and writes the show's newsletter.

Playlist for listeners:


  Big Box USA

  In The Garden Behind the Moon

  Disabled Ecologies

  Endless Forms

  The Well-Gardened Mind


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As a child in the foothills of the Himalayas, Priyanka Kumar was entranced by forest-like orchards of diverse and luscious fruit—especially apples. These biodiverse orchards seemed worlds away from the cardboard apples that lined supermarket shelves in the United States. Yet on a small patch of woods near her home in Santa Fe, Kumar discovered a wild apple tree—and the seeds of an odyssey were planted. Could the taste of a feral apple offer a doorway to the wild? In <a href="https://bookshop.org/a/12343/9781642833638">The Light Between Apple Trees: Rediscovering the Wild Through a Beloved American Fruit</a>, Kumar takes us on a dazzling and transformative journey to rediscover apples, unearthing a rich and complex history while illuminating how we can reimagine our relationship with nature.<br>Apples are popular, but in our everyday lives we rarely encounter more than a handful of varieties: of the sixteen thousand apple varieties once celebrated in America, scarcely a fifth remain accessible. Kumar reveals the richness of a hidden world, bringing readers to the vibrant forests and orchards where historic trees still survive. These mature and wild orchards offer more than just fruit: they are havens for creatures from hummingbirds to bears and a living connection to generations past. She brilliantly weaves together science and childhood memories with the apple’s storied history, from its roots in Kazakhstan to Spanish orchards in the Southwest and Thomas Jefferson’s beloved Monticello fruitery. Kumar shows how—if we follow untamed paths—the tang and texture of an apple can lead us back to the wild.</p>
<p>Our guest is: Priyanka Kumar, who is the author of <em>Conversations with Birds</em>, and <em>The Light Between Apple Trees</em>. Her essays appear in <em>The New York Times, The Washington Post, Los Angeles Review of Books, Orion, and Sierra </em>magazine. She holds an MFA, and has taught at the University of California Santa Cruz and the University of Southern California. Her feature documentary, <em>The Song of the Little Road, </em>is in the permanent collection of the Academy of Motion Pictures Arts and Sciences, and her awards include an Alfred P. Sloan Foundation Award, a New Mexico/New Visions Governor’s Award, an International Center for Jefferson Studies Fellowship, and an Academy of Motion Pictures Arts and Sciences Fellowship.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a writing coach and freelance editor. She is the producer of the Academic Life podcast, and writes <a href="https://christinagessler.substack.com/">the show's newsletter.</a></p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/big-box-usa">Big Box USA</a></li>
  <li><a href="https://newbooksnetwork.com/in-the-garden-behind-the-moon">In The Garden Behind the Moon</a></li>
  <li><a href="https://newbooksnetwork.com/disabled-ecologies-2">Disabled Ecologies</a></li>
  <li><a href="https://newbooksnetwork.com/endless-forms">Endless Forms</a></li>
  <li><a href="https://newbooksnetwork.com/exploring-new-paths-to-mental-health-a-discussion-with-sue-stuart-smith">The Well-Gardened Mind</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3027</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ea0726f4-a97f-11f0-a0ca-bf1f3a1f1087]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3011903647.mp3?updated=1760502971" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maggie Gram, "The Invention of Design: A Twentieth-Century History" (Basic Books, 2025)</title>
      <description>Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca’ Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. ﻿The Invention of Design: A Twentieth-Century History (Basic Books, 2025)﻿﻿

Recommended Books:


  
Henry Dreyfuss, Designing for People


  Dolly Alderton, Ghosts


  Rob Franklin, Great Black Hope



Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca’ Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. ﻿The Invention of Design: A Twentieth-Century History (Basic Books, 2025)﻿﻿

Recommended Books:


  
Henry Dreyfuss, Designing for People


  Dolly Alderton, Ghosts


  Rob Franklin, Great Black Hope



Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca’ Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. ﻿<a href="https://bookshop.org/a/12343/9781541600638">The Invention of Design: A Twentieth-Century History</a> (Basic Books, 2025)﻿﻿</p>
<p><strong>Recommended Books:</strong></p>
<ul>
  <li>
<em>Henry Dreyfuss, </em><a href="https://odysseybookstore.com/book/9781581153125">Designing for People</a>
</li>
  <li>Dolly Alderton, <a href="https://odysseybookstore.com/book/9780593313978"><em>Ghosts</em></a>
</li>
  <li>Rob Franklin, <a href="https://odysseybookstore.com/book/9781668077436"><em>Great Black Hope</em></a>
</li>
</ul>
<p><a href="https://www.ithaca.edu/faculty/cholmes">Chris Holmes</a> is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, <a href="https://www.bloomsbury.com/us/kazuo-ishiguro-against-world-literature-9781501388422/"><em>Kazuo Ishiguro Against World Literature</em></a>, is published with Bloomsbury Publishing. He is the co-director of <a href="https://www.ithaca.edu/academics/school-humanities-and-sciences/writing/new-voices-festival">The New Voices Festival</a>, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bcaa57b8-a983-11f0-8dee-1f935beeebfa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1337254542.mp3?updated=1760504630" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Najmeh Moradiyan-Rizi and Shilyh J. Warren eds., "Women and Global Documentary: Practices and Perspectives in the 21st Century" (Bloomsbury Academic, 2025)</title>
      <description>Women and Global Documentary﻿: ﻿Practices and Perspectives in the 21st Century (Bloomsbury Academic, 2025), edited by Najmeh Moradiyan-Rizi and Shilyh J. Warren, answers the urgent need to re-evaluate not only the significance of women's documentary practices and their contributions to feminist world-building, but also the state of documentary studies as it engages with political, aesthetic, and industrial developments arising as a result of an increasing numbers of women's documentaries. 

Bringing together a range of diverse practitioners and authors, the volume analyzes alternative and emergent networks of documentary production and collaboration within a global context. The chapters investigate filmmaking practices from regions such as East Africa, Latin America, South Asia, East Asia, the Middle East, and North Africa. They also examine decolonial practices in the Global North based on Indigenous filmmaking and feminist documentary institutions such as Women Make Movies. In doing so, they assess the global, institutional, political, and artistic factors that have shaped women's documentary practices in the 21st century, and their implications for scholarly debates regarding women's authorship, political subjectivity, and documentary representation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Women and Global Documentary﻿: ﻿Practices and Perspectives in the 21st Century (Bloomsbury Academic, 2025), edited by Najmeh Moradiyan-Rizi and Shilyh J. Warren, answers the urgent need to re-evaluate not only the significance of women's documentary practices and their contributions to feminist world-building, but also the state of documentary studies as it engages with political, aesthetic, and industrial developments arising as a result of an increasing numbers of women's documentaries. 

Bringing together a range of diverse practitioners and authors, the volume analyzes alternative and emergent networks of documentary production and collaboration within a global context. The chapters investigate filmmaking practices from regions such as East Africa, Latin America, South Asia, East Asia, the Middle East, and North Africa. They also examine decolonial practices in the Global North based on Indigenous filmmaking and feminist documentary institutions such as Women Make Movies. In doing so, they assess the global, institutional, political, and artistic factors that have shaped women's documentary practices in the 21st century, and their implications for scholarly debates regarding women's authorship, political subjectivity, and documentary representation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350422896">Women and Global Documentary﻿: ﻿Practices and Perspectives in the 21st Century</a><em> </em>(Bloomsbury Academic, 2025), edited by Najmeh Moradiyan-Rizi and Shilyh J. Warren, answers the urgent need to re-evaluate not only the significance of women's documentary practices and their contributions to feminist world-building, but also the state of documentary studies as it engages with political, aesthetic, and industrial developments arising as a result of an increasing numbers of women's documentaries. </p>
<p>Bringing together a range of diverse practitioners and authors, the volume analyzes alternative and emergent networks of documentary production and collaboration within a global context. The chapters investigate filmmaking practices from regions such as East Africa, Latin America, South Asia, East Asia, the Middle East, and North Africa. They also examine decolonial practices in the Global North based on Indigenous filmmaking and feminist documentary institutions such as Women Make Movies. In doing so, they assess the global, institutional, political, and artistic factors that have shaped women's documentary practices in the 21st century, and their implications for scholarly debates regarding women's authorship, political subjectivity, and documentary representation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2026</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4bd6fbce-a8d2-11f0-9304-bb02190b1405]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6544558667.mp3?updated=1760428380" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Signal Award Re-Release: Lost Women of Disco</title>
      <description>We're thrilled to announce that our episode “S2.E2. Lost Women of Disco” has been named a finalist in the Best Indie Podcast category at the 2025 Signal Awards! This powerful episode dives deep into the untold stories of the trailblazing women who shaped the culture we now call “disco”, but were overshadowed by history. We are re-releasing this episode, which originally aired on July 22, 2025, to highlight this recognition and to celebrate the forgotten legacy of these groundbreaking artists. Thank you to our listeners and the Signal Awards for this incredible honor. If you haven't tuned in yet, now’s the perfect time to discover the voices that helped define a generation.

*** ***﻿

Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.﻿

In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues to celebrate the women who built the foundations of club culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Oct 2025 16:45:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/2651e1d0-a921-11f0-8f10-ffc11ba6fa7a/image/91d271711ee0709c19ff9bda2d9eb532.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We're thrilled to announce that our episode “S2.E2. Lost Women of Disco” has been named a finalist in the Best Indie Podcast category at the 2025 Signal Awards! This powerful episode dives deep into the untold stories of the trailblazing women who shaped the culture we now call “disco”, but were overshadowed by history. We are re-releasing this episode, which originally aired on July 22, 2025, to highlight this recognition and to celebrate the forgotten legacy of these groundbreaking artists. Thank you to our listeners and the Signal Awards for this incredible honor. If you haven't tuned in yet, now’s the perfect time to discover the voices that helped define a generation.

*** ***﻿

Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.﻿

In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues to celebrate the women who built the foundations of club culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We're thrilled to announce that our episode “S2.E2. Lost Women of Disco” has been named a finalist in the <em>Best Indie Podcast </em>category at the <em>2025 Signal Awards</em>! This powerful episode dives deep into the untold stories of the trailblazing women who shaped the culture we now call “disco”, but were overshadowed by history. We are re-releasing this episode, which originally aired on July 22, 2025, to highlight this recognition and to celebrate the forgotten legacy of these groundbreaking artists. Thank you to our listeners and the Signal Awards for this incredible honor. If you haven't tuned in yet, now’s the perfect time to discover the voices that helped define a generation.</p>
<p>*** ***﻿</p>
<p>Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.﻿</p>
<p>In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues to celebrate the women who built the foundations of club culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3033</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2651e1d0-a921-11f0-8f10-ffc11ba6fa7a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8129238449.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jason Schneider, "That Gun in Your Hand: The Strange Saga of Hey Joe' and Popular Music's History of Violence" (Anvil Press, 2025)</title>
      <description>This is the story of a song. Yet, it is a song that binds nearly every strand of 20th-century American popular music. “Hey Joe” was written sometime in the early 1960s by a man named Billy Roberts, an obscure singer and guitarist from South Carolina who moved to New York City, drawn by the burgeoning folk music scene in Greenwich Village. It was a time when new, original material was scarce, leading other singers to quickly adapt songs of quality in the spirit of folk music’s oral traditions. Thus began the long journey of “Hey Joe” from New York coffeehouses to the bars on L.A.’s Sunset Strip to the ears of a young guitarist named Jimi Hendrix who launched his career with his radical, electrified interpretation.

Extensively researched, That Gun in Your Hand: The Strange Saga of ‘Hey Joe’ and Popular Music’s History of Violence (Anvil Press, 2025) also presents previously unpublished information about the life of Billy Roberts, a shadowy figure whose 2017 death went unreported by all news outlets.

With a Foreword by Lenny Kaye.

Jason Schneider has written for Exclaim!, The Globe &amp; Mail, The Toronto Star, Paste, American Songwriter, Relix, Shindig and many other media outlets. He is the co-author of Have Not Been The Same: the CanRock Renaissance 1985-1995, and his other books include Whispering Pines: the Northern Roots of American Music, and the novel 3,000 Miles. He currently lives in Kitchener, Ontario.

Jason Schneider on Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 12 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This is the story of a song. Yet, it is a song that binds nearly every strand of 20th-century American popular music. “Hey Joe” was written sometime in the early 1960s by a man named Billy Roberts, an obscure singer and guitarist from South Carolina who moved to New York City, drawn by the burgeoning folk music scene in Greenwich Village. It was a time when new, original material was scarce, leading other singers to quickly adapt songs of quality in the spirit of folk music’s oral traditions. Thus began the long journey of “Hey Joe” from New York coffeehouses to the bars on L.A.’s Sunset Strip to the ears of a young guitarist named Jimi Hendrix who launched his career with his radical, electrified interpretation.

Extensively researched, That Gun in Your Hand: The Strange Saga of ‘Hey Joe’ and Popular Music’s History of Violence (Anvil Press, 2025) also presents previously unpublished information about the life of Billy Roberts, a shadowy figure whose 2017 death went unreported by all news outlets.

With a Foreword by Lenny Kaye.

Jason Schneider has written for Exclaim!, The Globe &amp; Mail, The Toronto Star, Paste, American Songwriter, Relix, Shindig and many other media outlets. He is the co-author of Have Not Been The Same: the CanRock Renaissance 1985-1995, and his other books include Whispering Pines: the Northern Roots of American Music, and the novel 3,000 Miles. He currently lives in Kitchener, Ontario.

Jason Schneider on Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is the story of a song. Yet, it is a song that binds nearly every strand of 20th-century American popular music. “Hey Joe” was written sometime in the early 1960s by a man named Billy Roberts, an obscure singer and guitarist from South Carolina who moved to New York City, drawn by the burgeoning folk music scene in Greenwich Village. It was a time when new, original material was scarce, leading other singers to quickly adapt songs of quality in the spirit of folk music’s oral traditions. Thus began the long journey of “Hey Joe” from New York coffeehouses to the bars on L.A.’s Sunset Strip to the ears of a young guitarist named Jimi Hendrix who launched his career with his radical, electrified interpretation.</p>
<p>Extensively researched, <a href="https://www.anvilpress.com/books/that-gun-in-your-hand-the-strange-saga-of-hey-joe-and-popular-musics-history-of-violence">That Gun in Your Hand: The Strange Saga of ‘Hey Joe’ and Popular Music’s History of Violence</a><em> </em>(Anvil Press, 2025) also presents previously unpublished information about the life of Billy Roberts, a shadowy figure whose 2017 death went unreported by all news outlets.</p>
<p>With a Foreword by Lenny Kaye.</p>
<p>Jason Schneider has written for <em>Exclaim!, The Globe &amp; Mail, The Toronto Star, Paste, American Songwriter, Relix, Shindig</em> and many other media outlets. He is the co-author of <em>Have Not Been The Same: the CanRock Renaissance 1985-1995</em>, and his other books include <em>Whispering Pines: the Northern Roots of American Music</em>, and the novel <em>3,000 Miles</em>. He currently lives in Kitchener, Ontario.</p>
<p>Jason Schneider on <a href="https://bsky.app/profile/jasonschneidermedia.com">Bluesky</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Backbeat Books, 2021), <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025), and <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.</p>
<p>Bradley Morgan on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3425</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[46f4541e-a588-11f0-967d-eb4862e5dc56]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1944107818.mp3?updated=1760066984" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Dalla Riva, "Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves" (Bloomsbury, 2025)</title>
      <description>Popular music history collides with data analytics, charts, and numbers in this insightful and surprising look at the greatest hits and musicians, fads, forgotten artists, and much more. Data analyst and musician Chris Dalla Riva reframes everything you thought you knew about music.

Did you know that hit songs in the late 1950s were regularly about gruesome death? That a US vice president wrote a number one hit? That while TikTok has spawned countless hits, it's made artists more anonymous than ever before? That pop songs have shaped race relations in the United States? That the key change died around 2003? And that's just the beginning.

Coupling hard data with engaging anecdotes, Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves (Bloomsbury, 2025) is both a takedown and celebration of popular music and provides new ways to think about your favorite songs, genres, and artists from the last 6 decades using unexpected statistics and playful visualizations. This entertaining history is filled with the most popular musicians of all time from The Beatles and The Bee Gees to Michael Jackson, Mariah Carey, and beyond. Whether you danced the twist or the dougie at your senior prom, you're sure to never listen to music again in the same way.

Chris Dalla Riva lives at the intersection of music and data. Playing in bands and recording music since his teenage years, Dalla Riva is currently a Senior Product Manager at Audiomack where he focuses on data analytics and personalization.

Gregory McNiff is a Managing Director in the New York office of the Blueshirt Group, an IR firm focused on technology. Greg holds an MBA from the University of Chicago Booth School of Business, an M. Litt. in Shakespeare Studies from the University of St. Andrews and a B.A. in Classical Languages from Columbia University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 11 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Popular music history collides with data analytics, charts, and numbers in this insightful and surprising look at the greatest hits and musicians, fads, forgotten artists, and much more. Data analyst and musician Chris Dalla Riva reframes everything you thought you knew about music.

Did you know that hit songs in the late 1950s were regularly about gruesome death? That a US vice president wrote a number one hit? That while TikTok has spawned countless hits, it's made artists more anonymous than ever before? That pop songs have shaped race relations in the United States? That the key change died around 2003? And that's just the beginning.

Coupling hard data with engaging anecdotes, Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves (Bloomsbury, 2025) is both a takedown and celebration of popular music and provides new ways to think about your favorite songs, genres, and artists from the last 6 decades using unexpected statistics and playful visualizations. This entertaining history is filled with the most popular musicians of all time from The Beatles and The Bee Gees to Michael Jackson, Mariah Carey, and beyond. Whether you danced the twist or the dougie at your senior prom, you're sure to never listen to music again in the same way.

Chris Dalla Riva lives at the intersection of music and data. Playing in bands and recording music since his teenage years, Dalla Riva is currently a Senior Product Manager at Audiomack where he focuses on data analytics and personalization.

Gregory McNiff is a Managing Director in the New York office of the Blueshirt Group, an IR firm focused on technology. Greg holds an MBA from the University of Chicago Booth School of Business, an M. Litt. in Shakespeare Studies from the University of St. Andrews and a B.A. in Classical Languages from Columbia University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Popular music history collides with data analytics, charts, and numbers in this insightful and surprising look at the greatest hits and musicians, fads, forgotten artists, and much more. Data analyst and musician Chris Dalla Riva reframes everything you thought you knew about music.</p>
<p>Did you know that hit songs in the late 1950s were regularly about gruesome death? That a US vice president wrote a number one hit? That while TikTok has spawned countless hits, it's made artists more anonymous than ever before? That pop songs have shaped race relations in the United States? That the key change died around 2003? And that's just the beginning.</p>
<p>Coupling hard data with engaging anecdotes, <a href="https://bookshop.org/a/12343/9798765149843">Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves</a><em> </em>(Bloomsbury, 2025) is both a takedown and celebration of popular music and provides new ways to think about your favorite songs, genres, and artists from the last 6 decades using unexpected statistics and playful visualizations. This entertaining history is filled with the most popular musicians of all time from The Beatles and The Bee Gees to Michael Jackson, Mariah Carey, and beyond. Whether you danced the twist or the dougie at your senior prom, you're sure to never listen to music again in the same way.</p>
<p>Chris Dalla Riva lives at the intersection of music and data. Playing in bands and recording music since his teenage years, Dalla Riva is currently a Senior Product Manager at Audiomack where he focuses on data analytics and personalization.</p>
<p><em>Gregory McNiff is a Managing Director in the New York office of the Blueshirt Group, an IR firm focused on technology. Greg holds an MBA from the University of Chicago Booth School of Business, an M. Litt. in Shakespeare Studies from the University of St. Andrews and a B.A. in Classical Languages from Columbia University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4182</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a2cea8b8-a54f-11f0-a253-efc1fbe9bd91]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4811056543.mp3?updated=1760042254" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lorraine Besser, "The Art of the Interesting: What We Miss in Our Pursuit of the Good Life and How to Cultivate It" (Balance, 2024)</title>
      <description>What is a good life? Traditionally, philosophers have seen it as an equation: The Good Life = Happiness + Meaning. But, if it's really that simple, why don't more of us achieve that truly "good" life? 

In The Art of the Interesting: What We Miss in Our Pursuit of the Good Life and How to Cultivate It (Balance, 2024), Lorraine Besser, Professor of Philosophy at Middlebury College, offers insights drawn from both psychological research and philosophical analysis that provides new insights into a third aspect of happiness, psychological richness. According to Besser it is exposure to "the interesting" that leads to psychologically rich experiences. Put simply, "The Interesting" is an experience that captivates you, engages you, helps you let go of whatever is holding you back from fully engaging in the world around you. It's different for everyone, and everyone can obtain and strengthen the skills necessary to access it. In this interview, Besser relates key insights from her book, while discussing linkages to other areas of research including the notion of human capabilities developed by Amartya Sen and Martha Nussbaum, approaches to measuring societal well being such as Bhutan's Gross National Happiness Index, the influence of technology on our ability to achieve psychologically rich lives, and potential normative implications of her research for policy.

Professor Besser is interviewed by Thomas McInerney (Loyola University Chicago School of Law; Stockholm Environment Institute).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 11 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What is a good life? Traditionally, philosophers have seen it as an equation: The Good Life = Happiness + Meaning. But, if it's really that simple, why don't more of us achieve that truly "good" life? 

In The Art of the Interesting: What We Miss in Our Pursuit of the Good Life and How to Cultivate It (Balance, 2024), Lorraine Besser, Professor of Philosophy at Middlebury College, offers insights drawn from both psychological research and philosophical analysis that provides new insights into a third aspect of happiness, psychological richness. According to Besser it is exposure to "the interesting" that leads to psychologically rich experiences. Put simply, "The Interesting" is an experience that captivates you, engages you, helps you let go of whatever is holding you back from fully engaging in the world around you. It's different for everyone, and everyone can obtain and strengthen the skills necessary to access it. In this interview, Besser relates key insights from her book, while discussing linkages to other areas of research including the notion of human capabilities developed by Amartya Sen and Martha Nussbaum, approaches to measuring societal well being such as Bhutan's Gross National Happiness Index, the influence of technology on our ability to achieve psychologically rich lives, and potential normative implications of her research for policy.

Professor Besser is interviewed by Thomas McInerney (Loyola University Chicago School of Law; Stockholm Environment Institute).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is a good life? Traditionally, philosophers have seen it as an equation: The Good Life = Happiness + Meaning. But, if it's really that simple, why don't more of us achieve that truly "good" life? </p>
<p>In <a href="https://bookshop.org/a/12343/9781538743201">The Art of the Interesting: What We Miss in Our Pursuit of the Good Life and How to Cultivate It</a> (Balance, 2024), Lorraine Besser, Professor of Philosophy at Middlebury College, offers insights drawn from both psychological research and philosophical analysis that provides new insights into a third aspect of happiness, psychological richness. According to Besser it is exposure to "the interesting" that leads to psychologically rich experiences. Put simply, "The Interesting" is an experience that captivates you, engages you, helps you let go of whatever is holding you back from fully engaging in the world around you. It's different for everyone, and everyone can obtain and strengthen the skills necessary to access it. In this interview, Besser relates key insights from her book, while discussing linkages to other areas of research including the notion of human capabilities developed by Amartya Sen and Martha Nussbaum, approaches to measuring societal well being such as Bhutan's Gross National Happiness Index, the influence of technology on our ability to achieve psychologically rich lives, and potential normative implications of her research for policy.</p>
<p>Professor Besser is interviewed by Thomas McInerney (Loyola University Chicago School of Law; Stockholm Environment Institute).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3016</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[72dead30-a5a7-11f0-8bc9-dfc8b2b80484]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4795417534.mp3?updated=1760080418" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthias Egeler, "Elves and Fairies: A Short History of the Otherworld" (Yale UP, 2025)</title>
      <description>Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien’s warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture.

In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur’s round table and in Shakespeare’s A Midsummer Night’s Dream, in the terrible era of the witch trials, in magic’s peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 11 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien’s warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture.

In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur’s round table and in Shakespeare’s A Midsummer Night’s Dream, in the terrible era of the witch trials, in magic’s peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien’s warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture.</p>
<p>In <a href="https://bookshop.org/a/12343/9780300284409">Elves and Fairies: A Short History of the Otherworld</a> (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur’s round table and in Shakespeare’s <em>A Midsummer Night’s Dream</em>, in the terrible era of the witch trials, in magic’s peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b62e3df4-a55b-11f0-8c9e-8b8fbd04407e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2385135270.mp3?updated=1760045472" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John R. Davis, "Keep Your Ear to the Ground: A History of Punk Fanzines in Washington, DC" (Georgetown UP, 2025)</title>
      <description>John R. Davis's Keep Your Ear to the Ground (Georgetown University Press, 2025) is the first history of the fanzines that emerged from Washington, DC's highly influential punk community DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the periodicals--"fanzines"--that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. These zines were more than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world. In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities. For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>John R. Davis's Keep Your Ear to the Ground (Georgetown University Press, 2025) is the first history of the fanzines that emerged from Washington, DC's highly influential punk community DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the periodicals--"fanzines"--that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. These zines were more than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world. In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities. For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>John R. Davis's <a href="https://press.georgetown.edu/Book/Keep-Your-Ear-to-the-Ground">Keep Your Ear to the Ground</a><em> </em>(Georgetown University Press, 2025) is the first history of the fanzines that emerged from Washington, DC's highly influential punk community DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the periodicals--"fanzines"--that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. These zines were more than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world. In <em>Keep Your Ear to the Ground</em>, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities. For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, <em>Keep Your Ear to the Ground</em> traces how the unique environment of Washington, DC, helped zines thrive.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3360</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e797d9cc-a46b-11f0-999e-e39407261a4a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5695831695.mp3?updated=1759944880" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Meghan Crnic, "The Beach Cure: A History of Healing on Northeastern Shores" (U Washington Press, 2025)</title>
      <description>For centuries, the ocean was seen as a place of danger and work, but by the late nineteenth century, northeastern shores of the United States became therapeutic destinations for the sick and weary. Doctors in Philadelphia, New York, Boston, and other cities began prescribing time at the beach as a remedy for ailments such as tuberculosis, rickets, and exhaustion. In the decades that followed, seaside towns became health havens complete with hospitals that served urban families and children.Dr. Meghan Crnic’s The Beach Cure: A History of Healing on Northeastern Shores (U Washington Press, 2025) explores how physicians, tourists, and families transformed the coastline into a medical and cultural landscape. Dr. Crnic traces how beliefs in “marine medication”—the healing power of the sun, sea air, and saltwater—shaped the development of northeastern coastal tourist destinations and health institutions in Atlantic City, Coney Island, and beyond. Despite advances in germ theory and the rise of laboratory science, the conviction that nature can restore health and well-being persisted and continues to resonate with beachgoers today.This book uncovers the profound ways in which Americans tied health to place, showing how the underlying belief in nature’s therapeutic powers brought people to the seashore as a precursor to the beach becoming a destination for leisure and recreation. The Beach Cure offers fresh insight into the history of environmental health, urging readers to reflect on how landscapes shape well-being.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For centuries, the ocean was seen as a place of danger and work, but by the late nineteenth century, northeastern shores of the United States became therapeutic destinations for the sick and weary. Doctors in Philadelphia, New York, Boston, and other cities began prescribing time at the beach as a remedy for ailments such as tuberculosis, rickets, and exhaustion. In the decades that followed, seaside towns became health havens complete with hospitals that served urban families and children.Dr. Meghan Crnic’s The Beach Cure: A History of Healing on Northeastern Shores (U Washington Press, 2025) explores how physicians, tourists, and families transformed the coastline into a medical and cultural landscape. Dr. Crnic traces how beliefs in “marine medication”—the healing power of the sun, sea air, and saltwater—shaped the development of northeastern coastal tourist destinations and health institutions in Atlantic City, Coney Island, and beyond. Despite advances in germ theory and the rise of laboratory science, the conviction that nature can restore health and well-being persisted and continues to resonate with beachgoers today.This book uncovers the profound ways in which Americans tied health to place, showing how the underlying belief in nature’s therapeutic powers brought people to the seashore as a precursor to the beach becoming a destination for leisure and recreation. The Beach Cure offers fresh insight into the history of environmental health, urging readers to reflect on how landscapes shape well-being.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For centuries, the ocean was seen as a place of danger and work, but by the late nineteenth century, northeastern shores of the United States became therapeutic destinations for the sick and weary. Doctors in Philadelphia, New York, Boston, and other cities began prescribing time at the beach as a remedy for ailments such as tuberculosis, rickets, and exhaustion. In the decades that followed, seaside towns became health havens complete with hospitals that served urban families and children.<br>Dr. Meghan Crnic’s <a href="https://bookshop.org/a/12343/9780295753959">The Beach Cure: A History of Healing on Northeastern Shores</a> (U Washington Press, 2025) explores how physicians, tourists, and families transformed the coastline into a medical and cultural landscape. Dr. Crnic traces how beliefs in “marine medication”—the healing power of the sun, sea air, and saltwater—shaped the development of northeastern coastal tourist destinations and health institutions in Atlantic City, Coney Island, and beyond. Despite advances in germ theory and the rise of laboratory science, the conviction that nature can restore health and well-being persisted and continues to resonate with beachgoers today.<br>This book uncovers the profound ways in which Americans tied health to place, showing how the underlying belief in nature’s therapeutic powers brought people to the seashore as a precursor to the beach becoming a destination for leisure and recreation. <em>The Beach Cure</em> offers fresh insight into the history of environmental health, urging readers to reflect on how landscapes shape well-being.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2725</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b77b69ec-a4e4-11f0-867e-9fc23f4e80f2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9438379409.mp3?updated=1759996163" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title> In The Life of a Showgirl, Taylor Swift Addresses Love, Glamour, and Grit</title>
      <description>It’s The Pop Culture Professors, and we review Taylor Swift’s new album “The Life of a Showgirl.” We consider the album’s themes: love, nostalgia, how hard it is to be famous, and how the internet is bad. We set the songs in the context of Taylor’s wider career and public persona.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we review Taylor Swift’s new album “The Life of a Showgirl.” We consider the album’s themes: love, nostalgia, how hard it is to be famous, and how the internet is bad. We set the songs in the context of Taylor’s wider career and public persona.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">The Pop Culture Professors</a>, and we review Taylor Swift’s new album “The Life of a Showgirl.” We consider the album’s themes: love, nostalgia, how hard it is to be famous, and how the internet is bad. We set the songs in the context of Taylor’s wider career and public persona.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1855</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bb32c592-a289-11f0-bec2-57db17be0742]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6482688498.mp3?updated=1759737460" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Audrey Golden, "Shouting Out Loud: Lives of the Raincoats" (Da Capo Press, 2025)</title>
      <description>In Shouting Out Loud: Lives of The Raincoats (Da Capo Press, 2025) Audrey Golden traces the history of the iconic band The Raincoats staring of the founding by Art students Gina Birch and Ana da Silva in 1977. Since the release of their seminal early records, the band has been revered by punk, queer, feminist, and indie pop artists alike.The Raincoats reimagined the nature of experimental music and DIY design, and went on to inspire Sonic Youth, Nirvana, and an entire generation of Riot Grrrl and queercore musicians. Shouting Out Loud: Lives of the Raincoats tells this story, which resonates at the heart of late twentieth century radical art, in three distinct lives of the band. In The Raincoats' first life, they recorded three full-length albums now regarded as classics and were the first punk band to play behind the Iron Curtain in Warsaw. Nearly a decade later in 1992, the band's second life took off when Kurt Cobain's love of the band catalyzed their renaissance, and The Raincoats became renowned as 'godmothers of grunge and Riot Grrrl' only to go on hiatus again in 1996. In 2001, The Raincoats reemerged in a third and ongoing iteration marked by performances in art museums such as New York's MoMA, the Pompidou Centre in Paris, and London's National Portrait Gallery. The Raincoats have and continue to be a singular phenomenon and influence for so many. Featuring exclusive interviews and never-before-seen images from The Raincoats' archive, Shouting Out Loud is the first biography of this pioneering group of women who paved the way for hundreds of artists who have followed in their footsteps and the must-have account of a legendary band that holds a vital place in twentieth and twenty-first century sonic history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 04 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Shouting Out Loud: Lives of The Raincoats (Da Capo Press, 2025) Audrey Golden traces the history of the iconic band The Raincoats staring of the founding by Art students Gina Birch and Ana da Silva in 1977. Since the release of their seminal early records, the band has been revered by punk, queer, feminist, and indie pop artists alike.The Raincoats reimagined the nature of experimental music and DIY design, and went on to inspire Sonic Youth, Nirvana, and an entire generation of Riot Grrrl and queercore musicians. Shouting Out Loud: Lives of the Raincoats tells this story, which resonates at the heart of late twentieth century radical art, in three distinct lives of the band. In The Raincoats' first life, they recorded three full-length albums now regarded as classics and were the first punk band to play behind the Iron Curtain in Warsaw. Nearly a decade later in 1992, the band's second life took off when Kurt Cobain's love of the band catalyzed their renaissance, and The Raincoats became renowned as 'godmothers of grunge and Riot Grrrl' only to go on hiatus again in 1996. In 2001, The Raincoats reemerged in a third and ongoing iteration marked by performances in art museums such as New York's MoMA, the Pompidou Centre in Paris, and London's National Portrait Gallery. The Raincoats have and continue to be a singular phenomenon and influence for so many. Featuring exclusive interviews and never-before-seen images from The Raincoats' archive, Shouting Out Loud is the first biography of this pioneering group of women who paved the way for hundreds of artists who have followed in their footsteps and the must-have account of a legendary band that holds a vital place in twentieth and twenty-first century sonic history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780306835902">Shouting Out Loud: Lives of The Raincoats</a><em> </em>(Da Capo Press, 2025) Audrey Golden traces the history of the iconic band The Raincoats staring of the founding by Art students Gina Birch and Ana da Silva in 1977. Since the release of their seminal early records, the band has been revered by punk, queer, feminist, and indie pop artists alike.The Raincoats reimagined the nature of experimental music and DIY design, and went on to inspire Sonic Youth, Nirvana, and an entire generation of Riot Grrrl and queercore musicians. <em>Shouting Out Loud: Lives of the Raincoats </em>tells this story, which resonates at the heart of late twentieth century radical art, in three distinct lives of the band. In The Raincoats' first life, they recorded three full-length albums now regarded as classics and were the first punk band to play behind the Iron Curtain in Warsaw. Nearly a decade later in 1992, the band's second life took off when Kurt Cobain's love of the band catalyzed their renaissance, and The Raincoats became renowned as 'godmothers of grunge and Riot Grrrl' only to go on hiatus again in 1996. In 2001, The Raincoats reemerged in a third and ongoing iteration marked by performances in art museums such as New York's MoMA, the Pompidou Centre in Paris, and London's National Portrait Gallery. The Raincoats have and continue to be a singular phenomenon and influence for so many. Featuring exclusive interviews and never-before-seen images from The Raincoats' archive, Shouting Out Loud is the first biography of this pioneering group of women who paved the way for hundreds of artists who have followed in their footsteps and the must-have account of a legendary band that holds a vital place in twentieth and twenty-first century sonic history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[65ee90cc-a007-11f0-86fa-af5156998208]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9046818552.mp3?updated=1759461889" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eric T. Jennings, "Vanilla: The History of an Extraordinary Bean" (Yale UP, 2025)</title>
      <description>Vanilla is one of the most expensive of flavorings—so valuable that it was smuggled or stolen by pirates in the early days—and yet it is everywhere. It is a key ingredient in dishes ranging from crème brûlée to Japanese purin. It is the quintessential ice cream flavor in the United States. In Vanilla: The History of an Extraordinary Bean (Yale UP, 2025) Dr. Eric T. Jennings explains how the world’s only edible orchid, originally endemic to Central America, became embedded in the international culinary and cultural landscape.

In tracing vanilla’s rise, Dr. Jennings describes how in the 1840s an enslaved boy named Edmond Albius discovered a way to pollinate vanilla orchids with a toothpick or needle—an ingenious process that is still in use. This method transformed the vanilla sector by enabling the plant to be grown outside of its natural range. Dr. Jennings also looks at how the vanilla craze led to the search for now‑pervasive substitutes, and how a vanilla lobby has fought back. He further unravels how vanilla—the world’s most expensive crop and once considered its most refined fragrance—came to mean “bland.”

This tale of botany, production techniques, consumption habits, and colonial rivalry connects the Atlantic, Indian, and Pacific Oceans, revealing how vanilla has become a potent symbol of the modern global village.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 02 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Vanilla is one of the most expensive of flavorings—so valuable that it was smuggled or stolen by pirates in the early days—and yet it is everywhere. It is a key ingredient in dishes ranging from crème brûlée to Japanese purin. It is the quintessential ice cream flavor in the United States. In Vanilla: The History of an Extraordinary Bean (Yale UP, 2025) Dr. Eric T. Jennings explains how the world’s only edible orchid, originally endemic to Central America, became embedded in the international culinary and cultural landscape.

In tracing vanilla’s rise, Dr. Jennings describes how in the 1840s an enslaved boy named Edmond Albius discovered a way to pollinate vanilla orchids with a toothpick or needle—an ingenious process that is still in use. This method transformed the vanilla sector by enabling the plant to be grown outside of its natural range. Dr. Jennings also looks at how the vanilla craze led to the search for now‑pervasive substitutes, and how a vanilla lobby has fought back. He further unravels how vanilla—the world’s most expensive crop and once considered its most refined fragrance—came to mean “bland.”

This tale of botany, production techniques, consumption habits, and colonial rivalry connects the Atlantic, Indian, and Pacific Oceans, revealing how vanilla has become a potent symbol of the modern global village.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Vanilla is one of the most expensive of flavorings—so valuable that it was smuggled or stolen by pirates in the early days—and yet it is everywhere. It is a key ingredient in dishes ranging from crème brûlée to Japanese purin. It is the quintessential ice cream flavor in the United States. In <a href="https://bookshop.org/a/12343/9780300264531">Vanilla: The History of an Extraordinary Bean</a> (Yale UP, 2025) Dr. Eric T. Jennings explains how the world’s only edible orchid, originally endemic to Central America, became embedded in the international culinary and cultural landscape.</p>
<p>In tracing vanilla’s rise, Dr. Jennings describes how in the 1840s an enslaved boy named Edmond Albius discovered a way to pollinate vanilla orchids with a toothpick or needle—an ingenious process that is still in use. This method transformed the vanilla sector by enabling the plant to be grown outside of its natural range. Dr. Jennings also looks at how the vanilla craze led to the search for now‑pervasive substitutes, and how a vanilla lobby has fought back. He further unravels how vanilla—the world’s most expensive crop and once considered its most refined fragrance—came to mean “bland.”</p>
<p>This tale of botany, production techniques, consumption habits, and colonial rivalry connects the Atlantic, Indian, and Pacific Oceans, revealing how vanilla has become a potent symbol of the modern global village.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3111</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a932a624-9eaa-11f0-9ab9-c32837aafb45]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8307101205.mp3?updated=1759311830" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathleen B. Casey, "The Things She Carried: A Cultural History of the Purse in America" (Oxford UP, 2025)</title>
      <description>Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 02 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kathleen Casey joins Jana Byars to talk about <a href="https://bookshop.org/p/books/the-things-she-carried-a-cultural-history-of-the-purse-in-america-director-of-the-women-s-gender-and-sexuality-studies-program-and-professor-of-histor/af773c9486023238?ean=9780197587829&amp;next=t">The Things She Carried: A Cultural History of the Purse in America</a><em> </em>(Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3151</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[49d0dd2e-9ea8-11f0-8844-9776afccf185]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4134193407.mp3?updated=1759310853" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Roddy Bottum, "The Royal We" (Akashic Books, 2025)</title>
      <description>The Royal We (Akashic Books, 2025) is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon.

The book is an elevated wallop of tongue and insight, much more than a tell-all. There are personal tales of historical pinnacles like Kurt and Courtney, Guns N’ Roses, and recaps of gold records and arena rock—but it’s the testimonies of tragedy and addiction and preposterous life-spins that make this work so unique and intriguing. Bottum writes about his dark and harrowing past in a clear-eyed voice that is utterly devoid of self-pity, and his emboldened and confident pronouncements of achievement and unorthodox heroism flow in an unstoppable train that’s both captivating and inspirational.

A remarkable portrayal of a creative individual in emergence, a gay man figuring out how to be a gay man, and a detailed look at the nuance of 1980s pre–tech boom San Francisco, The Royal We will be greatly appreciated by people who loved Kathleen Hanna’s Rebel Girl, Patti Smith’s Just Kids, Hua Hsu’s Stay True, and other memoirs about the artist’s life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 01 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Royal We (Akashic Books, 2025) is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon.

The book is an elevated wallop of tongue and insight, much more than a tell-all. There are personal tales of historical pinnacles like Kurt and Courtney, Guns N’ Roses, and recaps of gold records and arena rock—but it’s the testimonies of tragedy and addiction and preposterous life-spins that make this work so unique and intriguing. Bottum writes about his dark and harrowing past in a clear-eyed voice that is utterly devoid of self-pity, and his emboldened and confident pronouncements of achievement and unorthodox heroism flow in an unstoppable train that’s both captivating and inspirational.

A remarkable portrayal of a creative individual in emergence, a gay man figuring out how to be a gay man, and a detailed look at the nuance of 1980s pre–tech boom San Francisco, The Royal We will be greatly appreciated by people who loved Kathleen Hanna’s Rebel Girl, Patti Smith’s Just Kids, Hua Hsu’s Stay True, and other memoirs about the artist’s life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781636142692">The Royal We </a><em>(Akashic Books, 2025)</em> is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon.</p>
<p>The book is an elevated wallop of tongue and insight, much more than a tell-all. There are personal tales of historical pinnacles like Kurt and Courtney, Guns N’ Roses, and recaps of gold records and arena rock—but it’s the testimonies of tragedy and addiction and preposterous life-spins that make this work so unique and intriguing. Bottum writes about his dark and harrowing past in a clear-eyed voice that is utterly devoid of self-pity, and his emboldened and confident pronouncements of achievement and unorthodox heroism flow in an unstoppable train that’s both captivating and inspirational.</p>
<p>A remarkable portrayal of a creative individual in emergence, a gay man figuring out how to be a gay man, and a detailed look at the nuance of 1980s pre–tech boom San Francisco, <em>The Royal We</em> will be greatly appreciated by people who loved Kathleen Hanna’s <em>Rebel Girl</em>, Patti Smith’s <em>Just Kids</em>, Hua Hsu’s <em>Stay True</em>, and other memoirs about the artist’s life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3073</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ea9ad29c-9dc6-11f0-9939-7f6268732a8e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7584699079.mp3?updated=1759214293" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Disco Sucks</title>
      <description>On July 12, 1979, Chicago’s Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl’s “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco’s dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s.

In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank’s scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 30 Sep 2025 17:02:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/350fb9fc-9e1f-11f0-8b6f-0753d7161602/image/af5518ce8531df0935088656172200bd.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On July 12, 1979, Chicago’s Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl’s “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco’s dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s.

In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank’s scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On July 12, 1979, Chicago’s Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl’s “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco’s dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s.</p>
<p>In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of <em>NOTCHES: (re)marks on the history of sexuality</em> and co-host of the podcast <em>Sexing History</em>, which explores how the past shapes contemporary debates about sex. Frank’s scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3700</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1cafc914-9e20-11f0-83f9-53fe8605fd87]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5042540115.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nick Katsiadas and Carl Sell eds., "Tolkien's Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth" (Bloomsbury, 2025)</title>
      <description>The structural and symbolic purposes of ruins in literary texts have a long history, yet few scholars explore their importance within J. R. R. Tolkien's legendarium. From the ruins of Erebor and the relics of Gondolin appearing in The Hobbit to the various images of Amon Sûl, Moria, and Osgiliath in The Lord of the Rings, Tolkien constructs a distinct mood-one that captures characters' awareness of the glories of the past and a desire to emulate them. The scholars who do engage Tolkien's relics and ruins tend to limit the scope to Tolkien's debt to the Middle Ages. While such scholarship begins important conversations, the full story of Tolkien's relics and ruins is left untold. Tolkien's Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth (Bloomsbury, 2025) takes corrective action and expands this historical and critical literary scope. This collection seeks to promote a more comprehensive approach to Tolkien's legendarium.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 30 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The structural and symbolic purposes of ruins in literary texts have a long history, yet few scholars explore their importance within J. R. R. Tolkien's legendarium. From the ruins of Erebor and the relics of Gondolin appearing in The Hobbit to the various images of Amon Sûl, Moria, and Osgiliath in The Lord of the Rings, Tolkien constructs a distinct mood-one that captures characters' awareness of the glories of the past and a desire to emulate them. The scholars who do engage Tolkien's relics and ruins tend to limit the scope to Tolkien's debt to the Middle Ages. While such scholarship begins important conversations, the full story of Tolkien's relics and ruins is left untold. Tolkien's Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth (Bloomsbury, 2025) takes corrective action and expands this historical and critical literary scope. This collection seeks to promote a more comprehensive approach to Tolkien's legendarium.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The structural and symbolic purposes of ruins in literary texts have a long history, yet few scholars explore their importance within J. R. R. Tolkien's legendarium. From the ruins of Erebor and the relics of Gondolin appearing in The Hobbit to the various images of Amon Sûl, Moria, and Osgiliath in The Lord of the Rings, Tolkien constructs a distinct mood-one that captures characters' awareness of the glories of the past and a desire to emulate them. The scholars who do engage Tolkien's relics and ruins tend to limit the scope to Tolkien's debt to the Middle Ages. While such scholarship begins important conversations, the full story of Tolkien's relics and ruins is left untold. <a href="https://bookshop.org/a/12343/9781666971484">Tolkien's Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth</a> (Bloomsbury, 2025) takes corrective action and expands this historical and critical literary scope. This collection seeks to promote a more comprehensive approach to Tolkien's legendarium.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2830</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a1017704-9d16-11f0-8386-c3610efea219]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6630412346.mp3?updated=1759138498" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alien: Earth Episode Analysis: Emergence and The Real Monsters</title>
      <description>It’s The Pop Culture Professors, and we conclude our analysis of the FX series Alien: Earth with episode 7, “Emergence” and episode 8, “The Real Monsters.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we conclude our analysis of the FX series Alien: Earth with episode 7, “Emergence” and episode 8, “The Real Monsters.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">The Pop Culture Professors</a>, and we conclude our analysis of the FX series Alien: Earth with episode 7, “Emergence” and episode 8, “The Real Monsters.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3495</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[544abcf4-9bd6-11f0-aac6-4b88552567c8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7640403621.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>"Swiz" (Akashic Books, 2025)</title>
      <description>Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz’s faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground.

In the thirty-five years since their demise, Swiz’s popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records.

The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz’s faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground.

In the thirty-five years since their demise, Swiz’s popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records.

The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.akashicbooks.com/catalog/swiz/">Swiz</a> (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz’s faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground.</p>
<p>In the thirty-five years since their demise, Swiz’s popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records.</p>
<p>The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. <em>Swiz </em>is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
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      <itunes:duration>4290</itunes:duration>
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      <title>Christa Anne Bentley et al, eds., "Taylor Swift: The Star, The Songs, The Fans" (Routledge, 2025)</title>
      <description>Only 35 years old, Taylor Swift has already had a long career and is a pop culture icon. Her music and career are reported on by the world’s press, and her most devoted fans dissect her every move looking for hidden meanings and clues about her next album and her life. Taylor Swift: The Star, The Songs, The Fans (Routledge, 2025) edited by Christa Anne Bentley, Kate Galloway, and Paula Clare Harper positions Swift as a prismatic figure for the musical world of the 21st century. Necessarily a first look at Swift’s career and songs since she presumably has many more years to make music, the authors in this collection analyze Swift’s songs and vocal choices, how she negotiates the fraught politics around her identity, and how fans and others understand her and her music. Including contributions by scholars, practitioners, and journalists, this book offers a serious consideration of one of today’s most popular music stars that shows why and how she matters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 27 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Only 35 years old, Taylor Swift has already had a long career and is a pop culture icon. Her music and career are reported on by the world’s press, and her most devoted fans dissect her every move looking for hidden meanings and clues about her next album and her life. Taylor Swift: The Star, The Songs, The Fans (Routledge, 2025) edited by Christa Anne Bentley, Kate Galloway, and Paula Clare Harper positions Swift as a prismatic figure for the musical world of the 21st century. Necessarily a first look at Swift’s career and songs since she presumably has many more years to make music, the authors in this collection analyze Swift’s songs and vocal choices, how she negotiates the fraught politics around her identity, and how fans and others understand her and her music. Including contributions by scholars, practitioners, and journalists, this book offers a serious consideration of one of today’s most popular music stars that shows why and how she matters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Only 35 years old, Taylor Swift has already had a long career and is a pop culture icon. Her music and career are reported on by the world’s press, and her most devoted fans dissect her every move looking for hidden meanings and clues about her next album and her life. <a href="https://bookshop.org/a/12343/9781032289878">Taylor Swift: The Star, The Songs, The Fans</a> (Routledge, 2025) edited by Christa Anne Bentley, Kate Galloway, and Paula Clare Harper positions Swift as a prismatic figure for the musical world of the 21st century. Necessarily a first look at Swift’s career and songs since she presumably has many more years to make music, the authors in this collection analyze Swift’s songs and vocal choices, how she negotiates the fraught politics around her identity, and how fans and others understand her and her music. Including contributions by scholars, practitioners, and journalists, this book offers a serious consideration of one of today’s most popular music stars that shows why and how she matters.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4302</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sahan Jayasuriya, "Don't Say Please: The Oral History of Die Kreuzen" (Feral House, 2025)</title>
      <description>In Don't Say Please: The Oral History of Die Kreuzen (Feral House, 2025), Sahan Jayasuriya brings readers into the world of 1980s hardcore in the Midwest. Amidst this explosion of American punk and experimental music, a band from Milwaukee, Wisconsin, emerged with a groundbreaking sound. Die Kreuzen, a group that defied genre boundaries, fused punk and metal influences to create something entirely new. Were they punk? Were they metal? Die Kreuzen recorded what fans and critics hail as a defining album of hardcore punk, only to reinvent their sound with each subsequent release. They toured the world, made little money, and eventually broke up. Yet, this seemingly brief stint in music history has rendered Die Kreuzen legendary. But why? For the first time, band members Keith Brammer, Brian Egeness, Dan Kubinski, and Eric Tunison--alongside their friends, collaborators, and famous fans--reveal the inside story of Die Kreuzen. This book features rare images and artwork, with contributions from music icons like Thurston Moore, Steve Albini, Neko Case, Lou Barlow, and more.
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      <pubDate>Fri, 26 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Don't Say Please: The Oral History of Die Kreuzen (Feral House, 2025), Sahan Jayasuriya brings readers into the world of 1980s hardcore in the Midwest. Amidst this explosion of American punk and experimental music, a band from Milwaukee, Wisconsin, emerged with a groundbreaking sound. Die Kreuzen, a group that defied genre boundaries, fused punk and metal influences to create something entirely new. Were they punk? Were they metal? Die Kreuzen recorded what fans and critics hail as a defining album of hardcore punk, only to reinvent their sound with each subsequent release. They toured the world, made little money, and eventually broke up. Yet, this seemingly brief stint in music history has rendered Die Kreuzen legendary. But why? For the first time, band members Keith Brammer, Brian Egeness, Dan Kubinski, and Eric Tunison--alongside their friends, collaborators, and famous fans--reveal the inside story of Die Kreuzen. This book features rare images and artwork, with contributions from music icons like Thurston Moore, Steve Albini, Neko Case, Lou Barlow, and more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://feralhouse.com/30258/">Don't Say Please: The Oral History of Die Kreuzen</a><em> </em>(Feral House, 2025), Sahan Jayasuriya brings readers into the world of 1980s hardcore in the Midwest. Amidst this explosion of American punk and experimental music, a band from Milwaukee, Wisconsin, emerged with a groundbreaking sound. Die Kreuzen, a group that defied genre boundaries, fused punk and metal influences to create something entirely new. Were they punk? Were they metal? Die Kreuzen recorded what fans and critics hail as a defining album of hardcore punk, only to reinvent their sound with each subsequent release. They toured the world, made little money, and eventually broke up. Yet, this seemingly brief stint in music history has rendered Die Kreuzen legendary. But why? For the first time, band members Keith Brammer, Brian Egeness, Dan Kubinski, and Eric Tunison--alongside their friends, collaborators, and famous fans--reveal the inside story of Die Kreuzen. This book features rare images and artwork, with contributions from music icons like Thurston Moore, Steve Albini, Neko Case, Lou Barlow, and more.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4126</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Robert Waxler and David Beckman, "You Say, I Say: Staying Alive with Literature, Language, and Friendship" (Rivertown Books, 2025) </title>
      <description>In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's<em> </em><a href="https://bookshop.org/a/12343/9781953943613">You Say, I Say: Staying Alive with Literature, Language, and Friendship</a> (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2993</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kawika Guillermo, "Of Floating Isles: On Growing Pains and Video Games" (Arsenal Pulp Press, 2025)</title>
      <description>An immersive journey into the author's lifelong attachment to video games, revealing how they shape us, shatter us, and give us the courage to start again

Of Floating Isles: ﻿﻿On Growing Pains and Video Games (Arsenal Pulp Press, 2025) is a captivating collection of personal essays that unpack the mystifying and often intimate roles that video games play in our lives. Interweaving memoir with cultural critique, Kawika Guillermo explores the subtle yet transformative influences of video games in shaping them as a queer and mixed-race grandson of two preachers; as a traveller, immigrant, and games scholar; and as a father, caregiver, and mourner. Through a mixture of fanciful musing, rigorous inquiry, and unflinching self-reflection, Of Floating Isles reframes the gamer's retreat from others not as social isolation, but as a quest for a different community, one where they feel seen, heard, and understood. This deep-seated longing to belong, Guillermo suggests, forms the imaginative worlds of video games and the floating isles they conjure.

By exploring their own lifelong attachment to video games, Guillermo shows how games can spark rage, confusion, and the desire to escape, but these emotions are not necessarily bad - they are the growing pains that many young people must work through. So too can games provide reflective realms to dwell, to imagine, and to build spaces for queer, trans, racialized, and neurodiverse groups. Envisioning games as forms of poetic interaction, Of Floating Isles boldly conveys their truth-telling powers: their ability to offer guidance in times of loss and hardship, and their power to reveal the oppressive mechanisms of our "real" world.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 22 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An immersive journey into the author's lifelong attachment to video games, revealing how they shape us, shatter us, and give us the courage to start again

Of Floating Isles: ﻿﻿On Growing Pains and Video Games (Arsenal Pulp Press, 2025) is a captivating collection of personal essays that unpack the mystifying and often intimate roles that video games play in our lives. Interweaving memoir with cultural critique, Kawika Guillermo explores the subtle yet transformative influences of video games in shaping them as a queer and mixed-race grandson of two preachers; as a traveller, immigrant, and games scholar; and as a father, caregiver, and mourner. Through a mixture of fanciful musing, rigorous inquiry, and unflinching self-reflection, Of Floating Isles reframes the gamer's retreat from others not as social isolation, but as a quest for a different community, one where they feel seen, heard, and understood. This deep-seated longing to belong, Guillermo suggests, forms the imaginative worlds of video games and the floating isles they conjure.

By exploring their own lifelong attachment to video games, Guillermo shows how games can spark rage, confusion, and the desire to escape, but these emotions are not necessarily bad - they are the growing pains that many young people must work through. So too can games provide reflective realms to dwell, to imagine, and to build spaces for queer, trans, racialized, and neurodiverse groups. Envisioning games as forms of poetic interaction, Of Floating Isles boldly conveys their truth-telling powers: their ability to offer guidance in times of loss and hardship, and their power to reveal the oppressive mechanisms of our "real" world.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em><strong>An immersive journey into the author's lifelong attachment to video games, revealing how they shape us, shatter us, and give us the courage to start again</strong></em></p>
<p><a href="https://bookshop.org/a/12343/9781834050065">Of Floating Isles: ﻿﻿On Growing Pains and Video Games</a><em> </em>(Arsenal Pulp Press, 2025) is a captivating collection of personal essays that unpack the mystifying and often intimate roles that video games play in our lives. Interweaving memoir with cultural critique, Kawika Guillermo explores the subtle yet transformative influences of video games in shaping them as a queer and mixed-race grandson of two preachers; as a traveller, immigrant, and games scholar; and as a father, caregiver, and mourner. Through a mixture of fanciful musing, rigorous inquiry, and unflinching self-reflection, <em>Of Floating Isles</em> reframes the gamer's retreat from others not as social isolation, but as a quest for a different community, one where they feel seen, heard, and understood. This deep-seated longing to belong, Guillermo suggests, forms the imaginative worlds of video games and the floating isles they conjure.</p>
<p>By exploring their own lifelong attachment to video games, Guillermo shows how games can spark rage, confusion, and the desire to escape, but these emotions are not necessarily bad - they are the growing pains that many young people must work through. So too can games provide reflective realms to dwell, to imagine, and to build spaces for queer, trans, racialized, and neurodiverse groups. Envisioning games as forms of poetic interaction, <em>Of Floating Isles</em> boldly conveys their truth-telling powers: their ability to offer guidance in times of loss and hardship, and their power to reveal the oppressive mechanisms of our "real" world.</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1819</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[69b6f4a4-9636-11f0-bd23-ff24788d57b2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7511769699.mp3" length="0" type="audio/mpeg"/>
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      <title>Stefanie Mercado Altman, Claire Altman, and Stan Altman, "Twice Blessed: A Story of Unconditional Love" (Fordham UP, 2025)</title>
      <description>Twice Blessed (Fordham University Press, 2025) is a memoir that explores the depths of love, resilience, and the true meaning of family. Stefanie Mercado Altman, Claire Altman, and Stan Altman share an inti­mate and inspiring story about the bonds that define us, from adoption to caregiving and beyond. When Stefanie was adopted by Claire and Stan, their family was built on love and trust rather than biology. As they navigated the joys and struggles of parenting, they faced challenges that tested their resilience, including Stefanie’s search for identity and connection with her birth mother, Rosa, a gifted artist whose struggles with AIDS cast a long shadow.From the highs of new beginnings to the heartbreak of loss, Twice Blessed captures the com­plexities of relationships and the sacrifices made in the name of love. The story unfolds with warmth, humor, and honesty, offering a powerful perspective on what it means to belong. Through Stefanie’s journey of self-discovery and the family’s steadfast devotion, the book paints a vivid portrait of compassion and perseverance.To learn more about Twice Blessed visit TwiceBlessed.org. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 22 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Twice Blessed (Fordham University Press, 2025) is a memoir that explores the depths of love, resilience, and the true meaning of family. Stefanie Mercado Altman, Claire Altman, and Stan Altman share an inti­mate and inspiring story about the bonds that define us, from adoption to caregiving and beyond. When Stefanie was adopted by Claire and Stan, their family was built on love and trust rather than biology. As they navigated the joys and struggles of parenting, they faced challenges that tested their resilience, including Stefanie’s search for identity and connection with her birth mother, Rosa, a gifted artist whose struggles with AIDS cast a long shadow.From the highs of new beginnings to the heartbreak of loss, Twice Blessed captures the com­plexities of relationships and the sacrifices made in the name of love. The story unfolds with warmth, humor, and honesty, offering a powerful perspective on what it means to belong. Through Stefanie’s journey of self-discovery and the family’s steadfast devotion, the book paints a vivid portrait of compassion and perseverance.To learn more about Twice Blessed visit TwiceBlessed.org. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://fordhampress.com/twice-blessed-hb-9781531511807.html">Twice Blessed</a><em> </em>(Fordham University Press, 2025) is a memoir that explores the depths of love, resilience, and the true meaning of family. Stefanie Mercado Altman, Claire Altman, and Stan Altman share an inti­mate and inspiring story about the bonds that define us, from adoption to caregiving and beyond. When Stefanie was adopted by Claire and Stan, their family was built on love and trust rather than biology. As they navigated the joys and struggles of parenting, they faced challenges that tested their resilience, including Stefanie’s search for identity and connection with her birth mother, Rosa, a gifted artist whose struggles with AIDS cast a long shadow.<br>From the highs of new beginnings to the heartbreak of loss, <em>Twice Blessed </em>captures the com­plexities of relationships and the sacrifices made in the name of love. The story unfolds with warmth, humor, and honesty, offering a powerful perspective on what it means to belong. Through Stefanie’s journey of self-discovery and the family’s steadfast devotion, the book paints a vivid portrait of compassion and perseverance.<br>To learn more about <em>Twice Blessed </em>visit <a href="https://www.twiceblessed.org/">TwiceBlessed.org</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3176</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK5957001972.mp3?updated=1758492212" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joel Best, "Just the Facts: Untangling Contradictory Claims" (U California Press, 2025)</title>
      <description>Why can’t we seem to agree on facts? In this succinct volume, sociologist Joel Best turns his inimitable eye toward the social construction of what we think is true. He evaluates how facts emerge from our social worlds—including our beliefs, values, tastes, and norms—and how they align with those worlds’ standards. He argues that by developing a sociological perspective toward what we think we know, we can better parse the use of facts and untruths around us.Just the Facts: Untangling Contradictory Claims (U California Press, 2025) by Joel Best examines how facts are created and supported through science, government, law, and journalism, revealing that facts are actually claims. These claims are malleable and can change over time through fact-checking, revision, and sometimes rejection. Best guides us through these processes so that we can question our assumptions and understand why disputes happen in the first place. In a time of increasing social and political divide, Just the Facts urges us to resist defensiveness over our facts and approach disputes in critical new ways.

Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 20 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Why can’t we seem to agree on facts? In this succinct volume, sociologist Joel Best turns his inimitable eye toward the social construction of what we think is true. He evaluates how facts emerge from our social worlds—including our beliefs, values, tastes, and norms—and how they align with those worlds’ standards. He argues that by developing a sociological perspective toward what we think we know, we can better parse the use of facts and untruths around us.Just the Facts: Untangling Contradictory Claims (U California Press, 2025) by Joel Best examines how facts are created and supported through science, government, law, and journalism, revealing that facts are actually claims. These claims are malleable and can change over time through fact-checking, revision, and sometimes rejection. Best guides us through these processes so that we can question our assumptions and understand why disputes happen in the first place. In a time of increasing social and political divide, Just the Facts urges us to resist defensiveness over our facts and approach disputes in critical new ways.

Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why can’t we seem to agree on facts? In this succinct volume, sociologist Joel Best turns his inimitable eye toward the social construction of what we think is true. He evaluates how facts emerge from our social worlds—including our beliefs, values, tastes, and norms—and how they align with those worlds’ standards. He argues that by developing a sociological perspective toward what we think we know, we can better parse the use of facts and untruths around us.<br><a href="https://bookshop.org/p/books/just-the-facts-untangling-contradictory-claims-joel-best/fe1361a0b496acc1?ean=9780520421325&amp;next=t">Just the Facts: Untangling Contradictory Claims</a> (U California Press, 2025) by <a href="https://www.joelbest.net/">Joel Best</a> examines how facts are created and supported through science, government, law, and journalism, revealing that facts are actually claims. These claims are malleable and can change over time through fact-checking, revision, and sometimes rejection. Best guides us through these processes so that we can question our assumptions and understand why disputes happen in the first place. In a time of increasing social and political divide,<em> Just the Facts</em> urges us to resist defensiveness over our facts and approach disputes in critical new ways.</p>
<p>Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2626</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>James Campion, "Revolution: Prince, the Band, the Era" (Backbeat Books, 2025)</title>
      <description>Revolution: Prince, the Band, the Era (Backbeat Books, 2025) is a detailed exploration into the era of Prince's most prolific and groundbreaking music made with considerable inspiration and performed by a unique cadre of musicians he gathered and relentlessly drove to be the sonic, visual, and ideological reflection of his evolving vision. Although being the most self-contained, versatile, and prolific artist of his era, Prince reveled in the band, a multi-racial, intergender unit that acted as both family and loyal acolytes that embodied his ethos, expressed his pathos, and lifted him to rarified heights of pop dominance. This is the story of the genre-shifting, multi-media, trailblazing Prince &amp; the Revolution from their humble inception to their precipitous rise in celebrated hit singles, albums, films, and tours to their controversial and shocking demise.

James Campion is a columnist, essayist, and associate editor for the pop culture magazine The Aquarian Weekly, where he's reported on and interviewed rock stars and reviewed concerts and albums for thirty years. He has also authored three previous books on music: Shout It Out Loud: The Story of KISS's Destroyer and the Making of an American Icon (2015), Accidentally Like a Martyr: The Tortured Art of Warren Zevon (2018), and Take a Sad Song: The Emotional Currency of Hey Jude (2022).

James Campion’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 18 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Revolution: Prince, the Band, the Era (Backbeat Books, 2025) is a detailed exploration into the era of Prince's most prolific and groundbreaking music made with considerable inspiration and performed by a unique cadre of musicians he gathered and relentlessly drove to be the sonic, visual, and ideological reflection of his evolving vision. Although being the most self-contained, versatile, and prolific artist of his era, Prince reveled in the band, a multi-racial, intergender unit that acted as both family and loyal acolytes that embodied his ethos, expressed his pathos, and lifted him to rarified heights of pop dominance. This is the story of the genre-shifting, multi-media, trailblazing Prince &amp; the Revolution from their humble inception to their precipitous rise in celebrated hit singles, albums, films, and tours to their controversial and shocking demise.

James Campion is a columnist, essayist, and associate editor for the pop culture magazine The Aquarian Weekly, where he's reported on and interviewed rock stars and reviewed concerts and albums for thirty years. He has also authored three previous books on music: Shout It Out Loud: The Story of KISS's Destroyer and the Making of an American Icon (2015), Accidentally Like a Martyr: The Tortured Art of Warren Zevon (2018), and Take a Sad Song: The Emotional Currency of Hey Jude (2022).

James Campion’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/p/books/revolution-prince-the-band-the-era-james-campion/9cb39624f5516f03?ean=9781493080847&amp;next=t"><em>Revolution: Prince, the Band, the Era</em></a> (Backbeat Books, 2025) is a detailed exploration into the era of Prince's most prolific and groundbreaking music made with considerable inspiration and performed by a unique cadre of musicians he gathered and relentlessly drove to be the sonic, visual, and ideological reflection of his evolving vision. Although being the most self-contained, versatile, and prolific artist of his era, Prince reveled in the band, a multi-racial, intergender unit that acted as both family and loyal acolytes that embodied his ethos, expressed his pathos, and lifted him to rarified heights of pop dominance. This is the story of the genre-shifting, multi-media, trailblazing Prince &amp; the Revolution from their humble inception to their precipitous rise in celebrated hit singles, albums, films, and tours to their controversial and shocking demise.</p>
<p>James Campion is a columnist, essayist, and associate editor for the pop culture magazine <em>The Aquarian Weekly</em>, where he's reported on and interviewed rock stars and reviewed concerts and albums for thirty years. He has also authored three previous books on music: <em>Shout It Out Loud: The Story of KISS's Destroyer and the Making of an American Icon</em> (2015), <em>Accidentally Like a Martyr: The Tortured Art of Warren Zevon </em>(2018), and <em>Take a Sad Song: The Emotional Currency of Hey Jude</em> (2022).</p>
<p>James Campion’s <a href="https://www.jamescampion.com/">website</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Backbeat Books, 2021) and <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, October 2025).</p>
<p>Bradley Morgan on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3638</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[01d90ec0-93ad-11f0-b77d-7fc5557ae0e5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9657805942.mp3?updated=1758103379" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dominic Davies and Candida Rifkind, "Graphic Refuge: Visuality and Mobility in Refugee Comics" (Wilfrid Laurier UP, 2025)</title>
      <description>Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies &amp; Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas.

Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 17 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies &amp; Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas.

Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781771126915">Graphic Refuge: Visuality and Mobility in Refugee Comic</a><em>s</em> (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies &amp; Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas.</p>
<p>Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh,<em> Graphic Refuge shows</em> how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3468</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f61c3630-9289-11f0-bdbd-37eb93268c89]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6706092734.mp3?updated=1757978298" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen A. Harris, "50 Plants That Changed the World" (Bodleian Library, 2025)</title>
      <description>Have you ever stopped to think about how your morning cappuccino came to be? From the coffee bush that yielded the beans, to the grass for the cattle – or perhaps the soya – that produced the milk, plants are an indispensable part of our everyday life.

Beginning with some of the earliest uses of plants, in 50 Plants that Changed the World (Bodleian, 2025) Dr. Stephen Harris takes us on an exciting journey through history, identifying fifty plants that have been key to the development of the western world, discussing trade, imperialism, politics, medicine, travel and chemistry along the way. There are plants here that have changed landscapes, fomented wars and fuelled slavery. Others have been the trigger for technological advances, expanded medical knowledge or simply made our lives more pleasant. Plants have provided paper and ink, chemicals that could kill or cure, vital sustenance and stimulants.

Some, such as barley, have been staples from earliest times; others, such as oil palm, are newcomers to western industry. We remain dependent on plants for our food, our fuel and our medicines. As the wide-ranging and engaging stories in this beautifully illustrated book demonstrate, their effects on our lives continue to be profound and often unpredictable.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 17 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Have you ever stopped to think about how your morning cappuccino came to be? From the coffee bush that yielded the beans, to the grass for the cattle – or perhaps the soya – that produced the milk, plants are an indispensable part of our everyday life.

Beginning with some of the earliest uses of plants, in 50 Plants that Changed the World (Bodleian, 2025) Dr. Stephen Harris takes us on an exciting journey through history, identifying fifty plants that have been key to the development of the western world, discussing trade, imperialism, politics, medicine, travel and chemistry along the way. There are plants here that have changed landscapes, fomented wars and fuelled slavery. Others have been the trigger for technological advances, expanded medical knowledge or simply made our lives more pleasant. Plants have provided paper and ink, chemicals that could kill or cure, vital sustenance and stimulants.

Some, such as barley, have been staples from earliest times; others, such as oil palm, are newcomers to western industry. We remain dependent on plants for our food, our fuel and our medicines. As the wide-ranging and engaging stories in this beautifully illustrated book demonstrate, their effects on our lives continue to be profound and often unpredictable.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Have you ever stopped to think about how your morning cappuccino came to be? From the coffee bush that yielded the beans, to the grass for the cattle – or perhaps the soya – that produced the milk, plants are an indispensable part of our everyday life.</p>
<p>Beginning with some of the earliest uses of plants, in <a href="https://bookshop.org/a/12343/9781851246526">50 Plants that Changed the World</a> (Bodleian, 2025) Dr. Stephen Harris takes us on an exciting journey through history, identifying fifty plants that have been key to the development of the western world, discussing trade, imperialism, politics, medicine, travel and chemistry along the way. There are plants here that have changed landscapes, fomented wars and fuelled slavery. Others have been the trigger for technological advances, expanded medical knowledge or simply made our lives more pleasant. Plants have provided paper and ink, chemicals that could kill or cure, vital sustenance and stimulants.</p>
<p>Some, such as barley, have been staples from earliest times; others, such as oil palm, are newcomers to western industry. We remain dependent on plants for our food, our fuel and our medicines. As the wide-ranging and engaging stories in this beautifully illustrated book demonstrate, their effects on our lives continue to be profound and often unpredictable.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2753</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff0459e8-92c1-11f0-b998-b7660324f160]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2923296001.mp3?updated=1758002370" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessica B. Harris, "Braided Heritage: Recipes and Stories on the Origin of American Cuisine" (Clarkson Potter, 2025)</title>
      <description>Discover the sweeping story of how Indigenous, European, and African traditions intertwined to form an entirely new cuisine, with over 90 recipes for the modern home cook—from the James Beard Cookbook Hall of Famer and star of the Netflix docuseries High on the Hog. One of our preeminent culinary historians, Dr. Jessica B. Harris has conducted decades of research throughout the Americas, the Caribbean, and Africa. In this telling of the origins of American food, though, she gets more personal. As heritage is history, she intertwines the larger sweeping past with stories and recipes from friends she’s made over the years—people whose family dishes go back to the crucial era when Native peoples encountered Europeans and the enslaved Africans they brought with them. Through this mix, we learn that Clear Broth Clam Chowder has both Indigenous and European roots; the same, too, with Enchiladas Suizas, tomatillo-smothered tortillas made “Swiss” with cheese and dairy; and that the hallmarks of African American food through the centuries have been evolution based on region, migration, and innovation, resulting in classics like Red Beans and Rice and Peach Bread Pudding Cupcakes with Bourbon Glaze. With recipes ranging from everyday meals to festive spreads, Braided Heritage: Recipes and Stories on the Origin of American Cuisine (Clarkson Potter, 2025) offers a new, in-depth, delicious look at American culinary history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 16 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Discover the sweeping story of how Indigenous, European, and African traditions intertwined to form an entirely new cuisine, with over 90 recipes for the modern home cook—from the James Beard Cookbook Hall of Famer and star of the Netflix docuseries High on the Hog. One of our preeminent culinary historians, Dr. Jessica B. Harris has conducted decades of research throughout the Americas, the Caribbean, and Africa. In this telling of the origins of American food, though, she gets more personal. As heritage is history, she intertwines the larger sweeping past with stories and recipes from friends she’s made over the years—people whose family dishes go back to the crucial era when Native peoples encountered Europeans and the enslaved Africans they brought with them. Through this mix, we learn that Clear Broth Clam Chowder has both Indigenous and European roots; the same, too, with Enchiladas Suizas, tomatillo-smothered tortillas made “Swiss” with cheese and dairy; and that the hallmarks of African American food through the centuries have been evolution based on region, migration, and innovation, resulting in classics like Red Beans and Rice and Peach Bread Pudding Cupcakes with Bourbon Glaze. With recipes ranging from everyday meals to festive spreads, Braided Heritage: Recipes and Stories on the Origin of American Cuisine (Clarkson Potter, 2025) offers a new, in-depth, delicious look at American culinary history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Discover the sweeping story of how Indigenous, European, and African traditions intertwined to form an entirely new cuisine, with over 90 recipes for the modern home cook—from the James Beard Cookbook Hall of Famer and star of the Netflix docuseries High on the Hog. One of our preeminent culinary historians, Dr. Jessica B. Harris has conducted decades of research throughout the Americas, the Caribbean, and Africa. In this telling of the origins of American food, though, she gets more personal. As heritage is history, she intertwines the larger sweeping past with stories and recipes from friends she’s made over the years—people whose family dishes go back to the crucial era when Native peoples encountered Europeans and the enslaved Africans they brought with them. Through this mix, we learn that Clear Broth Clam Chowder has both Indigenous and European roots; the same, too, with Enchiladas Suizas, tomatillo-smothered tortillas made “Swiss” with cheese and dairy; and that the hallmarks of African American food through the centuries have been evolution based on region, migration, and innovation, resulting in classics like Red Beans and Rice and Peach Bread Pudding Cupcakes with Bourbon Glaze. With recipes ranging from everyday meals to festive spreads, <a href="https://bookshop.org/a/12343/9780593139776">Braided Heritage: Recipes and Stories on the Origin of American Cuisine</a> (Clarkson Potter, 2025) offers a new, in-depth, delicious look at American culinary history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2268</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3d52972a-9207-11f0-a950-b3fecd17f26b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9936120020.mp3?updated=1757922193" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alien: Earth Episode Analysis: In Space, No One… and The Fly</title>
      <description>It’s The Pop Culture Professors, and we continue our analysis of the FX series Alien: Earth with episode 5, “In Space, No One…” and episode 6, “The Fly.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 15 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we continue our analysis of the FX series Alien: Earth with episode 5, “In Space, No One…” and episode 6, “The Fly.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">The Pop Culture Professors</a>, and we continue our analysis of the FX series Alien: Earth with episode 5, “In Space, No One…” and episode 6, “The Fly.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3130</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[287f732c-91da-11f0-997b-9b4787cbe47a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3256133596.mp3?updated=1757902864" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simon James Copland, "The Male Complaint: The Manosphere and Misogyny Online" (Polity, 2025)</title>
      <description>Inspired by leaders such as Andrew Tate and Jordan Peterson, the online Manosphere has exploded in recent years. Dedicated to anti-feminism, these communities have orchestrated online campaigns of misogynistic harassment, with some individuals going as far as committing violent terrorist attacks.

Although the Manosphere has become a focus point of the media, researchers and governments alike, discussions tend to either over-sensationalize the community or offer simplistic explanations for their existence. This book uses a mixture of historical and economic analysis, alongside actual Manosphere content, to delve deeper. With The Male Complaint: The Manosphere and Misogyny Online (Polity, 2025), Simon James Copland explains how the Manosphere has developed and why it appeals to so many men. He argues that the Manosphere is not an aberration, but is deeply embedded within mainstream, neoliberal, social structures. For a cohort of alienated men, the promise of community provides a space of understanding, connection and purpose.

This insightful book dares to dig into the corners of incel communities and online spaces where misogyny thrives. It is essential reading for anyone who wants to understand, and do something about, this growing and worrying phenomenon.

Simon Copland is Honorary Fellow at the Australian National University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here﻿﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Inspired by leaders such as Andrew Tate and Jordan Peterson, the online Manosphere has exploded in recent years. Dedicated to anti-feminism, these communities have orchestrated online campaigns of misogynistic harassment, with some individuals going as far as committing violent terrorist attacks.

Although the Manosphere has become a focus point of the media, researchers and governments alike, discussions tend to either over-sensationalize the community or offer simplistic explanations for their existence. This book uses a mixture of historical and economic analysis, alongside actual Manosphere content, to delve deeper. With The Male Complaint: The Manosphere and Misogyny Online (Polity, 2025), Simon James Copland explains how the Manosphere has developed and why it appeals to so many men. He argues that the Manosphere is not an aberration, but is deeply embedded within mainstream, neoliberal, social structures. For a cohort of alienated men, the promise of community provides a space of understanding, connection and purpose.

This insightful book dares to dig into the corners of incel communities and online spaces where misogyny thrives. It is essential reading for anyone who wants to understand, and do something about, this growing and worrying phenomenon.

Simon Copland is Honorary Fellow at the Australian National University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here﻿﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Inspired by leaders such as Andrew Tate and Jordan Peterson, the online Manosphere has exploded in recent years. Dedicated to anti-feminism, these communities have orchestrated online campaigns of misogynistic harassment, with some individuals going as far as committing violent terrorist attacks.</p>
<p>Although the Manosphere has become a focus point of the media, researchers and governments alike, discussions tend to either over-sensationalize the community or offer simplistic explanations for their existence. This book uses a mixture of historical and economic analysis, alongside actual Manosphere content, to delve deeper. With <a href="https://bookshop.org/a/12343/9781509562565">The Male Complaint: The Manosphere and Misogyny Online</a> (Polity, 2025), Simon James Copland explains how the Manosphere has developed and why it appeals to so many men. He argues that the Manosphere is not an aberration, but is deeply embedded within mainstream, neoliberal, social structures. For a cohort of alienated men, the promise of community provides a space of understanding, connection and purpose.</p>
<p>This insightful book dares to dig into the corners of incel communities and online spaces where misogyny thrives. It is essential reading for anyone who wants to understand, and do something about, this growing and worrying phenomenon.</p>
<p>Simon Copland is Honorary Fellow at the Australian National University.</p>
<p>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a>﻿﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4292</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ec5bf9ea-8e2f-11f0-a993-e3ab35ea6383]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5659539512.mp3?updated=1757499943" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>From Stonewall to Studio 54</title>
      <description>In the fifth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with the legendary DJ Nicky Siano. The history of dance music in 1970s New York is synonymous with the life and work of Siano. He was among the early attendees of David Mancuso’s Loft dances, where he learned to organize parties and DJ for an audience. Siano transposed Mancuso’s informal gatherings to a proper discotheque called The Gallery (1972-1977,) which he co-owned and DJed. At The Gallery, Siano pioneered techniques such as beatmatching, EQing, and using three turntables to fashion a proto-disco sound through his preferred selection of funky soul and R&amp;B records, inspiring a host of celebrated figures like Larry Levan and Frankie Knuckles. The Gallery was a seminal 1970s nightclub that laid a blueprint for iconic New York clubs like the Paradise Garage and Studio 54. Siano is perhaps most well-known for DJing and being fired from Studio 54 for his unconventional methods.

For Siano, music was more than pleasure. It was a source of empowerment, a refuge, and spiritual salve that has enabled him to persevere and thrive as a DJ in New York during the Seventies and beyond. In this conversation, Siano illustrates the power of music that animated his involvement as an activist in the Stonewall riots. As a DJ, Siano has maintained his belief in the capacity of music to bring people together, despite social differences, and as a healing force during the AIDs era. In this conversation, Siano traces his evolving romance with music, echoing his enduring salvo: Love is the Message.

The title of this episode draws from a memoir that Nicky Siano is currently authoring, I, DJ: Stonewall to Studio 54.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 10 Sep 2025 15:56:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c6273404-8e5e-11f0-aeb8-0b245f7bceb7/image/715be7cdf57bb4e30f42622e3a61ee8e.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the fifth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with the legendary DJ Nicky Siano. The history of dance music in 1970s New York is synonymous with the life and work of Siano. He was among the early attendees of David Mancuso’s Loft dances, where he learned to organize parties and DJ for an audience. Siano transposed Mancuso’s informal gatherings to a proper discotheque called The Gallery (1972-1977,) which he co-owned and DJed. At The Gallery, Siano pioneered techniques such as beatmatching, EQing, and using three turntables to fashion a proto-disco sound through his preferred selection of funky soul and R&amp;B records, inspiring a host of celebrated figures like Larry Levan and Frankie Knuckles. The Gallery was a seminal 1970s nightclub that laid a blueprint for iconic New York clubs like the Paradise Garage and Studio 54. Siano is perhaps most well-known for DJing and being fired from Studio 54 for his unconventional methods.

For Siano, music was more than pleasure. It was a source of empowerment, a refuge, and spiritual salve that has enabled him to persevere and thrive as a DJ in New York during the Seventies and beyond. In this conversation, Siano illustrates the power of music that animated his involvement as an activist in the Stonewall riots. As a DJ, Siano has maintained his belief in the capacity of music to bring people together, despite social differences, and as a healing force during the AIDs era. In this conversation, Siano traces his evolving romance with music, echoing his enduring salvo: Love is the Message.

The title of this episode draws from a memoir that Nicky Siano is currently authoring, I, DJ: Stonewall to Studio 54.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fifth episode of Season Two of <em>Soundscapes NYC</em>, hosts Ryan Purcell and Kristie Soares sit down with the legendary DJ Nicky Siano. The history of dance music in 1970s New York is synonymous with the life and work of Siano. He was among the early attendees of David Mancuso’s Loft dances, where he learned to organize parties and DJ for an audience. Siano transposed Mancuso’s informal gatherings to a proper discotheque called The Gallery (1972-1977,) which he co-owned and DJed. At The Gallery, Siano pioneered techniques such as beatmatching, EQing, and using three turntables to fashion a proto-disco sound through his preferred selection of funky soul and R&amp;B records, inspiring a host of celebrated figures like Larry Levan and Frankie Knuckles. The Gallery was a seminal 1970s nightclub that laid a blueprint for iconic New York clubs like the Paradise Garage and Studio 54. Siano is perhaps most well-known for DJing and being fired from Studio 54 for his unconventional methods.</p>
<p>For Siano, music was more than pleasure. It was a source of empowerment, a refuge, and spiritual salve that has enabled him to persevere and thrive as a DJ in New York during the Seventies and beyond. In this conversation, Siano illustrates the power of music that animated his involvement as an activist in the Stonewall riots. As a DJ, Siano has maintained his belief in the capacity of music to bring people together, despite social differences, and as a healing force during the AIDs era. In this conversation, Siano traces his evolving romance with music, echoing his enduring salvo: Love is the Message.</p>
<p>The title of this episode draws from a memoir that Nicky Siano is currently authoring, <em>I, DJ: Stonewall to Studio 54</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2853</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c6273404-8e5e-11f0-aeb8-0b245f7bceb7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4025685690.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alfred L. Martin Jr. and Taylor Cole Miller eds., "The Golden Girls: Tales from the Lanai" (Rutgers UP, 2025)</title>
      <description>The Golden Girls: Tales from the Lanai (Rutgers UP, 2025) is an accessible collection that explores the cultural, industrial, and historical impact of that beloved American sitcom. Edited by Taylor Cole Miller and Alfred L. Martin, Jr., this anthology brings together a diverse range of voices that model different media studies approaches to researching and critically analyzing television texts. The Golden Girls reclaims the production history and development of the show, opens new conversations about audiences–especially Black, queer, and female audiences–and provides new insight into the meteoric rise in popularity of The Golden Girls as a 2020s cultural phenomenon. With twelve original chapters and extensive original interviews offering readers rare insights behind the scenes, the book is a long day’s journey into the marinara of The Golden Girls–an immersive, engaging opportunity for readers to learn more about the show. It truly is the golden age of The Golden Girls.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 10 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Golden Girls: Tales from the Lanai (Rutgers UP, 2025) is an accessible collection that explores the cultural, industrial, and historical impact of that beloved American sitcom. Edited by Taylor Cole Miller and Alfred L. Martin, Jr., this anthology brings together a diverse range of voices that model different media studies approaches to researching and critically analyzing television texts. The Golden Girls reclaims the production history and development of the show, opens new conversations about audiences–especially Black, queer, and female audiences–and provides new insight into the meteoric rise in popularity of The Golden Girls as a 2020s cultural phenomenon. With twelve original chapters and extensive original interviews offering readers rare insights behind the scenes, the book is a long day’s journey into the marinara of The Golden Girls–an immersive, engaging opportunity for readers to learn more about the show. It truly is the golden age of The Golden Girls.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978836846">The Golden Girls: Tales from the Lanai </a>(Rutgers UP, 2025) is an accessible collection that explores the cultural, industrial, and historical impact of that beloved American sitcom. Edited by Taylor Cole Miller and Alfred L. Martin, Jr., this anthology brings together a diverse range of voices that model different media studies approaches to researching and critically analyzing television texts. <em>The Golden Girls</em> reclaims the production history and development of the show, opens new conversations about audiences–especially Black, queer, and female audiences–and provides new insight into the meteoric rise in popularity of <em>The Golden Girls </em>as a 2020s cultural phenomenon. With twelve original chapters and extensive original interviews offering readers rare insights behind the scenes, the book is a long day’s journey into the marinara of <em>The Golden Girls</em>–an immersive, engaging opportunity for readers to learn more about the show. It truly is the golden age of <em>The Golden Girls</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[07f14544-8d30-11f0-aca1-8bc23383d189]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7502608140.mp3?updated=1757390060" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dorothy Armstrong, "Threads of Empire: A History of the World in Twelve Carpets" (St. Martin's Press, 2025)</title>
      <description>A spellbinding look at the history of the world through the stories of twelve carpets

Beautiful, sensuous, and enigmatic, great carpets follow power. Emperors, shahs, sultans and samurai crave them as symbols of earthly domination. Shamans and priests desire them to evoke the spiritual realm. The world's 1% hunger after them as displays of extreme status. And yet these seductive objects are made by poor and illiterate weavers, using the most basic materials and crafts; hedgerow plants for dyes, fibres from domestic animals, and the millennia-old skills of interweaving warps, wefts and knots.

In Threads of Empire: A History of the World in Twelve Carpets (St. Martin's Press, 2025), Dorothy Armstrong tells the histories of some of the world's most fascinating carpets, exploring how these textiles came into being then were transformed as they moved across geography and time in the slipstream of the great. She shows why the world's powerful were drawn to them, but also asks what was happening in the weavers' lives, and how they were affected by events in the world outside their tent, village or workshop.

In its wide-ranging examination of these dazzling objects, from the 5th century BCE contents of the tombs of Scythian chieftains, to the carpets under the boots of Stalin, Roosevelt and Churchill at the 1945 Yalta Peace Conference, Threads of Empire uncovers a new, hitherto hidden past right beneath our feet.

Dorothy Armstrong is a historian of the material culture of South, Central and West Asia. She has taught at the Royal College of Art, Edinburgh College of Art and the University of Oxford. She was the Beattie Fellow in Carpet Studies at the Ashmolean Museum, Oxford, where she is now honorary research fellow. Threads of Empire is her first book.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 10 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A spellbinding look at the history of the world through the stories of twelve carpets

Beautiful, sensuous, and enigmatic, great carpets follow power. Emperors, shahs, sultans and samurai crave them as symbols of earthly domination. Shamans and priests desire them to evoke the spiritual realm. The world's 1% hunger after them as displays of extreme status. And yet these seductive objects are made by poor and illiterate weavers, using the most basic materials and crafts; hedgerow plants for dyes, fibres from domestic animals, and the millennia-old skills of interweaving warps, wefts and knots.

In Threads of Empire: A History of the World in Twelve Carpets (St. Martin's Press, 2025), Dorothy Armstrong tells the histories of some of the world's most fascinating carpets, exploring how these textiles came into being then were transformed as they moved across geography and time in the slipstream of the great. She shows why the world's powerful were drawn to them, but also asks what was happening in the weavers' lives, and how they were affected by events in the world outside their tent, village or workshop.

In its wide-ranging examination of these dazzling objects, from the 5th century BCE contents of the tombs of Scythian chieftains, to the carpets under the boots of Stalin, Roosevelt and Churchill at the 1945 Yalta Peace Conference, Threads of Empire uncovers a new, hitherto hidden past right beneath our feet.

Dorothy Armstrong is a historian of the material culture of South, Central and West Asia. She has taught at the Royal College of Art, Edinburgh College of Art and the University of Oxford. She was the Beattie Fellow in Carpet Studies at the Ashmolean Museum, Oxford, where she is now honorary research fellow. Threads of Empire is her first book.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A spellbinding look at the history of the world through the stories of twelve carpets</p>
<p>Beautiful, sensuous, and enigmatic, great carpets follow power. Emperors, shahs, sultans and samurai crave them as symbols of earthly domination. Shamans and priests desire them to evoke the spiritual realm. The world's 1% hunger after them as displays of extreme status. And yet these seductive objects are made by poor and illiterate weavers, using the most basic materials and crafts; hedgerow plants for dyes, fibres from domestic animals, and the millennia-old skills of interweaving warps, wefts and knots.</p>
<p>In <a href="https://bookshop.org/a/12343/9781250321435"><em>Threads of Empire: A History of the World in Twelve Carpets</em> </a>(St. Martin's Press, 2025), Dorothy Armstrong tells the histories of some of the world's most fascinating carpets, exploring how these textiles came into being then were transformed as they moved across geography and time in the slipstream of the great. She shows why the world's powerful were drawn to them, but also asks what was happening in the weavers' lives, and how they were affected by events in the world outside their tent, village or workshop.</p>
<p>In its wide-ranging examination of these dazzling objects, from the 5th century BCE contents of the tombs of Scythian chieftains, to the carpets under the boots of Stalin, Roosevelt and Churchill at the 1945 Yalta Peace Conference, <em>Threads of Empire </em>uncovers a new, hitherto hidden past right beneath our feet.</p>
<p>Dorothy Armstrong is a historian of the material culture of South, Central and West Asia. She has taught at the Royal College of Art, Edinburgh College of Art and the University of Oxford. She was the Beattie Fellow in Carpet Studies at the Ashmolean Museum, Oxford, where she is now honorary research fellow. <em>Threads of Empire</em> is her first book.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4440</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[60cca6a2-8d50-11f0-ae1b-53529ca14ec1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3875520408.mp3?updated=1757403814" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jumping Through Hoops: Performing Gender in the 19th Century Circus</title>
      <description>Jumping Through Hoops: Performing Gender in the 19th Century Circus, by Betsy Golden Kellem, reveals the hidden history of early female circus performers: boundary-breaking women like Lavinia Warren, known as the Queen of Beauty; to Millie-Christine McKoy, the Two-Headed Nightingale; to Patty Astley, the mother of the modern circus. These astounding female and gender-nonconforming artists wrestled snakes, performed magic tricks with electricity, and walked across waterfalls on tightropes, shattering taboos by performing in public. Betsy deftly explores how major forces in the long nineteenth century combined to create the uniquely American spectacle of the traveling circus. During the transformation of the circus from scrappy “mud shows” to a major international business, these extraordinary women challenged contemporary ideas of femininity, creating new possibilities for women far beyond the big top.

Our guest is: Betsy Golden Kellem, who is a scholar of the unusual. She has served on the boards of the Barnum Museum and the Circus Historical Society, is the Emmy-winning host and writer of the Showman’s Shorts video series on P.T. Barnum, and writes for JSTOR Daily. An expert media and intellectual property attorney, she has taught at Yale and the University of Connecticut, and regularly speaks on the weirder corners of history and law.

Our host is: Dr. Christina Gessler, who is a dissertation and writing coach, and a developmental editor for scholars in the humanities. She is the producer of the Academic Life podcast.

Women’s History playlist for listeners:


  The World She Edited

  Witchcraft: A History in 13 Trials

  We Refuse

  Tomboy

  Dear Miss Perkins

  The Lost Journals of Sacajewea

  The Untold Life of Julia Chinn

  Smithsonian American Women

  Share And Share Alike

  The House on Henry Street

  Speaking While Female

  Sophonisba Breckinridge

  Remembering Lucille

  Never Caught


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 09 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>286</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jumping Through Hoops: Performing Gender in the 19th Century Circus, by Betsy Golden Kellem, reveals the hidden history of early female circus performers: boundary-breaking women like Lavinia Warren, known as the Queen of Beauty; to Millie-Christine McKoy, the Two-Headed Nightingale; to Patty Astley, the mother of the modern circus. These astounding female and gender-nonconforming artists wrestled snakes, performed magic tricks with electricity, and walked across waterfalls on tightropes, shattering taboos by performing in public. Betsy deftly explores how major forces in the long nineteenth century combined to create the uniquely American spectacle of the traveling circus. During the transformation of the circus from scrappy “mud shows” to a major international business, these extraordinary women challenged contemporary ideas of femininity, creating new possibilities for women far beyond the big top.

Our guest is: Betsy Golden Kellem, who is a scholar of the unusual. She has served on the boards of the Barnum Museum and the Circus Historical Society, is the Emmy-winning host and writer of the Showman’s Shorts video series on P.T. Barnum, and writes for JSTOR Daily. An expert media and intellectual property attorney, she has taught at Yale and the University of Connecticut, and regularly speaks on the weirder corners of history and law.

Our host is: Dr. Christina Gessler, who is a dissertation and writing coach, and a developmental editor for scholars in the humanities. She is the producer of the Academic Life podcast.

Women’s History playlist for listeners:


  The World She Edited

  Witchcraft: A History in 13 Trials

  We Refuse

  Tomboy

  Dear Miss Perkins

  The Lost Journals of Sacajewea

  The Untold Life of Julia Chinn

  Smithsonian American Women

  Share And Share Alike

  The House on Henry Street

  Speaking While Female

  Sophonisba Breckinridge

  Remembering Lucille

  Never Caught


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Jumping Through Hoops: Performing Gender in the 19th Century Circus,</em> by Betsy Golden Kellem, reveals the hidden history of early female circus performers: boundary-breaking women like Lavinia Warren, known as the Queen of Beauty; to Millie-Christine McKoy, the Two-Headed Nightingale; to Patty Astley, the mother of the modern circus. These astounding female and gender-nonconforming artists wrestled snakes, performed magic tricks with electricity, and walked across waterfalls on tightropes, shattering taboos by performing in public. Betsy deftly explores how major forces in the long nineteenth century combined to create the uniquely American spectacle of the traveling circus. During the transformation of the circus from scrappy “mud shows” to a major international business, these extraordinary women challenged contemporary ideas of femininity, creating new possibilities for women far beyond the big top.</p>
<p>Our guest is: Betsy Golden Kellem, who is a scholar of the unusual. She has served on the boards of the <a href="https://barnum-museum.org/">Barnum Museum</a> and the <a href="https://circushistory.org/">Circus Historical Society</a>, is the Emmy-winning host and writer of the <a href="https://youtube.com/playlist?list=PLRXRoTCG8u1C5lQsVboe7F_2Qz5UIR3eP"><em>Showman’s Shorts</em></a> video series on P.T. Barnum, and writes for <a href="https://daily.jstor.org/column/in-the-limelight/">JSTOR Daily</a>. An expert media and intellectual property attorney, she has taught at Yale and the University of Connecticut, and regularly speaks on the weirder corners of history and law.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a dissertation and writing coach, and a developmental editor for scholars in the humanities. She is the producer of the Academic Life podcast.</p>
<p>Women’s History playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/the-world-she-edited-katharine-s-white-at-the-new-yorker#entry:378357@1:url">The World She Edited</a></li>
  <li><a href="https://newbooksnetwork.com/witchcraft-a-history-in-thirteen-trials#entry:364496@1:url">Witchcraft: A History in 13 Trials</a></li>
  <li><a href="https://newbooksnetwork.com/we-refuse-a-forceful-history-of-black-resistance#entry:351602@1:url">We Refuse</a></li>
  <li><a href="https://newbooksnetwork.com/what-is-a-tomboy-a-discussion-with-lisa-selin-davis#entry:164796@1:url">Tomboy</a></li>
  <li><a href="https://newbooksnetwork.com/dear-miss-perkins-a-story-of-frances-perkinss-efforts-to-aid-refugees-from-nazi-germany#entry:369570@1:url">Dear Miss Perkins</a></li>
  <li><a href="https://newbooksnetwork.com/debra-magpie-earling#entry:227115@1:url">The Lost Journals of Sacajewea</a></li>
  <li><a href="https://newbooksnetwork.com/the-vice-presidents-black-wife-the-untold-life-of-julia-chinn#entry:377076@1:url">The Untold Life of Julia Chinn</a></li>
  <li><a href="https://newbooksnetwork.com/considering-museum-work-a-conversation-with-curators-from-the-smithsonian#entry:140933@1:url">Smithsonian American Women</a></li>
  <li><a href="https://newbooksnetwork.com/share-and-share-alike-researching-sibling-relationships#entry:226699@1:url">Share And Share Alike</a></li>
  <li><a href="https://newbooksnetwork.com/exploring-public-facing-humanities#entry:133571@1:url">The House on Henry Street</a></li>
  <li><a href="https://newbooksnetwork.com/dana-rubin-speaking-while-female-75-extraordinary-speeches-by-american-women-realclear-2023#entry:218734@1:url">Speaking While Female</a></li>
  <li><a href="https://newbooksnetwork.com/on-writing-well-feminist-biography#entry:49399@1:url">Sophonisba Breckinridge</a></li>
  <li><a href="https://newbooksnetwork.com/the-detective-work-of-research-a-conversation-with-polly-e-bugros-mclean#entry:49426@1:url">Remembering Lucille</a></li>
  <li><a href="https://newbooksnetwork.com/reclaiming-lost-voices-and-recovering-history-a-discussion-with-erica-armstrong-dunbar#entry:71808@1:url">Never Caught</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2082</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7798c438-8689-11f0-aa38-9bd52801756a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9607284502.mp3?updated=1756659195" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Human Leadership for Humane Technology</title>
      <description>In this episode, we spoke with Cornelia C. Walther about her three books examining technology's role in society. Walther, who spent nearly two decades with UNICEF and the World Food Program before joining Wharton's AI &amp; Analytics Initiative, brings field experience from West Africa, Asia, and the Caribbean to her analysis of how human choices shape technological outcomes.

The conversation covered her work on COVID-19's impact on digital inequality, her framework for understanding how values get embedded in AI systems, and her concept of "Aspirational Algorithms"—technology designed to enhance rather than exploit human capabilities. We discussed practical questions about AI governance, who participates in technology development, and how different communities approach technological change. Walther's "Values In, Values Out" framework provided a useful lens for examining how the data and assumptions we feed into AI systems shape their outputs.

The discussion examined the relationship between technology design, social structures, and human agency. We explored how pandemic technologies became normalized, whose voices are included in AI development, and what it means to create "prosocial" technology in practice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 09 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, we spoke with Cornelia C. Walther about her three books examining technology's role in society. Walther, who spent nearly two decades with UNICEF and the World Food Program before joining Wharton's AI &amp; Analytics Initiative, brings field experience from West Africa, Asia, and the Caribbean to her analysis of how human choices shape technological outcomes.

The conversation covered her work on COVID-19's impact on digital inequality, her framework for understanding how values get embedded in AI systems, and her concept of "Aspirational Algorithms"—technology designed to enhance rather than exploit human capabilities. We discussed practical questions about AI governance, who participates in technology development, and how different communities approach technological change. Walther's "Values In, Values Out" framework provided a useful lens for examining how the data and assumptions we feed into AI systems shape their outputs.

The discussion examined the relationship between technology design, social structures, and human agency. We explored how pandemic technologies became normalized, whose voices are included in AI development, and what it means to create "prosocial" technology in practice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, we spoke with Cornelia C. Walther about her three books examining technology's role in society. Walther, who spent nearly two decades with UNICEF and the World Food Program before joining Wharton's AI &amp; Analytics Initiative, brings field experience from West Africa, Asia, and the Caribbean to her analysis of how human choices shape technological outcomes.</p>
<p>The conversation covered her work on COVID-19's impact on digital inequality, her framework for understanding how values get embedded in AI systems, and her concept of "Aspirational Algorithms"—technology designed to enhance rather than exploit human capabilities. We discussed practical questions about AI governance, who participates in technology development, and how different communities approach technological change. Walther's "Values In, Values Out" framework provided a useful lens for examining how the data and assumptions we feed into AI systems shape their outputs.</p>
<p>The discussion examined the relationship between technology design, social structures, and human agency. We explored how pandemic technologies became normalized, whose voices are included in AI development, and what it means to create "prosocial" technology in practice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2776</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5380070c-8c86-11f0-ad02-8f23a6b287db]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5530660150.mp3?updated=1757317047" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joelle Kidd, "Jesusland: Stories from the Upside Down World of Christian Pop Culture" (ECW Press, 2025)</title>
      <description>In Jesusland (ECW Press, 2025) Joelle Kidd uses a blend of cultural criticism, humor, and personal memoir akin to Jia Tolentino’s Trick Mirror or Grace Perry’s The 2000s Made Me Gay, Kidd writes about her evangelical adolescence through the lens of Christian pop culture of the early 2000s, giving readers a peek into this odd subculture and insight into how evangelicalism’s growing popularity around the turn of the millennium has shaped culture and politics — including today’s far right. An empathetic, funny, and sharply critical collection of essays exploring the Christian pop culture of the 2000s and its influence on today’s politically powerful evangelicalism In 1999, after three years of secular living in Eastern Europe, Kidd moved back to Canada and was enrolled in the strange world of an evangelical Christian school. In Jesusland, Kidd writes about the Christian pop culture that she was suddenly immersed in, from perky girl bands to modest styling tips, and draws connections between this evangelical subculture and the mainstream, a tense yet reciprocal relationship that both disavows the secular while employing its media markers. But none of this was just about catchy songs: every abstinence quiz in a teen magazine was laying the foundation for what would become a conservative Christian movement that threatens women’s healthcare, attacks queer and trans rights, and drives present-day political division. Through nine incisive, honest, and emotional essays, Jesusland exposes the pop cultural machinations of evangelicalism, while giving voice to aughts-era Christian children and teens who are now adults looking back at their time, measuring the length of their skirts, and asking each other if their celebrity crush was Christian enough. With care and generosity, Jesusland shows us how the conservative evangelical movement became the global power it is today by exploring the pop culture that both reflected and shaped an entire generation of young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 07 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Jesusland (ECW Press, 2025) Joelle Kidd uses a blend of cultural criticism, humor, and personal memoir akin to Jia Tolentino’s Trick Mirror or Grace Perry’s The 2000s Made Me Gay, Kidd writes about her evangelical adolescence through the lens of Christian pop culture of the early 2000s, giving readers a peek into this odd subculture and insight into how evangelicalism’s growing popularity around the turn of the millennium has shaped culture and politics — including today’s far right. An empathetic, funny, and sharply critical collection of essays exploring the Christian pop culture of the 2000s and its influence on today’s politically powerful evangelicalism In 1999, after three years of secular living in Eastern Europe, Kidd moved back to Canada and was enrolled in the strange world of an evangelical Christian school. In Jesusland, Kidd writes about the Christian pop culture that she was suddenly immersed in, from perky girl bands to modest styling tips, and draws connections between this evangelical subculture and the mainstream, a tense yet reciprocal relationship that both disavows the secular while employing its media markers. But none of this was just about catchy songs: every abstinence quiz in a teen magazine was laying the foundation for what would become a conservative Christian movement that threatens women’s healthcare, attacks queer and trans rights, and drives present-day political division. Through nine incisive, honest, and emotional essays, Jesusland exposes the pop cultural machinations of evangelicalism, while giving voice to aughts-era Christian children and teens who are now adults looking back at their time, measuring the length of their skirts, and asking each other if their celebrity crush was Christian enough. With care and generosity, Jesusland shows us how the conservative evangelical movement became the global power it is today by exploring the pop culture that both reflected and shaped an entire generation of young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://ecwpress.com/products/jesusland">Jesusland</a><em> </em>(ECW Press, 2025) <a href="https://joellekidd.com/">Joelle Kidd</a> uses a blend of cultural criticism, humor, and personal memoir akin to Jia Tolentino’s <em>Trick Mirror </em>or Grace Perry’s <em>The 2000s Made Me Gay,</em> Kidd writes about her evangelical adolescence through the lens of Christian pop culture of the early 2000s, giving readers a peek into this odd subculture and insight into how evangelicalism’s growing popularity around the turn of the millennium has shaped culture and politics — including today’s far right. An empathetic, funny, and sharply critical collection of essays exploring the Christian pop culture of the 2000s and its influence on today’s politically powerful evangelicalism In 1999, after three years of secular living in Eastern Europe, Kidd moved back to Canada and was enrolled in the strange world of an evangelical Christian school. In <em>Jesusland</em>, Kidd writes about the Christian pop culture that she was suddenly immersed in, from perky girl bands to modest styling tips, and draws connections between this evangelical subculture and the mainstream, a tense yet reciprocal relationship that both disavows the secular while employing its media markers. But none of this was just about catchy songs: every abstinence quiz in a teen magazine was laying the foundation for what would become a conservative Christian movement that threatens women’s healthcare, attacks queer and trans rights, and drives present-day political division. Through nine incisive, honest, and emotional essays, <em>Jesusland</em> exposes the pop cultural machinations of evangelicalism, while giving voice to aughts-era Christian children and teens who are now adults looking back at their time, measuring the length of their skirts, and asking each other if their celebrity crush was Christian enough. With care and generosity, <em>Jesusland</em> shows us how the conservative evangelical movement became the global power it is today by exploring the pop culture that both reflected and shaped an entire generation of young people.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2924</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1cebb1a2-8b53-11f0-aabb-dbbe72738fe6]]></guid>
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    </item>
    <item>
      <title>Katherine Fusco, "Hollywood's Others: Love and Limitation in the Star System" (Columbia UP, 2025)</title>
      <description>We tend to think about movie stars as either glamorous or relatable. But in the 1920s and 1930s, when the Hollywood star system was taking shape, a number of unusual stars appeared on the silver screen, representing groups from which the American mainstream typically sought to avert its eyes. What did it mean for a white entertainment columnist to empathize with an ambiguously gendered Black child star? Or for boys to idolize Lon Chaney, famous for portraying characters with disabilities?

Hollywood's Others: Love and Limitation in the Star System (Columbia UP, 2025) explores the affective ties between white, non-disabled audiences and the fascinatingly different stars with whom they identified—but only up to a point. Katherine Fusco argues that stardom in this era at once offered ways for viewers to connect across group boundaries while also policing the limits of empathy. Examining fan magazines alongside film performances, she traces the intense audience attachment to atypical celebrities and the ways the film industry sought to manage it. Fusco considers Shirley Temple’s career in light of child labor laws and changing notions of childhood; shows how white viewers responded to Black music in depictions of the antebellum South; and analyzes the gender politics of conspiracy theories around celebrity suicides. Shedding light on marginalized stardoms and the anxieties they provoked, Hollywood’s Others challenges common notions about film’s capacity to build empathy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 06 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We tend to think about movie stars as either glamorous or relatable. But in the 1920s and 1930s, when the Hollywood star system was taking shape, a number of unusual stars appeared on the silver screen, representing groups from which the American mainstream typically sought to avert its eyes. What did it mean for a white entertainment columnist to empathize with an ambiguously gendered Black child star? Or for boys to idolize Lon Chaney, famous for portraying characters with disabilities?

Hollywood's Others: Love and Limitation in the Star System (Columbia UP, 2025) explores the affective ties between white, non-disabled audiences and the fascinatingly different stars with whom they identified—but only up to a point. Katherine Fusco argues that stardom in this era at once offered ways for viewers to connect across group boundaries while also policing the limits of empathy. Examining fan magazines alongside film performances, she traces the intense audience attachment to atypical celebrities and the ways the film industry sought to manage it. Fusco considers Shirley Temple’s career in light of child labor laws and changing notions of childhood; shows how white viewers responded to Black music in depictions of the antebellum South; and analyzes the gender politics of conspiracy theories around celebrity suicides. Shedding light on marginalized stardoms and the anxieties they provoked, Hollywood’s Others challenges common notions about film’s capacity to build empathy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We tend to think about movie stars as either glamorous or relatable. But in the 1920s and 1930s, when the Hollywood star system was taking shape, a number of unusual stars appeared on the silver screen, representing groups from which the American mainstream typically sought to avert its eyes. What did it mean for a white entertainment columnist to empathize with an ambiguously gendered Black child star? Or for boys to idolize Lon Chaney, famous for portraying characters with disabilities?</p>
<p><br><a href="https://bookshop.org/a/12343/9780231220910">Hollywood's Others: Love and Limitation in the Star System</a> (Columbia UP, 2025) explores the affective ties between white, non-disabled audiences and the fascinatingly different stars with whom they identified—but only up to a point. Katherine Fusco argues that stardom in this era at once offered ways for viewers to connect across group boundaries while also policing the limits of empathy. Examining fan magazines alongside film performances, she traces the intense audience attachment to atypical celebrities and the ways the film industry sought to manage it. Fusco considers Shirley Temple’s career in light of child labor laws and changing notions of childhood; shows how white viewers responded to Black music in depictions of the antebellum South; and analyzes the gender politics of conspiracy theories around celebrity suicides. Shedding light on marginalized stardoms and the anxieties they provoked, <em>Hollywood’s Others</em> challenges common notions about film’s capacity to build empathy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2610</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5e46bdf0-8a30-11f0-9792-6bab39bf969e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8167667363.mp3?updated=1757060057" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elizabeth Evitts Dickinson, "Claire McCardell: The Designer Who Set Women Free" (Simon &amp; Schuster, 2025)</title>
      <description>Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.”

After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.”

Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon &amp; Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.”

After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.”

Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon &amp; Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.”</p>
<p>After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.”</p>
<p>Filled with personal drama and industry secrets, <a href="https://bookshop.org/a/12343/9781668045237">Claire McCardell: The Designer Who Set Women Free</a> (Simon &amp; Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2246</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9e371e56-8944-11f0-ba52-6f60a320848e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6240753322.mp3?updated=1756959091" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cary Baker, "Down On The Corner: Adventures in Busking &amp; Street Music" (Jawbone Press, 2025) </title>
      <description>This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day.

Drawing on years of interviews and eyewitness accounts, Down On The Corner (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal.

Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California.

Cary Baker’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman &amp; Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day.

Drawing on years of interviews and eyewitness accounts, Down On The Corner (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal.

Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California.

Cary Baker’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman &amp; Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day.</p>
<p>Drawing on years of interviews and eyewitness accounts, <a href="https://bookshop.org/p/books/down-on-the-corner-adventures-in-busking-street-music/21354165?ean=9781916829107&amp;next=t">Down On The Corner</a> (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal.</p>
<p>Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the <em>Chicago Reader</em>. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the <em>Chicago Reader</em>, <em>Creem</em>, <em>Trouser Press</em>, <em>Bomp!</em>, <em>Goldmine</em>, <em>Billboard</em>, <em>Mix</em>, <em>Illinois Entertainer</em>, and <em>Record</em> magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California.</p>
<p>Cary Baker’s <a href="https://www.carybaker.com/">website</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Rowman &amp; Littlefield, 2021) and <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, October 2025).</p>
<p>Bradley Morgan on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3580</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[24248070-895a-11f0-a268-1fd1a43ecbed]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6791770549.mp3?updated=1756968304" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Horowitz, "Bear With Me: A Cultural History of Famous Bears in America" (Duke UP, 2025)</title>
      <description>From teddy bears and Winnie-the-Pooh to Smokey Bear, Yogi Bear, and Cocaine Bear, American popular culture has been fascinated with real and fictional bears for more than two centuries. Bears are ubiquitous, appearing in advertisements, as logos for sports teams, and as central characters in children’s books, cartoons, movies, and video games.

In Bear With Me: A Cultural History of Famous Bears in America (Duke UP, 2025), Dr. Daniel Horowitz presents a vibrant history of the pedestrian and celebrity bears who have captured our imaginations and infiltrated our everyday lives. He shows that bears’ ability to represent and evoke both terror and comfort makes them well-suited for their omnipresence. Today, cultural depictions of bears largely encompass examples of human-bear relationships, reciprocity, and emotional engagement. Reminders that climate change threatens the lives of polar bears engender feelings of empathy, while news of bear attacks drives us to fascinated fear. Whether examining the subculture of gay bears or the deadly consequences of anthropomorphizing animals, Dr. Horowitz charts the complexities and depth of American culture’s unique and enduring relationship with bears.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>From teddy bears and Winnie-the-Pooh to Smokey Bear, Yogi Bear, and Cocaine Bear, American popular culture has been fascinated with real and fictional bears for more than two centuries. Bears are ubiquitous, appearing in advertisements, as logos for sports teams, and as central characters in children’s books, cartoons, movies, and video games.

In Bear With Me: A Cultural History of Famous Bears in America (Duke UP, 2025), Dr. Daniel Horowitz presents a vibrant history of the pedestrian and celebrity bears who have captured our imaginations and infiltrated our everyday lives. He shows that bears’ ability to represent and evoke both terror and comfort makes them well-suited for their omnipresence. Today, cultural depictions of bears largely encompass examples of human-bear relationships, reciprocity, and emotional engagement. Reminders that climate change threatens the lives of polar bears engender feelings of empathy, while news of bear attacks drives us to fascinated fear. Whether examining the subculture of gay bears or the deadly consequences of anthropomorphizing animals, Dr. Horowitz charts the complexities and depth of American culture’s unique and enduring relationship with bears.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From teddy bears and Winnie-the-Pooh to Smokey Bear, Yogi Bear, and Cocaine Bear, American popular culture has been fascinated with real and fictional bears for more than two centuries. Bears are ubiquitous, appearing in advertisements, as logos for sports teams, and as central characters in children’s books, cartoons, movies, and video games.</p>
<p>In <a href="https://bookshop.org/a/12343/9781478032373">Bear With Me: A Cultural History of Famous Bears in America</a> (Duke UP, 2025), Dr. Daniel Horowitz presents a vibrant history of the pedestrian and celebrity bears who have captured our imaginations and infiltrated our everyday lives. He shows that bears’ ability to represent and evoke both terror and comfort makes them well-suited for their omnipresence. Today, cultural depictions of bears largely encompass examples of human-bear relationships, reciprocity, and emotional engagement. Reminders that climate change threatens the lives of polar bears engender feelings of empathy, while news of bear attacks drives us to fascinated fear. Whether examining the subculture of gay bears or the deadly consequences of anthropomorphizing animals, Dr. Horowitz charts the complexities and depth of American culture’s unique and enduring relationship with bears.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2917</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ddeca414-8942-11f0-88c6-2bd45efd3e92]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7957169584.mp3?updated=1756958281" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alien: Earth Episode Analysis: Metamorphosis and Observation</title>
      <description>It’s The Pop Culture Professors, and we continue our analysis of the FX series Alien: Earth with episode 3, “Metamorphosis” and episode 4, “Observation.” We continue to investigate the series’ dominant problematic of crossing boundaries, and hypothesize as to the reason for its divisiveness: it’s generic placement somewhere between science fiction and fairy tale.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 04 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and we continue our analysis of the FX series Alien: Earth with episode 3, “Metamorphosis” and episode 4, “Observation.” We continue to investigate the series’ dominant problematic of crossing boundaries, and hypothesize as to the reason for its divisiveness: it’s generic placement somewhere between science fiction and fairy tale.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">The Pop Culture Professors</a>, and we continue our analysis of the FX series Alien: Earth with episode 3, “Metamorphosis” and episode 4, “Observation.” We continue to investigate the series’ dominant problematic of crossing boundaries, and hypothesize as to the reason for its divisiveness: it’s generic placement somewhere between science fiction and fairy tale.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3295</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[65fc5bc6-886a-11f0-bd2c-4b2f16e53083]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9385805108.mp3?updated=1756865178" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alice Lovejoy, "Tales of Militant Chemistry" (U California Press, 2025)</title>
      <description>In Tales of Militant Chemistry (U of California Press, 2025), Alice Lovejoy tells the untold story of film as a chemical cousin to poison gas and nuclear weapons, shaped by centuries of violent extraction. The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 02 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Tales of Militant Chemistry (U of California Press, 2025), Alice Lovejoy tells the untold story of film as a chemical cousin to poison gas and nuclear weapons, shaped by centuries of violent extraction. The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520402935">Tales of Militant Chemistry</a><em> </em>(U of California Press, 2025), Alice Lovejoy tells the untold story of film as a chemical cousin to poison gas and nuclear weapons, shaped by centuries of violent extraction. The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, <em>Tales of Militant Chemistry </em>shows how film became a weapon whose chemistry irrevocably shaped the world we live in today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2202</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cordelia Fine, "Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work" (W.W. Norton, 2025)</title>
      <description>Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.With perceptive and razor-sharp insight, in Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society

Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 01 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.With perceptive and razor-sharp insight, in Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society

Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.<br>With perceptive and razor-sharp insight, in <a href="https://bookshop.org/a/12343/9781324064749">Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work</a> (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society</p>
<p>Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4171</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff05c5fc-86dd-11f0-add4-7b0d473371e0]]></guid>
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    <item>
      <title>Patricia Aufderheide, "Kartemquin Films: Documentaries on the Frontlines of Democracy" (U California Press, 2024)</title>
      <description>Kartemquin Films: Documentaries on the Frontlines of Democracy (U California Press, 2024) traces how filmmaker-philosophers brought the dream of making documentaries and strengthening democracy to award-winning reality—with help from nuns, gang members, skateboarders, artists, disability activists, and more.

The evolution of Kartemquin Films—Peabody, Emmy, and Sundance-awarded and Oscar-nominated makers of such hits as Hoop Dreams and Minding the Gap—is also the story of U.S. independent documentary film over the last seventy years. Patricia Aufderheide reveals the untold story of how Kartemquin developed as an institution that confronts the brutal realities of the industry and society while empowering people to claim their right to democracy.

Kartemquin filmmakers, inspired by pragmatic philosopher John Dewey, made their studio a Chicago-area institution. Activists for a more public media, they boldly confronted in their own productions the realities of gender, race, and class. They negotiated the harsh terms and demands of commercial media, from 16mm through the streaming era, while holding fast to their democratic vision. Drawing on archival research, interviews, and personal experience, Aufderheide tells an inspiring story of how to make media that matters in a cynical world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 30 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kartemquin Films: Documentaries on the Frontlines of Democracy (U California Press, 2024) traces how filmmaker-philosophers brought the dream of making documentaries and strengthening democracy to award-winning reality—with help from nuns, gang members, skateboarders, artists, disability activists, and more.

The evolution of Kartemquin Films—Peabody, Emmy, and Sundance-awarded and Oscar-nominated makers of such hits as Hoop Dreams and Minding the Gap—is also the story of U.S. independent documentary film over the last seventy years. Patricia Aufderheide reveals the untold story of how Kartemquin developed as an institution that confronts the brutal realities of the industry and society while empowering people to claim their right to democracy.

Kartemquin filmmakers, inspired by pragmatic philosopher John Dewey, made their studio a Chicago-area institution. Activists for a more public media, they boldly confronted in their own productions the realities of gender, race, and class. They negotiated the harsh terms and demands of commercial media, from 16mm through the streaming era, while holding fast to their democratic vision. Drawing on archival research, interviews, and personal experience, Aufderheide tells an inspiring story of how to make media that matters in a cynical world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520401662">Kartemquin Films: Documentaries on the Frontlines of Democracy</a> (U California Press, 2024) traces how filmmaker-philosophers brought the dream of making documentaries and strengthening democracy to award-winning reality—with help from nuns, gang members, skateboarders, artists, disability activists, and more.</p>
<p>The evolution of Kartemquin Films—Peabody, Emmy, and Sundance-awarded and Oscar-nominated makers of such hits as <em>Hoop Dreams</em> and <em>Minding the Gap</em>—is also the story of U.S. independent documentary film over the last seventy years. Patricia Aufderheide reveals the untold story of how Kartemquin developed as an institution that confronts the brutal realities of the industry and society while empowering people to claim their right to democracy.</p>
<p>Kartemquin filmmakers, inspired by pragmatic philosopher John Dewey, made their studio a Chicago-area institution. Activists for a more public media, they boldly confronted in their own productions the realities of gender, race, and class. They negotiated the harsh terms and demands of commercial media, from 16mm through the streaming era, while holding fast to their democratic vision. Drawing on archival research, interviews, and personal experience, Aufderheide tells an inspiring story of how to make media that matters in a cynical world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5061</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Pauwke Berkers and Yosha Wijngaarden, "A Sociology of Awkwardness: On Social Interactions Going Wrong" (Taylor &amp; Francis, 2025)</title>
      <description>How does sociology help to explain modern life? In A Sociology of Awkwardness: On Social Interactions Going Wrong (Routledge, 2025)Pauwke Berkers, a full professor Sociology of Popular Music at the Erasmus University Rotterdam, and Yosha Wijngaarden, an assistant professor of Media and Creative Industries at the Erasmus University Rotterdam, examine how people interact in settings as diverse as work, everyday life, self-help and even contemporary dating. Alongside this rich empirical research, the book outlines a uniquely sociological approach to awkwardness, displacing the idea that it is a personal characteristic and showing how both the idea of awkwardness and people’s experiences around it are closely associated with social contexts and constructions. The book will be of interest to anyone who has ever felt awkward! It is available open access here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 30 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How does sociology help to explain modern life? In A Sociology of Awkwardness: On Social Interactions Going Wrong (Routledge, 2025)Pauwke Berkers, a full professor Sociology of Popular Music at the Erasmus University Rotterdam, and Yosha Wijngaarden, an assistant professor of Media and Creative Industries at the Erasmus University Rotterdam, examine how people interact in settings as diverse as work, everyday life, self-help and even contemporary dating. Alongside this rich empirical research, the book outlines a uniquely sociological approach to awkwardness, displacing the idea that it is a personal characteristic and showing how both the idea of awkwardness and people’s experiences around it are closely associated with social contexts and constructions. The book will be of interest to anyone who has ever felt awkward! It is available open access here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does sociology help to explain modern life? In <a href="https://bookshop.org/a/12343/9781032161556">A Sociology of Awkwardness: On Social Interactions Going Wrong</a> (Routledge, 2025)<a href="https://www.eur.nl/people/pauwke-berkers">Pauwke Berkers</a>, a full professor Sociology of Popular Music at the Erasmus University Rotterdam, and <a href="https://www.eur.nl/en/people/yosha-wijngaarden">Yosha Wijngaarden</a>, an assistant professor of Media and Creative Industries at the Erasmus University Rotterdam, examine how people interact in settings as diverse as work, everyday life, self-help and even contemporary dating. Alongside this rich empirical research, the book outlines a uniquely sociological approach to awkwardness, displacing the idea that it is a personal characteristic and showing how both the idea of awkwardness and people’s experiences around it are closely associated with social contexts and constructions. The book will be of interest to anyone who has ever felt awkward! It is available open access <a href="https://www.taylorfrancis.com/books/oa-mono/10.4324/9781003247302/sociology-awkwardness-pauwke-berkers-yosha-wijngaarden">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2023</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8004661c-8487-11f0-ba8f-a70ab08febd6]]></guid>
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    <item>
      <title>Kathleen B. Casey, "The Things She Carried: A Cultural History of the Purse in America" (Oxford UP, 2025)</title>
      <description>For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality.

The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality.

Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.

Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 29 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality.

The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality.

Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.

Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality.</p>
<p><a href="https://bookshop.org/a/12343/9780197587829">The Things She Carried: A Cultural History of the Purse in America</a><em> </em>(Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality.</p>
<p>Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.</p>
<p>Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2183</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>John Lisle, "Project Mind Control: Sidney Gottlieb, the CIA, and the Tragedy of MKULTRA" (St. Martin's Press, 2025)</title>
      <description>The inside story of the CIA’s secret mind control project, MKULTRA, using never-before-seen testimony from the perpetrators themselves.Sidney Gottlieb was the CIA’s most cunning chemist. As head of the infamous MKULTRA project, he oversaw an assortment of dangerous—even deadly—experiments. Among them: dosing unwitting strangers with mind-bending drugs, torturing mental patients through sensory deprivation, and steering the movements of animals via electrodes implanted into their brains. His goal was to develop methods of mind control that could turn someone into a real-life “Manchurian candidate.”In conjunction with MKULTRA, Gottlieb also plotted the assassination of foreign leaders and created spy gear for undercover agents. The details of his career, however, have long been shrouded in mystery. Upon retiring from the CIA in 1973, he tossed his files into an incinerator. As a result, much of what happened under MKULTRA was thought to be lost—until now.In ﻿Project Mind Control: Sidney Gottlieb, the CIA, and the Tragedy of MKULTRA (St. Martin's Press, 2025) historian John Lisle has uncovered dozens of depositions containing new information about MKULTRA, straight from the mouths of its perpetrators. For the first time, Gottlieb and his underlings divulge what they did, why they did it, how they got away with it, and much more. Additionally, Lisle highlights the dramatic story of MKULTRA’s victims, from their terrible treatment to their dogged pursuit of justice.The consequences of MKULTRA still reverberate throughout American society. Project Mind Control is the definitive account of this most disturbing of chapters in CIA history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 29 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The inside story of the CIA’s secret mind control project, MKULTRA, using never-before-seen testimony from the perpetrators themselves.Sidney Gottlieb was the CIA’s most cunning chemist. As head of the infamous MKULTRA project, he oversaw an assortment of dangerous—even deadly—experiments. Among them: dosing unwitting strangers with mind-bending drugs, torturing mental patients through sensory deprivation, and steering the movements of animals via electrodes implanted into their brains. His goal was to develop methods of mind control that could turn someone into a real-life “Manchurian candidate.”In conjunction with MKULTRA, Gottlieb also plotted the assassination of foreign leaders and created spy gear for undercover agents. The details of his career, however, have long been shrouded in mystery. Upon retiring from the CIA in 1973, he tossed his files into an incinerator. As a result, much of what happened under MKULTRA was thought to be lost—until now.In ﻿Project Mind Control: Sidney Gottlieb, the CIA, and the Tragedy of MKULTRA (St. Martin's Press, 2025) historian John Lisle has uncovered dozens of depositions containing new information about MKULTRA, straight from the mouths of its perpetrators. For the first time, Gottlieb and his underlings divulge what they did, why they did it, how they got away with it, and much more. Additionally, Lisle highlights the dramatic story of MKULTRA’s victims, from their terrible treatment to their dogged pursuit of justice.The consequences of MKULTRA still reverberate throughout American society. Project Mind Control is the definitive account of this most disturbing of chapters in CIA history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The inside story of the CIA’s secret mind control project, MKULTRA, using never-before-seen testimony from the perpetrators themselves.<br>Sidney Gottlieb was the CIA’s most cunning chemist. As head of the infamous MKULTRA project, he oversaw an assortment of dangerous—even deadly—experiments. Among them: dosing unwitting strangers with mind-bending drugs, torturing mental patients through sensory deprivation, and steering the movements of animals via electrodes implanted into their brains. His goal was to develop methods of mind control that could turn someone into a real-life “Manchurian candidate.”<br>In conjunction with MKULTRA, Gottlieb also plotted the assassination of foreign leaders and created spy gear for undercover agents. The details of his career, however, have long been shrouded in mystery. Upon retiring from the CIA in 1973, he tossed his files into an incinerator. As a result, much of what happened under MKULTRA was thought to be lost—until now.<br>In <a href="https://bookshop.org/a/12343/9781250338747">﻿Project Mind Control: Sidney Gottlieb, the CIA, and the Tragedy of MKULTRA </a>(St. Martin's Press, 2025) historian John Lisle has uncovered dozens of depositions containing new information about MKULTRA, straight from the mouths of its perpetrators. For the first time, Gottlieb and his underlings divulge what they did, why they did it, how they got away with it, and much more. Additionally, Lisle highlights the dramatic story of MKULTRA’s victims, from their terrible treatment to their dogged pursuit of justice.<br>The consequences of MKULTRA still reverberate throughout American society. <em>Project Mind Control</em> is the definitive account of this most disturbing of chapters in CIA history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4496</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Vanessa Diaz, "Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood" (Duke UP, 2020)</title>
      <description>While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it.
Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 26 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles...</itunes:subtitle>
      <itunes:summary>While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it.
Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In <a href="https://bookshop.org/a/12343/9781478009436"><em>Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood</em></a> (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it.</p><p>Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University.</p><p><em>Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Peter K. Andersson, "The Dandy: A People's History of Sartorial Splendour" (Oxford UP, 2025)</title>
      <description>A history of the dandy from below, from Beau Brummell and Baudelaire to Bowie and Bolan... and beyond. The historical figure of the dandy has commonly been described as an upper-class gentleman, often exemplified by well-known men such as Beau Brummell, Charles Baudelaire, Oscar Wilde, and Max Beerbohm. But there is a broader history to be told about the dandy - one that incorporates unknown men from the lower strata of society. The Dandy: A People's History of Sartorial Splendour (Oxford UP, 2025) constitutes the first ever history of those dandies who emanated from the less privileged layers of the populace - the lowly clerks, shop assistants, domestic servants, and labourers who increasingly during the modern age have emerged as style-conscious men about town. Peter Andersson shows that dandyism is far from just an elite phenomenon represented by famous poets and artists. He shows how dandyism as a popular youth subculture grew into an influential cultural movement, from the days of Beau Brummell in the early 19th century to the age of mods in the 1960s. A series of fascinating in-depth studies of the wide variety of dandy subcultures that have surfaced around the world in the last two centuries tell the story of how the shaping of fashions and the image of men became increasingly democratized, with the arbiters of taste increasingly coming from the other end of the social spectrum. Along the way, we encounter such long-forgotten groups as the mashers, the knuts, the Paris gandins and the Berlin transgender dandies, alongside more well-known but unexplored figures like the zoot suiter, the teddy boy, and the New Romantic. Above all, this is a story of how fundamental aspects of modern culture such as fashion, style, and conduct have been shaped from below just as much as from above. It is a story that shows how the problematic business of young men trying to find an identity is an enduring phenomenon - and one sadly often accompanied by innocent victims along the way.

Peter K. Andersson is a historian and writer, with a PhD in History from Lund University in Sweden. He has been a visiting scholar at the universities of London, Oxford, and Bologna, and has written extensively on Victorian cultural history, urban history, and popular culture.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 25 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A history of the dandy from below, from Beau Brummell and Baudelaire to Bowie and Bolan... and beyond. The historical figure of the dandy has commonly been described as an upper-class gentleman, often exemplified by well-known men such as Beau Brummell, Charles Baudelaire, Oscar Wilde, and Max Beerbohm. But there is a broader history to be told about the dandy - one that incorporates unknown men from the lower strata of society. The Dandy: A People's History of Sartorial Splendour (Oxford UP, 2025) constitutes the first ever history of those dandies who emanated from the less privileged layers of the populace - the lowly clerks, shop assistants, domestic servants, and labourers who increasingly during the modern age have emerged as style-conscious men about town. Peter Andersson shows that dandyism is far from just an elite phenomenon represented by famous poets and artists. He shows how dandyism as a popular youth subculture grew into an influential cultural movement, from the days of Beau Brummell in the early 19th century to the age of mods in the 1960s. A series of fascinating in-depth studies of the wide variety of dandy subcultures that have surfaced around the world in the last two centuries tell the story of how the shaping of fashions and the image of men became increasingly democratized, with the arbiters of taste increasingly coming from the other end of the social spectrum. Along the way, we encounter such long-forgotten groups as the mashers, the knuts, the Paris gandins and the Berlin transgender dandies, alongside more well-known but unexplored figures like the zoot suiter, the teddy boy, and the New Romantic. Above all, this is a story of how fundamental aspects of modern culture such as fashion, style, and conduct have been shaped from below just as much as from above. It is a story that shows how the problematic business of young men trying to find an identity is an enduring phenomenon - and one sadly often accompanied by innocent victims along the way.

Peter K. Andersson is a historian and writer, with a PhD in History from Lund University in Sweden. He has been a visiting scholar at the universities of London, Oxford, and Bologna, and has written extensively on Victorian cultural history, urban history, and popular culture.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A history of the dandy from below, from Beau Brummell and Baudelaire to Bowie and Bolan... and beyond. The historical figure of the dandy has commonly been described as an upper-class gentleman, often exemplified by well-known men such as Beau Brummell, Charles Baudelaire, Oscar Wilde, and Max Beerbohm. But there is a broader history to be told about the dandy - one that incorporates unknown men from the lower strata of society. <a href="https://bookshop.org/a/12343/9780198882435">The Dandy: A People's History of Sartorial Splendour</a> (Oxford UP, 2025) constitutes the first ever history of those dandies who emanated from the less privileged layers of the populace - the lowly clerks, shop assistants, domestic servants, and labourers who increasingly during the modern age have emerged as style-conscious men about town. Peter Andersson shows that dandyism is far from just an elite phenomenon represented by famous poets and artists. He shows how dandyism as a popular youth subculture grew into an influential cultural movement, from the days of Beau Brummell in the early 19th century to the age of mods in the 1960s. A series of fascinating in-depth studies of the wide variety of dandy subcultures that have surfaced around the world in the last two centuries tell the story of how the shaping of fashions and the image of men became increasingly democratized, with the arbiters of taste increasingly coming from the other end of the social spectrum. Along the way, we encounter such long-forgotten groups as the mashers, the knuts, the Paris gandins and the Berlin transgender dandies, alongside more well-known but unexplored figures like the zoot suiter, the teddy boy, and the New Romantic. Above all, this is a story of how fundamental aspects of modern culture such as fashion, style, and conduct have been shaped from below just as much as from above. It is a story that shows how the problematic business of young men trying to find an identity is an enduring phenomenon - and one sadly often accompanied by innocent victims along the way.</p>
<p>Peter K. Andersson is a historian and writer, with a PhD in History from Lund University in Sweden. He has been a visiting scholar at the universities of London, Oxford, and Bologna, and has written extensively on Victorian cultural history, urban history, and popular culture.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2632</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Stacia Kalinoski, Racing Uphill: Confronting a Life with Epilepsy ﻿(U of Minnesota Press, 2025)</title>
      <description>The book, Racing Uphill: Confronting a Life with Epilepsy ﻿(U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures.

Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past. 

﻿﻿Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The book, Racing Uphill: Confronting a Life with Epilepsy ﻿(U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures.

Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past. 

﻿﻿Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The book, <a href="https://bookshop.org/a/12343/9781517917463">Racing Uphill: Confronting a Life with Epilepsy</a><em> </em>﻿(U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of <em>déjà vu</em> and <em>jamais vu</em>j<em>amais vu</em>, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures.</p>
<p>Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past. </p>
<p>﻿﻿Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled <em>Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League</em>, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ <a href="https://www.linkedin.com/in/olugbodi-mariam-801a52130/?originalSubdomain=ng">(22) Olugbodi Mariam | LinkedIn</a>, <a href="https://orcid.org/0000-0001-5027-6644">Mariam Olugbodi (0000-0001-5027-6644) - ORCID</a> and <a href="https://meta.wikimedia.org/wiki/User:Margob28">User:Margob28 - Meta</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1861</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mario Livio and Jack Szostak, "Is Earth Exceptional?: The Quest for Cosmic Life" (Basic Books, 2024)</title>
      <description>For a long time, scientists have wondered how life has emerged from inanimate chemistry, and whether Earth is the only place where it exists. Charles Darwin speculated about life on Earth beginning in a warm little pond. Some of his contemporaries believed that life existed on Mars. It once seemed inevitable that the truth would be known by now.

It is not. For more than a century, the origins and extent of life have remained shrouded in mystery. But, as Mario Livio and Jack Szostak reveal in Is Earth Exceptional?﻿: The Quest for Cosmic Life (Basic Books, 2024), the veil is finally lifting. The authors describe how life's building blocks--from RNA to amino acids and cells--could have emerged from the chaos of Earth's early existence. They then apply the knowledge gathered from cutting-edge research across the sciences to the search for life in the cosmos: both life as we know it and life as we don't.

Why and where life exists are two of the biggest unsolved problems in science. Is Earth Exceptional? is the ultimate exploration of the question of whether life is a freak accident or a chemical imperative.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For a long time, scientists have wondered how life has emerged from inanimate chemistry, and whether Earth is the only place where it exists. Charles Darwin speculated about life on Earth beginning in a warm little pond. Some of his contemporaries believed that life existed on Mars. It once seemed inevitable that the truth would be known by now.

It is not. For more than a century, the origins and extent of life have remained shrouded in mystery. But, as Mario Livio and Jack Szostak reveal in Is Earth Exceptional?﻿: The Quest for Cosmic Life (Basic Books, 2024), the veil is finally lifting. The authors describe how life's building blocks--from RNA to amino acids and cells--could have emerged from the chaos of Earth's early existence. They then apply the knowledge gathered from cutting-edge research across the sciences to the search for life in the cosmos: both life as we know it and life as we don't.

Why and where life exists are two of the biggest unsolved problems in science. Is Earth Exceptional? is the ultimate exploration of the question of whether life is a freak accident or a chemical imperative.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For a long time, scientists have wondered how life has emerged from inanimate chemistry, and whether Earth is the only place where it exists. Charles Darwin speculated about life on Earth beginning in a warm little pond. Some of his contemporaries believed that life existed on Mars. It once seemed inevitable that the truth would be known by now.</p>
<p>It is not. For more than a century, the origins and extent of life have remained shrouded in mystery. But, as Mario Livio and Jack Szostak reveal in <a href="https://bookshop.org/a/12343/9781541602960">Is Earth Exceptional?﻿: The Quest for Cosmic Life</a><em> </em>(Basic Books, 2024), the veil is finally lifting. The authors describe how life's building blocks--from RNA to amino acids and cells--could have emerged from the chaos of Earth's early existence. They then apply the knowledge gathered from cutting-edge research across the sciences to the search for life in the cosmos: both life as we know it and life as we don't.</p>
<p>Why and where life exists are two of the biggest unsolved problems in science. <em>Is Earth Exceptional? </em>is the ultimate exploration of the question of whether life is a freak accident or a chemical imperative.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3344</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5cccb6ca-7da9-11f0-995e-7b2914b0911a]]></guid>
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    </item>
    <item>
      <title>Noah Giansiracusa, "Robin Hood Math: Take Control of the Algorithms That Run Your Life" (Penguin, 2025)</title>
      <description>Everything we do today is recorded as data that’s sold to the highest bidder. Plugging our personal data into impersonal algorithms has made government agencies more efficient and tech companies more profitable. But all this comes at a price. It’s easy to feel like an insignificant number in a world of number crunchers who care more about their bottom line than your humanity. It’s time to flip the equation, turning math into an empowering tool for the rest of us.

In ﻿Robin Hood Math: Take Control of the Algorithms That Run Your Life (Penguin, 2025), award-winning mathematician Noah Giansiracusa explains how the tech giants and financial institutions use formulas to get ahead—and how anyone can use these same formulas in their everyday life. You’ll learn how to handle risk rationally, make better investments, take control of your social media, and reclaim agency over the decisions you make each day.

In a society that all too often takes from the poor and gives to the rich, math can be a vital democratizing force. Robin Hood Math helps you to think for yourself, act in your own best interests, and thrive.

Noah Giansiracusa is an Associate Professor of Mathematics at Bentley University, Visiting Scholar at Harvard University, and the author of How Algorithms Create and Prevent Fake News. His writing has appeared in Scientific American, TIME, WIRED, Slate, and the Washington Post, among others, and he has been featured as a guest on CNN, BBC Radio 4, and Newsmax. Giansiracusa lives in Acton, Massachusetts, with his wife, two kids, two dogs, and 12 chickens.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 20 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Everything we do today is recorded as data that’s sold to the highest bidder. Plugging our personal data into impersonal algorithms has made government agencies more efficient and tech companies more profitable. But all this comes at a price. It’s easy to feel like an insignificant number in a world of number crunchers who care more about their bottom line than your humanity. It’s time to flip the equation, turning math into an empowering tool for the rest of us.

In ﻿Robin Hood Math: Take Control of the Algorithms That Run Your Life (Penguin, 2025), award-winning mathematician Noah Giansiracusa explains how the tech giants and financial institutions use formulas to get ahead—and how anyone can use these same formulas in their everyday life. You’ll learn how to handle risk rationally, make better investments, take control of your social media, and reclaim agency over the decisions you make each day.

In a society that all too often takes from the poor and gives to the rich, math can be a vital democratizing force. Robin Hood Math helps you to think for yourself, act in your own best interests, and thrive.

Noah Giansiracusa is an Associate Professor of Mathematics at Bentley University, Visiting Scholar at Harvard University, and the author of How Algorithms Create and Prevent Fake News. His writing has appeared in Scientific American, TIME, WIRED, Slate, and the Washington Post, among others, and he has been featured as a guest on CNN, BBC Radio 4, and Newsmax. Giansiracusa lives in Acton, Massachusetts, with his wife, two kids, two dogs, and 12 chickens.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Everything we do today is recorded as data that’s sold to the highest bidder. Plugging our personal data into impersonal algorithms has made government agencies more efficient and tech companies more profitable. But all this comes at a price. It’s easy to feel like an insignificant number in a world of number crunchers who care more about their bottom line than your humanity. It’s time to flip the equation, turning math into an empowering tool for the rest of us.</p>
<p>In ﻿<a href="https://bookshop.org/a/12343/9780593717875">Robin Hood Math: Take Control of the Algorithms That Run Your Life </a>(Penguin, 2025), award-winning mathematician Noah Giansiracusa explains how the tech giants and financial institutions use formulas to get ahead—and how anyone can use these same formulas in their everyday life. You’ll learn how to handle risk rationally, make better investments, take control of your social media, and reclaim agency over the decisions you make each day.</p>
<p>In a society that all too often takes from the poor and gives to the rich, math can be a vital democratizing force. <em>Robin Hood Math</em> helps you to think for yourself, act in your own best interests, and thrive.</p>
<p>Noah Giansiracusa is an Associate Professor of Mathematics at Bentley University, Visiting Scholar at Harvard University, and the author of How Algorithms Create and Prevent Fake News. His writing has appeared in Scientific American, TIME, WIRED, Slate, and the Washington Post, among others, and he has been featured as a guest on CNN, BBC Radio 4, and Newsmax. Giansiracusa lives in Acton, Massachusetts, with his wife, two kids, two dogs, and 12 chickens.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3745</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c2d347d4-7cc0-11f0-b192-53a5fa8ad63b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2596306458.mp3?updated=1755582803" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gary Rivlin, "AI Valley: Microsoft, Google, and the Trillion-Dollar Race to Cash In on Artificial Intelligence" (Harper Collins, 2025)</title>
      <description>A veteran Pulitzer Prize-winning journalist shadows the top thinkers in the field of Artificial Intelligence, introducing the breakthroughs and developments that will change the way we live and work.

Artificial Intelligence has been “just around the corner” for decades, continually disappointing those who long believed in its potential. But now, with the emergence and growing use of ChatGPT, Gemini, and a rapidly multiplying number of other AI tools, many are wondering: Has AI’s moment finally arrived?

In AI Valley: Microsoft, Google, and the Trillion-Dollar Race to Cash In on Artificial Intelligence (Harper Collins, 2025), Pulitzer Prize-winning journalist Gary Rivlin brings us deep into the world of AI development in Silicon Valley. Over the course of more than a year, Rivlin closely follows founders and venture capitalists trying to capitalize on this AI moment. That includes LinkedIn founder Reid Hoffman, the legendary investor whom the Wall Street Journal once called, “the most connected person in Silicon Valley.”

Through Hoffman, Rivlin is granted access to a number of companies on the cutting-edge of AI research, such as Inflection AI, the company Hoffman cofounded in 2022, and OpenAI, the San Francisco-based startup that sparked it all with its release at the end of that year of ChatGPT. In addition to Hoffman, Rivlin introduces us to other AI experts, including OpenAI cofounder Sam Altman and Mustafa Suleyman, the co-founder of DeepMind, an early AI startup that Google bought for $650 million in 2014. Rivlin also brings readers inside Microsoft, Meta, Google and other tech giants scrambling to keep pace.

On this vast frontier, no one knows which of these companies will hit it big–or which will flame out spectacularly. In this riveting narrative marbled with familiar names such as Musk, Zuckerberg, and Gates, Rivlin chronicles breakthroughs as they happen, giving us a deep understanding of what’s around the corner in AI development. An adventure story full of drama and unforgettable personalities, AI Valley promises to be the definitive story for anyone seeking to understand the latest phase of world-changing discoveries and the minds behind them.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 20 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A veteran Pulitzer Prize-winning journalist shadows the top thinkers in the field of Artificial Intelligence, introducing the breakthroughs and developments that will change the way we live and work.

Artificial Intelligence has been “just around the corner” for decades, continually disappointing those who long believed in its potential. But now, with the emergence and growing use of ChatGPT, Gemini, and a rapidly multiplying number of other AI tools, many are wondering: Has AI’s moment finally arrived?

In AI Valley: Microsoft, Google, and the Trillion-Dollar Race to Cash In on Artificial Intelligence (Harper Collins, 2025), Pulitzer Prize-winning journalist Gary Rivlin brings us deep into the world of AI development in Silicon Valley. Over the course of more than a year, Rivlin closely follows founders and venture capitalists trying to capitalize on this AI moment. That includes LinkedIn founder Reid Hoffman, the legendary investor whom the Wall Street Journal once called, “the most connected person in Silicon Valley.”

Through Hoffman, Rivlin is granted access to a number of companies on the cutting-edge of AI research, such as Inflection AI, the company Hoffman cofounded in 2022, and OpenAI, the San Francisco-based startup that sparked it all with its release at the end of that year of ChatGPT. In addition to Hoffman, Rivlin introduces us to other AI experts, including OpenAI cofounder Sam Altman and Mustafa Suleyman, the co-founder of DeepMind, an early AI startup that Google bought for $650 million in 2014. Rivlin also brings readers inside Microsoft, Meta, Google and other tech giants scrambling to keep pace.

On this vast frontier, no one knows which of these companies will hit it big–or which will flame out spectacularly. In this riveting narrative marbled with familiar names such as Musk, Zuckerberg, and Gates, Rivlin chronicles breakthroughs as they happen, giving us a deep understanding of what’s around the corner in AI development. An adventure story full of drama and unforgettable personalities, AI Valley promises to be the definitive story for anyone seeking to understand the latest phase of world-changing discoveries and the minds behind them.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A veteran Pulitzer Prize-winning journalist shadows the top thinkers in the field of Artificial Intelligence, introducing the breakthroughs and developments that will change the way we live and work.</p>
<p>Artificial Intelligence has been “just around the corner” for decades, continually disappointing those who long believed in its potential. But now, with the emergence and growing use of ChatGPT, Gemini, and a rapidly multiplying number of other AI tools, many are wondering: Has AI’s moment finally arrived?</p>
<p>In <a href="https://bookshop.org/a/12343/9780063347496">AI Valley: Microsoft, Google, and the Trillion-Dollar Race to Cash In on Artificial Intelligence</a><em> </em>(Harper Collins, 2025), Pulitzer Prize-winning journalist Gary Rivlin brings us deep into the world of AI development in Silicon Valley. Over the course of more than a year, Rivlin closely follows founders and venture capitalists trying to capitalize on this AI moment. That includes LinkedIn founder Reid Hoffman, the legendary investor whom the <em>Wall Street Journal</em> once called, “the most connected person in Silicon Valley.”</p>
<p>Through Hoffman, Rivlin is granted access to a number of companies on the cutting-edge of AI research, such as Inflection AI, the company Hoffman cofounded in 2022, and OpenAI, the San Francisco-based startup that sparked it all with its release at the end of that year of ChatGPT. In addition to Hoffman, Rivlin introduces us to other AI experts, including OpenAI cofounder Sam Altman and Mustafa Suleyman, the co-founder of DeepMind, an early AI startup that Google bought for $650 million in 2014. Rivlin also brings readers inside Microsoft, Meta, Google and other tech giants scrambling to keep pace.</p>
<p>On this vast frontier, no one knows which of these companies will hit it big–or which will flame out spectacularly. In this riveting narrative marbled with familiar names such as Musk, Zuckerberg, and Gates, Rivlin chronicles breakthroughs as they happen, giving us a deep understanding of what’s around the corner in AI development. An adventure story full of drama and unforgettable personalities, <em>AI Valley</em> promises to be the definitive story for anyone seeking to understand the latest phase of world-changing discoveries and the minds behind them.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3923</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[05c45edc-7cc3-11f0-ada6-53a89add7792]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2704977853.mp3?updated=1755583870" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher M. Reali, "Music and Mystique in Muscle Shoals" (U Illinois Press, 2022)</title>
      <description>The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.
Dr. Christopher Reali is an assistant professor of music at Ramapo College of New Jersey.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 17 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher M. Reali</itunes:subtitle>
      <itunes:summary>The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.
Dr. Christopher Reali is an assistant professor of music at Ramapo College of New Jersey.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, <a href="https://bookshop.org/a/12343/9780252086588"><em>Music and Mystique in Muscle Shoals</em></a> (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.</p><p><a href="https://www.ramapo.edu/ca/faculty/christopher-reali/">Dr. Christopher Reali</a> is an assistant professor of music at Ramapo College of New Jersey.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2363</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[19362fa0-7a10-11f0-8b64-031dc1f7ecdc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4713440185.mp3?updated=1659729204" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Goodman, "The City Game: Triumph, Scandal, and a Legendary Basketball Team" (Ballantine Books, 2019)</title>
      <description>The 1949-50 CCNY Beavers basketball team were one of the unlikeliest of champions in sports history. CCNY was a tuition-free in Harlem, New York, intended to give working class students the best education possible. The school was comprised of minorities, many of whom were the immigrants or children of immigrants. In 1949-50, the CCNY squad, led by legendary coach Nat Holman, shocked the basketball world by becoming the first and only school to win the N.I.T. and N.C.A.A. tournaments in the same scene. At a time when college basketball was much more popular in New York than the fledgling NBA, the CCNY boys became the talk of the town and heroes to millions.
The following season, several members of the CCNY team, including the entire starting five, were arrested as part of a massive point shaving scandal that had engulfed the entire collegiate basketball scene in New York City. Overnight, the CCNY boys went from heroes to villains. Their dreams of playing in the NBA were dashed and gambling scandal became a stigma which attached to them for the rest of their lives. The scandal was so persuasive that many members of the New York Police Department were caught up in it, leading to the resignation of the chief of police and the mayor.
Matthew Goodman's The City Game: Triumph, Scandal, and a Legendary Basketball Team (Ballantine Books, 2019) is not just a book about basketball. It is a journey through life in New York City in the late 1940s and early 1950s, a window into how big cities ran in the mid-20th century, an inside look at the world of sports gambling, a story of corruption, and ultimately, a tale of working class people and the decisions they are faced with. Through the use of meticulous research, Goodman delves into the complex characters of the basketball players involved and how the scandal affected their lives moving forward. The reader is left to ponder one crucial question: Would I have taken the money had I been in their position?
Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and his first book about the New York Knicks Teams of the 1990s is due out this year. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 17 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The 1949-50 CCNY Beavers basketball team were one of the unlikeliest of champions in sports history. CCNY was a tuition-free in Harlem, New York, intended to give working class students the best education possible. The school was comprised of minorities, many of whom were the immigrants or children of immigrants. In 1949-50, the CCNY squad, led by legendary coach Nat Holman, shocked the basketball world by becoming the first and only school to win the N.I.T. and N.C.A.A. tournaments in the same scene. At a time when college basketball was much more popular in New York than the fledgling NBA, the CCNY boys became the talk of the town and heroes to millions.
The following season, several members of the CCNY team, including the entire starting five, were arrested as part of a massive point shaving scandal that had engulfed the entire collegiate basketball scene in New York City. Overnight, the CCNY boys went from heroes to villains. Their dreams of playing in the NBA were dashed and gambling scandal became a stigma which attached to them for the rest of their lives. The scandal was so persuasive that many members of the New York Police Department were caught up in it, leading to the resignation of the chief of police and the mayor.
Matthew Goodman's The City Game: Triumph, Scandal, and a Legendary Basketball Team (Ballantine Books, 2019) is not just a book about basketball. It is a journey through life in New York City in the late 1940s and early 1950s, a window into how big cities ran in the mid-20th century, an inside look at the world of sports gambling, a story of corruption, and ultimately, a tale of working class people and the decisions they are faced with. Through the use of meticulous research, Goodman delves into the complex characters of the basketball players involved and how the scandal affected their lives moving forward. The reader is left to ponder one crucial question: Would I have taken the money had I been in their position?
Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and his first book about the New York Knicks Teams of the 1990s is due out this year. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 1949-50 CCNY Beavers basketball team were one of the unlikeliest of champions in sports history. CCNY was a tuition-free in Harlem, New York, intended to give working class students the best education possible. The school was comprised of minorities, many of whom were the immigrants or children of immigrants. In 1949-50, the CCNY squad, led by legendary coach Nat Holman, shocked the basketball world by becoming the first and only school to win the N.I.T. and N.C.A.A. tournaments in the same scene. At a time when college basketball was much more popular in New York than the fledgling NBA, the CCNY boys became the talk of the town and heroes to millions.</p><p>The following season, several members of the CCNY team, including the entire starting five, were arrested as part of a massive point shaving scandal that had engulfed the entire collegiate basketball scene in New York City. Overnight, the CCNY boys went from heroes to villains. Their dreams of playing in the NBA were dashed and gambling scandal became a stigma which attached to them for the rest of their lives. The scandal was so persuasive that many members of the New York Police Department were caught up in it, leading to the resignation of the chief of police and the mayor.</p><p><a href="http://www.matthewgoodmanbooks.com/about/">Matthew Goodman</a>'s <a href="http://www.amazon.com/dp/1101882832/?tag=newbooinhis-20"><em>The City Game: Triumph, Scandal, and a Legendary Basketball Team</em></a> (Ballantine Books, 2019) is not just a book about basketball. It is a journey through life in New York City in the late 1940s and early 1950s, a window into how big cities ran in the mid-20th century, an inside look at the world of sports gambling, a story of corruption, and ultimately, a tale of working class people and the decisions they are faced with. Through the use of meticulous research, Goodman delves into the complex characters of the basketball players involved and how the scandal affected their lives moving forward. The reader is left to ponder one crucial question: Would I have taken the money had I been in their position?</p><p><em>Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and his first book about the New York Knicks Teams of the 1990s is due out this year. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3028</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[61ebe3d8-7a1b-11f0-bfd1-5fde8f4fbafb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5079649668.mp3?updated=1755292470" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Transhuman Horror in Alien: Earth</title>
      <description>It’s The Pop Culture Professors, and today we react to the first two episodes of Alien: Earth. We break down the themes and ideas in the series, focusing on its central questions of transhumanism, the Peter Pan mythology, and the dream / nightmare imagery. We consider how this series is consistent with and differs from the Alien (1979) and Aliens (1986) movies, particularly on the central political and ideological problematics invoked. We further consider the nature and motivations of Wendy and the Lost Boys, Boy Kavalier, and Yutani. Finally, we ask how the Xenomorph, and the other alien specimens, fit into a show that seems largely focused on its AI characters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 16 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s The Pop Culture Professors, and today we react to the first two episodes of Alien: Earth. We break down the themes and ideas in the series, focusing on its central questions of transhumanism, the Peter Pan mythology, and the dream / nightmare imagery. We consider how this series is consistent with and differs from the Alien (1979) and Aliens (1986) movies, particularly on the central political and ideological problematics invoked. We further consider the nature and motivations of Wendy and the Lost Boys, Boy Kavalier, and Yutani. Finally, we ask how the Xenomorph, and the other alien specimens, fit into a show that seems largely focused on its AI characters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s The Pop Culture Professors, and today we react to the first two episodes of <em>Alien: Earth</em>. We break down the themes and ideas in the series, focusing on its central questions of transhumanism, the Peter Pan mythology, and the dream / nightmare imagery. We consider how this series is consistent with and differs from the Alien (1979) and Aliens (1986) movies, particularly on the central political and ideological problematics invoked. We further consider the nature and motivations of Wendy and the Lost Boys, Boy Kavalier, and Yutani. Finally, we ask how the Xenomorph, and the other alien specimens, fit into a show that seems largely focused on its AI characters.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2576</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fcb76754-79b0-11f0-88ec-73684e15a594]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4394744256.mp3?updated=1755246253" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Prudence Peiffer, "The Slip: The New York City Street That Changed American Art Forever" (Harper, 2023)</title>
      <description>For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art.

Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives.

An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 15 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art.

Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives.

An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art.</p>
<p>Now, for the first time, in <a href="https://bookshop.org/a/12343/9780063097209">The Slip: The New York City Street That Changed American Art Forever</a> (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives.</p>
<p>An ambitious and singular account of a time, a place, and a group of extraordinary people, <em>The Slip</em> investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3030</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[139f7f6e-78d6-11f0-a09f-3f89b80f2306]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8720623692.mp3?updated=1755152355" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Facciani, "Misguided: Where Misinformation Starts, How It Spreads, and What to Do about It" (Columbia UP, 2025)</title>
      <description>Why are people inclined to believe misinformation? Misguided: Where Misinformation Starts, How It Spreads, and What to Do about It (Columbia UP, 2025) is a wide-ranging and comprehensive book that shines a light on how false beliefs take root and spread, exploring the cognitive, emotional, and social factors that make us all susceptible to misinformation. Challenging approaches that focus solely on education and media literacy, Matthew Facciani emphasizes the important role identities and social ties have in the complex interplay of forces that lead people to believe things that are not true. Susceptibility to misinformation is largely shaped by social dynamics. The pressure to affirm one's personal and group identities can leave individuals vulnerable to false beliefs. 

Facciani examines both offline and online connections, highlighting how social media, news media, and personal networks can promote and amplify false claims. To bring social-scientific findings to life, he shares the stories of people who fell for misinformation, with contemporary examples including the COVID-19 pandemic and anti-vaccine movement. Facciani examines the effectiveness of various approaches to combating misinformation, underscoring the importance of understanding the psychological and sociological mechanisms behind its spread. He provides actionable recommendations for reducing the influence of misinformation at all levels, from having productive conversations with friends and family to rebuilding trust in institutions. Distilling the latest research accessibly and featuring compelling case studies, Misguided equips readers with practical strategies to counteract false beliefs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 14 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Why are people inclined to believe misinformation? Misguided: Where Misinformation Starts, How It Spreads, and What to Do about It (Columbia UP, 2025) is a wide-ranging and comprehensive book that shines a light on how false beliefs take root and spread, exploring the cognitive, emotional, and social factors that make us all susceptible to misinformation. Challenging approaches that focus solely on education and media literacy, Matthew Facciani emphasizes the important role identities and social ties have in the complex interplay of forces that lead people to believe things that are not true. Susceptibility to misinformation is largely shaped by social dynamics. The pressure to affirm one's personal and group identities can leave individuals vulnerable to false beliefs. 

Facciani examines both offline and online connections, highlighting how social media, news media, and personal networks can promote and amplify false claims. To bring social-scientific findings to life, he shares the stories of people who fell for misinformation, with contemporary examples including the COVID-19 pandemic and anti-vaccine movement. Facciani examines the effectiveness of various approaches to combating misinformation, underscoring the importance of understanding the psychological and sociological mechanisms behind its spread. He provides actionable recommendations for reducing the influence of misinformation at all levels, from having productive conversations with friends and family to rebuilding trust in institutions. Distilling the latest research accessibly and featuring compelling case studies, Misguided equips readers with practical strategies to counteract false beliefs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why are people inclined to believe misinformation? <a href="https://bookshop.org/a/12343/9780231205054">Misguided: Where Misinformation Starts, How It Spreads, and What to Do about It</a> (Columbia UP, 2025) is a wide-ranging and comprehensive book that shines a light on how false beliefs take root and spread, exploring the cognitive, emotional, and social factors that make us all susceptible to misinformation. Challenging approaches that focus solely on education and media literacy, Matthew Facciani emphasizes the important role identities and social ties have in the complex interplay of forces that lead people to believe things that are not true. Susceptibility to misinformation is largely shaped by social dynamics. The pressure to affirm one's personal and group identities can leave individuals vulnerable to false beliefs. </p>
<p>Facciani examines both offline and online connections, highlighting how social media, news media, and personal networks can promote and amplify false claims. To bring social-scientific findings to life, he shares the stories of people who fell for misinformation, with contemporary examples including the COVID-19 pandemic and anti-vaccine movement. Facciani examines the effectiveness of various approaches to combating misinformation, underscoring the importance of understanding the psychological and sociological mechanisms behind its spread. He provides actionable recommendations for reducing the influence of misinformation at all levels, from having productive conversations with friends and family to rebuilding trust in institutions. Distilling the latest research accessibly and featuring compelling case studies, Misguided equips readers with practical strategies to counteract false beliefs.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1829</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c0731ee8-7819-11f0-b9cf-bfcdcf78bc5c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6012907683.mp3?updated=1755071288" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Mainwaring, "What the Ear Hears (And Doesn't): Inside the Extraordinary Everyday World of Frequency" (Sourcebooks, 2022)</title>
      <description>What do the world's loneliest whale, a black hole, and twenty-three people doing Tae Bo all have in common?

In 2011, a skyscraper in South Korea began to shake uncontrollably without warning and was immediately evacuated. Was it an earthquake? An attack? No one seemed quite sure. The actual cause emerged later and is utterly fascinating: Twenty-three middle-aged folks were having a Tae Bo fitness class in the office gym on the twelfth floor. Their beats had inadvertently matched the building's natural frequency, and this coincidence--harnessing a basic principle of physics--caused the building to shake at an alarming rate for ten minutes. Frequency is all around us, but little understood.

Musician, composer, TV presenter, and educator Richard Mainwaring uses the concept of the Infinite Piano to reveal the extraordinary world of frequency in a multitude of arenas--from medicine to religion to the environment to the paranormal--through the universality of music and a range of memorable human (and animal) stories laced with dry humor. Whether you're science curious, musically inclined, or just want to know what a Szechuan pepper has to do with physics, What the Ear Hears (and Doesn't): Inside the Extraordinary Everyday World of Frequency (Sourcebooks, 2022) is an immensely enjoyable read filled with "did you know?" trivia you'll love to share with friends.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 14 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What do the world's loneliest whale, a black hole, and twenty-three people doing Tae Bo all have in common?

In 2011, a skyscraper in South Korea began to shake uncontrollably without warning and was immediately evacuated. Was it an earthquake? An attack? No one seemed quite sure. The actual cause emerged later and is utterly fascinating: Twenty-three middle-aged folks were having a Tae Bo fitness class in the office gym on the twelfth floor. Their beats had inadvertently matched the building's natural frequency, and this coincidence--harnessing a basic principle of physics--caused the building to shake at an alarming rate for ten minutes. Frequency is all around us, but little understood.

Musician, composer, TV presenter, and educator Richard Mainwaring uses the concept of the Infinite Piano to reveal the extraordinary world of frequency in a multitude of arenas--from medicine to religion to the environment to the paranormal--through the universality of music and a range of memorable human (and animal) stories laced with dry humor. Whether you're science curious, musically inclined, or just want to know what a Szechuan pepper has to do with physics, What the Ear Hears (and Doesn't): Inside the Extraordinary Everyday World of Frequency (Sourcebooks, 2022) is an immensely enjoyable read filled with "did you know?" trivia you'll love to share with friends.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em><strong>What do the world's loneliest whale, a black hole, and twenty-three people doing Tae Bo all have in common?</strong></em></p>
<p>In 2011, a skyscraper in South Korea began to shake uncontrollably without warning and was immediately evacuated. Was it an earthquake? An attack? No one seemed quite sure. The actual cause emerged later and is utterly fascinating: Twenty-three middle-aged folks were having a Tae Bo fitness class in the office gym on the twelfth floor. Their beats had inadvertently matched the building's natural frequency, and this coincidence--harnessing a basic principle of physics--caused the building to shake at an alarming rate for ten minutes. Frequency is all around us, but little understood.</p>
<p>Musician, composer, TV presenter, and educator Richard Mainwaring uses the concept of the Infinite Piano to reveal the extraordinary world of frequency in a multitude of arenas--from medicine to religion to the environment to the paranormal--through the universality of music and a range of memorable human (and animal) stories laced with dry humor. Whether you're science curious, musically inclined, or just want to know what a Szechuan pepper has to do with physics, <a href="https://bookshop.org/a/12343/9781728259369">What the Ear Hears (and Doesn't): Inside the Extraordinary Everyday World of Frequency</a> (Sourcebooks, 2022) is an immensely enjoyable read filled with "did you know?" trivia you'll love to share with friends.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4237</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[638b48de-7749-11f0-bf7d-7fc38acb0f6d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4671054980.mp3?updated=1754981860" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philip Carr-Gomm, "A Brief History of Nakedness"  (Reaktion, 2010)</title>
      <description>Philip Carr-Gomm joins Jana Byars to talk about A Brief History of Nakedness (Reaktion, 2010) on the occasion of its newest paperback edition. From the naked sages of India to modern-day witches and Christian nudists, from Lady Godiva to Lady Gaga, Carr-Comm writes a survey of the touching, sometimes tragic, and often bizarre story of our relationships with our naked bodies. As one common story goes, Adam and Eve, the first man and woman, had no idea that there was any shame in their lack of clothes; they were perfectly confident in their birthday suits among the animals of the Garden of Eden. All was well until that day when they ate from the Tree of Knowledge of Good and Evil and went scrambling for fig leaves to cover their bodies. Since then, lucrative businesses have arisen to provide many stylish ways to cover our nakedness, for the naked human body now evokes powerful and often contradictory ideas--it thrills and revolts us, signifies innocence and sexual experience, and often marks the difference between nature and society. In A Brief History of Nakedness psychologist Philip Carr-Gomm traces our inescapable preoccupation with nudity. Rather than studying the history of the nude in art or detailing how the naked body has been denigrated in the media, A Brief History of Nakedness reveals how religious teachers, politicians, protesters, and cultural icons have used nudity to enlighten or empower themselves as well as entertain us. Among his many examples, Carr-Gomm discusses how advertisers and the media employ images of bare skin--or even simply the word "naked"--to garner our attention, how mystics have used nudity to get closer to God, and how political protesters have discovered that baring all is one of the most effective ways to gain publicity for their cause. Carr-Gomm investigates how this use of something as natural as nakedness actually gets under our skin and evokes complicated and complex emotional responses.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 13 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Philip Carr-Gomm joins Jana Byars to talk about A Brief History of Nakedness (Reaktion, 2010) on the occasion of its newest paperback edition. From the naked sages of India to modern-day witches and Christian nudists, from Lady Godiva to Lady Gaga, Carr-Comm writes a survey of the touching, sometimes tragic, and often bizarre story of our relationships with our naked bodies. As one common story goes, Adam and Eve, the first man and woman, had no idea that there was any shame in their lack of clothes; they were perfectly confident in their birthday suits among the animals of the Garden of Eden. All was well until that day when they ate from the Tree of Knowledge of Good and Evil and went scrambling for fig leaves to cover their bodies. Since then, lucrative businesses have arisen to provide many stylish ways to cover our nakedness, for the naked human body now evokes powerful and often contradictory ideas--it thrills and revolts us, signifies innocence and sexual experience, and often marks the difference between nature and society. In A Brief History of Nakedness psychologist Philip Carr-Gomm traces our inescapable preoccupation with nudity. Rather than studying the history of the nude in art or detailing how the naked body has been denigrated in the media, A Brief History of Nakedness reveals how religious teachers, politicians, protesters, and cultural icons have used nudity to enlighten or empower themselves as well as entertain us. Among his many examples, Carr-Gomm discusses how advertisers and the media employ images of bare skin--or even simply the word "naked"--to garner our attention, how mystics have used nudity to get closer to God, and how political protesters have discovered that baring all is one of the most effective ways to gain publicity for their cause. Carr-Gomm investigates how this use of something as natural as nakedness actually gets under our skin and evokes complicated and complex emotional responses.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Philip Carr-Gomm joins Jana Byars to talk about <a href="https://bookshop.org/p/books/a-brief-history-of-nakedness-philip-carr-gomm/21865266?ean=9781836390039&amp;next=t">A Brief History of Nakedness </a>(Reaktion, 2010) on the occasion of its newest paperback edition. From the naked sages of India to modern-day witches and Christian nudists, from Lady Godiva to Lady Gaga, Carr-Comm writes a survey of the touching, sometimes tragic, and often bizarre story of our relationships with our naked bodies. As one common story goes, Adam and Eve, the first man and woman, had no idea that there was any shame in their lack of clothes; they were perfectly confident in their birthday suits among the animals of the Garden of Eden. All was well until that day when they ate from the Tree of Knowledge of Good and Evil and went scrambling for fig leaves to cover their bodies. Since then, lucrative businesses have arisen to provide many stylish ways to cover our nakedness, for the naked human body now evokes powerful and often contradictory ideas--it thrills and revolts us, signifies innocence and sexual experience, and often marks the difference between nature and society. In <em>A Brief History of Nakedness</em> psychologist Philip Carr-Gomm traces our inescapable preoccupation with nudity. Rather than studying the history of the nude in art or detailing how the naked body has been denigrated in the media, <em>A Brief History of Nakedness</em> reveals how religious teachers, politicians, protesters, and cultural icons have used nudity to enlighten or empower themselves as well as entertain us. Among his many examples, Carr-Gomm discusses how advertisers and the media employ images of bare skin--or even simply the word "naked"--to garner our attention, how mystics have used nudity to get closer to God, and how political protesters have discovered that baring all is one of the most effective ways to gain publicity for their cause. Carr-Gomm investigates how this use of something as natural as nakedness actually gets under our skin and evokes complicated and complex emotional responses.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1932</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[35367cae-7732-11f0-b2eb-430dc74cb6cb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8950175765.mp3?updated=1754972016" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alisha Mughal, "It Can’t Rain All the Time: The Crow" (ECW Press, 2025)</title>
      <description>Alisha Mughal's It Can’t Rain All the Time: The Crow (ECW Press, 2025) weaves memoir with film criticism in an effort to pin down The Crow’s cultural resonance. A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee’s performance was “more of a screen achievement than any of the films of his father, Bruce Lee.” In It Can’t Rain All the Time, Mughal argues that The Crow has transcended Brandon Lee’s death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn’t need to be hard and impenetrable. Through her memories of seeking solace in the film during her own grieving period, Mughal brilliantly shows that, for all its gothic sadness, The Crow is, surprisingly and touchingly, a movie about redemption and hope. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 13 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Alisha Mughal's It Can’t Rain All the Time: The Crow (ECW Press, 2025) weaves memoir with film criticism in an effort to pin down The Crow’s cultural resonance. A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee’s performance was “more of a screen achievement than any of the films of his father, Bruce Lee.” In It Can’t Rain All the Time, Mughal argues that The Crow has transcended Brandon Lee’s death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn’t need to be hard and impenetrable. Through her memories of seeking solace in the film during her own grieving period, Mughal brilliantly shows that, for all its gothic sadness, The Crow is, surprisingly and touchingly, a movie about redemption and hope. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Alisha Mughal's <a href="https://ecwpress.com/products/it-cant-rain-all-the-time">It Can’t Rain All the Time: The Crow</a> (ECW Press, 2025) weaves memoir with film criticism in an effort to pin down <em>The Crow</em>’s cultural resonance. A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity Released in 1994, <em>The Crow</em> first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that <em>The Crow</em> was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee’s performance was “more of a screen achievement than any of the films of his father, Bruce Lee.” In <em>It Can’t Rain All the Time</em>, Mughal argues that <em>The Crow</em> has transcended Brandon Lee’s death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn’t need to be hard and impenetrable. Through her memories of seeking solace in the film during her own grieving period, Mughal brilliantly shows that, for all its gothic sadness, <em>The Crow</em> is, surprisingly and touchingly, a movie about redemption and hope. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2661</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2014674a-7742-11f0-95f6-5f4de668e839]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8862584336.mp3?updated=1754979342" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew R. Sparks and Olivia Sizemore, "Haint Country: Dark Folktales from the Hills and Hollers" (UP of Kentucky, 2024)</title>
      <description>Matthew Sparks and Oliva Sizemore join Jana Byars for a fun, chilling, and thoughtful discussion about about Haint Country: Dark Tales from the Hills and Hollers﻿ (University Press of Kentucky, 2024). The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Matthew Sparks and Oliva Sizemore join Jana Byars for a fun, chilling, and thoughtful discussion about about Haint Country: Dark Tales from the Hills and Hollers﻿ (University Press of Kentucky, 2024). The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Matthew Sparks and Oliva Sizemore join Jana Byars for a fun, chilling, and thoughtful discussion about about <a href="https://bookshop.org/p/books/haint-country-dark-folktales-from-the-hills-and-hollers-matthew-r-sparks/21428357">Haint Country: Dark Tales from the Hills and Hollers</a>﻿ (University Press of Kentucky, 2024). The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2540</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Meredith McCarroll, "Unwhite: Appalachia, Race, and Film" (U Georgia Press, 2018)</title>
      <description>If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 09 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QjSUZcCMgvYNz-1p5BPieCcAAAFpOo6ZfwEAAAFKAVvmRk8/https://www.amazon.com/dp/0820353620/?creativeASIN=0820353620&amp;linkCode=w61&amp;imprToken=DP55UBId0aY.i-1EHu29hA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Unwhite: Appalachia, Race, and Film</em></a>(University of Georgia Press, 2018), <a href="https://www.bowdoin.edu/profiles/staff/mmccarro/index.html">Meredith McCarroll</a>, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3734</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8fa0328-73be-11f0-b090-6307cccfc89a]]></guid>
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    <item>
      <title>Irvin Weathersby Jr., "In Open Contempt: Confronting White Supremacy in Art and Public Space" (Viking, 2025)</title>
      <description>Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.

Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events.

Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.

Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events.

Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.<br>Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, <em>In Open Contempt </em>(Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.</p>
<p>Find Professor Weathersby at his <a href="https://www.irvinweathersby.com/">website</a>, where you can order <em>In Open Contempt</em>, check out his other writings, and attend upcoming events.</p>
<p>Host Sullivan Summer can be found at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Professor Weathersby continue their conversation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Liza Black, "Picturing Indians: Native Americans in Film, 1941-1960" (U Nebraska Press, 2020)</title>
      <description>Behind the braided wigs, buckskins, and excess bronzer that typified the mid-century "filmic Indian" lies a far richer, deeper history of Indigenous labor, survival, and agency. This history takes center stage in historian Liza Black's new book, Picturing Indians: Native Americans in Film, 1941-1960 (University of Nebraska Press, 2020), which looks at Indigenous peoples' experiences in the American film industry that so often relied upon and reproduced racialized stereotypes of "authentic Indians" to produce profit. Black shows how non-Native film producers, in producing monolithic and historically static Native caricatures for profit, reinforced settler colonial narratives on screen while simultaneously denying Indigenous actors, extras, and staff of their modernity.
Thorough in detail and innovative in analysis, Black incorporates film studies, Native and Indigenous studies, and history, shedding new light on the mid-century film industry and Native peoples' roles in it. Black chronicles the contours of American settler colonialism and its cultural and economic manifestations both on- and off-screen, giving the "authentic Indian" so familiar to non-Native audiences a much-needed dose of historical context. The result is an engaging story of Indigenous talent, labor, and livelihood that transcends critical moments in Native and U.S. histories alike.
Listeners can now purchase Picturing Indians using code 6AF20 for a 40% discount on the University of Nebraska Press' site.
Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>99</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Behind the braided wigs, buckskins, and excess bronzer that typified the mid-century "filmic Indian" lies a far richer, deeper history of Indigenous labor, survival, and agency. This history takes center stage in historian Liza Black's new book, Picturing Indians: Native Americans in Film, 1941-1960 (University of Nebraska Press, 2020), which looks at Indigenous peoples' experiences in the American film industry that so often relied upon and reproduced racialized stereotypes of "authentic Indians" to produce profit. Black shows how non-Native film producers, in producing monolithic and historically static Native caricatures for profit, reinforced settler colonial narratives on screen while simultaneously denying Indigenous actors, extras, and staff of their modernity.
Thorough in detail and innovative in analysis, Black incorporates film studies, Native and Indigenous studies, and history, shedding new light on the mid-century film industry and Native peoples' roles in it. Black chronicles the contours of American settler colonialism and its cultural and economic manifestations both on- and off-screen, giving the "authentic Indian" so familiar to non-Native audiences a much-needed dose of historical context. The result is an engaging story of Indigenous talent, labor, and livelihood that transcends critical moments in Native and U.S. histories alike.
Listeners can now purchase Picturing Indians using code 6AF20 for a 40% discount on the University of Nebraska Press' site.
Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Behind the braided wigs, buckskins, and excess bronzer that typified the mid-century "filmic Indian" lies a far richer, deeper history of Indigenous labor, survival, and agency. This history takes center stage in historian <a href="https://history.indiana.edu/faculty_staff/faculty/black_liza.html">Liza Black</a>'s new book, <a href="https://bookshop.org/a/12343/9780803296800"><em>Picturing Indians: Native Americans in Film, 1941-1960</em></a> (University of Nebraska Press, 2020), which looks at Indigenous peoples' experiences in the American film industry that so often relied upon and reproduced racialized stereotypes of "authentic Indians" to produce profit. Black shows how non-Native film producers, in producing monolithic and historically static Native caricatures for profit, reinforced settler colonial narratives on screen while simultaneously denying Indigenous actors, extras, and staff of their modernity.</p><p>Thorough in detail and innovative in analysis, Black incorporates film studies, Native and Indigenous studies, and history, shedding new light on the mid-century film industry and Native peoples' roles in it. Black chronicles the contours of American settler colonialism and its cultural and economic manifestations both on- and off-screen, giving the "authentic Indian" so familiar to non-Native audiences a much-needed dose of historical context. The result is an engaging story of Indigenous talent, labor, and livelihood that transcends critical moments in Native and U.S. histories alike.</p><p>Listeners can now purchase Picturing Indians using code 6AF20 for a 40% discount on the <a href="https://www.nebraskapress.unl.edu/nebraska/9780803296800/">University of Nebraska Press' site</a>.</p><p><em>Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2349</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Robert Fitzgerald, "Hardcore Punk in the Age of Reagan: The Lyrical Lashing of an American Presidency" (UNC Press, 2025)</title>
      <description>Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before.

Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan.

Robert Fitzgerald on UNC Press’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman &amp; Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>294</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before.

Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan.

Robert Fitzgerald on UNC Press’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman &amp; Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.<br>In <a href="https://bookshop.org/p/books/hardcore-punk-in-the-age-of-reagan-the-lyrical-lashing-of-an-american-presidency-robert-fitzgerald/21826839?ean=9781469685458&amp;next=t">Hardcore Punk in the Age of Reagan</a> (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before.</p>
<p>Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan.</p>
<p>Robert Fitzgerald on UNC Press’s <a href="https://uncpress.org/book/9781469685458/hardcore-punk-in-the-age-of-reagan/">website</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Rowman &amp; Littlefield, 2021) and <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, October 2025).</p>
<p>Bradley Morgan on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3943</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9eeb4b94-7204-11f0-9048-2bff6a543835]]></guid>
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    <item>
      <title>Heather Browning and Walter Veit, "What Are Zoos For?" (Policy Press, 2024)</title>
      <description>Are zoos an anachronism in the 21st century when we can watch animals in their natural habitat, close-up from our couches without worrying about cruelty? Should they go the way of other bygone era ‘spectacles’ and ‘attractions’ that we now regard as barbaric? There are vocal campaigners and activists who believe so.

Heather Browning and Walter Veit disagree, but they acknowledge there is a case to be answered. In What Are Zoos For? (Bristol University Press, 2024) they test the common justifications for zoos (entertainment, education, research, conservation) against the evidence and suggest what the best zoos of the future should look like to ensure that they are primarily for animals and not just for people.

Heather Browning is Lecturer in Philosophy at the University of Southampton. Her primary research interests are animal welfare, ethics, and consciousness. Previously, she worked for many years as a zookeeper and zoo animal welfare officer, interested in the practical application of animal welfare measurement.

Walter Veit is Lecturer in Philosophy at the University of Reading and an external member of the Munich Center for Mathematical Philosophy, Ludwig Maximilian University of Munich. He’s also the author of A Philosophy for the Science of Animal Consciousness (Routledge, 2023). Most of his ongoing research is on the consciousness and welfare of animals and AIs.

Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Are zoos an anachronism in the 21st century when we can watch animals in their natural habitat, close-up from our couches without worrying about cruelty? Should they go the way of other bygone era ‘spectacles’ and ‘attractions’ that we now regard as barbaric? There are vocal campaigners and activists who believe so.

Heather Browning and Walter Veit disagree, but they acknowledge there is a case to be answered. In What Are Zoos For? (Bristol University Press, 2024) they test the common justifications for zoos (entertainment, education, research, conservation) against the evidence and suggest what the best zoos of the future should look like to ensure that they are primarily for animals and not just for people.

Heather Browning is Lecturer in Philosophy at the University of Southampton. Her primary research interests are animal welfare, ethics, and consciousness. Previously, she worked for many years as a zookeeper and zoo animal welfare officer, interested in the practical application of animal welfare measurement.

Walter Veit is Lecturer in Philosophy at the University of Reading and an external member of the Munich Center for Mathematical Philosophy, Ludwig Maximilian University of Munich. He’s also the author of A Philosophy for the Science of Animal Consciousness (Routledge, 2023). Most of his ongoing research is on the consciousness and welfare of animals and AIs.

Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Are zoos an anachronism in the 21st century when we can watch animals in their natural habitat, close-up from our couches without worrying about cruelty? Should they go the way of other bygone era ‘spectacles’ and ‘attractions’ that we now regard as barbaric? There are vocal campaigners and activists who believe so.</p>
<p>Heather Browning and Walter Veit disagree, but they acknowledge there is a case to be answered. In <em>What Are Zoos For?</em> (Bristol University Press, 2024) they test the common justifications for zoos (entertainment, education, research, conservation) against the evidence and suggest what the best zoos of the future should look like to ensure that they are primarily for animals and not just for people.</p>
<p><a href="https://www.heatherbrowning.net/">Heather Browning</a> is Lecturer in Philosophy at the University of Southampton. Her primary research interests are animal welfare, ethics, and consciousness. Previously, she worked for many years as a zookeeper and zoo animal welfare officer, interested in the practical application of animal welfare measurement.</p>
<p><a href="https://walterveit.com/">Walter Veit</a> is Lecturer in Philosophy at the University of Reading and an external member of the Munich Center for Mathematical Philosophy, Ludwig Maximilian University of Munich. He’s also the author of <em>A Philosophy for the Science of Animal Consciousness</em> (Routledge, 2023). Most of his ongoing research is on the consciousness and welfare of animals and AIs.</p>
<p><a href="https://sites.google.com/view/kyle-johannsen/">Kyle Johannsen</a> is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is <em>Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering</em> (Routledge, 2021).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5435</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dom Ford, "Mytholudics: Games and Myth" (de Gruyter, 2025)</title>
      <description>Dom Ford joins Jana Byars to talk about Mytholudics: Game and Myth (DeGruyter Brill, 2025). Games create worlds made of many different elements, but also of rules, systems and structures for how we act in them. So how can we make sense of them? Mytholudics: Games and Myth lays out an approach to understanding games using theories from myth and folklore. Myth is taken here not as an object but as a process, a way of expressing meaning. It works to naturalise arbitrary constellations of signs, to connect things in meaning. Behind the phrase ‘just the way it is’ is a process of mythologization that has cemented it. 

Mytholudics lays out how this understanding of myth works for the analysis of games. In two sections each analysing five digital games, it then shows how this approach works in practice: one through the lens of heroism and one through monstrosity. These ask questions such as what heroic mythology is constructed in Call of Duty? What do the monsters in The Witcher tell us about the game’s model of the world? How does Hellblade: Senua’s Sacrifice weave a conflict between Norse and Pictish mythology into one between competing models of seeing mental illness? This method helps to see games and their worlds in the whole. Stories, gameplay, systems, rules, spatial configurations and art styles can all be considered together as contributing to the meaning of the game.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 05 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dom Ford joins Jana Byars to talk about Mytholudics: Game and Myth (DeGruyter Brill, 2025). Games create worlds made of many different elements, but also of rules, systems and structures for how we act in them. So how can we make sense of them? Mytholudics: Games and Myth lays out an approach to understanding games using theories from myth and folklore. Myth is taken here not as an object but as a process, a way of expressing meaning. It works to naturalise arbitrary constellations of signs, to connect things in meaning. Behind the phrase ‘just the way it is’ is a process of mythologization that has cemented it. 

Mytholudics lays out how this understanding of myth works for the analysis of games. In two sections each analysing five digital games, it then shows how this approach works in practice: one through the lens of heroism and one through monstrosity. These ask questions such as what heroic mythology is constructed in Call of Duty? What do the monsters in The Witcher tell us about the game’s model of the world? How does Hellblade: Senua’s Sacrifice weave a conflict between Norse and Pictish mythology into one between competing models of seeing mental illness? This method helps to see games and their worlds in the whole. Stories, gameplay, systems, rules, spatial configurations and art styles can all be considered together as contributing to the meaning of the game.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dom Ford joins Jana Byars to talk about <a href="https://bookshop.org/p/books/mytholudics-games-and-myth-dom-ford/22418607?ean=9783111341279&amp;next=t">Mytholudics</a>: Game and Myth (DeGruyter Brill, 2025). Games create worlds made of many different elements, but also of rules, systems and structures for how we act in them. So how can we make sense of them? Mytholudics: Games and Myth lays out an approach to understanding games using theories from myth and folklore. Myth is taken here not as an object but as a process, a way of expressing meaning. It works to naturalise arbitrary constellations of signs, to connect things in meaning. Behind the phrase ‘just the way it is’ is a process of mythologization that has cemented it. </p>
<p>Mytholudics lays out how this understanding of myth works for the analysis of games. In two sections each analysing five digital games, it then shows how this approach works in practice: one through the lens of heroism and one through monstrosity. These ask questions such as what heroic mythology is constructed in Call of Duty? What do the monsters in The Witcher tell us about the game’s model of the world? How does Hellblade: Senua’s Sacrifice weave a conflict between Norse and Pictish mythology into one between competing models of seeing mental illness? This method helps to see games and their worlds in the whole. Stories, gameplay, systems, rules, spatial configurations and art styles can all be considered together as contributing to the meaning of the game.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3370</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Tricia Starks, "Smoking Under the Tsars: A History of Tobacco in Imperial Russia" (Cornell UP, 2018)</title>
      <description>How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book’s rich prose. From Tolstoy’s anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period.
Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender.
Kimberly St. Julian-Varnon is a History Instructor at Lee College.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 04 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>95</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How and when did Russia become a country of smokers?</itunes:subtitle>
      <itunes:summary>How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book’s rich prose. From Tolstoy’s anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period.
Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender.
Kimberly St. Julian-Varnon is a History Instructor at Lee College.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, <a href="http://www.amazon.com/dp/1501722050/?tag=newbooinhis-20"><em>Smoking Under the Tsars: A History of Tobacco in Imperial Russia</em></a> (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book’s rich prose. From Tolstoy’s anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period.</p><p><a href="https://fulbright.uark.edu/departments/history/directory/faculty/uid/tstarks/name/Trish+Starks/">Tricia Starks</a> is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender.</p><p><a href="http://kstjulian7.wixsite.com/ksvarnon"><em>Kimberly St. Julian-Varnon</em></a> <em>is a History Instructor at Lee College.</em></p><p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3609</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Julia Sneeringer, "A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69" (Bloomsbury, 2018)</title>
      <description>The Beatles’ sojourn in the St. Pauli district of Hamburg during the early 1960s is part of music legend. As Julia Sneeringer reveals in A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69 (Bloomsbury, 2018), though, this was just the most famous episode in the neighborhood’s momentous engagement with rock ‘n’ roll during that period, one of importance not just to music history but to the history of modern Germany. Located as it was outside the walls of the medieval city, St. Pauli was known for centuries as the entertainment quarter of Hamburg. The neighborhood had only recently recovered from the hardships of the postwar era when German club owners began booking English bands to play the new style of music that had just been introduced in Europe. The performances quickly proved a hit among teenage Germans, who flocked to out-of-the-way venues to watch the acts perform. As Sneeringer details, the encounters changed everyone involved, giving the musicians the chance to hone their skills and develop their style while through their participation the young men and women in the audience pushed against the conservative social boundaries imposed on them by their families and their society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 03 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>800</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Beatles’ sojourn in the St. Pauli district of Hamburg during the early 1960s is part of music legend....</itunes:subtitle>
      <itunes:summary>The Beatles’ sojourn in the St. Pauli district of Hamburg during the early 1960s is part of music legend. As Julia Sneeringer reveals in A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69 (Bloomsbury, 2018), though, this was just the most famous episode in the neighborhood’s momentous engagement with rock ‘n’ roll during that period, one of importance not just to music history but to the history of modern Germany. Located as it was outside the walls of the medieval city, St. Pauli was known for centuries as the entertainment quarter of Hamburg. The neighborhood had only recently recovered from the hardships of the postwar era when German club owners began booking English bands to play the new style of music that had just been introduced in Europe. The performances quickly proved a hit among teenage Germans, who flocked to out-of-the-way venues to watch the acts perform. As Sneeringer details, the encounters changed everyone involved, giving the musicians the chance to hone their skills and develop their style while through their participation the young men and women in the audience pushed against the conservative social boundaries imposed on them by their families and their society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Beatles’ sojourn in the St. Pauli district of Hamburg during the early 1960s is part of music legend. As Julia Sneeringer reveals in <a href="https://bookshop.org/a/12343/9781350139534"><em>A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69</em></a> (Bloomsbury, 2018), though, this was just the most famous episode in the neighborhood’s momentous engagement with rock ‘n’ roll during that period, one of importance not just to music history but to the history of modern Germany. Located as it was outside the walls of the medieval city, St. Pauli was known for centuries as the entertainment quarter of Hamburg. The neighborhood had only recently recovered from the hardships of the postwar era when German club owners began booking English bands to play the new style of music that had just been introduced in Europe. The performances quickly proved a hit among teenage Germans, who flocked to out-of-the-way venues to watch the acts perform. As Sneeringer details, the encounters changed everyone involved, giving the musicians the chance to hone their skills and develop their style while through their participation the young men and women in the audience pushed against the conservative social boundaries imposed on them by their families and their society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4325</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Bradley Morgan, "Frank Zappa's America" (LSU Press, 2025)</title>
      <description>From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression.

In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism.

Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism.

Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it.

Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 02 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression.

In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism.

Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism.

Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it.

Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression.</p>
<p>In <a href="https://bookshop.org/a/12343/9780807183922">Frank Zappa's America</a><em> </em>(LSU Press, 2025)<em>, </em>Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism.</p>
<p>Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism.</p>
<p><em>Frank Zappa's Americ</em>examines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it.</p>
<p>Bradley Morgan, a media arts professional based in Chicago, is the author of <em>U2's The Joshua Tree: Planting Roots in Mythic America</em>. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the <em>New Books Network</em> podcast.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2891</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1e2a2a30-6e70-11f0-9b96-efd5d3d9a2eb]]></guid>
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    <item>
      <title>Gavin Williams, "Format Friction: Perspectives on the Shellac Disc" (U Chicago Press, 2024)</title>
      <description>With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly.

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 01 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly.

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. <em>Format Friction</em> brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.<br>Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, <em>Format Friction</em> decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly.<br></p>
<p>Nathan Smith is a PhD candidate in Music Theory at Yale University</p>
<p>nathan.smith@yale.edu</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4067</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[28567af8-6e1c-11f0-97aa-bb2cda3a57e6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5570391164.mp3?updated=1753973065" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Teasley, "Designing Modern Japan" (Reaktion Books, 2022)</title>
      <description>Sarah Teasley's Designing Modern Japan (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. Designing Modern Japan explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. Designing Modern Japan is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 27 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Teasley</itunes:subtitle>
      <itunes:summary>Sarah Teasley's Designing Modern Japan (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. Designing Modern Japan explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. Designing Modern Japan is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sarah Teasley's <a href="https://bookshop.org/a/12343/9781780232027"><em>Designing Modern Japan</em></a> (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. <em>Designing Modern Japan </em>explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. <em>Designing Modern Japan</em> is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan.</p><p><a href="https://sites.google.com/site/nathanhopson"><em>Nathan Hopson</em></a><em> is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6192</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2167a286-68bc-11f0-aa26-671e21e550de]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5856530509.mp3?updated=1654260412" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian Fauteux, "Music in Orbit: Satellite Radio in the Streaming Space Age" (Univ of California Press, 2025)</title>
      <description>Years before the advent of music streaming, Sirius and XM established satellite radio services that attracted paying subscribers through their ever-expanding lineup of niche music channels and exclusive celebrity-hosted programming. Brian Fauteux's Music in Orbit: Satellite Radio in the Streaming Space Age (University of California Press, 2025) is the first book to explore how satellite radio bridges legacy broadcast music radio and streaming platforms, serving as both precursor and integral player in today's streaming media environment. Arguing for the ongoing significance of radio in the digital age and the pernicious effects of monopoly power on the vibrancy of contemporary music industries, Music in Orbit offers essential context for the serious problems now facing working musicians, music consumers, and music communities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 24 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Years before the advent of music streaming, Sirius and XM established satellite radio services that attracted paying subscribers through their ever-expanding lineup of niche music channels and exclusive celebrity-hosted programming. Brian Fauteux's Music in Orbit: Satellite Radio in the Streaming Space Age (University of California Press, 2025) is the first book to explore how satellite radio bridges legacy broadcast music radio and streaming platforms, serving as both precursor and integral player in today's streaming media environment. Arguing for the ongoing significance of radio in the digital age and the pernicious effects of monopoly power on the vibrancy of contemporary music industries, Music in Orbit offers essential context for the serious problems now facing working musicians, music consumers, and music communities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Years before the advent of music streaming, Sirius and XM established satellite radio services that attracted paying subscribers through their ever-expanding lineup of niche music channels and exclusive celebrity-hosted programming. Brian Fauteux's <a href="https://www.ucpress.edu/books/music-in-orbit/paper">Music in Orbit: Satellite Radio in the Streaming Space Age</a><em> </em>(University of California Press, 2025) is the first book to explore how satellite radio bridges legacy broadcast music radio and streaming platforms, serving as both precursor and integral player in today's streaming media environment. Arguing for the ongoing significance of radio in the digital age and the pernicious effects of monopoly power on the vibrancy of contemporary music industries, <em>Music in Orbit</em> offers essential context for the serious problems now facing working musicians, music consumers, and music communities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4476</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a05fdb32-677f-11f0-88f0-e38c0f85a656]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4090522942.mp3?updated=1753931385" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cameron Kunzelman, "The World is Born from Zero: Understanding Speculation and Video Games" (de Gruyter, 2022)</title>
      <description>The World is Born From Zero is an investigation into the relationship between video games and science fiction through the philosophy of speculation. Cameron Kunzelman (Mercer University, Macon, Georgia, USA) argues that the video game medium is centered on the evaluation and production of possible futures by following video game studies, media philosophy, and science fiction studies to their furthest reaches. Claiming that the best way to understand games is through rigorous formal analysis of their aesthetic strategies and the cultural context those strategies emerge from, Kunzelman investigates a diverse array of games like The Last of Us, VA-11 Hall-A, and Civilization VI in order to explore what science fiction video games can tell us about their genres, their ways of speculating, and how the medium of the video game does (or does not) direct us down experiential pathways that are both oppressive and liberatory. Taking a multidisciplinary look at these games, The World is Born From Zero offers a unique theorization of science fiction games that provides both science fiction studies and video game studies with new tools for thinking how this medium and mode inform each other.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The World is Born From Zero is an investigation into the relationship between video games and science fiction through the philosophy of speculation. Cameron Kunzelman (Mercer University, Macon, Georgia, USA) argues that the video game medium is centered on the evaluation and production of possible futures by following video game studies, media philosophy, and science fiction studies to their furthest reaches. Claiming that the best way to understand games is through rigorous formal analysis of their aesthetic strategies and the cultural context those strategies emerge from, Kunzelman investigates a diverse array of games like The Last of Us, VA-11 Hall-A, and Civilization VI in order to explore what science fiction video games can tell us about their genres, their ways of speculating, and how the medium of the video game does (or does not) direct us down experiential pathways that are both oppressive and liberatory. Taking a multidisciplinary look at these games, The World is Born From Zero offers a unique theorization of science fiction games that provides both science fiction studies and video game studies with new tools for thinking how this medium and mode inform each other.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>The World is Born From Zero</em> is an investigation into the relationship between video games and science fiction through the philosophy of speculation. Cameron Kunzelman (Mercer University, Macon, Georgia, USA) argues that the video game medium is centered on the evaluation and production of possible futures by following video game studies, media philosophy, and science fiction studies to their furthest reaches. Claiming that the best way to understand games is through rigorous formal analysis of their aesthetic strategies and the cultural context those strategies emerge from, Kunzelman investigates a diverse array of games like <em>The Last of Us</em>, <em>VA-11 Hall-A</em>, and <em>Civilization VI</em> in order to explore what science fiction video games can tell us about their genres, their ways of speculating, and how the medium of the video game does (or does not) direct us down experiential pathways that are both oppressive and liberatory. Taking a multidisciplinary look at these games, <em>The World is Born From Zero</em> offers a unique theorization of science fiction games that provides both science fiction studies and video game studies with new tools for thinking how this medium and mode inform each other.</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2254</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[72eaf030-6714-11f0-beeb-53ca09c3a3a9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7565638976.mp3?updated=1753945550" length="0" type="audio/mpeg"/>
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    <item>
      <title>Turning the Page, Tuning the Dial </title>
      <description>In the tenth episode of Soundscapes NYC, host Ryan Purcell expands upon previous episodes to consider the various musical styles that emerged in New York City during the Seventies alongside punk rock. In dialogue with music critic Will Hermes, author of Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever (Farrar, Straus, and Giroux, 2011), and Lou Reed: King of New York (Farrar, Straus, and Giroux, 2023) we contextualize cultural creators in the city during the decade who spurred a tide of experimental music including hip-hop, salsa, techno, and new styles of jazz within the context of New York City’s fiscal crisis.
Will Hermes is a senior critic for Rolling Stone and a longtime contributor to NPR’s “All Things Considered.” His work turns up periodically in The New York Times; he has also written for Spin, Slate, Salon, The Believer, the Village Voice, City Pages, The Windy City Times, and other publications. He co-edited SPIN: 20 Years of Alternative Music (Crown/Three Rivers, 2006) with Sia Michel, and his work has appeared in the Da Capo Best Music Writing series.

Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:title>S1.E10. Turning the Page, Tuning the Dial </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7e6b8938-6773-11f0-b93f-af6dfcf287f1/image/5e7cffa54763cc3583a874fa0d253689.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the tenth episode of Soundscapes NYC, host Ryan Purcell expands upon previous episodes to consider the various musical styles that emerged in New York City during the Seventies alongside punk rock. In dialogue with music critic Will Hermes, author of Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever (Farrar, Straus, and Giroux, 2011), and Lou Reed: King of New York (Farrar, Straus, and Giroux, 2023) we contextualize cultural creators in the city during the decade who spurred a tide of experimental music including hip-hop, salsa, techno, and new styles of jazz within the context of New York City’s fiscal crisis.
Will Hermes is a senior critic for Rolling Stone and a longtime contributor to NPR’s “All Things Considered.” His work turns up periodically in The New York Times; he has also written for Spin, Slate, Salon, The Believer, the Village Voice, City Pages, The Windy City Times, and other publications. He co-edited SPIN: 20 Years of Alternative Music (Crown/Three Rivers, 2006) with Sia Michel, and his work has appeared in the Da Capo Best Music Writing series.

Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the tenth episode of Soundscapes NYC, host Ryan Purcell expands upon previous episodes to consider the various musical styles that emerged in New York City during the Seventies alongside punk rock. In dialogue with music critic Will Hermes, author of <em>Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever </em>(Farrar, Straus, and Giroux, 2011), and <em>Lou Reed: King of New York</em> (Farrar, Straus, and Giroux, 2023) we contextualize cultural creators in the city during the decade who spurred a tide of experimental music including hip-hop, salsa, techno, and new styles of jazz within the context of New York City’s fiscal crisis.</p><p>Will Hermes is a senior critic for Rolling Stone and a longtime contributor to NPR’s “All Things Considered.” His work turns up periodically in The New York Times; he has also written for Spin, Slate, Salon, The Believer, the Village Voice, City Pages, The Windy City Times, and other publications. He co-edited SPIN: 20 Years of Alternative Music (Crown/Three Rivers, 2006) with Sia Michel, and his work has appeared in the Da Capo Best Music Writing series.</p><p><br></p><p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here </a></p><p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2936</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-16544366]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5433638503.mp3?updated=1753934023" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lost Women of Disco</title>
      <description>Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.

In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture.

Contact Soundscapes NYC Here

Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 22 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/91032e34-6697-11f0-8ce5-db7d49bba0fc/image/047b7300f91bd48297c2bcd0161047b4.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.

In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture.

Contact Soundscapes NYC Here

Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.</p>
<p>In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture.</p>
<p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here</a></p>
<p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2987</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Katie Mitchell, "Prose to the People: A Celebration of Black Bookstores" (Random House, 2025)</title>
      <description>Traversing teeming metropolises and tiny towns, Prose to the People﻿: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore’s past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books.

Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.

Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores’ role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 22 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Traversing teeming metropolises and tiny towns, Prose to the People﻿: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore’s past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books.

Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.

Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores’ role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Traversing teeming metropolises and tiny towns, <a href="https://bookshop.org/a/12343/9780593581346">Prose to the People﻿: A Celebration of Black Bookstores</a> (Random House, 2025) explores these spaces, chronicling these Black bookstore’s past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, <em>Prose to the People</em> is a reader’s road trip companion to the world of Black books.</p>
<p>Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, <em>Prose to the People</em> is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.</p>
<p>Interspersed throughout are essays, poems, and interviews by <em>New York Times</em> bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores’ role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2440</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Richard Scheib, "A Viewing Guide to the Pandemic: Depictions of Plague and Pandemic on Film and TV" (Headpress, 2025)</title>
      <description>Richard Scheib's A Viewing Guide to the Pandemic (Headpress, 2025) is a film book like no other. It opens with the author's first-hand account of the Covid-19 pandemic and life in lockdown. His sense of dread, and anxiety about his state of health, were experiences shared with millions of others across the world. For author Richard Scheib, already committed to writing a book about plagues and pandemics in popular culture, Covid-19 felt like a perverse twist of fate. Media depictions of deadly contagions had, to this point, been speculative and often off the mark; his book takes an in-depth look at what filmmakers imagined would happen and contrasts it with the reality. International in scope, A Viewing Guide to the Pandemic examines films in a wide variety of genres, from the silent era to the present day. Black Death, Ebola, Mad Cow Disease, Bird Flu -- it explores fictionalized accounts of plague and pestilence such as box-office hit Outbreak (1995), as well as documentary treatments of real-life incidents. Whether the threats depicted have a basis in reality -- the biowarfare of the Cold War era, for instance -- or are, like zombies and vampires, more fantastical, Scheib demonstrates how the fear of contagion has provided a wealth of inspiration for the big and small screen. In addition to his work on the pandemic, Scheib runs Moria Reviews where he posts reviews for horror, science fiction, and fantasy films. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 20 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Richard Scheib's A Viewing Guide to the Pandemic (Headpress, 2025) is a film book like no other. It opens with the author's first-hand account of the Covid-19 pandemic and life in lockdown. His sense of dread, and anxiety about his state of health, were experiences shared with millions of others across the world. For author Richard Scheib, already committed to writing a book about plagues and pandemics in popular culture, Covid-19 felt like a perverse twist of fate. Media depictions of deadly contagions had, to this point, been speculative and often off the mark; his book takes an in-depth look at what filmmakers imagined would happen and contrasts it with the reality. International in scope, A Viewing Guide to the Pandemic examines films in a wide variety of genres, from the silent era to the present day. Black Death, Ebola, Mad Cow Disease, Bird Flu -- it explores fictionalized accounts of plague and pestilence such as box-office hit Outbreak (1995), as well as documentary treatments of real-life incidents. Whether the threats depicted have a basis in reality -- the biowarfare of the Cold War era, for instance -- or are, like zombies and vampires, more fantastical, Scheib demonstrates how the fear of contagion has provided a wealth of inspiration for the big and small screen. In addition to his work on the pandemic, Scheib runs Moria Reviews where he posts reviews for horror, science fiction, and fantasy films. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Richard Scheib's<em> </em><a href="https://headpress.com/product/a-viewing-guide-to-the-pandemic/">A Viewing Guide to the Pandemic</a><em> </em>(Headpress, 2025) is a film book like no other. It opens with the author's first-hand account of the Covid-19 pandemic and life in lockdown. His sense of dread, and anxiety about his state of health, were experiences shared with millions of others across the world. For author Richard Scheib, already committed to writing a book about plagues and pandemics in popular culture, Covid-19 felt like a perverse twist of fate. Media depictions of deadly contagions had, to this point, been speculative and often off the mark; his book takes an in-depth look at what filmmakers imagined would happen and contrasts it with the reality. International in scope, A Viewing Guide to the Pandemic examines films in a wide variety of genres, from the silent era to the present day. Black Death, Ebola, Mad Cow Disease, Bird Flu -- it explores fictionalized accounts of plague and pestilence such as box-office hit Outbreak (1995), as well as documentary treatments of real-life incidents. Whether the threats depicted have a basis in reality -- the biowarfare of the Cold War era, for instance -- or are, like zombies and vampires, more fantastical, Scheib demonstrates how the fear of contagion has provided a wealth of inspiration for the big and small screen. In addition to his work on the pandemic, Scheib runs <a href="https://www.moriareviews.com/">Moria Reviews</a> where he posts reviews for horror, science fiction, and fantasy films. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2123</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kelefa Sanneh, "Major Labels: A History of Popular Music in Seven Genres" (Penguin, 2021)</title>
      <description>Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&amp;B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which.
Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 20 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kelefa Sanneh</itunes:subtitle>
      <itunes:summary>Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&amp;B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which.
Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called <a href="https://books.google.com/books/about/Major_Labels.html?id=HvdpzgEACAAJ"><em>Major Labels: A History of Popular Music in Seven Genres</em></a>. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&amp;B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music <em>isn’t</em> transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which.</p><p><a href="http://www.franznicolay.com/"><em>Franz Nicolay</em></a><em> is a musician and writer living in New York's Hudson Valley. His first book, </em><a href="https://bookshop.org/books/the-humorless-ladies-of-border-control-touring-the-punk-underground-from-belgrade-to-ulaanbaatar/9781620971796"><em>The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar</em></a><em>, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, </em><a href="https://bookshop.org/books/someone-should-pay-for-your-pain/9781948721134"><em>Someone Should Pay for Your Pain</em></a><em>, "a knockout fiction debut." He teaches at Bard College.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3663</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4ab7e5ac-63f7-11f0-9cba-43372439e0a8]]></guid>
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    <item>
      <title>Triauna Carey, "The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance" (Lexington Books, 2024)</title>
      <description>The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance (Lexington Books, 2024) investigates the rhetorical strategies present in mainstream popular music and how those strategies are implemented to empower resistance. Case studies across the genres of popular music in the West are surveyed throughout the book to consider the power of music as a rhetorical tool during cultural flashpoints and times of crisis. Carey analyzes songs such as “This is America” by Childish Gambino, “Alien Superstar” by Beyoncé, “Thought Contagion” by Muse, and more to consider the impact of contemporary music on culture and social justice movements. Scholars of rhetoric and composition, communication, cultural studies, and ethnomusicology will find this book particularly interesting.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 19 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>288</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance (Lexington Books, 2024) investigates the rhetorical strategies present in mainstream popular music and how those strategies are implemented to empower resistance. Case studies across the genres of popular music in the West are surveyed throughout the book to consider the power of music as a rhetorical tool during cultural flashpoints and times of crisis. Carey analyzes songs such as “This is America” by Childish Gambino, “Alien Superstar” by Beyoncé, “Thought Contagion” by Muse, and more to consider the impact of contemporary music on culture and social justice movements. Scholars of rhetoric and composition, communication, cultural studies, and ethnomusicology will find this book particularly interesting.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781666946581">The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance</a> (Lexington Books, 2024) investigates the rhetorical strategies present in mainstream popular music and how those strategies are implemented to empower resistance. Case studies across the genres of popular music in the West are surveyed throughout the book to consider the power of music as a rhetorical tool during cultural flashpoints and times of crisis. Carey analyzes songs such as “This is America” by Childish Gambino, “Alien Superstar” by Beyoncé, “Thought Contagion” by Muse, and more to consider the impact of contemporary music on culture and social justice movements. Scholars of rhetoric and composition, communication, cultural studies, and ethnomusicology will find this book particularly interesting.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2947</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[19aaeb1c-6325-11f0-b066-db72cf001f0f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8784324347.mp3?updated=1753937146" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jubilee (1978) </title>
      <description>In the ninth episode of Soundscapes NYC, host Ryan Purcell traces the trans-Atlantic movement of artists associated with punk culture in New York and London. In conversation with British cultural historian Matt Worley, we follow New York-based artists like Jayne (née Wayne) County, Johnny Thunders, Jerry Nolan, and others to the U.K. where they embedded themselves in a growing music-based subculture. As the punk aesthetic expanded internationally it diversified in form incorporating elements of fashion, literature, and cinema like Derek Jarman’s apocalyptic masterpiece JUBILEE (1978). 
Matt Worley is a Professor of Modern History at the University of Reading and author of numerous books that cover modern British history with a special focus on music and the British Labor movement. His book No Future: Punk, Politics and British Your Culture, 1976-1984 (Cambridge University Press, 2017) explores the evolution of punk as a fashion, a musical form, an attitude, and an overall aesthetic. Setting punk culture against a backdrop of social fragmentation, violence, high unemployment, and socio-economic change, Worley recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt, and re-invent.
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 19 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:title>S1.E9. Jubilee (1978) </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5b6e2a08-635e-11f0-b98d-eb8eafe43295/image/25d93942f163c2641397764ef60a2cdf.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the ninth episode of Soundscapes NYC, host Ryan Purcell traces the trans-Atlantic movement of artists associated with punk culture in New York and London. In conversation with British cultural historian Matt Worley, we follow New York-based artists like Jayne (née Wayne) County, Johnny Thunders, Jerry Nolan, and others to the U.K. where they embedded themselves in a growing music-based subculture. As the punk aesthetic expanded internationally it diversified in form incorporating elements of fashion, literature, and cinema like Derek Jarman’s apocalyptic masterpiece JUBILEE (1978). 
Matt Worley is a Professor of Modern History at the University of Reading and author of numerous books that cover modern British history with a special focus on music and the British Labor movement. His book No Future: Punk, Politics and British Your Culture, 1976-1984 (Cambridge University Press, 2017) explores the evolution of punk as a fashion, a musical form, an attitude, and an overall aesthetic. Setting punk culture against a backdrop of social fragmentation, violence, high unemployment, and socio-economic change, Worley recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt, and re-invent.
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the ninth episode of <em>Soundscapes NYC</em>, host Ryan Purcell traces the trans-Atlantic movement of artists associated with punk culture in New York and London. In conversation with British cultural historian Matt Worley, we follow New York-based artists like Jayne (née Wayne) County, Johnny Thunders, Jerry Nolan, and others to the U.K. where they embedded themselves in a growing music-based subculture. As the punk aesthetic expanded internationally it diversified in form incorporating elements of fashion, literature, and cinema like Derek Jarman’s apocalyptic masterpiece JUBILEE (1978). </p><p>Matt Worley is a Professor of Modern History at the University of Reading and author of numerous books that cover modern British history with a special focus on music and the British Labor movement. His book <em>No Future: Punk, Politics and British Your Culture, 1976-1984</em> (Cambridge University Press, 2017) explores the evolution of punk as a fashion, a musical form, an attitude, and an overall aesthetic. Setting punk culture against a backdrop of social fragmentation, violence, high unemployment, and socio-economic change, Worley recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt, and re-invent.</p><p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here </a></p><p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2967</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-16450606]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6375826804.mp3?updated=1753934000" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Megan Volpert, "Why Alanis Morissette Matters" (University of Texas Press, 2025)</title>
      <description>The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill.

The 1990s hardly saw a bigger hit than Jagged Little Pill. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-JLP career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic."

Why Alanis Morissette Matters (UT Press, 2025) builds a bridge from Jagged Little Pill to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions--all are carefully observed by a critic whose own life was touched by Jagged Little Pill. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact.

Megan Volpert is the author or editor of over a dozen books on popular culture, including two Lambda Literary Award finalists and an American Library Association honoree. She is the author of Straight Into Darkness: Tom Petty as Rock Mystic and she won Georgia Author of the Year for Boss Broad. She teaches at Kennesaw State and Reinhardt Universities.

Megan Volpert on Facebook.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman &amp; Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 18 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill.

The 1990s hardly saw a bigger hit than Jagged Little Pill. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-JLP career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic."

Why Alanis Morissette Matters (UT Press, 2025) builds a bridge from Jagged Little Pill to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions--all are carefully observed by a critic whose own life was touched by Jagged Little Pill. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact.

Megan Volpert is the author or editor of over a dozen books on popular culture, including two Lambda Literary Award finalists and an American Library Association honoree. She is the author of Straight Into Darkness: Tom Petty as Rock Mystic and she won Georgia Author of the Year for Boss Broad. She teaches at Kennesaw State and Reinhardt Universities.

Megan Volpert on Facebook.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman &amp; Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>The first critical biography of iconic musician Alanis Morissette, creator of </strong><em><strong>Jagged Little Pill</strong></em><strong>.</strong></p>
<p>The 1990s hardly saw a bigger hit than <em>Jagged Little Pill</em>. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-<em>JLP</em> career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic."</p>
<p><a href="https://bookshop.org/p/books/why-alanis-morissette-matters-megan-volpert/21764502?ean=9781477330876&amp;next=t">Why Alanis Morissette Matters</a><em> </em>(UT Press, 2025) builds a bridge from <em>Jagged Little Pill</em> to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions--all are carefully observed by a critic whose own life was touched by <em>Jagged Little Pill</em>. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact.</p>
<p>Megan Volpert is the author or editor of over a dozen books on popular culture, including two Lambda Literary Award finalists and an American Library Association honoree. She is the author of <em>Straight Into Darkness: Tom Petty as Rock Mystic</em> and she won Georgia Author of the Year for <em>Boss Broad</em>. She teaches at Kennesaw State and Reinhardt Universities.</p>
<p>Megan Volpert on <a href="https://www.facebook.com/meganvolpert">Facebook</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Rowman &amp; Littlefield, 2021) and <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, October 2025).</p>
<p>Bradley Morgan on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3151</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[308e750c-62e3-11f0-9481-5719124dc28f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2940960603.mp3?updated=1753917459" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James O'Connor, "Untitled Goose Game" (Boss Fight Books, 2025)</title>
      <description>It's a beautiful day in the village, and you are a horrible goose, ready to wreak charming havoc on the weary locals. You'll ruin their gardens, invade their pub, and terrorize their children. What kind of scoundrels would make such a devious game?

Before the critical acclaim, the tweets from celebrities, the major awards, the memes, the fan art, and the legion of players, Untitled Goose Game was just the goofy dream of House House, four friends in Melbourne, Australia. What began with a photo of a goose and the joking caption "Let's make a game about this" transformed into one of the wittiest and most stylish games of its generation. Through interviews with the creators and their co-conspirators, journalist and developer James O'Connor tells the story of how this indie megahit came to be, revealing how the team succeeded by evolving their friendship into an art practice, contributing to the wider Australian game development scene, trusting their own good taste, and never, ever naming their game.

James O'Connor has been writing about games for most of his adult life. His work has been featured on IGN, GameSpot, Edge, and beloved Australian magazine institutions Hyper and PC PowerPlay. He has also worked as an academic, teacher, game developer, and in a handful of other roles around games.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 18 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It's a beautiful day in the village, and you are a horrible goose, ready to wreak charming havoc on the weary locals. You'll ruin their gardens, invade their pub, and terrorize their children. What kind of scoundrels would make such a devious game?

Before the critical acclaim, the tweets from celebrities, the major awards, the memes, the fan art, and the legion of players, Untitled Goose Game was just the goofy dream of House House, four friends in Melbourne, Australia. What began with a photo of a goose and the joking caption "Let's make a game about this" transformed into one of the wittiest and most stylish games of its generation. Through interviews with the creators and their co-conspirators, journalist and developer James O'Connor tells the story of how this indie megahit came to be, revealing how the team succeeded by evolving their friendship into an art practice, contributing to the wider Australian game development scene, trusting their own good taste, and never, ever naming their game.

James O'Connor has been writing about games for most of his adult life. His work has been featured on IGN, GameSpot, Edge, and beloved Australian magazine institutions Hyper and PC PowerPlay. He has also worked as an academic, teacher, game developer, and in a handful of other roles around games.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It's a beautiful day in the village, and you are a horrible goose, ready to wreak charming havoc on the weary locals. You'll ruin their gardens, invade their pub, and terrorize their children. What kind of scoundrels would make such a devious game?</p>
<p>Before the critical acclaim, the tweets from celebrities, the major awards, the memes, the fan art, and the legion of players, Untitled Goose Game was just the goofy dream of House House, four friends in Melbourne, Australia. What began with a photo of a goose and the joking caption "Let's make a game about this" transformed into one of the wittiest and most stylish games of its generation. Through interviews with the creators and their co-conspirators, journalist and developer James O'Connor tells the story of how this indie megahit came to be, revealing how the team succeeded by evolving their friendship into an art practice, contributing to the wider Australian game development scene, trusting their own good taste, and never, ever naming their game.</p>
<p><strong>James O'Connor</strong> has been writing about games for most of his adult life. His work has been featured on IGN, GameSpot, Edge, and beloved Australian magazine institutions Hyper and PC PowerPlay. He has also worked as an academic, teacher, game developer, and in a handful of other roles around games.</p>
<p><strong>Rudolf Thomas Inderst</strong> (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1398</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ca15f748-6317-11f0-a16f-7f2d289ee0ee]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5035156783.mp3?updated=1753915786" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kelly A. Spring, "SPAM: A Global History" (Reaktion, 2025)</title>
      <description>The year 2025 marks the 80th anniversary of the end of the Second World War, a conflict that solidified SPAM’s place in global food culture. Created by Hormel Foods in 1937 to utilize surplus pork shoulder during the Great Depression, SPAM became an essential resource during the Second World War, and helped shape perceptions of American culture. SPAM: A Global History (Reaktion, 2025) by Dr. Kelly Spring explores SPAM’s complex history, from its inception to its resurgence during the COVID-19 pandemic, highlighting its enduring legacy in places like Hawaii, Guam, the Philippines, Okinawa and South Korea. It demonstrates how SPAM, a long-lasting and valuable protein, played a crucial role during wartime and continues to influence dietary practices worldwide.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The year 2025 marks the 80th anniversary of the end of the Second World War, a conflict that solidified SPAM’s place in global food culture. Created by Hormel Foods in 1937 to utilize surplus pork shoulder during the Great Depression, SPAM became an essential resource during the Second World War, and helped shape perceptions of American culture. SPAM: A Global History (Reaktion, 2025) by Dr. Kelly Spring explores SPAM’s complex history, from its inception to its resurgence during the COVID-19 pandemic, highlighting its enduring legacy in places like Hawaii, Guam, the Philippines, Okinawa and South Korea. It demonstrates how SPAM, a long-lasting and valuable protein, played a crucial role during wartime and continues to influence dietary practices worldwide.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The year 2025 marks the 80th anniversary of the end of the Second World War, a conflict that solidified SPAM’s place in global food culture. Created by Hormel Foods in 1937 to utilize surplus pork shoulder during the Great Depression, SPAM became an essential resource during the Second World War, and helped shape perceptions of American culture. <a href="https://bookshop.org/a/12343/9781836390664">SPAM: A Global History</a> (Reaktion, 2025) by Dr. Kelly Spring explores SPAM’s complex history, from its inception to its resurgence during the COVID-19 pandemic, highlighting its enduring legacy in places like Hawaii, Guam, the Philippines, Okinawa and South Korea. It demonstrates how SPAM, a long-lasting and valuable protein, played a crucial role during wartime and continues to influence dietary practices worldwide.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1920</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c16bb220-620b-11f0-b1c3-cb3761d8835b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1206145382.mp3?updated=1752646360" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Veronica Litt, "Ugh! As If!: Clueless" (ECW Press, 2025)</title>
      <description>Veronica Litt's Ugh As If!: Clueless (ECW Press, 2025) uncovers the complex layers beneath the glossy surface of the 1995 classic film "Clueless." Litt investigates not just the Austen satire but the film’s deeper ethical questions about femininity, innocence, bias, and inequity. A sweet and sly exploration of the Jane Austen–inspired teen movie and its evergreen imperative to be kind, do better, and find the activist within We are totally butt-crazy in love with "Clueless." Since the movie’s premiere in 1995, pop culture has mined Amy Heckerling’s high school comedy for inspiration, from Iggy Azalea and Charli XCX’s “Fancy” music video to Cher’s iconic yellow plaid suit appearing at every Halloween party. In Ugh As If!, Veronica Litt argues that this seemingly fluffy teen romp is the quintessential thinking woman’s movie, one in which the audience is asked to seriously consider the beauty and power of naïveté. Cher Horowitz’s gradual pivot from oblivious it girl to burgeoning activist is a powerful reminder that even the most unlikely people can change for the better and contribute to their communities. In this bright, shiny film, pursuing a more just society isn’t just possible — it’s enjoyable. This fun, feminine, feel-good movie is a counter-narrative to nihilism, a refusal to give into cynicism, hopelessness, and passivity. Almost without viewers noticing, "Clueless" teaches Cher, and us, how to become better. Like the film it examines, Ugh As If! nudges even the most jaded viewer into feeling hopeful about the future. About the Pop Classics Series Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Veronica Litt's Ugh As If!: Clueless (ECW Press, 2025) uncovers the complex layers beneath the glossy surface of the 1995 classic film "Clueless." Litt investigates not just the Austen satire but the film’s deeper ethical questions about femininity, innocence, bias, and inequity. A sweet and sly exploration of the Jane Austen–inspired teen movie and its evergreen imperative to be kind, do better, and find the activist within We are totally butt-crazy in love with "Clueless." Since the movie’s premiere in 1995, pop culture has mined Amy Heckerling’s high school comedy for inspiration, from Iggy Azalea and Charli XCX’s “Fancy” music video to Cher’s iconic yellow plaid suit appearing at every Halloween party. In Ugh As If!, Veronica Litt argues that this seemingly fluffy teen romp is the quintessential thinking woman’s movie, one in which the audience is asked to seriously consider the beauty and power of naïveté. Cher Horowitz’s gradual pivot from oblivious it girl to burgeoning activist is a powerful reminder that even the most unlikely people can change for the better and contribute to their communities. In this bright, shiny film, pursuing a more just society isn’t just possible — it’s enjoyable. This fun, feminine, feel-good movie is a counter-narrative to nihilism, a refusal to give into cynicism, hopelessness, and passivity. Almost without viewers noticing, "Clueless" teaches Cher, and us, how to become better. Like the film it examines, Ugh As If! nudges even the most jaded viewer into feeling hopeful about the future. About the Pop Classics Series Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Veronica <em>Litt's </em><a href="https://ecwpress.com/products/ugh-as-if">Ugh As If!: Clueless</a> (ECW Press, 2025) uncovers the complex layers beneath the glossy surface of the 1995 classic film "Clueless." Litt investigates not just the Austen satire but the film’s deeper ethical questions about femininity, innocence, bias, and inequity. A sweet and sly exploration of the Jane Austen–inspired teen movie and its evergreen imperative to be kind, do better, and find the activist within We are totally butt-crazy in love with "Clueless." Since the movie’s premiere in 1995, pop culture has mined Amy Heckerling’s high school comedy for inspiration, from Iggy Azalea and Charli XCX’s “Fancy” music video to Cher’s iconic yellow plaid suit appearing at every Halloween party. In <em>Ugh As If!</em>, Veronica Litt argues that this seemingly fluffy teen romp is the quintessential thinking woman’s movie, one in which the audience is asked to seriously consider the beauty and power of naïveté. Cher Horowitz’s gradual pivot from oblivious it girl to burgeoning activist is a powerful reminder that even the most unlikely people can change for the better and contribute to their communities. In this bright, shiny film, pursuing a more just society isn’t just possible — it’s enjoyable. This fun, feminine, feel-good movie is a counter-narrative to nihilism, a refusal to give into cynicism, hopelessness, and passivity. Almost without viewers noticing, "Clueless" teaches Cher, and us, how to become better. Like the film it examines,<em> Ugh As If!</em> nudges even the most jaded viewer into feeling hopeful about the future. About the Pop Classics Series Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2877</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4145bfac-613c-11f0-8225-a3a35492eef6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5596350862.mp3?updated=1752557791" length="0" type="audio/mpeg"/>
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    <item>
      <title>Rock 'N' Roll Resurrection  </title>
      <description>In the eighth episode of Soundscapes NYC, host Ryan Purcell talks with music history professor Steve Waksman about the social and stylistic transformation of the New York rock scene during the mid-1970s. The introduction of new bands clashed with the old guard, culminating with a violent altercation between artists in CBGB in March 1976. 
In 2024, Waksman accepted the Leverhulme International Professorship in Music in the Department of Media, Humanities, and the Arts at the University of Huddersfield (UK) where for the next five years he will conduct a comprehensive study of how music and culture have developed since the invention of sound amplification. Waksman is the former Elsie Irwin Sweeney Professor of Music and American Studies at Smith College, and the author of numerous books on music history including Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience (Harvard University Press, 1999), This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk (University of California Press, 2009), and Live Music in America: A History from Jenny Lind to Beyoncé (Oxford University Press, 2022). 
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 12 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:title>S1.E8. Rock 'N' Roll Resurrection  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/fe8ac234-5ddf-11f0-8ea7-6b93ceb4415f/image/50c33a0ff124319bb61570aaaf19c3e1.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the eighth episode of Soundscapes NYC, host Ryan Purcell talks with music history professor Steve Waksman about the social and stylistic transformation of the New York rock scene during the mid-1970s. The introduction of new bands clashed with the old guard, culminating with a violent altercation between artists in CBGB in March 1976. 
In 2024, Waksman accepted the Leverhulme International Professorship in Music in the Department of Media, Humanities, and the Arts at the University of Huddersfield (UK) where for the next five years he will conduct a comprehensive study of how music and culture have developed since the invention of sound amplification. Waksman is the former Elsie Irwin Sweeney Professor of Music and American Studies at Smith College, and the author of numerous books on music history including Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience (Harvard University Press, 1999), This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk (University of California Press, 2009), and Live Music in America: A History from Jenny Lind to Beyoncé (Oxford University Press, 2022). 
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the eighth episode of <em>Soundscapes NYC</em>, host Ryan Purcell talks with music history professor Steve Waksman about the social and stylistic transformation of the New York rock scene during the mid-1970s. The introduction of new bands clashed with the old guard, culminating with a violent altercation between artists in CBGB in March 1976. </p><p>In 2024, Waksman accepted the Leverhulme International Professorship in Music in the Department of Media, Humanities, and the Arts at the University of Huddersfield (UK) where for the next five years he will conduct a comprehensive study of how music and culture have developed since the invention of sound amplification. Waksman is the former Elsie Irwin Sweeney Professor of Music and American Studies at Smith College, and the author of numerous books on music history including <em>Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience </em>(Harvard University Press, 1999), <em>This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk</em> (University of California Press, 2009), and <em>Live Music in America: A History from Jenny Lind to Beyoncé</em> (Oxford University Press, 2022). </p><p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here </a></p><p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3327</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-16377097]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7369380243.mp3?updated=1752187707" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natalie Lim, "Elegy for Opportunity" (Buckrider Books, 2025)</title>
      <description>In this NBN episode, host Hollay Ghadery speaks with Vancouver poet Natalie Lim about her debut poetry collection, Elegy for Opportunity (Wolsak &amp; Wynn/Buckrider Books, 2025).

In this collection, Natalie Lim asks: How do we go on living and loving in a time of overlapping crises? Anchored by elegies for NASA's Opportunity rover and a series of love poems, this collection explores the tension and beauty of a world marked by grief through meditations on Dungeons &amp; Dragons, Taylor Swift's cultural impact, the all-engulfing anxiety of the climate crisis and more. Confessional, funny and bursting with joy, Elegy for Opportunity extends a lifeline from Earth that will leave you feeling comforted, challenged and a little less alone in the universe.

About Natalie Lim:

Natalie Lim is a Chinese-Canadian poet living on the unceded, traditional territories of the Musqueam, Squamish and Tsleil-Waututh Peoples (Vancouver, BC). She is the winner of the 2018 CBC Poetry Prize and Room magazine’s 2020 Emerging Writer Award, with work published in Arc Poetry Magazine, Best Canadian Poetry 2020 and elsewhere. She is the author of a chapbook, arrhythmia (Rahila's Ghost Press, 2022).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 10 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this NBN episode, host Hollay Ghadery speaks with Vancouver poet Natalie Lim about her debut poetry collection, Elegy for Opportunity (Wolsak &amp; Wynn/Buckrider Books, 2025).

In this collection, Natalie Lim asks: How do we go on living and loving in a time of overlapping crises? Anchored by elegies for NASA's Opportunity rover and a series of love poems, this collection explores the tension and beauty of a world marked by grief through meditations on Dungeons &amp; Dragons, Taylor Swift's cultural impact, the all-engulfing anxiety of the climate crisis and more. Confessional, funny and bursting with joy, Elegy for Opportunity extends a lifeline from Earth that will leave you feeling comforted, challenged and a little less alone in the universe.

About Natalie Lim:

Natalie Lim is a Chinese-Canadian poet living on the unceded, traditional territories of the Musqueam, Squamish and Tsleil-Waututh Peoples (Vancouver, BC). She is the winner of the 2018 CBC Poetry Prize and Room magazine’s 2020 Emerging Writer Award, with work published in Arc Poetry Magazine, Best Canadian Poetry 2020 and elsewhere. She is the author of a chapbook, arrhythmia (Rahila's Ghost Press, 2022).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this NBN episode, host Hollay Ghadery speaks with Vancouver poet Natalie Lim about her debut poetry collection, <a href="https://bookshop.org/a/12343/9781998408153">Elegy for Opportunity</a> (Wolsak &amp; Wynn/Buckrider Books, 2025).</p>
<p>In this collection, Natalie Lim asks: How do we go on living and loving in a time of overlapping crises? Anchored by elegies for NASA's Opportunity rover and a series of love poems, this collection explores the tension and beauty of a world marked by grief through meditations on Dungeons &amp; Dragons, Taylor Swift's cultural impact, the all-engulfing anxiety of the climate crisis and more. Confessional, funny and bursting with joy, Elegy for Opportunity extends a lifeline from Earth that will leave you feeling comforted, challenged and a little less alone in the universe.</p>
<p><strong>About Natalie Lim:</strong></p>
<p><strong>Natalie Lim</strong> is a Chinese-Canadian poet living on the unceded, traditional territories of the Musqueam, Squamish and Tsleil-Waututh Peoples (Vancouver, BC). She is the winner of the 2018 CBC Poetry Prize and <em>Room</em> magazine’s 2020 Emerging Writer Award, with work published in <em>Arc Poetry Magazine</em>, <em>Best Canadian Poetry 2020</em> and elsewhere. She is the author of a chapbook, <em>arrhythmia </em>(Rahila's Ghost Press, 2022).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2522</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[156a3a86-5bd1-11f0-8971-9f6c97bd08bc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1429162109.mp3?updated=1751961780" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Hongoltz-Hetling, "The Ghost Lab: How Bigfoot Hunters, Mediums, and Alien Enthusiasts Are Wrecking Science" (PublicAffairs, 2025)</title>
      <description>In this episode, New Books Network host Nina Bo Wagner talks to Matthew Hongoltz-Hetling about his recently published book The Ghost Lab: How Bigfoot Hunters, Mediums, and Alien Enthusiasts Are Wrecking Science (PublicAffairs, 2025). They talk about the process of writing the book, including delving deep into the local paranomal community in New Hampshire.

The book contrasts profound institutional distrust effecting higher education policy and scientific literacy, with a desperate grapple for community through paranormal beliefs. It portrays the Kitt Research Initiative, established in 2010, with the mission to use scientific method to document the existence of spirits. Founder Andy Kitt was unafraid — perhaps eager — to offend other paranormal investigators by exposing the fraudulence of their less advanced techniques. Kitt’s efforts attracted flocks of psychics, alien abductees, witches, mediums, ghost hunters, UFOlogists, cryptozoologists and warlocks from all over New England, and the world.

Hongoltz-Hetling brings our attention to the exponential growth of new age beliefs in the United States, with the potential to be the largest religion in the nation by 2050 at current rates. He argues that it is time for institutions in both science and policy to sit up, take notice, and engage with paranormal beliefs instead of marginalizing, or worse, ostracizing them.

Wagner and Hongoltz-Hetling touch on mental health, domestic violence, satanic panic and capturing paranormal orbs. The conversation is sure to provide fascinating insight into unconventional and riveting science journalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, New Books Network host Nina Bo Wagner talks to Matthew Hongoltz-Hetling about his recently published book The Ghost Lab: How Bigfoot Hunters, Mediums, and Alien Enthusiasts Are Wrecking Science (PublicAffairs, 2025). They talk about the process of writing the book, including delving deep into the local paranomal community in New Hampshire.

The book contrasts profound institutional distrust effecting higher education policy and scientific literacy, with a desperate grapple for community through paranormal beliefs. It portrays the Kitt Research Initiative, established in 2010, with the mission to use scientific method to document the existence of spirits. Founder Andy Kitt was unafraid — perhaps eager — to offend other paranormal investigators by exposing the fraudulence of their less advanced techniques. Kitt’s efforts attracted flocks of psychics, alien abductees, witches, mediums, ghost hunters, UFOlogists, cryptozoologists and warlocks from all over New England, and the world.

Hongoltz-Hetling brings our attention to the exponential growth of new age beliefs in the United States, with the potential to be the largest religion in the nation by 2050 at current rates. He argues that it is time for institutions in both science and policy to sit up, take notice, and engage with paranormal beliefs instead of marginalizing, or worse, ostracizing them.

Wagner and Hongoltz-Hetling touch on mental health, domestic violence, satanic panic and capturing paranormal orbs. The conversation is sure to provide fascinating insight into unconventional and riveting science journalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, New Books Network host Nina Bo Wagner talks to Matthew Hongoltz-Hetling about his recently published book <a href="https://bookshop.org/a/12343/9781541703971">The Ghost Lab: How Bigfoot Hunters, Mediums, and Alien Enthusiasts Are Wrecking Science</a> (PublicAffairs, 2025). They talk about the process of writing the book, including delving deep into the local paranomal community in New Hampshire.</p>
<p>The book contrasts profound institutional distrust effecting higher education policy and scientific literacy, with a desperate grapple for community through paranormal beliefs. It portrays the Kitt Research Initiative, established in 2010, with the mission to use scientific method to document the existence of spirits. Founder Andy Kitt was unafraid — perhaps eager — to offend other paranormal investigators by exposing the fraudulence of their less advanced techniques. Kitt’s efforts attracted flocks of psychics, alien abductees, witches, mediums, ghost hunters, UFOlogists, cryptozoologists and warlocks from all over New England, and the world.</p>
<p>Hongoltz-Hetling brings our attention to the exponential growth of new age beliefs in the United States, with the potential to be the largest religion in the nation by 2050 at current rates. He argues that it is time for institutions in both science and policy to sit up, take notice, and engage with paranormal beliefs instead of marginalizing, or worse, ostracizing them.</p>
<p>Wagner and Hongoltz-Hetling touch on mental health, domestic violence, satanic panic and capturing paranormal orbs. The conversation is sure to provide fascinating insight into unconventional and riveting science journalism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3831</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[14c25494-5b84-11f0-8b31-972941040847]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7047618109.mp3?updated=1751928693" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love Saves the Day: On the 1970s New York Club Scene</title>
      <description>The Loft was a dance party series organized by DJ David Mancuso in his Manhattan warehouse apartment at 647 Broadway from Valentine’s Day 1970 to June 1974. The parties offered an alternative to New York’s commercial nightclub scene. The invitation-only events featured an egalitarian space for music and dance with a top-of-the-line sound system, eclectic musical selections, and a racially inclusive and gay-friendly mix of guests. Attendees included the city’s leading disc jockeys such as Larry Levan, Nicky Siano, and Frankie Knuckles, who launched their careers in next generation clubs like the Paradise Garage, The Gallery, Chicago’s Warehouse, and The Saint—  all influenced by the Loft. 



In the premiere episode of Season Two of Soundscapes NYC, host Ryan Purcell introduces co-host Kristie Soares, in conversation with music and dance historian Tim Lawrence, to contextualize David Mancuso’s Loft. Lawrence is a Professor of Cultural Studies at the University of East London’s School of Arts and Digital Industries. He is the author of Love Saves the Day: A History of American Dance Music Culture, 1970-79 (Duke University Press, 2003), Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-92 (Duke University Press, 2009) and Life and Death on the New York Dance Floor, 1980-83 (Duke University Press, 2016). Outside of academia, Lawrence hosts his own dance party series called All Our Friends, as well as a podcast about music history called Love Is The Message. 



The opening anecdote draws from Tim Lawrence's Love Saves the Day: A History of American Dance Music Culture, 1970-79 (Duke University Press, 2003). 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ff13e10c-5b70-11f0-8eaf-f7a6e3966dab/image/c652db5b1fcad144226477f3c5bc8745.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Loft was a dance party series organized by DJ David Mancuso in his Manhattan warehouse apartment at 647 Broadway from Valentine’s Day 1970 to June 1974. The parties offered an alternative to New York’s commercial nightclub scene. The invitation-only events featured an egalitarian space for music and dance with a top-of-the-line sound system, eclectic musical selections, and a racially inclusive and gay-friendly mix of guests. Attendees included the city’s leading disc jockeys such as Larry Levan, Nicky Siano, and Frankie Knuckles, who launched their careers in next generation clubs like the Paradise Garage, The Gallery, Chicago’s Warehouse, and The Saint—  all influenced by the Loft. 



In the premiere episode of Season Two of Soundscapes NYC, host Ryan Purcell introduces co-host Kristie Soares, in conversation with music and dance historian Tim Lawrence, to contextualize David Mancuso’s Loft. Lawrence is a Professor of Cultural Studies at the University of East London’s School of Arts and Digital Industries. He is the author of Love Saves the Day: A History of American Dance Music Culture, 1970-79 (Duke University Press, 2003), Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-92 (Duke University Press, 2009) and Life and Death on the New York Dance Floor, 1980-83 (Duke University Press, 2016). Outside of academia, Lawrence hosts his own dance party series called All Our Friends, as well as a podcast about music history called Love Is The Message. 



The opening anecdote draws from Tim Lawrence's Love Saves the Day: A History of American Dance Music Culture, 1970-79 (Duke University Press, 2003). 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Loft was a dance party series organized by DJ David Mancuso in his Manhattan warehouse apartment at 647 Broadway from Valentine’s Day 1970 to June 1974. The parties offered an alternative to New York’s commercial nightclub scene. The invitation-only events featured an egalitarian space for music and dance with a top-of-the-line sound system, eclectic musical selections, and a racially inclusive and gay-friendly mix of guests. Attendees included the city’s leading disc jockeys such as Larry Levan, Nicky Siano, and Frankie Knuckles, who launched their careers in next generation clubs like the Paradise Garage, The Gallery, Chicago’s Warehouse, and The Saint—  all influenced by the Loft. </p>
<p><br></p>
<p>In the premiere episode of Season Two of <em>Soundscapes NYC</em>, host Ryan Purcell introduces co-host Kristie Soares, in conversation with music and dance historian Tim Lawrence, to contextualize David Mancuso’s Loft. Lawrence is a Professor of Cultural Studies at the University of East London’s School of Arts and Digital Industries. He is the author of <em>Love Saves the Day: A History of American Dance Music Culture, 1970-79</em> (Duke University Press, 2003), <em>Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-92 </em>(Duke University Press, 2009) and <em>Life and Death on the New York Dance Floor, 1980-83</em> (Duke University Press, 2016). Outside of academia, Lawrence hosts his own dance party series called <em>All Our Friends</em>, as well as a podcast about music history called <em>Love Is The Message</em>. </p>
<p><br></p>
<p>The opening anecdote draws from Tim Lawrence's Love Saves the Day: A History of American Dance Music Culture, 1970-79 (Duke University Press, 2003). </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3577</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3176dab8-5b72-11f0-a7e3-43dce22a5372]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6766677626.mp3?updated=1751987842" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elana Levine, "Her Stories: Daytime Soap Opera and US Television History" (Duke UP, 2020)</title>
      <description>Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen.

In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor &amp; Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates. 

We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people. 

Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction.

Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 07 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elana Levine</itunes:subtitle>
      <itunes:summary>Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen.

In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor &amp; Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates. 

We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people. 

Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction.

Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen.</p>
<p>In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor &amp; Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates. </p>
<p>We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people. </p>
<p>Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction.</p>
<p>Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2080</itunes:duration>
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    <item>
      <title>Greetings from Asbury Park, NJ </title>
      <description>Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen’s sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen’s complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ. 
Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen. 
Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America’s Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026. 
 
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 07 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:title>S1.E7. Greetings from Asbury Park, NJ </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/4c106500-584e-11f0-8082-43c270c05b7b/image/b69c2168b53ec1fe71042fe163931f58.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen’s sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce...</itunes:subtitle>
      <itunes:summary>Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen’s sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen’s complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ. 
Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen. 
Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America’s Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026. 
 
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen’s sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of <em>Soundscapes NYC</em>, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen’s complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ. </p><p>Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, <em>Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century </em>(Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen. </p><p>Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America’s Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026. </p><p> </p><p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here </a></p><p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2743</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-16318542]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9131964156.mp3?updated=1751720250" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title> Tom Lutz, "1925: A Literary Encyclopedia" (Rare Bird Books, 2025)</title>
      <description>The year 1925 was arguably the peak of literature's centrality. There were more magazines, more journals, more reviews, more book news, and more book gossip than ever before or since. Literature's rivals for cultural attention were on the rise-film was becoming a more significant part of people's media diet, radio was just taking off, television technologies were advancing--but literature was still king. Even mediocre books got dozens of reviews, and the reviews were (most often) thoughtful and intellectually engaged. The belief that literary writing was an essential and consequential business was nearly universal. Modernist ferment continued to excite discussion while the pulp revolution in genre fiction--detective stories, science fiction, Westerns, romance--was booming. These popular books, even if sometimes condescended to, were also given thoughtful review attention.

This encyclopedia was written as we approached the 100th anniversary of the annus mirabilis. In what follows, we can see the seeds of virtually every aspect of our cultural life, from art, literature, theater, and music to physics, philosophy, social science, and political discourse. The fear of environmental degradation, the corruption in our politics, the competing claims of utopianism and dystopia, the bitterly divided views on science, mass media, art, nature, justice, generations, community, freedom, sexuality, race, immigration--all can be seen in their budding or full-blown gore and glory in 1925. We have come far and not very far at all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 06 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The year 1925 was arguably the peak of literature's centrality. There were more magazines, more journals, more reviews, more book news, and more book gossip than ever before or since. Literature's rivals for cultural attention were on the rise-film was becoming a more significant part of people's media diet, radio was just taking off, television technologies were advancing--but literature was still king. Even mediocre books got dozens of reviews, and the reviews were (most often) thoughtful and intellectually engaged. The belief that literary writing was an essential and consequential business was nearly universal. Modernist ferment continued to excite discussion while the pulp revolution in genre fiction--detective stories, science fiction, Westerns, romance--was booming. These popular books, even if sometimes condescended to, were also given thoughtful review attention.

This encyclopedia was written as we approached the 100th anniversary of the annus mirabilis. In what follows, we can see the seeds of virtually every aspect of our cultural life, from art, literature, theater, and music to physics, philosophy, social science, and political discourse. The fear of environmental degradation, the corruption in our politics, the competing claims of utopianism and dystopia, the bitterly divided views on science, mass media, art, nature, justice, generations, community, freedom, sexuality, race, immigration--all can be seen in their budding or full-blown gore and glory in 1925. We have come far and not very far at all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The year 1925 was arguably the peak of literature's centrality. There were more magazines, more journals, more reviews, more book news, and more book gossip than ever before or since. Literature's rivals for cultural attention were on the rise-film was becoming a more significant part of people's media diet, radio was just taking off, television technologies were advancing--but literature was still king. Even mediocre books got dozens of reviews, and the reviews were (most often) thoughtful and intellectually engaged. The belief that literary writing was an essential and consequential business was nearly universal. Modernist ferment continued to excite discussion while the pulp revolution in genre fiction--detective stories, science fiction, Westerns, romance--was booming. These popular books, even if sometimes condescended to, were also given thoughtful review attention.</p>
<p>This encyclopedia was written as we approached the 100th anniversary of the annus mirabilis. In what follows, we can see the seeds of virtually every aspect of our cultural life, from art, literature, theater, and music to physics, philosophy, social science, and political discourse. The fear of environmental degradation, the corruption in our politics, the competing claims of utopianism and dystopia, the bitterly divided views on science, mass media, art, nature, justice, generations, community, freedom, sexuality, race, immigration--all can be seen in their budding or full-blown gore and glory in 1925. We have come far and not very far at all.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4232</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3293369762.mp3?updated=1751607466" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Illustrating Punk </title>
      <description>In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City. 

Contact Soundscapes NYC Here 
Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 06 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:title>S1.E6. Illustrating Punk </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bf61a692-57b6-11f0-a20d-9f5b4708c23d/image/f4ff9509234ac91dcd5f926d0d1ba2dc.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine ...</itunes:subtitle>
      <itunes:summary>In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City. 

Contact Soundscapes NYC Here 
Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of <em>Punk</em> magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of <em>MAD</em> magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name <em>Teenage News</em>, a reference to an unreleased New York Dolls track, but settled on <em>punk </em>which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating <em>Punk</em> magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including <em>Rocket to Russia</em> (1977) and<em> Road to Ruin</em> (1978). In September 2024, Holmstrom relaunched <em>Punk</em> magazine to cover a new generation of punk bands in New York City. </p><p><br></p><p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here </a></p><a href="https://www.gothamcenter.org/">Gotham Center for NYC History - CUNY GC</a><br><br><br>Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.<br><br><p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2577</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-16238825]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1121311787.mp3?updated=1751720207" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Barry W. Enderwick, "Sandwiches of History: The Cookbook: All the Best (and Most Surprising) Things People Have Put Between Slices of Bread" (Harvard Common Press, 2024)</title>
      <description>Barry Enderwick has been making, eating, and sharing historical sandwiches for years on social media @sandwichesofhistory and recently in live shows. 

In Sandwiches of History: The Cookbook: All the Best (and Most Surprising) Things People Have Put Between Slices of Bread (Harvard Common Press, 2024) he painstakingly recreates dozens of recipes, staying faithful to the original sandwiches while also providing guidance on how to make each more amenable to a contemporary palate. 

The recipes provide a window into the kinds of sandwiches that were common in prior eras and also highlight some of the ways that ingredients and techniques have changed. Ingredients like nasturtium leaves, watercress, and sardines may be surprising now but were common in the past. Other combinations speak to the new found prosperity and international interests of the post World War II years.  

Above all, Barry's good humor and respect for both the sandwiches and the sandwich eaters make this book a compelling exploration of changing tastes and circumstances. Although some of the combinations are surprising or even downright baffling, the book provides the context to make sense of the past. 

As just one example, the Toast Sandwich - yes, that's a piece of toast between two buttered pieces of untoasted bread -- was for people on restricted diets to provide some texture and taste to an otherwise bland eating experience.

This peek into the humble sandwich becomes a highly personal culinary experience deeply rooted in curiosity about the past and the enjoyment of a good meal today. 

Author recommended reading:

The Apprentice: My Life in the Kitchen  by Jacques Pépin

Hosted by Meghan Cochran


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 05 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Barry Enderwick has been making, eating, and sharing historical sandwiches for years on social media @sandwichesofhistory and recently in live shows. 

In Sandwiches of History: The Cookbook: All the Best (and Most Surprising) Things People Have Put Between Slices of Bread (Harvard Common Press, 2024) he painstakingly recreates dozens of recipes, staying faithful to the original sandwiches while also providing guidance on how to make each more amenable to a contemporary palate. 

The recipes provide a window into the kinds of sandwiches that were common in prior eras and also highlight some of the ways that ingredients and techniques have changed. Ingredients like nasturtium leaves, watercress, and sardines may be surprising now but were common in the past. Other combinations speak to the new found prosperity and international interests of the post World War II years.  

Above all, Barry's good humor and respect for both the sandwiches and the sandwich eaters make this book a compelling exploration of changing tastes and circumstances. Although some of the combinations are surprising or even downright baffling, the book provides the context to make sense of the past. 

As just one example, the Toast Sandwich - yes, that's a piece of toast between two buttered pieces of untoasted bread -- was for people on restricted diets to provide some texture and taste to an otherwise bland eating experience.

This peek into the humble sandwich becomes a highly personal culinary experience deeply rooted in curiosity about the past and the enjoyment of a good meal today. 

Author recommended reading:

The Apprentice: My Life in the Kitchen  by Jacques Pépin

Hosted by Meghan Cochran


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Barry Enderwick has been making, eating, and sharing historical sandwiches for years on social media @sandwichesofhistory and recently in live shows. </p>
<p>In <a href="https://bookshop.org/a/12343/9780760392102">Sandwiches of History: The Cookbook: All the Best (and Most Surprising) Things People Have Put Between Slices of Bread</a> (Harvard Common Press, 2024) he painstakingly recreates dozens of recipes, staying faithful to the original sandwiches while also providing guidance on how to make each more amenable to a contemporary palate. </p>
<p>The recipes provide a window into the kinds of sandwiches that were common in prior eras and also highlight some of the ways that ingredients and techniques have changed. Ingredients like nasturtium leaves, watercress, and sardines may be surprising now but were common in the past. Other combinations speak to the new found prosperity and international interests of the post World War II years.  </p>
<p>Above all, Barry's good humor and respect for both the sandwiches and the sandwich eaters make this book a compelling exploration of changing tastes and circumstances. Although some of the combinations are surprising or even downright baffling, the book provides the context to make sense of the past. </p>
<p>As just one example, the Toast Sandwich - yes, that's a piece of toast between two buttered pieces of untoasted bread -- was for people on restricted diets to provide some texture and taste to an otherwise bland eating experience.</p>
<p>This peek into the humble sandwich becomes a highly personal culinary experience deeply rooted in curiosity about the past and the enjoyment of a good meal today. </p>
<p>Author recommended reading:</p>
<p><a href="https://www.amazon.com/Apprentice-My-Life-Kitchen/dp/0544657497">The Apprentice: My Life in the Kitchen</a>  by Jacques Pépin<br></p>
<p>Hosted by <a href="https://newbooksnetwork.com//hosts/profile/b113c5c0-b702-44b3-9ee1-436e326cfbd3">Meghan Cochran</a></p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2528</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[427e7c70-5853-11f0-800d-5fcf9605a36c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2015890759.mp3?updated=1749824243" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A Queer Etymology of Punk </title>
      <description>In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture. 
Jon Savage is the award-winning author of England’s Dreaming: Sex Pistols and Punk Rock (1991) and Teenage: The Creation of Youth, 1875-1945 (2007) and his latest book, The Secret Public: How LGBTQ Resistance Shaped Popular Culture, 1955-1979 (2024). He is the writer of the award-winning film documentaries The Brian Epstein Story (1988) and Joy Division (2007), as well as the feature film Teenage (2013). His compilations include Meridian 1970 (Heavenly/EMI 2005) and Queer Noises: From the Closet to the Charts, 1961-1976 (Trikont 2006). 
Contact Soundscapes NYC Here 
Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 05 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:title>S1.E5. A Queer Etymology of Punk </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/d212d04c-57b4-11f0-a43f-172e0c59aa06/image/d4a911cf3c7670afcbc5c542ef4a533f.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture.  Jon Savag...</itunes:subtitle>
      <itunes:summary>In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture. 
Jon Savage is the award-winning author of England’s Dreaming: Sex Pistols and Punk Rock (1991) and Teenage: The Creation of Youth, 1875-1945 (2007) and his latest book, The Secret Public: How LGBTQ Resistance Shaped Popular Culture, 1955-1979 (2024). He is the writer of the award-winning film documentaries The Brian Epstein Story (1988) and Joy Division (2007), as well as the feature film Teenage (2013). His compilations include Meridian 1970 (Heavenly/EMI 2005) and Queer Noises: From the Closet to the Charts, 1961-1976 (Trikont 2006). 
Contact Soundscapes NYC Here 
Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture. </p><p>Jon Savage is the award-winning author of <em>England’s Dreaming: Sex Pistols and Punk Rock </em>(1991) and <em>Teenage: The Creation of Youth, 1875-1945 </em>(2007) and his latest book, <em>The Secret Public: How LGBTQ Resistance Shaped Popular Culture, 1955-1979 </em>(2024). He is the writer of the award-winning film documentaries <em>The Brian Epstein Story</em> (1988) and <em>Joy Division </em>(2007), as well as the feature film <em>Teenage</em> (2013). His compilations include <em>Meridian 1970</em> (Heavenly/EMI 2005) and <em>Queer Noises: From the Closet to the Charts, 1961-1976</em> (Trikont 2006). </p><p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here </a></p><a href="https://www.gothamcenter.org/">Gotham Center for NYC History - CUNY GC</a><br><br><br>Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.<br><br><p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3029</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-16147626]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1672907782.mp3?updated=1751720109" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sounds of the City Collapsing </title>
      <description>In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.  
Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023). 
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 04 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:title>S1.E4. Sounds of the City Collapsing </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5e58f1e6-57b3-11f0-a462-831ee8c34a96/image/3e68d842bb15ae5fcfda687f02a2e423.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sou...</itunes:subtitle>
      <itunes:summary>In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.  
Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023). 
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.  </p><p>Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the <em>New York Times</em>, <em>Conde Nast Traveller</em>, and <em>Vice</em> among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, <em>This Must be the Place: Music, Community and Vanished Spaces in New York City </em>(Harper Collins, 2023). </p><p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here </a></p><p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2970</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-16077179]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6736901086.mp3?updated=1751719981" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Punk Broke the Binary </title>
      <description>When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and  University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that shaped gender-bending bands like Blondie and others in the early “punk” scene in 1970s New York. 
Judith Peraino is the author of multiple publications on rock music and constructions of gender. This includes We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond (Cornell University Press, 2025) co-edited with Tom McEnaney, professor of comparative literature at the University of California, Berkley. 
McLeod is a cultural critic and documentary filmmaker. He is the author of Parallel Lines in Bloomsbury’s 33 1/3 Series (2016) and the critically acclaimed history The Downtown Pop Underground: New York City and the Literary Punks, Renegade Artists, DIY Filmmakers, Mad Playwrights, and Rock ’N’ Roll Glitter Queens Who Revolutionized Culture. (Abrams Press, 2018) 
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 03 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:title>S1.E3. How Punk Broke the Binary </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b30ea6c8-578f-11f0-93f9-9bcb1f5a8bcb/image/f8ef0e65018f3cbd3f6940cbdc056111.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and  University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that...</itunes:subtitle>
      <itunes:summary>When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and  University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that shaped gender-bending bands like Blondie and others in the early “punk” scene in 1970s New York. 
Judith Peraino is the author of multiple publications on rock music and constructions of gender. This includes We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond (Cornell University Press, 2025) co-edited with Tom McEnaney, professor of comparative literature at the University of California, Berkley. 
McLeod is a cultural critic and documentary filmmaker. He is the author of Parallel Lines in Bloomsbury’s 33 1/3 Series (2016) and the critically acclaimed history The Downtown Pop Underground: New York City and the Literary Punks, Renegade Artists, DIY Filmmakers, Mad Playwrights, and Rock ’N’ Roll Glitter Queens Who Revolutionized Culture. (Abrams Press, 2018) 
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir <em>Face It</em>. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and  University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that shaped gender-bending bands like Blondie and others in the early “punk” scene in 1970s New York. </p><p>Judith Peraino is the author of multiple publications on rock music and constructions of gender. This includes <em>We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond</em> (Cornell University Press, 2025) co-edited with Tom McEnaney, professor of comparative literature at the University of California, Berkley. </p><p>McLeod is a cultural critic and documentary filmmaker. He is the author of <em>Parallel Lines</em> in Bloomsbury’s 33 1/3 Series (2016) and the critically acclaimed history <em>The Downtown Pop Underground: New York City and the Literary Punks, Renegade Artists, DIY Filmmakers, Mad Playwrights, and Rock ’N’ Roll Glitter Queens Who Revolutionized Culture.</em> (Abrams Press, 2018) </p><p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here </a></p><p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4095</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-15976667]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5603635045.mp3?updated=1751719848" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>S1.E2. Wayne County at the Trucks (1974)</title>
      <description>In the second episode of Soundscapes N.Y.C., host Ryan Purcell talks with Tony Zanetta. In the late 1960s, Zanetta worked in Off-Off-Broadway theater and ultimately landed a role playing the Andy Warhol character in Pork, an absurdist play based on Warhol’s phone recordings. Zanetta followed the cast to London where he befriended David Bowie who subsequently appointed him president of his management company, Main Man, and Bowie’s direct point of contact in America for the Ziggy Stardust tour (1972).
With his involvement with Bowie, Zanetta was responsible for developing acts under the Main Man umbrella. This included a proto-punk band called Queen Elizabeth fronted by Jayne (formerly Wayne) County. With Bowie’s financial backing, Zanetta produced a gender-bending spectacle of drag, sex, and rock ’n’ roll: Wayne County at the Trucks! (1974). It may be the most spectacular rock show you have never heard of … till now.
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:title>S1.E2. Wayne County at the Trucks (1974)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a4444f62-56b8-11f0-baa2-5f18f203b2d2/image/2e908fdaf2db013c79ea8c6d80e22a37.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In the second episode of Soundscapes N.Y.C., host Ryan Purcell talks with Tony Zanetta. In the late 1960s, Zanetta worked in Off-Off-Broadway theater and ultimately landed a role playing the Andy Warhol character in Pork, an absurdist play based on Warhol’s phone recordings. Zanetta followed the cast to London where he befriended David Bowie who subsequently appointed him president of his management company, Main Man, and Bowie’s direct point of contact in America for the Ziggy Stardust tour ...</itunes:subtitle>
      <itunes:summary>In the second episode of Soundscapes N.Y.C., host Ryan Purcell talks with Tony Zanetta. In the late 1960s, Zanetta worked in Off-Off-Broadway theater and ultimately landed a role playing the Andy Warhol character in Pork, an absurdist play based on Warhol’s phone recordings. Zanetta followed the cast to London where he befriended David Bowie who subsequently appointed him president of his management company, Main Man, and Bowie’s direct point of contact in America for the Ziggy Stardust tour (1972).
With his involvement with Bowie, Zanetta was responsible for developing acts under the Main Man umbrella. This included a proto-punk band called Queen Elizabeth fronted by Jayne (formerly Wayne) County. With Bowie’s financial backing, Zanetta produced a gender-bending spectacle of drag, sex, and rock ’n’ roll: Wayne County at the Trucks! (1974). It may be the most spectacular rock show you have never heard of … till now.
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the second episode of Soundscapes N.Y.C., host Ryan Purcell talks with Tony Zanetta. In the late 1960s, Zanetta worked in Off-Off-Broadway theater and ultimately landed a role playing the Andy Warhol character in <em>Pork</em>, an absurdist play based on Warhol’s phone recordings. Zanetta followed the cast to London where he befriended David Bowie who subsequently appointed him president of his management company, Main Man, and Bowie’s direct point of contact in America for the Ziggy Stardust tour (1972).</p><p>With his involvement with Bowie, Zanetta was responsible for developing acts under the Main Man umbrella. This included a proto-punk band called Queen Elizabeth fronted by Jayne (formerly Wayne) County. With Bowie’s financial backing, Zanetta produced a gender-bending spectacle of drag, sex, and rock ’n’ roll: Wayne County at the Trucks! (1974). It may be the most spectacular rock show you have never heard of … till now.</p><p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here </a></p><p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3089</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-15904260]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4616272692.mp3?updated=1751719637" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gender Crisis N.Y.C. </title>
      <description>In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock ’n’ roll that critics would identify as punk rock by the end of the seventies.  
Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, Maybe the People Would Be the Times, and Nineteen Reservoirs. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years of teaching at Bard College. 
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 01 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:title>S1.E1. Gender Crisis N.Y.C. </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e4a5fbc8-55d2-11f0-888d-e3645dc152fb/image/1edd9995fc7a640309ac0fc60586368c.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock ’n’ roll that critics would identify as punk rock by the end of the seventies.   Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your...</itunes:subtitle>
      <itunes:summary>In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock ’n’ roll that critics would identify as punk rock by the end of the seventies.  
Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, Maybe the People Would Be the Times, and Nineteen Reservoirs. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years of teaching at Bard College. 
Contact Soundscapes NYC Here 
Support the show
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock ’n’ roll that critics would identify as punk rock by the end of the seventies.  </p><p>Lucy Sante is the author of <em>Low Life</em>,<em> Evidence</em>,<em> The Factory of Facts</em>,<em> Kill All Your Darlings</em>,<em> Folk Photography</em>,<em> The Other Paris</em>,<em> Maybe the People Would Be the Times,</em> and <em>Nineteen Reservoirs</em>. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years of teaching at Bard College. </p><p><a href="https://www.buzzsprout.com/twilio/text_messages/2357384/open_sms">Contact Soundscapes NYC Here </a></p><p><a href="https://www.buzzsprout.com/2357384/support">Support the show</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2865</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-15821949]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3839175658.mp3?updated=1751719690" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Todd May "Should We Go Extinct?: A Philosophical Dilemma for Our Unbearable Times" (Crown, 2024)</title>
      <description>These days it’s harder than ever to watch TV, scroll social media, or even just sit at home looking out of the window without contemplating the question at the heart of philosopher Todd May’s Should We Go Extinct?: A Philosophical Dilemma for Our Unbearable Times (Crown, 2024). Facing climate destruction and the revived specter of nuclear annihilation even as humans continue to cause untold suffering to our fellow creatures on planet Earth, we are forced each day to contemplate whether the world would be better off in our absence.

In this timely, fascinating examination, May, a renowned philosopher and advisor to the acclaimed TV show The Good Place, reasons both for and against the continuation of our species, trying to help us understand how and whether, the positive and negative tallies of the human ledger are comparable, and what conclusions we might draw about ourselves and our future from doing so. He discusses the value that only humans can bring to the world and to one another as well as the goods, like art and music, that would be lost were we no longer here. On the other side of the ledger, he walks us through the suffering we cause to nature and the non-human world, seeking to understand whether it’s possible to justify such suffering against our merits and if not, what changes we could make to reduce the harm we cause. 

In this moment of rising pessimism about the future, and as many people wonder whether they should bring children into such a dark and difficult world, the questions May tackles in Should We Go Extinct? are hardly theoretical. As he explores the complexities involved with changes such as an end to factory farming, curbing scientific testing of animals, reducing the human population, and seeking to develop empathy with our fellow creatures, May sketches a powerful framework for establishing our responsibilities as a species and gives hope that we might one day find universal agreement that the answer to his title question should be No.

Todd May is Instructor of Philosophy, and Nielsen Professor of the Humanities, at Warren Wilson College. He’s taught and written on philosophy for over thirty years, mostly in the areas of ethics, political philosophy, and the philosophy of life.

Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 29 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>These days it’s harder than ever to watch TV, scroll social media, or even just sit at home looking out of the window without contemplating the question at the heart of philosopher Todd May’s Should We Go Extinct?: A Philosophical Dilemma for Our Unbearable Times (Crown, 2024). Facing climate destruction and the revived specter of nuclear annihilation even as humans continue to cause untold suffering to our fellow creatures on planet Earth, we are forced each day to contemplate whether the world would be better off in our absence.

In this timely, fascinating examination, May, a renowned philosopher and advisor to the acclaimed TV show The Good Place, reasons both for and against the continuation of our species, trying to help us understand how and whether, the positive and negative tallies of the human ledger are comparable, and what conclusions we might draw about ourselves and our future from doing so. He discusses the value that only humans can bring to the world and to one another as well as the goods, like art and music, that would be lost were we no longer here. On the other side of the ledger, he walks us through the suffering we cause to nature and the non-human world, seeking to understand whether it’s possible to justify such suffering against our merits and if not, what changes we could make to reduce the harm we cause. 

In this moment of rising pessimism about the future, and as many people wonder whether they should bring children into such a dark and difficult world, the questions May tackles in Should We Go Extinct? are hardly theoretical. As he explores the complexities involved with changes such as an end to factory farming, curbing scientific testing of animals, reducing the human population, and seeking to develop empathy with our fellow creatures, May sketches a powerful framework for establishing our responsibilities as a species and gives hope that we might one day find universal agreement that the answer to his title question should be No.

Todd May is Instructor of Philosophy, and Nielsen Professor of the Humanities, at Warren Wilson College. He’s taught and written on philosophy for over thirty years, mostly in the areas of ethics, political philosophy, and the philosophy of life.

Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>These days it’s harder than ever to watch TV, scroll social media, or even just sit at home looking out of the window without contemplating the question at the heart of philosopher Todd May’s <a href="https://bookshop.org/a/12343/9780593798720">Should We Go Extinct?: A Philosophical Dilemma for Our Unbearable Times</a> (Crown, 2024). Facing climate destruction and the revived specter of nuclear annihilation even as humans continue to cause untold suffering to our fellow creatures on planet Earth, we are forced each day to contemplate whether the world would be better off in our absence.</p>
<p>In this timely, fascinating examination, May, a renowned philosopher and advisor to the acclaimed TV show <em>The Good Place</em>, reasons both for and against the continuation of our species, trying to help us understand how and whether, the positive and negative tallies of the human ledger are comparable, and what conclusions we might draw about ourselves and our future from doing so. He discusses the value that only humans can bring to the world and to one another as well as the goods, like art and music, that would be lost were we no longer here. On the other side of the ledger, he walks us through the suffering we cause to nature and the non-human world, seeking to understand whether it’s possible to justify such suffering against our merits and if not, what changes we could make to reduce the harm we cause. </p>
<p>In this moment of rising pessimism about the future, and as many people wonder whether they should bring children into such a dark and difficult world, the questions May tackles in <em>Should We Go Extinct?</em> are hardly theoretical. As he explores the complexities involved with changes such as an end to factory farming, curbing scientific testing of animals, reducing the human population, and seeking to develop empathy with our fellow creatures, May sketches a powerful framework for establishing our responsibilities as a species and gives hope that we might one day find universal agreement that the answer to his title question should be <em>No</em>.</p>
<p><a href="https://www.warren-wilson.edu/people/todd-may/">Todd May</a> is Instructor of Philosophy, and Nielsen Professor of the Humanities, at Warren Wilson College. He’s taught and written on philosophy for over thirty years, mostly in the areas of ethics, political philosophy, and the philosophy of life.</p>
<p><a href="https://sites.google.com/view/kyle-johannsen/">Kyle Johannsen</a> is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is <em>Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering</em> (Routledge, 2021).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3502</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5470b532-532c-11f0-8c5f-87602cbd563c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4937072618.mp3?updated=1751011264" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eric Blanc, "We Are the Union: How Worker-to-Worker Organizing Is Revitalizing Labor and Winning Big" (Univ of California Press, 2025)</title>
      <description>Eric Blanc is an assistant professor of labor studies at Rutgers University, researching new workplace organizing, strikes, digital labor activism, and working-class politics. He is the author of Red State Revolt: The Teachers’ Strike Wave and Working-Class Politics (Verso 2019) and his writings have appeared in journals such as Politics &amp; Society, New Labor Forum, and Labor Studies Journal as well as publications such as The Nation, The Guardian, and Jacobin.

A longtime labor activist, Blanc is an organizer trainer in the Emergency Workplace Organizing Committee, which he helped co-found in March 2020. He directs The Worker to Worker Collaborative, a center to help unions and rank-and-file groups scale up their efforts by expanding their members’ involvement and leadership.

For more information about organizing your workplace and the Emergency Workplace Organizing Committee you can click here: https://workerorganizing.org/

You can read more by Eric Blanc at https://www.laborpolitics.com/


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 29 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Eric Blanc is an assistant professor of labor studies at Rutgers University, researching new workplace organizing, strikes, digital labor activism, and working-class politics. He is the author of Red State Revolt: The Teachers’ Strike Wave and Working-Class Politics (Verso 2019) and his writings have appeared in journals such as Politics &amp; Society, New Labor Forum, and Labor Studies Journal as well as publications such as The Nation, The Guardian, and Jacobin.

A longtime labor activist, Blanc is an organizer trainer in the Emergency Workplace Organizing Committee, which he helped co-found in March 2020. He directs The Worker to Worker Collaborative, a center to help unions and rank-and-file groups scale up their efforts by expanding their members’ involvement and leadership.

For more information about organizing your workplace and the Emergency Workplace Organizing Committee you can click here: https://workerorganizing.org/

You can read more by Eric Blanc at https://www.laborpolitics.com/


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Eric Blanc is an assistant professor of labor studies at Rutgers University, researching new workplace organizing, strikes, digital labor activism, and working-class politics. He is the author of <a href="https://www.penguinrandomhouse.com/books/607046/red-state-revolt-by-eric-blanc/9781788735742/">Red State Revolt: The Teachers’ Strike Wave and Working-Class Politics</a> (Verso 2019) and his writings have appeared in journals such as Politics &amp; Society, New Labor Forum, and Labor Studies Journal as well as publications such as The Nation, The Guardian, and Jacobin.</p>
<p>A longtime labor activist, Blanc is an organizer trainer in the <a href="https://workerorganizing.org/">Emergency Workplace Organizing Committee</a>, which he helped co-found in March 2020. He directs <a href="https://smlr.rutgers.edu/faculty-research-engagement/workplace-justice-labru/build-base-grow-movement/w2w">The Worker to Worker Collaborative</a>, a center to help unions and rank-and-file groups scale up their efforts by expanding their members’ involvement and leadership.</p>
<p>For more information about organizing your workplace and the Emergency Workplace Organizing Committee you can click here: <a href="https://workerorganizing.org/">https://workerorganizing.org/</a></p>
<p>You can read more by Eric Blanc at <a href="https://www.laborpolitics.com/">https://www.laborpolitics.com/</a></p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3107</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[58b857a4-5335-11f0-abcf-4bc3d342ac6c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3155737178.mp3?updated=1751015202" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Is Sinners a New Classic of Political Utopianism?</title>
      <description>It’s the UConn Popcast, and we analyze the movie Sinners, starring Michael B. Jordan, just released on streaming. We address the political themes of the movie, focusing on its generic identity as a Southern Gothic, the historical context in which the movie takes place, its engagement with ideas of utopia, community, freedom, and the siren songs that often lead communities down false roads in search of these goals. We appreciate the aesthetic achievement of the movie, which is perhaps Director Ryan Coogler and star Michael B. Jordan's best and most complete work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and we analyze the movie Sinners, starring Michael B. Jordan, just released on streaming. We address the political themes of the movie, focusing on its generic identity as a Southern Gothic, the historical context in which the movie takes place, its engagement with ideas of utopia, community, freedom, and the siren songs that often lead communities down false roads in search of these goals. We appreciate the aesthetic achievement of the movie, which is perhaps Director Ryan Coogler and star Michael B. Jordan's best and most complete work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">UConn Popcast</a>, and we analyze the movie Sinners, starring Michael B. Jordan, just released on streaming. We address the political themes of the movie, focusing on its generic identity as a Southern Gothic, the historical context in which the movie takes place, its engagement with ideas of utopia, community, freedom, and the siren songs that often lead communities down false roads in search of these goals. We appreciate the aesthetic achievement of the movie, which is perhaps Director Ryan Coogler and star Michael B. Jordan's best and most complete work.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2795</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[95fe7f38-5058-11f0-89c7-2fea8db24ff0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5875703088.mp3?updated=1750700581" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michelle Phillipov, "Digital Food TV: The Cultural Place of Food in a Digital Era (Routledge, 2023)</title>
      <description>Michelle Phillipov's Digital Food TV: The Cultural Place of Food in a Digital Era (Routledge, 2023) explores the new theoretical and political questions raised by food TV’s digital transformation.

Bringing together analyses of food media texts and platform infrastructures—from streaming and catch-up TV to YouTube and Facebook food videos—it shows how new textual conventions, algorithmic practices, and market logics have redrawn the boundaries of food TV and altered the cultural place of food, and food media, in a digital era. With case studies of new and rerun television and emerging online genres, Digital Food TV considers what food television means at the current moment—a time when on-screen digital content is rapidly proliferating and televisual platforms and technologies are undergoing significant change.

This book will appeal to students and scholars of food studies, television studies, and digital media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Michelle Phillipov's Digital Food TV: The Cultural Place of Food in a Digital Era (Routledge, 2023) explores the new theoretical and political questions raised by food TV’s digital transformation.

Bringing together analyses of food media texts and platform infrastructures—from streaming and catch-up TV to YouTube and Facebook food videos—it shows how new textual conventions, algorithmic practices, and market logics have redrawn the boundaries of food TV and altered the cultural place of food, and food media, in a digital era. With case studies of new and rerun television and emerging online genres, Digital Food TV considers what food television means at the current moment—a time when on-screen digital content is rapidly proliferating and televisual platforms and technologies are undergoing significant change.

This book will appeal to students and scholars of food studies, television studies, and digital media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michelle Phillipov's <a href="https://www.routledge.com/Digital-Food-TV-The-Cultural-Place-of-Food-in-a-Digital-Era/Phillipov/p/book/9781032200330?srsltid=AfmBOoqIMhTonyLqCSdGl-xNG-Ao88_1kUp6aJG8eHfzeSHoPlWCR7IQ">Digital Food TV: The Cultural Place of Food in a Digital Era</a><em> </em>(Routledge, 2023) explores the new theoretical and political questions raised by food TV’s digital transformation.</p>
<p>Bringing together analyses of food media texts and platform infrastructures—from streaming and catch-up TV to YouTube and Facebook food videos—it shows how new textual conventions, algorithmic practices, and market logics have redrawn the boundaries of food TV and altered the cultural place of food, and food media, in a digital era. With case studies of new and rerun television and emerging online genres, <em>Digital Food TV</em> considers what food television means at the current moment—a time when on-screen digital content is rapidly proliferating and televisual platforms and technologies are undergoing significant change.</p>
<p>This book will appeal to students and scholars of food studies, television studies, and digital media studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ce99d674-5005-11f0-a3c5-57941d2d2c84]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2581547678.mp3?updated=1750664897" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>American Gangster</title>
      <description>American Gangster (2007) is Ridley Scott’s homage to The French Connection: it’s got the right cars, clothes, and colors and is based on another true story of an obsessed cop trying to take down a drug kingpin. The feature (or the bug, depending on how you look at it) is Denzel Washington in the title role. Is an actor so charismatic that everyone talks as if they are on a first-name basis with him actually a liability in a movie that wants to tell a story of a large-scale heroin dealer who, in the movie’s first scene, burns a man alive? Can an actor’s star power ever backfire?

John McCarty’s Bullets Over Hollywood (Grand Central Publishing, 2005) traces the gangster film and explores the enduring appeal of the genre.

Incredible bumper music by John Deley.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as the many film-related interviews on The New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 23 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>American Gangster (2007) is Ridley Scott’s homage to The French Connection: it’s got the right cars, clothes, and colors and is based on another true story of an obsessed cop trying to take down a drug kingpin. The feature (or the bug, depending on how you look at it) is Denzel Washington in the title role. Is an actor so charismatic that everyone talks as if they are on a first-name basis with him actually a liability in a movie that wants to tell a story of a large-scale heroin dealer who, in the movie’s first scene, burns a man alive? Can an actor’s star power ever backfire?

John McCarty’s Bullets Over Hollywood (Grand Central Publishing, 2005) traces the gangster film and explores the enduring appeal of the genre.

Incredible bumper music by John Deley.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as the many film-related interviews on The New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>American Gangster </em>(2007) is Ridley Scott’s homage to <em>The French Connection</em>: it’s got the right cars, clothes, and colors and is based on another true story of an obsessed cop trying to take down a drug kingpin. The feature (or the bug, depending on how you look at it) is Denzel Washington in the title role. Is an actor so charismatic that everyone talks as if they are on a first-name basis with him actually a liability in a movie that wants to tell a story of a large-scale heroin dealer who, in the movie’s first scene, burns a man alive? Can an actor’s star power ever backfire?</p>
<p>John McCarty’s <a href="https://bookshop.org/p/books/bullets-over-hollywood-the-american-gangster-picture-from-the-silents-to-the-sopranos-john-mccarty/16436557?ean=9780306814297&amp;next=t"><em>Bullets Over Hollywood</em></a> (Grand Central Publishing, 2005) traces the gangster film and explores the enduring appeal of the genre.</p>
<p>Incredible bumper music by <a href="https://www.johndeleymusic.com/">John Deley</a>.</p>
<p>Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show <a href="https://x.com/15minfilm">on X</a> and <a href="https://letterboxd.com/15minfilm/">on Letterboxd</a>–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran’s substack, <a href="https://pagesandframes.substack.com/"><em>Pages and Frames</em></a>, where he writes about books and movies, as well as the many film-related interviews on <a href="https://newbooksnetwork.com/category/arts-letters/film"><em>The New Books Network</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1475</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e46bd78e-4d69-11f0-ab39-b75a6d08d5c7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4264776606.mp3?updated=1750377924" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Broyles, "Revolutions in American Music: Three Decades That Changed a Country and Its Sounds" (Norton, 2024)</title>
      <description>Michael Broyles examines a wide variety of musical, technological, and social currents that helped to shape American music in Revolutions in American Music: Three Decades that Changed a Country and Its Sounds (Norton, 2024), but he accomplishes this by focusing on just thirty years. Broyles discusses three pivotal decades in US musical history: the 1840s, the 1920s, and the 1950s. He argues that these decades fundamentally remade the American cultural landscape in enduring ways. Although Revolutions in American Music describes the ruptures caused by new musical and technological innovations such as the development of jazz or rock 'n roll, Broyles also revisits deep cultural and social fissures that affected America and American music in all three time periods. Throughout the book, Broyles introduces important figures who have been overlooked and tells stories that illuminate the messy, complex, sometimes dark, but always fascinating history of music in the United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 21 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Michael Broyles examines a wide variety of musical, technological, and social currents that helped to shape American music in Revolutions in American Music: Three Decades that Changed a Country and Its Sounds (Norton, 2024), but he accomplishes this by focusing on just thirty years. Broyles discusses three pivotal decades in US musical history: the 1840s, the 1920s, and the 1950s. He argues that these decades fundamentally remade the American cultural landscape in enduring ways. Although Revolutions in American Music describes the ruptures caused by new musical and technological innovations such as the development of jazz or rock 'n roll, Broyles also revisits deep cultural and social fissures that affected America and American music in all three time periods. Throughout the book, Broyles introduces important figures who have been overlooked and tells stories that illuminate the messy, complex, sometimes dark, but always fascinating history of music in the United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michael Broyles examines a wide variety of musical, technological, and social currents that helped to shape American music in <a href="https://bookshop.org/a/12343/9780393634204">Revolutions in American Music: Three Decades that Changed a Country and Its Sounds</a><em> </em>(Norton, 2024), but he accomplishes this by focusing on just thirty years. Broyles discusses three pivotal decades in US musical history: the 1840s, the 1920s, and the 1950s. He argues that these decades fundamentally remade the American cultural landscape in enduring ways. Although <em>Revolutions in American Music </em>describes the ruptures caused by new musical and technological innovations such as the development of jazz or rock 'n roll, Broyles also revisits deep cultural and social fissures that affected America and American music in all three time periods. Throughout the book, Broyles introduces important figures who have been overlooked and tells stories that illuminate the messy, complex, sometimes dark, but always fascinating history of music in the United States.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4206</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Amin Ghaziani, "Long Live Queer Nightlife: How the Closing of Gay Bars Sparked a Revolution" (Princeton UP, 2024)</title>
      <description>In this exhilarating journey into underground parties, pulsating with life and limitless possibility, acclaimed author Amin Ghaziani unveils the unexpected revolution revitalizing urban nightlife.

Drawing on Ghaziani's immersive encounters at underground parties in London and more than one hundred riveting interviews with everyone from bar owners to party producers, revelers to rabble-rousers, Long Live Queer Nightlife: How the Closing of Gay Bars Sparked a Revolution (Princeton University Press, 2024) showcases a spectacular, if seldom-seen, vision of a queer world shimmering with self-empowerment, inventiveness, and joy.

Amin Ghaziani is Professor of Sociology who has taught at Northwestern, Princeton, University of British Columbia, and UC Santa Barbara.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 21 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this exhilarating journey into underground parties, pulsating with life and limitless possibility, acclaimed author Amin Ghaziani unveils the unexpected revolution revitalizing urban nightlife.

Drawing on Ghaziani's immersive encounters at underground parties in London and more than one hundred riveting interviews with everyone from bar owners to party producers, revelers to rabble-rousers, Long Live Queer Nightlife: How the Closing of Gay Bars Sparked a Revolution (Princeton University Press, 2024) showcases a spectacular, if seldom-seen, vision of a queer world shimmering with self-empowerment, inventiveness, and joy.

Amin Ghaziani is Professor of Sociology who has taught at Northwestern, Princeton, University of British Columbia, and UC Santa Barbara.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this exhilarating journey into underground parties, pulsating with life and limitless possibility, acclaimed author Amin Ghaziani unveils the unexpected revolution revitalizing urban nightlife.<br></p>
<p>Drawing on Ghaziani's immersive encounters at underground parties in London and more than one hundred riveting interviews with everyone from bar owners to party producers, revelers to rabble-rousers, <a href="https://bookshop.org/a/12343/9780691253855">Long Live Queer Nightlife: How the Closing of Gay Bars Sparked a Revolution</a><em> </em>(Princeton University Press, 2024) showcases a spectacular, if seldom-seen, vision of a queer world shimmering with self-empowerment, inventiveness, and joy.</p>
<p>Amin Ghaziani is Professor of Sociology who has taught at Northwestern, Princeton, University of British Columbia, and UC Santa Barbara.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2996</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3e8be47e-4d2f-11f0-8fbf-8b15996f74b6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6016516959.mp3?updated=1750352731" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carly A. Kocurek and Matthew Payne, "Ultima and Worldbuilding in the Computer Role-Playing Game" (Amherst College Press, 2024)</title>
      <description>Ultima and World-Building in the Computer Role-Playing Game (﻿Amherst College Press, 2024) is the first scholarly book to focus exclusively on the long-running Ultima series of computer role-playing games (RPG) and to assess its lasting impact on the RPG genre and video game industry. Through archival and popular media sources, examinations of fan communities, and the game itself, this book historicizes the games and their authors. By attending to the salient moments and sites of game creation throughout the series’ storied past, authors Carly A. Kocurek and Matthew Thomas Payne detail the creative choices and structural forces that brought Ultima’s celebrated brand of role-playing to fruition. This book first considers the contributions of series founder and lead designer, Richard Garriott, examining how his fame and notoriety as a pioneering computer game auteur shaped Ultima’s reception and paved the way for the evolution of the series. Next, the authors retrace the steps that Garriott took in fusing analog, tabletop role-playing with his self-taught lessons in computer programming. Close textual analyses of Ultima I outline how its gameplay elements offered a foundational framework for subsequent innovations in design and storytelling. Moving beyond the game itself, the authors assess how marketing materials and physical collectibles amplified its immersive hold and how the series’ legions of fans have preserved the series. Game designers, long-time gamers, and fans will enjoy digging into the games’ production history and mechanics while media studies and game scholars will find Ultima and World-Building in the Computer Role-Playing Game a useful extension of inquiry into authorship, media history, and the role of fantasy in computer game design.

Carly A. Kocurek is professor of digital humanities and media studies at the Illinois Institute of Technology. She is the author of Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade (Minnesota, 2015) and Brenda Laurel: Pioneering Games for Girls (Bloomsbury, 2017).Matthew Thomas Payne is associate professor of ?lm, television, and theatre at the University of Notre Dame. He is the author of Playing War: Military Video Games after 9/11 (NYU Press, 2016), and is a co-editor of How to Play Video Games (NYU Press, 2019) and Joystick Soldiers: The Politics of Play in Military Video Games (Routledge, 2009).

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ultima and World-Building in the Computer Role-Playing Game (﻿Amherst College Press, 2024) is the first scholarly book to focus exclusively on the long-running Ultima series of computer role-playing games (RPG) and to assess its lasting impact on the RPG genre and video game industry. Through archival and popular media sources, examinations of fan communities, and the game itself, this book historicizes the games and their authors. By attending to the salient moments and sites of game creation throughout the series’ storied past, authors Carly A. Kocurek and Matthew Thomas Payne detail the creative choices and structural forces that brought Ultima’s celebrated brand of role-playing to fruition. This book first considers the contributions of series founder and lead designer, Richard Garriott, examining how his fame and notoriety as a pioneering computer game auteur shaped Ultima’s reception and paved the way for the evolution of the series. Next, the authors retrace the steps that Garriott took in fusing analog, tabletop role-playing with his self-taught lessons in computer programming. Close textual analyses of Ultima I outline how its gameplay elements offered a foundational framework for subsequent innovations in design and storytelling. Moving beyond the game itself, the authors assess how marketing materials and physical collectibles amplified its immersive hold and how the series’ legions of fans have preserved the series. Game designers, long-time gamers, and fans will enjoy digging into the games’ production history and mechanics while media studies and game scholars will find Ultima and World-Building in the Computer Role-Playing Game a useful extension of inquiry into authorship, media history, and the role of fantasy in computer game design.

Carly A. Kocurek is professor of digital humanities and media studies at the Illinois Institute of Technology. She is the author of Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade (Minnesota, 2015) and Brenda Laurel: Pioneering Games for Girls (Bloomsbury, 2017).Matthew Thomas Payne is associate professor of ?lm, television, and theatre at the University of Notre Dame. He is the author of Playing War: Military Video Games after 9/11 (NYU Press, 2016), and is a co-editor of How to Play Video Games (NYU Press, 2019) and Joystick Soldiers: The Politics of Play in Military Video Games (Routledge, 2009).

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781943208654">Ultima and World-Building in the Computer Role-Playing Game</a><em> </em>(﻿Amherst College Press, 2024)<em> i</em>s the first scholarly book to focus exclusively on the long-running Ultima series of computer role-playing games (RPG) and to assess its lasting impact on the RPG genre and video game industry. Through archival and popular media sources, examinations of fan communities, and the game itself, this book historicizes the games and their authors. By attending to the salient moments and sites of game creation throughout the series’ storied past, authors Carly A. Kocurek and Matthew Thomas Payne detail the creative choices and structural forces that brought Ultima’s celebrated brand of role-playing to fruition. This book first considers the contributions of series founder and lead designer, Richard Garriott, examining how his fame and notoriety as a pioneering computer game auteur shaped Ultima’s reception and paved the way for the evolution of the series. Next, the authors retrace the steps that Garriott took in fusing analog, tabletop role-playing with his self-taught lessons in computer programming. Close textual analyses of Ultima I outline how its gameplay elements offered a foundational framework for subsequent innovations in design and storytelling. Moving beyond the game itself, the authors assess how marketing materials and physical collectibles amplified its immersive hold and how the series’ legions of fans have preserved the series. Game designers, long-time gamers, and fans will enjoy digging into the games’ production history and mechanics while media studies and game scholars will find Ultima and World-Building in the Computer Role-Playing Game a useful extension of inquiry into authorship, media history, and the role of fantasy in computer game design.</p>
<p><strong>Carly A. Kocurek</strong> is professor of digital humanities and media studies at the Illinois Institute of Technology. She is the author of <em>Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade </em>(Minnesota, 2015) and <em>Brenda Laurel: Pioneering Games for Girls</em> (Bloomsbury, 2017).<br><strong>Matthew Thomas Payne</strong> is associate professor of ?lm, television, and theatre at the University of Notre Dame. He is the author of P<em>laying War: Military Video Games after 9/11</em> (NYU Press, 2016), and is a co-editor of <em>How to Play Video Games </em>(NYU Press, 2019) and J<em>oystick Soldiers: The Politics of Play in Military Video Game</em>s (Routledge, 2009).</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1632</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6799c086-4cd3-11f0-8473-5b7cf9a3747c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2266106641.mp3?updated=1750313394" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Atinuke O. Adediran, "Disclosureland: How Corporate Words Constrain Racial Progress" (Cambridge UP, 2025)</title>
      <description>The 2020 murder of George Floyd sparked mass protests that challenged many institutions, including large for-profit companies, to reflect on how to address racial inequality. Large corporations began making systematic public statements to show alignment with causes that impact people of color. These statements were also used to protect corporate reputations against claims that their businesses may perpetuate racial inequality. Disclosureland: How Corporate Words Constrain Racial Progress (Cambridge UP, 2025) ﻿argues that this process and others - including corporate rhetoric that leaves out past involvement in racial inequality, using disclosures about race as evidence of action, or pulling back on disclosures about race in response to conservative pushback - constrain true racial progress. Even when corporations make pledges to hire and promote people of color or fund racial equity causes through philanthropy, the book demonstrates how these pledges function to limit corporate responsibility. Critical and corrective, Disclosureland calls on the federal government and corporate stakeholders to regulate corporate race-conscious words.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 19 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The 2020 murder of George Floyd sparked mass protests that challenged many institutions, including large for-profit companies, to reflect on how to address racial inequality. Large corporations began making systematic public statements to show alignment with causes that impact people of color. These statements were also used to protect corporate reputations against claims that their businesses may perpetuate racial inequality. Disclosureland: How Corporate Words Constrain Racial Progress (Cambridge UP, 2025) ﻿argues that this process and others - including corporate rhetoric that leaves out past involvement in racial inequality, using disclosures about race as evidence of action, or pulling back on disclosures about race in response to conservative pushback - constrain true racial progress. Even when corporations make pledges to hire and promote people of color or fund racial equity causes through philanthropy, the book demonstrates how these pledges function to limit corporate responsibility. Critical and corrective, Disclosureland calls on the federal government and corporate stakeholders to regulate corporate race-conscious words.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 2020 murder of George Floyd sparked mass protests that challenged many institutions, including large for-profit companies, to reflect on how to address racial inequality. Large corporations began making systematic public statements to show alignment with causes that impact people of color. These statements were also used to protect corporate reputations against claims that their businesses may perpetuate racial inequality. <a href="https://bookshop.org/a/12343/9781009442985">Disclosureland: How Corporate Words Constrain Racial Progress</a> (Cambridge UP, 2025) ﻿argues that this process and others - including corporate rhetoric that leaves out past involvement in racial inequality, using disclosures about race as evidence of action, or pulling back on disclosures about race in response to conservative pushback - constrain true racial progress. Even when corporations make pledges to hire and promote people of color or fund racial equity causes through philanthropy, the book demonstrates how these pledges function to limit corporate responsibility. Critical and corrective, <em>Disclosureland</em> calls on the federal government and corporate stakeholders to regulate corporate race-conscious words.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1846</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8447f6c0-4c0c-11f0-8c48-7be336863a96]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7490670980.mp3?updated=1750227889" length="0" type="audio/mpeg"/>
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    <item>
      <title>Robell Awake, "A Short History of Black Craft in Ten Objects" (Princeton Architectural Press, 2025)</title>
      <description>Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, A Short History of Black Craft in Ten Objects (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 17 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, A Short History of Black Craft in Ten Objects (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, <a href="https://bookshop.org/a/12343/9781797228549">A Short History of Black Craft in Ten Objects</a> (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2972</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dd3ba9ec-4a87-11f0-963a-e3f2338ed2fb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8814488702.mp3?updated=1750060966" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Owen Flanagan, "What Is It Like to Be an Addict?: Understanding Substance Abuse" (Oxford UP, 2025)</title>
      <description>A powerful and important exploration of how addiction functions on social, psychological and biological levels, integrated with the experience of being an addict, from an acclaimed philosopher and former addict.What is addiction? Theories about what kind of thing addiction is are sharply divided between those who see it purely as a brain disorder, and those who conceive of it in psychological and social terms. Owen Flanagan, an acclaimed philosopher of mind and ethics, offers a state-of-the-art assessment of addiction science and proposes a new ecumenical model for understanding and explaining substance addiction.Flanagan has first-hand knowledge of what it is like to be an addict. That experience, along with his wide-ranging knowledge of the philosophy of mind, psychology, neuroscience, and the ethics and politics of addiction, informs this important and novel work. He pairs the sciences that study addiction with a sophisticated view of the consciousness-brain/body relation to make his core argument: that substance addictions comprise a heterogeneous set of "psychobiosocial" behavioral disorders. He explains that substance addictions do not have one set of causes, such as self-medication or social dislocation, and they do not have one neural profile, such as a dysfunction in dopamine system. Some addictions are fun and experimentation gone awry. Flanagan reveals addiction to be a heterogeneous set of disorders, which are picked out by multifarious cultural, social, psychological, and neural features.Flanagan explores the ways addicts sensibly insist on their own responsibility to undo addiction, as well as ways in which shame for addiction can be leveraged into healing. He insists on the collective shame we all bear for our indifference to many of the psychological and social causes of addiction and explores the implications of this new integrated paradigm for practices of harm reduction and treatment. Flanagan's powerful new book upends longstanding conventional thinking and points the way to new ways of understanding and treating addiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 11 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A powerful and important exploration of how addiction functions on social, psychological and biological levels, integrated with the experience of being an addict, from an acclaimed philosopher and former addict.What is addiction? Theories about what kind of thing addiction is are sharply divided between those who see it purely as a brain disorder, and those who conceive of it in psychological and social terms. Owen Flanagan, an acclaimed philosopher of mind and ethics, offers a state-of-the-art assessment of addiction science and proposes a new ecumenical model for understanding and explaining substance addiction.Flanagan has first-hand knowledge of what it is like to be an addict. That experience, along with his wide-ranging knowledge of the philosophy of mind, psychology, neuroscience, and the ethics and politics of addiction, informs this important and novel work. He pairs the sciences that study addiction with a sophisticated view of the consciousness-brain/body relation to make his core argument: that substance addictions comprise a heterogeneous set of "psychobiosocial" behavioral disorders. He explains that substance addictions do not have one set of causes, such as self-medication or social dislocation, and they do not have one neural profile, such as a dysfunction in dopamine system. Some addictions are fun and experimentation gone awry. Flanagan reveals addiction to be a heterogeneous set of disorders, which are picked out by multifarious cultural, social, psychological, and neural features.Flanagan explores the ways addicts sensibly insist on their own responsibility to undo addiction, as well as ways in which shame for addiction can be leveraged into healing. He insists on the collective shame we all bear for our indifference to many of the psychological and social causes of addiction and explores the implications of this new integrated paradigm for practices of harm reduction and treatment. Flanagan's powerful new book upends longstanding conventional thinking and points the way to new ways of understanding and treating addiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A powerful and important exploration of how addiction functions on social, psychological and biological levels, integrated with the experience of being an addict, from an acclaimed philosopher and former addict.<br>What is addiction? Theories about what kind of thing addiction is are sharply divided between those who see it purely as a brain disorder, and those who conceive of it in psychological and social terms. Owen Flanagan, an acclaimed philosopher of mind and ethics, offers a state-of-the-art assessment of addiction science and proposes a new ecumenical model for understanding and explaining substance addiction.<br>Flanagan has first-hand knowledge of what it is like to be an addict. That experience, along with his wide-ranging knowledge of the philosophy of mind, psychology, neuroscience, and the ethics and politics of addiction, informs this important and novel work. He pairs the sciences that study addiction with a sophisticated view of the consciousness-brain/body relation to make his core argument: that substance addictions comprise a heterogeneous set of "psychobiosocial" behavioral disorders. He explains that substance addictions do not have one set of causes, such as self-medication or social dislocation, and they do not have one neural profile, such as a dysfunction in dopamine system. Some addictions are fun and experimentation gone awry. Flanagan reveals addiction to be a heterogeneous set of disorders, which are picked out by multifarious cultural, social, psychological, and neural features.<br>Flanagan explores the ways addicts sensibly insist on their own responsibility to undo addiction, as well as ways in which shame for addiction can be leveraged into healing. He insists on the collective shame we all bear for our indifference to many of the psychological and social causes of addiction and explores the implications of this new integrated paradigm for practices of harm reduction and treatment. Flanagan's powerful new book upends longstanding conventional thinking and points the way to new ways of understanding and treating addiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2447</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[833df9d6-45c8-11f0-95fb-bfe22a21f672]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6613660235.mp3?updated=1749657186" length="0" type="audio/mpeg"/>
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    <item>
      <title>Pooja Rangan, Akshya Saxena, Ragini Tharoor Srinivasan, Pavitra Sundar eds., "Thinking with an Accent: Toward a New Object, Method, and Practice" (UC Press, 2023)</title>
      <description>Everyone speaks with an accent, but what is an accent? Thinking with an Accent: Toward a New Object, Method, and Practice (UC Press, 2023) introduces accent as a powerfully coded yet underexplored mode of perception that includes looking, listening, acting, reading, and thinking. This volume convenes scholars of media, literature, education, law, language, and sound to theorize accent as an object of inquiry, an interdisciplinary method, and an embodied practice. Accent does more than just denote identity: from algorithmic bias and corporate pedagogy to migratory poetics and the politics of comparison, accent mediates global economies of discrimination and desire. Accents happen between bodies and media. They negotiate power and invite attunement. These essays invite the reader to think with an accent—to practice a dialogical and multimodal inquiry that can yield transformative modalities of knowledge, action, and care.

Thinking with an Accent won the American Comparative Literature Association’s 2024 Rene Wellek Prize for Best Edited Collection.

Editors: Pooja Rangan, Ragini Tharoor Srinivasan, Akshya Saxena, and Pavitra Sundar


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 02 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Everyone speaks with an accent, but what is an accent? Thinking with an Accent: Toward a New Object, Method, and Practice (UC Press, 2023) introduces accent as a powerfully coded yet underexplored mode of perception that includes looking, listening, acting, reading, and thinking. This volume convenes scholars of media, literature, education, law, language, and sound to theorize accent as an object of inquiry, an interdisciplinary method, and an embodied practice. Accent does more than just denote identity: from algorithmic bias and corporate pedagogy to migratory poetics and the politics of comparison, accent mediates global economies of discrimination and desire. Accents happen between bodies and media. They negotiate power and invite attunement. These essays invite the reader to think with an accent—to practice a dialogical and multimodal inquiry that can yield transformative modalities of knowledge, action, and care.

Thinking with an Accent won the American Comparative Literature Association’s 2024 Rene Wellek Prize for Best Edited Collection.

Editors: Pooja Rangan, Ragini Tharoor Srinivasan, Akshya Saxena, and Pavitra Sundar


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Everyone speaks with an accent, but what is an accent? <a href="https://bookshop.org/a/12343/9780520389731">Thinking with an Accent: Toward a New Object, Method, and Practice</a><em> </em>(UC Press, 2023) introduces accent as a powerfully coded yet underexplored mode of perception that includes looking, listening, acting, reading, and thinking. This volume convenes scholars of media, literature, education, law, language, and sound to theorize accent as an object of inquiry, an interdisciplinary method, and an embodied practice. Accent does more than just denote identity: from algorithmic bias and corporate pedagogy to migratory poetics and the politics of comparison, accent mediates global economies of discrimination and desire. Accents happen between bodies and media. They negotiate power and invite attunement. These essays invite the reader to think with an accent—to practice a dialogical and multimodal inquiry that can yield transformative modalities of knowledge, action, and care.</p>
<p><em>Thinking with an Accent </em>won the American Comparative Literature Association’s 2024 Rene Wellek Prize for Best Edited Collection.</p>
<p><br>Editors: Pooja Rangan, Ragini Tharoor Srinivasan, Akshya Saxena, and Pavitra Sundar</p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3741</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6cc97f20-3d3c-11f0-82df-3f802e652f07]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2364912222.mp3?updated=1748599388" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ashlee Piper, "No New Things: A Radically Simple 30-Day Guide to Saving Money, the Planet, and Your Sanity" (Celadon Books, 2025)</title>
      <description>No New Things: A Radically Simple 30-Day Guide to Saving Money, the Planet, and Your Sanity by Ashlee Piper, was published by Celadon Books in April 2025. In this honest and intentional book, Piper educates us on the history of our marketing and obsession with new things and guides us into a flexible and life changing 30-day-challenge.

From award-winning sustainability expert Ashlee Piper, a witty, no-nonsense guide to regaining control over your time, consumerist impulses, and financial and mental wellnessFor nearly two years, Ashlee Piper challenged herself to buy nothing new. And in the process, she got out of debt, cut clutter, crushed her goals, and became healthier and happier than ever―all the things she’d always wanted to do but “never had time to” (because she was mindlessly scrolling, shopping, spending, and stressing). After a decade of fine-tuning, No New Things guides readers through the same revolutionarily simple challenge that has helped thousands of global participants find freedom and fulfillment in just thirty days.The book follows the rise of what Piper calls “conditioned consumerism” and how it sneakily hijacks our time, money, and mental bandwidth, as well as harms the planet. From there, readers follow customizable daily action items that bring about the ease and richness of a life less bogged down by spending and stuff, without compromising on style, convenience, or fun.Whether you’re a bona fide shopaholic or someone who just wants to buy less and live more, No New Things is the antidote to modern overwhelm.

-

Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 01 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>No New Things: A Radically Simple 30-Day Guide to Saving Money, the Planet, and Your Sanity by Ashlee Piper, was published by Celadon Books in April 2025. In this honest and intentional book, Piper educates us on the history of our marketing and obsession with new things and guides us into a flexible and life changing 30-day-challenge.

From award-winning sustainability expert Ashlee Piper, a witty, no-nonsense guide to regaining control over your time, consumerist impulses, and financial and mental wellnessFor nearly two years, Ashlee Piper challenged herself to buy nothing new. And in the process, she got out of debt, cut clutter, crushed her goals, and became healthier and happier than ever―all the things she’d always wanted to do but “never had time to” (because she was mindlessly scrolling, shopping, spending, and stressing). After a decade of fine-tuning, No New Things guides readers through the same revolutionarily simple challenge that has helped thousands of global participants find freedom and fulfillment in just thirty days.The book follows the rise of what Piper calls “conditioned consumerism” and how it sneakily hijacks our time, money, and mental bandwidth, as well as harms the planet. From there, readers follow customizable daily action items that bring about the ease and richness of a life less bogged down by spending and stuff, without compromising on style, convenience, or fun.Whether you’re a bona fide shopaholic or someone who just wants to buy less and live more, No New Things is the antidote to modern overwhelm.

-

Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781250382160">No New Things: A Radically Simple 30-Day Guide to Saving Money, the Planet, and Your Sanity</a> by Ashlee Piper, was published by Celadon Books in April 2025. In this honest and intentional book, Piper educates us on the history of our marketing and obsession with new things and guides us into a flexible and life changing 30-day-challenge.</p>
<p><strong>From award-winning sustainability expert Ashlee Piper, a witty, no-nonsense guide to regaining control over your time, consumerist impulses, and financial and mental wellness</strong><br>For nearly two years, Ashlee Piper challenged herself to buy nothing new. And in the process, she got out of debt, cut clutter, crushed her goals, and became healthier and happier than ever―all the things she’d always wanted to do but “never had time to” (because she was mindlessly scrolling, shopping, spending, and stressing). After a decade of fine-tuning, <em>No New Things</em> guides readers through the same revolutionarily simple challenge that has helped thousands of global participants find freedom and fulfillment in just thirty days.<br>The book follows the rise of what Piper calls “conditioned consumerism” and how it sneakily hijacks our time, money, and mental bandwidth, as well as harms the planet. From there, readers follow customizable daily action items that bring about the ease and richness of a life less bogged down by spending and stuff, without compromising on style, convenience, or fun.<br>Whether you’re a bona fide shopaholic or someone who just wants to buy less and live more, <em>No New Things</em> is the antidote to modern overwhelm.</p>
<p>-</p>
<p>Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2435</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[29b03542-3cfd-11f0-99f0-7b2bbbe3f358]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6526005586.mp3?updated=1748572612" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua K. Wright, ﻿"The NBA's Global Empire: How the League Became an International Powerhouse" (McFarland, 2025)</title>
      <description>Joshua K. Wright, ﻿The NBA's Global Empire: How the League Became an International Powerhouse (McFarland, 2025) ﻿

During the 1992 Summer Olympics in Barcelona, the Dream Team, a collective of the National Basketball Association's top talent led by Michael Jordan, Magic Johnson, Larry Bird and Charles Barkley, shook up the world as they amazed spectators and opponents on their way to winning gold. Their success introduced the world to the NBA's charismatic superstars and their artistic brand of basketball. Over the next two decades, youth outside of America dreamed of becoming the next Michael Jordan, Kobe Bryant, and LeBron James. The NBA took advantage of its popularity in China by forming lucrative television and streaming deals and opening training academies. By the 2022-23 NBA season, there were 109 international players from 39 countries, a Canadian franchise, and a league in Africa. Today's best players are Africans, Canadians and Europeans like Nikola Jokic and Victor Wembanyama.

This book presents the history of the NBA's ascension to a billion-dollar global empire, analyzing the globalization of American sports since the end of the Cold War and the dawn of the millennium. How essential is globalization for the NBA to thrive in the 21st century? Do the benefits outweigh the geopolitical controversies associated with being a global brand? Is globalization responsible for a decline in American-born NBA players and declining domestic popularity? These questions and others are answered in this first treatment of the NBA's global reach.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 01 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Joshua K. Wright, ﻿The NBA's Global Empire: How the League Became an International Powerhouse (McFarland, 2025) ﻿

During the 1992 Summer Olympics in Barcelona, the Dream Team, a collective of the National Basketball Association's top talent led by Michael Jordan, Magic Johnson, Larry Bird and Charles Barkley, shook up the world as they amazed spectators and opponents on their way to winning gold. Their success introduced the world to the NBA's charismatic superstars and their artistic brand of basketball. Over the next two decades, youth outside of America dreamed of becoming the next Michael Jordan, Kobe Bryant, and LeBron James. The NBA took advantage of its popularity in China by forming lucrative television and streaming deals and opening training academies. By the 2022-23 NBA season, there were 109 international players from 39 countries, a Canadian franchise, and a league in Africa. Today's best players are Africans, Canadians and Europeans like Nikola Jokic and Victor Wembanyama.

This book presents the history of the NBA's ascension to a billion-dollar global empire, analyzing the globalization of American sports since the end of the Cold War and the dawn of the millennium. How essential is globalization for the NBA to thrive in the 21st century? Do the benefits outweigh the geopolitical controversies associated with being a global brand? Is globalization responsible for a decline in American-born NBA players and declining domestic popularity? These questions and others are answered in this first treatment of the NBA's global reach.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Joshua K. Wright, ﻿<a href="https://bookshop.org/a/12343/9781476695822">The NBA's Global Empire: How the League Became an International Powerhouse</a> (McFarland, 2025) ﻿</p>
<p>During the 1992 Summer Olympics in Barcelona, the Dream Team, a collective of the National Basketball Association's top talent led by Michael Jordan, Magic Johnson, Larry Bird and Charles Barkley, shook up the world as they amazed spectators and opponents on their way to winning gold. Their success introduced the world to the NBA's charismatic superstars and their artistic brand of basketball. Over the next two decades, youth outside of America dreamed of becoming the next Michael Jordan, Kobe Bryant, and LeBron James. The NBA took advantage of its popularity in China by forming lucrative television and streaming deals and opening training academies. By the 2022-23 NBA season, there were 109 international players from 39 countries, a Canadian franchise, and a league in Africa. Today's best players are Africans, Canadians and Europeans like Nikola Jokic and Victor Wembanyama.</p>
<p>This book presents the history of the NBA's ascension to a billion-dollar global empire, analyzing the globalization of American sports since the end of the Cold War and the dawn of the millennium. How essential is globalization for the NBA to thrive in the 21st century? Do the benefits outweigh the geopolitical controversies associated with being a global brand? Is globalization responsible for a decline in American-born NBA players and declining domestic popularity? These questions and others are answered in this first treatment of the NBA's global reach.</p>
<p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4097</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1ead167a-3d0b-11f0-ae3d-8f751bc47f09]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9016119889.mp3?updated=1748578214" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dave Cook, "Go Straight: The Ultimate Guide to Side-Scrolling Beat-'Em-Ups" (Bitmap Books, 2022)</title>
      <description>Get ready for the fight of your life in Go Straight: The Ultimate Guide to Side-Scrolling Beat-'Em-Ups (Bitmap Books, 2022). Written by award-winning author Dave Cook, and opening with a foreword by legendary Double Dragon creator, Yoshihisa Kishimoto, this odyssey through bare-knuckle nostalgia features over 200 games spanning 37 years. At over 450 pages, Go Straight takes a deep dive into familiar beat-'em-up legends like Double Dragon, Golden Axe, Final Fight and Teenage Mutant Ninja Turtles, as well as delving into the more obscure brawlers you just have to try, like Denjin Makai, Shadow Force and Gaia Crusaders. As well as reviewing each game, Go Straight features hints, tips and guides to levels and enemies. The book is packed full of screenshots, sprites and level maps, all lovingly curated and presented to our usual high standards.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 31 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Get ready for the fight of your life in Go Straight: The Ultimate Guide to Side-Scrolling Beat-'Em-Ups (Bitmap Books, 2022). Written by award-winning author Dave Cook, and opening with a foreword by legendary Double Dragon creator, Yoshihisa Kishimoto, this odyssey through bare-knuckle nostalgia features over 200 games spanning 37 years. At over 450 pages, Go Straight takes a deep dive into familiar beat-'em-up legends like Double Dragon, Golden Axe, Final Fight and Teenage Mutant Ninja Turtles, as well as delving into the more obscure brawlers you just have to try, like Denjin Makai, Shadow Force and Gaia Crusaders. As well as reviewing each game, Go Straight features hints, tips and guides to levels and enemies. The book is packed full of screenshots, sprites and level maps, all lovingly curated and presented to our usual high standards.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Get ready for the fight of your life in </strong><a href="https://bookshop.org/a/12343/9781838019150">Go Straight: The Ultimate Guide to Side-Scrolling Beat-'Em-Ups</a><em> </em>(Bitmap Books, 2022)<strong>. </strong>Written by award-winning author Dave Cook, and opening with a foreword by legendary Double Dragon creator, Yoshihisa Kishimoto, this odyssey through bare-knuckle nostalgia features over 200 games spanning 37 years. At over 450 pages, <em>Go Straight</em> takes a deep dive into familiar beat-'em-up legends like <em>Double Dragon</em>, <em>Golden Axe</em>, <em>Final Fight</em> and <em>Teenage Mutant Ninja Turtles</em>, as well as delving into the more obscure brawlers you just have to try, like <em>Denjin Makai</em>, <em>Shadow Force</em> and <em>Gaia Crusaders</em>. As well as reviewing each game, <em>Go Straight</em> features hints, tips and guides to levels and enemies. The book is packed full of screenshots, sprites and level maps, all lovingly curated and presented to our usual high standards.</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1166</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aa71033e-3cd8-11f0-913f-e3b1614ddfbc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7166434251.mp3?updated=1748556478" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Lee Flanagan, "Hardcore Vegetarian: Welcome to the Vegedome!" (Process Media, 2025)</title>
      <description>Laura Lee Flanagan's Hardcore Vegetarian (Feral House, 2025) is a celebration of food and love for everyone! Hardcore Vegetarian is a journey into vegetarianism led by someone who fell into it inadvertently and is happily still learning as she goes. As a passionate home cook, Flanagan became what she describes as a "lazy vegetarian" while figuring out how to cook for herself and her vegetarian husband, musician Harley Flanagan. It is a narrative guide for the vegetarian-curious, for home cooks who want to explore vegetarianism and introduce plant-based recipes into their households. It explores the meaning of food in our lives, how we interact with it, and how our relationship to it evolves as over time. Included are short personal accounts, as Flanagan engages readers as she gently and humorously shares her own learning curve, along with road-tested, beloved, and delicious recipes. Hardcore Vegetarian brings readers along for the successes and sometimes failures as Flanagan overhauls her kitchen and recipes from meaty to beety. She shares tips and insights from the people who taught her how to cook for the people she loves. Hardcore Vegetarian is organized into easily digestible sections that cover every meal and includes a guide to vegetarian pantry essentials. As she writes, "Food is a primordial expression of love," and there is nothing more Hardcore than love.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 30 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Laura Lee Flanagan's Hardcore Vegetarian (Feral House, 2025) is a celebration of food and love for everyone! Hardcore Vegetarian is a journey into vegetarianism led by someone who fell into it inadvertently and is happily still learning as she goes. As a passionate home cook, Flanagan became what she describes as a "lazy vegetarian" while figuring out how to cook for herself and her vegetarian husband, musician Harley Flanagan. It is a narrative guide for the vegetarian-curious, for home cooks who want to explore vegetarianism and introduce plant-based recipes into their households. It explores the meaning of food in our lives, how we interact with it, and how our relationship to it evolves as over time. Included are short personal accounts, as Flanagan engages readers as she gently and humorously shares her own learning curve, along with road-tested, beloved, and delicious recipes. Hardcore Vegetarian brings readers along for the successes and sometimes failures as Flanagan overhauls her kitchen and recipes from meaty to beety. She shares tips and insights from the people who taught her how to cook for the people she loves. Hardcore Vegetarian is organized into easily digestible sections that cover every meal and includes a guide to vegetarian pantry essentials. As she writes, "Food is a primordial expression of love," and there is nothing more Hardcore than love.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Laura Lee Flanagan's <a href="https://feralhouse.com/hardcore-vegetarian/">Hardcore Vegetaria</a><a href="https://feralhouse.com/hardcore-vegetarian/">n</a><em> </em>(Feral House, 2025) is a celebration of food and love for everyone! <em>Hardcore Vegetarian</em> is a journey into vegetarianism led by someone who fell into it inadvertently and is happily still learning as she goes. As a passionate home cook, Flanagan became what she describes as a "lazy vegetarian" while figuring out how to cook for herself and her vegetarian husband, musician Harley Flanagan. It is a narrative guide for the vegetarian-curious, for home cooks who want to explore vegetarianism and introduce plant-based recipes into their households. It explores the meaning of food in our lives, how we interact with it, and how our relationship to it evolves as over time. Included are short personal accounts, as Flanagan engages readers as she gently and humorously shares her own learning curve, along with road-tested, beloved, and delicious recipes. <em>Hardcore Vegetarian</em> brings readers along for the successes and sometimes failures as Flanagan overhauls her kitchen and recipes from meaty to beety. She shares tips and insights from the people who taught her how to cook for the people she loves. <em>Hardcore Vegetarian</em> is organized into easily digestible sections that cover every meal and includes a guide to vegetarian pantry essentials. As she writes, "Food is a primordial expression of love," and there is nothing more Hardcore than love.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2321</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bc8dcf56-3c75-11f0-8d86-237108689584]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5097390107.mp3?updated=1748514042" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nao Tomabechi, "Supervillains: The Significance of Evil in Superhero Comics" (Rutgers UP, 2025)</title>
      <description>Alongside superheroes, supervillains, too, have become one of today’s most popular and globally recognizable figures. However, it is not merely their popularity that marks their significance. Supervillains are also central to superhero storytelling to the extent that the superhero genre cannot survive without supervillains.

Bringing together different approaches and critical perspectives across disciplines, in Supervillains: The Significance of Evil in Superhero Comics (Rutgers University Press, 2025) Dr. Nao Tomabechi troubles overly hero-centered works in comics studies to reconsider the modern American myths of the superheroes. Considering the likes of Lex Luthor, the Joker, Catwoman, Harley Quinn, Loki, Venom, and more, Supervillians explores themes such as gender and sexuality, disability, and many forms of Otherness in relation to the notion of evil as it appears in the superhero genre. The book investigates how supervillains uphold and, at times, trouble dominant ideals expressed by the heroism of our superheroes.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 30 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Alongside superheroes, supervillains, too, have become one of today’s most popular and globally recognizable figures. However, it is not merely their popularity that marks their significance. Supervillains are also central to superhero storytelling to the extent that the superhero genre cannot survive without supervillains.

Bringing together different approaches and critical perspectives across disciplines, in Supervillains: The Significance of Evil in Superhero Comics (Rutgers University Press, 2025) Dr. Nao Tomabechi troubles overly hero-centered works in comics studies to reconsider the modern American myths of the superheroes. Considering the likes of Lex Luthor, the Joker, Catwoman, Harley Quinn, Loki, Venom, and more, Supervillians explores themes such as gender and sexuality, disability, and many forms of Otherness in relation to the notion of evil as it appears in the superhero genre. The book investigates how supervillains uphold and, at times, trouble dominant ideals expressed by the heroism of our superheroes.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Alongside superheroes, supervillains, too, have become one of today’s most popular and globally recognizable figures. However, it is not merely their popularity that marks their significance. Supervillains are also central to superhero storytelling to the extent that the superhero genre cannot survive without supervillains.</p>
<p>Bringing together different approaches and critical perspectives across disciplines, in <a href="https://bookshop.org/a/12343/9781978839373">Supervillains: The Significance of Evil in Superhero Comics</a> (Rutgers University Press, 2025) Dr. Nao Tomabechi troubles overly hero-centered works in comics studies to reconsider the modern American myths of the superheroes. Considering the likes of Lex Luthor, the Joker, Catwoman, Harley Quinn, Loki, Venom, and more, <em>Supervillians</em> explores themes such as gender and sexuality, disability, and many forms of Otherness in relation to the notion of evil as it appears in the superhero genre. The book investigates how supervillains uphold and, at times, trouble dominant ideals expressed by the heroism of our superheroes.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2500</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2f4116b0-3be6-11f0-8b9a-df3ff94842ab]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6622059776.mp3?updated=1748452263" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Live from the Underground:  A History of College Radio</title>
      <description>Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In this first history of US college radio, Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast. Dr. Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation’s culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.

Our guest is: Dr. Katherine Rye Jewell, who is a historian and a professor at Fitchburg State University. She writes about the intersection of business, politics, and culture, and is the author of Live From the Underground: ﻿A History of College Radio ﻿(University of North Carolina Press, 2023).﻿

Our host is: Dr. Christina Gessler, who is a freelance book editor and dissertation coach. She is the producer and host of the Academic Life podcast.

Playlist for listeners:

100 Years of Radio in South Africa

Interview with NPR host Celeste Headlee

A Conversation with Marshall Poe about founding the NBN

A conversation with tuba professor Richard A. White﻿﻿

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 29 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In this first history of US college radio, Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast. Dr. Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation’s culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.

Our guest is: Dr. Katherine Rye Jewell, who is a historian and a professor at Fitchburg State University. She writes about the intersection of business, politics, and culture, and is the author of Live From the Underground: ﻿A History of College Radio ﻿(University of North Carolina Press, 2023).﻿

Our host is: Dr. Christina Gessler, who is a freelance book editor and dissertation coach. She is the producer and host of the Academic Life podcast.

Playlist for listeners:

100 Years of Radio in South Africa

Interview with NPR host Celeste Headlee

A Conversation with Marshall Poe about founding the NBN

A conversation with tuba professor Richard A. White﻿﻿

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In this first history of US college radio, Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast. Dr. Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation’s culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.</p>
<p>Our guest is: Dr. Katherine Rye Jewell, who is a historian and a professor at Fitchburg State University. She writes about the intersection of business, politics, and culture, and is the author of <a href="https://bookshop.org/a/12343/9781469677255">Live From the Underground: ﻿A History of College Radio</a><em> </em>﻿(University of North Carolina Press, 2023).﻿</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a freelance book editor and dissertation coach. She is the producer and host of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<p><a href="https://newbooksnetwork.com/100-years-of-radio-in-south-africa-volume-1">100 Years of Radio in South Africa</a></p>
<p><a href="https://newbooksnetwork.com/need-a-break-from-overworking-and-underliving">Interview with NPR host Celeste Headlee</a></p>
<p><a href="https://newbooksnetwork.com/amplifying-academics-and-supporting-public-education">A Conversation with Marshall Poe about founding the NBN</a></p>
<p><a href="https://newbooksnetwork.com/richard-anton-white">A conversation with tuba professor Richard A. White</a>﻿﻿</p>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3155</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[653b3154-3bd4-11f0-b8b9-c7871e14ff13]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7495917765.mp3?updated=1748444769" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michelle H. S. Ho, "Emergent Genders: Living Otherwise in Tokyo's Pink Economies" (Duke UP, 2025)</title>
      <description>In Emergent Genders: Living Otherwise in Tokyo's Pink Economies (Duke UP, 2025), Michelle H. S. Ho traces the genders manifesting alongside Japanese popular culture in Akihabara, an area in Tokyo renowned for the fandom and consumption of anime, manga, and games. Drawing on ethnographic fieldwork in josō and dansō cafe-and-bars, establishments where male-to-female and female-to-male crossdressing is prevalent, Ho shows how their owners, employees, and customers creatively innovate what she calls emergent genders—new practices, categories, and ways of being stemming from the simultaneous fracturing, contestations, and (re)imaginations of older forms of gender and sexual variance in Japan. Such emergent genders initiate new markets for alternative categories of expression and subjectivity to thrive in a popular cultural hub like Akihabara instead of Tokyo’s gay and lesbian neighborhood of Shinjuku Ni-chōme. By rethinking identitarian models of gender and sexuality, reconfiguring the significance of capitalism for trans studies and queer theory, and decentering theoretical frameworks incubated in a predominantly United States academic context, Ho offers new ways of examining how trans and gender nonconforming individuals may survive and flourish under capitalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 23 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michell H. S. Ho</itunes:subtitle>
      <itunes:summary>In Emergent Genders: Living Otherwise in Tokyo's Pink Economies (Duke UP, 2025), Michelle H. S. Ho traces the genders manifesting alongside Japanese popular culture in Akihabara, an area in Tokyo renowned for the fandom and consumption of anime, manga, and games. Drawing on ethnographic fieldwork in josō and dansō cafe-and-bars, establishments where male-to-female and female-to-male crossdressing is prevalent, Ho shows how their owners, employees, and customers creatively innovate what she calls emergent genders—new practices, categories, and ways of being stemming from the simultaneous fracturing, contestations, and (re)imaginations of older forms of gender and sexual variance in Japan. Such emergent genders initiate new markets for alternative categories of expression and subjectivity to thrive in a popular cultural hub like Akihabara instead of Tokyo’s gay and lesbian neighborhood of Shinjuku Ni-chōme. By rethinking identitarian models of gender and sexuality, reconfiguring the significance of capitalism for trans studies and queer theory, and decentering theoretical frameworks incubated in a predominantly United States academic context, Ho offers new ways of examining how trans and gender nonconforming individuals may survive and flourish under capitalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478031376">Emergent Genders: Living Otherwise in Tokyo's Pink Economies</a><em> </em>(Duke UP, 2025), Michelle H. S. Ho traces the genders manifesting alongside Japanese popular culture in Akihabara, an area in Tokyo renowned for the fandom and consumption of anime, manga, and games. Drawing on ethnographic fieldwork in <em>josō</em> and <em>dansō</em> cafe-and-bars, establishments where male-to-female and female-to-male crossdressing is prevalent, Ho shows how their owners, employees, and customers creatively innovate what she calls emergent genders—new practices, categories, and ways of being stemming from the simultaneous fracturing, contestations, and (re)imaginations of older forms of gender and sexual variance in Japan. Such emergent genders initiate new markets for alternative categories of expression and subjectivity to thrive in a popular cultural hub like Akihabara instead of Tokyo’s gay and lesbian neighborhood of Shinjuku Ni-chōme. By rethinking identitarian models of gender and sexuality, reconfiguring the significance of capitalism for trans studies and queer theory, and decentering theoretical frameworks incubated in a predominantly United States academic context, Ho offers new ways of examining how trans and gender nonconforming individuals may survive and flourish under capitalism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2368</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[908d4f6a-3731-11f0-bd96-f322a23959ca]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5674635822.mp3?updated=1747935387" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin Smokler, "Break the Frame: Conversations with Women Filmmakers" (Oxford UP, 2025)</title>
      <description>In the twenty-first century alone, women filmmakers have succeeded at directing every size, genre, and style of motion picture. Their movies have won Oscars (Free Solo), made actors into household names (Jennifer Lawrence in Winter's Bone), received induction into the Library of Congress's National Film Registry (Real Women Have Curves), and become worldwide box office phenomena (Captain Marvel, Deep Impact). Nevertheless in 2023, the year of Barbie, women directed only 12% of the top 250 movies in America. demonstrating how far moviemaking remains from gender parity. When women filmmakers succeed, they do so against these odds.

Break the Frame (Oxford UP, 2025) is a collection of 24 career-spanning interviews with America's celebrated, reigning, and rising women filmmakers. Each conversation considers the director's complete filmography as a map of their evolving artistry and evidence of their unassailable contributions to a historically misogynist industry. Author Kevin Smokler listens as women filmmakers speak to the struggle and triumphs of developing and directing movies that are shaping how the film business sees women in the director's chair, and how their audiences see themselves and each other. This book is both an opportunity and invitation to devote one's time, admiration and enthusiasm to movies directed by women.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 22 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>214</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kevin Smokler</itunes:subtitle>
      <itunes:summary>In the twenty-first century alone, women filmmakers have succeeded at directing every size, genre, and style of motion picture. Their movies have won Oscars (Free Solo), made actors into household names (Jennifer Lawrence in Winter's Bone), received induction into the Library of Congress's National Film Registry (Real Women Have Curves), and become worldwide box office phenomena (Captain Marvel, Deep Impact). Nevertheless in 2023, the year of Barbie, women directed only 12% of the top 250 movies in America. demonstrating how far moviemaking remains from gender parity. When women filmmakers succeed, they do so against these odds.

Break the Frame (Oxford UP, 2025) is a collection of 24 career-spanning interviews with America's celebrated, reigning, and rising women filmmakers. Each conversation considers the director's complete filmography as a map of their evolving artistry and evidence of their unassailable contributions to a historically misogynist industry. Author Kevin Smokler listens as women filmmakers speak to the struggle and triumphs of developing and directing movies that are shaping how the film business sees women in the director's chair, and how their audiences see themselves and each other. This book is both an opportunity and invitation to devote one's time, admiration and enthusiasm to movies directed by women.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the twenty-first century alone, women filmmakers have succeeded at directing every size, genre, and style of motion picture. Their movies have won Oscars (<em>Free Solo</em>), made actors into household names (Jennifer Lawrence in <em>Winter's Bone</em>), received induction into the Library of Congress's National Film Registry (<em>Real Women Have Curves</em>), and become worldwide box office phenomena (<em>Captain Marvel, Deep Impact</em>). Nevertheless in 2023, the year of <em>Barbie</em>, women directed only 12% of the top 250 movies in America. demonstrating how far moviemaking remains from gender parity. When women filmmakers succeed, they do so against these odds.</p><p><br></p><p><a href="https://bookshop.org/a/12343/9780197619766"><em>Break the Frame</em></a><em> </em>(Oxford UP, 2025) is a collection of 24 career-spanning interviews with America's celebrated, reigning, and rising women filmmakers. Each conversation considers the director's complete filmography as a map of their evolving artistry and evidence of their unassailable contributions to a historically misogynist industry. Author Kevin Smokler listens as women filmmakers speak to the struggle and triumphs of developing and directing movies that are shaping how the film business sees women in the director's chair, and how their audiences see themselves and each other. This book is both an opportunity and invitation to devote one's time, admiration and enthusiasm to movies directed by women.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2979</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[66bca90e-187f-11f0-8205-5b5e7b89a62b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6979701878.mp3?updated=1744560166" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Shindell, "Lunar: A History of the Moon in Myths, Maps and Matter" (U Chicago Press, 2024)</title>
      <description>The first book to combine exquisite cartographical charts of the Moon with a thorough exploration of the Moon’s role in popular culture, science, and myth.

President John F. Kennedy’s rousing “We will go to the Moon” speech in 1961 before the US Congress catalyzed the celebrated Apollo program, spurring the US Geological Survey’s scientists to map the Moon. Over the next eleven years a team of twenty-two, including a dozen illustrator-cartographers, created forty-four charts that forever changed the path of space exploration.For the first time, each of those beautifully hand-drawn, colorful charts is presented together in one stunning book. In Lunar: A History of the Moon in Myths, Maps and Matter (U Chicago Press, 2024), National Air and Space Museum curator Matthew Shindell’s expert commentary accompanies each chart, along with the key geological characteristics and interpretations that were set out in the original Geologic Atlas of the Moon. Interwoven throughout the book are contributions from scholars devoted to studying the multifaceted significance of the Moon to humankind around the world. Traveling from the Stone Age to the present day, they explore a wide range of topics: the prehistoric lunar calendar; the role of the Moon in creation myths of Ancient Egypt, Greece, and Rome; the role of the Moon in astrology; the importance of the Moon in establishing an Earth-centered solar system; the association of the Moon with madness and the menstrual cycle; how the Moon governs the tides; and the use of the Moon in surrealist art.Combining a thoughtful retelling of the Moon’s cultural associations throughout history with the beautifully illustrated and scientifically accurate charting of its surface, Lunar is a stunning celebration of the Moon in all its guises.

Gabriela Radulescu is a Guggenheim Postdoctoral Fellow at the Smithsonian National Air and Space Museum. Gabriela holds a PhD in the history of science from the Technical University of Berlin. Her dissertation “A History of Communication with Extraterrestrial Intelligence (CETI): Astronautics and Radio Astronomy Across the Iron Curtain (1956-1976)” examined the political origins and history of the scientific field known to this day as the Search for Extraterrestrial Intelligence (SETI).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 22 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Shindell</itunes:subtitle>
      <itunes:summary>The first book to combine exquisite cartographical charts of the Moon with a thorough exploration of the Moon’s role in popular culture, science, and myth.

President John F. Kennedy’s rousing “We will go to the Moon” speech in 1961 before the US Congress catalyzed the celebrated Apollo program, spurring the US Geological Survey’s scientists to map the Moon. Over the next eleven years a team of twenty-two, including a dozen illustrator-cartographers, created forty-four charts that forever changed the path of space exploration.For the first time, each of those beautifully hand-drawn, colorful charts is presented together in one stunning book. In Lunar: A History of the Moon in Myths, Maps and Matter (U Chicago Press, 2024), National Air and Space Museum curator Matthew Shindell’s expert commentary accompanies each chart, along with the key geological characteristics and interpretations that were set out in the original Geologic Atlas of the Moon. Interwoven throughout the book are contributions from scholars devoted to studying the multifaceted significance of the Moon to humankind around the world. Traveling from the Stone Age to the present day, they explore a wide range of topics: the prehistoric lunar calendar; the role of the Moon in creation myths of Ancient Egypt, Greece, and Rome; the role of the Moon in astrology; the importance of the Moon in establishing an Earth-centered solar system; the association of the Moon with madness and the menstrual cycle; how the Moon governs the tides; and the use of the Moon in surrealist art.Combining a thoughtful retelling of the Moon’s cultural associations throughout history with the beautifully illustrated and scientifically accurate charting of its surface, Lunar is a stunning celebration of the Moon in all its guises.

Gabriela Radulescu is a Guggenheim Postdoctoral Fellow at the Smithsonian National Air and Space Museum. Gabriela holds a PhD in the history of science from the Technical University of Berlin. Her dissertation “A History of Communication with Extraterrestrial Intelligence (CETI): Astronautics and Radio Astronomy Across the Iron Curtain (1956-1976)” examined the political origins and history of the scientific field known to this day as the Search for Extraterrestrial Intelligence (SETI).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The first book to combine exquisite cartographical charts of the Moon with a thorough exploration of the Moon’s role in popular culture, science, and myth.</p>
<p>President John F. Kennedy’s rousing “We will go to the Moon” speech in 1961 before the US Congress catalyzed the celebrated Apollo program, spurring the US Geological Survey’s scientists to map the Moon. Over the next eleven years a team of twenty-two, including a dozen illustrator-cartographers, created forty-four charts that forever changed the path of space exploration.<br>For the first time, each of those beautifully hand-drawn, colorful charts is presented together in one stunning book. In <a href="https://bookshop.org/a/12343/9780226836515">Lunar: A History of the Moon in Myths, Maps and Matter </a>(U Chicago Press, 2024), National Air and Space Museum curator Matthew Shindell’s expert commentary accompanies each chart, along with the key geological characteristics and interpretations that were set out in the original <em>Geologic Atlas of the Moon</em>. Interwoven throughout the book are contributions from scholars devoted to studying the multifaceted significance of the Moon to humankind around the world. Traveling from the Stone Age to the present day, they explore a wide range of topics: the prehistoric lunar calendar; the role of the Moon in creation myths of Ancient Egypt, Greece, and Rome; the role of the Moon in astrology; the importance of the Moon in establishing an Earth-centered solar system; the association of the Moon with madness and the menstrual cycle; how the Moon governs the tides; and the use of the Moon in surrealist art.<br>Combining a thoughtful retelling of the Moon’s cultural associations throughout history with the beautifully illustrated and scientifically accurate charting of its surface, <em>Lunar </em>is a stunning celebration of the Moon in all its guises.</p>
<p><em>Gabriela Radulescu is a Guggenheim Postdoctoral Fellow at the Smithsonian National Air and Space Museum. Gabriela holds a PhD in the history of science from the Technical University of Berlin. Her dissertation “A History of Communication with Extraterrestrial Intelligence (CETI): Astronautics and Radio Astronomy Across the Iron Curtain (1956-1976)” examined the political origins and history of the scientific field known to this day as the Search for Extraterrestrial Intelligence (SETI).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4149</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Lucia Soriano, "Embodying Normalcy: Women's Work in Neoliberal Times" (Lexington Books, 2024)</title>
      <description>Embodying Normalcy: Women’s Work in Neoliberal Times (Lexington Books, 2024) calls attention to how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture. Using TLC reality shows, lifestyle and beauty influencers, Brazilian butt lift TikToks, and celebrities like Kim Kardashian as her archive, Lucia Soriano delivers four case studies that draw on gender studies, media studies, disability studies, and American studies to illustrate how the prerequisite for women to succeed in neoliberal culture calls for them to treat their bodies as projects that must be transformed every day.

Author Lucia Soriano is assistant professor in women’s, gender, and sexuality studies and ethnic studies at Albion College.

The episode is hosted by Ailin Zhou, PhD student in Film &amp; Digital Media at University of California - Santa Cruz.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 17 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>251</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lucia Soriano</itunes:subtitle>
      <itunes:summary>Embodying Normalcy: Women’s Work in Neoliberal Times (Lexington Books, 2024) calls attention to how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture. Using TLC reality shows, lifestyle and beauty influencers, Brazilian butt lift TikToks, and celebrities like Kim Kardashian as her archive, Lucia Soriano delivers four case studies that draw on gender studies, media studies, disability studies, and American studies to illustrate how the prerequisite for women to succeed in neoliberal culture calls for them to treat their bodies as projects that must be transformed every day.

Author Lucia Soriano is assistant professor in women’s, gender, and sexuality studies and ethnic studies at Albion College.

The episode is hosted by Ailin Zhou, PhD student in Film &amp; Digital Media at University of California - Santa Cruz.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781666919424">Embodying Normalcy: Women’s Work in Neoliberal Times</a> (Lexington Books, 2024) calls attention to how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture. Using TLC reality shows, lifestyle and beauty influencers, Brazilian butt lift TikToks, and celebrities like Kim Kardashian as her archive, Lucia Soriano delivers four case studies that draw on gender studies, media studies, disability studies, and American studies to illustrate how the prerequisite for women to succeed in neoliberal culture calls for them to treat their bodies as projects that must be transformed every day.</p>
<p>Author Lucia Soriano<strong> </strong>is assistant professor in women’s, gender, and sexuality studies and ethnic studies at Albion College.</p>
<p>The episode is hosted by Ailin Zhou, PhD student in Film &amp; Digital Media at University of California - Santa Cruz.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3201</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Matthew Restall, "On Elton John: An Opinionated Guide" (Oxford UP, 2025)</title>
      <description>Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated.

Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies.

Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 16 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Restall</itunes:subtitle>
      <itunes:summary>Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated.

Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies.

Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.<br>In contrast, <a href="https://bookshop.org/a/12343/9780197684825">On Elton John: An Opinionated Guide</a><em> </em>(Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated.</p>
<p>Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies.</p>
<p><em>Caleb Zakarin is editor at the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4803</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cb7042e4-30de-11f0-a7e7-8fd326e0f5ee]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3938482484.mp3?updated=1747239505" length="0" type="audio/mpeg"/>
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    <item>
      <title>Annie Zaleski, "I Got You Babe: A Celebration of Cher" (Running Press Adult, 2025)</title>
      <description>Covering her life and sixty-year career from Sonny &amp; Cher to show-stopping solo performer, award-winning actress, fashion icon, and beyond, this is a glorious retrospective of one of the world's most enduring entertainers, Cher. Featuring a foreword by Cyndi Lauper!

Commemorating six decades since her first #1 hit in 1965, I Got You Babe (Running Press, 2025) captures Cher's one-of-a-kind life. Written by award-winning writer and editor Annie Zaleski, this celebration of the fearless, down-to-earth "Goddess of Pop" explores key moments in her life and career in words and photos.




Amid these moments are photo after photo of some of the most eye-popping outfits ever worn in life and on stage. As an avid clothes horse who wasn't afraid to wear a see-through dress to the Met Gala in 1974, Cher's many looks will be given their due in this engaging, career-spanning retrospective.

Annie Zaleski is an award-winning writer and editor who's contributed to NPR Music, Salon, Rolling Stone, and The Guardian. She's also the author of multiple books, including an extensive look at Duran Duran's Rio for Bloomsbury's prestigious 33 1/3 series, and biographies of pop stars Lady Gaga and P!nk. She interviewed Cher ahead of her 2016 Las Vegas residency and praised the icon in a career-spanning 2021 Salon piece; additionally, she wrote about the intriguing backstory of Sonny &amp; Cher's "I Got You Babe" in Running Press's forthcoming book We Found Love, Song by Song.

Annie Zaleski on Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 15 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Annie Zaleski</itunes:subtitle>
      <itunes:summary>Covering her life and sixty-year career from Sonny &amp; Cher to show-stopping solo performer, award-winning actress, fashion icon, and beyond, this is a glorious retrospective of one of the world's most enduring entertainers, Cher. Featuring a foreword by Cyndi Lauper!

Commemorating six decades since her first #1 hit in 1965, I Got You Babe (Running Press, 2025) captures Cher's one-of-a-kind life. Written by award-winning writer and editor Annie Zaleski, this celebration of the fearless, down-to-earth "Goddess of Pop" explores key moments in her life and career in words and photos.




Amid these moments are photo after photo of some of the most eye-popping outfits ever worn in life and on stage. As an avid clothes horse who wasn't afraid to wear a see-through dress to the Met Gala in 1974, Cher's many looks will be given their due in this engaging, career-spanning retrospective.

Annie Zaleski is an award-winning writer and editor who's contributed to NPR Music, Salon, Rolling Stone, and The Guardian. She's also the author of multiple books, including an extensive look at Duran Duran's Rio for Bloomsbury's prestigious 33 1/3 series, and biographies of pop stars Lady Gaga and P!nk. She interviewed Cher ahead of her 2016 Las Vegas residency and praised the icon in a career-spanning 2021 Salon piece; additionally, she wrote about the intriguing backstory of Sonny &amp; Cher's "I Got You Babe" in Running Press's forthcoming book We Found Love, Song by Song.

Annie Zaleski on Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Covering her life and sixty-year career from <em>Sonny &amp; Cher</em> to show-stopping solo performer, award-winning actress, fashion icon, and beyond, this is a glorious retrospective of one of the world's most enduring entertainers, Cher. Featuring a foreword by Cyndi Lauper!</p>
<p>Commemorating six decades since her first #1 hit in 1965,<a href="https://bookshop.org/a/12343/9780762489800"> </a><a href="https://bookshop.org/a/12343/9780762489800">I Got You Babe</a><em> </em>(Running Press, 2025) captures Cher's one-of-a-kind life. Written by award-winning writer and editor Annie Zaleski, this celebration of the fearless, down-to-earth "Goddess of Pop" explores key moments in her life and career in words and photos.<br></p>
<ul>
<br>
</ul>
<p>Amid these moments are photo after photo of some of the most eye-popping outfits ever worn in life and on stage. As an avid clothes horse who wasn't afraid to wear a see-through dress to the Met Gala in 1974, Cher's many looks will be given their due in this engaging, career-spanning retrospective.</p>
<p>Annie Zaleski is an award-winning writer and editor who's contributed to NPR Music, <em>Salon</em>, <em>Rolling Stone</em>, and <em>The Guardian</em>. She's also the author of multiple books, including an extensive look at Duran Duran's <em>Rio</em> for Bloomsbury's prestigious 33 1/3 series, and biographies of pop stars Lady Gaga and P!nk. She interviewed Cher ahead of her 2016 Las Vegas residency and praised the icon in a career-spanning 2021 <em>Salon</em> piece; additionally, she wrote about the intriguing backstory of Sonny &amp; Cher's "I Got You Babe" in Running Press's forthcoming book <em>We Found Love, Song by Song</em>.</p>
<p>Annie Zaleski on <a href="https://bsky.app/profile/anniezaleski.bsky.social">Bluesky</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (Louisiana State University Press, June 2025) and <a href="https://geminibooks.com/books/gemini-adult/u2">U2: Until the End of the World</a> (Gemini Books, October 2025).</p>
<p>Bradley Morgan on <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3151</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5e8494f2-3019-11f0-93bd-fb1c98f3de5b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7640204751.mp3?updated=1747155249" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vincent L Stephens, "Broads, Sisters, Exes: Feminist Millennial Television" (Wayne State UP, 2025)</title>
      <description>This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives. 

Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 14 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>158</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vincent Stephens</itunes:subtitle>
      <itunes:summary>This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives. 

Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author <a href="https://www.bu.edu/cas/profile/vincent-stephens/">Vincent L. Stephens</a> offers close readings of nine pivotal series, including <em>Girls</em>, <em>Orange Is the New Black</em>, <em>Broad City</em>, <em>Jane the Virgin</em>, <em>Crazy Ex-Girlfriend</em>, <em>Fleabag</em>, <em>Insecure</em>, <em>Shrill</em>, and <em>I May Destroy You</em>. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives. </p>
<p><a href="https://bookshop.org/a/12343/9780814350263">Broads, Sisters, Exes: Feminist Millennial Television</a> (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7a318270-2f68-11f0-95f1-73c9b714ebb7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9155294656.mp3?updated=1747081938" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert F. Darden and Stephen M. Newby, "Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch" (Oxford UP, 2025)</title>
      <description>Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch (Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.

10 Songs chosen by the authors:


  The Blood (Will Never Lose Its Power)

  I’ve Got Confidence

  My Tribute (to God be the Glory)

  Satisfied

  Bless His Holy Name

  Take Me Back

  Soon and Very Soon

  Bless His Holy Name

  Jesus is the Answer

  Just Like He Said He Would


Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for Billboard magazine.

Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.

Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert F. Darden and Stephen M. Newby</itunes:subtitle>
      <itunes:summary>Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch (Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.

10 Songs chosen by the authors:


  The Blood (Will Never Lose Its Power)

  I’ve Got Confidence

  My Tribute (to God be the Glory)

  Satisfied

  Bless His Holy Name

  Take Me Back

  Soon and Very Soon

  Bless His Holy Name

  Jesus is the Answer

  Just Like He Said He Would


Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for Billboard magazine.

Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.

Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, <a href="https://bookshop.org/a/12343/9780197748121">Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch</a><em> </em>(Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.</p>
<p>10 Songs chosen by the authors:</p>
<ul>
  <li>The Blood (Will Never Lose Its Power)</li>
  <li>I’ve Got Confidence</li>
  <li>My Tribute (to God be the Glory)</li>
  <li>Satisfied</li>
  <li>Bless His Holy Name</li>
  <li>Take Me Back</li>
  <li>Soon and Very Soon</li>
  <li>Bless His Holy Name</li>
  <li>Jesus is the Answer</li>
  <li>Just Like He Said He Would</li>
</ul>
<p>Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for <em>Billboard</em> magazine.<br></p>
<p>Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.</p>
<p><em>Caleb Zakarin is editor at the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3116</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c4fe848-2f62-11f0-8200-0fde15485861]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5867323706.mp3?updated=1747076196" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Politics of Andor (Season 2 Episodes 7-9): Truth and Discipline</title>
      <description>It’s the UConn Popcast, and we continue our analysis of Andor season 2 with episodes 7-9.

We break down the politics of these episodes, focusing on the question of when in a rebellion must you break cover and insist - publicly - on the truth. We see a second major theme of this arc as discipline. The rebellion is moving from a para-military to a military posture, and requires increasing discipline from its members as it does so. Further, Cassian fights a battle in this arc between his belief that he makes his own decisions, and the discipline enforced on him by the needs of the rebellion and his own destiny. 

We consider how these themes of truth and discipline intersect with and shape the actions of Mon Mothma, Cassian Andor, Bix, Dedra, and Syril.

We were delighted to be joined this week by Prof. Rob Farley. Rob blogs at Lawyers, Guns, and Money.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 12 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and we continue our analysis of Andor season 2 with episodes 7-9.

We break down the politics of these episodes, focusing on the question of when in a rebellion must you break cover and insist - publicly - on the truth. We see a second major theme of this arc as discipline. The rebellion is moving from a para-military to a military posture, and requires increasing discipline from its members as it does so. Further, Cassian fights a battle in this arc between his belief that he makes his own decisions, and the discipline enforced on him by the needs of the rebellion and his own destiny. 

We consider how these themes of truth and discipline intersect with and shape the actions of Mon Mothma, Cassian Andor, Bix, Dedra, and Syril.

We were delighted to be joined this week by Prof. Rob Farley. Rob blogs at Lawyers, Guns, and Money.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">UConn Popcast</a>, and we continue our analysis of Andor season 2 with episodes 7-9.</p>
<p>We break down the politics of these episodes, focusing on the question of when in a rebellion must you break cover and insist - publicly - on the truth. We see a second major theme of this arc as discipline. The rebellion is moving from a para-military to a military posture, and requires increasing discipline from its members as it does so. Further, Cassian fights a battle in this arc between his belief that he makes his own decisions, and the discipline enforced on him by the needs of the rebellion and his own destiny. </p>
<p>We consider how these themes of truth and discipline intersect with and shape the actions of Mon Mothma, Cassian Andor, Bix, Dedra, and Syril.</p>
<p>We were delighted to be joined this week by Prof. Rob Farley. Rob blogs at <a href="https://www.lawyersgunsmoneyblog.com/">Lawyers, Guns, and Money</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4078</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[66227f8a-2d0d-11f0-aba8-ef01aeefecfc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4498181000.mp3?updated=1746820816" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian M. Ingrassia, "Speed Capital: Indianapolis Auto Racing and the Making of Modern America" (</title>
      <description>The 1909 opening of the Indianapolis Motor Speedway marked a foundational moment in the history of automotive racing. Events at the famed track and others like it also helped launch America's love affair with cars and an embrace of road systems that transformed cities and shrank perceptions of space.

Brian Ingrassia tells the story of the legendary oval's early decades. This story revolves around Speedway cofounder and visionary businessman Carl Graham Fisher, whose leadership in the building of the transcontinental Lincoln Highway and the iconic Dixie Highway had an enormous impact on American mobility. Ingrassia looks at the Speedway's history as a testing ground for cars and airplanes, its multiple close brushes with demolition, and the process by which racing became an essential part of the Golden Age of Sports. At the same time, he explores how the track's past reveals the potent links between sports capitalism and the selling of nostalgia, tradition, and racing legends.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 11 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The 1909 opening of the Indianapolis Motor Speedway marked a foundational moment in the history of automotive racing. Events at the famed track and others like it also helped launch America's love affair with cars and an embrace of road systems that transformed cities and shrank perceptions of space.

Brian Ingrassia tells the story of the legendary oval's early decades. This story revolves around Speedway cofounder and visionary businessman Carl Graham Fisher, whose leadership in the building of the transcontinental Lincoln Highway and the iconic Dixie Highway had an enormous impact on American mobility. Ingrassia looks at the Speedway's history as a testing ground for cars and airplanes, its multiple close brushes with demolition, and the process by which racing became an essential part of the Golden Age of Sports. At the same time, he explores how the track's past reveals the potent links between sports capitalism and the selling of nostalgia, tradition, and racing legends.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 1909 opening of the Indianapolis Motor Speedway marked a foundational moment in the history of automotive racing. Events at the famed track and others like it also helped launch America's love affair with cars and an embrace of road systems that transformed cities and shrank perceptions of space.</p>
<p>Brian Ingrassia tells the story of the legendary oval's early decades. This story revolves around Speedway cofounder and visionary businessman Carl Graham Fisher, whose leadership in the building of the transcontinental Lincoln Highway and the iconic Dixie Highway had an enormous impact on American mobility. Ingrassia looks at the Speedway's history as a testing ground for cars and airplanes, its multiple close brushes with demolition, and the process by which racing became an essential part of the Golden Age of Sports. At the same time, he explores how the track's past reveals the potent links between sports capitalism and the selling of nostalgia, tradition, and racing legends.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[313620c6-2ce8-11f0-b7f3-6b61bc7d8726]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4770666080.mp3?updated=1746804009" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tracy Fullerton and Matthew Farber, "The Well-Read Game: On Playing Thoughtfully" (MIT Press, 2025)</title>
      <description>How players evoke personal and subjective meanings through a new theory of player response. 

In The Well-Read Game: On Playing Thoughtfully (MIT Press, 2025), Tracy Fullerton and Matthew Farber explore the experiences we have when we play games: not the outcomes of play or the aesthetics of formal game structures but the ephemeral and emotional experiences of being in play. These are the private stories we tell ourselves as we play, the questions we ask, and our reactions to the game’s intent. These experiences are called “readings” because they involve so many of the aspects of engaging with literary, cinematic, and other expressive texts. A game that is experienced in such a way can be called “well-read,” rather than, or as well as, “well-played,” because of the personal, interpretive nature of that experience and the way in which it relates to our reading of texts of all kinds. The concept of the “well-read game” exists at the convergence of literary, media, and play theories—specifically, the works of Louise Rosenblatt’s reader-response theory, Brian Upton’s situational game theory, Tracy Fullerton’s playcentric design theory, and Bernie DeKoven’s well-played game philosophy. Each of these theories, from their own perspective, challenges notions of a separate, objective, or authorial meaning in a text and underscores the richness that arises from the varied responses of readers, who coauthor the meaning of each text through their active engagement with it. When taken together, these theories point to a richer understanding of what a game is and how we might better value our experiences with games to become more thoughtful readers of their essential meanings.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 10 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tracy Fullerton and Matthew Farber</itunes:subtitle>
      <itunes:summary>How players evoke personal and subjective meanings through a new theory of player response. 

In The Well-Read Game: On Playing Thoughtfully (MIT Press, 2025), Tracy Fullerton and Matthew Farber explore the experiences we have when we play games: not the outcomes of play or the aesthetics of formal game structures but the ephemeral and emotional experiences of being in play. These are the private stories we tell ourselves as we play, the questions we ask, and our reactions to the game’s intent. These experiences are called “readings” because they involve so many of the aspects of engaging with literary, cinematic, and other expressive texts. A game that is experienced in such a way can be called “well-read,” rather than, or as well as, “well-played,” because of the personal, interpretive nature of that experience and the way in which it relates to our reading of texts of all kinds. The concept of the “well-read game” exists at the convergence of literary, media, and play theories—specifically, the works of Louise Rosenblatt’s reader-response theory, Brian Upton’s situational game theory, Tracy Fullerton’s playcentric design theory, and Bernie DeKoven’s well-played game philosophy. Each of these theories, from their own perspective, challenges notions of a separate, objective, or authorial meaning in a text and underscores the richness that arises from the varied responses of readers, who coauthor the meaning of each text through their active engagement with it. When taken together, these theories point to a richer understanding of what a game is and how we might better value our experiences with games to become more thoughtful readers of their essential meanings.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How players evoke personal and subjective meanings through a new theory of player response. </p>
<p>In <a href="https://bookshop.org/a/12343/9780262552233">The Well-Read Game: On Playing Thoughtfully</a> (MIT Press, 2025), Tracy Fullerton and Matthew Farber explore the experiences we have when we play games: not the outcomes of play or the aesthetics of formal game structures but the ephemeral and emotional experiences of being in play. These are the private stories we tell ourselves as we play, the questions we ask, and our reactions to the game’s intent. These experiences are called “readings” because they involve so many of the aspects of engaging with literary, cinematic, and other expressive texts. A game that is experienced in such a way can be called “well-read,” rather than, or as well as, “well-played,” because of the personal, interpretive nature of that experience and the way in which it relates to our reading of texts of all kinds. The concept of the “well-read game” exists at the convergence of literary, media, and play theories—specifically, the works of Louise Rosenblatt’s reader-response theory, Brian Upton’s situational game theory, Tracy Fullerton’s playcentric design theory, and Bernie DeKoven’s well-played game philosophy. Each of these theories, from their own perspective, challenges notions of a separate, objective, or authorial meaning in a text and underscores the richness that arises from the varied responses of readers, who coauthor the meaning of each text through their active engagement with it. When taken together, these theories point to a richer understanding of what a game is and how we might better value our experiences with games to become more thoughtful readers of their essential meanings.</p>
<p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e85d31e4-2b77-11f0-9584-2f10ed8a78e1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8520578695.mp3?updated=1746645823" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Harry Castleman and Walter J. Podrazik, "Watching TV: American Television Season by Season, Fourth Edition" (Syracuse UP, 2024)</title>
      <description>In their fourth edition of Watching TV: American Television Season by Season (Syracuse University Press, 2025), Harry Castleman and Walter Podrazik present a season-by-season narrative that encompasses the eras of American television from the beginning in broadcast, through cable, and now streaming. They deftly navigate the dizzying array of contemporary choices so that no matter where you start on the media timeline, Watching TV provides the context and background to this multi-billion-dollar enterprise. 

Drawing on decades of research, the authors weave together personalities, popular shows, corporate strategies, historical events, and changing technologies, enhancing the main commentary with additional elements that include fall prime time schedule grids for every season, date box timelines, highlighted key text, and selected photos. Full of facts, firsts, insights, and exploits from now back to the earliest days, Watching TV is the standard chronology of American television, and reading it is akin to channel surfing through history. The fourth edition updates the story into the 2020s and looks ahead to the next waves of change. This new edition is the first to also be available in a digital format.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 09 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Harry Castleman</itunes:subtitle>
      <itunes:summary>In their fourth edition of Watching TV: American Television Season by Season (Syracuse University Press, 2025), Harry Castleman and Walter Podrazik present a season-by-season narrative that encompasses the eras of American television from the beginning in broadcast, through cable, and now streaming. They deftly navigate the dizzying array of contemporary choices so that no matter where you start on the media timeline, Watching TV provides the context and background to this multi-billion-dollar enterprise. 

Drawing on decades of research, the authors weave together personalities, popular shows, corporate strategies, historical events, and changing technologies, enhancing the main commentary with additional elements that include fall prime time schedule grids for every season, date box timelines, highlighted key text, and selected photos. Full of facts, firsts, insights, and exploits from now back to the earliest days, Watching TV is the standard chronology of American television, and reading it is akin to channel surfing through history. The fourth edition updates the story into the 2020s and looks ahead to the next waves of change. This new edition is the first to also be available in a digital format.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their fourth edition of <a href="https://bookshop.org/a/12343/9780815611721">Watching TV: American Television Season by Season</a><em> </em>(Syracuse University Press, 2025), Harry Castleman and Walter Podrazik present a season-by-season narrative that encompasses the eras of American television from the beginning in broadcast, through cable, and now streaming. They deftly navigate the dizzying array of contemporary choices so that no matter where you start on the media timeline, <em>Watching TV</em> provides the context and background to this multi-billion-dollar enterprise. </p>
<p>Drawing on decades of research, the authors weave together personalities, popular shows, corporate strategies, historical events, and changing technologies, enhancing the main commentary with additional elements that include fall prime time schedule grids for every season, date box timelines, highlighted key text, and selected photos. Full of facts, firsts, insights, and exploits from now back to the earliest days, <em>Watching TV</em> is the standard chronology of American television, and reading it is akin to channel surfing through history. The fourth edition updates the story into the 2020s and looks ahead to the next waves of change. This new edition is the first to also be available in a digital format.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3970</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3558ed48-2b65-11f0-a34d-87b3aabcdf65]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3623695469.mp3?updated=1746638382" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eunji Kim, "The American Mirage: How Reality TV Upholds the Myth of Meritocracy" (Princeton UP, 2025)</title>
      <description>In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. The American Mirage: How Reality TV Upholds the Myth of Meritocracy (Princeton University Press, 2025) addresses this puzzle by exposing the stark reality of today’s media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation.Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news. Instead, millions flock to entertainment programs that showcase real-life success stories, such as American Idol, Shark Tank, and MasterChef. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news.By taking seriously what people casually watch every day, The American Mirage shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people’s lives.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 06 May 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>291</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eunji Kim</itunes:subtitle>
      <itunes:summary>In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. The American Mirage: How Reality TV Upholds the Myth of Meritocracy (Princeton University Press, 2025) addresses this puzzle by exposing the stark reality of today’s media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation.Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news. Instead, millions flock to entertainment programs that showcase real-life success stories, such as American Idol, Shark Tank, and MasterChef. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news.By taking seriously what people casually watch every day, The American Mirage shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people’s lives.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. <a href="https://bookshop.org/a/12343/9780691267197">The American Mirage: How Reality TV Upholds the Myth of Meritocracy</a> (Princeton University Press, 2025) addresses this puzzle by exposing the stark reality of today’s media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation.<br>Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news. Instead, millions flock to entertainment programs that showcase real-life success stories, such as American Idol, Shark Tank, and MasterChef. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news.<br>By taking seriously what people casually watch every day, <em>The American Mirage</em> shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people’s lives.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2223</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cf740764-283b-11f0-bb1c-3f16b30dccb6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4399915844.mp3?updated=1746290217" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katie Milestone and Simon A. Morrison, "Transatlantic Drift: The Ebb and Flow of Dance Music" (Reaktion Books, 2025)</title>
      <description>Transatlantic Drift: The Ebb and Flow of Dance Music (Reaktion, 2025) by Dr. Katie Milestone &amp; Dr. Simon A. Morrison explores the emergence and evolution of nightclubs and electronic dance music from the 1950s onwards. It traces the rhythmic journey of dance music, following the pulse as it bounced between Europe, North America and the Caribbean. Music, dance styles and nightclub spaces are not created in isolation; they are shaped by collective influences and shared experiences. This book uncovers the interconnected story of dance music, taking in hotspots such as New York, Detroit, London, Manchester, Chicago, Düsseldorf and Ibiza. Transatlantic Drift offers an engaging exploration of how people have come together to share melodies and rhythms, forming a global conversation through electronic music.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 04 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>279</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katie Milestone and Simon A. Morrison</itunes:subtitle>
      <itunes:summary>Transatlantic Drift: The Ebb and Flow of Dance Music (Reaktion, 2025) by Dr. Katie Milestone &amp; Dr. Simon A. Morrison explores the emergence and evolution of nightclubs and electronic dance music from the 1950s onwards. It traces the rhythmic journey of dance music, following the pulse as it bounced between Europe, North America and the Caribbean. Music, dance styles and nightclub spaces are not created in isolation; they are shaped by collective influences and shared experiences. This book uncovers the interconnected story of dance music, taking in hotspots such as New York, Detroit, London, Manchester, Chicago, Düsseldorf and Ibiza. Transatlantic Drift offers an engaging exploration of how people have come together to share melodies and rhythms, forming a global conversation through electronic music.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781836390732">Transatlantic Drift: The Ebb and Flow of Dance Music</a> (Reaktion, 2025) by Dr. Katie Milestone &amp; Dr. Simon A. Morrison explores the emergence and evolution of nightclubs and electronic dance music from the 1950s onwards. It traces the rhythmic journey of dance music, following the pulse as it bounced between Europe, North America and the Caribbean. Music, dance styles and nightclub spaces are not created in isolation; they are shaped by collective influences and shared experiences. This book uncovers the interconnected story of dance music, taking in hotspots such as New York, Detroit, London, Manchester, Chicago, Düsseldorf and Ibiza. Transatlantic Drift offers an engaging exploration of how people have come together to share melodies and rhythms, forming a global conversation through electronic music.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2406</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b881cd96-275c-11f0-9f69-97c89269555c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7167934608.mp3?updated=1746216813" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Politics of Andor (Season 2 Episodes 4-6): Too Much Information</title>
      <description>It’s the UConn Popcast, and we continue our analysis of Andor season 2 with episodes 4-6. We break down the politics of these episodes, focusing on the mirrored political challenges faced by figures from the Empire and the Rebellion. We see a big theme of these episodes as “too much information,” as both sides struggle to distinguish friend from foe, signal from noise, the authentic from the inauthentic. We discuss classic political problems portrayed in the episodes such as collective action problems, anticipatory compliance, preference falsification, and treating people as means or as ends in and of themselves.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 03 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and we continue our analysis of Andor season 2 with episodes 4-6. We break down the politics of these episodes, focusing on the mirrored political challenges faced by figures from the Empire and the Rebellion. We see a big theme of these episodes as “too much information,” as both sides struggle to distinguish friend from foe, signal from noise, the authentic from the inauthentic. We discuss classic political problems portrayed in the episodes such as collective action problems, anticipatory compliance, preference falsification, and treating people as means or as ends in and of themselves.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">UConn Popcast</a>, and we continue our analysis of Andor season 2 with episodes 4-6. We break down the politics of these episodes, focusing on the mirrored political challenges faced by figures from the Empire and the Rebellion. We see a big theme of these episodes as “too much information,” as both sides struggle to distinguish friend from foe, signal from noise, the authentic from the inauthentic. We discuss classic political problems portrayed in the episodes such as collective action problems, anticipatory compliance, preference falsification, and treating people as means or as ends in and of themselves.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3204</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d1e2a5de-26c2-11f0-9a09-8fd21a475b81]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1187839700.mp3?updated=1746128498" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amanda D. Lotz, "After Mass Media: Storytelling for Microaudiences in the Twenty-First Century" (NYU Press, 2025)</title>
      <description>With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences.

Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer.

Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures.

Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 02 May 2025 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amanda D. Lotz</itunes:subtitle>
      <itunes:summary>With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences.

Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer.

Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures.

Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like <em>Friends</em> aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as <em>Atlanta</em>, <em>Better Things</em>, and dozens of others that are not widely known, but deeply loved by their microaudiences.</p>
<p>Delving into the changing landscape of commercial screen storytelling, <a href="https://bookshop.org/a/12343/9781479833917">After Mass Media: Storytelling for Microaudiences in the Twenty-First Century</a> (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer.</p>
<p>Through its comprehensive analysis, <em>After Mass Media</em> exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures.</p>
<p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3689</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fd2046f0-269c-11f0-bf1e-9356cbd38d91]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7898879289.mp3?updated=1746114860" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lynn Downey, "American Dude Ranch: A Touch of the Cowboy and the Thrill of the West" (U Oklahoma Press, 2022)</title>
      <description>In American Dude Ranch: A Touch of the Cowboy and the Thrill of the West (U Oklahoma Press, 2022), historian Lynn Downey offers a cultural history of the dude ranch as a distinctly American invention—one that sits at the crossroads of fantasy and labor, leisure and land, myth and modernity. Instead of treating dude ranches as a kitschy "cowboy for a week" retreat, Downey situates them within the larger history of how the American West has been imagined and sold. Dude ranching reflected the romanticism of cowboy masculinity, even as it helped produce it, yet still carved out a space where women could shape their own adventures.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 30 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>185</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lynn Downey</itunes:subtitle>
      <itunes:summary>In American Dude Ranch: A Touch of the Cowboy and the Thrill of the West (U Oklahoma Press, 2022), historian Lynn Downey offers a cultural history of the dude ranch as a distinctly American invention—one that sits at the crossroads of fantasy and labor, leisure and land, myth and modernity. Instead of treating dude ranches as a kitschy "cowboy for a week" retreat, Downey situates them within the larger history of how the American West has been imagined and sold. Dude ranching reflected the romanticism of cowboy masculinity, even as it helped produce it, yet still carved out a space where women could shape their own adventures.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780806180229">American Dude Ranch: A Touch of the Cowboy and the Thrill of the West </a>(U Oklahoma Press, 2022), historian Lynn Downey offers a cultural history of the dude ranch as a distinctly American invention—one that sits at the crossroads of fantasy and labor, leisure and land, myth and modernity. Instead of treating dude ranches as a kitschy "cowboy for a week" retreat, Downey situates them within the larger history of how the American West has been imagined and sold. Dude ranching reflected the romanticism of cowboy masculinity, even as it helped produce it, yet still carved out a space where women could shape their own adventures.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2543</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bba88898-245f-11f0-b86c-870ff61a083a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7941521497.mp3?updated=1745866000" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Television, Translation, and Algorithms on Netflix</title>
      <description>How do media producers appeal to international audiences in the streaming era?

In this episode of the Global Media &amp; Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation.

In this episode you will hear about:


  Why melodrama became an important genre in the development of Netflix’s original series across Latin America



  How translation affects the reception of television in Mexico and Italy



  The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures


The Global Media &amp; Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.

Guest Biography:

Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies.

Host Biography:

Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen’s University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025).

Credits﻿Interview by: Juan Llamas-Rodriguez

Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik

Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 29 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Elia Cornelio Marí</itunes:subtitle>
      <itunes:summary>How do media producers appeal to international audiences in the streaming era?

In this episode of the Global Media &amp; Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation.

In this episode you will hear about:


  Why melodrama became an important genre in the development of Netflix’s original series across Latin America



  How translation affects the reception of television in Mexico and Italy



  The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures


The Global Media &amp; Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.

Guest Biography:

Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies.

Host Biography:

Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen’s University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025).

Credits﻿Interview by: Juan Llamas-Rodriguez

Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik

Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do media producers appeal to international audiences in the streaming era?</p>
<p>In this episode of the Global Media &amp; Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation.</p>
<p>In this episode you will hear about:</p>
<ul>
  <li>Why melodrama became an important genre in the development of Netflix’s original series across Latin America</li>
</ul>
<ul>
  <li>How translation affects the reception of television in Mexico and Italy</li>
</ul>
<ul>
  <li>The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures</li>
</ul>
<p>The Global Media &amp; Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.</p>
<p><strong>Guest Biography:</strong></p>
<p><strong>Elia Cornelio Marí</strong> is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies.</p>
<p><strong>Host Biography:</strong></p>
<p><strong>Juan Llamas-Rodriguez</strong> is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of <em>Border Tunnels: A Media Theory of the US-Mexico Underground</em> (University of Minnesota Press, 2023) and <em>Y Tu Mamá También: A Queer Film Classic</em> (McGill-Queen’s University Press, 2025), and editor of <em>Media Travels: Toward an Atlas of Global Media</em> (Amherst College Press, 2025).</p>
<p><strong>Credits</strong>﻿<br>Interview by: Juan Llamas-Rodriguez</p>
<p>Produced by: Juan Llamas-Rodriguez<br>Edited by: Anna Gamarnik</p>
<p><strong>Keywords:</strong> algorithms, animation, dubbing, Mexico, Netflix, translation</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3236</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>The Politics of Andor (Season 2 Episodes 1-3): The Personal is Political</title>
      <description>It’s the UConn Popcast, and today we react to Andor Season 2, episodes 1-3. We break down the politics of these episodes, focusing on the motives and aims of the rebellion and the Empire. Both sides have major coordination problems in these episodes, although the causes are very different. We explain and analyze the recurrent problems of authoritarian control and rebellion against it, and the way Andor comments upon them. We see a major theme of these three episodes as “the personal is political,” as micro motives are tied to macro causes on all sides. We also explore the dynamics of misinformation, double-talk, and masks worn by Dedra, Mon Mothma, Luthen Rael, and Cassian. We argue that Cassian is perhaps the most confident and action-oriented character at this point in the show, as he is able to operate out in the open as a mature and competent rebel leader.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 28 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and today we react to Andor Season 2, episodes 1-3. We break down the politics of these episodes, focusing on the motives and aims of the rebellion and the Empire. Both sides have major coordination problems in these episodes, although the causes are very different. We explain and analyze the recurrent problems of authoritarian control and rebellion against it, and the way Andor comments upon them. We see a major theme of these three episodes as “the personal is political,” as micro motives are tied to macro causes on all sides. We also explore the dynamics of misinformation, double-talk, and masks worn by Dedra, Mon Mothma, Luthen Rael, and Cassian. We argue that Cassian is perhaps the most confident and action-oriented character at this point in the show, as he is able to operate out in the open as a mature and competent rebel leader.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">UConn Popcast</a>, and today we react to Andor Season 2, episodes 1-3. We break down the politics of these episodes, focusing on the motives and aims of the rebellion and the Empire. Both sides have major coordination problems in these episodes, although the causes are very different. We explain and analyze the recurrent problems of authoritarian control and rebellion against it, and the way Andor comments upon them. We see a major theme of these three episodes as “the personal is political,” as micro motives are tied to macro causes on all sides. We also explore the dynamics of misinformation, double-talk, and masks worn by Dedra, Mon Mothma, Luthen Rael, and Cassian. We argue that Cassian is perhaps the most confident and action-oriented character at this point in the show, as he is able to operate out in the open as a mature and competent rebel leader.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2968</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a69fb02e-2203-11f0-9875-7766c0d1dda3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9466399702.mp3?updated=1745606137" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Arogundade, "Hollywood Blackout: The Battle for Recognition in a White Hollywood" (Cassell, 2025)</title>
      <description>On February 29, 1940, African American actor Hattie McDaniel became the first person of color, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood's reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them. 
In Hollywood Blackout: The Battle for Inclusion at the Oscars (Octupus Publishing, 2025) author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, Indigenous peoples, and women throughout the decades, charting their progression to the Oscars podium, galvanized by defiant boycotts, civil rights protests, and social media activism. Through lenses of history, cinephelia, and social justice, Hollywood Blackout offers a backstage view for those seeking the real story of Hollywood, the Oscars, and the talents who fought to make change.
You can find and follow Ben at hollywoodblackout.com or arogundade.com. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 27 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>232</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Arogundade</itunes:subtitle>
      <itunes:summary>On February 29, 1940, African American actor Hattie McDaniel became the first person of color, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood's reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them. 
In Hollywood Blackout: The Battle for Inclusion at the Oscars (Octupus Publishing, 2025) author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, Indigenous peoples, and women throughout the decades, charting their progression to the Oscars podium, galvanized by defiant boycotts, civil rights protests, and social media activism. Through lenses of history, cinephelia, and social justice, Hollywood Blackout offers a backstage view for those seeking the real story of Hollywood, the Oscars, and the talents who fought to make change.
You can find and follow Ben at hollywoodblackout.com or arogundade.com. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On February 29, 1940, African American actor Hattie McDaniel became the first person of color, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood's reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them. </p><p>In <a href="https://bookshop.org/a/12343/9781788405492"><em>Hollywood Blackout: The Battle for Inclusion at the Oscars</em></a> (Octupus Publishing, 2025) author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, Indigenous peoples, and women throughout the decades, charting their progression to the Oscars podium, galvanized by defiant boycotts, civil rights protests, and social media activism. Through lenses of history, cinephelia, and social justice, <em>Hollywood Blackout</em> offers a backstage view for those seeking the real story of Hollywood, the Oscars, and the talents who fought to make change.</p><p>You can find and follow Ben at hollywoodblackout.com or <a href="https://arogundade.com/">arogundade.com</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4195</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[59592ae4-2149-11f0-8fee-0f8d4a763b38]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7506027740.mp3?updated=1745527527" length="0" type="audio/mpeg"/>
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    <item>
      <title>Emma Casey, "The Return of the Housewife: Why Women Are Still Cleaning Up" (Manchester UP, 2025)</title>
      <description>How has the rise of digital platforms changed domestic labour? In The Return of the Housewife: Why Women Are Still Cleaning Up (Manchester UP, 2025), Emma Casey, a Reader in Sociology at the University of York, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 26 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>525</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emma Casey</itunes:subtitle>
      <itunes:summary>How has the rise of digital platforms changed domestic labour? In The Return of the Housewife: Why Women Are Still Cleaning Up (Manchester UP, 2025), Emma Casey, a Reader in Sociology at the University of York, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How has the rise of digital platforms changed domestic labour? In <a href="https://bookshop.org/a/12343/9781526170972"><em>The Return of the Housewife: Why Women Are Still Cleaning Up</em></a><em> (Manchester UP, 2025),</em> <a href="https://bsky.app/profile/did:plc:7kbvs6thdli7qkdwhxjcvo2t">Emma Casey</a>, a <a href="https://www.york.ac.uk/sociology/people/emma-casey/">Reader in Sociology at the University of York</a>, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2132</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3dd9fc36-21e8-11f0-bd47-1bea21177e33]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3757761027.mp3?updated=1745594923" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Randy Laist and Brian Dixon, "Figures of Freedom: Representations of Agency in a Time of Crisis" (Fourth Horseman, 2024)</title>
      <description>Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography.
Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker’s conception in her 2022 book), or masculinized (Linda Zerilli’s idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner’s television series Mad Men, Don DeLillo’s Zero K, Jonathan Franzen’s Freedom, Ta-Nehisi Coate’s Between the World and Me, Colson Whitehead’s Underground Railroad, Pixar’s Toy Story films, Sam Esmail’s television series Mr. Robot, and many more.
Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 25 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography.
Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker’s conception in her 2022 book), or masculinized (Linda Zerilli’s idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner’s television series Mad Men, Don DeLillo’s Zero K, Jonathan Franzen’s Freedom, Ta-Nehisi Coate’s Between the World and Me, Colson Whitehead’s Underground Railroad, Pixar’s Toy Story films, Sam Esmail’s television series Mr. Robot, and many more.
Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.fourthhorsemanpress.com/library/figures-of-freedom"><em>Figures of Freedom: Representations of Agency in a Time of Crisis</em></a> takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography.</p><p>Broad questions are at the heart of <a href="https://www.fourthhorsemanpress.com/library/figures-of-freedom"><em>Figures of Freedom</em></a>: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker’s conception in her 2022 book), or masculinized (Linda Zerilli’s idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner’s television series <em>Mad Men</em>, Don DeLillo’s <em>Zero K</em>, Jonathan Franzen’s <em>Freedom</em>, Ta-Nehisi Coate’s <em>Between the World and Me</em>, Colson Whitehead’s <em>Underground Railroad</em>, Pixar’s <em>Toy Story</em> films, Sam Esmail’s television series <em>Mr. Robot</em>, and many more.</p><p><a href="https://www.fourthhorsemanpress.com/library/figures-of-freedom"><em>Figures of Freedom: Representations of Agency in a Time on Crisis</em></a> wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2886</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d4f50f30-2129-11f0-82c2-3f6ca7a78108]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2143323482.mp3?updated=1745513782" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Cartlidge, "The Rise of the Roguelite: Inside a Gaming Phenomenon" (CRC Press, 2025)</title>
      <description>The Rise of the Roguelite: Inside a Gaming Phenomenon (CRC Press, 2025) analyzes the wave of roguelite games that have appeared over the past decade, putting them in historical context, informing readers about their development out of and relation to the roguelike genre that inspired them. The book includes discussions of the historical development and significance of roguelites, critical perspectives on topics such as gender, politics, philosophy, analyses of the influence of roguelikes on roguelites, and discussions of design and mechanics. This book will appeal to those wishing to study and learn more about the roguelites, games studies students and researchers, and game designers interested in this genre.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.

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      <pubDate>Thu, 24 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Cartlidge</itunes:subtitle>
      <itunes:summary>The Rise of the Roguelite: Inside a Gaming Phenomenon (CRC Press, 2025) analyzes the wave of roguelite games that have appeared over the past decade, putting them in historical context, informing readers about their development out of and relation to the roguelike genre that inspired them. The book includes discussions of the historical development and significance of roguelites, critical perspectives on topics such as gender, politics, philosophy, analyses of the influence of roguelikes on roguelites, and discussions of design and mechanics. This book will appeal to those wishing to study and learn more about the roguelites, games studies students and researchers, and game designers interested in this genre.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.

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      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032541532">The Rise of the Roguelite: Inside a Gaming Phenomenon</a> (CRC Press, 2025) analyzes the wave of roguelite games that have appeared over the past decade, putting them in historical context, informing readers about their development out of and relation to the roguelike genre that inspired them. The book includes discussions of the historical development and significance of roguelites, critical perspectives on topics such as gender, politics, philosophy, analyses of the influence of roguelikes on roguelites, and discussions of design and mechanics. This book will appeal to those wishing to study and learn more about the roguelites, games studies students and researchers, and game designers interested in this genre.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p><br></p><p><em>Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download </em><a href="https://drive.google.com/file/d/18YFnB006Nb1ON9_LF2tKvDJjir4d6lLB/view?usp=sharing"><em>this poster here</em></a><em> to spread the word.</em></p><p><br></p><p><em>Please share this interview on </em><a href="https://www.instagram.com/newbooksnetwork"><em>Instagram</em></a><em>, </em><a href="https://www.linkedin.com/company/new-books-network/"><em>LinkedIn</em></a><em>, or </em><a href="https://bsky.app/profile/newbooksnetwork.bsky.social"><em>Bluesky</em></a><em>. Don't forget to subscribe to our Substack </em><a href="https://newbooksnetwork.substack.com/"><em>here</em></a><em> to receive our weekly newsletter.</em></p><p><br></p><p><em>150 million lifetime downloads. Advertise on the New Books Network. Watch our </em><a href="https://www.youtube.com/watch?v=XHIutaAFfOY"><em>promotional video</em></a><em>.</em></p><p><br></p><p><em>Learn how to </em><a href="https://www.youtube.com/watch?v=Bt7amE3ojGs&amp;t=2s"><em>make the most of our library</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1632</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Eike Exner, "Comics and the Origins of Manga: A Revisionist History" (Rutgers UP, 2021)</title>
      <description>Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.
Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.
By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eike Exner</itunes:subtitle>
      <itunes:summary>Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.
Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.
By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.</p><p><a href="https://bookshop.org/a/12343/9781978827226"><em>Comics and the Origins of Manga: A Revisionist History</em></a><em> </em>(Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.</p><p>By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, <em>Comics and the Origins of Manga</em> offers a new understanding of this increasingly influential artform.</p><p><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2674</itunes:duration>
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      <title>Ross Benes, "1999: The Year Low Culture Conquered America and Kickstarted Our Bizarre Times" (UP of Kansas, 2025)</title>
      <description>In 1999: The Year Low Culture Conquered America and Kickstarted our Bizarre Times (2025, University of Kansas Press) journalist Ross Benes examines low culture in the late 1990s. From pro wrestling and Pokémon to Vince McMahon and Jerry Springer, Benes reveals its profound impact and how it continues to affect our culture and society today. 
The year 1999 was a high-water mark for popular culture. According to one measure, it was the "best movie year ever." But as Benes shows, the end of the '90s was also a banner year for low culture. This was the heyday of Jerry Springer, Jenna Jameson, and Vince McMahon, among many others. Low culture had come into its own and was poised for world domination. The reverberations of this takeover continue to shape American society. During its New Year's Eve countdown, MTV entered 1999 with Limp Bizkit covering Prince's famous anthem to the new year. The highlights of the lowlights continued when WCW and WWE drew 35 million American viewers each week with sex appeal and stories about insurrections. Insane Clown Posse emerged from the underground with a Woodstock set and platinum records about magic and murder. Later that year, Dance Dance Revolution debuted in North America and Grand Theft Auto emerged as a major video game franchise. Beanie Babies and Pokemon so thoroughly seized the wallets and imagination of collectors that they created speculative investment bubbles that anticipated the faddish obsession over nonfungible tokens (NFTs). The trashy talk show Jerry Springer became daytime TV's most-watched program and grew so mainstream that Austin Powers, Sabrina the Teenage Witch, The Wayans Bros., The Simpsons, and The X-Files incorporated Springer into their own plots during the late '90s. Donald Trump even explored a potential presidential nomination with the Reform Party in 1999 and wanted his running mate to be Oprah Winfrey, whose own talk show would make Dr. Oz a household name. Among Springer's many guests were porn stars who, at the end of the millennium, were pursuing sex records in a bid for stardom as the pornography industry exploded, aided by sex scandals, new technology, and the drug Viagra, which marked its first full year on the US market in 1999. 
According to Benes, there are many lessons to learn from the year that low culture conquered the world. Talk shows and reality TV foreshadowed the way political movements grab power by capturing our attention. Pro wrestling mastered the art of "kayfabe"--the agreement to treat something as real and genuine when it is not--before it spread throughout American society, as political contests, corporate public relations campaigns, and nonprofit fundraising schemes have become their own wrestling matches that require a suspension of disbelief. Beanie Babies and Pokémon demonstrate capitalism's resiliency as well as its vulnerabilities. Legal and technological victories obtained by early internet pornographers show how the things people are ashamed of have the ability to influence the world. Insane Clown Posse's creation of loyal Juggalos illustrates the way religious and political leaders are able to generate faithful followers by selling themselves as persecuted outsiders. And the controversy over video game violence reveals how every generation finds new scapegoats. 1999 is not just a nostalgic look at the past. It is also a window into our contentious present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 22 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>208</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ross Benes</itunes:subtitle>
      <itunes:summary>In 1999: The Year Low Culture Conquered America and Kickstarted our Bizarre Times (2025, University of Kansas Press) journalist Ross Benes examines low culture in the late 1990s. From pro wrestling and Pokémon to Vince McMahon and Jerry Springer, Benes reveals its profound impact and how it continues to affect our culture and society today. 
The year 1999 was a high-water mark for popular culture. According to one measure, it was the "best movie year ever." But as Benes shows, the end of the '90s was also a banner year for low culture. This was the heyday of Jerry Springer, Jenna Jameson, and Vince McMahon, among many others. Low culture had come into its own and was poised for world domination. The reverberations of this takeover continue to shape American society. During its New Year's Eve countdown, MTV entered 1999 with Limp Bizkit covering Prince's famous anthem to the new year. The highlights of the lowlights continued when WCW and WWE drew 35 million American viewers each week with sex appeal and stories about insurrections. Insane Clown Posse emerged from the underground with a Woodstock set and platinum records about magic and murder. Later that year, Dance Dance Revolution debuted in North America and Grand Theft Auto emerged as a major video game franchise. Beanie Babies and Pokemon so thoroughly seized the wallets and imagination of collectors that they created speculative investment bubbles that anticipated the faddish obsession over nonfungible tokens (NFTs). The trashy talk show Jerry Springer became daytime TV's most-watched program and grew so mainstream that Austin Powers, Sabrina the Teenage Witch, The Wayans Bros., The Simpsons, and The X-Files incorporated Springer into their own plots during the late '90s. Donald Trump even explored a potential presidential nomination with the Reform Party in 1999 and wanted his running mate to be Oprah Winfrey, whose own talk show would make Dr. Oz a household name. Among Springer's many guests were porn stars who, at the end of the millennium, were pursuing sex records in a bid for stardom as the pornography industry exploded, aided by sex scandals, new technology, and the drug Viagra, which marked its first full year on the US market in 1999. 
According to Benes, there are many lessons to learn from the year that low culture conquered the world. Talk shows and reality TV foreshadowed the way political movements grab power by capturing our attention. Pro wrestling mastered the art of "kayfabe"--the agreement to treat something as real and genuine when it is not--before it spread throughout American society, as political contests, corporate public relations campaigns, and nonprofit fundraising schemes have become their own wrestling matches that require a suspension of disbelief. Beanie Babies and Pokémon demonstrate capitalism's resiliency as well as its vulnerabilities. Legal and technological victories obtained by early internet pornographers show how the things people are ashamed of have the ability to influence the world. Insane Clown Posse's creation of loyal Juggalos illustrates the way religious and political leaders are able to generate faithful followers by selling themselves as persecuted outsiders. And the controversy over video game violence reveals how every generation finds new scapegoats. 1999 is not just a nostalgic look at the past. It is also a window into our contentious present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780700638574"><em>1999: The Year Low Culture Conquered America and Kickstarted our Bizarre Times</em></a> (2025, University of Kansas Press) journalist <a href="https://www.rossbenes.com/">Ross Benes</a> examines low culture in the late 1990s. From pro wrestling and Pokémon to Vince McMahon and Jerry Springer, Benes reveals its profound impact and how it continues to affect our culture and society today. </p><p>The year 1999 was a high-water mark for popular culture. According to one measure, it was the "best movie year ever." But as Benes shows, the end of the '90s was also a banner year for low culture. This was the heyday of Jerry Springer, Jenna Jameson, and Vince McMahon, among many others. Low culture had come into its own and was poised for world domination. The reverberations of this takeover continue to shape American society. During its New Year's Eve countdown, MTV entered 1999 with Limp Bizkit covering Prince's famous anthem to the new year. The highlights of the lowlights continued when WCW and WWE drew 35 million American viewers each week with sex appeal and stories about insurrections. Insane Clown Posse emerged from the underground with a Woodstock set and platinum records about magic and murder. Later that year, Dance Dance Revolution debuted in North America and Grand Theft Auto emerged as a major video game franchise. Beanie Babies and Pokemon so thoroughly seized the wallets and imagination of collectors that they created speculative investment bubbles that anticipated the faddish obsession over nonfungible tokens (NFTs). The trashy talk show Jerry Springer became daytime TV's most-watched program and grew so mainstream that Austin Powers, Sabrina the Teenage Witch, The Wayans Bros., The Simpsons, and The X-Files incorporated Springer into their own plots during the late '90s. Donald Trump even explored a potential presidential nomination with the Reform Party in 1999 and wanted his running mate to be Oprah Winfrey, whose own talk show would make Dr. Oz a household name. Among Springer's many guests were porn stars who, at the end of the millennium, were pursuing sex records in a bid for stardom as the pornography industry exploded, aided by sex scandals, new technology, and the drug Viagra, which marked its first full year on the US market in 1999. </p><p>According to Benes, there are many lessons to learn from the year that low culture conquered the world. Talk shows and reality TV foreshadowed the way political movements grab power by capturing our attention. Pro wrestling mastered the art of "kayfabe"--the agreement to treat something as real and genuine when it is not--before it spread throughout American society, as political contests, corporate public relations campaigns, and nonprofit fundraising schemes have become their own wrestling matches that require a suspension of disbelief. Beanie Babies and Pokémon demonstrate capitalism's resiliency as well as its vulnerabilities. Legal and technological victories obtained by early internet pornographers show how the things people are ashamed of have the ability to influence the world. Insane Clown Posse's creation of loyal Juggalos illustrates the way religious and political leaders are able to generate faithful followers by selling themselves as persecuted outsiders. And the controversy over video game violence reveals how every generation finds new scapegoats. 1999 is not just a nostalgic look at the past. It is also a window into our contentious present.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2807</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Katie Rose Hejtmanek, "The Cult of CrossFit: Christianity and the American Exercise Phenomenon" (NYU Press, 2025)</title>
      <description>CrossFit in the United States has become increasingly popular, around which a fascinating culture has developed which shapes everyday life for the people devoted to it. CrossFit claims to be many things: a business, a brand, a tremendously difficult fitness regimen, a community, a way to gain salvation, and a method to survive the apocalypse. In The Cult of CrossFit: Christianity and the American Exercise Phenomenon (NYU Press, 2025), Dr. Katie Rose Hejtmanek examines how this exercise program is shaped by American Christian values and practices, connecting American religious ideologies to secular institutions in contemporary American culture.

Drawing upon years of immersing herself in CrossFit gyms in the United States and across six continents, this book illustrates how US CrossFit operates using distinctly American codes, ranging from its intensity and patriarchal militarism to its emphasis on (white) salvation and the adoration of the hero and vigilante. Despite presenting itself as a secular space, Dr. Hejtmanek argues that CrossFit is both heavily influenced by and deeply intertwined with American Christian values. She makes the case that the Christianity that shapes CrossFit is the Christianity that shapes much of America, usually in ways we do not even notice. Offering a new cross-cultural perspective for understanding a popular workout, The Cult of CrossFit provides a window into a particularly American rendition of a Christian plotline, lived out one workout at a time.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 21 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>361</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katie Rose Hejtmanek</itunes:subtitle>
      <itunes:summary>CrossFit in the United States has become increasingly popular, around which a fascinating culture has developed which shapes everyday life for the people devoted to it. CrossFit claims to be many things: a business, a brand, a tremendously difficult fitness regimen, a community, a way to gain salvation, and a method to survive the apocalypse. In The Cult of CrossFit: Christianity and the American Exercise Phenomenon (NYU Press, 2025), Dr. Katie Rose Hejtmanek examines how this exercise program is shaped by American Christian values and practices, connecting American religious ideologies to secular institutions in contemporary American culture.

Drawing upon years of immersing herself in CrossFit gyms in the United States and across six continents, this book illustrates how US CrossFit operates using distinctly American codes, ranging from its intensity and patriarchal militarism to its emphasis on (white) salvation and the adoration of the hero and vigilante. Despite presenting itself as a secular space, Dr. Hejtmanek argues that CrossFit is both heavily influenced by and deeply intertwined with American Christian values. She makes the case that the Christianity that shapes CrossFit is the Christianity that shapes much of America, usually in ways we do not even notice. Offering a new cross-cultural perspective for understanding a popular workout, The Cult of CrossFit provides a window into a particularly American rendition of a Christian plotline, lived out one workout at a time.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>CrossFit in the United States has become increasingly popular, around which a fascinating culture has developed which shapes everyday life for the people devoted to it. CrossFit claims to be many things: a business, a brand, a tremendously difficult fitness regimen, a community, a way to gain salvation, and a method to survive the apocalypse. In <a href="https://bookshop.org/a/12343/9781479831814"><em>The Cult of CrossFit: Christianity and the American Exercise Phenomenon</em></a> (NYU Press, 2025), Dr. Katie Rose Hejtmanek examines how this exercise program is shaped by American Christian values and practices, connecting American religious ideologies to secular institutions in contemporary American culture.</p><p><br></p><p>Drawing upon years of immersing herself in CrossFit gyms in the United States and across six continents, this book illustrates how US CrossFit operates using distinctly American codes, ranging from its intensity and patriarchal militarism to its emphasis on (white) salvation and the adoration of the hero and vigilante. Despite presenting itself as a secular space, Dr. Hejtmanek argues that CrossFit is both heavily influenced by and deeply intertwined with American Christian values. She makes the case that the Christianity that shapes CrossFit is the Christianity that shapes much of America, usually in ways we do not even notice. Offering a new cross-cultural perspective for understanding a popular workout, <em>The Cult of CrossFit</em> provides a window into a particularly American rendition of a Christian plotline, lived out one workout at a time.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jonathan D. Cohen, "Losing Big: America's Dangerous Sports Gambling Boom" (Columbia Global Reports, 2025)</title>
      <description>In 2018, the United States Supreme Court opened the floodgates for states to legalize betting on sports. Eager for revenue, almost forty states have done so. The result is the explosive growth of an industry dominated by companies like FanDuel and DraftKings. One out of every five American adults gambled on sports in 2023, amounting to $121 billion, more than they spent on movies and video games combined.
The rise of online sports gambling—the immediacy of betting with your phone, the ability of the companies to target users, the dynamic pricing and offers based on how good or bad of a gambler you are—has produced a public health crisis marked by addiction and far too many people, particularly young men, gambling more than they can afford to lose. Under intense lobbying from the gaming industry, states have created a system built around profit for sportsbooks, not the well-being of players.
In Losing Big: America's Dangerous Sports Gambling Boom (Columbia Global Reports, 2025), historian Jonathan D. Cohen lays out the astonishing emergence of online sports gambling, from sportsbook executives drafting legislation to an addicted gambler confessing their $300,000 losses. Sports gambling is here to stay, and the stakes could not be higher. Losing Big explains how this brewing crisis came to be, and how it can be addressed before new generations get hooked.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 20 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>289</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Cohen</itunes:subtitle>
      <itunes:summary>In 2018, the United States Supreme Court opened the floodgates for states to legalize betting on sports. Eager for revenue, almost forty states have done so. The result is the explosive growth of an industry dominated by companies like FanDuel and DraftKings. One out of every five American adults gambled on sports in 2023, amounting to $121 billion, more than they spent on movies and video games combined.
The rise of online sports gambling—the immediacy of betting with your phone, the ability of the companies to target users, the dynamic pricing and offers based on how good or bad of a gambler you are—has produced a public health crisis marked by addiction and far too many people, particularly young men, gambling more than they can afford to lose. Under intense lobbying from the gaming industry, states have created a system built around profit for sportsbooks, not the well-being of players.
In Losing Big: America's Dangerous Sports Gambling Boom (Columbia Global Reports, 2025), historian Jonathan D. Cohen lays out the astonishing emergence of online sports gambling, from sportsbook executives drafting legislation to an addicted gambler confessing their $300,000 losses. Sports gambling is here to stay, and the stakes could not be higher. Losing Big explains how this brewing crisis came to be, and how it can be addressed before new generations get hooked.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2018, the United States Supreme Court opened the floodgates for states to legalize betting on sports. Eager for revenue, almost forty states have done so. The result is the explosive growth of an industry dominated by companies like FanDuel and DraftKings. One out of every five American adults gambled on sports in 2023, amounting to $121 billion, more than they spent on movies and video games combined.</p><p>The rise of online sports gambling—the immediacy of betting with your phone, the ability of the companies to target users, the dynamic pricing and offers based on how good or bad of a gambler you are—has produced a public health crisis marked by addiction and far too many people, particularly young men, gambling more than they can afford to lose. Under intense lobbying from the gaming industry, states have created a system built around profit for sportsbooks, not the well-being of players.</p><p>In <a href="https://bookshop.org/a/12343/9798987053706"><em>Losing Big: America's Dangerous Sports Gambling Boom</em></a><em> (Columbia Global Reports, 2025)</em>, historian Jonathan D. Cohen lays out the astonishing emergence of online sports gambling, from sportsbook executives drafting legislation to an addicted gambler confessing their $300,000 losses. Sports gambling is here to stay, and the stakes could not be higher. Losing Big explains how this brewing crisis came to be, and how it can be addressed before new generations get hooked.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3361</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6c49bc1e-1c52-11f0-8a57-539cbf5db97c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8271935941.mp3?updated=1744920659" length="0" type="audio/mpeg"/>
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    <item>
      <title>Pil Ho Kim, "Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea" (U Hawaii Press, 2024)</title>
      <description>Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul’s middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. 
In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea’s global-polarization.
Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization.

Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 19 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pil Ho Kim</itunes:subtitle>
      <itunes:summary>Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul’s middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. 
In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea’s global-polarization.
Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization.

Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul’s middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. </p><p>In <a href="https://bookshop.org/a/12343/9780824897512"><em>Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea</em></a> (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea’s global-polarization.</p><p><a href="http://u.osu.edu/kim.2736/">Dr. Pil Ho Kim</a> is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization.</p><p><br></p><p>Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at <a href="https://twitter.com/AJuseyo">https://twitter.com/AJuseyo</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4003</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[367e523a-1bc0-11f0-af7a-b785b55aed7b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2562554010.mp3?updated=1744916863" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anne Korfmacher, "Fan Podcasts: Rewatch, Recap, Review" (Routledge, 2024)</title>
      <description>Starting from the observation of the ubiquity of fan podcasts engaging in media commentary, Fan Podcasts: Rewatch, Recap, Review (Routledge, 2024) explores three fan podcast genres in which commentary manifests as a structuring form: rewatch and reread podcasts, recap podcasts, and review podcasts.
Anne Korfmacher conducts a formalist genre analysis of these podcasts, close reading nine case studies to describe how the three genres function and how different fan labor manifests in podcasting. Each case study teases out the themes, style, and formal constellations of the three podcast genres, shows how different fans activate the affordances of podcasting and commentary, and reveals the distinct generic functions of the three podcast genres.
This book will be of significant interest to scholars and students in podcast studies, fan studies, cultural studies, and literary studies who are interested in fan podcasts, podcast genre analysis, and ways of close reading podcasts as texts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>151</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anne Korfmacher</itunes:subtitle>
      <itunes:summary>Starting from the observation of the ubiquity of fan podcasts engaging in media commentary, Fan Podcasts: Rewatch, Recap, Review (Routledge, 2024) explores three fan podcast genres in which commentary manifests as a structuring form: rewatch and reread podcasts, recap podcasts, and review podcasts.
Anne Korfmacher conducts a formalist genre analysis of these podcasts, close reading nine case studies to describe how the three genres function and how different fan labor manifests in podcasting. Each case study teases out the themes, style, and formal constellations of the three podcast genres, shows how different fans activate the affordances of podcasting and commentary, and reveals the distinct generic functions of the three podcast genres.
This book will be of significant interest to scholars and students in podcast studies, fan studies, cultural studies, and literary studies who are interested in fan podcasts, podcast genre analysis, and ways of close reading podcasts as texts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Starting from the observation of the ubiquity of fan podcasts engaging in media commentary, <a href="https://bookshop.org/a/12343/9781032721941"><em>Fan Podcasts: Rewatch, Recap, Review</em></a><em> </em>(Routledge, 2024) explores three fan podcast genres in which commentary manifests as a structuring form: rewatch and reread podcasts, recap podcasts, and review podcasts.</p><p>Anne Korfmacher conducts a formalist genre analysis of these podcasts, close reading nine case studies to describe how the three genres function and how different fan labor manifests in podcasting. Each case study teases out the themes, style, and formal constellations of the three podcast genres, shows how different fans activate the affordances of podcasting and commentary, and reveals the distinct generic functions of the three podcast genres.</p><p>This book will be of significant interest to scholars and students in podcast studies, fan studies, cultural studies, and literary studies who are interested in fan podcasts, podcast genre analysis, and ways of close reading podcasts as texts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4589</itunes:duration>
      <guid isPermaLink="false"><![CDATA[83f9c2e2-192c-11f0-8f5b-a7c78cf49d00]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7242767520.mp3?updated=1744634627" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gabe Henry, "Enough Is Enuf: Our Failed Attempts to Make English Easier to Spell" (Dey Street, 2025)</title>
      <description>In Enough is Enuf: Our Failed Attempts to Make English Eezier to Spell (Dey Street Books, 2025), Gabe Henry presents a  brief and humorous 500-year history of the Simplified Spelling Movement from advocates like Ben Franklin, C. S. Lewis, and Mark Twain to texts and Twitter. Why does the G in George sound different from the G in gorge? Why does C begin both case and cease? And why is it funny when a philologist faints, but not polight to laf about it? Anyone who has ever had the misfortune to write in English has, at one time or another, struggled with its spelling. So why do we continue to use it? If our system of writing words is so tragically inconsistent, why haven't we standardized it, phoneticized it, brought it into line? How many brave linguists have ever had the courage to state, in a declaration of phonetic revolt: "Enough is enuf"? 
The answer: many. In the comic annals of linguistic history, legions of rebel wordsmiths have died on the hill of spelling reform, risking their reputations to bring English into the realm of the rational. This book is about them: Mark Twain, Ben Franklin, Eliza Burnz, C. S. Lewis, George Bernard Shaw, Charles Darwin, and the innumerable others on both sides of the Atlantic who, for a time in their life, became fanatically occupied with writing thru instead of through, tho for though, laf for laugh, beleev for believe, and dawter for daughter (and tried futilely to get everyone around them to do it too). Henry takes his humorous and informative chronicle right up to today as the language seems to naturally be simplifying to fit the needs of our changing world thanks to technology--from texting to Twitter and emojis, the Simplified Spelling Movement may finally be having its day.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 15 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gabe Henry</itunes:subtitle>
      <itunes:summary>In Enough is Enuf: Our Failed Attempts to Make English Eezier to Spell (Dey Street Books, 2025), Gabe Henry presents a  brief and humorous 500-year history of the Simplified Spelling Movement from advocates like Ben Franklin, C. S. Lewis, and Mark Twain to texts and Twitter. Why does the G in George sound different from the G in gorge? Why does C begin both case and cease? And why is it funny when a philologist faints, but not polight to laf about it? Anyone who has ever had the misfortune to write in English has, at one time or another, struggled with its spelling. So why do we continue to use it? If our system of writing words is so tragically inconsistent, why haven't we standardized it, phoneticized it, brought it into line? How many brave linguists have ever had the courage to state, in a declaration of phonetic revolt: "Enough is enuf"? 
The answer: many. In the comic annals of linguistic history, legions of rebel wordsmiths have died on the hill of spelling reform, risking their reputations to bring English into the realm of the rational. This book is about them: Mark Twain, Ben Franklin, Eliza Burnz, C. S. Lewis, George Bernard Shaw, Charles Darwin, and the innumerable others on both sides of the Atlantic who, for a time in their life, became fanatically occupied with writing thru instead of through, tho for though, laf for laugh, beleev for believe, and dawter for daughter (and tried futilely to get everyone around them to do it too). Henry takes his humorous and informative chronicle right up to today as the language seems to naturally be simplifying to fit the needs of our changing world thanks to technology--from texting to Twitter and emojis, the Simplified Spelling Movement may finally be having its day.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780063360211"><em>Enough is Enuf: Our Failed Attempts to Make English Eezier to Spell</em></a> (Dey Street Books, 2025), <a href="https://www.gabehenry.com/">Gabe Henry</a> presents a  brief and humorous 500-year history of the Simplified Spelling Movement from advocates like Ben Franklin, C. S. Lewis, and Mark Twain to texts and Twitter. Why does the G in George sound different from the G in gorge? Why does C begin both case and cease? And why is it funny when a philologist faints, but not polight to laf about it? Anyone who has ever had the misfortune to write in English has, at one time or another, struggled with its spelling. So why do we continue to use it? If our system of writing words is so tragically inconsistent, why haven't we standardized it, phoneticized it, brought it into line? How many brave linguists have ever had the courage to state, in a declaration of phonetic revolt: "Enough is enuf"? </p><p>The answer: many. In the comic annals of linguistic history, legions of rebel wordsmiths have died on the hill of spelling reform, risking their reputations to bring English into the realm of the rational. This book is about them: Mark Twain, Ben Franklin, Eliza Burnz, C. S. Lewis, George Bernard Shaw, Charles Darwin, and the innumerable others on both sides of the Atlantic who, for a time in their life, became fanatically occupied with writing thru instead of through, tho for though, laf for laugh, beleev for believe, and dawter for daughter (and tried futilely to get everyone around them to do it too). Henry takes his humorous and informative chronicle right up to today as the language seems to naturally be simplifying to fit the needs of our changing world thanks to technology--from texting to Twitter and emojis, the Simplified Spelling Movement may finally be having its day.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2645</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Henry Jenkins, "Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar America" (NYU Press, 2025)</title>
      <description>The 60s produced a Baby Boom generation that catalyzed the dawn of a new era—the space age, the age of television, the global age, and the beginnings of civil rights. At the same time, a new paradigm for parenting was unfolding that put emphasis on permissiveness, defined by what it permitted – the free and unfettered impulses of children. Others worried that the wildness of children, personified by the characters in Maurice Sendak’s 1963 classic children’s book, Where the Wild Things Are, was destructive, disruptive and disrespectful.
Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar America (NYU Press, 2025) centers on the exploding, contentious national conversation about the nature of childhood and parenting in the postwar US emblematized by Dr. Spock’s Baby and Child Care. Renowned scholar Henry Jenkins demonstrates that the language that shaped a growing field of advice literature for parents also informed the period’s fictions—in film, television, comics, children’s books, and elsewhere—produced for and consumed by children. In particular, Jenkins demonstrates, the era’s emblematic child was the boy in the striped shirt: white, male, suburban, middle class, Christian, and above all, American.
Weaving together intellectual histories and popular texts, Jenkins shows how boy protagonists became embodiments of permissive child rearing, as well as the social ideals and contradictions that permissiveness entailed. From Peanuts comic strips and TV specials to The Cat in the Hat, Dennis the Menace, and Jonny Quest, the book reveals how childhood and the stories about it became central to Cold War concerns with democracy, citizenship, globalization, the space race, science, race relations, gender, and sexuality. Written by a former boy in a striped shirt, Where the Wild Things Were explores iconic works, from Mary Poppins to Lost in Space, contextualizing them through a critical but respectful engagement with the core animating ideas of the permissive imagination.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 13 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>149</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Henry Jenkins</itunes:subtitle>
      <itunes:summary>The 60s produced a Baby Boom generation that catalyzed the dawn of a new era—the space age, the age of television, the global age, and the beginnings of civil rights. At the same time, a new paradigm for parenting was unfolding that put emphasis on permissiveness, defined by what it permitted – the free and unfettered impulses of children. Others worried that the wildness of children, personified by the characters in Maurice Sendak’s 1963 classic children’s book, Where the Wild Things Are, was destructive, disruptive and disrespectful.
Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar America (NYU Press, 2025) centers on the exploding, contentious national conversation about the nature of childhood and parenting in the postwar US emblematized by Dr. Spock’s Baby and Child Care. Renowned scholar Henry Jenkins demonstrates that the language that shaped a growing field of advice literature for parents also informed the period’s fictions—in film, television, comics, children’s books, and elsewhere—produced for and consumed by children. In particular, Jenkins demonstrates, the era’s emblematic child was the boy in the striped shirt: white, male, suburban, middle class, Christian, and above all, American.
Weaving together intellectual histories and popular texts, Jenkins shows how boy protagonists became embodiments of permissive child rearing, as well as the social ideals and contradictions that permissiveness entailed. From Peanuts comic strips and TV specials to The Cat in the Hat, Dennis the Menace, and Jonny Quest, the book reveals how childhood and the stories about it became central to Cold War concerns with democracy, citizenship, globalization, the space race, science, race relations, gender, and sexuality. Written by a former boy in a striped shirt, Where the Wild Things Were explores iconic works, from Mary Poppins to Lost in Space, contextualizing them through a critical but respectful engagement with the core animating ideas of the permissive imagination.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 60s produced a Baby Boom generation that catalyzed the dawn of a new era—the space age, the age of television, the global age, and the beginnings of civil rights. At the same time, a new paradigm for parenting was unfolding that put emphasis on permissiveness, defined by what it permitted – the free and unfettered impulses of children. Others worried that the wildness of children, personified by the characters in Maurice Sendak’s 1963 classic children’s book, <em>Where the Wild Things Are</em>, was destructive, disruptive and disrespectful.</p><p><a href="https://bookshop.org/a/12343/9781479831890"><em>Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar America</em></a> (NYU Press, 2025) centers on the exploding, contentious national conversation about the nature of childhood and parenting in the postwar US emblematized by Dr. Spock’s <em>Baby and Child Care</em>. Renowned scholar Henry Jenkins demonstrates that the language that shaped a growing field of advice literature for parents also informed the period’s fictions—in film, television, comics, children’s books, and elsewhere—produced for and consumed by children. In particular, Jenkins demonstrates, the era’s emblematic child was the boy in the striped shirt: white, male, suburban, middle class, Christian, and above all, American.</p><p>Weaving together intellectual histories and popular texts, Jenkins shows how boy protagonists became embodiments of permissive child rearing, as well as the social ideals and contradictions that permissiveness entailed. From <em>Peanuts</em> comic strips and TV specials to <em>The Cat in the Hat</em>, <em>Dennis the Menace</em>, and <em>Jonny Quest</em>, the book reveals how childhood and the stories about it became central to Cold War concerns with democracy, citizenship, globalization, the space race, science, race relations, gender, and sexuality. Written by a former boy in a striped shirt, Where the Wild Things Were explores iconic works, from <em>Mary Poppins</em> to <em>Lost in Space</em>, contextualizing them through a critical but respectful engagement with the core animating ideas of the permissive imagination.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3385</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b7b98a8-17a2-11f0-89b1-07c2cb8bbc26]]></guid>
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    <item>
      <title>Keith J. Hayward, "Infantilised: How Our Culture Killed Adulthood" (Constable &amp; Robinson, 2025)</title>
      <description>Have you ever noticed that in areas of everyday life, rather than being addressed like a mature adult, you're increasingly treated like an irresponsible child in constant need of instruction and protection?

Noticing society's creeping descent into infantilisation is one thing, however understanding the roots and causes of the phenomenon is not quite so easy. But in this topical and vitally important new work, cultural theorist and academic, Dr Keith Hayward, exposes the deep social, psychological and political dangers of a world characterised by denuded adult autonomy.

But importantly Infantilised is no one-dimensional, unsympathetic critique. Brimming with anecdotes and examples that span everything from the normalisation of infantilism on reality TV to the rise of a new class of political 'infantocrat', Infantilised: How Our Culture Killed Adulthood (Constable &amp; Robinson, 2025) also offers an insightful and at times humorous account of infantilism's seductive appeal, and details some suggestions for avoiding some of the pitfalls associated with our increasingly infantilised world.
Keith Hayward is Professor of Criminology at Copenhagen University
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 11 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Keith Hayward</itunes:subtitle>
      <itunes:summary>Have you ever noticed that in areas of everyday life, rather than being addressed like a mature adult, you're increasingly treated like an irresponsible child in constant need of instruction and protection?

Noticing society's creeping descent into infantilisation is one thing, however understanding the roots and causes of the phenomenon is not quite so easy. But in this topical and vitally important new work, cultural theorist and academic, Dr Keith Hayward, exposes the deep social, psychological and political dangers of a world characterised by denuded adult autonomy.

But importantly Infantilised is no one-dimensional, unsympathetic critique. Brimming with anecdotes and examples that span everything from the normalisation of infantilism on reality TV to the rise of a new class of political 'infantocrat', Infantilised: How Our Culture Killed Adulthood (Constable &amp; Robinson, 2025) also offers an insightful and at times humorous account of infantilism's seductive appeal, and details some suggestions for avoiding some of the pitfalls associated with our increasingly infantilised world.
Keith Hayward is Professor of Criminology at Copenhagen University
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Have you ever noticed that in areas of everyday life, rather than being addressed like a mature adult, you're increasingly treated like an irresponsible child in constant need of instruction and protection?</p><p><br></p><p>Noticing society's creeping descent into infantilisation is one thing, however understanding the roots and causes of the phenomenon is not quite so easy. But in this topical and vitally important new work, cultural theorist and academic, Dr Keith Hayward, exposes the deep social, psychological and political dangers of a world characterised by denuded adult autonomy.</p><p><br></p><p>But importantly Infantilised is no one-dimensional, unsympathetic critique. Brimming with anecdotes and examples that span everything from the normalisation of infantilism on reality TV to the rise of a new class of political 'infantocrat', <a href="https://bookshop.org/a/12343/9781408720585">Infantilised: How Our Culture Killed Adulthood </a>(Constable &amp; Robinson, 2025) also offers an insightful and at times humorous account of infantilism's seductive appeal, and details some suggestions for avoiding some of the pitfalls associated with our increasingly infantilised world.</p><p>Keith Hayward is Professor of Criminology at Copenhagen University</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2415</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9692c8ca-1573-11f0-9e19-3b06feb095ec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8051986665.mp3?updated=1744225300" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Doyle, "John Cale's Paris 1919" (Bloomsbury, 2025)</title>
      <description>John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result.
In John Cale’s Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved.
Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009).
Mark Doyle on Bluesky.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025).
Bradley Morgan on Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>277</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Doyle</itunes:subtitle>
      <itunes:summary>John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result.
In John Cale’s Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved.
Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009).
Mark Doyle on Bluesky.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025).
Bradley Morgan on Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>John Cale's enigmatic masterpiece, <em>Paris 1919</em>, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. <em>Paris 1919</em> was the result.</p><p>In <a href="https://bookshop.org/p/books/john-cale-s-paris-1919-mark-doyle/21623175?ean=9798765106792&amp;next=t"><em>John Cale’s Paris 1919</em></a><em> </em>(Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just <em>Paris 1919</em> but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved.</p><p>Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of <em>The Kinks: Songs of the Semi-Detached</em> (2020), <em>Communal Violence in the British Empire </em>(Bloomsbury 2016), and <em>Fighting Like the Devil for the Sake of God </em>(2009).</p><p>Mark Doyle on <a href="https://bsky.app/profile/markdoyle.bsky.social">Bluesky</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a><em> </em>(Louisiana State University Press, June 2025) and <em>U2: Until the End of the World</em> (Gemini Books, Fall 2025).</p><p>Bradley Morgan on <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3511</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2e92e804-13e3-11f0-ad81-7fa21a675d69]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8774631017.mp3?updated=1744053271" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julie Malnig, "Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s" (Oxford UP, 2023)</title>
      <description>Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. 
The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.
Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 04 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. 
The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.
Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780197536261"><em>Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s</em></a><em> </em>(Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. </p><p>The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. <em>Dancing Black, Dancing White</em> weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.</p><p><a href="https://gallatin.nyu.edu/people/faculty/jmm2.html">Julie Malnig</a> is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2765</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7ece8e50-109a-11f0-9a3a-5b32ec559ade]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6101911305.mp3?updated=1743692340" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Megan Hunt, "Southern by the Grace of God: Religion, Race, and Civil Rights in Hollywood's American South" (U Georgia Press, 2024)</title>
      <description>On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, Southern By the Grace of God, which was published in 2024 by the University of Georgia Press.
Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Megan Hunt</itunes:subtitle>
      <itunes:summary>On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, Southern By the Grace of God, which was published in 2024 by the University of Georgia Press.
Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, <a href="https://bookshop.org/a/12343/9780820367620"><em>Southern By the Grace of God</em></a><em>, </em>which was published in 2024 by the University of Georgia Press.</p><p>Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2849</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[00ef7f0c-0f33-11f0-8442-c3f078b15318]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5111531228.mp3?updated=1743537901" length="0" type="audio/mpeg"/>
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    <item>
      <title>Bridget Kies, "Murder, She Wrote" (Wayne State UP, 2025)</title>
      <description>As part of the TV Milestones Series, Bridget Kies explores Murder, She Wrote (Wayne State University Press, 2025). Embark on a journey through the mysteries of Cabot Cove to learn why Murder, She Wrote is a timeless classic. Discover the secrets behind the enduring appeal of Murder, She Wrote (CBS, 1984-96) in this captivating investigation of the long-running mystery series. Kies details the show's lasting impact owing to several interconnecting factors tied to the series' genre, cast, and reception. Murder, She Wrote was a trailblazing "cozy" murder mystery, blending suspense and charm to captivate a wide and varied audience. Bolstered by Angela Lansbury's established star power, the iconic amateur sleuth Jessica Fletcher is beloved by fans across generations and around the world. Kies also points to the series' extratextual tie-in novels, made-for-TV movies, licensed products, and crossovers and attempted spinoffs that helped create a franchise universe that lives on today. With insights into the show's twelve remarkable seasons, its rise to global fame, and data from fandom interviews, this book is a must-read for fans and newcomers alike. Embark on a journey through the mysteries of Cabot Cove and beyond to learn why Murder, She Wrote remains a timeless classic.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 01 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>211</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bridget Kies</itunes:subtitle>
      <itunes:summary>As part of the TV Milestones Series, Bridget Kies explores Murder, She Wrote (Wayne State University Press, 2025). Embark on a journey through the mysteries of Cabot Cove to learn why Murder, She Wrote is a timeless classic. Discover the secrets behind the enduring appeal of Murder, She Wrote (CBS, 1984-96) in this captivating investigation of the long-running mystery series. Kies details the show's lasting impact owing to several interconnecting factors tied to the series' genre, cast, and reception. Murder, She Wrote was a trailblazing "cozy" murder mystery, blending suspense and charm to captivate a wide and varied audience. Bolstered by Angela Lansbury's established star power, the iconic amateur sleuth Jessica Fletcher is beloved by fans across generations and around the world. Kies also points to the series' extratextual tie-in novels, made-for-TV movies, licensed products, and crossovers and attempted spinoffs that helped create a franchise universe that lives on today. With insights into the show's twelve remarkable seasons, its rise to global fame, and data from fandom interviews, this book is a must-read for fans and newcomers alike. Embark on a journey through the mysteries of Cabot Cove and beyond to learn why Murder, She Wrote remains a timeless classic.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As part of the TV Milestones Series, Bridget Kies explores <a href="https://bookshop.org/a/12343/9780814350119"><em>Murder, She Wrote</em></a><em> </em>(Wayne State University Press, 2025). Embark on a journey through the mysteries of Cabot Cove to learn why Murder, She Wrote is a timeless classic. Discover the secrets behind the enduring appeal of Murder, She Wrote (CBS, 1984-96) in this captivating investigation of the long-running mystery series. Kies details the show's lasting impact owing to several interconnecting factors tied to the series' genre, cast, and reception. Murder, She Wrote was a trailblazing "cozy" murder mystery, blending suspense and charm to captivate a wide and varied audience. Bolstered by Angela Lansbury's established star power, the iconic amateur sleuth Jessica Fletcher is beloved by fans across generations and around the world. Kies also points to the series' extratextual tie-in novels, made-for-TV movies, licensed products, and crossovers and attempted spinoffs that helped create a franchise universe that lives on today. With insights into the show's twelve remarkable seasons, its rise to global fame, and data from fandom interviews, this book is a must-read for fans and newcomers alike. Embark on a journey through the mysteries of Cabot Cove and beyond to learn why Murder, She Wrote remains a timeless classic.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2967</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK5142575690.mp3?updated=1743436558" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Making Radio History</title>
      <description>Elena Razlogova is an Associate Professor of History at Concordia University. She is the author of The Listener’s Voice: Early Radio and the American Public (University of Pennsylvania Press, 2011) and co-editor of “Radical Histories in Digital Culture” issue of the Radical History Review (2013). She has published articles in American Quarterly, Radical History Review, Russian Review, Journal of Cinema and Media Studies, Radio Journal, Cultural Studies, Social Media Society, and more. 
Elena’s someone I’m always excited to talk to when I see her at conferences and I thought it would be fun talk to her on this podcast. In this episode we discuss some of her research interests including U.S. radio history, audience research, music recommendation and recognition algorithms, and her current book project, which centers on freeform radio station WFMU and the rise of online music. 
Toward the end of the episode we talk about Elena’s research strategies as a historian working in the digital age. 
And for our Patrons we’ll have Elena’s What’s Good segment, featuring something good to read, listen to, and do. You can join at patreon.com/phantompower. 
Today’s show was edited by Nisso Sacha and Mack Hagood. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 31 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Elena Razlogova</itunes:subtitle>
      <itunes:summary>Elena Razlogova is an Associate Professor of History at Concordia University. She is the author of The Listener’s Voice: Early Radio and the American Public (University of Pennsylvania Press, 2011) and co-editor of “Radical Histories in Digital Culture” issue of the Radical History Review (2013). She has published articles in American Quarterly, Radical History Review, Russian Review, Journal of Cinema and Media Studies, Radio Journal, Cultural Studies, Social Media Society, and more. 
Elena’s someone I’m always excited to talk to when I see her at conferences and I thought it would be fun talk to her on this podcast. In this episode we discuss some of her research interests including U.S. radio history, audience research, music recommendation and recognition algorithms, and her current book project, which centers on freeform radio station WFMU and the rise of online music. 
Toward the end of the episode we talk about Elena’s research strategies as a historian working in the digital age. 
And for our Patrons we’ll have Elena’s What’s Good segment, featuring something good to read, listen to, and do. You can join at patreon.com/phantompower. 
Today’s show was edited by Nisso Sacha and Mack Hagood. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p class="ql-align-justify"><a href="http://elenarazlogova.org/">Elena Razlogova</a> is an Associate Professor of History at Concordia University. She is the author of <a href="http://elenarazlogova.org/?page_id=25"><em>The Listener’s Voice: Early Radio and the American Public</em></a> (University of Pennsylvania Press, 2011) and co-editor of “Radical Histories in Digital Culture” issue of the <em>Radical History Review</em> (2013). She has published articles in <em>American Quarterly</em>, <em>Radical History Review</em>, <em>Russian Review</em>, <em>Journal of Cinema and Media Studies</em>, <em>Radio Journal</em>, <em>Cultural Studies</em>, <em>Social Media Society</em>, <em>and more</em>. </p><p class="ql-align-justify">Elena’s someone I’m always excited to talk to when I see her at conferences and I thought it would be fun talk to her on this podcast. In this episode we discuss some of her research interests including U.S. radio history, audience research, <a href="http://elenarazlogova.org/?page_id=106">music recommendation and recognition algorithms</a>, and her current book project, which centers on freeform radio station <a href="http://elenarazlogova.org/?page_id=487">WFMU</a> and the rise of online music. </p><p class="ql-align-justify">Toward the end of the episode we talk about Elena’s research strategies as a historian working in the digital age. </p><p class="ql-align-justify">And for our Patrons we’ll have Elena’s What’s Good segment, featuring something good to read, listen to, and do. You can join at <a href="http://patreon.com/phantompower">patreon.com/phantompower</a>. </p><p class="ql-align-justify">Today’s show was edited by Nisso Sacha and Mack Hagood. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4027</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2eb13764-109c-11ef-9e11-c770161c6b7c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9951723193.mp3?updated=1715545061" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>D. D. Miller, "Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby" (Wolsak and Wynn, 2016)</title>
      <description>NBN host Hollay Ghadery chats with author D. D. Miller about the fascinating sport of roller derby. As the Derby Nerd, Miller covered roller derby since 2009, travelling to games across Canada and the United States, including two world championships, reporting back to an ever-growing audience the details of the sport. In this entertaining and thorough book he explains roller derby to newcomers and charts the sport’s rise from small groups of women looking for people to skate with over the Internet to the world presence it has become.
Along the way he considers roller derby’s roots in Riot Grrrl and DIY culture, and the importance of the LGBTQ community both inside and outside of the sport. Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby (Wolsak and Wynn, 2016) is a warm, thoughtful look at a sport that Miller understands intimately, which takes us beyond the costumes and showmanship, into the heart of what he feels may be the first truly feminist sport.
About D.D. Miller
D. D. Miller is originally from Nova Scotia but has lived, worked and studied all across the country. His work has appeared in a number of journals and anthologies including the Malahat Review, the Fiddlehead, Eleven Eleven: Journal of Literature and Art and Dinosaur Porn. As the Derby Nerd, Miller is known around North America for his writing and commentary on roller derby, one of the world’s fastest growing sports.
A graduate of Mount Allison University, the University of Victoria and the University of Guelph (where he completed his MFA), Miller currently lives in Toronto where he works as a college English instructor. He also announced at both the 2011 and 2014 Roller Derby World Cups and was part of the ESPN's broadcast crew for the 2015 WFTDA Championships.
About Hollay Ghadery:
Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 30 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>285</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with D. D. Miller</itunes:subtitle>
      <itunes:summary>NBN host Hollay Ghadery chats with author D. D. Miller about the fascinating sport of roller derby. As the Derby Nerd, Miller covered roller derby since 2009, travelling to games across Canada and the United States, including two world championships, reporting back to an ever-growing audience the details of the sport. In this entertaining and thorough book he explains roller derby to newcomers and charts the sport’s rise from small groups of women looking for people to skate with over the Internet to the world presence it has become.
Along the way he considers roller derby’s roots in Riot Grrrl and DIY culture, and the importance of the LGBTQ community both inside and outside of the sport. Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby (Wolsak and Wynn, 2016) is a warm, thoughtful look at a sport that Miller understands intimately, which takes us beyond the costumes and showmanship, into the heart of what he feels may be the first truly feminist sport.
About D.D. Miller
D. D. Miller is originally from Nova Scotia but has lived, worked and studied all across the country. His work has appeared in a number of journals and anthologies including the Malahat Review, the Fiddlehead, Eleven Eleven: Journal of Literature and Art and Dinosaur Porn. As the Derby Nerd, Miller is known around North America for his writing and commentary on roller derby, one of the world’s fastest growing sports.
A graduate of Mount Allison University, the University of Victoria and the University of Guelph (where he completed his MFA), Miller currently lives in Toronto where he works as a college English instructor. He also announced at both the 2011 and 2014 Roller Derby World Cups and was part of the ESPN's broadcast crew for the 2015 WFTDA Championships.
About Hollay Ghadery:
Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>NBN host Hollay Ghadery chats with author D. D. Miller about the fascinating sport of roller derby. As the Derby Nerd, Miller covered roller derby since 2009, travelling to games across Canada and the United States, including two world championships, reporting back to an ever-growing audience the details of the sport. In this entertaining and thorough book he explains roller derby to newcomers and charts the sport’s rise from small groups of women looking for people to skate with over the Internet to the world presence it has become.</p><p>Along the way he considers roller derby’s roots in Riot Grrrl and DIY culture, and the importance of the LGBTQ community both inside and outside of the sport. <a href="https://bookshop.org/a/12343/9781928088134">Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby</a> (Wolsak and Wynn, 2016) is a warm, thoughtful look at a sport that Miller understands intimately, which takes us beyond the costumes and showmanship, into the heart of what he feels may be the first truly feminist sport.</p><p><strong>About D.D. Miller</strong></p><p>D. D. Miller is originally from Nova Scotia but has lived, worked and studied all across the country. His work has appeared in a number of journals and anthologies including the Malahat Review, the Fiddlehead, Eleven Eleven: Journal of Literature and Art and Dinosaur Porn. As the Derby Nerd, Miller is known around North America for his writing and commentary on roller derby, one of the world’s fastest growing sports.</p><p>A graduate of Mount Allison University, the University of Victoria and the University of Guelph (where he completed his MFA), Miller currently lives in Toronto where he works as a college English instructor. He also announced at both the 2011 and 2014 Roller Derby World Cups and was part of the ESPN's broadcast crew for the 2015 WFTDA Championships.</p><p>About Hollay Ghadery:</p><p>Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, <em>Rebellion Box </em>was released by Radiant Press in 2023, and her collection of short fiction,<em> Widow Fantasies,</em> was released with Gordon Hill Press in fall 2024. Her debut novel, T<em>he Unraveling of Ou</em>, is due out with Palimpsest Press in 2026, and her children’s book, <em>Being with the Birds, </em>with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3677</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e05bfcc4-0bfa-11f0-8244-cfb511e57fa6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4064447287.mp3?updated=1743272280" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Liz William, "Rough Music: Folk Customs, Transgression and Alternative Britain" (Reaktion, 2025)</title>
      <description>Rough Music: Folk Customs, Transgression and Alternative Britain (Reaktion, 2025) by Liz Williams explores transgression and shame in British folklore and customs from ancient Britain to the present day. From Bonfire Night to Wassail, Morris dancing, Mari Lwyd and Twelfth Night, along with events like street football and the Cooper’s Hill Cheese-Rolling and Wake, Liz Williams reveals the roots and roles of violence, mockery, protest and public shaming. She also looks at alternative culture and modern protests, such as the Battle of the Beanfield and the Stonehenge Free Festival, as well as interaction between racism and traditions involving blackface, alongside the emergence of all-female Morris sides.This engaging book offers an entertaining and revealing look at British folklore and culture.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 29 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Liz William</itunes:subtitle>
      <itunes:summary>Rough Music: Folk Customs, Transgression and Alternative Britain (Reaktion, 2025) by Liz Williams explores transgression and shame in British folklore and customs from ancient Britain to the present day. From Bonfire Night to Wassail, Morris dancing, Mari Lwyd and Twelfth Night, along with events like street football and the Cooper’s Hill Cheese-Rolling and Wake, Liz Williams reveals the roots and roles of violence, mockery, protest and public shaming. She also looks at alternative culture and modern protests, such as the Battle of the Beanfield and the Stonehenge Free Festival, as well as interaction between racism and traditions involving blackface, alongside the emergence of all-female Morris sides.This engaging book offers an entertaining and revealing look at British folklore and culture.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781836390602"><em>Rough Music: Folk Customs, Transgression and Alternative Britain</em></a> (Reaktion, 2025) by Liz Williams explores transgression and shame in British folklore and customs from ancient Britain to the present day. From Bonfire Night to Wassail, Morris dancing, Mari Lwyd and Twelfth Night, along with events like street football and the Cooper’s Hill Cheese-Rolling and Wake, Liz Williams reveals the roots and roles of violence, mockery, protest and public shaming. She also looks at alternative culture and modern protests, such as the Battle of the Beanfield and the Stonehenge Free Festival, as well as interaction between racism and traditions involving blackface, alongside the emergence of all-female Morris sides.This engaging book offers an entertaining and revealing look at British folklore and culture.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2308</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e9d84240-0b45-11f0-b4c5-ff72576c2c49]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2530258061.mp3?updated=1743105754" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul R. Laird and Elizabeth A. Wells, "The Cambridge Companion to West Side Story" (Cambridge UP, 2024)</title>
      <description>Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century. 
Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul R. Laird and Elizabeth A. Wells</itunes:subtitle>
      <itunes:summary>Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century. 
Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over sixty years after its opening night, <em>West Side Story</em> is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century. </p><p>Bringing together contemporary scholars in music, theatre, dance, literature, and performance, <a href="https://bookshop.org/a/12343/9781108747752"><em>The Cambridge Companion to West Side Story</em></a> (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's <em>Romeo and Juliet</em> and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to <em>West Side Story</em>; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3710</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f60413da-074b-11f0-b018-27dcf5984df5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4318352219.mp3?updated=1742668784" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adam Kotsko, "Late Star Trek: The Final Frontier in the Franchise Era" (U Minnesota Press, 2025)</title>
      <description>Late Star Trek: The Final Frontier in the Franchise Era (University of Minnesota Press, 2025) by Dr. Adam Kotsko explores the beloved science fiction franchise’s repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek’s sprawling continuity—including authorized books, the three “Kelvin Timeline” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling.
Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Dr. Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, Late Star Trek highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas.
Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Dr. Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 24 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>211</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adam Kotsko</itunes:subtitle>
      <itunes:summary>Late Star Trek: The Final Frontier in the Franchise Era (University of Minnesota Press, 2025) by Dr. Adam Kotsko explores the beloved science fiction franchise’s repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek’s sprawling continuity—including authorized books, the three “Kelvin Timeline” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling.
Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Dr. Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, Late Star Trek highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas.
Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Dr. Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781517919108"><em>Late Star Trek: The Final Frontier in the Franchise Era</em></a> (University of Minnesota Press, 2025) by Dr. Adam Kotsko explores the beloved science fiction franchise’s repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek’s sprawling continuity—including authorized books, the three “Kelvin Timeline” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling.</p><p>Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Dr. Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, <em>Late Star Trek</em> highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas.</p><p>Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Dr. Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2125</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c1700cc4-0696-11f0-8538-f377b158bedc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5140593951.mp3?updated=1742591139" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Clive Bloom, "London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction" (Bloomsbury, 2025)</title>
      <description>From Kensington to the East End, under candlelight, gas lamp and then neon signs, London is both a bustling physical metropolis and a stirring psychic encounter. The most depraved depictions of London in fiction, film, poetry, television and theatre have irrevocably merged with the reality of its dark history, creating a phantasmagoria defined by murder, vice and the unnatural. In this panoptic look at the capital at its most eerie and macabre, Dr. Clive Bloom takes a tour of Gothic London's uncanny literature, arcane events and its infamous and imagined geographies.
From David Bowie to T S Eliot, Thomas de Quincey to Aleister Crowley, the prophetess Joanna Southcott to the 'ghosts' of Abba and the worlds of Neil Gaiman and Clive Barker, these are the figures that populate a city lost in fog and blind alleys, where the dead can be raised, the living sacrificed and the clandestine thrive. 
Suturing together fact and fantasy, London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury, 2025) presents the urban landscape of the capital as a space of wonder and madness, haunted by its past and haunting the present. Stalking through disease and degeneracy, death and murder, spiritualism, lunacy and the occult, Bloom crafts a singular, integrated concept of a London where dreams and nightmares meet.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 18 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Clive Bloom</itunes:subtitle>
      <itunes:summary>From Kensington to the East End, under candlelight, gas lamp and then neon signs, London is both a bustling physical metropolis and a stirring psychic encounter. The most depraved depictions of London in fiction, film, poetry, television and theatre have irrevocably merged with the reality of its dark history, creating a phantasmagoria defined by murder, vice and the unnatural. In this panoptic look at the capital at its most eerie and macabre, Dr. Clive Bloom takes a tour of Gothic London's uncanny literature, arcane events and its infamous and imagined geographies.
From David Bowie to T S Eliot, Thomas de Quincey to Aleister Crowley, the prophetess Joanna Southcott to the 'ghosts' of Abba and the worlds of Neil Gaiman and Clive Barker, these are the figures that populate a city lost in fog and blind alleys, where the dead can be raised, the living sacrificed and the clandestine thrive. 
Suturing together fact and fantasy, London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury, 2025) presents the urban landscape of the capital as a space of wonder and madness, haunted by its past and haunting the present. Stalking through disease and degeneracy, death and murder, spiritualism, lunacy and the occult, Bloom crafts a singular, integrated concept of a London where dreams and nightmares meet.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Kensington to the East End, under candlelight, gas lamp and then neon signs, London is both a bustling physical metropolis and a stirring psychic encounter. The most depraved depictions of London in fiction, film, poetry, television and theatre have irrevocably merged with the reality of its dark history, creating a phantasmagoria defined by murder, vice and the unnatural. In this panoptic look at the capital at its most eerie and macabre, Dr. Clive Bloom takes a tour of Gothic London's uncanny literature, arcane events and its infamous and imagined geographies.</p><p>From David Bowie to T S Eliot, Thomas de Quincey to Aleister Crowley, the prophetess Joanna Southcott to the 'ghosts' of Abba and the worlds of Neil Gaiman and Clive Barker, these are the figures that populate a city lost in fog and blind alleys, where the dead can be raised, the living sacrificed and the clandestine thrive. </p><p>Suturing together fact and fantasy, <a href="https://bookshop.org/a/12343/9781350424036"><em>London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction</em></a> (Bloomsbury, 2025) presents the urban landscape of the capital as a space of wonder and madness, haunted by its past and haunting the present. Stalking through disease and degeneracy, death and murder, spiritualism, lunacy and the occult, Bloom crafts a singular, integrated concept of a London where dreams and nightmares meet.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1858</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[752f2c90-033b-11f0-b22e-c76d85c06080]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4761464739.mp3?updated=1742222057" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Lodder, "Tattoos: The Untold History of a Modern Art" (Yale UP, 2024)</title>
      <description>There is a pervasive stereotype of tattoo culture as relating to an underworld of scoundrels, sailors, and ne’er-do-wells, yet it has existed in the West as a professionalized art practice for centuries. Drawing on extensive new research and unprecedented access to largely unpublished private archives of photographs, art, and ephemera, in Tattoos: The Untold History of a Modern Art (Yale University Press, 2024) Dr. Matt Lodder offers a new perspective on the history of commercial tattooing in Europe and the United States, beginning even before it emerged as a recognizable profession in the mid-nineteenth century. In the process, he shows that the art of tattoo has long been both practiced and commissioned by individuals across economic, gender, and class divides; he also examines the stylistic trends that have shaped tattoo’s development as an art form over its history.
Lodder introduces the many artists and professionals who shaped tattoo history, including early figures like Martin Hildebrandt, the first-known professional tattoo artist in the West; prominent woman artists like Grace Bell and Jessie Knight; mid-twentieth-century icons like Sailor Jerry and Les Skuse and the Bristol Tattoo Club; and contemporary industry stars including Ed Hardy, Davy Jones, and the Leu family. Richly illustrated with rarely published images, this important book is the first to examine the history of tattoo in the west as both a serious profession and an art form.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matt Lodder</itunes:subtitle>
      <itunes:summary>There is a pervasive stereotype of tattoo culture as relating to an underworld of scoundrels, sailors, and ne’er-do-wells, yet it has existed in the West as a professionalized art practice for centuries. Drawing on extensive new research and unprecedented access to largely unpublished private archives of photographs, art, and ephemera, in Tattoos: The Untold History of a Modern Art (Yale University Press, 2024) Dr. Matt Lodder offers a new perspective on the history of commercial tattooing in Europe and the United States, beginning even before it emerged as a recognizable profession in the mid-nineteenth century. In the process, he shows that the art of tattoo has long been both practiced and commissioned by individuals across economic, gender, and class divides; he also examines the stylistic trends that have shaped tattoo’s development as an art form over its history.
Lodder introduces the many artists and professionals who shaped tattoo history, including early figures like Martin Hildebrandt, the first-known professional tattoo artist in the West; prominent woman artists like Grace Bell and Jessie Knight; mid-twentieth-century icons like Sailor Jerry and Les Skuse and the Bristol Tattoo Club; and contemporary industry stars including Ed Hardy, Davy Jones, and the Leu family. Richly illustrated with rarely published images, this important book is the first to examine the history of tattoo in the west as both a serious profession and an art form.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There is a pervasive stereotype of tattoo culture as relating to an underworld of scoundrels, sailors, and ne’er-do-wells, yet it has existed in the West as a professionalized art practice for centuries. Drawing on extensive new research and unprecedented access to largely unpublished private archives of photographs, art, and ephemera, in <a href="https://bookshop.org/a/12343/9780300269390"><em>Tattoos: The Untold History of a Modern Art</em></a> (Yale University Press, 2024) Dr. Matt Lodder offers a new perspective on the history of commercial tattooing in Europe and the United States, beginning even before it emerged as a recognizable profession in the mid-nineteenth century. In the process, he shows that the art of tattoo has long been both practiced and commissioned by individuals across economic, gender, and class divides; he also examines the stylistic trends that have shaped tattoo’s development as an art form over its history.</p><p>Lodder introduces the many artists and professionals who shaped tattoo history, including early figures like Martin Hildebrandt, the first-known professional tattoo artist in the West; prominent woman artists like Grace Bell and Jessie Knight; mid-twentieth-century icons like Sailor Jerry and Les Skuse and the Bristol Tattoo Club; and contemporary industry stars including Ed Hardy, Davy Jones, and the Leu family. Richly illustrated with rarely published images, this important book is the first to examine the history of tattoo in the west as both a serious profession and an art form.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3991</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff2e91c4-e199-11ef-90e4-9f919c32008a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7164901320.mp3?updated=1738524028" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mia Consalvo et al., "Streaming by the Rest of Us: Microstreaming Videogames on Twitch" (MIT Press, 2025)</title>
      <description>The vast majority of people who stream themselves playing videogames online do so with few or no viewers. In Streaming by the Rest of Us: Microstreaming Videogames on Twitch (MIT Press, 2025) Dr. Mia Consalvo, Dr. Marc Lajeunesse, and Dr. Andrei Zanescu investigate who they are, why they do so, and why this form of leisure activity is important to understand. Unlike the esports athletes and streaming superstars who receive the lion's share of journalistic and academic attention, microstreamers are not in it for the money and barely have an audience. In this, the first book dedicated to the latter group, the authors gather interviews from dozens of microstreamers from 2017 to 2019 to discuss their lives, struggles, hopes, and goals.
For readers interested in livestreaming, and Twitch in particular, the book rethinks the medium's history through accounts of the everyday uses of webcams, with particular attention to notions of liveness and authenticity. These two concepts have become calling cards for the videogame livestreaming platform and underlie streamer motivations, the construction of their practices (whether casual, serious, or anywhere in between), and the complex “metas” that take shape over time. The book also looks at the authors' own practices of livestreaming, focusing on what can be gained through experiencing the lived reality of the practice. Finally, the authors explain how Twitch's platform (studied from 2017–2023) informs how streamers structure their every day and how corporate ideologies bleed into real-world spaces like TwitchCon.
This book is available open-access via the MIT Press website.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 15 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mia Consalvo and Andrei Zanescu</itunes:subtitle>
      <itunes:summary>The vast majority of people who stream themselves playing videogames online do so with few or no viewers. In Streaming by the Rest of Us: Microstreaming Videogames on Twitch (MIT Press, 2025) Dr. Mia Consalvo, Dr. Marc Lajeunesse, and Dr. Andrei Zanescu investigate who they are, why they do so, and why this form of leisure activity is important to understand. Unlike the esports athletes and streaming superstars who receive the lion's share of journalistic and academic attention, microstreamers are not in it for the money and barely have an audience. In this, the first book dedicated to the latter group, the authors gather interviews from dozens of microstreamers from 2017 to 2019 to discuss their lives, struggles, hopes, and goals.
For readers interested in livestreaming, and Twitch in particular, the book rethinks the medium's history through accounts of the everyday uses of webcams, with particular attention to notions of liveness and authenticity. These two concepts have become calling cards for the videogame livestreaming platform and underlie streamer motivations, the construction of their practices (whether casual, serious, or anywhere in between), and the complex “metas” that take shape over time. The book also looks at the authors' own practices of livestreaming, focusing on what can be gained through experiencing the lived reality of the practice. Finally, the authors explain how Twitch's platform (studied from 2017–2023) informs how streamers structure their every day and how corporate ideologies bleed into real-world spaces like TwitchCon.
This book is available open-access via the MIT Press website.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The vast majority of people who stream themselves playing videogames online do so with few or no viewers. In <a href="https://bookshop.org/a/12343/9780262552158"><em>Streaming by the Rest of Us: Microstreaming Videogames on Twitch</em></a> (MIT Press, 2025) Dr. Mia Consalvo, Dr. Marc Lajeunesse, and Dr. Andrei Zanescu investigate who they are, why they do so, and why this form of leisure activity is important to understand. Unlike the esports athletes and streaming superstars who receive the lion's share of journalistic and academic attention, microstreamers are not in it for the money and barely have an audience. In this, the first book dedicated to the latter group, the authors gather interviews from dozens of microstreamers from 2017 to 2019 to discuss their lives, struggles, hopes, and goals.</p><p>For readers interested in livestreaming, and Twitch in particular, the book rethinks the medium's history through accounts of the everyday uses of webcams, with particular attention to notions of liveness and authenticity. These two concepts have become calling cards for the videogame livestreaming platform and underlie streamer motivations, the construction of their practices (whether casual, serious, or anywhere in between), and the complex “metas” that take shape over time. The book also looks at the authors' own practices of livestreaming, focusing on what can be gained through experiencing the lived reality of the practice. Finally, the authors explain how Twitch's platform (studied from 2017–2023) informs how streamers structure their every day and how corporate ideologies bleed into real-world spaces like TwitchCon.</p><p>This book is available open-access via the MIT Press website.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2480</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dcd424b4-ff5c-11ef-b0dc-47fc828a0933]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3429328754.mp3?updated=1741796588" length="0" type="audio/mpeg"/>
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    <item>
      <title>Fiona Handyside, "Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures" (Edinburgh UP, 2025)</title>
      <description>Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times?
Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction.
It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 14 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>147</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Fiona Handyside</itunes:subtitle>
      <itunes:summary>Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times?
Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction.
It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times?</p><p>Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, <a href="https://bookshop.org/a/12343/9781399506939"><em>Girls' Hairstories: Sparkle and Resilience in Contemporary Screen</em></a><em> Cultures</em> (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction.</p><p>It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[42aada2c-ff6b-11ef-ae6a-7be6050d08c5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4369599672.mp3?updated=1741802913" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martha Bayless, "Entertainment, Pleasure, and Meaning in Early England" (Cambridge UP, 2024)</title>
      <description>The people of early England (c. 450–1100 CE) enjoyed numerous kinds of entertainment, recreation and pleasure, but the scattered records of such things have made the larger picture challenging to assemble. Entertainment, Pleasure, and Meaning in Early England (Cambridge University Press, 2025) by Dr. Martha Bayless illuminates the merrier aspects of early English life, extending our understanding of the full range of early medieval English culture. It shows why entertainment and festivity were not merely trivial aspects of culture, but had important functions, in ritual, in community-building, in assuming power, and in resistance to power. Among the activities explored are child's play; drinking and feasting; music, dance, and performance; the pleasures of literature, festivals and celebrations; hunting and sport; and games.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Martha Bayless</itunes:subtitle>
      <itunes:summary>The people of early England (c. 450–1100 CE) enjoyed numerous kinds of entertainment, recreation and pleasure, but the scattered records of such things have made the larger picture challenging to assemble. Entertainment, Pleasure, and Meaning in Early England (Cambridge University Press, 2025) by Dr. Martha Bayless illuminates the merrier aspects of early English life, extending our understanding of the full range of early medieval English culture. It shows why entertainment and festivity were not merely trivial aspects of culture, but had important functions, in ritual, in community-building, in assuming power, and in resistance to power. Among the activities explored are child's play; drinking and feasting; music, dance, and performance; the pleasures of literature, festivals and celebrations; hunting and sport; and games.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The people of early England (c. 450–1100 CE) enjoyed numerous kinds of entertainment, recreation and pleasure, but the scattered records of such things have made the larger picture challenging to assemble. <a href="https://bookshop.org/a/12343/9781009162821"><em>Entertainment, Pleasure, and Meaning in Early England</em></a> (Cambridge University Press, 2025) by Dr. Martha Bayless illuminates the merrier aspects of early English life, extending our understanding of the full range of early medieval English culture. It shows why entertainment and festivity were not merely trivial aspects of culture, but had important functions, in ritual, in community-building, in assuming power, and in resistance to power. Among the activities explored are child's play; drinking and feasting; music, dance, and performance; the pleasures of literature, festivals and celebrations; hunting and sport; and games.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2155</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[07e28d02-fdbf-11ef-a963-2fa735ecb190]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6176626417.mp3?updated=1741619558" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ariane Sherine, "The Real Sinéad O'Connor" (White Owl, 2024)</title>
      <description>Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice.
O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18.
Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which (I Do Not Want What I Haven't Got) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights.

Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career.

The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey.
Ariane Sherine’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025).
Bradley on Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 08 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>273</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ariane Sherine</itunes:subtitle>
      <itunes:summary>Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice.
O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18.
Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which (I Do Not Want What I Haven't Got) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights.

Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career.

The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey.
Ariane Sherine’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025).
Bradley on Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice.</p><p>O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18.</p><p>Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which (<em>I Do Not Want What I Haven't Got</em>) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights.</p><p><br></p><p>Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career.</p><p><br></p><p><a href="https://bookshop.org/a/12343/9781036108236"><em>The Real Sinéad O'Connor</em></a> (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey.</p><p>Ariane Sherine’s <a href="https://www.arianesherine.net/">website</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America </em>(Louisiana State University Press, June 2025) and <em>U2: Until the End of the World</em> (Gemini Books, Fall 2025).</p><p>Bradley on <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2954</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0d914550-fa03-11ef-aa56-23837abf9b6d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5513910129.mp3?updated=1741208313" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Stang, et al., "Monstrosity in Games and Play" (Amsterdam UP, 2024)</title>
      <description>Sarah Stang, editor, joins Jana Byars to talk about Monstrosity in Games and Play (Amsterdam UP, 2024). Monsters fascinate us. From ancient folklore to contemporary digital games, they are at the core of the stories we tell. They reflect our fears, deepest desires, and the monstrosity hidden within ourselves. Monsters hold a mirror to our contemporary society and reveal who we truly are. 
This edited collection examines monsters and monstrosity in games and play. Monsters are a key feature of most games: we fight, kill, and eat them--and sometimes, we become them. However, monsters in games and play are not only entertaining but also a reflection of the monstrosity of our world. In this book, twenty-two scholars explore how themes such as mental health, colonialism, individualism, disability, gender, sexuality, racism, and exclusion are reflected in the monsters we interact with in games, play, and our daily lives both online and offline. Monstrosity in Games and Play is recommended to readers interested in the monstrous in contemporary game cultures and their surrounding societies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Stang</itunes:subtitle>
      <itunes:summary>Sarah Stang, editor, joins Jana Byars to talk about Monstrosity in Games and Play (Amsterdam UP, 2024). Monsters fascinate us. From ancient folklore to contemporary digital games, they are at the core of the stories we tell. They reflect our fears, deepest desires, and the monstrosity hidden within ourselves. Monsters hold a mirror to our contemporary society and reveal who we truly are. 
This edited collection examines monsters and monstrosity in games and play. Monsters are a key feature of most games: we fight, kill, and eat them--and sometimes, we become them. However, monsters in games and play are not only entertaining but also a reflection of the monstrosity of our world. In this book, twenty-two scholars explore how themes such as mental health, colonialism, individualism, disability, gender, sexuality, racism, and exclusion are reflected in the monsters we interact with in games, play, and our daily lives both online and offline. Monstrosity in Games and Play is recommended to readers interested in the monstrous in contemporary game cultures and their surrounding societies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sarah Stang, editor, joins Jana Byars to talk about <a href="https://bookshop.org/a/12343/9789463725682"><em>Monstrosity in Games and Play</em></a> (Amsterdam UP, 2024). Monsters fascinate us. From ancient folklore to contemporary digital games, they are at the core of the stories we tell. They reflect our fears, deepest desires, and the monstrosity hidden within ourselves. Monsters hold a mirror to our contemporary society and reveal who we truly are. </p><p>This edited collection examines monsters and monstrosity in games and play. Monsters are a key feature of most games: we fight, kill, and eat them--and sometimes, we become them. However, monsters in games and play are not only entertaining but also a reflection of the monstrosity of our world. In this book, twenty-two scholars explore how themes such as mental health, colonialism, individualism, disability, gender, sexuality, racism, and exclusion are reflected in the monsters we interact with in games, play, and our daily lives both online and offline. Monstrosity in Games and Play is recommended to readers interested in the monstrous in contemporary game cultures and their surrounding societies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3047</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d3eec2b2-f9ff-11ef-9843-73b37e871713]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3161124424.mp3?updated=1741206808" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Heppner, "Woodstock: From World War to Culture Wars" (SUNY Press, 2024)</title>
      <description>Few towns in America are as famous as Woodstock, New York—although Woodstock may be most famous for an event that happened many miles away! Long before the 1969 Woodstock festival put the town on the map, it had been a center for artists and free thinkers who found refuge in its rural setting. Longtime citizens were often shocked by the arrival of these newcomers who brought new values and attitudes to their once-isolated village. From the transformative arrival of artists in the early twentieth century to the influx of musicians and young people in the 1960s, Woodstockers worked and struggled to balance everyday life in a small, rural community with the attention and notoriety the outside world brought to it. 
Presented chronologically, Woodstock: From World War to Culture Wars (SUNY Press, 2024) examines the nature of change within Woodstock's uncommon story as it emerges from the Great Depression, confronts the realty of World War II, moves through the 1950s and into an unimagined and unintended future with the arrival of the Sixties through today. At its core, this is a story of how Woodstock's cultural and political institutions, its citizens, and its physical landscape met the ever-changing challenges of changing times. It is a story of community, resilience, conflict, and transition into a world its early settlers could not have imagined.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>288</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard Heppner</itunes:subtitle>
      <itunes:summary>Few towns in America are as famous as Woodstock, New York—although Woodstock may be most famous for an event that happened many miles away! Long before the 1969 Woodstock festival put the town on the map, it had been a center for artists and free thinkers who found refuge in its rural setting. Longtime citizens were often shocked by the arrival of these newcomers who brought new values and attitudes to their once-isolated village. From the transformative arrival of artists in the early twentieth century to the influx of musicians and young people in the 1960s, Woodstockers worked and struggled to balance everyday life in a small, rural community with the attention and notoriety the outside world brought to it. 
Presented chronologically, Woodstock: From World War to Culture Wars (SUNY Press, 2024) examines the nature of change within Woodstock's uncommon story as it emerges from the Great Depression, confronts the realty of World War II, moves through the 1950s and into an unimagined and unintended future with the arrival of the Sixties through today. At its core, this is a story of how Woodstock's cultural and political institutions, its citizens, and its physical landscape met the ever-changing challenges of changing times. It is a story of community, resilience, conflict, and transition into a world its early settlers could not have imagined.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Few towns in America are as famous as Woodstock, New York—although Woodstock may be most famous for an event that happened many miles away! Long before the 1969 Woodstock festival put the town on the map, it had been a center for artists and free thinkers who found refuge in its rural setting. Longtime citizens were often shocked by the arrival of these newcomers who brought new values and attitudes to their once-isolated village. From the transformative arrival of artists in the early twentieth century to the influx of musicians and young people in the 1960s, Woodstockers worked and struggled to balance everyday life in a small, rural community with the attention and notoriety the outside world brought to it. </p><p>Presented chronologically, <a href="https://bookshop.org/a/12343/9781438499338"><em>Woodstock: From World War to Culture Wars</em></a> (SUNY Press, 2024) examines the nature of change within Woodstock's uncommon story as it emerges from the Great Depression, confronts the realty of World War II, moves through the 1950s and into an unimagined and unintended future with the arrival of the Sixties through today. At its core, this is a story of how Woodstock's cultural and political institutions, its citizens, and its physical landscape met the ever-changing challenges of changing times. It is a story of community, resilience, conflict, and transition into a world its early settlers could not have imagined.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ef8fb94a-f9c3-11ef-994b-d3e2201066d2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7258045203.mp3?updated=1741181114" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Alexander, "Art! Trash! Terror! Adventures in Strange Cinema" (Headpress, 2025)</title>
      <description>ART! TRASH! TERROR! Adventures in Strange Cinema (Headpress 2025) by Chris Alexander is a treasure trove of in-depth essays and edifying interviews that celebrate some of the most eccentric and unforgettable movies in cult cinema history. From recognized classics (George A. Romero's Dawn Of The Dead, David Lynch's The Elephant Man) to misunderstood masterpieces (Michael Mann's The Keep, Boris Sagal's The Omega Man) to unfairly maligned curios (Kostas Karagiannis' Land Of The Minotaur, Brett Leonard's Hideaway), the author takes an alternately serious and playful but always personal look at several strains of international horror, dark fantasy, and exploitation film -- motion pictures that transform, transgress, challenge, infuriate, shock, and entertain. Connecting these passionate and critical essays are insightful interviews with revered talents, such as John Waters (writer/director, Cecil B. Demented), Michael Winner (director, The Sentinel), Nicolas Cage (actor, Vampire's Kiss), Gene Simmons (co-founder/bassist, KISS), William Crain (director, Blacula), William Lustig (director, Maniac), Werner Herzog (director, Nosferatu: Phantom Der Nacht) and many more, as well as witty, heartfelt memoirs charting the author's oddball experiences on the fringes of Hollywood and beyond. Illustrated with more than 200 startling photographs!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 06 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>210</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Alexander</itunes:subtitle>
      <itunes:summary>ART! TRASH! TERROR! Adventures in Strange Cinema (Headpress 2025) by Chris Alexander is a treasure trove of in-depth essays and edifying interviews that celebrate some of the most eccentric and unforgettable movies in cult cinema history. From recognized classics (George A. Romero's Dawn Of The Dead, David Lynch's The Elephant Man) to misunderstood masterpieces (Michael Mann's The Keep, Boris Sagal's The Omega Man) to unfairly maligned curios (Kostas Karagiannis' Land Of The Minotaur, Brett Leonard's Hideaway), the author takes an alternately serious and playful but always personal look at several strains of international horror, dark fantasy, and exploitation film -- motion pictures that transform, transgress, challenge, infuriate, shock, and entertain. Connecting these passionate and critical essays are insightful interviews with revered talents, such as John Waters (writer/director, Cecil B. Demented), Michael Winner (director, The Sentinel), Nicolas Cage (actor, Vampire's Kiss), Gene Simmons (co-founder/bassist, KISS), William Crain (director, Blacula), William Lustig (director, Maniac), Werner Herzog (director, Nosferatu: Phantom Der Nacht) and many more, as well as witty, heartfelt memoirs charting the author's oddball experiences on the fringes of Hollywood and beyond. Illustrated with more than 200 startling photographs!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781915316431"><em>ART! TRASH! TERROR! Adventures in Strange Cinema</em></a> (Headpress 2025) by Chris Alexander is a treasure trove of in-depth essays and edifying interviews that celebrate some of the most eccentric and unforgettable movies in cult cinema history. From recognized classics (George A. Romero's Dawn Of The Dead, David Lynch's The Elephant Man) to misunderstood masterpieces (Michael Mann's The Keep, Boris Sagal's The Omega Man) to unfairly maligned curios (Kostas Karagiannis' Land Of The Minotaur, Brett Leonard's Hideaway), the author takes an alternately serious and playful but always personal look at several strains of international horror, dark fantasy, and exploitation film -- motion pictures that transform, transgress, challenge, infuriate, shock, and entertain. Connecting these passionate and critical essays are insightful interviews with revered talents, such as John Waters (writer/director, Cecil B. Demented), Michael Winner (director, The Sentinel), Nicolas Cage (actor, Vampire's Kiss), Gene Simmons (co-founder/bassist, KISS), William Crain (director, Blacula), William Lustig (director, Maniac), Werner Herzog (director, Nosferatu: Phantom Der Nacht) and many more, as well as witty, heartfelt memoirs charting the author's oddball experiences on the fringes of Hollywood and beyond. Illustrated with more than 200 startling photographs!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3327</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1f93601e-f876-11ef-b177-0fd06fb8fe93]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8180014668.mp3?updated=1741037868" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alfie Bown, "Post-Comedy" (Polity, 2025)</title>
      <description>Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge.
Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore?
Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered.
Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture.
He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include The Playstation Dreamworld, Post-Memes, and Dream Lovers: The Gamification of Relationships.
He is the founder of Everyday Analysis which publishes pamphlets and essay collections with contemporary social and political issues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 05 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>260</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alfie Bown</itunes:subtitle>
      <itunes:summary>Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge.
Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore?
Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered.
Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture.
He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include The Playstation Dreamworld, Post-Memes, and Dream Lovers: The Gamification of Relationships.
He is the founder of Everyday Analysis which publishes pamphlets and essay collections with contemporary social and political issues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge.</p><p>Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore?</p><p><a href="https://bookshop.org/a/12343/9781509563395"><em>Post-Comedy</em></a><em> </em>(Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered.</p><p>Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture.</p><p>He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include <em>The Playstation Dreamworld</em>, <em>Post-Memes</em>, and <em>Dream Lovers: The Gamification of Relationships</em>.</p><p>He is the founder of <a href="https://www.everydayanalysis.co.uk/">Everyday Analysis</a> which publishes pamphlets and essay collections with contemporary social and political issues.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4139</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Blair Farrell, "The Avengers in Video Games" (McFarland, 2021)</title>
      <description>For decades, Marvel Comics' superhero group the Avengers have captured the imagination of millions, whether in comics, multi-billion dollar grossing films or video games. Similar to the chronology of the Marvel Cinematic Universe, the Avengers video games first started with titles driven by single characters, like Iron Man, the Hulk, Thor and Captain America. Over time, the games grew to include more and more heroes, culminating in playing experiences that featured the Avengers assembled. 
The Avengers in Video Games (McFarland, 2021) is the first-ever book assessing the video games starring "Earth's Mightiest Heroes." Featured games span consoles and platforms, from popular PlayStation and Xbox titles to an arcade game in danger of being lost to time. All video games are covered in depth, with each entry including game background and a detailed review from the author. Some game entries also include behind-the-scenes knowledge from the developers themselves, providing exclusive details on the Marvel video game universe.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 05 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Blair Farrell</itunes:subtitle>
      <itunes:summary>For decades, Marvel Comics' superhero group the Avengers have captured the imagination of millions, whether in comics, multi-billion dollar grossing films or video games. Similar to the chronology of the Marvel Cinematic Universe, the Avengers video games first started with titles driven by single characters, like Iron Man, the Hulk, Thor and Captain America. Over time, the games grew to include more and more heroes, culminating in playing experiences that featured the Avengers assembled. 
The Avengers in Video Games (McFarland, 2021) is the first-ever book assessing the video games starring "Earth's Mightiest Heroes." Featured games span consoles and platforms, from popular PlayStation and Xbox titles to an arcade game in danger of being lost to time. All video games are covered in depth, with each entry including game background and a detailed review from the author. Some game entries also include behind-the-scenes knowledge from the developers themselves, providing exclusive details on the Marvel video game universe.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For decades, Marvel Comics' superhero group the Avengers have captured the imagination of millions, whether in comics, multi-billion dollar grossing films or video games. Similar to the chronology of the Marvel Cinematic Universe, the Avengers video games first started with titles driven by single characters, like Iron Man, the Hulk, Thor and Captain America. Over time, the games grew to include more and more heroes, culminating in playing experiences that featured the Avengers assembled. </p><p><a href="https://bookshop.org/a/12343/9781476683454">The Avengers in Video Games</a> (McFarland, 2021) is the first-ever book assessing the video games starring "Earth's Mightiest Heroes." Featured games span consoles and platforms, from popular PlayStation and Xbox titles to an arcade game in danger of being lost to time. All video games are covered in depth, with each entry including game background and a detailed review from the author. Some game entries also include behind-the-scenes knowledge from the developers themselves, providing exclusive details on the Marvel video game universe.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2293</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kyle Orland, "Minesweeper" (Boss Fight Books, 2023)</title>
      <description>If you had some free time and a Windows PC in the 1990s, your mouse probably crawled its way to Minesweeper, an exciting watch-where-you-click puzzle game with a ticking clock and a ton of “just one more game” replayability. Originally sold as part of a “big box” bundle of simple games, Minesweeper became a cornerstone of the Windows experience when it was pre-installed with every copy of Windows 3.1 and decades of subsequent OS updates. Alongside fellow Windows gaming staple Solitaire, Minesweeper wound up on more devices than nearly any other video game in history. Sweeping through a minefield of explosive storylines, Journalist Kyle Orland reveals how Minesweeper caused an identity crisis within Microsoft, ensnared a certain Microsoft CEO with its addictive gameplay, dismayed panicky pundits, micromanagers, and legislators around the world, inspired a passionate competitive community that discovered how to break the game, and predicted the rise of casual gaming by nearly two decades.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 04 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kyle Orland</itunes:subtitle>
      <itunes:summary>If you had some free time and a Windows PC in the 1990s, your mouse probably crawled its way to Minesweeper, an exciting watch-where-you-click puzzle game with a ticking clock and a ton of “just one more game” replayability. Originally sold as part of a “big box” bundle of simple games, Minesweeper became a cornerstone of the Windows experience when it was pre-installed with every copy of Windows 3.1 and decades of subsequent OS updates. Alongside fellow Windows gaming staple Solitaire, Minesweeper wound up on more devices than nearly any other video game in history. Sweeping through a minefield of explosive storylines, Journalist Kyle Orland reveals how Minesweeper caused an identity crisis within Microsoft, ensnared a certain Microsoft CEO with its addictive gameplay, dismayed panicky pundits, micromanagers, and legislators around the world, inspired a passionate competitive community that discovered how to break the game, and predicted the rise of casual gaming by nearly two decades.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you had some free time and a Windows PC in the 1990s, your mouse probably crawled its way to Minesweeper, an exciting watch-where-you-click puzzle game with a ticking clock and a ton of “just one more game” replayability. Originally sold as part of a “big box” bundle of simple games, Minesweeper became a cornerstone of the Windows experience when it was pre-installed with every copy of Windows 3.1 and decades of subsequent OS updates. Alongside fellow Windows gaming staple Solitaire, Minesweeper wound up on more devices than nearly any other video game in history. Sweeping through a minefield of explosive storylines, Journalist Kyle Orland reveals how Minesweeper caused an identity crisis within Microsoft, ensnared a certain Microsoft CEO with its addictive gameplay, dismayed panicky pundits, micromanagers, and legislators around the world, inspired a passionate competitive community that discovered how to break the game, and predicted the rise of casual gaming by nearly two decades.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1149</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[27835a04-f614-11ef-9380-27858a2308c7]]></guid>
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      <title>Waiyee Loh, "Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy" (SUNY Press, 2024)</title>
      <description>Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy (SUNY Press, 2024) by Dr. Waiyee Loh brings together contemporary representations of Victorian Britain to reveal how the nation's imperial past inheres in the ways post-imperial subjects commodify and consume "culture" in the late twentieth and early twenty-first centuries. The globalization of English literature, along with British forms of dress, etiquette, and dining, in the nineteenth century presumed and produced the idea that British culture is a universal standard to which everyone should aspire.
Examining neo-Victorian texts and practices from Britain, the United States, Japan, and Singapore—from A. S. Byatt's novel Possession and its Hollywood film adaptation to Japanese Lolita fashion and the Lady Victorian manga series—Dr. Loh argues that the British heritage industry thrives on the persistence of this idea. Yet this industry also competes and collaborates with the US and Japanese cultural industries, as they, too, engage with the legacy of British universalism to carve out their own empires in a global creative economy. Unique in its scope, Empire of Culture centers Britain's engagements with the US and East Asia to illuminate fresh axes of influence and appropriation, and further bring Victorian studies into contact with various sites of literary and cultural fandom.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>160</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Waiyee Loh</itunes:subtitle>
      <itunes:summary>Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy (SUNY Press, 2024) by Dr. Waiyee Loh brings together contemporary representations of Victorian Britain to reveal how the nation's imperial past inheres in the ways post-imperial subjects commodify and consume "culture" in the late twentieth and early twenty-first centuries. The globalization of English literature, along with British forms of dress, etiquette, and dining, in the nineteenth century presumed and produced the idea that British culture is a universal standard to which everyone should aspire.
Examining neo-Victorian texts and practices from Britain, the United States, Japan, and Singapore—from A. S. Byatt's novel Possession and its Hollywood film adaptation to Japanese Lolita fashion and the Lady Victorian manga series—Dr. Loh argues that the British heritage industry thrives on the persistence of this idea. Yet this industry also competes and collaborates with the US and Japanese cultural industries, as they, too, engage with the legacy of British universalism to carve out their own empires in a global creative economy. Unique in its scope, Empire of Culture centers Britain's engagements with the US and East Asia to illuminate fresh axes of influence and appropriation, and further bring Victorian studies into contact with various sites of literary and cultural fandom.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781438498294"><em>Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy</em></a> (SUNY Press, 2024) by Dr. Waiyee Loh brings together contemporary representations of Victorian Britain to reveal how the nation's imperial past inheres in the ways post-imperial subjects commodify and consume "culture" in the late twentieth and early twenty-first centuries. The globalization of English literature, along with British forms of dress, etiquette, and dining, in the nineteenth century presumed and produced the idea that British culture is a universal standard to which everyone should aspire.</p><p>Examining neo-Victorian texts and practices from Britain, the United States, Japan, and Singapore—from A. S. Byatt's novel <em>Possession</em> and its Hollywood film adaptation to Japanese Lolita fashion and the Lady Victorian manga series—Dr. Loh argues that the British heritage industry thrives on the persistence of this idea. Yet this industry also competes and collaborates with the US and Japanese cultural industries, as they, too, engage with the legacy of British universalism to carve out their own empires in a global creative economy. Unique in its scope, <em>Empire of Culture</em> centers Britain's engagements with the US and East Asia to illuminate fresh axes of influence and appropriation, and further bring Victorian studies into contact with various sites of literary and cultural fandom.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1871</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK5436745865.mp3?updated=1740748697" length="0" type="audio/mpeg"/>
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    <item>
      <title>Robert Houghton, "The Middle Ages in Computer Games: Ludic Approaches to the Medieval and Medievalism" (Boydell &amp; Brewer, 2024)</title>
      <description>Games with a medieval setting are commercially lucrative and reach a truly massive audience. Moreover, they can engage their players in a manner that is not only different, but in certain aspects, more profound than traditional literary or cinematic forms of medievalism. However, although it is important to understand the versions of the Middle Ages presented by these games, how players engage with these medievalist worlds, and why particular representational trends emerge in this most modern medium, there has hitherto been little scholarship devoted to them.
The Middle Ages in Computer Games: Ludic Approaches to the Medieval and Medievalism (Boydell &amp; Brewer, 2024) explores the distinct nature of medievalism in digital games across a range of themes, from the portrayal of grotesque yet romantic conflict to conflicting depictions of the Church and religion. It likewise considers the distinctions between medievalist games and those of other periods, underlining their emphasis on fantasy, roleplay and hardcore elements, and their consequences for depictions of morality, race, gender and sexuality. Ultimately the book argues that while medievalist games are thoroughly influenced by medievalist and ludic tropes, they are nonetheless representative of a distinct new form of medievalism. It engages with the vast literature surrounding historical game studies, game design, and medievalism, and considers hundreds of games from across genres, from Assassin's Creed and Baldur's Gate to Crusader Kings and The Witcher series. In doing so, it provides a vital illustration of the state of the field and a cornerstone for future research and teaching.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert Houghton</itunes:subtitle>
      <itunes:summary>Games with a medieval setting are commercially lucrative and reach a truly massive audience. Moreover, they can engage their players in a manner that is not only different, but in certain aspects, more profound than traditional literary or cinematic forms of medievalism. However, although it is important to understand the versions of the Middle Ages presented by these games, how players engage with these medievalist worlds, and why particular representational trends emerge in this most modern medium, there has hitherto been little scholarship devoted to them.
The Middle Ages in Computer Games: Ludic Approaches to the Medieval and Medievalism (Boydell &amp; Brewer, 2024) explores the distinct nature of medievalism in digital games across a range of themes, from the portrayal of grotesque yet romantic conflict to conflicting depictions of the Church and religion. It likewise considers the distinctions between medievalist games and those of other periods, underlining their emphasis on fantasy, roleplay and hardcore elements, and their consequences for depictions of morality, race, gender and sexuality. Ultimately the book argues that while medievalist games are thoroughly influenced by medievalist and ludic tropes, they are nonetheless representative of a distinct new form of medievalism. It engages with the vast literature surrounding historical game studies, game design, and medievalism, and considers hundreds of games from across genres, from Assassin's Creed and Baldur's Gate to Crusader Kings and The Witcher series. In doing so, it provides a vital illustration of the state of the field and a cornerstone for future research and teaching.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Games with a medieval setting are commercially lucrative and reach a truly massive audience. Moreover, they can engage their players in a manner that is not only different, but in certain aspects, more profound than traditional literary or cinematic forms of medievalism. However, although it is important to understand the versions of the Middle Ages presented by these games, how players engage with these medievalist worlds, and why particular representational trends emerge in this most modern medium, there has hitherto been little scholarship devoted to them.</p><p><a href="https://bookshop.org/a/12343/9781843847298"><em>The Middle Ages in Computer Games: Ludic Approaches to the Medieval and Medievalism</em></a> (Boydell &amp; Brewer, 2024) explores the distinct nature of medievalism in digital games across a range of themes, from the portrayal of grotesque yet romantic conflict to conflicting depictions of the Church and religion. It likewise considers the distinctions between medievalist games and those of other periods, underlining their emphasis on fantasy, roleplay and hardcore elements, and their consequences for depictions of morality, race, gender and sexuality. Ultimately the book argues that while medievalist games are thoroughly influenced by medievalist and ludic tropes, they are nonetheless representative of a distinct new form of medievalism. It engages with the vast literature surrounding historical game studies, game design, and medievalism, and considers hundreds of games from across genres, from <em>Assassin's Creed </em>and <em>Baldur's Gate </em>to<em> Crusader Kings </em>and<em> The Witcher</em> series. In doing so, it provides a vital illustration of the state of the field and a cornerstone for future research and teaching.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2045</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Hallie Franks, "Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy" (Bloomsbury, 2025)</title>
      <description>Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks.
Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 02 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hallie Franks</itunes:subtitle>
      <itunes:summary>Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks.
Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350469860"><em>Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy</em></a> (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks.</p><p>Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3461</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Mike Sielski, "Magic in the Air: The Myth, the Mystery, and the Soul of the Slam Dunk" (St. Martin's Press, 2025)</title>
      <description>The evolution of basketball, and much of the social and cultural change in America, can be traced through one powerful act on the court: the slam dunk. The dunk's history is the story of a sport and a country changed by the most dominant act in basketball, and it makes Magic in the Air: The Myth, the Mystery, and the Soul of the Slam Dunk (St. Martin's Press, 2025) a rollicking and insightful piece of narrative history and a surefire classic of sports literature.
When basketball was the province of white men, the dunk acted as a revolutionary agent, a tool for players like Wilt Chamberlain and Bill Russell to transform the sport into a Black man’s game. The dunk has since been an expression of Black culture amid the righteous upheaval of the civil-rights movement, of the threat that Black people were considered to be to the establishment. It was banned from college basketball for nearly a decade―an attempt to squash the individual expression and athleticism that characterized the sport in America’s cities and on its playgrounds. The dunk nevertheless bubbled up to basketball’s highest levels. From Julius Erving to Michael Jordan to the high flyers of the 21st century, the dunk has been a key mechanism for growing the NBA into a global goliath.
Drawing on deep reporting and dozens of interviews with players, coaches, and other hoops experts, Magic in the Air brings to life the tale of the dunk while balancing sharp socio-racial history and commentary with a romp through American sports and culture. There's never been a basketball book quite like it.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>284</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mike Sielski</itunes:subtitle>
      <itunes:summary>The evolution of basketball, and much of the social and cultural change in America, can be traced through one powerful act on the court: the slam dunk. The dunk's history is the story of a sport and a country changed by the most dominant act in basketball, and it makes Magic in the Air: The Myth, the Mystery, and the Soul of the Slam Dunk (St. Martin's Press, 2025) a rollicking and insightful piece of narrative history and a surefire classic of sports literature.
When basketball was the province of white men, the dunk acted as a revolutionary agent, a tool for players like Wilt Chamberlain and Bill Russell to transform the sport into a Black man’s game. The dunk has since been an expression of Black culture amid the righteous upheaval of the civil-rights movement, of the threat that Black people were considered to be to the establishment. It was banned from college basketball for nearly a decade―an attempt to squash the individual expression and athleticism that characterized the sport in America’s cities and on its playgrounds. The dunk nevertheless bubbled up to basketball’s highest levels. From Julius Erving to Michael Jordan to the high flyers of the 21st century, the dunk has been a key mechanism for growing the NBA into a global goliath.
Drawing on deep reporting and dozens of interviews with players, coaches, and other hoops experts, Magic in the Air brings to life the tale of the dunk while balancing sharp socio-racial history and commentary with a romp through American sports and culture. There's never been a basketball book quite like it.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The evolution of basketball, and much of the social and cultural change in America, can be traced through one powerful act on the court: the slam dunk. The dunk's history is the story of a sport and a country changed by the most dominant act in basketball, and it makes <a href="https://bookshop.org/a/12343/9781250287526"><em>Magic in the Air: The Myth, the Mystery, and the Soul of the Slam Dunk</em></a> (St. Martin's Press, 2025) a rollicking and insightful piece of narrative history and a surefire classic of sports literature.</p><p>When basketball was the province of white men, the dunk acted as a revolutionary agent, a tool for players like Wilt Chamberlain and Bill Russell to transform the sport into a Black man’s game. The dunk has since been an expression of Black culture amid the righteous upheaval of the civil-rights movement, of the threat that Black people were considered to be to the establishment. It was banned from college basketball for nearly a decade―an attempt to squash the individual expression and athleticism that characterized the sport in America’s cities and on its playgrounds. The dunk nevertheless bubbled up to basketball’s highest levels. From Julius Erving to Michael Jordan to the high flyers of the 21st century, the dunk has been a key mechanism for growing the NBA into a global goliath.</p><p>Drawing on deep reporting and dozens of interviews with players, coaches, and other hoops experts, <em>Magic in the Air </em>brings to life the tale of the dunk while balancing sharp socio-racial history and commentary with a romp through American sports and culture. There's never been a basketball book quite like it.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3316</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1738901184.mp3?updated=1740432308" length="0" type="audio/mpeg"/>
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    <item>
      <title>William Burns, "Ghost of an Idea: Hauntology, Folk Horror, and the Spectre of Nostalgia" (Headpress, 2025)</title>
      <description>The future ain't what it used to be.
Is nostalgia revitalizing or killing 21st-century culture? The concept of nostalgia has seeped into almost all aspects of modern-day media, none more so than horror culture and its borderlands of Hauntology, Folk Horror, and found footage film. From film and TV franchises building endlessly on past glories, to musicians whose work now spans decades, modern media borrows heavily from the past.
Ghost of an Idea: Hauntology, Folk Horror, and the Spectre of Nostalgia examines the use and effect of nostalgia in the Horror and Hauntological realms. It asks why these genres hold such a fascination in popular culture, often inspiring devoted fanbases. From Candyman to The Blair Witch Project, and Dark Shadows to American Horror Story, are the folk horror and found footage phenomena significant artistic responses to political, social, and economic conditions, or simply an aesthetic rebranding of what has come before? How has nostalgia become linked to other concepts (psychogeography, residual haunting) to influence Hauntological music such as Boards of Canada, The Rowan Amber Mill, Hawksmoor, or The Caretaker? What can the 'urban wyrd' or faux horror footage tell us about our idealized past? And how will these cultures of nostalgia shape the future?
Combining the author's analysis with first-hand accounts of fans and creators, this book offers a critical analysis of our cultural quest to recognize, resurrect, and lay to rest the ghosts of past and present, also summoning up those spectres that may haunt the future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>209</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with William Burns</itunes:subtitle>
      <itunes:summary>The future ain't what it used to be.
Is nostalgia revitalizing or killing 21st-century culture? The concept of nostalgia has seeped into almost all aspects of modern-day media, none more so than horror culture and its borderlands of Hauntology, Folk Horror, and found footage film. From film and TV franchises building endlessly on past glories, to musicians whose work now spans decades, modern media borrows heavily from the past.
Ghost of an Idea: Hauntology, Folk Horror, and the Spectre of Nostalgia examines the use and effect of nostalgia in the Horror and Hauntological realms. It asks why these genres hold such a fascination in popular culture, often inspiring devoted fanbases. From Candyman to The Blair Witch Project, and Dark Shadows to American Horror Story, are the folk horror and found footage phenomena significant artistic responses to political, social, and economic conditions, or simply an aesthetic rebranding of what has come before? How has nostalgia become linked to other concepts (psychogeography, residual haunting) to influence Hauntological music such as Boards of Canada, The Rowan Amber Mill, Hawksmoor, or The Caretaker? What can the 'urban wyrd' or faux horror footage tell us about our idealized past? And how will these cultures of nostalgia shape the future?
Combining the author's analysis with first-hand accounts of fans and creators, this book offers a critical analysis of our cultural quest to recognize, resurrect, and lay to rest the ghosts of past and present, also summoning up those spectres that may haunt the future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The future ain't what it used to be.</p><p>Is nostalgia revitalizing or killing 21st-century culture? The concept of nostalgia has seeped into almost all aspects of modern-day media, none more so than horror culture and its borderlands of Hauntology, Folk Horror, and found footage film. From film and TV franchises building endlessly on past glories, to musicians whose work now spans decades, modern media borrows heavily from the past.</p><p><a href="https://bookshop.org/a/12343/9781915316318"><em>Ghost of an Idea: Hauntology, Folk Horror, and the Spectre of Nostalgia</em></a> examines the use and effect of nostalgia in the Horror and Hauntological realms. It asks why these genres hold such a fascination in popular culture, often inspiring devoted fanbases. From <em>Candyman</em> to <em>The Blair Witch Project</em>, and <em>Dark Shadows</em> to <em>American Horror Story</em>, are the folk horror and found footage phenomena significant artistic responses to political, social, and economic conditions, or simply an aesthetic rebranding of what has come before? How has nostalgia become linked to other concepts (psychogeography, residual haunting) to influence Hauntological music such as Boards of Canada, The Rowan Amber Mill, Hawksmoor, or The Caretaker? What can the 'urban wyrd' or faux horror footage tell us about our idealized past? And how will these cultures of nostalgia shape the future?</p><p>Combining the author's analysis with first-hand accounts of fans and creators, this book offers a critical analysis of our cultural quest to recognize, resurrect, and lay to rest the ghosts of past and present, also summoning up those spectres that may haunt the future.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2695</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[766c5d24-f14a-11ef-9600-9f7b3fc592c8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9506790810.mp3?updated=1740249642" length="0" type="audio/mpeg"/>
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    <item>
      <title>In “The Beast,” AI Puts Limits on Human Emotion</title>
      <description>It’s the UConn Popcast, and “The Beast” is a 2023 sci fi / romance movie by French director Bertrand Bonello, in which artificial intelligence has determined that human emotions are a danger, and must be surgically controlled. In this deep dive, we ask whether this is really a film about AI, a transhistorical love story, a narrative of societal decline, or something else entirely. The Beast stars Lea Seydoux and George McKay.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 22 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and “The Beast” is a 2023 sci fi / romance movie by French director Bertrand Bonello, in which artificial intelligence has determined that human emotions are a danger, and must be surgically controlled. In this deep dive, we ask whether this is really a film about AI, a transhistorical love story, a narrative of societal decline, or something else entirely. The Beast stars Lea Seydoux and George McKay.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">UConn Popcast</a>, and “The Beast” is a 2023 sci fi / romance movie by French director Bertrand Bonello, in which artificial intelligence has determined that human emotions are a danger, and must be surgically controlled. In this deep dive, we ask whether this is really a film about AI, a transhistorical love story, a narrative of societal decline, or something else entirely. The Beast stars Lea Seydoux and George McKay.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4411</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b4c601b8-eeef-11ef-a2cc-431d7a9551f4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7291050400.mp3?updated=1739990581" length="0" type="audio/mpeg"/>
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    <item>
      <title>Shelly Jones and Matthew Wilhelm Kapell, "Beyond the Deck: Critical Essays on Magic, The Gathering and Its Influence" (McFarland, 2023)</title>
      <description>Since its debut in 1993, Magic: The Gathering has grown to be an influential collectible card game, allowing its community of loyal fans to duel each other while enjoying its lore and compelling narratives. Beyond the Deck (McFarland, 2023) focuses on Magic from a variety of disciplinary approaches. Authors explore the innovative game design of Magic, the ludic differences between analog and digital play, how players interact with the MTG market and one another, professional play versus casual play and the many ways Magic has impacted gaming.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shelly Jones</itunes:subtitle>
      <itunes:summary>Since its debut in 1993, Magic: The Gathering has grown to be an influential collectible card game, allowing its community of loyal fans to duel each other while enjoying its lore and compelling narratives. Beyond the Deck (McFarland, 2023) focuses on Magic from a variety of disciplinary approaches. Authors explore the innovative game design of Magic, the ludic differences between analog and digital play, how players interact with the MTG market and one another, professional play versus casual play and the many ways Magic has impacted gaming.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since its debut in 1993, <em>Magic: The Gathering</em> has grown to be an influential collectible card game, allowing its community of loyal fans to duel each other while enjoying its lore and compelling narratives. <a href="https://bookshop.org/a/12343/9781476683164"><em>Beyond the Deck</em></a> (McFarland, 2023) focuses on <em>Magic</em> from a variety of disciplinary approaches. Authors explore the innovative game design of <em>Magic</em>, the ludic differences between analog and digital play, how players interact with the <em>MTG</em> market and one another, professional play versus casual play and the many ways <em>Magic</em> has impacted gaming.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1714</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Briony Hannell, "Feminist Fandom: Media Fandom, Digital Feminisms, and Tumblr" (Bloomsbury, 2023)</title>
      <description>What is the connection between fan culture and feminism? In Media Fandom, Digital Feminisms, and Tumblr (Bloomsbury, 2023), Briony Hannell, a lecturer in sociology at the University of Manchester, explores the intersection of fandom, in a variety of forms, and feminist discourses on social media. Using an in-depth case study of Tumblr, the book charts the creation of a community of feminist fans, showing how the sense of being a feminist and belonging to a digital community are created and maintained online. The analysis also reflects on how this community includes and excludes particular social groups, showing the potential and the limits of digital spaces for feminist ideas and activities. A vital intervention at a moment where social media spaces are being transformed in various ways, the book is essential reading for anyone interested in understanding the contemporary digital world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 15 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>512</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Briony Hannell</itunes:subtitle>
      <itunes:summary>What is the connection between fan culture and feminism? In Media Fandom, Digital Feminisms, and Tumblr (Bloomsbury, 2023), Briony Hannell, a lecturer in sociology at the University of Manchester, explores the intersection of fandom, in a variety of forms, and feminist discourses on social media. Using an in-depth case study of Tumblr, the book charts the creation of a community of feminist fans, showing how the sense of being a feminist and belonging to a digital community are created and maintained online. The analysis also reflects on how this community includes and excludes particular social groups, showing the potential and the limits of digital spaces for feminist ideas and activities. A vital intervention at a moment where social media spaces are being transformed in various ways, the book is essential reading for anyone interested in understanding the contemporary digital world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the connection between fan culture and feminism? In <a href="https://bookshop.org/a/12343/9798765101810"><em>Media Fandom, Digital Feminisms, and Tumblr </em></a>(Bloomsbury, 2023), <a href="https://bsky.app/profile/briony.bsky.social">Briony Hannell,</a> a <a href="https://brionyhannell.com/">lecturer in sociology</a> at the <a href="https://research.manchester.ac.uk/en/persons/briony-hannell">University of Manchester</a>, explores the intersection of fandom, in a variety of forms, and feminist discourses on social media. Using an in-depth case study of Tumblr, the book charts the creation of a community of feminist fans, showing how the sense of being a feminist and belonging to a digital community are created and maintained online. The analysis also reflects on how this community includes and excludes particular social groups, showing the potential and the limits of digital spaces for feminist ideas and activities. A vital intervention at a moment where social media spaces are being transformed in various ways, the book is essential reading for anyone interested in understanding the contemporary digital world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2378</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[88e032e0-e962-11ef-9ca7-f7b6fc0a6d1f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7704727191.mp3?updated=1739379802" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philip Howell, "Pub" (Bloomsbury, 2025)</title>
      <description>The pub is an English institution. Yet its history has been obscured by myth and nostalgia. In Pub (Bloomsbury, 2025) a new addition to the Object Lessons series, Dr. Philip Howell takes the public house as an object, or rather as a series of objects: he takes the pub apart and examines its constituent elements, from pub signs to the bar staff to the calling of “time.” But Pub also explores the hidden features of the pub, such as corporate control, cultural acceptance and exclusion, and the role of the pub in communities.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 12 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philip Howell</itunes:subtitle>
      <itunes:summary>The pub is an English institution. Yet its history has been obscured by myth and nostalgia. In Pub (Bloomsbury, 2025) a new addition to the Object Lessons series, Dr. Philip Howell takes the public house as an object, or rather as a series of objects: he takes the pub apart and examines its constituent elements, from pub signs to the bar staff to the calling of “time.” But Pub also explores the hidden features of the pub, such as corporate control, cultural acceptance and exclusion, and the role of the pub in communities.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The pub is an English institution. Yet its history has been obscured by myth and nostalgia. In <a href="https://bookshop.org/a/12343/9798765102312"><em>Pub</em></a> (Bloomsbury, 2025) a new addition to the Object Lessons series, Dr. Philip Howell takes the public house as an object, or rather as a series of objects: he takes the pub apart and examines its constituent elements, from pub signs to the bar staff to the calling of “time.” But <em>Pub</em> also explores the hidden features of the pub, such as corporate control, cultural acceptance and exclusion, and the role of the pub in communities.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2339</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[05a05cba-e64d-11ef-9c27-13100d9c7852]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5091742126.mp3?updated=1739041050" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jaqueline Berndt, "The Cambridge Companion to Manga and Anime" (Cambridge UP, 2024)</title>
      <description>In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic.
Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jaqueline Berndt</itunes:subtitle>
      <itunes:summary>In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic.
Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, <a href="https://bookshop.org/a/12343/9781009009980">The Cambridge Companion to Manga and Anime</a> (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic.</p><p>Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP <a href="https://www.su.se/department-of-asian-and-middle-eastern-studies/calendar/roundtable-for-the-cambridge-companion-to-manga-and-anime-1.798064">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2520</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[77a1b162-e637-11ef-9121-53761040b0f6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2386105183.mp3?updated=1739031366" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeff Copeland, "Love You Madly, Holly Woodlawn" (Feral House, 2025)</title>
      <description>In Love You Madly, Holly Woodlawn (Feral House, 2025), Jeff Copeland brings readers into Hollywood in the 1980s and shares his story of writing a book about one of the most infamous of Warhol's Superstars. A young, aspiring writer desperate for a break...and the legendary Andy Warhol superstar who gave him the story of a lifetime. By the mid-1980s, Holly Woodlawn, once lauded by George Cukor for her performance in the 1970 Warhol production and Paul Morrissey directed Trash, was washed up. Over. Kaput. She was living in a squalid Hollywood apartment with her dog and bottles of Chardonnay. 
A chance meeting with starry-eyed corn-fed Missouri-born Jeff Copeland, who moved to Hollywood with dreams of 'making it' as a television writer, changed the course of BOTH of their lives forever. Love You Madly, Holly Woodlawn is a story of how an unlikely friendship with a young gay writer and an, ahem, mature trans actress and performer created the bestselling autobiography of 1991, A Low Life in High Heels. This book about writing a book is a celebration of chutzpa and love as Holly, the embodiment of Auntie Mame, introduces Jeff to the glamorous (and sometimes larcenous) world of a Warhol Superstar. In turn, Jeff uses his writing (and typing) talent to give Holly the second chance at fame she craved. In turns hilarious and heartwarming, Love You Madly, Holly Woodlawn is a portrait of the real Holly who loved deeply, laughed loudly, and left mayhem in her wake.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>207</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeff Copeland</itunes:subtitle>
      <itunes:summary>In Love You Madly, Holly Woodlawn (Feral House, 2025), Jeff Copeland brings readers into Hollywood in the 1980s and shares his story of writing a book about one of the most infamous of Warhol's Superstars. A young, aspiring writer desperate for a break...and the legendary Andy Warhol superstar who gave him the story of a lifetime. By the mid-1980s, Holly Woodlawn, once lauded by George Cukor for her performance in the 1970 Warhol production and Paul Morrissey directed Trash, was washed up. Over. Kaput. She was living in a squalid Hollywood apartment with her dog and bottles of Chardonnay. 
A chance meeting with starry-eyed corn-fed Missouri-born Jeff Copeland, who moved to Hollywood with dreams of 'making it' as a television writer, changed the course of BOTH of their lives forever. Love You Madly, Holly Woodlawn is a story of how an unlikely friendship with a young gay writer and an, ahem, mature trans actress and performer created the bestselling autobiography of 1991, A Low Life in High Heels. This book about writing a book is a celebration of chutzpa and love as Holly, the embodiment of Auntie Mame, introduces Jeff to the glamorous (and sometimes larcenous) world of a Warhol Superstar. In turn, Jeff uses his writing (and typing) talent to give Holly the second chance at fame she craved. In turns hilarious and heartwarming, Love You Madly, Holly Woodlawn is a portrait of the real Holly who loved deeply, laughed loudly, and left mayhem in her wake.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<a href="https://bookshop.org/a/12343/9781627311595"> <em>Love You Madly, Holly Woodlawn</em></a><em> </em>(Feral House, 2025), Jeff Copeland brings readers into Hollywood in the 1980s and shares his story of writing a book about one of the most infamous of Warhol's Superstars. A young, aspiring writer desperate for a break...and the legendary Andy Warhol superstar who gave him the story of a lifetime. By the mid-1980s, Holly Woodlawn, once lauded by George Cukor for her performance in the 1970 Warhol production and Paul Morrissey directed Trash, was washed up. Over. Kaput. She was living in a squalid Hollywood apartment with her dog and bottles of Chardonnay. </p><p>A chance meeting with starry-eyed corn-fed Missouri-born Jeff Copeland, who moved to Hollywood with dreams of 'making it' as a television writer, changed the course of BOTH of their lives forever. <em>Love You Madly, Holly Woodlawn</em> is a story of how an unlikely friendship with a young gay writer and an, ahem, mature trans actress and performer created the bestselling autobiography of 1991, <em>A Low Life in High Heels</em>. This book about writing a book is a celebration of chutzpa and love as Holly, the embodiment of Auntie Mame, introduces Jeff to the glamorous (and sometimes larcenous) world of a Warhol Superstar. In turn, Jeff uses his writing (and typing) talent to give Holly the second chance at fame she craved. In turns hilarious and heartwarming, Love You Madly, Holly Woodlawn is a portrait of the real Holly who loved deeply, laughed loudly, and left mayhem in her wake.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3322</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3749132106.mp3?updated=1739037266" length="0" type="audio/mpeg"/>
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    <item>
      <title>Peter J. Bowler, "Evolution for the People: Shaping Popular Ideas from Darwin to the Present" (Cambridge UP, 2024)</title>
      <description>From Darwin's The Origin of Species to the twenty-first century, Peter Bowler reinterprets the long Darwinian Revolution by refocussing our attention on the British and American public. By applying recent historical interest in popular science to evolutionary ideas, he investigates how writers and broadcasters have presented both Darwinism and its discontents. 
Casting new light on how the theory's more radical aspects gradually grew in the public imagination, Evolution for the People: Shaping Popular Ideas from Darwin to the Present (Cambridge UP, 2024) extends existing studies of the popularization of evolutionism to give a more comprehensive picture of how attitudes have changed through time. In tracing changes in public perception, Bowler explores both the cultural impact and the cultural exploitation of these ideas in science, religion, social thought and literature.

The first comprehensive study of popular evolutionism from the 1860s to the present day

Reassesses the impact of Darwinism on the wider public through the study of popular science

Provides insights beyond the study of popular science relevant to cultural history, the history of religion, and the history of social though


Peter J. Bowler is Professor Emeritus of the History of Science at Queen's University Belfast, a fellow of the British Academy, a member of the Royal Irish Academy and a past president of the British Society for the History of Science.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 09 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>237</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter J. Bowler</itunes:subtitle>
      <itunes:summary>From Darwin's The Origin of Species to the twenty-first century, Peter Bowler reinterprets the long Darwinian Revolution by refocussing our attention on the British and American public. By applying recent historical interest in popular science to evolutionary ideas, he investigates how writers and broadcasters have presented both Darwinism and its discontents. 
Casting new light on how the theory's more radical aspects gradually grew in the public imagination, Evolution for the People: Shaping Popular Ideas from Darwin to the Present (Cambridge UP, 2024) extends existing studies of the popularization of evolutionism to give a more comprehensive picture of how attitudes have changed through time. In tracing changes in public perception, Bowler explores both the cultural impact and the cultural exploitation of these ideas in science, religion, social thought and literature.

The first comprehensive study of popular evolutionism from the 1860s to the present day

Reassesses the impact of Darwinism on the wider public through the study of popular science

Provides insights beyond the study of popular science relevant to cultural history, the history of religion, and the history of social though


Peter J. Bowler is Professor Emeritus of the History of Science at Queen's University Belfast, a fellow of the British Academy, a member of the Royal Irish Academy and a past president of the British Society for the History of Science.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Darwin's The Origin of Species to the twenty-first century, Peter Bowler reinterprets the long Darwinian Revolution by refocussing our attention on the British and American public. By applying recent historical interest in popular science to evolutionary ideas, he investigates how writers and broadcasters have presented both Darwinism and its discontents. </p><p>Casting new light on how the theory's more radical aspects gradually grew in the public imagination, <a href="https://bookshop.org/a/12343/9781009448994"><em>Evolution for the People: Shaping Popular Ideas from Darwin to the Present</em></a> (Cambridge UP, 2024) extends existing studies of the popularization of evolutionism to give a more comprehensive picture of how attitudes have changed through time. In tracing changes in public perception, Bowler explores both the cultural impact and the cultural exploitation of these ideas in science, religion, social thought and literature.</p><ul>
<li>The first comprehensive study of popular evolutionism from the 1860s to the present day</li>
<li>Reassesses the impact of Darwinism on the wider public through the study of popular science</li>
<li>Provides insights beyond the study of popular science relevant to cultural history, the history of religion, and the history of social though</li>
</ul><p><br></p><p>Peter J. Bowler is Professor Emeritus of the History of Science at Queen's University Belfast, a fellow of the British Academy, a member of the Royal Irish Academy and a past president of the British Society for the History of Science.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2927</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4eae6ad6-e563-11ef-932a-6f3213f7b4ea]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9582285617.mp3?updated=1738940843" length="0" type="audio/mpeg"/>
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    <item>
      <title>Katie Beisel Hollenbach, "The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom" (Oxford UP, 2024)</title>
      <description>The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom (Oxford University Press, 2024) by Dr. Katie Beisel Hollenbach reconsiders the story of American popular music, celebrity following, and fan behavior during World War II through close examination of “bobbysoxers.” Preserved in popular memory as primarily white, hysterical, teen girl devotees of Frank Sinatra clad in bobby socks and saddle shoes, these girls were accused of displaying inappropriate behavior and priorities in their obsessive pursuit of a crooning celebrity at a time of international crisis. Dr. Beisel Hollenbach peels back the stereotypes of girlhood idol adoration by documenting the intimate practices of wartime Sinatra fan clubs, revealing a new side of this familiar story in American history through the perspective of the bobbysoxer.
In World War II America, fan clubs and organizations like Teen Canteens offered a haven for teenage girls to celebrate their enjoyment of popular culture while cultivating relationships with each other through media icons and the entertainment industry. Many of these organizations attempted to encourage diverse memberships, influenced in part by Frank Sinatra's public work on racial and religious tolerance, and by Sinatra's own identity as an Italian American. Away from the critical public eye, these communities offered girls a place to safely explore and discuss issues including civil rights, politics, the war, patriotism, internationalism, and professional development in the context of their shared Sinatra fandom. With these broader social and political complexities in mind, The Business of Bobbysoxers shines a light on musical fan communities that provided teenage girls with peer groups at a critical moment of personal and historical change, allowing them to creatively express their desires and imagine their futures as American women together.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 09 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>268</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katie Beisel Hollenbach</itunes:subtitle>
      <itunes:summary>The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom (Oxford University Press, 2024) by Dr. Katie Beisel Hollenbach reconsiders the story of American popular music, celebrity following, and fan behavior during World War II through close examination of “bobbysoxers.” Preserved in popular memory as primarily white, hysterical, teen girl devotees of Frank Sinatra clad in bobby socks and saddle shoes, these girls were accused of displaying inappropriate behavior and priorities in their obsessive pursuit of a crooning celebrity at a time of international crisis. Dr. Beisel Hollenbach peels back the stereotypes of girlhood idol adoration by documenting the intimate practices of wartime Sinatra fan clubs, revealing a new side of this familiar story in American history through the perspective of the bobbysoxer.
In World War II America, fan clubs and organizations like Teen Canteens offered a haven for teenage girls to celebrate their enjoyment of popular culture while cultivating relationships with each other through media icons and the entertainment industry. Many of these organizations attempted to encourage diverse memberships, influenced in part by Frank Sinatra's public work on racial and religious tolerance, and by Sinatra's own identity as an Italian American. Away from the critical public eye, these communities offered girls a place to safely explore and discuss issues including civil rights, politics, the war, patriotism, internationalism, and professional development in the context of their shared Sinatra fandom. With these broader social and political complexities in mind, The Business of Bobbysoxers shines a light on musical fan communities that provided teenage girls with peer groups at a critical moment of personal and historical change, allowing them to creatively express their desires and imagine their futures as American women together.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780197659182"><em>The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom</em></a> (Oxford University Press, 2024) by Dr. Katie Beisel Hollenbach reconsiders the story of American popular music, celebrity following, and fan behavior during World War II through close examination of “bobbysoxers.” Preserved in popular memory as primarily white, hysterical, teen girl devotees of Frank Sinatra clad in bobby socks and saddle shoes, these girls were accused of displaying inappropriate behavior and priorities in their obsessive pursuit of a crooning celebrity at a time of international crisis. Dr. Beisel Hollenbach peels back the stereotypes of girlhood idol adoration by documenting the intimate practices of wartime Sinatra fan clubs, revealing a new side of this familiar story in American history through the perspective of the bobbysoxer.</p><p>In World War II America, fan clubs and organizations like Teen Canteens offered a haven for teenage girls to celebrate their enjoyment of popular culture while cultivating relationships with each other through media icons and the entertainment industry. Many of these organizations attempted to encourage diverse memberships, influenced in part by Frank Sinatra's public work on racial and religious tolerance, and by Sinatra's own identity as an Italian American. Away from the critical public eye, these communities offered girls a place to safely explore and discuss issues including civil rights, politics, the war, patriotism, internationalism, and professional development in the context of their shared Sinatra fandom. With these broader social and political complexities in mind, <em>The Business of Bobbysoxers</em> shines a light on musical fan communities that provided teenage girls with peer groups at a critical moment of personal and historical change, allowing them to creatively express their desires and imagine their futures as American women together.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2849</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[57671036-e56a-11ef-83ec-a77df63709dd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1400406766.mp3?updated=1738944270" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jeff Gomez, "There Was No Alternative: Generation X, AIDS, and the Making of a Classic Nineties Record" (McFarland, 2023)</title>
      <description>Grunge. Flannel. Generation X. In 1993, Seattle was the capital of the world, Nirvana was king, and slackers were everywhere. When the Red Hot organization, a group of activists dedicated to raising money and awareness of AIDS, released their third compilation CD featuring the biggest bands of the era--Soundgarden, Smashing Pumpkins, Beastie Boys, The Breeders, Nirvana and more it quickly became the touchstone of a generation. Rolling Stone called No Alternative a "jaw-dropping compilation of musical gems."
This book takes a look back at what happened to the bands involved with No Alternative. It includes new interviews with the musicians and others behind the record, and chronicles the downfall of an industry, the taming of a devastating illness, and the arrival of another global pandemic. It's about growing up, saying goodbye, and proving once more that you can't go home again (even if that's where you left all of your CDs).
Jeff Gomez has been writing about the worlds of Generation X and alternative music for over 25 years and is the author of several books including Zeppelin Over Dayton: Guided By Voices Album By Album and Math Rock.
Jeff Gomez’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 08 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeff Gomez</itunes:subtitle>
      <itunes:summary>Grunge. Flannel. Generation X. In 1993, Seattle was the capital of the world, Nirvana was king, and slackers were everywhere. When the Red Hot organization, a group of activists dedicated to raising money and awareness of AIDS, released their third compilation CD featuring the biggest bands of the era--Soundgarden, Smashing Pumpkins, Beastie Boys, The Breeders, Nirvana and more it quickly became the touchstone of a generation. Rolling Stone called No Alternative a "jaw-dropping compilation of musical gems."
This book takes a look back at what happened to the bands involved with No Alternative. It includes new interviews with the musicians and others behind the record, and chronicles the downfall of an industry, the taming of a devastating illness, and the arrival of another global pandemic. It's about growing up, saying goodbye, and proving once more that you can't go home again (even if that's where you left all of your CDs).
Jeff Gomez has been writing about the worlds of Generation X and alternative music for over 25 years and is the author of several books including Zeppelin Over Dayton: Guided By Voices Album By Album and Math Rock.
Jeff Gomez’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Grunge. Flannel. Generation X. In 1993, Seattle was the capital of the world, Nirvana was king, and slackers were everywhere. When the Red Hot organization, a group of activists dedicated to raising money and awareness of AIDS, released their third compilation CD featuring the biggest bands of the era--Soundgarden, Smashing Pumpkins, Beastie Boys, The Breeders, Nirvana and more it quickly became the touchstone of a generation. <em>Rolling Stone</em> called <em>No Alternative</em> a "jaw-dropping compilation of musical gems."</p><p>This book takes a look back at what happened to the bands involved with <em>No Alternative</em>. It includes new interviews with the musicians and others behind the record, and chronicles the downfall of an industry, the taming of a devastating illness, and the arrival of another global pandemic. It's about growing up, saying goodbye, and proving once more that you can't go home again (even if that's where you left all of your CDs).</p><p>Jeff Gomez has been writing about the worlds of Generation X and alternative music for over 25 years and is the author of several books including <em>Zeppelin Over Dayton: Guided By Voices Album By Album</em> and <em>Math Rock</em>.</p><p>Jeff Gomez’s <a href="https://www.jefferygomez.com/">website</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America </em>(Louisiana State University Press, June 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley on <a href="https://twitter.com/bradleysmorgan">Twitter</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3192</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6fec251e-e499-11ef-8cdd-2b497c0eab98]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3404881263.mp3?updated=1738853976" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stan Bunger, "Mornings with Madden: My Radio Life With An American Legend" (Triumph, 2024)</title>
      <description>John Madden is synonymous with football. He was the television face and voice of the nation's most popular sport, the namesake of its best-selling sports video game, and the man with the highest career winning percentage of any NFL coach. Despite his international fame, there was a side of Madden known only to those who listened to morning radio broadcasts in the San Francisco Bay Area. That's where Madden grew up, lived, and died. It's where for decades he found joy in a daily chat with his hometown radio station: a chance to unwind, tell stories, and impart his own brand of wit and wisdom. 
In Mornings with Madden: My Radio Life With An American Legend (Triumph, 2024), Stan Bunger— the man most often on the other side of the mic— illuminates this larger-than-life figure, drawing upon memories of more than fifteen years of daily broadcasts, backed up by thousands of recordings of those conversations. Readers who adored Madden's football acumen and quirky personality on NFL broadcasts will get to know the father, husband, bad golfer, dog owner, lover of roadside diners, and philosopher whose personality dominated our radio chats. Featuring moving reflections alongside Madden's own words, this is a treasure trove of wry observations, self-deprecating humor, clear-eyed thinking about sports and society, and the "Maddenisms" that endeared the legendary coach to millions.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 08 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>283</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stan Bunger</itunes:subtitle>
      <itunes:summary>John Madden is synonymous with football. He was the television face and voice of the nation's most popular sport, the namesake of its best-selling sports video game, and the man with the highest career winning percentage of any NFL coach. Despite his international fame, there was a side of Madden known only to those who listened to morning radio broadcasts in the San Francisco Bay Area. That's where Madden grew up, lived, and died. It's where for decades he found joy in a daily chat with his hometown radio station: a chance to unwind, tell stories, and impart his own brand of wit and wisdom. 
In Mornings with Madden: My Radio Life With An American Legend (Triumph, 2024), Stan Bunger— the man most often on the other side of the mic— illuminates this larger-than-life figure, drawing upon memories of more than fifteen years of daily broadcasts, backed up by thousands of recordings of those conversations. Readers who adored Madden's football acumen and quirky personality on NFL broadcasts will get to know the father, husband, bad golfer, dog owner, lover of roadside diners, and philosopher whose personality dominated our radio chats. Featuring moving reflections alongside Madden's own words, this is a treasure trove of wry observations, self-deprecating humor, clear-eyed thinking about sports and society, and the "Maddenisms" that endeared the legendary coach to millions.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>John Madden is synonymous with football. He was the television face and voice of the nation's most popular sport, the namesake of its best-selling sports video game, and the man with the highest career winning percentage of any NFL coach. Despite his international fame, there was a side of Madden known only to those who listened to morning radio broadcasts in the San Francisco Bay Area. That's where Madden grew up, lived, and died. It's where for decades he found joy in a daily chat with his hometown radio station: a chance to unwind, tell stories, and impart his own brand of wit and wisdom. </p><p>In <a href="https://bookshop.org/a/12343/9781637276549"><em>Mornings with Madden: My Radio Life With An American Legend</em></a> (Triumph, 2024), Stan Bunger— the man most often on the other side of the mic— illuminates this larger-than-life figure, drawing upon memories of more than fifteen years of daily broadcasts, backed up by thousands of recordings of those conversations. Readers who adored Madden's football acumen and quirky personality on NFL broadcasts will get to know the father, husband, bad golfer, dog owner, lover of roadside diners, and philosopher whose personality dominated our radio chats. Featuring moving reflections alongside Madden's own words, this is a treasure trove of wry observations, self-deprecating humor, clear-eyed thinking about sports and society, and the "Maddenisms" that endeared the legendary coach to millions.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3873</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[13aed9be-e49d-11ef-bfb1-9bd3d18e0e87]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9698638604.mp3?updated=1738855648" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martin D. Brown et al., "The Bondian Cold War: The Transnational Legacy of a Cultural Icon" (Routledge, 2024)</title>
      <description>James Bond, Ian Fleming’s irrepressible and ubiquitous ‘spy,’ is often understood as a Cold Warrior, but James Bond’s Cold War diverged from the actual global conflict in subtle but significant ways.
That tension between the real and fictional provides perspectives into Cold War culture transcending ideological and geopolitical divides. The Bondiverse is complex and multi-textual, including novels, films, video games, and even a comic strip, and has also inspired an array of homages, copies, and competitors. Awareness of its rich possibilities only becomes apparent through a multi-disciplinary lens.
The desire to consider current trends in Bondian studies inspired a conference entitled ‘The Bondian Cold War,’ convened at Tallinn University, Estonia in June 2019. Conference participants, drawn from three continents and multiple disciplines – film studies, history, intelligence studies, and literature, as well as intelligence practitioners – offered papers on the literary and cinematic aspects of the ‘spy’, discussed fact versus fiction in the Bond canon, went in search of a global Bond, and pondered gender and sexuality across the Bondiverse.
The Bondian Cold War: The Transnational Legacy of a Cultural Icon (Routledge, 2024) is suitable for students, researchers, and anyone interested in Cold War culture, makes vital contributions to understanding Bond as a global phenomenon, across traditional divisions of East and West, and beyond the end of the Cold War from which he emerged.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 08 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1542</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>James Bond, Ian Fleming’s irrepressible and ubiquitous ‘spy,’ is often understood as a Cold Warrior, but James Bond’s Cold War diverged from the actual global conflict in subtle but significant ways.
That tension between the real and fictional provides perspectives into Cold War culture transcending ideological and geopolitical divides. The Bondiverse is complex and multi-textual, including novels, films, video games, and even a comic strip, and has also inspired an array of homages, copies, and competitors. Awareness of its rich possibilities only becomes apparent through a multi-disciplinary lens.
The desire to consider current trends in Bondian studies inspired a conference entitled ‘The Bondian Cold War,’ convened at Tallinn University, Estonia in June 2019. Conference participants, drawn from three continents and multiple disciplines – film studies, history, intelligence studies, and literature, as well as intelligence practitioners – offered papers on the literary and cinematic aspects of the ‘spy’, discussed fact versus fiction in the Bond canon, went in search of a global Bond, and pondered gender and sexuality across the Bondiverse.
The Bondian Cold War: The Transnational Legacy of a Cultural Icon (Routledge, 2024) is suitable for students, researchers, and anyone interested in Cold War culture, makes vital contributions to understanding Bond as a global phenomenon, across traditional divisions of East and West, and beyond the end of the Cold War from which he emerged.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>James Bond, Ian Fleming’s irrepressible and ubiquitous ‘spy,’ is often understood as a Cold Warrior, but James Bond’s Cold War diverged from the actual global conflict in subtle but significant ways.</p><p>That tension between the real and fictional provides perspectives into Cold War culture transcending ideological and geopolitical divides. The Bondiverse is complex and multi-textual, including novels, films, video games, and even a comic strip, and has also inspired an array of homages, copies, and competitors. Awareness of its rich possibilities only becomes apparent through a multi-disciplinary lens.</p><p>The desire to consider current trends in Bondian studies inspired a conference entitled ‘The Bondian Cold War,’ convened at Tallinn University, Estonia in June 2019. Conference participants, drawn from three continents and multiple disciplines – film studies, history, intelligence studies, and literature, as well as intelligence practitioners – offered papers on the literary and cinematic aspects of the ‘spy’, discussed fact versus fiction in the Bond canon, went in search of a global Bond, and pondered gender and sexuality across the Bondiverse.</p><p><em>T</em><a href="https://bookshop.org/a/12343/9780367607654"><em>he Bondian Cold War: The Transnational Legacy of a Cultural Icon</em></a><em> </em>(Routledge, 2024) is suitable for students, researchers, and anyone interested in Cold War culture, makes vital contributions to understanding Bond as a global phenomenon, across traditional divisions of East and West, and beyond the end of the Cold War from which he emerged.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6532</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b9e387ee-e4cf-11ef-9c2d-dbc53c9b0f1f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6427356283.mp3?updated=1738877466" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Neil Fox, "Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music" (Bloomsbury, 2024)</title>
      <description>In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth.
Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations.
Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 05 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Neil Fox</itunes:subtitle>
      <itunes:summary>In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth.
Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations.
Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781839023439"><em>Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Musi</em></a><em>c</em> (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth.</p><p>Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as <em>A Hard Day's Night</em> (1964), <em>Dig!</em> (2004), and <em>Amazing Grace</em> (2006), critically lauded works like <em>Milford Graves Full Mantis</em> (2018) and <em>Mistaken for Strangers</em> (2013), and lesser-studied films including <em>Jazz on a Summer's Day</em> (1959) and <em>Ornette: Made in America</em> (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations.</p><p>Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, <em>Music Films</em> traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3463</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e19a67d4-e25a-11ef-9f4e-0300e415899d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8698843159.mp3?updated=1738606832" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Dayton, "Cold Glitter: The Untold Story of Canadian Glam" (Feral House, 2024)</title>
      <description>Cold Glitter: The Untold Story of Canadian Glam (Feral House, 2025) uncovers a forgotten yet fascinating chapter on glam rock music and culture...from Canada. Los Angeles-based multi-disciplinary artist Robert Dayton taps his Canadian roots to reveal mind-blowing stories of musicians fighting to be heard. It's a universal story of determined creators striving to make their voices heard. Dayton has spent years researching and interviewing these ground-breaking musicians trapped by geography, colonial mindsets, and the cultural behemoth that is the United States. There's no denying that glam rock was marginalized in Canada. In fact, RCA almost didn't release the 1973 Bowie-produced Lou Reed album "Transformer" in Canada because they didn't see a market for it. 
Of course, they were wrong! Young Canadians, like youth around the world, were rebelling against the oppressive conservative mainstream culture and saw themselves in the anything-goes freedom of glam rock. Cold Glitter gets at the reasons why: nature vs. artifice, old world values vs. new freedoms, and how transgressive actions--including gender play--shook the Canadian art establishment to its core. Filled with stories from musicians about what they did to build a career and fight against the old guard controlling the airwaves and stages. Readers everywhere will find solidarity with the all-too-familiar story of artists who were attacked for appearing outrageous and daring to be different. Within the struggle to be fabulous are mind-blowing anecdotes of fun and mayhem. Readers will be taken back to the seventies as they meet the unknown and infamous musicians and artists who dared to be glamorous. Familiar names like magician Doug Henning, Vancouver band Sweeney Todd and their lead singer and one-hit-wonder, Nik Gilder, and his replacement, Bryan Adams, to underground heroes like the Hollywood Brats to hundreds of musicians who put away their mascara and left their glamorous wild days behind. Cold Glitter is filled with rare (and sometimes outrageous) images throughout and additional chapters on glam fashion, film, and comedy in Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>206</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert Dayton</itunes:subtitle>
      <itunes:summary>Cold Glitter: The Untold Story of Canadian Glam (Feral House, 2025) uncovers a forgotten yet fascinating chapter on glam rock music and culture...from Canada. Los Angeles-based multi-disciplinary artist Robert Dayton taps his Canadian roots to reveal mind-blowing stories of musicians fighting to be heard. It's a universal story of determined creators striving to make their voices heard. Dayton has spent years researching and interviewing these ground-breaking musicians trapped by geography, colonial mindsets, and the cultural behemoth that is the United States. There's no denying that glam rock was marginalized in Canada. In fact, RCA almost didn't release the 1973 Bowie-produced Lou Reed album "Transformer" in Canada because they didn't see a market for it. 
Of course, they were wrong! Young Canadians, like youth around the world, were rebelling against the oppressive conservative mainstream culture and saw themselves in the anything-goes freedom of glam rock. Cold Glitter gets at the reasons why: nature vs. artifice, old world values vs. new freedoms, and how transgressive actions--including gender play--shook the Canadian art establishment to its core. Filled with stories from musicians about what they did to build a career and fight against the old guard controlling the airwaves and stages. Readers everywhere will find solidarity with the all-too-familiar story of artists who were attacked for appearing outrageous and daring to be different. Within the struggle to be fabulous are mind-blowing anecdotes of fun and mayhem. Readers will be taken back to the seventies as they meet the unknown and infamous musicians and artists who dared to be glamorous. Familiar names like magician Doug Henning, Vancouver band Sweeney Todd and their lead singer and one-hit-wonder, Nik Gilder, and his replacement, Bryan Adams, to underground heroes like the Hollywood Brats to hundreds of musicians who put away their mascara and left their glamorous wild days behind. Cold Glitter is filled with rare (and sometimes outrageous) images throughout and additional chapters on glam fashion, film, and comedy in Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781627311540"><em>Cold Glitter: The Untold Story of Canadian Glam</em> </a>(Feral House, 2025) uncovers a forgotten yet fascinating chapter on glam rock music and culture...from Canada. Los Angeles-based multi-disciplinary artist Robert Dayton taps his Canadian roots to reveal mind-blowing stories of musicians fighting to be heard. It's a universal story of determined creators striving to make their voices heard. Dayton has spent years researching and interviewing these ground-breaking musicians trapped by geography, colonial mindsets, and the cultural behemoth that is the United States. There's no denying that glam rock was marginalized in Canada. In fact, RCA almost didn't release the 1973 Bowie-produced Lou Reed album "Transformer" in Canada because they didn't see a market for it. </p><p>Of course, they were wrong! Young Canadians, like youth around the world, were rebelling against the oppressive conservative mainstream culture and saw themselves in the anything-goes freedom of glam rock. Cold Glitter gets at the reasons why: nature vs. artifice, old world values vs. new freedoms, and how transgressive actions--including gender play--shook the Canadian art establishment to its core. Filled with stories from musicians about what they did to build a career and fight against the old guard controlling the airwaves and stages. Readers everywhere will find solidarity with the all-too-familiar story of artists who were attacked for appearing outrageous and daring to be different. Within the struggle to be fabulous are mind-blowing anecdotes of fun and mayhem. Readers will be taken back to the seventies as they meet the unknown and infamous musicians and artists who dared to be glamorous. Familiar names like magician Doug Henning, Vancouver band Sweeney Todd and their lead singer and one-hit-wonder, Nik Gilder, and his replacement, Bryan Adams, to underground heroes like the Hollywood Brats to hundreds of musicians who put away their mascara and left their glamorous wild days behind. Cold Glitter is filled with rare (and sometimes outrageous) images throughout and additional chapters on glam fashion, film, and comedy in Canada.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4567</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ca0b0418-e0cd-11ef-af84-874729e83382]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9820367863.mp3?updated=1738436939" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marijam Did, "Everything to Play For: An Insider's Guide to How Videogames are Changing Our World" (Verso, 2024)</title>
      <description>Everything to Play For: How Videogames Are Changing the World (Verso, 2024) by Marijiam Did asks if videogames can achieve egalitarian goals instead of fuelling hyper-materialist, reactionary agendas. Combining cultural theory and materialist critiques with accessible language and personal anecdotes, industry insider Marijam Did engages both novices and seasoned connoisseurs. From the innovations of Pong and Doom to the intricate multiplayer or narrative-driven games, the author highlights the multifaceted stories of the gaming communities and the political actors who organise among them. Crucially, the focus also includes the people who make the games, shedding light on the brutal processes necessary to bring titles to the public.
The videogame industry, now larger than the film and music industries combined, has a proven ability to challenge the status quo. With a rich array of examples, Did argues for a nuanced understanding of gaming’s influence so that this extraordinary power can be harnessed for good.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marijam Did</itunes:subtitle>
      <itunes:summary>Everything to Play For: How Videogames Are Changing the World (Verso, 2024) by Marijiam Did asks if videogames can achieve egalitarian goals instead of fuelling hyper-materialist, reactionary agendas. Combining cultural theory and materialist critiques with accessible language and personal anecdotes, industry insider Marijam Did engages both novices and seasoned connoisseurs. From the innovations of Pong and Doom to the intricate multiplayer or narrative-driven games, the author highlights the multifaceted stories of the gaming communities and the political actors who organise among them. Crucially, the focus also includes the people who make the games, shedding light on the brutal processes necessary to bring titles to the public.
The videogame industry, now larger than the film and music industries combined, has a proven ability to challenge the status quo. With a rich array of examples, Did argues for a nuanced understanding of gaming’s influence so that this extraordinary power can be harnessed for good.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781804293249"><em>Everything to Play For: How Videogames Are Changing the World</em></a> (Verso, 2024) by Marijiam Did asks if videogames can achieve egalitarian goals instead of fuelling hyper-materialist, reactionary agendas. Combining cultural theory and materialist critiques with accessible language and personal anecdotes, industry insider Marijam Did engages both novices and seasoned connoisseurs. From the innovations of Pong and Doom to the intricate multiplayer or narrative-driven games, the author highlights the multifaceted stories of the gaming communities and the political actors who organise among them. Crucially, the focus also includes the people who make the games, shedding light on the brutal processes necessary to bring titles to the public.</p><p>The videogame industry, now larger than the film and music industries combined, has a proven ability to challenge the status quo. With a rich array of examples, Did argues for a nuanced understanding of gaming’s influence so that this extraordinary power can be harnessed for good.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3223</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e30d8b58-e0bd-11ef-baa7-7f53659bf588]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3616967407.mp3?updated=1738429356" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A.I. is Spielberg &amp; Kubrick’s Dark Twisted Fantasy</title>
      <description>It’s the UConn Popcast, and A.I. Artificial Intelligence, Steven Spielberg’s 2001 movie, is a strange and profound text on human-AI relations. Centering on David, an artificial child who is embraced and then abandoned by his adoptive human mother, the movie has the structure of a fairy tale and the sensibility of a horror film. We found the text to have significant things to say about the ethics of creating, and rejecting, artificial life, as well as functioning as something of a meta-commentary on related movies like Blade Runner and 2001: A Space Odyssey. But we were most intrigued by Stanley Kubrick’s influence on the movie, which was a longtime project of his that he abandoned in his final years and handed over to Spielberg.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 28 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and A.I. Artificial Intelligence, Steven Spielberg’s 2001 movie, is a strange and profound text on human-AI relations. Centering on David, an artificial child who is embraced and then abandoned by his adoptive human mother, the movie has the structure of a fairy tale and the sensibility of a horror film. We found the text to have significant things to say about the ethics of creating, and rejecting, artificial life, as well as functioning as something of a meta-commentary on related movies like Blade Runner and 2001: A Space Odyssey. But we were most intrigued by Stanley Kubrick’s influence on the movie, which was a longtime project of his that he abandoned in his final years and handed over to Spielberg.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the <a href="https://newbooksnetwork.com/category/up-partners/uconn-popcast">UConn Popcast</a>, and A.I. Artificial Intelligence, Steven Spielberg’s 2001 movie, is a strange and profound text on human-AI relations. Centering on David, an artificial child who is embraced and then abandoned by his adoptive human mother, the movie has the structure of a fairy tale and the sensibility of a horror film. We found the text to have significant things to say about the ethics of creating, and rejecting, artificial life, as well as functioning as something of a meta-commentary on related movies like Blade Runner and 2001: A Space Odyssey. But we were most intrigued by Stanley Kubrick’s influence on the movie, which was a <a href="https://archive.nytimes.com/www.nytimes.com/library/film/071899kubrick-ai.html">longtime project of his that he abandoned in his final years and handed over to Spielberg</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4882</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[97667e5e-dbfd-11ef-a3ef-db9dbabd905d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4611173981.mp3?updated=1737908023" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Catherine Butler, "British Children's Literature in Japanese Culture: Wonderlands and Looking-Glasses" (Bloomsbury, 2023)</title>
      <description>Whether watching Studio Ghibli adaptations of British children's books, visiting Harry Potter sites in Britain or eating at Alice in Wonderland-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children's literature. In British Children's Literature in Japanese Culture: Wonderlands and Looking-Glasses (Bloomsbury, 2023), Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture. 
Taking stock of the influence of literary works such as Gulliver's Travels, Alice's Adventures in Wonderland, The Tale of Peter Rabbit, Tom's Midnight Garden, and the Harry Potter series, this lively account draws on literary criticism, translation, film and tourist studies to explore how British children's books have been selected, translated, understood, adapted and reworked into Japanese commercial, touristic and imaginative culture. Using theoretically informed case studies this book will consider both individual texts and their wider cultural contexts, translations and adaptations (such as the numerous adaptations of British children's books by Studio Ghibli and others), the dissemination of distinctive tropes such as magical schools into Japanese children's literature and popular culture, and the ways in which British children's books and their settings have become part of way that Japanese people understand Britain itself.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>164</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Catherine Butler</itunes:subtitle>
      <itunes:summary>Whether watching Studio Ghibli adaptations of British children's books, visiting Harry Potter sites in Britain or eating at Alice in Wonderland-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children's literature. In British Children's Literature in Japanese Culture: Wonderlands and Looking-Glasses (Bloomsbury, 2023), Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture. 
Taking stock of the influence of literary works such as Gulliver's Travels, Alice's Adventures in Wonderland, The Tale of Peter Rabbit, Tom's Midnight Garden, and the Harry Potter series, this lively account draws on literary criticism, translation, film and tourist studies to explore how British children's books have been selected, translated, understood, adapted and reworked into Japanese commercial, touristic and imaginative culture. Using theoretically informed case studies this book will consider both individual texts and their wider cultural contexts, translations and adaptations (such as the numerous adaptations of British children's books by Studio Ghibli and others), the dissemination of distinctive tropes such as magical schools into Japanese children's literature and popular culture, and the ways in which British children's books and their settings have become part of way that Japanese people understand Britain itself.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Whether watching Studio Ghibli adaptations of British children's books, visiting Harry Potter sites in Britain or eating at <em>Alice in Wonderland</em>-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children's literature. In <a href="https://bookshop.org/a/12343/9781350195479"><em>British Children's Literature in Japanese Culture: Wonderlands and Looking-Glasses </em></a>(Bloomsbury, 2023), Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture. </p><p>Taking stock of the influence of literary works such as <em>Gulliver's Travels</em>, <em>Alice's Adventures in Wonderland</em>, <em>The Tale of Peter Rabbit,</em> <em>Tom's Midnight Garden</em>, and the Harry Potter series, this lively account draws on literary criticism, translation, film and tourist studies to explore how British children's books have been selected, translated, understood, adapted and reworked into Japanese commercial, touristic and imaginative culture. Using theoretically informed case studies this book will consider both individual texts and their wider cultural contexts, translations and adaptations (such as the numerous adaptations of British children's books by Studio Ghibli and others), the dissemination of distinctive tropes such as magical schools into Japanese children's literature and popular culture, and the ways in which British children's books and their settings have become part of way that Japanese people understand Britain itself.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4205</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[558355f8-ba3c-11ef-b14d-1f8d7fad3ad7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1893611788.mp3?updated=1734196544" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marco Arnaudo, "The Tabletop Revolution: Gaming Reimagined in the 21st Century" (McFarland, 2023)</title>
      <description>The Tabletop Revolution: Gaming Reimagined in the 21st Century (McFarland, 2023) is an overview of the ongoing revolution in tabletop gaming design and culture, which exploded to unprecedented levels of vitality in the 21st century, leading to new ways of creating, marketing, and experiencing a game. Designers have become superstars, publishers have improved quality control, and the community of players is expanding. Most importantly, new and old players have started engaging with the games in a more meaningful way.
The book explores the reasons for these changes. It describes how games have begun to keep players engaged until the end. It analyzes the ways in which traditional mechanics have been reimagined to give them more variety and complexity, and reviews the unprecedented mechanics found and perfected. Very interesting is the exploration of how games have performed novel tasks such as reducing conflict, fostering cooperation, creating aesthetic experiences, and telling stories. The book is aimed at scholars, dedicated and aspiring fans, and game designers who want to expand their toolbox with the most up-to-date innovations in the profession.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 19 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marco Arnaudo</itunes:subtitle>
      <itunes:summary>The Tabletop Revolution: Gaming Reimagined in the 21st Century (McFarland, 2023) is an overview of the ongoing revolution in tabletop gaming design and culture, which exploded to unprecedented levels of vitality in the 21st century, leading to new ways of creating, marketing, and experiencing a game. Designers have become superstars, publishers have improved quality control, and the community of players is expanding. Most importantly, new and old players have started engaging with the games in a more meaningful way.
The book explores the reasons for these changes. It describes how games have begun to keep players engaged until the end. It analyzes the ways in which traditional mechanics have been reimagined to give them more variety and complexity, and reviews the unprecedented mechanics found and perfected. Very interesting is the exploration of how games have performed novel tasks such as reducing conflict, fostering cooperation, creating aesthetic experiences, and telling stories. The book is aimed at scholars, dedicated and aspiring fans, and game designers who want to expand their toolbox with the most up-to-date innovations in the profession.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781476682037"><em>The Tabletop Revolution: Gaming Reimagined in the 21st Century</em></a> (McFarland, 2023) is an overview of the ongoing revolution in tabletop gaming design and culture, which exploded to unprecedented levels of vitality in the 21st century, leading to new ways of creating, marketing, and experiencing a game. Designers have become superstars, publishers have improved quality control, and the community of players is expanding. Most importantly, new and old players have started engaging with the games in a more meaningful way.</p><p>The book explores the reasons for these changes. It describes how games have begun to keep players engaged until the end. It analyzes the ways in which traditional mechanics have been reimagined to give them more variety and complexity, and reviews the unprecedented mechanics found and perfected. Very interesting is the exploration of how games have performed novel tasks such as reducing conflict, fostering cooperation, creating aesthetic experiences, and telling stories. The book is aimed at scholars, dedicated and aspiring fans, and game designers who want to expand their toolbox with the most up-to-date innovations in the profession.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67a43fa6-d4fc-11ef-8c1d-7728a8a43f8f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9612079711.mp3?updated=1737136857" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lily E. Hirsch, "Taking Funny Music Seriously" (Indiana UP, 2024)</title>
      <description>Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting.
Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death.
In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection.
Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music.
Lily on Twitter and Bluesky.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 17 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>264</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lily E. Hirsch</itunes:subtitle>
      <itunes:summary>Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting.
Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death.
In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection.
Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music.
Lily on Twitter and Bluesky.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting.</p><p>Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. <a href="https://bookshop.org/a/12343/9780253069955"><em>Taking Funny Music Seriously</em></a><em> </em>(Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, <em>Taking Funny Music Seriously</em> examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death.</p><p>In its coverage of comedic musical media, Taking Funny <em>Music Seriously</em> is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection.</p><p>Lily E. Hirsch is a musicologist and author most recently of <em>Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono</em>; <em>Weird Al: Seriously</em>; and<em> Insulting Music: A Lexicon of Insult in Music</em>.</p><p>Lily on <a href="https://x.com/lilyehirsch">Twitter</a> and <a href="https://bsky.app/profile/lilyehirsch.bsky.social">Bluesky</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America </em>(Louisiana State University Press, June 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley on <a href="https://twitter.com/bradleysmorgan">Twitter</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3465</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[904763f4-d383-11ef-b699-ef63e34f34c2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6218246488.mp3?updated=1736975360" length="0" type="audio/mpeg"/>
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    <item>
      <title>Javaria Farooqui, "Romance Fandom in 21st-Century Pakistan: Reading the Regency" (Bloomsbury, 2024)</title>
      <description>Romance Fandom in 21st-Century Pakistan: Reading the Regency (Bloomsbury, 2024) offers the first major study of English-speaking romance fandom in South Asia, providing a new reader-centric model that engages with romance readers as genre experts.
Here, she investigates the popular Anglophone romance reading community in Pakistan and develops a model for analysing genre romance novels through the lens of the readers' perspective and preferences. Using focus-group interviews and close textual analysis, her book explores where and how readers access books of their choice, and explains why the detailed descriptions of dresses, food and spaces in historical romance novels of the Regency era exemplify good taste for this distinctive readership. Sitting at the intersection of literary studies, genre studies, and fan studies, this book considers the reception of Anglophone romance fiction by reading communities of colour.
About the author: Javaria Farooqui is Assistant Professor of English and Literary Studies at COMSATS University Islamabad, Lahore Campus, Pakistan. Dr. Farooqui’s research interests fall across multiple disciplines and topic areas in the humanities and social sciences, including fan studies, book history, women’s writing and histories, digital humanities, language acquisition, popular romance studies, and reader response studies. She has published research that explores the reception and materiality of texts, the ramifications of colonization and its aftermath on a nation’s literary culture, gender-based violence, and the problematic reception of Anglophone movies in Pakistan.
Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>259</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Javaria Farooqui</itunes:subtitle>
      <itunes:summary>Romance Fandom in 21st-Century Pakistan: Reading the Regency (Bloomsbury, 2024) offers the first major study of English-speaking romance fandom in South Asia, providing a new reader-centric model that engages with romance readers as genre experts.
Here, she investigates the popular Anglophone romance reading community in Pakistan and develops a model for analysing genre romance novels through the lens of the readers' perspective and preferences. Using focus-group interviews and close textual analysis, her book explores where and how readers access books of their choice, and explains why the detailed descriptions of dresses, food and spaces in historical romance novels of the Regency era exemplify good taste for this distinctive readership. Sitting at the intersection of literary studies, genre studies, and fan studies, this book considers the reception of Anglophone romance fiction by reading communities of colour.
About the author: Javaria Farooqui is Assistant Professor of English and Literary Studies at COMSATS University Islamabad, Lahore Campus, Pakistan. Dr. Farooqui’s research interests fall across multiple disciplines and topic areas in the humanities and social sciences, including fan studies, book history, women’s writing and histories, digital humanities, language acquisition, popular romance studies, and reader response studies. She has published research that explores the reception and materiality of texts, the ramifications of colonization and its aftermath on a nation’s literary culture, gender-based violence, and the problematic reception of Anglophone movies in Pakistan.
Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9798765110393"><em>Romance Fandom in 21st-Century Pakistan: Reading the Regency</em></a> (Bloomsbury, 2024) offers the first major study of English-speaking romance fandom in South Asia, providing a new reader-centric model that engages with romance readers as genre experts.</p><p>Here, she investigates the popular Anglophone romance reading community in Pakistan and develops a model for analysing genre romance novels through the lens of the readers' perspective and preferences. Using focus-group interviews and close textual analysis, her book explores where and how readers access books of their choice, and explains why the detailed descriptions of dresses, food and spaces in historical romance novels of the Regency era exemplify good taste for this distinctive readership. Sitting at the intersection of literary studies, genre studies, and fan studies, this book considers the reception of Anglophone romance fiction by reading communities of colour.</p><p><strong>About the author: </strong>Javaria Farooqui is Assistant Professor of English and Literary Studies at COMSATS University Islamabad, Lahore Campus, Pakistan. Dr. Farooqui’s research interests fall across multiple disciplines and topic areas in the humanities and social sciences, including fan studies, book history, women’s writing and histories, digital humanities, language acquisition, popular romance studies, and reader response studies. She has published research that explores the reception and materiality of texts, the ramifications of colonization and its aftermath on a nation’s literary culture, gender-based violence, and the problematic reception of Anglophone movies in Pakistan.</p><p><strong>Priyam Sinha</strong> recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at <a href="https://twitter.com/PriyamSinha">https://twitter.com/PriyamSinha</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3119</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK9619854507.mp3?updated=1736877730" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Beretta E. Smith-Shomade, "Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture" (Rutgers UP, 2024)</title>
      <description>In Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture (Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.
This book is also freely available online as an open-access digital edition here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Beretta E. Smith-Shomade</itunes:subtitle>
      <itunes:summary>In Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture (Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.
This book is also freely available online as an open-access digital edition here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978839779"><em>Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture</em></a><em> </em>(Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.</p><p>This book is also freely available online as an open-access digital edition <a href="https://www.rutgersuniversitypress.org/finding-god-in-all-the-black-places/9781978839779/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2973</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[25989816-d1c6-11ef-9850-f3959e2a88d4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3078532314.mp3?updated=1736784203" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jesper Juul, "Too Much Fun: The Five Lives of the Commodore 64 Computer" (MIT Press, 2024)</title>
      <description>The surprising history of the Commodore 64, the best-selling home computer of the 1980s—the machine that taught the world that computing should be fun.
The Commodore 64 (C64) is officially the best-selling desktop computer model of all time, according to The Guinness Book of World Records. It was also, from 1985 to 1993, the platform for which most video games were made. But although it sold at least twice as many units as other home computers of its time, such as the Apple II, ZX Spectrum, or Commodore Amiga, it is strangely forgotten in many computer histories. In Too Much Fun: The Five Lives of the Commodore 64 Computer (MIT Press, 2024), Jesper Juul argues that the C64 was so popular because it was so versatile, a machine developers and users would reinvent again and again over the course of 40 years.
First it was a serious computer, next a game computer, then a computer for showcasing technical brilliance (graphical demos using the machine in seemingly impossible ways), then a struggling competitor, and finally a retro device whose limitations are now charming. The C64, Juul shows, has been ignored by history because it was too much fun. Richly illustrated in full color, this book is the first in-depth examination of the C64's design and history, and the first to integrate US and European histories. Containing interviews with Commodore engineers as well as an insightful look at C64 games, music, and software, Too Much Fun will appeal to those who used a Commodore 64, those interested in the history of computing and video games and computational literacy, or just those who wish their technological devices would last longer.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jesper Juul</itunes:subtitle>
      <itunes:summary>The surprising history of the Commodore 64, the best-selling home computer of the 1980s—the machine that taught the world that computing should be fun.
The Commodore 64 (C64) is officially the best-selling desktop computer model of all time, according to The Guinness Book of World Records. It was also, from 1985 to 1993, the platform for which most video games were made. But although it sold at least twice as many units as other home computers of its time, such as the Apple II, ZX Spectrum, or Commodore Amiga, it is strangely forgotten in many computer histories. In Too Much Fun: The Five Lives of the Commodore 64 Computer (MIT Press, 2024), Jesper Juul argues that the C64 was so popular because it was so versatile, a machine developers and users would reinvent again and again over the course of 40 years.
First it was a serious computer, next a game computer, then a computer for showcasing technical brilliance (graphical demos using the machine in seemingly impossible ways), then a struggling competitor, and finally a retro device whose limitations are now charming. The C64, Juul shows, has been ignored by history because it was too much fun. Richly illustrated in full color, this book is the first in-depth examination of the C64's design and history, and the first to integrate US and European histories. Containing interviews with Commodore engineers as well as an insightful look at C64 games, music, and software, Too Much Fun will appeal to those who used a Commodore 64, those interested in the history of computing and video games and computational literacy, or just those who wish their technological devices would last longer.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The surprising history of the Commodore 64, the best-selling home computer of the 1980s—the machine that taught the world that computing should be <em>fun</em>.</p><p>The Commodore 64 (C64) is officially the best-selling desktop computer model of all time, according to <em>The Guinness Book of World Records</em>. It was also, from 1985 to 1993, the platform for which most video games were made. But although it sold at least twice as many units as other home computers of its time, such as the Apple II, ZX Spectrum, or Commodore Amiga, it is strangely forgotten in many computer histories. In <a href="https://bookshop.org/a/12343/9780262549516"><em>Too Much Fun: The Five Lives of the Commodore 64 Computer </em></a>(MIT Press, 2024), Jesper Juul argues that the C64 was so popular because it was so versatile, a machine developers and users would reinvent again and again over the course of 40 years.</p><p>First it was a serious computer, next a game computer, then a computer for showcasing technical brilliance (graphical <em>demos</em> using the machine in seemingly impossible ways), then a struggling competitor, and finally a retro device whose limitations are now charming. The C64, Juul shows, has been ignored by history because it was too much fun. Richly illustrated in full color, this book is the first in-depth examination of the C64's design and history, and the first to integrate US and European histories. Containing interviews with Commodore engineers as well as an insightful look at C64 games, music, and software<em>,</em> <em>Too Much Fun</em> will appeal to those who used a Commodore 64, those interested in the history of computing and video games and computational literacy, or just those who wish their technological devices would last longer.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2080</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[be1001c6-d057-11ef-9b5a-4f4fa41a2ae3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4891793896.mp3?updated=1736626238" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patrick Dixon, "Nuggets of Gold: Further Processed Chicken and the Making of the American Diet" (U Georgia Press, 2024)</title>
      <description>For McDonald’s, the Chicken McNugget, the flagship product of further processed chicken, represented a once-in-a-generation innovation, a snack item that quickly evolved into a meal, spawned a legion of imitators, and gained a large share of the global poultry market. Yet, almost as soon as the McNugget made its North American debut, it quickly became the subject of opprobrium and ridicule, taking on a symbolic status among serious food connoisseurs as an indication of Americans’ culinary decline and a growing disconnection between diners and the origins of the food that they ate.
During a time of rising beef prices and growing health concerns regarding red meats, the Chicken McNugget was received as a lighter alternative to traditional burger meals, clean and easy to consume, popular with children, and adaptable to busy “on-the-go” lifestyles of working parents. Consumers understood that they were not purchasing a premium product made from the finest cuts but selected the McNugget as a rational economic purchase that represented a new way of dining.
In reassembling the rise of poultry in the United States, Nuggets of Gold: Further Processed Chicken and the Making of the American Diet (University of Georgia Press, 2024) by Dr. Patrick Dixon presents a multilayered approach, connecting the entwined stories of workers and industrialists with restauranteurs and consumers, the former geographically moored within the South, the latter diverse and nationwide. Dr. Dixon centers further processed chicken within an analysis of the U.S. food system that demonstrates that consumers did not unwittingly succumb to a “junk food” diet but made deliberate and aspirational decisions based on conceptions of leisure, lifestyle, and bodily needs.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 13 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patrick Dixon</itunes:subtitle>
      <itunes:summary>For McDonald’s, the Chicken McNugget, the flagship product of further processed chicken, represented a once-in-a-generation innovation, a snack item that quickly evolved into a meal, spawned a legion of imitators, and gained a large share of the global poultry market. Yet, almost as soon as the McNugget made its North American debut, it quickly became the subject of opprobrium and ridicule, taking on a symbolic status among serious food connoisseurs as an indication of Americans’ culinary decline and a growing disconnection between diners and the origins of the food that they ate.
During a time of rising beef prices and growing health concerns regarding red meats, the Chicken McNugget was received as a lighter alternative to traditional burger meals, clean and easy to consume, popular with children, and adaptable to busy “on-the-go” lifestyles of working parents. Consumers understood that they were not purchasing a premium product made from the finest cuts but selected the McNugget as a rational economic purchase that represented a new way of dining.
In reassembling the rise of poultry in the United States, Nuggets of Gold: Further Processed Chicken and the Making of the American Diet (University of Georgia Press, 2024) by Dr. Patrick Dixon presents a multilayered approach, connecting the entwined stories of workers and industrialists with restauranteurs and consumers, the former geographically moored within the South, the latter diverse and nationwide. Dr. Dixon centers further processed chicken within an analysis of the U.S. food system that demonstrates that consumers did not unwittingly succumb to a “junk food” diet but made deliberate and aspirational decisions based on conceptions of leisure, lifestyle, and bodily needs.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For McDonald’s, the Chicken McNugget, the flagship product of further processed chicken, represented a once-in-a-generation innovation, a snack item that quickly evolved into a meal, spawned a legion of imitators, and gained a large share of the global poultry market. Yet, almost as soon as the McNugget made its North American debut, it quickly became the subject of opprobrium and ridicule, taking on a symbolic status among serious food connoisseurs as an indication of Americans’ culinary decline and a growing disconnection between diners and the origins of the food that they ate.</p><p>During a time of rising beef prices and growing health concerns regarding red meats, the Chicken McNugget was received as a lighter alternative to traditional burger meals, clean and easy to consume, popular with children, and adaptable to busy “on-the-go” lifestyles of working parents. Consumers understood that they were not purchasing a premium product made from the finest cuts but selected the McNugget as a rational economic purchase that represented a new way of dining.</p><p>In reassembling the rise of poultry in the United States, <a href="https://bookshop.org/a/12343/9780820367132"><em>Nuggets of Gold: Further Processed Chicken and the Making of the American Diet</em></a> (University of Georgia Press, 2024) by Dr. Patrick Dixon presents a multilayered approach, connecting the entwined stories of workers and industrialists with restauranteurs and consumers, the former geographically moored within the South, the latter diverse and nationwide. Dr. Dixon centers further processed chicken within an analysis of the U.S. food system that demonstrates that consumers did not unwittingly succumb to a “junk food” diet but made deliberate and aspirational decisions based on conceptions of leisure, lifestyle, and bodily needs.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3811</itunes:duration>
      <guid isPermaLink="false"><![CDATA[cb9020a8-d04b-11ef-9df3-eff0a64bc73d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4168397064.mp3?updated=1736621036" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dayne C. Riley, "Consuming Anxieties: Alcohol, Tobacco, and Trade in British Satire, 1660-1751" (Bucknell UP, 2024)</title>
      <description>Writers of the late seventeenth and early eighteenth centuries—a period of vast economic change—recognized that the global trade in alcohol and tobacco promised a brighter financial future for England, even as overindulgence at home posed serious moral pitfalls.
Consuming Anxieties: Alcohol, Tobacco, and Trade in British Satire, 1660-1751 (Bucknell University Press, 2024) by Dr. Dayne Riley is an engaging and original study that explores how literary satirists represented these consumables—and related anxieties about the changing nature of Britishness—in their work. Dr. Riley traces the satirical treatment of wine, beer, ale, gin, pipe tobacco, and snuff from the beginning of Charles II’s reign, through the boom in tobacco’s popularity, to the end of the Gin Craze in libertine poems and plays, anonymous verse, ballad operas, and the satire of canonical writers such as Gay, Pope, and Swift. Focusing on social concerns about class, race, and gender, Consuming Anxieties examines how satirists championed Britain’s economic strength on the world stage while critiquing the effects of consumable luxuries on the British body and consciousness.
 ﻿This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dayne C. Riley</itunes:subtitle>
      <itunes:summary>Writers of the late seventeenth and early eighteenth centuries—a period of vast economic change—recognized that the global trade in alcohol and tobacco promised a brighter financial future for England, even as overindulgence at home posed serious moral pitfalls.
Consuming Anxieties: Alcohol, Tobacco, and Trade in British Satire, 1660-1751 (Bucknell University Press, 2024) by Dr. Dayne Riley is an engaging and original study that explores how literary satirists represented these consumables—and related anxieties about the changing nature of Britishness—in their work. Dr. Riley traces the satirical treatment of wine, beer, ale, gin, pipe tobacco, and snuff from the beginning of Charles II’s reign, through the boom in tobacco’s popularity, to the end of the Gin Craze in libertine poems and plays, anonymous verse, ballad operas, and the satire of canonical writers such as Gay, Pope, and Swift. Focusing on social concerns about class, race, and gender, Consuming Anxieties examines how satirists championed Britain’s economic strength on the world stage while critiquing the effects of consumable luxuries on the British body and consciousness.
 ﻿This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Writers of the late seventeenth and early eighteenth centuries—a period of vast economic change—recognized that the global trade in alcohol and tobacco promised a brighter financial future for England, even as overindulgence at home posed serious moral pitfalls.</p><p><a href="https://bookshop.org/a/12343/9781684485314"><em>Consuming Anxieties: Alcohol, Tobacco, and Trade in British Satire, 1660-1751</em> </a>(Bucknell University Press, 2024) by Dr. Dayne Riley is an engaging and original study that explores how literary satirists represented these consumables—and related anxieties about the changing nature of Britishness—in their work. Dr. Riley traces the satirical treatment of wine, beer, ale, gin, pipe tobacco, and snuff from the beginning of Charles II’s reign, through the boom in tobacco’s popularity, to the end of the Gin Craze in libertine poems and plays, anonymous verse, ballad operas, and the satire of canonical writers such as Gay, Pope, and Swift. Focusing on social concerns about class, race, and gender, <em>Consuming Anxieties</em> examines how satirists championed Britain’s economic strength on the world stage while critiquing the effects of consumable luxuries on the British body and consciousness.</p><p> <em>﻿This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2609</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3780959484.mp3?updated=1736282469" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew S. Latham, "Hey! Listen!: Hypertext Rhetoric and The Legend of Zelda" (McFarland, 2024)</title>
      <description>How does analyzing video games as hypertexts expand the landscape of research for video game rhetoricians and games studies scholars? This is the first book to focus on how hypertext rhetoric impacts the five canons of rhetoric, and to apply that hypertext rhetoric to the study of video games. It also explores how ludonarrative agency is seized by players seeking to express themselves in ways that game makers did not necessarily intend when making the games that players around the world enjoy.
Hey! Listen!: Hypertext Rhetoric and The Legend of Zelda (McFarland, 2024) takes inspiration from The Legend of Zelda, a series which players all over the world have spent decades deconstructing through online playthroughs, speedruns, and glitch hunts. Through these playthroughs, players demonstrate their ability to craft their own agency, independent of the objectives built by the makers of these games, creating new rhetorical situations worthy of analysis and consideration.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 05 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew S. Latham</itunes:subtitle>
      <itunes:summary>How does analyzing video games as hypertexts expand the landscape of research for video game rhetoricians and games studies scholars? This is the first book to focus on how hypertext rhetoric impacts the five canons of rhetoric, and to apply that hypertext rhetoric to the study of video games. It also explores how ludonarrative agency is seized by players seeking to express themselves in ways that game makers did not necessarily intend when making the games that players around the world enjoy.
Hey! Listen!: Hypertext Rhetoric and The Legend of Zelda (McFarland, 2024) takes inspiration from The Legend of Zelda, a series which players all over the world have spent decades deconstructing through online playthroughs, speedruns, and glitch hunts. Through these playthroughs, players demonstrate their ability to craft their own agency, independent of the objectives built by the makers of these games, creating new rhetorical situations worthy of analysis and consideration.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does analyzing video games as hypertexts expand the landscape of research for video game rhetoricians and games studies scholars? This is the first book to focus on how hypertext rhetoric impacts the five canons of rhetoric, and to apply that hypertext rhetoric to the study of video games. It also explores how ludonarrative agency is seized by players seeking to express themselves in ways that game makers did not necessarily intend when making the games that players around the world enjoy.</p><p><a href="https://bookshop.org/a/12343/9781476690292"><em>Hey! Listen!: Hypertext Rhetoric and The Legend of Zelda</em></a><em> </em>(McFarland, 2024) takes inspiration from <em>The Legend of Zelda</em>, a series which players all over the world have spent decades deconstructing through online playthroughs, speedruns, and glitch hunts. Through these playthroughs, players demonstrate their ability to craft their own agency, independent of the objectives built by the makers of these games, creating new rhetorical situations worthy of analysis and consideration.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2245</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[58bfce8c-cac1-11ef-a999-a3867f209bca]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2475410746.mp3?updated=1736012261" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sujatha Fernandes, "Cuban Hustle: Culture, Politics, Everyday Life" (Duke, UP 2020)</title>
      <description>Cuban resourcefulness is on full display in Cuban Hustle: Culture, Politics, Everyday Life (Duke 2020), as sociologist Sujatha Fernandes presents an array of strategies not just for survival but for the invention of expressive practices and community-building spaces. Enduring years of Special Period economics and a transition away from Fidel Castro’s leadership as well as shifting political contexts in Latin America, the United States and Europe, Cubans continue to struggle but also find ways to flourish. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 04 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sujatha Fernandes</itunes:subtitle>
      <itunes:summary>Cuban resourcefulness is on full display in Cuban Hustle: Culture, Politics, Everyday Life (Duke 2020), as sociologist Sujatha Fernandes presents an array of strategies not just for survival but for the invention of expressive practices and community-building spaces. Enduring years of Special Period economics and a transition away from Fidel Castro’s leadership as well as shifting political contexts in Latin America, the United States and Europe, Cubans continue to struggle but also find ways to flourish. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cuban resourcefulness is on full display in <em>Cuban Hustle: Culture, Politics, Everyday Life</em> (Duke 2020), as sociologist <a href="https://www.sujathafernandes.com/about/">Sujatha Fernandes</a> presents an array of strategies not just for survival but for the invention of expressive practices and community-building spaces. Enduring years of Special Period economics and a transition away from Fidel Castro’s leadership as well as shifting political contexts in Latin America, the United States and Europe, Cubans continue to struggle but also find ways to flourish. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2584</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[efeb3b4c-c9e1-11ef-99e9-6b564c128f00]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3167855024.mp3?updated=1735916394" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nick Yablon, "Remembrance of Things Present: The Invention of the Time Capsule" (U Chicago Press, 2019)</title>
      <description>In Remembrance of Things Present: The Invention of the Time Capsule (University of Chicago Press, 2019), Nick Yablon traces the birth of the time capsule in the United States. Starting with the Gilded Age, Yablon explores the way Americans from diverse backgrounds constructed memories of their present through the creation of time capsules. Examining the ephemera included in the time capsules, including writing texts, photographs, phonographic records, films, and other artifacts, Yablon details the way these capsules not only created records of their time periods, but also how they show the ways in which their creators and contributors imagined the future. Remembrance of Things Present not only allows readers a glimpse into the history of time capsules, but also the ways in which politics, social justice, and American values were all represented in these buried treasures.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 31 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Yablon</itunes:subtitle>
      <itunes:summary>In Remembrance of Things Present: The Invention of the Time Capsule (University of Chicago Press, 2019), Nick Yablon traces the birth of the time capsule in the United States. Starting with the Gilded Age, Yablon explores the way Americans from diverse backgrounds constructed memories of their present through the creation of time capsules. Examining the ephemera included in the time capsules, including writing texts, photographs, phonographic records, films, and other artifacts, Yablon details the way these capsules not only created records of their time periods, but also how they show the ways in which their creators and contributors imagined the future. Remembrance of Things Present not only allows readers a glimpse into the history of time capsules, but also the ways in which politics, social justice, and American values were all represented in these buried treasures.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/022657413X/?tag=newbooinhis-20"><em>Remembrance of Things Present: The Invention of the Time Capsule</em></a><em> </em>(University of Chicago Press, 2019), <a href="https://clas.uiowa.edu/history/people/nick-yablon">Nick Yablon</a> traces the birth of the time capsule in the United States. Starting with the Gilded Age, Yablon explores the way Americans from diverse backgrounds constructed memories of their present through the creation of time capsules. Examining the ephemera included in the time capsules, including writing texts, photographs, phonographic records, films, and other artifacts, Yablon details the way these capsules not only created records of their time periods, but also how they show the ways in which their creators and contributors imagined the future. <em>Remembrance of Things Present</em> not only allows readers a glimpse into the history of time capsules, but also the ways in which politics, social justice, and American values were all represented in these buried treasures.</p><p><a href="https://wiu.academia.edu/RebekahBuchanan"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of </em><a href="https://www.peterlang.com/view/product/30541"><em>Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</em></a><em> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at</em><a href="mailto:rj-buchanan@wiu.edu"><em> rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3668</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>James Welker, "Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans" (U Hawaii Press, 2024)</title>
      <description>Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo 

manga (girls’ comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan.
Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women’s and men’s magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume’s characterization of the era is also greatly enriched by interviews with more than sixty individuals.
Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 28 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Welker</itunes:subtitle>
      <itunes:summary>Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo 

manga (girls’ comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan.
Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women’s and men’s magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume’s characterization of the era is also greatly enriched by interviews with more than sixty individuals.
Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780824872687"><em>Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans</em></a> (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the <em>ūman ribu</em> (women’s liberation) movement, members of the <em>rezubian</em> (lesbian) community, and artists and readers of queer <em>shōjo </em></p><p><br></p><p>manga (girls’ comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan.</p><p>Following broad historical overviews of the <em>ūman ribu</em>, <em>rezubian</em>, and queer <em>shōjo </em>manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women’s and men’s magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume’s characterization of the era is also greatly enriched by interviews with more than sixty individuals.</p><p><em>Transfiguring Women in Late Twentieth-Century Japan </em>demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the <em>ūman ribu</em>, <em>rezubian</em>, and queer <em>shōjo</em> manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3247</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lisa Sheryl Jacobson. "Intoxicating Pleasures: The Reinvention of Wine, Beer, and Whiskey After Prohibition" (U California Press, 2024)</title>
      <description>In popular memory the repeal of US Prohibition in 1933 signaled alcohol’s decisive triumph in a decades-long culture war. But as Dr. Lisa Jacobson reveals in Intoxicating Pleasures: The Reinvention of Wine, Beer, and Whiskey after Prohibition (University of California Press, 2024), alcohol’s respectability and mass market success were neither sudden nor assured. It took a world war and a battalion of public relations experts and tastemakers to transform wine, beer, and whiskey into emblems of the American good life. Alcohol producers and their allies—a group that included scientists, trade associations, restaurateurs, home economists, cookbook authors, and New Deal planners—powered a publicity machine that linked alcohol to wartime food crusades and new ideas about the place of pleasure in modern American life.
In this deeply researched and engagingly written book, Dr. Jacobson shows how the yearnings of ordinary consumers and military personnel shaped alcohol’s cultural reinvention and put intoxicating pleasures at the center of broader debates about the rights and obligations of citizens.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1527</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lisa Sheryl Jacobson</itunes:subtitle>
      <itunes:summary>In popular memory the repeal of US Prohibition in 1933 signaled alcohol’s decisive triumph in a decades-long culture war. But as Dr. Lisa Jacobson reveals in Intoxicating Pleasures: The Reinvention of Wine, Beer, and Whiskey after Prohibition (University of California Press, 2024), alcohol’s respectability and mass market success were neither sudden nor assured. It took a world war and a battalion of public relations experts and tastemakers to transform wine, beer, and whiskey into emblems of the American good life. Alcohol producers and their allies—a group that included scientists, trade associations, restaurateurs, home economists, cookbook authors, and New Deal planners—powered a publicity machine that linked alcohol to wartime food crusades and new ideas about the place of pleasure in modern American life.
In this deeply researched and engagingly written book, Dr. Jacobson shows how the yearnings of ordinary consumers and military personnel shaped alcohol’s cultural reinvention and put intoxicating pleasures at the center of broader debates about the rights and obligations of citizens.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In popular memory the repeal of US Prohibition in 1933 signaled alcohol’s decisive triumph in a decades-long culture war. But as Dr. Lisa Jacobson reveals in <a href="https://bookshop.org/a/12343/9780520401105"><em>Intoxicating Pleasures: The Reinvention of Wine, Beer, and Whiskey after Prohibition</em></a> (University of California Press, 2024), alcohol’s respectability and mass market success were neither sudden nor assured. It took a world war and a battalion of public relations experts and tastemakers to transform wine, beer, and whiskey into emblems of the American good life. Alcohol producers and their allies—a group that included scientists, trade associations, restaurateurs, home economists, cookbook authors, and New Deal planners—powered a publicity machine that linked alcohol to wartime food crusades and new ideas about the place of pleasure in modern American life.</p><p>In this deeply researched and engagingly written book, Dr. Jacobson shows how the yearnings of ordinary consumers and military personnel shaped alcohol’s cultural reinvention and put intoxicating pleasures at the center of broader debates about the rights and obligations of citizens.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5344</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5e6fc7f2-bfa8-11ef-afa5-f797b982b925]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4510331958.mp3?updated=1734792441" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Johny Brown, "Corpse Flower" (Skill, 2024)</title>
      <description>From the frontman of Band of Holy Joy, Johny Brown, Corpse Flower (Skill, 2024), is a long-form prose poem that shares Brown's journey through one of the most challenging times in his life. Released as a multimedia project, Corpse Flower includes not only Brown's book but the music and reading that goes along with it. Moving from dark to light and ending in hope and joy, Brown's work shares with readers his world in lyrical verse. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>204</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Johny Brown</itunes:subtitle>
      <itunes:summary>From the frontman of Band of Holy Joy, Johny Brown, Corpse Flower (Skill, 2024), is a long-form prose poem that shares Brown's journey through one of the most challenging times in his life. Released as a multimedia project, Corpse Flower includes not only Brown's book but the music and reading that goes along with it. Moving from dark to light and ending in hope and joy, Brown's work shares with readers his world in lyrical verse. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the frontman of Band of Holy Joy, Johny Brown, <a href="https://skill.bandcamp.com/merch/corpse-flower-by-johny-brown-pre-order-signed-deluxe-boxed-edition-with-cd"><em>Corpse Flower</em></a><em> </em>(Skill, 2024), is a long-form prose poem that shares Brown's journey through one of the most challenging times in his life. Released as a multimedia project, <em>Corpse Flower</em> includes not only Brown's book but the music and reading that goes along with it. Moving from dark to light and ending in hope and joy, Brown's work shares with readers his world in lyrical verse. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1cd23312-bfc5-11ef-a908-170db1eb6c53]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4543363496.mp3?updated=1734804549" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Randy Fertel, "Winging It: Improv’s Power &amp; Peril in the Time of AI &amp; Trump" (Spring, 2024)</title>
      <description>Winging It: Improv’s Power &amp; Peril in the Time of AI &amp; Trump (Spring, 2024) is Randy Fertel’s third book, his second on improvisation. Creating something impromptu and without effort challenges our assumption that everything of value depends upon long study, tradition, and hard work. Improvisation comes to disrupt all that. The gesture all improvisations share—I will create this on the fly, or as Donald Trump has it, my gut knows more than many brains—defies rationality and elevates embodied emotions, instinct, and intuition. Claiming to be free of serious purpose, improvisation only pursues pleasure. Or, so it says. Through the lens of neuroscience, bioevolution, and well-known cultural texts, Winging It explores the links among the many disciplines improv informs—from Louis Armstrong’s “West End Blues” to the hip-hop masterpiece Hamilton. It defines what connects Kerouac’s On the Road, rock and roll, improv comedy, Fred Astaire’s tap, detective fiction, the Marvel Cinematic Universe, psychedelics, hookup culture, AI, even politics—in particular, the reign of the Improviser-in-Chief
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>203</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Randy Fertel</itunes:subtitle>
      <itunes:summary>Winging It: Improv’s Power &amp; Peril in the Time of AI &amp; Trump (Spring, 2024) is Randy Fertel’s third book, his second on improvisation. Creating something impromptu and without effort challenges our assumption that everything of value depends upon long study, tradition, and hard work. Improvisation comes to disrupt all that. The gesture all improvisations share—I will create this on the fly, or as Donald Trump has it, my gut knows more than many brains—defies rationality and elevates embodied emotions, instinct, and intuition. Claiming to be free of serious purpose, improvisation only pursues pleasure. Or, so it says. Through the lens of neuroscience, bioevolution, and well-known cultural texts, Winging It explores the links among the many disciplines improv informs—from Louis Armstrong’s “West End Blues” to the hip-hop masterpiece Hamilton. It defines what connects Kerouac’s On the Road, rock and roll, improv comedy, Fred Astaire’s tap, detective fiction, the Marvel Cinematic Universe, psychedelics, hookup culture, AI, even politics—in particular, the reign of the Improviser-in-Chief
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/0882141589"><em>Winging It: Improv’s Power &amp; Peril in the Time of AI &amp; Trump</em></a><em> </em>(Spring, 2024) is Randy Fertel’s third book, his second on improvisation. Creating something impromptu and without effort challenges our assumption that everything of value depends upon long study, tradition, and hard work. Improvisation comes to disrupt all that. The gesture all improvisations share—I will create this on the fly, or as Donald Trump has it, my gut knows more than many brains—defies rationality and elevates embodied emotions, instinct, and intuition. Claiming to be free of serious purpose, improvisation only pursues pleasure. Or, so it says. Through the lens of neuroscience, bioevolution, and well-known cultural texts, <em>Winging It </em>explores the links among the many disciplines improv informs—from Louis Armstrong’s “West End Blues” to the hip-hop masterpiece Hamilton. It defines what connects Kerouac’s On the Road, rock and roll, improv comedy, Fred Astaire’s tap, detective fiction, the Marvel Cinematic Universe, psychedelics, hookup culture, AI, even politics—in particular, the reign of the Improviser-in-Chief</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2520</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK6016458885.mp3?updated=1734800340" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christine M. Larson, "Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success" (Princeton UP, 2024)</title>
      <description>As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy. 
In Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success (Princeton University Press, 2024), Dr. Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing’s most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia’s historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning.
Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Dr. Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors’ plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices.
Romancelandia’s experience, Dr. Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia’s rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>226</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christine M. Larson</itunes:subtitle>
      <itunes:summary>As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy. 
In Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success (Princeton University Press, 2024), Dr. Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing’s most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia’s historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning.
Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Dr. Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors’ plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices.
Romancelandia’s experience, Dr. Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia’s rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy. </p><p>In <a href="https://bookshop.org/a/12343/9780691217406"><em>Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success</em></a> (Princeton University Press, 2024), Dr. Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing’s most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia’s historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning.</p><p>Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Dr. Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors’ plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices.</p><p>Romancelandia’s experience, Dr. Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia’s rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2890</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6cc89478-befe-11ef-acb7-6b7b093e1c7e]]></guid>
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    <item>
      <title>Vincent Haddad, "The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023" (Lever Press, 2024)</title>
      <description>Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture.
The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself.
Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>205</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vincent Haddad</itunes:subtitle>
      <itunes:summary>Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture.
The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself.
Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s <a href="https://bookshop.org/a/12343/9781643150680"><em>The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023</em></a> (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture.</p><p>The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including <em>Blue Collar</em>, <em>Robocop</em>, <em>The Crow</em>, <em>It Follows</em>, and <em>Barbarian</em>. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself.</p><p>Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, <em>The Detroit Genre</em> is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4017</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK6103320298.mp3?updated=1734812028" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott Huver, "Beverly Hills Noir: Crime, Sin, &amp; Scandal in 90210" (Post Hill Press, 2024)</title>
      <description>Beverly Hills Noir: Crime, Sin, &amp; Scandal in 90210 (Post Hill Press, 2024) explores the city’s true crime history, delving deep inside cases that made headlines, scandals that engulfed Hollywood legends, and more strange-but-true tales that could only happen in the 90210. Beverly Hills Noir chronicles an assortment of jaw-dropping true crime stories spanning the legendary city’s history, each with oh-so-90210 twists—including a high-profile murder mystery in the city’s most extravagant mansion, the daring exploits of a handsome cat burglar with movie star looks, a toxic Tinseltown love triangle that ended in gunplay, a brazen Rodeo Drive jewelry store holdup with tragically stunning finale, an Oscar nominated actress on shoplifting spree and more—complete with major roles and countless cameos by Hollywood idols and cultural icons. A gripping, century-long tour of the glamorous city’s shadowy underbelly through crimes and misdemeanors as over-the-top as the city itself, Beverly Hills Noir collects the kinds of stories you’d expect to be swapped if James Ellroy and Dominick Dunne had met Jackie Collins and Ryan Murphy for cocktails at the Polo Lounge. It’s Sunset Boulevard and Once Upon a Time… in Hollywood turned sordid, face-down-in-the-pool reality.
Scott Huver has covered the inner workings of Beverly Hills, the entertainment industry, and the Los Angeles-area elite for three decades.
Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 22 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Huver</itunes:subtitle>
      <itunes:summary>Beverly Hills Noir: Crime, Sin, &amp; Scandal in 90210 (Post Hill Press, 2024) explores the city’s true crime history, delving deep inside cases that made headlines, scandals that engulfed Hollywood legends, and more strange-but-true tales that could only happen in the 90210. Beverly Hills Noir chronicles an assortment of jaw-dropping true crime stories spanning the legendary city’s history, each with oh-so-90210 twists—including a high-profile murder mystery in the city’s most extravagant mansion, the daring exploits of a handsome cat burglar with movie star looks, a toxic Tinseltown love triangle that ended in gunplay, a brazen Rodeo Drive jewelry store holdup with tragically stunning finale, an Oscar nominated actress on shoplifting spree and more—complete with major roles and countless cameos by Hollywood idols and cultural icons. A gripping, century-long tour of the glamorous city’s shadowy underbelly through crimes and misdemeanors as over-the-top as the city itself, Beverly Hills Noir collects the kinds of stories you’d expect to be swapped if James Ellroy and Dominick Dunne had met Jackie Collins and Ryan Murphy for cocktails at the Polo Lounge. It’s Sunset Boulevard and Once Upon a Time… in Hollywood turned sordid, face-down-in-the-pool reality.
Scott Huver has covered the inner workings of Beverly Hills, the entertainment industry, and the Los Angeles-area elite for three decades.
Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781637588857"><em>Beverly Hills Noir: Crime, Sin, &amp; Scandal in 90210</em></a><em> </em>(Post Hill Press, 2024) explores the city’s true crime history, delving deep inside cases that made headlines, scandals that engulfed Hollywood legends, and more strange-but-true tales that could only happen in the 90210. <em>Beverly Hills Noir</em> chronicles an assortment of jaw-dropping true crime stories spanning the legendary city’s history, each with oh-so-90210 twists—including a high-profile murder mystery in the city’s most extravagant mansion, the daring exploits of a handsome cat burglar with movie star looks, a toxic Tinseltown love triangle that ended in gunplay, a brazen Rodeo Drive jewelry store holdup with tragically stunning finale, an Oscar nominated actress on shoplifting spree and more—complete with major roles and countless cameos by Hollywood idols and cultural icons. A gripping, century-long tour of the glamorous city’s shadowy underbelly through crimes and misdemeanors as over-the-top as the city itself, <em>Beverly Hills Noir</em> collects the kinds of stories you’d expect to be swapped if James Ellroy and Dominick Dunne had met Jackie Collins and Ryan Murphy for cocktails at the Polo Lounge. It’s Sunset Boulevard and Once Upon a Time… in Hollywood turned sordid, face-down-in-the-pool reality.</p><p>Scott Huver has covered the inner workings of Beverly Hills, the entertainment industry, and the Los Angeles-area elite for three decades.</p><p><em>Caleb Zakarin is editor at the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3030</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jeremy Dauber, "American Scary: A History of Horror, from Salem to Stephen King and Beyond" (Algonquin Books, 2024)</title>
      <description>From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele
America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can’t escape the thrall of scary stories.
In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele.
With the dexterous weave of insight and style that have made him one of America’s leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind.
Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 22 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>287</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeremy Dauber</itunes:subtitle>
      <itunes:summary>From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele
America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can’t escape the thrall of scary stories.
In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele.
With the dexterous weave of insight and style that have made him one of America’s leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind.
Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the acclaimed author of <em>American Comics</em> comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele</p><p>America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can’t escape the thrall of scary stories.</p><p>In <a href="https://bookshop.org/a/12343/9781643753560"><em>American Scary: A History of Horror, from Salem to Stephen King and Beyond </em></a>(Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele.</p><p>With the dexterous weave of insight and style that have made him one of America’s leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind.</p><p>Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include <em>Jewish Comedy</em> and <em>The Worlds of Sholem Aleichem</em>, both finalists for the National Jewish Book Award, <em>American Comics: A History</em>, and <em>Mel Brooks: Disobedient Jew. </em>He lives in New York City.</p><p>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of <em>Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers</em> and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found <a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics">here</a> on the New Books Network and on <a href="https://twitter.com/15minfilm">X</a>. You can also find his writing about books and films on <a href="https://pagesandframes.substack.com/"><em>Pages and Frames</em></a><em>.</em></p><p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4102</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK8230341538.mp3?updated=1734643551" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julien Mailland, "The Game That Never Ends: How Lawyers Shape the Videogame Industry" (MIT Press, 2024)</title>
      <description>A guide to the fascinating legal history of the videogame industry, written for nonlawyers. 
Why did a judge recall FIFA 15, a nonviolent soccer game, from French shelves in 2014? Why was Vodka Drunkenski, a character in Nintendo-Japan’s Punch-Out!, renamed Soda Popinski in the US and then in Western Europe, where the pun made no sense? Why was a Dutch-American company barred by US courts from distributing a clone of Pac-Man? 
Julien Mailland answers all these questions and more in The Game That Never Ends: How Lawyers Shape the Videogame Industry (MIT Press, 2024), an inside look at the legal history that undergirds our favorite videogames. Drawing on a series of case studies as vignettes of the human comedy, Mailland sheds light on why and how the role of lawyers is key for understanding the videogame industry. Each chapter in The Game That Never Ends is a mini-puzzle that pieces together how an important legal issue arose, was resolved, and impacted the industry and the experience of gamers in real time. These chapters are interspersed with shorter chapters called “The Lawyer’s Corner,” opportunities to dive deeper into individual cases. Lightly footnoted, these interludes connect the previous chapters together by providing a conceptual meta-analysis. Offering a comprehensive overview of the global legal history of videogames, The Game That Never Ends will leave readers with a nuanced, in-depth, and more global understanding of the videogame industry.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 21 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julien Mailland</itunes:subtitle>
      <itunes:summary>A guide to the fascinating legal history of the videogame industry, written for nonlawyers. 
Why did a judge recall FIFA 15, a nonviolent soccer game, from French shelves in 2014? Why was Vodka Drunkenski, a character in Nintendo-Japan’s Punch-Out!, renamed Soda Popinski in the US and then in Western Europe, where the pun made no sense? Why was a Dutch-American company barred by US courts from distributing a clone of Pac-Man? 
Julien Mailland answers all these questions and more in The Game That Never Ends: How Lawyers Shape the Videogame Industry (MIT Press, 2024), an inside look at the legal history that undergirds our favorite videogames. Drawing on a series of case studies as vignettes of the human comedy, Mailland sheds light on why and how the role of lawyers is key for understanding the videogame industry. Each chapter in The Game That Never Ends is a mini-puzzle that pieces together how an important legal issue arose, was resolved, and impacted the industry and the experience of gamers in real time. These chapters are interspersed with shorter chapters called “The Lawyer’s Corner,” opportunities to dive deeper into individual cases. Lightly footnoted, these interludes connect the previous chapters together by providing a conceptual meta-analysis. Offering a comprehensive overview of the global legal history of videogames, The Game That Never Ends will leave readers with a nuanced, in-depth, and more global understanding of the videogame industry.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A guide to the fascinating legal history of the videogame industry, written for nonlawyers. </p><p>Why did a judge recall FIFA 15, a nonviolent soccer game, from French shelves in 2014? Why was Vodka Drunkenski, a character in Nintendo-Japan’s Punch-Out!, renamed Soda Popinski in the US and then in Western Europe, where the pun made no sense? Why was a Dutch-American company barred by US courts from distributing a clone of Pac-Man? </p><p>Julien Mailland answers all these questions and more in <a href="https://bookshop.org/a/12343/9780262549394"><em>The Game That Never Ends: How Lawyers Shape the Videogame Industry</em></a> (MIT Press, 2024), an inside look at the legal history that undergirds our favorite videogames. Drawing on a series of case studies as vignettes of the human comedy, Mailland sheds light on why and how the role of lawyers is key for understanding the videogame industry. Each chapter in The Game That Never Ends is a mini-puzzle that pieces together how an important legal issue arose, was resolved, and impacted the industry and the experience of gamers in real time. These chapters are interspersed with shorter chapters called “The Lawyer’s Corner,” opportunities to dive deeper into individual cases. Lightly footnoted, these interludes connect the previous chapters together by providing a conceptual meta-analysis. Offering a comprehensive overview of the global legal history of videogames, The Game That Never Ends will leave readers with a nuanced, in-depth, and more global understanding of the videogame industry.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2319</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Matthew S. Smith, "EverQuest" (Boss Fight Books, 2024)</title>
      <description>“You’re in our world now.” This bold tagline led Sony’s 1999 ad blitz for EverQuest (Boss Fight Books, 2024), the year’s most anticipated massively multiplayer game. Though just five words long, it challenged players to live in a virtual world beyond anything they’d experienced before—and delivered. The game that proved the MMORPG’s potential, EverQuest outsold all prior entries in the genre and was the most popular subscription game in North America for five years until Blizzard’s World of Warcraft overthrew it. Yet EverQuest lives on, with tens of thousands of players logging in every day.
Based on new interviews with EverQuest developers and veteran MMORPG developers, journalist Matthew S. Smith explores EverQuest's unlikely creation at a studio built to develop sports games, a rocky release which overwhelmed the game’s ill-prepared datacenter, the enticing game loops that placed EverQuest in a media firestorm around gaming addiction, and the real-money black market for EverQuest items that foretold the future of digital goods.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, radio host of “Replay Value”, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 15 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew S. Smith</itunes:subtitle>
      <itunes:summary>“You’re in our world now.” This bold tagline led Sony’s 1999 ad blitz for EverQuest (Boss Fight Books, 2024), the year’s most anticipated massively multiplayer game. Though just five words long, it challenged players to live in a virtual world beyond anything they’d experienced before—and delivered. The game that proved the MMORPG’s potential, EverQuest outsold all prior entries in the genre and was the most popular subscription game in North America for five years until Blizzard’s World of Warcraft overthrew it. Yet EverQuest lives on, with tens of thousands of players logging in every day.
Based on new interviews with EverQuest developers and veteran MMORPG developers, journalist Matthew S. Smith explores EverQuest's unlikely creation at a studio built to develop sports games, a rocky release which overwhelmed the game’s ill-prepared datacenter, the enticing game loops that placed EverQuest in a media firestorm around gaming addiction, and the real-money black market for EverQuest items that foretold the future of digital goods.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, radio host of “Replay Value”, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“You’re in our world now.” This bold tagline led Sony’s 1999 ad blitz for <a href="https://bossfightbooks.com/products/everquest-by-matthew-s-smith?srsltid=AfmBOopSVOsa6LNTzzVQHALXa1KNIEl_mcsSVscTMp9Aqvx1EusNe1uu"><em>EverQuest</em></a><em> </em>(Boss Fight Books, 2024), the year’s most anticipated massively multiplayer game. Though just five words long, it challenged players to live in a virtual world beyond anything they’d experienced before—and delivered. The game that proved the MMORPG’s potential, <em>EverQuest </em>outsold all prior entries in the genre and was the most popular subscription game in North America for five years until Blizzard’s World of Warcraft overthrew it. Yet <em>EverQuest </em>lives on, with tens of thousands of players logging in every day.</p><p>Based on new interviews with <em>EverQuest </em>developers and veteran MMORPG developers, journalist Matthew S. Smith explores <em>EverQuest</em>'s unlikely creation at a studio built to develop sports games, a rocky release which overwhelmed the game’s ill-prepared datacenter, the enticing game loops that placed <em>EverQuest </em>in a media firestorm around gaming addiction, and the real-money black market for <em>EverQuest </em>items that foretold the future of digital goods.</p><p>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, radio host of “Replay Value”, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2189</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Tom Boellstorff and Braxton Soderman, "Intellivision: How a Videogame System Battled Atari and Almost Bankrupted Barbie®" (MIT Press, 2024)</title>
      <description>The engaging story of Intellivision, an overlooked videogame system from the late 1970s and early 1980s whose fate was shaped by Mattel, Atari, and countless others who invented the gaming industry. Astrosmash, Snafu, Star Strike, Utopia—do these names sound familiar to you? No? Maybe? They were all videogames created for the Intellivision videogame system, sold by Mattel Electronics between 1979 and 1984. This system was Atari’s main rival during a key period when videogames were moving from the arcades into the home. In Intellivision: How a Videogame System Battled Atari and Almost Bankrupted Barbie® (MIT Press, 2024), Tom Boellstorff and Braxton Soderman tell the fascinating inside story of this overlooked gaming system. Along the way, they also analyze Intellivision’s chips and code, games, marketing and business strategies, organizational and social history, and the cultural and economic context of the early US games industry from the mid-1970s to the great videogame industry crash of 1983. While many remember Atari, Intellivision has largely been forgotten. As such, Intellivision fills a crucial gap in videogame scholarship, telling the story of a console that sold millions and competed aggressively against Atari. Drawing on a wealth of data from both institutional and personal archives and over 150 interviews with programmers, engineers, executives, marketers, and designers, Boellstorff and Soderman examine the relationship between videogames and toys—an under-analyzed aspect of videogame history—and discuss the impact of home computing on the rise of videogames, the gendered implications of play and videogame design at Mattel, and the blurring of work and play in the early games industry.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 14 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tom Boellstorff and Braxton Soderman</itunes:subtitle>
      <itunes:summary>The engaging story of Intellivision, an overlooked videogame system from the late 1970s and early 1980s whose fate was shaped by Mattel, Atari, and countless others who invented the gaming industry. Astrosmash, Snafu, Star Strike, Utopia—do these names sound familiar to you? No? Maybe? They were all videogames created for the Intellivision videogame system, sold by Mattel Electronics between 1979 and 1984. This system was Atari’s main rival during a key period when videogames were moving from the arcades into the home. In Intellivision: How a Videogame System Battled Atari and Almost Bankrupted Barbie® (MIT Press, 2024), Tom Boellstorff and Braxton Soderman tell the fascinating inside story of this overlooked gaming system. Along the way, they also analyze Intellivision’s chips and code, games, marketing and business strategies, organizational and social history, and the cultural and economic context of the early US games industry from the mid-1970s to the great videogame industry crash of 1983. While many remember Atari, Intellivision has largely been forgotten. As such, Intellivision fills a crucial gap in videogame scholarship, telling the story of a console that sold millions and competed aggressively against Atari. Drawing on a wealth of data from both institutional and personal archives and over 150 interviews with programmers, engineers, executives, marketers, and designers, Boellstorff and Soderman examine the relationship between videogames and toys—an under-analyzed aspect of videogame history—and discuss the impact of home computing on the rise of videogames, the gendered implications of play and videogame design at Mattel, and the blurring of work and play in the early games industry.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The engaging story of Intellivision, an overlooked videogame system from the late 1970s and early 1980s whose fate was shaped by Mattel, Atari, and countless others who invented the gaming industry. Astrosmash, Snafu, Star Strike, Utopia—do these names sound familiar to you? No? Maybe? They were all videogames created for the Intellivision videogame system, sold by Mattel Electronics between 1979 and 1984. This system was Atari’s main rival during a key period when videogames were moving from the arcades into the home. In <a href="https://bookshop.org/a/12343/9780262549509"><em>Intellivision: How a Videogame System Battled Atari and Almost Bankrupted Barbie®</em></a><em> </em>(MIT Press, 2024), Tom Boellstorff and Braxton Soderman tell the fascinating inside story of this overlooked gaming system. Along the way, they also analyze Intellivision’s chips and code, games, marketing and business strategies, organizational and social history, and the cultural and economic context of the early US games industry from the mid-1970s to the great videogame industry crash of 1983. While many remember Atari, Intellivision has largely been forgotten. As such, <em>Intellivision</em> fills a crucial gap in videogame scholarship, telling the story of a console that sold millions and competed aggressively against Atari. Drawing on a wealth of data from both institutional and personal archives and over 150 interviews with programmers, engineers, executives, marketers, and designers, Boellstorff and Soderman examine the relationship between videogames and toys—an under-analyzed aspect of videogame history—and discuss the impact of home computing on the rise of videogames, the gendered implications of play and videogame design at Mattel, and the blurring of work and play in the early games industry.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2007</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK2330495910.mp3?updated=1733957132" length="0" type="audio/mpeg"/>
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    <item>
      <title>A. L. McClanan, "Griffinology: The Griffin's Place in Myth, History and Art" (Reaktion, 2024)</title>
      <description>A. L. McClanan's Griffinology: The Griffin's Place in Myth, History and Art (Reaktion, 2024) is a fascinating exploration of the mythical creature's many depictions in human culture. Drawing on a wealth of historical and literary sources, this book shows how the griffin has captured the imagination of people for over 5,000 years, representing power, transcendence and even divinity. It explores the history and symbolism of griffins in art, from their appearances in ancient Egyptian magic wands to medieval bestiaries, and from medieval coats of arms to corporate logos today. The use of the griffin as a symbol of power and protection is surveyed throughout history and into modern times. Beautifully illustrated, this book should appeal to all those interested in monsters, magic and the mystical, as well as art and history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 14 Dec 2024 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with A. L. McClanan</itunes:subtitle>
      <itunes:summary>A. L. McClanan's Griffinology: The Griffin's Place in Myth, History and Art (Reaktion, 2024) is a fascinating exploration of the mythical creature's many depictions in human culture. Drawing on a wealth of historical and literary sources, this book shows how the griffin has captured the imagination of people for over 5,000 years, representing power, transcendence and even divinity. It explores the history and symbolism of griffins in art, from their appearances in ancient Egyptian magic wands to medieval bestiaries, and from medieval coats of arms to corporate logos today. The use of the griffin as a symbol of power and protection is surveyed throughout history and into modern times. Beautifully illustrated, this book should appeal to all those interested in monsters, magic and the mystical, as well as art and history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A. L. McClanan's <a href="https://bookshop.org/a/12343/9781789148466"><em>Griffinology: The Griffin's Place in Myth, History and Art</em></a> (Reaktion, 2024) is a fascinating exploration of the mythical creature's many depictions in human culture. Drawing on a wealth of historical and literary sources, this book shows how the griffin has captured the imagination of people for over 5,000 years, representing power, transcendence and even divinity. It explores the history and symbolism of griffins in art, from their appearances in ancient Egyptian magic wands to medieval bestiaries, and from medieval coats of arms to corporate logos today. The use of the griffin as a symbol of power and protection is surveyed throughout history and into modern times. Beautifully illustrated, this book should appeal to all those interested in monsters, magic and the mystical, as well as art and history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2668</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ed8a316e-b8b1-11ef-b6b8-c75132264147]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1766984733.mp3?updated=1733951165" length="0" type="audio/mpeg"/>
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    <item>
      <title>Barbara A. Biesecker, "Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State" (Penn State Press, 2024)</title>
      <description>By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States.
Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg’s Saving Private Ryan, Tom Brokaw’s The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda.
By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>285</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barbara A. Biesecker</itunes:subtitle>
      <itunes:summary>By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States.
Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg’s Saving Private Ryan, Tom Brokaw’s The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda.
By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In <em>Reinventing </em><a href="https://bookshop.org/a/12343/9780271097824"><em>World War II: Popular Memory in the Rise of the Ethnonationalist State</em></a> (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States.</p><p>Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg’s Saving Private Ryan, Tom Brokaw’s The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda.</p><p>By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2799</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Leah Kardos, "Kate Bush's Hounds of Love" (Bloomsbury, 2024)</title>
      <description>Hounds Of Love invites you to not only listen, but to cross the boundaries of sensory experience into realms of imagination and possibility. Side A spawned four Top 40 hit singles in the UK, 'Running Up That Hill (A Deal with God)', 'Cloudbusting', 'Hounds of Love' and 'The Big Sky', some of the best-loved and most enduring compositions in Bush's catalogue. On side B, a hallucinatory seven-part song cycle called The Ninth Wave broke away from the pop conventions of the era by using strange and vivid production techniques that plunge the listener into the psychological centre of a near-death experience. Poised and accessible, yet still experimental and complex, with Hounds Of Love Bush mastered the art of her studio-based songcraft, finally achieving full control of her creative process. When it came out in 1985, she was only 27 years old.
Kate Bush’s Hounds of Love (Bloomsbury, 2024) charts the emergence of Kate Bush in the early-to-mid-1980s as a courageous experimentalist, a singularly expressive recording artist and a visionary music producer. Track-by-track commentaries focus on the experience of the album from the listener's point of view, drawing attention to the art and craft of Bush's songwriting, production and sound design. It considers the vast impact and influence that Hounds Of Love has had on music cultures and creative practices through the years, underlining the artist's importance as a barrier-smashing, template-defying, business-smart, record-breaking, never-compromising role model for artists everywhere.
Leah Kardos is a senior lecturer in music at Kingston University London, UK. She is the author of Blackstar Theory: The Last Works of David Bowie (Bloomsbury, 2022), which was included as one of The Wire's 'Best Books of 2022'.
Leah on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 11 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>261</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leah Kardos</itunes:subtitle>
      <itunes:summary>Hounds Of Love invites you to not only listen, but to cross the boundaries of sensory experience into realms of imagination and possibility. Side A spawned four Top 40 hit singles in the UK, 'Running Up That Hill (A Deal with God)', 'Cloudbusting', 'Hounds of Love' and 'The Big Sky', some of the best-loved and most enduring compositions in Bush's catalogue. On side B, a hallucinatory seven-part song cycle called The Ninth Wave broke away from the pop conventions of the era by using strange and vivid production techniques that plunge the listener into the psychological centre of a near-death experience. Poised and accessible, yet still experimental and complex, with Hounds Of Love Bush mastered the art of her studio-based songcraft, finally achieving full control of her creative process. When it came out in 1985, she was only 27 years old.
Kate Bush’s Hounds of Love (Bloomsbury, 2024) charts the emergence of Kate Bush in the early-to-mid-1980s as a courageous experimentalist, a singularly expressive recording artist and a visionary music producer. Track-by-track commentaries focus on the experience of the album from the listener's point of view, drawing attention to the art and craft of Bush's songwriting, production and sound design. It considers the vast impact and influence that Hounds Of Love has had on music cultures and creative practices through the years, underlining the artist's importance as a barrier-smashing, template-defying, business-smart, record-breaking, never-compromising role model for artists everywhere.
Leah Kardos is a senior lecturer in music at Kingston University London, UK. She is the author of Blackstar Theory: The Last Works of David Bowie (Bloomsbury, 2022), which was included as one of The Wire's 'Best Books of 2022'.
Leah on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Hounds Of Love</em> invites you to not only listen, but to cross the boundaries of sensory experience into realms of imagination and possibility. Side A spawned four Top 40 hit singles in the UK, 'Running Up That Hill (A Deal with God)', 'Cloudbusting', 'Hounds of Love' and 'The Big Sky', some of the best-loved and most enduring compositions in Bush's catalogue. On side B, a hallucinatory seven-part song cycle called <em>The Ninth Wave</em> broke away from the pop conventions of the era by using strange and vivid production techniques that plunge the listener into the psychological centre of a near-death experience. Poised and accessible, yet still experimental and complex, with <em>Hounds Of Love</em> Bush mastered the art of her studio-based songcraft, finally achieving full control of her creative process. When it came out in 1985, she was only 27 years old.</p><p><a href="https://bookshop.org/a/12343/9798765106990"><em>Kate Bush’s Hounds of Love</em></a> (Bloomsbury, 2024) charts the emergence of Kate Bush in the early-to-mid-1980s as a courageous experimentalist, a singularly expressive recording artist and a visionary music producer. Track-by-track commentaries focus on the experience of the album from the listener's point of view, drawing attention to the art and craft of Bush's songwriting, production and sound design. It considers the vast impact and influence that <em>Hounds Of Love</em> has had on music cultures and creative practices through the years, underlining the artist's importance as a barrier-smashing, template-defying, business-smart, record-breaking, never-compromising role model for artists everywhere.</p><p>Leah Kardos is a senior lecturer in music at Kingston University London, UK. She is the author of <em>Blackstar Theory: The Last Works of David Bowie</em> (Bloomsbury, 2022), which was included as one of <em>The Wire</em>'s 'Best Books of 2022'.</p><p>Leah on <a href="https://twitter.com/LeahKardos">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America </em>(Louisiana State University Press, June 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3610</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Victoria Sturtevant, "It's All in the Delivery: Pregnancy in American Film and Television Comedy" (U Texas Press, 2024)</title>
      <description>Victoria Sturtevant's It’s All in the Delivery: Pregnancy in American Film and Television Comedy (University of Texas Press, 2024) is about how changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights.
Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra.
In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now.
Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 08 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>224</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Victoria Sturtevant</itunes:subtitle>
      <itunes:summary>Victoria Sturtevant's It’s All in the Delivery: Pregnancy in American Film and Television Comedy (University of Texas Press, 2024) is about how changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights.
Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra.
In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now.
Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Victoria Sturtevant's <a href="https://bookshop.org/a/12343/9781477330449"><em>It’s All in the Delivery: Pregnancy in American Film and Television Comedy</em></a><em> </em>(University of Texas Press, 2024) is about how changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights.</p><p>Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra.</p><p>In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now.</p><p>Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3135</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9fa10dce-b415-11ef-ab38-d3469e95bbda]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2001908365.mp3?updated=1733519798" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Toby Bennett, "Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out" (Bloomsbury, 2024)</title>
      <description>How does the music industry actually work? In Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out Toby Bennett, a Senior Lecturer in Media, Culture &amp; Organisation in the School of Media and Communications at the University of Westminster offers a deep ethnography of everyday life in a contemporary record company. The book examines the challenges facing music, both businesses and artists, as digital transforms every element of the industry. Offering a detailed theoretical framework for understanding these changes, as well as rich details on the ordinary organisational practices that keep the music industry running, the book will be essential reading across humanities, social sciences, and for anyone interested in music and culture industries.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 05 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>499</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Toby Bennett</itunes:subtitle>
      <itunes:summary>How does the music industry actually work? In Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out Toby Bennett, a Senior Lecturer in Media, Culture &amp; Organisation in the School of Media and Communications at the University of Westminster offers a deep ethnography of everyday life in a contemporary record company. The book examines the challenges facing music, both businesses and artists, as digital transforms every element of the industry. Offering a detailed theoretical framework for understanding these changes, as well as rich details on the ordinary organisational practices that keep the music industry running, the book will be essential reading across humanities, social sciences, and for anyone interested in music and culture industries.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the music industry actually work? In <a href="https://www.bloomsbury.com/uk/corporate-life-in-the-digital-music-industry-9781501387258/"><em>Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out</em></a> <a href="https://bsky.app/profile/tgpb.bsky.social">Toby Bennett,</a> a <a href="https://tgpbennett.wordpress.com/">Senior Lecturer</a> in Media, Culture &amp; Organisation in the <a href="https://www.westminster.ac.uk/about-us/our-people/directory/bennett-toby">School of Media and Communications at the University of Westminster</a> offers a deep ethnography of everyday life in a contemporary record company. The book examines the challenges facing music, both businesses and artists, as digital transforms every element of the industry. Offering a detailed theoretical framework for understanding these changes, as well as rich details on the ordinary organisational practices that keep the music industry running, the book will be essential reading across humanities, social sciences, and for anyone interested in music and culture industries.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien">Dave O'Brien</a> is Professor of Cultural and Creative Industries, at the University of Manchester.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2843</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[14459e0e-b17a-11ef-aa2c-ffa735cb0c24]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5911709858.mp3?updated=1733178819" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joy White, "Like Lockdown Never Happened: Music and Culture During Covid" (Repeater, 2024)</title>
      <description>What happened to culture in 2020? In Like Lockdown Never Happened: Music and Culture During Covid (Repeater, 2024), Joy White, a Lecturer in Applied Social Studies at the University of Bedfordshire, explores the impact of Covid, along with social, community and artistic responses. The book ranges widely, including comparative analysis of the UK and Jamaica, deep dives into contemporary Black music and Black culture on TV, digital modes of making and distributing music, and emerging cultural practices on platforms such as TikTok. Theoretically rich as well as offering detailed media and cultural analysis, the book is essential reading of humanities, social science and public health scholars, as well as for anyone interested in reflecting on the era when Covid first hut society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 04 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>496</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joy White</itunes:subtitle>
      <itunes:summary>What happened to culture in 2020? In Like Lockdown Never Happened: Music and Culture During Covid (Repeater, 2024), Joy White, a Lecturer in Applied Social Studies at the University of Bedfordshire, explores the impact of Covid, along with social, community and artistic responses. The book ranges widely, including comparative analysis of the UK and Jamaica, deep dives into contemporary Black music and Black culture on TV, digital modes of making and distributing music, and emerging cultural practices on platforms such as TikTok. Theoretically rich as well as offering detailed media and cultural analysis, the book is essential reading of humanities, social science and public health scholars, as well as for anyone interested in reflecting on the era when Covid first hut society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happened to culture in 2020? In<a href="https://bookshop.org/a/12343/9781914420092"><em> Like Lockdown Never Happened: Music and Culture During Covid</em></a> (Repeater, 2024), <a href="https://x.com/joywhite2">Joy White</a>, a <a href="https://www.joywhite.co.uk/">Lecturer in Applied Social Studies</a> at the <a href="https://www.beds.ac.uk/howtoapply/departments/appliedsocialsciences/staff/joy-white/">University of Bedfordshire,</a> explores the impact of Covid, along with social, community and artistic responses. The book ranges widely, including comparative analysis of the UK and Jamaica, deep dives into contemporary Black music and Black culture on TV, digital modes of making and distributing music, and emerging cultural practices on platforms such as TikTok. Theoretically rich as well as offering detailed media and cultural analysis, the book is essential reading of humanities, social science and public health scholars, as well as for anyone interested in reflecting on the era when Covid first hut society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1987</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a90b564c-b174-11ef-a396-db5d7e0144b7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3351162634.mp3?updated=1733230119" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sam Langsdale, "Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics" (U Texas Press, 2024)</title>
      <description>It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts.
Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 30 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sam Langsdale</itunes:subtitle>
      <itunes:summary>It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts.
Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. <a href="https://bookshop.org/a/12343/9781477329788"><em>Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics</em></a> (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts.</p><p>Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, <em>Searching for Feminist Superheroes</em> demonstrates that a fight for a better world is worthwhile.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3286</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18d5557a-ad99-11ef-9a0b-0f0742b19f84]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4193746439.mp3?updated=1732806571" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Seth Rogovoy, "Within You Without You: Listening to George Harrison" (Oxford UP, 2024)</title>
      <description>Seth Rogovoy's latest book for Oxford University Press is called Within You Without You: Listening to George Harrison (Oxford University Press, 2024). Often, biographies of musicians put the story of the subject’s life front and center, letting the music recede into the background. For a musician like George Harrison, this would be a mistake. George, the lead guitarist of the Beatles, sometimes referred to as the “quiet one,” was one of his generation’s greatest guitarists. He quietly steered the Fab Four in directions that made them legendary, through his innovative use of sitar or his thoughtful, self-reflective song-writing that contrasted with John’s ironic poetics and Paul’s cheery symphonies. A late-bloomer of sorts, George truly came into his own as a solo artist pursuing a rock and roll that centered spirituality and existential yearning.
For a chapter-by-chapter playlist, check out Seth's guided listen.
Subscribe to Seth's Substack: Everything is Broken.
Seth Rogovoy is the author of Bob Dylan: Prophet Mystic Poet and The Essential Klezmer: A Music Lover's Guide to Jewish Roots and Soul Music and contributing editor for The Forward.
Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 29 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Seth Rogovoy</itunes:subtitle>
      <itunes:summary>Seth Rogovoy's latest book for Oxford University Press is called Within You Without You: Listening to George Harrison (Oxford University Press, 2024). Often, biographies of musicians put the story of the subject’s life front and center, letting the music recede into the background. For a musician like George Harrison, this would be a mistake. George, the lead guitarist of the Beatles, sometimes referred to as the “quiet one,” was one of his generation’s greatest guitarists. He quietly steered the Fab Four in directions that made them legendary, through his innovative use of sitar or his thoughtful, self-reflective song-writing that contrasted with John’s ironic poetics and Paul’s cheery symphonies. A late-bloomer of sorts, George truly came into his own as a solo artist pursuing a rock and roll that centered spirituality and existential yearning.
For a chapter-by-chapter playlist, check out Seth's guided listen.
Subscribe to Seth's Substack: Everything is Broken.
Seth Rogovoy is the author of Bob Dylan: Prophet Mystic Poet and The Essential Klezmer: A Music Lover's Guide to Jewish Roots and Soul Music and contributing editor for The Forward.
Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seth Rogovoy's latest book for Oxford University Press is called <a href="https://bookshop.org/a/12343/9780197627822"><em>Within You Without You: Listening to George Harrison</em></a><em> </em>(Oxford University Press, 2024). Often, biographies of musicians put the story of the subject’s life front and center, letting the music recede into the background. For a musician like George Harrison, this would be a mistake. George, the lead guitarist of the Beatles, sometimes referred to as the “quiet one,” was one of his generation’s greatest guitarists. He quietly steered the Fab Four in directions that made them legendary, through his innovative use of sitar or his thoughtful, self-reflective song-writing that contrasted with John’s ironic poetics and Paul’s cheery symphonies. A late-bloomer of sorts, George truly came into his own as a solo artist pursuing a rock and roll that centered spirituality and existential yearning.</p><p>For a chapter-by-chapter playlist, check out <a href="https://www.sethrogovoy.com/playlists">Seth's guided listen</a>.</p><p>Subscribe to Seth's Substack: <a href="https://sethrogovoy.substack.com/">Everything is Broken</a>.</p><p><a href="https://www.sethrogovoy.com/">Seth Rogovoy</a> is the author of <em>Bob Dylan: Prophet Mystic Poet</em> and <em>The Essential Klezmer: A Music Lover's Guide to Jewish Roots and Soul Music</em> and contributing editor for <em>The Forward</em>.</p><p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4379</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[825749f2-acce-11ef-8fb2-e320467d5168]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9097794453.mp3?updated=1732669091" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nick Butler, "The Trouble with Jokes: Humour and Offensiveness in Contemporary Culture and Politics" (Policy Press, 2023)</title>
      <description>In this podcast, Nick Butler explores humour's complex and often controversial role in shaping modern political discourse, examining how jokes can challenge and reinforce power structures. Whether you're interested in the intersection of humour and politics or curious about the cultural implications of what’s considered "offensive," this conversation promises to be both insightful and engaging.
Tune in to hear Nick’s thoughts on the dangers and potential of humour in a politically polarized world and much more! Don’t miss this fascinating dive into The Trouble with Jokes: Humour and Offensiveness in Contemporary Culture and Politics (Policy Press, 2023)
There is an enjoyable piece in The Conversation about this book and the 2024 US elections  here
Butler's blog on academic writing called First Draft here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 27 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Butler</itunes:subtitle>
      <itunes:summary>In this podcast, Nick Butler explores humour's complex and often controversial role in shaping modern political discourse, examining how jokes can challenge and reinforce power structures. Whether you're interested in the intersection of humour and politics or curious about the cultural implications of what’s considered "offensive," this conversation promises to be both insightful and engaging.
Tune in to hear Nick’s thoughts on the dangers and potential of humour in a politically polarized world and much more! Don’t miss this fascinating dive into The Trouble with Jokes: Humour and Offensiveness in Contemporary Culture and Politics (Policy Press, 2023)
There is an enjoyable piece in The Conversation about this book and the 2024 US elections  here
Butler's blog on academic writing called First Draft here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this podcast, Nick Butler explores humour's complex and often controversial role in shaping modern political discourse, examining how jokes can challenge and reinforce power structures. Whether you're interested in the intersection of humour and politics or curious about the cultural implications of what’s considered "offensive," this conversation promises to be both insightful and engaging.</p><p>Tune in to hear Nick’s thoughts on the dangers and potential of humour in a politically polarized world and much more! Don’t miss this fascinating dive into <a href="https://bookshop.org/a/12343/9781529232523"><em>The Trouble with Jokes: Humour and Offensiveness in Contemporary Culture and Politics</em></a> (Policy Press, 2023)</p><p>There is an enjoyable piece in <em>The Conversation</em> about this book and the 2024 US elections  <a href="https://theconversation.com/us-election-how-trump-and-his-followers-use-offensive-humour-to-make-prejudice-acceptable-221364">here</a></p><p>Butler's blog on academic writing called <em>First Draft</em> <a href="https://first-draft-academic.blogspot.com/">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1965</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d52ef7c6-aa97-11ef-9eaa-63c606ab4f7c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9877964557.mp3?updated=1732475806" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Suisman, "Instrument of War: Music and the Making of America's Soldiers" (U Chicago Press, 2024)</title>
      <description>In his new book, Instrument of War: Music and the Making of the America's Soldiers (University of Chicago Press, 2024), David Suisman shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American war machine," and he ably shows how its elemental qualities have been used and transformed, much as the military itself has, by technology and by changing understandings of the self. 
Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war’s emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 25 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>200</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Suisman</itunes:subtitle>
      <itunes:summary>In his new book, Instrument of War: Music and the Making of the America's Soldiers (University of Chicago Press, 2024), David Suisman shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American war machine," and he ably shows how its elemental qualities have been used and transformed, much as the military itself has, by technology and by changing understandings of the self. 
Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war’s emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book,<a href="https://bookshop.org/a/12343/9780226822921"> <em>Instrument of War: Music and the Making of the America's Soldiers </em></a>(University of Chicago Press, 2024), <a href="https://www.davidsuisman.net/">David Suisman</a> shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American war machine," and he ably shows how its elemental qualities have been used and transformed, much as the military itself has, by technology and by changing understandings of the self. </p><p><em>Instrument of War</em> is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war’s emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. <em>Instrument of War </em>unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Veronica Keller and Sabrina Mittermeier, "From Broadway to the Bronx: New York City’s History through Song" (Intellect, 2024)</title>
      <description>From Broadway to the Bronx: New York City’s History through Song (Intellect, 2024) tells the history of New York City in song across a variety of different genres that the city has been home to and instrumental in developing, covering everything from early twentieth-century sheet music to Broadway’s musical theater, hip-hop, disco, punk, dancehall, but also contemporary metal, rock, and pop. It features an analysis of the work of artists with intimate connections to the city like Billy Joel, Lin-Manuel Miranda, Debbie Harry, Shinehead, and the Wu-Tang Clan, as well as an exclusive interview with RENT original cast member, Anthony Rapp. The collection includes essays from authors across the disciplines of cultural studies, media studies, cultural history, and musicology, resulting in a far-ranging treatment of the interconnection of the city space and its musical history.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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      <pubDate>Mon, 25 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>259</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Veronica Keller and Sabrina Mittermeier</itunes:subtitle>
      <itunes:summary>From Broadway to the Bronx: New York City’s History through Song (Intellect, 2024) tells the history of New York City in song across a variety of different genres that the city has been home to and instrumental in developing, covering everything from early twentieth-century sheet music to Broadway’s musical theater, hip-hop, disco, punk, dancehall, but also contemporary metal, rock, and pop. It features an analysis of the work of artists with intimate connections to the city like Billy Joel, Lin-Manuel Miranda, Debbie Harry, Shinehead, and the Wu-Tang Clan, as well as an exclusive interview with RENT original cast member, Anthony Rapp. The collection includes essays from authors across the disciplines of cultural studies, media studies, cultural history, and musicology, resulting in a far-ranging treatment of the interconnection of the city space and its musical history.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789389906"><em>From Broadway to the Bronx: New York City’s History through Song</em></a> (Intellect, 2024) tells the history of New York City in song across a variety of different genres that the city has been home to and instrumental in developing, covering everything from early twentieth-century sheet music to Broadway’s musical theater, hip-hop, disco, punk, dancehall, but also contemporary metal, rock, and pop. It features an analysis of the work of artists with intimate connections to the city like Billy Joel, Lin-Manuel Miranda, Debbie Harry, Shinehead, and the Wu-Tang Clan, as well as an exclusive interview with <em>RENT</em> original cast member, Anthony Rapp. The collection includes essays from authors across the disciplines of cultural studies, media studies, cultural history, and musicology, resulting in a far-ranging treatment of the interconnection of the city space and its musical history.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3280</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f48167b6-a9d5-11ef-bb08-c311939d965f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1092823530.mp3?updated=1732392536" length="0" type="audio/mpeg"/>
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      <title>Travis A. Weisse, "Health Freaks: America's Diet Champions and the Specter of Chronic Illness" (UNC Press, 2024)</title>
      <description>In Health Freaks: America's Diet Champions and the Specter of Chronic Illness (University of North Carolina Press, 2024) Dr. Travis A. Weisse tells a new history of modern diets in America that goes beyond the familiar narrative of the nation's collective failure to lose weight. By exploring how the popularity of diets grew alongside patients' frustrations with the limitations and failures of the American healthcare system in the face of chronic disease, Weisse argues that millions of Americans sought "fad" diets—such as the notorious Atkins program which ushered in the low-carbohydrate craze—to wrest control of their health from pessimistic doctors and lifelong pharmaceutical regimens.
Drawing on novel archival sources and a wide variety of popular media, Dr. Weisse shows the lengths to which twentieth-century American dieters went to heal themselves outside the borders of orthodox medicine and the subsequent political and scientific backlash they received. Through colorful profiles of the leaders of four major diet movements, Health Freaks demonstrates that these diet gurus weren't shady snake oil salesmen preying on the vulnerable; rather, they were vocal champions for millions of frustrated Americans seeking longer, healthier lives.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 23 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1503</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Travis A. Weisse</itunes:subtitle>
      <itunes:summary>In Health Freaks: America's Diet Champions and the Specter of Chronic Illness (University of North Carolina Press, 2024) Dr. Travis A. Weisse tells a new history of modern diets in America that goes beyond the familiar narrative of the nation's collective failure to lose weight. By exploring how the popularity of diets grew alongside patients' frustrations with the limitations and failures of the American healthcare system in the face of chronic disease, Weisse argues that millions of Americans sought "fad" diets—such as the notorious Atkins program which ushered in the low-carbohydrate craze—to wrest control of their health from pessimistic doctors and lifelong pharmaceutical regimens.
Drawing on novel archival sources and a wide variety of popular media, Dr. Weisse shows the lengths to which twentieth-century American dieters went to heal themselves outside the borders of orthodox medicine and the subsequent political and scientific backlash they received. Through colorful profiles of the leaders of four major diet movements, Health Freaks demonstrates that these diet gurus weren't shady snake oil salesmen preying on the vulnerable; rather, they were vocal champions for millions of frustrated Americans seeking longer, healthier lives.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781682831755"><em>Health Freaks: America's Diet Champions and the Specter of Chronic Illness</em></a> (University of North Carolina Press, 2024) Dr. Travis A. Weisse tells a new history of modern diets in America that goes beyond the familiar narrative of the nation's collective failure to lose weight. By exploring how the popularity of diets grew alongside patients' frustrations with the limitations and failures of the American healthcare system in the face of chronic disease, Weisse argues that millions of Americans sought "fad" diets—such as the notorious Atkins program which ushered in the low-carbohydrate craze—to wrest control of their health from pessimistic doctors and lifelong pharmaceutical regimens.</p><p>Drawing on novel archival sources and a wide variety of popular media, Dr. Weisse shows the lengths to which twentieth-century American dieters went to heal themselves outside the borders of orthodox medicine and the subsequent political and scientific backlash they received. Through colorful profiles of the leaders of four major diet movements, <em>Health Freaks</em> demonstrates that these diet gurus weren't shady snake oil salesmen preying on the vulnerable; rather, they were vocal champions for millions of frustrated Americans seeking longer, healthier lives.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3069</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4324280c-a8ed-11ef-bbc4-8b24038ee07a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8894933199.mp3?updated=1732214609" length="0" type="audio/mpeg"/>
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      <title>Mimi Okabe, "Manga, Murder and Mystery: The Boy Detectives of Japan’s Lost Generation" (Bloomsbury, 2023)</title>
      <description>Little is known about the boy detective in Japanese detective fiction despite his popularity. Who is he, and what mysteries does he unveil about cultural understandings of youth in Japanese society?
Manga, Murder and Mystery: The Boy Detectives of Japan’s Lost Generation (Bloomsbury, 2023) answers these questions by exploring the figure of the shonen (boy) detective in commercially successful manga series such as Detective Conan, The Case Files of Young Kindaichi, Death Note and Moriarty the Patriot. The book explores how these popular works tackle the crisis of young adult culture within the socioeconomic climate of Japan's 'lost decade' and Heisei era, broadly speaking. Mimi Okabe shows how detective manga materialized in a nation undergoing a state of crisis and how the boy detective emerged as a site of national trauma to address perceived youth problems but in thematically different ways.
Mimi Okabe is an assistant professor of Japanese Language, Literature and Culture at Baruch College.
Amanda Kennell is an Assistant Professor at the University of Notre Dame. Her first book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (2023), is out now.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 22 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mimi Okabe</itunes:subtitle>
      <itunes:summary>Little is known about the boy detective in Japanese detective fiction despite his popularity. Who is he, and what mysteries does he unveil about cultural understandings of youth in Japanese society?
Manga, Murder and Mystery: The Boy Detectives of Japan’s Lost Generation (Bloomsbury, 2023) answers these questions by exploring the figure of the shonen (boy) detective in commercially successful manga series such as Detective Conan, The Case Files of Young Kindaichi, Death Note and Moriarty the Patriot. The book explores how these popular works tackle the crisis of young adult culture within the socioeconomic climate of Japan's 'lost decade' and Heisei era, broadly speaking. Mimi Okabe shows how detective manga materialized in a nation undergoing a state of crisis and how the boy detective emerged as a site of national trauma to address perceived youth problems but in thematically different ways.
Mimi Okabe is an assistant professor of Japanese Language, Literature and Culture at Baruch College.
Amanda Kennell is an Assistant Professor at the University of Notre Dame. Her first book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (2023), is out now.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Little is known about the boy detective in Japanese detective fiction despite his popularity. Who is he, and what mysteries does he unveil about cultural understandings of youth in Japanese society?</p><p><a href="https://bookshop.org/a/12343/9781350325098"><em>Manga, Murder and Mystery: The Boy Detectives of Japan’s Lost Generation</em></a> (Bloomsbury, 2023) answers these questions by exploring the figure of the shonen (boy) detective in commercially successful manga series such as <em>Detective Conan</em>, <em>The Case Files of Young Kindaichi</em>, <em>Death Note</em> and<em> Moriarty the Patriot</em>. The book explores how these popular works tackle the crisis of young adult culture within the socioeconomic climate of Japan's 'lost decade' and Heisei era, broadly speaking. Mimi Okabe shows how detective manga materialized in a nation undergoing a state of crisis and how the boy detective emerged as a site of national trauma to address perceived youth problems but in thematically different ways.</p><p><a href="https://www.baruch.cuny.edu/profiles/faculty/Tsugumi-Okabe"><em>Mimi Okabe</em></a><em> is an assistant professor of Japanese Language, Literature and Culture at Baruch College.</em></p><p><a href="http://amandakennell.net/"><em>Amanda Kennell</em></a><em> is an Assistant Professor at the University of Notre Dame. Her first book, </em><a href="https://uhpress.hawaii.edu/title/alice-in-japanese-wonderlands-translation-adaptation-mediation/">Alice in Japanese Wonderlands: Translation, Adaptation, Mediation</a><em> (2023), is out now.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1402</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3d7c027c-a842-11ef-8131-b349ac279131]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3590731598.mp3?updated=1732219293" length="0" type="audio/mpeg"/>
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    <item>
      <title>Shalini Kakar, "Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond" (Rowman and Littlefield, 2023)</title>
      <description>Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.”
For more information, go here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>364</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shalini Kakar</itunes:subtitle>
      <itunes:summary>Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.”
For more information, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://rowman.com/ISBN/9781793646279/Devotional-Fanscapes-Bollywood-Star-Deities-Devotee-Fans-and-Cultural-Politics-in-India-and-Beyond"><em>Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond</em> </a>(Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-<em>bhakti</em>) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-<em>bhakti </em>is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.”</p><p>For more information, go <a href="https://sacredfandom.squarespace.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2695</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c2e06440-8d70-11ef-bce2-53e1ff3b84cd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8173202664.mp3?updated=1729270814" length="0" type="audio/mpeg"/>
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    <item>
      <title>Peter Singer, "Consider the Turkey" (Princeton UP, 2024)</title>
      <description>A turkey is the centerpiece of countless Thanksgiving and Christmas dinners. Yet most of us know almost nothing about today’s specially bred, commercially produced birds. In this brief book, bestselling author Peter Singer tells their story—and, unfortunately, it’s not a happy one. Along the way, he also offers a brief history of the turkey and its consumption, ridicules the annual U.S. presidential “pardon” of a Thanksgiving turkey, and introduces us to “a tremendously handsome, outgoing, and intelligent turkey” named Cornelius. Above all, Singer explains how we can improve our holiday tables—for turkeys, people, and the planet—by liberating ourselves from the traditional turkey feast. In its place, he encourages us to consider trying a vegetarian alternative—or just serving the side dishes that many people already enjoy far more than turkey. Complete with some delicious recipes for turkey-free holiday feasting, Consider the Turkey (Princeton University Press, 2024) will make you reconsider what you serve for your next holiday meal—or even tomorrow’s dinner.
Peter Singer is a professor of bioethics, with a background in philosophy. He works mostly in practical ethics and is best known for Animal Liberation and for his writings about global poverty.
Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Singer</itunes:subtitle>
      <itunes:summary>A turkey is the centerpiece of countless Thanksgiving and Christmas dinners. Yet most of us know almost nothing about today’s specially bred, commercially produced birds. In this brief book, bestselling author Peter Singer tells their story—and, unfortunately, it’s not a happy one. Along the way, he also offers a brief history of the turkey and its consumption, ridicules the annual U.S. presidential “pardon” of a Thanksgiving turkey, and introduces us to “a tremendously handsome, outgoing, and intelligent turkey” named Cornelius. Above all, Singer explains how we can improve our holiday tables—for turkeys, people, and the planet—by liberating ourselves from the traditional turkey feast. In its place, he encourages us to consider trying a vegetarian alternative—or just serving the side dishes that many people already enjoy far more than turkey. Complete with some delicious recipes for turkey-free holiday feasting, Consider the Turkey (Princeton University Press, 2024) will make you reconsider what you serve for your next holiday meal—or even tomorrow’s dinner.
Peter Singer is a professor of bioethics, with a background in philosophy. He works mostly in practical ethics and is best known for Animal Liberation and for his writings about global poverty.
Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A turkey is the centerpiece of countless Thanksgiving and Christmas dinners. Yet most of us know almost nothing about today’s specially bred, commercially produced birds. In this brief book, bestselling author Peter Singer tells their story—and, unfortunately, it’s not a happy one. Along the way, he also offers a brief history of the turkey and its consumption, ridicules the annual U.S. presidential “pardon” of a Thanksgiving turkey, and introduces us to “a tremendously handsome, outgoing, and intelligent turkey” named Cornelius. Above all, Singer explains how we can improve our holiday tables—for turkeys, people, and the planet—by liberating ourselves from the traditional turkey feast. In its place, he encourages us to consider trying a vegetarian alternative—or just serving the side dishes that many people already enjoy far more than turkey. Complete with some delicious recipes for turkey-free holiday feasting, <a href="https://bookshop.org/a/12343/9780691231686"><em>Consider the Turkey</em></a> (Princeton University Press, 2024) will make you reconsider what you serve for your next holiday meal—or even tomorrow’s dinner.</p><p><a href="https://www.petersinger.info/">Peter Singer</a> is a professor of bioethics, with a background in philosophy. He works mostly in practical ethics and is best known for <em>Animal Liberation</em> and for his writings about global poverty.</p><p><a href="https://sites.google.com/view/kyle-johannsen/">Kyle Johannsen</a> is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is <em>Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering</em> (Routledge, 2021).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2713</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3e004dd2-a6af-11ef-9383-73cd112d78fa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8231121792.mp3?updated=1732118806" length="0" type="audio/mpeg"/>
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    <item>
      <title>Vivian Asimos, "Cosplay and the Dressing of Identity" (Reaktion, 2024)</title>
      <description>Cosplay, born from the fusion of ‘costume’ and ‘play’, transcends mere dress-up by transforming enthusiasts of TV shows, movies, books or video games into living embodiments of their cherished characters. Cosplay and the Dressing of Identity (Reaktion, 2024) by Dr. Vivian Asimos is a close exploration of the vibrant world of cosplay, showing what makes it so captivating for so many.
The book frames cosplay as an enactment and embodiment of mythology, revealing its inherent complexity, and providing valuable insight into cosplayers’ experiences. Exploring cosplay performances, the skills involved and its community, the book shows how cosplayers build a strong connection to the characters and stories they treasure, and ultimately how they are constructing their own identities.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 20 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>202</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vivian Asimos</itunes:subtitle>
      <itunes:summary>Cosplay, born from the fusion of ‘costume’ and ‘play’, transcends mere dress-up by transforming enthusiasts of TV shows, movies, books or video games into living embodiments of their cherished characters. Cosplay and the Dressing of Identity (Reaktion, 2024) by Dr. Vivian Asimos is a close exploration of the vibrant world of cosplay, showing what makes it so captivating for so many.
The book frames cosplay as an enactment and embodiment of mythology, revealing its inherent complexity, and providing valuable insight into cosplayers’ experiences. Exploring cosplay performances, the skills involved and its community, the book shows how cosplayers build a strong connection to the characters and stories they treasure, and ultimately how they are constructing their own identities.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cosplay, born from the fusion of ‘costume’ and ‘play’, transcends mere dress-up by transforming enthusiasts of TV shows, movies, books or video games into living embodiments of their cherished characters. <a href="https://bookshop.org/a/12343/9781789149296"><em>Cosplay and the Dressing of Identity</em></a> (Reaktion, 2024) by Dr. Vivian Asimos is a close exploration of the vibrant world of cosplay, showing what makes it so captivating for so many.</p><p>The book frames cosplay as an enactment and embodiment of mythology, revealing its inherent complexity, and providing valuable insight into cosplayers’ experiences. Exploring cosplay performances, the skills involved and its community, the book shows how cosplayers build a strong connection to the characters and stories they treasure, and ultimately how they are constructing their own identities.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2954</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c63b851c-a511-11ef-a4af-bb302fd913ec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5671814914.mp3?updated=1731869031" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Benjamin Barson, "Brassroots Democracy: Maroon Ecologies and the Jazz Commons" (Wesleyan UP, 2024)</title>
      <description>Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation.
Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today
BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>258</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Benjamin Barson</itunes:subtitle>
      <itunes:summary>Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation.
Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today
BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780819501127"><em>Brassroots Democracy: Maroon Ecologies and the Jazz Commons</em></a> (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation.</p><p><em>Brassroots Democracy</em> demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. <em>Brassroots Democracy</em> illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today</p><p>BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in <em>Black Power Afterlives: The Enduring Significance of the Black Panther Party</em> (2020), <em>Routledge Handbook on Jazz and Gender</em> (2021) and <em>Routledge Guide to Ecosocialism</em> (2021).</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3884</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[37ef1bdc-a4fa-11ef-83d0-0f0a4b0e89be]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1278391671.mp3?updated=1731858440" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anthony Kwame Harrison on Cassette Tapes and Hip Hop Culture</title>
      <description>Peoples &amp; Things host, Lee Vinsel, talks with Kwame Harrison, Alumni Distinguished Professor and Professor of Sociology at Virginia Tech. Harrison records and performs under the moniker “Mad Squirrel” and has co-founded two groups—the San-Francisco-based Forest Fires Collective and Washington DC’s The Acorns—as well as releasing various solo projects.
Harrison is the author of Hip Hop Underground: The Integrity and Ethics of Racial Identification (Temple UP, 2009).
Song credits from this episode:

Murs/ F'Real/ Say Anything/ 1997

Zagu Brown/Dont Believe It/ Projects/1996

Top Ramen/ Hardly Celebrity: Pimp Shit/Freestyle/2000

FundaMentals/The Pattern Fall Wars/Falling Down/1996

Jun Dax/ Spills/2000AD—Two Zero/2000

Mad Squirrel/ Pinko/Triple A/2002

Salty Brown/ Salty Brown Is A Seasoned Vet/Salty Brown/2012

Salty Brown/ Salty Brown Is A Seasoned Vet/O.W.M./2012

Mad Squirrel/Last Days of Squirrel/Initiative—Intro/2021


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Peoples &amp; Things host, Lee Vinsel, talks with Kwame Harrison, Alumni Distinguished Professor and Professor of Sociology at Virginia Tech. Harrison records and performs under the moniker “Mad Squirrel” and has co-founded two groups—the San-Francisco-based Forest Fires Collective and Washington DC’s The Acorns—as well as releasing various solo projects.
Harrison is the author of Hip Hop Underground: The Integrity and Ethics of Racial Identification (Temple UP, 2009).
Song credits from this episode:

Murs/ F'Real/ Say Anything/ 1997

Zagu Brown/Dont Believe It/ Projects/1996

Top Ramen/ Hardly Celebrity: Pimp Shit/Freestyle/2000

FundaMentals/The Pattern Fall Wars/Falling Down/1996

Jun Dax/ Spills/2000AD—Two Zero/2000

Mad Squirrel/ Pinko/Triple A/2002

Salty Brown/ Salty Brown Is A Seasoned Vet/Salty Brown/2012

Salty Brown/ Salty Brown Is A Seasoned Vet/O.W.M./2012

Mad Squirrel/Last Days of Squirrel/Initiative—Intro/2021


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Peoples &amp; Things host, Lee Vinsel, talks with Kwame Harrison, Alumni Distinguished Professor and Professor of Sociology at Virginia Tech. Harrison records and performs under the moniker “Mad Squirrel” and has co-founded two groups—the San-Francisco-based Forest Fires Collective and Washington DC’s The Acorns—as well as releasing various solo projects.</p><p>Harrison is the author of <a href="https://bookshop.org/a/12343/9781439900611"><em>Hip Hop Underground: The Integrity and Ethics of Racial Identification</em> </a>(Temple UP, 2009).</p><p>Song credits from this episode:</p><ol>
<li>Murs/ F'Real/ Say Anything/ 1997</li>
<li>Zagu Brown/Dont Believe It/ Projects/1996</li>
<li>Top Ramen/ Hardly Celebrity: Pimp Shit/Freestyle/2000</li>
<li>FundaMentals/The Pattern Fall Wars/Falling Down/1996</li>
<li>Jun Dax/ Spills/2000AD—Two Zero/2000</li>
<li>Mad Squirrel/ Pinko/Triple A/2002</li>
<li>Salty Brown/ Salty Brown Is A Seasoned Vet/Salty Brown/2012</li>
<li>Salty Brown/ Salty Brown Is A Seasoned Vet/O.W.M./2012</li>
<li>Mad Squirrel/Last Days of Squirrel/Initiative—Intro/2021</li>
</ol><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6992</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[28caf47e-a5c6-11ef-9d87-7fbd85830dad]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3635957500.mp3?updated=1731945775" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Connie DeNave, "The Image Maker: Shattering Rock and Roll's Glass" (2023)</title>
      <description>In The Image Maker: Shattering Rock and Roll's Glass Ceiling (2023), Connie DeNave shares her experiences in the public relations world during the British Invasion and the beginning of rock-n-roll marketing. Born in Brooklyn, New York, DeNave graduated from Hunter College and found herself with no job skills. Throughout the mid-1950s to the 1980s, DeNave was rock and roll's first female press agent powerhouse. She revolutionized the public relations business at a time when it was an old boys' club. And she did this all with her—previously unheard of—all female staff. She crashed through the glass ceiling of the music business and represented some of the most influential and popular artists of their time. Her portfolio includes The Rolling Stones, Faces, Herman's Hermits, Dick Clark, Chubby Checker, Nat King Cole, Bobby Darin, and Dusty Springfield. DeNave's memoir examines what it meant to be a women in business at a time when women couldn't even get a credit card. She shares her experiences in the entertainment business and the importance of press agents and public relations in creating a star. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>201</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Connie DeNave</itunes:subtitle>
      <itunes:summary>In The Image Maker: Shattering Rock and Roll's Glass Ceiling (2023), Connie DeNave shares her experiences in the public relations world during the British Invasion and the beginning of rock-n-roll marketing. Born in Brooklyn, New York, DeNave graduated from Hunter College and found herself with no job skills. Throughout the mid-1950s to the 1980s, DeNave was rock and roll's first female press agent powerhouse. She revolutionized the public relations business at a time when it was an old boys' club. And she did this all with her—previously unheard of—all female staff. She crashed through the glass ceiling of the music business and represented some of the most influential and popular artists of their time. Her portfolio includes The Rolling Stones, Faces, Herman's Hermits, Dick Clark, Chubby Checker, Nat King Cole, Bobby Darin, and Dusty Springfield. DeNave's memoir examines what it meant to be a women in business at a time when women couldn't even get a credit card. She shares her experiences in the entertainment business and the importance of press agents and public relations in creating a star. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Image-Maker-Shattering-Rolls-Ceiling/dp/B0CMDF3Y7M"><em>The Image Maker: Shattering Rock and Roll's Glass Ceiling</em></a><em> </em>(2023), Connie DeNave shares her experiences in the public relations world during the British Invasion and the beginning of rock-n-roll marketing. Born in Brooklyn, New York, DeNave graduated from Hunter College and found herself with no job skills. Throughout the mid-1950s to the 1980s, DeNave was rock and roll's first female press agent powerhouse. She revolutionized the public relations business at a time when it was an old boys' club. And she did this all with her—previously unheard of—all female staff. She crashed through the glass ceiling of the music business and represented some of the most influential and popular artists of their time. Her portfolio includes The Rolling Stones, Faces, Herman's Hermits, Dick Clark, Chubby Checker, Nat King Cole, Bobby Darin, and Dusty Springfield. DeNave's memoir examines what it meant to be a women in business at a time when women couldn't even get a credit card. She shares her experiences in the entertainment business and the importance of press agents and public relations in creating a star. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3135</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2936ffa6-a455-11ef-9260-3f9d4018acc2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2148780742.mp3?updated=1731788012" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karen M. Dunak, "Our Jackie: Public Claims on a Private Life" (NYU Press, 2024)</title>
      <description>When Jacqueline Kennedy Onassis became First Lady of the United States over sixty years ago, she stepped into the public spotlight. Although Jackie is perhaps best known for her two highly-publicized marriages, her legacy has endured beyond twentieth-century pop culture and she remains an object of public fascination today.
Drawing on a range of sources– from articles penned for the women’s pages of local newspapers, to esteemed national periodicals, to fan magazines and film– Our Jackie: Public Claims on a Private Life (NYU Press, 2024) evaluates how media coverage of Jacqueline Kennedy Onassis changed over the course of her very public life. Jackie’s interactions with and framing by the American media reflect the changing attitudes toward American womanhood. Over the course of four decades, Jackie was alternatively praised for her service to others, and pilloried for her perceived self-interest. In Our Jackie, Karen M. Dunak argues that whether she was portrayed as a campaign wife, a loyal widow, a selfish jetsetter, or a mature career woman, the history of Jackie’s highly publicized life demonstrates the ways in which news, entertainment, politics, and celebrity evolved and intertwined over the second half of the twentieth century.
Examining the intimate chronicles of this famous First Lady’s life, Our Jackie suggests that media coverage of this enigmatic public figure revealed as much about the prevailing views of women in America– how they should behave and whom they should serve– as it did about Jacqueline Kennedy Onassis as an individual.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 17 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>104</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karen M. Dunak</itunes:subtitle>
      <itunes:summary>When Jacqueline Kennedy Onassis became First Lady of the United States over sixty years ago, she stepped into the public spotlight. Although Jackie is perhaps best known for her two highly-publicized marriages, her legacy has endured beyond twentieth-century pop culture and she remains an object of public fascination today.
Drawing on a range of sources– from articles penned for the women’s pages of local newspapers, to esteemed national periodicals, to fan magazines and film– Our Jackie: Public Claims on a Private Life (NYU Press, 2024) evaluates how media coverage of Jacqueline Kennedy Onassis changed over the course of her very public life. Jackie’s interactions with and framing by the American media reflect the changing attitudes toward American womanhood. Over the course of four decades, Jackie was alternatively praised for her service to others, and pilloried for her perceived self-interest. In Our Jackie, Karen M. Dunak argues that whether she was portrayed as a campaign wife, a loyal widow, a selfish jetsetter, or a mature career woman, the history of Jackie’s highly publicized life demonstrates the ways in which news, entertainment, politics, and celebrity evolved and intertwined over the second half of the twentieth century.
Examining the intimate chronicles of this famous First Lady’s life, Our Jackie suggests that media coverage of this enigmatic public figure revealed as much about the prevailing views of women in America– how they should behave and whom they should serve– as it did about Jacqueline Kennedy Onassis as an individual.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When Jacqueline Kennedy Onassis became First Lady of the United States over sixty years ago, she stepped into the public spotlight. Although Jackie is perhaps best known for her two highly-publicized marriages, her legacy has endured beyond twentieth-century pop culture and she remains an object of public fascination today.</p><p>Drawing on a range of sources– from articles penned for the women’s pages of local newspapers, to esteemed national periodicals, to fan magazines and film– <a href="https://bookshop.org/a/12343/9781479830565"><em>Our Jackie: Public Claims on a Private Life</em></a><em> </em>(NYU Press, 2024) evaluates how media coverage of Jacqueline Kennedy Onassis changed over the course of her very public life. Jackie’s interactions with and framing by the American media reflect the changing attitudes toward American womanhood. Over the course of four decades, Jackie was alternatively praised for her service to others, and pilloried for her perceived self-interest. In <em>Our Jackie</em>, Karen M. Dunak argues that whether she was portrayed as a campaign wife, a loyal widow, a selfish jetsetter, or a mature career woman, the history of Jackie’s highly publicized life demonstrates the ways in which news, entertainment, politics, and celebrity evolved and intertwined over the second half of the twentieth century.</p><p>Examining the intimate chronicles of this famous First Lady’s life, <em>Our Jackie</em> suggests that media coverage of this enigmatic public figure revealed as much about the prevailing views of women in America– how they should behave and whom they should serve– as it did about Jacqueline Kennedy Onassis as an individual.</p><p><a href="https://www.janescimeca.com/"><em>Jane Scimeca</em></a><em> is Professor of History at Brookdale Community College. @JaneScimeca1</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2159</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af9e404c-a43f-11ef-92b5-13e5504308d9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1037345859.mp3?updated=1731778593" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erin Lee Mock, "Changed Men: Veterans in American Popular Culture after World War II" (U Virginia Press, 2024)</title>
      <description>Millions of GIs returned from overseas in 1945. A generation of men who had left their families and had learned to kill and to quickly dispatch sexual urges were rapidly reintegrated into civilian life, told to put the war behind them with cheer and confidence. Many veterans struggled, openly or privately, with this transition. Others in society wondered what the war had wrought in them. As Erin Lee Mock shows in this insightful book, the “explosive” potential of men became a central concern of postwar American culture.
This wariness of veterans settled into a generalised anxiety over men’s “inherent” violence and hypersexuality, which increasingly came to define masculinity. Changed Men: Veterans in American Popular Culture after World War II (University of Virginia Press, 2024) by Dr. Erin Lee Mock engages with studies of film, media, literature, and gender and sexuality to advance a new perspective on the artistic and cultural output of and about the “Greatest Generation,” arguing that depictions of men’s violent and erotic potential emerged differently in different forms and genres but nonetheless permeated American culture in these years. Viewing this homecoming through the lenses of war and trauma, classical Hollywood, pulp fiction, periodical culture, and early television, Dr. Mock shows this history in a provocative new light.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 16 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1498</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erin Lee Mock</itunes:subtitle>
      <itunes:summary>Millions of GIs returned from overseas in 1945. A generation of men who had left their families and had learned to kill and to quickly dispatch sexual urges were rapidly reintegrated into civilian life, told to put the war behind them with cheer and confidence. Many veterans struggled, openly or privately, with this transition. Others in society wondered what the war had wrought in them. As Erin Lee Mock shows in this insightful book, the “explosive” potential of men became a central concern of postwar American culture.
This wariness of veterans settled into a generalised anxiety over men’s “inherent” violence and hypersexuality, which increasingly came to define masculinity. Changed Men: Veterans in American Popular Culture after World War II (University of Virginia Press, 2024) by Dr. Erin Lee Mock engages with studies of film, media, literature, and gender and sexuality to advance a new perspective on the artistic and cultural output of and about the “Greatest Generation,” arguing that depictions of men’s violent and erotic potential emerged differently in different forms and genres but nonetheless permeated American culture in these years. Viewing this homecoming through the lenses of war and trauma, classical Hollywood, pulp fiction, periodical culture, and early television, Dr. Mock shows this history in a provocative new light.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Millions of GIs returned from overseas in 1945. A generation of men who had left their families and had learned to kill and to quickly dispatch sexual urges were rapidly reintegrated into civilian life, told to put the war behind them with cheer and confidence. Many veterans struggled, openly or privately, with this transition. Others in society wondered what the war had wrought in them. As Erin Lee Mock shows in this insightful book, the “explosive” potential of men became a central concern of postwar American culture.</p><p>This wariness of veterans settled into a generalised anxiety over men’s “inherent” violence and hypersexuality, which increasingly came to define masculinity. <a href="https://bookshop.org/a/12343/9780813950952"><em>Changed Men: Veterans in American Popular Culture after World War II</em></a> (University of Virginia Press, 2024) by Dr. Erin Lee Mock engages with studies of film, media, literature, and gender and sexuality to advance a new perspective on the artistic and cultural output of and about the “Greatest Generation,” arguing that depictions of men’s violent and erotic potential emerged differently in different forms and genres but nonetheless permeated American culture in these years. Viewing this homecoming through the lenses of war and trauma, classical Hollywood, pulp fiction, periodical culture, and early television, Dr. Mock shows this history in a provocative new light.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK4445326191.mp3?updated=1731692975" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elsie Walker, "Life 24x a Second: Cinema, Selfhood, and Society" (Oxford UP, 2023)</title>
      <description>Life 24x a Second: Cinema, Selfhood, and Society (Oxford UP, 2023) highlights the life-sustaining and life-affirming power of cinema. Author Elsie Walker pays particular attention to pedagogical practice and students' reflections on what the study of cinema has given to their lives. This book provides multiple perspectives on cinema that matters for the deepest personal and social reasons-from films that represent psychological healing in the face of individual losses to films that represent humanitarian hope in the face of global crises. Ultimately, Walker shows how cinema that moves us emotionally can move us toward a better world.

Life 24x a Second makes the case for cinema as a life force in uplifting and widely relatable ways. Walker zeroes in on films that offer hope in relation to the Black Lives Matter movement (Imitation of Life, 1959, and BlacKkKlansman, 2018); contemporary feminism (Nobody Knows, 2004); rite-of-passage experiences of mortality and mourning (Ikiru, 1952, and A Star Is Born, 2018), and first-love grief (Call Me by Your Name, 2017, and Portrait of a Lady on Fire, 2019). Life 24x a Second invites readers to reflect on their own unique film-to-person encounters along with connecting them to others who love cinematic lessons for living well.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 14 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>214</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elsie Walker</itunes:subtitle>
      <itunes:summary>Life 24x a Second: Cinema, Selfhood, and Society (Oxford UP, 2023) highlights the life-sustaining and life-affirming power of cinema. Author Elsie Walker pays particular attention to pedagogical practice and students' reflections on what the study of cinema has given to their lives. This book provides multiple perspectives on cinema that matters for the deepest personal and social reasons-from films that represent psychological healing in the face of individual losses to films that represent humanitarian hope in the face of global crises. Ultimately, Walker shows how cinema that moves us emotionally can move us toward a better world.

Life 24x a Second makes the case for cinema as a life force in uplifting and widely relatable ways. Walker zeroes in on films that offer hope in relation to the Black Lives Matter movement (Imitation of Life, 1959, and BlacKkKlansman, 2018); contemporary feminism (Nobody Knows, 2004); rite-of-passage experiences of mortality and mourning (Ikiru, 1952, and A Star Is Born, 2018), and first-love grief (Call Me by Your Name, 2017, and Portrait of a Lady on Fire, 2019). Life 24x a Second invites readers to reflect on their own unique film-to-person encounters along with connecting them to others who love cinematic lessons for living well.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780197600924"><em>Life 24x a Second: Cinema, Selfhood, and Society</em></a><em> </em>(Oxford UP, 2023)<em> </em>highlights the life-sustaining and life-affirming power of cinema. Author Elsie Walker pays particular attention to pedagogical practice and students' reflections on what the study of cinema has given to their lives. This book provides multiple perspectives on cinema that matters for the deepest personal and social reasons-from films that represent psychological healing in the face of individual losses to films that represent humanitarian hope in the face of global crises. Ultimately, Walker shows how cinema that moves us emotionally can move us toward a better world.</p><p><br></p><p><em>Life 24x a Second </em>makes the case for cinema as a life force in uplifting and widely relatable ways. Walker zeroes in on films that offer hope in relation to the Black Lives Matter movement (<em>Imitation of Life,</em> 1959, and <em>BlacKkKlansman</em>, 2018); contemporary feminism (<em>Nobody Knows</em>, 2004); rite-of-passage experiences of mortality and mourning <em>(Ikiru</em>, 1952, and <em>A Star Is Born</em>, 2018), and first-love grief (<em>Call Me by Your Name</em>, 2017, and <em>Portrait of a Lady on Fire</em>, 2019). <em>Life 24x a Second</em> invites readers to reflect on their own unique film-to-person encounters along with connecting them to others who love cinematic lessons for living well.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3763</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[adf91f20-a203-11ef-90d4-87d04cf6aff2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8120543214.mp3?updated=1731445056" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Shoemaker, "Wisecracks: Humor and Morality in Everyday Life" (U Chicago Press, 2024)</title>
      <description>What good is a good sense of humour especially when the humour may be ethically questionable? Although humour seems a valuable part of a good conversation and indeed a good life, jokes have never seemed more morally problematic than they do now. How can we then evaluate quips, gibes, pranks, teasing, light mockery, sarcasm when they can all too often be mean, deceitful, disrespectful, humiliating, cruel? And how is a moral philosopher to evaluate such dilemmas without taking himself and morality too seriously or too lightly? 
In Wisecracks: Humor and Morality in Everyday Life (University of Chicago Press, 2024), David W. Shoemaker considers the interplay between humor and morality. With wit and evident joy, Shoemaker considers how "wisecracks" between family and friends are of ethical value despite how morally suspect they may appear. In arguing for the moral status of a wisecrack or a joke as partly resting on the wisecracker's intentions and motives, Shoemaker goes on to show just how complicated and sometimes unwarranted the moral complaints against humor are, despite what many may think. Wisecracks may remain, at the book's end, far from benign or an unalloyed good, but unlike in Plato's ideal republic, Shoemaker is convinced we need to keep them coming. 
Damian Maher is a fellow by examination at All Souls College, University of Oxford.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 13 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Shoemaker</itunes:subtitle>
      <itunes:summary>What good is a good sense of humour especially when the humour may be ethically questionable? Although humour seems a valuable part of a good conversation and indeed a good life, jokes have never seemed more morally problematic than they do now. How can we then evaluate quips, gibes, pranks, teasing, light mockery, sarcasm when they can all too often be mean, deceitful, disrespectful, humiliating, cruel? And how is a moral philosopher to evaluate such dilemmas without taking himself and morality too seriously or too lightly? 
In Wisecracks: Humor and Morality in Everyday Life (University of Chicago Press, 2024), David W. Shoemaker considers the interplay between humor and morality. With wit and evident joy, Shoemaker considers how "wisecracks" between family and friends are of ethical value despite how morally suspect they may appear. In arguing for the moral status of a wisecrack or a joke as partly resting on the wisecracker's intentions and motives, Shoemaker goes on to show just how complicated and sometimes unwarranted the moral complaints against humor are, despite what many may think. Wisecracks may remain, at the book's end, far from benign or an unalloyed good, but unlike in Plato's ideal republic, Shoemaker is convinced we need to keep them coming. 
Damian Maher is a fellow by examination at All Souls College, University of Oxford.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What good is a good sense of humour especially when the humour may be ethically questionable? Although humour seems a valuable part of a good conversation and indeed a good life, jokes have never seemed more morally problematic than they do now. How can we then evaluate quips, gibes, pranks, teasing, light mockery, sarcasm when they can all too often be mean, deceitful, disrespectful, humiliating, cruel? And how is a moral philosopher to evaluate such dilemmas without taking himself and morality too seriously or too lightly? </p><p>In <a href="https://bookshop.org/a/12343/9780226832968"><em>Wisecracks: Humor and Morality in Everyday Life</em></a> (University of Chicago Press, 2024), David W. Shoemaker considers the interplay between humor and morality. With wit and evident joy, Shoemaker considers how "wisecracks" between family and friends are of ethical value despite how morally suspect they may appear. In arguing for the moral status of a wisecrack or a joke as partly resting on the wisecracker's intentions and motives, Shoemaker goes on to show just how complicated and sometimes unwarranted the moral complaints against humor are, despite what many may think. Wisecracks may remain, at the book's end, far from benign or an unalloyed good, but unlike in Plato's ideal republic, Shoemaker is convinced we need to keep them coming. </p><p>Damian Maher is a fellow by examination at All Souls College, University of Oxford.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3117</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sarah Cleary, "The Myth of Harm: Horror, Censorship and the Child" (Bloomsbury, 2022)</title>
      <description>The horror genre has endured a long and controversial success within popular culture. Fraught with accusations pertaining to its alleged ability to harm and corrupt young people and indeed society as a whole, the genre is constantly under pressure to suppress that which has made it so popular to begin with - its ability to frighten and generate discussion about society's darker side. 
In The Myth of Harm: Horror, Censorship and the Child (Bloomsbury, 2022), Dr. Sarah Cleary analyses controversies, myths, and falsehoods surrounding the genre of horror. Focusing on five major controversies, the text examines how horror media has become a scapegoat for political and social issues, platforms for “moral entrepreneurs” and tools of hyperbole for the news industry.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>219</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Cleary</itunes:subtitle>
      <itunes:summary>The horror genre has endured a long and controversial success within popular culture. Fraught with accusations pertaining to its alleged ability to harm and corrupt young people and indeed society as a whole, the genre is constantly under pressure to suppress that which has made it so popular to begin with - its ability to frighten and generate discussion about society's darker side. 
In The Myth of Harm: Horror, Censorship and the Child (Bloomsbury, 2022), Dr. Sarah Cleary analyses controversies, myths, and falsehoods surrounding the genre of horror. Focusing on five major controversies, the text examines how horror media has become a scapegoat for political and social issues, platforms for “moral entrepreneurs” and tools of hyperbole for the news industry.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The horror genre has endured a long and controversial success within popular culture. Fraught with accusations pertaining to its alleged ability to harm and corrupt young people and indeed society as a whole, the genre is constantly under pressure to suppress that which has made it so popular to begin with - its ability to frighten and generate discussion about society's darker side. </p><p>In<em> </em><a href="https://bookshop.org/a/12343/9781501378263"><em>The Myth of Harm: Horror, Censorship and the Child</em></a><em> </em>(Bloomsbury, 2022), Dr. Sarah Cleary analyses controversies, myths, and falsehoods surrounding the genre of horror. Focusing on five major controversies, the text examines how horror media has become a scapegoat for political and social issues, platforms for “moral entrepreneurs” and tools of hyperbole for the news industry.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3403</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2317b72c-a280-11ef-9f2b-db3e5886514e]]></guid>
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    <item>
      <title>Hunter Hargraves, "Uncomfortable Television" (Duke UP, 2024)</title>
      <description>From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people. 
In Uncomfortable Television (Duke UP, 2024), Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television’s role in assimilating viewers into worlds marked by precarity, perversity, and crisis.
Cory Barker is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. Twitter. Newsletter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>141</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hunter Hargraves</itunes:subtitle>
      <itunes:summary>From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people. 
In Uncomfortable Television (Duke UP, 2024), Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television’s role in assimilating viewers into worlds marked by precarity, perversity, and crisis.
Cory Barker is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. Twitter. Newsletter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From <em>The Wire</em> to <em>Intervention</em> to <em>Girls</em>, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people. </p><p>In <a href="https://newbooksnetwork.com/admin/entries/episodes/Uncomfortable%20Television"><em>Uncomfortable Television</em></a><em> </em>(Duke UP, 2024), Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television’s role in assimilating viewers into worlds marked by precarity, perversity, and crisis.</p><p><a href="https://www.bellisario.psu.edu/people/individual/cory-barker">Cory Barker</a> is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. <a href="https://x.com/corybarker">Twitter</a>. <a href="https://tvplus.substack.com/">Newsletter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4907</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[53ab59be-a205-11ef-8436-a35df198ca58]]></guid>
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    <item>
      <title>Gabe Durham, "Bible Adventures" (Boss Fight Books, 2015)</title>
      <description>In the beginning, a small unlicensed game development company was hit with divine inspiration: They could make a lot of money (and escape the wrath of Nintendo) by creating games for Christians. With the release of the 1990 NES platformer Bible Adventures, the developers saw what they had made, and it was good. Or, at least, good enough.
Based on extensive research and original interviews with Wisdom Tree staff, Gabe Durham's book Bible Adventures (Boss Fight Books, 2015) investigates the rise and fall of the little company that almost could, the tension between faith and commerce in the Christian retail industry, culture's retro/ironic obsession with "bad games," and the simple recipe for transforming a regular game into a Christian game: throw a Bible in it and pray nobody notices.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 10 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gabe Durham</itunes:subtitle>
      <itunes:summary>In the beginning, a small unlicensed game development company was hit with divine inspiration: They could make a lot of money (and escape the wrath of Nintendo) by creating games for Christians. With the release of the 1990 NES platformer Bible Adventures, the developers saw what they had made, and it was good. Or, at least, good enough.
Based on extensive research and original interviews with Wisdom Tree staff, Gabe Durham's book Bible Adventures (Boss Fight Books, 2015) investigates the rise and fall of the little company that almost could, the tension between faith and commerce in the Christian retail industry, culture's retro/ironic obsession with "bad games," and the simple recipe for transforming a regular game into a Christian game: throw a Bible in it and pray nobody notices.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the beginning, a small unlicensed game development company was hit with divine inspiration: They could make a lot of money (and escape the wrath of Nintendo) by creating games for Christians. With the release of the 1990 NES platformer <em>Bible Adventures</em>, the developers saw what they had made, and it was good. Or, at least, good enough.</p><p>Based on extensive research and original interviews with Wisdom Tree staff, Gabe Durham's book <a href="https://bookshop.org/a/12343/9781940535074"><em>Bible Adventures</em></a> (Boss Fight Books, 2015) investigates the rise and fall of the little company that almost could, the tension between faith and commerce in the Christian retail industry, culture's retro/ironic obsession with "bad games," and the simple recipe for transforming a regular game into a Christian game: throw a Bible in it and pray nobody notices.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1635</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0914d37c-a204-11ef-81ea-435550807bc6]]></guid>
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    </item>
    <item>
      <title>Seth E. Jenny et al., "Routledge Handbook of Esports" (Routledge, 2024)</title>
      <description>The Routledge Handbook of Esports (Routledge, 2024) offers the first fully comprehensive, interdisciplinary study of esports, one of the fastest growing sectors of the contemporary sports and entertainment industries. Global in coverage, the book emphasizes the multifaceted nature of esports and explores the most pressing issues defining the competitive video gaming landscape today. Featuring the work of 93 leading esports academics and industry specialists from around the world, and rigorously peer-reviewed, the book is structured around ten key themes: 1) Introduction to Esports, 2) Esports Research, 3) Esports Players, 4) Esports Business and Management, 5) Esports Media and Communication, 6) Esports Education, 7) Critical Concerns in Esports, 8) Global Esports Cultures, 9) Esports Future Directions, and 10) Key Terms Definitions. Examining the current state of esports, emerging areas of interest and the ongoing debates shaping the esports industry, each of the 62 chapters offers key highlights, an assessment of the latest research, practical esports examples and recommendations, and is complemented by enlightening case studies or industry interviews. For further academic and professional depth, chapters also include a guide to recommended additional resources. Explaining technical terms and gaming jargon in a user-friendly manner, and maintaining a balanced tone throughout, this handbook is essential reading for any student or researcher with an interest in esports, gaming, or sport studies, and for any practitioner or policy-maker working in the esports industry.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 09 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Seth E. Jenny, Amanda Cote, and Tobias Michael Scholz</itunes:subtitle>
      <itunes:summary>The Routledge Handbook of Esports (Routledge, 2024) offers the first fully comprehensive, interdisciplinary study of esports, one of the fastest growing sectors of the contemporary sports and entertainment industries. Global in coverage, the book emphasizes the multifaceted nature of esports and explores the most pressing issues defining the competitive video gaming landscape today. Featuring the work of 93 leading esports academics and industry specialists from around the world, and rigorously peer-reviewed, the book is structured around ten key themes: 1) Introduction to Esports, 2) Esports Research, 3) Esports Players, 4) Esports Business and Management, 5) Esports Media and Communication, 6) Esports Education, 7) Critical Concerns in Esports, 8) Global Esports Cultures, 9) Esports Future Directions, and 10) Key Terms Definitions. Examining the current state of esports, emerging areas of interest and the ongoing debates shaping the esports industry, each of the 62 chapters offers key highlights, an assessment of the latest research, practical esports examples and recommendations, and is complemented by enlightening case studies or industry interviews. For further academic and professional depth, chapters also include a guide to recommended additional resources. Explaining technical terms and gaming jargon in a user-friendly manner, and maintaining a balanced tone throughout, this handbook is essential reading for any student or researcher with an interest in esports, gaming, or sport studies, and for any practitioner or policy-maker working in the esports industry.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The <a href="https://bookshop.org/a/12343/9781032531502"><em>Routledge Handbook of Esports</em></a><em> </em>(Routledge, 2024) offers the first fully comprehensive, interdisciplinary study of esports, one of the fastest growing sectors of the contemporary sports and entertainment industries. Global in coverage, the book emphasizes the multifaceted nature of esports and explores the most pressing issues defining the competitive video gaming landscape today. Featuring the work of 93 leading esports academics and industry specialists from around the world, and rigorously peer-reviewed, the book is structured around ten key themes: 1) Introduction to Esports, 2) Esports Research, 3) Esports Players, 4) Esports Business and Management, 5) Esports Media and Communication, 6) Esports Education, 7) Critical Concerns in Esports, 8) Global Esports Cultures, 9) Esports Future Directions, and 10) Key Terms Definitions. Examining the current state of esports, emerging areas of interest and the ongoing debates shaping the esports industry, each of the 62 chapters offers key highlights, an assessment of the latest research, practical esports examples and recommendations, and is complemented by enlightening case studies or industry interviews. For further academic and professional depth, chapters also include a guide to recommended additional resources. Explaining technical terms and gaming jargon in a user-friendly manner, and maintaining a balanced tone throughout, this handbook is essential reading for any student or researcher with an interest in esports, gaming, or sport studies, and for any practitioner or policy-maker working in the esports industry.</p><p>Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU &amp; University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2017</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7cc0d8ee-a20d-11ef-9b61-bbb00e9a7e65]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2959062900.mp3?updated=1731002322" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yaraslau Kot, "Central and Eastern European Histories and Heritages in Video Games" (Routledge, 2024)</title>
      <description>Focusing on games that examine a range of national histories and heritages from across Central and Eastern Europe, Central and Eastern European Histories and Heritages in Video Games (Routledge, 2024) looks beyond the diversity of the local histories depicted in games, and the audience reception of these histories, to show a diversity of approaches which can be used in examining historical games – from postcolonialism to identity politics to heritage studies. The book includes chapters on Serbia, Poland, Ukraine, Russia, Belarus, Hungary, Estonia, Slovakia, Czechia, Finland, and (a Western guest with regional connections) Luxembourg. Through the lens of video games, the authors address how nations struggle with the legacies of war, colonialism, and religious strife that have been a part of nation-building - but also how victimized cultures can survive, resist, and sometimes prevail.
Appealing primarily to scholars in the fields of game studies, heritage studies, postcolonial criticism, and media studies, this book will be particularly useful for the subfields of historical game studies and postcolonial game studies.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, radio host of “Replay Value”, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 07 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yaraslau Kot</itunes:subtitle>
      <itunes:summary>Focusing on games that examine a range of national histories and heritages from across Central and Eastern Europe, Central and Eastern European Histories and Heritages in Video Games (Routledge, 2024) looks beyond the diversity of the local histories depicted in games, and the audience reception of these histories, to show a diversity of approaches which can be used in examining historical games – from postcolonialism to identity politics to heritage studies. The book includes chapters on Serbia, Poland, Ukraine, Russia, Belarus, Hungary, Estonia, Slovakia, Czechia, Finland, and (a Western guest with regional connections) Luxembourg. Through the lens of video games, the authors address how nations struggle with the legacies of war, colonialism, and religious strife that have been a part of nation-building - but also how victimized cultures can survive, resist, and sometimes prevail.
Appealing primarily to scholars in the fields of game studies, heritage studies, postcolonial criticism, and media studies, this book will be particularly useful for the subfields of historical game studies and postcolonial game studies.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, radio host of “Replay Value”, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Focusing on games that examine a range of national histories and heritages from across <a href="https://bookshop.org/a/12343/9781032609676"><em>Central and Eastern Europe, Central and Eastern European Histories and Heritages in Video Games</em></a> (Routledge, 2024) looks beyond the diversity of the local histories depicted in games, and the audience reception of these histories, to show a diversity of approaches which can be used in examining historical games – from postcolonialism to identity politics to heritage studies. The book includes chapters on Serbia, Poland, Ukraine, Russia, Belarus, Hungary, Estonia, Slovakia, Czechia, Finland, and (a Western guest with regional connections) Luxembourg. Through the lens of video games, the authors address how nations struggle with the legacies of war, colonialism, and religious strife that have been a part of nation-building - but also how victimized cultures can survive, resist, and sometimes prevail.</p><p>Appealing primarily to scholars in the fields of game studies, heritage studies, postcolonial criticism, and media studies, this book will be particularly useful for the subfields of historical game studies and postcolonial game studies.</p><p>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, radio host of “Replay Value”, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2092</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK2998199123.mp3?updated=1731000276" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Rowell, "The Endless Refrain: Memory, Nostalgia, and the Threat to New Music" (Melville House, 2024)</title>
      <description>A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ...
In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality.
Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it.
David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making. He lives just outside of Chapel Hill.
David Rowell’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>256</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Rowell</itunes:subtitle>
      <itunes:summary>A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ...
In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality.
Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it.
David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making. He lives just outside of Chapel Hill.
David Rowell’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ...</p><p>In <a href="https://bookshop.org/p/books/the-endless-refrain-memory-nostalgia-and-the-threat-to-new-music-david-rowell/21079524?ean=9781685891398"><em>The Endless Refrain: Memory, Nostalgia, and the Threat to New Music</em></a> (Melville House, 2024), former <em>Washington Post</em> writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality.</p><p>Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it.</p><p>David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at <em>The Washington Post Magazine</em> and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel <em>The Train of Small Mercies</em>, and <em>Wherever the Sound Takes You: Heroics and Heartbreak in Music Making</em>. He lives just outside of Chapel Hill.</p><p>David Rowell’s <a href="https://www.davidrowellauthor.com/">website</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America </em>(LSU Press, Spring 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4029</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9107eeae-9bb0-11ef-96c0-9bc4ea1b3db5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8775468883.mp3?updated=1730837613" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan A. Allan, "Uncut: A Cultural Analysis of the Foreskin" (U Regina Press, 2024)</title>
      <description>The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant’s foreskin without their consent is mutilation.
Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don’t know about this seemingly small piece of skin.
Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo’s David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin?

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 02 Nov 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>244</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan A. Allan</itunes:subtitle>
      <itunes:summary>The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant’s foreskin without their consent is mutilation.
Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don’t know about this seemingly small piece of skin.
Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo’s David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin?

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant’s foreskin without their consent is mutilation.</p><p><a href="https://bookshop.org/a/12343/9781779400307"><em>Uncut: A Cultural Analysis of the Foreskin</em></a> (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, <em>Uncut</em> is a provocative book that asks us to ask ourselves what we know and don’t know about this seemingly small piece of skin.</p><p>Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo’s David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin?</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1851</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc1b7bd0-96fd-11ef-8ac0-77246c866b4c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1374417878.mp3?updated=1730320493" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Schoch, "How Sondheim Can Change Your Life" (Atria Books, 2024)</title>
      <description>For fans of musical theatre, Stephen Sondheim is one of the true titans – the genius who brought us Sweeney Todd and West Side Story, Into the Woods, and Company. With acclaimed revivals of his landmark shows regularly performed in London and New York, and new generations being introduced to the man who forever transformed musical theatre, Sondheim’s legacy has only grown. What is it about such classic songs as ‘Being Alive’ from
Company, ‘No One Is Alone’ from Into the Woods, or ‘Send in the Clowns’ from A Little Night Music (to name but a few) that still resonates for so many?
In How Sondheim Can Change Your Life (Atria Books (North America) Ebury (UK and Commonwealth), 2024), Dr. Richard Schoch shows how Sondheim’s greatness (beyond the clever lyrics and adventurous music) lies in his ability to tell stories that speak to all of us. From Louise’s desire for freedom as Gypsy Rose Lee to Sweeney Todd’s thirst for revenge, the struggles we see in Sondheim’s characters are ones we all have – and we can learn valuable lessons from how those struggles are resolved.
Following the arc of Sondheim’s extraordinary career, How Sondheim Can Change Your Life is rich with stories and insights into the master’s creative process, and reveals the many ways that Sondheim’s works can enrich the lives of all of us.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 01 Nov 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>254</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard Schoch</itunes:subtitle>
      <itunes:summary>For fans of musical theatre, Stephen Sondheim is one of the true titans – the genius who brought us Sweeney Todd and West Side Story, Into the Woods, and Company. With acclaimed revivals of his landmark shows regularly performed in London and New York, and new generations being introduced to the man who forever transformed musical theatre, Sondheim’s legacy has only grown. What is it about such classic songs as ‘Being Alive’ from
Company, ‘No One Is Alone’ from Into the Woods, or ‘Send in the Clowns’ from A Little Night Music (to name but a few) that still resonates for so many?
In How Sondheim Can Change Your Life (Atria Books (North America) Ebury (UK and Commonwealth), 2024), Dr. Richard Schoch shows how Sondheim’s greatness (beyond the clever lyrics and adventurous music) lies in his ability to tell stories that speak to all of us. From Louise’s desire for freedom as Gypsy Rose Lee to Sweeney Todd’s thirst for revenge, the struggles we see in Sondheim’s characters are ones we all have – and we can learn valuable lessons from how those struggles are resolved.
Following the arc of Sondheim’s extraordinary career, How Sondheim Can Change Your Life is rich with stories and insights into the master’s creative process, and reveals the many ways that Sondheim’s works can enrich the lives of all of us.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For fans of musical theatre, Stephen Sondheim is one of the true titans – the genius who brought us Sweeney Todd and West Side Story, Into the Woods, and Company. With acclaimed revivals of his landmark shows regularly performed in London and New York, and new generations being introduced to the man who forever transformed musical theatre, Sondheim’s legacy has only grown. What is it about such classic songs as ‘Being Alive’ from</p><p>Company, ‘No One Is Alone’ from Into the Woods, or ‘Send in the Clowns’ from A Little Night Music (to name but a few) that still resonates for so many?</p><p>In <a href="https://bookshop.org/a/12343/9781668030592"><em>How Sondheim Can Change Your Life</em></a> (Atria Books (North America) Ebury (UK and Commonwealth), 2024), Dr. Richard Schoch shows how Sondheim’s greatness (beyond the clever lyrics and adventurous music) lies in his ability to tell stories that speak to all of us. From Louise’s desire for freedom as Gypsy Rose Lee to Sweeney Todd’s thirst for revenge, the struggles we see in Sondheim’s characters are ones we all have – and we can learn valuable lessons from how those struggles are resolved.</p><p>Following the arc of Sondheim’s extraordinary career, <em>How Sondheim Can Change Your</em> Life is rich with stories and insights into the master’s creative process, and reveals the many ways that Sondheim’s works can enrich the lives of all of us.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3476</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Richard Moss, "Tale of Two Halves: The History Of Football Video Games" (Bitmap Books, 2024)</title>
      <description>Painstakingly researched and written by football-obsessed writer and experienced game journalist, historian, and documentarian Richard Moss – author of Bitmap's own The Secret History of Mac Gaming – A Tale of Two Halves: The History Of Football Video Games stays keenly on the ball as it shares the rich and influential history of video game football – or 'soccer', for our American readers – striving to understand the very best the genre has to offer; and those releases that go a little wide of their target.
A Tale of Two Halves takes you on a fascinating journey from the very first examples of the form all the way through to the genre's 2000s' heyday. It hits the back of the net with expert analysis of over 400 football games, including Sensible Soccer, Kick Off, Match Day, FIFA, Pro Evolution Soccer, This Is Football, Championship Manager, Premier Manager, and both old-school and new-school Football Manager. Gathered together in a single volume, that remarkable spread of releases presents a surprising variety of interpretations of the beautiful game, showcasing one of the medium's most creative, beguiling realms.
A Tale of Two Halves primarily focuses on footy gaming's formative years – meaning from around 1980 to 2010 – and carefully divides the genre into two distinct halves, taking a considered look at each. As such, the first half is dominated by the fast and simple 2D action of icons like Kick Off, International Soccer, and Nintendo’s Soccer. Then, following the half-time whistle, it turns its attention to the increasingly realistic 3D outings defined by icons like FIFA, Pro Evo, and Virtua Striker.
Across its 628 pages, A Tale of Two Halves also features a foreword by legendary commentator Clive Tyldesley, hundreds of meticulously realised screenshots, and 13 interviews with pioneering football game developers. Inside you'll also find a series of illustrations from James Reynolds' 'Unlicensed FC' project – which celebrates Pro Evo's unusual takes on players' real names – as well as perfectly pitched pixel art from the team at 8-Bit Football. Numerous gaming platforms are covered, from the Atari 2600 and C64 to the Collecovison, via the Amiga line, PlayStation 1, Xbox 360, Arcades, and many more.

Rudolf Thomas Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, radio host of “Replay Value”, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 01 Nov 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard Moss</itunes:subtitle>
      <itunes:summary>Painstakingly researched and written by football-obsessed writer and experienced game journalist, historian, and documentarian Richard Moss – author of Bitmap's own The Secret History of Mac Gaming – A Tale of Two Halves: The History Of Football Video Games stays keenly on the ball as it shares the rich and influential history of video game football – or 'soccer', for our American readers – striving to understand the very best the genre has to offer; and those releases that go a little wide of their target.
A Tale of Two Halves takes you on a fascinating journey from the very first examples of the form all the way through to the genre's 2000s' heyday. It hits the back of the net with expert analysis of over 400 football games, including Sensible Soccer, Kick Off, Match Day, FIFA, Pro Evolution Soccer, This Is Football, Championship Manager, Premier Manager, and both old-school and new-school Football Manager. Gathered together in a single volume, that remarkable spread of releases presents a surprising variety of interpretations of the beautiful game, showcasing one of the medium's most creative, beguiling realms.
A Tale of Two Halves primarily focuses on footy gaming's formative years – meaning from around 1980 to 2010 – and carefully divides the genre into two distinct halves, taking a considered look at each. As such, the first half is dominated by the fast and simple 2D action of icons like Kick Off, International Soccer, and Nintendo’s Soccer. Then, following the half-time whistle, it turns its attention to the increasingly realistic 3D outings defined by icons like FIFA, Pro Evo, and Virtua Striker.
Across its 628 pages, A Tale of Two Halves also features a foreword by legendary commentator Clive Tyldesley, hundreds of meticulously realised screenshots, and 13 interviews with pioneering football game developers. Inside you'll also find a series of illustrations from James Reynolds' 'Unlicensed FC' project – which celebrates Pro Evo's unusual takes on players' real names – as well as perfectly pitched pixel art from the team at 8-Bit Football. Numerous gaming platforms are covered, from the Atari 2600 and C64 to the Collecovison, via the Amiga line, PlayStation 1, Xbox 360, Arcades, and many more.

Rudolf Thomas Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, radio host of “Replay Value”, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Painstakingly researched and written by football-obsessed writer and experienced game journalist, historian, and documentarian Richard Moss – author of Bitmap's own <em>The Secret History of Mac Gaming – </em><a href="https://www.bitmapbooks.com/products/a-tale-of-two-halves?"><em>A Tale of Two Halves: The History Of Football Video Games</em></a> stays keenly on the ball as it shares the rich and influential history of video game football – or 'soccer', for our American readers – striving to understand the very best the genre has to offer; and those releases that go a little wide of their target.</p><p><em>A Tale of Two Halves</em> takes you on a fascinating journey from the very first examples of the form all the way through to the genre's 2000s' heyday. It hits the back of the net with expert analysis of over 400 football games, including <em>Sensible Soccer, Kick Off, Match Day, FIFA, Pro Evolution Soccer, This Is Football, Championship Manager, Premier Manager,</em> and both old-school and new-school <em>Football Manager.</em> Gathered together in a single volume, that remarkable spread of releases presents a surprising variety of interpretations of the beautiful game, showcasing one of the medium's most creative, beguiling realms.</p><p><em>A Tale of Two Halves</em> primarily focuses on footy gaming's formative years – meaning from around 1980 to 2010 – and carefully divides the genre into two distinct halves, taking a considered look at each. As such, the first half is dominated by the fast and simple 2D action of icons like <em>Kick Off, International Soccer,</em> and Nintendo’s <em>Soccer</em>. Then, following the half-time whistle, it turns its attention to the increasingly realistic 3D outings defined by icons like <em>FIFA, Pro Evo,</em> and <em>Virtua Striker.</em></p><p>Across its 628 pages, <em>A Tale of Two Halves</em> also features a foreword by legendary commentator Clive Tyldesley, hundreds of meticulously realised screenshots, and 13 interviews with pioneering football game developers. Inside you'll also find a series of illustrations from James Reynolds' 'Unlicensed FC' project – which celebrates Pro Evo's unusual takes on players' real names – as well as perfectly pitched pixel art from the team at 8-Bit Football. Numerous gaming platforms are covered, from the Atari 2600 and C64 to the Collecovison, via the Amiga line, PlayStation 1, Xbox 360, Arcades, and many more.</p><p><br></p><p>Rudolf Thomas Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, radio host of “Replay Value”, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2188</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Erika Engelhaupt, "Go to Hell: A Traveler's Guide to Earth's Most Otherworldly Destinations" (National Geographic, 2024)</title>
      <description>With Go to Hell: A Traveler's Guide to Earth's Most Otherworldly Destinations (National Geographic, 2024) by Erika Engelhaupt, you can go to hell and back with the help of this one-of-a-kind illustrated travel guide to real-life underworld destinations around the globe. Full of intrigue, lore, and plenty of brimstone and fire, each of the 54 destinations—from Antarctica's Blood Falls to a tropical hell on Grand Cayman island—will be worth adding to your devilish bucket list.
The world over, humans have been fascinated by hell in some form or another for thousands of years and across cultures. Now, with this illustrated collection, you can add hell to your travel bucket list with more than 50 one-of-a-kind underworld destinations, from ghost towns where Halloween is always in season, to ancient caves long viewed as entrances to Hades, to volcanoes that brim with fire and legend.
Don’t be scared: Along with the fascinating history of each location, star author Erika Engelhaupt also offers practical tips to make the most of your visit to the underbelly of the world.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 01 Nov 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>230</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erika Engelhaupt</itunes:subtitle>
      <itunes:summary>With Go to Hell: A Traveler's Guide to Earth's Most Otherworldly Destinations (National Geographic, 2024) by Erika Engelhaupt, you can go to hell and back with the help of this one-of-a-kind illustrated travel guide to real-life underworld destinations around the globe. Full of intrigue, lore, and plenty of brimstone and fire, each of the 54 destinations—from Antarctica's Blood Falls to a tropical hell on Grand Cayman island—will be worth adding to your devilish bucket list.
The world over, humans have been fascinated by hell in some form or another for thousands of years and across cultures. Now, with this illustrated collection, you can add hell to your travel bucket list with more than 50 one-of-a-kind underworld destinations, from ghost towns where Halloween is always in season, to ancient caves long viewed as entrances to Hades, to volcanoes that brim with fire and legend.
Don’t be scared: Along with the fascinating history of each location, star author Erika Engelhaupt also offers practical tips to make the most of your visit to the underbelly of the world.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With<em> </em><a href="https://bookshop.org/a/12343/9781426223532"><em>Go to Hell: A Traveler's Guide to Earth's Most Otherworldly Destinations</em></a> (National Geographic, 2024) by Erika Engelhaupt, you can go to hell and back with the help of this one-of-a-kind illustrated travel guide to real-life underworld destinations around the globe. Full of intrigue, lore, and plenty of brimstone and fire, each of the 54 destinations—from Antarctica's Blood Falls to a tropical hell on Grand Cayman island—will be worth adding to your devilish bucket list.</p><p>The world over, humans have been fascinated by hell in some form or another for thousands of years and across cultures. Now, with this illustrated collection, you can add hell to your travel bucket list with more than 50 one-of-a-kind underworld destinations, from ghost towns where Halloween is always in season, to ancient caves long viewed as entrances to Hades, to volcanoes that brim with fire and legend.</p><p>Don’t be scared: Along with the fascinating history of each location, star author Erika Engelhaupt also offers practical tips to make the most of your visit to the underbelly of the world.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3238</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Andrew deWaard, "Derivative Media: How Wall Street Devours Culture" (U California Press, 2024)</title>
      <description>Sequels, reboots, franchises, and songs that remake old songs—does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is transforming the very character of our mediascapes for branded transactions. Our media are increasingly shaped by the profit-extraction techniques of hedge funds, asset managers, venture capitalists, private equity firms, and derivatives traders. Illustrated with examples drawn from popular culture, Derivative Media: How Wall Street Devours Culture (University of California Press, 2024) offers readers the critical financial literacy necessary to understand the destructive financialization of film, television, and popular music—and provides a plan to reverse this dire threat to culture.
A free digital version of this title is available here.
Andrew deWaard is Assistant Professor of Media and Popular Culture at the University of California, San Diego, and coauthor of The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape.
Peter C. Kunze is assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 27 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An Interview with Andrew deWaard</itunes:subtitle>
      <itunes:summary>Sequels, reboots, franchises, and songs that remake old songs—does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is transforming the very character of our mediascapes for branded transactions. Our media are increasingly shaped by the profit-extraction techniques of hedge funds, asset managers, venture capitalists, private equity firms, and derivatives traders. Illustrated with examples drawn from popular culture, Derivative Media: How Wall Street Devours Culture (University of California Press, 2024) offers readers the critical financial literacy necessary to understand the destructive financialization of film, television, and popular music—and provides a plan to reverse this dire threat to culture.
A free digital version of this title is available here.
Andrew deWaard is Assistant Professor of Media and Popular Culture at the University of California, San Diego, and coauthor of The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape.
Peter C. Kunze is assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sequels, reboots, franchises, and songs that remake old songs—does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is transforming the very character of our mediascapes for branded transactions. Our media are increasingly shaped by the profit-extraction techniques of hedge funds, asset managers, venture capitalists, private equity firms, and derivatives traders. Illustrated with examples drawn from popular culture, <a href="https://bookshop.org/a/12343/9780520392472"><em>Derivative Media: How Wall Street Devours Culture</em></a><em> </em>(University of California Press, 2024) offers readers the critical financial literacy necessary to understand the destructive financialization of film, television, and popular music—and provides a plan to reverse this dire threat to culture.</p><p>A free digital version of this title is available <a href="https://webfiles.ucpress.edu/oa/9780520392489_WEB.pdf">here</a>.</p><p>Andrew deWaard is Assistant Professor of Media and Popular Culture at the University of California, San Diego, and coauthor of The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape.</p><p><em>Peter C. Kunze is assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4787</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Margarette Lincoln, "Perfection: 400 Years of Women's Quest for Beauty" (Yale UP, 2024)</title>
      <description>A colourful account of women's health, beauty, and cosmetic aids, from stays and corsets to today's viral trends.
Victorian women ate arsenic to achieve an ideal, pale complexion, while in the 1790s balloon corsets were all the rage, designed to make the wearer appear pregnant. Women of the eighteenth century applied blood from a black cat's tail to problem skin, while doctors in the 1880s promoted woollen underwear to keep colds at bay. Beautification and the pursuit of health may seem all-consuming today, but their history is long and fantastically varied.
Ranging across the last four hundred years, Margarette Lincoln examines women's health and beauty in fascinating detail. Through first-hand accounts and reports of physicians, quacks, and advertising, Lincoln captures women's lived experience of consuming beauty products, and the excitement--and trauma--of adopting the latest fashion trends.
Considering everything from body sculpture, diet, and exercise to skin, teeth, and hair, Perfection: 400 Years of Women's Quest for Beauty (Yale UP, 2024) is a vibrant account of women's body-fashioning--and shows how intimately these practices are related to community and identity throughout history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 26 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Margarette Lincoln</itunes:subtitle>
      <itunes:summary>A colourful account of women's health, beauty, and cosmetic aids, from stays and corsets to today's viral trends.
Victorian women ate arsenic to achieve an ideal, pale complexion, while in the 1790s balloon corsets were all the rage, designed to make the wearer appear pregnant. Women of the eighteenth century applied blood from a black cat's tail to problem skin, while doctors in the 1880s promoted woollen underwear to keep colds at bay. Beautification and the pursuit of health may seem all-consuming today, but their history is long and fantastically varied.
Ranging across the last four hundred years, Margarette Lincoln examines women's health and beauty in fascinating detail. Through first-hand accounts and reports of physicians, quacks, and advertising, Lincoln captures women's lived experience of consuming beauty products, and the excitement--and trauma--of adopting the latest fashion trends.
Considering everything from body sculpture, diet, and exercise to skin, teeth, and hair, Perfection: 400 Years of Women's Quest for Beauty (Yale UP, 2024) is a vibrant account of women's body-fashioning--and shows how intimately these practices are related to community and identity throughout history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A colourful account of women's health, beauty, and cosmetic aids, from stays and corsets to today's viral trends.</p><p>Victorian women ate arsenic to achieve an ideal, pale complexion, while in the 1790s balloon corsets were all the rage, designed to make the wearer appear pregnant. Women of the eighteenth century applied blood from a black cat's tail to problem skin, while doctors in the 1880s promoted woollen underwear to keep colds at bay. Beautification and the pursuit of health may seem all-consuming today, but their history is long and fantastically varied.</p><p>Ranging across the last four hundred years, Margarette Lincoln examines women's health and beauty in fascinating detail. Through first-hand accounts and reports of physicians, quacks, and advertising, Lincoln captures women's lived experience of consuming beauty products, and the excitement--and trauma--of adopting the latest fashion trends.</p><p>Considering everything from body sculpture, diet, and exercise to skin, teeth, and hair, <a href="https://bookshop.org/a/12343/9780300264586"><em>Perfection: 400 Years of Women's Quest for Beauty</em></a><em> </em>(Yale UP, 2024) is a vibrant account of women's body-fashioning--and shows how intimately these practices are related to community and identity throughout history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1675</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Landon Palmer, "Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom" (Oxford UP, 2020)</title>
      <description>During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices.
From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom (Oxford UP, 2020) offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such.
Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well as social actors who have taken on a decisive role in the purposes to which their images are used.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 26 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Landon Palmer</itunes:subtitle>
      <itunes:summary>During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices.
From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom (Oxford UP, 2020) offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such.
Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well as social actors who have taken on a decisive role in the purposes to which their images are used.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices.</p><p>From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, <a href="https://global.oup.com/academic/product/rock-starmovie-star-9780190888411?cc=us&amp;lang=en&amp;"><em>Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom</em></a><em> </em>(Oxford UP, 2020) offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such.</p><p>Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well as social actors who have taken on a decisive role in the purposes to which their images are used.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3757</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3126cbb6-922a-11ef-b9f6-ffbce935532f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8230535778.mp3?updated=1729789918" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thinking Machines: The Turing Test at 75</title>
      <description>It’s the UConn Popcast, and this is the first episode in our new series about artificial intelligence and popular culture. In this first episode, we revisit Alan Turing's seminal1950 paper Computing Machinery and Intelligence, in which he asks "Can machines think?"
In the paper, Turing proposes what became known as "The Turing test," a game of deception which, if a machine were to pass it, could be said to herald the onset of the age of machine intelligence. With large language models (LLMs) today easily passing this test, we react to the paper and examine the implications from a humanistic standpoint.
Did Turing successfully predict contemporary LLMs 75 years ago? What does it mean that Turing’s test was based not on the abilities of a machine per se, but rather on a machine’s ability to deceive humans? How have Turing’s ideas permeated our cultural and popular cultural ideas about AI? And why did Turing think ESP had a role to play in understanding AI.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and this is the first episode in our new series about artificial intelligence and popular culture. In this first episode, we revisit Alan Turing's seminal1950 paper Computing Machinery and Intelligence, in which he asks "Can machines think?"
In the paper, Turing proposes what became known as "The Turing test," a game of deception which, if a machine were to pass it, could be said to herald the onset of the age of machine intelligence. With large language models (LLMs) today easily passing this test, we react to the paper and examine the implications from a humanistic standpoint.
Did Turing successfully predict contemporary LLMs 75 years ago? What does it mean that Turing’s test was based not on the abilities of a machine per se, but rather on a machine’s ability to deceive humans? How have Turing’s ideas permeated our cultural and popular cultural ideas about AI? And why did Turing think ESP had a role to play in understanding AI.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the UConn Popcast, and this is the first episode in our new series about artificial intelligence and popular culture. In this first episode, we revisit Alan Turing's seminal1950 paper Computing Machinery and Intelligence, in which he asks "Can machines think?"</p><p>In the paper, Turing proposes what became known as "The Turing test," a game of deception which, if a machine were to pass it, could be said to herald the onset of the age of machine intelligence. With large language models (LLMs) today easily passing this test, we react to the paper and examine the implications from a humanistic standpoint.</p><p>Did Turing successfully predict contemporary LLMs 75 years ago? What does it mean that Turing’s test was based not on the abilities of a machine per se, but rather on a machine’s ability to deceive humans? How have Turing’s ideas permeated our cultural and popular cultural ideas about AI? And why did Turing think ESP had a role to play in understanding AI.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c2a251f6-8fdb-11ef-b13d-23bf0f5a9332]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8303799703.mp3?updated=1729534874" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thinking Machines: The Turing Test at 75</title>
      <description>It’s the UConn Popcast, and this is the first episode in our new series about artificial intelligence and popular culture. In this first episode, we revisit Alan Turing's seminal1950 paper Computing Machinery and Intelligence, in which he asks "Can machines think?"
In the paper, Turing proposes what became known as "The Turing test," a game of deception which, if a machine were to pass it, could be said to herald the onset of the age of machine intelligence. With large language models (LLMs) today easily passing this test, we react to the paper and examine the implications from a humanistic standpoint.
Did Turing successfully predict contemporary LLMs 75 years ago? What does it mean that Turing’s test was based not on the abilities of a machine per se, but rather on a machine’s ability to deceive humans? How have Turing’s ideas permeated our cultural and popular cultural ideas about AI? And why did Turing think ESP had a role to play in understanding AI.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and this is the first episode in our new series about artificial intelligence and popular culture. In this first episode, we revisit Alan Turing's seminal1950 paper Computing Machinery and Intelligence, in which he asks "Can machines think?"
In the paper, Turing proposes what became known as "The Turing test," a game of deception which, if a machine were to pass it, could be said to herald the onset of the age of machine intelligence. With large language models (LLMs) today easily passing this test, we react to the paper and examine the implications from a humanistic standpoint.
Did Turing successfully predict contemporary LLMs 75 years ago? What does it mean that Turing’s test was based not on the abilities of a machine per se, but rather on a machine’s ability to deceive humans? How have Turing’s ideas permeated our cultural and popular cultural ideas about AI? And why did Turing think ESP had a role to play in understanding AI.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the UConn Popcast, and this is the first episode in our new series about artificial intelligence and popular culture. In this first episode, we revisit Alan Turing's seminal1950 paper Computing Machinery and Intelligence, in which he asks "Can machines think?"</p><p>In the paper, Turing proposes what became known as "The Turing test," a game of deception which, if a machine were to pass it, could be said to herald the onset of the age of machine intelligence. With large language models (LLMs) today easily passing this test, we react to the paper and examine the implications from a humanistic standpoint.</p><p>Did Turing successfully predict contemporary LLMs 75 years ago? What does it mean that Turing’s test was based not on the abilities of a machine per se, but rather on a machine’s ability to deceive humans? How have Turing’s ideas permeated our cultural and popular cultural ideas about AI? And why did Turing think ESP had a role to play in understanding AI.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b05bf900-8fd8-11ef-88c1-77d0ec5b1e63]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3605500387.mp3?updated=1729534874" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter C. Kunze, "Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance" (Rutgers UP, 2023)</title>
      <description>In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023) by Dr. Peter Kunze argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period.
Drawing from archival research, interviews, and textual analysis, Dr. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company’s growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 19 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>199</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter C. Kunze</itunes:subtitle>
      <itunes:summary>In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023) by Dr. Peter Kunze argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period.
Drawing from archival research, interviews, and textual analysis, Dr. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company’s growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. <a href="https://bookshop.org/a/12343/9781978827813"><em>Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance </em></a>(Rutgers University Press, 2023) by Dr. Peter Kunze argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period.</p><p>Drawing from archival research, interviews, and textual analysis, Dr. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company’s growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4012</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c9b62f0c-8cc1-11ef-9a0a-fb6aa27664f6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7076735102.mp3?updated=1729198021" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ashawnta Jackson, "Soul-Folk" (Bloomsbury, 2024)</title>
      <description>Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours.
Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is.
Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR.
Ashawnta on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 19 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>253</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ashawnta Jackson</itunes:subtitle>
      <itunes:summary>Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours.
Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is.
Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR.
Ashawnta on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours.</p><p><a href="https://bookshop.org/a/12343/9798765103456"><em>Soul-Folk</em></a> (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is.</p><p>Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's <em>Take Twelve</em>. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR.</p><p>Ashawnta on <a href="https://x.com/_heyjackson">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America </em>(LSU Press, Spring 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4135</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f145fb12-8ca6-11ef-9657-7bc705fb1210]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1708430069.mp3?updated=1729184119" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anne Higonnet, "Liberty Equality Fashion: The Women Who Styled the French Revolution" (Norton, 2024)</title>
      <description>Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty.
The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance.
As Dr. Anne Higonnet shows in Liberty, Equality, Fashion: The Women Who Styled the French Revolution (Norton, 2024), new evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 18 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anne Higonnet</itunes:subtitle>
      <itunes:summary>Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty.
The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance.
As Dr. Anne Higonnet shows in Liberty, Equality, Fashion: The Women Who Styled the French Revolution (Norton, 2024), new evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty.</p><p>The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance.</p><p>As Dr. Anne Higonnet shows in <a href="https://bookshop.org/a/12343/9780393867954"><em>Liberty, Equality, Fashion: The Women Who Styled the French Revolution</em></a> (Norton, 2024), new evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2704</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Brad Balukjian, "The Six Pack: On the Open Road in Search of Wrestlemania" (Hachette, 2024)</title>
      <description>In 2005, Brad Balukjian left his position as a magazine fact-checker to pursue a dream job: partner with his childhood hero, The Iron Sheik (whose real name was Khosrow Vaziri), to write his biography. Things quickly went south, culminating in the Sheik threatening Balukjian’s life. Now seventeen years later, Balukjian returns to the road in search of not only a reunion with the Sheik, but something much bigger: truth in a world built on illusion.
Balukjian seeks out six of the Sheik’s contemporaries, fellow witnesses to the World Wrestling Federation’s (WWF) explosion in the mid-‘80s, to unearth their true identities. As Balukjian drives 12,525 miles around the country, we revisit the heady days when these avatars of strength, villainy, and heroism first found fame and see where their journeys took them. From working out with Tony Atlas (Tony White) to visiting Hulk Hogan’s (Terry Bollea) karaoke bar, we see where these men are now and how they have navigated the cliffs of fame.
The Six Pack: On the Open Road in Search of Wrestlemania (Hachette, 2024) combines the spirit of a fan with the rigor of an investigative reporter, tracking down former WWF employees, childhood friends, and mutually curious archivists. Wrestling is perceived as a subculture without a cultural home, somewhere between sport and theater—often dismissed as silly and low‑brow. But what makes this book so compelling is the humanity beneath each wrestler. The Iron Sheik, Hulk Hogan, and the rest of the cast were not characters in a comic book movie. They were real people, with families and feelings and bodies that could break. Most of them did, in fact, break; some have been repaired, but none of them will ever be the same.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 18 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>277</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brad Balukjian</itunes:subtitle>
      <itunes:summary>In 2005, Brad Balukjian left his position as a magazine fact-checker to pursue a dream job: partner with his childhood hero, The Iron Sheik (whose real name was Khosrow Vaziri), to write his biography. Things quickly went south, culminating in the Sheik threatening Balukjian’s life. Now seventeen years later, Balukjian returns to the road in search of not only a reunion with the Sheik, but something much bigger: truth in a world built on illusion.
Balukjian seeks out six of the Sheik’s contemporaries, fellow witnesses to the World Wrestling Federation’s (WWF) explosion in the mid-‘80s, to unearth their true identities. As Balukjian drives 12,525 miles around the country, we revisit the heady days when these avatars of strength, villainy, and heroism first found fame and see where their journeys took them. From working out with Tony Atlas (Tony White) to visiting Hulk Hogan’s (Terry Bollea) karaoke bar, we see where these men are now and how they have navigated the cliffs of fame.
The Six Pack: On the Open Road in Search of Wrestlemania (Hachette, 2024) combines the spirit of a fan with the rigor of an investigative reporter, tracking down former WWF employees, childhood friends, and mutually curious archivists. Wrestling is perceived as a subculture without a cultural home, somewhere between sport and theater—often dismissed as silly and low‑brow. But what makes this book so compelling is the humanity beneath each wrestler. The Iron Sheik, Hulk Hogan, and the rest of the cast were not characters in a comic book movie. They were real people, with families and feelings and bodies that could break. Most of them did, in fact, break; some have been repaired, but none of them will ever be the same.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2005, Brad Balukjian left his position as a magazine fact-checker to pursue a dream job: partner with his childhood hero, The Iron Sheik (whose real name was Khosrow Vaziri), to write his biography. Things quickly went south, culminating in the Sheik threatening Balukjian’s life. Now seventeen years later, Balukjian returns to the road in search of not only a reunion with the Sheik, but something much bigger: truth in a world built on illusion.</p><p>Balukjian seeks out six of the Sheik’s contemporaries, fellow witnesses to the World Wrestling Federation’s (WWF) explosion in the mid-‘80s, to unearth their true identities. As Balukjian drives 12,525 miles around the country, we revisit the heady days when these avatars of strength, villainy, and heroism first found fame and see where their journeys took them. From working out with Tony Atlas (Tony White) to visiting Hulk Hogan’s (Terry Bollea) karaoke bar, we see where these men are now and how they have navigated the cliffs of fame.</p><p><a href="https://bookshop.org/a/12343/9780306831553"><em>The Six Pack: On the Open Road in Search of Wrestlemania </em></a>(Hachette, 2024) combines the spirit of a fan with the rigor of an investigative reporter, tracking down former WWF employees, childhood friends, and mutually curious archivists. Wrestling is perceived as a subculture without a cultural home, somewhere between sport and theater—often dismissed as silly and low‑brow. But what makes this book so compelling is the humanity beneath each wrestler. The Iron Sheik, Hulk Hogan, and the rest of the cast were not characters in a comic book movie. They were real people, with families and feelings and bodies that could break. Most of them did, in fact, break; some have been repaired, but none of them will ever be the same.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3585</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Beth Blum on Self-Help, Dale Carnegie to Today (JP)</title>
      <description>Beth Blum, Assistant Professor of English at Harvard, is the author of The Self-Help Compulsion (Columbia University Press 2019). In 2020, she spoke with John about how self-help went from its Victorian roots (worship greatness!) to the ingratiating unctuous style prescribed by the other-directed Dale Carnegie (everyone loves the sound of their own name) before arriving at the “neo-stoical” self-help gurus of today, who preach male and female versions of “stop apologizing!” You’ll laugh, you’ll cry, you’ll either help yourself or learn how to stop caring.
Mentioned

Dale Carnegie, How to Win Friends and Influence People (1936)

Rachel Hollis, Girl, Stop Apologizing (2019)

Mark Manson, The Subtle Art of Not Giving a F**k (2016)

Richard Carlson, Don’t Sweat the Small Stuff…. (1997)

Alain de Botton, How Proust Can Change Your Life (2012)


New Thought (philosophy? religious movement?)


Samuel Smiles, Self-Help; with Illustrations of Character and Conduct (1859)


Orison Swett Marden, How to Succeed (1896)

David Riesman et al. The Lonely Crowd (1950)

Dale Carnegie, How to Stop Worrying and Start Living (1945)


Helen Gurley Brown, Having It All (1982)


Micki McGee, Self-Help Inc. (2007; concept of”self-belabourment”)

Tiffany Dufu, Drop the Ball: Achieving More by Doing Less


Jenny Odell, How to Do Nothing (2019)

Sarah Knight, The Life-Changing Magic Art of Not Giving a Fuck (2015)


Recallable books

Epictetus, Handbook (125 C.E.)

Sheil Heti, How Should a Person Be (2012)

Adam Smith, Theory of Moral Sentiments (1759)

Joseph Conrad Nostromo (1904)


Read Here:
38 Beth Blum on Self-Help from Carnegie to Today
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Beth Blum, Assistant Professor of English at Harvard, is the author of The Self-Help Compulsion (Columbia University Press 2019). In 2020, she spoke with John about how self-help went from its Victorian roots (worship greatness!) to the ingratiating unctuous style prescribed by the other-directed Dale Carnegie (everyone loves the sound of their own name) before arriving at the “neo-stoical” self-help gurus of today, who preach male and female versions of “stop apologizing!” You’ll laugh, you’ll cry, you’ll either help yourself or learn how to stop caring.
Mentioned

Dale Carnegie, How to Win Friends and Influence People (1936)

Rachel Hollis, Girl, Stop Apologizing (2019)

Mark Manson, The Subtle Art of Not Giving a F**k (2016)

Richard Carlson, Don’t Sweat the Small Stuff…. (1997)

Alain de Botton, How Proust Can Change Your Life (2012)


New Thought (philosophy? religious movement?)


Samuel Smiles, Self-Help; with Illustrations of Character and Conduct (1859)


Orison Swett Marden, How to Succeed (1896)

David Riesman et al. The Lonely Crowd (1950)

Dale Carnegie, How to Stop Worrying and Start Living (1945)


Helen Gurley Brown, Having It All (1982)


Micki McGee, Self-Help Inc. (2007; concept of”self-belabourment”)

Tiffany Dufu, Drop the Ball: Achieving More by Doing Less


Jenny Odell, How to Do Nothing (2019)

Sarah Knight, The Life-Changing Magic Art of Not Giving a Fuck (2015)


Recallable books

Epictetus, Handbook (125 C.E.)

Sheil Heti, How Should a Person Be (2012)

Adam Smith, Theory of Moral Sentiments (1759)

Joseph Conrad Nostromo (1904)


Read Here:
38 Beth Blum on Self-Help from Carnegie to Today
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Beth Blum, <a href="https://www.bethblum.com/">Assistant Professor of English at Harvard,</a> is the author of <a href="https://bookshop.org/a/12343/9780231194921"><em>The Self-Help Compulsion</em></a> (Columbia University Press 2019). In 2020, she spoke with John about how self-help went from its Victorian roots (<em>worship greatness</em>!) to the ingratiating unctuous style prescribed by the other-directed Dale Carnegie (<em>everyone loves the sound of their own name</em>) before arriving at the “neo-stoical” self-help gurus of today, who preach male and female versions of “stop apologizing!” You’ll laugh, you’ll cry, you’ll either help yourself or learn how to stop caring.</p><p><strong>Mentioned</strong></p><ul>
<li>Dale Carnegie,<a href="https://en.wikipedia.org/wiki/How_to_Win_Friends_and_Influence_People"> <em>How to Win Friends and Influence People</em></a> (1936)</li>
<li>Rachel Hollis, <a href="https://www.amazon.com/Girl-Stop-Apologizing-Shame-Free-Embracing/dp/1400209609"><em>Girl, Stop Apologizing</em></a> (2019)</li>
<li>Mark Manson, <a href="https://markmanson.net/books"><em>The Subtle Art of Not Giving a F**k</em></a> (2016)</li>
<li>Richard Carlson, <a href="https://dontsweat.com/books/"><em>Don’t Sweat the Small Stuff….</em></a> (1997)</li>
<li>Alain de Botton, <a href="https://www.alaindebotton.com/literature/"><em>How Proust Can Change Your Life</em></a> (2012)</li>
<li>
<a href="https://www.britannica.com/event/New-Thought">New Thought</a> (philosophy? religious movement?)</li>
<li>
<em>Samuel Smiles, </em><a href="https://www.bl.uk/collection-items/self-help-by-samuel-smiles">Self-Help; <em>with Illustrations of Character and Conduct</em> </a><em>(1859)</em>
</li>
<li>Orison Swett Marden, <a href="https://www.gutenberg.org/files/20513/20513-h/20513-h.htm"><em>How to Succeed</em></a> (1896)</li>
<li>David Riesman et al. <a href="https://en.wikipedia.org/wiki/The_Lonely_Crowd"><em>The Lonely Crowd</em></a> (1950)</li>
<li>Dale Carnegie, <a href="https://en.wikipedia.org/wiki/How_to_Stop_Worrying_and_Start_Living"><em>How to Stop Worrying and Start Living</em> </a>(1945)</li>
<li>
<em>Helen Gurley Brown, </em><a href="https://www.amazon.com/Having-All-Success-Starting-Nothing/dp/0671458132"><em>Having It All </em></a><em>(1982)</em>
</li>
<li>Micki McGee, <a href="https://www.amazon.com/Self-Help-Inc-Makeover-American/dp/0195337263"><em>Self-Help Inc.</em></a> (2007; concept of”self-belabourment”)</li>
<li>Tiffany Dufu, <a href="https://www.amazon.com/dp/1250071763/ref=dp-kindle-redirect?_encoding=UTF8&amp;btkr=1"><em>Drop the Ball: Achieving More by Doing Less</em></a>
</li>
<li>Jenny Odell, <a href="https://www.penguinrandomhouse.com/books/600671/how-to-do-nothing-by-jenny-odell/"><em>How to Do Nothing</em></a> (2019)</li>
<li>Sarah Knight, <a href="https://www.amazon.com/Life-Changing-Magic-Not-Giving-Spending-ebook/dp/B0169ATMBM"><em>The Life-Changing Magic Art of Not Giving a Fuck</em> </a>(2015)</li>
</ul><p><br></p><p><strong>Recallable books</strong></p><ul>
<li>Epictetus, <a href="https://en.wikipedia.org/wiki/Enchiridion_of_Epictetus"><em>Handbook </em></a>(125 C.E.)</li>
<li>Sheil Heti, <a href="https://www.newyorker.com/magazine/2012/06/25/true-lives-2"><em>How Should a Person Be</em></a> (2012)</li>
<li>Adam Smith, <a href="https://en.wikipedia.org/wiki/The_Theory_of_Moral_Sentiments"><em>Theory of Moral Sentiments</em> </a>(1759)</li>
<li>Joseph Conrad <a href="https://en.wikipedia.org/wiki/Nostromo"><em>Nostromo</em></a> (1904)</li>
</ul><p><br></p><p><strong>Read Here:</strong></p><p><a href="https://recallthisbook.org/wp-content/uploads/2020/06/blum-transcript-rtb-7.20.pdf">38 Beth Blum on Self-Help from Carnegie to Today</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1724</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cbb6bb02-8bde-11ef-9709-f7dd55e10eb6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6491008005.mp3?updated=1729185074" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maurice Suckling, "Paper Time Machines: Critical Game Design and Historical Board Games" (Routledge, 2024)</title>
      <description>James Dunnigan’s memorable phrase serves as the first part of a title for this book, where it seeks to be applicable not just to analog wargames, but also to board games exploring non-expressly military history, that is, to political, diplomatic, social, economic, or other forms of history. Don’t board games about history, made predominantly out of (layered) paper, permit a kind of time travel powered by our imagination? 
Paper Time Machines: Critical Game Design and Historical Board Games (Routledge, 2024) is for those who consider this a largely rhetorical question; primarily for designers of historical board games, directed in its more practice-focused sections (Parts Two, Three, and Four) toward those just commencing their journeys through time and space and engaged in learning how to deconstruct and to construct paper time machines.
More experienced designers may find something here for them, too, perhaps to refresh themselves or as an aid to instruction to mentees in whatever capacity. But it is also intended for practitioners of all levels of experience to find value in the surrounding historical contexts and theoretical debates pertinent to the creation of and the thinking around the making of historical board games (Parts One and Five). In addition, it is intended that the book might redirect some of the attention of the field of game studies, so preoccupied with digital games, toward this hitherto generally much neglected area of research.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 12 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maurice Suckling</itunes:subtitle>
      <itunes:summary>James Dunnigan’s memorable phrase serves as the first part of a title for this book, where it seeks to be applicable not just to analog wargames, but also to board games exploring non-expressly military history, that is, to political, diplomatic, social, economic, or other forms of history. Don’t board games about history, made predominantly out of (layered) paper, permit a kind of time travel powered by our imagination? 
Paper Time Machines: Critical Game Design and Historical Board Games (Routledge, 2024) is for those who consider this a largely rhetorical question; primarily for designers of historical board games, directed in its more practice-focused sections (Parts Two, Three, and Four) toward those just commencing their journeys through time and space and engaged in learning how to deconstruct and to construct paper time machines.
More experienced designers may find something here for them, too, perhaps to refresh themselves or as an aid to instruction to mentees in whatever capacity. But it is also intended for practitioners of all levels of experience to find value in the surrounding historical contexts and theoretical debates pertinent to the creation of and the thinking around the making of historical board games (Parts One and Five). In addition, it is intended that the book might redirect some of the attention of the field of game studies, so preoccupied with digital games, toward this hitherto generally much neglected area of research.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>James Dunnigan’s memorable phrase serves as the first part of a title for this book, where it seeks to be applicable not just to analog wargames, but also to board games exploring non-expressly military history, that is, to political, diplomatic, social, economic, or other forms of history. Don’t board games about history, made predominantly out of (layered) paper, permit a kind of time travel powered by our imagination? </p><p><a href="https://bookshop.org/a/12343/9781032416915"><em>Paper Time Machines: Critical Game Design and Historical Board Games </em></a>(Routledge, 2024) is for those who consider this a largely rhetorical question; primarily for designers of historical board games, directed in its more practice-focused sections (Parts Two, Three, and Four) toward those just commencing their journeys through time and space and engaged in learning how to deconstruct and to construct paper time machines.</p><p>More experienced designers may find something here for them, too, perhaps to refresh themselves or as an aid to instruction to mentees in whatever capacity. But it is also intended for practitioners of all levels of experience to find value in the surrounding historical contexts and theoretical debates pertinent to the creation of and the thinking around the making of historical board games (Parts One and Five). In addition, it is intended that the book might redirect some of the attention of the field of game studies, so preoccupied with digital games, toward this hitherto generally much neglected area of research.</p><p>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2058</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[112b5564-8741-11ef-9ed6-e75558d9c02f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5271171154.mp3?updated=1728590456" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Virginia Nicholson, "All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960" (Pegasus Books, 2024)</title>
      <description>In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period.
Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.
Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.
Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 11 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>101</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Virginia Nicholson</itunes:subtitle>
      <itunes:summary>In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period.
Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.
Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.
Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781639367061"><em>All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960</em></a> (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period.</p><p>Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.</p><p>Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.</p><p>Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4060</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[65dd7854-867d-11ef-8273-079485c9ed1a]]></guid>
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    </item>
    <item>
      <title>Aviva Dove-Viebahn, "There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises" (Rutgers UP, 2023)</title>
      <description>There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises (Rutgers UP, 2023) interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart, There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 10 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>216</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aviva Dove-Viebahn</itunes:subtitle>
      <itunes:summary>There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises (Rutgers UP, 2023) interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart, There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978836112"><em>There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises</em></a><em> </em>(Rutgers UP, 2023) interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart<em>, There She Goes Again</em> asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3835</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[020b8f08-85b7-11ef-a771-6b1039d72887]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7457280290.mp3?updated=1728421456" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yolonda Youngs, "Framing Nature: The Creation of an American Icon at the Grand Canyon" (U Nebraska Press, 2024)</title>
      <description>Perhaps no American landscape is as iconic as the rainbow rocks of Arizona's Grand Canyon. Yet, as the geographer Yolonda Youngs argues, the Grand Canyon many people think they know is but one sliver of the story of the wider Grand Canyon as a historical and physical place. 
In Framing Nature: The Creation of an American Icon at the Grand Canyon (U Nebraska Press, 2024), Youngs, a Cal State - San Bernardino professor, tracks the history of the canyon from the perspective of spatial, physical, and visual culture studies. In doing so, she shows how the ways we think of a place shape how humans use that place. In the case of the Grand Canyon, that means the "classic" perspective that people recognize of the canyon from the south rim, means that changes to the riparian landscape hundreds of feet below often go unnoticed. Wider changes in American visual culture, including the development of postcards, film, and television, also shaped tourist expectations - visitors expecting to see rapids, for instance, rather than the fern groves and waterfalls which also form critical parts of the wider Grand Canyon environment. As the cliche goes, a picture is worth a thousand words, and in the example of the Grand Canyon, those same storytelling pictures also shape use in ways that continue up through the present day.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 09 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yolonda Youngs</itunes:subtitle>
      <itunes:summary>Perhaps no American landscape is as iconic as the rainbow rocks of Arizona's Grand Canyon. Yet, as the geographer Yolonda Youngs argues, the Grand Canyon many people think they know is but one sliver of the story of the wider Grand Canyon as a historical and physical place. 
In Framing Nature: The Creation of an American Icon at the Grand Canyon (U Nebraska Press, 2024), Youngs, a Cal State - San Bernardino professor, tracks the history of the canyon from the perspective of spatial, physical, and visual culture studies. In doing so, she shows how the ways we think of a place shape how humans use that place. In the case of the Grand Canyon, that means the "classic" perspective that people recognize of the canyon from the south rim, means that changes to the riparian landscape hundreds of feet below often go unnoticed. Wider changes in American visual culture, including the development of postcards, film, and television, also shaped tourist expectations - visitors expecting to see rapids, for instance, rather than the fern groves and waterfalls which also form critical parts of the wider Grand Canyon environment. As the cliche goes, a picture is worth a thousand words, and in the example of the Grand Canyon, those same storytelling pictures also shape use in ways that continue up through the present day.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Perhaps no American landscape is as iconic as the rainbow rocks of Arizona's Grand Canyon. Yet, as the geographer Yolonda Youngs argues, the Grand Canyon many people think they know is but one sliver of the story of the wider Grand Canyon as a historical and physical place. </p><p>In <a href="https://bookshop.org/a/12343/9781496202185"><em>Framing Nature: The Creation of an American Icon at the Grand Canyon</em> </a>(U Nebraska Press, 2024), Youngs, a Cal State - San Bernardino professor, tracks the history of the canyon from the perspective of spatial, physical, and visual culture studies. In doing so, she shows how the ways we think of a place shape how humans use that place. In the case of the Grand Canyon, that means the "classic" perspective that people recognize of the canyon from the south rim, means that changes to the riparian landscape hundreds of feet below often go unnoticed. Wider changes in American visual culture, including the development of postcards, film, and television, also shaped tourist expectations - visitors expecting to see rapids, for instance, rather than the fern groves and waterfalls which also form critical parts of the wider Grand Canyon environment. As the cliche goes, a picture is worth a thousand words, and in the example of the Grand Canyon, those same storytelling pictures also shape use in ways that continue up through the present day.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3821</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>John Withington, "A History of Fireworks from: Their Origins to the Present Day" (Reaktion, 2024)</title>
      <description>A History of Fireworks from: Their Origins to the Present Day (Reaktion, 2024) by John Withington illuminates the glittering history of fireworks, from their mysterious beginnings to the dazzling big-budget displays of today. It describes how they enthralled the world’s royal courts and became a sensation across the British Empire. There are stories of innovations like ‘living fireworks’, fiercely fought international competitions and the technology behind modern showpieces viewed by millions. Practitioners say fireworks are an art, and they have inspired artists from Shakespeare, Handel, Dickens and Whistler to Katy Perry. But Withington also covers fireworks’ practical uses – rescues at sea, attempts to control the weather – while not ignoring their dangers, accidents or efforts to make them safer.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Withington</itunes:subtitle>
      <itunes:summary>A History of Fireworks from: Their Origins to the Present Day (Reaktion, 2024) by John Withington illuminates the glittering history of fireworks, from their mysterious beginnings to the dazzling big-budget displays of today. It describes how they enthralled the world’s royal courts and became a sensation across the British Empire. There are stories of innovations like ‘living fireworks’, fiercely fought international competitions and the technology behind modern showpieces viewed by millions. Practitioners say fireworks are an art, and they have inspired artists from Shakespeare, Handel, Dickens and Whistler to Katy Perry. But Withington also covers fireworks’ practical uses – rescues at sea, attempts to control the weather – while not ignoring their dangers, accidents or efforts to make them safer.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789149357"><em>A History of Fireworks from: Their Origins to the Present Day</em> </a>(Reaktion, 2024) by John Withington illuminates the glittering history of fireworks, from their mysterious beginnings to the dazzling big-budget displays of today. It describes how they enthralled the world’s royal courts and became a sensation across the British Empire. There are stories of innovations like ‘living fireworks’, fiercely fought international competitions and the technology behind modern showpieces viewed by millions. Practitioners say fireworks are an art, and they have inspired artists from Shakespeare, Handel, Dickens and Whistler to Katy Perry. But Withington also covers fireworks’ practical uses – rescues at sea, attempts to control the weather – while not ignoring their dangers, accidents or efforts to make them safer.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3481</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a3309850-84e1-11ef-90a6-a7262fa2c761]]></guid>
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    <item>
      <title>Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019)</title>
      <description>It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Henderson</itunes:subtitle>
      <itunes:summary>It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with <a href="https://en.wikipedia.org/wiki/Barry_Keith_Grant">Barry Keith Grant</a>, <a href="https://www.linkedin.com/in/scott-henderson-632b2a122/?originalSubdomain=ca">Scott Henderson</a> (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. <a href="https://www.amazon.com/dp/1477319395/?tag=newbooinhis-20"><em>Comics and Pop Culture: Adaptation from Panel to Frame</em></a> (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3893</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c1a07edc-841d-11ef-a309-7bcdcc48c73e]]></guid>
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    <item>
      <title>Alexandre Lefebvre, "Liberalism as a Way of Life" (Princeton UP, 2024)</title>
      <description>Why liberalism is all you need to lead a good, fun, worthy, and rewarding life—and how you can become a better and happier person by taking your liberal beliefs more seriously
Where do you get your values and sensibilities from? If you grew up in a Western democracy, the answer is probably liberalism. Conservatives are right about one thing: liberalism is the ideology of our times, as omnipresent as religion once was. 
Yet, as Alexandre Lefebvre argues in Liberalism as a Way of Life (Princeton UP, 2024), many of us are liberal without fully realizing it—or grasping what it means. Misled into thinking that liberalism is confined to politics, we fail to recognize that it’s the water we swim in, saturating every area of public and private life, shaping our psychological and spiritual outlooks, and influencing our moral and aesthetic values—our sense of what is right, wrong, good, bad, funny, worthwhile, and more. This eye-opening book shows how so many of us are liberal to the core, why liberalism provides the basis for a good life, and how we can make our lives better and happier by becoming more aware of, and more committed to, the beliefs we already hold.

A lively, engaging, and uplifting guide to living well, the liberal way, Liberalism as a Way of Life is filled with examples from television, movies, stand-up comedy, and social media—from Parks and Recreation and The Good Place to the Borat movies and Hannah Gadsby. Along the way, you’ll also learn about seventeen benefits of being a liberal—including generosity, humor, cheer, gratitude, tolerance, and peace of mind—and practical exercises to increase these rewards.
Alexandre Lefebvre is Professor of Politics and Philosophy at The University of Sydney. He teaches and researches in political theory, the history of political thought

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 04 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>741</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexandre Lefebvre</itunes:subtitle>
      <itunes:summary>Why liberalism is all you need to lead a good, fun, worthy, and rewarding life—and how you can become a better and happier person by taking your liberal beliefs more seriously
Where do you get your values and sensibilities from? If you grew up in a Western democracy, the answer is probably liberalism. Conservatives are right about one thing: liberalism is the ideology of our times, as omnipresent as religion once was. 
Yet, as Alexandre Lefebvre argues in Liberalism as a Way of Life (Princeton UP, 2024), many of us are liberal without fully realizing it—or grasping what it means. Misled into thinking that liberalism is confined to politics, we fail to recognize that it’s the water we swim in, saturating every area of public and private life, shaping our psychological and spiritual outlooks, and influencing our moral and aesthetic values—our sense of what is right, wrong, good, bad, funny, worthwhile, and more. This eye-opening book shows how so many of us are liberal to the core, why liberalism provides the basis for a good life, and how we can make our lives better and happier by becoming more aware of, and more committed to, the beliefs we already hold.

A lively, engaging, and uplifting guide to living well, the liberal way, Liberalism as a Way of Life is filled with examples from television, movies, stand-up comedy, and social media—from Parks and Recreation and The Good Place to the Borat movies and Hannah Gadsby. Along the way, you’ll also learn about seventeen benefits of being a liberal—including generosity, humor, cheer, gratitude, tolerance, and peace of mind—and practical exercises to increase these rewards.
Alexandre Lefebvre is Professor of Politics and Philosophy at The University of Sydney. He teaches and researches in political theory, the history of political thought

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why liberalism is all you need to lead a good, fun, worthy, and rewarding life—and how you can become a better and happier person by taking your liberal beliefs more seriously</p><p>Where do you get your values and sensibilities from? If you grew up in a Western democracy, the answer is probably liberalism. Conservatives are right about one thing: liberalism is the ideology of our times, as omnipresent as religion once was. </p><p>Yet, as Alexandre Lefebvre argues in <a href="https://bookshop.org/a/12343/9780691203744"><em>Liberalism as a Way of Life</em></a><em> </em>(Princeton UP, 2024), many of us are liberal without fully realizing it—or grasping what it means. Misled into thinking that liberalism is confined to politics, we fail to recognize that it’s the water we swim in, saturating every area of public and private life, shaping our psychological and spiritual outlooks, and influencing our moral and aesthetic values—our sense of what is right, wrong, good, bad, funny, worthwhile, and more. This eye-opening book shows how so many of us are liberal to the core, why liberalism provides the basis for a good life, and how we can make our lives better and happier by becoming more aware of, and more committed to, the beliefs we already hold.</p><p><br></p><p>A lively, engaging, and uplifting guide to living well, the liberal way, <em>Liberalism as a Way of Life </em>is filled with examples from television, movies, stand-up comedy, and social media—from <em>Parks and Recreation</em> and <em>The Good Place</em> to the Borat movies and Hannah Gadsby. Along the way, you’ll also learn about seventeen benefits of being a liberal—including generosity, humor, cheer, gratitude, tolerance, and peace of mind—and practical exercises to increase these rewards.</p><p>Alexandre Lefebvre is Professor of Politics and Philosophy at The University of Sydney. He teaches and researches in political theory, the history of political thought</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4399</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[709ca638-81ba-11ef-aaf7-ff63fdffdad0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4300969822.mp3?updated=1727983133" length="0" type="audio/mpeg"/>
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      <title>Gerald Sim, "Screening Big Data: Films That Shape Our Algorithmic Literacy" (Routledge, 2024)</title>
      <description>Screening Big Data: Films that Shape Our Algorithmic Literacy (Routledge, 2024) examines the influence of key films on public understanding of big data and the algorithmic systems that structure our digitally mediated lives.
From star-powered blockbusters to civic-minded documentaries positioned to facilitate weighty debates about artificial intelligence, these texts frame our discourse and mediate our relationship to technology. Above all, they impact society’s abilities to regulate AI and navigate big tech’s political and economic manoeuvres to achieve market dominance and regulatory capture. 
Foregrounding data politics with close readings of key films like Moneyball, Minority Report, The Social Dilemma, and Coded Bias, in Screening Big Data by Dr. Gerald Sim reveals compelling ways in which films and tech industry–adjacent media define apprehension of AI. With the mid-2010s techlash in danger of fizzling out, Screening Big Data explores the relationship between this resistance and cultural infrastructure while highlighting the urgent need to refocus attention onto how technocentric media occupy the public imagination.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 03 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>370</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gerald Sim</itunes:subtitle>
      <itunes:summary>Screening Big Data: Films that Shape Our Algorithmic Literacy (Routledge, 2024) examines the influence of key films on public understanding of big data and the algorithmic systems that structure our digitally mediated lives.
From star-powered blockbusters to civic-minded documentaries positioned to facilitate weighty debates about artificial intelligence, these texts frame our discourse and mediate our relationship to technology. Above all, they impact society’s abilities to regulate AI and navigate big tech’s political and economic manoeuvres to achieve market dominance and regulatory capture. 
Foregrounding data politics with close readings of key films like Moneyball, Minority Report, The Social Dilemma, and Coded Bias, in Screening Big Data by Dr. Gerald Sim reveals compelling ways in which films and tech industry–adjacent media define apprehension of AI. With the mid-2010s techlash in danger of fizzling out, Screening Big Data explores the relationship between this resistance and cultural infrastructure while highlighting the urgent need to refocus attention onto how technocentric media occupy the public imagination.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367772635"><em>Screening Big Data: Films that Shape Our Algorithmic Literacy</em></a> (Routledge, 2024) examines the influence of key films on public understanding of big data and the algorithmic systems that structure our digitally mediated lives.</p><p>From star-powered blockbusters to civic-minded documentaries positioned to facilitate weighty debates about artificial intelligence, these texts frame our discourse and mediate our relationship to technology. Above all, they impact society’s abilities to regulate AI and navigate big tech’s political and economic manoeuvres to achieve market dominance and regulatory capture. </p><p>Foregrounding data politics with close readings of key films like Moneyball, Minority Report, The Social Dilemma, and Coded Bias,<em> </em>in<em> Screening Big Data</em> by Dr. Gerald Sim reveals compelling ways in which films and tech industry–adjacent media define apprehension of AI. With the mid-2010s techlash in danger of fizzling out, <em>Screening Big Data</em> explores the relationship between this resistance and cultural infrastructure while highlighting the urgent need to refocus attention onto how technocentric media occupy the public imagination.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3970</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[be2087ac-80b7-11ef-918c-ebd6150e70c5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3739873255.mp3?updated=1727872066" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alessandra Seggi, "Youth and Suicide in American Cinema: Context, Causes, and Consequences" (Palgrave MacMillan, 2022)</title>
      <description>Listener note: This interview contains discussions of suicide. 
Youth and Suicide in American Cinema: Context, Causes, and Consequences (Palgrave MacMillan, 2022) explores the depiction of suicide in American youth films from 1900 to 2019. Anchored in Sociology, this multidisciplinary study investigates the causes and consequences of suicide and uncovers the socio-cultural context for the development of youth, film, and suicide. While such cinematic portrayals seem to privilege external explanations of suicide versus internal or psychological ones, overall they are neither rich nor sensitive. Most are simplistic, limited or at the very least unbalanced. At times, they are flatly controversial. In light of this overall problematic depiction of suicide, this book offers a proactive approach to empower young audiences--a media literacy strategy to embrace while watching these films.
A Fulbright grantee and an award-winning artist, Alessandra Seggi (PhD in Sociology and MA in Media Studies) teaches at Villanova University, Pennsylvania, USA.
Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 29 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alessandra Seggi</itunes:subtitle>
      <itunes:summary>Listener note: This interview contains discussions of suicide. 
Youth and Suicide in American Cinema: Context, Causes, and Consequences (Palgrave MacMillan, 2022) explores the depiction of suicide in American youth films from 1900 to 2019. Anchored in Sociology, this multidisciplinary study investigates the causes and consequences of suicide and uncovers the socio-cultural context for the development of youth, film, and suicide. While such cinematic portrayals seem to privilege external explanations of suicide versus internal or psychological ones, overall they are neither rich nor sensitive. Most are simplistic, limited or at the very least unbalanced. At times, they are flatly controversial. In light of this overall problematic depiction of suicide, this book offers a proactive approach to empower young audiences--a media literacy strategy to embrace while watching these films.
A Fulbright grantee and an award-winning artist, Alessandra Seggi (PhD in Sociology and MA in Media Studies) teaches at Villanova University, Pennsylvania, USA.
Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Listener note: This interview contains discussions of suicide. </strong></p><p><a href="https://bookshop.org/a/12343/9783031086885"><em>Youth and Suicide in American Cinema: Context, Causes, and Consequences</em></a> (Palgrave MacMillan, 2022) explores the depiction of suicide in American youth films from 1900 to 2019. Anchored in Sociology, this multidisciplinary study investigates the causes and consequences of suicide and uncovers the socio-cultural context for the development of youth, film, and suicide. While such cinematic portrayals seem to privilege external explanations of suicide versus internal or psychological ones, overall they are neither rich nor sensitive. Most are simplistic, limited or at the very least unbalanced. At times, they are flatly controversial. In light of this overall problematic depiction of suicide, this book offers a proactive approach to empower young audiences--a media literacy strategy to embrace while watching these films.</p><p>A Fulbright grantee and an award-winning artist, Alessandra Seggi (PhD in Sociology and MA in Media Studies) teaches at Villanova University, Pennsylvania, USA.</p><p>Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4082</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc6ad9fa-7dbc-11ef-9b9c-37ffe2500460]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9094877434.mp3?updated=1727708792" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Konrad Bercovici, "The Algonquin Round Table: 25 Years with the Legends Who Lunch" (SUNY Press, 2024)</title>
      <description>Konrad Bercovici's The Algonquin Round Table: 25 Years With the Legends Who Lunch (SUNY Press, 2024) is a previously unpublished manuscript exploring the rich history of a New York City landmark. Located in New York's theatre district, the Algonquin Hotel became an artistic hub for the city and a landmark in America's cultural life. It was a meeting place and home away from home for such luminaries as famed wits/authors Alexander Woollcott and Dorothy Parker; Broadway and Hollywood stars, including Tallulah Bankhead and Charles Laughton; popular raconteurs like Robert Benchley; and New York City mayors Jimmy Walker and Fiorello LaGuardia. Observing it all was celebrated author and journalist Konrad Bercovici. Born in Romania, Bercovici settled in New York, where he became known for reporting on its rich cultural life. While digging through an inherited trunk of family papers, his granddaughter, Mirana Comstock, discovered this previously unpublished manuscript on Bercovici's years at the Algonquin Round Table. Lovers of New York lore and fans of American culture will enjoy his vivid, intimate accounts of what it was like to be a member of this distinguished circle.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 28 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mirana Comstock</itunes:subtitle>
      <itunes:summary>Konrad Bercovici's The Algonquin Round Table: 25 Years With the Legends Who Lunch (SUNY Press, 2024) is a previously unpublished manuscript exploring the rich history of a New York City landmark. Located in New York's theatre district, the Algonquin Hotel became an artistic hub for the city and a landmark in America's cultural life. It was a meeting place and home away from home for such luminaries as famed wits/authors Alexander Woollcott and Dorothy Parker; Broadway and Hollywood stars, including Tallulah Bankhead and Charles Laughton; popular raconteurs like Robert Benchley; and New York City mayors Jimmy Walker and Fiorello LaGuardia. Observing it all was celebrated author and journalist Konrad Bercovici. Born in Romania, Bercovici settled in New York, where he became known for reporting on its rich cultural life. While digging through an inherited trunk of family papers, his granddaughter, Mirana Comstock, discovered this previously unpublished manuscript on Bercovici's years at the Algonquin Round Table. Lovers of New York lore and fans of American culture will enjoy his vivid, intimate accounts of what it was like to be a member of this distinguished circle.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Konrad Bercovici's <a href="https://newbooksnetwork.com/admin/entries/episodes/Located%20in%20New%20York's%20theatre%20district,%20the%20Algonquin%20Hotel%20became%20an%20artistic%20hub%20for%20the%20city%20and%20a%20landmark%20in%20America's%20cultural%20life.%20It%20was%20a%20meeting%20place%20and%20home%20away%20from%20home%20for%20such%20luminaries%20as%20famed%20wits/authors%20Alexander%20Woollcott%20and%20Dorothy%20Parker;%20Broadway%20and%20Hollywood%20stars,%20including%20Tallulah%20Bankhead%20and%20Charles%20Laughton;%20popular%20raconteurs%20like%20Robert%20Benchley;%20and%20New%20York%20City%20mayors%20Jimmy%20Walker%20and%20Fiorello%20LaGuardia.%20Observing%20it%20all%20was%20celebrated%20author%20and%20journalist%20Konrad%20Bercovici.%20Born%20in%20Romania,%20Bercovici%20settled%20in%20New%20York,%20where%20he%20became%20known%20for%20reporting%20on%20its%20rich%20cultural%20life.%20While%20digging%20through%20an%20inherited%20trunk%20of%20family%20papers,%20his%20granddaughter,%20Mirana%20Comstock,%20discovered%20this%20previously%20unpublished%20manuscript%20on%20Bercovici's%20years%20at%20the%20Algonquin%20Round%20Table.%20Lovers%20of%20New%20York%20lore%20and%20fans%20of%20American%20culture%20will%20enjoy%20his%20vivid,%20intimate%20accounts%20of%20what%20it%20was%20like%20to%20be%20a%20member%20of%20this%20distinguished%20circle."><em>The Algonquin Round Table: 25 Years With the Legends Who Lunch</em></a><em> </em>(SUNY Press, 2024) is a previously unpublished manuscript exploring the rich history of a New York City landmark. Located in New York's theatre district, the Algonquin Hotel became an artistic hub for the city and a landmark in America's cultural life. It was a meeting place and home away from home for such luminaries as famed wits/authors Alexander Woollcott and Dorothy Parker; Broadway and Hollywood stars, including Tallulah Bankhead and Charles Laughton; popular raconteurs like Robert Benchley; and New York City mayors Jimmy Walker and Fiorello LaGuardia. Observing it all was celebrated author and journalist Konrad Bercovici. Born in Romania, Bercovici settled in New York, where he became known for reporting on its rich cultural life. While digging through an inherited trunk of family papers, his granddaughter, Mirana Comstock, discovered this previously unpublished manuscript on Bercovici's years at the Algonquin Round Table. Lovers of New York lore and fans of American culture will enjoy his vivid, intimate accounts of what it was like to be a member of this distinguished circle.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2586</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a76d4904-7d07-11ef-b858-871fe8158263]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3625964575.mp3?updated=1727466768" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jordan Minor, "Video Game of the Year: A Year-By-Year Guide to the Best, Boldest, and Most Bizarre Games from Every Year Since 1977" (Abrams, 2023)</title>
      <description>Pong. The Legend of Zelda. Final Fantasy VII. Rock Band. Fortnite. Animal Crossing: New Horizons. For each of the 40 years of video game history, there is a defining game, a game that captured the zeitgeist and left a legacy for all games that followed. Through a series of entertaining, informative, and opinionated critical essays, author and tech journalist Jordan Minor investigates, in chronological order, the most innovative, genre-bending, and earth-shattering games from 1977 through 2022. Exploring development stories, critical reception, and legacy, Minor also looks at how gaming intersects with and eventually influences society at large while reveling in how uniquely and delightfully bizarre even the most famous games tend to be. 
From portly plumbers to armor-clad space marines and the speedy rodents in between, Video Game of the Year: A Year-By-Year Guide to the Best, Boldest, and Most Bizarre Games from Every Year Since 1977 (Abrams, 2023) paints individual portraits that, as a whole, give readers a stronger appreciation for the vibrant variety and long-lasting impact of this fresh, exciting, and massively popular art form. Illustrated throughout with retro-inspired imagery and featuring contributions from dozens of leading industry voices, including New York Times bestselling author Jason Schreier, Max Scoville, Rebekah Valentine, Blessing Adeoye Jr., and Devindra Hardawar, this year-by-year anthology is a loving reflection on the world’s most popular art form.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jordan Minor</itunes:subtitle>
      <itunes:summary>Pong. The Legend of Zelda. Final Fantasy VII. Rock Band. Fortnite. Animal Crossing: New Horizons. For each of the 40 years of video game history, there is a defining game, a game that captured the zeitgeist and left a legacy for all games that followed. Through a series of entertaining, informative, and opinionated critical essays, author and tech journalist Jordan Minor investigates, in chronological order, the most innovative, genre-bending, and earth-shattering games from 1977 through 2022. Exploring development stories, critical reception, and legacy, Minor also looks at how gaming intersects with and eventually influences society at large while reveling in how uniquely and delightfully bizarre even the most famous games tend to be. 
From portly plumbers to armor-clad space marines and the speedy rodents in between, Video Game of the Year: A Year-By-Year Guide to the Best, Boldest, and Most Bizarre Games from Every Year Since 1977 (Abrams, 2023) paints individual portraits that, as a whole, give readers a stronger appreciation for the vibrant variety and long-lasting impact of this fresh, exciting, and massively popular art form. Illustrated throughout with retro-inspired imagery and featuring contributions from dozens of leading industry voices, including New York Times bestselling author Jason Schreier, Max Scoville, Rebekah Valentine, Blessing Adeoye Jr., and Devindra Hardawar, this year-by-year anthology is a loving reflection on the world’s most popular art form.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Pong. The Legend of Zelda. Final Fantasy VII. Rock Band. Fortnite. Animal Crossing: New Horizons. For each of the 40 years of video game history, there is a defining game, a game that captured the zeitgeist and left a legacy for all games that followed. Through a series of entertaining, informative, and opinionated critical essays, author and tech journalist Jordan Minor investigates, in chronological order, the most innovative, genre-bending, and earth-shattering games from 1977 through 2022. Exploring development stories, critical reception, and legacy, Minor also looks at how gaming intersects with and eventually influences society at large while reveling in how uniquely and delightfully bizarre even the most famous games tend to be. </p><p>From portly plumbers to armor-clad space marines and the speedy rodents in between, <a href="https://bookshop.org/a/12343/9781419762055">V<em>ideo Game of the Year: A Year-By-Year Guide to the Best, Boldest, and Most Bizarre Games from Every Year Since 1977</em></a> (Abrams, 2023) paints individual portraits that, as a whole, give readers a stronger appreciation for the vibrant variety and long-lasting impact of this fresh, exciting, and massively popular art form. Illustrated throughout with retro-inspired imagery and featuring contributions from dozens of leading industry voices, including New York Times bestselling author Jason Schreier, Max Scoville, Rebekah Valentine, Blessing Adeoye Jr., and Devindra Hardawar, this year-by-year anthology is a loving reflection on the world’s most popular art form.</p><p>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1027</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db5cf38e-7b42-11ef-83c1-63a9ad9306cc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4317800222.mp3?updated=1727271440" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jane Little Botkin, "The Pink Dress: A Memoir of a Reluctant Beauty Queen" (She Writes Press, 2024)</title>
      <description>Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off.
A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs.
The Pink Dress: A Memoir of a Reluctant Beauty Queen (She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>100</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jane Little Botkin</itunes:subtitle>
      <itunes:summary>Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off.
A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs.
The Pink Dress: A Memoir of a Reluctant Beauty Queen (She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off.</p><p>A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs.</p><p><a href="https://bookshop.org/a/12343/9781647427405"><em>The Pink Dress: A Memoir of a Reluctant Beauty Queen</em></a><em> </em>(She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2261</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[80624342-78fb-11ef-870b-5bbaacfc15a6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9859757967.mp3?updated=1727021639" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Kroening Seitz, "A Different Trek: Radical Geographies of Deep Space Nine" (U Nebraska Press, 2023)</title>
      <description>A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.
Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalised in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, A Different Trek: Radical Geographies of Deep Space Nine (University of Nebraska Press, 2023) by Dr. David Seitz is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Kroening Seitz</itunes:subtitle>
      <itunes:summary>A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.
Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalised in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, A Different Trek: Radical Geographies of Deep Space Nine (University of Nebraska Press, 2023) by Dr. David Seitz is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.</p><p>Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalised in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, <a href="https://bookshop.org/a/12343/9781496235428"><em>A Different Trek: Radical Geographies of Deep Space Nine</em></a> (University of Nebraska Press, 2023) by Dr. David Seitz is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3440</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[41232436-769d-11ef-9c49-e3a09fa52be0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2203474184.mp3?updated=1726761868" length="0" type="audio/mpeg"/>
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    <item>
      <title>Lisa Fletcher and Elizabeth Leane, "Space, Place, and Bestsellers: Moving Books" (Cambridge UP, 2024)</title>
      <description>From airport bookstores to deckchairs, as audiobooks downloaded by commuters, and on Kindles and other portable devices, twenty-first century bestsellers move in old and new ways. In Space, Place, and Bestsellers: Moving Books (Cambridge University Press Elements in Publishing and Book Culture series, 2024), Lisa Fletcher and Elizabeth Leane examine the locations and mobilities of the contemporary bestseller as a multi-format commercial object. It employs paratextual, textual, and site-based analysis of the spatiality of bestsellers and considers the centrality of geography to the commercial promise of these books. Space, Place, and Bestsellers provides analysis of the spatial logic of bestseller lists, evidence-rich accounts of the physical and digital retail sites through which bestsellers flow, and new interpretations of how affixing the label 'bestseller' individual authors and titles generates industrial, social, and textual effects. Through its multi-layered analysis, this book offers a new model for studying the spatiality of popular fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lisa Fletcher and Elizabeth Leane</itunes:subtitle>
      <itunes:summary>From airport bookstores to deckchairs, as audiobooks downloaded by commuters, and on Kindles and other portable devices, twenty-first century bestsellers move in old and new ways. In Space, Place, and Bestsellers: Moving Books (Cambridge University Press Elements in Publishing and Book Culture series, 2024), Lisa Fletcher and Elizabeth Leane examine the locations and mobilities of the contemporary bestseller as a multi-format commercial object. It employs paratextual, textual, and site-based analysis of the spatiality of bestsellers and considers the centrality of geography to the commercial promise of these books. Space, Place, and Bestsellers provides analysis of the spatial logic of bestseller lists, evidence-rich accounts of the physical and digital retail sites through which bestsellers flow, and new interpretations of how affixing the label 'bestseller' individual authors and titles generates industrial, social, and textual effects. Through its multi-layered analysis, this book offers a new model for studying the spatiality of popular fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From airport bookstores to deckchairs, as audiobooks downloaded by commuters, and on Kindles and other portable devices, twenty-first century bestsellers move in old and new ways. In <a href="https://bookshop.org/a/12343/9781108738538"><em>Space, Place, and Bestsellers: Moving Books</em></a> (Cambridge University Press Elements in Publishing and Book Culture series, 2024), Lisa Fletcher and Elizabeth Leane examine the locations and mobilities of the contemporary bestseller as a multi-format commercial object. It employs paratextual, textual, and site-based analysis of the spatiality of bestsellers and considers the centrality of geography to the commercial promise of these books. <em>Space, Place, and Bestsellers</em> provides analysis of the spatial logic of bestseller lists, evidence-rich accounts of the physical and digital retail sites through which bestsellers flow, and new interpretations of how affixing the label 'bestseller' individual authors and titles generates industrial, social, and textual effects. Through its multi-layered analysis, this book offers a new model for studying the spatiality of popular fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3634</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[48ad27e0-76ae-11ef-870d-07f36ce3b92e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4030472232.mp3?updated=1726769552" length="0" type="audio/mpeg"/>
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    <item>
      <title>Marta Fijak and Artur Ganszyniec, "How and Why We Make Games" (CRC Press, 2024)</title>
      <description>How and Why We Make Games (CRC Press, 2024) delves into the intricate realms of games and their creation, examining them through cultural, systemic, and, most notably, human lenses. It explores diverse themes such as authorship, creative responsibility, the tension between games as a product and games as a form of cultural expression, and the myth of a universal audience.
The book analyzes why we should put politics in our games and how hyperrealism may be a trap. It also proposes a new framework for thinking about game narrative and a different paradigm for the production altogether. Topics tackled are approached from a multidisciplinary perspective, so be prepared to read both about Peter Paul Rubens and John Carmack. There are also graphs, system rhetorics discussions, and the market reality—stakeholders, return on investments, and the gaming bubble bursting.
This book is written for readers passionate about the craft of making games, including journalists and industry professionals. It offers a more humanistic perspective on games, presented by experienced writers who know the intricacies of game development.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marta Fijak and Artur Ganszyniec</itunes:subtitle>
      <itunes:summary>How and Why We Make Games (CRC Press, 2024) delves into the intricate realms of games and their creation, examining them through cultural, systemic, and, most notably, human lenses. It explores diverse themes such as authorship, creative responsibility, the tension between games as a product and games as a form of cultural expression, and the myth of a universal audience.
The book analyzes why we should put politics in our games and how hyperrealism may be a trap. It also proposes a new framework for thinking about game narrative and a different paradigm for the production altogether. Topics tackled are approached from a multidisciplinary perspective, so be prepared to read both about Peter Paul Rubens and John Carmack. There are also graphs, system rhetorics discussions, and the market reality—stakeholders, return on investments, and the gaming bubble bursting.
This book is written for readers passionate about the craft of making games, including journalists and industry professionals. It offers a more humanistic perspective on games, presented by experienced writers who know the intricacies of game development.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032343327"><em>How and Why We Make Games</em></a><em> </em>(CRC Press, 2024) delves into the intricate realms of games and their creation, examining them through cultural, systemic, and, most notably, human lenses. It explores diverse themes such as authorship, creative responsibility, the tension between games as a product and games as a form of cultural expression, and the myth of a universal audience.</p><p>The book analyzes why we should put politics in our games and how hyperrealism may be a trap. It also proposes a new framework for thinking about game narrative and a different paradigm for the production altogether. Topics tackled are approached from a multidisciplinary perspective, so be prepared to read both about Peter Paul Rubens and John Carmack<strong>. </strong>There are also graphs, system rhetorics discussions, and the market reality—stakeholders, return on investments, and the gaming bubble bursting.</p><p>This book is written for readers passionate about the craft of making games, including journalists and industry professionals. It offers a more humanistic perspective on games, presented by experienced writers who know the intricacies of game development.</p><p>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1911</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[06cd1a5a-7529-11ef-aabc-bf816db2889c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4491517698.mp3?updated=1726601202" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sheri Chinen Biesen, "Through a Noir Lens: Adapting Film Noir Visual Style" (Columbia UP, 2024)</title>
      <description>Shadows. Smoke. Dark alleys. Rain-slicked city streets. These are iconic elements of film noir visual style. Long after its 1940s heyday, noir hallmarks continue to appear in a variety of new media forms and styles. What has made the noir aesthetic at once enduring and adaptable? Sheri Chinen Biesen's Through a Noir Lens: Adapting Film Noir Visual Style (Columbia UP, 2024) explores how the dark cinematic noir style has evolved across eras, from classic Hollywood to present-day streaming services. Examining both aesthetics and material production conditions, she demonstrates how technological and industrial changes have influenced the imagery of film noir. 
Biesen considers the persistence of the noir legacy, discussing how neo-noirs reimagine iconic imagery and why noir style has become a touchstone in the streaming era. Drawing on a wealth of archival research, she provides insightful analyses of a wide range of works, from masterpieces directed by Billy Wilder and Alfred Hitchcock to New Hollywood neo-noirs, the Coen brothers' revisionist films, and recent HBO and Netflix series.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sheri Chinen Biesen</itunes:subtitle>
      <itunes:summary>Shadows. Smoke. Dark alleys. Rain-slicked city streets. These are iconic elements of film noir visual style. Long after its 1940s heyday, noir hallmarks continue to appear in a variety of new media forms and styles. What has made the noir aesthetic at once enduring and adaptable? Sheri Chinen Biesen's Through a Noir Lens: Adapting Film Noir Visual Style (Columbia UP, 2024) explores how the dark cinematic noir style has evolved across eras, from classic Hollywood to present-day streaming services. Examining both aesthetics and material production conditions, she demonstrates how technological and industrial changes have influenced the imagery of film noir. 
Biesen considers the persistence of the noir legacy, discussing how neo-noirs reimagine iconic imagery and why noir style has become a touchstone in the streaming era. Drawing on a wealth of archival research, she provides insightful analyses of a wide range of works, from masterpieces directed by Billy Wilder and Alfred Hitchcock to New Hollywood neo-noirs, the Coen brothers' revisionist films, and recent HBO and Netflix series.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Shadows. Smoke. Dark alleys. Rain-slicked city streets. These are iconic elements of film noir visual style. Long after its 1940s heyday, noir hallmarks continue to appear in a variety of new media forms and styles. What has made the noir aesthetic at once enduring and adaptable? Sheri Chinen Biesen's<a href="https://bookshop.org/a/12343/9780231215640"> <em>Through a Noir Lens: Adapting Film Noir Visual Style</em></a> (Columbia UP, 2024) explores how the dark cinematic noir style has evolved across eras, from classic Hollywood to present-day streaming services. Examining both aesthetics and material production conditions, she demonstrates how technological and industrial changes have influenced the imagery of film noir. </p><p>Biesen considers the persistence of the noir legacy, discussing how neo-noirs reimagine iconic imagery and why noir style has become a touchstone in the streaming era. Drawing on a wealth of archival research, she provides insightful analyses of a wide range of works, from masterpieces directed by Billy Wilder and Alfred Hitchcock to New Hollywood neo-noirs, the Coen brothers' revisionist films, and recent HBO and Netflix series.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3865</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[742efed2-7520-11ef-83a3-435303ee3147]]></guid>
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    </item>
    <item>
      <title>Emily Strand and Amy H. Sturgis, "Star Trek: Essays Exploring the Final Frontier" (Vernon Press, 2023)</title>
      <description>n this special Star Trek Day episode on the New Books Network, hosted by Dessy Vassileva from Vernon Press, we celebrate over 55 years of Star Trek with a deep dive into the book Star Trek: Essays Exploring the Final Frontier (Vernon Press, 2023). Co-editors Emily Strand and Amy H. Sturgis join the discussion to explore how Star Trek has shaped science fiction and contributed to broader academic and cultural conversations around speculative fiction.
The anthology, unlike many works that focus on specific parts of the franchise or narrow perspectives, offers a multidisciplinary look at Star Trek, with contributions from scholars across disciplines. From the franchise’s 1966 debut to its latest incarnations, the book covers its influence on fandom, its philosophical and societal implications, and its exploration of contemporary issues such as post-humanism and conspiracy theories in Voyager. The co-editors emphasize Star Trek’s unique ability to address diverse topics and inspire action, both in academic circles and fan communities.
The origins of the book trace back to an invitation from Vernon Press, when Emily approached Amy for a collaboration that eventually resulted in two separate volumes—one on Star Wars and one on Star Trek. Both books have garnered significant academic interest, and the co-editors aimed to create works accessible to scholars, students, and fans alike.
In this episode, Amy and Emily also reflect on their personal journeys into science fiction, from Amy’s early exposure to Star Trek through her family, to Emily’s adult discovery of the franchise after a passion for speculative fiction ignited by Harry Potter. Their conversation highlights Star Trek’s ability to continue resonating with global audiences, addressing issues of diversity, social justice, and human potential in an ever-evolving narrative universe.
Listeners interested in the sister volume on Star Wars can check out the related podcast episode here: Star Wars: Essays Exploring a Galaxy Far, Far Away.
Vernon Press – Bridging Scholarly Ideas and Global Readership
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 16 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>195</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily Strand and Amy H. Sturgis</itunes:subtitle>
      <itunes:summary>n this special Star Trek Day episode on the New Books Network, hosted by Dessy Vassileva from Vernon Press, we celebrate over 55 years of Star Trek with a deep dive into the book Star Trek: Essays Exploring the Final Frontier (Vernon Press, 2023). Co-editors Emily Strand and Amy H. Sturgis join the discussion to explore how Star Trek has shaped science fiction and contributed to broader academic and cultural conversations around speculative fiction.
The anthology, unlike many works that focus on specific parts of the franchise or narrow perspectives, offers a multidisciplinary look at Star Trek, with contributions from scholars across disciplines. From the franchise’s 1966 debut to its latest incarnations, the book covers its influence on fandom, its philosophical and societal implications, and its exploration of contemporary issues such as post-humanism and conspiracy theories in Voyager. The co-editors emphasize Star Trek’s unique ability to address diverse topics and inspire action, both in academic circles and fan communities.
The origins of the book trace back to an invitation from Vernon Press, when Emily approached Amy for a collaboration that eventually resulted in two separate volumes—one on Star Wars and one on Star Trek. Both books have garnered significant academic interest, and the co-editors aimed to create works accessible to scholars, students, and fans alike.
In this episode, Amy and Emily also reflect on their personal journeys into science fiction, from Amy’s early exposure to Star Trek through her family, to Emily’s adult discovery of the franchise after a passion for speculative fiction ignited by Harry Potter. Their conversation highlights Star Trek’s ability to continue resonating with global audiences, addressing issues of diversity, social justice, and human potential in an ever-evolving narrative universe.
Listeners interested in the sister volume on Star Wars can check out the related podcast episode here: Star Wars: Essays Exploring a Galaxy Far, Far Away.
Vernon Press – Bridging Scholarly Ideas and Global Readership
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>n this special Star Trek Day episode on the New Books Network, hosted by Dessy Vassileva from Vernon Press, we celebrate over 55 years of <em>Star Trek</em> with a deep dive into the book <a href="https://bookshop.org/a/12343/9781648898792"><em>Star Trek: Essays Exploring the Final Frontier</em></a><em> </em>(Vernon Press, 2023). Co-editors Emily Strand and Amy H. Sturgis join the discussion to explore how <em>Star Trek</em> has shaped science fiction and contributed to broader academic and cultural conversations around speculative fiction.</p><p>The anthology, unlike many works that focus on specific parts of the franchise or narrow perspectives, offers a multidisciplinary look at <em>Star Trek</em>, with contributions from scholars across disciplines. From the franchise’s 1966 debut to its latest incarnations, the book covers its influence on fandom, its philosophical and societal implications, and its exploration of contemporary issues such as post-humanism and conspiracy theories in <em>Voyager</em>. The co-editors emphasize <em>Star Trek</em>’s unique ability to address diverse topics and inspire action, both in academic circles and fan communities.</p><p>The origins of the book trace back to an invitation from Vernon Press, when Emily approached Amy for a collaboration that eventually resulted in two separate volumes—one on <em>Star Wars</em> and one on <em>Star Trek</em>. Both books have garnered significant academic interest, and the co-editors aimed to create works accessible to scholars, students, and fans alike.</p><p>In this episode, Amy and Emily also reflect on their personal journeys into science fiction, from Amy’s early exposure to <em>Star Trek</em> through her family, to Emily’s adult discovery of the franchise after a passion for speculative fiction ignited by <em>Harry Potter</em>. Their conversation highlights <em>Star Trek</em>’s ability to continue resonating with global audiences, addressing issues of diversity, social justice, and human potential in an ever-evolving narrative universe.</p><p>Listeners interested in the sister volume on <em>Star Wars</em> can check out the related podcast episode here: <a href="https://newbooksnetwork.com/star-wars#entry:309837@1:url"><em>Star Wars: Essays Exploring a Galaxy Far, Far Away</em></a>.</p><p><a href="https://vernonpress.com/">Vernon Press – Bridging Scholarly Ideas and Global Readership</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3522</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[df8840d4-72ce-11ef-b98a-af7f294f0899]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3073688614.mp3?updated=1726343922" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer L. Lambe, "The Subject of Revolution: Between Political and Popular Culture in Cuba" (UNC Press, 2024)</title>
      <description>From television to travel bans, geopolitics to popular dance, The Subject of Revolution: Between Political and Popular Culture in Cuba (UNC Press, 2024) explores how knowledge about the 1959 Cuban Revolution was produced and how the Revolution in turn shaped new worldviews. Drawing on sources from over twenty archives as well as film, music, theater, and material culture, this book traces the consolidation of the Revolution over two decades in the interface between political and popular culture. 
The "subject of Revolution," it proposes, should be understood as the evolving synthesis of the imaginaries constructed by its many "subjects," including revolutionary leaders, activists, academics, and ordinary people within and beyond the island's borders. The book reopens some of the questions that have long animated debates about Cuba, from the relationship between populace and leadership to the archive and its limits, while foregrounding the construction of popular understandings. It argues that the politicization of everyday life was an inescapable effect of the revolutionary process, as well as the catalyst for new ways of knowing and being.
Jennifer Lambe is Associate Professor of History at Brown University. 
Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>224</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer L. Lambe</itunes:subtitle>
      <itunes:summary>From television to travel bans, geopolitics to popular dance, The Subject of Revolution: Between Political and Popular Culture in Cuba (UNC Press, 2024) explores how knowledge about the 1959 Cuban Revolution was produced and how the Revolution in turn shaped new worldviews. Drawing on sources from over twenty archives as well as film, music, theater, and material culture, this book traces the consolidation of the Revolution over two decades in the interface between political and popular culture. 
The "subject of Revolution," it proposes, should be understood as the evolving synthesis of the imaginaries constructed by its many "subjects," including revolutionary leaders, activists, academics, and ordinary people within and beyond the island's borders. The book reopens some of the questions that have long animated debates about Cuba, from the relationship between populace and leadership to the archive and its limits, while foregrounding the construction of popular understandings. It argues that the politicization of everyday life was an inescapable effect of the revolutionary process, as well as the catalyst for new ways of knowing and being.
Jennifer Lambe is Associate Professor of History at Brown University. 
Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From television to travel bans, geopolitics to popular dance, <a href="https://bookshop.org/a/12343/9781469681153"><em>The Subject of Revolution: Between Political and Popular Culture in Cuba</em></a> (UNC Press, 2024) explores how knowledge about the 1959 Cuban Revolution was produced and how the Revolution in turn shaped new worldviews. Drawing on sources from over twenty archives as well as film, music, theater, and material culture, this book traces the consolidation of the Revolution over two decades in the interface between political and popular culture. </p><p>The "subject of Revolution," it proposes, should be understood as the evolving synthesis of the imaginaries constructed by its many "subjects," including revolutionary leaders, activists, academics, and ordinary people within and beyond the island's borders. The book reopens some of the questions that have long animated debates about Cuba, from the relationship between populace and leadership to the archive and its limits, while foregrounding the construction of popular understandings. It argues that the politicization of everyday life was an inescapable effect of the revolutionary process, as well as the catalyst for new ways of knowing and being.</p><p>Jennifer Lambe is Associate Professor of History at Brown University. </p><p><em>Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3524</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[180b3b6e-7135-11ef-be31-9f040d8a0309]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3903442227.mp3?updated=1726514227" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Political Evolution of Taylor Swift</title>
      <description>It’s the UConn Popcast, and today we offer a political science / popular culture studies view of Taylor Swift’s endorsement of Kamala Harris in the 2024 U.S. Presidential Election. We situate Swift’s endorsement within the wider moment of popular culture, and consider her long journey from a self-imposed moratorium on political speech to her current position as the most sought-after endorsement in the election cycle. What does the endorsement mean? Why did she do it? And why did she sign her endorsement as from a “childless cat lady”?
Our previous discussion of Taylor Swift and politics is here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 12 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and today we offer a political science / popular culture studies view of Taylor Swift’s endorsement of Kamala Harris in the 2024 U.S. Presidential Election. We situate Swift’s endorsement within the wider moment of popular culture, and consider her long journey from a self-imposed moratorium on political speech to her current position as the most sought-after endorsement in the election cycle. What does the endorsement mean? Why did she do it? And why did she sign her endorsement as from a “childless cat lady”?
Our previous discussion of Taylor Swift and politics is here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the UConn Popcast, and today we offer a political science / popular culture studies view of Taylor Swift’s endorsement of Kamala Harris in the 2024 U.S. Presidential Election. We situate Swift’s endorsement within the wider moment of popular culture, and consider her long journey from a self-imposed moratorium on political speech to her current position as the most sought-after endorsement in the election cycle. What does the endorsement mean? Why did she do it? And why did she sign her endorsement as from a “childless cat lady”?</p><p>Our previous discussion of Taylor Swift and politics is <a href="https://newbooksnetwork.com/reading-taylor-swift-as-a-cultural-and-political-text#entry:297433@1:url">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1391</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3599a8b4-7072-11ef-8dff-07b399fa11c7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4965758794.mp3?updated=1726082906" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steve Jones, "The Metamodern Slasher Film" (Edinburgh UP, 2024)</title>
      <description>It is commonly proposed that since the mid-2000s, the slasher subgenre has been dominated by unoriginal remakes of "classics". Consequently, most original slasher films have been ignored by academics (and critics), leaving the field with a limited understanding of this highly popular subgenre. 
The Metamodern Slasher Film (Edinburgh UP, 2024) corrects that mischaracterisation by analysing contemporary slasher films that sincerely attempt to innovate within the subgenre. I argue that these films reflect broader cultural turns towards sincerity, optimism in the face of crisis, and an emphasis on felt experience that are indicative of a metamodern sensibility. This is the first book to use metamodernism to analyse film in a sustained way, and the first academic work to use metamodernism to examine horror. The Metamodern Slasher offers readers new ways to understand the slasher film, the horror genre, and also the cultural moment we find ourselves in.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>212</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steve Jones</itunes:subtitle>
      <itunes:summary>It is commonly proposed that since the mid-2000s, the slasher subgenre has been dominated by unoriginal remakes of "classics". Consequently, most original slasher films have been ignored by academics (and critics), leaving the field with a limited understanding of this highly popular subgenre. 
The Metamodern Slasher Film (Edinburgh UP, 2024) corrects that mischaracterisation by analysing contemporary slasher films that sincerely attempt to innovate within the subgenre. I argue that these films reflect broader cultural turns towards sincerity, optimism in the face of crisis, and an emphasis on felt experience that are indicative of a metamodern sensibility. This is the first book to use metamodernism to analyse film in a sustained way, and the first academic work to use metamodernism to examine horror. The Metamodern Slasher offers readers new ways to understand the slasher film, the horror genre, and also the cultural moment we find ourselves in.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is commonly proposed that since the mid-2000s, the slasher subgenre has been dominated by unoriginal remakes of "classics". Consequently, most original slasher films have been ignored by academics (and critics), leaving the field with a limited understanding of this highly popular subgenre. </p><p><a href="https://bookshop.org/a/12343/9781399520959"><em>The Metamodern Slasher Film</em></a> (Edinburgh UP, 2024) corrects that mischaracterisation by analysing contemporary slasher films that sincerely attempt to innovate within the subgenre. I argue that these films reflect broader cultural turns towards sincerity, optimism in the face of crisis, and an emphasis on felt experience that are indicative of a metamodern sensibility. This is the first book to use metamodernism to analyse film in a sustained way, and the first academic work to use metamodernism to examine horror. <em>The Metamodern Slasher</em> offers readers new ways to understand the slasher film, the horror genre, and also the cultural moment we find ourselves in.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3748</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a6c56714-6ee0-11ef-8cc0-03c1a5dc5d76]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1066012629.mp3?updated=1725913641" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Trevor Boffone, "TikTok Broadway: Musical Theatre Fandom in the Digital Age" (Oxford UP, 2024)</title>
      <description>Are you a musical theatre fan who loves TikTok? Or are you curious about how this social media app has changed musical theatre fandom - and even the concept of the musical itself?
TikTok Broadway: Musical Theatre Fandom in the Digital Age (Oxford UP, 2024) takes readers inside the world of TikTok Broadway, where fans create, expand, and canonize musical theatre through viral videos. It argues that TikTok democratizes musical theatre fan cultures and spaces, creating a new canon of musical theatre that reflects the preferences and passions of the fans. Readers will also see how TikTok Broadway influences other aspects of U.S. popular culture, from Broadway shows to TV adaptations.
From Six and Beetlejuice to Wicked and Ratatouille: The TikTok Musical, this book covers the most popular and innovative musical theatre content on TikTok. Author Trevor Boffone, a musical theatre scholar and a TikTok creator, shows how fans use the app to express their love for musical theatre, and how they collaborate to produce original works, such as Bridgerton: The Musical.
TikTok Broadway: Musical Theatre Fandom in the Digital Age shows how the app puts power in the hands of the fans.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 08 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Trevor Boffone</itunes:subtitle>
      <itunes:summary>Are you a musical theatre fan who loves TikTok? Or are you curious about how this social media app has changed musical theatre fandom - and even the concept of the musical itself?
TikTok Broadway: Musical Theatre Fandom in the Digital Age (Oxford UP, 2024) takes readers inside the world of TikTok Broadway, where fans create, expand, and canonize musical theatre through viral videos. It argues that TikTok democratizes musical theatre fan cultures and spaces, creating a new canon of musical theatre that reflects the preferences and passions of the fans. Readers will also see how TikTok Broadway influences other aspects of U.S. popular culture, from Broadway shows to TV adaptations.
From Six and Beetlejuice to Wicked and Ratatouille: The TikTok Musical, this book covers the most popular and innovative musical theatre content on TikTok. Author Trevor Boffone, a musical theatre scholar and a TikTok creator, shows how fans use the app to express their love for musical theatre, and how they collaborate to produce original works, such as Bridgerton: The Musical.
TikTok Broadway: Musical Theatre Fandom in the Digital Age shows how the app puts power in the hands of the fans.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Are you a musical theatre fan who loves TikTok? Or are you curious about how this social media app has changed musical theatre fandom - and even the concept of the musical itself?</p><p><a href="https://bookshop.org/a/12343/9780197743676"><em>TikTok Broadway: Musical Theatre Fandom in the Digital Age</em></a><em> </em>(Oxford UP, 2024) takes readers inside the world of TikTok Broadway, where fans create, expand, and canonize musical theatre through viral videos. It argues that TikTok democratizes musical theatre fan cultures and spaces, creating a new canon of musical theatre that reflects the preferences and passions of the fans. Readers will also see how TikTok Broadway influences other aspects of U.S. popular culture, from Broadway shows to TV adaptations.</p><p>From <em>Six</em> and <em>Beetlejuice</em> to <em>Wicked</em> and <em>Ratatouille: The TikTok Musical</em>, this book covers the most popular and innovative musical theatre content on TikTok. Author Trevor Boffone, a musical theatre scholar and a TikTok creator, shows how fans use the app to express their love for musical theatre, and how they collaborate to produce original works, such as <em>Bridgerton: The Musical</em>.</p><p><em>TikTok Broadway: Musical Theatre Fandom in the Digital Age </em>shows how the app puts power in the hands of the fans.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3606</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8047c4d8-6d28-11ef-b6bc-179fb9e9f152]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4514536220.mp3?updated=1725721928" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yiu Fai Chow et al., "It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong" (Palgrave Macmillan, 2024)</title>
      <description>It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong (Palgrave Macmillan 2024) is unique in focusing on just one band from one city – but the story of Tat Ming Pair, in so many ways, is the story of Hong Kong's recent decades, from the Handover to the Umbrella Movement to 2019's standoff. A comprehensive, theoretically informed study of the sonic history and present of Hong Kong through the prism of Tat Ming Pair, this book will be of interest to cultural studies scholars, scholars of Hong Kong, and those who study the arts in East Asia. The is an open access book. You can download the book here  
Yiu Fai Chow is Professor at the Department of Humanities and Creative Writing of Hong Kong Baptist University.
Jeroen de Kloet is Professor of Globalisation Studies at the University of Amsterdam.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 07 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>251</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yiu Fai Chow, and Jeroen de Kloet</itunes:subtitle>
      <itunes:summary>It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong (Palgrave Macmillan 2024) is unique in focusing on just one band from one city – but the story of Tat Ming Pair, in so many ways, is the story of Hong Kong's recent decades, from the Handover to the Umbrella Movement to 2019's standoff. A comprehensive, theoretically informed study of the sonic history and present of Hong Kong through the prism of Tat Ming Pair, this book will be of interest to cultural studies scholars, scholars of Hong Kong, and those who study the arts in East Asia. The is an open access book. You can download the book here  
Yiu Fai Chow is Professor at the Department of Humanities and Creative Writing of Hong Kong Baptist University.
Jeroen de Kloet is Professor of Globalisation Studies at the University of Amsterdam.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9789819967094"><em>It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong</em> </a>(Palgrave Macmillan 2024) is unique in focusing on just one band from one city – but the story of Tat Ming Pair, in so many ways, is the story of Hong Kong's recent decades, from the Handover to the Umbrella Movement to 2019's standoff. A comprehensive, theoretically informed study of the sonic history and present of Hong Kong through the prism of Tat Ming Pair, this book will be of interest to cultural studies scholars, scholars of Hong Kong, and those who study the arts in East Asia. The is an open access book. You can download the book <a href="https://link.springer.com/book/10.1007/978-981-99-6710-0">here</a>  </p><p><strong>Yiu Fai</strong> <strong>Chow</strong> is Professor at the Department of Humanities and Creative Writing of Hong Kong Baptist University.</p><p><strong>Jeroen de Kloet</strong> is Professor of Globalisation Studies at the University of Amsterdam.</p><p>Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3605</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bdc6b128-6c71-11ef-9cbd-63e5136e5ead]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6576482560.mp3?updated=1725643139" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tom Boniface-Webb, "Modern Music Masters: Oasis" (MMM, 2020)</title>
      <description>In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band Modern Music Masters-Oasis (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. Modern Music Masters-Oasis looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. Modern Music Masters-Oasis is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 07 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Interview with Tom Boniface-Webb</itunes:subtitle>
      <itunes:summary>In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band Modern Music Masters-Oasis (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. Modern Music Masters-Oasis looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. Modern Music Masters-Oasis is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band <a href="https://www.amazon.com/Modern-Music-Masters-Almost-everything-ebook/dp/B08H789WG8"><em>Modern Music Masters-Oasis</em></a> (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. <em>Modern Music Masters-Oasis</em> looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. <em>Modern Music Masters-Oasis</em> is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4266</itunes:duration>
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    <item>
      <title>Mark Blake, "Dreams: The Many Lives of Fleetwood Mac" (Pegasus Books, 2024)</title>
      <description>An illuminating deep-dive into everything Fleetwood Mac--the songs, the rivalries, the successes, and the failures—Dreams: The Many Lives of Fleetwood Mac (Pegasus Books, 2024) evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story.
Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac.
Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history.
Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century.
Among Mark Blake's previous books are Magnifico!: The A to Z of Queen; the bestselling Comfortably Numb: The Inside Story of Pink Floyd; and Bring It On Home: Peter Grant, Led Zeppelin and Beyond, which was listed as a "Music Book of the Year" by the London Times, the Sunday Times, the Daily Mail, and the Daily Telegraph. Mark lives in England.
Mark on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 06 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>250</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Blake</itunes:subtitle>
      <itunes:summary>An illuminating deep-dive into everything Fleetwood Mac--the songs, the rivalries, the successes, and the failures—Dreams: The Many Lives of Fleetwood Mac (Pegasus Books, 2024) evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story.
Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac.
Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history.
Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century.
Among Mark Blake's previous books are Magnifico!: The A to Z of Queen; the bestselling Comfortably Numb: The Inside Story of Pink Floyd; and Bring It On Home: Peter Grant, Led Zeppelin and Beyond, which was listed as a "Music Book of the Year" by the London Times, the Sunday Times, the Daily Mail, and the Daily Telegraph. Mark lives in England.
Mark on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An illuminating deep-dive into everything Fleetwood Mac--the songs, the rivalries, the successes, and the failures—<a href="https://bookshop.org/a/12343/9781639367320"><em>Dreams: The Many Lives of Fleetwood Mac</em></a><em> </em>(Pegasus Books, 2024) evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story.</p><p>Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac.</p><p><em>Dreams</em> is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history.</p><p>Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century.</p><p>Among Mark Blake's previous books are <em>Magnifico!: The A to Z of Queen</em>; the bestselling <em>Comfortably Numb: The Inside Story of Pink Floyd</em>; and <em>Bring It On Home: Peter Grant, Led Zeppelin and Beyond</em>, which was listed as a "Music Book of the Year" by the <em>London Times</em>, the <em>Sunday Times</em>, the <em>Daily Mail</em>, and the <em>Daily Telegraph</em>. Mark lives in England.</p><p>Mark on <a href="https://x.com/MarkBlake3">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America </em>(LSU Press, Spring 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3142</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Chris Richardson, "Batman and the Joker: Contested Sexuality in Popular Culture" (Routledge, 2020)</title>
      <description>In Batman and The Joker: Contested Sexuality in Popular Culture (Routledge, 2020), Chris Richardson presents a cultural analysis of the ways gender, identity, and sexuality are negotiated in the rivalry of Batman and The Joker. Richardson's queer reading of the text provides new understandings of Batman and The Joker and the transformations of the Gotham Universe throughout its 80-year existence. In particular, Richardson investigates how artists, writers, and fans engage with, challenge, and interpret gendered and sexual representations of this influential and popular rivalry. Fans of Batman and The Joker will find this work engaging and applicable across a range of scholarly fields and popular interests.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Richardson</itunes:subtitle>
      <itunes:summary>In Batman and The Joker: Contested Sexuality in Popular Culture (Routledge, 2020), Chris Richardson presents a cultural analysis of the ways gender, identity, and sexuality are negotiated in the rivalry of Batman and The Joker. Richardson's queer reading of the text provides new understandings of Batman and The Joker and the transformations of the Gotham Universe throughout its 80-year existence. In particular, Richardson investigates how artists, writers, and fans engage with, challenge, and interpret gendered and sexual representations of this influential and popular rivalry. Fans of Batman and The Joker will find this work engaging and applicable across a range of scholarly fields and popular interests.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780367409210"><em>Batman and The Joker: Contested Sexuality in Popular Culture</em></a> (Routledge, 2020), Chris Richardson presents a cultural analysis of the ways gender, identity, and sexuality are negotiated in the rivalry of Batman and The Joker. Richardson's queer reading of the text provides new understandings of Batman and The Joker and the transformations of the Gotham Universe throughout its 80-year existence. In particular, Richardson investigates how artists, writers, and fans engage with, challenge, and interpret gendered and sexual representations of this influential and popular rivalry. Fans of Batman and The Joker will find this work engaging and applicable across a range of scholarly fields and popular interests.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3164</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1d13dafa-2506-11eb-93b3-4710e1fc41ec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3621535541.mp3?updated=1725312030" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Malanowski and Nicholas R. Baima, "Why It's Ok to Be a Gamer" (Routledge, 2024)</title>
      <description>If you enjoy video games as a pastime, you are certainly not alone—billions of people worldwide now play video games. However, you may still find yourself reluctant to tell others this fact about yourself. After all, we are routinely warned that video games have the potential to cause addiction and violence. And when we aren’t being warned of their outright harms, we are told we should be doing something better with our time, like going outside, socializing with others, or reading a book. Playing video games is thus often seen at best as a waste of time, and at worst a source of violent tragedy.
Why It's Ok to Be a Gamer (Routledge, 2024) takes on the pervasive assumption that playing video games is a childish and time-wasting hobby, and a potentially addictive and dangerous one at that. It argues instead that there are many ways in which gaming can help us flourish, for example by: developing genuine friendships and other meaningful relationships with others, helping us cultivate a virtuous personal character, giving us a unique aesthetic experience, providing us with psychological benefits, and just plain helping us relax and enjoy ourselves. Video games are not just for those with no life; on the contrary, they can help contribute to a rich and meaningful life.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Malanowski and Nicholas R. Baima</itunes:subtitle>
      <itunes:summary>If you enjoy video games as a pastime, you are certainly not alone—billions of people worldwide now play video games. However, you may still find yourself reluctant to tell others this fact about yourself. After all, we are routinely warned that video games have the potential to cause addiction and violence. And when we aren’t being warned of their outright harms, we are told we should be doing something better with our time, like going outside, socializing with others, or reading a book. Playing video games is thus often seen at best as a waste of time, and at worst a source of violent tragedy.
Why It's Ok to Be a Gamer (Routledge, 2024) takes on the pervasive assumption that playing video games is a childish and time-wasting hobby, and a potentially addictive and dangerous one at that. It argues instead that there are many ways in which gaming can help us flourish, for example by: developing genuine friendships and other meaningful relationships with others, helping us cultivate a virtuous personal character, giving us a unique aesthetic experience, providing us with psychological benefits, and just plain helping us relax and enjoy ourselves. Video games are not just for those with no life; on the contrary, they can help contribute to a rich and meaningful life.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you enjoy video games as a pastime, you are certainly not alone—billions of people worldwide now play video games. However, you may still find yourself reluctant to tell others this fact about yourself. After all, we are routinely warned that video games have the potential to cause addiction and violence. And when we aren’t being warned of their outright harms, we are told we should be doing something better with our time, like going outside, socializing with others, or reading a book. Playing video games is thus often seen at best as a waste of time, and at worst a source of violent tragedy.</p><p><a href="https://bookshop.org/a/12343/9781032312132"><em>Why It's Ok to Be a Gamer </em></a>(Routledge, 2024) takes on the pervasive assumption that playing video games is a childish and time-wasting hobby, and a potentially addictive and dangerous one at that. It argues instead that there are many ways in which gaming can help us flourish, for example by: developing genuine friendships and other meaningful relationships with others, helping us cultivate a virtuous personal character, giving us a unique aesthetic experience, providing us with psychological benefits, and just plain helping us relax and enjoy ourselves. Video games are not just for those with no life; on the contrary, they can help contribute to a rich and meaningful life.</p><p>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1419</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1f35b3fa-6957-11ef-afb8-779afc88ade7]]></guid>
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    <item>
      <title>John S. Garrison, "Red Hot + Blue" (Bloomsbury, 2024)</title>
      <description>John Garrison's Red Hot + Blue (33 1/3 Series) (Bloomsbury, 2024)  is a meditation on music's capacity to find us, transform us, and help us make sense of our historical moment. In a narrative that blends memoir and history, Red Hot + Blue explores Garrison's coming out at the height of the AIDS crisis alongside the history of the music industry's response to the epidemic. The book's centerpiece is a major 1990 effort by musical artists to break through the silence and stigma about the disease. The resulting tribute album drew inspiration from the life and work of the legendary composer Cole Porter, who himself wrestled with the joy and sorrow that accompanies love in a judgmental society. Leading musicians, including Debbie Harry, Annie Lennox, Sinead O'Connor, Iggy Pop, and U2, interpreted some of Porter's most iconic songs - “Don't Fence Me In,” “Every Time We Say Goodbye,” “Night and Day”- offering not just a joyful tribute to a composer and a community, but a shared vision of survival. Red Hot + Blue returns us to the early 1990s to reveal how the love songs of the past can be revived to speak to new audiences in times of need. The book is the portrait of an album, a pandemic and a young man's coming of age in the era of both.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 02 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John S. Garrison</itunes:subtitle>
      <itunes:summary>John Garrison's Red Hot + Blue (33 1/3 Series) (Bloomsbury, 2024)  is a meditation on music's capacity to find us, transform us, and help us make sense of our historical moment. In a narrative that blends memoir and history, Red Hot + Blue explores Garrison's coming out at the height of the AIDS crisis alongside the history of the music industry's response to the epidemic. The book's centerpiece is a major 1990 effort by musical artists to break through the silence and stigma about the disease. The resulting tribute album drew inspiration from the life and work of the legendary composer Cole Porter, who himself wrestled with the joy and sorrow that accompanies love in a judgmental society. Leading musicians, including Debbie Harry, Annie Lennox, Sinead O'Connor, Iggy Pop, and U2, interpreted some of Porter's most iconic songs - “Don't Fence Me In,” “Every Time We Say Goodbye,” “Night and Day”- offering not just a joyful tribute to a composer and a community, but a shared vision of survival. Red Hot + Blue returns us to the early 1990s to reveal how the love songs of the past can be revived to speak to new audiences in times of need. The book is the portrait of an album, a pandemic and a young man's coming of age in the era of both.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>John Garrison's <a href="https://bookshop.org/a/12343/9798765106631"><em>Red Hot + Blue (33 1/3 Series)</em></a> (Bloomsbury, 2024)  is a meditation on music's capacity to find us, transform us, and help us make sense of our historical moment. In a narrative that blends memoir and history, <em>Red Hot + Blue</em> explores Garrison's coming out at the height of the AIDS crisis alongside the history of the music industry's response to the epidemic. The book's centerpiece is a major 1990 effort by musical artists to break through the silence and stigma about the disease. The resulting tribute album drew inspiration from the life and work of the legendary composer Cole Porter, who himself wrestled with the joy and sorrow that accompanies love in a judgmental society. Leading musicians, including Debbie Harry, Annie Lennox, Sinead O'Connor, Iggy Pop, and U2, interpreted some of Porter's most iconic songs - “Don't Fence Me In,” “Every Time We Say Goodbye,” “Night and Day”- offering not just a joyful tribute to a composer and a community, but a shared vision of survival. Red Hot + Blue returns us to the early 1990s to reveal how the love songs of the past can be revived to speak to new audiences in times of need. The book is the portrait of an album, a pandemic and a young man's coming of age in the era of both.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2693</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>James P. Leary, “Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946” (U Wisconsin Press, 2015)</title>
      <description>Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 (University of Wisconsin Press) first appeared in 2015 when it comprised of a hardback book, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk or World Music” award from the Association for Recorded Sound Collections, was nominated for a Grammy for “Best Album Notes,” received universally superlative reviews, and sold out within a year. The project has now been re-issued as a paperback, albeit without any accompanying discs; instead the related tracks and film footage are now available for online access care of the University of Wisconsin-Madison Library.
It’s not hard to fathom why this monumental work received so much acclaim. A groundbreaking multimedia endeavor, Folksongs of Another America is the product of decades of work by the distinguished folklorist, James P. Leary. Leary is, amongst other things, Professor Emeritus of Folklore and Scandinavian Studies and Cofounder of the Center for the Study of Upper Midwestern Cultures at the University of Wisconsin–Madison, a former editor of the Journal of American Folklore, and a native of rural Wisconsin, which is one of the three states – along with Michigan and Minnesota – whose rich musical bounty is explored in this study.
Leary sifted through over 2,000 field recordings, made by fieldworkers Sidney Robertson, Alan Lomax, and Helene Stratman-Thomas during the 1930s and 40s, to select the 187 tunes and songs that feature here. Together the chosen pieces create the impression of a region populated by immigrants from a host of different lands, as well as by Native Americans, all with their own musical traditions. For every track, Leary offers extensive documentation, information about the performers, and full lyrics (including in the original language with English translation as necessary which, given that the collection includes twenty-five languages, is often the case). The recordings themselves, which have been wonderfully restored and remastered, provide vivid aural experiences.
Folksongs of Another America is, as noted by a reviewer for Deutschlandradio Kultur, “an exceptional achievement that demonstrates for the first time the full worth and cultural wealth of the Upper Midwest for music listeners.”

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 01 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James P. Leary</itunes:subtitle>
      <itunes:summary>Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 (University of Wisconsin Press) first appeared in 2015 when it comprised of a hardback book, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk or World Music” award from the Association for Recorded Sound Collections, was nominated for a Grammy for “Best Album Notes,” received universally superlative reviews, and sold out within a year. The project has now been re-issued as a paperback, albeit without any accompanying discs; instead the related tracks and film footage are now available for online access care of the University of Wisconsin-Madison Library.
It’s not hard to fathom why this monumental work received so much acclaim. A groundbreaking multimedia endeavor, Folksongs of Another America is the product of decades of work by the distinguished folklorist, James P. Leary. Leary is, amongst other things, Professor Emeritus of Folklore and Scandinavian Studies and Cofounder of the Center for the Study of Upper Midwestern Cultures at the University of Wisconsin–Madison, a former editor of the Journal of American Folklore, and a native of rural Wisconsin, which is one of the three states – along with Michigan and Minnesota – whose rich musical bounty is explored in this study.
Leary sifted through over 2,000 field recordings, made by fieldworkers Sidney Robertson, Alan Lomax, and Helene Stratman-Thomas during the 1930s and 40s, to select the 187 tunes and songs that feature here. Together the chosen pieces create the impression of a region populated by immigrants from a host of different lands, as well as by Native Americans, all with their own musical traditions. For every track, Leary offers extensive documentation, information about the performers, and full lyrics (including in the original language with English translation as necessary which, given that the collection includes twenty-five languages, is often the case). The recordings themselves, which have been wonderfully restored and remastered, provide vivid aural experiences.
Folksongs of Another America is, as noted by a reviewer for Deutschlandradio Kultur, “an exceptional achievement that demonstrates for the first time the full worth and cultural wealth of the Upper Midwest for music listeners.”

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://uwpress.wisc.edu/books/5231.htm">Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946</a> (University of Wisconsin Press) first appeared in 2015 when it comprised of a <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvbO2Vec8yJbqi3BtEaeCvIAAAFlbERYZAEAAAFKAcVU3q0/https://www.amazon.com/dp/0299301540/ref=as_at?creativeASIN=0299301540&amp;linkCode=w61&amp;imprToken=hB5w0qQNcC3eYLQIIGq5mQ&amp;slotNum=0&amp;tag=newbooinhis-20">hardback book</a>, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk or World Music” award from the Association for Recorded Sound Collections, was nominated for a Grammy for “Best Album Notes,” received universally superlative reviews, and sold out within a year. The project has now been re-issued as a paperback, albeit without any accompanying discs; instead the related tracks and film footage are now available for online access care of the <a href="https://uwdc.library.wisc.edu/collections/localcenters/fsoaa/">University of Wisconsin-Madison Library</a>.</p><p>It’s not hard to fathom why this monumental work received so much acclaim. A groundbreaking multimedia endeavor, Folksongs of Another America is the product of decades of work by the distinguished folklorist, <a href="https://clfs.wisc.edu/people/faculty/jim-leary">James P. Leary</a>. Leary is, amongst other things, Professor Emeritus of Folklore and Scandinavian Studies and Cofounder of the Center for the Study of Upper Midwestern Cultures at the University of Wisconsin–Madison, a former editor of the Journal of American Folklore, and a native of rural Wisconsin, which is one of the three states – along with Michigan and Minnesota – whose rich musical bounty is explored in this study.</p><p>Leary sifted through over 2,000 field recordings, made by fieldworkers Sidney Robertson, Alan Lomax, and Helene Stratman-Thomas during the 1930s and 40s, to select the 187 tunes and songs that feature here. Together the chosen pieces create the impression of a region populated by immigrants from a host of different lands, as well as by Native Americans, all with their own musical traditions. For every track, Leary offers extensive documentation, information about the performers, and full lyrics (including in the original language with English translation as necessary which, given that the collection includes twenty-five languages, is often the case). The recordings themselves, which have been wonderfully restored and remastered, provide vivid aural experiences.</p><p>Folksongs of Another America is, as noted by a reviewer for Deutschlandradio Kultur, “an exceptional achievement that demonstrates for the first time the full worth and cultural wealth of the Upper Midwest for music listeners.”</p><p><br></p><p><a href="http://rachelhopkin.com/">Rachel Hopkin</a> is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3367</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=77228]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1978271330.mp3?updated=1725130682" length="0" type="audio/mpeg"/>
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      <title>Mel Stanfill, "Fandom Is Ugly: Networked Harassment in Participatory Culture" (NYU Press, 2024)</title>
      <description>In their latest book, Fandom is Ugly: Networked Harassment in Participatory Culture (NYU Press, 2024), Mel Stafill highlights the importance of considering contemporary public culture through the lens of fan studies The Gamergate harassment campaign of women in video games, the “Unite the Right” rally where hundreds of Confederate monument supporters cried out racist and antisemitic slurs in Charlottesville, and the targeted racist and sexist harassment of Star Wars’ Asian American actress Kelly Marie Tran all have one thing in common: they demonstrate the collective power and underlying ugliness of fandoms. These fans might feel victimized or betrayed by the content they’ve intertwined with their own identities, or they may simply feel that they’re speaking truth to power. Regardless, by connecting via social media, they can unleash enormous amounts of hate, which often results in severe real-world consequences. 
Fandom Is Ugly argues that reactionary politics and media fandoms go hand in hand, and to understand one, we need to understand the other. Stanfill pushes back on two mainstream assumptions: that media and the pleasure of consumption are frivolous and unworthy of study, and that fandoms are inherently progressive. Drawing on a corpus of angry social media posts, Fandom Is Ugly finds that ugly moments happen when deep emotional attachments collide with social structures and situations that have been misunderstood. By holistically examining the forms of ugly fandom in cases that touch upon race, gender, and sexuality, Fandom Is Ugly produces a comprehensive theory of the negative sides of fan attachments.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 31 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>194</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mel Stanfill</itunes:subtitle>
      <itunes:summary>In their latest book, Fandom is Ugly: Networked Harassment in Participatory Culture (NYU Press, 2024), Mel Stafill highlights the importance of considering contemporary public culture through the lens of fan studies The Gamergate harassment campaign of women in video games, the “Unite the Right” rally where hundreds of Confederate monument supporters cried out racist and antisemitic slurs in Charlottesville, and the targeted racist and sexist harassment of Star Wars’ Asian American actress Kelly Marie Tran all have one thing in common: they demonstrate the collective power and underlying ugliness of fandoms. These fans might feel victimized or betrayed by the content they’ve intertwined with their own identities, or they may simply feel that they’re speaking truth to power. Regardless, by connecting via social media, they can unleash enormous amounts of hate, which often results in severe real-world consequences. 
Fandom Is Ugly argues that reactionary politics and media fandoms go hand in hand, and to understand one, we need to understand the other. Stanfill pushes back on two mainstream assumptions: that media and the pleasure of consumption are frivolous and unworthy of study, and that fandoms are inherently progressive. Drawing on a corpus of angry social media posts, Fandom Is Ugly finds that ugly moments happen when deep emotional attachments collide with social structures and situations that have been misunderstood. By holistically examining the forms of ugly fandom in cases that touch upon race, gender, and sexuality, Fandom Is Ugly produces a comprehensive theory of the negative sides of fan attachments.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their latest book, <a href="https://nyupress.org/9781479824960/fandom-is-ugly/"><em>Fandom is Ugly: Networked Harassment in Participatory Culture </em></a>(NYU Press, 2024), Mel Stafill highlights the importance of considering contemporary public culture through the lens of fan studies The Gamergate harassment campaign of women in video games, the “Unite the Right” rally where hundreds of Confederate monument supporters cried out racist and antisemitic slurs in Charlottesville, and the targeted racist and sexist harassment of Star Wars’ Asian American actress Kelly Marie Tran all have one thing in common: they demonstrate the collective power and underlying ugliness of fandoms. These fans might feel victimized or betrayed by the content they’ve intertwined with their own identities, or they may simply feel that they’re speaking truth to power. Regardless, by connecting via social media, they can unleash enormous amounts of hate, which often results in severe real-world consequences. </p><p>Fandom Is Ugly argues that reactionary politics and media fandoms go hand in hand, and to understand one, we need to understand the other. Stanfill pushes back on two mainstream assumptions: that media and the pleasure of consumption are frivolous and unworthy of study, and that fandoms are inherently progressive. Drawing on a corpus of angry social media posts, <em>Fandom Is Ugly </em>finds that ugly moments happen when deep emotional attachments collide with social structures and situations that have been misunderstood. By holistically examining the forms of ugly fandom in cases that touch upon race, gender, and sexuality, Fandom Is Ugly produces a comprehensive theory of the negative sides of fan attachments.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2789</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[965a9de6-670f-11ef-bf26-c74dd6a546cc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8720086572.mp3?updated=1725051434" length="0" type="audio/mpeg"/>
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    <item>
      <title>Steven Watts, "Citizen Cowboy: Will Rogers and the American People" (Cambridge UP, 2024)</title>
      <description>Citizen Cowboy: Will Rogers and the American People (Cambridge UP, 2024) is a probing biography of one of America's most influential cultural figures. Will Rogers was a youth from the Cherokee Indian Territory of Oklahoma who rose to conquer nearly every form of media and entertainment in the early twentieth century's rapidly expanding consumer society. Through vaudeville, the Ziegfeld Follies and Broadway, syndicated newspaper and magazine writing, the lecture circuit, radio, and Hollywood movies, Rogers built his reputation as a folksy humorist whose wit made him a national symbol of common sense, common decency, and common people. Though a friend of presidents, movie stars and industrial leaders, it was his bond with ordinary people that endeared him to mass audiences. Making his fellow Americans laugh and think while honoring the past and embracing the future, Rogers helped ease them into the modern world and they loved him for it.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 31 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Watts</itunes:subtitle>
      <itunes:summary>Citizen Cowboy: Will Rogers and the American People (Cambridge UP, 2024) is a probing biography of one of America's most influential cultural figures. Will Rogers was a youth from the Cherokee Indian Territory of Oklahoma who rose to conquer nearly every form of media and entertainment in the early twentieth century's rapidly expanding consumer society. Through vaudeville, the Ziegfeld Follies and Broadway, syndicated newspaper and magazine writing, the lecture circuit, radio, and Hollywood movies, Rogers built his reputation as a folksy humorist whose wit made him a national symbol of common sense, common decency, and common people. Though a friend of presidents, movie stars and industrial leaders, it was his bond with ordinary people that endeared him to mass audiences. Making his fellow Americans laugh and think while honoring the past and embracing the future, Rogers helped ease them into the modern world and they loved him for it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781108495936"><em>Citizen Cowboy: Will Rogers and the American People</em></a> (Cambridge UP, 2024) is a probing biography of one of America's most influential cultural figures. Will Rogers was a youth from the Cherokee Indian Territory of Oklahoma who rose to conquer nearly every form of media and entertainment in the early twentieth century's rapidly expanding consumer society. Through vaudeville, the Ziegfeld Follies and Broadway, syndicated newspaper and magazine writing, the lecture circuit, radio, and Hollywood movies, Rogers built his reputation as a folksy humorist whose wit made him a national symbol of common sense, common decency, and common people. Though a friend of presidents, movie stars and industrial leaders, it was his bond with ordinary people that endeared him to mass audiences. Making his fellow Americans laugh and think while honoring the past and embracing the future, Rogers helped ease them into the modern world and they loved him for it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2188</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eb08f46a-66f0-11ef-a41b-1b75ace04039]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2261313785.mp3?updated=1725037091" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Randall Stephens, "The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock n’ Roll" (Harvard UP, 2018)</title>
      <description>I was immediately drawn to the book The Devil’s Music by Dr. Randall Stephens, Associate Professor of British and American Studies at the University of Oslo. Dr. Stephens and I came across one another online and the book, which combines part rock n’ roll history, part American Christianity history, was an absolute delight for me. The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock n’ Roll out now from Harvard University Press (2018), tells the story of how my experiences with rock music in the 1990’s came to be. From the inside cover of the book, “When rock n’roll emerged in the 1950’s, ministers denounced it from their pulpits and Sunday school teachers warned of the music’s demonic origins. The big beat, Billy Graham believed, was “ever working in the world for evil.” Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil’s Music tells the story of this transformation. Enjoy our conversation.
Greg Soden is the host “Classical Ideas,” a podcast about religion and religious ideas. You can find it on iTunes here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 28 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Randall Stephens</itunes:subtitle>
      <itunes:summary>I was immediately drawn to the book The Devil’s Music by Dr. Randall Stephens, Associate Professor of British and American Studies at the University of Oslo. Dr. Stephens and I came across one another online and the book, which combines part rock n’ roll history, part American Christianity history, was an absolute delight for me. The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock n’ Roll out now from Harvard University Press (2018), tells the story of how my experiences with rock music in the 1990’s came to be. From the inside cover of the book, “When rock n’roll emerged in the 1950’s, ministers denounced it from their pulpits and Sunday school teachers warned of the music’s demonic origins. The big beat, Billy Graham believed, was “ever working in the world for evil.” Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil’s Music tells the story of this transformation. Enjoy our conversation.
Greg Soden is the host “Classical Ideas,” a podcast about religion and religious ideas. You can find it on iTunes here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I was immediately drawn to the book <em>The Devil’s Music</em> by Dr. <a href="https://www.hf.uio.no/ilos/english/people/aca/randalls/index.html">Randall Stephens</a>, Associate Professor of British and American Studies at the University of Oslo. Dr. Stephens and I came across one another online and the book, which combines part rock n’ roll history, part American Christianity history, was an absolute delight for me. <a href="https://aax-us-east.amazon-adsystem.com/x/c/QmqwhYt3DqNWKEnIQ9cow68AAAFpSaxSbgEAAAFKAeVto-E/https://www.amazon.com/dp/0674980840/?creativeASIN=0674980840&amp;linkCode=w61&amp;imprToken=MFcFwhyjO7HVyw-tnTuPZQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock n’ Roll</em></a> out now from Harvard University Press (2018), tells the story of how my experiences with rock music in the 1990’s came to be. From the inside cover of the book, “When rock n’roll emerged in the 1950’s, ministers denounced it from their pulpits and Sunday school teachers warned of the music’s demonic origins. The big beat, Billy Graham believed, was “ever working in the world for evil.” Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil’s Music tells the story of this transformation. Enjoy our conversation.</p><p><em>Greg Soden is the host “</em><a href="https://classicalideaspodcast.libsyn.com/"><em>Classical Ideas</em></a><em>,” a podcast about religion and religious ideas. You can find it on iTunes </em><a href="https://itunes.apple.com/us/podcast/the-classical-ideas-podcast/id1268915829"><em>here</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3321</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[21a18d9a-64b0-11ef-a7a6-bb2d4d2dfc74]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1114965571.mp3?updated=1724791130" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steve Moriarty, "Mia Zapata and the Gits: A True Story of Art, Rock and Revolution" (Ferel House, 2024)</title>
      <description>Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support. 
This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans. 
Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 26 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steve Moriarty</itunes:subtitle>
      <itunes:summary>Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support. 
This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans. 
Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781627311502"><em>Mia Zapata and the Gits: A True Story of Art, Rock and Revolution</em></a><em> </em>(Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support. </p><p>This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans. </p><p>Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3225</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e9a86346-624d-11ef-a7c8-97294035bcf6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3706320820.mp3?updated=1724529319" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Can "Alien: Romulus" Revive the Alien Franchise?</title>
      <description>Fede Alvarez’s "Alien: Romulus" hit cinemas on August 16th. It’s set between the events of Alien and Aliens, two science fiction classics. We review the movie and ask whether it continues the thematic work done in its lauded predecessors, touching on capitalism, AI, body horror, subversion of sexual and reproductive systems, colonialism, class, and genre.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Fede Alvarez’s "Alien: Romulus" hit cinemas on August 16th. It’s set between the events of Alien and Aliens, two science fiction classics. We review the movie and ask whether it continues the thematic work done in its lauded predecessors, touching on capitalism, AI, body horror, subversion of sexual and reproductive systems, colonialism, class, and genre.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fede Alvarez’s "Alien: Romulus" hit cinemas on August 16th. It’s set between the events of Alien and Aliens, two science fiction classics. We review the movie and ask whether it continues the thematic work done in its lauded predecessors, touching on capitalism, AI, body horror, subversion of sexual and reproductive systems, colonialism, class, and genre.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3347</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Karen Tongson, "Normporn: Queer Viewers and the TV That Soothes Us" (NYU Press, 2023)</title>
      <description>In Normporn: Queer Viewers and the TV That Soothes Us (NYU Press, 2023), Karen Tongson presents an irreverent look at the love-hate relationship between queer viewers and mainstream family TV shows like Gilmore Girls and This Is Us. After personal loss, political upheaval, and the devastation of the COVID-19 pandemic, many of us craved a return to business as usual, the mundane, the middlebrow. We turned to TV to find these things. For nearly forty years, network television has produced a constant stream of “cry-along” sentimental-realist dramedies designed to appeal to liberal, heterosexual, white America. But what makes us keep watching, even though these TV series inevitably fail to reflect who we are?
Revisiting soothing network dramedies like Parenthood, Gilmore Girls, This Is Us, and their late-80s precursor, thirtysomething, Normporn mines the nuanced pleasures and attraction-repulsion queer viewers experience watching liberal family-centric shows. Tongson reflects on how queer cultural observers work through repeated declarations of a “new normal” and flash lifestyle trends like “normcore,” even as the absurdity, aberrance, and violence of our culture intensifies. Normporn allows us to process how the intimate traumas of everyday life depicted on certain TV shows—of love, life, death, and loss—are linked to the collective and historical traumas of their contemporary moments, from financial recessions and political crises to the pandemic.
Normporn asks, what are queers to do—what is anyone to do, really—when we are forced to confront the fact of our own normalcy, and our own privilege, inherited or attained? The fantasies, the utopian impulses, and (paradoxically) the unreality of sentimental realist TV drama creates a productive tension that queer spectators in particular take pleasure in, even as—or precisely because—it lulls us into a sense of boredom and stability that we never thought we could want or have. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 18 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karen Tongson</itunes:subtitle>
      <itunes:summary>In Normporn: Queer Viewers and the TV That Soothes Us (NYU Press, 2023), Karen Tongson presents an irreverent look at the love-hate relationship between queer viewers and mainstream family TV shows like Gilmore Girls and This Is Us. After personal loss, political upheaval, and the devastation of the COVID-19 pandemic, many of us craved a return to business as usual, the mundane, the middlebrow. We turned to TV to find these things. For nearly forty years, network television has produced a constant stream of “cry-along” sentimental-realist dramedies designed to appeal to liberal, heterosexual, white America. But what makes us keep watching, even though these TV series inevitably fail to reflect who we are?
Revisiting soothing network dramedies like Parenthood, Gilmore Girls, This Is Us, and their late-80s precursor, thirtysomething, Normporn mines the nuanced pleasures and attraction-repulsion queer viewers experience watching liberal family-centric shows. Tongson reflects on how queer cultural observers work through repeated declarations of a “new normal” and flash lifestyle trends like “normcore,” even as the absurdity, aberrance, and violence of our culture intensifies. Normporn allows us to process how the intimate traumas of everyday life depicted on certain TV shows—of love, life, death, and loss—are linked to the collective and historical traumas of their contemporary moments, from financial recessions and political crises to the pandemic.
Normporn asks, what are queers to do—what is anyone to do, really—when we are forced to confront the fact of our own normalcy, and our own privilege, inherited or attained? The fantasies, the utopian impulses, and (paradoxically) the unreality of sentimental realist TV drama creates a productive tension that queer spectators in particular take pleasure in, even as—or precisely because—it lulls us into a sense of boredom and stability that we never thought we could want or have. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781479846511"><em>Normporn: Queer Viewers and the TV That Soothes Us</em></a> (NYU Press, 2023), Karen Tongson presents an irreverent look at the love-hate relationship between queer viewers and mainstream family TV shows like <em>Gilmore Girls</em> and <em>This Is Us</em>. After personal loss, political upheaval, and the devastation of the COVID-19 pandemic, many of us craved a return to business as usual, the mundane, the middlebrow. We turned to TV to find these things. For nearly forty years, network television has produced a constant stream of “cry-along” sentimental-realist dramedies designed to appeal to liberal, heterosexual, white America. But what makes us keep watching, even though these TV series inevitably fail to reflect who we are?</p><p>Revisiting soothing network dramedies like <em>Parenthood</em>, <em>Gilmore Girls</em>, <em>This Is Us</em>, and their late-80s precursor, <em>thirtysomething</em>, <em>Normporn </em>mines the nuanced pleasures and attraction-repulsion queer viewers experience watching liberal family-centric shows. Tongson reflects on how queer cultural observers work through repeated declarations of a “new normal” and flash lifestyle trends like “normcore,” even as the absurdity, aberrance, and violence of our culture intensifies. <em>Normporn </em>allows us to process how the intimate traumas of everyday life depicted on certain TV shows—of love, life, death, and loss—are linked to the collective and historical traumas of their contemporary moments, from financial recessions and political crises to the pandemic.</p><p><em>Normporn </em>asks, what are queers to do—what is anyone to do, really—when we are forced to confront the fact of our own normalcy, and our own privilege, inherited or attained? The fantasies, the utopian impulses, and (paradoxically) the unreality of sentimental realist TV drama creates a productive tension that queer spectators in particular take pleasure in, even as—or precisely because—it lulls us into a sense of boredom and stability that we never thought we could want or have. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3415</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alonso Duralde, "Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film" (Running Press Adult, 2024)</title>
      <description>Film critic Alonso Duralde and I talk his new book, Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film (Running Press, 2024), including some fascinating anecdotes, case studies, and watershed moments in queer cinematic history, not to mention its creators, its stars, its detractors, and its various ebbs and flows -- from as early as Edison sound experiments to the pornographic underground to more recent strides and mainstream representation in the new millennium. Featuring: your gracious host not being able to pronounce "linoleum."
Alonso Duralde is Chief US Film Critic for The Film Verdict, author of Have Yourself a Movie Little Christmas, and coauthor of I'll Be Home for Christmas Movies. He is the cohost of the Linoleum Knife, Maximum Film!, and Breakfast All Day podcasts, and has discussed film on CNN, PBS, TCM, ABC, and in numerous documentaries.
Tyler Thier is a faculty member and administrator in the Department of Writing Studies &amp; Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, specifically in relation to maligned, dangerous, "poor-taste," and otherwise controversial pieces of film and pop culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 14 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>211</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alonso Duralde</itunes:subtitle>
      <itunes:summary>Film critic Alonso Duralde and I talk his new book, Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film (Running Press, 2024), including some fascinating anecdotes, case studies, and watershed moments in queer cinematic history, not to mention its creators, its stars, its detractors, and its various ebbs and flows -- from as early as Edison sound experiments to the pornographic underground to more recent strides and mainstream representation in the new millennium. Featuring: your gracious host not being able to pronounce "linoleum."
Alonso Duralde is Chief US Film Critic for The Film Verdict, author of Have Yourself a Movie Little Christmas, and coauthor of I'll Be Home for Christmas Movies. He is the cohost of the Linoleum Knife, Maximum Film!, and Breakfast All Day podcasts, and has discussed film on CNN, PBS, TCM, ABC, and in numerous documentaries.
Tyler Thier is a faculty member and administrator in the Department of Writing Studies &amp; Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, specifically in relation to maligned, dangerous, "poor-taste," and otherwise controversial pieces of film and pop culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Film critic Alonso Duralde and I talk his new book, <a href="https://bookshop.org/a/12343/9780762485895"><em>Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film</em></a> (Running Press, 2024), including some fascinating anecdotes, case studies, and watershed moments in queer cinematic history, not to mention its creators, its stars, its detractors, and its various ebbs and flows -- from as early as Edison sound experiments to the pornographic underground to more recent strides and mainstream representation in the new millennium. Featuring: your gracious host not being able to pronounce "linoleum."</p><p>Alonso Duralde is Chief US Film Critic for The Film Verdict, author of <em>Have Yourself a Movie Little Christmas</em>, and coauthor of <em>I'll Be Home for Christmas Movies</em>. He is the cohost of the <em>Linoleum Knife</em>, <em>Maximum Film!</em>, and <em>Breakfast All Day</em> podcasts, and has discussed film on CNN, PBS, TCM, ABC, and in numerous documentaries.</p><p>Tyler Thier is a faculty member and administrator in the Department of Writing Studies &amp; Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, specifically in relation to maligned, dangerous, "poor-taste," and otherwise controversial pieces of film and pop culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3460</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jocelyn Szczepaniak-Gillece, "Movies Under the Influence" (U Minnesota Press, 2024)</title>
      <description>Movies under the Influence (University of Minnesota Press, 2024) by Dr. Jocelyn Szczepaniak-Gillece charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Dr. Szczepaniak-Gillece examines how the parallel trajectories of these two enduring aspects of American culture, linked by their ability to influence individual and collective consciousness, resulted in their being treated and regulated in similar ways. Rather than looking at representations of drug use within film, she regards cinema and intoxicants as kindred experiences of immersion subject to corresponding forces of ideology and power.
Exploring the effects of intoxicants such as caffeine, nicotine, alcohol, marijuana, and psychedelics on film spectatorship, Dr. Szczepaniak-Gillece demonstrates how American movie theaters sought to cultivate a dual identity: as both a place of wholesome entertainment and a shadowy zone of illicit behavior. Movies under the Influence highlights the various legislative, legal, and corporate powers that held sway over the darkened anonymity of theaters, locating the convergence of moviegoing and drug use as a site of mediation and social control in America.
As much as substances and cinema are points where power intervenes, they are also settings of potential transcendence, and Movies under the Influence maintains this paradox as a necessary component of American film history. Recontextualizing a wide range of films, from Hollywood to the avant-garde, this book examines the implicit relationship intoxicants suggest between mass media, spectatorship, and governmental regulation and offers a new angle from which to understand cinema’s lasting role in evolving American culture.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>205</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jocelyn Szczepaniak-Gillece</itunes:subtitle>
      <itunes:summary>Movies under the Influence (University of Minnesota Press, 2024) by Dr. Jocelyn Szczepaniak-Gillece charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Dr. Szczepaniak-Gillece examines how the parallel trajectories of these two enduring aspects of American culture, linked by their ability to influence individual and collective consciousness, resulted in their being treated and regulated in similar ways. Rather than looking at representations of drug use within film, she regards cinema and intoxicants as kindred experiences of immersion subject to corresponding forces of ideology and power.
Exploring the effects of intoxicants such as caffeine, nicotine, alcohol, marijuana, and psychedelics on film spectatorship, Dr. Szczepaniak-Gillece demonstrates how American movie theaters sought to cultivate a dual identity: as both a place of wholesome entertainment and a shadowy zone of illicit behavior. Movies under the Influence highlights the various legislative, legal, and corporate powers that held sway over the darkened anonymity of theaters, locating the convergence of moviegoing and drug use as a site of mediation and social control in America.
As much as substances and cinema are points where power intervenes, they are also settings of potential transcendence, and Movies under the Influence maintains this paradox as a necessary component of American film history. Recontextualizing a wide range of films, from Hollywood to the avant-garde, this book examines the implicit relationship intoxicants suggest between mass media, spectatorship, and governmental regulation and offers a new angle from which to understand cinema’s lasting role in evolving American culture.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781517916268"><em>Movies under the Influence</em></a> (University of Minnesota Press, 2024) by Dr. Jocelyn Szczepaniak-Gillece charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Dr. Szczepaniak-Gillece examines how the parallel trajectories of these two enduring aspects of American culture, linked by their ability to influence individual and collective consciousness, resulted in their being treated and regulated in similar ways. Rather than looking at representations of drug use within film, she regards cinema and intoxicants as kindred experiences of immersion subject to corresponding forces of ideology and power.</p><p>Exploring the effects of intoxicants such as caffeine, nicotine, alcohol, marijuana, and psychedelics on film spectatorship, Dr. Szczepaniak-Gillece demonstrates how American movie theaters sought to cultivate a dual identity: as both a place of wholesome entertainment and a shadowy zone of illicit behavior. Movies under the Influence highlights the various legislative, legal, and corporate powers that held sway over the darkened anonymity of theaters, locating the convergence of moviegoing and drug use as a site of mediation and social control in America.</p><p>As much as substances and cinema are points where power intervenes, they are also settings of potential transcendence, and <em>Movies under the Influence</em> maintains this paradox as a necessary component of American film history. Recontextualizing a wide range of films, from Hollywood to the avant-garde, this book examines the implicit relationship intoxicants suggest between mass media, spectatorship, and governmental regulation and offers a new angle from which to understand cinema’s lasting role in evolving American culture.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3228</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Nora Stone, "How Documentaries Went Mainstream: A History, 1960-2022" (Oxford UP, 2023)</title>
      <description>How Documentaries Went Mainstream: A History, 1960-2022 (Oxford University Press, 2023) provides a more comprehensive and meaningful periodization of the commercialization of documentary film. Although the commercial ascension of documentary films might seem meteoric, it is the culmination of decades-long efforts that have developed and fortified the audience for documentary features.
Author Nora Stone refines rough explanations of these efforts through a robust synoptic history of the market for documentary films, using knowledge of film economics and the norms of industry discourse to tell a richer story. This periodization will allow scholars to compare the commercialization of documentary film with other genres. Drawing on archival documents, industry trade journals and popular press, and interviews with filmmakers and film distributors, Stone illuminates how documentary features have become more plentiful, popular, and profitable than ever before.
Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 08 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>210</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nora Stone</itunes:subtitle>
      <itunes:summary>How Documentaries Went Mainstream: A History, 1960-2022 (Oxford University Press, 2023) provides a more comprehensive and meaningful periodization of the commercialization of documentary film. Although the commercial ascension of documentary films might seem meteoric, it is the culmination of decades-long efforts that have developed and fortified the audience for documentary features.
Author Nora Stone refines rough explanations of these efforts through a robust synoptic history of the market for documentary films, using knowledge of film economics and the norms of industry discourse to tell a richer story. This periodization will allow scholars to compare the commercialization of documentary film with other genres. Drawing on archival documents, industry trade journals and popular press, and interviews with filmmakers and film distributors, Stone illuminates how documentary features have become more plentiful, popular, and profitable than ever before.
Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780197557303"><em>How Documentaries Went Mainstream: A History, 1960-2022</em></a> (Oxford University Press, 2023) provides a more comprehensive and meaningful periodization of the commercialization of documentary film. Although the commercial ascension of documentary films might seem meteoric, it is the culmination of decades-long efforts that have developed and fortified the audience for documentary features.</p><p>Author <a href="https://www.norastonephd.com/">Nora Stone</a> refines rough explanations of these efforts through a robust synoptic history of the market for documentary films, using knowledge of film economics and the norms of industry discourse to tell a richer story. This periodization will allow scholars to compare the commercialization of documentary film with other genres. Drawing on archival documents, industry trade journals and popular press, and interviews with filmmakers and film distributors, Stone illuminates how documentary features have become more plentiful, popular, and profitable than ever before.</p><p><em>Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4019</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[83287f12-54e1-11ef-b6a6-37a64089019b]]></guid>
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    <item>
      <title>Melissa Fitzgerald and Mary McCormack, "What's Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service" (Dutton, 2024)</title>
      <description>Twenty-five years ago, The West Wing premiered to great acclaim. This book is a behind-the-scenes look into the creation and legacy of the series, as told by cast members Melissa Fitzgerald and Mary McCormack. The authors help us step back inside the world of President Jed Bartlet’s Oval Office as they reunite the West Wing cast and crew, including series creator Aaron Sorkin and many others, in a lively and colorful “backstage pass” to the timeless series. 
From cast member origin stories to the collective cathartic farewell on the show’s final night of filming, What's Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service (Dutton, 2024). includes on-set and off-camera anecdotes that even West Wing superfans (Wingnuts) have never heard. Meanwhile, a deeper analysis of the show’s legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honor, creating an aspirational White House beyond the bounds of fictional television. Fitzgerald and McCormick revisit beloved episodes with fresh, untold commentary; compile poignant and hilarious stories from the show’s production; highlight initiatives supported by the cast, crew, and creators; and make a powerful case for competent, empathetic leadership, hope, and optimism for whatever lies ahead.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 07 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>209</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melissa Fitzgerald and Mary McCormack</itunes:subtitle>
      <itunes:summary>Twenty-five years ago, The West Wing premiered to great acclaim. This book is a behind-the-scenes look into the creation and legacy of the series, as told by cast members Melissa Fitzgerald and Mary McCormack. The authors help us step back inside the world of President Jed Bartlet’s Oval Office as they reunite the West Wing cast and crew, including series creator Aaron Sorkin and many others, in a lively and colorful “backstage pass” to the timeless series. 
From cast member origin stories to the collective cathartic farewell on the show’s final night of filming, What's Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service (Dutton, 2024). includes on-set and off-camera anecdotes that even West Wing superfans (Wingnuts) have never heard. Meanwhile, a deeper analysis of the show’s legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honor, creating an aspirational White House beyond the bounds of fictional television. Fitzgerald and McCormick revisit beloved episodes with fresh, untold commentary; compile poignant and hilarious stories from the show’s production; highlight initiatives supported by the cast, crew, and creators; and make a powerful case for competent, empathetic leadership, hope, and optimism for whatever lies ahead.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Twenty-five years ago, <em>The West Wing</em> premiered to great acclaim. This book is a behind-the-scenes look into the creation and legacy of the series, as told by cast members Melissa Fitzgerald and Mary McCormack. The authors help us step back inside the world of President Jed Bartlet’s Oval Office as they reunite the West Wing cast and crew, including series creator Aaron Sorkin and many others, in a lively and colorful “backstage pass” to the timeless series. </p><p>From cast member origin stories to the collective cathartic farewell on the show’s final night of filming, <a href="https://bookshop.org/a/12343/9780593184547"><em>What's Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service</em></a> (Dutton, 2024). includes on-set and off-camera anecdotes that even West Wing superfans (Wingnuts) have never heard. Meanwhile, a deeper analysis of the show’s legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honor, creating an aspirational White House beyond the bounds of fictional television. Fitzgerald and McCormick revisit beloved episodes with fresh, untold commentary; compile poignant and hilarious stories from the show’s production; highlight initiatives supported by the cast, crew, and creators; and make a powerful case for competent, empathetic leadership, hope, and optimism for whatever lies ahead.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3690</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Franz Nicolay, "Band People: Life and Work in Popular Music" (U Texas Press, 2024)</title>
      <description>A close look at the lives of working musicians who aren't the center of their stage.
Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists—these and other “band people" are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class. Artists talk frankly about their careers and attitudes toward their craft, work environment, and group dynamics, and shed light on how support musicians make sense of the weird combination of friend group, gang, small business consortium, long-term creative collaboration, and chosen family that constitutes a band. Is it more important to be a good hang or a virtuoso player? Do bands work best as democracies or autocracies? How do musicians with children balance their personal and professional lives? How much money is too little? And how does it feel to play on hundreds of records, with none released under your name? In exploring these and other questions, Band People: Life and Work in Popular Music (U Texas Press, 2024) gives voice to those who collaborate to create and dissects what it means to be a laborer in the culture industry.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 06 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>248</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Franz Nicolay</itunes:subtitle>
      <itunes:summary>A close look at the lives of working musicians who aren't the center of their stage.
Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists—these and other “band people" are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class. Artists talk frankly about their careers and attitudes toward their craft, work environment, and group dynamics, and shed light on how support musicians make sense of the weird combination of friend group, gang, small business consortium, long-term creative collaboration, and chosen family that constitutes a band. Is it more important to be a good hang or a virtuoso player? Do bands work best as democracies or autocracies? How do musicians with children balance their personal and professional lives? How much money is too little? And how does it feel to play on hundreds of records, with none released under your name? In exploring these and other questions, Band People: Life and Work in Popular Music (U Texas Press, 2024) gives voice to those who collaborate to create and dissects what it means to be a laborer in the culture industry.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A close look at the lives of working musicians who aren't the center of their stage.</p><p>Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists—these and other “band people" are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class. Artists talk frankly about their careers and attitudes toward their craft, work environment, and group dynamics, and shed light on how support musicians make sense of the weird combination of friend group, gang, small business consortium, long-term creative collaboration, and chosen family that constitutes a band. Is it more important to be a good hang or a virtuoso player? Do bands work best as democracies or autocracies? How do musicians with children balance their personal and professional lives? How much money is too little? And how does it feel to play on hundreds of records, with none released under your name? In exploring these and other questions, <a href="https://bookshop.org/a/12343/9781477323533"><em>Band People: Life and Work in Popular Music</em></a><em> </em>(U Texas Press, 2024) gives voice to those who collaborate to create and dissects what it means to be a laborer in the culture industry.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2366</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9bf16e7a-536d-11ef-8617-bfc9b22b03b9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9739508136.mp3?updated=1722892635" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gregory A. Daddis, "Pulp Vietnam: War and Gender in Cold War Men’s Adventure Magazines" (Cambridge UP, 2020)</title>
      <description>In his compelling evaluation of Cold War popular culture, Pulp Vietnam: War and Gender in Cold War Men’s Adventure Magazines (Cambridge UP, 2020), Gregory Daddis explores how men's adventure magazines helped shape the attitudes of young, working-class Americans, the same men who fought and served in the long and bitter war in Vietnam. The 'macho pulps' - boasting titles like Man's Conquest, Battle Cry, and Adventure Life - portrayed men courageously defeating their enemies in battle, while women were reduced to sexual objects, either trivialized as erotic trophies or depicted as sexualized villains using their bodies to prey on unsuspecting, innocent men. The result was the crafting and dissemination of a particular version of martial masculinity that helped establish GIs' expectations and perceptions of war in Vietnam. By examining the role that popular culture can play in normalizing wartime sexual violence and challenging readers to consider how American society should move beyond pulp conceptions of 'normal' male behavior, Daddis convincingly argues that how we construct popular tales of masculinity matters in both peace and war.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 05 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>75</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gregory A. Daddis</itunes:subtitle>
      <itunes:summary>In his compelling evaluation of Cold War popular culture, Pulp Vietnam: War and Gender in Cold War Men’s Adventure Magazines (Cambridge UP, 2020), Gregory Daddis explores how men's adventure magazines helped shape the attitudes of young, working-class Americans, the same men who fought and served in the long and bitter war in Vietnam. The 'macho pulps' - boasting titles like Man's Conquest, Battle Cry, and Adventure Life - portrayed men courageously defeating their enemies in battle, while women were reduced to sexual objects, either trivialized as erotic trophies or depicted as sexualized villains using their bodies to prey on unsuspecting, innocent men. The result was the crafting and dissemination of a particular version of martial masculinity that helped establish GIs' expectations and perceptions of war in Vietnam. By examining the role that popular culture can play in normalizing wartime sexual violence and challenging readers to consider how American society should move beyond pulp conceptions of 'normal' male behavior, Daddis convincingly argues that how we construct popular tales of masculinity matters in both peace and war.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his compelling evaluation of Cold War popular culture, <a href="https://bookshop.org/a/12343/9781108493505"><em>Pulp Vietnam: War and Gender in Cold War Men’s Adventure Magazines</em></a><em> </em>(Cambridge UP, 2020), Gregory Daddis explores how men's adventure magazines helped shape the attitudes of young, working-class Americans, the same men who fought and served in the long and bitter war in Vietnam. The 'macho pulps' - boasting titles like <em>Man's Conquest, Battle Cry</em>, and <em>Adventure Life</em> - portrayed men courageously defeating their enemies in battle, while women were reduced to sexual objects, either trivialized as erotic trophies or depicted as sexualized villains using their bodies to prey on unsuspecting, innocent men. The result was the crafting and dissemination of a particular version of martial masculinity that helped establish GIs' expectations and perceptions of war in Vietnam. By examining the role that popular culture can play in normalizing wartime sexual violence and challenging readers to consider how American society should move beyond pulp conceptions of 'normal' male behavior, Daddis convincingly argues that how we construct popular tales of masculinity matters in both peace and war.</p><p><em>Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her </em><a href="http://www.rebekahjbuchanan.com/"><em>website</em></a><em>, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at</em><a href="mailto:rj-buchanan@wiu.edu"><em> rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3465</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63d752c6-f5ec-11ea-8422-87e497d3383a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5237078549.mp3?updated=1722712512" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nadirah Simmons, "First Things First: Hip-Hop Ladies Who Changed the Game" (Twelve, 2024)</title>
      <description>This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music.
First Things First: Hip-Hop Ladies Who Changed the Game (Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.)
There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too.
Altogether, First Things First is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”…
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 04 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>472</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nadirah Simmons</itunes:subtitle>
      <itunes:summary>This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music.
First Things First: Hip-Hop Ladies Who Changed the Game (Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.)
There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too.
Altogether, First Things First is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”…
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music.</p><p><a href="https://bookshop.org/a/12343/9781538740743"><em>First Things First: Hip-Hop Ladies Who Changed the Game</em></a><em> </em>(Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. <em>First Things First</em> takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.)</p><p>There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too.</p><p>Altogether, <em>First Things First</em> is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”…</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4516</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f90b1690-51ad-11ef-8e9a-37db56b0d946]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6109071426.mp3?updated=1722701020" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kate Hext, "Wilde in the Dream Factory: Decadence and the American Movies" (Oxford UP, 2024)</title>
      <description>Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century.
It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir.
Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 03 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>208</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kate Hext</itunes:subtitle>
      <itunes:summary>Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century.
It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir.
Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. <a href="https://global.oup.com/academic/product/wilde-in-the-dream-factory-9780198875376?cc=us&amp;lang=en&amp;"><em>Wilde in the Dream Factory: Decadence and the American Movies</em></a> (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century.</p><p>It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir.</p><p>Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. <em>Wilde in the Dream Factory</em> revises how we understand both Wilde's afterlife and cinema's beginnings.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4086</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1728d432-5046-11ef-8efc-d39b2da438ce]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7169290457.mp3?updated=1722546852" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jim Higgins, "Sweet, Wild and Vicious: Listening to Lou Reed and the Velvet Underground" (Trouser Press, 2024)</title>
      <description>From the time he began recording with the Velvet Underground in the 1960s until his death in 2013, Lou Reed released nearly 50 original albums. In Sweet, Wild and Vicious: Listening to Lou Reed and the Velvet Underground (Trouser Press Books, 2024), Jim Higgins delves into each one, with descriptions, details, analysis and appraisals that will amplify and expand fans' understanding and appreciation of them.
This listener's guide is personal as well as definitive, a thoughtful consideration of Reed's entire career from the perspective of a devoted follower able to separate the highs from the lows.
Jim Higgins is arts and books editor for the Milwaukee Journal Sentinel and a former pop music and jazz critic for the Milwaukee Sentinel. He is a two-time winner of Wisconsin Area Music Industry award for music journalist of the year and twice won the Sentinel staff-voted award for humor writing. Like Andy Warhol, he is a native of Pittsburgh.
Jim on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, &amp; the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 30 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>247</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jim Higgins</itunes:subtitle>
      <itunes:summary>From the time he began recording with the Velvet Underground in the 1960s until his death in 2013, Lou Reed released nearly 50 original albums. In Sweet, Wild and Vicious: Listening to Lou Reed and the Velvet Underground (Trouser Press Books, 2024), Jim Higgins delves into each one, with descriptions, details, analysis and appraisals that will amplify and expand fans' understanding and appreciation of them.
This listener's guide is personal as well as definitive, a thoughtful consideration of Reed's entire career from the perspective of a devoted follower able to separate the highs from the lows.
Jim Higgins is arts and books editor for the Milwaukee Journal Sentinel and a former pop music and jazz critic for the Milwaukee Sentinel. He is a two-time winner of Wisconsin Area Music Industry award for music journalist of the year and twice won the Sentinel staff-voted award for humor writing. Like Andy Warhol, he is a native of Pittsburgh.
Jim on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, &amp; the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the time he began recording with the Velvet Underground in the 1960s until his death in 2013, Lou Reed released nearly 50 original albums. In <a href="https://bookshop.org/a/12343/9798987989159"><em>Sweet, Wild and Vicious: Listening to Lou Reed and the Velvet Underground</em></a> (Trouser Press Books, 2024), Jim Higgins delves into each one, with descriptions, details, analysis and appraisals that will amplify and expand fans' understanding and appreciation of them.</p><p>This listener's guide is personal as well as definitive, a thoughtful consideration of Reed's entire career from the perspective of a devoted follower able to separate the highs from the lows.</p><p>Jim Higgins is arts and books editor for the <em>Milwaukee Journal Sentinel</em> and a former pop music and jazz critic for the <em>Milwaukee Sentinel</em>. He is a two-time winner of <em>Wisconsin Area Music Industry</em> award for music journalist of the year and twice won the <em>Sentinel</em> staff-voted award for humor writing. Like Andy Warhol, he is a native of Pittsburgh.</p><p>Jim on <a href="https://x.com/jhiggy">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America: Music, Satire, &amp; the Battle Against the Christian Right</em> (LSU Press, Spring 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley Morgan on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2935</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5a63a3d4-4d04-11ef-8753-2fb4df5a96a7]]></guid>
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    <item>
      <title>Kathleen Loock, "Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture" (U California Press, 2024)</title>
      <description>From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture (U California Press, 2024) challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. 
Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry’s economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences.
For more on the Hollywood Memories project, go here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 27 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>207</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathleen Loock</itunes:subtitle>
      <itunes:summary>From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture (U California Press, 2024) challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. 
Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry’s economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences.
For more on the Hollywood Memories project, go here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. <a href="https://bookshop.org/a/12343/9780520375772"><em>Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture</em></a><em> </em>(U California Press, 2024) challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. </p><p>Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry’s economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences.</p><p>For more on the Hollywood Memories project, go <a href="https://hollywood-memories.com/en/">here</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3910</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c3eae652-4ac3-11ef-acc9-e3d0201d28aa]]></guid>
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    </item>
    <item>
      <title>Lindsay Goss, "F*ck The Army!: How Soldiers and Civilians Staged the GI Movement to End the Vietnam War" (NYU Press, 2024)</title>
      <description>F*ck The Army! How Soldiers and Civilians Staged the GI Movement to End the Vietnam War (NYU Press, 2024) offers a comprehensive history of the FTA, an antiwar variety show featuring Jane Fonda that played to tens of thousands of active-duty troops over nine months in 1971. From its conception, the civilian-led show was directed towards making visible the growing antiwar movement organized GIs, inspired by but also acting as a rebuttal to the USO tours presented by Bob Hope. Through an analysis of the FTA’s tactical performances of solidarity and resistance, Lindsay Goss brings into view the theatrical dimensions of the GI movement itself, revealing it as representative of the revolutionary and theatrical politics of the period.
Dr. Lindsay Goss is a theater historian, artist, and lecturer in English and Theater Studies at the University of Melbourne. Her work explores how popular discourses of authenticity and identity rely upon historical anxieties about the actor in proximity to politics, and how these anxieties shape the fields of theater history, activism, and contemporary performance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 27 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>269</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lindsay Goss</itunes:subtitle>
      <itunes:summary>F*ck The Army! How Soldiers and Civilians Staged the GI Movement to End the Vietnam War (NYU Press, 2024) offers a comprehensive history of the FTA, an antiwar variety show featuring Jane Fonda that played to tens of thousands of active-duty troops over nine months in 1971. From its conception, the civilian-led show was directed towards making visible the growing antiwar movement organized GIs, inspired by but also acting as a rebuttal to the USO tours presented by Bob Hope. Through an analysis of the FTA’s tactical performances of solidarity and resistance, Lindsay Goss brings into view the theatrical dimensions of the GI movement itself, revealing it as representative of the revolutionary and theatrical politics of the period.
Dr. Lindsay Goss is a theater historian, artist, and lecturer in English and Theater Studies at the University of Melbourne. Her work explores how popular discourses of authenticity and identity rely upon historical anxieties about the actor in proximity to politics, and how these anxieties shape the fields of theater history, activism, and contemporary performance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781479821860"><em>F*ck The Army! How Soldiers and Civilians Staged the GI Movement to End the Vietnam War</em></a> (NYU Press, 2024) offers a comprehensive history of the FTA, an antiwar variety show featuring Jane Fonda that played to tens of thousands of active-duty troops over nine months in 1971. From its conception, the civilian-led show was directed towards making visible the growing antiwar movement organized GIs, inspired by but also acting as a rebuttal to the USO tours presented by Bob Hope. Through an analysis of the FTA’s tactical performances of solidarity and resistance, Lindsay Goss brings into view the theatrical dimensions of the GI movement itself, revealing it as representative of the revolutionary and theatrical politics of the period.</p><p>Dr. Lindsay Goss is a theater historian, artist, and lecturer in English and Theater Studies at the University of Melbourne. Her work explores how popular discourses of authenticity and identity rely upon historical anxieties about the actor in proximity to politics, and how these anxieties shape the fields of theater history, activism, and contemporary performance.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2327</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0b2136a6-4b92-11ef-804e-e797e3a539c3]]></guid>
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    <item>
      <title>Robyn Hitchcock, "1967: How I Got There and Why I Never Left" (Akashic Books, 2024)</title>
      <description>1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes.
When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville.
In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno.
At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end?
Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch &amp; David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby.
Robyn on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, &amp; the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 27 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>246</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robyn Hitchcock</itunes:subtitle>
      <itunes:summary>1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes.
When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville.
In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno.
At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end?
Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch &amp; David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby.
Robyn on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, &amp; the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/p/books/1967-how-i-got-there-and-why-i-never-left-robyn-hitchcock/21276897?ean=9781636142067"><em>1967: How I Got There and Why I Never Left</em></a> (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's <em>Highway 61 Revisited</em> starts to bite, and the Beatles's <em>Sgt. Pepper's Lonely Hearts Club Band</em> explodes.</p><p>When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville.</p><p>In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno.</p><p>At the end of <em>1967</em>, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end?</p><p>Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch &amp; David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby.</p><p>Robyn on <a href="https://x.com/RobynHitchcock">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America: Music, Satire, &amp; the Battle Against the Christian Right</em> (LSU Press, Spring 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley Morgan on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3047</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f928619e-4b74-11ef-a3fe-5304e91e98b7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4631361753.mp3?updated=1722017437" length="0" type="audio/mpeg"/>
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    <item>
      <title>Miriam Eve Mora, "Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century" (Wayne State UP, 2024)</title>
      <description>For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream. 
Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life.
Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 27 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>531</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Miriam Eve Mora</itunes:subtitle>
      <itunes:summary>For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream. 
Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life.
Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream. </p><p><a href="https://bookshop.org/a/12343/9780814349625"><em>Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century</em></a><em> </em>(Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life.</p><p><a href="https://huji.academia.edu/GeraldineGudefin"><em>Geraldine Gudefin</em></a><em> is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4220</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dbdb40bc-4ab5-11ef-aca6-e3d7d0f3e5d2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7012370193.mp3?updated=1721935873" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rosemary Pennington, "Pop Islam: Seeing American Muslims in Popular Media" (Indiana UP, 2024)</title>
      <description>As Muslim American representation becomes more prominent in popular culture, how are they continued to be portrayed? 
Rosemary Pennington's new book Pop Islam: Seeing American Muslims in Popular Media (Indiana University Press, 2024) explores the “trap of hypervisibility” faced by Muslims in popular media and the burden of representation that follows them. More representation may not always be generative, if there is not an intentional move away from stereotypes or caricatures of Muslim humanity to portraying real complicated and diverse human beings.
Using a wide variety of case studies from prime-time television shows, such as Lost, 24, or Ramy to stand-up comedians such as Hasan Minhaj, Aziz Ansari, Kumail Nanjiani to Zainb Johnson, reality shows (like Project Runway or Top Chef), magazines (like Teen Vogue) and comic books (Ms. Marvel), Pennington carefully guides us through some of the binary representations we continue to see in popular culture around us, especially those that are framed as portraying "authentic" Muslims. Thus representation may not be the only answer, as Islamophobia and anti-Muslim violence continues to grow, but more is needed as we more forward, as the book contends. This book will be of great interest to those who work on popular culture, media, comedy, gender, and Islam, and a great addition to courses on Islam.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 26 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>337</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rosemary Pennington</itunes:subtitle>
      <itunes:summary>As Muslim American representation becomes more prominent in popular culture, how are they continued to be portrayed? 
Rosemary Pennington's new book Pop Islam: Seeing American Muslims in Popular Media (Indiana University Press, 2024) explores the “trap of hypervisibility” faced by Muslims in popular media and the burden of representation that follows them. More representation may not always be generative, if there is not an intentional move away from stereotypes or caricatures of Muslim humanity to portraying real complicated and diverse human beings.
Using a wide variety of case studies from prime-time television shows, such as Lost, 24, or Ramy to stand-up comedians such as Hasan Minhaj, Aziz Ansari, Kumail Nanjiani to Zainb Johnson, reality shows (like Project Runway or Top Chef), magazines (like Teen Vogue) and comic books (Ms. Marvel), Pennington carefully guides us through some of the binary representations we continue to see in popular culture around us, especially those that are framed as portraying "authentic" Muslims. Thus representation may not be the only answer, as Islamophobia and anti-Muslim violence continues to grow, but more is needed as we more forward, as the book contends. This book will be of great interest to those who work on popular culture, media, comedy, gender, and Islam, and a great addition to courses on Islam.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As Muslim American representation becomes more prominent in popular culture, how are they continued to be portrayed? </p><p>Rosemary Pennington's new book <a href="https://bookshop.org/a/12343/9780253069375"><em>Pop Islam: Seeing American Muslims in Popular Media</em></a> (Indiana University Press, 2024) explores the “trap of hypervisibility” faced by Muslims in popular media and the burden of representation that follows them. More representation may not always be generative, if there is not an intentional move away from stereotypes or caricatures of Muslim humanity to portraying real complicated and diverse human beings.</p><p>Using a wide variety of case studies from prime-time television shows, such as <em>Lost</em>, <em>24,</em> or <em>Ramy</em> to stand-up comedians such as Hasan Minhaj, Aziz Ansari, Kumail Nanjiani to Zainb Johnson, reality shows (like <em>Project Runway </em>or<em> Top Chef</em>), magazines (like <em>Teen Vogue</em>) and comic books (<em>Ms. Marvel</em>), Pennington carefully guides us through some of the binary representations we continue to see in popular culture around us, especially those that are framed as portraying "authentic" Muslims. Thus representation may not be the only answer, as Islamophobia and anti-Muslim violence continues to grow, but more is needed as we more forward, as the book contends. This book will be of great interest to those who work on popular culture, media, comedy, gender, and Islam, and a great addition to courses on Islam.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4482</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8a383f4c-49ef-11ef-b2ff-f7d3a16819f6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3644924618.mp3?updated=1721850278" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Branfman, "Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy" (NYU Press, 2024)</title>
      <description>Jewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy (NYU Press, 2024), Jonathan Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, “man-baby” film star Seth Rogen, and chiseled film star Zac Efron.
Branfman argues that despite their differences, each star’s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinity―stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable. In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world.
Jonathan Branfman is the Eli Reinhard Postdoctoral Fellow in Jewish Studies at Stanford University.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 26 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>530</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Branfman</itunes:subtitle>
      <itunes:summary>Jewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy (NYU Press, 2024), Jonathan Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, “man-baby” film star Seth Rogen, and chiseled film star Zac Efron.
Branfman argues that despite their differences, each star’s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinity―stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable. In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world.
Jonathan Branfman is the Eli Reinhard Postdoctoral Fellow in Jewish Studies at Stanford University.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In <a href="https://bookshop.org/a/12343/9781479820795"><em>Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy</em></a> (NYU Press, 2024), Jonathan Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, “man-baby” film star Seth Rogen, and chiseled film star Zac Efron.</p><p>Branfman argues that despite their differences, each star’s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinity―stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable. In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world.</p><p>Jonathan Branfman is the Eli Reinhard Postdoctoral Fellow in Jewish Studies at Stanford University.</p><p>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6350d4ee-49f8-11ef-9d0e-53d37211b45f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6923470821.mp3?updated=1721933899" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>40 Years of Purple Rain: What to Make of the Movie/Album in 2024</title>
      <description>It’s the UConn Popcast, and Purple Rain, Prince’s semi-autobiographical, semi-concert film, hit cinemas 40 years ago this week. The movie followed the album of the same name by a few short weeks. While the album is considered a defining musical achievement, the movie met a mixed reception at the time, and later critics have been both troubled by its misogyny and perplexed by its surreal qualities and uneven acting.
We consider the movie and the music at the four-decade mark, centering our discussion on the figure of Prince (who plays a character called “The Kid” in the movie) as a set of shifting signifiers allowing, and perhaps demanding, an active reading by audiences interested in gender, race, musical genre, performance, and more.
Mentioned in this episode: Jack Hamilton, “Baby I’m a Star”: Prince, Purple Rain, and the Audiovisual Remaking of the Black Rock Star” in Black Camera (2022) Vol. 14, No. 1.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and Purple Rain, Prince’s semi-autobiographical, semi-concert film, hit cinemas 40 years ago this week. The movie followed the album of the same name by a few short weeks. While the album is considered a defining musical achievement, the movie met a mixed reception at the time, and later critics have been both troubled by its misogyny and perplexed by its surreal qualities and uneven acting.
We consider the movie and the music at the four-decade mark, centering our discussion on the figure of Prince (who plays a character called “The Kid” in the movie) as a set of shifting signifiers allowing, and perhaps demanding, an active reading by audiences interested in gender, race, musical genre, performance, and more.
Mentioned in this episode: Jack Hamilton, “Baby I’m a Star”: Prince, Purple Rain, and the Audiovisual Remaking of the Black Rock Star” in Black Camera (2022) Vol. 14, No. 1.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the UConn Popcast, and Purple Rain, Prince’s semi-autobiographical, semi-concert film, hit cinemas 40 years ago this week. The movie followed the album of the same name by a few short weeks. While the album is considered a defining musical achievement, the movie met a mixed reception at the time, and later critics have been both troubled by its misogyny and perplexed by its surreal qualities and uneven acting.</p><p>We consider the movie and the music at the four-decade mark, centering our discussion on the figure of Prince (who plays a character called “The Kid” in the movie) as a set of shifting signifiers allowing, and perhaps demanding, an active reading by audiences interested in gender, race, musical genre, performance, and more.</p><p>Mentioned in this episode: Jack Hamilton, “Baby I’m a Star”: Prince, <em>Purple Rain</em>, and the Audiovisual Remaking of the Black Rock Star” in <em>Black Camera</em> (2022) Vol. 14, No. 1.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4415</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cb44ec68-49dd-11ef-bfcb-079bdcc23653]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3491548662.mp3?updated=1721842663" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steven Powell, "Love Me Fierce In Danger: The Life of James Ellroy" (Bloomsbury, 2023)</title>
      <description>Love Me Fierce In Danger: The Life of James Ellroy (Bloomsbury, 2023) is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called “Demon Dog of Crime Fiction,” Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success.
When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbringing in LA, always on the periphery of Hollywood, had a profound and dark influence on his work as a novelist. Using new sources, Powell also uncovers Ellroy's family secrets, including the mysterious first marriage of his mother Jean Ellroy, eighteen years before her murder. At its heart, Love Me Fierce in Danger is the story of how Ellroy overcame his demons to become the bestselling and celebrated author of such classics as The Black Dahlia and LA Confidential.
Informed by interviews with friends, family, peers, and literary and Hollywood collaborators, as well as extensive conversations with Ellroy himself, Love Me Fierce In Danger pulls back the curtain on an enigmatic figure who has courted acclaim and controversy with equal zealotry.
Steven Powell is an Honorary Fellow in the English Department at the University of Liverpool, UK. He is the editor of Conversations with James Ellroy (2012) and 100 American Crime Writers (2012). His most recent work is James Ellroy: Demon Dog of Crime Fiction (2016).
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>310</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Powell</itunes:subtitle>
      <itunes:summary>Love Me Fierce In Danger: The Life of James Ellroy (Bloomsbury, 2023) is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called “Demon Dog of Crime Fiction,” Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success.
When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbringing in LA, always on the periphery of Hollywood, had a profound and dark influence on his work as a novelist. Using new sources, Powell also uncovers Ellroy's family secrets, including the mysterious first marriage of his mother Jean Ellroy, eighteen years before her murder. At its heart, Love Me Fierce in Danger is the story of how Ellroy overcame his demons to become the bestselling and celebrated author of such classics as The Black Dahlia and LA Confidential.
Informed by interviews with friends, family, peers, and literary and Hollywood collaborators, as well as extensive conversations with Ellroy himself, Love Me Fierce In Danger pulls back the curtain on an enigmatic figure who has courted acclaim and controversy with equal zealotry.
Steven Powell is an Honorary Fellow in the English Department at the University of Liverpool, UK. He is the editor of Conversations with James Ellroy (2012) and 100 American Crime Writers (2012). His most recent work is James Ellroy: Demon Dog of Crime Fiction (2016).
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501367311"><em>Love Me Fierce In Danger: The Life of James Ellroy</em></a><em> </em>(Bloomsbury, 2023) is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called “Demon Dog of Crime Fiction,” Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success.</p><p>When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbringing in LA, always on the periphery of Hollywood, had a profound and dark influence on his work as a novelist. Using new sources, Powell also uncovers Ellroy's family secrets, including the mysterious first marriage of his mother Jean Ellroy, eighteen years before her murder. At its heart, <em>Love Me Fierce in Danger</em> is the story of how Ellroy overcame his demons to become the bestselling and celebrated author of such classics as The <em>Black Dahlia </em>and <em>LA Confidential</em>.</p><p>Informed by interviews with friends, family, peers, and literary and Hollywood collaborators, as well as extensive conversations with Ellroy himself, <em>Love Me Fierce In Danger </em>pulls back the curtain on an enigmatic figure who has courted acclaim and controversy with equal zealotry.</p><p>Steven Powell is an Honorary Fellow in the English Department at the University of Liverpool, UK. He is the editor of <em>Conversations with James Ellroy</em> (2012) and <em>100 American Crime Writers</em> (2012). His most recent work is <em>James Ellroy: Demon Dog of Crime Fiction </em>(2016).</p><p>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of <a href="https://ugapress.org/book/9780820352930/creating-flannery-oconnor/">Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers</a>, he teaches research and writing at Rutgers and co-hosts the podcast <em>Fifteen-Minute Film Fanatics</em>, found <a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics">here</a> on the New Books Network and on <a href="https://twitter.com/15minfilm">X</a>. His writing and other interviews about literature and film can also be found on <a href="https://fifteenminutefilm.substack.com/"><em>Pages and Frames</em>.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3517</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[905b682c-49d1-11ef-a331-c783f86a068c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9582387596.mp3?updated=1721837650" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin Mattson, "We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America" (Oxford UP, 2020)</title>
      <description>In his new book, We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America (Oxford UP, 2020), Kevin Mattson documents punk rock in the early 1980s through a comprehensive look into the music, zines, films, bands, and punk Do-It-Yourself (DIY) tactics. He shows how widespread the punk movement was in creating a counterculture that challenged the conservative narrative of 1980s America. Mattson places the punk countercultural movement into the wider context of Reagan’s America and the cultural war that his presidency created. In opposition to Reagan’s panic narratives of nuclear wars, his tax cuts for the rich, and cuts to public education and other social services, punks saw themselves as everything they rejected about the US. Mattson’s extensive archival research into the punk counterculture makes for an informative and captivating read into the larger ways in which punk impacted American cultural identities and challenged 1980s conservativism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 22 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kevin Mattson</itunes:subtitle>
      <itunes:summary>In his new book, We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America (Oxford UP, 2020), Kevin Mattson documents punk rock in the early 1980s through a comprehensive look into the music, zines, films, bands, and punk Do-It-Yourself (DIY) tactics. He shows how widespread the punk movement was in creating a counterculture that challenged the conservative narrative of 1980s America. Mattson places the punk countercultural movement into the wider context of Reagan’s America and the cultural war that his presidency created. In opposition to Reagan’s panic narratives of nuclear wars, his tax cuts for the rich, and cuts to public education and other social services, punks saw themselves as everything they rejected about the US. Mattson’s extensive archival research into the punk counterculture makes for an informative and captivating read into the larger ways in which punk impacted American cultural identities and challenged 1980s conservativism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="https://bookshop.org/a/12343/9780190908232"><em>We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America</em></a><em> </em>(Oxford UP, 2020), Kevin Mattson documents punk rock in the early 1980s through a comprehensive look into the music, zines, films, bands, and punk Do-It-Yourself (DIY) tactics. He shows how widespread the punk movement was in creating a counterculture that challenged the conservative narrative of 1980s America. Mattson places the punk countercultural movement into the wider context of Reagan’s America and the cultural war that his presidency created. In opposition to Reagan’s panic narratives of nuclear wars, his tax cuts for the rich, and cuts to public education and other social services, punks saw themselves as everything they rejected about the US. Mattson’s extensive archival research into the punk counterculture makes for an informative and captivating read into the larger ways in which punk impacted American cultural identities and challenged 1980s conservativism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4020</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[51e223aa-1c45-11eb-b7c4-0b84f50c24d8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2418484344.mp3?updated=1721496318" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Breanne Fahs, "Burn It Down: Feminist Manifestos for the Revolution" (Verso, 2020)</title>
      <description>Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 21 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Breanne Fahs</itunes:subtitle>
      <itunes:summary>Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/1788735382/?tag=newbooinhis-20"><em>Burn It Down: Feminist Manifestos for the Revolution</em></a> (Verso, 2020), <a href="http://www.breannefahs.com/">Breanne Fahs</a> has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.</p><p><a href="https://wiu.academia.edu/RebekahBuchanan"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of </em><a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018)<em>. You can find more about her on her website, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3362</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7726877a-9ddb-11ea-856a-9353a3e1c2ae]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3571574736.mp3?updated=1721472974" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sören Schoppmeier, "Playing American: Open-World Videogames and the Reproduction of American Culture" (De Gruyter, 2023)</title>
      <description>Videogames have always depicted representations of American culture, but how exactly they feed back into this culture is less obvious. Advocating an action-based understanding of both videogames and culture, this book delineates how aspects of American culture are reproduced transnationally through popular open-world videogames. 
Playing American: Open-World Videogames and the Reproduction of American Culture (De Gruyter, 2023) proposes an analytic focus on open-world videogames' "ambient operations" and traces practices of "playing American" through the stages of videogame development, gameplay, and reception. Three case studies - concentrating on the Grand Theft Auto, Watch Dogs, and Red Dead Redemption franchises, respectively - highlight different figurations of "playing American." Thematic foci range from public discourses on systemic racism and neoliberal capitalism to the justification of real-world surveillance practices and to the reconfiguration of the Western in the digital age. Playing American provides those interested in either videogames or American culture with a fresh angle and new concepts regarding its subject matters. It demonstrates that videogames are agents of cultural reproduction that do distinct cultural work for American culture in the twenty-first century.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 19 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sören Schoppmeier</itunes:subtitle>
      <itunes:summary>Videogames have always depicted representations of American culture, but how exactly they feed back into this culture is less obvious. Advocating an action-based understanding of both videogames and culture, this book delineates how aspects of American culture are reproduced transnationally through popular open-world videogames. 
Playing American: Open-World Videogames and the Reproduction of American Culture (De Gruyter, 2023) proposes an analytic focus on open-world videogames' "ambient operations" and traces practices of "playing American" through the stages of videogame development, gameplay, and reception. Three case studies - concentrating on the Grand Theft Auto, Watch Dogs, and Red Dead Redemption franchises, respectively - highlight different figurations of "playing American." Thematic foci range from public discourses on systemic racism and neoliberal capitalism to the justification of real-world surveillance practices and to the reconfiguration of the Western in the digital age. Playing American provides those interested in either videogames or American culture with a fresh angle and new concepts regarding its subject matters. It demonstrates that videogames are agents of cultural reproduction that do distinct cultural work for American culture in the twenty-first century.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Videogames have always depicted representations of American culture, but how exactly they feed back into this culture is less obvious. Advocating an action-based understanding of both videogames and culture, this book delineates how aspects of American culture are reproduced transnationally through popular open-world videogames. </p><p><a href="https://bookshop.org/a/12343/9783111244846"><em>Playing American: Open-World Videogames and the Reproduction of American Culture</em></a> (De Gruyter, 2023) proposes an analytic focus on open-world videogames' "ambient operations" and traces practices of "playing American" through the stages of videogame development, gameplay, and reception. Three case studies - concentrating on the Grand Theft Auto, Watch Dogs, and Red Dead Redemption franchises, respectively - highlight different figurations of "playing American." Thematic foci range from public discourses on systemic racism and neoliberal capitalism to the justification of real-world surveillance practices and to the reconfiguration of the Western in the digital age. Playing American provides those interested in either videogames or American culture with a fresh angle and new concepts regarding its subject matters. It demonstrates that videogames are agents of cultural reproduction that do distinct cultural work for American culture in the twenty-first century.</p><p>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1448</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK6274714550.mp3?updated=1721318812" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa E. Anderson, "Inland Empire" (Fireflies Press, 2021)</title>
      <description>"A woman in trouble"
In her monograph Inland Empire (Fireflies Press, 2021), film critic Melissa Anderson explores meaning (or the impossibility thereof) in the David Lynch film of the same title. We talk everything from Laura Dern (a LOT of Laura Dern), to the Hollywood nightmare of trying to "make it in the movies," to the contradictions of film criticism, to the (a)political legacy of Lynch's work.
Melissa Anderson is the film editor of 4Columns. From 2015 to 2017, she was the senior film critic for the Village Voice. She is also a frequent contributor to Artforum and Bookforum.
Tyler Thier is a faculty member and administrator in the Department of Writing Studies &amp; Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, and his scholarship is concerned with malicious rhetoric and dangerous media—specifically, extremist manifestos.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 16 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>204</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melissa E. Anderson</itunes:subtitle>
      <itunes:summary>"A woman in trouble"
In her monograph Inland Empire (Fireflies Press, 2021), film critic Melissa Anderson explores meaning (or the impossibility thereof) in the David Lynch film of the same title. We talk everything from Laura Dern (a LOT of Laura Dern), to the Hollywood nightmare of trying to "make it in the movies," to the contradictions of film criticism, to the (a)political legacy of Lynch's work.
Melissa Anderson is the film editor of 4Columns. From 2015 to 2017, she was the senior film critic for the Village Voice. She is also a frequent contributor to Artforum and Bookforum.
Tyler Thier is a faculty member and administrator in the Department of Writing Studies &amp; Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, and his scholarship is concerned with malicious rhetoric and dangerous media—specifically, extremist manifestos.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"A woman in trouble"</p><p>In her monograph <a href="https://firefliespress.com/Inland-Empire"><em>Inland Empire</em> </a>(Fireflies Press, 2021), film critic Melissa Anderson explores meaning (or the impossibility thereof) in the David Lynch film of the same title. We talk everything from Laura Dern (a LOT of Laura Dern), to the Hollywood nightmare of trying to "make it in the movies," to the contradictions of film criticism, to the (a)political legacy of Lynch's work.</p><p>Melissa Anderson is the film editor of <a href="https://4columns.org/"><em>4Columns</em></a>. From 2015 to 2017, she was the senior film critic for the <em>Village Voice</em>. She is also a frequent contributor to <em>Artforum</em> and <em>Bookforum</em>.</p><p>Tyler Thier is a faculty member and administrator in the Department of Writing Studies &amp; Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, and his scholarship is concerned with malicious rhetoric and dangerous media—specifically, extremist manifestos.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3330</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3a77d416-42e4-11ef-a3c9-37377f2f2edb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9457855535.mp3?updated=1721146195" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily J. Lordi, "The Meaning of Soul: Black Music and Resilience Since the 1960s" (Duke UP, 2020)</title>
      <description>Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In The Meaning of Soul: Black Music and Resilience Since the 1960s (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.
Emily J. Lordi is an Associate Professor of English at Vanderbilt University. The Meaning of Soul is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as Billboard, The Atlantic, and NPR.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 15 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily J. Lordi</itunes:subtitle>
      <itunes:summary>Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In The Meaning of Soul: Black Music and Resilience Since the 1960s (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.
Emily J. Lordi is an Associate Professor of English at Vanderbilt University. The Meaning of Soul is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as Billboard, The Atlantic, and NPR.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In <a href="https://bookshop.org/a/12343/9781478009597"><em>The Meaning of Soul: Black Music and Resilience Since the 1960s</em></a> (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.</p><p><a href="http://www.emilylordi.com/">Emily J. Lordi</a> is an Associate Professor of English at Vanderbilt University. <em>The Meaning of Soul </em>is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as <em>Billboard, The Atlantic, </em>and<em> NPR.</em></p><p><em>Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3336</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Kristin J. Jacobson, "The American Adrenaline Narrative" (U Georgia Press, 2020)</title>
      <description>Kristin J. Jacobson In her new book, The American Adrenaline Narrative (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.
To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.
Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's Into Thin Air and Aron Ralston's Between a Rock and a Hard Place. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.
Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.
Kristin Jacobson is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 14 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kristin J. Jacobson</itunes:subtitle>
      <itunes:summary>Kristin J. Jacobson In her new book, The American Adrenaline Narrative (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.
To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.
Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's Into Thin Air and Aron Ralston's Between a Rock and a Hard Place. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.
Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.
Kristin Jacobson is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kristin J. Jacobson In her new book, <a href="https://bookshop.org/a/12343/9780820356990"><em>The American Adrenaline Narrative</em></a> (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.</p><p>To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.</p><p>Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's <em>Into Thin Air</em> and Aron Ralston's <em>Between a Rock and a Hard Place</em>. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.</p><p>Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.</p><p><a href="https://blogs.stockton.edu/kristinjjacobson/">Kristin Jacobson</a> is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is a PhD student at Université Laval in Quebec City.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Olga Gershenson, "New Israeli Horror: Local Cinema, Global Genre" (Rutgers UP, 2024)</title>
      <description>Before 2010, there were no Israeli horror films. Then distinctly Israeli serial killers, zombies, vampires, and ghosts invaded local screens. The next decade saw a blossoming of the genre by young Israeli filmmakers. New Israeli Horror: Local Cinema, Global Genre (Rutgers UP, 2024) is the first book to tell their story. Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception. She shows how these films challenge traditional representations of Israel and its people, while also appealing to audiences around the world.
Gershenson introduces an innovative conceptual framework of adaptation, which explains how filmmakers adapt global genre tropes to local reality. It illuminates the ways in which Israeli horror borrows and diverges from its international models. New Israeli Horror offers an exciting and original contribution to our understanding of both Israeli cinema and the horror genre.
A companion website to this book is available at here. A book trailer is available here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 13 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>202</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Olga Gershenson</itunes:subtitle>
      <itunes:summary>Before 2010, there were no Israeli horror films. Then distinctly Israeli serial killers, zombies, vampires, and ghosts invaded local screens. The next decade saw a blossoming of the genre by young Israeli filmmakers. New Israeli Horror: Local Cinema, Global Genre (Rutgers UP, 2024) is the first book to tell their story. Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception. She shows how these films challenge traditional representations of Israel and its people, while also appealing to audiences around the world.
Gershenson introduces an innovative conceptual framework of adaptation, which explains how filmmakers adapt global genre tropes to local reality. It illuminates the ways in which Israeli horror borrows and diverges from its international models. New Israeli Horror offers an exciting and original contribution to our understanding of both Israeli cinema and the horror genre.
A companion website to this book is available at here. A book trailer is available here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Before 2010, there were no Israeli horror films. Then distinctly Israeli serial killers, zombies, vampires, and ghosts invaded local screens. The next decade saw a blossoming of the genre by young Israeli filmmakers. <a href="https://bookshop.org/a/12343/9781978837843"><em>New Israeli Horror: Local Cinema, Global Genre</em></a> (Rutgers UP, 2024) is the first book to tell their story. Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception. She shows how these films challenge traditional representations of Israel and its people, while also appealing to audiences around the world.</p><p>Gershenson introduces an innovative conceptual framework of adaptation, which explains how filmmakers adapt global genre tropes to local reality. It illuminates the ways in which Israeli horror borrows and diverges from its international models. New Israeli Horror offers an exciting and original contribution to our understanding of both Israeli cinema and the horror genre.</p><p>A companion website to this book is available at <a href="https://websites.umass.edu/newisraelihorror/">here</a>. A book trailer is available <a href="https://www.youtube.com/watch?v=oVJsD0QCORw">here</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2726</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[109d181c-404c-11ef-bebc-9712ab98d647]]></guid>
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    </item>
    <item>
      <title>Heidi Honeycutt, "I Spit on Your Celluloid: The History of Women Directing Horror Movies" (Headpress, 2024)</title>
      <description>I Spit On Your Celluloid: The History of Women Directing Horror Movies (Headpress, 2024) by Heidi Honeycutt is the first book-length history of female horror directors from the late 1800s to present day. Having conducted hundreds of interviews and watched thousands of horror films, Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women's rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heidi Honeycutt</itunes:subtitle>
      <itunes:summary>I Spit On Your Celluloid: The History of Women Directing Horror Movies (Headpress, 2024) by Heidi Honeycutt is the first book-length history of female horror directors from the late 1800s to present day. Having conducted hundreds of interviews and watched thousands of horror films, Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women's rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781915316295"><em>I Spit On Your Celluloid: The History of Women Directing Horror Movies </em></a>(Headpress, 2024)<em> </em>by Heidi Honeycutt is the first book-length history of female horror directors from the late 1800s to present day. Having conducted hundreds of interviews and watched thousands of horror films, Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women's rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2852</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tea Krulos, "American Madness: The Story of the Phantom Patriot and How Conspiracy Theories Hijacked American Consciousness" (Feral House, 2020)</title>
      <description>The mainstream news media struggles to understand the power of social media. In contrast, conspiracy advocates, malicious political movements, and even foreign governments have long understood how to harness the power of fear and the fear of power into lucrative outlets for outrage and money. But what happens when the messengers of “inside knowledge” go too far?
Author Tea Krulos tells the story of one man, Richard McCaslin, whose fractured thinking made him the ideal consumer of even the most arcane of conspiracy theories. Acting on the daily rants of Alex Jones and his ilk, McCaslin takes matters into his own hands to stop the unseen powers behind the world’s disasters who congregate at conspiracy world’s Mecca—The Bohemian Grove. It all goes wrong with terrible consequences for the man who styled himself The Phantom Patriot.
McCaslin is not alone, as conspiracy-driven political action has bubbled its way up from the margins of society to the White House. It’s no longer a lone deranged kook convinced of getting secret messages from a cereal box; now, it’s slick videos and well-funded outrage campaigns ready to peddle the latest innuendos and lies in hopes of harnessing the chaos for political gain. What is the long-term effect on people who believe these barely believable stories? Who benefits, and who pays the price?
In American Madness: The Story of the Phantom Patriot and How Conspiracy Theories Hijacked American Consciousness (Feral House, 2020), Krulos investigates and explains the power of conspiracy, and the shared madness it brings on the American psyche.
Tea Krulos is a freelance journalist and author from Milwaukee, WI. Some of his favorite subjects to explore include subcultures and social movements, weird news, the paranormal, and strange personalities. He also writes about local art and entertainment, lifestyle, and food/drink for publications like Milwaukee Magazine, Shepherd Express, and Milwaukee Record. His five non-fiction books are American Madness, Wisconsin Legends &amp; Lore, Apocalypse Any Day Now, Monster Hunters, and Heroes in the Night. He’s also been published in places like Atlas Obscura, Fortean Times, and Scandinavian Traveler and writes a weekly column called “Tea’s Weird Week” at teakrulos.com.
Tyler Thier is a faculty member and administrator in the Department of Writing Studies &amp; Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, and his scholarship is concerned with malicious rhetoric and dangerous media—specifically, extremist manifestos.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>265</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tea Krulos</itunes:subtitle>
      <itunes:summary>The mainstream news media struggles to understand the power of social media. In contrast, conspiracy advocates, malicious political movements, and even foreign governments have long understood how to harness the power of fear and the fear of power into lucrative outlets for outrage and money. But what happens when the messengers of “inside knowledge” go too far?
Author Tea Krulos tells the story of one man, Richard McCaslin, whose fractured thinking made him the ideal consumer of even the most arcane of conspiracy theories. Acting on the daily rants of Alex Jones and his ilk, McCaslin takes matters into his own hands to stop the unseen powers behind the world’s disasters who congregate at conspiracy world’s Mecca—The Bohemian Grove. It all goes wrong with terrible consequences for the man who styled himself The Phantom Patriot.
McCaslin is not alone, as conspiracy-driven political action has bubbled its way up from the margins of society to the White House. It’s no longer a lone deranged kook convinced of getting secret messages from a cereal box; now, it’s slick videos and well-funded outrage campaigns ready to peddle the latest innuendos and lies in hopes of harnessing the chaos for political gain. What is the long-term effect on people who believe these barely believable stories? Who benefits, and who pays the price?
In American Madness: The Story of the Phantom Patriot and How Conspiracy Theories Hijacked American Consciousness (Feral House, 2020), Krulos investigates and explains the power of conspiracy, and the shared madness it brings on the American psyche.
Tea Krulos is a freelance journalist and author from Milwaukee, WI. Some of his favorite subjects to explore include subcultures and social movements, weird news, the paranormal, and strange personalities. He also writes about local art and entertainment, lifestyle, and food/drink for publications like Milwaukee Magazine, Shepherd Express, and Milwaukee Record. His five non-fiction books are American Madness, Wisconsin Legends &amp; Lore, Apocalypse Any Day Now, Monster Hunters, and Heroes in the Night. He’s also been published in places like Atlas Obscura, Fortean Times, and Scandinavian Traveler and writes a weekly column called “Tea’s Weird Week” at teakrulos.com.
Tyler Thier is a faculty member and administrator in the Department of Writing Studies &amp; Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, and his scholarship is concerned with malicious rhetoric and dangerous media—specifically, extremist manifestos.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The mainstream news media struggles to understand the power of social media. In contrast, conspiracy advocates, malicious political movements, and even foreign governments have long understood how to harness the power of fear and the fear of power into lucrative outlets for outrage and money. But what happens when the messengers of “inside knowledge” go too far?</p><p>Author Tea Krulos tells the story of one man, Richard McCaslin, whose fractured thinking made him the ideal consumer of even the most arcane of conspiracy theories. Acting on the daily rants of Alex Jones and his ilk, McCaslin takes matters into his own hands to stop the unseen powers behind the world’s disasters who congregate at conspiracy world’s Mecca—The Bohemian Grove. It all goes wrong with terrible consequences for the man who styled himself The Phantom Patriot.</p><p>McCaslin is not alone, as conspiracy-driven political action has bubbled its way up from the margins of society to the White House. It’s no longer a lone deranged kook convinced of getting secret messages from a cereal box; now, it’s slick videos and well-funded outrage campaigns ready to peddle the latest innuendos and lies in hopes of harnessing the chaos for political gain. What is the long-term effect on people who believe these barely believable stories? Who benefits, and who pays the price?</p><p>In <a href="https://bookshop.org/a/12343/9781627310963"><em>American Madness: The Story of the Phantom Patriot and How Conspiracy Theories Hijacked American Consciousness</em></a><em> </em>(Feral House, 2020), Krulos investigates and explains the power of conspiracy, and the shared madness it brings on the American psyche.</p><p>Tea Krulos is a freelance journalist and author from Milwaukee, WI. Some of his favorite subjects to explore include subcultures and social movements, weird news, the paranormal, and strange personalities. He also writes about local art and entertainment, lifestyle, and food/drink for publications like <em>Milwaukee Magazine</em>, <em>Shepherd Express</em>, and <em>Milwaukee Record</em>. His five non-fiction books are <em>American Madness</em>, <em>Wisconsin Legends &amp; Lore</em>, <em>Apocalypse Any Day Now</em>, <em>Monster Hunters</em>, and <em>Heroes in the Night</em>. He’s also been published in places like <em>Atlas Obscura</em>, <em>Fortean Times</em>, and <em>Scandinavian Traveler</em> and writes a weekly column called “Tea’s Weird Week” at <a href="https://teakrulos.com/">teakrulos.com</a>.</p><p><em>Tyler Thier is a faculty member and administrator in the Department of Writing Studies &amp; Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, and his scholarship is concerned with malicious rhetoric and dangerous media—specifically, extremist manifestos.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3454</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6c49450a-3ef3-11ef-90fd-6bcead921895]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1210301829.mp3?updated=1720640653" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Danielle Antoinette Hidalgo, "Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism" (Lexington, 2023)</title>
      <description>In Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism (Lexington Books, 2022), Danielle Antoinette Hidalgo examines the production of physical and digital spaces in dance music, and how the players—clubs, clubbers, and DJs—use authenticity, branding, and commercialism to navigate them. An in-depth study into three women DJs—The Blessed Madonna, Honey Dijon, and Peggy Gou—reveals a new concept, “authenticity maneuvering.” In it Danielle Hidalgo exposes how the strategic use of a rave ethos both bolsters acceptance in dance music spaces and hides often problematic commercial practices. This timely, thoughtful, and deeply personal book presents a compelling analysis of the complicated interplay between dancing bodies, digital practices, and spatial offerings in contemporary dance music.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>372</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Danielle Antoinette Hidalgo</itunes:subtitle>
      <itunes:summary>In Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism (Lexington Books, 2022), Danielle Antoinette Hidalgo examines the production of physical and digital spaces in dance music, and how the players—clubs, clubbers, and DJs—use authenticity, branding, and commercialism to navigate them. An in-depth study into three women DJs—The Blessed Madonna, Honey Dijon, and Peggy Gou—reveals a new concept, “authenticity maneuvering.” In it Danielle Hidalgo exposes how the strategic use of a rave ethos both bolsters acceptance in dance music spaces and hides often problematic commercial practices. This timely, thoughtful, and deeply personal book presents a compelling analysis of the complicated interplay between dancing bodies, digital practices, and spatial offerings in contemporary dance music.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781793607560"><em>Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism</em></a> (Lexington Books, 2022), <a href="https://www.csuchico.edu/soci/daniellehidalgomarch22.shtml">Danielle Antoinette Hidalgo</a> examines the production of physical and digital spaces in dance music, and how the players—clubs, clubbers, and DJs—use authenticity, branding, and commercialism to navigate them. An in-depth study into three women DJs—The Blessed Madonna, Honey Dijon, and Peggy Gou—reveals a new concept, “authenticity maneuvering.” In it Danielle Hidalgo exposes how the strategic use of a rave ethos both bolsters acceptance in dance music spaces and hides often problematic commercial practices. This timely, thoughtful, and deeply personal book presents a compelling analysis of the complicated interplay between dancing bodies, digital practices, and spatial offerings in contemporary dance music.</p><p><strong><em>Michael O. Johnston</em></strong><em>, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3214</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Andrew S. Jacobs, "Gospel Thrillers: Conspiracy, Fiction, and the Vulnerable Bible" (Cambridge UP, 2023)</title>
      <description>What if the original teachings of Jesus were different from the Bible's sanitized 'orthodox' version? What covert motivations might inspire those who decide what the text of the Bible 'says' or what it 'means'? For some who ask conspiratorial questions like these, the Bible is the vulnerable victim of secular forces seeking to divest the USA of its founding identity. For others, the biblical canon suppresses religious truths that could upend the status quo. 
Such suspicions surrounding the Bible find full expression in Gospel Thrillers: a 1960s fictional genre that endures and still commands a substantial following. These novels imagine a freshly discovered first-century gospel and a race against time to unlock its buried secrets. They also reflect the fears and desires that the Bible continues to generate. In Gospel Thrillers: Conspiracy, Fiction, and the Vulnerable Bible (Cambridge UP, 2023), Andrew Jacobs reveals, in his authoritative examination, how this remarkable fictional archive opens a window onto disturbing biblical anxieties.
New Books in Late Antiquity is Presented by Ancient Jew Review
Find more information on the Gospel Thrillers here.
Andrew Jacobs is Senior Fellow at the Center for the Study of World Religions at Harvard Divinity School and the Editor of Cambridge University Press’s book series Element of Religion in Late Antiquity. His Epiphanius of Cyprus: a cultural biography of Late Antiquity (UC Press, 2016), won the Philip Schaff Best Book prize from the American Society of Church History. Andrew has also just finished a stint as President of the North American Patristics Society. Find him at @drewjackeprof.bsky.social, or on X: @drewjackeprof
Michael Motia teaches in Classics and Religious Studies at UMass Boston. @mikemotia
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 08 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>271</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew S. Jacobs</itunes:subtitle>
      <itunes:summary>What if the original teachings of Jesus were different from the Bible's sanitized 'orthodox' version? What covert motivations might inspire those who decide what the text of the Bible 'says' or what it 'means'? For some who ask conspiratorial questions like these, the Bible is the vulnerable victim of secular forces seeking to divest the USA of its founding identity. For others, the biblical canon suppresses religious truths that could upend the status quo. 
Such suspicions surrounding the Bible find full expression in Gospel Thrillers: a 1960s fictional genre that endures and still commands a substantial following. These novels imagine a freshly discovered first-century gospel and a race against time to unlock its buried secrets. They also reflect the fears and desires that the Bible continues to generate. In Gospel Thrillers: Conspiracy, Fiction, and the Vulnerable Bible (Cambridge UP, 2023), Andrew Jacobs reveals, in his authoritative examination, how this remarkable fictional archive opens a window onto disturbing biblical anxieties.
New Books in Late Antiquity is Presented by Ancient Jew Review
Find more information on the Gospel Thrillers here.
Andrew Jacobs is Senior Fellow at the Center for the Study of World Religions at Harvard Divinity School and the Editor of Cambridge University Press’s book series Element of Religion in Late Antiquity. His Epiphanius of Cyprus: a cultural biography of Late Antiquity (UC Press, 2016), won the Philip Schaff Best Book prize from the American Society of Church History. Andrew has also just finished a stint as President of the North American Patristics Society. Find him at @drewjackeprof.bsky.social, or on X: @drewjackeprof
Michael Motia teaches in Classics and Religious Studies at UMass Boston. @mikemotia
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What if the original teachings of Jesus were different from the Bible's sanitized 'orthodox' version? What covert motivations might inspire those who decide what the text of the Bible 'says' or what it 'means'? For some who ask conspiratorial questions like these, the Bible is the vulnerable victim of secular forces seeking to divest the USA of its founding identity. For others, the biblical canon suppresses religious truths that could upend the status quo. </p><p>Such suspicions surrounding the Bible find full expression in Gospel Thrillers: a 1960s fictional genre that endures and still commands a substantial following. These novels imagine a freshly discovered first-century gospel and a race against time to unlock its buried secrets. They also reflect the fears and desires that the Bible continues to generate. In <a href="https://bookshop.org/a/12343/9781009384612"><em>Gospel Thrillers: Conspiracy, Fiction, and the Vulnerable Bible</em></a> (Cambridge UP, 2023), Andrew Jacobs reveals, in his authoritative examination, how this remarkable fictional archive opens a window onto disturbing biblical anxieties.</p><p>New Books in Late Antiquity is Presented by <a href="https://www.ancientjewreview.com/">Ancient Jew Review</a></p><p>Find more information on the Gospel Thrillers <a href="https://scalar.usc.edu/works/gospel-thrillers/index">here</a>.</p><p>Andrew Jacobs is Senior Fellow at the Center for the Study of World Religions at Harvard Divinity School and the Editor of Cambridge University Press’s book series Element of Religion in Late Antiquity. His <em>Epiphanius of Cyprus: a cultural biography of Late Antiquity </em>(UC Press, 2016), won the Philip Schaff Best Book prize from the American Society of Church History. Andrew has also just finished a stint as President of the North American Patristics Society. Find him at <a href="https://bsky.app/profile/drewjakeprof.bsky.social">@drewjackeprof.bsky.social</a>, or on X: <a href="https://twitter.com/drewjakeprof">@drewjackeprof</a></p><p><a href="https://www.umb.edu/directory/michaelmotia/">Michael Motia</a> teaches in Classics and Religious Studies at UMass Boston. @mikemotia</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4009</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jake Johnson, "The Possibility Machine: Music and Myth in Las Vegas" (U Illinois Press, 2023)</title>
      <description>Las Vegas is a place the American dream made; a city built in the middle of desert visited by millions of people every year hoping to make their dreams (big or small) come true. The essays in The Possibility Machine: Music and Myth in Las Vegas (University of Illinois Press, 2023) examines Las Vegas not as a kitschy, vaguely embarrassing American tourist destination, but rather takes seriously the performers and audiences who have made Las Vegas the embodiment of American mythology. In this interview, the volume's editor, Jake Johnson, is joined by two contributors: Brian F. Wright, author of “Elvis in Vegas: The King of Rock ‘n’ Roll and the City of Second Chances” and Joanna Dee Dass co-author with Maddie House-Tuck of “The Real Deal: Impersonation and the American Dream in Branson and Vegas.” The Possibility Machine is a large collection of essays that examines music and performance in Las Vegas from multiple perspectives and considers the city’s history from mob-dominated playground to a family-friendly tourist destination. The essays explore music as an important facet of the lives of the city's residents, its promise of second chances to performers, the allure of its spectacle to audiences, and the circulation of its reputation around the U.S.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 07 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>244</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jake Johnson, Brian F. Wright, and Joanna Dee Dass</itunes:subtitle>
      <itunes:summary>Las Vegas is a place the American dream made; a city built in the middle of desert visited by millions of people every year hoping to make their dreams (big or small) come true. The essays in The Possibility Machine: Music and Myth in Las Vegas (University of Illinois Press, 2023) examines Las Vegas not as a kitschy, vaguely embarrassing American tourist destination, but rather takes seriously the performers and audiences who have made Las Vegas the embodiment of American mythology. In this interview, the volume's editor, Jake Johnson, is joined by two contributors: Brian F. Wright, author of “Elvis in Vegas: The King of Rock ‘n’ Roll and the City of Second Chances” and Joanna Dee Dass co-author with Maddie House-Tuck of “The Real Deal: Impersonation and the American Dream in Branson and Vegas.” The Possibility Machine is a large collection of essays that examines music and performance in Las Vegas from multiple perspectives and considers the city’s history from mob-dominated playground to a family-friendly tourist destination. The essays explore music as an important facet of the lives of the city's residents, its promise of second chances to performers, the allure of its spectacle to audiences, and the circulation of its reputation around the U.S.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Las Vegas is a place the American dream made; a city built in the middle of desert visited by millions of people every year hoping to make their dreams (big or small) come true. The essays in <a href="https://bookshop.org/a/12343/9780252087530"><em>The Possibility Machine: Music and Myth in Las Vegas</em></a><em> </em>(University of Illinois Press, 2023) examines Las Vegas not as a kitschy, vaguely embarrassing American tourist destination, but rather takes seriously the performers and audiences who have made Las Vegas the embodiment of American mythology. In this interview, the volume's editor, Jake Johnson, is joined by two contributors: Brian F. Wright, author of “Elvis in Vegas: The King of Rock ‘n’ Roll and the City of Second Chances” and Joanna Dee Dass co-author with Maddie House-Tuck of “The Real Deal: Impersonation and the American Dream in Branson and Vegas.” <em>The Possibility Machine </em>is a large collection of essays that examines music and performance in Las Vegas from multiple perspectives and considers the city’s history from mob-dominated playground to a family-friendly tourist destination. The essays explore music as an important facet of the lives of the city's residents, its promise of second chances to performers, the allure of its spectacle to audiences, and the circulation of its reputation around the U.S.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3458</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kathryn Hughes, "Catland: Louis Wain and the Great Cat Mania" (Johns Hopkins UP, 2024)</title>
      <description>In 1900, Britain and America were in the grip of a cat craze. An animal that had for centuries been seen as a household servant or urban nuisance had now become an object of pride and deep affection. From presidential and royal families who imported exotic breeds to working-class men competing for cash prizes for the fattest tabby, people became enthralled to the once-humble cat. Multiple industries sprang up to feed this new obsession, selling everything from veterinary services to leather bootees via dedicated cat magazines. Cats themselves were now traded for increasingly large sums of money, bolstered by elaborate pedigrees that claimed noble ancestry and promised aesthetic distinction.
Dr. Kathryn Hughes chronicles the cat craze of the early twentieth century through the life and career of Louis Wain. In the US the book is titled Catland: Louis Wain and the Great Cat Mania (Johns Hopkins University Press, 2024) and in the UK is called Catland: Feline Enchantment and the Making of the Modern World (Fourth Estate, 2024).
Wain's anthropomorphic drawings of cats in top hats falling in love, sipping champagne, golfing, driving cars, and piloting planes are some of the most instantly recognizable images from the era. His round-faced fluffy characters established the prototype for the modern cat, which cat "fanciers" were busily trying to achieve using their newfound knowledge of the latest scientific breeding techniques. Despite being a household name, Wain endured multiple bankruptcies and mental breakdowns, spending his last fifteen years in an asylum, drawing abstract and multicolored felines. But it was his ubiquitous anthropomorphic cats that helped usher the formerly reviled creatures into homes across Europe.
Beautifully illustrated and based on new archival findings about Wain's life, the wider cat fancy, and the media frenzy it created, Catland chronicles the fascinating history of how the modern cat emerged.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 07 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1453</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathryn Hughes</itunes:subtitle>
      <itunes:summary>In 1900, Britain and America were in the grip of a cat craze. An animal that had for centuries been seen as a household servant or urban nuisance had now become an object of pride and deep affection. From presidential and royal families who imported exotic breeds to working-class men competing for cash prizes for the fattest tabby, people became enthralled to the once-humble cat. Multiple industries sprang up to feed this new obsession, selling everything from veterinary services to leather bootees via dedicated cat magazines. Cats themselves were now traded for increasingly large sums of money, bolstered by elaborate pedigrees that claimed noble ancestry and promised aesthetic distinction.
Dr. Kathryn Hughes chronicles the cat craze of the early twentieth century through the life and career of Louis Wain. In the US the book is titled Catland: Louis Wain and the Great Cat Mania (Johns Hopkins University Press, 2024) and in the UK is called Catland: Feline Enchantment and the Making of the Modern World (Fourth Estate, 2024).
Wain's anthropomorphic drawings of cats in top hats falling in love, sipping champagne, golfing, driving cars, and piloting planes are some of the most instantly recognizable images from the era. His round-faced fluffy characters established the prototype for the modern cat, which cat "fanciers" were busily trying to achieve using their newfound knowledge of the latest scientific breeding techniques. Despite being a household name, Wain endured multiple bankruptcies and mental breakdowns, spending his last fifteen years in an asylum, drawing abstract and multicolored felines. But it was his ubiquitous anthropomorphic cats that helped usher the formerly reviled creatures into homes across Europe.
Beautifully illustrated and based on new archival findings about Wain's life, the wider cat fancy, and the media frenzy it created, Catland chronicles the fascinating history of how the modern cat emerged.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1900, Britain and America were in the grip of a cat craze. An animal that had for centuries been seen as a household servant or urban nuisance had now become an object of pride and deep affection. From presidential and royal families who imported exotic breeds to working-class men competing for cash prizes for the fattest tabby, people became enthralled to the once-humble cat. Multiple industries sprang up to feed this new obsession, selling everything from veterinary services to leather bootees via dedicated cat magazines. Cats themselves were now traded for increasingly large sums of money, bolstered by elaborate pedigrees that claimed noble ancestry and promised aesthetic distinction.</p><p>Dr. Kathryn Hughes chronicles the cat craze of the early twentieth century through the life and career of Louis Wain. In the US the book is titled <a href="https://bookshop.org/a/12343/9781421448145"><em>Catland: Louis Wain and the Great Cat Mania</em></a><em> </em>(Johns Hopkins University Press, 2024) and in the UK is called <em>Catland: Feline Enchantment and the Making of the Modern World</em> (Fourth Estate, 2024).</p><p>Wain's anthropomorphic drawings of cats in top hats falling in love, sipping champagne, golfing, driving cars, and piloting planes are some of the most instantly recognizable images from the era. His round-faced fluffy characters established the prototype for the modern cat, which cat "fanciers" were busily trying to achieve using their newfound knowledge of the latest scientific breeding techniques. Despite being a household name, Wain endured multiple bankruptcies and mental breakdowns, spending his last fifteen years in an asylum, drawing abstract and multicolored felines. But it was his ubiquitous anthropomorphic cats that helped usher the formerly reviled creatures into homes across Europe.</p><p>Beautifully illustrated and based on new archival findings about Wain's life, the wider cat fancy, and the media frenzy it created, <em>Catland</em> chronicles the fascinating history of how the modern cat emerged.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3584</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1159458193.mp3?updated=1720200051" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Darshana Sreedhar Mini, "Rated A: Soft-Porn Cinema and Mediations of Desire in India" (U California Press, 2024)</title>
      <description>In the 1990s, India's mediascape saw the efflorescence of edgy soft-porn films in the Malayalam-speaking state of Kerala. In Rated A: Soft-Porn Cinema and Mediations of Desire in India (U California Press, 2024), Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema—such as vernacular pulp fiction, illustrated erotic tales, and American exploitation cinema—and maps the genre's circulation among blue-collar workers of the Indian diaspora in the Middle East, where pirated versions circulate alongside low-budget Bangladeshi films and Pakistani mujra dance films as South Asian pornography. Through a mix of archival and ethnographic research, Mini also explores the soft-porn industry's utilization of gendered labor and trust-based arrangements, as well as how actresses and production personnel who are marked by their involvement with a taboo form negotiate their social lives. By locating the tense negotiations between sexuality, import policy, and censorship in contemporary India, this study offers a model for understanding film genres outside of screen space, emphasizing that they constitute not just industrial formations but entire fields of social relations and gendered imaginaries.
Dr. Darshana Sreedhar Mini is an Assistant Professor at the University of Wisconsin- Madison. She did her PhD from the University of Southern California. Her teaching and research lie at the intersection of gender, sexuality, transnational media, migrant media and screen cultures of South Asia. She is the co-editor of South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene (Routledge, 2024).
Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha
Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media, National University of Singapore, Singapore. She can be reached at khadeejaamenda@u.nus.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 07 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Darshana Sreedhar Mini</itunes:subtitle>
      <itunes:summary>In the 1990s, India's mediascape saw the efflorescence of edgy soft-porn films in the Malayalam-speaking state of Kerala. In Rated A: Soft-Porn Cinema and Mediations of Desire in India (U California Press, 2024), Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema—such as vernacular pulp fiction, illustrated erotic tales, and American exploitation cinema—and maps the genre's circulation among blue-collar workers of the Indian diaspora in the Middle East, where pirated versions circulate alongside low-budget Bangladeshi films and Pakistani mujra dance films as South Asian pornography. Through a mix of archival and ethnographic research, Mini also explores the soft-porn industry's utilization of gendered labor and trust-based arrangements, as well as how actresses and production personnel who are marked by their involvement with a taboo form negotiate their social lives. By locating the tense negotiations between sexuality, import policy, and censorship in contemporary India, this study offers a model for understanding film genres outside of screen space, emphasizing that they constitute not just industrial formations but entire fields of social relations and gendered imaginaries.
Dr. Darshana Sreedhar Mini is an Assistant Professor at the University of Wisconsin- Madison. She did her PhD from the University of Southern California. Her teaching and research lie at the intersection of gender, sexuality, transnational media, migrant media and screen cultures of South Asia. She is the co-editor of South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene (Routledge, 2024).
Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha
Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media, National University of Singapore, Singapore. She can be reached at khadeejaamenda@u.nus.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the 1990s, India's mediascape saw the efflorescence of edgy soft-porn films in the Malayalam-speaking state of Kerala. In <a href="https://bookshop.org/a/12343/9780520397453"><em>Rated A: Soft-Porn Cinema and Mediations of Desire in India</em></a> (U California Press, 2024), Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema—such as vernacular pulp fiction, illustrated erotic tales, and American exploitation cinema—and maps the genre's circulation among blue-collar workers of the Indian diaspora in the Middle East, where pirated versions circulate alongside low-budget Bangladeshi films and Pakistani mujra dance films as South Asian pornography. Through a mix of archival and ethnographic research, Mini also explores the soft-porn industry's utilization of gendered labor and trust-based arrangements, as well as how actresses and production personnel who are marked by their involvement with a taboo form negotiate their social lives. By locating the tense negotiations between sexuality, import policy, and censorship in contemporary India, this study offers a model for understanding film genres outside of screen space, emphasizing that they constitute not just industrial formations but entire fields of social relations and gendered imaginaries.</p><p><strong>Dr. Darshana Sreedhar Mini</strong> is an Assistant Professor at the University of Wisconsin- Madison. She did her PhD from the University of Southern California. Her teaching and research lie at the intersection of gender, sexuality, transnational media, migrant media and screen cultures of South Asia. She is the co-editor of <em>South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene</em> (Routledge, 2024).</p><p><strong>Priyam Sinha</strong> recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at <a href="https://twitter.com/PriyamSinha">https://twitter.com/PriyamSinha</a></p><p><strong>Khadeeja Amenda</strong> is a PhD candidate in the Department of Communication and New Media, National University of Singapore, Singapore. She can be reached at <a href="mailto:khadeejaamenda@u.nus.edu">khadeejaamenda@u.nus.edu</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK6215762992.mp3?updated=1720365565" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michelle T. King, "Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food" (Norton, 2024)</title>
      <description>In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.”
But, as Michelle T. King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food (Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals.
And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China.
In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine.
Michelle T. King is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at @michtking.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chop Fry Watch Learn. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 03 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michelle T. King</itunes:subtitle>
      <itunes:summary>In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.”
But, as Michelle T. King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food (Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals.
And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China.
In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine.
Michelle T. King is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at @michtking.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chop Fry Watch Learn. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1971, the <em>New York Times </em>called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.”</p><p>But, as Michelle T. King notes in her book <a href="https://bookshop.org/a/12343/9781324021285"><em>Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food</em></a><em> </em>(Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals.</p><p>And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China.</p><p>In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine.</p><p><a href="https://michelletking.com/">Michelle T. King</a> is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at <a href="https://www.instagram.com/michtking/">@michtking</a>.</p><p><em>You can find more reviews, excerpts, interviews, and essays at</em><a href="https://asianreviewofbooks.com/"> <em>The Asian Review of Books</em></a><em>, </em>including its review of <a href="https://asianreviewofbooks.com/content/chop-fry-watch-learn-fu-pei-mei-and-the-making-of-modern-chinese-food-by-michelle-t-king/"><em>Chop Fry Watch Learn</em></a><em>. Follow on Twitter at</em><a href="https://twitter.com/BookReviewsAsia"> <em>@BookReviewsAsia</em></a><em>.</em></p><p><em>Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at</em><a href="https://twitter.com/nickrigordon?lang=en"><em>@nickrigordon</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2741</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[afbb09fe-3877-11ef-8d4a-2773daef180f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8425657671.mp3?updated=1719927739" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>On Michael Jackson: A Lecture by Margo Jefferson</title>
      <description>In September 2006, Margo Jefferson spoke to the Institute about her book, On Michael Jackson (Vintage, 2007). Jefferson received the 1995 Pulitzer Prize for criticism when she was at the New York Times. Her 2015 book, Negroland: A Memoir, won the National Book Critics Circle Award. And in 2022, she published, Constructing a Nervous System, a memoir in fragments. She has taught at NYU, The New School, and Columbia University’s School of the Arts, where she is a professor of professional practice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 29 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In September 2006, Margo Jefferson spoke to the Institute about her book, On Michael Jackson (Vintage, 2007). Jefferson received the 1995 Pulitzer Prize for criticism when she was at the New York Times. Her 2015 book, Negroland: A Memoir, won the National Book Critics Circle Award. And in 2022, she published, Constructing a Nervous System, a memoir in fragments. She has taught at NYU, The New School, and Columbia University’s School of the Arts, where she is a professor of professional practice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In September 2006, Margo Jefferson spoke to the Institute about her book,<em> </em><a href="https://bookshop.org/a/12343/9780307277657"><em>On Michael Jackson</em></a><em> </em>(Vintage, 2007). Jefferson received the 1995 Pulitzer Prize for criticism when she was at the<em> New York Times</em>. Her 2015 book, <em>Negroland: A Memoir</em>, won the National Book Critics Circle Award. And in 2022, she published, <em>Constructing a Nervous System</em>, a memoir in fragments. She has taught at NYU, The New School, and Columbia University’s School of the Arts, where she is a professor of professional practice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2925</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[56e7d1ea-28dc-11ef-b826-7fe5f7194914]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2271180749.mp3?updated=1718211708" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Barbara Klinger, "Immortal Films: 'Casablanca' and the Afterlife of a Hollywood Classic" (U California Press, 2022)</title>
      <description>Casablanca is one of the most celebrated Hollywood films of all time, its iconic romance enshrined in collective memory across generations. Drawing from archival materials, industry trade journals, and cultural commentary, in Immortal Films: "Casablanca" and the Afterlife of a Hollywood Classic (University of California Press, 2022), Dr. Barbara Klinger explores the history of Casablanca's circulation in the United States from the early 1940s to the present by examining its exhibition via radio, repertory houses, television, and video. By resituating the film in the dynamically changing industrial, technological, and cultural circumstances that have defined its journey over eight decades, Dr. Klinger challenges our understanding of its meaning and reputation as both a Hollywood classic and a cult film. Through this single-film survey, Immortal Films proposes a new approach to the study of film history and aesthetics and, more broadly, to cinema itself as a medium in constant interface with other media as a necessary condition of its own public existence and endurance.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 27 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>199</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barbara Klinger</itunes:subtitle>
      <itunes:summary>Casablanca is one of the most celebrated Hollywood films of all time, its iconic romance enshrined in collective memory across generations. Drawing from archival materials, industry trade journals, and cultural commentary, in Immortal Films: "Casablanca" and the Afterlife of a Hollywood Classic (University of California Press, 2022), Dr. Barbara Klinger explores the history of Casablanca's circulation in the United States from the early 1940s to the present by examining its exhibition via radio, repertory houses, television, and video. By resituating the film in the dynamically changing industrial, technological, and cultural circumstances that have defined its journey over eight decades, Dr. Klinger challenges our understanding of its meaning and reputation as both a Hollywood classic and a cult film. Through this single-film survey, Immortal Films proposes a new approach to the study of film history and aesthetics and, more broadly, to cinema itself as a medium in constant interface with other media as a necessary condition of its own public existence and endurance.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Casablanca</em> is one of the most celebrated Hollywood films of all time, its iconic romance enshrined in collective memory across generations. Drawing from archival materials, industry trade journals, and cultural commentary, in<a href="https://bookshop.org/a/12343/9780520296473"> <em>Immortal Films: "Casablanca" and the Afterlife of a Hollywood Classic</em></a> (University of California Press, 2022), Dr. Barbara Klinger explores the history of Casablanca's circulation in the United States from the early 1940s to the present by examining its exhibition via radio, repertory houses, television, and video. By resituating the film in the dynamically changing industrial, technological, and cultural circumstances that have defined its journey over eight decades, Dr. Klinger challenges our understanding of its meaning and reputation as both a Hollywood classic and a cult film. Through this single-film survey, <em>Immortal Films</em> proposes a new approach to the study of film history and aesthetics and, more broadly, to cinema itself as a medium in constant interface with other media as a necessary condition of its own public existence and endurance.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3893</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ishita Tiwary, "Video Culture in India: The Analog Era" (Oxford UP, 2024)</title>
      <description>Ishita Tiwary’s book Video Culture in India: The Analog Era (Oxford UP, 2024) is an unprecedented attempt in foregrounding the diverse media history of the analog video era in India. It reconstructs the evolution of analog video culture through interdisciplinary approaches, including oral histories, archival resources, and discarded tapes. At the same time, it provides key information on the socio-political context of video culture, which existing digital media studies lack.
Dr. Ishita Tiwary is an Assistant Professor in Film Studies and the Canada Research Chair at the Department of Cinema at Concordia University, Montreal. She is also the director of the research lab “Raah." Ishita Tiwary's research interests include video cultures, media infrastructures, migration, contraband media practices, and media aesthetics. She has published essays in Bioscope: South Asian Screen Studies, International Journal of Cultural Studies, JumpCut, Post Script: Essays in Film and Humanities, Culture Machine, MARG: Journal of Indian Art, and in edited collections on topics of media piracy, video histories, and streaming platforms.
Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ishita Tiwary</itunes:subtitle>
      <itunes:summary>Ishita Tiwary’s book Video Culture in India: The Analog Era (Oxford UP, 2024) is an unprecedented attempt in foregrounding the diverse media history of the analog video era in India. It reconstructs the evolution of analog video culture through interdisciplinary approaches, including oral histories, archival resources, and discarded tapes. At the same time, it provides key information on the socio-political context of video culture, which existing digital media studies lack.
Dr. Ishita Tiwary is an Assistant Professor in Film Studies and the Canada Research Chair at the Department of Cinema at Concordia University, Montreal. She is also the director of the research lab “Raah." Ishita Tiwary's research interests include video cultures, media infrastructures, migration, contraband media practices, and media aesthetics. She has published essays in Bioscope: South Asian Screen Studies, International Journal of Cultural Studies, JumpCut, Post Script: Essays in Film and Humanities, Culture Machine, MARG: Journal of Indian Art, and in edited collections on topics of media piracy, video histories, and streaming platforms.
Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ishita Tiwary’s book <a href="https://global.oup.com/academic/product/video-culture-in-india-9780198913221?lang=en&amp;cc=tn"><em>Video Culture in India: The Analog Era</em></a> (Oxford UP, 2024) is an unprecedented attempt in foregrounding the diverse media history of the analog video era in India. It reconstructs the evolution of analog video culture through interdisciplinary approaches, including oral histories, archival resources, and discarded tapes. At the same time, it provides key information on the socio-political context of video culture, which existing digital media studies lack.</p><p>Dr. Ishita Tiwary is an Assistant Professor in Film Studies and the Canada Research Chair at the Department of Cinema at Concordia University, Montreal. She is also the director of the research lab “Raah." Ishita Tiwary's research interests include video cultures, media infrastructures, migration, contraband media practices, and media aesthetics. She has published essays in Bioscope: South Asian Screen Studies, International Journal of Cultural Studies, JumpCut, Post Script: Essays in Film and Humanities, Culture Machine, MARG: Journal of Indian Art, and in edited collections on topics of media piracy, video histories, and streaming platforms.</p><p><strong>Priyam Sinha</strong> recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at <a href="https://twitter.com/PriyamSinha">https://twitter.com/PriyamSinha</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3828</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jerry Rafiki Jenkins, "Anti-Blackness and Human Monstrosity in Black American Horror Fiction" (Ohio State UP, 2024)</title>
      <description>In Anti-Blackness and Human Monstrosity in Black American Horror Fiction (Ohio State UP, 2024), Jerry Rafiki Jenkins examines four types of human monsters that frequently appear in Black American horror fiction--the monsters of White rage, respectability, not-ness, and serial killing. Arguing that such monsters represent specific ideologies of American anti-Blackness, Jenkins shows that despite their various motivations for harming and killing Black people, these monsters embody the horrors that emerge when Black American is disassociated from American. Although these monsters of anti-Blackness are dangerous because they can terrorize Black people with virtual impunity, their "anti-Black sadism," as Jenkins calls it, is what makes them repulsive. 
Jenkins examines a variety of these monstrous forms in Tananarive Due's The Between, Victor LaValle's The Changeling, Octavia Butler's Kindred, Nnedi Okorafor's Who Fears Death, and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>306</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jerry Rafiki Jenkins</itunes:subtitle>
      <itunes:summary>In Anti-Blackness and Human Monstrosity in Black American Horror Fiction (Ohio State UP, 2024), Jerry Rafiki Jenkins examines four types of human monsters that frequently appear in Black American horror fiction--the monsters of White rage, respectability, not-ness, and serial killing. Arguing that such monsters represent specific ideologies of American anti-Blackness, Jenkins shows that despite their various motivations for harming and killing Black people, these monsters embody the horrors that emerge when Black American is disassociated from American. Although these monsters of anti-Blackness are dangerous because they can terrorize Black people with virtual impunity, their "anti-Black sadism," as Jenkins calls it, is what makes them repulsive. 
Jenkins examines a variety of these monstrous forms in Tananarive Due's The Between, Victor LaValle's The Changeling, Octavia Butler's Kindred, Nnedi Okorafor's Who Fears Death, and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814259054"><em>Anti-Blackness and Human Monstrosity in Black American Horror Fiction</em></a><em> </em>(Ohio State UP, 2024), Jerry Rafiki Jenkins examines four types of human monsters that frequently appear in Black American horror fiction--the monsters of White rage, respectability, not-ness, and serial killing. Arguing that such monsters represent specific ideologies of American anti-Blackness, Jenkins shows that despite their various motivations for harming and killing Black people, these monsters embody the horrors that emerge when <em>Black American</em> is disassociated from <em>American</em>. Although these monsters of anti-Blackness are dangerous because they can terrorize Black people with virtual impunity, their "anti-Black sadism," as Jenkins calls it, is what makes them repulsive. </p><p>Jenkins examines a variety of these monstrous forms in Tananarive Due's <em>The Between, </em>Victor LaValle's <em>The Changeling, </em>Octavia Butler's <em>Kindred, </em>Nnedi Okorafor's <em>Who Fears Death, </em>and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2708</itunes:duration>
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    <item>
      <title>Ann Powers, "Traveling: On the Path of Joni Mitchell" (Dey Street Books, 2024)</title>
      <description>For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting.
In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life.
Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan.
Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject.
Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, &amp; the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 24 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>243</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ann Powers</itunes:subtitle>
      <itunes:summary>For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting.
In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life.
Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan.
Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject.
Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, &amp; the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting.</p><p>In <a href="https://bookshop.org/a/12343/9780062463722"><em>Traveling: On the Path of Joni Mitchell</em> </a>(Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life.</p><p>Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, <em>Traveling</em> illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan.</p><p>Kaleidoscopic in scope, and intimate in its detail, <em>Traveling</em> is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject.</p><p>Ann Powers has been a music critic for more than thirty years, working for NPR, the <em>Los Angeles Times</em>, the <em>New York Times</em>, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the <em>All Songs Considered</em> podcast and on news shows including <em>All Things Considered</em> and <em>Morning Edition</em>. Her books include a memoir, <em>Weird Like Us: My Bohemian America</em>; <em>Good Booty: Love and Sex, Black and White, Body and Soul in American Music</em>; and <em>Piece by Piece</em> with Tori Amos. Powers lives in Nashville. Ann Powers on <a href="https://x.com/annkpowers">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are <em>Frank Zappa's America: Music, Satire, &amp; the Battle Against the Christian Right</em> (LSU Press, Spring 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025). Bradley Morgan on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Hank Willenbrink, "Performing for the Don: Theatres of Faith in the Age of Trump" (Routledge, 2024)</title>
      <description>From his overwhelming embrace by evangelicals and other people of faith to his championing of policies and conservative judicial candidates long sought by right-wing Christians, Donald Trump’s candidacy, campaign, and presidency were empowered by believers of many stripes who employed different methods of rationalizing or Christianizing Trump and his administration. In Performing for the Don: Theatres of Faith in the Trump Era (Routledge, 2024), Hank Willenbrink examines this intersection of political power and religion through the lens of performance studies, in part via Trump’s own expressions but predominantly through mass media performances of his Christian supporters. 
From Trump’s affiliation with his “court evangelicals” and televangelists to the 2018 film The Trump Prophecy and other prophetic/apostolic movements latching onto Trump’s ascension in service of dominionistic ends, and from his support among very conservative Catholics to the “cult” of Trump that has coalesced in conspiratorial online spaces advocating QAnon beliefs, the last decade has witnessed a mainstreaming of theology and ideology ripe for an interdisciplinary analysis of the performative aspects of Trump’s faith-based support. Dr. Willenbrink joined the New Books Network to discuss all these subjects as well as Christian nationalism in the present American political climate.
Hank Willenbrink (Ph.D. in Dramatic Art from the University of California, Santa Barbara) is Associate Professor in the Department of English and Theatre at The University of Scranton in Pennsylvania. A scholar and theatre artist, Hank has published on a range of topics like Hell Houses, the playwright Naomi Iizuka, the intersections of playwriting and nature writing, and the use of music in HBO’s Girls. With his wife, Dr. Yamile Silva, he co-edited an anthology of contemporary Spanish and Portuguese writing. Hank’s play, The Boat in the Tiger Suit, premiered in New York and is published by Original Works Publishing. He’s developed theatrical work internationally, including at Sala Beckett in Barcelona. Hank has also led several interdisciplinary, community-engaged projects that bring together students and community members of diverse backgrounds and disciplines to engage in deeper and more intentional ways through collectively created theatrical performance. Hank played in a number of questionable bands, co-founded the music blog We Listen for You, and hails from Toad Suck, Arkansas. He is currently continuing the research that he discusses on today’s podcast episode on his Substack: performingforthedon.substack.com.
Rob Heaton (Ph.D., University of Denver, 2019) primarily hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books, 2023). For more about Rob and his work, or to offer feedback related to this episode, please visit his website at https://www.robheaton.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 23 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>226</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hank Willenbrink</itunes:subtitle>
      <itunes:summary>From his overwhelming embrace by evangelicals and other people of faith to his championing of policies and conservative judicial candidates long sought by right-wing Christians, Donald Trump’s candidacy, campaign, and presidency were empowered by believers of many stripes who employed different methods of rationalizing or Christianizing Trump and his administration. In Performing for the Don: Theatres of Faith in the Trump Era (Routledge, 2024), Hank Willenbrink examines this intersection of political power and religion through the lens of performance studies, in part via Trump’s own expressions but predominantly through mass media performances of his Christian supporters. 
From Trump’s affiliation with his “court evangelicals” and televangelists to the 2018 film The Trump Prophecy and other prophetic/apostolic movements latching onto Trump’s ascension in service of dominionistic ends, and from his support among very conservative Catholics to the “cult” of Trump that has coalesced in conspiratorial online spaces advocating QAnon beliefs, the last decade has witnessed a mainstreaming of theology and ideology ripe for an interdisciplinary analysis of the performative aspects of Trump’s faith-based support. Dr. Willenbrink joined the New Books Network to discuss all these subjects as well as Christian nationalism in the present American political climate.
Hank Willenbrink (Ph.D. in Dramatic Art from the University of California, Santa Barbara) is Associate Professor in the Department of English and Theatre at The University of Scranton in Pennsylvania. A scholar and theatre artist, Hank has published on a range of topics like Hell Houses, the playwright Naomi Iizuka, the intersections of playwriting and nature writing, and the use of music in HBO’s Girls. With his wife, Dr. Yamile Silva, he co-edited an anthology of contemporary Spanish and Portuguese writing. Hank’s play, The Boat in the Tiger Suit, premiered in New York and is published by Original Works Publishing. He’s developed theatrical work internationally, including at Sala Beckett in Barcelona. Hank has also led several interdisciplinary, community-engaged projects that bring together students and community members of diverse backgrounds and disciplines to engage in deeper and more intentional ways through collectively created theatrical performance. Hank played in a number of questionable bands, co-founded the music blog We Listen for You, and hails from Toad Suck, Arkansas. He is currently continuing the research that he discusses on today’s podcast episode on his Substack: performingforthedon.substack.com.
Rob Heaton (Ph.D., University of Denver, 2019) primarily hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books, 2023). For more about Rob and his work, or to offer feedback related to this episode, please visit his website at https://www.robheaton.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From his overwhelming embrace by evangelicals and other people of faith to his championing of policies and conservative judicial candidates long sought by right-wing Christians, Donald Trump’s candidacy, campaign, and presidency were empowered by believers of many stripes who employed different methods of rationalizing or Christianizing Trump and his administration. In <a href="https://www.routledge.com/Performing-for-the-Don-Theaters-of-Faith-in-the-Trump-Era/Willenbrink/p/book/9781032302898"><em>Performing for the Don: Theatres of Faith in the Trump Era</em></a><em> </em>(Routledge, 2024), Hank Willenbrink examines this intersection of political power and religion through the lens of performance studies, in part via Trump’s own expressions but predominantly through mass media performances of his Christian supporters. </p><p>From Trump’s affiliation with his “court evangelicals” and televangelists to the 2018 film <em>The Trump Prophecy</em> and other prophetic/apostolic movements latching onto Trump’s ascension in service of dominionistic ends, and from his support among very conservative Catholics to the “cult” of Trump that has coalesced in conspiratorial online spaces advocating QAnon beliefs, the last decade has witnessed a mainstreaming of theology and ideology ripe for an interdisciplinary analysis of the performative aspects of Trump’s faith-based support. Dr. Willenbrink joined the New Books Network to discuss all these subjects as well as Christian nationalism in the present American political climate.</p><p>Hank Willenbrink (Ph.D. in Dramatic Art from the University of California, Santa Barbara) is Associate Professor in the Department of English and Theatre at The University of Scranton in Pennsylvania. A scholar and theatre artist, Hank has published on a range of topics like Hell Houses, the playwright Naomi Iizuka, the intersections of playwriting and nature writing, and the use of music in HBO’s <em>Girls</em>. With his wife, Dr. Yamile Silva, he co-edited an anthology of contemporary Spanish and Portuguese writing. Hank’s play, <em>The Boat in the Tiger Suit</em>, premiered in New York and is published by Original Works Publishing. He’s developed theatrical work internationally, including at Sala Beckett in Barcelona. Hank has also led several interdisciplinary, community-engaged projects that bring together students and community members of diverse backgrounds and disciplines to engage in deeper and more intentional ways through collectively created theatrical performance. Hank played in a number of questionable bands, co-founded the music blog We Listen for You, and hails from Toad Suck, Arkansas. He is currently continuing the research that he discusses on today’s podcast episode on his Substack: <a href="https://performingforthedon.substack.com/">performingforthedon.substack.com</a>.</p><p><em>Rob Heaton (Ph.D., University of Denver, 2019) primarily hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored </em><a href="https://rowman.com/ISBN/9781666921861/The-Shepherd-of-Hermas-as-Scriptura-Non-Grata-From-Popularity-in-Early-Christianity-to-Exclusion-from-the-New-Testament-Canon"><em>The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon</em></a><em> (Lexington Books, 2023). For more about Rob and his work, or to offer feedback related to this episode, please visit his website at </em><a href="https://www.robheaton.com/"><em>https://www.robheaton.com</em></a><em>.</em></p><p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5426</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Christopher T. Conner and David R. Dickens, "Electronic Dance Music: From Deviant Subculture to Culture Industry" (Rowman &amp; Littlefield, 2023)</title>
      <description>Electronic Dance Music: From Deviant Subculture to Culture Industry (Rowman &amp; Littlefield, 2023) explores the subculture’s emergence as a deviant subculture. This text analyzes how industry professionals, fans, and public officials helped usher in a new age of EDM, arguing that while the defining features of the subculture made it attractive, they also laid the foundations for outsiders to commodify the movement as a culture industry. Chris Conner and David Dickens explore the concept of “commodified resistance” as the mechanism by which the movement's politically dissident features were removed and its place as a multi-billion-dollar industry made possible. Ultimately, this text advocates the continued utility of the culture industry thesis through an empirical analysis of the EDM subculture.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 23 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>368</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher T. Conner</itunes:subtitle>
      <itunes:summary>Electronic Dance Music: From Deviant Subculture to Culture Industry (Rowman &amp; Littlefield, 2023) explores the subculture’s emergence as a deviant subculture. This text analyzes how industry professionals, fans, and public officials helped usher in a new age of EDM, arguing that while the defining features of the subculture made it attractive, they also laid the foundations for outsiders to commodify the movement as a culture industry. Chris Conner and David Dickens explore the concept of “commodified resistance” as the mechanism by which the movement's politically dissident features were removed and its place as a multi-billion-dollar industry made possible. Ultimately, this text advocates the continued utility of the culture industry thesis through an empirical analysis of the EDM subculture.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://rowman.com/ISBN/9781793620392/Electronic-Dance-Music-From-Deviant-Subculture-to-Culture-Industry"><em>Electronic Dance Music: From Deviant Subculture to Culture Industry</em></a> (Rowman &amp; Littlefield, 2023) explores the subculture’s emergence as a deviant subculture. This text analyzes how industry professionals, fans, and public officials helped usher in a new age of EDM, arguing that while the defining features of the subculture made it attractive, they also laid the foundations for outsiders to commodify the movement as a culture industry. <a href="https://sociology.missouri.edu/people/conner">Chris Conner</a> and <a href="https://www.unlv.edu/people/david-dickens">David Dickens</a> explore the concept of “commodified resistance” as the mechanism by which the movement's politically dissident features were removed and its place as a multi-billion-dollar industry made possible. Ultimately, this text advocates the continued utility of the culture industry thesis through an empirical analysis of the EDM subculture.</p><p><em>Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jennifer S. Clark, "Producing Feminism: Television Work in the Age of Women's Liberation" (U California Press, 2024)</title>
      <description>How have women resisted sexism in TV? In Producing Feminism: Television Work in the Age of Women’s Liberation (U California Press, 2024), Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>465</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer S. Clark</itunes:subtitle>
      <itunes:summary>How have women resisted sexism in TV? In Producing Feminism: Television Work in the Age of Women’s Liberation (U California Press, 2024), Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How have women resisted sexism in TV? In <a href="https://bookshop.org/a/12343/9780520399297"><em>Producing Feminism: Television Work in the Age of Women’s Liberation</em></a> (U California Press, 2024), <a href="https://www.fordham.edu/academics/departments/communication-and-media-studies/about-us/faculty-and-staff/jennifer-s-clark/">Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University</a>, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access <a href="https://luminosoa.org/site/books/m/10.1525/luminos.180/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2894</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Anahit Behrooz, "BFFs: The Radical Potential of Female Friendship" (404 Ink, 2023)</title>
      <description>Friendships can be the foundation of our earliest memories and most formative moments. But why are they often seen as secondary to romantic, or familial connection, something to age out of and take a back seat to other relationships? BFFs: The Radical Potential of Female Friendship (404 Ink, 2023) by Dr. Anahit Behrooz is an examination of the power of female friendship, not as something lesser, but as a site of radical intimacy, as told through the cultural touchstones around us.
From coming-of-age tales through physical intimacy and discovering personhood to break ups and parting of ways, Dr. Behrooz considers the vast significance of our friendships through the work of Toni Morrison and Elena Ferrante, Booksmart and Grey’s Anatomy, Insecure, The Virgin Suicides and beyond.
To have a life rich in love is often viewed through a specific lens; BFFs shows us that friendship can offer a more expansive and emancipatory understanding of female intimacy, and can be the most important, loving relationships in our lives.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>239</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anahit Behrooz</itunes:subtitle>
      <itunes:summary>Friendships can be the foundation of our earliest memories and most formative moments. But why are they often seen as secondary to romantic, or familial connection, something to age out of and take a back seat to other relationships? BFFs: The Radical Potential of Female Friendship (404 Ink, 2023) by Dr. Anahit Behrooz is an examination of the power of female friendship, not as something lesser, but as a site of radical intimacy, as told through the cultural touchstones around us.
From coming-of-age tales through physical intimacy and discovering personhood to break ups and parting of ways, Dr. Behrooz considers the vast significance of our friendships through the work of Toni Morrison and Elena Ferrante, Booksmart and Grey’s Anatomy, Insecure, The Virgin Suicides and beyond.
To have a life rich in love is often viewed through a specific lens; BFFs shows us that friendship can offer a more expansive and emancipatory understanding of female intimacy, and can be the most important, loving relationships in our lives.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Friendships can be the foundation of our earliest memories and most formative moments. But why are they often seen as secondary to romantic, or familial connection, something to age out of and take a back seat to other relationships? <a href="https://www.404ink.com/store/inklings-bffs"><em>BFFs: The Radical Potential of Female Friendship</em></a><em> </em>(404 Ink, 2023) by Dr. Anahit Behrooz is an examination of the power of female friendship, not as something lesser, but as a site of radical intimacy, as told through the cultural touchstones around us.</p><p>From coming-of-age tales through physical intimacy and discovering personhood to break ups and parting of ways, Dr. Behrooz considers the vast significance of our friendships through the work of Toni Morrison and Elena Ferrante, Booksmart and Grey’s Anatomy, Insecure, The Virgin Suicides and beyond.</p><p>To have a life rich in love is often viewed through a specific lens; BFFs shows us that friendship can offer a more expansive and emancipatory understanding of female intimacy, and can be the most important, loving relationships in our lives.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2814</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jared Stearns, "Pure: The Sexual Revolutions of Marilyn Chambers" (Headpress, 2024)</title>
      <description>In Pure: The Sexual Revolutions of Marilyn Chambers (Headpress, 2024), Jared Stearns tells the untold story of the world's most famous X-rated star, who rose to fame as the face of Ivory Snow and the star of Behind the Green Door but struggled to find her true self in a world of sex, scandal, and shattered dreams. Marilyn Chambers was the embodiment of the free-spirited Seventies, the world's most famous X-rated star, and an unappreciated talent whose work in adult films hindered her dreams of becoming a serious actress. Raised in an affluent Connecticut suburb, Marilyn catapulted to fame when it was learned that not only had she starred in the groundbreaking X-rated film, Behind the Green Door but was also the model on the box of Ivory Snow laundry detergent (product tagline: "99 44/100% Pure.") Marilyn was the first woman known primarily for her work in adult films to cross over to mainstream entertainment. She sustained a versatile three-decade career in entertainment, including roles in dramatic plays, a Broadway musical revue, her own television show, and the lead role in David Cronenberg's film Rabid. 
But her success in adult films also proved to be her undoing. Marred by a violent relationship with her abusive husband-manager, Chuck Traynor, she developed the persona of a twenty-four-hour-a-day sex star. In the process, she lost her sense of self and spent much of her life searching for her true identity. With recollections from family and friends, many of whom have never spoken publicly, along with Marilyn's own words, and never-before-published photos, Jared Stearns vividly captures the revolutionary career of one of the twentieth century's most misunderstood icons.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 14 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>189</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jared Stearns</itunes:subtitle>
      <itunes:summary>In Pure: The Sexual Revolutions of Marilyn Chambers (Headpress, 2024), Jared Stearns tells the untold story of the world's most famous X-rated star, who rose to fame as the face of Ivory Snow and the star of Behind the Green Door but struggled to find her true self in a world of sex, scandal, and shattered dreams. Marilyn Chambers was the embodiment of the free-spirited Seventies, the world's most famous X-rated star, and an unappreciated talent whose work in adult films hindered her dreams of becoming a serious actress. Raised in an affluent Connecticut suburb, Marilyn catapulted to fame when it was learned that not only had she starred in the groundbreaking X-rated film, Behind the Green Door but was also the model on the box of Ivory Snow laundry detergent (product tagline: "99 44/100% Pure.") Marilyn was the first woman known primarily for her work in adult films to cross over to mainstream entertainment. She sustained a versatile three-decade career in entertainment, including roles in dramatic plays, a Broadway musical revue, her own television show, and the lead role in David Cronenberg's film Rabid. 
But her success in adult films also proved to be her undoing. Marred by a violent relationship with her abusive husband-manager, Chuck Traynor, she developed the persona of a twenty-four-hour-a-day sex star. In the process, she lost her sense of self and spent much of her life searching for her true identity. With recollections from family and friends, many of whom have never spoken publicly, along with Marilyn's own words, and never-before-published photos, Jared Stearns vividly captures the revolutionary career of one of the twentieth century's most misunderstood icons.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://headpress.com/product/pure/"><em>Pure: The Sexual Revolutions of Marilyn Chambers</em></a> (Headpress, 2024), <a href="https://www.jaredstearns.com/">Jared Stearns</a> tells the untold story of the world's most famous X-rated star, who rose to fame as the face of Ivory Snow and the star of Behind the Green Door but struggled to find her true self in a world of sex, scandal, and shattered dreams. Marilyn Chambers was the embodiment of the free-spirited Seventies, the world's most famous X-rated star, and an unappreciated talent whose work in adult films hindered her dreams of becoming a serious actress. Raised in an affluent Connecticut suburb, Marilyn catapulted to fame when it was learned that not only had she starred in the groundbreaking X-rated film, Behind the Green Door but was also the model on the box of Ivory Snow laundry detergent (product tagline: "99 44/100% Pure.") Marilyn was the first woman known primarily for her work in adult films to cross over to mainstream entertainment. She sustained a versatile three-decade career in entertainment, including roles in dramatic plays, a Broadway musical revue, her own television show, and the lead role in David Cronenberg's film Rabid. </p><p>But her success in adult films also proved to be her undoing. Marred by a violent relationship with her abusive husband-manager, Chuck Traynor, she developed the persona of a twenty-four-hour-a-day sex star. In the process, she lost her sense of self and spent much of her life searching for her true identity. With recollections from family and friends, many of whom have never spoken publicly, along with Marilyn's own words, and never-before-published photos, Jared Stearns vividly captures the revolutionary career of one of the twentieth century's most misunderstood icons.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3898</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>On Richard Linklater and “Hit Man”</title>
      <description>It’s the UConn Popcast, and “Hit Man” is writer and director Richard Linklater’s latest film, available on Netflix after a brief theatrical run. We analyze the movie through Linklater’s classic themes: identity and its malleability, American sub-cultures, and American mythologies. “Hit Man” is a less challenging watch than much of Linklater’s canon, but it works best, we argue, when seen as part of his wider project of examining the permeable boundary between fantasy and reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 14 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and “Hit Man” is writer and director Richard Linklater’s latest film, available on Netflix after a brief theatrical run. We analyze the movie through Linklater’s classic themes: identity and its malleability, American sub-cultures, and American mythologies. “Hit Man” is a less challenging watch than much of Linklater’s canon, but it works best, we argue, when seen as part of his wider project of examining the permeable boundary between fantasy and reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the UConn Popcast, and “Hit Man” is writer and director Richard Linklater’s latest film, available on Netflix after a brief theatrical run. We analyze the movie through Linklater’s classic themes: identity and its malleability, American sub-cultures, and American mythologies. “Hit Man” is a less challenging watch than much of Linklater’s canon, but it works best, we argue, when seen as part of his wider project of examining the permeable boundary between fantasy and reality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3574</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[85ccd17a-2816-11ef-ab5f-e7a6ee6706ec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5724403095.mp3?updated=1718127909" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Davis-Chanin and Liz Lamere, "Infinite Dreams: The Life of Alan Vega" (Backbeat Books, 2024)</title>
      <description>Infinite Dreams: The Life of Alan Vega (Backbeat, 2024) by Laura Davis-Chanin and Liz Lamere is the first biography on the life of Alan Vega, best known as the co-founder of the punk duo Suicide. In their exhaustive biography Davis-Chanin and Vega's wife of 30 years, Liz Lamere, start with Vega's early life and attempts at astrophysics in college, to his encounter with Iggy Pop that changed his path and encouraged him to become an artist and performer. Infinite Dreams describes Vega’s many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. Delving into his artistic life as well as his personal trials, Infinite Dreams combines candid photos, drawing, images of art pieces, and reminiscence of a wide array of musicians and artists, creating an intimate glimpse into the life of Vega and those he influenced. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>185</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura Davis-Chanin and Liz Lamere</itunes:subtitle>
      <itunes:summary>Infinite Dreams: The Life of Alan Vega (Backbeat, 2024) by Laura Davis-Chanin and Liz Lamere is the first biography on the life of Alan Vega, best known as the co-founder of the punk duo Suicide. In their exhaustive biography Davis-Chanin and Vega's wife of 30 years, Liz Lamere, start with Vega's early life and attempts at astrophysics in college, to his encounter with Iggy Pop that changed his path and encouraged him to become an artist and performer. Infinite Dreams describes Vega’s many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. Delving into his artistic life as well as his personal trials, Infinite Dreams combines candid photos, drawing, images of art pieces, and reminiscence of a wide array of musicians and artists, creating an intimate glimpse into the life of Vega and those he influenced. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781493072484"><em>Infinite Dreams: The Life of Alan Vega </em></a>(Backbeat, 2024) by Laura Davis-Chanin and Liz Lamere is the first biography on the life of Alan Vega, best known as the co-founder of the punk duo Suicide. In their exhaustive biography Davis-Chanin and Vega's wife of 30 years, Liz Lamere, start with Vega's early life and attempts at astrophysics in college, to his encounter with Iggy Pop that changed his path and encouraged him to become an artist and performer.<em> Infinite Dreams </em>describes Vega’s many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. Delving into his artistic life as well as his personal trials, <em>Infinite Dreams</em> combines candid photos, drawing, images of art pieces, and reminiscence of a wide array of musicians and artists, creating an intimate glimpse into the life of Vega and those he influenced. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3596</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b4aa274e-0fa8-11ef-9347-dbadffc86f77]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9941913030.mp3?updated=1715441452" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amy E. Wright, "Serial Mexico: Storytelling Across Media, from Nationhood to Now" (Vanderbilt UP, 2023)</title>
      <description>Serial Mexico: Storytelling Across Media, from Nationhood to Now (Vanderbilt UP, 2023) responds to a continued need to historicize and contextualize seriality, particularly as it exists outside of dominant U.S./European contexts. In Mexico, serialization has been an important feature of narrative since the birth of the nation. Amy Wright's exploration begins with a study of novels serialized in pamphlets and newspapers by key Mexican authors of the nineteenth century, showing that serialization was essential to the development of both the novel and national identities--to Mexican popular culture--during its foundational period. In the twentieth century, a technological explosion after the Mexican Revolution (1910-20) set Mexico's transmedial wheels into motion, as a variety of media recycled and repurposed earlier serialized tales, themselves drawn from a repertoire of oral traditions to national nostalgic effect. 
Along the way, Serial Mexico responds to the following series of questions: How has serialized storytelling functioned in Mexico? How can we better understand the relationship of seriality to transmediality through this historical case study? Which stories (characters, themes, storylines, and storyworlds) have circulated repeatedly over time? How have those stories defined Mexico? The goal of this book is to begin to understand some of the possible answers to these questions through five case studies, which highlight five key artifacts, in five different media, at five different historical points spanning nearly two hundred years of Mexico's history. Serial Mexico offers important insights into not only the topic of serialized storytelling, but to larger notions of how national identities are created through narrative, with crucial cultural and sometimes political implications.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>220</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amy E. Wright</itunes:subtitle>
      <itunes:summary>Serial Mexico: Storytelling Across Media, from Nationhood to Now (Vanderbilt UP, 2023) responds to a continued need to historicize and contextualize seriality, particularly as it exists outside of dominant U.S./European contexts. In Mexico, serialization has been an important feature of narrative since the birth of the nation. Amy Wright's exploration begins with a study of novels serialized in pamphlets and newspapers by key Mexican authors of the nineteenth century, showing that serialization was essential to the development of both the novel and national identities--to Mexican popular culture--during its foundational period. In the twentieth century, a technological explosion after the Mexican Revolution (1910-20) set Mexico's transmedial wheels into motion, as a variety of media recycled and repurposed earlier serialized tales, themselves drawn from a repertoire of oral traditions to national nostalgic effect. 
Along the way, Serial Mexico responds to the following series of questions: How has serialized storytelling functioned in Mexico? How can we better understand the relationship of seriality to transmediality through this historical case study? Which stories (characters, themes, storylines, and storyworlds) have circulated repeatedly over time? How have those stories defined Mexico? The goal of this book is to begin to understand some of the possible answers to these questions through five case studies, which highlight five key artifacts, in five different media, at five different historical points spanning nearly two hundred years of Mexico's history. Serial Mexico offers important insights into not only the topic of serialized storytelling, but to larger notions of how national identities are created through narrative, with crucial cultural and sometimes political implications.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780826505613"><em>Serial Mexico: Storytelling Across Media, from Nationhood to Now</em> </a>(Vanderbilt UP, 2023) responds to a continued need to historicize and contextualize seriality, particularly as it exists outside of dominant U.S./European contexts. In Mexico, serialization has been an important feature of narrative since the birth of the nation. Amy Wright's exploration begins with a study of novels serialized in pamphlets and newspapers by key Mexican authors of the nineteenth century, showing that serialization was essential to the development of both the novel and national identities--to Mexican popular culture--during its foundational period. In the twentieth century, a technological explosion after the Mexican Revolution (1910-20) set Mexico's transmedial wheels into motion, as a variety of media recycled and repurposed earlier serialized tales, themselves drawn from a repertoire of oral traditions to national nostalgic effect. </p><p>Along the way, <em>Serial Mexico</em> responds to the following series of questions: How has serialized storytelling functioned in Mexico? How can we better understand the relationship of seriality to transmediality through this historical case study? Which stories (characters, themes, storylines, and storyworlds) have circulated repeatedly over time? How have those stories defined Mexico? The goal of this book is to begin to understand some of the possible answers to these questions through five case studies, which highlight five key artifacts, in five different media, at five different historical points spanning nearly two hundred years of Mexico's history. <em>Serial Mexico</em> offers important insights into not only the topic of serialized storytelling, but to larger notions of how national identities are created through narrative, with crucial cultural and sometimes political implications.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4637</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[699fd04a-2660-11ef-bbfa-d7a2c3d97425]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7791259226.mp3?updated=1718019108" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Screwed and Chopped</title>
      <description>Since the 1990s, many of Houston’s African American residents have customized cars and customized the sound of hip hop. Cars called “slabs” swerve a slow path through the city streets, banging out a distinctive local music that paid tribute to those very same streets and neighborhoods.
Folklorist and Houston native Langston Collin Wilkins studies slab culture and the “screwed and chopped” hip hop that rattles the slabs and serves as the culture’s soundtrack. Wilkins shows us how sonic creativity turns a space—a collection of buildings and streets—into a place that is known, respected, and loved.
In this show we hear the slow, muddy, psychedelic sounds of DJ Screw and The Screwed Up Click, including rappers such as Lil Keke, Fat Pat, Big Hawk, and UGK–as well as songs by Geto Boys, Willie Dee, Swishahouse, Point Blank, Biggie Smalls, and MC T Tucker &amp; DJ Irv.
 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 10 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Langston Collin Wilkins</itunes:subtitle>
      <itunes:summary>Since the 1990s, many of Houston’s African American residents have customized cars and customized the sound of hip hop. Cars called “slabs” swerve a slow path through the city streets, banging out a distinctive local music that paid tribute to those very same streets and neighborhoods.
Folklorist and Houston native Langston Collin Wilkins studies slab culture and the “screwed and chopped” hip hop that rattles the slabs and serves as the culture’s soundtrack. Wilkins shows us how sonic creativity turns a space—a collection of buildings and streets—into a place that is known, respected, and loved.
In this show we hear the slow, muddy, psychedelic sounds of DJ Screw and The Screwed Up Click, including rappers such as Lil Keke, Fat Pat, Big Hawk, and UGK–as well as songs by Geto Boys, Willie Dee, Swishahouse, Point Blank, Biggie Smalls, and MC T Tucker &amp; DJ Irv.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p class="ql-align-justify">Since the 1990s, many of Houston’s African American residents have customized cars and customized the sound of hip hop. Cars called “<a href="http://www.texanwirewheels.com/houston-slab-culture/"><strong>slabs</strong></a>” swerve a slow path through the city streets, banging out a distinctive local music that paid tribute to those very same streets and neighborhoods.</p><p class="ql-align-justify">Folklorist and Houston native <a href="http://tnartscommission.org/staff/langston-collin-wilkins-ph-d/"><strong>Langston Collin Wilkins</strong></a> studies slab culture and the “<a href="https://en.wikipedia.org/wiki/Chopped_and_screwed"><strong>screwed and chopped</strong></a>” hip hop that rattles the slabs and serves as the culture’s soundtrack. Wilkins shows us how sonic creativity turns a <em>space</em>—a collection of buildings and streets—into a <em>place</em> that is known, respected, and loved.</p><p class="ql-align-justify">In this show we hear the slow, muddy, psychedelic sounds of<strong> </strong><a href="https://en.wikipedia.org/wiki/DJ_Screw"><strong>DJ Screw</strong></a> and <a href="https://en.wikipedia.org/wiki/Screwed_Up_Click"><strong>The Screwed Up Click</strong></a>, including rappers such as <a href="https://www.youtube.com/watch?v=3wuSQpiWtdU"><strong>Lil Keke</strong></a>,<strong> </strong><a href="https://www.youtube.com/watch?v=N42Ob4FGXo8"><strong>Fat Pat</strong></a>, <a href="https://www.youtube.com/watch?v=p-nZzeeMqHw"><strong>Big Hawk</strong></a>, and <a href="https://www.youtube.com/watch?v=zAd0btarXo0"><strong>UGK</strong></a>–as well as songs by <a href="https://www.youtube.com/watch?v=vGwQETnUAzE"><strong>Geto Boys</strong></a>, <a href="https://www.youtube.com/watch?v=WEdd8LXYpZE"><strong>Willie Dee</strong></a>, <a href="https://www.youtube.com/watch?v=PM7_V8Hxaqg"><strong>Swishahouse</strong></a>, <a href="https://www.youtube.com/watch?v=CEl7scqLDGc"><strong>Point Blank</strong></a>, <a href="https://www.youtube.com/watch?v=IzRMVZdykjo"><strong>Biggie Smalls</strong></a>, and <a href="https://www.youtube.com/watch?v=ys3RPPGXbd8"><strong>MC T Tucker &amp; DJ Irv</strong>.</a></p><p class="ql-align-justify"> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2155</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[004b52c6-106d-11ef-8a96-5f3c1540356f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6451222415.mp3?updated=1715524778" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Corey J. Miles, "Vibe: The Sound and Feeling of Black Life in the American South" (U Mississippi Press, 2024)</title>
      <description>In Vibe: The Sound and Feeling of Black Life in the American South (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the "carceral South," to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it. 
Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use "vibe" as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>188</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Corey J. Miles</itunes:subtitle>
      <itunes:summary>In Vibe: The Sound and Feeling of Black Life in the American South (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the "carceral South," to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it. 
Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use "vibe" as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.upress.state.ms.us/Books/V/Vibe"><em>Vibe: The Sound and Feeling of Black Life in the American South</em></a> (University of Mississippi Press, 2023), Corey J. Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the "carceral South," to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it. </p><p>Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use "vibe" as a mode of knowing and communication, Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2891</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[866d32d6-237b-11ef-8396-2b626bfdb4ad]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6423920914.mp3?updated=1717620606" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tara López, "Chuco Punk: Sonic Insurgency in El Paso" (U Texas Press, 2024)</title>
      <description>Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia. 
Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 04 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>184</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tara López</itunes:subtitle>
      <itunes:summary>Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia. 
Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tara López's <a href="https://bookshop.org/a/12343/9781477324813"><em>Chuco Punk: Sonic Insurgency in El Paso</em></a><em> </em>(University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia. </p><p>Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3081</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[65b12262-0fa5-11ef-b4e9-d38d269333aa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3651271445.mp3?updated=1715440530" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eleanor Medhurst, "Unsuitable: A History of Lesbian Fashion" (Hurst, 2024)</title>
      <description>Eleanor Medhurst joins us today to talk about Unsuitable: A History of Lesbian Fashion (Hurst &amp; Company, 2024). Clothes are integral to lesbian history. Lesbians, in turn, are integral to the history of fashion. The way that we dress can help us to present who we are to the world, or it can help us to hide ourselves. It can align us with a community or make us stand out from the crowd. For lesbians, fashion can have innumerable meanings - yet "lesbian fashion" is rarely considered, the main association between lesbians and their clothes being of un-fashionability. 
In Unsuitable, Eleanor Medhurst explores the history of lesbian fashion, a field that has been overwhelmingly ignored within both fashion and queer histories. Unsuitable uncovers the relationships between lesbians and their clothes as well as their fashionable details, from top hats to violet tiaras. It spans centuries and continents: Anne Lister of nineteenth century Yorkshire and "Paris Lesbos" of the 1920s, butch/femme bar culture of the 1950s and lesbian activists in the '80s. It celebrates Black lesbian histories, trans lesbian histories, and histories of gender-nonconformity. The lesbian past is slippery; it has often deliberately been hidden, altered or left unrecorded. This book lights it up and shares it with the world, adorned in all its finery.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eleanor Medhurst</itunes:subtitle>
      <itunes:summary>Eleanor Medhurst joins us today to talk about Unsuitable: A History of Lesbian Fashion (Hurst &amp; Company, 2024). Clothes are integral to lesbian history. Lesbians, in turn, are integral to the history of fashion. The way that we dress can help us to present who we are to the world, or it can help us to hide ourselves. It can align us with a community or make us stand out from the crowd. For lesbians, fashion can have innumerable meanings - yet "lesbian fashion" is rarely considered, the main association between lesbians and their clothes being of un-fashionability. 
In Unsuitable, Eleanor Medhurst explores the history of lesbian fashion, a field that has been overwhelmingly ignored within both fashion and queer histories. Unsuitable uncovers the relationships between lesbians and their clothes as well as their fashionable details, from top hats to violet tiaras. It spans centuries and continents: Anne Lister of nineteenth century Yorkshire and "Paris Lesbos" of the 1920s, butch/femme bar culture of the 1950s and lesbian activists in the '80s. It celebrates Black lesbian histories, trans lesbian histories, and histories of gender-nonconformity. The lesbian past is slippery; it has often deliberately been hidden, altered or left unrecorded. This book lights it up and shares it with the world, adorned in all its finery.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Eleanor Medhurst joins us today to talk about <a href="https://www.hurstpublishers.com/event/unsuitable-a-history-of-lesbian-fashion-an-illustrated-talk-by-eleanor-medhurst/"><em>Unsuitable: A History of Lesbian Fashion</em></a> (Hurst &amp; Company, 2024). Clothes are integral to lesbian history. Lesbians, in turn, are integral to the history of fashion. The way that we dress can help us to present who we are to the world, or it can help us to hide ourselves. It can align us with a community or make us stand out from the crowd. For lesbians, fashion can have innumerable meanings - yet "lesbian fashion" is rarely considered, the main association between lesbians and their clothes being of un-fashionability. </p><p>In <em>Unsuitable</em>, Eleanor Medhurst explores the history of lesbian fashion, a field that has been overwhelmingly ignored within both fashion and queer histories. <em>Unsuitable</em> uncovers the relationships between lesbians and their clothes as well as their fashionable details, from top hats to violet tiaras. It spans centuries and continents: Anne Lister of nineteenth century Yorkshire and "Paris Lesbos" of the 1920s, butch/femme bar culture of the 1950s and lesbian activists in the '80s. It celebrates Black lesbian histories, trans lesbian histories, and histories of gender-nonconformity. The lesbian past is slippery; it has often deliberately been hidden, altered or left unrecorded. This book lights it up and shares it with the world, adorned in all its finery.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2668</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0cdb778e-ff27-11ee-9bc2-839e90d54e5e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1356110889.mp3?updated=1713625847" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kyle Barnett, "Record Cultures: The Transformation of the U.S. Recording Industry" (U Michigan Press, 2020)</title>
      <description>In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.
Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.
Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.
Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 02 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kyle Barnett</itunes:subtitle>
      <itunes:summary>In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.
Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.
Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.
Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.press.umich.edu/9901441/record_cultures"><em>Record Cultures: The Transformation of the U.S. Recording Industry</em></a> (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.</p><p>Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.</p><p><a href="https://www.bellarmine.edu/communication/faculty/">Kyle Barnett</a> is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.</p><p><a href="https://kimberlymack.com/"><em>Kimberly Mack</em></a><em> holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “</em><a href="https://longreads.com/2019/02/22/johnny-rotten-my-mom-and-me/"><em>Johnny Rotten, My Mom, and Me</em></a><em>.”</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4078</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4e0b2a86-1f90-11ef-b01c-8f8f5a4f99a1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5091494284.mp3?updated=1717189528" length="0" type="audio/mpeg"/>
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    <item>
      <title>Daniel Rachel, "Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation" (Akashic Books, 2024)</title>
      <description>Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid.
The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.”
Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 01 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>186</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Rachel</itunes:subtitle>
      <itunes:summary>Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid.
The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.”
Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Daniel Rachel's new book <a href="https://bookshop.org/a/12343/9781636141893"><em>Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation</em></a><em> </em>(Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid.</p><p>The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto <em>Top of the Pops </em>and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.”</p><p>Told in three parts, <em>Too Much Too Young </em>is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3266</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e228f3fc-153f-11ef-a81f-9fed743fac87]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8045029713.mp3?updated=1716115731" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ryan White, "Springsteen: Album by Album" (Palazzo Editions, 2024)</title>
      <description>The definitive illustrated book on "The Boss"-- Springsteen: Album by Album (Palazzo Editions, 2024) is now updated to celebrate Bruce Springsteen’s 75th birthday!
Renowned for his passionate songwriting, galvanizing live shows, and political activism, Bruce Springsteen stands astride the rock 'n' roll stage like a colossus--and the iconic rocker shows no signs of slowing down. With in-depth reviews of 21 studio albums spanning over 6 decades of music history, Springsteen delves into every aspect of the superstar's career. Richly photographed, and featuring brilliant writing by one of America's top music critics as well as an introduction by Peter Ames Carlin (author of the bestselling biography Bruce).
Ryan White has been writing cultural features for over twenty years, and is the author of Jimmy Buffett: A Good Life All the Way. Ryan on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 31 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>241</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ryan White</itunes:subtitle>
      <itunes:summary>The definitive illustrated book on "The Boss"-- Springsteen: Album by Album (Palazzo Editions, 2024) is now updated to celebrate Bruce Springsteen’s 75th birthday!
Renowned for his passionate songwriting, galvanizing live shows, and political activism, Bruce Springsteen stands astride the rock 'n' roll stage like a colossus--and the iconic rocker shows no signs of slowing down. With in-depth reviews of 21 studio albums spanning over 6 decades of music history, Springsteen delves into every aspect of the superstar's career. Richly photographed, and featuring brilliant writing by one of America's top music critics as well as an introduction by Peter Ames Carlin (author of the bestselling biography Bruce).
Ryan White has been writing cultural features for over twenty years, and is the author of Jimmy Buffett: A Good Life All the Way. Ryan on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The definitive illustrated book on "The Boss"-- <a href="https://bookshop.org/a/12343/9781786751553"><em>Springsteen: Album by Album</em> </a>(Palazzo Editions, 2024) is now updated to celebrate Bruce Springsteen’s 75th birthday!</p><p>Renowned for his passionate songwriting, galvanizing live shows, and political activism, Bruce Springsteen stands astride the rock 'n' roll stage like a colossus--and the iconic rocker shows no signs of slowing down. With in-depth reviews of 21 studio albums spanning over 6 decades of music history, Springsteen delves into every aspect of the superstar's career. Richly photographed, and featuring brilliant writing by one of America's top music critics as well as an introduction by Peter Ames Carlin (author of the bestselling biography <em>Bruce</em>).</p><p>Ryan White has been writing cultural features for over twenty years, and is the author of <em>Jimmy Buffett: A Good Life All the Way. </em>Ryan on <a href="https://twitter.com/ThatRyanWhite">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3492</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[14af9e68-1ea8-11ef-8c7e-73bfb3879498]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7887023665.mp3?updated=1717089821" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bodie A. Ashton, "The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society" (Bloomsbury, 2024)</title>
      <description>In The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society (Bloomsbury, 2024), editor Bodie Ashton compiles twelve essays exploring the impact of Pet Shop Boys across the past four decades. The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike. 
Covering the full oeuvre of The Pet Shop boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 28 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bodie A. Ashton</itunes:subtitle>
      <itunes:summary>In The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society (Bloomsbury, 2024), editor Bodie Ashton compiles twelve essays exploring the impact of Pet Shop Boys across the past four decades. The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike. 
Covering the full oeuvre of The Pet Shop boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781350331563"><em>The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society </em></a><em>(</em>Bloomsbury, 2024), editor Bodie Ashton compiles twelve essays exploring the impact of Pet Shop Boys across the past four decades. The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike. </p><p>Covering the full oeuvre of The Pet Shop boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3556</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4b9541fa-1c4e-11ef-88f4-93399ad00f9e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3141578090.mp3?updated=1716831651" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ears Racing</title>
      <description>This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.”
Works discussed include Richard Wright’s Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne.
Additional music by Graeme Gibson and Blue the Fifth.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 27 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Jennifer Stoever</itunes:subtitle>
      <itunes:summary>This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.”
Works discussed include Richard Wright’s Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne.
Additional music by Graeme Gibson and Blue the Fifth.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p class="ql-align-justify">This episode, we talk with <a href="https://jenniferstoever.com/"><strong>Jennifer Lynn Stoever</strong></a>–editor of the influential sound studies blog <a href="https://soundstudiesblog.com/"><strong>Sounding Out!</strong></a>–about her new book, <a href="https://nyupress.org/books/9781479889341/"><strong><em>The Sonic Color Line: Race and the Cultural Politics of Listening </em></strong></a>(NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.”</p><p class="ql-align-justify">Works discussed include Richard Wright’s <a href="https://en.wikipedia.org/wiki/Native_Son"><strong><em>Native Son</em></strong><em> </em></a>and music by <a href="https://en.wikipedia.org/wiki/Lead_Belly"><strong>Huddie Ledbetter</strong></a> (Lead Belly), <a href="http://fishbone.net/"><strong>Fishbone</strong></a>, and <a href="https://en.wikipedia.org/wiki/Lena_Horne"><strong>Lena Horne</strong></a>.</p><p class="ql-align-justify">Additional music by Graeme Gibson and <a href="https://soundcloud.com/blue-the-fifth"><strong>Blue the Fifth</strong></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3501</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c3c3e874-106a-11ef-b4ac-4319b14dce70]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9018948735.mp3?updated=1715523807" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jane Hamlett and Julie-Marie Strange, "Pet Revolution: Animals and the Making of Modern British Life" (Reaktion Books, 2023)</title>
      <description>Pet Revolution: Animals and the Making of Modern British Life (Reaktion, 2023) by Dr. Jane Hamlett &amp; Dr. Julie-Marie Strange tracks the British love affair with pets over the last two centuries, showing how the kinds of pets we keep, as well as how we relate to and care for them, has changed radically. The book describes the growth of pet foods and medicines, the rise of pet shops, and the development of veterinary care, creating the pet economy. Most importantly, pets have played a powerful emotional role in families across all social classes, creating new kinds of relationships and home lives.
For the first time, through a history of companion animals and the humans who lived with them, this book puts the story of the ‘pet revolution’ alongside other revolutions – industrial, agricultural, political – to highlight how animals contributed to modern British life.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 23 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jane Hamlett and Julie-Marie Strange</itunes:subtitle>
      <itunes:summary>Pet Revolution: Animals and the Making of Modern British Life (Reaktion, 2023) by Dr. Jane Hamlett &amp; Dr. Julie-Marie Strange tracks the British love affair with pets over the last two centuries, showing how the kinds of pets we keep, as well as how we relate to and care for them, has changed radically. The book describes the growth of pet foods and medicines, the rise of pet shops, and the development of veterinary care, creating the pet economy. Most importantly, pets have played a powerful emotional role in families across all social classes, creating new kinds of relationships and home lives.
For the first time, through a history of companion animals and the humans who lived with them, this book puts the story of the ‘pet revolution’ alongside other revolutions – industrial, agricultural, political – to highlight how animals contributed to modern British life.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789146868"><em>Pet Revolution: Animals and the Making of Modern British Life</em></a> (Reaktion, 2023) by Dr. Jane Hamlett &amp; Dr. Julie-Marie Strange tracks the British love affair with pets over the last two centuries, showing how the kinds of pets we keep, as well as how we relate to and care for them, has changed radically. The book describes the growth of pet foods and medicines, the rise of pet shops, and the development of veterinary care, creating the pet economy. Most importantly, pets have played a powerful emotional role in families across all social classes, creating new kinds of relationships and home lives.</p><p>For the first time, through a history of companion animals and the humans who lived with them, this book puts the story of the ‘pet revolution’ alongside other revolutions – industrial, agricultural, political – to highlight how animals contributed to modern British life.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2603</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ebff5756-04c6-11ef-b956-8f839f2e8127]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2993122782.mp3?updated=1714244044" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alex Beringer, "Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip" (Ohio State UP, 2024)</title>
      <description>Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip (Ohio State UP, 2024) is the first full-length study of US comic strips from the period prior to the rise of Sunday newspaper comics. Where current histories assume that nineteenth-century US comics consisted solely of single-panel political cartoons or simple “proto-comics,” Lost Literacies introduces readers to an ambitious group of artists and editors who were intent on experimenting with the storytelling possibilities of the sequential strip, resulting in playful comics whose existence upends prevailing narratives about the evolution of comic strips.
Over the course of the nineteenth century, figures such as artist Frank Bellew and editor T. W. Strong introduced sequential comic strips into humor magazines and precursors to graphic novels known as “graphic albums.” These early works reached audiences in the tens of thousands. Their influences ranged from Walt Whitman’s poetry to Mark Twain’s travel writings to the bawdy stage comedies of the Bowery Theatre. Most importantly, they featured new approaches to graphic storytelling that went far beyond the speech bubbles and panel grids familiar to us today. As readers of Lost Literacies will see, these little-known early US comic strips rival even the most innovative modern comics for their diversity and ambition.
Alex Beringer is a professor of English at the University of Montevallo. His research and teaching focuses on nineteenth century American literature, visual culture, and comics. He received his Ph.D. in English in 2011 from the University of Michigan and has held fellowships with the American Antiquarian Society, University of Cambridge and the National Endowment for the Humanities. His work has appeared in American Literature, Arizona Quarterly, PopMatters.com, and elsewhere.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 22 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alex Beringer</itunes:subtitle>
      <itunes:summary>Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip (Ohio State UP, 2024) is the first full-length study of US comic strips from the period prior to the rise of Sunday newspaper comics. Where current histories assume that nineteenth-century US comics consisted solely of single-panel political cartoons or simple “proto-comics,” Lost Literacies introduces readers to an ambitious group of artists and editors who were intent on experimenting with the storytelling possibilities of the sequential strip, resulting in playful comics whose existence upends prevailing narratives about the evolution of comic strips.
Over the course of the nineteenth century, figures such as artist Frank Bellew and editor T. W. Strong introduced sequential comic strips into humor magazines and precursors to graphic novels known as “graphic albums.” These early works reached audiences in the tens of thousands. Their influences ranged from Walt Whitman’s poetry to Mark Twain’s travel writings to the bawdy stage comedies of the Bowery Theatre. Most importantly, they featured new approaches to graphic storytelling that went far beyond the speech bubbles and panel grids familiar to us today. As readers of Lost Literacies will see, these little-known early US comic strips rival even the most innovative modern comics for their diversity and ambition.
Alex Beringer is a professor of English at the University of Montevallo. His research and teaching focuses on nineteenth century American literature, visual culture, and comics. He received his Ph.D. in English in 2011 from the University of Michigan and has held fellowships with the American Antiquarian Society, University of Cambridge and the National Endowment for the Humanities. His work has appeared in American Literature, Arizona Quarterly, PopMatters.com, and elsewhere.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780814258965"><em>Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip</em></a><em> </em>(Ohio State UP, 2024) is the first full-length study of US comic strips from the period prior to the rise of Sunday newspaper comics. Where current histories assume that nineteenth-century US comics consisted solely of single-panel political cartoons or simple “proto-comics,” <em>Lost Literacies</em> introduces readers to an ambitious group of artists and editors who were intent on experimenting with the storytelling possibilities of the sequential strip, resulting in playful comics whose existence upends prevailing narratives about the evolution of comic strips.</p><p>Over the course of the nineteenth century, figures such as artist Frank Bellew and editor T. W. Strong introduced sequential comic strips into humor magazines and precursors to graphic novels known as “graphic albums.” These early works reached audiences in the tens of thousands. Their influences ranged from Walt Whitman’s poetry to Mark Twain’s travel writings to the bawdy stage comedies of the Bowery Theatre. Most importantly, they featured new approaches to graphic storytelling that went far beyond the speech bubbles and panel grids familiar to us today. As readers of L<em>ost Literacies</em> will see, these little-known early US comic strips rival even the most innovative modern comics for their diversity and ambition.</p><p><a href="https://umub.montevallo.edu/academics/colleges/college-of-arts-sciences/department-of-english-world-languages/faculty-staff/alex-beringer/">Alex Beringer</a> is a professor of English at the University of Montevallo. His research and teaching focuses on nineteenth century American literature, visual culture, and comics. He received his Ph.D. in English in 2011 from the University of Michigan and has held fellowships with the American Antiquarian Society, University of Cambridge and the National Endowment for the Humanities. His work has appeared in <em>American Literature, Arizona Quarterly, </em>PopMatters.com, and elsewhere.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3646</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d1529de6-179a-11ef-8da9-737203a16246]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1178031435.mp3?updated=1716314554" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James A. Cosby, "Rock Music, Authority and Western Culture, 1964-1980" (McFarland, 2024)</title>
      <description>The history of rock and roll music can be seen in a long arc of Western civilization's struggle for both greater individual expression and societal stability. In the 1960s, the West's relationship with authority ruptured, in part due to the rock revolution. The lessons and implications of this era have yet to be fully grasped. 
James A. Cosby's book Rock Music, Authority and Western Culture, 1964-1980 (McFarland, 2024) examines the key artists, music, and events of the classic rock era--defined here as 1964 to 1980--through a virtual psychoanalysis of the West. Over these years, important truths unfold in the stories of British Invaders, hippies, proto-punks, and more, as well as topics to include drugs, primal scream therapy, the occult, spirituality, and disco and its detractors, to name just a few. Through a narrative that is equal parts entertaining, scholarly, and even spiritual, readers will gain a greater appreciation for rock music, better understand the confusing world we live in today, and see how greater individuality and social stability may be better reconciled moving forward.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 19 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>240</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James A. Cosby</itunes:subtitle>
      <itunes:summary>The history of rock and roll music can be seen in a long arc of Western civilization's struggle for both greater individual expression and societal stability. In the 1960s, the West's relationship with authority ruptured, in part due to the rock revolution. The lessons and implications of this era have yet to be fully grasped. 
James A. Cosby's book Rock Music, Authority and Western Culture, 1964-1980 (McFarland, 2024) examines the key artists, music, and events of the classic rock era--defined here as 1964 to 1980--through a virtual psychoanalysis of the West. Over these years, important truths unfold in the stories of British Invaders, hippies, proto-punks, and more, as well as topics to include drugs, primal scream therapy, the occult, spirituality, and disco and its detractors, to name just a few. Through a narrative that is equal parts entertaining, scholarly, and even spiritual, readers will gain a greater appreciation for rock music, better understand the confusing world we live in today, and see how greater individuality and social stability may be better reconciled moving forward.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The history of rock and roll music can be seen in a long arc of Western civilization's struggle for both greater individual expression and societal stability. In the 1960s, the West's relationship with authority ruptured, in part due to the rock revolution. The lessons and implications of this era have yet to be fully grasped. </p><p>James A. Cosby's book <a href="https://bookshop.org/a/12343/9781476693699"><em>Rock Music, Authority and Western Culture, 1964-1980</em></a> (McFarland, 2024) examines the key artists, music, and events of the classic rock era--defined here as 1964 to 1980--through a virtual psychoanalysis of the West. Over these years, important truths unfold in the stories of British Invaders, hippies, proto-punks, and more, as well as topics to include drugs, primal scream therapy, the occult, spirituality, and disco and its detractors, to name just a few. Through a narrative that is equal parts entertaining, scholarly, and even spiritual, readers will gain a greater appreciation for rock music, better understand the confusing world we live in today, and see how greater individuality and social stability may be better reconciled moving forward.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2576</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[349c8af8-146f-11ef-8b10-7fa130e428bc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6566619416.mp3?updated=1715965830" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>En Li, "Betting on the Civil Service Examinations: The Lottery in Late Qing China" (Harvard UP, 2023)</title>
      <description>During the Qing dynasty in China, a wide variety of people participated in a lottery game named weixing (“surname guessing”), which had participants placing bets on the surnames of civil service examination candidates. A fiercely competitive process, those who passed the various levels of the civil service and military examinations could climb the social ladder and obtain status in their communities and be considered for important positions in the government and military. The results of these examinations were not only highly anticipated by the exam takers themselves but also–with the introduction of weixing–by an enthusiastic community of players who bet on the success of candidates with less common surnames.
In this episode, En Li, assistant professor of modern East Asian history at the University of Texas at Dallas and author of Betting on the Civil Service Exmaninations: The Lottery in Late Qing China (Harvard University Asia Center, 2023), explores the fascinating history of this lottery game–from the longer history of games and betting in China and the origin of weixing to its regulation by the government to raise revenue and the spread of the game beyond China’s borders through Chinese diasporic communities to Southeast Asia and North America. The book considers the game from multiple perspectives–government officials, players, and lottery game runners. En Li thoughtfully reflects on the book and the process of producing it and points to the larger significance of both weixing and the civil service examinations in Chinese society and life and the risk, reward, and loss involved.
Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 17 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>529</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with En Li</itunes:subtitle>
      <itunes:summary>During the Qing dynasty in China, a wide variety of people participated in a lottery game named weixing (“surname guessing”), which had participants placing bets on the surnames of civil service examination candidates. A fiercely competitive process, those who passed the various levels of the civil service and military examinations could climb the social ladder and obtain status in their communities and be considered for important positions in the government and military. The results of these examinations were not only highly anticipated by the exam takers themselves but also–with the introduction of weixing–by an enthusiastic community of players who bet on the success of candidates with less common surnames.
In this episode, En Li, assistant professor of modern East Asian history at the University of Texas at Dallas and author of Betting on the Civil Service Exmaninations: The Lottery in Late Qing China (Harvard University Asia Center, 2023), explores the fascinating history of this lottery game–from the longer history of games and betting in China and the origin of weixing to its regulation by the government to raise revenue and the spread of the game beyond China’s borders through Chinese diasporic communities to Southeast Asia and North America. The book considers the game from multiple perspectives–government officials, players, and lottery game runners. En Li thoughtfully reflects on the book and the process of producing it and points to the larger significance of both weixing and the civil service examinations in Chinese society and life and the risk, reward, and loss involved.
Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the Qing dynasty in China, a wide variety of people participated in a lottery game named <em>weixing </em>(“surname guessing”), which had participants placing bets on the surnames of civil service examination candidates. A fiercely competitive process, those who passed the various levels of the civil service and military examinations could climb the social ladder and obtain status in their communities and be considered for important positions in the government and military. The results of these examinations were not only highly anticipated by the exam takers themselves but also–with the introduction of <em>weixing</em>–by an enthusiastic community of players who bet on the success of candidates with less common surnames.</p><p>In this episode, En Li, assistant professor of modern East Asian history at the University of Texas at Dallas and author of <a href="https://bookshop.org/a/12343/9780674293779"><em>Betting on the Civil Service Exmaninations: The Lottery in Late Qing China </em></a>(Harvard University Asia Center, 2023), explores the fascinating history of this lottery game–from the longer history of games and betting in China and the origin of <em>weixing</em> to its regulation by the government to raise revenue and the spread of the game beyond China’s borders through Chinese diasporic communities to Southeast Asia and North America. The book considers the game from multiple perspectives–government officials, players, and lottery game runners. En Li thoughtfully reflects on the book and the process of producing it and points to the larger significance of both <em>weixing </em>and the civil service examinations in Chinese society and life and the risk, reward, and loss involved.</p><p><em>Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2327</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[045d3538-13aa-11ef-b5ba-43419ca1a70a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6121305446.mp3?updated=1715881151" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julia A. Cassiday, "Russian Style: Performing Gender, Power, and Putinism" (U Wisconsin Press, 2023)</title>
      <description>Russian Style: Performing Gender, Power, and Putinism (University of Wisconsin Press, 2023) provides a critical and nuanced analysis of the relationship between popular culture and politics in Russia during Vladimir Putin’s first two decades in power. It traces how the performance of Russian citizenship has been remolded according to a neoconservative agenda characterized by increasingly exaggerated gender roles. By connecting gendered and sexualized citizenship to developments in Russian popular culture, Julie Cassiday argues that heteronormativity and homophobia became a kind of politicized style under Putin’s leadership. Examining everything from memes to the Eurovision Song Contest and self-help literature, Cassiday untangles the discourse of gender to argue that drag, or travesti, became the performative trope par excellence in Putin's Russia. Provocatively, Cassiday further argues that the exaggerated expressions of gender demanded by Putin's regime are best understood as a form of cisgender drag. The book also demonstrates that while the multiple modes of gender performativity generated in Russian popular culture between 2000 and 2010 supported Putin's neoconservative agenda, they also helped citizens resist and protest the state's mandate of heteronormativity.
Russian Style: Performing Gender, Power, and Putinism has been shortlisted for the 2024 Pushkin House Book Prize.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>237</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julia A. Cassiday</itunes:subtitle>
      <itunes:summary>Russian Style: Performing Gender, Power, and Putinism (University of Wisconsin Press, 2023) provides a critical and nuanced analysis of the relationship between popular culture and politics in Russia during Vladimir Putin’s first two decades in power. It traces how the performance of Russian citizenship has been remolded according to a neoconservative agenda characterized by increasingly exaggerated gender roles. By connecting gendered and sexualized citizenship to developments in Russian popular culture, Julie Cassiday argues that heteronormativity and homophobia became a kind of politicized style under Putin’s leadership. Examining everything from memes to the Eurovision Song Contest and self-help literature, Cassiday untangles the discourse of gender to argue that drag, or travesti, became the performative trope par excellence in Putin's Russia. Provocatively, Cassiday further argues that the exaggerated expressions of gender demanded by Putin's regime are best understood as a form of cisgender drag. The book also demonstrates that while the multiple modes of gender performativity generated in Russian popular culture between 2000 and 2010 supported Putin's neoconservative agenda, they also helped citizens resist and protest the state's mandate of heteronormativity.
Russian Style: Performing Gender, Power, and Putinism has been shortlisted for the 2024 Pushkin House Book Prize.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780299346706"><em>Russian Style: Performing Gender, Power, and Putinism</em></a> (University of Wisconsin Press, 2023) provides a critical and nuanced analysis of the relationship between popular culture and politics in Russia during Vladimir Putin’s first two decades in power. It traces how the performance of Russian citizenship has been remolded according to a neoconservative agenda characterized by increasingly exaggerated gender roles. By connecting gendered and sexualized citizenship to developments in Russian popular culture, Julie Cassiday argues that heteronormativity and homophobia became a kind of politicized style under Putin’s leadership. Examining everything from memes to the Eurovision Song Contest and self-help literature, Cassiday untangles the discourse of gender to argue that drag, or travesti, became the performative trope par excellence in Putin's Russia. Provocatively, Cassiday further argues that the exaggerated expressions of gender demanded by Putin's regime are best understood as a form of cisgender drag. The book also demonstrates that while the multiple modes of gender performativity generated in Russian popular culture between 2000 and 2010 supported Putin's neoconservative agenda, they also helped citizens resist and protest the state's mandate of heteronormativity.</p><p><em>Russian Style: Performing Gender, Power, and Putinism</em> has been shortlisted for the 2024 Pushkin House Book Prize.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2952</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9e2fdd1c-1163-11ef-a253-275971df4b47]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6178108506.mp3?updated=1715702995" length="0" type="audio/mpeg"/>
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    <item>
      <title>Gina Sipley, "Just Here for the Comments: Lurking as Digital Literacy Practice" (Bristol UP, 2024)</title>
      <description>We all sometimes ‘lurk’ in online spaces without posting or engaging, just reading the posts and comments. But neither reading nor lurking are ever passive acts. In fact, readers of social media are making decisions and taking grassroots actions on multiple dimensions. Unpacking this understudied phenomenon, Just Here for the Comments: Lurking as Digital Literacy Practice (Bristol UP, 2024) by Gina Sipley challenges the conventional perspective of what counts as participatory online culture. Presenting lurking as a communication and literacy practice that resists dominant power structures, it offers an innovative approach to digital qualitative methods. Unique and original in its subject, this is a call for internet researchers to broaden their methods to include lurkers’ participation and presence.
Just Here for the Comments will be released on May 28th by Bristol University Press. Pre-orders are now open here. Readers can also get a 25% discount on ALL Bristol University Press and Policy Press books by signing up to their newsletter.
A portion of the proceeds from this book will benefit The Children’s Greenhouse, which provides high-quality, low-cost childcare to the children of SUNY Nassau Community College students, faculty, and staff. The Greenhouse is the reason many of our student parents persist and graduate with their degrees. Many of these students are first generation, too. You can learn more about this organization and how to donate, here.
Dr. Gina Sipley is an Associate Professor of English at SUNY Nassau Community College. Dr Sipley is in the process of developing with Bristol University Press free resources for academics, K-12 teachers, and book clubs interested in teaching and researching the social and economic effects of lurker literacies. Anyone interested in receiving these materials when they become available can hit subscribe on her website.
Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 11 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gina Sipley</itunes:subtitle>
      <itunes:summary>We all sometimes ‘lurk’ in online spaces without posting or engaging, just reading the posts and comments. But neither reading nor lurking are ever passive acts. In fact, readers of social media are making decisions and taking grassroots actions on multiple dimensions. Unpacking this understudied phenomenon, Just Here for the Comments: Lurking as Digital Literacy Practice (Bristol UP, 2024) by Gina Sipley challenges the conventional perspective of what counts as participatory online culture. Presenting lurking as a communication and literacy practice that resists dominant power structures, it offers an innovative approach to digital qualitative methods. Unique and original in its subject, this is a call for internet researchers to broaden their methods to include lurkers’ participation and presence.
Just Here for the Comments will be released on May 28th by Bristol University Press. Pre-orders are now open here. Readers can also get a 25% discount on ALL Bristol University Press and Policy Press books by signing up to their newsletter.
A portion of the proceeds from this book will benefit The Children’s Greenhouse, which provides high-quality, low-cost childcare to the children of SUNY Nassau Community College students, faculty, and staff. The Greenhouse is the reason many of our student parents persist and graduate with their degrees. Many of these students are first generation, too. You can learn more about this organization and how to donate, here.
Dr. Gina Sipley is an Associate Professor of English at SUNY Nassau Community College. Dr Sipley is in the process of developing with Bristol University Press free resources for academics, K-12 teachers, and book clubs interested in teaching and researching the social and economic effects of lurker literacies. Anyone interested in receiving these materials when they become available can hit subscribe on her website.
Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We all sometimes ‘lurk’ in online spaces without posting or engaging, just reading the posts and comments. But neither reading nor lurking are ever passive acts. In fact, readers of social media are making decisions and taking grassroots actions on multiple dimensions. Unpacking this understudied phenomenon, <a href="https://bookshop.org/a/12343/9781529227284"><em>Just Here for the Comments: Lurking as Digital Literacy Practice</em></a> (Bristol UP, 2024) by Gina Sipley challenges the conventional perspective of what counts as participatory online culture. Presenting lurking as a communication and literacy practice that resists dominant power structures, it offers an innovative approach to digital qualitative methods. Unique and original in its subject, this is a call for internet researchers to broaden their methods to include lurkers’ participation and presence.</p><p><em>Just Here for the Comments</em> will be released on May 28th by Bristol University Press. Pre-orders are now open <a href="http://bristoluniversitypress.co.uk/just-here-for-the-comments">here</a>. Readers can also get a 25% discount on ALL Bristol University Press and Policy Press books by signing up to their <a href="https://bristoluniversitypress.co.uk/signup-bup-pp">newsletter</a>.</p><p>A portion of the proceeds from this book will benefit The Children’s Greenhouse, which provides high-quality, low-cost childcare to the children of SUNY Nassau Community College students, faculty, and staff. The Greenhouse is the reason many of our student parents persist and graduate with their degrees. Many of these students are first generation, too. You can learn more about this organization and how to donate, <a href="https://www.ginasipley.com/greenhouse">here</a>.</p><p>Dr. Gina Sipley is an Associate Professor of English at SUNY Nassau Community College. Dr Sipley is in the process of developing with Bristol University Press free resources for academics, K-12 teachers, and book clubs interested in teaching and researching the social and economic effects of lurker literacies. Anyone interested in receiving these materials when they become available can hit subscribe on her <a href="https://www.ginasipley.com/books">website</a>.</p><p><em>Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3408</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/NBNK6197193557.mp3?updated=1715354353" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hala Auji et al., "The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East" (I. B. Tauris, 2023)</title>
      <description>What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities? 
Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focused on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East (I. B. Tauris, 2023) heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did.
Raphael Cormack is an assistant professor of Arabic at the Durham University. He was previously a visiting researcher at Columbia University in the City of New York and holds a PhD from the University of Edinburgh. His most recent publication was Midnight in Cairo: The Divas of Egypt’s Roaring 20s (2021). He has also edited two collections of Arabic short stories translated into English, The Book of Khartoum and The Book of Cairo.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>269</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities? 
Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focused on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East (I. B. Tauris, 2023) heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did.
Raphael Cormack is an assistant professor of Arabic at the Durham University. He was previously a visiting researcher at Columbia University in the City of New York and holds a PhD from the University of Edinburgh. His most recent publication was Midnight in Cairo: The Divas of Egypt’s Roaring 20s (2021). He has also edited two collections of Arabic short stories translated into English, The Book of Khartoum and The Book of Cairo.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities? </p><p>Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focused on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, <a href="https://bookshop.org/a/12343/9780755647408"><em>The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East</em></a> (I. B. Tauris, 2023) heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did.</p><p>Raphael Cormack is an assistant professor of Arabic at the Durham University. He was previously a visiting researcher at Columbia University in the City of New York and holds a PhD from the University of Edinburgh. His most recent publication was Midnight in Cairo: The Divas of Egypt’s Roaring 20s (2021). He has also edited two collections of Arabic short stories translated into English, The Book of Khartoum and The Book of Cairo.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2484</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[31b63268-0e0b-11ef-9293-eb1825227494]]></guid>
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    <item>
      <title>Emily Strand and Amy H. Sturgis, "Star Wars: Essays Exploring a Galaxy Far, Far Away" (Vernon Press, 2023)</title>
      <description>'Star Wars' is a global phenomenon that in 2022 celebrated its 45th year of transmedia storytelling, and it has never been more successful than it is today. More 'Star Wars' works than ever are currently available or in simultaneous development, including live-action and animated series, novels, comics, and merchandise, as well as the feature films for which the franchise is best known. 'Star Wars' fandom is worldwide, time-tested, and growing; academic interest in the franchise, both inside and outside of the classroom, is high. This accessible and multidisciplinary anthology covers topics across the full history of the franchise.
With a range of essays by authors whose disciplines run from culture and religious studies to film, feminism, and philology, Star Wars: Essays Exploring a Galaxy Far, Far Away (Vernon Press, 2023) speaks to academics in the field, students in the classroom, and anyone looking to broaden their understanding and deepen their appreciation for 'Star Wars'.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily Strand and Amy H. Sturgis</itunes:subtitle>
      <itunes:summary>'Star Wars' is a global phenomenon that in 2022 celebrated its 45th year of transmedia storytelling, and it has never been more successful than it is today. More 'Star Wars' works than ever are currently available or in simultaneous development, including live-action and animated series, novels, comics, and merchandise, as well as the feature films for which the franchise is best known. 'Star Wars' fandom is worldwide, time-tested, and growing; academic interest in the franchise, both inside and outside of the classroom, is high. This accessible and multidisciplinary anthology covers topics across the full history of the franchise.
With a range of essays by authors whose disciplines run from culture and religious studies to film, feminism, and philology, Star Wars: Essays Exploring a Galaxy Far, Far Away (Vernon Press, 2023) speaks to academics in the field, students in the classroom, and anyone looking to broaden their understanding and deepen their appreciation for 'Star Wars'.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>'Star Wars' is a global phenomenon that in 2022 celebrated its 45th year of transmedia storytelling, and it has never been more successful than it is today. More 'Star Wars' works than ever are currently available or in simultaneous development, including live-action and animated series, novels, comics, and merchandise, as well as the feature films for which the franchise is best known. 'Star Wars' fandom is worldwide, time-tested, and growing; academic interest in the franchise, both inside and outside of the classroom, is high. This accessible and multidisciplinary anthology covers topics across the full history of the franchise.</p><p>With a range of essays by authors whose disciplines run from culture and religious studies to film, feminism, and philology, <a href="https://bookshop.org/a/12343/9781648896712"><em>Star Wars: Essays Exploring a Galaxy Far, Far Away</em></a> (Vernon Press, 2023) speaks to academics in the field, students in the classroom, and anyone looking to broaden their understanding and deepen their appreciation for 'Star Wars'.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3411</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[96b77ed4-0d79-11ef-a5fa-13b09dba7972]]></guid>
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    </item>
    <item>
      <title>Julia Havas, "Woman Up: Invoking Feminism in Quality Television" (Wayne State UP, 2022)</title>
      <description>While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other.
Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>133</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julia Havas</itunes:subtitle>
      <itunes:summary>While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other.
Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, <a href="https://bookshop.org/a/12343/9780814346556"><em>Woman Up: Invoking Feminism in Quality Television</em></a> (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In <em>Woman Up</em>, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other.</p><p>Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—<em>Woman Up</em> demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4401</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Marion R. Casey, "The Green Space: The Transformation of the Irish Image" (NYU Press, 2024)</title>
      <description>Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited Making the Irish American: History and Heritage of the Irish in the United States with Joe Lee.
In this interview, she discusses Her most recent book The Green Space: The Transformation of the Irish Image (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture.
The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity.

Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US.
The Green Space: The Transformation of the Irish Image is published with NYU Press, as part of their Irish Diaspora series
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 May 2024 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marion R. Casey</itunes:subtitle>
      <itunes:summary>Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited Making the Irish American: History and Heritage of the Irish in the United States with Joe Lee.
In this interview, she discusses Her most recent book The Green Space: The Transformation of the Irish Image (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture.
The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity.

Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US.
The Green Space: The Transformation of the Irish Image is published with NYU Press, as part of their Irish Diaspora series
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited <em>Making the Irish American: History and Heritage of the Irish in the United States</em> with Joe Lee.</p><p>In this interview, she discusses Her most recent book <a href="https://bookshop.org/a/12343/9781479817450"><em>The Green Space: The Transformation of the Irish Image</em></a> (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture.</p><p><em>The Green Space</em> examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity.</p><p><br></p><p>Featuring a rich assortment of sources and images, <em>The Green Space</em> takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US.</p><p><em>The Green Space: The Transformation of the Irish Image</em> is published with NYU Press, as part of their Irish Diaspora series</p><p><em>Aidan Beatty is a lecturer in the history department at Carnegie Mellon University</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1781</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK8823117019.mp3?updated=1715110980" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jaakko Stenros and Markus Montola, "The Rule Book: The Building Blocks of Games" (MIT Press, 2024)</title>
      <description>How games are built on the foundations of rules, and how rules—of which there are only five kinds—really work.
Board games to sports, digital games to party games, gambling to role-playing games. They all share one thing in common: rules. Indeed, rules are the one and only thing game scholars agree is central to games. But what, in fact, are rules? In The Rule Book: The Building Blocks of Games (MIT Press, 2024), Jaakko Stenros and Markus Montola explore how different kinds of rules work as building blocks of games. Rules are constraints placed on us while we play, carving a limited possibility space for us. They also inject meaning into our play: without rules there is no queen in chess, no ball in Pong, and no hole in one in golf.
Stenros and Montola discuss how rules constitute games through five foundational types: the explicit statements listed in the official rules, the private limitations and goals players place on themselves, the social and cultural norms that guide gameplay, the external regulation the surrounding society places on playing, and the material embodiments of rules. Depending on the game, rules can be formal, internal, social, external, or material.
By considering the similarities and differences of wildly different games and rules within a shared theoretical framework, The Rule Book renders all games more legible.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 04 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jaakko Stenros</itunes:subtitle>
      <itunes:summary>How games are built on the foundations of rules, and how rules—of which there are only five kinds—really work.
Board games to sports, digital games to party games, gambling to role-playing games. They all share one thing in common: rules. Indeed, rules are the one and only thing game scholars agree is central to games. But what, in fact, are rules? In The Rule Book: The Building Blocks of Games (MIT Press, 2024), Jaakko Stenros and Markus Montola explore how different kinds of rules work as building blocks of games. Rules are constraints placed on us while we play, carving a limited possibility space for us. They also inject meaning into our play: without rules there is no queen in chess, no ball in Pong, and no hole in one in golf.
Stenros and Montola discuss how rules constitute games through five foundational types: the explicit statements listed in the official rules, the private limitations and goals players place on themselves, the social and cultural norms that guide gameplay, the external regulation the surrounding society places on playing, and the material embodiments of rules. Depending on the game, rules can be formal, internal, social, external, or material.
By considering the similarities and differences of wildly different games and rules within a shared theoretical framework, The Rule Book renders all games more legible.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How games are built on the foundations of rules, and how rules—of which there are only five kinds—really work.</p><p>Board games to sports, digital games to party games, gambling to role-playing games. They all share one thing in common: rules. Indeed, rules are the one and only thing game scholars agree is central to games. But what, in fact, are rules? In <a href="https://bookshop.org/a/12343/9780262547444"><em>The Rule Book: The Building Blocks of Games</em> </a>(MIT Press, 2024), Jaakko Stenros and Markus Montola explore how different kinds of rules work as building blocks of games. Rules are constraints placed on us while we play, carving a limited possibility space for us. They also inject meaning into our play: without rules there is no queen in chess, no ball in Pong, and no hole in one in golf.</p><p>Stenros and Montola discuss how rules constitute games through five foundational types: the explicit statements listed in the official rules, the private limitations and goals players place on themselves, the social and cultural norms that guide gameplay, the external regulation the surrounding society places on playing, and the material embodiments of rules. Depending on the game, rules can be formal, internal, social, external, or material.</p><p>By considering the similarities and differences of wildly different games and rules within a shared theoretical framework, The Rule Book renders all games more legible.</p><p><em>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1548</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[55fb6894-095d-11ef-896f-1ff567497f63]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8660289933.mp3?updated=1714748650" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patrick Humphries, "Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios" (History Press, 2023)</title>
      <description>The astonishing behind-the-scenes story of the 1963 film Cleopatra and how it changed the face of Hollywood makes it one of the most fabled films of all time. 
Starring Elizabeth Taylor and Richard Burton, the film’s making soon became a cautionary tale, for the lavish extravagance of production on Cleopatra all but bankrupted 20th Century Fox and almost singlehandedly set in motion the decline of the major Hollywood movie studios. By the time the film was finally released, 20th Century Fox and the world watched as it died at the box office. Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios (History Press, 2023) is an epic tale of love and lust, gossip, money, sex, movie-star madness, studio politics, and the birth of paparazzi journalism. Within the saga of Cleopatra lies the end of the era of Hollywood's studio system, the seeds of the Swinging Sixties, and the stuff of timeless movie legend.
Patrick Humphries has been a writer and journalist for over forty years and has published numerous books on musical artists such as the Rolling Stones, Bob Dylan, Elton John, Pink Floyd, and Bruce Springsteen.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing delve into various aspects of popular culture. She is particularly interested in exploring the public history of women's fiction and the portrayal of femme characters in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 04 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>195</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patrick Humphries</itunes:subtitle>
      <itunes:summary>The astonishing behind-the-scenes story of the 1963 film Cleopatra and how it changed the face of Hollywood makes it one of the most fabled films of all time. 
Starring Elizabeth Taylor and Richard Burton, the film’s making soon became a cautionary tale, for the lavish extravagance of production on Cleopatra all but bankrupted 20th Century Fox and almost singlehandedly set in motion the decline of the major Hollywood movie studios. By the time the film was finally released, 20th Century Fox and the world watched as it died at the box office. Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios (History Press, 2023) is an epic tale of love and lust, gossip, money, sex, movie-star madness, studio politics, and the birth of paparazzi journalism. Within the saga of Cleopatra lies the end of the era of Hollywood's studio system, the seeds of the Swinging Sixties, and the stuff of timeless movie legend.
Patrick Humphries has been a writer and journalist for over forty years and has published numerous books on musical artists such as the Rolling Stones, Bob Dylan, Elton John, Pink Floyd, and Bruce Springsteen.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing delve into various aspects of popular culture. She is particularly interested in exploring the public history of women's fiction and the portrayal of femme characters in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The astonishing behind-the-scenes story of the 1963 film <em>Cleopatra</em> and how it changed the face of Hollywood makes it one of the most fabled films of all time. </p><p>Starring Elizabeth Taylor and Richard Burton, the film’s making soon became a cautionary tale, for the lavish extravagance of production on <em>Cleopatra</em> all but bankrupted 20th Century Fox and almost singlehandedly set in motion the decline of the major Hollywood movie studios. By the time the film was finally released, 20th Century Fox and the world watched as it died at the box office. <a href="https://bookshop.org/a/12343/9781803990187"><em>Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios</em></a> (History Press, 2023) is an epic tale of love and lust, gossip, money, sex, movie-star madness, studio politics, and the birth of paparazzi journalism. Within the saga of Cleopatra lies the end of the era of Hollywood's studio system, the seeds of the Swinging Sixties, and the stuff of timeless movie legend.</p><p>Patrick Humphries has been a writer and journalist for over forty years and has published numerous books on musical artists such as the Rolling Stones, Bob Dylan, Elton John, Pink Floyd, and Bruce Springsteen.</p><p><em>Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing delve into various aspects of popular culture. She is particularly interested in exploring the public history of women's fiction and the portrayal of femme characters in Greco-Roman mythology.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3215</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cd11afc2-0978-11ef-8dbe-5bb863930391]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2406753685.mp3?updated=1714760698" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Gilson, "Behind the Privet Hedge: Richard Sudell, the Suburban Garden and the Beautification of Britain" (Reaktion Books, 2024)</title>
      <description>Britain is a nation of gardeners; the suburban garden, with its roses and privet hedges, is widely admired and copied across the world. But it is little understood how millions across the nation developed an obsession with their colourful plots of land.
Behind the Privet Hedge: Richard Sudell, the Suburban Garden and the Beautification of Britain (Reaktion, 2024) by Michael Gilson explores the history of this development and how, despite their stereotype as symbols of dull, middle-class conformity, these new open spaces were seen as a means to bring about social change in the early twentieth century. Gilson restores to the story a remarkable but long-forgotten figure, Richard Sudell, who spent a lifetime ‘evangelising’ that the garden be in the vanguard of progress towards a new egalitarian society with everyday beauty at its centre.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 03 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Gilson</itunes:subtitle>
      <itunes:summary>Britain is a nation of gardeners; the suburban garden, with its roses and privet hedges, is widely admired and copied across the world. But it is little understood how millions across the nation developed an obsession with their colourful plots of land.
Behind the Privet Hedge: Richard Sudell, the Suburban Garden and the Beautification of Britain (Reaktion, 2024) by Michael Gilson explores the history of this development and how, despite their stereotype as symbols of dull, middle-class conformity, these new open spaces were seen as a means to bring about social change in the early twentieth century. Gilson restores to the story a remarkable but long-forgotten figure, Richard Sudell, who spent a lifetime ‘evangelising’ that the garden be in the vanguard of progress towards a new egalitarian society with everyday beauty at its centre.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Britain is a nation of gardeners; the suburban garden, with its roses and privet hedges, is widely admired and copied across the world. But it is little understood how millions across the nation developed an obsession with their colourful plots of land.</p><p><a href="https://bookshop.org/a/12343/9781789148602"><em>Behind the Privet Hedge: Richard Sudell, the Suburban Garden and the Beautification of Britain</em></a><em> </em>(Reaktion, 2024) by Michael Gilson explores the history of this development and how, despite their stereotype as symbols of dull, middle-class conformity, these new open spaces were seen as a means to bring about social change in the early twentieth century. Gilson restores to the story a remarkable but long-forgotten figure, Richard Sudell, who spent a lifetime ‘evangelising’ that the garden be in the vanguard of progress towards a new egalitarian society with everyday beauty at its centre.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3195</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4dd6676a-07b7-11ef-a30f-0f00f5a07212]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6389670379.mp3?updated=1714570534" length="0" type="audio/mpeg"/>
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    <item>
      <title>Robert Farley on how "Andor" recreates "The Battle of Algiers" (and it works)</title>
      <description>It’s the UConn Popcast, and today we are joined by Professor Robert Farley, author of “Andor: Star Wars Recreates the Battle of Algiers (And it Works).” We talk about how Andor, the Disney+ streamer, was deeply influenced by Gillo Pontecorvo’s 1966 movie The Battle of Algiers. Both texts tell the story of a rebellion against authoritarian colonial overlords, and both do so in a documentary style. We consider how Andor relates to other entries in the Star Wars universe, what myths and meaning structures Andor engages, and whether the show qualifies as great television, or merely pretty good Star Wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 03 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and today we are joined by Professor Robert Farley, author of “Andor: Star Wars Recreates the Battle of Algiers (And it Works).” We talk about how Andor, the Disney+ streamer, was deeply influenced by Gillo Pontecorvo’s 1966 movie The Battle of Algiers. Both texts tell the story of a rebellion against authoritarian colonial overlords, and both do so in a documentary style. We consider how Andor relates to other entries in the Star Wars universe, what myths and meaning structures Andor engages, and whether the show qualifies as great television, or merely pretty good Star Wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the UConn Popcast, and today we are joined by Professor <a href="https://www.uky.edu/~rmfarl2/">Robert Farley</a>, author of “<a href="https://www.19fortyfive.com/2022/11/andor-star-wars-recreates-the-battle-of-algiers-and-it-works/">Andor: Star Wars Recreates the Battle of Algiers (And it Works)</a>.” We talk about how Andor, the Disney+ streamer, was deeply influenced by Gillo Pontecorvo’s 1966 movie The Battle of Algiers. Both texts tell the story of a rebellion against authoritarian colonial overlords, and both do so in a documentary style. We consider how Andor relates to other entries in the Star Wars universe, what myths and meaning structures Andor engages, and whether the show qualifies as great television, or merely pretty good Star Wars.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4191</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[966b4936-089e-11ef-9c97-3740e776df14]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7800546174.mp3?updated=1714667783" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hanne Elliot Fønss Nielsen, "Brand Antarctica: How Global Consumer Culture Shapes Our Perceptions of the Ice Continent" (U Nebraska Press, 2023)</title>
      <description>Antarctica is, and has always been, very much “for sale.” Whales, seals, and ice have all been marketed as valuable commodities, but so have the stories of explorers. The modern media industry developed in parallel with land-based Antarctic exploration, and early expedition leaders needed publicity to generate support for their endeavours. Their lectures, narratives, photographs, and films were essentially advertisements for their adventures. At the same time, popular media began to use the newly encountered continent to draw attention to commercial products. These advertisements both trace the commercialization of Antarctica and reveal how commercial settings have shaped the dominant imaginaries of the place.
By contextualising and analysing Antarctic advertisements from the late nineteenth century to the present, Brand Antarctica: How Global Consumer Culture Shapes Our Perceptions of the Ice Continent (University of Nebraska Press, 2023) by Dr. Hanne Elliot Fønss Nielsen identifies five key framings of the South Polar continent: a place for heroes, a place of extremity, a place of purity, a place to protect, and a place that transforms. Demonstrating how these conceptual framings of Antarctica in turn circulate through our culture, Dr. Hanne Elliot Fønss Nielsen challenges common assumptions about Antarctica’s past and present, encouraging readers to rethink their own relationship with the Far South.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 01 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>185</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hanne Elliot Fønss Nielsen</itunes:subtitle>
      <itunes:summary>Antarctica is, and has always been, very much “for sale.” Whales, seals, and ice have all been marketed as valuable commodities, but so have the stories of explorers. The modern media industry developed in parallel with land-based Antarctic exploration, and early expedition leaders needed publicity to generate support for their endeavours. Their lectures, narratives, photographs, and films were essentially advertisements for their adventures. At the same time, popular media began to use the newly encountered continent to draw attention to commercial products. These advertisements both trace the commercialization of Antarctica and reveal how commercial settings have shaped the dominant imaginaries of the place.
By contextualising and analysing Antarctic advertisements from the late nineteenth century to the present, Brand Antarctica: How Global Consumer Culture Shapes Our Perceptions of the Ice Continent (University of Nebraska Press, 2023) by Dr. Hanne Elliot Fønss Nielsen identifies five key framings of the South Polar continent: a place for heroes, a place of extremity, a place of purity, a place to protect, and a place that transforms. Demonstrating how these conceptual framings of Antarctica in turn circulate through our culture, Dr. Hanne Elliot Fønss Nielsen challenges common assumptions about Antarctica’s past and present, encouraging readers to rethink their own relationship with the Far South.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Antarctica is, and has always been, very much “for sale.” Whales, seals, and ice have all been marketed as valuable commodities, but so have the stories of explorers. The modern media industry developed in parallel with land-based Antarctic exploration, and early expedition leaders needed publicity to generate support for their endeavours. Their lectures, narratives, photographs, and films were essentially advertisements for their adventures. At the same time, popular media began to use the newly encountered continent to draw attention to commercial products. These advertisements both trace the commercialization of Antarctica and reveal how commercial settings have shaped the dominant imaginaries of the place.</p><p>By contextualising and analysing Antarctic advertisements from the late nineteenth century to the present, <a href="https://bookshop.org/a/12343/9781496221216"><em>Brand Antarctica: How Global Consumer Culture Shapes Our Perceptions of the Ice Continent</em></a> (University of Nebraska Press, 2023) by Dr. Hanne Elliot Fønss Nielsen identifies five key framings of the South Polar continent: a place for heroes, a place of extremity, a place of purity, a place to protect, and a place that transforms. Demonstrating how these conceptual framings of Antarctica in turn circulate through our culture, Dr. Hanne Elliot Fønss Nielsen challenges common assumptions about Antarctica’s past and present, encouraging readers to rethink their own relationship with the Far South.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3867</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[71e3fc4c-0714-11ef-a422-4bdf571d812c]]></guid>
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    <item>
      <title>Adrian Tinniswood, "Noble Ambitions: The Fall and Rise of the Post-War Country House" (Basic Books, 2021)</title>
      <description>As the sun set slowly on the British Empire in the years after the Second World War, the nation's stately homes were in crisis. Tottering under the weight of rising taxes and a growing sense that they had no place in twentieth-century Britain, hundreds of ancestral piles were dismantled and demolished.
Yet - perhaps surprisingly - many of these great houses survived, as dukes and duchesses clung desperately to their ancestral seats and tenants' balls gave way to rock concerts, safari parks and day trippers. From the Rolling Stones rocking Longleat to Christine Keeler rocking Cliveden, Noble Ambitions: The Fall and Rise of the Post-War Country House (Basic Books, 2021) by Dr. Adrian Tinniswood takes us on a lively tour of these crumbling halls of power.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 28 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adrian Tinniswood</itunes:subtitle>
      <itunes:summary>As the sun set slowly on the British Empire in the years after the Second World War, the nation's stately homes were in crisis. Tottering under the weight of rising taxes and a growing sense that they had no place in twentieth-century Britain, hundreds of ancestral piles were dismantled and demolished.
Yet - perhaps surprisingly - many of these great houses survived, as dukes and duchesses clung desperately to their ancestral seats and tenants' balls gave way to rock concerts, safari parks and day trippers. From the Rolling Stones rocking Longleat to Christine Keeler rocking Cliveden, Noble Ambitions: The Fall and Rise of the Post-War Country House (Basic Books, 2021) by Dr. Adrian Tinniswood takes us on a lively tour of these crumbling halls of power.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the sun set slowly on the British Empire in the years after the Second World War, the nation's stately homes were in crisis. Tottering under the weight of rising taxes and a growing sense that they had no place in twentieth-century Britain, hundreds of ancestral piles were dismantled and demolished.</p><p>Yet - perhaps surprisingly - many of these great houses survived, as dukes and duchesses clung desperately to their ancestral seats and tenants' balls gave way to rock concerts, safari parks and day trippers. From the Rolling Stones rocking Longleat to Christine Keeler rocking Cliveden, <a href="https://bookshop.org/a/12343/9781541617988"><em>Noble Ambitions: The Fall and Rise of the Post-War Country House </em></a>(Basic Books, 2021) by Dr. Adrian Tinniswood takes us on a lively tour of these crumbling halls of power.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3124</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[19a9e50c-04ce-11ef-97b8-ab2c43f923d2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4904735817.mp3?updated=1714247488" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dana Gorzelany-Mostak, "Tracks on the Trail: Popular Music, Race, and the US Presidency" (U Michigan Press, 2023)</title>
      <description>From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z's song "Dirt Off Your Shoulder," politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton's sax-playing and Obama's shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detractors on YouTube and the Twittersphere similarly engage with race when they create music videos or remixes in homage to their favorite candidates?
With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, Tracks on the Trail: Popular Music, Race, and the US Presidency (U Michigan Press, 2023) sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 26 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>258</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dana Gorzelany-Mostak</itunes:subtitle>
      <itunes:summary>From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z's song "Dirt Off Your Shoulder," politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton's sax-playing and Obama's shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detractors on YouTube and the Twittersphere similarly engage with race when they create music videos or remixes in homage to their favorite candidates?
With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, Tracks on the Trail: Popular Music, Race, and the US Presidency (U Michigan Press, 2023) sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Bill Clinton playing his saxophone on <em>The Arsenio Hall Show</em> to Barack Obama referencing Jay-Z's song "Dirt Off Your Shoulder," politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton's sax-playing and Obama's shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detractors on YouTube and the Twittersphere similarly engage with race when they create music videos or remixes in homage to their favorite candidates?</p><p>With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, <a href="https://bookshop.org/a/12343/9780472056163"><em>Tracks on the Trail: Popular Music, Race, and the US Presidency</em></a> (U Michigan Press, 2023) sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3038</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3a1a2942-030b-11ef-9031-f741dce8eb21]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4300618080.mp3?updated=1714053750" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pamela Robertson Wojcik, "Unhomed: Cycles of Mobility and Placelessness in American Cinema" (U California Press, 2024)</title>
      <description>In Unhomed: Cycles of Mobility and Placelessness in American Cinema (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own.
From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 24 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pamela Robertson Wojcik</itunes:subtitle>
      <itunes:summary>In Unhomed: Cycles of Mobility and Placelessness in American Cinema (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own.
From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520390362"><em>Unhomed: Cycles of Mobility and Placelessness in American Cinema</em></a> (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own.</p><p>From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3971</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6822f17c-00e3-11ef-ac82-0b9956e4a513]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4967620477.mp3?updated=1713816761" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jane Hamlett and Julie-Marie Strange, "Pet Revolution: Animals and the Making of Modern British Life" (Reaktion Books, 2023)</title>
      <description>Pet Revolution: Animals and the Making of Modern British Life (Reaktion Books, 2023) tracks the British love affair with pets over the last two centuries, showing how the kinds of pets we keep, as well as how we relate to and care for them, has changed radically. The book describes the growth of pet foods and medicines, the rise of pet shops, and the development of veterinary care, creating the pet economy. Most importantly, pets have played a powerful emotional role in families across all social classes, creating new kinds of relationships and home lives.
For the first time, through a history of companion animals and the humans who lived with them, this book puts the story of the ‘pet revolution’ alongside other revolutions – industrial, agricultural, political – to highlight how animals contributed to modern British life.
Jane Hamlett is professor of modern British history at Royal Holloway, University of London. Her books include Material Relations: Middle-Class Families and Domestic Interiors in England, 18501910.
Julie-Marie Strange is professor of modern British History at Durham University. Her books include The Invention of the Modern Dog: Breed and Blood in Victorian Britain.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 23 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jane Hamlett and Julie-Marie Strange</itunes:subtitle>
      <itunes:summary>Pet Revolution: Animals and the Making of Modern British Life (Reaktion Books, 2023) tracks the British love affair with pets over the last two centuries, showing how the kinds of pets we keep, as well as how we relate to and care for them, has changed radically. The book describes the growth of pet foods and medicines, the rise of pet shops, and the development of veterinary care, creating the pet economy. Most importantly, pets have played a powerful emotional role in families across all social classes, creating new kinds of relationships and home lives.
For the first time, through a history of companion animals and the humans who lived with them, this book puts the story of the ‘pet revolution’ alongside other revolutions – industrial, agricultural, political – to highlight how animals contributed to modern British life.
Jane Hamlett is professor of modern British history at Royal Holloway, University of London. Her books include Material Relations: Middle-Class Families and Domestic Interiors in England, 18501910.
Julie-Marie Strange is professor of modern British History at Durham University. Her books include The Invention of the Modern Dog: Breed and Blood in Victorian Britain.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789146868"><em>Pet Revolution: Animals and the Making of Modern British Life</em></a><em> </em>(Reaktion Books, 2023) tracks the British love affair with pets over the last two centuries, showing how the kinds of pets we keep, as well as how we relate to and care for them, has changed radically. The book describes the growth of pet foods and medicines, the rise of pet shops, and the development of veterinary care, creating the pet economy. Most importantly, pets have played a powerful emotional role in families across all social classes, creating new kinds of relationships and home lives.</p><p>For the first time, through a history of companion animals and the humans who lived with them, this book puts the story of the ‘pet revolution’ alongside other revolutions – industrial, agricultural, political – to highlight how animals contributed to modern British life.</p><p>Jane Hamlett is professor of modern British history at Royal Holloway, University of London. Her books include <em>Material Relations: Middle-Class Families and Domestic Interiors in England, 1850</em>1910.</p><p>Julie-Marie Strange is professor of modern British History at Durham University. Her books include <em>The Invention of the Modern Dog: Breed and Blood in Victorian Britain.</em></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3014</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3108bb20-00b8-11ef-82a6-2fa7da6d9690]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4177593457.mp3?updated=1713798153" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gary S. Cross, "Free Time: The History of an Elusive Ideal" (NYU Press, 2024)</title>
      <description>Free time, one of life’s most precious things, often feels unfulfilling. But why? And how did leisure activities transition from strolling in the park for hours to “doomscrolling” on social media for thirty minutes?
Today, despite the promise of modern industrialization, many people experience both a scarcity of free time and a disappointment in it. Free Time: The History of an Elusive Ideal (NYU Press, 2024) by Dr. Gary Cross offers a broad historical explanation of why our affluent society does not afford more time away from work and why that time is often unsatisfying. Dr. Cross explores the cultural, social, economic, and political history, especially of the past 250 years to understand the roots of our conceptions of free time and its use. By the end of the nineteenth century, a common expectation was that industrial innovations would lead to a progressive reduction of work time and a subsequent rise in free time devoted to self-development and social engagement. However, despite significant changes in the early twentieth century, both goals were frustrated, thus leading to the contemporary dilemma.
Dr. Cross touches on leisure of all kinds, from peasant festivals and aristocratic pleasure gardens to amusement parks, movie theatres and organised sports to internet surfing, and even the use of alcohol and drugs. This wide-ranging cultural and social history explores the industrial-era origins of our modern obsession with work and productivity, but also the historical efforts to liberate time from work and cultivate free time for culture. Insightful and informative, this book is sure to help you make sense of your own relationship to free time.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 23 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gary S. Cross</itunes:subtitle>
      <itunes:summary>Free time, one of life’s most precious things, often feels unfulfilling. But why? And how did leisure activities transition from strolling in the park for hours to “doomscrolling” on social media for thirty minutes?
Today, despite the promise of modern industrialization, many people experience both a scarcity of free time and a disappointment in it. Free Time: The History of an Elusive Ideal (NYU Press, 2024) by Dr. Gary Cross offers a broad historical explanation of why our affluent society does not afford more time away from work and why that time is often unsatisfying. Dr. Cross explores the cultural, social, economic, and political history, especially of the past 250 years to understand the roots of our conceptions of free time and its use. By the end of the nineteenth century, a common expectation was that industrial innovations would lead to a progressive reduction of work time and a subsequent rise in free time devoted to self-development and social engagement. However, despite significant changes in the early twentieth century, both goals were frustrated, thus leading to the contemporary dilemma.
Dr. Cross touches on leisure of all kinds, from peasant festivals and aristocratic pleasure gardens to amusement parks, movie theatres and organised sports to internet surfing, and even the use of alcohol and drugs. This wide-ranging cultural and social history explores the industrial-era origins of our modern obsession with work and productivity, but also the historical efforts to liberate time from work and cultivate free time for culture. Insightful and informative, this book is sure to help you make sense of your own relationship to free time.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Free time, one of life’s most precious things, often feels unfulfilling. But why? And how did leisure activities transition from strolling in the park for hours to “doomscrolling” on social media for thirty minutes?</p><p>Today, despite the promise of modern industrialization, many people experience both a scarcity of free time and a disappointment in it. <a href="https://bookshop.org/a/12343/9781479813070"><em>Free Time: The History of an Elusive Ideal</em></a> (NYU Press, 2024) by Dr. Gary Cross offers a broad historical explanation of why our affluent society does not afford more time away from work and why that time is often unsatisfying. Dr. Cross explores the cultural, social, economic, and political history, especially of the past 250 years to understand the roots of our conceptions of free time and its use. By the end of the nineteenth century, a common expectation was that industrial innovations would lead to a progressive reduction of work time and a subsequent rise in free time devoted to self-development and social engagement. However, despite significant changes in the early twentieth century, both goals were frustrated, thus leading to the contemporary dilemma.</p><p>Dr. Cross touches on leisure of all kinds, from peasant festivals and aristocratic pleasure gardens to amusement parks, movie theatres and organised sports to internet surfing, and even the use of alcohol and drugs. This wide-ranging cultural and social history explores the industrial-era origins of our modern obsession with work and productivity, but also the historical efforts to liberate time from work and cultivate free time for culture. Insightful and informative, this book is sure to help you make sense of your own relationship to free time.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2917</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d5274824-ff33-11ee-9b15-ebc595c3f90c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4562280419.mp3?updated=1713631384" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Diana Leon-Boys, "Elena, Princesa of the Periphery: Disney’s Flexible Latina Girl" (Rutgers UP, 2023)</title>
      <description>In the summer of 2016, Disney introduced its first Latina princess, Elena of Avalor. Elena, Princess of the Periphery: Disney’s Flexible Latina Girl (Rutgers University Press, 2023) by Dr. Diana Leon-Boys explores this Disney property using multiple case studies to understand its approach to girlhood and Latinidad. Following the circuit of culture model, Dr. Leon-Boys teases out moments of complex negotiations by Disney, producers, and audiences as they navigate Elena’s circulation. Case studies highlight how a flexible Latinidad is deployed through corporate materials, social media pages, theme park experiences, and the television series to create a princess who is both marginal to Disney’s normative vision of princesshood and central to Disney’s claims of diversification.
This multi-layered analysis of Disney’s mediated Latina girlhood interrogates the complex relationship between the U.S.’s largest ethnic minority and a global conglomerate that stands in for the U.S. on the global stage.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 19 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Diana Leon-Boys</itunes:subtitle>
      <itunes:summary>In the summer of 2016, Disney introduced its first Latina princess, Elena of Avalor. Elena, Princess of the Periphery: Disney’s Flexible Latina Girl (Rutgers University Press, 2023) by Dr. Diana Leon-Boys explores this Disney property using multiple case studies to understand its approach to girlhood and Latinidad. Following the circuit of culture model, Dr. Leon-Boys teases out moments of complex negotiations by Disney, producers, and audiences as they navigate Elena’s circulation. Case studies highlight how a flexible Latinidad is deployed through corporate materials, social media pages, theme park experiences, and the television series to create a princess who is both marginal to Disney’s normative vision of princesshood and central to Disney’s claims of diversification.
This multi-layered analysis of Disney’s mediated Latina girlhood interrogates the complex relationship between the U.S.’s largest ethnic minority and a global conglomerate that stands in for the U.S. on the global stage.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the summer of 2016, Disney introduced its first Latina princess, Elena of Avalor.<a href="https://bookshop.org/a/12343/9781978830172"> <em>Elena, Princess of the Periphery: Disney’s Flexible Latina Girl</em> </a>(Rutgers University Press, 2023) by Dr. Diana Leon-Boys explores this Disney property using multiple case studies to understand its approach to girlhood and Latinidad. Following the circuit of culture model, Dr. Leon-Boys teases out moments of complex negotiations by Disney, producers, and audiences as they navigate Elena’s circulation. Case studies highlight how a flexible Latinidad is deployed through corporate materials, social media pages, theme park experiences, and the television series to create a princess who is both marginal to Disney’s normative vision of princesshood and central to Disney’s claims of diversification.</p><p>This multi-layered analysis of Disney’s mediated Latina girlhood interrogates the complex relationship between the U.S.’s largest ethnic minority and a global conglomerate that stands in for the U.S. on the global stage.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Eve Golden, "Strictly Dynamite: The Sensational Life of Lupe Velez" (UP of Kentucky, 2023)</title>
      <description>Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality.
The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.
In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 17 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>87</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eve Golden</itunes:subtitle>
      <itunes:summary>Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality.
The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.
In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as <em>Hot Pepper </em>(1933), <em>Strictly Dynamite</em> (1934), and <em>Hollywood Party</em> (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight <em>Mexican Spitfire </em>films, a series created to capitalize on Velez's reputed fiery personality.</p><p>The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.</p><p>In <a href="https://bookshop.org/a/12343/9780813198088"><em>Strictly Dynamite: The Sensational Life of Lupe Velez</em></a><em> </em>(UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2111</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Paul Williams, "The US Graphic Novel" (Edinburgh UP, 2022)</title>
      <description>This book analyses the way that changes in the comics industry, book trade and webcomics distribution have shaped the publication of long-form comics. The US Graphic Novel (Edinburgh UP, 2022) pays particular attention to how the concept of the graphic novel developed through the twentieth century. Art historians, journalists, and reviewers debated whether it was possible for a comic to be a novel – debates that accelerated after the term ’graphic novel’ was coined by the comics fan Richard Kyle in 1964. This study underlines the proximity of the graphic novel to other media, showing that this cultural form is not only the meeting place between periodical comics and books, but that graphic novels are in dialogue with films, posters and computer screens.
Dr. Paul Williams is an Associate Professor of Twentieth-Century literature and culture at the University of Exeter in the UK. His research is centrally concerned with comics and graphic novels. His monograph Dreaming the Graphic Novel broke new ground by explaining how graphic novels were published, circulated, and discussed in North America between the mid-1960s and 1980. Dr. Williams has also co-curated the exhibition The Great British Graphic Novel at the Cartoon Museum in London, which was visited by over 10,000 people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Williams</itunes:subtitle>
      <itunes:summary>This book analyses the way that changes in the comics industry, book trade and webcomics distribution have shaped the publication of long-form comics. The US Graphic Novel (Edinburgh UP, 2022) pays particular attention to how the concept of the graphic novel developed through the twentieth century. Art historians, journalists, and reviewers debated whether it was possible for a comic to be a novel – debates that accelerated after the term ’graphic novel’ was coined by the comics fan Richard Kyle in 1964. This study underlines the proximity of the graphic novel to other media, showing that this cultural form is not only the meeting place between periodical comics and books, but that graphic novels are in dialogue with films, posters and computer screens.
Dr. Paul Williams is an Associate Professor of Twentieth-Century literature and culture at the University of Exeter in the UK. His research is centrally concerned with comics and graphic novels. His monograph Dreaming the Graphic Novel broke new ground by explaining how graphic novels were published, circulated, and discussed in North America between the mid-1960s and 1980. Dr. Williams has also co-curated the exhibition The Great British Graphic Novel at the Cartoon Museum in London, which was visited by over 10,000 people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This book analyses the way that changes in the comics industry, book trade and webcomics distribution have shaped the publication of long-form comics. <a href="https://bookshop.org/a/12343/9781474423342"><em>The US Graphic Novel</em></a> (Edinburgh UP, 2022) pays particular attention to how the concept of the graphic novel developed through the twentieth century. Art historians, journalists, and reviewers debated whether it was possible for a comic to be a novel – debates that accelerated after the term ’graphic novel’ was coined by the comics fan Richard Kyle in 1964. This study underlines the proximity of the graphic novel to other media, showing that this cultural form is not only the meeting place between periodical comics and books, but that graphic novels are in dialogue with films, posters and computer screens.</p><p><a href="https://english.exeter.ac.uk/staff/williams/">Dr. Paul Williams</a> is an Associate Professor of Twentieth-Century literature and culture at the University of Exeter in the UK. His research is centrally concerned with comics and graphic novels. His monograph <em>Dreaming the Graphic Novel</em> broke new ground by explaining how graphic novels were published, circulated, and discussed in North America between the mid-1960s and 1980. Dr. Williams has also co-curated the exhibition <em>The Great British Graphic Novel</em> at the Cartoon Museum in London, which was visited by over 10,000 people.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3637</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Maaheen Ahmed, "Openness of Comics: Generating Meaning within Flexible Structures" (UP of Mississippi, 2016)</title>
      <description>Never before have comics seemed so popular or diversified, proliferating across a broad spectrum of genres, experimenting with a variety of techniques, and gaining recognition as a legitimate, rich form of art. Openness of Comics: Generating Meaning within Flexible Structures (UP of Mississippi, 2016) examines this trend by taking up philosopher Umberto Eco's notion of the open work of art, whereby the reader--or listener or viewer, as the case may be--is offered several possibilities of interpretation in a cohesive narrative and aesthetic structure. Ahmed delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, methods by which comics generate or limit meaning as well as increase and structure the scope of reading into a work. Ahmed analyzes a diverse group of British, American, and European (Franco-Belgian, German, Finnish) comics. 
She treats examples from the key genre categories of fictionalized memoirs and biographies, adventure and superhero, noir, black comedy and crime, science fiction and fantasy. Her analyses demonstrate the ways in which comics generate openness by concentrating on the gaps essential to the very medium of comics, the range of meaning ensconced within words and images as well as their interaction with each other. The analyzed comics, extending from famous to lesser known works, include Will Eisner's The Contract with God Trilogy, Jacques Tardi's It Was the War of the Trenches, Hugo Pratt's The Ballad of the Salty Sea, Edmond Baudoin's The Voyage, Grant Morrison and Dave McKean's Arkham Asylum, Neil Gaiman's Sandman series, Alan Moore and Eddie Campbell's From Hell, Moebius's Arzach, Yslaire's Cloud 99 series, and Jarmo Mäkilä's Taxi Ride to Van Gogh's Ear.
Dr. Maaheen Ahmed is associate professor of comparative literature at Ghent University, Belgium. Dr. Ahmed is the primary investigator of the COMICS Project, which is focused on the intercultural history of children and comics. Dr. Ahmed is author of Monstrous Imaginaries: The Legacy of Romanticism in Comics and Openness of Comics: Generating Meaning within Flexible Structures, both published by University Press of Mississippi.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 11 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maaheen Ahmed</itunes:subtitle>
      <itunes:summary>Never before have comics seemed so popular or diversified, proliferating across a broad spectrum of genres, experimenting with a variety of techniques, and gaining recognition as a legitimate, rich form of art. Openness of Comics: Generating Meaning within Flexible Structures (UP of Mississippi, 2016) examines this trend by taking up philosopher Umberto Eco's notion of the open work of art, whereby the reader--or listener or viewer, as the case may be--is offered several possibilities of interpretation in a cohesive narrative and aesthetic structure. Ahmed delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, methods by which comics generate or limit meaning as well as increase and structure the scope of reading into a work. Ahmed analyzes a diverse group of British, American, and European (Franco-Belgian, German, Finnish) comics. 
She treats examples from the key genre categories of fictionalized memoirs and biographies, adventure and superhero, noir, black comedy and crime, science fiction and fantasy. Her analyses demonstrate the ways in which comics generate openness by concentrating on the gaps essential to the very medium of comics, the range of meaning ensconced within words and images as well as their interaction with each other. The analyzed comics, extending from famous to lesser known works, include Will Eisner's The Contract with God Trilogy, Jacques Tardi's It Was the War of the Trenches, Hugo Pratt's The Ballad of the Salty Sea, Edmond Baudoin's The Voyage, Grant Morrison and Dave McKean's Arkham Asylum, Neil Gaiman's Sandman series, Alan Moore and Eddie Campbell's From Hell, Moebius's Arzach, Yslaire's Cloud 99 series, and Jarmo Mäkilä's Taxi Ride to Van Gogh's Ear.
Dr. Maaheen Ahmed is associate professor of comparative literature at Ghent University, Belgium. Dr. Ahmed is the primary investigator of the COMICS Project, which is focused on the intercultural history of children and comics. Dr. Ahmed is author of Monstrous Imaginaries: The Legacy of Romanticism in Comics and Openness of Comics: Generating Meaning within Flexible Structures, both published by University Press of Mississippi.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Never before have comics seemed so popular or diversified, proliferating across a broad spectrum of genres, experimenting with a variety of techniques, and gaining recognition as a legitimate, rich form of art. <a href="https://bookshop.org/a/12343/9781496820181"><em>Openness of Comics: Generating Meaning within Flexible Structures</em></a> (UP of Mississippi, 2016) examines this trend by taking up philosopher Umberto Eco's notion of the open work of art, whereby the reader--or listener or viewer, as the case may be--is offered several possibilities of interpretation in a cohesive narrative and aesthetic structure. Ahmed delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, methods by which comics generate or limit meaning as well as increase and structure the scope of reading into a work. Ahmed analyzes a diverse group of British, American, and European (Franco-Belgian, German, Finnish) comics. </p><p>She treats examples from the key genre categories of fictionalized memoirs and biographies, adventure and superhero, noir, black comedy and crime, science fiction and fantasy. Her analyses demonstrate the ways in which comics generate openness by concentrating on the gaps essential to the very medium of comics, the range of meaning ensconced within words and images as well as their interaction with each other. The analyzed comics, extending from famous to lesser known works, include Will Eisner's The Contract with God Trilogy, Jacques Tardi's It Was the War of the Trenches, Hugo Pratt's The Ballad of the Salty Sea, Edmond Baudoin's The Voyage, Grant Morrison and Dave McKean's Arkham Asylum, Neil Gaiman's Sandman series, Alan Moore and Eddie Campbell's From Hell, Moebius's Arzach, Yslaire's Cloud 99 series, and Jarmo Mäkilä's Taxi Ride to Van Gogh's Ear.</p><p><a href="https://research.flw.ugent.be/en/maaheen.ahmed">Dr. Maaheen Ahmed</a> is associate professor of comparative literature at Ghent University, Belgium. Dr. Ahmed is the primary investigator of the COMICS Project, which is focused on the intercultural history of children and comics. Dr. Ahmed is author of <em>Monstrous Imaginaries: The Legacy of Romanticism in Comics</em> and <em>Openness of Comics: Generating Meaning within Flexible Structures</em>, both published by University Press of Mississippi.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2390</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Shiamin Kwa, "Perfect Copies: Reproduction and the Contemporary Comic" (Rutgers UP, 2023)</title>
      <description>Analyzing the way that recent works of graphic narrative use the comics form to engage with the “problem” of reproduction, Shiamin Kwa’s Perfect Copies: Reproduction and the Contemporary Comic (Rutgers UP, 2023) reminds us that the mode of production and the manner in which we perceive comics are often quite similar to the stories they tell. Perfect Copies considers the dual notions of reproduction, mechanical as well as biological, and explores how comics are works of reproduction that embed questions about the nature of reproduction itself. Through close readings of the comics My Favorite Thing Is Monsters by Emil Ferris, The Black Project by Gareth Brookes, The Generous Bosom series by Conor Stechschulte, Sabrina by Nick Drnaso, and Panther by Brecht Evens, Perfect Copies shows how these comics makers push the limits of different ideas of “reproduction” in strikingly different ways. Kwa suggests that reading and thinking about books like these, that push us to engage with these complicated questions, teaches us how to become better readers.
Dr. Shiamin Kwa is Chair of East Asian Languages and Cultures and Comparative Literature at Bryn Mawr College. Her written work explores relationships between form and content, text and image, self and self-presentation, surface and depth, and the conflicts between what we say and what we mean. Her research interests include theater and fiction, food studies, graphic narratives, literary studies, cultural studies, comparative and world literature, and literary and narrative theory. Her published articles analyze a broad variety of topics, including Italian opera, contemporary Chinese literature, and North American and European graphic narratives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 09 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shiamin Kwa</itunes:subtitle>
      <itunes:summary>Analyzing the way that recent works of graphic narrative use the comics form to engage with the “problem” of reproduction, Shiamin Kwa’s Perfect Copies: Reproduction and the Contemporary Comic (Rutgers UP, 2023) reminds us that the mode of production and the manner in which we perceive comics are often quite similar to the stories they tell. Perfect Copies considers the dual notions of reproduction, mechanical as well as biological, and explores how comics are works of reproduction that embed questions about the nature of reproduction itself. Through close readings of the comics My Favorite Thing Is Monsters by Emil Ferris, The Black Project by Gareth Brookes, The Generous Bosom series by Conor Stechschulte, Sabrina by Nick Drnaso, and Panther by Brecht Evens, Perfect Copies shows how these comics makers push the limits of different ideas of “reproduction” in strikingly different ways. Kwa suggests that reading and thinking about books like these, that push us to engage with these complicated questions, teaches us how to become better readers.
Dr. Shiamin Kwa is Chair of East Asian Languages and Cultures and Comparative Literature at Bryn Mawr College. Her written work explores relationships between form and content, text and image, self and self-presentation, surface and depth, and the conflicts between what we say and what we mean. Her research interests include theater and fiction, food studies, graphic narratives, literary studies, cultural studies, comparative and world literature, and literary and narrative theory. Her published articles analyze a broad variety of topics, including Italian opera, contemporary Chinese literature, and North American and European graphic narratives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Analyzing the way that recent works of graphic narrative use the comics form to engage with the “problem” of reproduction, <a href="https://www.rutgersuniversitypress.org/perfect-copies/9781978826571/">Shiamin Kwa’s </a><a href="https://bookshop.org/a/12343/9781978826571"><em>Perfect Copies: Reproduction and the Contemporary Comic</em></a><em> </em>(Rutgers UP, 2023)<em> </em>reminds us that the mode of production and the manner in which we perceive comics are often quite similar to the stories they tell. <em>Perfect Copies </em>considers the dual notions of reproduction, mechanical as well as biological, and explores how comics are works of reproduction that embed questions about the nature of reproduction itself. Through close readings of the comics <em>My Favorite Thing Is Monsters</em> by Emil Ferris, <em>The Black Project</em> by Gareth Brookes, <em>The Generous Bosom</em> series by Conor Stechschulte, <em>Sabrina </em>by Nick Drnaso, and <em>Panther </em>by Brecht Evens, <em>Perfect Copies</em> shows how these comics makers push the limits of different ideas of “reproduction” in strikingly different ways. Kwa suggests that reading and thinking about books like these, that push us to engage with these complicated questions, teaches us how to become better readers.</p><p><a href="https://www.brynmawr.edu/inside/people/shiamin-kwa"><strong>Dr. Shiamin Kwa</strong> </a>is Chair of East Asian Languages and Cultures and Comparative Literature at Bryn Mawr College. Her written work explores relationships between form and content, text and image, self and self-presentation, surface and depth, and the conflicts between what we say and what we mean. Her research interests include theater and fiction, food studies, graphic narratives, literary studies, cultural studies, comparative and world literature, and literary and narrative theory. Her published articles analyze a broad variety of topics, including Italian opera, contemporary Chinese literature, and North American and European graphic narratives.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2951</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Benoît Crucifix, "Drawing from the Archives: Comics Memory in the Contemporary Graphic Novel" (Cambridge UP, 2023)</title>
      <description>Following Art Spiegelman's declaration that 'the future of comics is in the past,' Drawing from the Archives considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time.
Dr. Benoît Crucifix is assistant professor of Cultural Studies at KU Leuven and researcher at the Royal Library of Belgium, working on the FED-tWIN “Pop Heritage” project. The aim of the project is to valorize collections of popular print culture. He is interested in the cultural practices that move and reframe existing comics in a variety of contexts and settings.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 09 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Benoît Crucifix</itunes:subtitle>
      <itunes:summary>Following Art Spiegelman's declaration that 'the future of comics is in the past,' Drawing from the Archives considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time.
Dr. Benoît Crucifix is assistant professor of Cultural Studies at KU Leuven and researcher at the Royal Library of Belgium, working on the FED-tWIN “Pop Heritage” project. The aim of the project is to valorize collections of popular print culture. He is interested in the cultural practices that move and reframe existing comics in a variety of contexts and settings.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Following Art Spiegelman's declaration that 'the future of comics is in the past,' <a href="https://www.cambridge.org/core/books/drawing-from-the-archives/F8A3EE901670D73E944E131FC1340125#fndtn-information"><em>Drawing from the Archives</em> </a>considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time.</p><p><a href="https://www.comics.ugent.be/benoit-crucifix/">Dr. Benoît Crucifix </a>is assistant professor of Cultural Studies at KU Leuven and researcher at the Royal Library of Belgium, working on the FED-tWIN “Pop Heritage” project. The aim of the project is to valorize collections of popular print culture. He is interested in the cultural practices that move and reframe existing comics in a variety of contexts and settings.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3600</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Adele Oliver, "Deeping It: Colonialism, Culture &amp; Criminalisation of UK Drill" (404 Ink, 2023) </title>
      <description>Deeping It: Colonialism, Culture &amp; Criminalisation of UK Drill (404 Ink, 2023) by Adèle Oliver shines a critical light on UK drill and its fraught relationship with the British legal system. Intervening on current discourse steeped in anti-Blackness and moral panic, this Inkling ‘deeps’ how the criminalisation of UK drill cannot be disentangled from histories, technologies, and realities of colonialism, consumerism and more.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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      <pubDate>Sun, 07 Apr 2024 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adele Oliver</itunes:subtitle>
      <itunes:summary>Deeping It: Colonialism, Culture &amp; Criminalisation of UK Drill (404 Ink, 2023) by Adèle Oliver shines a critical light on UK drill and its fraught relationship with the British legal system. Intervening on current discourse steeped in anti-Blackness and moral panic, this Inkling ‘deeps’ how the criminalisation of UK drill cannot be disentangled from histories, technologies, and realities of colonialism, consumerism and more.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.404ink.com/store/inklings-deeping-it"><em>Deeping It: Colonialism, Culture &amp; Criminalisation of UK Drill</em> </a>(404 Ink, 2023) by Adèle Oliver shines a critical light on UK drill and its fraught relationship with the British legal system. Intervening on current discourse steeped in anti-Blackness and moral panic, this Inkling ‘deeps’ how the criminalisation of UK drill cannot be disentangled from histories, technologies, and realities of colonialism, consumerism and more.</p><p>Th<em>is interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2890</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c6549b2-f422-11ee-98d1-176a1d018912]]></guid>
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    <item>
      <title>Sandra Fox, "The Jews of Summer: Summer Camp and Jewish Culture in Postwar America" (Stanford UP, 2023)</title>
      <description>In the decades directly following the Holocaust, American Jewish leaders anxiously debated how to preserve and produce what they considered authentic Jewish culture, fearful that growing affluence and suburbanization threatened the future of Jewish life. Many communal educators and rabbis contended that without educational interventions, Judaism as they understood it would disappear altogether. They pinned their hopes on residential summer camps for Jewish youth: institutions that sprang up across the U.S. in the postwar decades as places for children and teenagers to socialise, recreate, and experience Jewish culture.
Adults' fears, hopes, and dreams about the Jewish future inflected every element of camp life, from the languages they taught to what was encouraged romantically and permitted sexually. But adult plans did not constitute everything that occurred at camp: children and teenagers also shaped these sleepaway camps to mirror their own desires and interests and decided whether to accept or resist the ideas and ideologies their camp leaders promoted. Focusing on the lived experience of campers and camp counsellors, The Jews of Summer: Summer Camp and Jewish Culture in Postwar America (Stanford University Press, 2023) by Dr. Sandra Fox demonstrates how a cultural crisis birthed a rite of passage that remains a significant influence in American Jewish life. 
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 06 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>495</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sandra Fox</itunes:subtitle>
      <itunes:summary>In the decades directly following the Holocaust, American Jewish leaders anxiously debated how to preserve and produce what they considered authentic Jewish culture, fearful that growing affluence and suburbanization threatened the future of Jewish life. Many communal educators and rabbis contended that without educational interventions, Judaism as they understood it would disappear altogether. They pinned their hopes on residential summer camps for Jewish youth: institutions that sprang up across the U.S. in the postwar decades as places for children and teenagers to socialise, recreate, and experience Jewish culture.
Adults' fears, hopes, and dreams about the Jewish future inflected every element of camp life, from the languages they taught to what was encouraged romantically and permitted sexually. But adult plans did not constitute everything that occurred at camp: children and teenagers also shaped these sleepaway camps to mirror their own desires and interests and decided whether to accept or resist the ideas and ideologies their camp leaders promoted. Focusing on the lived experience of campers and camp counsellors, The Jews of Summer: Summer Camp and Jewish Culture in Postwar America (Stanford University Press, 2023) by Dr. Sandra Fox demonstrates how a cultural crisis birthed a rite of passage that remains a significant influence in American Jewish life. 
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the decades directly following the Holocaust, American Jewish leaders anxiously debated how to preserve and produce what they considered authentic Jewish culture, fearful that growing affluence and suburbanization threatened the future of Jewish life. Many communal educators and rabbis contended that without educational interventions, Judaism as they understood it would disappear altogether. They pinned their hopes on residential summer camps for Jewish youth: institutions that sprang up across the U.S. in the postwar decades as places for children and teenagers to socialise, recreate, and experience Jewish culture.</p><p>Adults' fears, hopes, and dreams about the Jewish future inflected every element of camp life, from the languages they taught to what was encouraged romantically and permitted sexually. But adult plans did not constitute everything that occurred at camp: children and teenagers also shaped these sleepaway camps to mirror their own desires and interests and decided whether to accept or resist the ideas and ideologies their camp leaders promoted. Focusing on the lived experience of campers and camp counsellors, <a href="https://bookshop.org/a/12343/9781503633889"><em>The Jews of Summer: Summer Camp and Jewish Culture in Postwar America</em></a> (Stanford University Press, 2023) by Dr. Sandra Fox demonstrates how a cultural crisis birthed a rite of passage that remains a significant influence in American Jewish life. </p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2935</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5bd97b2a-f37d-11ee-b1a0-db357a307827]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9209146575.mp3?updated=1712343563" length="0" type="audio/mpeg"/>
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    <item>
      <title>Joseph M. Thompson, "Cold War Country: How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism" (UNC Press, 2024)</title>
      <description>Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on military service while selling the music to service members. Beginning in the 1950s, the military flooded armed forces airwaves with the music, hosted tour dates at bases around the world, and drew on artists from Johnny Cash to Lee Greenwood to support recruitment programs. 
Over the last half of the twentieth century, the close connections between the Defense Department and Music Row gave an economic boost to the white-dominated sounds of country while marginalizing Black artists and fueling divisions over the meaning of patriotism. This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. 
In Cold War Country: How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism (UNC Press, 2024), Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad.
Joseph M. Thompson is assistant professor of history at Mississippi State University.
Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 06 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>234</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joseph M. Thompson</itunes:subtitle>
      <itunes:summary>Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on military service while selling the music to service members. Beginning in the 1950s, the military flooded armed forces airwaves with the music, hosted tour dates at bases around the world, and drew on artists from Johnny Cash to Lee Greenwood to support recruitment programs. 
Over the last half of the twentieth century, the close connections between the Defense Department and Music Row gave an economic boost to the white-dominated sounds of country while marginalizing Black artists and fueling divisions over the meaning of patriotism. This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. 
In Cold War Country: How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism (UNC Press, 2024), Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad.
Joseph M. Thompson is assistant professor of history at Mississippi State University.
Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on military service while selling the music to service members. Beginning in the 1950s, the military flooded armed forces airwaves with the music, hosted tour dates at bases around the world, and drew on artists from Johnny Cash to Lee Greenwood to support recruitment programs. </p><p>Over the last half of the twentieth century, the close connections between the Defense Department and Music Row gave an economic boost to the white-dominated sounds of country while marginalizing Black artists and fueling divisions over the meaning of patriotism. This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. </p><p>In <a href="https://bookshop.org/a/12343/9781469678368"><em>Cold War Country: How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism</em></a><em> </em>(UNC Press, 2024), Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad.</p><p>Joseph M. Thompson is assistant professor of history at Mississippi State University.</p><p><em>Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4017</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ellie Tomsett, "Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities" (Bloomsbury, 2023)</title>
      <description>How is comedy hostile to women? In Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities (Bloomsbury, 2023), Ellie Tomsett, a Senior Lecturer in media and film at Birmingham City University, explores the reality of a comedy industry that, despite many changes, still has a sexism problem. The book draws on a huge range of research materials, illustrating the experience of stand-up comic performers, the views of audiences, the impact of digital and social media, and the content of stand-up’s routines. Offering both a rich history of stand-up in the UK, alongside a wealth of contemporary reflections, the book will be essential reading across arts, humanities and media studies, as well as for anyone interested in how comedy can be open to anyone who wants to make people laugh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 06 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>447</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ellie Tomsett</itunes:subtitle>
      <itunes:summary>How is comedy hostile to women? In Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities (Bloomsbury, 2023), Ellie Tomsett, a Senior Lecturer in media and film at Birmingham City University, explores the reality of a comedy industry that, despite many changes, still has a sexism problem. The book draws on a huge range of research materials, illustrating the experience of stand-up comic performers, the views of audiences, the impact of digital and social media, and the content of stand-up’s routines. Offering both a rich history of stand-up in the UK, alongside a wealth of contemporary reflections, the book will be essential reading across arts, humanities and media studies, as well as for anyone interested in how comedy can be open to anyone who wants to make people laugh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is comedy hostile to women? In <a href="https://bookshop.org/a/12343/9781350302327"><em>Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities</em></a><em> </em>(Bloomsbury, 2023), <a href="https://twitter.com/ellietomsett">Ellie Tomsett,</a> a <a href="https://www.bcu.ac.uk/media/research/research-staff/ellie-tomsett">Senior Lecturer in media and film at Birmingham City University</a>, explores the reality of a comedy industry that, despite many changes, still has a sexism problem. The book draws on a huge range of research materials, illustrating the experience of stand-up comic performers, the views of audiences, the impact of digital and social media, and the content of stand-up’s routines. Offering both a rich history of stand-up in the UK, alongside a wealth of contemporary reflections, the book will be essential reading across arts, humanities and media studies, as well as for anyone interested in how comedy can be open to anyone who wants to make people laugh.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2302</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c0bd4840-f2c5-11ee-bcb7-b33c4af3ec0a]]></guid>
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    <item>
      <title>Daniel de Visé, "The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic" (Grove Atlantic, 2024)</title>
      <description>The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture.
“They’re not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We’re on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century.
The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.
Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon &amp; Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy &amp; Don (Simon &amp; Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Apr 2024 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel de Visé</itunes:subtitle>
      <itunes:summary>The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture.
“They’re not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We’re on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century.
The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.
Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, I Forgot To Remember (with Su Meck, Simon &amp; Schuster, 2014), began as a front-page article de Visé wrote for the Washington Post in 2011. His second book, Andy &amp; Don (Simon &amp; Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, The Comeback (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at The Washington Post​. They and their children live outside Washington D.C.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780802160980"><em>The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic</em></a> (Grove Atlantic, 2024) tells the story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture.</p><p>“They’re not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We’re on a mission from God.” So opens the musical action comedy <em>The Blues Brothers</em>, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, <em>The Blues Brothers</em> opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century.</p><p>The story behind any classic is rich; the saga behind <em>The Blues Brothers</em>, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard’s <em>Lampoon </em>and Chicago’s Second City; the birth and anecdote-rich, drug-filled early years of <em>Saturday Night Live</em>, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, <em>The Blues Brothers</em> illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.</p><p>Daniel de Visé is an author and journalist. A graduate of Wesleyan and Northwestern universities, he worked at the <em>The</em> <em>Washington Post</em>, the <em>Miami Herald</em> and three other newspapers in a 23-year career. He shared a 2001 team Pulitzer Prize and garnered more than two dozen other national and regional journalism awards. His investigative reporting twice led to the release of wrongly convicted men from life terms in prison. His first book, <em>I Forgot To Remember </em>(with Su Meck, Simon &amp; Schuster, 2014), began as a front-page article de Visé wrote for the <em>Washington Post</em> in 2011. His second book, <em>Andy &amp; Don</em> (Simon &amp; Schuster, 2015), began as a journalistic exploration into the storied career of his late brother-in-law, famed actor Don Knotts. His third book, <em>The Comeback</em> (Grove Atlantic, 2018), rekindles a childhood obsession with professional cycling. Daniel is married to Sophie Yarborough, a senior editor at <em>The</em> <em>Washington Post​.</em> They and their children live outside Washington D.C.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3515</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[13d23c6c-f2b1-11ee-b904-c7a540f5fc1e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2423268178.mp3?updated=1712255337" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marc Masters, "High Bias: The Distorted History of the Cassette Tape" (UNC Press, 2023)</title>
      <description>The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities.
High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect.
Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical.
Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 03 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>231</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marc Masters</itunes:subtitle>
      <itunes:summary>The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities.
High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect.
Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical.
Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities.</p><p><a href="https://bookshop.org/a/12343/9781469675985"><em>High Bias: The Distorted History of the Cassette Tape</em> </a>(UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect.</p><p>Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical.</p><p>Marc Masters is a music journalist whose work has appeared on <em>NPR</em> and in the <em>Washington Post</em>, <em>Pitchfork</em>, <em>Rolling Stone</em>, and <em>Bandcamp Daily</em>. He is also the author of <em>No Wave</em>. Marc Masters on <a href="https://twitter.com/Marcissist">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3320</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[71573758-ef8b-11ee-8acd-d377b2a16ef2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1767311372.mp3?updated=1711909883" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adapting Liu Cixin’s "Three-Body Problem" for Television</title>
      <description>It’s the UConn Popcast, and today we discuss Netflix’s new screen adaptation of Chinese science fiction author Liu Cixin’s Three Body trilogy. We discuss the battle between the eye and the idea in film and television science fiction, and whether the new show strikes a successful balance. We consider some of the challenges involved in adapting this distinctively Chinese literary work for a non-Chinese audience, and what might have been lost in doing so. And we think more broadly about the genre of hard science fiction: to whom does it appeal and what is it trying to accomplish?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 02 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and today we discuss Netflix’s new screen adaptation of Chinese science fiction author Liu Cixin’s Three Body trilogy. We discuss the battle between the eye and the idea in film and television science fiction, and whether the new show strikes a successful balance. We consider some of the challenges involved in adapting this distinctively Chinese literary work for a non-Chinese audience, and what might have been lost in doing so. And we think more broadly about the genre of hard science fiction: to whom does it appeal and what is it trying to accomplish?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the UConn Popcast, and today we discuss Netflix’s new screen adaptation of Chinese science fiction author Liu Cixin’s <a href="https://bookshop.org/a/12343/9780765382030"><em>Three Body</em></a><em> </em>trilogy. We discuss the battle between the eye and the idea in film and television science fiction, and whether the new show strikes a successful balance. We consider some of the challenges involved in adapting this distinctively Chinese literary work for a non-Chinese audience, and what might have been lost in doing so. And we think more broadly about the genre of hard science fiction: to whom does it appeal and what is it trying to accomplish?</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4906</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6278a12c-eeaf-11ee-a3d6-df4e31d652d1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9123813503.mp3?updated=1711815392" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Highmore, "Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain" (Manchester UP, 2023)</title>
      <description>In postwar Britain, journalists and politicians predicted that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved hopelessly wrong.
Ben Highmore's Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023) charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, while sociologists claimed that an entire population was suffering from 'status anxiety', but underneath it all, a new order was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous pine kitchen tables. More than just a world of symbolic goods, this was an intimate environment alive with new feelings and attitudes.
Ben Highmore is Professor of Cultural Studies at the University of Sussex. His books include The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain (2017) and The Great Indoors: At Home in the Modern British House (2014).
﻿Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 31 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Highmore</itunes:subtitle>
      <itunes:summary>In postwar Britain, journalists and politicians predicted that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved hopelessly wrong.
Ben Highmore's Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023) charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, while sociologists claimed that an entire population was suffering from 'status anxiety', but underneath it all, a new order was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous pine kitchen tables. More than just a world of symbolic goods, this was an intimate environment alive with new feelings and attitudes.
Ben Highmore is Professor of Cultural Studies at the University of Sussex. His books include The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain (2017) and The Great Indoors: At Home in the Modern British House (2014).
﻿Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In postwar Britain, journalists and politicians predicted that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved hopelessly wrong.</p><p>Ben Highmore's <a href="https://bookshop.org/a/12343/9781526108821"><em>Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain</em></a> (Manchester UP, 2023) charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, while sociologists claimed that an entire population was suffering from 'status anxiety', but underneath it all, a new order was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous pine kitchen tables. More than just a world of symbolic goods, this was an intimate environment alive with new feelings and attitudes.</p><p>Ben Highmore is Professor of Cultural Studies at the University of Sussex. His books include The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain (2017) and The Great Indoors: At Home in the Modern British House (2014).</p><p><em>﻿</em><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4067</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2d4ce4fa-eea4-11ee-931e-b700c23e80de]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7596114363.mp3?updated=1711811074" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rachel S. Gross, "Shopping All the Way to the Woods: How the Outdoor Industry Sold Nature to America" (Yale UP, 2024)</title>
      <description>Rachel S. Gross's Shopping All the Ways to the Woods (Yale University Press, 2024) tells the fascinating history of the profitable paradox of the American outdoor experience: visiting nature first requires shopping
No escape to nature is complete without a trip to an outdoor recreational store or a browse through online offerings. This is the irony of the American outdoor experience: visiting wild spaces supposedly untouched by capitalism first requires shopping. With consumers spending billions of dollars on clothing and equipment each year as they seek out nature, the American outdoor sector grew over the past 150 years from a small collection of outfitters to an industry contributing more than 2 percent of the nation’s economic output.
Gross argues that this success was predicated not just on creating functional equipment but also on selling an authentic, anticommercial outdoor identity. In other words, shopping for the woods was also about being—or becoming—the right kind of person. Demonstrating that outdoor culture is commercial culture, Gross examines Americans’ journey toward outdoor expertise by tracing the development of the nascent outdoor goods industry, the influence of World War II on its growth, and the boom years of outdoor businesses.
Rachel S. Gross is a historian of the outdoor gear and apparel industry and an outdoor enthusiast. She is assistant professor at the University of Colorado Denver, a history tour guide, and a curator of museum exhibits. She lives in Denver, CO. Twitter. Website. 
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 26 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>181</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rachel S. Gross</itunes:subtitle>
      <itunes:summary>Rachel S. Gross's Shopping All the Ways to the Woods (Yale University Press, 2024) tells the fascinating history of the profitable paradox of the American outdoor experience: visiting nature first requires shopping
No escape to nature is complete without a trip to an outdoor recreational store or a browse through online offerings. This is the irony of the American outdoor experience: visiting wild spaces supposedly untouched by capitalism first requires shopping. With consumers spending billions of dollars on clothing and equipment each year as they seek out nature, the American outdoor sector grew over the past 150 years from a small collection of outfitters to an industry contributing more than 2 percent of the nation’s economic output.
Gross argues that this success was predicated not just on creating functional equipment but also on selling an authentic, anticommercial outdoor identity. In other words, shopping for the woods was also about being—or becoming—the right kind of person. Demonstrating that outdoor culture is commercial culture, Gross examines Americans’ journey toward outdoor expertise by tracing the development of the nascent outdoor goods industry, the influence of World War II on its growth, and the boom years of outdoor businesses.
Rachel S. Gross is a historian of the outdoor gear and apparel industry and an outdoor enthusiast. She is assistant professor at the University of Colorado Denver, a history tour guide, and a curator of museum exhibits. She lives in Denver, CO. Twitter. Website. 
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rachel S. Gross's <a href="https://bookshop.org/a/12343/9780300270082"><em>Shopping All the Ways to the Woods</em></a> (Yale University Press, 2024) tells the fascinating history of the profitable paradox of the American outdoor experience: visiting nature first requires shopping</p><p>No escape to nature is complete without a trip to an outdoor recreational store or a browse through online offerings. This is the irony of the American outdoor experience: visiting wild spaces supposedly untouched by capitalism first requires shopping. With consumers spending billions of dollars on clothing and equipment each year as they seek out nature, the American outdoor sector grew over the past 150 years from a small collection of outfitters to an industry contributing more than 2 percent of the nation’s economic output.</p><p>Gross argues that this success was predicated not just on creating functional equipment but also on selling an authentic, anticommercial outdoor identity. In other words, shopping for the woods was also about being—or becoming—the right kind of person. Demonstrating that outdoor culture <em>is</em> commercial culture, Gross examines Americans’ journey toward outdoor expertise by tracing the development of the nascent outdoor goods industry, the influence of World War II on its growth, and the boom years of outdoor businesses.</p><p><strong>Rachel S. Gross</strong> is a historian of the outdoor gear and apparel industry and an outdoor enthusiast. She is assistant professor at the University of Colorado Denver, a history tour guide, and a curator of museum exhibits. She lives in Denver, CO. <a href="https://rachel-gross.com/">Twitter</a>. <a href="https://rachel-gross.com/">Website</a>. </p><p><em>Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2199</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK8002079338.mp3?updated=1710620435" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Heather Akou, "On the Job: A History of American Work Uniforms" (Bloomsbury, 2024)</title>
      <description>Through a variety of archival documents, artefacts, illustrations, and references to primary and secondary literature, On the Job: A History of American Work Uniforms (Bloomsbury, 2024) by Dr. Heather Akou explores the changing styles, business practices, and lived experiences of the people who make, sell, and wear service-industry uniforms in the United States.
It highlights how the uniform business is distinct from the fashion business, including how manufacturing developed outside of the typical fashion hubs such as New York City; and gives attention to the ways that various types of employers (small business, corporate, government and others) differ in their ambitions and regulations surrounding uniforms.
On the Job sheds new light on an understudied yet important field of dress and clothing within everyday life, and is an essential addition to any fashion historian's library, appealing to all those interested in material culture, the service industry, heritage and history.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>253</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heather Akou</itunes:subtitle>
      <itunes:summary>Through a variety of archival documents, artefacts, illustrations, and references to primary and secondary literature, On the Job: A History of American Work Uniforms (Bloomsbury, 2024) by Dr. Heather Akou explores the changing styles, business practices, and lived experiences of the people who make, sell, and wear service-industry uniforms in the United States.
It highlights how the uniform business is distinct from the fashion business, including how manufacturing developed outside of the typical fashion hubs such as New York City; and gives attention to the ways that various types of employers (small business, corporate, government and others) differ in their ambitions and regulations surrounding uniforms.
On the Job sheds new light on an understudied yet important field of dress and clothing within everyday life, and is an essential addition to any fashion historian's library, appealing to all those interested in material culture, the service industry, heritage and history.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Through a variety of archival documents, artefacts, illustrations, and references to primary and secondary literature, <a href="https://bookshop.org/a/12343/9781350349384"><em>On the Job: A History of American Work Uniforms</em></a> (Bloomsbury, 2024) by Dr. Heather Akou explores the changing styles, business practices, and lived experiences of the people who make, sell, and wear service-industry uniforms in the United States.</p><p>It highlights how the uniform business is distinct from the fashion business, including how manufacturing developed outside of the typical fashion hubs such as New York City; and gives attention to the ways that various types of employers (small business, corporate, government and others) differ in their ambitions and regulations surrounding uniforms.</p><p>On the Job sheds new light on an understudied yet important field of dress and clothing within everyday life, and is an essential addition to any fashion historian's library, appealing to all those interested in material culture, the service industry, heritage and history.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3677</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aff084f4-e47f-11ee-95b5-632e35866bbe]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6798710919.mp3?updated=1710695336" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Lee Naish, "Music and Sound in the Films of Dennis Hopper" (Routledge, 2024)</title>
      <description>In Music and Sound in the Films of Dennis Hopper (Routledge,2024), Stephen Lee Naish explores how as a director Dennis Hopper used music and sound to propel the narrative of his work and to signpost the era in which the films were made and the characters' place within American culture. Naish examines five of Hopper's films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format. As Naish demonstrates, throughout his career Hopper relied on music to propel his films and tell his stories. 
In Easy Rider, Hopper was one of the first filmmakers to include popular rock, pop, and folk music on a soundtrack. In his sophomore film The Last Movie, Hopper blended diegetic performances of folk and traditional Peruvian indigenous music to create a textured piece of sound art. In Out of the Blue, Hopper used punk rock as a vibrant shock, but also as a reaction to the failed ethos of the past. In 1988's Colors he incorporated hip-hop and rap music to soundtrack the lives of the gang members who rule the streets of Los Angeles. Finally, in his 1990 film The Hot Spot, Hopper commissioned a hybrid soundtrack of jazz/blues by Miles Davis and John Lee Hooker to accompany his steamy neo-noir. Using case studies of five of Hopper's directorial films, Naish aims to uncover the film soundtrack as a vital piece of the narrative, not only in Dennis Hopper's films but in film as a whole. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>183</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephen Lee Naish</itunes:subtitle>
      <itunes:summary>In Music and Sound in the Films of Dennis Hopper (Routledge,2024), Stephen Lee Naish explores how as a director Dennis Hopper used music and sound to propel the narrative of his work and to signpost the era in which the films were made and the characters' place within American culture. Naish examines five of Hopper's films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format. As Naish demonstrates, throughout his career Hopper relied on music to propel his films and tell his stories. 
In Easy Rider, Hopper was one of the first filmmakers to include popular rock, pop, and folk music on a soundtrack. In his sophomore film The Last Movie, Hopper blended diegetic performances of folk and traditional Peruvian indigenous music to create a textured piece of sound art. In Out of the Blue, Hopper used punk rock as a vibrant shock, but also as a reaction to the failed ethos of the past. In 1988's Colors he incorporated hip-hop and rap music to soundtrack the lives of the gang members who rule the streets of Los Angeles. Finally, in his 1990 film The Hot Spot, Hopper commissioned a hybrid soundtrack of jazz/blues by Miles Davis and John Lee Hooker to accompany his steamy neo-noir. Using case studies of five of Hopper's directorial films, Naish aims to uncover the film soundtrack as a vital piece of the narrative, not only in Dennis Hopper's films but in film as a whole. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.routledge.com/Music-and-Sound-in-the-Films-of-Dennis-Hopper/Naish/p/book/9781032737690#:~:text=The%20author%20traces%20Hopper's%20distinctive,in%20Out%20of%20the%20Blue%2C"><em>Music and Sound in the Films of Dennis Hoppe</em>r</a> (Routledge,2024), Stephen Lee Naish explores how as a director Dennis Hopper used music and sound to propel the narrative of his work and to signpost the era in which the films were made and the characters' place within American culture. Naish examines five of Hopper's films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format. As Naish demonstrates, throughout his career <a href="https://www.dmovies.org/2024/02/26/the-dennis-hopper-songs-that-will-get-you-moving/">Hopper relied on music</a> to propel his films and tell his stories. </p><p>In <em>Easy Rider</em>, Hopper was one of the first filmmakers to include popular rock, pop, and folk music on a soundtrack. In his sophomore film <em>The Last Movie</em>, Hopper blended diegetic performances of folk and traditional Peruvian indigenous music to create a textured piece of sound art. In <em>Out of the Blue</em>, Hopper used punk rock as a vibrant shock, but also as a reaction to the failed ethos of the past. In 1988's <em>Colors</em> he incorporated hip-hop and rap music to soundtrack the lives of the gang members who rule the streets of Los Angeles. Finally, in his 1990 film <em>The Hot Spot</em>, Hopper commissioned a hybrid soundtrack of jazz/blues by Miles Davis and John Lee Hooker to accompany his steamy neo-noir. Using case studies of five of Hopper's directorial films, Naish aims to uncover the film soundtrack as a vital piece of the narrative, not only in Dennis Hopper's films but in film as a whole. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2898</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6557c492-e467-11ee-a3bd-c785b7587ba2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5159123888.mp3?updated=1710685018" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John O’Connor, "The Secret History of Bigfoot: Field Notes on a North American Monster" (Sourcebooks, 2024)</title>
      <description>Bigfoot is an instantly recognizable figure. Through the decades, this elusive primate has been featured in movies and books, on coffee mugs, beer koozies, car polish, and CBD oil. Which begs the question: what is it about Bigfoot that's caught hold of our imaginations?
Journalist and self-diagnosed skeptic John O'Connor is fascinated by Sasquatch. In The Secret History of Bigfoot: Field Notes on a North American Monster (Sourcebooks, 2024), he embarks on a quest through the North American wilds in search of Bigfoot, its myth and meaning. Alongside an eccentric cast of characters, he explores the zany and secretive world of "cryptozoology," tracking Bigfoot through ancient folklore to Harry and the Hendersons, while examining the forces behind our ever-widening belief in the supernatural. As O'Connor treks through the shrouded forests of the Pacific Northwest, listens to firsthand accounts, and attends Bigfoot conventions, he's left wondering―what happens when the lines between myth and reality blur?
Perfect for fans of Bill Bryson and Douglas Preston, and with sharp wit and an adventurous spirit, this heartfelt exploration of a cornerstone of American folklore unpacks why we believe in the things that we do, what that says about us, and how it shapes our world.
John O’Connor was born and raised in Kalamazoo, Michigan, and attended the creative writing program at Columbia University, where he wrote his thesis on competitive eating. His writing has appeared in The Believer, Quarterly West and Gastronomica, among other publications.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 16 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John O’Connor,</itunes:subtitle>
      <itunes:summary>Bigfoot is an instantly recognizable figure. Through the decades, this elusive primate has been featured in movies and books, on coffee mugs, beer koozies, car polish, and CBD oil. Which begs the question: what is it about Bigfoot that's caught hold of our imaginations?
Journalist and self-diagnosed skeptic John O'Connor is fascinated by Sasquatch. In The Secret History of Bigfoot: Field Notes on a North American Monster (Sourcebooks, 2024), he embarks on a quest through the North American wilds in search of Bigfoot, its myth and meaning. Alongside an eccentric cast of characters, he explores the zany and secretive world of "cryptozoology," tracking Bigfoot through ancient folklore to Harry and the Hendersons, while examining the forces behind our ever-widening belief in the supernatural. As O'Connor treks through the shrouded forests of the Pacific Northwest, listens to firsthand accounts, and attends Bigfoot conventions, he's left wondering―what happens when the lines between myth and reality blur?
Perfect for fans of Bill Bryson and Douglas Preston, and with sharp wit and an adventurous spirit, this heartfelt exploration of a cornerstone of American folklore unpacks why we believe in the things that we do, what that says about us, and how it shapes our world.
John O’Connor was born and raised in Kalamazoo, Michigan, and attended the creative writing program at Columbia University, where he wrote his thesis on competitive eating. His writing has appeared in The Believer, Quarterly West and Gastronomica, among other publications.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bigfoot is an instantly recognizable figure. Through the decades, this elusive primate has been featured in movies and books, on coffee mugs, beer koozies, car polish, and CBD oil. Which begs the question: what is it about Bigfoot that's caught hold of our imaginations?</p><p>Journalist and self-diagnosed skeptic John O'Connor is fascinated by Sasquatch. In <a href="https://bookshop.org/a/12343/9781464216633"><em>The Secret History of Bigfoot: Field Notes on a North American Monster</em></a><em> </em>(Sourcebooks, 2024), he embarks on a quest through the North American wilds in search of Bigfoot, its myth and meaning. Alongside an eccentric cast of characters, he explores the zany and secretive world of "cryptozoology," tracking Bigfoot through ancient folklore to <em>Harry and the Hendersons</em>, while examining the forces behind our ever-widening belief in the supernatural. As O'Connor treks through the shrouded forests of the Pacific Northwest, listens to firsthand accounts, and attends Bigfoot conventions, he's left wondering―what happens when the lines between myth and reality blur?</p><p>Perfect for fans of Bill Bryson and Douglas Preston, and with sharp wit and an adventurous spirit, this heartfelt exploration of a cornerstone of American folklore unpacks why we believe in the things that we do, what that says about us, and how it shapes our world.</p><p>John O’Connor was born and raised in Kalamazoo, Michigan, and attended the creative writing program at Columbia University, where he wrote his thesis on competitive eating. His writing has appeared in <em>The Believer</em>, <em>Quarterly West</em> and <em>Gastronomica</em>, among other publications.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3148</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f421fc42-e246-11ee-97be-a3a3384c0f70]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9606421799.mp3?updated=1710499555" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter D. McDonald, "Run and Jump: The Meaning of the 2D Platformer" (MIT Press, 2024)</title>
      <description>How abstract design decisions in 2D platform games create rich worlds of meaning for players.
Since the 1980s, 2D platform games have captivated their audiences. Whether the player scrambles up the ladders in Donkey Kong or leaps atop an impossibly tall pipe in Super Mario Bros., this deceptively simple visual language has persisted in our cultural imagination of video games. In Run and Jump: The Meaning of the 2D Platformer (MIT Press, 2024), Peter McDonald surveys the legacy of 2D platform games and examines how abstract and formal design choices have kept players playing. McDonald argues that there is a rich layer of meaning underneath, say, the quality of an avatar’s movement, the pacing and rhythm of level design, the personalities expressed by different enemies, and the emotion elicited by collecting a coin.
To understand these games, McDonald draws on technical discussions by game designers as well as theoretical work about the nature of signs from structuralist semiotics. Interspersed throughout are design exercises that show how critical interpretation can become a tool for game designers to communicate with their players. With examples drawn from over forty years of game history, and from games made by artists, hobbyists, iconic designers, and industry studios, Run and Jump presents a comprehensive—and engaging—vision of this slice of game history. 
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 15 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter D. McDonald</itunes:subtitle>
      <itunes:summary>How abstract design decisions in 2D platform games create rich worlds of meaning for players.
Since the 1980s, 2D platform games have captivated their audiences. Whether the player scrambles up the ladders in Donkey Kong or leaps atop an impossibly tall pipe in Super Mario Bros., this deceptively simple visual language has persisted in our cultural imagination of video games. In Run and Jump: The Meaning of the 2D Platformer (MIT Press, 2024), Peter McDonald surveys the legacy of 2D platform games and examines how abstract and formal design choices have kept players playing. McDonald argues that there is a rich layer of meaning underneath, say, the quality of an avatar’s movement, the pacing and rhythm of level design, the personalities expressed by different enemies, and the emotion elicited by collecting a coin.
To understand these games, McDonald draws on technical discussions by game designers as well as theoretical work about the nature of signs from structuralist semiotics. Interspersed throughout are design exercises that show how critical interpretation can become a tool for game designers to communicate with their players. With examples drawn from over forty years of game history, and from games made by artists, hobbyists, iconic designers, and industry studios, Run and Jump presents a comprehensive—and engaging—vision of this slice of game history. 
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How abstract design decisions in 2D platform games create rich worlds of meaning for players.</p><p>Since the 1980s, 2D platform games have captivated their audiences. Whether the player scrambles up the ladders in <em>Donkey Kong</em> or leaps atop an impossibly tall pipe in <em>Super Mario Bros.</em>, this deceptively simple visual language has persisted in our cultural imagination of video games. In <em>Run and Jump: The Meaning of the 2D Platformer </em>(MIT Press, 2024), Peter McDonald surveys the legacy of 2D platform games and examines how abstract and formal design choices have kept players playing. McDonald argues that there is a rich layer of meaning underneath, say, the quality of an avatar’s movement, the pacing and rhythm of level design, the personalities expressed by different enemies, and the emotion elicited by collecting a coin.</p><p>To understand these games, McDonald draws on technical discussions by game designers as well as theoretical work about the nature of signs from structuralist semiotics. Interspersed throughout are design exercises that show how critical interpretation can become a tool for game designers to communicate with their players. With examples drawn from over forty years of game history, and from games made by artists, hobbyists, iconic designers, and industry studios, <em>Run and Jump</em> presents a comprehensive—and engaging—vision of this slice of game history. </p><p>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1326</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[afacd65c-e220-11ee-9c78-3765d1ed8830]]></guid>
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    <item>
      <title>Micajah Henley, "The Clash's Sandinista!" (Bloombury, 2024)</title>
      <description>Following the success of their instantly iconic double LP, London Calling, The Clash set out to do something "triply outrageous." Named after the Nicaraguan rebels who successfully overthrew an authoritarian dictator, Sandinista! consists of 36 songs across six sides of vinyl. Produced by the band, it showcases their politics as well as their ability to adopt a multitude of genres ranging from punk, reggae, jazz, gospel, calypso, and hip hop. Free from the influence of their Machiavellian manager, Bernie Rhodes, The Clash still battled their record label to release the triple LP on their terms: three for the price of one.
Despite its polarizing reception from critics at the time of its release, Sandinista! is often considered one of the greatest albums of all time. Nevertheless, critics and fans have spent over 40 years debating whether the album would be better as a 12-track LP. In The Clash’s Sandinista! (Bloomsbury, 2024), Henley entertains that idea and considers what is lost or gained in the process. To do so, the book delves into the politics of The Clash, the spliff bunkers constructed for the production of the album, and the sacrifices made upon its release. It examines the album's 36 tracks and considers the significance of the record's dissection on behalf of fans who curate their own versions of the album in the mixtape, CD, and playlist eras.
Micajah Henely is an adjunct professor at Bluegrass Community and Technical College in Lexington, Kentucky, USA. He is the creator of the music podcast You Forgot One. Micajah Henely on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 14 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>226</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Micajah Henley</itunes:subtitle>
      <itunes:summary>Following the success of their instantly iconic double LP, London Calling, The Clash set out to do something "triply outrageous." Named after the Nicaraguan rebels who successfully overthrew an authoritarian dictator, Sandinista! consists of 36 songs across six sides of vinyl. Produced by the band, it showcases their politics as well as their ability to adopt a multitude of genres ranging from punk, reggae, jazz, gospel, calypso, and hip hop. Free from the influence of their Machiavellian manager, Bernie Rhodes, The Clash still battled their record label to release the triple LP on their terms: three for the price of one.
Despite its polarizing reception from critics at the time of its release, Sandinista! is often considered one of the greatest albums of all time. Nevertheless, critics and fans have spent over 40 years debating whether the album would be better as a 12-track LP. In The Clash’s Sandinista! (Bloomsbury, 2024), Henley entertains that idea and considers what is lost or gained in the process. To do so, the book delves into the politics of The Clash, the spliff bunkers constructed for the production of the album, and the sacrifices made upon its release. It examines the album's 36 tracks and considers the significance of the record's dissection on behalf of fans who curate their own versions of the album in the mixtape, CD, and playlist eras.
Micajah Henely is an adjunct professor at Bluegrass Community and Technical College in Lexington, Kentucky, USA. He is the creator of the music podcast You Forgot One. Micajah Henely on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Following the success of their instantly iconic double LP, <em>London Calling</em>, The Clash set out to do something "triply outrageous." Named after the Nicaraguan rebels who successfully overthrew an authoritarian dictator, <em>Sandinista!</em> consists of 36 songs across six sides of vinyl. Produced by the band, it showcases their politics as well as their ability to adopt a multitude of genres ranging from punk, reggae, jazz, gospel, calypso, and hip hop. Free from the influence of their Machiavellian manager, Bernie Rhodes, The Clash still battled their record label to release the triple LP on their terms: three for the price of one.</p><p>Despite its polarizing reception from critics at the time of its release, <em>Sandinista!</em> is often considered one of the greatest albums of all time. Nevertheless, critics and fans have spent over 40 years debating whether the album would be better as a 12-track LP. In <a href="https://bookshop.org/a/12343/9781501390364"><em>The Clash’s Sandinista!</em> </a>(Bloomsbury, 2024), Henley entertains that idea and considers what is lost or gained in the process. To do so, the book delves into the politics of The Clash, the spliff bunkers constructed for the production of the album, and the sacrifices made upon its release. It examines the album's 36 tracks and considers the significance of the record's dissection on behalf of fans who curate their own versions of the album in the mixtape, CD, and playlist eras.</p><p>Micajah Henely is an adjunct professor at Bluegrass Community and Technical College in Lexington, Kentucky, USA. He is the creator of the music podcast <em>You Forgot One</em>. Micajah Henely on <a href="https://twitter.com/MicajahHenley">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3865</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc83db72-e0a4-11ee-9f2d-2b7355e6d491]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6427745472.mp3?updated=1710272448" length="0" type="audio/mpeg"/>
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    <item>
      <title>Piotr Florczyk, "Swimming Pool" (Bloombury, 2024)</title>
      <description>This instalment of the Object Lessons series focuses on the Swimming Pool (Bloomsbury, 2024). The book explores the pool as a place where humans seek to attain the unique union between mind and body.
As a former world-ranked swimmer whose journey toward naturalisation and U.S. citizenship began with a swimming fellowship, Piotr Florczyk reflects on his own adventures in swimming pools while taking a closer look at artists, architects, writers, and others who have helped to cement the swimming pool's prominent and iconic role in our society and culture.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>269</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Piotr Florczyk</itunes:subtitle>
      <itunes:summary>This instalment of the Object Lessons series focuses on the Swimming Pool (Bloomsbury, 2024). The book explores the pool as a place where humans seek to attain the unique union between mind and body.
As a former world-ranked swimmer whose journey toward naturalisation and U.S. citizenship began with a swimming fellowship, Piotr Florczyk reflects on his own adventures in swimming pools while taking a closer look at artists, architects, writers, and others who have helped to cement the swimming pool's prominent and iconic role in our society and culture.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This instalment of the Object Lessons series focuses on the <a href="https://bookshop.org/a/12343/9781501394874"><em>Swimming Pool</em></a> (Bloomsbury, 2024). The book explores the pool as a place where humans seek to attain the unique union between mind and body.</p><p>As a former world-ranked swimmer whose journey toward naturalisation and U.S. citizenship began with a swimming fellowship, Piotr Florczyk reflects on his own adventures in swimming pools while taking a closer look at artists, architects, writers, and others who have helped to cement the swimming pool's prominent and iconic role in our society and culture.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2181</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b18b2eb8-de58-11ee-a169-2376c0aa4ea9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4699600113.mp3?updated=1710018790" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eleanor Patterson, "Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution" (U Illinois Press, 2024)</title>
      <description>Long before internet archives and the anytime, anywhere convenience of streaming, people collected, traded, and shared radio and television content via informal networks that crisscrossed transnational boundaries.
Eleanor Patterson’s fascinating cultural history explores the distribution of radio and TV tapes from the 1960s through the 1980s. Looking at bootlegging against the backdrop of mass media’s formative years, Patterson delves into some of the major subcultures of the era. Old-time radio aficionados felt the impact of inexpensive audio recording equipment and the controversies surrounding programs like Amos ‘n’ Andy. Bootlegging communities devoted to buddy cop TV shows like Starsky and Hutch allowed women to articulate female pleasure and sexuality while Star Trek videos in Australia inspired a grassroots subculture built around community viewings of episodes. Tape trading also had a profound influence on creating an intellectual pro wrestling fandom that aided wrestling’s growth into an international sports entertainment industry.
Original and engaging, Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution (U Illinois Press, 2024) shares the story of how fan passion and technology merged into a flourishing subculture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eleanor Patterson</itunes:subtitle>
      <itunes:summary>Long before internet archives and the anytime, anywhere convenience of streaming, people collected, traded, and shared radio and television content via informal networks that crisscrossed transnational boundaries.
Eleanor Patterson’s fascinating cultural history explores the distribution of radio and TV tapes from the 1960s through the 1980s. Looking at bootlegging against the backdrop of mass media’s formative years, Patterson delves into some of the major subcultures of the era. Old-time radio aficionados felt the impact of inexpensive audio recording equipment and the controversies surrounding programs like Amos ‘n’ Andy. Bootlegging communities devoted to buddy cop TV shows like Starsky and Hutch allowed women to articulate female pleasure and sexuality while Star Trek videos in Australia inspired a grassroots subculture built around community viewings of episodes. Tape trading also had a profound influence on creating an intellectual pro wrestling fandom that aided wrestling’s growth into an international sports entertainment industry.
Original and engaging, Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution (U Illinois Press, 2024) shares the story of how fan passion and technology merged into a flourishing subculture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Long before internet archives and the anytime, anywhere convenience of streaming, people collected, traded, and shared radio and television content via informal networks that crisscrossed transnational boundaries.</p><p>Eleanor Patterson’s fascinating cultural history explores the distribution of radio and TV tapes from the 1960s through the 1980s. Looking at bootlegging against the backdrop of mass media’s formative years, Patterson delves into some of the major subcultures of the era. Old-time radio aficionados felt the impact of inexpensive audio recording equipment and the controversies surrounding programs like <em>Amos ‘n’ Andy</em>. Bootlegging communities devoted to buddy cop TV shows like <em>Starsky and Hutch</em> allowed women to articulate female pleasure and sexuality while <em>Star Trek</em> videos in Australia inspired a grassroots subculture built around community viewings of episodes. Tape trading also had a profound influence on creating an intellectual pro wrestling fandom that aided wrestling’s growth into an international sports entertainment industry.</p><p>Original and engaging, <a href="https://bookshop.org/a/12343/9780252087691"><em>Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution</em></a> (U Illinois Press, 2024) shares the story of how fan passion and technology merged into a flourishing subculture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6066</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64346b30-de43-11ee-9aa5-839eb10d928e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2199314024.mp3?updated=1710010314" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Savran, "Tell It to the World: The Broadway Musical Abroad" (Oxford UP, 2024)</title>
      <description>Tell It to the World: The Broadway Musical Abroad (Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S.
Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors.
In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 11 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>127</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Savran</itunes:subtitle>
      <itunes:summary>Tell It to the World: The Broadway Musical Abroad (Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S.
Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors.
In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780190249533"><em>Tell It to the World: The Broadway Musical Abroad</em></a><em> </em>(Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S.</p><p>Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors.</p><p>In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States.</p><p><em>﻿</em><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3533</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0b465470-de3e-11ee-b276-1f1ab69fbd9f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2513717607.mp3?updated=1710008457" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Reading Taylor Swift as a Cultural and Political Text</title>
      <description>It’s the UConn Popcast, and Taylor Swift is by some measures the most popular person on the planet. Her periodic reinventions set the mass cultural terms of debate, and her political interventions – through exhorting her fans on social media – lead to huge spikes in voter registration. It is hoped by Democrats, and feared by Republicans, that a Taylor endorsement of Joe Biden in 2024 might meaningfully tip the scales in favor of reelection.
In this episode, we consider Taylor Swift as a popular and political text, over which she exercises substantial, but not total, authorial control. What role in the culture does she play? How should we interpret her recent association with the NFL? How do the parasocial relationships of her fans – “Swifties” – to the artist herself contribute to authorship of the Taylor text. And how should we read the counter-subversive conspiratorial responses to her halting forays into electoral politics?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 11 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn Popcast, and Taylor Swift is by some measures the most popular person on the planet. Her periodic reinventions set the mass cultural terms of debate, and her political interventions – through exhorting her fans on social media – lead to huge spikes in voter registration. It is hoped by Democrats, and feared by Republicans, that a Taylor endorsement of Joe Biden in 2024 might meaningfully tip the scales in favor of reelection.
In this episode, we consider Taylor Swift as a popular and political text, over which she exercises substantial, but not total, authorial control. What role in the culture does she play? How should we interpret her recent association with the NFL? How do the parasocial relationships of her fans – “Swifties” – to the artist herself contribute to authorship of the Taylor text. And how should we read the counter-subversive conspiratorial responses to her halting forays into electoral politics?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the UConn Popcast, and Taylor Swift is by some measures the most popular person on the planet. Her periodic reinventions set the mass cultural terms of debate, and her political interventions – through exhorting her fans on social media – lead to huge spikes in voter registration. It is hoped by Democrats, and feared by Republicans, that a Taylor endorsement of Joe Biden in 2024 might meaningfully tip the scales in favor of reelection.</p><p>In this episode, we consider Taylor Swift as a popular and political text, over which she exercises substantial, but not total, authorial control. What role in the culture does she play? How should we interpret her recent association with the NFL? How do the parasocial relationships of her fans – “Swifties” – to the artist herself contribute to authorship of the Taylor text. And how should we read the counter-subversive conspiratorial responses to her halting forays into electoral politics?</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3896</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f47aa80-de50-11ee-a83c-4f9ebd637d61]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5853017488.mp3?updated=1710016268" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samantha Majic, "Lights, Camera, Feminism?: Celebrities and Anti-Trafficking Politics" (U California Press, 2023)</title>
      <description>Recent years have brought an upsurge in celebrity activism. Not a day goes by without an actor or musician taking to a stage, a podium or the internet to speak on a social issue, address an environmental problem, or adopt a political position. It’s easy to be cynical about the motivations of these privileged and sometimes uninformed people. Many of them come across as self-serving. But others appear genuine. Either way, celebrity activists are here to stay and it is incumbent on us to think about what it means for politics that we now live in an age in which celebrities are preferred over elected political leaders as spokespeople for humanitarian causes, and human rights. Who are they addressing? Who benefits when they speak? And what are the costs that they do?
The answers to these questions, Samantha Majic explains on this episode of New Books in Interpretive Political and Social Science, are neither singular nor straightforward. How and why celebrities take up causes, she writes in Lights, Camera, Feminism? Celebrities and Anti-trafficking Politics (University of California Press, 2023) is shaped and mediated by a range of personal and contextual factors. Nor do celebrity activists always go along with dominant narratives or align themselves with prevailing ideologies. They depend on certain infrastructures to be heard, but they make their own decisions about how and why they are. And while many of these decisions are ethically defensible, the problem with the celebrity activist is that they are unaccountable because they are self-appointed to represent the interests of others.
If you like this episode then you might also be interested in Sverre Molland talking about The Perfect Business?
And, in a new feature of the series, our author’s reading recommendations are:

Nikol Alexander-Floyd, Re-Imagining Black Women


Natalia Mehlman Petrzela, Fit Nation


Kate Manne, Unshrinking


Angela Jones, Camming


﻿
Nick Cheesman is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the Interpretation, Method, Critique network; and, a committee member of the Interpretive Methodologies and Methods group of the American Political Science Association.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 10 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samantha Majic</itunes:subtitle>
      <itunes:summary>Recent years have brought an upsurge in celebrity activism. Not a day goes by without an actor or musician taking to a stage, a podium or the internet to speak on a social issue, address an environmental problem, or adopt a political position. It’s easy to be cynical about the motivations of these privileged and sometimes uninformed people. Many of them come across as self-serving. But others appear genuine. Either way, celebrity activists are here to stay and it is incumbent on us to think about what it means for politics that we now live in an age in which celebrities are preferred over elected political leaders as spokespeople for humanitarian causes, and human rights. Who are they addressing? Who benefits when they speak? And what are the costs that they do?
The answers to these questions, Samantha Majic explains on this episode of New Books in Interpretive Political and Social Science, are neither singular nor straightforward. How and why celebrities take up causes, she writes in Lights, Camera, Feminism? Celebrities and Anti-trafficking Politics (University of California Press, 2023) is shaped and mediated by a range of personal and contextual factors. Nor do celebrity activists always go along with dominant narratives or align themselves with prevailing ideologies. They depend on certain infrastructures to be heard, but they make their own decisions about how and why they are. And while many of these decisions are ethically defensible, the problem with the celebrity activist is that they are unaccountable because they are self-appointed to represent the interests of others.
If you like this episode then you might also be interested in Sverre Molland talking about The Perfect Business?
And, in a new feature of the series, our author’s reading recommendations are:

Nikol Alexander-Floyd, Re-Imagining Black Women


Natalia Mehlman Petrzela, Fit Nation


Kate Manne, Unshrinking


Angela Jones, Camming


﻿
Nick Cheesman is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the Interpretation, Method, Critique network; and, a committee member of the Interpretive Methodologies and Methods group of the American Political Science Association.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Recent years have brought an upsurge in celebrity activism. Not a day goes by without an actor or musician taking to a stage, a podium or the internet to speak on a social issue, address an environmental problem, or adopt a political position. It’s easy to be cynical about the motivations of these privileged and sometimes uninformed people. Many of them come across as self-serving. But others appear genuine. Either way, celebrity activists are here to stay and it is incumbent on us to think about what it means for politics that we now live in an age in which celebrities are preferred over elected political leaders as spokespeople for humanitarian causes, and human rights. Who are they addressing? Who benefits when they speak? And what are the costs that they do?</p><p>The answers to these questions, <a href="https://www.jjay.cuny.edu/faculty/samantha-majic">Samantha Majic</a> explains on this episode of <a href="https://newbooksnetwork.com/category/academic-partners/interpretive-political-and-social-science">New Books in Interpretive Political and Social Science</a>, are neither singular nor straightforward. How and why celebrities take up causes, she writes in <em>Lights, </em><a href="https://bookshop.org/a/12343/9780520384903"><em>Camera, Feminism? Celebrities and Anti-trafficking Politics</em></a> (<a href="https://www.ucpress.edu/book/9780520384903/lights-camera-feminism">University of California Press</a>, 2023) is shaped and mediated by a range of personal and contextual factors. Nor do celebrity activists always go along with dominant narratives or align themselves with prevailing ideologies. They depend on certain infrastructures to be heard, but they make their own decisions about how and why they are. And while many of these decisions are ethically defensible, the problem with the celebrity activist is that they are unaccountable because they are self-appointed to represent the interests of others.</p><p><strong>If you like this episode</strong> then you might also be interested in Sverre Molland talking about <a href="https://newbooksnetwork.com/sverre-molland-the-perfect-business-anti-trafficking-and-the-sex-trade-along-the-mekong-u-hawaii-press-2012#entry:12906@1:url"><em>The Perfect Business?</em></a></p><p><strong>And, in a new feature of the series</strong>, our author’s reading recommendations are:</p><ul>
<li>Nikol Alexander-Floyd, <a href="https://bookshop.org/p/books/re-imagining-black-women-a-critique-of-post-feminist-and-post-racial-melodrama-in-culture-and-politics-nikol-g-alexander-floyd/15492367?ean=9781479850891"><em>Re-Imagining Black Women</em></a>
</li>
<li>Natalia Mehlman Petrzela, <a href="https://newbooksnetwork.com/fit-nation#entry:212805@1:url"><em>Fit Nation</em></a>
</li>
<li>Kate Manne, <a href="https://bookshop.org/p/books/unshrinking-how-to-face-fatphobia-kate-manne/19993688?ean=9780593593837"><em>Unshrinking</em></a>
</li>
<li>Angela Jones, <a href="https://newbooksnetwork.com/angela-jones-camming-money-power-and-pleasure-in-the-sex-work-industry-nyu-press-2020#entry:3763@1:url"><em>Camming</em></a>
</li>
</ul><p><em>﻿</em></p><p><a href="https://www.nickcheesman.net/"><em>Nick Cheesman</em></a><em> is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the </em><a href="https://politicsir.cass.anu.edu.au/research/projects/interpretation-method-critique"><em>Interpretation, Method, Critique</em></a><em> network; and, a committee member of the </em><a href="https://connect.apsanet.org/interpretationandmethod/"><em>Interpretive Methodologies and Methods</em></a><em> group of the American Political Science Association.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3288</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[68093052-de15-11ee-a822-8ff8bf0597ce]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6943942475.mp3?updated=1709994648" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dune, Part Two: An Interview with Dr. Kara Kennedy</title>
      <description>Part Two of director Denis Villeneuve’s Dune films embeds viewers among the Fremen, the Indigenous inhabitants of the planet Arrakis. The sole source of the valuable drug spice, Arrakis has been colonized and its resources extracted by the Imperium. The Fremen fight to liberate themselves and their planet from Imperial control under the messianic leadership of Paul Atreides. In Frank Herbert’s original series of Dune novels, the Fremen were inspired by the Bedouin, nomadic pastoralist inhabitants of the Middle East. Aspects of Bedouin culture and lifeways as well as episodes from Bedouin history, such as the effects of resource extraction on Bedouin landscapes and Bedouin participation in the Great Arab Revolt, heavily informed the novels’ themes and narratives. In this episode, Dr. Kara Kennedy joins me to discuss representations of nomadic peoples in the Dune novels and their onscreen adaptations as well as her latest book Adaptations of Dune: Frank Herbert's Story on Screen (Blue Key, 2024).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Part Two of director Denis Villeneuve’s Dune films embeds viewers among the Fremen, the Indigenous inhabitants of the planet Arrakis. The sole source of the valuable drug spice, Arrakis has been colonized and its resources extracted by the Imperium. The Fremen fight to liberate themselves and their planet from Imperial control under the messianic leadership of Paul Atreides. In Frank Herbert’s original series of Dune novels, the Fremen were inspired by the Bedouin, nomadic pastoralist inhabitants of the Middle East. Aspects of Bedouin culture and lifeways as well as episodes from Bedouin history, such as the effects of resource extraction on Bedouin landscapes and Bedouin participation in the Great Arab Revolt, heavily informed the novels’ themes and narratives. In this episode, Dr. Kara Kennedy joins me to discuss representations of nomadic peoples in the Dune novels and their onscreen adaptations as well as her latest book Adaptations of Dune: Frank Herbert's Story on Screen (Blue Key, 2024).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Part Two of director Denis Villeneuve’s <em>Dune </em>films embeds viewers among the Fremen, the Indigenous inhabitants of the planet Arrakis. The sole source of the valuable drug spice, Arrakis has been colonized and its resources extracted by the Imperium. The Fremen fight to liberate themselves and their planet from Imperial control under the messianic leadership of Paul Atreides. In Frank Herbert’s original series of <em>Dune </em>novels, the Fremen were inspired by the Bedouin, nomadic pastoralist inhabitants of the Middle East. Aspects of Bedouin culture and lifeways as well as episodes from Bedouin history, such as the effects of resource extraction on Bedouin landscapes and Bedouin participation in the Great Arab Revolt, heavily informed the novels’ themes and narratives. In this episode, Dr. Kara Kennedy joins me to discuss representations of nomadic peoples in the <em>Dune </em>novels and their onscreen adaptations as well as her latest book <a href="https://www.amazon.com/Adaptations-Dune-Frank-Herberts-Screen/dp/1953609996"><em>Adaptations of Dune: Frank Herbert's Story on Screen</em></a> (Blue Key, 2024).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2869</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7c00189c-dcb1-11ee-a06b-0b7cc4b1cc8f]]></guid>
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    <item>
      <title>Amy Coddington, "How Hip Hop Became Hit Pop: Radio, Rap, and Race" (U California Press, 2023)</title>
      <description>How Hip Hop Became Hit Pop: Radio, Rap, and Race (U California Press, 2023) examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>436</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amy Coddington</itunes:subtitle>
      <itunes:summary>How Hip Hop Became Hit Pop: Radio, Rap, and Race (U California Press, 2023) examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520383920"><em>How Hip Hop Became Hit Pop: Radio, Rap, and Race</em></a><em> </em>(U California Press, 2023) examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3103</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[03c5fa1e-db2f-11ee-aab5-5771ac8a9c05]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3344814186.mp3?updated=1709671885" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jinying Li, "Anime's Knowledge Cultures: Geek, Otaku, Zhai" (U Minnesota Press, 2024)</title>
      <description>With comics franchises getting turned into multi-billion dollar revenue opportunities and consumer technology companies dominating daily headlines — the trappings of “geekdom” have made their way into the global mainstream over the past few days. As part of this trend, Japanese-style anime has also gained immense transnational popularity, arguably becoming part of the “new cool”.
It’s against this backdrop that Jinying Li dives into the sociocultural landscape of anime with her book Anime’s Knowledge Cultures: Geek, Otaku, Zhai (University of Minnesota Press, March 2024). However, instead of diving into the “Japaneseness” of anime and otaku culture, Anime’s Knowledge Cultures helps frame anime within a more globalized sense of “geekdom” — especially with the rise of post-80s millennial zhai in China’s cultural and economic spheres.
Li is an Assistant Professor of Modern Culture and Media at Brown University. Her research and teaching focuses on media theory, animation, and digital culture in East Asia. She is also a filmmaker who’s worked on various animations, features, and documentaries, including the noted Chinese 2016 animation feature Big Fish and Begonia.
With this academic and domain expertise, Li’s book illuminates phenomena like fansubs, danmaku “bullet-style” subtitles, and geek “complexes” to audiences who are interested in the theoretical and practical implications of anime’s global popularity. Tune into this episode about Anime’s Knowledge Cultures to learn more—listen to the end for some special anime and movie recommendations.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 03 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>516</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jinying Li</itunes:subtitle>
      <itunes:summary>With comics franchises getting turned into multi-billion dollar revenue opportunities and consumer technology companies dominating daily headlines — the trappings of “geekdom” have made their way into the global mainstream over the past few days. As part of this trend, Japanese-style anime has also gained immense transnational popularity, arguably becoming part of the “new cool”.
It’s against this backdrop that Jinying Li dives into the sociocultural landscape of anime with her book Anime’s Knowledge Cultures: Geek, Otaku, Zhai (University of Minnesota Press, March 2024). However, instead of diving into the “Japaneseness” of anime and otaku culture, Anime’s Knowledge Cultures helps frame anime within a more globalized sense of “geekdom” — especially with the rise of post-80s millennial zhai in China’s cultural and economic spheres.
Li is an Assistant Professor of Modern Culture and Media at Brown University. Her research and teaching focuses on media theory, animation, and digital culture in East Asia. She is also a filmmaker who’s worked on various animations, features, and documentaries, including the noted Chinese 2016 animation feature Big Fish and Begonia.
With this academic and domain expertise, Li’s book illuminates phenomena like fansubs, danmaku “bullet-style” subtitles, and geek “complexes” to audiences who are interested in the theoretical and practical implications of anime’s global popularity. Tune into this episode about Anime’s Knowledge Cultures to learn more—listen to the end for some special anime and movie recommendations.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With comics franchises getting turned into multi-billion dollar revenue opportunities and consumer technology companies dominating daily headlines — the trappings of “geekdom” have made their way into the global mainstream over the past few days. As part of this trend, Japanese-style anime has also gained immense transnational popularity, arguably becoming part of the “new cool”.</p><p>It’s against this backdrop that <a href="https://vivo.brown.edu/display/jli323">Jinying Li</a> dives into the sociocultural landscape of anime with her book <a href="https://bookshop.org/a/12343/9781517916282"><em>Anime’s Knowledge Cultures: Geek, Otaku, Zhai</em></a> (University of Minnesota Press, March 2024). However, instead of diving into the “Japaneseness” of anime and otaku culture, Anime’s Knowledge Cultures helps frame anime within a more globalized sense of “geekdom” — especially with the rise of post-80s millennial zhai in China’s cultural and economic spheres.</p><p>Li is an Assistant Professor of Modern Culture and Media at Brown University. Her research and teaching focuses on media theory, animation, and digital culture in East Asia. She is also a filmmaker who’s worked on various animations, features, and documentaries, including the noted Chinese 2016 animation feature <em>Big Fish and Begonia</em>.</p><p>With this academic and domain expertise, Li’s book illuminates phenomena like fansubs, danmaku “bullet-style” subtitles, and geek “complexes” to audiences who are interested in the theoretical and practical implications of anime’s global popularity. Tune into this episode about Anime’s Knowledge Cultures to learn more—listen to the end for some special anime and movie recommendations.</p><p><a href="https://www.anthonykao.org/"><em>Anthony Kao</em></a><em> is a writer who intersects international affairs and cultural criticism. He founded/edits </em><a href="https://www.cinemaescapist.com/"><em>Cinema Escapist</em></a><em>—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[edfb8170-d8c9-11ee-81b1-e7d5156b78e3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7459977075.mp3?updated=1709407740" length="0" type="audio/mpeg"/>
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    <item>
      <title>Justin Owen Rawlins, "Imagining the Method: Reception, Identity, and American Screen Performance" (U Texas Press, 2024)</title>
      <description>Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.
Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 03 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>189</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Justin Owen Rawlins</itunes:subtitle>
      <itunes:summary>Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.
Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, <a href="https://bookshop.org/a/12343/9781477328507"><em>Imagining the Method: Reception, Identity, and American Screen Performance</em></a> (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.</p><p><em>Imagining the Method</em> traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers.</p><p><em>Peter C. Kunze is an assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3394</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jesse David Fox, "Comedy Book:: How Comedy Conquered Culture–and the Magic That Makes It Work" (FSG, 2023)</title>
      <description>In Comedy Book:: How Comedy Conquered Culture–and the Magic That Makes It Work (FSG, 2023), Jesse David Fox—the country’s most definitive voice in comedy criticism and someone who, in his own words, enjoys comedy “maybe more than anyone on this planet”—tackles everything you need to know about comedy, an art form that has been under-considered throughout its history, even as it has ascended as a cultural force. Weaving together history and analysis, Fox unravels the genre’s political legacy through an ode to Jon Stewart, interrogates the divide between highbrow and lowbrow via Adam Sandler, and unpacks how marginalized comics create spaces for their communities. Along the way, Fox covers topics ranging from comedy in the age of political correctness and Will Smith’s slap, to the right wing’s relationship with comedy, to comedy’s ability to heal in the wake of tragedy.
With memorable cameos from Jerry Seinfeld, Dave Chappelle, John Mulaney, Ali Wong, Kate Berlant, and countless others, Comedy Book is an eye-opening education in how to engage with our most omnipresent art form, a riotous history of American pop culture, and a love letter to laughter.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Peter C. Kunze is assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 02 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jesse David Fox</itunes:subtitle>
      <itunes:summary>In Comedy Book:: How Comedy Conquered Culture–and the Magic That Makes It Work (FSG, 2023), Jesse David Fox—the country’s most definitive voice in comedy criticism and someone who, in his own words, enjoys comedy “maybe more than anyone on this planet”—tackles everything you need to know about comedy, an art form that has been under-considered throughout its history, even as it has ascended as a cultural force. Weaving together history and analysis, Fox unravels the genre’s political legacy through an ode to Jon Stewart, interrogates the divide between highbrow and lowbrow via Adam Sandler, and unpacks how marginalized comics create spaces for their communities. Along the way, Fox covers topics ranging from comedy in the age of political correctness and Will Smith’s slap, to the right wing’s relationship with comedy, to comedy’s ability to heal in the wake of tragedy.
With memorable cameos from Jerry Seinfeld, Dave Chappelle, John Mulaney, Ali Wong, Kate Berlant, and countless others, Comedy Book is an eye-opening education in how to engage with our most omnipresent art form, a riotous history of American pop culture, and a love letter to laughter.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Peter C. Kunze is assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780374604714"><em>Comedy Book:: How Comedy Conquered Culture–and the Magic That Makes It Work </em></a>(FSG, 2023), Jesse David Fox—the country’s most definitive voice in comedy criticism and someone who, in his own words, enjoys comedy “maybe more than anyone on this planet”—tackles everything you need to know about comedy, an art form that has been under-considered throughout its history, even as it has ascended as a cultural force. Weaving together history and analysis, Fox unravels the genre’s political legacy through an ode to Jon Stewart, interrogates the divide between highbrow and lowbrow via Adam Sandler, and unpacks how marginalized comics create spaces for their communities. Along the way, Fox covers topics ranging from comedy in the age of political correctness and Will Smith’s slap, to the right wing’s relationship with comedy, to comedy’s ability to heal in the wake of tragedy.</p><p>With memorable cameos from Jerry Seinfeld, Dave Chappelle, John Mulaney, Ali Wong, Kate Berlant, and countless others, <em>Comedy Book</em> is an eye-opening education in how to engage with our most omnipresent art form, a riotous history of American pop culture, and a love letter to laughter.</p><p>Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</p><p>Peter C. Kunze is assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5512</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tyler C. Gore, "My Life of Crime: Essays and Other Entertainments" (Sagging Meniscus Press, 2022)</title>
      <description>In his debut essay collection, My Life of Crime (Sagging Meniscus Press, 2022), Tyler C. Gore brings readers on an awkward visit to a nude beach. A bike-pedaling angel careening through rush-hour traffic. The mystery of a sandwich found in a bathroom stall. A lyric, rainy-day ramble through the East Village. With the personal essays (and three other entertainments) Gore reveals the artistic secrets of his life of crime: a charming wit, compassionate observation, perfection of style, and, over all, a winsomely colorful light tinged with just enough despair. Whether stewing over a subway encounter with a deranged businessman, confessing his sordid past as a prankster, or recounting his family’s history of hoarding, Gore is by turns melancholy, profound and hilarious. The collection culminates with the novella-length essay “Appendix,” a twisted, sprawling account of routine surgery that grapples with evolution, mortality, strangely attractive doctors, simulated universes, and an anorexic cat. My Life of Crime conjures up from the flotsam of an individual life something uncannily majestic: an insomniac contemplation of life in our eternal, twenty-four-hour New York City, infused throughout with its grit, humanity, unexpected romance, and the poignant intimacy of all the lives joined together within it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 28 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>182</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tyler C. Gore</itunes:subtitle>
      <itunes:summary>In his debut essay collection, My Life of Crime (Sagging Meniscus Press, 2022), Tyler C. Gore brings readers on an awkward visit to a nude beach. A bike-pedaling angel careening through rush-hour traffic. The mystery of a sandwich found in a bathroom stall. A lyric, rainy-day ramble through the East Village. With the personal essays (and three other entertainments) Gore reveals the artistic secrets of his life of crime: a charming wit, compassionate observation, perfection of style, and, over all, a winsomely colorful light tinged with just enough despair. Whether stewing over a subway encounter with a deranged businessman, confessing his sordid past as a prankster, or recounting his family’s history of hoarding, Gore is by turns melancholy, profound and hilarious. The collection culminates with the novella-length essay “Appendix,” a twisted, sprawling account of routine surgery that grapples with evolution, mortality, strangely attractive doctors, simulated universes, and an anorexic cat. My Life of Crime conjures up from the flotsam of an individual life something uncannily majestic: an insomniac contemplation of life in our eternal, twenty-four-hour New York City, infused throughout with its grit, humanity, unexpected romance, and the poignant intimacy of all the lives joined together within it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his debut essay collection, <a href="https://bookshop.org/a/12343/9781952386374"><em>My Life of Crime</em></a> (<a href="https://www.saggingmeniscus.com/catalog/my_life_of_crime/">Sagging Meniscus Press</a>, 2022), <a href="https://tylergore.com/">Tyler C. Gore</a> brings readers on an awkward visit to a nude beach. A bike-pedaling angel careening through rush-hour traffic. The mystery of a sandwich found in a bathroom stall. A lyric, rainy-day ramble through the East Village. With the personal essays (and three other entertainments) Gore reveals the artistic secrets of his life of crime: a charming wit, compassionate observation, perfection of style, and, over all, a winsomely colorful light tinged with just enough despair. Whether stewing over a subway encounter with a deranged businessman, confessing his sordid past as a prankster, or recounting his family’s history of hoarding, Gore is by turns melancholy, profound and hilarious. The collection culminates with the novella-length essay “Appendix,” a twisted, sprawling account of routine surgery that grapples with evolution, mortality, strangely attractive doctors, simulated universes, and an anorexic cat. <em>My Life of Crime</em> conjures up from the flotsam of an individual life something uncannily majestic: an insomniac contemplation of life in our eternal, twenty-four-hour New York City, infused throughout with its grit, humanity, unexpected romance, and the poignant intimacy of all the lives joined together within it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3206</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Eve Benhamou, "Contemporary Disney Animation: Genre, Gender and Hollywood" (Edinburgh UP, 2022)</title>
      <description>Eve Benhamou's book Contemporary Disney Animation: Genre, Gender and Hollywood (Edinburgh UP, 2022) is the first in-depth study of Disney’s latest animated output from the perspective of genre theory. Analysing a decade in Disney’s history (2008-2018), Benhamou examines the multifaceted interactions between animated films, Disney properties such as Pixar and Marvel, and popular genres including the romantic comedy, the superhero film and the cop buddy film.
Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as Tangled, Frozen and Moana. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres.
Erratum. In the interview, Eve said that Eeyore was from Dumbo, while it is from Winnie the Pooh. She also said "the first Ralph Breaks the Internet", which is of course just Wreck-It Ralph. 
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 27 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>188</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eve Benhamou</itunes:subtitle>
      <itunes:summary>Eve Benhamou's book Contemporary Disney Animation: Genre, Gender and Hollywood (Edinburgh UP, 2022) is the first in-depth study of Disney’s latest animated output from the perspective of genre theory. Analysing a decade in Disney’s history (2008-2018), Benhamou examines the multifaceted interactions between animated films, Disney properties such as Pixar and Marvel, and popular genres including the romantic comedy, the superhero film and the cop buddy film.
Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as Tangled, Frozen and Moana. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres.
Erratum. In the interview, Eve said that Eeyore was from Dumbo, while it is from Winnie the Pooh. She also said "the first Ralph Breaks the Internet", which is of course just Wreck-It Ralph. 
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Eve Benhamou's book <a href="https://bookshop.org/a/12343/9781474476126"><em>Contemporary Disney Animation: Genre, Gender and Hollywood</em></a> (Edinburgh UP, 2022) is the first in-depth study of Disney’s latest animated output from the perspective of genre theory. Analysing a decade in Disney’s history (2008-2018), Benhamou examines the multifaceted interactions between animated films, Disney properties such as Pixar and Marvel, and popular genres including the romantic comedy, the superhero film and the cop buddy film.</p><p>Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as <em>Tangled</em>, <em>Frozen</em> and <em>Moana</em>. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres.</p><p>Erratum. In the interview, Eve said that Eeyore was from Dumbo, while it is from Winnie the Pooh. She also said "the first Ralph Breaks the Internet", which is of course just Wreck-It Ralph. </p><p><em>Peter C. Kunze is an assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3667</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alessandro Gerosa, "The Hipster Economy: Taste and Authenticity in Late Modern Capitalism (UCL Press, 2024)</title>
      <description>Today, being authentic has become an aspiration and an imperative. The notion of authenticity shapes the consumption habits of individuals in the most diverse contexts such as food and drinks, clothing, music, tourism and the digital sphere, even leading to the resurgence of apparently obsolescent modes of production such as craft. It also significantly transforms urban areas, their local economies and development. Alessandro Gerosa's The Hipster Economy: Taste and Authenticity in Late Modern Capitalism (UCL Press, 2024) analyses this complex set of related phenomena to argue that the quest for authenticity has been a driver of Western societies from the emersion of capitalism and industrial society to today.
From this premise, the book advances multiple original contributions. First, it explains why and how authenticity has become a fundamental value orienting consumers' taste in late modern capitalism; second, it proposes a novel conceptualisation of the aesthetic regime of consumption; third, the book constitutes the first detailed analysis of the resurgence of the neo-craft industries, their entrepreneurs, and the economic imaginary of consumption underpinning them, and fourth, it analyses how the hipster economy is impacting the urban space, favouring new logic of urban development with contrasting outcomes.
Open-source PDF version found at this link! 
Jeff Adler is an ex-linguist and occasional contributor to New Books Network!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 27 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>341</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alessandro Gerosa</itunes:subtitle>
      <itunes:summary>Today, being authentic has become an aspiration and an imperative. The notion of authenticity shapes the consumption habits of individuals in the most diverse contexts such as food and drinks, clothing, music, tourism and the digital sphere, even leading to the resurgence of apparently obsolescent modes of production such as craft. It also significantly transforms urban areas, their local economies and development. Alessandro Gerosa's The Hipster Economy: Taste and Authenticity in Late Modern Capitalism (UCL Press, 2024) analyses this complex set of related phenomena to argue that the quest for authenticity has been a driver of Western societies from the emersion of capitalism and industrial society to today.
From this premise, the book advances multiple original contributions. First, it explains why and how authenticity has become a fundamental value orienting consumers' taste in late modern capitalism; second, it proposes a novel conceptualisation of the aesthetic regime of consumption; third, the book constitutes the first detailed analysis of the resurgence of the neo-craft industries, their entrepreneurs, and the economic imaginary of consumption underpinning them, and fourth, it analyses how the hipster economy is impacting the urban space, favouring new logic of urban development with contrasting outcomes.
Open-source PDF version found at this link! 
Jeff Adler is an ex-linguist and occasional contributor to New Books Network!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today, being authentic has become an aspiration and an imperative. The notion of authenticity shapes the consumption habits of individuals in the most diverse contexts such as food and drinks, clothing, music, tourism and the digital sphere, even leading to the resurgence of apparently obsolescent modes of production such as craft. It also significantly transforms urban areas, their local economies and development. Alessandro Gerosa's <a href="https://www.uclpress.co.uk/products/230904"><em>The Hipster Economy: Taste and Authenticity in Late Modern Capitalism</em></a><em> </em>(UCL Press, 2024) analyses this complex set of related phenomena to argue that the quest for authenticity has been a driver of Western societies from the emersion of capitalism and industrial society to today.</p><p>From this premise, the book advances multiple original contributions. First, it explains why and how authenticity has become a fundamental value orienting consumers' taste in late modern capitalism; second, it proposes a novel conceptualisation of the aesthetic regime of consumption; third, the book constitutes the first detailed analysis of the resurgence of the neo-craft industries, their entrepreneurs, and the economic imaginary of consumption underpinning them, and fourth, it analyses how the hipster economy is impacting the urban space, favouring new logic of urban development with contrasting outcomes.</p><p>Open-source PDF version found at <a href="https://www.uclpress.co.uk/products/230904">this link</a>! </p><p><em>Jeff Adler is an ex-linguist and occasional contributor to New Books Network!</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2949</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kunal Purohit, "H-Pop: The Secretive World of Hindutva Pop Stars" (HarperCollins, 2023)</title>
      <description>Can a song trigger a murder? Can a poem spark a riot? Can a book divide a people? Away from the gaze of mainstream urban media, across India's dusty, sleepy towns, a brand of popular culture is quietly seizing the imagination of millions, on the internet and off it. From catchy songs with acerbic lyrics to poetry recited in kavi sammelans to social media influencers shaping opinions with their brand of 'breaking news' to books rescripting historical events, 'Hindutva Pop' or H-Pop is steadily creating societal acceptability for Hindutva's core beliefs. 
By cleverly inserting Hindutva into popular culture, H-Pop normalizes Islamophobia, demonizes minorities and vilifies its critics each day, without ever making headlines. What makes H-Pop so popular? Who are its stars and its audience? Who is pouring in the money, the effort and the resources to produce and broadcast it? What is its impact on the BJP and Prime Minister Modi's popularity? And what kind of an India is it trying to create? These are some of the questions that award-winning independent journalist Kunal Purohit explores in this riveting investigative book as he travels through India, profiling some of H-Pop's most prolific and popular creators--its stars and celebrities. He interrogates whether the creators are driven by ideology or commerce, and what motivates the audience to consume their daily dose of bigotry. In H-Pop: The Secretive World of Hindutva Pop Stars (HarperCollins, 2023), Purohit uncovers the frightening face of a New India--one that is united by hate, divided by art.
Kunal Purohit has been a journalist for nearly two decades, writing on issues of development, politics, inequality, gender and the intersections between them. He is an independent journalist and has, in the recent past, reported closely on hate crimes and the rise of Hindu nationalism across the country. He has worked in the newsrooms of Hindustan Times and The Free Press Journal in Mumbai. He is an alumnus of the School of Oriental and African Studies, University of London, from where, as a Felix Scholar, he earned an MSc in Development Studies with distinction in 2017. Kunal received the Ramnath Goenka Award for Excellence in Civic Journalism in 2012, the Statesman Award for Rural Reporting in 2014 and the UNFPA-Laadli Media Award for Gender Sensitive Reporting in 2014 and 2019. He has also received various fellowships and journalism grants. His work can be found in Al Jazeera, ProPublica, The Times of India, Foreign Policy, Hindustan Times, South China Morning Post, Deutsche Welle and The Wire, among others.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 20 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kunal Purohit</itunes:subtitle>
      <itunes:summary>Can a song trigger a murder? Can a poem spark a riot? Can a book divide a people? Away from the gaze of mainstream urban media, across India's dusty, sleepy towns, a brand of popular culture is quietly seizing the imagination of millions, on the internet and off it. From catchy songs with acerbic lyrics to poetry recited in kavi sammelans to social media influencers shaping opinions with their brand of 'breaking news' to books rescripting historical events, 'Hindutva Pop' or H-Pop is steadily creating societal acceptability for Hindutva's core beliefs. 
By cleverly inserting Hindutva into popular culture, H-Pop normalizes Islamophobia, demonizes minorities and vilifies its critics each day, without ever making headlines. What makes H-Pop so popular? Who are its stars and its audience? Who is pouring in the money, the effort and the resources to produce and broadcast it? What is its impact on the BJP and Prime Minister Modi's popularity? And what kind of an India is it trying to create? These are some of the questions that award-winning independent journalist Kunal Purohit explores in this riveting investigative book as he travels through India, profiling some of H-Pop's most prolific and popular creators--its stars and celebrities. He interrogates whether the creators are driven by ideology or commerce, and what motivates the audience to consume their daily dose of bigotry. In H-Pop: The Secretive World of Hindutva Pop Stars (HarperCollins, 2023), Purohit uncovers the frightening face of a New India--one that is united by hate, divided by art.
Kunal Purohit has been a journalist for nearly two decades, writing on issues of development, politics, inequality, gender and the intersections between them. He is an independent journalist and has, in the recent past, reported closely on hate crimes and the rise of Hindu nationalism across the country. He has worked in the newsrooms of Hindustan Times and The Free Press Journal in Mumbai. He is an alumnus of the School of Oriental and African Studies, University of London, from where, as a Felix Scholar, he earned an MSc in Development Studies with distinction in 2017. Kunal received the Ramnath Goenka Award for Excellence in Civic Journalism in 2012, the Statesman Award for Rural Reporting in 2014 and the UNFPA-Laadli Media Award for Gender Sensitive Reporting in 2014 and 2019. He has also received various fellowships and journalism grants. His work can be found in Al Jazeera, ProPublica, The Times of India, Foreign Policy, Hindustan Times, South China Morning Post, Deutsche Welle and The Wire, among others.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can a song trigger a murder? Can a poem spark a riot? Can a book divide a people? Away from the gaze of mainstream urban media, across India's dusty, sleepy towns, a brand of popular culture is quietly seizing the imagination of millions, on the internet and off it. From catchy songs with acerbic lyrics to poetry recited in kavi sammelans to social media influencers shaping opinions with their brand of 'breaking news' to books rescripting historical events, 'Hindutva Pop' or H-Pop is steadily creating societal acceptability for Hindutva's core beliefs. </p><p>By cleverly inserting Hindutva into popular culture, H-Pop normalizes Islamophobia, demonizes minorities and vilifies its critics each day, without ever making headlines. What makes H-Pop so popular? Who are its stars and its audience? Who is pouring in the money, the effort and the resources to produce and broadcast it? What is its impact on the BJP and Prime Minister Modi's popularity? And what kind of an India is it trying to create? These are some of the questions that award-winning independent journalist Kunal Purohit explores in this riveting investigative book as he travels through India, profiling some of H-Pop's most prolific and popular creators--its stars and celebrities. He interrogates whether the creators are driven by ideology or commerce, and what motivates the audience to consume their daily dose of bigotry. In<a href="https://www.harpercollins.com/products/h-pop-kunal-purohit?variant=41127100907554"> <em>H-Pop: The Secretive World of Hindutva Pop Stars</em></a> (HarperCollins, 2023), Purohit uncovers the frightening face of a New India--one that is united by hate, divided by art.</p><p>Kunal Purohit has been a journalist for nearly two decades, writing on issues of development, politics, inequality, gender and the intersections between them. He is an independent journalist and has, in the recent past, reported closely on hate crimes and the rise of Hindu nationalism across the country. He has worked in the newsrooms of Hindustan Times and The Free Press Journal in Mumbai. He is an alumnus of the School of Oriental and African Studies, University of London, from where, as a Felix Scholar, he earned an MSc in Development Studies with distinction in 2017. Kunal received the Ramnath Goenka Award for Excellence in Civic Journalism in 2012, the Statesman Award for Rural Reporting in 2014 and the UNFPA-Laadli Media Award for Gender Sensitive Reporting in 2014 and 2019. He has also received various fellowships and journalism grants. His work can be found in Al Jazeera, ProPublica, <em>The Times of India</em>,<em> Foreign Policy</em>,<em> Hindustan Times</em>, <em>South China Morning Post</em>, Deutsche Welle and The Wire, among others.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3280</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>John Howland, "Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music" (U California Press, 2021)</title>
      <description>Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music (U California Press, 2021) explores a deluxe-production aesthetic that has long thrived in American popular music, in which popular-music idioms are merged with lush string orchestrations and big-band instrumentation. John Howland presents an alternative music history that centers on shifts in timbre and sound through innovative uses of orchestration and arranging, traveling from symphonic jazz to the Great American Songbook, the teenage symphonies of Motown to the “countrypolitan” sound of Nashville, the sunshine pop of the Beach Boys to the blending of soul and funk into 1970s disco, and Jay-Z’s hip-hop-orchestra events to indie rock bands performing with the Brooklyn Philharmonic. This book attunes readers to hear the discourses gathered around the music and its associated images as it examines pop’s relations to aspirational consumer culture, theatricality, sophistication, cosmopolitanism, and glamorous lifestyles.
Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 18 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>222</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Howland</itunes:subtitle>
      <itunes:summary>Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music (U California Press, 2021) explores a deluxe-production aesthetic that has long thrived in American popular music, in which popular-music idioms are merged with lush string orchestrations and big-band instrumentation. John Howland presents an alternative music history that centers on shifts in timbre and sound through innovative uses of orchestration and arranging, traveling from symphonic jazz to the Great American Songbook, the teenage symphonies of Motown to the “countrypolitan” sound of Nashville, the sunshine pop of the Beach Boys to the blending of soul and funk into 1970s disco, and Jay-Z’s hip-hop-orchestra events to indie rock bands performing with the Brooklyn Philharmonic. This book attunes readers to hear the discourses gathered around the music and its associated images as it examines pop’s relations to aspirational consumer culture, theatricality, sophistication, cosmopolitanism, and glamorous lifestyles.
Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520300118"><em>Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music</em></a> (U California Press, 2021) explores a deluxe-production aesthetic that has long thrived in American popular music, in which popular-music idioms are merged with lush string orchestrations and big-band instrumentation. John Howland presents an alternative music history that centers on shifts in timbre and sound through innovative uses of orchestration and arranging, traveling from symphonic jazz to the Great American Songbook, the teenage symphonies of Motown to the “countrypolitan” sound of Nashville, the sunshine pop of the Beach Boys to the blending of soul and funk into 1970s disco, and Jay-Z’s hip-hop-orchestra events to indie rock bands performing with the Brooklyn Philharmonic. This book attunes readers to hear the discourses gathered around the music and its associated images as it examines pop’s relations to aspirational consumer culture, theatricality, sophistication, cosmopolitanism, and glamorous lifestyles.</p><p><a href="https://yalemusic.yale.edu/people/nathan-smith"><em>Nathan Smith</em></a><em> is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5749</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kartik Nair, "Seeing Things: Spectral Materialities of Bombay Horror" (U California Press, 2024)</title>
      <description>1980s Bombay was a time when a wave of low-budget, gory horror films made by independent film producers such as the Ramsay Brothers swept the B-movie market. Kartik Nair's book Seeing Things: Spectral Materialities of Bombay Horror (U California Press, 2024) is about the sudden cuts, botched makeup effects, continuity errors, and celluloid damage found in these movies. Kartik Nair reads such "failures" as clues to the conditions in which the films were made, censored, and seen, offering a view from below of the world's largest film culture. By combining close analysis with extensive archival research and original interviews, Seeing Things reveals the spectral materialities informing the genre's haunted houses, grotesque bodies, and graphic violence.
Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 14 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>216</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kartik Nair</itunes:subtitle>
      <itunes:summary>1980s Bombay was a time when a wave of low-budget, gory horror films made by independent film producers such as the Ramsay Brothers swept the B-movie market. Kartik Nair's book Seeing Things: Spectral Materialities of Bombay Horror (U California Press, 2024) is about the sudden cuts, botched makeup effects, continuity errors, and celluloid damage found in these movies. Kartik Nair reads such "failures" as clues to the conditions in which the films were made, censored, and seen, offering a view from below of the world's largest film culture. By combining close analysis with extensive archival research and original interviews, Seeing Things reveals the spectral materialities informing the genre's haunted houses, grotesque bodies, and graphic violence.
Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>1980s Bombay was a time when a wave of low-budget, gory horror films made by independent film producers such as the Ramsay Brothers swept the B-movie market. Kartik Nair's book <a href="https://bookshop.org/a/12343/9780520392281"><em>Seeing Things: Spectral Materialities of Bombay Horror</em></a><em> </em>(U California Press, 2024) is about the sudden cuts, botched makeup effects, continuity errors, and celluloid damage found in these movies. Kartik Nair reads such "failures" as clues to the conditions in which the films were made, censored, and seen, offering a view from below of the world's largest film culture. By combining close analysis with extensive archival research and original interviews, <em>Seeing Things</em> reveals the spectral materialities informing the genre's haunted houses, grotesque bodies, and graphic violence.</p><p><em>Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached </em><a href="https://twitter.com/PriyamSinha"><em>here</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3441</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9bd32a50-cab0-11ee-89e5-abd6fc6fbb7f]]></guid>
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    <item>
      <title>Joshua Paul Dale, "Irresistible: How Cuteness Wired our Brains and Conquered the World" (Profile Books, 2023)</title>
      <description>Why are some things cute, and others not? What happens to our brains when we see something cute? And how did cuteness go global, from Hello Kitty to Disney characters?
Cuteness is an area where culture and biology get tangled up. Seeing a cute animal triggers some of the most powerful psychological instincts we have - the ones that elicit our care and protection - but there is a deeper story behind the broad appeal of Japanese cats and saccharine greetings cards.
In Irresistible: How Cuteness Wired our Brains and Conquered the World (Profile Books, 2023) Dr. Joshua Paul Dale, a pioneer in the burgeoning field of cuteness studies, explains how the cute aesthetic spread around the globe, from pop brands to Lolita fashion, kids' cartoons and the unstoppable rise of Hello Kitty. Irresistible delves into the surprisingly ancient origins of Japan's kawaii culture, and uncovers the cross-cultural pollination of the globalised world. Understanding the psychology of cuteness can help answer some of the biggest questions in evolutionary history and the mysterious origins of animal domestication.
This is the fascinating cultural history of cuteness, and a revealing look at how our most powerful psychological impulses have remade global style and culture.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 10 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>181</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua Paul Dale</itunes:subtitle>
      <itunes:summary>Why are some things cute, and others not? What happens to our brains when we see something cute? And how did cuteness go global, from Hello Kitty to Disney characters?
Cuteness is an area where culture and biology get tangled up. Seeing a cute animal triggers some of the most powerful psychological instincts we have - the ones that elicit our care and protection - but there is a deeper story behind the broad appeal of Japanese cats and saccharine greetings cards.
In Irresistible: How Cuteness Wired our Brains and Conquered the World (Profile Books, 2023) Dr. Joshua Paul Dale, a pioneer in the burgeoning field of cuteness studies, explains how the cute aesthetic spread around the globe, from pop brands to Lolita fashion, kids' cartoons and the unstoppable rise of Hello Kitty. Irresistible delves into the surprisingly ancient origins of Japan's kawaii culture, and uncovers the cross-cultural pollination of the globalised world. Understanding the psychology of cuteness can help answer some of the biggest questions in evolutionary history and the mysterious origins of animal domestication.
This is the fascinating cultural history of cuteness, and a revealing look at how our most powerful psychological impulses have remade global style and culture.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why are some things cute, and others not? What happens to our brains when we see something cute? And how did cuteness go global, from Hello Kitty to Disney characters?</p><p>Cuteness is an area where culture and biology get tangled up. Seeing a cute animal triggers some of the most powerful psychological instincts we have - the ones that elicit our care and protection - but there is a deeper story behind the broad appeal of Japanese cats and saccharine greetings cards.</p><p>In <a href="https://profilebooks.com/work/irresistible/"><em>Irresistible: How Cuteness Wired our Brains and Conquered the World </em></a>(Profile Books, 2023) Dr. Joshua Paul Dale, a pioneer in the burgeoning field of cuteness studies, explains how the cute aesthetic spread around the globe, from pop brands to Lolita fashion, kids' cartoons and the unstoppable rise of Hello Kitty. Irresistible delves into the surprisingly ancient origins of Japan's kawaii culture, and uncovers the cross-cultural pollination of the globalised world. Understanding the psychology of cuteness can help answer some of the biggest questions in evolutionary history and the mysterious origins of animal domestication.</p><p>This is the fascinating cultural history of cuteness, and a revealing look at how our most powerful psychological impulses have remade global style and culture.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2094</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Richard T. Rodríguez, "A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad" (Duke UP, 2022)</title>
      <description>In A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad (Duke UP, 2022), Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands’ importance for him and other Latinx kids and discusses their frequent identification with these bands’ glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspiration from Latinx contemporaries and cultural practices or how Soft Cell singer Marc Almond’s lyrics were attuned to the vibrancy of queer Latinidad, Rodríguez shows how Latinx culture helped shape British post-punk. He traces the fandom networks that link these groups across space and time to illuminate how popular music establishes and facilitates intimate relations across the Atlantic. In so doing, he demonstrates how the music and styles that have come to define the 1980s hold significant sway over younger generations equally enthused by their matchlessly pleasurable and political reverberations.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 09 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>180</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard T. Rodríguez</itunes:subtitle>
      <itunes:summary>In A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad (Duke UP, 2022), Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands’ importance for him and other Latinx kids and discusses their frequent identification with these bands’ glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspiration from Latinx contemporaries and cultural practices or how Soft Cell singer Marc Almond’s lyrics were attuned to the vibrancy of queer Latinidad, Rodríguez shows how Latinx culture helped shape British post-punk. He traces the fandom networks that link these groups across space and time to illuminate how popular music establishes and facilitates intimate relations across the Atlantic. In so doing, he demonstrates how the music and styles that have come to define the 1980s hold significant sway over younger generations equally enthused by their matchlessly pleasurable and political reverberations.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/a-kiss-across-the-ocean"><em>A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad</em></a> (Duke UP, 2022), Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands’ importance for him and other Latinx kids and discusses their frequent identification with these bands’ glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspiration from Latinx contemporaries and cultural practices or how Soft Cell singer Marc Almond’s lyrics were attuned to the vibrancy of queer Latinidad, Rodríguez shows how Latinx culture helped shape British post-punk. He traces the fandom networks that link these groups across space and time to illuminate how popular music establishes and facilitates intimate relations across the Atlantic. In so doing, he demonstrates how the music and styles that have come to define the 1980s hold significant sway over younger generations equally enthused by their matchlessly pleasurable and political reverberations.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4028</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1307778466.mp3?updated=1707427862" length="0" type="audio/mpeg"/>
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    <item>
      <title>Robert P. Kolker and Nathan Abrams, "Kubrick: An Odyssey" (Pegasus Books, 2024)</title>
      <description>The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker.
The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years.
Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick’s personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I.
This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century.
Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.
Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 06 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>183</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert P. Kolker and Nathan Abrams</itunes:subtitle>
      <itunes:summary>The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker.
The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years.
Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick’s personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I.
This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century.
Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.
Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The definitive biography of the creator of <em>2001: A Space Odyssey, The Shining,</em> and <em>A Clockwork Orange,</em> presenting the most in-depth portrait yet of the groundbreaking filmmaker.</p><p>The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years.</p><p><a href="https://bookshop.org/a/12343/9781639366248"><em>Kubrick: An Odyssey</em></a><em> </em>(Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick’s personal, private, public, and working life. <em>Stanley Kubrick: An Odyssey</em> investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like <em>Burning Secret, Napoleon, Aryan Papers</em>, and <em>A.I.</em></p><p>This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century.</p><p>Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of <em>A Cinema of Loneliness</em> and <em>The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema</em>; editor of <em>2001: A Space Odyssey: New Essays</em> and <em>The Oxford Handbook of Film and Media Studies</em>; and co-author of <em>Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film</em>.</p><p>Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of <em>Jewish Film and New Media: An International Journal</em>, as well as the author of <em>The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema</em>, and <em>Stanley Kubrick: New York Jewish Intellectual</em>, and co-author of <em>Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.</em></p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3453</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Robert Alpert et al., "Diseased Cinema: Plagues, Pandemics and Zombies in American Movies" (Edinburgh UP, 2023)</title>
      <description>As I may be the target audience for Diseased Cinema: Plagues, Pandemics and Zombies in American Movies (Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family.
Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years.
Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past &amp; Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast.
Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University’s Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past &amp; Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 06 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1411</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert Alpert, Merle Eisenberg, and Lee Mordechai</itunes:subtitle>
      <itunes:summary>As I may be the target audience for Diseased Cinema: Plagues, Pandemics and Zombies in American Movies (Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family.
Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years.
Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past &amp; Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast.
Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University’s Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past &amp; Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As I may be the target audience for <a href="https://bookshop.org/a/12343/9781399521659"><em>Diseased Cinema: Plagues, Pandemics and Zombies in American Movies</em></a><em> </em>(Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family.</p><p>Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in <em>Jump Cut</em>, <em>Senses of Cinema</em>, and <em>CineAction</em>. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years.</p><p>Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including <em>The American Historical Review</em> and <em>Past &amp; Present</em>. His work has also appeared in <em>The Proceedings of the National Academy of Sciences</em>, which received press coverage in CNN, Fox News, <em>USA Today</em>, and the <em>NY Post</em>. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast.</p><p>Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University’s Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the <em>Proceedings of the National Academy of Sciences</em>, and in <em>The American Historical Review</em> and <em>Past &amp; Present</em>. He has taught several courses on epidemics, including a seminar that used a draft of <em>Diseased Cinema: Plagues, Pandemics and Zombies in American Movies</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5668</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK8963088552.mp3?updated=1707084244" length="0" type="audio/mpeg"/>
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    <item>
      <title>Brydie Kosmina, "Feminist Afterlives of the Witch: Popular Culture, Memory, Activism" (Palgrave MacMillan, 2023)</title>
      <description>Feminist Afterlives of the Witch: Popular Culture, Memory, Activism (Palgrave Macmillan, 2023) by Dr. Brydie Kosmina investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture.
The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory.
Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 06 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>179</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brydie Kosmina</itunes:subtitle>
      <itunes:summary>Feminist Afterlives of the Witch: Popular Culture, Memory, Activism (Palgrave Macmillan, 2023) by Dr. Brydie Kosmina investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture.
The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory.
Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783031252914"><em>Feminist Afterlives of the Witch: Popular Culture, Memory, Activism</em></a> (Palgrave Macmillan, 2023) by Dr. Brydie Kosmina investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture.</p><p>The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory.</p><p>Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3284</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mark Guarino, "Country and Midwestern: Chicago in the History of Country Music and the Folk Revival" (U Chicago Press, 2023)</title>
      <description>The untold story of Chicago's pivotal role as a country and folk music capital.
Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes.
In Country and Midwestern: Chicago in the History of Country Music and the Folk Revival (U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions.
Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today.
Mark Guarino covers national news and culture from Chicago for the Washington Post, ABC News, the New York Times, and other outlets. He was the Midwest bureau chief for the Christian Science Monitor for seven years. Mark on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 05 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>221</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Guarino</itunes:subtitle>
      <itunes:summary>The untold story of Chicago's pivotal role as a country and folk music capital.
Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes.
In Country and Midwestern: Chicago in the History of Country Music and the Folk Revival (U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions.
Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today.
Mark Guarino covers national news and culture from Chicago for the Washington Post, ABC News, the New York Times, and other outlets. He was the Midwest bureau chief for the Christian Science Monitor for seven years. Mark on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The untold story of Chicago's pivotal role as a country and folk music capital.</p><p>Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes.</p><p>In <a href="https://bookshop.org/a/12343/9780226110943"><em>Country and Midwestern: Chicago in the History of Country Music and the Folk Revival</em></a><em> </em>(U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The <em>National Barn Dance</em>--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the <em>Grand Ole Opry</em>. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions.</p><p>Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, <em>Country and Midwestern</em> rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today.</p><p>Mark Guarino covers national news and culture from Chicago for the <em>Washington Post</em>, <em>ABC News</em>, the <em>New York Times</em>, and other outlets. He was the Midwest bureau chief for the <em>Christian Science Monitor</em> for seven years. Mark on <a href="https://twitter.com/markguarino">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4266</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dustin Kiskaddon, "Blood and Lightening: On Becoming a Tattooer" (Stanford UP, 2023)</title>
      <description>Any tattoo is the outcome of an intimate, often hidden process. The people, bodies, and money that make tattooing what it is blend together and form a heady cocktail, something described by Matt, the owner of Oakland's Premium Tattoo, as "blood and lightning." Faced with the client's anticipation of pain and excitement, the tattooer must carefully perform calm authority to obscure a world of preparation and vigilance. "Blood and lightning, my dude"—the mysterious and intoxicating effect of tattooing done right.
In Blood and Lightening: On Becoming a Tattooer (Stanford UP, 2023), Dustin Kiskaddon draws on his own apprenticeship with Matt and takes us behind the scenes into the complex world of professional tattooers. We join people who must routinely manage a messy and carnal type of work. Blood and Lightning brings us through the tattoo shop, where the smell of sterilizing agents, the hum of machines, and the sound of music spill out onto the back patio. It is here that Matt, along with his comrades, reviews the day's wins, bemoans its losses, and prepares for the future.
Having tattooed more than five hundred people, Kiskaddon is able to freshly articulate the physical, mental, emotional, and moral life of tattooers. His captivating account explores the challenges they face on the job, including the crushing fear of making mistakes on someone else's body, the role of masculinity in evolving tattoo worlds, appropriate and inappropriate intimacy, and the task of navigating conversations about color and race.
Ultimately, the stories in this book teach us about the roles our bodies play in the social world. Both mediums and objects of art, our bodies are purveyors of sociocultural significance, sites of capitalist negotiation, and vivid encapsulations of the human condition. Kiskaddon guides us through a strangely familiar world, inviting each of us to become a tattooer along the way.
Dustin Kiskaddon is a cultural sociologist whose work can be seen on Instagram, @Dustin.Kiskaddon. After nearly a decade of teaching and a few years of professional tattooing, he now uses his expertise in culture, the economy, and technology to conduct applied research.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 04 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>338</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dustin Kiskaddon</itunes:subtitle>
      <itunes:summary>Any tattoo is the outcome of an intimate, often hidden process. The people, bodies, and money that make tattooing what it is blend together and form a heady cocktail, something described by Matt, the owner of Oakland's Premium Tattoo, as "blood and lightning." Faced with the client's anticipation of pain and excitement, the tattooer must carefully perform calm authority to obscure a world of preparation and vigilance. "Blood and lightning, my dude"—the mysterious and intoxicating effect of tattooing done right.
In Blood and Lightening: On Becoming a Tattooer (Stanford UP, 2023), Dustin Kiskaddon draws on his own apprenticeship with Matt and takes us behind the scenes into the complex world of professional tattooers. We join people who must routinely manage a messy and carnal type of work. Blood and Lightning brings us through the tattoo shop, where the smell of sterilizing agents, the hum of machines, and the sound of music spill out onto the back patio. It is here that Matt, along with his comrades, reviews the day's wins, bemoans its losses, and prepares for the future.
Having tattooed more than five hundred people, Kiskaddon is able to freshly articulate the physical, mental, emotional, and moral life of tattooers. His captivating account explores the challenges they face on the job, including the crushing fear of making mistakes on someone else's body, the role of masculinity in evolving tattoo worlds, appropriate and inappropriate intimacy, and the task of navigating conversations about color and race.
Ultimately, the stories in this book teach us about the roles our bodies play in the social world. Both mediums and objects of art, our bodies are purveyors of sociocultural significance, sites of capitalist negotiation, and vivid encapsulations of the human condition. Kiskaddon guides us through a strangely familiar world, inviting each of us to become a tattooer along the way.
Dustin Kiskaddon is a cultural sociologist whose work can be seen on Instagram, @Dustin.Kiskaddon. After nearly a decade of teaching and a few years of professional tattooing, he now uses his expertise in culture, the economy, and technology to conduct applied research.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Any tattoo is the outcome of an intimate, often hidden process. The people, bodies, and money that make tattooing what it is blend together and form a heady cocktail, something described by Matt, the owner of Oakland's Premium Tattoo, as "blood and lightning." Faced with the client's anticipation of pain and excitement, the tattooer must carefully perform calm authority to obscure a world of preparation and vigilance. "Blood and lightning, my dude"—the mysterious and intoxicating effect of tattooing done right.</p><p>In <a href="https://bookshop.org/a/12343/9781503635609"><em>Blood and Lightening: On Becoming a Tattooer</em></a> (Stanford UP, 2023), Dustin Kiskaddon draws on his own apprenticeship with Matt and takes us behind the scenes into the complex world of professional tattooers. We join people who must routinely manage a messy and carnal type of work. Blood and Lightning brings us through the tattoo shop, where the smell of sterilizing agents, the hum of machines, and the sound of music spill out onto the back patio. It is here that Matt, along with his comrades, reviews the day's wins, bemoans its losses, and prepares for the future.</p><p>Having tattooed more than five hundred people, Kiskaddon is able to freshly articulate the physical, mental, emotional, and moral life of tattooers. His captivating account explores the challenges they face on the job, including the crushing fear of making mistakes on someone else's body, the role of masculinity in evolving tattoo worlds, appropriate and inappropriate intimacy, and the task of navigating conversations about color and race.</p><p>Ultimately, the stories in this book teach us about the roles our bodies play in the social world. Both mediums and objects of art, our bodies are purveyors of sociocultural significance, sites of capitalist negotiation, and vivid encapsulations of the human condition. Kiskaddon guides us through a strangely familiar world, inviting each of us to become a tattooer along the way.</p><p>Dustin Kiskaddon is a cultural sociologist whose work can be seen on Instagram, @Dustin.Kiskaddon. After nearly a decade of teaching and a few years of professional tattooing, he now uses his expertise in culture, the economy, and technology to conduct applied research.</p><p><strong><em>Michael O. Johnston, Ph.D.</em></strong><em> is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3215</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK7794616007.mp3?updated=1706968561" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sabina Andron, "Urban Surfaces, Graffiti, and the Right to the City" (Routledge, 2024)</title>
      <description>Sabina Andron's book Urban Surfaces, Graffiti, and the Right to the City (Routledge, 2024) focuses on urban surfaces, on exploring their authorship and management, and on their role in struggles for the right to the city.
Graffiti, pristine walls, advertising posters, and municipal signage all compete on city surfaces to establish and imprint their values on our environments. It is the first time that the surfacescapes of our cities are granted the entire attention of a book as material, visual, and legal territories. The book includes a critical history of graffiti and street art as contested surface discourses and argues for surfaces as sites of resistance against private property, neoliberal creativity, and the imposition of urban order. It also proposes a seven-point manual for a semiotics of urban surfaces, laying the ground for a new discipline: surface studies.
Page after page and layer after layer, surfaces become porous and political and emerge as key spatial conditions for rethinking and re-practicing urban dwelling and spatial justice. They become what the author terms the surface commons.
The book will appeal to a wide readership across the disciplines of urban studies, architectural theory and design, graffiti, street art and public art, criminology, semiotics, visual culture, and urban and legal geography. It will also serve as a tool for city scholars, policy makers, artists, and vandals to disrupt existing imaginaries of order, justice, and visibility in cities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 04 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sabina Andron</itunes:subtitle>
      <itunes:summary>Sabina Andron's book Urban Surfaces, Graffiti, and the Right to the City (Routledge, 2024) focuses on urban surfaces, on exploring their authorship and management, and on their role in struggles for the right to the city.
Graffiti, pristine walls, advertising posters, and municipal signage all compete on city surfaces to establish and imprint their values on our environments. It is the first time that the surfacescapes of our cities are granted the entire attention of a book as material, visual, and legal territories. The book includes a critical history of graffiti and street art as contested surface discourses and argues for surfaces as sites of resistance against private property, neoliberal creativity, and the imposition of urban order. It also proposes a seven-point manual for a semiotics of urban surfaces, laying the ground for a new discipline: surface studies.
Page after page and layer after layer, surfaces become porous and political and emerge as key spatial conditions for rethinking and re-practicing urban dwelling and spatial justice. They become what the author terms the surface commons.
The book will appeal to a wide readership across the disciplines of urban studies, architectural theory and design, graffiti, street art and public art, criminology, semiotics, visual culture, and urban and legal geography. It will also serve as a tool for city scholars, policy makers, artists, and vandals to disrupt existing imaginaries of order, justice, and visibility in cities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sabina Andron's book<em> </em><a href="https://bookshop.org/a/12343/9781032597515"><em>Urban Surfaces, Graffiti, and the Right to the City</em></a> (Routledge, 2024) focuses on urban surfaces, on exploring their authorship and management, and on their role in struggles for the right to the city.</p><p>Graffiti, pristine walls, advertising posters, and municipal signage all compete on city surfaces to establish and imprint their values on our environments. It is the first time that the surfacescapes of our cities are granted the entire attention of a book as material, visual, and legal territories. The book includes a critical history of graffiti and street art as contested surface discourses and argues for surfaces as sites of resistance against private property, neoliberal creativity, and the imposition of urban order. It also proposes a seven-point manual for a semiotics of urban surfaces, laying the ground for a new discipline: surface studies.</p><p>Page after page and layer after layer, surfaces become porous and political and emerge as key spatial conditions for rethinking and re-practicing urban dwelling and spatial justice. They become what the author terms the <em>surface commons</em>.</p><p>The book will appeal to a wide readership across the disciplines of urban studies, architectural theory and design, graffiti, street art and public art, criminology, semiotics, visual culture, and urban and legal geography. It will also serve as a tool for city scholars, policy makers, artists, and vandals to disrupt existing imaginaries of order, justice, and visibility in cities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3944</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>William L. Bird, "In the Arms of Saguaros: Iconography of the Giant Cactus" (U Arizona Press, 2023)</title>
      <description>An essential—and monumental—member of the Sonoran Desert ecosystem, the saguaro cactus has become the quintessential icon of the American West.
In the Arms of Saguaros: Iconography of the Giant Cactus (U Arizona Press, 2023) shows how, from the botanical explorers of the nineteenth century to the tourism boosters in our own time, saguaros and their images have fulfilled attention-getting needs and expectations. Through text and lavish images, this work explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame.
This book explores how the growth of tourism brought the saguaro to ever-larger audiences through the proliferation of western-themed imagery on the American roadside. The history of the saguaro’s popular and highly imaginative range points to the current moment in which the saguaro touches us as a global icon in art, fashion, and entertainment.
William L. Bird, Jr. is Curator Emeritus of the National Museum of American History–Smithsonian Institution. He is the author of several books and curator of exhibits, including American Television from the Fair to the Family, 1939-1989; Vote: The Machinery of Democracy; Paint by Number: Accounting for Taste in the 1950s; Holidays on Display; America's Doll House: The Miniature World of Faith Bradford; and Souvenir Nation: Relics, Keepsakes and Curios from the Smithsonian's National Museum of American History.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 03 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with William L. Bird</itunes:subtitle>
      <itunes:summary>An essential—and monumental—member of the Sonoran Desert ecosystem, the saguaro cactus has become the quintessential icon of the American West.
In the Arms of Saguaros: Iconography of the Giant Cactus (U Arizona Press, 2023) shows how, from the botanical explorers of the nineteenth century to the tourism boosters in our own time, saguaros and their images have fulfilled attention-getting needs and expectations. Through text and lavish images, this work explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame.
This book explores how the growth of tourism brought the saguaro to ever-larger audiences through the proliferation of western-themed imagery on the American roadside. The history of the saguaro’s popular and highly imaginative range points to the current moment in which the saguaro touches us as a global icon in art, fashion, and entertainment.
William L. Bird, Jr. is Curator Emeritus of the National Museum of American History–Smithsonian Institution. He is the author of several books and curator of exhibits, including American Television from the Fair to the Family, 1939-1989; Vote: The Machinery of Democracy; Paint by Number: Accounting for Taste in the 1950s; Holidays on Display; America's Doll House: The Miniature World of Faith Bradford; and Souvenir Nation: Relics, Keepsakes and Curios from the Smithsonian's National Museum of American History.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An essential—and monumental—member of the Sonoran Desert ecosystem, the saguaro cactus has become the quintessential icon of the American West.</p><p><a href="https://bookshop.org/a/12343/9780816552832"><em>In the Arms of Saguaros: Iconography of the Giant Cactus</em></a><em> </em>(U Arizona Press, 2023) shows how, from the botanical explorers of the nineteenth century to the tourism boosters in our own time, saguaros and their images have fulfilled attention-getting needs and expectations. Through text and lavish images, this work explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame.</p><p>This book explores how the growth of tourism brought the saguaro to ever-larger audiences through the proliferation of western-themed imagery on the American roadside. The history of the saguaro’s popular and highly imaginative range points to the current moment in which the saguaro touches us as a global icon in art, fashion, and entertainment.</p><p>William L. Bird, Jr. is Curator Emeritus of the National Museum of American History–Smithsonian Institution. He is the author of several books and curator of exhibits, including <em>American Television from the Fair to the Family, 1939-1989; Vote: The Machinery of Democracy; Paint by Number: Accounting for Taste in the 1950s; Holidays on Display; America's Doll House: The Miniature World of Faith Bradford; </em>and<em> Souvenir Nation: Relics, Keepsakes and Curios from the Smithsonian's National Museum of American History.</em></p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2887</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[92c7bcec-c113-11ee-b0a3-ff9ad47ebb18]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7346899120.mp3?updated=1706800518" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew David Jackson, "The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea" (Edinburgh UP, 2023)</title>
      <description>Dr. Andy Jackson’s The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry.
Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University’s Korean Studies Research Hub here.
Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 30 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew David Jackson</itunes:subtitle>
      <itunes:summary>Dr. Andy Jackson’s The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry.
Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University’s Korean Studies Research Hub here.
Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Andy Jackson’s <a href="https://bookshop.org/a/12343/9781399514200"><em>The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea</em></a> (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry.</p><p><a href="https://research.monash.edu/en/persons/andy-jackson">Andy Jackson</a> is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University’s Korean Studies Research Hub <a href="https://www.monash.edu/arts/languages-literatures-cultures-linguistics/korean-studies-research-hub">here</a>.</p><p><em>Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities </em><a href="https://twitter.com/AJuseyo"><em>on X</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Paul Franke, "Feeling Lucky: The Production of Gambling Experiences in Monte Carlo and Las Vegas" (Palgrave Macmillan, 2023)</title>
      <description>Monte Carlo and Las Vegas have become synonymous with casino gambling. Both destinations featured it as part of a broad variety of leisure and consumption opportunities that normalized games of chance and created emotional atmospheres that supported the hedonistic aspects of gambling. Urban spaces and architecture were carefully designed to enable a rapid growth of the casino industry and produce experiences on previous unimaginable scale. 
Feeling Lucky: The Production of Gambling Experiences in Monte Carlo and Las Vegas (Palgrave Macmillan, 2023) is a "making of" story about cities which acquired a strange and captivating allure of mystery around them. It is more than a mere descriptive account, however. Combining urban history, the history of consumption, and sociological approaches it presents a compelling comparative history of Monte Carlo and the Las Vegas Strip between the 1860s and 1970s.
Paul Franke takes the reader on a journey from arriving at the cities, through the carefully planned urban environments and into the famous casinos. The analysis follows the paths contemporary gamblers would have taken, right to the gambling tables and to the shifting gambling practices across a century. Franke shows that casino entrepreneurs succeeded in producing and selling gambling experiences by controlling spaces, adapt leisure practices and appeal to specific markets. Gamblers on the other hand regarded Monte Carlo and Las Vegas as places to engage in games of chance that would allow them to preserve their political, cultural, and moral identities.
﻿Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>336</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Franke</itunes:subtitle>
      <itunes:summary>Monte Carlo and Las Vegas have become synonymous with casino gambling. Both destinations featured it as part of a broad variety of leisure and consumption opportunities that normalized games of chance and created emotional atmospheres that supported the hedonistic aspects of gambling. Urban spaces and architecture were carefully designed to enable a rapid growth of the casino industry and produce experiences on previous unimaginable scale. 
Feeling Lucky: The Production of Gambling Experiences in Monte Carlo and Las Vegas (Palgrave Macmillan, 2023) is a "making of" story about cities which acquired a strange and captivating allure of mystery around them. It is more than a mere descriptive account, however. Combining urban history, the history of consumption, and sociological approaches it presents a compelling comparative history of Monte Carlo and the Las Vegas Strip between the 1860s and 1970s.
Paul Franke takes the reader on a journey from arriving at the cities, through the carefully planned urban environments and into the famous casinos. The analysis follows the paths contemporary gamblers would have taken, right to the gambling tables and to the shifting gambling practices across a century. Franke shows that casino entrepreneurs succeeded in producing and selling gambling experiences by controlling spaces, adapt leisure practices and appeal to specific markets. Gamblers on the other hand regarded Monte Carlo and Las Vegas as places to engage in games of chance that would allow them to preserve their political, cultural, and moral identities.
﻿Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Monte Carlo and Las Vegas have become synonymous with casino gambling<em>.</em> Both destinations featured it as part of a broad variety of leisure and consumption opportunities that normalized games of chance and created emotional atmospheres that supported the hedonistic aspects of gambling. Urban spaces and architecture were carefully designed to enable a rapid growth of the casino industry and produce experiences on previous unimaginable scale. </p><p><a href="https://bookshop.org/a/12343/9783031330940"><em>Feeling Lucky: The Production of Gambling Experiences in Monte Carlo and Las Vegas</em></a> (Palgrave Macmillan, 2023) is a "making of" story about cities which acquired a strange and captivating allure of mystery around them. It is more than a mere descriptive account, however. Combining urban history, the history of consumption, and sociological approaches it presents a compelling comparative history of Monte Carlo and the Las Vegas Strip between the 1860s and 1970s.</p><p>Paul Franke takes the reader on a journey from arriving at the cities, through the carefully planned urban environments and into the famous casinos. The analysis follows the paths contemporary gamblers would have taken, right to the gambling tables and to the shifting gambling practices across a century. Franke shows that casino entrepreneurs succeeded in producing and selling gambling experiences by controlling spaces, adapt leisure practices and appeal to specific markets. Gamblers on the other hand regarded Monte Carlo and Las Vegas as places to engage in games of chance that would allow them to preserve their political, cultural, and moral identities.</p><p><em>﻿</em><a href="https://arts-sciences.buffalo.edu/history/graduate/GraduateHistoryAssociation/GradStudentProfiles/ShuWan.html"><em>Shu Wan</em></a><em> is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3120</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alka Vaid Menon, "Refashioning Race: How Global Cosmetic Surgery Crafts New Beauty Standards" (U California Press, 2023)</title>
      <description>Cosmetic surgery was once associated with a one-size-fits-all approach, modifying patients to conform to a single standard of beauty. As this surgery has become more accessible worldwide, changing beauty trends have led to a proliferation of beauty standards for members of different racial groups.
In Refashioning Race: How Global Cosmetic Surgery Crafts New Beauty Standards (University of California Press, 2023) Dr. Alka V. Menon enters the world of cosmetic surgeons, journeying from a sprawling convention centre in Kyoto to boutique clinics in the multicultural countries of the United States and Malaysia. She shows how surgeons generate and apply knowledge using racial categories and how this process is affected by transnational clinical and economic exchanges. Surgeons not only measure and organise but also elaborate upon racial differences in a globalised field of medicine. Focusing on the role of cosmetic surgeons as gatekeepers and producers of desired appearances, Refashioning Race argues that cosmetic surgeons literally reshape race—both on patients' bodies and at the broader level of culture.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 28 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>210</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alka Vaid Menon</itunes:subtitle>
      <itunes:summary>Cosmetic surgery was once associated with a one-size-fits-all approach, modifying patients to conform to a single standard of beauty. As this surgery has become more accessible worldwide, changing beauty trends have led to a proliferation of beauty standards for members of different racial groups.
In Refashioning Race: How Global Cosmetic Surgery Crafts New Beauty Standards (University of California Press, 2023) Dr. Alka V. Menon enters the world of cosmetic surgeons, journeying from a sprawling convention centre in Kyoto to boutique clinics in the multicultural countries of the United States and Malaysia. She shows how surgeons generate and apply knowledge using racial categories and how this process is affected by transnational clinical and economic exchanges. Surgeons not only measure and organise but also elaborate upon racial differences in a globalised field of medicine. Focusing on the role of cosmetic surgeons as gatekeepers and producers of desired appearances, Refashioning Race argues that cosmetic surgeons literally reshape race—both on patients' bodies and at the broader level of culture.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cosmetic surgery was once associated with a one-size-fits-all approach, modifying patients to conform to a single standard of beauty. As this surgery has become more accessible worldwide, changing beauty trends have led to a proliferation of beauty standards for members of different racial groups.</p><p>In <a href="https://bookshop.org/a/12343/9780520386723"><em>Refashioning Race: How Global Cosmetic Surgery Crafts New Beauty Standards</em></a> (University of California Press, 2023) Dr. Alka V. Menon enters the world of cosmetic surgeons, journeying from a sprawling convention centre in Kyoto to boutique clinics in the multicultural countries of the United States and Malaysia. She shows how surgeons generate and apply knowledge using racial categories and how this process is affected by transnational clinical and economic exchanges. Surgeons not only measure and organise but also elaborate upon racial differences in a globalised field of medicine. Focusing on the role of cosmetic surgeons as gatekeepers and producers of desired appearances, <em>Refashioning Race</em> argues that cosmetic surgeons literally reshape race—both on patients' bodies and at the broader level of culture.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3046</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[81671e84-bc86-11ee-aa55-6386e0129903]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9960032212.mp3?updated=1706300209" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Judith Fathallah, "Killer Fandom: Fan Studies and the Celebrity Serial Killer" (Mediastudies Press, 2023)</title>
      <description>Judith Fathallah's Killer Fandom: Fan Studies and the Celebrity Serial Killer (Mediastudies.Press, 2023) is the first long-form treatment of serial killer fandom. Fan studies have mostly ignored this most moralized form of fandom, as a stigmatized Bad Other in implicit tension with the field's successful campaign to recuperate the broader fan category. Yet serial killer fandom, as Judith May Fathallah shows in the book, can be usefully studied with many of the field's leading analytic frameworks. After tracing the pre-digital history of fans, mediated celebrity, and killers, Fathallah examines contemporary fandom through the lens of textual poaching, affective community, subcultural capital, and play. With close readings of fan posts, comments, and mashups on Tumblr, TikTok, and YouTube, alongside documentaries, podcasts, and a thriving "murderabilia" industry, Killer Fandom argues that this fan culture is, in many ways, hard to distinguish from more "mainstream" fandoms. Fan creations around Aileen Wuornos, Jeffrey Dahmer, Ted Bundy, and Richard Ramirez, among others, demonstrate a complex and shifting stance toward their objects-marked by parodic humor and irony in many cases. Killer Fandom ultimately questions-given our crime-and violence-saturated media culture-whether it makes sense to set Dahmer and Wuornos "fans" apart from the rest of us.
This book is available open access here. 
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 27 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>172</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Judith Fathallah</itunes:subtitle>
      <itunes:summary>Judith Fathallah's Killer Fandom: Fan Studies and the Celebrity Serial Killer (Mediastudies.Press, 2023) is the first long-form treatment of serial killer fandom. Fan studies have mostly ignored this most moralized form of fandom, as a stigmatized Bad Other in implicit tension with the field's successful campaign to recuperate the broader fan category. Yet serial killer fandom, as Judith May Fathallah shows in the book, can be usefully studied with many of the field's leading analytic frameworks. After tracing the pre-digital history of fans, mediated celebrity, and killers, Fathallah examines contemporary fandom through the lens of textual poaching, affective community, subcultural capital, and play. With close readings of fan posts, comments, and mashups on Tumblr, TikTok, and YouTube, alongside documentaries, podcasts, and a thriving "murderabilia" industry, Killer Fandom argues that this fan culture is, in many ways, hard to distinguish from more "mainstream" fandoms. Fan creations around Aileen Wuornos, Jeffrey Dahmer, Ted Bundy, and Richard Ramirez, among others, demonstrate a complex and shifting stance toward their objects-marked by parodic humor and irony in many cases. Killer Fandom ultimately questions-given our crime-and violence-saturated media culture-whether it makes sense to set Dahmer and Wuornos "fans" apart from the rest of us.
This book is available open access here. 
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Judith Fathallah's<a href="https://www.mediastudies.press/killer-fandom"> <em>Killer Fandom: Fan Studies and the Celebrity Serial Killer</em></a> (Mediastudies.Press, 2023) is the first long-form treatment of serial killer fandom. Fan studies have mostly ignored this most moralized form of fandom, as a stigmatized Bad Other in implicit tension with the field's successful campaign to recuperate the broader fan category. Yet serial killer fandom, as Judith May Fathallah shows in the book, can be usefully studied with many of the field's leading analytic frameworks. After tracing the pre-digital history of fans, mediated celebrity, and killers, Fathallah examines contemporary fandom through the lens of textual poaching, affective community, subcultural capital, and play. With close readings of fan posts, comments, and mashups on Tumblr, TikTok, and YouTube, alongside documentaries, podcasts, and a thriving "murderabilia" industry, Killer Fandom argues that this fan culture is, in many ways, hard to distinguish from more "mainstream" fandoms. Fan creations around Aileen Wuornos, Jeffrey Dahmer, Ted Bundy, and Richard Ramirez, among others, demonstrate a complex and shifting stance toward their objects-marked by parodic humor and irony in many cases. <em>Killer Fandom</em> ultimately questions-given our crime-and violence-saturated media culture-whether it makes sense to set Dahmer and Wuornos "fans" apart from the rest of us.</p><p>This book is available open access <a href="https://library.oapen.org/handle/20.500.12657/79407">here</a>. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3371</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[12e27ada-bbcd-11ee-a7e0-531373cc8647]]></guid>
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    <item>
      <title>Kate Annett-Hitchcock, "The Intersection of Fashion and Disability: A Historical Analysis" (Bloomsbury Visual Arts, 2023)</title>
      <description>The history of the fashion industry has been well written as it relates to people who conform to certain physical norms and cultural stereotypes, whereas the inequality in access to the world of fashion has been largely ignored. Despite this lack of coverage, much work has taken place over the centuries to enable people who live with disability to participate in fashionable culture. This book tells that story via perspectives of notable historical figures, events and movements, and continues the discourse with a look at some of the contemporary developments in clothing and fashion.
The Intersection of Fashion and Disability: A Historical Analysis (Bloomsbury, 2023) by Dr. Kate Annett-Hitchcock takes the long view, from early attempts to conceal 'unsightly' bodies of royalty and nobility via creative innovation through growing contemporary awareness of inclusive fashion and how future work can be driven by technology and cultural acceptance.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 26 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kate Annett-Hitchcock</itunes:subtitle>
      <itunes:summary>The history of the fashion industry has been well written as it relates to people who conform to certain physical norms and cultural stereotypes, whereas the inequality in access to the world of fashion has been largely ignored. Despite this lack of coverage, much work has taken place over the centuries to enable people who live with disability to participate in fashionable culture. This book tells that story via perspectives of notable historical figures, events and movements, and continues the discourse with a look at some of the contemporary developments in clothing and fashion.
The Intersection of Fashion and Disability: A Historical Analysis (Bloomsbury, 2023) by Dr. Kate Annett-Hitchcock takes the long view, from early attempts to conceal 'unsightly' bodies of royalty and nobility via creative innovation through growing contemporary awareness of inclusive fashion and how future work can be driven by technology and cultural acceptance.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The history of the fashion industry has been well written as it relates to people who conform to certain physical norms and cultural stereotypes, whereas the inequality in access to the world of fashion has been largely ignored. Despite this lack of coverage, much work has taken place over the centuries to enable people who live with disability to participate in fashionable culture. This book tells that story via perspectives of notable historical figures, events and movements, and continues the discourse with a look at some of the contemporary developments in clothing and fashion.</p><p><a href="https://bookshop.org/a/12343/9781350143104"><em>The Intersection of Fashion and Disability: A Historical Analysis</em></a><em> </em>(Bloomsbury, 2023) by Dr. Kate Annett-Hitchcock takes the long view, from early attempts to conceal 'unsightly' bodies of royalty and nobility via creative innovation through growing contemporary awareness of inclusive fashion and how future work can be driven by technology and cultural acceptance.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3439</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0e9bd738-baf5-11ee-b324-23df3172b1ec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6850332353.mp3?updated=1706128234" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ian MacAllen, "Red Sauce: How Italian Food Became American" (Rowman &amp; Littlefield, 2022)</title>
      <description>In Red Sauce: How Italian Food Became American (Rowman &amp; Littlefield, 2022), Ian MacAllen traces the evolution of traditional Italian-American cuisine, often referred to as “red sauce Italian,” from its origins in Italy to its transformation in America into a new, distinct cuisine. It is a fascinating social and culinary history exploring the integration of red sauce food into mainstream America alongside the blending of Italian immigrant otherness into a national American identity. The story follows the small parlor restaurants immigrants launched from their homes to large, popular destinations, and eventually to commodified fast food and casual dining restaurants. Some dishes like fettuccine Alfredo and spaghetti alla Caruso owe their success to celebrities, and Italian-American cuisine generally has benefited from a rich history in popular culture.
Drawing on inspiration from Southern Italian cuisine, early Italian immigrants to America developed new recipes and modified old ones. Ethnic Italians invented dishes like lobster fra Diavolo, spaghetti and meatballs, and veal parmigiana, and popularized foods like pizza and baked lasagna that had once been seen as overly foreign. Eventually, the classic red-checkered-table-cloth Italian restaurant would be replaced by a new idea of what it means for food to be Italian, even as ‘red sauce’ became entrenched in American culture. This booklooks at how and why these foods became part of the national American diet, and focuses on the stories, myths, and facts behind classic (and some not so classic) dishes within Italian-American cuisine.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 22 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ian MacAllen</itunes:subtitle>
      <itunes:summary>In Red Sauce: How Italian Food Became American (Rowman &amp; Littlefield, 2022), Ian MacAllen traces the evolution of traditional Italian-American cuisine, often referred to as “red sauce Italian,” from its origins in Italy to its transformation in America into a new, distinct cuisine. It is a fascinating social and culinary history exploring the integration of red sauce food into mainstream America alongside the blending of Italian immigrant otherness into a national American identity. The story follows the small parlor restaurants immigrants launched from their homes to large, popular destinations, and eventually to commodified fast food and casual dining restaurants. Some dishes like fettuccine Alfredo and spaghetti alla Caruso owe their success to celebrities, and Italian-American cuisine generally has benefited from a rich history in popular culture.
Drawing on inspiration from Southern Italian cuisine, early Italian immigrants to America developed new recipes and modified old ones. Ethnic Italians invented dishes like lobster fra Diavolo, spaghetti and meatballs, and veal parmigiana, and popularized foods like pizza and baked lasagna that had once been seen as overly foreign. Eventually, the classic red-checkered-table-cloth Italian restaurant would be replaced by a new idea of what it means for food to be Italian, even as ‘red sauce’ became entrenched in American culture. This booklooks at how and why these foods became part of the national American diet, and focuses on the stories, myths, and facts behind classic (and some not so classic) dishes within Italian-American cuisine.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781538162347"><em>Red Sauce: How Italian Food Became American</em></a> (Rowman &amp; Littlefield, 2022), Ian MacAllen traces the evolution of traditional Italian-American cuisine, often referred to as “red sauce Italian,” from its origins in Italy to its transformation in America into a new, distinct cuisine. It is a fascinating social and culinary history exploring the integration of red sauce food into mainstream America alongside the blending of Italian immigrant otherness into a national American identity. The story follows the small parlor restaurants immigrants launched from their homes to large, popular destinations, and eventually to commodified fast food and casual dining restaurants. Some dishes like fettuccine Alfredo and spaghetti alla Caruso owe their success to celebrities, and Italian-American cuisine generally has benefited from a rich history in popular culture.</p><p>Drawing on inspiration from Southern Italian cuisine, early Italian immigrants to America developed new recipes and modified old ones. Ethnic Italians invented dishes like lobster fra Diavolo, spaghetti and meatballs, and veal parmigiana, and popularized foods like pizza and baked lasagna that had once been seen as overly foreign. Eventually, the classic red-checkered-table-cloth Italian restaurant would be replaced by a new idea of what it means for food to be Italian, even as ‘red sauce’ became entrenched in American culture. This booklooks at how and why these foods became part of the national American diet, and focuses on the stories, myths, and facts behind classic (and some not so classic) dishes within Italian-American cuisine.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3169</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[81eb3668-b64d-11ee-8b81-b3946b723092]]></guid>
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    <item>
      <title>Aaron Carnes, "In Defense of Ska: The Ska Now More Than Ever Edition" (Clash Books, 2023)</title>
      <description>The era of ska shame is officially over, and ska fans no longer need to hide in the basement, skanking alone.
The creator of the popular podcast In Defense of Ska has doubled down on defending the checkered flag genre with his new edition of In Defense of Ska: Ska Now More Than Ever Edition (Clash Books, 2024). The original version was chosen by Pitchfork as one of the best music books of 2021, and was an official recommended read in Rolling Stone’s June 2021 issue. In this expanded version, author Aaron Carnes weaves in tons of new interviews and stories, continuing his crusade to rebuff pop culture’s dismissal of American ska as nothing more than porkpie hats and silly lyrics.
Updated journalistic essays, personal stories, historical investigations, and a brand-new epilogue exploring ska’s “lost years” serve as a much-needed crash course on the hundreds of bands, big or small, that formed the passionate community that continues to love and evolve America’s much-maligned and infamously underrated ska scene.
Join the movement today and discover why ska is a cultural force that can’t be ignored!
Aaron Carnes is a music journalist based out of Northern California. His work has appeared in Playboy, Salon, Noisey, Bandcamp Daily, Sun Magazine, Sierra Club Magazine, and Ozy. He’s also the music editor at Good Times weekly newspaper in Santa Cruz, CA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 21 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>219</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aaron Carnes</itunes:subtitle>
      <itunes:summary>The era of ska shame is officially over, and ska fans no longer need to hide in the basement, skanking alone.
The creator of the popular podcast In Defense of Ska has doubled down on defending the checkered flag genre with his new edition of In Defense of Ska: Ska Now More Than Ever Edition (Clash Books, 2024). The original version was chosen by Pitchfork as one of the best music books of 2021, and was an official recommended read in Rolling Stone’s June 2021 issue. In this expanded version, author Aaron Carnes weaves in tons of new interviews and stories, continuing his crusade to rebuff pop culture’s dismissal of American ska as nothing more than porkpie hats and silly lyrics.
Updated journalistic essays, personal stories, historical investigations, and a brand-new epilogue exploring ska’s “lost years” serve as a much-needed crash course on the hundreds of bands, big or small, that formed the passionate community that continues to love and evolve America’s much-maligned and infamously underrated ska scene.
Join the movement today and discover why ska is a cultural force that can’t be ignored!
Aaron Carnes is a music journalist based out of Northern California. His work has appeared in Playboy, Salon, Noisey, Bandcamp Daily, Sun Magazine, Sierra Club Magazine, and Ozy. He’s also the music editor at Good Times weekly newspaper in Santa Cruz, CA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The era of ska shame is officially over, and ska fans no longer need to hide in the basement, skanking alone.</p><p>The creator of the popular podcast <a href="https://podcasts.apple.com/us/podcast/in-defense-of-ska/id1551371673"><em>In Defense of Ska</em></a> has doubled down on defending the checkered flag genre with his new edition of <a href="https://bookshop.org/a/12343/9781955904711"><em>In Defense of Ska: Ska Now More Than Ever Edition</em></a> (Clash Books, 2024). The original version was chosen by Pitchfork as one of the best music books of 2021, and was an official recommended read in Rolling Stone’s June 2021 issue. In this expanded version, author Aaron Carnes weaves in tons of new interviews and stories, continuing his crusade to rebuff pop culture’s dismissal of American ska as nothing more than porkpie hats and silly lyrics.</p><p>Updated journalistic essays, personal stories, historical investigations, and a brand-new epilogue exploring ska’s “lost years” serve as a much-needed crash course on the hundreds of bands, big or small, that formed the passionate community that continues to love and evolve America’s much-maligned and infamously underrated ska scene.</p><p>Join the movement today and discover why ska is a cultural force that can’t be ignored!</p><p>Aaron Carnes is a music journalist based out of Northern California. His work has appeared in Playboy, Salon, Noisey, Bandcamp Daily, Sun Magazine, Sierra Club Magazine, and Ozy. He’s also the music editor at Good Times weekly newspaper in Santa Cruz, CA.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4170</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Natalia Mehlman Petrzela, "Fit Nation: The Gains and Pains of America's Exercise Obsession" (U Chicago Press, 2023)</title>
      <description>Today we are joined by Natalia Mehlman Petrzela, Professor of History at The New School, and author of Fit Nation: The Gains and Pains of America’s Exercise Obsession (University of Chicago Press, 2023). In our conversation, we discussed the beginnings of fitness in the United States, how fitness both offered the state a way to shape bodies and liberatory possibilities for counter-cultural communities, and the future of exercise in a post-covid world.
In Fit Nation, Petrzela investigates the long history of fitness in the United States to better understand how fitness became such an important part of American life. She notes that the number of people who think fitness is essential for a full life has expanded dramatically since the 1890s and fitness shape our understandings of national community, industry, security, wealth, and wellness.
Her comprehensive and readable account begins with the immigration of European fitness fanatics to the United States in the 19th century and illustrates how fitness became one of the most proto-typically American pursuits. The book is divided into seven sections; the first, “When Sweating Was Strange,” shows how American entrepreneurs translated European practices to a sceptical audience. Muscle Beach in Venice, California played a special role in promoting bodybuilding but it also alarmed ordinary Americans who worried about the time participants spent on what many thought were narcissistic and vain habits.
One of the major themes of Petrzela’s work is the role of the government in promoting physical fitness and in the Cold War world the state opened the door to mass fitness. In the second section, “Slimming the Soft American,” she demonstrates how presidents starting with Eisenhower put fitness at the centre of their Cold War educational programs. The most notable example of government interventions into fitness was the President’s Council on Youth Fitness (now the President’s Council on Sport, Fitness, and Nutrition.)
The third and fourth sections – “From the Margins to the Mainstream” and Movement Culture, Redefined” illustrate how fitness became a central part of the American experience and the limits to that experience in the 1960s and 1970s. Television brought fitness into American houses but gyms remained largely male spaces (although often associated with latent homosexuality.) Yoga and jogging made fitness accessible and linked fitness culture with counter-culture. Women were both the targets of most fitness programs – although not necessarily for liberatory reasons - and excluded from large sections of it.
In the 1980s and 1990s, fitness changed further, moving away from the state-led efforts and counter-cultural currents of the 1950s and 1960s. Fitness became big business. In her fifth part, “Feel the Burn,” Petrzela shows how a new gospel of fitness emerged that made gyms, workout classes, and sweating accessible and desirable to growing numbers of Americans. In her sixth section, “Hard Bodies and Soulful Selves”, Petrzela shows how fitness shifted from an obligation imposed by the state for geo-political reasons to a more intrinsic requirement of people living in the neo-liberal era, but not everyone always fulfilled those obligations and many people resisted them.
In the final section, “It’s Not Working Out,” Petrzela looks at the present and the future of the Fit Nation. Americans are by some measures less fit than ever before, but Petrzela raises real questions about the potential of any narrow definition of fitness to fix persistent health problems. 9/11, the Global Financial Crisis, and Covid-19 changed the way people worked out – cross-fit, home gyms, and Peloton became more popular than ever but fitness was also politicized into the left/right dynamic that dominates American cultural life.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 20 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Natalia Mehlman Petrzela</itunes:subtitle>
      <itunes:summary>Today we are joined by Natalia Mehlman Petrzela, Professor of History at The New School, and author of Fit Nation: The Gains and Pains of America’s Exercise Obsession (University of Chicago Press, 2023). In our conversation, we discussed the beginnings of fitness in the United States, how fitness both offered the state a way to shape bodies and liberatory possibilities for counter-cultural communities, and the future of exercise in a post-covid world.
In Fit Nation, Petrzela investigates the long history of fitness in the United States to better understand how fitness became such an important part of American life. She notes that the number of people who think fitness is essential for a full life has expanded dramatically since the 1890s and fitness shape our understandings of national community, industry, security, wealth, and wellness.
Her comprehensive and readable account begins with the immigration of European fitness fanatics to the United States in the 19th century and illustrates how fitness became one of the most proto-typically American pursuits. The book is divided into seven sections; the first, “When Sweating Was Strange,” shows how American entrepreneurs translated European practices to a sceptical audience. Muscle Beach in Venice, California played a special role in promoting bodybuilding but it also alarmed ordinary Americans who worried about the time participants spent on what many thought were narcissistic and vain habits.
One of the major themes of Petrzela’s work is the role of the government in promoting physical fitness and in the Cold War world the state opened the door to mass fitness. In the second section, “Slimming the Soft American,” she demonstrates how presidents starting with Eisenhower put fitness at the centre of their Cold War educational programs. The most notable example of government interventions into fitness was the President’s Council on Youth Fitness (now the President’s Council on Sport, Fitness, and Nutrition.)
The third and fourth sections – “From the Margins to the Mainstream” and Movement Culture, Redefined” illustrate how fitness became a central part of the American experience and the limits to that experience in the 1960s and 1970s. Television brought fitness into American houses but gyms remained largely male spaces (although often associated with latent homosexuality.) Yoga and jogging made fitness accessible and linked fitness culture with counter-culture. Women were both the targets of most fitness programs – although not necessarily for liberatory reasons - and excluded from large sections of it.
In the 1980s and 1990s, fitness changed further, moving away from the state-led efforts and counter-cultural currents of the 1950s and 1960s. Fitness became big business. In her fifth part, “Feel the Burn,” Petrzela shows how a new gospel of fitness emerged that made gyms, workout classes, and sweating accessible and desirable to growing numbers of Americans. In her sixth section, “Hard Bodies and Soulful Selves”, Petrzela shows how fitness shifted from an obligation imposed by the state for geo-political reasons to a more intrinsic requirement of people living in the neo-liberal era, but not everyone always fulfilled those obligations and many people resisted them.
In the final section, “It’s Not Working Out,” Petrzela looks at the present and the future of the Fit Nation. Americans are by some measures less fit than ever before, but Petrzela raises real questions about the potential of any narrow definition of fitness to fix persistent health problems. 9/11, the Global Financial Crisis, and Covid-19 changed the way people worked out – cross-fit, home gyms, and Peloton became more popular than ever but fitness was also politicized into the left/right dynamic that dominates American cultural life.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Natalia Mehlman Petrzela, Professor of History at The New School, and author of <a href="https://bookshop.org/a/12343/9780226651101"><em>Fit Nation: The Gains and Pains of America’s Exercise Obsession</em></a> (University of Chicago Press, 2023). In our conversation, we discussed the beginnings of fitness in the United States, how fitness both offered the state a way to shape bodies and liberatory possibilities for counter-cultural communities, and the future of exercise in a post-covid world.</p><p>In <em>Fit Nation, </em>Petrzela investigates the long history of fitness in the United States to better understand how fitness became such an important part of American life. She notes that the number of people who think fitness is essential for a full life has expanded dramatically since the 1890s and fitness shape our understandings of national community, industry, security, wealth, and wellness.</p><p>Her comprehensive and readable account begins with the immigration of European fitness fanatics to the United States in the 19th century and illustrates how fitness became one of the most proto-typically American pursuits. The book is divided into seven sections; the first, “When Sweating Was Strange,” shows how American entrepreneurs translated European practices to a sceptical audience. Muscle Beach in Venice, California played a special role in promoting bodybuilding but it also alarmed ordinary Americans who worried about the time participants spent on what many thought were narcissistic and vain habits.</p><p>One of the major themes of Petrzela’s work is the role of the government in promoting physical fitness and in the Cold War world the state opened the door to mass fitness. In the second section, “Slimming the Soft American,” she demonstrates how presidents starting with Eisenhower put fitness at the centre of their Cold War educational programs. The most notable example of government interventions into fitness was the President’s Council on Youth Fitness (now the President’s Council on Sport, Fitness, and Nutrition.)</p><p>The third and fourth sections – “From the Margins to the Mainstream” and Movement Culture, Redefined” illustrate how fitness became a central part of the American experience and the limits to that experience in the 1960s and 1970s. Television brought fitness into American houses but gyms remained largely male spaces (although often associated with latent homosexuality.) Yoga and jogging made fitness accessible and linked fitness culture with counter-culture. Women were both the targets of most fitness programs – although not necessarily for liberatory reasons - and excluded from large sections of it.</p><p>In the 1980s and 1990s, fitness changed further, moving away from the state-led efforts and counter-cultural currents of the 1950s and 1960s. Fitness became big business. In her fifth part, “Feel the Burn,” Petrzela shows how a new gospel of fitness emerged that made gyms, workout classes, and sweating accessible and desirable to growing numbers of Americans. In her sixth section, “Hard Bodies and Soulful Selves”, Petrzela shows how fitness shifted from an obligation imposed by the state for geo-political reasons to a more intrinsic requirement of people living in the neo-liberal era, but not everyone always fulfilled those obligations and many people resisted them.</p><p>In the final section, “It’s Not Working Out,” Petrzela looks at the present and the future of the Fit Nation. Americans are by some measures less fit than ever before, but Petrzela raises real questions about the potential of any narrow definition of fitness to fix persistent health problems. 9/11, the Global Financial Crisis, and Covid-19 changed the way people worked out – cross-fit, home gyms, and Peloton became more popular than ever but fitness was also politicized into the left/right dynamic that dominates American cultural life.</p><p><a href="https://www.mq.edu.au/about_us/faculties_and_departments/faculty_of_arts/mhpir/staff/staff/dr_keith_rathbone/"><em>Keith Rathbone</em></a><em> is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
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      <itunes:duration>2896</itunes:duration>
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    <item>
      <title>Thomas Baudinette, "Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture" (Bloomsbury, 2023)</title>
      <description>Thomas Baudinette's Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture (Bloomsbury, 2023) explores the contours of fandom, and in particular the mainstreaming of queer romance, not only in Thailand but in the Philippines and also Japan. Topics include the Japanese origins of the Boys Love trope, the Thai Boys Love series, the audiences the series has found in Thailand and elsewhere. This podcast is also hosted by the New Books Network, and will focus on the significance of this genre for our understanding of Thailand.
Over the past several years, the Thai popular culture landscape has radically transformed due to the emergence of “Boys Love” (BL) soap operas which celebrate the love between handsome young men. Boys Love Media in Thailand is the first book length study of this increasingly significant transnational pop culture phenomenon. Drawing upon six years of ethnographic research, the book reveals BL's impacts on depictions of same-sex desire in Thai media culture and the resultant mainstreaming of queer romance through new forms of celebrity and participatory fandom.
The author explores how the rise of BL has transformed contemporary Thai consumer culture, leading to heterosexual female fans of male celebrities who perform homoeroticism becoming the main audience to whom Thai pop culture is geared. Through the case study of BL, this book thus also investigates how Thai media is responding to broader regional trends across Asia where the economic potentials of female and queer fans are becoming increasingly important. Baudinette ultimately argues that the center of queer cultural production in Asia has shifted from Japan to Thailand, investigating both the growing international fandom of Thailand's BL series as well as the influence of international investment into the development of these media. The book particularly focuses on specific case studies of the fandom for Thai BL celebrity couples in Thailand, China, the Philippines, and Japan to explore how BL series have transformed each of these national contexts' queer consumer cultures.
Professor Michele Ford is the Director of the Sydney Southeast Asia Centre, a university-wide multidisciplinary center at the University of Sydney, Australia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 16 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas Baudinette</itunes:subtitle>
      <itunes:summary>Thomas Baudinette's Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture (Bloomsbury, 2023) explores the contours of fandom, and in particular the mainstreaming of queer romance, not only in Thailand but in the Philippines and also Japan. Topics include the Japanese origins of the Boys Love trope, the Thai Boys Love series, the audiences the series has found in Thailand and elsewhere. This podcast is also hosted by the New Books Network, and will focus on the significance of this genre for our understanding of Thailand.
Over the past several years, the Thai popular culture landscape has radically transformed due to the emergence of “Boys Love” (BL) soap operas which celebrate the love between handsome young men. Boys Love Media in Thailand is the first book length study of this increasingly significant transnational pop culture phenomenon. Drawing upon six years of ethnographic research, the book reveals BL's impacts on depictions of same-sex desire in Thai media culture and the resultant mainstreaming of queer romance through new forms of celebrity and participatory fandom.
The author explores how the rise of BL has transformed contemporary Thai consumer culture, leading to heterosexual female fans of male celebrities who perform homoeroticism becoming the main audience to whom Thai pop culture is geared. Through the case study of BL, this book thus also investigates how Thai media is responding to broader regional trends across Asia where the economic potentials of female and queer fans are becoming increasingly important. Baudinette ultimately argues that the center of queer cultural production in Asia has shifted from Japan to Thailand, investigating both the growing international fandom of Thailand's BL series as well as the influence of international investment into the development of these media. The book particularly focuses on specific case studies of the fandom for Thai BL celebrity couples in Thailand, China, the Philippines, and Japan to explore how BL series have transformed each of these national contexts' queer consumer cultures.
Professor Michele Ford is the Director of the Sydney Southeast Asia Centre, a university-wide multidisciplinary center at the University of Sydney, Australia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Thomas Baudinette's <a href="https://bookshop.org/a/12343/9781350330641"><em>Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture</em></a><em> </em>(Bloomsbury, 2023) explores the contours of fandom, and in particular the mainstreaming of queer romance, not only in Thailand but in the Philippines and also Japan. Topics include the Japanese origins of the Boys Love trope, the Thai Boys Love series, the audiences the series has found in Thailand and elsewhere. This podcast is also hosted by the New Books Network, and will focus on the significance of this genre for our understanding of Thailand.</p><p>Over the past several years, the Thai popular culture landscape has radically transformed due to the emergence of “Boys Love” (BL) soap operas which celebrate the love between handsome young men. <em>Boys Love Media in Thailand </em>is the first book length study of this increasingly significant transnational pop culture phenomenon. Drawing upon six years of ethnographic research, the book reveals BL's impacts on depictions of same-sex desire in Thai media culture and the resultant mainstreaming of queer romance through new forms of celebrity and participatory fandom.</p><p>The author explores how the rise of BL has transformed contemporary Thai consumer culture, leading to heterosexual female fans of male celebrities who perform homoeroticism becoming the main audience to whom Thai pop culture is geared. Through the case study of BL, this book thus also investigates how Thai media is responding to broader regional trends across Asia where the economic potentials of female and queer fans are becoming increasingly important. Baudinette ultimately argues that the center of queer cultural production in Asia has shifted from Japan to Thailand, investigating both the growing international fandom of Thailand's BL series as well as the influence of international investment into the development of these media. The book particularly focuses on specific case studies of the fandom for Thai BL celebrity couples in Thailand, China, the Philippines, and Japan to explore how BL series have transformed each of these national contexts' queer consumer cultures.</p><p><em>Professor </em><a href="https://www.sydney.edu.au/arts/about/our-people/academic-staff/michele-ford.html"><em>Michele Ford</em></a><em> is the Director of the Sydney Southeast Asia Centre, a university-wide multidisciplinary center at the University of Sydney, Australia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2805</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK7322291417.mp3?updated=1705257147" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David B. Nieborg and Maxwell Foxman, "Mainstreaming and Game Journalism" (MIT Press, 2023)</title>
      <description>Why games are still niche and not mainstream, and how journalism can help them gain cultural credibility.
Mainstreaming and Game Journalism (MIT Press, 2023) addresses both the history and current practice of game journalism, along with the roles writers and industry play in conveying that the medium is a “mainstream” form of entertainment. Through interviews with reporters, David B. Nieborg and Maxwell Foxman retrace how the game industry and journalists started a subcultural spiral in the 1980s that continues to this day. Digital play became increasingly exclusionary by appealing to niche audiences, relying on hardcore fans and favoring the male gamer stereotype. At the same time, this culture pushed journalists to the margins, leaving them toiling to find freelance gigs and deeply ambivalent about their profession.
Mainstreaming and Game Journalism also examines the bumpy process of what we think of as “mainstreaming.” The authors argue that it encompasses three overlapping factors. First, for games to become mainstream, they need to become more ubiquitous through broader media coverage. Second, an increase in ludic literacy, or how-to play games, determines whether that greater visibility translates into accessibility. Third, the mainstreaming of games must gain cultural legitimacy. The fact that games are more visible does little if only a few people take them seriously or deem them worthy of attention. Ultimately, Mainstreaming and Game Journalism provocatively questions whether games ever will—or even should—gain widespread cultural acceptance.
This book is available open access here. 
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 15 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maxwell Foxman</itunes:subtitle>
      <itunes:summary>Why games are still niche and not mainstream, and how journalism can help them gain cultural credibility.
Mainstreaming and Game Journalism (MIT Press, 2023) addresses both the history and current practice of game journalism, along with the roles writers and industry play in conveying that the medium is a “mainstream” form of entertainment. Through interviews with reporters, David B. Nieborg and Maxwell Foxman retrace how the game industry and journalists started a subcultural spiral in the 1980s that continues to this day. Digital play became increasingly exclusionary by appealing to niche audiences, relying on hardcore fans and favoring the male gamer stereotype. At the same time, this culture pushed journalists to the margins, leaving them toiling to find freelance gigs and deeply ambivalent about their profession.
Mainstreaming and Game Journalism also examines the bumpy process of what we think of as “mainstreaming.” The authors argue that it encompasses three overlapping factors. First, for games to become mainstream, they need to become more ubiquitous through broader media coverage. Second, an increase in ludic literacy, or how-to play games, determines whether that greater visibility translates into accessibility. Third, the mainstreaming of games must gain cultural legitimacy. The fact that games are more visible does little if only a few people take them seriously or deem them worthy of attention. Ultimately, Mainstreaming and Game Journalism provocatively questions whether games ever will—or even should—gain widespread cultural acceptance.
This book is available open access here. 
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why games are still niche and not mainstream, and how journalism can help them gain cultural credibility.</p><p><a href="https://mitpress.mit.edu/9780262546287/mainstreaming-and-game-journalism/"><em>Mainstreaming and Game Journalism</em></a> (MIT Press, 2023) addresses both the history and current practice of game journalism, along with the roles writers and industry play in conveying that the medium is a “mainstream” form of entertainment. Through interviews with reporters, David B. Nieborg and Maxwell Foxman retrace how the game industry and journalists started a subcultural spiral in the 1980s that continues to this day. Digital play became increasingly exclusionary by appealing to niche audiences, relying on hardcore fans and favoring the male gamer stereotype. At the same time, this culture pushed journalists to the margins, leaving them toiling to find freelance gigs and deeply ambivalent about their profession.</p><p><em>Mainstreaming and Game Journalism</em> also examines the bumpy process of what we think of as “mainstreaming.” The authors argue that it encompasses three overlapping factors. First, for games to become mainstream, they need to become more ubiquitous through broader media coverage. Second, an increase in ludic literacy, or how-to play games, determines whether that greater visibility translates into accessibility. Third, the mainstreaming of games must gain cultural legitimacy. The fact that games are more visible does little if only a few people take them seriously or deem them worthy of attention. Ultimately, <em>Mainstreaming and Game Journalism</em> provocatively questions whether games ever will—or even should—gain widespread cultural acceptance.</p><p>This book is available open access <a href="https://mitpress.mit.edu/9780262375511/mainstreaming-and-game-journalism/">here</a>. </p><p><em>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2047</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kathryn Mathers, "White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation" (Routledge, 2022)</title>
      <description>In White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation (Routledge, 2022), Kathryn Mathers interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.
Through close readings of multiple mediated sites where Americans imagine Africa, White Saviorism and Popular Culture examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to Black Panther and Black is King, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.
This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.
Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 14 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>430</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathryn Mathers</itunes:subtitle>
      <itunes:summary>In White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation (Routledge, 2022), Kathryn Mathers interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.
Through close readings of multiple mediated sites where Americans imagine Africa, White Saviorism and Popular Culture examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to Black Panther and Black is King, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.
This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.
Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781032112275"><em>White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation</em></a><em> </em>(Routledge, 2022)<em>, </em>Kathryn Mathers interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.</p><p>Through close readings of multiple mediated sites where Americans imagine Africa, <em>White Saviorism and Popular Culture</em> examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to <em>Black Panther</em> and <em>Black is King</em>, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.</p><p>This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.</p><p><em>Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4809</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Stéphane Jettot, "Selling Ancestry: Family Directories and the Commodification of Genealogy in Eighteenth-Century Britain" (Oxford UP, 2023)</title>
      <description>Often cited but rarely studied in their own right, family directories allow a reconsideration of how ancestry and genealogy became an object of widespread commercialization across the eighteenth century. These directories replaced the expensive, locally-produced, early modern artefacts (tombs, windowpanes, illuminated pedigrees), and began to reach a wide audience of readers in the British Isles and the colonies. 
In Selling Ancestry: Family Directories and the Commodification of Genealogy in Eighteenth Century Britain (Oxford University Press, 2023), Dr. Stéphane Jettot offers an insight into the cumulative process leading to the creation of these hybrid products — a combination of court almanacks, county histories, and town directories. Employed by contemporaries as reference tools to navigate through a dynamic and changing society, they could be used as a means to probe contemporary attitudes towards social status and political events. Published by the most prominent London booksellers who shared their copyrights among themselves, they relied on the considerable involvement of thousands of families in the counties.
In their correspondence with publishers, many new and old elites desired to insert their own narrative into a general history of Britain by dispatching documents, quotations, and anecdotes. Based on a unique source-base, this book provides a systematic review of these directories, their production, and sale, but also their potential role in shaping the character of social change. Dr. Jettot demonstrates the wider ramifications of genealogy and its structural ability to reinvent itself, associate amateurs and antiquarians alike, and thrive on the wavering lines between facts and fiction, offering an exciting and unique insight into the social history of eighteenth-century Britain.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 13 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stéphane Jettot</itunes:subtitle>
      <itunes:summary>Often cited but rarely studied in their own right, family directories allow a reconsideration of how ancestry and genealogy became an object of widespread commercialization across the eighteenth century. These directories replaced the expensive, locally-produced, early modern artefacts (tombs, windowpanes, illuminated pedigrees), and began to reach a wide audience of readers in the British Isles and the colonies. 
In Selling Ancestry: Family Directories and the Commodification of Genealogy in Eighteenth Century Britain (Oxford University Press, 2023), Dr. Stéphane Jettot offers an insight into the cumulative process leading to the creation of these hybrid products — a combination of court almanacks, county histories, and town directories. Employed by contemporaries as reference tools to navigate through a dynamic and changing society, they could be used as a means to probe contemporary attitudes towards social status and political events. Published by the most prominent London booksellers who shared their copyrights among themselves, they relied on the considerable involvement of thousands of families in the counties.
In their correspondence with publishers, many new and old elites desired to insert their own narrative into a general history of Britain by dispatching documents, quotations, and anecdotes. Based on a unique source-base, this book provides a systematic review of these directories, their production, and sale, but also their potential role in shaping the character of social change. Dr. Jettot demonstrates the wider ramifications of genealogy and its structural ability to reinvent itself, associate amateurs and antiquarians alike, and thrive on the wavering lines between facts and fiction, offering an exciting and unique insight into the social history of eighteenth-century Britain.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Often cited but rarely studied in their own right, family directories allow a reconsideration of how ancestry and genealogy became an object of widespread commercialization across the eighteenth century. These directories replaced the expensive, locally-produced, early modern artefacts (tombs, windowpanes, illuminated pedigrees), and began to reach a wide audience of readers in the British Isles and the colonies. </p><p>In<em> </em><a href="https://bookshop.org/a/12343/9780192865960"><em>Selling Ancestry: Family Directories and the Commodification of Genealogy in Eighteenth Century Britain</em></a><em> </em>(Oxford University Press, 2023), Dr. Stéphane Jettot offers an insight into the cumulative process leading to the creation of these hybrid products — a combination of court almanacks, county histories, and town directories. Employed by contemporaries as reference tools to navigate through a dynamic and changing society, they could be used as a means to probe contemporary attitudes towards social status and political events. Published by the most prominent London booksellers who shared their copyrights among themselves, they relied on the considerable involvement of thousands of families in the counties.</p><p>In their correspondence with publishers, many new and old elites desired to insert their own narrative into a general history of Britain by dispatching documents, quotations, and anecdotes. Based on a unique source-base, this book provides a systematic review of these directories, their production, and sale, but also their potential role in shaping the character of social change. Dr. Jettot demonstrates the wider ramifications of genealogy and its structural ability to reinvent itself, associate amateurs and antiquarians alike, and thrive on the wavering lines between facts and fiction, offering an exciting and unique insight into the social history of eighteenth-century Britain.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
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    </item>
    <item>
      <title>Matt Singer, "Opposable Thumbs: How Siskel &amp; Ebert Changed Movies Forever" (G.P. Putnam's Sons, 2023)</title>
      <description>Once upon a time, if you wanted to know if a movie was worth seeing, you didn’t check out Rotten Tomatoes or IMDB. You asked whether Siskel &amp; Ebert had given it “two thumbs up.”
On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they’d ever exchanged a word) met for lunch in a Chicago pub. Gene Siskel was the film critic for the Chicago Tribune. Roger Ebert had recently won the Pulitzer Prize—the first ever awarded to a film critic—for his work at the Chicago Sun-Times. To say they despised each other was an understatement.
When they reluctantly agreed to collaborate on a new movie review show with PBS, there was at least as much sparring off-camera as on. No decision—from which films to cover to who would read the lead review to how to pronounce foreign titles—was made without conflict, but their often-antagonistic partnership (which later transformed into genuine friendship) made for great television. In the years that followed, their signature “Two thumbs up!” would become the most trusted critical brand in Hollywood.
In Opposable Thumbs: How Siskel &amp; Ebert Changed Movies Forever (G.P. Putnam's Sons, 2023), award-winning editor and film critic Matt Singer eavesdrops on their iconic balcony set, detailing their rise from making a few hundred dollars a week on local Chicago PBS to securing multimillion-dollar contracts for a syndicated series (a move that convinced a young local host named Oprah Winfrey to do the same). Their partnership was cut short when Gene Siskel passed away in February of 1999 after a battle with brain cancer that he’d kept secret from everyone outside his immediate family—including Roger Ebert, who never got to say goodbye to his longtime partner. But their influence on in the way we talk about (and think about) movies continues to this day.
Matt Singer is the editor and film critic of ScreenCrush and a member of the New York Film Critics Circle. He won a Webby Award for his work on the Independent Film Channel’s website. He lives in Brooklyn with his wife and two daughters.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 13 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>185</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matt Singer</itunes:subtitle>
      <itunes:summary>Once upon a time, if you wanted to know if a movie was worth seeing, you didn’t check out Rotten Tomatoes or IMDB. You asked whether Siskel &amp; Ebert had given it “two thumbs up.”
On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they’d ever exchanged a word) met for lunch in a Chicago pub. Gene Siskel was the film critic for the Chicago Tribune. Roger Ebert had recently won the Pulitzer Prize—the first ever awarded to a film critic—for his work at the Chicago Sun-Times. To say they despised each other was an understatement.
When they reluctantly agreed to collaborate on a new movie review show with PBS, there was at least as much sparring off-camera as on. No decision—from which films to cover to who would read the lead review to how to pronounce foreign titles—was made without conflict, but their often-antagonistic partnership (which later transformed into genuine friendship) made for great television. In the years that followed, their signature “Two thumbs up!” would become the most trusted critical brand in Hollywood.
In Opposable Thumbs: How Siskel &amp; Ebert Changed Movies Forever (G.P. Putnam's Sons, 2023), award-winning editor and film critic Matt Singer eavesdrops on their iconic balcony set, detailing their rise from making a few hundred dollars a week on local Chicago PBS to securing multimillion-dollar contracts for a syndicated series (a move that convinced a young local host named Oprah Winfrey to do the same). Their partnership was cut short when Gene Siskel passed away in February of 1999 after a battle with brain cancer that he’d kept secret from everyone outside his immediate family—including Roger Ebert, who never got to say goodbye to his longtime partner. But their influence on in the way we talk about (and think about) movies continues to this day.
Matt Singer is the editor and film critic of ScreenCrush and a member of the New York Film Critics Circle. He won a Webby Award for his work on the Independent Film Channel’s website. He lives in Brooklyn with his wife and two daughters.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Once upon a time, if you wanted to know if a movie was worth seeing, you didn’t check out Rotten Tomatoes or IMDB. You asked whether Siskel &amp; Ebert had given it “two thumbs up.”</p><p>On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they’d ever exchanged a word) met for lunch in a Chicago pub. Gene Siskel was the film critic for the <em>Chicago Tribune</em>. Roger Ebert had recently won the Pulitzer Prize—the first ever awarded to a film critic—for his work at the <em>Chicago Sun-Times. </em>To say they despised each other was an understatement.</p><p>When they reluctantly agreed to collaborate on a new movie review show with PBS, there was at least as much sparring off-camera as on. No decision—from which films to cover to who would read the lead review to how to pronounce foreign titles—was made without conflict, but their often-antagonistic partnership (which later transformed into genuine friendship) made for great television. In the years that followed, their signature “Two thumbs up!” would become the most trusted critical brand in Hollywood.</p><p>In <a href="https://bookshop.org/a/12343/9780593540152"><em>Opposable Thumbs: How Siskel &amp; Ebert Changed Movies Forever</em></a><em> (</em>G.P. Putnam's Sons, 2023<em>)</em>, award-winning editor and film critic Matt Singer eavesdrops on their iconic balcony set, detailing their rise from making a few hundred dollars a week on local Chicago PBS to securing multimillion-dollar contracts for a syndicated series (a move that convinced a young local host named Oprah Winfrey to do the same). Their partnership was cut short when Gene Siskel passed away in February of 1999 after a battle with brain cancer that he’d kept secret from everyone outside his immediate family—including Roger Ebert, who never got to say goodbye to his longtime partner. But their influence on in the way we talk about (and think about) movies continues to this day.</p><p>Matt Singer is the editor and film critic of ScreenCrush and a member of the New York Film Critics Circle. He won a Webby Award for his work on the Independent Film Channel’s website. He lives in Brooklyn with his wife and two daughters.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Matthew Kennedy, "On Elizabeth Taylor: An Opinionated Guide" (Oxford UP, 2024)</title>
      <description>In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress.
Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century.
Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time.
Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film &amp; Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 10 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>184</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Kennedy</itunes:subtitle>
      <itunes:summary>In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress.
Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century.
Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time.
Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film &amp; Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In <a href="https://bookshop.org/a/12343/9780197664117"><em>On Elizabeth Taylor: An Opinionated Guide</em></a> (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress.</p><p>Taylor's big screen credits span over fifty years, from her pre-adolescent debut in <em>There's One Born Every Minute</em> (1942) to her cameo in <em>The Flintstones</em> (1994). She worked steadily in everything from the biggest production in film history (<em>Cleopatra</em> in 1963) to a humble daytime TV soap opera (<em>General Hospital</em> in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. <em>On Elizabeth Taylor: An Opinionated Guide</em> is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century.</p><p>Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. <em>On Elizabeth Taylor</em> is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time.</p><p>Matthew Kennedy is a film historian based in Oakland, California. He is the author of <em>Roadshow! The Fall of Film Musicals in the 1960s</em>, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film &amp; Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco.</p><p>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of <em>Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers</em> and articles on G. K. Chesterton and John Ford, he teaches research and</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4048</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[87bc1146-af33-11ee-948a-a7ab3539ad12]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3655794159.mp3?updated=1704834808" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katherine Rye Jewell, "Live from the Underground: A History of College Radio" (UNC Press, 2023)</title>
      <description>Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In Live from the Underground: A History of College Radio (UNC Press, 2023), Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast.
Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation’s culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 09 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katherine Rye Jewell</itunes:subtitle>
      <itunes:summary>Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In Live from the Underground: A History of College Radio (UNC Press, 2023), Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast.
Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation’s culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In<a href="https://bookshop.org/a/12343/9781469677255"><em> Live from the Underground: A History of College Radio</em></a> (UNC Press, 2023), Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast.</p><p>Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation’s culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2495</itunes:duration>
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      <title>Alex Pappademas and Joan LeMay, "Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan" (U Texas Press, 2023)</title>
      <description>A literary and visual exploration of the songs of Steely Dan.
Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators--or imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they don't talk about, delusions and desires and memories they can't shake. From Rikki to Dr. Wu, Hoops McCann to Kid Charlemagne, Franny from NYU to the Woolly Man without a Face, every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and ever-growing cult fandom.
Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan (U Texas Press, 2023) presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademas's explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters themselves, making for a musical companion unlike any other. Funny, discerning, and visually stunning, Quantum Criminals is a singular celebration of Steely Dan's musical cosmos.
Alex Pappademas is the author of Keanu Reeves: Most Triumphant--The Movies &amp; Meaning of an Irrepressible Icon and the writer and host of the acclaimed podcast The Big Hit Show. His work has also appeared in GQ, the New York Times, and Grantland. Alex on Twitter.
Joan LeMay is an artist based in London and New York City (although the paintings for this book were created in Portland). Her work appears in multiple publications and books and has been shown in museums, galleries, and public spaces internationally. Joan on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 07 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alex Pappademas</itunes:subtitle>
      <itunes:summary>A literary and visual exploration of the songs of Steely Dan.
Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators--or imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they don't talk about, delusions and desires and memories they can't shake. From Rikki to Dr. Wu, Hoops McCann to Kid Charlemagne, Franny from NYU to the Woolly Man without a Face, every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and ever-growing cult fandom.
Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan (U Texas Press, 2023) presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademas's explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters themselves, making for a musical companion unlike any other. Funny, discerning, and visually stunning, Quantum Criminals is a singular celebration of Steely Dan's musical cosmos.
Alex Pappademas is the author of Keanu Reeves: Most Triumphant--The Movies &amp; Meaning of an Irrepressible Icon and the writer and host of the acclaimed podcast The Big Hit Show. His work has also appeared in GQ, the New York Times, and Grantland. Alex on Twitter.
Joan LeMay is an artist based in London and New York City (although the paintings for this book were created in Portland). Her work appears in multiple publications and books and has been shown in museums, galleries, and public spaces internationally. Joan on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A literary and visual exploration of the songs of Steely Dan.</p><p>Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators--or imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they don't talk about, delusions and desires and memories they can't shake. From Rikki to Dr. Wu, Hoops McCann to Kid Charlemagne, Franny from NYU to the Woolly Man without a Face, every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and ever-growing cult fandom.</p><p><a href="https://bookshop.org/a/12343/9781477324998"><em>Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan</em></a> (U Texas Press, 2023) presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademas's explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters themselves, making for a musical companion unlike any other. Funny, discerning, and visually stunning, <em>Quantum Criminals</em> is a singular celebration of Steely Dan's musical cosmos.</p><p>Alex Pappademas is the author of <em>Keanu Reeves: Most Triumphant--The Movies &amp; Meaning of an Irrepressible Icon</em> and the writer and host of the acclaimed podcast <em>The Big Hit Show</em>. His work has also appeared in <em>GQ</em>, the <em>New York Times</em>, and <em>Grantland</em>. Alex on <a href="https://twitter.com/pappademas">Twitter</a>.</p><p>Joan LeMay is an artist based in London and New York City (although the paintings for this book were created in Portland). Her work appears in multiple publications and books and has been shown in museums, galleries, and public spaces internationally. Joan on <a href="https://twitter.com/joanlemay">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3936</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Roland Allen, "The Notebook: A History of Thinking on Paper" (Profile Books, 2023)</title>
      <description>We see notebooks everywhere we go. But where did this simple invention come from? How did they revolutionise our lives, and why are they such powerful tools for creativity? And how can using a notebook help you change the way you think?
In The Notebook: A History of Thinking on Paper (Profile Books, 2023), Roland Allen reveals all the answers. Ranging from the bustling markets of mediaeval Florence to the quiet studies of our greatest thinkers, he follows a trail of dazzling ideas, revealing how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of artists like Leonardo and Frida Kahlo, scientists from Isaac Newton to Marie Curie, and writers from Chaucer to Henry James. We watch Darwin developing his theory of evolution in tiny pocketbooks, see Agatha Christie plotting a hundred murders in scrappy exercise books, and learn how Bruce Chatwin unwittingly inspired the creation of the Moleskine.
On the way we meet a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers and mathematicians, who all used their notebooks as a space for thinking and to shape the modern world.
In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper can have profound consequences, changing the way we think and feel: making us more creative, more productive - and happier.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 06 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1401</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Roland Allen</itunes:subtitle>
      <itunes:summary>We see notebooks everywhere we go. But where did this simple invention come from? How did they revolutionise our lives, and why are they such powerful tools for creativity? And how can using a notebook help you change the way you think?
In The Notebook: A History of Thinking on Paper (Profile Books, 2023), Roland Allen reveals all the answers. Ranging from the bustling markets of mediaeval Florence to the quiet studies of our greatest thinkers, he follows a trail of dazzling ideas, revealing how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of artists like Leonardo and Frida Kahlo, scientists from Isaac Newton to Marie Curie, and writers from Chaucer to Henry James. We watch Darwin developing his theory of evolution in tiny pocketbooks, see Agatha Christie plotting a hundred murders in scrappy exercise books, and learn how Bruce Chatwin unwittingly inspired the creation of the Moleskine.
On the way we meet a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers and mathematicians, who all used their notebooks as a space for thinking and to shape the modern world.
In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper can have profound consequences, changing the way we think and feel: making us more creative, more productive - and happier.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We see notebooks everywhere we go. But where did this simple invention come from? How did they revolutionise our lives, and why are they such powerful tools for creativity? And how can using a notebook help you change the way you think?</p><p>In <a href="https://profilebooks.com/work/the-notebook/"><em>The Notebook: A History of Thinking on Paper</em></a> (Profile Books, 2023), Roland Allen reveals all the answers. Ranging from the bustling markets of mediaeval Florence to the quiet studies of our greatest thinkers, he follows a trail of dazzling ideas, revealing how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of artists like Leonardo and Frida Kahlo, scientists from Isaac Newton to Marie Curie, and writers from Chaucer to Henry James. We watch Darwin developing his theory of evolution in tiny pocketbooks, see Agatha Christie plotting a hundred murders in scrappy exercise books, and learn how Bruce Chatwin unwittingly inspired the creation of the Moleskine.</p><p>On the way we meet a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers and mathematicians, who all used their notebooks as a space for thinking and to shape the modern world.</p><p>In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper can have profound consequences, changing the way we think and feel: making us more creative, more productive - and happier.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3631</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Amanda Kennell, "Alice in Japanese Wonderlands: Translation, Adaptation, Mediation" (U Hawaii Press, 2023)</title>
      <description>Since the first translations of Lewis Carroll’s Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan’s internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders. 
In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice’s Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children’s books became a vital element in Japanese popular culture. 
Using Japan’s myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan’s proliferation of Alices to explore both Alice and the Japanese media environment.
﻿Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 04 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amanda Kennell</itunes:subtitle>
      <itunes:summary>Since the first translations of Lewis Carroll’s Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan’s internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders. 
In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice’s Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children’s books became a vital element in Japanese popular culture. 
Using Japan’s myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan’s proliferation of Alices to explore both Alice and the Japanese media environment.
﻿Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the first translations of Lewis Carroll’s Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan’s internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders. </p><p>In <a href="https://bookshop.org/a/12343/9780824894443"><em>Alice in Japanese Wonderlands: Translation, Adaptation, Mediation</em></a> (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice’s Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children’s books became a vital element in Japanese popular culture. </p><p>Using Japan’s myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan’s proliferation of Alices to explore both Alice and the Japanese media environment.</p><p><em>﻿</em><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2773</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>W. K. Stratton, "The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film" (Bloomsbury, 2019)</title>
      <description>On June 18, 1969, "The Wild Bunch" premiered to critical success. Over the past 50 years it has been rightly recognized as one of the landmark films from the end of the Hollywood studio system. Yet it was developed out of chaos, with a controversial director who had already largely burned his bridges with Hollywood studios. Sam Peckinpah worked for years to film a story that both illustrated the end of the “Old West” and also showed how newer filmmakers wanted to proceed with their newfound independence. W. K. Stratton’s book The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film (Bloomsbury, 2019) describes all of these activities as it wonderfully tells the story of the film.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 03 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with W. K. Stratton</itunes:subtitle>
      <itunes:summary>On June 18, 1969, "The Wild Bunch" premiered to critical success. Over the past 50 years it has been rightly recognized as one of the landmark films from the end of the Hollywood studio system. Yet it was developed out of chaos, with a controversial director who had already largely burned his bridges with Hollywood studios. Sam Peckinpah worked for years to film a story that both illustrated the end of the “Old West” and also showed how newer filmmakers wanted to proceed with their newfound independence. W. K. Stratton’s book The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film (Bloomsbury, 2019) describes all of these activities as it wonderfully tells the story of the film.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On June 18, 1969, "The Wild Bunch" premiered to critical success. Over the past 50 years it has been rightly recognized as one of the landmark films from the end of the Hollywood studio system. Yet it was developed out of chaos, with a controversial director who had already largely burned his bridges with Hollywood studios. Sam Peckinpah worked for years to film a story that both illustrated the end of the “Old West” and also showed how newer filmmakers wanted to proceed with their newfound independence. <a href="https://www.wkstratton.com/">W. K. Stratton</a>’s book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhTPIyK-CT01SJ1X4xvmLvIAAAFozzdWxgEAAAFKAUhFph4/https://www.amazon.com/dp/1632862123/?creativeASIN=1632862123&amp;linkCode=w61&amp;imprToken=GKDmvhzpkZjINYbESdJFqw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film</em></a> (Bloomsbury, 2019) describes all of these activities as it wonderfully tells the story of the film.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3496</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[39409d98-a9b1-11ee-9ad0-e3768fc6bb35]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6829964936.mp3?updated=1704229447" length="0" type="audio/mpeg"/>
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    <item>
      <title>Benjamin Lorr, "The Secret Life of Groceries: The Dark Miracle of the American Supermarket" (Penguin, 2020)</title>
      <description>This episode of the New Books in Economic and Business History is an interview with New York writer Benjamin Lorr. Benjamin Lorr is the author of Hell-Bent: Obsession, Pain, and the Search for Something Like Transcendence in Competitive Yoga, a book that explores the Bikram Yoga community and movement. His second book, The Secret Life of Groceries: The Dark Miracle of the American Supermarket is "an extraordinary investigation into the human lives at the heart of the American grocery store. The miracle of the supermarket has never been more apparent. Like the doctors and nurses who care for the sick, suddenly the men and women who stock our shelves and operate our warehouses are understood as ‘essential’ workers, providing a quality of life we all too easily take for granted. But the sad truth is that the grocery industry has been failing these workers for decades.
In this page-turning expose, author Benjamin Lorr pulls back the curtain on the highly secretive grocery industry. Combining deep sourcing, immersive reporting, and sharp, often laugh-out-loud prose, Lorr leads a wild investigation, asking what does it take to run a supermarket? How does our food get on the shelves? And who suffers for our increasing demands for convenience and efficiency? In this journey:

We learn the secrets of Trader Joe's success from Trader Joe himself

Drive with truckers caught in a job they call "sharecropping on wheels"

Break into industrial farms with activists to learn what it takes for a product to earn certification labels like "fair trade" and "free range"

Follow entrepreneurs as they fight for shelf space, learning essential tips, tricks, and traps for any new food business

Journey with migrants to examine shocking forced labor practices through their eyes


The product of five years of research and hundreds of interviews across every level of the business, The Secret Life of Groceries is essential reading for those who want to understand our food system--delivering powerful social commentary on the inherently American quest for more and compassionate insight into the lives that provide it.

Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. New Books Network en español editor. Edita CEO.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 01 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Benjamin Lorr</itunes:subtitle>
      <itunes:summary>This episode of the New Books in Economic and Business History is an interview with New York writer Benjamin Lorr. Benjamin Lorr is the author of Hell-Bent: Obsession, Pain, and the Search for Something Like Transcendence in Competitive Yoga, a book that explores the Bikram Yoga community and movement. His second book, The Secret Life of Groceries: The Dark Miracle of the American Supermarket is "an extraordinary investigation into the human lives at the heart of the American grocery store. The miracle of the supermarket has never been more apparent. Like the doctors and nurses who care for the sick, suddenly the men and women who stock our shelves and operate our warehouses are understood as ‘essential’ workers, providing a quality of life we all too easily take for granted. But the sad truth is that the grocery industry has been failing these workers for decades.
In this page-turning expose, author Benjamin Lorr pulls back the curtain on the highly secretive grocery industry. Combining deep sourcing, immersive reporting, and sharp, often laugh-out-loud prose, Lorr leads a wild investigation, asking what does it take to run a supermarket? How does our food get on the shelves? And who suffers for our increasing demands for convenience and efficiency? In this journey:

We learn the secrets of Trader Joe's success from Trader Joe himself

Drive with truckers caught in a job they call "sharecropping on wheels"

Break into industrial farms with activists to learn what it takes for a product to earn certification labels like "fair trade" and "free range"

Follow entrepreneurs as they fight for shelf space, learning essential tips, tricks, and traps for any new food business

Journey with migrants to examine shocking forced labor practices through their eyes


The product of five years of research and hundreds of interviews across every level of the business, The Secret Life of Groceries is essential reading for those who want to understand our food system--delivering powerful social commentary on the inherently American quest for more and compassionate insight into the lives that provide it.

Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. New Books Network en español editor. Edita CEO.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode of the New Books in Economic and Business History is an interview with New York writer Benjamin Lorr. Benjamin Lorr is the author of <a href="https://bookshop.org/books/hell-bent-obsession-pain-and-the-search-for-something-like-transcendence-in-competitive-yoga/9781250042781"><em>Hell-Bent: Obsession, Pain, and the Search for Something Like Transcendence in Competitive Yoga</em></a>, a book that explores the Bikram Yoga community and movement. His second book, <em>The Secret Life of Groceries: The Dark Miracle of the American Supermarket</em> is "an extraordinary investigation into the human lives at the heart of the American grocery store. The miracle of the supermarket has never been more apparent. Like the doctors and nurses who care for the sick, suddenly the men and women who stock our shelves and operate our warehouses are understood as ‘essential’ workers, providing a quality of life we all too easily take for granted. But the sad truth is that the grocery industry has been failing these workers for decades.</p><p>In this page-turning expose, author Benjamin Lorr pulls back the curtain on the highly secretive grocery industry. Combining deep sourcing, immersive reporting, and sharp, often laugh-out-loud prose, Lorr leads a wild investigation, asking what does it take to run a supermarket? How does our food get on the shelves? And who suffers for our increasing demands for convenience and efficiency? In this journey:</p><ul>
<li>We learn the secrets of Trader Joe's success from Trader Joe himself</li>
<li>Drive with truckers caught in a job they call "sharecropping on wheels"</li>
<li>Break into industrial farms with activists to learn what it takes for a product to earn certification labels like "fair trade" and "free range"</li>
<li>Follow entrepreneurs as they fight for shelf space, learning essential tips, tricks, and traps for any new food business</li>
<li>Journey with migrants to examine shocking forced labor practices through their eyes</li>
</ul><p><br></p><p>The product of five years of research and hundreds of interviews across every level of the business, <em>The Secret Life of Groceries</em> is essential reading for those who want to understand our food system--delivering powerful social commentary on the inherently American quest for more and compassionate insight into the lives that provide it.</p><p><br></p><p><a href="https://www.linkedin.com/in/paula-de-la-cruz-fernandez-ph-d-6b36437/"><em>Paula De La Cruz-Fernandez</em></a><em> is a consultant, historian, and digital editor. </em><a href="https://www.linkedin.com/company/72734215/admin/"><em>New Books Network en español</em></a><em> editor. </em><a href="https://www.edita.us/"><em>Edita</em></a><em> CEO.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8cb63c9e-a803-11ee-bee9-f34ff339177c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8217939789.mp3?updated=1704044578" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christine E. Evans, “Between Truth and Time: A History of Soviet Central Television” (Yale UP, 2016)</title>
      <description>In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let's Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens' expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched.
Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee.
Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 29 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christine E. Evans</itunes:subtitle>
      <itunes:summary>In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let's Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens' expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched.
Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee.
Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qq5mQnVcP0IICRo-PmqhdEYAAAFiBh8zwQEAAAFKAfig1ek/http://www.amazon.com/dp/0300208480/ref=as_at?creativeASIN=0300208480&amp;linkCode=w61&amp;imprToken=v5a0Qkd.BdcvXsagdwkYqg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Between Truth and Time: A History of Soviet Central Television</em></a> (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as <em>Little Blue Flame</em>, game shows like <em>Let's Go Girls</em> or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens' expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched.</p><p><a href="http://uwm.edu/history/people/evans-christine/">Christine E. Evans</a> is assistant professor of history at the University of Wisconsin-Milwaukee.</p><p><em>Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at </em><a href="mailto:amandajswain@gmail.com"><em>amandajswain@gmail.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3639</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71382]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9453831702.mp3?updated=1703714846" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Annie McClanahan, "Dead Pledges: Debt, Crisis, and Twenty-First Century Culture" (Stanford UP, 2016)</title>
      <description>When teaching a public course called “The Age of Debt” this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was Annie McClanahan’s Dead Pledges: Debt, Crisis, and Twenty-First Century Culture (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the LA Review of Books notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering “a new ‘crisis subjectivity’ in the wake of the mortgage meltdown’s shattering revelations.” Dead Pledges is a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live.
Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 28 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Annie McClanahan</itunes:subtitle>
      <itunes:summary>When teaching a public course called “The Age of Debt” this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was Annie McClanahan’s Dead Pledges: Debt, Crisis, and Twenty-First Century Culture (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the LA Review of Books notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering “a new ‘crisis subjectivity’ in the wake of the mortgage meltdown’s shattering revelations.” Dead Pledges is a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live.
Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When teaching a public course called “The Age of Debt” this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was <a href="https://www.faculty.uci.edu/profile.cfm?faculty_id=6264">Annie McClanahan</a>’s <a href="http://www.amazon.com/dp/1503606589/?tag=newbooinhis-20"><em>Dead Pledges: Debt, Crisis, and Twenty-First Century Culture</em></a> (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the <em>LA Review of Books</em> notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering “a new ‘crisis subjectivity’ in the wake of the mortgage meltdown’s shattering revelations.” <em>Dead Pledges</em> is a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live.</p><p><em>Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7a788300-a43b-11ee-9abb-235329de6a00]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9483010697.mp3?updated=1703628861" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Kaufmann-Buhler, "Open Plan: A Design History of the American Office" (Bloomsbury, 2021)</title>
      <description>Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 28 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Kaufmann-Buhler</itunes:subtitle>
      <itunes:summary>Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book <a href="https://bookshop.org/a/12343/9781350044722"><em>Open Plan: A Design History of the American Office</em></a> (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes.</p><p><a href="http://nushelledesilva.com/"><em>Nushelle de Silva</em></a><em> is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3005</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[392d5038-a4fe-11ee-b5eb-6f48b7fb2a16]]></guid>
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    <item>
      <title>Nicole Seymour, "Glitter" (Bloombury, 2022)</title>
      <description>Glitter (Bloomsbury, 2022) by Dr. Nicole Seymour reveals the complexity of an object often dismissed as frivolous. Dr. Seymour describes how glitter's consumption and status have shifted across centuries-from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory-along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity.
Glitter is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 28 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicole Seymour</itunes:subtitle>
      <itunes:summary>Glitter (Bloomsbury, 2022) by Dr. Nicole Seymour reveals the complexity of an object often dismissed as frivolous. Dr. Seymour describes how glitter's consumption and status have shifted across centuries-from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory-along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity.
Glitter is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501373763"><em>Glitter</em></a> (Bloomsbury, 2022) by Dr. Nicole Seymour reveals the complexity of an object often dismissed as frivolous. Dr. Seymour describes how glitter's consumption and status have shifted across centuries-from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory-along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity.</p><p>Glitter is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1821</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[93ea6d62-a4d6-11ee-8a11-23ac95450ee8]]></guid>
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    <item>
      <title>Bryan McCann, "The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era" (U Alabama Press, 2017)</title>
      <description>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 26 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bryan McCann</itunes:subtitle>
      <itunes:summary>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, Dr. <a href="https://www.geneseo.edu/communication/lee-pierce">Lee Pierce</a> (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews <a href="https://www.lsu.edu/hss/cmst/people/faculty/BMccann.php">Bryan McCann</a> (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism <a href="http://www.amazon.com/dp/0817319484/?tag=newbooinhis-20"><em>The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era</em></a> (University of Alabama Press, 2017). <em>The Mark of Criminality </em>positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3770</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3603739666.mp3?updated=1703432663" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nate Patrin, "The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave" (U Minnesota Press, 2023)</title>
      <description>In The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave (University of Minnesota Press, 2023), Nate Patrin examines how the link between film and song endures as more than a memory. It is, in fact, a sort of cultural symbiosis that has mutually influenced movies and pop music, a phenomenon Patrin tracks through the past fifty years, revealing the power of music in movies to move the needle in popular culture. Rock 'n' roll, reggae, R&amp;B, jazz, techno, and hip-hop: each had its moment--or many--as music deployed in movies emerged as a form of interpretive commentary, making way for the legitimization of pop and rock music as art forms worthy of serious consideration. These commentaries run the gamut from comedic irony to cheap-thrills excitement to deeply felt drama, all of which Patrin examines in pairings such as American Graffiti and "Do You Want to Dance?"; Saturday Night Fever and "Disco Inferno"; Apocalypse Now and "The End"; Wayne's World and "Bohemian Rhapsody"; and Jackie Brown and "Didn't I Blow Your Mind This Time?"
What gives power to these individual moments, and how have they shaped and shifted music history, recasting source material or even stirring wider interest in previously niche pop genres? As Patrin surveys the scene--musical and cinematic--across the decades, expanding into the deeper origins, wider connections, and echoed histories that come into play, The Needle and the Lens offers a new way of seeing, and hearing, these iconic soundtrack moments.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 23 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nate Patrin</itunes:subtitle>
      <itunes:summary>In The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave (University of Minnesota Press, 2023), Nate Patrin examines how the link between film and song endures as more than a memory. It is, in fact, a sort of cultural symbiosis that has mutually influenced movies and pop music, a phenomenon Patrin tracks through the past fifty years, revealing the power of music in movies to move the needle in popular culture. Rock 'n' roll, reggae, R&amp;B, jazz, techno, and hip-hop: each had its moment--or many--as music deployed in movies emerged as a form of interpretive commentary, making way for the legitimization of pop and rock music as art forms worthy of serious consideration. These commentaries run the gamut from comedic irony to cheap-thrills excitement to deeply felt drama, all of which Patrin examines in pairings such as American Graffiti and "Do You Want to Dance?"; Saturday Night Fever and "Disco Inferno"; Apocalypse Now and "The End"; Wayne's World and "Bohemian Rhapsody"; and Jackie Brown and "Didn't I Blow Your Mind This Time?"
What gives power to these individual moments, and how have they shaped and shifted music history, recasting source material or even stirring wider interest in previously niche pop genres? As Patrin surveys the scene--musical and cinematic--across the decades, expanding into the deeper origins, wider connections, and echoed histories that come into play, The Needle and the Lens offers a new way of seeing, and hearing, these iconic soundtrack moments.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781517913243"><em>The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave</em></a><em> </em>(University of Minnesota Press, 2023), Nate Patrin examines how the link between film and song endures as more than a memory. It is, in fact, a sort of cultural symbiosis that has mutually influenced movies and pop music, a phenomenon Patrin tracks through the past fifty years, revealing the power of music in movies to move the needle in popular culture. Rock 'n' roll, reggae, R&amp;B, jazz, techno, and hip-hop: each had its moment--or many--as music deployed in movies emerged as a form of interpretive commentary, making way for the legitimization of pop and rock music as art forms worthy of serious consideration. These commentaries run the gamut from comedic irony to cheap-thrills excitement to deeply felt drama, all of which Patrin examines in pairings such as American Graffiti and "Do You Want to Dance?"; Saturday Night Fever and "Disco Inferno"; Apocalypse Now and "The End"; Wayne's World and "Bohemian Rhapsody"; and Jackie Brown and "Didn't I Blow Your Mind This Time?"</p><p>What gives power to these individual moments, and how have they shaped and shifted music history, recasting source material or even stirring wider interest in previously niche pop genres? As Patrin surveys the scene--musical and cinematic--across the decades, expanding into the deeper origins, wider connections, and echoed histories that come into play, <em>The Needle and the Lens</em> offers a new way of seeing, and hearing, these iconic soundtrack moments.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3144</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[53d3c252-a10a-11ee-99c3-8f42a8c9e439]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7551989617.mp3?updated=1703278618" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elise Hu, "Flawless: Lessons in Looks and Culture from the K-Beauty Capital" (Dutton, 2023)</title>
      <description>In August, Representative Alexandria Ocasio-Cortez took to Twitter to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best.
But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book Flawless: Lessons in Looks and Culture from the K-Beauty Capital (Dutton, 2023)
In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy.
Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Flawless. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elise Hu</itunes:subtitle>
      <itunes:summary>In August, Representative Alexandria Ocasio-Cortez took to Twitter to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best.
But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book Flawless: Lessons in Looks and Culture from the K-Beauty Capital (Dutton, 2023)
In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy.
Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Flawless. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In August, Representative Alexandria Ocasio-Cortez <a href="https://twitter.com/RepAOC/status/1689796457937637376">took to Twitter</a> to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best.</p><p>But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book <a href="https://bookshop.org/a/12343/9780593184189"><em>Flawless: Lessons in Looks and Culture from the K-Beauty Capital </em></a>(Dutton, 2023)</p><p>In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy.</p><p>Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan.</p><p>Y<em>ou can find more reviews, excerpts, interviews, and essays at</em><a href="https://asianreviewofbooks.com/"> <em>The Asian Review of Books</em></a><em>, including its review of </em><a href="https://asianreviewofbooks.com/content/flawless-lessons-in-looks-and-culture-from-the-k-beauty-capital-by-elise-hu/"><em>Flawless</em></a><em>. Follow on Twitter at</em><a href="https://twitter.com/BookReviewsAsia"> <em>@BookReviewsAsia</em></a><em>.</em></p><p><em>Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at</em><a href="https://twitter.com/nickrigordon?lang=en"><em>@nickrigordon</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2114</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Helen Louise Cowie, "Victims of Fashion: Animal Commodities in Victorian Britain" (Cambridge UP, 2021)</title>
      <description>Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory.
In Victims of Fashion: Animal Commodities in Victorian Britain (Cambridge University Press, 2021), Dr. Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. Dr. Cowie also assesses the ecological impact of nineteenth-century fashion.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Helen Louise Cowie</itunes:subtitle>
      <itunes:summary>Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory.
In Victims of Fashion: Animal Commodities in Victorian Britain (Cambridge University Press, 2021), Dr. Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. Dr. Cowie also assesses the ecological impact of nineteenth-century fashion.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory.</p><p>In <a href="https://bookshop.org/a/12343/9781108495172"><em>Victims of Fashion: Animal Commodities in Victorian Britain</em></a> (Cambridge University Press, 2021), Dr. Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. Dr. Cowie also assesses the ecological impact of nineteenth-century fashion.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3483</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Emma Reay, "The Child in Videogames: From the Meek, to the Mighty, to the Monstrous" (Palgrave Macmillan, 2023)</title>
      <description>Drawing across Games Studies, Childhood Studies, and Children’s Literature Studies, Emma Reay's book The Child in Videogames: From the Meek, to the Mighty, to the Monstrous (Palgrave Macmillan, 2023) redirects critical conversations away from questions of whether videogames are ‘good’ or ‘bad’ for child-players and towards questions of how videogames produce childhood as a set of social roles and rules in contemporary Western contexts. 
It does so by cataloguing and critiquing representations of childhood across a corpus of over 500 contemporary videogames. While child-players are frequently the topic of academic debate – particularly within the fields of psychology, behavioural science, and education research - child-characters in videogames are all but invisible. This book's aim is to make these child-characters not only visible, but legible, and to demonstrate that coded kids in virtual worlds can shed light on how and why the boundaries between adults and children are shifting.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 20 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emma Reay</itunes:subtitle>
      <itunes:summary>Drawing across Games Studies, Childhood Studies, and Children’s Literature Studies, Emma Reay's book The Child in Videogames: From the Meek, to the Mighty, to the Monstrous (Palgrave Macmillan, 2023) redirects critical conversations away from questions of whether videogames are ‘good’ or ‘bad’ for child-players and towards questions of how videogames produce childhood as a set of social roles and rules in contemporary Western contexts. 
It does so by cataloguing and critiquing representations of childhood across a corpus of over 500 contemporary videogames. While child-players are frequently the topic of academic debate – particularly within the fields of psychology, behavioural science, and education research - child-characters in videogames are all but invisible. This book's aim is to make these child-characters not only visible, but legible, and to demonstrate that coded kids in virtual worlds can shed light on how and why the boundaries between adults and children are shifting.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Drawing across Games Studies, Childhood Studies, and Children’s Literature Studies, Emma Reay's book <a href="https://bookshop.org/a/12343/9783031423703"><em>The Child in Videogames: From the Meek, to the Mighty, to the Monstrous</em></a> (Palgrave Macmillan, 2023) redirects critical conversations away from questions of whether videogames are ‘good’ or ‘bad’ for child-players and towards questions of how videogames produce childhood as a set of social roles and rules in contemporary Western contexts. </p><p>It does so by cataloguing and critiquing representations of childhood across a corpus of over 500 contemporary videogames. While child-players are frequently the topic of academic debate – particularly within the fields of psychology, behavioural science, and education research - child-characters in videogames are all but invisible. This book's aim is to make these child-characters not only visible, but legible, and to demonstrate that coded kids in virtual worlds can shed light on how and why the boundaries between adults and children are shifting.</p><p><em>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1757</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ffae9e66-9e9a-11ee-bfc3-0bb3dd546b00]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5431557665.mp3?updated=1703010353" length="0" type="audio/mpeg"/>
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    <item>
      <title>David Craig, "Apocalypse Television: How The Day After Helped Save the World" (Applause Books, 2023)</title>
      <description>On November 20, 1983, a three-hour made-for-TV movie The Day After premiered on ABC. Set in the heartland of Lawrence, Kansas, the film depicted the events before, during, and after a Soviet nuclear attack with vivid scenes of the post-apocalyptic hellscape that would follow. The film was viewed by over 100 million Americans and remains the highest rated TV movie in history. After the premiere, ABC News aired an episode of Viewpoint, a live special featuring some of the most prominent public intellectuals of the debating the virtues of the Arms Race and the prospect of a winnable nuclear war. The response to the film proved more powerful than perhaps any film or television program in the history of media. Aside from its record-shattering Nielsen ratings, it enjoyed critical acclaim as well as international box office success in theatrical screenings.
The path to primetime for The Day After proved nearly as treacherous as the film's narrative. Battles ensued behind the scenes at the network, between the network and the filmmakers, with Broadcast Standards and Ad Sales, in the edit room and on the set, including the "nuke-mares" experienced by the cast. After the director was pushed aside, he contemplated suicide while also engineering a comeback through the press. But these skirmishes pale in comparison to the culture wars triggered by the film in the press, alongside a growing Nuclear Freeze movement, and from a united, pro-nuclear Right. Once efforts to alter the script failed, the White House conducted a full-throttled propaganda campaign to hijack the film's message.
Apocalypse Television: How the Day After Helped End the Cold War (Applause Books, 2023) features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, Reagan officials in the White House who mounted the propaganda campaign, rogue publicists who hijacked the film to promote a Nuclear Freeze, the backlash from the conservative movement and Religious Right, the challenges encountered by film's production team from conception to reception, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot, if also, ground zero in America's nuclear heartland.
David Craig is a Clinical Professor in the Annenberg School at the University of Southern California. Before his academic career, he was a multiple Emmy-nominated Hollywood producer and cable television executive involved in over thirty projects.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 20 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>182</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Craig</itunes:subtitle>
      <itunes:summary>On November 20, 1983, a three-hour made-for-TV movie The Day After premiered on ABC. Set in the heartland of Lawrence, Kansas, the film depicted the events before, during, and after a Soviet nuclear attack with vivid scenes of the post-apocalyptic hellscape that would follow. The film was viewed by over 100 million Americans and remains the highest rated TV movie in history. After the premiere, ABC News aired an episode of Viewpoint, a live special featuring some of the most prominent public intellectuals of the debating the virtues of the Arms Race and the prospect of a winnable nuclear war. The response to the film proved more powerful than perhaps any film or television program in the history of media. Aside from its record-shattering Nielsen ratings, it enjoyed critical acclaim as well as international box office success in theatrical screenings.
The path to primetime for The Day After proved nearly as treacherous as the film's narrative. Battles ensued behind the scenes at the network, between the network and the filmmakers, with Broadcast Standards and Ad Sales, in the edit room and on the set, including the "nuke-mares" experienced by the cast. After the director was pushed aside, he contemplated suicide while also engineering a comeback through the press. But these skirmishes pale in comparison to the culture wars triggered by the film in the press, alongside a growing Nuclear Freeze movement, and from a united, pro-nuclear Right. Once efforts to alter the script failed, the White House conducted a full-throttled propaganda campaign to hijack the film's message.
Apocalypse Television: How the Day After Helped End the Cold War (Applause Books, 2023) features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, Reagan officials in the White House who mounted the propaganda campaign, rogue publicists who hijacked the film to promote a Nuclear Freeze, the backlash from the conservative movement and Religious Right, the challenges encountered by film's production team from conception to reception, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot, if also, ground zero in America's nuclear heartland.
David Craig is a Clinical Professor in the Annenberg School at the University of Southern California. Before his academic career, he was a multiple Emmy-nominated Hollywood producer and cable television executive involved in over thirty projects.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On November 20, 1983, a three-hour made-for-TV movie The Day After premiered on ABC. Set in the heartland of Lawrence, Kansas, the film depicted the events before, during, and after a Soviet nuclear attack with vivid scenes of the post-apocalyptic hellscape that would follow. The film was viewed by over 100 million Americans and remains the highest rated TV movie in history. After the premiere, ABC News aired an episode of Viewpoint, a live special featuring some of the most prominent public intellectuals of the debating the virtues of the Arms Race and the prospect of a winnable nuclear war. The response to the film proved more powerful than perhaps any film or television program in the history of media. Aside from its record-shattering Nielsen ratings, it enjoyed critical acclaim as well as international box office success in theatrical screenings.</p><p>The path to primetime for The Day After proved nearly as treacherous as the film's narrative. Battles ensued behind the scenes at the network, between the network and the filmmakers, with Broadcast Standards and Ad Sales, in the edit room and on the set, including the "nuke-mares" experienced by the cast. After the director was pushed aside, he contemplated suicide while also engineering a comeback through the press. But these skirmishes pale in comparison to the culture wars triggered by the film in the press, alongside a growing Nuclear Freeze movement, and from a united, pro-nuclear Right. Once efforts to alter the script failed, the White House conducted a full-throttled propaganda campaign to hijack the film's message.</p><p><a href="https://bookshop.org/a/12343/9781493079179"><em>Apocalypse Television: How the Day After Helped End the Cold War</em></a> (Applause Books, 2023) features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, Reagan officials in the White House who mounted the propaganda campaign, rogue publicists who hijacked the film to promote a Nuclear Freeze, the backlash from the conservative movement and Religious Right, the challenges encountered by film's production team from conception to reception, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot, if also, ground zero in America's nuclear heartland.</p><p>David Craig is a Clinical Professor in the Annenberg School at the University of Southern California. Before his academic career, he was a multiple Emmy-nominated Hollywood producer and cable television executive involved in over thirty projects.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3077</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jonathan B. Losos, "The Cat's Meow: How Cats Evolved from the Savanna to Your Sofa" (Viking, 2023)</title>
      <description>The domestic cat--your cat--has, from its evolutionary origins in Africa, been transformed in comparatively little time into one of the most successful and diverse species on the planet. Jonathan Losos, writing as both a scientist and a cat lover, explores how researchers today are unraveling the secrets of the cat, past and present, using all the tools of modern technology, from GPS tracking (you'd be amazed where those backyard cats roam) and genomics (what is your so-called Siamese cat . . . really?) to forensic archaeology. In addition to solving the mysteries of your cat's past, it gives us a cat's-eye view of today's habitats, including meeting wild cousins around the world whose habits your sweet house cat sometimes eerily parallels.
Do lions and tigers meow? If not, why not? Why does my cat leave a dead mouse at my feet (or on my pillow)? Is a pet ocelot a bad idea? When and why did the cat make its real leap off the African plain? What's with all those cats in Egyptian hieroglyphics? In a genial voice, casually deciphering complex science and history with many examples from his own research and multi-cat household, Losos explores how selection, both natural and artificial, over the last several millennia has shaped the contemporary cat, with new breeds vastly different in anatomy and behavior from their ancestral stock. Yet the cat, ever a predator, still seems only one paw out of the wild, and readily reverts to its feral ways as it occupies new lands around the world.
Humans are transforming cats, and they in turn are transforming the world around them. The Cat's Meow: How Cats Evolved from the Savanna to Your Sofa (Viking, 2023) suggests what the future may hold for both Felis catus and Homo sapiens.
﻿Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 20 Dec 2023 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan B. Losos</itunes:subtitle>
      <itunes:summary>The domestic cat--your cat--has, from its evolutionary origins in Africa, been transformed in comparatively little time into one of the most successful and diverse species on the planet. Jonathan Losos, writing as both a scientist and a cat lover, explores how researchers today are unraveling the secrets of the cat, past and present, using all the tools of modern technology, from GPS tracking (you'd be amazed where those backyard cats roam) and genomics (what is your so-called Siamese cat . . . really?) to forensic archaeology. In addition to solving the mysteries of your cat's past, it gives us a cat's-eye view of today's habitats, including meeting wild cousins around the world whose habits your sweet house cat sometimes eerily parallels.
Do lions and tigers meow? If not, why not? Why does my cat leave a dead mouse at my feet (or on my pillow)? Is a pet ocelot a bad idea? When and why did the cat make its real leap off the African plain? What's with all those cats in Egyptian hieroglyphics? In a genial voice, casually deciphering complex science and history with many examples from his own research and multi-cat household, Losos explores how selection, both natural and artificial, over the last several millennia has shaped the contemporary cat, with new breeds vastly different in anatomy and behavior from their ancestral stock. Yet the cat, ever a predator, still seems only one paw out of the wild, and readily reverts to its feral ways as it occupies new lands around the world.
Humans are transforming cats, and they in turn are transforming the world around them. The Cat's Meow: How Cats Evolved from the Savanna to Your Sofa (Viking, 2023) suggests what the future may hold for both Felis catus and Homo sapiens.
﻿Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The domestic cat--<em>your</em> cat--has, from its evolutionary origins in Africa, been transformed in comparatively little time into one of the most successful and diverse species on the planet. Jonathan Losos, writing as both a scientist and a cat lover, explores how researchers today are unraveling the secrets of the cat, past and present, using all the tools of modern technology, from GPS tracking (you'd be amazed where those backyard cats roam) and genomics (what is your so-called Siamese cat . . . really?) to forensic archaeology. In addition to solving the mysteries of your cat's past, it gives us a cat's-eye view of today's habitats, including meeting wild cousins around the world whose habits your sweet house cat sometimes eerily parallels.</p><p>Do lions and tigers meow? If not, why not? Why does my cat leave a dead mouse at my feet (or on my pillow)? Is a pet ocelot a bad idea? When and why did the cat make its real leap off the African plain? What's with all those cats in Egyptian hieroglyphics? In a genial voice, casually deciphering complex science and history with many examples from his own research and multi-cat household, Losos explores how selection, both natural and artificial, over the last several millennia has shaped the contemporary cat, with new breeds vastly different in anatomy and behavior from their ancestral stock. Yet the cat, ever a predator, still seems only one paw out of the wild, and readily reverts to its feral ways as it occupies new lands around the world.</p><p>Humans are transforming cats, and they in turn are transforming the world around them. <a href="https://bookshop.org/a/12343/9781984878700"><em>The Cat's Meow: How Cats Evolved from the Savanna to Your Sofa</em></a> (Viking, 2023) suggests what the future may hold for both <em>Felis catus</em> and <em>Homo sapiens</em>.</p><p><em>﻿</em><a href="https://www.linkedin.com/in/melek-firat-altay/"><em>Melek Firat Altay</em></a><em> is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2371</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Brian Brown and Virginia Kuulei Berndt, "Body Art" (Emerald Publishing, 2023)</title>
      <description>Body art, especially tattoos and piercings, has enjoyed an explosion of interest in recent years. However, the response of many health professionals and researchers to this phenomenon is often negative, as body art continues to be associated with issues ranging from ill mental health to offending behaviors.
Arguing for a reappraisal of the diverse range of practices that fall under this heading, Brian Brown and Virginia (Ginger) Kuulei Berndt reconsider body art as an underappreciated yet accessible source for mental and physical wellbeing. How, they ask, does body art open up new sources of community, sociality, and aesthetics? How is it used for the reclamation of one’s body, as a marker of success or accomplishment, or for building friendships? How does participation in these practices impact the health and wellbeing of body artists themselves?
Providing a radical rethink that integrates tattoos and other body modifications within health, wellbeing, and positive psychology, Body Art (Emerald Publishing, 2023) disrupts the narrative of stigmatisation that so often surrounds these practices to welcome a broader discussion of the benefits they can offer.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>331</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brian Brown and Virginia Kuulei Berndt</itunes:subtitle>
      <itunes:summary>Body art, especially tattoos and piercings, has enjoyed an explosion of interest in recent years. However, the response of many health professionals and researchers to this phenomenon is often negative, as body art continues to be associated with issues ranging from ill mental health to offending behaviors.
Arguing for a reappraisal of the diverse range of practices that fall under this heading, Brian Brown and Virginia (Ginger) Kuulei Berndt reconsider body art as an underappreciated yet accessible source for mental and physical wellbeing. How, they ask, does body art open up new sources of community, sociality, and aesthetics? How is it used for the reclamation of one’s body, as a marker of success or accomplishment, or for building friendships? How does participation in these practices impact the health and wellbeing of body artists themselves?
Providing a radical rethink that integrates tattoos and other body modifications within health, wellbeing, and positive psychology, Body Art (Emerald Publishing, 2023) disrupts the narrative of stigmatisation that so often surrounds these practices to welcome a broader discussion of the benefits they can offer.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Body art, especially tattoos and piercings, has enjoyed an explosion of interest in recent years. However, the response of many health professionals and researchers to this phenomenon is often negative, as body art continues to be associated with issues ranging from ill mental health to offending behaviors.</p><p>Arguing for a reappraisal of the diverse range of practices that fall under this heading, <a href="https://www.dmu.ac.uk/about-dmu/academic-staff/health-and-life-sciences/brian-brown/brian-brown.aspx">Brian Brown</a> and <a href="https://www.virginiaberndt.com/">Virginia (Ginger) Kuulei Berndt</a> reconsider body art as an underappreciated yet accessible source for mental and physical wellbeing. How, they ask, does body art open up new sources of community, sociality, and aesthetics? How is it used for the reclamation of one’s body, as a marker of success or accomplishment, or for building friendships? How does participation in these practices impact the health and wellbeing of body artists themselves?</p><p>Providing a radical rethink that integrates tattoos and other body modifications within health, wellbeing, and positive psychology,<a href="https://books.emeraldinsight.com/book/detail/body-art/?k=9781804558119"> <em>Body Art</em></a> (Emerald Publishing, 2023) disrupts the narrative of stigmatisation that so often surrounds these practices to welcome a broader discussion of the benefits they can offer.</p><p><strong><em>Michael O. Johnston, Ph.D.</em></strong><em> is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2406</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[77fb1c64-9d15-11ee-96e5-0bb837e907f9]]></guid>
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    <item>
      <title>Yaron Eliav, "A Jew in the Roman Bathhouse: Cultural Interaction in the Ancient Mediterranean" (Princeton UP, 2023)</title>
      <description>Public bathhouses embodied the Roman way of life, from food and fashion to sculpture and sports. The most popular institution of the ancient Mediterranean world, the baths drew people of all backgrounds. They were places suffused with nudity, sex, and magic. A Jew in the Roman Bathhouse: Cultural Interaction in the Ancient Mediterranean (Princeton UP, 2023) reveals how Jews navigated this space with ease and confidence, engaging with Roman bath culture rather than avoiding it.
In this landmark interdisciplinary work of cultural history, Yaron Eliav uses the Roman bathhouse as a social laboratory to reexamine how Jews interacted with Graeco-Roman culture. He reconstructs their thoughts, feelings, and beliefs about the baths and the activities that took place there, documenting their pleasures as well as their anxieties and concerns. Archaeologists have excavated hundreds of bathhouse facilities across the Mediterranean. Graeco-Roman writers mention the bathhouse frequently, and rabbinic literature contains hundreds of references to the baths. Eliav draws on the archaeological and literary record to offer fresh perspectives on the Jews of antiquity, developing a new model for the ways smaller and often weaker groups interact with large, dominant cultures.
A compelling and richly evocative work of scholarship, A Jew in the Roman Bathhouse challenges us to rethink the relationship between Judaism and Graeco-Roman society, shedding new light on how cross-cultural engagement shaped Western civilization.
Yaron Eliav is Associate Professor of Rabbinic Literature and Jewish History of Late Antiquity at the University of Michigan, Ann Arbor.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 17 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Public bathhouses embodied the Roman way of life, from food and fashion to sculpture and sports. The most popular institution of the ancient Mediterranean world, the baths drew people of all backgrounds. They were places suffused with nudity, sex, and magic. A Jew in the Roman Bathhouse: Cultural Interaction in the Ancient Mediterranean (Princeton UP, 2023) reveals how Jews navigated this space with ease and confidence, engaging with Roman bath culture rather than avoiding it.
In this landmark interdisciplinary work of cultural history, Yaron Eliav uses the Roman bathhouse as a social laboratory to reexamine how Jews interacted with Graeco-Roman culture. He reconstructs their thoughts, feelings, and beliefs about the baths and the activities that took place there, documenting their pleasures as well as their anxieties and concerns. Archaeologists have excavated hundreds of bathhouse facilities across the Mediterranean. Graeco-Roman writers mention the bathhouse frequently, and rabbinic literature contains hundreds of references to the baths. Eliav draws on the archaeological and literary record to offer fresh perspectives on the Jews of antiquity, developing a new model for the ways smaller and often weaker groups interact with large, dominant cultures.
A compelling and richly evocative work of scholarship, A Jew in the Roman Bathhouse challenges us to rethink the relationship between Judaism and Graeco-Roman society, shedding new light on how cross-cultural engagement shaped Western civilization.
Yaron Eliav is Associate Professor of Rabbinic Literature and Jewish History of Late Antiquity at the University of Michigan, Ann Arbor.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Public bathhouses embodied the Roman way of life, from food and fashion to sculpture and sports. The most popular institution of the ancient Mediterranean world, the baths drew people of all backgrounds. They were places suffused with nudity, sex, and magic. <a href="https://bookshop.org/a/12343/9780691243436"><em>A Jew in the Roman Bathhouse: Cultural Interaction in the Ancient Mediterranean</em></a><em> </em>(Princeton UP, 2023) reveals how Jews navigated this space with ease and confidence, engaging with Roman bath culture rather than avoiding it.</p><p>In this landmark interdisciplinary work of cultural history, Yaron Eliav uses the Roman bathhouse as a social laboratory to reexamine how Jews interacted with Graeco-Roman culture. He reconstructs their thoughts, feelings, and beliefs about the baths and the activities that took place there, documenting their pleasures as well as their anxieties and concerns. Archaeologists have excavated hundreds of bathhouse facilities across the Mediterranean. Graeco-Roman writers mention the bathhouse frequently, and rabbinic literature contains hundreds of references to the baths. Eliav draws on the archaeological and literary record to offer fresh perspectives on the Jews of antiquity, developing a new model for the ways smaller and often weaker groups interact with large, dominant cultures.</p><p>A compelling and richly evocative work of scholarship, <em>A Jew in the Roman Bathhouse</em> challenges us to rethink the relationship between Judaism and Graeco-Roman society, shedding new light on how cross-cultural engagement shaped Western civilization.</p><p>Yaron Eliav is Associate Professor of Rabbinic Literature and Jewish History of Late Antiquity at the University of Michigan, Ann Arbor.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4820</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Benjamin A. Wurgaft and Merry White, "Ways of Eating: Exploring Food Through History and Culture" (U California Press, 2023)</title>
      <description>What we learn when an anthropologist and a historian talk about food.
From the origins of agriculture to contemporary debates over culinary authenticity, Ways of Eating: Exploring Food Through History and Culture (U California Press, 2023) introduces readers to world food history and food anthropology. Through engaging stories and historical deep dives, Benjamin A. Wurgaft and Merry I. White offer new ways to understand food in relation to its natural and cultural histories and the social rules that shape our meals.
Wurgaft and White use vivid storytelling to bring food practices to life, weaving stories of Panamanian coffee growers, medieval women beer makers, and Japanese knife forgers. From the Venetian spice trade to the Columbian Exchange, from Roman garum to Vietnamese nớc chấm, Ways of Eating provides an absorbing account of world food history and anthropology. Migration, politics, and the dynamics of group identity all shape what we eat, and we can learn to trace these social forces from the plate to the kitchen, the factory, and the field.
﻿Kelly Spivey is a writer and documentarian.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 17 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Benjamin A. Wurgaft and Merry White</itunes:subtitle>
      <itunes:summary>What we learn when an anthropologist and a historian talk about food.
From the origins of agriculture to contemporary debates over culinary authenticity, Ways of Eating: Exploring Food Through History and Culture (U California Press, 2023) introduces readers to world food history and food anthropology. Through engaging stories and historical deep dives, Benjamin A. Wurgaft and Merry I. White offer new ways to understand food in relation to its natural and cultural histories and the social rules that shape our meals.
Wurgaft and White use vivid storytelling to bring food practices to life, weaving stories of Panamanian coffee growers, medieval women beer makers, and Japanese knife forgers. From the Venetian spice trade to the Columbian Exchange, from Roman garum to Vietnamese nớc chấm, Ways of Eating provides an absorbing account of world food history and anthropology. Migration, politics, and the dynamics of group identity all shape what we eat, and we can learn to trace these social forces from the plate to the kitchen, the factory, and the field.
﻿Kelly Spivey is a writer and documentarian.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What we learn when an anthropologist and a historian talk about food.</p><p>From the origins of agriculture to contemporary debates over culinary authenticity, <a href="https://bookshop.org/a/12343/9780520392984"><em>Ways of Eating: Exploring Food Through History and Culture </em></a>(U California Press, 2023) introduces readers to world food history and food anthropology. Through engaging stories and historical deep dives, Benjamin A. Wurgaft and Merry I. White offer new ways to understand food in relation to its natural and cultural histories and the social rules that shape our meals.</p><p>Wurgaft and White use vivid storytelling to bring food practices to life, weaving stories of Panamanian coffee growers, medieval women beer makers, and Japanese knife forgers. From the Venetian spice trade to the Columbian Exchange, from Roman <em>garum</em> to Vietnamese nớc chấm, <em>Ways of Eating</em> provides an absorbing account of world food history and anthropology. Migration, politics, and the dynamics of group identity all shape what we eat, and we can learn to trace these social forces from the plate to the kitchen, the factory, and the field.</p><p><em>﻿</em><a href="https://kellyespivey.com/"><em>Kelly Spivey</em></a><em> is a writer and documentarian.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3755</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Peter Richardson, "Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo" (U California Press, 2022)</title>
      <description>Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 15 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Richardson</itunes:subtitle>
      <itunes:summary>Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In <a href="https://bookshop.org/a/12343/9780520304925"><em>Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo</em></a> (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment.</p><p><a href="https://cas.stthomas.edu/departments/faculty/stephen-hausmann/"><em>Dr. Stephen R. Hausmann</em></a><em> is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4350</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Caroline J. Smith, "Season to Taste: Rewriting Kitchen Space in Contemporary Women's Food Memoirs" (U Mississippi Press, 2023)</title>
      <description>Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs (U Mississippi Press, 2023) explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food.
Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen.
﻿Jeannette Cockroft is an associate professor of history and political science at Schreiner University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 14 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs (U Mississippi Press, 2023) explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food.
Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen.
﻿Jeannette Cockroft is an associate professor of history and political science at Schreiner University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. <a href="https://www.upress.state.ms.us/Books/S/Season-to-Taste"><em>Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs</em></a> (U Mississippi Press, 2023) explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food.</p><p>Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. <em>Better Homes and Gardens</em>, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in <em>Season to Taste</em>, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen.</p><p><em>﻿</em><a href="https://schreiner.edu/su-directory/cockroft-jeannette/"><em>Jeannette Cockroft</em></a><em> is an associate professor of history and political science at Schreiner University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1925</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lynn Z. Bloom, "Recipe" (Bloomsbury, 2022)</title>
      <description>Recipe (Bloomsbury, 2022) by Lynn Z. Bloom reveals the surprising lessons that recipes teach, in addition to the obvious instructions on how to prepare a dish or perform a process. These include lessons in hospitality, friendship, community, family and ethnic heritage, tradition, nutrition, precision and order, invention and improvisation, feasting and famine, survival and seduction and love. A recipe is a signature, as individual as the cook's fingerprint; a passport to travel the world without leaving the kitchen; a lifeline for people in hunger and in want; and always a means to expand one's worldview, if not waistline.
This book is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 13 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lynn Z. Bloom</itunes:subtitle>
      <itunes:summary>Recipe (Bloomsbury, 2022) by Lynn Z. Bloom reveals the surprising lessons that recipes teach, in addition to the obvious instructions on how to prepare a dish or perform a process. These include lessons in hospitality, friendship, community, family and ethnic heritage, tradition, nutrition, precision and order, invention and improvisation, feasting and famine, survival and seduction and love. A recipe is a signature, as individual as the cook's fingerprint; a passport to travel the world without leaving the kitchen; a lifeline for people in hunger and in want; and always a means to expand one's worldview, if not waistline.
This book is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501367106"><em>Recipe</em></a><em> </em>(Bloomsbury, 2022) by Lynn Z. Bloom reveals the surprising lessons that recipes teach, in addition to the obvious instructions on how to prepare a dish or perform a process. These include lessons in hospitality, friendship, community, family and ethnic heritage, tradition, nutrition, precision and order, invention and improvisation, feasting and famine, survival and seduction and love. A recipe is a signature, as individual as the cook's fingerprint; a passport to travel the world without leaving the kitchen; a lifeline for people in hunger and in want; and always a means to expand one's worldview, if not waistline.</p><p>This book is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2210</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af8ac0e6-991c-11ee-b359-0fe85a201a71]]></guid>
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    <item>
      <title>Rob Harvilla, "60 Songs That Explain The 90s" (Twelve, 2023)</title>
      <description>A companion to the #1 music podcast on Spotify, this book takes listeners through the greatest hits that define a weirdly undefinable decade.
The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&amp;B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In 60 Songs That Explain The 90s (Twelve, 2023), Ringer music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>214</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rob Harvilla</itunes:subtitle>
      <itunes:summary>A companion to the #1 music podcast on Spotify, this book takes listeners through the greatest hits that define a weirdly undefinable decade.
The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&amp;B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In 60 Songs That Explain The 90s (Twelve, 2023), Ringer music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A companion to the #1 music podcast on Spotify, this book takes listeners through the greatest hits that define a weirdly undefinable decade.</p><p>The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&amp;B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In <a href="https://bookshop.org/a/12343/9781538759462"><em>60 Songs That Explain The 90s</em></a> (Twelve, 2023), <em>Ringer </em>music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3183</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b838aca4-9844-11ee-a786-9f258195ea78]]></guid>
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    <item>
      <title>Jesse Dart, "Feeding the Hustle: Free Food &amp; Care Inside the Tech Industry" (Lexington Books, 2022)</title>
      <description>Food is increasingly a subject of interest in social sciences: how we cook, consume, and share food is relevant to our social lives. In Feeding the Hustle: Free Food &amp; Care Inside the Tech Industry (Lexington Books, 2022), Jesse Dart draws on ethnographic fieldwork to consider the ways in which free food has become ubiquitous and even compulsory within the tech industry. Packed lunches have nearly disappeared as more companies provide free food with the stated objectives of attracting and retaining employees, increasing productivity, and creating a sense of community through commensality. Dart demonstrates how these food programs alter the relationship between employer and employee, support a flexible type of workforce, and reveal a commensality that is both exclusionary and inclusionary. Through detailed descriptions and insightful analysis, the book illustrates the tension embedded in food perks in the workplace, between food as a kind of gift and as a part of everyday entitlement.
Jesse Dart is a social anthropologist and writer whose origins are in southern Illinois. He has spent many years living, researching and studying overseas, most recently in Italy. His academic interests are in the anthropology of work, food, and care. He is currently the senior UX research at Hyatt Hotels Corporation.
Yadong Li is a PhD student in anthropology at Tulane University. He conducts ethnography among ufologists in China. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 11 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>270</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jesse Dart</itunes:subtitle>
      <itunes:summary>Food is increasingly a subject of interest in social sciences: how we cook, consume, and share food is relevant to our social lives. In Feeding the Hustle: Free Food &amp; Care Inside the Tech Industry (Lexington Books, 2022), Jesse Dart draws on ethnographic fieldwork to consider the ways in which free food has become ubiquitous and even compulsory within the tech industry. Packed lunches have nearly disappeared as more companies provide free food with the stated objectives of attracting and retaining employees, increasing productivity, and creating a sense of community through commensality. Dart demonstrates how these food programs alter the relationship between employer and employee, support a flexible type of workforce, and reveal a commensality that is both exclusionary and inclusionary. Through detailed descriptions and insightful analysis, the book illustrates the tension embedded in food perks in the workplace, between food as a kind of gift and as a part of everyday entitlement.
Jesse Dart is a social anthropologist and writer whose origins are in southern Illinois. He has spent many years living, researching and studying overseas, most recently in Italy. His academic interests are in the anthropology of work, food, and care. He is currently the senior UX research at Hyatt Hotels Corporation.
Yadong Li is a PhD student in anthropology at Tulane University. He conducts ethnography among ufologists in China. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Food is increasingly a subject of interest in social sciences: how we cook, consume, and share food is relevant to our social lives. In <a href="https://bookshop.org/a/12343/9781793635013"><em>Feeding the Hustle: Free Food &amp; Care Inside the Tech Industry</em></a> (Lexington Books, 2022), Jesse Dart draws on ethnographic fieldwork to consider the ways in which free food has become ubiquitous and even compulsory within the tech industry. Packed lunches have nearly disappeared as more companies provide free food with the stated objectives of attracting and retaining employees, increasing productivity, and creating a sense of community through commensality. Dart demonstrates how these food programs alter the relationship between employer and employee, support a flexible type of workforce, and reveal a commensality that is both exclusionary and inclusionary. Through detailed descriptions and insightful analysis, the book illustrates the tension embedded in food perks in the workplace, between food as a kind of gift and as a part of everyday entitlement.</p><p>Jesse Dart is a social anthropologist and writer whose origins are in southern Illinois. He has spent many years living, researching and studying overseas, most recently in Italy. His academic interests are in the anthropology of work, food, and care. He is currently the senior UX research at Hyatt Hotels Corporation.</p><p><em>Yadong Li is a PhD student in anthropology at Tulane University. He conducts ethnography among ufologists in China. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found </em><a href="https://liberalarts.tulane.edu/departments/anthropology/people/graduate-students/yadong-li"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3221</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff8f1764-9781-11ee-801c-df6b1e0becb5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5462069970.mp3?updated=1702229705" length="0" type="audio/mpeg"/>
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    <item>
      <title>Paul Crosthwaite et al., "Invested: How Three Centuries of Stock Market Advice Reshaped Our Money, Markets, and Minds" (U Chicago Press, 2022)</title>
      <description>Who hasn’t wished for a surefire formula for riches and a ticket to the good life? For three centuries, investment advisers of all kinds, legit and otherwise, have guaranteed that they alone can illuminate the golden pathway to prosperity—despite strong evidence to the contrary. In fact, too often, they are singing a siren song of devastation. And yet we keep listening.
Invested: Invested: How Three Centuries of Stock Market Advice Reshaped Our Money, Markets, and Minds (U Chicago Press, 2022) tells the story of how the genre of investment advice developed and grew in the United Kingdom and the United States, from its origins in the eighteenth century through today, as it saturates our world. The authors analyze centuries of books, TV shows, blogs, and more, all promising techniques for amateur investors to master the ways of the market: from Thomas Mortimer’s pathbreaking 1761 work, Every Man His Own Broker, through the Gilded Age explosion of sensationalist investment manuals, the early twentieth-century emergence of a vernacular financial science, and the more recent convergence of self-help and personal finance. Invested asks why, in the absence of evidence that such advice reliably works, guides to the stock market have remained perennially popular. The authors argue that the appeal of popular investment advice lies in its promise to level the playing field, giving outsiders the privileged information of insiders. As Invested persuasively shows, the fantasies sold by these writings are damaging and deceptive, peddling unrealistic visions of easy profits and the certainty of success, while trying to hide the fact that there is no formula for avoiding life’s economic uncertainties and calamities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 10 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Crosthwaite and Helen Paul</itunes:subtitle>
      <itunes:summary>Who hasn’t wished for a surefire formula for riches and a ticket to the good life? For three centuries, investment advisers of all kinds, legit and otherwise, have guaranteed that they alone can illuminate the golden pathway to prosperity—despite strong evidence to the contrary. In fact, too often, they are singing a siren song of devastation. And yet we keep listening.
Invested: Invested: How Three Centuries of Stock Market Advice Reshaped Our Money, Markets, and Minds (U Chicago Press, 2022) tells the story of how the genre of investment advice developed and grew in the United Kingdom and the United States, from its origins in the eighteenth century through today, as it saturates our world. The authors analyze centuries of books, TV shows, blogs, and more, all promising techniques for amateur investors to master the ways of the market: from Thomas Mortimer’s pathbreaking 1761 work, Every Man His Own Broker, through the Gilded Age explosion of sensationalist investment manuals, the early twentieth-century emergence of a vernacular financial science, and the more recent convergence of self-help and personal finance. Invested asks why, in the absence of evidence that such advice reliably works, guides to the stock market have remained perennially popular. The authors argue that the appeal of popular investment advice lies in its promise to level the playing field, giving outsiders the privileged information of insiders. As Invested persuasively shows, the fantasies sold by these writings are damaging and deceptive, peddling unrealistic visions of easy profits and the certainty of success, while trying to hide the fact that there is no formula for avoiding life’s economic uncertainties and calamities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who hasn’t wished for a surefire formula for riches and a ticket to the good life? For three centuries, investment advisers of all kinds, legit and otherwise, have guaranteed that they alone can illuminate the golden pathway to prosperity—despite strong evidence to the contrary. In fact, too often, they are singing a siren song of devastation. And yet we keep listening.</p><p><a href="https://bookshop.org/a/12343/9780226821009"><em>Invested: Invested: How Three Centuries of Stock Market Advice Reshaped Our Money, Markets, and Minds</em></a> (U Chicago Press, 2022) tells the story of how the genre of investment advice developed and grew in the United Kingdom and the United States, from its origins in the eighteenth century through today, as it saturates our world. The authors analyze centuries of books, TV shows, blogs, and more, all promising techniques for amateur investors to master the ways of the market: from Thomas Mortimer’s pathbreaking 1761 work, <em>Every Man His Own Broker</em>, through the Gilded Age explosion of sensationalist investment manuals, the early twentieth-century emergence of a vernacular financial science, and the more recent convergence of self-help and personal finance. <em>Invested</em> asks why, in the absence of evidence that such advice reliably works, guides to the stock market have remained perennially popular. The authors argue that the appeal of popular investment advice lies in its promise to level the playing field, giving outsiders the privileged information of insiders. As <em>Invested </em>persuasively shows, the fantasies sold by these writings are damaging and deceptive, peddling unrealistic visions of easy profits and the certainty of success, while trying to hide the fact that there is no formula for avoiding life’s economic uncertainties and calamities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3022</itunes:duration>
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      <title>Mark Davidson and Parker Fishel, "Bob Dylan: Mixing Up the Medicine" (Callaway, 2023)</title>
      <description>Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma.
The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan’s early hero, Woody Guthrie.
Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate’s many musical fans and to a broader national and international audience as well.
Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan’s working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day.
The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive.
With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan’s creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America’s most groundbreaking, influential and enduring artists.
Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin.
Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt’s New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan.
Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan’s Bootleg Series.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 09 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Davidson and Parker Fishel</itunes:subtitle>
      <itunes:summary>Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma.
The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan’s early hero, Woody Guthrie.
Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate’s many musical fans and to a broader national and international audience as well.
Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan’s working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day.
The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive.
With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan’s creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America’s most groundbreaking, influential and enduring artists.
Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin.
Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt’s New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan.
Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan’s Bootleg Series.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma.</p><p>The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan’s early hero, Woody Guthrie.</p><p>Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, <a href="https://bookshop.org/a/12343/9781734537796"><em>Bob Dylan: Mixing Up the Medicine</em></a><em> </em>(Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate’s many musical fans and to a broader national and international audience as well.</p><p>Edited by Mark Davidson and Parker Fishel, <em>Bob Dylan: Mixing Up the Medicine </em>focuses a close look at the full scope of Dylan’s working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through <em>Rough and Rowdy Ways</em> (2020), his most recent studio recording, and into the present day.</p><p>The centerpiece of <em>Bob Dylan: Mixing Up the Medicine </em>is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive.</p><p>With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan’s creative process, but also their own. <em>Bob Dylan: Mixing Up the Medicine </em>is an unprecedented glimpse into the creative life of one of America’s most groundbreaking, influential and enduring artists.</p><p>Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin.</p><p>Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt’s New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in <em>The World of Bob Dylan.</em></p><p>Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan’s <em>Bootleg Series</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3044</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Emily R. Aguiló-Pérez, "An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play" (Berghahn Books, 2022)</title>
      <description>Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play (Berghahn, 2022) offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls.
Through personal narratives and insights, author Dr. Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities.
Dr. Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily R. Aguiló-Pérez</itunes:subtitle>
      <itunes:summary>Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play (Berghahn, 2022) offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls.
Through personal narratives and insights, author Dr. Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities.
Dr. Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. <a href="https://bookshop.org/a/12343/9781805391111"><em>An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play</em></a> (Berghahn, 2022) offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls.</p><p>Through personal narratives and insights, author Dr. Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities.</p><p>Dr. Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2974</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Grace Lin, "Chinese Menu: The History, Myths, and Legends Behind Your Favorite Foods" (Little, Brown Books, 2023)</title>
      <description>Newbery and Caldecott honoree and New York Times bestselling author Grace Lin joins New Books Network to talk about her new, groundbreaking, lushly illustrated, book that explores the whimsical myths and stories behind your favorite American Chinese food. From fried dumplings to fortune cookies, she shares the magical tales and historical roots of these well-loved dishes in Chinese Menu: The History, Myths, and Legends Behind Your Favorite Foods (Little, Brown Books, 2023).
From the fun connection between scallion pancakes and pizza to a look at how wonton soup represents the creation of the world, Grace Lin offers up a mix of insights and folklore.
Separated into courses like a Chinese menu, these tales are filled with squabbling dragons, magical fruits, and hungry monks. Her book brings you to far-off times and marvelous places, all while making your mouth water. And, along the way, you might just discover a deeper understanding of the resilience and triumph behind this food, and what makes it undeniably American.
Interview by Laura Goldberg, longtime food blogger at Vittlesvamp.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Grace Lin</itunes:subtitle>
      <itunes:summary>Newbery and Caldecott honoree and New York Times bestselling author Grace Lin joins New Books Network to talk about her new, groundbreaking, lushly illustrated, book that explores the whimsical myths and stories behind your favorite American Chinese food. From fried dumplings to fortune cookies, she shares the magical tales and historical roots of these well-loved dishes in Chinese Menu: The History, Myths, and Legends Behind Your Favorite Foods (Little, Brown Books, 2023).
From the fun connection between scallion pancakes and pizza to a look at how wonton soup represents the creation of the world, Grace Lin offers up a mix of insights and folklore.
Separated into courses like a Chinese menu, these tales are filled with squabbling dragons, magical fruits, and hungry monks. Her book brings you to far-off times and marvelous places, all while making your mouth water. And, along the way, you might just discover a deeper understanding of the resilience and triumph behind this food, and what makes it undeniably American.
Interview by Laura Goldberg, longtime food blogger at Vittlesvamp.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Newbery and Caldecott honoree and New York Times bestselling author Grace Lin joins New Books Network to talk about her new, groundbreaking, lushly illustrated, book that explores the whimsical myths and stories behind your favorite American Chinese food. From fried dumplings to fortune cookies, she shares the magical tales and historical roots of these well-loved dishes in <a href="https://bookshop.org/a/12343/9780316486002"><em>Chinese Menu: The History, Myths, and Legends Behind Your Favorite Foods</em></a><em> </em>(Little, Brown Books, 2023).</p><p>From the fun connection between scallion pancakes and pizza to a look at how wonton soup represents the creation of the world, Grace Lin offers up a mix of insights and folklore.</p><p>Separated into courses like a Chinese menu, these tales are filled with squabbling dragons, magical fruits, and hungry monks. Her book brings you to far-off times and marvelous places, all while making your mouth water. And, along the way, you might just discover a deeper understanding of the resilience and triumph behind this food, and what makes it undeniably American.</p><p><em>Interview by Laura Goldberg, longtime food blogger at </em><a href="http://www.vittlesvamp.com/"><em>Vittlesvamp.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2546</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Robert Houghton, "Playing the Middle Ages: Pitfalls and Potential in Modern Games" (Bloomsbury, 2023)</title>
      <description>The Middle Ages have provided rich source material for physical and digital games from Dungeons and Dragons to Assassin's Creed. Playing the Middle Ages: Pitfalls and Potential in Modern Games (Bloomsbury, 2023) addresses the many ways in which different formats and genre of games represent the period. It considers the restrictions placed on these representations by the mechanical and gameplay requirements of the medium and by audience expectations of these products and the period., highlighting innovative attempts to overcome these limitations through game design and play. 
Playing the Middle Ages considers a number of important and timely issues within the field including: one, the connection between medieval games and political nationalistic rhetoric; two, trends in the presentation of religion, warfare and other aspects of medieval society and their connection to modern culture; three, the problematic representations of race; and four, the place of gender and sexuality within these games and the broader gaming community. 
The book draws on the experience of a wide-ranging and international group of academics across disciplines and from games designers. Through this combination of expertise, it provides a unique perspective on the representation of the Middle Ages in modern games and drives key discussions in the fields of history and game design.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 07 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert Houghton</itunes:subtitle>
      <itunes:summary>The Middle Ages have provided rich source material for physical and digital games from Dungeons and Dragons to Assassin's Creed. Playing the Middle Ages: Pitfalls and Potential in Modern Games (Bloomsbury, 2023) addresses the many ways in which different formats and genre of games represent the period. It considers the restrictions placed on these representations by the mechanical and gameplay requirements of the medium and by audience expectations of these products and the period., highlighting innovative attempts to overcome these limitations through game design and play. 
Playing the Middle Ages considers a number of important and timely issues within the field including: one, the connection between medieval games and political nationalistic rhetoric; two, trends in the presentation of religion, warfare and other aspects of medieval society and their connection to modern culture; three, the problematic representations of race; and four, the place of gender and sexuality within these games and the broader gaming community. 
The book draws on the experience of a wide-ranging and international group of academics across disciplines and from games designers. Through this combination of expertise, it provides a unique perspective on the representation of the Middle Ages in modern games and drives key discussions in the fields of history and game design.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Middle Ages have provided rich source material for physical and digital games from Dungeons and Dragons to Assassin's Creed. <a href="https://bookshop.org/a/12343/9781350242883"><em>Playing the Middle Ages: Pitfalls and Potential in Modern Games</em></a> (Bloomsbury, 2023) addresses the many ways in which different formats and genre of games represent the period. It considers the restrictions placed on these representations by the mechanical and gameplay requirements of the medium and by audience expectations of these products and the period., highlighting innovative attempts to overcome these limitations through game design and play. </p><p>Playing the Middle Ages considers a number of important and timely issues within the field including: one, the connection between medieval games and political nationalistic rhetoric; two, trends in the presentation of religion, warfare and other aspects of medieval society and their connection to modern culture; three, the problematic representations of race; and four, the place of gender and sexuality within these games and the broader gaming community. </p><p>The book draws on the experience of a wide-ranging and international group of academics across disciplines and from games designers. Through this combination of expertise, it provides a unique perspective on the representation of the Middle Ages in modern games and drives key discussions in the fields of history and game design.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1533</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1016442120.mp3?updated=1701897696" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amy Matthewson, "Cartooning China: Punch, Power, &amp; Politics in the Victorian Era" (Routledge, 2022)</title>
      <description>Dr. Amy Matthewson's Cartooning China: Punch, Power, &amp; Politics in the Victorian Era (Routledge, 2022) explores the series of cartoons of China and the Chinese that were published in the popular British satirical magazine Punch over a sixty-year period from 1841 to 1901. Filled with political metaphors and racial stereotypes, these illustrations served as a powerful tool in both reflecting and shaping notions and attitudes towards China at a tumultuous time in Sino-British history. A close reading of both the visual and textual satires in Punch reveals how a section of British society visualised and negotiated with China as well as Britain’s position in the global community. By contextualising Punch’s cartoons within the broader frameworks of British socio-cultural and political discourse, the Dr. Matthewson engages in a critical enquiry of popular culture and its engagements with race, geopolitical propaganda, and public consciousness. This book will interest scholars and researchers of cultural studies, political history and Empire, Chinese studies, popular culture, Victoriana, as well as media studies comics-based research.
Dr. Amy Matthewson has a PhD degree in history from the School of Oriental and African Studies (SOAS), at the University of London, in the UK. Dr. Matthewson is a historian interested in representation through visual and material culture, in particular the ways in which China and Chinese communities were understood by Western nations in the late nineteenth and twentieth centuries, with specific interest in Britain’s relationship with China. She is currently teaching history at University of Iceland.
﻿Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amy Matthewson</itunes:subtitle>
      <itunes:summary>Dr. Amy Matthewson's Cartooning China: Punch, Power, &amp; Politics in the Victorian Era (Routledge, 2022) explores the series of cartoons of China and the Chinese that were published in the popular British satirical magazine Punch over a sixty-year period from 1841 to 1901. Filled with political metaphors and racial stereotypes, these illustrations served as a powerful tool in both reflecting and shaping notions and attitudes towards China at a tumultuous time in Sino-British history. A close reading of both the visual and textual satires in Punch reveals how a section of British society visualised and negotiated with China as well as Britain’s position in the global community. By contextualising Punch’s cartoons within the broader frameworks of British socio-cultural and political discourse, the Dr. Matthewson engages in a critical enquiry of popular culture and its engagements with race, geopolitical propaganda, and public consciousness. This book will interest scholars and researchers of cultural studies, political history and Empire, Chinese studies, popular culture, Victoriana, as well as media studies comics-based research.
Dr. Amy Matthewson has a PhD degree in history from the School of Oriental and African Studies (SOAS), at the University of London, in the UK. Dr. Matthewson is a historian interested in representation through visual and material culture, in particular the ways in which China and Chinese communities were understood by Western nations in the late nineteenth and twentieth centuries, with specific interest in Britain’s relationship with China. She is currently teaching history at University of Iceland.
﻿Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Amy Matthewson's <a href="https://bookshop.org/a/12343/9780367460990"><em>Cartooning China: Punch, Power, &amp; Politics in the Victorian Era</em></a> (Routledge, 2022) explores the series of cartoons of China and the Chinese that were published in the popular British satirical magazine Punch over a sixty-year period from 1841 to 1901. Filled with political metaphors and racial stereotypes, these illustrations served as a powerful tool in both reflecting and shaping notions and attitudes towards China at a tumultuous time in Sino-British history. A close reading of both the visual and textual satires in Punch reveals how a section of British society visualised and negotiated with China as well as Britain’s position in the global community. By contextualising Punch’s cartoons within the broader frameworks of British socio-cultural and political discourse, the Dr. Matthewson engages in a critical enquiry of popular culture and its engagements with race, geopolitical propaganda, and public consciousness. This book will interest scholars and researchers of cultural studies, political history and Empire, Chinese studies, popular culture, Victoriana, as well as media studies comics-based research.</p><p><a href="https://amymatthewson.com/">Dr. Amy Matthewson</a> has a PhD degree in history from the School of Oriental and African Studies (SOAS), at the University of London, in the UK. Dr. Matthewson is a historian interested in representation through visual and material culture, in particular the ways in which China and Chinese communities were understood by Western nations in the late nineteenth and twentieth centuries, with specific interest in Britain’s relationship with China. She is currently teaching history at University of Iceland.</p><p><em>﻿</em><a href="https://www.eallynwoock.com/"><em>Elizabeth Allyn Woock</em></a><em> an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2131</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b9c5d6c2-939a-11ee-8f96-efc4c7c1825e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1509712772.mp3?updated=1701800860" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hannah Carlson, "Pockets: An Intimate History of How We Keep Things Close" (Algonquin Books, 2023)</title>
      <description>It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? In her captivating book Pockets: An Intimate History of How We Keep Things Close (Hachette, 2023), Dr. Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, shows us how we tuck gender politics, security, sexuality, and privilege inside our pockets.
In mediaeval Europe, the purse was an almost universal dress feature carried by men and women alike. But when tailors stitched the first pockets into men’s trousers 500 years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality, as noted in hashtags like #GiveMePocketsOrGiveMeDeath.
This abundantly illustrated four-colour book explores much more than who has pockets and why. How is it that putting your hands in your pocket can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass, seemed like an affront to middle class respectability. When W.E.B. DuBois posed for a portrait, his pocketed hands signalled defiant coolness.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1389</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hannah Carlson</itunes:subtitle>
      <itunes:summary>It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? In her captivating book Pockets: An Intimate History of How We Keep Things Close (Hachette, 2023), Dr. Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, shows us how we tuck gender politics, security, sexuality, and privilege inside our pockets.
In mediaeval Europe, the purse was an almost universal dress feature carried by men and women alike. But when tailors stitched the first pockets into men’s trousers 500 years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality, as noted in hashtags like #GiveMePocketsOrGiveMeDeath.
This abundantly illustrated four-colour book explores much more than who has pockets and why. How is it that putting your hands in your pocket can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass, seemed like an affront to middle class respectability. When W.E.B. DuBois posed for a portrait, his pocketed hands signalled defiant coolness.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? In her captivating book <a href="https://bookshop.org/a/12343/9781643751542"><em>Pockets: An Intimate History of How We Keep Things Close</em></a> (Hachette, 2023), Dr. Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, shows us how we tuck gender politics, security, sexuality, and privilege inside our pockets.</p><p>In mediaeval Europe, the purse was an almost universal dress feature carried by men and women alike. But when tailors stitched the first pockets into men’s trousers 500 years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality, as noted in hashtags like #GiveMePocketsOrGiveMeDeath.</p><p>This abundantly illustrated four-colour book explores much more than who has pockets and why. How is it that putting your hands in your pocket can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass, seemed like an affront to middle class respectability. When W.E.B. DuBois posed for a portrait, his pocketed hands signalled defiant coolness.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2933</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2fc73768-939f-11ee-b37f-17d9ddcaa4ec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9958079571.mp3?updated=1701802814" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sara Byala, "Bottled: How Coca-Cola Became African" (Oxford UP, 2023)</title>
      <description>Travel to virtually any African country and you are likely to find a Coca-Cola, often a cold one at that. Bottled asks how this carbonated drink became ubiquitous across the continent, and what this reveals about the realities of globalisation, development and capitalism.
Bottled: How Coca-Cola Became African (Oxford University Press, 2023) by Dr. Sara Byala is the first assessment of the social, commercial and environmental impact of one of the planet's biggest brands and largest corporations, in Africa. Dr. Byala charts the company's century-long involvement in everything from recycling and education to the anti-apartheid struggle, showing that Africans have harnessed Coca-Cola in varied expressions of modernity and self-determination: this is not a story of American capitalism running amok, but rather of a company becoming African, bending to consumer power in ways big and small.
In late capitalism, everyone's fates are bound together. A beverage in Atlanta and a beverage in Johannesburg pull us all towards the same end narrative. This story matters for more than just the local reasons, enhancing our understanding of our globalised, integrated world. Drawing on fieldwork and research in company archives, Dr. Byala asks a question for our time: does Coca-Cola's generative work offset the human and planetary costs associated with its growth in the twenty-first century?
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 03 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>174</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sara Byala</itunes:subtitle>
      <itunes:summary>Travel to virtually any African country and you are likely to find a Coca-Cola, often a cold one at that. Bottled asks how this carbonated drink became ubiquitous across the continent, and what this reveals about the realities of globalisation, development and capitalism.
Bottled: How Coca-Cola Became African (Oxford University Press, 2023) by Dr. Sara Byala is the first assessment of the social, commercial and environmental impact of one of the planet's biggest brands and largest corporations, in Africa. Dr. Byala charts the company's century-long involvement in everything from recycling and education to the anti-apartheid struggle, showing that Africans have harnessed Coca-Cola in varied expressions of modernity and self-determination: this is not a story of American capitalism running amok, but rather of a company becoming African, bending to consumer power in ways big and small.
In late capitalism, everyone's fates are bound together. A beverage in Atlanta and a beverage in Johannesburg pull us all towards the same end narrative. This story matters for more than just the local reasons, enhancing our understanding of our globalised, integrated world. Drawing on fieldwork and research in company archives, Dr. Byala asks a question for our time: does Coca-Cola's generative work offset the human and planetary costs associated with its growth in the twenty-first century?
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Travel to virtually any African country and you are likely to find a Coca-Cola, often a cold one at that. <em>Bottled</em> asks how this carbonated drink became ubiquitous across the continent, and what this reveals about the realities of globalisation, development and capitalism.</p><p><a href="https://bookshop.org/a/12343/9780197758427"><em>Bottled: How Coca-Cola Became African</em></a><em> </em>(Oxford University Press, 2023) by Dr. Sara Byala is the first assessment of the social, commercial and environmental impact of one of the planet's biggest brands and largest corporations, in Africa. Dr. Byala charts the company's century-long involvement in everything from recycling and education to the anti-apartheid struggle, showing that Africans have harnessed Coca-Cola in varied expressions of modernity and self-determination: this is not a story of American capitalism running amok, but rather of a company becoming African, bending to consumer power in ways big and small.</p><p>In late capitalism, everyone's fates are bound together. A beverage in Atlanta and a beverage in Johannesburg pull us all towards the same end narrative. This story matters for more than just the local reasons, enhancing our understanding of our globalised, integrated world. Drawing on fieldwork and research in company archives, Dr. Byala asks a question for our time: does Coca-Cola's generative work offset the human and planetary costs associated with its growth in the twenty-first century?</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4059</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[07716fbe-914b-11ee-b62a-5bcba260970a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2197064383.mp3?updated=1701546706" length="0" type="audio/mpeg"/>
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    <item>
      <title>H. E. Sawyer, "I Am the Dark Tourist: Messenger of Remembrance" (Headpress, 2023)</title>
      <description>Dark tourism is the practice of visiting sites associated with death and disaster. Participation is increasing, yet much of the machinations behind dark tourism remain shrouded in mystery, and intentionally so. 
In his latest book, I am the Dark Tourist, Messenger of Remembrance (Headpress, 2023), H.E. Sawyer explores the seductive premise that dark tourism offers the possibility of 'transformation'; that visiting memorials to past tragedy will ultimately lead us to becoming better versions of ourselves. Championed by enthusiastic governments -- notably in the UK -- 'must have' memorialisation has become an opportunity to groom the public with contrived grief from the past that will be replenished by establishment neglect in the future. From the waters of Loch Ness to the chaos of Mexico's Dia de Muertos, H. E. Sawyer considers the questions state-sponsored dark tourism fears whilst posing one for himself: "Ever get the feeling you've been cheated?"
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 03 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>174</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with H. E. Sawyer</itunes:subtitle>
      <itunes:summary>Dark tourism is the practice of visiting sites associated with death and disaster. Participation is increasing, yet much of the machinations behind dark tourism remain shrouded in mystery, and intentionally so. 
In his latest book, I am the Dark Tourist, Messenger of Remembrance (Headpress, 2023), H.E. Sawyer explores the seductive premise that dark tourism offers the possibility of 'transformation'; that visiting memorials to past tragedy will ultimately lead us to becoming better versions of ourselves. Championed by enthusiastic governments -- notably in the UK -- 'must have' memorialisation has become an opportunity to groom the public with contrived grief from the past that will be replenished by establishment neglect in the future. From the waters of Loch Ness to the chaos of Mexico's Dia de Muertos, H. E. Sawyer considers the questions state-sponsored dark tourism fears whilst posing one for himself: "Ever get the feeling you've been cheated?"
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dark tourism is the practice of visiting sites associated with death and disaster. Participation is increasing, yet much of the machinations behind dark tourism remain shrouded in mystery, and intentionally so. </p><p>In his latest book, <a href="https://headpress.com/events/messenger-of-remembrance/"><em>I am the Dark Tourist, Messenger of Remembrance</em></a> (Headpress, 2023), H.E. Sawyer explores the seductive premise that dark tourism offers the possibility of 'transformation'; that visiting memorials to past tragedy will ultimately lead us to becoming better versions of ourselves. Championed by enthusiastic governments -- notably in the UK -- 'must have' memorialisation has become an opportunity to groom the public with contrived grief from the past that will be replenished by establishment neglect in the future. From the waters of Loch Ness to the chaos of Mexico's Dia de Muertos, H. E. Sawyer considers the questions state-sponsored dark tourism fears whilst posing one for himself: "Ever get the feeling you've been cheated?"</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3264</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b1a5adca-912c-11ee-834b-67920a7d399f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3358177047.mp3?updated=1701534701" length="0" type="audio/mpeg"/>
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    <item>
      <title>Rebecca Simon, "The Pirates’ Code: Laws and Life Aboard Ship" (Reaktion Books, 2023)</title>
      <description>In The Pirate's Code: Laws and Life Aboard Ship (Reaktion, 2023), Dr. Rebecca Simon presents a rollicking account of pirates’ codes, the strict rules essential for survival at sea.
Pirates have long captured the imagination with images of cutlass-wielding swashbucklers, eye patches and buried treasure. But what was life really like on a pirate ship? Piracy was a risky, sometimes deadly occupation, and strict orders were essential for everyone’s survival. These ‘Laws’ were sets of rules that determined everything from how much each pirate earned from their plunder to compensation for injuries, punishments and even the entertainment allowed on ships. These rules became known as the ‘Pirates’ Code’, which all pirates had to publicly swear by.
Using primary sources such as eyewitness accounts, trial proceedings and maritime logs, this book explains how these codes were the key to pirates’ success in battle, both on sea and on land.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 28 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1386</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rebecca Simon</itunes:subtitle>
      <itunes:summary>In The Pirate's Code: Laws and Life Aboard Ship (Reaktion, 2023), Dr. Rebecca Simon presents a rollicking account of pirates’ codes, the strict rules essential for survival at sea.
Pirates have long captured the imagination with images of cutlass-wielding swashbucklers, eye patches and buried treasure. But what was life really like on a pirate ship? Piracy was a risky, sometimes deadly occupation, and strict orders were essential for everyone’s survival. These ‘Laws’ were sets of rules that determined everything from how much each pirate earned from their plunder to compensation for injuries, punishments and even the entertainment allowed on ships. These rules became known as the ‘Pirates’ Code’, which all pirates had to publicly swear by.
Using primary sources such as eyewitness accounts, trial proceedings and maritime logs, this book explains how these codes were the key to pirates’ success in battle, both on sea and on land.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<em> </em><a href="https://bookshop.org/a/12343/9781789147117"><em>The Pirate's Code: Laws and Life Aboard Ship</em></a><em> </em>(Reaktion, 2023), Dr. Rebecca Simon presents a rollicking account of pirates’ codes, the strict rules essential for survival at sea.</p><p>Pirates have long captured the imagination with images of cutlass-wielding swashbucklers, eye patches and buried treasure. But what was life really like on a pirate ship? Piracy was a risky, sometimes deadly occupation, and strict orders were essential for everyone’s survival. These ‘Laws’ were sets of rules that determined everything from how much each pirate earned from their plunder to compensation for injuries, punishments and even the entertainment allowed on ships. These rules became known as the ‘Pirates’ Code’, which all pirates had to publicly swear by.</p><p>Using primary sources such as eyewitness accounts, trial proceedings and maritime logs, this book explains how these codes were the key to pirates’ success in battle, both on sea and on land.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2522</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1781906054.mp3?updated=1701014035" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ceri Houlbrook,"‘Ritual Litter' Redressed" (Cambridge UP, 2022)</title>
      <description>Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day.
However, Dr. Ceri Houlbrook shows in ‘Ritual Litter' Redressed (Cambridge University Press, 2023) that ritual deposition is a more widespread feature now than in the past, with folk assemblages – from roadside memorials and love-lock bridges, to wishing fountains and coin-trees – emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 27 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>268</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ceri Houlbrook</itunes:subtitle>
      <itunes:summary>Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day.
However, Dr. Ceri Houlbrook shows in ‘Ritual Litter' Redressed (Cambridge University Press, 2023) that ritual deposition is a more widespread feature now than in the past, with folk assemblages – from roadside memorials and love-lock bridges, to wishing fountains and coin-trees – emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day.</p><p>However, Dr. Ceri Houlbrook shows in <a href="https://bookshop.org/a/12343/9781108949644"><em>‘Ritual Litter' Redressed</em></a><em> </em>(Cambridge University Press, 2023) that ritual deposition is a more widespread feature now than in the past, with folk assemblages – from roadside memorials and love-lock bridges, to wishing fountains and coin-trees – emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2586</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jeffrey Angles, ed., "Godzilla and Godzilla Raids Again: The Original Novellas by Shigeru Kayama" (U Minnesota Press, 2023)</title>
      <description>Earlier this month, Toho Studios released “Godzilla Minus One”—the 37th film in the now almost seven-decade-old franchise. Godzilla has gone through many phases over the past 70 years: symbol of Japan’s nuclear fears, cuddly defender of humanity, Japanese cultural icon and, now, the centerpiece of another Hollywood cinematic universe.
But it was 1954’s Godzilla that launched the whole thing, with a story written by Japanese author Shigeru Kayama. He also wrote a novelization for the movie and its sequel Godzilla Raids Again (University of Minnesota Press: 2023), both translated by Jeffrey Angles.
In this interview, Jeffrey and I talk about these novels, how they differ from the movies, and how they start Godzilla’s journey to becoming a cultural icon.
Jeffrey Angles is a professor and advisor of Japanese in the Department of World Languages and Literatures at Western Michigan University. He is also a prominent translator of modern Japanese literature, with several volumes of Japanese literature in translation to his name. His book of poetry won the Yomiuri Prize for Literature, making Jeffrey the first American ever to win this prestigious prize for a book of poetry.
Jeffrey can be followed on Twitter at @jeffreyangles.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Godzilla and Godzilla Raids Again. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 23 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>162</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeffrey Angles</itunes:subtitle>
      <itunes:summary>Earlier this month, Toho Studios released “Godzilla Minus One”—the 37th film in the now almost seven-decade-old franchise. Godzilla has gone through many phases over the past 70 years: symbol of Japan’s nuclear fears, cuddly defender of humanity, Japanese cultural icon and, now, the centerpiece of another Hollywood cinematic universe.
But it was 1954’s Godzilla that launched the whole thing, with a story written by Japanese author Shigeru Kayama. He also wrote a novelization for the movie and its sequel Godzilla Raids Again (University of Minnesota Press: 2023), both translated by Jeffrey Angles.
In this interview, Jeffrey and I talk about these novels, how they differ from the movies, and how they start Godzilla’s journey to becoming a cultural icon.
Jeffrey Angles is a professor and advisor of Japanese in the Department of World Languages and Literatures at Western Michigan University. He is also a prominent translator of modern Japanese literature, with several volumes of Japanese literature in translation to his name. His book of poetry won the Yomiuri Prize for Literature, making Jeffrey the first American ever to win this prestigious prize for a book of poetry.
Jeffrey can be followed on Twitter at @jeffreyangles.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Godzilla and Godzilla Raids Again. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Earlier this month, Toho Studios released <a href="https://www.polygon.com/reviews/23940888/godzilla-minus-one-review">“Godzilla Minus One”</a><em>—</em>the 37th film in the now almost seven-decade-old franchise. Godzilla has gone through many phases over the past 70 years: symbol of Japan’s nuclear fears, cuddly defender of humanity, Japanese cultural icon and, now, the centerpiece of another Hollywood cinematic universe.</p><p>But it was 1954’s <em>Godzilla </em>that launched the whole thing, with a story written by Japanese author Shigeru Kayama. He also wrote a novelization for the movie and its sequel <a href="https://bookshop.org/a/12343/9781517915230"><em>Godzilla Raids Again</em></a> (University of Minnesota Press: 2023), both translated by Jeffrey Angles.</p><p>In this interview, Jeffrey and I talk about these novels, how they differ from the movies, and how they start Godzilla’s journey to becoming a cultural icon.</p><p><a href="https://wmich.edu/languages/directory/angles">Jeffrey Angles</a> is a professor and advisor of Japanese in the Department of World Languages and Literatures at Western Michigan University. He is also a prominent translator of modern Japanese literature, with several volumes of Japanese literature in translation to his name. His book of poetry won the Yomiuri Prize for Literature, making Jeffrey the first American ever to win this prestigious prize for a book of poetry.</p><p>Jeffrey can be followed on Twitter at <a href="https://twitter.com/jeffreyangles">@jeffreyangles</a>.</p><p>Y<em>ou can find more reviews, excerpts, interviews, and essays at</em><a href="https://asianreviewofbooks.com/"> <em>The Asian Review of Books</em></a><em>, including its review of </em><a href="https://asianreviewofbooks.com/content/godzilla-and-godzilla-raids-again-by-shigeru-kayama/"><em>Godzilla and Godzilla Raids Again</em></a><em>. Follow on Twitter at</em><a href="https://twitter.com/BookReviewsAsia"> <em>@BookReviewsAsia</em></a><em>.</em></p><p><em>Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at</em><a href="https://twitter.com/nickrigordon?lang=en"> <em>@nickrigordon</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2310</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Greil Marcus, "Folk Music: A Bob Dylan Biography in Seven Songs" (Yale UP, 2022)</title>
      <description>Greil Marcus is perhaps the world’s foremost interpreter of Bob Dylan. This podcast focuses on Marcus’ latest Dylan book, Folk Music: A Bob Dylan Biography in Seven Songs (Yale University Press, 2022). Marcus begins his book with a 2001 quote from Dylan: “I can see myself in others.” In this sense, Marcus writes, “the engine of his songs is empathy.” We begin our conversation with “Murder Most Foul,” from 2020, on the assassination of John F. Kennedy, with Dylan “putting on Kennedy’s bloody suit.” We discuss, too, “Desolation Row,” from 1965. The opening line— “They’re selling postcards of the hanging…”— could be a reference, Marcus suggests, to a lynching of three black circus workers in Duluth, Minnesota in 1920, just over twenty years before Dylan was born there. And Marcus offers insights on the five other songs covered in this volume: “Blowin’ in the Wind”/1962; “The Lonesome Death of Hattie Caroll”/1964; “The Times They Are A-Changin’”/1964; “Jim Jones”/1992; and “Ain’t Talkin’”/2006.
Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His latest book, Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports) will be published in January.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Greil Marcus</itunes:subtitle>
      <itunes:summary>Greil Marcus is perhaps the world’s foremost interpreter of Bob Dylan. This podcast focuses on Marcus’ latest Dylan book, Folk Music: A Bob Dylan Biography in Seven Songs (Yale University Press, 2022). Marcus begins his book with a 2001 quote from Dylan: “I can see myself in others.” In this sense, Marcus writes, “the engine of his songs is empathy.” We begin our conversation with “Murder Most Foul,” from 2020, on the assassination of John F. Kennedy, with Dylan “putting on Kennedy’s bloody suit.” We discuss, too, “Desolation Row,” from 1965. The opening line— “They’re selling postcards of the hanging…”— could be a reference, Marcus suggests, to a lynching of three black circus workers in Duluth, Minnesota in 1920, just over twenty years before Dylan was born there. And Marcus offers insights on the five other songs covered in this volume: “Blowin’ in the Wind”/1962; “The Lonesome Death of Hattie Caroll”/1964; “The Times They Are A-Changin’”/1964; “Jim Jones”/1992; and “Ain’t Talkin’”/2006.
Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His latest book, Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports) will be published in January.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Greil Marcus is perhaps the world’s foremost interpreter of Bob Dylan. This podcast focuses on Marcus’ latest Dylan book, <a href="https://bookshop.org/a/12343/9780300274103"><em>Folk Music: A Bob Dylan Biography in Seven Songs</em></a><em> </em>(Yale University Press, 2022). Marcus begins his book with a 2001 quote from Dylan: “I can see myself in others.” In this sense, Marcus writes, “the engine of his songs is empathy.” We begin our conversation with “Murder Most Foul,” from 2020, on the assassination of John F. Kennedy, with Dylan “putting on Kennedy’s bloody suit.” We discuss, too, “Desolation Row,” from 1965. The opening line— “They’re selling postcards of the hanging…”— could be a reference, Marcus suggests, to a lynching of three black circus workers in Duluth, Minnesota in 1920, just over twenty years before Dylan was born there. And Marcus offers insights on the five other songs covered in this volume: “Blowin’ in the Wind”/1962; “The Lonesome Death of Hattie Caroll”/1964; “The Times They Are A-Changin’”/1964; “Jim Jones”/1992; and “Ain’t Talkin’”/2006.</p><p><em>Veteran journalist </em><strong><em>Paul Starobin </em></strong><em>is a former Moscow bureau chief for Business Week and a former contributing editor of </em><a href="https://www.theatlantic.com/author/paul-starobin/"><em>The Atlantic</em></a><em>. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His latest book, </em><a href="https://www.amazon.com/Putins-Exiles-Their-Better-Russia/dp/B0C9K6S9DP/"><em>Putin’s Exiles: Their Fight for a Better Russia</em></a><em> (Columbia Global Reports) will be published in January.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d4b60bc0-862d-11ee-9b27-7f9d4d77c50b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4576643067.mp3?updated=1700324804" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Proto-Science Fiction Classics: Joshua Glenn on MIT Press's "Radium Age Series"</title>
      <description>Under the direction of founding editor Joshua Glenn, the MIT Press’s Radium Age series is reissuing notable proto–science fiction stories from the underappreciated era between 1900 and 1935. In these forgotten classics, science fiction readers will discover the origins of enduring tropes like robots (berserk or benevolent), tyrannical supermen, dystopian wastelands, sinister telepaths, and eco-catastrophes. With new contributions by historians, science journalists, and science fiction authors, the Radium Age book series will recontextualize the breakthroughs and biases of these proto–science fiction classics, and chart the emergence of a burgeoning genre.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 18 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>265</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua Glenn</itunes:subtitle>
      <itunes:summary>Under the direction of founding editor Joshua Glenn, the MIT Press’s Radium Age series is reissuing notable proto–science fiction stories from the underappreciated era between 1900 and 1935. In these forgotten classics, science fiction readers will discover the origins of enduring tropes like robots (berserk or benevolent), tyrannical supermen, dystopian wastelands, sinister telepaths, and eco-catastrophes. With new contributions by historians, science journalists, and science fiction authors, the Radium Age book series will recontextualize the breakthroughs and biases of these proto–science fiction classics, and chart the emergence of a burgeoning genre.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Under the direction of founding editor Joshua Glenn, the MIT Press’s <a href="https://mitpress.mit.edu/series/radium-age/">Radium Age series</a> is reissuing notable proto–science fiction stories from the underappreciated era between 1900 and 1935. In these forgotten classics, science fiction readers will discover the origins of enduring tropes like robots (berserk or benevolent), tyrannical supermen, dystopian wastelands, sinister telepaths, and eco-catastrophes. With new contributions by historians, science journalists, and science fiction authors, the Radium Age book series will recontextualize the breakthroughs and biases of these proto–science fiction classics, and chart the emergence of a burgeoning genre.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2622</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b1797b36-831e-11ee-b2e5-ff49de2d78b4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4435221254.mp3?updated=1699988300" length="0" type="audio/mpeg"/>
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    <item>
      <title>Warren Zanes, "Deliver Me from Nowhere: The Making of Bruce Springsteen's 'Nebraska' (Crown, 2023)</title>
      <description>Without Nebraska, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen's hugely successful album The River should have been the hit-packed Born in the U.S.A. But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, Nebraska is arguably Springsteen's most important record--the lasting clue to understanding not just his career as an artist and the vision behind it, but also the man himself.
Nebraska is rough and unfinished, recorded on cassette tape with a simple four-track recorder by Springsteen, alone in his bedroom, just as the digital future was announcing itself. And yet Springsteen now considers it his best album. Nebraska expressed a turmoil that was reflective of the mood of the country, but it was also a symptom of trouble in the artist's life, the beginnings of a mental breakdown that Springsteen would only talk about openly decades after the album's release.
Warren Zanes spoke to many people for Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska (Crown, 2023), including Bruce Springsteen himself. He also interviewed more than a dozen celebrated artists and musical insiders, from Rosanne Cash to Steven Van Zandt, about their reactions to the album. Zanes interweaves these conversations with inquiries into the myriad cultural touchpoints, including Terrence Malick's Badlands and the short stories of Flannery O'Conner, that influenced Springsteen as he was writing the album's haunting songs. The result is a textured and revelatory account of not only a crucial moment in the career of an icon but also a record that upended all expectations and predicted a home-recording revolution.
Warren Zanes is the New York Times bestselling author of Petty: The Biography. As a member of the Del Fuegos, he has shared the stage with Bruce Springsteen, and continues to write and record music. Zanes holds a PhD in visual and cultural studies from the University of Rochester and presently teaches at New York University. He is a Grammy-nominated producer of the PBS series Soundbreaking and was a consulting producer on the Oscar-winning documentary 20 Feet from Stardom. Zane's work has appeared in Rolling Stone and the Oxford American, and he has served as a vice president at the Rock and Roll Hall of Fame.
Warren on his website and Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 17 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>211</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Warren Zanes</itunes:subtitle>
      <itunes:summary>Without Nebraska, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen's hugely successful album The River should have been the hit-packed Born in the U.S.A. But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, Nebraska is arguably Springsteen's most important record--the lasting clue to understanding not just his career as an artist and the vision behind it, but also the man himself.
Nebraska is rough and unfinished, recorded on cassette tape with a simple four-track recorder by Springsteen, alone in his bedroom, just as the digital future was announcing itself. And yet Springsteen now considers it his best album. Nebraska expressed a turmoil that was reflective of the mood of the country, but it was also a symptom of trouble in the artist's life, the beginnings of a mental breakdown that Springsteen would only talk about openly decades after the album's release.
Warren Zanes spoke to many people for Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska (Crown, 2023), including Bruce Springsteen himself. He also interviewed more than a dozen celebrated artists and musical insiders, from Rosanne Cash to Steven Van Zandt, about their reactions to the album. Zanes interweaves these conversations with inquiries into the myriad cultural touchpoints, including Terrence Malick's Badlands and the short stories of Flannery O'Conner, that influenced Springsteen as he was writing the album's haunting songs. The result is a textured and revelatory account of not only a crucial moment in the career of an icon but also a record that upended all expectations and predicted a home-recording revolution.
Warren Zanes is the New York Times bestselling author of Petty: The Biography. As a member of the Del Fuegos, he has shared the stage with Bruce Springsteen, and continues to write and record music. Zanes holds a PhD in visual and cultural studies from the University of Rochester and presently teaches at New York University. He is a Grammy-nominated producer of the PBS series Soundbreaking and was a consulting producer on the Oscar-winning documentary 20 Feet from Stardom. Zane's work has appeared in Rolling Stone and the Oxford American, and he has served as a vice president at the Rock and Roll Hall of Fame.
Warren on his website and Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Without <em>Nebraska</em>, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen's hugely successful album <em>The River</em> should have been the hit-packed <em>Born in the U.S.A</em>. But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, <em>Nebraska</em> is arguably Springsteen's most important record--the lasting clue to understanding not just his career as an artist and the vision behind it, but also the man himself.</p><p><em>Nebraska</em> is rough and unfinished, recorded on cassette tape with a simple four-track recorder by Springsteen, alone in his bedroom, just as the digital future was announcing itself. And yet Springsteen now considers it his best album. Nebraska expressed a turmoil that was reflective of the mood of the country, but it was also a symptom of trouble in the artist's life, the beginnings of a mental breakdown that Springsteen would only talk about openly decades after the album's release.</p><p>Warren Zanes spoke to many people for <a href="https://bookshop.org/a/12343/9780593237410"><em>Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska</em></a> (Crown, 2023), including Bruce Springsteen himself. He also interviewed more than a dozen celebrated artists and musical insiders, from Rosanne Cash to Steven Van Zandt, about their reactions to the album. Zanes interweaves these conversations with inquiries into the myriad cultural touchpoints, including Terrence Malick's <em>Badlands</em> and the short stories of Flannery O'Conner, that influenced Springsteen as he was writing the album's haunting songs. The result is a textured and revelatory account of not only a crucial moment in the career of an icon but also a record that upended all expectations and predicted a home-recording revolution.</p><p>Warren Zanes is the <em>New York Times</em> bestselling author of <em>Petty: The Biography</em>. As a member of the Del Fuegos, he has shared the stage with Bruce Springsteen, and continues to write and record music. Zanes holds a PhD in visual and cultural studies from the University of Rochester and presently teaches at New York University. He is a Grammy-nominated producer of the PBS series <em>Soundbreaking</em> and was a consulting producer on the Oscar-winning documentary <em>20 Feet from Stardom</em>. Zane's work has appeared in <em>Rolling Stone</em> and the <em>Oxford American</em>, and he has served as a vice president at the Rock and Roll Hall of Fame.</p><p>Warren on his <a href="https://www.warren-zanes.com/">website</a> and <a href="https://twitter.com/WarrenZanes">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
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      <title>'For All Mankind,’ An Alternate History About the Possibility of Utopia</title>
      <description>It’s the UConn PopCast, and in this episode we tackle ‘For All Mankind,’ Apple TV’s alternate history about a space race that never ended. We first react to episode one of season four, which portrays a well-established human base on Mars. What does this first episode portend for the rest of the season, and the overall trajectory of the show?
We then dive deep into the political, social, and technological themes of the show over the past three seasons. What does this text say about the malleability of the structures of contemporary societies? Can technological advances ‘overleap’ political problems? Is the show’s portrayal of gender as progressive as it seems at first blush? Most fundamentally, what type of politics is ‘For All Mankind’ trying to sell us, and is it convincing?
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Check out the Popular Culture Initiative.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s the UConn PopCast, and in this episode we tackle ‘For All Mankind,’ Apple TV’s alternate history about a space race that never ended. We first react to episode one of season four, which portrays a well-established human base on Mars. What does this first episode portend for the rest of the season, and the overall trajectory of the show?
We then dive deep into the political, social, and technological themes of the show over the past three seasons. What does this text say about the malleability of the structures of contemporary societies? Can technological advances ‘overleap’ political problems? Is the show’s portrayal of gender as progressive as it seems at first blush? Most fundamentally, what type of politics is ‘For All Mankind’ trying to sell us, and is it convincing?
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Check out the Popular Culture Initiative.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s the UConn PopCast, and in this episode we tackle ‘For All Mankind,’ Apple TV’s alternate history about a space race that never ended. We first react to episode one of season four, which portrays a well-established human base on Mars. What does this first episode portend for the rest of the season, and the overall trajectory of the show?</p><p>We then dive deep into the political, social, and technological themes of the show over the past three seasons. What does this text say about the malleability of the structures of contemporary societies? Can technological advances ‘overleap’ political problems? Is the show’s portrayal of gender as progressive as it seems at first blush? Most fundamentally, what type of politics is ‘For All Mankind’ trying to sell us, and is it convincing?</p><p>The UConn PopCast is proud to be sponsored by the <a href="https://humanities.uconn.edu/">University of Connecticut Humanities Institute</a>. Check out the <a href="https://humanities.uconn.edu/initiatives/the-popular-culture-initiative/">Popular Culture Initiative</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4922</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Adrien Sebro, "Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions" (Rutgers UP, 2023)</title>
      <description>The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford &amp; Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.
Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom Diff’rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.
Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 12 Nov 2023 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adrien Sebro</itunes:subtitle>
      <itunes:summary>The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford &amp; Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.
Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom Diff’rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.
Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 1970s was a golden age for representations of African American life on TV sitcoms: <em>Sanford &amp; Son</em>, <em>Good Times</em>, <em>The Jeffersons</em>. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind <em>All in the Family</em>, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.</p><p><a href="https://bookshop.org/a/12343/9781978834835"><em>Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions</em></a><em> </em>(Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom <em>Diff’rent Strokes</em>, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.</p><p>Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.</p><p><em>﻿</em><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
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      <title>Randy Laist, ed.. "The '80s Resurrected: Essays on the Decade in Popular Culture Then and Now" (McFarland, 2023)</title>
      <description>Randy Laist, professor of English at Goodwin University and the University of Bridgeport, has a new edited volume focusing specifically on popular culture and the 1980s. The essays in The '80s Resurrected: Essays on the Decade in Popular Culture Then and Now (McFarland, 2023) approach this theme from a number of disciplinary perspectives, global positions, as well as a wide variety of pop cultural artifacts. Laist’s effort in bringing together these essays was not just about reflecting on the 1980s, and particularly how the 1980s seems to be quite present in contemporary popular culture, but also because of the way that the 1980s has shaped our current political environment. The ‘80s Resurrected includes chapters on different media engagement and different issues that are fleshed out from different artifacts—including video games, film, television, dolls, and music. The ideas that these chapters dive into include questions of race, gender, class, sexuality, LGBTQ+, neoliberalism, misogyny, representation, and nationalism. There is much in this compilations of chapters that explores the nostalgic impulses that toggle between our contemporary moment and the Decade of Reagan and Thatcher, and how the political and economic impulses of that time have shaped our lives today. Many of the chapters also peel back the gloss of the foregrounded ideas of the 1980s, which highlighted white middle-class perspectives in mass culture. Many of the nostalgic ideas about the 1980s cover up the disturbing other side of the decade, with the war on drugs, the rise of the carceral state, AIDS/HIV, sexism and racism in the workplace all as parts of this same decade that is often seen as an era of shoulder pads, pussy bows, neon colors, body building, and swagger.
The ‘80s Resurrected: Essays on the Decade in Popular Culture Then and Now brings the reader along in considering how ideas like “making America great again” are connected to our thinking about the arbitrary construction of the importance of delineating decades and the impact they may have on our concept of ourselves and the nation state. As we discuss in the interview, even defining particular decades against each other is rather arbitrary, and to then weight those individual decades with various kinds of import further contributes to this artificial framing. Even so, it is hard to break out of this construction, and The ‘80s Resurrected examines why this particular bracket of time, which is also marked by the elections of Ronald Reagan in the United States and Margaret Thatcher in the United Kingdom at the beginning of the decade and the fall of communism at the end of the decade, remains important to our understanding of history, politics, culture, ideology, economics, and concepts of self and nation. This is an engaging and fascinating assortment of chapters by a global collection of scholars.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>680</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Randy Laist</itunes:subtitle>
      <itunes:summary>Randy Laist, professor of English at Goodwin University and the University of Bridgeport, has a new edited volume focusing specifically on popular culture and the 1980s. The essays in The '80s Resurrected: Essays on the Decade in Popular Culture Then and Now (McFarland, 2023) approach this theme from a number of disciplinary perspectives, global positions, as well as a wide variety of pop cultural artifacts. Laist’s effort in bringing together these essays was not just about reflecting on the 1980s, and particularly how the 1980s seems to be quite present in contemporary popular culture, but also because of the way that the 1980s has shaped our current political environment. The ‘80s Resurrected includes chapters on different media engagement and different issues that are fleshed out from different artifacts—including video games, film, television, dolls, and music. The ideas that these chapters dive into include questions of race, gender, class, sexuality, LGBTQ+, neoliberalism, misogyny, representation, and nationalism. There is much in this compilations of chapters that explores the nostalgic impulses that toggle between our contemporary moment and the Decade of Reagan and Thatcher, and how the political and economic impulses of that time have shaped our lives today. Many of the chapters also peel back the gloss of the foregrounded ideas of the 1980s, which highlighted white middle-class perspectives in mass culture. Many of the nostalgic ideas about the 1980s cover up the disturbing other side of the decade, with the war on drugs, the rise of the carceral state, AIDS/HIV, sexism and racism in the workplace all as parts of this same decade that is often seen as an era of shoulder pads, pussy bows, neon colors, body building, and swagger.
The ‘80s Resurrected: Essays on the Decade in Popular Culture Then and Now brings the reader along in considering how ideas like “making America great again” are connected to our thinking about the arbitrary construction of the importance of delineating decades and the impact they may have on our concept of ourselves and the nation state. As we discuss in the interview, even defining particular decades against each other is rather arbitrary, and to then weight those individual decades with various kinds of import further contributes to this artificial framing. Even so, it is hard to break out of this construction, and The ‘80s Resurrected examines why this particular bracket of time, which is also marked by the elections of Ronald Reagan in the United States and Margaret Thatcher in the United Kingdom at the beginning of the decade and the fall of communism at the end of the decade, remains important to our understanding of history, politics, culture, ideology, economics, and concepts of self and nation. This is an engaging and fascinating assortment of chapters by a global collection of scholars.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Randy Laist, professor of English at Goodwin University and the University of Bridgeport, has a new edited volume focusing specifically on popular culture and the 1980s. The essays in <a href="https://bookshop.org/a/12343/9781476686516"><em>The '80s Resurrected: Essays on the Decade in Popular Culture Then and Now</em></a><em> </em>(McFarland, 2023) approach this theme from a number of disciplinary perspectives, global positions, as well as a wide variety of pop cultural artifacts. Laist’s effort in bringing together these essays was not just about reflecting on the 1980s, and particularly how the 1980s seems to be quite present in contemporary popular culture, but also because of the way that the 1980s has shaped our current political environment. <em>The ‘80s Resurrected</em> includes chapters on different media engagement and different issues that are fleshed out from different artifacts—including video games, film, television, dolls, and music. The ideas that these chapters dive into include questions of race, gender, class, sexuality, LGBTQ+, neoliberalism, misogyny, representation, and nationalism. There is much in this compilations of chapters that explores the nostalgic impulses that toggle between our contemporary moment and the Decade of Reagan and Thatcher, and how the political and economic impulses of that time have shaped our lives today. Many of the chapters also peel back the gloss of the foregrounded ideas of the 1980s, which highlighted white middle-class perspectives in mass culture. Many of the nostalgic ideas about the 1980s cover up the disturbing other side of the decade, with the war on drugs, the rise of the carceral state, AIDS/HIV, sexism and racism in the workplace all as parts of this same decade that is often seen as an era of shoulder pads, pussy bows, neon colors, body building, and swagger.</p><p><em>The ‘80s Resurrected: Essays on the Decade in Popular Culture Then and Now</em> brings the reader along in considering how ideas like “making America great again” are connected to our thinking about the arbitrary construction of the importance of delineating decades and the impact they may have on our concept of ourselves and the nation state. As we discuss in the interview, even defining particular decades against each other is rather arbitrary, and to then weight those individual decades with various kinds of import further contributes to this artificial framing. Even so, it is hard to break out of this construction, and <em>The ‘80s Resurrected</em> examines why this particular bracket of time, which is also marked by the elections of Ronald Reagan in the United States and Margaret Thatcher in the United Kingdom at the beginning of the decade and the fall of communism at the end of the decade, remains important to our understanding of history, politics, culture, ideology, economics, and concepts of self and nation. This is an engaging and fascinating assortment of chapters by a global collection of scholars.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2471</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR3327498124.mp3?updated=1699107714" length="0" type="audio/mpeg"/>
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    <item>
      <title>A Deep Dive into Olivia Rodrigo's "Guts"</title>
      <description>Olivia Rodrigo's new album "Guts" offers a compelling perspective on early adult uncertainty, societal expectations of young women, and the craft of songwriting. We take a deep dive into the art and persona of this chart-bestriding performer. 
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Olivia Rodrigo's new album "Guts" offers a compelling perspective on early adult uncertainty, societal expectations of young women, and the craft of songwriting. We take a deep dive into the art and persona of this chart-bestriding performer. 
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Olivia Rodrigo's new album "Guts" offers a compelling perspective on early adult uncertainty, societal expectations of young women, and the craft of songwriting. We take a deep dive into the art and persona of this chart-bestriding performer. </p><p>The UConn PopCast is proud to be sponsored by the <a href="https://humanities.uconn.edu/">University of Connecticut Humanities Institute</a>. Learn about our<a href="https://polisci.uconn.edu/graduate/masters-politics-popular-culture/"> MA Program</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3871</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1f6b9b84-ab83-4ada-85f3-d420522b26fe]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR7953720315.mp3?updated=1699197526" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chad Randl and D. Medina Lasansky, "Playing Place: Board Games, Popular Culture, Space" (MIT Press, 2023)</title>
      <description>An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space.
Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In Playing Place: Board Games, Popular Culture, Space (MIT Press, 2023), Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, supplemented by a rich trove of photo illustrations, that unpack these questions with breadth and care.
Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of pieces reflecting on subjects as diverse as the rigidly gendered fantasies of classic mass-market games; the imperial convictions embedded in games that position player-protagonists as conquerors establishing dominion over their “discoveries”; and even the uncanny prescience of games that have players responding to a global pandemic. Representing a thrilling convergence of historiography, architectural history, and media studies scholarship, Playing Place suggests not only that tabletop games should be taken seriously but also that the medium itself is uniquely capable of facilitating our critical consideration of structures that are often taken for granted.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chad Randl</itunes:subtitle>
      <itunes:summary>An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space.
Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In Playing Place: Board Games, Popular Culture, Space (MIT Press, 2023), Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, supplemented by a rich trove of photo illustrations, that unpack these questions with breadth and care.
Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of pieces reflecting on subjects as diverse as the rigidly gendered fantasies of classic mass-market games; the imperial convictions embedded in games that position player-protagonists as conquerors establishing dominion over their “discoveries”; and even the uncanny prescience of games that have players responding to a global pandemic. Representing a thrilling convergence of historiography, architectural history, and media studies scholarship, Playing Place suggests not only that tabletop games should be taken seriously but also that the medium itself is uniquely capable of facilitating our critical consideration of structures that are often taken for granted.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space.</p><p>Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In <a href="https://bookshop.org/a/12343/9780262047838"><em>Playing Place: Board Games, Popular Culture, Space</em></a><em> </em>(MIT Press, 2023), Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, supplemented by a rich trove of photo illustrations, that unpack these questions with breadth and care.</p><p>Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of pieces reflecting on subjects as diverse as the rigidly gendered fantasies of classic mass-market games; the imperial convictions embedded in games that position player-protagonists as conquerors establishing dominion over their “discoveries”; and even the uncanny prescience of games that have players responding to a global pandemic. Representing a thrilling convergence of historiography, architectural history, and media studies scholarship, Playing Place suggests not only that tabletop games should be taken seriously but also that the medium itself is uniquely capable of facilitating our critical consideration of structures that are often taken for granted.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2254</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b34edada-7c1d-11ee-84e8-dfef5c64ab90]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR4022419061.mp3?updated=1699218264" length="0" type="audio/mpeg"/>
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    <item>
      <title>Aarathi Prasad, "Silk: A History in Three Metamorphoses" (William Collins, 2023)</title>
      <description>Silk—a luxury fabric, a valuable trade good, and a scientific marvel. This material, created by the bombyx mori silkworm, has captivated artisans for centuries—and it captivated science presenter and writer Aarathi Prasad, who was studying the scientific potential of silk for new treatments.
That started Aarathi on a journey to explore the world of silk—not just the traditional silk we use today, but all its different varieties: wild silks, made from less famous moths; sea silks, made from mollusks; and spider silk, strong, yet significantly more difficult to harvest. This all comes together in her latest book, Silk: A History in Three Metamorphoses (William Collins, 2023)
In this interview, Aarathi and I explore this world of silk, in all its forms, and why silk may be the hottest new material in biotechnology today.
Aarathi Prasad is a writer, broadcaster, and researcher interested in the intersection of science and technology with cultures, history, health, and the environment. She is also the author of In The Bonesetter’s Waiting Room: Travels Through Indian Medicine (Profile Books Limited: 2016) which was about health and disease in modern India, and Like A Virgin: How Science is Redesigning the Rules of Sex (Simon and Schuster: 2012), which explored the history and future of reproduction. Aarathi has a PhD in genetics from Imperial College London and is an Honorary Research Fellow at University College London’s Department of Genetics, Evolution and Environment.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Silk. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>160</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aarathi Prasad</itunes:subtitle>
      <itunes:summary>Silk—a luxury fabric, a valuable trade good, and a scientific marvel. This material, created by the bombyx mori silkworm, has captivated artisans for centuries—and it captivated science presenter and writer Aarathi Prasad, who was studying the scientific potential of silk for new treatments.
That started Aarathi on a journey to explore the world of silk—not just the traditional silk we use today, but all its different varieties: wild silks, made from less famous moths; sea silks, made from mollusks; and spider silk, strong, yet significantly more difficult to harvest. This all comes together in her latest book, Silk: A History in Three Metamorphoses (William Collins, 2023)
In this interview, Aarathi and I explore this world of silk, in all its forms, and why silk may be the hottest new material in biotechnology today.
Aarathi Prasad is a writer, broadcaster, and researcher interested in the intersection of science and technology with cultures, history, health, and the environment. She is also the author of In The Bonesetter’s Waiting Room: Travels Through Indian Medicine (Profile Books Limited: 2016) which was about health and disease in modern India, and Like A Virgin: How Science is Redesigning the Rules of Sex (Simon and Schuster: 2012), which explored the history and future of reproduction. Aarathi has a PhD in genetics from Imperial College London and is an Honorary Research Fellow at University College London’s Department of Genetics, Evolution and Environment.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Silk. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Silk—a luxury fabric, a valuable trade good, and a scientific marvel. This material, created by the <em>bombyx mori </em>silkworm, has captivated artisans for centuries—and it captivated science presenter and writer Aarathi Prasad, who was studying the scientific potential of silk for new treatments.</p><p>That started Aarathi on a journey to explore the world of silk—not just the traditional silk we use today, but all its different varieties: wild silks, made from less famous moths; sea silks, made from mollusks; and spider silk, strong, yet significantly more difficult to harvest. This all comes together in her latest book, <a href="https://bookshop.org/a/12343/9780063160255"><em>Silk: A History in Three Metamorphoses</em></a> (William Collins, 2023)</p><p>In this interview, Aarathi and I explore this world of silk, in all its forms, and why silk may be the hottest new material in biotechnology today.</p><p>Aarathi Prasad is a writer, broadcaster, and researcher interested in the intersection of science and technology with cultures, history, health, and the environment. She is also the author of <em>In The Bonesetter’s Waiting Room: Travels Through Indian Medicine</em> (Profile Books Limited: 2016) which was about health and disease in modern India, and <em>Like A Virgin: How Science is Redesigning the Rules of Sex</em> (Simon and Schuster: 2012), which explored the history and future of reproduction. Aarathi has a PhD in genetics from Imperial College London and is an Honorary Research Fellow at University College London’s Department of Genetics, Evolution and Environment.</p><p>Y<em>ou can find more reviews, excerpts, interviews, and essays at</em><a href="https://asianreviewofbooks.com/"> <em>The Asian Review of Books</em></a><em>, including its review of </em><a href="https://asianreviewofbooks.com/content/silk-a-history-in-three-metamorphoses-by-aarathi-prasad/"><em>Silk</em></a><em>. Follow on Twitter at</em><a href="https://twitter.com/BookReviewsAsia"> <em>@BookReviewsAsia</em></a><em>.</em></p><p><em>Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at</em><a href="https://twitter.com/nickrigordon?lang=en"> <em>@nickrigordon</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3093</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR6319014788.mp3?updated=1699203450" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>What Reality TV Says About Us</title>
      <description>Reality TV shapes and reflects how we see ourselves, and what we regard as normal. Professor Danielle J. Lindemann watched thousands of hours of reality tv to decode its influence on society. She joins us to discuss her book True Story: What Reality TV Says About Us (FSG, 2022).
 Danielle J. Lindemann is an Associate Professor of Sociology at Lehigh University interested in gender, sexuality, the family, and culture. She is the author of Commuter Spouses: New Families in a Changing World and Dominatrix: Gender, Eroticism and Control in the Dungeon. Her research has been featured in media outlets such as The New York Times, The Wall Street Journal, The Economist, The Atlantic, The Washington Post, Rolling Stone, Billboard, and The Chronicle of Higher Education. She has spoken about her work on National Public Radio and has written op-eds for CNN, Newsweek, Salon, Fortune, and Quartz.
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 Nov 2023 09:10:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Danielle J. Lindemann</itunes:subtitle>
      <itunes:summary>Reality TV shapes and reflects how we see ourselves, and what we regard as normal. Professor Danielle J. Lindemann watched thousands of hours of reality tv to decode its influence on society. She joins us to discuss her book True Story: What Reality TV Says About Us (FSG, 2022).
 Danielle J. Lindemann is an Associate Professor of Sociology at Lehigh University interested in gender, sexuality, the family, and culture. She is the author of Commuter Spouses: New Families in a Changing World and Dominatrix: Gender, Eroticism and Control in the Dungeon. Her research has been featured in media outlets such as The New York Times, The Wall Street Journal, The Economist, The Atlantic, The Washington Post, Rolling Stone, Billboard, and The Chronicle of Higher Education. She has spoken about her work on National Public Radio and has written op-eds for CNN, Newsweek, Salon, Fortune, and Quartz.
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Reality TV shapes and reflects how we see ourselves, and what we regard as normal. Professor Danielle J. Lindemann watched thousands of hours of reality tv to decode its influence on society. She joins us to discuss her book <a href="https://bookshop.org/a/12343/9781250862945">True Story: What Reality TV Says About Us</a> (FSG, 2022).</p><p> Danielle J. Lindemann is an Associate Professor of Sociology at Lehigh University interested in gender, sexuality, the family, and culture. She is the author of <em>Commuter Spouses: New Families in a Changing World</em> and <em>Dominatrix: Gender, Eroticism and Control in the Dungeon</em>. Her research has been featured in media outlets such as <em>The New York Times, The Wall Street Journal, The Economist, The Atlantic, The Washington Post, Rolling Stone, Billboard</em>, and <em>The Chronicle of Higher Education</em>. She has spoken about her work on National Public Radio and has written op-eds for <em>CNN, Newsweek, Salon, Fortune,</em> and <em>Quartz.</em></p><p>The UConn PopCast is proud to be sponsored by the <a href="https://humanities.uconn.edu/">University of Connecticut Humanities Institute</a>. Learn about our<a href="https://polisci.uconn.edu/graduate/masters-politics-popular-culture/"> MA Program</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2647</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b082593a-4add-4411-9cb6-253356d326d8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR9181325493.mp3?updated=1699197393" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Newton, "It's a Wonderful Life" (British Film Institute, 2023)</title>
      <description>Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since.
Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity.
Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>180</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Newton</itunes:subtitle>
      <itunes:summary>Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since.
Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity.
Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Frank Capra's <em>It's a Wonderful Life</em> is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since.</p><p>Michael Newton's study of the film,<em> </em><a href="https://bookshop.org/a/12343/9781839023484"><em>It's a Wonderful Life</em></a> (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity.</p><p>Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of <em>Savage Girls and Wild Boys: A History of Feral Children</em> (2002), <em>Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 </em>(2012), and of <em>Kind Hearts and Coronets </em>(2003) and <em>Rosemary's Baby</em> (2020) in the BFI Film Classics series.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3921</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aafe4cd6-7b45-11ee-b336-03854ae9c7e4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR5312627838.mp3?updated=1699126567" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>This Will Change Your Perspective on James Bond</title>
      <description>The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of  LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023)
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Susan Burgess</itunes:subtitle>
      <itunes:summary>The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of  LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023)
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of <em> </em><a href="https://bookshop.org/a/12343/9781479819751"><em>LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights</em></a> (NYU Press, 2023)</p><p>The UConn PopCast is proud to be sponsored by the <a href="https://humanities.uconn.edu/">University of Connecticut Humanities Institute</a>. Learn about our<a href="https://polisci.uconn.edu/graduate/masters-politics-popular-culture/"> MA Program</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4651</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Vicki Howard, ed., "A Cultural History of Shopping in the Modern Age" (Bloomsbury, 2022)</title>
      <description>In this episode, I talk to Vicki Howard and Sarah Elvins, both contributors to Volume 6 of the anthology A Cultural History of Shopping. Jon Stobart is the series editor, and Vicki Howard is the editor of Volume 6: A Cultural History of Shopping in the Modern Age. The chapters of this volume include: Practices and Processes, by Sarah Elvins, Spaces and Places, by Alison Hulme, Shoppers and Identities, by Joshua L. Carreiro, Luxury and Everyday, by Vicki Howard, Home and Family, by Helen Sheumaker, Visual and Literary Representations, by Angelica Michelis, Reputation, Trust and Credit, by Franck Cochoy, by Johan Hagberg and Hans Kjellberg, Governance, Regulation and the State, by Jan Logemann.
Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vicki Howard and Sarah Elvins</itunes:subtitle>
      <itunes:summary>In this episode, I talk to Vicki Howard and Sarah Elvins, both contributors to Volume 6 of the anthology A Cultural History of Shopping. Jon Stobart is the series editor, and Vicki Howard is the editor of Volume 6: A Cultural History of Shopping in the Modern Age. The chapters of this volume include: Practices and Processes, by Sarah Elvins, Spaces and Places, by Alison Hulme, Shoppers and Identities, by Joshua L. Carreiro, Luxury and Everyday, by Vicki Howard, Home and Family, by Helen Sheumaker, Visual and Literary Representations, by Angelica Michelis, Reputation, Trust and Credit, by Franck Cochoy, by Johan Hagberg and Hans Kjellberg, Governance, Regulation and the State, by Jan Logemann.
Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I talk to Vicki Howard and Sarah Elvins, both contributors to Volume 6 of the anthology <a href="https://bookshop.org/a/12343/9781350027060"><em>A Cultural History of Shopping</em></a><em>. </em>Jon Stobart is the series editor, and Vicki Howard is the editor of Volume 6: <em>A Cultural History of Shopping in the Modern Age. </em>The chapters of this volume include: Practices and Processes, by Sarah Elvins, Spaces and Places, by Alison Hulme, Shoppers and Identities, by Joshua L. Carreiro, Luxury and Everyday, by Vicki Howard, Home and Family, by Helen Sheumaker, Visual and Literary Representations, by Angelica Michelis, Reputation, Trust and Credit, by Franck Cochoy, by Johan Hagberg and Hans Kjellberg, Governance, Regulation and the State, by Jan Logemann.</p><p><a href="https://www.linkedin.com/in/paula-de-la-cruz-fernandez-ph-d-6b36437/"><em>Paula De La Cruz-Fernandez</em></a><em> is a consultant, historian, and digital editor. Editor </em><a href="https://www.linkedin.com/company/72734215/admin/"><em>New Books Network en español</em></a><em>. </em><a href="https://www.edita.us/"><em>Edita</em></a><em> CEO.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2547</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0a20c436-7a8e-11ee-917f-77f24ea04cc8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR5406538457.mp3?updated=1699046598" length="0" type="audio/mpeg"/>
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    <item>
      <title>Fuchsia Dunlop, "Invitation to a Banquet: The Story of Chinese Food" (Norton, 2023)</title>
      <description>Chinese was the earliest truly global cuisine. When the first Chinese labourers began to sojourn and settle abroad, restaurants appeared in their wake. Yet Chinese food has the curious distinction of being both one of the world's best-loved culinary traditions and one of the least understood. For more than a century, the overwhelming dominance of a simplified form of Cantonese cooking ensured that few foreigners experienced anything of its richness and sophistication - but today that is beginning to change.
In Invitation to a Banquet: The Story of Chinese Food (Norton, 2023), the James Beard Award-winning cook and writer Fuchsia Dunlop explores the history, philosophy and techniques of China's rich and ancient culinary culture. Each chapter examines a classic dish, from mapo tofu to Dongpo pork, knife-scraped noodles to braised pomelo pith, to reveal a singular aspect of Chinese gastronomy, whether it's the importance of the soybean, the lure of exotic ingredients or the history of Buddhist vegetarian cuisine. Meeting local food producers, chefs, gourmets and home cooks as she tastes her way across the country, Fuchsia invites readers to join her on an unforgettable journey into Chinese food as it is made, cooked, eaten and considered in its homeland.
Weaving together historical scholarship, mouth-watering descriptions of food and on-the-ground research conducted over the course of three decades, Invitation to a Banquet is a lively, landmark tribute to the pleasures and mysteries of Chinese cuisine.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Fuchsia Dunlop</itunes:subtitle>
      <itunes:summary>Chinese was the earliest truly global cuisine. When the first Chinese labourers began to sojourn and settle abroad, restaurants appeared in their wake. Yet Chinese food has the curious distinction of being both one of the world's best-loved culinary traditions and one of the least understood. For more than a century, the overwhelming dominance of a simplified form of Cantonese cooking ensured that few foreigners experienced anything of its richness and sophistication - but today that is beginning to change.
In Invitation to a Banquet: The Story of Chinese Food (Norton, 2023), the James Beard Award-winning cook and writer Fuchsia Dunlop explores the history, philosophy and techniques of China's rich and ancient culinary culture. Each chapter examines a classic dish, from mapo tofu to Dongpo pork, knife-scraped noodles to braised pomelo pith, to reveal a singular aspect of Chinese gastronomy, whether it's the importance of the soybean, the lure of exotic ingredients or the history of Buddhist vegetarian cuisine. Meeting local food producers, chefs, gourmets and home cooks as she tastes her way across the country, Fuchsia invites readers to join her on an unforgettable journey into Chinese food as it is made, cooked, eaten and considered in its homeland.
Weaving together historical scholarship, mouth-watering descriptions of food and on-the-ground research conducted over the course of three decades, Invitation to a Banquet is a lively, landmark tribute to the pleasures and mysteries of Chinese cuisine.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Chinese was the earliest truly global cuisine. When the first Chinese labourers began to sojourn and settle abroad, restaurants appeared in their wake. Yet Chinese food has the curious distinction of being both one of the world's best-loved culinary traditions and one of the least understood. For more than a century, the overwhelming dominance of a simplified form of Cantonese cooking ensured that few foreigners experienced anything of its richness and sophistication - but today that is beginning to change.</p><p>In<em> </em><a href="https://bookshop.org/a/12343/9780393867138"><em>Invitation to a Banquet: The Story of Chinese Food</em></a> (Norton, 2023), the James Beard Award-winning cook and writer Fuchsia Dunlop explores the history, philosophy and techniques of China's rich and ancient culinary culture. Each chapter examines a classic dish, from mapo tofu to Dongpo pork, knife-scraped noodles to braised pomelo pith, to reveal a singular aspect of Chinese gastronomy, whether it's the importance of the soybean, the lure of exotic ingredients or the history of Buddhist vegetarian cuisine. Meeting local food producers, chefs, gourmets and home cooks as she tastes her way across the country, Fuchsia invites readers to join her on an unforgettable journey into Chinese food as it is made, cooked, eaten and considered in its homeland.</p><p>Weaving together historical scholarship, mouth-watering descriptions of food and on-the-ground research conducted over the course of three decades, Invitation to a Banquet is a lively, landmark tribute to the pleasures and mysteries of Chinese cuisine.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3740</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Michael Kaler, "Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead" (Duke UP, 2023)</title>
      <description>Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music’s structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead.
In Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead (Duke UP, 2023), Michael Kaler examines how the Dead’s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals. He focuses on the band’s early years, the significance of their playing Ken Kesey’s Acid Test parties, and their evolving exploration of the myriad musical and spiritual possibilities that extended improvisation afforded. Kaler demonstrates that the Grateful Dead developed a radical new way of playing rock music as a means to unleash the spiritual and transformative potential of their music.
Michael Kaler is Associate Professor, teaching stream, at the Institute for the Study of University Pedagogy at the University of Toronto Mississauga and author of Flora Tells a Story: The Apocalypse of Paul and Its Contexts.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>208</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Kaler</itunes:subtitle>
      <itunes:summary>Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music’s structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead.
In Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead (Duke UP, 2023), Michael Kaler examines how the Dead’s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals. He focuses on the band’s early years, the significance of their playing Ken Kesey’s Acid Test parties, and their evolving exploration of the myriad musical and spiritual possibilities that extended improvisation afforded. Kaler demonstrates that the Grateful Dead developed a radical new way of playing rock music as a means to unleash the spiritual and transformative potential of their music.
Michael Kaler is Associate Professor, teaching stream, at the Institute for the Study of University Pedagogy at the University of Toronto Mississauga and author of Flora Tells a Story: The Apocalypse of Paul and Its Contexts.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music’s structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead.</p><p>In <a href="https://www.dukeupress.edu/get-shown-the-light"><em>Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead</em></a><em> </em>(Duke UP, 2023), Michael Kaler examines how the Dead’s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals. He focuses on the band’s early years, the significance of their playing Ken Kesey’s Acid Test parties, and their evolving exploration of the myriad musical and spiritual possibilities that extended improvisation afforded. Kaler demonstrates that the Grateful Dead developed a radical new way of playing rock music as a means to unleash the spiritual and transformative potential of their music.</p><p>Michael Kaler is Associate Professor, teaching stream, at the Institute for the Study of University Pedagogy at the University of Toronto Mississauga and author of <em>Flora Tells a Story: The Apocalypse of Paul and Its Contexts.</em></p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3777</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1396b15e-79a5-11ee-9397-8be009cafd65]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR3274081265.mp3?updated=1698947990" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Greg Beets and Richard Whymark, "A Curious Mix of People: The Underground Scene of '90s Austin" (U Texas Press, 2023)</title>
      <description>Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. In their new book, A Curious Mix of People: The Underground Scene of '90s Austin (University of Texas Press, 2023), veterans of the sccene Greg Beets and Richard Whymark have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by live shows, though local media (radio, TV, print), record stores, and a few labels were also important to the story. Beets and Whymark devote chapters to those elements, but almost half of the chapters are based around a particular club. Organizing the book around physical spaces is not only appropriate for telling the story of the music, it is nice framing for the larger story of Austin. As the authors note, the city was still a relatively sleepy place in the early 1990s, with vacant blocks downtown and loads of small clubs that opened and closed simply because music-minded people wanted a place to play. By 1999, longtime venues like the Electric Lounge and Liberty Lunch were bulldozed to make way for development and tech companies.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 05 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>173</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Greg Beets and Richard Whymark</itunes:subtitle>
      <itunes:summary>Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. In their new book, A Curious Mix of People: The Underground Scene of '90s Austin (University of Texas Press, 2023), veterans of the sccene Greg Beets and Richard Whymark have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by live shows, though local media (radio, TV, print), record stores, and a few labels were also important to the story. Beets and Whymark devote chapters to those elements, but almost half of the chapters are based around a particular club. Organizing the book around physical spaces is not only appropriate for telling the story of the music, it is nice framing for the larger story of Austin. As the authors note, the city was still a relatively sleepy place in the early 1990s, with vacant blocks downtown and loads of small clubs that opened and closed simply because music-minded people wanted a place to play. By 1999, longtime venues like the Electric Lounge and Liberty Lunch were bulldozed to make way for development and tech companies.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. In their new book, <a href="https://bookshop.org/a/12343/9781477328132"><em>A Curious Mix of People: The Underground Scene of '90s Austin</em></a><em> </em>(University of Texas Press, 2023), veterans of the sccene Greg Beets and <a href="https://www.richardwhymark.com/">Richard Whymark</a> have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by live shows, though local media (radio, TV, print), record stores, and a few labels were also important to the story. Beets and Whymark devote chapters to those elements, but almost half of the chapters are based around a particular club. Organizing the book around physical spaces is not only appropriate for telling the story of the music, it is nice framing for the larger story of Austin. As the authors note, the city was still a relatively sleepy place in the early 1990s, with vacant blocks downtown and loads of small clubs that opened and closed simply because music-minded people wanted a place to play. By 1999, longtime venues like the Electric Lounge and Liberty Lunch were bulldozed to make way for development and tech companies.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1dd1d02e-78f9-11ee-bff7-cbc312d4af53]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR2301771814.mp3?updated=1698873915" length="0" type="audio/mpeg"/>
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    <item>
      <title>Maaheen Ahmed, "The Cambridge Companion to Comics" (Cambridge UP, 2023)</title>
      <description>Today’s guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics.
Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a collaborative project which brings together childhood studies and comics studies.
﻿John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 04 Nov 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>260</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maaheen Ahmed</itunes:subtitle>
      <itunes:summary>Today’s guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics.
Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a collaborative project which brings together childhood studies and comics studies.
﻿John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s guest is Maaheen Ahmed, who has edited a new collection of essays, <a href="https://bookshop.org/a/12343/9781009255684"><em>The Cambridge Companion to Comics</em></a><em> </em>(Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics.</p><p>Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of <em>Openness of Comics: Generating Meaning within Flexible Structures</em> (University Press of Mississippi, 2016) and the co-editor of <em>Comics Memory</em>, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a collaborative project which brings together childhood studies and comics studies.</p><p><em>﻿</em><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in </em><a href="https://earlytheatre.org/earlytheatre/article/view/4996/"><em>Early Theatre</em></a><em>, </em><a href="https://muse.jhu.edu/issue/48219"><em>Studies in Philology</em></a><em>, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3518</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>"We are all latecomers": Martin Puchner's "Culture" (JP, EF)</title>
      <description>Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions.
Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down.
Mentioned in the episode:

Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams)

Recovery of Gilgamesh retold in David Damrosch's The Buried Book)

David Ferry translation of Gilgamesh


John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents"

William Blake, "Drive your cart and plough over the bones of the dead"

Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from.

Creolization as distinctively Caribbean (cf Glissant's notion of creolite )

Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden)

"Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston.

Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB.

John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos.


Recallable Books: 

Sidney Mintz and Richard Price, The Birth of African-American Culture


Richard Price, First Time (the dad of Leah Price?)

Aphra Behn Oroonoko: or, The Royal Slave (1688)


Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony


﻿
Read the episode here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 02 Nov 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Martin Puchner</itunes:subtitle>
      <itunes:summary>Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions.
Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down.
Mentioned in the episode:

Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams)

Recovery of Gilgamesh retold in David Damrosch's The Buried Book)

David Ferry translation of Gilgamesh


John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents"

William Blake, "Drive your cart and plough over the bones of the dead"

Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from.

Creolization as distinctively Caribbean (cf Glissant's notion of creolite )

Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden)

"Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston.

Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB.

John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos.


Recallable Books: 

Sidney Mintz and Richard Price, The Birth of African-American Culture


Richard Price, First Time (the dad of Leah Price?)

Aphra Behn Oroonoko: or, The Royal Slave (1688)


Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony


﻿
Read the episode here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Recall This Book listeners already know the inimitable <a href="https://complit.fas.harvard.edu/people/martin-puchner">Martin Puchner</a> (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from <a href="https://recallthisbook.org/category/writing-then-and-now-with-martin-puchner/">that fabulous RTB episode</a> about his “deep history” of literature and literacy, <a href="https://www.penguinrandomhouse.com/books/253470/the-written-world-by-martin-puchner/"><em>The Written World</em></a>. And you know his feelings about Wodehouse from his<a href="https://recallthisbook.org/2020/06/11/35-rtb-books-in-dark-times-10-martin-puchner/"> Books in Dark Times confessions</a>.</p><p>Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, <a href="https://bookshop.org/a/12343/9780393867992"><em>Culture: The Story of Us from Cave Art to K Pop</em></a> (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down.</p><p>Mentioned in the episode:</p><ul>
<li>Cave art: <a href="https://en.wikipedia.org/wiki/Chauvet_Cave">Chauvet cave</a> "Meaning rather than utility" (cf Werner Herzog's <a href="https://en.wikipedia.org/wiki/Cave_of_Forgotten_Dreams"><em>Cave of Forgotten Dreams</em></a>)</li>
<li>Recovery of Gilgamesh retold in David Damrosch's <a href="https://www.amazon.com/Buried-Book-Rediscovery-Great-Gilgamesh/dp/0805087257"><em>The Buried Book</em></a>)</li>
<li>David Ferry <a href="https://www.amazon.com/Gilgamesh-New-Rendering-English-Verse/dp/0374523835">translation of Gilgamesh</a>
</li>
<li>John Guillory's version of multiple forms of cultural transmission: "<a href="https://www.journals.uchicago.edu/doi/10.1086/684635">Monuments and Documents</a>"</li>
<li>William Blake, "<a href="https://poets.org/poem/proverbs-hell#:~:text=Drive%20your%20cart%20and%20your,but%20acts%20not%2C%20breeds%20pestilence.">Drive your cart and plough over the bones of the dead</a>"</li>
<li>Alex Ross writes eloquently in his book <a href="https://www.therestisnoise.com/"><em>The Rest Is Noise</em> </a>about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from.</li>
<li>Creolization as distinctively Caribbean (cf <a href="https://en.wikipedia.org/wiki/Cr%C3%A9olit%C3%A9">Glissant's notion of <em>creolite </em></a>)</li>
<li>Orlando Paterson, <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674986909"><em>Slavery and Social Death</em></a> (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, <a href="https://scholar.harvard.edu/vbrown/publications/reapers-garden"><em>Reaper's Garden</em></a>)</li>
<li>"Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's <a href="https://press.princeton.edu/books/hardcover/9780691156989/rules"><em>Rules</em></a>--and was extensively discussed in the<a href="https://recallthisbook.org/2023/01/05/96-lorraine-daston-rules-the-world-ef-jp/"> RTB conversation with Daston</a>.</li>
<li>Peter Brown<a href="https://press.princeton.edu/books/hardcover/9780691152905/through-the-eye-of-a-needle"> Through the Eye of the Needle</a> on monastic wealth and the rise of "mangerial bishops"--a topic that came up in <a href="https://recallthisbook.org/2020/07/30/42-recall-this-buck-2-peter-brown-on-wealth-charity-and-managerial-bishops-in-early-christianity-jp/">his conversation with RTB</a>.</li>
<li>John presses the non-cenobitic tradition of the hermit <a href="https://en.wikipedia.org/wiki/Monk">monk</a>, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos.</li>
</ul><p><br></p><p>Recallable Books: </p><ul>
<li>Sidney Mintz and Richard Price, <a href="https://www.penguinrandomhouse.com/books/204007/the-birth-of-african-american-culture-by-sidney-w-mintz/">The Birth of African-American Culture</a>
</li>
<li>Richard Price, <a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo3636603.html"><em>First Time</em></a> (the dad of Leah Price?)</li>
<li>Aphra Behn <a href="https://en.wikipedia.org/wiki/Oroonoko">Oroonoko</a>: or, The Royal Slave (1688)</li>
<li>
<a href="https://en.wikipedia.org/wiki/Roberto_Calasso">Roberto Calasso</a> (an Umberto Eco sidekick?) <a href="https://www.penguinrandomhouse.com/books/22865/the-marriage-of-cadmus-and-harmony-by-roberto-calasso/"><em>The Marriage of Cadmus and Harmony</em></a>
</li>
</ul><p><em>﻿</em></p><p><a href="https://wordpress.com/page/recallthisbook.org/254">Read</a> the episode here.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3159</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[41499e56-782c-11ee-a3e3-1f3a7597d0cb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR6220186357.mp3?updated=1698784741" length="0" type="audio/mpeg"/>
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    <item>
      <title>Michael Serazio, "The Authenticity Industries: Keeping It Real in Media, Culture, and Politics" (Stanford UP, 2023)</title>
      <description>In recent decades, authenticity has become an American obsession. It animates thirty years' worth of reality TV programming and fuels the explosive virality of one hot social media app after another. It characterizes Donald Trump's willful disregard for political correctness (and proofreading) and inspires multinational corporations to stake activist claims in ways that few "woke" brands ever dared before. It buttresses a multibillion-dollar influencer industry of everyday folks shilling their friends with #spon-con and burnishes the street cred of rock stars and rappers alike. But, ironically, authenticity's not actually real: it's as fabricated as it is ubiquitous.
In The Authenticity Industries: Keeping It Real in Media, Culture, and Politics (Stanford University Press, 2023) journalist and scholar Michael Serazio combines eye-opening reporting and lively prose to take readers behind the scenes with those who make "reality"—and the ways it tries to influence us. Drawing upon dozens of rare interviews with campaign consultants, advertising executives, tech company leadership, and entertainment industry gatekeepers, the book slyly investigates the professionals and practices that make people, products, and platforms seem "authentic" in today's media, culture, and politics. The result is a spotlight on the power of authenticity in today's media-saturated world and the strategies to satisfy this widespread yearning. In theory, authenticity might represent the central moral framework of our time: allaying anxieties about self and society, culture and commerce, and technology and humanity. It infects and informs our ideals of celebrity, aesthetics, privacy, nostalgia, and populism. And Serazio reveals how these pretenses are crafted, backstage, for audiences, consumers, and voters.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 31 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>321</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Serazio</itunes:subtitle>
      <itunes:summary>In recent decades, authenticity has become an American obsession. It animates thirty years' worth of reality TV programming and fuels the explosive virality of one hot social media app after another. It characterizes Donald Trump's willful disregard for political correctness (and proofreading) and inspires multinational corporations to stake activist claims in ways that few "woke" brands ever dared before. It buttresses a multibillion-dollar influencer industry of everyday folks shilling their friends with #spon-con and burnishes the street cred of rock stars and rappers alike. But, ironically, authenticity's not actually real: it's as fabricated as it is ubiquitous.
In The Authenticity Industries: Keeping It Real in Media, Culture, and Politics (Stanford University Press, 2023) journalist and scholar Michael Serazio combines eye-opening reporting and lively prose to take readers behind the scenes with those who make "reality"—and the ways it tries to influence us. Drawing upon dozens of rare interviews with campaign consultants, advertising executives, tech company leadership, and entertainment industry gatekeepers, the book slyly investigates the professionals and practices that make people, products, and platforms seem "authentic" in today's media, culture, and politics. The result is a spotlight on the power of authenticity in today's media-saturated world and the strategies to satisfy this widespread yearning. In theory, authenticity might represent the central moral framework of our time: allaying anxieties about self and society, culture and commerce, and technology and humanity. It infects and informs our ideals of celebrity, aesthetics, privacy, nostalgia, and populism. And Serazio reveals how these pretenses are crafted, backstage, for audiences, consumers, and voters.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In recent decades, authenticity has become an American obsession. It animates thirty years' worth of reality TV programming and fuels the explosive virality of one hot social media app after another. It characterizes Donald Trump's willful disregard for political correctness (and proofreading) and inspires multinational corporations to stake activist claims in ways that few "woke" brands ever dared before. It buttresses a multibillion-dollar influencer industry of everyday folks shilling their friends with #spon-con and burnishes the street cred of rock stars and rappers alike. But, ironically, authenticity's not actually real: it's as fabricated as it is ubiquitous.</p><p>In<em> </em><a href="https://bookshop.org/p/books/the-authenticity-industries-keeping-it-real-in-media-culture-and-politics-michael-serazio/19732204?ean=9781503635487"><em>The Authenticity Industries: Keeping It Real in Media, Culture, and Politics</em></a> (Stanford University Press, 2023) journalist and scholar <a href="https://www.bc.edu/bc-web/schools/mcas/departments/communication/people/faculty-directory/serazio--michael.html">Michael Serazio</a> combines eye-opening reporting and lively prose to take readers behind the scenes with those who make "reality"—and the ways it tries to influence us. Drawing upon dozens of rare interviews with campaign consultants, advertising executives, tech company leadership, and entertainment industry gatekeepers, the book slyly investigates the professionals and practices that make people, products, and platforms seem "authentic" in today's media, culture, and politics. The result is a spotlight on the power of authenticity in today's media-saturated world and the strategies to satisfy this widespread yearning. In theory, authenticity might represent the central moral framework of our time: allaying anxieties about self and society, culture and commerce, and technology and humanity. It infects and informs our ideals of celebrity, aesthetics, privacy, nostalgia, and populism. And Serazio reveals how these pretenses are crafted, backstage, for audiences, consumers, and voters.</p><p><a href="https://newbooksnetwork.com/hosts/profile/af43960f-eb1c-452b-a784-ba3dae90949f"><em>Michael O. Johnston, Ph.D.</em></a><em> is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4505</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Scott Eyman, "Charlie Chaplin vs. America: When Art, Sex, and Politics Collided" (Simon &amp; Schuster, 2023)</title>
      <description>The remarkable, must-read story of Charlie Chaplin’s years of exile from the United States during the postwar Red Scare, and how it ruined his film career, from bestselling biographer Scott Eyman.
Bestselling Hollywood biographer and film historian Scott Eyman tells the story of Charlie Chaplin’s fall from grace. In the aftermath of World War Two, Chaplin was criticized for being politically liberal and internationalist in outlook. He had never become a US citizen, something that would be held against him as xenophobia set in when the postwar Red Scare took hold.
Politics aside, Chaplin had another problem: his sexual interest in young women. He had been married three times and had had numerous affairs. In the 1940s, he was the subject of a paternity suit, which he lost, despite blood tests that proved he was not the father. His sexuality became a convenient way for those who opposed his politics to condemn him. Refused permission to return to the US from a trip abroad, he settled in Switzerland, and made his last two films in London
In Charlie Chaplin vs. America: When Art, Sex, and Politics Collided (Simon &amp; Schuster, 2023), bestselling author Scott Eyman explores the life and times of the movie genius who brought us such masterpieces as City Lights and Modern Times. This is a perceptive, insightful portrait of Chaplin and of an America consumed by political turmoil.
Scott Eyman was formerly the literary critic at The Palm Beach Post and is the author or coauthor of sixteen books, including the bestseller John Wayne and You Must Remember This with actor Robert Wagner. Eyman also writes book reviews for The Wall Street Journal, and has written for The New York Times, The Washington Post, and the Chicago Tribune. He and his wife, Lynn, live in West Palm Beach.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 31 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>174</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Eyman</itunes:subtitle>
      <itunes:summary>The remarkable, must-read story of Charlie Chaplin’s years of exile from the United States during the postwar Red Scare, and how it ruined his film career, from bestselling biographer Scott Eyman.
Bestselling Hollywood biographer and film historian Scott Eyman tells the story of Charlie Chaplin’s fall from grace. In the aftermath of World War Two, Chaplin was criticized for being politically liberal and internationalist in outlook. He had never become a US citizen, something that would be held against him as xenophobia set in when the postwar Red Scare took hold.
Politics aside, Chaplin had another problem: his sexual interest in young women. He had been married three times and had had numerous affairs. In the 1940s, he was the subject of a paternity suit, which he lost, despite blood tests that proved he was not the father. His sexuality became a convenient way for those who opposed his politics to condemn him. Refused permission to return to the US from a trip abroad, he settled in Switzerland, and made his last two films in London
In Charlie Chaplin vs. America: When Art, Sex, and Politics Collided (Simon &amp; Schuster, 2023), bestselling author Scott Eyman explores the life and times of the movie genius who brought us such masterpieces as City Lights and Modern Times. This is a perceptive, insightful portrait of Chaplin and of an America consumed by political turmoil.
Scott Eyman was formerly the literary critic at The Palm Beach Post and is the author or coauthor of sixteen books, including the bestseller John Wayne and You Must Remember This with actor Robert Wagner. Eyman also writes book reviews for The Wall Street Journal, and has written for The New York Times, The Washington Post, and the Chicago Tribune. He and his wife, Lynn, live in West Palm Beach.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The remarkable, must-read story of Charlie Chaplin’s years of exile from the United States during the postwar Red Scare, and how it ruined his film career, from bestselling biographer Scott Eyman.</p><p>Bestselling Hollywood biographer and film historian Scott Eyman tells the story of Charlie Chaplin’s fall from grace. In the aftermath of World War Two, Chaplin was criticized for being politically liberal and internationalist in outlook. He had never become a US citizen, something that would be held against him as xenophobia set in when the postwar Red Scare took hold.</p><p>Politics aside, Chaplin had another problem: his sexual interest in young women. He had been married three times and had had numerous affairs. In the 1940s, he was the subject of a paternity suit, which he lost, despite blood tests that proved he was not the father. His sexuality became a convenient way for those who opposed his politics to condemn him. Refused permission to return to the US from a trip abroad, he settled in Switzerland, and made his last two films in London</p><p>In<a href="https://bookshop.org/a/12343/9781982176358"> <em>Charlie Chaplin vs. America: When Art, Sex, and Politics Collided</em></a> (Simon &amp; Schuster, 2023), bestselling author Scott Eyman explores the life and times of the movie genius who brought us such masterpieces as City Lights and Modern Times. This is a perceptive, insightful portrait of Chaplin and of an America consumed by political turmoil.</p><p>Scott Eyman was formerly the literary critic at <em>The Palm Beach Post</em> and is the author or coauthor of sixteen books, including the bestseller <em>John Wayne</em> <em>and You Must Remember This</em> with actor Robert Wagner. Eyman also writes book reviews for <em>The Wall Street Journal</em>, and has written for <em>The New York Times, The Washington Post</em>, and the <em>Chicago Tribune</em>. He and his wife, Lynn, live in West Palm Beach.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3310</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db4eb076-3d40-11ee-93db-e7d50e50dd00]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR2164456842.mp3?updated=1692306108" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jeff Jarvis, "Magazine" (Bloomsbury, 2023)</title>
      <description>For a century, magazines were the authors of culture and taste, of intelligence and policy - until they were overthrown by the voices of the public themselves online. Magazine (Bloomsbury, 2023) by Jeff Jarvis, part of the Object Lessons series is a tribute to all that magazines were.
From their origins in London and on Ben Franklin's press; through their boom - enabled by new technologies - as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet. This tale is told through the experience of a magazine founder, the creator of Entertainment Weekly at Time Inc., who was also TV critic at TV Guide and People and finally an executive at Condé Nast trying to shepherd its magazines into the digital age.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 31 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeff Jarvis</itunes:subtitle>
      <itunes:summary>For a century, magazines were the authors of culture and taste, of intelligence and policy - until they were overthrown by the voices of the public themselves online. Magazine (Bloomsbury, 2023) by Jeff Jarvis, part of the Object Lessons series is a tribute to all that magazines were.
From their origins in London and on Ben Franklin's press; through their boom - enabled by new technologies - as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet. This tale is told through the experience of a magazine founder, the creator of Entertainment Weekly at Time Inc., who was also TV critic at TV Guide and People and finally an executive at Condé Nast trying to shepherd its magazines into the digital age.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For a century, magazines were the authors of culture and taste, of intelligence and policy - until they were overthrown by the voices of the public themselves online. <a href="https://bookshop.org/a/12343/9781501394959"><em>Magazine</em></a> (Bloomsbury, 2023) by Jeff Jarvis, part of the Object Lessons series is a tribute to all that magazines were.</p><p>From their origins in London and on Ben Franklin's press; through their boom - enabled by new technologies - as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet. This tale is told through the experience of a magazine founder, the creator of Entertainment Weekly at Time Inc., who was also TV critic at TV Guide and People and finally an executive at Condé Nast trying to shepherd its magazines into the digital age.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose </em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em>forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2422</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fb7e5708-7502-11ee-aecb-afa2a36283c5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR1844420290.mp3?updated=1698437112" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Bishop, "Medievalist Comics and the American Century" (UP of Mississippi, 2016)</title>
      <description>In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context.
Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.
In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance.
Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 29 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Bishop</itunes:subtitle>
      <itunes:summary>In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context.
Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.
In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance.
Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781496830838"><em>Medievalist Comics and the American Century</em></a> (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context.</p><p>Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.</p><p>In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance.</p><p><em>Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3182</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[01e7e9b2-71dc-11ee-a246-f75a8033f078]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR9366940139.mp3?updated=1698090223" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jason Lamb, "NoMeansNo: From Obscurity to Oblivion, an Oral History" (PM Press, 2024)</title>
      <description>They were unlike any other band in the punk scene they called home. 
NoMeansNo started in the basement of the family home of brothers Rob and John Wright in 1979. For the next three decades, they would add and then replace a guitar player, sign a record deal with Alternative Tentacles and tour the world. All along the way, they kept their integrity, saying "NO" to many mainstream opportunities. It was for this reason the band (intentionally) never became a household name, but earned the respect and love of thousands of fans around the world, including some who became big rock stars themselves. They were expertly skilled musicians playing a new kind of punk: intelligent, soulful, hilarious, and complex. They were also really nice Canadian dudes.
NoMeansNo: From Obscurity to Oblivion (PM Press, 2024) is the fully authorized oral and visual history of this highly influential and enigmatic band which has never been told before now. Author Jason Lamb obtained exclusive access to all four former members and interviewed hundreds of people in their orbit, from managers and roadies to fellow musicians, friends, and family members. The result is their complete story, from the band's inception in 1979 to their retirement in 2016, along with hundreds of photos, posters, and memorabilia, much of which has never been seen publicly before.
For established fans, this book serves as a "love letter" to their favorite group and provides many details previously unknown. For those curious about the story and influence of NoMeansNo, it reveals an eye-opening tale of how a punk band could be world class musicians while truly "doing it themselves." Their impact and importance cannot be overstated, and NoMeansNo: From Obscurity to Oblivion is the essential archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 28 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>206</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jason Lamb</itunes:subtitle>
      <itunes:summary>They were unlike any other band in the punk scene they called home. 
NoMeansNo started in the basement of the family home of brothers Rob and John Wright in 1979. For the next three decades, they would add and then replace a guitar player, sign a record deal with Alternative Tentacles and tour the world. All along the way, they kept their integrity, saying "NO" to many mainstream opportunities. It was for this reason the band (intentionally) never became a household name, but earned the respect and love of thousands of fans around the world, including some who became big rock stars themselves. They were expertly skilled musicians playing a new kind of punk: intelligent, soulful, hilarious, and complex. They were also really nice Canadian dudes.
NoMeansNo: From Obscurity to Oblivion (PM Press, 2024) is the fully authorized oral and visual history of this highly influential and enigmatic band which has never been told before now. Author Jason Lamb obtained exclusive access to all four former members and interviewed hundreds of people in their orbit, from managers and roadies to fellow musicians, friends, and family members. The result is their complete story, from the band's inception in 1979 to their retirement in 2016, along with hundreds of photos, posters, and memorabilia, much of which has never been seen publicly before.
For established fans, this book serves as a "love letter" to their favorite group and provides many details previously unknown. For those curious about the story and influence of NoMeansNo, it reveals an eye-opening tale of how a punk band could be world class musicians while truly "doing it themselves." Their impact and importance cannot be overstated, and NoMeansNo: From Obscurity to Oblivion is the essential archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>They were unlike any other band in the punk scene they called home. </p><p>NoMeansNo started in the basement of the family home of brothers Rob and John Wright in 1979. For the next three decades, they would add and then replace a guitar player, sign a record deal with Alternative Tentacles and tour the world. All along the way, they kept their integrity, saying "NO" to many mainstream opportunities. It was for this reason the band (intentionally) never became a household name, but earned the respect and love of thousands of fans around the world, including some who became big rock stars themselves. They were expertly skilled musicians playing a new kind of punk: intelligent, soulful, hilarious, and complex. They were also really nice Canadian dudes.</p><p><a href="https://bookshop.org/a/12343/9798887440149"><em>NoMeansNo: From Obscurity to Oblivion</em></a><em> </em>(PM Press, 2024) is the fully authorized oral and visual history of this highly influential and enigmatic band which has never been told before now. Author Jason Lamb obtained exclusive access to all four former members and interviewed hundreds of people in their orbit, from managers and roadies to fellow musicians, friends, and family members. The result is their complete story, from the band's inception in 1979 to their retirement in 2016, along with hundreds of photos, posters, and memorabilia, much of which has never been seen publicly before.</p><p>For established fans, this book serves as a "love letter" to their favorite group and provides many details previously unknown. For those curious about the story and influence of NoMeansNo, it reveals an eye-opening tale of how a punk band could be world class musicians while truly "doing it themselves." Their impact and importance cannot be overstated, and <em>NoMeansNo: From Obscurity to Oblivion</em> is the essential archive.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3713</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cd5ff08a-710f-11ee-8f9f-071e82afbe2d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR9843121466.mp3?updated=1698003288" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen B. Armstrong, "I Want You Around: The Ramones and the Making of Rock 'n' Roll High School" (Backbeat Books, 2023)</title>
      <description>Stephen Armstrong's new book I Want You Around: The Ramones and the Making of Rock-n-Roll High School (Backbeat Books, 2023), provides a detailed production history of this beloved film that draws upon extensive interviews the author has conducted with many of the people who contributed to its creation, including director Allan Arkush, uncredited co-director Joe Dante, screenwriter Joseph McBride, producer Michael Finnell, the Ramones' tour manager, Monte A. Melnick, and Roger Corman. Armstrong not only engages in the production of this classic film, but also examines the life of director Allan Arkush and the events that brought him to directing with film for New World Pictures. Armstrong also tells the story of the Ramones, giving insight into their experiences becoming the band that help Riff Randell and the students of Vince Lombardi High as they rebel against the tyrannical Principal Togar and blow up their school. 
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 27 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>172</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephen B. Armstrong</itunes:subtitle>
      <itunes:summary>Stephen Armstrong's new book I Want You Around: The Ramones and the Making of Rock-n-Roll High School (Backbeat Books, 2023), provides a detailed production history of this beloved film that draws upon extensive interviews the author has conducted with many of the people who contributed to its creation, including director Allan Arkush, uncredited co-director Joe Dante, screenwriter Joseph McBride, producer Michael Finnell, the Ramones' tour manager, Monte A. Melnick, and Roger Corman. Armstrong not only engages in the production of this classic film, but also examines the life of director Allan Arkush and the events that brought him to directing with film for New World Pictures. Armstrong also tells the story of the Ramones, giving insight into their experiences becoming the band that help Riff Randell and the students of Vince Lombardi High as they rebel against the tyrannical Principal Togar and blow up their school. 
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stephen Armstrong's new book<a href="https://bookshop.org/a/12343/9781493064496"> <em>I Want You Around: The Ramones and the Making of Rock-n-Roll High School</em></a> (Backbeat Books, 2023), provides a detailed production history of this beloved film that draws upon extensive interviews the author has conducted with many of the people who contributed to its creation, including director Allan Arkush, uncredited co-director Joe Dante, screenwriter Joseph McBride, producer Michael Finnell, the Ramones' tour manager, Monte A. Melnick, and Roger Corman. Armstrong not only engages in the production of this classic film, but also examines the life of director Allan Arkush and the events that brought him to directing with film for New World Pictures. Armstrong also tells the story of the Ramones, giving insight into their experiences becoming the band that help Riff Randell and the students of Vince Lombardi High as they rebel against the tyrannical Principal Togar and blow up their school. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4283</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8acd1f48-7111-11ee-a78a-ab892336bfb4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR5248064647.mp3?updated=1698004283" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gabe Durham, "The Legend of Zelda: Majora's Mask" (Boss Fight Books, 2020)</title>
      <description>For the third anniversary of the Asian Review of Books podcast, I wanted to do something a little different today—and talk about another one of my hobbies, video games.
For video game players of—let’s call them the elder millennial set and older—there’s something special about the final dozen or so years of the 20th century. The Super Nintendo, the Sega Genesis, the Nintendo 64 and the Sony PlayStation: it was a period of technical advancement and creative experimentation that led to classics still beloved today.
Exploring many of these classics—big and small, Japanese and Western, console and PC—are the entries of the Boss Fight Books series, compiled by writer Gabe Durham. Over the past several years, Gabe has invited his fellow writers to put together short works on the classic games that stand out in the medium’s history. As of this interview, the 33 entries in the series span from 1976’s Breakout to 2010’s Red Dead Redemption.
For today’s anniversary panel, I invited Gabe along with three of his fellow writers—Alyse Knorr, Sebastien Deken, and Mike Sholars—to talk about their choice of games, what makes the 1989-2000 period so special, and why, perhaps, Japanese companies feature so prominently in the history of games.

Gabe Durham is the founding editor &amp; publisher of Boss Fight Books. He is the author of a previous Boss Fight entry, Bible Adventures, and a novel, Fun Camp. (Books mentioned in this interview: The Legend of Zelda: Majora’s Mask [2000, Nintendo 64])


Alyse Knorr is an associate professor of English at Regis University and the co-editor of Switchback Books. She is also the author of the poetry collections Mega-City Redux, Copper Mother, and Annotated Glass. (Books mentioned in this interview: Super Mario Bros. 3 [1989, Nintendo Entertainment System]; Goldeneye 007 [1997, Nintendo 64])


Sebastian Deken is a writer and musician born in St. Louis, Missouri. He studied music and French literature at Washington University in St. Louis, then went on to receive his MFA in nonfiction writing from Columbia University School of the Arts. (Books mentioned in this interview: Final Fantasy VI [1994, Super Nintendo Entertainment System])


Mike Sholars is a writer, editor, podcast host, Creative Director, and former full-time journalist. His work can be found in HuffPost, Kotaku, Polygon, and VICE. (Books mentioned in this interview: PaRappa the Rapper [1996, Sony PlayStation])


﻿
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books,. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>158</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For the third anniversary of the Asian Review of Books podcast, I wanted to do something a little different today—and talk about another one of my hobbies, video games.
For video game players of—let’s call them the elder millennial set and older—there’s something special about the final dozen or so years of the 20th century. The Super Nintendo, the Sega Genesis, the Nintendo 64 and the Sony PlayStation: it was a period of technical advancement and creative experimentation that led to classics still beloved today.
Exploring many of these classics—big and small, Japanese and Western, console and PC—are the entries of the Boss Fight Books series, compiled by writer Gabe Durham. Over the past several years, Gabe has invited his fellow writers to put together short works on the classic games that stand out in the medium’s history. As of this interview, the 33 entries in the series span from 1976’s Breakout to 2010’s Red Dead Redemption.
For today’s anniversary panel, I invited Gabe along with three of his fellow writers—Alyse Knorr, Sebastien Deken, and Mike Sholars—to talk about their choice of games, what makes the 1989-2000 period so special, and why, perhaps, Japanese companies feature so prominently in the history of games.

Gabe Durham is the founding editor &amp; publisher of Boss Fight Books. He is the author of a previous Boss Fight entry, Bible Adventures, and a novel, Fun Camp. (Books mentioned in this interview: The Legend of Zelda: Majora’s Mask [2000, Nintendo 64])


Alyse Knorr is an associate professor of English at Regis University and the co-editor of Switchback Books. She is also the author of the poetry collections Mega-City Redux, Copper Mother, and Annotated Glass. (Books mentioned in this interview: Super Mario Bros. 3 [1989, Nintendo Entertainment System]; Goldeneye 007 [1997, Nintendo 64])


Sebastian Deken is a writer and musician born in St. Louis, Missouri. He studied music and French literature at Washington University in St. Louis, then went on to receive his MFA in nonfiction writing from Columbia University School of the Arts. (Books mentioned in this interview: Final Fantasy VI [1994, Super Nintendo Entertainment System])


Mike Sholars is a writer, editor, podcast host, Creative Director, and former full-time journalist. His work can be found in HuffPost, Kotaku, Polygon, and VICE. (Books mentioned in this interview: PaRappa the Rapper [1996, Sony PlayStation])


﻿
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books,. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the third anniversary of the Asian Review of Books podcast, I wanted to do something a little different today—and talk about <em>another </em>one of my hobbies, video games.</p><p>For video game players of—let’s call them the elder millennial set and older—there’s something special about the final dozen or so years of the 20th century. The Super Nintendo, the Sega Genesis, the Nintendo 64 and the Sony PlayStation: it was a period of technical advancement and creative experimentation that led to classics still beloved today.</p><p>Exploring many of these classics—big and small, Japanese and Western, console and PC—are the entries of the <a href="https://bossfightbooks.com/">Boss Fight Books</a> series, compiled by writer Gabe Durham. Over the past several years, Gabe has invited his fellow writers to put together short works on the classic games that stand out in the medium’s history. As of this interview, the 33 entries in the series span from 1976’s Breakout to 2010’s Red Dead Redemption.</p><p>For today’s anniversary panel, I invited Gabe along with three of his fellow writers—Alyse Knorr, Sebastien Deken, and Mike Sholars—to talk about their choice of games, what makes the 1989-2000 period so special, and why, perhaps, Japanese companies feature so prominently in the history of games.</p><ul>
<li>Gabe Durham is the founding editor &amp; publisher of Boss Fight Books. He is the author of a previous Boss Fight entry, <em>Bible Adventures</em>, and a novel, <em>Fun Camp</em>. <em>(Books mentioned in this interview: </em><a href="https://bossfightbooks.com/products/the-legend-of-zelda-majoras-mask-by-gabe-durham"><em>The Legend of Zelda: Majora’s Mask</em></a><em> [2000, Nintendo 64])</em>
</li>
<li>Alyse Knorr is an associate professor of English at Regis University and the co-editor of Switchback Books. She is also the author of the poetry collections <em>Mega-City Redux</em>, <em>Copper Mother</em>, and <em>Annotated Glass. (Books mentioned in this interview: </em><a href="https://bossfightbooks.com/products/super-mario-bros-3-by-alyse-knorr"><em>Super Mario Bros. 3</em></a><em> [1989, Nintendo Entertainment System]; </em><a href="https://bossfightbooks.com/products/goldeneye-007-by-alyse-knorr"><em>Goldeneye 007</em></a><em> [1997, Nintendo 64])</em>
</li>
<li>Sebastian Deken is a writer and musician born in St. Louis, Missouri. He studied music and French literature at Washington University in St. Louis, then went on to receive his MFA in nonfiction writing from Columbia University School of the Arts. <em>(Books mentioned in this interview: </em><a href="https://bossfightbooks.com/products/final-fantasy-vi-by-sebastian-deken"><em>Final Fantasy VI</em></a><em> [1994, Super Nintendo Entertainment System])</em>
</li>
<li>Mike Sholars is a writer, editor, podcast host, Creative Director, and former full-time journalist. His work can be found in HuffPost, Kotaku, Polygon, and VICE. <em>(Books mentioned in this interview: </em><a href="https://bossfightbooks.com/products/parappa-the-rapper-by-mike-sholars"><em>PaRappa the Rapper</em></a><em> [1996, Sony PlayStation])</em>
</li>
</ul><p><em>﻿</em></p><p>Y<em>ou can find more reviews, excerpts, interviews, and essays at</em><a href="https://asianreviewofbooks.com/"> <em>The Asian Review of Books</em></a><em>,. Follow on Twitter at</em><a href="https://twitter.com/BookReviewsAsia"> <em>@BookReviewsAsia</em></a><em>.</em></p><p><em>Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at</em><a href="https://twitter.com/nickrigordon?lang=en"><em>@nickrigordon</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3712</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR4750782284.mp3?updated=1697996262" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eric G. Wilson, "Point Blank" (British Film Institute, 2023)</title>
      <description>John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000).
Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness.
He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity.
Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic.
Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>178</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eric G. Wilson</itunes:subtitle>
      <itunes:summary>John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000).
Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness.
He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity.
Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic.
Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>John Boorman's <em>Point Blank</em> (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like <em>Mean Streets</em> (1973), <em>Reservoir Dogs</em> (1992), <em>Heat</em> (1995), <em>The Limey</em> (1999) and <em>Memento</em> (2000).</p><p>Eric Wilson's compelling study <a href="https://bookshop.org/a/12343/9781839025761"><em>Point Blank</em></a> (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness.</p><p>He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity.</p><p>Wilson's close reading of <em>Point Blank</em> reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic.</p><p>Eric Wilson is Professor of English at Wake Forest University, USA. His publications include <em>Secret Cinema: Gnostic Vision in Film</em> (2006) and T<em>he Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr </em>(2007). His writing has featured in <em>Psychology Today, L.A. Times, The New York Times </em>and<em> Huffington Post</em>.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2803</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR5482500768.mp3?updated=1697836144" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott Feinberg, “The Hollywood Reporter’s 100 Greatest Film Books of All Time” (2023)</title>
      <description>In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole.
Scott Feinberg has led The Hollywood Reporter’s awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood’s biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University’s Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 21 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Feinberg</itunes:subtitle>
      <itunes:summary>In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole.
Scott Feinberg has led The Hollywood Reporter’s awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood’s biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University’s Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the October 12, 2023 issue of <em>The Hollywood Reporter, </em>Scott Feinberg offered an annotated list of the <a href="https://www.hollywoodreporter.com/lists/best-movie-books-all-time/">100 greatest film books of all time</a>. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole.</p><p>Scott Feinberg has led <em>The Hollywood Reporter’s</em> awards coverage since 2011 (he covered awards for the <em>Los Angeles Times</em> before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for <em>Awards Chatter</em>, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood’s biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University’s Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3305</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Corry Cropper and Seth Whidden, "Velocipedomania: A Cultural History of the Velocipede in France" (Bucknell UP, 2022)</title>
      <description>Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France.
In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power.
The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes. 
Cropper and Whidden’s text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride.
In a section called Note on Monsieur Michaux’s Velocipede, Cropper and Whidden solve a historical mystery. They identify the note’s author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue’s Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle.
In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation.
A final chapter examines velocipedes and poetry.
Cropper and Whidden’s innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching.
﻿Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 21 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>260</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Corry Cropper</itunes:subtitle>
      <itunes:summary>Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France.
In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power.
The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes. 
Cropper and Whidden’s text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride.
In a section called Note on Monsieur Michaux’s Velocipede, Cropper and Whidden solve a historical mystery. They identify the note’s author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue’s Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle.
In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation.
A final chapter examines velocipedes and poetry.
Cropper and Whidden’s innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching.
﻿Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of <a href="https://bookshop.org/a/12343/9781684484348"><em>Velocipedomania: A Cultural History of the Velocipede in France</em></a> (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France.</p><p>In <em>Velocipedomania</em>, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power.</p><p>The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is <em>The Manual of the Velocipede, </em>written by Richard Lesclide and illustrated by Emile Benassit. The <em>Manual </em>contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes. </p><p>Cropper and Whidden’s text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the <em>Manual </em>for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride.</p><p>In a section called <em>Note on Monsieur Michaux’s Velocipede, </em>Cropper and Whidden solve a historical mystery. They identify the note’s author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue’s <em>Note </em>offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle.</p><p>In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, <em>Dagobert and his Velocipede</em>, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation.</p><p>A final chapter examines velocipedes and poetry.</p><p>Cropper and Whidden’s innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching.</p><p><em>﻿</em><a href="https://www.mq.edu.au/about_us/faculties_and_departments/faculty_of_arts/mhpir/staff/staff/dr_keith_rathbone/"><em>Keith Rathbone</em></a><em> is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
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      <title>Sébastien Tutenges, "Intoxication: An Ethnography of Effervescent Revelry" (Rutgers UP, 2022)</title>
      <description>For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves?
Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place.
He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity.
The book fills important gaps in Durkheim’s social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 19 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>315</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sébastien Tutenges</itunes:subtitle>
      <itunes:summary>For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves?
Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place.
He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity.
The book fills important gaps in Durkheim’s social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For two decades, <a href="https://www.soc.lu.se/en/sebastien-tutenges">Sébastien Tutenges</a> has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves?</p><p>Vivid and at times deeply personal,<em> </em><a href="https://bookshop.org/a/12343/9781978831209"><em>Intoxication: An Ethnography of Effervescent Revelry</em></a> (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place.</p><p>He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity.</p><p>The book fills important gaps in Durkheim’s social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication.</p><p><a href="https://newbooksnetwork.com/hosts/profile/af43960f-eb1c-452b-a784-ba3dae90949f"><em>Michael O. Johnston, Ph.D.</em></a><em> is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2958</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jeffrey S. Debies-Carl, "If You Should Go at Midnight: Legends and Legend Tripping in America" (UP of Mississippi, 2023)</title>
      <description>Across today’s America, countless people will embark on an adventure. They will prowl among overgrown headstones in forgotten graveyards, stalk through darkened woods and wildlands, and creep down the crumbling corridors of abandoned buildings. They have set forth in search of a profound paranormal experience and may seem to achieve just that. They are part of the growing cultural phenomenon, which is called legend tripping.
In If You Should Go at Midnight: Legends and Legend Tripping in America (UP of Mississippi, 2023), Jeffrey S. Debies-Carl guides readers through an exploration of legend tripping, drawing on years of scholarship, documentary accounts, and his own extensive fieldwork. Poring over old reports and legends, sleeping in haunted inns, and trekking through wilderness full of cannibal mutants and strange beasts, Debies-Carl provides an in-depth analysis of this practice that has long fascinated scholars yet remains a mystery to many observers. From multiple perspectives, Debies-Carl illustrates the value of legend tripping for social scientists. In brief, legend tripping reflects the modern world, revealing both its problems and its virtues. In society as well as in legend tripping, there is ambiguity, conflict, crisis of meaning, and the substitution of debate for social consensus. Conversely, both emphasize individual agency and values, even in paranormal matters. While people still need meaningful and transformative experiences, authoritative, traditional institutions are less capable of providing them. Instead, legend trippers voluntarily search for individually meaningful experiences and actively participate in shaping and interpreting those experiences for themselves.
Jeffrey S. Debies-Carl is Associate Professor of sociology at the University of New Haven. His research examines the social significance of physical spaces and space-based behaviors and has appeared in various scholarly journals. He is the author of Punk Rock and the Politics of Place (Routledge, 2014).
Yadong Li is a PhD student in socio-cultural anthropology at Tulane University. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structural philosophy. More details about his scholarship and research interests can be found here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeffrey S. Debies-Carl</itunes:subtitle>
      <itunes:summary>Across today’s America, countless people will embark on an adventure. They will prowl among overgrown headstones in forgotten graveyards, stalk through darkened woods and wildlands, and creep down the crumbling corridors of abandoned buildings. They have set forth in search of a profound paranormal experience and may seem to achieve just that. They are part of the growing cultural phenomenon, which is called legend tripping.
In If You Should Go at Midnight: Legends and Legend Tripping in America (UP of Mississippi, 2023), Jeffrey S. Debies-Carl guides readers through an exploration of legend tripping, drawing on years of scholarship, documentary accounts, and his own extensive fieldwork. Poring over old reports and legends, sleeping in haunted inns, and trekking through wilderness full of cannibal mutants and strange beasts, Debies-Carl provides an in-depth analysis of this practice that has long fascinated scholars yet remains a mystery to many observers. From multiple perspectives, Debies-Carl illustrates the value of legend tripping for social scientists. In brief, legend tripping reflects the modern world, revealing both its problems and its virtues. In society as well as in legend tripping, there is ambiguity, conflict, crisis of meaning, and the substitution of debate for social consensus. Conversely, both emphasize individual agency and values, even in paranormal matters. While people still need meaningful and transformative experiences, authoritative, traditional institutions are less capable of providing them. Instead, legend trippers voluntarily search for individually meaningful experiences and actively participate in shaping and interpreting those experiences for themselves.
Jeffrey S. Debies-Carl is Associate Professor of sociology at the University of New Haven. His research examines the social significance of physical spaces and space-based behaviors and has appeared in various scholarly journals. He is the author of Punk Rock and the Politics of Place (Routledge, 2014).
Yadong Li is a PhD student in socio-cultural anthropology at Tulane University. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structural philosophy. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Across today’s America, countless people will embark on an adventure. They will prowl among overgrown headstones in forgotten graveyards, stalk through darkened woods and wildlands, and creep down the crumbling corridors of abandoned buildings. They have set forth in search of a profound paranormal experience and may seem to achieve just that. They are part of the growing cultural phenomenon, which is called legend tripping.</p><p>In<a href="https://www.upress.state.ms.us/Books/I/If-You-Should-Go-at-Midnight#"><em> If You Should Go at Midnight: Legends and Legend Tripping in America</em></a> (UP of Mississippi, 2023), Jeffrey S. Debies-Carl guides readers through an exploration of legend tripping, drawing on years of scholarship, documentary accounts, and his own extensive fieldwork. Poring over old reports and legends, sleeping in haunted inns, and trekking through wilderness full of cannibal mutants and strange beasts, Debies-Carl provides an in-depth analysis of this practice that has long fascinated scholars yet remains a mystery to many observers. From multiple perspectives, Debies-Carl illustrates the value of legend tripping for social scientists. In brief, legend tripping reflects the modern world, revealing both its problems and its virtues. In society as well as in legend tripping, there is ambiguity, conflict, crisis of meaning, and the substitution of debate for social consensus. Conversely, both emphasize individual agency and values, even in paranormal matters. While people still need meaningful and transformative experiences, authoritative, traditional institutions are less capable of providing them. Instead, legend trippers voluntarily search for individually meaningful experiences and actively participate in shaping and interpreting those experiences for themselves.</p><p>Jeffrey S. Debies-Carl is Associate Professor of sociology at the University of New Haven. His research examines the social significance of physical spaces and space-based behaviors and has appeared in various scholarly journals. He is the author of <em>Punk Rock and the Politics of Place</em> (Routledge, 2014).</p><p><em>Yadong Li is a PhD student in socio-cultural anthropology at Tulane University. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structural philosophy. More details about his scholarship and research interests can be found </em><a href="https://liberalarts.tulane.edu/departments/anthropology/people/graduate-students/yadong-li"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Paul Crenshaw, "Melt with Me: Coming of Age and Other '80s Perils" (Ohio State UP, 2023)</title>
      <description>In his new collection of essays, Melt With Me (Mad Creek Press, 2023), Paul Crenshaw examines the intersection of 1980s pop culture, the Cold War, and the trials of coming of age. Crenshaw takes up a range of topics from Star Wars to video games, Choose Your Own Adventure books to the Satanic Panic. Blending the personal with the historical, levity with gravity, Crenshaw shows how pop culture shaped those who grew up in 1980s America: how Reagan's Strategic Defense Initiative drove fears of nuclear war, how professional wrestling taught us everyone was either a good guy or a bad guy, how Bugs Bunny cartoons reflected the absurdity of war and mutually assured destruction, and how video games taught young boys, in particular, that no matter how hard they tried to save it, the world would end itself. Reflecting on the decade and its dark influence on fear-based notions of nation and manhood, Crenshaw writes, "All this reminds me I'm still afraid of the same things I was afraid of as a child. Some days I think the movies are real and we're watching the last hour of humanity. You'll have to decide if there's any hope."
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 12 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Crenshaw</itunes:subtitle>
      <itunes:summary>In his new collection of essays, Melt With Me (Mad Creek Press, 2023), Paul Crenshaw examines the intersection of 1980s pop culture, the Cold War, and the trials of coming of age. Crenshaw takes up a range of topics from Star Wars to video games, Choose Your Own Adventure books to the Satanic Panic. Blending the personal with the historical, levity with gravity, Crenshaw shows how pop culture shaped those who grew up in 1980s America: how Reagan's Strategic Defense Initiative drove fears of nuclear war, how professional wrestling taught us everyone was either a good guy or a bad guy, how Bugs Bunny cartoons reflected the absurdity of war and mutually assured destruction, and how video games taught young boys, in particular, that no matter how hard they tried to save it, the world would end itself. Reflecting on the decade and its dark influence on fear-based notions of nation and manhood, Crenshaw writes, "All this reminds me I'm still afraid of the same things I was afraid of as a child. Some days I think the movies are real and we're watching the last hour of humanity. You'll have to decide if there's any hope."
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new collection of essays, <a href="https://ohiostatepress.org/books/titles/9780814258828.html"><em>Melt With Me</em></a> (Mad Creek Press, 2023), Paul Crenshaw examines the intersection of 1980s pop culture, the Cold War, and the trials of coming of age. Crenshaw takes up a range of topics from Star Wars to video games, Choose Your Own Adventure books to the Satanic Panic. Blending the personal with the historical, levity with gravity, Crenshaw shows how pop culture shaped those who grew up in 1980s America: how Reagan's Strategic Defense Initiative drove fears of nuclear war, how professional wrestling taught us everyone was either a good guy or a bad guy, how Bugs Bunny cartoons reflected the absurdity of war and mutually assured destruction, and how video games taught young boys, in particular, that no matter how hard they tried to save it, the world would end itself. Reflecting on the decade and its dark influence on fear-based notions of nation and manhood, Crenshaw writes, "All this reminds me I'm still afraid of the same things I was afraid of as a child. Some days I think the movies are real and we're watching the last hour of humanity. You'll have to decide if there's any hope."</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4359</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Marlena Williams, "Night Mother: A Personal and Cultural History of the Exorcist" (Mad Creek Books, 2023)</title>
      <description>Never watch The Exorcist, Marlena Williams's mother told her, just as she'd been told by her own mother as a Catholic teen in rural Oregon when the horror classic premiered. And like her mother, Mary, Williams watched it anyway. An inheritance passed from mother to daughter, The Exorcist looms large--in popular culture and in Williams's own life, years after Mary's illness and death. In Night Mother: A Personal and Cultural History of the Exorcist (Mad Creek Books, 2023), Williams investigates the film not only as a projection of Americans' worst fears in the tumultuous 1970s and a source of enduring tropes around girlhood, faith, and transgression but also as a key to understanding her mother and the world she came from.
The essays in Night Mother delve beneath the surface of The Exorcist to reveal the deeper stories the film tells about faith, family, illness, anger, guilt, desire, and death. Whether tracing the career of its young star, Linda Blair, unpacking its most infamous scenes, exploring its problematic depictions of gender and race, or reflecting on the horror of growing up female in America, Williams deftly blends bold personal narrative with shrewd cultural criticism. Night Mother offers fresh insights for both fans of the film and newcomers alike.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marlena Williams</itunes:subtitle>
      <itunes:summary>Never watch The Exorcist, Marlena Williams's mother told her, just as she'd been told by her own mother as a Catholic teen in rural Oregon when the horror classic premiered. And like her mother, Mary, Williams watched it anyway. An inheritance passed from mother to daughter, The Exorcist looms large--in popular culture and in Williams's own life, years after Mary's illness and death. In Night Mother: A Personal and Cultural History of the Exorcist (Mad Creek Books, 2023), Williams investigates the film not only as a projection of Americans' worst fears in the tumultuous 1970s and a source of enduring tropes around girlhood, faith, and transgression but also as a key to understanding her mother and the world she came from.
The essays in Night Mother delve beneath the surface of The Exorcist to reveal the deeper stories the film tells about faith, family, illness, anger, guilt, desire, and death. Whether tracing the career of its young star, Linda Blair, unpacking its most infamous scenes, exploring its problematic depictions of gender and race, or reflecting on the horror of growing up female in America, Williams deftly blends bold personal narrative with shrewd cultural criticism. Night Mother offers fresh insights for both fans of the film and newcomers alike.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Never watch <em>The Exorcist</em>, Marlena Williams's mother told her, just as she'd been told by her own mother as a Catholic teen in rural Oregon when the horror classic premiered. And like her mother, Mary, Williams watched it anyway. An inheritance passed from mother to daughter, <em>The Exorcist </em>looms large--in popular culture and in Williams's own life, years after Mary's illness and death. In <a href="https://bookshop.org/a/12343/9780814258767"><em>Night Mother: A Personal and Cultural History of the Exorcist</em></a><em> </em>(Mad Creek Books, 2023), Williams investigates the film not only as a projection of Americans' worst fears in the tumultuous 1970s and a source of enduring tropes around girlhood, faith, and transgression but also as a key to understanding her mother and the world she came from.</p><p>The essays in <em>Night Mother</em> delve beneath the surface of <em>The Exorcist</em> to reveal the deeper stories the film tells about faith, family, illness, anger, guilt, desire, and death. Whether tracing the career of its young star, Linda Blair, unpacking its most infamous scenes, exploring its problematic depictions of gender and race, or reflecting on the horror of growing up female in America, Williams deftly blends bold personal narrative with shrewd cultural criticism. <em>Night Mother</em> offers fresh insights for both fans of the film and newcomers alike.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3592</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kate Polak, "Ethics in the Gutter: Empathy and Historical Fiction in Comics" (Ohio State UP, 2017)</title>
      <description>Ethics in the Gutter: Empathy and Historical Fiction in Comics (Ohio State UP, 2017) explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of larger cultural conversations, have been the objects of sustained study, fictional graphic narratives that—as Linda Hutcheon has put it—both “enshrine and question” history are also an important area of study. By bringing narratology and psychological theory to bear on a range of graphic narratives, Kate Polak seeks to question how the form utilizes point of view and the gutter as ethical tools that shape the reader’s empathetic reactions to the content.
This book’s most important questions surround how we receive and interpret representations of history, considering the ways in which what we think we know about historical atrocities can be at odds with the convoluted circumstances surrounding violence. Beginning with a new look at Watchmen, and including examinations of such popular series as Scalped and Hellblazer as well as Bayou and Deogratias, the book questions how graphic narratives create an alternative route by which to understand large-scale violence. Ethics in the Gutter explores how graphic narrative representations of violence can teach readers about the possibilities and limitations of empathy and ethics.
Dr. Kate Polak is a writer, artist, performer, and scholar specializing in comics, poetry, 21st century women writers, and the literatures of genocide. She is an instructor and research associate in the English Department at Florida Atlantic University, where she teaches writing and literature, focusing on poetry, the representation of violence, and graphic narrative. Her book, Ethics in the Gutter: Empathy and Historical Fiction in Comics, was nominated for an Eisner Award.
Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>169</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kate Polak</itunes:subtitle>
      <itunes:summary>Ethics in the Gutter: Empathy and Historical Fiction in Comics (Ohio State UP, 2017) explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of larger cultural conversations, have been the objects of sustained study, fictional graphic narratives that—as Linda Hutcheon has put it—both “enshrine and question” history are also an important area of study. By bringing narratology and psychological theory to bear on a range of graphic narratives, Kate Polak seeks to question how the form utilizes point of view and the gutter as ethical tools that shape the reader’s empathetic reactions to the content.
This book’s most important questions surround how we receive and interpret representations of history, considering the ways in which what we think we know about historical atrocities can be at odds with the convoluted circumstances surrounding violence. Beginning with a new look at Watchmen, and including examinations of such popular series as Scalped and Hellblazer as well as Bayou and Deogratias, the book questions how graphic narratives create an alternative route by which to understand large-scale violence. Ethics in the Gutter explores how graphic narrative representations of violence can teach readers about the possibilities and limitations of empathy and ethics.
Dr. Kate Polak is a writer, artist, performer, and scholar specializing in comics, poetry, 21st century women writers, and the literatures of genocide. She is an instructor and research associate in the English Department at Florida Atlantic University, where she teaches writing and literature, focusing on poetry, the representation of violence, and graphic narrative. Her book, Ethics in the Gutter: Empathy and Historical Fiction in Comics, was nominated for an Eisner Award.
Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780814254455"><em>Ethics in the Gutter: Empathy and Historical Fiction in Comics</em></a> (Ohio State UP, 2017) explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of larger cultural conversations, have been the objects of sustained study, fictional graphic narratives that—as Linda Hutcheon has put it—both “enshrine and question” history are also an important area of study. By bringing narratology and psychological theory to bear on a range of graphic narratives, Kate Polak seeks to question how the form utilizes point of view and the gutter as ethical tools that shape the reader’s empathetic reactions to the content.</p><p>This book’s most important questions surround how we receive and interpret representations of history, considering the ways in which what we think we know about historical atrocities can be at odds with the convoluted circumstances surrounding violence. Beginning with a new look at Watchmen, and including examinations of such popular series as <em>Scalped</em> and <em>Hellblazer</em> as well as <em>Bayou</em> and <em>Deogratias</em>, the book questions how graphic narratives create an alternative route by which to understand large-scale violence. <em>Ethics in the Gutter</em> explores how graphic narrative representations of violence can teach readers about the possibilities and limitations of empathy and ethics.</p><p>Dr. Kate Polak is a writer, artist, performer, and scholar specializing in comics, poetry, 21st century women writers, and the literatures of genocide. She is an instructor and research associate in the English Department at Florida Atlantic University, where she teaches writing and literature, focusing on poetry, the representation of violence, and graphic narrative. Her book, Ethics in the Gutter: Empathy and Historical Fiction in Comics, was nominated for an Eisner Award.</p><p><a href="https://www.eallynwoock.com/"><em>Elizabeth Allyn Woock</em></a><em> an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3959</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Johannes C. P. Schmid, "Frames and Framing in Documentary Comics" (Palgrave Macmillan, 2021)</title>
      <description>In Frames and Framing in Documentary Comics (Palgrave Macmillan, 2021), Johannes Schmid’s new book considers documentary comics in relationship to framing, that is both the strategic use of communication to encourage a particular interpretation of a scenario; secondly, the process of structuring a representation (or portions thereof) by situating it within certain boundaries, in the case of comics, a panel or a page, for example. Dr. Schmid combines theories of framing analysis and cognitive narratology with comics studies, focusing on the medium’s visual frames and engaging in a broader discussion about facts and journalism in the current age of fake news and post-truth politics. After laying out its theoretical foundation, the book tackles this subject by dividing it up into Material Framing, Visual Framing, and Narrative framing.  
Dr. Johannes Schmid is a postdoctoral researcher at Europa-Universität Flensburg, Germany, and associate editor at American Studies: A Quarterly, the official journal of the German Society for American Studies (GAAS). His other recent publications include Shooting Pictures, Drawing Blood: The Photographic Image in the Graphic War Memoir (2016).
Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 09 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Johannes C. P. Schmid</itunes:subtitle>
      <itunes:summary>In Frames and Framing in Documentary Comics (Palgrave Macmillan, 2021), Johannes Schmid’s new book considers documentary comics in relationship to framing, that is both the strategic use of communication to encourage a particular interpretation of a scenario; secondly, the process of structuring a representation (or portions thereof) by situating it within certain boundaries, in the case of comics, a panel or a page, for example. Dr. Schmid combines theories of framing analysis and cognitive narratology with comics studies, focusing on the medium’s visual frames and engaging in a broader discussion about facts and journalism in the current age of fake news and post-truth politics. After laying out its theoretical foundation, the book tackles this subject by dividing it up into Material Framing, Visual Framing, and Narrative framing.  
Dr. Johannes Schmid is a postdoctoral researcher at Europa-Universität Flensburg, Germany, and associate editor at American Studies: A Quarterly, the official journal of the German Society for American Studies (GAAS). His other recent publications include Shooting Pictures, Drawing Blood: The Photographic Image in the Graphic War Memoir (2016).
Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9783030633059"><em>Frames and Framing in Documentary Comics</em></a> (Palgrave Macmillan, 2021), Johannes Schmid’s new book considers documentary comics in relationship to framing, that is both the strategic use of communication to encourage a particular interpretation of a scenario; secondly, the process of structuring a representation (or portions thereof) by situating it within certain boundaries, in the case of comics, a panel or a page, for example. Dr. Schmid combines theories of framing analysis and cognitive narratology with comics studies, focusing on the medium’s visual frames and engaging in a broader discussion about facts and journalism in the current age of fake news and post-truth politics. After laying out its theoretical foundation, the book tackles this subject by dividing it up into Material Framing, Visual Framing, and Narrative framing.  </p><p>Dr. Johannes Schmid is a postdoctoral researcher at Europa-Universität Flensburg, Germany, and associate editor at American Studies: A Quarterly, the official journal of the German Society for American Studies (GAAS). His other recent publications include Shooting Pictures, Drawing Blood: The Photographic Image in the Graphic War Memoir (2016).</p><p><a href="https://www.eallynwoock.com/"><em>Elizabeth Allyn Woock</em></a><em> an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2767</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Harriet E. H. Earle, "Comics, Trauma, and the New Art of War" (UP of Mississippi, 2017)</title>
      <description>Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible.
Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms.
With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres’s American Widow, Doug Murray’s The ’Nam, and Art Spiegelman’s much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways.
Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing. 
Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 08 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Harriet E. H. Earle</itunes:subtitle>
      <itunes:summary>Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible.
Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms.
With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres’s American Widow, Doug Murray’s The ’Nam, and Art Spiegelman’s much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways.
Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing. 
Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible.</p><p>Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms.</p><p>With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres’s American Widow, Doug Murray’s The ’Nam, and Art Spiegelman’s much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, <a href="https://bookshop.org/a/12343/9781496812469"><em>Comics, Trauma, and the New Art of War</em></a> (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways.</p><p>Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing. </p><p><a href="https://www.eallynwoock.com/"><em>Elizabeth Allyn Woock</em></a><em> an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3399</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Geraint D'Arcy, "Mise en scène, Acting, and Space in Comics" (Palgrave Macmillan, 2020)</title>
      <description>Geraint D'Arcy's book Mise en scène, Acting, and Space in Comics (Palgrave Macmillan, 2020) explores some of the less frequently questioned ideas which underpin comics creation and criticism. “Mise en scène” is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics.
Dr. Geraint D'Arcy is a lecturer in Media Practice, at the School of Art, Media and American Studies at the University of East Anglia in the UK and a member of the Comics Studies Research Group. he also wrote Critical Approaches to TV and Film Set Design in 2018, published with Taylor and Francis. He currently works across several courses at the University of South Wales.
Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 07 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>257</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Geraint D'Arcy</itunes:subtitle>
      <itunes:summary>Geraint D'Arcy's book Mise en scène, Acting, and Space in Comics (Palgrave Macmillan, 2020) explores some of the less frequently questioned ideas which underpin comics creation and criticism. “Mise en scène” is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics.
Dr. Geraint D'Arcy is a lecturer in Media Practice, at the School of Art, Media and American Studies at the University of East Anglia in the UK and a member of the Comics Studies Research Group. he also wrote Critical Approaches to TV and Film Set Design in 2018, published with Taylor and Francis. He currently works across several courses at the University of South Wales.
Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Geraint D'Arcy's book <a href="https://bookshop.org/a/12343/9783030511128"><em>Mise en scène, Acting, and Space in Comics</em></a><em> </em>(Palgrave Macmillan, 2020) explores some of the less frequently questioned ideas which underpin comics creation and criticism. “Mise en scène” is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics.</p><p>Dr. Geraint D'Arcy is a lecturer in Media Practice, at the School of Art, Media and American Studies at the University of East Anglia in the UK and a member of the Comics Studies Research Group. he also wrote Critical Approaches to TV and Film Set Design in 2018, published with Taylor and Francis. He currently works across several courses at the University of South Wales.</p><p><a href="https://www.eallynwoock.com/"><em>Elizabeth Allyn Woock</em></a><em> an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3151</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Scott Creney and Brigette Adair Herron, "The Story of the B-52s: Neon Side of Town" (Palgrave Macmillan, 2023)</title>
      <description>The Story of the B-52s: Neon Side of Town (Palgrave Macmillan, 2023) is the first critical history of one of the most legendary and influential bands in American popular music. Locating The B-52s in the intellectual climate of their hometown of Athens, GA and following the band from New York's downtown scene in the early 1980s to their upcoming farewell tour, the book argues that The B-52s are much more significant political and musical influences on American society than their reputation as a silly party band suggests, and that their ongoing commitment to values including cooperation, mutual support, and using disruptive fun as a form of social change are an antidote to the neoliberalization sweeping both Athens and the rest of the Western world. 
For example, the book shows how the band synthesized influences from the modern artists displayed at the University of Georgia art museum, early queer activism on campus in the 1970s, and their experiences as queer people living through the AIDS crisis to create music that continues to be artistically and politically influential today. The authors are active members of the Athens, GA music scene, and the book includes original interviews with a range of number close to the band.
Scott Creney is author of the work of creative nonfiction Dear Al-Qaeda: Letters to the World's Most Notorious Terror Organization (Black Ocean). They have written about music, books, and film for Clash Music, The Fanzine, Collapse Board, and Ablaze!, among others, and contributed six entries to 101 Albums You Should Die Before You Hear. Scott was also the bass player for the Athens band Tunabunny.
Scott on Twitter.
Brigette Adair Herron holds a Ph.D. in Adult Education from the University of Georgia and is author/co-author of numerous peer reviewed academic articles and a scholarly monograph. Her writing on music has been featured in the book 101 Albums You Should Die Before You Hear, and on the web publications Collapse Board, Vice, and Eldredge Atlanta. She is a multi-instrumentalist with a long history in the Athens music scene.
Brigette on Instagram.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.
Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 07 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>205</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Creney and Brigette Adair Herron</itunes:subtitle>
      <itunes:summary>The Story of the B-52s: Neon Side of Town (Palgrave Macmillan, 2023) is the first critical history of one of the most legendary and influential bands in American popular music. Locating The B-52s in the intellectual climate of their hometown of Athens, GA and following the band from New York's downtown scene in the early 1980s to their upcoming farewell tour, the book argues that The B-52s are much more significant political and musical influences on American society than their reputation as a silly party band suggests, and that their ongoing commitment to values including cooperation, mutual support, and using disruptive fun as a form of social change are an antidote to the neoliberalization sweeping both Athens and the rest of the Western world. 
For example, the book shows how the band synthesized influences from the modern artists displayed at the University of Georgia art museum, early queer activism on campus in the 1970s, and their experiences as queer people living through the AIDS crisis to create music that continues to be artistically and politically influential today. The authors are active members of the Athens, GA music scene, and the book includes original interviews with a range of number close to the band.
Scott Creney is author of the work of creative nonfiction Dear Al-Qaeda: Letters to the World's Most Notorious Terror Organization (Black Ocean). They have written about music, books, and film for Clash Music, The Fanzine, Collapse Board, and Ablaze!, among others, and contributed six entries to 101 Albums You Should Die Before You Hear. Scott was also the bass player for the Athens band Tunabunny.
Scott on Twitter.
Brigette Adair Herron holds a Ph.D. in Adult Education from the University of Georgia and is author/co-author of numerous peer reviewed academic articles and a scholarly monograph. Her writing on music has been featured in the book 101 Albums You Should Die Before You Hear, and on the web publications Collapse Board, Vice, and Eldredge Atlanta. She is a multi-instrumentalist with a long history in the Athens music scene.
Brigette on Instagram.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.
Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783031225697"><em>The Story of the B-52s: Neon Side of Town</em></a> (Palgrave Macmillan, 2023) is the first critical history of one of the most legendary and influential bands in American popular music. Locating The B-52s in the intellectual climate of their hometown of Athens, GA and following the band from New York's downtown scene in the early 1980s to their upcoming farewell tour, the book argues that The B-52s are much more significant political and musical influences on American society than their reputation as a silly party band suggests, and that their ongoing commitment to values including cooperation, mutual support, and using disruptive fun as a form of social change are an antidote to the neoliberalization sweeping both Athens and the rest of the Western world. </p><p>For example, the book shows how the band synthesized influences from the modern artists displayed at the University of Georgia art museum, early queer activism on campus in the 1970s, and their experiences as queer people living through the AIDS crisis to create music that continues to be artistically and politically influential today. The authors are active members of the Athens, GA music scene, and the book includes original interviews with a range of number close to the band.</p><p>Scott Creney is author of the work of creative nonfiction <em>Dear Al-Qaeda: Letters to the World's Most Notorious Terror Organization</em> (Black Ocean). They have written about music, books, and film for <em>Clash Music</em>, <em>The Fanzine</em>, <em>Collapse Board</em>, and <em>Ablaze!</em>, among others, and contributed six entries to <em>101 Albums You Should Die Before You Hear</em>. Scott was also the bass player for the Athens band Tunabunny.</p><p>Scott on <a href="https://twitter.com/ScottCreney">Twitter</a>.</p><p>Brigette Adair Herron holds a Ph.D. in Adult Education from the University of Georgia and is author/co-author of numerous peer reviewed academic articles and a scholarly monograph. Her writing on music has been featured in the book <em>101 Albums You Should Die Before You Hear</em>, and on the web publications <em>Collapse Board</em>, <em>Vice</em>, and <em>Eldredge Atlanta</em>. She is a multi-instrumentalist with a long history in the Athens music scene.</p><p>Brigette on <a href="https://www.instagram.com/brigetteadair/">Instagram</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.</p><p>Bradley Morgan on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3892</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db250b54-622a-11ee-8075-879ba77b77a7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR1681338525.mp3?updated=1696364862" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nan Turner, "Clothing Goes to War: Creativity Inspired by Scarcity in World War II" (Intellect Books, 2022)</title>
      <description>Clothing Goes to War: Creativity Inspired by Scarcity in World War II (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves.
Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation.
This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market.
Nan also works to preserve WWII memories here.
Miranda Melcher (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 05 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1367</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nan Turner</itunes:subtitle>
      <itunes:summary>Clothing Goes to War: Creativity Inspired by Scarcity in World War II (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves.
Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation.
This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market.
Nan also works to preserve WWII memories here.
Miranda Melcher (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789383461"><em>Clothing Goes to War: Creativity Inspired by Scarcity in World War II</em></a> (Intellect, 2022) by Nan Turner is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply, in hopes that the burden of austerity would be equally shared. Unfortunately, as the war progressed and resources dwindled, neither ration tickets nor money could buy what did not exist on store shelves.</p><p>Many people had to get by with their already limited wardrobes, often impacted by the global economic depression of the previous decade. Creativity, courage and perseverance came into play in caring for clothing using handicraft skills including sewing, knitting, mending, darning and repurposing to make limited wardrobes last during long years of austerity and deprivation.</p><p>This fascinating page-turner is the first cross-cultural account of the difficulties faced by common people experiencing clothing scarcity and rationing during World War II. In person interviews of women from over ten countries are contextualised with stories of the roles played by newly developed textiles, gendered dress in the workplace, handicraft skills often forgotten today, romance and weddings, rationing represented in war era film and the ever-present black market.</p><p>Nan also works to preserve WWII memories <a href="https://1270thengineercombatbattalion.com/">here</a>.</p><p><a href="https://mirandamelcher.com/"><em>Miranda Melcher</em></a><em> (Ph.D., Defense Studies, Kings College, London) studies post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with deep analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3034</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18043dfe-5e27-11ee-ac72-378e1f5c4d7b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR6058179679.mp3?updated=1695923788" length="0" type="audio/mpeg"/>
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    <item>
      <title>Sheldon Birnie, "Missing Like Teeth: An Oral History of Winnipeg Underground Rock, 1900-2001" (‎Eternal Cavalier Press, 2015)</title>
      <description>From 1990 to 2001, while the popular radio waves were consumed with the buzz of grunge and alternative rock, Winnipeg managed to craft a unique underground music scene that moved in its own direction. At once informed by their predecessors and stubbornly determined to create the art that they wanted to see made, bands like Kittens, Propagandhi, and the Weakerthans built on this foundation and ultimately found success beyond the Perimeter Highway, though they always remained true to the values and defiant spirit that first allowed them to crawl up from the muddy banks of the Red River. Wild and uninhibited, it’s a sound and a time that has captivated author Sheldon Birnie since his first forays into the turgid waters of the city’s underground during his family’s yearly summer pilgrimages across the prairie from their home in BC. Now firmly entrenched in the city, Birnie has gone to painstaking lengths to document one of the most important decades in Winnipeg’s musical history. Through detailed research and extensive interviews, Missing Like Teeth: An Oral History of Winnipeg Underground Rock, 1900-2001 (‎Eternal Cavalier Press, 2015) paints a vivid picture of the Heart of the Continent and the characters that inhabited its tiny stages from 1990 to 2001.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 04 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>204</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sheldon Birnie</itunes:subtitle>
      <itunes:summary>From 1990 to 2001, while the popular radio waves were consumed with the buzz of grunge and alternative rock, Winnipeg managed to craft a unique underground music scene that moved in its own direction. At once informed by their predecessors and stubbornly determined to create the art that they wanted to see made, bands like Kittens, Propagandhi, and the Weakerthans built on this foundation and ultimately found success beyond the Perimeter Highway, though they always remained true to the values and defiant spirit that first allowed them to crawl up from the muddy banks of the Red River. Wild and uninhibited, it’s a sound and a time that has captivated author Sheldon Birnie since his first forays into the turgid waters of the city’s underground during his family’s yearly summer pilgrimages across the prairie from their home in BC. Now firmly entrenched in the city, Birnie has gone to painstaking lengths to document one of the most important decades in Winnipeg’s musical history. Through detailed research and extensive interviews, Missing Like Teeth: An Oral History of Winnipeg Underground Rock, 1900-2001 (‎Eternal Cavalier Press, 2015) paints a vivid picture of the Heart of the Continent and the characters that inhabited its tiny stages from 1990 to 2001.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From 1990 to 2001, while the popular radio waves were consumed with the buzz of grunge and alternative rock, Winnipeg managed to craft a unique underground music scene that moved in its own direction. At once informed by their predecessors and stubbornly determined to create the art that they wanted to see made, bands like Kittens, Propagandhi, and the Weakerthans built on this foundation and ultimately found success beyond the Perimeter Highway, though they always remained true to the values and defiant spirit that first allowed them to crawl up from the muddy banks of the Red River. Wild and uninhibited, it’s a sound and a time that has captivated author Sheldon Birnie since his first forays into the turgid waters of the city’s underground during his family’s yearly summer pilgrimages across the prairie from their home in BC. Now firmly entrenched in the city, Birnie has gone to painstaking lengths to document one of the most important decades in Winnipeg’s musical history. Through detailed research and extensive interviews, <a href="https://www.amazon.com/Missing-Like-Teeth-Underground-1990-2001-ebook/dp/B017A0B4BG"><em>Missing Like Teeth: An Oral History of Winnipeg Underground Rock, 1900-2001</em></a> (‎Eternal Cavalier Press, 2015) paints a vivid picture of the Heart of the Continent and the characters that inhabited its tiny stages from 1990 to 2001.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3556</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Taylor Lorenz, "Extremely Online: The Untold Story of Fame, Influence, and Power on the Internet" (Simon &amp; Schuster, 2023)</title>
      <description>Acclaimed Washington Post reporter Taylor Lorenz presents a groundbreaking social history of the internet—revealing how online influence and the creators who amass it have reshaped our world, online and off. For over a decade, Taylor Lorenz has been the authority on internet culture, documenting its far-reaching effects on all corners of our lives. Her reporting is serious yet entertaining and illuminates deep truths about ourselves and the lives we create online. 
In her debut book, Extremely Online: The Untold Story of Fame, Influence, and Power on the Internet (Simon &amp; Schuster, 2023), she reveals how online influence came to upend the world, demolishing traditional barriers and creating whole new sectors of the economy. Lorenz shows this phenomenon to be one of the most disruptive changes in modern capitalism. By tracing how the internet has changed what we want and how we go about getting it, Lorenz unearths how social platforms’ power users radically altered our expectations of content, connection, purchasing, and power. Lorenz documents how moms who started blogging were among the first to monetize their personal brands online, how bored teens who began posting selfie videos reinvented fame as we know it, and how young creators on TikTok are leveraging opportunities to opt out of the traditional career pipeline. It’s the real social history of the internet. Emerging seemingly out of nowhere, these shifts in how we use the internet seem easy to dismiss as fads. However, these social and economic transformations have resulted in a digital dynamic so unappreciated and insurgent that it ultimately created new approaches to work, entertainment, fame, and ambition in the 21st century.
Taylor Lorenz is a columnist at The Washington Post covering technology and online culture. Previously she was a technology reporter for the New York Times' business section and a technology reporter at the Atlantic and the Daily Beast. She was a 2019 Knight Visiting Nieman Fellow at Harvard University, where her research focused on Instagram and news consumption. She is a former affiliate at Harvard's Berkman Klein Center for Internet and Society and serves on the board of the Alliance for Technology, Learning and Society (ATLAS) Institute at the University of Colorado at Boulder. And for the purposes of this conversation, I’ll note she has 344.7 thousand followers on Twitter or X or whatever that guy calls his website these days and some 500,000 followers on TikTok.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1363</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Taylor Lorenz</itunes:subtitle>
      <itunes:summary>Acclaimed Washington Post reporter Taylor Lorenz presents a groundbreaking social history of the internet—revealing how online influence and the creators who amass it have reshaped our world, online and off. For over a decade, Taylor Lorenz has been the authority on internet culture, documenting its far-reaching effects on all corners of our lives. Her reporting is serious yet entertaining and illuminates deep truths about ourselves and the lives we create online. 
In her debut book, Extremely Online: The Untold Story of Fame, Influence, and Power on the Internet (Simon &amp; Schuster, 2023), she reveals how online influence came to upend the world, demolishing traditional barriers and creating whole new sectors of the economy. Lorenz shows this phenomenon to be one of the most disruptive changes in modern capitalism. By tracing how the internet has changed what we want and how we go about getting it, Lorenz unearths how social platforms’ power users radically altered our expectations of content, connection, purchasing, and power. Lorenz documents how moms who started blogging were among the first to monetize their personal brands online, how bored teens who began posting selfie videos reinvented fame as we know it, and how young creators on TikTok are leveraging opportunities to opt out of the traditional career pipeline. It’s the real social history of the internet. Emerging seemingly out of nowhere, these shifts in how we use the internet seem easy to dismiss as fads. However, these social and economic transformations have resulted in a digital dynamic so unappreciated and insurgent that it ultimately created new approaches to work, entertainment, fame, and ambition in the 21st century.
Taylor Lorenz is a columnist at The Washington Post covering technology and online culture. Previously she was a technology reporter for the New York Times' business section and a technology reporter at the Atlantic and the Daily Beast. She was a 2019 Knight Visiting Nieman Fellow at Harvard University, where her research focused on Instagram and news consumption. She is a former affiliate at Harvard's Berkman Klein Center for Internet and Society and serves on the board of the Alliance for Technology, Learning and Society (ATLAS) Institute at the University of Colorado at Boulder. And for the purposes of this conversation, I’ll note she has 344.7 thousand followers on Twitter or X or whatever that guy calls his website these days and some 500,000 followers on TikTok.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Acclaimed <em>Washington Post</em> reporter Taylor Lorenz presents a groundbreaking social history of the internet—revealing how online influence and the creators who amass it have reshaped our world, online and off. For over a decade, Taylor Lorenz has been the authority on internet culture, documenting its far-reaching effects on all corners of our lives. Her reporting is serious yet entertaining and illuminates deep truths about ourselves and the lives we create online. </p><p>In her debut book, <a href="https://bookshop.org/a/12343/9781982146863"><em>Extremely Online: The Untold Story of Fame, Influence, and Power on the Internet</em></a><em> </em>(Simon &amp; Schuster, 2023), she reveals how online influence came to upend the world, demolishing traditional barriers and creating whole new sectors of the economy. Lorenz shows this phenomenon to be one of the most disruptive changes in modern capitalism. By tracing how the internet has changed what we want and how we go about getting it, Lorenz unearths how social platforms’ power users radically altered our expectations of content, connection, purchasing, and power. Lorenz documents how moms who started blogging were among the first to monetize their personal brands online, how bored teens who began posting selfie videos reinvented fame as we know it, and how young creators on TikTok are leveraging opportunities to opt out of the traditional career pipeline. It’s the real social history of the internet. Emerging seemingly out of nowhere, these shifts in how we use the internet seem easy to dismiss as fads. However, these social and economic transformations have resulted in a digital dynamic so unappreciated and insurgent that it ultimately created new approaches to work, entertainment, fame, and ambition in the 21st century.</p><p>Taylor Lorenz is a columnist at <em>The Washington Post</em> covering technology and online culture. Previously she was a technology reporter for the <em>New York Times</em>' business section and a technology reporter at the <em>Atlantic</em> and the <em>Daily Beast</em>. She was a 2019 Knight Visiting Nieman Fellow at Harvard University, where her research focused on Instagram and news consumption. She is a former affiliate at Harvard's Berkman Klein Center for Internet and Society and serves on the board of the Alliance for Technology, Learning and Society (ATLAS) Institute at the University of Colorado at Boulder. And for the purposes of this conversation, I’ll note she has 344.7 thousand followers on Twitter or X or whatever that guy calls his website these days and some 500,000 followers on TikTok.</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3593</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b56160dc-5a52-11ee-bca1-1b91759d2ea5]]></guid>
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      <title>Ben Whaley, "Toward a Gameic World: New Rules of Engagement from Japanese Video Games" (U Michigan Press, 2023)</title>
      <description>Ben Whaley’s Toward a Gameic World: New Rules of Engagement from Japanese Video Games (U Michigan Press 2023) examines the pathbreaking engagement strategies of four Japanese video games produced between 2002 and 2015. Each of these “persuasive games” deploys a distinct strategy of engagement to push players to engage with real-world social issues and traumas: Disaster Report (2002) takes on natural disasters, Catherine (2011) addresses Japan’s declining birthrate and aging population, Metal Gear Solid V (2015, after the March 2011 Fukushima triple disaster) takes on nuclear proliferation, and The World Ends with You (2007) faces the issue of social withdrawal. These games differ in genre, platform, and mechanics, but as Whaley shows, they share an interest in using the immersive, multimedia, boundary-crossing experience of gaming to create an emotive, “persuasive” experience that prods gamers to engage with these “IRL” issues in new ways.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 02 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Whaley</itunes:subtitle>
      <itunes:summary>Ben Whaley’s Toward a Gameic World: New Rules of Engagement from Japanese Video Games (U Michigan Press 2023) examines the pathbreaking engagement strategies of four Japanese video games produced between 2002 and 2015. Each of these “persuasive games” deploys a distinct strategy of engagement to push players to engage with real-world social issues and traumas: Disaster Report (2002) takes on natural disasters, Catherine (2011) addresses Japan’s declining birthrate and aging population, Metal Gear Solid V (2015, after the March 2011 Fukushima triple disaster) takes on nuclear proliferation, and The World Ends with You (2007) faces the issue of social withdrawal. These games differ in genre, platform, and mechanics, but as Whaley shows, they share an interest in using the immersive, multimedia, boundary-crossing experience of gaming to create an emotive, “persuasive” experience that prods gamers to engage with these “IRL” issues in new ways.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ben Whaley’s <a href="https://bookshop.org/a/12343/9780472056149"><em>Toward a Gameic World: New Rules of Engagement from Japanese Video Games</em></a> (U Michigan Press 2023) examines the pathbreaking engagement strategies of four Japanese video games produced between 2002 and 2015. Each of these “persuasive games” deploys a distinct strategy of engagement to push players to engage with real-world social issues and traumas: <em>Disaster Report</em> (2002) takes on natural disasters, <em>Catherine</em> (2011) addresses Japan’s declining birthrate and aging population, <em>Metal Gear Solid V</em> (2015, after the March 2011 Fukushima triple disaster) takes on nuclear proliferation, and <em>The World Ends with You</em> (2007) faces the issue of social withdrawal. These games differ in genre, platform, and mechanics, but as Whaley shows, they share an interest in using the immersive, multimedia, boundary-crossing experience of gaming to create an emotive, “persuasive” experience that prods gamers to engage with these “IRL” issues in new ways.</p><p><a href="https://www.uib.no/en/persons/Nathan.Edwin.Hopson"><em>Nathan Hopson</em></a><em> is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2841</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6356f788-5e18-11ee-8eb2-ef277d295e72]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR6175901877.mp3?updated=1695917455" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kiana Fitzgerald, "Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music" (Running Press Adult, 2023)</title>
      <description>From underground roots to mainstream popularity, hip-hop's influence on music and entertainment around the world has been nothing short of extraordinary. Ode to Hip-Hop chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew's groundbreaking As Nasty As They Wanna Be in 1989 to Cardi B's similarly provocative Invasion of Privacy almost thirty years later, and more, Kiana Fitzgerald's book Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music (Running Press Adult, 2023) covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones–the albums in this book deserve to be listened to again and again, for the next fifty years and beyond.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 30 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>412</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kiana Fitzgerald</itunes:subtitle>
      <itunes:summary>From underground roots to mainstream popularity, hip-hop's influence on music and entertainment around the world has been nothing short of extraordinary. Ode to Hip-Hop chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew's groundbreaking As Nasty As They Wanna Be in 1989 to Cardi B's similarly provocative Invasion of Privacy almost thirty years later, and more, Kiana Fitzgerald's book Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music (Running Press Adult, 2023) covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones–the albums in this book deserve to be listened to again and again, for the next fifty years and beyond.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From underground roots to mainstream popularity, hip-hop's influence on music and entertainment around the world has been nothing short of extraordinary. <em>Ode to Hip-Hop </em>chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew's groundbreaking <em>As Nasty As They Wanna Be</em> in 1989 to Cardi B's similarly provocative <em>Invasion of Privacy</em> almost thirty years later, and more<em>,</em> Kiana Fitzgerald's book <a href="https://bookshop.org/a/12343/9780762482979"><em>Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music</em></a><em> </em>(Running Press Adult, 2023) covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones–the albums in this book deserve to be listened to again and again, for the next fifty years and beyond.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2854</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[840f51d8-5af2-11ee-9998-db5b3836a7d5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR2054352640.mp3?updated=1695571242" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Mael, "Harlem World: How Hip Hop's Super Showdown Changed Music Forever" (Johns Hopkins UP, 2023)</title>
      <description>July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best?
In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene.
The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 26 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>203</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Mael</itunes:subtitle>
      <itunes:summary>July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best?
In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene.
The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best?</p><p>In <a href="https://bookshop.org/a/12343/9781421446882"><em>Harlem World: How Hip Hop's Super Showdown Changed Music Forever</em></a><em> </em>(Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene.</p><p>The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3874</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Diana Rickard, "The New True Crime: How the Rise of Serialized Storytelling Is Transforming Innocence" (NYU Press, 2023)</title>
      <description>The New True Crime: How the Rise of Serialized Storytelling Is Transforming Innocence (NYU Press, 2023) by Dr. Diana Rickard examines how serialized crime shows became an American obsession.
TV shows and podcasts like Making a Murderer, Serial, and Atlanta Monster have taken the cultural zeitgeist by storm, and contributed to the release of wrongly imprisoned people—such as Adnan Syed. The popularity of these long-form true crime docuseries has sparked greater attention to issues of inequality, power, social class, and structural racism. More and more, the American public is asking, Who is and is not deserving of punishment, and who is and is not protected by the law? In The New True Crime, Dr. Rickard argues that these new true crime series deserve our attention for what they reveal about our societal understanding of crime and punishment, and for the new light they shine on the inequalities of the criminal justice system. Questioning the finality of verdicts, framing facts as in the eye of the beholder—these new series unmoor our faith in what is knowable, even as, Rickard critically notes, they often blur the lines between “fact” and “fiction.”
With a focus on some of the most popular true crime podcasts and streaming series of the last decade, Dr. Rickard provides an in-depth analysis of the ways in which this new media—which allows for binge-listening or watching—makes crime into a public spectacle and conveys ideological messages about punishment to its audience. Entertainment values have always been entwined with crime news reporting. Newsworthy stories, Rickard reminds us, need to involve sex, violence, or a famous person, and contain events that can be framed in terms of individualism and conservative ideologies about crime. Even as these old tropes of innocent victims and deviant bad guys still dominate these docuseries, Dr. Rickard also unpacks how the new true crime has been influenced by the innocence movement, a diverse group of organizers and activists, be they journalists, lawyers, formerly incarcerated people, or family members, who now have a place in mainstream consciousness as DNA evidence exonerates the wrongly convicted.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 23 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Diana Rickard</itunes:subtitle>
      <itunes:summary>The New True Crime: How the Rise of Serialized Storytelling Is Transforming Innocence (NYU Press, 2023) by Dr. Diana Rickard examines how serialized crime shows became an American obsession.
TV shows and podcasts like Making a Murderer, Serial, and Atlanta Monster have taken the cultural zeitgeist by storm, and contributed to the release of wrongly imprisoned people—such as Adnan Syed. The popularity of these long-form true crime docuseries has sparked greater attention to issues of inequality, power, social class, and structural racism. More and more, the American public is asking, Who is and is not deserving of punishment, and who is and is not protected by the law? In The New True Crime, Dr. Rickard argues that these new true crime series deserve our attention for what they reveal about our societal understanding of crime and punishment, and for the new light they shine on the inequalities of the criminal justice system. Questioning the finality of verdicts, framing facts as in the eye of the beholder—these new series unmoor our faith in what is knowable, even as, Rickard critically notes, they often blur the lines between “fact” and “fiction.”
With a focus on some of the most popular true crime podcasts and streaming series of the last decade, Dr. Rickard provides an in-depth analysis of the ways in which this new media—which allows for binge-listening or watching—makes crime into a public spectacle and conveys ideological messages about punishment to its audience. Entertainment values have always been entwined with crime news reporting. Newsworthy stories, Rickard reminds us, need to involve sex, violence, or a famous person, and contain events that can be framed in terms of individualism and conservative ideologies about crime. Even as these old tropes of innocent victims and deviant bad guys still dominate these docuseries, Dr. Rickard also unpacks how the new true crime has been influenced by the innocence movement, a diverse group of organizers and activists, be they journalists, lawyers, formerly incarcerated people, or family members, who now have a place in mainstream consciousness as DNA evidence exonerates the wrongly convicted.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781479816040"><em>The New True Crime: How the Rise of Serialized Storytelling Is Transforming Innocence</em></a> (NYU Press, 2023) by Dr. Diana Rickard examines how serialized crime shows became an American obsession.</p><p>TV shows and podcasts like Making a Murderer, Serial, and Atlanta Monster have taken the cultural zeitgeist by storm, and contributed to the release of wrongly imprisoned people—such as Adnan Syed. The popularity of these long-form true crime docuseries has sparked greater attention to issues of inequality, power, social class, and structural racism. More and more, the American public is asking, Who is and is not deserving of punishment, and who is and is not protected by the law? In The New True Crime, Dr. Rickard argues that these new true crime series deserve our attention for what they reveal about our societal understanding of crime and punishment, and for the new light they shine on the inequalities of the criminal justice system. Questioning the finality of verdicts, framing facts as in the eye of the beholder—these new series unmoor our faith in what is knowable, even as, Rickard critically notes, they often blur the lines between “fact” and “fiction.”</p><p>With a focus on some of the most popular true crime podcasts and streaming series of the last decade, Dr. Rickard provides an in-depth analysis of the ways in which this new media—which allows for binge-listening or watching—makes crime into a public spectacle and conveys ideological messages about punishment to its audience. Entertainment values have always been entwined with crime news reporting. Newsworthy stories, Rickard reminds us, need to involve sex, violence, or a famous person, and contain events that can be framed in terms of individualism and conservative ideologies about crime. Even as these old tropes of innocent victims and deviant bad guys still dominate these docuseries, Dr. Rickard also unpacks how the new true crime has been influenced by the innocence movement, a diverse group of organizers and activists, be they journalists, lawyers, formerly incarcerated people, or family members, who now have a place in mainstream consciousness as DNA evidence exonerates the wrongly convicted.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2903</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Malgorzata Fidelis, "Imagining the World from Behind the Iron Curtain: Youth and the Global Sixties in Poland" (Oxford UP, 2022)</title>
      <description>The Global Sixties are well known as a period of non-conformist lifestyles, experimentation with consumer products and technology, counterculture, and leftist politics. While the period has been well studied in the West and increasingly researched for the Global South, young people in the "Second World" too were active participants in these movements. The Iron Curtain was hardly a barrier against outside influences, and young people from students and hippies to mainstream youth in miniskirts and blue jeans saw themselves as part of the global community of like-minded people as well as citizens of Eastern Bloc countries.
Drawing on Polish youth magazines, rural people's diaries, sex education manuals, and personal testimonies, Malgorzata Fidelis follows jazz lovers, university students, hippies, and young rural rebels. In Imagining the World from Behind the Iron Curtain: Youth and the Global Sixties in Poland (Oxford UP, 2022), Fidelis colorfully narrates their everyday engagement with a dynamically changing world, from popular media and consumption to counterculture and protest movements. She delineates their anti-authoritarian solidarities and competing visions of transnationalism, with the West as well as the ruling communist regime. Even as youth demonstrations were violently suppressed, Fidelis shows, youth culture was not. By the early 1970s, the state incorporated elements of Sixties culture into their official vision of socialist modernity.
From the perspective of youth, Malgorzata Fidelis argues, the post-1989 transition in Poland from communism to liberal democracy, often dubbed as "the return to Europe," was less of a breakthrough and more of a continuation of trends in which they participated. Indeed, they had already created new modes of self-expression and cultural spaces in which ideas of alternative social and political organization became imaginable.
﻿Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 22 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Malgorzata Fidelis</itunes:subtitle>
      <itunes:summary>The Global Sixties are well known as a period of non-conformist lifestyles, experimentation with consumer products and technology, counterculture, and leftist politics. While the period has been well studied in the West and increasingly researched for the Global South, young people in the "Second World" too were active participants in these movements. The Iron Curtain was hardly a barrier against outside influences, and young people from students and hippies to mainstream youth in miniskirts and blue jeans saw themselves as part of the global community of like-minded people as well as citizens of Eastern Bloc countries.
Drawing on Polish youth magazines, rural people's diaries, sex education manuals, and personal testimonies, Malgorzata Fidelis follows jazz lovers, university students, hippies, and young rural rebels. In Imagining the World from Behind the Iron Curtain: Youth and the Global Sixties in Poland (Oxford UP, 2022), Fidelis colorfully narrates their everyday engagement with a dynamically changing world, from popular media and consumption to counterculture and protest movements. She delineates their anti-authoritarian solidarities and competing visions of transnationalism, with the West as well as the ruling communist regime. Even as youth demonstrations were violently suppressed, Fidelis shows, youth culture was not. By the early 1970s, the state incorporated elements of Sixties culture into their official vision of socialist modernity.
From the perspective of youth, Malgorzata Fidelis argues, the post-1989 transition in Poland from communism to liberal democracy, often dubbed as "the return to Europe," was less of a breakthrough and more of a continuation of trends in which they participated. Indeed, they had already created new modes of self-expression and cultural spaces in which ideas of alternative social and political organization became imaginable.
﻿Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Global Sixties are well known as a period of non-conformist lifestyles, experimentation with consumer products and technology, counterculture, and leftist politics. While the period has been well studied in the West and increasingly researched for the Global South, young people in the "Second World" too were active participants in these movements. The Iron Curtain was hardly a barrier against outside influences, and young people from students and hippies to mainstream youth in miniskirts and blue jeans saw themselves as part of the global community of like-minded people as well as citizens of Eastern Bloc countries.</p><p>Drawing on Polish youth magazines, rural people's diaries, sex education manuals, and personal testimonies, Malgorzata Fidelis follows jazz lovers, university students, hippies, and young rural rebels. In <a href="https://bookshop.org/a/12343/9780197643402"><em>Imagining the World from Behind the Iron Curtain: Youth and the Global Sixties in Poland</em></a> (Oxford UP, 2022), Fidelis colorfully narrates their everyday engagement with a dynamically changing world, from popular media and consumption to counterculture and protest movements. She delineates their anti-authoritarian solidarities and competing visions of transnationalism, with the West as well as the ruling communist regime. Even as youth demonstrations were violently suppressed, Fidelis shows, youth culture was not. By the early 1970s, the state incorporated elements of Sixties culture into their official vision of socialist modernity.</p><p>From the perspective of youth, Malgorzata Fidelis argues, the post-1989 transition in Poland from communism to liberal democracy, often dubbed as "the return to Europe," was less of a breakthrough and more of a continuation of trends in which they participated. Indeed, they had already created new modes of self-expression and cultural spaces in which ideas of alternative social and political organization became imaginable.</p><p><em>﻿Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6035</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c833a8e2-5664-11ee-9a15-33a909400b13]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR1064700402.mp3?updated=1695071290" length="0" type="audio/mpeg"/>
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    <item>
      <title>Weirding Out with Kate Marshall</title>
      <description>We kick off Season 6 with Kate Marshall, friend of the show and author of the forthcoming book Novels by Aliens: Weird Tales and the Twenty-First Century. Hosts and producers Chris Holmes and Emily Hyde ask Kate about the pulpy literary history of weird tales and learn how in the 21st-century weirdness emerges as both genre and mood. The conversation roves from the weirdness of the weather to novels that long for the nonhuman and reach for alien perspectives to the genres responding to our climate crisis. Join us to hear about the novelists and critics appearing in Season 6 of Novel Dialogue and to explore our contemporary state of weird.Mentions:
--Sheila Heti, Pure Colour
--Roberto Bolaño on Cormac McCarthy’s Blood Meridian
--Megan Ward, Seeming Human: Artificial Intelligence and Victorian Realist Character
--David Herman, Storytelling and the Sciences of Mind
--Kasuo Ishiguro, Klara and the Sun
--Elvia Wilk, Oval
--Olga Ravn’s The Employees
--Amitav Ghosh, The Great Derangement: Climate Change and the Unthinkable
--Colson Whitehead, Zone One
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Novel Dialogue Season 6 Preview</itunes:subtitle>
      <itunes:summary>We kick off Season 6 with Kate Marshall, friend of the show and author of the forthcoming book Novels by Aliens: Weird Tales and the Twenty-First Century. Hosts and producers Chris Holmes and Emily Hyde ask Kate about the pulpy literary history of weird tales and learn how in the 21st-century weirdness emerges as both genre and mood. The conversation roves from the weirdness of the weather to novels that long for the nonhuman and reach for alien perspectives to the genres responding to our climate crisis. Join us to hear about the novelists and critics appearing in Season 6 of Novel Dialogue and to explore our contemporary state of weird.Mentions:
--Sheila Heti, Pure Colour
--Roberto Bolaño on Cormac McCarthy’s Blood Meridian
--Megan Ward, Seeming Human: Artificial Intelligence and Victorian Realist Character
--David Herman, Storytelling and the Sciences of Mind
--Kasuo Ishiguro, Klara and the Sun
--Elvia Wilk, Oval
--Olga Ravn’s The Employees
--Amitav Ghosh, The Great Derangement: Climate Change and the Unthinkable
--Colson Whitehead, Zone One
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We kick off Season 6 with <a href="https://english.nd.edu/people/kate-marshall/">Kate Marshall</a>, friend of the show and author of the forthcoming book <a href="https://press.uchicago.edu/ucp/books/book/chicago/N/bo206058572.html"><em>Novels by Aliens: Weird Tales and the Twenty-First Century</em></a>. Hosts and producers Chris Holmes and Emily Hyde ask Kate about the pulpy literary history of weird tales and learn how in the 21st-century weirdness emerges as both genre and mood. The conversation roves from the weirdness of the weather to novels that long for the nonhuman and reach for alien perspectives to the genres responding to our climate crisis. Join us to hear about the novelists and critics appearing in Season 6 of <em>Novel Dialogue</em> and to explore our contemporary state of weird.Mentions:</p><p>--Sheila Heti, <a href="https://us.macmillan.com/books/9780374603960/purecolour"><em>Pure Colour</em></a></p><p>--Roberto Bolaño <a href="https://www.ndbooks.com/book/between-parentheses-essays-articles-and-speeches-1998-2003/#:~:text=Between%20Parentheses%20collects%20Roberto%20Bola%C3%B1o%27s,come%20to%20him%20at%20last.">on Cormac McCarthy’s <em>Blood Meridian</em></a></p><p>--Megan Ward, <a href="https://ohiostatepress.org/books/titles/9780814213759.html"><em>Seeming Human: Artificial Intelligence and Victorian Realist Character</em></a></p><p>--David Herman, <a href="https://mitpress.mit.edu/9780262533775/storytelling-and-the-sciences-of-mind/"><em>Storytelling and the Sciences of Mind</em></a></p><p>--Kasuo Ishiguro, <a href="https://www.penguinrandomhouse.com/books/653825/klara-and-the-sun-by-kazuo-ishiguro/"><em>Klara and the Sun</em></a></p><p>--Elvia Wilk, <a href="https://softskull.com/books/oval/"><em>Oval</em></a></p><p>--Olga Ravn’s <a href="https://www.lollieditions.com/books/the-employees"><em>The Employees</em></a></p><p>--Amitav Ghosh, <a href="https://press.uchicago.edu/ucp/books/book/chicago/G/bo22265507.html"><em>The Great Derangement: Climate Change and the Unthinkable</em></a></p><p>--Colson Whitehead, <a href="https://www.penguinrandomhouse.com/books/189758/zone-one-by-colson-whitehead/"><em>Zone One</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1466</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR3548214729.mp3?updated=1695225450" length="0" type="audio/mpeg"/>
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    <item>
      <title>Lincoln A. Mitchell, "The One Hundred Most Important Players in Baseball History" (Artemesia Publishing, 2023)</title>
      <description>Baseball lore and history is filled with many valuable players, and not all of them are the Hall of Famers you know.
In The One Hundred Most Important Players in Baseball History (Artemesia Publishing, 2023) Lincoln A. Mitchell highlights the one hundred players who have had the biggest impact on baseball, popular culture, and history through their careers inside or outside of baseball. You'll find stories about famous players like Babe Ruth and Jackie Robinson, but also lesser known but deeply impactful baseball players like Curt Flood, Hal Chase, and Felipe Alou. For over 120 years baseball has been a deep part of American life as folk culture and big business, but for just as long it has also been central to race relations, labor issues, global conflicts, and the songs of Bob Dylan. These one hundred players have influenced not only America's pastime but the country as well.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>256</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lincoln A. Mitchell</itunes:subtitle>
      <itunes:summary>Baseball lore and history is filled with many valuable players, and not all of them are the Hall of Famers you know.
In The One Hundred Most Important Players in Baseball History (Artemesia Publishing, 2023) Lincoln A. Mitchell highlights the one hundred players who have had the biggest impact on baseball, popular culture, and history through their careers inside or outside of baseball. You'll find stories about famous players like Babe Ruth and Jackie Robinson, but also lesser known but deeply impactful baseball players like Curt Flood, Hal Chase, and Felipe Alou. For over 120 years baseball has been a deep part of American life as folk culture and big business, but for just as long it has also been central to race relations, labor issues, global conflicts, and the songs of Bob Dylan. These one hundred players have influenced not only America's pastime but the country as well.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Baseball lore and history is filled with many valuable players, and not all of them are the Hall of Famers you know.</p><p>In <a href="https://bookshop.org/a/12343/9781951122669"><em>The One Hundred Most Important Players in Baseball History</em></a> (Artemesia Publishing, 2023) Lincoln A. Mitchell highlights the one hundred players who have had the biggest impact on baseball, popular culture, and history through their careers inside or outside of baseball. You'll find stories about famous players like Babe Ruth and Jackie Robinson, but also lesser known but deeply impactful baseball players like Curt Flood, Hal Chase, and Felipe Alou. For over 120 years baseball has been a deep part of American life as folk culture and big business, but for just as long it has also been central to race relations, labor issues, global conflicts, and the songs of Bob Dylan. These one hundred players have influenced not only America's pastime but the country as well.</p><p><em>Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3278</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Karen Eva Carr, "Shifting Currents: A World History of Swimming" (Reaktion Books, 2022)</title>
      <description>Today we are joined by Dr. Karen Carr, Associate Professor Emerita in the Department of History at Portland State University and the author of Shifting Currents: A World History of Swimming (Reaktion Books, 2022). Shifting Currents is the winner of the 2023 North American Society for Sports History Monograph Book Award. In our conversation, we discussed the historical, cultural, and geographic divisions between swimmers and non-swimmers; the reasons for the rise and fall of swimming in Northern Eurasia; and the racialization of swimming starting in the 13th century.
In Shifting Currents, Carr offers a comprehensive history of swimming from the paleolithic to the present. Over four hundred pages, and with almost one hundred images, she illustrates how a centuries long divide developed between Northern Eurasian non-swimmers and the rest of the world, including Africa, the Americas and Australia, where people swam frequently and well. She argues that since the early Iron Age, Northern Eurasian people adopted and abandoned swimming several times but never really adapted to the water as a natural site for human social engagement and play that characterized indigenous swimming.
This longstanding divide between swimmers and non-swimmers persisted not only because of the climate, but also due to long-stranding Northern Eurasian prejudices against getting in the water: namely that swimming was and is too dangerous, too improper with close connection to nudity and sex, too sacred since water was connected to the gods, and too foreign. These prejudices have surprising longevity and explain in part northern European practices such as the floating of witches, and the preference for the breaststroke.
At the same time, as Carr points out, elite Northern Eurasians began during the Iron Age to swim and they continued to swim (with waxing and waning popularity) throughout the Middle Ages and into the present. While indigenous swimming was a lifestyle practiced across class and gender, in Northern Eurasia swimming was a shibboleth to status and wealth. At times it was central to elite status. As Plato claimed, a well-educated men could be identified because they knew how to read and how to swim and by the 19th century swimming became part of a well-rounded middle-class education. At other times, it was disfavoured: Carr argues convincingly that the Mongol invasions significantly undermined swimming’s importance among northern Eurasian elites.
In the third and fourth sections of the book, “Still Swimming” and “Changing Places”, Carr shows how swimming became racialized and the damage that this racialization has done to indigenous swimming practices. African, American and Australian peoples were stronger swimmers than Europeans (who had largely forgotten how to do the crawl). Europeans viewed non-Europeans strength in the water as a sign of primitivity and used it as part of their justification for enslaving people in the global south. By the 19th century, European’s feelings about the water reversed and colonizers around the world now sought to bar people of color from swimming in the same places as white people. Carr ends on a declensionist note: Europeans and their settler-colonial descendants have largely succeeded in stamping out indigenous swimming around the world.
Shifting Currents is a very compelling history of swimming that not only charts its development around the world but does so in a way that ties together its history with larger trends in global history. Written in a very readable style, full of handsome images, Shifting Currents should be read by scholars and non-schoalrs alike interested in swimming, sport more generally, and global histories that decentre the global North/West experience.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 17 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>255</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karen Eva Carr</itunes:subtitle>
      <itunes:summary>Today we are joined by Dr. Karen Carr, Associate Professor Emerita in the Department of History at Portland State University and the author of Shifting Currents: A World History of Swimming (Reaktion Books, 2022). Shifting Currents is the winner of the 2023 North American Society for Sports History Monograph Book Award. In our conversation, we discussed the historical, cultural, and geographic divisions between swimmers and non-swimmers; the reasons for the rise and fall of swimming in Northern Eurasia; and the racialization of swimming starting in the 13th century.
In Shifting Currents, Carr offers a comprehensive history of swimming from the paleolithic to the present. Over four hundred pages, and with almost one hundred images, she illustrates how a centuries long divide developed between Northern Eurasian non-swimmers and the rest of the world, including Africa, the Americas and Australia, where people swam frequently and well. She argues that since the early Iron Age, Northern Eurasian people adopted and abandoned swimming several times but never really adapted to the water as a natural site for human social engagement and play that characterized indigenous swimming.
This longstanding divide between swimmers and non-swimmers persisted not only because of the climate, but also due to long-stranding Northern Eurasian prejudices against getting in the water: namely that swimming was and is too dangerous, too improper with close connection to nudity and sex, too sacred since water was connected to the gods, and too foreign. These prejudices have surprising longevity and explain in part northern European practices such as the floating of witches, and the preference for the breaststroke.
At the same time, as Carr points out, elite Northern Eurasians began during the Iron Age to swim and they continued to swim (with waxing and waning popularity) throughout the Middle Ages and into the present. While indigenous swimming was a lifestyle practiced across class and gender, in Northern Eurasia swimming was a shibboleth to status and wealth. At times it was central to elite status. As Plato claimed, a well-educated men could be identified because they knew how to read and how to swim and by the 19th century swimming became part of a well-rounded middle-class education. At other times, it was disfavoured: Carr argues convincingly that the Mongol invasions significantly undermined swimming’s importance among northern Eurasian elites.
In the third and fourth sections of the book, “Still Swimming” and “Changing Places”, Carr shows how swimming became racialized and the damage that this racialization has done to indigenous swimming practices. African, American and Australian peoples were stronger swimmers than Europeans (who had largely forgotten how to do the crawl). Europeans viewed non-Europeans strength in the water as a sign of primitivity and used it as part of their justification for enslaving people in the global south. By the 19th century, European’s feelings about the water reversed and colonizers around the world now sought to bar people of color from swimming in the same places as white people. Carr ends on a declensionist note: Europeans and their settler-colonial descendants have largely succeeded in stamping out indigenous swimming around the world.
Shifting Currents is a very compelling history of swimming that not only charts its development around the world but does so in a way that ties together its history with larger trends in global history. Written in a very readable style, full of handsome images, Shifting Currents should be read by scholars and non-schoalrs alike interested in swimming, sport more generally, and global histories that decentre the global North/West experience.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Dr. Karen Carr, Associate Professor Emerita in the Department of History at Portland State University and the author of <a href="https://bookshop.org/a/12343/9781789145786"><em>Shifting Currents: A World History of Swimming</em></a><em> </em>(Reaktion Books, 2022). <em>Shifting Currents</em> is the winner of the 2023 North American Society for Sports History Monograph Book Award. In our conversation, we discussed the historical, cultural, and geographic divisions between swimmers and non-swimmers; the reasons for the rise and fall of swimming in Northern Eurasia; and the racialization of swimming starting in the 13th century.</p><p>In <em>Shifting Currents, </em>Carr offers a comprehensive history of swimming from the paleolithic to the present. Over four hundred pages, and with almost one hundred images, she illustrates how a centuries long divide developed between Northern Eurasian non-swimmers and the rest of the world, including Africa, the Americas and Australia, where people swam frequently and well. She argues that since the early Iron Age, Northern Eurasian people adopted and abandoned swimming several times but never really adapted to the water as a natural site for human social engagement and play that characterized indigenous swimming.</p><p>This longstanding divide between swimmers and non-swimmers persisted not only because of the climate, but also due to long-stranding Northern Eurasian prejudices against getting in the water: namely that swimming was and is too dangerous, too improper with close connection to nudity and sex, too sacred since water was connected to the gods, and too foreign. These prejudices have surprising longevity and explain in part northern European practices such as the floating of witches, and the preference for the breaststroke.</p><p>At the same time, as Carr points out, elite Northern Eurasians began during the Iron Age to swim and they continued to swim (with waxing and waning popularity) throughout the Middle Ages and into the present. While indigenous swimming was a lifestyle practiced across class and gender, in Northern Eurasia swimming was a shibboleth to status and wealth. At times it was central to elite status. As Plato claimed, a well-educated men could be identified because they knew how to read and how to swim and by the 19th century swimming became part of a well-rounded middle-class education. At other times, it was disfavoured: Carr argues convincingly that the Mongol invasions significantly undermined swimming’s importance among northern Eurasian elites.</p><p>In the third and fourth sections of the book, “Still Swimming” and “Changing Places”, Carr shows how swimming became racialized and the damage that this racialization has done to indigenous swimming practices. African, American and Australian peoples were stronger swimmers than Europeans (who had largely forgotten how to do the crawl). Europeans viewed non-Europeans strength in the water as a sign of primitivity and used it as part of their justification for enslaving people in the global south. By the 19th century, European’s feelings about the water reversed and colonizers around the world now sought to bar people of color from swimming in the same places as white people. Carr ends on a declensionist note: Europeans and their settler-colonial descendants have largely succeeded in stamping out indigenous swimming around the world.</p><p><em>Shifting Currents </em>is a very compelling history of swimming that not only charts its development around the world but does so in a way that ties together its history with larger trends in global history. Written in a very readable style, full of handsome images, <em>Shifting Currents </em>should be read by scholars and non-schoalrs alike interested in swimming, sport more generally, and global histories that decentre the global North/West experience.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3986</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Chris Molanphy, "Old Town Road" (Duke UP, 2023)</title>
      <description>In Old Town Road (Duke University Press, 2023), Chris Molanphy considers Lil Nas X’s debut single as pop artifact, chart phenomenon, and cultural watershed. “Old Town Road” was more than a massive hit, with the most weeks at No. 1 in Billboard Hot 100 history. It is also a prism through which to track the evolution of popular music consumption and the ways race influences how the music industry categorizes songs and artists. By both lionizing and satirizing genre tropes—it’s a country song built from an alternative rock sample, a hip-hop song in which nobody raps, a comical song that transcends novelty, and a queer anthem—Lil Nas X troubles the very idea of genre. Ultimately, Molanphy shows how “Old Town Road” channeled decades of Americana to point the way toward our cultural future. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 15 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>164</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Molanphy</itunes:subtitle>
      <itunes:summary>In Old Town Road (Duke University Press, 2023), Chris Molanphy considers Lil Nas X’s debut single as pop artifact, chart phenomenon, and cultural watershed. “Old Town Road” was more than a massive hit, with the most weeks at No. 1 in Billboard Hot 100 history. It is also a prism through which to track the evolution of popular music consumption and the ways race influences how the music industry categorizes songs and artists. By both lionizing and satirizing genre tropes—it’s a country song built from an alternative rock sample, a hip-hop song in which nobody raps, a comical song that transcends novelty, and a queer anthem—Lil Nas X troubles the very idea of genre. Ultimately, Molanphy shows how “Old Town Road” channeled decades of Americana to point the way toward our cultural future. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478025511"><em>Old Town Road</em></a><em> </em>(Duke University Press, 2023), <a href="https://chris.molanphy.com/">Chris Molanphy</a> considers Lil Nas X’s debut single as pop artifact, chart phenomenon, and cultural watershed. “Old Town Road” was more than a massive hit, with the most weeks at No. 1 in Billboard Hot 100 history. It is also a prism through which to track the evolution of popular music consumption and the ways race influences how the music industry categorizes songs and artists. By both lionizing and satirizing genre tropes—it’s a country song built from an alternative rock sample, a hip-hop song in which nobody raps, a comical song that transcends novelty, and a queer anthem—Lil Nas X troubles the very idea of genre. Ultimately, Molanphy shows how “Old Town Road” channeled decades of Americana to point the way toward our cultural future. </p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2886</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Gregory Cahill, "The Golden Voice: The Ballad of Cambodian Rock's Lost Queen" (Life Drawn, 2023)</title>
      <description>The Golden Voice: The Ballad of Cambodian Rock's Lost Queen (Life Drawn, 2023) is very well-reseraech graphic novel based on the life of beloved Cambodian singer Ros Serey Sothea, whose “Golden Voice” helped define Cambodia’s Golden Age of music until her mysterious disappearance in the killing fields of Pol Pot’s Khmer Rouge. Developed in partnership with Sothea’s family. There is a saying in Cambodia: Music is the soul of a nation. Perhaps no one embodied that spirit more than Ros Serey Sothea, a young woman who would forever change the landscape of Cambodian music as the Queen with the Golden Voice. From a humble rice farmer to nationally recognized singer, Sothea’s success captured the hearts of the Khmer people. Throughout her career, she recorded over 500 songs, her signature angelic voice soaring over genres from traditional ballads to psychedelic rock and beyond. As the Cambodian civil war raged, Sothea's singing career continued to flourish, even when she served in the army as one of the country's first female paratroopers. After years of bloody conflict, the communist Khmer Rouge seized control, murdering artists and destroying their music, bringing Cambodia's golden age into a dark era of silence. Sothea’s fate is unknown. Ros Serey Sothea's golden voice lives on in the popular music of Cambodia to this very day. Gone but not forgotten, her legacy continues to inspire. The Golden Voice tells the story of Sothea’s life, developed alongside the surviving family who knew her, and accompanied by an interactive soundtrack.
Gregory Cahill is an Emmy Award winning television producer for the CBS entertainment talk show The Talk. His previous TV credits include 24, Mad Men, and Medium. In 2006, Cahill wrote and directed a short film titled The Golden Voice, depicting Ros Serey Sothea's final days under Khmer Rouge. After years of research, he began work on a graphic novel also titled The Golden Voice, depicting Ros Serey Sothea's life story. The Golden Voice: The Ballad of Cambodian Rock's Lost Queen is his first book.
Kat Baumann is an illustrator and comics creator from Southern Minnesota who graduated from the Visual Arts department of the Perpich Center for Arts Education in 2009, received my bachelor’s in Studio Art in 2013 and interned at Helioscope (formerly Periscope) Studio in 2014. She decided to become a comic artist at a young age when she was heavily influenced by Japanese manga and South Korean manhwa.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 14 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1356</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gregory Cahill</itunes:subtitle>
      <itunes:summary>The Golden Voice: The Ballad of Cambodian Rock's Lost Queen (Life Drawn, 2023) is very well-reseraech graphic novel based on the life of beloved Cambodian singer Ros Serey Sothea, whose “Golden Voice” helped define Cambodia’s Golden Age of music until her mysterious disappearance in the killing fields of Pol Pot’s Khmer Rouge. Developed in partnership with Sothea’s family. There is a saying in Cambodia: Music is the soul of a nation. Perhaps no one embodied that spirit more than Ros Serey Sothea, a young woman who would forever change the landscape of Cambodian music as the Queen with the Golden Voice. From a humble rice farmer to nationally recognized singer, Sothea’s success captured the hearts of the Khmer people. Throughout her career, she recorded over 500 songs, her signature angelic voice soaring over genres from traditional ballads to psychedelic rock and beyond. As the Cambodian civil war raged, Sothea's singing career continued to flourish, even when she served in the army as one of the country's first female paratroopers. After years of bloody conflict, the communist Khmer Rouge seized control, murdering artists and destroying their music, bringing Cambodia's golden age into a dark era of silence. Sothea’s fate is unknown. Ros Serey Sothea's golden voice lives on in the popular music of Cambodia to this very day. Gone but not forgotten, her legacy continues to inspire. The Golden Voice tells the story of Sothea’s life, developed alongside the surviving family who knew her, and accompanied by an interactive soundtrack.
Gregory Cahill is an Emmy Award winning television producer for the CBS entertainment talk show The Talk. His previous TV credits include 24, Mad Men, and Medium. In 2006, Cahill wrote and directed a short film titled The Golden Voice, depicting Ros Serey Sothea's final days under Khmer Rouge. After years of research, he began work on a graphic novel also titled The Golden Voice, depicting Ros Serey Sothea's life story. The Golden Voice: The Ballad of Cambodian Rock's Lost Queen is his first book.
Kat Baumann is an illustrator and comics creator from Southern Minnesota who graduated from the Visual Arts department of the Perpich Center for Arts Education in 2009, received my bachelor’s in Studio Art in 2013 and interned at Helioscope (formerly Periscope) Studio in 2014. She decided to become a comic artist at a young age when she was heavily influenced by Japanese manga and South Korean manhwa.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781643378732"><em>The Golden Voice: The Ballad of Cambodian Rock's Lost Queen</em></a> (Life Drawn, 2023) is very well-reseraech graphic novel based on the life of beloved Cambodian singer Ros Serey Sothea, whose “Golden Voice” helped define Cambodia’s Golden Age of music until her mysterious disappearance in the killing fields of Pol Pot’s Khmer Rouge. Developed in partnership with Sothea’s family. There is a saying in Cambodia: Music is the soul of a nation. Perhaps no one embodied that spirit more than Ros Serey Sothea, a young woman who would forever change the landscape of Cambodian music as the Queen with the Golden Voice. From a humble rice farmer to nationally recognized singer, Sothea’s success captured the hearts of the Khmer people. Throughout her career, she recorded over 500 songs, her signature angelic voice soaring over genres from traditional ballads to psychedelic rock and beyond. As the Cambodian civil war raged, Sothea's singing career continued to flourish, even when she served in the army as one of the country's first female paratroopers. After years of bloody conflict, the communist Khmer Rouge seized control, murdering artists and destroying their music, bringing Cambodia's golden age into a dark era of silence. Sothea’s fate is unknown. Ros Serey Sothea's golden voice lives on in the popular music of Cambodia to this very day. Gone but not forgotten, her legacy continues to inspire. The Golden Voice tells the story of Sothea’s life, developed alongside the surviving family who knew her, and accompanied by an interactive soundtrack.</p><p>Gregory Cahill is an Emmy Award winning television producer for the CBS entertainment talk show <em>The Talk</em>. His previous TV credits include <em>24</em>, <em>Mad Men</em>, and <em>Medium</em>. In 2006, Cahill wrote and directed a short film titled <em>The Golden Voice</em>, depicting Ros Serey Sothea's final days under Khmer Rouge. After years of research, he began work on a graphic novel also titled <em>The Golden Voic</em>e, depicting Ros Serey Sothea's life story. <em>The Golden Voice: The Ballad of Cambodian Rock's Lost Queen</em> is his first book.</p><p>Kat Baumann is an illustrator and comics creator from Southern Minnesota who graduated from the Visual Arts department of the Perpich Center for Arts Education in 2009, received my bachelor’s in Studio Art in 2013 and interned at Helioscope (formerly Periscope) Studio in 2014. She decided to become a comic artist at a young age when she was heavily influenced by Japanese manga and South Korean manhwa.</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4626</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f70f1522-4e74-11ee-a14c-f3bfd5ed46f1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR7099402079.mp3?updated=1694692693" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kristen Lopez, "But Have You Read the Book?: 52 Literary Gems That Inspired Our Favorite Films" (Running Press Adult, 2023)</title>
      <description>Published earlier this year from Running Press, Kristen Lopez’s But Have You Read the Book?: 52 Literary Gems That Inspired Our Favorite Films looks at almost a hundred years of film adaptations of novels. The book offers a survey of how directors, actors, and screenwriters have transformed the raw material of fiction into works that were sometimes transgressive, sometimes reverential, and always compelling. Among the adaptations are William Wyler’s Wuthering Heights (1939) from the Emily Bronte novel; Steven Spielberg’s Jurassic Park (1993) from Michael Crichton’s novel; Ridley Scott’s Blade Runner (1982) from Philip K. Dick’s “Do Androids Dream of Electric Sheep?”; and Sophia Coppola’s The Virgin Suicides (1999) from Jeffrey Eugenides 1993 novel.
I am excited to have Kristen Lopez on the podcast to discuss the book. Kristen has been the Film Editor at The Wrap since 2022 and the creator of the podcast Ticklish Business. Kristen’s work has also been published in Culturess, Forbes, The Movie Isle, Citizen Dame, and Remezcla.
John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>248</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kristen Lopez</itunes:subtitle>
      <itunes:summary>Published earlier this year from Running Press, Kristen Lopez’s But Have You Read the Book?: 52 Literary Gems That Inspired Our Favorite Films looks at almost a hundred years of film adaptations of novels. The book offers a survey of how directors, actors, and screenwriters have transformed the raw material of fiction into works that were sometimes transgressive, sometimes reverential, and always compelling. Among the adaptations are William Wyler’s Wuthering Heights (1939) from the Emily Bronte novel; Steven Spielberg’s Jurassic Park (1993) from Michael Crichton’s novel; Ridley Scott’s Blade Runner (1982) from Philip K. Dick’s “Do Androids Dream of Electric Sheep?”; and Sophia Coppola’s The Virgin Suicides (1999) from Jeffrey Eugenides 1993 novel.
I am excited to have Kristen Lopez on the podcast to discuss the book. Kristen has been the Film Editor at The Wrap since 2022 and the creator of the podcast Ticklish Business. Kristen’s work has also been published in Culturess, Forbes, The Movie Isle, Citizen Dame, and Remezcla.
John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Published earlier this year from Running Press, Kristen Lopez’s <a href="https://bookshop.org/a/12343/9780762480975"><em>But Have You Read the Book?: 52 Literary Gems That Inspired Our Favorite Films</em></a> looks at almost a hundred years of film adaptations of novels. The book offers a survey of how directors, actors, and screenwriters have transformed the raw material of fiction into works that were sometimes transgressive, sometimes reverential, and always compelling. Among the adaptations are William Wyler’s <em>Wuthering Heights</em> (1939) from the Emily Bronte novel; Steven Spielberg’s <em>Jurassic Park</em> (1993) from Michael Crichton’s novel; Ridley Scott’s <em>Blade Runner</em> (1982) from Philip K. Dick’s “Do Androids Dream of Electric Sheep?”; and Sophia Coppola’s <em>The Virgin Suicides</em> (1999) from Jeffrey Eugenides 1993 novel.</p><p>I am excited to have Kristen Lopez on the podcast to discuss the book. Kristen has been the Film Editor at <em>The Wrap</em> since 2022 and the creator of the podcast <em>Ticklish Business</em>. Kristen’s work has also been published in <em>Culturess</em>, <em>Forbes</em>, <em>The Movie Isle</em>, <em>Citizen Dame</em>, and <em>Remezcla.</em></p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the </em><a href="https://muse.jhu.edu/article/786734"><em>Journal for Early Modern Culture Studies</em></a><em>, Early Theatre, Studies in Philology, and Shakespeare Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4272</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR3742313063.mp3?updated=1694379064" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A Better Way to Buy Books</title>
      <description>Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. 
Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Andy Hunter, Founder and CEO, Bookshop.org</itunes:subtitle>
      <itunes:summary>Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. 
Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, <a href="https://bookshop.org/">Bookshop.org</a> has already raised more than $27,000,000. In this interview, <a href="https://www.linkedin.com/in/andy-hunter-64484224/">Andy Hunter</a>, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. </p><p>Andy Hunter is CEO and Founder of Bookshop.org. He also co-created <a href="https://lithub.com/">Literary Hub</a>.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2069</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[decdf132-50b7-11ee-970a-93400c1e9bdb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR6515330661.mp3?updated=1694441399" length="0" type="audio/mpeg"/>
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    <item>
      <title>Robyn Muir, "The Disney Princess Phenomenon: A Feminist Analysis" (Bristol UP, 2023)</title>
      <description>The Disney Princesses are a billion-dollar industry, known and loved by children across the globe.
In The Disney Princess Phenomenon: A Feminist Analysis (Bristol University Press, 2023) Dr. Robyn Muir provides an exploratory and holistic examination of this worldwide commercial and cultural phenomenon in its key representations: films, merchandising and marketing, and park experiences. Muir highlights the messages and images of femininity found within the Disney Princess canon and provides a rigorous and innovative methodology for analysing gender in media.
Including an in-depth examination of each princess film from the last 83 years, the book provides a lens through which to view and understand how Disney Princesses have contributed to the depiction of femininity within popular culture.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 11 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robyn Muir</itunes:subtitle>
      <itunes:summary>The Disney Princesses are a billion-dollar industry, known and loved by children across the globe.
In The Disney Princess Phenomenon: A Feminist Analysis (Bristol University Press, 2023) Dr. Robyn Muir provides an exploratory and holistic examination of this worldwide commercial and cultural phenomenon in its key representations: films, merchandising and marketing, and park experiences. Muir highlights the messages and images of femininity found within the Disney Princess canon and provides a rigorous and innovative methodology for analysing gender in media.
Including an in-depth examination of each princess film from the last 83 years, the book provides a lens through which to view and understand how Disney Princesses have contributed to the depiction of femininity within popular culture.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Disney Princesses are a billion-dollar industry, known and loved by children across the globe.</p><p>In <a href="https://bookshop.org/a/12343/9781529222098"><em>The Disney Princess Phenomenon: A Feminist Analysis</em></a><em> </em>(Bristol University Press, 2023) Dr. Robyn Muir provides an exploratory and holistic examination of this worldwide commercial and cultural phenomenon in its key representations: films, merchandising and marketing, and park experiences. Muir highlights the messages and images of femininity found within the Disney Princess canon and provides a rigorous and innovative methodology for analysing gender in media.</p><p>Including an in-depth examination of each princess film from the last 83 years, the book provides a lens through which to view and understand how Disney Princesses have contributed to the depiction of femininity within popular culture.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4208</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Muḥsin Jāsim Mūsawī, "The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry" (Cambridge UP, 2021)</title>
      <description>The stories in the Thousand and One Nights, or the Arabian Nights, are familiar to many of us: from the tales of Aladdin, Sinbad the Sailor, Ali Baba and his forty thieves, to the framing story of Scheherazade telling these stories to her homicidal husband, Shahrayar. 
Muḥsin Jāsim Mūsawī's The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry (Cambridge UP, 2021) offers a rich and wide-ranging analysis of the power of this collection of tales that penetrates so many cultures and appeals to such a variety of predilections and tastes. It also explores areas that were left untouched, like the decolonization of the Arabian Nights, and its archaeologies. Unique in its excavation into inroads of perception and reception, Muhsin J. al-Musawi's book unearths means of connection with common publics and learned societies. Al-Musawi shows, as never before, how the Arabian Nights has been translated, appropriated, and authenticated or abused over time, and how its reach is so expansive as to draw the attention of poets, painters, illustrators, translators, editors, musicians, political scientists like Leo Strauss, and novelists like Michel Butor, James Joyce and Marcel Proust amongst others. Making use of documentaries, films, paintings, novels and novellas, poetry, digital forums and political jargon, this book offers nuanced understanding of the perennial charm and power of this collection.
Professor Muhsin al-Musawi is a literary critic and a scholar of classical and modern Arabic literature and comparative cultural studies. He taught for over two decades at universities in the Arab world before moving to Columbia University. He is the author of twenty-eight books (including four novels) and over sixty scholarly articles. He has been the editor of the Journal of Arabic Literature (Brill Academic Publishers) since 2000.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 10 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>246</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Muḥsin Jāsim Mūsawī</itunes:subtitle>
      <itunes:summary>The stories in the Thousand and One Nights, or the Arabian Nights, are familiar to many of us: from the tales of Aladdin, Sinbad the Sailor, Ali Baba and his forty thieves, to the framing story of Scheherazade telling these stories to her homicidal husband, Shahrayar. 
Muḥsin Jāsim Mūsawī's The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry (Cambridge UP, 2021) offers a rich and wide-ranging analysis of the power of this collection of tales that penetrates so many cultures and appeals to such a variety of predilections and tastes. It also explores areas that were left untouched, like the decolonization of the Arabian Nights, and its archaeologies. Unique in its excavation into inroads of perception and reception, Muhsin J. al-Musawi's book unearths means of connection with common publics and learned societies. Al-Musawi shows, as never before, how the Arabian Nights has been translated, appropriated, and authenticated or abused over time, and how its reach is so expansive as to draw the attention of poets, painters, illustrators, translators, editors, musicians, political scientists like Leo Strauss, and novelists like Michel Butor, James Joyce and Marcel Proust amongst others. Making use of documentaries, films, paintings, novels and novellas, poetry, digital forums and political jargon, this book offers nuanced understanding of the perennial charm and power of this collection.
Professor Muhsin al-Musawi is a literary critic and a scholar of classical and modern Arabic literature and comparative cultural studies. He taught for over two decades at universities in the Arab world before moving to Columbia University. He is the author of twenty-eight books (including four novels) and over sixty scholarly articles. He has been the editor of the Journal of Arabic Literature (Brill Academic Publishers) since 2000.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The stories in the Thousand and One Nights, or the Arabian Nights, are familiar to many of us: from the tales of Aladdin, Sinbad the Sailor, Ali Baba and his forty thieves, to the framing story of Scheherazade telling these stories to her homicidal husband, Shahrayar. </p><p>Muḥsin Jāsim Mūsawī's<a href="https://bookshop.org/a/12343/9781108465557"> <em>The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry</em></a> (Cambridge UP, 2021) offers a rich and wide-ranging analysis of the power of this collection of tales that penetrates so many cultures and appeals to such a variety of predilections and tastes. It also explores areas that were left untouched, like the decolonization of the Arabian Nights, and its archaeologies. Unique in its excavation into inroads of perception and reception, Muhsin J. al-Musawi's book unearths means of connection with common publics and learned societies. Al-Musawi shows, as never before, how the Arabian Nights has been translated, appropriated, and authenticated or abused over time, and how its reach is so expansive as to draw the attention of poets, painters, illustrators, translators, editors, musicians, political scientists like Leo Strauss, and novelists like Michel Butor, James Joyce and Marcel Proust amongst others. Making use of documentaries, films, paintings, novels and novellas, poetry, digital forums and political jargon, this book offers nuanced understanding of the perennial charm and power of this collection.</p><p>Professor Muhsin al-Musawi is a literary critic and a scholar of classical and modern Arabic literature and comparative cultural studies. He taught for over two decades at universities in the Arab world before moving to Columbia University. He is the author of twenty-eight books (including four novels) and over sixty scholarly articles. He has been the editor of the Journal of Arabic Literature (Brill Academic Publishers) since 2000.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3294</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[59938172-4f1c-11ee-9459-5bcbfee161ea]]></guid>
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    </item>
    <item>
      <title>Isabel Machado, "Carnival in Alabama: Marked Bodies and Invented Traditions in Mobile" (UP of Mississippi, 2023)</title>
      <description>Mobile is simultaneously a typical and unique city in the postwar United States. It was a quintessential boomtown during World War II. That prosperity was followed by a period of rapid urban decline and subsequent attempts at revitalizing (or gentrifying) its downtown area. As in many other US cities, urban renewal, integration, and other socioeconomic developments led to white flight, marginalized the African American population, and set the stage for the development of LGBTQ+ community building and subculture. Yet these usually segregated segments of society in Mobile converged once a year to create a common identity, that of a Carnival City.
Carnival in Alabama: Marked Bodies and Invented Traditions in Mobile (UP of Mississippi, 2023) looks not only at the people who participated in Mardi Gras organizations divided by race, gender, and/or sexual orientation, but also investigates the experience of “marked bodies” outside of these organizations, or people involved in Carnival through their labor or as audiences (or publics) of the spectacle. It also expands the definition of Mobile’s Carnival “tradition” beyond the official pageantry by including street maskers and laborers and neighborhood cookouts.
Using archival sources and oral history interviews to investigate and analyze the roles assigned, inaccessible to, or claimed and appropriated by straight-identified African American men and women and people who defied gender and sexuality normativity in the festivities (regardless of their racial identity), this book illuminates power dynamics through culture and ritual. By looking at Carnival as an “invented tradition” and as a semiotic system associated with discourses of power, it joins a transnational conversation about the phenomenon.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 10 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>402</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Isabel Machado</itunes:subtitle>
      <itunes:summary>Mobile is simultaneously a typical and unique city in the postwar United States. It was a quintessential boomtown during World War II. That prosperity was followed by a period of rapid urban decline and subsequent attempts at revitalizing (or gentrifying) its downtown area. As in many other US cities, urban renewal, integration, and other socioeconomic developments led to white flight, marginalized the African American population, and set the stage for the development of LGBTQ+ community building and subculture. Yet these usually segregated segments of society in Mobile converged once a year to create a common identity, that of a Carnival City.
Carnival in Alabama: Marked Bodies and Invented Traditions in Mobile (UP of Mississippi, 2023) looks not only at the people who participated in Mardi Gras organizations divided by race, gender, and/or sexual orientation, but also investigates the experience of “marked bodies” outside of these organizations, or people involved in Carnival through their labor or as audiences (or publics) of the spectacle. It also expands the definition of Mobile’s Carnival “tradition” beyond the official pageantry by including street maskers and laborers and neighborhood cookouts.
Using archival sources and oral history interviews to investigate and analyze the roles assigned, inaccessible to, or claimed and appropriated by straight-identified African American men and women and people who defied gender and sexuality normativity in the festivities (regardless of their racial identity), this book illuminates power dynamics through culture and ritual. By looking at Carnival as an “invented tradition” and as a semiotic system associated with discourses of power, it joins a transnational conversation about the phenomenon.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mobile is simultaneously a typical and unique city in the postwar United States. It was a quintessential boomtown during World War II. That prosperity was followed by a period of rapid urban decline and subsequent attempts at revitalizing (or gentrifying) its downtown area. As in many other US cities, urban renewal, integration, and other socioeconomic developments led to white flight, marginalized the African American population, and set the stage for the development of LGBTQ+ community building and subculture. Yet these usually segregated segments of society in Mobile converged once a year to create a common identity, that of a Carnival City.</p><p><a href="https://www.upress.state.ms.us/Books/C/Carnival-in-Alabama"><em>Carnival in Alabama: Marked Bodies and Invented Traditions in Mobile</em></a><em> </em>(UP of Mississippi, 2023) looks not only at the people who participated in Mardi Gras organizations divided by race, gender, and/or sexual orientation, but also investigates the experience of “marked bodies” outside of these organizations, or people involved in Carnival through their labor or as audiences (or publics) of the spectacle. It also expands the definition of Mobile’s Carnival “tradition” beyond the official pageantry by including street maskers and laborers and neighborhood cookouts.</p><p>Using archival sources and oral history interviews to investigate and analyze the roles assigned, inaccessible to, or claimed and appropriated by straight-identified African American men and women and people who defied gender and sexuality normativity in the festivities (regardless of their racial identity), this book illuminates power dynamics through culture and ritual. By looking at Carnival as an “invented tradition” and as a semiotic system associated with discourses of power, it joins a transnational conversation about the phenomenon.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
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      <itunes:duration>4283</itunes:duration>
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    <item>
      <title>Chris Yogerst, "The Warner Brothers" (UP of Kentucky, 2023)</title>
      <description>One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.
In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it.
Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.
Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Yogerst</itunes:subtitle>
      <itunes:summary>One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.
In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it.
Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.
Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.</p><p>In<a href="https://bookshop.org/a/12343/9780813198019"> <em>The Warner Brothers</em></a> (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it.</p><p>Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, <em>The Warner Brothers</em> is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.</p><p><strong>Chris Yogerst</strong> is the author of <em>Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures</em> and <em>From the Headlines to Hollywood: The Birth and Boom of Warner Bros</em>. He appeared on the <a href="https://newbooksnetwork.com/chris-yogerst-hollywood-hates-hitler-jew-bating-anti-nazism-and-the-senate-investigation-into-warmongering-in-motion-pictures-u-mississippi-2020#entry:31705@1:url">New Books Network</a> to discuss the book in 2020. His work has appeared in the <em>Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television</em>, and the <em>Hollywood Reporter</em>. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4056</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Andrew Chan, "Why Mariah Carey Matters" (U Texas Press, 2023)</title>
      <description>Why Mariah Carey Matters (University of Texas Press, 2023) examines the creative and complicated evolution of the musical artist. In the 1990s, Carey perfected blending pop, hip-hop, and R&amp;B and drew from her turbulent personal life to create introspective, sonically sound masterpieces like “Vision of Love,” “Make it Happen,” and “Butterfly.” There is no doubt about Carey’s star power, as she has sold over 220 million albums globally and has the most Billboard chart-topping singles of any solo artist. Although a pioneering songwriter and producer, Carey’s musicianship and influence are still insufficiently appreciated.
Andrew Chan looks beyond Carey’s glamorous persona to explore her experience as a biracial Black woman in the music business, her adventurous forays into house music and gospel, and her appeal to multiple generations of queer audiences. He also reckons with the transcendent ideal of the voice that Carey represents, showing how this international icon taught artists worldwide to sing with soul-shaking intensity and a spirit of innovation.
Andrew Chan writes regularly about music, film, and books. His work has been published by the Criterion Collection, Film Comment, NPR, the New Yorker, and Reverse Shot.
Latoya Johnson is an editor, writer, and bibliophile with a master’s in Humanities. Her research and writing interests include popular culture, the public history of women’s fiction, and women in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 05 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>200</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew Chan</itunes:subtitle>
      <itunes:summary>Why Mariah Carey Matters (University of Texas Press, 2023) examines the creative and complicated evolution of the musical artist. In the 1990s, Carey perfected blending pop, hip-hop, and R&amp;B and drew from her turbulent personal life to create introspective, sonically sound masterpieces like “Vision of Love,” “Make it Happen,” and “Butterfly.” There is no doubt about Carey’s star power, as she has sold over 220 million albums globally and has the most Billboard chart-topping singles of any solo artist. Although a pioneering songwriter and producer, Carey’s musicianship and influence are still insufficiently appreciated.
Andrew Chan looks beyond Carey’s glamorous persona to explore her experience as a biracial Black woman in the music business, her adventurous forays into house music and gospel, and her appeal to multiple generations of queer audiences. He also reckons with the transcendent ideal of the voice that Carey represents, showing how this international icon taught artists worldwide to sing with soul-shaking intensity and a spirit of innovation.
Andrew Chan writes regularly about music, film, and books. His work has been published by the Criterion Collection, Film Comment, NPR, the New Yorker, and Reverse Shot.
Latoya Johnson is an editor, writer, and bibliophile with a master’s in Humanities. Her research and writing interests include popular culture, the public history of women’s fiction, and women in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781477325070"><em>Why Mariah Carey Matters</em></a> (University of Texas Press, 2023) examines the creative and complicated evolution of the musical artist. In the 1990s, Carey perfected blending pop, hip-hop, and R&amp;B and drew from her turbulent personal life to create introspective, sonically sound masterpieces like “Vision of Love,” “Make it Happen,” and “Butterfly.” There is no doubt about Carey’s star power, as she has sold over 220 million albums globally and has the most Billboard chart-topping singles of any solo artist. Although a pioneering songwriter and producer, Carey’s musicianship and influence are still insufficiently appreciated.</p><p>Andrew Chan looks beyond Carey’s glamorous persona to explore her experience as a biracial Black woman in the music business, her adventurous forays into house music and gospel, and her appeal to multiple generations of queer audiences. He also reckons with the transcendent ideal of the voice that Carey represents, showing how this international icon taught artists worldwide to sing with soul-shaking intensity and a spirit of innovation.</p><p>Andrew Chan writes regularly about music, film, and books. His work has been published by the Criterion Collection, Film Comment, NPR, the New Yorker, and Reverse Shot.</p><p><em>Latoya Johnson is an editor, writer, and bibliophile with a master’s in Humanities. Her research and writing interests include popular culture, the public history of women’s fiction, and women in Greco-Roman mythology.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3633</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR6786035607.mp3?updated=1693737003" length="0" type="audio/mpeg"/>
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      <title>Heike Bauer et al., "Jewish Women in Comics: Bodies and Borders" (Syracuse UP, 2022)</title>
      <description>In Jewish Women in Comics: Bodies and Borders (Syracuse UP, 2022), contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experiences in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume features established figures including Emil Ferris, Amy Kurzweil, Miriam Libicki, Trina Robbins, Sharon Rudahl, and Ilana Zeffren, alongside works by artists translated for the first time into English, such as artist Rona Mor. Exploring topics of family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, Haredi and Orthodox family life, and the lingering impact of the Holocaust, the contributors present unique, at times intensely personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 02 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>433</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Jewish Women in Comics: Bodies and Borders (Syracuse UP, 2022), contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experiences in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume features established figures including Emil Ferris, Amy Kurzweil, Miriam Libicki, Trina Robbins, Sharon Rudahl, and Ilana Zeffren, alongside works by artists translated for the first time into English, such as artist Rona Mor. Exploring topics of family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, Haredi and Orthodox family life, and the lingering impact of the Holocaust, the contributors present unique, at times intensely personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780815637813"><em>Jewish Women in Comics: Bodies and Borders</em></a> (Syracuse UP, 2022), contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experiences in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume features established figures including Emil Ferris, Amy Kurzweil, Miriam Libicki, Trina Robbins, Sharon Rudahl, and Ilana Zeffren, alongside works by artists translated for the first time into English, such as artist Rona Mor. Exploring topics of family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, Haredi and Orthodox family life, and the lingering impact of the Holocaust, the contributors present unique, at times intensely personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences.</p><p><a href="https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html"><em>Nathan Abrams</em></a><em> is a professor of film at Bangor University in Wales. </em><a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029"><em>His most recent work</em></a><em> is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3334</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR3837357689.mp3?updated=1693588393" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Brackett, "Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness" (Duke UP, 2023)</title>
      <description>The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead’s reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group’s long and colorful career. 
In Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness (Duke UP, 2023), musicologist John Brackett examines how live recordings—from the group’s official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick’s Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound.
John Brackett is Instructor of Music at Vance-Granville Community College, the author of John Zorn: Tradition and Transgression and a coeditor of The Routledge Companion to Popular Music Analysis: Expanding Approaches.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 30 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Brackett</itunes:subtitle>
      <itunes:summary>The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead’s reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group’s long and colorful career. 
In Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness (Duke UP, 2023), musicologist John Brackett examines how live recordings—from the group’s official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick’s Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound.
John Brackett is Instructor of Music at Vance-Granville Community College, the author of John Zorn: Tradition and Transgression and a coeditor of The Routledge Companion to Popular Music Analysis: Expanding Approaches.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead’s reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group’s long and colorful career. </p><p>In <a href="https://bookshop.org/a/12343/9781478025481"><em>Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness</em></a><em> </em>(Duke UP, 2023), musicologist John Brackett examines how live recordings—from the group’s official releases to fan-produced tapes, bootlegs to “Betty Boards,” and <em>Dick’s Picks</em> to <em>From the Vault</em>—have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, <em>Live Dead</em> details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound.</p><p>John Brackett is Instructor of Music at Vance-Granville Community College, the author of <em>John Zorn: Tradition and Transgression</em> and a coeditor of<em> The Routledge Companion to Popular Music Analysis: Expanding Approaches.</em></p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4001</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/NSR4129491935.mp3?updated=1693332987" length="0" type="audio/mpeg"/>
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    <item>
      <title>Chuyun Oh, "K-pop Dance: Fandoming Yourself on Social Media" (Routledge, 2022)</title>
      <description>K-pop Dance: Fandoming Yourself on Social Media (Routledge, 2022) is about K-pop dance and the evolution and presence of its dance fandom on social media.
Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called ‘gestural point choreography’ – front-driven, two-dimensional, decorative and charming movements of the upper body and face – as an example of what the author theorizes as ‘social media dance.’ It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually ‘fandoming’ themselves and their bodies.
Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance.
Chuyun Oh is an Assistant Professor of Dance at San Diego State University. As a Fulbright scholar and former professional dancer, she studies racial and gender identities in performance. She is a co-author of Candlelight Movement, Democracy and Communication in Korea (Routledge 2021).
Leslie Hickman is a translator and writer who earned her MA in Korean Studies from Yonsei University. On Twitter.
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      <pubDate>Mon, 28 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chuyun Oh</itunes:subtitle>
      <itunes:summary>K-pop Dance: Fandoming Yourself on Social Media (Routledge, 2022) is about K-pop dance and the evolution and presence of its dance fandom on social media.
Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called ‘gestural point choreography’ – front-driven, two-dimensional, decorative and charming movements of the upper body and face – as an example of what the author theorizes as ‘social media dance.’ It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually ‘fandoming’ themselves and their bodies.
Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance.
Chuyun Oh is an Assistant Professor of Dance at San Diego State University. As a Fulbright scholar and former professional dancer, she studies racial and gender identities in performance. She is a co-author of Candlelight Movement, Democracy and Communication in Korea (Routledge 2021).
Leslie Hickman is a translator and writer who earned her MA in Korean Studies from Yonsei University. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032079394"><em>K-pop Dance: Fandoming Yourself on Social Media</em></a> (Routledge, 2022) is about K-pop dance and the evolution and presence of its dance fandom on social media.</p><p>Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called ‘gestural point choreography’ – front-driven, two-dimensional, decorative and charming movements of the upper body and face – as an example of what the author theorizes as ‘social media dance.’ It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually ‘fandoming’ themselves and their bodies.</p><p>Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance.</p><p>Chuyun Oh is an Assistant Professor of Dance at San Diego State University. As a Fulbright scholar and former professional dancer, she studies racial and gender identities in performance. She is a co-author of <em>Candlelight Movement, Democracy and Communication in Korea</em> (Routledge 2021).</p><p><a href="https://lesliehickman9.blogspot.com/"><em>Leslie Hickman</em></a><em> is a translator and writer who earned her MA in Korean Studies from Yonsei University. On </em><a href="https://twitter.com/AJuseyo"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2289</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Vanessa I. Corredera, "Reanimating Shakespeare's Othello in Post-Racial America" (Edinburgh UP, 2022)</title>
      <description>Vanessa I. Corredera’s book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera’s analysis ranges from the sketch comedy Key &amp; Peele to Keith Hamilton Cobb’s play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare’s play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera’s book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare’s Othello in Post-Racial America, creators like Serial’s Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago.
Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera’s scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award.
During the conversation, Vanessa discusses Brandi K. Adams’s article “Black ‘(un)bookishness’ in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb’s American Moor (Methuen, 2020), Carol Anderson’s White Rage (Bloomsbury, 2016), Kim Hall’s edition of Othello (Bedford/St. Martin’s, 2006), Imani Perry’s Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele’s Get Out (2017), and Eduardo Bonilla-Silva’s Racism Without Racists (Rowman &amp; Littlefield Publishers, 2003).
John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 27 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vanessa I. Corredera</itunes:subtitle>
      <itunes:summary>Vanessa I. Corredera’s book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera’s analysis ranges from the sketch comedy Key &amp; Peele to Keith Hamilton Cobb’s play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare’s play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera’s book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare’s Othello in Post-Racial America, creators like Serial’s Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago.
Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera’s scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award.
During the conversation, Vanessa discusses Brandi K. Adams’s article “Black ‘(un)bookishness’ in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb’s American Moor (Methuen, 2020), Carol Anderson’s White Rage (Bloomsbury, 2016), Kim Hall’s edition of Othello (Bedford/St. Martin’s, 2006), Imani Perry’s Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele’s Get Out (2017), and Eduardo Bonilla-Silva’s Racism Without Racists (Rowman &amp; Littlefield Publishers, 2003).
John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Vanessa I. Corredera’s book <a href="https://bookshop.org/a/12343/9781474487290"><em>Reanimating Shakespeare's Othello in Post-Racial America</em></a> (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera’s analysis ranges from the sketch comedy <em>Key &amp; Peele</em> to Keith Hamilton Cobb’s play <em>American Moor</em>, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare’s play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera’s book helps us to understand this recent moment in U.S. history. At times, to quote <em>Reanimating Shakespeare’s Othello in Post-Racial America</em>, creators like <em>Serial</em>’s Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago.</p><p>Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera’s scholarship has appeared in <em>Literature Compass</em>, <em>Borrowers and Lenders</em>, <em>Shakespeare Quarterly</em>, and <em>The Routledge Handbook to Shakespeare and Global Appropriation</em>. Corredera also just published <em>Shakespeare and Cultural Appropriation</em>, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award.</p><p>During the conversation, Vanessa discusses Brandi K. Adams’s article “Black ‘(un)bookishness’ in <em>Othello </em>and <em>American Moor</em>: A Meditation” (<em>Shakespeare</em>, 2021), Keith Hamilton Cobb’s <em>American Moor</em> (Methuen, 2020), Carol Anderson’s <em>White Rage</em> (Bloomsbury, 2016), Kim Hall’s edition of <em>Othello </em>(Bedford/St. Martin’s, 2006), Imani Perry’s <em>Prophets of the Hood: Politics and Poetics in Hip Hop</em> (Duke University Press, 2004), Jordan Peele’s <em>Get Out</em> (2017), and Eduardo Bonilla-Silva’s <em>Racism Without Racists</em> (Rowman &amp; Littlefield Publishers, 2003).</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the </em><a href="https://muse.jhu.edu/article/786734"><em>Journal for Early Modern Culture Studies</em></a><em>, Early Theatre, Studies in Philology, and Shakespeare Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6637</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Chesya Burke, "Hero Me Not: The Containment of the Most Powerful Black, Female Superhero" (Rutgers UP, 2023)</title>
      <description>First introduced in the pages of X-Men, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure.
Hero Me Not: The Containment of the Most Powerful Black, Female Superhero (Rutgers UP, 2023) offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman.
With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you.
Katrina Anderson is a doctoral candidate at the University of Delaware.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 25 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>394</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chesya Burke</itunes:subtitle>
      <itunes:summary>First introduced in the pages of X-Men, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure.
Hero Me Not: The Containment of the Most Powerful Black, Female Superhero (Rutgers UP, 2023) offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman.
With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you.
Katrina Anderson is a doctoral candidate at the University of Delaware.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>First introduced in the pages of <em>X-Men</em>, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure.</p><p><a href="https://bookshop.org/a/12343/9781978821057"><em>Hero Me Not: The Containment of the Most Powerful Black, Female Superhero</em></a> (Rutgers UP, 2023) offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman.</p><p>With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you.</p><p><em>Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3476</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>PostScript: The Barbie Movie: A Conversation about a Cinematic and Cultural Event</title>
      <description>Today’s episode of POSTSCRIPT explores and examines director Greta Gerwig’s film, Barbie. This Warner Brothers’ movie has been in theaters for under a month but has crossed the $1 billion dollar mark during that time, breaking all kinds of box office records and making Gerwig the first solo female director to enter this rarified realm. Barbie is now Warner Brothers’ most successful film, surpassing Christopher Nolan’s The Dark Knight, which had held that position at Warner Brothers. Barbie has hit a kind of cultural and cinematic sweet spot—with a marketing campaign around the movie establishing pink as the new black, bringing in Barbie-connected products across almost all consumer platforms, from Barbie-themed furniture to holiday home rentals, from lunchboxes and tee-shirts to new Mattel Barbies reflecting characters in the film. Barbie has also received positive reviews in the United States and globally, with audience members attending the film in pink clothing and accessories, often accompanied by friends and family members. Thus, Barbie is more than a summer tent-pole release, though it certainly has fulfilled that particular role. Barbie is more of an event—driving theater attendance, conversations, and in-person community experiences.
In this episode, I am joined by four scholars and experts to discuss “all things Barbie” as we examine the narrative of the film itself, the questions of gender and feminism, patriarchy, and sexuality. We also dive into the marketing campaign, the tensions between capitalism, neoliberalism, postfeminism, and an original intellectual property based on a consumer product. Dr. Linda Beail (Point Loma Nazarene University), Dr. Shuchi Kapila (Grinnell College), Dr. Danielle Hanley (Clark University), and Dr. Susan Liebell (St. Joseph University and co-host of the New Books in Political Science podcast) take up all these dimensions of this brightly colored film as we explore our thinking about this movie event that has landed in the post-Covid landscape of 2023.
We all found the experience of seeing Barbie, in a movie theater, to be one filled with joy and fun, for ourselves, and among those in the theater with us. Join in our conversation about Barbie, since this is both a delightful cinematic experience and a film with something to say to its audience and the world around us.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Linda Beail, Danielle Hanley, Shuchi Kapila, and Susan Liebell</itunes:subtitle>
      <itunes:summary>Today’s episode of POSTSCRIPT explores and examines director Greta Gerwig’s film, Barbie. This Warner Brothers’ movie has been in theaters for under a month but has crossed the $1 billion dollar mark during that time, breaking all kinds of box office records and making Gerwig the first solo female director to enter this rarified realm. Barbie is now Warner Brothers’ most successful film, surpassing Christopher Nolan’s The Dark Knight, which had held that position at Warner Brothers. Barbie has hit a kind of cultural and cinematic sweet spot—with a marketing campaign around the movie establishing pink as the new black, bringing in Barbie-connected products across almost all consumer platforms, from Barbie-themed furniture to holiday home rentals, from lunchboxes and tee-shirts to new Mattel Barbies reflecting characters in the film. Barbie has also received positive reviews in the United States and globally, with audience members attending the film in pink clothing and accessories, often accompanied by friends and family members. Thus, Barbie is more than a summer tent-pole release, though it certainly has fulfilled that particular role. Barbie is more of an event—driving theater attendance, conversations, and in-person community experiences.
In this episode, I am joined by four scholars and experts to discuss “all things Barbie” as we examine the narrative of the film itself, the questions of gender and feminism, patriarchy, and sexuality. We also dive into the marketing campaign, the tensions between capitalism, neoliberalism, postfeminism, and an original intellectual property based on a consumer product. Dr. Linda Beail (Point Loma Nazarene University), Dr. Shuchi Kapila (Grinnell College), Dr. Danielle Hanley (Clark University), and Dr. Susan Liebell (St. Joseph University and co-host of the New Books in Political Science podcast) take up all these dimensions of this brightly colored film as we explore our thinking about this movie event that has landed in the post-Covid landscape of 2023.
We all found the experience of seeing Barbie, in a movie theater, to be one filled with joy and fun, for ourselves, and among those in the theater with us. Join in our conversation about Barbie, since this is both a delightful cinematic experience and a film with something to say to its audience and the world around us.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s episode of POSTSCRIPT explores and examines director Greta Gerwig’s film, <em>Barbie</em>. This Warner Brothers’ movie has been in theaters for under a month but has crossed the $1 billion dollar mark during that time, breaking all kinds of box office records and making Gerwig the first solo female director to enter this rarified realm. <em>Barbie</em> is now Warner Brothers’ most successful film, surpassing Christopher Nolan’s <em>The Dark Knight</em>, which had held that position at Warner Brothers. <em>Barbie</em> has hit a kind of cultural and cinematic sweet spot—with a marketing campaign around the movie establishing pink as the new black, bringing in Barbie-connected products across almost all consumer platforms, from Barbie-themed furniture to holiday home rentals, from lunchboxes and tee-shirts to new Mattel Barbies reflecting characters in the film. <em>Barbie</em> has also received positive reviews in the United States and globally, with audience members attending the film in pink clothing and accessories, often accompanied by friends and family members. Thus, <em>Barbie</em> is more than a summer tent-pole release, though it certainly has fulfilled that particular role. <em>Barbie</em> is more of an event—driving theater attendance, conversations, and in-person community experiences.</p><p>In this episode, I am joined by four scholars and experts to discuss “all things Barbie” as we examine the narrative of the film itself, the questions of gender and feminism, patriarchy, and sexuality. We also dive into the marketing campaign, the tensions between capitalism, neoliberalism, postfeminism, and an original intellectual property based on a consumer product. Dr. <a href="https://www.pointloma.edu/faculty/linda-beail-phd">Linda Beail</a> (Point Loma Nazarene University), Dr. <a href="https://www.grinnell.edu/user/kapilas">Shuchi Kapila</a> (Grinnell College), Dr. <a href="https://www.clarku.edu/faculty/profiles/danielle-hanley/">Danielle Hanley</a> (Clark University), and Dr. <a href="https://directory.sju.edu/susan-liebell">Susan Liebell</a> (St. Joseph University and co-host of the New Books in Political Science podcast) take up all these dimensions of this brightly colored film as we explore our thinking about this movie event that has landed in the post-Covid landscape of 2023.</p><p>We all found the experience of seeing <em>Barbie</em>, in a movie theater, to be one filled with joy and fun, for ourselves, and among those in the theater with us. Join in our conversation about <em>Barbie</em>, since this is both a delightful cinematic experience and a film with something to say to its audience and the world around us.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3775</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR3843150257.mp3?updated=1692559631" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stefan Heinrich Simond, "Pixelated Madness: The Construction of Mental Illnesses and Psychiatric Institutions in Video Games" (Hülsbusch, 2023)</title>
      <description>The relationship between madness and video games has been notoriously tense. In an abundance of titles, stereotypes and stigmatisations can be found—not only regarding the mentally ill, but also psychiatry as a discipline. Sequences of electroshock therapy come to mind, mutated patients, and homicidal maniacs. But where do we go from here? And what lies beyond the criticism of how mental illnesses are portrayed in video games?
In Pixelated Madness: The Construction of Mental Illnesses and Psychiatric Institutions in Video Games (Hülsbusch, 2023), game studies scholar Stefan Heinrich Simond focuses on a small selection of contemporary video games to present detailed qualitative analyses and ultimately develop a typology of madness in video games that can serve as an instructive basis for further study. The primary goal is thereby not to criticise or evaluate but to describe, understand, and disambiguate. From common tropes such as the horror asylum and the animalised inmate to the sanity meter and subversive means of subjectification, a broad angle on madness in video games is presented.
Aside from the concrete analyses, this dissertation also presents a constructivist understanding of madness. Instead of comparing video game characters to diagnostic manuals or therapeutic means to their actual application, video games are taken for what they are: creative expressions that aim to inspire and entertain. Madness in video games is then not considered a mirror to mental illnesses in real life, but a construction in its own right. Based on the presented observations, a new angle on the status of madness in the media might be well warranted.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>208</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stefan Heinrich Simond</itunes:subtitle>
      <itunes:summary>The relationship between madness and video games has been notoriously tense. In an abundance of titles, stereotypes and stigmatisations can be found—not only regarding the mentally ill, but also psychiatry as a discipline. Sequences of electroshock therapy come to mind, mutated patients, and homicidal maniacs. But where do we go from here? And what lies beyond the criticism of how mental illnesses are portrayed in video games?
In Pixelated Madness: The Construction of Mental Illnesses and Psychiatric Institutions in Video Games (Hülsbusch, 2023), game studies scholar Stefan Heinrich Simond focuses on a small selection of contemporary video games to present detailed qualitative analyses and ultimately develop a typology of madness in video games that can serve as an instructive basis for further study. The primary goal is thereby not to criticise or evaluate but to describe, understand, and disambiguate. From common tropes such as the horror asylum and the animalised inmate to the sanity meter and subversive means of subjectification, a broad angle on madness in video games is presented.
Aside from the concrete analyses, this dissertation also presents a constructivist understanding of madness. Instead of comparing video game characters to diagnostic manuals or therapeutic means to their actual application, video games are taken for what they are: creative expressions that aim to inspire and entertain. Madness in video games is then not considered a mirror to mental illnesses in real life, but a construction in its own right. Based on the presented observations, a new angle on the status of madness in the media might be well warranted.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The relationship between madness and video games has been notoriously tense. In an abundance of titles, stereotypes and stigmatisations can be found—not only regarding the mentally ill, but also psychiatry as a discipline. Sequences of electroshock therapy come to mind, mutated patients, and homicidal maniacs. But where do we go from here? And what lies beyond the criticism of how mental illnesses are portrayed in video games?</p><p>In <a href="https://www.amazon.de/-/en/Stefan-Heinrich-Simond/dp/3864881943/"><em>Pixelated Madness: The Construction of Mental Illnesses and Psychiatric Institutions in Video Games</em></a> (Hülsbusch, 2023), game studies scholar Stefan Heinrich Simond focuses on a small selection of contemporary video games to present detailed qualitative analyses and ultimately develop a typology of madness in video games that can serve as an instructive basis for further study. The primary goal is thereby not to criticise or evaluate but to describe, understand, and disambiguate. From common tropes such as the horror asylum and the animalised inmate to the sanity meter and subversive means of subjectification, a broad angle on madness in video games is presented.</p><p>Aside from the concrete analyses, this dissertation also presents a constructivist understanding of madness. Instead of comparing video game characters to diagnostic manuals or therapeutic means to their actual application, video games are taken for what they are: creative expressions that aim to inspire and entertain. Madness in video games is then not considered a mirror to mental illnesses in real life, but a construction in its own right. Based on the presented observations, a new angle on the status of madness in the media might be well warranted.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1840</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR5470416493.mp3?updated=1692735985" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jean M. Twenge, "Generations: The Real Differences Between Gen Z, Millennials, Gen X, Boomers, and Silents—and What They Mean for America's Future" (Atria, 2023)</title>
      <description>The United States is currently home to six generations of people:

-the Silents, born 1925-1945

-Baby Boomers, born 1946-1964

-Gen X, born 1965-1979

-Millennials, born 1980-1994

-Gen Z, born 1995-2012

-and the still-to-be-named cohorts born after 2012.


They have had vastly different life experiences and thus, one assumes, they must have vastly diverging beliefs and behaviors. But what are those differences, what causes them, and how deep do they actually run?
Professor of psychology and "reigning expert on generational change" (Lisa Wade, PhD, author of American Hookup), Jean Twenge does a deep dive into a treasure trove of long-running, government-funded surveys and databases to answer these questions. Are we truly defined by major historical events, such as the Great Depression for the Silents and September 11 for Millennials? Or, as Twenge argues, is it the rapid evolution of technology that differentiates the generations?
With her clear-eyed and insightful voice, Twenge explores what the Silents and Boomers want out of the rest of their lives; how Gen X-ers are facing middle age; the ideals of Millennials as parents and in the workplace; and how Gen Z has been changed by COVID, among other fascinating topics.
Surprising, engaging, and informative, Generations: The Real Differences Between Gen Z, Millennials, Gen X, Boomers, and Silents—and What They Mean for America's Future (Atria, 2023) will forever change the way you view your parents, peers, coworkers, and children, no matter which generation you call your own.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 20 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>304</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jean M. Twenge</itunes:subtitle>
      <itunes:summary>The United States is currently home to six generations of people:

-the Silents, born 1925-1945

-Baby Boomers, born 1946-1964

-Gen X, born 1965-1979

-Millennials, born 1980-1994

-Gen Z, born 1995-2012

-and the still-to-be-named cohorts born after 2012.


They have had vastly different life experiences and thus, one assumes, they must have vastly diverging beliefs and behaviors. But what are those differences, what causes them, and how deep do they actually run?
Professor of psychology and "reigning expert on generational change" (Lisa Wade, PhD, author of American Hookup), Jean Twenge does a deep dive into a treasure trove of long-running, government-funded surveys and databases to answer these questions. Are we truly defined by major historical events, such as the Great Depression for the Silents and September 11 for Millennials? Or, as Twenge argues, is it the rapid evolution of technology that differentiates the generations?
With her clear-eyed and insightful voice, Twenge explores what the Silents and Boomers want out of the rest of their lives; how Gen X-ers are facing middle age; the ideals of Millennials as parents and in the workplace; and how Gen Z has been changed by COVID, among other fascinating topics.
Surprising, engaging, and informative, Generations: The Real Differences Between Gen Z, Millennials, Gen X, Boomers, and Silents—and What They Mean for America's Future (Atria, 2023) will forever change the way you view your parents, peers, coworkers, and children, no matter which generation you call your own.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The United States is currently home to six generations of people:</p><ul>
<li>-the Silents, born 1925-1945</li>
<li>-Baby Boomers, born 1946-1964</li>
<li>-Gen X, born 1965-1979</li>
<li>-Millennials, born 1980-1994</li>
<li>-Gen Z, born 1995-2012</li>
<li>-and the still-to-be-named cohorts born after 2012.</li>
</ul><p><br></p><p>They have had vastly different life experiences and thus, one assumes, they must have vastly diverging beliefs and behaviors. But what are those differences, what causes them, and how deep do they actually run?</p><p>Professor of psychology and "reigning expert on generational change" (Lisa Wade, PhD, author of <em>American Hookup</em>), Jean Twenge does a deep dive into a treasure trove of long-running, government-funded surveys and databases to answer these questions. Are we truly defined by major historical events, such as the Great Depression for the Silents and September 11 for Millennials? Or, as Twenge argues, is it the rapid evolution of technology that differentiates the generations?</p><p>With her clear-eyed and insightful voice, Twenge explores what the Silents and Boomers want out of the rest of their lives; how Gen X-ers are facing middle age; the ideals of Millennials as parents and in the workplace; and how Gen Z has been changed by COVID, among other fascinating topics.</p><p>Surprising, engaging, and informative, <a href="https://bookshop.org/a/12343/9781982181611"><em>Generations: The Real Differences Between Gen Z, Millennials, Gen X, Boomers, and Silents—and What They Mean for America's Future</em></a><em> </em>(Atria, 2023) will forever change the way you view your parents, peers, coworkers, and children, no matter which generation you call your own.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3750</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9df216a2-3e06-11ee-bcf0-c3ce2fca34a5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR8742381229.mp3?updated=1692391305" length="0" type="audio/mpeg"/>
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    <item>
      <title>Diane Purkiss, "English Food: A Social History of England Told Through the Food on Its Tables (William Collins, 2022)</title>
      <description>A rich and indulgent history, English Food: A Social History of England Told Through the Food on Its Tables (William Collins, 2022) by Dr. Diane Purkiss will change the way you view your food and understand your past.
Dr. Purkiss uses the story of food as a revelatory device to chart changing views on class, gender, and tradition through the ages. Sprinkled throughout with glorious details of historical quirks – trial by ordeal of bread, a fondness for ‘small beer’ and a war-time ice-cream substitute called ‘hokey pokey’ made from parsnips – this book is both an education and an entertainment.
English Food explores the development of the coffee trade and the birth of London’s coffee houses, where views were exchanged on politics, art, and literature. Dr. Purkiss introduces the first breeders of British beef and reveals how cattle triggered the terrible Glencoe Massacre. We are taken for tea, to the icehouse, the pantry, and the beehive. We learn that toast is as English as the chalk cliffs. We bite into chicken, plainly poached or exotically spiced. We join bacon curers and fishermen at work. We follow the scent of apples into ancient orchards.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 18 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Diane Purkiss</itunes:subtitle>
      <itunes:summary>A rich and indulgent history, English Food: A Social History of England Told Through the Food on Its Tables (William Collins, 2022) by Dr. Diane Purkiss will change the way you view your food and understand your past.
Dr. Purkiss uses the story of food as a revelatory device to chart changing views on class, gender, and tradition through the ages. Sprinkled throughout with glorious details of historical quirks – trial by ordeal of bread, a fondness for ‘small beer’ and a war-time ice-cream substitute called ‘hokey pokey’ made from parsnips – this book is both an education and an entertainment.
English Food explores the development of the coffee trade and the birth of London’s coffee houses, where views were exchanged on politics, art, and literature. Dr. Purkiss introduces the first breeders of British beef and reveals how cattle triggered the terrible Glencoe Massacre. We are taken for tea, to the icehouse, the pantry, and the beehive. We learn that toast is as English as the chalk cliffs. We bite into chicken, plainly poached or exotically spiced. We join bacon curers and fishermen at work. We follow the scent of apples into ancient orchards.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A rich and indulgent history, <a href="https://www.amazon.com/English-Food-Peoples-Diane-Purkiss-ebook/dp/B09XLX81V1"><em>English Food: A Social History of England Told Through the Food on Its Tables</em></a> (William Collins, 2022) by Dr. Diane Purkiss will change the way you view your food and understand your past.</p><p>Dr. Purkiss uses the story of food as a revelatory device to chart changing views on class, gender, and tradition through the ages. Sprinkled throughout with glorious details of historical quirks – trial by ordeal of bread, a fondness for ‘small beer’ and a war-time ice-cream substitute called ‘hokey pokey’ made from parsnips – this book is both an education and an entertainment.</p><p>English Food explores the development of the coffee trade and the birth of London’s coffee houses, where views were exchanged on politics, art, and literature. Dr. Purkiss introduces the first breeders of British beef and reveals how cattle triggered the terrible Glencoe Massacre. We are taken for tea, to the icehouse, the pantry, and the beehive. We learn that toast is as English as the chalk cliffs. We bite into chicken, plainly poached or exotically spiced. We join bacon curers and fishermen at work. We follow the scent of apples into ancient orchards.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3871</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d9c6d56a-3d15-11ee-8694-0f26de5f95de]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR6283538873.mp3?updated=1692287921" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ramzi Fawaz, "The New Mutants: Superheroes and the Radical Imagination of American Comics" (NYU Press, 2016)</title>
      <description>Today’s guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi’s recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott.
A bit about the book: 
n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes.
In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.
John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ramzi Fawaz</itunes:subtitle>
      <itunes:summary>Today’s guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi’s recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott.
A bit about the book: 
n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes.
In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.
John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, <em>The New Mutants: Superheroes and the Radical Imagination of American Comics </em>is his first book. In 2022, Ramzi published <em>Queer Forms</em>, for which he was <a href="https://newbooksnetwork.com/queer-forms#entry:188212@1:url">interviewed by Lilly Goren</a> for the New Books in Political Science channel. He is also the co-editor of <em>Keywords for Comics Studies</em>, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi’s recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in <em>Social Text</em>; and wrote the introduction to “Queer About Comics,” a special issue of <em>American Literature</em>, with Darieck Scott.</p><p>A bit about the book: </p><p>n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes.</p><p>In <a href="https://bookshop.org/a/12343/9781479823086"><em>The New Mutants: Superheroes and the Radical Imagination of American Comics</em></a> (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the </em><a href="https://muse.jhu.edu/article/786734"><em>Journal for Early Modern Culture Studies</em></a><em>, Early Theatre, Studies in Philology, and Shakespeare Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5203</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e3dfcf74-3c4e-11ee-ab6c-f336c1023476]]></guid>
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    </item>
    <item>
      <title>Jieun Kiaer, "Emoji Speak: Communication and Behaviours on Social Media" (Bloomsbury, 2023)</title>
      <description>Emoji Speak: Communication and Behaviours on Social Media (Bloomsbury, 2023) by Dr. Jieun Kiaer provides an in-depth discussion of emoji use in a global context, this volume presents the use of emoji as a hugely important facet of computer-mediated communication, leading Dr. Kiaer to coin the term 'emoji speak'.
Exploring why and how emojis are born, and the different ways in which people use them, this book highlights the diversity of emoji speak. Presenting the results of empirical investigations with participants of British, Belgian, Chinese, French, Japanese, Jordanian, Korean, Singaporean, and Spanish backgrounds, it raises important questions around the complexity of emoji use.
Though emojis have become ubiquitous, their interpretation can be more challenging. What is humorous in one region, for example, might be considered inappropriate or insulting in another. Whilst emoji use can speed up our communication, we might also question whether they convey our emotions sufficiently. Moreover, far from belonging to the youth, people of all ages now use emoji speak, prompting Kiaer to consider the future of our communication in an increasingly digital world.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jieun Kiaer</itunes:subtitle>
      <itunes:summary>Emoji Speak: Communication and Behaviours on Social Media (Bloomsbury, 2023) by Dr. Jieun Kiaer provides an in-depth discussion of emoji use in a global context, this volume presents the use of emoji as a hugely important facet of computer-mediated communication, leading Dr. Kiaer to coin the term 'emoji speak'.
Exploring why and how emojis are born, and the different ways in which people use them, this book highlights the diversity of emoji speak. Presenting the results of empirical investigations with participants of British, Belgian, Chinese, French, Japanese, Jordanian, Korean, Singaporean, and Spanish backgrounds, it raises important questions around the complexity of emoji use.
Though emojis have become ubiquitous, their interpretation can be more challenging. What is humorous in one region, for example, might be considered inappropriate or insulting in another. Whilst emoji use can speed up our communication, we might also question whether they convey our emotions sufficiently. Moreover, far from belonging to the youth, people of all ages now use emoji speak, prompting Kiaer to consider the future of our communication in an increasingly digital world.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350135116"><em>Emoji Speak: Communication and Behaviours on Social Media</em></a> (Bloomsbury, 2023) by Dr. Jieun Kiaer provides an in-depth discussion of emoji use in a global context, this volume presents the use of emoji as a hugely important facet of computer-mediated communication, leading Dr. Kiaer to coin the term 'emoji speak'.</p><p>Exploring why and how emojis are born, and the different ways in which people use them, this book highlights the diversity of emoji speak. Presenting the results of empirical investigations with participants of British, Belgian, Chinese, French, Japanese, Jordanian, Korean, Singaporean, and Spanish backgrounds, it raises important questions around the complexity of emoji use.</p><p>Though emojis have become ubiquitous, their interpretation can be more challenging. What is humorous in one region, for example, might be considered inappropriate or insulting in another. Whilst emoji use can speed up our communication, we might also question whether they convey our emotions sufficiently. Moreover, far from belonging to the youth, people of all ages now use emoji speak, prompting Kiaer to consider the future of our communication in an increasingly digital world.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2517</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR2721264178.mp3?updated=1692044663" length="0" type="audio/mpeg"/>
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    <item>
      <title>David Humphrey, "The Time of Laughter: Comedy and the Media Cultures of Japan" (U Michigan Press, 2023)</title>
      <description>David Humphrey’s The Time of Laughter: Comedy and the Media Cultures of Japan (U Michigan Press, 2023) examines the roles of mediated laughter in the media and cultural history of postwar Japan, with a strong focus on the temporality of laughter. As the book shows, comedy has been central to Japanese entertainment from the age of television to the age of social media, identifying the 1980s as a transformative decade. Humphrey’s narrative is particularly attentive to the ambivalent functions of laughter as both unifier and divider. Here, his attention to the gendering of laughter is particularly illuminating. The Time of Laughter is a welcome academic intervention to a critical but, at least in the English-language literature, largely overlooked aspect of the history and culture of Japan over the past seven decades.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 15 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Humphrey</itunes:subtitle>
      <itunes:summary>David Humphrey’s The Time of Laughter: Comedy and the Media Cultures of Japan (U Michigan Press, 2023) examines the roles of mediated laughter in the media and cultural history of postwar Japan, with a strong focus on the temporality of laughter. As the book shows, comedy has been central to Japanese entertainment from the age of television to the age of social media, identifying the 1980s as a transformative decade. Humphrey’s narrative is particularly attentive to the ambivalent functions of laughter as both unifier and divider. Here, his attention to the gendering of laughter is particularly illuminating. The Time of Laughter is a welcome academic intervention to a critical but, at least in the English-language literature, largely overlooked aspect of the history and culture of Japan over the past seven decades.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>David Humphrey’s <a href="https://bookshop.org/a/12343/9780472056187"><em>The Time of Laughter: Comedy and the Media Cultures of Japan</em></a> (U Michigan Press, 2023) examines the roles of mediated laughter in the media and cultural history of postwar Japan, with a strong focus on the temporality of laughter. As the book shows, comedy has been central to Japanese entertainment from the age of television to the age of social media, identifying the 1980s as a transformative decade. Humphrey’s narrative is particularly attentive to the ambivalent functions of laughter as both unifier and divider. Here, his attention to the gendering of laughter is particularly illuminating. <em>The Time of Laughter</em> is a welcome academic intervention to a critical but, at least in the English-language literature, largely overlooked aspect of the history and culture of Japan over the past seven decades.</p><p><a href="https://www.uib.no/en/persons/Nathan.Edwin.Hopson"><em>Nathan Hopson</em></a><em> is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4352</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76b21778-3ad6-11ee-a47c-63aaa7cb953b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR9803095775.mp3?updated=1692040794" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Codename Revolution: The Nintendo Wii Platform</title>
      <description>The Nintendo Wii, introduced in 2006, helped usher in a moment of retro-reinvention in video game play. This hugely popular console system, codenamed Revolution during development, signaled a turn away from fully immersive, time-consuming MMORPGs or forty-hour FPS games and back toward family fun in the living room. Players using the wireless motion-sensitive controller (the Wii Remote, or “Wiimote”) play with their whole bodies, waving, swinging, swaying. The mimetic interface shifts attention from what's on the screen to what's happening in physical space. Codename Revolution describes the Wii's impact in technological, social, and cultural terms, examining the Wii as a system of interrelated hardware and software that was consciously designed to promote social play in physical space.
Each chapter of Codename Revolution focuses on a major component of the Wii as a platform: the console itself, designed to be low-powered and nimble; the iconic Wii Remote; Wii Fit Plus, and its controller, the Wii Balance Board; the Wii Channels interface and Nintendo's distribution system; and the Wii as a social platform that not only affords multiplayer options but also encourages social interaction in shared physical space. Finally, the authors connect the Wii's revolution in mimetic interface gaming—which eventually led to the release of Sony's Move and Microsoft's Kinect—to some of the economic and technological conditions that influence the possibility of making something new in this arena of computing and culture.
Steven E. Jones is Professor of English at Loyola University Chicago.
George K. Thiruvathukal is Professor of Computer Science at Loyola University Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 15 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven E. Jones and George K. Thiruvathukal</itunes:subtitle>
      <itunes:summary>The Nintendo Wii, introduced in 2006, helped usher in a moment of retro-reinvention in video game play. This hugely popular console system, codenamed Revolution during development, signaled a turn away from fully immersive, time-consuming MMORPGs or forty-hour FPS games and back toward family fun in the living room. Players using the wireless motion-sensitive controller (the Wii Remote, or “Wiimote”) play with their whole bodies, waving, swinging, swaying. The mimetic interface shifts attention from what's on the screen to what's happening in physical space. Codename Revolution describes the Wii's impact in technological, social, and cultural terms, examining the Wii as a system of interrelated hardware and software that was consciously designed to promote social play in physical space.
Each chapter of Codename Revolution focuses on a major component of the Wii as a platform: the console itself, designed to be low-powered and nimble; the iconic Wii Remote; Wii Fit Plus, and its controller, the Wii Balance Board; the Wii Channels interface and Nintendo's distribution system; and the Wii as a social platform that not only affords multiplayer options but also encourages social interaction in shared physical space. Finally, the authors connect the Wii's revolution in mimetic interface gaming—which eventually led to the release of Sony's Move and Microsoft's Kinect—to some of the economic and technological conditions that influence the possibility of making something new in this arena of computing and culture.
Steven E. Jones is Professor of English at Loyola University Chicago.
George K. Thiruvathukal is Professor of Computer Science at Loyola University Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Nintendo Wii, introduced in 2006, helped usher in a moment of retro-reinvention in video game play. This hugely popular console system, codenamed Revolution during development, signaled a turn away from fully immersive, time-consuming MMORPGs or forty-hour FPS games and back toward family fun in the living room. Players using the wireless motion-sensitive controller (the Wii Remote, or “Wiimote”) play with their whole bodies, waving, swinging, swaying. The mimetic interface shifts attention from what's on the screen to what's happening in physical space. <a href="https://mitpress.mit.edu/9780262016803/codename-revolution/">Codename Revolution</a> describes the Wii's impact in technological, social, and cultural terms, examining the Wii as a system of interrelated hardware and software that was consciously designed to promote social play in physical space.</p><p>Each chapter of Codename Revolution focuses on a major component of the Wii as a platform: the console itself, designed to be low-powered and nimble; the iconic Wii Remote; Wii Fit Plus, and its controller, the Wii Balance Board; the Wii Channels interface and Nintendo's distribution system; and the Wii as a social platform that not only affords multiplayer options but also encourages social interaction in shared physical space. Finally, the authors connect the Wii's revolution in mimetic interface gaming—which eventually led to the release of Sony's Move and Microsoft's Kinect—to some of the economic and technological conditions that influence the possibility of making something new in this arena of computing and culture.</p><p>Steven E. Jones is Professor of English at Loyola University Chicago.</p><p>George K. Thiruvathukal is Professor of Computer Science at Loyola University Chicago.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1233</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>The Future Was Here: The Commodore Amiga</title>
      <description>Long ago, in 1985, personal computers came in two general categories: the friendly, childish game machine used for fun (exemplified by Atari and Commodore products); and the boring, beige adult box used for business (exemplified by products from IBM). The game machines became fascinating technical and artistic platforms that were of limited real-world utility. The IBM products were all utility, with little emphasis on aesthetics and no emphasis on fun. Into this bifurcated computing environment came the Commodore Amiga 1000. This personal computer featured a palette of 4,096 colors, unprecedented animation capabilities, four-channel stereo sound, the capacity to run multiple applications simultaneously, a graphical user interface, and powerful processing potential. It was, Jimmy Maher writes in The Future Was Here, the world's first true multimedia personal computer.
Maher argues that the Amiga's capacity to store and display color photographs, manipulate video (giving amateurs access to professional tools), and use recordings of real-world sound were the seeds of the digital media future: digital cameras, Photoshop, MP3 players, and even YouTube, Flickr, and the blogosphere. He examines different facets of the platform--from Deluxe Paint to AmigaOS to Cinemaware--in each chapter, creating a portrait of the platform and the communities of practice that surrounded it. Of course, Maher acknowledges, the Amiga was not perfect: the DOS component of the operating systems was clunky and ill-matched, for example, and crashes often accompanied multitasking attempts. And Commodore went bankrupt in 1994. But for a few years, the Amiga's technical qualities were harnessed by engineers, programmers, artists, and others to push back boundaries and transform the culture of computing.
Jimmy Maher is an independent scholar and writer living in Norway.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 Aug 2023 18:30:49 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jimmy Maher</itunes:subtitle>
      <itunes:summary>Long ago, in 1985, personal computers came in two general categories: the friendly, childish game machine used for fun (exemplified by Atari and Commodore products); and the boring, beige adult box used for business (exemplified by products from IBM). The game machines became fascinating technical and artistic platforms that were of limited real-world utility. The IBM products were all utility, with little emphasis on aesthetics and no emphasis on fun. Into this bifurcated computing environment came the Commodore Amiga 1000. This personal computer featured a palette of 4,096 colors, unprecedented animation capabilities, four-channel stereo sound, the capacity to run multiple applications simultaneously, a graphical user interface, and powerful processing potential. It was, Jimmy Maher writes in The Future Was Here, the world's first true multimedia personal computer.
Maher argues that the Amiga's capacity to store and display color photographs, manipulate video (giving amateurs access to professional tools), and use recordings of real-world sound were the seeds of the digital media future: digital cameras, Photoshop, MP3 players, and even YouTube, Flickr, and the blogosphere. He examines different facets of the platform--from Deluxe Paint to AmigaOS to Cinemaware--in each chapter, creating a portrait of the platform and the communities of practice that surrounded it. Of course, Maher acknowledges, the Amiga was not perfect: the DOS component of the operating systems was clunky and ill-matched, for example, and crashes often accompanied multitasking attempts. And Commodore went bankrupt in 1994. But for a few years, the Amiga's technical qualities were harnessed by engineers, programmers, artists, and others to push back boundaries and transform the culture of computing.
Jimmy Maher is an independent scholar and writer living in Norway.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Long ago, in 1985, personal computers came in two general categories: the friendly, childish game machine used for fun (exemplified by Atari and Commodore products); and the boring, beige adult box used for business (exemplified by products from IBM). The game machines became fascinating technical and artistic platforms that were of limited real-world utility. The IBM products were all utility, with little emphasis on aesthetics and no emphasis on fun. Into this bifurcated computing environment came the Commodore Amiga 1000. This personal computer featured a palette of 4,096 colors, unprecedented animation capabilities, four-channel stereo sound, the capacity to run multiple applications simultaneously, a graphical user interface, and powerful processing potential. It was, Jimmy Maher writes in <a href="https://bookshop.org/a/12343/9780262535694">The Future Was Here</a>, the world's first true multimedia personal computer.</p><p>Maher argues that the Amiga's capacity to store and display color photographs, manipulate video (giving amateurs access to professional tools), and use recordings of real-world sound were the seeds of the digital media future: digital cameras, Photoshop, MP3 players, and even YouTube, Flickr, and the blogosphere. He examines different facets of the platform--from Deluxe Paint to AmigaOS to Cinemaware--in each chapter, creating a portrait of the platform and the communities of practice that surrounded it. Of course, Maher acknowledges, the Amiga was not perfect: the DOS component of the operating systems was clunky and ill-matched, for example, and crashes often accompanied multitasking attempts. And Commodore went bankrupt in 1994. But for a few years, the Amiga's technical qualities were harnessed by engineers, programmers, artists, and others to push back boundaries and transform the culture of computing.</p><p>Jimmy Maher is an independent scholar and writer living in Norway.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1107</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Marsha Gordon, "Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott" (U California Press, 2023)</title>
      <description>Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (U California Press, 2023) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change.
Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity--her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 13 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1344</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marsha Gordon</itunes:subtitle>
      <itunes:summary>Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (U California Press, 2023) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change.
Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity--her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, <a href="https://bookshop.org/a/12343/9780520391543"><em>Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott</em></a><em> </em>(U California Press, 2023) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change.</p><p>Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity--her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3230</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>William J. Mann, "Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair" (Harper, 2023)</title>
      <description>From the noted Hollywood biographer comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before.
In Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair (Harper, 2023), William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart’s effete upbringing in New York City; Bacall’s rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie’s illness and Bacall’s steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall’s life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced.
Surpassing previous biographies, Mann digs deep into the celebrities’ personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured.
Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie &amp; Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy.
William J. Mann has written biographies of Marlon Brando, Katherine Hepburn, Barbara Streisand, and Elizabeth Taylor. In his words, “I live in two of the most beautiful places on the planet: Provincetown, Massachusetts, with its exquisite light and ever-shifting dunes in the summer and the fall, and Palm Springs, California, with its majestic mountains and invigorating desert air in the winter and the spring. I am indeed blessed.”
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 09 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>173</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with William J. Mann</itunes:subtitle>
      <itunes:summary>From the noted Hollywood biographer comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before.
In Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair (Harper, 2023), William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart’s effete upbringing in New York City; Bacall’s rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie’s illness and Bacall’s steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall’s life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced.
Surpassing previous biographies, Mann digs deep into the celebrities’ personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured.
Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie &amp; Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy.
William J. Mann has written biographies of Marlon Brando, Katherine Hepburn, Barbara Streisand, and Elizabeth Taylor. In his words, “I live in two of the most beautiful places on the planet: Provincetown, Massachusetts, with its exquisite light and ever-shifting dunes in the summer and the fall, and Palm Springs, California, with its majestic mountains and invigorating desert air in the winter and the spring. I am indeed blessed.”
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the noted Hollywood biographer comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before.</p><p>In <a href="https://bookshop.org/a/12343/9780063026391"><em>Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair</em></a><em> </em>(Harper, 2023), William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart’s effete upbringing in New York City; Bacall’s rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie’s illness and Bacall’s steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall’s life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced.</p><p>Surpassing previous biographies, Mann digs deep into the celebrities’ personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured.</p><p>Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, <em>Bogie &amp; Bacall</em> offers a fresh look at this famous couple, their remarkable relationship, and their legacy.</p><p>William J. Mann has written biographies of Marlon Brando, Katherine Hepburn, Barbara Streisand, and Elizabeth Taylor. In his words, “I live in two of the most beautiful places on the planet: Provincetown, Massachusetts, with its exquisite light and ever-shifting dunes in the summer and the fall, and Palm Springs, California, with its majestic mountains and invigorating desert air in the winter and the spring. I am indeed blessed.”</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3119</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9f74391a-362c-11ee-9495-cb3a8dfedeef]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR9668371639.mp3?updated=1691528011" length="0" type="audio/mpeg"/>
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    <item>
      <title>Wendy A. Woloson, "Crap: A History of Cheap Stuff in America" (U Chicago Press, 2020)</title>
      <description>Why are our lives filled with so much stuff? In Crap: A History of Cheap Stuff in America (U Chicago Press, 2023), Wendy Woloson, Professor and Chair in the Department of History at Rutgers University, tells the history of these objects and things, from the early years of peddlers through to modern gadgets, and everything in between. In telling this story the book tells a history of America itself, looking at the rise of consumerism, advertising, television, and corporate life, as well as tracking changes in morals, sentiments, humour, and personal habits. Packed with brilliant details, and sweeping in scope, the book will be widely read across the humanities and social sciences, as well as by anyone seeking to understand the modern world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 09 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>405</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Wendy A. Woloson</itunes:subtitle>
      <itunes:summary>Why are our lives filled with so much stuff? In Crap: A History of Cheap Stuff in America (U Chicago Press, 2023), Wendy Woloson, Professor and Chair in the Department of History at Rutgers University, tells the history of these objects and things, from the early years of peddlers through to modern gadgets, and everything in between. In telling this story the book tells a history of America itself, looking at the rise of consumerism, advertising, television, and corporate life, as well as tracking changes in morals, sentiments, humour, and personal habits. Packed with brilliant details, and sweeping in scope, the book will be widely read across the humanities and social sciences, as well as by anyone seeking to understand the modern world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why are our lives filled with so much stuff? In <a href="https://press.uchicago.edu/ucp/books/book/chicago/C/bo44254507.html"><em>Crap: A History of Cheap Stuff in America</em></a> (U Chicago Press, 2023), Wendy Woloson, <a href="https://sites.rutgers.edu/wendy-woloson/">Professor and Chair in the Department of History at Rutgers University</a>, tells the history of these objects and things, from the early years of peddlers through to modern gadgets, and everything in between. In telling this story the book tells a history of America itself, looking at the rise of consumerism, advertising, television, and corporate life, as well as tracking changes in morals, sentiments, humour, and personal habits. Packed with brilliant details, and sweeping in scope, the book will be widely read across the humanities and social sciences, as well as by anyone seeking to understand the modern world.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2656</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a6448d8a-3537-11ee-8067-1fc6f30df372]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR9893844149.mp3?updated=1691422829" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeff Deutsch, "In Praise of Good Bookstores" (Princeton UP, 2022)</title>
      <description>Do we need bookstores in the twenty-first century? If so, what makes a good one? In Praise of Good Bookstores (Princeton UP, 2022), Jeff Deutsch--the director of Chicago's Seminary Co-op Bookstores, one of the finest bookstores in the world--pays loving tribute to one of our most important and endangered civic institutions. He considers how qualities like space, time, abundance, and community find expression in a good bookstore. Along the way, he also predicts--perhaps audaciously--a future in which the bookstore not only endures, but realizes its highest aspirations.
In exploring why good bookstores matter, Deutsch draws on his lifelong experience as a bookseller, but also his upbringing as an Orthodox Jew. This spiritual and cultural heritage instilled in him a reverence for reading, not as a means to a living, but as an essential part of a meaningful life. Central among Deutsch's arguments for the necessity of bookstores is the incalculable value of browsing--since, when we are deep in the act of looking at the shelves, we move through space as though we are inside the mind itself, immersed in self-reflection.
In the age of one-click shopping, this is no ordinary defense of bookstores, but rather an urgent account of why they are essential places of discovery, refuge, and fulfillment that enrich the communities that are lucky enough to have them.
Jeff Deutsch is the director of Chicago’s Seminary Co-op Bookstores, which in 2019 he helped incorporate as the first not-for-profit bookstore whose mission is bookselling. He lives in Chicago.
Recommended Books:

Lewis Hyde, The Gift


Leon Forrest, Divine Days


Toya Wolf, Last Summer on State Street


Pierre Hadot, Don’t forget to Live


W.B. Yates, “Words for Music, Perhaps”

Aeschylus, Prometheus Bound



Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview view with Jeff Deutsch</itunes:subtitle>
      <itunes:summary>Do we need bookstores in the twenty-first century? If so, what makes a good one? In Praise of Good Bookstores (Princeton UP, 2022), Jeff Deutsch--the director of Chicago's Seminary Co-op Bookstores, one of the finest bookstores in the world--pays loving tribute to one of our most important and endangered civic institutions. He considers how qualities like space, time, abundance, and community find expression in a good bookstore. Along the way, he also predicts--perhaps audaciously--a future in which the bookstore not only endures, but realizes its highest aspirations.
In exploring why good bookstores matter, Deutsch draws on his lifelong experience as a bookseller, but also his upbringing as an Orthodox Jew. This spiritual and cultural heritage instilled in him a reverence for reading, not as a means to a living, but as an essential part of a meaningful life. Central among Deutsch's arguments for the necessity of bookstores is the incalculable value of browsing--since, when we are deep in the act of looking at the shelves, we move through space as though we are inside the mind itself, immersed in self-reflection.
In the age of one-click shopping, this is no ordinary defense of bookstores, but rather an urgent account of why they are essential places of discovery, refuge, and fulfillment that enrich the communities that are lucky enough to have them.
Jeff Deutsch is the director of Chicago’s Seminary Co-op Bookstores, which in 2019 he helped incorporate as the first not-for-profit bookstore whose mission is bookselling. He lives in Chicago.
Recommended Books:

Lewis Hyde, The Gift


Leon Forrest, Divine Days


Toya Wolf, Last Summer on State Street


Pierre Hadot, Don’t forget to Live


W.B. Yates, “Words for Music, Perhaps”

Aeschylus, Prometheus Bound



Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Do we need bookstores in the twenty-first century? If so, what makes a good one? In <a href="https://bookshop.org/a/12343/9780691207766"><em>Praise of Good Bookstores</em></a> (Princeton UP, 2022), Jeff Deutsch--the director of Chicago's Seminary Co-op Bookstores, one of the finest bookstores in the world--pays loving tribute to one of our most important and endangered civic institutions. He considers how qualities like space, time, abundance, and community find expression in a good bookstore. Along the way, he also predicts--perhaps audaciously--a future in which the bookstore not only endures, but realizes its highest aspirations.</p><p>In exploring why good bookstores matter, Deutsch draws on his lifelong experience as a bookseller, but also his upbringing as an Orthodox Jew. This spiritual and cultural heritage instilled in him a reverence for reading, not as a means to a living, but as an essential part of a meaningful life. Central among Deutsch's arguments for the necessity of bookstores is the incalculable value of browsing--since, when we are deep in the act of looking at the shelves, we move through space as though we are inside the mind itself, immersed in self-reflection.</p><p>In the age of one-click shopping, this is no ordinary defense of bookstores, but rather an urgent account of why they are essential places of discovery, refuge, and fulfillment that enrich the communities that are lucky enough to have them.</p><p>Jeff Deutsch is the director of Chicago’s Seminary Co-op Bookstores, which in 2019 he helped incorporate as the first not-for-profit bookstore whose mission is bookselling. He lives in Chicago.</p><p><strong>Recommended Books:</strong></p><ul>
<li>Lewis Hyde, <a href="https://bookshop.org/p/books/the-gift-how-the-creative-spirit-transforms-the-world-lewis-hyde/18408257?ean=9781984897787"><em>The Gift</em></a>
</li>
<li>Leon Forrest, <a href="https://nupress.northwestern.edu/9780810145702/divine-days/"><em>Divine Days</em></a>
</li>
<li>Toya Wolf, <a href="https://bookshop.org/p/books/last-summer-on-state-street-toya-wolfe/17769313?ean=9780063209749">Last Summer on State Street</a>
</li>
<li>Pierre Hadot, <a href="https://bookshop.org/p/books/don-t-forget-to-live-goethe-and-the-tradition-of-spiritual-exercises/18953535?ean=9780226497167">Don’t forget to Live</a>
</li>
<li>W.B. Yates, “Words for Music, Perhaps”</li>
<li>Aeschylus, <a href="https://www.buffalostreetbooks.com/book/9780195061659">Prometheus Bound</a>
</li>
</ul><p><br></p><p><a href="https://www.ithaca.edu/faculty/cholmes"><em>Chris Holmes</em></a><em> is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of </em><a href="https://www.ithaca.edu/academics/school-humanities-and-sciences/writing/new-voices-festival"><em>The New Voices Festival</em></a><em>, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3255</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ec4f3842-3461-11ee-8850-73a38cfc9cb3]]></guid>
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    <item>
      <title>Christine Schott, "Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature" (Medieval Institute Publications, 2023)</title>
      <description>Several scholarly fields investigate the reuse of source texts, most relevantly adaptation studies and fanfiction studies. The limitation of these two fields is that adaptation studies focuses narrowly on retelling, usually in the form of film adaptations, but is not as well equipped to treat other uses of source material like prequels, sequels and spinoffs. On the other hand, fanfiction studies has the broad reach adaptation studies lacks but is generally interested in "underground" production rather than material that goes through the official publication process and thus enters the literary canon. 
Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature (Medieval Institute Publications, 2023) sits in the gap between these fields, discussing published novels and their contribution to the scholarly engagement with their pre- and early modern source material as well as applying that creative framework to the teaching of literature in the college classroom.
Christine Schott, MFA, PhD, is associate professor of English at Erskine College where she teaches medieval and world literatures and creative writing.
Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 04 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>237</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christine Schott</itunes:subtitle>
      <itunes:summary>Several scholarly fields investigate the reuse of source texts, most relevantly adaptation studies and fanfiction studies. The limitation of these two fields is that adaptation studies focuses narrowly on retelling, usually in the form of film adaptations, but is not as well equipped to treat other uses of source material like prequels, sequels and spinoffs. On the other hand, fanfiction studies has the broad reach adaptation studies lacks but is generally interested in "underground" production rather than material that goes through the official publication process and thus enters the literary canon. 
Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature (Medieval Institute Publications, 2023) sits in the gap between these fields, discussing published novels and their contribution to the scholarly engagement with their pre- and early modern source material as well as applying that creative framework to the teaching of literature in the college classroom.
Christine Schott, MFA, PhD, is associate professor of English at Erskine College where she teaches medieval and world literatures and creative writing.
Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Several scholarly fields investigate the reuse of source texts, most relevantly adaptation studies and fanfiction studies. The limitation of these two fields is that adaptation studies focuses narrowly on retelling, usually in the form of film adaptations, but is not as well equipped to treat other uses of source material like prequels, sequels and spinoffs. On the other hand, fanfiction studies has the broad reach adaptation studies lacks but is generally interested in "underground" production rather than material that goes through the official publication process and thus enters the literary canon. </p><p><a href="https://www.degruyter.com/document/doi/10.1515/9781501515972/html"><em>Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature</em></a> (Medieval Institute Publications, 2023) sits in the gap between these fields, discussing published novels and their contribution to the scholarly engagement with their pre- and early modern source material as well as applying that creative framework to the teaching of literature in the college classroom.</p><p>Christine Schott, MFA, PhD, is associate professor of English at Erskine College where she teaches medieval and world literatures and creative writing.</p><p><em>Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3159</itunes:duration>
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      <title>The Art of Failure: An Essay on the Pain of Playing Video Games</title>
      <description>We may think of video games as being "fun," but in The Art of Failure, Jesper Juul claims that this is almost entirely mistaken. When we play video games, our facial expressions are rarely those of happiness or bliss. Instead, we frown, grimace, and shout in frustration as we lose, or die, or fail to advance to the next level. Humans may have a fundamental desire to succeed and feel competent, but game players choose to engage in an activity in which they are nearly certain to fail and feel incompetent. So why do we play video games even though they make us unhappy? Juul examines this paradox.
In video games, as in tragic works of art, literature, theater, and cinema, it seems that we want to experience unpleasantness even if we also dislike it. Reader or audience reaction to tragedy is often explained as catharsis, as a purging of negative emotions. But, Juul points out, this doesn't seem to be the case for video game players. Games do not purge us of unpleasant emotions; they produce them in the first place. What, then, does failure in video game playing do?
Juul argues that failure in a game is unique in that when you fail in a game, you (not a character) are in some way inadequate. Yet games also motivate us to play more, in order to escape that inadequacy, and the feeling of escaping failure (often by improving skills) is a central enjoyment of games. Games, writes Juul, are the art of failure: the singular art form that sets us up for failure and allows us to experience it and experiment with it.
The Art of Failure is essential reading for anyone interested in video games, whether as entertainment, art, or education.
Jesper Juul is Assistant Professor at the New York University Game Center. He is the author of Half-Real: Video Games between Real Rules and Fictional Worlds and A Casual Revolution: Reinventing Video Games and Their Players, both published by the MIT Press.
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      <pubDate>Thu, 03 Aug 2023 14:45:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jesper Juul</itunes:subtitle>
      <itunes:summary>We may think of video games as being "fun," but in The Art of Failure, Jesper Juul claims that this is almost entirely mistaken. When we play video games, our facial expressions are rarely those of happiness or bliss. Instead, we frown, grimace, and shout in frustration as we lose, or die, or fail to advance to the next level. Humans may have a fundamental desire to succeed and feel competent, but game players choose to engage in an activity in which they are nearly certain to fail and feel incompetent. So why do we play video games even though they make us unhappy? Juul examines this paradox.
In video games, as in tragic works of art, literature, theater, and cinema, it seems that we want to experience unpleasantness even if we also dislike it. Reader or audience reaction to tragedy is often explained as catharsis, as a purging of negative emotions. But, Juul points out, this doesn't seem to be the case for video game players. Games do not purge us of unpleasant emotions; they produce them in the first place. What, then, does failure in video game playing do?
Juul argues that failure in a game is unique in that when you fail in a game, you (not a character) are in some way inadequate. Yet games also motivate us to play more, in order to escape that inadequacy, and the feeling of escaping failure (often by improving skills) is a central enjoyment of games. Games, writes Juul, are the art of failure: the singular art form that sets us up for failure and allows us to experience it and experiment with it.
The Art of Failure is essential reading for anyone interested in video games, whether as entertainment, art, or education.
Jesper Juul is Assistant Professor at the New York University Game Center. He is the author of Half-Real: Video Games between Real Rules and Fictional Worlds and A Casual Revolution: Reinventing Video Games and Their Players, both published by the MIT Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We may think of video games as being "fun," but in The Art of Failure, Jesper Juul claims that this is almost entirely mistaken. When we play video games, our facial expressions are rarely those of happiness or bliss. Instead, we frown, grimace, and shout in frustration as we lose, or die, or fail to advance to the next level. Humans may have a fundamental desire to succeed and feel competent, but game players choose to engage in an activity in which they are nearly certain to fail and feel incompetent. So why do we play video games even though they make us unhappy? Juul examines this paradox.</p><p>In video games, as in tragic works of art, literature, theater, and cinema, it seems that we want to experience unpleasantness even if we also dislike it. Reader or audience reaction to tragedy is often explained as catharsis, as a purging of negative emotions. But, Juul points out, this doesn't seem to be the case for video game players. Games do not purge us of unpleasant emotions; they produce them in the first place. What, then, does failure in video game playing do?</p><p>Juul argues that failure in a game is unique in that when you fail in a game, you (not a character) are in some way inadequate. Yet games also motivate us to play more, in order to escape that inadequacy, and the feeling of escaping failure (often by improving skills) is a central enjoyment of games. Games, writes Juul, are the art of failure: the singular art form that sets us up for failure and allows us to experience it and experiment with it.</p><p><a href="https://mitpress.mit.edu/9780262529952/the-art-of-failure/">The Art of Failure</a> is essential reading for anyone interested in video games, whether as entertainment, art, or education.</p><p>Jesper Juul is Assistant Professor at the New York University Game Center. He is the author of Half-Real: Video Games between Real Rules and Fictional Worlds and A Casual Revolution: Reinventing Video Games and Their Players, both published by the MIT Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>939</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>The Happiness Myth: A Talk by Jennifer Michael Hecht</title>
      <description>In 2006, Jennifer Michael Hecht spoke to the Institute about her book, The Happiness Myth: Why What We Think Is Right Is Wrong. Hecht is a poet and historian, who holds a Ph.D. in the history of science/European cultural history from Columbia University. She has published four books of nonfiction and three books of poetry. She has taught in the MFA programs at Columbia University and the New School.
Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.
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      <pubDate>Tue, 01 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Michael Hecht</itunes:subtitle>
      <itunes:summary>In 2006, Jennifer Michael Hecht spoke to the Institute about her book, The Happiness Myth: Why What We Think Is Right Is Wrong. Hecht is a poet and historian, who holds a Ph.D. in the history of science/European cultural history from Columbia University. She has published four books of nonfiction and three books of poetry. She has taught in the MFA programs at Columbia University and the New School.
Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2006, Jennifer Michael Hecht spoke to the Institute about her book, <a href="https://bookshop.org/a/12343/9780060859503"><em>The Happiness Myth: Why What We Think Is Right Is Wrong</em></a><em>.</em> Hecht is a poet and historian, who holds a Ph.D. in the history of science/European cultural history from Columbia University. She has published four books of nonfiction and three books of poetry. She has taught in the MFA programs at Columbia University and the New School.</p><p><em>Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit </em><a href="http://nyihumanities.org/"><em>nyihumanities.org</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2966</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Ben Highmore, "In Good Taste: How Britain's Middle Classes Found Their Style" (Manchester UP, 2023)</title>
      <description>How did the rise of consumerism impact Britain? In In Good Taste: How Britain's Middle Classes Found Their Style (Manchester UP, 2023), Ben Highmore, a Professor of Cultural Studies in the School of Media, Arts and Humanities at the University of Sussex, explores this question by telling the story of key British institutions and cultural habits. The book uses a wealth of different sources, including newspapers, lifestyle magazines, shopping catalogues, plays, books, and television programmes, as well as architecture and design, in order to think through key forms of social identity and the structures of feeling underpinning social change. The book is a rich, deep, and fascinating examination of how taste patterns and practices made modern Britain, and how modern Britain made tastes. It will be essential reading across the arts humanities and social sciences, as well as for anyone interested in understanding the recent history of culture in the UK.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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      <pubDate>Mon, 31 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>403</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Highmore</itunes:subtitle>
      <itunes:summary>How did the rise of consumerism impact Britain? In In Good Taste: How Britain's Middle Classes Found Their Style (Manchester UP, 2023), Ben Highmore, a Professor of Cultural Studies in the School of Media, Arts and Humanities at the University of Sussex, explores this question by telling the story of key British institutions and cultural habits. The book uses a wealth of different sources, including newspapers, lifestyle magazines, shopping catalogues, plays, books, and television programmes, as well as architecture and design, in order to think through key forms of social identity and the structures of feeling underpinning social change. The book is a rich, deep, and fascinating examination of how taste patterns and practices made modern Britain, and how modern Britain made tastes. It will be essential reading across the arts humanities and social sciences, as well as for anyone interested in understanding the recent history of culture in the UK.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did the rise of consumerism impact Britain? In <a href="https://bookshop.org/a/12343/9781526108821"><em>In Good Taste: How Britain's Middle Classes Found Their Style</em></a><em> </em>(Manchester UP, 2023), <a href="https://twitter.com/BenHighmore">Ben Highmore,</a> a <a href="https://profiles.sussex.ac.uk/p185339-ben-highmore">Professor of Cultural Studies in the School of Media, Arts and Humanities at the University of Sussex</a>, explores this question by telling the story of key British institutions and cultural habits. The book uses a wealth of different sources, including newspapers, lifestyle magazines, shopping catalogues, plays, books, and television programmes, as well as architecture and design, in order to think through key forms of social identity and the structures of feeling underpinning social change. The book is a rich, deep, and fascinating examination of how taste patterns and practices made modern Britain, and how modern Britain made tastes. It will be essential reading across the arts humanities and social sciences, as well as for anyone interested in understanding the recent history of culture in the UK.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2620</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR4892934642.mp3?updated=1690815356" length="0" type="audio/mpeg"/>
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      <title>Tara Isabella Burton, "Self-Made: Creating Our Identities from Da Vinci to the Kardashians" (PublicAffairs, 2023)</title>
      <description>In a technologically-saturated era where nearly everything can be effortlessly and digitally reproduced, we're all hungry to carve out our own unique personalities, our own bespoke personae, to stand out and be seen.
As the forces of social media and capitalism collide, and individualism becomes more important than ever across a wide array of industries, "branding ourselves" or actively defining our selves for others has become the norm. Yet, this phenomenon is not new. In Self-Made: Creating Our Identities from Da Vinci to the Kardashians (PublicAffairs, 2023), Tara Isabella Burton shows us how we arrived at this moment of fervent personal-branding.
As attitudes towards religion, politics and society evolved, our sense of self did as well, moving from a collective to individual mindset.
Through a series of chronological biographical essays on famous (and infamous) "self-creators" in the modern Western world, from the Renaissance to the Enlightenment to modern capitalism and finally to our present moment of mass media, Burton examines the theories and forces behind our never-ending need to curate ourselves. Through a vivid cast of characters and an engaging mix of cultural and historical commentary, we learn how the personal brand has come to be.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il. She's on Twitter @embracingwisdom. She blogs here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 27 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>100</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tara Isabella Burton</itunes:subtitle>
      <itunes:summary>In a technologically-saturated era where nearly everything can be effortlessly and digitally reproduced, we're all hungry to carve out our own unique personalities, our own bespoke personae, to stand out and be seen.
As the forces of social media and capitalism collide, and individualism becomes more important than ever across a wide array of industries, "branding ourselves" or actively defining our selves for others has become the norm. Yet, this phenomenon is not new. In Self-Made: Creating Our Identities from Da Vinci to the Kardashians (PublicAffairs, 2023), Tara Isabella Burton shows us how we arrived at this moment of fervent personal-branding.
As attitudes towards religion, politics and society evolved, our sense of self did as well, moving from a collective to individual mindset.
Through a series of chronological biographical essays on famous (and infamous) "self-creators" in the modern Western world, from the Renaissance to the Enlightenment to modern capitalism and finally to our present moment of mass media, Burton examines the theories and forces behind our never-ending need to curate ourselves. Through a vivid cast of characters and an engaging mix of cultural and historical commentary, we learn how the personal brand has come to be.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il. She's on Twitter @embracingwisdom. She blogs here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a technologically-saturated era where nearly everything can be effortlessly and digitally reproduced, we're all hungry to carve out our own unique personalities, our own bespoke personae, to stand out and be seen.</p><p>As the forces of social media and capitalism collide, and individualism becomes more important than ever across a wide array of industries, "branding ourselves" or actively defining our selves for others has become the norm. Yet, this phenomenon is not new. In <a href="https://bookshop.org/a/12343/9781541789012"><em>Self-Made: Creating Our Identities from Da Vinci to the Kardashians</em></a><em> </em>(PublicAffairs, 2023), Tara Isabella Burton shows us how we arrived at this moment of fervent personal-branding.</p><p>As attitudes towards religion, politics and society evolved, our sense of self did as well, moving from a collective to individual mindset.</p><p>Through a series of chronological biographical essays on famous (and infamous) "self-creators" in the modern Western world, from the Renaissance to the Enlightenment to modern capitalism and finally to our present moment of mass media, Burton examines the theories and forces behind our never-ending need to curate ourselves. Through a vivid cast of characters and an engaging mix of cultural and historical commentary, we learn how the personal brand has come to be.</p><p><em>Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s </em><a href="https://www.vanleer.org.il/en/"><em>Van Leer Jerusalem</em></a><em> Series on Ideas. Write her at reneeg@vanleer.org.il. She's on Twitter @embracingwisdom. She blogs </em><a href="https://www.psychologytoday.com/intl/blog/time-out"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2010</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Penelope Ingram, "Imperiled Whiteness: How Hollywood and Media Make Race in 'Postracial' America" (UP of Mississippi, 2023)</title>
      <description>In Imperiled Whiteness: How Hollywood and Media Make Race in "Postracial" America (University Press of Mississippi, 2023), Penelope Ingram examines the role played by media in the resurgence of white nationalism and neo-Nazi movements in the Obama-to-Trump era. As politicians on the right stoked anxieties about whites “losing ground” and “being left behind,” media platforms turned whiteness into a commodity that was packaged and disseminated to a white populace. Reading popular film and television franchises (Planet of the Apes, Star Trek, and The Walking Dead) through political flashpoints, such as debates over immigration reform, gun control, and Black Lives Matter protests, Ingram reveals how media cultivated feelings of white vulnerability and loss among white consumers. By exploring the convergence of entertainment, news, and social media in a digital networked environment, Ingram demonstrates how media’s renewed attention to “imperiled whiteness” enabled and sanctioned the return of overt white supremacy exhibited by alt-right groups in the “Unite the Right” rally in Charlottesville in 2017 and the Capitol riots in 2021.
Anna E. Lindner received her doctorate in Communication from Wayne State University. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>400</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Penelope Ingram</itunes:subtitle>
      <itunes:summary>In Imperiled Whiteness: How Hollywood and Media Make Race in "Postracial" America (University Press of Mississippi, 2023), Penelope Ingram examines the role played by media in the resurgence of white nationalism and neo-Nazi movements in the Obama-to-Trump era. As politicians on the right stoked anxieties about whites “losing ground” and “being left behind,” media platforms turned whiteness into a commodity that was packaged and disseminated to a white populace. Reading popular film and television franchises (Planet of the Apes, Star Trek, and The Walking Dead) through political flashpoints, such as debates over immigration reform, gun control, and Black Lives Matter protests, Ingram reveals how media cultivated feelings of white vulnerability and loss among white consumers. By exploring the convergence of entertainment, news, and social media in a digital networked environment, Ingram demonstrates how media’s renewed attention to “imperiled whiteness” enabled and sanctioned the return of overt white supremacy exhibited by alt-right groups in the “Unite the Right” rally in Charlottesville in 2017 and the Capitol riots in 2021.
Anna E. Lindner received her doctorate in Communication from Wayne State University. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781496845504"><em>Imperiled Whiteness: How Hollywood and Media Make Race in "Postracial" America</em></a> (University Press of Mississippi, 2023), Penelope Ingram examines the role played by media in the resurgence of white nationalism and neo-Nazi movements in the Obama-to-Trump era. As politicians on the right stoked anxieties about whites “losing ground” and “being left behind,” media platforms turned whiteness into a commodity that was packaged and disseminated to a white populace. Reading popular film and television franchises (<em>Planet of the Apes</em>, <em>Star Trek</em>, and <em>The Walking Dead</em>) through political flashpoints, such as debates over immigration reform, gun control, and Black Lives Matter protests, Ingram reveals how media cultivated feelings of white vulnerability and loss among white consumers. By exploring the convergence of entertainment, news, and social media in a digital networked environment, Ingram demonstrates how media’s renewed attention to “imperiled whiteness” enabled and sanctioned the return of overt white supremacy exhibited by alt-right groups in the “Unite the Right” rally in Charlottesville in 2017 and the Capitol riots in 2021.</p><p><a href="https://www.linkedin.com/in/anna-lindner-b86a16a6/"><em>Anna E. Lindner</em></a><em> received her doctorate in Communication from Wayne State University. </em><a href="https://twitter.com/annaeliselin"><em>On Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kathleen Lubey, "What Pornography Knows: Sex and Social Protest Since the Eighteenth Century" (Stanford UP, 2022)</title>
      <description>Kathleen Lubey,'s book What Pornography Knows: Sex and Social Protest Since the Eighteenth Century (Stanford UP, 2022) offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these texts were edited across time to become what we think pornography is—a genre focused primarily on sex. Originally, they were far more variable, joining speculative philosophy and feminist theory to sexual description. Lubey's readings show that pornography always had a social consciousness—that it knew, long before anti-pornography feminists said it, that women and nonbinary people are disadvantaged by a society that grants sexual privilege to men. Rather than glorify this inequity, Lubey argues, the genre's central task has historically been to expose its artifice and envision social reform. Centering women's bodies, pornography refuses to divert its focus from genital action, forcing readers to connect sex with its social outcomes. Lubey offers a surprising take on a deeply misunderstood cultural form: pornography transforms sexual description into feminist commentary, revealing the genre's deep knowledge of how social inequities are perpetuated as well as its plans for how to rectify them.
Kathleen Lubey is Professor of English at St. John's University. She is the author of Excitable Imaginations: Eroticism and Reading in Britain, 1660-1760 (2012).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 24 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathleen Lubey</itunes:subtitle>
      <itunes:summary>Kathleen Lubey,'s book What Pornography Knows: Sex and Social Protest Since the Eighteenth Century (Stanford UP, 2022) offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these texts were edited across time to become what we think pornography is—a genre focused primarily on sex. Originally, they were far more variable, joining speculative philosophy and feminist theory to sexual description. Lubey's readings show that pornography always had a social consciousness—that it knew, long before anti-pornography feminists said it, that women and nonbinary people are disadvantaged by a society that grants sexual privilege to men. Rather than glorify this inequity, Lubey argues, the genre's central task has historically been to expose its artifice and envision social reform. Centering women's bodies, pornography refuses to divert its focus from genital action, forcing readers to connect sex with its social outcomes. Lubey offers a surprising take on a deeply misunderstood cultural form: pornography transforms sexual description into feminist commentary, revealing the genre's deep knowledge of how social inequities are perpetuated as well as its plans for how to rectify them.
Kathleen Lubey is Professor of English at St. John's University. She is the author of Excitable Imaginations: Eroticism and Reading in Britain, 1660-1760 (2012).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kathleen Lubey,'s book <a href="https://bookshop.org/a/12343/9781503633117"><em>What Pornography Knows: Sex and Social Protest Since the Eighteenth Century</em></a> (Stanford UP, 2022) offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these texts were edited across time to become what we think pornography is—a genre focused primarily on sex. Originally, they were far more variable, joining speculative philosophy and feminist theory to sexual description. Lubey's readings show that pornography always had a social consciousness—that it knew, long before anti-pornography feminists said it, that women and nonbinary people are disadvantaged by a society that grants sexual privilege to men. Rather than glorify this inequity, Lubey argues, the genre's central task has historically been to expose its artifice and envision social reform. Centering women's bodies, pornography refuses to divert its focus from genital action, forcing readers to connect sex with its social outcomes. Lubey offers a surprising take on a deeply misunderstood cultural form: pornography transforms sexual description into feminist commentary, revealing the genre's deep knowledge of how social inequities are perpetuated as well as its plans for how to rectify them.</p><p>Kathleen Lubey is Professor of English at St. John's University. She is the author of Excitable Imaginations: Eroticism and Reading in Britain, 1660-1760 (2012).</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4274</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e7bd498a-28c3-11ee-94b2-137440973a00]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR2944295454.mp3?updated=1690053616" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rich Deakin, "Grebo!: The Loud &amp; Lousy Story of Gaye Bykers on Acid and Crazyhead" (Headpress, 2021)</title>
      <description>In Grebo! The Loud &amp; Lousy Story of Gaye Bikers on Acid and Crazyhead (Headpress, 2021) Rich Deakin explores West Midlands 1980s, home to heavy metal. Black Sabbath and Judas Priest are household names, but over the smoking chimneys and factory yards something new and equally ugly forms... 'Grebo' was a media constructed music genre that even today sends a shudder down the spines of discerning music fans and critics. 
A homegrown proto-grunge -- counterpart to the likes of Butthole Surfers, Mudhoney, early Nirvana, Alice In Chains, and Soundgarden -- grebo was a British phenomenon that drew on an eclectic range of influences, from punk, 60s garage and psychedelia, through to 70s heavy rock and thrash metal. It foreshadowed rave culture and was steeped in class politics. GAYE BYKERS ON ACID and CRAZYHEAD hailed from Leicester. They were not the first bands to be labelled grebo but they were the most unashamedly unkempt and came to be considered its greatest exponents. They were "a burst of dirty thunder" and almost no one liked them. Based on interviews with band members, friends, fans, and roadies, this book is an uncompromising history of an overlooked music scene. Rich Deakin charts its course via the changing fortunes of the Bykers and Crazyhead, taking us on the booze-filled tour buses, behind the dodgy deals and onto the international stage and back again (with a pitstop for a rock movie that swallows lots of money). Their careers were short, but the two bands managed to shake up the UK indie scene and along the way became Britain's unlikely ambassadors of rock following the collapse of Soviet Russia. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 23 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>162</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rich Deakin</itunes:subtitle>
      <itunes:summary>In Grebo! The Loud &amp; Lousy Story of Gaye Bikers on Acid and Crazyhead (Headpress, 2021) Rich Deakin explores West Midlands 1980s, home to heavy metal. Black Sabbath and Judas Priest are household names, but over the smoking chimneys and factory yards something new and equally ugly forms... 'Grebo' was a media constructed music genre that even today sends a shudder down the spines of discerning music fans and critics. 
A homegrown proto-grunge -- counterpart to the likes of Butthole Surfers, Mudhoney, early Nirvana, Alice In Chains, and Soundgarden -- grebo was a British phenomenon that drew on an eclectic range of influences, from punk, 60s garage and psychedelia, through to 70s heavy rock and thrash metal. It foreshadowed rave culture and was steeped in class politics. GAYE BYKERS ON ACID and CRAZYHEAD hailed from Leicester. They were not the first bands to be labelled grebo but they were the most unashamedly unkempt and came to be considered its greatest exponents. They were "a burst of dirty thunder" and almost no one liked them. Based on interviews with band members, friends, fans, and roadies, this book is an uncompromising history of an overlooked music scene. Rich Deakin charts its course via the changing fortunes of the Bykers and Crazyhead, taking us on the booze-filled tour buses, behind the dodgy deals and onto the international stage and back again (with a pitstop for a rock movie that swallows lots of money). Their careers were short, but the two bands managed to shake up the UK indie scene and along the way became Britain's unlikely ambassadors of rock following the collapse of Soviet Russia. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://headpress.com/product/grebo/"><em>Grebo! The Loud &amp; Lousy Story of Gaye Bikers on Acid and Crazyhead</em></a><em> </em>(Headpress, 2021) Rich Deakin explores West Midlands 1980s, home to heavy metal. Black Sabbath and Judas Priest are household names, but over the smoking chimneys and factory yards something new and equally ugly forms... 'Grebo' was a media constructed music genre that even today sends a shudder down the spines of discerning music fans and critics. </p><p>A homegrown proto-grunge -- counterpart to the likes of Butthole Surfers, Mudhoney, early Nirvana, Alice In Chains, and Soundgarden -- grebo was a British phenomenon that drew on an eclectic range of influences, from punk, 60s garage and psychedelia, through to 70s heavy rock and thrash metal. It foreshadowed rave culture and was steeped in class politics. GAYE BYKERS ON ACID and CRAZYHEAD hailed from Leicester. They were not the first bands to be labelled grebo but they were the most unashamedly unkempt and came to be considered its greatest exponents. They were "a burst of dirty thunder" and almost no one liked them. Based on interviews with band members, friends, fans, and roadies, this book is an uncompromising history of an overlooked music scene. Rich Deakin charts its course via the changing fortunes of the Bykers and Crazyhead, taking us on the booze-filled tour buses, behind the dodgy deals and onto the international stage and back again (with a pitstop for a rock movie that swallows lots of money). Their careers were short, but the two bands managed to shake up the UK indie scene and along the way became Britain's unlikely ambassadors of rock following the collapse of Soviet Russia. </p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2758</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5394034a-28b7-11ee-b3f9-fbbd0fa474cb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR1524766226.mp3?updated=1690048474" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Miranda Corcoran, "Witchcraft and Adolescence in American Popular Culture: Teen Witches" (U Wales Press, 2022)</title>
      <description>Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 19 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>160</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Miranda Corcoran</itunes:subtitle>
      <itunes:summary>Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://press.uchicago.edu/ucp/books/book/distributed/W/bo185830724.html"><em>Witchcraft and Adolescence in American Popular Culture: Teen Witches</em></a> (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. <em>Witchcraft and Adolescence in American Popular Culture</em> reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3619</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b8818442-25a3-11ee-9835-ef4fbafbaf67]]></guid>
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    <item>
      <title>Aaron A. Reed, "50 Years of Text Games: From Oregon Trail to AI Dungeon" (2023)</title>
      <description>50 Years of Text Games: From Oregon Trail to A.I. Dungeon is an extensively researched book chronicling the first half-century of interactive fiction: video games made from words. 
Covering one text game released in each year from 1971 to 2020, in-depth chapters dive into classics like Zork, Trade Wars, and Hitchhiker's Guide; beloved fan games like Galatea and Photopia; wild experiments from Dwarf Fortress to Howling Dogs; and breakout hits like 80 Days, Fallen London, and Lifeline. Over 600 pages of coverage and dozens of original maps and flowcharts help explain the structure and design of each game included.
Aaron A. Reed has been creating and researching interactive stories for twenty years, focusing on understanding the many ways authors and players can tell stories together. He holds a PhD in interactive storytelling, and is currently based in California freelancing as a character and narrative consultant for games.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 19 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aaron A. Reed</itunes:subtitle>
      <itunes:summary>50 Years of Text Games: From Oregon Trail to A.I. Dungeon is an extensively researched book chronicling the first half-century of interactive fiction: video games made from words. 
Covering one text game released in each year from 1971 to 2020, in-depth chapters dive into classics like Zork, Trade Wars, and Hitchhiker's Guide; beloved fan games like Galatea and Photopia; wild experiments from Dwarf Fortress to Howling Dogs; and breakout hits like 80 Days, Fallen London, and Lifeline. Over 600 pages of coverage and dozens of original maps and flowcharts help explain the structure and design of each game included.
Aaron A. Reed has been creating and researching interactive stories for twenty years, focusing on understanding the many ways authors and players can tell stories together. He holds a PhD in interactive storytelling, and is currently based in California freelancing as a character and narrative consultant for games.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>50 Years of Text Games: From Oregon Trail to A.I. Dungeon</em> is an extensively researched book chronicling the first half-century of interactive fiction: video games made from words. </p><p>Covering one text game released in each year from 1971 to 2020, in-depth chapters dive into classics like <em>Zork</em>, <em>Trade Wars</em>, and <em>Hitchhiker's Guide</em>; beloved fan games like <em>Galatea</em> and <em>Photopia</em>; wild experiments from <em>Dwarf Fortress</em> to <em>Howling Dogs</em>; and breakout hits like <em>80 Days</em>, <em>Fallen London</em>, and <em>Lifeline</em>. Over 600 pages of coverage and dozens of original maps and flowcharts help explain the structure and design of each game included.</p><p>Aaron A. Reed has been creating and researching interactive stories for twenty years, focusing on understanding the many ways authors and players can tell stories together. He holds a PhD in interactive storytelling, and is currently based in California freelancing as a character and narrative consultant for games.</p><p><a href="https://beacons.ai/rudolfinderst">Rudolf Inderst</a> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2403</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3121e556-25ac-11ee-ae19-43a2d2b8df84]]></guid>
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    <item>
      <title>Ben Nadler, "The Jewish Deli: An Illustrated Guide to the Chosen Food" (Chronicle Books, 2023)</title>
      <description>Beloved culinary and cultural institutions, Jewish delis are wonderlands of amazing flavors and great food—bright, buttery, briny, sweet, fatty, salty, smoky. . . . In The Jewish Deli: An Illustrated Guide to the Chosen Food (Chronicle Books, 2023), comics artist and deli aficionado Ben Nadler takes a deliciously entertaining deep dive into the history and culture of this food and the places that serve it up to us across the counter. Nadler guides readers through the details and delights of each major food category, all playfully illustrated and each more irresistibly noshable than the last.
Ben talks to New Books Network about how today’s Jewish cuisine is not only guided by ancient Jewish religious rites, but is also rooted in stories of immigration. From pastrami to lox and black-and-white cookies to a bagel and schmear, he covers it with tales of the people making and baking, and his own personal hunger for culinary knowledge.
Interview by Laura Goldberg, longtime food blogger at Vittlesvamp.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 18 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Nadler</itunes:subtitle>
      <itunes:summary>Beloved culinary and cultural institutions, Jewish delis are wonderlands of amazing flavors and great food—bright, buttery, briny, sweet, fatty, salty, smoky. . . . In The Jewish Deli: An Illustrated Guide to the Chosen Food (Chronicle Books, 2023), comics artist and deli aficionado Ben Nadler takes a deliciously entertaining deep dive into the history and culture of this food and the places that serve it up to us across the counter. Nadler guides readers through the details and delights of each major food category, all playfully illustrated and each more irresistibly noshable than the last.
Ben talks to New Books Network about how today’s Jewish cuisine is not only guided by ancient Jewish religious rites, but is also rooted in stories of immigration. From pastrami to lox and black-and-white cookies to a bagel and schmear, he covers it with tales of the people making and baking, and his own personal hunger for culinary knowledge.
Interview by Laura Goldberg, longtime food blogger at Vittlesvamp.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Beloved culinary and cultural institutions, Jewish delis are wonderlands of amazing flavors and great food—bright, buttery, briny, sweet, fatty, salty, smoky. . . . In <a href="https://bookshop.org/a/12343/9781797205243"><em>The Jewish Deli: An Illustrated Guide to the Chosen Food</em></a> (Chronicle Books, 2023), comics artist and deli aficionado Ben Nadler takes a deliciously entertaining deep dive into the history and culture of this food and the places that serve it up to us across the counter. Nadler guides readers through the details and delights of each major food category, all playfully illustrated and each more irresistibly noshable than the last.</p><p>Ben talks to New Books Network about how today’s Jewish cuisine is not only guided by ancient Jewish religious rites, but is also rooted in stories of immigration. From pastrami to lox and black-and-white cookies to a bagel and schmear, he covers it with tales of the people making and baking, and his own personal hunger for culinary knowledge.</p><p><em>Interview by Laura Goldberg, longtime food blogger at Vittlesvamp.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3231</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c182c4ce-24dc-11ee-be1c-7b88aa3a4c6c]]></guid>
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    <item>
      <title>Michele Meek, "Consent Culture and Teen Films: Adolescent Sexuality in US Movies" (Indiana UP, 2023)</title>
      <description>Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films.
In Consent Culture and Teen Films: Adolescent Sexuality in US Movies (Indiana UP, 2023), Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification.
By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michele Meek</itunes:subtitle>
      <itunes:summary>Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films.
In Consent Culture and Teen Films: Adolescent Sexuality in US Movies (Indiana UP, 2023), Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification.
By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films.</p><p>In <a href="https://bookshop.org/a/12343/9780253065742"><em>Consent Culture and Teen Films: Adolescent Sexuality in US Movies</em></a> (Indiana UP, 2023), Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including <em>Blockers</em>, <em>To All the Boys I've Loved Before</em>, <em>The Kissing Booth</em>, and <em>Alex Strangelove</em>, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification.</p><p>By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, <em>Consent Culture and Teen Films</em> suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.</p><p><em>﻿</em><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2859</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR6231844742.mp3?updated=1689516429" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vivian Nun Halloran, "Caribbean American Narratives of Belonging" (Ohio State UP, 2023)</title>
      <description>In Caribbean American Narratives of Belonging (Ohio State University Press, 2023), Vivian Nun Halloran analyzes memoirs, picture books, comic books, young adult novels, musicals, and television shows through which Caribbean Americans recount and celebrate their contributions to contemporary politics, culture, and activism in the United States. The writers, civil servants, illustrators, performers, and entertainers whose work is discussed here show what it is like to fit in and be included within the body politic. From civic memoirs by Sonia Sotomayor and others, to West Side Story, Hamilton, and Into the Spider-Verse, these texts share a forward-looking perspective, distinct from the more nostalgic rhetoric of traditional diasporic texts that privilege connections to the islands of origin.
There is no one way of being Caribbean. Diasporic communities exhibit a broad spectrum of ethnic, racial, religious, linguistic, and political qualities. Claiming a Caribbean American identity asks wider society to recognize and affirm hybridity in ways that challenge binaristic conceptions of race and nationality. Halloran provides a common language and critical framework to discuss the achievements of members of the Caribbean diaspora and their considerable cultural and political capital as evident in their contributions to literature and popular culture.
Vivian Nun Halloran is Professor of English and Associate Dean for Diversity and Inclusion in the College of Arts and Sciences at Indiana University Bloomington. She is a scholar of Caribbean literature, food studies, ethnic American literature, postmodernism, and popular culture. She previously wrote The Immigrant Kitchen: Food, Ethnicity, and Diaspora (Ohio State University Press, 2016) and Exhibiting Slavery: The Caribbean Postmodern Novel as Museum (University of Virginia Press, 2009).
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 16 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vivian Nun Halloran</itunes:subtitle>
      <itunes:summary>In Caribbean American Narratives of Belonging (Ohio State University Press, 2023), Vivian Nun Halloran analyzes memoirs, picture books, comic books, young adult novels, musicals, and television shows through which Caribbean Americans recount and celebrate their contributions to contemporary politics, culture, and activism in the United States. The writers, civil servants, illustrators, performers, and entertainers whose work is discussed here show what it is like to fit in and be included within the body politic. From civic memoirs by Sonia Sotomayor and others, to West Side Story, Hamilton, and Into the Spider-Verse, these texts share a forward-looking perspective, distinct from the more nostalgic rhetoric of traditional diasporic texts that privilege connections to the islands of origin.
There is no one way of being Caribbean. Diasporic communities exhibit a broad spectrum of ethnic, racial, religious, linguistic, and political qualities. Claiming a Caribbean American identity asks wider society to recognize and affirm hybridity in ways that challenge binaristic conceptions of race and nationality. Halloran provides a common language and critical framework to discuss the achievements of members of the Caribbean diaspora and their considerable cultural and political capital as evident in their contributions to literature and popular culture.
Vivian Nun Halloran is Professor of English and Associate Dean for Diversity and Inclusion in the College of Arts and Sciences at Indiana University Bloomington. She is a scholar of Caribbean literature, food studies, ethnic American literature, postmodernism, and popular culture. She previously wrote The Immigrant Kitchen: Food, Ethnicity, and Diaspora (Ohio State University Press, 2016) and Exhibiting Slavery: The Caribbean Postmodern Novel as Museum (University of Virginia Press, 2009).
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://ohiostatepress.org/books/titles/9780814215111.html"><em>Caribbean American Narratives of Belonging</em></a> (Ohio State University Press, 2023), <a href="https://english.indiana.edu/about/faculty/halloran-vivian.html">Vivian Nun Halloran</a> analyzes memoirs, picture books, comic books, young adult novels, musicals, and television shows through which Caribbean Americans recount and celebrate their contributions to contemporary politics, culture, and activism in the United States. The writers, civil servants, illustrators, performers, and entertainers whose work is discussed here show what it is like to fit in and be included within the body politic. From civic memoirs by Sonia Sotomayor and others, to <em>West Side Story, Hamilton, </em>and<em> Into the Spider-Verse, </em>these texts share a forward-looking perspective, distinct from the more nostalgic rhetoric of traditional diasporic texts that privilege connections to the islands of origin.</p><p>There is no one way of being Caribbean. Diasporic communities exhibit a broad spectrum of ethnic, racial, religious, linguistic, and political qualities. Claiming a Caribbean American identity asks wider society to recognize and affirm hybridity in ways that challenge binaristic conceptions of race and nationality. Halloran provides a common language and critical framework to discuss the achievements of members of the Caribbean diaspora and their considerable cultural and political capital as evident in their contributions to literature and popular culture.</p><p>Vivian Nun Halloran is Professor of English and Associate Dean for Diversity and Inclusion in the College of Arts and Sciences at Indiana University Bloomington. She is a scholar of Caribbean literature, food studies, ethnic American literature, postmodernism, and popular culture. She previously wrote <a href="https://ohiostatepress.org/books/BookPages/halloran_immigrant.html"><em>The Immigrant Kitchen: Food, Ethnicity, and Diaspora</em></a> (Ohio State University Press, 2016) and <a href="https://www.upress.virginia.edu/title/3930/"><em>Exhibiting Slavery: The Caribbean Postmodern Novel as Museum</em></a> (University of Virginia Press, 2009).</p><p><a href="https://www.mona.uwi.edu/dogg/graduate-students/mr-aleem-mahabir"><em>Aleem Mahabir</em></a><em> is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on </em><a href="https://twitter.com/AleemMahabir"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4807</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR3507805587.mp3?updated=1689445702" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brianna Holt, "In Our Shoes: On Being a Young Black Woman in Not-So 'Post-Racial' America" (Plume Books, 2023)</title>
      <description>Part memoir, part cultural critique, In Our Shoes: On Being a Young Black Woman in Not-So 'Post-Racial' America (Plume Books, 2023) uses pop culture and author Brianna Holt’s own lived experience to dissect the stereotypes and preconceived notions that young Black women must overcome in America today. In this fresh exploration of cultural appropriation, wokeness, tone policing, and more, Holt carefully dismantles myths about Black womanhood, allowing readers to assess their biases while examining the roles Black millennial women are forced to take on simply to survive. Through nine thoughtful chapters—such as “Leave the Box Braids for the Black Girls” and “Why Are You So Dark?”—laced with searing commentary, personal anecdotes from Brianna’s own life, and interviews conducted with “everyday” Black women, In Our Shoes reveals the complexities of existence for Black women and creates a thought-provoking book that helps readers to learn, empathize, reflect, and, most importantly, act. A history, a work of criticism, a piece of reporting, and a call to action, In Our Shoes is a timely exploration of race and womanhood that will entertain, inspire, and inform in equal measures.
Brianna Holt is an author, screenwriter, and reporter living in New York City. Holt's writing has been published in The New York Times, The Guardian, Rolling Stone, GQ, The Cut, The Atlantic, Complex, and more, including her own column, Active Voice, through Medium's GEN. In Our Shoes is her first book. 
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 16 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>240</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brianna Holt</itunes:subtitle>
      <itunes:summary>Part memoir, part cultural critique, In Our Shoes: On Being a Young Black Woman in Not-So 'Post-Racial' America (Plume Books, 2023) uses pop culture and author Brianna Holt’s own lived experience to dissect the stereotypes and preconceived notions that young Black women must overcome in America today. In this fresh exploration of cultural appropriation, wokeness, tone policing, and more, Holt carefully dismantles myths about Black womanhood, allowing readers to assess their biases while examining the roles Black millennial women are forced to take on simply to survive. Through nine thoughtful chapters—such as “Leave the Box Braids for the Black Girls” and “Why Are You So Dark?”—laced with searing commentary, personal anecdotes from Brianna’s own life, and interviews conducted with “everyday” Black women, In Our Shoes reveals the complexities of existence for Black women and creates a thought-provoking book that helps readers to learn, empathize, reflect, and, most importantly, act. A history, a work of criticism, a piece of reporting, and a call to action, In Our Shoes is a timely exploration of race and womanhood that will entertain, inspire, and inform in equal measures.
Brianna Holt is an author, screenwriter, and reporter living in New York City. Holt's writing has been published in The New York Times, The Guardian, Rolling Stone, GQ, The Cut, The Atlantic, Complex, and more, including her own column, Active Voice, through Medium's GEN. In Our Shoes is her first book. 
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Part memoir, part cultural critique, In <a href="https://bookshop.org/a/12343/9780593186398"><em>Our Shoes: On Being a Young Black Woman in Not-So 'Post-Racial' America</em></a> (Plume Books, 2023) uses pop culture and author Brianna Holt’s own lived experience to dissect the stereotypes and preconceived notions that young Black women must overcome in America today. In this fresh exploration of cultural appropriation, wokeness, tone policing, and more, Holt carefully dismantles myths about Black womanhood, allowing readers to assess their biases while examining the roles Black millennial women are forced to take on simply to survive. Through nine thoughtful chapters—such as “Leave the Box Braids for the Black Girls” and “Why Are You So Dark?”—laced with searing commentary, personal anecdotes from Brianna’s own life, and interviews conducted with “everyday” Black women, In Our Shoes reveals the complexities of existence for Black women and creates a thought-provoking book that helps readers to learn, empathize, reflect, and, most importantly, act. A history, a work of criticism, a piece of reporting, and a call to action, In Our Shoes is a timely exploration of race and womanhood that will entertain, inspire, and inform in equal measures.</p><p>Brianna Holt is an author, screenwriter, and reporter living in New York City. Holt's writing has been published in The New York Times, The Guardian, Rolling Stone, GQ, The Cut, The Atlantic, Complex, and more, including her own column, Active Voice, through Medium's GEN. In Our Shoes is her first book. </p><p><em>Reighan Gillam</em> <em>is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Meg Bernhard, "Wine" (Bloomsbury, 2023)</title>
      <description>Today I talked to Meg Bernhard about her new book Wine (Bloomsbury, 2023). Agricultural product and cultural commodity, drink of ritual and drink of addiction, purveyor of pleasure, pain, and memory - wine has never been contained in a single glass. Drawing from science, religion, literature, and memoir, Wine meditates on the power structures bound up with making and drinking this ancient, intoxicating beverage.
While wine drunk millennia ago was the humble beverage of the people, today the drink is inextricable with power, sophistication, and often wealth. Bottles sell for half a million dollars. Point systems tell us which wines are considered the best. Wine professionals give us the language to describe what we taste.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 15 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Meg Bernhard</itunes:subtitle>
      <itunes:summary>Today I talked to Meg Bernhard about her new book Wine (Bloomsbury, 2023). Agricultural product and cultural commodity, drink of ritual and drink of addiction, purveyor of pleasure, pain, and memory - wine has never been contained in a single glass. Drawing from science, religion, literature, and memoir, Wine meditates on the power structures bound up with making and drinking this ancient, intoxicating beverage.
While wine drunk millennia ago was the humble beverage of the people, today the drink is inextricable with power, sophistication, and often wealth. Bottles sell for half a million dollars. Point systems tell us which wines are considered the best. Wine professionals give us the language to describe what we taste.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Meg Bernhard about her new book <a href="https://bookshop.org/a/12343/9781501383618"><em>Wine</em></a><em> </em>(Bloomsbury, 2023). Agricultural product and cultural commodity, drink of ritual and drink of addiction, purveyor of pleasure, pain, and memory - wine has never been contained in a single glass. Drawing from science, religion, literature, and memoir, Wine meditates on the power structures bound up with making and drinking this ancient, intoxicating beverage.</p><p>While wine drunk millennia ago was the humble beverage of the people, today the drink is inextricable with power, sophistication, and often wealth. Bottles sell for half a million dollars. Point systems tell us which wines are considered the best. Wine professionals give us the language to describe what we taste.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3517</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Eliot Borenstein, "Marvel Comics in The 1970s: The World Inside Your Head" (Cornell UP, 2023)</title>
      <description>I am excited to welcome Eliot Borenstein to the podcast today to discuss his new monograph, Marvel Comics in the 1970s: The World Inside Your Head, published through Cornell University Press in 2023. Eliot is Professor of Russian and Slavic Studies at New York University. He has published a number of books: Soviet-Self-Hatred: The Secret Identities of Postsocialism (Cornell University Press, 2023); Plots against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019); Men without Women: Masculinity and Revolution in Russian Fiction, 1917-1929 (Cornell University Press, 2000); and Overkill: Sex Violence, and Russian Popular Culture after 1991 (Cornell University Press, 2008).
Marvel Comics in the 1970s focuses on five writers, all born between 1945 and 1948, and their iconic takes on characters and titles: Steve Engelhart’s Shang-Chi and Doctor Strange; Doug Moench’s Master of Kung Fu; Marv Wolfman’s Tomb of Dracula; Don McGregor’s Black Panther and Luke Cage; and Steve Gerber’s Howard the Duck. In particular, the book explores how subjectivity and the self are expressed through the unique medium and genre constraints of 1970s-era Marvel comics.
John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>231</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eliot Borenstein</itunes:subtitle>
      <itunes:summary>I am excited to welcome Eliot Borenstein to the podcast today to discuss his new monograph, Marvel Comics in the 1970s: The World Inside Your Head, published through Cornell University Press in 2023. Eliot is Professor of Russian and Slavic Studies at New York University. He has published a number of books: Soviet-Self-Hatred: The Secret Identities of Postsocialism (Cornell University Press, 2023); Plots against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019); Men without Women: Masculinity and Revolution in Russian Fiction, 1917-1929 (Cornell University Press, 2000); and Overkill: Sex Violence, and Russian Popular Culture after 1991 (Cornell University Press, 2008).
Marvel Comics in the 1970s focuses on five writers, all born between 1945 and 1948, and their iconic takes on characters and titles: Steve Engelhart’s Shang-Chi and Doctor Strange; Doug Moench’s Master of Kung Fu; Marv Wolfman’s Tomb of Dracula; Don McGregor’s Black Panther and Luke Cage; and Steve Gerber’s Howard the Duck. In particular, the book explores how subjectivity and the self are expressed through the unique medium and genre constraints of 1970s-era Marvel comics.
John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I am excited to welcome Eliot Borenstein to the podcast today to discuss his new monograph, <a href="https://bookshop.org/a/12343/9781501769368"><em>Marvel Comics in the 1970s: The World Inside Your Head</em></a>, published through Cornell University Press in 2023. Eliot is Professor of Russian and Slavic Studies at New York University. He has published a number of books: <em>Soviet-Self-Hatred: The Secret Identities of Postsocialism</em> (Cornell University Press, 2023); <em>Plots against Russia: Conspiracy and Fantasy after Socialism</em> (Cornell University Press, 2019); <em>Men without Women: Masculinity and Revolution in Russian Fiction, 1917-1929 </em>(Cornell University Press, 2000); and <em>Overkill: Sex Violence, and Russian Popular Culture after 1991</em> (Cornell University Press, 2008).</p><p><em>Marvel Comics in the 1970s</em> focuses on five writers, all born between 1945 and 1948, and their iconic takes on characters and titles: Steve Engelhart’s Shang-Chi and Doctor Strange; Doug Moench’s <em>Master of Kung Fu</em>; Marv Wolfman’s <em>Tomb of Dracula</em>; Don McGregor’s <em>Black Panther</em> and <em>Luke Cage</em>; and Steve Gerber’s <em>Howard the Duck</em>. In particular, the book explores how subjectivity and the self are expressed through the unique medium and genre constraints of 1970s-era Marvel comics.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the </em><a href="https://muse.jhu.edu/article/786734"><em>Journal for Early Modern Culture Studies</em></a><em>, Early Theatre, Studies in Philology, and Shakespeare Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3945</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cfd13730-1f51-11ee-a1f1-f750906cfc7c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR3864703561.mp3?updated=1689015135" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Davies, "Adornment: What Self-Decoration Tells Us About Who We Are" (Bloomsbury, 2020)</title>
      <description>Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, Stephen Davies's Adornment: What Self-Decoration Tells Us About Who We Are (Bloomsbury, 2020) takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures.
From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species - religion, morality, and art.
Each chapter shows how modes of decoration send vitally important signals about what we care about, our affiliations and backgrounds, our social status and values. In short, by using the theme of bodily adornment to unify a very diverse set of human practices, this book tells us about who we are.
Stephen John Davies is Emeritus Professor of philosophy at the University of Auckland, New Zealand. He mainly writes on aesthetics, evolution, and particularly the philosophy of art.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 10 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>239</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephen Davies</itunes:subtitle>
      <itunes:summary>Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, Stephen Davies's Adornment: What Self-Decoration Tells Us About Who We Are (Bloomsbury, 2020) takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures.
From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species - religion, morality, and art.
Each chapter shows how modes of decoration send vitally important signals about what we care about, our affiliations and backgrounds, our social status and values. In short, by using the theme of bodily adornment to unify a very diverse set of human practices, this book tells us about who we are.
Stephen John Davies is Emeritus Professor of philosophy at the University of Auckland, New Zealand. He mainly writes on aesthetics, evolution, and particularly the philosophy of art.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, Stephen Davies's <a href="https://bookshop.org/a/12343/9781350120983"><em>Adornment: What Self-Decoration Tells Us About Who We Are</em></a><em> </em>(Bloomsbury, 2020) takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures.</p><p>From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species - religion, morality, and art.</p><p>Each chapter shows how modes of decoration send vitally important signals about what we care about, our affiliations and backgrounds, our social status and values. In short, by using the theme of bodily adornment to unify a very diverse set of human practices, this book tells us about who we are.</p><p>Stephen John Davies is Emeritus Professor of philosophy at the University of Auckland, New Zealand. He mainly writes on aesthetics, evolution, and particularly the philosophy of art.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1879</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR5482451633.mp3?updated=1688922383" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mathias F. Clasen, "Why Horror Seduces" (Oxford UP, 2017)</title>
      <description>From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular? 
Why Horror Seduces (Oxford UP, 2017) addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context. 
Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream.
Mathias Clasen Associate Professor of English at Aarhus University in Denmark. Clasen’s research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 08 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>169</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mathias F. Clasen</itunes:subtitle>
      <itunes:summary>From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular? 
Why Horror Seduces (Oxford UP, 2017) addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context. 
Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream.
Mathias Clasen Associate Professor of English at Aarhus University in Denmark. Clasen’s research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular? </p><p><a href="https://bookshop.org/a/12343/9780190666514"><em>Why Horror Seduces</em></a> (Oxford UP, 2017) addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context. </p><p>Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--<em>Why Horror Seduces</em> succinctly explores the cognitive processes behind spectators' need to scream.</p><p>Mathias Clasen Associate Professor of English at Aarhus University in Denmark. Clasen’s research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2802</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tilly Bridges, "Begin Transmission: The Trans Allegories of The Matrix" (BearManor Media, 2023)</title>
      <description>In Begin Transmission: The Trans Allegories of The Matrix (BearManor Media, 2023), trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person's transition journey - from Thomas Anderson, to Neo... to Trinity. Each movie's allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence. You'll learn how color is used to convey more than you realize, how Neo's psyche is personified in the people around him, how no other mass media franchise speaks as truly, deeply, and honestly to the trans experience, and exactly why these movies are beloved and vital to the trans community (and their cis allies). Free your mind, and see just how deep the rabbit hole goes.
Jana Byars is an independent scholar located in Amsterdam.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 04 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>169</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tilly Bridges</itunes:subtitle>
      <itunes:summary>In Begin Transmission: The Trans Allegories of The Matrix (BearManor Media, 2023), trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person's transition journey - from Thomas Anderson, to Neo... to Trinity. Each movie's allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence. You'll learn how color is used to convey more than you realize, how Neo's psyche is personified in the people around him, how no other mass media franchise speaks as truly, deeply, and honestly to the trans experience, and exactly why these movies are beloved and vital to the trans community (and their cis allies). Free your mind, and see just how deep the rabbit hole goes.
Jana Byars is an independent scholar located in Amsterdam.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9798887711263"><em>Begin Transmission: The Trans Allegories of The Matrix</em></a> (BearManor Media, 2023), trans woman and screenwriter <a href="http://birdguest.com/">Tilly Bridges</a> takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person's transition journey - from Thomas Anderson, to Neo... to Trinity. Each movie's allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence. You'll learn how color is used to convey more than you realize, how Neo's psyche is personified in the people around him, how no other mass media franchise speaks as truly, deeply, and honestly to the trans experience, and exactly why these movies are beloved and vital to the trans community (and their cis allies). Free your mind, and see just how deep the rabbit hole goes.</p><p><a href="https://www.sit.edu/sit_faculty/jana-byars-phd/"><em>Jana Byars</em></a><em> is an independent scholar located in Amsterdam.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2026</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4c7fbe1c-19b4-11ee-9841-47298632c1fa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR2037637981.mp3?updated=1688397364" length="0" type="audio/mpeg"/>
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    <item>
      <title>Suk-Young Kim, "Surviving Squid Game: A Guide to K-Drama, Netflix, and Global Streaming Wars" (Applause Books, 2023)</title>
      <description>In Surviving Squid Game: A Guide to K-Drama, Netflix, and Global Streaming Wars (Applause Books, 2023), scholar Suk-Young Kim reflects on Netflix's most-viewed series and one of the most influential Korean dramas, Squid Game. The series premiered in September 2021, when the pandemic cloud still hung heavy over viewers and seemed to mirror the societal ills COVID-19 brought to the surface. Kim explores the drama's intricate imagery, discussion of free will, and other components that made Squid Game strike a chord with so many viewers. This book is essential for anyone wanting to delve deeper into this global phenomenon.
Dr. Suk-Young Kim is a professor at UCLA. You can find details about Dr. Kim’s work here.
Leslie Hickman is a translator and writer who earned her MA in Korean Studies from Yonsei University. On Twitter. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 04 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Suk-Young Kim</itunes:subtitle>
      <itunes:summary>In Surviving Squid Game: A Guide to K-Drama, Netflix, and Global Streaming Wars (Applause Books, 2023), scholar Suk-Young Kim reflects on Netflix's most-viewed series and one of the most influential Korean dramas, Squid Game. The series premiered in September 2021, when the pandemic cloud still hung heavy over viewers and seemed to mirror the societal ills COVID-19 brought to the surface. Kim explores the drama's intricate imagery, discussion of free will, and other components that made Squid Game strike a chord with so many viewers. This book is essential for anyone wanting to delve deeper into this global phenomenon.
Dr. Suk-Young Kim is a professor at UCLA. You can find details about Dr. Kim’s work here.
Leslie Hickman is a translator and writer who earned her MA in Korean Studies from Yonsei University. On Twitter. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781493072729"><em>Surviving Squid Game: A Guide to K-Drama, Netflix, and Global Streaming Wars</em></a> (Applause Books, 2023), scholar Suk-Young Kim reflects on Netflix's most-viewed series and one of the most influential Korean dramas, <em>Squid Game</em>. The series premiered in September 2021, when the pandemic cloud still hung heavy over viewers and seemed to mirror the societal ills COVID-19 brought to the surface. Kim explores the drama's intricate imagery, discussion of free will, and other components that made <em>Squid Game </em>strike a chord with so many viewers. This book is essential for anyone wanting to delve deeper into this global phenomenon.</p><p>Dr. Suk-Young Kim is a professor at UCLA. You can find details about Dr. Kim’s work <a href="https://www.tft.ucla.edu/blog/2016/07/25/suk-young-kim/">here</a>.</p><p><a href="https://lesliehickman9.blogspot.com/"><em>Leslie Hickman</em></a><em> is a translator and writer who earned her MA in Korean Studies from Yonsei University. On </em><a href="https://twitter.com/AJuseyo"><em>Twitter</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2889</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[794e9942-19b7-11ee-a3a0-ef3a3c7e65f2]]></guid>
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    <item>
      <title>Jennifer Caplan, "Funny, You Don't Look Funny: Judaism and Humor from the Silent Generation to Millennials" (Wayne State UP, 2023)</title>
      <description>In this comprehensive approach to Jewish humor focused on the relationship between humor and American Jewish practice, Jennifer Caplan calls us to adopt a more expansive view of what it means to “do Jewish,” revealing that American Jews have turned, and continue to turn, to humor as a cultural touchstone. Caplan frames Funny, You Don't Look Funny: Judaism and Humor from the Silent Generation to Millennials (Wayne State UP, 2023) around four generations of Jewish Americans from the Silent Generation to Millennials, highlighting a shift from the utilization of Jewish-specific markers to American-specific markers.
Jewish humor operates as a system of meaning-making for many Jewish Americans. By mapping humor onto both the generational identity of those making it and the use of Judaism within it, new insights about the development of American Judaism emerge. Caplan’s explication is innovative and insightful, engaging with scholarly discourse across Jewish studies and Jewish American history; it includes the work of Joseph Heller, Larry David, Woody Allen, Seinfeld, the Coen brothers films, and Broad City. This example of well-informed scholarship begins with an explanation of what makes Jewish humor Jewish and why Jewish humor is such a visible phenomenon. Offering ample evidence and examples along the way, Caplan guides readers through a series of phenomenological and ideological changes across generations, concluding with commentary regarding the potential influences on Jewish humor of later Millennials, Gen Z, and beyond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 04 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>412</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Caplan</itunes:subtitle>
      <itunes:summary>In this comprehensive approach to Jewish humor focused on the relationship between humor and American Jewish practice, Jennifer Caplan calls us to adopt a more expansive view of what it means to “do Jewish,” revealing that American Jews have turned, and continue to turn, to humor as a cultural touchstone. Caplan frames Funny, You Don't Look Funny: Judaism and Humor from the Silent Generation to Millennials (Wayne State UP, 2023) around four generations of Jewish Americans from the Silent Generation to Millennials, highlighting a shift from the utilization of Jewish-specific markers to American-specific markers.
Jewish humor operates as a system of meaning-making for many Jewish Americans. By mapping humor onto both the generational identity of those making it and the use of Judaism within it, new insights about the development of American Judaism emerge. Caplan’s explication is innovative and insightful, engaging with scholarly discourse across Jewish studies and Jewish American history; it includes the work of Joseph Heller, Larry David, Woody Allen, Seinfeld, the Coen brothers films, and Broad City. This example of well-informed scholarship begins with an explanation of what makes Jewish humor Jewish and why Jewish humor is such a visible phenomenon. Offering ample evidence and examples along the way, Caplan guides readers through a series of phenomenological and ideological changes across generations, concluding with commentary regarding the potential influences on Jewish humor of later Millennials, Gen Z, and beyond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this comprehensive approach to Jewish humor focused on the relationship between humor and American Jewish practice, Jennifer Caplan calls us to adopt a more expansive view of what it means to “do Jewish,” revealing that American Jews have turned, and continue to turn, to humor as a cultural touchstone. Caplan frames <a href="https://bookshop.org/a/12343/9780814347317"><em>Funny, You Don't Look Funny: Judaism and Humor from the Silent Generation to Millennials</em></a> (Wayne State UP, 2023) around four generations of Jewish Americans from the Silent Generation to Millennials, highlighting a shift from the utilization of Jewish-specific markers to American-specific markers.</p><p>Jewish humor operates as a system of meaning-making for many Jewish Americans. By mapping humor onto both the generational identity of those making it and the use of Judaism within it, new insights about the development of American Judaism emerge. Caplan’s explication is innovative and insightful, engaging with scholarly discourse across Jewish studies and Jewish American history; it includes the work of Joseph Heller, Larry David, Woody Allen, <em>Seinfeld</em>, the Coen brothers films, and <em>Broad City</em>. This example of well-informed scholarship begins with an explanation of what makes Jewish humor Jewish and why Jewish humor is such a visible phenomenon. Offering ample evidence and examples along the way, Caplan guides readers through a series of phenomenological and ideological changes across generations, concluding with commentary regarding the potential influences on Jewish humor of later Millennials, Gen Z, and beyond.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3631</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Adrian Rifkin, "Future Imperfect: The Past Between My Fingers..." (2021)</title>
      <description>Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind.
Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin’s short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art.
Adrian Rifkin speaks to Pierre d’Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature.

Adrain’s performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017


The White Pube 🎨🖌️🐀

Jeffrey Steele

Robert Motherwell

Artangel

Afterall

Allan Sekula’s Fish Story


Elizabeth Price

Anne Tallentire

Hanne Darboven

Hans Eysenck


Adrian Rifkin is a writer and art historian engaged in contemporary art, film, classical and popular music, canonical and mass imagery, literature and pornography. Until recently he was Professor of Art Writing at Goldsmiths. He is the author of Street Noises: Studies in Parisian Pleasure, 1900-40, and Ingres Then, and Now. His collected essays appeared as Communards and Other Cultural Histories and his work was the subject of the anthology Inter-disciplinary Encounters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 02 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adrian Rifkin</itunes:subtitle>
      <itunes:summary>Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind.
Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin’s short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art.
Adrian Rifkin speaks to Pierre d’Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature.

Adrain’s performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017


The White Pube 🎨🖌️🐀

Jeffrey Steele

Robert Motherwell

Artangel

Afterall

Allan Sekula’s Fish Story


Elizabeth Price

Anne Tallentire

Hanne Darboven

Hans Eysenck


Adrian Rifkin is a writer and art historian engaged in contemporary art, film, classical and popular music, canonical and mass imagery, literature and pornography. Until recently he was Professor of Art Writing at Goldsmiths. He is the author of Street Noises: Studies in Parisian Pleasure, 1900-40, and Ingres Then, and Now. His collected essays appeared as Communards and Other Cultural Histories and his work was the subject of the anthology Inter-disciplinary Encounters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind.</em></p><p><em>Future Imperfect: The Past Between My Fingers..</em>. (2021), Adrian Rifkin’s short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art.</p><p>Adrian Rifkin speaks to Pierre d’Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature.</p><ul>
<li>Adrain’s performance <a href="https://www.youtube.com/watch?v=3EMAl77sy44"><em>Hypotheses and Loving Contradictions</em></a> at Haus der Kunst, 2017</li>
<li>
<a href="https://www.thewhitepube.co.uk/">The White Pube</a> 🎨🖌️🐀</li>
<li><a href="https://www.tate.org.uk/art/artists/jeffrey-steele-1989">Jeffrey Steele</a></li>
<li><a href="https://www.levygorvy.com/exhibitions/robert-motherwell-elegy-to-the-spanish-republic/">Robert Motherwell</a></li>
<li><a href="https://www.artangel.org.uk/">Artangel</a></li>
<li><a href="https://www.afterall.org/">Afterall</a></li>
<li>Allan Sekula’s <a href="https://www.tate.org.uk/research/tate-papers/18/production-in-view-allan-sekulas-fish-story-and-the-thawing-of-postmodernism"><em>Fish Story</em></a>
</li>
<li><a href="https://elizabethprice.site/">Elizabeth Price</a></li>
<li><a href="https://annetallentire.info/">Anne Tallentire</a></li>
<li><a href="https://www.artnet.com/artists/hanne-darboven/">Hanne Darboven</a></li>
<li><a href="https://en.wikipedia.org/wiki/Hans_Eysenck">Hans Eysenck</a></li>
</ul><p><br></p><p><a href="http://gai-savoir.net/">Adrian Rifkin</a> is a writer and art historian engaged in contemporary art, film, classical and popular music, canonical and mass imagery, literature and pornography. Until recently he was Professor of Art Writing at Goldsmiths. He is the author of <em>Street Noises: Studies in Parisian Pleasure, 1900-40</em>, and <em>Ingres Then, and Now</em>. His collected essays appeared as <a href="https://www.google.co.uk/books/edition/Communards_and_Other_Cultural_Histories/89KYDQAAQBAJ"><em>Communards and Other Cultural Histories</em></a> and his work was the subject of the anthology <a href="https://www.google.co.uk/books/edition/Inter_disciplinary_Encounters/5_1NzAEACAAJ?hl=en"><em>Inter-disciplinary Encounters</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4818</itunes:duration>
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      <title>Marie Arleth Skov, "Punk Art History: Artworks from the European No Future Generation" (Intellect, 2023)</title>
      <description>In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future’ generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard’.
Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art.
What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way?
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 30 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>159</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marie Arleth Skov</itunes:subtitle>
      <itunes:summary>In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future’ generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard’.
Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art.
What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way?
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book, <a href="https://www.intellectbooks.com/punk-art-history"><em>Punk Art History: Artworks from the European No Future Generation</em></a> (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future’ generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard’.</p><p>Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the <em>Prostitution </em>exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art.</p><p>What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way?</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2420</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[58646874-16ba-11ee-b576-37006b1a88ac]]></guid>
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    </item>
    <item>
      <title>Academic Chat: "Detention" and Other Horror Videogames: Avatars, Memory and Trauma</title>
      <description>The host of this episode, Adina Zemanek, interviewed Chee-Hann Wu, who obtained her PhD in Drama and Theatre from the University of California, Irvine and UC San Diego. They talked about the following themes: horror videogames in Taiwan and historical trauma; the potential roles of such games for local and international audiences, and thus for Taiwan's cultural diplomacy; traditional puppetry and avatars; and recent state support for local game production.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 24 Jun 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chee-Hann Wu</itunes:subtitle>
      <itunes:summary>The host of this episode, Adina Zemanek, interviewed Chee-Hann Wu, who obtained her PhD in Drama and Theatre from the University of California, Irvine and UC San Diego. They talked about the following themes: horror videogames in Taiwan and historical trauma; the potential roles of such games for local and international audiences, and thus for Taiwan's cultural diplomacy; traditional puppetry and avatars; and recent state support for local game production.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The host of this episode, Adina Zemanek, interviewed Chee-Hann Wu, who obtained her PhD in Drama and Theatre from the University of California, Irvine and UC San Diego. They talked about the following themes: horror videogames in Taiwan and historical trauma; the potential roles of such games for local and international audiences, and thus for Taiwan's cultural diplomacy; traditional puppetry and avatars; and recent state support for local game production.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2138</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f5e5b0dc-11c2-11ee-a24b-6789ee58bb98]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR6775941547.mp3?updated=1687524555" length="0" type="audio/mpeg"/>
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    <item>
      <title>Lars de Wildt, "The Pop Theology of Videogames: Producing and Playing with Religion" (Amsterdam UP, 2023)</title>
      <description>Young people in the West are more likely to encounter religion in videogames than in places of worship like churches, mosques or temples. Lars de Wildt interviews developers and players of games such as Assassin’s Creed to find out how and why the Pop Theology of Videogames is so appealing to modern audiences.
Based on extensive fieldwork, Lars de Wildt's book The Pop Theology of Videogames: Producing and Playing with Religion (Amsterdam UP, 2023) argues that developers of videogames and their players engage in a ‘Pop Theology’ through which laymen reconsider traditional questions of religion by playing with them. Games allow us to play with religious questions and identities in the same way that children play at being a soldier, or choose to ‘play house.’
This requires a radical rethinking of religious questions as no longer just questions of belief or disbelief; but as truths to be tried on, compared, and discarded at will.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 22 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>202</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lars de Wildt</itunes:subtitle>
      <itunes:summary>Young people in the West are more likely to encounter religion in videogames than in places of worship like churches, mosques or temples. Lars de Wildt interviews developers and players of games such as Assassin’s Creed to find out how and why the Pop Theology of Videogames is so appealing to modern audiences.
Based on extensive fieldwork, Lars de Wildt's book The Pop Theology of Videogames: Producing and Playing with Religion (Amsterdam UP, 2023) argues that developers of videogames and their players engage in a ‘Pop Theology’ through which laymen reconsider traditional questions of religion by playing with them. Games allow us to play with religious questions and identities in the same way that children play at being a soldier, or choose to ‘play house.’
This requires a radical rethinking of religious questions as no longer just questions of belief or disbelief; but as truths to be tried on, compared, and discarded at will.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Young people in the West are more likely to encounter religion in videogames than in places of worship like churches, mosques or temples. Lars de Wildt interviews developers and players of games such as Assassin’s Creed to find out how and why the Pop Theology of Videogames is so appealing to modern audiences.</p><p>Based on extensive fieldwork, Lars de Wildt's book <a href="https://bookshop.org/a/12343/9789463729864"><em>The Pop Theology of Videogames: Producing and Playing with Religion</em></a><em> </em>(Amsterdam UP, 2023) argues that developers of videogames and their players engage in a ‘Pop Theology’ through which laymen reconsider traditional questions of religion by playing with them. Games allow us to play with religious questions and identities in the same way that children play at being a soldier, or choose to ‘play house.’</p><p>This requires a radical rethinking of religious questions as no longer just questions of belief or disbelief; but as truths to be tried on, compared, and discarded at will.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2146</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Michael Gray, "Song &amp; Dance Man: The Art of Bob Dylan-Vol. 1 Language &amp; Tradition" (FM Press, 2023)</title>
      <description>Song &amp; Dance Man is an established classic, available again for Dylan fans and scholars alike on the 50th Anniversary of the original edition. The work in these three volumes has been called “Monumental, endlessly illuminating.” (Rolling Stone) “Probably the greatest book about the work of a single popular musician ever to have been published.” (London Review Bookshop) and "The definitive critical work." (Evening Standard).
Author Michael Gray is recognized as a world authority on the work and career of Bob Dylan; he was the first to consider Dylan’s writing as worthy of treatment as serious art. As author K G Miles said: “People forget that the road to the Nobel Prize was very long, took many years, and began with that book; it began with Michael Gray.”
Song &amp; Dance Man is unique in its scope, integrating biographical, literary and musical contexts into a powerful scrutiny of Dylan as songwriter and performer.
This first volume contains the foundational and timeless analysis that made this book a classic - looking at how Dylan's writing and performance set in the folk and literary traditions and how it compared to other efforts to write rock and pop songs. It deeply inspects and discusses Dylan's use of language, both his early bursts of complexity and his later move towards simplicity.
Included is a special review of the song 'Lay Down Your Weary Tune' which Gray finds particularly effective and impressive, and an over 100-page chapter detailed Dylan's fascination with and use of the pre-war blues.
Michael Gray is a critic, writer, public speaker &amp; broadcaster recognised as a world authority on the work of Bob Dylan, and as an expert on rock’n’roll history. He also has a special interest in pre-war blues, and in travel.
Song &amp; Dance Man on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 22 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Gray</itunes:subtitle>
      <itunes:summary>Song &amp; Dance Man is an established classic, available again for Dylan fans and scholars alike on the 50th Anniversary of the original edition. The work in these three volumes has been called “Monumental, endlessly illuminating.” (Rolling Stone) “Probably the greatest book about the work of a single popular musician ever to have been published.” (London Review Bookshop) and "The definitive critical work." (Evening Standard).
Author Michael Gray is recognized as a world authority on the work and career of Bob Dylan; he was the first to consider Dylan’s writing as worthy of treatment as serious art. As author K G Miles said: “People forget that the road to the Nobel Prize was very long, took many years, and began with that book; it began with Michael Gray.”
Song &amp; Dance Man is unique in its scope, integrating biographical, literary and musical contexts into a powerful scrutiny of Dylan as songwriter and performer.
This first volume contains the foundational and timeless analysis that made this book a classic - looking at how Dylan's writing and performance set in the folk and literary traditions and how it compared to other efforts to write rock and pop songs. It deeply inspects and discusses Dylan's use of language, both his early bursts of complexity and his later move towards simplicity.
Included is a special review of the song 'Lay Down Your Weary Tune' which Gray finds particularly effective and impressive, and an over 100-page chapter detailed Dylan's fascination with and use of the pre-war blues.
Michael Gray is a critic, writer, public speaker &amp; broadcaster recognised as a world authority on the work of Bob Dylan, and as an expert on rock’n’roll history. He also has a special interest in pre-war blues, and in travel.
Song &amp; Dance Man on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/B0C5G29VLH?binding=paperback&amp;ref=dbs_m_mng_rwt_sft_tpbk_tkin"><em>Song &amp; Dance Man</em></a> is an established classic, available again for Dylan fans and scholars alike on the 50th Anniversary of the original edition. The work in these three volumes has been called “Monumental, endlessly illuminating.” (<em>Rolling Stone</em>) “Probably the greatest book about the work of a single popular musician ever to have been published.” (<em>London Review Bookshop</em>) and "The definitive critical work." (<em>Evening Standard</em>).</p><p>Author Michael Gray is recognized as a world authority on the work and career of Bob Dylan; he was the first to consider Dylan’s writing as worthy of treatment as serious art. As author K G Miles said: “People forget that the road to the Nobel Prize was very long, took many years, and began with that book; it began with Michael Gray.”</p><p><em>Song &amp; Dance Man</em> is unique in its scope, integrating biographical, literary and musical contexts into a powerful scrutiny of Dylan as songwriter and performer.</p><p>This first volume contains the foundational and timeless analysis that made this book a classic - looking at how Dylan's writing and performance set in the folk and literary traditions and how it compared to other efforts to write rock and pop songs. It deeply inspects and discusses Dylan's use of language, both his early bursts of complexity and his later move towards simplicity.</p><p>Included is a special review of the song 'Lay Down Your Weary Tune' which Gray finds particularly effective and impressive, and an over 100-page chapter detailed Dylan's fascination with and use of the pre-war blues.</p><p>Michael Gray is a critic, writer, public speaker &amp; broadcaster recognised as a world authority on the work of Bob Dylan, and as an expert on rock’n’roll history. He also has a special interest in pre-war blues, and in travel.</p><p><em>Song &amp; Dance Man </em>on <a href="https://twitter.com/1michaelgray1/">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3180</itunes:duration>
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      <title>The History of the American Shopping Mall and Its Cultures</title>
      <description>Writer and design critic Alexandra Lange talks about her book, Meet Me by the Fountain: An Inside History of the Shopping Mall (Bloombury, 2023), with Peoples &amp; Things host, Lee Vinsel. Meet Me by the Fountain is a history of the American shopping mall from its emergence to recent attempts to reinvent and reconceptualize the shells of “dead” shopping centers. Along the way, it details the mall’s many ironies and contradictions and how it became the center and icon of community and culture, especially youth culture, in the late 20th century. Lange and Vinsel also discuss Lange’s larger career and her work as an architecture and design critic.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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      <pubDate>Mon, 19 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Alexandra Lange</itunes:subtitle>
      <itunes:summary>Writer and design critic Alexandra Lange talks about her book, Meet Me by the Fountain: An Inside History of the Shopping Mall (Bloombury, 2023), with Peoples &amp; Things host, Lee Vinsel. Meet Me by the Fountain is a history of the American shopping mall from its emergence to recent attempts to reinvent and reconceptualize the shells of “dead” shopping centers. Along the way, it details the mall’s many ironies and contradictions and how it became the center and icon of community and culture, especially youth culture, in the late 20th century. Lange and Vinsel also discuss Lange’s larger career and her work as an architecture and design critic.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Writer and design critic Alexandra Lange talks about her book, <a href="https://bookshop.org/a/12343/9781635576023"><em>Meet Me by the Fountain: An Inside History of the Shopping Mall</em></a> (Bloombury, 2023), with Peoples &amp; Things host, Lee Vinsel. <em>Meet Me by the Fountain </em>is a history of the American shopping mall from its emergence to recent attempts to reinvent and reconceptualize the shells of “dead” shopping centers. Along the way, it details the mall’s many ironies and contradictions and how it became the center and icon of community and culture, especially youth culture, in the late 20th century. Lange and Vinsel also discuss Lange’s larger career and her work as an architecture and design critic.</p><p><a href="https://liberalarts.vt.edu/departments-and-schools/department-of-science-technology-and-society/faculty/lee-vinsel.html"><em>Lee Vinsel</em></a><em> is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, </em><a href="https://bookshop.org/a/12343/9781421429656"><em>Moving Violations: Automobiles, Experts, and Regulations in the United States</em></a><em>, was published by Johns Hopkins University Press in July 2019.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4075</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dbe0fa84-0de9-11ee-bb87-4becd483f4a1]]></guid>
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      <title>Alexandra Dane, "White Literary Taste Production in Contemporary Book Culture" (Cambridge UP, 2023)</title>
      <description>Despite initiatives to 'diversify' the publishing sector, there has been almost no transformation to the historic racial inequality that defines the field. White Literary Taste Production in Contemporary Book Culture (Cambridge UP, 2023) argues that contemporary book culture is structured by practice that operates according to a White taste logic.
By applying the notion of this logic to an analysis of both traditional and new media tastemaking practices, Alexandra Dane examines the influence of Whiteness on the cultural practice, and how the long-standing racial inequities that characterize Anglophone book publishing are supported by systems, institutions and platforms. These themes are explored through two distinct but interrelated case studies-women's literary prizes and anti-racist reading lists on Instagram-which demonstrate the dominance of Whiteness, and in particular White feminism, in the contemporary literary discourse.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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      <pubDate>Sat, 17 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexandra Dane</itunes:subtitle>
      <itunes:summary>Despite initiatives to 'diversify' the publishing sector, there has been almost no transformation to the historic racial inequality that defines the field. White Literary Taste Production in Contemporary Book Culture (Cambridge UP, 2023) argues that contemporary book culture is structured by practice that operates according to a White taste logic.
By applying the notion of this logic to an analysis of both traditional and new media tastemaking practices, Alexandra Dane examines the influence of Whiteness on the cultural practice, and how the long-standing racial inequities that characterize Anglophone book publishing are supported by systems, institutions and platforms. These themes are explored through two distinct but interrelated case studies-women's literary prizes and anti-racist reading lists on Instagram-which demonstrate the dominance of Whiteness, and in particular White feminism, in the contemporary literary discourse.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite initiatives to 'diversify' the publishing sector, there has been almost no transformation to the historic racial inequality that defines the field. <a href="https://bookshop.org/a/12343/9781009234245"><em>White Literary Taste Production in Contemporary Book Culture</em></a><em> </em>(Cambridge UP, 2023) argues that contemporary book culture is structured by practice that operates according to a White taste logic.</p><p>By applying the notion of this logic to an analysis of both traditional and new media tastemaking practices, Alexandra Dane examines the influence of Whiteness on the cultural practice, and how the long-standing racial inequities that characterize Anglophone book publishing are supported by systems, institutions and platforms. These themes are explored through two distinct but interrelated case studies-women's literary prizes and anti-racist reading lists on Instagram-which demonstrate the dominance of Whiteness, and in particular White feminism, in the contemporary literary discourse.</p><p><a href="https://linktr.ee/jenhoyer"><em>Jen Hoyer</em></a><em> is Technical Services and Electronic Resources Librarian at</em><a href="http://www.citytech.cuny.edu/"><em> CUNY New York City College of Technology</em></a><em>. Jen edits for </em><a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a><em> and organizes with the </em><a href="https://tpscollective.org/"><em>TPS Collective</em></a><em>. She is co-author of</em><a href="https://www.abc-clio.com/products/a6435p/"><em> What Primary Sources Teach: Lessons for Every Classroom</em></a><em> and</em><a href="https://litwinbooks.com/books/6722/"><em> The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2183</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2b26c28a-0bac-11ee-9b40-c7ea4893a239]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR3030488067.mp3?updated=1686854976" length="0" type="audio/mpeg"/>
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      <title>Zhouxiang Lu, "A History of Competitive Gaming" (Routledge, 2022)</title>
      <description>Competitive gaming, or esports - referring to competitive tournaments of video games among both casual gamers and professional players - began in the early 1970s with small competitions like the one held at Stanford University in October 1972, where some 20 researchers and students attended. By 2022, the estimated revenue of the global esports industry is in excess of $947 million, with over 200 million viewers worldwide. Regardless of views held about competitive gaming, esports have become a modern economic and cultural phenomenon.
This book studies the full history of competitive gaming from the 1970s to the 2010s against the background of the arrival of the electronic and computer age. It investigates how competitive gaming has grown into a new form of entertainment, a sport-like competition, a lucrative business and a unique cultural sensation. It also explores the role of competitive gaming in the development of the video game industry, making a distinctive contribution to our knowledge and understanding of the history of video games.
Zhouxiang Lu's A History of Competitive Gaming (Routledge, 2022) will appeal to all those interested in the business and culture of gaming, as well as those studying modern technological culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 12 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>250</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Zhouxiang Lu</itunes:subtitle>
      <itunes:summary>Competitive gaming, or esports - referring to competitive tournaments of video games among both casual gamers and professional players - began in the early 1970s with small competitions like the one held at Stanford University in October 1972, where some 20 researchers and students attended. By 2022, the estimated revenue of the global esports industry is in excess of $947 million, with over 200 million viewers worldwide. Regardless of views held about competitive gaming, esports have become a modern economic and cultural phenomenon.
This book studies the full history of competitive gaming from the 1970s to the 2010s against the background of the arrival of the electronic and computer age. It investigates how competitive gaming has grown into a new form of entertainment, a sport-like competition, a lucrative business and a unique cultural sensation. It also explores the role of competitive gaming in the development of the video game industry, making a distinctive contribution to our knowledge and understanding of the history of video games.
Zhouxiang Lu's A History of Competitive Gaming (Routledge, 2022) will appeal to all those interested in the business and culture of gaming, as well as those studying modern technological culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Competitive gaming, or esports - referring to competitive tournaments of video games among both casual gamers and professional players - began in the early 1970s with small competitions like the one held at Stanford University in October 1972, where some 20 researchers and students attended. By 2022, the estimated revenue of the global esports industry is in excess of $947 million, with over 200 million viewers worldwide. Regardless of views held about competitive gaming, esports have become a modern economic and cultural phenomenon.</p><p>This book studies the full history of competitive gaming from the 1970s to the 2010s against the background of the arrival of the electronic and computer age. It investigates how competitive gaming has grown into a new form of entertainment, a sport-like competition, a lucrative business and a unique cultural sensation. It also explores the role of competitive gaming in the development of the video game industry, making a distinctive contribution to our knowledge and understanding of the history of video games.</p><p>Zhouxiang Lu's <a href="https://bookshop.org/a/12343/9780367559618"><em>A History of Competitive Gaming</em></a> (Routledge, 2022) will appeal to all those interested in the business and culture of gaming, as well as those studying modern technological culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2083</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Ida Yoshinaga et al., "Uneven Futures: Strategies for Community Survival from Speculative Fiction" (MIT Press, 2022)</title>
      <description>Essays on speculative/science fiction explore the futures that feed our most cherished fantasies and terrifying nightmares, while helping diverse communities devise new survival strategies for a tough millennium. The explosion in speculative/science fiction (SF) across different media from the late twentieth century to the present has compelled those in the field of SF studies to rethink the community’s identity, orientation, and stakes. 
In Ida Yoshinaga, Sean Guynes, and Gerry Canavan's edited volume Uneven Futures: Strategies for Community Survival from Speculative Fiction (MIT Press, 2022), more than forty writers, critics, game designers, scholars, and activists explore core SF texts, with an eye toward a future in which corporations dominate both the means of production and the means of distribution and governments rely on powerful surveillance and carceral technologies. The essays, international in scope, demonstrate the diversity of SF through a balance of popular mass-market novels, comics, films, games, TV shows, creepypastas, and more niche works. SF works explored range from Riot Baby by Tochi Onyebuchi, 2084: The End of the World by Boualem Sansal, Terra Nullius by Claire Coleman, Watchmen and X-Men comics, and the Marvel film Captain America: The Winter Soldier, to the MaddAddam trilogy by Margaret Atwood, The Dispossessed by Ursula K. Le Guin, The Wandering Earth by Liu Cixin, and the Wormwood trilogy by Tade Thompson. In an era in which ecological disaster and global pandemics regularly expose and intensify deep political-economic inequalities, what futures has SF anticipated? What survival strategies has it provided us? Can it help us to deal with, and grow beyond, the inequalities and injustices of our times? Unlike other books of speculative/science fiction criticism, Uneven Futures uses a think piece format to make its critical insights engaging to a wide audience. The essays inspire visions of better possible futures—drawing on feminist, queer, and global speculative engagements with Indigenous, Latinx, and Afro- and African futurisms—while imparting important lessons for political organizing in the present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 11 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ida Yoshinaga, Sean Guynes, and Gerry Canavan</itunes:subtitle>
      <itunes:summary>Essays on speculative/science fiction explore the futures that feed our most cherished fantasies and terrifying nightmares, while helping diverse communities devise new survival strategies for a tough millennium. The explosion in speculative/science fiction (SF) across different media from the late twentieth century to the present has compelled those in the field of SF studies to rethink the community’s identity, orientation, and stakes. 
In Ida Yoshinaga, Sean Guynes, and Gerry Canavan's edited volume Uneven Futures: Strategies for Community Survival from Speculative Fiction (MIT Press, 2022), more than forty writers, critics, game designers, scholars, and activists explore core SF texts, with an eye toward a future in which corporations dominate both the means of production and the means of distribution and governments rely on powerful surveillance and carceral technologies. The essays, international in scope, demonstrate the diversity of SF through a balance of popular mass-market novels, comics, films, games, TV shows, creepypastas, and more niche works. SF works explored range from Riot Baby by Tochi Onyebuchi, 2084: The End of the World by Boualem Sansal, Terra Nullius by Claire Coleman, Watchmen and X-Men comics, and the Marvel film Captain America: The Winter Soldier, to the MaddAddam trilogy by Margaret Atwood, The Dispossessed by Ursula K. Le Guin, The Wandering Earth by Liu Cixin, and the Wormwood trilogy by Tade Thompson. In an era in which ecological disaster and global pandemics regularly expose and intensify deep political-economic inequalities, what futures has SF anticipated? What survival strategies has it provided us? Can it help us to deal with, and grow beyond, the inequalities and injustices of our times? Unlike other books of speculative/science fiction criticism, Uneven Futures uses a think piece format to make its critical insights engaging to a wide audience. The essays inspire visions of better possible futures—drawing on feminist, queer, and global speculative engagements with Indigenous, Latinx, and Afro- and African futurisms—while imparting important lessons for political organizing in the present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Essays on speculative/science fiction explore the futures that feed our most cherished fantasies and terrifying nightmares, while helping diverse communities devise new survival strategies for a tough millennium. The explosion in speculative/science fiction (SF) across different media from the late twentieth century to the present has compelled those in the field of SF studies to rethink the community’s identity, orientation, and stakes. </p><p>In Ida Yoshinaga, Sean Guynes, and Gerry Canavan's edited volume <a href="https://bookshop.org/a/12343/9780262543941"><em>Uneven Futures: Strategies for Community Survival from Speculative Fiction</em></a><em> </em>(MIT Press, 2022), more than forty writers, critics, game designers, scholars, and activists explore core SF texts, with an eye toward a future in which corporations dominate both the means of production and the means of distribution and governments rely on powerful surveillance and carceral technologies. The essays, international in scope, demonstrate the diversity of SF through a balance of popular mass-market novels, comics, films, games, TV shows, creepypastas, and more niche works. SF works explored range from <em>Riot Baby</em> by Tochi Onyebuchi, <em>2084: The End of the World</em> by Boualem Sansal, <em>Terra Nullius</em> by Claire Coleman, Watchmen and X-Men comics, and the Marvel film <em>Captain America: The Winter Soldier</em>, to the MaddAddam trilogy by Margaret Atwood, <em>The Dispossessed </em>by Ursula K. Le Guin, <em>The Wandering Earth</em> by Liu Cixin, and the Wormwood trilogy by Tade Thompson. In an era in which ecological disaster and global pandemics regularly expose and intensify deep political-economic inequalities, what futures has SF anticipated? What survival strategies has it provided us? Can it help us to deal with, and grow beyond, the inequalities and injustices of our times? Unlike other books of speculative/science fiction criticism, <em>Uneven Futures</em> uses a think piece format to make its critical insights engaging to a wide audience. The essays inspire visions of better possible futures—drawing on feminist, queer, and global speculative engagements with Indigenous, Latinx, and Afro- and African futurisms—while imparting important lessons for political organizing in the present.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f628e08e-07b1-11ee-98be-7bde3bab0d66]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NSR6999911079.mp3?updated=1686417547" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Metsa and Rick Shefchik, "Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece" (U Minnesota Press, 2023)</title>
      <description>The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album.
When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something’s not right, it’s wrong,” as Dylan puts it in “You’re Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan’s best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition.
Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan’s until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due.
A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players.
Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022.
Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody’s Heard about the Bird: The True Story of 1960s Rock ’n’ Roll in Minnesota (Minnesota, 2015).
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 11 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Metsa and Rick Shefchik</itunes:subtitle>
      <itunes:summary>The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album.
When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something’s not right, it’s wrong,” as Dylan puts it in “You’re Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan’s best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition.
Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan’s until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due.
A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players.
Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022.
Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody’s Heard about the Bird: The True Story of 1960s Rock ’n’ Roll in Minnesota (Minnesota, 2015).
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album.</p><p>When Bob Dylan recorded <em>Blood on the Tracks</em> in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something’s not right, it’s wrong,” as Dylan puts it in “You’re Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan’s best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition.</p><p>Paul Metsa and Rick Shefchik's book <a href="https://bookshop.org/a/12343/9781517914271"><em>Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece</em></a> (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan’s until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due.</p><p>A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players.</p><p>Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, <em>Blue Guitar Highway</em>, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published <em>Alphabet Jazz: Poetry, Prose, Stories, and Songs</em> was released in September of 2022.</p><p>Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including <em>Everybody’s Heard about the Bird: The True Story of 1960s Rock ’n’ Roll in Minnesota</em> (Minnesota, 2015).</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>Fifteen-Minute Film Fanatics</em></a><em> and on Twitter @15MinFilm.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3481</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Yoshiko Okuyama, "Tōjisha Manga: Japan’s Graphic Memoirs of Brain and Mental Health" (Palgrave Macmillan, 2022)</title>
      <description>Yoshiko Okuyama's book Tōjisha Manga: Japan’s Graphic Memoirs of Brain and Mental Health (Palgrave Macmillan, 2022) defines tōjisha manga as Japan’s autobiographical comics in which the author recounts the experience of a mental or neurological condition in a unique medium of text and image. Yoshiko Okuyama argues that tōjisha manga illuminate otherwise “faceless” individuals and humanize their invisible tribulations because the first-person narrative makes their lived experience more authentic and relatable to the reader. Part I introduces the evolution of the term tōjisha, the tōjisha movements, and other relevant social phenomena and concepts. Part II analyzes five representative titles to demonstrate the humanizing power of tōjisha manga, drawing on interviews with the authors of these manga and examining how psychological or brain-related symptoms are artistically depicted in approximately 40 drawings. This book is highly recommended to not only scholars of disability studies and comic studies but also global fans of manga who are interested in the graphic memoirs of serious social issues.
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 10 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yoshiko Okuyama</itunes:subtitle>
      <itunes:summary>Yoshiko Okuyama's book Tōjisha Manga: Japan’s Graphic Memoirs of Brain and Mental Health (Palgrave Macmillan, 2022) defines tōjisha manga as Japan’s autobiographical comics in which the author recounts the experience of a mental or neurological condition in a unique medium of text and image. Yoshiko Okuyama argues that tōjisha manga illuminate otherwise “faceless” individuals and humanize their invisible tribulations because the first-person narrative makes their lived experience more authentic and relatable to the reader. Part I introduces the evolution of the term tōjisha, the tōjisha movements, and other relevant social phenomena and concepts. Part II analyzes five representative titles to demonstrate the humanizing power of tōjisha manga, drawing on interviews with the authors of these manga and examining how psychological or brain-related symptoms are artistically depicted in approximately 40 drawings. This book is highly recommended to not only scholars of disability studies and comic studies but also global fans of manga who are interested in the graphic memoirs of serious social issues.
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Yoshiko Okuyama's book <a href="https://bookshop.org/a/12343/9783031008399"><em>Tōjisha Manga: Japan’s Graphic Memoirs of Brain and Mental Health</em></a> (Palgrave Macmillan, 2022) defines <em>tōjisha manga </em>as Japan’s autobiographical comics in which the author recounts the experience of a mental or neurological condition in a unique medium of text and image. Yoshiko Okuyama argues that <em>tōjisha manga</em> illuminate otherwise “faceless” individuals and humanize their invisible tribulations because the first-person narrative makes their lived experience more authentic and relatable to the reader. Part I introduces the evolution of the term <em>tōjisha, </em>the<em> tōjisha</em> movements, and other relevant social phenomena and concepts. Part II analyzes five representative titles to demonstrate the humanizing power of <em>tōjisha manga</em>, drawing on interviews with the authors of these manga and examining how psychological or brain-related symptoms are artistically depicted in approximately 40 drawings. This book is highly recommended to not only scholars of disability studies and comic studies but also global fans of manga who are interested in the graphic memoirs of serious social issues.</p><p><a href="https://arts-sciences.buffalo.edu/history/graduate/GraduateHistoryAssociation/GradStudentProfiles/ShuWan.html"><em>Shu Wan</em></a><em> is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2226</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Robin James, "The Future of Rock and Roll: 97X WOXY and the Fight for True Independence" (UNC Press, 2023)</title>
      <description>In 1983, an Ohio radio station called WOXY launched a sonic disruption to both corporate rock and to its conservative home region, programming an omnivorous range of genres and artists while being staunchly committed to local independent art and media. In the 1990s, as alternative rock went mainstream and radio grew increasingly homogeneous, WOXY gained international renown as one of Rolling Stone's "Last Great Independent Radio" stations. The station projected a philosophy that prioritized such independence--the idea that truly progressive, transgressive, futuristic disruptions of the status quo were possible only when practiced with and for other people.
In The Future of Rock and Roll: 97X WOXY and the Fight for True Independence (UNC Press, 2023), philosopher Robin James uses WOXY's story to argue against a corporate vision of independence--in which everyone fends for themselves--and in favor of an alternative way of thinking and relating to one another that disrupts norms but is nevertheless supported by communities. Against the standard retelling of the history of "modern rock," James looks to the local scenes that made true independence possible by freeing individual artists from the whims of the boardroom. This philosophy of community-rooted independence offers both a counternarrative to the orthodox history of indie rock and an alternative worldview to that of the current corporate mainstream.
Robin James is a writer, editor, and philosopher. She is the author of four books including Resilience &amp; Melancholy and The Sonic Episteme. Robin on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 07 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robin James</itunes:subtitle>
      <itunes:summary>In 1983, an Ohio radio station called WOXY launched a sonic disruption to both corporate rock and to its conservative home region, programming an omnivorous range of genres and artists while being staunchly committed to local independent art and media. In the 1990s, as alternative rock went mainstream and radio grew increasingly homogeneous, WOXY gained international renown as one of Rolling Stone's "Last Great Independent Radio" stations. The station projected a philosophy that prioritized such independence--the idea that truly progressive, transgressive, futuristic disruptions of the status quo were possible only when practiced with and for other people.
In The Future of Rock and Roll: 97X WOXY and the Fight for True Independence (UNC Press, 2023), philosopher Robin James uses WOXY's story to argue against a corporate vision of independence--in which everyone fends for themselves--and in favor of an alternative way of thinking and relating to one another that disrupts norms but is nevertheless supported by communities. Against the standard retelling of the history of "modern rock," James looks to the local scenes that made true independence possible by freeing individual artists from the whims of the boardroom. This philosophy of community-rooted independence offers both a counternarrative to the orthodox history of indie rock and an alternative worldview to that of the current corporate mainstream.
Robin James is a writer, editor, and philosopher. She is the author of four books including Resilience &amp; Melancholy and The Sonic Episteme. Robin on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1983, an Ohio radio station called WOXY launched a sonic disruption to both corporate rock and to its conservative home region, programming an omnivorous range of genres and artists while being staunchly committed to local independent art and media. In the 1990s, as alternative rock went mainstream and radio grew increasingly homogeneous, WOXY gained international renown as one of <em>Rolling Stone</em>'s "Last Great Independent Radio" stations. The station projected a philosophy that prioritized such independence--the idea that truly progressive, transgressive, futuristic disruptions of the status quo were possible only when practiced with and for other people.</p><p>In <a href="https://bookshop.org/a/12343/9781469673455"><em>The Future of Rock and Roll: 97X WOXY and the Fight for True Independence</em></a><em> </em>(UNC Press, 2023), philosopher Robin James uses WOXY's story to argue against a corporate vision of independence--in which everyone fends for themselves--and in favor of an alternative way of thinking and relating to one another that disrupts norms but is nevertheless supported by communities. Against the standard retelling of the history of "modern rock," James looks to the local scenes that made true independence possible by freeing individual artists from the whims of the boardroom. This philosophy of community-rooted independence offers both a counternarrative to the orthodox history of indie rock and an alternative worldview to that of the current corporate mainstream.</p><p>Robin James is a writer, editor, and philosopher. She is the author of four books including <em>Resilience &amp; Melancholy</em> and <em>The Sonic Episteme</em>. Robin on <a href="https://twitter.com/doctaj">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3804</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Michael T. Friedman, "Mallparks: Baseball Stadiums and the Culture of Consumption" (Cornell UP, 2023)</title>
      <description>In Mallparks: Baseball Stadiums and the Culture of Consumption (Cornell UP, 2023), Michael T. Friedman observes that as cathedrals represented power relations in medieval towns and skyscrapers epitomized those within industrial cities, sports stadiums exemplify urban American consumption at the turn of the twenty-first century. Grounded in Henri Lefebvre and George Ritzer's spatial theories in their analyses of consumption spaces, Mallparks examines how the designers of this generation of baseball stadiums follow the principles of theme park and shopping mall design to create highly effective and efficient consumption sites.
In his exploration of these contemporary cathedrals of sport and consumption, Friedman discusses the history of stadium design, the amenities and aesthetics of stadium spaces, and the intentions and conceptions of architects, team officials, and civic leaders. He grounds his analysis in case studies of Oriole Park at Camden Yards in Baltimore; Fenway Park in Boston; Dodger Stadium in Los Angeles; Nationals Park in Washington, DC; Target Field in Minneapolis; and Truist Park in Atlanta.
Emilio J. Weber is a master’s student in the Physical Cultural Studies research group at the University of Maryland at College Park. He can be reached at ejweber@umd.edu or on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 07 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>248</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael T. Friedman</itunes:subtitle>
      <itunes:summary>In Mallparks: Baseball Stadiums and the Culture of Consumption (Cornell UP, 2023), Michael T. Friedman observes that as cathedrals represented power relations in medieval towns and skyscrapers epitomized those within industrial cities, sports stadiums exemplify urban American consumption at the turn of the twenty-first century. Grounded in Henri Lefebvre and George Ritzer's spatial theories in their analyses of consumption spaces, Mallparks examines how the designers of this generation of baseball stadiums follow the principles of theme park and shopping mall design to create highly effective and efficient consumption sites.
In his exploration of these contemporary cathedrals of sport and consumption, Friedman discusses the history of stadium design, the amenities and aesthetics of stadium spaces, and the intentions and conceptions of architects, team officials, and civic leaders. He grounds his analysis in case studies of Oriole Park at Camden Yards in Baltimore; Fenway Park in Boston; Dodger Stadium in Los Angeles; Nationals Park in Washington, DC; Target Field in Minneapolis; and Truist Park in Atlanta.
Emilio J. Weber is a master’s student in the Physical Cultural Studies research group at the University of Maryland at College Park. He can be reached at ejweber@umd.edu or on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501769290"><em>Mallparks: Baseball Stadiums and the Culture of Consumption</em></a><em> </em>(Cornell UP, 2023), Michael T. Friedman observes that as cathedrals represented power relations in medieval towns and skyscrapers epitomized those within industrial cities, sports stadiums exemplify urban American consumption at the turn of the twenty-first century. Grounded in Henri Lefebvre and George Ritzer's spatial theories in their analyses of consumption spaces, Mallparks examines how the designers of this generation of baseball stadiums follow the principles of theme park and shopping mall design to create highly effective and efficient consumption sites.</p><p>In his exploration of these contemporary cathedrals of sport and consumption, Friedman discusses the history of stadium design, the amenities and aesthetics of stadium spaces, and the intentions and conceptions of architects, team officials, and civic leaders. He grounds his analysis in case studies of Oriole Park at Camden Yards in Baltimore; Fenway Park in Boston; Dodger Stadium in Los Angeles; Nationals Park in Washington, DC; Target Field in Minneapolis; and Truist Park in Atlanta.</p><p><em>Emilio J. Weber is a master’s student in the Physical Cultural Studies research group at the University of Maryland at College Park. He can be reached at </em><a href="mailto:ejweber@umd.edu"><em>ejweber@umd.edu</em></a><em> or on </em><a href="https://twitter.com/emiliojweber"><em>twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4478</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NSR1678328474.mp3?updated=1685899229" length="0" type="audio/mpeg"/>
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    <item>
      <title>Amy Brady, "Ice: From Mixed Drinks to Skating Rinks--a Cool History of a Hot Commodity" (G. P. Putnam's Sons, 2023)</title>
      <description>Ice is everywhere: in gas stations, in restaurants, in hospitals, in our homes. Americans think nothing of dropping a few ice cubes into tall glasses of tea to ward off the heat of a hot summer day. Most refrigerators owned by Americans feature automatic ice machines. Ice on-demand has so revolutionized modern life that it’s easy to forget that it wasn’t always this way—and to overlook what aspects of society might just melt away as the planet warms. 
In Ice: From Mixed Drinks to Skating Rinks--a Cool History of a Hot Commodity (G. P. Putnam's Sons, 2023), journalist and historian Amy Brady shares the strange and storied two-hundred-year-old history of ice in America: from the introduction of mixed drinks “on the rocks,” to the nation’s first-ever indoor ice rink, to how delicacies like ice creams and iced tea revolutionized our palates, to the ubiquitous ice machine in every motel across the US. But Ice doesn’t end in the past. Brady also explores the surprising present-day uses of ice in sports, medicine, and sustainable energy—including cutting-edge cryotherapy breast-cancer treatments and new refrigerator technologies that may prove to be more energy efficient—underscoring how precious this commodity is, especially in an age of climate change.
Amy Brady is the executive director of Orion magazine, a contributing editor for Scientific American, and coeditor of The World as We Knew It: Dispatches from a Changing Climate. Twitter. Website. 
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 06 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amy Brady</itunes:subtitle>
      <itunes:summary>Ice is everywhere: in gas stations, in restaurants, in hospitals, in our homes. Americans think nothing of dropping a few ice cubes into tall glasses of tea to ward off the heat of a hot summer day. Most refrigerators owned by Americans feature automatic ice machines. Ice on-demand has so revolutionized modern life that it’s easy to forget that it wasn’t always this way—and to overlook what aspects of society might just melt away as the planet warms. 
In Ice: From Mixed Drinks to Skating Rinks--a Cool History of a Hot Commodity (G. P. Putnam's Sons, 2023), journalist and historian Amy Brady shares the strange and storied two-hundred-year-old history of ice in America: from the introduction of mixed drinks “on the rocks,” to the nation’s first-ever indoor ice rink, to how delicacies like ice creams and iced tea revolutionized our palates, to the ubiquitous ice machine in every motel across the US. But Ice doesn’t end in the past. Brady also explores the surprising present-day uses of ice in sports, medicine, and sustainable energy—including cutting-edge cryotherapy breast-cancer treatments and new refrigerator technologies that may prove to be more energy efficient—underscoring how precious this commodity is, especially in an age of climate change.
Amy Brady is the executive director of Orion magazine, a contributing editor for Scientific American, and coeditor of The World as We Knew It: Dispatches from a Changing Climate. Twitter. Website. 
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ice is everywhere: in gas stations, in restaurants, in hospitals, in our homes. Americans think nothing of dropping a few ice cubes into tall glasses of tea to ward off the heat of a hot summer day. Most refrigerators owned by Americans feature automatic ice machines. Ice on-demand has so revolutionized modern life that it’s easy to forget that it wasn’t always this way—and to overlook what aspects of society might just melt away as the planet warms. </p><p>In <a href="https://bookshop.org/a/12343/9780593422199"><em>Ice: From Mixed Drinks to Skating Rinks--a Cool History of a Hot Commodity</em></a><em> </em>(G. P. Putnam's Sons, 2023), journalist and historian Amy Brady shares the strange and storied two-hundred-year-old history of ice in America: from the introduction of mixed drinks “on the rocks,” to the nation’s first-ever indoor ice rink, to how delicacies like ice creams and iced tea revolutionized our palates, to the ubiquitous ice machine in every motel across the US. But <em>Ice</em> doesn’t end in the past. Brady also explores the surprising present-day uses of ice in sports, medicine, and sustainable energy—including cutting-edge cryotherapy breast-cancer treatments and new refrigerator technologies that may prove to be more energy efficient—underscoring how precious this commodity is, especially in an age of climate change.</p><p>Amy Brady is the executive director of <em>Orion</em> magazine, a contributing editor for <em>Scientific American</em>, and coeditor of <em>The World as We Knew It: Dispatches from a Changing Climate. </em><a href="https://twitter.com/ingredient_x">Twitter</a>. <a href="https://amybradywrites.com/">Website</a>. </p><p><em>Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2148</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN2981461158.mp3?updated=1683570739" length="0" type="audio/mpeg"/>
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    <item>
      <title>Appendix N: The Eldritch Roots of Dungeons and Dragons</title>
      <description>Dungeons and Dragons expert Jon Peterson (The Elusive Shift, Game Wizards) speaks with Peter Bebergal (Season of the Witch, Too Much to Dream) about his new book Appendix N, an anthology of writing which takes its name from the list of “inspirational reading” provided by Gary Gygax in the first Dungeon Master's Guide.
Drawing upon the original list of “inspirational reading” provided by Gary Gygax in the first Dungeon Master's Guide, published in 1979, as well as hobbyist magazines and related periodicals that helped to define the modern role-playing game, Appendix N offers a collection of short fiction and resonant fragments that reveal the literary influences that shaped Dungeons &amp; Dragons, the world's most popular RPG. The stories in Appendix N contextualize the ambitious lyrical excursions that helped set the adventurous tone and dank, dungeon-crawling atmospheres of fantasy roleplay as we know it today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 28 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/41d4f956-fd57-11ed-be76-030ae2abdb8c/image/MITPpodcastpetersonbebergalb0dno.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Jon Peterson and Peter Bebergal</itunes:subtitle>
      <itunes:summary>Dungeons and Dragons expert Jon Peterson (The Elusive Shift, Game Wizards) speaks with Peter Bebergal (Season of the Witch, Too Much to Dream) about his new book Appendix N, an anthology of writing which takes its name from the list of “inspirational reading” provided by Gary Gygax in the first Dungeon Master's Guide.
Drawing upon the original list of “inspirational reading” provided by Gary Gygax in the first Dungeon Master's Guide, published in 1979, as well as hobbyist magazines and related periodicals that helped to define the modern role-playing game, Appendix N offers a collection of short fiction and resonant fragments that reveal the literary influences that shaped Dungeons &amp; Dragons, the world's most popular RPG. The stories in Appendix N contextualize the ambitious lyrical excursions that helped set the adventurous tone and dank, dungeon-crawling atmospheres of fantasy roleplay as we know it today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dungeons and Dragons expert Jon Peterson (<a href="https://mitpress.mit.edu/books/elusive-shift">The Elusive Shift</a>, <a href="https://mitpress.mit.edu/books/game-wizards">Game Wizards</a>) speaks with Peter Bebergal (Season of the Witch, Too Much to Dream) about his new book <a href="https://mitpress.mit.edu/books/appendix-n">Appendix N</a>, an anthology of writing which takes its name from the list of “inspirational reading” provided by Gary Gygax in the first Dungeon Master's Guide.</p><p>Drawing upon the original list of “inspirational reading” provided by Gary Gygax in the first <em>Dungeon Master's Guide</em>, published in 1979, as well as hobbyist magazines and related periodicals that helped to define the modern role-playing game, <em>Appendix N</em> offers a collection of short fiction and resonant fragments that reveal the literary influences that shaped Dungeons &amp; Dragons, the world's most popular RPG. The stories in <em>Appendix N</em> contextualize the ambitious lyrical excursions that helped set the adventurous tone and dank, dungeon-crawling atmospheres of fantasy roleplay as we know it today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN5852103164.mp3?updated=1677013439" length="0" type="audio/mpeg"/>
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    <item>
      <title>Heather Augustyn, "Rude Girls: Women in 2 Tone and One Step Beyond" (2023)</title>
      <description>In her latest book, Rude Girls: Women in 2 Tone and One Step Beyond (Sally Brown Publishing, 2023), Heather Augustyn explores the ska revival in the UK during the lates 1970s and 1980s. The 2 Tone label represented unity of black and white in both the content of the songs, and appearance of the bands. While race may have been central to this declaration, where did gender fit in? Many bands had few, if any, women in their lineup and so women had to do it for themselves. Empowered by punk and impassioned by Jamaican ska and reggae, they took up the microphone, the saxophone, drumsticks. Women demanded their space on the stage and in the studio. Through exclusive interviews with more than 50 women involved in ska in the UK during the '70s and '80s, Rude Girls: Women in 2 Tone and One Step Beyond tells their stories of adversity, perseverance, and sisterhood for an inspiring look at half of the story that has never been told.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>158</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heather Augustyn</itunes:subtitle>
      <itunes:summary>In her latest book, Rude Girls: Women in 2 Tone and One Step Beyond (Sally Brown Publishing, 2023), Heather Augustyn explores the ska revival in the UK during the lates 1970s and 1980s. The 2 Tone label represented unity of black and white in both the content of the songs, and appearance of the bands. While race may have been central to this declaration, where did gender fit in? Many bands had few, if any, women in their lineup and so women had to do it for themselves. Empowered by punk and impassioned by Jamaican ska and reggae, they took up the microphone, the saxophone, drumsticks. Women demanded their space on the stage and in the studio. Through exclusive interviews with more than 50 women involved in ska in the UK during the '70s and '80s, Rude Girls: Women in 2 Tone and One Step Beyond tells their stories of adversity, perseverance, and sisterhood for an inspiring look at half of the story that has never been told.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her latest book, <a href="https://skabook.com/rude-girls/"><em>Rude Girls: Women in 2 Tone and One Step Beyond</em></a><em> </em>(Sally Brown Publishing, 2023), <a href="https://skabook.com/">Heather Augustyn</a> explores the ska revival in the UK during the lates 1970s and 1980s. The 2 Tone label represented unity of black and white in both the content of the songs, and appearance of the bands. While race may have been central to this declaration, where did gender fit in? Many bands had few, if any, women in their lineup and so women had to do it for themselves. Empowered by punk and impassioned by Jamaican ska and reggae, they took up the microphone, the saxophone, drumsticks. Women demanded their space on the stage and in the studio. Through exclusive interviews with more than 50 women involved in ska in the UK during the '70s and '80s, <em>Rude Girls: Women in 2 Tone and One Step Beyond</em> tells their stories of adversity, perseverance, and sisterhood for an inspiring look at half of the story that has never been told.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3461</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Landon Jones, "Celebrity Nation: How America Evolved into a Culture of Fans and Followers" (Beacon, 2023)</title>
      <description>Writer and editor Landon (Lanny) Jones, a former PEOPLE magazine editor, reveals how the cult of celebrity has shaped our politics, culture, and personal lives. In Celebrity Nation: How America Evolved into a Culture of Fans and Followers (Beacon, 2023), Jones explores how and why fame no longer stems only from heroic achievements but from the number of social media likes and shares and what this change means for American culture. In analyzing the stories of over 75 celebrities, spanning decades and industries, Jones shows how celebrity has been wielded as a weapon of mass distraction to spawn narcissism, harm, and loneliness. Celebrity Nation reveals how the apparatus of fame operates and provides a personal, first-person perspective on an entity complicated further by the birth of the internet and social media.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 19 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Landon Jones</itunes:subtitle>
      <itunes:summary>Writer and editor Landon (Lanny) Jones, a former PEOPLE magazine editor, reveals how the cult of celebrity has shaped our politics, culture, and personal lives. In Celebrity Nation: How America Evolved into a Culture of Fans and Followers (Beacon, 2023), Jones explores how and why fame no longer stems only from heroic achievements but from the number of social media likes and shares and what this change means for American culture. In analyzing the stories of over 75 celebrities, spanning decades and industries, Jones shows how celebrity has been wielded as a weapon of mass distraction to spawn narcissism, harm, and loneliness. Celebrity Nation reveals how the apparatus of fame operates and provides a personal, first-person perspective on an entity complicated further by the birth of the internet and social media.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Writer and editor Landon (Lanny) Jones, a former PEOPLE magazine editor, reveals how the cult of celebrity has shaped our politics, culture, and personal lives. In <a href="https://bookshop.org/a/12343/9780807065655"><em>Celebrity Nation: How America Evolved into a Culture of Fans and Followers</em></a> (Beacon, 2023), Jones explores how and why fame no longer stems only from heroic achievements but from the number of social media likes and shares and what this change means for American culture. In analyzing the stories of over 75 celebrities, spanning decades and industries, Jones shows how celebrity has been wielded as a weapon of mass distraction to spawn narcissism, harm, and loneliness. <em>Celebrity Nation</em> reveals how the apparatus of fame operates and provides a personal, first-person perspective on an entity complicated further by the birth of the internet and social media.</p><p><em>Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[17336f58-f257-11ed-a293-33d0c5633ff7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8343934431.mp3?updated=1684069597" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Goodall, "Gathering of the Tribe: A Companion to Occult Music on Vinyl" (Headpress, 2022)</title>
      <description>In his new series, Gathering of the Tribe (Headpress, 2022) Mark Goodall explores the mysterious power of sound and tone. Each book in the series is devoted to reviewing records that reveal divide and cosmic laws, voyages to other worlds, or use sound as a tool for transformation.
Volume One: Acid explores the key explores the key aspects of the acid experience, these being principally the way in which psychedelic drugs intensify sensory impressions (sound and vision); the ability to experience different dimensions simultaneously and mystical dimensions where the individual feels unified with the cosmos. This music also explores aspects of the infamous ‘bad trip’ or the ‘terror that was wrong’, where positive feelings are replaced by paranoia, depression, anxiety and disturbing flashbacks, the ‘other side of anguish.’
Volume Two: Landscape examines the ways that landscapes have long inspired the consciousness of creative artists. By way of quick introduction to the links between music and territories, the 1977 KPM 1191 library music LP features a suite of pieces with titles such as ‘Country Lanes’, ‘Passing Meadows’ and ‘Memory Lane’ composed by Johnny Pearson to express the different aspects of (mostly rural) landscapes. The pieces are interesting as they try to capture an immersive experience of being in a land by using sound. This is a process by which many of the composers in this volume hope to express the wonder and mystery of landscape through sound. The music has been made to express a variety of landscapes: rural and urban; real and imaginary.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>156</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Goodall</itunes:subtitle>
      <itunes:summary>In his new series, Gathering of the Tribe (Headpress, 2022) Mark Goodall explores the mysterious power of sound and tone. Each book in the series is devoted to reviewing records that reveal divide and cosmic laws, voyages to other worlds, or use sound as a tool for transformation.
Volume One: Acid explores the key explores the key aspects of the acid experience, these being principally the way in which psychedelic drugs intensify sensory impressions (sound and vision); the ability to experience different dimensions simultaneously and mystical dimensions where the individual feels unified with the cosmos. This music also explores aspects of the infamous ‘bad trip’ or the ‘terror that was wrong’, where positive feelings are replaced by paranoia, depression, anxiety and disturbing flashbacks, the ‘other side of anguish.’
Volume Two: Landscape examines the ways that landscapes have long inspired the consciousness of creative artists. By way of quick introduction to the links between music and territories, the 1977 KPM 1191 library music LP features a suite of pieces with titles such as ‘Country Lanes’, ‘Passing Meadows’ and ‘Memory Lane’ composed by Johnny Pearson to express the different aspects of (mostly rural) landscapes. The pieces are interesting as they try to capture an immersive experience of being in a land by using sound. This is a process by which many of the composers in this volume hope to express the wonder and mystery of landscape through sound. The music has been made to express a variety of landscapes: rural and urban; real and imaginary.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new series, <em>Gathering of the Tribe </em>(Headpress, 2022) Mark Goodall explores the mysterious power of sound and tone. Each book in the series is devoted to reviewing records that reveal divide and cosmic laws, voyages to other worlds, or use sound as a tool for transformation.</p><p><a href="https://headpress.com/product/gathering-of-the-tribe-acid/"><em>Volume One: Acid</em></a><em> </em>explores the key explores the key aspects of the acid experience, these being principally the way in which psychedelic drugs intensify sensory impressions (sound and vision); the ability to experience different dimensions simultaneously and mystical dimensions where the individual feels unified with the cosmos. This music also explores aspects of the infamous ‘bad trip’ or the ‘terror that was wrong’, where positive feelings are replaced by paranoia, depression, anxiety and disturbing flashbacks, the ‘other side of anguish.’</p><p><a href="https://headpress.com/product/gathering-of-the-tribe-landscape/"><em>Volume Two: Landscape</em></a><em> </em>examines the ways that landscapes have long inspired the consciousness of creative artists. By way of quick introduction to the links between music and territories, the 1977 KPM 1191 library music LP features a suite of pieces with titles such as ‘Country Lanes’, ‘Passing Meadows’ and ‘Memory Lane’ composed by Johnny Pearson to express the different aspects of (mostly rural) landscapes. The pieces are interesting as they try to capture an immersive experience of being in a land by using sound. This is a process by which many of the composers in this volume hope to express the wonder and mystery of landscape through sound. The music has been made to express a variety of landscapes: rural and urban; real and imaginary.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2501</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f3243e2a-edcf-11ed-bb3d-53e47b1a47cb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6156455732.mp3?updated=1683572037" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Klaess, "Breaks in the Air: The Birth of Rap Radio in New York City" (Duke UP, 2022)</title>
      <description>In Breaks in the Air: The Birth of Rap Radio in New York City (Duke UP, 2022), John Klaess tells the story of rap's emergence on New York City's airwaves by examining how artists and broadcasters adapted hip hop's performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York's African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better understand the development of rap music as well as the intertwined histories of sounds, institutions, communities, and legal formations that converged in the post-Civil Rights era.
John Klaess is an independent scholar based in Boston. John on Duke University Press.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>189</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Klaess</itunes:subtitle>
      <itunes:summary>In Breaks in the Air: The Birth of Rap Radio in New York City (Duke UP, 2022), John Klaess tells the story of rap's emergence on New York City's airwaves by examining how artists and broadcasters adapted hip hop's performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York's African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better understand the development of rap music as well as the intertwined histories of sounds, institutions, communities, and legal formations that converged in the post-Civil Rights era.
John Klaess is an independent scholar based in Boston. John on Duke University Press.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478018872"><em>Breaks in the Air: The Birth of Rap Radio in New York City </em></a>(Duke UP, 2022), John Klaess tells the story of rap's emergence on New York City's airwaves by examining how artists and broadcasters adapted hip hop's performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York's African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better understand the development of rap music as well as the intertwined histories of sounds, institutions, communities, and legal formations that converged in the post-Civil Rights era.</p><p>John Klaess is an independent scholar based in Boston. John on <a href="https://www.dukeupress.edu/breaks-in-the-air">Duke University Press</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3627</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Leah Phillips, "Female Heroes in Young Adult Fantasy Fiction: Reframing Myths of Adolescent Girlhood" (Bloomsbury, 2023)</title>
      <description>The heroic romance is one of the West's most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero's bride, a prize he wins for slaying monsters. Crucially, although the girl's exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity.
Female Heroes in Young Adult Fantasy Fiction: Reframing Myths of Adolescent Girlhood (Bloomsbury, 2023) by Dr. Leah Phillips explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth's world-creating power and YA's liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero's violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 11 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>222</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leah Phillips</itunes:subtitle>
      <itunes:summary>The heroic romance is one of the West's most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero's bride, a prize he wins for slaying monsters. Crucially, although the girl's exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity.
Female Heroes in Young Adult Fantasy Fiction: Reframing Myths of Adolescent Girlhood (Bloomsbury, 2023) by Dr. Leah Phillips explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth's world-creating power and YA's liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero's violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The heroic romance is one of the West's most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero's bride, a prize he wins for slaying monsters. Crucially, although the girl's exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity.</p><p><a href="https://bookshop.org/a/12343/9781350119338"><em>Female Heroes in Young Adult Fantasy Fiction: Reframing Myths of Adolescent Girlhood</em> </a>(Bloomsbury, 2023) by Dr. Leah Phillips explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth's world-creating power and YA's liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero's violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3613</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN3462155243.mp3?updated=1683485391" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jason C. Cash and Craig T. Olsen, "The World of Final Fantasy VII: Essays on the Game and Its Legacy" (McFarland, 2023)</title>
      <description>Final Fantasy VII altered the course of video game history when it was released in 1997 on Sony's PlayStation system. It converted the Japanese role-playing game into an international gaming standard with enhanced gameplay, spectacular cutscenes and a vast narrative involving an iconic cast. In the decades after its release, the Final Fantasy VII franchise has grown to encompass a number of video game sequels, prequels, a feature-length film, a novel and a multi-volume remake series. 
Jason C. Cash and Craig T. Olsen's The World of Final Fantasy VII: Essays on the Game and Its Legacy (McFarland, 2023), the first edited collection of essays devoted only to the world of Final Fantasy VII, blends scholarly rigor with fan passion in order to identify the elements that keep Final Fantasy VII current and exciting for players. Some essays specifically address the game's perennially relevant themes and scenarios, ranging from environmental consciousness to economic inequity and posthumanism. Others examine the mechanisms used to immerse the player or to improve the narrative. Finally, there are several essays devoted specifically to the game's legacy, from its influence on later games to its characters' many crossovers and cameos.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture, editor-in-chief at Suisse cultural journal Nahaufnahmen.ch and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 07 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jason C. Cash and Craig T. Olsen</itunes:subtitle>
      <itunes:summary>Final Fantasy VII altered the course of video game history when it was released in 1997 on Sony's PlayStation system. It converted the Japanese role-playing game into an international gaming standard with enhanced gameplay, spectacular cutscenes and a vast narrative involving an iconic cast. In the decades after its release, the Final Fantasy VII franchise has grown to encompass a number of video game sequels, prequels, a feature-length film, a novel and a multi-volume remake series. 
Jason C. Cash and Craig T. Olsen's The World of Final Fantasy VII: Essays on the Game and Its Legacy (McFarland, 2023), the first edited collection of essays devoted only to the world of Final Fantasy VII, blends scholarly rigor with fan passion in order to identify the elements that keep Final Fantasy VII current and exciting for players. Some essays specifically address the game's perennially relevant themes and scenarios, ranging from environmental consciousness to economic inequity and posthumanism. Others examine the mechanisms used to immerse the player or to improve the narrative. Finally, there are several essays devoted specifically to the game's legacy, from its influence on later games to its characters' many crossovers and cameos.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture, editor-in-chief at Suisse cultural journal Nahaufnahmen.ch and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Final Fantasy VII altered the course of video game history when it was released in 1997 on Sony's PlayStation system. It converted the Japanese role-playing game into an international gaming standard with enhanced gameplay, spectacular cutscenes and a vast narrative involving an iconic cast. In the decades after its release, the Final Fantasy VII franchise has grown to encompass a number of video game sequels, prequels, a feature-length film, a novel and a multi-volume remake series. </p><p>Jason C. Cash and Craig T. Olsen's <a href="https://bookshop.org/a/12343/9781476681863"><em>The World of Final Fantasy VII: Essays on the Game and Its Legacy</em></a> (McFarland, 2023), the first edited collection of essays devoted only to the world of Final Fantasy VII, blends scholarly rigor with fan passion in order to identify the elements that keep Final Fantasy VII current and exciting for players. Some essays specifically address the game's perennially relevant themes and scenarios, ranging from environmental consciousness to economic inequity and posthumanism. Others examine the mechanisms used to immerse the player or to improve the narrative. Finally, there are several essays devoted specifically to the game's legacy, from its influence on later games to its characters' many crossovers and cameos.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture, editor-in-chief at Suisse cultural journal Nahaufnahmen.ch and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2537</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1025e504-eaac-11ed-a3aa-5b73d282426b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8896160285.mp3?updated=1683226446" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samantha Pickette, "Peak TV's Unapologetic Jewish Woman: Exploring Jewish Female Representation in Contemporary Television Comedy" (Lexington, 2022)</title>
      <description>In Peak TV’s Unapologetic Jewish Woman: Exploring Jewish Female Representation in Contemporary Television Comedy (Lexington Books, 2022), Samantha Pickette analyzes the ways in which contemporary American television is establishing a new version of the Jewish woman and a new take on American Jewish female identity that challenges the stereotypes of Jewish femininity proliferated on television since its inception. Using case studies of streaming, cable, and network comedy series from the past decade written and created by Jewish women, including Broad City, Crazy Ex-Girlfriend, The Marvelous Mrs. Maisel, among others, this book illustrates how this new Jewish woman has been given voice and agency by the bevy of Jewish female showrunners interested in telling stories about Jewish women for wider audiences.
Samantha Pickette is assistant professor of Instruction in Jewish Studies and the assistant director of the Schusterman Center for Jewish Studies at the University of Texas at Austin.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 07 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>398</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samantha Pickette</itunes:subtitle>
      <itunes:summary>In Peak TV’s Unapologetic Jewish Woman: Exploring Jewish Female Representation in Contemporary Television Comedy (Lexington Books, 2022), Samantha Pickette analyzes the ways in which contemporary American television is establishing a new version of the Jewish woman and a new take on American Jewish female identity that challenges the stereotypes of Jewish femininity proliferated on television since its inception. Using case studies of streaming, cable, and network comedy series from the past decade written and created by Jewish women, including Broad City, Crazy Ex-Girlfriend, The Marvelous Mrs. Maisel, among others, this book illustrates how this new Jewish woman has been given voice and agency by the bevy of Jewish female showrunners interested in telling stories about Jewish women for wider audiences.
Samantha Pickette is assistant professor of Instruction in Jewish Studies and the assistant director of the Schusterman Center for Jewish Studies at the University of Texas at Austin.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://rowman.com/ISBN/9781793633156/Peak-TV%E2%80%99s-Unapologetic-Jewish-Woman-Exploring-Jewish-Female-Representation-in-Contemporary-Television-Comedy"><em>Peak TV’s Unapologetic Jewish Woman: Exploring Jewish Female Representation in Contemporary Television Comedy</em></a> (Lexington Books, 2022), Samantha Pickette analyzes the ways in which contemporary American television is establishing a new version of the Jewish woman and a new take on American Jewish female identity that challenges the stereotypes of Jewish femininity proliferated on television since its inception. Using case studies of streaming, cable, and network comedy series from the past decade written and created by Jewish women, including Broad City, Crazy Ex-Girlfriend, The Marvelous Mrs. Maisel, among others, this book illustrates how this new Jewish woman has been given voice and agency by the bevy of Jewish female showrunners interested in telling stories about Jewish women for wider audiences.</p><p>Samantha Pickette is assistant professor of Instruction in Jewish Studies and the assistant director of the Schusterman Center for Jewish Studies at the University of Texas at Austin.</p><p><a href="https://zalmannewfield.com/"><em>Schneur Zalman Newfield</em></a><em> is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3969</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1814537247.mp3?updated=1683146397" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Journalistic Collaboration (JP)</title>
      <description>Steve Fainaru and his brother Mark Fainaru-Wada wrote a bestselling and award-winning book (and accompanying PBS documentary series) about the NFL coverup of concussion trauma, League of Denial. This conversation inaugurates an occasional Recall this Book series on collaborative work: who does it well, what makes it succeed, why can't grumpy isolatos like English professors get with the program?
The brothers generously praise the colleagues and mentors who helped them on their way. They also dig into questions of trust between collaborators and constant choices reporting and writing entails. Some stories are dogs, some are "unmakeable" and some you can't see; how do you recognize the situation and cope?
Almost as afterthought, they lay bare the amount of persistent, patient long-term conversation and relationship-building that goes into finding out the truth behind events that powerful organizations. Steve explains the reporting behind his 2008 Pulitzer-winning stories about American private contractors during the invasion of Iraq. Basically, "institutions react institutionally." Then the tricky question of how to be a football fan in the concussion era arises.
Mentioned in the episode: 


Phil Bennett a mentor for Steve.


Lance Williams journalist, partner, source-maintainer: inspiration for Mark.

The memorable newspaper advisors who shaped Mark and Steve in their high-school gig at the Redwood Bark: Sylvia Jones and Donal Brown.

Plus: Stand by for more of their work on the NBA in China....


Read and listen to the episode here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 04 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>104</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Steve Fainaru and Mark Fainaru-Wada</itunes:subtitle>
      <itunes:summary>Steve Fainaru and his brother Mark Fainaru-Wada wrote a bestselling and award-winning book (and accompanying PBS documentary series) about the NFL coverup of concussion trauma, League of Denial. This conversation inaugurates an occasional Recall this Book series on collaborative work: who does it well, what makes it succeed, why can't grumpy isolatos like English professors get with the program?
The brothers generously praise the colleagues and mentors who helped them on their way. They also dig into questions of trust between collaborators and constant choices reporting and writing entails. Some stories are dogs, some are "unmakeable" and some you can't see; how do you recognize the situation and cope?
Almost as afterthought, they lay bare the amount of persistent, patient long-term conversation and relationship-building that goes into finding out the truth behind events that powerful organizations. Steve explains the reporting behind his 2008 Pulitzer-winning stories about American private contractors during the invasion of Iraq. Basically, "institutions react institutionally." Then the tricky question of how to be a football fan in the concussion era arises.
Mentioned in the episode: 


Phil Bennett a mentor for Steve.


Lance Williams journalist, partner, source-maintainer: inspiration for Mark.

The memorable newspaper advisors who shaped Mark and Steve in their high-school gig at the Redwood Bark: Sylvia Jones and Donal Brown.

Plus: Stand by for more of their work on the NBA in China....


Read and listen to the episode here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/Steve_Fainaru">Steve Fainaru</a> and his brother <a href="https://en.wikipedia.org/wiki/Mark_Fainaru-Wada">Mark Fainaru-Wada</a> wrote a bestselling and award-winning book (<a href="https://www.pbs.org/wgbh/frontline/documentary/league-of-denial/">and accompanying PBS documentary series</a>) about the NFL coverup of concussion trauma, <a href="https://en.wikipedia.org/wiki/League_of_Denial"><em>League of Denial</em></a>. This conversation inaugurates an occasional <a href="http://recallthisbook.org/">Recall this Book</a> series on collaborative work: who does it well, what makes it succeed, why can't grumpy isolatos like English professors get with the program?</p><p>The brothers generously praise the colleagues and mentors who helped them on their way. They also dig into questions of trust between collaborators and constant choices reporting and writing entails. Some stories are dogs, some are "unmakeable" and some you can't <em>see</em>; how do you recognize the situation and cope?</p><p>Almost as afterthought, they lay bare the amount of persistent, patient long-term conversation and relationship-building that goes into finding out the truth behind events that powerful organizations. Steve explains the reporting behind his <a href="https://www.pulitzer.org/winners/steve-fainaru">2008 Pulitzer-winning stories</a> about American private contractors during the invasion of Iraq. Basically, "institutions react institutionally." Then the tricky question of how to be a football fan in the concussion era arises.</p><p>Mentioned in the episode: </p><ul>
<li>
<a href="https://en.wikipedia.org/wiki/Philip_Bennett_(Washington_Post)">Phil Bennett</a> a mentor for Steve.</li>
<li>
<a href="https://en.wikipedia.org/wiki/Lance_Williams">Lance Williams</a> journalist, partner, source-maintainer: inspiration for Mark.</li>
<li>The memorable newspaper advisors who shaped Mark and Steve in their high-school gig at the <a href="https://redwoodbark.org/">Redwood Bark</a>: <a href="https://www.redwoodalumni.org/class_teachers.cfm">Sylvia Jones and Donal Brown</a>.</li>
<li>Plus: Stand by for more of their work on the <a href="https://www.espn.co.uk/nba/story/_/id/29553829/espn-investigation-finds-coaches-nba-china-academies-complained-player-abuse-lack-schooling">NBA in China</a>....</li>
</ul><p><br></p><p><a href="https://recallthisbookorg.files.wordpress.com/2023/05/rtb-104-fainaru-1-1.pdf">Read</a> and listen to the episode here.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3172</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d3823bc8-e9bd-11ed-afbe-43d821dce2fd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7359167514.mp3?updated=1683123876" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Charney, "Madness at the Movies: Understanding Mental Illness through Film" (Johns Hopkins UP, 2023)</title>
      <description>The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies: Understanding Mental Illness through Film (Johns Hopkins UP, 2023), James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters' inner worlds, and he analyzes moments that help define their particular mental illness.
Based on the highly popular course that Charney taught at Yale University and the American University of Rome, Madness at the Movies introduces readers to films that may be new to them and encourages them to view these films in an entirely new way. Through films such as Psycho, Taxi Driver, Through a Glass Darkly, Night of the Hunter, A Woman Under the Influence, Ordinary People, and As Good As It Gets, Charney covers an array of disorders, including psychosis, paranoia, psychopathy, depression, bipolar disorder, obsessive-compulsive disorder, and anxiety. He examines how these films work to convey the essence of each illness. He also looks at how each film reflects the understanding of mental illness at the time it was released as well as the culture that shaped that understanding.
Charney explains how to observe the behaviors displayed by characters in the films, paying close attention to signs of mental illness. He demonstrates that learning to read a film can be as absorbing as watching one. By viewing these films through the lens of mental health, readers can hone their observational skills and learn to assess the accuracy of depictions of mental illness in popular media.
﻿Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 02 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>164</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Charney</itunes:subtitle>
      <itunes:summary>The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies: Understanding Mental Illness through Film (Johns Hopkins UP, 2023), James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters' inner worlds, and he analyzes moments that help define their particular mental illness.
Based on the highly popular course that Charney taught at Yale University and the American University of Rome, Madness at the Movies introduces readers to films that may be new to them and encourages them to view these films in an entirely new way. Through films such as Psycho, Taxi Driver, Through a Glass Darkly, Night of the Hunter, A Woman Under the Influence, Ordinary People, and As Good As It Gets, Charney covers an array of disorders, including psychosis, paranoia, psychopathy, depression, bipolar disorder, obsessive-compulsive disorder, and anxiety. He examines how these films work to convey the essence of each illness. He also looks at how each film reflects the understanding of mental illness at the time it was released as well as the culture that shaped that understanding.
Charney explains how to observe the behaviors displayed by characters in the films, paying close attention to signs of mental illness. He demonstrates that learning to read a film can be as absorbing as watching one. By viewing these films through the lens of mental health, readers can hone their observational skills and learn to assess the accuracy of depictions of mental illness in popular media.
﻿Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In <a href="https://bookshop.org/a/12343/9781421445625"><em>Madness at the Movies: Understanding Mental Illness through Film</em></a><em> </em>(Johns Hopkins UP, 2023), James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters' inner worlds, and he analyzes moments that help define their particular mental illness.</p><p>Based on the highly popular course that Charney taught at Yale University and the American University of Rome, <em>Madness at the Movies </em>introduces readers to films that may be new to them and encourages them to view these films in an entirely new way. Through films such as <em>Psycho, Taxi Driver</em>, <em>Through a Glass Darkly, Night of the Hunter, A Woman Under the Influence</em>, <em>Ordinary People, </em>and <em>As Good As It Gets, </em>Charney covers an array of disorders, including psychosis, paranoia, psychopathy, depression, bipolar disorder, obsessive-compulsive disorder, and anxiety. He examines how these films work to convey the essence of each illness. He also looks at how each film reflects the understanding of mental illness at the time it was released as well as the culture that shaped that understanding.</p><p>Charney explains how to observe the behaviors displayed by characters in the films, paying close attention to signs of mental illness. He demonstrates that learning to read a film can be as absorbing as watching one. By viewing these films through the lens of mental health, readers can hone their observational skills and learn to assess the accuracy of depictions of mental illness in popular media.</p><p><em>﻿</em><a href="https://www.linkedin.com/in/melek-firat-altay/"><em>Melek Firat Altay</em></a><em> is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5721</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN5135150452.mp3?updated=1682540107" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Annie Zaleski, "Lady Gaga: Applause" (Palazzo Editions, 2022)</title>
      <description>As one of the world's best-selling musicians, Lady Gaga has set the musical bar high. Since her debut album, The Fame (2008), she has sold more than 124 million records and scooped numerous awards, including twelve Grammy Awards and eighteen MTV Music Video Awards.
Yet she is much more than a musician. At the helm of the Haus of Gaga--a close-knit circle of behind-the-scenes creatives--Lady Gaga is a performance artist like no other; her forward-thinking fashions and innovations mark her out as the ultimate maverick. Recently, she has reinvented herself as an accomplished jazz performer, dueting with legendary singer Tony Bennett on Cheek to Cheek (2014) and Love For Sale (2021), while also proving herself a consummate actor with lead roles in A Star Is Born (2018) and House of Gucci (2021). And with her advocacy for LGBT rights and active championing of kindness via the Born This Way Foundation, co-founded with her mother Cynthia Germanotta in 2011, it's clear to see why her fans adore her.
Lady Gaga: Applause (Palazzo Editions, 2022) is a celebration of a true artist of our time. Illustrated throughout with stunning photography and complementary fashion segments, this comprehensive history follows Lady Gaga's ever-evolving and often unpredictable career, and is testament to her many talents. A must for Little Monsters everywhere.
Annie Zaleski is an award-winning freelance, journalist, editor, and critic based in Cleveland, Ohio. Previously, she was on staff at the Riverfront Times and Alternative Press. Her profiles, interviews, and criticism have appeared in publications such as Rolling Stone, NPR Music, The Guardian, Salon, Time, Billboard, The A.V. Club, Vulture, The Los Angeles Times, Stereogum, Cleveland Plain Dealer, and Las Vegas Weekly. She is the author Duran Duran's Rio (Bloomsbury).
Annie on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 30 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Annie Zaleski</itunes:subtitle>
      <itunes:summary>As one of the world's best-selling musicians, Lady Gaga has set the musical bar high. Since her debut album, The Fame (2008), she has sold more than 124 million records and scooped numerous awards, including twelve Grammy Awards and eighteen MTV Music Video Awards.
Yet she is much more than a musician. At the helm of the Haus of Gaga--a close-knit circle of behind-the-scenes creatives--Lady Gaga is a performance artist like no other; her forward-thinking fashions and innovations mark her out as the ultimate maverick. Recently, she has reinvented herself as an accomplished jazz performer, dueting with legendary singer Tony Bennett on Cheek to Cheek (2014) and Love For Sale (2021), while also proving herself a consummate actor with lead roles in A Star Is Born (2018) and House of Gucci (2021). And with her advocacy for LGBT rights and active championing of kindness via the Born This Way Foundation, co-founded with her mother Cynthia Germanotta in 2011, it's clear to see why her fans adore her.
Lady Gaga: Applause (Palazzo Editions, 2022) is a celebration of a true artist of our time. Illustrated throughout with stunning photography and complementary fashion segments, this comprehensive history follows Lady Gaga's ever-evolving and often unpredictable career, and is testament to her many talents. A must for Little Monsters everywhere.
Annie Zaleski is an award-winning freelance, journalist, editor, and critic based in Cleveland, Ohio. Previously, she was on staff at the Riverfront Times and Alternative Press. Her profiles, interviews, and criticism have appeared in publications such as Rolling Stone, NPR Music, The Guardian, Salon, Time, Billboard, The A.V. Club, Vulture, The Los Angeles Times, Stereogum, Cleveland Plain Dealer, and Las Vegas Weekly. She is the author Duran Duran's Rio (Bloomsbury).
Annie on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As one of the world's best-selling musicians, Lady Gaga has set the musical bar high. Since her debut album, <em>The Fame</em> (2008), she has sold more than 124 million records and scooped numerous awards, including twelve Grammy Awards and eighteen MTV Music Video Awards.</p><p>Yet she is much more than a musician. At the helm of the Haus of Gaga--a close-knit circle of behind-the-scenes creatives--Lady Gaga is a performance artist like no other; her forward-thinking fashions and innovations mark her out as the ultimate maverick. Recently, she has reinvented herself as an accomplished jazz performer, dueting with legendary singer Tony Bennett on <em>Cheek to Cheek</em> (2014) and <em>Love For Sale</em> (2021), while also proving herself a consummate actor with lead roles in A Star Is Born (2018) and <em>House of Gucci</em> (2021). And with her advocacy for LGBT rights and active championing of kindness via the Born This Way Foundation, co-founded with her mother Cynthia Germanotta in 2011, it's clear to see why her fans adore her.</p><p><a href="https://bookshop.org/a/12343/9781786750525"><em>Lady Gaga: Applause</em></a><em> </em>(Palazzo Editions, 2022) is a celebration of a true artist of our time. Illustrated throughout with stunning photography and complementary fashion segments, this comprehensive history follows Lady Gaga's ever-evolving and often unpredictable career, and is testament to her many talents. A must for Little Monsters everywhere.</p><p>Annie Zaleski is an award-winning freelance, journalist, editor, and critic based in Cleveland, Ohio. Previously, she was on staff at the <em>Riverfront Times</em> and <em>Alternative Press</em>. Her profiles, interviews, and criticism have appeared in publications such as <em>Rolling Stone</em>, <em>NPR Music</em>, <em>The Guardian</em>, <em>Salon</em>, <em>Time</em>, <em>Billboard</em>, <em>The A.V. Club</em>, <em>Vulture</em>, <em>The Los Angeles Times</em>, <em>Stereogum</em>, <em>Cleveland Plain Dealer</em>, and <em>Las Vegas Weekly</em>. She is the author <em>Duran Duran's Rio</em> (Bloomsbury).</p><p>Annie on <a href="https://twitter.com/anniezaleski">Twitter</a>.</p><p><br></p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3136</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[249f9464-e442-11ed-a378-035bbcb4b963]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7154395743.mp3?updated=1682521479" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helle Strandgaard Jensen, "Sesame Street: A Transnational History" (Oxford UP, 2023)</title>
      <description>In Sesame Street: A Transnational History (Oxford UP, 2023), author Helle Strandgaard Jensen tells the story of how the American television show became a global brand. Jensen argues that because the show's domestic production was not financially viable from the beginning, Sesame Street became a commodity that its producers assertively marketed all over the world. Sesame Street: A Transnational History combines archival research from seven countries, bolstering an insightful analysis of how local reception and rejection of the show related to the global sales strategies and American ideals it was built upon.
Contrary to the producers’ oft-publicized claims of Sesame Street’s universality, the show was heavily shaped by a fixed set of assumptions about childhood, education, and commercial entertainment. This made sales difficult as Sesame Street met both skepticism and direct hostility from foreign television producers who did not share these ideals. Drawing on insights from new histories about childhood, education, and transnational media, the book lays bare a cultural clash of international proportions rooted in divergent approaches to children's television. In doing so, it provides a reflective backdrop to the many ongoing debates about children's media.
In contrasting the positive receptions and renunciations of Sesame Street, Jensen demonstrates that it was only after a substantial rethinking of Sesame Street’s aims and business model that this program ended up on numerous broadcasting schedules by the mid-1970s. Along the way, this rethinking and the constant negotiations with potential international buyers created and shaped the business and corporate brand that paved the way for the Sesame Street we know today.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Helle Strandgaard Jensen</itunes:subtitle>
      <itunes:summary>In Sesame Street: A Transnational History (Oxford UP, 2023), author Helle Strandgaard Jensen tells the story of how the American television show became a global brand. Jensen argues that because the show's domestic production was not financially viable from the beginning, Sesame Street became a commodity that its producers assertively marketed all over the world. Sesame Street: A Transnational History combines archival research from seven countries, bolstering an insightful analysis of how local reception and rejection of the show related to the global sales strategies and American ideals it was built upon.
Contrary to the producers’ oft-publicized claims of Sesame Street’s universality, the show was heavily shaped by a fixed set of assumptions about childhood, education, and commercial entertainment. This made sales difficult as Sesame Street met both skepticism and direct hostility from foreign television producers who did not share these ideals. Drawing on insights from new histories about childhood, education, and transnational media, the book lays bare a cultural clash of international proportions rooted in divergent approaches to children's television. In doing so, it provides a reflective backdrop to the many ongoing debates about children's media.
In contrasting the positive receptions and renunciations of Sesame Street, Jensen demonstrates that it was only after a substantial rethinking of Sesame Street’s aims and business model that this program ended up on numerous broadcasting schedules by the mid-1970s. Along the way, this rethinking and the constant negotiations with potential international buyers created and shaped the business and corporate brand that paved the way for the Sesame Street we know today.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780197554166"><em>Sesame Street: A Transnational History</em></a> (Oxford UP, 2023), author Helle Strandgaard Jensen tells the story of how the American television show became a global brand. Jensen argues that because the show's domestic production was not financially viable from the beginning, <em>Sesame Street</em> became a commodity that its producers assertively marketed all over the world. <em>Sesame Street: A Transnational History </em>combines archival research from seven countries, bolstering an insightful analysis of how local reception and rejection of the show related to the global sales strategies and American ideals it was built upon.</p><p>Contrary to the producers’ oft-publicized claims of <em>Sesame Street</em>’s universality, the show was heavily shaped by a fixed set of assumptions about childhood, education, and commercial entertainment. This made sales difficult as <em>Sesame Street</em> met both skepticism and direct hostility from foreign television producers who did not share these ideals. Drawing on insights from new histories about childhood, education, and transnational media, the book lays bare a cultural clash of international proportions rooted in divergent approaches to children's television. In doing so, it provides a reflective backdrop to the many ongoing debates about children's media.</p><p>In contrasting the positive receptions and renunciations of <em>Sesame Street</em>, Jensen demonstrates that it was only after a substantial rethinking of <em>Sesame Street</em>’s aims and business model that this program ended up on numerous broadcasting schedules by the mid-1970s. Along the way, this rethinking and the constant negotiations with potential international buyers created and shaped the business and corporate brand that paved the way for the <em>Sesame Street</em> we know today.</p><p><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3443</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a7dac3a6-e11a-11ed-9ae4-6b6fd0feb154]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4500061292.mp3?updated=1682174527" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Will York, "Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age" (Headpress, 2023)</title>
      <description>In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Will York</itunes:subtitle>
      <itunes:summary>In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<em> </em><a href="https://bookshop.org/a/12343/9781915316059"><em>Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age</em></a><em> </em>(Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a <a href="https://podcasts.apple.com/us/podcast/the-who-cares-anyway-podcast/id1671878918?uo=4&amp;ct=rephonic&amp;mt=2">companion podcast</a> to delve further into the scene and the interviews.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3150</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eb8e5186-e06a-11ed-a5d2-4f5530fc65f9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1982316829.mp3?updated=1682105014" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)</title>
      <description>In this episode, our host Sim Gill discusses the book Dislike-Minded: Media, Audiences, and the Dynamics of Taste (2021) by Jonathan Gray.
You’ll hear about:

A brief history of the book and its connection to global studies of media and communication;

The role of media and cultural studies in amplifying the voices of dislikers, and how can scholars in these fields better understand and appreciate the register of dislike;

The method of refractive audience analysis as a way to understand how adaptations of media texts affect people's perceptions of the original texts;

How paratexts can shape audience perceptions and understanding of a media product;

How the gendered norms may hinder women from expressing dislike, and how this relates to larger cultural systems of dislike, including political contexts;

Some recent developments that have added to or changed the initial arguments/findings in the book.


About the book
Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. You can find the book here by NYU Press.
Author: Jonathan Gray is Professor of Media and Cultural Studies in the Department of Communication Arts at the University of Wisconsin-Madison. His work examines how media entertainment and its audiences interact, and examines how and where value and meaning are created. He is now Chief Editor of The International Journal of Cultural Studies, co-editor, with Aswin Punathambekar and Adrienne Shaw, of NYU Press’ Critical Cultural Communication book series, and I was recently nominated as an International Communication Association Fellow.
Host: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania. Her research interests concern the social and subjective effects of discourse and institutional politics as well as the interrelationships between discourse, epistemology, and subjectivity. Her master's thesis evaluated the meaning-making behind the term BAME (Black, Asian and Minority Ethnic), commonly used to describe minority ethnic communities in Britain.
Editor &amp; Producer: Jing Wang
Keywords: Dislike, audience studies, media cultures, identity, representation, citizenship
Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Gray</itunes:subtitle>
      <itunes:summary>In this episode, our host Sim Gill discusses the book Dislike-Minded: Media, Audiences, and the Dynamics of Taste (2021) by Jonathan Gray.
You’ll hear about:

A brief history of the book and its connection to global studies of media and communication;

The role of media and cultural studies in amplifying the voices of dislikers, and how can scholars in these fields better understand and appreciate the register of dislike;

The method of refractive audience analysis as a way to understand how adaptations of media texts affect people's perceptions of the original texts;

How paratexts can shape audience perceptions and understanding of a media product;

How the gendered norms may hinder women from expressing dislike, and how this relates to larger cultural systems of dislike, including political contexts;

Some recent developments that have added to or changed the initial arguments/findings in the book.


About the book
Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. You can find the book here by NYU Press.
Author: Jonathan Gray is Professor of Media and Cultural Studies in the Department of Communication Arts at the University of Wisconsin-Madison. His work examines how media entertainment and its audiences interact, and examines how and where value and meaning are created. He is now Chief Editor of The International Journal of Cultural Studies, co-editor, with Aswin Punathambekar and Adrienne Shaw, of NYU Press’ Critical Cultural Communication book series, and I was recently nominated as an International Communication Association Fellow.
Host: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania. Her research interests concern the social and subjective effects of discourse and institutional politics as well as the interrelationships between discourse, epistemology, and subjectivity. Her master's thesis evaluated the meaning-making behind the term BAME (Black, Asian and Minority Ethnic), commonly used to describe minority ethnic communities in Britain.
Editor &amp; Producer: Jing Wang
Keywords: Dislike, audience studies, media cultures, identity, representation, citizenship
Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host <a href="https://www.asc.upenn.edu/people/graduate-student/sim-gill">Sim Gill</a> discusses the book <a href="https://nyupress.org/9781479809981/dislike-minded/"><em>Dislike-Minded: Media, Audiences, and the Dynamics of Taste</em></a> (2021) by <a href="https://commarts.wisc.edu/staff/gray-jonathan/">Jonathan Gray</a>.</p><p>You’ll hear about:</p><ul>
<li>A brief history of the book and its connection to global studies of media and communication;</li>
<li>The role of media and cultural studies in amplifying the voices of dislikers, and how can scholars in these fields better understand and appreciate the register of dislike;</li>
<li>The method of refractive audience analysis as a way to understand how adaptations of media texts affect people's perceptions of the original texts;</li>
<li>How paratexts can shape audience perceptions and understanding of a media product;</li>
<li>How the gendered norms may hinder women from expressing dislike, and how this relates to larger cultural systems of dislike, including political contexts;</li>
<li>Some recent developments that have added to or changed the initial arguments/findings in the book.</li>
</ul><p><br></p><p><strong>About the book</strong></p><p><em>Dislike-Minded</em> draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. You can find the book <a href="https://nyupress.org/9781479809981/dislike-minded/">here</a> by NYU Press.</p><p><strong>Author: </strong><a href="https://commarts.wisc.edu/staff/gray-jonathan/">Jonathan Gray</a> is Professor of Media and Cultural Studies in the Department of Communication Arts at the University of Wisconsin-Madison. His work examines how media entertainment and its audiences interact, and examines how and where value and meaning are created. He is now Chief Editor of <a href="https://journals.sagepub.com/home/ics"><em>The International Journal of Cultural Studies</em></a>, co-editor, with Aswin Punathambekar and Adrienne Shaw, of NYU Press’ <a href="https://nyupress.org/search-results/?series=critical-cultural-communication">Critical Cultural Communication book series</a>, and I was recently nominated as an International Communication Association Fellow.</p><p><strong>Host: </strong><a href="https://www.asc.upenn.edu/people/graduate-student/sim-gill">Sim Gill</a> is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania. Her research interests concern the social and subjective effects of discourse and institutional politics as well as the interrelationships between discourse, epistemology, and subjectivity. Her master's thesis evaluated the meaning-making behind the term BAME (Black, Asian and Minority Ethnic), commonly used to describe minority ethnic communities in Britain.</p><p><strong>Editor &amp; Producer</strong>: Jing Wang</p><p><strong>Keywords</strong>: Dislike, audience studies, media cultures, identity, representation, citizenship</p><p>Our podcast is part of the multimodal project powered by the <a href="https://www.asc.upenn.edu/research/centers/center-for-advanced-research-in-global-communication">Center for Advanced Research in Global Communication</a> (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3157</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Michael K. Johnson, "Speculative Wests: Popular Representations of a Region and Genre" (U Nebraska Press, 2023)</title>
      <description>The Western as a genre is alive and vibrant, argues University of Maine - Farmington professor of English literature Michael K. Johnson. In Speculative Wests: Popular Representations of a Region and a Genre (U Nebraska Press, 2023), Johnson explains how authors, directors, and storytellers are pushing the classic genre into new directions by hybridizing Western tropes with science fiction, horror, and fantasy storytelling. These new speculative Westerns are revitalizing a genre, which has grown incredibly popular in recent years through television series like The Last of Us and Westworld, as well as many examples in film and literature. Speculative Westerns have also allowed space for Native and African American writers and storytellers to expand the genre into more inclusive spaces, telling stories about people often left out or stereotyped in more traditional Western stories. By including time travel, zombies, and vampires, Johnson argues that the Western has cemented itself with a new generation of Americans as one of the critical cultural narratives for understanding the United States.
﻿Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael K. Johnson</itunes:subtitle>
      <itunes:summary>The Western as a genre is alive and vibrant, argues University of Maine - Farmington professor of English literature Michael K. Johnson. In Speculative Wests: Popular Representations of a Region and a Genre (U Nebraska Press, 2023), Johnson explains how authors, directors, and storytellers are pushing the classic genre into new directions by hybridizing Western tropes with science fiction, horror, and fantasy storytelling. These new speculative Westerns are revitalizing a genre, which has grown incredibly popular in recent years through television series like The Last of Us and Westworld, as well as many examples in film and literature. Speculative Westerns have also allowed space for Native and African American writers and storytellers to expand the genre into more inclusive spaces, telling stories about people often left out or stereotyped in more traditional Western stories. By including time travel, zombies, and vampires, Johnson argues that the Western has cemented itself with a new generation of Americans as one of the critical cultural narratives for understanding the United States.
﻿Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Western as a genre is alive and vibrant, argues University of Maine - Farmington professor of English literature Michael K. Johnson. In <a href="https://bookshop.org/a/12343/9781496234582"><em>Speculative Wests: Popular Representations of a Region and a Genre</em></a><em> </em>(U Nebraska Press, 2023), Johnson explains how authors, directors, and storytellers are pushing the classic genre into new directions by hybridizing Western tropes with science fiction, horror, and fantasy storytelling. These new speculative Westerns are revitalizing a genre, which has grown incredibly popular in recent years through television series like The Last of Us and Westworld, as well as many examples in film and literature. Speculative Westerns have also allowed space for Native and African American writers and storytellers to expand the genre into more inclusive spaces, telling stories about people often left out or stereotyped in more traditional Western stories. By including time travel, zombies, and vampires, Johnson argues that the Western has cemented itself with a new generation of Americans as one of the critical cultural narratives for understanding the United States.</p><p><em>﻿</em><a href="https://cas.stthomas.edu/departments/faculty/stephen-hausmann/"><em>Dr. Stephen R. Hausmann</em></a><em> is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2843</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN5111851643.mp3?updated=1681419740" length="0" type="audio/mpeg"/>
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      <title>Justin L. Bergner, "Solving the Price Is Right: How Mathematics Can Improve Your Decisions On and Off the Set of America's Celebrated Game Show" (Prometheus Books, 2023)</title>
      <description>The Price is Right is television's longest-running game show. Since its inception in 1956, contestants have won cars, tropical vacations, diamond jewelry, even a live horse, and the hosts' excited catchphrase "come on down!" has become part of our everyday vernacular. Part of the program's enduring appeal is the apparent ease of the game, guessing the cash value of certain prizes. But, if that's the case, then why do so many contestants come away from the show empty-handed? Solving The Price is Right (Prometheus Books, 2023) is an in-depth exploration of the underlying probability theory of the popular television program that explores how biases and behavioral pitfalls limit our ability to successfully apply logic and math both on and off the show. 
With rigorous data and analysis compiled from Seasons 47 and 48 (356 total episodes), investor and math practitioner Justin L. Bergner draws strategic and mathematical insights from all facets of the show, from Contestant's Row bidding to the Showcase Showdown, and all 77 Pricing Games, using a combination of game theory, probability theory, statistics, and pattern recognition. In each section, Bergner summarizes contestant performance, highlights the biases leading to sub-par outcomes, and shows how outcomes can be improved by executing the right strategies while avoiding cognitive biases. Throughout, Bergner applies the lessons learned to the fields of business, finance, and our real lives, shedding light on themes of reverse psychology, strategic patience, and the importance of establishing what is sufficient for success in our pursuits. The result is a truly unique and meticulously researched book that uses Solving The Price is Right as a lens to examine our own choices - and how to make better ones.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 19 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Justin L. Bergner</itunes:subtitle>
      <itunes:summary>The Price is Right is television's longest-running game show. Since its inception in 1956, contestants have won cars, tropical vacations, diamond jewelry, even a live horse, and the hosts' excited catchphrase "come on down!" has become part of our everyday vernacular. Part of the program's enduring appeal is the apparent ease of the game, guessing the cash value of certain prizes. But, if that's the case, then why do so many contestants come away from the show empty-handed? Solving The Price is Right (Prometheus Books, 2023) is an in-depth exploration of the underlying probability theory of the popular television program that explores how biases and behavioral pitfalls limit our ability to successfully apply logic and math both on and off the show. 
With rigorous data and analysis compiled from Seasons 47 and 48 (356 total episodes), investor and math practitioner Justin L. Bergner draws strategic and mathematical insights from all facets of the show, from Contestant's Row bidding to the Showcase Showdown, and all 77 Pricing Games, using a combination of game theory, probability theory, statistics, and pattern recognition. In each section, Bergner summarizes contestant performance, highlights the biases leading to sub-par outcomes, and shows how outcomes can be improved by executing the right strategies while avoiding cognitive biases. Throughout, Bergner applies the lessons learned to the fields of business, finance, and our real lives, shedding light on themes of reverse psychology, strategic patience, and the importance of establishing what is sufficient for success in our pursuits. The result is a truly unique and meticulously researched book that uses Solving The Price is Right as a lens to examine our own choices - and how to make better ones.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Price is Right is television's longest-running game show. Since its inception in 1956, contestants have won cars, tropical vacations, diamond jewelry, even a live horse, and the hosts' excited catchphrase "come on down!" has become part of our everyday vernacular. Part of the program's enduring appeal is the apparent ease of the game, guessing the cash value of certain prizes. But, if that's the case, then why do so many contestants come away from the show empty-handed? <a href="https://bookshop.org/a/12343/9781633888517"><em>Solving The Price is Right</em></a> (Prometheus Books, 2023) is an in-depth exploration of the underlying probability theory of the popular television program that explores how biases and behavioral pitfalls limit our ability to successfully apply logic and math both on and off the show. </p><p>With rigorous data and analysis compiled from Seasons 47 and 48 (356 total episodes), investor and math practitioner Justin L. Bergner draws strategic and mathematical insights from all facets of the show, from Contestant's Row bidding to the Showcase Showdown, and all 77 Pricing Games, using a combination of game theory, probability theory, statistics, and pattern recognition. In each section, Bergner summarizes contestant performance, highlights the biases leading to sub-par outcomes, and shows how outcomes can be improved by executing the right strategies while avoiding cognitive biases. Throughout, Bergner applies the lessons learned to the fields of business, finance, and our real lives, shedding light on themes of reverse psychology, strategic patience, and the importance of establishing what is sufficient for success in our pursuits. The result is a truly unique and meticulously researched book that uses Solving The Price is Right as a lens to examine our own choices - and how to make better ones.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3252</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN8250752018.mp3?updated=1681578681" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathryn Cornell Dolan, "Breakfast Cereal: A Global History" (Reaktion Books, 2023)</title>
      <description>Breakfast Cereal: A Global History (Reaktion, 2023) by Dr. Kathryn Dolan presents the long, distinguished and surprising history of breakfast cereal.
Simple, healthy and comforting, breakfast cereals are a perennially popular way to start the day around the world. They have a long, distinguished and surprising history – around 10,000 years ago, with the advent of agriculture, people began breaking their fast with porridges made from wheat, rice, corn and other grains. It was only in the second half of the nineteenth century, however, in the United States, that a series of entrepreneurs and food reformers created the breakfast cereals we recognize today: Kellogg’s Corn Flakes, Cheerios and Quaker Oats, among others.
In this global, entertaining and well-illustrated account, Dr. Dolan explores the history of breakfast cereals, including many historical and modern recipes that the reader can try at home.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 19 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathryn Cornell Dolan</itunes:subtitle>
      <itunes:summary>Breakfast Cereal: A Global History (Reaktion, 2023) by Dr. Kathryn Dolan presents the long, distinguished and surprising history of breakfast cereal.
Simple, healthy and comforting, breakfast cereals are a perennially popular way to start the day around the world. They have a long, distinguished and surprising history – around 10,000 years ago, with the advent of agriculture, people began breaking their fast with porridges made from wheat, rice, corn and other grains. It was only in the second half of the nineteenth century, however, in the United States, that a series of entrepreneurs and food reformers created the breakfast cereals we recognize today: Kellogg’s Corn Flakes, Cheerios and Quaker Oats, among others.
In this global, entertaining and well-illustrated account, Dr. Dolan explores the history of breakfast cereals, including many historical and modern recipes that the reader can try at home.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789146950"><em>Breakfast Cereal: A Global History</em></a> (Reaktion, 2023) by Dr. Kathryn Dolan presents the long, distinguished and surprising history of breakfast cereal.</p><p>Simple, healthy and comforting, breakfast cereals are a perennially popular way to start the day around the world. They have a long, distinguished and surprising history – around 10,000 years ago, with the advent of agriculture, people began breaking their fast with porridges made from wheat, rice, corn and other grains. It was only in the second half of the nineteenth century, however, in the United States, that a series of entrepreneurs and food reformers created the breakfast cereals we recognize today: Kellogg’s Corn Flakes, Cheerios and Quaker Oats, among others.</p><p>In this global, entertaining and well-illustrated account, Dr. Dolan explores the history of breakfast cereals, including many historical and modern recipes that the reader can try at home.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4078</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b7432f98-da2d-11ed-89cf-cf4c1efe53db]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8790524751.mp3?updated=1681413229" length="0" type="audio/mpeg"/>
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    <item>
      <title>Dwayne Epstein, "Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time" (Citadel Press, 2023)</title>
      <description>An explosive inside look at The Dirty Dozen, the star-studded war film that broke the rules, shocked the critics, thrilled audiences, and became an all-time classic.
The year was 1967. A cinematic blockbuster exploded across American popular culture. The Dirty Dozen didn’t just reinvent the “men on a mission” war story, it blew the genre to pieces. Like its ragtag team of misfits, it defied authority, mocked the military, and still managed to deliver action, adventure, and no-holds-barred Nazi-killing. It also received four Oscar nominations, launched the careers of many Hollywood legends, and inspired generations of filmmakers like Sam Peckinpah, Quentin Tarantino, and James Gunn.
Based on exclusive interviews with the surviving cast and crew, friends and families of the stars, and other Hollywood insiders, Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time (Citadel Press, 2023) is a riveting must-read for film buffs, military fans, and anyone who loves a down-and-dirty adventure tale. Detailed, insightful, and gossipy, Epstein’s homage spotlights the movie’s endless barrage of cinematic gold.
During a time when America was reeling from turmoil, Hollywood held an indelible mirror up to a changing society. Films like Bonnie and Clyde, The Graduate, Cool Hand Luke, and In the Heat of the Night would define the era. But it was a gritty, violent, darkly comic World War II movie called The Dirty Dozen that would really strike a chord with audiences—and become the year’s biggest box office success. Heading up the all-star cast were Lee Marvin, Ernest Borgnine, John Cassavettes, Charles Bronson, Donald Sutherland, Jim Brown, Robert Ryan, Clint Walker, and at his most terrifying best, Telly Savalas, propelling many of them to stardom.
Dwayne Epstein is the author of several young adult biographies, covering such celebrity personalities as Adam Sandler, Will Ferrell, Hilary Swank, Nancy Pelosi, Hillary Clinton, and Denzel Washington for Lucent Books' People in the News series. Epstein also contributed to Bill Krohn's bestselling books Hitchcock at Work and Joe Dante and the Gremlins of Hollywood. His biography Lee Marvin: Point Blank was a New York Times bestseller.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 18 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dwayne Epstein</itunes:subtitle>
      <itunes:summary>An explosive inside look at The Dirty Dozen, the star-studded war film that broke the rules, shocked the critics, thrilled audiences, and became an all-time classic.
The year was 1967. A cinematic blockbuster exploded across American popular culture. The Dirty Dozen didn’t just reinvent the “men on a mission” war story, it blew the genre to pieces. Like its ragtag team of misfits, it defied authority, mocked the military, and still managed to deliver action, adventure, and no-holds-barred Nazi-killing. It also received four Oscar nominations, launched the careers of many Hollywood legends, and inspired generations of filmmakers like Sam Peckinpah, Quentin Tarantino, and James Gunn.
Based on exclusive interviews with the surviving cast and crew, friends and families of the stars, and other Hollywood insiders, Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time (Citadel Press, 2023) is a riveting must-read for film buffs, military fans, and anyone who loves a down-and-dirty adventure tale. Detailed, insightful, and gossipy, Epstein’s homage spotlights the movie’s endless barrage of cinematic gold.
During a time when America was reeling from turmoil, Hollywood held an indelible mirror up to a changing society. Films like Bonnie and Clyde, The Graduate, Cool Hand Luke, and In the Heat of the Night would define the era. But it was a gritty, violent, darkly comic World War II movie called The Dirty Dozen that would really strike a chord with audiences—and become the year’s biggest box office success. Heading up the all-star cast were Lee Marvin, Ernest Borgnine, John Cassavettes, Charles Bronson, Donald Sutherland, Jim Brown, Robert Ryan, Clint Walker, and at his most terrifying best, Telly Savalas, propelling many of them to stardom.
Dwayne Epstein is the author of several young adult biographies, covering such celebrity personalities as Adam Sandler, Will Ferrell, Hilary Swank, Nancy Pelosi, Hillary Clinton, and Denzel Washington for Lucent Books' People in the News series. Epstein also contributed to Bill Krohn's bestselling books Hitchcock at Work and Joe Dante and the Gremlins of Hollywood. His biography Lee Marvin: Point Blank was a New York Times bestseller.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An explosive inside look at <em>The Dirty Dozen</em>, the star-studded war film that broke the rules, shocked the critics, thrilled audiences, and became an all-time classic.</p><p>The year was 1967. A cinematic blockbuster exploded across American popular culture. <em>The Dirty Dozen </em>didn’t just reinvent the “men on a mission” war story, it blew the genre to pieces. Like its ragtag team of misfits, it defied authority, mocked the military, and still managed to deliver action, adventure, and no-holds-barred Nazi-killing. It also received four Oscar nominations, launched the careers of many Hollywood legends, and inspired generations of filmmakers like Sam Peckinpah, Quentin Tarantino, and James Gunn.</p><p>Based on exclusive interviews with the surviving cast and crew, friends and families of the stars, and other Hollywood insiders<em>, </em><a href="https://bookshop.org/a/12343/9780806542416"><em>Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time</em></a><em> </em>(Citadel Press, 2023) is a riveting must-read for film buffs, military fans, and anyone who loves a down-and-dirty adventure tale. Detailed, insightful, and gossipy, Epstein’s homage spotlights the movie’s endless barrage of cinematic gold.</p><p>During a time when America was reeling from turmoil, Hollywood held an indelible mirror up to a changing society. Films like <em>Bonnie and Clyde, The Graduate, Cool Hand Luke</em>, and <em>In the Heat of the Night</em> would define the era. But it was a gritty, violent, darkly comic World War II movie called The Dirty Dozen that would really strike a chord with audiences—and become the year’s biggest box office success. Heading up the all-star cast were Lee Marvin, Ernest Borgnine, John Cassavettes, Charles Bronson, Donald Sutherland, Jim Brown, Robert Ryan, Clint Walker, and at his most terrifying best, Telly Savalas, propelling many of them to stardom.</p><p>Dwayne Epstein is the author of several young adult biographies, covering such celebrity personalities as Adam Sandler, Will Ferrell, Hilary Swank, Nancy Pelosi, Hillary Clinton, and Denzel Washington for Lucent Books' <em>People in the News </em>series. Epstein also contributed to Bill Krohn's bestselling <em>books Hitchcock at Work and Joe Dante and the Gremlins of Hollywood.</em> His biography <em>Lee Marvin: Point Blank</em> was a <em>New York Times</em> bestseller.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at </em><a href="https://fifteenminutefilm.podbean.com/"><em>https://fifteenminutefilm.podb...</em></a><em> and on Twitter @15MinFilm.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3077</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[22b09194-d9f2-11ed-9913-239e077b4a11]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3759863497.mp3?updated=1681387359" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Garage: A History</title>
      <description>On this episode of the MIT Press podcast, Olivia Erlanger and Luis Ortega Govela discuss their book, Garage.
Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream.
The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: The Birthplace of Silicon Valley. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers--surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation--opportunities for isolation or empowerment.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 16 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bc528abe-dcb8-11ed-9aae-6fdc0a4b60e4/image/mitpress-logo-podcast.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Olivia Erlanger and Luis Ortega Govela</itunes:subtitle>
      <itunes:summary>On this episode of the MIT Press podcast, Olivia Erlanger and Luis Ortega Govela discuss their book, Garage.
Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream.
The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: The Birthplace of Silicon Valley. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers--surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation--opportunities for isolation or empowerment.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the MIT Press podcast, Olivia Erlanger and Luis Ortega Govela discuss their book, <a href="https://mitpress.mit.edu/books/garage"><em>Garage</em></a>.</p><p>Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream.</p><p>The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: <em>The Birthplace of Silicon Valley</em>. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers--surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation--opportunities for isolation or empowerment.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1523</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[mitpress.podbean.com/garage-a-conversation-with-olivia-erlanger-and-luis-ortega-govela-aa0b7670d120dc5bfb1660e71dd1ca98]]></guid>
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    <item>
      <title>Jeremy Richey, "Sylvia Kristel: From Emmanuelle to Chabrol" (Cult Epics, 2022)</title>
      <description>A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol. 
Now the story of Sylvia's astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. Sylvia Kristel: From Emmanuelle to Chabrol is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey.
A recollection of Sylvia Kristel's most exciting period as an actress. Beginning with her early Dutch film roles in Frank &amp; Eva, Because of the Cats, and Naked over the Fence, this book covers all 22 movies Sylvia starred in between 1973 and 1981 including the European films Emmanuelle, Julia, No Pockets in a Shroud, Playing with Fire, Emmanuelle II, Une Femme fidele, La Marge, Alice, Rene the Cane, Goodbye Emmanuelle, Pastorale 1943, Mysteries, Tigers in Lipstick, The Fifth Musketeer, Love in First Class, Lady Chatterley's Lover, and the American films The Concorde.... Airport '79, The Nude Bomb, Private Lessons, plus a chapter on the unmade films, dozens of iconic roles that she was offered but declined written with in-depth detail. Sylvia Kristel: From Emmanuelle to Chabrol also contains many vintage reviews and interviews with Sylvia Kristel never before translated into English, and takes a look at Sylvia's brief music recording career as well.
Jeremy R. Richey is a film and music historian and writer originally from Kentucky. The creator of the long-running blogs Moon in the Gutter and Fascination: The Jean Rollin Experience, Richey was also the publisher of the print-only journals Art Decades and Soledad. His work has appeared in a variety of books and magazines as well as on various home video supplements, including audio commentaries for Cult Epics’ releases Madame Claude and the upcoming Julia and Mysteries. Richey currently resides in Bremerton, WA with his beloved dog Ziggy.
Jeremy’s website and Instagram.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 13 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>162</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol. 
Now the story of Sylvia's astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. Sylvia Kristel: From Emmanuelle to Chabrol is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey.
A recollection of Sylvia Kristel's most exciting period as an actress. Beginning with her early Dutch film roles in Frank &amp; Eva, Because of the Cats, and Naked over the Fence, this book covers all 22 movies Sylvia starred in between 1973 and 1981 including the European films Emmanuelle, Julia, No Pockets in a Shroud, Playing with Fire, Emmanuelle II, Une Femme fidele, La Marge, Alice, Rene the Cane, Goodbye Emmanuelle, Pastorale 1943, Mysteries, Tigers in Lipstick, The Fifth Musketeer, Love in First Class, Lady Chatterley's Lover, and the American films The Concorde.... Airport '79, The Nude Bomb, Private Lessons, plus a chapter on the unmade films, dozens of iconic roles that she was offered but declined written with in-depth detail. Sylvia Kristel: From Emmanuelle to Chabrol also contains many vintage reviews and interviews with Sylvia Kristel never before translated into English, and takes a look at Sylvia's brief music recording career as well.
Jeremy R. Richey is a film and music historian and writer originally from Kentucky. The creator of the long-running blogs Moon in the Gutter and Fascination: The Jean Rollin Experience, Richey was also the publisher of the print-only journals Art Decades and Soledad. His work has appeared in a variety of books and magazines as well as on various home video supplements, including audio commentaries for Cult Epics’ releases Madame Claude and the upcoming Julia and Mysteries. Richey currently resides in Bremerton, WA with his beloved dog Ziggy.
Jeremy’s website and Instagram.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol. </p><p>Now the story of Sylvia's astonishing career in the '70s is told in<em> </em><a href="https://bookshop.org/a/12343/9780999862759"><em>Sylvia Kristel: From Emmanuelle to Chabrol</em></a> (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. <em>Sylvia Kristel: From Emmanuelle to Chabrol </em>is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey.</p><p>A recollection of Sylvia Kristel's most exciting period as an actress. Beginning with her early Dutch film roles in <em>Frank &amp; Eva,</em> <em>Because of the Cats</em>, and <em>Naked over the Fence</em>, this book covers all 22 movies Sylvia starred in between 1973 and 1981 including the European films <em>Emmanuelle</em>, <em>Julia</em>, <em>No Pockets in a Shroud</em>, <em>Playing with Fire</em>, <em>Emmanuelle II</em>, <em>Une Femme fidele</em>, <em>La Marge</em>, <em>Alice</em>, <em>Rene the Cane</em>, <em>Goodbye Emmanuelle</em>, <em>Pastorale 1943</em>, <em>Mysteries</em>, <em>Tigers in Lipstick</em>, <em>The Fifth Musketeer</em>, <em>Love in First Class</em>, <em>Lady Chatterley's Lover</em>, and the American films <em>The Concorde.... Airport '79</em>, <em>The Nude Bomb</em>, <em>Private Lessons</em>, plus a chapter on the unmade films, dozens of iconic roles that she was offered but declined written with in-depth detail. <em>Sylvia Kristel: From Emmanuelle to Chabrol</em> also contains many vintage reviews and interviews with Sylvia Kristel never before translated into English, and takes a look at Sylvia's brief music recording career as well.</p><p>Jeremy R. Richey is a film and music historian and writer originally from Kentucky. The creator of the long-running blogs <em>Moon in the Gutter</em> and <em>Fascination: The Jean Rollin Experience</em>, Richey was also the publisher of the print-only journals <em>Art Decades</em> and <em>Soledad</em>. His work has appeared in a variety of books and magazines as well as on various home video supplements, including audio commentaries for Cult Epics’ releases <em>Madame Claude</em> and the upcoming <em>Julia and Mysteries</em>. Richey currently resides in Bremerton, WA with his beloved dog Ziggy.</p><p>Jeremy’s <a href="https://nostalgiakinky.com/">website</a> and <a href="https://www.instagram.com/sylviakristelbook/">Instagram</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3621</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[483f1112-d63f-11ed-a4fc-e740114484b5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7516197431.mp3?updated=1680980696" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hearts of Men: How Should Progressives React to Masculinity Influencers like Andrew Tate?</title>
      <description>Online masculinity is getting weirder and weirder. We’re way past mere misogyny and sexual predation (though, that’s still certainly there). Now, we’ve also got bro science, ball tanning, ball eatin,’ piss drinkin,’ and who knows what's next.
However, perhaps these mockable male influencers are onto something, in a roundabout way. There is just something broken in the hearts of men, as Barbara Ehrenreich once put it. If there wasn't, male influencers wouldn't be as popular as they are. This new mansophere offers a simple for whatever ails: yearning for old gendered hierarchies, obsessing over self-improvement and dieting, and ceaselessly grinding under capitalism. In response, we ask: what's really wrong with men, and how might we fix it?

SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 12 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Online masculinity is getting weirder and weirder. We’re way past mere misogyny and sexual predation (though, that’s still certainly there). Now, we’ve also got bro science, ball tanning, ball eatin,’ piss drinkin,’ and who knows what's next.
However, perhaps these mockable male influencers are onto something, in a roundabout way. There is just something broken in the hearts of men, as Barbara Ehrenreich once put it. If there wasn't, male influencers wouldn't be as popular as they are. This new mansophere offers a simple for whatever ails: yearning for old gendered hierarchies, obsessing over self-improvement and dieting, and ceaselessly grinding under capitalism. In response, we ask: what's really wrong with men, and how might we fix it?

SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Online masculinity is getting weirder and weirder. We’re way past mere misogyny and sexual predation (though, that’s still certainly there). Now, we’ve also got bro science, ball tanning, ball eatin,’ piss drinkin,’ and who knows what's next.</p><p>However, perhaps these mockable male influencers are onto something, in a roundabout way. There is just something broken in the hearts of men, as Barbara Ehrenreich once<a href="https://www.penguinrandomhouse.com/books/45468/the-hearts-of-men-by-barbara-ehrenreich/"> put it</a>. If there wasn't, male influencers wouldn't be as popular as they are. This new mansophere offers a simple for whatever ails: yearning for old gendered hierarchies, obsessing over self-improvement and dieting, and ceaselessly grinding under capitalism. In response, we ask: what's really wrong with men, and how might we fix it?</p><p><br></p><p>SUPPORT THE SHOW</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>ABOUT THE SHOW</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5363</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2902a4bc-d941-11ed-a949-cb74fd712a74]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2961115842.mp3?updated=1681313666" length="0" type="audio/mpeg"/>
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    <item>
      <title>Michelle McSweeney, "OK" (Bloomsbury, 2023)</title>
      <description>"OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. OK (Bloomsbury, 2023), by Dr. Michelle McSweeney and published by Bloomsbury in 2023, explores this story
OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michelle McSweeney</itunes:subtitle>
      <itunes:summary>"OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. OK (Bloomsbury, 2023), by Dr. Michelle McSweeney and published by Bloomsbury in 2023, explores this story
OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. <a href="https://bookshop.org/a/12343/9781501367182"><em>OK</em></a> (Bloomsbury, 2023), by Dr. Michelle McSweeney and published by Bloomsbury in 2023, explores this story</p><p>OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2396</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d40e5d2-d4a0-11ed-8ab4-c331ae01b3d8]]></guid>
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    <item>
      <title>Kate Strasdin, "The Dress Diary: Secrets from a Victorian Woman’s Wardrobe" (Pegasus Books, 2023)</title>
      <description>The Dress Diary: Secrets from a Victorian Woman’s Wardrobe (Penguin, 2023) by Dr. Kate Strasdin presents the hidden fabric of a Victorian woman's life - from family and friends to industry and Empire - told through her unique textile scrapbook.
In 1838, a young woman was given a diary on her wedding day. Collecting snippets of fabric from a range of garments she carefully annotated each one, creating a unique record of her life and times. Her name was Mrs Anne Sykes.
Nearly two hundred years later, the diary fell into the hands of Dr. Kate Strasdin, a fashion historian and museum curator. Dr. Strasdin spent the next six years unravelling the secrets contained within the album's pages.
Piece by piece, she charts Anne's journey from the mills of Lancashire to the port of Singapore before tracing her return to England in later years. Fragments of cloth become windows into Victorian life: pirates in Borneo, the complicated etiquette of mourning, poisonous dyes, the British Empire in full swing, rioting over working conditions and the terrible human cost of Britain's cotton industry.
This is life writing that celebrates ordinary people: the hidden figures, the participants in everyday life. Through the evidence of waistcoats, ball gowns and mourning outfits, Dr. Strasdin lays bare the whole of human experience in the most intimate of mediums: the clothes we choose to wear.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 10 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kate Strasdin</itunes:subtitle>
      <itunes:summary>The Dress Diary: Secrets from a Victorian Woman’s Wardrobe (Penguin, 2023) by Dr. Kate Strasdin presents the hidden fabric of a Victorian woman's life - from family and friends to industry and Empire - told through her unique textile scrapbook.
In 1838, a young woman was given a diary on her wedding day. Collecting snippets of fabric from a range of garments she carefully annotated each one, creating a unique record of her life and times. Her name was Mrs Anne Sykes.
Nearly two hundred years later, the diary fell into the hands of Dr. Kate Strasdin, a fashion historian and museum curator. Dr. Strasdin spent the next six years unravelling the secrets contained within the album's pages.
Piece by piece, she charts Anne's journey from the mills of Lancashire to the port of Singapore before tracing her return to England in later years. Fragments of cloth become windows into Victorian life: pirates in Borneo, the complicated etiquette of mourning, poisonous dyes, the British Empire in full swing, rioting over working conditions and the terrible human cost of Britain's cotton industry.
This is life writing that celebrates ordinary people: the hidden figures, the participants in everyday life. Through the evidence of waistcoats, ball gowns and mourning outfits, Dr. Strasdin lays bare the whole of human experience in the most intimate of mediums: the clothes we choose to wear.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781639364213"><em>The Dress Diary: Secrets from a Victorian Woman’s Wardrobe</em></a> (Penguin, 2023) by Dr. Kate Strasdin presents the hidden fabric of a Victorian woman's life - from family and friends to industry and Empire - told through her unique textile scrapbook.</p><p>In 1838, a young woman was given a diary on her wedding day. Collecting snippets of fabric from a range of garments she carefully annotated each one, creating a unique record of her life and times. Her name was Mrs Anne Sykes.</p><p>Nearly two hundred years later, the diary fell into the hands of Dr. Kate Strasdin, a fashion historian and museum curator. Dr. Strasdin spent the next six years unravelling the secrets contained within the album's pages.</p><p>Piece by piece, she charts Anne's journey from the mills of Lancashire to the port of Singapore before tracing her return to England in later years. Fragments of cloth become windows into Victorian life: pirates in Borneo, the complicated etiquette of mourning, poisonous dyes, the British Empire in full swing, rioting over working conditions and the terrible human cost of Britain's cotton industry.</p><p>This is life writing that celebrates ordinary people: the hidden figures, the participants in everyday life. Through the evidence of waistcoats, ball gowns and mourning outfits, Dr. Strasdin lays bare the whole of human experience in the most intimate of mediums: the clothes we choose to wear.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3117</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Simon Strange, "Blank Canvas: Art School Creativity and the Development of Punk, Post Punk and New Wave Music" (Intellect, 2023)</title>
      <description>In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and ’70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 08 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simon Strange</itunes:subtitle>
      <itunes:summary>In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and ’70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<a href="https://bookshop.org/a/12343/9781789386318"> <em>Blank Canvas: Art School Creativity From Punk to New Wave</em></a> (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and ’70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, <em>Blank Canvas</em> draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2565</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN8733774174.mp3?updated=1680549548" length="0" type="audio/mpeg"/>
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    <item>
      <title>Johnny Walker, "Rewind, Replay: Britain and the Video Boom, 1978-92" (Edinburgh UP, 2022)</title>
      <description>Nostalgia for the 1980s is in the air. From Stranger Things to the relaunch of 80s franchises like Top Gun, the American entertainment industry casts the period as an age of simpler things, clearer dichotomies, and less technology. Yet not all was simple. The 1980s were the heyday of the Cold War. They were the decade of rapid social change, of deregulation and selfish consumption, of Ronald Reagan and Margaret Thatcher. They were also the decade when a new technology swept the world, setting the stage for our all-too-digital present.
A lot has been written about the rise of video in the United States, the format wars, the impact it had on the entertainment industry, on personal entertainment consumption habits, and new business models. But the rise of video was not a uniquely American phenomenon, nor was the American experience normative. In fact, wherever the new technology arrived, from the US, to the Middle East, to Eastern Europe, it reshaped social and business practices, as well as government responses to it, in ways that reflected the political, social, and economic arrangements of each space.
Johnny Walker’s Rewind, Replay: Britain and the Video Boom, 1972-1992 (Edinburgh UP, 2022) tells the story of Britain’s vide boom in the 1980s by focusing on the first video distributors who took chances on a wide range of films, from documentaries, to horror, to kids entertainment, in order to attract consumer interest. The new video shops that mushroomed across Britain turned video rental into a common practice among the public. Soon, despite a crushing recession, more and more industry players started to invest into what media at the time was dismissing as a mere ‘plaything.’ Rewind, Replay chronicles the idiosyncratic ways in which British distributors and store owners navigated various local political and economic pressures including piracy, the infamous video nasties moral panic and the government crackdown on the industry, as well as the corporate expansion of the industry which, by the end of the decade, eliminated independent distributors, and turned the pre-recorded videocassette from morally questionable enterprise into a staple of high street retail.
Oana Godeanu-Kenworthy is Teaching Professor of American Studies at Miami University of Ohio. Her book, Between Empire and Republic: America in the Colonial Canadian Imagination, came out in 2022. Twitter: @OanaGodyKenw. Oana’s webpage.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Johnny Walker</itunes:subtitle>
      <itunes:summary>Nostalgia for the 1980s is in the air. From Stranger Things to the relaunch of 80s franchises like Top Gun, the American entertainment industry casts the period as an age of simpler things, clearer dichotomies, and less technology. Yet not all was simple. The 1980s were the heyday of the Cold War. They were the decade of rapid social change, of deregulation and selfish consumption, of Ronald Reagan and Margaret Thatcher. They were also the decade when a new technology swept the world, setting the stage for our all-too-digital present.
A lot has been written about the rise of video in the United States, the format wars, the impact it had on the entertainment industry, on personal entertainment consumption habits, and new business models. But the rise of video was not a uniquely American phenomenon, nor was the American experience normative. In fact, wherever the new technology arrived, from the US, to the Middle East, to Eastern Europe, it reshaped social and business practices, as well as government responses to it, in ways that reflected the political, social, and economic arrangements of each space.
Johnny Walker’s Rewind, Replay: Britain and the Video Boom, 1972-1992 (Edinburgh UP, 2022) tells the story of Britain’s vide boom in the 1980s by focusing on the first video distributors who took chances on a wide range of films, from documentaries, to horror, to kids entertainment, in order to attract consumer interest. The new video shops that mushroomed across Britain turned video rental into a common practice among the public. Soon, despite a crushing recession, more and more industry players started to invest into what media at the time was dismissing as a mere ‘plaything.’ Rewind, Replay chronicles the idiosyncratic ways in which British distributors and store owners navigated various local political and economic pressures including piracy, the infamous video nasties moral panic and the government crackdown on the industry, as well as the corporate expansion of the industry which, by the end of the decade, eliminated independent distributors, and turned the pre-recorded videocassette from morally questionable enterprise into a staple of high street retail.
Oana Godeanu-Kenworthy is Teaching Professor of American Studies at Miami University of Ohio. Her book, Between Empire and Republic: America in the Colonial Canadian Imagination, came out in 2022. Twitter: @OanaGodyKenw. Oana’s webpage.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nostalgia for the 1980s is in the air. From <em>Stranger Things</em> to the relaunch of 80s franchises like <em>Top Gun</em>, the American entertainment industry casts the period as an age of simpler things, clearer dichotomies, and less technology. Yet not all was simple. The 1980s were the heyday of the Cold War. They were the decade of rapid social change, of deregulation and selfish consumption, of Ronald Reagan and Margaret Thatcher. They were also the decade when a new technology swept the world, setting the stage for our all-too-digital present.</p><p>A lot has been written about the rise of video in the United States, the format wars, the impact it had on the entertainment industry, on personal entertainment consumption habits, and new business models. But the rise of video was not a uniquely American phenomenon, nor was the American experience normative. In fact, wherever the new technology arrived, from the US, to the Middle East, to Eastern Europe, it reshaped social and business practices, as well as government responses to it, in ways that reflected the political, social, and economic arrangements of each space.</p><p>Johnny Walker’s <a href="https://bookshop.org/a/12343/9781474454476"><em>Rewind, Replay: Britain and the Video Boom, 1972-1992</em></a> (Edinburgh UP, 2022) tells the story of Britain’s vide boom in the 1980s by focusing on the first video distributors who took chances on a wide range of films, from documentaries, to horror, to kids entertainment, in order to attract consumer interest. The new video shops that mushroomed across Britain turned video rental into a common practice among the public. Soon, despite a crushing recession, more and more industry players started to invest into what media at the time was dismissing as a mere ‘plaything.’ <em>Rewind, Replay</em> chronicles the idiosyncratic ways in which British distributors and store owners navigated various local political and economic pressures including piracy, the infamous video nasties moral panic and the government crackdown on the industry, as well as the corporate expansion of the industry which, by the end of the decade, eliminated independent distributors, and turned the pre-recorded videocassette from morally questionable enterprise into a staple of high street retail.</p><p><a href="http://www.miamioh.edu/cas/academics/departments/gic/about/faculty/godeanu-kenworthy/index.html"><em>Oana Godeanu-Kenworthy</em></a><em> is Teaching Professor of American Studies at Miami University of Ohio. Her book, </em><a href="https://rowman.com/ISBN/9781793635525/Between-Empire-and-Republic-America-in-the-Colonial-Canadian-Imagination"><em>Between Empire and Republic: America in the Colonial Canadian Imagination</em></a><em>, came out in 2022. Twitter: @OanaGodyKenw. </em><a href="https://miamioh.academia.edu/OanaGodeanuKenworthy"><em>Oana’s webpage</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2688</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Frenchy Lunning, "Cosplay: The Fictional Mode of Existence" (U Minnesota Press, 2022)</title>
      <description>Cosplay, a portmanteau of “costume” and “play,” emerged from geeky Japanese subcultures to become a popular hobby, and even profession, around the world. Frenchy Lunning dives into the reasons why people cosplay through interviews, pictures, and her own firsthand experience of cosplay events in America and Japan. She distills the essence of cosplay to performance and the negotiation of identity, a pair of concepts that she interrogates in part by contrasting cosplay practices in America and Japan.
Cosplay: The Fictional Mode of Existence (U Minnesota Press, 2022) is livened with extensive photographs and fascinating tidbits about key figures in cosplay, such as Mari Kotani. Cosplayers are allowed to speak for themselves, describing what cosplay means to them and how they use it to negotiate their social roles and identities in fascinating detail. Lunning layers individuals’ testimony on a history of cosplay that highlights the changing settings, technologies, and communities supporting cosplay over the decades to leave readers debating what role cosplay will play in the construction of future identities.
Frenchy Lunning is Professor Emeritus of Liberal Arts at Minneapolis College of Art and Design and has written two books: Subcultural Fashion: Fetish Style (2013), and Cosplay: The Fictional Mode of Existence (2022). She is working on a third book, Revolutionary Girl: Shōjo. The director of the US- and Japan-based academic conferences Mechademia Conference on Asian Popular Cultures, she is Co-Editor-in-Chief of the new biannual Mechademia: Second Arc journal.
Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in July 2023 from the University of Hawai’i Press. It examines the contemporary media environment through Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 04 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frenchy Lunning</itunes:subtitle>
      <itunes:summary>Cosplay, a portmanteau of “costume” and “play,” emerged from geeky Japanese subcultures to become a popular hobby, and even profession, around the world. Frenchy Lunning dives into the reasons why people cosplay through interviews, pictures, and her own firsthand experience of cosplay events in America and Japan. She distills the essence of cosplay to performance and the negotiation of identity, a pair of concepts that she interrogates in part by contrasting cosplay practices in America and Japan.
Cosplay: The Fictional Mode of Existence (U Minnesota Press, 2022) is livened with extensive photographs and fascinating tidbits about key figures in cosplay, such as Mari Kotani. Cosplayers are allowed to speak for themselves, describing what cosplay means to them and how they use it to negotiate their social roles and identities in fascinating detail. Lunning layers individuals’ testimony on a history of cosplay that highlights the changing settings, technologies, and communities supporting cosplay over the decades to leave readers debating what role cosplay will play in the construction of future identities.
Frenchy Lunning is Professor Emeritus of Liberal Arts at Minneapolis College of Art and Design and has written two books: Subcultural Fashion: Fetish Style (2013), and Cosplay: The Fictional Mode of Existence (2022). She is working on a third book, Revolutionary Girl: Shōjo. The director of the US- and Japan-based academic conferences Mechademia Conference on Asian Popular Cultures, she is Co-Editor-in-Chief of the new biannual Mechademia: Second Arc journal.
Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in July 2023 from the University of Hawai’i Press. It examines the contemporary media environment through Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cosplay, a portmanteau of “costume” and “play,” emerged from geeky Japanese subcultures to become a popular hobby, and even profession, around the world. Frenchy Lunning dives into the reasons why people cosplay through interviews, pictures, and her own firsthand experience of cosplay events in America and Japan. She distills the essence of cosplay to performance and the negotiation of identity, a pair of concepts that she interrogates in part by contrasting cosplay practices in America and Japan.</p><p><a href="https://bookshop.org/a/12343/9781517912154"><em>Cosplay: The Fictional Mode of Existence</em></a> (U Minnesota Press, 2022) is livened with extensive photographs and fascinating tidbits about key figures in cosplay, such as Mari Kotani. Cosplayers are allowed to speak for themselves, describing what cosplay means to them and how they use it to negotiate their social roles and identities in fascinating detail. Lunning layers individuals’ testimony on a history of cosplay that highlights the changing settings, technologies, and communities supporting cosplay over the decades to leave readers debating what role cosplay will play in the construction of future identities.</p><p>Frenchy Lunning is Professor Emeritus of Liberal Arts at Minneapolis College of Art and Design and has written two books: <em>Subcultural Fashion: Fetish Style</em> (2013), and <em>Cosplay: The Fictional Mode of Existence</em> (2022). She is working on a third book, <em>Revolutionary Girl: Shōjo</em>. The director of the US- and Japan-based academic conferences Mechademia Conference on Asian Popular Cultures, she is Co-Editor-in-Chief of the new biannual <em>Mechademia: Second Arc</em> journal.</p><p><a href="http://amandakennell.net/"><em>Amanda Kennell</em></a><em> is an Assistant Teaching Professor of International Studies at North Carolina State University. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in July 2023 from the University of Hawai’i Press. It examines the contemporary media environment through Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3243</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN6329582607.mp3?updated=1680112758" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ross Clare, "Ancient Greece and Rome in Modern Science Fiction: Amazing Antiquity" (Liverpool UP, 2022)</title>
      <description>Ancient Greece and Rome in Modern Science Fiction: Amazing Antiquity (Liverpool UP, 2022) by Dr. Ross Clare introduces and analyses the reception of classical antiquity in contemporary science fiction. By using up-to-date methods from classical reception theory, science-fiction analysis and fictional-world studies, the book will help furnish the reader's understanding of the ways in which the literature, culture, history and mythology of ancient Greece and Rome are appropriated and represented across multiple media platforms in the science-fiction genre today. The book will therefore serve as an entry point into several areas of study: the reception of classics in popular culture, antiquity in modern media, the uses of the ancient world in science-fiction, and broader science-fiction criticism. The chapters, structured by medium, principally offer a roughly chronological overview of that medium and its treatment of ancient history, mythology, literature, and culture. An abundance of case studies from literature, film, television, and videogames—including Star Trek, Battlestar Galactica, Bill and  Ted’s Excellent Adventure, and Fallout: New Vegas—show how classical antiquity is reused, encountered, and re-encountered by creators and consumers of the present. Clare shows how we bounce off images of this history, and it bounces off us, a reciprocation that creates new visions of Greece and of Rome.
In addition to this book, Ross Clare is the author of Ancient Greece and Rome in Videogames, with Bloomsbury Academic Press, as well as having written some short stories, and video game scripts. He used to teach at the University of Liverpool.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>216</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ross Clare</itunes:subtitle>
      <itunes:summary>Ancient Greece and Rome in Modern Science Fiction: Amazing Antiquity (Liverpool UP, 2022) by Dr. Ross Clare introduces and analyses the reception of classical antiquity in contemporary science fiction. By using up-to-date methods from classical reception theory, science-fiction analysis and fictional-world studies, the book will help furnish the reader's understanding of the ways in which the literature, culture, history and mythology of ancient Greece and Rome are appropriated and represented across multiple media platforms in the science-fiction genre today. The book will therefore serve as an entry point into several areas of study: the reception of classics in popular culture, antiquity in modern media, the uses of the ancient world in science-fiction, and broader science-fiction criticism. The chapters, structured by medium, principally offer a roughly chronological overview of that medium and its treatment of ancient history, mythology, literature, and culture. An abundance of case studies from literature, film, television, and videogames—including Star Trek, Battlestar Galactica, Bill and  Ted’s Excellent Adventure, and Fallout: New Vegas—show how classical antiquity is reused, encountered, and re-encountered by creators and consumers of the present. Clare shows how we bounce off images of this history, and it bounces off us, a reciprocation that creates new visions of Greece and of Rome.
In addition to this book, Ross Clare is the author of Ancient Greece and Rome in Videogames, with Bloomsbury Academic Press, as well as having written some short stories, and video game scripts. He used to teach at the University of Liverpool.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://global.oup.com/academic/product/ancient-greece-and-rome-in-modern-science-fiction-9781800856318?cc=us&amp;lang=en&amp;"><em>Ancient Greece and Rome in Modern Science Fiction: Amazing Antiquity</em></a><em> </em>(Liverpool UP, 2022) by Dr. Ross Clare introduces and analyses the reception of classical antiquity in contemporary science fiction. By using up-to-date methods from classical reception theory, science-fiction analysis and fictional-world studies, the book will help furnish the reader's understanding of the ways in which the literature, culture, history and mythology of ancient Greece and Rome are appropriated and represented across multiple media platforms in the science-fiction genre today. The book will therefore serve as an entry point into several areas of study: the reception of classics in popular culture, antiquity in modern media, the uses of the ancient world in science-fiction, and broader science-fiction criticism. The chapters, structured by medium, principally offer a roughly chronological overview of that medium and its treatment of ancient history, mythology, literature, and culture. An abundance of case studies from literature, film, television, and videogames—including <em>Star Trek, Battlestar Galactica, Bill and  Ted’s Excellent Adventure</em>, and <em>Fallout: New Vegas</em>—show how classical antiquity is reused, encountered, and re-encountered by creators and consumers of the present. Clare shows how we bounce off images of this history, and it bounces off us, a reciprocation that creates new visions of Greece and of Rome.</p><p>In addition to this book, <a href="https://rossclare.wordpress.com/">Ross Clare</a> is the author of <em>Ancient Greece and Rome in Videogames</em>, with Bloomsbury Academic Press, as well as having written some short stories, and video game scripts. He used to teach at the University of Liverpool.</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is a PhD student at Université Laval in Quebec City. </em><a href="mailto:carrie-lynn.evans@lit.ulaval.ca"><em>carrie-lynn.evans@lit.ulaval.ca</em></a><em> @carrielynnland</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4583</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Susan Burgess, "LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights" (NYU Press, 2023)</title>
      <description>LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts.
Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess’ research dives into the connection between popular culture’s imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans’ understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 30 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>647</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Susan Burgess</itunes:subtitle>
      <itunes:summary>LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights (NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of political time, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of LGBT Inclusion in American Life is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts.
Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (Leave It to Beaver, 30something, The Americans). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess’ research dives into the connection between popular culture’s imagined spaces and the demand and reality of lived experiences. LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans’ understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781479819720"><em>LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights</em></a><em> </em>(NYU Press, 2023) is a tour de force that weaves together the various narratives about the transformation of a counter public, in this case, LBGT citizens, into rights bearing citizenship, and the transformation of mainstream political and cultural narratives, incorporating shifting conceptions that open up space for this integration. As Political Scientist Susan Burgess explains throughout the book, a basic exploration of public opinion data reflects the substantial shift that many Americans have had in their thinking about individuals who are part of the LGBT community, and about the community itself. But the public opinion data only goes so far in telling the story of this rapid transformation. Using the American political development framework of <em>political time</em>, Burgess sees profound political transformation, but through what she describes as queered political time, noting that substantive ideas in this context are vitally important. Thus, the focus of <em>LGBT Inclusion in American Life</em> is on the space where narratives and imagination are able to project new ideas that can then open up our thinking and provide opportunities to re-imagine fundamental social and political concepts.</p><p>Political imagination gives us a chance to consider alternatives; we can see new or different worlds that provide us with different ways to think about institutions and power, about families, about gender and sexuality. This space also provides us with paths into thinking about the future. Burgess focuses on worlds that have been created in popular culture that construct different situations, or that deconstruct our ideas and we can imagine what might come out of that deconstruction. Through plays, television shows, and movies, as are the focus here, we can see power—which is at the heart of politics—differently conceived, implemented, constructed, wielded. Burgess integrates nuanced and important analyses of popular culture artifacts like Bond films, war movies, and family-focused television series to tease apart the shifting ideas of individual and community moral standards (movies about military service), masculinity (Bond films), and the family (<em>Leave It to Beaver</em>, <em>30something</em>, <em>The Americans</em>). Each section of the book examines the particular theme that is connected to the “central pillars of LBGT freedoms” like the right to marry legally, the right to serve openly in the U.S. military, and the right to have consensual adult sex without fear of criminal penalty. The legality of these rights shifted rather quickly over the past twenty years, and Burgess’ research dives into the connection between popular culture’s imagined spaces and the demand and reality of lived experiences. <em>LGBT Inclusion in American Life: Pop Culture, Political Imaginations, and Civil Rights</em> essentially provides the “rest of the story” – analyzing how these spaces of political imagination supplemented Americans’ understandings of the LBGT community and the individuals within that community, not necessarily through representation, but through changing narratives and expansive storytelling and world building.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3238</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Geoff Harkness, "DVS Mindz: The Twenty-Year Saga of the Greatest Rap Group to Almost Make It Outta Kansas" (Columbia UP, 2023)</title>
      <description>99.9% of aspiring rappers never make it in the music industry. So why do we only hear the stories of the ones who do?
DVS Mindz might be the greatest rap group you've never heard of. Formed in Topeka, Kansas, in the mid-1990s, they developed a reputation for ferocious rhyming and frenetic live performances. In their heyday, DVS Mindz released a critically acclaimed CD, received nominations for prestigious awards, and opened for legends such as Wu-Tang Clan, Run-DMC, and De La Soul as well as KC icon Tech N9ne. But the group struggled with creative differences, substance abuse, ego battles, and money issues, and they split up in 2003.
Geoff Harkness takes readers on a unique two-decade journey alongside the members of DVS Mindz, chronicling their childhoods, their brush with success, and what became of them in the years that followed. Based on more than one hundred hours of video and audio recordings from 1999 to 2022, this fly-on-the-wall account offers a backstage pass into the recording studios and radio stations, video shoots and house parties, nightclubs and concert halls of the Kansas City-Lawrence-Topeka music scene circa 2000.
DVS Mindz: The Twenty-Year Saga of the Greatest Rap Group to Almost Make It Outta Kansas (Columbia UP, 2023) is at once a compulsively readable group biography of four talented MCs, a vibrant voyage through the forgotten history of local hip hop, and a breathtakingly real story of struggling to achieve big dreams.
Alex Kuchma is an MA student in history at York University. He has have researching hip-hop actively and collecting oral histories for more than a decade.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 30 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>186</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Geoff Harkness</itunes:subtitle>
      <itunes:summary>99.9% of aspiring rappers never make it in the music industry. So why do we only hear the stories of the ones who do?
DVS Mindz might be the greatest rap group you've never heard of. Formed in Topeka, Kansas, in the mid-1990s, they developed a reputation for ferocious rhyming and frenetic live performances. In their heyday, DVS Mindz released a critically acclaimed CD, received nominations for prestigious awards, and opened for legends such as Wu-Tang Clan, Run-DMC, and De La Soul as well as KC icon Tech N9ne. But the group struggled with creative differences, substance abuse, ego battles, and money issues, and they split up in 2003.
Geoff Harkness takes readers on a unique two-decade journey alongside the members of DVS Mindz, chronicling their childhoods, their brush with success, and what became of them in the years that followed. Based on more than one hundred hours of video and audio recordings from 1999 to 2022, this fly-on-the-wall account offers a backstage pass into the recording studios and radio stations, video shoots and house parties, nightclubs and concert halls of the Kansas City-Lawrence-Topeka music scene circa 2000.
DVS Mindz: The Twenty-Year Saga of the Greatest Rap Group to Almost Make It Outta Kansas (Columbia UP, 2023) is at once a compulsively readable group biography of four talented MCs, a vibrant voyage through the forgotten history of local hip hop, and a breathtakingly real story of struggling to achieve big dreams.
Alex Kuchma is an MA student in history at York University. He has have researching hip-hop actively and collecting oral histories for more than a decade.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>99.9% of aspiring rappers never make it in the music industry. So why do we only hear the stories of the ones who do?</p><p>DVS Mindz might be the greatest rap group you've never heard of. Formed in Topeka, Kansas, in the mid-1990s, they developed a reputation for ferocious rhyming and frenetic live performances. In their heyday, DVS Mindz released a critically acclaimed CD, received nominations for prestigious awards, and opened for legends such as Wu-Tang Clan, Run-DMC, and De La Soul as well as KC icon Tech N9ne. But the group struggled with creative differences, substance abuse, ego battles, and money issues, and they split up in 2003.</p><p>Geoff Harkness takes readers on a unique two-decade journey alongside the members of DVS Mindz, chronicling their childhoods, their brush with success, and what became of them in the years that followed. Based on more than one hundred hours of video and audio recordings from 1999 to 2022, this fly-on-the-wall account offers a backstage pass into the recording studios and radio stations, video shoots and house parties, nightclubs and concert halls of the Kansas City-Lawrence-Topeka music scene circa 2000.</p><p><a href="https://bookshop.org/a/12343/9780231208734"><em>DVS Mindz: The Twenty-Year Saga of the Greatest Rap Group to Almost Make It Outta Kansas</em></a><em> </em>(Columbia UP, 2023) is at once a compulsively readable group biography of four talented MCs, a vibrant voyage through the forgotten history of local hip hop, and a breathtakingly real story of struggling to achieve big dreams.</p><p><a href="http://www.alexkuchma.com/"><em>Alex Kuchma</em></a><em> is an MA student in history at York University. He has have researching hip-hop actively and collecting oral histories for more than a decade.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2950</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Christina Rice, "Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend" (UP of Kentucky, 2021)</title>
      <description>By the early 1950s, Jane Russell (1921–2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star.
Christina Rice offers the first biography of the actress and activist perhaps most well-known for her role in Gentlemen Prefer Blondes (1953). Despite the fact that her movie career was stalled for nearly a decade, Russell's filmography is respectable. She worked with some of Hollywood's most talented directors―including Howard Hawks, Raoul Walsh, Nicholas Ray, and Josef von Sternberg―and held her own alongside costars such as Marilyn Monroe, Robert Mitchum, Clark Gable, Vincent Price, and Bob Hope. She also learned how to fight back against Howard Hughes, her boss for more than thirty-five years, and his marketing campaigns that exploited her physical appearance.
Beyond the screen, Rice reveals Russell as a complex and confident woman. She explores the star's years as a spokeswoman for Playtex as well as her deep faith and work as a Christian vocalist. Rice also discusses Russell's leadership and patronage of the WAIF foundation, which for many years served as the fundraising arm of the International Social Service (ISS) agency. WAIF raised hundreds of thousands of dollars, successfully lobbied Congress to change laws, and resulted in the adoption of tens of thousands of orphaned children. For Russell, the work she did to help unite families overshadowed any of her onscreen achievements.
On the surface, Jane Russell seemed to live a charmed life, but Rice illuminates her darker moments and her personal struggles, including her empowered reactions to the controversies surrounding her films and her feelings about being portrayed as a sex symbol. Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend (UP of Kentucky, 2021) offers a fresh perspective on a star whose legacy endures not simply because she forged a notable film career, but also because she effectively used her celebrity to benefit others.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 28 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>158</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christina Rice</itunes:subtitle>
      <itunes:summary>By the early 1950s, Jane Russell (1921–2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star.
Christina Rice offers the first biography of the actress and activist perhaps most well-known for her role in Gentlemen Prefer Blondes (1953). Despite the fact that her movie career was stalled for nearly a decade, Russell's filmography is respectable. She worked with some of Hollywood's most talented directors―including Howard Hawks, Raoul Walsh, Nicholas Ray, and Josef von Sternberg―and held her own alongside costars such as Marilyn Monroe, Robert Mitchum, Clark Gable, Vincent Price, and Bob Hope. She also learned how to fight back against Howard Hughes, her boss for more than thirty-five years, and his marketing campaigns that exploited her physical appearance.
Beyond the screen, Rice reveals Russell as a complex and confident woman. She explores the star's years as a spokeswoman for Playtex as well as her deep faith and work as a Christian vocalist. Rice also discusses Russell's leadership and patronage of the WAIF foundation, which for many years served as the fundraising arm of the International Social Service (ISS) agency. WAIF raised hundreds of thousands of dollars, successfully lobbied Congress to change laws, and resulted in the adoption of tens of thousands of orphaned children. For Russell, the work she did to help unite families overshadowed any of her onscreen achievements.
On the surface, Jane Russell seemed to live a charmed life, but Rice illuminates her darker moments and her personal struggles, including her empowered reactions to the controversies surrounding her films and her feelings about being portrayed as a sex symbol. Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend (UP of Kentucky, 2021) offers a fresh perspective on a star whose legacy endures not simply because she forged a notable film career, but also because she effectively used her celebrity to benefit others.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By the early 1950s, Jane Russell (1921–2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star.</p><p>Christina Rice offers the first biography of the actress and activist perhaps most well-known for her role in Gentlemen Prefer Blondes (1953). Despite the fact that her movie career was stalled for nearly a decade, Russell's filmography is respectable. She worked with some of Hollywood's most talented directors―including Howard Hawks, Raoul Walsh, Nicholas Ray, and Josef von Sternberg―and held her own alongside costars such as Marilyn Monroe, Robert Mitchum, Clark Gable, Vincent Price, and Bob Hope. She also learned how to fight back against Howard Hughes, her boss for more than thirty-five years, and his marketing campaigns that exploited her physical appearance.</p><p>Beyond the screen, Rice reveals Russell as a complex and confident woman. She explores the star's years as a spokeswoman for Playtex as well as her deep faith and work as a Christian vocalist. Rice also discusses Russell's leadership and patronage of the WAIF foundation, which for many years served as the fundraising arm of the International Social Service (ISS) agency. WAIF raised hundreds of thousands of dollars, successfully lobbied Congress to change laws, and resulted in the adoption of tens of thousands of orphaned children. For Russell, the work she did to help unite families overshadowed any of her onscreen achievements.</p><p>On the surface, Jane Russell seemed to live a charmed life, but Rice illuminates her darker moments and her personal struggles, including her empowered reactions to the controversies surrounding her films and her feelings about being portrayed as a sex symbol. <a href="https://bookshop.org/a/12343/9780813181080"><em>Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend</em></a><em> </em>(UP of Kentucky, 2021) offers a fresh perspective on a star whose legacy endures not simply because she forged a notable film career, but also because she effectively used her celebrity to benefit others.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2442</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Larisa Grollemond and Bryan C. Keene, "The Fantasy of the Middle Ages: An Epic Journey through Imaginary Medieval Worlds" (Getty, 2022)</title>
      <description>This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.
From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons &amp; Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.
The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.
This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.
Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019).
Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London.
Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 27 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Larisa Grollemond and Bryan C. Keene</itunes:subtitle>
      <itunes:summary>This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.
From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons &amp; Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.
The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.
This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.
Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019).
Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London.
Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.</p><p>From the soaring castles of <em>Sleeping Beauty</em> to the bloody battles of<em> Game of Thrones</em>, from Middle-earth in<em> The Lord of the Rings</em> to mythical beasts in Dungeons &amp; Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.</p><p><a href="https://bookshop.org/p/books/the-fantasy-of-the-middle-ages-an-epic-journey-through-imaginary-medieval-worlds-bryan-c-keene/17779785?ean=9781606067581"><em>The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds</em></a> (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by <em>Game of Thrones </em>costume designer Michele Clapton,<em> The Fantasy of the Middle Ages</em> will surprise and delight both enthusiasts and scholars.</p><p>This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.</p><p>Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for <em>Book of Beasts: The Bestiary in the Medieval World</em> (Getty Publications, 2019).</p><p>Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London.</p><p><a href="https://www.linkedin.com/in/evanzarkadas/"><em>Evan Zarkadas</em></a><em> (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3703</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1540299518.mp3?updated=1679414073" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David J. Halperin, "Intimate Alien: The Hidden Story of the UFO" (Stanford UP, 2020)</title>
      <description>In his book Intimate Alien: The Hidden Story of the UFO (Stanford University Press, 2020), David J. Halperin explores the phenomena of UFO's through a psychological lense.
UFOs became part of our cultural landscape in 1947, and they've been with us ever since. Debunked innumerable times, they refuse to go away. Made the subject of great expectations by their believers, they invariably disappoint. They've been called a myth, both in disparagement and, more properly, in appreciation of their power and significance. 
This book argues that they are actually a mythology, as gripping and profound as the great mythologies of antiquity to which they're linked. The question it asks about them is not, "What are they?" nor "Where do they come from?" but "What do they mean?" Halperin begins his exploration with his own longish teenage foray into the UFOs that he began to believe in as his mother lay dying of cancer. Despite the fact that he was only a high school student, Halperin joined and then became the director of "New Jersey Association on Aerial Phenomena" (NJAAP), an organization of amateur observers with members across the States. He goes on to revisit a range of famous cases of UFO sightings and abductions while introducing his own approach, which is informed by the study of religion, folklore, and Jungian psychology. Ultimately arguing for UFOs as evidence of the inner trauma of individuals as well as entire societies, he posits that the rise of the UFO in post-World War II America coincides with that moment in the nuclear age when we first became capable of imagining our death as a species,
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>194</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David J. Halperin</itunes:subtitle>
      <itunes:summary>In his book Intimate Alien: The Hidden Story of the UFO (Stanford University Press, 2020), David J. Halperin explores the phenomena of UFO's through a psychological lense.
UFOs became part of our cultural landscape in 1947, and they've been with us ever since. Debunked innumerable times, they refuse to go away. Made the subject of great expectations by their believers, they invariably disappoint. They've been called a myth, both in disparagement and, more properly, in appreciation of their power and significance. 
This book argues that they are actually a mythology, as gripping and profound as the great mythologies of antiquity to which they're linked. The question it asks about them is not, "What are they?" nor "Where do they come from?" but "What do they mean?" Halperin begins his exploration with his own longish teenage foray into the UFOs that he began to believe in as his mother lay dying of cancer. Despite the fact that he was only a high school student, Halperin joined and then became the director of "New Jersey Association on Aerial Phenomena" (NJAAP), an organization of amateur observers with members across the States. He goes on to revisit a range of famous cases of UFO sightings and abductions while introducing his own approach, which is informed by the study of religion, folklore, and Jungian psychology. Ultimately arguing for UFOs as evidence of the inner trauma of individuals as well as entire societies, he posits that the rise of the UFO in post-World War II America coincides with that moment in the nuclear age when we first became capable of imagining our death as a species,
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his book <a href="https://bookshop.org/a/12343/9781503607088"><em>Intimate Alien: The Hidden Story of the UFO</em></a> (Stanford University Press, 2020), David J. Halperin explores the phenomena of UFO's through a psychological lense.</p><p>UFOs became part of our cultural landscape in 1947, and they've been with us ever since. Debunked innumerable times, they refuse to go away. Made the subject of great expectations by their believers, they invariably disappoint. They've been called a myth, both in disparagement and, more properly, in appreciation of their power and significance. </p><p>This book argues that they are actually a mythology, as gripping and profound as the great mythologies of antiquity to which they're linked. The question it asks about them is not, "What are they?" nor "Where do they come from?" but "What do they mean?" Halperin begins his exploration with his own longish teenage foray into the UFOs that he began to believe in as his mother lay dying of cancer. Despite the fact that he was only a high school student, Halperin joined and then became the director of "New Jersey Association on Aerial Phenomena" (NJAAP), an organization of amateur observers with members across the States. He goes on to revisit a range of famous cases of UFO sightings and abductions while introducing his own approach, which is informed by the study of religion, folklore, and Jungian psychology. Ultimately arguing for UFOs as evidence of the inner trauma of individuals as well as entire societies, he posits that the rise of the UFO in post-World War II America coincides with that moment in the nuclear age when we first became capable of imagining our death as a species,</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3141</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a9c3018e-c59e-11ed-907e-83b6d1436c26]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4095985660.mp3?updated=1679152521" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexis James, "Unsung: Not All Heroes Wear Kits" (Pitch Publishing, 2023)</title>
      <description>Unsung: Not all Heroes Wear Kits (Pitch Publishing, 2022) by Alexis James introduces the sports stars you don't know, telling the stories you can't miss. It shines a rare spotlight behind the scenes of professional sport, with overlooked heroes such as F1 mechanics, athletics starters, football chaplains, rugby medics and cycling moto pilots revealing previously untold tales of intrigue, ambition and dedication.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>244</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexis James</itunes:subtitle>
      <itunes:summary>Unsung: Not all Heroes Wear Kits (Pitch Publishing, 2022) by Alexis James introduces the sports stars you don't know, telling the stories you can't miss. It shines a rare spotlight behind the scenes of professional sport, with overlooked heroes such as F1 mechanics, athletics starters, football chaplains, rugby medics and cycling moto pilots revealing previously untold tales of intrigue, ambition and dedication.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781801501415"><em>Unsung: Not all Heroes Wear Kits</em> </a>(Pitch Publishing, 2022) by Alexis James introduces the sports stars you don't know, telling the stories you can't miss. It shines a rare spotlight behind the scenes of professional sport, with overlooked heroes such as F1 mechanics, athletics starters, football chaplains, rugby medics and cycling moto pilots revealing previously untold tales of intrigue, ambition and dedication.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4299</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c64a31c6-c29a-11ed-bfc0-8b31996245ab]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2112864735.mp3?updated=1678820959" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rose Marshack, "Play Like a Man: My Life in Poster Children" (U Illinois Press, 2023)</title>
      <description>In Play Like a Man: My Life in Poster Children (University of Illinois Press, 2023), Poster Children bassist Rose Marshack details her life in the 80s and 90s as part of a heavily touring Indie Rock band. Using her Tour Reports from the 1990s, Marshack relates what life was like during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)--Marshack chronicles the band's day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk's DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs. An inside look at a scene and a career, Play Like a Man is the evocative and humorous tale of one woman's life in the trenches and online.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rose Marshack</itunes:subtitle>
      <itunes:summary>In Play Like a Man: My Life in Poster Children (University of Illinois Press, 2023), Poster Children bassist Rose Marshack details her life in the 80s and 90s as part of a heavily touring Indie Rock band. Using her Tour Reports from the 1990s, Marshack relates what life was like during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)--Marshack chronicles the band's day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk's DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs. An inside look at a scene and a career, Play Like a Man is the evocative and humorous tale of one woman's life in the trenches and online.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<a href="https://bookshop.org/a/12343/9780252086960"> <em>Play Like a Man: My Life in Poster Children</em></a> (University of Illinois Press, 2023), Poster Children bassist Rose Marshack details her life in the 80s and 90s as part of a heavily touring Indie Rock band. Using her Tour Reports from the 1990s, Marshack relates what life was like during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)--Marshack chronicles the band's day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk's DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs. An inside look at a scene and a career, <em>Play Like a Man</em> is the evocative and humorous tale of one woman's life in the trenches and online.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3187</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9ef1eef8-c294-11ed-9bb3-7bcd747bf354]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6723642166.mp3?updated=1678818653" length="0" type="audio/mpeg"/>
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      <title>Roy Schwartz, "Is Superman Circumcised?: The Complete Jewish History of the World’s Greatest Hero" (McFarland, 2021)</title>
      <description>Superman is the original superhero, an American icon, and arguably the most famous character in the world--and he's Jewish! Introduced in June 1938, the Man of Steel was created by two Jewish teens, Jerry Siegel, the son of immigrants from Eastern Europe, and Joe Shuster, an immigrant. They based their hero's origin story on Moses, his strength on Samson, his mission on the golem, and his nebbish secret identity on themselves. They made him a refugee fleeing catastrophe on the eve of World War II and sent him to tear Nazi tanks apart nearly two years before the US joined the war. In the following decades, Superman's mostly Jewish writers, artists, and editors continued to borrow Jewish motifs for their stories, basing Krypton's past on Genesis and Exodus, its society on Jewish culture, the trial of Lex Luthor on Adolf Eichmann's, and a future holiday celebrating Superman on Passover. 
A fascinating journey through comic book lore, American history, and Jewish tradition, Roy Schwartz's Is Superman Circumcised?: The Complete Jewish History of the World’s Greatest Hero (McFarland, 2021) examines the entirety of Superman's career from 1938 to date, and is sure to give readers a newfound appreciation for the Mensch of Steel!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 18 Mar 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>372</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Roy Schwartz</itunes:subtitle>
      <itunes:summary>Superman is the original superhero, an American icon, and arguably the most famous character in the world--and he's Jewish! Introduced in June 1938, the Man of Steel was created by two Jewish teens, Jerry Siegel, the son of immigrants from Eastern Europe, and Joe Shuster, an immigrant. They based their hero's origin story on Moses, his strength on Samson, his mission on the golem, and his nebbish secret identity on themselves. They made him a refugee fleeing catastrophe on the eve of World War II and sent him to tear Nazi tanks apart nearly two years before the US joined the war. In the following decades, Superman's mostly Jewish writers, artists, and editors continued to borrow Jewish motifs for their stories, basing Krypton's past on Genesis and Exodus, its society on Jewish culture, the trial of Lex Luthor on Adolf Eichmann's, and a future holiday celebrating Superman on Passover. 
A fascinating journey through comic book lore, American history, and Jewish tradition, Roy Schwartz's Is Superman Circumcised?: The Complete Jewish History of the World’s Greatest Hero (McFarland, 2021) examines the entirety of Superman's career from 1938 to date, and is sure to give readers a newfound appreciation for the Mensch of Steel!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Superman is the original superhero, an American icon, and arguably the most famous character in the world--and he's Jewish! Introduced in June 1938, the Man of Steel was created by two Jewish teens, Jerry Siegel, the son of immigrants from Eastern Europe, and Joe Shuster, an immigrant. They based their hero's origin story on Moses, his strength on Samson, his mission on the golem, and his nebbish secret identity on themselves. They made him a refugee fleeing catastrophe on the eve of World War II and sent him to tear Nazi tanks apart nearly two years before the US joined the war. In the following decades, Superman's mostly Jewish writers, artists, and editors continued to borrow Jewish motifs for their stories, basing Krypton's past on Genesis and Exodus, its society on Jewish culture, the trial of Lex Luthor on Adolf Eichmann's, and a future holiday celebrating Superman on Passover. </p><p>A fascinating journey through comic book lore, American history, and Jewish tradition, Roy Schwartz's <a href="https://bookshop.org/a/12343/9781476662909"><em>Is Superman Circumcised?: The Complete Jewish History of the World’s Greatest Hero</em></a><em> </em>(McFarland, 2021) examines the entirety of Superman's career from 1938 to date, and is sure to give readers a newfound appreciation for the Mensch of Steel!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6327</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0af82968-afb8-11ed-964d-efb430d2aefb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1023253951.mp3?updated=1676744547" length="0" type="audio/mpeg"/>
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    <item>
      <title>John Miller, "The Philosophy of Tattoos" (British Library, 2021)</title>
      <description>The Philosophy of Tattoos (British Library, 2021) by Dr. John Miller presents an impressively broad yet personal account, exploring tattooing as a unique expression of individual, cultural and national identity.
Dr. Miller explores tattooing as an innate human impulse throughout history, following its suppression and revival in cultures around the world. A bold and nuanced story of colonial oppression, social deviance and tattooing in the age of social media, the book features original tattoo designs from London-based tattoo artist Luca Ortis, as well as illustrations from the British library collections.
The Philosophy of Tattoos returns to its origins in cultural locations as disparate as Polynesia, the Amazon and the Arctic to interrogate the innate human desire to mark the skin. It asks what the history of tattooing might tell us about that fundamental question: what does it mean to be human?
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 17 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Miller</itunes:subtitle>
      <itunes:summary>The Philosophy of Tattoos (British Library, 2021) by Dr. John Miller presents an impressively broad yet personal account, exploring tattooing as a unique expression of individual, cultural and national identity.
Dr. Miller explores tattooing as an innate human impulse throughout history, following its suppression and revival in cultures around the world. A bold and nuanced story of colonial oppression, social deviance and tattooing in the age of social media, the book features original tattoo designs from London-based tattoo artist Luca Ortis, as well as illustrations from the British library collections.
The Philosophy of Tattoos returns to its origins in cultural locations as disparate as Polynesia, the Amazon and the Arctic to interrogate the innate human desire to mark the skin. It asks what the history of tattooing might tell us about that fundamental question: what does it mean to be human?
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780712353083"><em>The Philosophy of Tattoos</em> </a>(British Library, 2021) by Dr. John Miller presents an impressively broad yet personal account, exploring tattooing as a unique expression of individual, cultural and national identity.</p><p>Dr. Miller explores tattooing as an innate human impulse throughout history, following its suppression and revival in cultures around the world. A bold and nuanced story of colonial oppression, social deviance and tattooing in the age of social media, the book features original tattoo designs from London-based tattoo artist Luca Ortis, as well as illustrations from the British library collections.</p><p><em>The Philosophy of Tattoos</em> returns to its origins in cultural locations as disparate as Polynesia, the Amazon and the Arctic to interrogate the innate human desire to mark the skin. It asks what the history of tattooing might tell us about that fundamental question: what does it mean to be human?</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3145</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6e54bda0-bf8f-11ed-9112-3be083f63d75]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7428036174.mp3?updated=1678486160" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mary Flanagan and Mikael Jakobsson, "Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games" (MIT Press, 2023)</title>
      <description>Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games (MIT Press, 2023) by Dr. Mary Flanagan &amp; Dr. Mikael Jakobsson is a striking analysis of popular board games' roots in imperialist reasoning—and why the future of play depends on reckoning with it.
Board games conjure up images of innocuously enriching entertainment: family game nights, childhood pastimes, cooperative board games centered around resource management and strategic play. Yet in Playing Oppression, Dr. Flanagan and Dr. Jakobsson apply the incisive frameworks of postcolonial theory to a broad historical survey of board games to show how these seemingly benign entertainments reinforce the logic of imperialism.
Through this lens, the commercialized version of Snakes and Ladders takes shape as the British Empire's distortion of Gyan Chaupar (an Indian game of spiritual knowledge), and early twentieth-century “trading games” that fêted French colonialism are exposed for how they conveniently sanitized its brutality while also relying on crudely racist imagery. These games' most explicitly abhorrent features may no longer be visible, but their legacy still lingers in the contemporary Eurogame tendency to exalt (and incentivize) cycles of exploration, expansion, exploitation, and extermination.
An essential addition to any player's bookshelf, Playing Oppression deftly analyzes this insidious violence and proposes a path forward with board games that challenge colonialist thinking and embrace a much broader cultural imagination.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>362</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Flanagan and Mikael Jakobsson</itunes:subtitle>
      <itunes:summary>Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games (MIT Press, 2023) by Dr. Mary Flanagan &amp; Dr. Mikael Jakobsson is a striking analysis of popular board games' roots in imperialist reasoning—and why the future of play depends on reckoning with it.
Board games conjure up images of innocuously enriching entertainment: family game nights, childhood pastimes, cooperative board games centered around resource management and strategic play. Yet in Playing Oppression, Dr. Flanagan and Dr. Jakobsson apply the incisive frameworks of postcolonial theory to a broad historical survey of board games to show how these seemingly benign entertainments reinforce the logic of imperialism.
Through this lens, the commercialized version of Snakes and Ladders takes shape as the British Empire's distortion of Gyan Chaupar (an Indian game of spiritual knowledge), and early twentieth-century “trading games” that fêted French colonialism are exposed for how they conveniently sanitized its brutality while also relying on crudely racist imagery. These games' most explicitly abhorrent features may no longer be visible, but their legacy still lingers in the contemporary Eurogame tendency to exalt (and incentivize) cycles of exploration, expansion, exploitation, and extermination.
An essential addition to any player's bookshelf, Playing Oppression deftly analyzes this insidious violence and proposes a path forward with board games that challenge colonialist thinking and embrace a much broader cultural imagination.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780262047913"><em>Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games</em></a> (MIT Press, 2023) by Dr. Mary Flanagan &amp; Dr. Mikael Jakobsson is a striking analysis of popular board games' roots in imperialist reasoning—and why the future of play depends on reckoning with it.</p><p>Board games conjure up images of innocuously enriching entertainment: family game nights, childhood pastimes, cooperative board games centered around resource management and strategic play. Yet in Playing Oppression, Dr. Flanagan and Dr. Jakobsson apply the incisive frameworks of postcolonial theory to a broad historical survey of board games to show how these seemingly benign entertainments reinforce the logic of imperialism.</p><p>Through this lens, the commercialized version of Snakes and Ladders takes shape as the British Empire's distortion of Gyan Chaupar (an Indian game of spiritual knowledge), and early twentieth-century “trading games” that fêted French colonialism are exposed for how they conveniently sanitized its brutality while also relying on crudely racist imagery. These games' most explicitly abhorrent features may no longer be visible, but their legacy still lingers in the contemporary Eurogame tendency to exalt (and incentivize) cycles of exploration, expansion, exploitation, and extermination.</p><p>An essential addition to any player's bookshelf, Playing Oppression deftly analyzes this insidious violence and proposes a path forward with board games that challenge colonialist thinking and embrace a much broader cultural imagination.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2908</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aa1d2ede-bd29-11ed-b76a-5fdf2b72d967]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7991468040.mp3?updated=1678222694" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hugh Hodges, "The Fascist Groove Thing: A History of Thatcher's Britain in 21 Mixtapes" (PM Press, 2023)</title>
      <description>This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists.
Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes (PM Press, 2023) presents an original and polemical account of the era.
Hugh Hodges has written extensively on African and West Indian music, poetry, and fiction, including essays on Fela Kuti, Lord Kitchener, and Bob Marley. Linton Kwesi Johnson praised his book Soon Come as "extremely engaging and an important, original scholarly work." He currently teaches at Trent University, Ontario, where his research focuses on cultural resistance in its many forms, and his band the Red Finks remains hopelessly obscure.
Hugh’s author page for PM Press.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>184</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hugh Hodges</itunes:subtitle>
      <itunes:summary>This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists.
Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes (PM Press, 2023) presents an original and polemical account of the era.
Hugh Hodges has written extensively on African and West Indian music, poetry, and fiction, including essays on Fela Kuti, Lord Kitchener, and Bob Marley. Linton Kwesi Johnson praised his book Soon Come as "extremely engaging and an important, original scholarly work." He currently teaches at Trent University, Ontario, where his research focuses on cultural resistance in its many forms, and his band the Red Finks remains hopelessly obscure.
Hugh’s author page for PM Press.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists.</p><p>Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, <a href="https://bookshop.org/a/12343/9781629638843"><em>The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes</em></a><em> </em>(PM Press, 2023) presents an original and polemical account of the era.</p><p>Hugh Hodges has written extensively on African and West Indian music, poetry, and fiction, including essays on Fela Kuti, Lord Kitchener, and Bob Marley. Linton Kwesi Johnson praised his book Soon Come as "extremely engaging and an important, original scholarly work." He currently teaches at Trent University, Ontario, where his research focuses on cultural resistance in its many forms, and his band the Red Finks remains hopelessly obscure.</p><p>Hugh’s <a href="https://blog.pmpress.org/authors-artists-comrades/hugh-hodges/">author page</a> for PM Press.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2d020896-bf5b-11ed-88f7-fb8550322022]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7874581620.mp3?updated=1678463849" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Carnes and Lilly J. Goren, "The Politics of the Marvel Cinematic Universe" (UP of Kansas, 2022)</title>
      <description>In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?”
Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.”
Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013).
Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 13 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>644</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicholas Carnes and Lilly J. Goren</itunes:subtitle>
      <itunes:summary>In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?”
Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.”
Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013).
Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780700633883"><em>The Politics of the Marvel Cinematic Universe</em></a><em> </em>(UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?”</p><p>Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. <em>The Politics of the Marvel Cinematic Universe </em>brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.”</p><p><a href="https://people.duke.edu/~nwc8/">Nicholas Carnes</a> is Professor of Public Policy and Sociology at Duke University. His publications include <a href="https://bookshop.org/p/books/the-cash-ceiling-why-only-the-rich-run-for-office-and-what-we-can-do-about-it-nicholas-carnes/9019633?ean=9780691182001"><em>The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It</em></a> (Princeton University Press, 2018) and <a href="https://press.uchicago.edu/ucp/books/book/chicago/W/bo16956543.html"><em>White-Collar Government: The Hidden Role of Class in Economic Policy Making</em></a> (University of Chicago Press, 2013).</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd">Lilly J. Goren </a>is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing <a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"><em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Publishers, 2015) </em>and <a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> </em>(University Press of Kentucky, 2012).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3937</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[085fddc8-bec1-11ed-895f-ff3ce52ca896]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3702917505.mp3?updated=1680293227" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 3</title>
      <description>Dive into the question of why audiences love Shakespeare’s plays and Game of Thrones so much, despite their depictions of prejudice and violence, and discuss the unique power of tragic art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 13 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dive into the question of why audiences love Shakespeare’s plays and Game of Thrones so much, despite their depictions of prejudice and violence, and discuss the unique power of tragic art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dive into the question of why audiences love Shakespeare’s plays and Game of Thrones so much, despite their depictions of prejudice and violence, and discuss the unique power of tragic art.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2305</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8c6297f2-e356-11eb-9635-5b847acce284]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7281448620.mp3?updated=1661800406" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stefano Gualeni and Riccardo Fassone, "Fictional Games: A Philosophy of Worldbuilding and Imaginary Play" (Bloomsbury, 2023)</title>
      <description>What role do imaginary games have in story-telling? Why do fiction authors outline the rules of a game that the reader will never watch or play? 
Combining perspectives from philosophy, literature and game studies, Fictional Games: A Philosophy of Worldbuilding and Imaginary Play (Bloomsbury, 2023) provides the first in-depth investigation into the significance of games in fictional worlds. With examples from contemporary cinema and literature, from The Hunger Games to the science fiction of Iain M. Banks, Stefano Gualeni and Riccardo Fassone introduce four key functions that different types of imaginary games have in worldbuilding. First, fictional games can emphasize the dominant values and ideologies of the fictional society they belong to. Second, some games function as critical, utopian tools, inspiring shifts in the thinking and political orientation of the fictional characters. Third, imaginary games, especially those with a magical component, are conducive to the transcendence of a particular form of being, such as the overcoming of human corporeality. And fourth, fictional games can deceptively blur the boundaries between the contingency of play and the irrevocable seriousness of "real life", either camouflaging life as a game or disguising a game as something with more permanent consequences. 
With illustrations in every chapter, bringing the imaginary games to life, Gualeni and Fassone creatively inspire us to consider fictional games anew: not as moments of playful reprieve in a storyline, but as significant and multi-layered rhetorical devices.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 12 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stefano Gualeni and Riccardo Fassone</itunes:subtitle>
      <itunes:summary>What role do imaginary games have in story-telling? Why do fiction authors outline the rules of a game that the reader will never watch or play? 
Combining perspectives from philosophy, literature and game studies, Fictional Games: A Philosophy of Worldbuilding and Imaginary Play (Bloomsbury, 2023) provides the first in-depth investigation into the significance of games in fictional worlds. With examples from contemporary cinema and literature, from The Hunger Games to the science fiction of Iain M. Banks, Stefano Gualeni and Riccardo Fassone introduce four key functions that different types of imaginary games have in worldbuilding. First, fictional games can emphasize the dominant values and ideologies of the fictional society they belong to. Second, some games function as critical, utopian tools, inspiring shifts in the thinking and political orientation of the fictional characters. Third, imaginary games, especially those with a magical component, are conducive to the transcendence of a particular form of being, such as the overcoming of human corporeality. And fourth, fictional games can deceptively blur the boundaries between the contingency of play and the irrevocable seriousness of "real life", either camouflaging life as a game or disguising a game as something with more permanent consequences. 
With illustrations in every chapter, bringing the imaginary games to life, Gualeni and Fassone creatively inspire us to consider fictional games anew: not as moments of playful reprieve in a storyline, but as significant and multi-layered rhetorical devices.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What role do imaginary games have in story-telling? Why do fiction authors outline the rules of a game that the reader will never watch or play? </p><p>Combining perspectives from philosophy, literature and game studies, <a href="https://bookshop.org/a/12343/9781350277083"><em>Fictional Games: A Philosophy of Worldbuilding and Imaginary Play</em></a> (Bloomsbury, 2023) provides the first in-depth investigation into the significance of games in fictional worlds. With examples from contemporary cinema and literature, from The Hunger Games to the science fiction of Iain M. Banks, Stefano Gualeni and Riccardo Fassone introduce four key functions that different types of imaginary games have in worldbuilding. First, fictional games can emphasize the dominant values and ideologies of the fictional society they belong to. Second, some games function as critical, utopian tools, inspiring shifts in the thinking and political orientation of the fictional characters. Third, imaginary games, especially those with a magical component, are conducive to the transcendence of a particular form of being, such as the overcoming of human corporeality. And fourth, fictional games can deceptively blur the boundaries between the contingency of play and the irrevocable seriousness of "real life", either camouflaging life as a game or disguising a game as something with more permanent consequences. </p><p>With illustrations in every chapter, bringing the imaginary games to life, Gualeni and Fassone creatively inspire us to consider fictional games anew: not as moments of playful reprieve in a storyline, but as significant and multi-layered rhetorical devices.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2762</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bce1d030-bcff-11ed-b87d-e7afe3fc4be2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9599251627.mp3?updated=1678204571" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Theresa Runstedtler, "Black Ball: Kareem Abdul-Jabbar, Spencer Haywood, and the Generation That Saved the Soul of the NBA" (Bold Type Books, 2023)</title>
      <description>Against a backdrop of ongoing resistance to racial desegregation and strident calls for Black Power, the NBA in the 1970s embodied the nation’s imagined descent into disorder. A new generation of Black players entered the league then, among them Kareem Abdul-Jabbar and Spencer Haywood, and the press and public were quick to blame this cohort for the supposed decline of pro basketball, citing drugs, violence, and greed. Basketball became a symbol for post-civil rights America: the rules had changed, allowing more Black people onto the playing field, and now they were ruining everything.
Enter Black Ball: Kareem Abdul-Jabbar, Spencer Haywood, and the Generation That Saved the Soul of the NBA (Bold Type Books, 2023)l, a gripping history and corrective in which scholar Theresa Runstedtler expertly rewrites basketball’s “Dark Ages.” Weaving together a deep knowledge of the game with incisive social analysis, Runstedtler argues that this much-maligned period was pivotal to the rise of the modern-day NBA. Black players introduced an improvisational style derived from the playground courts of their neighborhoods. They also challenged the team owners’ autocratic power, garnering higher salaries and increased agency. Their skills, style, and savvy laid the foundation for the global popularity and profitability of the league we know today.
Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 11 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>243</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Theresa Runstedtler</itunes:subtitle>
      <itunes:summary>Against a backdrop of ongoing resistance to racial desegregation and strident calls for Black Power, the NBA in the 1970s embodied the nation’s imagined descent into disorder. A new generation of Black players entered the league then, among them Kareem Abdul-Jabbar and Spencer Haywood, and the press and public were quick to blame this cohort for the supposed decline of pro basketball, citing drugs, violence, and greed. Basketball became a symbol for post-civil rights America: the rules had changed, allowing more Black people onto the playing field, and now they were ruining everything.
Enter Black Ball: Kareem Abdul-Jabbar, Spencer Haywood, and the Generation That Saved the Soul of the NBA (Bold Type Books, 2023)l, a gripping history and corrective in which scholar Theresa Runstedtler expertly rewrites basketball’s “Dark Ages.” Weaving together a deep knowledge of the game with incisive social analysis, Runstedtler argues that this much-maligned period was pivotal to the rise of the modern-day NBA. Black players introduced an improvisational style derived from the playground courts of their neighborhoods. They also challenged the team owners’ autocratic power, garnering higher salaries and increased agency. Their skills, style, and savvy laid the foundation for the global popularity and profitability of the league we know today.
Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Against a backdrop of ongoing resistance to racial desegregation and strident calls for Black Power, the NBA in the 1970s embodied the nation’s imagined descent into disorder. A new generation of Black players entered the league then, among them Kareem Abdul-Jabbar and Spencer Haywood, and the press and public were quick to blame this cohort for the supposed decline of pro basketball, citing drugs, violence, and greed. Basketball became a symbol for post-civil rights America: the rules had changed, allowing more Black people onto the playing field, and now they were ruining everything.</p><p>Enter <a href="https://bookshop.org/a/12343/9781645036951"><em>Black Ball: Kareem Abdul-Jabbar, Spencer Haywood, and the Generation That Saved the Soul of the NBA</em></a> (Bold Type Books, 2023)l, a gripping history and corrective in which scholar Theresa Runstedtler expertly rewrites basketball’s “Dark Ages.” Weaving together a deep knowledge of the game with incisive social analysis, Runstedtler argues that this much-maligned period was pivotal to the rise of the modern-day NBA. Black players introduced an improvisational style derived from the playground courts of their neighborhoods. They also challenged the team owners’ autocratic power, garnering higher salaries and increased agency. Their skills, style, and savvy laid the foundation for the global popularity and profitability of the league we know today.</p><p><em>Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3361</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c33dc9b2-bb73-11ed-880a-5b406c17f80c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9306464411.mp3?updated=1678034592" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Thompson Ford, "Dress Codes: How the Laws of Fashion Made History" (Simon &amp; Schuster, 2021)</title>
      <description>Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina’s “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States.
Even in today’s more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime.
In Dress Codes: How the Laws of Fashion Made History (Simon &amp; Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history’s red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you’ll never think of fashion as superficial again—and getting dressed will never be the same.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 11 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1307</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard Thompson Ford</itunes:subtitle>
      <itunes:summary>Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina’s “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States.
Even in today’s more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime.
In Dress Codes: How the Laws of Fashion Made History (Simon &amp; Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history’s red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you’ll never think of fashion as superficial again—and getting dressed will never be the same.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina’s “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States.</p><p>Even in today’s more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime.</p><p>In <a href="https://bookshop.org/a/12343/9781501180088"><em>Dress Codes: How the Laws of Fashion Made History </em></a>(Simon &amp; Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history’s red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you’ll never think of fashion as superficial again—and getting dressed will never be the same.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3768</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b7c5d512-bacd-11ed-b5ae-af78182010b2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8297548106.mp3?updated=1677963381" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elizabeth Cobbs, "Fearless Women: Feminist Patriots from Abigail Adams to Beyoncé" (Harvard UP, 2023)</title>
      <description>In her latest book, Fearless Women: Feminist Patriots from Abigail Adams to Beyoncé (Harvard University Press, 2023), New York Times bestselling author Elizabeth Cobbs shows us that the quest for women’s rights is deeply entwined with the founding story of the United States.
When America became a nation, a woman had no legal existence beyond her husband. If he abused her, she couldn’t leave without abandoning her children. Abigail Adams tried to change this, reminding her husband John to “remember the ladies” when he wrote the Constitution. He simply laughed—and women have been fighting for their rights ever since.
Fearless Women tells the story of women who dared to take destiny into their own hands. They were feminists and antifeminists, activists and homemakers, victims of abuse and pathbreaking professionals. Inspired by the nation’s ideals and fueled by an unshakeable sense of right and wrong, they wouldn’t take no for an answer. In time, they carried the country with them.
The first right they won was the right to learn. Later, impassioned teachers like Angelina Grimké and Susan B. Anthony campaigned for the right to speak in public, lobby the government, and own property. Some were passionate abolitionists. Others fought just to protect their own children.
Many of these women devoted their lives to the cause—some are famous—but most pressed their demands far from the spotlight, insisting on their right to vote, sit on a jury, control the timing of their pregnancies, enjoy equal partnerships, or earn a living. At every step, they faced fierce opposition. Elizabeth Cobbs gives voice to fearless women on both sides of the aisle, most of whom considered themselves patriots. Rich and poor, from all backgrounds and regions, they show that the women’s movement has never been an exclusive club.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elizabeth Cobbs</itunes:subtitle>
      <itunes:summary>In her latest book, Fearless Women: Feminist Patriots from Abigail Adams to Beyoncé (Harvard University Press, 2023), New York Times bestselling author Elizabeth Cobbs shows us that the quest for women’s rights is deeply entwined with the founding story of the United States.
When America became a nation, a woman had no legal existence beyond her husband. If he abused her, she couldn’t leave without abandoning her children. Abigail Adams tried to change this, reminding her husband John to “remember the ladies” when he wrote the Constitution. He simply laughed—and women have been fighting for their rights ever since.
Fearless Women tells the story of women who dared to take destiny into their own hands. They were feminists and antifeminists, activists and homemakers, victims of abuse and pathbreaking professionals. Inspired by the nation’s ideals and fueled by an unshakeable sense of right and wrong, they wouldn’t take no for an answer. In time, they carried the country with them.
The first right they won was the right to learn. Later, impassioned teachers like Angelina Grimké and Susan B. Anthony campaigned for the right to speak in public, lobby the government, and own property. Some were passionate abolitionists. Others fought just to protect their own children.
Many of these women devoted their lives to the cause—some are famous—but most pressed their demands far from the spotlight, insisting on their right to vote, sit on a jury, control the timing of their pregnancies, enjoy equal partnerships, or earn a living. At every step, they faced fierce opposition. Elizabeth Cobbs gives voice to fearless women on both sides of the aisle, most of whom considered themselves patriots. Rich and poor, from all backgrounds and regions, they show that the women’s movement has never been an exclusive club.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her latest book, <a href="https://bookshop.org/a/12343/9780674258488"><em>Fearless Women: Feminist Patriots from Abigail Adams to Beyoncé</em></a><em> </em>(Harvard University Press, 2023)<em>, New York Times</em> bestselling author Elizabeth Cobbs shows us that the quest for women’s rights is deeply entwined with the founding story of the United States.</p><p>When America became a nation, a woman had no legal existence beyond her husband. If he abused her, she couldn’t leave without abandoning her children. Abigail Adams tried to change this, reminding her husband John to “remember the ladies” when he wrote the Constitution. He simply laughed—and women have been fighting for their rights ever since.</p><p><em>Fearless Women</em> tells the story of women who dared to take destiny into their own hands. They were feminists and antifeminists, activists and homemakers, victims of abuse and pathbreaking professionals. Inspired by the nation’s ideals and fueled by an unshakeable sense of right and wrong, they wouldn’t take no for an answer. In time, they carried the country with them.</p><p>The first right they won was the right to learn. Later, impassioned teachers like Angelina Grimké and Susan B. Anthony campaigned for the right to speak in public, lobby the government, and own property. Some were passionate abolitionists. Others fought just to protect their own children.</p><p>Many of these women devoted their lives to the cause—some are famous—but most pressed their demands far from the spotlight, insisting on their right to vote, sit on a jury, control the timing of their pregnancies, enjoy equal partnerships, or earn a living. At every step, they faced fierce opposition. Elizabeth Cobbs gives voice to fearless women on both sides of the aisle, most of whom considered themselves patriots. Rich and poor, from all backgrounds and regions, they show that the women’s movement has never been an exclusive club.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4003</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3108362a-bad0-11ed-8399-7b110f43c37e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9949090682.mp3?updated=1677964585" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Los Angeles Review of Books: A Conversation with Michelle Chihara and Annie Berke</title>
      <description>Today I talked to Michelle Chihara, Editor-in-Chief of the Los Angeles Review of Books and Annie Berke, the Film Editor at the Los Angeles Review of Books. We talked about book reviewing in the age of the Internet and LA literary culture.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>66</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today I talked to Michelle Chihara, Editor-in-Chief of the Los Angeles Review of Books and Annie Berke, the Film Editor at the Los Angeles Review of Books. We talked about book reviewing in the age of the Internet and LA literary culture.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to <a href="https://www.michellechihara.com/">Michelle Chihara</a>, Editor-in-Chief of the <a href="https://lareviewofbooks.org/">Los Angeles Review of Books</a> and <a href="https://annieberke.com/">Annie Berke</a>, the Film Editor at the Los Angeles Review of Books. We talked about book reviewing in the age of the Internet and LA literary culture.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76461c14-bc21-11ed-a60c-c362ae24398b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5210896140.mp3?updated=1678981979" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 2</title>
      <description>Explore the moral tensions and dilemmas that Shakespeare and George R.R. Martin force their audiences to confront, especially in the storylines of their most notable political leaders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“Uneasy Lies the Head that Wears the Crown”</itunes:subtitle>
      <itunes:summary>Explore the moral tensions and dilemmas that Shakespeare and George R.R. Martin force their audiences to confront, especially in the storylines of their most notable political leaders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Explore the moral tensions and dilemmas that Shakespeare and George R.R. Martin force their audiences to confront, especially in the storylines of their most notable political leaders.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1939</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2d7a8e98-e356-11eb-b6ec-573c8b31b886]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8957741152.mp3?updated=1661800417" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Dodds, "Myths and Memories of the Black Death" (Palgrave MacMillan, 2022)</title>
      <description>Ben Dodds, of the University of Florida, talks with Jana Byars about his new book, Myths and Memories of the Black Death (Palgrave, 2022). This book explores modern representations of the Black Death, a medieval pandemic. The concept of cultural memory is used to examine the ways in which journalists, writers of fiction, scholars and others referred to, described and explained the Black Death from around 1800 onwards. The distant medieval past was often used to make sense of aspects of the present, from the cholera pandemics of the nineteenth-century to the climate crisis of the early twenty-first century. A series of overlapping myths related to the Black Death emerged based only in part on historical evidence. Cultural memory circulates in a variety of media from the scholarly article to the video game and online video clip, and the connections and differences between mediated representations of the Black Death are considered. The Black Death is one of the most well-known aspects of the medieval world, and this study of its associated memories and myths reveals the depth and complexity of interactions between the distant and recent past.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Dodds</itunes:subtitle>
      <itunes:summary>Ben Dodds, of the University of Florida, talks with Jana Byars about his new book, Myths and Memories of the Black Death (Palgrave, 2022). This book explores modern representations of the Black Death, a medieval pandemic. The concept of cultural memory is used to examine the ways in which journalists, writers of fiction, scholars and others referred to, described and explained the Black Death from around 1800 onwards. The distant medieval past was often used to make sense of aspects of the present, from the cholera pandemics of the nineteenth-century to the climate crisis of the early twenty-first century. A series of overlapping myths related to the Black Death emerged based only in part on historical evidence. Cultural memory circulates in a variety of media from the scholarly article to the video game and online video clip, and the connections and differences between mediated representations of the Black Death are considered. The Black Death is one of the most well-known aspects of the medieval world, and this study of its associated memories and myths reveals the depth and complexity of interactions between the distant and recent past.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ben Dodds, of the University of Florida, talks with Jana Byars about his new book, <a href="https://bookshop.org/a/12343/9783030890605">Myths and Memories of the Black Death</a> (Palgrave, 2022). This book explores modern representations of the Black Death, a medieval pandemic. The concept of cultural memory is used to examine the ways in which journalists, writers of fiction, scholars and others referred to, described and explained the Black Death from around 1800 onwards. The distant medieval past was often used to make sense of aspects of the present, from the cholera pandemics of the nineteenth-century to the climate crisis of the early twenty-first century. A series of overlapping myths related to the Black Death emerged based only in part on historical evidence. Cultural memory circulates in a variety of media from the scholarly article to the video game and online video clip, and the connections and differences between mediated representations of the Black Death are considered. The Black Death is one of the most well-known aspects of the medieval world, and this study of its associated memories and myths reveals the depth and complexity of interactions between the distant and recent past.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2338</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[348b6f70-af85-11ed-88e4-3fa8fc529aa7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6893088679.mp3?updated=1678207736" length="0" type="audio/mpeg"/>
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      <title>Measure for Measure Episode 4: Movies</title>
      <description>We’d rate today’s episode a ten out of ten, five star, certified fresh, two thumbs up. But we can’t speak for its IMdB score.
This episode was produced by Andrew Middleton and Liya Rechtman.
Measure for Measure is a limited series from Ministry of Ideas.
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      <pubDate>Sun, 05 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’d rate today’s episode a ten out of ten, five star, certified fresh, two thumbs up. But we can’t speak for its IMdB score.
This episode was produced by Andrew Middleton and Liya Rechtman.
Measure for Measure is a limited series from Ministry of Ideas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’d rate today’s episode a ten out of ten, five star, certified fresh, two thumbs up. But we can’t speak for its IMdB score.</p><p>This episode was produced by <a href="https://twitter.com/EcoAndrewTRC"><strong>Andrew Middleton</strong></a> and <a href="https://twitter.com/ConstantLiya"><strong>Liya Rechtman</strong></a>.</p><p>Measure for Measure is a limited series from <a href="https://www.ministryofideas.org/"><strong>Ministry of Ideas</strong></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dffc9084-8940-11ed-8650-43073d58f64b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8370353177.mp3?updated=1672418359" length="0" type="audio/mpeg"/>
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    <item>
      <title>Thomas Aiello, "Dixieball: Race and Professional Basketball in the Deep South, 1947-1979" (U Tennessee Press, 2019)</title>
      <description>In Dixieball: Race and Professional Basketball in the Deep South, 1947-1979 (U Tennessee Press, 2019), Thomas Aiello considers the cultural function of professional basketball in the Deep South between 1947 and 1979. Making a strong case for the role of race in this process, Aiello ties the South’s initial animus toward basketball to the same complex that motivated the region to sacrifice its own economic interests to the cause of white supremacy. Fans of basketball, as compared to other team sports, were closer to the players, who showed more of their bodies; blackness, then, had more visibility in basketball than it had in other sports. By the time Lyndon Johnson signed the Voting Rights Act in 1965, African Americans made up 47.5 percent of professional basketball players, and despite integrating later than baseball and football, it was fast becoming known as a “black” sport. Over time, survival for southern teams grew more tenuous, fan support more fickle, and racial incidents between players and fans more hostile. Racism clashed with civic development in a fast-evolving region.
To identify the sources of this clash, Dixieball (The University of Tennessee Press, 2019) locates the main points of intersection between professional basketball and the Deep South in the two decades prior to the region’s first major franchise. Aiello then takes readers to New Orleans, where the first major Deep South professional basketball team—the New Orleans Buccaneers—was born, and on to Atlanta, Birmingham, St. Louis, and others, leading up to 1979.
Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at bkoerber@andrew.cmu.edu
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      <pubDate>Fri, 03 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas Aiello</itunes:subtitle>
      <itunes:summary>In Dixieball: Race and Professional Basketball in the Deep South, 1947-1979 (U Tennessee Press, 2019), Thomas Aiello considers the cultural function of professional basketball in the Deep South between 1947 and 1979. Making a strong case for the role of race in this process, Aiello ties the South’s initial animus toward basketball to the same complex that motivated the region to sacrifice its own economic interests to the cause of white supremacy. Fans of basketball, as compared to other team sports, were closer to the players, who showed more of their bodies; blackness, then, had more visibility in basketball than it had in other sports. By the time Lyndon Johnson signed the Voting Rights Act in 1965, African Americans made up 47.5 percent of professional basketball players, and despite integrating later than baseball and football, it was fast becoming known as a “black” sport. Over time, survival for southern teams grew more tenuous, fan support more fickle, and racial incidents between players and fans more hostile. Racism clashed with civic development in a fast-evolving region.
To identify the sources of this clash, Dixieball (The University of Tennessee Press, 2019) locates the main points of intersection between professional basketball and the Deep South in the two decades prior to the region’s first major franchise. Aiello then takes readers to New Orleans, where the first major Deep South professional basketball team—the New Orleans Buccaneers—was born, and on to Atlanta, Birmingham, St. Louis, and others, leading up to 1979.
Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at bkoerber@andrew.cmu.edu
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781621904632"><em>Dixieball: Race and Professional Basketball in the Deep South, 1947-1979</em></a><em> </em>(U Tennessee Press, 2019)<em>, </em>Thomas Aiello considers the cultural function of professional basketball in the Deep South between 1947 and 1979. Making a strong case for the role of race in this process, Aiello ties the South’s initial animus toward basketball to the same complex that motivated the region to sacrifice its own economic interests to the cause of white supremacy. Fans of basketball, as compared to other team sports, were closer to the players, who showed more of their bodies; blackness, then, had more visibility in basketball than it had in other sports. By the time Lyndon Johnson signed the Voting Rights Act in 1965, African Americans made up 47.5 percent of professional basketball players, and despite integrating later than baseball and football, it was fast becoming known as a “black” sport. Over time, survival for southern teams grew more tenuous, fan support more fickle, and racial incidents between players and fans more hostile. Racism clashed with civic development in a fast-evolving region.</p><p>To identify the sources of this clash, <em>Dixieball </em>(The University of Tennessee Press, 2019) locates the main points of intersection between professional basketball and the Deep South in the two decades prior to the region’s first major franchise. Aiello then takes readers to New Orleans, where the first major Deep South professional basketball team—the New Orleans Buccaneers—was born, and on to Atlanta, Birmingham, St. Louis, and others, leading up to 1979.</p><p><em>Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at bkoerber@andrew.cmu.edu</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4044</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fd1f29a0-b5e2-11ed-8e66-83db4cc41c20]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8192435867.mp3?updated=1677422649" length="0" type="audio/mpeg"/>
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      <title>The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 1</title>
      <description>Discover the real-life history that inspired Game of Thrones and Shakespeare’s history plays, and learn the distinctive ways in which Shakespeare and George R.R. Martin each transform history into art
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      <pubDate>Mon, 27 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Discover the real-life history that inspired Game of Thrones and Shakespeare’s history plays, and learn the distinctive ways in which Shakespeare and George R.R. Martin each transform history into art
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Discover the real-life history that inspired Game of Thrones and Shakespeare’s history plays, and learn the distinctive ways in which Shakespeare and George R.R. Martin each transform history into art</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1743</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dce1cf96-e355-11eb-9e40-cf20e41d8727]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3311138958.mp3?updated=1661800430" length="0" type="audio/mpeg"/>
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    <item>
      <title>Affective Masculinities</title>
      <description>Amrita De talks about affective masculinities, aspirational linkages with dominant scripts of masculinities, socially organized. As she expands her work beyond her study of South Asian masculinities, she talks about how understanding and loosening these linkages entails crucial feminist work. She also talks about Shah Rukh Khan.
Amrita De is a Postdoctoral fellow in the Center of Humanities and Information at Penn State University. Her research focuses on global south masculinity studies and affect theory. Her works have been published in NORMA, Boyhood Studies, Global Humanities and are forthcoming in other edited collections. She is also working her way through her first novel centered around contemporary Indian Masculinities.
Image: © 2023 Saronik Bosu
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      <pubDate>Mon, 27 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/20cdea0e-b696-11ed-8e3f-fbe10f97b184/image/d2bb43.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Amrita De</itunes:subtitle>
      <itunes:summary>Amrita De talks about affective masculinities, aspirational linkages with dominant scripts of masculinities, socially organized. As she expands her work beyond her study of South Asian masculinities, she talks about how understanding and loosening these linkages entails crucial feminist work. She also talks about Shah Rukh Khan.
Amrita De is a Postdoctoral fellow in the Center of Humanities and Information at Penn State University. Her research focuses on global south masculinity studies and affect theory. Her works have been published in NORMA, Boyhood Studies, Global Humanities and are forthcoming in other edited collections. She is also working her way through her first novel centered around contemporary Indian Masculinities.
Image: © 2023 Saronik Bosu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amrita De talks about affective masculinities, aspirational linkages with dominant scripts of masculinities, socially organized. As she expands her work beyond her study of South Asian masculinities, she talks about how understanding and loosening these linkages entails crucial feminist work. She also talks about Shah Rukh Khan.</p><p><a href="https://www.amritade.com/">Amrita De</a> is a Postdoctoral fellow in the Center of Humanities and Information at Penn State University. Her research focuses on global south masculinity studies and affect theory. Her works have been published in NORMA, Boyhood Studies, Global Humanities and are forthcoming in other edited collections. She is also working her way through her first novel centered around contemporary Indian Masculinities.</p><p>Image: © 2023 Saronik Bosu</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1185</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[20cdea0e-b696-11ed-8e3f-fbe10f97b184]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1433025441.mp3?updated=1677498726" length="0" type="audio/mpeg"/>
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      <title>Jen B. Larson, "Hit Girls: Women of Punk in the USA, 1975-1983" (Feral House, 2022)</title>
      <description>In Hit Girls: Women of Punk in the USA, 1975-1983 (Feral House, 2023), Jen B. Larson takes readers throughout the United States on a punk history lesson. Dividing the country into regions, Larson documents local and regional bands and scenes, many of which have stories that were in danger of being lost. Profiling over 80 bands and artists, Hit Girls shares women's experiences as pioneers of punk. Highlighting their successes and documenting the sexism and racism within the scene, Hit Girls includes over 100 images, a comprehensive playlist of all the artists, and interviews with many of the artists including Texacala Jones, Alice Bag, Nikki Corvette, and Penelope Houston. Hit Girls is an important text in the history of popular music and punk and adds to the work of centering women in music history. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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      <pubDate>Sun, 26 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>151</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jen B. Larson</itunes:subtitle>
      <itunes:summary>In Hit Girls: Women of Punk in the USA, 1975-1983 (Feral House, 2023), Jen B. Larson takes readers throughout the United States on a punk history lesson. Dividing the country into regions, Larson documents local and regional bands and scenes, many of which have stories that were in danger of being lost. Profiling over 80 bands and artists, Hit Girls shares women's experiences as pioneers of punk. Highlighting their successes and documenting the sexism and racism within the scene, Hit Girls includes over 100 images, a comprehensive playlist of all the artists, and interviews with many of the artists including Texacala Jones, Alice Bag, Nikki Corvette, and Penelope Houston. Hit Girls is an important text in the history of popular music and punk and adds to the work of centering women in music history. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781627311236"><em>Hit Girls: Women of Punk in the USA, 1975-1983</em></a><em> </em>(Feral House, 2023), Jen B. Larson takes readers throughout the United States on a punk history lesson. Dividing the country into regions, Larson documents local and regional bands and scenes, many of which have stories that were in danger of being lost. Profiling over 80 bands and artists, <em>Hit Girls</em> shares women's experiences as pioneers of punk. Highlighting their successes and documenting the sexism and racism within the scene, <em>Hit Girls</em> includes over 100 images, a comprehensive playlist of all the artists, and interviews with many of the artists including Texacala Jones, Alice Bag, Nikki Corvette, and Penelope Houston. <em>Hit Girls </em>is an important text in the history of popular music and punk and adds to the work of centering women in music history. </p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3497</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4ec19598-b3ab-11ed-afe6-6761a576a373]]></guid>
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      <title>Claire Bond Potter, "Political Junkies: From Talk Radio to Twitter, How Alternative Media Hooked Us on Politics and Broke Our Democracy" (Basic Books, 2020)</title>
      <description>With fake news on Facebook, trolls on Twitter, and viral outrage everywhere, it's easy to believe that the internet changed politics entirely. In Political Junkies: From Talk Radio to Twitter, How Alternative Media Hooked Us on Politics and Broke Our Democracy (Basic Books, 2020), historian Claire Bond Potter shows otherwise, revealing the roots of today's dysfunction by situating online politics in a longer history of alternative political media. From independent newsletters in the 1950s to talk radio in the 1970s to cable television in the 1980s, pioneers on the left and right developed alternative media outlets that made politics more popular, and ultimately, more partisan. When campaign operatives took up e-mail, blogging, and social media, they only supercharged these trends. At a time when political engagement has never been greater and trust has never been lower, Political Junkies is essential reading for understanding how we got here.
Claire Bond Potter is a political historian at the New School for Social Research.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
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      <pubDate>Sat, 25 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Claire Bond Potter</itunes:subtitle>
      <itunes:summary>With fake news on Facebook, trolls on Twitter, and viral outrage everywhere, it's easy to believe that the internet changed politics entirely. In Political Junkies: From Talk Radio to Twitter, How Alternative Media Hooked Us on Politics and Broke Our Democracy (Basic Books, 2020), historian Claire Bond Potter shows otherwise, revealing the roots of today's dysfunction by situating online politics in a longer history of alternative political media. From independent newsletters in the 1950s to talk radio in the 1970s to cable television in the 1980s, pioneers on the left and right developed alternative media outlets that made politics more popular, and ultimately, more partisan. When campaign operatives took up e-mail, blogging, and social media, they only supercharged these trends. At a time when political engagement has never been greater and trust has never been lower, Political Junkies is essential reading for understanding how we got here.
Claire Bond Potter is a political historian at the New School for Social Research.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With fake news on Facebook, trolls on Twitter, and viral outrage everywhere, it's easy to believe that the internet changed politics entirely. In <a href="https://bookshop.org/a/12343/9781541644991"><em>Political Junkies: From Talk Radio to Twitter, How Alternative Media Hooked Us on Politics and Broke Our Democracy</em> </a>(Basic Books, 2020), historian Claire Bond Potter shows otherwise, revealing the roots of today's dysfunction by situating online politics in a longer history of alternative political media. From independent newsletters in the 1950s to talk radio in the 1970s to cable television in the 1980s, pioneers on the left and right developed alternative media outlets that made politics more popular, and ultimately, more partisan. When campaign operatives took up e-mail, blogging, and social media, they only supercharged these trends. At a time when political engagement has never been greater and trust has never been lower, Political Junkies is essential reading for understanding how we got here.</p><p>Claire Bond Potter is a political historian at the New School for Social Research.</p><p><em>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4110</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Britni de la Cretaz and Lyndsey D'Arcangelo, "Hail Mary: The Rise and Fall of the National Women's Football League" (Bold Type Books, 2021)</title>
      <description>Today we are joined by Frankie de la Cretaz, a sports journalist whose work focuses on the intersection of sport and gender, and one of the authors alongside Lyndsey D’Arcangelo of Hail Mary: The Rise and Fall of the National Women’s Football League (Bold Type Books, 2021). In our conversation, we discussed the beginnings of women’s gridiron football in the United States’ the reason why so many women wanted to play a “man’s game” in the 1970s and 80s; and the successes, failures and legacies of the NWFL.
In Hail Mary, de la Cretaz and D’Arcangelo recover the lost history of the National Women’s Football League, a professional gridiron competition that ran from 1974 to 1988. To revive this hidden history of women’s football, the authors interviewed dozens of women from and consulted archives around the country. They discovered a competitive, vibrant, and popular sporting entertainment that rose in the Rust Belt, spread to the football meccas of Texas and California, before collapsing due to financial issues in the 1980s.
The book is organized chronologically – except for a first chapter that showcases one of the most dramatic confrontations between two teams – the Toledo Troopers and Oklahoma City Dolls. De la Cretaz and D’Arcangelo’s archival history work, which relies mostly on newspapers, shows the spread and popularity of women’s football. They illustrate how male coaches, journalists, and owners framed the league in gendered ways. Many advocated for the league, particularly promoters like Sid Friedman who hoped to make lots of money, but lots of others genuinely enjoyed the athleticism of the competitors.
More impressively, their oral history interviews also allow the authors to move beyond the social history of the league and to tell the story of individual football players. Through their conversations with former players, they explore why so many women wanted to play the “masculine” game of football, even when they were no longer being paid, what they got out of their competition, the difficulties they faced as players, and what they thought about the failure of the NWFL.
Sexual orientation and race play important roles in the NWFL history. One team basically formed in a lesbian bar and many of the players were lesbians, although the league averred a strict heteronormativity. On the other hand, unlike the better known All-American Girls Professional Baseball League during the Second World War, the NWFL was very visibly racially integrated. Black athletes played crucial roles on teams – the best player in the league was a black woman from Toledo, Linda Jefferson, who racked up more yards and touchdowns per year than better known male running backs. The NWFL also gave opportunities to black head coaches at a time when the NFL unofficially barred them.
In the final chapter, “The Legacy of the NWFL”, the authors discuss the successes, failures and legacies of the league. For a while the NWFL opened the door to professional women’s gridiron football in the United States. Many women interviewed discuss it as one of the formative experiences of their life. Nevertheless, the league collapsed due to financial weakness (although perhaps not unusually when compared to the early men’s gridiron competitions.) Its legacies continue in semi-professional and amateur women’s competitions in the US today.
De la Cretaz and D’Arcangelo’s innovative account recovers a very poorly known history of hundreds of women’s professional athletes in the United States. It should be read by scholars interested in women’s sport, gridiron football in the United States, and LGBTQI+ people in sport. It will also be very useful to classroom teaching.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 25 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>240</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Britni de la Cretaz</itunes:subtitle>
      <itunes:summary>Today we are joined by Frankie de la Cretaz, a sports journalist whose work focuses on the intersection of sport and gender, and one of the authors alongside Lyndsey D’Arcangelo of Hail Mary: The Rise and Fall of the National Women’s Football League (Bold Type Books, 2021). In our conversation, we discussed the beginnings of women’s gridiron football in the United States’ the reason why so many women wanted to play a “man’s game” in the 1970s and 80s; and the successes, failures and legacies of the NWFL.
In Hail Mary, de la Cretaz and D’Arcangelo recover the lost history of the National Women’s Football League, a professional gridiron competition that ran from 1974 to 1988. To revive this hidden history of women’s football, the authors interviewed dozens of women from and consulted archives around the country. They discovered a competitive, vibrant, and popular sporting entertainment that rose in the Rust Belt, spread to the football meccas of Texas and California, before collapsing due to financial issues in the 1980s.
The book is organized chronologically – except for a first chapter that showcases one of the most dramatic confrontations between two teams – the Toledo Troopers and Oklahoma City Dolls. De la Cretaz and D’Arcangelo’s archival history work, which relies mostly on newspapers, shows the spread and popularity of women’s football. They illustrate how male coaches, journalists, and owners framed the league in gendered ways. Many advocated for the league, particularly promoters like Sid Friedman who hoped to make lots of money, but lots of others genuinely enjoyed the athleticism of the competitors.
More impressively, their oral history interviews also allow the authors to move beyond the social history of the league and to tell the story of individual football players. Through their conversations with former players, they explore why so many women wanted to play the “masculine” game of football, even when they were no longer being paid, what they got out of their competition, the difficulties they faced as players, and what they thought about the failure of the NWFL.
Sexual orientation and race play important roles in the NWFL history. One team basically formed in a lesbian bar and many of the players were lesbians, although the league averred a strict heteronormativity. On the other hand, unlike the better known All-American Girls Professional Baseball League during the Second World War, the NWFL was very visibly racially integrated. Black athletes played crucial roles on teams – the best player in the league was a black woman from Toledo, Linda Jefferson, who racked up more yards and touchdowns per year than better known male running backs. The NWFL also gave opportunities to black head coaches at a time when the NFL unofficially barred them.
In the final chapter, “The Legacy of the NWFL”, the authors discuss the successes, failures and legacies of the league. For a while the NWFL opened the door to professional women’s gridiron football in the United States. Many women interviewed discuss it as one of the formative experiences of their life. Nevertheless, the league collapsed due to financial weakness (although perhaps not unusually when compared to the early men’s gridiron competitions.) Its legacies continue in semi-professional and amateur women’s competitions in the US today.
De la Cretaz and D’Arcangelo’s innovative account recovers a very poorly known history of hundreds of women’s professional athletes in the United States. It should be read by scholars interested in women’s sport, gridiron football in the United States, and LGBTQI+ people in sport. It will also be very useful to classroom teaching.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Frankie de la Cretaz, a sports journalist whose work focuses on the intersection of sport and gender, and one of the authors alongside Lyndsey D’Arcangelo of <a href="https://bookshop.org/a/12343/9781645036623"><em>Hail Mary: The Rise and Fall of the National Women’s Football League</em></a><em> </em>(Bold Type Books, 2021). In our conversation, we discussed the beginnings of women’s gridiron football in the United States’ the reason why so many women wanted to play a “man’s game” in the 1970s and 80s; and the successes, failures and legacies of the NWFL.</p><p>In <em>Hail Mary, </em>de la Cretaz and D’Arcangelo recover the lost history of the National Women’s Football League, a professional gridiron competition that ran from 1974 to 1988. To revive this hidden history of women’s football, the authors interviewed dozens of women from and consulted archives around the country. They discovered a competitive, vibrant, and popular sporting entertainment that rose in the Rust Belt, spread to the football meccas of Texas and California, before collapsing due to financial issues in the 1980s.</p><p>The book is organized chronologically – except for a first chapter that showcases one of the most dramatic confrontations between two teams – the Toledo Troopers and Oklahoma City Dolls. De la Cretaz and D’Arcangelo’s archival history work, which relies mostly on newspapers, shows the spread and popularity of women’s football. They illustrate how male coaches, journalists, and owners framed the league in gendered ways. Many advocated for the league, particularly promoters like Sid Friedman who hoped to make lots of money, but lots of others genuinely enjoyed the athleticism of the competitors.</p><p>More impressively, their oral history interviews also allow the authors to move beyond the social history of the league and to tell the story of individual football players. Through their conversations with former players, they explore why so many women wanted to play the “masculine” game of football, even when they were no longer being paid, what they got out of their competition, the difficulties they faced as players, and what they thought about the failure of the NWFL.</p><p>Sexual orientation and race play important roles in the NWFL history. One team basically formed in a lesbian bar and many of the players were lesbians, although the league averred a strict heteronormativity. On the other hand, unlike the better known All-American Girls Professional Baseball League during the Second World War, the NWFL was very visibly racially integrated. Black athletes played crucial roles on teams – the best player in the league was a black woman from Toledo, Linda Jefferson, who racked up more yards and touchdowns per year than better known male running backs. The NWFL also gave opportunities to black head coaches at a time when the NFL unofficially barred them.</p><p>In the final chapter, “The Legacy of the NWFL”, the authors discuss the successes, failures and legacies of the league. For a while the NWFL opened the door to professional women’s gridiron football in the United States. Many women interviewed discuss it as one of the formative experiences of their life. Nevertheless, the league collapsed due to financial weakness (although perhaps not unusually when compared to the early men’s gridiron competitions.) Its legacies continue in semi-professional and amateur women’s competitions in the US today.</p><p>De la Cretaz and D’Arcangelo’s innovative account recovers a very poorly known history of hundreds of women’s professional athletes in the United States. It should be read by scholars interested in women’s sport, gridiron football in the United States, and LGBTQI+ people in sport. It will also be very useful to classroom teaching.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4039</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Nicolai Jørgensgaard Graakjær, "The Sounds of Spectators at Football" (Bloomsbury, 2022)</title>
      <description>The sounds of spectators at football (soccer) are often highlighted – by spectators, tourists, commentators, journalists, scholars, media producers, etc. – as crucial for the experience of football. These sounds are often said to contribute significantly to the production (at the stadium) and conveyance (in televised broadcast) of 'atmosphere.'
The Sounds of Spectators at Football (Bloomsbury, 2023) by Dr. Nicolai Jørgensgaard Graakjær addresses why and how spectator sounds contribute to the experience of watching in these environments and what characterises spectator sounds in terms of their structure, distribution and significance. Based on an examination of empirical materials – including the sounds of football matches from the English Premier League as they emerge both at the stadium and in the televised broadcast – this book systematically dissects the sounds of football watching.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 25 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>241</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicolai Jørgensgaard Graakjær</itunes:subtitle>
      <itunes:summary>The sounds of spectators at football (soccer) are often highlighted – by spectators, tourists, commentators, journalists, scholars, media producers, etc. – as crucial for the experience of football. These sounds are often said to contribute significantly to the production (at the stadium) and conveyance (in televised broadcast) of 'atmosphere.'
The Sounds of Spectators at Football (Bloomsbury, 2023) by Dr. Nicolai Jørgensgaard Graakjær addresses why and how spectator sounds contribute to the experience of watching in these environments and what characterises spectator sounds in terms of their structure, distribution and significance. Based on an examination of empirical materials – including the sounds of football matches from the English Premier League as they emerge both at the stadium and in the televised broadcast – this book systematically dissects the sounds of football watching.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The sounds of spectators at football (soccer) are often highlighted – by spectators, tourists, commentators, journalists, scholars, media producers, etc. – as crucial for the experience of football. These sounds are often said to contribute significantly to the production (at the stadium) and conveyance (in televised broadcast) of 'atmosphere.'</p><p><a href="https://bookshop.org/a/12343/9781501363740"><em>The Sounds of Spectators at Football</em></a> (Bloomsbury, 2023) by Dr. Nicolai Jørgensgaard Graakjær addresses why and how spectator sounds contribute to the experience of watching in these environments and what characterises spectator sounds in terms of their structure, distribution and significance. Based on an examination of empirical materials – including the sounds of football matches from the English Premier League as they emerge both at the stadium and in the televised broadcast – this book systematically dissects the sounds of football watching.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e8cfeec8-b2f2-11ed-947b-7b810b205a6b]]></guid>
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      <title>Patricia Saldarriaga and Emy Manini, "Infected Empires: Decolonizing Zombies" (Rutgers UP, 2022)</title>
      <description>Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas.
Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand.
Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity.
Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 23 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>638</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patricia Saldarriaga and Emy Manini</itunes:subtitle>
      <itunes:summary>Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas.
Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand.
Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity.
Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and <a href="https://bookshop.org/a/12343/9781978826786"><em>Infected Empires: Decolonizing Zombies</em></a><em> </em>(Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas.</p><p>Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially <em>dead</em> labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand.</p><p>Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should <em>not</em> look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity.</p><p><em>Infected Empires: Decolonizing Zombies</em> explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3028</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Deborah Holt Larkin, "A Lovely Girl: The Tragedy of Olga Duncan and the Trial of California's Most Notorious Killer" (Pegasus Crime, 2022)</title>
      <description>In A Lovely Girl: The Tragedy of Olga Duncan and the Trial of California's Most Notorious Killer (Pegasus Crime, 2022), Deborah Larkin tells the incredible story of a 1958 murder that ended with the last woman to ever be executed in California—a murder so twisted it seems ripped from a Greek tragedy. Larkin was only ten years old when the quiet calm of her California suburb was shattered. Thirty miles north, on a quiet November night in Santa Barbara, a pregnant nurse named Olga Duncan disappeared from her apartment. The mystery deepens when it is discovered that Olga’s mother in-law—a deeply manipulative and deceptive woman—had been doing everything in her power to separate Olga and her son, Frank, prior to Olga’s disappearance. From a forged annulment to multiple attempts to hire people to “get rid” of Olga, to a faked excoriation case, Elizabeth seemed psychopathically attached to her son. Yet she denied having anything to do with Olga’s disappearance with a smile. But when Olga’s brutally beaten body is found in a shallow grave, apparently buried alive, a young DA makes it his mission to see that Elizabeth Duncan is brought to justice. Adding a wrinkle to his efforts is the fact that Frank—himself a defense attorney—maintained his mother’s innocent to the end. How does a young girl process such a crime along with the fear and disbelieve that rocked an entire community? Decades later, Larkin is determined to revisit the case and bring the story of Olga herself to light. Long overshadowed by the sensationalism and scandal of Elizabeth and Frank, A Lovely Girl seeks to reveal Olga as a woman in full. Someone who was more than the twisted family that would ultimately ensnare her. 
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 22 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Deborah Holt Larkin</itunes:subtitle>
      <itunes:summary>In A Lovely Girl: The Tragedy of Olga Duncan and the Trial of California's Most Notorious Killer (Pegasus Crime, 2022), Deborah Larkin tells the incredible story of a 1958 murder that ended with the last woman to ever be executed in California—a murder so twisted it seems ripped from a Greek tragedy. Larkin was only ten years old when the quiet calm of her California suburb was shattered. Thirty miles north, on a quiet November night in Santa Barbara, a pregnant nurse named Olga Duncan disappeared from her apartment. The mystery deepens when it is discovered that Olga’s mother in-law—a deeply manipulative and deceptive woman—had been doing everything in her power to separate Olga and her son, Frank, prior to Olga’s disappearance. From a forged annulment to multiple attempts to hire people to “get rid” of Olga, to a faked excoriation case, Elizabeth seemed psychopathically attached to her son. Yet she denied having anything to do with Olga’s disappearance with a smile. But when Olga’s brutally beaten body is found in a shallow grave, apparently buried alive, a young DA makes it his mission to see that Elizabeth Duncan is brought to justice. Adding a wrinkle to his efforts is the fact that Frank—himself a defense attorney—maintained his mother’s innocent to the end. How does a young girl process such a crime along with the fear and disbelieve that rocked an entire community? Decades later, Larkin is determined to revisit the case and bring the story of Olga herself to light. Long overshadowed by the sensationalism and scandal of Elizabeth and Frank, A Lovely Girl seeks to reveal Olga as a woman in full. Someone who was more than the twisted family that would ultimately ensnare her. 
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781639362448"><em>A Lovely Girl: The Tragedy of Olga Duncan and the Trial of California's Most Notorious Killer</em></a> (Pegasus Crime, 2022), Deborah Larkin tells the incredible story of a 1958 murder that ended with the last woman to ever be executed in California—a murder so twisted it seems ripped from a Greek tragedy. Larkin was only ten years old when the quiet calm of her California suburb was shattered. Thirty miles north, on a quiet November night in Santa Barbara, a pregnant nurse named Olga Duncan disappeared from her apartment. The mystery deepens when it is discovered that Olga’s mother in-law—a deeply manipulative and deceptive woman—had been doing everything in her power to separate Olga and her son, Frank, prior to Olga’s disappearance. From a forged annulment to multiple attempts to hire people to “get rid” of Olga, to a faked excoriation case, Elizabeth seemed psychopathically attached to her son. Yet she denied having anything to do with Olga’s disappearance with a smile. But when Olga’s brutally beaten body is found in a shallow grave, apparently buried alive, a young DA makes it his mission to see that Elizabeth Duncan is brought to justice. Adding a wrinkle to his efforts is the fact that Frank—himself a defense attorney—maintained his mother’s innocent to the end. How does a young girl process such a crime along with the fear and disbelieve that rocked an entire community? Decades later, Larkin is determined to revisit the case and bring the story of Olga herself to light. Long overshadowed by the sensationalism and scandal of Elizabeth and Frank, <em>A Lovely Girl</em> seeks to reveal Olga as a woman in full. Someone who was more than the twisted family that would ultimately ensnare her. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2816</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Anna Zeide, "US History in 15 Foods" (Bloomsbury, 2023)</title>
      <description>From whiskey in the American Revolution to Spam in WWII, food reveals a great deal about the society in which it exists. Selecting 15 foods that represent key moments in the history of the United States, this book takes readers from before European colonization to the present, narrating major turning points along the way, with food as a guide.

US History in 15 Foods (Bloomsbury, 2023) takes everyday items like wheat bread, peanuts, and chicken nuggets, and shows the part they played in the making of America. What did the British colonists think about the corn they observed Indigenous people growing? How are oranges connected to Roosevelt's New Deal? And what can green bean casserole tell us about gender roles in the mid-20th century? Weaving food into colonialism, globalization, racism, economic depression, environmental change and more, Anna Zeide shows how America has evolved through the food it eats.
Anna Zeide is Associate Professor of History and the founding director of the Food Studies Program in the College of Liberal Arts &amp; Human Sciences at Virginia Tech, USA. She has previously written Canned: The Rise and Fall of Consumer Confidence in the American Food Industry (2018), which won a 2019 James Beard Media Award, and co-edited Acquired Tastes: Stories about the Origins of Modern Food (2021). Twitter. Website. 
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anna Zeide</itunes:subtitle>
      <itunes:summary>From whiskey in the American Revolution to Spam in WWII, food reveals a great deal about the society in which it exists. Selecting 15 foods that represent key moments in the history of the United States, this book takes readers from before European colonization to the present, narrating major turning points along the way, with food as a guide.

US History in 15 Foods (Bloomsbury, 2023) takes everyday items like wheat bread, peanuts, and chicken nuggets, and shows the part they played in the making of America. What did the British colonists think about the corn they observed Indigenous people growing? How are oranges connected to Roosevelt's New Deal? And what can green bean casserole tell us about gender roles in the mid-20th century? Weaving food into colonialism, globalization, racism, economic depression, environmental change and more, Anna Zeide shows how America has evolved through the food it eats.
Anna Zeide is Associate Professor of History and the founding director of the Food Studies Program in the College of Liberal Arts &amp; Human Sciences at Virginia Tech, USA. She has previously written Canned: The Rise and Fall of Consumer Confidence in the American Food Industry (2018), which won a 2019 James Beard Media Award, and co-edited Acquired Tastes: Stories about the Origins of Modern Food (2021). Twitter. Website. 
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From whiskey in the American Revolution to Spam in WWII, food reveals a great deal about the society in which it exists. Selecting 15 foods that represent key moments in the history of the United States, this book takes readers from before European colonization to the present, narrating major turning points along the way, with food as a guide.</p><p><br></p><p><a href="https://bookshop.org/a/12343/9781350211971"><em>US History in 15 Foods</em></a> (Bloomsbury, 2023) takes everyday items like wheat bread, peanuts, and chicken nuggets, and shows the part they played in the making of America. What did the British colonists think about the corn they observed Indigenous people growing? How are oranges connected to Roosevelt's New Deal? And what can green bean casserole tell us about gender roles in the mid-20th century? Weaving food into colonialism, globalization, racism, economic depression, environmental change and more, Anna Zeide shows how America has evolved through the food it eats.</p><p>Anna Zeide is Associate Professor of History and the founding director of the Food Studies Program in the College of Liberal Arts &amp; Human Sciences at Virginia Tech, USA. She has previously written <em>Canned: The Rise and Fall of Consumer Confidence in the American Food Industry</em> (2018), which won a 2019 James Beard Media Award, and co-edited <em>Acquired Tastes: Stories about the Origins of Modern Food </em>(2021). <a href="https://twitter.com/aezeide"><em>Twitter</em></a><em>. </em><a href="https://annazeide.org/"><em>Website</em></a><em>. </em></p><p><em>Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2304</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jacob Birken, "Video Games: Digital Image Cultures" (Verlag Klaus Wagenbach, 2022)</title>
      <description>Let's plays are among the most popular genres on YouTube. The visual worlds of video games shape the worldviews of millions. Gaming is a hobby and a mass spectacle.
For a long time, the history of video games was primarily one of technical progress: from pixelated figures in 2D to increasingly convincing illusions of reality in games like Control. At the same time, independent game worlds emerge, such as in the expressionist dystopia Disco Elysium. 
In Video Games: Digital Image Cultures (﻿Videospiele: Digitale Bildkulturen), Jacob Birken vividly analyzes the different types and generations of games, provides insights into the interaction of hardware and software, and shows how newer video games stylistically reference the past of their own medium. But does this also revive the unfulfilled promises of the future of the information society?
Jacob Birken writes and researches on the history, aesthetics, and theory of media technologies. In 2018, he published "The California Institution" on the 1906 San Francisco earthquake. He currently works at the UAS Düsseldorf and the University of Cologne.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 19 Feb 2023 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jacob Birken</itunes:subtitle>
      <itunes:summary>Let's plays are among the most popular genres on YouTube. The visual worlds of video games shape the worldviews of millions. Gaming is a hobby and a mass spectacle.
For a long time, the history of video games was primarily one of technical progress: from pixelated figures in 2D to increasingly convincing illusions of reality in games like Control. At the same time, independent game worlds emerge, such as in the expressionist dystopia Disco Elysium. 
In Video Games: Digital Image Cultures (﻿Videospiele: Digitale Bildkulturen), Jacob Birken vividly analyzes the different types and generations of games, provides insights into the interaction of hardware and software, and shows how newer video games stylistically reference the past of their own medium. But does this also revive the unfulfilled promises of the future of the information society?
Jacob Birken writes and researches on the history, aesthetics, and theory of media technologies. In 2018, he published "The California Institution" on the 1906 San Francisco earthquake. He currently works at the UAS Düsseldorf and the University of Cologne.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Let's plays are among the most popular genres on YouTube. The visual worlds of video games shape the worldviews of millions. Gaming is a hobby and a mass spectacle.</p><p>For a long time, the history of video games was primarily one of technical progress: from pixelated figures in 2D to increasingly convincing illusions of reality in games like Control. At the same time, independent game worlds emerge, such as in the expressionist dystopia Disco Elysium. </p><p>In <em>Video Games: Digital Image Cultures</em> (﻿<a href="https://www.wagenbach.de/buecher/titel/1332-videospiele.html"><em>Videospiele: Digitale Bildkulturen</em></a>), Jacob Birken vividly analyzes the different types and generations of games, provides insights into the interaction of hardware and software, and shows how newer video games stylistically reference the past of their own medium. But does this also revive the unfulfilled promises of the future of the information society?</p><p>Jacob Birken writes and researches on the history, aesthetics, and theory of media technologies. In 2018, he published "The California Institution" on the 1906 San Francisco earthquake. He currently works at the UAS Düsseldorf and the University of Cologne.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5553</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN4565786180.mp3?updated=1676889426" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alan Meades, "Arcade Britannia: A Social History of the British Amusement Arcade" (MIT Press, 2022)</title>
      <description>The story of the British amusement arcade from the 1800s to the present. 
Amusement arcades are an important part of British culture, yet discussions of them tend to be based on American models. Alan Meades, who spent his childhood happily playing in British seaside arcades, presents the history of the arcade from its origins in traveling fairs of the 1800s to the present. Drawing on firsthand accounts of industry members and archival sources, including rare photographs and trade publications, he tells the story of the first arcades, the people who made the machines, the rise of video games, and the legislative and economic challenges spurred by public fears of moral decline. 
Arcade Britannia: A Social History of the British Amusement Arcade (MIT Press, 2022) highlights the differences between British and North American arcades, especially in terms of the complex relationship between gambling and amusements. He also underlines Britain’s role in introducing coin-operated technologies into Europe, as well as the industry’s close links to America and, especially, Japan. He shows how the British arcade is a product of centuries of public play, gambling, entrepreneurship, and mechanization. Examining the arcade’s history through technological, social, cultural, biographic, and legislative perspectives, he describes a pendulum shift between control and liberalization, as well as the continued efforts of concerned moralists to limit and regulate public play. 
Finally, he recounts the impact on the industry of legislative challenges that included vicious taxation, questions of whether copyright law applied to video-game code, and the peculiar moment when every arcade game in Britain was considered a cinema.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 18 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alan Meades</itunes:subtitle>
      <itunes:summary>The story of the British amusement arcade from the 1800s to the present. 
Amusement arcades are an important part of British culture, yet discussions of them tend to be based on American models. Alan Meades, who spent his childhood happily playing in British seaside arcades, presents the history of the arcade from its origins in traveling fairs of the 1800s to the present. Drawing on firsthand accounts of industry members and archival sources, including rare photographs and trade publications, he tells the story of the first arcades, the people who made the machines, the rise of video games, and the legislative and economic challenges spurred by public fears of moral decline. 
Arcade Britannia: A Social History of the British Amusement Arcade (MIT Press, 2022) highlights the differences between British and North American arcades, especially in terms of the complex relationship between gambling and amusements. He also underlines Britain’s role in introducing coin-operated technologies into Europe, as well as the industry’s close links to America and, especially, Japan. He shows how the British arcade is a product of centuries of public play, gambling, entrepreneurship, and mechanization. Examining the arcade’s history through technological, social, cultural, biographic, and legislative perspectives, he describes a pendulum shift between control and liberalization, as well as the continued efforts of concerned moralists to limit and regulate public play. 
Finally, he recounts the impact on the industry of legislative challenges that included vicious taxation, questions of whether copyright law applied to video-game code, and the peculiar moment when every arcade game in Britain was considered a cinema.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The story of the British amusement arcade from the 1800s to the present. </p><p>Amusement arcades are an important part of British culture, yet discussions of them tend to be based on American models. Alan Meades, who spent his childhood happily playing in British seaside arcades, presents the history of the arcade from its origins in traveling fairs of the 1800s to the present. Drawing on firsthand accounts of industry members and archival sources, including rare photographs and trade publications, he tells the story of the first arcades, the people who made the machines, the rise of video games, and the legislative and economic challenges spurred by public fears of moral decline. </p><p><a href="https://bookshop.org/a/12343/9780262544702"><em>Arcade Britannia: A Social History of the British Amusement Arcade</em></a> (MIT Press, 2022) highlights the differences between British and North American arcades, especially in terms of the complex relationship between gambling and amusements. He also underlines Britain’s role in introducing coin-operated technologies into Europe, as well as the industry’s close links to America and, especially, Japan. He shows how the British arcade is a product of centuries of public play, gambling, entrepreneurship, and mechanization. Examining the arcade’s history through technological, social, cultural, biographic, and legislative perspectives, he describes a pendulum shift between control and liberalization, as well as the continued efforts of concerned moralists to limit and regulate public play. </p><p>Finally, he recounts the impact on the industry of legislative challenges that included vicious taxation, questions of whether copyright law applied to video-game code, and the peculiar moment when every arcade game in Britain was considered a cinema.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3255</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[801c81a4-aba2-11ed-ab04-27e3881adf3d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3165592695.mp3?updated=1676295507" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nic Brown, "Bang Bang Crash: A Memoir" (Counterpoint, 2023)</title>
      <description>In his memoir, Bang Bang Crash (Counterpoint, 2023), Nic Brown shares his experiences as a rock and roll drummer who abandons his successful music career to pursue his true passion and discovers a deeper understanding of artistic fulfillment in this episodic memoir of swapping one dream for another In the mid-1990s, fresh out of high school, Nic Brown was living his childhood dream as a rock and roll drummer. Signing a major label record deal, playing big shows, hitting the charts, giving interviews in Rolling Stone, appearing on The Tonight Show—what could be better for a young artist? But contrary to expectations, getting a shot at his artistic dream early in life was a destabilizing shock. The more he achieved, the more accolades that came his way, the less sure Brown became about his path. Only a few years into a promising musical career, he discovered the crux of his discontent: he was never meant to remain behind the drums. In fact, his true artistic path lay in a radically different direction entirely: he decided to become a writer, embarking on a journey leading him to attend the Iowa Writers’ Workshop, publish novels and short stories, and teach literature to college students across the country. Bang Bang Crash tells the story of Nic Brown’s unusual journey to gain new strength, presence of mind, and sense of perspective, enabling him to discover an even greater life of artistic fulfillment.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nic Brown</itunes:subtitle>
      <itunes:summary>In his memoir, Bang Bang Crash (Counterpoint, 2023), Nic Brown shares his experiences as a rock and roll drummer who abandons his successful music career to pursue his true passion and discovers a deeper understanding of artistic fulfillment in this episodic memoir of swapping one dream for another In the mid-1990s, fresh out of high school, Nic Brown was living his childhood dream as a rock and roll drummer. Signing a major label record deal, playing big shows, hitting the charts, giving interviews in Rolling Stone, appearing on The Tonight Show—what could be better for a young artist? But contrary to expectations, getting a shot at his artistic dream early in life was a destabilizing shock. The more he achieved, the more accolades that came his way, the less sure Brown became about his path. Only a few years into a promising musical career, he discovered the crux of his discontent: he was never meant to remain behind the drums. In fact, his true artistic path lay in a radically different direction entirely: he decided to become a writer, embarking on a journey leading him to attend the Iowa Writers’ Workshop, publish novels and short stories, and teach literature to college students across the country. Bang Bang Crash tells the story of Nic Brown’s unusual journey to gain new strength, presence of mind, and sense of perspective, enabling him to discover an even greater life of artistic fulfillment.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his memoir, <a href="https://bookshop.org/a/12343/9781640094406"><em>Bang Bang Crash</em></a> (Counterpoint, 2023), <a href="https://www.nicbrown.net/">Nic Brown</a> shares his experiences as a rock and roll drummer who abandons his successful music career to pursue his true passion and discovers a deeper understanding of artistic fulfillment in this episodic memoir of swapping one dream for another In the mid-1990s, fresh out of high school, Nic Brown was living his childhood dream as a rock and roll drummer. Signing a major label record deal, playing big shows, hitting the charts, giving interviews in Rolling Stone, appearing on The Tonight Show—what could be better for a young artist? But contrary to expectations, getting a shot at his artistic dream early in life was a destabilizing shock. The more he achieved, the more accolades that came his way, the less sure Brown became about his path. Only a few years into a promising musical career, he discovered the crux of his discontent: he was never meant to remain behind the drums. In fact, his true artistic path lay in a radically different direction entirely: he decided to become a writer, embarking on a journey leading him to attend the Iowa Writers’ Workshop, publish novels and short stories, and teach literature to college students across the country. <em>Bang Bang Crash</em> tells the story of Nic Brown’s unusual journey to gain new strength, presence of mind, and sense of perspective, enabling him to discover an even greater life of artistic fulfillment.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2460</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[13ca94e4-8c69-11ed-b98a-631925eb074f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3325512334.mp3?updated=1672862438" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helene Stapinski and Bonnie Siegler, "The American Way: A True Story of Nazi Escape, Superman, and Marilyn Monroe" (Simon &amp; Schuster, 2023)</title>
      <description>In The American Way: A True Story of Nazi Escape, Superman, and Marilyn Monroe (Simon &amp; Schuster, 2023) Helene Stapinski and Bonnie Siegler tell how the publisher of DC Comics comes to the rescue of a family trying to flee 1930s Berlin, their lives linking up with a dazzling cast of 20th century icons, all eagerly pursing the American dream. Family lore had it that Siegler’s grandfather crossed paths in Midtown Manhattan late one night in 1954 with Marilyn Monroe, her white dress flying up around her as she filmed a scene for The Seven Year Itch. An amateur filmmaker, Jules Schulback had his camera with him, capturing what would become the only surviving footage of that legendary night. Bonnie wasn’t sure she quite believed her grandfather’s story…until, cleaning out his apartment, she found the film reel. That discovery would prompt her to reconsider all of her grandfather’s seemingly tall tales—and lead her in pursuit of a rema rkable, poignant piece of forgotten history bridging old Hollywood, the birth of the comic book, and the Holocaust. 
The American Way is a vivacious story of two very different men both striving to make their way in New York, their lives intersecting with a glittering array of luminaries, from Billy Wilder and Joe DiMaggio to Superman creators Joe Shuster and Jerry Siegel. It’s a kaleidoscopic tale of hope and reinvention, of daring escapes and fake identities, of big dreams and the magic of movies, and what it means to be a real-life Superman.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Helene Stapinski and Bonnie Siegler</itunes:subtitle>
      <itunes:summary>In The American Way: A True Story of Nazi Escape, Superman, and Marilyn Monroe (Simon &amp; Schuster, 2023) Helene Stapinski and Bonnie Siegler tell how the publisher of DC Comics comes to the rescue of a family trying to flee 1930s Berlin, their lives linking up with a dazzling cast of 20th century icons, all eagerly pursing the American dream. Family lore had it that Siegler’s grandfather crossed paths in Midtown Manhattan late one night in 1954 with Marilyn Monroe, her white dress flying up around her as she filmed a scene for The Seven Year Itch. An amateur filmmaker, Jules Schulback had his camera with him, capturing what would become the only surviving footage of that legendary night. Bonnie wasn’t sure she quite believed her grandfather’s story…until, cleaning out his apartment, she found the film reel. That discovery would prompt her to reconsider all of her grandfather’s seemingly tall tales—and lead her in pursuit of a rema rkable, poignant piece of forgotten history bridging old Hollywood, the birth of the comic book, and the Holocaust. 
The American Way is a vivacious story of two very different men both striving to make their way in New York, their lives intersecting with a glittering array of luminaries, from Billy Wilder and Joe DiMaggio to Superman creators Joe Shuster and Jerry Siegel. It’s a kaleidoscopic tale of hope and reinvention, of daring escapes and fake identities, of big dreams and the magic of movies, and what it means to be a real-life Superman.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781982171667"><em>The American Way: A True Story of Nazi Escape, Superman, and Marilyn Monroe</em></a><em> </em>(Simon &amp; Schuster, 2023) Helene Stapinski and Bonnie Siegler tell how the publisher of DC Comics comes to the rescue of a family trying to flee 1930s Berlin, their lives linking up with a dazzling cast of 20th century icons, all eagerly pursing the American dream. Family lore had it that Siegler’s grandfather crossed paths in Midtown Manhattan late one night in 1954 with Marilyn Monroe, her white dress flying up around her as she filmed a scene for <em>The Seven Year Itch</em>. An amateur filmmaker, Jules Schulback had his camera with him, capturing what would become the only surviving footage of that legendary night. Bonnie wasn’t sure she quite believed her grandfather’s story…until, cleaning out his apartment, she found the film reel. That discovery would prompt her to reconsider all of her grandfather’s seemingly tall tales—and lead her in pursuit of a rema rkable, poignant piece of forgotten history bridging old Hollywood, the birth of the comic book, and the Holocaust. </p><p><em>The American Way</em> is a vivacious story of two very different men both striving to make their way in New York, their lives intersecting with a glittering array of luminaries, from Billy Wilder and Joe DiMaggio to Superman creators Joe Shuster and Jerry Siegel. It’s a kaleidoscopic tale of hope and reinvention, of daring escapes and fake identities, of big dreams and the magic of movies, and what it means to be a real-life Superman.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3169</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ee7b895c-a4b2-11ed-9721-63dd6ce5d2c5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7089358426.mp3?updated=1675532979" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lauron J. Kehrer, "Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance" (U Michigan Press, 2022)</title>
      <description>Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. 
In Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance (University of Michigan Press, 2022), Lauron J. Kehrer turns our attention to openly queer and trans rappers and presents an alternative and more inclusive narrative about the development of hip hop that includes the contributions of queer people throughout the history of the genre. They consider the role of disco, house music, and the ballroom scene in New York City to demonstrate how these different communities and networks played and continue to play a role in hip hop. Kehrer also explores Bounce, a regional form of hip hop with deep roots in New Orleans and its queer communities that has recently entered national circulation. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the queer roots of hip hop.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>180</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lauron J. Kehrer</itunes:subtitle>
      <itunes:summary>Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. 
In Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance (University of Michigan Press, 2022), Lauron J. Kehrer turns our attention to openly queer and trans rappers and presents an alternative and more inclusive narrative about the development of hip hop that includes the contributions of queer people throughout the history of the genre. They consider the role of disco, house music, and the ballroom scene in New York City to demonstrate how these different communities and networks played and continue to play a role in hip hop. Kehrer also explores Bounce, a regional form of hip hop with deep roots in New Orleans and its queer communities that has recently entered national circulation. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the queer roots of hip hop.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. </p><p>In <a href="https://bookshop.org/a/12343/9780472055685"><em>Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance</em></a><em> </em>(University of Michigan Press, 2022)<em>,</em> Lauron J. Kehrer turns our attention to openly queer and trans rappers and presents an alternative and more inclusive narrative about the development of hip hop that includes the contributions of queer people throughout the history of the genre. They consider the role of disco, house music, and the ballroom scene in New York City to demonstrate how these different communities and networks played and continue to play a role in hip hop. Kehrer also explores Bounce, a regional form of hip hop with deep roots in New Orleans and its queer communities that has recently entered national circulation. By centering the performances of openly queer and trans artists of color, <em>Queer Voices in Hip Hop</em> reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the queer roots of hip hop.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3352</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[be5b9916-a943-11ed-abab-afcfa101681c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6503209559.mp3?updated=1676034846" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maya Phillips, "Nerd: Adventures in Fandom from This Universe to the Multiverse" (Atria Books, 2022)</title>
      <description>When Maya Phillips first saw the opening of Star Wars, Episode V: The Empire Strikes Back, she knew her life would change forever. She then spent her formative years loving not just the Star Wars saga but superhero cartoons, anime, Buffy the Vampire Slayer, Harry Potter, Tolkien, and Doctor Who. In Nerd: Adventures in Fandom from This Universe to the Multiverse (Atria Books, 2022), Phillips, a critic at large for the New York Times, presents an incisive essay collection that explores race, religion, sexuality, class, and gender through the lens of pop culture fandoms.
Maya Phillips received her BFA in writing, literature, and publishing with a concentration in poetry from Emerson College and her MFA in poetry from Warren Wilson's MFA Program for Writers.
Latoya Johnson is an editor, writer, and bibliophile with a master's in humanities. Her research and writing interests include reading in popular culture, the public history of fiction writing, and women in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>149</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maya Phillips</itunes:subtitle>
      <itunes:summary>When Maya Phillips first saw the opening of Star Wars, Episode V: The Empire Strikes Back, she knew her life would change forever. She then spent her formative years loving not just the Star Wars saga but superhero cartoons, anime, Buffy the Vampire Slayer, Harry Potter, Tolkien, and Doctor Who. In Nerd: Adventures in Fandom from This Universe to the Multiverse (Atria Books, 2022), Phillips, a critic at large for the New York Times, presents an incisive essay collection that explores race, religion, sexuality, class, and gender through the lens of pop culture fandoms.
Maya Phillips received her BFA in writing, literature, and publishing with a concentration in poetry from Emerson College and her MFA in poetry from Warren Wilson's MFA Program for Writers.
Latoya Johnson is an editor, writer, and bibliophile with a master's in humanities. Her research and writing interests include reading in popular culture, the public history of fiction writing, and women in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When Maya Phillips first saw the opening of Star Wars, Episode V: The Empire Strikes Back, she knew her life would change forever. She then spent her formative years loving not just the Star Wars saga but superhero cartoons, anime, Buffy the Vampire Slayer, Harry Potter, Tolkien, and Doctor Who. In <a href="https://bookshop.org/a/12343/9781982165789"><em>Nerd: Adventures in Fandom from This Universe to the Multiverse</em></a> (Atria Books, 2022), Phillips, a critic at large for the New York Times, presents an incisive essay collection that explores race, religion, sexuality, class, and gender through the lens of pop culture fandoms.</p><p>Maya Phillips received her BFA in writing, literature, and publishing with a concentration in poetry from Emerson College and her MFA in poetry from Warren Wilson's MFA Program for Writers.</p><p><em>Latoya Johnson is an editor, writer, and bibliophile with a master's in humanities. Her research and writing interests include reading in popular culture, the public history of fiction writing, and women in Greco-Roman mythology.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3273</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2daadb50-aa0d-11ed-8f0e-877234e4a8ee]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2204335074.mp3?updated=1676121523" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Ervine, "Humour in Contemporary France: Controversy, Consensus and Contradictions" (Liverpool UP, 2019)</title>
      <description>Thinking through serious questions about racial, ethnic, and religious difference, Jonathan Ervine’s Humour in Contemporary France: Controversy, Consensus and Contradictions (Liverpool University Press, 2019) traces the ways that comedy pulls communities apart and brings them together in the French context. Ervine began the research for this project in advance of the fatal Charlie Hebdo shootings of 2015. The book he published four years later starts with an analysis of the intense debates about humour and freedom of the press that proliferated in the wake of these violent and tragic events.
Situating Charlie Hebdo within the context of French humour more broadly, and turning to stand-up/sketch comedy in particular, Ervine’s remaining three case studies approach issues of universalism, cultural and political conflict using a range of examples. Focused on the provocations of the Black comedian Dieudonné, the Jamel Comedy Club, and the television series A part ça tout vie bien, the book examines: antiracism and antisemitism, minority comedians, urban culture, the legacies of immigration, and the complex relationship between Islam and comedy in contemporary France. Considering the possibilities and politics of multiculturalism in and through comedy, the book is a vital source for readers interested in what does and doesn’t make different French people laugh, and why.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Ervine</itunes:subtitle>
      <itunes:summary>Thinking through serious questions about racial, ethnic, and religious difference, Jonathan Ervine’s Humour in Contemporary France: Controversy, Consensus and Contradictions (Liverpool University Press, 2019) traces the ways that comedy pulls communities apart and brings them together in the French context. Ervine began the research for this project in advance of the fatal Charlie Hebdo shootings of 2015. The book he published four years later starts with an analysis of the intense debates about humour and freedom of the press that proliferated in the wake of these violent and tragic events.
Situating Charlie Hebdo within the context of French humour more broadly, and turning to stand-up/sketch comedy in particular, Ervine’s remaining three case studies approach issues of universalism, cultural and political conflict using a range of examples. Focused on the provocations of the Black comedian Dieudonné, the Jamel Comedy Club, and the television series A part ça tout vie bien, the book examines: antiracism and antisemitism, minority comedians, urban culture, the legacies of immigration, and the complex relationship between Islam and comedy in contemporary France. Considering the possibilities and politics of multiculturalism in and through comedy, the book is a vital source for readers interested in what does and doesn’t make different French people laugh, and why.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Thinking through serious questions about racial, ethnic, and religious difference, Jonathan Ervine’s<a href="https://bookshop.org/a/12343/9781789620511"> <em>Humour in Contemporary France: </em>Controversy, <em>Consensus and Contradictions</em></a><em> </em>(Liverpool University Press, 2019) traces the ways that comedy pulls communities apart <em>and</em> brings them together in the French context. Ervine began the research for this project in advance of the fatal <em>Charlie Hebdo </em>shootings of 2015. The book he published four years later starts with an analysis of the intense debates about humour and freedom of the press that proliferated in the wake of these violent and tragic events.</p><p>Situating <em>Charlie Hebdo</em> within the context of French humour more broadly, and turning to stand-up/sketch comedy in particular, Ervine’s remaining three case studies approach issues of universalism, cultural and political conflict using a range of examples. Focused on the provocations of the Black comedian Dieudonné, the Jamel Comedy Club, and the television series <em>A part ça tout vie bien</em>, the book examines: antiracism and antisemitism, minority comedians, urban culture, the legacies of immigration, and the complex relationship between Islam and comedy in contemporary France. Considering the possibilities and politics of multiculturalism in and through comedy, the book is a vital source for readers interested in what does and doesn’t make different French people laugh, and why.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3549</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4d042bea-a40a-11ed-869c-2b60d2a091b1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5904213202.mp3?updated=1675460490" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Star Wars: Andor’s Aldhani and its Real-World Parallels</title>
      <description>In this episode, Dr. Kenny Linden, an environmental and animal historian of Mongolia and Inner Asia, joins me to discuss the Disney+ Star Wars prequel series Andor and its real-world parallels to pastoralism and the treatment of pastoralists in Central and East Asia by state authorities. We talk about nomadism in the Star Wars universe, depictions of nomads in pop culture, and the planet Aldhani in Andor as a reflection of modern histories of pastoralism and nomad-state relations in Central and Inner Asia.
Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kenneth E. Linden</itunes:subtitle>
      <itunes:summary>In this episode, Dr. Kenny Linden, an environmental and animal historian of Mongolia and Inner Asia, joins me to discuss the Disney+ Star Wars prequel series Andor and its real-world parallels to pastoralism and the treatment of pastoralists in Central and East Asia by state authorities. We talk about nomadism in the Star Wars universe, depictions of nomads in pop culture, and the planet Aldhani in Andor as a reflection of modern histories of pastoralism and nomad-state relations in Central and Inner Asia.
Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, <a href="https://www.kennethelinden.com/about">Dr. Kenny Linden</a>, an environmental and animal historian of Mongolia and Inner Asia, joins me to discuss the Disney+ Star Wars prequel series <em>Andor</em> and its real-world parallels to pastoralism and the treatment of pastoralists in Central and East Asia by state authorities. We talk about nomadism in the Star Wars universe, depictions of nomads in pop culture, and the planet Aldhani in <em>Andor </em>as a reflection of modern histories of pastoralism and nomad-state relations in Central and Inner Asia.</p><p><a href="https://architecture.mit.edu/people/maggie-freeman"><em>Maggie Freeman</em></a><em> is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3650</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2f9a721e-a3ea-11ed-91cb-e3536bbef81b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6254361143.mp3?updated=1675448814" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Leslie Bow, "Racist Love: Asian Abstraction and the Pleasures of Fantasy" (Duke UP, 2022)</title>
      <description>In Racist Love: Asian Abstraction and the Pleasures of Fantasy (Duke UP, 2022), Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire. Conceptualizing these feelings as “racist love,” she explores how race is abstracted and then projected onto Asianized objects. Bow shows how anthropomorphic objects and images such as cartoon animals in children’s books, home décor and cute tchotchkes, contemporary visual art, and artificially intelligent robots function as repositories of seemingly positive feelings and attachment to Asianness. 
At the same time, Bow demonstrates that these Asianized proxies reveal how fetishistic attraction and pleasure serve as a source of anti-Asian bias and violence. By outlining how attraction to popular representations of Asianness cloaks racial resentment and fears of globalization, Bow provides a new means of understanding the ambivalence surrounding Asians in the United States while offering a theory of the psychological, affective, and symbolic dynamics of racist love in contemporary America.
﻿Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leslie Bow</itunes:subtitle>
      <itunes:summary>In Racist Love: Asian Abstraction and the Pleasures of Fantasy (Duke UP, 2022), Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire. Conceptualizing these feelings as “racist love,” she explores how race is abstracted and then projected onto Asianized objects. Bow shows how anthropomorphic objects and images such as cartoon animals in children’s books, home décor and cute tchotchkes, contemporary visual art, and artificially intelligent robots function as repositories of seemingly positive feelings and attachment to Asianness. 
At the same time, Bow demonstrates that these Asianized proxies reveal how fetishistic attraction and pleasure serve as a source of anti-Asian bias and violence. By outlining how attraction to popular representations of Asianness cloaks racial resentment and fears of globalization, Bow provides a new means of understanding the ambivalence surrounding Asians in the United States while offering a theory of the psychological, affective, and symbolic dynamics of racist love in contemporary America.
﻿Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/racist-love"><em>Racist Love: Asian Abstraction and the Pleasures of Fantasy</em></a><em> </em>(Duke UP, 2022)<em>,</em> Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire. Conceptualizing these feelings as “racist love,” she explores how race is abstracted and then projected onto Asianized objects. Bow shows how anthropomorphic objects and images such as cartoon animals in children’s books, home décor and cute tchotchkes, contemporary visual art, and artificially intelligent robots function as repositories of seemingly positive feelings and attachment to Asianness. </p><p>At the same time, Bow demonstrates that these Asianized proxies reveal how fetishistic attraction and pleasure serve as a source of anti-Asian bias and violence. By outlining how attraction to popular representations of Asianness cloaks racial resentment and fears of globalization, Bow provides a new means of understanding the ambivalence surrounding Asians in the United States while offering a theory of the psychological, affective, and symbolic dynamics of racist love in contemporary America.</p><p><em>﻿</em><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2960</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9814d6ee-a337-11ed-a55a-e35e5bee7410]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2166663745.mp3?updated=1675369944" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Kempshall, "The History and Politics of Star Wars: Death Stars and Democracy" (Routledge, 2022)</title>
      <description>Chris Kempshall's The History and Politics of Star Wars: Death Stars and Democracy (Routledge, 2022) provides the first detailed and comprehensive examination of all the materials making up the Star Wars franchise relating to the portrayal and representation of real-world history and politics.
Drawing on a variety of sources, including films, published interviews with directors and actors, novels, comics, and computer games, this volume explores the ways in which historical and contemporary events have been repurposed within Star Wars. It focuses on key themes such as fascism and the Galactic Empire, the failures of democracy, the portrayal of warfare, the morality of the Jedi, and the representations of sex, gender, and race. Through these themes, this study highlights the impacts of the fall of the Soviet Union, the War on Terror, and the failures of the United Nations upon the ‘galaxy far, far away’. By analysing and understanding these events and their portrayal within Star Wars, it shows how the most popular media franchise in existence aims to speak about wider contemporary events and issues.

If you are interested in the purchase of the book, you may use the following code for a 25% discount: HPSW25.
﻿Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter: @robbyref
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>156</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Kempshall</itunes:subtitle>
      <itunes:summary>Chris Kempshall's The History and Politics of Star Wars: Death Stars and Democracy (Routledge, 2022) provides the first detailed and comprehensive examination of all the materials making up the Star Wars franchise relating to the portrayal and representation of real-world history and politics.
Drawing on a variety of sources, including films, published interviews with directors and actors, novels, comics, and computer games, this volume explores the ways in which historical and contemporary events have been repurposed within Star Wars. It focuses on key themes such as fascism and the Galactic Empire, the failures of democracy, the portrayal of warfare, the morality of the Jedi, and the representations of sex, gender, and race. Through these themes, this study highlights the impacts of the fall of the Soviet Union, the War on Terror, and the failures of the United Nations upon the ‘galaxy far, far away’. By analysing and understanding these events and their portrayal within Star Wars, it shows how the most popular media franchise in existence aims to speak about wider contemporary events and issues.

If you are interested in the purchase of the book, you may use the following code for a 25% discount: HPSW25.
﻿Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter: @robbyref
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Chris Kempshall's <a href="https://bookshop.org/a/12343/9781032318875"><em>The History and Politics of Star Wars: Death Stars and Democracy</em></a> (Routledge, 2022) provides the first detailed and comprehensive examination of all the materials making up the Star Wars franchise relating to the portrayal and representation of real-world history and politics.</p><p>Drawing on a variety of sources, including films, published interviews with directors and actors, novels, comics, and computer games, this volume explores the ways in which historical and contemporary events have been repurposed within Star Wars. It focuses on key themes such as fascism and the Galactic Empire, the failures of democracy, the portrayal of warfare, the morality of the Jedi, and the representations of sex, gender, and race. Through these themes, this study highlights the impacts of the fall of the Soviet Union, the War on Terror, and the failures of the United Nations upon the ‘galaxy far, far away’. By analysing and understanding these events and their portrayal within Star Wars, it shows how the most popular media franchise in existence aims to speak about wider contemporary events and issues.</p><p><br></p><p>If you are interested in the purchase of the book, you may use the following code for a 25% discount: HPSW25.</p><p><em>﻿</em><a href="https://www.linkedin.com/in/dr-roberto-mazza/"><em>Roberto Mazza</em></a><em> is visiting professor at Northwestern University. He is the host of the </em><a href="https://shows.acast.com/jerusalemunplugged"><em>Jerusalem Unplugged Podcast</em></a><em> and to discuss and propose a book for interview can be reached at </em><a href="mailto:robbymazza@gmail.com"><em>robbymazza@gmail.com</em></a><em>. Twitter: @robbyref</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3584</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0bb38ba6-a27d-11ed-b0a2-0bddf217e754]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4239356896.mp3?updated=1675289779" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steven Hyden, "Long Road: Pearl Jam and the Soundtrack of a Generation" (Hachette Books, 2022)</title>
      <description>Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. Long Road is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band -- how they got to where they are, what drove them to greatness, and why it matters now.
Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock 'n' roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses -- the quintessential Gen-X tale.
Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam's most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam's music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band's career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam's music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves.
Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam's path from Ten to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia--the B-sides, the beloved deep cuts, the concert bootlegs--and explore the multitude of reasons why Pearl Jam's music resonated with so many people. As Hyden explains, "Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever."
Steven Hyden is the author of This Isn't Happening, Twilight of the Gods, Your Favorite Band Is Killing Me, and (with Steve Gorman) Hard to Handle. His writing has appeared in the New York Times Magazine, Washington Post, Billboard, Pitchfork, Rolling Stone, Grantland, The A.V. Club, Slate, and Salon. He is currently the cultural critic at UPROXX.
Steven Hyden on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.
Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>178</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Hyden</itunes:subtitle>
      <itunes:summary>Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. Long Road is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band -- how they got to where they are, what drove them to greatness, and why it matters now.
Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock 'n' roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses -- the quintessential Gen-X tale.
Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam's most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam's music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band's career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam's music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves.
Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam's path from Ten to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia--the B-sides, the beloved deep cuts, the concert bootlegs--and explore the multitude of reasons why Pearl Jam's music resonated with so many people. As Hyden explains, "Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever."
Steven Hyden is the author of This Isn't Happening, Twilight of the Gods, Your Favorite Band Is Killing Me, and (with Steve Gorman) Hard to Handle. His writing has appeared in the New York Times Magazine, Washington Post, Billboard, Pitchfork, Rolling Stone, Grantland, The A.V. Club, Slate, and Salon. He is currently the cultural critic at UPROXX.
Steven Hyden on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.
Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, <em>Ten</em>, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In <a href="https://bookshop.org/p/books/long-road-pearl-jam-and-the-soundtrack-of-a-generation-steven-hyden/18492435?ean=9780306826429">Long Road: Pearl Jam and the Soundtrack of A Generation</a>, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. <em>Long Road</em> is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band -- how they got to where they are, what drove them to greatness, and why it matters now.</p><p>Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock 'n' roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses -- the quintessential Gen-X tale.</p><p>Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam's most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam's music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band's career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam's music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves.</p><p>Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam's path from<em> Ten</em> to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia--the B-sides, the beloved deep cuts, the concert bootlegs--and explore the multitude of reasons why Pearl Jam's music resonated with so many people. As Hyden explains, "Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever."</p><p>Steven Hyden is the author of <em>This Isn't Happening</em>, <em>Twilight of the Gods</em>, <em>Your Favorite Band Is Killing Me</em>, and (with Steve Gorman) <em>Hard to Handle</em>. His writing has appeared in the <em>New York Times Magazine</em>, <em>Washington Post</em>, <em>Billboard</em>, <em>Pitchfork</em>, <em>Rolling Stone</em>, <em>Grantland</em>, <em>The A.V. Club</em>, <em>Slate</em>, and <em>Salon</em>. He is currently the cultural critic at UPROXX.</p><p>Steven Hyden on <a href="https://twitter.com/Steven_Hyden">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.</p><p>Bradley Morgan on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2733</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7d648284-a262-11ed-8621-2fdce32ce494]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2325887138.mp3?updated=1675278122" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. W. Rinzler and Lee Unkrich, "Stanley Kubrick's The Shining" (Taschen, 2023)</title>
      <description>In 1966 Stanley Kubrick told a friend that he wanted to make “the world’s scariest movie.” A decade later Stephen King’s The Shining landed on the director’s desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lee Unkrich</itunes:subtitle>
      <itunes:summary>In 1966 Stanley Kubrick told a friend that he wanted to make “the world’s scariest movie.” A decade later Stephen King’s The Shining landed on the director’s desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1966 Stanley Kubrick told a friend that he wanted to make “the world’s scariest movie.” A decade later Stephen King’s The Shining landed on the director’s desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book <a href="https://www.taschen.com/en/limited-editions/film/66983/stanley-kubrick-s-the-shining"><em>Stanley Kubrick's The Shining</em></a><em> </em>(Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew.</p><p><a href="https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html"><em>Nathan Abrams</em></a><em> is a professor of film at Bangor University in Wales. </em><a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029"><em>His most recent work</em></a><em> is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[99b174a2-a1a8-11ed-9e4b-774d79dfa6e1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8748479858.mp3?updated=1675198505" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Deep Cuts: Classic Rock and Hair Metal with Professor and Guitarist Jesse Kavadlo</title>
      <description>Jesse Kavadlo is the classic “renaissance man” – literature and humanities professor, author of acclaimed books and articles, President of the Don DeLillo Society, fantastic husband and father…AND self-taught guitarist and vocalist with Top Gunz, one of the most popular 1980s rock cover bands in America.
In this Deep Cuts conversation, Jesse and Bob discuss his guitar-saturated youth and the circuitous path he later took to the university classroom. They regale in their shared Gen X roots and how that past still informs them today, as well as a variety of pop culture topics, from grunge’s almost overnight takedown of hair metal to professors and tweed jackets (and spandex).
At the heart of this Deep Cut episode is Jesse’s guitar playing and singing as a lens to uncover the ways a new generation of young people are discovering classic rock, particularly the Doors (the subject of Bob’s book Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties, published by Hamilcar Publications). A highlight is Jesse’s demonstration of the subtlety and beauty of Doors guitarist Robby Krieger versus the styles of soloists like Jimmy Page, Jimi Hendrix and Eddie Van Halen.
Please drop us a line to let us know what you think!
Bob Batchelor is an award-winning cultural historian and biographer. His latest books are Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties and Stan Lee: A Life. Visit him on the web at www.bobbatchelor.com or email at bob@bobbatchelor.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 05 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>179</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jesse Kavadlo is the classic “renaissance man” – literature and humanities professor, author of acclaimed books and articles, President of the Don DeLillo Society, fantastic husband and father…AND self-taught guitarist and vocalist with Top Gunz, one of the most popular 1980s rock cover bands in America.
In this Deep Cuts conversation, Jesse and Bob discuss his guitar-saturated youth and the circuitous path he later took to the university classroom. They regale in their shared Gen X roots and how that past still informs them today, as well as a variety of pop culture topics, from grunge’s almost overnight takedown of hair metal to professors and tweed jackets (and spandex).
At the heart of this Deep Cut episode is Jesse’s guitar playing and singing as a lens to uncover the ways a new generation of young people are discovering classic rock, particularly the Doors (the subject of Bob’s book Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties, published by Hamilcar Publications). A highlight is Jesse’s demonstration of the subtlety and beauty of Doors guitarist Robby Krieger versus the styles of soloists like Jimmy Page, Jimi Hendrix and Eddie Van Halen.
Please drop us a line to let us know what you think!
Bob Batchelor is an award-winning cultural historian and biographer. His latest books are Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties and Stan Lee: A Life. Visit him on the web at www.bobbatchelor.com or email at bob@bobbatchelor.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.maryville.edu/jesse-kavadlo/">Jesse Kavadlo</a> is the classic “renaissance man” – literature and humanities professor, author of acclaimed books and articles, President of the <a href="https://www.facebook.com/dondelillosociety/">Don DeLillo Society</a>, fantastic husband and father…<strong>AND</strong> self-taught guitarist and vocalist with <a href="https://www.topgunzband.com/">Top Gunz</a>, one of the most popular 1980s rock cover bands in America.</p><p>In this Deep Cuts conversation, Jesse and Bob discuss his guitar-saturated youth and the circuitous path he later took to the university classroom. They regale in their shared Gen X roots and how that past still informs them today, as well as a variety of pop culture topics, from grunge’s almost overnight takedown of hair metal to professors and tweed jackets (and spandex).</p><p>At the heart of this Deep Cut episode is Jesse’s guitar playing and singing as a lens to uncover the ways a new generation of young people are discovering classic rock, particularly the Doors (the subject of Bob’s book <a href="http://tinyurl.com/m3dsvah5"><em>Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties</em></a>, published by <a href="https://hamilcarpubs.com/">Hamilcar Publications</a>). A highlight is Jesse’s demonstration of the subtlety and beauty of Doors guitarist Robby Krieger versus the styles of soloists like Jimmy Page, Jimi Hendrix and Eddie Van Halen.</p><p>Please drop us a line to let us know what you think!</p><p><em>Bob Batchelor is an award-winning cultural historian and biographer. His latest books are </em><a href="http://tinyurl.com/m3dsvah5"><em>Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties</em></a><em> and </em><a href="https://rowman.com/ISBN/9781538162033/Stan-Lee-A-Life-Centennial-Edition"><em>Stan Lee: A Life</em></a><em>. Visit him on the web at </em><a href="http://www.bobbatchelor.com/"><em>www.bobbatchelor.com</em></a><em> or email at </em><a href="mailto:bob@bobbatchelor.com"><em>bob@bobbatchelor.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4061</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[38b071aa-a3ef-11ed-8aa1-e3a4d6642073]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6909451921.mp3?updated=1675448733" length="0" type="audio/mpeg"/>
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    <item>
      <title>Nick Seaver, "Computing Taste: Algorithms and the Makers of Music Recommendation" (U Chicago Press, 2022)</title>
      <description>The people who make music recommender systems have lofty goals: they want to broaden listeners’ horizons and help obscure musicians find audiences, taking advantage of the enormous catalogs offered by companies like Spotify, Apple Music, and Pandora. But for their critics, recommender systems seem to embody all the potential harms of algorithms: they flatten culture into numbers, they normalize ever-broadening data collection, and they profile their users for commercial ends. Drawing on years of ethnographic fieldwork, anthropologist Nick Seaver describes how the makers of music recommendation navigate these tensions: how product managers understand their relationship with the users they want to help and to capture; how scientists conceive of listening itself as a kind of data processing; and how engineers imagine the geography of the world of music as a space they care for and control.
Computing Taste: Algorithms and the Makers of Music Recommendation (U Chicago Press, 2022) rehumanizes the algorithmic systems that shape our world, drawing attention to the people who build and maintain them. In this vividly theorized book, Seaver brings the thinking of programmers into conversation with the discipline of anthropology, opening up the cultural world of computation in a wide-ranging exploration that travels from cosmology to calculation, myth to machine learning, and captivation to care.
Nick Seaver is Assistant Professor in the Department of Anthropology and the director of the Science, Technology, and Society program at Tufts University.
Mathew Gagné is Assistant Professor in the Department of Sociology and Social Anthropology at Dalhousie University. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 02 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>211</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Seaver</itunes:subtitle>
      <itunes:summary>The people who make music recommender systems have lofty goals: they want to broaden listeners’ horizons and help obscure musicians find audiences, taking advantage of the enormous catalogs offered by companies like Spotify, Apple Music, and Pandora. But for their critics, recommender systems seem to embody all the potential harms of algorithms: they flatten culture into numbers, they normalize ever-broadening data collection, and they profile their users for commercial ends. Drawing on years of ethnographic fieldwork, anthropologist Nick Seaver describes how the makers of music recommendation navigate these tensions: how product managers understand their relationship with the users they want to help and to capture; how scientists conceive of listening itself as a kind of data processing; and how engineers imagine the geography of the world of music as a space they care for and control.
Computing Taste: Algorithms and the Makers of Music Recommendation (U Chicago Press, 2022) rehumanizes the algorithmic systems that shape our world, drawing attention to the people who build and maintain them. In this vividly theorized book, Seaver brings the thinking of programmers into conversation with the discipline of anthropology, opening up the cultural world of computation in a wide-ranging exploration that travels from cosmology to calculation, myth to machine learning, and captivation to care.
Nick Seaver is Assistant Professor in the Department of Anthropology and the director of the Science, Technology, and Society program at Tufts University.
Mathew Gagné is Assistant Professor in the Department of Sociology and Social Anthropology at Dalhousie University. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The people who make music recommender systems have lofty goals: they want to broaden listeners’ horizons and help obscure musicians find audiences, taking advantage of the enormous catalogs offered by companies like Spotify, Apple Music, and Pandora. But for their critics, recommender systems seem to embody all the potential harms of algorithms: they flatten culture into numbers, they normalize ever-broadening data collection, and they profile their users for commercial ends. Drawing on years of ethnographic fieldwork, anthropologist Nick Seaver describes how the makers of music recommendation navigate these tensions: how product managers understand their relationship with the users they want to help and to capture; how scientists conceive of listening itself as a kind of data processing; and how engineers imagine the geography of the world of music as a space they care for and control.</p><p><a href="https://bookshop.org/a/12343/9780226822976"><em>Computing Taste: Algorithms and the Makers of Music Recommendation</em></a><em> </em>(U Chicago Press, 2022) rehumanizes the algorithmic systems that shape our world, drawing attention to the people who build and maintain them. In this vividly theorized book, Seaver brings the thinking of programmers into conversation with the discipline of anthropology, opening up the cultural world of computation in a wide-ranging exploration that travels from cosmology to calculation, myth to machine learning, and captivation to care.</p><p>Nick Seaver is Assistant Professor in the Department of Anthropology and the director of the Science, Technology, and Society program at Tufts University.</p><p><em>Mathew Gagné is Assistant Professor in the Department of Sociology and Social Anthropology at Dalhousie University. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5192</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Maria Sonevytsky, "Wild Music: Sound and Sovereignty in Ukraine" (Wesleyan UP, 2019)</title>
      <description>In Wild Music: Sound and Sovereignty in Ukraine (Wesleyan UP, 2019), Maria Sonevytsky tracks vernacular Ukrainian discourses of “wildness” as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism.
John Vsetecka is a PhD Candidate in the Department of History at Michigan State University where he is finishing a dissertation that examines the aftermath of the 1932-33 famine in Soviet Ukraine (Holodomor).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 28 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maria Sonevytsky</itunes:subtitle>
      <itunes:summary>In Wild Music: Sound and Sovereignty in Ukraine (Wesleyan UP, 2019), Maria Sonevytsky tracks vernacular Ukrainian discourses of “wildness” as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism.
John Vsetecka is a PhD Candidate in the Department of History at Michigan State University where he is finishing a dissertation that examines the aftermath of the 1932-33 famine in Soviet Ukraine (Holodomor).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780819579164"><em>Wild Music: Sound and Sovereignty in Ukraine</em></a><em> </em>(Wesleyan UP, 2019), Maria Sonevytsky tracks vernacular Ukrainian discourses of “wildness” as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism.</p><p><em>John Vsetecka is a PhD Candidate in the Department of History at Michigan State University where he is finishing a dissertation that examines the aftermath of the 1932-33 famine in Soviet Ukraine (Holodomor).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3611</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fe7463c8-9c1b-11ed-8b1a-8f7aa7db493d]]></guid>
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    <item>
      <title>Justin Gregg, "If Nietzsche Were a Narwhal: What Animal Intelligence Reveals About Human Stupidity" (Little, Brown, 2022)</title>
      <description>What if human intelligence is actually more of a liability than a gift? After all, the animal kingdom, in all its diversity, gets by just fine without it. At first glance, human history is full of remarkable feats of intelligence, yet human exceptionalism can be a double-edged sword. With our unique cognitive prowess comes severe consequences, including existential angst, violence, discrimination, and the creation of a world teetering towards climate catastrophe. What if human exceptionalism is more of a curse than a blessing?
As Dr. Justin Gregg puts it in his book If Nietzsche Were a Narwhal: What Animal Intelligence Reveals About Human Stupidity (Little, Brown (US), 2022, Hodder (UK), 2023), there’s an evolutionary reason why human intelligence isn’t more prevalent in the animal kingdom. Simply put, non-human animals don’t need it to be successful. And, miraculously, their success arrives without the added baggage of destroying themselves and the planet in the process.
In seven mind-bending and hilarious chapters, Dr. Gregg highlights features seemingly unique to humans – our use of language, our rationality, our moral systems, our so-called sophisticated consciousness – and compares them to our animal brethren. What emerges is both demystifying and remarkable, and will change how you look at animals, humans, and the meaning of life itself.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Justin Gregg</itunes:subtitle>
      <itunes:summary>What if human intelligence is actually more of a liability than a gift? After all, the animal kingdom, in all its diversity, gets by just fine without it. At first glance, human history is full of remarkable feats of intelligence, yet human exceptionalism can be a double-edged sword. With our unique cognitive prowess comes severe consequences, including existential angst, violence, discrimination, and the creation of a world teetering towards climate catastrophe. What if human exceptionalism is more of a curse than a blessing?
As Dr. Justin Gregg puts it in his book If Nietzsche Were a Narwhal: What Animal Intelligence Reveals About Human Stupidity (Little, Brown (US), 2022, Hodder (UK), 2023), there’s an evolutionary reason why human intelligence isn’t more prevalent in the animal kingdom. Simply put, non-human animals don’t need it to be successful. And, miraculously, their success arrives without the added baggage of destroying themselves and the planet in the process.
In seven mind-bending and hilarious chapters, Dr. Gregg highlights features seemingly unique to humans – our use of language, our rationality, our moral systems, our so-called sophisticated consciousness – and compares them to our animal brethren. What emerges is both demystifying and remarkable, and will change how you look at animals, humans, and the meaning of life itself.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What if human intelligence is actually more of a liability than a gift? After all, the animal kingdom, in all its diversity, gets by just fine without it. At first glance, human history is full of remarkable feats of intelligence, yet human exceptionalism can be a double-edged sword. With our unique cognitive prowess comes severe consequences, including existential angst, violence, discrimination, and the creation of a world teetering towards climate catastrophe. What if human exceptionalism is more of a curse than a blessing?</p><p>As Dr. Justin Gregg puts it in his book <a href="https://bookshop.org/a/12343/9780316388061"><em>If Nietzsche Were a Narwhal: What Animal Intelligence Reveals About Human Stupidity</em></a> (Little, Brown (US), 2022, Hodder (UK), 2023), there’s an evolutionary reason why human intelligence isn’t more prevalent in the animal kingdom. Simply put, non-human animals don’t need it to be successful. And, miraculously, their success arrives without the added baggage of destroying themselves and the planet in the process.</p><p>In seven mind-bending and hilarious chapters, Dr. Gregg highlights features seemingly unique to humans – our use of language, our rationality, our moral systems, our so-called sophisticated consciousness – and compares them to our animal brethren. What emerges is both demystifying and remarkable, and will change how you look at animals, humans, and the meaning of life itself.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1838</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Gregory Pfitzer, "'Fame Is Not Just for the Fellas': Female Renown and the Childhood of Famous Americans Series" (U Massachusetts Press, 2022)</title>
      <description>In “Fame is Not Just for the Fellas”: Female Renown and the Childhood of Famous Americans Series (University of Massachusetts Press, 2022), Gregory Pfitzer examines the editorial and production choices surrounding the biographies of women in the popular children’s book series Childhood of Famous Americans, published between 1932 and 1958. Using conversations and disagreements among authors, editors, readers, reviewers, and sales agents at Bobbs-Merrill publishers, the book tells the story of how female subjects were chosen and what went into writing these histories for young readers of the time. Tensions between “feminism” and “femininity” reflected changing Cold War gender norms, and sources reveal ongoing negotiation of the virtues that the biographies should instill. Pfitzer illustrates how these books shaped children's thinking and historical imaginations around girlhood using tales from the past and considers the influence of the series on readers and American culture more broadly. "Fame Is Not Just for the Fellas" places the series in the context of national debates around fame, gender, historical memory, and portrayals of children and childhood for a young reading public--charged debates that continue to this day.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Jan 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gregory Pfitzer</itunes:subtitle>
      <itunes:summary>In “Fame is Not Just for the Fellas”: Female Renown and the Childhood of Famous Americans Series (University of Massachusetts Press, 2022), Gregory Pfitzer examines the editorial and production choices surrounding the biographies of women in the popular children’s book series Childhood of Famous Americans, published between 1932 and 1958. Using conversations and disagreements among authors, editors, readers, reviewers, and sales agents at Bobbs-Merrill publishers, the book tells the story of how female subjects were chosen and what went into writing these histories for young readers of the time. Tensions between “feminism” and “femininity” reflected changing Cold War gender norms, and sources reveal ongoing negotiation of the virtues that the biographies should instill. Pfitzer illustrates how these books shaped children's thinking and historical imaginations around girlhood using tales from the past and considers the influence of the series on readers and American culture more broadly. "Fame Is Not Just for the Fellas" places the series in the context of national debates around fame, gender, historical memory, and portrayals of children and childhood for a young reading public--charged debates that continue to this day.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781625346933"><em>“Fame is Not Just for the Fellas”: Female Renown and the Childhood of Famous Americans Series</em></a> (University of Massachusetts Press, 2022), Gregory Pfitzer examines the editorial and production choices surrounding the biographies of women in the popular children’s book series Childhood of Famous Americans, published between 1932 and 1958. Using conversations and disagreements among authors, editors, readers, reviewers, and sales agents at Bobbs-Merrill publishers, the book tells the story of how female subjects were chosen and what went into writing these histories for young readers of the time. Tensions between “feminism” and “femininity” reflected changing Cold War gender norms, and sources reveal ongoing negotiation of the virtues that the biographies should instill. Pfitzer illustrates how these books shaped children's thinking and historical imaginations around girlhood using tales from the past and considers the influence of the series on readers and American culture more broadly. "Fame Is Not Just for the Fellas" places the series in the context of national debates around fame, gender, historical memory, and portrayals of children and childhood for a young reading public--charged debates that continue to this day.</p><p><a href="https://twitter.com/rcturk"><em>Rebecca Turkington</em></a><em> is a PhD Candidate in History at Cambridge University studying transnational women’s networks.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2964</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dick Weissman, "Bob Dylan's New York: A Historic Guide" (SUNY Press, 2022)</title>
      <description>New York has long been a city where people go to reinvent themselves.
And since the dawn of the twentieth century, New York City’s Greenwich Village has been at the center of that alchemy of reinvention. Its side streets, squares and coffeehouses have nurtured generations of artists, writers, and musicians, among them Bob Dylan.
Dylan first set foot in the Village in 1961, and even as he continues to make music, you can argue that his Greenwich Village years in the 1960s were a formative period in his life and work. Dick Weissman’s new book, Bob Dylan's New York: A Historic Guide (SUNY Press, 2022) helps fans and students of Dylan walk the streets where his career took off. Weissman-- musician, author, veteran of the folk scene, and associate professor emeritus at the University of Colorado Denver—emphasizes the Village but also takes in the midtown Manhattan offices that ran the music industry in Dylan’s early days and the backroads of Woodstock, NY where Dylan found refuge from the big city. The result is a book that situates Dylan’s New York years in a rich context.
Bob Dylan’s New York is organized as a series of mapped walking tours--covering Bleecker Street, MacDougal Street, Washington Square and more—that convey the people and institutions that nurtured Dylan’s early career. Individual stops on the tour—such as Dylan’s apartment building at 161 West Fourth Street and the sites of Izzy Young’s Folklore Center on MacDougal Street and Sixth Avenue—are covered in well-researched entries. The book also lists the homes and addresses of other famous Village inhabitants such as the journalist John Reed, the artist Jackson Pollock, the singer Barbra Streisand, and the political activist Eleanor Roosevelt, suggesting the cultural and political ferment of the Village in the twentieth century. Bob Dylan’s New York is generously illustrated with photographs, many of them from folklore collections at the Smithsonian, the Library of Congress and the University of North Carolina at Chapel Hill, that capture famous and not-so-famous inhabitants of the Village folk scene in the 1960s.
The gentrification that has transformed the Village in recent decades has shoved aside much of the grass-roots folk music scene that made the neighborhood so interesting. Nevertheless, many of the cafes and clubs where Dylan and his contemporaries honed their craft are still there, hidden in plain sight. This folkie, former Village resident and long-time Dylan fan went out for a two-hour walk with Bob Dylan’s New York in hand. I made many discoveries on streets that I thought I knew, and I barely scratched the surface of what the book has to offer.
Robert W. Snyder, Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University. Email: rwsnyder@rutgers.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 22 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dick Weissman</itunes:subtitle>
      <itunes:summary>New York has long been a city where people go to reinvent themselves.
And since the dawn of the twentieth century, New York City’s Greenwich Village has been at the center of that alchemy of reinvention. Its side streets, squares and coffeehouses have nurtured generations of artists, writers, and musicians, among them Bob Dylan.
Dylan first set foot in the Village in 1961, and even as he continues to make music, you can argue that his Greenwich Village years in the 1960s were a formative period in his life and work. Dick Weissman’s new book, Bob Dylan's New York: A Historic Guide (SUNY Press, 2022) helps fans and students of Dylan walk the streets where his career took off. Weissman-- musician, author, veteran of the folk scene, and associate professor emeritus at the University of Colorado Denver—emphasizes the Village but also takes in the midtown Manhattan offices that ran the music industry in Dylan’s early days and the backroads of Woodstock, NY where Dylan found refuge from the big city. The result is a book that situates Dylan’s New York years in a rich context.
Bob Dylan’s New York is organized as a series of mapped walking tours--covering Bleecker Street, MacDougal Street, Washington Square and more—that convey the people and institutions that nurtured Dylan’s early career. Individual stops on the tour—such as Dylan’s apartment building at 161 West Fourth Street and the sites of Izzy Young’s Folklore Center on MacDougal Street and Sixth Avenue—are covered in well-researched entries. The book also lists the homes and addresses of other famous Village inhabitants such as the journalist John Reed, the artist Jackson Pollock, the singer Barbra Streisand, and the political activist Eleanor Roosevelt, suggesting the cultural and political ferment of the Village in the twentieth century. Bob Dylan’s New York is generously illustrated with photographs, many of them from folklore collections at the Smithsonian, the Library of Congress and the University of North Carolina at Chapel Hill, that capture famous and not-so-famous inhabitants of the Village folk scene in the 1960s.
The gentrification that has transformed the Village in recent decades has shoved aside much of the grass-roots folk music scene that made the neighborhood so interesting. Nevertheless, many of the cafes and clubs where Dylan and his contemporaries honed their craft are still there, hidden in plain sight. This folkie, former Village resident and long-time Dylan fan went out for a two-hour walk with Bob Dylan’s New York in hand. I made many discoveries on streets that I thought I knew, and I barely scratched the surface of what the book has to offer.
Robert W. Snyder, Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University. Email: rwsnyder@rutgers.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>New York has long been a city where people go to reinvent themselves.</p><p>And since the dawn of the twentieth century, New York City’s Greenwich Village has been at the center of that alchemy of reinvention. Its side streets, squares and coffeehouses have nurtured generations of artists, writers, and musicians, among them Bob Dylan.</p><p>Dylan first set foot in the Village in 1961, and even as he continues to make music, you can argue that his Greenwich Village years in the 1960s were a formative period in his life and work. Dick Weissman’s new book, <a href="https://bookshop.org/a/12343/9781438490861"><em>Bob Dylan's New York: A Historic Guide</em></a><em> </em>(SUNY Press, 2022) helps fans and students of Dylan walk the streets where his career took off. Weissman-- musician, author, veteran of the folk scene, and associate professor emeritus at the University of Colorado Denver—emphasizes the Village but also takes in the midtown Manhattan offices that ran the music industry in Dylan’s early days and the backroads of Woodstock, NY where Dylan found refuge from the big city. The result is a book that situates Dylan’s New York years in a rich context.</p><p><em>Bob Dylan’s New York</em> is organized as a series of mapped walking tours--covering Bleecker Street, MacDougal Street, Washington Square and more—that convey the people and institutions that nurtured Dylan’s early career. Individual stops on the tour—such as Dylan’s apartment building at 161 West Fourth Street and the sites of Izzy Young’s Folklore Center on MacDougal Street and Sixth Avenue—are covered in well-researched entries. The book also lists the homes and addresses of other famous Village inhabitants such as the journalist John Reed, the artist Jackson Pollock, the singer Barbra Streisand, and the political activist Eleanor Roosevelt, suggesting the cultural and political ferment of the Village in the twentieth century. <em>Bob Dylan’s New York</em> is generously illustrated with photographs, many of them from folklore collections at the Smithsonian, the Library of Congress and the University of North Carolina at Chapel Hill, that capture famous and not-so-famous inhabitants of the Village folk scene in the 1960s.</p><p>The gentrification that has transformed the Village in recent decades has shoved aside much of the grass-roots folk music scene that made the neighborhood so interesting. Nevertheless, many of the cafes and clubs where Dylan and his contemporaries honed their craft are still there, hidden in plain sight. This folkie, former Village resident and long-time Dylan fan went out for a two-hour walk with <em>Bob Dylan’s New York </em>in hand. I made many discoveries on streets that I thought I knew, and I barely scratched the surface of what the book has to offer.</p><p><em>Robert W. Snyder, Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University. Email: rwsnyder@rutgers.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2114</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ca404076-9839-11ed-b963-3f2026e50030]]></guid>
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    <item>
      <title>Richard Bradford, "Tough Guy: The Life of Norman Mailer" (Bloomsbury, 2023)</title>
      <description>Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it. 
In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels.
Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>230</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard Bradford</itunes:subtitle>
      <itunes:summary>Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it. 
In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels.
Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Twice winner of the Pulitzer Prize, firstly in 1969 for <em>The Armies of the Night </em>and again in 1980 for <em>The Executioner's Song</em>, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.<em>The Naked and the Dead</em> was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - <em>Catch 22</em> and <em>MASH</em> would not exist without it. </p><p>In <a href="https://bookshop.org/a/12343/9781448218141"><em>Tough Guy: The Life of Norman Mailer</em></a><em> </em>(Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels.</p><p>Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast </em><a href="https://fifteenminutefilm.podbean.com/"><em>Fifteen-Minute Film Fanatics</em></a><em> (Twitter @15MinFilm).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Drew Morton, "After Midnight: Watchmen After Watchmen" (U Mississippi Press, 2022)</title>
      <description>Alan Moore’s and Dave Gibbons’s Watchmen fundamentally altered the perception of American comic books and remains one of the medium’s greatest hits. Launched in 1986—“the year that changed comics” for most scholars in comics studies—Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children.
After Midnight: Watchmen After Watchmen (U Mississippi Press, 2022) looks specifically at the three adaptations of Moore’s and Gibbons’s Watchmen—Zack Snyder’s Watchmen film (2009), Geoff Johns’s comic book sequel Doomsday Clock (2017), and Damon Lindelof’s Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show’s production can complicate its politics. Finally, the book’s last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena.
﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Drew Morton</itunes:subtitle>
      <itunes:summary>Alan Moore’s and Dave Gibbons’s Watchmen fundamentally altered the perception of American comic books and remains one of the medium’s greatest hits. Launched in 1986—“the year that changed comics” for most scholars in comics studies—Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children.
After Midnight: Watchmen After Watchmen (U Mississippi Press, 2022) looks specifically at the three adaptations of Moore’s and Gibbons’s Watchmen—Zack Snyder’s Watchmen film (2009), Geoff Johns’s comic book sequel Doomsday Clock (2017), and Damon Lindelof’s Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show’s production can complicate its politics. Finally, the book’s last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena.
﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Alan Moore’s and Dave Gibbons’s <em>Watchmen </em>fundamentally altered the perception of American comic books and remains one of the medium’s greatest hits. Launched in 1986—“the year that changed comics” for most scholars in comics studies—<em>Watchmen </em>quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children.</p><p><a href="https://www.upress.state.ms.us/Books/A/After-Midnight"><em>After Midnight: Watchmen After Watchmen</em></a><em> </em>(U Mississippi Press, 2022) looks specifically at the three adaptations of Moore’s and Gibbons’s <em>Watchmen</em>—Zack Snyder’s <em>Watchmen</em> film (2009), Geoff Johns’s comic book sequel <em>Doomsday Clock</em> (2017), and Damon Lindelof’s <em>Watchmen </em>series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show’s production can complicate its politics. Finally, the book’s last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena.</p><p><em>﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3709</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[025ffd5e-9743-11ed-98d3-2b74891c3019]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7001959290.mp3?updated=1674055408" length="0" type="audio/mpeg"/>
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    <item>
      <title>Dalal Abo El Seoud, "Fish, Milk, Tamarind: A Book of Egyptian Arabic Food Expressions" (American U in Cairo Press, 2022)</title>
      <description>In Fish, Milk, Tamarind: A Book of Egyptian Arabic Food Expressions (American University in Cairo Press, 2022), Dalal Abo El Seoud presents 100 commonly used Egyptian food expressions. Can you guess what Egyptians mean when they say that something is "a peeled banana" or that someone is "sleeping in honey" or has "turned the sea to tahini"? You may find the answers quite unexpected when you open the pages of this delightful giftbook featuring some one hundred popular food-inflected phrases and sayings used by native speakers of Egyptian Arabic. Idiomatic expressions lend color, dynamism, and humor to everyday speech, and convey complex ideas and beliefs with an economy of words that also tell us something about the culture from which they spring. Each expression in Fish, Milk, Tamarind is given in Arabic script and English transliteration followed by its literal and intended meanings, while humorous color illustrations throughout help readers visualize and remember the expressions. Learners and native speakers of Arabic, as well as Egypt enthusiasts and language lovers will find much in this book to teach, entertain, and enthrall them.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>147</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dalal Abo El Seoud</itunes:subtitle>
      <itunes:summary>In Fish, Milk, Tamarind: A Book of Egyptian Arabic Food Expressions (American University in Cairo Press, 2022), Dalal Abo El Seoud presents 100 commonly used Egyptian food expressions. Can you guess what Egyptians mean when they say that something is "a peeled banana" or that someone is "sleeping in honey" or has "turned the sea to tahini"? You may find the answers quite unexpected when you open the pages of this delightful giftbook featuring some one hundred popular food-inflected phrases and sayings used by native speakers of Egyptian Arabic. Idiomatic expressions lend color, dynamism, and humor to everyday speech, and convey complex ideas and beliefs with an economy of words that also tell us something about the culture from which they spring. Each expression in Fish, Milk, Tamarind is given in Arabic script and English transliteration followed by its literal and intended meanings, while humorous color illustrations throughout help readers visualize and remember the expressions. Learners and native speakers of Arabic, as well as Egypt enthusiasts and language lovers will find much in this book to teach, entertain, and enthrall them.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781649031907"><em>Fish, Milk, Tamarind: A Book of Egyptian Arabic Food Expressions</em></a><em> </em>(American University in Cairo Press, 2022), Dalal Abo El Seoud presents<strong> </strong>100 commonly used Egyptian food expressions. Can you guess what Egyptians mean when they say that something is "a peeled banana" or that someone is "sleeping in honey" or has "turned the sea to tahini"? You may find the answers quite unexpected when you open the pages of this delightful giftbook featuring some one hundred popular food-inflected phrases and sayings used by native speakers of Egyptian Arabic. Idiomatic expressions lend color, dynamism, and humor to everyday speech, and convey complex ideas and beliefs with an economy of words that also tell us something about the culture from which they spring. Each expression in <em>Fish, Milk, Tamarind</em> is given in Arabic script and English transliteration followed by its literal and intended meanings, while humorous color illustrations throughout help readers visualize and remember the expressions. Learners and native speakers of Arabic, as well as Egypt enthusiasts and language lovers will find much in this book to teach, entertain, and enthrall them.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1858</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a8ff1812-96ac-11ed-a481-676e18705abe]]></guid>
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    <item>
      <title>Richard Aquila, "Rock &amp; Roll in Kennedy's America: A Cultural History of the Early 1960s" (Johns Hopkins UP, 2022)</title>
      <description>In the early 1960s, the nation was on track to fulfill its destiny in what was being called the American Century. Baby boomers and rock &amp; roll shared the country's optimism and energy. For one brief, shining moment in the early 1960s, both President John F. Kennedy and young people across the country were riding high. The dream of a New Frontier would soon give way, however, to a new reality involving assassinations, the Vietnam War, Cold War crises, the civil rights movement, a new feminist movement, and various culture wars.
From the former host of NPR's Rock &amp; Roll America, Richard Aquila's Rock &amp; Roll in Kennedy's America: A Cultural History of the Early 1960s (Johns Hopkins UP, 2022) offers an in-depth look at early 1960s rock &amp; roll, as well as an unconventional history of Kennedy's America through the lens of popular music. Based on extensive research and exclusive interviews with Dion, Bo Diddley, Brenda Lee, Martha Reeves, Pete Seeger, Bob Gaudio, Dick Clark, and other legendary figures, the book rejects the myth that Buddy Holly's death in 1959 was the day the music died. It proves that rock &amp; roll during the early 1960s was vibrant and in tune with the history and events of this colorful era. These interviews and Aquila's research reveal unique insights and new details about politics, gender, race, ethnicity, youth culture, and everyday life. Rock &amp; Roll in Kennedy's America recalls an important chapter in rock &amp; roll and American history.
Richard Aquila is professor emeritus of history and American studies at Penn State University and the former host of NPR's Rock &amp; Roll America. He is the author of The Sagebrush Trail: Western Movies and Twentieth-Century America and Let's Rock! How 1950s America Created Elvis and the Rock &amp; Roll Craze.
Richard’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard Aquila</itunes:subtitle>
      <itunes:summary>In the early 1960s, the nation was on track to fulfill its destiny in what was being called the American Century. Baby boomers and rock &amp; roll shared the country's optimism and energy. For one brief, shining moment in the early 1960s, both President John F. Kennedy and young people across the country were riding high. The dream of a New Frontier would soon give way, however, to a new reality involving assassinations, the Vietnam War, Cold War crises, the civil rights movement, a new feminist movement, and various culture wars.
From the former host of NPR's Rock &amp; Roll America, Richard Aquila's Rock &amp; Roll in Kennedy's America: A Cultural History of the Early 1960s (Johns Hopkins UP, 2022) offers an in-depth look at early 1960s rock &amp; roll, as well as an unconventional history of Kennedy's America through the lens of popular music. Based on extensive research and exclusive interviews with Dion, Bo Diddley, Brenda Lee, Martha Reeves, Pete Seeger, Bob Gaudio, Dick Clark, and other legendary figures, the book rejects the myth that Buddy Holly's death in 1959 was the day the music died. It proves that rock &amp; roll during the early 1960s was vibrant and in tune with the history and events of this colorful era. These interviews and Aquila's research reveal unique insights and new details about politics, gender, race, ethnicity, youth culture, and everyday life. Rock &amp; Roll in Kennedy's America recalls an important chapter in rock &amp; roll and American history.
Richard Aquila is professor emeritus of history and American studies at Penn State University and the former host of NPR's Rock &amp; Roll America. He is the author of The Sagebrush Trail: Western Movies and Twentieth-Century America and Let's Rock! How 1950s America Created Elvis and the Rock &amp; Roll Craze.
Richard’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the early 1960s, the nation was on track to fulfill its destiny in what was being called the American Century. Baby boomers and rock &amp; roll shared the country's optimism and energy. For one brief, shining moment in the early 1960s, both President John F. Kennedy and young people across the country were riding high. The dream of a New Frontier would soon give way, however, to a new reality involving assassinations, the Vietnam War, Cold War crises, the civil rights movement, a new feminist movement, and various culture wars.</p><p>From the former host of NPR's <em>Rock &amp; Roll America</em>, Richard Aquila's <a href="https://bookshop.org/a/12343/9781421444987"><em>Rock &amp; Roll in Kennedy's America: A Cultural History of the Early 1960s</em></a><em> </em>(Johns Hopkins UP, 2022) offers an in-depth look at early 1960s rock &amp; roll, as well as an unconventional history of Kennedy's America through the lens of popular music. Based on extensive research and exclusive interviews with Dion, Bo Diddley, Brenda Lee, Martha Reeves, Pete Seeger, Bob Gaudio, Dick Clark, and other legendary figures, the book rejects the myth that Buddy Holly's death in 1959 was the day the music died. It proves that rock &amp; roll during the early 1960s was vibrant and in tune with the history and events of this colorful era. These interviews and Aquila's research reveal unique insights and new details about politics, gender, race, ethnicity, youth culture, and everyday life. <em>Rock &amp; Roll in Kennedy's America</em> recalls an important chapter in rock &amp; roll and American history.</p><p>Richard Aquila is professor emeritus of history and American studies at Penn State University and the former host of NPR's <em>Rock &amp; Roll America</em>. He is the author of <em>The Sagebrush Trail: Western Movies and Twentieth-Century America</em> and <em>Let's Rock! How 1950s America Created Elvis and the Rock &amp; Roll Craze</em>.</p><p>Richard’s <a href="https://sites.psu.edu/raquila/">website</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5799</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN8618417215.mp3?updated=1673874972" length="0" type="audio/mpeg"/>
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    <item>
      <title>Christopher Bartel, "Video Games, Violence, and the Ethics of Fantasy: Killing Time" (Bloomsbury, 2020)</title>
      <description>Is it ever morally wrong to enjoy fantasizing about immoral things? Many video games allow players to commit numerous violent and immoral acts. But should players worry about the morality of their virtual actions? A common argument is that games offer merely the virtual representation of violence. No one is actually harmed by committing a violent act in a game. So, it cannot be morally wrong to perform such acts. While this is an intuitive argument, it does not resolve the issue.
Focusing on why individual players are motivated to entertain immoral and violent fantasies, Christopher Bartel's book Video Games, Violence, and the Ethics of Fantasy: Killing Time (Bloomsbury, 2020) advances debates about the ethical criticism of art, not only by shining light on the interesting and under-examined case of virtual fantasies, but also by its novel application of a virtue ethical account. Video games are works of fiction that enable players to entertain a fantasy. So, a full understanding of the ethical criticism of video games must focus attention on why individual players are motivated to entertain immoral and violent fantasies.
Video Games, Violence, and the Ethics of Fantasy engages with debates and critical discussions of games in both the popular media and recent work in philosophy, psychology, media studies, and game studies.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 14 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher Bartel</itunes:subtitle>
      <itunes:summary>Is it ever morally wrong to enjoy fantasizing about immoral things? Many video games allow players to commit numerous violent and immoral acts. But should players worry about the morality of their virtual actions? A common argument is that games offer merely the virtual representation of violence. No one is actually harmed by committing a violent act in a game. So, it cannot be morally wrong to perform such acts. While this is an intuitive argument, it does not resolve the issue.
Focusing on why individual players are motivated to entertain immoral and violent fantasies, Christopher Bartel's book Video Games, Violence, and the Ethics of Fantasy: Killing Time (Bloomsbury, 2020) advances debates about the ethical criticism of art, not only by shining light on the interesting and under-examined case of virtual fantasies, but also by its novel application of a virtue ethical account. Video games are works of fiction that enable players to entertain a fantasy. So, a full understanding of the ethical criticism of video games must focus attention on why individual players are motivated to entertain immoral and violent fantasies.
Video Games, Violence, and the Ethics of Fantasy engages with debates and critical discussions of games in both the popular media and recent work in philosophy, psychology, media studies, and game studies.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is it ever morally wrong to enjoy fantasizing about immoral things? Many video games allow players to commit numerous violent and immoral acts. But should players worry about the morality of their virtual actions? A common argument is that games offer merely the virtual representation of violence. No one is actually harmed by committing a violent act in a game. So, it cannot be morally wrong to perform such acts. While this is an intuitive argument, it does not resolve the issue.</p><p>Focusing on why individual players are motivated to entertain immoral and violent fantasies, Christopher Bartel's book <a href="https://bookshop.org/a/12343/9781350202702"><em>Video Games, Violence, and the Ethics of Fantasy: Killing Time</em></a> (Bloomsbury, 2020) advances debates about the ethical criticism of art, not only by shining light on the interesting and under-examined case of virtual fantasies, but also by its novel application of a virtue ethical account. Video games are works of fiction that enable players to entertain a fantasy. So, a full understanding of the ethical criticism of video games must focus attention on why individual players are motivated to entertain immoral and violent fantasies.</p><p><em>Video Games, Violence, and the Ethics of Fantasy</em> engages with debates and critical discussions of games in both the popular media and recent work in philosophy, psychology, media studies, and game studies.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2833</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fe4e3ca0-938a-11ed-947d-a389fd3f190b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8125489386.mp3?updated=1673646677" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sabrina Mittermeier, "Fan Phenomena: Disney" (Intellect Books, 2023)</title>
      <description>Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company’s reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts.
The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sabrina Mittermeier</itunes:subtitle>
      <itunes:summary>Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company’s reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts.
The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sabrina Mittermeier's edited volume <a href="https://bookshop.org/a/12343/9781789386776"><em>Fan Phenomena: Disney</em></a> (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company’s reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts.</p><p>The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3254</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0cdc8066-91f5-11ed-a414-03d462a1777d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8604590693.mp3?updated=1673472192" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Harald Koberg, "Free Play: Digital Gaming and the Longing for Effectiveness" (Büchner-Verlag, 2021)</title>
      <description>What needs are satisfied in digital gaming? And what does the shift of these need satisfactions into the digital space say about the social realities in which they are embedded?
Harald Koberg lets gamers themselves have their say and follows their traces of the described fascinations and passions in his latest book Free Play: Digital Gaming and the Longing for Effectiveness (Freies Spiel: Digitales Spielen und die Sehnsucht nach Wirkmächtigkeit). The answers found aim at experiences of efficacy: digital games and the communication spaces around them offer particular opportunities to experience one's own decisions and actions as relevant and effective. It is not only about narrated stories and interactions with the game, but also about the rules and limits of communication, spaces of unfolding, self-dramatization, and norm-setting.
Using the examples of adolescent search for free spaces, insecure masculinity, and achievement society overload, Harald Koberg shows why critique of the medium of video games must focus on people and how much can be determined about larger social contexts along the way.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Harald Koberg</itunes:subtitle>
      <itunes:summary>What needs are satisfied in digital gaming? And what does the shift of these need satisfactions into the digital space say about the social realities in which they are embedded?
Harald Koberg lets gamers themselves have their say and follows their traces of the described fascinations and passions in his latest book Free Play: Digital Gaming and the Longing for Effectiveness (Freies Spiel: Digitales Spielen und die Sehnsucht nach Wirkmächtigkeit). The answers found aim at experiences of efficacy: digital games and the communication spaces around them offer particular opportunities to experience one's own decisions and actions as relevant and effective. It is not only about narrated stories and interactions with the game, but also about the rules and limits of communication, spaces of unfolding, self-dramatization, and norm-setting.
Using the examples of adolescent search for free spaces, insecure masculinity, and achievement society overload, Harald Koberg shows why critique of the medium of video games must focus on people and how much can be determined about larger social contexts along the way.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What needs are satisfied in digital gaming? And what does the shift of these need satisfactions into the digital space say about the social realities in which they are embedded?</p><p>Harald Koberg lets gamers themselves have their say and follows their traces of the described fascinations and passions in his latest book <em>Free Play: Digital Gaming and the Longing for Effectiveness</em> (<a href="https://www.buechner-verlag.de/buch/freies-spiel/">Freies Spiel: Digitales Spielen und die Sehnsucht nach Wirkmächtigkeit</a>). The answers found aim at experiences of efficacy: digital games and the communication spaces around them offer particular opportunities to experience one's own decisions and actions as relevant and effective. It is not only about narrated stories and interactions with the game, but also about the rules and limits of communication, spaces of unfolding, self-dramatization, and norm-setting.</p><p>Using the examples of adolescent search for free spaces, insecure masculinity, and achievement society overload, Harald Koberg shows why critique of the medium of video games must focus on people and how much can be determined about larger social contexts along the way.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3483</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b87bc02-91c4-11ed-a8de-3bba5a4ea314]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6529851407.mp3?updated=1673451334" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Child's Play: The Seriousness of Children's Literature</title>
      <link>https://ministryofideas.org/</link>
      <description>We shouldn’t be dismissive of the popularity of children’s literature among adults, as it is often in these works of fiction that powerful themes such as death, love, and virtue are most deeply and imaginatively explored.
Guests

Christina Phillips Mattson, Scholar of Children’s Literature

Casper ter Kuile, Ministry Innovation Fellow at Harvard Divinity

School and co-host of Harry Potter and the Sacred Text

MG Prezioso, Contributing writer for Harvard Political Review


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/4b449b08-8922-11ed-b3d1-ebc9af6d4ea4/image/1524745914artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Christina Phillips Mattson, Casper ter Kuile, and MG Prezioso</itunes:subtitle>
      <itunes:summary>We shouldn’t be dismissive of the popularity of children’s literature among adults, as it is often in these works of fiction that powerful themes such as death, love, and virtue are most deeply and imaginatively explored.
Guests

Christina Phillips Mattson, Scholar of Children’s Literature

Casper ter Kuile, Ministry Innovation Fellow at Harvard Divinity

School and co-host of Harry Potter and the Sacred Text

MG Prezioso, Contributing writer for Harvard Political Review


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We shouldn’t be dismissive of the popularity of children’s literature among adults, as it is often in these works of fiction that powerful themes such as death, love, and virtue are most deeply and imaginatively explored.</p><p><strong>Guests</strong></p><ul>
<li>Christina Phillips Mattson, Scholar of Children’s Literature</li>
<li>Casper ter Kuile, Ministry Innovation Fellow at Harvard Divinity</li>
<li>School and co-host of Harry Potter and the Sacred Text</li>
<li>MG Prezioso, Contributing writer for Harvard Political Review</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1753</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc436d38-6e21-4322-b243-993eeb1b8c0a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4848365678.mp3?updated=1672613008" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Sámi in "Frozen" (Part 2)</title>
      <description>The traditional folklore and animistic beliefs of the Sámi, the Indigenous nomadic peoples of northern Sweden, Norway, Finland, and Russia, are under-studied and their cultural significance rarely acknowledged, even in the Scandinavian countries where Sámi traditions have intermingled with mainstream ones. The spread of Christianity and the influence of Christian missionaries in the Scandinavian north have especially distorted and shaped the reception and transmission of Sámi religious beliefs and practices in the modern era. The traditional Sámi religion recently gained widespread attention and reconsideration from a somewhat unexpected source, however, thanks to the incorporation of elements of Sámi folklore in Walt Disney Animation Studios' Frozen movie series. In this episode, artist and folklorist Niina Niskanen joins me to discuss her research into Sámi religious systems, folklore and oral culture, the cultural impacts of Sámi beliefs on mainstream Scandinavian society, how Sámi folklore traditions are represented in mass media, and how pop culture artifacts like Disney's Frozen have prompted a resurgence of interest in Sámi folklore and introduced Sámi culture to a new audience.  
This episode is part two of a two-part series looking at the Sámi in Disney's Frozen movies; part one, focusing on the making of Frozen II, can be listened to here.
Music in this episode: Desert City by Kevin MacLeod. License.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 12 Jan 2023 21:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Niina Niskanen</itunes:subtitle>
      <itunes:summary>The traditional folklore and animistic beliefs of the Sámi, the Indigenous nomadic peoples of northern Sweden, Norway, Finland, and Russia, are under-studied and their cultural significance rarely acknowledged, even in the Scandinavian countries where Sámi traditions have intermingled with mainstream ones. The spread of Christianity and the influence of Christian missionaries in the Scandinavian north have especially distorted and shaped the reception and transmission of Sámi religious beliefs and practices in the modern era. The traditional Sámi religion recently gained widespread attention and reconsideration from a somewhat unexpected source, however, thanks to the incorporation of elements of Sámi folklore in Walt Disney Animation Studios' Frozen movie series. In this episode, artist and folklorist Niina Niskanen joins me to discuss her research into Sámi religious systems, folklore and oral culture, the cultural impacts of Sámi beliefs on mainstream Scandinavian society, how Sámi folklore traditions are represented in mass media, and how pop culture artifacts like Disney's Frozen have prompted a resurgence of interest in Sámi folklore and introduced Sámi culture to a new audience.  
This episode is part two of a two-part series looking at the Sámi in Disney's Frozen movies; part one, focusing on the making of Frozen II, can be listened to here.
Music in this episode: Desert City by Kevin MacLeod. License.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The traditional folklore and animistic beliefs of the Sámi, the Indigenous nomadic peoples of northern Sweden, Norway, Finland, and Russia, are under-studied and their cultural significance rarely acknowledged, even in the Scandinavian countries where Sámi traditions have intermingled with mainstream ones. The spread of Christianity and the influence of Christian missionaries in the Scandinavian north have especially distorted and shaped the reception and transmission of Sámi religious beliefs and practices in the modern era. The traditional Sámi religion recently gained widespread attention and reconsideration from a somewhat unexpected source, however, thanks to the incorporation of elements of Sámi folklore in Walt Disney Animation Studios' <em>Frozen </em>movie series. In this episode, artist and folklorist Niina Niskanen joins me to discuss her research into Sámi religious systems, folklore and oral culture, the cultural impacts of Sámi beliefs on mainstream Scandinavian society, how Sámi folklore traditions are represented in mass media, and how pop culture artifacts like Disney's <em>Frozen </em>have prompted a resurgence of interest in Sámi folklore and introduced Sámi culture to a new audience. <em> </em></p><p>This episode is part two of a two-part series looking at the Sámi in Disney's <em>Frozen </em>movies; part one, focusing on the making of <em>Frozen II</em>, can be listened to here.</p><p>Music in this episode: <a href="https://incompetech.filmmusic.io/song/3639-desert-city">Desert City</a> by Kevin MacLeod. <a href="https://filmmusic.io/standard-license">License</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2011</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-10707234]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7175463438.mp3?updated=1672081354" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tricia Starks, "Cigarettes and Soviets: Smoking in the USSR" (Cornell UP, 2022)</title>
      <description>Seeing cigarette smoking as a cultural phenomenon of Western modernity is perhaps easier when the test case is outside the US where the narrative is dominated by Big Bad Tobacco and litigation. Tricia Starks's two volume study does just that. Her second volume, Cigarettes and Soviets: Smoking in the USSR (Cornell University Press, 2022) traces the rise and fall of cigarettes during the Soviet period. (Her first volume covered the pre-Revolutionary era.) In a beautifully written and jargon-free account illustrated with dozens of color plates, Starks tracks how the early revolutionaries tried unsuccessfully to combat mass smoking, how subsequent Soviet leaders made peace with it, and how in the post-war period, Soviet health authorities slowly made inroads against smoking, albeit with different arguments than those used in the anti-tobacco campaigns in the West.
Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm &amp; Carry On Investing podcast are here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 11 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>220</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tricia Starks</itunes:subtitle>
      <itunes:summary>Seeing cigarette smoking as a cultural phenomenon of Western modernity is perhaps easier when the test case is outside the US where the narrative is dominated by Big Bad Tobacco and litigation. Tricia Starks's two volume study does just that. Her second volume, Cigarettes and Soviets: Smoking in the USSR (Cornell University Press, 2022) traces the rise and fall of cigarettes during the Soviet period. (Her first volume covered the pre-Revolutionary era.) In a beautifully written and jargon-free account illustrated with dozens of color plates, Starks tracks how the early revolutionaries tried unsuccessfully to combat mass smoking, how subsequent Soviet leaders made peace with it, and how in the post-war period, Soviet health authorities slowly made inroads against smoking, albeit with different arguments than those used in the anti-tobacco campaigns in the West.
Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm &amp; Carry On Investing podcast are here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seeing cigarette smoking as a cultural phenomenon of Western modernity is perhaps easier when the test case is outside the US where the narrative is dominated by Big Bad Tobacco and litigation. Tricia Starks's two volume study does just that. Her second volume,<em> </em><a href="https://bookshop.org/a/12343/9781501765483"><em>Cigarettes and Soviets: Smoking in the USSR</em></a> (Cornell University Press, 2022) traces the rise and fall of cigarettes during the Soviet period. (Her first volume covered the pre-Revolutionary era.) In a beautifully written and jargon-free account illustrated with dozens of color plates, Starks tracks how the early revolutionaries tried unsuccessfully to combat mass smoking, how subsequent Soviet leaders made peace with it, and how in the post-war period, Soviet health authorities slowly made inroads against smoking, albeit with different arguments than those used in the anti-tobacco campaigns in the West.</p><p><a href="https://www.linkedin.com/in/daniel-peris-7290891/"><em>Daniel Peris</em></a><em> is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm &amp; Carry On Investing podcast are </em><a href="https://strategicdividendinvestor.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2505</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fe217916-90ee-11ed-bad7-7b96a7bf48c6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7596157226.mp3?updated=1673359665" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Sámi in "Frozen" (Part 1)</title>
      <description>Despite the box-office and critical success of Walt Disney Animation Studios' 2013 film Frozen, it also drew criticism and backlash for how it incorporated elements of the culture and heritage of the Sámi, the Indigenous people of northern Sweden, Finland, Norway, and Russia. Sámi representatives had not been consulted in the making of Frozen, and the film's use of elements of Sámi culture such as music and clothing came as a surprise to the Sámi community. In response, when the film's sequel was announced, Sámi organizers forged a partnership with Walt Disney Animation Studios in which a group of Sámi experts offered creative consultation and input on the representation of the Sámi in Frozen 2. In this episode, I speak with Aili Keskitalo, who helped organize the collaboration with Walt Disney Animation Studios during her tenure as President of the Sámi Parliament of Norway, about working with WDAS, Sámi politics, the impact of the Frozen films on the Sámi community, and the importance of telling Indigenous stories with Indigenous voices.
The agreement signed between Sámi representatives and Walt Disney Animation Studios is available here.
This episode is part one of a two-part series on the Sámi in Disney's Frozen movies; part two, focusing on representations of Sámi culture and folklore in Frozen, can be found here.
Music in this episode: Desert City by Kevin MacLeod. License.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 11 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aili Keskitalo</itunes:subtitle>
      <itunes:summary>Despite the box-office and critical success of Walt Disney Animation Studios' 2013 film Frozen, it also drew criticism and backlash for how it incorporated elements of the culture and heritage of the Sámi, the Indigenous people of northern Sweden, Finland, Norway, and Russia. Sámi representatives had not been consulted in the making of Frozen, and the film's use of elements of Sámi culture such as music and clothing came as a surprise to the Sámi community. In response, when the film's sequel was announced, Sámi organizers forged a partnership with Walt Disney Animation Studios in which a group of Sámi experts offered creative consultation and input on the representation of the Sámi in Frozen 2. In this episode, I speak with Aili Keskitalo, who helped organize the collaboration with Walt Disney Animation Studios during her tenure as President of the Sámi Parliament of Norway, about working with WDAS, Sámi politics, the impact of the Frozen films on the Sámi community, and the importance of telling Indigenous stories with Indigenous voices.
The agreement signed between Sámi representatives and Walt Disney Animation Studios is available here.
This episode is part one of a two-part series on the Sámi in Disney's Frozen movies; part two, focusing on representations of Sámi culture and folklore in Frozen, can be found here.
Music in this episode: Desert City by Kevin MacLeod. License.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite the box-office and critical success of Walt Disney Animation Studios' 2013 film <em>Frozen, </em>it also drew criticism and backlash for how it incorporated elements of the culture and heritage of the Sámi, the Indigenous people of northern Sweden, Finland, Norway, and Russia. Sámi representatives had not been consulted in the making of <em>Frozen</em>, and the film's use of elements of Sámi culture such as music and clothing came as a surprise to the Sámi community. In response, when the film's sequel was announced, Sámi organizers forged a partnership with Walt Disney Animation Studios in which a group of Sámi experts offered creative consultation and input on the representation of the Sámi in <em>Frozen 2</em>. In this episode, I speak with Aili Keskitalo, who helped organize the collaboration with Walt Disney Animation Studios during her tenure as President of the Sámi Parliament of Norway, about working with WDAS, Sámi politics, the impact of the <em>Frozen </em>films on the Sámi community, and the importance of telling Indigenous stories with Indigenous voices.</p><p>The agreement signed between Sámi representatives and Walt Disney Animation Studios is available <a href="https://nowtoronto.com/movies/news-features/disney-frozen-2-indigenous-culture-sami">here</a>.</p><p>This episode is part one of a two-part series on the Sámi in Disney's <em>Frozen </em>movies; part two, focusing on representations of Sámi culture and folklore in <em>Frozen</em>, can be found <a href="https://digitalnomads.buzzsprout.com/1639870/10707234-the-sami-in-frozen-pt-ii-interview-with-niina-niskanen">here</a>.</p><p>Music in this episode: <a href="https://incompetech.filmmusic.io/song/3639-desert-city">Desert City</a> by Kevin MacLeod. <a href="https://filmmusic.io/standard-license">License</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2342</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-10409849]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6391758355.mp3?updated=1672081393" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Fremen in "Dune"</title>
      <description>Despite being set in the distant future on a remote desert planet, the story of resource extraction, power, politics, ecology, and religion told in Frank Herbert's sci-fi series Dune bears distinct parallels to real-world history and events. One example of Herbert's real-life inspirations comes in the characters of the Fremen, who Herbert based on both the Bedouin in the Middle East and Native American peoples. How are nomadic Indigenous peoples incorporated into and represented in Herbert's fictional universe, and what can we learn about real people and their history from these fictionalized representations? In this episode, I'm joined by Dune expert Dr. Kara Kennedy to discuss the Fremen of Dune , the inspirations and intentions behind the novels, Orientalism and literary representations of Islam and the Middle East, and what science fiction can teach us about both history and the future.
Dr. Kennedy's book Women’s Agency in the Dune Universe: Tracing Women’s Liberation through Science Fiction is available here. Dr. Kennedy writes articles about Dune aimed at a general audience on her blog here. Follow Dr. Kennedy on Twitter @drkarakennedy and @dunescholar
Music in this episode: Desert City by Kevin MacLeod. License.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kara Kennedy</itunes:subtitle>
      <itunes:summary>Despite being set in the distant future on a remote desert planet, the story of resource extraction, power, politics, ecology, and religion told in Frank Herbert's sci-fi series Dune bears distinct parallels to real-world history and events. One example of Herbert's real-life inspirations comes in the characters of the Fremen, who Herbert based on both the Bedouin in the Middle East and Native American peoples. How are nomadic Indigenous peoples incorporated into and represented in Herbert's fictional universe, and what can we learn about real people and their history from these fictionalized representations? In this episode, I'm joined by Dune expert Dr. Kara Kennedy to discuss the Fremen of Dune , the inspirations and intentions behind the novels, Orientalism and literary representations of Islam and the Middle East, and what science fiction can teach us about both history and the future.
Dr. Kennedy's book Women’s Agency in the Dune Universe: Tracing Women’s Liberation through Science Fiction is available here. Dr. Kennedy writes articles about Dune aimed at a general audience on her blog here. Follow Dr. Kennedy on Twitter @drkarakennedy and @dunescholar
Music in this episode: Desert City by Kevin MacLeod. License.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite being set in the distant future on a remote desert planet, the story of resource extraction, power, politics, ecology, and religion told in Frank Herbert's sci-fi series <em>Dune </em>bears distinct parallels to real-world history and events. One example of Herbert's real-life inspirations comes in the characters of the Fremen, who Herbert based on both the Bedouin in the Middle East and Native American peoples. How are nomadic Indigenous peoples incorporated into and represented in Herbert's fictional universe, and what can we learn about real people and their history from these fictionalized representations? In this episode, I'm joined by <em>Dune</em> expert Dr. Kara Kennedy to discuss the Fremen of <em>Dune</em> , the inspirations and intentions behind the novels, Orientalism and literary representations of Islam and the Middle East, and what science fiction can teach us about both history and the future.</p><p>Dr. Kennedy's book <em>Women’s Agency in the </em>Dune <em>Universe: Tracing Women’s Liberation through Science Fiction </em>is available <a href="https://link.springer.com/book/10.1007/978-3-030-89205-0">here</a>. Dr. Kennedy writes articles about Dune aimed at a general audience on her blog <a href="https://dunescholar.com/">here</a>. Follow Dr. Kennedy on Twitter @<a href="https://twitter.com/drkarakennedy">drkarakennedy</a> and @<a href="https://twitter.com/dunescholar">dunescholar</a></p><p>Music in this episode: <a href="https://incompetech.filmmusic.io/song/3639-desert-city">Desert City</a> by Kevin MacLeod. <a href="https://filmmusic.io/standard-license">License</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3233</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-10323794]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6712508136.mp3?updated=1672081432" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Romani Representation in Pop Culture</title>
      <description>Roma figures have been an essential part of European folklore, myths, and literary traditions for centuries, with writers from Cervantes to Shakespeare to Victor Hugo drawing on the stereotype of the free-spirited, bohemian "Gypsy." Post-World War II, Roma characters began to appear in a new literary medium: American comic books. Roma heroes and villains alike fill the pages of DC and Marvel comics, with iconic characters like Dr. Doom, Magneto, Scarlet Witch, and Nightcrawler depicted as Roma. Almost exclusively written and drawn by non-Romani, however, these characters are often flawed or stereotypical, or, in recent years, they've been stripped of their Roma identity. Despite this, Roma comic book characters have become an important source of inspiration and empowerment for Roma youth around the globe. In this episode, Roma human rights activist and pop culture expert Vicente Rodriguez Fernandez joins me to talk about depictions of Romani characters in comic books, film and TV, the use of Roma identity as a literary trope, and comics as a tool of empowerment for minority groups.
Music in this episode: Desert City by Kevin MacLeod. License.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 09 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9f47bbae-853a-11ed-8067-7b24cf97c868/image/60854458c4d1acdf4e1c2f79c4137142d85d78e379bdafbd69bd34c85f5819ad.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Vicente Rodriguez Fernandez</itunes:subtitle>
      <itunes:summary>Roma figures have been an essential part of European folklore, myths, and literary traditions for centuries, with writers from Cervantes to Shakespeare to Victor Hugo drawing on the stereotype of the free-spirited, bohemian "Gypsy." Post-World War II, Roma characters began to appear in a new literary medium: American comic books. Roma heroes and villains alike fill the pages of DC and Marvel comics, with iconic characters like Dr. Doom, Magneto, Scarlet Witch, and Nightcrawler depicted as Roma. Almost exclusively written and drawn by non-Romani, however, these characters are often flawed or stereotypical, or, in recent years, they've been stripped of their Roma identity. Despite this, Roma comic book characters have become an important source of inspiration and empowerment for Roma youth around the globe. In this episode, Roma human rights activist and pop culture expert Vicente Rodriguez Fernandez joins me to talk about depictions of Romani characters in comic books, film and TV, the use of Roma identity as a literary trope, and comics as a tool of empowerment for minority groups.
Music in this episode: Desert City by Kevin MacLeod. License.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Roma figures have been an essential part of European folklore, myths, and literary traditions for centuries, with writers from Cervantes to Shakespeare to Victor Hugo drawing on the stereotype of the free-spirited, bohemian "Gypsy." Post-World War II, Roma characters began to appear in a new literary medium: American comic books. Roma heroes and villains alike fill the pages of DC and Marvel comics, with iconic characters like Dr. Doom, Magneto, Scarlet Witch, and Nightcrawler depicted as Roma. Almost exclusively written and drawn by non-Romani, however, these characters are often flawed or stereotypical, or, in recent years, they've been stripped of their Roma identity. Despite this, Roma comic book characters have become an important source of inspiration and empowerment for Roma youth around the globe. In this episode, Roma human rights activist and pop culture expert Vicente Rodriguez Fernandez joins me to talk about depictions of Romani characters in comic books, film and TV, the use of Roma identity as a literary trope, and comics as a tool of empowerment for minority groups.</p><p>Music in this episode: <a href="https://incompetech.filmmusic.io/song/3639-desert-city">Desert City</a> by Kevin MacLeod. <a href="https://filmmusic.io/standard-license">License</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3202</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-10076620]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5977604316.mp3?updated=1672081465" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Albert Glinsky, "Switched On: Bob Moog and the Synthesizer Revolution" (Oxford UP, 2022)</title>
      <description>The Moog synthesizer ‘bent the course of music forever’ Rolling Stone declared.
Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation---suddenly everyone wanted a Moog. The Beatles, The Doors, The Byrds, and Stevie Wonder discovered his synthesizer, and it came to be featured in seminal film scores including Apocalypse Now and A Clockwork Orange. The Moog's game-changing sounds saturated 60's counterculture and burst into the disco party in the 70's to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and become a star in the process.
But he was also going broke. Imitators copied his technology, the musicians' union accused him of replacing live players, and Japanese competitors started overtaking his work. He struggled to hang on to his inventions, his business, and his very name. Bob's story upends our notions of success and wealth, showing that the two don't always go together.
In Switched On: Bob Moog and the Synthesizer Revolution (Oxford UP, 2022), author Albert Glinsky draws on exclusive access to Bob Moog's personal archives and his probing interviews with Bob's family and a multitude of associates, for this first complete biography of the man and his work. Switched On takes the reader on a roller coaster ride at turns triumphant, heart-breaking, and frequently laugh out loud absurd---a nuanced trip through the public and private worlds of this legendary inventor who altered the course of music.”
Nathan Smith is a PhD Student in Music Theory at Yale University. He can be reached at nathan.smith@yale.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 07 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Albert Glinsky</itunes:subtitle>
      <itunes:summary>The Moog synthesizer ‘bent the course of music forever’ Rolling Stone declared.
Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation---suddenly everyone wanted a Moog. The Beatles, The Doors, The Byrds, and Stevie Wonder discovered his synthesizer, and it came to be featured in seminal film scores including Apocalypse Now and A Clockwork Orange. The Moog's game-changing sounds saturated 60's counterculture and burst into the disco party in the 70's to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and become a star in the process.
But he was also going broke. Imitators copied his technology, the musicians' union accused him of replacing live players, and Japanese competitors started overtaking his work. He struggled to hang on to his inventions, his business, and his very name. Bob's story upends our notions of success and wealth, showing that the two don't always go together.
In Switched On: Bob Moog and the Synthesizer Revolution (Oxford UP, 2022), author Albert Glinsky draws on exclusive access to Bob Moog's personal archives and his probing interviews with Bob's family and a multitude of associates, for this first complete biography of the man and his work. Switched On takes the reader on a roller coaster ride at turns triumphant, heart-breaking, and frequently laugh out loud absurd---a nuanced trip through the public and private worlds of this legendary inventor who altered the course of music.”
Nathan Smith is a PhD Student in Music Theory at Yale University. He can be reached at nathan.smith@yale.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Moog synthesizer ‘bent the course of music forever’ Rolling Stone declared.</p><p>Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation---suddenly everyone wanted a Moog. The Beatles, The Doors, The Byrds, and Stevie Wonder discovered his synthesizer, and it came to be featured in seminal film scores including Apocalypse Now and A Clockwork Orange. The Moog's game-changing sounds saturated 60's counterculture and burst into the disco party in the 70's to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and become a star in the process.</p><p>But he was also going broke. Imitators copied his technology, the musicians' union accused him of replacing live players, and Japanese competitors started overtaking his work. He struggled to hang on to his inventions, his business, and his very name. Bob's story upends our notions of success and wealth, showing that the two don't always go together.</p><p>In <a href="https://bookshop.org/a/12343/9780197642078"><em>Switched On: Bob Moog and the Synthesizer Revolution</em></a><em> </em>(Oxford UP, 2022), author Albert Glinsky draws on exclusive access to Bob Moog's personal archives and his probing interviews with Bob's family and a multitude of associates, for this first complete biography of the man and his work. Switched On takes the reader on a roller coaster ride at turns triumphant, heart-breaking, and frequently laugh out loud absurd---a nuanced trip through the public and private worlds of this legendary inventor who altered the course of music.”</p><p><em>Nathan Smith is a PhD Student in Music Theory at Yale University. He can be reached at nathan.smith@yale.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4225</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c8bdf926-8e09-11ed-9472-ff0ac3007f41]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5971524511.mp3?updated=1673040950" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel White, "Administering Affect: Pop-Culture Japan and the Politics of Anxiety" (Stanford UP, 2022)</title>
      <description>In Administering Affect: Pop-Culture Japan and the Politics of Anxiety (Stanford UP, 2022), Daniel White draws on extensive fieldwork in government ministries and government-adjacent organizations to explore Japan’s current “politics of anxiety,” the ways in which state administrators have transformed anxieties about Japan’s global geopolitical status into future-oriented programs of national branding and revitalization based on a narrowly defined vision of pop-culture as synecdoche and savior. Examining the so-called “Cool Japan” soft-power strategy and policymaking decisions to nominate anime favorite Doraemon as a cultural ambassador and icons of young women’s culture as “Ambassadors of Cute,” White shows that the anxieties driving Japan’s administrators are disseminated into the culture broadly. He also pays close attention to the gender politics of these campaigns and the instrumentalization of women as agents of national branding and soft-power politics.
﻿Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 07 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel White</itunes:subtitle>
      <itunes:summary>In Administering Affect: Pop-Culture Japan and the Politics of Anxiety (Stanford UP, 2022), Daniel White draws on extensive fieldwork in government ministries and government-adjacent organizations to explore Japan’s current “politics of anxiety,” the ways in which state administrators have transformed anxieties about Japan’s global geopolitical status into future-oriented programs of national branding and revitalization based on a narrowly defined vision of pop-culture as synecdoche and savior. Examining the so-called “Cool Japan” soft-power strategy and policymaking decisions to nominate anime favorite Doraemon as a cultural ambassador and icons of young women’s culture as “Ambassadors of Cute,” White shows that the anxieties driving Japan’s administrators are disseminated into the culture broadly. He also pays close attention to the gender politics of these campaigns and the instrumentalization of women as agents of national branding and soft-power politics.
﻿Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781503630680"><em>Administering Affect: Pop-Culture Japan and the Politics of Anxiety</em></a><em> </em>(Stanford UP, 2022), Daniel White draws on extensive fieldwork in government ministries and government-adjacent organizations to explore Japan’s current “politics of anxiety,” the ways in which state administrators have transformed anxieties about Japan’s global geopolitical status into future-oriented programs of national branding and revitalization based on a narrowly defined vision of pop-culture as synecdoche and savior. Examining the so-called “Cool Japan” soft-power strategy and policymaking decisions to nominate anime favorite Doraemon as a cultural ambassador and icons of young women’s culture as “Ambassadors of Cute,” White shows that the anxieties driving Japan’s administrators are disseminated into the culture broadly. He also pays close attention to the gender politics of these campaigns and the instrumentalization of women as agents of national branding and soft-power politics.</p><p><em>﻿</em><a href="https://sites.google.com/site/nathanhopson"><em>Nathan Hopson</em></a><em> is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4957</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8cf6021a-8cf3-11ed-b60b-e77a6349f0d9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6307478391.mp3?updated=1672921862" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Roger A Sneed, "The Dreamer and the Dream: Afrofuturism and Black Religious Thought" (Ohio State UP, 2021)</title>
      <description>In The Dreamer and the Dream: Afrofuturism and Black Religious Thought (Ohio State UP, 2021), Professor Roger Sneed illuminates the interplay of Black religious thought with science fiction narratives to present a bold case for Afrofuturism as an important channel for Black spirituality. In the process, he challenges the assumed primacy of the Black church as the arbiter of Black religious life. Incorporating analyses of Octavia Butler’s Parable books, Janelle Monáe’s Afrofuturistic saga, Star Trek’s Captain Benjamin Sisko, Marvel’s Black Panther, and the philosophies of Sun Ra and the Nation of Islam, Sneed demonstrates how Afrofuturism has contributed to Black visions of the future. He also investigates how Afrofuturism has influenced religious scholarship that looks to Black cultural production as a means of reimagining Blackness in the light of the sacred. The result is an expansive new look at the power of science fiction and Afrofuturism to center the diversity of Black spirituality.
Roger A. Sneed is Professor and Chair of Religion at Furman University in Greenville, South Carolina. His work involves the intersections of African American religious thought and culture, Christian thought and gay male sexualities, and religious ethics. He is a contributor for Huffington Post and has previously published the book Representations of Homosexuality: Black Liberation Theology and Cultural Criticism (Palgrave Macmillan, 2010). 
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 06 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>348</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Roger A Sneed</itunes:subtitle>
      <itunes:summary>In The Dreamer and the Dream: Afrofuturism and Black Religious Thought (Ohio State UP, 2021), Professor Roger Sneed illuminates the interplay of Black religious thought with science fiction narratives to present a bold case for Afrofuturism as an important channel for Black spirituality. In the process, he challenges the assumed primacy of the Black church as the arbiter of Black religious life. Incorporating analyses of Octavia Butler’s Parable books, Janelle Monáe’s Afrofuturistic saga, Star Trek’s Captain Benjamin Sisko, Marvel’s Black Panther, and the philosophies of Sun Ra and the Nation of Islam, Sneed demonstrates how Afrofuturism has contributed to Black visions of the future. He also investigates how Afrofuturism has influenced religious scholarship that looks to Black cultural production as a means of reimagining Blackness in the light of the sacred. The result is an expansive new look at the power of science fiction and Afrofuturism to center the diversity of Black spirituality.
Roger A. Sneed is Professor and Chair of Religion at Furman University in Greenville, South Carolina. His work involves the intersections of African American religious thought and culture, Christian thought and gay male sexualities, and religious ethics. He is a contributor for Huffington Post and has previously published the book Representations of Homosexuality: Black Liberation Theology and Cultural Criticism (Palgrave Macmillan, 2010). 
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814258064"><em>The Dreamer and the Dream: Afrofuturism and Black Religious Thought</em></a><em> </em>(Ohio State UP, 2021), Professor Roger Sneed illuminates the interplay of Black religious thought with science fiction narratives to present a bold case for Afrofuturism as an important channel for Black spirituality. In the process, he challenges the assumed primacy of the Black church as the arbiter of Black religious life. Incorporating analyses of Octavia Butler’s <em>Parable</em> books, Janelle Monáe’s Afrofuturistic saga, <em>Star Trek</em>’s Captain Benjamin Sisko, Marvel’s <em>Black Panther,</em> and the philosophies of Sun Ra and the Nation of Islam, Sneed demonstrates how Afrofuturism has contributed to Black visions of the future. He also investigates how Afrofuturism has influenced religious scholarship that looks to Black cultural production as a means of reimagining Blackness in the light of the sacred. The result is an expansive new look at the power of science fiction and Afrofuturism to center the diversity of Black spirituality.</p><p><a href="https://www.furman.edu/people/roger-sneed/">Roger A. Sneed</a> is Professor and Chair of Religion at Furman University in Greenville, South Carolina. His work involves the intersections of African American religious thought and culture, Christian thought and gay male sexualities, and religious ethics. He is a contributor for <em>Huffington Post</em> and has previously published the book <em>Representations of Homosexuality: Black Liberation Theology and Cultural Criticism</em> (Palgrave Macmillan, 2010). </p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is a PhD student at Université Laval in Quebec City. </em><a href="mailto:carrie-lynn.evans@lit.ulaval.ca"><em>carrie-lynn.evans@lit.ulaval.ca</em></a><em> @carrielynnland</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5162</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[80a67c72-8c73-11ed-b4b0-d3097237d713]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6030015060.mp3?updated=1672931524" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title> Ellen Cassedy, "Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie" (Chicago Review Press, 2022)</title>
      <description>Today I talked to Ellen Cassedy about her new book  Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie (Chicago Review Press, 2022).
Many people may identify 9 to 5 with the comic film starring Jane Fonda, Dolly Parton and Lily Tomlin or perhaps only know Parton’s hit song that served as its theme. But 9 to 5 wasn't just a comic film—it was a movement built by Ellen Cassedy and her friends. Ten office workers in Boston started out sitting in a circle and sharing the problems they encountered on the job. In a few short years, they had built a nationwide movement that united people of diverse races, classes, and ages. They took on the corporate titans. They leafleted and filed lawsuits and started a woman-led union. They won millions of dollars in back pay and helped make sexual harassment and pregnancy discrimination illegal. The women office workers who rose up to win rights and respect on the job transformed workplaces throughout America. And along the way came Dolly Parton's toe-tapping song and a hit movie inspired by their work. Working 9 to 5 is a lively, informative, firsthand account packed with practical organizing lore that will embolden anyone striving for fair treatment.
Ellen Cassedy was a founder of the 9 to 5 organization in 1973. She is the coauthor with Karen Nussbaum of 9 to 5: The Working Woman's Guide to Office Survival and with Ellen Bravo of The 9 to 5 Guide to Combating Sexual Harassment. Ellen Cassedy is a former columnist for the Philadelphia Daily News, was a speechwriter in the Clinton administration, and has contributed to Huffington Post, Redbook, Woman's Day, Hadassah, Philadelphia Inquirer, and other publications.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 06 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>186</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with  Ellen Cassedy</itunes:subtitle>
      <itunes:summary>Today I talked to Ellen Cassedy about her new book  Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie (Chicago Review Press, 2022).
Many people may identify 9 to 5 with the comic film starring Jane Fonda, Dolly Parton and Lily Tomlin or perhaps only know Parton’s hit song that served as its theme. But 9 to 5 wasn't just a comic film—it was a movement built by Ellen Cassedy and her friends. Ten office workers in Boston started out sitting in a circle and sharing the problems they encountered on the job. In a few short years, they had built a nationwide movement that united people of diverse races, classes, and ages. They took on the corporate titans. They leafleted and filed lawsuits and started a woman-led union. They won millions of dollars in back pay and helped make sexual harassment and pregnancy discrimination illegal. The women office workers who rose up to win rights and respect on the job transformed workplaces throughout America. And along the way came Dolly Parton's toe-tapping song and a hit movie inspired by their work. Working 9 to 5 is a lively, informative, firsthand account packed with practical organizing lore that will embolden anyone striving for fair treatment.
Ellen Cassedy was a founder of the 9 to 5 organization in 1973. She is the coauthor with Karen Nussbaum of 9 to 5: The Working Woman's Guide to Office Survival and with Ellen Bravo of The 9 to 5 Guide to Combating Sexual Harassment. Ellen Cassedy is a former columnist for the Philadelphia Daily News, was a speechwriter in the Clinton administration, and has contributed to Huffington Post, Redbook, Woman's Day, Hadassah, Philadelphia Inquirer, and other publications.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Ellen Cassedy about her new book<a href="https://bookshop.org/a/12343/9781641608220"> <em> Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie</em></a> (Chicago Review Press, 2022).</p><p>Many people may identify 9 to 5 with the comic film starring Jane Fonda, Dolly Parton and Lily Tomlin or perhaps only know Parton’s hit song that served as its theme. But 9 to 5 wasn't just a comic film—it was a movement built by Ellen Cassedy and her friends. Ten office workers in Boston started out sitting in a circle and sharing the problems they encountered on the job. In a few short years, they had built a nationwide movement that united people of diverse races, classes, and ages. They took on the corporate titans. They leafleted and filed lawsuits and started a woman-led union. They won millions of dollars in back pay and helped make sexual harassment and pregnancy discrimination illegal. The women office workers who rose up to win rights and respect on the job transformed workplaces throughout America. And along the way came Dolly Parton's toe-tapping song and a hit movie inspired by their work. Working 9 to 5 is a lively, informative, firsthand account packed with practical organizing lore that will embolden anyone striving for fair treatment.</p><p>Ellen Cassedy was a founder of the 9 to 5 organization in 1973. She is the coauthor with Karen Nussbaum of <em>9 to 5: The Working Woman's Guide to Office Survival </em>and with Ellen Bravo of <em>The 9 to 5 Guide to Combating Sexual Harassment</em>. Ellen Cassedy is a former columnist for the <em>Philadelphia Daily News</em>, was a speechwriter in the Clinton administration, and has contributed to <em>Huffington Post</em>, <em>Redbook</em>, <em>Woman's Day</em>, <em>Hadassah</em>, <em>Philadelphia Inquirer</em>, and other publications.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2938</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e5810f26-8c5b-11ed-8b5e-a7a8e62a1519]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1318136583.mp3?updated=1672856334" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samantha Muka, "Oceans Under Glass: Tank Craft and the Sciences of the Sea" (U Chicago Press, 2022)</title>
      <description>In Oceans Under Glass: Tank Craft and the Sciences of the Sea (University of Chicago Press, 2022), Samantha Muka, Assistant Professor of Science, Technology, and Society at Stevens Institute of Technology, dives into the unexpected world of tank crafting. Throughout the book, Muka tells the stories behind the development of various kinds of aquariums, such as photography tanks and reef tanks. She explains how the knowledge and ingenuity of a variety of actors have been contributing to furthering our knowledge of oceanic environments. The myriad of technical and technological challenges that arise when attempting to maintain aquatic species in artificial environments has been the source of at least as many experiments in tank tinkering.
Focusing on aquariums as complex, situated, and constantly evolving technological devices, Muka shows how the production of knowledge about the ocean depends on interactions between communities holding different knowledge, expertise, and interests: public aquarists, academic researchers, and hobbyists. Analyzing the “craft circulation” between these three groups, the author provides us with a dynamic picture that challenges a series of assumptions on how scientific knowledge is and can be produced.
More than a history and sociology of tank craft, Oceans under Glass offers a meditation on the necessity of aquariums and their artificiality not only to learn about the ocean, but also to preserve some of their biodiversity. “Imagined worlds”, as Muka puts it, aquariums should also be understood as critical places where our future relationship to the oceans, for better and for worst, is being shaped.
Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is teaching the Humanities and French language to undergraduates.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 04 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samantha Muka</itunes:subtitle>
      <itunes:summary>In Oceans Under Glass: Tank Craft and the Sciences of the Sea (University of Chicago Press, 2022), Samantha Muka, Assistant Professor of Science, Technology, and Society at Stevens Institute of Technology, dives into the unexpected world of tank crafting. Throughout the book, Muka tells the stories behind the development of various kinds of aquariums, such as photography tanks and reef tanks. She explains how the knowledge and ingenuity of a variety of actors have been contributing to furthering our knowledge of oceanic environments. The myriad of technical and technological challenges that arise when attempting to maintain aquatic species in artificial environments has been the source of at least as many experiments in tank tinkering.
Focusing on aquariums as complex, situated, and constantly evolving technological devices, Muka shows how the production of knowledge about the ocean depends on interactions between communities holding different knowledge, expertise, and interests: public aquarists, academic researchers, and hobbyists. Analyzing the “craft circulation” between these three groups, the author provides us with a dynamic picture that challenges a series of assumptions on how scientific knowledge is and can be produced.
More than a history and sociology of tank craft, Oceans under Glass offers a meditation on the necessity of aquariums and their artificiality not only to learn about the ocean, but also to preserve some of their biodiversity. “Imagined worlds”, as Muka puts it, aquariums should also be understood as critical places where our future relationship to the oceans, for better and for worst, is being shaped.
Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is teaching the Humanities and French language to undergraduates.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226824130"><em>Oceans Under Glass: Tank Craft and the Sciences of the Sea</em></a> (University of Chicago Press, 2022), Samantha Muka, Assistant Professor of Science, Technology, and Society at Stevens Institute of Technology, dives into the unexpected world of tank crafting. Throughout the book, Muka tells the stories behind the development of various kinds of aquariums, such as photography tanks and reef tanks. She explains how the knowledge and ingenuity of a variety of actors have been contributing to furthering our knowledge of oceanic environments. The myriad of technical and technological challenges that arise when attempting to maintain aquatic species in artificial environments has been the source of at least as many experiments in tank tinkering.</p><p>Focusing on aquariums as complex, situated, and constantly evolving technological devices, Muka shows how the production of knowledge about the ocean depends on interactions between communities holding different knowledge, expertise, and interests: public aquarists, academic researchers, and hobbyists. Analyzing the “craft circulation” between these three groups, the author provides us with a dynamic picture that challenges a series of assumptions on how scientific knowledge is and can be produced.</p><p>More than a history and sociology of tank craft, <em>Oceans under Glass</em> offers a meditation on the necessity of aquariums and their artificiality not only to learn about the ocean, but also to preserve some of their biodiversity. “Imagined worlds”, as Muka puts it, aquariums should also be understood as critical places where our future relationship to the oceans, for better and for worst, is being shaped.</p><p><em>Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is teaching the Humanities and French language to undergraduates.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3022</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b732404a-8b9d-11ed-a0e0-ffd0eee071a3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6351351273.mp3?updated=1672775114" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Generation Why?: Do We Need "Generations?"</title>
      <link>https://ministryofideas.org/</link>
      <description>Who gets to define generational cohorts and do they obscure more than illuminate?
Guests

Neil Howe, author of Generations


Tony Tulathimutte, author of Why There’s No ‘Millennial’ Novel



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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 04 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/83f47db2-891b-11ed-b7cc-c3d59c42e41b/image/1508289671artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Conversation with Neil Howe and Tony Tulathimutte</itunes:subtitle>
      <itunes:summary>Who gets to define generational cohorts and do they obscure more than illuminate?
Guests

Neil Howe, author of Generations


Tony Tulathimutte, author of Why There’s No ‘Millennial’ Novel



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who gets to define generational cohorts and do they obscure more than illuminate?</p><p><strong>Guests</strong></p><ul>
<li>Neil Howe, author of <em>Generations</em>
</li>
<li>Tony Tulathimutte, author of <em>Why There’s No ‘Millennial’ Novel</em>
</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>802</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[20a24ae6-a194-44fb-9ca3-1d980a22d2a6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8117050697.mp3?updated=1672611883" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Seriously Funny: Politics and Comedy</title>
      <link>https://ministryofideas.org/</link>
      <description>What happens when politics becomes comedy and the jester becomes the king?
Guests

Emily Nussbaum, television critic for The New Yorker

Avi Steinberg, writer

Kwesi Mensah, comedian


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/af5e5014-891a-11ed-89d0-6b27cc287340/image/1507294984artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Conversation with Emily Nussbaum, Avi Steinberg, and Kwesi Mensha</itunes:subtitle>
      <itunes:summary>What happens when politics becomes comedy and the jester becomes the king?
Guests

Emily Nussbaum, television critic for The New Yorker

Avi Steinberg, writer

Kwesi Mensah, comedian


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happens when politics becomes comedy and the jester becomes the king?</p><p><strong>Guests</strong></p><ul>
<li>Emily Nussbaum, television critic for The New Yorker</li>
<li>Avi Steinberg, writer</li>
<li>Kwesi Mensah, comedian</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>880</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c6080c5a-5eac-4d28-85c7-ba0658a8b1cf]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3414783923.mp3?updated=1672611741" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Why are Insects so Scary? On Insects in Films.</title>
      <description>This episode from the Vault is a lecture by May Berenbaum about why insects are so scary. Professor Berenbaum is an American entomologist whose research focuses on the chemical interactions between herbivorous insects and their host plants. She teaches entomology at the University of Illinois, and was awarded the National Medal of Science in 2014. She is also the organizer of the annual Insect Fear Film Festival.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Lecture by May Berenbaum</itunes:subtitle>
      <itunes:summary>This episode from the Vault is a lecture by May Berenbaum about why insects are so scary. Professor Berenbaum is an American entomologist whose research focuses on the chemical interactions between herbivorous insects and their host plants. She teaches entomology at the University of Illinois, and was awarded the National Medal of Science in 2014. She is also the organizer of the annual Insect Fear Film Festival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode from the Vault is a lecture by May Berenbaum about why insects are so scary. Professor Berenbaum is an American entomologist whose research focuses on the chemical interactions between herbivorous insects and their host plants. She teaches entomology at the University of Illinois, and was awarded the National Medal of Science in 2014. She is also the organizer of the annual Insect Fear Film Festival.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2507</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9780c740-8aca-11ed-8e3b-2789445b6e44]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7401780169.mp3?updated=1672684290" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rebecca Binns, "Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde" (Manchester UP, 2022)</title>
      <description>Rebecca Binn's Gee Vaucher: Beyond Punk, Feminism and the Avante Garde (Manchester University Press, 2022) is the first book-length work dedicated to the life and career of Vaucher. As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognized the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how her life has shaped her output, with particular focus on the open-house collective at Dial House in Essex, a centre for radical creativity.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 02 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rebecca Binns</itunes:subtitle>
      <itunes:summary>Rebecca Binn's Gee Vaucher: Beyond Punk, Feminism and the Avante Garde (Manchester University Press, 2022) is the first book-length work dedicated to the life and career of Vaucher. As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognized the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how her life has shaped her output, with particular focus on the open-house collective at Dial House in Essex, a centre for radical creativity.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rebecca Binn's <a href="https://bookshop.org/a/12343/9781526147912"><em>Gee Vaucher: Beyond Punk, Feminism and the Avante Garde</em></a><em> </em>(Manchester University Press, 2022) is the first book-length work dedicated to the life and career of Vaucher. As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognized the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how her life has shaped her output, with particular focus on the open-house collective at Dial House in Essex, a centre for radical creativity.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1932</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b8bcdbe-8aa4-11ed-9413-b798e85f5733]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4019185150.mp3?updated=1672667899" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bonus Episode: "Nomadland"</title>
      <description>A special bonus episode in honor of the 93rd Academy Awards on April 25, 2021! One of the most-nominated films at this year's Oscars is "Nomadland," adapted from a book of the same name by journalist Jessica Bruder. "Nomadland" is about a 21st-century American phenomenon - the post-2008 increase in (mostly elderly) people who practice "vandwelling," living in vans, trucks, or other mobile housing and traveling the country in search of seasonal jobs. This episode talks about the characteristics of this nomadic community, how they adhere to an anthropological definition of the term "nomad," and nomadism in US history.
Desert City by Kevin MacLeod. License.
All other sounds courtesy of the BBC Sound Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 01 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/dcc741c6-852f-11ed-a5a0-57375042e2f8/image/60854458c4d1acdf4e1c2f79c4137142d85d78e379bdafbd69bd34c85f5819ad.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A special bonus episode in honor of the 93rd Academy Awards on April 25, 2021! One of the most-nominated films at this year's Oscars is "Nomadland," adapted from a book of the same name by journalist Jessica Bruder. "Nomadland" is about a 21st-century American phenomenon - the post-2008 increase in (mostly elderly) people who practice "vandwelling," living in vans, trucks, or other mobile housing and traveling the country in search of seasonal jobs. This episode talks about the characteristics of this nomadic community, how they adhere to an anthropological definition of the term "nomad," and nomadism in US history.
Desert City by Kevin MacLeod. License.
All other sounds courtesy of the BBC Sound Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A special bonus episode in honor of the 93rd Academy Awards on April 25, 2021! One of the most-nominated films at this year's Oscars is "Nomadland," adapted from a book of the same name by journalist Jessica Bruder. "Nomadland" is about a 21st-century American phenomenon - the post-2008 increase in (mostly elderly) people who practice "vandwelling," living in vans, trucks, or other mobile housing and traveling the country in search of seasonal jobs. This episode talks about the characteristics of this nomadic community, how they adhere to an anthropological definition of the term "nomad," and nomadism in US history.</p><p><a href="https://incompetech.filmmusic.io/song/3639-desert-city">Desert City</a> by Kevin MacLeod. <a href="https://filmmusic.io/standard-license">License</a>.</p><p>All other sounds courtesy of the BBC Sound Archive.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1703</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[Buzzsprout-8357329]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3192280315.mp3?updated=1672081891" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>"Gone with the Wind" Revisited</title>
      <description>In this week’s episode from the Institute’s Vault, Molly Haskell talks about her 2009 book, Frankly, My Dear: "Gone with the Wind" Revisited, published by Yale University Press.
Haskell grew up in Richmond, Virginia, and studied at the Sorbonne. She came to New York in the sixties to work for the French Film office, where she wrote a newsletter about French films. She wrote about movies for the Village Voice, Vogue, and New York magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 28 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Lecture by Molly Haskell</itunes:subtitle>
      <itunes:summary>In this week’s episode from the Institute’s Vault, Molly Haskell talks about her 2009 book, Frankly, My Dear: "Gone with the Wind" Revisited, published by Yale University Press.
Haskell grew up in Richmond, Virginia, and studied at the Sorbonne. She came to New York in the sixties to work for the French Film office, where she wrote a newsletter about French films. She wrote about movies for the Village Voice, Vogue, and New York magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this week’s episode from the Institute’s Vault, Molly Haskell talks about her 2009 book, <em>Frankly, My Dear: "Gone with the Wind" Revisited</em>, published by Yale University Press.</p><p>Haskell grew up in Richmond, Virginia, and studied at the Sorbonne. She came to New York in the sixties to work for the French Film office, where she wrote a newsletter about French films. She wrote about movies for the <em>Village Voice</em>, <em>Vogue</em>, and <em>New York</em> magazine.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2019</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[48e182dc-851b-11ed-9215-737ba5728e47]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3295089770.mp3?updated=1672058743" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eve Golden, "Jayne Mansfield: The Girl Couldn't Help It" (UP of Kentucky, 2021)</title>
      <description>Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood.
In Jayne Mansfield: The Girl Couldn't Help It (UP of Kentucky, 2021), Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider.
By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident.
Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest.
Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 25 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>229</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eve Golden</itunes:subtitle>
      <itunes:summary>Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood.
In Jayne Mansfield: The Girl Couldn't Help It (UP of Kentucky, 2021), Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider.
By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident.
Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest.
Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood.</p><p>In <a href="https://bookshop.org/a/12343/9780813180953"><em>Jayne Mansfield: The Girl Couldn't Help It</em></a> (UP of Kentucky, 2021), Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider.</p><p>By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident.</p><p>Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest.</p><p><a href="https://orcid.org/0000-0003-2580-9095"><em>Carmen Gomez-Galisteo</em></a><em>, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1583</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[78ccbdaa-839e-11ed-95fa-c780338fed47]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9661164212.mp3?updated=1671895711" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stuart Klawans, "Crooked, But Never Common: The Films of Preston Sturges" (Columbia UP, 2023)</title>
      <description>In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. 
Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 25 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stuart Klawans</itunes:subtitle>
      <itunes:summary>In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. 
Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--<em>The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, </em>and<em> The Miracle of Morgan's Creek </em>among them--all from screenplays he alone had written. </p><p>Stuart Klawans' <a href="https://bookshop.org/a/12343/9780231207294"><em>Crooked, But Never Common: The Films of Preston Sturges</em></a> (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes.</p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3128</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ef50e102-838c-11ed-affc-5754c62e9f3f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5690767753.mp3?updated=1671887786" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lucy Fraser, "The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid"" (Wayne State UP, 2017)</title>
      <description>“The Little Mermaid” has become popular around the world since the Danish author Hans Christian Andersen published it almost two centuries ago. Lucy Fraser’s The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid” (Wayne State University Press, 2017) uses Japanese and American transformations of “The Little Mermaid” to think through the pleasures that the text provides for consumers. Building on Mayako Murai’s From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West, Fraser tracks transformations from the nineteenth century through 2008, with particular attention to literary and filmic media.
The binary languages of the title are matched by a series of binaries that Fraser identifies within The Little Mermaid and its transformations. Fraser shows how Andersen’s story presents readers with strict binaries – like human-merfolk, sea-land, and soul-soulless – only for the protagonist to transgress them. The Pleasures of Metamorphosis then presents readers with more binaries – between transformations that emphasize the (male, human) prince and those that emphasize the (female, non-human) mermaid, for example – to show the diverse pleasures inherent to the text. In so doing, The Pleasures of Metamorphosis traverses Disney’s classic animated film and Studio Ghibli’s more recent Ponyo (2008) as well as literature by a host of skilled writers, including Yumiko Kurahashi, Banana Yoshimoto, Jun’ichirō Tanizaki, Oscar Wilde, Kōbō Abe, Yōko Ogawa, Shūji Terayama, and Hiromi Kawakami. The book concludes by showing the promise of theories surrounding Japan’s shōjo, or girls’, culture for non-Japanese works.
Lucy Fraser is Senior Lecturer in Japanese at The University of Queensland, Australia, where she teaches Japanese language and literature.
Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 25 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lucy Fraser</itunes:subtitle>
      <itunes:summary>“The Little Mermaid” has become popular around the world since the Danish author Hans Christian Andersen published it almost two centuries ago. Lucy Fraser’s The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid” (Wayne State University Press, 2017) uses Japanese and American transformations of “The Little Mermaid” to think through the pleasures that the text provides for consumers. Building on Mayako Murai’s From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West, Fraser tracks transformations from the nineteenth century through 2008, with particular attention to literary and filmic media.
The binary languages of the title are matched by a series of binaries that Fraser identifies within The Little Mermaid and its transformations. Fraser shows how Andersen’s story presents readers with strict binaries – like human-merfolk, sea-land, and soul-soulless – only for the protagonist to transgress them. The Pleasures of Metamorphosis then presents readers with more binaries – between transformations that emphasize the (male, human) prince and those that emphasize the (female, non-human) mermaid, for example – to show the diverse pleasures inherent to the text. In so doing, The Pleasures of Metamorphosis traverses Disney’s classic animated film and Studio Ghibli’s more recent Ponyo (2008) as well as literature by a host of skilled writers, including Yumiko Kurahashi, Banana Yoshimoto, Jun’ichirō Tanizaki, Oscar Wilde, Kōbō Abe, Yōko Ogawa, Shūji Terayama, and Hiromi Kawakami. The book concludes by showing the promise of theories surrounding Japan’s shōjo, or girls’, culture for non-Japanese works.
Lucy Fraser is Senior Lecturer in Japanese at The University of Queensland, Australia, where she teaches Japanese language and literature.
Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“The Little Mermaid” has become popular around the world since the Danish author Hans Christian Andersen published it almost two centuries ago. Lucy Fraser’s <a href="https://www.wsupress.wayne.edu/books/detail/pleasures-metamorphosis"><em>The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid”</em></a> (Wayne State University Press, 2017) uses Japanese and American transformations of “The Little Mermaid” to think through the pleasures that the text provides for consumers. Building on Mayako Murai’s <em>From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West</em>, Fraser tracks transformations from the nineteenth century through 2008, with particular attention to literary and filmic media.</p><p>The binary languages of the title are matched by a series of binaries that Fraser identifies within The Little Mermaid and its transformations. Fraser shows how Andersen’s story presents readers with strict binaries – like human-merfolk, sea-land, and soul-soulless – only for the protagonist to transgress them. The Pleasures of Metamorphosis then presents readers with more binaries – between transformations that emphasize the (male, human) prince and those that emphasize the (female, non-human) mermaid, for example – to show the diverse pleasures inherent to the text. In so doing, The Pleasures of Metamorphosis traverses Disney’s classic animated film and Studio Ghibli’s more recent <em>Ponyo </em>(2008) as well as literature by a host of skilled writers, including Yumiko Kurahashi, Banana Yoshimoto, Jun’ichirō Tanizaki, Oscar Wilde, Kōbō Abe, Yōko Ogawa, Shūji Terayama, and Hiromi Kawakami. The book concludes by showing the promise of theories surrounding Japan’s shōjo, or girls’, culture for non-Japanese works.</p><p>Lucy Fraser is Senior Lecturer in Japanese at The University of Queensland, Australia, where she teaches Japanese language and literature.</p><p>Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2108</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[29341032-82ee-11ed-a7aa-b7ffeecde5af]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5746112839.mp3?updated=1671819632" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stevie Suan, "Anime's Identity: Performativity and Form Beyond Japan" (U Minnesota Press, 2021)</title>
      <description>A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? 
In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 23 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>338</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stevie Suan</itunes:subtitle>
      <itunes:summary>A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? 
In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? </p><p>In <a href="https://bookshop.org/a/12343/9781517911782"><em>Anime's Identity: Performativity and Form Beyond Japan</em></a><em> </em>(U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.</p><p><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3518</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e95a2cc2-80ad-11ed-8d31-9f40d6be3bec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5695777582.mp3?updated=1671572222" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>What Makes a Book, Song or Movie Popular? A Conversation with Noah Askin</title>
      <description>In this conversation (one of my favorite interviews ever), I talk with Noah Askin of the University of California at Irvine about why some popular children's books, songs, and movies seem to last forever. Is it because the successful ones are similar but different? Is it a fluke? Is it the marketing? Or is it the story that the song/book/movie/anything tells, or is, or is it perhaps the story we make of it. 
Noah Askin is Assistant Professor of Teaching Organization and Management at UC-Irvine in the Paul Merage School of Business. Prior to his arrival in Southern California, he was an Assistant Professor of Organizational Behavior at INSEAD, where he directed and taught multiple Executive Education programs in addition to teaching the organizational design and leadership core course in the MBA program. He has a popular TEDx talk on what makes popular songs succeed.
﻿Mel Rosenberg is a professor emeritus of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is co-founder of Ourboox, a web platform with some 240,000 ebooks that allows anyone to create and share flipbooks comprising text, pictures and videos.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 23 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Noah Askin</itunes:subtitle>
      <itunes:summary>In this conversation (one of my favorite interviews ever), I talk with Noah Askin of the University of California at Irvine about why some popular children's books, songs, and movies seem to last forever. Is it because the successful ones are similar but different? Is it a fluke? Is it the marketing? Or is it the story that the song/book/movie/anything tells, or is, or is it perhaps the story we make of it. 
Noah Askin is Assistant Professor of Teaching Organization and Management at UC-Irvine in the Paul Merage School of Business. Prior to his arrival in Southern California, he was an Assistant Professor of Organizational Behavior at INSEAD, where he directed and taught multiple Executive Education programs in addition to teaching the organizational design and leadership core course in the MBA program. He has a popular TEDx talk on what makes popular songs succeed.
﻿Mel Rosenberg is a professor emeritus of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is co-founder of Ourboox, a web platform with some 240,000 ebooks that allows anyone to create and share flipbooks comprising text, pictures and videos.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this conversation (one of my favorite interviews ever), I talk with Noah Askin of the University of California at Irvine about why some popular children's books, songs, and movies seem to last forever. Is it because the successful ones are similar but different? Is it a fluke? Is it the marketing? Or is it the story that the song/book/movie/anything tells, or is, or is it perhaps the story we make of it. </p><p><a href="https://noahaskin.com/">Noah Askin</a> is Assistant Professor of Teaching Organization and Management at UC-Irvine in the Paul Merage School of Business. Prior to his arrival in Southern California, he was an Assistant Professor of Organizational Behavior at INSEAD, where he directed and taught multiple Executive Education programs in addition to teaching the organizational design and leadership core course in the MBA program. He has <a href="https://www.youtube.com/watch?v=R3UnZBpcF1o">a popular TEDx talk</a> on what makes popular songs succeed.</p><p><em>﻿</em><a href="https://www.linkedin.com/in/melrosenberg/?originalSubdomain=il"><em>Mel Rosenberg</em></a><em> is a professor emeritus of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is co-founder of </em><a href="https://www.ourboox.com/"><em>Ourboox</em></a><em>, a web platform with some 240,000 ebooks that allows anyone to create and share flipbooks comprising text, pictures and videos.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2680</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[80a904f6-8075-11ed-9785-db2b294f7ea7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3401030089.mp3?updated=1671547833" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jane Tynan, "Trench Coat" (Bloomsbury, 2022)</title>
      <description>Object Lessons is a Bloomsbury series of short, beautifully designed books about the hidden lives of ordinary things. This interview focuses on Trench Coat by Dr. Jane Tynan, published in 2022.
We think we know the trench coat, but where does it come from and where will it take us? From its origins in the trenches of WW1, this military outerwear came to project the inner-being of detectives, writers, reporters, rebels, artists and intellectuals. The coat outfitted imaginative leaps into the unknown. Trench Coat tells the story of seductive entanglements with technology, time, law, politics, trust and trespass. Readers follow the rise of a sartorial archetype through media, design, literature, cinema and fashion. Today, as a staple in stories of future life-worlds, the trench coat warns of disturbances to come.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>141</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jane Tynan</itunes:subtitle>
      <itunes:summary>Object Lessons is a Bloomsbury series of short, beautifully designed books about the hidden lives of ordinary things. This interview focuses on Trench Coat by Dr. Jane Tynan, published in 2022.
We think we know the trench coat, but where does it come from and where will it take us? From its origins in the trenches of WW1, this military outerwear came to project the inner-being of detectives, writers, reporters, rebels, artists and intellectuals. The coat outfitted imaginative leaps into the unknown. Trench Coat tells the story of seductive entanglements with technology, time, law, politics, trust and trespass. Readers follow the rise of a sartorial archetype through media, design, literature, cinema and fashion. Today, as a staple in stories of future life-worlds, the trench coat warns of disturbances to come.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Object Lessons is a Bloomsbury series of short, beautifully designed books about the hidden lives of ordinary things. This interview focuses on <a href="https://bookshop.org/a/12343/9781501375163"><em>Trench Coat</em></a> by Dr. Jane Tynan, published in 2022.</p><p>We think we know the trench coat, but where does it come from and where will it take us? From its origins in the trenches of WW1, this military outerwear came to project the inner-being of detectives, writers, reporters, rebels, artists and intellectuals. The coat outfitted imaginative leaps into the unknown. <em>Trench Coat</em> tells the story of seductive entanglements with technology, time, law, politics, trust and trespass. Readers follow the rise of a sartorial archetype through media, design, literature, cinema and fashion. Today, as a staple in stories of future life-worlds, the trench coat warns of disturbances to come.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3480</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ab60c34a-7ca7-11ed-899c-179fe5a1787a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7409430867.mp3?updated=1671130113" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Allen Paulos, "Who's Counting?: Uniting Numbers and Narratives with Stories from Pop Culture, Puzzles, Politics, and More" (Prometheus, 2022)</title>
      <description>Innumeracy, by John Allen Paulos, was first published in 1988. In it the author brilliantly highlighted many of the sorry truths those of us who teach math and science know – not only can’t most people do algebra or geometry, they can’t estimate size, they don’t understand simple probability and statistics, and they believe in things that make no sense. In Who’s Counting? (Prometheus, 2022), Paulos investigates topics which – like Innumeracy – connect with the age in which we live.
Who's Counting? features dozens of his insightful essays-original writings on contemporary issues like the COVID-19 pandemic, online conspiracy theories, "fake news," and climate change, as well as a selection of enduring columns from his popular ABC News column of the same name. With an abiding respect for reason, a penchant for puzzles with societal implications, and a disarming sense of humor, Paulos does in this collection what he's famous for: clarifies mathematical ideas for everyone and shows how they play a role in government, media, popular culture, and life. He argues that if we can't critically interpret numbers and statistics, we lose one of our most basic and reliable guides to reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 18 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Allen Paulos</itunes:subtitle>
      <itunes:summary>Innumeracy, by John Allen Paulos, was first published in 1988. In it the author brilliantly highlighted many of the sorry truths those of us who teach math and science know – not only can’t most people do algebra or geometry, they can’t estimate size, they don’t understand simple probability and statistics, and they believe in things that make no sense. In Who’s Counting? (Prometheus, 2022), Paulos investigates topics which – like Innumeracy – connect with the age in which we live.
Who's Counting? features dozens of his insightful essays-original writings on contemporary issues like the COVID-19 pandemic, online conspiracy theories, "fake news," and climate change, as well as a selection of enduring columns from his popular ABC News column of the same name. With an abiding respect for reason, a penchant for puzzles with societal implications, and a disarming sense of humor, Paulos does in this collection what he's famous for: clarifies mathematical ideas for everyone and shows how they play a role in government, media, popular culture, and life. He argues that if we can't critically interpret numbers and statistics, we lose one of our most basic and reliable guides to reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Innumeracy</em>, by John Allen Paulos, was first published in 1988. In it the author brilliantly highlighted many of the sorry truths those of us who teach math and science know – not only can’t most people do algebra or geometry, they can’t estimate size, they don’t understand simple probability and statistics, and they believe in things that make no sense. In <a href="https://bookshop.org/a/12343/9781633888128"><em>Who’s Counting?</em></a> (Prometheus, 2022), Paulos investigates topics which – like<em> Innumeracy</em> – connect with the age in which we live.</p><p>Who's Counting? features dozens of his insightful essays-original writings on contemporary issues like the COVID-19 pandemic, online conspiracy theories, "fake news," and climate change, as well as a selection of enduring columns from his popular ABC News column of the same name. With an abiding respect for reason, a penchant for puzzles with societal implications, and a disarming sense of humor, Paulos does in this collection what he's famous for: clarifies mathematical ideas for everyone and shows how they play a role in government, media, popular culture, and life. He argues that if we can't critically interpret numbers and statistics, we lose one of our most basic and reliable guides to reality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3451</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f1d67f34-7b23-11ed-907f-dfee2e6bece7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8725920862.mp3?updated=1670963513" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Pitcher, "Back to the Stone Age: Race and Prehistory in Contemporary Culture" (McGill-Queen's UP, 2022)</title>
      <description>What does Prehistory mean to us now? In Back to the Stone Age: Race and Prehistory in Contemporary Culture (McGill-Queen's UP, 2022), Ben Pitcher, a Reader in Sociology at the University of Westminster, uses cultural studies to explore both the human past and our contemporary life. The book examines how ideas of the prehistoric speak to contemporary anxieties, political projects, and even diets and food choices. Moreover, many of these versions of the past are the basis for regressive political projects that use Prehistory as part of racist and sexist agendas, agendas that need to be resisted and countered with the ideas discussed in the analysis. Engaging with a huge range of cultural and social theory, as well as examples from museums and heritage sites, archaeology, and even scientific hoaxes, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding the society today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 18 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>338</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Pitcher</itunes:subtitle>
      <itunes:summary>What does Prehistory mean to us now? In Back to the Stone Age: Race and Prehistory in Contemporary Culture (McGill-Queen's UP, 2022), Ben Pitcher, a Reader in Sociology at the University of Westminster, uses cultural studies to explore both the human past and our contemporary life. The book examines how ideas of the prehistoric speak to contemporary anxieties, political projects, and even diets and food choices. Moreover, many of these versions of the past are the basis for regressive political projects that use Prehistory as part of racist and sexist agendas, agendas that need to be resisted and countered with the ideas discussed in the analysis. Engaging with a huge range of cultural and social theory, as well as examples from museums and heritage sites, archaeology, and even scientific hoaxes, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding the society today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does Prehistory mean to us now? In <a href="https://bookshop.org/a/12343/9780228014515"><em>Back to the Stone Age: Race and Prehistory in Contemporary Culture </em></a>(McGill-Queen's UP, 2022), <a href="https://twitter.com/Pitcher_Ben">Ben Pitcher</a>, a <a href="https://www.benpitcher.com/new-book-back-to-the-stone-age">Reader in Sociology</a> at the <a href="https://www.westminster.ac.uk/about-us/our-people/directory/pitcher-ben">University of Westminster</a>, uses cultural studies to explore both the human past and our contemporary life. The book examines how ideas of the prehistoric speak to contemporary anxieties, political projects, and even diets and food choices. Moreover, many of these versions of the past are the basis for regressive political projects that use Prehistory as part of racist and sexist agendas, agendas that need to be resisted and countered with the ideas discussed in the analysis. Engaging with a huge range of cultural and social theory, as well as examples from museums and heritage sites, archaeology, and even scientific hoaxes, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding the society today.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2888</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c05a460-7bb7-11ed-891c-bfa25da8c9ed]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9510638582.mp3?updated=1671028652" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mitzi Szereto, "The Best New True Crime Stories: Unsolved Crimes and Mysteries" (Mango, 2022)</title>
      <description>Crimes are meant to be solved. But what happens when they’re not? For the individuals involved—from the victims and their families to police investigators—this is the most frustrating part of all. For them there’s no resolution, no justice, no tidy boxes in which to pack away all the bits and pieces of a puzzle that finally links together. Instead, they are only left with questions that may never get answered.
In The Best New True Crime Stories: Unsolved Crimes &amp; Mysteries (Mango Publishing, 2022), the sixth volume in her true crime franchise, Mitzi Szereto brings together all-new and original accounts of unsolved crimes and mysterious stories from around the world penned by writers from across the literary spectrum, from true crime and crime fiction to journalism. Readers will uncover a fascinating collection of crimes that are dark, scary, mysterious, and still waiting to be solved.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 11 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mitzi Szereto</itunes:subtitle>
      <itunes:summary>Crimes are meant to be solved. But what happens when they’re not? For the individuals involved—from the victims and their families to police investigators—this is the most frustrating part of all. For them there’s no resolution, no justice, no tidy boxes in which to pack away all the bits and pieces of a puzzle that finally links together. Instead, they are only left with questions that may never get answered.
In The Best New True Crime Stories: Unsolved Crimes &amp; Mysteries (Mango Publishing, 2022), the sixth volume in her true crime franchise, Mitzi Szereto brings together all-new and original accounts of unsolved crimes and mysterious stories from around the world penned by writers from across the literary spectrum, from true crime and crime fiction to journalism. Readers will uncover a fascinating collection of crimes that are dark, scary, mysterious, and still waiting to be solved.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Crimes are meant to be solved. But what happens when they’re not? For the individuals involved—from the victims and their families to police investigators—this is the most frustrating part of all. For them there’s no resolution, no justice, no tidy boxes in which to pack away all the bits and pieces of a puzzle that finally links together. Instead, they are only left with questions that may never get answered.</p><p>In <a href="https://bookshop.org/a/12343/9781642509410"><em>The Best New True Crime Stories: Unsolved Crimes &amp; Mysteries</em></a><em> </em>(Mango Publishing, 2022), the sixth volume in her true crime franchise, <a href="https://mitziszereto.com/">Mitzi Szereto</a> brings together all-new and original accounts of unsolved crimes and mysterious stories from around the world penned by writers from across the literary spectrum, from true crime and crime fiction to journalism. Readers will uncover a fascinating collection of crimes that are dark, scary, mysterious, and still waiting to be solved.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2467</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[39f2900a-773c-11ed-b1e4-37ed63137cae]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4312604918.mp3?updated=1670534150" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natasha Lasky, "Britney Spears's Blackout" (Bloomsbury, 2022)</title>
      <description>Britney Spears barely survived 2007. She divorced her husband, lost custody of her kids, went to rehab, shaved her head and assaulted a paparazzo. In the midst of her public breakdown, she managed to record an album, Blackout. Critics thought it spelled the end for Britney Spears' career.
But Blackout turned out to be one of the most influential albums of the aughts. It not only brought glitchy digital noise and dubstep into the Top 40, but also transformed Britney into a new kind of pop star, one who shrugged off mainstream ubiquity for the devotion of smaller groups of fans who worshipped her idiosyncratic sound.
Britney Spears’s Blackout (Bloomsbury, 2022) returns to the grimy clubs and paparazzi hangouts of LA in the 2000s as well as the blogs and forums of the early internet to show how Blackout was a crucial hinge between twentieth and twenty-first-century pop.
Natasha Lasky is a writer and filmmaker living in Chicago, USA.
Natasha on Instagram.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 11 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Natasha Lasky</itunes:subtitle>
      <itunes:summary>Britney Spears barely survived 2007. She divorced her husband, lost custody of her kids, went to rehab, shaved her head and assaulted a paparazzo. In the midst of her public breakdown, she managed to record an album, Blackout. Critics thought it spelled the end for Britney Spears' career.
But Blackout turned out to be one of the most influential albums of the aughts. It not only brought glitchy digital noise and dubstep into the Top 40, but also transformed Britney into a new kind of pop star, one who shrugged off mainstream ubiquity for the devotion of smaller groups of fans who worshipped her idiosyncratic sound.
Britney Spears’s Blackout (Bloomsbury, 2022) returns to the grimy clubs and paparazzi hangouts of LA in the 2000s as well as the blogs and forums of the early internet to show how Blackout was a crucial hinge between twentieth and twenty-first-century pop.
Natasha Lasky is a writer and filmmaker living in Chicago, USA.
Natasha on Instagram.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Britney Spears barely survived 2007. She divorced her husband, lost custody of her kids, went to rehab, shaved her head and assaulted a paparazzo. In the midst of her public breakdown, she managed to record an album, <em>Blackout</em>. Critics thought it spelled the end for Britney Spears' career.</p><p>But <em>Blackout</em> turned out to be one of the most influential albums of the aughts. It not only brought glitchy digital noise and dubstep into the Top 40, but also transformed Britney into a new kind of pop star, one who shrugged off mainstream ubiquity for the devotion of smaller groups of fans who worshipped her idiosyncratic sound.</p><p><a href="https://bookshop.org/a/12343/9781501377594"><em>Britney Spears’s Blackout</em></a> (Bloomsbury, 2022) returns to the grimy clubs and paparazzi hangouts of LA in the 2000s as well as the blogs and forums of the early internet to show how Blackout was a crucial hinge between twentieth and twenty-first-century pop.</p><p>Natasha Lasky is a writer and filmmaker living in Chicago, USA.</p><p>Natasha on <a href="https://www.instagram.com/tashlask/">Instagram</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4520</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Thomas Beller, "Lost in the Game: A Book about Basketball" (Duke UP, 2022)</title>
      <description>For players, coaches, writers, and fans, basketball is a science and an art, a religious sacrament, a source of entertainment, and a way of interacting with the world. In Lost in the Game: A Book about Basketball (Duke UP, 2022), Thomas Beller entwines these threads with his lifetime's experience as a player and journalist, roaming NBA locker rooms and city parks as a basketball flaneur in search of the meaning of the modern game. He captures the magnificence and mastery of today’s most accomplished NBA players while paying homage to the devotion of countless congregants in the global church of pickup basketball. He shares his own stories from the courts, meditating on basketball’s role in city life and its impact on the athlete’s psyche as he moves from youth to middle age. Part journalistic account, part memoir of a slightly talented player whose main gift is being tall, Lost in the Game charts the game’s inexorable gravitational hold on those who love it.
Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 11 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>234</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas Beller</itunes:subtitle>
      <itunes:summary>For players, coaches, writers, and fans, basketball is a science and an art, a religious sacrament, a source of entertainment, and a way of interacting with the world. In Lost in the Game: A Book about Basketball (Duke UP, 2022), Thomas Beller entwines these threads with his lifetime's experience as a player and journalist, roaming NBA locker rooms and city parks as a basketball flaneur in search of the meaning of the modern game. He captures the magnificence and mastery of today’s most accomplished NBA players while paying homage to the devotion of countless congregants in the global church of pickup basketball. He shares his own stories from the courts, meditating on basketball’s role in city life and its impact on the athlete’s psyche as he moves from youth to middle age. Part journalistic account, part memoir of a slightly talented player whose main gift is being tall, Lost in the Game charts the game’s inexorable gravitational hold on those who love it.
Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For players, coaches, writers, and fans, basketball is a science and an art, a religious sacrament, a source of entertainment, and a way of interacting with the world. In <a href="https://bookshop.org/a/12343/9781478018834"><em>Lost in the Game: A Book about Basketball</em></a> (Duke UP, 2022), Thomas Beller entwines these threads with his lifetime's experience as a player and journalist, roaming NBA locker rooms and city parks as a basketball flaneur in search of the meaning of the modern game. He captures the magnificence and mastery of today’s most accomplished NBA players while paying homage to the devotion of countless congregants in the global church of pickup basketball. He shares his own stories from the courts, meditating on basketball’s role in city life and its impact on the athlete’s psyche as he moves from youth to middle age. Part journalistic account, part memoir of a slightly talented player whose main gift is being tall, Lost in the Game charts the game’s inexorable gravitational hold on those who love it.</p><p><em>Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4360</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Daniel Immerwahr, "The Galactic Vietnam: Technology, Modernization, and Empire in George Lucas’s Star Wars" (2022)</title>
      <description>In this episode I got to chat about two of my favorite things: the history of imperialism and Star Wars with Daniel Immerwahr, Professor of History at Northwestern University. Our conversation focused on his recent article “The Galactic Vietnam: Technology, Modernization, and Empire in George Lucas’s Star Wars,” in Ideology in U.S. Foreign Relations: New Histories, edited by David Milne and Christopher Nichols (Columbia University Press, 2022). In the piece her uses the film and the figure of George Lucas to explore various aspects of the United States in the Cold War. Were Ewoks the Viet Cong? Was the Death Star a B-52? Was Alderaan Hanoi? Listen and find out.
Daniel Immerwahr earned his Ph.D. at UC Berkeley in 2011 after undergraduate studies at both Columbia and Cambridge. His previous work includes Thinking Small: The United States and the Lure of Community Development (Harvard, 2015) and the award winning and best-selling How to Hide an Empire: A Short History of the Greater United States (Farrar, Straus and Giroux, 2019), which has been translated into German, Dutch, Italian, Korean, and Chinese so far. Dr. Immerwahr's writings have appeared in the New York Times, The Guardian, the Washington Post, The New Republic, The Nation, Dissent, Jacobin, Slate, and elsewhere.
﻿Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 10 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1286</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Immerwahr</itunes:subtitle>
      <itunes:summary>In this episode I got to chat about two of my favorite things: the history of imperialism and Star Wars with Daniel Immerwahr, Professor of History at Northwestern University. Our conversation focused on his recent article “The Galactic Vietnam: Technology, Modernization, and Empire in George Lucas’s Star Wars,” in Ideology in U.S. Foreign Relations: New Histories, edited by David Milne and Christopher Nichols (Columbia University Press, 2022). In the piece her uses the film and the figure of George Lucas to explore various aspects of the United States in the Cold War. Were Ewoks the Viet Cong? Was the Death Star a B-52? Was Alderaan Hanoi? Listen and find out.
Daniel Immerwahr earned his Ph.D. at UC Berkeley in 2011 after undergraduate studies at both Columbia and Cambridge. His previous work includes Thinking Small: The United States and the Lure of Community Development (Harvard, 2015) and the award winning and best-selling How to Hide an Empire: A Short History of the Greater United States (Farrar, Straus and Giroux, 2019), which has been translated into German, Dutch, Italian, Korean, and Chinese so far. Dr. Immerwahr's writings have appeared in the New York Times, The Guardian, the Washington Post, The New Republic, The Nation, Dissent, Jacobin, Slate, and elsewhere.
﻿Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode I got to chat about two of my favorite things: the history of imperialism and <em>Star Wars</em> with Daniel Immerwahr, Professor of History at Northwestern University. Our conversation focused on his recent article “The Galactic Vietnam: Technology, Modernization, and Empire in George Lucas’s <em>Star Wars</em>,” in<a href="https://bookshop.org/a/12343/9780231201810"> <em>Ideology in U.S. Foreign Relations: New Histories</em></a>, edited by David Milne and Christopher Nichols (Columbia University Press, 2022). In the piece her uses the film and the figure of George Lucas to explore various aspects of the United States in the Cold War. Were Ewoks the Viet Cong? Was the Death Star a B-52? Was Alderaan Hanoi? Listen and find out.</p><p>Daniel Immerwahr earned his Ph.D. at UC Berkeley in 2011 after undergraduate studies at both Columbia and Cambridge. His previous work includes <em>Thinking Small: The United States and the Lure of Community Development</em> (Harvard, 2015) and the award winning and best-selling <em>How to Hide an Empire: A Short History of the Greater United States</em> (Farrar, Straus and Giroux, 2019), which has been translated into German, Dutch, Italian, Korean, and Chinese so far. Dr. Immerwahr's writings have appeared in the <em>New York Times</em>, <em>The Guardian</em>, the <em>Washington Post</em>, <em>The New Republic</em>, <em>The Nation</em>, <em>Dissent</em>, <em>Jacobin</em>, <em>Slate</em>, and elsewhere.</p><p><em>﻿</em><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3873</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[958f2878-76f7-11ed-8bec-c38b34cc6302]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9089796297.mp3?updated=1670505207" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kimberly Chrisman-Campbell, "Skirts: Fashioning Modern Femininity in the Twentieth Century" (St. Martin's Press, 2022)</title>
      <description>While the story of women’s liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O’Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era.
Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 05 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kimberly Chrisman-Campbell</itunes:subtitle>
      <itunes:summary>While the story of women’s liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O’Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era.
Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While the story of women’s liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O’Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era.</p><p>Kimberly Chrisman-Campbell's <a href="https://bookshop.org/a/12343/9781250275790"><em>Skirts: Fashioning Modern Femininity in the Twentieth Century</em></a><em> </em>(St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, <em>Skirts </em>charts the changing fortunes, freedoms, and aspirations of women themselves.</p><p><a href="https://www.brookdalecc.edu/academic-institutes-and-departments/business-social-sciences/history/history-faculty/jane-scimeca/"><em>Jane Scimeca</em></a><em> is Professor of History at Brookdale Community College. @JaneScimeca1</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2450</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f6fda860-7417-11ed-b82a-0b9d48eedce3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5893153879.mp3?updated=1670188832" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa Kagen, "Wandering Games" (MIT Press, 2022)</title>
      <description>In Wandering Games (MIT Press, 2022), Melissa Kagen analyzes wandering within different game worlds, viewed through the lenses of work, colonialism, gender, and death. Wandering in games can be a theme, a formal mode, an aesthetic metaphor, or a player action. It can mean walking, escaping, traversing, meandering, or returning. Kagen introduces the concept of “wandering games,” exploring the uses of wandering in a variety of game worlds. She shows how the much-derided Walking Simulator—a term that began as an insult, a denigration of games that are less violent, less task-oriented, or less difficult to complete—semi-accidentally tapped into something brilliant: the vast heritage and intellectual history of the concept of walking in fiction, philosophy, pilgrimage, performance, and protest. Kagen examines wandering in a series of games that vary widely in terms of genre, mechanics, themes, player base, studio size, and funding, giving close readings to Return of the Obra Dinn, Eastshade, Ritual of the Moon, 80 Days, Heaven’s Vault, Death Stranding, and The Last of Us Part II. Exploring the connotations of wandering within these different game worlds, she considers how ideologies of work, gender, colonialism, and death inflect the ways we wander through digital spaces. Overlapping and intersecting, each provides a multifaceted lens through which to understand what wandering does, lacks, implies, and offers. Kagen’s account will attune game designers, players, and scholars to the myriad possibilities of the wandering ludic body.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 04 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melissa Kagen</itunes:subtitle>
      <itunes:summary>In Wandering Games (MIT Press, 2022), Melissa Kagen analyzes wandering within different game worlds, viewed through the lenses of work, colonialism, gender, and death. Wandering in games can be a theme, a formal mode, an aesthetic metaphor, or a player action. It can mean walking, escaping, traversing, meandering, or returning. Kagen introduces the concept of “wandering games,” exploring the uses of wandering in a variety of game worlds. She shows how the much-derided Walking Simulator—a term that began as an insult, a denigration of games that are less violent, less task-oriented, or less difficult to complete—semi-accidentally tapped into something brilliant: the vast heritage and intellectual history of the concept of walking in fiction, philosophy, pilgrimage, performance, and protest. Kagen examines wandering in a series of games that vary widely in terms of genre, mechanics, themes, player base, studio size, and funding, giving close readings to Return of the Obra Dinn, Eastshade, Ritual of the Moon, 80 Days, Heaven’s Vault, Death Stranding, and The Last of Us Part II. Exploring the connotations of wandering within these different game worlds, she considers how ideologies of work, gender, colonialism, and death inflect the ways we wander through digital spaces. Overlapping and intersecting, each provides a multifaceted lens through which to understand what wandering does, lacks, implies, and offers. Kagen’s account will attune game designers, players, and scholars to the myriad possibilities of the wandering ludic body.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780262544245"><em>Wandering Games</em></a><em> </em>(MIT Press, 2022), Melissa Kagen analyzes wandering within different game worlds, viewed through the lenses of work, colonialism, gender, and death. Wandering in games can be a theme, a formal mode, an aesthetic metaphor, or a player action. It can mean walking, escaping, traversing, meandering, or returning. Kagen introduces the concept of “wandering games,” exploring the uses of wandering in a variety of game worlds. She shows how the much-derided Walking Simulator—a term that began as an insult, a denigration of games that are less violent, less task-oriented, or less difficult to complete—semi-accidentally tapped into something brilliant: the vast heritage and intellectual history of the concept of walking in fiction, philosophy, pilgrimage, performance, and protest. Kagen examines wandering in a series of games that vary widely in terms of genre, mechanics, themes, player base, studio size, and funding, giving close readings to Return of the Obra Dinn, Eastshade, Ritual of the Moon, 80 Days, Heaven’s Vault, Death Stranding, and The Last of Us Part II. Exploring the connotations of wandering within these different game worlds, she considers how ideologies of work, gender, colonialism, and death inflect the ways we wander through digital spaces. Overlapping and intersecting, each provides a multifaceted lens through which to understand what wandering does, lacks, implies, and offers. Kagen’s account will attune game designers, players, and scholars to the myriad possibilities of the wandering ludic body.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3096</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6efe64cc-727d-11ed-8a02-6ba099d31308]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6543862295.mp3?updated=1670012565" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Madeline Lane-McKinley, "Comedy Against Work: Utopian Longing in Dystopian Times" (Common Notions, 2022)</title>
      <description>Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work. 
But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work.
In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy.
Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 04 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>149</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Madeline Lane-McKinley</itunes:subtitle>
      <itunes:summary>Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work. 
But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work.
In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy.
Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. <a href="https://bookshop.org/a/12343/9781942173700"><em>Comedy Against Work: Utopian Longing in Dystopian Times</em></a> (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work. </p><p>But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, <em>Comedy Against Work</em> draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work.</p><p>In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy.</p><p>Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of <em>Blind Field: A Journal of Cultural Inquiry</em>. Her writing has appeared in publications such as <em>Los Angeles Review of Books</em>, <em>Boston Review</em>, <em>The New Inquiry</em>, <em>Entropy</em>, <em>GUTS</em>, and <em>Cultural Politics</em>. She is also the author of the chapbook <em>Dear Z</em> and a contributor to <em>The Museum of Capitalism</em>.</p><p><a href="http://www.annieberke.com/"><em>Annie Berke</em></a><em> is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in </em>Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, <em>and</em> The Washington Post<em>. She earned her PhD in Film/Media and America Studies from Yale University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[97c325f2-70f5-11ed-9631-33e3817a48c8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6272525085.mp3?updated=1670445224" length="0" type="audio/mpeg"/>
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    <item>
      <title>Craig Oldham, "The Shining: A Visual and Cultural Haunting" (Rough Trade Books, 2022)</title>
      <description>The Shining: A Visual and Cultural Haunting (Rough Trade Books, 2022) is an immersive, multi-dimensional examination of one of the most famous films in cinematic history. This loose-leafed and beautifully boxed book—disguised as the ‘writing project’ Jack is typing throughout the course of the film—explores the film’s cultural legacy through exclusive essays, original recollections, contributions from cultural luminaries, and art and visual ephemera.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 03 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Craig Oldham</itunes:subtitle>
      <itunes:summary>The Shining: A Visual and Cultural Haunting (Rough Trade Books, 2022) is an immersive, multi-dimensional examination of one of the most famous films in cinematic history. This loose-leafed and beautifully boxed book—disguised as the ‘writing project’ Jack is typing throughout the course of the film—explores the film’s cultural legacy through exclusive essays, original recollections, contributions from cultural luminaries, and art and visual ephemera.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://roughtradebooks.com/products/the-shining-a-visual-and-cultural-haunting-edited-by-craig-oldham"><em>The Shining: A Visual and Cultural Haunting</em></a> (Rough Trade Books, 2022) is an immersive, multi-dimensional examination of one of the most famous films in cinematic history. This loose-leafed and beautifully boxed book—disguised as the ‘writing project’ Jack is typing throughout the course of the film—explores the film’s cultural legacy through exclusive essays, original recollections, contributions from cultural luminaries, and art and visual ephemera.</p><p><a href="https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html"><em>Nathan Abrams</em></a><em> is a professor of film at Bangor University in Wales. </em><a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029"><em>His most recent work</em></a><em> is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3152</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4473961a-70f1-11ed-818b-478925c6d795]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1974432447.mp3?updated=1669842195" length="0" type="audio/mpeg"/>
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    <item>
      <title>Lisa Morton, "Calling the Spirits: A History of Seances" (Reaktion Books, 2022)</title>
      <description>From Halloween expert Lisa Morton, bring us Calling the Spirits: A History of Seances (Reaktion, 2022), a level-headed and entertaining history of our desire and attempts to hold conversations with the dead. Calling the Spirits investigates the eerie history of our conversations with the dead, from necromancy in Homer’s Odyssey to the emergence of Spiritualism—when Victorians were entranced by mediums and the seance was born. Among our cast are the Fox sisters, teenagers surrounded by “spirit rappings”; Daniel Dunglas Home, the “greatest medium of all time”; Houdini and Sir Arthur Conan Doyle, whose unlikely friendship was forged, then riven, by the afterlife; and Helen Duncan, the medium whose trial in 1944 for witchcraft proved more popular to the public than news about the war. The book also considers Ouija boards, modern psychics, and paranormal investigations, and is illustrated with engravings, fine art (from beyond), and photographs. Hugely entertaining, it begs the question: is anybody there . . . ?
﻿Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 28 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1283</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lisa Morton</itunes:subtitle>
      <itunes:summary>From Halloween expert Lisa Morton, bring us Calling the Spirits: A History of Seances (Reaktion, 2022), a level-headed and entertaining history of our desire and attempts to hold conversations with the dead. Calling the Spirits investigates the eerie history of our conversations with the dead, from necromancy in Homer’s Odyssey to the emergence of Spiritualism—when Victorians were entranced by mediums and the seance was born. Among our cast are the Fox sisters, teenagers surrounded by “spirit rappings”; Daniel Dunglas Home, the “greatest medium of all time”; Houdini and Sir Arthur Conan Doyle, whose unlikely friendship was forged, then riven, by the afterlife; and Helen Duncan, the medium whose trial in 1944 for witchcraft proved more popular to the public than news about the war. The book also considers Ouija boards, modern psychics, and paranormal investigations, and is illustrated with engravings, fine art (from beyond), and photographs. Hugely entertaining, it begs the question: is anybody there . . . ?
﻿Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Halloween expert Lisa Morton, bring us <a href="https://bookshop.org/a/12343/9781789142808"><em>Calling the Spirits: A History of Seances</em></a> (Reaktion, 2022), a level-headed and entertaining history of our desire and attempts to hold conversations with the dead. <em>Calling the Spirits</em> investigates the eerie history of our conversations with the dead, from necromancy in Homer’s Odyssey to the emergence of Spiritualism—when Victorians were entranced by mediums and the seance was born. Among our cast are the Fox sisters, teenagers surrounded by “spirit rappings”; Daniel Dunglas Home, the “greatest medium of all time”; Houdini and Sir Arthur Conan Doyle, whose unlikely friendship was forged, then riven, by the afterlife; and Helen Duncan, the medium whose trial in 1944 for witchcraft proved more popular to the public than news about the war. The book also considers Ouija boards, modern psychics, and paranormal investigations, and is illustrated with engravings, fine art (from beyond), and photographs. Hugely entertaining, it begs the question: is anybody there . . . ?</p><p><em>﻿</em><a href="https://www.sit.edu/sit_faculty/jana-byars-phd/"><em>Jana Byars</em></a><em> is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2632</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5744a708-6777-11ed-a38c-7ff2e7cffcc6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7677258435.mp3?updated=1668800214" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kate Christine Moore Koppy, "Fairy Tales in Contemporary American Culture: How We Hate to Love Them" (Lexington, 2021)</title>
      <description>In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them (Lexington Books, 2021), Kate Christina Moore Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.
In this interview with New Books Network, author Kate Koppy and host Carmen Gomez-Galisteo talk about Fairy Tales in Contemporary American Culture: How We Hate to Love Them and how they are relevant in today’s society, despite some parents’ and educators’ misgivings that they may instill traditional, outdated values into children.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 25 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview Kate Christine Moore Koppy</itunes:subtitle>
      <itunes:summary>In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them (Lexington Books, 2021), Kate Christina Moore Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.
In this interview with New Books Network, author Kate Koppy and host Carmen Gomez-Galisteo talk about Fairy Tales in Contemporary American Culture: How We Hate to Love Them and how they are relevant in today’s society, despite some parents’ and educators’ misgivings that they may instill traditional, outdated values into children.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In <a href="https://www.amazon.com/Fairy-Tales-Contemporary-American-Culture/dp/1793612773"><em>Fairy Tales in Contemporary American Culture: How We Hate to Love Them</em></a><em> </em>(Lexington Books, 2021), Kate Christina Moore Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.</p><p>In this interview with New Books Network, author Kate Koppy and host Carmen Gomez-Galisteo talk about <em>Fairy Tales in Contemporary American Culture: How We Hate to Love Them</em> and how they are relevant in today’s society, despite some parents’ and educators’ misgivings that they may instill traditional, outdated values into children.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1889</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[06376eac-65b2-11ed-be1f-3fea2c5a6fe1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4110043342.mp3?updated=1669053912" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Galloway, "Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century" (Grand Central, 2022)</title>
      <description>A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh.
In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he.
Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare.
Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting.
Stephen Galloway is the dean of Chapman University’s Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 25 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephen Galloway</itunes:subtitle>
      <itunes:summary>A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh.
In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he.
Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare.
Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting.
Stephen Galloway is the dean of Chapman University’s Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh.</p><p>In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he.</p><p><a href="https://bookshop.org/a/12343/9781538731970"><em>Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century</em></a><em> </em>(Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare.</p><p>Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting.</p><p>Stephen Galloway is the dean of Chapman University’s Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the <em>Hollywood Reporter.</em></p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at </em><a href="https://fifteenminutefilm.podbean.com/"><em>https://fifteenminutefilm.podb...</em></a><em> and on Twitter @15MinFilm.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3347</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kathryn Dickason, "Ringleaders of Redemption: How Medieval Dance Became Sacred" (Oxford UP, 2021)</title>
      <description>In popular thought, Christianity is often figured as being opposed to dance. Conventional scholarship traces this controversy back to the Middle Ages. Historical sources, however, suggest that medieval dance was a complex and ambivalent phenomenon. During the High and Late Middle Ages, Western theologians, liturgists, and mystics not only tolerated dance; they transformed it into a dynamic component of religious thought and practice. In Ringleaders of Redemption: How Medieval Dance Became Sacred (Oxford UP, 2021), Kathryn Dickason reveals a long tradition of sacred dance in Christianity, one that the professionalization and secularization of Renaissance dance obscured, and one that the Reformation silenced and suppressed.
﻿Your host, Ryan Shelton (@_ryanshelton) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 25 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>218</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathryn Dickason</itunes:subtitle>
      <itunes:summary>In popular thought, Christianity is often figured as being opposed to dance. Conventional scholarship traces this controversy back to the Middle Ages. Historical sources, however, suggest that medieval dance was a complex and ambivalent phenomenon. During the High and Late Middle Ages, Western theologians, liturgists, and mystics not only tolerated dance; they transformed it into a dynamic component of religious thought and practice. In Ringleaders of Redemption: How Medieval Dance Became Sacred (Oxford UP, 2021), Kathryn Dickason reveals a long tradition of sacred dance in Christianity, one that the professionalization and secularization of Renaissance dance obscured, and one that the Reformation silenced and suppressed.
﻿Your host, Ryan Shelton (@_ryanshelton) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In popular thought, Christianity is often figured as being opposed to dance. Conventional scholarship traces this controversy back to the Middle Ages. Historical sources, however, suggest that medieval dance was a complex and ambivalent phenomenon. During the High and Late Middle Ages, Western theologians, liturgists, and mystics not only tolerated dance; they transformed it into a dynamic component of religious thought and practice. In <a href="https://bookshop.org/a/12343/9780197527276"><em>Ringleaders of Redemption: How Medieval Dance Became Sacred</em></a> (Oxford UP, 2021), Kathryn Dickason reveals a long tradition of sacred dance in Christianity, one that the professionalization and secularization of Renaissance dance obscured, and one that the Reformation silenced and suppressed.</p><p><em>﻿Your host, </em><a href="https://www.linkedin.com/in/ryandavidshelton/"><em>Ryan Shelton</em></a><em> (@_ryanshelton) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2537</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Joseph McBride, "Billy Wilder: Dancing on the Edge" (Columbia UP, 2021)</title>
      <description>The director and cowriter of some of the world's most iconic films―including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment―Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society.
In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder’s films are marked by intense compassion and a profound understanding of the human condition.
Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.
Joseph McBride is a film historian and professor in the School of Cinema at San Francisco State University. His many books include the critical study How Did Lubitsch Do It? (Columbia, 2018) as well as acclaimed biographies of Frank Capra, John Ford, and Steven Spielberg and three books on Orson Welles.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 24 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>149</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joseph McBride</itunes:subtitle>
      <itunes:summary>The director and cowriter of some of the world's most iconic films―including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment―Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society.
In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder’s films are marked by intense compassion and a profound understanding of the human condition.
Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.
Joseph McBride is a film historian and professor in the School of Cinema at San Francisco State University. His many books include the critical study How Did Lubitsch Do It? (Columbia, 2018) as well as acclaimed biographies of Frank Capra, John Ford, and Steven Spielberg and three books on Orson Welles.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The director and cowriter of some of the world's most iconic films―including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment―Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society.</p><p>In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder’s films are marked by intense compassion and a profound understanding of the human condition.</p><p>Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.</p><p>Joseph McBride is a film historian and professor in the School of Cinema at San Francisco State University. His many books include the critical study How Did Lubitsch Do It? (Columbia, 2018) as well as acclaimed biographies of Frank Capra, John Ford, and Steven Spielberg and three books on Orson Welles.</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5171</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Carolyne Larrington, "All Men Must Die: Power and Passion in Game of Thrones" (Bloomsbury, 2021)</title>
      <description>“All men must die”: or “Valar Morghulis,” as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of Game of Thrones. As acclaimed medievalist Professor Carolyne Larrington writes in All Men Must Die: Power and Passion in Game of Thrones (Bloomsbury, 2021), the stories George R.R. Martin brings to life are epic in scope and in imaginative breadth, telling of the dramatic rise and fall of nations, the brutal sweeping away of old orders, and the advent of new autarchs in the eternal quest for dominion.
Yet, as her book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour, and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the “cripples, bastards and broken things.” In this vital follow-up to her book, Winter Is Coming (also published by Bloomsbury), Larrington explores themes of power, blood-kin, lust, and sex in order to draw entirely fresh meanings out of the show of the century.
Carolyne Larringon is Professor of Medieval Literature at University of Oxford, UK. She completed her DPhil in Old English and Old Norse at Oxford and now teaches Old and Middle English literature as well as English and Old Norse-Icelandic languages. Previous publications include books on Norse mythology and literature and another book on the series called Winter Is Coming: The Medieval World of Game of Thrones. Also, Professor Larrington has been awarded the Order of the Falcon by the President of Iceland for her services to Icelandic literature.
Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 24 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>194</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carolyne Larrington</itunes:subtitle>
      <itunes:summary>“All men must die”: or “Valar Morghulis,” as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of Game of Thrones. As acclaimed medievalist Professor Carolyne Larrington writes in All Men Must Die: Power and Passion in Game of Thrones (Bloomsbury, 2021), the stories George R.R. Martin brings to life are epic in scope and in imaginative breadth, telling of the dramatic rise and fall of nations, the brutal sweeping away of old orders, and the advent of new autarchs in the eternal quest for dominion.
Yet, as her book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour, and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the “cripples, bastards and broken things.” In this vital follow-up to her book, Winter Is Coming (also published by Bloomsbury), Larrington explores themes of power, blood-kin, lust, and sex in order to draw entirely fresh meanings out of the show of the century.
Carolyne Larringon is Professor of Medieval Literature at University of Oxford, UK. She completed her DPhil in Old English and Old Norse at Oxford and now teaches Old and Middle English literature as well as English and Old Norse-Icelandic languages. Previous publications include books on Norse mythology and literature and another book on the series called Winter Is Coming: The Medieval World of Game of Thrones. Also, Professor Larrington has been awarded the Order of the Falcon by the President of Iceland for her services to Icelandic literature.
Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“All men must die”: or “Valar Morghulis,” as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of <em>Game of Thrones</em>. As acclaimed medievalist Professor Carolyne Larrington writes in <a href="https://bookshop.org/a/12343/9781784539320"><em>All Men Must Die: Power and Passion in Game of Thrones</em></a> (Bloomsbury, 2021), the stories George R.R. Martin brings to life are epic in scope and in imaginative breadth, telling of the dramatic rise and fall of nations, the brutal sweeping away of old orders, and the advent of new autarchs in the eternal quest for dominion.</p><p>Yet, as her book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour, and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the “cripples, bastards and broken things.” In this vital follow-up to her book, <em>Winter Is Coming</em> (also published by Bloomsbury), Larrington explores themes of power, blood-kin, lust, and sex in order to draw entirely fresh meanings out of the show of the century.</p><p><a href="https://www.sjc.ox.ac.uk/discover/people/professor-carolyne-larrington/">Carolyne Larringon</a> is Professor of Medieval Literature at University of Oxford, UK. She completed her DPhil in Old English and Old Norse at Oxford and now teaches Old and Middle English literature as well as English and Old Norse-Icelandic languages. Previous publications include books on Norse mythology and literature and another book on the series called <em>Winter Is Coming: The Medieval World of Game of Thrones</em>. Also, Professor Larrington has been awarded the Order of the Falcon by the President of Iceland for her services to Icelandic literature.</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is currently a PhD student of English Literature with Université Laval in Quebec.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4666</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Burt Kearns, "Lawrence Tierney: Hollywood's Real-Life Tough Guy" (UP of Kentucky, 2022)</title>
      <description>In his latest book, Lawrence Tierney: Hollywood's Real-Life Tough Guy (The University of Kentucky Press, 2022) Burt Kearns explores the life of actor Lawrence Tierney (1919-2002) whose natural swagger and gruff disposition made him the perfect fit for the Hollywood "tough guy" archetype. Known for his erratic and oftentimes violent nature, Tierney drew upon his bellicose reputation throughout his career--a reputation that made him one of the most feared and mythologized characters in the industry. Born in Brooklyn to Irish American parents, Tierney worked in theatre in New York before moving to Hollywood in 1943 where he signed with RKO Radio Pictures. His biggest roles would come in Dillinger (1945), in which he played 1930s gangster and bank robber John Dillinger, and Robert Wise's film noir classic Born to Kill (1947). Despite his natural talents Tierney was trouble from the start, struggling with alcoholism and mental instability that emboldened him to start fights whenever and wherever he could. The continued bouts of alcohol-fueled rage, his subsequent stints in jail, and his continued attempts at rehabilitation curtailed his acting career. 
Unable to find work throughout much of the 1960s, he did a stint in Europe before eventually returning to New York where he took odd jobs as a construction worker, bartender, and hansom cab driver. In the mid-1980s Tierney returned to acting. With a somewhat cooler head, he established himself again with recurring roles in shows such as Seinfeld and Star Trek: The Next Generation. He would take on his final projects as a septuagenarian in Reservoir Dogs (1992) and Armageddon (1998), where his on-set behavior would once again draw the ire of his colleagues and studio representatives. He would go down swinging just shy of his 83rd birthday, his tough-guy image solidly intact until the end. Kearns explores Tierney's storied life from his days as Dillinger, to his clash with Quentin Tarantino at the end of film career, and his final public appearances. The first official biography of the late personality, the book draws on the writings of Hollywood reporters and gossip columnists who first reported on Tierney's antics, and exclusive interviews with surviving colleagues, friends, family members--and victims. Through their words and his research, Kearns paints a portrait of Tierney's brutish behavior and the industry's reaction to the pugnacious star, drawing parallels--and the line--between the man and the characters that made him a Hollywood legend. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>133</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Burt Kearns</itunes:subtitle>
      <itunes:summary>In his latest book, Lawrence Tierney: Hollywood's Real-Life Tough Guy (The University of Kentucky Press, 2022) Burt Kearns explores the life of actor Lawrence Tierney (1919-2002) whose natural swagger and gruff disposition made him the perfect fit for the Hollywood "tough guy" archetype. Known for his erratic and oftentimes violent nature, Tierney drew upon his bellicose reputation throughout his career--a reputation that made him one of the most feared and mythologized characters in the industry. Born in Brooklyn to Irish American parents, Tierney worked in theatre in New York before moving to Hollywood in 1943 where he signed with RKO Radio Pictures. His biggest roles would come in Dillinger (1945), in which he played 1930s gangster and bank robber John Dillinger, and Robert Wise's film noir classic Born to Kill (1947). Despite his natural talents Tierney was trouble from the start, struggling with alcoholism and mental instability that emboldened him to start fights whenever and wherever he could. The continued bouts of alcohol-fueled rage, his subsequent stints in jail, and his continued attempts at rehabilitation curtailed his acting career. 
Unable to find work throughout much of the 1960s, he did a stint in Europe before eventually returning to New York where he took odd jobs as a construction worker, bartender, and hansom cab driver. In the mid-1980s Tierney returned to acting. With a somewhat cooler head, he established himself again with recurring roles in shows such as Seinfeld and Star Trek: The Next Generation. He would take on his final projects as a septuagenarian in Reservoir Dogs (1992) and Armageddon (1998), where his on-set behavior would once again draw the ire of his colleagues and studio representatives. He would go down swinging just shy of his 83rd birthday, his tough-guy image solidly intact until the end. Kearns explores Tierney's storied life from his days as Dillinger, to his clash with Quentin Tarantino at the end of film career, and his final public appearances. The first official biography of the late personality, the book draws on the writings of Hollywood reporters and gossip columnists who first reported on Tierney's antics, and exclusive interviews with surviving colleagues, friends, family members--and victims. Through their words and his research, Kearns paints a portrait of Tierney's brutish behavior and the industry's reaction to the pugnacious star, drawing parallels--and the line--between the man and the characters that made him a Hollywood legend. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his latest book, <a href="https://bookshop.org/a/12343/9780813196503"><em>Lawrence Tierney: Hollywood's Real-Life Tough Guy</em></a><em> </em>(The University of Kentucky Press, 2022) Burt Kearns explores the life of actor Lawrence Tierney (1919-2002) whose natural swagger and gruff disposition made him the perfect fit for the Hollywood "tough guy" archetype. Known for his erratic and oftentimes violent nature, Tierney drew upon his bellicose reputation throughout his career--a reputation that made him one of the most feared and mythologized characters in the industry. Born in Brooklyn to Irish American parents, Tierney worked in theatre in New York before moving to Hollywood in 1943 where he signed with RKO Radio Pictures. His biggest roles would come in Dillinger (1945), in which he played 1930s gangster and bank robber John Dillinger, and Robert Wise's film noir classic Born to Kill (1947). Despite his natural talents Tierney was trouble from the start, struggling with alcoholism and mental instability that emboldened him to start fights whenever and wherever he could. The continued bouts of alcohol-fueled rage, his subsequent stints in jail, and his continued attempts at rehabilitation curtailed his acting career. </p><p>Unable to find work throughout much of the 1960s, he did a stint in Europe before eventually returning to New York where he took odd jobs as a construction worker, bartender, and hansom cab driver. In the mid-1980s Tierney returned to acting. With a somewhat cooler head, he established himself again with recurring roles in shows such as Seinfeld and Star Trek: The Next Generation. He would take on his final projects as a septuagenarian in Reservoir Dogs (1992) and Armageddon (1998), where his on-set behavior would once again draw the ire of his colleagues and studio representatives. He would go down swinging just shy of his 83rd birthday, his tough-guy image solidly intact until the end. Kearns explores Tierney's storied life from his days as Dillinger, to his clash with Quentin Tarantino at the end of film career, and his final public appearances. The first official biography of the late personality, the book draws on the writings of Hollywood reporters and gossip columnists who first reported on Tierney's antics, and exclusive interviews with surviving colleagues, friends, family members--and victims. Through their words and his research, Kearns paints a portrait of Tierney's brutish behavior and the industry's reaction to the pugnacious star, drawing parallels--and the line--between the man and the characters that made him a Hollywood legend. </p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2805</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3e211c34-506b-11ed-8dba-afe8d952d637]]></guid>
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    <item>
      <title>Bridget Kies and Megan Connor, "Fandom, the Next Generation" (U Iowa Press, 2022)</title>
      <description>In Fandom, the Next Generation (University of Iowa Press, 2022), Bridget Kies and Megan Connor have edited the first collection to offer a close study of fan generations, which are defined not only by fans’ ages, but by their entry point into a canon or via their personal politics. Divided into three parts--Reboots, Revivals, and Nostalgia; Generations of Enduring Fandoms; and Generation Tensions--contributors further the conversation about how generational fandom is influenced by and, in turn, influences technologies, industry practices, and social and political changes. As reboot culture continues, as franchises continue expanding over time, and as new technologies enable easier access to older media, Fandom, the Next Generation offers a necessary investigation into transgenerational fandoms and intergenerational fan relationships.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 22 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bridget Kies and Megan Connor</itunes:subtitle>
      <itunes:summary>In Fandom, the Next Generation (University of Iowa Press, 2022), Bridget Kies and Megan Connor have edited the first collection to offer a close study of fan generations, which are defined not only by fans’ ages, but by their entry point into a canon or via their personal politics. Divided into three parts--Reboots, Revivals, and Nostalgia; Generations of Enduring Fandoms; and Generation Tensions--contributors further the conversation about how generational fandom is influenced by and, in turn, influences technologies, industry practices, and social and political changes. As reboot culture continues, as franchises continue expanding over time, and as new technologies enable easier access to older media, Fandom, the Next Generation offers a necessary investigation into transgenerational fandoms and intergenerational fan relationships.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781609388331"><em>Fandom, the Next Generation</em></a> (University of Iowa Press, 2022), Bridget Kies and Megan Connor have edited the first collection to offer a close study of fan generations, which are defined not only by fans’ ages, but by their entry point into a canon or via their personal politics. Divided into three parts--Reboots, Revivals, and Nostalgia; Generations of Enduring Fandoms; and Generation Tensions--contributors further the conversation about how generational fandom is influenced by and, in turn, influences technologies, industry practices, and social and political changes. As reboot culture continues, as franchises continue expanding over time, and as new technologies enable easier access to older media, <a href="https://www.fandomthenextgeneration.com/"><em>Fandom, the Next Generation</em></a><em> </em>offers a necessary investigation into transgenerational fandoms and intergenerational fan relationships.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2399</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2b42ee9c-673d-11ed-b27d-7f58747b7e3e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6995316555.mp3?updated=1668775910" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elliott H. Powell, "Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music" (U Minnesota Press, 2020)</title>
      <description>From Beyoncé's South Asian music-inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane's use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott's high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music (U Minnesota Press, 2020) traces such engagements through an interdisciplinary analysis of the political implications of African American musicians' South Asian influence since the 1960s. 
Elliott H. Powell asks, what happens when we consider Black musicians' South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro-South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro-South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 21 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elliott H. Powell</itunes:subtitle>
      <itunes:summary>From Beyoncé's South Asian music-inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane's use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott's high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music (U Minnesota Press, 2020) traces such engagements through an interdisciplinary analysis of the political implications of African American musicians' South Asian influence since the 1960s. 
Elliott H. Powell asks, what happens when we consider Black musicians' South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro-South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro-South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Beyoncé's South Asian music-inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane's use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott's high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. <a href="https://bookshop.org/a/12343/9781517910044"><em>Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music</em></a> (U Minnesota Press, 2020) traces such engagements through an interdisciplinary analysis of the political implications of African American musicians' South Asian influence since the 1960s. </p><p>Elliott H. Powell asks, what happens when we consider Black musicians' South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro-South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro-South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.</p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3361</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jon Lewis, "The Godfather, Part II" (Bloomsbury, 2022)</title>
      <description>Francis Ford Coppola's "The Godfather, Part II" (1974) is a magisterial cinematic work, a gorgeous, stylized, auteur epic, and one of the few sequels judged by many to be greater than its predecessor. This despite the fact that it consists largely of meetings between aspiring 'Godfather' Michael Corleone and fellow gangsters, politicians and family members. The meetings remind us that the modern gangster's success is built upon inside information and on strategic planning. Michael and his father Vito's days resemble those of the legitimate businessmen they aspire or pretend to be.
In his book The Godfather, Part II (Bloomsbury, 2022), Jon Lewis provides a close analysis of the film and a discussion of its cinematic and political contexts. It is structured in three sections: “The Sequel,” “The Dissolve,” and “The Sicilian Thing” – accommodating three avenues of inquiry, respectively: the film's importance in and to Hollywood history, its unique, auteur style and form; and its cultural significance. Of interest, then, is New Hollywood history, mise-en-scene, and a view of the Corleone saga as a cautionary capitalist parable, as a metaphor of the corruption of American power, post-Vietnam, post-Watergate.
Jon Lewis is the University Distinguished Professor of Film Studies at Oregon State University and the former editor of Cinema Journal. His books include Road to Nowhere: Hollywood Encounters the Counterculture, Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles, The Road to Romance and Ruin: Teen Films and Youth Culture, Whom God Wishes to Destroy … Francis Coppola and the New Hollywood, Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry, and for the BFI’s Film Classics series, The Godfather.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 21 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jon Lewis</itunes:subtitle>
      <itunes:summary>Francis Ford Coppola's "The Godfather, Part II" (1974) is a magisterial cinematic work, a gorgeous, stylized, auteur epic, and one of the few sequels judged by many to be greater than its predecessor. This despite the fact that it consists largely of meetings between aspiring 'Godfather' Michael Corleone and fellow gangsters, politicians and family members. The meetings remind us that the modern gangster's success is built upon inside information and on strategic planning. Michael and his father Vito's days resemble those of the legitimate businessmen they aspire or pretend to be.
In his book The Godfather, Part II (Bloomsbury, 2022), Jon Lewis provides a close analysis of the film and a discussion of its cinematic and political contexts. It is structured in three sections: “The Sequel,” “The Dissolve,” and “The Sicilian Thing” – accommodating three avenues of inquiry, respectively: the film's importance in and to Hollywood history, its unique, auteur style and form; and its cultural significance. Of interest, then, is New Hollywood history, mise-en-scene, and a view of the Corleone saga as a cautionary capitalist parable, as a metaphor of the corruption of American power, post-Vietnam, post-Watergate.
Jon Lewis is the University Distinguished Professor of Film Studies at Oregon State University and the former editor of Cinema Journal. His books include Road to Nowhere: Hollywood Encounters the Counterculture, Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles, The Road to Romance and Ruin: Teen Films and Youth Culture, Whom God Wishes to Destroy … Francis Coppola and the New Hollywood, Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry, and for the BFI’s Film Classics series, The Godfather.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Francis Ford Coppola's "The Godfather, Part II" (1974) is a magisterial cinematic work, a gorgeous, stylized, auteur epic, and one of the few sequels judged by many to be greater than its predecessor. This despite the fact that it consists largely of meetings between aspiring 'Godfather' Michael Corleone and fellow gangsters, politicians and family members. The meetings remind us that the modern gangster's success is built upon inside information and on strategic planning. Michael and his father Vito's days resemble those of the legitimate businessmen they aspire or pretend to be.</p><p>In his book <a href="https://bookshop.org/a/12343/9781839023262"><em>The Godfather, Part II</em></a><em> (</em>Bloomsbury, 2022), Jon Lewis provides a close analysis of the film and a discussion of its cinematic and political contexts. It is structured in three sections: “The Sequel,” “The Dissolve,” and “The Sicilian Thing” – accommodating three avenues of inquiry, respectively: the film's importance in and to Hollywood history, its unique, auteur style and form; and its cultural significance. Of interest, then, is New Hollywood history<em>, mise-en-scene</em>, and a view of the Corleone saga as a cautionary capitalist parable, as a metaphor of the corruption of American power, post-Vietnam, post-Watergate.</p><p>Jon Lewis is the University Distinguished Professor of Film Studies at Oregon State University and the former editor of <em>Cinema Journal</em>. His books include <em>Road to Nowhere: Hollywood Encounters the Counterculture, Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles, The Road to Romance and Ruin: Teen Films and Youth Culture, Whom God Wishes to Destroy … Francis Coppola and the New Hollywood, Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry,</em> and for the BFI’s Film Classics series, The Godfather.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at </em><a href="https://fifteenminutefilm.podbean.com/"><em>https://fifteenminutefilm.podb...</em></a><em> and on Twitter @15MinFilm.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3845</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d6002998-62c5-11ed-bb67-57e52e95b433]]></guid>
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    <item>
      <title>Plumbing the Depths of Wikipedia: A Conversation with Annie Rauwerda</title>
      <description>In 2020, during the nadir of the pandemic, Annie Rauwerda began posting strange, humorous, and obscure Wikipedia entries on social media. She dubbed her project Depths of Wikipedia, and after several hundred posts on Instagram and Twitter, she began to amass a following of fellow Wikipedians. More than two years later, Depths of Wikipedia has more than one million followers and a touring live comedy show.
In addition to professionally browsing Wikipedia, Annie works with the Wikimedia Foundation on a number of exciting projects. In this interview, Annie describes her spectacular rise to Wiki-fame, her burgeoning career as a comedian, and the future of the internet.
Depths of Wikipedia is a bright spot in our fraught social media landscape. Follow Annie's work on Instagram (@depthsofwikipedia) and Twitter (@depthsofwiki). You can also find her other projects, live shows, and a submission form for Wiki finds here: https://linktr.ee/depthsofwiki...
Annie Rauwerda is a writer and the creator of Depths of Wikipedia (Twitter: @anniierau).
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Annie Rauwerda</itunes:subtitle>
      <itunes:summary>In 2020, during the nadir of the pandemic, Annie Rauwerda began posting strange, humorous, and obscure Wikipedia entries on social media. She dubbed her project Depths of Wikipedia, and after several hundred posts on Instagram and Twitter, she began to amass a following of fellow Wikipedians. More than two years later, Depths of Wikipedia has more than one million followers and a touring live comedy show.
In addition to professionally browsing Wikipedia, Annie works with the Wikimedia Foundation on a number of exciting projects. In this interview, Annie describes her spectacular rise to Wiki-fame, her burgeoning career as a comedian, and the future of the internet.
Depths of Wikipedia is a bright spot in our fraught social media landscape. Follow Annie's work on Instagram (@depthsofwikipedia) and Twitter (@depthsofwiki). You can also find her other projects, live shows, and a submission form for Wiki finds here: https://linktr.ee/depthsofwiki...
Annie Rauwerda is a writer and the creator of Depths of Wikipedia (Twitter: @anniierau).
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2020, during the nadir of the pandemic, Annie Rauwerda began posting strange, humorous, and obscure Wikipedia entries on social media. She dubbed her project <em>Depths of Wikipedia</em>, and after several hundred posts on Instagram and Twitter, she began to amass a following of fellow Wikipedians. More than two years later, <em>Depths of Wikipedia </em>has more than one million followers and a touring live comedy show.</p><p>In addition to professionally browsing Wikipedia, Annie works with the <a href="https://wikimediafoundation.org/">Wikimedia </a>Foundation on a number of exciting projects. In this interview, Annie describes her spectacular rise to Wiki-fame, her burgeoning career as a comedian, and the future of the internet.</p><p><em>Depths of Wikipedia</em> is a bright spot in our fraught social media landscape. Follow Annie's work on Instagram (@depthsofwikipedia) and Twitter (@depthsofwiki). You can also find her other projects, live shows, and a submission form for Wiki finds here: <a href="https://linktr.ee/depthsofwikipedia">https://linktr.ee/depthsofwiki...</a></p><p><a href="https://annierau.com/">Annie Rauwerda</a> is a writer and the creator of Depths of Wikipedia (Twitter: @anniierau).</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1938</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[32d57ed6-6206-11ed-b118-3b50942c1df3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2009325017.mp3?updated=1668202055" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bradley Morgan, "U2's the Joshua Tree: Planting Roots in Mythic America" (Backbeat Books, 2021)</title>
      <description>In U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat, 2021) Bradley Morgan examines U2's iconic album and their critique of America as a symbol of hope. Through analysis of each track on The Joshua Tree, Morgan examines the 1987 release, the subsequent 2017 30th anniversary tour, and his own connection with the band and his Irish heritage. 
U2 planted the seeds for The Joshua Tree during an existential journey through America. As Irishmen in the 1970s, the band grew up with the belief that America was a place of freedom and prosperity, a symbol of hope and a refuge for all people. However, global politics of the 1980s undermined that impression and fostered hypocritical policies that manipulated Americans and devastated people around the world.
Originally conceived as "The Two Americas," The Joshua Tree was U2's critique of America. Rather than living up to the ideal that the country was "an idea that belongs to people who need it most," the band found that America sacrificed equality and justice for populism and fascism. This book explores the political, social, and cultural themes rooted in The Joshua Tree when it was originally released in 1987 and how those themes resonated as a response to the election of Donald Trump when U2 toured for the album's 30th anniversary.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bradley Morgan</itunes:subtitle>
      <itunes:summary>In U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat, 2021) Bradley Morgan examines U2's iconic album and their critique of America as a symbol of hope. Through analysis of each track on The Joshua Tree, Morgan examines the 1987 release, the subsequent 2017 30th anniversary tour, and his own connection with the band and his Irish heritage. 
U2 planted the seeds for The Joshua Tree during an existential journey through America. As Irishmen in the 1970s, the band grew up with the belief that America was a place of freedom and prosperity, a symbol of hope and a refuge for all people. However, global politics of the 1980s undermined that impression and fostered hypocritical policies that manipulated Americans and devastated people around the world.
Originally conceived as "The Two Americas," The Joshua Tree was U2's critique of America. Rather than living up to the ideal that the country was "an idea that belongs to people who need it most," the band found that America sacrificed equality and justice for populism and fascism. This book explores the political, social, and cultural themes rooted in The Joshua Tree when it was originally released in 1987 and how those themes resonated as a response to the election of Donald Trump when U2 toured for the album's 30th anniversary.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em> </em>(Backbeat, 2021) Bradley Morgan examines U2's iconic album and their critique of America as a symbol of hope. Through analysis of each track on <a href="https://www.u2songs.com/discography/u2_the_joshua_tree_album_original_release"><em>The Joshua Tree</em></a>, Morgan examines the 1987 release, the subsequent 2017 30th anniversary tour, and his own connection with the band and his Irish heritage. </p><p>U2 planted the seeds for <em>The Joshua Tree</em> during an existential journey through America. As Irishmen in the 1970s, the band grew up with the belief that America was a place of freedom and prosperity, a symbol of hope and a refuge for all people. However, global politics of the 1980s undermined that impression and fostered hypocritical policies that manipulated Americans and devastated people around the world.</p><p>Originally conceived as "The Two Americas," <em>The Joshua Tree</em> was U2's critique of America. Rather than living up to the ideal that the country was "an idea that belongs to people who need it most," the band found that America sacrificed equality and justice for populism and fascism. This book explores the political, social, and cultural themes rooted in <em>The Joshua Tree</em> when it was originally released in 1987 and how those themes resonated as a response to the election of Donald Trump when U2 toured for the album's 30th anniversary.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2735</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3a1ad754-61d4-11ed-b513-a31910ae9153]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8552292932.mp3?updated=1668180751" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alan Shuback, "Hollywood at the Races: Film's Love Affair with the Turf" (UP of Kentucky, 2019)</title>
      <description>Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019)
A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback’s eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s.
In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California’s premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer’s obsession with racing, producing one of America’s most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire’s late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.)
Finally, Shuback analyzes the decline of both industries. It’s a sad note, but one that leaves you grateful for the memories.
Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 15 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alan Shuback</itunes:subtitle>
      <itunes:summary>Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019)
A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback’s eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s.
In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California’s premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer’s obsession with racing, producing one of America’s most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire’s late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.)
Finally, Shuback analyzes the decline of both industries. It’s a sad note, but one that leaves you grateful for the memories.
Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Alan Shuback about his book <a href="https://bookshop.org/a/12343/9780813178295"><em>Hollywood at the Races: Film's Love Affair with the Turf </em></a>(UP of Kentucky, 2019)</p><p>A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback’s eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s.</p><p>In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California’s premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer’s obsession with racing, producing one of America’s most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire’s late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.)</p><p>Finally, Shuback analyzes the decline of both industries. It’s a sad note, but one that leaves you grateful for the memories.</p><p><em>Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4098</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f971d076-5ed7-11ed-a1e7-1bb3d8614383]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1797353857.mp3?updated=1667852329" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Naomi A. Moland, "Can Big Bird Fight Terrorism?: Children's Television and Globalized Multicultural Education" (Oxford UP, 2019)</title>
      <description>Sesame Street has taught generations of Americans their letters and numbers, and also how to better understand and get along with people of different races, faiths, ethnicities, and temperaments. But the show has a global reach as well, with more than thirty co-productions of Sesame Street that are viewed in over 150 countries. In recent years, the United States Agency for International Development (USAID) has provided funding to the New York-based Sesame Workshop to create international versions of Sesame Street. Many of these programs teach children to respect diversity and tolerate others, which some hope will ultimately help to build peace in conflict-affected societies. In fact, the U.S. government has funded local versions of the show in several countries enmeshed in conflict, including Afghanistan, Kosovo, Pakistan, Jordan, and Nigeria.
Can Big Bird Fight Terrorism?: Children's Television and Globalized Multicultural Education (Oxford UP, 2019) takes an in-depth look at the Nigerian version, Sesame Square, which began airing in 2011. In addition to teaching preschool-level academic skills, Sesame Square seeks to promote peaceful coexistence-a daunting task in Nigeria, where escalating ethno-religious tensions and terrorism threaten to fracture the nation. After a year of interviewing Sesame creators, observing their production processes, conducting episode analysis, and talking to local educators who use the program in classrooms, Naomi Moland found that this child-focused use of soft power raised complex questions about how multicultural ideals translate into different settings. In Nigeria, where segregation, state fragility, and escalating conflict raise the stakes of peacebuilding efforts, multicultural education may be ineffective at best, and possibly even divisive. This book offers rare insights into the complexities, challenges, and dilemmas inherent in soft power attempts to teach the ideals of diversity and tolerance in countries suffering from internal conflicts.
﻿Sharonee Dasgupta is currently a graduate student in the department of anthropology at UMass Amherst.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>200</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Naomi A. Moland</itunes:subtitle>
      <itunes:summary>Sesame Street has taught generations of Americans their letters and numbers, and also how to better understand and get along with people of different races, faiths, ethnicities, and temperaments. But the show has a global reach as well, with more than thirty co-productions of Sesame Street that are viewed in over 150 countries. In recent years, the United States Agency for International Development (USAID) has provided funding to the New York-based Sesame Workshop to create international versions of Sesame Street. Many of these programs teach children to respect diversity and tolerate others, which some hope will ultimately help to build peace in conflict-affected societies. In fact, the U.S. government has funded local versions of the show in several countries enmeshed in conflict, including Afghanistan, Kosovo, Pakistan, Jordan, and Nigeria.
Can Big Bird Fight Terrorism?: Children's Television and Globalized Multicultural Education (Oxford UP, 2019) takes an in-depth look at the Nigerian version, Sesame Square, which began airing in 2011. In addition to teaching preschool-level academic skills, Sesame Square seeks to promote peaceful coexistence-a daunting task in Nigeria, where escalating ethno-religious tensions and terrorism threaten to fracture the nation. After a year of interviewing Sesame creators, observing their production processes, conducting episode analysis, and talking to local educators who use the program in classrooms, Naomi Moland found that this child-focused use of soft power raised complex questions about how multicultural ideals translate into different settings. In Nigeria, where segregation, state fragility, and escalating conflict raise the stakes of peacebuilding efforts, multicultural education may be ineffective at best, and possibly even divisive. This book offers rare insights into the complexities, challenges, and dilemmas inherent in soft power attempts to teach the ideals of diversity and tolerance in countries suffering from internal conflicts.
﻿Sharonee Dasgupta is currently a graduate student in the department of anthropology at UMass Amherst.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sesame Street has taught generations of Americans their letters and numbers, and also how to better understand and get along with people of different races, faiths, ethnicities, and temperaments. But the show has a global reach as well, with more than thirty co-productions of <em>Sesame Street</em> that are viewed in over 150 countries. In recent years, the United States Agency for International Development (USAID) has provided funding to the New York-based Sesame Workshop to create international versions of<em> Sesame Street</em>. Many of these programs teach children to respect diversity and tolerate others, which some hope will ultimately help to build peace in conflict-affected societies. In fact, the U.S. government has funded local versions of the show in several countries enmeshed in conflict, including Afghanistan, Kosovo, Pakistan, Jordan, and Nigeria.</p><p><a href="https://bookshop.org/a/12343/9780190903954"><em>Can Big Bird Fight Terrorism?: Children's Television and Globalized Multicultural Education</em></a><em> </em>(Oxford UP, 2019) takes an in-depth look at the Nigerian version, <em>Sesame Square</em>, which began airing in 2011. In addition to teaching preschool-level academic skills, <em>Sesame Square</em> seeks to promote peaceful coexistence-a daunting task in Nigeria, where escalating ethno-religious tensions and terrorism threaten to fracture the nation. After a year of interviewing Sesame creators, observing their production processes, conducting episode analysis, and talking to local educators who use the program in classrooms, Naomi Moland found that this child-focused use of soft power raised complex questions about how multicultural ideals translate into different settings. In Nigeria, where segregation, state fragility, and escalating conflict raise the stakes of peacebuilding efforts, multicultural education may be ineffective at best, and possibly even divisive. This book offers rare insights into the complexities, challenges, and dilemmas inherent in soft power attempts to teach the ideals of diversity and tolerance in countries suffering from internal conflicts.</p><p><em>﻿Sharonee Dasgupta is currently a graduate student in the department of anthropology at UMass Amherst.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1930</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN6097972574.mp3?updated=1668273714" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ryan Poll, "Aquaman and the War Against Oceans: Comics Activism and Allegory in the Anthropocene" (U Nebraska Press, 2022)</title>
      <description>In Aquaman and the War against Oceans (University of Nebraska Press, 2022), Ryan Poll explores ways the New 52 reimagining of Aquaman--a massive overhaul and rebranding of all DC Comics--transformed the character from a joke to an important figure of ecological justice. In this series, Aquaman becomes an accessible figure for charting environmental violences endemic to global capitalism and for developing a progressive and popular ecological imagination. Poll argues that The New 52 Aquaman should be read as an allegory that responds to the crises of the Anthropocene, in which the oceans have become a site of warfare and mass death. Poll contends that the series, which works to bridge the terrestrial and watery worlds, can be understood as a form of comics activism by visualizing and verbalizing how the oceans are both beyond the projects of the "human" and "humanism," and simultaneously, all-too-human geographies that are inextricable from the violent structures of capitalism, white supremacy, and patriarchy. The New 52 Aquaman, Poll demonstrates, proves an important form of ocean literacy in particular and ecological literacy more generally.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ryan Poll</itunes:subtitle>
      <itunes:summary>In Aquaman and the War against Oceans (University of Nebraska Press, 2022), Ryan Poll explores ways the New 52 reimagining of Aquaman--a massive overhaul and rebranding of all DC Comics--transformed the character from a joke to an important figure of ecological justice. In this series, Aquaman becomes an accessible figure for charting environmental violences endemic to global capitalism and for developing a progressive and popular ecological imagination. Poll argues that The New 52 Aquaman should be read as an allegory that responds to the crises of the Anthropocene, in which the oceans have become a site of warfare and mass death. Poll contends that the series, which works to bridge the terrestrial and watery worlds, can be understood as a form of comics activism by visualizing and verbalizing how the oceans are both beyond the projects of the "human" and "humanism," and simultaneously, all-too-human geographies that are inextricable from the violent structures of capitalism, white supremacy, and patriarchy. The New 52 Aquaman, Poll demonstrates, proves an important form of ocean literacy in particular and ecological literacy more generally.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.nebraskapress.unl.edu/nebraska/9781496225856/"><em>Aquaman and the War against Oceans</em></a><em> </em>(University of Nebraska Press, 2022), Ryan Poll explores ways the New 52 reimagining of Aquaman--a massive overhaul and rebranding of all DC Comics--transformed the character from a joke to an important figure of ecological justice. In this series, Aquaman becomes an accessible figure for charting environmental violences endemic to global capitalism and for developing a progressive and popular ecological imagination. Poll argues that The New 52 Aquaman should be read as an allegory that responds to the crises of the Anthropocene, in which the oceans have become a site of warfare and mass death. Poll contends that the series, which works to bridge the terrestrial and watery worlds, can be understood as a form of comics activism by visualizing and verbalizing how the oceans are both beyond the projects of the "human" and "humanism," and simultaneously, all-too-human geographies that are inextricable from the violent structures of capitalism, white supremacy, and patriarchy. The New 52 Aquaman, Poll demonstrates, proves an important form of ocean literacy in particular and ecological literacy more generally.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2512</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN7767493529.mp3?updated=1668178267" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adam Crowley, "Representations of Poverty in Videogames" (Palgrave MacMillan, 2022)</title>
      <description>Adam Crowley's book Representations of Poverty in Videogames (Palgrave MacMillan, 2022) argues that digital games address contemporary, middle-class anxieties about poverty in the United States. The early chapters consider gaming as a modern form of slumming and explore the ways in which titles like The Elder Scrolls V: Skyrim and World of Warcraft thematize poverty.
The argument turns to the field of literary studies to identify analytical frameworks for addressing and understanding these themes. Throughout, the book considers how the academic area of inquiry known as game studies has developed over time, and makes use of such scholarship to present, frame, and value its major claims and findings.
In its conclusion, the book models how poverty themes might be identified and associated for the purpose of gaining greater insights into how games can shape, and also be shaped by, the player’s economic expectations.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 11 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adam Crowley</itunes:subtitle>
      <itunes:summary>Adam Crowley's book Representations of Poverty in Videogames (Palgrave MacMillan, 2022) argues that digital games address contemporary, middle-class anxieties about poverty in the United States. The early chapters consider gaming as a modern form of slumming and explore the ways in which titles like The Elder Scrolls V: Skyrim and World of Warcraft thematize poverty.
The argument turns to the field of literary studies to identify analytical frameworks for addressing and understanding these themes. Throughout, the book considers how the academic area of inquiry known as game studies has developed over time, and makes use of such scholarship to present, frame, and value its major claims and findings.
In its conclusion, the book models how poverty themes might be identified and associated for the purpose of gaining greater insights into how games can shape, and also be shaped by, the player’s economic expectations.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Adam Crowley's book <a href="https://bookshop.org/a/12343/9783031001437"><em>Representations of Poverty in Videogames</em></a> (Palgrave MacMillan, 2022) argues that digital games address contemporary, middle-class anxieties about poverty in the United States. The early chapters consider gaming as a modern form of slumming and explore the ways in which titles like <em>The Elder Scrolls V: Skyrim</em> and <em>World of Warcraft</em> thematize poverty.</p><p>The argument turns to the field of literary studies to identify analytical frameworks for addressing and understanding these themes. Throughout, the book considers how the academic area of inquiry known as game studies has developed over time, and makes use of such scholarship to present, frame, and value its major claims and findings.</p><p>In its conclusion, the book models how poverty themes might be identified and associated for the purpose of gaining greater insights into how games can shape, and also be shaped by, the player’s economic expectations.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3752</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Emily J. H. Contois and Zenia Kish, "Food Instagram: Identity, Influence, and Negotiation" (U Illinois Press, 2022)</title>
      <description>Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish’s edited book Food Instagram: Identity, Influence, and Negotiation (published by the University of Illinois Press in 2022) explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food’s connection to Instagram from vantage points as diverse as Hong Kong’s camera-centric foodie culture, the platform’s long history with feminist eateries, and the photography of Australia’s livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.
Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 10 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>255</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily J. H. Contois and Zenia Kish</itunes:subtitle>
      <itunes:summary>Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish’s edited book Food Instagram: Identity, Influence, and Negotiation (published by the University of Illinois Press in 2022) explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food’s connection to Instagram from vantage points as diverse as Hong Kong’s camera-centric foodie culture, the platform’s long history with feminist eateries, and the photography of Australia’s livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.
Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish’s edited book <a href="https://bookshop.org/a/12343/9780252086540"><em>Food Instagram: Identity, Influence, and Negotiation</em></a> (published by the University of Illinois Press in 2022) explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food’s connection to Instagram from vantage points as diverse as Hong Kong’s camera-centric foodie culture, the platform’s long history with feminist eateries, and the photography of Australia’s livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.</p><p>Interdisciplinary in approach and transnational in scope, <em>Food Instagram: Identity, Influence, and Negotiation</em> offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives.</p><p><em>Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2988</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Natasha Lance Rogoff, "Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia" (Rowman &amp; Littlefield, 2022)</title>
      <description>After the collapse of the Soviet Union in the early 1990s, the timing appeared perfect to bring Sesame Street to millions of children living in the former Soviet Union. With the Muppets envisioned as ideal ambassadors of Western values, no one anticipated just how challenging and dangerous this would prove to be.
In Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia (Rowman &amp; Littlefield, 2022), Natasha Lance Rogoff brings this gripping tale to life. Amidst bombings, assassinations, and a military takeover of the production office, Lance Rogoff and the talented Moscow team of artists, writers, musicians, filmmakers, and puppeteers remained determined to bring laughter, learning, and a new way of seeing the world to children in Russia, Ukraine and across the former Soviet empire. With a sharp wit and compassion for her colleagues, Lance Rogoff observes how cultural clashes colored nearly every aspect of the production—from the show’s educational framework to writing comedy to the new Russian Muppets themselves—despite the team’s common goal.
Brimming with insight and nuance, Muppets in Moscow skillfully explores the post-Soviet societal tensions that continue to thwart the Russian people’s efforts to create a better future for their country. More than just a story of a children’s show, this book provides a valuable perspective of Russia’s people, their culture, and their complicated relationship with the West that remains relevant even today.
Natasha Lance Rogoff is an award-winning television director, producer and writer of more than 25 years. Her previous credits include executive producer of Ulitsa Sezam (Sesame Street in Russia) and producer of Plaza Sesamo (Sesame Street in Mexico.) After studying at the Leningrad State University, she wrote about Soviet underground culture, as well as one of the earliest exposé of Soviet government persecution of the Russian LGBTQ community in the San Francisco Chronicle. Her 1985 film, Rock Around the Kremlin, about underground rock artists, aired on ABC TV’s “20/20. Lance Rogoff embedded herself with hardline Russian communist fascists for two years, filming “Russia for Sale” which aired on ABC’s Nightline with Ted Koppel the night of the failed 1991 coup that ended the Soviet Union. She is now an Associate in the Art, Film and Visual Studies Department at Harvard University and lives between Cambridge, Massachusetts, and New York City. You can find her on Instagram and Twitter and follow the book on Facebook. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 09 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Natasha Lance Rogoff</itunes:subtitle>
      <itunes:summary>After the collapse of the Soviet Union in the early 1990s, the timing appeared perfect to bring Sesame Street to millions of children living in the former Soviet Union. With the Muppets envisioned as ideal ambassadors of Western values, no one anticipated just how challenging and dangerous this would prove to be.
In Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia (Rowman &amp; Littlefield, 2022), Natasha Lance Rogoff brings this gripping tale to life. Amidst bombings, assassinations, and a military takeover of the production office, Lance Rogoff and the talented Moscow team of artists, writers, musicians, filmmakers, and puppeteers remained determined to bring laughter, learning, and a new way of seeing the world to children in Russia, Ukraine and across the former Soviet empire. With a sharp wit and compassion for her colleagues, Lance Rogoff observes how cultural clashes colored nearly every aspect of the production—from the show’s educational framework to writing comedy to the new Russian Muppets themselves—despite the team’s common goal.
Brimming with insight and nuance, Muppets in Moscow skillfully explores the post-Soviet societal tensions that continue to thwart the Russian people’s efforts to create a better future for their country. More than just a story of a children’s show, this book provides a valuable perspective of Russia’s people, their culture, and their complicated relationship with the West that remains relevant even today.
Natasha Lance Rogoff is an award-winning television director, producer and writer of more than 25 years. Her previous credits include executive producer of Ulitsa Sezam (Sesame Street in Russia) and producer of Plaza Sesamo (Sesame Street in Mexico.) After studying at the Leningrad State University, she wrote about Soviet underground culture, as well as one of the earliest exposé of Soviet government persecution of the Russian LGBTQ community in the San Francisco Chronicle. Her 1985 film, Rock Around the Kremlin, about underground rock artists, aired on ABC TV’s “20/20. Lance Rogoff embedded herself with hardline Russian communist fascists for two years, filming “Russia for Sale” which aired on ABC’s Nightline with Ted Koppel the night of the failed 1991 coup that ended the Soviet Union. She is now an Associate in the Art, Film and Visual Studies Department at Harvard University and lives between Cambridge, Massachusetts, and New York City. You can find her on Instagram and Twitter and follow the book on Facebook. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After the collapse of the Soviet Union in the early 1990s, the timing appeared perfect to bring <em>Sesame Street </em>to millions of children living in the former Soviet Union. With the Muppets envisioned as ideal ambassadors of Western values, no one anticipated just how challenging and dangerous this would prove to be.</p><p>In <a href="https://bookshop.org/a/12343/9781538161289"><em>Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia</em></a><em> </em>(Rowman &amp; Littlefield, 2022), <a href="https://www.natashalancerogoff.com/">Natasha Lance Rogoff</a> brings this gripping tale to life. Amidst bombings, assassinations, and a military takeover of the production office, Lance Rogoff and the talented Moscow team of artists, writers, musicians, filmmakers, and puppeteers remained determined to bring laughter, learning, and a new way of seeing the world to children in Russia, Ukraine and across the former Soviet empire. With a sharp wit and compassion for her colleagues, Lance Rogoff observes how cultural clashes colored nearly every aspect of the production—from the show’s educational framework to writing comedy to the new Russian Muppets themselves—despite the team’s common goal.</p><p>Brimming with insight and nuance, <em>Muppets in Moscow</em> skillfully explores the post-Soviet societal tensions that continue to thwart the Russian people’s efforts to create a better future for their country. More than just a story of a children’s show, this book provides a valuable perspective of Russia’s people, their culture, and their complicated relationship with the West that remains relevant even today.</p><p>Natasha Lance Rogoff is an award-winning television director, producer and writer of more than 25 years. Her previous credits include executive producer of <em>Ulitsa Sezam</em> (Sesame Street in Russia) and producer of <em>Plaza Sesamo</em> (Sesame Street in Mexico.) After studying at the Leningrad State University, she wrote about Soviet underground culture, as well as one of the earliest exposé of Soviet government persecution of the Russian LGBTQ community in the San Francisco Chronicle. Her 1985 film, <em>Rock Around the Kremlin</em>, about underground rock artists, aired on ABC TV’s “20/20. Lance Rogoff embedded herself with hardline Russian communist fascists for two years, filming “Russia for Sale” which aired on ABC’s <em>Nightline with Ted Koppel</em> the night of the failed 1991 coup that ended the Soviet Union. She is now an Associate in the Art, Film and Visual Studies Department at Harvard University and lives between Cambridge, Massachusetts, and New York City. You can find her on <a href="https://www.instagram.com/natasha.lance.rogoff/">Instagram</a> and <a href="https://twitter.com/LanceRogoff">Twitter</a> and follow the book on <a href="https://www.facebook.com/MuppetsInMoscow/">Facebook</a>. </p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2662</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN2834893649.mp3?updated=1667415771" length="0" type="audio/mpeg"/>
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    <item>
      <title>Neta Yodovich, "Women Negotiating Feminism and Science Fiction Fandom: The Case of the 'Good' Fan" (Palgrave Macmillan, 2022)</title>
      <description>How do women balance feminist identities whilst being science fiction fans? In Women Negotiating Feminism and Science Fiction Fandom: The Case of the “Good” Fan (Palgrave MacMillan, 2022), Neta Yodovich, a postdoctoral researcher at the University of Haifa’s department of Sociology, explores the lived experience of feminist women who are sci-fi fans. The book shows their commitments to being both feminists and part of the sci-fi community, even where they face hostility and gatekeeping, personal ambivalences, and the reality of sci-fi as a problematic genre. Adopting an intersectional perspective, the book shows how race, age, and gender all play a role in the way feminist women interpret some of the biggest sci-fi franchises, as well as how they think about iconic characters. Crucially the analysis foregrounds the agency of feminist women sci-fi fans, demonstrating how they are challenging and changing the genre and its fan community for the better. Theoretically and empirically rich and deep, the book is essential reading across humanities and social sciences, as well as for anyone interested in fandom!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>329</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Neta Yodovich</itunes:subtitle>
      <itunes:summary>How do women balance feminist identities whilst being science fiction fans? In Women Negotiating Feminism and Science Fiction Fandom: The Case of the “Good” Fan (Palgrave MacMillan, 2022), Neta Yodovich, a postdoctoral researcher at the University of Haifa’s department of Sociology, explores the lived experience of feminist women who are sci-fi fans. The book shows their commitments to being both feminists and part of the sci-fi community, even where they face hostility and gatekeeping, personal ambivalences, and the reality of sci-fi as a problematic genre. Adopting an intersectional perspective, the book shows how race, age, and gender all play a role in the way feminist women interpret some of the biggest sci-fi franchises, as well as how they think about iconic characters. Crucially the analysis foregrounds the agency of feminist women sci-fi fans, demonstrating how they are challenging and changing the genre and its fan community for the better. Theoretically and empirically rich and deep, the book is essential reading across humanities and social sciences, as well as for anyone interested in fandom!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do women balance feminist identities whilst being science fiction fans? In <a href="https://bookshop.org/a/12343/9783031040788"><em>Women Negotiating Feminism and Science Fiction Fandom: The Case of the “Good” Fan</em></a><em> </em>(Palgrave MacMillan, 2022), <a href="https://twitter.com/NYodovich">Neta Yodovich,</a> a <a href="https://soc.hevra.haifa.ac.il/index.php/he/?option=com_content&amp;view=article&amp;id=279">postdoctoral researcher at the University of Haifa’s department of Sociology</a>, explores the lived experience of feminist women who are sci-fi fans. The book shows their commitments to being both feminists and part of the sci-fi community, even where they face hostility and gatekeeping, personal ambivalences, and the reality of sci-fi as a problematic genre. Adopting an intersectional perspective, the book shows how race, age, and gender all play a role in the way feminist women interpret some of the biggest sci-fi franchises, as well as how they think about iconic characters. Crucially the analysis foregrounds the agency of feminist women sci-fi fans, demonstrating how they are challenging and changing the genre and its fan community for the better. Theoretically and empirically rich and deep, the book is essential reading across humanities and social sciences, as well as for anyone interested in fandom!</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[11923988-5c3b-11ed-88c2-0374c8103674]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6256844181.mp3?updated=1667565066" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bruce Davis, "The Academy and the Award: The Coming of Age of Oscar and the Academy of Motion Picture Arts and Sciences" (Brandeis UP, 2022)</title>
      <description>Written by the former executive director of the Academy, this is the first behind-the-scenes history of the organization behind the Academy Awards. 
For all the near-fanatic attention brought each year to the Awards, the organization that dispenses those awards--the Academy of Motion Picture Arts and Sciences--has never been well-understood. The organization itself has never produced a thorough account of its birth and its touch-and-go adolescence, and the few reports on those periods from outside have always had a glancing, cursory quality. Yet the story of the Academy's birth and maturation is a critical piece of Hollywood's history. Now that story is finally being told. Bruce Davis, executive director of the Academy for over twenty years, was given unprecedented access to its archives, and the result is a revealing and compelling story of the men and women, famous and infamous, who shaped one of the best-known organizations in the world. No one has ever written about the Academy with as intimate a view of its workings, its awards, and its world-famous membership. Thorough and long overdue, The Academy and the Award: The Coming of Age of Oscar and the Academy of Motion Picture Arts and Sciences (Brandeis UP, 2022) fills in a crucial gap in Hollywood history.
﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bruce Davis</itunes:subtitle>
      <itunes:summary>Written by the former executive director of the Academy, this is the first behind-the-scenes history of the organization behind the Academy Awards. 
For all the near-fanatic attention brought each year to the Awards, the organization that dispenses those awards--the Academy of Motion Picture Arts and Sciences--has never been well-understood. The organization itself has never produced a thorough account of its birth and its touch-and-go adolescence, and the few reports on those periods from outside have always had a glancing, cursory quality. Yet the story of the Academy's birth and maturation is a critical piece of Hollywood's history. Now that story is finally being told. Bruce Davis, executive director of the Academy for over twenty years, was given unprecedented access to its archives, and the result is a revealing and compelling story of the men and women, famous and infamous, who shaped one of the best-known organizations in the world. No one has ever written about the Academy with as intimate a view of its workings, its awards, and its world-famous membership. Thorough and long overdue, The Academy and the Award: The Coming of Age of Oscar and the Academy of Motion Picture Arts and Sciences (Brandeis UP, 2022) fills in a crucial gap in Hollywood history.
﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Written by the former executive director of the Academy, this is the first behind-the-scenes history of the organization behind the Academy Awards. </p><p>For all the near-fanatic attention brought each year to the Awards, the organization that dispenses those awards--the Academy of Motion Picture Arts and Sciences--has never been well-understood. The organization itself has never produced a thorough account of its birth and its touch-and-go adolescence, and the few reports on those periods from outside have always had a glancing, cursory quality. Yet the story of the Academy's birth and maturation is a critical piece of Hollywood's history. Now that story is finally being told. Bruce Davis, executive director of the Academy for over twenty years, was given unprecedented access to its archives, and the result is a revealing and compelling story of the men and women, famous and infamous, who shaped one of the best-known organizations in the world. No one has ever written about the Academy with as intimate a view of its workings, its awards, and its world-famous membership. Thorough and long overdue, <a href="https://bookshop.org/a/12343/9781684581191"><em>The Academy and the Award: The Coming of Age of Oscar and the Academy of Motion Picture Arts and Sciences</em></a> (Brandeis UP, 2022) fills in a crucial gap in Hollywood history.</p><p><em>﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3954</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Elizabeth Schroeder Schlabach, "Dream Books and Gamblers: Black Women's Work in Chicago's Policy Game" (U Illinois Press, 2022)</title>
      <description>Ubiquitous illegal lotteries known as policy flourished in Chicago's Black community during the overlapping waves of the Great Migration. Policy "queens" owned stakes in lucrative operations while women writers and clerks canvased the neighborhood, passed out winnings, and kept the books. 
In Dream Books and Gamblers: Black Women's Work in Chicago's Policy Game (University of Illinois Press, 2022). Elizabeth Schroeder Schlabach examines the complexities of policy and gender politics in Chicago. Policy provided Black women with a livelihood for themselves and their families. At the same time, navigating gender expectations, aggressive policing, and other hazards of the infromal economy led them to refashion ideas about Black womanhood and respectability. Policy earnings also funded above-board enterprises ranging from neighborhood businesses to philanthropic institutions, and Schlabach delves into the various ways Black women straddled the illegal policy business and reputable community involvement.
Vivid and revealing, Dream Books and Gamblers tells the stories of Black women in the underground economy and how they used their work to balance the demands of living and laboring in Black Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 07 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>333</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elizabeth Schroeder Schlabach</itunes:subtitle>
      <itunes:summary>Ubiquitous illegal lotteries known as policy flourished in Chicago's Black community during the overlapping waves of the Great Migration. Policy "queens" owned stakes in lucrative operations while women writers and clerks canvased the neighborhood, passed out winnings, and kept the books. 
In Dream Books and Gamblers: Black Women's Work in Chicago's Policy Game (University of Illinois Press, 2022). Elizabeth Schroeder Schlabach examines the complexities of policy and gender politics in Chicago. Policy provided Black women with a livelihood for themselves and their families. At the same time, navigating gender expectations, aggressive policing, and other hazards of the infromal economy led them to refashion ideas about Black womanhood and respectability. Policy earnings also funded above-board enterprises ranging from neighborhood businesses to philanthropic institutions, and Schlabach delves into the various ways Black women straddled the illegal policy business and reputable community involvement.
Vivid and revealing, Dream Books and Gamblers tells the stories of Black women in the underground economy and how they used their work to balance the demands of living and laboring in Black Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ubiquitous illegal lotteries known as policy flourished in Chicago's Black community during the overlapping waves of the Great Migration. Policy "queens" owned stakes in lucrative operations while women writers and clerks canvased the neighborhood, passed out winnings, and kept the books. </p><p>In <a href="https://bookshop.org/a/12343/9780252044786"><em>Dream Books and Gamblers: Black Women's Work in Chicago's Policy Game</em></a> (University of Illinois Press, 2022). Elizabeth Schroeder Schlabach examines the complexities of policy and gender politics in Chicago. Policy provided Black women with a livelihood for themselves and their families. At the same time, navigating gender expectations, aggressive policing, and other hazards of the infromal economy led them to refashion ideas about Black womanhood and respectability. Policy earnings also funded above-board enterprises ranging from neighborhood businesses to philanthropic institutions, and Schlabach delves into the various ways Black women straddled the illegal policy business and reputable community involvement.</p><p>Vivid and revealing, <em>Dream Books and Gamblers</em> tells the stories of Black women in the underground economy and how they used their work to balance the demands of living and laboring in Black Chicago.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2906</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d7285ec-5ddb-11ed-a17a-fbf4a65615fb]]></guid>
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    <item>
      <title>Peter Rehberg, "Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt'" (Routledge, 2022)</title>
      <description>It’s easy to forget that the cultural archetypes that pass for queerness today have historical roots. Some of these roots are mere years away from today’s reality but they are nonetheless distinct and come with their own artefacts and subcultures.
Peter Rehberg’s book Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt' (Routledge, 2022) looks at one such source artefact and its fandom, using as its matter the pink-papered magazine Butt which gained a cult following among European gay men in the first decade of the 2000s. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.
Peter Rehberg speaks to Pierre d’Alancaisez about pornography after porn, Butt‘s outsized influence and the ultimate failures of its politics, as well as queer theory’s urgent need to refocus on the realities of sex and sexuality.
Peter Rehberg is a writer, critic, and curator. He holds a PhD in German Literature from New York University and has taught and researched at universities and institutes including Cornell, Northwestern, Brown, University of Bonn, The University of Texas at Austin, and The University of Illinois, Chicago. He has published two novels and a collection of short stories. He also writes regularly for German media. In his academic work, he focusses on queer theory, queer visual culture, and popular culture. He is also the head of collections and archives at Schwules Museum, Berlin.
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 04 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Rehberg</itunes:subtitle>
      <itunes:summary>It’s easy to forget that the cultural archetypes that pass for queerness today have historical roots. Some of these roots are mere years away from today’s reality but they are nonetheless distinct and come with their own artefacts and subcultures.
Peter Rehberg’s book Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt' (Routledge, 2022) looks at one such source artefact and its fandom, using as its matter the pink-papered magazine Butt which gained a cult following among European gay men in the first decade of the 2000s. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.
Peter Rehberg speaks to Pierre d’Alancaisez about pornography after porn, Butt‘s outsized influence and the ultimate failures of its politics, as well as queer theory’s urgent need to refocus on the realities of sex and sexuality.
Peter Rehberg is a writer, critic, and curator. He holds a PhD in German Literature from New York University and has taught and researched at universities and institutes including Cornell, Northwestern, Brown, University of Bonn, The University of Texas at Austin, and The University of Illinois, Chicago. He has published two novels and a collection of short stories. He also writes regularly for German media. In his academic work, he focusses on queer theory, queer visual culture, and popular culture. He is also the head of collections and archives at Schwules Museum, Berlin.
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s easy to forget that the cultural archetypes that pass for queerness today have historical roots. Some of these roots are mere years away from today’s reality but they are nonetheless distinct and come with their own artefacts and subcultures.</p><p>Peter Rehberg’s book <a href="https://bookshop.org/a/12343/9781032044613"><em>Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt'</em></a><em> (</em>Routledge, 2022) looks at one such source artefact and its fandom, using as its matter the pink-papered magazine <em>Butt</em> which gained a cult following among European gay men in the first decade of the 2000s. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.</p><p>Peter Rehberg speaks to Pierre d’Alancaisez about pornography after porn, <em>Butt</em>‘s outsized influence and the ultimate failures of its politics, as well as queer theory’s urgent need to refocus on the realities of sex and sexuality.</p><p>Peter Rehberg is a writer, critic, and curator. He holds a PhD in German Literature from New York University and has taught and researched at universities and institutes including Cornell, Northwestern, Brown, University of Bonn, The University of Texas at Austin, and The University of Illinois, Chicago. He has published two novels and a collection of short stories. He also writes regularly for German media. In his academic work, he focusses on queer theory, queer visual culture, and popular culture. He is also the head of collections and archives at <a href="https://www.schwulesmuseum.de/">Schwules Museum</a>, Berlin.</p><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4074</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cd6f7e54-56ff-11ed-b5b5-db12007fadb8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8205294752.mp3?updated=1666989781" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew McIlwaine Bell, "The Origins of Southern College Football: How an Ivy League Game Became a Dixie Tradition" (LSU Press, 2020)</title>
      <description>College football is a massive enterprise in the United States, and southern teams dominate poll rankings and sports headlines while generating billions in revenue for public schools and private companies. Southern football fans worship their teams, often rearranging their personal lives in order to accommodate season schedules. Andrew McIlwaine Bell's book The Origins of Southern College Football: How an Ivy League Game Became a Dixie Tradition (LSU Press, 2020) sheds new light on the South’s obsession with football and explores the sport’s beginnings below the Mason-Dixon Line in the decades after the Civil War.
Military defeat followed by a long period of cultural unrest compelled many southerners to look to northern ideas and customs for guidance in rebuilding their beleaguered society. Ivy League universities, considered bastions of enlightenment and symbols of the modernizing spirit of the age, provided a particular source of inspiration for southerners in the form of organized or “scientific” football that featured standardized rules and scoring. Transported to the South by men educated at northern universities, scientific football reinforced cultural values that had existed in the region for centuries, among them a tolerance for violence, respect for martial displays, and support for traditional gender roles. The game also held the promise of a “New South” that its supporters hoped would transform the region into an industrial powerhouse. Students and townspeople alike embraced the new sport, which served as a source of pride for a region that lagged woefully behind its northern counterpart in terms of social equity and economic prowess.
The Origins of Southern College Football (LSU Press, 2020) is an entertaining history of the South’s most popular sport cast against a broader narrative of the United States during the Gilded Age and Progressive Era, two momentous periods of change that gave rise to the game we recognize today.
Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at bkoerber@andrew.cmu.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>231</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew McIlwaine Bell</itunes:subtitle>
      <itunes:summary>College football is a massive enterprise in the United States, and southern teams dominate poll rankings and sports headlines while generating billions in revenue for public schools and private companies. Southern football fans worship their teams, often rearranging their personal lives in order to accommodate season schedules. Andrew McIlwaine Bell's book The Origins of Southern College Football: How an Ivy League Game Became a Dixie Tradition (LSU Press, 2020) sheds new light on the South’s obsession with football and explores the sport’s beginnings below the Mason-Dixon Line in the decades after the Civil War.
Military defeat followed by a long period of cultural unrest compelled many southerners to look to northern ideas and customs for guidance in rebuilding their beleaguered society. Ivy League universities, considered bastions of enlightenment and symbols of the modernizing spirit of the age, provided a particular source of inspiration for southerners in the form of organized or “scientific” football that featured standardized rules and scoring. Transported to the South by men educated at northern universities, scientific football reinforced cultural values that had existed in the region for centuries, among them a tolerance for violence, respect for martial displays, and support for traditional gender roles. The game also held the promise of a “New South” that its supporters hoped would transform the region into an industrial powerhouse. Students and townspeople alike embraced the new sport, which served as a source of pride for a region that lagged woefully behind its northern counterpart in terms of social equity and economic prowess.
The Origins of Southern College Football (LSU Press, 2020) is an entertaining history of the South’s most popular sport cast against a broader narrative of the United States during the Gilded Age and Progressive Era, two momentous periods of change that gave rise to the game we recognize today.
Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at bkoerber@andrew.cmu.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>College football is a massive enterprise in the United States, and southern teams dominate poll rankings and sports headlines while generating billions in revenue for public schools and private companies. Southern football fans worship their teams, often rearranging their personal lives in order to accommodate season schedules. Andrew McIlwaine Bell's book <a href="https://bookshop.org/a/12343/9780807171202"><em>The Origins of Southern College Football: How an Ivy League Game Became a Dixie Tradition</em></a> (LSU Press, 2020) sheds new light on the South’s obsession with football and explores the sport’s beginnings below the Mason-Dixon Line in the decades after the Civil War.</p><p>Military defeat followed by a long period of cultural unrest compelled many southerners to look to northern ideas and customs for guidance in rebuilding their beleaguered society. Ivy League universities, considered bastions of enlightenment and symbols of the modernizing spirit of the age, provided a particular source of inspiration for southerners in the form of organized or “scientific” football that featured standardized rules and scoring. Transported to the South by men educated at northern universities, scientific football reinforced cultural values that had existed in the region for centuries, among them a tolerance for violence, respect for martial displays, and support for traditional gender roles. The game also held the promise of a “New South” that its supporters hoped would transform the region into an industrial powerhouse. Students and townspeople alike embraced the new sport, which served as a source of pride for a region that lagged woefully behind its northern counterpart in terms of social equity and economic prowess.</p><p><a href="https://lsupress.org/books/detail/origins-of-southern-college-football/#:~:text=by%20Andrew%20McIlwaine%20Bell&amp;text=The%20Origins%20of%20Southern%20College%20Football%20sheds%20new%20light%20on,decades%20after%20the%20Civil%20War."><em>The Origins of Southern College Football</em> </a>(LSU Press, 2020) is an entertaining history of the South’s most popular sport cast against a broader narrative of the United States during the Gilded Age and Progressive Era, two momentous periods of change that gave rise to the game we recognize today.</p><p><em>Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at bkoerber@andrew.cmu.edu</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2818</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[84d63176-56d5-11ed-b8a7-cb8607043941]]></guid>
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      <title>Shaken and Stirred</title>
      <description>We couldn’t do a season on the Cold War without talking about Bond . . . James Bond. He was there from the beginning and has of course survived into the post-Cold War era. So many films, so many Bonds. We’ve talked about nuclear warfare, espionage and intrigue, evil deep state corporations and corrupt national security institutions, and human stories of love and loss behind the Iron Curtain. Bond’s been through it all. Our films cover four Bonds - Sean Connery’s From Russia With Love (1963), Roger Moore’s For Your Eyes Only (1981), and Pierce Brosnan’s Goldeneye (1995). We end with a discussion of the post-9/11 Bond, Daniel Craig, especially 2012’s Skyfall. We demonstrate how Bond transcends the Cold War, acts as an avatar for a Britain that no longer exists, and, despite a number of cosmetic changes after 9/11, demonstrates surprising continuity over 60 years.
Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On "From Russia With Love" (1963), "For Your Eyes Only" (1981), "Goldeneye" (1995), and "Skyfall" (2012)</itunes:subtitle>
      <itunes:summary>We couldn’t do a season on the Cold War without talking about Bond . . . James Bond. He was there from the beginning and has of course survived into the post-Cold War era. So many films, so many Bonds. We’ve talked about nuclear warfare, espionage and intrigue, evil deep state corporations and corrupt national security institutions, and human stories of love and loss behind the Iron Curtain. Bond’s been through it all. Our films cover four Bonds - Sean Connery’s From Russia With Love (1963), Roger Moore’s For Your Eyes Only (1981), and Pierce Brosnan’s Goldeneye (1995). We end with a discussion of the post-9/11 Bond, Daniel Craig, especially 2012’s Skyfall. We demonstrate how Bond transcends the Cold War, acts as an avatar for a Britain that no longer exists, and, despite a number of cosmetic changes after 9/11, demonstrates surprising continuity over 60 years.
Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We couldn’t do a season on the Cold War without talking about Bond . . . James Bond. He was there from the beginning and has of course survived into the post-Cold War era. So many films, so many Bonds. We’ve talked about nuclear warfare, espionage and intrigue, evil deep state corporations and corrupt national security institutions, and human stories of love and loss behind the Iron Curtain. Bond’s been through it all. Our films cover four Bonds - Sean Connery’s <em>From Russia With Love</em> (1963), Roger Moore’s <em>For Your Eyes Only</em> (1981), and Pierce Brosnan’s <em>Goldeneye</em> (1995). We end with a discussion of the post-9/11 Bond, Daniel Craig, especially 2012’s <em>Skyfall</em>. We demonstrate how Bond transcends the Cold War, acts as an avatar for a Britain that no longer exists, and, despite a number of cosmetic changes after 9/11, demonstrates surprising continuity over 60 years.</p><p><a href="http://sru.edu/"><em>Lia Paradis</em></a><em> is a professor of history at Slippery Rock University. </em><a href="https://www.lynchburg.edu/academics/faculty/brian-crim/"><em>Brian Crim</em></a><em> is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go </em><a href="https://liesagreedupon.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3748</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff07eef8-59ff-11ed-8140-73804ed45afa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3135890066.mp3?updated=1667319772" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily Weinstein and Carrie James, "Behind Their Screens: What Teens Are Facing (and Adults Are Missing)" (MIT Press, 2022)</title>
      <description>What are teens actually doing on their smartphones? Contrary to many adults' assumptions, they are not simply "addicted" to their screens, oblivious to the afterlife of what they post, or missing out on personal connection. They are just trying to navigate a networked world. In Behind Their Screens: What Teens Are Facing (and Adults Are Missing) (MIT Press, 2022), Emily Weinstein and Carrie James, Harvard researchers who are experts on teens and technology, explore the complexities that teens face in their digital lives, and suggest that many adult efforts to help--"Get off your phone!" "Just don't sext!"--fall short.
Weinstein and James warn against a single-minded focus by adults on "screen time." Teens worry about dependence on their devices, but disconnecting means being out of the loop socially, with absence perceived as rudeness or even a failure to be there for a struggling friend. Drawing on a multiyear project that surveyed more than 3,500 teens, the authors explain that young people need empathy, not exasperated eye-rolling. Adults should understand the complicated nature of teens' online life rather than issue commands, and they should normalize--let teens know that their challenges are shared by others--without minimizing or dismissing. Along the way, Weinstein and James describe different kinds of sexting and explain such phenomena as watermarking nudes, comparison quicksand, digital pacifiers, and collecting receipts. Behind Their Screens offers essential reading for any adult who cares about supporting teens in an online world.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 31 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>254</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily Weinstein and Carrie James</itunes:subtitle>
      <itunes:summary>What are teens actually doing on their smartphones? Contrary to many adults' assumptions, they are not simply "addicted" to their screens, oblivious to the afterlife of what they post, or missing out on personal connection. They are just trying to navigate a networked world. In Behind Their Screens: What Teens Are Facing (and Adults Are Missing) (MIT Press, 2022), Emily Weinstein and Carrie James, Harvard researchers who are experts on teens and technology, explore the complexities that teens face in their digital lives, and suggest that many adult efforts to help--"Get off your phone!" "Just don't sext!"--fall short.
Weinstein and James warn against a single-minded focus by adults on "screen time." Teens worry about dependence on their devices, but disconnecting means being out of the loop socially, with absence perceived as rudeness or even a failure to be there for a struggling friend. Drawing on a multiyear project that surveyed more than 3,500 teens, the authors explain that young people need empathy, not exasperated eye-rolling. Adults should understand the complicated nature of teens' online life rather than issue commands, and they should normalize--let teens know that their challenges are shared by others--without minimizing or dismissing. Along the way, Weinstein and James describe different kinds of sexting and explain such phenomena as watermarking nudes, comparison quicksand, digital pacifiers, and collecting receipts. Behind Their Screens offers essential reading for any adult who cares about supporting teens in an online world.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are teens actually doing on their smartphones? Contrary to many adults' assumptions, they are not simply "addicted" to their screens, oblivious to the afterlife of what they post, or missing out on personal connection. They are just trying to navigate a networked world. In <a href="https://bookshop.org/a/12343/9780262047357"><em>Behind Their Screens: What Teens Are Facing (and Adults Are Missing)</em></a><em> </em>(MIT Press, 2022), Emily Weinstein and Carrie James, Harvard researchers who are experts on teens and technology, explore the complexities that teens face in their digital lives, and suggest that many adult efforts to help--"Get off your phone!" "Just don't sext!"--fall short.</p><p>Weinstein and James warn against a single-minded focus by adults on "screen time." Teens worry about dependence on their devices, but disconnecting means being out of the loop socially, with absence perceived as rudeness or even a failure to be there for a struggling friend. Drawing on a multiyear project that surveyed more than 3,500 teens, the authors explain that young people need empathy, not exasperated eye-rolling. Adults should understand the complicated nature of teens' online life rather than issue commands, and they should normalize--let teens know that their challenges are shared by others--without minimizing or dismissing. Along the way, Weinstein and James describe different kinds of sexting and explain such phenomena as watermarking nudes, comparison quicksand, digital pacifiers, and collecting receipts. <em>Behind Their Screens</em> offers essential reading for any adult who cares about supporting teens in an online world.</p><p><em>Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3866</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Joseph McBride, "The Whole Durn Human Comedy: Life According to the Coen Brothers" (Anthem Press, 2022)</title>
      <description>The Coen Bros. have attracted a wide following and have been rewarded with Oscars and other honors. Some of their films such as Fargo, The Big Lebowski, and No Country for Old Men are cult favorites and box office hits. Yet this team of filmmaking brothers remains misunderstood in some critical circles, partly because, like John Ford, they mischievously refuse to explain themselves to interviewers, preferring to let their work speak for itself. Ethan and Joel Coen also delight in unsettling cinematic conventions and confounding audiences while raising disturbing questions about human nature.
Mixing film genres and styles, playing with narrative in postmodernist ways, the Coens' films display shocking tonal shifts as they blend comedy and drama and, most controversially, comedy and violence. This potent mélange of themes and stylistic approaches makes the Coens' films adventurous, unpredictable probes into social anxieties and reflections on the omnipresence of evil in the modern world. In their trenchant satire, these brilliant writer-directors are heirs to Preston Sturges and Billy Wilder, and as satirists tend to do, the Coens sometimes provoke audience anger and incomprehension along with enjoyment of their penchant for black comedy.
In The Whole Durn Human Comedy: Life According to the Coen Brothers (Anthem Press, 2022), film historian and critic Joseph McBride jousts with the Coens' detractors while defining the filmmakers' freshness and originality. The quirkily individualistic Coens are the kind of personal filmmakers the increasingly conglomerated American cinema rarely fosters anymore, a distinction partly attributable to their following in Europe and their partial financing by European sources. This critical study goes beyond the often-superficial and confused nature of Coen criticism to illuminate their artistic personalities and contributions to cinematic culture.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 28 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joseph McBride</itunes:subtitle>
      <itunes:summary>The Coen Bros. have attracted a wide following and have been rewarded with Oscars and other honors. Some of their films such as Fargo, The Big Lebowski, and No Country for Old Men are cult favorites and box office hits. Yet this team of filmmaking brothers remains misunderstood in some critical circles, partly because, like John Ford, they mischievously refuse to explain themselves to interviewers, preferring to let their work speak for itself. Ethan and Joel Coen also delight in unsettling cinematic conventions and confounding audiences while raising disturbing questions about human nature.
Mixing film genres and styles, playing with narrative in postmodernist ways, the Coens' films display shocking tonal shifts as they blend comedy and drama and, most controversially, comedy and violence. This potent mélange of themes and stylistic approaches makes the Coens' films adventurous, unpredictable probes into social anxieties and reflections on the omnipresence of evil in the modern world. In their trenchant satire, these brilliant writer-directors are heirs to Preston Sturges and Billy Wilder, and as satirists tend to do, the Coens sometimes provoke audience anger and incomprehension along with enjoyment of their penchant for black comedy.
In The Whole Durn Human Comedy: Life According to the Coen Brothers (Anthem Press, 2022), film historian and critic Joseph McBride jousts with the Coens' detractors while defining the filmmakers' freshness and originality. The quirkily individualistic Coens are the kind of personal filmmakers the increasingly conglomerated American cinema rarely fosters anymore, a distinction partly attributable to their following in Europe and their partial financing by European sources. This critical study goes beyond the often-superficial and confused nature of Coen criticism to illuminate their artistic personalities and contributions to cinematic culture.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Coen Bros. have attracted a wide following and have been rewarded with Oscars and other honors. Some of their films such as Fargo, The Big Lebowski, and No Country for Old Men are cult favorites and box office hits. Yet this team of filmmaking brothers remains misunderstood in some critical circles, partly because, like John Ford, they mischievously refuse to explain themselves to interviewers, preferring to let their work speak for itself. Ethan and Joel Coen also delight in unsettling cinematic conventions and confounding audiences while raising disturbing questions about human nature.</p><p>Mixing film genres and styles, playing with narrative in postmodernist ways, the Coens' films display shocking tonal shifts as they blend comedy and drama and, most controversially, comedy and violence. This potent mélange of themes and stylistic approaches makes the Coens' films adventurous, unpredictable probes into social anxieties and reflections on the omnipresence of evil in the modern world. In their trenchant satire, these brilliant writer-directors are heirs to Preston Sturges and Billy Wilder, and as satirists tend to do, the Coens sometimes provoke audience anger and incomprehension along with enjoyment of their penchant for black comedy.</p><p>In <a href="https://bookshop.org/a/12343/9781839983313"><em>The Whole Durn Human Comedy: Life According to the Coen Brothers</em></a> (Anthem Press, 2022), film historian and critic Joseph McBride jousts with the Coens' detractors while defining the filmmakers' freshness and originality. The quirkily individualistic Coens are the kind of personal filmmakers the increasingly conglomerated American cinema rarely fosters anymore, a distinction partly attributable to their following in Europe and their partial financing by European sources. This critical study goes beyond the often-superficial and confused nature of Coen criticism to illuminate their artistic personalities and contributions to cinematic culture.</p><p><a href="https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html"><em>Nathan Abrams</em></a><em> is a professor of film at Bangor University in Wales. </em><a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029"><em>His most recent work</em></a><em> is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3779</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[530b1146-50b5-11ed-9251-378cd4d73678]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8084366785.mp3?updated=1666298717" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ross Cole, "The Folk: Music, Modernity, and the Political Imagination" (U California Press, 2021)</title>
      <description>In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture’ actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result.
Cole makes the compelling case that what he calls the ‘folkloric imagination’ is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk’ in contemporary political culture.
Dr Ross Cole is Lecturer in Popular Music at the University of Leeds.
﻿Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 28 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ross Cole</itunes:subtitle>
      <itunes:summary>In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture’ actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result.
Cole makes the compelling case that what he calls the ‘folkloric imagination’ is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk’ in contemporary political culture.
Dr Ross Cole is Lecturer in Popular Music at the University of Leeds.
﻿Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520383746"><em>The Folk: Music, Modernity, and the Political Imagination</em></a><em> </em>(U California Press, 2021)<em>, </em>Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture’ actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result.</p><p>Cole makes the compelling case that what he calls the ‘folkloric imagination’ is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. <em>The Folk</em> traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk’ in contemporary political culture.</p><p>Dr Ross Cole is Lecturer in Popular Music at the University of Leeds.</p><p><em>﻿Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3684</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Andrei Nae, "Immersion, Narrative, and Gender Crisis in Survival Horror Video Games" (Routledge, 2021)</title>
      <description>Andrei Nae's book Immersion, Narrative, and Gender Crisis in Survival Horror Video Games (Routledge, 2021) investigates the narrativity of some of the most popular survival horror video games and the gender politics implicit in their storyworlds. In a thorough analysis of the genre that draws upon detailed comparisons with the mainstream action genre, Andrei Nae places his analysis firmly within a political and social context.
In comparing survival horror games to the dominant game design norms of the action genre, the author differentiates between classical and postclassical survival horror games to show how the former reject the norms of the action genre and deliver a critique of the conservative gender politics of action games, while the latter are more heterogeneous in terms of their game design and, implicitly, gender politics.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>131</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrei Nae</itunes:subtitle>
      <itunes:summary>Andrei Nae's book Immersion, Narrative, and Gender Crisis in Survival Horror Video Games (Routledge, 2021) investigates the narrativity of some of the most popular survival horror video games and the gender politics implicit in their storyworlds. In a thorough analysis of the genre that draws upon detailed comparisons with the mainstream action genre, Andrei Nae places his analysis firmly within a political and social context.
In comparing survival horror games to the dominant game design norms of the action genre, the author differentiates between classical and postclassical survival horror games to show how the former reject the norms of the action genre and deliver a critique of the conservative gender politics of action games, while the latter are more heterogeneous in terms of their game design and, implicitly, gender politics.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Andrei Nae's book <a href="https://bookshop.org/a/12343/9780367894115"><em>Immersion, Narrative, and Gender Crisis in Survival Horror Video Games</em></a> (Routledge, 2021) investigates the narrativity of some of the most popular survival horror video games and the gender politics implicit in their storyworlds. In a thorough analysis of the genre that draws upon detailed comparisons with the mainstream action genre, Andrei Nae places his analysis firmly within a political and social context.</p><p>In comparing survival horror games to the dominant game design norms of the action genre, the author differentiates between classical and postclassical survival horror games to show how the former reject the norms of the action genre and deliver a critique of the conservative gender politics of action games, while the latter are more heterogeneous in terms of their game design and, implicitly, gender politics.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3268</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[78f065ca-4f0f-11ed-a9bf-e3f01dd1c9e8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1550716154.mp3?updated=1666117194" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mallory Lewis and Nat Segaloff, "Shari Lewis and Lamb Chop: The Team That Changed Children's TV" (UP of Kentucky, 2022)</title>
      <description>Two decades after Lewis and Lamb Chop last graced television with their presence, Lewis' daughter Mallory and author Nat Segaloff have set the record straight about the iconic pair in Shari Lewis and Lamb Chop: The Team that Changed Children's Television (University of Kentucky Press, 2022). For almost half a century, celebrated ventriloquist and entertainer Shari Lewis delighted generations of children and adults with the help of her trusted sock puppet sidekick Lamb Chop. For decades, the beloved pair were synonymous with children's television, educating and entrancing their young audience with their symbiotic personalities and their proclivity for song, dance, and the joy of silliness. But as iconic as their television personas were, relatively little inside knowledge has been revealed about Lewis herself and the life-changing moments that led her to the entertainment industry and perhaps, most importantly, to Lamb Chop. 
Renowned for her skills as a performer, Lewis was an equally skilled businesswoman. Operating in an era when women were largely left out of the conversation, she was one of the few women to run her own television production company. Whether it was singing, dancing, conducting, writing, drawing, or ventriloquism-a skill in which she was virtually unmatched-Lewis spent the entirety of her 65 years in pursuit of performative perfection. Constantly innovating and adapting to the needs of her audience and the market, Lewis extended the longevity of her career decade after decade. Her contributions, and that of Lamb Chop, and the rest of her puppet pals forever changed the history of children's television. In this seminal biography, the pair pull the veritable wool from the eyes of audiences who adored the legendary entertainer to examine the joys, sorrows, triumphs, and sheer hard work that gave Lewis and Lamb Chop their enduring star power. To learn more, visit Mallory Lewis here. 
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mallory Lewis</itunes:subtitle>
      <itunes:summary>Two decades after Lewis and Lamb Chop last graced television with their presence, Lewis' daughter Mallory and author Nat Segaloff have set the record straight about the iconic pair in Shari Lewis and Lamb Chop: The Team that Changed Children's Television (University of Kentucky Press, 2022). For almost half a century, celebrated ventriloquist and entertainer Shari Lewis delighted generations of children and adults with the help of her trusted sock puppet sidekick Lamb Chop. For decades, the beloved pair were synonymous with children's television, educating and entrancing their young audience with their symbiotic personalities and their proclivity for song, dance, and the joy of silliness. But as iconic as their television personas were, relatively little inside knowledge has been revealed about Lewis herself and the life-changing moments that led her to the entertainment industry and perhaps, most importantly, to Lamb Chop. 
Renowned for her skills as a performer, Lewis was an equally skilled businesswoman. Operating in an era when women were largely left out of the conversation, she was one of the few women to run her own television production company. Whether it was singing, dancing, conducting, writing, drawing, or ventriloquism-a skill in which she was virtually unmatched-Lewis spent the entirety of her 65 years in pursuit of performative perfection. Constantly innovating and adapting to the needs of her audience and the market, Lewis extended the longevity of her career decade after decade. Her contributions, and that of Lamb Chop, and the rest of her puppet pals forever changed the history of children's television. In this seminal biography, the pair pull the veritable wool from the eyes of audiences who adored the legendary entertainer to examine the joys, sorrows, triumphs, and sheer hard work that gave Lewis and Lamb Chop their enduring star power. To learn more, visit Mallory Lewis here. 
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Two decades after Lewis and Lamb Chop last graced television with their presence, Lewis' daughter Mallory and author Nat Segaloff have set the record straight about the iconic pair in <a href="https://bookshop.org/a/12343/9780813196268"><em>Shari Lewis and Lamb Chop: The Team that Changed Children's Television</em></a> (University of Kentucky Press, 2022). For almost half a century, celebrated ventriloquist and entertainer Shari Lewis delighted generations of children and adults with the help of her trusted sock puppet sidekick Lamb Chop. For decades, the beloved pair were synonymous with children's television, educating and entrancing their young audience with their symbiotic personalities and their proclivity for song, dance, and the joy of silliness. But as iconic as their television personas were, relatively little inside knowledge has been revealed about Lewis herself and the life-changing moments that led her to the entertainment industry and perhaps, most importantly, to Lamb Chop. </p><p>Renowned for her skills as a performer, Lewis was an equally skilled businesswoman. Operating in an era when women were largely left out of the conversation, she was one of the few women to run her own television production company. Whether it was singing, dancing, conducting, writing, drawing, or ventriloquism-a skill in which she was virtually unmatched-Lewis spent the entirety of her 65 years in pursuit of performative perfection. Constantly innovating and adapting to the needs of her audience and the market, Lewis extended the longevity of her career decade after decade. Her contributions, and that of Lamb Chop, and the rest of her puppet pals forever changed the history of children's television. In this seminal biography, the pair pull the veritable wool from the eyes of audiences who adored the legendary entertainer to examine the joys, sorrows, triumphs, and sheer hard work that gave Lewis and Lamb Chop their enduring star power. To learn more, visit Mallory Lewis <a href="https://mallorylewisandlambchop.com/">here</a>. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1845</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN7221605854.mp3?updated=1666276946" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shall We Play A Game?</title>
      <description>Remember Khrushchev-Nixon Kitchen Debate? America recognized its consumer culture was a Cold War weapon. By the early 80s, the home computer in the hands of teenagers further demonstrated American dominance on the economic and cultural fronts. But what happens when teenagers check out of real life and responsibilities too much? We look at films that can be taken as cautionary tales about the dangers of teenagers (or young adults) who don’t take the Cold War seriously. The focus is on the seemingly apolitical, irresponsible and anti-social nature of the modern, video game playing white, affluent American youth. Our more serious films are Wargames, from 1983, and The Falcon and the Snowman, from 1985. But we also throw in a little bit of The Last Starfighter (1984) and Ferris Bueller’s Day Off (1986) just to spice things up.
﻿Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On "War Games" (1983), "The Falcon and the Snowman" (1985), "The Last Starfighter" (1984), and "Ferris Bueller’s Day Off" (1986)</itunes:subtitle>
      <itunes:summary>Remember Khrushchev-Nixon Kitchen Debate? America recognized its consumer culture was a Cold War weapon. By the early 80s, the home computer in the hands of teenagers further demonstrated American dominance on the economic and cultural fronts. But what happens when teenagers check out of real life and responsibilities too much? We look at films that can be taken as cautionary tales about the dangers of teenagers (or young adults) who don’t take the Cold War seriously. The focus is on the seemingly apolitical, irresponsible and anti-social nature of the modern, video game playing white, affluent American youth. Our more serious films are Wargames, from 1983, and The Falcon and the Snowman, from 1985. But we also throw in a little bit of The Last Starfighter (1984) and Ferris Bueller’s Day Off (1986) just to spice things up.
﻿Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Remember Khrushchev-Nixon Kitchen Debate? America recognized its consumer culture was a Cold War weapon. By the early 80s, the home computer in the hands of teenagers further demonstrated American dominance on the economic and cultural fronts. But what happens when teenagers check out of real life and responsibilities too much? We look at films that can be taken as cautionary tales about the dangers of teenagers (or young adults) who don’t take the Cold War seriously. The focus is on the seemingly apolitical, irresponsible and anti-social nature of the modern, video game playing white, affluent American youth. Our more serious films are <em>Wargames</em>, from 1983, and <em>The Falcon and the Snowman</em>, from 1985. But we also throw in a little bit of <em>The Last Starfighter</em> (1984) and <em>Ferris Bueller’s Day Off</em> (1986) just to spice things up.</p><p><em>﻿</em><a href="http://sru.edu/"><em>Lia Paradis</em></a><em> is a professor of history at Slippery Rock University. </em><a href="https://www.lynchburg.edu/academics/faculty/brian-crim/"><em>Brian Crim</em></a><em> is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go </em><a href="https://liesagreedupon.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3012</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Adrian Hon, "You've Been Played: How Corporations, Governments, and Schools Use Games to Control Us All" (Basic Books, 2022)Adrian Hon, "You've Been Played: How Corporations, Governments, and Schools Use Games to Control Us All" (Basic Books, 2022)</title>
      <description>Warehouse workers pack boxes while a virtual dragon races across their screen. If they beat their colleagues, they get an award. If not, they can be fired. Uber presents exhausted drivers with challenges to keep them driving. China scores its citizens so they behave well, and games with in-app purchases use achievements to empty your wallet.
Points, badges, and leaderboards are creeping into every aspect of modern life. In You’ve Been Played, game designer Adrian Hon delivers a blistering takedown of how corporations, schools, and governments use games and gamification as tools for profit and coercion. These are games that we often have no choice but to play, where losing has heavy penalties. You’ve Been Played is a scathing indictment of a tech-driven world that wants to convince us that misery is fun, and a call to arms for anyone who hopes to preserve their dignity and autonomy.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adrian Hon</itunes:subtitle>
      <itunes:summary>Warehouse workers pack boxes while a virtual dragon races across their screen. If they beat their colleagues, they get an award. If not, they can be fired. Uber presents exhausted drivers with challenges to keep them driving. China scores its citizens so they behave well, and games with in-app purchases use achievements to empty your wallet.
Points, badges, and leaderboards are creeping into every aspect of modern life. In You’ve Been Played, game designer Adrian Hon delivers a blistering takedown of how corporations, schools, and governments use games and gamification as tools for profit and coercion. These are games that we often have no choice but to play, where losing has heavy penalties. You’ve Been Played is a scathing indictment of a tech-driven world that wants to convince us that misery is fun, and a call to arms for anyone who hopes to preserve their dignity and autonomy.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Warehouse workers pack boxes while a virtual dragon races across their screen. If they beat their colleagues, they get an award. If not, they can be fired. Uber presents exhausted drivers with challenges to keep them driving. China scores its citizens so they behave well, and games with in-app purchases use achievements to empty your wallet.</p><p>Points, badges, and leaderboards are creeping into every aspect of modern life. In You’ve Been Played, game designer Adrian Hon delivers a blistering takedown of how corporations, schools, and governments use games and gamification as tools for profit and coercion. These are games that we often have no choice but to play, where losing has heavy penalties. You’ve Been Played is a scathing indictment of a tech-driven world that wants to convince us that misery is fun, and a call to arms for anyone who hopes to preserve their dignity and autonomy.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2613</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kyle Stevens, "The Oxford Handbook of Film Theory" (Oxford UP, 2022)</title>
      <description>Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, The Oxford Handbook of Film Theory (Oxford UP, 2022), edited by Kyle Stevens, narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.
Kyle Stevens is the author of Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism. His work has appeared in Critical Inquiry, Cultural Critique, Journal of Cinema and Media Studies, Adaptation, Critical Quarterly, New Review of Film and Television Studies, World Picture, and several edited collections. He is Associate Professor of Film Studies at Appalachian State University.
﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kyle Stevens</itunes:subtitle>
      <itunes:summary>Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, The Oxford Handbook of Film Theory (Oxford UP, 2022), edited by Kyle Stevens, narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.
Kyle Stevens is the author of Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism. His work has appeared in Critical Inquiry, Cultural Critique, Journal of Cinema and Media Studies, Adaptation, Critical Quarterly, New Review of Film and Television Studies, World Picture, and several edited collections. He is Associate Professor of Film Studies at Appalachian State University.
﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, <a href="https://bookshop.org/a/12343/9780190873929"><em>The Oxford Handbook of Film Theory</em></a> (Oxford UP, 2022), edited by Kyle Stevens, narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.</p><p>Kyle Stevens is the author of Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism. His work has appeared in Critical Inquiry, Cultural Critique, Journal of Cinema and Media Studies, Adaptation, Critical Quarterly, New Review of Film and Television Studies, World Picture, and several edited collections. He is Associate Professor of Film Studies at Appalachian State University.</p><p><em>﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3794</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN4802469022.mp3?updated=1666103316" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yoshiko Okuyama, "Reframing Disability in Manga" (U Hawaii Press, 2020)</title>
      <description>Reframing Disability in Manga (University of Hawaii Press, 2020) analyzes popular Japanese manga published from the 1990s to the present that portray the everyday lives of adults and children with disabilities in an ableist society. It focuses on five representative conditions currently classified as shōgai (disabilities) in Japan―deafness, blindness, paraplegia, autism, and gender identity disorder―and explores the complexities and sociocultural issues surrounding each. Author Yoshiko Okuyama begins by looking at preindustrial understandings of difference in Japanese myths and legends before moving on to an overview of contemporary representations of disability in popular culture, uncovering socio-historical attitudes toward the physically, neurologically, or intellectually marked Other. She critiques how characters with disabilities have been represented in mass media, which has reinforced ableism in society and negatively influenced our understanding of human diversity in the past.
Okuyama then presents fifteen case studies, each centered on a manga or manga series, that showcase how careful depictions of such characters as differently abled, rather than disabled or impaired, can influence cultural constructions of shōgai and promote social change. Informed by numerous interviews with manga authors and disability activists, Okuyama reveals positive messages of diversity embedded in manga and argues that greater awareness of disability in Japan in the last two decades is due in part to the popularity of these works, the accessibility of the medium, and the authentic stories they tell.
Scholars and students in disability studies will find this book an invaluable resource as well as those with interests in Japanese cultural and media studies in general and manga and queer narrative and anti-normative discourse in Japan in particular.
Yoshiko Okuyama is Professor of Japanese studies at the University of Hawai’i at Hilo, USA. Her recent publications include Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime (2015) and Reframing Disability in Manga (2020).
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 24 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yoshiko Okuyama</itunes:subtitle>
      <itunes:summary>Reframing Disability in Manga (University of Hawaii Press, 2020) analyzes popular Japanese manga published from the 1990s to the present that portray the everyday lives of adults and children with disabilities in an ableist society. It focuses on five representative conditions currently classified as shōgai (disabilities) in Japan―deafness, blindness, paraplegia, autism, and gender identity disorder―and explores the complexities and sociocultural issues surrounding each. Author Yoshiko Okuyama begins by looking at preindustrial understandings of difference in Japanese myths and legends before moving on to an overview of contemporary representations of disability in popular culture, uncovering socio-historical attitudes toward the physically, neurologically, or intellectually marked Other. She critiques how characters with disabilities have been represented in mass media, which has reinforced ableism in society and negatively influenced our understanding of human diversity in the past.
Okuyama then presents fifteen case studies, each centered on a manga or manga series, that showcase how careful depictions of such characters as differently abled, rather than disabled or impaired, can influence cultural constructions of shōgai and promote social change. Informed by numerous interviews with manga authors and disability activists, Okuyama reveals positive messages of diversity embedded in manga and argues that greater awareness of disability in Japan in the last two decades is due in part to the popularity of these works, the accessibility of the medium, and the authentic stories they tell.
Scholars and students in disability studies will find this book an invaluable resource as well as those with interests in Japanese cultural and media studies in general and manga and queer narrative and anti-normative discourse in Japan in particular.
Yoshiko Okuyama is Professor of Japanese studies at the University of Hawai’i at Hilo, USA. Her recent publications include Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime (2015) and Reframing Disability in Manga (2020).
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780824882365"><em>Reframing Disability in Manga</em></a><em> </em>(University of Hawaii Press, 2020) analyzes popular Japanese manga published from the 1990s to the present that portray the everyday lives of adults and children with disabilities in an ableist society. It focuses on five representative conditions currently classified as shōgai (disabilities) in Japan―deafness, blindness, paraplegia, autism, and gender identity disorder―and explores the complexities and sociocultural issues surrounding each. Author Yoshiko Okuyama begins by looking at preindustrial understandings of difference in Japanese myths and legends before moving on to an overview of contemporary representations of disability in popular culture, uncovering socio-historical attitudes toward the physically, neurologically, or intellectually marked Other. She critiques how characters with disabilities have been represented in mass media, which has reinforced ableism in society and negatively influenced our understanding of human diversity in the past.</p><p>Okuyama then presents fifteen case studies, each centered on a manga or manga series, that showcase how careful depictions of such characters as differently abled, rather than disabled or impaired, can influence cultural constructions of shōgai and promote social change. Informed by numerous interviews with manga authors and disability activists, Okuyama reveals positive messages of diversity embedded in manga and argues that greater awareness of disability in Japan in the last two decades is due in part to the popularity of these works, the accessibility of the medium, and the authentic stories they tell.</p><p>Scholars and students in disability studies will find this book an invaluable resource as well as those with interests in Japanese cultural and media studies in general and manga and queer narrative and anti-normative discourse in Japan in particular.</p><p>Yoshiko Okuyama is Professor of Japanese studies at the University of Hawai’i at Hilo, USA. Her recent publications include Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime (2015) and Reframing Disability in Manga (2020).</p><p><em>Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2670</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[89f1b3b6-4e3c-11ed-8689-774d079c5923]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5933335832.mp3?updated=1666026228" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott Bukatman, "Black Panther" (U Texas Press, 2022)</title>
      <description>Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.
Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther (University of Texas Press, 2022) a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Bukatman</itunes:subtitle>
      <itunes:summary>Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.
Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther (University of Texas Press, 2022) a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Black Panther was the first Black superhero in mainstream American comics. <em>Black Panther</em> was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.</p><p>Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of <a href="https://bookshop.org/a/12343/9781477325353"><em>Black Panther</em></a><em> </em>(University of Texas Press, 2022) a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4284</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a856778c-4af0-11ed-a237-1f637febdfce]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8705101329.mp3?updated=1665663972" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Darrel Perkins, "The End Is At Hand" (Feral House, 2022)</title>
      <description>Darrel Perkins new book The End is at Hand (Feral House, 2022) is a collection of short essays about how people throughout history believe the world could end. The book explores how it has all ended before, when we mistakenly thought it would end again, and the many ways it could end in the future. Though organized chronologically, beginning with prehistoric extinctions and extending in the distant future when the universe may (or may not) collapse. Nothing lasts forever, including the worlds we inhabit – human society, our planet, or the entire universe.
The End is at Hand entertains as much as it informs, striking a balance of wry humor with scientifically backed research. Perkins complements these cataclysmic tales with finely crafted linocut illustrations that beautifully evoke impending doom.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Darrel Perkins</itunes:subtitle>
      <itunes:summary>Darrel Perkins new book The End is at Hand (Feral House, 2022) is a collection of short essays about how people throughout history believe the world could end. The book explores how it has all ended before, when we mistakenly thought it would end again, and the many ways it could end in the future. Though organized chronologically, beginning with prehistoric extinctions and extending in the distant future when the universe may (or may not) collapse. Nothing lasts forever, including the worlds we inhabit – human society, our planet, or the entire universe.
The End is at Hand entertains as much as it informs, striking a balance of wry humor with scientifically backed research. Perkins complements these cataclysmic tales with finely crafted linocut illustrations that beautifully evoke impending doom.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Darrel Perkins new book <a href="https://bookshop.org/a/12343/9781627311342"><em>The End is at Hand </em></a>(Feral House, 2022)<em> </em>is a collection of short essays about how people throughout history believe the world could end. The book explores how it has all ended before, when we mistakenly thought it would end again, and the many ways it could end in the future. Though organized chronologically, beginning with prehistoric extinctions and extending in the distant future when the universe may (or may not) collapse. Nothing lasts forever, including the worlds we inhabit – human society, our planet, or the entire universe.</p><p><em>The End is at Hand</em> entertains as much as it informs, striking a balance of wry humor with scientifically backed research. Perkins complements these cataclysmic tales with finely crafted linocut illustrations that beautifully evoke impending doom.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3119</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[43fde8f8-305e-11ed-88b9-c7a75a2644a3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4693986419.mp3?updated=1662742799" length="0" type="audio/mpeg"/>
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    <item>
      <title>91* Leah Price on Children’s Books: Turning Back the Clock on “Adulting” (EF, JP)</title>
      <description>What do children love most about books? Leaving their mark on inviting white spaces? Or that enchanting feeling when a book marks them as its own, taking them off to where the wild things are? Back in 2021, Elizabeth and John invited illustrious and illuminating book historian Leah Price to decode childhood reading past and present. The conversation explores the tactile and textual properties of great children’s books and debate adult fondness for juvenile literature. Leah asks if identifying with a literary character is a sign of virtuous imagination, or of craziness and laziness. She also schools John on what makes a good association copy, and reveals her son’s magic words when he wants her to tell a story: Read it!
For many years an English Professor at Harvard, Leah is founder and director of the Rutgers Initiative for the Book, and she tweets at @LeahAtWhatPrice. Her What We Talk About When We Talk About Books recently won Phi Beta Kappa’s Christian Gauss Award.
Sometime around the turn of the millennium, the concern about distinguishing between juvenile and adult books seemed to shift from moral panic about speeding up sexual maturity to worry about turning back the clock on what we now call adulting through the mainstreaming of young adult literature.
Mentioned in the episode:

Patrick Mc Donnell, A Perfectly Messed-Up Story


“Association copy”–e.g. Frida Kahlo’s goofily annotated and illustrated Works of Edgar Allen Poe.


Mo Willem, We Are in a Book! (An Elephant and Piggie Book)


Manners with a Library Book

Dorothy Kunhardt, Pat the Bunny


Erica Carle, The Very Hungry Caterpillar


Peggy Rathmann, Ten Minutes Till Bedtime


Maurice Sendak, Where the Wild Things Are


Richard Wilbur, The Disappearing Alphabet


Dr. Seuss, On Beyond Zebra!


Miguel Cervantes, Don Quixote


Charlotte Lenox, The Female Quixote


﻿
Recallable Books: what else should I read if I enjoyed this episode?

(Leah) Francis Spufford, The Child that Books Built: A Life in Reading


(Elizabeth) E. Nesbit The Railway Children: not to mention The Phoenix and the Carpet and Five Children and It


(John) Wanda Gag, Millions of Cats: it’s The Road for cats…

John also wrote a children’s book, back when his kids were tiny: Time and the Tapestry: A William Morris Adventure



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leah Price</itunes:subtitle>
      <itunes:summary>What do children love most about books? Leaving their mark on inviting white spaces? Or that enchanting feeling when a book marks them as its own, taking them off to where the wild things are? Back in 2021, Elizabeth and John invited illustrious and illuminating book historian Leah Price to decode childhood reading past and present. The conversation explores the tactile and textual properties of great children’s books and debate adult fondness for juvenile literature. Leah asks if identifying with a literary character is a sign of virtuous imagination, or of craziness and laziness. She also schools John on what makes a good association copy, and reveals her son’s magic words when he wants her to tell a story: Read it!
For many years an English Professor at Harvard, Leah is founder and director of the Rutgers Initiative for the Book, and she tweets at @LeahAtWhatPrice. Her What We Talk About When We Talk About Books recently won Phi Beta Kappa’s Christian Gauss Award.
Sometime around the turn of the millennium, the concern about distinguishing between juvenile and adult books seemed to shift from moral panic about speeding up sexual maturity to worry about turning back the clock on what we now call adulting through the mainstreaming of young adult literature.
Mentioned in the episode:

Patrick Mc Donnell, A Perfectly Messed-Up Story


“Association copy”–e.g. Frida Kahlo’s goofily annotated and illustrated Works of Edgar Allen Poe.


Mo Willem, We Are in a Book! (An Elephant and Piggie Book)


Manners with a Library Book

Dorothy Kunhardt, Pat the Bunny


Erica Carle, The Very Hungry Caterpillar


Peggy Rathmann, Ten Minutes Till Bedtime


Maurice Sendak, Where the Wild Things Are


Richard Wilbur, The Disappearing Alphabet


Dr. Seuss, On Beyond Zebra!


Miguel Cervantes, Don Quixote


Charlotte Lenox, The Female Quixote


﻿
Recallable Books: what else should I read if I enjoyed this episode?

(Leah) Francis Spufford, The Child that Books Built: A Life in Reading


(Elizabeth) E. Nesbit The Railway Children: not to mention The Phoenix and the Carpet and Five Children and It


(John) Wanda Gag, Millions of Cats: it’s The Road for cats…

John also wrote a children’s book, back when his kids were tiny: Time and the Tapestry: A William Morris Adventure



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do children love most about books? Leaving their mark on inviting white spaces? Or that enchanting feeling when a book marks them as its own, taking them off to where the wild things are? Back in 2021, Elizabeth and John invited illustrious and illuminating book historian <a href="https://english.rutgers.edu/cb-profile/lp634.html">Leah Price</a> to decode childhood reading past and present. The conversation explores the tactile and textual properties of great children’s books and debate adult fondness for juvenile literature. Leah asks if identifying with a literary character is a sign of virtuous imagination, or of craziness and laziness. She also schools John on what makes a good association copy, and reveals her son’s magic words when he wants her to tell a story: <em>Read it!</em></p><p>For many years an English Professor at Harvard, Leah is founder and director of the Rutgers Initiative for the Book, and she tweets at <a href="https://twitter.com/leahatwhatprice?lang=en">@LeahAtWhatPrice</a>. Her <a href="https://www.google.com/url?sa=i&amp;source=images&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=0ahUKEwjI--HtgYPkAhVnT98KHT0JAdcQMwiiASgAMAA&amp;url=https%3A%2F%2Fbooks.google.com%2Fbooks%2Fabout%2FWhat_We_Talk_About_When_We_Talk_About_Bo.html%3Fid%3DpkZ9DwAAQBAJ%26source%3Dkp_cover&amp;psig=AOvVaw0I2Ms06whC9M8UwEvAa8LO&amp;ust=1565894536565950&amp;ictx=3&amp;uact=3"><strong><em>What We Talk About When We Talk About Books</em></strong></a> recently won Phi Beta Kappa’s <a href="https://www.pbk.org/Press/2020-Book-Awards-Winners#:~:text=For%202020%2C%20the%20Society%20will,of%20the%20Christian%20Gauss%20Award.">Christian Gauss Award</a>.</p><p>Sometime around the turn of the millennium, the concern about distinguishing between juvenile and adult books seemed to shift from moral panic about speeding up sexual maturity to worry about turning back the clock on what we now call <em>adulting</em> through the mainstreaming of young adult literature.</p><p><strong>Mentioned in the episode</strong>:</p><ul>
<li>Patrick Mc Donnell, <a href="https://www.amazon.com/Perfectly-Messed-Up-Story-Patrick-McDonnell/dp/0316222585"><em>A Perfectly Messed-Up Story</em></a>
</li>
<li>“Association copy”–e.g. <a href="https://www.justcollecting.com/miscellania/artist-frida-kahlos-highly-coveted-edgar-allen-poe-book-brings-24-000">Frida Kahlo’s goofily annotated and illustrated </a><em>Works of Edgar Allen Poe.</em>
</li>
<li>Mo Willem, <a href="https://www.amazon.com/We-Are-Book-Elephant-Piggie/dp/1423133080"><em>We Are in a Book!</em> (An Elephant and Piggie Book)</a>
</li>
<li><a href="https://www.amazon.com/Manners-Library-Book-Way-Be/dp/1404853154"><em>Manners with a Library Book</em></a></li>
<li>Dorothy Kunhardt, <a href="https://www.amazon.com/Pat-Bunny-Touch-Dorothy-Kunhardt/dp/B00A2F9J8M/ref=sr_1_3?dchild=1&amp;keywords=pat+the+bunny&amp;qid=1605833938&amp;s=books&amp;sr=1-3"><em>Pat the Bunny</em></a>
</li>
<li>Erica Carle, <a href="http://amazon.com/Very-Hungry-Caterpillar-Eric-Carle/dp/0399226907"><em>The Very Hungry Caterpillar</em></a>
</li>
<li>Peggy Rathmann, <a href="https://www.amazon.com/Minutes-till-Bedtime-Peggy-Rathmann/dp/0399237704/ref=sr_1_2?dchild=1&amp;keywords=ten+minute+bedtime&amp;qid=1605833970&amp;s=books&amp;sr=1-2"><em>Ten Minutes Till Bedtime</em></a>
</li>
<li>Maurice Sendak, <a href="https://www.amazon.com/Where-Wild-Things-Maurice-Sendak/dp/0064431789/ref=sr_1_2?dchild=1&amp;keywords=where+the+wild+things+are&amp;qid=1605833905&amp;s=books&amp;sr=1-2"><em>Where the Wild Things Are</em></a>
</li>
<li>Richard Wilbur, <a href="https://www.amazon.com/Disappearing-Alphabet-Richard-Wilbur/dp/015216362X"><em>The Disappearing Alphabet</em></a>
</li>
<li>Dr. Seuss,<a href="https://www.amazon.com/Beyond-Zebra-Classic-Seuss/dp/0394800842/ref=sr_1_2?dchild=1&amp;keywords=on+beyond+zebra&amp;qid=1605841859&amp;s=books&amp;sr=1-2"> <em>On Beyond Zebra!</em></a>
</li>
<li>Miguel Cervantes, <a href="https://en.wikipedia.org/wiki/Don_Quixote"><em>Don Quixote</em></a>
</li>
<li>Charlotte Lenox, <a href="https://en.wikipedia.org/wiki/The_Female_Quixote"><em>The Female Quixote</em></a>
</li>
</ul><p><em>﻿</em></p><p><strong><em>Recallable Books</em>: what else should I read if I enjoyed this episode?</strong></p><ul>
<li>(Leah) Francis Spufford, <a href="https://www.amazon.com/Child-That-Books-Built-Reading/dp/0312421842"><em>The Child that Books Built: A Life in Reading</em></a>
</li>
<li>(Elizabeth) E. Nesbit <a href="https://www.amazon.com/Railway-Children-Wordsworth-Childrens-Classics/dp/1853261076/ref=sr_1_2?dchild=1&amp;keywords=railway+children&amp;qid=1605842891&amp;s=books&amp;sr=1-2"><em>The Railway Children</em></a>: not to mention <a href="https://en.wikipedia.org/wiki/The_Phoenix_and_the_Carpet"><em>The Phoenix and the Carpet</em></a> and <a href="https://www.amazon.com/Five-Children-Puffin-Classics-Nesbit/dp/014132161X/ref=sr_1_2?dchild=1&amp;keywords=five+children+and+it&amp;qid=1605842921&amp;s=books&amp;sr=1-2"><em>Five Children and It</em></a>
</li>
<li>(John) Wanda Gag, <a href="https://www.amazon.com/Millions-Cats-Picture-Puffin-Books/dp/0142407089/ref=sr_1_2?dchild=1&amp;keywords=millions+of+cats&amp;qid=1605833885&amp;s=books&amp;sr=1-2"><em>Millions of Cats</em></a>: it’s <a href="https://www.amazon.com/Road-Cormac-McCarthy/dp/0307387895/ref=sr_1_2?dchild=1&amp;keywords=the+road+mccarthy&amp;qid=1605842997&amp;s=books&amp;sr=1-2"><em>The Road</em></a> for cats…</li>
<li>John also wrote a children’s book, back when his kids were tiny: <a href="https://www.amazon.com/Time-Tapestry-William-Morris-Adventure/dp/1593731450"><em>Time and the Tapestry: A William Morris Adventure</em></a>
</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[21c7556a-4e47-11ed-8e7c-231b545189d2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2590456701.mp3?updated=1666030438" length="0" type="audio/mpeg"/>
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    <item>
      <title>Wolverines!</title>
      <description>This episode and the next look back at films that came out in the 1980s, a decade when Hollywood seemed to cater to teenage audiences like never before. So it makes sense that the geo-political structure that shaped and influenced so much of global political action - the Cold War - would show up in movies targeting teen audiences. In the broader media landscape, the question was being asked: Could these post-Vietnam teenagers hack the reality of conflict like their dads and granddads had to? We break down two films about teenagers as soldiers - Taps, released in 1981, and Red Dawn, released in 1984. In both cases, what we see is a conversation about American military culture, whether it can still be counted on when times get tough. And if it can’t, if America’s youth reject it, is that a good thing or a bad thing?
﻿Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 19 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On "Taps" (1981) and "Red Dawn" (1984)</itunes:subtitle>
      <itunes:summary>This episode and the next look back at films that came out in the 1980s, a decade when Hollywood seemed to cater to teenage audiences like never before. So it makes sense that the geo-political structure that shaped and influenced so much of global political action - the Cold War - would show up in movies targeting teen audiences. In the broader media landscape, the question was being asked: Could these post-Vietnam teenagers hack the reality of conflict like their dads and granddads had to? We break down two films about teenagers as soldiers - Taps, released in 1981, and Red Dawn, released in 1984. In both cases, what we see is a conversation about American military culture, whether it can still be counted on when times get tough. And if it can’t, if America’s youth reject it, is that a good thing or a bad thing?
﻿Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode and the next look back at films that came out in the 1980s, a decade when Hollywood seemed to cater to teenage audiences like never before. So it makes sense that the geo-political structure that shaped and influenced so much of global political action - the Cold War - would show up in movies targeting teen audiences. In the broader media landscape, the question was being asked: Could these post-Vietnam teenagers hack the reality of conflict like their dads and granddads had to? We break down two films about teenagers as soldiers - <em>Taps</em>, released in 1981, and <em>Red Dawn</em>, released in 1984. In both cases, what we see is a conversation about American military culture, whether it can still be counted on when times get tough. And if it can’t, if America’s youth reject it, is that a good thing or a bad thing?</p><p><em>﻿</em><a href="http://sru.edu/"><em>Lia Paradis</em></a><em> is a professor of history at Slippery Rock University. </em><a href="https://www.lynchburg.edu/academics/faculty/brian-crim/"><em>Brian Crim</em></a><em> is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go </em><a href="https://liesagreedupon.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3307</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6324a1c0-4efb-11ed-b512-73f7678366a8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1927158200.mp3?updated=1666108205" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Briscoe, "Crush: The Triumph of California Wine" (U Nevada Press, 2018)</title>
      <description>In 1910, the future of California wine looked dim. Beset by crises ranging from earthquakes to insect infestations, and with momentum moving toward prohibition, the nascent industry seemed dead on the vine. How then, a mere sixty years later, did a blind taste test from some of France's toughest sommeliers judge California wines superior to their French counterparts? In Crush: The Triumph of California Wine (University of Nevada Press, 2018), writer, lawyer, and University of California Berkeley Distinguished Fellow John Briscoe explains who rescued the California wineries and how they accomplished the task. This is a global story two hundred years in the making, full of fascinating stories and larger than life characters. As California wines face an uncertain, climate-changed, future, Briscoe argues we should look to the past to understand how the state's viticulture has weathered difficult storms in its long and fascinating history.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 19 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Briscoe</itunes:subtitle>
      <itunes:summary>In 1910, the future of California wine looked dim. Beset by crises ranging from earthquakes to insect infestations, and with momentum moving toward prohibition, the nascent industry seemed dead on the vine. How then, a mere sixty years later, did a blind taste test from some of France's toughest sommeliers judge California wines superior to their French counterparts? In Crush: The Triumph of California Wine (University of Nevada Press, 2018), writer, lawyer, and University of California Berkeley Distinguished Fellow John Briscoe explains who rescued the California wineries and how they accomplished the task. This is a global story two hundred years in the making, full of fascinating stories and larger than life characters. As California wines face an uncertain, climate-changed, future, Briscoe argues we should look to the past to understand how the state's viticulture has weathered difficult storms in its long and fascinating history.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1910, the future of California wine looked dim. Beset by crises ranging from earthquakes to insect infestations, and with momentum moving toward prohibition, the nascent industry seemed dead on the vine. How then, a mere sixty years later, did a blind taste test from some of France's toughest sommeliers judge California wines superior to their French counterparts? In <a href="https://bookshop.org/a/12343/9781647790684"><em>Crush: The Triumph of California Wine</em></a><em> </em>(University of Nevada Press, 2018), writer, lawyer, and University of California Berkeley Distinguished Fellow John Briscoe explains who rescued the California wineries and how they accomplished the task. This is a global story two hundred years in the making, full of fascinating stories and larger than life characters. As California wines face an uncertain, climate-changed, future, Briscoe argues we should look to the past to understand how the state's viticulture has weathered difficult storms in its long and fascinating history.</p><p><a href="https://cas.stthomas.edu/departments/faculty/stephen-hausmann/"><em>Dr. Stephen R. Hausmann</em></a><em> is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5046</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[acfb3988-4c7d-11ed-98da-0b2829498359]]></guid>
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    <item>
      <title>John F. Lyons, "Joy and Fear: The Beatles, Chicago and the 1960s" (Permuted Press, 2020)</title>
      <description>For many, the Beatles offered a delightful alternative to the dull and the staid, while for others, the mop-top haircuts, the unsettling music, and the hysterical girls that greeted the British imports wherever they went were a symbol of unwelcome social and cultural change. This opposition to the group--more widespread and deeper rooted in Chicago than in any other major American city--increased as the decade wore on, especially when the Beatles adopted more extreme countercultural values.
At the center of this book is a cast of characters engulfed by the whirlwind of Beatlemania, including the unyielding figure of Mayor Richard J. Daley who deemed the Beatles a threat to the well-being of his city; the Chicago Tribune editor who first warned the nation about the Beatle menace; George Harrison's sister, Louise, who became a regular presence on Chicago radio; the socialist revolutionary who staged all of the Beatles' concerts in the city and used much of the profits from the shows to fund left-wing causes; the African-American girl who braved an intimidating environment to see the Beatles in concert; a fan club founder who disbelievingly found herself occupying a room opposite her heroes when they stayed at her father's hotel; the University of Chicago medical student who spent his summer vacation playing in a group that opened for the Beatles' on their last tour; and the suburban record store owner who opened a teen club modeled on the Cavern in Liverpool that hosted some of the biggest bands in the world.
Drawing on historical and contemporary accounts, Joy and Fear: The Beatles, Chicago and the 1960s (Permuted Press, 2020) brings to life the frenzied excitement of Beatlemania in 1960s Chicago, while also illustrating the deep-seated hostility from the establishment toward the Beatles.
John F. Lyons is a Professor of History at Joliet Junior College in Illinois where he teaches classes in British and American history. John on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 18 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John F. Lyons</itunes:subtitle>
      <itunes:summary>For many, the Beatles offered a delightful alternative to the dull and the staid, while for others, the mop-top haircuts, the unsettling music, and the hysterical girls that greeted the British imports wherever they went were a symbol of unwelcome social and cultural change. This opposition to the group--more widespread and deeper rooted in Chicago than in any other major American city--increased as the decade wore on, especially when the Beatles adopted more extreme countercultural values.
At the center of this book is a cast of characters engulfed by the whirlwind of Beatlemania, including the unyielding figure of Mayor Richard J. Daley who deemed the Beatles a threat to the well-being of his city; the Chicago Tribune editor who first warned the nation about the Beatle menace; George Harrison's sister, Louise, who became a regular presence on Chicago radio; the socialist revolutionary who staged all of the Beatles' concerts in the city and used much of the profits from the shows to fund left-wing causes; the African-American girl who braved an intimidating environment to see the Beatles in concert; a fan club founder who disbelievingly found herself occupying a room opposite her heroes when they stayed at her father's hotel; the University of Chicago medical student who spent his summer vacation playing in a group that opened for the Beatles' on their last tour; and the suburban record store owner who opened a teen club modeled on the Cavern in Liverpool that hosted some of the biggest bands in the world.
Drawing on historical and contemporary accounts, Joy and Fear: The Beatles, Chicago and the 1960s (Permuted Press, 2020) brings to life the frenzied excitement of Beatlemania in 1960s Chicago, while also illustrating the deep-seated hostility from the establishment toward the Beatles.
John F. Lyons is a Professor of History at Joliet Junior College in Illinois where he teaches classes in British and American history. John on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For many, the Beatles offered a delightful alternative to the dull and the staid, while for others, the mop-top haircuts, the unsettling music, and the hysterical girls that greeted the British imports wherever they went were a symbol of unwelcome social and cultural change. This opposition to the group--more widespread and deeper rooted in Chicago than in any other major American city--increased as the decade wore on, especially when the Beatles adopted more extreme countercultural values.</p><p>At the center of this book is a cast of characters engulfed by the whirlwind of Beatlemania, including the unyielding figure of Mayor Richard J. Daley who deemed the Beatles a threat to the well-being of his city; the Chicago Tribune editor who first warned the nation about the Beatle menace; George Harrison's sister, Louise, who became a regular presence on Chicago radio; the socialist revolutionary who staged all of the Beatles' concerts in the city and used much of the profits from the shows to fund left-wing causes; the African-American girl who braved an intimidating environment to see the Beatles in concert; a fan club founder who disbelievingly found herself occupying a room opposite her heroes when they stayed at her father's hotel; the University of Chicago medical student who spent his summer vacation playing in a group that opened for the Beatles' on their last tour; and the suburban record store owner who opened a teen club modeled on the Cavern in Liverpool that hosted some of the biggest bands in the world.</p><p>Drawing on historical and contemporary accounts, <a href="https://bookshop.org/a/12343/9781682619322"><em>Joy and Fear: The Beatles, Chicago and the 1960s</em></a> (Permuted Press, 2020) brings to life the frenzied excitement of Beatlemania in 1960s Chicago, while also illustrating the deep-seated hostility from the establishment toward the Beatles.</p><p>John F. Lyons is a Professor of History at Joliet Junior College in Illinois where he teaches classes in British and American history. John on <a href="https://twitter.com/JohnFLyons2">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4009</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[22859550-4c78-11ed-a949-0b36f915532b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9274117350.mp3?updated=1665832142" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jacque Lynn Foltyn and Laura Petican, "In Fashion: Culture, Commerce, Craft, and Identity" (Brill, 2022)</title>
      <description>There has been no greater surge in global fashion trends and expressions of personal style than in the contemporary era of social media fashion influencers. But what constitutes “being in fashion” amongst this multiplicity of interpretations?
In this episode of Humanities Matter, Dr. Laura Petican, Professor of Sociology at the National University, San Diego, and Dr. Jacque Lynn Foltyn, Associate Professor and Director of University Galleries at Texas A&amp;M University-Corpus Christi, explore various disciplinary, professional, and creative perspectives to expand their proposition that fashion is about self-presentation. In Fashion: Culture, Commerce, Craft, and Identity, published by Brill and edited by Drs. Petican and Foltyn, is a deep exploration of fashion representations; being fashionable, shopping, luxury, and vintage; fashion materials, craft, industry, and innovation; museum-worthy fashion; and fashioning cultural identities.
Summary: A conversation on the cultural, commercial, and creative perspectives of what it means to be ‘in fashion’ in the modern world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>66</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jacque Lynn Foltyn and Laura Petican</itunes:subtitle>
      <itunes:summary>There has been no greater surge in global fashion trends and expressions of personal style than in the contemporary era of social media fashion influencers. But what constitutes “being in fashion” amongst this multiplicity of interpretations?
In this episode of Humanities Matter, Dr. Laura Petican, Professor of Sociology at the National University, San Diego, and Dr. Jacque Lynn Foltyn, Associate Professor and Director of University Galleries at Texas A&amp;M University-Corpus Christi, explore various disciplinary, professional, and creative perspectives to expand their proposition that fashion is about self-presentation. In Fashion: Culture, Commerce, Craft, and Identity, published by Brill and edited by Drs. Petican and Foltyn, is a deep exploration of fashion representations; being fashionable, shopping, luxury, and vintage; fashion materials, craft, industry, and innovation; museum-worthy fashion; and fashioning cultural identities.
Summary: A conversation on the cultural, commercial, and creative perspectives of what it means to be ‘in fashion’ in the modern world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There has been no greater surge in global fashion trends and expressions of personal style than in the contemporary era of social media fashion influencers. But what constitutes “being in fashion” amongst this multiplicity of interpretations?</p><p>In this episode of <em>Humanities Matter</em>, Dr. Laura Petican, Professor of Sociology at the National University, San Diego, and Dr. Jacque Lynn Foltyn, Associate Professor and Director of University Galleries at Texas A&amp;M University-Corpus Christi, explore various disciplinary, professional, and creative perspectives to expand their proposition that fashion is about self-presentation. <a href="https://brill.com/view/title/54218"><em>In Fashion: Culture, Commerce, Craft, and Identity</em></a><em>,</em> published by Brill and edited by Drs. Petican and Foltyn, is a deep exploration of fashion representations; being fashionable, shopping, luxury, and vintage; fashion materials, craft, industry, and innovation; museum-worthy fashion; and fashioning cultural identities.</p><p><em>Summary: A conversation on the cultural, commercial, and creative perspectives of what it means to be ‘in fashion’ in the modern world.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2197</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[34baf564-4a64-11ed-ba49-0b920af126f1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6228110139.mp3?updated=1666110549" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erin Keane, "Runaway: Notes on the Myths That Made Me" (Belt Publishing, 2022)</title>
      <description>From Erin Keane, editor in chief at Salon, comes Runaway: Notes in the Myths that Made Me (Belt Publishing, 2022), a touching memoir about the search for truths in the stories families tell. In 1970, Erin Keane's mother ran away from home for the first time. She was thirteen years old. Over the next several years, and under two assumed identities, she hitchhiked her way across America, experiencing freedom, hardship, and tragedy. At fifteen, she met a man in New York City and married him. He was thirty-six. Though a deft balance of journalistic digging, cultural criticism, and poetic reimagining, Keane pieces together the true story of her mother's teenage years, questioning almost everything she's been told about her parents and their relationship. Along the way, she also considers how pop culture has kept similar narratives alive in her. At stake are some of the most profound questions we can ask ourselves: What's true? What gets remembered? Who gets to tell the stories that make us who we are? Whether it's talking about painful family history, #MeToo, Star Wars, true crime forensics, or The Gilmore Girls, Runaway is an unforgettable look at all the different ways the stories we tell--both personal and pop cultural--create us. 
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erin Keane</itunes:subtitle>
      <itunes:summary>From Erin Keane, editor in chief at Salon, comes Runaway: Notes in the Myths that Made Me (Belt Publishing, 2022), a touching memoir about the search for truths in the stories families tell. In 1970, Erin Keane's mother ran away from home for the first time. She was thirteen years old. Over the next several years, and under two assumed identities, she hitchhiked her way across America, experiencing freedom, hardship, and tragedy. At fifteen, she met a man in New York City and married him. He was thirty-six. Though a deft balance of journalistic digging, cultural criticism, and poetic reimagining, Keane pieces together the true story of her mother's teenage years, questioning almost everything she's been told about her parents and their relationship. Along the way, she also considers how pop culture has kept similar narratives alive in her. At stake are some of the most profound questions we can ask ourselves: What's true? What gets remembered? Who gets to tell the stories that make us who we are? Whether it's talking about painful family history, #MeToo, Star Wars, true crime forensics, or The Gilmore Girls, Runaway is an unforgettable look at all the different ways the stories we tell--both personal and pop cultural--create us. 
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Erin Keane, editor in chief at Salon, comes <a href="https://bookshop.org/a/12343/9781953368317"><em>Runaway: Notes in the Myths that Made Me</em></a> (Belt Publishing, 2022), a touching memoir about the search for truths in the stories families tell. In 1970, Erin Keane's mother ran away from home for the first time. She was thirteen years old. Over the next several years, and under two assumed identities, she hitchhiked her way across America, experiencing freedom, hardship, and tragedy. At fifteen, she met a man in New York City and married him. He was thirty-six. Though a deft balance of journalistic digging, cultural criticism, and poetic reimagining, Keane pieces together the true story of her mother's teenage years, questioning almost everything she's been told about her parents and their relationship. Along the way, she also considers how pop culture has kept similar narratives alive in her. At stake are some of the most profound questions we can ask ourselves: What's true? What gets remembered? Who gets to tell the stories that make us who we are? Whether it's talking about painful family history, #MeToo, Star Wars, true crime forensics, or The Gilmore Girls, Runaway is an unforgettable look at all the different ways the stories we tell--both personal and pop cultural--create us. </p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4235</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alexander Sergeant, "Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema" (SUNY Press, 2021)</title>
      <description>Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? 
In Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema (SUNY Press, 2021) Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D. W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production.
Encountering the Impossible has been shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies
Alexander Sergeant is Lecturer in Film and Media Studies at the University of Portsmouth. He is the coeditor (with Christopher Holliday) of Fantasy/Animation: Connections Between Media, Mediums and Genres, which was Runner Up for Best Collection at the 2019 BAFTSS (British Association for Television &amp; Screen Studies) awards. He is the founder of Fantasy-Animation.org and co-host of the Fantasy/Animation podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 14 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexander Sergeant</itunes:subtitle>
      <itunes:summary>Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? 
In Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema (SUNY Press, 2021) Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D. W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production.
Encountering the Impossible has been shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies
Alexander Sergeant is Lecturer in Film and Media Studies at the University of Portsmouth. He is the coeditor (with Christopher Holliday) of Fantasy/Animation: Connections Between Media, Mediums and Genres, which was Runner Up for Best Collection at the 2019 BAFTSS (British Association for Television &amp; Screen Studies) awards. He is the founder of Fantasy-Animation.org and co-host of the Fantasy/Animation podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? </p><p>In <a href="https://bookshop.org/a/12343/9781438484594"><em>Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema</em> </a>(SUNY Press, 2021) Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D. W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as <em>The Wizard of Oz</em>, <em>It's a Wonderful Life</em>, <em>Mary Poppins</em>, <em>Conan the Barbarian</em>, and <em>The Lord of the Rings</em> movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production.</p><p><em>Encountering the Impossible</em> has been shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies</p><p><strong>Alexander Sergeant</strong> is Lecturer in Film and Media Studies at the University of Portsmouth. He is the coeditor (with Christopher Holliday) of <em>Fantasy/Animation: Connections Between Media, Mediums and Genres</em>, which was Runner Up for Best Collection at the 2019 BAFTSS (British Association for Television &amp; Screen Studies) awards. He is the founder of <em>Fantasy-Animation.org</em> and co-host of the <em>Fantasy/Animation</em> podcast.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3930</itunes:duration>
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    <item>
      <title>Ramzi Fawaz, "Queer Forms" (NYU Press, 2022)</title>
      <description>Ramzi Fawaz, Professor of English at the University of Wisconsin-Madison, has a new book that weaves together the more contemporary history of feminism and women’s liberation, the gay liberation movement, feminist and queer theory, and iconic popular culture artifacts in order to understand gendered and sexual forms in context of gender and sexual fluidity. This is a brilliant book, interdisciplinary in scope and approach, taking the reader on a journey through theoretical frameworks and interpretive understandings of where we often see queer forms, and what we think about those forms. Fawaz notes that he is working to tell a story, interpreting cultural artifacts to forefront the ideas from feminist and queer theory, knitting these approaches together to guide us through a fascinating understanding of what we see when we watch films, or television, or read comics, or enjoy Broadway performances. These interpretations provide us with ways of seeing identity and shape within narrative forms and creative storytelling. But Fawaz is also pushing against an excess of thinking that all identities and forms are fluid—instead, Queer Forms (NYU Press, 2022) examines the capacity of identity and forms to, essentially, shapeshift, which is not the same as being fluid, since shapeshifting is an adaption, and thus is not without form itself. Form has little meaning until or unless they are/it is interpreted by others.
The thrust of the work that Fawaz is doing in Queer Forms ultimately is about freedom and how we can each exist as free individuals, especially when there are often social and legal rules that constrain us as individuals with distinct identities that traverse a host of markers and qualities. Popular culture artifacts can provide the room and opportunity to imagine identities in different forms and contexts. Queer Forms provides the reader with an archive of culture forms as a kind of gift, helping us to see and understand how we might interpret or reinterpret the queer and feminist past so that we approach our daily contemporary life with that understanding. Fawaz explains the variegated theories that frame these interpretations and gets at this historical foundation—especially of the liberation movements in the 1960s and 1970s—in order to engage in a valuable consideration of freedom.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 13 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>624</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ramzi Fawaz</itunes:subtitle>
      <itunes:summary>Ramzi Fawaz, Professor of English at the University of Wisconsin-Madison, has a new book that weaves together the more contemporary history of feminism and women’s liberation, the gay liberation movement, feminist and queer theory, and iconic popular culture artifacts in order to understand gendered and sexual forms in context of gender and sexual fluidity. This is a brilliant book, interdisciplinary in scope and approach, taking the reader on a journey through theoretical frameworks and interpretive understandings of where we often see queer forms, and what we think about those forms. Fawaz notes that he is working to tell a story, interpreting cultural artifacts to forefront the ideas from feminist and queer theory, knitting these approaches together to guide us through a fascinating understanding of what we see when we watch films, or television, or read comics, or enjoy Broadway performances. These interpretations provide us with ways of seeing identity and shape within narrative forms and creative storytelling. But Fawaz is also pushing against an excess of thinking that all identities and forms are fluid—instead, Queer Forms (NYU Press, 2022) examines the capacity of identity and forms to, essentially, shapeshift, which is not the same as being fluid, since shapeshifting is an adaption, and thus is not without form itself. Form has little meaning until or unless they are/it is interpreted by others.
The thrust of the work that Fawaz is doing in Queer Forms ultimately is about freedom and how we can each exist as free individuals, especially when there are often social and legal rules that constrain us as individuals with distinct identities that traverse a host of markers and qualities. Popular culture artifacts can provide the room and opportunity to imagine identities in different forms and contexts. Queer Forms provides the reader with an archive of culture forms as a kind of gift, helping us to see and understand how we might interpret or reinterpret the queer and feminist past so that we approach our daily contemporary life with that understanding. Fawaz explains the variegated theories that frame these interpretations and gets at this historical foundation—especially of the liberation movements in the 1960s and 1970s—in order to engage in a valuable consideration of freedom.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ramzi Fawaz, Professor of English at the University of Wisconsin-Madison, has a new book that weaves together the more contemporary history of feminism and women’s liberation, the gay liberation movement, feminist and queer theory, and iconic popular culture artifacts in order to understand gendered and sexual forms in context of gender and sexual fluidity. This is a brilliant book, interdisciplinary in scope and approach, taking the reader on a journey through theoretical frameworks and interpretive understandings of where we often see queer forms, and what we think about those forms. Fawaz notes that he is working to tell a story, interpreting cultural artifacts to forefront the ideas from feminist and queer theory, knitting these approaches together to guide us through a fascinating understanding of what we see when we watch films, or television, or read comics, or enjoy Broadway performances. These interpretations provide us with ways of seeing identity and shape within narrative forms and creative storytelling. But Fawaz is also pushing against an excess of thinking that all identities and forms are fluid—instead, <a href="https://bookshop.org/a/12343/9781479829828"><em>Queer Forms</em></a><em> </em>(NYU Press, 2022) examines the capacity of identity and forms to, essentially, shapeshift, which is not the same as being fluid, since shapeshifting is an adaption, and thus is not without form itself. Form has little meaning until or unless they are/it is interpreted by others.</p><p>The thrust of the work that Fawaz is doing in <em>Queer Forms</em> ultimately is about freedom and how we can each exist as free individuals, especially when there are often social and legal rules that constrain us as individuals with distinct identities that traverse a host of markers and qualities. Popular culture artifacts can provide the room and opportunity to imagine identities in different forms and contexts. <em>Queer Forms</em> provides the reader with an archive of culture forms as a kind of gift, helping us to see and understand how we might interpret or reinterpret the queer and feminist past so that we approach our daily contemporary life with that understanding. Fawaz explains the variegated theories that frame these interpretations and gets at this historical foundation—especially of the liberation movements in the 1960s and 1970s—in order to engage in a valuable consideration of freedom.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3636</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jill Hicks-Keeton and Cavan W. Concannon, "Does Scripture Speak for Itself?: The Museum of the Bible and the Politics of Interpretation" (Cambridge UP, 2022)</title>
      <description>Is the Bible the unembellished Word of God or the product of human agency? There are different answers to that question. And they lie at the heart of this book's powerful exploration of the fraught ways in which money, race and power shape the story of Christianity in American public life. The authors' subject is the Museum of the Bible in Washington, DC: arguably the latest example of a long line of white evangelical institutions aiming to amplify and promote a religious, political, and moral agenda of their own. 
In Does Scripture Speak for Itself?: The Museum of the Bible and the Politics of Interpretation (Cambridge UP, 2022), Jill Hicks-Keeton and Cavan Concannon disclose the ways in which the Museum's exhibits reinforce a particularized and partial interpretation of the Bible's meaning. Bringing to light the Museum's implicit messaging about scriptural provenance and audience, the authors reveal how the MOTB produces a version of the Bible that in essence authorizes a certain sort of white evangelical privilege; promotes a view of history aligned with that same evangelical aspiration; and above all protects a cohort of white evangelicals from critique. They show too how the Museum collapses vital conceptual distinctions between its own conservative vision of the Bible and 'The Bible' as a cultural icon. This revelatory volume above all confirms that scripture – for all the claims made for it that it speaks only divine truth – can in the end never be separated from human politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 13 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jill Hicks-Keeton and Cavan W. Concannon</itunes:subtitle>
      <itunes:summary>Is the Bible the unembellished Word of God or the product of human agency? There are different answers to that question. And they lie at the heart of this book's powerful exploration of the fraught ways in which money, race and power shape the story of Christianity in American public life. The authors' subject is the Museum of the Bible in Washington, DC: arguably the latest example of a long line of white evangelical institutions aiming to amplify and promote a religious, political, and moral agenda of their own. 
In Does Scripture Speak for Itself?: The Museum of the Bible and the Politics of Interpretation (Cambridge UP, 2022), Jill Hicks-Keeton and Cavan Concannon disclose the ways in which the Museum's exhibits reinforce a particularized and partial interpretation of the Bible's meaning. Bringing to light the Museum's implicit messaging about scriptural provenance and audience, the authors reveal how the MOTB produces a version of the Bible that in essence authorizes a certain sort of white evangelical privilege; promotes a view of history aligned with that same evangelical aspiration; and above all protects a cohort of white evangelicals from critique. They show too how the Museum collapses vital conceptual distinctions between its own conservative vision of the Bible and 'The Bible' as a cultural icon. This revelatory volume above all confirms that scripture – for all the claims made for it that it speaks only divine truth – can in the end never be separated from human politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is the Bible the unembellished Word of God or the product of human agency? There are different answers to that question. And they lie at the heart of this book's powerful exploration of the fraught ways in which money, race and power shape the story of Christianity in American public life. The authors' subject is the Museum of the Bible in Washington, DC: arguably the latest example of a long line of white evangelical institutions aiming to amplify and promote a religious, political, and moral agenda of their own. </p><p>In <a href="https://www.cambridgebookshop.co.uk/collections/new-books/products/does-scripture-speak-for-itself"><em>Does Scripture Speak for Itself?: The Museum of the Bible and the Politics of Interpretation </em></a>(Cambridge UP, 2022), Jill Hicks-Keeton and Cavan Concannon disclose the ways in which the Museum's exhibits reinforce a particularized and partial interpretation of the Bible's meaning. Bringing to light the Museum's implicit messaging about scriptural provenance and audience, the authors reveal how the MOTB produces a version of the Bible that in essence authorizes a certain sort of white evangelical privilege; promotes a view of history aligned with that same evangelical aspiration; and above all protects a cohort of white evangelicals from critique. They show too how the Museum collapses vital conceptual distinctions between its own conservative vision of the Bible and 'The Bible' as a cultural icon. This revelatory volume above all confirms that scripture – for all the claims made for it that it speaks only divine truth – can in the end never be separated from human politics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3052</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Alena Pirok, "The Spirit of Colonial Williamsburg: Ghosts and Interpreting the Recreated Past" (U Massachusetts Press, 2022)</title>
      <description>On any given night, hundreds of guests walk the darkened streets of Colonial Williamsburg looking for ghosts. Since the early 2000s, both the museum and private companies have facilitated these hunts, offering year-round ghost tours. Critics have called these excursions a cash grab, but in truth, ghosts and hauntings have long been at the center of the Colonial Williamsburg project. 
The Spirit of Colonial Williamsburg: Ghosts and Interpreting the Recreated Past (U Massachusetts Press, 2022) examines how the past comes alive at this living-history museum. In the early twentieth century, local stories about the ghosts of former residents--among them Revolutionary War soldiers and nurses, tavern owners and prominent attorneys, and enslaved African Americans--helped to turn Williamsburg into a desirable site for historical restoration. But, for much of the twentieth century, the museum tried diligently to avoid any discussion of ghosts, considering them frivolous and lowbrow. Alena Pirok explores why historic sites have begun to embrace their spectral residents in recent decades, arguing that through them, patrons experience an emotional connection to place and a palpable understanding of the past through its people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 12 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An Interview with Alena Pirok</itunes:subtitle>
      <itunes:summary>On any given night, hundreds of guests walk the darkened streets of Colonial Williamsburg looking for ghosts. Since the early 2000s, both the museum and private companies have facilitated these hunts, offering year-round ghost tours. Critics have called these excursions a cash grab, but in truth, ghosts and hauntings have long been at the center of the Colonial Williamsburg project. 
The Spirit of Colonial Williamsburg: Ghosts and Interpreting the Recreated Past (U Massachusetts Press, 2022) examines how the past comes alive at this living-history museum. In the early twentieth century, local stories about the ghosts of former residents--among them Revolutionary War soldiers and nurses, tavern owners and prominent attorneys, and enslaved African Americans--helped to turn Williamsburg into a desirable site for historical restoration. But, for much of the twentieth century, the museum tried diligently to avoid any discussion of ghosts, considering them frivolous and lowbrow. Alena Pirok explores why historic sites have begun to embrace their spectral residents in recent decades, arguing that through them, patrons experience an emotional connection to place and a palpable understanding of the past through its people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On any given night, hundreds of guests walk the darkened streets of Colonial Williamsburg looking for ghosts. Since the early 2000s, both the museum and private companies have facilitated these hunts, offering year-round ghost tours. Critics have called these excursions a cash grab, but in truth, ghosts and hauntings have long been at the center of the Colonial Williamsburg project. </p><p><a href="https://bookshop.org/a/12343/9781625346957"><em>The Spirit of Colonial Williamsburg: Ghosts and Interpreting the Recreated Past</em></a> (U Massachusetts Press, 2022) examines how the past comes alive at this living-history museum. In the early twentieth century, local stories about the ghosts of former residents--among them Revolutionary War soldiers and nurses, tavern owners and prominent attorneys, and enslaved African Americans--helped to turn Williamsburg into a desirable site for historical restoration. But, for much of the twentieth century, the museum tried diligently to avoid any discussion of ghosts, considering them frivolous and lowbrow. Alena Pirok explores why historic sites have begun to embrace their spectral residents in recent decades, arguing that through them, patrons experience an emotional connection to place and a palpable understanding of the past through its people.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4229</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2e8db100-47f2-11ed-adcb-37369d5fcc25]]></guid>
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      <title>Alan Warde et al., "The Social Significance of Dining Out: A Study of Continuity and Change" (Manchester UP, 2020)</title>
      <description>Dining out used to be considered exceptional. However, the Food Standards Authority reported that in 2014, one meal in six was eaten away from home in Britain. Previously considered a necessary substitute for an inability to obtain a meal in a family home, dining out has become a popular recreational activity for a majority of the population, offering pleasure as well as refreshment.
The Social Significance of Dining Out: A Study of Continuity and Change (Manchester UP, 2020) draws on a major mixed-methods research project by Dr. Alan Warde, Dr. Jessica Paddock and Dr. Jennifer Whillans about dining out in England. The book offers a unique comparison of the social differences between London, Bristol and Preston from 1995 to 2015, charting the dynamic relationship between eating in and eating out. Addressing topics such as the changing domestic divisions of labour around food preparation, the variety of culinary experience for different sections of the population, and class differences in taste and the pleasures and satisfactions associated with dining out, the authors explore how the practice has evolved across the three cities.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 12 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>251</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alan Warde and Jessica Paddock</itunes:subtitle>
      <itunes:summary>Dining out used to be considered exceptional. However, the Food Standards Authority reported that in 2014, one meal in six was eaten away from home in Britain. Previously considered a necessary substitute for an inability to obtain a meal in a family home, dining out has become a popular recreational activity for a majority of the population, offering pleasure as well as refreshment.
The Social Significance of Dining Out: A Study of Continuity and Change (Manchester UP, 2020) draws on a major mixed-methods research project by Dr. Alan Warde, Dr. Jessica Paddock and Dr. Jennifer Whillans about dining out in England. The book offers a unique comparison of the social differences between London, Bristol and Preston from 1995 to 2015, charting the dynamic relationship between eating in and eating out. Addressing topics such as the changing domestic divisions of labour around food preparation, the variety of culinary experience for different sections of the population, and class differences in taste and the pleasures and satisfactions associated with dining out, the authors explore how the practice has evolved across the three cities.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dining out used to be considered exceptional. However, the Food Standards Authority reported that in 2014, one meal in six was eaten away from home in Britain. Previously considered a necessary substitute for an inability to obtain a meal in a family home, dining out has become a popular recreational activity for a majority of the population, offering pleasure as well as refreshment.</p><p><a href="https://bookshop.org/a/12343/9781526134752"><em>The Social Significance of Dining Out: A Study of Continuity and Change</em></a><em> </em>(Manchester UP, 2020) draws on a major mixed-methods research project by Dr. Alan Warde, Dr. Jessica Paddock and Dr. Jennifer Whillans about dining out in England. The book offers a unique comparison of the social differences between London, Bristol and Preston from 1995 to 2015, charting the dynamic relationship between eating in and eating out. Addressing topics such as the changing domestic divisions of labour around food preparation, the variety of culinary experience for different sections of the population, and class differences in taste and the pleasures and satisfactions associated with dining out, the authors explore how the practice has evolved across the three cities.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3987</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[274690ca-471f-11ed-8338-1bdbcb2f00d3]]></guid>
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    </item>
    <item>
      <title>Ewa Stańczyk, "Comics and Nation: Power, Pop Culture, and Political Transformation in Poland" (Ohio State UP, 2022)</title>
      <description>Comics and Nation: Power, Pop Culture, and Political Transformation in Poland (Ohio State UP, 2022) offers a fresh perspective on the role of popular culture in the one-hundred-year history of the Polish state, from its foundation in 1918 to the present. Drawing on dozens of press articles, interviews, and readers' letters, Ewa Stańczyk discusses how journalists, artists, and audiences used comics to probe the boundaries of national culture and scrutinize the established notions of Polishness. Critical moments of Poland's political transformation --the establishment of the interwar Polish Republic, the Cold War, the liberalization of the 1970s, the 1989 democratic transition, the turn to memory politics in the 2000s--have all been reflected in the history of Polish comics. Stańczyk offers new insights into how the production of homegrown comics and the influx of foreign works enabled commentators to express their fears, hopes, and disillusionment with political, economic, and cultural changes in Poland and beyond. At its core, Comics and Nation rethinks the impact of popular culture and transnational exchange on Polish nation building, citizenship formation, and the legitimation of power.
Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>175</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ewa Stańczyk</itunes:subtitle>
      <itunes:summary>Comics and Nation: Power, Pop Culture, and Political Transformation in Poland (Ohio State UP, 2022) offers a fresh perspective on the role of popular culture in the one-hundred-year history of the Polish state, from its foundation in 1918 to the present. Drawing on dozens of press articles, interviews, and readers' letters, Ewa Stańczyk discusses how journalists, artists, and audiences used comics to probe the boundaries of national culture and scrutinize the established notions of Polishness. Critical moments of Poland's political transformation --the establishment of the interwar Polish Republic, the Cold War, the liberalization of the 1970s, the 1989 democratic transition, the turn to memory politics in the 2000s--have all been reflected in the history of Polish comics. Stańczyk offers new insights into how the production of homegrown comics and the influx of foreign works enabled commentators to express their fears, hopes, and disillusionment with political, economic, and cultural changes in Poland and beyond. At its core, Comics and Nation rethinks the impact of popular culture and transnational exchange on Polish nation building, citizenship formation, and the legitimation of power.
Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780814214961"><em>Comics and Nation: Power, Pop Culture, and Political Transformation in Poland</em></a> (Ohio State UP, 2022) offers a fresh perspective on the role of popular culture in the one-hundred-year history of the Polish state, from its foundation in 1918 to the present. Drawing on dozens of press articles, interviews, and readers' letters, Ewa Stańczyk discusses how journalists, artists, and audiences used comics to probe the boundaries of national culture and scrutinize the established notions of Polishness. Critical moments of Poland's political transformation --the establishment of the interwar Polish Republic, the Cold War, the liberalization of the 1970s, the 1989 democratic transition, the turn to memory politics in the 2000s--have all been reflected in the history of Polish comics. Stańczyk offers new insights into how the production of homegrown comics and the influx of foreign works enabled commentators to express their fears, hopes, and disillusionment with political, economic, and cultural changes in Poland and beyond. At its core, Comics and Nation rethinks the impact of popular culture and transnational exchange on Polish nation building, citizenship formation, and the legitimation of power.</p><p><a href="https://www.liverpool.ac.uk/history/staff/roland-clark/"><em>Roland Clark</em></a><em> is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2185</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[87ff9942-434c-11ed-af61-fb93b688f075]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4047550618.mp3?updated=1664823712" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Debbie Felton, "Monsters and Monarchs: Serial Killers in Classical Myth and History" (U Texas Press, 2021)</title>
      <description>Even if the term "Serial Killer" wasn’t coined until the end of the 20th century, the practice of multiple murder has followed humanity through the ages. In Monsters and Monarchs: Serial Killers in Classical Myth and History (U Texas Press, 2021), professor Debbie Felton digs deep into the sources to demonstrate instances of what we might recognize as serial killers in antiquity, from myth to Imperial Rome to rhetorical exercises and maybe even on our small screens at home. Tracing these gruesome lineages, she exposes examples of these “types” of criminals through history, including more recognizable names like Jack the Ripper and Jeffrey Dahmer. What is mirrored are the characteristics we recognize as multiple homicidal psychopathy within ancient history and myth. This book is a complex and fascinating interweave of classical myth, ancient history, and true crime as manifesting in both our modern imaginations and those of generations past.
Liz Barrett is a History PhD student Lehigh University, a CSA Farmer, mother of 3, and veteran of the USMC. She lives in suburban Philadelphia where she reads and writes a lot, and really, really likes old stuff. On Twitter: @lizcantlose.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Debbie Felton</itunes:subtitle>
      <itunes:summary>Even if the term "Serial Killer" wasn’t coined until the end of the 20th century, the practice of multiple murder has followed humanity through the ages. In Monsters and Monarchs: Serial Killers in Classical Myth and History (U Texas Press, 2021), professor Debbie Felton digs deep into the sources to demonstrate instances of what we might recognize as serial killers in antiquity, from myth to Imperial Rome to rhetorical exercises and maybe even on our small screens at home. Tracing these gruesome lineages, she exposes examples of these “types” of criminals through history, including more recognizable names like Jack the Ripper and Jeffrey Dahmer. What is mirrored are the characteristics we recognize as multiple homicidal psychopathy within ancient history and myth. This book is a complex and fascinating interweave of classical myth, ancient history, and true crime as manifesting in both our modern imaginations and those of generations past.
Liz Barrett is a History PhD student Lehigh University, a CSA Farmer, mother of 3, and veteran of the USMC. She lives in suburban Philadelphia where she reads and writes a lot, and really, really likes old stuff. On Twitter: @lizcantlose.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Even if the term "Serial Killer" wasn’t coined until the end of the 20th century, the practice of multiple murder has followed humanity through the ages. In <a href="https://bookshop.org/a/12343/9781477323571"><em>Monsters and Monarchs: Serial Killers in Classical Myth and History</em></a><em> </em>(U Texas Press, 2021), professor Debbie Felton digs deep into the sources to demonstrate instances of what we might recognize as serial killers in antiquity, from myth to Imperial Rome to rhetorical exercises and maybe even on our small screens at home. Tracing these gruesome lineages, she exposes examples of these “types” of criminals through history, including more recognizable names like Jack the Ripper and Jeffrey Dahmer. What is mirrored are the characteristics we recognize as multiple homicidal psychopathy within ancient history and myth. This book is a complex and fascinating interweave of classical myth, ancient history, and true crime as manifesting in both our modern imaginations and those of generations past.</p><p><a href="https://www.littlecroftfarm.com/our-story"><em>Liz Barrett</em></a><em> is a History PhD student Lehigh University, a CSA Farmer, mother of 3, and veteran of the USMC. She lives in suburban Philadelphia where she reads and writes a lot, and really, really likes old stuff. On Twitter: @lizcantlose.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3296</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4da9e2fc-435b-11ed-b3af-43b984361339]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3376294804.mp3?updated=1664830007" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joseph Blankholm, "The Secular Paradox: On the Religiosity of the Not Religious" (NYU Press, 2022)</title>
      <description>For much of America’s rapidly growing secular population, religion is an inescapable source of skepticism and discomfort. It shows up in politics and in holidays, but also in common events like weddings and funerals. 
In The Secular Paradox: On the Religiosity of the Not Religious (NYU Press, 2022), Joseph Blankholm argues that, despite their desire to avoid religion, nonbelievers often seem religious because Christianity influences the culture around them so deeply. Relying on several years of ethnographic research among secular activists and organized nonbelievers in the United States, the volume explores how very secular people are ambivalent toward belief, community, ritual, conversion, and tradition. As they try to embrace what they share, secular people encounter, again and again, that they are becoming too religious. And as they reject religion, they feel they have lost too much. Trying to strike the right balance, secular people alternate between the two sides of their ambiguous condition: absolutely not religious and part of a religion-like secular tradition.
Blankholm relies heavily on the voices of women and people of color to understand what it means to live with the secular paradox. The struggles of secular misfits—the people who mis-fit normative secularism in the United States—show that becoming secular means rejecting parts of life that resemble Christianity and embracing a European tradition that emphasizes reason and avoids emotion. Women, people of color, and secular people who have left non-Christian religions work against the limits and contradictions of secularism to create new ways of being secular that are transforming the American religious landscape. They are pioneering the most interesting and important forms of secular “religiosity” in America today.
﻿Joseph Stuart is a scholar of African American history, particularly of the relationship between race, freedom rights, and religion in the twentieth century Black Freedom Movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joseph Blankholm</itunes:subtitle>
      <itunes:summary>For much of America’s rapidly growing secular population, religion is an inescapable source of skepticism and discomfort. It shows up in politics and in holidays, but also in common events like weddings and funerals. 
In The Secular Paradox: On the Religiosity of the Not Religious (NYU Press, 2022), Joseph Blankholm argues that, despite their desire to avoid religion, nonbelievers often seem religious because Christianity influences the culture around them so deeply. Relying on several years of ethnographic research among secular activists and organized nonbelievers in the United States, the volume explores how very secular people are ambivalent toward belief, community, ritual, conversion, and tradition. As they try to embrace what they share, secular people encounter, again and again, that they are becoming too religious. And as they reject religion, they feel they have lost too much. Trying to strike the right balance, secular people alternate between the two sides of their ambiguous condition: absolutely not religious and part of a religion-like secular tradition.
Blankholm relies heavily on the voices of women and people of color to understand what it means to live with the secular paradox. The struggles of secular misfits—the people who mis-fit normative secularism in the United States—show that becoming secular means rejecting parts of life that resemble Christianity and embracing a European tradition that emphasizes reason and avoids emotion. Women, people of color, and secular people who have left non-Christian religions work against the limits and contradictions of secularism to create new ways of being secular that are transforming the American religious landscape. They are pioneering the most interesting and important forms of secular “religiosity” in America today.
﻿Joseph Stuart is a scholar of African American history, particularly of the relationship between race, freedom rights, and religion in the twentieth century Black Freedom Movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For much of America’s rapidly growing secular population, religion is an inescapable source of skepticism and discomfort. It shows up in politics and in holidays, but also in common events like weddings and funerals. </p><p>In <a href="https://bookshop.org/a/12343/9781479809509"><em>The Secular Paradox: On the Religiosity of the Not Religious</em></a> (NYU Press, 2022), Joseph Blankholm argues that, despite their desire to avoid religion, nonbelievers often seem religious because Christianity influences the culture around them so deeply. Relying on several years of ethnographic research among secular activists and organized nonbelievers in the United States, the volume explores how very secular people are ambivalent toward belief, community, ritual, conversion, and tradition. As they try to embrace what they share, secular people encounter, again and again, that they are becoming too religious. And as they reject religion, they feel they have lost too much. Trying to strike the right balance, secular people alternate between the two sides of their ambiguous condition: absolutely not religious and part of a religion-like secular tradition.</p><p>Blankholm relies heavily on the voices of women and people of color to understand what it means to live with the secular paradox. The struggles of secular misfits—the people who mis-fit normative secularism in the United States—show that becoming secular means rejecting parts of life that resemble Christianity and embracing a European tradition that emphasizes reason and avoids emotion. Women, people of color, and secular people who have left non-Christian religions work against the limits and contradictions of secularism to create new ways of being secular that are transforming the American religious landscape. They are pioneering the most interesting and important forms of secular “religiosity” in America today.</p><p><em>﻿Joseph Stuart is a scholar of African American history, particularly of the relationship between race, freedom rights, and religion in the twentieth century Black Freedom Movement.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1da4c03a-41b8-11ed-a913-b3ba47a8d817]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5046905237.mp3?updated=1664650052" length="0" type="audio/mpeg"/>
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    <item>
      <title>Pamela Robertson Wojcik, "Gidget: Origins of a Teen Girl Transmedia Franchise" (Routledge, 2022)</title>
      <description>Gidget: Origins of a Teen Girl Transmedia Franchise (Routledge, 2022) examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s.
The book examines the Gidget phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling. It locates the film as existing at the historical intersection of numerous discourses and events, including the emergence of surf culture and surf films; the rise of California as signifier of modernity and as the epicentre of white American middle-class teen culture; the annexation of Hawaii; the invention of Barbie; and Hollywood’s reluctant acceptance of teen culture and teen audiences. Each chapter places the Gidget text in context, looking at production and reception circumstances and intertexts such as the novels of Françoise Sagan, the Tammy series, La Dolce Vita, and The Patty Duke Show, to better understand Gidget’s meaning at different points in time.
This book explores many aspects of Gidget, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 06 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pamela Robertson Wojcik</itunes:subtitle>
      <itunes:summary>Gidget: Origins of a Teen Girl Transmedia Franchise (Routledge, 2022) examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s.
The book examines the Gidget phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling. It locates the film as existing at the historical intersection of numerous discourses and events, including the emergence of surf culture and surf films; the rise of California as signifier of modernity and as the epicentre of white American middle-class teen culture; the annexation of Hawaii; the invention of Barbie; and Hollywood’s reluctant acceptance of teen culture and teen audiences. Each chapter places the Gidget text in context, looking at production and reception circumstances and intertexts such as the novels of Françoise Sagan, the Tammy series, La Dolce Vita, and The Patty Duke Show, to better understand Gidget’s meaning at different points in time.
This book explores many aspects of Gidget, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367636937"><em>Gidget: Origins of a Teen Girl Transmedia Franchise</em></a> (Routledge, 2022) examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s.</p><p>The book examines the <em>Gidget</em> phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling. It locates the film as existing at the historical intersection of numerous discourses and events, including the emergence of surf culture and surf films; the rise of California as signifier of modernity and as the epicentre of white American middle-class teen culture; the annexation of Hawaii; the invention of Barbie; and Hollywood’s reluctant acceptance of teen culture and teen audiences. Each chapter places the Gidget text in context, looking at production and reception circumstances and intertexts such as the novels of Françoise Sagan, the <em>Tammy </em>series, <em>La Dolce Vita</em>, and <em>The Patty Duke Show</em>, to better understand Gidget’s meaning at different points in time.</p><p>This book explores many aspects of <em>Gidget</em>, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture.</p><p><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4033</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1945012627.mp3?updated=1664391438" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tenzan Eaghll and Rebekka King, "Representing Religion in Film" (Bloomsbury, 2021)</title>
      <description>Tenzan Eaghll and Rebekka King's Representing Religion in Film (Bloomsbury, 2021) is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, Earth, and The Secret of my Success. Each chapter offers: - an explanation of the particular representation of religion that appears in film - a discussion of how this representation has been interpreted in film criticism and religious studies scholarship - an in-depth study of a Hollywood or popular film to highlight the rhetorical, social, and political functions this representation accomplishes on the silver screen - a discussion about how similar analysis might be pursued for other films of a similar genre, topic, or theme. Written in an accessible style, and focusing on Hollywood and popular cinema, this book will be of interest to both movie lovers and experts alike.
Listeners might be interested in Tenzan Eaghll's podcast "Fascism in Cinema." 
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 06 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>216</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tenzan Eaghll and Rebekka King</itunes:subtitle>
      <itunes:summary>Tenzan Eaghll and Rebekka King's Representing Religion in Film (Bloomsbury, 2021) is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, Earth, and The Secret of my Success. Each chapter offers: - an explanation of the particular representation of religion that appears in film - a discussion of how this representation has been interpreted in film criticism and religious studies scholarship - an in-depth study of a Hollywood or popular film to highlight the rhetorical, social, and political functions this representation accomplishes on the silver screen - a discussion about how similar analysis might be pursued for other films of a similar genre, topic, or theme. Written in an accessible style, and focusing on Hollywood and popular cinema, this book will be of interest to both movie lovers and experts alike.
Listeners might be interested in Tenzan Eaghll's podcast "Fascism in Cinema." 
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://independent.academia.edu/TenzanEaghll">Tenzan Eaghll</a> and <a href="https://rebekkaking.com/">Rebekka King</a>'s <a href="https://bookshop.org/a/12343/9781350140806"><em>Representing Religion in Film</em></a> (Bloomsbury, 2021) is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, Earth, and The Secret of my Success. Each chapter offers: - an explanation of the particular representation of religion that appears in film - a discussion of how this representation has been interpreted in film criticism and religious studies scholarship - an in-depth study of a Hollywood or popular film to highlight the rhetorical, social, and political functions this representation accomplishes on the silver screen - a discussion about how similar analysis might be pursued for other films of a similar genre, topic, or theme. Written in an accessible style, and focusing on Hollywood and popular cinema, this book will be of interest to both movie lovers and experts alike.</p><p>Listeners might be interested in Tenzan Eaghll's podcast "<a href="https://fascismincinema.buzzsprout.com/">Fascism in Cinema</a>." </p><p><em>Raj Balkaran is a scholar, online educator, and life coach. For information see </em><a href="https://rajbalkaran.com/"><em>rajbalkaran.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2555</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bced771a-1da3-11ed-8221-3feac1dc7188]]></guid>
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    <item>
      <title>Virtual Reality as Immersive Enclosure, with Paul Roquet (EF, JP)</title>
      <description>Paul Roquet is an MIT associate professor in media studies and Japan studies; his earlier work includes Ambient Media. It was his recent mind-bending The Immersive Enclosure that prompted John and Elizabeth to invite him to discuss the history of "head-mounted media" and the perceptual implications of virtual reality.
Paul Elizabeth and John discuss the appeal of leaving actuality aside and how the desire to shut off immediate surroundings shapes VR's rollout in Japan. The discussion covers perceptual scale-change as part of VR's appeal--is that true of earlier artwork as well? They explore moral panic in Japan and America, recap the history of early VR headset adapters on trains and compare various Japanese words for "virtual" and their antonyms. Paul wonders if the ephemerality of the views glimpsed in a rock garden served as guiding paradigm for how VR is experienced.
Mentioned in the episode

Yoshikazu Nango, "A new form of 'solitary space'...." (2021)


Haruki Murakami's detailed fictional worlds of the 1980's onwards: real-feeling yet not actual history.

Walter Scott's Waverley novels: can we also understand the novel as an immersive machine that leaves readers half in their actual world?

Lewis Carrol's Alice's Adventures in Wonderland (1865), with its interplay between enclosure and expansion, and its shrinking/expanding motif)

Ian Bogost on e-readers


C S Lewis's wardrobe as portal in The Lion the Witch and the Wardrobe (1950)

Lukacs focuses on the dizzying and transformative scale in Naturalism in "Narrate or Describe?" (1936)

Wearable heart monitors as feedback machines for watching scary movies.

The pre-history of Pokemon Go is various games played by early users of VR headsets on trains.


Sword Art Online is a breakout popular example of Japanese stories of players trapped inside a game-world

Thomas Boellstroff, Coming of Age in Second Life


We Met in Virtual Reality

Neil Stephenson's Snow Crash (1992) coined the concept of the metaverse.


Recallable Books

Madeline L'Engle The Wind in the Door (1973).


Cervantes, Don Quixote (1606/1615)

Futari Okajima Klein Bottle (1989)

Collections such as Immersed in Technology, Future Visions, Virtual Realities and their Discontents; also, other early VR criticism of the 1990s including early feminist critique, scattered across journals in the early to mid 1990s . Paul feels someone should put together those germane articles into a new collection.


Read the transcript here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 06 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>90</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Paul Roquet is an MIT associate professor in media studies and Japan studies; his earlier work includes Ambient Media. It was his recent mind-bending The Immersive Enclosure that prompted John and Elizabeth to invite him to discuss the history of "head-mounted media" and the perceptual implications of virtual reality.
Paul Elizabeth and John discuss the appeal of leaving actuality aside and how the desire to shut off immediate surroundings shapes VR's rollout in Japan. The discussion covers perceptual scale-change as part of VR's appeal--is that true of earlier artwork as well? They explore moral panic in Japan and America, recap the history of early VR headset adapters on trains and compare various Japanese words for "virtual" and their antonyms. Paul wonders if the ephemerality of the views glimpsed in a rock garden served as guiding paradigm for how VR is experienced.
Mentioned in the episode

Yoshikazu Nango, "A new form of 'solitary space'...." (2021)


Haruki Murakami's detailed fictional worlds of the 1980's onwards: real-feeling yet not actual history.

Walter Scott's Waverley novels: can we also understand the novel as an immersive machine that leaves readers half in their actual world?

Lewis Carrol's Alice's Adventures in Wonderland (1865), with its interplay between enclosure and expansion, and its shrinking/expanding motif)

Ian Bogost on e-readers


C S Lewis's wardrobe as portal in The Lion the Witch and the Wardrobe (1950)

Lukacs focuses on the dizzying and transformative scale in Naturalism in "Narrate or Describe?" (1936)

Wearable heart monitors as feedback machines for watching scary movies.

The pre-history of Pokemon Go is various games played by early users of VR headsets on trains.


Sword Art Online is a breakout popular example of Japanese stories of players trapped inside a game-world

Thomas Boellstroff, Coming of Age in Second Life


We Met in Virtual Reality

Neil Stephenson's Snow Crash (1992) coined the concept of the metaverse.


Recallable Books

Madeline L'Engle The Wind in the Door (1973).


Cervantes, Don Quixote (1606/1615)

Futari Okajima Klein Bottle (1989)

Collections such as Immersed in Technology, Future Visions, Virtual Realities and their Discontents; also, other early VR criticism of the 1990s including early feminist critique, scattered across journals in the early to mid 1990s . Paul feels someone should put together those germane articles into a new collection.


Read the transcript here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://proquet.mit.edu/paul-roquet">Paul Roquet</a> is an MIT associate professor in media studies and Japan studies; his earlier work includes <a href="https://www.upress.umn.edu/book-division/books/ambient-media">Ambient Media</a>. It was his recent mind-bending <a href="https://cup.columbia.edu/book/the-immersive-enclosure/9780231555968"><em>The Immersive Enclosure </em></a>that prompted John and Elizabeth to invite him to discuss the history of "head-mounted media" and the perceptual implications of virtual reality.</p><p>Paul Elizabeth and John discuss the appeal of leaving actuality aside and how the desire to shut off immediate surroundings shapes VR's rollout in Japan. The discussion covers perceptual scale-change as part of VR's appeal--is that true of earlier artwork as well? They explore moral panic in Japan and America, recap the history of early VR headset adapters on trains and compare various Japanese words for "virtual" and their antonyms. Paul wonders if the ephemerality of the views glimpsed in a rock garden served as guiding paradigm for how VR is experienced.</p><p><u>Mentioned in the episode</u></p><ul>
<li>Yoshikazu Nango, "<a href="https://english-meiji.net/articles/3129/">A new form of 'solitary space'....</a>" (2021)</li>
<li>
<a href="https://en.wikipedia.org/wiki/Haruki_Murakami">Haruki Murakami</a>'s detailed fictional worlds of the 1980's onwards: real-feeling yet not actual history.</li>
<li>Walter Scott's <a href="https://en.wikipedia.org/wiki/Waverley_Novels">Waverley novels</a>: can we also understand the novel as an immersive machine that leaves readers half in their actual world?</li>
<li>Lewis Carrol's <a href="https://en.wikipedia.org/wiki/Alice%27s_Adventures_in_Wonderland">Alice's Adventures in Wonderland</a> (1865), with its interplay between enclosure and expansion, and its shrinking/expanding motif)</li>
<li>Ian Bogost <a href="https://www.theatlantic.com/books/archive/2021/09/why-are-ebooks-so-terrible/620068/">on e-readers</a>
</li>
<li>C S Lewis's wardrobe as portal in <a href="https://en.wikipedia.org/wiki/The_Lion,_the_Witch_and_the_Wardrobe"><em>The Lion the Witch and the Wardrobe</em></a> (1950)</li>
<li>Lukacs focuses on the dizzying and transformative scale in Naturalism in "<a href="https://complit.utoronto.ca/wp-content/uploads/JLE5116SH_GeorgLukacs_WeritenAndCritic.pdf">Narrate or Describe?</a>" (1936)</li>
<li>Wearable heart monitors as <a href="https://financebuzz.com/get-paid-to-watch-scary-movies">feedback machines</a> for watching scary movies.</li>
<li>The pre-history of <a href="https://pokemongolive.com/en/">Pokemon Go</a> is various games played by early users of VR headsets on trains.</li>
<li>
<a href="https://www.netflix.com/title/70302573">Sword Art Online</a> is a breakout popular example of Japanese stories of players trapped inside a game-world</li>
<li>Thomas Boellstroff, <a href="https://press.princeton.edu/books/paperback/9780691168340/coming-of-age-in-second-life">Coming of Age in Second Life</a>
</li>
<li><a href="https://www.hbo.com/movies/we-met-in-virtual-reality">We Met in Virtual Reality</a></li>
<li>Neil Stephenson's <a href="https://en.wikipedia.org/wiki/Snow_Crash"><em>Snow Crash</em></a> (1992) coined the concept of the metaverse.</li>
</ul><p><br></p><p><u>Recallable Books</u></p><ul>
<li>Madeline L'Engle <a href="https://en.wikipedia.org/wiki/A_Wind_in_the_Door"><em>The Wind in the Door</em></a> (1973)<em>.</em>
</li>
<li>Cervantes, <a href="https://en.wikipedia.org/wiki/Don_Quixote"><em>Don Quixote</em></a> (1606/1615)</li>
<li>Futari Okajima <a href="http://japanesebookshelf.blogspot.com/2013/10/klein-bottle.html"><em>Klein Bottle</em></a> (1989)</li>
<li>Collections such as <a href="https://mitpress.mit.edu/9780262631839/immersed-in-technology/">I<em>mmersed in Technology</em></a>,<a href="https://www.amazon.com/Future-Visions-New-Technologies-Screen/dp/085170400X"> <em>Future Visions</em></a><em>, </em><a href="https://www.amazon.com/Virtual-Realities-Discontents-Robert-Markley/dp/0801852269"><em>Virtual Realities and their Discontents</em></a>; also, other early VR criticism of the 1990s including early feminist critique, scattered across journals in the early to mid 1990s . Paul feels someone should put together those germane articles into a new collection.</li>
</ul><p><br></p><p><a href="https://recallthisbookorg.files.wordpress.com/2022/10/rtb-90-roquet-vr.pdf">Read the transcript here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2323</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fb448474-44b6-11ed-95e9-5f8e3c1df07f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2396764211.mp3?updated=1664978940" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Two Russias</title>
      <description>In the late 1980s, Hollywood reflected the real world thaw in the Cold War by depicting the idea of two Russias: the cold bureaucratic state run by grey men intent on propping up a crumbling regime, and the beautiful, little known country of real, everyday Russians who live rich and full lives despite it all. Our three films this week show the two Russias in different ways and in different stages of the 1980s Cold War. White Nights, the story of a Russian ballet dancer who defected to America and is forced to return, came out in December 1985. The Hunt for Red October, based on a 1984 Tom Clancy novel, was released in March 1990, a few months after the world changed. The Russia House, based on John le Carre’s 1989 novel came out Christmas Day, 1990, exactly one year before the Soviet Union closed up shop for good.
﻿Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 05 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On White Nights (1985), The Hunt for Red October (1990), and The Russia House (1990)</itunes:subtitle>
      <itunes:summary>In the late 1980s, Hollywood reflected the real world thaw in the Cold War by depicting the idea of two Russias: the cold bureaucratic state run by grey men intent on propping up a crumbling regime, and the beautiful, little known country of real, everyday Russians who live rich and full lives despite it all. Our three films this week show the two Russias in different ways and in different stages of the 1980s Cold War. White Nights, the story of a Russian ballet dancer who defected to America and is forced to return, came out in December 1985. The Hunt for Red October, based on a 1984 Tom Clancy novel, was released in March 1990, a few months after the world changed. The Russia House, based on John le Carre’s 1989 novel came out Christmas Day, 1990, exactly one year before the Soviet Union closed up shop for good.
﻿Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the late 1980s, Hollywood reflected the real world thaw in the Cold War by depicting the idea of two Russias: the cold bureaucratic state run by grey men intent on propping up a crumbling regime, and the beautiful, little known country of real, everyday Russians who live rich and full lives despite it all. Our three films this week show the two Russias in different ways and in different stages of the 1980s Cold War. White Nights, the story of a Russian ballet dancer who defected to America and is forced to return, came out in December 1985. The Hunt for Red October, based on a 1984 Tom Clancy novel, was released in March 1990, a few months after the world changed. The Russia House, based on John le Carre’s 1989 novel came out Christmas Day, 1990, exactly one year before the Soviet Union closed up shop for good.</p><p><em>﻿</em><a href="http://sru.edu/"><em>Lia Paradis</em></a><em> is a professor of history at Slippery Rock University. </em><a href="https://www.lynchburg.edu/academics/faculty/brian-crim/"><em>Brian Crim</em></a><em> is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go </em><a href="https://liesagreedupon.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3221</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8756d860-440b-11ed-b8e0-0f2a05e7df1f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7672119999.mp3?updated=1664906371" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bob Brier, "Tutankhamun and the Tomb That Changed the World" (Oxford UP, 2022)</title>
      <description>It is often thought that the story of Tutankhamun ended when the thousands of items discovered by Howard Carter and Lord Carnarvon were transported to the Egyptian Museum in Cairo and put on display. But there is far more to Tutankhamun's story. Tutankhamun and the Tomb that Changed the World (Oxford UP, 2022) explores the 100 years of research on Tutankhamun that has taken place since the tomb's discovery: we learn that several objects in the tomb were made of meteoritic iron that came from outer space; new evidence shows that Tutankhamun may have been a warrior who went into battle; and author Bob Brier takes readers behind the scenes of the recent CAT-scanning of his mummy to reveal secrets of the pharaoh.
The book also illustrates the wide-ranging impact the discovery of Tutankhamun's tomb had on fields beyond Egyptology. Included is an examination of how the discovery of the tomb influenced Egyptian politics and contributed to the downfall of colonialism in Egypt. Outside Egypt, the modern blockbuster exhibitions that raise great sums of monies for museums around the world all began with Tutankhamun, as did the idea of documenting every object discovered in place, before it was moved. And to a great extent, the modern fascination with ancient Egypt--Egyptomania--was also greatly promoted by the Tutmania that surrounded the discovery of the tomb.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bob Brier</itunes:subtitle>
      <itunes:summary>It is often thought that the story of Tutankhamun ended when the thousands of items discovered by Howard Carter and Lord Carnarvon were transported to the Egyptian Museum in Cairo and put on display. But there is far more to Tutankhamun's story. Tutankhamun and the Tomb that Changed the World (Oxford UP, 2022) explores the 100 years of research on Tutankhamun that has taken place since the tomb's discovery: we learn that several objects in the tomb were made of meteoritic iron that came from outer space; new evidence shows that Tutankhamun may have been a warrior who went into battle; and author Bob Brier takes readers behind the scenes of the recent CAT-scanning of his mummy to reveal secrets of the pharaoh.
The book also illustrates the wide-ranging impact the discovery of Tutankhamun's tomb had on fields beyond Egyptology. Included is an examination of how the discovery of the tomb influenced Egyptian politics and contributed to the downfall of colonialism in Egypt. Outside Egypt, the modern blockbuster exhibitions that raise great sums of monies for museums around the world all began with Tutankhamun, as did the idea of documenting every object discovered in place, before it was moved. And to a great extent, the modern fascination with ancient Egypt--Egyptomania--was also greatly promoted by the Tutmania that surrounded the discovery of the tomb.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is often thought that the story of Tutankhamun ended when the thousands of items discovered by Howard Carter and Lord Carnarvon were transported to the Egyptian Museum in Cairo and put on display. But there is far more to Tutankhamun's story. <a href="https://bookshop.org/a/12343/9780197635056"><em>Tutankhamun and the Tomb that Changed the World</em></a><em> </em>(Oxford UP, 2022) explores the 100 years of research on Tutankhamun that has taken place since the tomb's discovery: we learn that several objects in the tomb were made of meteoritic iron that came from outer space; new evidence shows that Tutankhamun may have been a warrior who went into battle; and author Bob Brier takes readers behind the scenes of the recent CAT-scanning of his mummy to reveal secrets of the pharaoh.</p><p>The book also illustrates the wide-ranging impact the discovery of Tutankhamun's tomb had on fields beyond Egyptology. Included is an examination of how the discovery of the tomb influenced Egyptian politics and contributed to the downfall of colonialism in Egypt. Outside Egypt, the modern blockbuster exhibitions that raise great sums of monies for museums around the world all began with Tutankhamun, as did the idea of documenting every object discovered in place, before it was moved. And to a great extent, the modern fascination with ancient Egypt--Egyptomania--was also greatly promoted by the Tutmania that surrounded the discovery of the tomb.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2441</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0bbcd4fc-35f6-11ed-81c2-f3310242cf97]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1273607494.mp3?updated=1663356760" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Usha Iyer, "Dancing Women: Choreographing Corporeal Histories of Hindi Cinema" (Oxford UP, 2020)</title>
      <description>Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. 
Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.
Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 30 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>162</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Usha Iyer</itunes:subtitle>
      <itunes:summary>Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. 
Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.
Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780190938734"><em>Dancing Women: Choreographing Corporeal Histories of Hindi Cinema</em></a> (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. </p><p>Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the <em>Natya Sastra</em> and the <em>Abhinaya Darpana</em>, and formal analyses of cine-choreographic “techno-spectacles,” <em>Dancing Women</em> offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.</p><p><em>Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3914</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Samhita Sunya, "Sirens of Modernity: World Cinema via Bombay" (U California Press, 2022)</title>
      <description>Hello, world! This is the Global Media &amp; Communication podcast series.
In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book Sirens of Modernity: World Cinema via Bombay (U California Press, 2022).
In this episode you’ll hear about:

Dr. Sunya’s intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond;

How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author’s interdisciplinary approach;

How Dr. Sunya works her way through and out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema;

Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways;

Reflection upon the pedagogy of world cinema in the classroom;

A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book;

How Dr. Sunya’s cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries;

A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia.

About the Book
By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay.
You can find the open access version of Dr. Sunya’s book through Luminosoa.org at the University of California Press website.
Author Bio: Samhita Sunya is Assistant Professor of Middle Eastern &amp; South Asian Languages &amp; Cultures at the University of Virginia.
Host Bio: Aswin Punathambekar is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania.
Editor &amp; Producer Bio: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.
Original Background Music by Mengyang Zoe Zhao.
Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 29 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samhita Sunya</itunes:subtitle>
      <itunes:summary>Hello, world! This is the Global Media &amp; Communication podcast series.
In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book Sirens of Modernity: World Cinema via Bombay (U California Press, 2022).
In this episode you’ll hear about:

Dr. Sunya’s intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond;

How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author’s interdisciplinary approach;

How Dr. Sunya works her way through and out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema;

Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways;

Reflection upon the pedagogy of world cinema in the classroom;

A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book;

How Dr. Sunya’s cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries;

A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia.

About the Book
By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay.
You can find the open access version of Dr. Sunya’s book through Luminosoa.org at the University of California Press website.
Author Bio: Samhita Sunya is Assistant Professor of Middle Eastern &amp; South Asian Languages &amp; Cultures at the University of Virginia.
Host Bio: Aswin Punathambekar is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania.
Editor &amp; Producer Bio: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.
Original Background Music by Mengyang Zoe Zhao.
Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hello, world! This is the Global Media &amp; Communication podcast series.</p><p>In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book <a href="https://bookshop.org/a/12343/9780520379534"><em>Sirens of Modernity: World Cinema via Bombay</em></a> (U California Press, 2022).</p><p>In this episode you’ll hear about:</p><ul>
<li>Dr. Sunya’s intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond;</li>
<li>How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author’s interdisciplinary approach;</li>
<li>How Dr. Sunya works her way through <em>and</em> out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema;</li>
<li>Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways;</li>
<li>Reflection upon the pedagogy of world cinema in the classroom;</li>
<li>A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book;</li>
<li>How Dr. Sunya’s cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries;</li>
<li>A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia.</li>
</ul><p><strong>About the Book</strong></p><p>By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay.</p><p>You can find the <a href="https://luminosoa.org/site/books/m/10.1525/luminos.130/">open access version</a> of Dr. Sunya’s book through Luminosoa.org at the University of California Press <a href="https://www.ucpress.edu/book/9780520379534/sirens-of-modernity">website</a>.</p><p><strong>Author Bio</strong>: <a href="https://mesalc.as.virginia.edu/people/profile/ss7dn">Samhita Sunya</a> is Assistant Professor of Middle Eastern &amp; South Asian Languages &amp; Cultures at the University of Virginia.</p><p><strong>Host Bio</strong>: <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd">Aswin Punathambekar</a> is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania.</p><p><strong>Editor &amp; Producer Bio</strong>: <a href="https://www.jing-wang.net/">Jing Wang.</a> She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.</p><p><strong>Original Background Music by</strong> <a href="https://www.zoezhao.me/">Mengyang Zoe Zhao</a>.</p><p>Our podcast is part of the multimodal project powered by the <a href="https://www.asc.upenn.edu/research/centers/center-for-advanced-research-in-global-communication">Center for Advanced Research in Global Communication (CARGC)</a> at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[74a96194-3e9b-11ed-93f4-3343d13f00c9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1893441569.mp3?updated=1664307296" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cold War Homefront</title>
      <description>We could do a whole season on Vietnam war films, but in this episode we chose three films that highlight the Cold War’s omnipresence in daily life. You wouldn’t associate any of these films with how Vietnam figured into the Cold War dynamic because they are about the homefront. The Deer Hunter (1978), Coming Home (1978), and Da Five Bloods (2020) are reminders (or are they revelations?) that the Vietnam War deeply wounded American society from top to bottom. Whether it’s working class immigrants in rural Pennsylvania, severely wounded veterans and their caretakers, or Black and Brown soldiers contending with racism and shattered lives decades removed from the war, our three films depict the Cold War homefront in vivid detail. We often think of the Cold War as an impersonal contest between global powers that nearly ended the world, but the Vietnam War was incredibly personal for millions of Americans and Vietnamese.
Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 28 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On The Deer Hunter (1978), Coming Home (1978), and Da Five Bloods (2020)</itunes:subtitle>
      <itunes:summary>We could do a whole season on Vietnam war films, but in this episode we chose three films that highlight the Cold War’s omnipresence in daily life. You wouldn’t associate any of these films with how Vietnam figured into the Cold War dynamic because they are about the homefront. The Deer Hunter (1978), Coming Home (1978), and Da Five Bloods (2020) are reminders (or are they revelations?) that the Vietnam War deeply wounded American society from top to bottom. Whether it’s working class immigrants in rural Pennsylvania, severely wounded veterans and their caretakers, or Black and Brown soldiers contending with racism and shattered lives decades removed from the war, our three films depict the Cold War homefront in vivid detail. We often think of the Cold War as an impersonal contest between global powers that nearly ended the world, but the Vietnam War was incredibly personal for millions of Americans and Vietnamese.
Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We could do a whole season on Vietnam war films, but in this episode we chose three films that highlight the Cold War’s omnipresence in daily life. You wouldn’t associate any of these films with how Vietnam figured into the Cold War dynamic because they are about the homefront. <em>The Deer Hunter </em>(1978), <em>Coming Home</em> (1978), and <em>Da Five Bloods</em> (2020) are reminders (or are they revelations?) that the Vietnam War deeply wounded American society from top to bottom. Whether it’s working class immigrants in rural Pennsylvania, severely wounded veterans and their caretakers, or Black and Brown soldiers contending with racism and shattered lives decades removed from the war, our three films depict the Cold War homefront in vivid detail. We often think of the Cold War as an impersonal contest between global powers that nearly ended the world, but the Vietnam War was incredibly personal for millions of Americans and Vietnamese.</p><p><a href="http://sru.edu/"><em>Lia Paradis</em></a><em> is a professor of history at Slippery Rock University. </em><a href="https://www.lynchburg.edu/academics/faculty/brian-crim/"><em>Brian Crim</em></a><em> is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go </em><a href="https://liesagreedupon.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3730</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fb587f48-213d-11ed-b5f3-576a13c1dd59]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7517444177.mp3?updated=1661081365" length="0" type="audio/mpeg"/>
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    <item>
      <title>Murasaki Yamada, "Talk to My Back" (Drawn &amp; Quarterly, 2022)</title>
      <description>Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada’s feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada’s oeuvre within the history of alternative manga and Yamada’s manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada’s oeuvre.
Talk to My Back (Drawn &amp; Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family.
Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu’s The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg.
Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai’i Press. She consulted on the British Museum’s exhibition on manga, and her work has appeared in the Journal of Adaptation in Film &amp; Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 27 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ryan Holmberg</itunes:subtitle>
      <itunes:summary>Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada’s feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada’s oeuvre within the history of alternative manga and Yamada’s manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada’s oeuvre.
Talk to My Back (Drawn &amp; Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family.
Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu’s The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg.
Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai’i Press. She consulted on the British Museum’s exhibition on manga, and her work has appeared in the Journal of Adaptation in Film &amp; Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada’s feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada’s oeuvre within the history of alternative manga and Yamada’s manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada’s oeuvre.</p><p><a href="https://bookshop.org/a/12343/9781770465633"><em>Talk to My Back</em></a> (Drawn &amp; Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family.</p><p><a href="https://mangaberg.com/">Ryan Holmberg</a> is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu’s The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg.</p><p><a href="http://amandakennell.net/"><em>Amanda Kennell</em></a><em> is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai’i Press. She consulted on the British Museum’s exhibition on manga, and her work has appeared in the Journal of Adaptation in Film &amp; Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3093</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dac3c69c-3926-11ed-8229-b7adfe2cc2de]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3534742497.mp3?updated=1663707919" length="0" type="audio/mpeg"/>
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    <item>
      <title>Julia Scheeres and Allison Gilbert, "Listen, World!: How the Intrepid Elsie Robinson Became America's Most-Read Woman" (Seal Press, 2022)</title>
      <description>Together, bestselling author Julia Scheeres and award-winning journalist Allison Gilbert have written Listen, World!: How the Intrepid Elsie Robinson Became America's Most-Read Woman (Seal Press, 2022), the first biography of Elsie Robinson, the most influential newspaper columnist you've never heard of. At thirty-five, Elsie Robinson feared she'd lost it all. Reeling from a scandalous divorce in 1917, she had no means to support herself and her chronically ill son. She dreamed of becoming a writer and was willing to sacrifice everything for this goal, even swinging a pickax in a gold mine to pay the bills. When the mine shut down, she moved to the Bay Area. Armed with moxie and samples of her work, she barged into the offices of the Oakland Tribune and was hired on the spot. She went on to become a nationally syndicated columnist and household name whose column ran for over thirty years and garnered fifty million readers. Told in cinematic detail Scheeres and Gilbert's, Listen, World! is the inspiring story of a timeless maverick, capturing what it means to take a gamble on self-fulfillment and find freedom along the way. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 27 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Allison Gilbert</itunes:subtitle>
      <itunes:summary>Together, bestselling author Julia Scheeres and award-winning journalist Allison Gilbert have written Listen, World!: How the Intrepid Elsie Robinson Became America's Most-Read Woman (Seal Press, 2022), the first biography of Elsie Robinson, the most influential newspaper columnist you've never heard of. At thirty-five, Elsie Robinson feared she'd lost it all. Reeling from a scandalous divorce in 1917, she had no means to support herself and her chronically ill son. She dreamed of becoming a writer and was willing to sacrifice everything for this goal, even swinging a pickax in a gold mine to pay the bills. When the mine shut down, she moved to the Bay Area. Armed with moxie and samples of her work, she barged into the offices of the Oakland Tribune and was hired on the spot. She went on to become a nationally syndicated columnist and household name whose column ran for over thirty years and garnered fifty million readers. Told in cinematic detail Scheeres and Gilbert's, Listen, World! is the inspiring story of a timeless maverick, capturing what it means to take a gamble on self-fulfillment and find freedom along the way. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Together, bestselling author <a href="https://www.sequoiaeditorial.com/about">Julia Scheeres</a> and award-winning journalist <a href="https://www.allisongilbert.com/">Allison Gilbert</a> have written <a href="https://bookshop.org/a/12343/9781541674356"><em>Listen, World!: How the Intrepid Elsie Robinson Became America's Most-Read Woman</em></a> (Seal Press, 2022), the first biography of Elsie Robinson, the most influential newspaper columnist you've never heard of. At thirty-five, Elsie Robinson feared she'd lost it all. Reeling from a scandalous divorce in 1917, she had no means to support herself and her chronically ill son. She dreamed of becoming a writer and was willing to sacrifice everything for this goal, even swinging a pickax in a gold mine to pay the bills. When the mine shut down, she moved to the Bay Area. Armed with moxie and samples of her work, she barged into the offices of the Oakland Tribune and was hired on the spot. She went on to become a nationally syndicated columnist and household name whose column ran for over thirty years and garnered fifty million readers. Told in cinematic detail Scheeres and Gilbert's, <em>Listen, World!</em> is the inspiring story of a timeless maverick, capturing what it means to take a gamble on self-fulfillment and find freedom along the way. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2620</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[83c57556-0dd5-11ed-aeb9-db69133fce8a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5217920429.mp3?updated=1658945435" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jim Cullen, "1980: America's Pivotal Year" (Rutgers UP, 2022)</title>
      <description>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.
1980: America's Pivotal Year (Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.
Jim Cullen is the author of numerous books, including The American Dream: A Short History of an Idea that Shaped a Nation, Those Were the Days: Why ‘All in the Family’ Still Matters, and From Memory to History: Television Versions of the Twentieth Century. He teaches history at the newly-founded upper division of Greenwich Country Day School.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 26 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jim Cullen</itunes:subtitle>
      <itunes:summary>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.
1980: America's Pivotal Year (Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.
Jim Cullen is the author of numerous books, including The American Dream: A Short History of an Idea that Shaped a Nation, Those Were the Days: Why ‘All in the Family’ Still Matters, and From Memory to History: Television Versions of the Twentieth Century. He teaches history at the newly-founded upper division of Greenwich Country Day School.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.</p><p><a href="https://bookshop.org/a/12343/9781978831179"><em>1980: America's Pivotal Year</em></a><em> </em>(Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.</p><p>Jim Cullen is the author of numerous books, including <em>The American Dream: A Short History of an Idea that Shaped a Nation</em>, <em>Those Were the Days: Why ‘All in the Family’ Still Matters</em>, and <em>From Memory to History: Television Versions of the Twentieth Century. </em>He teaches history at the newly-founded upper division of Greenwich Country Day School.</p><p><em>Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2339</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[48e03b3c-384c-11ed-b41d-3bd929a3f4c1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4561151083.mp3?updated=1663614111" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew Bomback, "Long Days, Short Years: A Cultural History of Modern Parenting" (MIT Press, 2022)</title>
      <description>When did "parenting" become a verb? Why is it so hard to parent, and so rife with the possibility of failure? Sitcom families of the past--the Cleavers, the Bradys, the Conners--didn't seem to lose any sleep about their parenting methods. Today, parents are likely to be up late, doomscrolling on parenting websites. In Long Days, Short Years: A Cultural History of Modern Parenting (MIT Press, 2022), Andrew Bomback--physician, writer, and father of three young children--looks at why it can be so much fun to be a parent but, at the same time, so frustrating and difficult to parent. It's not a "how to" book (although Bomback has read plenty of these) but a "how come" book, investigating the emergence of an immersive, all-in approach to raising children that has made parenting a competitive (and often not very enjoyable) sport.
Drawing on parenting books, mommy blogs, and historical accounts of parental duties as well as novels, films, podcasts, television shows, and his own experiences as a parent, Bomback charts the cultural history of parenting as a skill to be mastered, from the laid-back Dr. Spock's 1950s childcare bible--in some years outsold only by the actual Bible--to the more rigid training schedules of Babywise. Along the way, he considers the high costs of commercialized parenting (from the babymoon on), the pressure on mothers to have it all (and do it all), scripted parenting as laid out in How to Talk So Kids Will Listen, parenting during a pandemic, and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 23 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1267</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew Bomback</itunes:subtitle>
      <itunes:summary>When did "parenting" become a verb? Why is it so hard to parent, and so rife with the possibility of failure? Sitcom families of the past--the Cleavers, the Bradys, the Conners--didn't seem to lose any sleep about their parenting methods. Today, parents are likely to be up late, doomscrolling on parenting websites. In Long Days, Short Years: A Cultural History of Modern Parenting (MIT Press, 2022), Andrew Bomback--physician, writer, and father of three young children--looks at why it can be so much fun to be a parent but, at the same time, so frustrating and difficult to parent. It's not a "how to" book (although Bomback has read plenty of these) but a "how come" book, investigating the emergence of an immersive, all-in approach to raising children that has made parenting a competitive (and often not very enjoyable) sport.
Drawing on parenting books, mommy blogs, and historical accounts of parental duties as well as novels, films, podcasts, television shows, and his own experiences as a parent, Bomback charts the cultural history of parenting as a skill to be mastered, from the laid-back Dr. Spock's 1950s childcare bible--in some years outsold only by the actual Bible--to the more rigid training schedules of Babywise. Along the way, he considers the high costs of commercialized parenting (from the babymoon on), the pressure on mothers to have it all (and do it all), scripted parenting as laid out in How to Talk So Kids Will Listen, parenting during a pandemic, and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When did "parenting" become a verb? Why is it so hard to parent, and so rife with the possibility of failure? Sitcom families of the past--the Cleavers, the Bradys, the Conners--didn't seem to lose any sleep about their parenting methods. Today, parents are likely to be up late, doomscrolling on parenting websites. In <a href="https://bookshop.org/a/12343/9780262047159"><em>Long Days, Short Years: A Cultural History of Modern Parenting</em></a><em> </em>(MIT Press, 2022), Andrew Bomback--physician, writer, and father of three young children--looks at why it can be so much fun to be a parent but, at the same time, so frustrating and difficult to parent. It's not a "how to" book (although Bomback has read plenty of these) but a "how come" book, investigating the emergence of an immersive, all-in approach to raising children that has made parenting a competitive (and often not very enjoyable) sport.</p><p>Drawing on parenting books, mommy blogs, and historical accounts of parental duties as well as novels, films, podcasts, television shows, and his own experiences as a parent, Bomback charts the cultural history of parenting as a skill to be mastered, from the laid-back Dr. Spock's 1950s childcare bible--in some years outsold only by the actual Bible--to the more rigid training schedules of <em>Babywise</em>. Along the way, he considers the high costs of commercialized parenting (from the babymoon on), the pressure on mothers to have it all (and do it all), scripted parenting as laid out in <em>How to Talk So Kids Will Listen</em>, parenting during a pandemic, and much more.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1934</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[407db210-36b9-11ed-b9cf-d339322d1cb2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6454218837.mp3?updated=1663440952" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Catherine Lester, "Horror Films for Children: Fear and Pleasure in American Cinema" (Bloomsbury, 2021)</title>
      <description>Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes.
Horror Films for Children: Fear and Pleasure in American Cinema (Bloomsbury, 2021) examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 23 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Catherine Lester</itunes:subtitle>
      <itunes:summary>Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes.
Horror Films for Children: Fear and Pleasure in American Cinema (Bloomsbury, 2021) examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes.</p><p><a href="https://bookshop.org/a/12343/9781350135260"><em>Horror Films for Children: Fear and Pleasure in American Cinema</em></a><em> </em>(Bloomsbury, 2021) examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (<em>Gremlins</em>), cult favourites (<em>The Monster Squad</em>) and indie darlings (<em>Coraline</em>), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?</p><p><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3747</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN7279287387.mp3?updated=1663361864" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jamie Fahey, "Futsal: The Indoor Game That Is Revolutionizing World Soccer" (Melville House, 2021)</title>
      <description>Today I talked to Jamie Fahey about his book Futsal: The Indoor Game That Is Revolutionizing World Soccer (Melville House, 2021).
Some 60 million people player futsal worldwide, as this five-a-side version of football (soccer) is both a fast-moving, highly-entertaining sport in its own right as well as a breeding ground for great footballers on the world stage. Played on a field somewhere between the size of a basketball and handball court, futsal is a game with “no time, no space,” requiring mental agility from those who play. As this week’s guest also notes, the equivalent would be football played with 37-a-side. As for the coaching duties involved, well, with as many as 80 substitutions a game versus the two allowed in football matches, getting the most out of your players means empowering them to make decisions on the field in real time. If by analogy, soccer is lumbering corporate bureaucracy, then futsal is five entrepreneurs in action.
Jamie Fahey is a Guardian journalist with over 20 years of experience on several U.K. national newspapers. Consumed by football (soccer) and futsal since his childhood in Liverpool, Jamie has played semi-professionally and been a coach. He’s the Guardian’s primary futsal reporter, and a previously played a coach-mentor role in the English Football Association (FA).
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 22 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jamie Fahey</itunes:subtitle>
      <itunes:summary>Today I talked to Jamie Fahey about his book Futsal: The Indoor Game That Is Revolutionizing World Soccer (Melville House, 2021).
Some 60 million people player futsal worldwide, as this five-a-side version of football (soccer) is both a fast-moving, highly-entertaining sport in its own right as well as a breeding ground for great footballers on the world stage. Played on a field somewhere between the size of a basketball and handball court, futsal is a game with “no time, no space,” requiring mental agility from those who play. As this week’s guest also notes, the equivalent would be football played with 37-a-side. As for the coaching duties involved, well, with as many as 80 substitutions a game versus the two allowed in football matches, getting the most out of your players means empowering them to make decisions on the field in real time. If by analogy, soccer is lumbering corporate bureaucracy, then futsal is five entrepreneurs in action.
Jamie Fahey is a Guardian journalist with over 20 years of experience on several U.K. national newspapers. Consumed by football (soccer) and futsal since his childhood in Liverpool, Jamie has played semi-professionally and been a coach. He’s the Guardian’s primary futsal reporter, and a previously played a coach-mentor role in the English Football Association (FA).
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Jamie Fahey about his book<a href="https://bookshop.org/a/12343/9781612199801"> <em>Futsal: The Indoor Game That Is Revolutionizing World Soccer</em></a><em> </em>(Melville House, 2021).</p><p>Some 60 million people player futsal worldwide, as this five-a-side version of football (soccer) is both a fast-moving, highly-entertaining sport in its own right as well as a breeding ground for great footballers on the world stage. Played on a field somewhere between the size of a basketball and handball court, futsal is a game with “no time, no space,” requiring mental agility from those who play. As this week’s guest also notes, the equivalent would be football played with 37-a-side. As for the coaching duties involved, well, with as many as 80 substitutions a game versus the two allowed in football matches, getting the most out of your players means empowering them to make decisions on the field in real time. If by analogy, soccer is lumbering corporate bureaucracy, then futsal is five entrepreneurs in action.</p><p>Jamie Fahey is a <em>Guardian</em> journalist with over 20 years of experience on several U.K. national newspapers. Consumed by football (soccer) and futsal since his childhood in Liverpool, Jamie has played semi-professionally and been a coach. He’s the <em>Guardian’s</em> primary futsal reporter, and a previously played a coach-mentor role in the English Football Association (FA).</p><p><em>Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (</em><a href="https://www.sensorylogic.com/"><em>https://www.sensorylogic.com</em></a><em>). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit </em><a href="https://emotionswizard.com/"><em>https://emotionswizard.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1877</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76c9365c-0f7f-11ed-a10a-f3229f7aa7a9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6174250062.mp3?updated=1659128048" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>It’s The End Of The World As We Know It</title>
      <description>Last episode we discussed films about how a nuclear war would start, particularly the insane logic of Mutually Assured Destruction (MAD). In this episode we explore how American, British, and Australian filmmakers imagined the unimaginable - Armageddon and the literal and figurative fallout. We look at On the Beach (1959), The Day After (1983), and Threads (1984). We challenge the conventional wisdom that the West only seriously worried about nuclear after the Cuban Missile Crisis, provide some background on the history of anti-nuclear social movements, and compare how these three unforgettable films chose to depict nuclear destruction. How accurate were they? Did they make a difference? And, how many of us are still traumatized by seeing them?
Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 21 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On On the Beach (1959), The Day After (1983), and Threads (1984)</itunes:subtitle>
      <itunes:summary>Last episode we discussed films about how a nuclear war would start, particularly the insane logic of Mutually Assured Destruction (MAD). In this episode we explore how American, British, and Australian filmmakers imagined the unimaginable - Armageddon and the literal and figurative fallout. We look at On the Beach (1959), The Day After (1983), and Threads (1984). We challenge the conventional wisdom that the West only seriously worried about nuclear after the Cuban Missile Crisis, provide some background on the history of anti-nuclear social movements, and compare how these three unforgettable films chose to depict nuclear destruction. How accurate were they? Did they make a difference? And, how many of us are still traumatized by seeing them?
Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Last episode we discussed films about how a nuclear war would start, particularly the insane logic of Mutually Assured Destruction (MAD). In this episode we explore how American, British, and Australian filmmakers imagined the unimaginable - Armageddon and the literal and figurative fallout. We look at <em>On the Beach</em> (1959), <em>The Day After</em> (1983), and <em>Threads</em> (1984). We challenge the conventional wisdom that the West only seriously worried about nuclear after the Cuban Missile Crisis, provide some background on the history of anti-nuclear social movements, and compare how these three unforgettable films chose to depict nuclear destruction. How accurate were they? Did they make a difference? And, how many of us are still traumatized by seeing them?</p><p><a href="http://sru.edu/"><em>Lia Paradis</em></a><em> is a professor of history at Slippery Rock University. </em><a href="https://www.lynchburg.edu/academics/faculty/brian-crim/"><em>Brian Crim</em></a><em> is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go </em><a href="https://liesagreedupon.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4365</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN5308888293.mp3?updated=1661081353" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mary J. Magoulick, "The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique" (UP of Mississippi, 2022)</title>
      <description>Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe.
Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly.
However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.
Mary J. Magoulick is professor of English at Georgia College and State University.
Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at IqraSCheema@gmail.com or Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 21 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>212</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary J. Magoulick</itunes:subtitle>
      <itunes:summary>Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe.
Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly.
However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.
Mary J. Magoulick is professor of English at Georgia College and State University.
Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at IqraSCheema@gmail.com or Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe.</p><p>Building on critiques of other skeptical scholars, <a href="https://bookshop.org/a/12343/9781496837059"><em>The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique</em></a> (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all <em>suffer</em> significantly.</p><p>However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.</p><p>Mary J. Magoulick is professor of English at Georgia College and State University.</p><p><a href="https://www.linkedin.com/in/iqra-s-cheema/"><em>Iqra Shagufta Cheema</em></a><em> is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at </em><a href="mailto:IqraSCheema@gmail.com"><em>IqraSCheema@gmail.com</em></a><em> or </em><a href="https://twitter.com/so_difoucault"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2488</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Stevie Van Zandt, "Unrequited Infatuations: A Memoir" (Hachette Books, 2022)</title>
      <description>What story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story.
The first true heartbeat of Unrequited Infatuations: A Memoir (Hachette Books, 2022) is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world.
And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison.
By the '90s, Van Zandt had lived at least two lives--one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos--as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen).
Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Little Steven's Underground Garage), created the first two 24/7 branded music channels on SiriusXM (Underground Garage and Outlaw Country), started a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap.
Unrequited Infatuations chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.
Stevie Van Zandt on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 20 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stevie Van Zandt</itunes:subtitle>
      <itunes:summary>What story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story.
The first true heartbeat of Unrequited Infatuations: A Memoir (Hachette Books, 2022) is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world.
And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison.
By the '90s, Van Zandt had lived at least two lives--one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos--as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen).
Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Little Steven's Underground Garage), created the first two 24/7 branded music channels on SiriusXM (Underground Garage and Outlaw Country), started a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap.
Unrequited Infatuations chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.
Stevie Van Zandt on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story.</p><p>The first true heartbeat of <a href="https://bookshop.org/a/12343/9780306925436"><em>Unrequited Infatuations: A Memoir</em></a><em> </em>(Hachette Books, 2022) is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world.</p><p>And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison.</p><p>By the '90s, Van Zandt had lived at least two lives--one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos--as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen).</p><p>Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Little Steven's Underground Garage), created the first two 24/7 branded music channels on SiriusXM (Underground Garage and Outlaw Country), started a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap.</p><p>Unrequited Infatuations chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.</p><p>Stevie Van Zandt on <a href="https://twitter.com/StevieVanZandt">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3997</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e967f6b2-367b-11ed-a66d-c7f77f02ec4a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2420419212.mp3?updated=1663414815" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily Bingham, "My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song" (Knopf, 2022)</title>
      <description>Any song as old and as familiar as “My Old Kentucky Home” is bound to have accrued many different meanings and an interesting history. Emily Bingham’s book, My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song (Knopf, 2022) delivers on the promise of its title. In this book Bingham uses the reception of “My Old Kentucky Home,” composed in 1853 by Stephen Foster, to consider how white Americans have constructed a story about the United States that washes away racism and silences the pain of enslavement and racialized violence. Bingham traces the journey of “My Old Kentucky Home” from a popular minstrel song written by an alcoholic Northerner to Lost Cause anthem to American patriotic hymn to a symbol of a reckoning over United States history that is still unfinished. She explains how Black Americans’ responses to “My Old Kentucky Home” illuminates the challenges and contradictions of living within a racist system while also protesting it. Bingham also reveals the lengths to which some people will go in order to maintain an inauthentic history that conforms to a comforting national and even personal self-image.
﻿Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily Bingham</itunes:subtitle>
      <itunes:summary>Any song as old and as familiar as “My Old Kentucky Home” is bound to have accrued many different meanings and an interesting history. Emily Bingham’s book, My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song (Knopf, 2022) delivers on the promise of its title. In this book Bingham uses the reception of “My Old Kentucky Home,” composed in 1853 by Stephen Foster, to consider how white Americans have constructed a story about the United States that washes away racism and silences the pain of enslavement and racialized violence. Bingham traces the journey of “My Old Kentucky Home” from a popular minstrel song written by an alcoholic Northerner to Lost Cause anthem to American patriotic hymn to a symbol of a reckoning over United States history that is still unfinished. She explains how Black Americans’ responses to “My Old Kentucky Home” illuminates the challenges and contradictions of living within a racist system while also protesting it. Bingham also reveals the lengths to which some people will go in order to maintain an inauthentic history that conforms to a comforting national and even personal self-image.
﻿Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Any song as old and as familiar as “My Old Kentucky Home” is bound to have accrued many different meanings and an interesting history. Emily Bingham’s book, <a href="https://bookshop.org/a/12343/9780525520795"><em>My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song</em></a><em> </em>(Knopf, 2022) delivers on the promise of its title. In this book Bingham uses the reception of “My Old Kentucky Home,” composed in 1853 by Stephen Foster, to consider how white Americans have constructed a story about the United States that washes away racism and silences the pain of enslavement and racialized violence. Bingham traces the journey of “My Old Kentucky Home” from a popular minstrel song written by an alcoholic Northerner to Lost Cause anthem to American patriotic hymn to a symbol of a reckoning over United States history that is still unfinished. She explains how Black Americans’ responses to “My Old Kentucky Home” illuminates the challenges and contradictions of living within a racist system while also protesting it. Bingham also reveals the lengths to which some people will go in order to maintain an inauthentic history that conforms to a comforting national and even personal self-image.</p><p><em>﻿</em><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3514</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6fd97cb8-3760-11ed-a654-8b484fb410c8]]></guid>
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    </item>
    <item>
      <title>Brian D. Bunk, "From Football to Soccer: The Early History of the Beautiful Game in the United States" (U Illinois Press, 2021)</title>
      <description>Across North America, native peoples and colonists alike played a variety of kicking games long before soccer's emergence in the late 1800s. Brian D. Bunk examines the development and social impact of these sports through the rise of professional soccer after World War I. As he shows, the various games called football gave women an outlet as athletes and encouraged men to form social bonds based on educational experience, occupation, ethnic identity, or military service. Football also followed young people to college as higher education expanded in the nineteenth century. University play, along with the arrival of immigrants from the British Isles, helped spark the creation of organized soccer in the United States—and the beautiful game's transformation into a truly international sport.
A multilayered look at one game’s place in American life, From Football to Soccer: The Early History of the Beautiful Game in the United States (University of Illinois Press, 2021) refutes the notion of the U.S. as a land outside of football history.
Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at bkoerber@andrew.cmu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>227</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brian D. Bunk</itunes:subtitle>
      <itunes:summary>Across North America, native peoples and colonists alike played a variety of kicking games long before soccer's emergence in the late 1800s. Brian D. Bunk examines the development and social impact of these sports through the rise of professional soccer after World War I. As he shows, the various games called football gave women an outlet as athletes and encouraged men to form social bonds based on educational experience, occupation, ethnic identity, or military service. Football also followed young people to college as higher education expanded in the nineteenth century. University play, along with the arrival of immigrants from the British Isles, helped spark the creation of organized soccer in the United States—and the beautiful game's transformation into a truly international sport.
A multilayered look at one game’s place in American life, From Football to Soccer: The Early History of the Beautiful Game in the United States (University of Illinois Press, 2021) refutes the notion of the U.S. as a land outside of football history.
Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at bkoerber@andrew.cmu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Across North America, native peoples and colonists alike played a variety of kicking games long before soccer's emergence in the late 1800s. <a href="https://www.umass.edu/history/member/brian-d-bunk">Brian D. Bunk</a> examines the development and social impact of these sports through the rise of professional soccer after World War I. As he shows, the various games called football gave women an outlet as athletes and encouraged men to form social bonds based on educational experience, occupation, ethnic identity, or military service. Football also followed young people to college as higher education expanded in the nineteenth century. University play, along with the arrival of immigrants from the British Isles, helped spark the creation of organized soccer in the United States—and the beautiful game's transformation into a truly international sport.</p><p>A multilayered look at one game’s place in American life, <a href="https://bookshop.org/a/12343/9780252085871"><em>From Football to Soccer: The Early History of the Beautiful Game in the United States</em></a> (University of Illinois Press, 2021) refutes the notion of the U.S. as a land outside of football history.</p><p><em>Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at bkoerber@andrew.cmu.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3160</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[867b33ec-3537-11ed-ad10-4b232cdbbb33]]></guid>
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    </item>
    <item>
      <title>Aria S. Halliday, "Buy Black: How Black Women Transformed US Pop Culture" (U Illinois Press, 2022)</title>
      <description>Buy Black: How Black Women Transformed US Pop Culture (U Illinois Press, 2022) examines the role American Black women play in Black consumption in the US and worldwide, with a focus on their pivotal role in packaging Black feminine identity since the 1960s. Through an exploration of the dolls, princesses, and rags-to-riches stories that represent Black girlhood and womanhood in everything from haircare to Nicki Minaj’s hip-hop, Aria S. Halliday spotlights how the products created by Black women have furthered Black women’s position as the moral compass and arbiter of Black racial progress.
Buy Black reveals what attitudes inform a contemporary Black sensibility based in representation and consumerism. It also traces the parameters of Black symbolic power, mapping the sites where intraracial ideals of blackness, womanhood, beauty, play, and sexuality meet and mix in consumer and popular culture.
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 16 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>324</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aria S. Halliday</itunes:subtitle>
      <itunes:summary>Buy Black: How Black Women Transformed US Pop Culture (U Illinois Press, 2022) examines the role American Black women play in Black consumption in the US and worldwide, with a focus on their pivotal role in packaging Black feminine identity since the 1960s. Through an exploration of the dolls, princesses, and rags-to-riches stories that represent Black girlhood and womanhood in everything from haircare to Nicki Minaj’s hip-hop, Aria S. Halliday spotlights how the products created by Black women have furthered Black women’s position as the moral compass and arbiter of Black racial progress.
Buy Black reveals what attitudes inform a contemporary Black sensibility based in representation and consumerism. It also traces the parameters of Black symbolic power, mapping the sites where intraracial ideals of blackness, womanhood, beauty, play, and sexuality meet and mix in consumer and popular culture.
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780252086359"><em>Buy Black: How Black Women Transformed US Pop Culture</em></a><em> </em>(U Illinois Press, 2022) examines the role American Black women play in Black consumption in the US and worldwide, with a focus on their pivotal role in packaging Black feminine identity since the 1960s. Through an exploration of the dolls, princesses, and rags-to-riches stories that represent Black girlhood and womanhood in everything from haircare to Nicki Minaj’s hip-hop, Aria S. Halliday spotlights how the products created by Black women have furthered Black women’s position as the moral compass and arbiter of Black racial progress.</p><p><a href="https://bookshop.org/a/12343/9780252086359"><em>Buy Black</em></a> reveals what attitudes inform a contemporary Black sensibility based in representation and consumerism. It also traces the parameters of Black symbolic power, mapping the sites where intraracial ideals of blackness, womanhood, beauty, play, and sexuality meet and mix in consumer and popular culture.</p><p><a href="https://cla.auburn.edu/directory/mickell-j-carter/"><em>Mickell Carter</em></a><em> is a doctoral student in the department of history at Auburn University. She can be reached at </em><a href="mailto:mzc0152@auburn.edu"><em>mzc0152@auburn.edu</em></a><em> and on twitter @MickellCarter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2050</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[27f0d484-2ae8-11ed-bb15-43553fc62c38]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4606137297.mp3?updated=1662141775" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steve Adelman, "Nocturnal Admissions: A Nightlife Memoir" (Santa Monica Press, 2022)</title>
      <description>In Nocturnal Admissions: Behind the Scenes at Tunnel, Limelight, Avalon, and Other Legendary Nightclubs (Santa Monica Press, 2022), nightclub director Steve Adelman reflects on his years working in some of the world's most popular nightclubs. In his memoir, Adelman reflects on his work in in New York City in the nightclub heyday of the late 1980s and 1990s, at the Roxy, Limelight, Tunnel, and Palladium, followed by Avalon (Boston, Hollywood, and Singapore locations), and the New Daisy Theatre in Memphis. Nocturnal Admissions is a timely, nonconventional look at one of pop culture's most outwardly glamorous, yet misunderstood industries, bringing the reader backstage into the world of nightlife at its highest level. Wearing the multiple hats of ringmaster, entrepreneur, guidance counselor, multimillion-dollar dealmaker, and music soothsayer, Adelman chronicles an improbable journey from small town to big city, filled with a cast of characters he could never have imagined: People named Hedda Lettuce, Jenetalia, Maxi Min, Jiggy, who collide with and around the likes of Jack Nicholson, Bruce Willis, Sir Richard Branson, Leonardo DiCaprio, RuPaul, Rudy Giuliani, and Snoop Dogg, among many, many others. Navigating city crackdowns, crazed partners, and cultural differences, Adelman relates how he watched his Nana out-dance an ex-NFL lineman, was chastised by Bob Dylan, launched the EDM musical movement, helped created the "mash up" with Perry Farrell, butted heads with Jerry Falwell, rang in the New Year with Matt Damon's mother, leveraged porn star Jenna Jameson, relied on advice from felons, almost pancaked Prince, and built the world's most lavish nightclub. Nocturnal Admissions is a hilarious, adrenaline-filled ride through the peak decades of the world's most famous nightclubs and nightlife scenes.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 16 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>131</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steve Adelman</itunes:subtitle>
      <itunes:summary>In Nocturnal Admissions: Behind the Scenes at Tunnel, Limelight, Avalon, and Other Legendary Nightclubs (Santa Monica Press, 2022), nightclub director Steve Adelman reflects on his years working in some of the world's most popular nightclubs. In his memoir, Adelman reflects on his work in in New York City in the nightclub heyday of the late 1980s and 1990s, at the Roxy, Limelight, Tunnel, and Palladium, followed by Avalon (Boston, Hollywood, and Singapore locations), and the New Daisy Theatre in Memphis. Nocturnal Admissions is a timely, nonconventional look at one of pop culture's most outwardly glamorous, yet misunderstood industries, bringing the reader backstage into the world of nightlife at its highest level. Wearing the multiple hats of ringmaster, entrepreneur, guidance counselor, multimillion-dollar dealmaker, and music soothsayer, Adelman chronicles an improbable journey from small town to big city, filled with a cast of characters he could never have imagined: People named Hedda Lettuce, Jenetalia, Maxi Min, Jiggy, who collide with and around the likes of Jack Nicholson, Bruce Willis, Sir Richard Branson, Leonardo DiCaprio, RuPaul, Rudy Giuliani, and Snoop Dogg, among many, many others. Navigating city crackdowns, crazed partners, and cultural differences, Adelman relates how he watched his Nana out-dance an ex-NFL lineman, was chastised by Bob Dylan, launched the EDM musical movement, helped created the "mash up" with Perry Farrell, butted heads with Jerry Falwell, rang in the New Year with Matt Damon's mother, leveraged porn star Jenna Jameson, relied on advice from felons, almost pancaked Prince, and built the world's most lavish nightclub. Nocturnal Admissions is a hilarious, adrenaline-filled ride through the peak decades of the world's most famous nightclubs and nightlife scenes.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781595801142"><em>Nocturnal Admissions: Behind the Scenes at Tunnel, Limelight, Avalon, and Other Legendary Nightclubs</em></a> (Santa Monica Press, 2022), nightclub director <a href="https://www.steveadelman.com/">Steve Adelman</a> reflects on his years working in some of the world's most popular nightclubs. In his memoir, Adelman reflects on his work in in New York City in the nightclub heyday of the late 1980s and 1990s, at the Roxy, Limelight, Tunnel, and Palladium, followed by Avalon (Boston, Hollywood, and Singapore locations), and the New Daisy Theatre in Memphis. <em>Nocturnal Admissions</em> is a timely, nonconventional look at one of pop culture's most outwardly glamorous, yet misunderstood industries, bringing the reader backstage into the world of nightlife at its highest level. Wearing the multiple hats of ringmaster, entrepreneur, guidance counselor, multimillion-dollar dealmaker, and music soothsayer, Adelman chronicles an improbable journey from small town to big city, filled with a cast of characters he could never have imagined: People named Hedda Lettuce, Jenetalia, Maxi Min, Jiggy, who collide with and around the likes of Jack Nicholson, Bruce Willis, Sir Richard Branson, Leonardo DiCaprio, RuPaul, Rudy Giuliani, and Snoop Dogg, among many, many others. Navigating city crackdowns, crazed partners, and cultural differences, Adelman relates how he watched his Nana out-dance an ex-NFL lineman, was chastised by Bob Dylan, launched the EDM musical movement, helped created the "mash up" with Perry Farrell, butted heads with Jerry Falwell, rang in the New Year with Matt Damon's mother, leveraged porn star Jenna Jameson, relied on advice from felons, almost pancaked Prince, and built the world's most lavish nightclub. Nocturnal Admissions is a hilarious, adrenaline-filled ride through the peak decades of the world's most famous nightclubs and nightlife scenes.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3129</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a19e8578-307f-11ed-83b1-57c4ffe33adf]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9194416558.mp3?updated=1662756839" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eldritch Priest, "Earworm and Event: Music, Daydreams, and Other Imaginary Refrains" (Duke UP, 2022)</title>
      <description>In Earworm and Event: Music, Daydreams, and Other Imaginary Refrains (Duke UP, 2022) Eldritch Priest questions the nature of the imagination in contemporary culture through the phenomenon of the earworm: those reveries that hijack our attention, the shivers that run down our spines, and the songs that stick in our heads. Through a series of meditations on music, animal mentality, abstraction, and metaphor, Priest uses the earworm and the states of daydreaming, mind-wandering, and delusion it can produce to outline how music is something that is felt as thought rather than listened to. Priest presents Earworm and Event as a tête-bêche—two books bound together with each end meeting in the middle. Where Earworm theorizes the entanglement of thought and feeling, Event performs it. Throughout, Priest conceptualizes the earworm as an event that offers insight into not only the way human brains process musical experiences, but how abstractions and the imagination play key roles in the composition and expression of our contemporary social environments and more-than-human milieus. Unconventional and ambitious, Earworm and Event offers new ways to interrogate the convergence of thought, sound, and affect.
Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 15 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eldritch Priest</itunes:subtitle>
      <itunes:summary>In Earworm and Event: Music, Daydreams, and Other Imaginary Refrains (Duke UP, 2022) Eldritch Priest questions the nature of the imagination in contemporary culture through the phenomenon of the earworm: those reveries that hijack our attention, the shivers that run down our spines, and the songs that stick in our heads. Through a series of meditations on music, animal mentality, abstraction, and metaphor, Priest uses the earworm and the states of daydreaming, mind-wandering, and delusion it can produce to outline how music is something that is felt as thought rather than listened to. Priest presents Earworm and Event as a tête-bêche—two books bound together with each end meeting in the middle. Where Earworm theorizes the entanglement of thought and feeling, Event performs it. Throughout, Priest conceptualizes the earworm as an event that offers insight into not only the way human brains process musical experiences, but how abstractions and the imagination play key roles in the composition and expression of our contemporary social environments and more-than-human milieus. Unconventional and ambitious, Earworm and Event offers new ways to interrogate the convergence of thought, sound, and affect.
Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478017981"><em>Earworm and Event: Music, Daydreams, and Other Imaginary Refrains</em></a><em> </em>(Duke UP, 2022) Eldritch Priest questions the nature of the imagination in contemporary culture through the phenomenon of the earworm: those reveries that hijack our attention, the shivers that run down our spines, and the songs that stick in our heads. Through a series of meditations on music, animal mentality, abstraction, and metaphor, Priest uses the earworm and the states of daydreaming, mind-wandering, and delusion it can produce to outline how music is something that is felt as thought rather than listened to. Priest presents <em>Earworm and Event</em> as a tête-bêche—two books bound together with each end meeting in the middle. Where <em>Earworm </em>theorizes the entanglement of thought and feeling, <em>Event </em>performs it. Throughout, Priest conceptualizes the earworm as an event that offers insight into not only the way human brains process musical experiences, but how abstractions and the imagination play key roles in the composition and expression of our contemporary social environments and more-than-human milieus. Unconventional and ambitious, <em>Earworm and Event</em> offers new ways to interrogate the convergence of thought, sound, and affect.</p><p><em>Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu)</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e26911c6-30f8-11ed-8955-3f5337267ecc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7437488442.mp3?updated=1662808728" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A MAD, MAD, World</title>
      <description>The world lived under the shadow of the acronym MAD for forty years. Mutually Assured Destruction was no laughing matter, but Stanley Kubrick thought dark comedy was the only way to approach a topic as ridiculous as MAD. In this episode we compare and contrast Dr. Strangelove (1964) with Failsafe, a serious film about the same subject that came out the same year. We reveal just how spot on Dr. Strangelove was about MAD versus Failsafe’s unwarranted optimism that limited nuclear war was possible. An army of political scientists and bureaucrats game theoried fighting and winning a nuclear war like it was just another social science problem. Civilians are the warmongers in our MAD films. Dr. Strangelove may be a deranged Nazi freak, but everything he said was seriously considered by real life MAD Men.
Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 14 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On Dr. Strangelove (1964), and Failsafe (1964)</itunes:subtitle>
      <itunes:summary>The world lived under the shadow of the acronym MAD for forty years. Mutually Assured Destruction was no laughing matter, but Stanley Kubrick thought dark comedy was the only way to approach a topic as ridiculous as MAD. In this episode we compare and contrast Dr. Strangelove (1964) with Failsafe, a serious film about the same subject that came out the same year. We reveal just how spot on Dr. Strangelove was about MAD versus Failsafe’s unwarranted optimism that limited nuclear war was possible. An army of political scientists and bureaucrats game theoried fighting and winning a nuclear war like it was just another social science problem. Civilians are the warmongers in our MAD films. Dr. Strangelove may be a deranged Nazi freak, but everything he said was seriously considered by real life MAD Men.
Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The world lived under the shadow of the acronym MAD for forty years. Mutually Assured Destruction was no laughing matter, but Stanley Kubrick thought dark comedy was the only way to approach a topic as ridiculous as MAD. In this episode we compare and contrast <em>Dr. Strangelove</em> (1964) with <em>Failsafe</em>, a serious film about the same subject that came out the same year. We reveal just how spot on <em>Dr. Strangelove</em> was about MAD versus <em>Failsafe</em>’s unwarranted optimism that limited nuclear war was possible. An army of political scientists and bureaucrats game theoried fighting and winning a nuclear war like it was just another social science problem. Civilians are the warmongers in our MAD films. Dr. Strangelove may be a deranged Nazi freak, but everything he said was seriously considered by real life MAD Men.</p><p><a href="http://sru.edu/"><em>Lia Paradis</em></a><em> is a professor of history at Slippery Rock University. </em><a href="https://www.lynchburg.edu/academics/faculty/brian-crim/"><em>Brian Crim</em></a><em> is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go </em><a href="https://liesagreedupon.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3464</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e298e54c-213d-11ed-b551-af592e0a297a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4902643881.mp3?updated=1663324192" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Esther Wright, "Rockstar Games and American History: Promotional Materials and the Construction of Authenticity" (de Gruyter, 2022)</title>
      <description>For two decades, Rockstar Games have been making games that interrogate and represent the idea of America, past and present. Commercially successful, fan-beloved, and a frequent source of media attention, Rockstar’s franchises are positioned as not only game-changing, ground-breaking interventions in the games industry, but also as critical, cultural histories on America and its excesses.
But what does Rockstar’s version of American history look like, and how is it communicated through critically acclaimed titles like Red Dead Redemption (2010) and L.A. Noire (2011)? By combining analysis of Rockstar’s games and a range of official communications and promotional materials, Rockstar Games and American History: Promotional Materials and the Construction of Authenticity (de Gruyter, 2022) offers critical discussion of Rockstar as a company, their video games, and ultimately, their attempts at creating new narratives about U.S. history and culture. It explores the ways in which Rockstar’s brand identity and their titles coalesce to create a new kind of video game history, how promotional materials work to claim the "authenticity" of these products, and assert the authority of game developers to perform the role of historian.
By working at the intersection of historical game studies, U.S. history, and film and media studies, this book explores what happens when contemporary demands for historical authenticity are brought to bear on the way we envisage the past – and whose past it is deemed to be. Ultimately, this book implores those who research historical video games to consider the oft-forgotten sources at the margins of these games as importance spaces where historical meaning is made and negotiated.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>194</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Esther Wright</itunes:subtitle>
      <itunes:summary>For two decades, Rockstar Games have been making games that interrogate and represent the idea of America, past and present. Commercially successful, fan-beloved, and a frequent source of media attention, Rockstar’s franchises are positioned as not only game-changing, ground-breaking interventions in the games industry, but also as critical, cultural histories on America and its excesses.
But what does Rockstar’s version of American history look like, and how is it communicated through critically acclaimed titles like Red Dead Redemption (2010) and L.A. Noire (2011)? By combining analysis of Rockstar’s games and a range of official communications and promotional materials, Rockstar Games and American History: Promotional Materials and the Construction of Authenticity (de Gruyter, 2022) offers critical discussion of Rockstar as a company, their video games, and ultimately, their attempts at creating new narratives about U.S. history and culture. It explores the ways in which Rockstar’s brand identity and their titles coalesce to create a new kind of video game history, how promotional materials work to claim the "authenticity" of these products, and assert the authority of game developers to perform the role of historian.
By working at the intersection of historical game studies, U.S. history, and film and media studies, this book explores what happens when contemporary demands for historical authenticity are brought to bear on the way we envisage the past – and whose past it is deemed to be. Ultimately, this book implores those who research historical video games to consider the oft-forgotten sources at the margins of these games as importance spaces where historical meaning is made and negotiated.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For two decades, Rockstar Games have been making games that interrogate and represent the idea of America, past and present. Commercially successful, fan-beloved, and a frequent source of media attention, Rockstar’s franchises are positioned as not only game-changing, ground-breaking interventions in the games industry, but also as critical, cultural histories on America and its excesses.</p><p>But what does Rockstar’s version of American history look like, and how is it communicated through critically acclaimed titles like Red Dead Redemption (2010) and L.A. Noire (2011)? By combining analysis of Rockstar’s games and a range of official communications and promotional materials, <a href="https://bookshop.org/a/12343/9783110716467"><em>Rockstar Games and American History: Promotional Materials and the Construction of Authenticity</em></a><em> </em>(de Gruyter, 2022) offers critical discussion of Rockstar as a company, their video games, and ultimately, their attempts at creating new narratives about U.S. history and culture. It explores the ways in which Rockstar’s brand identity and their titles coalesce to create a new kind of video game history, how promotional materials work to claim the "authenticity" of these products, and assert the authority of game developers to perform the role of historian.</p><p>By working at the intersection of historical game studies, U.S. history, and film and media studies, this book explores what happens when contemporary demands for historical authenticity are brought to bear on the way we envisage the past – and whose past it is deemed to be. Ultimately, this book implores those who research historical video games to consider the oft-forgotten sources at the margins of these games as importance spaces where historical meaning is made and negotiated.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2051</itunes:duration>
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      <title>Derek H. Alderman et al., "Remembering Enslavement: Reassembling the Southern Plantation Museum" (U Georgia Press, 2022)</title>
      <description>Remembering Enslavement: Reassembling the Southern Plantation Museum (U Georgia Press, 2022) explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014-17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved.
Using assemblage theory as a framework, Remembering Enslavement offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums.
It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations
among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.
This interview is with three of the authors: Derek Alderman, Amy Potter, and Stephen Hanna. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Derek Alderman, Amy Potter, and Stephen Hanna</itunes:subtitle>
      <itunes:summary>Remembering Enslavement: Reassembling the Southern Plantation Museum (U Georgia Press, 2022) explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014-17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved.
Using assemblage theory as a framework, Remembering Enslavement offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums.
It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations
among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.
This interview is with three of the authors: Derek Alderman, Amy Potter, and Stephen Hanna. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820360942"><em>Remembering Enslavement: Reassembling the Southern Plantation Museum</em></a><em> </em>(U Georgia Press, 2022) explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014-17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved.</p><p>Using assemblage theory as a framework, <em>Remembering Enslavement</em> offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums.</p><p>It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations</p><p>among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.</p><p>This interview is with three of the authors: Derek Alderman, Amy Potter, and Stephen Hanna. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3196</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN8208187932.mp3?updated=1663185369" length="0" type="audio/mpeg"/>
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      <title>Danielle J. Lindemann, "True Story: What Reality TV Says About Us" (FSG, 2022)</title>
      <description>Why is reality TV important? In True Story: What Reality TV Says About Us (FSG, 2022), Danielle J. Lindemann, an Associate Professor of Sociology at Lehigh University, uses a sociological lens to examine the meaning and role of reality TV in contemporary society. In doing so, the analysis demonstrates how reality TV reinforces often narrow and conservative stereotypes about families, gender, class, race, and sexuality. At the same time, the book shows how reality TV can offer representations for excluded communities and is not consumed uncritically by audiences, even as reality TV is reflective of broader social inequalities. Drawing on classical and contemporary sociological theories and frameworks, the book uses a huge range of examples, from some of the early reality TV classics, through the huge hits, to the niche and less well-known shows that both reflect and shape how life is shown on TV. The book is essential reading across the social sciences and arts and humanities, as well as for anyone interested in television!
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 12 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>312</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Danielle J. Lindemann</itunes:subtitle>
      <itunes:summary>Why is reality TV important? In True Story: What Reality TV Says About Us (FSG, 2022), Danielle J. Lindemann, an Associate Professor of Sociology at Lehigh University, uses a sociological lens to examine the meaning and role of reality TV in contemporary society. In doing so, the analysis demonstrates how reality TV reinforces often narrow and conservative stereotypes about families, gender, class, race, and sexuality. At the same time, the book shows how reality TV can offer representations for excluded communities and is not consumed uncritically by audiences, even as reality TV is reflective of broader social inequalities. Drawing on classical and contemporary sociological theories and frameworks, the book uses a huge range of examples, from some of the early reality TV classics, through the huge hits, to the niche and less well-known shows that both reflect and shape how life is shown on TV. The book is essential reading across the social sciences and arts and humanities, as well as for anyone interested in television!
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is reality TV important? In <a href="https://bookshop.org/a/12343/9780374279028"><em>True Story: What Reality TV Says About Us</em></a><em> </em>(FSG, 2022), <a href="https://twitter.com/djlindee">Danielle J. Lindemann</a>, an <a href="https://daniellelindemann.com/">Associate Professor of Sociology</a> at <a href="https://socanthro.cas.lehigh.edu/content/danielle-lindemann">Lehigh University</a>, uses a sociological lens to examine the meaning and role of reality TV in contemporary society. In doing so, the analysis demonstrates how reality TV reinforces often narrow and conservative stereotypes about families, gender, class, race, and sexuality. At the same time, the book shows how reality TV can offer representations for excluded communities and is not consumed uncritically by audiences, even as reality TV is reflective of broader social inequalities. Drawing on classical and contemporary sociological theories and frameworks, the book uses a huge range of examples, from some of the early reality TV classics, through the huge hits, to the niche and less well-known shows that both reflect and shape how life is shown on TV. The book is essential reading across the social sciences and arts and humanities, as well as for anyone interested in television!</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2aa7e676-2d32-11ed-9298-d3bc16ee201c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3372836490.mp3?updated=1662393508" length="0" type="audio/mpeg"/>
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      <title>Who Can You Trust?</title>
      <description>Can you imagine living in a society that is ostensibly a democracy but secret forces are working behind the scenes to manipulate events? What if our intelligence agencies run amok with no oversight? What if the president is a criminal and would do anything to stay in power? These sound like current events, but they were major preoccupations during the 1970s in the wake of Watergate and congressional hearings about CIA and FBI abuses. Hollywood responded by dramatizing the unfettered power of what some like to call “the deep state” in three films we cover this episode - The Parallax View (1974), The Three Days of the Condor (1975), and All The President’s Men (1976). Each features protagonists unraveling conspiracies at the heart of our national security state, but is exposing the truth enough?

Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 07 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On The Parallax View (1974), The Three Days of the Condor (1975), and All The President’s Men (1976)</itunes:subtitle>
      <itunes:summary>Can you imagine living in a society that is ostensibly a democracy but secret forces are working behind the scenes to manipulate events? What if our intelligence agencies run amok with no oversight? What if the president is a criminal and would do anything to stay in power? These sound like current events, but they were major preoccupations during the 1970s in the wake of Watergate and congressional hearings about CIA and FBI abuses. Hollywood responded by dramatizing the unfettered power of what some like to call “the deep state” in three films we cover this episode - The Parallax View (1974), The Three Days of the Condor (1975), and All The President’s Men (1976). Each features protagonists unraveling conspiracies at the heart of our national security state, but is exposing the truth enough?

Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can you imagine living in a society that is ostensibly a democracy but secret forces are working behind the scenes to manipulate events? What if our intelligence agencies run amok with no oversight? What if the president is a criminal and would do anything to stay in power? These sound like current events, but they were major preoccupations during the 1970s in the wake of Watergate and congressional hearings about CIA and FBI abuses. Hollywood responded by dramatizing the unfettered power of what some like to call “the deep state” in three films we cover this episode - <em>The Parallax View</em> (1974), <em>The Three Days of the Condor</em> (1975), and <em>All The President’s Men</em> (1976). Each features protagonists unraveling conspiracies at the heart of our national security state, but is exposing the truth enough?</p><p><br></p><p><a href="http://sru.edu/"><em>Lia Paradis</em></a><em> is a professor of history at Slippery Rock University. </em><a href="https://www.lynchburg.edu/academics/faculty/brian-crim/"><em>Brian Crim</em></a><em> is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go </em><a href="https://liesagreedupon.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3345</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN4955601310.mp3?updated=1662551574" length="0" type="audio/mpeg"/>
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      <title>Marissa R. Moss, "Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be" (Henry Holt, 2022)</title>
      <description>It was only two decades ago, but, for the women of country music, 1999 seems like an entirely different universe. With Shania Twain, country's biggest award winner and star, and The Chicks topping every chart, country music was a woman's world: specifically, country radio and Nashville's Music Row.
Cut to 2021, when women are only played on country radio 16% of the time, on a good day, and when only men have won Entertainer of the Year at the CMA Awards for a decade. To a world where artists like Kacey Musgraves sell out arenas but barely score a single second of airplay. But also to a world where these women are infinitely bigger live draws than most male counterparts, having massive pop crossover hits like Maren Morris's "The Middle," pushing the industry to confront its deeply embedded racial biases with Mickey Guyton's "Black Like Me," winning heaps of Grammy nominations, banding up in supergroups like The Highwomen and taking complete control of their own careers, on their own terms. When the rules stopped working for the women of country music, they threw them out and made their own: and changed the genre forever, and for better.
Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be (Henry Holt, 2022) is veteran Nashville journalist Marissa R. Moss's story of how in the past two decades, country's women fought back against systems designed to keep them down, armed with their art and never willing to just shut up and sing: how women like Kacey, Mickey, Maren, The Chicks, Miranda Lambert, Rissi Palmer, Brandy Clark, LeAnn Rimes, Brandi Carlile, Margo Price and many more have reinvented the rules to find their place in an industry stacked against them, how they've ruled the century when it comes to artistic output--and about how women can and do belong in the mainstream of country music, even if their voices aren't being heard as loudly.
Marissa R. Moss is an award-winning journalist who has written about the topic of gender inequality on the country airwaves for outlets like Rolling Stone, NPR, Billboard, Entertainment Weekly, and many more. Moss was the 2018 recipient of the Rolling Stone Chet Flippo Award for Excellence in Country Music Journalism, and the 2019 Nashville Scene Best of Nashville Best Music Reporter. She has been a guest on The TODAY Show, Entertainment Tonight, CBS Morning Show, NPR's Weekend Edition, WPLN, the Pop Literacy Podcast, and more.
Marissa R. Moss on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 07 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marissa R. Moss</itunes:subtitle>
      <itunes:summary>It was only two decades ago, but, for the women of country music, 1999 seems like an entirely different universe. With Shania Twain, country's biggest award winner and star, and The Chicks topping every chart, country music was a woman's world: specifically, country radio and Nashville's Music Row.
Cut to 2021, when women are only played on country radio 16% of the time, on a good day, and when only men have won Entertainer of the Year at the CMA Awards for a decade. To a world where artists like Kacey Musgraves sell out arenas but barely score a single second of airplay. But also to a world where these women are infinitely bigger live draws than most male counterparts, having massive pop crossover hits like Maren Morris's "The Middle," pushing the industry to confront its deeply embedded racial biases with Mickey Guyton's "Black Like Me," winning heaps of Grammy nominations, banding up in supergroups like The Highwomen and taking complete control of their own careers, on their own terms. When the rules stopped working for the women of country music, they threw them out and made their own: and changed the genre forever, and for better.
Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be (Henry Holt, 2022) is veteran Nashville journalist Marissa R. Moss's story of how in the past two decades, country's women fought back against systems designed to keep them down, armed with their art and never willing to just shut up and sing: how women like Kacey, Mickey, Maren, The Chicks, Miranda Lambert, Rissi Palmer, Brandy Clark, LeAnn Rimes, Brandi Carlile, Margo Price and many more have reinvented the rules to find their place in an industry stacked against them, how they've ruled the century when it comes to artistic output--and about how women can and do belong in the mainstream of country music, even if their voices aren't being heard as loudly.
Marissa R. Moss is an award-winning journalist who has written about the topic of gender inequality on the country airwaves for outlets like Rolling Stone, NPR, Billboard, Entertainment Weekly, and many more. Moss was the 2018 recipient of the Rolling Stone Chet Flippo Award for Excellence in Country Music Journalism, and the 2019 Nashville Scene Best of Nashville Best Music Reporter. She has been a guest on The TODAY Show, Entertainment Tonight, CBS Morning Show, NPR's Weekend Edition, WPLN, the Pop Literacy Podcast, and more.
Marissa R. Moss on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It was only two decades ago, but, for the women of country music, 1999 seems like an entirely different universe. With Shania Twain, country's biggest award winner and star, and The Chicks topping every chart, country music was a woman's world: specifically, country radio and Nashville's Music Row.</p><p>Cut to 2021, when women are only played on country radio 16% of the time, on a good day, and when only men have won Entertainer of the Year at the CMA Awards for a decade. To a world where artists like Kacey Musgraves sell out arenas but barely score a single second of airplay. But also to a world where these women are infinitely bigger live draws than most male counterparts, having massive pop crossover hits like Maren Morris's "The Middle," pushing the industry to confront its deeply embedded racial biases with Mickey Guyton's "Black Like Me," winning heaps of Grammy nominations, banding up in supergroups like The Highwomen and taking complete control of their own careers, on their own terms. When the rules stopped working for the women of country music, they threw them out and made their own: and changed the genre forever, and for better.</p><p><a href="https://bookshop.org/a/12343/9781250793591"><em>Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be</em></a><em> </em>(Henry Holt, 2022) is veteran Nashville journalist Marissa R. Moss's story of how in the past two decades, country's women fought back against systems designed to keep them down, armed with their art and never willing to just shut up and sing: how women like Kacey, Mickey, Maren, The Chicks, Miranda Lambert, Rissi Palmer, Brandy Clark, LeAnn Rimes, Brandi Carlile, Margo Price and many more have reinvented the rules to find their place in an industry stacked against them, how they've ruled the century when it comes to artistic output--and about how women can and do belong in the mainstream of country music, even if their voices aren't being heard as loudly.</p><p>Marissa R. Moss is an award-winning journalist who has written about the topic of gender inequality on the country airwaves for outlets like Rolling Stone, NPR, Billboard, Entertainment Weekly, and many more. Moss was the 2018 recipient of the Rolling Stone Chet Flippo Award for Excellence in Country Music Journalism, and the 2019 Nashville Scene Best of Nashville Best Music Reporter. She has been a guest on The TODAY Show, Entertainment Tonight, CBS Morning Show, NPR's Weekend Edition, WPLN, the Pop Literacy Podcast, and more.</p><p>Marissa R. Moss on <a href="https://twitter.com/MarissaRMoss">Twitter</a>.</p><p><br></p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3866</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cbcb8b92-2a0e-11ed-9e18-eb0d1bf668ae]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4836141293.mp3?updated=1662048571" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Davida Breier, "Sinkhole" (U New Orleans Press, 2022)</title>
      <description>Davida Breier talks about her debut novel Sinkhole (University of New Orleans Press, 2022). Humidity, lovebugs, and murder. Lies from the past and a dangerous present collide when, after fifteen years in exile, Michelle Miller returns to her tiny hometown of Lorida, Florida. With her mother in the hospital, she's forced to reckon with the broken relationships she left behind: with her family, with friends, and with herself. As a teenager, Michelle felt isolated and invisible until she met Sissy, a dynamic and wealthy classmate. Their sudden, intense friendship was all-consuming. Punk rocker Morrison later joins their clique, and they become an inseparable trio. They were the perfect high school friends, bound by dysfunction, bad TV, and boredom—until one of them ends up dead. Forced to confront the life she turned her back on fifteen years ago, she begins questioning what was truth and what were lies. Now at a distance, Michelle begins to see how dangerous Sissy truly was. An ingenious debut from editor and publisher Davida Breier, Sinkhole is a mesmerizing, darkly comic coming-of-age novel immersed in 1980s central Florida. A disturbing and skillful exploration of home, friendship, selfhood, and grief set amidst golf courses, mobile homes, and alligators.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 07 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Davida Breier</itunes:subtitle>
      <itunes:summary>Davida Breier talks about her debut novel Sinkhole (University of New Orleans Press, 2022). Humidity, lovebugs, and murder. Lies from the past and a dangerous present collide when, after fifteen years in exile, Michelle Miller returns to her tiny hometown of Lorida, Florida. With her mother in the hospital, she's forced to reckon with the broken relationships she left behind: with her family, with friends, and with herself. As a teenager, Michelle felt isolated and invisible until she met Sissy, a dynamic and wealthy classmate. Their sudden, intense friendship was all-consuming. Punk rocker Morrison later joins their clique, and they become an inseparable trio. They were the perfect high school friends, bound by dysfunction, bad TV, and boredom—until one of them ends up dead. Forced to confront the life she turned her back on fifteen years ago, she begins questioning what was truth and what were lies. Now at a distance, Michelle begins to see how dangerous Sissy truly was. An ingenious debut from editor and publisher Davida Breier, Sinkhole is a mesmerizing, darkly comic coming-of-age novel immersed in 1980s central Florida. A disturbing and skillful exploration of home, friendship, selfhood, and grief set amidst golf courses, mobile homes, and alligators.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://davidabreier.com/">Davida Breier</a> talks about her debut novel <a href="https://davidabreier.com/sinkhole/">Sinkhole</a> (University of New Orleans Press, 2022). Humidity, lovebugs, and murder. Lies from the past and a dangerous present collide when, after fifteen years in exile, Michelle Miller returns to her tiny hometown of Lorida, Florida. With her mother in the hospital, she's forced to reckon with the broken relationships she left behind: with her family, with friends, and with herself. As a teenager, Michelle felt isolated and invisible until she met Sissy, a dynamic and wealthy classmate. Their sudden, intense friendship was all-consuming. Punk rocker Morrison later joins their clique, and they become an inseparable trio. They were the perfect high school friends, bound by dysfunction, bad TV, and boredom—until one of them ends up dead. Forced to confront the life she turned her back on fifteen years ago, she begins questioning what was truth and what were lies. Now at a distance, Michelle begins to see how dangerous Sissy truly was. An ingenious debut from editor and publisher Davida Breier, Sinkhole is a mesmerizing, darkly comic coming-of-age novel immersed in 1980s central Florida. A disturbing and skillful exploration of home, friendship, selfhood, and grief set amidst golf courses, mobile homes, and alligators.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2782</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6d3c2eb0-296e-11ed-b1ec-2bcd1c46f702]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2594780003.mp3?updated=1661979668" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Liz Bucar, "Stealing My Religion: Not Just Any Cultural Appropriation" (Harvard UP, 2022)</title>
      <description>Liz Bucar is the Director of Sacred Writes, Professor of Religion, and Dean’s Leadership Fellow at Northeastern University. Bucar is an expert in comparative religious ethics who has published on topics ranging from gender reassignment surgery to the global politics of modest clothing. Bucar’s current book, Stealing My Religion: Not Just Any Cultural Appropriation (Harvard University Press, 2022), is on the ethics of religious appropriation. She is also the author of award-winning Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017). Bucar’s public scholarship includes bylines in The Atlantic, The Los Angeles Times, Teen Vogue, and Zocalo Public Square as well as several podcasts. She has a PhD in religious ethics from the University of Chicago’s Divinity School. Follow her on Twitter @BucarLiz.
You can find an NBN podcast with Bucar talking about Pious Fashion here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 06 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>244</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Liz Bucar is the Director of Sacred Writes, Professor of Religion, and Dean’s Leadership Fellow at Northeastern University. Bucar is an expert in comparative religious ethics who has published on topics ranging from gender reassignment surgery to the global politics of modest clothing. Bucar’s current book, Stealing My Religion: Not Just Any Cultural Appropriation (Harvard University Press, 2022), is on the ethics of religious appropriation. She is also the author of award-winning Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017). Bucar’s public scholarship includes bylines in The Atlantic, The Los Angeles Times, Teen Vogue, and Zocalo Public Square as well as several podcasts. She has a PhD in religious ethics from the University of Chicago’s Divinity School. Follow her on Twitter @BucarLiz.
You can find an NBN podcast with Bucar talking about Pious Fashion here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.lizbucar.com/">Liz Bucar</a> is the Director of Sacred Writes, Professor of Religion, and Dean’s Leadership Fellow at Northeastern University. Bucar is an expert in comparative religious ethics who has published on topics ranging from gender reassignment surgery to the global politics of modest clothing. Bucar’s current book, <a href="https://bookshop.org/a/12343/9780674987036"><em>Stealing My Religion: Not Just Any Cultural Appropriation</em></a> (Harvard University Press, 2022), is on the ethics of religious appropriation. She is also the author of award-winning <a href="https://bucar.hcommons.org/pious-fashion/"><em>Pious Fashion: How Muslim Women Dress </em></a>(Harvard University Press, 2017). Bucar’s public scholarship includes bylines in <a href="https://www.theatlantic.com/international/archive/2018/02/muslim-women-fashion-political-influence/550256/"><em>The Atlantic</em></a><em>, </em><a href="http://www.latimes.com/opinion/op-ed/la-oe-bucar-muslim-fashion-20171001-story.html"><em>The Los Angeles Times</em></a>, <a href="https://www.teenvogue.com/contributor/liz-bucar"><em>Teen Vogue</em></a>, and <a href="http://www.zocalopublicsquare.org/2018/02/14/iranian-women-turn-pious-fashion-radar-dissent/ideas/essay/"><em>Zocalo Public Square</em></a> as well as several <a href="https://bucar.hcommons.org/listen/">podcasts</a>. She has a PhD in religious ethics from the University of Chicago’s Divinity School. Follow her on Twitter <a href="https://twitter.com/bucarliz?lang=en">@BucarLiz</a>.</p><p>You can find an NBN podcast with Bucar talking about Pious Fashion <a href="https://newbooksnetwork.com/141-on-pious-fashion-and-muslim-women#entry:133672@1:url">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2845</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[27be6176-24ac-11ed-9f13-0b0f83a1c751]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3949432170.mp3?updated=1661456350" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Alexander, "Ten Tomatoes that Changed the World" (Grand Central Publishing, 2022)</title>
      <description>The tomato gets no respect. Never has. Stored in the dustbin of history for centuries, accused of being vile and poisonous, appropriated as wartime propaganda, subjected to being picked hard-green and gassed, even used as a projectile, the poor tomato is the Rodney Dangerfield of foods. Yet, the tomato is the most popular vegetable in America (and, in fact, the world). It holds a place in America's soul like no other vegetable, and few other foods. Each summer, tomato festivals crop up across the country; John Denver had a hit single titled "homegrown Tomatoes;" and the Heinz tomato ketchup bottle, instantly recognizable, is in the Smithsonian.
Author William Alexander is on a mission to get tomatoes the respect they deserve. Supported by meticulous research but told in a lively, accessible voice, Ten Tomatoes that Changed the World (Grand Central Publishing, 2022) seamlessly weaves travel, history, humor, and a little adventure (and misadventure) to follow the tomato's trail through history. A fascinating story complete with heroes, con artists, conquistadors and, no surprise, the Mafia, this book is a mouth-watering, informative, and entertaining guide to the good that has captured our hearts for generations.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 02 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with William Alexander</itunes:subtitle>
      <itunes:summary>The tomato gets no respect. Never has. Stored in the dustbin of history for centuries, accused of being vile and poisonous, appropriated as wartime propaganda, subjected to being picked hard-green and gassed, even used as a projectile, the poor tomato is the Rodney Dangerfield of foods. Yet, the tomato is the most popular vegetable in America (and, in fact, the world). It holds a place in America's soul like no other vegetable, and few other foods. Each summer, tomato festivals crop up across the country; John Denver had a hit single titled "homegrown Tomatoes;" and the Heinz tomato ketchup bottle, instantly recognizable, is in the Smithsonian.
Author William Alexander is on a mission to get tomatoes the respect they deserve. Supported by meticulous research but told in a lively, accessible voice, Ten Tomatoes that Changed the World (Grand Central Publishing, 2022) seamlessly weaves travel, history, humor, and a little adventure (and misadventure) to follow the tomato's trail through history. A fascinating story complete with heroes, con artists, conquistadors and, no surprise, the Mafia, this book is a mouth-watering, informative, and entertaining guide to the good that has captured our hearts for generations.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The tomato gets no respect. Never has. Stored in the dustbin of history for centuries, accused of being vile and poisonous, appropriated as wartime propaganda, subjected to being picked hard-green and gassed, even used as a projectile, the poor tomato is the Rodney Dangerfield of foods. Yet, the tomato is the most popular vegetable in America (and, in fact, the world). It holds a place in America's soul like no other vegetable, and few other foods. Each summer, tomato festivals crop up across the country; John Denver had a hit single titled "homegrown Tomatoes;" and the Heinz tomato ketchup bottle, instantly recognizable, is in the Smithsonian.</p><p>Author William Alexander is on a mission to get tomatoes the respect they deserve. Supported by meticulous research but told in a lively, accessible voice, <a href="https://bookshop.org/a/12343/9781538753323"><em>Ten Tomatoes that Changed the World</em></a><em> </em>(Grand Central Publishing, 2022) seamlessly weaves travel, history, humor, and a little adventure (and misadventure) to follow the tomato's trail through history. A fascinating story complete with heroes, con artists, conquistadors and, no surprise, the Mafia, this book is a mouth-watering, informative, and entertaining guide to the good that has captured our hearts for generations.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3436</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d13851c-255d-11ed-94cd-c348e4f4ee39]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8336151525.mp3?updated=1661532553" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Clague, "O Say Can You Hear?: A Cultural Biography of the Star-Spangled Banner" (Norton, 2022)</title>
      <description>The national anthem of the United States is familiar around the world from Olympic medal ceremonies and American patriotic celebrations. Like anything that is over 200 years old, the meaning of The Star-Spangled Banner has changed over time and the song has been the focus of controversy at different times in its history. What many people think they know about the anthem is as much myth and legend as it is fact. 
Mark Clague explores many aspects of the song in his book, O Say Can you Hear? : A Cultural Biography of The Star-Spangled Banner (Norton, 2022). Francis Scott Key wrote the lyric to what would become the American national anthem around the time of a battle he witnessed during the War of 1812 between the United States and Britain. As was the custom at the time, he intended for the words to be sung to a pre-existent tune that potential performers would have known. By the time Congress officially named the song the US’s anthem in 1931, it was merely ratifying what had already become a cultural tradition. The Star Spangled Banner has its detractors: the melody is difficult to sing, the words are hard to remember and militaristic. Francis Scott Key was a slaveholder and the word “slave” appears in the third verse. Clague takes on this seemingly straightforward history and more recent controversy by busting myths about the anthem, delving deep into the history of the song from its composition until the present, and highlighting some key performances that have helped to shape Americans’ understanding of their country and themselves. The book is just one aspect of a larger public humanities project. 
The website for the Star Spangled Music Foundation contains even more information on the anthem and its history including content suitable for educators working from Kindergarten to the college level and continues to be updated.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 02 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>164</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Clague</itunes:subtitle>
      <itunes:summary>The national anthem of the United States is familiar around the world from Olympic medal ceremonies and American patriotic celebrations. Like anything that is over 200 years old, the meaning of The Star-Spangled Banner has changed over time and the song has been the focus of controversy at different times in its history. What many people think they know about the anthem is as much myth and legend as it is fact. 
Mark Clague explores many aspects of the song in his book, O Say Can you Hear? : A Cultural Biography of The Star-Spangled Banner (Norton, 2022). Francis Scott Key wrote the lyric to what would become the American national anthem around the time of a battle he witnessed during the War of 1812 between the United States and Britain. As was the custom at the time, he intended for the words to be sung to a pre-existent tune that potential performers would have known. By the time Congress officially named the song the US’s anthem in 1931, it was merely ratifying what had already become a cultural tradition. The Star Spangled Banner has its detractors: the melody is difficult to sing, the words are hard to remember and militaristic. Francis Scott Key was a slaveholder and the word “slave” appears in the third verse. Clague takes on this seemingly straightforward history and more recent controversy by busting myths about the anthem, delving deep into the history of the song from its composition until the present, and highlighting some key performances that have helped to shape Americans’ understanding of their country and themselves. The book is just one aspect of a larger public humanities project. 
The website for the Star Spangled Music Foundation contains even more information on the anthem and its history including content suitable for educators working from Kindergarten to the college level and continues to be updated.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The national anthem of the United States is familiar around the world from Olympic medal ceremonies and American patriotic celebrations. Like anything that is over 200 years old, the meaning of <em>The Star-Spangled Banner </em>has changed over time and the song has been the focus of controversy at different times in its history. What many people think they know about the anthem is as much myth and legend as it is fact. </p><p>Mark Clague explores many aspects of the song in his book, <a href="https://bookshop.org/a/12343/9780393651386"><em>O Say Can you Hear? : A Cultural Biography of The Star-Spangled Banner</em></a> (Norton, 2022). Francis Scott Key wrote the lyric to what would become the American national anthem around the time of a battle he witnessed during the War of 1812 between the United States and Britain. As was the custom at the time, he intended for the words to be sung to a pre-existent tune that potential performers would have known. By the time Congress officially named the song the US’s anthem in 1931, it was merely ratifying what had already become a cultural tradition. <em>The Star Spangled Banner</em> has its detractors: the melody is difficult to sing, the words are hard to remember and militaristic. Francis Scott Key was a slaveholder and the word “slave” appears in the third verse. Clague takes on this seemingly straightforward history and more recent controversy by busting myths about the anthem, delving deep into the history of the song from its composition until the present, and highlighting some key performances that have helped to shape Americans’ understanding of their country and themselves. The book is just one aspect of a larger public humanities project. </p><p>The website for the <a href="https://starspangledmusic.org/">Star Spangled Music Foundation</a> contains even more information on the anthem and its history including content suitable for educators working from Kindergarten to the college level and continues to be updated.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3720</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c92199a2-2646-11ed-a564-433edaff67c0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6786541960.mp3?updated=1661632663" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adam Abraham, "Attack of the Monster Musical: A Cultural History of Little Shop of Horrors" (Bloomsbury, 2022)</title>
      <description>In Attack of the Monster Musical: A Cultural History of Little Shop of Horrors (Bloomsbury, 2022), Adam Abraham chronicles the history of this hit musical. Starting with the story of Roger Corman's 1960s movie that was shot in two days with a budget of $30,000, and largely forgotten, Abraham details how two decades later Little Shop of Horrors opened Off-Broadway and became a surprise success.
Abraham relates the Faustian tale of Seymour and his man-eating plant transcended its humble origins to become a global phenomenon, launching a popular film adaptation and productions all around the world. This timely and authoritative book looks at the creation of the musical and its place in the contemporary musical theatre canon. Examining its afterlives and wider cultural context, the book asks the question why this unlikely combination of blood, annihilation, and catchy tunes has resonated with audiences from the 1980s to the present.

At the core of this in-depth study is the collaboration between the show's creators, Howard Ashman and Alan Menken. Told through archival research and eyewitness accounts, this is the first book to make extensive use of Ashman's personal papers, offering a unique and inspiring study of one of musical theatre's greatest talents.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 02 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adam Abraham</itunes:subtitle>
      <itunes:summary>In Attack of the Monster Musical: A Cultural History of Little Shop of Horrors (Bloomsbury, 2022), Adam Abraham chronicles the history of this hit musical. Starting with the story of Roger Corman's 1960s movie that was shot in two days with a budget of $30,000, and largely forgotten, Abraham details how two decades later Little Shop of Horrors opened Off-Broadway and became a surprise success.
Abraham relates the Faustian tale of Seymour and his man-eating plant transcended its humble origins to become a global phenomenon, launching a popular film adaptation and productions all around the world. This timely and authoritative book looks at the creation of the musical and its place in the contemporary musical theatre canon. Examining its afterlives and wider cultural context, the book asks the question why this unlikely combination of blood, annihilation, and catchy tunes has resonated with audiences from the 1980s to the present.

At the core of this in-depth study is the collaboration between the show's creators, Howard Ashman and Alan Menken. Told through archival research and eyewitness accounts, this is the first book to make extensive use of Ashman's personal papers, offering a unique and inspiring study of one of musical theatre's greatest talents.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.bloomsbury.com/us/attack-of-the-monster-musical-9781350179318/"><em>Attack of the Monster Musical: A Cultural History of Little Shop of Horrors</em></a> (Bloomsbury, 2022), Adam Abraham chronicles the history of this hit musical. Starting with the story of Roger Corman's 1960s movie that was shot in two days with a budget of $30,000, and largely forgotten, Abraham details how two decades later <em>Little Shop of Horrors</em> opened Off-Broadway and became a surprise success.</p><p>Abraham relates the Faustian tale of Seymour and his man-eating plant transcended its humble origins to become a global phenomenon, launching a popular film adaptation and productions all around the world. This timely and authoritative book looks at the creation of the musical and its place in the contemporary musical theatre canon. Examining its afterlives and wider cultural context, the book asks the question why this unlikely combination of blood, annihilation, and catchy tunes has resonated with audiences from the 1980s to the present.</p><p><br></p><p>At the core of this in-depth study is the collaboration between the show's creators, Howard Ashman and Alan Menken. Told through archival research and eyewitness accounts, this is the first book to make extensive use of Ashman's personal papers, offering a unique and inspiring study of one of musical theatre's greatest talents.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2432</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[34ad1afe-14bb-11ed-b516-eb9a4c8f8a4a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9816501984.mp3?updated=1659703639" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>88 Underwater Eye: Margaret Cohen explores the Film Aquatic</title>
      <description>Margaret Cohen joins John to discuss The Underwater Eye, which explores "How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy." Margaret's earlier prizewinning books include The Novel and the Sea and The Sentimental Education of the Novel, but this project brings her places even her frequent surfing forays hadn't yet reached. She charts the rise of "wet for wet" filming both in the ocean itself and in various surrogates, exploring the implications of entering a domain that humans can explore and come to know, but never master.
She and John discuss the rarity of professional divers in early 19th century (Henri Edwards 1843) and Natasha Adamowsky on the abiding fear of the depths. Conversation also pivots towards such SF classics as Stanislas Lem Solaris (1961), featuring a sentient underwater being which controls the planetary tides, though this wrinkle disappears in the 1971 Tarkovsky film. Margaret wittily labels the unintended consequences of human agency the "dialectic of the anthropocene."
Mentioned in the episode

1916 20,000 Leagues was Hollywood’s first great underwater filming project. Underwater scenes of a length and complexity not seen again until modern films like The Deep (1977).

Man Ray The Starfish is proof of high art's shared investment (also in Jean Painleve's science and sexlife films) in the same oceanic aspects that thrilled popular filmmakers.

Esther William's Jupiter's Darling may be the apotheosis of bathing beauty breath-holding.

Undersea World of Jacques Cousteau


Sea Hunt with Lloyd Bridges as underwater beefcake.

Luc Besson, The Big Blue


﻿
Recallable Books/Films
Margaret chose Creature from the Black Lagoon 1954 which inspired Benicio del Toro's The Shape of Water (a "dry for wet" film, shot in studio rather than underwater) and was in its turn inspired by Gabriel Figueora, cinematographer of The Pearl'
John favored a SF novel about space aliens who on landing seek out the oceanic depths, John Wyndham The Kraken Wakes (1953)
Read a transcript here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 01 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Margaret Cohen</itunes:subtitle>
      <itunes:summary>Margaret Cohen joins John to discuss The Underwater Eye, which explores "How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy." Margaret's earlier prizewinning books include The Novel and the Sea and The Sentimental Education of the Novel, but this project brings her places even her frequent surfing forays hadn't yet reached. She charts the rise of "wet for wet" filming both in the ocean itself and in various surrogates, exploring the implications of entering a domain that humans can explore and come to know, but never master.
She and John discuss the rarity of professional divers in early 19th century (Henri Edwards 1843) and Natasha Adamowsky on the abiding fear of the depths. Conversation also pivots towards such SF classics as Stanislas Lem Solaris (1961), featuring a sentient underwater being which controls the planetary tides, though this wrinkle disappears in the 1971 Tarkovsky film. Margaret wittily labels the unintended consequences of human agency the "dialectic of the anthropocene."
Mentioned in the episode

1916 20,000 Leagues was Hollywood’s first great underwater filming project. Underwater scenes of a length and complexity not seen again until modern films like The Deep (1977).

Man Ray The Starfish is proof of high art's shared investment (also in Jean Painleve's science and sexlife films) in the same oceanic aspects that thrilled popular filmmakers.

Esther William's Jupiter's Darling may be the apotheosis of bathing beauty breath-holding.

Undersea World of Jacques Cousteau


Sea Hunt with Lloyd Bridges as underwater beefcake.

Luc Besson, The Big Blue


﻿
Recallable Books/Films
Margaret chose Creature from the Black Lagoon 1954 which inspired Benicio del Toro's The Shape of Water (a "dry for wet" film, shot in studio rather than underwater) and was in its turn inspired by Gabriel Figueora, cinematographer of The Pearl'
John favored a SF novel about space aliens who on landing seek out the oceanic depths, John Wyndham The Kraken Wakes (1953)
Read a transcript here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://english.stanford.edu/people/margaret-cohen">Margaret Cohen</a> joins John to discuss <a href="https://press.princeton.edu/books/hardcover/9780691197975/the-underwater-eye"><em>The Underwater Eye</em></a>, which explores "<em>How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy</em>." Margaret's earlier prizewinning books include <em>The Novel and the Sea </em>and <em>The Sentimental Education of the Novel,</em> but this project brings her places even her frequent surfing forays hadn't yet reached. She charts the rise of "wet for wet" filming both in the ocean itself and in various surrogates, exploring the implications of entering a domain that humans can explore and come to know, but never master.</p><p>She and John discuss the rarity of p<a href="https://en.wikipedia.org/wiki/Timeline_of_diving_technology">rofessional divers in early 19th century</a> (Henri Edwards 1843) and <a href="https://de.wikipedia.org/wiki/Natascha_Adamowsky">Natasha Adamowsky</a> on the abiding fear of the depths. Conversation also pivots towards such SF classics as Stanislas Lem <a href="https://en.wikipedia.org/wiki/Solaris_(novel)">Solaris</a> (1961), featuring a sentient underwater being which controls the planetary tides, though this wrinkle disappears in the <a href="https://www.criterion.com/films/1286-science-is-fiction-23-films-by-jean-painlev">1971 Tarkovsky film.</a> Margaret wittily labels the unintended consequences of human agency the "dialectic of the anthropocene."</p><p>Mentioned in the episode</p><ul>
<li>1916 <a href="https://www.youtube.com/watch?v=5V0lXJmb5w0">20,000 Leagues </a>was Hollywood’s first great underwater filming project. Underwater scenes of a length and complexity not seen again until modern films like <a href="https://en.wikipedia.org/wiki/The_Deep_(1977_film)">T<em>he Deep</em></a> (1977).</li>
<li>Man Ray <a href="https://en.wikipedia.org/wiki/L%27%C3%89toile_de_mer"><em>The Starfish</em></a> is proof of high art's shared investment (also in <a href="https://www.criterion.com/films/1286-science-is-fiction-23-films-by-jean-painlev">Jean Painleve's</a> science and sexlife films) in the same oceanic aspects that thrilled popular filmmakers.</li>
<li>Esther William's<a href="https://en.wikipedia.org/wiki/Jupiter%27s_Darling"><em> Jupiter's Darling</em></a> may be the apotheosis of bathing beauty breath-holding.</li>
<li><a href="https://en.wikipedia.org/wiki/The_Undersea_World_of_Jacques_Cousteau"><em>Undersea World of Jacques Cousteau</em></a></li>
<li>
<a href="https://en.wikipedia.org/wiki/Sea_Hunt"><em>Sea Hunt</em></a> with Lloyd Bridges as underwater beefcake.</li>
<li>Luc Besson, <a href="https://en.wikipedia.org/wiki/The_Big_Blue"><em>The Big Blue</em></a>
</li>
</ul><p><em>﻿</em></p><p><u>Recallable Books/Films</u></p><p>Margaret chose <a href="https://en.wikipedia.org/wiki/Creature_from_the_Black_Lagoon">Creature from the Black Lagoon</a> 1954 which inspired Benicio del Toro's <a href="https://www.imdb.com/title/tt5580390/"><em>The Shape of Water</em></a> (a "dry for wet" film, shot in studio rather than underwater) and was in its turn inspired by Gabriel Figueora, cinematographer of <a href="https://en.wikipedia.org/wiki/The_Pearl_(film)">The Pearl</a>'</p><p>John favored a SF novel about space aliens who on landing seek out the oceanic depths, John Wyndham <a href="https://en.wikipedia.org/wiki/The_Kraken_Wakes">The Kraken Wakes</a> (1953)</p><p><a href="https://recallthisbookorg.files.wordpress.com/2022/08/rtb-88-cohen-transcript.pdf">Read a transcript here.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2713</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18e6ea28-2886-11ed-b4fd-a342b06669da]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6279390165.mp3?updated=1662129636" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aria S. Halliday, "Buy Black: How Black Women Transformed US Pop Culture" (U Illinois Press, 2022)</title>
      <description>In Buy Black: How Black Women Transformed US Pop Culture (University of Illinois Press, 2022), Aria Halliday negotiates the line between "sell out" and "for us, by us," exploring how Black women cultural producers' further Black women's historical position as the moral compass and arbiter of Black racial progress in the United States. 
Black women cultural producers' aesthetic choices communicate that even though capitalist discourses dictate that anything is sellable in our society, there are some symbols of beauty, femininity, and sexuality that sell better than others because of how they occupy the set of already recognizable and, at times, relatable representations of blackness. While they compete in the consumer market for the attention and loyalty of Black consumer dollars, their capitulation to white corporate interests and audiences requires propagating historical tensions regarding Black consumer citizenship and multicultural inclusion. Each chapter contextualizes the role that Black women in the United States play in the global project of Black consumption, questioning which dolls, which princesses, which rags-to-riches narratives, and which characteristics represent the repertoire of Black girlhood. Through themes of self-making and objectification in dolls, princesses, and hip-hop, Buy Black maps the imagined space of "America" and the cultural attitudes that produced a twenty-first-century Black American sensibility based in representation and consumerism. Buy Black teaches all of us the parameters of Black symbolic power by mapping the confluence of intraracial ideals of blackness, womanhood, beauty, play, and sexuality in popular culture."
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 01 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>128</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aria S. Halliday</itunes:subtitle>
      <itunes:summary>In Buy Black: How Black Women Transformed US Pop Culture (University of Illinois Press, 2022), Aria Halliday negotiates the line between "sell out" and "for us, by us," exploring how Black women cultural producers' further Black women's historical position as the moral compass and arbiter of Black racial progress in the United States. 
Black women cultural producers' aesthetic choices communicate that even though capitalist discourses dictate that anything is sellable in our society, there are some symbols of beauty, femininity, and sexuality that sell better than others because of how they occupy the set of already recognizable and, at times, relatable representations of blackness. While they compete in the consumer market for the attention and loyalty of Black consumer dollars, their capitulation to white corporate interests and audiences requires propagating historical tensions regarding Black consumer citizenship and multicultural inclusion. Each chapter contextualizes the role that Black women in the United States play in the global project of Black consumption, questioning which dolls, which princesses, which rags-to-riches narratives, and which characteristics represent the repertoire of Black girlhood. Through themes of self-making and objectification in dolls, princesses, and hip-hop, Buy Black maps the imagined space of "America" and the cultural attitudes that produced a twenty-first-century Black American sensibility based in representation and consumerism. Buy Black teaches all of us the parameters of Black symbolic power by mapping the confluence of intraracial ideals of blackness, womanhood, beauty, play, and sexuality in popular culture."
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780252086359"><em>Buy Black: How Black Women Transformed US Pop Culture</em></a> (University of Illinois Press, 2022), Aria Halliday negotiates the line between "sell out" and "for us, by us," exploring how Black women cultural producers' further Black women's historical position as the moral compass and arbiter of Black racial progress in the United States. </p><p>Black women cultural producers' aesthetic choices communicate that even though capitalist discourses dictate that anything is sellable in our society, there are some symbols of beauty, femininity, and sexuality that sell better than others because of how they occupy the set of already recognizable and, at times, relatable representations of blackness. While they compete in the consumer market for the attention and loyalty of Black consumer dollars, their capitulation to white corporate interests and audiences requires propagating historical tensions regarding Black consumer citizenship and multicultural inclusion. Each chapter contextualizes the role that Black women in the United States play in the global project of Black consumption, questioning which dolls, which princesses, which rags-to-riches narratives, and which characteristics represent the repertoire of Black girlhood. Through themes of self-making and objectification in dolls, princesses, and hip-hop, Buy Black maps the imagined space of "America" and the cultural attitudes that produced a twenty-first-century Black American sensibility based in representation and consumerism. <em>Buy Black </em>teaches all of us the parameters of Black symbolic power by mapping the confluence of intraracial ideals of blackness, womanhood, beauty, play, and sexuality in popular culture."</p><p><a href="https://rebekahjbuchanan.com/">Rebekah Buchanan</a> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2545</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[60d9c766-23ee-11ed-8041-5f730567335f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8535507805.mp3?updated=1661375333" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aniket De, "The Boundary of Laughter: Popular Performances Across Borders in South Asia" (Oxford UP, 2022)</title>
      <description>Combining archival research with ethnographic fieldwork, Aniket De's book The Boundary of Laughter: Popular Performances Across Borders in South Asia (Oxford UP, 2022) explores how spaces of popular performance have changed with the emergence of national borders in modern South Asia. The author traces the making of the popular theater form called Gambhira by Hindu and Muslim peasants and laborers in colonial Bengal, and explores the fate of the tradition after the Partition of the region in 1947. Drawing on a rich and hitherto unexplored archive of Gambhira songs and plays, this book provides a new approach for studying popular performances as shared spaces-that can accommodate peoples across national and religious boundaries.
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 01 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>208</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aniket De</itunes:subtitle>
      <itunes:summary>Combining archival research with ethnographic fieldwork, Aniket De's book The Boundary of Laughter: Popular Performances Across Borders in South Asia (Oxford UP, 2022) explores how spaces of popular performance have changed with the emergence of national borders in modern South Asia. The author traces the making of the popular theater form called Gambhira by Hindu and Muslim peasants and laborers in colonial Bengal, and explores the fate of the tradition after the Partition of the region in 1947. Drawing on a rich and hitherto unexplored archive of Gambhira songs and plays, this book provides a new approach for studying popular performances as shared spaces-that can accommodate peoples across national and religious boundaries.
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Combining archival research with ethnographic fieldwork, Aniket De's book <a href="https://bookshop.org/a/12343/9780190131494"><em>The Boundary of Laughter: Popular Performances Across Borders in South Asia</em></a> (Oxford UP, 2022) explores how spaces of popular performance have changed with the emergence of national borders in modern South Asia. The author traces the making of the popular theater form called Gambhira by Hindu and Muslim peasants and laborers in colonial Bengal, and explores the fate of the tradition after the Partition of the region in 1947. Drawing on a rich and hitherto unexplored archive of Gambhira songs and plays, this book provides a new approach for studying popular performances as shared spaces-that can accommodate peoples across national and religious boundaries.</p><p><em>Raj Balkaran is a scholar, online educator, and life coach. For information see </em><a href="https://rajbalkaran.com/"><em>rajbalkaran.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2201</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b2c2556-fec4-11ec-b5de-63a21aa6a7db]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9415076075.mp3?updated=1657288475" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Will Birch, "Cruel to Be Kind: The Life and Music of Nick Lowe" (Da Capo Press, 2019)</title>
      <description>This is the definitive biography of singer-songwriter Nick Lowe, best known for "Cruel To Be Kind,” “I Love the Sound of Breaking Glass,” and "(What's So Funny ‘Bout) Peace, Love, and Understanding." 
Biographer Will Birch, who in addition to being a music writer was a drummer and songwriter with The Records, has known Lowe for over forty years and melds Lowe's gift as a witty raconteur with his own authoritative analysis of Lowe's background and the cultural scenes he exemplifies. Lowe's parallel fame as one of the best interviews in the business will contribute to this first look into his life and work--and likely the closest thing fans will get to an autobiography by this notoriously charming cult figure.
This is not an authorized biography, but Lowe has given it his spiritual blessing and his management and label are fully on board. Cruel to Be Kind: The Life and Music of Nick Lowe (Da Capo Press, 2019) is the colorful yet serious account of one of the world's most talented and admired musicians. Based on a tremendous amount of legwork, exclusive interviews with Lowe, and contributions from Elvis Costello, Chrissie Hynde, Ry Cooder, Johnny Marr, Curtis Stigers, Huey Lewis, Daryl Hall, and many others, Cruel to Be Kind is a fascinating and fun portrait of one of the coolest figures in popular music.
Will Birch is a former drummer, songwriter and record producer for acts such as Dr Feelgood, the Long Ryders, Any Trouble and Billy Bremner of Rockpile. He enjoyed hits with the Kursaal Flyers (“Little Does She Know”) and The Records (“Starry Eyes”). Throughout the 1990s, Will wrote many articles for Mojo and other music magazines and in 2000 published his first book, No Sleep Till Canvey Island: The Great Pub Rock Revolution. In 2010 he published Ian Dury: The Definitive Biography.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 31 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Will Birch</itunes:subtitle>
      <itunes:summary>This is the definitive biography of singer-songwriter Nick Lowe, best known for "Cruel To Be Kind,” “I Love the Sound of Breaking Glass,” and "(What's So Funny ‘Bout) Peace, Love, and Understanding." 
Biographer Will Birch, who in addition to being a music writer was a drummer and songwriter with The Records, has known Lowe for over forty years and melds Lowe's gift as a witty raconteur with his own authoritative analysis of Lowe's background and the cultural scenes he exemplifies. Lowe's parallel fame as one of the best interviews in the business will contribute to this first look into his life and work--and likely the closest thing fans will get to an autobiography by this notoriously charming cult figure.
This is not an authorized biography, but Lowe has given it his spiritual blessing and his management and label are fully on board. Cruel to Be Kind: The Life and Music of Nick Lowe (Da Capo Press, 2019) is the colorful yet serious account of one of the world's most talented and admired musicians. Based on a tremendous amount of legwork, exclusive interviews with Lowe, and contributions from Elvis Costello, Chrissie Hynde, Ry Cooder, Johnny Marr, Curtis Stigers, Huey Lewis, Daryl Hall, and many others, Cruel to Be Kind is a fascinating and fun portrait of one of the coolest figures in popular music.
Will Birch is a former drummer, songwriter and record producer for acts such as Dr Feelgood, the Long Ryders, Any Trouble and Billy Bremner of Rockpile. He enjoyed hits with the Kursaal Flyers (“Little Does She Know”) and The Records (“Starry Eyes”). Throughout the 1990s, Will wrote many articles for Mojo and other music magazines and in 2000 published his first book, No Sleep Till Canvey Island: The Great Pub Rock Revolution. In 2010 he published Ian Dury: The Definitive Biography.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is the definitive biography of singer-songwriter Nick Lowe, best known for "Cruel To Be Kind,” “I Love the Sound of Breaking Glass,” and "(What's So Funny ‘Bout) Peace, Love, and Understanding." </p><p>Biographer Will Birch, who in addition to being a music writer was a drummer and songwriter with The Records, has known Lowe for over forty years and melds Lowe's gift as a witty raconteur with his own authoritative analysis of Lowe's background and the cultural scenes he exemplifies. Lowe's parallel fame as one of the best interviews in the business will contribute to this first look into his life and work--and likely the closest thing fans will get to an autobiography by this notoriously charming cult figure.</p><p>This is not an authorized biography, but Lowe has given it his spiritual blessing and his management and label are fully on board.<em> </em><a href="https://bookshop.org/a/12343/9780306921957"><em>Cruel to Be Kind: The Life and Music of Nick Lowe</em></a><em> </em>(Da Capo Press, 2019) is the colorful yet serious account of one of the world's most talented and admired musicians. Based on a tremendous amount of legwork, exclusive interviews with Lowe, and contributions from Elvis Costello, Chrissie Hynde, Ry Cooder, Johnny Marr, Curtis Stigers, Huey Lewis, Daryl Hall, and many others, <em>Cruel to Be Kind </em>is a fascinating and fun portrait of one of the coolest figures in popular music.</p><p>Will Birch is a former drummer, songwriter and record producer for acts such as Dr Feelgood, the Long Ryders, Any Trouble and Billy Bremner of Rockpile. He enjoyed hits with the Kursaal Flyers (“Little Does She Know”) and The Records (“Starry Eyes”). Throughout the 1990s, Will wrote many articles for <em>Mojo</em> and other music magazines and in 2000 published his first book, <em>No Sleep Till Canvey Island: The Great Pub Rock Revolution</em>. In 2010 he published <em>Ian Dury: The Definitive Biography</em>.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast </em><a href="https://fifteenminutefilm.podbean.com/"><em>Fifteen-Minute Film Fanatics</em></a><em> (Twitter @15MinFilm).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4081</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[66a6eb8c-2642-11ed-94bd-dfc750da19a4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9423222753.mp3?updated=1661630853" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>He May Be a Communist!</title>
      <description>We are back for a third season! The Russian invasion of Ukraine reminded us all that “everything old is new again” and that includes Cold War tensions, nuclear fears, and paranoia about “unseen enemies.” With our organizing principle of the Cold War and Hollywood representation, we begin with the Red Scare. We discuss Invasion of the Body Snatchers (1956), The Manchurian Candidate (1962), and The Way We Were (1973). Together these films reveal how the Red Scare cast a wide and enduring shadow on our culture. We highlight three themes. First, Cold War paranoia was a bipartisan issue. Second, the Korean War cast doubt on the relative strength of the military and our institutions long before Vietnam did. And finally, we dispute the comforting lie that progress is inevitable, that we are always on a path towards improvement, advancement, an expansion of rights, and a greater equality among people.
Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 31 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On Invasion of the Body Snatchers (1956), The Manchurian Candidate (1962), and The Way We Were (1973)</itunes:subtitle>
      <itunes:summary>We are back for a third season! The Russian invasion of Ukraine reminded us all that “everything old is new again” and that includes Cold War tensions, nuclear fears, and paranoia about “unseen enemies.” With our organizing principle of the Cold War and Hollywood representation, we begin with the Red Scare. We discuss Invasion of the Body Snatchers (1956), The Manchurian Candidate (1962), and The Way We Were (1973). Together these films reveal how the Red Scare cast a wide and enduring shadow on our culture. We highlight three themes. First, Cold War paranoia was a bipartisan issue. Second, the Korean War cast doubt on the relative strength of the military and our institutions long before Vietnam did. And finally, we dispute the comforting lie that progress is inevitable, that we are always on a path towards improvement, advancement, an expansion of rights, and a greater equality among people.
Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are back for a third season! The Russian invasion of Ukraine reminded us all that “everything old is new again” and that includes Cold War tensions, nuclear fears, and paranoia about “unseen enemies.” With our organizing principle of the Cold War and Hollywood representation, we begin with the Red Scare. We discuss <em>Invasion of the Body Snatchers</em> (1956), <em>The Manchurian Candidate</em> (1962), and <em>The Way We Were </em>(1973). Together these films reveal how the Red Scare cast a wide and enduring shadow on our culture. We highlight three themes. First, Cold War paranoia was a bipartisan issue. Second, the Korean War cast doubt on the relative strength of the military and our institutions long before Vietnam did. And finally, we dispute the comforting lie that progress is inevitable, that we are always on a path towards improvement, advancement, an expansion of rights, and a greater equality among people.</p><p><a href="http://sru.edu/"><em>Lia Paradis</em></a><em> is a professor of history at Slippery Rock University. </em><a href="https://www.lynchburg.edu/academics/faculty/brian-crim/"><em>Brian Crim</em></a><em> is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go </em><a href="https://liesagreedupon.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3595</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN3510723151.mp3?updated=1661081177" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Oyer, "An Economist Goes to the Game: How to Throw Away $580 Million and Other Surprising Insights from the Economics of Sports" (Yale UP, 2022)</title>
      <description>Should you train your kid to become a pro athlete? Why do Koreans dominate women’s golf? Why should ticket scalpers get more respect? Why are pro sports plagued by doping scandals and ruinous strikes? Learn the answers to these questions and more in my conversation with author Paul Oyer and sports economist Daniel Rascher about Paul’s new book An Economist Goes to the Game: How to Throw Away $580 Million and Other Surprising Insights from the Economics of Sports (Yale UP, 2022).
Author Paul Oyer is the Mary and Rankine Van Anda Entrepreneurial Professor, professor of economics, and senior associate dean for academic affairs at the Stanford University Graduate School of Business. His academic research studies the economics of organizations and human resource practices, including the use of stock options plans, non-cash benefits, and the development of the gig economy. His previous books include Roadside MBA, which extracts business lessons from the experiences of small businesses across the US, and Everything I Ever Needed to Know about Economics I Learned from Online Dating which recommends that students stop taking economics classes and spend more time on Tinder (at least I think that’s what it’s about, based on the title—I haven’t read that one yet).
To supplement my ignorance, I’m joined on this podcast by my colleague Daniel Rascher. Dan is Professor and Director of Academic Programs for the Sport Management program at the University of San Francisco, where he teaches sports economics and business research methods. As President of SportsEconomics, his clients have included organizations involved in the NFL, MLB, NBA, NHL, MLS, PGA, NCAA, AHL, sports media, minor league baseball, Formula One racing, CART, Premier League Football, local sports commissions, and various government agencies. He has authored articles for academic and professional journals, book chapters, and a text book in the sport management and economics fields.
Host Peter Lorentzen is Chair of the Department of Economics at the University of San Francisco, where he leads a new Master's program in Applied Economics focused on the digital economy. His research examines the political economy of governance in China.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Oyer</itunes:subtitle>
      <itunes:summary>Should you train your kid to become a pro athlete? Why do Koreans dominate women’s golf? Why should ticket scalpers get more respect? Why are pro sports plagued by doping scandals and ruinous strikes? Learn the answers to these questions and more in my conversation with author Paul Oyer and sports economist Daniel Rascher about Paul’s new book An Economist Goes to the Game: How to Throw Away $580 Million and Other Surprising Insights from the Economics of Sports (Yale UP, 2022).
Author Paul Oyer is the Mary and Rankine Van Anda Entrepreneurial Professor, professor of economics, and senior associate dean for academic affairs at the Stanford University Graduate School of Business. His academic research studies the economics of organizations and human resource practices, including the use of stock options plans, non-cash benefits, and the development of the gig economy. His previous books include Roadside MBA, which extracts business lessons from the experiences of small businesses across the US, and Everything I Ever Needed to Know about Economics I Learned from Online Dating which recommends that students stop taking economics classes and spend more time on Tinder (at least I think that’s what it’s about, based on the title—I haven’t read that one yet).
To supplement my ignorance, I’m joined on this podcast by my colleague Daniel Rascher. Dan is Professor and Director of Academic Programs for the Sport Management program at the University of San Francisco, where he teaches sports economics and business research methods. As President of SportsEconomics, his clients have included organizations involved in the NFL, MLB, NBA, NHL, MLS, PGA, NCAA, AHL, sports media, minor league baseball, Formula One racing, CART, Premier League Football, local sports commissions, and various government agencies. He has authored articles for academic and professional journals, book chapters, and a text book in the sport management and economics fields.
Host Peter Lorentzen is Chair of the Department of Economics at the University of San Francisco, where he leads a new Master's program in Applied Economics focused on the digital economy. His research examines the political economy of governance in China.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Should you train your kid to become a pro athlete? Why do Koreans dominate women’s golf? Why should ticket scalpers get more respect? Why are pro sports plagued by doping scandals and ruinous strikes? Learn the answers to these questions and more in my conversation with author Paul Oyer and sports economist Daniel Rascher about Paul’s new book <a href="https://bookshop.org/a/12343/9780300218244"><em>An Economist Goes to the Game: How to Throw Away $580 Million and Other Surprising Insights from the Economics of Sports</em></a> (Yale UP, 2022).</p><p><a href="https://gsb-faculty.stanford.edu/paul-oyer/">Author Paul Oyer</a> is the Mary and Rankine Van Anda Entrepreneurial Professor, professor of economics, and senior associate dean for academic affairs at the Stanford University Graduate School of Business. His academic research studies the economics of organizations and human resource practices, including the use of stock options plans, non-cash benefits, and the development of the gig economy. His previous books include <a href="https://newbooksnetwork.com/admin/entries/episodes/roadside-mba.com">Roadside MBA</a>, which extracts business lessons from the experiences of small businesses across the US, and <a href="https://store.hbr.org/product/everything-i-ever-needed-to-know-about-economics-i-learned-from-online-dating/11541">Everything I Ever Needed to Know about Economics I Learned from Online Dating</a> which recommends that students stop taking economics classes and spend more time on Tinder (at least I think that’s what it’s about, based on the title—I haven’t read that one yet).</p><p>To supplement my ignorance, I’m joined on this podcast by my colleague <a href="https://www.usfca.edu/faculty/daniel-rascher">Daniel Rascher</a>. Dan is Professor and Director of Academic Programs for the <a href="https://www.usfca.edu/arts-sciences/programs/graduate/sport-management">Sport Management program at the University of San Francisco</a>, where he teaches sports economics and business research methods. As President of <a href="https://www.sportseconomics.com/">SportsEconomics</a>, his clients have included organizations involved in the NFL, MLB, NBA, NHL, MLS, PGA, NCAA, AHL, sports media, minor league baseball, Formula One racing, CART, Premier League Football, local sports commissions, and various government agencies. He has authored articles for academic and professional journals, book chapters, and a text book in the sport management and economics fields.</p><p><em>Host </em><a href="https://www.usfca.edu/faculty/peter-lorentzen"><em>Peter Lorentzen</em></a><em> is Chair of the Department of Economics at the University of San Francisco, where he leads a new </em><a href="https://www.usfca.edu/arts-sciences/graduate-programs/applied-economics/program-overview"><em>Master's program in Applied Economics</em></a><em> focused on the digital economy. His research examines the political economy of governance in China.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3371</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b107c390-2638-11ed-8079-b706a6fe6e0b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7458994811.mp3?updated=1661626602" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julie A. Turnock, "The Empire of Effects: Industrial Light and Magic and the Rendering of Realism" (U Texas Press, 2022)</title>
      <description>Just about every major film now comes to us with an assist from digital effects. The results are obvious in superhero fantasies, yet dramas like Roma also rely on computer-generated imagery to enhance the verisimilitude of scenes. But the realism of digital effects is not actually true to life. It is a realism invented by Hollywood—by one company specifically: Industrial Light &amp; Magic.
The Empire of Effects: Industrial Light &amp; Magic and the Rendering of Realism (University of Texas Press, 2022) shows how the effects company known for the puppets and space battles of the original Star Wars went on to develop the dominant aesthetic of digital realism. Julie A. Turnock finds that ILM borrowed its technique from the New Hollywood of the 1970s, incorporating lens flares, wobbly camerawork, haphazard framing, and other cinematography that called attention to the person behind the camera. In the context of digital imagery, however, these aesthetic strategies had the opposite effect, heightening the sense of realism by calling on tropes suggesting the authenticity to which viewers were accustomed. ILM’s style, on display in the most successful films of the 1980s and beyond, was so convincing that other studios were forced to follow suit, and today, ILM is a victim of its own success, having fostered a cinematic monoculture in which it is but one player among many.
﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 26 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julie A. Turnock</itunes:subtitle>
      <itunes:summary>Just about every major film now comes to us with an assist from digital effects. The results are obvious in superhero fantasies, yet dramas like Roma also rely on computer-generated imagery to enhance the verisimilitude of scenes. But the realism of digital effects is not actually true to life. It is a realism invented by Hollywood—by one company specifically: Industrial Light &amp; Magic.
The Empire of Effects: Industrial Light &amp; Magic and the Rendering of Realism (University of Texas Press, 2022) shows how the effects company known for the puppets and space battles of the original Star Wars went on to develop the dominant aesthetic of digital realism. Julie A. Turnock finds that ILM borrowed its technique from the New Hollywood of the 1970s, incorporating lens flares, wobbly camerawork, haphazard framing, and other cinematography that called attention to the person behind the camera. In the context of digital imagery, however, these aesthetic strategies had the opposite effect, heightening the sense of realism by calling on tropes suggesting the authenticity to which viewers were accustomed. ILM’s style, on display in the most successful films of the 1980s and beyond, was so convincing that other studios were forced to follow suit, and today, ILM is a victim of its own success, having fostered a cinematic monoculture in which it is but one player among many.
﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Just about every major film now comes to us with an assist from digital effects. The results are obvious in superhero fantasies, yet dramas like <em>Roma</em> also rely on computer-generated imagery to enhance the verisimilitude of scenes. But the realism of digital effects is not actually true to life. It is a realism invented by Hollywood—by one company specifically: Industrial Light &amp; Magic.</p><p><a href="https://bookshop.org/a/12343/9781477325308"><em>The Empire of Effects: Industrial Light &amp; Magic and the Rendering of Realism</em></a><em> </em>(University of Texas Press, 2022) shows how the effects company known for the puppets and space battles of the original <em>Star Wars</em> went on to develop the dominant aesthetic of digital realism. Julie A. Turnock finds that ILM borrowed its technique from the New Hollywood of the 1970s, incorporating lens flares, wobbly camerawork, haphazard framing, and other cinematography that called attention to the person behind the camera. In the context of digital imagery, however, these aesthetic strategies had the opposite effect, heightening the sense of realism by calling on tropes suggesting the authenticity to which viewers were accustomed. ILM’s style, on display in the most successful films of the 1980s and beyond, was so convincing that other studios were forced to follow suit, and today, ILM is a victim of its own success, having fostered a cinematic monoculture in which it is but one player among many.</p><p><em>﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4631</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0cfe0856-1f38-11ed-9707-1f1ac3669ad8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3726664705.mp3?updated=1660856684" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Don’t Hate the Player: The World of E-Sports</title>
      <description>On this episode of Darts and Letters, we took a personal journey into virtual sport. Listen in as guest host (and regular lead producer) Jay Cockburn gets ready to enter the world of e-sports, with a lesson in Super Smash Bros from a top player and professional coach. Find out why he won’t make it (spoiler alert: he doesn’t have that reaction time he used to); but also, find out why he might not want to make it. Unfortunately, e-sports have many of the problems that ‘real’ sports do, and some are even worse. E-sports have lower pay, more stringent IP regimes, singular corporate control, and less labour organizing. However, could things be changing? Jay talks to Alexander Lee, esports and games reporter at Digiday. He takes us through the booming world of esports: the good, the bad, the repetitive stress injuries, and what to do about it.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 26 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On this episode of Darts and Letters, we took a personal journey into virtual sport. Listen in as guest host (and regular lead producer) Jay Cockburn gets ready to enter the world of e-sports, with a lesson in Super Smash Bros from a top player and professional coach. Find out why he won’t make it (spoiler alert: he doesn’t have that reaction time he used to); but also, find out why he might not want to make it. Unfortunately, e-sports have many of the problems that ‘real’ sports do, and some are even worse. E-sports have lower pay, more stringent IP regimes, singular corporate control, and less labour organizing. However, could things be changing? Jay talks to Alexander Lee, esports and games reporter at Digiday. He takes us through the booming world of esports: the good, the bad, the repetitive stress injuries, and what to do about it.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of Darts and Letters, we took a personal journey into virtual sport. Listen in as guest host (and regular lead producer) Jay Cockburn gets ready to enter the world of e-sports, with a lesson in Super Smash Bros from a top player and professional coach. Find out why he won’t make it (spoiler alert: he doesn’t have that reaction time he used to); but also, find out why he might not want to make it. Unfortunately, e-sports have many of the problems that ‘real’ sports do, and some are even worse. E-sports have lower pay, more stringent IP regimes, singular corporate control, and less labour organizing. However, could things be changing? Jay talks to Alexander Lee, esports and games reporter at Digiday. He takes us through the booming world of esports: the good, the bad, the repetitive stress injuries, and what to do about it.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2087</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[202e7982-20c9-11ed-aee4-ff9a99f36c20]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7606285989.mp3?updated=1661029028" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Welker, "Queer Transfigurations: Boys Love Media in Asia" (U Hawaii Press, 2022)</title>
      <description>Queer Transfigurations: Boys Love Media in Asia (University of Hawai‘i Press, 2022), edited by James Welker, brings together twenty-one scholars exploring BL media, its fans, and its sociocultural impacts in a dozen countries in East, Southeast, and South Asia—and beyond. Contributors draw on their expertise in an array of disciplines and fields, including anthropology, fan studies, gender and sexuality studies, history, literature, media studies, political science, and sociology to shed light on BL media and its fandoms.
The boys love (BL) genre was created for girls and women by young female manga (comic) artists in early 1970s Japan to challenge oppressive gender and sexual norms. Over the years, BL has seen almost irrepressible growth in popularity and since the 2000s has become a global media phenomenon, weaving its way into anime, prose fiction, live-action dramas, video games, audio dramas, and fan works. BL’s male–male romantic and sexual relationships have found a particularly receptive home in other parts of Asia, where strong local fan communities and locally produced BL works have garnered a following throughout the region, taking on new meanings and engendering widespread cultural effects.
Queer Transfigurations reveals the far-reaching influences of the BL genre, demonstrating that it is truly transnational and transcultural in diverse cultural contexts. It has also helped bring about positive changes in the status of LGBT(Q) people and communities as well as enlighten local understandings of gender and sexuality throughout Asia. Queer Transfigurations shows that, some fifty years after the first BL manga appeared in print, the genre is continuing to reverberate and transform lives.
James Welker is a professor in the Department of Cross-Cultural Studies, Kanagawa University, Yokohama, Japan. His research focuses primarily on gender and sexuality in postwar and contemporary Japan, especially fan cultures, feminisms, and the LGBT(Q) community. He is the author of Transfigurations: Redefining Women in Late Twentieth-Century Japan (forthcoming).
Linshan Jiang is Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>463</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Welker</itunes:subtitle>
      <itunes:summary>Queer Transfigurations: Boys Love Media in Asia (University of Hawai‘i Press, 2022), edited by James Welker, brings together twenty-one scholars exploring BL media, its fans, and its sociocultural impacts in a dozen countries in East, Southeast, and South Asia—and beyond. Contributors draw on their expertise in an array of disciplines and fields, including anthropology, fan studies, gender and sexuality studies, history, literature, media studies, political science, and sociology to shed light on BL media and its fandoms.
The boys love (BL) genre was created for girls and women by young female manga (comic) artists in early 1970s Japan to challenge oppressive gender and sexual norms. Over the years, BL has seen almost irrepressible growth in popularity and since the 2000s has become a global media phenomenon, weaving its way into anime, prose fiction, live-action dramas, video games, audio dramas, and fan works. BL’s male–male romantic and sexual relationships have found a particularly receptive home in other parts of Asia, where strong local fan communities and locally produced BL works have garnered a following throughout the region, taking on new meanings and engendering widespread cultural effects.
Queer Transfigurations reveals the far-reaching influences of the BL genre, demonstrating that it is truly transnational and transcultural in diverse cultural contexts. It has also helped bring about positive changes in the status of LGBT(Q) people and communities as well as enlighten local understandings of gender and sexuality throughout Asia. Queer Transfigurations shows that, some fifty years after the first BL manga appeared in print, the genre is continuing to reverberate and transform lives.
James Welker is a professor in the Department of Cross-Cultural Studies, Kanagawa University, Yokohama, Japan. His research focuses primarily on gender and sexuality in postwar and contemporary Japan, especially fan cultures, feminisms, and the LGBT(Q) community. He is the author of Transfigurations: Redefining Women in Late Twentieth-Century Japan (forthcoming).
Linshan Jiang is Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780824888992"><em>Queer Transfigurations: Boys Love Media in Asia</em></a> (University of Hawai‘i Press, 2022), edited by James Welker, brings together twenty-one scholars exploring BL media, its fans, and its sociocultural impacts in a dozen countries in East, Southeast, and South Asia—and beyond. Contributors draw on their expertise in an array of disciplines and fields, including anthropology, fan studies, gender and sexuality studies, history, literature, media studies, political science, and sociology to shed light on BL media and its fandoms.</p><p>The boys love (BL) genre was created for girls and women by young female manga (comic) artists in early 1970s Japan to challenge oppressive gender and sexual norms. Over the years, BL has seen almost irrepressible growth in popularity and since the 2000s has become a global media phenomenon, weaving its way into anime, prose fiction, live-action dramas, video games, audio dramas, and fan works. BL’s male–male romantic and sexual relationships have found a particularly receptive home in other parts of Asia, where strong local fan communities and locally produced BL works have garnered a following throughout the region, taking on new meanings and engendering widespread cultural effects.</p><p><em>Queer Transfigurations </em>reveals the far-reaching influences of the BL genre, demonstrating that it is truly transnational and transcultural in diverse cultural contexts. It has also helped bring about positive changes in the status of LGBT(Q) people and communities as well as enlighten local understandings of gender and sexuality throughout Asia. <em>Queer Transfigurations</em> shows that, some fifty years after the first BL manga appeared in print, the genre is continuing to reverberate and transform lives.</p><p><a href="https://kenkyu.kanagawa-u.ac.jp/kuhp/KgApp?kyoinId=ymdggogmggg&amp;Language=2">James Welker</a> is a professor in the Department of Cross-Cultural Studies, Kanagawa University, Yokohama, Japan. His research focuses primarily on gender and sexuality in postwar and contemporary Japan, especially fan cultures, feminisms, and the LGBT(Q) community. He is the author of <em>Transfigurations: Redefining Women in Late Twentieth-Century Japan </em>(forthcoming).</p><p><a href="https://linshanjiang.com/"><em>Linshan Jiang</em></a><em> is Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4186</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN5405010629.mp3?updated=1660834955" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Enter the Zuckerverse: On the Metaverse and its Corporatization</title>
      <description>The term “metaverse” was coined in a 1993 science fiction novel. Since then, it’s grown from a dystopian literary concept to a reality that corporations want to sell you. Strap on some VR goggles and escape your tired analog life! Except that the systemic issues we already have seem to be creeping into the metaverse, too.
As the lines between virtuality and physicality continue to blur, companies like Mark Zuckerberg’s Meta are setting their sights on virtual worlds. It’s a new frontier, full of potential – and full of our valuable data. Metaverses like Second Life or World of Warcraft can be positive and even game-changing experiences on the individual level, but when it comes to navigating a virtual society with a capitalist backdrop…things get a bit dicey.
On this episode, guest host and producer Ren Bangert explores the metaverse. First, we hear a love story from the glory days of Second Life, told to us by Sandrine Han – a scholar of virtual worlds and a long-time Second Lifer. Then, writer and game developer Ian Bogost takes us on a deep dive into the corporatization of the metaverse. We’ll hear how the metaverse has grown from a dystopian warning from science fiction to a sinister data-mining reality – and how even the shiniest of tech utopias are still functioning under the same old capitalism.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
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For a full list of credits, contact information, and more, visit our about page.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The term “metaverse” was coined in a 1993 science fiction novel. Since then, it’s grown from a dystopian literary concept to a reality that corporations want to sell you. Strap on some VR goggles and escape your tired analog life! Except that the systemic issues we already have seem to be creeping into the metaverse, too.
As the lines between virtuality and physicality continue to blur, companies like Mark Zuckerberg’s Meta are setting their sights on virtual worlds. It’s a new frontier, full of potential – and full of our valuable data. Metaverses like Second Life or World of Warcraft can be positive and even game-changing experiences on the individual level, but when it comes to navigating a virtual society with a capitalist backdrop…things get a bit dicey.
On this episode, guest host and producer Ren Bangert explores the metaverse. First, we hear a love story from the glory days of Second Life, told to us by Sandrine Han – a scholar of virtual worlds and a long-time Second Lifer. Then, writer and game developer Ian Bogost takes us on a deep dive into the corporatization of the metaverse. We’ll hear how the metaverse has grown from a dystopian warning from science fiction to a sinister data-mining reality – and how even the shiniest of tech utopias are still functioning under the same old capitalism.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The term “metaverse” was coined in a 1993 science fiction novel. Since then, it’s grown from a dystopian literary concept to a reality that corporations want to sell you. Strap on some VR goggles and escape your tired analog life! Except that the systemic issues we already have seem to be creeping into the metaverse, too.</p><p>As the lines between virtuality and physicality continue to blur, companies like Mark Zuckerberg’s Meta are setting their sights on virtual worlds. It’s a new frontier, full of potential – and full of our valuable data. Metaverses like Second Life or World of Warcraft can be positive and even game-changing experiences on the individual level, but when it comes to navigating a virtual society with a capitalist backdrop…things get a bit dicey.</p><p>On this episode, guest host and producer Ren Bangert explores the metaverse. First, we hear a love story from the glory days of Second Life, told to us by Sandrine Han – a scholar of virtual worlds and a long-time Second Lifer. Then, writer and game developer Ian Bogost takes us on a deep dive into the corporatization of the metaverse. We’ll hear how the metaverse has grown from a dystopian warning from science fiction to a sinister data-mining reality – and how even the shiniest of tech utopias are still functioning under the same old capitalism.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2814</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jamie Fahey, "Futsal: The Indoor Game That Is Revolutionizing World Soccer" (Melville House, 2022)</title>
      <description>Today we are joined by Jamie Fahey, a Guardian journalist and production editor with more than twenty years’ experience on several national newspapers and six years in regional journalism. He is also the author of Futsal: The Indoor Game that is Revolutionizing World Soccer (Melville House, 2021). In our conversation, we discussed the origins of futsal, the differences and similarities between futsal and soccer, and the future of the five-a-side game.
In Futsal, Fahey blends history, journalism, memoir, coaching guides, and polemic to trace the growth of futsal from its beginnings in 1930s Uruguay and Brazil through to its global present. If futsal first developed in South America, it demonstrated how footballing ideas and practices could migrate back along imperial lines, as Brazilian super stars encouraged the propagation of the game in Europe, Asia and Africa. Brazilians from Pelé to Neymar have played futsal, promoted it in their press clippings, and Brazilians continued to dominate the game. Indeed, many international teams even today are filled with Brazilian players, as evidenced by the tongue in cheek nickname of the Italian national team: the Brazzuri.
Throughout the book, Fahey demonstrates the way that futsal has influenced the 11-a-side game: including tactical developments such as the false nine and the attacking goalkeepers. At the same time, Fahey does not think of futsal solely as a laboratory for soccer, but instead makes a strong argument for the uniqueness of futsal as a sport practice and spectacle with its own value. It is a particularly intense and tactical game that appeals in its own right. He notes the recent growth of the game, with almost sixty million practitioners around the world.
In his memoir-esque chapters, Fahey remarks on his own history as a coach and a player, emerging from the football filled streets of his home city of Liverpool before becoming a guide to his sons’ teams. The rich and textured urban environment of 1970s and 1980s Liverpool provided a site for him to learn foot skills, sangfroid, and tactical nous. If the English past was as a place where children learned to play in an organic way, he bemoans the relative weakness of contemporary English futsal, which suffers from the inattention of the FA, the continued strength of alternative small-sided codes, and the destruction of smaller local soccer spaces.
In the final half of his book, Fahey looks at contemporary futsal practice in a range of countries including: Brazil, Iran, England and the USA. Brazil, Portugal and Spain stand out as places that have well-developed domestic futsal leagues and also are strong competitors internationally. Portuguese and Spanish clubs – in particular Barcelona and Benfica – have benefitted from their use of futsal in their youth programs. France and the United States stand out as places where futsal is developing quickly.
Fahey’s very readable and engaging work will have broad appeal, but especially to people interested in futsal and soccer, sports historians, and sports scholars more generally.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 24 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>225</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jamie Fahey</itunes:subtitle>
      <itunes:summary>Today we are joined by Jamie Fahey, a Guardian journalist and production editor with more than twenty years’ experience on several national newspapers and six years in regional journalism. He is also the author of Futsal: The Indoor Game that is Revolutionizing World Soccer (Melville House, 2021). In our conversation, we discussed the origins of futsal, the differences and similarities between futsal and soccer, and the future of the five-a-side game.
In Futsal, Fahey blends history, journalism, memoir, coaching guides, and polemic to trace the growth of futsal from its beginnings in 1930s Uruguay and Brazil through to its global present. If futsal first developed in South America, it demonstrated how footballing ideas and practices could migrate back along imperial lines, as Brazilian super stars encouraged the propagation of the game in Europe, Asia and Africa. Brazilians from Pelé to Neymar have played futsal, promoted it in their press clippings, and Brazilians continued to dominate the game. Indeed, many international teams even today are filled with Brazilian players, as evidenced by the tongue in cheek nickname of the Italian national team: the Brazzuri.
Throughout the book, Fahey demonstrates the way that futsal has influenced the 11-a-side game: including tactical developments such as the false nine and the attacking goalkeepers. At the same time, Fahey does not think of futsal solely as a laboratory for soccer, but instead makes a strong argument for the uniqueness of futsal as a sport practice and spectacle with its own value. It is a particularly intense and tactical game that appeals in its own right. He notes the recent growth of the game, with almost sixty million practitioners around the world.
In his memoir-esque chapters, Fahey remarks on his own history as a coach and a player, emerging from the football filled streets of his home city of Liverpool before becoming a guide to his sons’ teams. The rich and textured urban environment of 1970s and 1980s Liverpool provided a site for him to learn foot skills, sangfroid, and tactical nous. If the English past was as a place where children learned to play in an organic way, he bemoans the relative weakness of contemporary English futsal, which suffers from the inattention of the FA, the continued strength of alternative small-sided codes, and the destruction of smaller local soccer spaces.
In the final half of his book, Fahey looks at contemporary futsal practice in a range of countries including: Brazil, Iran, England and the USA. Brazil, Portugal and Spain stand out as places that have well-developed domestic futsal leagues and also are strong competitors internationally. Portuguese and Spanish clubs – in particular Barcelona and Benfica – have benefitted from their use of futsal in their youth programs. France and the United States stand out as places where futsal is developing quickly.
Fahey’s very readable and engaging work will have broad appeal, but especially to people interested in futsal and soccer, sports historians, and sports scholars more generally.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Jamie Fahey, a <em>Guardian </em>journalist and production editor with more than twenty years’ experience on several national newspapers and six years in regional journalism. He is also the author of <a href="https://bookshop.org/a/12343/9781612199801"><em>Futsal: The Indoor Game that is Revolutionizing World Soccer</em></a><em> </em>(Melville House, 2021). In our conversation, we discussed the origins of futsal, the differences and similarities between futsal and soccer, and the future of the five-a-side game.</p><p>In <em>Futsal, </em>Fahey blends history, journalism, memoir, coaching guides, and polemic to trace the growth of futsal from its beginnings in 1930s Uruguay and Brazil through to its global present. If futsal first developed in South America, it demonstrated how footballing ideas and practices could migrate back along imperial lines, as Brazilian super stars encouraged the propagation of the game in Europe, Asia and Africa. Brazilians from Pelé to Neymar have played futsal, promoted it in their press clippings, and Brazilians continued to dominate the game. Indeed, many international teams even today are filled with Brazilian players, as evidenced by the tongue in cheek nickname of the Italian national team: the Brazzuri.</p><p>Throughout the book, Fahey demonstrates the way that futsal has influenced the 11-a-side game: including tactical developments such as the false nine and the attacking goalkeepers. At the same time, Fahey does not think of futsal solely as a laboratory for soccer, but instead makes a strong argument for the uniqueness of futsal as a sport practice and spectacle with its own value. It is a particularly intense and tactical game that appeals in its own right. He notes the recent growth of the game, with almost sixty million practitioners around the world.</p><p>In his memoir-esque chapters, Fahey remarks on his own history as a coach and a player, emerging from the football filled streets of his home city of Liverpool before becoming a guide to his sons’ teams. The rich and textured urban environment of 1970s and 1980s Liverpool provided a site for him to learn foot skills, sangfroid, and tactical nous. If the English past was as a place where children learned to play in an organic way, he bemoans the relative weakness of contemporary English futsal, which suffers from the inattention of the FA, the continued strength of alternative small-sided codes, and the destruction of smaller local soccer spaces.</p><p>In the final half of his book, Fahey looks at contemporary futsal practice in a range of countries including: Brazil, Iran, England and the USA. Brazil, Portugal and Spain stand out as places that have well-developed domestic futsal leagues and also are strong competitors internationally. Portuguese and Spanish clubs – in particular Barcelona and Benfica – have benefitted from their use of futsal in their youth programs. France and the United States stand out as places where futsal is developing quickly.</p><p>Fahey’s very readable and engaging work will have broad appeal, but especially to people interested in futsal and soccer, sports historians, and sports scholars more generally.</p><p><em>Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3496</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[01c1d182-1ff8-11ed-98fb-e38ea8c139f0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4329006302.mp3?updated=1660939747" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Reality TV</title>
      <description>In this episode of High Theory, Olivia Stowell speaks with Saronik about Reality TV.
In the episode she talks about the genesis of the genre in Candid Camera, An American Family, COPS and America’s Most Wanted, before the watershed moment of The Real World in the 1990s. She references the work of June Deery, and Pier Dominguez on the commercial realism and affective economies of reality tv, and Susan Douglass’s article “Jersey Shore: Ironic Viewing.” She reminds us that Reality TV dramatizes the life of the neoliberal subject under surveillance, and explicates our “trashy” desires.
Olivia Stowell is a Ph.D. student in the Department of Communication at the University of Michigan, where she studies the intersections of race, genre &amp; narrative, food, and temporality in contemporary popular culture. Her scholarship has appeared or is forthcoming in Television &amp; New Media and New Review of Film &amp; Television, and her public writing has appeared in Post45 Contemporaries, Novel Dialogue, Avidly: A Channel of the L.A. Review of Books, and elsewhere.
The image for this episode was made by Saronik Bosu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 23 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9c8cd306-230e-11ed-aa3b-a7195f413f90/image/HighTheory_RealityTV_Image.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Olivia Stowell</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Olivia Stowell speaks with Saronik about Reality TV.
In the episode she talks about the genesis of the genre in Candid Camera, An American Family, COPS and America’s Most Wanted, before the watershed moment of The Real World in the 1990s. She references the work of June Deery, and Pier Dominguez on the commercial realism and affective economies of reality tv, and Susan Douglass’s article “Jersey Shore: Ironic Viewing.” She reminds us that Reality TV dramatizes the life of the neoliberal subject under surveillance, and explicates our “trashy” desires.
Olivia Stowell is a Ph.D. student in the Department of Communication at the University of Michigan, where she studies the intersections of race, genre &amp; narrative, food, and temporality in contemporary popular culture. Her scholarship has appeared or is forthcoming in Television &amp; New Media and New Review of Film &amp; Television, and her public writing has appeared in Post45 Contemporaries, Novel Dialogue, Avidly: A Channel of the L.A. Review of Books, and elsewhere.
The image for this episode was made by Saronik Bosu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Olivia Stowell speaks with Saronik about Reality TV.</p><p>In the episode she talks about the genesis of the genre in <em>Candid Camera</em>, <em>An American Family</em>, <em>COPS</em> and <em>America’s Most Wanted, </em>before the watershed moment of <em>The Real World </em>in the 1990s. She references the work of <a href="https://faculty.rpi.edu/node/34540">June Deery</a>, and <a href="https://www.academia.edu/es/14859881/_Im_Very_Rich_Bitch_The_Melodramatic_Money_Shot_and_the_Excess_of_Racialized_Gendered_Affect_in_the_Real_Housewives_Docusoaps">Pier Dominguez</a> on the commercial realism and affective economies of reality tv, and Susan Douglass’s article “<a href="https://dhjhkxawhe8q4.cloudfront.net/nyupress-wp/wp-content/uploads/2020/03/31141640/Jersey-Shore_Douglas_HTWTV.pdf"><em>Jersey Shore</em>: Ironic Viewing.</a>” She reminds us that Reality TV dramatizes the life of the neoliberal subject under surveillance, and explicates our “trashy” desires.</p><p>Olivia Stowell is a Ph.D. student in the Department of Communication at the University of Michigan, where she studies the intersections of race, genre &amp; narrative, food, and temporality in contemporary popular culture. Her scholarship has appeared or is forthcoming in <em>Television &amp; New Media</em> and <em>New Review of Film &amp; Television</em>, and her public writing has appeared in <em>Post45 Contemporaries</em>, <em>Novel Dialogue</em>, <em>Avidly: A Channel of the L.A. Review of Books</em>, and elsewhere.</p><p>The image for this episode was made by Saronik Bosu.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1019</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3907a4e0-230f-11ed-a241-3f2aede2b2ec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1653269686.mp3?updated=1661279189" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Save the Whales: The Addictive Psychology Behind Video Games</title>
      <description>We’ll save the Moby Dick puns for the episode itself, but suffice it to say that sinister game developers are on a whale hunt. This episode, originally published last fall, is about the sophisticated psychological tactics they use to hunt and capture their prey. Free to play mobile games as glorified slot machines, in-game purchases even for triple-A titles, game design that keep gamers hooked to their rigs. These practices are often exploitative and, for some who fall victim to them, devastating. Some countries, like China, are pushing back. But their restrictions are overbearing and unlikely to work as people skirt the restrictions. There are better ways. On this episode of Darts and Letters, we take a journey to save the whales.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 23 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’ll save the Moby Dick puns for the episode itself, but suffice it to say that sinister game developers are on a whale hunt. This episode, originally published last fall, is about the sophisticated psychological tactics they use to hunt and capture their prey. Free to play mobile games as glorified slot machines, in-game purchases even for triple-A titles, game design that keep gamers hooked to their rigs. These practices are often exploitative and, for some who fall victim to them, devastating. Some countries, like China, are pushing back. But their restrictions are overbearing and unlikely to work as people skirt the restrictions. There are better ways. On this episode of Darts and Letters, we take a journey to save the whales.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’ll save the Moby Dick puns for the episode itself, but suffice it to say that sinister game developers are on a whale hunt. This episode, originally published last fall, is about the sophisticated psychological tactics they use to hunt and capture their prey. Free to play mobile games as glorified slot machines, in-game purchases even for triple-A titles, game design that keep gamers hooked to their rigs. These practices are often exploitative and, for some who fall victim to them, devastating. Some countries, like China, are pushing back. But their restrictions are overbearing and unlikely to work as people skirt the restrictions. There are better ways. On this episode of Darts and Letters, we take a journey to save the whales.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a7894b16-20c7-11ed-bf6c-a70e8a020d30]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7941201966.mp3?updated=1661026797" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Moral Kombat: How Mortal Kombat Caused Moral Outrage</title>
      <description>You can learn much about a media and political culture by examining when it panics, and who it panics about. And we’ve always panicked about video games, from the early arcades until this very day. Whether you are a prudish Christian conservative, or a concerned liberal-minded paternalist, demonizing video games has long been good politics.
On this episode: guest host and lead producer Jay Cockburn travels back to the 90s, and looks at the story of Mortal Kombat. The game was violent, gory, glorious. It was a youth rebellion in miniature. Parents rebelled against the rebellion, staging their own petulant counter-revolution, and politicians embraced it. It triggered a moral panic and even congressional hearings into violence in games. But why did it happen, who did it serve, and what does it tell us about our own culture?
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 22 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>You can learn much about a media and political culture by examining when it panics, and who it panics about. And we’ve always panicked about video games, from the early arcades until this very day. Whether you are a prudish Christian conservative, or a concerned liberal-minded paternalist, demonizing video games has long been good politics.
On this episode: guest host and lead producer Jay Cockburn travels back to the 90s, and looks at the story of Mortal Kombat. The game was violent, gory, glorious. It was a youth rebellion in miniature. Parents rebelled against the rebellion, staging their own petulant counter-revolution, and politicians embraced it. It triggered a moral panic and even congressional hearings into violence in games. But why did it happen, who did it serve, and what does it tell us about our own culture?
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>You can learn much about a media and political culture by examining when it panics, and who it panics about. And we’ve always panicked about video games, from the early arcades until this very day. Whether you are a prudish Christian conservative, or a concerned liberal-minded paternalist, demonizing video games has long been good politics.</p><p>On this episode: guest host and lead producer Jay Cockburn travels back to the 90s, and looks at the story of Mortal Kombat. The game was violent, gory, glorious. It was a youth rebellion in miniature. Parents rebelled against the rebellion, staging their own petulant counter-revolution, and politicians embraced it. It triggered a moral panic and even congressional hearings into violence in games. But why did it happen, who did it serve, and what does it tell us about our own culture?</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4093</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[29db7a36-20c7-11ed-a3c8-a31fef3b2d33]]></guid>
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    <item>
      <title>Andrew M. Guest, "Soccer in Mind: A Thinking Fan's Guide to the Global Game" (Rutgers UP, 2021)</title>
      <description>Today we are joined by Andrew Guest, Professor of Psychology and Sociology at the University of Portland, where he also serves as Director of the Core Curriculum. He is also the author of Soccer in Mind: A Thinking Fan’s Guide to the Global Game (Rutgers University Press, 2022). In our conversation we discussed the possibilities of thinking fandom, soccer as a glocal phenomenon, and whether sport builds character and provides a social good.
In Soccer in Mind, Guest uses thematic chapters to address some of the biggest questions in sports studies: why do sports seem so central to many people’s identities, what is the right way to develop player talent, what is the future of sports psychology, and most importantly how can athletes and fans engage in sport in a more critical and socially conscious way?
His careful approach to think about and through soccer mixes different analytical lenses including sociology, psychology, and auto-ethnography. He strives to make the familiar things in soccer strange, and the strange things in soccer more familiar. His work moves comfortably between discussions of fan culture in England, women’s football in Portland, and witchcraft in Malawi to identify the ways that aesthetics, emotion and rationality work together to shape popular engagement with the global game.
He also considers the sport from the top-down and the bottom-up. His interlocutors and interview subjects range from elite women’s footballers in the US, Zanzibari soccer players called the “Women Fighters,” and disabled children in Angola. Many of his chapters are cross comparative. For example, in his chapter on player development, he looks at the influence of the technocratic Dutch model of top player development, the Ghanaian romantic model of grassroots soccer, and what he calls the Icelandic humanistic model that prioritizes broad human and social development through sport over elite access.
Throughout Soccer in Mind, Guest’s work challenges easy assumptions about soccer and sports more generally. While many works challenge the value of mega-events, Guest argues that soccer might only provide a social good when we use the sport to do so attentively and intentionally. His chapter on global development initiatives shows how even well-meaning soccer NGOs can cause negative feedback loops. Participation in sports might not even encourage fair play and sportsmanship unless athletes, coaches, and fans provide a broader social basis for it.
Guest’s very readable work – clearly of interest to people involved in sports studies, sports sociology and sports psychology – also has broad appeal and will prove useful in classrooms and boardrooms.
﻿Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 18 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>224</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew M. Guest</itunes:subtitle>
      <itunes:summary>Today we are joined by Andrew Guest, Professor of Psychology and Sociology at the University of Portland, where he also serves as Director of the Core Curriculum. He is also the author of Soccer in Mind: A Thinking Fan’s Guide to the Global Game (Rutgers University Press, 2022). In our conversation we discussed the possibilities of thinking fandom, soccer as a glocal phenomenon, and whether sport builds character and provides a social good.
In Soccer in Mind, Guest uses thematic chapters to address some of the biggest questions in sports studies: why do sports seem so central to many people’s identities, what is the right way to develop player talent, what is the future of sports psychology, and most importantly how can athletes and fans engage in sport in a more critical and socially conscious way?
His careful approach to think about and through soccer mixes different analytical lenses including sociology, psychology, and auto-ethnography. He strives to make the familiar things in soccer strange, and the strange things in soccer more familiar. His work moves comfortably between discussions of fan culture in England, women’s football in Portland, and witchcraft in Malawi to identify the ways that aesthetics, emotion and rationality work together to shape popular engagement with the global game.
He also considers the sport from the top-down and the bottom-up. His interlocutors and interview subjects range from elite women’s footballers in the US, Zanzibari soccer players called the “Women Fighters,” and disabled children in Angola. Many of his chapters are cross comparative. For example, in his chapter on player development, he looks at the influence of the technocratic Dutch model of top player development, the Ghanaian romantic model of grassroots soccer, and what he calls the Icelandic humanistic model that prioritizes broad human and social development through sport over elite access.
Throughout Soccer in Mind, Guest’s work challenges easy assumptions about soccer and sports more generally. While many works challenge the value of mega-events, Guest argues that soccer might only provide a social good when we use the sport to do so attentively and intentionally. His chapter on global development initiatives shows how even well-meaning soccer NGOs can cause negative feedback loops. Participation in sports might not even encourage fair play and sportsmanship unless athletes, coaches, and fans provide a broader social basis for it.
Guest’s very readable work – clearly of interest to people involved in sports studies, sports sociology and sports psychology – also has broad appeal and will prove useful in classrooms and boardrooms.
﻿Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Andrew Guest, Professor of Psychology and Sociology at the University of Portland, where he also serves as Director of the Core Curriculum. He is also the author of <a href="https://bookshop.org/a/12343/9781978817319"><em>Soccer in Mind: A Thinking Fan’s Guide to the Global Game</em></a><em> </em>(Rutgers University Press, 2022). In our conversation we discussed the possibilities of thinking fandom, soccer as a glocal phenomenon, and whether sport builds character and provides a social good.</p><p>In <em>Soccer in Mind, </em>Guest uses thematic chapters to address some of the biggest questions in sports studies: why do sports seem so central to many people’s identities, what is the right way to develop player talent, what is the future of sports psychology, and most importantly how can athletes and fans engage in sport in a more critical and socially conscious way?</p><p>His careful approach to think about and through soccer mixes different analytical lenses including sociology, psychology, and auto-ethnography. He strives to make the familiar things in soccer strange, and the strange things in soccer more familiar. His work moves comfortably between discussions of fan culture in England, women’s football in Portland, and witchcraft in Malawi to identify the ways that aesthetics, emotion and rationality work together to shape popular engagement with the global game.</p><p>He also considers the sport from the top-down and the bottom-up. His interlocutors and interview subjects range from elite women’s footballers in the US, Zanzibari soccer players called the “Women Fighters,” and disabled children in Angola. Many of his chapters are cross comparative. For example, in his chapter on player development, he looks at the influence of the technocratic Dutch model of top player development, the Ghanaian romantic model of grassroots soccer, and what he calls the Icelandic humanistic model that prioritizes broad human and social development through sport over elite access.</p><p>Throughout <em>Soccer in Mind, </em>Guest’s work challenges easy assumptions about soccer and sports more generally. While many works challenge the value of mega-events, Guest argues that soccer might only provide a social good when we use the sport to do so attentively and intentionally. His chapter on global development initiatives shows how even well-meaning soccer NGOs can cause negative feedback loops. Participation in sports might not even encourage fair play and sportsmanship unless athletes, coaches, and fans provide a broader social basis for it.</p><p>Guest’s very readable work – clearly of interest to people involved in sports studies, sports sociology and sports psychology – also has broad appeal and will prove useful in classrooms and boardrooms.</p><p><em>﻿</em><a href="https://www.mq.edu.au/about_us/faculties_and_departments/faculty_of_arts/mhpir/staff/staff/dr_keith_rathbone/"><em>Keith Rathbone</em></a><em> is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4103</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[128c3eac-1b44-11ed-b52f-e3422809d065]]></guid>
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    <item>
      <title>87* Mike Leigh In Focus (JP)</title>
      <description>In nearly 50 years of filmmaking, British director Mike Leigh has ranged from comic portrayals of ordinary life amid the social breakdowns of Thatcher’s Britain (Life is Sweet, High Hopes) to gritty renditions of working-class constraint and bourgeois hypocrisy (Meantime, Abigail’s Party, Hard Labour) to period films that reveal the “profoundly trivial” elements of artistic life even two centuries in the past (Topsy-Turvy, Mr. Turner).
Leigh contains multitudes. What Roland Barthes says about the novels of Marcel Proust is true of Mike Leigh films as well: you notice different things every time you return to them.
In this Columbus, Ohio conversation, Mike and John they discovered their shared love for a hometown boy made good: James Thurber. The conversation ranged from recording working-class voices in the 19th century to Method acting to the pointlessness of fetishizing closeups to the movies John had never seen and should have–and that’s only the first twenty minutes. It cries out for footnotes, but maybe the best result of all this talk would be simply your decision to go off and see a couple (or like John seven) of Mike Leigh films you’d never seen before. You won’t be sorry.
Discussed in this episode:

Peter Jackson (dir.), They Shall Not Grow Old


John Osborne, Look Back in Anger


Ingmar Bergman (dir.), The Seventh Seal


Harold Pinter, The Caretaker


Jean-Luc Godard (dir.), A bout de souffle


John Cassavetes (dir.), Shadows and The Killing of a Chinese Bookie


Sam Mendes (dir.), 1917


Alexander Sukorov (dir.), Russian Ark


James Thurber, The 13 Clocks, “The Unicorn in the Garden” and “The Greatest Man in the World“

Norman Z. McLeod (dir.), The Secret Life of Walter Mitty


Stanley Davis (dir.), Miles Davis: Birth of the Cool


Philip Roth, Portnoy’s Complaint and Exit Ghost


Ermanno Olmi (dir.), The Tree of Wooden Clogs


George Eliot, Middlemarch


Philip Larkin, “This Be the Verse“

H.G. Wells, The Time Machine


﻿
Transcript Available Here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 18 Aug 2022 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>87</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Film Director Mike Leigh</itunes:subtitle>
      <itunes:summary>In nearly 50 years of filmmaking, British director Mike Leigh has ranged from comic portrayals of ordinary life amid the social breakdowns of Thatcher’s Britain (Life is Sweet, High Hopes) to gritty renditions of working-class constraint and bourgeois hypocrisy (Meantime, Abigail’s Party, Hard Labour) to period films that reveal the “profoundly trivial” elements of artistic life even two centuries in the past (Topsy-Turvy, Mr. Turner).
Leigh contains multitudes. What Roland Barthes says about the novels of Marcel Proust is true of Mike Leigh films as well: you notice different things every time you return to them.
In this Columbus, Ohio conversation, Mike and John they discovered their shared love for a hometown boy made good: James Thurber. The conversation ranged from recording working-class voices in the 19th century to Method acting to the pointlessness of fetishizing closeups to the movies John had never seen and should have–and that’s only the first twenty minutes. It cries out for footnotes, but maybe the best result of all this talk would be simply your decision to go off and see a couple (or like John seven) of Mike Leigh films you’d never seen before. You won’t be sorry.
Discussed in this episode:

Peter Jackson (dir.), They Shall Not Grow Old


John Osborne, Look Back in Anger


Ingmar Bergman (dir.), The Seventh Seal


Harold Pinter, The Caretaker


Jean-Luc Godard (dir.), A bout de souffle


John Cassavetes (dir.), Shadows and The Killing of a Chinese Bookie


Sam Mendes (dir.), 1917


Alexander Sukorov (dir.), Russian Ark


James Thurber, The 13 Clocks, “The Unicorn in the Garden” and “The Greatest Man in the World“

Norman Z. McLeod (dir.), The Secret Life of Walter Mitty


Stanley Davis (dir.), Miles Davis: Birth of the Cool


Philip Roth, Portnoy’s Complaint and Exit Ghost


Ermanno Olmi (dir.), The Tree of Wooden Clogs


George Eliot, Middlemarch


Philip Larkin, “This Be the Verse“

H.G. Wells, The Time Machine


﻿
Transcript Available Here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In nearly 50 years of filmmaking, British director <a href="https://en.wikipedia.org/wiki/Mike_Leigh">Mike Leigh</a> has ranged from comic portrayals of ordinary life amid the social breakdowns of Thatcher’s Britain (<em>Life is Sweet</em>, <em>High Hopes</em>) to gritty renditions of working-class constraint and bourgeois hypocrisy (<em>Meantime</em>, <em>Abigail’s Party</em>, <em>Hard Labour</em>) to period films that reveal the “profoundly trivial” elements of artistic life even two centuries in the past (<em>Topsy-Turvy</em>, <em>Mr. Turner</em>).</p><p>Leigh contains multitudes. What Roland Barthes says about the novels of Marcel Proust is true of Mike Leigh films as well: you notice different things every time you return to them.</p><p>In this Columbus, Ohio conversation, Mike and John they discovered their shared love for a hometown boy made good: James Thurber. The conversation ranged from recording working-class voices in the 19th century to Method acting to the pointlessness of fetishizing closeups to the movies John had never seen and should have–and that’s only the first twenty minutes. It cries out for footnotes, but maybe the best result of all this talk would be simply your decision to go off and see a couple (or like John seven) of Mike Leigh films you’d never seen before. You won’t be sorry.</p><p>Discussed in this episode:</p><ul>
<li>Peter Jackson (dir.), <a href="https://en.wikipedia.org/wiki/They_Shall_Not_Grow_Old"><em>They Shall Not Grow Old</em></a>
</li>
<li>John Osborne, <a href="https://en.wikipedia.org/wiki/Look_Back_in_Anger"><em>Look Back in Anger</em></a>
</li>
<li>Ingmar Bergman (dir.), <a href="https://en.wikipedia.org/wiki/The_Seventh_Seal"><em>The Seventh Seal</em></a>
</li>
<li>Harold Pinter, <a href="https://en.wikipedia.org/wiki/The_Caretaker"><em>The Caretaker</em></a>
</li>
<li>Jean-Luc Godard (dir.), <a href="https://en.wikipedia.org/wiki/Breathless_(1960_film)"><em>A bout de souffle</em></a>
</li>
<li>John Cassavetes (dir.), <a href="https://en.wikipedia.org/wiki/Shadows_(1959_film)"><em>Shadows</em></a> and <a href="https://en.wikipedia.org/wiki/The_Killing_of_a_Chinese_Bookie"><em>The Killing of a Chinese Bookie</em></a>
</li>
<li>Sam Mendes (dir.), <a href="https://en.wikipedia.org/wiki/1917_(2019_film)"><em>1917</em></a>
</li>
<li>Alexander Sukorov (dir.), <a href="https://en.wikipedia.org/wiki/Russian_Ark"><em>Russian Ark</em></a>
</li>
<li>James Thurber, <a href="https://www.penguinrandomhouse.com/books/536859/the-13-clocks-by-james-thurber-introduction-by-neil-gaiman-illustrated-by-marc-simont/"><em>The 13 Clocks</em></a>, “<a href="https://www.youtube.com/watch?v=1teJjX-smdE">The Unicorn in the Garden</a>” and “<a href="https://www.newyorker.com/magazine/1931/02/21/the-greatest-man-in-the-world">The Greatest Man in the World</a>“</li>
<li>Norman Z. McLeod (dir.), <a href="https://en.wikipedia.org/wiki/The_Secret_Life_of_Walter_Mitty_(1947_film)"><em>The Secret Life of Walter Mitty</em></a>
</li>
<li>Stanley Davis (dir.), <a href="https://www.sundance.org/projects/miles-davis-birth-of-the-cool"><em>Miles Davis: Birth of the Cool</em></a>
</li>
<li>Philip Roth, <a href="https://www.penguinrandomhouse.com/books/158027/portnoys-complaint-by-philip-roth/"><em>Portnoy’s Complaint</em></a> and <a href="https://www.penguinrandomhouse.com/books/158013/exit-ghost-by-philip-roth/"><em>Exit Ghost</em></a>
</li>
<li>Ermanno Olmi (dir.), <a href="https://en.wikipedia.org/wiki/The_Tree_of_Wooden_Clogs"><em>The Tree of Wooden Clogs</em></a>
</li>
<li>George Eliot, <a href="https://en.wikipedia.org/wiki/Middlemarch"><em>Middlemarch</em></a>
</li>
<li>Philip Larkin, “<a href="https://www.poetryfoundation.org/poems/48419/this-be-the-verse">This Be the Verse</a>“</li>
<li>H.G. Wells, <a href="http://www.gutenberg.org/ebooks/35"><em>The Time Machine</em></a>
</li>
</ul><p><em>﻿</em></p><p><a href="https://recallthisbookorg.files.wordpress.com/2019/10/rtb17mikeleigh.pdf">Transcript Available Here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3061</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Rebecca Weeks, "History by HBO: Televising the American Past" (UP of Kentucky, 2022)</title>
      <description>The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage.
In History by HBO: Televising the American Past (UP of Kentucky, 2022), Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. Dr. Weeks is a lecturer in the Bachelor of Art and Design Programme at Media Design School in Auckland, New Zealand. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories.
Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rebecca Weeks</itunes:subtitle>
      <itunes:summary>The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage.
In History by HBO: Televising the American Past (UP of Kentucky, 2022), Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. Dr. Weeks is a lecturer in the Bachelor of Art and Design Programme at Media Design School in Auckland, New Zealand. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories.
Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage.</p><p>In <a href="https://bookshop.org/a/12343/9780813195308"><em>History by HBO: Televising the American Past</em></a><em> </em>(UP of Kentucky, 2022), Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. Dr. Weeks is a lecturer in the Bachelor of Art and Design Programme at Media Design School in Auckland, New Zealand. By focusing on this change and its effects, <em>History by HBO</em> outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: <em>Band of Brothers</em> (2001), <em>Deadwood</em> (2004–2007),<em> Boardwalk Empire</em> (2012–2014), and <em>Treme </em>(2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories.</p><p>Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3899</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Christopher M. Reali, "Music and Mystique in Muscle Shoals" (U Illinois Press, 2022)</title>
      <description>The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.
Dr. Christopher Reali is an assistant professor of music at Ramapo College of New Jersey.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher M. Reali</itunes:subtitle>
      <itunes:summary>The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.
Dr. Christopher Reali is an assistant professor of music at Ramapo College of New Jersey.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, <a href="https://bookshop.org/a/12343/9780252086588"><em>Music and Mystique in Muscle Shoals</em></a> (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.</p><p><a href="https://www.ramapo.edu/ca/faculty/christopher-reali/">Dr. Christopher Reali</a> is an assistant professor of music at Ramapo College of New Jersey.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2363</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN3421183326.mp3?updated=1659729204" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Saladin Ambar, "Stars and Shadows: The Politics of Interracial Friendship from Jefferson to Obama" (Oxford UP, 2022)</title>
      <description>Slavery and its lingering remnants remain a plague on the United States, continuing to foster animosity between races that hinders the understanding and connection conducive to dismantling the remains of such systems. Personal relationships and connection can provide a path towards reconciling differences and overcoming the racial divisiveness that is America’s original sin. 
In his fascinating new book, Stars and Shadows: The Politics of Interracial Friendship from Jefferson to Obama (Oxford UP, 2022), Saladin Ambar, professor of Political Science and Senior Scholar at the Center on the American Governor at the Eagleton Institute of Politics at Rutgers University-New Brunswick, constructs a comprehensive overview of interracial friendships throughout U.S. history, detailing how friendship can be an invaluable and often overlooked tool when advocating for equality. Because political leaders, celebrities, and other cultural figures have such an influence on the general public, they can play a particular role in shaping public opinion. Thus, analyzing significant interracial friendships between well-known individuals throughout different historical moments can serve as windows into the state of race relations as they developed through time, and what that can mean for our future.
Ambar meditates on the power of friendship in general, and interracial friendship in particular, through ten different, iconic cases, examining these relationships in both their personal and political capacity. The specific focus of each friendship duet is to explore the public consequences of relationships across race. Each duo has unique experiences that are particular to their historical moments and the political constraints of the time. Through these stories, Ambar develops a theory rejecting the notion that we must separate the personal from the political, detailing how, in an interracial democracy predicated on equality, the two must and do intertwine in order to overcome racial differences. Stars and Shadows examines, among others, Benjamin Banneker and Thomas Jefferson, Frederick Douglass and Abraham Lincoln, Angela Davis and Gloria Steinem, Marlon Brando and James Baldwin, and ends with Barack Obama and Joe Biden’s iconic bond. The analysis wrestles with the American political structure, which is not based on connecting individuals to each other in any kind of personal way, and yet friendship is what connects us all as human beings. Ambar’s theory challenges citizens to look inward and outward when interacting with one another, to engage intentionally with our differences, and not to run away from our past but to critically analyze it and incorporate it going forward.
Emma R. Handschke assisted in the production of this podcast.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 11 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>615</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Saladin Ambar</itunes:subtitle>
      <itunes:summary>Slavery and its lingering remnants remain a plague on the United States, continuing to foster animosity between races that hinders the understanding and connection conducive to dismantling the remains of such systems. Personal relationships and connection can provide a path towards reconciling differences and overcoming the racial divisiveness that is America’s original sin. 
In his fascinating new book, Stars and Shadows: The Politics of Interracial Friendship from Jefferson to Obama (Oxford UP, 2022), Saladin Ambar, professor of Political Science and Senior Scholar at the Center on the American Governor at the Eagleton Institute of Politics at Rutgers University-New Brunswick, constructs a comprehensive overview of interracial friendships throughout U.S. history, detailing how friendship can be an invaluable and often overlooked tool when advocating for equality. Because political leaders, celebrities, and other cultural figures have such an influence on the general public, they can play a particular role in shaping public opinion. Thus, analyzing significant interracial friendships between well-known individuals throughout different historical moments can serve as windows into the state of race relations as they developed through time, and what that can mean for our future.
Ambar meditates on the power of friendship in general, and interracial friendship in particular, through ten different, iconic cases, examining these relationships in both their personal and political capacity. The specific focus of each friendship duet is to explore the public consequences of relationships across race. Each duo has unique experiences that are particular to their historical moments and the political constraints of the time. Through these stories, Ambar develops a theory rejecting the notion that we must separate the personal from the political, detailing how, in an interracial democracy predicated on equality, the two must and do intertwine in order to overcome racial differences. Stars and Shadows examines, among others, Benjamin Banneker and Thomas Jefferson, Frederick Douglass and Abraham Lincoln, Angela Davis and Gloria Steinem, Marlon Brando and James Baldwin, and ends with Barack Obama and Joe Biden’s iconic bond. The analysis wrestles with the American political structure, which is not based on connecting individuals to each other in any kind of personal way, and yet friendship is what connects us all as human beings. Ambar’s theory challenges citizens to look inward and outward when interacting with one another, to engage intentionally with our differences, and not to run away from our past but to critically analyze it and incorporate it going forward.
Emma R. Handschke assisted in the production of this podcast.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Slavery and its lingering remnants remain a plague on the United States, continuing to foster animosity between races that hinders the understanding and connection conducive to dismantling the remains of such systems. Personal relationships and connection can provide a path towards reconciling differences and overcoming the racial divisiveness that is America’s <em>original sin</em>. </p><p>In his fascinating new book, <a href="https://bookshop.org/a/12343/9780197621998"><em>Stars and Shadows: The Politics of Interracial Friendship from Jefferson to Obama</em></a> (Oxford UP, 2022), Saladin Ambar, professor of Political Science and Senior Scholar at the Center on the American Governor at the Eagleton Institute of Politics at Rutgers University-New Brunswick, constructs a comprehensive overview of interracial friendships throughout U.S. history, detailing how friendship can be an invaluable and often overlooked tool when advocating for equality. Because political leaders, celebrities, and other cultural figures have such an influence on the general public, they can play a particular role in shaping public opinion. Thus, analyzing significant interracial friendships between well-known individuals throughout different historical moments can serve as windows into the state of race relations as they developed through time, and what that can mean for our future.</p><p>Ambar meditates on the power of friendship in general, and interracial friendship in particular, through ten different, iconic cases, examining these relationships in both their personal and political capacity. The specific focus of each friendship duet is to explore the public consequences of relationships across race. Each duo has unique experiences that are particular to their historical moments and the political constraints of the time. Through these stories, Ambar develops a theory rejecting the notion that we must separate the personal from the political, detailing how, in an interracial democracy predicated on equality, the two must and do intertwine in order to overcome racial differences. <em>Stars and Shadows</em> examines, among others, Benjamin Banneker and Thomas Jefferson, Frederick Douglass and Abraham Lincoln, Angela Davis and Gloria Steinem, Marlon Brando and James Baldwin, and ends with Barack Obama and Joe Biden’s iconic bond. The analysis wrestles with the American political structure, which is not based on connecting individuals to each other in any kind of personal way, and yet friendship is what connects us all as human beings. Ambar’s theory challenges citizens to look inward and outward when interacting with one another, to engage intentionally with our differences, and not to run away from our past but to critically analyze it and incorporate it going forward.</p><p><em>Emma R. Handschke assisted in the production of this podcast.</em></p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3132</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Nick Davis, "Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait" (Knopf, 2021)</title>
      <description>A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both.
One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers.
Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success.
Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra.
In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated.
Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 10 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>128</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Davis</itunes:subtitle>
      <itunes:summary>A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both.
One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers.
Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success.
Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra.
In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated.
Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both.</p><p>One most famous for having written <em>Citizen Kane</em>; the other, <em>All About Eve</em>; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers.</p><p>Herman Mankiewicz brought us the Marx Brothers' <em>Monkey Business, Horse Feathers, </em>and<em> Duck Soup</em> and W. C. Fields' <em>Million Dollar Legs</em>, wrote screenplays for <em>Dinner at Eight</em> and <em>Pride of the Yankees</em>, and cowrote <em>Citizen Kane</em> (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success.</p><p>Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing <em>The Philadelphia Story</em>, writing and directing <em>A Letter to Three Wives</em> and <em>All About Eve</em>, both of which won him Oscars before seeing his career upended by the spectacular fiasco of <em>Cleopatra</em>.</p><p>In <a href="https://bookshop.org/a/12343/9781400041831"><em>Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait</em></a> (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated.</p><p>Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at </em><a href="https://fifteenminutefilm.podbean.com/"><em>https://fifteenminutefilm.podb...</em></a><em> and on Twitter @15MinFilm.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3319</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5aaef412-1334-11ed-a1c1-abe96aae6b98]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3529121955.mp3?updated=1659535280" length="0" type="audio/mpeg"/>
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    <item>
      <title>Minh-Ha T. Pham, "Why We Can't Have Nice Things: Social Media's Influence on Fashion, Ethics, and Property" (Duke UP, 2022)</title>
      <description>In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. 
In Why We Can't Have Nice Things: Social Media's Influence on Fashion, Ethics, and Property (Duke UP, 2022), Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.
Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.
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      <pubDate>Wed, 10 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Minh-Ha T. Pham</itunes:subtitle>
      <itunes:summary>In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. 
In Why We Can't Have Nice Things: Social Media's Influence on Fashion, Ethics, and Property (Duke UP, 2022), Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.
Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. </p><p>In <a href="https://bookshop.org/a/12343/9781478018612"><em>Why We Can't Have Nice Things: Social Media's Influence on Fashion, Ethics, and Property</em></a><em> </em>(Duke UP, 2022), Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.</p><p><a href="https://anth.uic.edu/profiles/lakshita-malik/"><em>Lakshita Malik</em></a><em> is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3026</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c53ca0ba-1364-11ed-8013-a3a3ee8dd891]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7535872619.mp3?updated=1659556546" length="0" type="audio/mpeg"/>
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    <item>
      <title>On Apocalypse Stories</title>
      <description>Dr. Kelly J. Baker is the author of the award-winning Gospel According to the Klan: The KKK’s Appeal to Protestant America, 1915-1930 (University Press of Kansas, 2011); The Zombies Are Coming!: The Realities of the Zombie Apocalypse in American Culture (Bondfire Books, 2013); Grace Period: A Memoir in Pieces (Blue Crow Books, 2017); the award-winning Sexism Ed: Essays on Gender and Labor in Academia (Blue Crow Books, 2018); and Final Girl: And Other Essays on Grief, Trauma, and Mental Illness (Blue Crow Books, 2019).
 
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      <pubDate>Tue, 09 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/46d2e960-1809-11ed-8b23-9789368e37b7/image/onreligion.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Kelly J. Baker</itunes:subtitle>
      <itunes:summary>Dr. Kelly J. Baker is the author of the award-winning Gospel According to the Klan: The KKK’s Appeal to Protestant America, 1915-1930 (University Press of Kansas, 2011); The Zombies Are Coming!: The Realities of the Zombie Apocalypse in American Culture (Bondfire Books, 2013); Grace Period: A Memoir in Pieces (Blue Crow Books, 2017); the award-winning Sexism Ed: Essays on Gender and Labor in Academia (Blue Crow Books, 2018); and Final Girl: And Other Essays on Grief, Trauma, and Mental Illness (Blue Crow Books, 2019).
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Kelly J. Baker is the author of the award-winning <em>Gospel According to the Klan: The KKK’s Appeal to Protestant America, 1915-1930 </em>(University Press of Kansas, 2011); <em>The Zombies Are Coming!: The Realities of the Zombie Apocalypse in American Culture</em> (Bondfire Books, 2013);<em> Grace Period: A Memoir in Pieces </em>(Blue Crow Books, 2017); the award-winning <em>Sexism Ed: Essays on Gender and Labor in Academia </em>(Blue Crow Books, 2018); and <em>Final Girl: And Other Essays on Grief, Trauma, and Mental Illness</em> (Blue Crow Books, 2019).</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4315</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e927a6bd-1bdb-486e-acca-dfc87dc5152c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2045276125.mp3?updated=1645463224" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>M. I. Franklin, "Sampling Politics: Music and the Geocultural" (Oxford UP, 2021)</title>
      <description>Music sampling has become a predominantly digitalized practice. It was popularized with the rise of Rap and Hip-Hop, as well as ambient music scenes, but it has a history stretching back to the earliest days of sound recording and experimental music making from around the world. Digital tools and networks allow artists to sample music across national borders and from diverse cultural traditions with relative ease, prompting questions around not only fair use, copyright, and freedom of expression, but also cultural appropriation and "copywrongs." For example, non-commercial forms of sharing that are now commonplace on the web bring musicians and their audiences into closer contact with emerging regimes of commercial web-tracking and state-sponsored online surveillance. Moreover, when musicians actively engage in political or social causes through their music, they are liable to both commercial and state forces of control. Shifts back to corporate ownership and control of the global music business—online and offline—highlight competing claims for commercial and cultural ownership and control of sampled music from local communities, music labels, and artists.

Each case study is based on archival research, close listening, and musical analysis, alongside conversations and public reflections from artists such as David Byrne, Annirudha Das, Asian Dub Foundation, John Cage, Brian Eno, Sarah Jones, Gil Scott-Heron, Karlheinz Stockhausen, Dunya Yunis, and Sonia Mehta. 
Sampling Politics: Music and the Geocultural (Oxford UP, 2021) provides ways to listen and hear (again) how sampling practices and music making work, on its own terms and in context. In so doing, M.I. Franklin corrects some errors in the public record, addressing some longstanding misperceptions over the creative, legal, and cultural legacy of music sampling in some cases of rich, and complex practices that have also been called musical "borrowing," "cultural appropriation," or "theft." This book considers the musicalities and musicianship at stake in each case, as well as the respective creative practices and performance cultures underscoring the ethics of attribution and collaboration when sampling artists make music.
Marianne Franklin is Professor of Global Media and Politics at Goldsmiths, University of London
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 09 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>159</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with M. I. Franklin</itunes:subtitle>
      <itunes:summary>Music sampling has become a predominantly digitalized practice. It was popularized with the rise of Rap and Hip-Hop, as well as ambient music scenes, but it has a history stretching back to the earliest days of sound recording and experimental music making from around the world. Digital tools and networks allow artists to sample music across national borders and from diverse cultural traditions with relative ease, prompting questions around not only fair use, copyright, and freedom of expression, but also cultural appropriation and "copywrongs." For example, non-commercial forms of sharing that are now commonplace on the web bring musicians and their audiences into closer contact with emerging regimes of commercial web-tracking and state-sponsored online surveillance. Moreover, when musicians actively engage in political or social causes through their music, they are liable to both commercial and state forces of control. Shifts back to corporate ownership and control of the global music business—online and offline—highlight competing claims for commercial and cultural ownership and control of sampled music from local communities, music labels, and artists.

Each case study is based on archival research, close listening, and musical analysis, alongside conversations and public reflections from artists such as David Byrne, Annirudha Das, Asian Dub Foundation, John Cage, Brian Eno, Sarah Jones, Gil Scott-Heron, Karlheinz Stockhausen, Dunya Yunis, and Sonia Mehta. 
Sampling Politics: Music and the Geocultural (Oxford UP, 2021) provides ways to listen and hear (again) how sampling practices and music making work, on its own terms and in context. In so doing, M.I. Franklin corrects some errors in the public record, addressing some longstanding misperceptions over the creative, legal, and cultural legacy of music sampling in some cases of rich, and complex practices that have also been called musical "borrowing," "cultural appropriation," or "theft." This book considers the musicalities and musicianship at stake in each case, as well as the respective creative practices and performance cultures underscoring the ethics of attribution and collaboration when sampling artists make music.
Marianne Franklin is Professor of Global Media and Politics at Goldsmiths, University of London
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Music sampling has become a predominantly digitalized practice. It was popularized with the rise of Rap and Hip-Hop, as well as ambient music scenes, but it has a history stretching back to the earliest days of sound recording and experimental music making from around the world. Digital tools and networks allow artists to sample music across national borders and from diverse cultural traditions with relative ease, prompting questions around not only fair use, copyright, and freedom of expression, but also cultural appropriation and "copywrongs." For example, non-commercial forms of sharing that are now commonplace on the web bring musicians and their audiences into closer contact with emerging regimes of commercial web-tracking and state-sponsored online surveillance. Moreover, when musicians actively engage in political or social causes through their music, they are liable to both commercial and state forces of control. Shifts back to corporate ownership and control of the global music business—online and offline—highlight competing claims for commercial and cultural ownership and control of sampled music from local communities, music labels, and artists.</p><p><br></p><p>Each case study is based on archival research, close listening, and musical analysis, alongside conversations and public reflections from artists such as David Byrne, Annirudha Das, Asian Dub Foundation, John Cage, Brian Eno, Sarah Jones, Gil Scott-Heron, Karlheinz Stockhausen, Dunya Yunis, and Sonia Mehta. </p><p><a href="https://bookshop.org/a/12343/9780190855482"><em>Sampling Politics: Music and the Geocultural</em></a><em> </em>(Oxford UP, 2021) provides ways to listen and hear (again) how sampling practices and music making work, on its own terms and in context. In so doing, M.I. Franklin corrects some errors in the public record, addressing some longstanding misperceptions over the creative, legal, and cultural legacy of music sampling in some cases of rich, and complex practices that have also been called musical "borrowing," "cultural appropriation," or "theft." This book considers the musicalities and musicianship at stake in each case, as well as the respective creative practices and performance cultures underscoring the ethics of attribution and collaboration when sampling artists make music.</p><p><em>Marianne Franklin is Professor of Global Media and Politics at Goldsmiths, University of London</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3076</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN5409477443.mp3?updated=1659467210" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Grant Wiedenfeld, "Hollywood Sports Movies and the American Dream" (Oxford UP, 2022)</title>
      <description>Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition. 
Arranged chronologically, Hollywood Sports Movies and the American Dream (Oxford UP, 2022) tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial.
In this conversation with host Annie Berke, Dr. Grant Wiedenfeld explains his personal and familial connections to the book's subject matter, discusses why Hollywood sports films don't always have (or need) a "happy ending," and explains how the genre functions as a "civic screen" for the American public in the decades following the Vietnam War.
Grant Wiedenfeld earned a PhD from Yale University in Comparative Literature and Film &amp; Media Studies. He taught courses on sports and cinema in Yale's English Department and Film Studies Program before being hired at Sam Houston State University, where he is currently Associate Professor of Media and Culture. Previous publications include studies of Gustave Flaubert, D.W. Griffith, and André Bazin.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 08 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>127</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Grant Wiedenfeld</itunes:subtitle>
      <itunes:summary>Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition. 
Arranged chronologically, Hollywood Sports Movies and the American Dream (Oxford UP, 2022) tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial.
In this conversation with host Annie Berke, Dr. Grant Wiedenfeld explains his personal and familial connections to the book's subject matter, discusses why Hollywood sports films don't always have (or need) a "happy ending," and explains how the genre functions as a "civic screen" for the American public in the decades following the Vietnam War.
Grant Wiedenfeld earned a PhD from Yale University in Comparative Literature and Film &amp; Media Studies. He taught courses on sports and cinema in Yale's English Department and Film Studies Program before being hired at Sam Houston State University, where he is currently Associate Professor of Media and Culture. Previous publications include studies of Gustave Flaubert, D.W. Griffith, and André Bazin.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition. </p><p>Arranged chronologically, <a href="https://bookshop.org/a/12343/9780197624937"><em>Hollywood Sports Movies and the American Dream</em></a> (Oxford UP, 2022) tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial.</p><p>In this conversation with host Annie Berke, Dr. Grant Wiedenfeld explains his personal and familial connections to the book's subject matter, discusses why Hollywood sports films don't always have (or need) a "happy ending," and explains how the genre functions as a "civic screen" for the American public in the decades following the Vietnam War.</p><p>Grant Wiedenfeld earned a PhD from Yale University in Comparative Literature and Film &amp; Media Studies. He taught courses on sports and cinema in Yale's English Department and Film Studies Program before being hired at Sam Houston State University, where he is currently Associate Professor of Media and Culture. Previous publications include studies of Gustave Flaubert, D.W. Griffith, and André Bazin.</p><p><a href="http://www.annieberke.com/"><em>Annie Berke</em></a><em> is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4350</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5c0dee1a-126e-11ed-a1c5-df64cf1b1619]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6790849779.mp3?updated=1659450575" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tara Nurin, "A Woman's Place Is in the Brewhouse: A Forgotten History of Alewives, Brewsters, Witches, and CEOs" (Chicago Review Press, 2021)</title>
      <description>Tara Nurin explores women in all aspects of the brewing industry in A Women's Place is in the Brewhouse (Chicago Review Press, 2021). Women have brewed beer throughout most of human history. Their role as family and village brewer lasted for hundreds of thousands of years--through the earliest days of Mesopotamian civilization, the reign of Cleopatra, the witch trials of Medieval and Renaissance Europe, and the settling of colonial America. A Woman's Place Is in the Brewhouse celebrates the contributions and influence of female brewers and explores the forces that have erased them from the brewing world. It's a history that's simultaneously inspiring and demeaning. Wherever and whenever the cottage brewing industry has grown profitable, politics, religion, and capitalism have grown greedy. On a macro scale, men have repeatedly seized control and forced women out of the business. Other times, women have simply lost the minimal independence, respect, and economic power brewing brought them. But there are more breweries now than at any time in American history and today women serve as founder, CEO, or head brewer at more than one thousand of them. As women continue to work hard for equal treatment and recognition in the industry, author Tara Nurin shows readers that women have been--and are once again becoming--relevant in the brewing world. 
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 08 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>127</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tara Nurin</itunes:subtitle>
      <itunes:summary>Tara Nurin explores women in all aspects of the brewing industry in A Women's Place is in the Brewhouse (Chicago Review Press, 2021). Women have brewed beer throughout most of human history. Their role as family and village brewer lasted for hundreds of thousands of years--through the earliest days of Mesopotamian civilization, the reign of Cleopatra, the witch trials of Medieval and Renaissance Europe, and the settling of colonial America. A Woman's Place Is in the Brewhouse celebrates the contributions and influence of female brewers and explores the forces that have erased them from the brewing world. It's a history that's simultaneously inspiring and demeaning. Wherever and whenever the cottage brewing industry has grown profitable, politics, religion, and capitalism have grown greedy. On a macro scale, men have repeatedly seized control and forced women out of the business. Other times, women have simply lost the minimal independence, respect, and economic power brewing brought them. But there are more breweries now than at any time in American history and today women serve as founder, CEO, or head brewer at more than one thousand of them. As women continue to work hard for equal treatment and recognition in the industry, author Tara Nurin shows readers that women have been--and are once again becoming--relevant in the brewing world. 
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.eyesontheworld.us/">Tara Nurin</a> explores women in all aspects of the brewing industry in <a href="https://www.chicagoreviewpress.com/woman-s-place-is-in-the-brewhouse--a-products-9781641603423.php"><em>A Women's Place is in the Brewhouse</em></a> (Chicago Review Press, 2021)<em>. </em>Women have brewed beer throughout most of human history. Their role as family and village brewer lasted for hundreds of thousands of years--through the earliest days of Mesopotamian civilization, the reign of Cleopatra, the witch trials of Medieval and Renaissance Europe, and the settling of colonial America. <em>A Woman's Place Is in the Brewhouse</em> celebrates the contributions and influence of female brewers and explores the forces that have erased them from the brewing world. It's a history that's simultaneously inspiring and demeaning. Wherever and whenever the cottage brewing industry has grown profitable, politics, religion, and capitalism have grown greedy. On a macro scale, men have repeatedly seized control and forced women out of the business. Other times, women have simply lost the minimal independence, respect, and economic power brewing brought them. But there are more breweries now than at any time in American history and today women serve as founder, CEO, or head brewer at more than one thousand of them. As women continue to work hard for equal treatment and recognition in the industry, author Tara Nurin shows readers that women have been--and are once again becoming--relevant in the brewing world. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2796</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f724d94a-14f8-11ed-b6db-e7711bb8bebc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4137521222.mp3?updated=1659730298" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jason Stacy, "Spoon River America: Edgar Lee Masters and the Myth of the American Small Town" (U Illinois Press, 2021)</title>
      <description>A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters’s work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century.
A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.
Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of Walt Whitman's Multitudes: Labor Reform and Persona in Whitman’s Journalism and the First Leaves of Grass, 1840–1855 and editor of Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jason Stacy</itunes:subtitle>
      <itunes:summary>A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters’s work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century.
A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.
Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of Walt Whitman's Multitudes: Labor Reform and Persona in Whitman’s Journalism and the First Leaves of Grass, 1840–1855 and editor of Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A literary and cultural milestone, <em>Spoon River Anthology</em> captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, <a href="https://bookshop.org/a/12343/9780252085826"><em>Spoon River America: Edgar Lee Masters and the Myth of the American Small Town</em></a><em> </em>(U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters’s work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century.</p><p>A wide-ranging reconsideration of a literary landmark, <em>Spoon River America</em> tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.</p><p>Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of <em>Walt Whitman's Multitudes: Labor Reform and Persona in Whitman’s Journalism and the First Leaves of Grass, 1840–1855 </em>and editor of <em>Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition.</em></p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at </em><a href="https://fifteenminutefilm.podbean.com/"><em>https://fifteenminutefilm.podbean.com/</em></a><em> and on Twitter @15MinFilm.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3561</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1734126c-0f42-11ed-beda-6f46a8aa1add]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4994745251.mp3?updated=1659102821" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>86 Dana Stevens on Buster Keaton (JP EF)</title>
      <description>Dana Stevens joins Elizabeth and John to discuss Camera Man: Buster Keaton, the Dawn of Cinema and the Invention of the Twentieth Century. Her fantastic new book serves as occasion to revel in the work and working world of Buster Keaton, that "solemn, beautiful, perpetually airborne man."
Although packed with fascinating tidbits from Keaton's life, Camera Man is much more than just a biography. It performs its own airborne magic, lightly traversing topics like the crackdown on the use of children in vaudeville, the fluidity of roles before and behind the camera in early Hollywood and the doors that were briefly (ever so briefly) opened for female directors. Among other treats, Dana unpacks one of Keaton's early great "two-reelers" One Week ( a spoof of brisk upbeat industrial films) and his parodic "burlesques" e.g. of Lillian Gish.
People, Films, Books and Ideas in the conversation include:
Roscoe ("Fatty") Arbuckle: got Keaton his start in early films like Butcher Boy, reportedly filmed the day Keaton first stepped onto a set. He said "Buster lived inside the camera."
"Cinema of Attractions." a phrase coined by film historian Tom Gunning to describe the way the early years of cinema (1895 to 1913, more or less) achieved success by way of gags, stunts, special effects and other dazzling technological innovations--rather than plot or character development,.
John and Dana rave about Keaton's last great film (age 33!), The Cameraman (1928) and deprecate the later silents (with a silent caveat for the pancake scene Grand Slam Opera).
Mabel Normand: Arbuckle's longtime collaborator and briefly a rising director--Charlie Chaplin kneecapped her at a crucial moment in her career. Dana singles out for special praise Fatty and Mabel Adrift (1916) starring Luke, the first canine movie star.
Singing in the Rain as a MGM-friendly myth-making explanation for Clara Bow's eclipse (and the famous vocal failure moment: "I can't stand 'im")
Steamboat Bill Jr. ( 1928, Buster Keaton feature) "Keaton's most mature movie" says Dana.
Read the transcript here.
﻿Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 04 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dana Stevens</itunes:subtitle>
      <itunes:summary>Dana Stevens joins Elizabeth and John to discuss Camera Man: Buster Keaton, the Dawn of Cinema and the Invention of the Twentieth Century. Her fantastic new book serves as occasion to revel in the work and working world of Buster Keaton, that "solemn, beautiful, perpetually airborne man."
Although packed with fascinating tidbits from Keaton's life, Camera Man is much more than just a biography. It performs its own airborne magic, lightly traversing topics like the crackdown on the use of children in vaudeville, the fluidity of roles before and behind the camera in early Hollywood and the doors that were briefly (ever so briefly) opened for female directors. Among other treats, Dana unpacks one of Keaton's early great "two-reelers" One Week ( a spoof of brisk upbeat industrial films) and his parodic "burlesques" e.g. of Lillian Gish.
People, Films, Books and Ideas in the conversation include:
Roscoe ("Fatty") Arbuckle: got Keaton his start in early films like Butcher Boy, reportedly filmed the day Keaton first stepped onto a set. He said "Buster lived inside the camera."
"Cinema of Attractions." a phrase coined by film historian Tom Gunning to describe the way the early years of cinema (1895 to 1913, more or less) achieved success by way of gags, stunts, special effects and other dazzling technological innovations--rather than plot or character development,.
John and Dana rave about Keaton's last great film (age 33!), The Cameraman (1928) and deprecate the later silents (with a silent caveat for the pancake scene Grand Slam Opera).
Mabel Normand: Arbuckle's longtime collaborator and briefly a rising director--Charlie Chaplin kneecapped her at a crucial moment in her career. Dana singles out for special praise Fatty and Mabel Adrift (1916) starring Luke, the first canine movie star.
Singing in the Rain as a MGM-friendly myth-making explanation for Clara Bow's eclipse (and the famous vocal failure moment: "I can't stand 'im")
Steamboat Bill Jr. ( 1928, Buster Keaton feature) "Keaton's most mature movie" says Dana.
Read the transcript here.
﻿Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://slate.com/author/dana-stevens">Dana Stevens</a> joins Elizabeth and John to discuss <a href="https://www.simonandschuster.com/books/Camera-Man/Dana-Stevens/9781501134197"><em>Camera Man: Buster Keaton, the Dawn of Cinema and the Invention of the Twentieth Century</em></a>. Her fantastic new book serves as occasion to revel in the work and working world of Buster Keaton, that "solemn, beautiful, perpetually airborne man."</p><p>Although packed with fascinating tidbits from Keaton's life, <em>Camera Man</em> is much more than just a biography. It performs its own airborne magic, lightly traversing topics like the crackdown on the use of children in vaudeville, the fluidity of roles before and behind the camera in early Hollywood and the doors that were briefly (ever so briefly) opened for female directors. Among other treats, Dana unpacks one of Keaton's early great "two-reelers" <a href="https://en.wikipedia.org/wiki/One_Week_(1920_film)">One Week</a> ( a spoof of brisk upbeat industrial films) and his parodic "burlesques" e.g. of Lillian Gish.</p><p><strong>People, Films, Books and Ideas in the conversation include:</strong></p><p><a href="https://en.wikipedia.org/wiki/Roscoe_Arbuckle">Roscoe ("Fatty") Arbuckle</a>: got Keaton his start in early films like <a href="https://www.youtube.com/watch?v=9gpsZPe6Zl4">Butcher Boy</a>, reportedly filmed the day Keaton first stepped onto a set. He said "Buster lived inside the camera."</p><p>"Cinema of Attractions." a phrase coined by film historian Tom Gunning to describe the way the early years of cinema (1895 to 1913, more or less) achieved success by way of gags, stunts, special effects and other dazzling technological innovations--rather than plot or character development,.</p><p>John and Dana rave about Keaton's last great film (age 33!), <a href="https://en.wikipedia.org/wiki/The_Cameraman"><em>The Cameraman </em></a>(1928) and deprecate the later silents (with a silent caveat for the pancake scene <a href="https://www.youtube.com/watch?v=dvnYMx2Uiiw"><em>Grand Slam Opera</em></a><em>).</em></p><p><a href="https://en.wikipedia.org/wiki/Mabel_Normand">Mabel Norman</a>d: Arbuckle's longtime collaborator and briefly a rising director--Charlie Chaplin kneecapped her at a crucial moment in her career. Dana singles out for special praise <a href="https://www.youtube.com/watch?v=PXmnHWvrvKY">Fatty and Mabel Adrift</a> (1916) starring Luke, the first canine movie star.</p><p><a href="https://en.wikipedia.org/wiki/Singin%27_in_the_Rain">Singing in the Rain</a> as a MGM-friendly myth-making explanation for Clara Bow's eclipse (and the famous vocal failure moment: "<a href="https://www.youtube.com/watch?v=X5Jp-j2PeO8">I can't stand 'im</a>")</p><p><a href="https://www.youtube.com/watch?v=n9QPfiLuQ9c">Steamboat Bill Jr.</a> ( 1928, Buster Keaton feature) "Keaton's most mature movie" says Dana.</p><p>Read the transcript here.</p><p><em>﻿</em><a href="https://elizabeth-ferry.com/"><em>Elizabeth Ferry</em></a><em> is Professor of Anthropology at Brandeis University. Email: </em><a href="mailto:ferry@brandeis.edu"><em>ferry@brandeis.edu</em></a><em>. </em><a href="https://www.brandeis.edu/english/faculty/plotz.html"><em>John Plotz</em></a><em> is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the </em><a href="https://sites.google.com/brandeis.edu/brandeisjusticeinitiative/home"><em>Brandeis Educational Justice Initiative</em></a><em>. Email: </em><a href="mailto:plotz@brandeis.edu"><em>plotz@brandeis.edu</em></a><em><u>.</u></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2566</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0b9d8ad2-136b-11ed-a3bc-e73e704f1d73]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6144467269.mp3?updated=1659558595" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Charlie Jeffries, "Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars" (Rutgers UP, 2022)</title>
      <description>Utilizing a breadth of archival sources from activists, artists, and policymakers, Charlie Jeffries' Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars (Rutgers UP, 2022) examines the race- and class-inflected battles over adolescent women’s sexual and reproductive lives in the late twentieth and early twenty-first century United States. Charlie Jeffries finds that most adults in this period hesitated to advocate for adolescent sexual and reproductive rights, revealing a new culture war altogether--one between adults of various political stripes in the cultural mainstream who prioritized the desire to delay girlhood sexual experience at all costs, and adults who remained culturally underground in their support for teenagers’ access to frank sexual information, and who would dare to advocate for this in public. The book tells the story of how the latter group of adults fought alongside teenagers themselves, who constituted a large and increasingly visible part of this activism. The history of the debates over teenage sexual behavior reveals unexpected alliances in American political battles, and sheds new light on the resurgence of the right in the US in recent years.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 03 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Charlie Jeffries</itunes:subtitle>
      <itunes:summary>Utilizing a breadth of archival sources from activists, artists, and policymakers, Charlie Jeffries' Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars (Rutgers UP, 2022) examines the race- and class-inflected battles over adolescent women’s sexual and reproductive lives in the late twentieth and early twenty-first century United States. Charlie Jeffries finds that most adults in this period hesitated to advocate for adolescent sexual and reproductive rights, revealing a new culture war altogether--one between adults of various political stripes in the cultural mainstream who prioritized the desire to delay girlhood sexual experience at all costs, and adults who remained culturally underground in their support for teenagers’ access to frank sexual information, and who would dare to advocate for this in public. The book tells the story of how the latter group of adults fought alongside teenagers themselves, who constituted a large and increasingly visible part of this activism. The history of the debates over teenage sexual behavior reveals unexpected alliances in American political battles, and sheds new light on the resurgence of the right in the US in recent years.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Utilizing a breadth of archival sources from activists, artists, and policymakers, Charlie Jeffries' <a href="https://bookshop.org/a/12343/9781978806795"><em>Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars</em></a> (Rutgers UP, 2022) examines the race- and class-inflected battles over adolescent women’s sexual and reproductive lives in the late twentieth and early twenty-first century United States. Charlie Jeffries finds that most adults in this period hesitated to advocate for adolescent sexual and reproductive rights, revealing a new culture war altogether--one between adults of various political stripes in the cultural mainstream who prioritized the desire to delay girlhood sexual experience at all costs, and adults who remained culturally underground in their support for teenagers’ access to frank sexual information, and who would dare to advocate for this in public. The book tells the story of how the latter group of adults fought alongside teenagers themselves, who constituted a large and increasingly visible part of this activism. The history of the debates over teenage sexual behavior reveals unexpected alliances in American political battles, and sheds new light on the resurgence of the right in the US in recent years.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3670</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7f2a8d2a-0d25-11ed-a2d1-53431606392f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5206005889.mp3?updated=1658869842" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John M. Shaw, "Following the Drums: African American Fife and Drum Music in Tennessee" (UP of Mississippi, 2022)</title>
      <description>Following the Drums: African American Fife and Drum Music in Tennessee (University Press of Mississippi, 2022) is an epic history of a little-known African American instrumental music form. Carefully documenting the music's early uses for commercial advertising and sports promotion, John M. Shaw follows the strands of the music through the nadir of African American history during post-Reconstruction up to the form's rediscovery by musicologists and music researchers during the blues and folk revival of the late 1960s and early 1970s. Following the Drums is a journey through African American history and Tennessee history, with a fascinating form of music powering the story.
John M. Shaw is a musicologist, musician, writer, and blogger, currently pursuing a doctorate at the University of Memphis.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 01 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John M. Shaw</itunes:subtitle>
      <itunes:summary>Following the Drums: African American Fife and Drum Music in Tennessee (University Press of Mississippi, 2022) is an epic history of a little-known African American instrumental music form. Carefully documenting the music's early uses for commercial advertising and sports promotion, John M. Shaw follows the strands of the music through the nadir of African American history during post-Reconstruction up to the form's rediscovery by musicologists and music researchers during the blues and folk revival of the late 1960s and early 1970s. Following the Drums is a journey through African American history and Tennessee history, with a fascinating form of music powering the story.
John M. Shaw is a musicologist, musician, writer, and blogger, currently pursuing a doctorate at the University of Memphis.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781496839558"><em>Following the Drums:</em> <em>African</em> <em>American Fife and Drum Music in Tennessee</em></a><em> </em>(University Press of Mississippi, 2022) is an epic history of a little-known African American instrumental music form. Carefully documenting the music's early uses for commercial advertising and sports promotion, John M. Shaw follows the strands of the music through the nadir of African American history during post-Reconstruction up to the form's rediscovery by musicologists and music researchers during the blues and folk revival of the late 1960s and early 1970s. <em>Following the Drums</em> is a journey through African American history and Tennessee history, with a fascinating form of music powering the story.</p><p>John M. Shaw is a musicologist, musician, writer, and blogger, currently pursuing a doctorate at the University of Memphis.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2828</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c6eb3074-0d11-11ed-9457-eb8390c8ed16]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7269964625.mp3?updated=1658861135" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jin Feng, "Tasting Paradise on Earth: Jiangnan Foodways" (U Washington Press, 2019)</title>
      <description>Today I talked to Jin Feng of Grinnell College about her fascinating book Tasting Paradise on Earth: Jiangnan Foodways (U Washington Press, 2019).
Preparing and consuming food is an integral part of identity formation, which in contemporary China embodies tension between fast-forward modernization and cultural nostalgia. Jin Feng's wide-ranging exploration of cities in the Lower Yangzi Delta--or Jiangnan, a region known for its paradisiacal beauty and abundant resources--illustrates how people preserve culinary inheritance while also revamping it for the new millennium.
Throughout Chinese history, food nostalgia has generated cultural currency for individuals. Feng examines literary treatments of Jiangnan foodways from late imperial and twentieth-century China, highlighting the role played by gender and tracing the contemporary metamorphosis of this cultural landscape, with its new platforms for food culture, such as television and the internet. As communities in Jiangnan refashion their regional heritage, culinary arts shine as markers of ethnic and social distinction.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 01 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jin Feng</itunes:subtitle>
      <itunes:summary>Today I talked to Jin Feng of Grinnell College about her fascinating book Tasting Paradise on Earth: Jiangnan Foodways (U Washington Press, 2019).
Preparing and consuming food is an integral part of identity formation, which in contemporary China embodies tension between fast-forward modernization and cultural nostalgia. Jin Feng's wide-ranging exploration of cities in the Lower Yangzi Delta--or Jiangnan, a region known for its paradisiacal beauty and abundant resources--illustrates how people preserve culinary inheritance while also revamping it for the new millennium.
Throughout Chinese history, food nostalgia has generated cultural currency for individuals. Feng examines literary treatments of Jiangnan foodways from late imperial and twentieth-century China, highlighting the role played by gender and tracing the contemporary metamorphosis of this cultural landscape, with its new platforms for food culture, such as television and the internet. As communities in Jiangnan refashion their regional heritage, culinary arts shine as markers of ethnic and social distinction.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to <a href="https://www.grinnell.edu/user/fengjin">Jin Feng</a> of Grinnell College about her fascinating book <a href="https://bookshop.org/a/12343/9780295745992"><em>Tasting Paradise on Earth: Jiangnan Foodways</em></a> (U Washington Press, 2019).</p><p>Preparing and consuming food is an integral part of identity formation, which in contemporary China embodies tension between fast-forward modernization and cultural nostalgia. Jin Feng's wide-ranging exploration of cities in the Lower Yangzi Delta--or Jiangnan, a region known for its paradisiacal beauty and abundant resources--illustrates how people preserve culinary inheritance while also revamping it for the new millennium.</p><p>Throughout Chinese history, food nostalgia has generated cultural currency for individuals. Feng examines literary treatments of Jiangnan foodways from late imperial and twentieth-century China, highlighting the role played by gender and tracing the contemporary metamorphosis of this cultural landscape, with its new platforms for food culture, such as television and the internet. As communities in Jiangnan refashion their regional heritage, culinary arts shine as markers of ethnic and social distinction.</p><p><em>Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2461</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6ba15b74-11b9-11ed-861a-3b9e70c75dd5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5374241160.mp3?updated=1659372495" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Leah Kardos, "Blackstar Theory: The Last Works of David Bowie" (Bloomsbury, 2022)</title>
      <description>Blackstar Theory: The Last Works of David Bowie (Bloomsbury, 2022) takes a close look at David Bowie's ambitious last works: his surprise 'comeback' project The Next Day (2013), the off-Broadway musical Lazarus (2015) and the album that preceded the artist's death in 2016 by two days, Blackstar. The book explores the swirl of themes that orbit and entangle these projects from a starting point in musical analysis and features new interviews with key collaborators from the period: producer Tony Visconti, graphic designer Jonathan Barnbrook, musical director Henry Hey, saxophonist Donny McCaslin and assistant sound engineer Erin Tonkon.
These works tackle the biggest of ideas: identity, creativity, chaos, transience and immortality. They enact a process of individuation for the Bowie meta-persona and invite us to consider what happens when a star dies. In our universe, dying stars do not disappear - they transform into new stellar objects, remnants and gravitational forces. The radical potential of the Blackstar is demonstrated in the rock star supernova that creates a singularity resulting in cultural iconicity. It is how a man approaching his own death can create art that illuminates the immortal potential of all matter in the known universe.
Leah Kardos is a senior lecturer in music at Kingston University London, UK, where she co-founded the Visconti Studio with music producer Tony Visconti. She specializes in the areas of record production, pop aesthetics and criticism, and exploring interdisciplinary approaches to creative practice.
Leah Kardos on Twitter

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 01 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leah Kardos</itunes:subtitle>
      <itunes:summary>Blackstar Theory: The Last Works of David Bowie (Bloomsbury, 2022) takes a close look at David Bowie's ambitious last works: his surprise 'comeback' project The Next Day (2013), the off-Broadway musical Lazarus (2015) and the album that preceded the artist's death in 2016 by two days, Blackstar. The book explores the swirl of themes that orbit and entangle these projects from a starting point in musical analysis and features new interviews with key collaborators from the period: producer Tony Visconti, graphic designer Jonathan Barnbrook, musical director Henry Hey, saxophonist Donny McCaslin and assistant sound engineer Erin Tonkon.
These works tackle the biggest of ideas: identity, creativity, chaos, transience and immortality. They enact a process of individuation for the Bowie meta-persona and invite us to consider what happens when a star dies. In our universe, dying stars do not disappear - they transform into new stellar objects, remnants and gravitational forces. The radical potential of the Blackstar is demonstrated in the rock star supernova that creates a singularity resulting in cultural iconicity. It is how a man approaching his own death can create art that illuminates the immortal potential of all matter in the known universe.
Leah Kardos is a senior lecturer in music at Kingston University London, UK, where she co-founded the Visconti Studio with music producer Tony Visconti. She specializes in the areas of record production, pop aesthetics and criticism, and exploring interdisciplinary approaches to creative practice.
Leah Kardos on Twitter

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501365379"><em>Blackstar Theory: The Last Works of David Bowie</em></a> (Bloomsbury, 2022) takes a close look at David Bowie's ambitious last works: his surprise 'comeback' project The Next Day (2013), the off-Broadway musical Lazarus (2015) and the album that preceded the artist's death in 2016 by two days, Blackstar. The book explores the swirl of themes that orbit and entangle these projects from a starting point in musical analysis and features new interviews with key collaborators from the period: producer Tony Visconti, graphic designer Jonathan Barnbrook, musical director Henry Hey, saxophonist Donny McCaslin and assistant sound engineer Erin Tonkon.</p><p>These works tackle the biggest of ideas: identity, creativity, chaos, transience and immortality. They enact a process of individuation for the Bowie meta-persona and invite us to consider what happens when a star dies. In our universe, dying stars do not disappear - they transform into new stellar objects, remnants and gravitational forces. The radical potential of the Blackstar is demonstrated in the rock star supernova that creates a singularity resulting in cultural iconicity. It is how a man approaching his own death can create art that illuminates the immortal potential of all matter in the known universe.</p><p>Leah Kardos is a senior lecturer in music at Kingston University London, UK, where she co-founded the Visconti Studio with music producer Tony Visconti. She specializes in the areas of record production, pop aesthetics and criticism, and exploring interdisciplinary approaches to creative practice.</p><p><a href="https://twitter.com/LeahKardos">Leah Kardos</a> on Twitter</p><p><br></p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3361</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1a7e1274-0c4f-11ed-a200-27ef579b0924]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3563172283.mp3?updated=1658777448" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeff Hayton, "Culture from the Slums: Punk Rock in East and West Germany" (Oxford UP, 2022)</title>
      <description>Jeff Hayton's book Culture from the Slums: Punk Rock in East and West Germany (Oxford UP, 2022) is a cultural history of punk in Germany. The manuscript tracks “the advent and growth of punk in divided Germany during the 1970s and 1980s, and the social and political responses to the subculture” (23). These decades witnessed an explosion of alternative culture across divided Germany, and punk was a critical constituent of this movement. For young Germans at the time, punk appealed to those gravitating toward individual and cultural experimentation rooted in notions of authenticity—endeavors considered to be more “real” and “genuine.” Punk, however, was a foreign import and the way Germans in both East and West adapted it to their own local needs, and the divergent, yet surprisingly connected history of punk in both Germanies tell us much about German history and society in the 1980s. Culture from the Slums makes two broad claims. First, Hayton argues “punk was a medium for alternative living and a motor for social change.” (8) Much more than simply a waypoint on the narrative of progress that supposedly led from 1968 towards unification and beyond, it was an important social and musical movement. Second, through a comparative analysis of the subculture, Hayton argues that punk helps explain why West Germany flourished and why East Germany collapsed.
Punk by the 1980s ceased to function as an instrument of difference in the west as it entered the mainstream, but the DDR never was able to control punk. Hayton examines the roles which punk played in German politics, society, and culture, and how German contexts transformed punk. Put differently: this study is about punk in Germany, and Germany in punk” (9) Culture from the Slums suggests that the ideas, practices, and communities which came out of Punk transformed both German societies along more diverse and ultimately democratic lines. The book is an important contribution to the growing scholarship of punk, which so far has been overwhelmingly focused on Anglo-American developments. Using a wealth of previously untapped archival documentation, the book integrates punk culture and music subculture into broader narratives of postwar inquiry and explains how punk rock shaped a divided Germany in the 1970s and 1980s.
﻿Ran Zwigenberg is an associate professor at Pennsylvania State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 28 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1239</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeff Hayton</itunes:subtitle>
      <itunes:summary>Jeff Hayton's book Culture from the Slums: Punk Rock in East and West Germany (Oxford UP, 2022) is a cultural history of punk in Germany. The manuscript tracks “the advent and growth of punk in divided Germany during the 1970s and 1980s, and the social and political responses to the subculture” (23). These decades witnessed an explosion of alternative culture across divided Germany, and punk was a critical constituent of this movement. For young Germans at the time, punk appealed to those gravitating toward individual and cultural experimentation rooted in notions of authenticity—endeavors considered to be more “real” and “genuine.” Punk, however, was a foreign import and the way Germans in both East and West adapted it to their own local needs, and the divergent, yet surprisingly connected history of punk in both Germanies tell us much about German history and society in the 1980s. Culture from the Slums makes two broad claims. First, Hayton argues “punk was a medium for alternative living and a motor for social change.” (8) Much more than simply a waypoint on the narrative of progress that supposedly led from 1968 towards unification and beyond, it was an important social and musical movement. Second, through a comparative analysis of the subculture, Hayton argues that punk helps explain why West Germany flourished and why East Germany collapsed.
Punk by the 1980s ceased to function as an instrument of difference in the west as it entered the mainstream, but the DDR never was able to control punk. Hayton examines the roles which punk played in German politics, society, and culture, and how German contexts transformed punk. Put differently: this study is about punk in Germany, and Germany in punk” (9) Culture from the Slums suggests that the ideas, practices, and communities which came out of Punk transformed both German societies along more diverse and ultimately democratic lines. The book is an important contribution to the growing scholarship of punk, which so far has been overwhelmingly focused on Anglo-American developments. Using a wealth of previously untapped archival documentation, the book integrates punk culture and music subculture into broader narratives of postwar inquiry and explains how punk rock shaped a divided Germany in the 1970s and 1980s.
﻿Ran Zwigenberg is an associate professor at Pennsylvania State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jeff Hayton's book<em> </em><a href="https://bookshop.org/a/12343/9780198866183"><em>Culture from the Slums: Punk Rock in East and West Germany</em></a> (Oxford UP, 2022) is a cultural history of punk in Germany. The manuscript tracks “the advent and growth of punk in divided Germany during the 1970s and 1980s, and the social and political responses to the subculture” (23). These decades witnessed an explosion of alternative culture across divided Germany, and punk was a critical constituent of this movement. For young Germans at the time, punk appealed to those gravitating toward individual and cultural experimentation rooted in notions of authenticity—endeavors considered to be more “real” and “genuine.” Punk, however, was a foreign import and the way Germans in both East and West adapted it to their own local needs, and the divergent, yet surprisingly connected history of punk in both Germanies tell us much about German history and society in the 1980s. <em>Culture from the Slums </em>makes two broad claims. First, Hayton argues “punk was a medium for alternative living and a motor for social change.” (8) Much more than simply a waypoint on the narrative of progress that supposedly led from 1968 towards unification and beyond, it was an important social and musical movement. Second, through a comparative analysis of the subculture, Hayton argues that punk helps explain why West Germany flourished and why East Germany collapsed.</p><p>Punk by the 1980s ceased to function as an instrument of difference in the west as it entered the mainstream, but the DDR never was able to control punk. Hayton examines the roles which punk played in German politics, society, and culture, and how German contexts transformed punk. Put differently: this study is about punk in Germany, and Germany in punk” (9) Culture from the Slums suggests that the ideas, practices, and communities which came out of Punk transformed both German societies along more diverse and ultimately democratic lines. The book is an important contribution to the growing scholarship of punk, which so far has been overwhelmingly focused on Anglo-American developments. Using a wealth of previously untapped archival documentation, the book integrates punk culture and music subculture into broader narratives of postwar inquiry and explains how punk rock shaped a divided Germany in the 1970s and 1980s.</p><p><em>﻿</em><a href="https://sites.psu.edu/zwigenberg/"><em>Ran Zwigenberg</em></a><em> is an associate professor at Pennsylvania State University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3963</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8528b248-09b9-11ed-ae45-afe201c6c5fd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4408882448.mp3?updated=1658493263" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hanan Hammad, "Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt" (Stanford UP, 2022)</title>
      <description>Layla Murad (1918-1995) was once the highest-paid star in Egypt, and her movies were among the top-grossing in the box office. She starred in 28 films, nearly all now classics in Arab musical cinema. In 1955 she was forced to stop acting—and struggled for decades for a comeback. Today, even decades after her death, public interest in her life continues, and new generations of Egyptians still love her work. Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt (Stanford UP, 2022) recounts Murad's extraordinary life—and the rapid political and sociocultural changes she witnessed.
Hanan Hammad writes a story centered on Layla Murad's persona and legacy, and broadly framed around a gendered history of twentieth-century Egypt. Murad was a Jew who converted to Islam in the shadow of the first Arab-Israeli war. Her career blossomed under the Egyptian monarchy and later gave a singing voice to the Free Officers and the 1952 Revolution. The definitive end of her cinematic career came under Nasser on the eve of the 1956 Suez War.
Egyptians have long told their national story through interpretations of Murad's life, intertwining the individual and Egyptian state and society to better understand Egyptian identity. As Unknown Past recounts, there's no life better than Murad's to reflect the tumultuous changes experienced over the dramatic decades of the mid-twentieth century.
Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter: @robbyref
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 27 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>183</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hanan Hammad</itunes:subtitle>
      <itunes:summary>Layla Murad (1918-1995) was once the highest-paid star in Egypt, and her movies were among the top-grossing in the box office. She starred in 28 films, nearly all now classics in Arab musical cinema. In 1955 she was forced to stop acting—and struggled for decades for a comeback. Today, even decades after her death, public interest in her life continues, and new generations of Egyptians still love her work. Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt (Stanford UP, 2022) recounts Murad's extraordinary life—and the rapid political and sociocultural changes she witnessed.
Hanan Hammad writes a story centered on Layla Murad's persona and legacy, and broadly framed around a gendered history of twentieth-century Egypt. Murad was a Jew who converted to Islam in the shadow of the first Arab-Israeli war. Her career blossomed under the Egyptian monarchy and later gave a singing voice to the Free Officers and the 1952 Revolution. The definitive end of her cinematic career came under Nasser on the eve of the 1956 Suez War.
Egyptians have long told their national story through interpretations of Murad's life, intertwining the individual and Egyptian state and society to better understand Egyptian identity. As Unknown Past recounts, there's no life better than Murad's to reflect the tumultuous changes experienced over the dramatic decades of the mid-twentieth century.
Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter: @robbyref
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Layla Murad (1918-1995) was once the highest-paid star in Egypt, and her movies were among the top-grossing in the box office. She starred in 28 films, nearly all now classics in Arab musical cinema. In 1955 she was forced to stop acting—and struggled for decades for a comeback. Today, even decades after her death, public interest in her life continues, and new generations of Egyptians still love her work. <a href="https://bookshop.org/a/12343/9781503629424"><em>Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt</em></a> (Stanford UP, 2022) recounts Murad's extraordinary life—and the rapid political and sociocultural changes she witnessed.</p><p>Hanan Hammad writes a story centered on Layla Murad's persona and legacy, and broadly framed around a gendered history of twentieth-century Egypt. Murad was a Jew who converted to Islam in the shadow of the first Arab-Israeli war. Her career blossomed under the Egyptian monarchy and later gave a singing voice to the Free Officers and the 1952 Revolution. The definitive end of her cinematic career came under Nasser on the eve of the 1956 Suez War.</p><p>Egyptians have long told their national story through interpretations of Murad's life, intertwining the individual and Egyptian state and society to better understand Egyptian identity. As Unknown Past recounts, there's no life better than Murad's to reflect the tumultuous changes experienced over the dramatic decades of the mid-twentieth century.</p><p><a href="https://www.linkedin.com/in/dr-roberto-mazza/"><em>Roberto Mazza</em></a><em> is visiting professor at Northwestern University. He is the host of the </em><a href="https://shows.acast.com/jerusalemunplugged"><em>Jerusalem Unplugged Podcast</em></a><em> and to discuss and propose a book for interview can be reached at </em><a href="mailto:robbymazza@gmail.com"><em>robbymazza@gmail.com</em></a><em>. Twitter: @robbyref</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5004</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c23824e8-0ab3-11ed-ae87-1f411322e562]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2265708056.mp3?updated=1658939209" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Felix Schniz, "Genre and Video Game: Introducing an Impossible Taxonomy" (Springer, 2021)</title>
      <description>Felix Schniz's book Genre and Video Game: Introducing an Impossible Taxonomy (Genre und Videospiel: Einführung in eine unmögliche Taxonomie) explains video game genres as multidimensional and deeply mutable concepts enacted by the interplay of three dimensions: In addition to the hybrid approaches of genre theory, fiction genre and game genre, there are also social components that shape the gaming experience.
Working with video games (and working with their genres) turns out to be working with an objet ambigu: an intangible object of art whose potential is revealed and developed, again and again, in the process of interacting with the user.
Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 26 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Felix Schniz</itunes:subtitle>
      <itunes:summary>Felix Schniz's book Genre and Video Game: Introducing an Impossible Taxonomy (Genre und Videospiel: Einführung in eine unmögliche Taxonomie) explains video game genres as multidimensional and deeply mutable concepts enacted by the interplay of three dimensions: In addition to the hybrid approaches of genre theory, fiction genre and game genre, there are also social components that shape the gaming experience.
Working with video games (and working with their genres) turns out to be working with an objet ambigu: an intangible object of art whose potential is revealed and developed, again and again, in the process of interacting with the user.
Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Felix Schniz's book <em>Genre and Video Game: Introducing an Impossible Taxonomy</em> (<a href="https://bookshop.org/a/12343/9783658272432">Genre und Videospiel: Einführung in eine unmögliche Taxonomie</a>) explains video game genres as multidimensional and deeply mutable concepts enacted by the interplay of three dimensions: In addition to the hybrid approaches of genre theory, fiction genre and game genre, there are also social components that shape the gaming experience.</p><p>Working with video games (and working with their genres) turns out to be working with an objet ambigu: an intangible object of art whose potential is revealed and developed, again and again, in the process of interacting with the user.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design at the IU International University of Applied Science.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4945</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN2966357549.mp3?updated=1658260059" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ryan Uytdewilligen, "Killing John Wayne: The Making of the Conqueror" (Lyons Press, 2021)</title>
      <description>Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! 
Killing John Wayne (Lyons Press, 2021) is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.
Ryan Uytdewilligen attended Lethbridge College in Alberta and earned a degree in Broadcast Journalism, leading to work in radio anchoring, reporting, and media coordinating for the prestigious Vancouver International Film Festival. After writing-producing his first short film, Tea Time (2014), he optioned two feature film scripts and has worked as a script doctor/writer for hire. In 2016, he published his first non-fiction work, a film history examination called 101 Most Influential Coming of Age Movies. Ryan currently resides in Vancouver, British Columbia. He would like to express his sympathy to everyone who lost a loved one that worked on The Conqueror.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ryan Uytdewilligen</itunes:subtitle>
      <itunes:summary>Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! 
Killing John Wayne (Lyons Press, 2021) is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.
Ryan Uytdewilligen attended Lethbridge College in Alberta and earned a degree in Broadcast Journalism, leading to work in radio anchoring, reporting, and media coordinating for the prestigious Vancouver International Film Festival. After writing-producing his first short film, Tea Time (2014), he optioned two feature film scripts and has worked as a script doctor/writer for hire. In 2016, he published his first non-fiction work, a film history examination called 101 Most Influential Coming of Age Movies. Ryan currently resides in Vancouver, British Columbia. He would like to express his sympathy to everyone who lost a loved one that worked on The Conqueror.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! </p><p><a href="https://bookshop.org/a/12343/9781493058471"><em>Killing John Wayne</em></a><em> </em>(Lyons Press, 2021) is the true story of <em>The Conqueror</em> (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of <em>The Conqueror</em>, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.</p><p>Ryan Uytdewilligen attended Lethbridge College in Alberta and earned a degree in Broadcast Journalism, leading to work in radio anchoring, reporting, and media coordinating for the prestigious Vancouver International Film Festival. After writing-producing his first short film, <em>Tea Time</em> (2014), he optioned two feature film scripts and has worked as a script doctor/writer for hire. In 2016, he published his first non-fiction work, a film history examination called <em>101 Most Influential Coming of Age Movies. </em>Ryan currently resides in Vancouver, British Columbia. He would like to express his sympathy to everyone who lost a loved one that worked on <em>The Conqueror.</em></p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast </em><a href="https://fifteenminutefilm.podbean.com/"><em>Fifteen-Minute Film Fanatics</em></a><em> (Twitter @15MinFilm).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1970</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c859a43e-02b4-11ed-b84d-07f6af28e578]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2278446443.mp3?updated=1657721351" length="0" type="audio/mpeg"/>
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    <item>
      <title>Katharine A. Burnett and Monica Carol Miller, "The Tacky South" (LSU Press, 2022)</title>
      <description>As a way to comment on a person’s style or taste, the word “tacky” has distinctly southern origins, with its roots tracing back to the so-called “tackies” who tacked horses on South Carolina farms prior to the Civil War. The Tacky South (LSU Press, 2022) presents eighteen fun, insightful essays that examine connections between tackiness and the American South, ranging from nineteenth-century local color fiction and the television series Murder, She Wrote to red velvet cake and the ubiquitous influence of Dolly Parton. Charting the gender, race, and class constructions at work in regional aesthetics, The Tacky South explores what shifting notions of "tackiness" reveal about US culture as a whole and the role that region plays in addressing national and global issues of culture and identity.
Editors Katharine Burnett and Monica Carol Miller have created a Spotify playlist celebrating tackiness. Follow them on Twitter @thetackysouth or visit their website.
﻿Carrie Helms Tippen is Associate Professor of English and Assistant Dean of the School of Arts, Science, and Business at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katharine A. Burnett and Monica Carol Miller</itunes:subtitle>
      <itunes:summary>As a way to comment on a person’s style or taste, the word “tacky” has distinctly southern origins, with its roots tracing back to the so-called “tackies” who tacked horses on South Carolina farms prior to the Civil War. The Tacky South (LSU Press, 2022) presents eighteen fun, insightful essays that examine connections between tackiness and the American South, ranging from nineteenth-century local color fiction and the television series Murder, She Wrote to red velvet cake and the ubiquitous influence of Dolly Parton. Charting the gender, race, and class constructions at work in regional aesthetics, The Tacky South explores what shifting notions of "tackiness" reveal about US culture as a whole and the role that region plays in addressing national and global issues of culture and identity.
Editors Katharine Burnett and Monica Carol Miller have created a Spotify playlist celebrating tackiness. Follow them on Twitter @thetackysouth or visit their website.
﻿Carrie Helms Tippen is Associate Professor of English and Assistant Dean of the School of Arts, Science, and Business at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As a way to comment on a person’s style or taste, the word “tacky” has distinctly southern origins, with its roots tracing back to the so-called “tackies” who tacked horses on South Carolina farms prior to the Civil War. The Tacky South (LSU Press, 2022) presents eighteen fun, insightful essays that examine connections between tackiness and the American South, ranging from nineteenth-century local color fiction and the television series <em>Murder, She Wrote </em>to red velvet cake and the ubiquitous influence of Dolly Parton. Charting the gender, race, and class constructions at work in regional aesthetics, <em>The Tacky South </em>explores what shifting notions of "tackiness" reveal about US culture as a whole and the role that region plays in addressing national and global issues of culture and identity.</p><p>Editors Katharine Burnett and Monica Carol Miller have created a <a href="https://open.spotify.com/playlist/6xrIw05OD4Ja1iTQrvBUYW?si=b74189d73c4c4e2a">Spotify playlist</a> celebrating tackiness. Follow them on Twitter @thetackysouth or visit their <a href="https://www.thetackysouth.com/">website</a>.</p><p><em>﻿</em><a href="https://carrietippen.com/"><em>Carrie Helms Tippen</em></a><em> is Associate Professor of English and Assistant Dean of the School of Arts, Science, and Business at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[37d2bd24-0147-11ed-bcb2-975f0adb3b44]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3001762450.mp3?updated=1657564637" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Donald Trump Loves Wrestlemania</title>
      <description>Darts and Letters is a show about the politics of ideas, and this week we’re searching for progressive politics in strange places… such as pro-wrestling.
There have been 37 Wrestlemanias. That’s a lot of wrestling. And a lot of entertainment for the millions of people who enjoy watching wrestling, including our host, Gordon Katic. Maybe you’re a fan, maybe not. Fans and non-fans alike have often dismissed wrestling as frivolous. But there’s more to wrestling than meets the tombstone piledriver. Pro wrestling is like a Rosetta Stone for our politics; It brought us one President, and a recent poll suggests it might give us another. On this episode, we jump from the top rope into the wild, layered, complex world of pro wrestling and the folks who love it.
This is part of the week’s theme of “ideas in strange places”. Darts and Letters is doing a different theme each week until we launch the new season on September 18.

First (@10:46), Steve and Larson are the hosts of Going in Raw: A Pro Wrestling Podcast. They break down the history of Vince McMahon as a boss, character, and more — including what happens when the lines between the two become blurred inside and outside of the ring. PLUS: the full unedited interview is available on our Patreon. Subscribe today.

Next (@37:15), Brian Jansen is a lecturer in the Department of English at the University of Maine who writes on professional wrestling and labour. Wrestlers are workers, and as workers, face challenges shared by other workers — and some unique to their profession. And their fans, it turns out, are more progressive than you might think.

Then (@53:06), the Spider Baby, Terrance Griep, is the world’s first openly gay wrestler. He wrestles in the Midwest Independent Wrestling Scene. He takes us into the world of wrestling, the building and presentation of a character, the immersive theatricality that is part of the experience for both wrestlers and their fans, and the “civil war” between the profession’s old and new guard.

Finally (@1:09:30), Heather Levi is an anthropologist at Temple University who wrote her dissertation on lucha libre in Mexico. She even trained in lucha libre. She explores the fascinating world of a sport that is closely bound up with the country in which it thrives and finds a way of making meaning that brings together writers, wrestlers, and the public.


—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email darts@citedmedia.ca or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, This episode’s assistant producer is Polly Leger, and our managing producer is Marc Apollonio. The research coordinator was David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>American Politics and Pro Wrestling</itunes:subtitle>
      <itunes:summary>Darts and Letters is a show about the politics of ideas, and this week we’re searching for progressive politics in strange places… such as pro-wrestling.
There have been 37 Wrestlemanias. That’s a lot of wrestling. And a lot of entertainment for the millions of people who enjoy watching wrestling, including our host, Gordon Katic. Maybe you’re a fan, maybe not. Fans and non-fans alike have often dismissed wrestling as frivolous. But there’s more to wrestling than meets the tombstone piledriver. Pro wrestling is like a Rosetta Stone for our politics; It brought us one President, and a recent poll suggests it might give us another. On this episode, we jump from the top rope into the wild, layered, complex world of pro wrestling and the folks who love it.
This is part of the week’s theme of “ideas in strange places”. Darts and Letters is doing a different theme each week until we launch the new season on September 18.

First (@10:46), Steve and Larson are the hosts of Going in Raw: A Pro Wrestling Podcast. They break down the history of Vince McMahon as a boss, character, and more — including what happens when the lines between the two become blurred inside and outside of the ring. PLUS: the full unedited interview is available on our Patreon. Subscribe today.

Next (@37:15), Brian Jansen is a lecturer in the Department of English at the University of Maine who writes on professional wrestling and labour. Wrestlers are workers, and as workers, face challenges shared by other workers — and some unique to their profession. And their fans, it turns out, are more progressive than you might think.

Then (@53:06), the Spider Baby, Terrance Griep, is the world’s first openly gay wrestler. He wrestles in the Midwest Independent Wrestling Scene. He takes us into the world of wrestling, the building and presentation of a character, the immersive theatricality that is part of the experience for both wrestlers and their fans, and the “civil war” between the profession’s old and new guard.

Finally (@1:09:30), Heather Levi is an anthropologist at Temple University who wrote her dissertation on lucha libre in Mexico. She even trained in lucha libre. She explores the fascinating world of a sport that is closely bound up with the country in which it thrives and finds a way of making meaning that brings together writers, wrestlers, and the public.


—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email darts@citedmedia.ca or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, This episode’s assistant producer is Polly Leger, and our managing producer is Marc Apollonio. The research coordinator was David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Darts and Letters is a show about the politics of ideas, and this week we’re searching for progressive politics in strange places… such as pro-wrestling.</p><p>There have been 37 Wrestlemanias. That’s a lot of wrestling. And a lot of entertainment for the millions of people who enjoy watching wrestling, including our host, Gordon Katic. Maybe you’re a fan, maybe not. Fans and non-fans alike have often dismissed wrestling as frivolous. But there’s more to wrestling than meets the tombstone piledriver. Pro wrestling is like a Rosetta Stone for our politics; It brought us <a href="https://www.chicagotribune.com/resizer/TGVq0rnRyr5cWBkbpGFPSk5L3X4=/800x498/top/arc-anglerfish-arc2-prod-tronc.s3.amazonaws.com/public/B3M7OJWZVVBHXGIOD5Q6SX6WMI.jpg">one President</a>, and a <a href="https://nationalpost.com/entertainment/celebrity/dwayne-the-rock-johnson-says-he-will-run-for-u-s-president-if-people-really-want-him-too">recent poll</a> suggests it might give us another. On this episode, we jump from the top rope into the wild, layered, complex world of pro wrestling and the folks who love it.</p><p>This is part of the week’s theme of “ideas in strange places”. Darts and Letters is doing a different theme each week until we launch the new season on September 18.</p><ul>
<li>First (@10:46), <a href="https://twitter.com/REALGoingInRaw">Steve and Larson</a> are the hosts of <a href="https://www.youtube.com/channel/UCboC0dVYRnP_RYLuHYhfNlA">Going in Raw: A Pro Wrestling Podcast</a>. They break down the history of Vince McMahon as a boss, character, and more — including what happens when the lines between the two become blurred inside and outside of the ring. PLUS: the full unedited interview is <a href="https://www.patreon.com/posts/50150724">available on our Patreon</a>. Subscribe today.</li>
<li>Next (@37:15), <a href="https://twitter.com/bdjansenphd?lang=en">Brian Jansen</a> is a lecturer in the Department of English at the University of Maine who writes on professional wrestling and labour. Wrestlers are workers, and as workers, face challenges shared by other workers — and some unique to their profession. And their fans, it turns out, are more progressive than you might think.</li>
<li>Then (@53:06), <a href="https://twitter.com/thespiderbaby?lang=en">the Spider Baby</a>, Terrance Griep, is the world’s first openly gay wrestler. He wrestles in the Midwest Independent Wrestling Scene. He takes us into the world of wrestling, the building and presentation of a character, the immersive theatricality that is part of the experience for both wrestlers and their fans, and the “civil war” between the profession’s old and new guard.</li>
<li>Finally (@1:09:30), <a href="https://liberalarts.temple.edu/academics/faculty/levi-heather">Heather Levi</a> is an anthropologist at Temple University who wrote her dissertation on lucha libre in Mexico. She even trained in lucha libre. She explores the fascinating world of a sport that is closely bound up with the country in which it thrives and finds a way of making meaning that brings together writers, wrestlers, and the public.</li>
</ul><p><br></p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>—————————-CONTACT US————————-</p><p>To stay up to date, follow us on <a href="https://twitter.com/dartsandletters">Twitter</a> and <a href="https://www.facebook.com/dartsandletters">Facebook</a>. If you’d like to write to us, email <u>darts@citedmedia.ca</u> or tweet <a href="https://twitter.com/gordonkatic?lang=en">Gordon</a> directly.</p><p>—————————-CREDITS—————————-</p><p>Darts and Letters is hosted and edited by<a href="https://twitter.com/gordonkatic?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor"> Gordon Katic</a>. Our lead producer is<a href="https://twitter.com/JayCockburn?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor"> Jay Cockburn</a>, This episode’s assistant producer is <a href="https://twitter.com/pollyleger?lang=en">Polly Leger</a>, and our managing producer is<a href="https://twitter.com/marcapollonio?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor"> Marc Apollonio</a>. The research coordinator was <a href="https://twitter.com/david_moscrop?lang=en">David Moscrop</a>. Our theme song was created by<a href="http://mikebarber.ca/"> Mike Barber</a>. Our graphic design was created by<a href="https://www.dakotakoop.com/"> Dakota Koop</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5205</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[35999eb6-05ce-11ed-8cb0-bbaa4c626a32]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3102318451.mp3?updated=1658060259" length="0" type="audio/mpeg"/>
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    <item>
      <title>Caryn Rose, "Why Patti Smith Matters" (U of Texas Press, 2022)</title>
      <description>Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe.
Why Patti Smith Matters (University of Texas Press, 2022) is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions.
Caryn Rose can be found on Twitter and you can read her work in her newsletter. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Caryn Rose</itunes:subtitle>
      <itunes:summary>Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe.
Why Patti Smith Matters (University of Texas Press, 2022) is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions.
Caryn Rose can be found on Twitter and you can read her work in her newsletter. 
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe.</p><p><a href="https://bookshop.org/a/12343/9781477320112"><em>Why Patti Smith Matters</em></a> (University of Texas Press, 2022) is the first book about the iconic artist written by a woman. The veteran music journalist <a href="https://www.carynrose.com/">Caryn Rose </a>contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, <em>Horses</em>, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, <em>Why Patti Smith Matters</em> rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions.</p><p>Caryn Rose can be found on <a href="https://twitter.com/carynrose">Twitter</a> and you can read her work in her <a href="https://jukeboxgraduate.letterdrop.com/">newsletter</a>. </p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3431</itunes:duration>
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    <item>
      <title>Scott Meslow, "From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy" (Day Street, 2022)</title>
      <description>An in-depth celebration of the romantic comedy's modern golden era and its role in our culture, tracking the genre from its heyday in the '80s and the '90s, its unfortunate decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre. 
No Hollywood genre has been more misunderstood--or more unfairly under-appreciated--than the romantic comedy. Funny, charming, and reliably crowd-pleasing, rom-coms were the essential backbone of the Hollywood landscape, launching the careers of many of Hollywood's most talented actors and filmmakers, such as Julia Roberts and Matthew McConaughey, and providing many of the yet limited creative opportunities women had in Hollywood. But despite--or perhaps because of--all that, the rom-com has routinely been overlooked by the Academy Awards or snobbishly dismissed by critics. 
In From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy (Day Street, 2022), culture writer and GQ contributor Scott Meslow seeks to right this wrong, celebrating and analyzing rom-coms with the appreciative, insightful critical lens they've always deserved. Beginning with the golden era of the romantic comedy--spanning from the late '80s to the mid-'00s with the breakthrough of films such as When Harry Met Sally--to the rise of streaming and the long-overdue push for diversity setting the course for films such as the groundbreaking, franchise-spawning Crazy Rich Asians, Meslow examines the evolution of the genre through its many iterations, from its establishment of new tropes, the Austen and Shakespeare rewrites, the many love triangles, and even the occasional brave decision to do away with the happily ever after. Featuring original black-and-white sketches of iconic movie scenes and exclusive interviews with the actors and filmmakers behind our most beloved rom-coms, From Hollywood with Love constructs oral histories of our most celebrated romantic comedies, for an informed and entertaining look at Hollywood's beloved yet most under-appreciated genre.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Meslow</itunes:subtitle>
      <itunes:summary>An in-depth celebration of the romantic comedy's modern golden era and its role in our culture, tracking the genre from its heyday in the '80s and the '90s, its unfortunate decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre. 
No Hollywood genre has been more misunderstood--or more unfairly under-appreciated--than the romantic comedy. Funny, charming, and reliably crowd-pleasing, rom-coms were the essential backbone of the Hollywood landscape, launching the careers of many of Hollywood's most talented actors and filmmakers, such as Julia Roberts and Matthew McConaughey, and providing many of the yet limited creative opportunities women had in Hollywood. But despite--or perhaps because of--all that, the rom-com has routinely been overlooked by the Academy Awards or snobbishly dismissed by critics. 
In From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy (Day Street, 2022), culture writer and GQ contributor Scott Meslow seeks to right this wrong, celebrating and analyzing rom-coms with the appreciative, insightful critical lens they've always deserved. Beginning with the golden era of the romantic comedy--spanning from the late '80s to the mid-'00s with the breakthrough of films such as When Harry Met Sally--to the rise of streaming and the long-overdue push for diversity setting the course for films such as the groundbreaking, franchise-spawning Crazy Rich Asians, Meslow examines the evolution of the genre through its many iterations, from its establishment of new tropes, the Austen and Shakespeare rewrites, the many love triangles, and even the occasional brave decision to do away with the happily ever after. Featuring original black-and-white sketches of iconic movie scenes and exclusive interviews with the actors and filmmakers behind our most beloved rom-coms, From Hollywood with Love constructs oral histories of our most celebrated romantic comedies, for an informed and entertaining look at Hollywood's beloved yet most under-appreciated genre.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An in-depth celebration of the romantic comedy's modern golden era and its role in our culture, tracking the genre from its heyday in the '80s and the '90s, its unfortunate decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre. </p><p>No Hollywood genre has been more misunderstood--or more unfairly under-appreciated--than the romantic comedy. Funny, charming, and reliably crowd-pleasing, rom-coms were the essential backbone of the Hollywood landscape, launching the careers of many of Hollywood's most talented actors and filmmakers, such as Julia Roberts and Matthew McConaughey, and providing many of the yet limited creative opportunities women had in Hollywood. But despite--or perhaps because of--all that, the rom-com has routinely been overlooked by the Academy Awards or snobbishly dismissed by critics. </p><p>In <a href="https://bookshop.org/a/12343/9780063026292"><em>From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy</em></a> (Day Street, 2022), culture writer and GQ contributor Scott Meslow seeks to right this wrong, celebrating and analyzing rom-coms with the appreciative, insightful critical lens they've always deserved. Beginning with the golden era of the romantic comedy--spanning from the late '80s to the mid-'00s with the breakthrough of films such as When Harry Met Sally--to the rise of streaming and the long-overdue push for diversity setting the course for films such as the groundbreaking, franchise-spawning Crazy Rich Asians, Meslow examines the evolution of the genre through its many iterations, from its establishment of new tropes, the Austen and Shakespeare rewrites, the many love triangles, and even the occasional brave decision to do away with the happily ever after. Featuring original black-and-white sketches of iconic movie scenes and exclusive interviews with the actors and filmmakers behind our most beloved rom-coms, From Hollywood with Love constructs oral histories of our most celebrated romantic comedies, for an informed and entertaining look at Hollywood's beloved yet most under-appreciated genre.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3915</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kelsi Matwick and Keri Matwick, "Food Discourse of Celebrity Chefs of Food Network" (Palgrave MacMillan, 2019)</title>
      <description>Kelsi Matwick and Keri Matwick's book Food Discourse of Celebrity Chefs of Food Network (Palgrave MacMillan, 2019) explores a fascinating, yet virtually unexplored research area: the language of food used on television cooking shows. It shows how the discourse of television cooking shows on the American television channel Food Network conveys a pseudo-relationship between the celebrity chef host and viewers. Excerpts are drawn from a variety of cooking show genres (how-to, travel, reality, talk, competition), providing the data for this qualitative investigation. Richly interdisciplinary, the study draws upon discourse analysis, narrative, social semiotics, and media communication in order to analyze four key linguistic features – recipe telling, storytelling, evaluations, and humor – in connection with the themes of performance, authenticity, and expertise, essential components in the making of celebrity chefs. Given its scope, the book will be of interest to scholars of linguistics, media communication, and American popular culture. Further, in light of the international reach and influence of American television and celebrity chefs, it has a global appeal.
Carrie Helms Tippen is Associate Professor of English and Assistant Dean of the School of Arts, Science, and Business at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kelsi Matwick and Keri Matwick</itunes:subtitle>
      <itunes:summary>Kelsi Matwick and Keri Matwick's book Food Discourse of Celebrity Chefs of Food Network (Palgrave MacMillan, 2019) explores a fascinating, yet virtually unexplored research area: the language of food used on television cooking shows. It shows how the discourse of television cooking shows on the American television channel Food Network conveys a pseudo-relationship between the celebrity chef host and viewers. Excerpts are drawn from a variety of cooking show genres (how-to, travel, reality, talk, competition), providing the data for this qualitative investigation. Richly interdisciplinary, the study draws upon discourse analysis, narrative, social semiotics, and media communication in order to analyze four key linguistic features – recipe telling, storytelling, evaluations, and humor – in connection with the themes of performance, authenticity, and expertise, essential components in the making of celebrity chefs. Given its scope, the book will be of interest to scholars of linguistics, media communication, and American popular culture. Further, in light of the international reach and influence of American television and celebrity chefs, it has a global appeal.
Carrie Helms Tippen is Associate Professor of English and Assistant Dean of the School of Arts, Science, and Business at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kelsi Matwick and Keri Matwick's book <a href="https://bookshop.org/a/12343/9783030314293"><em>Food Discourse of Celebrity Chefs of Food Network</em></a> (Palgrave MacMillan, 2019) explores a fascinating, yet virtually unexplored research area: the language of food used on television cooking shows. It shows how the discourse of television cooking shows on the American television channel Food Network conveys a pseudo-relationship between the celebrity chef host and viewers. Excerpts are drawn from a variety of cooking show genres (how-to, travel, reality, talk, competition), providing the data for this qualitative investigation. Richly interdisciplinary, the study draws upon discourse analysis, narrative, social semiotics, and media communication in order to analyze four key linguistic features – recipe telling, storytelling, evaluations, and humor – in connection with the themes of performance, authenticity, and expertise, essential components in the making of celebrity chefs. Given its scope, the book will be of interest to scholars of linguistics, media communication, and American popular culture. Further, in light of the international reach and influence of American television and celebrity chefs, it has a global appeal.</p><p><a href="https://carrietippen.com/"><em>Carrie Helms Tippen</em></a><em> is Associate Professor of English and Assistant Dean of the School of Arts, Science, and Business at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2754</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Monuments</title>
      <link>https://hightheory.net/podcast/monuments/</link>
      <description>Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.”
In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument.
If you’re keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America’s Public Monuments. It’s coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com
Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present.
Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website.
Music used in promotional material: ‘Morrisson’s jig – Leslie’s march’ by Aislinn
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 15 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/06544082-a306-11ec-9598-1326a11f764d/image/GrantMemorialStatue.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Erin L. Thompson</itunes:subtitle>
      <itunes:summary>Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.”
In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument.
If you’re keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America’s Public Monuments. It’s coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com
Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present.
Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website.
Music used in promotional material: ‘Morrisson’s jig – Leslie’s march’ by Aislinn
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.”</p><p>In the episode she talks about <a href="https://hmaac.org/">The Houston Museum of African American Culture</a>. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument.</p><p>If you’re keen on the history and politics of monuments, check out her brand new book: <a href="https://wwnorton.com/books/9780393867671"><em>Smashing Statues: The Rise and Fall of America’s Public Monuments</em></a>. It’s coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: <a href="https://www.artcrimeprof.com/books">artcrimeprof.com</a></p><p>Erin L. Thompson is an associate professor of Art Crime at the <a href="https://www.jjay.cuny.edu/faculty/erin-thompson">John Jay College of Criminal Justice</a> of the City University of New York. Her first book <a href="https://yalebooks.yale.edu/book/9780300208528/possession"><em>Possession</em></a> (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present.</p><p>Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in <a href="https://www.aoc.gov/explore-capitol-campus/art/ulysses-s-grant-memorial">this article</a> from the Architect of the Capital, US government website.</p><p>Music used in promotional material: ‘Morrisson’s jig – Leslie’s march’ by Aislinn</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1163</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://hightheory.net/?post_type=podcast&p=505]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4907159703.mp3?updated=1646168705" length="0" type="audio/mpeg"/>
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    <item>
      <title>Alexandra Apolloni, "Freedom Girls: Voicing Femininity in 1960s British Pop" (Oxford UP, 2021)</title>
      <description>Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher’s Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 11 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexandra Apolloni</itunes:subtitle>
      <itunes:summary>Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher’s Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780190879907"><em>Freedom Girls: Voicing Femininity in 1960s British Pop</em></a><em> </em>(Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender.</p><p><em>Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western</em> <em>Music History Classroom: A Teacher’s Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3730</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0d96f4b0-fbdb-11ec-a1c4-9b45a0a7369c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7614981140.mp3?updated=1656968375" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Trevor Boffone, "TikTok Cultures in the United States" (Routledge, 2022)</title>
      <description>Trevor Boffone's book TikTok Cultures in the United States (Routledge, 2022) examines the role of TikTok in US popular culture, paying close attention to the app’s growing body of subcultures. Featuring an array of scholars from varied disciplines and backgrounds, this book uses TikTok (sub)cultures as a point of departure from which to explore TikTok’s role in US popular culture today. Engaging with the extensive and growing scholarship on TikTok from international scholars, chapters in this book create frameworks and blueprints from which to analyse TikTok within a distinctly US context, examining topics such as gender and sexuality, feminism, race and ethnicity and wellness. Shaping TikTok as an interdisciplinary field in and of itself, this insightful and timely volume will be of great interest to students and scholars of new and digital media, social media, popular culture, communication studies, sociology of media, dance, gender studies, and performance studies.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 11 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Trevor Boffone</itunes:subtitle>
      <itunes:summary>Trevor Boffone's book TikTok Cultures in the United States (Routledge, 2022) examines the role of TikTok in US popular culture, paying close attention to the app’s growing body of subcultures. Featuring an array of scholars from varied disciplines and backgrounds, this book uses TikTok (sub)cultures as a point of departure from which to explore TikTok’s role in US popular culture today. Engaging with the extensive and growing scholarship on TikTok from international scholars, chapters in this book create frameworks and blueprints from which to analyse TikTok within a distinctly US context, examining topics such as gender and sexuality, feminism, race and ethnicity and wellness. Shaping TikTok as an interdisciplinary field in and of itself, this insightful and timely volume will be of great interest to students and scholars of new and digital media, social media, popular culture, communication studies, sociology of media, dance, gender studies, and performance studies.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Trevor Boffone's book <a href="https://bookshop.org/a/12343/9781032246079"><em>TikTok Cultures in the United States</em></a> (Routledge, 2022) examines the role of TikTok in US popular culture, paying close attention to the app’s growing body of subcultures. Featuring an array of scholars from varied disciplines and backgrounds, this book uses TikTok (sub)cultures as a point of departure from which to explore TikTok’s role in US popular culture today. Engaging with the extensive and growing scholarship on TikTok from international scholars, chapters in this book create frameworks and blueprints from which to analyse TikTok within a distinctly US context, examining topics such as gender and sexuality, feminism, race and ethnicity and wellness. Shaping TikTok as an interdisciplinary field in and of itself, this insightful and timely volume will be of great interest to students and scholars of new and digital media, social media, popular culture, communication studies, sociology of media, dance, gender studies, and performance studies.</p><p><em>Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2292</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[04a059c0-fac1-11ec-a1bb-b38e1f88ccaa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1912258668.mp3?updated=1656847194" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jody Rosen, "Two Wheels Good: The History and Mystery of the Bicycle" (Crown, 2022)</title>
      <description>The bicycle is a vestige of the Victorian era, seemingly at odds with our age of smartphones and ride-sharing apps and driverless cars. Yet we live on a bicycle planet. Across the world, more people travel by bicycle than any other form of transportation. Almost anyone can learn to ride a bike--and nearly everyone does.
In Two Wheels Good: The History and Mystery of the Bicycle (Crown Publishing, 2022), journalist and critic Jody Rosen reshapes our understanding of this ubiquitous machine, an ever-present force in humanity's life and dream life--and a flash point in culture wars--for more than two hundred years. Combining history, reportage, travelogue, and memoir, Rosen's book sweeps across centuries and around the globe, unfolding the bicycle's saga from its invention in 1817 to its present-day renaissance as a "green machine," an emblem of sustainability in a world afflicted by pandemic and climate change. Readers meet unforgettable characters: feminist rebels who steered bikes to the barricades in the 1890s, a prospector who pedaled across the frozen Yukon to join the Klondike gold rush, a Bhutanese king who races mountain bikes in the Himalayas, a cycle-rickshaw driver who navigates the seething streets of the world's fastest-growing megacity, astronauts who ride a floating bicycle in zero gravity aboard the International Space Station.
Two Wheels Good examines the bicycle's past and peers into its future, challenging myths and clichés while uncovering cycling's connection to colonial conquest and the gentrification of cities. But the book is also a love letter: a reflection on the sensual and spiritual pleasures of bike riding and an ode to an engineering marvel--a wondrous vehicle whose passenger is also its engine.
Jody Rosen is a contributing writer for The New York Times Magazine. His work has appeared in Slate, New York, The New Yorker, and many other publications. He lives in Brooklyn with his family.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jody Rosen</itunes:subtitle>
      <itunes:summary>The bicycle is a vestige of the Victorian era, seemingly at odds with our age of smartphones and ride-sharing apps and driverless cars. Yet we live on a bicycle planet. Across the world, more people travel by bicycle than any other form of transportation. Almost anyone can learn to ride a bike--and nearly everyone does.
In Two Wheels Good: The History and Mystery of the Bicycle (Crown Publishing, 2022), journalist and critic Jody Rosen reshapes our understanding of this ubiquitous machine, an ever-present force in humanity's life and dream life--and a flash point in culture wars--for more than two hundred years. Combining history, reportage, travelogue, and memoir, Rosen's book sweeps across centuries and around the globe, unfolding the bicycle's saga from its invention in 1817 to its present-day renaissance as a "green machine," an emblem of sustainability in a world afflicted by pandemic and climate change. Readers meet unforgettable characters: feminist rebels who steered bikes to the barricades in the 1890s, a prospector who pedaled across the frozen Yukon to join the Klondike gold rush, a Bhutanese king who races mountain bikes in the Himalayas, a cycle-rickshaw driver who navigates the seething streets of the world's fastest-growing megacity, astronauts who ride a floating bicycle in zero gravity aboard the International Space Station.
Two Wheels Good examines the bicycle's past and peers into its future, challenging myths and clichés while uncovering cycling's connection to colonial conquest and the gentrification of cities. But the book is also a love letter: a reflection on the sensual and spiritual pleasures of bike riding and an ode to an engineering marvel--a wondrous vehicle whose passenger is also its engine.
Jody Rosen is a contributing writer for The New York Times Magazine. His work has appeared in Slate, New York, The New Yorker, and many other publications. He lives in Brooklyn with his family.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The bicycle is a vestige of the Victorian era, seemingly at odds with our age of smartphones and ride-sharing apps and driverless cars. Yet we live on a bicycle planet. Across the world, more people travel by bicycle than any other form of transportation. Almost anyone can learn to ride a bike--and nearly everyone does.</p><p>In <a href="https://bookshop.org/a/12343/9780804141499"><em>Two Wheels Good: The History and Mystery of the Bicycle</em></a> (Crown Publishing, 2022)<em>, </em>journalist and critic Jody Rosen reshapes our understanding of this ubiquitous machine, an ever-present force in humanity's life and dream life--and a flash point in culture wars--for more than two hundred years. Combining history, reportage, travelogue, and memoir, Rosen's book sweeps across centuries and around the globe, unfolding the bicycle's saga from its invention in 1817 to its present-day renaissance as a "green machine," an emblem of sustainability in a world afflicted by pandemic and climate change. Readers meet unforgettable characters: feminist rebels who steered bikes to the barricades in the 1890s, a prospector who pedaled across the frozen Yukon to join the Klondike gold rush, a Bhutanese king who races mountain bikes in the Himalayas, a cycle-rickshaw driver who navigates the seething streets of the world's fastest-growing megacity, astronauts who ride a floating bicycle in zero gravity aboard the International Space Station.</p><p><em>Two Wheels Good </em>examines the bicycle's past and peers into its future, challenging myths and clichés while uncovering cycling's connection to colonial conquest and the gentrification of cities. But the book is also a love letter: a reflection on the sensual and spiritual pleasures of bike riding and an ode to an engineering marvel--a wondrous vehicle whose passenger is also its engine.</p><p>Jody Rosen is a contributing writer for <em>The New York Times Magazine</em>. His work has appeared in <em>Slate, New York, The New Yorker, </em>and many other publications. He lives in Brooklyn with his family.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3058</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f9a13bf0-f7ed-11ec-8826-831bca9fe35b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4403567018.mp3?updated=1656536906" length="0" type="audio/mpeg"/>
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    <item>
      <title>Alison Macor, "Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation" (U Texas Press, 2022)</title>
      <description>Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act. Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation (U Texas Press, 2022), Macor chronicles the making and meaning of a film that changed America.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alison Macor</itunes:subtitle>
      <itunes:summary>Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act. Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation (U Texas Press, 2022), Macor chronicles the making and meaning of a film that changed America.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act. Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In <a href="https://bookshop.org/a/12343/9781477318911"><em>Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation</em></a> (U Texas Press, 2022), Macor chronicles the making and meaning of a film that changed America.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4235</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f292f604-f9f6-11ec-8783-0b74425e40ed]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1621904006.mp3?updated=1656760518" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samuel Ulbricht, "Ethics of Computer Gaming: A Groundwork" (Palgrave MacMillan, 2022)</title>
      <description>Today I talked to Samuel Ulbricht about his book Ethics of Computer Gaming: A Groundwork (Palgrave MacMillan, 2022).
Despite the increasing number of gamers worldwide, the moral classification of computer gaming marks an as yet unsolved riddle of philosophical ethics. In view of the explosive nature of the topic in everyday life (as seen in various debates about rampages), it is obvious that a differentiated professional clarification of the phenomenon is needed: Can playing computer games be immoral?
To answer this question, the author first discusses what we do at all when we play computer games: What kind of action are we talking about? The second step is a moral classification that reveals whether (and if so, why) some cases of computer gaming are morally problematic. The considerations made here provide a fundamental insight into the normative dimension of computer gaming.
This book is a translation of the original German 1st edition Ethik des Computerspielens by Samuel Ulbricht in 2020.
Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samuel Ulbricht</itunes:subtitle>
      <itunes:summary>Today I talked to Samuel Ulbricht about his book Ethics of Computer Gaming: A Groundwork (Palgrave MacMillan, 2022).
Despite the increasing number of gamers worldwide, the moral classification of computer gaming marks an as yet unsolved riddle of philosophical ethics. In view of the explosive nature of the topic in everyday life (as seen in various debates about rampages), it is obvious that a differentiated professional clarification of the phenomenon is needed: Can playing computer games be immoral?
To answer this question, the author first discusses what we do at all when we play computer games: What kind of action are we talking about? The second step is a moral classification that reveals whether (and if so, why) some cases of computer gaming are morally problematic. The considerations made here provide a fundamental insight into the normative dimension of computer gaming.
This book is a translation of the original German 1st edition Ethik des Computerspielens by Samuel Ulbricht in 2020.
Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Samuel Ulbricht about his book <a href="https://bookshop.org/a/12343/9783662643969"><em>Ethics of Computer Gaming: A Groundwork</em></a> (Palgrave MacMillan, 2022).</p><p>Despite the increasing number of gamers worldwide, the moral classification of computer gaming marks an as yet unsolved riddle of philosophical ethics. In view of the explosive nature of the topic in everyday life (as seen in various debates about rampages), it is obvious that a differentiated professional clarification of the phenomenon is needed: Can playing computer games be immoral?</p><p>To answer this question, the author first discusses what we do at all when we play computer games: What kind of action are we talking about? The second step is a moral classification that reveals whether (and if so, why) some cases of computer gaming are morally problematic. The considerations made here provide a fundamental insight into the normative dimension of computer gaming.</p><p>This book is a translation of the original German 1st edition <em>Ethik des Computerspielens</em> by Samuel Ulbricht in 2020.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design at the IU International University of Applied Science.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2634</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[70a022ac-f8ac-11ec-adf4-cbbf1b1f326b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6464097111.mp3?updated=1656618220" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ashley Remer and Tiffany Isselhardt, "Exploring American Girlhood through 50 Historic Treasures" (Rowman and Littlefield, 2021)</title>
      <description>Who are the girls that helped build America? Conventional history books shed little light on the influence and impact of girls’ contributions to society and culture. This oversight is challenged by Girl Museum and their team, who give voice to the most neglected, yet profoundly impactful, historical narratives of American history: young girls.
Exploring American Girlhood through 50 Historic Treasures (Rowman and Littlefield, 2021) showcases girls and their experiences through the lens of place and material culture. Discover how the objects and sites that girls left behind tell stories about America that you have never heard before. Through a fascinating collection of historic sites, archaeological evidence, artifacts, literature, and music, the authors tell a groundbreaking new story of America itself, one that finally showcases the role that girls have played in the nation’s history and development.
In this interview, Allison Leigh talks to Ashley Remer and Tiffany Isselhardt about how they researched 12,000 years of history, how they picked the objects, sites, and monuments they describe, and the difficulties of reconstructing a history of girlhood when so much has been lost or deliberately destroyed. This episode is for anyone who is yearning for a more balanced representation in historic narratives, as well as those who are interested in advocacy-based history.
Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ashley Remer and Tiffany Isselhardt</itunes:subtitle>
      <itunes:summary>Who are the girls that helped build America? Conventional history books shed little light on the influence and impact of girls’ contributions to society and culture. This oversight is challenged by Girl Museum and their team, who give voice to the most neglected, yet profoundly impactful, historical narratives of American history: young girls.
Exploring American Girlhood through 50 Historic Treasures (Rowman and Littlefield, 2021) showcases girls and their experiences through the lens of place and material culture. Discover how the objects and sites that girls left behind tell stories about America that you have never heard before. Through a fascinating collection of historic sites, archaeological evidence, artifacts, literature, and music, the authors tell a groundbreaking new story of America itself, one that finally showcases the role that girls have played in the nation’s history and development.
In this interview, Allison Leigh talks to Ashley Remer and Tiffany Isselhardt about how they researched 12,000 years of history, how they picked the objects, sites, and monuments they describe, and the difficulties of reconstructing a history of girlhood when so much has been lost or deliberately destroyed. This episode is for anyone who is yearning for a more balanced representation in historic narratives, as well as those who are interested in advocacy-based history.
Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who are the girls that helped build America? Conventional history books shed little light on the influence and impact of girls’ contributions to society and culture. This oversight is challenged by Girl Museum and their team, who give voice to the most neglected, yet profoundly impactful, historical narratives of American history: young girls.</p><p><a href="https://bookshop.org/a/12343/9781538120897"><em>Exploring American Girlhood through 50 Historic Treasures</em></a><em> </em>(Rowman and Littlefield, 2021) showcases girls and their experiences through the lens of place and material culture. Discover how the objects and sites that girls left behind tell stories about America that you have never heard before. Through a fascinating collection of historic sites, archaeological evidence, artifacts, literature, and music, the authors tell a groundbreaking new story of America itself, one that finally showcases the role that girls have played in the nation’s history and development.</p><p>In this interview, Allison Leigh talks to Ashley Remer and Tiffany Isselhardt about how they researched 12,000 years of history, how they picked the objects, sites, and monuments they describe, and the difficulties of reconstructing a history of girlhood when so much has been lost or deliberately destroyed. This episode is for anyone who is yearning for a more balanced representation in historic narratives, as well as those who are interested in advocacy-based history.</p><p><a href="http://www.allison-leigh.com/"><em>Allison Leigh</em></a><em> is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3890</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Squid Game</title>
      <link>https://hightheory.net/podcast/squid-game/</link>
      <description>Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press.
Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival’s U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI’s Illuminations: Chancellor’s Initiative in Arts and Drama YouTube channel.
Image: © 2021 Saronik Bosu
Music used in promotional material: ‘Horizon Mine’ by krackatoa
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/1f43a6c4-a300-11ec-b84a-3773c9d793c6/image/Untitled_Artwork-42-scaled.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Kyung Hyun Kim</itunes:subtitle>
      <itunes:summary>Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press.
Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival’s U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI’s Illuminations: Chancellor’s Initiative in Arts and Drama YouTube channel.
Image: © 2021 Saronik Bosu
Music used in promotional material: ‘Horizon Mine’ by krackatoa
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kyung Hyun Kim talks about the Netflix series <em>Squid Game</em>, its economic and political contexts, and its cultural potential. He also talks about his new book, <em>Hegemonic Mimicry</em>, out from Duke University Press.</p><p>Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of <a href="https://www.dukeupress.edu/virtual-hallyu"><em>Virtual Hallyu: Korean Cinema of the Global Era</em></a>, <a href="https://www.dukeupress.edu/the-remasculinization-of-korean-cinema"><em>The Remasculinization of Korean Cinema</em></a>, <a href="https://www.dukeupress.edu/hegemonic-mimicry"><em>Hegemonic Mimicry: Korean Popular Culture of 21st Century</em></a>, all of them published by Duke University Press, and a Korean-language novel entitled <em>In Search of Lost G </em>(<em>Ireo beorin G-reul chajaso</em>, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films <a href="https://www.imdb.com/title/tt0817544/"><em>Never Forever</em></a> (2007, Sundance Film Festival’s U.S. Main Competition) and <a href="https://www.imdb.com/title/tt1314652/?ref_=nm_knf_t1"><em>The Housemaid</em></a> (2010, Cannes Film Festival Main Competition). He has recently written <a href="https://www.youtube.com/watch?v=msxfxVfFgsE"><em>The Mask Debate</em></a><em>, </em>his first theatre screenplay, which premiered in February 2021 through <em>UCI’s Illuminations: Chancellor’s Initiative in Arts and Drama</em> YouTube channel.</p><p>Image: © 2021 Saronik Bosu</p><p>Music used in promotional material: ‘Horizon Mine’ by krackatoa</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>825</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jessica Lipsky, "It Ain't Retro: Daptone Records and the 21st-Century Soul Revolution" (Jawbone, 2021)</title>
      <description>Soul is the most powerful expression of American music--a distinct combination of roots, migration, race, culture, and politics packaged together for your dancing pleasure. But if you thought the sounds of Motown or Stax Records died along with 8-tracks and macramé, you'd be wrong. For two decades, Daptone Records has churned out hard funk and such beautiful soul that these records sparked a musical revolution.
Run by a collective of soul-obsessed producers and musicians, the Brooklyn-based independent label launched the careers of artists such as Amy Winehouse, Sharon Jones &amp; The Dap-Kings, Charles Bradley, and Bruno Mars. Daptone's records--and those of the larger soul revival scene--pay homage but never lip service to the original artists, proving that soul is still culturally relevant, and just as exciting as ever.
It Ain't Retro: Daptone Records and the 21st-Century Soul Revolution (Jawbone, 2021) charts this revival's players, sounds, and tectonic shifts over the past twenty years, taking you from dingy clubs where soul crazed DJs packed the dancefloor, to just uptown where some of the genre's heaviest musicians jumpstarted the renaissance in a basement studio, and all the way to the White House. This definitive tale of Daptone Records' soulful revolution chronicles the label's history, players, and sounds while dissecting the scene's cultural underpinnings, which continue to reverberate in pop music. The book also contains rare and unseen images of Daptone artists past and present, including Sharon Jones, Charles Bradley, Lee Fields, Antibalas, The Sugarman 3, The Budos Band, and more.
Jessica Lipsky is a journalist and DJ from Brooklyn by way of the San Francisco Bay. She first encountered sweet soul music as a child by obsessively tuning her radio dial and has since extensively covered soul, funk, reggae, and alternative Latin music. Her work on the intersection of culture, music, and politics has appeared in NPR, Billboard, Grammy.com, Columbia Journalism Review, Vice, and LA Weekly.
Jessica Lipsky on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.
Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 05 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jessica Lipsky</itunes:subtitle>
      <itunes:summary>Soul is the most powerful expression of American music--a distinct combination of roots, migration, race, culture, and politics packaged together for your dancing pleasure. But if you thought the sounds of Motown or Stax Records died along with 8-tracks and macramé, you'd be wrong. For two decades, Daptone Records has churned out hard funk and such beautiful soul that these records sparked a musical revolution.
Run by a collective of soul-obsessed producers and musicians, the Brooklyn-based independent label launched the careers of artists such as Amy Winehouse, Sharon Jones &amp; The Dap-Kings, Charles Bradley, and Bruno Mars. Daptone's records--and those of the larger soul revival scene--pay homage but never lip service to the original artists, proving that soul is still culturally relevant, and just as exciting as ever.
It Ain't Retro: Daptone Records and the 21st-Century Soul Revolution (Jawbone, 2021) charts this revival's players, sounds, and tectonic shifts over the past twenty years, taking you from dingy clubs where soul crazed DJs packed the dancefloor, to just uptown where some of the genre's heaviest musicians jumpstarted the renaissance in a basement studio, and all the way to the White House. This definitive tale of Daptone Records' soulful revolution chronicles the label's history, players, and sounds while dissecting the scene's cultural underpinnings, which continue to reverberate in pop music. The book also contains rare and unseen images of Daptone artists past and present, including Sharon Jones, Charles Bradley, Lee Fields, Antibalas, The Sugarman 3, The Budos Band, and more.
Jessica Lipsky is a journalist and DJ from Brooklyn by way of the San Francisco Bay. She first encountered sweet soul music as a child by obsessively tuning her radio dial and has since extensively covered soul, funk, reggae, and alternative Latin music. Her work on the intersection of culture, music, and politics has appeared in NPR, Billboard, Grammy.com, Columbia Journalism Review, Vice, and LA Weekly.
Jessica Lipsky on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.
Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Soul is the most powerful expression of American music--a distinct combination of roots, migration, race, culture, and politics packaged together for your dancing pleasure. But if you thought the sounds of Motown or Stax Records died along with 8-tracks and macramé, you'd be wrong. For two decades, Daptone Records has churned out hard funk and such beautiful soul that these records sparked a musical revolution.</p><p>Run by a collective of soul-obsessed producers and musicians, the Brooklyn-based independent label launched the careers of artists such as Amy Winehouse, Sharon Jones &amp; The Dap-Kings, Charles Bradley, and Bruno Mars. Daptone's records--and those of the larger soul revival scene--pay homage but never lip service to the original artists, proving that soul is still culturally relevant, and just as exciting as ever.</p><p><a href="https://bookshop.org/a/12343/9781911036739"><em>It Ain't Retro: Daptone Records and the 21st-Century Soul Revolution</em></a> (Jawbone, 2021) charts this revival's players, sounds, and tectonic shifts over the past twenty years, taking you from dingy clubs where soul crazed DJs packed the dancefloor, to just uptown where some of the genre's heaviest musicians jumpstarted the renaissance in a basement studio, and all the way to the White House. This definitive tale of Daptone Records' soulful revolution chronicles the label's history, players, and sounds while dissecting the scene's cultural underpinnings, which continue to reverberate in pop music. The book also contains rare and unseen images of Daptone artists past and present, including Sharon Jones, Charles Bradley, Lee Fields, Antibalas, The Sugarman 3, The Budos Band, and more.</p><p>Jessica Lipsky is a journalist and DJ from Brooklyn by way of the San Francisco Bay. She first encountered sweet soul music as a child by obsessively tuning her radio dial and has since extensively covered soul, funk, reggae, and alternative Latin music. Her work on the intersection of culture, music, and politics has appeared in NPR, Billboard, Grammy.com, Columbia Journalism Review, Vice, and LA Weekly.</p><p>Jessica Lipsky on <a href="https://twitter.com/JessicaLipsky">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.</p><p>Bradley Morgan on <a href="https://twitter.com/bradleysmorgan">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3814</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63ca3c0a-f6d8-11ec-871b-a3c71d03cfce]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2276358213.mp3?updated=1656417426" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A. S. Hamrah, "The Earth Dies Streaming: Film Writing, 2002-2018" (N+1 Books, 2018)</title>
      <description>The Earth Dies Streaming: Film Writing, 2002-2018 (N+1 Books, 2018) collects the best of A. S. Hamrah’s film writing for n+1, The Baffler, Bookforum, Harper’s, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah’s aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism—pioneered by James Agee, Robert Warshow, and Pauline Kael—and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times.
In this conversation with host Annie Berke, A. S. Hamrah discusses his influences as a critic, lays out the challenges and shortcomings of film criticism today, and explains the differences between film and television.
Currently the film critic for The Baffler, A. S. Hamrah was n+1’s film critic from 2008 to 2019, as well as the editor of the magazine’s film review supplement. He has worked as a movie theater projectionist, a semiotic brand analyst, a political pollster, a football cinematographer, a zine writer, and for the film director Raúl Ruiz. He lives in New York.
﻿Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 04 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with A. S. Hamrah</itunes:subtitle>
      <itunes:summary>The Earth Dies Streaming: Film Writing, 2002-2018 (N+1 Books, 2018) collects the best of A. S. Hamrah’s film writing for n+1, The Baffler, Bookforum, Harper’s, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah’s aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism—pioneered by James Agee, Robert Warshow, and Pauline Kael—and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times.
In this conversation with host Annie Berke, A. S. Hamrah discusses his influences as a critic, lays out the challenges and shortcomings of film criticism today, and explains the differences between film and television.
Currently the film critic for The Baffler, A. S. Hamrah was n+1’s film critic from 2008 to 2019, as well as the editor of the magazine’s film review supplement. He has worked as a movie theater projectionist, a semiotic brand analyst, a political pollster, a football cinematographer, a zine writer, and for the film director Raúl Ruiz. He lives in New York.
﻿Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781732294110"><em>The Earth Dies Streaming: Film Writing, 2002-2018</em></a><em> </em>(N+1 Books, 2018) collects the best of A. S. Hamrah’s film writing for <em>n+1</em>, <em>The Baffler</em>, <em>Bookforum</em>, <em>Harper’s</em>, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah’s aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism—pioneered by James Agee, Robert Warshow, and Pauline Kael—and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. <em>The Earth Dies Streaming</em> showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times.</p><p>In this conversation with host Annie Berke, A. S. Hamrah discusses his influences as a critic, lays out the challenges and shortcomings of film criticism today, and explains the differences between film and television.</p><p>Currently the film critic for <em>The Baffler, </em>A. S. Hamrah was <em>n+1</em>’s film critic from 2008 to 2019, as well as the editor of the magazine’s film review supplement. He has worked as a movie theater projectionist, a semiotic brand analyst, a political pollster, a football cinematographer, a zine writer, and for the film director Raúl Ruiz. He lives in New York.</p><p><em>﻿</em><a href="http://www.annieberke.com/"><em>Annie Berke</em></a><em> is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3898</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN5477614248.mp3?updated=1656352491" length="0" type="audio/mpeg"/>
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    <item>
      <title>Stefanie K. Dunning, "Black to Nature: Pastoral Return and African American Culture" (UP of Mississippi, 2021)</title>
      <description>In Black to Nature: Pastoral Return and African American Culture (﻿University Press of Mississippi, 2021), author Stefanie K. Dunning considers both popular and literary texts that range from Beyoncé’s Lemonade to Jesmyn Ward’s Salvage the Bones. These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls “the dream of Black Studies”—abolition.
Black to Nature thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 01 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stefanie K. Dunning</itunes:subtitle>
      <itunes:summary>In Black to Nature: Pastoral Return and African American Culture (﻿University Press of Mississippi, 2021), author Stefanie K. Dunning considers both popular and literary texts that range from Beyoncé’s Lemonade to Jesmyn Ward’s Salvage the Bones. These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls “the dream of Black Studies”—abolition.
Black to Nature thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781496832931"><em>Black to Nature: Pastoral Return and African American Culture</em></a><em> </em>(﻿University Press of Mississippi, 2021), author Stefanie K. Dunning considers both popular and literary texts that range from Beyoncé’s<em> Lemonade </em>to Jesmyn Ward’s <em>Salvage the Bones. </em>These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls “the dream of Black Studies”—abolition.</p><p><em>Black to Nature </em>thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2531</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Daniel Silva, "Embodying Modernity: Global Fitness Culture and Building the Brazilian Body" (U Pittsburgh Press, 2022)</title>
      <description>Daniel Silva’s Embodying Modernity: Global Fitness Culture and Building the Brazilian Body (U Pittsburgh Press, 2022) examines the current boom of fitness culture in Brazil in the context of the white patriarchal notions of race, gender, and sexuality through which fitness practice, commodities, and cultural products traffic. The book traces the imperial meanings and orders of power conveyed through “fit” bodies and their different configurations of muscularity, beauty, strength, and health within mainstream visual media and national and global public spheres. Drawing from a wide range of Brazilian visual media sources including fitness magazines, television programs, film, and social media, Daniel F. Silva theorizes concepts and renderings of modern corporality, its racialized and gendered underpinnings, and its complex relationship to white patriarchal power and capital. This study works to define the ubiquitous parameters of fitness culture and argues that its growth is part of a longer collective nationalist project of modernity tied to whiteness, capitalist ideals, and historical exceptionalism.
﻿Patricio Simonetto a Marie Skłodowska-Curie Fellow at the Institute of the Americas (University College London).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 01 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Silva</itunes:subtitle>
      <itunes:summary>Daniel Silva’s Embodying Modernity: Global Fitness Culture and Building the Brazilian Body (U Pittsburgh Press, 2022) examines the current boom of fitness culture in Brazil in the context of the white patriarchal notions of race, gender, and sexuality through which fitness practice, commodities, and cultural products traffic. The book traces the imperial meanings and orders of power conveyed through “fit” bodies and their different configurations of muscularity, beauty, strength, and health within mainstream visual media and national and global public spheres. Drawing from a wide range of Brazilian visual media sources including fitness magazines, television programs, film, and social media, Daniel F. Silva theorizes concepts and renderings of modern corporality, its racialized and gendered underpinnings, and its complex relationship to white patriarchal power and capital. This study works to define the ubiquitous parameters of fitness culture and argues that its growth is part of a longer collective nationalist project of modernity tied to whiteness, capitalist ideals, and historical exceptionalism.
﻿Patricio Simonetto a Marie Skłodowska-Curie Fellow at the Institute of the Americas (University College London).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Daniel Silva’s <a href="https://bookshop.org/a/12343/9780822947110"><em>Embodying Modernity: Global Fitness Culture and Building the Brazilian Body</em></a><em> </em>(U Pittsburgh Press, 2022) examines the current boom of fitness culture in Brazil in the context of the white patriarchal notions of race, gender, and sexuality through which fitness practice, commodities, and cultural products traffic. The book traces the imperial meanings and orders of power conveyed through “fit” bodies and their different configurations of muscularity, beauty, strength, and health within mainstream visual media and national and global public spheres. Drawing from a wide range of Brazilian visual media sources including fitness magazines, television programs, film, and social media, Daniel F. Silva theorizes concepts and renderings of modern corporality, its racialized and gendered underpinnings, and its complex relationship to white patriarchal power and capital. This study works to define the ubiquitous parameters of fitness culture and argues that its growth is part of a longer collective nationalist project of modernity tied to whiteness, capitalist ideals, and historical exceptionalism.</p><p><em>﻿</em><a href="https://ucl.academia.edu/PatricioSimonetto"><em>Patricio Simonetto</em></a><em> a Marie Skłodowska-Curie Fellow at the Institute of the Americas (University College London).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2466</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rae Lynn Schwartz-DuPre, "Curious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism" (UP of Mississippi, 2021)</title>
      <description>In 1940, Hans Augusto Rey and Margret Rey built two bikes, packed what they could, and fled wartime Paris. Among the possessions they escaped with was a manuscript that would later become one of the most celebrated books in children’s literature—Curious George. Since his debut in 1941, the mischievous icon has only grown in popularity. After being captured in Africa by the Man in the Yellow Hat and taken to live in the big city’s zoo, Curious George became a symbol of curiosity, adventure, and exploration. In Curious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism (University Press of Mississippi, 2021), author Rae Lynn Schwartz-DuPre argues that the beloved character also performs within a narrative of racism, colonialism, and heroism.
Using theories of colonial and rhetorical studies to explain why cultural icons like Curious George are able to avoid criticism, Schwartz-DuPre investigates the ways these characters operate as capacious figures, embodying and circulating the narratives that construct them, and effectively argues that discourses about George provide a rich training ground for children to learn US citizenship and become innocent supporters of colonial American exceptionalism. By drawing on postcolonial theory, children’s criticisms, science and technology studies, and nostalgia, Schwartz-DuPre’s critical reading explains the dismissal of the monkey’s 1941 abduction from Africa and enslavement in the US, described in the first book, by illuminating two powerful roles he currently holds: essential STEM ambassador at a time when science and technology is central to global competitiveness and as a World War II refugee who offers a “deficient” version of the Holocaust while performing model US immigrant. Curious George’s twin heroic roles highlight racist science and an Americanized Holocaust narrative. By situating George as a representation of enslaved Africans and Holocaust refugees, Curious about George illuminates the danger of contemporary zero-sum identity politics, the colonization of marginalized identities, and racist knowledge production. Importantly, it demonstrates the ways in which popular culture can be harnessed both to promote colonial benevolence and to present possibilities for resistance.
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 01 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rae Lynn Schwartz-DuPre</itunes:subtitle>
      <itunes:summary>In 1940, Hans Augusto Rey and Margret Rey built two bikes, packed what they could, and fled wartime Paris. Among the possessions they escaped with was a manuscript that would later become one of the most celebrated books in children’s literature—Curious George. Since his debut in 1941, the mischievous icon has only grown in popularity. After being captured in Africa by the Man in the Yellow Hat and taken to live in the big city’s zoo, Curious George became a symbol of curiosity, adventure, and exploration. In Curious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism (University Press of Mississippi, 2021), author Rae Lynn Schwartz-DuPre argues that the beloved character also performs within a narrative of racism, colonialism, and heroism.
Using theories of colonial and rhetorical studies to explain why cultural icons like Curious George are able to avoid criticism, Schwartz-DuPre investigates the ways these characters operate as capacious figures, embodying and circulating the narratives that construct them, and effectively argues that discourses about George provide a rich training ground for children to learn US citizenship and become innocent supporters of colonial American exceptionalism. By drawing on postcolonial theory, children’s criticisms, science and technology studies, and nostalgia, Schwartz-DuPre’s critical reading explains the dismissal of the monkey’s 1941 abduction from Africa and enslavement in the US, described in the first book, by illuminating two powerful roles he currently holds: essential STEM ambassador at a time when science and technology is central to global competitiveness and as a World War II refugee who offers a “deficient” version of the Holocaust while performing model US immigrant. Curious George’s twin heroic roles highlight racist science and an Americanized Holocaust narrative. By situating George as a representation of enslaved Africans and Holocaust refugees, Curious about George illuminates the danger of contemporary zero-sum identity politics, the colonization of marginalized identities, and racist knowledge production. Importantly, it demonstrates the ways in which popular culture can be harnessed both to promote colonial benevolence and to present possibilities for resistance.
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1940, Hans Augusto Rey and Margret Rey built two bikes, packed what they could, and fled wartime Paris. Among the possessions they escaped with was a manuscript that would later become one of the most celebrated books in children’s literature—<em>Curious George</em>. Since his debut in 1941, the mischievous icon has only grown in popularity. After being captured in Africa by the Man in the Yellow Hat and taken to live in the big city’s zoo, Curious George became a symbol of curiosity, adventure, and exploration. In <a href="https://www.upress.state.ms.us/Books/C/Curious-about-George"><em>Curious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism</em></a><em> </em>(University Press of Mississippi, 2021), author Rae Lynn Schwartz-DuPre argues that the beloved character also performs within a narrative of racism, colonialism, and heroism.</p><p>Using theories of colonial and rhetorical studies to explain why cultural icons like Curious George are able to avoid criticism, Schwartz-DuPre investigates the ways these characters operate as capacious figures, embodying and circulating the narratives that construct them, and effectively argues that discourses about George provide a rich training ground for children to learn US citizenship and become innocent supporters of colonial American exceptionalism. By drawing on postcolonial theory, children’s criticisms, science and technology studies, and nostalgia, Schwartz-DuPre’s critical reading explains the dismissal of the monkey’s 1941 abduction from Africa and enslavement in the US, described in the first book, by illuminating two powerful roles he currently holds: essential STEM ambassador at a time when science and technology is central to global competitiveness and as a World War II refugee who offers a “deficient” version of the Holocaust while performing model US immigrant. Curious George’s twin heroic roles highlight racist science and an Americanized Holocaust narrative. By situating George as a representation of enslaved Africans and Holocaust refugees, <em>Curious about George</em> illuminates the danger of contemporary zero-sum identity politics, the colonization of marginalized identities, and racist knowledge production. Importantly, it demonstrates the ways in which popular culture can be harnessed both to promote colonial benevolence and to present possibilities for resistance.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3571</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Katherine E. Sugg, "Apocalypse and Heroism in Popular Culture" (McFarland, 2022)</title>
      <description>Stories of world-ending catastrophe have featured prominently in film and television lately. Zombie apocalypses, climate disasters, alien invasions, global pandemics, and dystopian world orders fill our screens—typically with a singular figure or tenacious group tasked with saving or salvaging the world. In her new book, Apocalypse and Heroism in Popular Culture: Allegories of White Masculinity in Crisis (McFarland Press, 2022), Dr. Katherine E. Sugg asks, why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future?
This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films and TV like The Walking Dead, Snowpiercer, Mad Max: Fury Road, and more. Some have familiar roots in Western cultural traditions, yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society, and the power of individuals to change the world.
Katherine E. Sugg is a professor of English and Latino &amp; Puerto Rican studies at Central Connecticut State University in New Britain, Connecticut. She teaches and writes on world literatures, Latino and comparative American studies, and film and media. She has also written several journal articles and published a book entitled Gender and Allegory in Transamerican Fiction and Performance.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 30 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katherine E. Sugg</itunes:subtitle>
      <itunes:summary>Stories of world-ending catastrophe have featured prominently in film and television lately. Zombie apocalypses, climate disasters, alien invasions, global pandemics, and dystopian world orders fill our screens—typically with a singular figure or tenacious group tasked with saving or salvaging the world. In her new book, Apocalypse and Heroism in Popular Culture: Allegories of White Masculinity in Crisis (McFarland Press, 2022), Dr. Katherine E. Sugg asks, why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future?
This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films and TV like The Walking Dead, Snowpiercer, Mad Max: Fury Road, and more. Some have familiar roots in Western cultural traditions, yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society, and the power of individuals to change the world.
Katherine E. Sugg is a professor of English and Latino &amp; Puerto Rican studies at Central Connecticut State University in New Britain, Connecticut. She teaches and writes on world literatures, Latino and comparative American studies, and film and media. She has also written several journal articles and published a book entitled Gender and Allegory in Transamerican Fiction and Performance.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stories of world-ending catastrophe have featured prominently in film and television lately. Zombie apocalypses, climate disasters, alien invasions, global pandemics, and dystopian world orders fill our screens—typically with a singular figure or tenacious group tasked with saving or salvaging the world. In her new book, <a href="https://bookshop.org/a/12343/9781476667850"><em>Apocalypse and Heroism in Popular Culture: Allegories of White Masculinity in Crisis</em></a> (McFarland Press, 2022), Dr. Katherine E. Sugg asks, why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future?</p><p>This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films and TV like <em>The Walking Dead, Snowpiercer</em>, <em>Mad Max: Fury Road</em>, and more. Some have familiar roots in Western cultural traditions, yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society, and the power of individuals to change the world.</p><p><a href="https://www2.ccsu.edu/faculty/suggkae">Katherine E. Sugg</a> is a professor of English and Latino &amp; Puerto Rican studies at Central Connecticut State University in New Britain, Connecticut. She teaches and writes on world literatures, Latino and comparative American studies, and film and media. She has also written several journal articles and published a book entitled <em>Gender and Allegory in Transamerican Fiction and Performance</em>.</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is a PhD student at Université Laval in Quebec City. </em><a href="mailto:carrie-lynn.evans@lit.ulaval.ca"><em>carrie-lynn.evans@lit.ulaval.ca</em></a><em> @carrielynnland </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4884</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rachael Hutchinson and Jérémie Pelletier-Gagnon, "Japanese Role-Playing Games: Genre, Representation, and Liminality in the JRPG" (Lexington Books, 2022)</title>
      <description>Rachael Hutchinson and Jérémie Pelletier-Gagnon's edited volume Japanese Role-Playing Games: Genre, Representation, and Liminality in the JRPG (Lexington Books, 2022) examines the origins, boundaries, and transnational effects of the genre, addressing significant formal elements as well as narrative themes, character construction, and player involvement. Contributors from Japan, Europe, North America, and Australia employ a variety of theoretical approaches to analyze popular game series and individual titles, introducing an English-speaking audience to Japanese video game scholarship while also extending postcolonial and philosophical readings to the Japanese game text. In a three-pronged approach, the collection uses these analyses to look at genre, representation, and liminality, engaging with a multitude of concepts including stereotypes, intersectionality, and the political and social effects of JRPGs on players and industry conventions. Broadly, this collection considers JRPGs as networked systems, including evolved iterations of MMORPGs and card-collecting “social games” for mobile devices. Scholars of media studies, game studies, Asian studies, and Japanese culture will find this book particularly useful.
﻿Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 27 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rachael Hutchinson and Jérémie Pelletier-Gagnon</itunes:subtitle>
      <itunes:summary>Rachael Hutchinson and Jérémie Pelletier-Gagnon's edited volume Japanese Role-Playing Games: Genre, Representation, and Liminality in the JRPG (Lexington Books, 2022) examines the origins, boundaries, and transnational effects of the genre, addressing significant formal elements as well as narrative themes, character construction, and player involvement. Contributors from Japan, Europe, North America, and Australia employ a variety of theoretical approaches to analyze popular game series and individual titles, introducing an English-speaking audience to Japanese video game scholarship while also extending postcolonial and philosophical readings to the Japanese game text. In a three-pronged approach, the collection uses these analyses to look at genre, representation, and liminality, engaging with a multitude of concepts including stereotypes, intersectionality, and the political and social effects of JRPGs on players and industry conventions. Broadly, this collection considers JRPGs as networked systems, including evolved iterations of MMORPGs and card-collecting “social games” for mobile devices. Scholars of media studies, game studies, Asian studies, and Japanese culture will find this book particularly useful.
﻿Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rachael Hutchinson and Jérémie Pelletier-Gagnon's edited volume <a href="https://bookshop.org/a/12343/9781793643544"><em>Japanese Role-Playing Games: Genre, Representation, and Liminality in the JRPG</em></a> (Lexington Books, 2022) examines the origins, boundaries, and transnational effects of the genre, addressing significant formal elements as well as narrative themes, character construction, and player involvement. Contributors from Japan, Europe, North America, and Australia employ a variety of theoretical approaches to analyze popular game series and individual titles, introducing an English-speaking audience to Japanese video game scholarship while also extending postcolonial and philosophical readings to the Japanese game text. In a three-pronged approach, the collection uses these analyses to look at genre, representation, and liminality, engaging with a multitude of concepts including stereotypes, intersectionality, and the political and social effects of JRPGs on players and industry conventions. Broadly, this collection considers JRPGs as networked systems, including evolved iterations of MMORPGs and card-collecting “social games” for mobile devices. Scholars of media studies, game studies, Asian studies, and Japanese culture will find this book particularly useful.</p><p><em>﻿</em><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2800</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Francesco Buscemi, "Pasta, Pizza and Propaganda: A Political History of Italian Food TV" (Intellect, 2022)</title>
      <description>The three protagonists of Pasta, Pizza and Propaganda: A Political History of Italian Food TV (Intellect, 2022) are food, television and politics. These are the three main characters that interrelate, collaborate and fight behind the scenes, while in front of the camera the writers, intellectuals and celebrity chefs talk about, prepare or taste the best Italian dishes.
In Pasta, Pizza and Propaganda, Dr. Francesco Buscemi develops a political history of Italian ‘good food’ on national television, and the central role of food in Italian culture. The focus is highly original and this is a unique interdisciplinary study at the intersection between food studies, media studies and politics.
The book retraces the history of Italian food television from a political point of view: the early shows of the pioneers under strict Catholic control in the 1950s and 1960s, the left-wing political twist of the 1970s, the conservative riflusso or resurgence of the 1980s, the disputed Berlusconian era and the rise of the celebrity chefs, which, for better or for worse, makes Italy similar to the other western countries.
The history of Italy since the mid-1950s is retold through the lenses of food television. This lively book demonstrates that cooking spaghetti in a TV studio is a political act, and tries to uncover how it is possible that, while watching on TV how to make pizza, we become citizens.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 23 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Francesco Buscemi</itunes:subtitle>
      <itunes:summary>The three protagonists of Pasta, Pizza and Propaganda: A Political History of Italian Food TV (Intellect, 2022) are food, television and politics. These are the three main characters that interrelate, collaborate and fight behind the scenes, while in front of the camera the writers, intellectuals and celebrity chefs talk about, prepare or taste the best Italian dishes.
In Pasta, Pizza and Propaganda, Dr. Francesco Buscemi develops a political history of Italian ‘good food’ on national television, and the central role of food in Italian culture. The focus is highly original and this is a unique interdisciplinary study at the intersection between food studies, media studies and politics.
The book retraces the history of Italian food television from a political point of view: the early shows of the pioneers under strict Catholic control in the 1950s and 1960s, the left-wing political twist of the 1970s, the conservative riflusso or resurgence of the 1980s, the disputed Berlusconian era and the rise of the celebrity chefs, which, for better or for worse, makes Italy similar to the other western countries.
The history of Italy since the mid-1950s is retold through the lenses of food television. This lively book demonstrates that cooking spaghetti in a TV studio is a political act, and tries to uncover how it is possible that, while watching on TV how to make pizza, we become citizens.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The three protagonists of <a href="https://bookshop.org/a/12343/9781789384062"><em>Pasta, Pizza and Propaganda: A Political History of Italian Food TV</em></a><em> </em>(Intellect, 2022) are food, television and politics. These are the three main characters that interrelate, collaborate and fight behind the scenes, while in front of the camera the writers, intellectuals and celebrity chefs talk about, prepare or taste the best Italian dishes.</p><p>In <em>Pasta, Pizza and Propaganda,</em> Dr. Francesco Buscemi develops a political history of Italian ‘good food’ on national television, and the central role of food in Italian culture. The focus is highly original and this is a unique interdisciplinary study at the intersection between food studies, media studies and politics.</p><p>The book retraces the history of Italian food television from a political point of view: the early shows of the pioneers under strict Catholic control in the 1950s and 1960s, the left-wing political twist of the 1970s, the conservative riflusso or resurgence of the 1980s, the disputed Berlusconian era and the rise of the celebrity chefs, which, for better or for worse, makes Italy similar to the other western countries.</p><p>The history of Italy since the mid-1950s is retold through the lenses of food television. This lively book demonstrates that cooking spaghetti in a TV studio is a political act, and tries to uncover how it is possible that, while watching on TV how to make pizza, we become citizens.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3280</itunes:duration>
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      <title>Emily J. H. Contois and Zenia Kish, "Food Instagram: Identity, Influence, and Negotiation" (U Illinois Press, 2022)</title>
      <description>Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish edit contributions that explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food’s connection to Instagram from vantage points as diverse as Hong Kong’s camera-centric foodie culture, the platform’s long history with feminist eateries, and the photography of Australia’s livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power. 
Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation (U Illinois Press, 2022) offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives. The book has been dubbed by the experts in the field as “a veritable smorgasbord of perspectives on the all-pervasive and all-important nature of food on visual social media” (Tama Leaver, the co-author of Instagram: Visual Social Media Cultures) that “shows how the digital app and the kind of food representations it supports contribute to the building identities and negotiating social and economic relationships” (Fabio Parasecoli, author of Bite Me: Food in Popular Culture). It is a path-blazing, inspirational work offering a vast array of theoretical perspectives, methodological tools, and conceptual innovations.

Emily Contois is Assistant Professor of Media Studies at the University of Tulsa. She holds a PhD in American studies from Brown University along with master's degrees in Gastronomy from Boston University and Public Health Nutrition from University of California, Berkeley. In addition to numerous articles, she is the author of Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (2020). She serves on the board of the Association for the Study of Food and Society, H-Nutrition, and Advertising and Society Quarterly. As a public scholar, she has written for NBC News, Jezebel, and Nursing Clio and has appeared on CBS This Morning, BBC Ideas, and Ugly Delicious on Netflix. Learn more about her work at emilycontois.com or connect on social media (@emilycontois).
Zenia Kish is Assistant Professor of Media Studies at the University of Tulsa. She earned her PhD in American studies at New York University and was a post- doctoral fellow at Stanford University. Her work explores global digital media, sociotechnical imaginaries of food and agriculture, and philanthrocapitalism and has been published in journals including American Quarterly, Cultural Studies, Journal of Cultural Economy, and Environment and Planning A. She is a member of the Agri-Food Technology Research (AFTeR) Project and is associate editor for the Journal of Cultural Economy, as well as serving on the boards of the Journal of Environmental Media and Communication and Race. She is writing a book on philanthropic media cultures (@ZeniaKish).

Amir Sayadabdi is a Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
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      <pubDate>Wed, 22 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily J. H. Contois and Zenia Kish</itunes:subtitle>
      <itunes:summary>Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish edit contributions that explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food’s connection to Instagram from vantage points as diverse as Hong Kong’s camera-centric foodie culture, the platform’s long history with feminist eateries, and the photography of Australia’s livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power. 
Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation (U Illinois Press, 2022) offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives. The book has been dubbed by the experts in the field as “a veritable smorgasbord of perspectives on the all-pervasive and all-important nature of food on visual social media” (Tama Leaver, the co-author of Instagram: Visual Social Media Cultures) that “shows how the digital app and the kind of food representations it supports contribute to the building identities and negotiating social and economic relationships” (Fabio Parasecoli, author of Bite Me: Food in Popular Culture). It is a path-blazing, inspirational work offering a vast array of theoretical perspectives, methodological tools, and conceptual innovations.

Emily Contois is Assistant Professor of Media Studies at the University of Tulsa. She holds a PhD in American studies from Brown University along with master's degrees in Gastronomy from Boston University and Public Health Nutrition from University of California, Berkeley. In addition to numerous articles, she is the author of Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (2020). She serves on the board of the Association for the Study of Food and Society, H-Nutrition, and Advertising and Society Quarterly. As a public scholar, she has written for NBC News, Jezebel, and Nursing Clio and has appeared on CBS This Morning, BBC Ideas, and Ugly Delicious on Netflix. Learn more about her work at emilycontois.com or connect on social media (@emilycontois).
Zenia Kish is Assistant Professor of Media Studies at the University of Tulsa. She earned her PhD in American studies at New York University and was a post- doctoral fellow at Stanford University. Her work explores global digital media, sociotechnical imaginaries of food and agriculture, and philanthrocapitalism and has been published in journals including American Quarterly, Cultural Studies, Journal of Cultural Economy, and Environment and Planning A. She is a member of the Agri-Food Technology Research (AFTeR) Project and is associate editor for the Journal of Cultural Economy, as well as serving on the boards of the Journal of Environmental Media and Communication and Race. She is writing a book on philanthropic media cultures (@ZeniaKish).

Amir Sayadabdi is a Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish edit contributions that explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food’s connection to Instagram from vantage points as diverse as Hong Kong’s camera-centric foodie culture, the platform’s long history with feminist eateries, and the photography of Australia’s livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power. </p><p>Interdisciplinary in approach and transnational in scope, <a href="https://bookshop.org/a/12343/9780252086540"><em>Food Instagram: Identity, Influence, and Negotiation</em></a> (U Illinois Press, 2022) offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives. The book has been dubbed by the experts in the field as “a veritable smorgasbord of perspectives on the all-pervasive and all-important nature of food on visual social media” (Tama Leaver, the co-author of Instagram: Visual Social Media Cultures) that “shows how the digital app and the kind of food representations it supports contribute to the building identities and negotiating social and economic relationships” (Fabio Parasecoli, author of Bite Me: Food in Popular Culture). It is a path-blazing, inspirational work offering a vast array of theoretical perspectives, methodological tools, and conceptual innovations.</p><p><br></p><p><a href="https://faculty.utulsa.edu/faculty/emily-contois/">Emily Contois</a> is Assistant Professor of Media Studies at the University of Tulsa. She holds a PhD in American studies from Brown University along with master's degrees in Gastronomy from Boston University and Public Health Nutrition from University of California, Berkeley. In addition to numerous articles, she is the author <a href="https://uncpress.org/book/9781469660745/diners-dudes-and-diets/">of Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture</a> (2020). She serves on the board of the <a href="https://www.food-culture.org/">Association for the Study of Food and Society</a>, H-Nutrition, and Advertising and Society Quarterly. As a public scholar, she has written for NBC News, Jezebel, and Nursing Clio and has appeared on CBS This Morning, BBC Ideas, and Ugly Delicious on Netflix. Learn more about her work at <a href="https://vuw-my.sharepoint.com/personal/sayadaam_staff_vuw_ac_nz1/Documents/NBN/Food%20Instagram/emilycontois.com">emilycontois.com</a> or connect on social media (@emilycontois).</p><p><a href="https://faculty.utulsa.edu/faculty/zenia-kish/">Zenia Kish</a> is Assistant Professor of Media Studies at the University of Tulsa. She earned her PhD in American studies at New York University and was a post- doctoral fellow at Stanford University. Her work explores global digital media, sociotechnical imaginaries of food and agriculture, and philanthrocapitalism and has been published in journals including American Quarterly, Cultural Studies, Journal of Cultural Economy, and Environment and Planning A. She is a member of the <a href="https://afterproject.sites.ucsc.edu/">Agri-Food Technology Research (AFTeR) Project</a> and is associate editor for the Journal of Cultural Economy, as well as serving on the boards of the Journal of Environmental Media and Communication and Race. She is writing a book on philanthropic media cultures (@ZeniaKish).</p><p><br></p><p><a href="https://people.wgtn.ac.nz/amir.sayadabdi"><em>Amir Sayadabdi</em></a><em> is a Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4235</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sara Austin, "Monstrous Youth: Transgressing the Boundaries of Childhood in the United States" (Ohio State UP, 2022)</title>
      <description>In Monstrous Youth: Transgressing the Boundaries of Childhood in the United States (Ohio State Press, 2022), Sara Austin traces the evolution of monstrosity as it relates to youth culture from the 1950s to the present day to spotlight the symbiotic relationship between monstrosity and the bodies and identities of children and adolescents. Examining comics, films, picture books, novels, television, toys and other material culture—including Monsters, Inc. and works by Mercer Mayer, Maurice Sendak, R. L. Stine, and Stephanie Meyer—Austin tracks how the metaphor of monstrosity excludes, engulfs, and narrates difference within children’s culture.
Analyzing how cultural shifts have drastically changed our perceptions of both what it means to be a monster and what it means to be a child, Austin charts how the portrayal and consumption of monsters corresponds to changes in identity categories such as race, sexuality, gender, disability, and class. In demonstrating how monstrosity is leveraged in service of political and cultural movements, such as integration, abstinence-only education, and queer rights, Austin offers insight into how monster texts continue to reflect, interpret, and shape the social discourses of identity within children’s culture.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sara Austin</itunes:subtitle>
      <itunes:summary>In Monstrous Youth: Transgressing the Boundaries of Childhood in the United States (Ohio State Press, 2022), Sara Austin traces the evolution of monstrosity as it relates to youth culture from the 1950s to the present day to spotlight the symbiotic relationship between monstrosity and the bodies and identities of children and adolescents. Examining comics, films, picture books, novels, television, toys and other material culture—including Monsters, Inc. and works by Mercer Mayer, Maurice Sendak, R. L. Stine, and Stephanie Meyer—Austin tracks how the metaphor of monstrosity excludes, engulfs, and narrates difference within children’s culture.
Analyzing how cultural shifts have drastically changed our perceptions of both what it means to be a monster and what it means to be a child, Austin charts how the portrayal and consumption of monsters corresponds to changes in identity categories such as race, sexuality, gender, disability, and class. In demonstrating how monstrosity is leveraged in service of political and cultural movements, such as integration, abstinence-only education, and queer rights, Austin offers insight into how monster texts continue to reflect, interpret, and shape the social discourses of identity within children’s culture.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814258347"><em>Monstrous Youth: Transgressing the Boundaries of Childhood in the United States</em></a> (Ohio State Press, 2022)<em>, </em>Sara Austin traces the evolution of monstrosity as it relates to youth culture from the 1950s to the present day to spotlight the symbiotic relationship between monstrosity and the bodies and identities of children and adolescents. Examining comics, films, picture books, novels, television, toys and other material culture—including <em>Monsters, Inc. </em>and works by Mercer Mayer, Maurice Sendak, R. L. Stine, and Stephanie Meyer—Austin tracks how the metaphor of monstrosity excludes, engulfs, and narrates difference within children’s culture.</p><p>Analyzing how cultural shifts have drastically changed our perceptions of both what it means to be a monster and what it means to be a child, Austin charts how the portrayal and consumption of monsters corresponds to changes in identity categories such as race, sexuality, gender, disability, and class. In demonstrating how monstrosity is leveraged in service of political and cultural movements, such as integration, abstinence-only education, and queer rights, Austin offers insight into how monster texts continue to reflect, interpret, and shape the social discourses of identity within children’s culture.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2970</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Fandom</title>
      <link>https://hightheory.net/podcast/fandom/</link>
      <description>andré carrington talks about the origins of contemporary fandoms, race and gender as its determinants, and its emancipatory potential in the face of cooption by big media conglomerates. Besides andrés book Speculative Blackness, references are made, among other things, to the work of Carolyn Dinshaw, and the popular fandoms of Doctor Who, Star Wars, and Star Trek.
andré carrington is a scholar of race, gender, and genre in Black and American cultural production, and author of Speculative Blackness: The Future of Race in Science Fiction. He is Associate Professor of English at the University of California-Riverside. carrington’s writing appears in journals (American Literature, Souls, and Lateral), books (After Queer Studies: Literature, Theory, and Sexuality in the 21st Century, The Blacker the Ink), and blogs (Black Perspectives). With Abigail De Kosnik, he co-edited a special issue of Transformative Works &amp; Cultures journal on Fans of Color/Fandoms of Color.
Image: “Girl Reading Mickey Mouse and the Submarine Pirates Comic Book” by Charles “Teenie” Harris, in Pittsburgh, 1947
Music used in promotional material: ‘Funky Garden’ by Ketsa
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 17 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/66e8e6ce-a2fb-11ec-8f06-67798236220c/image/dp-481963-22.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with andré carrington</itunes:subtitle>
      <itunes:summary>andré carrington talks about the origins of contemporary fandoms, race and gender as its determinants, and its emancipatory potential in the face of cooption by big media conglomerates. Besides andrés book Speculative Blackness, references are made, among other things, to the work of Carolyn Dinshaw, and the popular fandoms of Doctor Who, Star Wars, and Star Trek.
andré carrington is a scholar of race, gender, and genre in Black and American cultural production, and author of Speculative Blackness: The Future of Race in Science Fiction. He is Associate Professor of English at the University of California-Riverside. carrington’s writing appears in journals (American Literature, Souls, and Lateral), books (After Queer Studies: Literature, Theory, and Sexuality in the 21st Century, The Blacker the Ink), and blogs (Black Perspectives). With Abigail De Kosnik, he co-edited a special issue of Transformative Works &amp; Cultures journal on Fans of Color/Fandoms of Color.
Image: “Girl Reading Mickey Mouse and the Submarine Pirates Comic Book” by Charles “Teenie” Harris, in Pittsburgh, 1947
Music used in promotional material: ‘Funky Garden’ by Ketsa
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>andré carrington talks about the origins of contemporary fandoms, race and gender as its determinants, and its emancipatory potential in the face of cooption by big media conglomerates. Besides andrés book <em>Speculative Blackness,</em> references are made, among other things, to the work of Carolyn Dinshaw, and the popular fandoms of Doctor Who, Star Wars, and Star Trek.</p><p>andré carrington is a scholar of race, gender, and genre in Black and American cultural production, and author of <a href="https://www.upress.umn.edu/book-division/books/speculative-blackness"><em>Speculative Blackness: The Future of Race in Science Fiction</em></a>. He is Associate Professor of English at the University of California-Riverside. carrington’s writing appears in journals (<a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__read.dukeupress.edu_american-2Dliterature_article-2Dabstract_90_2_221_134537_Desiring-2DBlackness-2DA-2DQueer-2DOrientation-2Dto-2DMarvel-2Ds-3FredirectedFrom-3Dfulltext&amp;d=DwMFaQ&amp;c=slrrB7dE8n7gBJbeO0g-IQ&amp;r=PQpupTuqy5f4twIS3u2BTA&amp;m=KwNkm43HivRvU0NKw_-hfhLVFrBVttcHheBVw7n63zw&amp;s=https://read.dukeupress.edu/american-literature/article-abstract/90/2/221/134537/Desiring-Blackness-A-Queer-Orientation-to-Marvel-s?redirectedFrom=fulltext&amp;e="><em>American Literature</em></a>, <a href="https://www.pin1.harvard.edu/cas/login?service=https%3A%2F%2Fkey-idp.iam.harvard.edu%2Fidp%2FAuthn%2FExternal%3Fconversation%3De2s1%26entityId%3Dezp-prod1.hul.harvard.edu%2Flts%2Fezproxyprod%2Fsp"><em>Souls</em></a>, and <a href="https://csalateral.org/issue/6-1/minor-miracles-novelty-aya-of-yopougon-carrington/"><em>Lateral</em></a>), books (<a href="https://www.cambridge.org/core/books/after-queer-studies/9CFD275200E8F6E37EC27EDFBC838D6A"><em>After Queer Studies: Literature, Theory, and Sexuality in the 21st Century</em></a><em>, </em><a href="https://www.rutgersuniversitypress.org/the-blacker-the-ink/9780813572338"><em>The Blacker the Ink</em></a><em>), </em>and blogs (<a href="https://www.aaihs.org/crossover-convergence-and-the-cultural-politics-of-black-comics/"><em>Black Perspectives</em></a>)<em>.</em> With <a href="https://twitter.com/de_kosnik?lang=en">Abigail De Kosnik</a>, he co-edited a special issue of <a href="https://journal.transformativeworks.org/index.php/twc/issue/view/52"><em>Transformative Works &amp; Cultures</em></a> journal on Fans of Color/Fandoms of Color.</p><p>Image: “Girl Reading <em>Mickey Mouse and the Submarine Pirates</em> Comic Book” by Charles “Teenie” Harris, in Pittsburgh, 1947</p><p>Music used in promotional material: ‘Funky Garden’ by Ketsa</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1137</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=401]]></guid>
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      <title>Andrew Simon, "Media of the Masses: Cassette Culture in Modern Egypt" (Stanford UP, 2022)</title>
      <description>Media of the Masses: Cassette Culture in Modern Egypt (Stanford UP, 2022) investigates the social life of an everyday technology—the cassette tape—to offer a multisensory history of modern Egypt. Over the 1970s and 1980s, cassettes became a ubiquitous presence in Egyptian homes and stores. Audiocassette technology gave an opening to ordinary individuals, from singers to smugglers, to challenge state-controlled Egyptian media. Enabling an unprecedented number of people to participate in the creation of culture and circulation of content, cassette players and tapes soon informed broader cultural, political, and economic developments and defined "modern" Egyptian households.
Drawing on a wide array of audio, visual, and textual sources that exist outside the Egyptian National Archives, Andrew Simon provides a new entry point into understanding everyday life and culture. Cassettes and cassette players, he demonstrates, did not simply join other twentieth century mass media, like records and radio; they were the media of the masses. Comprised of little more than magnetic reels in plastic cases, cassettes empowered cultural consumers to become cultural producers long before the advent of the Internet. Positioned at the productive crossroads of social history, cultural anthropology, and media and sound studies, Media of the Masses ultimately shows how the most ordinary things may yield the most surprising insights.
Avery Weinman is a PhD student in History at the University of California, Los Angeles. She researches Jewish history in the modern Middle East and North Africa, with emphasis on Sephardi and Mizrahi radicals in British Mandatory Palestine. She can be reached at averyweinman@ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew Simon</itunes:subtitle>
      <itunes:summary>Media of the Masses: Cassette Culture in Modern Egypt (Stanford UP, 2022) investigates the social life of an everyday technology—the cassette tape—to offer a multisensory history of modern Egypt. Over the 1970s and 1980s, cassettes became a ubiquitous presence in Egyptian homes and stores. Audiocassette technology gave an opening to ordinary individuals, from singers to smugglers, to challenge state-controlled Egyptian media. Enabling an unprecedented number of people to participate in the creation of culture and circulation of content, cassette players and tapes soon informed broader cultural, political, and economic developments and defined "modern" Egyptian households.
Drawing on a wide array of audio, visual, and textual sources that exist outside the Egyptian National Archives, Andrew Simon provides a new entry point into understanding everyday life and culture. Cassettes and cassette players, he demonstrates, did not simply join other twentieth century mass media, like records and radio; they were the media of the masses. Comprised of little more than magnetic reels in plastic cases, cassettes empowered cultural consumers to become cultural producers long before the advent of the Internet. Positioned at the productive crossroads of social history, cultural anthropology, and media and sound studies, Media of the Masses ultimately shows how the most ordinary things may yield the most surprising insights.
Avery Weinman is a PhD student in History at the University of California, Los Angeles. She researches Jewish history in the modern Middle East and North Africa, with emphasis on Sephardi and Mizrahi radicals in British Mandatory Palestine. She can be reached at averyweinman@ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781503631441"><em>Media of the Masses: Cassette Culture in Modern Egypt</em></a><em> </em>(Stanford UP, 2022) investigates the social life of an everyday technology—the cassette tape—to offer a multisensory history of modern Egypt. Over the 1970s and 1980s, cassettes became a ubiquitous presence in Egyptian homes and stores. Audiocassette technology gave an opening to ordinary individuals, from singers to smugglers, to challenge state-controlled Egyptian media. Enabling an unprecedented number of people to participate in the creation of culture and circulation of content, cassette players and tapes soon informed broader cultural, political, and economic developments and defined "modern" Egyptian households.</p><p>Drawing on a wide array of audio, visual, and textual sources that exist outside the Egyptian National Archives, Andrew Simon provides a new entry point into understanding everyday life and culture. Cassettes and cassette players, he demonstrates, did not simply join other twentieth century mass media, like records and radio; they were the media of the masses. Comprised of little more than magnetic reels in plastic cases, cassettes empowered cultural consumers to become cultural producers long before the advent of the Internet. Positioned at the productive crossroads of social history, cultural anthropology, and media and sound studies, Media of the Masses ultimately shows how the most ordinary things may yield the most surprising insights.</p><p><a href="https://history.ucla.edu/grads/avery-weinman"><em>Avery Weinman</em></a><em> is a PhD student in History at the University of California, Los Angeles. She researches Jewish history in the modern Middle East and North Africa, with emphasis on Sephardi and Mizrahi radicals in British Mandatory Palestine. She can be reached at </em><a href="mailto:averyweinman@ucla.edu"><em>averyweinman@ucla.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4369</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN7198846895.mp3?updated=1655113077" length="0" type="audio/mpeg"/>
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    <item>
      <title>83* Elizabeth Ferry and John Plotz on Zadie Smith</title>
      <description>John and Elizabeth look back at Recall This Book’s terrific 2019 conversation with Zadie Smith , so you may want to listen to that again before proceeding Elizabeth and John try their best to unpack Zadie Smith’s take on sincerity, authenticity and human sacredness; the “golden ticket” dirty secret behind our hypocritical academic meritocracy; surveillance capitalism as the “biggest capital grab of human experience in history;” and her genealogy of the novel. If we had to sum the day up with a few adjectives: funny, provocative, resplendent, chill, generous, cantankerous.
Discussed in this episode:

Tony Judt, Postwar


Richard Hoggart, The Uses of Literacy


Nicholas Lehmann, The Big Test


Elizabeth Strout, Olive Kitteridge


Doris Lessing The Fifth Child


Muriel Spark, The Girls of Slender Means


Stephen McCauley (with JP on RTB) Barbara Pym and the Comic Novel


Hilary Mantel, Beyond Black (and others…)

Joseph O’Neill, Netherland


J. P. Toussaint, The Bathroom


Virginia Woolf, The Common Reader, A Room of One’s Own, “Moments of Being”


Philip Roth, The Counterlife, Exit Ghost


Listen to the episode here:
You can read the transcript here:
RTB 15x Ferry and Plotz on ZS
﻿Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>John and Elizabeth look back at Recall This Book’s terrific 2019 conversation with Zadie Smith , so you may want to listen to that again before proceeding Elizabeth and John try their best to unpack Zadie Smith’s take on sincerity, authenticity and human sacredness; the “golden ticket” dirty secret behind our hypocritical academic meritocracy; surveillance capitalism as the “biggest capital grab of human experience in history;” and her genealogy of the novel. If we had to sum the day up with a few adjectives: funny, provocative, resplendent, chill, generous, cantankerous.
Discussed in this episode:

Tony Judt, Postwar


Richard Hoggart, The Uses of Literacy


Nicholas Lehmann, The Big Test


Elizabeth Strout, Olive Kitteridge


Doris Lessing The Fifth Child


Muriel Spark, The Girls of Slender Means


Stephen McCauley (with JP on RTB) Barbara Pym and the Comic Novel


Hilary Mantel, Beyond Black (and others…)

Joseph O’Neill, Netherland


J. P. Toussaint, The Bathroom


Virginia Woolf, The Common Reader, A Room of One’s Own, “Moments of Being”


Philip Roth, The Counterlife, Exit Ghost


Listen to the episode here:
You can read the transcript here:
RTB 15x Ferry and Plotz on ZS
﻿Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>John and Elizabeth look back at Recall This Book’s terrific <a href="https://newbooksnetwork.com/zadie-smith-in-focus-jp#entry:158869@1:url">2019 conversation with Zadie Smith </a>, so you may want to listen to that again before proceeding Elizabeth and John try their best to unpack Zadie Smith’s take on sincerity, authenticity and human sacredness; the “golden ticket” dirty secret behind our hypocritical academic meritocracy; surveillance capitalism as the “biggest capital grab of human experience in history;” and her genealogy of the novel. If we had to sum the day up with a few adjectives: funny, provocative, resplendent, chill, generous, cantankerous.</p><p>Discussed in this episode:</p><ul>
<li>Tony Judt, <a href="https://www.theguardian.com/books/2005/dec/03/featuresreviews.guardianreview4"><em>Postwar</em></a>
</li>
<li>Richard Hoggart, <a href="https://www.amazon.com/Uses-Literacy-Classics-Communication-Culture/dp/0765804212"><em>The Uses of Literacy</em></a>
</li>
<li>Nicholas Lehmann, <a href="https://www.amazon.com/Big-Test-History-American-Meritocracy/dp/0374527512"><em>The Big Test</em></a>
</li>
<li>Elizabeth Strout, <a href="https://www.elizabethstrout.com/books/olive-kitteridge"><em>Olive Kitteridge</em></a>
</li>
<li>Doris Lessing <a href="https://en.wikipedia.org/wiki/The_Fifth_Child"><em>The Fifth Child</em></a>
</li>
<li>Muriel Spark, <a href="https://www.theguardian.com/books/2003/jul/26/classics.fiction"><em>The Girls of Slender Means</em></a>
</li>
<li>Stephen McCauley (with JP on RTB) <a href="https://recallthisbook.org/category/the-comic-novel-with-stephen-mccauley/">Barbara Pym and the Comic Novel</a>
</li>
<li>Hilary Mantel, <a href="https://www.theguardian.com/books/2005/apr/30/featuresreviews.guardianreview30"><em>Beyond Black </em></a>(and others…)</li>
<li>Joseph O’Neill, <a href="https://www.newyorker.com/magazine/2008/05/26/beyond-a-boundary"><em>Netherland</em></a>
</li>
<li>J. P. Toussaint,<a href="https://www.amazon.com/Bathroom-Jean-Philippe-Toussaint/dp/1564785181"> <em>The Bathroom</em></a>
</li>
<li>Virginia Woolf, <a href="https://www.amazon.com/Common-Reader-First-Annotated/dp/015602778X"><em>The Common Reader</em></a>, <a href="https://en.wikipedia.org/wiki/A_Room_of_One%27s_Own"><em>A Room of One’s Own</em></a>, <a href="https://recallthisbook.org/category/life-writing-and-life-writing-with-helena-debres/">“Moments of Being”</a>
</li>
<li>Philip Roth, <a href="https://www.publicbooks.org/the-storys-where-i-go-an-interview-with-ursula-k-le-guin/"><em>The Counterlife</em></a><em>, </em><a href="https://en.wikipedia.org/wiki/Exit_Ghost"><em>Exit Ghost</em></a>
</li>
</ul><p>Listen to the episode here:</p><p>You can read the transcript here:</p><p><a href="https://recallthisbookorg.files.wordpress.com/2019/10/rtb-15x-ferry-and-plotz-on-zs.pdf">RTB 15x Ferry and Plotz on ZS</a></p><p><em>﻿</em><a href="https://elizabeth-ferry.com/"><em>Elizabeth Ferry</em></a><em> is Professor of Anthropology at Brandeis University. Email: </em><a href="mailto:ferry@brandeis.edu"><em>ferry@brandeis.edu</em></a><em>. </em><a href="https://www.brandeis.edu/english/faculty/plotz.html"><em>John Plotz</em></a><em> is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the </em><a href="https://sites.google.com/brandeis.edu/brandeisjusticeinitiative/home"><em>Brandeis Educational Justice Initiative</em></a><em>. Email: </em><a href="mailto:plotz@brandeis.edu"><em>plotz@brandeis.edu</em></a><em><u>.</u></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1655</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dc0678ae-ecd4-11ec-9ab3-43c09ff5325d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7229514213.mp3?updated=1655381292" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Wills, "Gamer Nation: Video Games and American Culture" (Johns Hopkins UP, 2019)</title>
      <description>In 1975, design engineer Dave Nutting completed work on a new arcade machine. A version of Taito's Western Gun, a recent Japanese arcade machine, Nutting's Gun Fight depicted a classic showdown between gunfighters. Rich in Western folklore, the game seemed perfect for the American market; players easily adapted to the new technology, becoming pistol-wielding pixel cowboys. One of the first successful early arcade titles, Gun Fight helped introduce an entire nation to video-gaming and sold more than 8,000 units.
In Gamer Nation: Video Games and American Culture (Johns Hopkins UP, 2019), John Wills examines how video games co-opt national landscapes, livelihoods, and legends. Arguing that video games toy with Americans' mass cultural and historical understanding, Wills show how games reprogram the American experience as a simulated reality. Blockbuster games such as Civilization, Call of Duty, and Red Dead Redemption repackage the past, refashioning history into novel and immersive digital states of America. Controversial titles such as Custer's Revenge and 08.46 recode past tragedies. Meanwhile, online worlds such as Second Life cater to a desire to inhabit alternate versions of America, while Paperboy and The Sims transform the mundane tasks of everyday suburbia into fun and addictive challenges.
Working with a range of popular and influential games, from Pong, Civilization, and The Oregon Trail to Grand Theft Auto, Silent Hill, and Fortnite, Wills critically explores these gamic depictions of America. Touching on organized crime, nuclear fallout, environmental degradation, and the War on Terror, Wills uncovers a world where players casually massacre Native Americans and Cold War soldiers alike, a world where neo-colonialism, naive patriotism, disassociated violence, and racial conflict abound, and a world where the boundaries of fantasy and reality are increasingly blurred. Ultimately, Gamer Nation reveals not only how video games are a key aspect of contemporary American culture, but also how games affect how people relate to America itself.
Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>234</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Wills</itunes:subtitle>
      <itunes:summary>In 1975, design engineer Dave Nutting completed work on a new arcade machine. A version of Taito's Western Gun, a recent Japanese arcade machine, Nutting's Gun Fight depicted a classic showdown between gunfighters. Rich in Western folklore, the game seemed perfect for the American market; players easily adapted to the new technology, becoming pistol-wielding pixel cowboys. One of the first successful early arcade titles, Gun Fight helped introduce an entire nation to video-gaming and sold more than 8,000 units.
In Gamer Nation: Video Games and American Culture (Johns Hopkins UP, 2019), John Wills examines how video games co-opt national landscapes, livelihoods, and legends. Arguing that video games toy with Americans' mass cultural and historical understanding, Wills show how games reprogram the American experience as a simulated reality. Blockbuster games such as Civilization, Call of Duty, and Red Dead Redemption repackage the past, refashioning history into novel and immersive digital states of America. Controversial titles such as Custer's Revenge and 08.46 recode past tragedies. Meanwhile, online worlds such as Second Life cater to a desire to inhabit alternate versions of America, while Paperboy and The Sims transform the mundane tasks of everyday suburbia into fun and addictive challenges.
Working with a range of popular and influential games, from Pong, Civilization, and The Oregon Trail to Grand Theft Auto, Silent Hill, and Fortnite, Wills critically explores these gamic depictions of America. Touching on organized crime, nuclear fallout, environmental degradation, and the War on Terror, Wills uncovers a world where players casually massacre Native Americans and Cold War soldiers alike, a world where neo-colonialism, naive patriotism, disassociated violence, and racial conflict abound, and a world where the boundaries of fantasy and reality are increasingly blurred. Ultimately, Gamer Nation reveals not only how video games are a key aspect of contemporary American culture, but also how games affect how people relate to America itself.
Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1975, design engineer Dave Nutting completed work on a new arcade machine. A version of Taito's Western Gun, a recent Japanese arcade machine, Nutting's Gun Fight depicted a classic showdown between gunfighters. Rich in Western folklore, the game seemed perfect for the American market; players easily adapted to the new technology, becoming pistol-wielding pixel cowboys. One of the first successful early arcade titles, Gun Fight helped introduce an entire nation to video-gaming and sold more than 8,000 units.</p><p>In <a href="https://bookshop.org/a/12343/9781421428703"><em>Gamer Nation: Video Games and American Culture</em></a><em> </em>(Johns Hopkins UP, 2019), John Wills examines how video games co-opt national landscapes, livelihoods, and legends. Arguing that video games toy with Americans' mass cultural and historical understanding, Wills show how games reprogram the American experience as a simulated reality. Blockbuster games such as Civilization, Call of Duty, and Red Dead Redemption repackage the past, refashioning history into novel and immersive digital states of America. Controversial titles such as Custer's Revenge and 08.46 recode past tragedies. Meanwhile, online worlds such as Second Life cater to a desire to inhabit alternate versions of America, while Paperboy and The Sims transform the mundane tasks of everyday suburbia into fun and addictive challenges.</p><p>Working with a range of popular and influential games, from Pong, Civilization, and The Oregon Trail to Grand Theft Auto, Silent Hill, and Fortnite, Wills critically explores these gamic depictions of America. Touching on organized crime, nuclear fallout, environmental degradation, and the War on Terror, Wills uncovers a world where players casually massacre Native Americans and Cold War soldiers alike, a world where neo-colonialism, naive patriotism, disassociated violence, and racial conflict abound, and a world where the boundaries of fantasy and reality are increasingly blurred. Ultimately, Gamer Nation reveals not only how video games are a key aspect of contemporary American culture, but also how games affect how people relate to America itself.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design at the IU International University of Applied Science.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3321</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1a614776-e822-11ec-8df1-97a2c1c60cfc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5210629981.mp3?updated=1654799992" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Teasley, "Designing Modern Japan" (Reaktion Books, 2022)</title>
      <description>Sarah Teasley's Designing Modern Japan (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. Designing Modern Japan explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. Designing Modern Japan is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 13 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Teasley</itunes:subtitle>
      <itunes:summary>Sarah Teasley's Designing Modern Japan (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. Designing Modern Japan explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. Designing Modern Japan is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sarah Teasley's <a href="https://bookshop.org/a/12343/9781780232027"><em>Designing Modern Japan</em></a> (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. <em>Designing Modern Japan </em>explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. <em>Designing Modern Japan</em> is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan.</p><p><a href="https://sites.google.com/site/nathanhopson"><em>Nathan Hopson</em></a><em> is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6192</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[186416d2-e337-11ec-ba8a-8f05ea3c14de]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6941435400.mp3?updated=1654260412" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Edward Anthony Avery-Natale, "Ethics, Politics, and Anarcho-Punk Identifications: Punk and Anarchy in Philadelphia" (Lexington, 2016)</title>
      <description>Edward Anthony Avery-Natale's book Ethics, Politics, and Anarcho-Punk Identifications: Punk and Anarchy in Philadelphia (Lexington, 2016) explores the ways in which those who identify as punks and anarchists living in the Philadelphia area construct their identifications narratively through the use of ethics. The book shows that contemporary subcultural and political identifications are complicated by the multiplicity of identifications that postmodern subjects must work from. Throughout the book, it is shown that narrators strive to maintain the coherence of their identifications through narrative reconciliations of contradictions and conflicts. The identity label "anarcho-punk" is of particular salience here, as the hyphenation of the two terms, itself a central component of the book's analysis, forefronts the multiple nature of the identification on the whole. This makes anarcho-punk a particularly interesting identity to study because there we can see clearly the complicated nature of identities in the contemporary age most clearly. Ethics, Politics, and Anarcho-Punk Identifications includes chapters focusing on the entry into subculture, fashion, punk, politics, anarchy, race and racism, gender and sexuality, and more coupled with in-depth theoretical analysis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Edward Anthony Avery-Natale</itunes:subtitle>
      <itunes:summary>Edward Anthony Avery-Natale's book Ethics, Politics, and Anarcho-Punk Identifications: Punk and Anarchy in Philadelphia (Lexington, 2016) explores the ways in which those who identify as punks and anarchists living in the Philadelphia area construct their identifications narratively through the use of ethics. The book shows that contemporary subcultural and political identifications are complicated by the multiplicity of identifications that postmodern subjects must work from. Throughout the book, it is shown that narrators strive to maintain the coherence of their identifications through narrative reconciliations of contradictions and conflicts. The identity label "anarcho-punk" is of particular salience here, as the hyphenation of the two terms, itself a central component of the book's analysis, forefronts the multiple nature of the identification on the whole. This makes anarcho-punk a particularly interesting identity to study because there we can see clearly the complicated nature of identities in the contemporary age most clearly. Ethics, Politics, and Anarcho-Punk Identifications includes chapters focusing on the entry into subculture, fashion, punk, politics, anarchy, race and racism, gender and sexuality, and more coupled with in-depth theoretical analysis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Edward Anthony Avery-Natale's book <a href="https://bookshop.org/a/12343/9781498519984"><em>Ethics, Politics, and Anarcho-Punk Identifications: Punk and Anarchy in Philadelphia</em></a> (Lexington, 2016) explores the ways in which those who identify as punks and anarchists living in the Philadelphia area construct their identifications narratively through the use of ethics. The book shows that contemporary subcultural and political identifications are complicated by the multiplicity of identifications that postmodern subjects must work from. Throughout the book, it is shown that narrators strive to maintain the coherence of their identifications through narrative reconciliations of contradictions and conflicts. The identity label "anarcho-punk" is of particular salience here, as the hyphenation of the two terms, itself a central component of the book's analysis, forefronts the multiple nature of the identification on the whole. This makes anarcho-punk a particularly interesting identity to study because there we can see clearly the complicated nature of identities in the contemporary age most clearly. Ethics, Politics, and Anarcho-Punk Identifications includes chapters focusing on the entry into subculture, fashion, punk, politics, anarchy, race and racism, gender and sexuality, and more coupled with in-depth theoretical analysis.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4158</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8118df9c-e35e-11ec-8c72-e7238bd6ffab]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4071897542.mp3?updated=1654276115" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Anthony Neal, "Black Ephemera: The Crisis and Challenge of the Musical Archive" (NYU Press, 2022)</title>
      <description>We are living in an era of unprecedented access to popular culture: contemporary digital infrastructure provides anyone with an internet connection access to a dizzying array of cultural objects past and present, which mingle and connect in fascinating, bizarre and sometimes troubling ways. 
In Black Ephemera: The Crisis and Challenge of the Musical Archive (NYU Press, 2022), Mark Anthony Neal considers the opportunities and challenges that this vast archive represents for Black American culture, with a particular focus on music and sound. He suggests that despite the profusion of what he terms ‘Black big data’ and the supposed democratisation of access this entails, the contemporary moment is characterised by a profound amnesia and an absence of attention to the dense web of connections that bind the analogue past with the digital present. Black Ephemera seeks to at once draw out and ‘mystify’ these links, by attending to recordings, historical moments and archival projects which have often been neglected in other studies of Black music. Neal’s explorations have a wide historical scope and operate simultaneously in microscopic and conjunctural registers. The book includes analyses of legendary Memphis record label Stax, the place of Aretha Franklin and Mavin Gaye’s overlooked early recordings in/as the Great American Songbook, the use of musical citation to try and combat the erasure of Black women’s experience from the historical archive, and the significance of archival ephemera to Black mourning practices from Pattie LaBelle to Kendrick Lamar.
We cover a lot of music in this episode, and there’s even more in the book! A good place to start might be with two mixes made in response to Black Ephemera, which you can listen to here and here.
Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>304</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Anthony Neal</itunes:subtitle>
      <itunes:summary>We are living in an era of unprecedented access to popular culture: contemporary digital infrastructure provides anyone with an internet connection access to a dizzying array of cultural objects past and present, which mingle and connect in fascinating, bizarre and sometimes troubling ways. 
In Black Ephemera: The Crisis and Challenge of the Musical Archive (NYU Press, 2022), Mark Anthony Neal considers the opportunities and challenges that this vast archive represents for Black American culture, with a particular focus on music and sound. He suggests that despite the profusion of what he terms ‘Black big data’ and the supposed democratisation of access this entails, the contemporary moment is characterised by a profound amnesia and an absence of attention to the dense web of connections that bind the analogue past with the digital present. Black Ephemera seeks to at once draw out and ‘mystify’ these links, by attending to recordings, historical moments and archival projects which have often been neglected in other studies of Black music. Neal’s explorations have a wide historical scope and operate simultaneously in microscopic and conjunctural registers. The book includes analyses of legendary Memphis record label Stax, the place of Aretha Franklin and Mavin Gaye’s overlooked early recordings in/as the Great American Songbook, the use of musical citation to try and combat the erasure of Black women’s experience from the historical archive, and the significance of archival ephemera to Black mourning practices from Pattie LaBelle to Kendrick Lamar.
We cover a lot of music in this episode, and there’s even more in the book! A good place to start might be with two mixes made in response to Black Ephemera, which you can listen to here and here.
Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are living in an era of unprecedented access to popular culture: contemporary digital infrastructure provides anyone with an internet connection access to a dizzying array of cultural objects past and present, which mingle and connect in fascinating, bizarre and sometimes troubling ways. </p><p>In <a href="https://bookshop.org/a/12343/9781479806904"><em>Black Ephemera: The Crisis and Challenge of the Musical Archive</em></a><em> </em>(NYU Press, 2022), Mark Anthony Neal considers the opportunities and challenges that this vast archive represents for Black American culture, with a particular focus on music and sound. He suggests that despite the profusion of what he terms ‘Black big data’ and the supposed democratisation of access this entails, the contemporary moment is characterised by a profound amnesia and an absence of attention to the dense web of connections that bind the analogue past with the digital present. <em>Black Ephemera </em>seeks to at once draw out and ‘mystify’ these links, by attending to recordings, historical moments and archival projects which have often been neglected in other studies of Black music. Neal’s explorations have a wide historical scope and operate simultaneously in microscopic and conjunctural registers. The book includes analyses of legendary Memphis record label Stax, the place of Aretha Franklin and Mavin Gaye’s overlooked early recordings in/as the Great American Songbook, the use of musical citation to try and combat the erasure of Black women’s experience from the historical archive, and the significance of archival ephemera to Black mourning practices from Pattie LaBelle to Kendrick Lamar.</p><p>We cover a lot of music in this episode, and there’s even more in the book! A good place to start might be with two mixes made in response to <em>Black Ephemera, </em>which you can listen to <a href="https://www.newblackmaninexile.net/2022/03/the-mixtape-as-maroon-original.html">here</a> and <a href="https://www.newblackmaninexile.net/2022/03/the-mixtape-as-maroon-original.html">here</a>.</p><p><em>Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4080</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[32befbc4-e269-11ec-a5a6-4b8c2994629f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4633237316.mp3?updated=1654170692" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa Vosen Callens, "Ode to Gen X: Institutional Cynicism in 'Stranger Things' and 1980s Film" (UP of Mississippi, 2021)</title>
      <description>In Ode to Gen X: Institutional Cynicism in "Stranger Things" and 1980s Film (University Press of Mississippi, 2021), Melissa Vosen Callens explores the parallels between iconic films featuring children and teenagers and the first three seasons of Stranger Things, a series about a group of young friends set in 1980s Indiana. The text moves beyond the (at times) non-sequitur 1980s Easter eggs to a common underlying narrative: Generation X’s growing distrust in American institutions.
Despite Gen X’s cynicism toward both informal and formal institutions, viewers also see a more positive characteristic of Gen X in these films and series: Gen X’s fierce independence and ability to rebuild and redefine the family unit despite continued economic hardships. Vosen Callens demonstrates how Stranger Things draws on popular 1980s popular culture to pay tribute to Gen X’s evolving outlook on three key and interwoven American institutions: family, economy, and government.
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melissa Vosen Callens</itunes:subtitle>
      <itunes:summary>In Ode to Gen X: Institutional Cynicism in "Stranger Things" and 1980s Film (University Press of Mississippi, 2021), Melissa Vosen Callens explores the parallels between iconic films featuring children and teenagers and the first three seasons of Stranger Things, a series about a group of young friends set in 1980s Indiana. The text moves beyond the (at times) non-sequitur 1980s Easter eggs to a common underlying narrative: Generation X’s growing distrust in American institutions.
Despite Gen X’s cynicism toward both informal and formal institutions, viewers also see a more positive characteristic of Gen X in these films and series: Gen X’s fierce independence and ability to rebuild and redefine the family unit despite continued economic hardships. Vosen Callens demonstrates how Stranger Things draws on popular 1980s popular culture to pay tribute to Gen X’s evolving outlook on three key and interwoven American institutions: family, economy, and government.
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781496832412"><em>Ode to Gen X: Institutional Cynicism in "Stranger Things" and 1980s Film</em></a> (University Press of Mississippi, 2021), Melissa Vosen Callens explores the parallels between iconic films featuring children and teenagers and the first three seasons of <em>Stranger Things</em>, a series about a group of young friends set in 1980s Indiana. The text moves beyond the (at times) non-sequitur 1980s Easter eggs to a common underlying narrative: Generation X’s growing distrust in American institutions.</p><p>Despite Gen X’s cynicism toward both informal and formal institutions, viewers also see a more positive characteristic of Gen X in these films and series: Gen X’s fierce independence and ability to rebuild and redefine the family unit despite continued economic hardships. Vosen Callens demonstrates how <em>Stranger Things</em> draws on popular 1980s popular culture to pay tribute to Gen X’s evolving outlook on three key and interwoven American institutions: family, economy, and government.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2376</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bc96afd4-e35b-11ec-b0fe-43d516cdb77f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6962829098.mp3?updated=1654274956" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter C. Zimmerman, "The Jazz Masters: Setting the Record Straight" (UP of Mississippi, 2021)</title>
      <description>The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.
Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.
The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.
This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.”
﻿Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter C. Zimmerman</itunes:subtitle>
      <itunes:summary>The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.
Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.
The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.
This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.”
﻿Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781496837431"><em>The Jazz Masters: Setting the Record Straight</em></a><em> </em>(UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.</p><p>Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.</p><p>The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching <em>The Jazz Masters</em>. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.</p><p>This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, <em>The Jazz Masters</em> goes a long way toward “setting the record straight.”</p><p><em>﻿Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3365</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90294448-e04a-11ec-b019-535b8a3d19dd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5219377137.mp3?updated=1653937664" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)</title>
      <description>The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it’s hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won’t succeed, there’s no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding.
In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment.
Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Beth Willard</itunes:subtitle>
      <itunes:summary>The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it’s hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won’t succeed, there’s no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding.
In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment.
Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it’s hard to find good reasons to do so. In <a href="https://bookshop.org/a/12343/9780367898649"><em>Why It's OK to Enjoy the Work of Immoral Artists</em></a> (Routledge, 2021), she contends that because most boycotts of artists won’t succeed, there’s no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding.</p><p>In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment.</p><p><a href="http://www.allison-leigh.com/"><em>Allison Leigh</em></a><em> is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4094</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0b8e7360-e1cc-11ec-90ef-87167b64a93f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2700117213.mp3?updated=1654103195" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Citarella, "Politigram and the Post-Left" (Blurb, 2021)</title>
      <description>The internet’s potential to perform political miracles has been a source of both hope and disappointment for many grassroots movements. We remember that the Sanders campaign tried to master the meme to mobilise a young, eager audience. Equally, we ascribe Trump’s electoral victory in 2016 to seemingly leaderless internet misinformation.Many of such events have been the subject of academic study - but research is often slow to keep up with the rapidly changing scene. If a researcher tracing the role of the meme to the politicisation and radicalisation of online communities struggles to keep up what hope does an artist have?
Joshua Citarella’s practice starts with the understanding that it is impossible to predict what the next generation of meme posters will be interested in and whether their memes will reach beyond their tiny echo chambers. What is clear is that mainstream politics, particularly the politics of the left, remains afraid of these unruly communities that can just as easily turn to the dark corners of the demonised alt-right as they are to carry the flag for Bernie.
Joshua Citarella speaks to Pierre d'Alancaisez about researching internet subcultures, playing politics with the extremely online, the multiple meanings of radicalisation, strategies for subverting right-wing content, and the role of art in internet political aesthetics.
Joshua Citarella is an artist, content creator, and researcher. Politigram and the Post-left is one of many projects he has released through self-publishing channels and directly to his supporters.

Joshua on Instagram and Patreon



20 Interviews with meme-posters


Do Not Research, and online internet culture magazine


When Guys Turn 20, Joshua's video series at dis.art

Do Not Research exhibition at Lower Cavity



Interview with Mike Watson on The Memeing of Mark Fisher


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua Citarella</itunes:subtitle>
      <itunes:summary>The internet’s potential to perform political miracles has been a source of both hope and disappointment for many grassroots movements. We remember that the Sanders campaign tried to master the meme to mobilise a young, eager audience. Equally, we ascribe Trump’s electoral victory in 2016 to seemingly leaderless internet misinformation.Many of such events have been the subject of academic study - but research is often slow to keep up with the rapidly changing scene. If a researcher tracing the role of the meme to the politicisation and radicalisation of online communities struggles to keep up what hope does an artist have?
Joshua Citarella’s practice starts with the understanding that it is impossible to predict what the next generation of meme posters will be interested in and whether their memes will reach beyond their tiny echo chambers. What is clear is that mainstream politics, particularly the politics of the left, remains afraid of these unruly communities that can just as easily turn to the dark corners of the demonised alt-right as they are to carry the flag for Bernie.
Joshua Citarella speaks to Pierre d'Alancaisez about researching internet subcultures, playing politics with the extremely online, the multiple meanings of radicalisation, strategies for subverting right-wing content, and the role of art in internet political aesthetics.
Joshua Citarella is an artist, content creator, and researcher. Politigram and the Post-left is one of many projects he has released through self-publishing channels and directly to his supporters.

Joshua on Instagram and Patreon



20 Interviews with meme-posters


Do Not Research, and online internet culture magazine


When Guys Turn 20, Joshua's video series at dis.art

Do Not Research exhibition at Lower Cavity



Interview with Mike Watson on The Memeing of Mark Fisher


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The internet’s potential to perform political miracles has been a source of both hope and disappointment for many grassroots movements. We remember that the Sanders campaign tried to master the meme to mobilise a young, eager audience. Equally, we ascribe Trump’s electoral victory in 2016 to seemingly leaderless internet misinformation.Many of such events have been the subject of academic study - but research is often slow to keep up with the rapidly changing scene. If a researcher tracing the role of the meme to the politicisation and radicalisation of online communities struggles to keep up what hope does an artist have?</p><p>Joshua Citarella’s practice starts with the understanding that it is impossible to predict what the next generation of meme posters will be interested in and whether their memes will reach beyond their tiny echo chambers. What is clear is that mainstream politics, particularly the politics of the left, remains afraid of these unruly communities that can just as easily turn to the dark corners of the demonised alt-right as they are to carry the flag for Bernie.</p><p>Joshua Citarella speaks to Pierre d'Alancaisez about researching internet subcultures, playing politics with the extremely online, the multiple meanings of radicalisation, strategies for subverting right-wing content, and the role of art in internet political aesthetics.</p><p><a href="http://joshuacitarella.com/">Joshua Citarella</a> is an artist, content creator, and researcher. <em>Politigram and the Post-left</em> is one of many projects he has released through self-publishing channels and directly to his supporters.</p><ul>
<li>Joshua on <a href="https://www.instagram.com/joshuacitarella/">Instagram</a> and <a href="https://www.patreon.com/joshuacitarella">Patreon</a>
</li>
<li>
<a href="https://www.amazon.co.uk/20-Interviews-Joshua-Citarella/dp/1034279270"><em>20 Interviews</em></a> with meme-posters</li>
<li>
<a href="https://donotresearch.net/authors/joshua-citarella"><em>Do Not Research</em></a>, and online internet culture magazine</li>
<li>
<a href="https://dis.art/series/when-guys-turn-20"><em>When Guys Turn 20</em></a>, Joshua's video series at dis.art</li>
<li>Do Not Research <a href="https://www.lowercavity.space/donotresearch">exhibition at Lower Cavity</a>
</li>
<li>
<a href="https://petitpoi.net/mike-watson-the-memeing-of-mark-fisher/">Interview with Mike Watson</a> on <em>The Memeing of Mark Fisher</em>
</li>
</ul><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3670</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[26a316bc-e021-11ec-905e-6354275ce73b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4814661609.mp3?updated=1653919830" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erich Schwartzel, "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy" (Penguin, 2022)</title>
      <description>From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies.
The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China’s citizens—and gain approval from severe Communist Party censors. At the same time, and with America’s unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world.
Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>75</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erich Schwertzel</itunes:subtitle>
      <itunes:summary>From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies.
The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China’s citizens—and gain approval from severe Communist Party censors. At the same time, and with America’s unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world.
Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies.</p><p>The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China’s citizens—and gain approval from severe Communist Party censors. At the same time, and with America’s unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world.</p><p><a href="https://bookshop.org/a/12343/9781984878991"><em>Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy</em></a> (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century.</p><p><em>Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s </em><a href="https://www.vanleer.org.il/en/"><em>Van Leer Jerusalem</em></a><em> Series on Ideas. Write her at reneeg@vanleer.org.il</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2507</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Shara Rambarran, "Virtual Music: Sound, Music, and Image in the Digital Era" (Bloomsbury, 2021)</title>
      <description>Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go…' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and listening to music.
Virtual Music: Sound, Music, and Image in the Digital Era (Bloomsbury, 2021) explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers. Shara Rambarran looks at the fascination and innovations surrounding virtual music, and illustrates key artists (such as Grace Jones, The Weeknd), creators (such as King Tubby, Kraftwerk, MadVillain, Danger Mouse), audiovisuals in video games and performances (such as Cuphead and Gorillaz), audiences, and consumers that contribute in making this musical experience a phenomenon. Whether it is interrogating the (un)realness of performers, modified identities of artists, technological manipulation of the Internet, music industry and music production, or accessible opportunities in creativity, the book offers a fresh understanding of virtual music and appeals to readers who have an interest in this digital revolution.
Shara Rambarran is Assistant Professor of Music at Bader International Study Centre, UK (Queen’s University, Canada). She co-runs the Art of Record Production conferences and is an editor on the Journal on the Art of Record Production and co-editor of The Oxford Handbook of Music and Virtuality (2016). Shara Rambarran on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 03 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go…' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and listening to music.
Virtual Music: Sound, Music, and Image in the Digital Era (Bloomsbury, 2021) explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers. Shara Rambarran looks at the fascination and innovations surrounding virtual music, and illustrates key artists (such as Grace Jones, The Weeknd), creators (such as King Tubby, Kraftwerk, MadVillain, Danger Mouse), audiovisuals in video games and performances (such as Cuphead and Gorillaz), audiences, and consumers that contribute in making this musical experience a phenomenon. Whether it is interrogating the (un)realness of performers, modified identities of artists, technological manipulation of the Internet, music industry and music production, or accessible opportunities in creativity, the book offers a fresh understanding of virtual music and appeals to readers who have an interest in this digital revolution.
Shara Rambarran is Assistant Professor of Music at Bader International Study Centre, UK (Queen’s University, Canada). She co-runs the Art of Record Production conferences and is an editor on the Journal on the Art of Record Production and co-editor of The Oxford Handbook of Music and Virtuality (2016). Shara Rambarran on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go…' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and listening to music.</p><p><a href="https://bookshop.org/a/12343/9781501333606"><em>Virtual Music: Sound, Music, and Image in the Digital Era</em></a><em> </em>(Bloomsbury, 2021) explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers. Shara Rambarran looks at the fascination and innovations surrounding virtual music, and illustrates key artists (such as Grace Jones, The Weeknd), creators (such as King Tubby, Kraftwerk, MadVillain, Danger Mouse), audiovisuals in video games and performances (such as <em>Cuphead </em>and Gorillaz), audiences, and consumers that contribute in making this musical experience a phenomenon. Whether it is interrogating the (un)realness of performers, modified identities of artists, technological manipulation of the Internet, music industry and music production, or accessible opportunities in creativity, the book offers a fresh understanding of virtual music and appeals to readers who have an interest in this digital revolution.</p><p>Shara Rambarran is Assistant Professor of Music at Bader International Study Centre, UK (Queen’s University, Canada). She co-runs the Art of Record Production conferences and is an editor on the <em>Journal on the Art of Record Production</em> and co-editor of <em>The Oxford Handbook of Music and Virtuality </em>(2016). Shara Rambarran on <a href="https://twitter.com/sharadai">Twitter</a>.</p><p><a href="https://www.bradley-morgan.com/"><em>Bradley Morgan</em></a><em> is a media arts professional in Chicago and author of </em><a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a><em>. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on </em><a href="https://twitter.com/bradleysmorgan"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3815</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fd951618-dde5-11ec-8e87-0732d86f0c47]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3398911217.mp3?updated=1653674503" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>82* Zadie Smith in Focus (JP)</title>
      <description>In this 2019 episode, John interviews the celebrated British writer Zadie Smith. The conversation quickly moves through Brexit (oh, the inhumanity!) and what it means to be a London–no, a Northwest London–writer before arriving at her case against identity politics. That case is bolstered by a discussion of Hannah Arendt on the difference between who and what a person is.
Zadie and John also touch on the purpose of criticism and why it gets harder to hate as you (middle) age. She reveals an affection for “talkies” (as a “90’s kid,” she can’t help her fondness for Quentin Tarantino); asks whether young novelists in England need to write a book about Henry VIII just to break into bookstores; hears Hegel talking to Kierkegaard, and Jane Austen failing to talk to Jean Genet. Lastly, in Recallable Books, Zadie recommends Jean-Philippe Toussaint’s The Bathroom.
Transcript of the episode here.
Mentioned:

Zadie Smith, White Teeth, NW, Swing Time, “Two Paths for the Novel” “Embassy of Cambodia,” Joni Mitchell: Some Notes on Attunement” “Zadie Smith on J G Ballard’s Crash“

Willa Cather, Song of the Lark (1915, revised 1932)

Elif Batuman, The Idiot


Charlotte Bronte, The Professor and Villette


George Eliot, Middlemarch


Pauline Kael, various film reviews


Quentin Tarantino, Once Upon a Time…In Hollywood


Ursula Le Guin, “The Story’s Where I Go: An Interview”


Doris Lessing, The Fifth Child


Hilary Mantel, Beyond Black and Wolf Hall


Dexter Filkins, “The Moral Logic of Humanitarian Intervention” (on Samantha Power)

Patti Smith, Just Kids


Elizabeth Strout, Olive Kitteridge, Olive Again


Gary Winick (dir.), Thirteen Going on Thirty (starring Jennifer Garner, not Anne Hathaway)

Sally Rooney, Normal People


Toyin Ojih Odutola

Matthew Lopez, The Inheritance


Jean-Philippe Toussaint, The Bathroom


﻿
﻿Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 02 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Zadie Smith</itunes:subtitle>
      <itunes:summary>In this 2019 episode, John interviews the celebrated British writer Zadie Smith. The conversation quickly moves through Brexit (oh, the inhumanity!) and what it means to be a London–no, a Northwest London–writer before arriving at her case against identity politics. That case is bolstered by a discussion of Hannah Arendt on the difference between who and what a person is.
Zadie and John also touch on the purpose of criticism and why it gets harder to hate as you (middle) age. She reveals an affection for “talkies” (as a “90’s kid,” she can’t help her fondness for Quentin Tarantino); asks whether young novelists in England need to write a book about Henry VIII just to break into bookstores; hears Hegel talking to Kierkegaard, and Jane Austen failing to talk to Jean Genet. Lastly, in Recallable Books, Zadie recommends Jean-Philippe Toussaint’s The Bathroom.
Transcript of the episode here.
Mentioned:

Zadie Smith, White Teeth, NW, Swing Time, “Two Paths for the Novel” “Embassy of Cambodia,” Joni Mitchell: Some Notes on Attunement” “Zadie Smith on J G Ballard’s Crash“

Willa Cather, Song of the Lark (1915, revised 1932)

Elif Batuman, The Idiot


Charlotte Bronte, The Professor and Villette


George Eliot, Middlemarch


Pauline Kael, various film reviews


Quentin Tarantino, Once Upon a Time…In Hollywood


Ursula Le Guin, “The Story’s Where I Go: An Interview”


Doris Lessing, The Fifth Child


Hilary Mantel, Beyond Black and Wolf Hall


Dexter Filkins, “The Moral Logic of Humanitarian Intervention” (on Samantha Power)

Patti Smith, Just Kids


Elizabeth Strout, Olive Kitteridge, Olive Again


Gary Winick (dir.), Thirteen Going on Thirty (starring Jennifer Garner, not Anne Hathaway)

Sally Rooney, Normal People


Toyin Ojih Odutola

Matthew Lopez, The Inheritance


Jean-Philippe Toussaint, The Bathroom


﻿
﻿Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this 2019 episode, John interviews the celebrated British writer <a href="http://www.zadiesmith.com/books">Zadie Smith</a>. The conversation quickly moves through Brexit (oh, the inhumanity!) and what it means to be a London–no, a Northwest London–writer before arriving at her case against identity politics. That case is bolstered by a discussion of Hannah Arendt on the difference between <em>who</em> and<em> what </em>a person is.</p><p>Zadie and John also touch on the purpose of criticism and why it gets harder to hate as you (middle) age. She reveals an affection for “talkies” (as a “90’s kid,” she can’t help her fondness for Quentin Tarantino); asks whether young novelists in England need to write a book about Henry VIII just to break into bookstores; hears Hegel talking to Kierkegaard, and Jane Austen failing to talk to Jean Genet. Lastly, in Recallable Books, Zadie recommends Jean-Philippe Toussaint’s <em>The Bathroom.</em></p><p><a href="https://recallthisbookorg.files.wordpress.com/2019/09/recall-this-book-zadie-smith-transcript-9.25.19.pdf">Transcript of the episode here</a>.</p><p>Mentioned:</p><ul>
<li>Zadie Smith, <a href="https://www.theguardian.com/books/2000/jan/26/fiction.zadiesmith"><em>White Teeth</em></a><em>, </em><a href="https://www.nytimes.com/2012/09/23/books/review/nw-by-zadie-smith.html"><em>NW</em></a><em>, </em><a href="https://en.wikipedia.org/wiki/Swing_Time_(novel)"><em>Swing Time</em></a><em>, </em>“<u>T</u><a href="https://www.nybooks.com/articles/2008/11/20/two-paths-for-the-novel/">wo Paths for the Novel</a>” “<a href="https://www.newyorker.com/magazine/2013/02/11/the-embassy-of-cambodia">Embassy of Cambodia</a>,” <a href="https://www.newyorker.com/magazine/2012/12/17/some-notes-on-attunement">Joni Mitchell: Some Notes on Attunement</a>” “<a href="https://www.theguardian.com/books/2014/jul/04/zadie-smith-jg-ballard-crash">Zadie Smith on J G Ballard’s <em>Crash</em></a>“</li>
<li>Willa Cather, <a href="https://www.gutenberg.org/files/44/44-h/44-h.htm"><em>Song of the Lark</em></a> (1915, <a href="https://cather.unl.edu/0023.html">revised 1932</a>)</li>
<li>Elif Batuman, <a href="https://www.penguinrandomhouse.com/books/314108/the-idiot-by-elif-batuman/9780143111061/"><em>The Idiot</em></a>
</li>
<li>Charlotte Bronte, <a href="https://en.wikipedia.org/wiki/The_Professor_(novel)"><em>The Professor</em></a> and <a href="https://en.wikipedia.org/wiki/Villette_(novel)"><em>Villette</em></a>
</li>
<li>George Eliot, <a href="https://en.wikipedia.org/wiki/Middlemarch"><em>Middlemarch</em></a>
</li>
<li>Pauline Kael, <a href="https://www.newyorker.com/contributors/pauline-kael">various film reviews</a>
</li>
<li>Quentin Tarantino, <a href="https://en.wikipedia.org/wiki/Once_Upon_a_Time_in_Hollywood"><em>Once Upon a Time…In Hollywood</em></a>
</li>
<li>Ursula Le Guin, <a href="https://www.publicbooks.org/the-storys-where-i-go-an-interview-with-ursula-k-le-guin/">“The Story’s Where I Go: An Interview”</a>
</li>
<li>Doris Lessing, <a href="https://www.penguinrandomhouse.com/books/100297/the-fifth-child-by-doris-lessing/"><em>The Fifth Child</em></a>
</li>
<li>Hilary Mantel, <a href="https://en.wikipedia.org/wiki/Beyond_Black"><em>Beyond Black</em></a> and <a href="https://us.macmillan.com/books/9780312429980"><em>Wolf Hall</em></a>
</li>
<li>Dexter Filkins, “<a href="https://www.newyorker.com/magazine/2019/09/16/the-moral-logic-of-humanitarian-intervention">The Moral Logic of Humanitarian Intervention</a>” (on Samantha Power)</li>
<li>Patti Smith, <a href="https://www.harpercollins.com/9780066211312/just-kids/"><em>Just Kids</em></a>
</li>
<li>Elizabeth Strout, <a href="https://en.wikipedia.org/wiki/Olive_Kitteridge"><em>Olive Kitteridge</em></a><em>, </em><a href="https://www.elizabethstrout.com/books/olive-again"><em>Olive Again</em></a>
</li>
<li>Gary Winick (dir.), <a href="https://en.wikipedia.org/wiki/13_Going_on_30"><em>Thirteen Going on Thirty</em></a> (starring Jennifer Garner, not Anne Hathaway)</li>
<li>Sally Rooney, <a href="https://www.penguinrandomhouse.com/books/592625/normal-people-by-sally-rooney/"><em>Normal People</em></a>
</li>
<li><a href="http://toyinojihodutola.com/">Toyin Ojih Odutola</a></li>
<li>Matthew Lopez, <a href="https://en.wikipedia.org/wiki/The_Inheritance_(play)"><em>The Inheritance</em></a>
</li>
<li>Jean-Philippe Toussaint, <a href="https://www.dalkeyarchive.com/product/the-bathroom/"><em>The Bathroom</em></a>
</li>
</ul><p><em>﻿</em></p><p><em>﻿</em><a href="https://elizabeth-ferry.com/"><em>Elizabeth Ferry</em></a><em> is Professor of Anthropology at Brandeis University. Email: </em><a href="mailto:ferry@brandeis.edu"><em>ferry@brandeis.edu</em></a><em>. </em><a href="https://www.brandeis.edu/english/faculty/plotz.html"><em>John Plotz</em></a><em> is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the </em><a href="https://sites.google.com/brandeis.edu/brandeisjusticeinitiative/home"><em>Brandeis Educational Justice Initiative</em></a><em>. Email: </em><a href="mailto:plotz@brandeis.edu"><em>plotz@brandeis.edu</em></a><em><u>.</u></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3208</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c3e6c2f6-e1da-11ec-b020-6795680e7f80]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3759454992.mp3?updated=1654109577" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Keishin Armstrong, "When Women Invented Television: The Untold Story of the Female Powerhouses Who Pioneered the Way We Watch Today" (Harper, 2021)</title>
      <description>It was the Golden Age of Radio and powerful men were making millions in advertising dollars reaching thousands of listeners every day. When television arrived, few radio moguls were interested in the upstart industry and its tiny production budgets, and expensive television sets were out of reach for most families. But four women--each an independent visionary-- saw an opportunity and carved their own paths, and in so doing invented the way we watch tv today.
Irna Phillips turned real-life tragedy into daytime serials featuring female dominated casts. Gertrude Berg turned her radio show into a Jewish family comedy that spawned a play, a musical, an advice column, a line of house dresses, and other products. Hazel Scott, already a renowned musician, was the first African American to host a national evening variety program. Betty White became a daytime talk show fan favorite and one of the first women to produce, write, and star in her own show.
Together, their stories chronicle a forgotten chapter in the history of television and popular culture.
But as the medium became more popular--and lucrative--in the wake of World War II, the House Un-American Activities Committee arose to threaten entertainers, blacklisting many as communist sympathizers. As politics, sexism, racism, anti-Semitism, and money collided, the women who invented television found themselves fighting from the margins, as men took control. But these women were true survivors who never gave up--and thus their legacies remain with us in our television-dominated era. It's time we reclaimed their forgotten histories and the work they did to pioneer the medium that now rules our lives.
Jennifer Keishin Armstrong's When Women Invented Television: The Untold Story of the Female Powerhouses Who Pioneered the Way We Watch Today (Harper, 2021) is an amazing and heartbreaking history, illustrated with photos, tells it all for the first time.
﻿Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 01 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Keishin Armstrong</itunes:subtitle>
      <itunes:summary>It was the Golden Age of Radio and powerful men were making millions in advertising dollars reaching thousands of listeners every day. When television arrived, few radio moguls were interested in the upstart industry and its tiny production budgets, and expensive television sets were out of reach for most families. But four women--each an independent visionary-- saw an opportunity and carved their own paths, and in so doing invented the way we watch tv today.
Irna Phillips turned real-life tragedy into daytime serials featuring female dominated casts. Gertrude Berg turned her radio show into a Jewish family comedy that spawned a play, a musical, an advice column, a line of house dresses, and other products. Hazel Scott, already a renowned musician, was the first African American to host a national evening variety program. Betty White became a daytime talk show fan favorite and one of the first women to produce, write, and star in her own show.
Together, their stories chronicle a forgotten chapter in the history of television and popular culture.
But as the medium became more popular--and lucrative--in the wake of World War II, the House Un-American Activities Committee arose to threaten entertainers, blacklisting many as communist sympathizers. As politics, sexism, racism, anti-Semitism, and money collided, the women who invented television found themselves fighting from the margins, as men took control. But these women were true survivors who never gave up--and thus their legacies remain with us in our television-dominated era. It's time we reclaimed their forgotten histories and the work they did to pioneer the medium that now rules our lives.
Jennifer Keishin Armstrong's When Women Invented Television: The Untold Story of the Female Powerhouses Who Pioneered the Way We Watch Today (Harper, 2021) is an amazing and heartbreaking history, illustrated with photos, tells it all for the first time.
﻿Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It was the Golden Age of Radio and powerful men were making millions in advertising dollars reaching thousands of listeners every day. When television arrived, few radio moguls were interested in the upstart industry and its tiny production budgets, and expensive television sets were out of reach for most families. But four women--each an independent visionary-- saw an opportunity and carved their own paths, and in so doing invented the way we watch tv today.</p><p>Irna Phillips turned real-life tragedy into daytime serials featuring female dominated casts. Gertrude Berg turned her radio show into a Jewish family comedy that spawned a play, a musical, an advice column, a line of house dresses, and other products. Hazel Scott, already a renowned musician, was the first African American to host a national evening variety program. Betty White became a daytime talk show fan favorite and one of the first women to produce, write, and star in her own show.</p><p>Together, their stories chronicle a forgotten chapter in the history of television and popular culture.</p><p>But as the medium became more popular--and lucrative--in the wake of World War II, the House Un-American Activities Committee arose to threaten entertainers, blacklisting many as communist sympathizers. As politics, sexism, racism, anti-Semitism, and money collided, the women who invented television found themselves fighting from the margins, as men took control. But these women were true survivors who never gave up--and thus their legacies remain with us in our television-dominated era. It's time we reclaimed their forgotten histories and the work they did to pioneer the medium that now rules our lives.</p><p>Jennifer Keishin Armstrong's <a href="https://bookshop.org/a/12343/9780062973306"><em>When Women Invented Television: The Untold Story of the Female Powerhouses Who Pioneered the Way We Watch Today</em></a><em> </em>(Harper, 2021) is an amazing and heartbreaking history, illustrated with photos, tells it all for the first time.</p><p><em>﻿Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3575</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1411153150.mp3?updated=1653649900" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Crosswords</title>
      <link>https://hightheory.net/podcast/crosswords/</link>
      <description>In this episode Kim talks to Adrienne Raphel about crossword puzzles.
For lots more about crosswords, check out Adrienne’s book Thinking Inside the Box: Adventures with Crosswords and the Puzzling People Who Can’t Live Without Them (Penguin Random House, 2021)
For some of the historical puzzles she mentions in the episode, Adrienne recommends The Curious History of the Crossword: 100 Puzzles from Then and Now by Ben Tausig.
If you’re inspired to start doing crosswords and looking for some guidance, she suggests the New York Times guide: “How to Solve The New York Times Crossword.”
For more on cryptic crosswords, check out Stephen Sondheim’s article “How to Do a Real Crossword Puzzle.” New York Magazine (April 1968). Also on cryptics, Emily Cox and Henry Rathvon’s book The Random House Guide to Cryptic Crosswords (Random House, 2003) is out of print but very good. And the crossword blog in The Guardian has lots of cryptic crosswords too.
Adrienne is a poet, scholar, and lecturer in the Princeton writing program. She has a super cool web site with links to all the other amazing things she’s written!
Our cover photo shows the stage set from Puzzles of 1925, a crossword musical! The digital image is from the White Studio Theatrical Photography Collection at the New York Public Library.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 31 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e19b8cce-a2f0-11ec-ab26-4fe0d32f3daa/image/CrosswordMusicalSet-1.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Adrienne Raphel</itunes:subtitle>
      <itunes:summary>In this episode Kim talks to Adrienne Raphel about crossword puzzles.
For lots more about crosswords, check out Adrienne’s book Thinking Inside the Box: Adventures with Crosswords and the Puzzling People Who Can’t Live Without Them (Penguin Random House, 2021)
For some of the historical puzzles she mentions in the episode, Adrienne recommends The Curious History of the Crossword: 100 Puzzles from Then and Now by Ben Tausig.
If you’re inspired to start doing crosswords and looking for some guidance, she suggests the New York Times guide: “How to Solve The New York Times Crossword.”
For more on cryptic crosswords, check out Stephen Sondheim’s article “How to Do a Real Crossword Puzzle.” New York Magazine (April 1968). Also on cryptics, Emily Cox and Henry Rathvon’s book The Random House Guide to Cryptic Crosswords (Random House, 2003) is out of print but very good. And the crossword blog in The Guardian has lots of cryptic crosswords too.
Adrienne is a poet, scholar, and lecturer in the Princeton writing program. She has a super cool web site with links to all the other amazing things she’s written!
Our cover photo shows the stage set from Puzzles of 1925, a crossword musical! The digital image is from the White Studio Theatrical Photography Collection at the New York Public Library.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Kim talks to Adrienne Raphel about crossword puzzles.</p><p>For lots more about crosswords, check out Adrienne’s book <a href="https://www.penguinrandomhouse.com/books/561343/thinking-inside-the-box-by-adrienne-raphel/"><em>Thinking Inside the Box: Adventures with Crosswords and the Puzzling People Who Can’t Live Without Them</em></a> (Penguin Random House, 2021)</p><p>For some of the historical puzzles she mentions in the episode, Adrienne recommends <a href="https://www.amazon.com/Curious-History-Crossword-Puzzles-Then/dp/1937994457"><em>The Curious History of the Crossword: 100 Puzzles from Then and Now</em></a> by Ben Tausig.</p><p>If you’re inspired to start doing crosswords and looking for some guidance, she suggests the <em>New York Times</em> guide: “<a href="https://www.nytimes.com/guides/crosswords/how-to-solve-a-crossword-puzzle">How to Solve The New York Times Crossword</a>.”</p><p>For more on cryptic crosswords, check out Stephen Sondheim’s article “<a href="https://nymag.com/article/2019/03/stephen-sondheim-on-how-to-do-a-crossword-puzzle.html">How to Do a Real Crossword Puzzle</a>.” <em>New York Magazine</em> (April 1968). Also on cryptics, Emily Cox and Henry Rathvon’s book <a href="https://books.google.com/books/about/The_Random_House_Guide_to_Cryptic_Crossw.html?id=lqa0PAAACAAJ"><em>The Random House Guide to Cryptic Crosswords</em></a> (Random House, 2003) is out of print but very good. And the <a href="https://www.theguardian.com/crosswords/crossword-blog">crossword blog</a> in <em>The Guardian</em> has lots of cryptic crosswords too.</p><p>Adrienne is a poet, scholar, and <a href="https://writing.princeton.edu/about/writing-seminar-faculty/adrienne-raphel">lecturer</a> in the Princeton writing program. She has a super cool <a href="https://www.adrienneraphel.com/">web site</a> with links to all the other amazing things she’s written!</p><p>Our cover photo shows the stage set from <em>Puzzles of 1925</em>, a crossword musical! The digital image is from the <a href="https://digitalcollections.nypl.org/collections/white-studio-theatrical-photographs#/?tab=navigation">White Studio Theatrical Photography Collection</a> at the New York Public Library.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1002</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=340]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2775963257.mp3?updated=1646228461" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexander Monea, "The Digital Closet: How the Internet Became Straight" (MIT Press, 2022)</title>
      <description>In The Digital Closet: How the Internet Became Straight (MIT Press, 2022), Alexander Monea argues provocatively that the internet became straight by suppressing everything that is not, forcing LGBTQIA+ content into increasingly narrow channels--rendering it invisible through opaque algorithms, automated and human content moderation, warped keywords, and other strategies of digital overreach. Monea explains how the United States' thirty-year "war on porn" has brought about the over-regulation of sexual content, which, in turn, has resulted in the censorship of much nonpornographic content--including material on sex education and LGBTQIA+ activism. In this wide-ranging, enlightening account, Monea examines the cultural, technological, and political conditions that put LGBTQIA+ content into the closet.
Monea looks at the anti-porn activism of the alt-right, Christian conservatives, and anti-porn feminists, who became strange bedfellows in the politics of pornography; investigates the coders, code, and moderators whose work serves to reify heteronormativity; and explores the collateral damage in the ongoing war on porn--the censorship of LGBTQ+ community resources, sex education materials, art, literature, and other content that engages with sexuality but would rarely be categorized as pornography by today's community standards. Finally, he examines the internet architectures responsible for the heteronormalization of porn: Google Safe Search and the data structures of tube sites and other porn platforms.
Monea reveals the porn industry's deepest, darkest secret: porn is boring. Mainstream porn is stuck in a heteronormative filter bubble, limited to the same heteronormative tropes, tagged by the same heteronormative keywords. This heteronormativity is mirrored by the algorithms meant to filter pornographic content, increasingly filtering out all LGBTQIA+ content. Everyone suffers from this forced heteronormativity of the internet--suffering, Monea suggests, that could be alleviated by queering straightness and introducing feminism to dissipate the misogyny.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 31 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexander Monea</itunes:subtitle>
      <itunes:summary>In The Digital Closet: How the Internet Became Straight (MIT Press, 2022), Alexander Monea argues provocatively that the internet became straight by suppressing everything that is not, forcing LGBTQIA+ content into increasingly narrow channels--rendering it invisible through opaque algorithms, automated and human content moderation, warped keywords, and other strategies of digital overreach. Monea explains how the United States' thirty-year "war on porn" has brought about the over-regulation of sexual content, which, in turn, has resulted in the censorship of much nonpornographic content--including material on sex education and LGBTQIA+ activism. In this wide-ranging, enlightening account, Monea examines the cultural, technological, and political conditions that put LGBTQIA+ content into the closet.
Monea looks at the anti-porn activism of the alt-right, Christian conservatives, and anti-porn feminists, who became strange bedfellows in the politics of pornography; investigates the coders, code, and moderators whose work serves to reify heteronormativity; and explores the collateral damage in the ongoing war on porn--the censorship of LGBTQ+ community resources, sex education materials, art, literature, and other content that engages with sexuality but would rarely be categorized as pornography by today's community standards. Finally, he examines the internet architectures responsible for the heteronormalization of porn: Google Safe Search and the data structures of tube sites and other porn platforms.
Monea reveals the porn industry's deepest, darkest secret: porn is boring. Mainstream porn is stuck in a heteronormative filter bubble, limited to the same heteronormative tropes, tagged by the same heteronormative keywords. This heteronormativity is mirrored by the algorithms meant to filter pornographic content, increasingly filtering out all LGBTQIA+ content. Everyone suffers from this forced heteronormativity of the internet--suffering, Monea suggests, that could be alleviated by queering straightness and introducing feminism to dissipate the misogyny.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780262046770"><em>The Digital Closet: How the Internet Became Straight</em></a><em> </em>(MIT Press, 2022), Alexander Monea argues provocatively that the internet became straight by suppressing everything that is not, forcing LGBTQIA+ content into increasingly narrow channels--rendering it invisible through opaque algorithms, automated and human content moderation, warped keywords, and other strategies of digital overreach. Monea explains how the United States' thirty-year "war on porn" has brought about the over-regulation of sexual content, which, in turn, has resulted in the censorship of much nonpornographic content--including material on sex education and LGBTQIA+ activism. In this wide-ranging, enlightening account, Monea examines the cultural, technological, and political conditions that put LGBTQIA+ content into the closet.</p><p>Monea looks at the anti-porn activism of the alt-right, Christian conservatives, and anti-porn feminists, who became strange bedfellows in the politics of pornography; investigates the coders, code, and moderators whose work serves to reify heteronormativity; and explores the collateral damage in the ongoing war on porn--the censorship of LGBTQ+ community resources, sex education materials, art, literature, and other content that engages with sexuality but would rarely be categorized as pornography by today's community standards. Finally, he examines the internet architectures responsible for the heteronormalization of porn: Google Safe Search and the data structures of tube sites and other porn platforms.</p><p>Monea reveals the porn industry's deepest, darkest secret: porn is <em>boring</em>. Mainstream porn is stuck in a heteronormative filter bubble, limited to the same heteronormative tropes, tagged by the same heteronormative keywords. This heteronormativity is mirrored by the algorithms meant to filter pornographic content, increasingly filtering out all LGBTQIA+ content. Everyone suffers from this forced heteronormativity of the internet--suffering, Monea suggests, that could be alleviated by queering straightness and introducing feminism to dissipate the misogyny.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3756</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d84a55e4-de99-11ec-ad8b-531f1befcae6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9326322431.mp3?updated=1653751774" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Boys Love and Japanese Queer Popular Culture across Southeast Asia</title>
      <description>Since the beginning of the COVID-19 pandemic, consumers across East and Southeast Asia have found themselves turning to Thai soap operas known as “Boys Love series” as a source of comfort and joy. Originally deriving from Japanese comic book culture, Boys Love, or BL, represents just one of many instances where the queer popular culture of Japan has transformed sexual culture in Southeast Asia through the development of new expressions of gender and sexuality.
Joining Dr Natali Pearson on SSEAC Stories, Dr Thomas Baudinette shines the spotlight on the influence of Japanese queer popular across Southeast Asia, highlighting how, across the region, young consumers – most prominently from sexual minority communities – have been turning away from Western media to draw upon Japanese popular culture in the ongoing search for affirmative representation and tools to not only make sense of their minoritised sexualities, but to also advocate for their emancipation.
About Tom Baudinette:
Dr Thomas Baudinette is Senior Lecturer in Japanese and International Studies, Department of Media, Communication, Creative Arts, Language, and Literature at Macquarie University. Thomas’s scholarly research focuses upon the role of Asian popular culture in informing knowledge about gender and sexuality across East and Southeast Asia. His first book is Regimes of Desire: Young Gay Men, Media, and Masculinity in Tokyo (University of Michigan Press, 2021). His second book is Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture (Bloomsbury, forthcoming).
For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tom Baudinette</itunes:subtitle>
      <itunes:summary>Since the beginning of the COVID-19 pandemic, consumers across East and Southeast Asia have found themselves turning to Thai soap operas known as “Boys Love series” as a source of comfort and joy. Originally deriving from Japanese comic book culture, Boys Love, or BL, represents just one of many instances where the queer popular culture of Japan has transformed sexual culture in Southeast Asia through the development of new expressions of gender and sexuality.
Joining Dr Natali Pearson on SSEAC Stories, Dr Thomas Baudinette shines the spotlight on the influence of Japanese queer popular across Southeast Asia, highlighting how, across the region, young consumers – most prominently from sexual minority communities – have been turning away from Western media to draw upon Japanese popular culture in the ongoing search for affirmative representation and tools to not only make sense of their minoritised sexualities, but to also advocate for their emancipation.
About Tom Baudinette:
Dr Thomas Baudinette is Senior Lecturer in Japanese and International Studies, Department of Media, Communication, Creative Arts, Language, and Literature at Macquarie University. Thomas’s scholarly research focuses upon the role of Asian popular culture in informing knowledge about gender and sexuality across East and Southeast Asia. His first book is Regimes of Desire: Young Gay Men, Media, and Masculinity in Tokyo (University of Michigan Press, 2021). His second book is Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture (Bloomsbury, forthcoming).
For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the beginning of the COVID-19 pandemic, consumers across East and Southeast Asia have found themselves turning to Thai soap operas known as “Boys Love series” as a source of comfort and joy. Originally deriving from Japanese comic book culture, Boys Love, or BL, represents just one of many instances where the queer popular culture of Japan has transformed sexual culture in Southeast Asia through the development of new expressions of gender and sexuality.</p><p>Joining Dr Natali Pearson on <em>SSEAC Stories</em>, Dr Thomas Baudinette shines the spotlight on the influence of Japanese queer popular across Southeast Asia, highlighting how, across the region, young consumers – most prominently from sexual minority communities – have been turning away from Western media to draw upon Japanese popular culture in the ongoing search for affirmative representation and tools to not only make sense of their minoritised sexualities, but to also advocate for their emancipation.</p><p><strong>About Tom Baudinette:</strong></p><p>Dr Thomas Baudinette is Senior Lecturer in Japanese and International Studies, Department of Media, Communication, Creative Arts, Language, and Literature at Macquarie University. Thomas’s scholarly research focuses upon the role of Asian popular culture in informing knowledge about gender and sexuality across East and Southeast Asia. His first book is <em>Regimes of Desire: Young Gay Men, Media, and Masculinity in Tokyo </em>(University of Michigan Press, 2021). His second book is <em>Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture </em>(Bloomsbury, forthcoming).</p><p>For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: <a href="http://www.sydney.edu.au/sseac">www.sydney.edu.au/sseac</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1417</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN4353898685.mp3?updated=1648755700" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mike Errico, "Music, Lyrics, and Life: A Field Guide for the Advancing Songwriter" (Backbeat Book, 2022)</title>
      <description>Today I talked to Mike Errico about his new book Music, Lyrics, and Life: A Field Guide for the Advancing Songwriter (Backbeat Books, 2022).
Brain teasers invite you; brain embarrassers are songs you can’t get a handle on readily enough, causing listeners to give up. That is but one of the many fine distinctions Mike Errico makes in this engaging, whimsical-and-yet-serious book about the art of crafting songs. This episode spans a range from what constitutes a mission song (which lay out the story of the artist, e.g. Bruce Springsteen’s wanderlust), to what kind of flavor gets created depending on whether the melody starts on, before or after the downbeat. Melodies that start on the downbeat feel authoritative (think “Yesterday”). Melodies that start before the downbeat feel urgent, with the singer taking control (think “She Loves You”). And those that follow the downbeat feel conversational (think “All You Need Is Love”). Want to know about the Four Quadrants of Trust? Then give his episode a listen.
Mike Errico is a New York-based record artist, writer, and lecturing professor at universities including Yale, Wesleyan, and NYU. Besides international touring, Mike has had his opinions and insights appear in the New York Times, the Wall Street Journal, Fast Company, and elsewhere.
Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>107</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mike Errico</itunes:subtitle>
      <itunes:summary>Today I talked to Mike Errico about his new book Music, Lyrics, and Life: A Field Guide for the Advancing Songwriter (Backbeat Books, 2022).
Brain teasers invite you; brain embarrassers are songs you can’t get a handle on readily enough, causing listeners to give up. That is but one of the many fine distinctions Mike Errico makes in this engaging, whimsical-and-yet-serious book about the art of crafting songs. This episode spans a range from what constitutes a mission song (which lay out the story of the artist, e.g. Bruce Springsteen’s wanderlust), to what kind of flavor gets created depending on whether the melody starts on, before or after the downbeat. Melodies that start on the downbeat feel authoritative (think “Yesterday”). Melodies that start before the downbeat feel urgent, with the singer taking control (think “She Loves You”). And those that follow the downbeat feel conversational (think “All You Need Is Love”). Want to know about the Four Quadrants of Trust? Then give his episode a listen.
Mike Errico is a New York-based record artist, writer, and lecturing professor at universities including Yale, Wesleyan, and NYU. Besides international touring, Mike has had his opinions and insights appear in the New York Times, the Wall Street Journal, Fast Company, and elsewhere.
Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Mike Errico about his new book <a href="https://bookshop.org/a/12343/9781493059874"><em>Music, Lyrics, and Life: A Field Guide for the Advancing Songwriter</em></a><em> </em>(Backbeat Books, 2022).</p><p>Brain teasers invite you; brain embarrassers are songs you can’t get a handle on readily enough, causing listeners to give up. That is but one of the many fine distinctions Mike Errico makes in this engaging, whimsical-and-yet-serious book about the art of crafting songs. This episode spans a range from what constitutes a mission song (which lay out the story of the artist, e.g. Bruce Springsteen’s wanderlust), to what kind of flavor gets created depending on whether the melody starts on, before or after the downbeat. Melodies that start on the downbeat feel authoritative (think “Yesterday”). Melodies that start before the downbeat feel urgent, with the singer taking control (think “She Loves You”). And those that follow the downbeat feel conversational (think “All You Need Is Love”). Want to know about the Four Quadrants of Trust? Then give his episode a listen.</p><p>Mike Errico is a New York-based record artist, writer, and lecturing professor at universities including Yale, Wesleyan, and NYU. Besides international touring, Mike has had his opinions and insights appear in the <em>New York Times</em>, the <em>Wall Street Journal</em>, <em>Fast Company</em>, and elsewhere.</p><p><em>Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (</em><a href="https://www.sensorylogic.com/"><em>https://www.sensorylogic.com</em></a><em>). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill’s EQ Spotlight” blog, visit </em><a href="https://emotionswizard.com/"><em>https://emotionswizard.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2134</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Christopher J. Gilbert, "Caricature and National Character: The United States at War" (Pennsylvania State UP, 2021)</title>
      <description>Dr. Christopher Gilbert, Assistant Professor of English at Assumption College, has a new book that examines the understanding of American national character and culture through the works of caricature and comic representations. Gilbert specifically focuses on this kind of work that is produced during moments of crisis, particularly during wartime. Wartime often prompts self-understanding for a nation, since there is a demand that the reason for war is made clear, and the role of the nation is seen in this context. Gilbert notes that in the early days of the republic, Benjamin Franklin turned to caricature to help define or start to clarify an American national character, particularly in distinction from British colonial power. And this concept of national character is different than either patriotism or nationalism, since it reflects how citizens, individually and as a whole, understand themselves as a nation, and as separate from other nations. Unique histories, characteristics, and “belonging” all contribute to this broader sense of self for a nation.
Caricature and National Character: The United States at War (Pennsylvania State UP, 2021) examines the various symbols and images that have become part of the American national identity, noting, often, how those images shift and change with time and context. Gilbert notes that these recursive themes and images are distinct in different historical moments, providing a kind of complexity to the images and how and what they communicate. Consider the image of the bald eagle, which has been integrated into American national character for some time, but has been drawn and redrawn to represent imperialism, laziness, or cultural power at different points in U.S. history. Gilbert explains that humor itself is situational and situated, a sign or signal of the time, and that caricature and comic artists and political and editorial cartoonists are commenting on and positioning their work within a particular historical point, and in so doing, also reflecting American cultural politics.
Caricature and National Character brings a variety of artists together in a way that intertwines their work without silo-ing them within chronological periods. Their work is made, in a certain way, to be in conversation, and to help to understand the United States as a warring nation, even if there is no shooting war transpiring at times. The artists and cartoonists are using their own membership within the national character to present ideas and commentary on what it means, in time of war, to protect national character and what it is that needs protecting. These images, which can be explored across history, carry significant weight because they are reflecting on the notion of national character, which is often more clearly on display during times of war.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>604</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher J. Gilbert</itunes:subtitle>
      <itunes:summary>Dr. Christopher Gilbert, Assistant Professor of English at Assumption College, has a new book that examines the understanding of American national character and culture through the works of caricature and comic representations. Gilbert specifically focuses on this kind of work that is produced during moments of crisis, particularly during wartime. Wartime often prompts self-understanding for a nation, since there is a demand that the reason for war is made clear, and the role of the nation is seen in this context. Gilbert notes that in the early days of the republic, Benjamin Franklin turned to caricature to help define or start to clarify an American national character, particularly in distinction from British colonial power. And this concept of national character is different than either patriotism or nationalism, since it reflects how citizens, individually and as a whole, understand themselves as a nation, and as separate from other nations. Unique histories, characteristics, and “belonging” all contribute to this broader sense of self for a nation.
Caricature and National Character: The United States at War (Pennsylvania State UP, 2021) examines the various symbols and images that have become part of the American national identity, noting, often, how those images shift and change with time and context. Gilbert notes that these recursive themes and images are distinct in different historical moments, providing a kind of complexity to the images and how and what they communicate. Consider the image of the bald eagle, which has been integrated into American national character for some time, but has been drawn and redrawn to represent imperialism, laziness, or cultural power at different points in U.S. history. Gilbert explains that humor itself is situational and situated, a sign or signal of the time, and that caricature and comic artists and political and editorial cartoonists are commenting on and positioning their work within a particular historical point, and in so doing, also reflecting American cultural politics.
Caricature and National Character brings a variety of artists together in a way that intertwines their work without silo-ing them within chronological periods. Their work is made, in a certain way, to be in conversation, and to help to understand the United States as a warring nation, even if there is no shooting war transpiring at times. The artists and cartoonists are using their own membership within the national character to present ideas and commentary on what it means, in time of war, to protect national character and what it is that needs protecting. These images, which can be explored across history, carry significant weight because they are reflecting on the notion of national character, which is often more clearly on display during times of war.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Christopher Gilbert, Assistant Professor of English at Assumption College, has a new book that examines the understanding of American national character and culture through the works of caricature and comic representations. Gilbert specifically focuses on this kind of work that is produced during moments of crisis, particularly during wartime. Wartime often prompts self-understanding for a nation, since there is a demand that the reason for war is made clear, and the role of the nation is seen in this context. Gilbert notes that in the early days of the republic, Benjamin Franklin turned to caricature to help define or start to clarify an American national character, particularly in distinction from British colonial power. And this concept of national character is different than either patriotism or nationalism, since it reflects how citizens, individually and as a whole, understand themselves as a nation, and as separate from other nations. Unique histories, characteristics, and “belonging” all contribute to this broader sense of self for a nation.</p><p><a href="https://bookshop.org/a/12343/9780271089768"><em>Caricature and National Character: The United States at War</em></a><em> </em>(Pennsylvania State UP, 2021) examines the various symbols and images that have become part of the American national identity, noting, often, how those images shift and change with time and context. Gilbert notes that these recursive themes and images are distinct in different historical moments, providing a kind of complexity to the images and how and what they communicate. Consider the image of the bald eagle, which has been integrated into American national character for some time, but has been drawn and redrawn to represent imperialism, laziness, or cultural power at different points in U.S. history. Gilbert explains that humor itself is situational and situated, a sign or signal of the time, and that caricature and comic artists and political and editorial cartoonists are commenting on and positioning their work within a particular historical point, and in so doing, also reflecting American cultural politics.</p><p><em>Caricature and National Character</em> brings a variety of artists together in a way that intertwines their work without silo-ing them within chronological periods. Their work is made, in a certain way, to be in conversation, and to help to understand the United States as a warring nation, even if there is no shooting war transpiring at times. The artists and cartoonists are using their own membership within the national character to present ideas and commentary on what it means, in time of war, to protect national character and what it is that needs protecting. These images, which can be explored across history, carry significant weight because they are reflecting on the notion of national character, which is often more clearly on display during times of war.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2589</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Alejandro Nava, "Street Scriptures: Between God and Hip-Hop" (U Chicago Press, 2022)</title>
      <description>Today I speak with Alejandro Nava about his new book, Street Scriptures: Between God and Hip-Hop (U Chicago Press, 2022). This book explores an important aspect of hip-hop that is rarely considered: its deep entanglement with spiritual life.
The world of hip-hop is saturated with religion, but rarely is that element given serious consideration. In Street Scriptures, Alejandro Nava focuses our attention on this aspect of the music and culture in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. Street Scriptures offers a refreshingly earnest and beautifully written journey through hip-hop’s deep entanglement with the sacred.
Nava reveals a largely unheard religious heartbeat in hip-hop, exploring crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Kendrick Lamar, Chance the Rapper, Lauryn Hill, Cardi B, and Bad Bunny to St. Augustine and William James, Nava examines the ethical-political, mystical-prophetic, and theological qualities in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest. The result is nothing short of a new liberation theology for our time, what Nava calls a “street theology.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alejandro Nava</itunes:subtitle>
      <itunes:summary>Today I speak with Alejandro Nava about his new book, Street Scriptures: Between God and Hip-Hop (U Chicago Press, 2022). This book explores an important aspect of hip-hop that is rarely considered: its deep entanglement with spiritual life.
The world of hip-hop is saturated with religion, but rarely is that element given serious consideration. In Street Scriptures, Alejandro Nava focuses our attention on this aspect of the music and culture in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. Street Scriptures offers a refreshingly earnest and beautifully written journey through hip-hop’s deep entanglement with the sacred.
Nava reveals a largely unheard religious heartbeat in hip-hop, exploring crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Kendrick Lamar, Chance the Rapper, Lauryn Hill, Cardi B, and Bad Bunny to St. Augustine and William James, Nava examines the ethical-political, mystical-prophetic, and theological qualities in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest. The result is nothing short of a new liberation theology for our time, what Nava calls a “street theology.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I speak with Alejandro Nava about his new book, <a href="https://bookshop.org/a/12343/9780226819167"><em>Street Scriptures: Between God and Hip-Hop</em></a><em> </em>(U Chicago Press, 2022). This book explores an important aspect of hip-hop that is rarely considered: its deep entanglement with spiritual life.</p><p>The world of hip-hop is saturated with religion, but rarely is that element given serious consideration. In <em>Street Scriptures</em>, Alejandro Nava focuses our attention on this aspect of the music and culture in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. <em>Street Scriptures</em> offers a refreshingly earnest and beautifully written journey through hip-hop’s deep entanglement with the sacred.</p><p>Nava reveals a largely unheard religious heartbeat in hip-hop, exploring crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Kendrick Lamar, Chance the Rapper, Lauryn Hill, Cardi B, and Bad Bunny to St. Augustine and William James, Nava examines the ethical-political, mystical-prophetic, and theological qualities in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest. The result is nothing short of a new liberation theology for our time, what Nava calls a “street theology.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Susan Westhafer Furukawa, "The Afterlife of Toyotomi Hideyoshi: Historical Fiction and Popular Culture in Japan" (Harvard UP, 2022)</title>
      <description>Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese?
By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era.
In The Afterlife of Toyotomi Hideyoshi: Historical Fiction and Popular Culture in Japan (Harvard UP, 2022), Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Susan Westhafer Furukawa</itunes:subtitle>
      <itunes:summary>Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese?
By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era.
In The Afterlife of Toyotomi Hideyoshi: Historical Fiction and Popular Culture in Japan (Harvard UP, 2022), Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese?</p><p>By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on <em>Taikōki</em>, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era.</p><p>In <a href="https://bookshop.org/a/12343/9780674267916"><em>The Afterlife of Toyotomi Hideyoshi: Historical Fiction and Popular Culture in Japan</em></a><em> </em>(Harvard UP, 2022), Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan.</p><p><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2400</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mike Watson, "The Memeing of Mark Fisher: How the Frankfurt School Foresaw Capitalist Realism and What to Do about It" (Zero Books, 2021)</title>
      <description>Through his blog K-Punk, Mark Fisher become one of the cult figures of cultural theory after the economic crash of 2008. One of Fisher’s insights, widely taken up by the online memesphere, was that capitalism breeds depression. Mike Watson picks up Fisher’s prognosis when the locked-down pandemic world is mired in a depression that is economic and psychological, and no doubt exacerbated by the transfer of culture and life online.
In the aftermath, The Memeing of Mark Fisher (Zero Books, 2021) revisits the Frankfurt School theorists who worked in the shadow of World War Two, during the rise of the culture industry. In examining their thoughts and drawing parallels with Fisher’s Capitalist Realism, Watson aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age.
Taking in the phenomena of QAnon, twitch streaming, and memes, Watson argues that the dichotomy between culture and political praxis is a false one. As more people have access to the means for theoretical and critical engagement online, he urges the online left to build a real-life cultural and political movement.
Mike Watson speaks to Pierre d’Alancaisez about Mark Fisher’s legacy in critical online spaces, the democracy of memes and their aesthetic warfare, the Acid Left, and how the Frankfurt School thinkers foreshadowed our current moment.
Mike Watson is a theorist, critic and curator who is principally focused on the relationship between culture, new media and politics. He hosts the podcast Theorywave Nights.

Can the Left Learn to Meme?

Mark Fisher’s K-Punk blog archive


K-Punk anthology


Know Your Meme database


Capitalist Realism bed meme

4chan

Wojak meme

Doomer meme


The Acid Left podcast

Mike’s book memed by Academic Fraud


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>99</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mike Watson</itunes:subtitle>
      <itunes:summary>Through his blog K-Punk, Mark Fisher become one of the cult figures of cultural theory after the economic crash of 2008. One of Fisher’s insights, widely taken up by the online memesphere, was that capitalism breeds depression. Mike Watson picks up Fisher’s prognosis when the locked-down pandemic world is mired in a depression that is economic and psychological, and no doubt exacerbated by the transfer of culture and life online.
In the aftermath, The Memeing of Mark Fisher (Zero Books, 2021) revisits the Frankfurt School theorists who worked in the shadow of World War Two, during the rise of the culture industry. In examining their thoughts and drawing parallels with Fisher’s Capitalist Realism, Watson aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age.
Taking in the phenomena of QAnon, twitch streaming, and memes, Watson argues that the dichotomy between culture and political praxis is a false one. As more people have access to the means for theoretical and critical engagement online, he urges the online left to build a real-life cultural and political movement.
Mike Watson speaks to Pierre d’Alancaisez about Mark Fisher’s legacy in critical online spaces, the democracy of memes and their aesthetic warfare, the Acid Left, and how the Frankfurt School thinkers foreshadowed our current moment.
Mike Watson is a theorist, critic and curator who is principally focused on the relationship between culture, new media and politics. He hosts the podcast Theorywave Nights.

Can the Left Learn to Meme?

Mark Fisher’s K-Punk blog archive


K-Punk anthology


Know Your Meme database


Capitalist Realism bed meme

4chan

Wojak meme

Doomer meme


The Acid Left podcast

Mike’s book memed by Academic Fraud


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Through his blog <em>K-Punk</em>, Mark Fisher become one of the cult figures of cultural theory after the economic crash of 2008. One of Fisher’s insights, widely taken up by the online memesphere, was that capitalism breeds depression. Mike Watson picks up Fisher’s prognosis when the locked-down pandemic world is mired in a depression that is economic and psychological, and no doubt exacerbated by the transfer of culture and life online.</p><p>In the aftermath, <a href="https://bookshop.org/a/12343/9781789049336"><em>The Memeing of Mark Fisher</em></a> (Zero Books, 2021) revisits the Frankfurt School theorists who worked in the shadow of World War Two, during the rise of the culture industry. In examining their thoughts and drawing parallels with Fisher’s <em>Capitalist Realism</em>, Watson aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age.</p><p>Taking in the phenomena of QAnon, twitch streaming, and memes, Watson argues that the dichotomy between culture and political praxis is a false one. As more people have access to the means for theoretical and critical engagement online, he urges the online left to build a real-life cultural and political movement.</p><p>Mike Watson speaks to Pierre d’Alancaisez about Mark Fisher’s legacy in critical online spaces, the democracy of memes and their aesthetic warfare, the Acid Left, and how the Frankfurt School thinkers foreshadowed our current moment.</p><p><a href="https://www.mikewatson.fi/">Mike Watson</a> is a theorist, critic and curator who is principally focused on the relationship between culture, new media and politics. He hosts the podcast <a href="https://www.youtube.com/channel/UCVj4V3FHHXFh2vPg0pKgBNA">Theorywave Nights</a>.</p><ul>
<li><a href="https://www.johnhuntpublishing.com/zer0-books/our-books/can-left-learn-meme">Can the Left Learn to Meme?</a></li>
<li>Mark Fisher’s <a href="https://k-punk.org/">K-Punk blog archive</a>
</li>
<li><a href="https://repeaterbooks.com/product/k-punk-the-collected-and-unpublished-writings-of-mark-fisher-2004-2016/">K-Punk anthology</a></li>
<li>
<a href="https://knowyourmeme.com/">Know Your Meme</a> database</li>
<li>
<a href="https://knowyourmeme.com/photos/2174929-capitalist-realism-by-mark-fisher#trending-bar">Capitalist Realism bed</a> meme</li>
<li><a href="https://www.4chan.org/">4chan</a></li>
<li><a href="https://knowyourmeme.com/memes/wojak">Wojak meme</a></li>
<li><a href="https://knowyourmeme.com/memes/doomer">Doomer meme</a></li>
<li>
<a href="https://www.youtube.com/c/theacidleft">The Acid Left</a> podcast</li>
<li>Mike’s book <a href="https://www.amazon.co.uk/Memeing-Mark-Fisher-Academic-Fraud/dp/B09FS2TZ2T/ref=sr_1_2?crid=3RN7J6OKAGAC1&amp;keywords=the+memeing+of+mark+fisher&amp;qid=1652185718&amp;sprefix=the+memeing+of+mark+fisher%2Caps%2C106&amp;sr=8-2">memed by <em>Academic Fraud</em></a>
</li>
</ul><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4694</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76d8d3e6-d15e-11ec-9c89-db0712cfb635]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9347497620.mp3?updated=1652296952" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gijs Mom, "Globalizing Automobilism: Exuberance and the Emergence of Layered Mobility, 1900–1980" (Berghahn Books, 2020)</title>
      <description>Why has "car society" proven so durable, even in the face of mounting environmental and economic crises? In Globalizing Automobilism: Exuberance and the Emergence of Layered Mobility, 1900–1980 (Berghahn Books, 2020), Gijs Mom traces the global spread of the automobile in the postwar era and investigates why adopting more sustainable forms of mobility has proven so difficult. Drawing on archival research as well as wide-ranging forays into popular culture, Mom reveals here the roots of the exuberance, excess, and danger that define modern automotive culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 17 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1203</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gijs Mom</itunes:subtitle>
      <itunes:summary>Why has "car society" proven so durable, even in the face of mounting environmental and economic crises? In Globalizing Automobilism: Exuberance and the Emergence of Layered Mobility, 1900–1980 (Berghahn Books, 2020), Gijs Mom traces the global spread of the automobile in the postwar era and investigates why adopting more sustainable forms of mobility has proven so difficult. Drawing on archival research as well as wide-ranging forays into popular culture, Mom reveals here the roots of the exuberance, excess, and danger that define modern automotive culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why has "car society" proven so durable, even in the face of mounting environmental and economic crises? In <a href="https://bookshop.org/a/12343/9781789204612"><em>Globalizing Automobilism: Exuberance and the Emergence of Layered Mobility, 1900–1980</em></a><em> </em>(Berghahn Books, 2020), Gijs Mom traces the global spread of the automobile in the postwar era and investigates why adopting more sustainable forms of mobility has proven so difficult. Drawing on archival research as well as wide-ranging forays into popular culture, Mom reveals here the roots of the exuberance, excess, and danger that define modern automotive culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2834</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9ef956c4-d128-11ec-8e52-730017c484f9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1261886213.mp3?updated=1652273768" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Zachary F. Price, "Black Dragon: Afro-Asian Performance and the Martial Arts Imagination" (Ohio State UP, 2021)</title>
      <description>In Black Dragon: Afro Asian Performance and the Martial Arts Imagination (Ohio State UP, 2022), Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these historically marginalized groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce Lee's film Game of Death, Ron van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between their distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By directing his analysis to this rich but heretofore understudied vein of American cultural exchange, Price not only broadens the scholarship around sites of empowerment via such exchanges but also offers a compelling example of nonessentialist emancipation for the twenty-first century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>297</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Zachary F. Price</itunes:subtitle>
      <itunes:summary>In Black Dragon: Afro Asian Performance and the Martial Arts Imagination (Ohio State UP, 2022), Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these historically marginalized groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce Lee's film Game of Death, Ron van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between their distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By directing his analysis to this rich but heretofore understudied vein of American cultural exchange, Price not only broadens the scholarship around sites of empowerment via such exchanges but also offers a compelling example of nonessentialist emancipation for the twenty-first century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814214602"><em>Black Dragon: Afro Asian Performance and the Martial Arts Imagination</em></a><em> </em>(Ohio State UP, 2022), Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these historically marginalized groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce Lee's film <em>Game of Death</em>, Ron van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between their distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By directing his analysis to this rich but heretofore understudied vein of American cultural exchange, Price not only broadens the scholarship around sites of empowerment via such exchanges but also offers a compelling example of nonessentialist emancipation for the twenty-first century.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>11867</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8fe6e572-ce06-11ec-a6a8-e365683cb50c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7285462674.mp3?updated=1652974158" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nigel Rothfels, "Elephant Trails: A History of Animals and Cultures" (Johns Hopkins UP, 2021)</title>
      <description>When looking at historic records of all kinds—from prehistoric cave drawings and ancient rock art in Africa and India, from poetic narrations of travelers to hunter memoirs and press stories about zoos, from reports of mystical graveyards to museum warehouses collecting bones—notions about elephants in the West have come a long way. These ideas (their transformation; their persistence) tell perhaps more about how Western cultures have understood themselves than about the actual lives and potential histories of proboscideans. In Elephant Trails: A History of Animals and Cultures (Johns Hopkins UP, 2021), Nigel Rothfels follows the paths of concrete elephant lives, their struggles and their deaths, in order to produce a history of one particular elephant, that which inhabits Western mentalities up to the present and which is composed as much of fantasy as thick skin.
In this conversation, Dr. Rothfels expands on some of the tenets of this book, as well as the trails that he himself followed in order to better understand how present notions about elephants in the West have been historically configured. This is a history of ideas about the magnificent animal we call the elephant, threaded with stories of flesh and blood.
Marcela Hernández, PhD candidate in Philosophy at the Goethe University in Frankfurt, Germany, is currently writing a dissertation on animals and gestures in films. She can be reached at m.hernandez@stud.uni-frankfurt.de
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nigel Rothfels</itunes:subtitle>
      <itunes:summary>When looking at historic records of all kinds—from prehistoric cave drawings and ancient rock art in Africa and India, from poetic narrations of travelers to hunter memoirs and press stories about zoos, from reports of mystical graveyards to museum warehouses collecting bones—notions about elephants in the West have come a long way. These ideas (their transformation; their persistence) tell perhaps more about how Western cultures have understood themselves than about the actual lives and potential histories of proboscideans. In Elephant Trails: A History of Animals and Cultures (Johns Hopkins UP, 2021), Nigel Rothfels follows the paths of concrete elephant lives, their struggles and their deaths, in order to produce a history of one particular elephant, that which inhabits Western mentalities up to the present and which is composed as much of fantasy as thick skin.
In this conversation, Dr. Rothfels expands on some of the tenets of this book, as well as the trails that he himself followed in order to better understand how present notions about elephants in the West have been historically configured. This is a history of ideas about the magnificent animal we call the elephant, threaded with stories of flesh and blood.
Marcela Hernández, PhD candidate in Philosophy at the Goethe University in Frankfurt, Germany, is currently writing a dissertation on animals and gestures in films. She can be reached at m.hernandez@stud.uni-frankfurt.de
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When looking at historic records of all kinds—from prehistoric cave drawings and ancient rock art in Africa and India, from poetic narrations of travelers to hunter memoirs and press stories about zoos, from reports of mystical graveyards to museum warehouses collecting bones—notions about elephants in the West have come a long way. These ideas (their transformation; their persistence) tell perhaps more about how Western cultures have understood themselves than about the actual lives and potential histories of proboscideans. In <a href="https://bookshop.org/a/12343/9781421442594"><em>Elephant Trails: A History of Animals and Cultures</em></a><em> </em>(Johns Hopkins UP, 2021), Nigel Rothfels follows the paths of concrete elephant lives, their struggles and their deaths, in order to produce a history of one particular elephant, that which inhabits Western mentalities up to the present and which is composed as much of fantasy as thick skin.</p><p>In this conversation, Dr. Rothfels expands on some of the tenets of this book, as well as the trails that he himself followed in order to better understand how present notions about elephants in the West have been historically configured. This is a history of ideas about the magnificent animal we call the elephant, threaded with stories of flesh and blood.</p><p><em>Marcela Hernández, PhD candidate in Philosophy at the Goethe University in Frankfurt, Germany, is currently writing a dissertation on animals and gestures in films. She can be reached at m.hernandez@stud.uni-frankfurt.de</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4015</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d0b9ced8-cd53-11ec-bab0-7fd8db2c1c26]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1782367508.mp3?updated=1651852286" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Craig Calcaterra, "Rethinking Fandom: How to Beat the Sports-Industrial Complex at Its Own Game" (Belt Publishing, 2022)</title>
      <description>Sports fandom isn't what it used to be. Owners and executives increasingly count on the blind loyalty of their fans and too often act against the team's best interest. Intentionally tanking a season to get a high draft pick, scamming local governments to build cushy new stadiums, and actively subverting the players have become business as usual in professional sports. In Rethinking Fandom: How to Beat the Sports-Industrial Complex at Its Own Game (Belt Publishing, 2022), sportswriter (and lifelong sports fan) Craig Calcaterra argues that fans have more power than they realize to change how their teams behave. With his characteristic wit and piercing commentary, Calcaterra calls for a radical reexamination of what it means to be a fan in the twenty-first century.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 05 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Craig Calcaterra</itunes:subtitle>
      <itunes:summary>Sports fandom isn't what it used to be. Owners and executives increasingly count on the blind loyalty of their fans and too often act against the team's best interest. Intentionally tanking a season to get a high draft pick, scamming local governments to build cushy new stadiums, and actively subverting the players have become business as usual in professional sports. In Rethinking Fandom: How to Beat the Sports-Industrial Complex at Its Own Game (Belt Publishing, 2022), sportswriter (and lifelong sports fan) Craig Calcaterra argues that fans have more power than they realize to change how their teams behave. With his characteristic wit and piercing commentary, Calcaterra calls for a radical reexamination of what it means to be a fan in the twenty-first century.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sports fandom isn't what it used to be. Owners and executives increasingly count on the blind loyalty of their fans and too often act against the team's best interest. Intentionally tanking a season to get a high draft pick, scamming local governments to build cushy new stadiums, and actively subverting the players have become business as usual in professional sports. In <a href="https://bookshop.org/a/12343/9781953368232"><em>Rethinking Fandom: How to Beat the Sports-Industrial Complex at Its Own Game</em></a> (Belt Publishing, 2022), sportswriter (and lifelong sports fan) Craig Calcaterra argues that fans have more power than they realize to change how their teams behave. With his characteristic wit and piercing commentary, Calcaterra calls for a radical reexamination of what it means to be a fan in the twenty-first century.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3974</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8becaae2-c965-11ec-b721-dfdcd14abb2f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5134304452.mp3?updated=1651421426" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of Statues: A Conversation with Alex Von Tunzelmann</title>
      <description>What are the rights and wrongs of toppling statues? Sometimes everyone agrees it’s a good idea. After the second world war, for example, the defeat of fascism meant that all over Europe Hitler statues were toppled and destroyed. After the collapse of communism some statues of Stalin actually survived. Just a couple of years ago Black Lives Matter protests led to the hauling down statues of slaveholders and imperialists – for example in the UK a statue of slaver – and philanthropist, Edward Colston was hurled into a harbour. Some argued Colston should be left alone because he was just a man of his time. So, when is it right to tear down a statue and do you need a democratically elected committee to make the decision? A discussion with screenwriter and historian Alex Von Tunzelmann, author of Fallen Idols: Twelve Statues That Made History.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alex Von Tunzelmann</itunes:subtitle>
      <itunes:summary>What are the rights and wrongs of toppling statues? Sometimes everyone agrees it’s a good idea. After the second world war, for example, the defeat of fascism meant that all over Europe Hitler statues were toppled and destroyed. After the collapse of communism some statues of Stalin actually survived. Just a couple of years ago Black Lives Matter protests led to the hauling down statues of slaveholders and imperialists – for example in the UK a statue of slaver – and philanthropist, Edward Colston was hurled into a harbour. Some argued Colston should be left alone because he was just a man of his time. So, when is it right to tear down a statue and do you need a democratically elected committee to make the decision? A discussion with screenwriter and historian Alex Von Tunzelmann, author of Fallen Idols: Twelve Statues That Made History.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the rights and wrongs of toppling statues? Sometimes everyone agrees it’s a good idea. After the second world war, for example, the defeat of fascism meant that all over Europe Hitler statues were toppled and destroyed. After the collapse of communism some statues of Stalin actually survived. Just a couple of years ago Black Lives Matter protests led to the hauling down statues of slaveholders and imperialists – for example in the UK a statue of slaver – and philanthropist, Edward Colston was hurled into a harbour. Some argued Colston should be left alone because he was just a man of his time. So, when is it right to tear down a statue and do you need a democratically elected committee to make the decision? A discussion with screenwriter and historian Alex Von Tunzelmann, author of <a href="https://bookshop.org/a/12343/9780063081673"><em>Fallen Idols: Twelve Statues That Made History</em></a>.</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2626</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Nancy Barile, "I'm Not Holding Your Coat: My Bruises-And-All Memoir of Punk Rock Rebellion" (Bazillion Points, 2021)</title>
      <description>Nancy Barile shares her love of hardcore punk in her new memoir, I'm Not Holding Your Coat: My Bruises and All Memoir of Punk Rock Rebellion (Bazillion Points, 2022). From disaffected Catholic schoolgirl and glam maniac to instigator on the 1980s hardcore punk scene, Barile discovered freedom at a time when punk music was new and dangerous. She made her place behind the boards and right in the front row as insurgents such as SSD, Minor Threat, Bad Brains, the Dead Kennedys, and Black Flag wrote new rules and made history. She survived punk riots and urban decay, ran the streets with outcasts, and ultimately found true love as she fought for fairness and found her purpose. Her memoir archives her first-hand experiences in the early Philadelphia punk scene and forefronts the role of women in the scene. 
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 28 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nancy Barile</itunes:subtitle>
      <itunes:summary>Nancy Barile shares her love of hardcore punk in her new memoir, I'm Not Holding Your Coat: My Bruises and All Memoir of Punk Rock Rebellion (Bazillion Points, 2022). From disaffected Catholic schoolgirl and glam maniac to instigator on the 1980s hardcore punk scene, Barile discovered freedom at a time when punk music was new and dangerous. She made her place behind the boards and right in the front row as insurgents such as SSD, Minor Threat, Bad Brains, the Dead Kennedys, and Black Flag wrote new rules and made history. She survived punk riots and urban decay, ran the streets with outcasts, and ultimately found true love as she fought for fairness and found her purpose. Her memoir archives her first-hand experiences in the early Philadelphia punk scene and forefronts the role of women in the scene. 
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nancy Barile shares her love of hardcore punk in her new memoir, <a href="https://www.bazillionpoints.com/books/im-not-holding-your-coat-my-bruises-and-all-memoir-of-punk-rock-rebellion-by-nancy-barile-preorder-ships-dec-15/"><em>I'm Not Holding Your Coat: My Bruises and All Memoir of Punk Rock Rebellion</em> </a>(Bazillion Points, 2022). From disaffected Catholic schoolgirl and glam maniac to instigator on the 1980s hardcore punk scene, Barile discovered freedom at a time when punk music was new and dangerous. She made her place behind the boards and right in the front row as insurgents such as SSD, Minor Threat, Bad Brains, the Dead Kennedys, and Black Flag wrote new rules and made history. She survived punk riots and urban decay, ran the streets with outcasts, and ultimately found true love as she fought for fairness and found her purpose. Her memoir archives her first-hand experiences in the early Philadelphia punk scene and forefronts the role of women in the scene. </p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3725</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[50e62c52-c0eb-11ec-ac12-0b93adeee0f3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6153023281.mp3?updated=1650489994" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marlon B. Ross, "Sissy Insurgencies: A Racial Anatomy of Unfit Manliness" (Duke UP, 2022)</title>
      <description>Sissy Insurgencies: A Racial Anatomy of Unfit Manliness (Duke University Press, 2022) by Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how it constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Demonstrating that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy, he also shows how it constitutes a central element in modern understandings of race and gender.
Dr. Marlon B. Ross is professor of English at the University of Virginia, where he has taught since 2001. Before that, he was professor of English and African American &amp; African Studies at the University of Michigan. His interests include a variety of fields related to race, gender, sexuality, and culture. He is also the author of Manning the Race: Reforming Black Men in the Jim Crow Era and The Contours of Masculine Desire: Romanticism and the Rise of Women's Poetry.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 28 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marlon B. Ross</itunes:subtitle>
      <itunes:summary>Sissy Insurgencies: A Racial Anatomy of Unfit Manliness (Duke University Press, 2022) by Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how it constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Demonstrating that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy, he also shows how it constitutes a central element in modern understandings of race and gender.
Dr. Marlon B. Ross is professor of English at the University of Virginia, where he has taught since 2001. Before that, he was professor of English and African American &amp; African Studies at the University of Michigan. His interests include a variety of fields related to race, gender, sexuality, and culture. He is also the author of Manning the Race: Reforming Black Men in the Jim Crow Era and The Contours of Masculine Desire: Romanticism and the Rise of Women's Poetry.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478017837"><em>Sissy Insurgencies: A Racial Anatomy of Unfit Manliness</em></a> (Duke University Press, 2022) by Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how it constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Demonstrating that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy, he also shows how it constitutes a central element in modern understandings of race and gender.</p><p>Dr. Marlon B. Ross is professor of English at the University of Virginia, where he has taught since 2001. Before that, he was professor of English and African American &amp; African Studies at the University of Michigan. His interests include a variety of fields related to race, gender, sexuality, and culture. He is also the author of <em>Manning the Race: Reforming Black Men in the Jim Crow Era</em> and <em>The Contours of Masculine Desire: Romanticism and the Rise of Women's Poetry.</em></p><p><a href="https://www.machadoisabel.com/"><em>Isabel Machado</em></a><em> is a cultural historian whose work often crosses national and disciplinary boundaries.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3580</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1838678999.mp3?updated=1647704427" length="0" type="audio/mpeg"/>
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    <item>
      <title>Thomas Aiello, "Hoops: A Cultural History of Basketball in America" (Rowman and Littlefield, 2021)</title>
      <description>From its early days as a sport to build “muscular Christianity” among young men flooding nineteenth-century cities to its position today as a global symbol of American culture, basketball has been a force in American society. It grew through high school gymnasiums, college pep rallies, and the fits and starts of professionalization. It was a playground game, an urban game, tied to all of the caricatures that were associated with urban culture. It struggled with integration and representations of race. Today, basketball’s influence seeps into film, music, dance, and fashion. Hoops tells the story of the reciprocal relationship between the sport and the society that received it.
In Hoops: A Cultural History of Basketball in America (Rowman and Littlefield, 2021), Thomas Aiello presents the only contemporary cultural history of the sport from the street to the highest levels of professional mens and womens competition. He argues that the game has existed in a reciprocal relationship with the broader culture, both embodying conflicts over race, class, and gender and serving a s public theater for them. Aiello places cultural icons like Bill Russell, Michael Jordan, and Kobe Bryant in the context of their times and explores how the sport negotiated controversies and scandals. Hoops belongs on the bookshelf of every reader interested in the history of basketball, sports, race, urban life, and pop culture in America.
Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 27 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas Aiello</itunes:subtitle>
      <itunes:summary>From its early days as a sport to build “muscular Christianity” among young men flooding nineteenth-century cities to its position today as a global symbol of American culture, basketball has been a force in American society. It grew through high school gymnasiums, college pep rallies, and the fits and starts of professionalization. It was a playground game, an urban game, tied to all of the caricatures that were associated with urban culture. It struggled with integration and representations of race. Today, basketball’s influence seeps into film, music, dance, and fashion. Hoops tells the story of the reciprocal relationship between the sport and the society that received it.
In Hoops: A Cultural History of Basketball in America (Rowman and Littlefield, 2021), Thomas Aiello presents the only contemporary cultural history of the sport from the street to the highest levels of professional mens and womens competition. He argues that the game has existed in a reciprocal relationship with the broader culture, both embodying conflicts over race, class, and gender and serving a s public theater for them. Aiello places cultural icons like Bill Russell, Michael Jordan, and Kobe Bryant in the context of their times and explores how the sport negotiated controversies and scandals. Hoops belongs on the bookshelf of every reader interested in the history of basketball, sports, race, urban life, and pop culture in America.
Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From its early days as a sport to build “muscular Christianity” among young men flooding nineteenth-century cities to its position today as a global symbol of American culture, basketball has been a force in American society. It grew through high school gymnasiums, college pep rallies, and the fits and starts of professionalization. It was a playground game, an urban game, tied to all of the caricatures that were associated with urban culture. It struggled with integration and representations of race. Today, basketball’s influence seeps into film, music, dance, and fashion. Hoops tells the story of the reciprocal relationship between the sport and the society that received it.</p><p>In <a href="https://bookshop.org/a/12343/9781538147115"><em>Hoops: A Cultural History of Basketball in America</em></a> (Rowman and Littlefield, 2021), Thomas Aiello presents the only contemporary cultural history of the sport from the street to the highest levels of professional mens and womens competition. He argues that the game has existed in a reciprocal relationship with the broader culture, both embodying conflicts over race, class, and gender and serving a s public theater for them. Aiello places cultural icons like Bill Russell, Michael Jordan, and Kobe Bryant in the context of their times and explores how the sport negotiated controversies and scandals. Hoops belongs on the bookshelf of every reader interested in the history of basketball, sports, race, urban life, and pop culture in America.</p><p><em>Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3667</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[60ef81ca-bf3d-11ec-b4f8-3fd60521a3b9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1842829446.mp3?updated=1650303757" length="0" type="audio/mpeg"/>
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      <title>Steve A. Wiggins, "Nightmares with the Bible: The Good Book and Cinematic Demons" (Fortress, 2020)</title>
      <description>Demons! Nightmares with the Bible: The Good Book and Cinematic Demons (2021) published by Fortress Academic views demons through two lenses: that of western religion and that of cinema. Sketching out the long fear of demons in western history, including the Bible, Steve A. Wiggins moves on to analyze how popular movies inform our beliefs about demonic forces. Beginning with the idea of possession, he explores the portrayal of demons from ancient Mesopotamia and the biblical world (including in select extra-biblical texts), and then examines the portrayal of demons in popular horror franchises The Conjuring, The Amityville Horror, and Paranormal Activity. In the final chapter, Wiggins looks at movies that followed The Exorcist and offers new perspectives for viewing possession and exorcism. Written in non-technical language, this book is intended for anyone interested in how demons are perceived and how popular culture informs those perceptions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 27 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>89</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Demons! Nightmares with the Bible: The Good Book and Cinematic Demons (2021) published by Fortress Academic views demons through two lenses: that of western religion and that of cinema. Sketching out the long fear of demons in western history, including the Bible, Steve A. Wiggins moves on to analyze how popular movies inform our beliefs about demonic forces. Beginning with the idea of possession, he explores the portrayal of demons from ancient Mesopotamia and the biblical world (including in select extra-biblical texts), and then examines the portrayal of demons in popular horror franchises The Conjuring, The Amityville Horror, and Paranormal Activity. In the final chapter, Wiggins looks at movies that followed The Exorcist and offers new perspectives for viewing possession and exorcism. Written in non-technical language, this book is intended for anyone interested in how demons are perceived and how popular culture informs those perceptions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Demons! <a href="https://bookshop.org/a/12343/9781978703186"><em>Nightmares with the Bible: The Good Book and Cinematic Demons</em></a> (2021) published by Fortress Academic views demons through two lenses: that of western religion and that of cinema. Sketching out the long fear of demons in western history, including the Bible, Steve A. Wiggins moves on to analyze how popular movies inform our beliefs about demonic forces. Beginning with the idea of possession, he explores the portrayal of demons from ancient Mesopotamia and the biblical world (including in select extra-biblical texts), and then examines the portrayal of demons in popular horror franchises The Conjuring, The Amityville Horror, and Paranormal Activity. In the final chapter, Wiggins looks at movies that followed The Exorcist and offers new perspectives for viewing possession and exorcism. Written in non-technical language, this book is intended for anyone interested in how demons are perceived and how popular culture informs those perceptions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3242</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[91877ca4-bf36-11ec-9010-374c3a1845c8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1050979665.mp3?updated=1650300961" length="0" type="audio/mpeg"/>
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    <item>
      <title>Doug MacCash, "Mardi Gras Beads" (Louisiana UP, 2022)</title>
      <description>The first in a new LSU Press series exploring facets of Louisiana’s iconic culture, Mardi Gras Beads (2022) delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. It explores their origins before World War One through their ascent to the premier parade catchable by the Depression era. Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change.
Doug MacCash covers New Orleans art and culture for NOLA.com, The Times- Picayune, and The New Orleans Advocate. 
Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.
Check out some of MacCash's other pertinent writings from NOLA.com here: 
"Pretend Karens, marching traffic cones and French Quarter Fools: An amazing Monday before Mardi Gras"
"Biodegradable Mardi Gras beads might be rarest throw of 2022 - or ever"
"Mardi Gras flashback: Texas artist, 65, says she was first to bare breasts for beads at Carnival"
﻿Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 26 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Doug MacCash</itunes:subtitle>
      <itunes:summary>The first in a new LSU Press series exploring facets of Louisiana’s iconic culture, Mardi Gras Beads (2022) delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. It explores their origins before World War One through their ascent to the premier parade catchable by the Depression era. Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change.
Doug MacCash covers New Orleans art and culture for NOLA.com, The Times- Picayune, and The New Orleans Advocate. 
Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.
Check out some of MacCash's other pertinent writings from NOLA.com here: 
"Pretend Karens, marching traffic cones and French Quarter Fools: An amazing Monday before Mardi Gras"
"Biodegradable Mardi Gras beads might be rarest throw of 2022 - or ever"
"Mardi Gras flashback: Texas artist, 65, says she was first to bare breasts for beads at Carnival"
﻿Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The first in a new LSU Press series exploring facets of Louisiana’s iconic culture, <em>Mardi Gras Beads</em> (2022) delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. It explores their origins before World War One through their ascent to the premier parade catchable by the Depression era. Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. <em>Mardi Gras Beads</em> concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change.</p><p>Doug MacCash covers New Orleans art and culture for NOLA.com, <em>The Times- Picayune</em>, and <em>The New Orleans Advocate</em>. </p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.</em></p><p>Check out some of MacCash's other pertinent writings from NOLA.com here: </p><p><a href="https://www.nola.com/entertainment_life/mardi_gras/article_365d27a8-98ed-11ec-968c-6b7814687f56.html">"Pretend Karens, marching traffic cones and French Quarter Fools: An amazing Monday before Mardi Gras"</a></p><p><a href="https://www.nola.com/entertainment_life/mardi_gras/article_cce75bb6-89da-11ec-bf32-cfb56784d5bb.html">"Biodegradable Mardi Gras beads might be rarest throw of 2022 - or ever"</a></p><p><a href="https://www.nola.com/entertainment_life/mardi_gras/article_7e29bd38-2f2d-11eb-a9da-eb68ec24820e.html">"Mardi Gras flashback: Texas artist, 65, says she was first to bare breasts for beads at Carnival"</a></p><p><em>﻿Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2336</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8bb3e5fe-bdbc-11ec-8a1d-473e80ca173a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3698061344.mp3?updated=1650138246" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sam Lebovic, "A Righteous Smokescreen: Postwar America and the Politics of Cultural Globalization" (U Chicago Press, 2022)</title>
      <description>Dr. Sam Lebovic’s A Righteous Smokescreen: Postwar America and the Politics of Cultural Globalization (University of Chicago Press, 2022) is an examination of how the postwar United States twisted its ideal of “the free flow of information” into a one-sided export of values and a tool with global consequences.
When the dust settled after World War II, the United States stood as the world’s unquestionably pre-eminent military and economic power. In the decades that followed, the country exerted its dominant force in less visible but equally powerful ways, too, spreading its trade protocols, its media, and—perhaps most importantly—its alleged values. In A Righteous Smokescreen, Dr. Lebovic homes in on one of the most prominent, yet ethereal, of those professed values: the free flow of information. This trope was seen as capturing what was most liberal about America’s self-declared leadership of the free world. But as Dr. Lebovic makes clear, even though diplomats and public figures trumpeted the importance of widespread cultural exchange, these transmissions flowed in only one direction: outward from the United States.
Whereas most scholars focus on grand problems of geopolitics and international finance to explore what sort of international order the US constructed after World War II, this book focuses instead on visa and passport regulations, the funding for educational exchange and school construction, the purchase of land for embassies, civil aviation agreements, the rights of international correspondents, and other equally pragmatic and practical problems of international relations…Detailing how cultural globalization was meant to work in practice therefore reveals a great deal about how the postwar order was actually supposed to operate.
Though other countries did try to promote their own cultural visions, Dr. Lebovic shows that the US moved to marginalize or block those visions outright, highlighting the shallowness of American commitments to multilateral institutions, the depth of its unstated devotion to cultural and economic supremacy, and its surprising hostility to importing foreign cultures. His book uncovers the unexpectedly profound global consequences buried in such ostensibly mundane matters as visa and passport policy, international educational funding, and land purchases for embassies. Even more crucially, A Righteous Smokescreen does nothing less than reveal that globalization was not the inevitable consequence of cultural convergence or the natural outcome of putatively free flows of information—it was always political to its core.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 22 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1188</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sam Lebovic</itunes:subtitle>
      <itunes:summary>Dr. Sam Lebovic’s A Righteous Smokescreen: Postwar America and the Politics of Cultural Globalization (University of Chicago Press, 2022) is an examination of how the postwar United States twisted its ideal of “the free flow of information” into a one-sided export of values and a tool with global consequences.
When the dust settled after World War II, the United States stood as the world’s unquestionably pre-eminent military and economic power. In the decades that followed, the country exerted its dominant force in less visible but equally powerful ways, too, spreading its trade protocols, its media, and—perhaps most importantly—its alleged values. In A Righteous Smokescreen, Dr. Lebovic homes in on one of the most prominent, yet ethereal, of those professed values: the free flow of information. This trope was seen as capturing what was most liberal about America’s self-declared leadership of the free world. But as Dr. Lebovic makes clear, even though diplomats and public figures trumpeted the importance of widespread cultural exchange, these transmissions flowed in only one direction: outward from the United States.
Whereas most scholars focus on grand problems of geopolitics and international finance to explore what sort of international order the US constructed after World War II, this book focuses instead on visa and passport regulations, the funding for educational exchange and school construction, the purchase of land for embassies, civil aviation agreements, the rights of international correspondents, and other equally pragmatic and practical problems of international relations…Detailing how cultural globalization was meant to work in practice therefore reveals a great deal about how the postwar order was actually supposed to operate.
Though other countries did try to promote their own cultural visions, Dr. Lebovic shows that the US moved to marginalize or block those visions outright, highlighting the shallowness of American commitments to multilateral institutions, the depth of its unstated devotion to cultural and economic supremacy, and its surprising hostility to importing foreign cultures. His book uncovers the unexpectedly profound global consequences buried in such ostensibly mundane matters as visa and passport policy, international educational funding, and land purchases for embassies. Even more crucially, A Righteous Smokescreen does nothing less than reveal that globalization was not the inevitable consequence of cultural convergence or the natural outcome of putatively free flows of information—it was always political to its core.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Sam Lebovic’s <a href="https://bookshop.org/a/12343/9780226816081"><em>A Righteous Smokescreen: Postwar America and the Politics of Cultural Globalization</em></a> (University of Chicago Press, 2022) is an examination of how the postwar United States twisted its ideal of “the free flow of information” into a one-sided export of values and a tool with global consequences.</p><p>When the dust settled after World War II, the United States stood as the world’s unquestionably pre-eminent military and economic power. In the decades that followed, the country exerted its dominant force in less visible but equally powerful ways, too, spreading its trade protocols, its media, and—perhaps most importantly—its alleged values. In <em>A Righteous Smokescreen</em>, Dr. Lebovic homes in on one of the most prominent, yet ethereal, of those professed values: the free flow of information. This trope was seen as capturing what was most liberal about America’s self-declared leadership of the free world. But as Dr. Lebovic makes clear, even though diplomats and public figures trumpeted the importance of widespread cultural exchange, these transmissions flowed in only one direction: outward from the United States.</p><p>Whereas most scholars focus on grand problems of geopolitics and international finance to explore what sort of international order the US constructed after World War II, this book focuses instead on visa and passport regulations, the funding for educational exchange and school construction, the purchase of land for embassies, civil aviation agreements, the rights of international correspondents, and other equally pragmatic and practical problems of international relations…Detailing how cultural globalization was meant to work in practice therefore reveals a great deal about how the postwar order was actually supposed to operate.</p><p>Though other countries did try to promote their own cultural visions, Dr. Lebovic shows that the US moved to marginalize or block those visions outright, highlighting the shallowness of American commitments to multilateral institutions, the depth of its unstated devotion to cultural and economic supremacy, and its surprising hostility to importing foreign cultures. His book uncovers the unexpectedly profound global consequences buried in such ostensibly mundane matters as visa and passport policy, international educational funding, and land purchases for embassies. Even more crucially, <em>A Righteous Smokescreen</em> does nothing less than reveal that globalization was not the inevitable consequence of cultural convergence or the natural outcome of putatively free flows of information—it was always political to its core.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3585</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[edbd040c-bb4f-11ec-845c-7f4161c0aae3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6452881723.mp3?updated=1649964374" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>JVN</title>
      <description>Angelina Eimannsberger talks to Saronik about cultural phenomenon Jonathan Van Ness, and movements in queer femininity that they represent.
They touch briefly on Edith Wharton’s The House of Mirth, Jean Genet’s Notre Dame des Fleurs, Audre Lorde’s Sister Outsider, Janet Mock’s Redefining Realness, and the hashtag #transisbeautiful inaugurated by Laverne Cox. They also talk about Michel Foucault’s interview “Friendship as a Way of Life“.
Angelina and Saronik had a post-recording conversation about the activistic work that JVN does. On that note, here is a list of organizations they support, and that you can support too:
Planned Parenthood, RAINN, Phoenix House, The Trevor Project, National Coalition of Anti Violence Programs, Advocates for Youth, GLSEN, Peer Health Exchange, ASPCA.
The image for this episode is a frame titled “Flowering Tree” by the fin de siècle English artist Aubrey Beardsley.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Angelina Eimannsberger</itunes:subtitle>
      <itunes:summary>Angelina Eimannsberger talks to Saronik about cultural phenomenon Jonathan Van Ness, and movements in queer femininity that they represent.
They touch briefly on Edith Wharton’s The House of Mirth, Jean Genet’s Notre Dame des Fleurs, Audre Lorde’s Sister Outsider, Janet Mock’s Redefining Realness, and the hashtag #transisbeautiful inaugurated by Laverne Cox. They also talk about Michel Foucault’s interview “Friendship as a Way of Life“.
Angelina and Saronik had a post-recording conversation about the activistic work that JVN does. On that note, here is a list of organizations they support, and that you can support too:
Planned Parenthood, RAINN, Phoenix House, The Trevor Project, National Coalition of Anti Violence Programs, Advocates for Youth, GLSEN, Peer Health Exchange, ASPCA.
The image for this episode is a frame titled “Flowering Tree” by the fin de siècle English artist Aubrey Beardsley.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.angelinaeimannsberger.com/">Angelina Eimannsberger</a> talks to Saronik about cultural phenomenon <a href="https://www.instagram.com/jvn/?hl=en">Jonathan Van Ness</a>, and movements in queer femininity that they represent.</p><p>They touch briefly on Edith Wharton’s <em>The House of Mirth</em>, Jean Genet’s <em>Notre Dame des Fleurs</em>, Audre Lorde’s <em>Sister Outsider</em>, Janet Mock’s <em>Redefining Realness</em>, and the hashtag <a href="https://hightheory.net/podcast/jvn/#transisbeautiful">#transisbeautiful</a> inaugurated by Laverne Cox. They also talk about Michel Foucault’s interview “<a href="https://caringlabor.wordpress.com/2010/11/18/michel-foucault-friendship-as-a-way-of-life/">Friendship as a Way of Life</a>“.</p><p>Angelina and Saronik had a post-recording conversation about the activistic work that JVN does. On that note, here is a list of organizations they support, and that you can support too:</p><p>Planned Parenthood, <a href="https://g.co/kgs/tLKB1F">RAINN</a>, <a href="https://g.co/kgs/iCvuuQ">Phoenix House</a>, <a href="https://g.co/kgs/rnoq6R">The Trevor Project</a>, <a href="https://g.co/kgs/3CpfvZ">National Coalition of Anti Violence Programs</a>, <a href="https://g.co/kgs/5cy4AM">Advocates for Youth</a>, <a href="https://g.co/kgs/CwdxGa">GLSEN</a>, <a href="https://g.co/kgs/k6Tg5N">Peer Health Exchange</a>, ASPCA.</p><p>The image for this episode is a frame titled “Flowering Tree” by the <em>fin de siècle</em> English artist Aubrey Beardsley.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>715</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3ffddf44-a2cc-11ec-932f-1ff6f8f68268]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9604319846.mp3?updated=1646233328" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jared N. Champion and Peter C. Kunze, "Taking a Stand: Contemporary US Stand-Up Comedians As Public Intellectuals" (UP of Mississippi, 2021)</title>
      <description>Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr., and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work.
Edited by Jared Champion and Peter Kunze, Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals (University Press of Mississippi, 2021) draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism.
Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli’s use of problematic postracial humor, Aziz Ansari’s merging of sociology and technology, or Maria Bamford’s emphasis on mental health, to name just a few. Taking a Stand offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, and even public policy on myriad issues, and this book sets out to take those jokes seriously.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jared N. Champion and Peter C. Kunze</itunes:subtitle>
      <itunes:summary>Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr., and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work.
Edited by Jared Champion and Peter Kunze, Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals (University Press of Mississippi, 2021) draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism.
Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli’s use of problematic postracial humor, Aziz Ansari’s merging of sociology and technology, or Maria Bamford’s emphasis on mental health, to name just a few. Taking a Stand offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, and even public policy on myriad issues, and this book sets out to take those jokes seriously.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr., and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work.</p><p>Edited by Jared Champion and Peter Kunze, <a href="https://www.upress.state.ms.us/Books/T/Taking-a-Stand"><em>Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals</em></a><em> </em>(University Press of Mississippi, 2021) draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism.</p><p>Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli’s use of problematic postracial humor, Aziz Ansari’s merging of sociology and technology, or Maria Bamford’s emphasis on mental health, to name just a few. <em>Taking a Stand</em> offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, and even public policy on myriad issues, and this book sets out to take those jokes seriously.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4912</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7c84f94e-b810-11ec-8dca-c343eb88ac6f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4392263519.mp3?updated=1649708158" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul R. Deslandes, "The Culture of Male Beauty in Britain: From the First Photographs to David Beckham" (U Chicago Press, 2021)</title>
      <description>Spanning the decades from the rise of photography to the age of the selfie, The Culture of Male Beauty in Britain: From the First Photographs to David Beckham (University of Chicago Press, 2021) traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media. Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul R. Deslandes</itunes:subtitle>
      <itunes:summary>Spanning the decades from the rise of photography to the age of the selfie, The Culture of Male Beauty in Britain: From the First Photographs to David Beckham (University of Chicago Press, 2021) traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media. Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Spanning the decades from the rise of photography to the age of the selfie, <a href="https://bookshop.org/a/12343/9780226771618"><em>The Culture of Male Beauty in Britain: From the First Photographs to David Beckham</em></a> (University of Chicago Press, 2021) traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media. Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3311</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f705266-be43-11ec-bf98-779d56ba8637]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1040980701.mp3?updated=1650195724" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patricia A. Banks, "Black Culture, Inc.: How Ethnic Community Support Pays for Corporate America" (Stanford UP, 2022)</title>
      <description>Why do corporations fund cultural organisations and events? In Black Culture, Inc: How ethnic community support pays for corporate America Patricia Banks, Professor of Sociology at Mount Holyoke College, explores the role of corporate funding in shaping cultural life, from historical examples of tobacco advertising and media, through to contemporary social media businesses’ presence at music festivals. The book draws on a wealth of examples and scholarship on Black culture in America, alongside analysis of diversity policy and practices. Most crucially, the book introduces the idea of ‘diversity capital’, showing the costs of corporate influence on culture, as well as the ambivalence and enthusiasm of cultural producers and audiences. Moving beyond simple explanations and analysis of race, corporate funding, and culture, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in the arts today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>278</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patricia A. Banks</itunes:subtitle>
      <itunes:summary>Why do corporations fund cultural organisations and events? In Black Culture, Inc: How ethnic community support pays for corporate America Patricia Banks, Professor of Sociology at Mount Holyoke College, explores the role of corporate funding in shaping cultural life, from historical examples of tobacco advertising and media, through to contemporary social media businesses’ presence at music festivals. The book draws on a wealth of examples and scholarship on Black culture in America, alongside analysis of diversity policy and practices. Most crucially, the book introduces the idea of ‘diversity capital’, showing the costs of corporate influence on culture, as well as the ambivalence and enthusiasm of cultural producers and audiences. Moving beyond simple explanations and analysis of race, corporate funding, and culture, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in the arts today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do corporations fund cultural organisations and events? In <em>Black Culture, Inc: How ethnic community support pays for corporate America</em> <a href="https://twitter.com/patriciaabanks">Patricia Banks</a>, <a href="https://www.mtholyoke.edu/people/patricia-banks">Professor of Sociology at Mount Holyoke College</a>, explores the role of corporate funding in shaping cultural life, from historical examples of tobacco advertising and media, through to contemporary social media businesses’ presence at music festivals. The book draws on a wealth of examples and scholarship on Black culture in America, alongside analysis of diversity policy and practices. Most crucially, the book introduces the idea of ‘diversity capital’, showing the costs of corporate influence on culture, as well as the ambivalence and enthusiasm of cultural producers and audiences. Moving beyond simple explanations and analysis of race, corporate funding, and culture, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in the arts today.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2508</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4b333672-bd00-11ec-ade0-7bd34bc5da89]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4755135796.mp3?updated=1650056762" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nancy Pedri, "A Concise Dictionary of Comics" (UP of Mississippi, 2022)</title>
      <description>Written in straightforward, jargon-free language, Nancy Pedri's A Concise Dictionary of Comics (University Press of Mississippi, 2022) guides students, researchers, readers, and educators of all ages and at all levels of comics expertise. It provides them with a dictionary that doubles as a compendium of comics scholarship.
A Concise Dictionary of Comics provides clear and informative definitions for each term. It includes twenty-five witty illustrations and pairs most defined terms with references to books, articles, book chapters, and other relevant critical sources. All references are dated and listed in an extensive, up-to-date bibliography of comics scholarship. Each term is also categorized according to type in an index of thematic groupings. This organization serves as a pedagogical aid for teachers and students learning about a specific facet of comics studies and as a research tool for scholars who are unfamiliar with a particular term but know what category it falls into. These features make A Concise Dictionary of Comics especially useful for critics, students, teachers, and researchers, and a vital reference to anyone else who wants to learn more about comics.
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nancy Pedri</itunes:subtitle>
      <itunes:summary>Written in straightforward, jargon-free language, Nancy Pedri's A Concise Dictionary of Comics (University Press of Mississippi, 2022) guides students, researchers, readers, and educators of all ages and at all levels of comics expertise. It provides them with a dictionary that doubles as a compendium of comics scholarship.
A Concise Dictionary of Comics provides clear and informative definitions for each term. It includes twenty-five witty illustrations and pairs most defined terms with references to books, articles, book chapters, and other relevant critical sources. All references are dated and listed in an extensive, up-to-date bibliography of comics scholarship. Each term is also categorized according to type in an index of thematic groupings. This organization serves as a pedagogical aid for teachers and students learning about a specific facet of comics studies and as a research tool for scholars who are unfamiliar with a particular term but know what category it falls into. These features make A Concise Dictionary of Comics especially useful for critics, students, teachers, and researchers, and a vital reference to anyone else who wants to learn more about comics.
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Written in straightforward, jargon-free language, Nancy Pedri's <a href="https://bookshop.org/a/12343/9781496838056"><em>A Concise Dictionary of Comics</em></a><em> </em>(University Press of Mississippi, 2022)<em> </em>guides students, researchers, readers, and educators of all ages and at all levels of comics expertise. It provides them with a dictionary that doubles as a compendium of comics scholarship.</p><p><em>A Concise Dictionary of Comics </em>provides clear and informative definitions for each term. It includes twenty-five witty illustrations and pairs most defined terms with references to books, articles, book chapters, and other relevant critical sources. All references are dated and listed in an extensive, up-to-date bibliography of comics scholarship. Each term is also categorized according to type in an index of thematic groupings. This organization serves as a pedagogical aid for teachers and students learning about a specific facet of comics studies and as a research tool for scholars who are unfamiliar with a particular term but know what category it falls into. These features make<em> A Concise Dictionary of Comics </em>especially useful for critics, students, teachers, and researchers, and a vital reference to anyone else who wants to learn more about comics.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2542</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1160610065.mp3?updated=1649708300" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Corey Landon Wozniak, "The Buddha at the Bellagio: (Teaching) Religion in Sin City" (Revealer, 2022)</title>
      <description>Today I talked to Corey Landon Wozniak about his Revealer article (2022) "The Buddha at the Bellagio: (Teaching) Religion in Sin City." As Wozniak points out, Las Vegas (for all that it's sin city) is full of religion, all kinds of it. He talks about how religion is done in America's Sodom and Gomorrah rolled into one. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Corey Landon Wozniak</itunes:subtitle>
      <itunes:summary>Today I talked to Corey Landon Wozniak about his Revealer article (2022) "The Buddha at the Bellagio: (Teaching) Religion in Sin City." As Wozniak points out, Las Vegas (for all that it's sin city) is full of religion, all kinds of it. He talks about how religion is done in America's Sodom and Gomorrah rolled into one. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Corey Landon Wozniak about his Revealer article (2022) "<a href="https://therevealer.org/the-buddha-at-the-bellagio-teaching-religion-in-sin-city/">The Buddha at the Bellagio: (Teaching) Religion in Sin City</a>." As Wozniak points out, Las Vegas (for all that it's sin city) is full of religion, all kinds of it. He talks about how religion is done in America's Sodom and Gomorrah rolled into one. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2489</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f1a3a560-bcaa-11ec-a916-070e9db24be8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7233188017.mp3?updated=1650020897" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kenneth Partridge, "Hell of a Hat: The Rise of '90s Ska and Swing" (Pennsylvania State UP, 2021)</title>
      <description>In the late ’90s, third-wave ska broke across the American alternative music scene like a tsunami. In sweaty clubs across the nation, kids danced themselves dehydrated to the peppy rhythms and punchy horns of bands like The Mighty Mighty Bosstones and Reel Big Fish. As ska caught fire, a swing revival brought even more sharp-dressed, brass-packing bands to national attention. Kenneth Partridge's Hell of a Hat: The Rise of '90s Ska and Swing (Pennsylvania State UP, 2021) dives deep into this unique musical moment.
Prior to invading the Billboard charts and MTV, ska thrived from Orange County, California, to NYC, where Moon Ska Records had eager rude girls and boys snapping up every release. On the swing tip, retro pioneers like Royal Crown Revue had fans doing the jump, jive, and wail long before The Brian Setzer Orchestra resurrected the Louis Prima joint. Drawing on interviews with heavyweights like the Bosstones, Sublime, Less Than Jake, and Cherry Poppin' Daddies—as well as underground heroes like Mustard Plug, The Slackers, Hepcat, and The New Morty Show—Kenneth Partridge argues that the relative economic prosperity and general optimism of the late ’90s created the perfect environment for fast, danceable music that—with some notable exceptions—tended to avoid political commentary.
An homage to a time when plaids and skankin’ were king and doing the jitterbug in your best suit was so money, Hell of a Hat is an inside look at ’90s ska, swing, and the loud noises of an era when America was dreaming and didn’t even know it.
Looking for the bands Partridge didn't get to highlight in the book? You can find his writing about them on his Substack. 
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 15 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>115</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kenneth Partridge</itunes:subtitle>
      <itunes:summary>In the late ’90s, third-wave ska broke across the American alternative music scene like a tsunami. In sweaty clubs across the nation, kids danced themselves dehydrated to the peppy rhythms and punchy horns of bands like The Mighty Mighty Bosstones and Reel Big Fish. As ska caught fire, a swing revival brought even more sharp-dressed, brass-packing bands to national attention. Kenneth Partridge's Hell of a Hat: The Rise of '90s Ska and Swing (Pennsylvania State UP, 2021) dives deep into this unique musical moment.
Prior to invading the Billboard charts and MTV, ska thrived from Orange County, California, to NYC, where Moon Ska Records had eager rude girls and boys snapping up every release. On the swing tip, retro pioneers like Royal Crown Revue had fans doing the jump, jive, and wail long before The Brian Setzer Orchestra resurrected the Louis Prima joint. Drawing on interviews with heavyweights like the Bosstones, Sublime, Less Than Jake, and Cherry Poppin' Daddies—as well as underground heroes like Mustard Plug, The Slackers, Hepcat, and The New Morty Show—Kenneth Partridge argues that the relative economic prosperity and general optimism of the late ’90s created the perfect environment for fast, danceable music that—with some notable exceptions—tended to avoid political commentary.
An homage to a time when plaids and skankin’ were king and doing the jitterbug in your best suit was so money, Hell of a Hat is an inside look at ’90s ska, swing, and the loud noises of an era when America was dreaming and didn’t even know it.
Looking for the bands Partridge didn't get to highlight in the book? You can find his writing about them on his Substack. 
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the late ’90s, third-wave ska broke across the American alternative music scene like a tsunami. In sweaty clubs across the nation, kids danced themselves dehydrated to the peppy rhythms and punchy horns of bands like The Mighty Mighty Bosstones and Reel Big Fish. As ska caught fire, a swing revival brought even more sharp-dressed, brass-packing bands to national attention. <a href="http://www.kennethpartridge.com/">Kenneth Partridge'</a>s <a href="https://bookshop.org/a/12343/9780271090382"><em>Hell of a Hat: The Rise of '90s Ska and Swing</em></a> (Pennsylvania State UP, 2021) dives deep into this unique musical moment.</p><p>Prior to invading the Billboard charts and MTV, ska thrived from Orange County, California, to NYC, where Moon Ska Records had eager rude girls and boys snapping up every release. On the swing tip, retro pioneers like Royal Crown Revue had fans doing the jump, jive, and wail long before The Brian Setzer Orchestra resurrected the Louis Prima joint. Drawing on interviews with heavyweights like the Bosstones, Sublime, Less Than Jake, and Cherry Poppin' Daddies—as well as underground heroes like Mustard Plug, The Slackers, Hepcat, and The New Morty Show—Kenneth Partridge argues that the relative economic prosperity and general optimism of the late ’90s created the perfect environment for fast, danceable music that—with some notable exceptions—tended to avoid political commentary.</p><p>An homage to a time when plaids and skankin’ were king and doing the jitterbug in your best suit was so money, <em>Hell of a Hat</em> is an inside look at ’90s ska, swing, and the loud noises of an era when America was dreaming and didn’t even know it.</p><p>Looking for the bands Partridge didn't get to highlight in the book? You can find his writing about them on his <a href="https://kennethpartridge.substack.com/">Substack</a>. </p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2587</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d361dc4a-b69f-11ec-bb27-eb37c1910e98]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6248328391.mp3?updated=1649356370" length="0" type="audio/mpeg"/>
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    <item>
      <title>Josef Benson and Doug Singsen, "Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels" (UP of Mississippi, 2022)</title>
      <description>American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations.
In Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels (University of Mississippi Press, 2022), Dr. Josef Benson and Dr. Doug Singsen provide a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. They identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1184</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations.
In Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels (University of Mississippi Press, 2022), Dr. Josef Benson and Dr. Doug Singsen provide a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. They identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations.</p><p>In <a href="https://bookshop.org/a/12343/9781496838346"><em>Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels</em></a> (University of Mississippi Press, 2022), Dr. Josef Benson and Dr. Doug Singsen provide a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. They identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4321</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Brandon J. Manning, "Played Out: The Race Man in 21st Century Satire" (Rutgers UP, 2022)</title>
      <description>In this episode, Dr. Brandon J. Manning talks about his most recent book, Played Out: The Race Man in 21st Century Satire (Rutgers UP, 2022). Here's a short description: through contemporary examples, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, Played Out: The Race Man in 21st Century Satire examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>291</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brandon J. Manning</itunes:subtitle>
      <itunes:summary>In this episode, Dr. Brandon J. Manning talks about his most recent book, Played Out: The Race Man in 21st Century Satire (Rutgers UP, 2022). Here's a short description: through contemporary examples, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, Played Out: The Race Man in 21st Century Satire examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Dr. Brandon J. Manning talks about his most recent book, <a href="https://bookshop.org/a/12343/9781978824249"><em>Played Out: The Race Man in 21st Century Satire</em></a> (Rutgers UP, 2022). Here's a short description: through contemporary examples, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, Played Out: The Race Man in 21st Century Satire examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4232</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4ff8e3ac-b754-11ec-9fba-53c6e3fc4bf6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4162883825.mp3?updated=1649433548" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>78 Fantasy Then, Now, and Forever with Anna Vaninskaya</title>
      <description>Elizabeth and John talk about fantasy's power of world-making with Edinburgh professor Anna Vaninskaya, author of William Morris and the Idea of Community: Romance, History and Propaganda, 1880-1914 ( 2010) and Fantasies of Time and Death: Dunsany, Eddison, Tolkien ( 2020). Anna uncovers the melancholy sense of displacement and loss running through Tolkien, and links his notion of "subcreation" to an often concealed theological vision. Not allegory but "application" is praised as a way of reading fantasy.
John asks about hopeful visions of the radical politics of fantasy (Le Guin, but also Graeber and Wengrow's recent work); Elizabeth stresses that fantasy's appeal is at once childish and childlike. E. Nesbit surfaces, as she tends to in RtB conversations. The question of film TV and other visual modes comes up: is textual fantasy on the way out?
Mentioned in the Episode:

David Graeber and David Wengrow, The Dawn of Everything.


In "From Elfland to Poughkeepsie" Ursula Le Guin perhaps surprisingly praises the otherworldly prose style of Anna's beloved E. R. Eddison, best known for The Worm Ouroboros (1922)

J. R. R. Tolkien, "On Fairy Stories"

E. Nesbit The Phoenix and the Carpet


Lord Dunsany, King of Elfland's Daughter


Ursula Le Guin The Books of Earthsea



Recallable Books:

Sylvia Townsend Warner, Kingdoms of Elfin (and read this lovely Ivan Kreilkamp article on her earlier strange great Lolly Willowes)

Lloyd Alexander Chronicles of Prydain


N. K. Jemisin, The Fifth Season



Read transcript here
Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 07 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anna Vaninskaya</itunes:subtitle>
      <itunes:summary>Elizabeth and John talk about fantasy's power of world-making with Edinburgh professor Anna Vaninskaya, author of William Morris and the Idea of Community: Romance, History and Propaganda, 1880-1914 ( 2010) and Fantasies of Time and Death: Dunsany, Eddison, Tolkien ( 2020). Anna uncovers the melancholy sense of displacement and loss running through Tolkien, and links his notion of "subcreation" to an often concealed theological vision. Not allegory but "application" is praised as a way of reading fantasy.
John asks about hopeful visions of the radical politics of fantasy (Le Guin, but also Graeber and Wengrow's recent work); Elizabeth stresses that fantasy's appeal is at once childish and childlike. E. Nesbit surfaces, as she tends to in RtB conversations. The question of film TV and other visual modes comes up: is textual fantasy on the way out?
Mentioned in the Episode:

David Graeber and David Wengrow, The Dawn of Everything.


In "From Elfland to Poughkeepsie" Ursula Le Guin perhaps surprisingly praises the otherworldly prose style of Anna's beloved E. R. Eddison, best known for The Worm Ouroboros (1922)

J. R. R. Tolkien, "On Fairy Stories"

E. Nesbit The Phoenix and the Carpet


Lord Dunsany, King of Elfland's Daughter


Ursula Le Guin The Books of Earthsea



Recallable Books:

Sylvia Townsend Warner, Kingdoms of Elfin (and read this lovely Ivan Kreilkamp article on her earlier strange great Lolly Willowes)

Lloyd Alexander Chronicles of Prydain


N. K. Jemisin, The Fifth Season



Read transcript here
Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Elizabeth and John talk about fantasy's power of world-making with Edinburgh professor <a href="https://www.ed.ac.uk/profile/anna-vaninskaya">Anna Vaninskaya</a>, author of <a href="https://edinburghuniversitypress.com/book-william-morris-and-the-idea-of-community.html"><em>William Morris and the Idea of Community: Romance, History and Propaganda, 1880-1914</em></a> ( 2010) and <a href="https://link.springer.com/book/10.1057/978-1-137-51838-5"><em>Fantasies of Time and Death: Dunsany, Eddison, Tolkien</em> </a>( 2020). Anna uncovers the melancholy sense of displacement and loss running through Tolkien, and links his notion of "subcreation" to an often concealed theological vision. Not allegory but "application" is praised as a way of reading fantasy.</p><p>John asks about hopeful visions of the radical politics of fantasy (Le Guin, but also <a href="https://us.macmillan.com/books/9780374157357/thedawnofeverything">Graeber and Wengrow's recent work</a>); Elizabeth stresses that fantasy's appeal is at once childish and childlike. E. Nesbit surfaces, as she tends to in RtB conversations. The question of film TV and other visual modes comes up: is textual fantasy on the way out?</p><p>Mentioned in the Episode:</p><ul>
<li>David Graeber and David Wengrow, <a href="https://us.macmillan.com/books/9780374157357/thedawnofeverything"><em>The Dawn of Everything.</em></a>
</li>
<li>In "<a href="https://www.ursulakleguin.com/from-elfland-to-poughkeepsie">From Elfland to Poughkeepsie</a>" Ursula Le Guin perhaps surprisingly praises the otherworldly prose style of Anna's beloved E. R. Eddison, best known for <a href="https://en.wikipedia.org/wiki/The_Worm_Ouroboros"><em>The Worm Ouroboros</em></a> (1922)</li>
<li>J. R. R. Tolkien, "<a href="https://en.wikipedia.org/wiki/On_Fairy-Stories">On Fairy Stories</a>"</li>
<li>E. Nesbit <a href="https://www.gutenberg.org/files/836/836-h/836-h.htm"><em>The Phoenix and the Carpet</em></a>
</li>
<li>Lord Dunsany, <a href="https://en.wikipedia.org/wiki/The_King_of_Elfland%27s_Daughter"><em>King of Elfland's Daughter</em></a>
</li>
<li>Ursula Le Guin <a href="https://www.ursulakleguin.com/the-books-of-earthsea"><em>The Books of Earthsea</em></a>
</li>
</ul><p><br></p><p><strong>Recallable Books</strong>:</p><ul>
<li>Sylvia Townsend Warner, <a href="https://en.wikipedia.org/wiki/Kingdoms_of_Elfin">Kingdoms of Elfin</a> (and read this lovely Ivan Kreilkamp article on her earlier strange great <a href="https://www.publicbooks.org/b-sides-sylvia-townsend-warners-lolly-willowes/">Lolly Willowes</a>)</li>
<li>Lloyd Alexander <a href="https://en.wikipedia.org/wiki/The_Chronicles_of_Prydain">Chronicles of Prydain</a>
</li>
<li>N. K. Jemisin, <a href="https://en.wikipedia.org/wiki/The_Fifth_Season_(novel)">The Fifth Season</a>
</li>
</ul><p><br></p><p><a href="https://recallthisbookorg.files.wordpress.com/2022/04/rtb-78-vaninskaya-transcript.pdf">Read transcript here</a></p><p><a href="https://elizabeth-ferry.com/"><em>Elizabeth Ferry</em></a><em> is Professor of Anthropology at Brandeis University. Email: </em><a href="mailto:ferry@brandeis.edu"><em>ferry@brandeis.edu</em></a><em>. </em><a href="https://www.brandeis.edu/english/faculty/plotz.html"><em>John Plotz</em></a><em> is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the </em><a href="https://sites.google.com/brandeis.edu/brandeisjusticeinitiative/home"><em>Brandeis Educational Justice Initiative</em></a><em>. Email: </em><a href="mailto:plotz@brandeis.edu"><em>plotz@brandeis.edu</em></a><em><u>.</u></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2711</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e34fa180-b5a2-11ec-ad51-e3aaea70dc24]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4217898713.mp3?updated=1649247196" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Albena Shkodrova, "Rebellious Cooks and Recipe Writing in Communist Bulgaria" (Bloomsbury, 2021)</title>
      <description>How did people exist and resist in their daily lives under Soviet control in the Cold War period? Rebellious Cooks and Recipe Writing in Communist Bulgaria (Bloomsbury, 2021) shows how in communist Bulgaria many women passionately exchanged recipes with friends and strangers, to build substantial and impressive private collections of recipes. This activity was borderline contraband in going against the general disapproval of home cooking that formed part of the ideology of communism, in which home cooking was considered household slavery and an agent of patriarchalism. Private recipe collections were by far the preferred written source of culinary information, more popular than the state-approved commercial cookbooks. Shkodrova shows how these recipe collections held many different meanings for the women who collected them, from helping to navigate the communist economy, to enabling new friendships to be developed while engaging safely in power relations, and cultivating a sense of individual identity in a society where collective existence was prioritised and exalted. Drawing on primary sources including scrapbook cookbooks and working from the establishment of cookery classes before communism and their obliteration thereafter, Shkodrova presents a structured outline of the meanings of recipes exchange and home cooking for Bulgarian women under communism.
Roland Clark is a Senior Lecturer in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Albena Shkodrova</itunes:subtitle>
      <itunes:summary>How did people exist and resist in their daily lives under Soviet control in the Cold War period? Rebellious Cooks and Recipe Writing in Communist Bulgaria (Bloomsbury, 2021) shows how in communist Bulgaria many women passionately exchanged recipes with friends and strangers, to build substantial and impressive private collections of recipes. This activity was borderline contraband in going against the general disapproval of home cooking that formed part of the ideology of communism, in which home cooking was considered household slavery and an agent of patriarchalism. Private recipe collections were by far the preferred written source of culinary information, more popular than the state-approved commercial cookbooks. Shkodrova shows how these recipe collections held many different meanings for the women who collected them, from helping to navigate the communist economy, to enabling new friendships to be developed while engaging safely in power relations, and cultivating a sense of individual identity in a society where collective existence was prioritised and exalted. Drawing on primary sources including scrapbook cookbooks and working from the establishment of cookery classes before communism and their obliteration thereafter, Shkodrova presents a structured outline of the meanings of recipes exchange and home cooking for Bulgarian women under communism.
Roland Clark is a Senior Lecturer in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did people exist and resist in their daily lives under Soviet control in the Cold War period? <a href="https://bookshop.org/a/12343/9781350132306"><em>Rebellious Cooks and Recipe Writing in Communist Bulgaria</em></a> (Bloomsbury, 2021) shows how in communist Bulgaria many women passionately exchanged recipes with friends and strangers, to build substantial and impressive private collections of recipes. This activity was borderline contraband in going against the general disapproval of home cooking that formed part of the ideology of communism, in which home cooking was considered household slavery and an agent of patriarchalism. Private recipe collections were by far the preferred written source of culinary information, more popular than the state-approved commercial cookbooks. Shkodrova shows how these recipe collections held many different meanings for the women who collected them, from helping to navigate the communist economy, to enabling new friendships to be developed while engaging safely in power relations, and cultivating a sense of individual identity in a society where collective existence was prioritised and exalted. Drawing on primary sources including scrapbook cookbooks and working from the establishment of cookery classes before communism and their obliteration thereafter, Shkodrova presents a structured outline of the meanings of recipes exchange and home cooking for Bulgarian women under communism.</p><p><a href="https://www.liverpool.ac.uk/history/staff/roland-clark/"><em>Roland Clark</em></a><em> is a Senior Lecturer in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2940</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1cdab136-aeca-11ec-a778-eb3341eb7dc3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8875550458.mp3?updated=1648439731" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Hajdu and John Carey, "A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge" (Columbia UP, 2021)</title>
      <description>Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Hajdu and John Carey</itunes:subtitle>
      <itunes:summary>Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, <a href="https://bookshop.org/a/12343/9780231191821"><em>A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge</em></a> (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian.</p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3155</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a83a6d50-aec2-11ec-b7f6-f31b5ada3a82]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1074389380.mp3?updated=1648408865" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lester D. Friedman, "Citizen Spielberg" (U of Illinois Press, 2022)</title>
      <description>Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery.
This new edition of Citizen Spielberg ﻿(University of Illinois Press, 2022) expands Friedman’s original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker.
Incisive and discerning, Citizen Spielberg, Second Edition, offers a career-spanning appraisal of a moviemaking icon.
Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>115</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lester D. Friedman</itunes:subtitle>
      <itunes:summary>Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery.
This new edition of Citizen Spielberg ﻿(University of Illinois Press, 2022) expands Friedman’s original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker.
Incisive and discerning, Citizen Spielberg, Second Edition, offers a career-spanning appraisal of a moviemaking icon.
Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery.</p><p>This new edition of<em> </em><a href="https://bookshop.org/a/12343/9780252086182"><em>Citizen Spielberg</em></a><em> </em>﻿(University of Illinois Press, 2022) expands Friedman’s original analysis to include films of the 2010s like<em> Lincoln </em>and<em> Ready Player One. </em>Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker.</p><p>Incisive and discerning, <em>Citizen Spielberg</em>, Second Edition, offers a career-spanning appraisal of a moviemaking icon.</p><p><em>Nathan Abrams is a professor of film at Bangor University in Wales [</em><a href="https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams"><em>https://research.bangor.ac.uk/...</em></a><em>(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [</em><a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029"><em>https://oxford.universitypress...</em></a><em>]. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[efc84596-af96-11ec-bc0d-dfe50a178eed]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7241531457.mp3?updated=1648568253" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hugo Ceron-Anaya, "Privilege at Play: Class, Race, Gender, and Golf in Mexico" (Oxford UP, 2019)</title>
      <description>Privilege at Play: Class, Race, Gender, and Golf in Mexico (Oxford University Press, 2019) is a book about inequalities, social hierarchies, and privilege in contemporary Mexico. Based on ethnographic research conducted in exclusive golf clubs and in-depth interviews with upper-middle-class and upper-class golfers, as well as working-class employees, Cerón-Anaya’s book focuses on the class, racial, and gender dynamics that underpin privilege. This study makes use of rich qualitative data to demonstrate how social hierarchies are relations reproduced through a multitude of everyday practices. The vast disparities between club members and workers, for example, are built on traditional class indicators, such as wealth, and on more subtle expressions of class, such as notions of fashion, sense of humour, perceptions about competition, and everyday oral interactions. The book incorporates race and gender perspectives into the study of inequalities, illustrating the multilayer condition of privilege. Although Mexicans commonly attributed racial relations a marginal role in the continuation of inequities, the book explains how affluent individuals frequently express racialized ideas to describe and justify the impoverished condition of workers. In doing so, Privilege at Play demonstrates the necessity of considering the role of racialized dynamics when studying social inequalities in Mexico. An analysis of gender relations shows how men maintain a dominant position over their fellow female golfers despite the similar upper-class origins of both male and female golf club members. This book pays particular attention to the spatial dynamics that reinforce social inequalities, arguing that the apparent triviality of space makes it a highly effective way to mark social inequalities and, hence, emphasise privilege.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>221</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hugo Ceron-Anaya</itunes:subtitle>
      <itunes:summary>Privilege at Play: Class, Race, Gender, and Golf in Mexico (Oxford University Press, 2019) is a book about inequalities, social hierarchies, and privilege in contemporary Mexico. Based on ethnographic research conducted in exclusive golf clubs and in-depth interviews with upper-middle-class and upper-class golfers, as well as working-class employees, Cerón-Anaya’s book focuses on the class, racial, and gender dynamics that underpin privilege. This study makes use of rich qualitative data to demonstrate how social hierarchies are relations reproduced through a multitude of everyday practices. The vast disparities between club members and workers, for example, are built on traditional class indicators, such as wealth, and on more subtle expressions of class, such as notions of fashion, sense of humour, perceptions about competition, and everyday oral interactions. The book incorporates race and gender perspectives into the study of inequalities, illustrating the multilayer condition of privilege. Although Mexicans commonly attributed racial relations a marginal role in the continuation of inequities, the book explains how affluent individuals frequently express racialized ideas to describe and justify the impoverished condition of workers. In doing so, Privilege at Play demonstrates the necessity of considering the role of racialized dynamics when studying social inequalities in Mexico. An analysis of gender relations shows how men maintain a dominant position over their fellow female golfers despite the similar upper-class origins of both male and female golf club members. This book pays particular attention to the spatial dynamics that reinforce social inequalities, arguing that the apparent triviality of space makes it a highly effective way to mark social inequalities and, hence, emphasise privilege.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780190931605"><em>Privilege at Play: Class, Race, Gender, and Golf in Mexico</em></a><em> </em>(Oxford University Press, 2019) is a book about inequalities, social hierarchies, and privilege in contemporary Mexico. Based on ethnographic research conducted in exclusive golf clubs and in-depth interviews with upper-middle-class and upper-class golfers, as well as working-class employees, Cerón-Anaya’s book focuses on the class, racial, and gender dynamics that underpin privilege. This study makes use of rich qualitative data to demonstrate how social hierarchies are relations reproduced through a multitude of everyday practices. The vast disparities between club members and workers, for example, are built on traditional class indicators, such as wealth, and on more subtle expressions of class, such as notions of fashion, sense of humour, perceptions about competition, and everyday oral interactions. The book incorporates race and gender perspectives into the study of inequalities, illustrating the multilayer condition of privilege. Although Mexicans commonly attributed racial relations a marginal role in the continuation of inequities, the book explains how affluent individuals frequently express racialized ideas to describe and justify the impoverished condition of workers. In doing so, <em>Privilege at Play</em> demonstrates the necessity of considering the role of racialized dynamics when studying social inequalities in Mexico. An analysis of gender relations shows how men maintain a dominant position over their fellow female golfers despite the similar upper-class origins of both male and female golf club members. This book pays particular attention to the spatial dynamics that reinforce social inequalities, arguing that the apparent triviality of space makes it a highly effective way to mark social inequalities and, hence, emphasise privilege.</p><p><em>Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3093</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN7768394602.mp3?updated=1648780731" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeff Deutsch, "In Praise of Good Bookstores" (Princeton UP, 2022)</title>
      <description>In In Praise of Good Bookstores (Princeton University Press, 2022), Jeff Deutsch, the director of the Seminary Co-op Bookstores in Chicago, aims to make the case for the value of spaces devoted to books and the value of the time spent browsing their stacks. It is a defense of serious bookstores, but more importantly, it is a paean to the spaces that support them; the experience of readers as they engage with the books, the stacks, and each other; and the particular community created by the presence of such an institution. Drawing on his lifelong experience as a bookseller and his particular experience at Sem Co-op, Deutsch aims, in a series of brief essays, to consider how concepts like space, time, abundance, measure, community, and reverence find expression in a good bookstore, and to show some ways in which the importance of the bookstore is both urgent and enduring.
 Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 05 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeff Deutsch</itunes:subtitle>
      <itunes:summary>In In Praise of Good Bookstores (Princeton University Press, 2022), Jeff Deutsch, the director of the Seminary Co-op Bookstores in Chicago, aims to make the case for the value of spaces devoted to books and the value of the time spent browsing their stacks. It is a defense of serious bookstores, but more importantly, it is a paean to the spaces that support them; the experience of readers as they engage with the books, the stacks, and each other; and the particular community created by the presence of such an institution. Drawing on his lifelong experience as a bookseller and his particular experience at Sem Co-op, Deutsch aims, in a series of brief essays, to consider how concepts like space, time, abundance, measure, community, and reverence find expression in a good bookstore, and to show some ways in which the importance of the bookstore is both urgent and enduring.
 Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780691207766"><em>In Praise of Good Bookstores</em></a> (Princeton University Press, 2022), <a href="https://www.jeff-deutsch.com/">Jeff Deutsch</a>, the director of the Seminary Co-op Bookstores in Chicago, aims to make the case for the value of spaces devoted to books and the value of the time spent browsing their stacks. It is a defense of serious bookstores, but more importantly, it is a paean to the spaces that support them; the experience of readers as they engage with the books, the stacks, and each other; and the particular community created by the presence of such an institution. Drawing on his lifelong experience as a bookseller and his particular experience at Sem Co-op, Deutsch aims, in a series of brief essays, to consider how concepts like space, time, abundance, measure, community, and reverence find expression in a good bookstore, and to show some ways in which the importance of the bookstore is both urgent and enduring.</p><p><em> </em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2780</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[92e94f7c-ad12-11ec-8325-cf7d6b3a8785]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7334682254.mp3?updated=1648306910" length="0" type="audio/mpeg"/>
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    <item>
      <title>Sherryl Vint, "Science Fiction" (MIT Press, 2021)</title>
      <description>The world today seems to be slipping into a science fiction future. We have phones that speak to us, cars that drive themselves, and connected devices that communicate with each other in languages we don't understand. Depending the news of the day, we inhabit either a technological utopia or Brave New World nightmare. This volume in the MIT Press Essential Knowledge surveys the uses of science fiction. Sherryl Vint's Science Fiction (MIT Press, 2021)focuses on what is at the core of all definitions of science fiction: a vision of the world made otherwise and what possibilities might flow from such otherness.
Frances Sacks is a journalist and graduate of Wesleyan University where she studied in the Science and Society Program. She is also a drummer who has studied Gamelan in Bali, Berber in Morocco, and most traditional Ga patterns with master drummers in Ghana.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 04 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>313</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sherryl Vint</itunes:subtitle>
      <itunes:summary>The world today seems to be slipping into a science fiction future. We have phones that speak to us, cars that drive themselves, and connected devices that communicate with each other in languages we don't understand. Depending the news of the day, we inhabit either a technological utopia or Brave New World nightmare. This volume in the MIT Press Essential Knowledge surveys the uses of science fiction. Sherryl Vint's Science Fiction (MIT Press, 2021)focuses on what is at the core of all definitions of science fiction: a vision of the world made otherwise and what possibilities might flow from such otherness.
Frances Sacks is a journalist and graduate of Wesleyan University where she studied in the Science and Society Program. She is also a drummer who has studied Gamelan in Bali, Berber in Morocco, and most traditional Ga patterns with master drummers in Ghana.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The world today seems to be slipping into a science fiction future. We have phones that speak to us, cars that drive themselves, and connected devices that communicate with each other in languages we don't understand. Depending the news of the day, we inhabit either a technological utopia or <em>Brave New World </em>nightmare. This volume in the MIT Press Essential Knowledge surveys the uses of science fiction. Sherryl Vint's <a href="https://bookshop.org/a/12343/9780262539999"><em>Science Fiction</em></a> (MIT Press, 2021)focuses on what is at the core of all definitions of science fiction: a vision of the world made otherwise and what possibilities might flow from such otherness.</p><p><em>Frances Sacks is a journalist and graduate of Wesleyan University where she studied in the Science and Society Program. She is also a drummer who has studied Gamelan in Bali, Berber in Morocco, and most traditional Ga patterns with master drummers in Ghana.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3401</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f2976422-ad1c-11ec-badb-f73e8e019381]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9165377531.mp3?updated=1648310442" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kelly Herold et al., "Growing Out of Communism: Russian Literature for Children and Teens, 1991-2017" (Brill, 2021)</title>
      <description>Growing Out of Communism: Russian Literature for Children and Teens, 1991-2017 (Brill, 2021) explores the rise of a new body of literature for children and teens following the collapse of the Soviet Union in 1991 and the subsequent transformation of the publishing industry. Lanoux, Herold, and Bukhina first consider the Soviet foundations of the new literature, then chart the influx of translated literature into Russia in the 1990s. In tracing the development of new literature that reflects the lived experiences of contemporary children and teens, the book examines changes to literary institutions, dominant genres, and archetypal heroes. Also discussed are the informal networks and online reader responses that reflect the views of child and teen readers.
 Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 01 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kelly Herold</itunes:subtitle>
      <itunes:summary>Growing Out of Communism: Russian Literature for Children and Teens, 1991-2017 (Brill, 2021) explores the rise of a new body of literature for children and teens following the collapse of the Soviet Union in 1991 and the subsequent transformation of the publishing industry. Lanoux, Herold, and Bukhina first consider the Soviet foundations of the new literature, then chart the influx of translated literature into Russia in the 1990s. In tracing the development of new literature that reflects the lived experiences of contemporary children and teens, the book examines changes to literary institutions, dominant genres, and archetypal heroes. Also discussed are the informal networks and online reader responses that reflect the views of child and teen readers.
 Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783506791849"><em>Growing Out of Communism: Russian Literature for Children and Teens, 1991-2017</em></a><em> </em>(Brill, 2021) explores the rise of a new body of literature for children and teens following the collapse of the Soviet Union in 1991 and the subsequent transformation of the publishing industry. Lanoux, Herold, and Bukhina first consider the Soviet foundations of the new literature, then chart the influx of translated literature into Russia in the 1990s. In tracing the development of new literature that reflects the lived experiences of contemporary children and teens, the book examines changes to literary institutions, dominant genres, and archetypal heroes. Also discussed are the informal networks and online reader responses that reflect the views of child and teen readers.</p><p><em> Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2914</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[492bf3d2-ac52-11ec-8e57-1b5c85f51ea9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5880259603.mp3?updated=1648223115" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>All About Birds: A Series of Regional Field Guides from Princeton University Press</title>
      <description>The All About Birds Regional Field-Guide Series brings birding enthusiasts the best information from the renowned Cornell Lab of Ornithology’s website, AllAboutBirds.org, used by more than 21 million people each year. These definitive books provide the most up-to-date resources and expert coverage on bird species throughout North America.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 01 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jill Liechter and Hugh Powell</itunes:subtitle>
      <itunes:summary>The All About Birds Regional Field-Guide Series brings birding enthusiasts the best information from the renowned Cornell Lab of Ornithology’s website, AllAboutBirds.org, used by more than 21 million people each year. These definitive books provide the most up-to-date resources and expert coverage on bird species throughout North America.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The <a href="https://press.princeton.edu/cornell-lab-of-ornithology/all-about-birds"><em>All About Birds</em></a> Regional Field-Guide Series brings birding enthusiasts the best information from the renowned Cornell Lab of Ornithology’s website, AllAboutBirds.org, used by more than 21 million people each year. These definitive books provide the most up-to-date resources and expert coverage on bird species throughout North America.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1496</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[79e958e2-b135-11ec-8dd8-dbbf5d0b3c78]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3415810969.mp3?updated=1652368165" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessica P. Clark, "The Business of Beauty: Gender and the Body in Modern London" (Bloomsbury, 2020)</title>
      <description>In The Business of Beauty: Gender and the Body in Modern London (Bloomsbury, 2020), historian Jessica Clark takes the reader on a tour through the shifting commercial and cultural landscape of London in the second half of the 19th Century and the early decades of the 20th. The business of beatification––aimed at both men and women, and conducted by both men and women­––was influenced by and reflective of shifting attitudes towards women in public spaces, the influx and success of immigrants in the nation’s capital, the development of wholesale production processes and the standardization of commodities, and the cultural competition between European nations that accompanied the growing political and military competition at the fin de siècle, among other things. In other words, Jessica Clark shows us that The Business of Beauty intersects with an amazing array of historical subjects.
Lia Paradis is Professor of History at Slippery Rock University of Pennsylvania. She is the co-host of the Lies Agreed Upon podcast and author of Imperial Culture and the Sudan: Authorship, Identity and the British Empire (IB Tauris, 2020)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 31 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jessica P. Clark</itunes:subtitle>
      <itunes:summary>In The Business of Beauty: Gender and the Body in Modern London (Bloomsbury, 2020), historian Jessica Clark takes the reader on a tour through the shifting commercial and cultural landscape of London in the second half of the 19th Century and the early decades of the 20th. The business of beatification––aimed at both men and women, and conducted by both men and women­––was influenced by and reflective of shifting attitudes towards women in public spaces, the influx and success of immigrants in the nation’s capital, the development of wholesale production processes and the standardization of commodities, and the cultural competition between European nations that accompanied the growing political and military competition at the fin de siècle, among other things. In other words, Jessica Clark shows us that The Business of Beauty intersects with an amazing array of historical subjects.
Lia Paradis is Professor of History at Slippery Rock University of Pennsylvania. She is the co-host of the Lies Agreed Upon podcast and author of Imperial Culture and the Sudan: Authorship, Identity and the British Empire (IB Tauris, 2020)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781350098503"><em>The Business of Beauty: Gender and the Body in Modern London</em></a> (Bloomsbury, 2020), historian Jessica Clark takes the reader on a tour through the shifting commercial and cultural landscape of London in the second half of the 19th Century and the early decades of the 20th. The business of beatification––aimed at both men and women, and conducted by both men and women­––was influenced by and reflective of shifting attitudes towards women in public spaces, the influx and success of immigrants in the nation’s capital, the development of wholesale production processes and the standardization of commodities, and the cultural competition between European nations that accompanied the growing political and military competition at the fin de siècle, among other things. In other words, Jessica Clark shows us that <em>The Business of Beauty </em>intersects with an amazing array of historical subjects.</p><p><em>Lia Paradis is Professor of History at Slippery Rock University of Pennsylvania. She is the co-host of the Lies Agreed Upon podcast and author of Imperial Culture and the Sudan: Authorship, Identity and the British Empire (IB Tauris, 2020)</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1792</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[627badfe-ac7b-11ec-8a8b-7b5db81181fd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9123671410.mp3?updated=1648240829" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nick Marx, "Sketch Comedy: Identity, Reflexivity, and American Television" (Indiana UP, 2019)</title>
      <description>“Sketch comedy – more than any other television genre – lays bare the process of identity formation, pokes fun at its contradictions, and invites us to debate its terms.” In Sketch Comedy: Identity, Reflexivity, and American Television (Indiana University Press, 2019), author Nick Marx makes this argument and goes on to systematically prove it through a series of case studies dating from the earliest days of network television through to our post-network era. While sketch is an understudied form of television expression and a genre that rarely garners full-throated network support, it remains one of the most playful, political, and experimental kinds of programming in U.S. television. Close readings of the on-screen representations and off-screen politics of shows including Saturday Night Live, The State, and Key &amp; Peele drive home how vital it is that television scholars and fans recognize the power of sketch in forming what we watch, what we think, and what we believe.
In this conversation, Nick Marx discusses this book, his first solo-authored monograph, in conjunction with his prior publications, defines his term “reflexivity flexibility,” gives it up for Mr. Show with Bob and David, and gives it to Pete Davidson.
Nick Marx is Associate Professor of Film and Media Studies in the Department of Communication Studies at Colorado State University. His most recent book (with Matt Sienkiewicz) is That's Not Funny: How the Right Makes Comedy Work for Them due out this spring from University of California Press.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 30 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Marx</itunes:subtitle>
      <itunes:summary>“Sketch comedy – more than any other television genre – lays bare the process of identity formation, pokes fun at its contradictions, and invites us to debate its terms.” In Sketch Comedy: Identity, Reflexivity, and American Television (Indiana University Press, 2019), author Nick Marx makes this argument and goes on to systematically prove it through a series of case studies dating from the earliest days of network television through to our post-network era. While sketch is an understudied form of television expression and a genre that rarely garners full-throated network support, it remains one of the most playful, political, and experimental kinds of programming in U.S. television. Close readings of the on-screen representations and off-screen politics of shows including Saturday Night Live, The State, and Key &amp; Peele drive home how vital it is that television scholars and fans recognize the power of sketch in forming what we watch, what we think, and what we believe.
In this conversation, Nick Marx discusses this book, his first solo-authored monograph, in conjunction with his prior publications, defines his term “reflexivity flexibility,” gives it up for Mr. Show with Bob and David, and gives it to Pete Davidson.
Nick Marx is Associate Professor of Film and Media Studies in the Department of Communication Studies at Colorado State University. His most recent book (with Matt Sienkiewicz) is That's Not Funny: How the Right Makes Comedy Work for Them due out this spring from University of California Press.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Sketch comedy – more than any other television genre – lays bare the process of identity formation, pokes fun at its contradictions, and invites us to debate its terms.” In <a href="https://iupress.org/9780253044167/sketch-comedy/"><em>Sketch Comedy: Identity, Reflexivity, and American Television</em></a> (Indiana University Press, 2019), author Nick Marx makes this argument and goes on to systematically prove it through a series of case studies dating from the earliest days of network television through to our post-network era. While sketch is an understudied form of television expression and a genre that rarely garners full-throated network support, it remains one of the most playful, political, and experimental kinds of programming in U.S. television. Close readings of the on-screen representations and off-screen politics of shows including <em>Saturday Night Live, The State, </em>and <em>Key &amp; Peele </em>drive home how vital it is that television scholars and fans recognize the power of sketch in forming what we watch, what we think, and what we believe.</p><p>In this conversation, Nick Marx discusses this book, his first solo-authored monograph, in conjunction with his prior publications, defines his term “reflexivity flexibility,” gives it up for <em>Mr. Show with Bob and David, </em>and gives it to Pete Davidson.</p><p>Nick Marx is Associate Professor of Film and Media Studies in the Department of Communication Studies at Colorado State University. His most recent book (with Matt Sienkiewicz) is <a href="https://www.ucpress.edu/book/9780520382138/thats-not-funny"><em>That's Not Funny: How the Right Makes Comedy Work for Them </em></a>due out this spring from University of California Press.</p><p><a href="http://annieberke.com/"><em>Annie Berke</em></a><em> is the Film Editor at the Los Angeles Review of Books and author of </em><a href="https://www.ucpress.edu/book/9780520300798/their-own-best-creations"><em>Their Own Best Creations: Women Writers in Postwar Television</em></a><em> (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3348</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ac450bee-a85a-11ec-aaab-0b21e77fc826]]></guid>
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    </item>
    <item>
      <title>Erin L. Thompson, "Smashing Statues: The Rise and Fall of America's Public Monuments" (Norton, 2022)</title>
      <description>In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole.
Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine.
In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University’s grant to digitize and archive Black newspapers required for research across disciplines.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 30 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>592</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erin L. Thompson</itunes:subtitle>
      <itunes:summary>In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole.
Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine.
In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University’s grant to digitize and archive Black newspapers required for research across disciplines.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the United States, the national debate over public monuments often frames the <em>removal </em>of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate <em>both</em> the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. <a href="https://bookshop.org/a/12343/9780393867671">Smashing Statues: The Rise and Fall of America's Public Monuments</a> (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole.</p><p><a href="https://www.artcrimeprof.com/">Erin L. Thompson</a> is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, <a href="https://yalebooks.yale.edu/book/9780300208528/possession"><em>Possession: The Curious History of Private Collectors</em></a> (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes t<em>he New York Times</em>, <em>Washington Post</em>, <em>Time</em>,<em> CNN, NPR, BBC, Freakonomics </em>and <em>Smithsonian Magazine</em>.</p><p>In the podcast, Dr. Thompson mentions her article, <a href="https://www.harpersbazaar.com/culture/features/a37991658/ghosting-the-confederacy/">“Ghosting the Confederacy”</a> and references the <a href="https://www.rollingstone.com/politics/politics-features/birmingham-alabama-mayor-randall-woodfin-confederate-statues-racism-1026205/">Confederate Sailors and Soldiers Monument</a> in Birmingham, AL. Dr. Liebell highlights <a href="https://thedig.howard.edu/all-stories/black-press-archives-howard-university-gets-preserved-digitized-thanks-2m-grant">Howard University’s grant to digitize and archive Black newspapers</a> required for research across disciplines.</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3022</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2049477c-adeb-11ec-8cf3-b75586a7fed7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2726891159.mp3?updated=1648398785" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kate Guthrie, "The Art of Appreciation: Music and Middlebrow Culture in Modern Britain" (U California Press, 2021)</title>
      <description>From the BBC Proms to Bernstein's Young People's Concerts, initiatives to promote classical music have been a pervasive feature of twentieth-century musical life. The goal of these initiatives was rarely just to reach a larger and more diverse audience but to teach a particular way of listening that would help the public "appreciate" music.
In The Art of Appreciation: Music and Middlebrow Culture in Modern Britain (University of California Press, 2021), Dr. Kate Guthrie examines for the first time how and why music appreciation has had such a defining and long-lasting impact—well beyond its roots in late-Victorian liberalism. Dr. Guthrie traces the networks of music educators, philanthropists, policy makers, critics, composers, and musicians who, rather than resisting new mass media, sought to harness their pedagogic potential.
The book explores how listening became embroiled in a nexus of modern problems around citizenship, leisure, and education. In so doing, it ultimately reveals how a new cultural milieu—the middlebrow—emerged at the heart of Britain's experience of modernity.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 29 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kate Guthrie</itunes:subtitle>
      <itunes:summary>From the BBC Proms to Bernstein's Young People's Concerts, initiatives to promote classical music have been a pervasive feature of twentieth-century musical life. The goal of these initiatives was rarely just to reach a larger and more diverse audience but to teach a particular way of listening that would help the public "appreciate" music.
In The Art of Appreciation: Music and Middlebrow Culture in Modern Britain (University of California Press, 2021), Dr. Kate Guthrie examines for the first time how and why music appreciation has had such a defining and long-lasting impact—well beyond its roots in late-Victorian liberalism. Dr. Guthrie traces the networks of music educators, philanthropists, policy makers, critics, composers, and musicians who, rather than resisting new mass media, sought to harness their pedagogic potential.
The book explores how listening became embroiled in a nexus of modern problems around citizenship, leisure, and education. In so doing, it ultimately reveals how a new cultural milieu—the middlebrow—emerged at the heart of Britain's experience of modernity.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the BBC Proms to Bernstein's Young People's Concerts, initiatives to promote classical music have been a pervasive feature of twentieth-century musical life. The goal of these initiatives was rarely just to reach a larger and more diverse audience but to teach a particular way of listening that would help the public "appreciate" music.</p><p>In <a href="https://bookshop.org/a/12343/9780520351677"><em>The Art of Appreciation: Music and Middlebrow Culture in Modern Britain</em></a> (University of California Press, 2021), Dr. Kate Guthrie examines for the first time how and why music appreciation has had such a defining and long-lasting impact—well beyond its roots in late-Victorian liberalism. Dr. Guthrie traces the networks of music educators, philanthropists, policy makers, critics, composers, and musicians who, rather than resisting new mass media, sought to harness their pedagogic potential.</p><p>The book explores how listening became embroiled in a nexus of modern problems around citizenship, leisure, and education. In so doing, it ultimately reveals how a new cultural milieu—the middlebrow—emerged at the heart of Britain's experience of modernity.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4274</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f0004b02-ac54-11ec-bc14-cb01afd70b56]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7496136580.mp3?updated=1648224158" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert P. Kolker, "Triumph Over Containment: American Film in the 1950s" (Rutgers UP, 2021)</title>
      <description>The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences.
Triumph Over Containment: American Film in the 1950s (Rutgers University Press, 2021) offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture.
This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.
Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 25 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert P. Kolker</itunes:subtitle>
      <itunes:summary>The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences.
Triumph Over Containment: American Film in the 1950s (Rutgers University Press, 2021) offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture.
This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.
Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences.</p><p><a href="https://bookshop.org/a/12343/9781978820920"><em>Triumph Over Containment: American Film in the 1950s</em></a><em> </em>(Rutgers University Press, 2021) offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from <em>The Thing from Another World</em> (1951) to <em>Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb</em> (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture.</p><p>This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.</p><p><em>Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029]. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2157</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[15afbdd4-a943-11ec-97a6-c7c29f25674d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6980662153.mp3?updated=1647826159" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Francesca Morgan, "A Nation of Descendants: Politics and the Practice of Genealogy in U.S. History" (UNC Press, 2021)</title>
      <description>In A Nation of Descendants: Politics and the Practice of Genealogy in U.S. History (University of North Carolina Press, 2021), historian Francesca Morgan tracks Americans’ obsession with tracing family ancestry. Morgan sheds light on the evolution of genealogical knowledge from the early republic to the present day. Although our New Books Network conversation concentrates on African Americans, in her text, she looks explicitly at how Anglo-American white, Mormon, Jewish, African American, and Native American people wrestled with locating and documenting their kin and ultimately shaped the practice of genealogy. A Nation of Descendants also explores the transformation of genealogical practices as it becomes commercialized and commodified.
N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 25 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Francesca Morgan</itunes:subtitle>
      <itunes:summary>In A Nation of Descendants: Politics and the Practice of Genealogy in U.S. History (University of North Carolina Press, 2021), historian Francesca Morgan tracks Americans’ obsession with tracing family ancestry. Morgan sheds light on the evolution of genealogical knowledge from the early republic to the present day. Although our New Books Network conversation concentrates on African Americans, in her text, she looks explicitly at how Anglo-American white, Mormon, Jewish, African American, and Native American people wrestled with locating and documenting their kin and ultimately shaped the practice of genealogy. A Nation of Descendants also explores the transformation of genealogical practices as it becomes commercialized and commodified.
N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781469664774"><em>A Nation of Descendants: Politics and the Practice of Genealogy in U.S. History</em></a><em> </em>(University of North Carolina Press, 2021), historian Francesca Morgan tracks Americans’ obsession with tracing family ancestry. Morgan sheds light on the evolution of genealogical knowledge from the early republic to the present day. Although our New Books Network conversation concentrates on African Americans, in her text, she looks explicitly at how Anglo-American white, Mormon, Jewish, African American, and Native American people wrestled with locating and documenting their kin and ultimately shaped the practice of genealogy. <em>A Nation of Descendants</em> also explores the transformation of genealogical practices as it becomes commercialized and commodified.</p><p><em>N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4754</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[34bb3f0c-a603-11ec-8f93-6fe6acb7d11b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4941338884.mp3?updated=1647526371" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daudi Abe, "Emerald Street: A History of Hip Hop in Seattle" (U Washington Press, 2020)</title>
      <description>West Coast hip hop means much more than LA, argues Dr. Daudi Abe, a professor of humanities at Seattle Central College. In Emerald Street: A History of Hip Hop in Seattle (University of Washington Press, 2020), Abe argues that Seattle deserves an honored spot in the cultural geography of hip hop in the United States. Although less well known than Los Angeles, New York, or even Atlanta and New Orleans, Seattle has spawned two Grammy-award winning artists (Sir Mix-a-Lot and Macklemore) and has had an active hip hop, graffiti, and breaking scene since the early 1980s. Hip Hop, as Abe argues in the book, is all about making yourself known and representing where you're from as a means of communicating to others what it's like being from that place. In that regard, Seattle has consistently been a loud and proud voice in that regard, with the city's hip hop sitting alongside grunge and indie rock as parts of the musical landscape of the Pacific Northwest.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daudi Abe</itunes:subtitle>
      <itunes:summary>West Coast hip hop means much more than LA, argues Dr. Daudi Abe, a professor of humanities at Seattle Central College. In Emerald Street: A History of Hip Hop in Seattle (University of Washington Press, 2020), Abe argues that Seattle deserves an honored spot in the cultural geography of hip hop in the United States. Although less well known than Los Angeles, New York, or even Atlanta and New Orleans, Seattle has spawned two Grammy-award winning artists (Sir Mix-a-Lot and Macklemore) and has had an active hip hop, graffiti, and breaking scene since the early 1980s. Hip Hop, as Abe argues in the book, is all about making yourself known and representing where you're from as a means of communicating to others what it's like being from that place. In that regard, Seattle has consistently been a loud and proud voice in that regard, with the city's hip hop sitting alongside grunge and indie rock as parts of the musical landscape of the Pacific Northwest.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>West Coast hip hop means much more than LA, argues Dr. Daudi Abe, a professor of humanities at Seattle Central College. In <a href="https://bookshop.org/a/12343/9780295747569"><em>Emerald Street: A History of Hip Hop in Seattle</em></a> (University of Washington Press, 2020), Abe argues that Seattle deserves an honored spot in the cultural geography of hip hop in the United States. Although less well known than Los Angeles, New York, or even Atlanta and New Orleans, Seattle has spawned two Grammy-award winning artists (Sir Mix-a-Lot and Macklemore) and has had an active hip hop, graffiti, and breaking scene since the early 1980s. Hip Hop, as Abe argues in the book, is all about making yourself known and representing where you're from as a means of communicating to others what it's like being from that place. In that regard, Seattle has consistently been a loud and proud voice in that regard, with the city's hip hop sitting alongside grunge and indie rock as parts of the musical landscape of the Pacific Northwest.</p><p><em>Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4957</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Liz Clarke, "The American Girl Goes to War: Women and National Identity in US Silent Film" (Rutgers UP, 2022)</title>
      <description>During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes--roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit--particularly in the form of heroines--has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War: Women and National Identity in US Silent Film (Rutgers UP, 2022) demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.
Jane Scimeca is Professor of History at Brookdale Community College.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Liz Clarke</itunes:subtitle>
      <itunes:summary>During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes--roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit--particularly in the form of heroines--has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War: Women and National Identity in US Silent Film (Rutgers UP, 2022) demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.
Jane Scimeca is Professor of History at Brookdale Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes--roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit--particularly in the form of heroines--has a rich history in film in the years just prior to the American entry into World War I. <a href="https://bookshop.org/a/12343/9781978810150"><em>The American Girl Goes to War: Women and National Identity in US Silent Film</em></a> (Rutgers UP, 2022) demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.</p><p><a href="https://www.brookdalecc.edu/academic-institutes-and-departments/business-social-sciences/history/history-faculty/jane-scimeca/">Jane Scimeca</a> is Professor of History at Brookdale Community College.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4332</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e47c7f7c-a7ad-11ec-9b4c-9ba8216c8ece]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8989992962.mp3?updated=1647713147" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>E. James West, "Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America" (U of Illinois Press, 2020)</title>
      <description>Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (University of Illinois Press, 2020) reveals the previously hidden impact of Ebony magazine as a major producer and disseminator of popular black history during the second half of the twentieth century. Far from dismissing Ebony as a consumer magazine with limited political or educational importance, E. James West highlights the value editors, readers, and advertisers placed upon Ebony's role as a "history book." Benefitting from unprecedented access to new archives at Chicago State and Emory University, West also offers the first substantive biographical account of the writing and philosophy of Lerone Bennett Jr., who used his position at Ebony to emerge as one of the twentieth century's most influential popular black historians. Focusing on Lerone Bennett's role within Johnson Publishing, and assessing Ebony's broader historical coverage, this book uses the magazine as a window into the transition of black history from the margins to the center of American cultural, historical, and political representation. As an important cultural outlet with millions of readers, Ebony played a powerful role in reshaping public representations of African American history. Directed by the efforts of Bennett, the magazine produced militant depictions of black history and connected activism in the present to a longstanding history of radical black protest. However, as a black consumer magazine it also helped to legitimize and facilitate corporate mediation of black history, and to frame and limit discussions of African American history, memory, and identity.
Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>283</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with E. James West</itunes:subtitle>
      <itunes:summary>Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (University of Illinois Press, 2020) reveals the previously hidden impact of Ebony magazine as a major producer and disseminator of popular black history during the second half of the twentieth century. Far from dismissing Ebony as a consumer magazine with limited political or educational importance, E. James West highlights the value editors, readers, and advertisers placed upon Ebony's role as a "history book." Benefitting from unprecedented access to new archives at Chicago State and Emory University, West also offers the first substantive biographical account of the writing and philosophy of Lerone Bennett Jr., who used his position at Ebony to emerge as one of the twentieth century's most influential popular black historians. Focusing on Lerone Bennett's role within Johnson Publishing, and assessing Ebony's broader historical coverage, this book uses the magazine as a window into the transition of black history from the margins to the center of American cultural, historical, and political representation. As an important cultural outlet with millions of readers, Ebony played a powerful role in reshaping public representations of African American history. Directed by the efforts of Bennett, the magazine produced militant depictions of black history and connected activism in the present to a longstanding history of radical black protest. However, as a black consumer magazine it also helped to legitimize and facilitate corporate mediation of black history, and to frame and limit discussions of African American history, memory, and identity.
Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780252084980"><em>Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America</em></a> (University of Illinois Press, 2020) reveals the previously hidden impact of Ebony magazine as a major producer and disseminator of popular black history during the second half of the twentieth century. Far from dismissing Ebony as a consumer magazine with limited political or educational importance, E. James West highlights the value editors, readers, and advertisers placed upon Ebony's role as a "history book." Benefitting from unprecedented access to new archives at Chicago State and Emory University, West also offers the first substantive biographical account of the writing and philosophy of Lerone Bennett Jr., who used his position at Ebony to emerge as one of the twentieth century's most influential popular black historians. Focusing on Lerone Bennett's role within Johnson Publishing, and assessing Ebony's broader historical coverage, this book uses the magazine as a window into the transition of black history from the margins to the center of American cultural, historical, and political representation. As an important cultural outlet with millions of readers, Ebony played a powerful role in reshaping public representations of African American history. Directed by the efforts of Bennett, the magazine produced militant depictions of black history and connected activism in the present to a longstanding history of radical black protest. However, as a black consumer magazine it also helped to legitimize and facilitate corporate mediation of black history, and to frame and limit discussions of African American history, memory, and identity.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4117</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[130ec08a-9f10-11ec-bdb8-eb1cc10f1557]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2967756862.mp3?updated=1646684364" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lily E. Hirsch, "Weird Al: Seriously" (Rowman and Littlefield, 2020)</title>
      <description>Funny music is often dismissed as light and irrelevant, but Weird Al Yankovic’s fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. In this book, for the first time, the parodies, original compositions, and polka medleys of the Weird Al universe finally receive their due respect. In Weird Al, Seriously, musicologist Lily Hirsch weaves together original interviews with the prince of parody himself, creating a fresh take on comedy and music’s complicated romance. She reveals that Yankovic’s jests have always had a deeper meaning, addressing such topics as bullying, celebrity, and racial and gender stereotypes. Weird Al is undeterred by those who say funny music is nothing but a low-brow pastime. And thank goodness. With his good-guy grace still intact, Yankovic remains unapologetically and unmistakably himself. Reveling in the mischief and wisdom of Yankovic’s forty-year career, this book is an Al-expense-paid tour of a true comedic and musical genius.
Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, the novel Someone Should Pay for Your Pain," a knockout fiction debut;" and Rolling Stone named it one of the best music books of 2021. He teaches at Bard College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lily E. Hirsch</itunes:subtitle>
      <itunes:summary>Funny music is often dismissed as light and irrelevant, but Weird Al Yankovic’s fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. In this book, for the first time, the parodies, original compositions, and polka medleys of the Weird Al universe finally receive their due respect. In Weird Al, Seriously, musicologist Lily Hirsch weaves together original interviews with the prince of parody himself, creating a fresh take on comedy and music’s complicated romance. She reveals that Yankovic’s jests have always had a deeper meaning, addressing such topics as bullying, celebrity, and racial and gender stereotypes. Weird Al is undeterred by those who say funny music is nothing but a low-brow pastime. And thank goodness. With his good-guy grace still intact, Yankovic remains unapologetically and unmistakably himself. Reveling in the mischief and wisdom of Yankovic’s forty-year career, this book is an Al-expense-paid tour of a true comedic and musical genius.
Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, the novel Someone Should Pay for Your Pain," a knockout fiction debut;" and Rolling Stone named it one of the best music books of 2021. He teaches at Bard College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Funny music is often dismissed as light and irrelevant, but Weird Al Yankovic’s fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. In this book, for the first time, the parodies, original compositions, and polka medleys of the Weird Al universe finally receive their due respect. In <em>Weird Al, Seriously</em>, musicologist <a href="http://lilyhirsch.com/">Lily Hirsch</a> weaves together original interviews with the prince of parody himself, creating a fresh take on comedy and music’s complicated romance. She reveals that Yankovic’s jests have always had a deeper meaning, addressing such topics as bullying, celebrity, and racial and gender stereotypes. Weird Al is undeterred by those who say funny music is nothing but a low-brow pastime. And thank goodness. With his good-guy grace still intact, Yankovic remains unapologetically and unmistakably himself. Reveling in the mischief and wisdom of Yankovic’s forty-year career, this book is an Al-expense-paid tour of a true comedic and musical genius.</p><p><a href="http://www.franznicolay.com/"><em>Franz Nicolay</em></a><em> is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, the novel Someone Should Pay for Your Pain," a knockout fiction debut;" and Rolling Stone named it one of the best music books of 2021. He teaches at Bard College.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3138</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6d19915c-a165-11ec-9bfa-23ae1a48179c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1599845518.mp3?updated=1647022237" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Valerie Chepp, "Speaking Truths: Young Adults, Identity, and Spoken Word Activism" (Rutgers UP, 2022)</title>
      <description>In Speaking Truths: Young Adults, Identity, and Spoken Word Activism (Rutgers UP, 2022), sociologist Valerie Chepp goes behind-the-scenes to uncover how spoken word poetry--and young people's participation in it--contributes to a broader understanding of contemporary social justice activism, including this generation's attention to the political importance of identity, well-being, and love. Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism's emphasis on personal storytelling and "truth," the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change. 
Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic features of spoken word to empathically connect with others, advance intersectional and systemic analyses of inequality, and make social justice messages relatable across a diverse public. By creating allies and forging connections based on friendship, professional commitments, lived experiences, emotions, artistic kinship, and political views, this activist approach is highly integrated into the everyday lives of its practitioners, online and face-to-face. Chepp argues that spoken word activism is a product of, and a call to action against, the neoliberal era in which poets have come of age, characterized by widening structural inequalities and increasing economic and social vulnerability. She illustrates how this deeply personal and intimate activist approach borrows from, builds upon, and diverges from previous social movement paradigms. Spotlighting the complexity and mutual influence of modern-day activism and the world in which it unfolds, Speaking Truths contributes to our understanding of contemporary social change-making and how neoliberalism has shaped this political generation's experiences with social injustice.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Valerie Chepp</itunes:subtitle>
      <itunes:summary>In Speaking Truths: Young Adults, Identity, and Spoken Word Activism (Rutgers UP, 2022), sociologist Valerie Chepp goes behind-the-scenes to uncover how spoken word poetry--and young people's participation in it--contributes to a broader understanding of contemporary social justice activism, including this generation's attention to the political importance of identity, well-being, and love. Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism's emphasis on personal storytelling and "truth," the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change. 
Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic features of spoken word to empathically connect with others, advance intersectional and systemic analyses of inequality, and make social justice messages relatable across a diverse public. By creating allies and forging connections based on friendship, professional commitments, lived experiences, emotions, artistic kinship, and political views, this activist approach is highly integrated into the everyday lives of its practitioners, online and face-to-face. Chepp argues that spoken word activism is a product of, and a call to action against, the neoliberal era in which poets have come of age, characterized by widening structural inequalities and increasing economic and social vulnerability. She illustrates how this deeply personal and intimate activist approach borrows from, builds upon, and diverges from previous social movement paradigms. Spotlighting the complexity and mutual influence of modern-day activism and the world in which it unfolds, Speaking Truths contributes to our understanding of contemporary social change-making and how neoliberalism has shaped this political generation's experiences with social injustice.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978801103"><em>Speaking Truths: Young Adults, Identity, and Spoken Word Activism</em></a> (Rutgers UP, 2022), sociologist <a href="https://www.thesociologicalcinema.com/valerie-chepp.html">Valerie Chepp</a> goes behind-the-scenes to uncover how spoken word poetry--and young people's participation in it--contributes to a broader understanding of contemporary social justice activism, including this generation's attention to the political importance of identity, well-being, and love. Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism's emphasis on personal storytelling and "truth," the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change. </p><p>Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic features of spoken word to empathically connect with others, advance intersectional and systemic analyses of inequality, and make social justice messages relatable across a diverse public. By creating allies and forging connections based on friendship, professional commitments, lived experiences, emotions, artistic kinship, and political views, this activist approach is highly integrated into the everyday lives of its practitioners, online and face-to-face. Chepp argues that spoken word activism is a product of, and a call to action against, the neoliberal era in which poets have come of age, characterized by widening structural inequalities and increasing economic and social vulnerability. She illustrates how this deeply personal and intimate activist approach borrows from, builds upon, and diverges from previous social movement paradigms. Spotlighting the complexity and mutual influence of modern-day activism and the world in which it unfolds, Speaking Truths contributes to our understanding of contemporary social change-making and how neoliberalism has shaped this political generation's experiences with social injustice.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3623</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3cabd128-a224-11ec-a973-27ca1b63d822]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9672564258.mp3?updated=1647104664" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ra Page, ed., "The Cuckoo Cage" (Comma Press, 2022)</title>
      <description>The superhero of comic books and blockbuster movies may be a quintessentially American invention, forever saving the world in skin-tight spandex. But the cultural DNA of the superhero can arguably be traced to a much older, more progressive, British tradition: the larger-than-life folk heroes of historical protests – General Ludd, Captain Swing, Lady Skimmington, and others; semi-fictional identities that ordinary protestors adopted, often dressing up in the process.
The Cuckoo Cage (CommaPress, 2022), edited by Ra Page, is a unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes. From the dimension-jumping statue-toppler, to the shape-shifting single mum raiding supermarkets to stock local foodbanks, these figures offer unlikely new insights into shared, centuries-old political causes, and usher in a new league of proud, British (social justice) warriors.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1164</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ra Page</itunes:subtitle>
      <itunes:summary>The superhero of comic books and blockbuster movies may be a quintessentially American invention, forever saving the world in skin-tight spandex. But the cultural DNA of the superhero can arguably be traced to a much older, more progressive, British tradition: the larger-than-life folk heroes of historical protests – General Ludd, Captain Swing, Lady Skimmington, and others; semi-fictional identities that ordinary protestors adopted, often dressing up in the process.
The Cuckoo Cage (CommaPress, 2022), edited by Ra Page, is a unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes. From the dimension-jumping statue-toppler, to the shape-shifting single mum raiding supermarkets to stock local foodbanks, these figures offer unlikely new insights into shared, centuries-old political causes, and usher in a new league of proud, British (social justice) warriors.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The superhero of comic books and blockbuster movies may be a quintessentially American invention, forever saving the world in skin-tight spandex. But the cultural DNA of the superhero can arguably be traced to a much older, more progressive, British tradition: the larger-than-life folk heroes of historical protests – General Ludd, Captain Swing, Lady Skimmington, and others; semi-fictional identities that ordinary protestors adopted, often dressing up in the process.</p><p><a href="https://bookshop.org/a/12343/9781912697403"><em>The Cuckoo Cage</em></a> (CommaPress, 2022), edited by Ra Page, is a unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes. From the dimension-jumping statue-toppler, to the shape-shifting single mum raiding supermarkets to stock local foodbanks, these figures offer unlikely new insights into shared, centuries-old political causes, and usher in a new league of proud, British (social justice) warriors.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3680</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Annie Berke, "Their Own Best Creations: Women Writers in Postwar Television" (U California Press, 2022)</title>
      <description>What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too!
 Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>268</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Annie Berke</itunes:subtitle>
      <itunes:summary>What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too!
 Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the hidden history of women in the television industry? In <a href="https://bookshop.org/a/12343/9780520300798"><em>Their Own Best Creations: Women Writers in Postwar Television</em></a><em> </em>(U California Press, 2022), <a href="https://annieberke.com/">Annie Berke</a>, <a href="https://lareviewofbooks.org/contributor/annie-berke/">film editor at the Los Angeles Review of Books</a> and host of the <a href="https://newbooksnetwork.com/hosts/profile/d6c7b7d4-3bf9-48ed-8489-303fa9c432f6">Film channel of the New Books Network podcast</a>, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too!</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3160</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d46571a8-9e60-11ec-aecf-1f09a1a92004]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9612649460.mp3?updated=1646690071" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mike McCartney, "Mike McCartney's Early Liverpool" (Genesis Publications, 2021)</title>
      <description>Mike McCartney's Early Liverpool (Genesis Publications, 2021), brings together all of his finest work including a wealth of previously unseen photographs and treasured drawings. McCartney takes us from his very first photograph, taken with the family Kodak Brownie box camera, to experimenting with his Rollei Magic camera and finding a love in surrealism, through to capturing the Merseybeat scene in Liverpool. The venues that were at the heart of the city are all featured, including the Casbah Club, the Jacaranda Club, Hope Hall, the Tower Ballroom and the legendary Cavern Club. This signed, limited edition book reveals the secrets of the Sixties and Seventies Liverpool through McCartney's photography, illustrations, and commentary. 
In a commentary that is honest, revealing and often humorous, McCartney describes growing up in a post-war Liverpool and the cultural sensation that followed. McCartney shares his love of satire, poetry and music, and his experience of being there to photograph the talent that came out of Liverpool, including his own group, the Scaffold. From the Beatles to the Fourmost, and from the Roadrunners to Rory Storm and the Hurricanes, McCartney captured the local bands as well as Liverpool's poets and artists, including Adrian Henri, Sam Walsh and Maurice Cockrill, RA. In Mike McCartney's Early Liverpool the incredible visiting acts that Liverpool welcomed are also celebrated, including Little Richard, Gene Vincent, Jerry Lee Lewis and Long John Baldry. With each photograph, McCartney gives a fascinating insight into the history of the vibrant city.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 15 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mike McCartney</itunes:subtitle>
      <itunes:summary>Mike McCartney's Early Liverpool (Genesis Publications, 2021), brings together all of his finest work including a wealth of previously unseen photographs and treasured drawings. McCartney takes us from his very first photograph, taken with the family Kodak Brownie box camera, to experimenting with his Rollei Magic camera and finding a love in surrealism, through to capturing the Merseybeat scene in Liverpool. The venues that were at the heart of the city are all featured, including the Casbah Club, the Jacaranda Club, Hope Hall, the Tower Ballroom and the legendary Cavern Club. This signed, limited edition book reveals the secrets of the Sixties and Seventies Liverpool through McCartney's photography, illustrations, and commentary. 
In a commentary that is honest, revealing and often humorous, McCartney describes growing up in a post-war Liverpool and the cultural sensation that followed. McCartney shares his love of satire, poetry and music, and his experience of being there to photograph the talent that came out of Liverpool, including his own group, the Scaffold. From the Beatles to the Fourmost, and from the Roadrunners to Rory Storm and the Hurricanes, McCartney captured the local bands as well as Liverpool's poets and artists, including Adrian Henri, Sam Walsh and Maurice Cockrill, RA. In Mike McCartney's Early Liverpool the incredible visiting acts that Liverpool welcomed are also celebrated, including Little Richard, Gene Vincent, Jerry Lee Lewis and Long John Baldry. With each photograph, McCartney gives a fascinating insight into the history of the vibrant city.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.genesis-publications.com/book/9781905662661/mike-mccartneys-early-liverpool"><em>Mike McCartney's Early Liverpool </em></a>(Genesis Publications, 2021), brings together all of his finest work including a wealth of previously unseen photographs and treasured drawings. McCartney takes us from his very first photograph, taken with the family Kodak Brownie box camera, to experimenting with his Rollei Magic camera and finding a love in surrealism, through to capturing the Merseybeat scene in Liverpool. The venues that were at the heart of the city are all featured, including the Casbah Club, the Jacaranda Club, Hope Hall, the Tower Ballroom and the legendary Cavern Club. This signed, limited edition book reveals the secrets of the Sixties and Seventies Liverpool through McCartney's photography, illustrations, and commentary. </p><p>In a commentary that is honest, revealing and often humorous, McCartney describes growing up in a post-war Liverpool and the cultural sensation that followed. McCartney shares his love of satire, poetry and music, and his experience of being there to photograph the talent that came out of Liverpool, including his own group, the Scaffold. From the Beatles to the Fourmost, and from the Roadrunners to Rory Storm and the Hurricanes, McCartney captured the local bands as well as Liverpool's poets and artists, including Adrian Henri, Sam Walsh and Maurice Cockrill, RA. In Mike McCartney's Early Liverpool the incredible visiting acts that Liverpool welcomed are also celebrated, including Little Richard, Gene Vincent, Jerry Lee Lewis and Long John Baldry. With each photograph, McCartney gives a fascinating insight into the history of the vibrant city.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4252</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Helene Meyers, "Movie-Made Jews: An American Tradition" (Rutgers UP, 2021)</title>
      <description>Movie-Made Jews: An American Tradition (Rutgers University Press, 2021) focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly written book demonstrates that a Jewish movie is neither just a movie nor for Jews only.
With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews. 
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 11 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>275</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Helene Meyers</itunes:subtitle>
      <itunes:summary>Movie-Made Jews: An American Tradition (Rutgers University Press, 2021) focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly written book demonstrates that a Jewish movie is neither just a movie nor for Jews only.
With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews. 
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978821880"><em>Movie-Made Jews: An American Tradition </em></a>(Rutgers University Press, 2021) focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly written book demonstrates that a Jewish movie is neither just a movie nor for Jews only.</p><p>With incisive analysis, <em>Movie-Made Jews</em> challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews. </p><p><a href="https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html"><em>Nathan Abrams</em></a><em> is a professor of film at Bangor University in Wales. </em><a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029"><em>His most recent work</em></a><em> is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[933dde3a-9bc3-11ec-8315-cf8592c3cc70]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2819991783.mp3?updated=1646375635" length="0" type="audio/mpeg"/>
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    <item>
      <title>Tim Smolko and Joanna Smolko, "Atomic Tunes: The Cold War in American and British Popular Music" (Indiana UP, 2021)</title>
      <description>During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes: The Cold War in American and British Popular Music (Indiana University Press, 2021), Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
Joanna Smolko holds a PhD in Musicology and is Adjunct Professor of Music at the Hugh Hodgson School of Music at the University of Georgia. Tim Smolko holds master's degrees in Musicology and Library Science and is Monographs Original Cataloger at the University of Georgia.
Learn more about the Smolkos' work on their website, which you can access here.
Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 11 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tim Smolko and Joanna Smolko</itunes:subtitle>
      <itunes:summary>During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes: The Cold War in American and British Popular Music (Indiana University Press, 2021), Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
Joanna Smolko holds a PhD in Musicology and is Adjunct Professor of Music at the Hugh Hodgson School of Music at the University of Georgia. Tim Smolko holds master's degrees in Musicology and Library Science and is Monographs Original Cataloger at the University of Georgia.
Learn more about the Smolkos' work on their website, which you can access here.
Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In <a href="https://bookshop.org/a/12343/9780253024466"><em>Atomic Tunes: The Cold War in American and British Popular Music</em></a><em> </em>(Indiana University Press, 2021), Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. <em>Atomic Tunes</em> presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.</p><p>Joanna Smolko holds a PhD in Musicology and is Adjunct Professor of Music at the Hugh Hodgson School of Music at the University of Georgia. Tim Smolko holds master's degrees in Musicology and Library Science and is Monographs Original Cataloger at the University of Georgia.</p><p>Learn more about the Smolkos' work on their website, which you can access <a href="http://www.smolko.ly/about.html">here.</a></p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2733</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN4137074225.mp3?updated=1646409695" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dahlia Schweitzer, "Haunted Homes" (Rutgers UP, 2021)</title>
      <description>In her new book, Haunted Homes (Rutgers University Press, 2022), Dahlia Schweitzer explores the ways in which the trope of the haunted house in horror signifies the anxieties, traumas, and terrors of suburban American life. Comprehensive and readable, this slim volume establishes beyond a doubt that in movies and television series from The Conjuring to The Haunting of Hill House, "home is where the horror is." Haunted Homes is unique in its focus on what Schweitzer calls the "suburban gothic." Scholarly studies of the supernatural in horror cinema tend to be decidedly ahistorical, suggesting that contemporary films about haunted houses tap into the same fear of the uncanny evoked by eighteenth and nineteenth-century works of European gothic literature. Schweitzer, however, argues that these films are distinctly modern and American, framing them as a dark reflection of suburban life since the 1950s and particularly in the decade following the economic collapse of 2008. Schweitzer undertakes an in-depth examination of the history of suburbia in the United States as well, offering a detailed and informed account of its origins and development. This is a fresh and original approach. It opens up a new way of seeing haunted homes in recent horror cinema and television, setting her book apart from others on the topic. This is consequently a book that will appeal to a wide range of readers, from film scholars and students to fans of the horror genre.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 10 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dahlia Schweitzer</itunes:subtitle>
      <itunes:summary>In her new book, Haunted Homes (Rutgers University Press, 2022), Dahlia Schweitzer explores the ways in which the trope of the haunted house in horror signifies the anxieties, traumas, and terrors of suburban American life. Comprehensive and readable, this slim volume establishes beyond a doubt that in movies and television series from The Conjuring to The Haunting of Hill House, "home is where the horror is." Haunted Homes is unique in its focus on what Schweitzer calls the "suburban gothic." Scholarly studies of the supernatural in horror cinema tend to be decidedly ahistorical, suggesting that contemporary films about haunted houses tap into the same fear of the uncanny evoked by eighteenth and nineteenth-century works of European gothic literature. Schweitzer, however, argues that these films are distinctly modern and American, framing them as a dark reflection of suburban life since the 1950s and particularly in the decade following the economic collapse of 2008. Schweitzer undertakes an in-depth examination of the history of suburbia in the United States as well, offering a detailed and informed account of its origins and development. This is a fresh and original approach. It opens up a new way of seeing haunted homes in recent horror cinema and television, setting her book apart from others on the topic. This is consequently a book that will appeal to a wide range of readers, from film scholars and students to fans of the horror genre.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="https://bookshop.org/a/12343/9781978807730"><em>Haunted Homes</em></a> (Rutgers University Press, 2022), <a href="https://www.thisisdahlia.com/">Dahlia Schweitzer</a> explores the ways in which the trope of the haunted house in horror signifies the anxieties, traumas, and terrors of suburban American life. Comprehensive and readable, this slim volume establishes beyond a doubt that in movies and television series from <em>The Conjuring </em>to <em>The Haunting of Hill House</em>, "home is where the horror is." <em>Haunted Homes</em> is unique in its focus on what Schweitzer calls the "suburban gothic." Scholarly studies of the supernatural in horror cinema tend to be decidedly ahistorical, suggesting that contemporary films about haunted houses tap into the same fear of the uncanny evoked by eighteenth and nineteenth-century works of European gothic literature. Schweitzer, however, argues that these films are distinctly modern and American, framing them as a dark reflection of suburban life since the 1950s and particularly in the decade following the economic collapse of 2008. Schweitzer undertakes an in-depth examination of the history of suburbia in the United States as well, offering a detailed and informed account of its origins and development. This is a fresh and original approach. It opens up a new way of seeing haunted homes in recent horror cinema and television, setting her book apart from others on the topic. This is consequently a book that will appeal to a wide range of readers, from film scholars and students to fans of the horror genre.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3032</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1551934086.mp3?updated=1646935533" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Uwe Schütte, "Kraftwerk: Future Music from Germany" (Penguin, 2021)</title>
      <description>Uwe Schütte's Kraftwerk: Future Music from Germany (Penguin, 2021) is not your typical rock star biography. Eschewing gossipy interpersonal details, Schütte instead contextualizes Kraftwerk within contemporaneous debates about German cultural identity in the wake of Nazi atrocities. Kraftwerk's intellectual and artistic debts to Weimar era movements like Bauhaus and early Soviet experimentation in constructivism and futurism are fully elucidated, showing how Kraftwerk's futuristic electro-pop was actually deeply rooted in pan-European avant-garde movements. Schütte also provides in-depth analysis of each of Kraftwerk's albums, including now-disowned early recordings and the most recent Kraftwerk studio release, 2003's Tour de France. With this book, Schütte makes a compelling case for Kraftwerk as a major artist in 20th century pop music, as influential in its own way as The Beatles or Elvis Presley.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 10 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Uwe Schütte</itunes:subtitle>
      <itunes:summary>Uwe Schütte's Kraftwerk: Future Music from Germany (Penguin, 2021) is not your typical rock star biography. Eschewing gossipy interpersonal details, Schütte instead contextualizes Kraftwerk within contemporaneous debates about German cultural identity in the wake of Nazi atrocities. Kraftwerk's intellectual and artistic debts to Weimar era movements like Bauhaus and early Soviet experimentation in constructivism and futurism are fully elucidated, showing how Kraftwerk's futuristic electro-pop was actually deeply rooted in pan-European avant-garde movements. Schütte also provides in-depth analysis of each of Kraftwerk's albums, including now-disowned early recordings and the most recent Kraftwerk studio release, 2003's Tour de France. With this book, Schütte makes a compelling case for Kraftwerk as a major artist in 20th century pop music, as influential in its own way as The Beatles or Elvis Presley.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Uwe Schütte's <a href="https://bookshop.org/a/12343/9780141986753"><em>Kraftwerk: Future Music from Germany</em></a><em> </em>(Penguin, 2021) is not your typical rock star biography. Eschewing gossipy interpersonal details, Schütte instead contextualizes Kraftwerk within contemporaneous debates about German cultural identity in the wake of Nazi atrocities. Kraftwerk's intellectual and artistic debts to Weimar era movements like Bauhaus and early Soviet experimentation in constructivism and futurism are fully elucidated, showing how Kraftwerk's futuristic electro-pop was actually deeply rooted in pan-European avant-garde movements. Schütte also provides in-depth analysis of each of Kraftwerk's albums, including now-disowned early recordings and the most recent Kraftwerk studio release, 2003's Tour de France. With this book, Schütte makes a compelling case for Kraftwerk as a major artist in 20th century pop music, as influential in its own way as The Beatles or Elvis Presley.</p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3253</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1140297758.mp3?updated=1646498347" length="0" type="audio/mpeg"/>
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    <item>
      <title>Samir Chopra, "The Evolution of a Cricket Fan: My Shapeshifting Journey" (Temple UP, 2021)</title>
      <description>Today we are joined by Dr. Samir Chopra, Professor of Philosophy at Brooklyn College and the Graduate Center of the City University of New York and author of The Evolution of a Cricket Fan: My Shapeshifting Journey (Temple University Press, 2021). In our conversation, we discussed how Chopra became an Indian cricket fan, the unique role that cricket plays in immigrant South Asian communities in Australia and the United States, the scholarly legacy of CLR James Beyond a Boundary, and the future of global cricket since the 1980s.
In The Evolution of a Cricket Fan, Chopra mixes autobiography, ethnography, memoir, exile literature, and philosophy to better understand and explain how cricket helped him recognize and reshape his own post-colonial and immigrant identity. In the process, he also shows how cricket speaks to larger global patterns such as the tension between colonialism and post-coloniality in and outside of India, the interplay of the local and the national in the subcontinent, and transcendent and ephemeral qualities of live sporting events for fans of all stripes.
Chopra’s compelling work proceeds roughly chronologically recounting the experiences of a young, Indian self-avowed cricket tragic and his relationship with his own sense of identity from the 1970s until the present. In his first chapter, he tells us about his “perverse” attraction to English, Australian, and even Pakistani cricket, and his rejection of the Indian cricket team.
Over the next several chapters, Chopra exhumes and examines the moments that helped bring him back to Indian cricket fandom as well as those that helped to moderate his ultimate cricket nationalism. The pathway is winding and defies easy explanation: English biases against Pakistani cricketeers lead him to a more critical view of those same English authors’ attacks on Indian players. He learns to appreciate his own national identity through the local even as his Punjabi background complicates the easy adoption of any Hindu nationalism. India’s victory in the 1983 World Cup helps him reclaim the Indian team but he struggles with the space between the genteel image of cricket he idolizes and its aggressive expression in Indian, Pakistani, Australian, and English players and fans.
The latter chapters detail his life after he leaves India – living first in New Jersey, afterward Sydney, Australia, and finally back in New York City. These sections are animated by cricket’s absence and presence. In the US, Chopra despairs cricket’s invisibility and to see it, he goes to great lengths (and sometimes great distances) to watch matches. This brings him face-to-face with many Pakistani cricket fans doing the same thing and he discovers comity and confrontation, if not in equal parts. He also becomes a devotee of the early internet, discovering cricket conversations and participating avidly in them. They reflect a new and more democratic (and even at times particularly South Asian) expression of the game.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 09 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samir Chopra</itunes:subtitle>
      <itunes:summary>Today we are joined by Dr. Samir Chopra, Professor of Philosophy at Brooklyn College and the Graduate Center of the City University of New York and author of The Evolution of a Cricket Fan: My Shapeshifting Journey (Temple University Press, 2021). In our conversation, we discussed how Chopra became an Indian cricket fan, the unique role that cricket plays in immigrant South Asian communities in Australia and the United States, the scholarly legacy of CLR James Beyond a Boundary, and the future of global cricket since the 1980s.
In The Evolution of a Cricket Fan, Chopra mixes autobiography, ethnography, memoir, exile literature, and philosophy to better understand and explain how cricket helped him recognize and reshape his own post-colonial and immigrant identity. In the process, he also shows how cricket speaks to larger global patterns such as the tension between colonialism and post-coloniality in and outside of India, the interplay of the local and the national in the subcontinent, and transcendent and ephemeral qualities of live sporting events for fans of all stripes.
Chopra’s compelling work proceeds roughly chronologically recounting the experiences of a young, Indian self-avowed cricket tragic and his relationship with his own sense of identity from the 1970s until the present. In his first chapter, he tells us about his “perverse” attraction to English, Australian, and even Pakistani cricket, and his rejection of the Indian cricket team.
Over the next several chapters, Chopra exhumes and examines the moments that helped bring him back to Indian cricket fandom as well as those that helped to moderate his ultimate cricket nationalism. The pathway is winding and defies easy explanation: English biases against Pakistani cricketeers lead him to a more critical view of those same English authors’ attacks on Indian players. He learns to appreciate his own national identity through the local even as his Punjabi background complicates the easy adoption of any Hindu nationalism. India’s victory in the 1983 World Cup helps him reclaim the Indian team but he struggles with the space between the genteel image of cricket he idolizes and its aggressive expression in Indian, Pakistani, Australian, and English players and fans.
The latter chapters detail his life after he leaves India – living first in New Jersey, afterward Sydney, Australia, and finally back in New York City. These sections are animated by cricket’s absence and presence. In the US, Chopra despairs cricket’s invisibility and to see it, he goes to great lengths (and sometimes great distances) to watch matches. This brings him face-to-face with many Pakistani cricket fans doing the same thing and he discovers comity and confrontation, if not in equal parts. He also becomes a devotee of the early internet, discovering cricket conversations and participating avidly in them. They reflect a new and more democratic (and even at times particularly South Asian) expression of the game.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Dr. Samir Chopra, Professor of Philosophy at Brooklyn College and the Graduate Center of the City University of New York and author of <a href="https://bookshop.org/a/12343/9781439911969"><em>The Evolution of a Cricket Fan: My Shapeshifting Journey </em></a>(Temple University Press, 2021). In our conversation, we discussed how Chopra became an Indian cricket fan, the unique role that cricket plays in immigrant South Asian communities in Australia and the United States, the scholarly legacy of CLR James <em>Beyond a Boundary, </em>and the future of global cricket since the 1980s.</p><p>In <em>The Evolution of a Cricket Fan, </em>Chopra mixes autobiography, ethnography, memoir, exile literature, and philosophy to better understand and explain how cricket helped him recognize and reshape his own post-colonial and immigrant identity. In the process, he also shows how cricket speaks to larger global patterns such as the tension between colonialism and post-coloniality in and outside of India, the interplay of the local and the national in the subcontinent, and transcendent and ephemeral qualities of live sporting events for fans of all stripes.</p><p>Chopra’s compelling work proceeds roughly chronologically recounting the experiences of a young, Indian self-avowed cricket tragic and his relationship with his own sense of identity from the 1970s until the present. In his first chapter, he tells us about his “perverse” attraction to English, Australian, and even Pakistani cricket, and his rejection of the Indian cricket team.</p><p>Over the next several chapters, Chopra exhumes and examines the moments that helped bring him back to Indian cricket fandom as well as those that helped to moderate his ultimate cricket nationalism. The pathway is winding and defies easy explanation: English biases against Pakistani cricketeers lead him to a more critical view of those same English authors’ attacks on Indian players. He learns to appreciate his own national identity through the local even as his Punjabi background complicates the easy adoption of any Hindu nationalism. India’s victory in the 1983 World Cup helps him reclaim the Indian team but he struggles with the space between the genteel image of cricket he idolizes and its aggressive expression in Indian, Pakistani, Australian, and English players and fans.</p><p>The latter chapters detail his life after he leaves India – living first in New Jersey, afterward Sydney, Australia, and finally back in New York City. These sections are animated by cricket’s absence and presence. In the US, Chopra despairs cricket’s invisibility and to see it, he goes to great lengths (and sometimes great distances) to watch matches. This brings him face-to-face with many Pakistani cricket fans doing the same thing and he discovers comity and confrontation, if not in equal parts. He also becomes a devotee of the early internet, discovering cricket conversations and participating avidly in them. They reflect a new and more democratic (and even at times particularly South Asian) expression of the game.</p><p><em>Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3848</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN8844214475.mp3?updated=1646430025" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dana Stevens, "Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century" (Simon and Schuster, 2022)</title>
      <description>“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate’s resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor’s passing in 1966 – began at a cinematheque in Alsace. But Stevens’ book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon &amp; Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography.
In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking.
Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 09 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dana Stevens</itunes:subtitle>
      <itunes:summary>“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate’s resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor’s passing in 1966 – began at a cinematheque in Alsace. But Stevens’ book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century (Simon &amp; Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography.
In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking.
Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become <em>Slate</em>’s resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor’s passing in 1966 – began at a <em>cinematheque </em>in Alsace. But Stevens’ book about actor-director-gag man-stunt virtuoso Buster Keaton, <a href="https://bookshop.org/a/12343/9781501134197"><em>Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention of the Twentieth Century</em></a><em> </em>(Simon &amp; Schuster, 2022), is more than the story of one man. Through Keaton, Stevens tells the story of modernity, one that includes the myths and scandals of the Hollywood Dream Factory but that goes far beyond the usual contours of the celebrity biography.</p><p>In this conversation, Dana Stevens discusses the origins of this, her first full-length book project, weighs in on her favorite Keaton films, and reveals the particular challenges of working as a critic of contemporary franchise filmmaking.</p><p>Dana Stevens has been Slate's film critic since 2006. She is also a cohost of the magazine's long-running weekly culture podcast, the Slate Culture Gabfest, and has written for the New York Times, the Washington Post, the Atlantic, and Bookforum. Stevens lives with her family in New York. You can follow her on Twitter @thehighsign.</p><p><a href="http://annieberke.com/"><em>Annie Berke</em></a><em> is the Film Editor at the Los Angeles Review of Books and author of </em><a href="https://www.ucpress.edu/book/9780520300798/their-own-best-creations"><em>Their Own Best Creations: Women Writers in Postwar Television</em></a><em> (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN5408154324.mp3?updated=1646157772" length="0" type="audio/mpeg"/>
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    <item>
      <title>Bill V. Mullen, "James Baldwin: Living in Fire" (Pluto Press, 2019)</title>
      <description>In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.
Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bill V. Mullen</itunes:subtitle>
      <itunes:summary>In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.
Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first major biography of Baldwin in more than a decade, <a href="https://bookshop.org/a/12343/9780745338545"><em>James Baldwin: Living in Fire</em></a> (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.</p><p><a href="https://www.billvmullen.com/">Bill V. Mullen</a> is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[35f35c08-9891-11ec-8629-df0c841a557a]]></guid>
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    <item>
      <title>William Sites, "Sun Ra's Chicago: Afrofuturism and the City" (U Chicago Press, 2021)</title>
      <description>Poet and jazz band musician Sun Ra, born in 1914, is one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his band “Arkestra” appeared in neo-Egyptian garb, this keyboardist and bandleader also espoused an interstellar cosmology and that the planet Saturn was his true home. In his book, Sun Ra’s Chicago: Afrofuturism and the City (University of Chicago Press, 2021), Dr. William Sites contextualizes this visionary musician in his home on earth—specifically in Chicago’s South Side, where from 1946 to 1961 Sun Ra lived and relaunched his career.
The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished, storefront prophets sold “dream-book bibles,” and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then still known as Sonny Blount drew from an array of intellectual and musical sources—from radical nationalism, revisionist Christianity, and science fiction to jazz, blues, Latin dance music, and pop exotica—all this to construct a philosophy and performance style that imagined a new identity and future for African Americans. Sun Ra’s Chicago shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city—and that by excavating the postwar black experience of Sun Ra’s South Side milieu, we can come to see the possibilities of urban life in new ways.
Dr. William Sites is Associate Professor in the Crown Family School of Social Work, Policy, and Practice at the University of Chicago. His fields of interest include urban and community studies, political economy, social movements, immigration, race, culture, social theory, and historical methods.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 24 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>280</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with William Sites</itunes:subtitle>
      <itunes:summary>Poet and jazz band musician Sun Ra, born in 1914, is one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his band “Arkestra” appeared in neo-Egyptian garb, this keyboardist and bandleader also espoused an interstellar cosmology and that the planet Saturn was his true home. In his book, Sun Ra’s Chicago: Afrofuturism and the City (University of Chicago Press, 2021), Dr. William Sites contextualizes this visionary musician in his home on earth—specifically in Chicago’s South Side, where from 1946 to 1961 Sun Ra lived and relaunched his career.
The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished, storefront prophets sold “dream-book bibles,” and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then still known as Sonny Blount drew from an array of intellectual and musical sources—from radical nationalism, revisionist Christianity, and science fiction to jazz, blues, Latin dance music, and pop exotica—all this to construct a philosophy and performance style that imagined a new identity and future for African Americans. Sun Ra’s Chicago shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city—and that by excavating the postwar black experience of Sun Ra’s South Side milieu, we can come to see the possibilities of urban life in new ways.
Dr. William Sites is Associate Professor in the Crown Family School of Social Work, Policy, and Practice at the University of Chicago. His fields of interest include urban and community studies, political economy, social movements, immigration, race, culture, social theory, and historical methods.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Poet and jazz band musician Sun Ra, born in 1914, is one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his band “Arkestra” appeared in neo-Egyptian garb, this keyboardist and bandleader also espoused an interstellar cosmology and that the planet Saturn was his true home. In his book, <a href="https://bookshop.org/a/12343/9780226732107"><em>Sun Ra’s Chicago: Afrofuturism and the City</em></a><em> </em>(University of Chicago Press, 2021), Dr. William Sites contextualizes this visionary musician in his home on earth—specifically in Chicago’s South Side, where from 1946 to 1961 Sun Ra lived and relaunched his career.</p><p>The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished, storefront prophets sold “dream-book bibles,” and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then still known as Sonny Blount drew from an array of intellectual and musical sources—from radical nationalism, revisionist Christianity, and science fiction to jazz, blues, Latin dance music, and pop exotica—all this to construct a philosophy and performance style that imagined a new identity and future for African Americans. <em>Sun Ra’s Chicago</em> shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city—and that by excavating the postwar black experience of Sun Ra’s South Side milieu, we can come to see the possibilities of urban life in new ways.</p><p><a href="https://crownschool.uchicago.edu/crownscholars/w-sites">Dr. William Sites</a> is Associate Professor in the Crown Family School of Social Work, Policy, and Practice at the University of Chicago. His fields of interest include urban and community studies, political economy, social movements, immigration, race, culture, social theory, and historical methods.</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is a PhD student at Université Laval in Quebec City. </em><a href="mailto:carrie-lynn.evans@lit.ulaval.ca"><em>carrie-lynn.evans@lit.ulaval.ca</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5448</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[24bcfc68-9009-11ec-a1c1-6fa0dbeacd46]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9908054853.mp3?updated=1645107980" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kristina Wilson, "Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design" (Princeton UP, 2021)</title>
      <description>In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design (Princeton UP, 2021) offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers.
Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.
A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture.
 Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 22 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>66</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kristina Wilson</itunes:subtitle>
      <itunes:summary>In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design (Princeton UP, 2021) offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers.
Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.
A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture.
 Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in <em>Life</em> and <em>Ebony</em>, furniture, art, and more, <a href="https://bookshop.org/a/12343/9780691208190"><em>Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design</em></a><em> </em>(Princeton UP, 2021) offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers.</p><p>Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as <em>Ebony</em> magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.</p><p>A striking counter-narrative to conventional histories of design, <em>Mid-Century Modernism and the American Body</em> unveils fresh perspectives on one of the most distinctive movements in American visual culture.</p><p><em> </em><a href="http://nushelledesilva.com/"><em>Nushelle de Silva</em></a><em> is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3817</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Clarissa Ceglio, "A Cultural Arsenal for Democracy: The World War II Work of U.S. Museums" (U Massachusetts Press, 2022)</title>
      <description>In A Cultural Arsenal for Democracy: The World War II Work of US Museums (University of Massachusetts Press, 2022), Dr. Ceglio argues that attempts during the war years to fit exhibition craft to the aims of social instrumentality constitute an important but forgotten moment in the field’s debates over whether museums should take active stances on public issues or, to use current parlance, remain neutral. In the book, she investigates how many American museums saw engagement with wartime concerns as consistent with their vision of the museum as a social instrument. She examines how these museums worked to strike the right balance between education and patriotism, hoping to attain greater relevance.
Dr. Ceglio focuses on exhibitions, which unsurprisingly served as the primary vehicle through which museums, large and small, engaged their publics with wartime topics with fare ranging from displays on the cultures of Allied nations to "living maps" that charted troop movements and exhibits on war preparedness. Dr. Ceglio chronicles debates, experiments, and collaborations from the 1930s to the immediate postwar years, investigating how museums re-envisioned the exhibition as a narrative medium and attempted to reconcile their mission with new modes of storytelling. She demonstrates how what today may seem standard museum practice—that exhibitions take explicitly narrative forms appealing to the mental, emotional, and physical— was still a novel and controversial idea to museums in the 1930s and ’40s.
Research for this book drew from administrative records, correspondence, and reports held by the archives of the American Museum of Natural History, the Brooklyn Museum of Art, the Museum of Modern Art (New York), the National Art Gallery, the Newark Museum, the Rockefeller Archive Center, the Smithsonian Institution, and the Wadsworth Atheneum (Hartford), among others.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 18 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Clarissa Ceglio</itunes:subtitle>
      <itunes:summary>In A Cultural Arsenal for Democracy: The World War II Work of US Museums (University of Massachusetts Press, 2022), Dr. Ceglio argues that attempts during the war years to fit exhibition craft to the aims of social instrumentality constitute an important but forgotten moment in the field’s debates over whether museums should take active stances on public issues or, to use current parlance, remain neutral. In the book, she investigates how many American museums saw engagement with wartime concerns as consistent with their vision of the museum as a social instrument. She examines how these museums worked to strike the right balance between education and patriotism, hoping to attain greater relevance.
Dr. Ceglio focuses on exhibitions, which unsurprisingly served as the primary vehicle through which museums, large and small, engaged their publics with wartime topics with fare ranging from displays on the cultures of Allied nations to "living maps" that charted troop movements and exhibits on war preparedness. Dr. Ceglio chronicles debates, experiments, and collaborations from the 1930s to the immediate postwar years, investigating how museums re-envisioned the exhibition as a narrative medium and attempted to reconcile their mission with new modes of storytelling. She demonstrates how what today may seem standard museum practice—that exhibitions take explicitly narrative forms appealing to the mental, emotional, and physical— was still a novel and controversial idea to museums in the 1930s and ’40s.
Research for this book drew from administrative records, correspondence, and reports held by the archives of the American Museum of Natural History, the Brooklyn Museum of Art, the Museum of Modern Art (New York), the National Art Gallery, the Newark Museum, the Rockefeller Archive Center, the Smithsonian Institution, and the Wadsworth Atheneum (Hartford), among others.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<em> </em><a href="https://bookshop.org/a/12343/9781625346254"><em>A Cultural Arsenal for Democracy: The World War II Work of US Museums</em></a> (University of Massachusetts Press, 2022), Dr. Ceglio argues that attempts during the war years to fit exhibition craft to the aims of social instrumentality constitute an important but forgotten moment in the field’s debates over whether museums should take active stances on public issues or, to use current parlance, remain neutral. In the book, she investigates how many American museums saw engagement with wartime concerns as consistent with their vision of the museum as a social instrument. She examines how these museums worked to strike the right balance between education and patriotism, hoping to attain greater relevance.</p><p>Dr. Ceglio focuses on exhibitions, which unsurprisingly served as the primary vehicle through which museums, large and small, engaged their publics with wartime topics with fare ranging from displays on the cultures of Allied nations to "living maps" that charted troop movements and exhibits on war preparedness. Dr. Ceglio chronicles debates, experiments, and collaborations from the 1930s to the immediate postwar years, investigating how museums re-envisioned the exhibition as a narrative medium and attempted to reconcile their mission with new modes of storytelling. She demonstrates how what today may seem standard museum practice—that exhibitions take explicitly narrative forms appealing to the mental, emotional, and physical— was still a novel and controversial idea to museums in the 1930s and ’40s.</p><p>Research for this book drew from administrative records, correspondence, and reports held by the archives of the American Museum of Natural History, the Brooklyn Museum of Art, the Museum of Modern Art (New York), the National Art Gallery, the Newark Museum, the Rockefeller Archive Center, the Smithsonian Institution, and the Wadsworth Atheneum (Hartford), among others.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4252</itunes:duration>
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      <title>Michella M. Marino, "Roller Derby: The History of an American Sport" (U Texas Press, 2021)</title>
      <description>Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century.
In Roller Derby, Marino charts the rise, fall, and rise again of one of America’s most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby’s mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms.
To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby’s founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it.
Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund.
The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino’s Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>212</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michella M. Marino</itunes:subtitle>
      <itunes:summary>Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century.
In Roller Derby, Marino charts the rise, fall, and rise again of one of America’s most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby’s mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms.
To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby’s founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it.
Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund.
The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino’s Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of<a href="https://bookshop.org/a/12343/9781477323823"> <em>Roller Derby: The History of an American Sport</em></a><em> </em>(University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century.</p><p>In <em>Roller Derby, </em>Marino charts the rise, fall, and rise again of one of America’s most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby’s mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms.</p><p>To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby’s founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it.</p><p>Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund.</p><p>The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino’s <em>Roller Derby </em>will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans.</p><p><em>Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3879</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6e8e8de6-8c00-11ec-94fa-032281d23277]]></guid>
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    <item>
      <title>Katie Rios, "This Is America: Race, Gender, and Politics in America's Musical Landscape" (Lexington Books, 2021)</title>
      <description>“This is America”: Race Gender and Politics in America’s Musical Landscape by Katie Rios (Lexington Books, 2021) examines an eclectic mix of different artists and cultural products, from Laurie Anderson and Childish Gambino to Hamilton. The artists Rios studies confront problems of race and gender that have deep roots in American history, often by championing social movements that have recently swept the nation such as #MeToo and #BlackLivesMatter. While a musicologist by training, Rios is concerned with more than the sonic signifiers of political dissent and resistance. She finds a shared language of cultural and political critique in a wide array of music, videos, dance, visual arts, and theater.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 09 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katie Rios</itunes:subtitle>
      <itunes:summary>“This is America”: Race Gender and Politics in America’s Musical Landscape by Katie Rios (Lexington Books, 2021) examines an eclectic mix of different artists and cultural products, from Laurie Anderson and Childish Gambino to Hamilton. The artists Rios studies confront problems of race and gender that have deep roots in American history, often by championing social movements that have recently swept the nation such as #MeToo and #BlackLivesMatter. While a musicologist by training, Rios is concerned with more than the sonic signifiers of political dissent and resistance. She finds a shared language of cultural and political critique in a wide array of music, videos, dance, visual arts, and theater.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781793619167"><em>“This is America”: Race Gender and Politics in America’s Musical Landscape</em></a><em> </em>by Katie Rios (Lexington Books, 2021) examines an eclectic mix of different artists and cultural products, from Laurie Anderson and Childish Gambino to <em>Hamilton. </em>The artists Rios studies confront problems of race and gender that have deep roots in American history, often by championing social movements that have recently swept the nation such as #MeToo and #BlackLivesMatter. While a musicologist by training, Rios is concerned with more than the sonic signifiers of political dissent and resistance. She finds a shared language of cultural and political critique in a wide array of music, videos, dance, visual arts, and theater.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3508</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN2129570595.mp3?updated=1643817924" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Abby S. Waysdorf, "Fan Sites: Film Tourism and Contemporary Fandom" (U Iowa Press, 2021)</title>
      <description>In her new book, Fan Sites: Film Tourism and Contemporary Fandom (U Iowa Press, 2021)(University of Iowa Press, 2021), Abby Waysdorf explores why and how we experience film and television-related places, and what the growth of this practice means for contemporary fandom. Through four case studies—Game of Thrones tourism in Dubrovnik, Croatia and Northern Ireland, the Wizarding World of Harry Potter theme parks in Orlando, Florida, fandom of The Prisoner in Portmeirion, Wales, and Friends events in the United Kingdom and United States—this book presents a multifaceted look at the ways place and fandom interact today. Fan Sites explores the different relationships that fans build with these places of fandom, from the exploratory knowledge-building of Game of Thrones fans on vacation, the appreciative evaluations of Harry Potter fans at the Wizarding World of Harry Potter, to the frequent “homecoming” visits of Prisoner fans, who see Portmeirion as a “safe vault” and the home of their fandom. Including engaging accounts of real fans at each location, Fan Sites addresses what the rise of fan tourism and places of fandom might mean for the future of fandom and its relationship with the media industry.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 09 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Abby S. Waysdorf</itunes:subtitle>
      <itunes:summary>In her new book, Fan Sites: Film Tourism and Contemporary Fandom (U Iowa Press, 2021)(University of Iowa Press, 2021), Abby Waysdorf explores why and how we experience film and television-related places, and what the growth of this practice means for contemporary fandom. Through four case studies—Game of Thrones tourism in Dubrovnik, Croatia and Northern Ireland, the Wizarding World of Harry Potter theme parks in Orlando, Florida, fandom of The Prisoner in Portmeirion, Wales, and Friends events in the United Kingdom and United States—this book presents a multifaceted look at the ways place and fandom interact today. Fan Sites explores the different relationships that fans build with these places of fandom, from the exploratory knowledge-building of Game of Thrones fans on vacation, the appreciative evaluations of Harry Potter fans at the Wizarding World of Harry Potter, to the frequent “homecoming” visits of Prisoner fans, who see Portmeirion as a “safe vault” and the home of their fandom. Including engaging accounts of real fans at each location, Fan Sites addresses what the rise of fan tourism and places of fandom might mean for the future of fandom and its relationship with the media industry.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="https://bookshop.org/a/12343/9781609387921"><em>Fan Sites: Film Tourism and Contemporary Fandom</em></a> (U Iowa Press, 2021)(University of Iowa Press, 2021), Abby Waysdorf explores why and how we experience film and television-related places, and what the growth of this practice means for contemporary fandom. Through four case studies—<em>Game of Thrones</em> tourism in Dubrovnik, Croatia and Northern Ireland, the Wizarding World of Harry Potter theme parks in Orlando, Florida, fandom of <em>The Prisoner</em> in Portmeirion, Wales, and <em>Friends</em> events in the United Kingdom and United States—this book presents a multifaceted look at the ways place and fandom interact today. Fan Sites explores the different relationships that fans build with these places of fandom, from the exploratory knowledge-building of Game of Thrones fans on vacation, the appreciative evaluations of Harry Potter fans at the Wizarding World of Harry Potter, to the frequent “homecoming” visits of Prisoner fans, who see Portmeirion as a “safe vault” and the home of their fandom. Including engaging accounts of real fans at each location, Fan Sites addresses what the rise of fan tourism and places of fandom might mean for the future of fandom and its relationship with the media industry.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3604</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN3323821171.mp3?updated=1643827645" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bruce Iglauer and Patrick A. Roberts, "Bitten by the Blues: The Alligator Records Story" (U Chicago Press, 2018)</title>
      <description>It’s time for The Blues! In Bitten by the Blues: The Alligator Records Story (University of Chicago Press, 2018), Alligator Records president and founder Bruce Iglauer and his co-author, Patrick Roberts of Northern Illinois University, tell the tale of fifty years of Chicago Blues. From Delta-born guitar expressionists like Hound Dog Taylor to modern vocalists like Shemekia Copeland, from the South Side to the Norway fjords, Alligator Records has seen it all.
David Hamilton Golland is professor of history and immediate past president of the faculty senate at Governors State University in Chicago's southland. @DHGolland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bruce Iglauer and Patrick A. Roberts</itunes:subtitle>
      <itunes:summary>It’s time for The Blues! In Bitten by the Blues: The Alligator Records Story (University of Chicago Press, 2018), Alligator Records president and founder Bruce Iglauer and his co-author, Patrick Roberts of Northern Illinois University, tell the tale of fifty years of Chicago Blues. From Delta-born guitar expressionists like Hound Dog Taylor to modern vocalists like Shemekia Copeland, from the South Side to the Norway fjords, Alligator Records has seen it all.
David Hamilton Golland is professor of history and immediate past president of the faculty senate at Governors State University in Chicago's southland. @DHGolland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s time for The Blues! In <a href="https://bookshop.org/a/12343/9780226681986"><em>Bitten by the Blues: The Alligator Records Story</em></a><em> </em>(University of Chicago Press, 2018), Alligator Records president and founder Bruce Iglauer and his co-author, Patrick Roberts of Northern Illinois University, tell the tale of fifty years of Chicago Blues. From Delta-born guitar expressionists like Hound Dog Taylor to modern vocalists like Shemekia Copeland, from the South Side to the Norway fjords, Alligator Records has seen it all.</p><p><a href="http://www.davidgolland.com/"><em>David Hamilton Golland</em></a><em> is professor of history and immediate past president of the faculty senate at Governors State University in Chicago's southland. @DHGolland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3700</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[95ee9636-82de-11ec-856d-0344e74b9f06]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6555865512.mp3?updated=1643665838" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily Levesque, "The Last Stargazers: The Enduring Story of Astronomy's Vanishing Explorers" (Sourcebooks, 2021)</title>
      <description>Humans from the earliest civilizations through today have craned their necks each night, using the stars to orient themselves in the large, strange world around them. Stargazing is a pursuit that continues to fascinate us: from Copernicus to Carl Sagan, astronomers throughout history have spent their lives trying to answer the biggest questions in the universe. Now, award-winning astronomer Emily Levesque shares the stories of modern-day stargazers in this new nonfiction release, the people willing to adventure across high mountaintops and to some of the most remote corners of the planet, all in the name of science.
From the lonely quiet of midnight stargazing to tall tales of wild bears loose in the observatory, The Last Stargazers: The Enduring Story of Astronomy's Vanishing Explorers (Sourcebooks, 2021) is a love letter to astronomy and an affirmation of the crucial role that humans can and must play in the future of scientific discovery.
In this sweeping work of narrative science, Levesque shows how astronomers in this scrappy and evolving field are going beyond the machines to infuse creativity and passion into the stars and space and inspires us all to peer skyward in pursuit of the universe's secrets.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 04 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily Levesque</itunes:subtitle>
      <itunes:summary>Humans from the earliest civilizations through today have craned their necks each night, using the stars to orient themselves in the large, strange world around them. Stargazing is a pursuit that continues to fascinate us: from Copernicus to Carl Sagan, astronomers throughout history have spent their lives trying to answer the biggest questions in the universe. Now, award-winning astronomer Emily Levesque shares the stories of modern-day stargazers in this new nonfiction release, the people willing to adventure across high mountaintops and to some of the most remote corners of the planet, all in the name of science.
From the lonely quiet of midnight stargazing to tall tales of wild bears loose in the observatory, The Last Stargazers: The Enduring Story of Astronomy's Vanishing Explorers (Sourcebooks, 2021) is a love letter to astronomy and an affirmation of the crucial role that humans can and must play in the future of scientific discovery.
In this sweeping work of narrative science, Levesque shows how astronomers in this scrappy and evolving field are going beyond the machines to infuse creativity and passion into the stars and space and inspires us all to peer skyward in pursuit of the universe's secrets.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Humans from the earliest civilizations through today have craned their necks each night, using the stars to orient themselves in the large, strange world around them. Stargazing is a pursuit that continues to fascinate us: from Copernicus to Carl Sagan, astronomers throughout history have spent their lives trying to answer the biggest questions in the universe. Now, award-winning astronomer Emily Levesque shares the stories of modern-day stargazers in this new nonfiction release, the people willing to adventure across high mountaintops and to some of the most remote corners of the planet, all in the name of science.</p><p>From the lonely quiet of midnight stargazing to tall tales of wild bears loose in the observatory, <a href="https://bookshop.org/a/12343/9781492681076"><em>The Last Stargazers: The Enduring Story of Astronomy's Vanishing Explorers</em></a><em> </em>(Sourcebooks, 2021) is a love letter to astronomy and an affirmation of the crucial role that humans can and must play in the future of scientific discovery.</p><p>In this sweeping work of narrative science, Levesque shows how astronomers in this scrappy and evolving field are going beyond the machines to infuse creativity and passion into the stars and space and inspires us all to peer skyward in pursuit of the universe's secrets.</p><p><em>Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2851</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9e9a6b82-813c-11ec-8c7c-ef342398bbd3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9797798006.mp3?updated=1643486007" length="0" type="audio/mpeg"/>
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    <item>
      <title>Michael Stewart Foley, "Citizen Cash: The Political Life and Times of Johnny Cash" (Basic Books, 2021)</title>
      <description>Johnny Cash famously declared himself to be “The Man in Black”. He sang that he dressed in a “somber tone” for “the poor and the beaten down, livin' in the hopeless, hungry side of town” and for “the prisoner who is long paid for his crime, but is there because he's a victim of the times”. He famously performed for inmates of Folsom, San Quintin, and a number of other less well-known prisons. Cash publicly supported Native American activists and invited prominent African American guests on his prime-time television show. Yet, he initially supported Richard Nixon, shared the stage with the arch-conservative preacher Billy Graham, and recorded songs that glorified the South’s Lost Cause mythology. How do we make sense of these seemingly contradictory political acts and messages? In Citizen Cash: The Political Life and Times of Johnny Cash, Michael Stewart Foley argues that Cash embodied a “politics of empathy” in which the singer always supported the underdog. This book makes the case that Johnny Cash deserves to be remember as an important figure who used his music for political purposes.
Michael Stewart Foley is the author of Confronting the War Machine: Draft Resistance During the Vietnam War, winner of the Scott Bills Memorial Prize from the Peace History Society, Front Porch Politics: The Forgotten Heyday of American Activism in the 1970s and 1980s, and Dead Kennedys' Fresh Fruit for Rotting Vegetables for the 33 1/3 book series. He is a founding editor of The Sixties: A Journal of History, Politics, and Culture and served as a consultant for the television series Mad Men. Foley has taught in the United States, the United Kingdom, and the Netherlands. This native New Englander is currently a professor of American Civilization at the Université Grenoble Alpes.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Stewart Foley</itunes:subtitle>
      <itunes:summary>Johnny Cash famously declared himself to be “The Man in Black”. He sang that he dressed in a “somber tone” for “the poor and the beaten down, livin' in the hopeless, hungry side of town” and for “the prisoner who is long paid for his crime, but is there because he's a victim of the times”. He famously performed for inmates of Folsom, San Quintin, and a number of other less well-known prisons. Cash publicly supported Native American activists and invited prominent African American guests on his prime-time television show. Yet, he initially supported Richard Nixon, shared the stage with the arch-conservative preacher Billy Graham, and recorded songs that glorified the South’s Lost Cause mythology. How do we make sense of these seemingly contradictory political acts and messages? In Citizen Cash: The Political Life and Times of Johnny Cash, Michael Stewart Foley argues that Cash embodied a “politics of empathy” in which the singer always supported the underdog. This book makes the case that Johnny Cash deserves to be remember as an important figure who used his music for political purposes.
Michael Stewart Foley is the author of Confronting the War Machine: Draft Resistance During the Vietnam War, winner of the Scott Bills Memorial Prize from the Peace History Society, Front Porch Politics: The Forgotten Heyday of American Activism in the 1970s and 1980s, and Dead Kennedys' Fresh Fruit for Rotting Vegetables for the 33 1/3 book series. He is a founding editor of The Sixties: A Journal of History, Politics, and Culture and served as a consultant for the television series Mad Men. Foley has taught in the United States, the United Kingdom, and the Netherlands. This native New Englander is currently a professor of American Civilization at the Université Grenoble Alpes.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Johnny Cash famously declared himself to be “The Man in Black”. He sang that he dressed in a “somber tone” for “the poor and the beaten down, livin' in the hopeless, hungry side of town” and for “the prisoner who is long paid for his crime, but is there because he's a victim of the times”. He famously performed for inmates of Folsom, San Quintin, and a number of other less well-known prisons. Cash publicly supported Native American activists and invited prominent African American guests on his prime-time television show. Yet, he initially supported Richard Nixon, shared the stage with the arch-conservative preacher Billy Graham, and recorded songs that glorified the South’s Lost Cause mythology. How do we make sense of these seemingly contradictory political acts and messages? In <em>Citizen Cash: The Political Life and Times of Johnny Cash</em>, Michael Stewart Foley argues that Cash embodied a “politics of empathy” in which the singer always supported the underdog. This book makes the case that Johnny Cash deserves to be remember as an important figure who used his music for political purposes.</p><p>Michael Stewart Foley is the author of <em>Confronting the War Machine: Draft Resistance During the Vietnam War</em>, winner of the Scott Bills Memorial Prize from the Peace History Society, <em>Front Porch Politics: The Forgotten Heyday of American Activism in the 1970s and 1980</em>s, and <em>Dead Kennedys' Fresh Fruit for Rotting Vegetables</em> for the 33 1/3 book series. He is a founding editor of <em>The Sixties: A Journal of History, Politics, and Culture</em> and served as a consultant for the television series <em>Mad Men</em>. Foley has taught in the United States, the United Kingdom, and the Netherlands. This native New Englander is currently a professor of American Civilization at the Université Grenoble Alpes.</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5359</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c0467f4e-7e05-11ec-8239-9b8dc116bbfd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6424091026.mp3?updated=1643132843" length="0" type="audio/mpeg"/>
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    <item>
      <title>Yajun Mo, "Touring China: A History of Travel Culture, 1912-1949" (Cornell UP, 2021)</title>
      <description>In Touring China: A History of Travel Culture, 1912-1949 (Cornell UP, 2021), Yajun Mo explores how early twentieth century Chinese sightseers described the destinations that they visited, and how their travel accounts gave Chinese readers a means to imagine their vast country.
The roots of China's tourism market stretch back over a hundred years, when railroad and steamship networks expanded into the coastal regions. Tourism-related businesses and publications flourished in urban centers while scientific exploration, investigative journalism, and wartime travel propelled many Chinese from the eastern seaboard to its peripheries. Mo considers not only accounts of overseas travel and voyages across borderlands, but also trips within China. On the one hand, via travel and travel writing, the unity of China's coastal regions, inland provinces, and western frontiers was experienced and reinforced. On the other, travel literature revealed a persistent tension between the aspiration for national unity and the anxiety that China might fall apart. Touring China tells a fascinating story about the physical and intellectual routes people took on various journeys, against the backdrop of the transition from Chinese empire to nation-state.
Bee Lehman is a history librarian at Boston College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 31 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Touring China: A History of Travel Culture, 1912-1949 (Cornell UP, 2021), Yajun Mo explores how early twentieth century Chinese sightseers described the destinations that they visited, and how their travel accounts gave Chinese readers a means to imagine their vast country.
The roots of China's tourism market stretch back over a hundred years, when railroad and steamship networks expanded into the coastal regions. Tourism-related businesses and publications flourished in urban centers while scientific exploration, investigative journalism, and wartime travel propelled many Chinese from the eastern seaboard to its peripheries. Mo considers not only accounts of overseas travel and voyages across borderlands, but also trips within China. On the one hand, via travel and travel writing, the unity of China's coastal regions, inland provinces, and western frontiers was experienced and reinforced. On the other, travel literature revealed a persistent tension between the aspiration for national unity and the anxiety that China might fall apart. Touring China tells a fascinating story about the physical and intellectual routes people took on various journeys, against the backdrop of the transition from Chinese empire to nation-state.
Bee Lehman is a history librarian at Boston College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501760624"><em>Touring China: A History of Travel Culture, 1912-1949</em></a><em> </em>(Cornell UP, 2021), Yajun Mo explores how early twentieth century Chinese sightseers described the destinations that they visited, and how their travel accounts gave Chinese readers a means to imagine their vast country.</p><p>The roots of China's tourism market stretch back over a hundred years, when railroad and steamship networks expanded into the coastal regions. Tourism-related businesses and publications flourished in urban centers while scientific exploration, investigative journalism, and wartime travel propelled many Chinese from the eastern seaboard to its peripheries. Mo considers not only accounts of overseas travel and voyages across borderlands, but also trips within China. On the one hand, via travel and travel writing, the unity of China's coastal regions, inland provinces, and western frontiers was experienced and reinforced. On the other, travel literature revealed a persistent tension between the aspiration for national unity and the anxiety that China might fall apart. <em>Touring China</em> tells a fascinating story about the physical and intellectual routes people took on various journeys, against the backdrop of the transition from Chinese empire to nation-state.</p><p><em>Bee Lehman is a history librarian at Boston College.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3672</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f46c4672-7aff-11ec-8952-0fe0882a6202]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8737344485.mp3?updated=1642853512" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Grant Tavinor, "The Aesthetics of Virtual Reality" (Routledge, 2021)</title>
      <description>When philosophers have approached virtual reality, they have almost always done so through the lens of metaphysics, asking questions about the reality of virtual items and worlds, about the value of such things, and indeed, about how they may reshape our understanding of the “real” world.
Grant Tavinor finds that approach to be fundamentally mistaken, and that to really account for virtual reality, we must focus on the medium and its uses, and not the hypothetical and speculative instances that are typically the focus of earlier works. He also argues that much of the cultural and metaphysical hype around virtual reality is undeserved.
But this does not mean that virtual reality is illusory or uninteresting; on the contrary, it is significant for the altogether different reason that it overturns much of our understanding of how representational media can function and what we can use them to achieve.
The Aesthetics of Virtual Reality (Routledge, 2021) is the first book to present an aesthetics of virtual reality media. It situates virtual reality media in terms of the philosophy of the arts, comparing them to more familiar media such as painting, film and photography.
Grant Tavinor speaks to Pierre d’Alancaisez about some of the fundamental features of virtual reality, the implications of working in a picturing medium, as well as the challenges that VR poses to the philosophy of the arts and ethics.
Grant Tavinor is Senior Lecturer in Philosophy at Lincoln University, New Zealand. He has published widely on the aesthetics of videogames, virtual worlds, digital media ethics, and the philosophy of technology.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 28 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Grant Tavinor</itunes:subtitle>
      <itunes:summary>When philosophers have approached virtual reality, they have almost always done so through the lens of metaphysics, asking questions about the reality of virtual items and worlds, about the value of such things, and indeed, about how they may reshape our understanding of the “real” world.
Grant Tavinor finds that approach to be fundamentally mistaken, and that to really account for virtual reality, we must focus on the medium and its uses, and not the hypothetical and speculative instances that are typically the focus of earlier works. He also argues that much of the cultural and metaphysical hype around virtual reality is undeserved.
But this does not mean that virtual reality is illusory or uninteresting; on the contrary, it is significant for the altogether different reason that it overturns much of our understanding of how representational media can function and what we can use them to achieve.
The Aesthetics of Virtual Reality (Routledge, 2021) is the first book to present an aesthetics of virtual reality media. It situates virtual reality media in terms of the philosophy of the arts, comparing them to more familiar media such as painting, film and photography.
Grant Tavinor speaks to Pierre d’Alancaisez about some of the fundamental features of virtual reality, the implications of working in a picturing medium, as well as the challenges that VR poses to the philosophy of the arts and ethics.
Grant Tavinor is Senior Lecturer in Philosophy at Lincoln University, New Zealand. He has published widely on the aesthetics of videogames, virtual worlds, digital media ethics, and the philosophy of technology.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When philosophers have approached virtual reality, they have almost always done so through the lens of metaphysics, asking questions about the reality of virtual items and worlds, about the value of such things, and indeed, about how they may reshape our understanding of the “real” world.</p><p>Grant Tavinor finds that approach to be fundamentally mistaken, and that to really account for virtual reality, we must focus on the medium and its uses, and not the hypothetical and speculative instances that are typically the focus of earlier works. He also argues that much of the cultural and metaphysical hype around virtual reality is undeserved.</p><p>But this does not mean that virtual reality is illusory or uninteresting; on the contrary, it is significant for the altogether different reason that it overturns much of our understanding of how representational media can function and what we can use them to achieve.</p><p><a href="https://bookshop.org/a/12343/9780367619251"><em>The Aesthetics of Virtual Reality</em></a> (Routledge, 2021) is the first book to present an aesthetics of virtual reality media. It situates virtual reality media in terms of the philosophy of the arts, comparing them to more familiar media such as painting, film and photography.</p><p>Grant Tavinor speaks to Pierre d’Alancaisez about some of the fundamental features of virtual reality, the implications of working in a picturing medium, as well as the challenges that VR poses to the philosophy of the arts and ethics.</p><p>Grant Tavinor is Senior Lecturer in Philosophy at Lincoln University, New Zealand. He has published widely on the aesthetics of videogames, virtual worlds, digital media ethics, and the philosophy of technology.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3084</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a895100a-7a35-11ec-b433-67dd07de21e1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3270079608.mp3?updated=1642713288" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kirsten W. Larson, "A True Wonder: The Comic Book Hero Who Changed Everything" (Clarion Books, 2021)</title>
      <description>Kirsten Williams Lawson used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of the picture book released several months back, A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion, 2021). She is also author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), and THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, 2023), and the middle grade, graphic nonfiction, THE LIGHT OF RESISTANCE, illustrated by Barbara McClintock, (Roaring Brook, 2023). Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Her house is filled with LEGOs, laughter, and lots of books!
Mel Rosenberg is a professor of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is also the founder of Ourboox, a web platform that allows anyone to create and share awesome flipbooks.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 27 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kirsten W. Larson</itunes:subtitle>
      <itunes:summary>Kirsten Williams Lawson used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of the picture book released several months back, A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion, 2021). She is also author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), and THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, 2023), and the middle grade, graphic nonfiction, THE LIGHT OF RESISTANCE, illustrated by Barbara McClintock, (Roaring Brook, 2023). Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Her house is filled with LEGOs, laughter, and lots of books!
Mel Rosenberg is a professor of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is also the founder of Ourboox, a web platform that allows anyone to create and share awesome flipbooks.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kirsten Williams Lawson used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of the picture book released several months back, <a href="https://bookshop.org/a/12343/9780358238423">A TRUE WONDER: The Comic Book Hero Who Changed Everything</a>, illustrated by Katy Wu (Clarion, 2021). She is also author of <a href="https://www.penguinrandomhouse.com/books/611319/wood-wire-wings-by-kirsten-w-larson-illustrated-by-tracy-subisak/9781629799384/">WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE</a>, illustrated by <a href="http://tracysubisak.com/">Tracy Subisak</a> (Calkins Creek, 2020), and THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by <a href="http://katherineroy.com/">Katherine Roy</a> (Chronicle, 2023), and the middle grade, graphic nonfiction, THE LIGHT OF RESISTANCE, illustrated by <a href="http://www.barbaramcclintockbooks.com/">Barbara McClintock,</a> (Roaring Brook, 2023). Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Her house is filled with LEGOs, laughter, and lots of books!</p><p><a href="https://www.linkedin.com/in/melrosenberg/?originalSubdomain=il"><em>Mel Rosenberg</em></a><em> is a professor of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is also the founder of </em><a href="https://www.ourboox.com/"><em>Ourboox</em></a><em>, a web platform that allows anyone to create and share awesome flipbooks.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2362</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b3ef57a0-6fe3-11ec-9bd3-1f15b8377a39]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2255177233.mp3?updated=1641578897" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Jubber, "The Fairy Tellers: A Journey into the Secret History of Fairy Tales" (John Murray, 2022)</title>
      <description>In The Fairy Tellers: A Journey into the Secret History of Fairy Tales (John Murray, 2022), Nick Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'. From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar. Following these and other unlikely protagonists, the book travels from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland.
“This is how the history of fairy tales operates: stories splintering along zigzagging pathways, carrying long-sounding echoes that turn down narrative alleyways suggested elsewhere or replicate each other with astonishing exactitude.”
In the process, Jubber discovers fresh perspectives on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, focusing on qualitative analyses of the Angolan and Mozambican civil wars. However, she is also a life-long lover of fairy tales &amp; fantasy; her father continues to be surprised that her PhD did not once mention dragons, elves, or castles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicholas Jubber</itunes:subtitle>
      <itunes:summary>In The Fairy Tellers: A Journey into the Secret History of Fairy Tales (John Murray, 2022), Nick Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'. From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar. Following these and other unlikely protagonists, the book travels from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland.
“This is how the history of fairy tales operates: stories splintering along zigzagging pathways, carrying long-sounding echoes that turn down narrative alleyways suggested elsewhere or replicate each other with astonishing exactitude.”
In the process, Jubber discovers fresh perspectives on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, focusing on qualitative analyses of the Angolan and Mozambican civil wars. However, she is also a life-long lover of fairy tales &amp; fantasy; her father continues to be surprised that her PhD did not once mention dragons, elves, or castles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.hachette.com.au/nicholas-jubber/the-fairy-tellers-a-journey-into-the-secret-history-of-fairy-tales"><em>The Fairy Tellers: A Journey into the Secret History of Fairy Tales</em></a><em> </em>(John Murray, 2022), Nick Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'. From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar. Following these and other unlikely protagonists, the book travels from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland.</p><p><em>“This is how the history of fairy tales operates: stories splintering along zigzagging pathways, carrying long-sounding echoes that turn down narrative alleyways suggested elsewhere or replicate each other with astonishing exactitude.”</em></p><p>In the process, Jubber discovers fresh perspectives on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.</p><p><em>This interview was conducted by </em><a href="https://mirandamelcher.com/"><em>Dr. Miranda Melcher</em></a><em> whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, focusing on qualitative analyses of the Angolan and Mozambican civil wars. However, she is also a life-long lover of fairy tales &amp; fantasy; her father continues to be surprised that her PhD did not once mention dragons, elves, or castles.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3173</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[85fac758-7957-11ec-975a-4764982c1de0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2497723762.mp3?updated=1642618229" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dana Polan, "Dreams of Flight: 'The Great Escape' in American Film and Culture" (U California Press, 2021)</title>
      <description>Caught on film, the iconic jump of escaped POW Virgil Hilts (Steve McQueen) over an imposing barbed wire fence on a stolen motorcycle has become an unforgettable symbol of a disaffected 1960s America. Dana Polan's Dreams of Flight: 'The Great Escape' in American Film and Culture (U California Press, 2021) offers the first full-length study of The Great Escape, the classic film based on a true story of American and Allied prisoners of war who hatched an audacious plan to divert and thwart the Wehrmacht and escape into the nearby countryside. Polan centers The Great Escape within American cultural and intellectual history, drawing a vivid picture of the country in the 1960s. We see a nation grappling with its own military history; a society undergoing significant shifts in its culture and identity; a film industry in transition from Old Hollywood's big-budget runaway studio films to the slow interior cinema of New Hollywood. The book combines history with fan anecdotes and a close study of filmic style to bring readers into the film and its wide-reaching influence.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dana Polan</itunes:subtitle>
      <itunes:summary>Caught on film, the iconic jump of escaped POW Virgil Hilts (Steve McQueen) over an imposing barbed wire fence on a stolen motorcycle has become an unforgettable symbol of a disaffected 1960s America. Dana Polan's Dreams of Flight: 'The Great Escape' in American Film and Culture (U California Press, 2021) offers the first full-length study of The Great Escape, the classic film based on a true story of American and Allied prisoners of war who hatched an audacious plan to divert and thwart the Wehrmacht and escape into the nearby countryside. Polan centers The Great Escape within American cultural and intellectual history, drawing a vivid picture of the country in the 1960s. We see a nation grappling with its own military history; a society undergoing significant shifts in its culture and identity; a film industry in transition from Old Hollywood's big-budget runaway studio films to the slow interior cinema of New Hollywood. The book combines history with fan anecdotes and a close study of filmic style to bring readers into the film and its wide-reaching influence.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Caught on film, the iconic jump of escaped POW Virgil Hilts (Steve McQueen) over an imposing barbed wire fence on a stolen motorcycle has become an unforgettable symbol of a disaffected 1960s America. Dana Polan's <a href="https://bookshop.org/a/12343/9780520379299"><em>Dreams of Flight: 'The Great Escape' in American Film and Culture</em></a> (U California Press, 2021) offers the first full-length study of The Great Escape, the classic film based on a true story of American and Allied prisoners of war who hatched an audacious plan to divert and thwart the Wehrmacht and escape into the nearby countryside. Polan centers The Great Escape within American cultural and intellectual history, drawing a vivid picture of the country in the 1960s. We see a nation grappling with its own military history; a society undergoing significant shifts in its culture and identity; a film industry in transition from Old Hollywood's big-budget runaway studio films to the slow interior cinema of New Hollywood. The book combines history with fan anecdotes and a close study of filmic style to bring readers into the film and its wide-reaching influence.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4729</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d19f173c-7636-11ec-bc61-bbee40729597]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1411946385.mp3?updated=1642274290" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Georgia Cervin, "Degrees of Difficulty: How Women's Gymnastics Rose to Prominence and Fell from Grace" (U Illinois Press, 2021)</title>
      <description>Electrifying athletes like Olga Korbut and Nadia Comaneci helped make women’s artistic gymnastics one of the most popular events in the Olympic Games. But the transition of gymnastics from a women’s sport to a girl’s sport in the 1970s also laid the foundation for a system of emotional, physical, and sexual abuse of gymnasts around the world. 
In Degrees of Difficulty: How Women's Gymnastics Rose to Prominence and Fell from Grace (University of Illinois Press, 2021), Dr. Georgia Cervin has written “one of the first books to examine the history of women’s gymnastics as an international sport. It aims to do this in the context of international sport and global politics, as well as the social norms that have been constructed within the sport. Hence, the book fluctuates between looking inwardly at the sport and outwardly at gymnastics’ place in the world. It reviews the origins of gymnastics and its position in the Olympic movement, how it was governed and the reasons behind the rules, where the sport fits into nationalism and international relations, who teaches gymnastics and how they do so, and what it all represents about class, gender, and race…This book thus offers insights into how and why women’s gymnastics developed the way it did, including insights into how dangerous sporting cultures are created, as well as challenging what we know about the Cold War and international relations throughout this period.”
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Dr. Melcher is also a long-standing gymnastics fan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Georgia Cervin</itunes:subtitle>
      <itunes:summary>Electrifying athletes like Olga Korbut and Nadia Comaneci helped make women’s artistic gymnastics one of the most popular events in the Olympic Games. But the transition of gymnastics from a women’s sport to a girl’s sport in the 1970s also laid the foundation for a system of emotional, physical, and sexual abuse of gymnasts around the world. 
In Degrees of Difficulty: How Women's Gymnastics Rose to Prominence and Fell from Grace (University of Illinois Press, 2021), Dr. Georgia Cervin has written “one of the first books to examine the history of women’s gymnastics as an international sport. It aims to do this in the context of international sport and global politics, as well as the social norms that have been constructed within the sport. Hence, the book fluctuates between looking inwardly at the sport and outwardly at gymnastics’ place in the world. It reviews the origins of gymnastics and its position in the Olympic movement, how it was governed and the reasons behind the rules, where the sport fits into nationalism and international relations, who teaches gymnastics and how they do so, and what it all represents about class, gender, and race…This book thus offers insights into how and why women’s gymnastics developed the way it did, including insights into how dangerous sporting cultures are created, as well as challenging what we know about the Cold War and international relations throughout this period.”
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Dr. Melcher is also a long-standing gymnastics fan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Electrifying athletes like Olga Korbut and Nadia Comaneci helped make women’s artistic gymnastics one of the most popular events in the Olympic Games. But the transition of gymnastics from a women’s sport to a girl’s sport in the 1970s also laid the foundation for a system of emotional, physical, and sexual abuse of gymnasts around the world. </p><p>In <a href="https://bookshop.org/a/12343/9780252085765"><em>Degrees of Difficulty: How Women's Gymnastics Rose to Prominence and Fell from Grace</em></a> (University of Illinois Press, 2021), Dr. Georgia Cervin has written “one of the first books to examine the history of women’s gymnastics as an international sport. It aims to do this in the context of international sport and global politics, as well as the social norms that have been constructed within the sport. Hence, the book fluctuates between looking inwardly at the sport and outwardly at gymnastics’ place in the world. It reviews the origins of gymnastics and its position in the Olympic movement, how it was governed and the reasons behind the rules, where the sport fits into nationalism and international relations, who teaches gymnastics and how they do so, and what it all represents about class, gender, and race…This book thus offers insights into how and why women’s gymnastics developed the way it did, including insights into how dangerous sporting cultures are created, as well as challenging what we know about the Cold War and international relations throughout this period.”</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Dr. Melcher is also a long-standing gymnastics fan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3513</itunes:duration>
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    <item>
      <title>Esther De Dauw and Daniel J. Connell, "Toxic Masculinity: Mapping the Monstrous in Our Heroes" (UP of Mississippi, 2020)</title>
      <description>Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom.
The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn’t hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. 
Toxic Masculinity  examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>575</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Esther De Dauw and Daniel J. Connell</itunes:subtitle>
      <itunes:summary>Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom.
The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn’t hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. 
Toxic Masculinity  examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. <a href="https://bookshop.org/a/12343/9781496828934"><em>Toxic Masculinity: Mapping the Monstrous in Our Heroes</em></a> (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to <em>Toxic Masculinity</em> interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom.</p><p>The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn’t hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. </p><p><a href="https://bookshop.org/a/12343/9781496828934"><em>Toxic Masculinity</em></a><em> </em> examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3359</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[15504c20-7949-11ec-8130-d7f6651fe7bb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7520415325.mp3?updated=1642611627" length="0" type="audio/mpeg"/>
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    <item>
      <title>Olga Rodríguez-Ulloa et al., "Punk! Las Américas Edition" (Intellect, 2022)</title>
      <description>In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 18 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Olga Rodríguez-Ulloa and Shane Greene</itunes:subtitle>
      <itunes:summary>In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781789384154"><em>PUNK! Las Americas Editions</em></a><a href="https://www.intellectbooks.com/punk-las-americas-edition"> </a>(Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on <a href="https://www.youtube.com/watch?v=XjEcnw7aXHY">YouTube</a> or <a href="https://www.instagram.com/stories/highlights/17900832023385654/">Instagram</a>. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3657</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alexandra Cosima Budabin and Lisa Ann Richey, "Batman Saves the Congo: How Celebrities Disrupt the Politics of Development" (U Minnesota Press, 2021)</title>
      <description>Are celebrities “disruptors” who revitalize the development field, or are they just charismatic ambassadors for big business? In Batman Saves the Congo: How Celebrities Disrupt the Politics of Development (University of Minnesota Press, 2021) the authors argue that celebrities play both roles, and that understanding why and how yields insight into the realities of neoliberal development. As elite political participants, celebrities shape development practices through strategic partnerships that are both an innovative way to raise awareness and funding for neglected causes and a troubling trend of unaccountable elite leadership in North-South relations. The authors use actor Ben Affleck’s Eastern Congo Initiative to illustrate this dynamic, arguing that his charisma and reach helped bring new approaches to bear on the region’s development. Learn more about the book here.  
Lisa Ann Richey (@BrandAid_World) is Professor of Globalization at the Copenhagen Business School in Denmark where she works on the politics of transnational helping. She is the author of the books Batman Saves the Congo: Business, Disruption and the Politics of Development with Alexandra Budabin (2021); Brand Aid: Shopping Well to Save the World with Stefano Ponte (2011); Population Politics and Development: From the Policies to the Clinics (2008) and edited Celebrity Humanitarianism and North-South Relations: Politics, Place and Power (2016) and New Actors and Alliances in Development (2014). She also disseminates her work in popular media like Al Jazeera and The Conversation. Lisa was the founding Vice-President of the Global South Caucus of the International Studies Association (ISA).
Alexandra Cosima Budabin (@ABudabin) is Senior Researcher at the Human Rights Center at the University of Dayton (USA). She is a Researcher at the Platform Cultural Heritage Cultural Production of the Faculty of Design and Art of the Free University of Bolzano in Italy. Her research on non-state actors in human rights, humanitarianism and development has appeared in Perspective on Politics, New Political Science, Human Rights Quarterly, Journal of Human Rights, Humanity and The Conversation. Her first book Batman Saves the Congo: How Celebrities Disrupt the Politics of Development with Lisa Ann Richey has been published with University of Minnesota Press. Alexandra’s current research looks at transnational advocacy to confront sexual violence in conflict; digital solidarity for refugees; and the intersection of BLM activism and anti-racist protest in Italy.
Aditya Srinivasan assisted with this episode.
Lamis Abdelaaty is an assistant professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>573</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexandra Cosima Budabin and Lisa Ann Richey</itunes:subtitle>
      <itunes:summary>Are celebrities “disruptors” who revitalize the development field, or are they just charismatic ambassadors for big business? In Batman Saves the Congo: How Celebrities Disrupt the Politics of Development (University of Minnesota Press, 2021) the authors argue that celebrities play both roles, and that understanding why and how yields insight into the realities of neoliberal development. As elite political participants, celebrities shape development practices through strategic partnerships that are both an innovative way to raise awareness and funding for neglected causes and a troubling trend of unaccountable elite leadership in North-South relations. The authors use actor Ben Affleck’s Eastern Congo Initiative to illustrate this dynamic, arguing that his charisma and reach helped bring new approaches to bear on the region’s development. Learn more about the book here.  
Lisa Ann Richey (@BrandAid_World) is Professor of Globalization at the Copenhagen Business School in Denmark where she works on the politics of transnational helping. She is the author of the books Batman Saves the Congo: Business, Disruption and the Politics of Development with Alexandra Budabin (2021); Brand Aid: Shopping Well to Save the World with Stefano Ponte (2011); Population Politics and Development: From the Policies to the Clinics (2008) and edited Celebrity Humanitarianism and North-South Relations: Politics, Place and Power (2016) and New Actors and Alliances in Development (2014). She also disseminates her work in popular media like Al Jazeera and The Conversation. Lisa was the founding Vice-President of the Global South Caucus of the International Studies Association (ISA).
Alexandra Cosima Budabin (@ABudabin) is Senior Researcher at the Human Rights Center at the University of Dayton (USA). She is a Researcher at the Platform Cultural Heritage Cultural Production of the Faculty of Design and Art of the Free University of Bolzano in Italy. Her research on non-state actors in human rights, humanitarianism and development has appeared in Perspective on Politics, New Political Science, Human Rights Quarterly, Journal of Human Rights, Humanity and The Conversation. Her first book Batman Saves the Congo: How Celebrities Disrupt the Politics of Development with Lisa Ann Richey has been published with University of Minnesota Press. Alexandra’s current research looks at transnational advocacy to confront sexual violence in conflict; digital solidarity for refugees; and the intersection of BLM activism and anti-racist protest in Italy.
Aditya Srinivasan assisted with this episode.
Lamis Abdelaaty is an assistant professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Are celebrities “disruptors” who revitalize the development field, or are they just charismatic ambassadors for big business? In <a href="https://bookshop.org/a/12343/9781517907594"><em>Batman Saves the Congo: How Celebrities Disrupt the Politics of Development</em></a><em> </em>(University of Minnesota Press, 2021) the authors argue that celebrities play both roles, and that understanding why and how yields insight into the realities of neoliberal development. As elite political participants, celebrities shape development practices through strategic partnerships that are both an innovative way to raise awareness and funding for neglected causes and a troubling trend of unaccountable elite leadership in North-South relations. The authors use actor Ben Affleck’s Eastern Congo Initiative to illustrate this dynamic, arguing that his charisma and reach helped bring new approaches to bear on the region’s development. Learn more about the book <a href="https://lisaannrichey.wixsite.com/batmansavesthecongo">here</a>.  </p><p>Lisa Ann Richey (@BrandAid_World) is Professor of Globalization at the Copenhagen Business School in Denmark where she works on the politics of transnational helping. She is the author of the books<em> Batman Saves the Congo: Business, Disruption and the Politics of Development </em>with Alexandra Budabin (2021); <em>Brand Aid: Shopping Well to Save the World</em> with Stefano Ponte (2011); <em>Population Politics and Development: From the Policies to the Clinics </em>(2008) and edited <em>Celebrity Humanitarianism and North-South Relations: Politics, Place and Power </em>(2016) and <em>New Actors and Alliances in Development</em> (2014). She also disseminates her work in popular media like Al Jazeera and The Conversation. Lisa was the founding Vice-President of the Global South Caucus of the International Studies Association (ISA).</p><p>Alexandra Cosima Budabin (@ABudabin) is Senior Researcher at the Human Rights Center at the University of Dayton (USA). She is a Researcher at the Platform Cultural Heritage Cultural Production of the Faculty of Design and Art of the Free University of Bolzano in Italy. Her research on non-state actors in human rights, humanitarianism and development has appeared in <em>Perspective on Politics, New Political Science, Human Rights Quarterly, Journal of Human Rights, Humanity</em> and <em>The Conversation. </em>Her first book <em>Batman Saves the Congo: How Celebrities Disrupt the Politics of Development </em>with Lisa Ann Richey has been published with University of Minnesota Press. Alexandra’s current research looks at transnational advocacy to confront sexual violence in conflict; digital solidarity for refugees; and the intersection of BLM activism and anti-racist protest in Italy.</p><p>Aditya Srinivasan assisted with this episode.</p><p><a href="https://labdelaa.expressions.syr.edu/"><em>Lamis Abdelaaty</em></a><em> is an assistant professor of political science at the Maxwell School of Syracuse University. She is the author of </em><a href="https://global.oup.com/academic/product/discrimination-and-delegation-9780197530061"><em>Discrimination and Delegation: Explaining State Responses to Refugees</em></a><em> (Oxford University Press, 2021). Email her comments at </em><a href="mailto:labdelaa@syr.edu"><em>labdelaa@syr.edu</em></a><em> or tweet to </em><a href="https://twitter.com/LAbdelaaty"><em>@LAbdelaaty</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3206</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[016c3310-755a-11ec-a02b-e3601154839f]]></guid>
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    <item>
      <title>Jake Johnson, "Lying in the Middle: Musical Theater and Belief at the Heart of America" (U Illinois Press, 2021)</title>
      <description>Jake Johnson, author of Lying in the Middle: Musical Theater and Belief at the Heart of America (University of Illinois Press, 2021) takes as his subject the artifice of musicals—no one really bursts into song and dance to liven up a simple conversation and even the historical characters are not true-to-life. He argues that it is the very unreality of musicals that makes them powerful sites of belief—whether it is a reflection of the beliefs of the creators of the work, or what audiences want to believe about themselves. He focuses on how musicals serve large and small communities across America and shape local religious, political, cultural, and familial identities. Rather than using examples from the commercial Broadway theater, however, Johnson brings to life more idiosyncratic productions from the middle of America from the “Senior Follies,” a Ziegfeld-follies like production staffed by older performers to a re-imagining of The Sound of Music written for a polygamous community called the Fundamentalist Church of Jesus Christ of Latter-day Saints. In the current political climate where consumers are fixated on the urban/rural divide and differences in the “flyover” states from the coasts, it seems especially important to turn critical attention to musical and dramatic practices outside of Broadway institutions.
 Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 13 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jake Johnson</itunes:subtitle>
      <itunes:summary>Jake Johnson, author of Lying in the Middle: Musical Theater and Belief at the Heart of America (University of Illinois Press, 2021) takes as his subject the artifice of musicals—no one really bursts into song and dance to liven up a simple conversation and even the historical characters are not true-to-life. He argues that it is the very unreality of musicals that makes them powerful sites of belief—whether it is a reflection of the beliefs of the creators of the work, or what audiences want to believe about themselves. He focuses on how musicals serve large and small communities across America and shape local religious, political, cultural, and familial identities. Rather than using examples from the commercial Broadway theater, however, Johnson brings to life more idiosyncratic productions from the middle of America from the “Senior Follies,” a Ziegfeld-follies like production staffed by older performers to a re-imagining of The Sound of Music written for a polygamous community called the Fundamentalist Church of Jesus Christ of Latter-day Saints. In the current political climate where consumers are fixated on the urban/rural divide and differences in the “flyover” states from the coasts, it seems especially important to turn critical attention to musical and dramatic practices outside of Broadway institutions.
 Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jake Johnson, author of <a href="https://bookshop.org/a/12343/9780252085994"><em>Lying in the Middle: Musical Theater and Belief at the Heart of America</em></a><em> </em>(University of Illinois Press, 2021) takes as his subject the artifice of musicals—no one really bursts into song and dance to liven up a simple conversation and even the historical characters are not true-to-life. He argues that it is the very unreality of musicals that makes them powerful sites of belief—whether it is a reflection of the beliefs of the creators of the work, or what audiences want to believe about themselves. He focuses on how musicals serve large and small communities across America and shape local religious, political, cultural, and familial identities. Rather than using examples from the commercial Broadway theater, however, Johnson brings to life more idiosyncratic productions from the middle of America from the “Senior Follies,” a Ziegfeld-follies like production staffed by older performers to a re-imagining of <em>The Sound of Music </em>written for a polygamous community called the Fundamentalist Church of Jesus Christ of Latter-day Saints. In the current political climate where consumers are fixated on the urban/rural divide and differences in the “flyover” states from the coasts, it seems especially important to turn critical attention to musical and dramatic practices outside of Broadway institutions.</p><p><em> </em><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3302</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Einav Rabinovitch-Fox, "Dressed for Freedom: The Fashionable Politics of American Feminism" (U Illinois Press, 2021)</title>
      <description>In Dressed for Freedom: The Fashionable Politics of American Feminism (University of Illinois Press, 2021), Einav Rabinovitch-Fox examines how clothes empowered women, and particularly women barred from positions of influence due to race or class. Moving from 1890s shirtwaists through the miniskirts and unisex styles of the 1970s, Rabinovitch-Fox shows how the rise of mass media culture made fashion a vehicle for women to assert claims over their bodies, femininity, and social roles. She highlights how trends in women's sartorial practices expressed ideas of independence and equality. As women employed new clothing styles, they expanded feminist activism beyond formal organizations and movements and reclaimed fashion as a realm of pleasure, power, and feminist consciousness. Dressed for Freedom examines how fashion and clothing are everyday feminist practices. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>108</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Einav Rabinovitch-Fox</itunes:subtitle>
      <itunes:summary>In Dressed for Freedom: The Fashionable Politics of American Feminism (University of Illinois Press, 2021), Einav Rabinovitch-Fox examines how clothes empowered women, and particularly women barred from positions of influence due to race or class. Moving from 1890s shirtwaists through the miniskirts and unisex styles of the 1970s, Rabinovitch-Fox shows how the rise of mass media culture made fashion a vehicle for women to assert claims over their bodies, femininity, and social roles. She highlights how trends in women's sartorial practices expressed ideas of independence and equality. As women employed new clothing styles, they expanded feminist activism beyond formal organizations and movements and reclaimed fashion as a realm of pleasure, power, and feminist consciousness. Dressed for Freedom examines how fashion and clothing are everyday feminist practices. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780252086069"><em>Dressed for Freedom: The Fashionable Politics of American Feminism</em></a> (University of Illinois Press, 2021), <a href="https://www.einavrabinovitchfox.com/">Einav Rabinovitch-Fox</a> examines how clothes empowered women, and particularly women barred from positions of influence due to race or class. Moving from 1890s shirtwaists through the miniskirts and unisex styles of the 1970s, Rabinovitch-Fox shows how the rise of mass media culture made fashion a vehicle for women to assert claims over their bodies, femininity, and social roles. She highlights how trends in women's sartorial practices expressed ideas of independence and equality. As women employed new clothing styles, they expanded feminist activism beyond formal organizations and movements and reclaimed fashion as a realm of pleasure, power, and feminist consciousness. <em>Dressed for Freedom</em> examines how fashion and clothing are everyday feminist practices. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3656</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN2789658389.mp3?updated=1641312449" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Winfrey Harris, "The Sisters Are Alright: Changing the Broken Narrative of Black Women in America" (Berrett-Koehler, 2021)</title>
      <description>In the second edition of her book, The Sisters Are Alright: Changing the Broken Narrative of Black Women in America (Berrett-Koehler, 2021), Tamara Winfrey Harris interviews over 100 diverse Black women about marriage, motherhood, health, sexuality, beauty, and more. Winfrey Harris examines the Mammy, Sapphire, and Jezebel stereotypes that persist in American popular media and culture.  
Winfrey Harris explores the evolution of stereotypes of Black women, with new real-life examples, such as the rise of blackfishing and digital blackface (which help white women rise to fame) and the media’s continued fascination with Black women’s sexuality (as with Cardi B or Megan Thee Stallion).
The second edition includes a new chapter on Black women and power that explores how persistent stereotypes challenge Black women’s recent leadership and achievements in activism, community organizing, and politics. The chapter includes interviews with activists and civic leaders and interrogates media coverage and perceptions of Stacey Abrams, Vice President Kamala Harris, and others.
Winfrey Harris exposes anti–Black woman propaganda and shows how real Black women are pushing back against racist, distorted cartoon versions of themselves. She counters warped prejudices with the straight-up truth about being a Black woman in America.
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>107</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Winfrey Harris</itunes:subtitle>
      <itunes:summary>In the second edition of her book, The Sisters Are Alright: Changing the Broken Narrative of Black Women in America (Berrett-Koehler, 2021), Tamara Winfrey Harris interviews over 100 diverse Black women about marriage, motherhood, health, sexuality, beauty, and more. Winfrey Harris examines the Mammy, Sapphire, and Jezebel stereotypes that persist in American popular media and culture.  
Winfrey Harris explores the evolution of stereotypes of Black women, with new real-life examples, such as the rise of blackfishing and digital blackface (which help white women rise to fame) and the media’s continued fascination with Black women’s sexuality (as with Cardi B or Megan Thee Stallion).
The second edition includes a new chapter on Black women and power that explores how persistent stereotypes challenge Black women’s recent leadership and achievements in activism, community organizing, and politics. The chapter includes interviews with activists and civic leaders and interrogates media coverage and perceptions of Stacey Abrams, Vice President Kamala Harris, and others.
Winfrey Harris exposes anti–Black woman propaganda and shows how real Black women are pushing back against racist, distorted cartoon versions of themselves. She counters warped prejudices with the straight-up truth about being a Black woman in America.
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the second edition of her book, <a href="https://bookshop.org/a/12343/9781523093885"><em>The Sisters Are Alright: Changing the Broken Narrative of Black Women in America</em></a> (Berrett-Koehler, 2021), Tamara Winfrey Harris interviews over 100 diverse Black women about marriage, motherhood, health, sexuality, beauty, and more. Winfrey Harris examines the Mammy, Sapphire, and Jezebel stereotypes that persist in American popular media and culture.  </p><p>Winfrey Harris explores the evolution of stereotypes of Black women, with new real-life examples, such as the rise of blackfishing and digital blackface (which help white women rise to fame) and the media’s continued fascination with Black women’s sexuality (as with Cardi B or Megan Thee Stallion).</p><p>The second edition includes a new chapter on Black women and power that explores how persistent stereotypes challenge Black women’s recent leadership and achievements in activism, community organizing, and politics. The chapter includes interviews with activists and civic leaders and interrogates media coverage and perceptions of Stacey Abrams, Vice President Kamala Harris, and others.</p><p>Winfrey Harris exposes anti–Black woman propaganda and shows how real Black women are pushing back against racist, distorted cartoon versions of themselves. She counters warped prejudices with the straight-up truth about being a Black woman in America.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2213</itunes:duration>
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    <item>
      <title>Vivian Nun Halloran, "The Immigrant Kitchen: Food, Ethnicity, and Diaspora" (Ohio State UP, 2016)</title>
      <description>In The Immigrant Kitchen: Food, Ethnicity, and Diaspora (Ohio State UP, 2016), Vivian Nun Halloran examines food memoirs by immigrants and their descendants and reveals how their treatment of food deeply embeds concerns about immigrant identity in the United States. Halloran argues that by offering a glimpse into the authors' domestic lives through discussions of homemade food, these memoirs demystify the processes of immigration, assimilation, acculturation, and expatriation--ultimately examining what it means to live as naturalized citizens of the United States. Having grown up hearing about their parents' often fraught experiences of immigration, these authors examine the emotional toll these stories took and how such stories continue to affect their view of themselves as Americans. Halloran covers a wide swathe of immigrant food memoirs, moving seamlessly between works by authors such as Austin Clarke, Madhur Jaffrey, Kim Sun e, Diana Abu-Jaber, Eduardo Machado, Colette Rossant, Maya Angelou, and Jonathan Safran Foer.
The Immigrant Kitchen describes how these memoirs function as a complex and engaging mass media genre that caters to multiple reading constituencies. Specifically, they entertain readers with personal anecdotes and recollections, teach new culinary skills through recipes, share insight into different cultural mores through ethnographic and reportorial discussions of life in other countries, and attest to the impact that an individual's legal immigration into the United States continues to have down through the generations of his or her American-born families.

Vivian Nun Halloran is professor of English at Indiana University Bloomington. She is a Caribbeanist by training, and a literary food studies scholar by vocation. She is the author of Exhibiting Slavery and is currently working on her next book that examines those moments when Americans of Caribbean descent address themselves to the American people to share the lessons of their immigrant upbringing. She is also working on two digital humanities projects. Twitter: @HalloranVivian

Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 17 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vivian Nun Halloran</itunes:subtitle>
      <itunes:summary>In The Immigrant Kitchen: Food, Ethnicity, and Diaspora (Ohio State UP, 2016), Vivian Nun Halloran examines food memoirs by immigrants and their descendants and reveals how their treatment of food deeply embeds concerns about immigrant identity in the United States. Halloran argues that by offering a glimpse into the authors' domestic lives through discussions of homemade food, these memoirs demystify the processes of immigration, assimilation, acculturation, and expatriation--ultimately examining what it means to live as naturalized citizens of the United States. Having grown up hearing about their parents' often fraught experiences of immigration, these authors examine the emotional toll these stories took and how such stories continue to affect their view of themselves as Americans. Halloran covers a wide swathe of immigrant food memoirs, moving seamlessly between works by authors such as Austin Clarke, Madhur Jaffrey, Kim Sun e, Diana Abu-Jaber, Eduardo Machado, Colette Rossant, Maya Angelou, and Jonathan Safran Foer.
The Immigrant Kitchen describes how these memoirs function as a complex and engaging mass media genre that caters to multiple reading constituencies. Specifically, they entertain readers with personal anecdotes and recollections, teach new culinary skills through recipes, share insight into different cultural mores through ethnographic and reportorial discussions of life in other countries, and attest to the impact that an individual's legal immigration into the United States continues to have down through the generations of his or her American-born families.

Vivian Nun Halloran is professor of English at Indiana University Bloomington. She is a Caribbeanist by training, and a literary food studies scholar by vocation. She is the author of Exhibiting Slavery and is currently working on her next book that examines those moments when Americans of Caribbean descent address themselves to the American people to share the lessons of their immigrant upbringing. She is also working on two digital humanities projects. Twitter: @HalloranVivian

Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814252673"><em>The Immigrant Kitchen: Food, Ethnicity, and Diaspora</em></a> (Ohio State UP, 2016), Vivian Nun Halloran examines food memoirs by immigrants and their descendants and reveals how their treatment of food deeply embeds concerns about immigrant identity in the United States. Halloran argues that by offering a glimpse into the authors' domestic lives through discussions of homemade food, these memoirs demystify the processes of immigration, assimilation, acculturation, and expatriation--ultimately examining what it means to live as naturalized citizens of the United States. Having grown up hearing about their parents' often fraught experiences of immigration, these authors examine the emotional toll these stories took and how such stories continue to affect their view of themselves as Americans. Halloran covers a wide swathe of immigrant food memoirs, moving seamlessly between works by authors such as Austin Clarke, Madhur Jaffrey, Kim Sun e, Diana Abu-Jaber, Eduardo Machado, Colette Rossant, Maya Angelou, and Jonathan Safran Foer.</p><p>The Immigrant Kitchen describes how these memoirs function as a complex and engaging mass media genre that caters to multiple reading constituencies. Specifically, they entertain readers with personal anecdotes and recollections, teach new culinary skills through recipes, share insight into different cultural mores through ethnographic and reportorial discussions of life in other countries, and attest to the impact that an individual's legal immigration into the United States continues to have down through the generations of his or her American-born families.</p><p><br></p><p><a href="https://english.indiana.edu/about/faculty/halloran-vivian.html">Vivian Nun Halloran</a> is professor of English at Indiana University Bloomington. She is a Caribbeanist by training, and a literary food studies scholar by vocation. She is the author of <a href="https://www.upress.virginia.edu/title/3930">Exhibiting Slavery</a> and is currently working on her next book that examines those moments when Americans of Caribbean descent address themselves to the American people to share the lessons of their immigrant upbringing. She is also working on two digital humanities projects. Twitter: @HalloranVivian</p><p><br></p><p><a href="https://people.wgtn.ac.nz/amir.sayadabdi"><em>Amir Sayadabdi</em></a><em> is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1431</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rayna Denison, "Anime: A Critical Introduction" (Bloomsbury, 2015)</title>
      <description>Rayna Denison’s Anime: A Critical Introduction (Bloomsbury, 2015) uses genre as a window into the evolving global phenomenon of Japanese animation. Denison’s wide-ranging analysis tackles the anime themselves – including classics such as Astro Boy, Akira, Urotsukidōji, Spirited Away, and Natsume’s Book of Friends – but also the mechanics behind anime production and distribution in Japan, the United States, and the United Kingdom. Tracking anime’s circulation through these locations over time reveals key differences in how generic terms such as horror, nichijōkei/slice-of-life, and even anime itself are understood. Examining production and distribution contexts like the industry and fan event, Tokyo International Anime Fair, further discloses how companies and fans contextualize and re-contextualize anime to encourage its popularization in new time periods and markets. Denison depicts anime as an intricate global phenomenon that is constantly metamorphosing even on the level of individual anime texts, which are at the extreme re-cut, re-scripted, and re-dubbed to fit new contexts in an eternal evolution.
Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. She writes about Japanese media and is currently finishing up a book on Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rayna Denison</itunes:subtitle>
      <itunes:summary>Rayna Denison’s Anime: A Critical Introduction (Bloomsbury, 2015) uses genre as a window into the evolving global phenomenon of Japanese animation. Denison’s wide-ranging analysis tackles the anime themselves – including classics such as Astro Boy, Akira, Urotsukidōji, Spirited Away, and Natsume’s Book of Friends – but also the mechanics behind anime production and distribution in Japan, the United States, and the United Kingdom. Tracking anime’s circulation through these locations over time reveals key differences in how generic terms such as horror, nichijōkei/slice-of-life, and even anime itself are understood. Examining production and distribution contexts like the industry and fan event, Tokyo International Anime Fair, further discloses how companies and fans contextualize and re-contextualize anime to encourage its popularization in new time periods and markets. Denison depicts anime as an intricate global phenomenon that is constantly metamorphosing even on the level of individual anime texts, which are at the extreme re-cut, re-scripted, and re-dubbed to fit new contexts in an eternal evolution.
Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. She writes about Japanese media and is currently finishing up a book on Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rayna Denison’s <a href="https://bookshop.org/a/12343/9781847884794"><em>Anime: A Critical Introduction</em></a> (Bloomsbury, 2015) uses genre as a window into the evolving global phenomenon of Japanese animation. Denison’s wide-ranging analysis tackles the anime themselves – including classics such as <em>Astro Boy</em>, <em>Akira</em>, <em>Urotsukidōji</em>, <em>Spirited Away</em>, and <em>Natsume’s Book of Friends</em> – but also the mechanics behind anime production and distribution in Japan, the United States, and the United Kingdom. Tracking anime’s circulation through these locations over time reveals key differences in how generic terms such as horror, <em>nichijōkei/</em>slice-of-life, and even anime itself are understood. Examining production and distribution contexts like the industry and fan event, Tokyo International Anime Fair, further discloses how companies and fans contextualize and re-contextualize anime to encourage its popularization in new time periods and markets. Denison depicts anime as an intricate global phenomenon that is constantly metamorphosing even on the level of individual anime texts, which are at the extreme re-cut, re-scripted, and re-dubbed to fit new contexts in an eternal evolution.</p><p><a href="http://amandakennell.net/"><em>Amanda Kennell</em></a><em> is an Assistant Teaching Professor of International Studies at North Carolina State University. She writes about Japanese media and is currently finishing up a book on Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4002</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d6132a1e-5abc-11ec-9ca9-4f61145eade9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9465165652.mp3?updated=1639253182" length="0" type="audio/mpeg"/>
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    <item>
      <title>"Bambi" isn't about what you think it's about: Jack Zipes explains</title>
      <description>Most of us think we know the story of Bambi—but do we? The Original Bambi: The Story of a Life in the Forest (Princeton UP, 2022) is an all-new, illustrated translation of a literary classic that presents the story as it was meant to be told. For decades, readers’ images of Bambi have been shaped by the 1942 Walt Disney film—an idealized look at a fawn who represents nature’s innocence—which was based on a 1928 English translation of a novel by the Austrian Jewish writer Felix Salten. This masterful new translation gives contemporary readers a fresh perspective on this moving allegorical tale and provides important details about its creator.
Originally published in 1923, Salten’s story is more somber than the adaptations that followed it. Life in the forest is dangerous and precarious, and Bambi learns important lessons about survival as he grows to become a strong, heroic stag. Jack Zipes’s introduction traces the history of the book’s reception and explores the tensions that Salten experienced in his own life—as a hunter who also loved animals, and as an Austrian Jew who sought acceptance in Viennese society even as he faced persecution.
With captivating drawings by award-winning artist Alenka Sottler, The Original Bambi captures the emotional impact and rich meanings of a celebrated story.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jack Zipes</itunes:subtitle>
      <itunes:summary>Most of us think we know the story of Bambi—but do we? The Original Bambi: The Story of a Life in the Forest (Princeton UP, 2022) is an all-new, illustrated translation of a literary classic that presents the story as it was meant to be told. For decades, readers’ images of Bambi have been shaped by the 1942 Walt Disney film—an idealized look at a fawn who represents nature’s innocence—which was based on a 1928 English translation of a novel by the Austrian Jewish writer Felix Salten. This masterful new translation gives contemporary readers a fresh perspective on this moving allegorical tale and provides important details about its creator.
Originally published in 1923, Salten’s story is more somber than the adaptations that followed it. Life in the forest is dangerous and precarious, and Bambi learns important lessons about survival as he grows to become a strong, heroic stag. Jack Zipes’s introduction traces the history of the book’s reception and explores the tensions that Salten experienced in his own life—as a hunter who also loved animals, and as an Austrian Jew who sought acceptance in Viennese society even as he faced persecution.
With captivating drawings by award-winning artist Alenka Sottler, The Original Bambi captures the emotional impact and rich meanings of a celebrated story.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Most of us think we know the story of Bambi<em>—</em>but do we? <a href="https://press.princeton.edu/books/hardcover/9780691197746/the-original-bambi"><em>The Original Bambi: The Story of a Life in the Forest</em></a> (Princeton UP, 2022) is an all-new, illustrated translation of a literary classic that presents the story as it was meant to be told. For decades, readers’ images of Bambi have been shaped by the 1942 Walt Disney film—an idealized look at a fawn who represents nature’s innocence—which was based on a 1928 English translation of a novel by the Austrian Jewish writer Felix Salten. This masterful new translation gives contemporary readers a fresh perspective on this moving allegorical tale and provides important details about its creator.</p><p>Originally published in 1923, Salten’s story is more somber than the adaptations that followed it. Life in the forest is dangerous and precarious, and Bambi learns important lessons about survival as he grows to become a strong, heroic stag. Jack Zipes’s introduction traces the history of the book’s reception and explores the tensions that Salten experienced in his own life—as a hunter who also loved animals, and as an Austrian Jew who sought acceptance in Viennese society even as he faced persecution.</p><p>With captivating drawings by award-winning artist Alenka Sottler,<em> The Original Bambi</em> captures the emotional impact and rich meanings of a celebrated story.</p><p><em>Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2380</itunes:duration>
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    <item>
      <title>Eike Exner, "Comics and the Origins of Manga: A Revisionist History" (Rutgers UP, 2021)</title>
      <description>Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.
Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.
By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eike Exner</itunes:subtitle>
      <itunes:summary>Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.
Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.
By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.</p><p><a href="https://bookshop.org/a/12343/9781978827226"><em>Comics and the Origins of Manga: A Revisionist History</em></a><em> </em>(Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.</p><p>By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, <em>Comics and the Origins of Manga</em> offers a new understanding of this increasingly influential artform.</p><p><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Bryant Terry, "Black Food: Stories, Art, and Recipes from Across the African Diaspora" (4 Color Books, 2021)</title>
      <description>James Beard and NAACP Image Award-winning chef and educator, Bryant Terry calls Black Food a “communal shrine to the shared culinary histories of the African diaspora.” Black Food: Stories, Art, and Recipes from Across the African Diaspora (4 Color Books, 2021) weaves together a diverse collection of more than 100 different contributors, including food writers, chefs, scholars, activists, and leaders exploring the food, experience, and community across the diaspora. As the editor, Terry extends the cookbook genre by curating a stunning gathering of over 50 recipes, song titles, essays, and poems, spanning over 300 pages while discussing issues like land ownership, race and gender, and self-care. Black Food is an impactful and enduring tribute to Black foodways.
N’Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 13 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>269</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bryant Terry</itunes:subtitle>
      <itunes:summary>James Beard and NAACP Image Award-winning chef and educator, Bryant Terry calls Black Food a “communal shrine to the shared culinary histories of the African diaspora.” Black Food: Stories, Art, and Recipes from Across the African Diaspora (4 Color Books, 2021) weaves together a diverse collection of more than 100 different contributors, including food writers, chefs, scholars, activists, and leaders exploring the food, experience, and community across the diaspora. As the editor, Terry extends the cookbook genre by curating a stunning gathering of over 50 recipes, song titles, essays, and poems, spanning over 300 pages while discussing issues like land ownership, race and gender, and self-care. Black Food is an impactful and enduring tribute to Black foodways.
N’Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>James Beard and NAACP Image Award-winning chef and educator, Bryant Terry calls <em>Black Food</em> a “communal shrine to the shared culinary histories of the African diaspora.” <a href="https://bookshop.org/a/12343/9781984859723"><em>Black Food: Stories, Art, and Recipes from Across the African Diaspora</em></a><em> </em>(4 Color Books, 2021) weaves together a diverse collection of more than 100 different contributors, including food writers, chefs, scholars, activists, and leaders exploring the food, experience, and community across the diaspora. As the editor, Terry extends the cookbook genre by curating a stunning gathering of over 50 recipes, song titles, essays, and poems, spanning over 300 pages while discussing issues like land ownership, race and gender, and self-care. <em>Black Food</em> is an impactful and enduring tribute to Black foodways.</p><p><em>N’Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4115</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kate Fortmueller, "Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID" (U Texas Press, 2021)</title>
      <description>By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID (U Texas Press, 2021), Kate Fortmueller asks what happened when the coronavirus closed Hollywood. Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, this book also considers how the pandemic will transform Hollywood practices in the twenty-first century.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>100</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kate Fortmueller</itunes:subtitle>
      <itunes:summary>By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID (U Texas Press, 2021), Kate Fortmueller asks what happened when the coronavirus closed Hollywood. Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, this book also considers how the pandemic will transform Hollywood practices in the twenty-first century.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In <a href="https://bookshop.org/a/12343/9781952636219"><em>Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID</em></a> (U Texas Press, 2021), Kate Fortmueller asks what happened when the coronavirus closed Hollywood. Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, this book also considers how the pandemic will transform Hollywood practices in the twenty-first century.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alisa Freedman, "Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost" (Association for Asian Studies, 2021)</title>
      <description>Alisa Freedman's book Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost (Association for Asian Studies, 2021) explores political, economic, and cultural issues underlying depictions of Japan on U.S. television comedies and the programs they inspired. Since the 1950s, U.S. television programs have taken the role of “curators” of Japan, displaying and explaining selected aspects for viewers. Beliefs in U.S. hegemony over Japan underpin this curation process. Japan on American TV takes a historical perspective to understand the diversity of Japan parodies and examines six main categories of television portrayals representing different genres and comedic forms: (1) stereotypes of judo instructors (1950s and 1960s); (2) samurai parodies (prevalent in the 1970s); (3) the Bubble Economy Era in Sesame Street’s Big Bird in Japan (1988); (4) “Cool Japan” parodies (1990s through the present); (5) eager fans in sketch series (2010s); and (6) makeover reality shows (2019). These examples show changing patterns of cultural globalization and perpetuate national stereotypes while verifying Japan’s international influence. Television presents an alternative history of American fascinations with and fears of Japan.

Written in an accessible style that will appeal to scholars, teachers, students, and anyone with an interest in Japan and popular culture, as well as an ideal text for classroom use, Japan on American TV offers a gentle means to approach racism, cultural essentialism, cultural appropriation, and issues otherwise difficult to discuss and models new ways to apply knowledge of Asian Studies.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alisa Freedman</itunes:subtitle>
      <itunes:summary>Alisa Freedman's book Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost (Association for Asian Studies, 2021) explores political, economic, and cultural issues underlying depictions of Japan on U.S. television comedies and the programs they inspired. Since the 1950s, U.S. television programs have taken the role of “curators” of Japan, displaying and explaining selected aspects for viewers. Beliefs in U.S. hegemony over Japan underpin this curation process. Japan on American TV takes a historical perspective to understand the diversity of Japan parodies and examines six main categories of television portrayals representing different genres and comedic forms: (1) stereotypes of judo instructors (1950s and 1960s); (2) samurai parodies (prevalent in the 1970s); (3) the Bubble Economy Era in Sesame Street’s Big Bird in Japan (1988); (4) “Cool Japan” parodies (1990s through the present); (5) eager fans in sketch series (2010s); and (6) makeover reality shows (2019). These examples show changing patterns of cultural globalization and perpetuate national stereotypes while verifying Japan’s international influence. Television presents an alternative history of American fascinations with and fears of Japan.

Written in an accessible style that will appeal to scholars, teachers, students, and anyone with an interest in Japan and popular culture, as well as an ideal text for classroom use, Japan on American TV offers a gentle means to approach racism, cultural essentialism, cultural appropriation, and issues otherwise difficult to discuss and models new ways to apply knowledge of Asian Studies.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Alisa Freedman's book <a href="https://bookshop.org/a/12343/9781952636219"><em>Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost</em></a> (Association for Asian Studies, 2021) explores political, economic, and cultural issues underlying depictions of Japan on U.S. television comedies and the programs they inspired. Since the 1950s, U.S. television programs have taken the role of “curators” of Japan, displaying and explaining selected aspects for viewers. Beliefs in U.S. hegemony over Japan underpin this curation process. Japan on American TV takes a historical perspective to understand the diversity of Japan parodies and examines six main categories of television portrayals representing different genres and comedic forms: (1) stereotypes of judo instructors (1950s and 1960s); (2) samurai parodies (prevalent in the 1970s); (3) the Bubble Economy Era in Sesame Street’s Big Bird in Japan (1988); (4) “Cool Japan” parodies (1990s through the present); (5) eager fans in sketch series (2010s); and (6) makeover reality shows (2019). These examples show changing patterns of cultural globalization and perpetuate national stereotypes while verifying Japan’s international influence. Television presents an alternative history of American fascinations with and fears of Japan.</p><p><br></p><p>Written in an accessible style that will appeal to scholars, teachers, students, and anyone with an interest in Japan and popular culture, as well as an ideal text for classroom use, <em>Japan on American TV</em> offers a gentle means to approach racism, cultural essentialism, cultural appropriation, and issues otherwise difficult to discuss and models new ways to apply knowledge of Asian Studies.</p><p><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3414</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dave Zirin, "The Kaepernick Effect: Taking a Knee, Changing the World" (New Press, 2021)</title>
      <description>In 2016, amid an epidemic of police shootings of African Americans, the celebrated NFL quarterback Colin Kaepernick began a series of quiet protests on the field, refusing to stand during the U.S. national anthem. By “taking a knee,” Kaepernick bravely joined a long tradition of American athletes making powerful political statements. This time, however, Kaepernick’s simple act spread like wildfire throughout American society, becoming the preeminent symbol of resistance to America’s persistent racial inequality.
Critically acclaimed sports journalist and author of A People’s History of Sports in the United States, Dave Zirin chronicles “the Kaepernick effect” for the first time, through interviews with a broad cross-section of professional athletes across many different sports, college stars and high-powered athletic directors, and high school athletes and coaches. In each case, he uncovers the fascinating explanations and motivations behind a mass political movement in sports, through deeply personal and inspiring accounts of risk-taking, activism, and courage both on and off the field.
A book about the politics of sport, and the impact of sports on politics, The Kaepernick Effect: Taking a Knee, Changing the World (New Press, 2021) is for anyone seeking to understand an essential dimension of the new movement for racial justice in America.
Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>204</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dave Zirin</itunes:subtitle>
      <itunes:summary>In 2016, amid an epidemic of police shootings of African Americans, the celebrated NFL quarterback Colin Kaepernick began a series of quiet protests on the field, refusing to stand during the U.S. national anthem. By “taking a knee,” Kaepernick bravely joined a long tradition of American athletes making powerful political statements. This time, however, Kaepernick’s simple act spread like wildfire throughout American society, becoming the preeminent symbol of resistance to America’s persistent racial inequality.
Critically acclaimed sports journalist and author of A People’s History of Sports in the United States, Dave Zirin chronicles “the Kaepernick effect” for the first time, through interviews with a broad cross-section of professional athletes across many different sports, college stars and high-powered athletic directors, and high school athletes and coaches. In each case, he uncovers the fascinating explanations and motivations behind a mass political movement in sports, through deeply personal and inspiring accounts of risk-taking, activism, and courage both on and off the field.
A book about the politics of sport, and the impact of sports on politics, The Kaepernick Effect: Taking a Knee, Changing the World (New Press, 2021) is for anyone seeking to understand an essential dimension of the new movement for racial justice in America.
Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2016, amid an epidemic of police shootings of African Americans, the celebrated NFL quarterback Colin Kaepernick began a series of quiet protests on the field, refusing to stand during the U.S. national anthem. By “taking a knee,” Kaepernick bravely joined a long tradition of American athletes making powerful political statements. This time, however, Kaepernick’s simple act spread like wildfire throughout American society, becoming the preeminent symbol of resistance to America’s persistent racial inequality.</p><p>Critically acclaimed sports journalist and author of <em>A People’s History of Sports in the United States</em>, Dave Zirin chronicles “the Kaepernick effect” for the first time, through interviews with a broad cross-section of professional athletes across many different sports, college stars and high-powered athletic directors, and high school athletes and coaches. In each case, he uncovers the fascinating explanations and motivations behind a mass political movement in sports, through deeply personal and inspiring accounts of risk-taking, activism, and courage both on and off the field.</p><p>A book about the politics of sport, and the impact of sports on politics, <a href="https://bookshop.org/a/12343/9781620976753"><em>The Kaepernick Effect: Taking a Knee, Changing the World</em></a><em> </em>(New Press, 2021) is for anyone seeking to understand an essential dimension of the new movement for racial justice in America.</p><p><em>Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2898</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[92a3ff64-5513-11ec-b559-afbe92254e50]]></guid>
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    <item>
      <title>Sonia Gollance, "It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity" (Stanford UP, 2021)</title>
      <description>Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression.
Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity (Stanford UP, 2021), Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.
Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>255</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sonia Gollance</itunes:subtitle>
      <itunes:summary>Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression.
Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity (Stanford UP, 2021), Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.
Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression.</p><p>Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In <a href="https://bookshop.org/a/12343/9781503613492"><em>It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity</em></a> (Stanford UP, 2021), Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.</p><p><a href="https://www.linkedin.com/in/amber-nickell-64358241/"><em>Amber Nickell</em></a><em> is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4845</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mark Lawrence Schrad, "Smashing the Liquor Machine: A Global History of Prohibition" (Oxford UP, 2021)</title>
      <description>Smashing the Liquor Machine: A Global History of Prohibition (Oxford UP, 2021) is a unique retelling of the history of temperance and prohibition. Rather than focusing on white, rural, conservative American bible-thumpers, Mark Lawrence Schrad contends that the temperance movement was a progressive, international, and revolutionary movement of oppressed-peoples fighting the liquor traffic, through which states and rich capitalists combined to get the lower classes addicted to drink for profit. Schrad shows that the temperance movement was in fact a global pro-justice movement that had an impact in nearly every major country in the world, both developing and developed.
 Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Lawrence Schrad</itunes:subtitle>
      <itunes:summary>Smashing the Liquor Machine: A Global History of Prohibition (Oxford UP, 2021) is a unique retelling of the history of temperance and prohibition. Rather than focusing on white, rural, conservative American bible-thumpers, Mark Lawrence Schrad contends that the temperance movement was a progressive, international, and revolutionary movement of oppressed-peoples fighting the liquor traffic, through which states and rich capitalists combined to get the lower classes addicted to drink for profit. Schrad shows that the temperance movement was in fact a global pro-justice movement that had an impact in nearly every major country in the world, both developing and developed.
 Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780190841577"><em>Smashing the Liquor Machine: A Global History of Prohibition</em></a> (Oxford UP, 2021) is a unique retelling of the history of temperance and prohibition. Rather than focusing on white, rural, conservative American bible-thumpers, Mark Lawrence Schrad contends that the temperance movement was a progressive, international, and revolutionary movement of oppressed-peoples fighting the liquor traffic, through which states and rich capitalists combined to get the lower classes addicted to drink for profit. Schrad shows that the temperance movement was in fact a global pro-justice movement that had an impact in nearly every major country in the world, both developing and developed.</p><p><em> </em><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3374</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[97fd9566-5382-11ec-a290-afec45963089]]></guid>
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    <item>
      <title>Caetlin Benson-Allott, "The Stuff of Spectatorship: Material Cultures of Film and Television" (U California Press, 2021)</title>
      <description>“Made of light and later sound, the film experience cannot be touched, but that does not mean it is immaterial.” So writes Dr. Caetlin Benson-Allott in her third academic monograph, The Stuff of Spectatorship: Material Cultures of Film and Television (University of California Press, April 2021). In The Stuff of Spectatorship, Dr. Benson-Allott turns away from that canonical concept of medium specificity to explore the nature of material specificity. How might the cinematic and televisual apparatus be expanded to incorporate the lost off-the-air recording, the decaying VHS tape, the mediocre branded Cabernet, and the eruption of violence at your local multiplex? It is not just what you watch, but how you watch, that makes meaning. This reframing not only has profound implications for how critics and fans enjoy their preferred media, while laying bare the racist and classist commitments at the heart of our shared material media cultures.
In this discussion, Dr. Benson-Allott describes the origin of her latest project, details her decision to include herself as a character in the proceedings, and talks about her work as the editor at the disciplinary flagship, Journal of Cinema and Media Studies.
Caetlin Benson-Allott is Professor of English and Film &amp; Media Studies at Georgetown University. She is the author of The Stuff of Spectatorship: Material Cultures of Film and Television (University of California Press, 2021), Remote Control (Bloomsbury, 2015), and Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing (University of California Press, 2013). She is also Editor of the Journal of Cinema and Media Studies (JCMS), the scholarly publication of the Society for Cinema and Media Studies, and writes a regular column on politics, platforms, and contemporary media for Film Quarterly.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in Public Books, Literary Hub, Feminist Media Histories, Ms., and Camera Obscura.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>99</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Caetlin Benson-Allott</itunes:subtitle>
      <itunes:summary>“Made of light and later sound, the film experience cannot be touched, but that does not mean it is immaterial.” So writes Dr. Caetlin Benson-Allott in her third academic monograph, The Stuff of Spectatorship: Material Cultures of Film and Television (University of California Press, April 2021). In The Stuff of Spectatorship, Dr. Benson-Allott turns away from that canonical concept of medium specificity to explore the nature of material specificity. How might the cinematic and televisual apparatus be expanded to incorporate the lost off-the-air recording, the decaying VHS tape, the mediocre branded Cabernet, and the eruption of violence at your local multiplex? It is not just what you watch, but how you watch, that makes meaning. This reframing not only has profound implications for how critics and fans enjoy their preferred media, while laying bare the racist and classist commitments at the heart of our shared material media cultures.
In this discussion, Dr. Benson-Allott describes the origin of her latest project, details her decision to include herself as a character in the proceedings, and talks about her work as the editor at the disciplinary flagship, Journal of Cinema and Media Studies.
Caetlin Benson-Allott is Professor of English and Film &amp; Media Studies at Georgetown University. She is the author of The Stuff of Spectatorship: Material Cultures of Film and Television (University of California Press, 2021), Remote Control (Bloomsbury, 2015), and Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing (University of California Press, 2013). She is also Editor of the Journal of Cinema and Media Studies (JCMS), the scholarly publication of the Society for Cinema and Media Studies, and writes a regular column on politics, platforms, and contemporary media for Film Quarterly.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in Public Books, Literary Hub, Feminist Media Histories, Ms., and Camera Obscura.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Made of light and later sound, the film experience cannot be touched, but that does not mean it is immaterial.” So writes Dr. Caetlin Benson-Allott in her third academic monograph, <a href="https://bookshop.org/a/12343/9780520300415"><em>The Stuff of Spectatorship: Material Cultures of Film and Television</em></a><em> </em>(University of California Press, April 2021). In <em>The Stuff of Spectatorship</em>, Dr. Benson-Allott turns away from that canonical concept of medium specificity to explore the nature of <em>material </em>specificity. How might the cinematic and televisual apparatus be expanded to incorporate the lost off-the-air recording, the decaying VHS tape, the mediocre branded Cabernet, and the eruption of violence at your local multiplex? It is not just what you watch, but <em>how</em> you watch, that makes meaning. This <em>reframing</em> not only has profound implications for how critics and fans enjoy their preferred media, while laying bare the racist and classist commitments at the heart of our shared material media cultures.</p><p>In this discussion, Dr. Benson-Allott describes the origin of her latest project, details her decision to include herself as a character in the proceedings, and talks about her work as the editor at the disciplinary flagship, <em>Journal of Cinema and Media Studies</em>.</p><p><a href="https://www.benson-allott.com/">Caetlin Benson-Allott</a> is Professor of English and Film &amp; Media Studies at Georgetown University. She is the author of <a href="https://www.ucpress.edu/book/9780520300415/the-stuff-of-spectatorship">The Stuff of Spectatorship: Material Cultures of Film and Television</a> (University of California Press, 2021), <a href="https://www.bloomsbury.com/us/remote-control-9781623563110/">Remote Control </a>(Bloomsbury, 2015), and <a href="https://www.ucpress.edu/book/9780520275126/killer-tapes-and-shattered-screens">Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing</a> (University of California Press, 2013). She is also Editor of the <em>Journal of Cinema and Media Studies </em>(<a href="https://quod.lib.umich.edu/j/jcms/">JCMS</a>), the scholarly publication of the Society for Cinema and Media Studies, and writes a regular column on politics, platforms, and contemporary media for <a href="https://filmquarterly.org/">Film Quarterly</a>.</p><p><a href="http://annieberke.com/"><em>Annie Berke</em></a><em> is the Film Editor at the Los Angeles Review of Books and author of </em><a href="https://www.ucpress.edu/book/9780520300798/their-own-best-creations"><em>Their Own Best Creations: Women Writers in Postwar Television</em></a><em> (University of California Press, 2022). Her writing has been published in Public Books, Literary Hub, Feminist Media Histories, Ms., and Camera Obscura.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3261</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN4077044099.mp3?updated=1638299409" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Demet Güzey, "Mustard: A Global History" (Reaktion Books, 2019)</title>
      <description>Whether grainy or smooth, spicy or sweet, Dijon, American, or English, mustard accompanies our food and flavors our life around the globe. It has been a source of pleasure, health, and myth from ancient times to the present day, its tiny seed a symbol of faith and its pungent flavor a testimony to refined taste. There are stories of mustard plasters used to treat melancholy, runners eating mustard to prevent cramps, and Christians spreading mustard seeds along pilgrimage trails.
Mustard: A Global History is part of the Edible Series published by Reaktion Books. It is a revolutionary series of books on food and drink which explores the rich history of man’s consumption. Each book provides an outline for one type of food or drink, revealing its history and culture on a global scale. 50 striking illustrations, with approximately 25 in colour, accompany these engaging and accessible texts, and offer intriguing new insights into their subject. Key recipes as well as reference material accompany each title. Also available through The University of Chicago Press.
See our other episodes on Edible Series:
See our other episodes on Edible Series:


Avocado by Jeff Miller


﻿Coffee by Jonathan Morris


﻿Vanilla by Rosa Abreu-Runkel


More episodes to come…
Dr. Demet Güzey is a food and wine writer and educator based in Verona, Italy. She teaches at Le Cordon Bleu online and at USAC in Verona. She is the author of Food on Foot: A History of Eating on Trails and in the Wild. Twitter: @demetguzey

Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 30 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>87</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Demet Güzey</itunes:subtitle>
      <itunes:summary>Whether grainy or smooth, spicy or sweet, Dijon, American, or English, mustard accompanies our food and flavors our life around the globe. It has been a source of pleasure, health, and myth from ancient times to the present day, its tiny seed a symbol of faith and its pungent flavor a testimony to refined taste. There are stories of mustard plasters used to treat melancholy, runners eating mustard to prevent cramps, and Christians spreading mustard seeds along pilgrimage trails.
Mustard: A Global History is part of the Edible Series published by Reaktion Books. It is a revolutionary series of books on food and drink which explores the rich history of man’s consumption. Each book provides an outline for one type of food or drink, revealing its history and culture on a global scale. 50 striking illustrations, with approximately 25 in colour, accompany these engaging and accessible texts, and offer intriguing new insights into their subject. Key recipes as well as reference material accompany each title. Also available through The University of Chicago Press.
See our other episodes on Edible Series:
See our other episodes on Edible Series:


Avocado by Jeff Miller


﻿Coffee by Jonathan Morris


﻿Vanilla by Rosa Abreu-Runkel


More episodes to come…
Dr. Demet Güzey is a food and wine writer and educator based in Verona, Italy. She teaches at Le Cordon Bleu online and at USAC in Verona. She is the author of Food on Foot: A History of Eating on Trails and in the Wild. Twitter: @demetguzey

Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Whether grainy or smooth, spicy or sweet, Dijon, American, or English, mustard accompanies our food and flavors our life around the globe. It has been a source of pleasure, health, and myth from ancient times to the present day, its tiny seed a symbol of faith and its pungent flavor a testimony to refined taste. There are stories of mustard plasters used to treat melancholy, runners eating mustard to prevent cramps, and Christians spreading mustard seeds along pilgrimage trails.</p><p><a href="http://www.reaktionbooks.co.uk/display.asp?ISB=9781789141436"><em>Mustard: A Global History</em></a> is part of the <a href="http://www.reaktionbooks.co.uk/results.asp?SF1=series_exact&amp;ST1=EDIBLE&amp;DS=Edible&amp;SORT=sort_title"><em>Edible Series</em></a> published by <a href="http://www.reaktionbooks.co.uk/display.asp?ISB=9781789143300"><em>Reaktion Books</em></a>. It is a revolutionary series of books on food and drink which explores the rich history of man’s consumption. Each book provides an outline for one type of food or drink, revealing its history and culture on a global scale. 50 striking illustrations, with approximately 25 in colour, accompany these engaging and accessible texts, and offer intriguing new insights into their subject. Key recipes as well as reference material accompany each title. Also available through <a href="https://press.uchicago.edu/ucp/books/series/RB-EDIBLE.html"><em>The University of Chicago Press</em></a>.</p><p>See our other episodes on Edible Series:</p><p>See our other episodes on Edible Series:</p><ul>
<li>
<a href="https://newbooksnetwork.com/avocado">Avocado</a> by Jeff Miller</li>
<li>
<a href="https://newbooksnetwork.com/coffee">﻿Coffee</a> by Jonathan Morris</li>
<li>
<a href="https://newbooksnetwork.com/vanilla">﻿Vanilla</a> by Rosa Abreu-Runkel</li>
</ul><p><br></p><p>More episodes to come…</p><p>Dr. <a href="https://demetguzey.com/">Demet Güzey</a> is a food and wine writer and educator based in Verona, Italy. She teaches at <em>Le Cordon Bleu</em> online and at <em>USAC </em>in Verona. She is the author of <a href="https://rowman.com/ISBN/9781442255067/Food-on-Foot-A-History-of-Eating-on-Trails-and-in-the-Wild">Food on Foot: A History of Eating on Trails and in the Wild</a>. Twitter: @demetguzey</p><p><br></p><p><a href="https://people.wgtn.ac.nz/amir.sayadabdi"><em>Amir Sayadabdi</em></a><em> is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1370</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e73b14d6-4d6b-11ec-8796-3f383e194730]]></guid>
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    <item>
      <title>Yael Levy, "Chick TV: Antiheroines and Time Unbound" (Syracuse UP, 2021)</title>
      <description>Yael Levy examines the underexplored antiheroine of early twenty-first century television in Chick-TV: Antiheroines and Time Unbound (Syracuse UP, 2022). Levy advances antiheroines to the forefront of television criticism, revealing the varied and subtle ways in which they perform feminist resistance. Offering a retooling of gendered media analyses, Levy finds antiheroism not only in the morally questionable cop and tormented lawyer, but also in the housewife and nurse who inhabit more stereotypical feminine roles. By analyzing Girls, Desperate Housewives, Nurse Jackie, Being Mary Jane, Grey’s Anatomy, Six Feet Under, Sister Wives, and the Real Housewives franchise, Levy explores the narrative complexities of “chick TV” and the radical feminist potential of these shows.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 26 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yael Levy</itunes:subtitle>
      <itunes:summary>Yael Levy examines the underexplored antiheroine of early twenty-first century television in Chick-TV: Antiheroines and Time Unbound (Syracuse UP, 2022). Levy advances antiheroines to the forefront of television criticism, revealing the varied and subtle ways in which they perform feminist resistance. Offering a retooling of gendered media analyses, Levy finds antiheroism not only in the morally questionable cop and tormented lawyer, but also in the housewife and nurse who inhabit more stereotypical feminine roles. By analyzing Girls, Desperate Housewives, Nurse Jackie, Being Mary Jane, Grey’s Anatomy, Six Feet Under, Sister Wives, and the Real Housewives franchise, Levy explores the narrative complexities of “chick TV” and the radical feminist potential of these shows.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Yael Levy examines the underexplored antiheroine of early twenty-first century television in <a href="https://press.syr.edu/supressbooks/4382/chick-tv/"><em>Chick-TV: Antiheroines and Time Unbound</em></a> (Syracuse UP, 2022)<em>. </em>Levy advances antiheroines to the forefront of television criticism, revealing the varied and subtle ways in which they perform feminist resistance. Offering a retooling of gendered media analyses, Levy finds antiheroism not only in the morally questionable cop and tormented lawyer, but also in the housewife and nurse who inhabit more stereotypical feminine roles. By analyzing <em>Girls</em>, <em>Desperate Housewives</em>, <em>Nurse Jackie</em>, <em>Being Mary Jane</em>, <em>Grey’s Anatomy</em>, <em>Six Feet Under</em>, <em>Sister Wives</em>, and the <em>Real Housewives </em>franchise, Levy explores the narrative complexities of “chick TV” and the radical feminist potential of these shows.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3602</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Carolyn L. White, "The Archaeology of Burning Man: The Rise and Fall of Black Rock City" (U New Mexico Press, 2020)</title>
      <description>How do you do archaeological research on a place that exists for only one week per year, in the middle of the Nevada desert, and is based on the ethos of "leave no trace?" In The Archaeology of Burning Man: The Rise and Fall of Black Rock City (U New Mexico Press, 2020), Dr. Carolyn White, a professor of anthropology at the University of Nevada, sets out to tackle just this question. Using the methods of contemporary archaeology, White spent a decade attending the annual Burning Man event in the desert of northwestern Nevada, chronicling the construction, the day to day life, and the dismantling of Black Rock City, which is among the largest cities in the state for the short time exists every August and September. White examines the various ways that people live in Black Rock, the semi-invisible infrastructure and bureaucracy which keep it running and keep its 75,000 residents safe, and the day to day life in the city itself. White shows a side of Burning Man not often seen by outsiders, and one that runs counter to the chaotic, Instagram-ified, narrative often presented in mainstream media.
 Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 17 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carolyn L. White</itunes:subtitle>
      <itunes:summary>How do you do archaeological research on a place that exists for only one week per year, in the middle of the Nevada desert, and is based on the ethos of "leave no trace?" In The Archaeology of Burning Man: The Rise and Fall of Black Rock City (U New Mexico Press, 2020), Dr. Carolyn White, a professor of anthropology at the University of Nevada, sets out to tackle just this question. Using the methods of contemporary archaeology, White spent a decade attending the annual Burning Man event in the desert of northwestern Nevada, chronicling the construction, the day to day life, and the dismantling of Black Rock City, which is among the largest cities in the state for the short time exists every August and September. White examines the various ways that people live in Black Rock, the semi-invisible infrastructure and bureaucracy which keep it running and keep its 75,000 residents safe, and the day to day life in the city itself. White shows a side of Burning Man not often seen by outsiders, and one that runs counter to the chaotic, Instagram-ified, narrative often presented in mainstream media.
 Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do you do archaeological research on a place that exists for only one week per year, in the middle of the Nevada desert, and is based on the ethos of "leave no trace?" In <a href="https://bookshop.org/a/12343/9780826361332"><em>The Archaeology of Burning Man: The Rise and Fall of Black Rock City</em></a><em> </em>(U New Mexico Press, 2020), Dr. Carolyn White, a professor of anthropology at the University of Nevada, sets out to tackle just this question. Using the methods of contemporary archaeology, White spent a decade attending the annual Burning Man event in the desert of northwestern Nevada, chronicling the construction, the day to day life, and the dismantling of Black Rock City, which is among the largest cities in the state for the short time exists every August and September. White examines the various ways that people live in Black Rock, the semi-invisible infrastructure and bureaucracy which keep it running and keep its 75,000 residents safe, and the day to day life in the city itself. White shows a side of Burning Man not often seen by outsiders, and one that runs counter to the chaotic, Instagram-ified, narrative often presented in mainstream media.</p><p><em> Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3577</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Hiromu Nagahara, "Tokyo Boogie-Woogie: Japan's Pop Era and Its Discontents" (Harvard UP, 2017)</title>
      <description>Tokyo Boogie-Woogie: Japan's Pop Era and its Discontents (Harvard University Press, 2017) by Hiromu Nagahara is the first English-language history of the origins and impact of the Japanese pop music industry. The book connects the rise of mass entertainment, epitomized by ryūkōka (“popular songs”), with Japan’s transformation into a middle-class society in the years after World War II.
With the arrival of major international recording companies like Columbia and Victor in the 1920s, Japan’s pop music scene soon grew into a full-fledged culture industry that reached out to an avid consumer base through radio, cinema, and other media. The stream of songs that poured forth over the next four decades represented something new in the nation’s cultural landscape. Emerging during some of the most volatile decades in Japan’s history, popular songs struck a deep chord in Japanese society, gaining a devoted following but also galvanizing a vociferous band of opponents. A range of critics—intellectuals, journalists, government officials, self-appointed arbiters of taste—engaged in contentious debates on the merits of pop music. Many regarded it as a scandal, evidence of an increasingly debased and Americanized culture. For others, popular songs represented liberation from the oppressive political climate of the war years.
Tokyo Boogie-Woogie is a tale of competing cultural dynamics coming to a head just as Japan’s traditionally hierarchical society was shifting toward middle-class democracy. The pop soundscape of these years became the audible symbol of changing times.
Hiromu Nagahara is an associate professor of history at the Massachusetts Institute of Technology (MIT).
Shatrunjay Mall is a PhD candidate at the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 11 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hiromu Nagahara</itunes:subtitle>
      <itunes:summary>Tokyo Boogie-Woogie: Japan's Pop Era and its Discontents (Harvard University Press, 2017) by Hiromu Nagahara is the first English-language history of the origins and impact of the Japanese pop music industry. The book connects the rise of mass entertainment, epitomized by ryūkōka (“popular songs”), with Japan’s transformation into a middle-class society in the years after World War II.
With the arrival of major international recording companies like Columbia and Victor in the 1920s, Japan’s pop music scene soon grew into a full-fledged culture industry that reached out to an avid consumer base through radio, cinema, and other media. The stream of songs that poured forth over the next four decades represented something new in the nation’s cultural landscape. Emerging during some of the most volatile decades in Japan’s history, popular songs struck a deep chord in Japanese society, gaining a devoted following but also galvanizing a vociferous band of opponents. A range of critics—intellectuals, journalists, government officials, self-appointed arbiters of taste—engaged in contentious debates on the merits of pop music. Many regarded it as a scandal, evidence of an increasingly debased and Americanized culture. For others, popular songs represented liberation from the oppressive political climate of the war years.
Tokyo Boogie-Woogie is a tale of competing cultural dynamics coming to a head just as Japan’s traditionally hierarchical society was shifting toward middle-class democracy. The pop soundscape of these years became the audible symbol of changing times.
Hiromu Nagahara is an associate professor of history at the Massachusetts Institute of Technology (MIT).
Shatrunjay Mall is a PhD candidate at the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780674971691"><em>Tokyo Boogie-Woogie: Japan's Pop Era and its Discontents</em></a><em> </em>(Harvard University Press, 2017) by Hiromu Nagahara is the first English-language history of the origins and impact of the Japanese pop music industry. The book connects the rise of mass entertainment, epitomized by <em>ryūkōka</em> (“popular songs”), with Japan’s transformation into a middle-class society in the years after World War II.</p><p>With the arrival of major international recording companies like Columbia and Victor in the 1920s, Japan’s pop music scene soon grew into a full-fledged culture industry that reached out to an avid consumer base through radio, cinema, and other media. The stream of songs that poured forth over the next four decades represented something new in the nation’s cultural landscape. Emerging during some of the most volatile decades in Japan’s history, popular songs struck a deep chord in Japanese society, gaining a devoted following but also galvanizing a vociferous band of opponents. A range of critics—intellectuals, journalists, government officials, self-appointed arbiters of taste—engaged in contentious debates on the merits of pop music. Many regarded it as a scandal, evidence of an increasingly debased and Americanized culture. For others, popular songs represented liberation from the oppressive political climate of the war years.</p><p><em>Tokyo Boogie-Woogie</em> is a tale of competing cultural dynamics coming to a head just as Japan’s traditionally hierarchical society was shifting toward middle-class democracy. The pop soundscape of these years became the audible symbol of changing times.</p><p>Hiromu Nagahara is an associate professor of history at the Massachusetts Institute of Technology (MIT).</p><p><em>Shatrunjay Mall is a PhD candidate at the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4848</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[91bd3cd8-3e65-11ec-8414-dbd0909864dc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1346874854.mp3?updated=1636136765" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samantha Durbin, "Raver Girl: Coming of Age in the 90s" (She Writes Press, 2021)</title>
      <description>A ’90s time capsule buried inside a coming-of-age memoir set against the neon backdrop of the San Francisco Bay Area's rave scene, Raver Girl (She Writes Press, 2021) chronicles Samantha’s double life as she teeters between hedonism and sobriety, chaos and calm, all while sneaking under the radar of her entrepreneur father—a man who happened to drop acid with LSD impresario Owsley Stanley in the ’60s.
Samantha keeps a list of every rave she goes to—a total of 104 over four years. During that time, what started as trippy fun morphs into a self-destructive roller coaster ride. Samantha opens the doors of her mind, but she's left with traumas her acid-fried brain won't let her escape; and when meth becomes her drug of choice, things get progressively darker. Through euphoric highs and dangerous lows, Samantha discovers she’s someone who lives life to the fullest and learns best through alternative experience rather than mainstream ideals. She’s a creative whose mind is limitless, whose quirks are charms, whose passion is inspirational. She’s an independent woman whose inner strength is rooted in unwavering family ties. And if she can survive high school, she just might be okay.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Nov 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samantha Durbin</itunes:subtitle>
      <itunes:summary>A ’90s time capsule buried inside a coming-of-age memoir set against the neon backdrop of the San Francisco Bay Area's rave scene, Raver Girl (She Writes Press, 2021) chronicles Samantha’s double life as she teeters between hedonism and sobriety, chaos and calm, all while sneaking under the radar of her entrepreneur father—a man who happened to drop acid with LSD impresario Owsley Stanley in the ’60s.
Samantha keeps a list of every rave she goes to—a total of 104 over four years. During that time, what started as trippy fun morphs into a self-destructive roller coaster ride. Samantha opens the doors of her mind, but she's left with traumas her acid-fried brain won't let her escape; and when meth becomes her drug of choice, things get progressively darker. Through euphoric highs and dangerous lows, Samantha discovers she’s someone who lives life to the fullest and learns best through alternative experience rather than mainstream ideals. She’s a creative whose mind is limitless, whose quirks are charms, whose passion is inspirational. She’s an independent woman whose inner strength is rooted in unwavering family ties. And if she can survive high school, she just might be okay.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A ’90s time capsule buried inside a coming-of-age memoir set against the neon backdrop of the San Francisco Bay Area's rave scene, <a href="https://bookshop.org/a/12343/9781647423070"><em>Raver Girl</em></a> (She Writes Press, 2021) chronicles Samantha’s double life as she teeters between hedonism and sobriety, chaos and calm, all while sneaking under the radar of her entrepreneur father—a man who happened to drop acid with LSD impresario Owsley Stanley in the ’60s.</p><p>Samantha keeps a list of every rave she goes to—a total of 104 over four years. During that time, what started as trippy fun morphs into a self-destructive roller coaster ride. Samantha opens the doors of her mind, but she's left with traumas her acid-fried brain won't let her escape; and when meth becomes her drug of choice, things get progressively darker. Through euphoric highs and dangerous lows, Samantha discovers she’s someone who lives life to the fullest and learns best through alternative experience rather than mainstream ideals. She’s a creative whose mind is limitless, whose quirks are charms, whose passion is inspirational. She’s an independent woman whose inner strength is rooted in unwavering family ties. And if she can survive high school, she just might be okay.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3313</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[df9a0406-38c8-11ec-b153-6bf9e62a6769]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3362718974.mp3?updated=1635521007" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amy Sodaro, "Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence" (Rutgers UP, 2018)</title>
      <description>Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. In Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence (Rutgers University Press, 2018), Amy Sodaro documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights.
Through a global comparative approach, Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.
Amy Sodaro is an associate professor of sociology at the Borough of Manhattan Community College, The City University of New York.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 04 Nov 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>249</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amy Sodaro</itunes:subtitle>
      <itunes:summary>Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. In Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence (Rutgers University Press, 2018), Amy Sodaro documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights.
Through a global comparative approach, Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.
Amy Sodaro is an associate professor of sociology at the Borough of Manhattan Community College, The City University of New York.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. In <a href="https://bookshop.org/a/12343/9780813592138"><em>Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence</em></a> (Rutgers University Press, 2018), Amy Sodaro documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights.</p><p>Through a global comparative approach, Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.</p><p>Amy Sodaro is an associate professor of sociology at the Borough of Manhattan Community College, The City University of New York.</p><p><em>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3626</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a7ae0390-375f-11ec-be27-535040e4db1b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3874911035.mp3?updated=1635365027" length="0" type="audio/mpeg"/>
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    <item>
      <title>Roy Schwartz, "Is Superman Circumcised?: The Complete Jewish History of the World's Greatest Hero" (McFarland, 2021)</title>
      <description>​Introduced in June 1938, the Man of Steel was created by two Jewish teens, Jerry Siegel and Joe Shuster, the sons of immigrants from Eastern Europe. They based their hero’s origin story on Moses, his strength on Samson, his mission on the golem and his nebbish secret identity on themselves. They made him a refugee fleeing catastrophe on the eve of World War II and sent him to tear Nazi tanks apart nearly two years before the US joined the war.
​In following decades Superman’s mostly Jewish writers, artists and editors continued to borrow Jewish motifs for their stories, basing Krypton’s past on Genesis and Exodus, its civilization on Jewish culture, the trial of Lex Luthor on Adolf Eichmann’s and a holiday celebrating Superman on Passover.
Exploring these underlying themes of a beloved modern mythology, Is Superman Circumcised?: The Complete Jewish History of the World's Greatest Hero (McFarland, 2021) is a fascinating and entertaining journey through comic book lore, American history and Jewish tradition, sure to give readers a newfound appreciation for the Mensch of Steel!
Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 26 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>246</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Roy Schwartz</itunes:subtitle>
      <itunes:summary>​Introduced in June 1938, the Man of Steel was created by two Jewish teens, Jerry Siegel and Joe Shuster, the sons of immigrants from Eastern Europe. They based their hero’s origin story on Moses, his strength on Samson, his mission on the golem and his nebbish secret identity on themselves. They made him a refugee fleeing catastrophe on the eve of World War II and sent him to tear Nazi tanks apart nearly two years before the US joined the war.
​In following decades Superman’s mostly Jewish writers, artists and editors continued to borrow Jewish motifs for their stories, basing Krypton’s past on Genesis and Exodus, its civilization on Jewish culture, the trial of Lex Luthor on Adolf Eichmann’s and a holiday celebrating Superman on Passover.
Exploring these underlying themes of a beloved modern mythology, Is Superman Circumcised?: The Complete Jewish History of the World's Greatest Hero (McFarland, 2021) is a fascinating and entertaining journey through comic book lore, American history and Jewish tradition, sure to give readers a newfound appreciation for the Mensch of Steel!
Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>​Introduced in June 1938, the Man of Steel was created by two Jewish teens, Jerry Siegel and Joe Shuster, the sons of immigrants from Eastern Europe. They based their hero’s origin story on Moses, his strength on Samson, his mission on the golem and his nebbish secret identity on themselves. They made him a refugee fleeing catastrophe on the eve of World War II and sent him to tear Nazi tanks apart nearly two years before the US joined the war.</p><p>​In following decades Superman’s mostly Jewish writers, artists and editors continued to borrow Jewish motifs for their stories, basing Krypton’s past on Genesis and Exodus, its civilization on Jewish culture, the trial of Lex Luthor on Adolf Eichmann’s and a holiday celebrating Superman on Passover.</p><p>Exploring these underlying themes of a beloved modern mythology,<em> </em><a href="https://bookshop.org/a/12343/9781476662909"><em>Is Superman Circumcised?: The Complete Jewish History of the World's Greatest Hero</em></a> (McFarland, 2021) is a fascinating and entertaining journey through comic book lore, American history and Jewish tradition, sure to give readers a newfound appreciation for the Mensch of Steel!</p><p><a href="https://www.linkedin.com/in/amber-nickell-64358241/"><em>Amber Nickell</em></a><em> is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3083</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>David Pearson, "Rebel Music in the Triumphant Empire: Punk Rock in the 1990s United States" (Oxford UP, 2020)</title>
      <description>In Rebel Music in the Triumphant Empire (Oxford University Press, 2020), musicologist David Pearson explores the changing landscape of punk in the United States in the 1990s. Pearson examines how the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to the American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 WTO meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations. Numerous subgenres of punk proliferated to deliver this critique, such as the blazing hardcore punk of bands like Los Crudos, propagandistic crust-punk/dis-core, grindcore, and power violence with tempos over 800 beats per minute, and So-Cal punk with its combination of melody and hardcore. Musical analysis of each of these styles and the expressive efficacy of numerous bands reveals that punk is not merely simplistic three-chord rock music, but a genre that is constantly revolutionizing itself in which nuances of guitar riffs, vocal timbres, drum beats, and song structures are deeply meaningful to its audience, as corroborated by the robust discourse in punk zines.
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      <pubDate>Tue, 26 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>104</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Pearson</itunes:subtitle>
      <itunes:summary>In Rebel Music in the Triumphant Empire (Oxford University Press, 2020), musicologist David Pearson explores the changing landscape of punk in the United States in the 1990s. Pearson examines how the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to the American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 WTO meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations. Numerous subgenres of punk proliferated to deliver this critique, such as the blazing hardcore punk of bands like Los Crudos, propagandistic crust-punk/dis-core, grindcore, and power violence with tempos over 800 beats per minute, and So-Cal punk with its combination of melody and hardcore. Musical analysis of each of these styles and the expressive efficacy of numerous bands reveals that punk is not merely simplistic three-chord rock music, but a genre that is constantly revolutionizing itself in which nuances of guitar riffs, vocal timbres, drum beats, and song structures are deeply meaningful to its audience, as corroborated by the robust discourse in punk zines.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780197534892"><em>Rebel Music in the Triumphant Empire</em></a><em> </em>(Oxford University Press, 2020), musicologist <a href="https://punkinthe1990s.com/">David Pearson</a> explores the changing landscape of punk in the United States in the 1990s. Pearson examines how the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to the American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 WTO meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations. Numerous subgenres of punk proliferated to deliver this critique, such as the blazing hardcore punk of bands like Los Crudos, propagandistic crust-punk/dis-core, grindcore, and power violence with tempos over 800 beats per minute, and So-Cal punk with its combination of melody and hardcore. Musical analysis of each of these styles and the expressive efficacy of numerous bands reveals that punk is not merely simplistic three-chord rock music, but a genre that is constantly revolutionizing itself in which nuances of guitar riffs, vocal timbres, drum beats, and song structures are deeply meaningful to its audience, as corroborated by the robust discourse in punk zines.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3288</itunes:duration>
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      <title>Stephanie N. Brehm, "America's Most Famous Catholic (According to Himself): Stephen Colbert and American Religion in the 21st Century" (Fordham UP, 2019)</title>
      <description>For nine years, Stephen Colbert’s persona “Colbert”?—a Republican superhero and parody of conservative political pundits--informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” This book examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy.
Religion and the foibles of religious institutions have served as fodder for scores of comedians over the years. What set “Colbert” apart on his show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent.
Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert’s life and world towards a conversation about how “Colbert” shapes Catholicism. Brehm provides historical context by discovering how “Colbert” compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be voice for Catholicism on late night, now to an even broader audience.
America’s Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to clearly see the religious elements in the work and life of comedian Stephen Colbert.
Carlos Ruiz Martinez is a PhD student in the Department of Religious Studies at the University of Iowa. He is also the Communications Assistant for the American Catholic Historical Association (ACHA). His general interest is in American religious history, especially American Catholicism.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 25 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephanie N. Brehm</itunes:subtitle>
      <itunes:summary>For nine years, Stephen Colbert’s persona “Colbert”?—a Republican superhero and parody of conservative political pundits--informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” This book examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy.
Religion and the foibles of religious institutions have served as fodder for scores of comedians over the years. What set “Colbert” apart on his show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent.
Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert’s life and world towards a conversation about how “Colbert” shapes Catholicism. Brehm provides historical context by discovering how “Colbert” compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be voice for Catholicism on late night, now to an even broader audience.
America’s Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to clearly see the religious elements in the work and life of comedian Stephen Colbert.
Carlos Ruiz Martinez is a PhD student in the Department of Religious Studies at the University of Iowa. He is also the Communications Assistant for the American Catholic Historical Association (ACHA). His general interest is in American religious history, especially American Catholicism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For nine years, Stephen Colbert’s persona “Colbert”?—a Republican superhero and parody of conservative political pundits--informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” This book examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy.</p><p>Religion and the foibles of religious institutions have served as fodder for scores of comedians over the years. What set “Colbert” apart on his show, <em>The Colbert Report</em>, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent.</p><p>Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert’s life and world towards a conversation about how “Colbert” shapes Catholicism. Brehm provides historical context by discovering how “Colbert” compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on <em>The Late Show</em>, where he continues to be voice for Catholicism on late night, now to an even broader audience.</p><p><a href="https://bookshop.org/a/12343/9780823285303"><em>America’s Most Famous Catholic (According to Himself)</em></a><em> </em>also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to clearly see the religious elements in the work and life of comedian Stephen Colbert.</p><p><em>Carlos Ruiz Martinez is a PhD student in the Department of Religious Studies at the University of Iowa. He is also the Communications Assistant for the American Catholic Historical Association (ACHA). His general interest is in American religious history, especially American Catholicism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2234</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN3566088350.mp3?updated=1634934126" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ashley Hinck, "Politics for the Love of Fandom: Fan-Based Citizenship in a Digital World" (LSU Press, 2019)</title>
      <description>Politics for the Love of Fandom: Fan-Based Citizenship in a Digital World (Louisiana State Press, 2019) examines what Ashley Hinck calls “fan-based citizenship”: civic action that blends with and arises from participation in fandom and commitment to a fan-object. Examining cases like Harry Potter fans fighting for fair trade, YouTube fans donating money to charity, and football fans volunteering to mentor local youth, Hinck argues that fan-based citizenship has created new civic practices wherein popular culture may play as large a role in generating social action as traditional political institutions such as the Democratic Party or the Catholic Church.
Hinck considers the ways in which fan-based social engagement arises organically, from fan communities seeking to change their world as a group, as well as the methods creators use to leverage their fans to take social action. The modern shift to networked, fluid communities, Hinck argues, opens up opportunities for public participation that occurs outside of political parties, houses of worship, and organizations for social action.
Politics for the Love of Fandom shows how fan-based citizenship performances help us understand the future possibilities of public engagement, as fans and creators alike tie the ethical frameworks of fan-objects to desired social goal, such as volunteering for political candidates, mentoring at-risk youth, and promoting environmentally friendly policy. 
Dr. Ashley Hinck (she/her) is Assistant Professor of Communication at Xavier University specializing in digital media, fandom, citizenship, social activism, rhetoric.
Dr. Lee M. Pierce (they/them) is a rhetoric scholar and speech critic at SUNY Geneseo and host/ess of for New Books Network channels in Language and Media &amp; Communications.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 22 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>75</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ashley Hinck</itunes:subtitle>
      <itunes:summary>Politics for the Love of Fandom: Fan-Based Citizenship in a Digital World (Louisiana State Press, 2019) examines what Ashley Hinck calls “fan-based citizenship”: civic action that blends with and arises from participation in fandom and commitment to a fan-object. Examining cases like Harry Potter fans fighting for fair trade, YouTube fans donating money to charity, and football fans volunteering to mentor local youth, Hinck argues that fan-based citizenship has created new civic practices wherein popular culture may play as large a role in generating social action as traditional political institutions such as the Democratic Party or the Catholic Church.
Hinck considers the ways in which fan-based social engagement arises organically, from fan communities seeking to change their world as a group, as well as the methods creators use to leverage their fans to take social action. The modern shift to networked, fluid communities, Hinck argues, opens up opportunities for public participation that occurs outside of political parties, houses of worship, and organizations for social action.
Politics for the Love of Fandom shows how fan-based citizenship performances help us understand the future possibilities of public engagement, as fans and creators alike tie the ethical frameworks of fan-objects to desired social goal, such as volunteering for political candidates, mentoring at-risk youth, and promoting environmentally friendly policy. 
Dr. Ashley Hinck (she/her) is Assistant Professor of Communication at Xavier University specializing in digital media, fandom, citizenship, social activism, rhetoric.
Dr. Lee M. Pierce (they/them) is a rhetoric scholar and speech critic at SUNY Geneseo and host/ess of for New Books Network channels in Language and Media &amp; Communications.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780807170342"><em>Politics for the Love of Fandom: Fan-Based Citizenship in a Digital World</em></a><em> </em>(Louisiana State Press, 2019) examines what Ashley Hinck calls “fan-based citizenship”: civic action that blends with and arises from participation in fandom and commitment to a fan-object. Examining cases like Harry Potter fans fighting for fair trade, YouTube fans donating money to charity, and football fans volunteering to mentor local youth, Hinck argues that fan-based citizenship has created new civic practices wherein popular culture may play as large a role in generating social action as traditional political institutions such as the Democratic Party or the Catholic Church.</p><p>Hinck considers the ways in which fan-based social engagement arises organically, from fan communities seeking to change their world as a group, as well as the methods creators use to leverage their fans to take social action. The modern shift to networked, fluid communities, Hinck argues, opens up opportunities for public participation that occurs outside of political parties, houses of worship, and organizations for social action.</p><p><em>Politics for the Love of Fandom</em> shows how fan-based citizenship performances help us understand the future possibilities of public engagement, as fans and creators alike tie the ethical frameworks of fan-objects to desired social goal, such as volunteering for political candidates, mentoring at-risk youth, and promoting environmentally friendly policy. </p><p><a href="https://www.xavier.edu/communication-department/directory/ashley-hinck">Dr. Ashley Hinck</a> (she/her) is Assistant Professor of Communication at Xavier University specializing in digital media, fandom, citizenship, social activism, rhetoric.</p><p><a href="https://leempierce.com/"><em>Dr. Lee M. Pierce</em></a><em> (they/them) is a rhetoric scholar and speech critic at SUNY Geneseo and host/ess of for New Books Network channels in Language and Media &amp; Communications.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kelefa Sanneh, "Major Labels: A History of Popular Music in Seven Genres" (Penguin, 2021)</title>
      <description>Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&amp;B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which.
Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 22 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kelefa Sanneh</itunes:subtitle>
      <itunes:summary>Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&amp;B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which.
Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called <a href="https://books.google.com/books/about/Major_Labels.html?id=HvdpzgEACAAJ"><em>Major Labels: A History of Popular Music in Seven Genres</em></a>. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&amp;B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music <em>isn’t</em> transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which.</p><p><a href="http://www.franznicolay.com/"><em>Franz Nicolay</em></a><em> is a musician and writer living in New York's Hudson Valley. His first book, </em><a href="https://bookshop.org/books/the-humorless-ladies-of-border-control-touring-the-punk-underground-from-belgrade-to-ulaanbaatar/9781620971796"><em>The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar</em></a><em>, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, </em><a href="https://bookshop.org/books/someone-should-pay-for-your-pain/9781948721134"><em>Someone Should Pay for Your Pain</em></a><em>, "a knockout fiction debut." He teaches at Bard College.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3663</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN4062518412.mp3?updated=1753919067" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alex E. Chávez, "Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño" (Duke UP, 2017)</title>
      <description>In Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States’ often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño’s performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alex E. Chávez</itunes:subtitle>
      <itunes:summary>In Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States’ often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño’s performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780822370185"><em>Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño </em></a>(Duke UP, 2017), Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States’ often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño’s performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life.</p><p><a href="https://history.byu.edu/directory/david-james-gonzales"><em>David-James Gonzales</em></a><em> (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4254</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Esther De Dauw, "Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic" (Rutgers UP, 2021)</title>
      <description>Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw’s new book,
Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books.
Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics.
Shaina Boldt assisted with this podcast.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>551</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Esther De Dauw</itunes:subtitle>
      <itunes:summary>Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw’s new book,
Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books.
Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics.
Shaina Boldt assisted with this podcast.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw’s new book,</p><p><a href="https://bookshop.org/a/12343/9781978806030"><em>Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic</em></a> (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books.</p><p><em>Hot Pants and Spandex Suits </em>takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. <em>Hot Pants and Spandex Suits</em> unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics.</p><p>Shaina Boldt assisted with this podcast.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3429</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7a0fba5a-2df5-11ec-ba78-074361c341e5]]></guid>
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    <item>
      <title>Christie Milliken and Steve F. Anderson, "Reclaiming Popular Documentary" (Indiana UP, 2021)</title>
      <description>The documentary has achieved rising popularity over the past two decades, thanks to streaming services like Netflix and Hulu. Despite this fact, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary (Indiana UP, 2021) reverses this longstanding tendency by showing that documentaries can be--and are--made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge documentary's many evolving forms, including branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms--including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand--and offer the critical tools that viewers need in order to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>95</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christie Milliken and Steve F. Anderson</itunes:subtitle>
      <itunes:summary>The documentary has achieved rising popularity over the past two decades, thanks to streaming services like Netflix and Hulu. Despite this fact, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary (Indiana UP, 2021) reverses this longstanding tendency by showing that documentaries can be--and are--made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge documentary's many evolving forms, including branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms--including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand--and offer the critical tools that viewers need in order to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The documentary has achieved rising popularity over the past two decades, thanks to streaming services like Netflix and Hulu. Despite this fact, documentary studies still tends to favor works that appeal primarily to specialists and scholars. <a href="https://bookshop.org/a/12343/9780253056887"><em>Reclaiming Popular Documentary</em></a> (Indiana UP, 2021) reverses this longstanding tendency by showing that documentaries can be--and are--made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge documentary's many evolving forms, including branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms--including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand--and offer the critical tools that viewers need in order to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4468</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1042384955.mp3?updated=1633716967" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kemi Adeyemi et al., "Queer Nightlife" (U Michigan Press, 2021)</title>
      <description>The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book’s four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).
Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington.
Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women’s, gender, and sexuality studies at Tufts University.
Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin.





Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design &amp; Architecture at the University of Johannesburg.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>184</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kemi Adeyemi, Kareem Khubchandani and Ramon H. Rivera-Servera</itunes:subtitle>
      <itunes:summary>The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book’s four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).
Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington.
Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women’s, gender, and sexuality studies at Tufts University.
Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin.





Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design &amp; Architecture at the University of Johannesburg.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. <a href="https://bookshop.org/a/12343/9780472054787"><em>Queer Nightlife</em></a> (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book’s four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).</p><p>Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington.</p><p>Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women’s, gender, and sexuality studies at Tufts University.</p><p>Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin.</p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p><p><em>Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design &amp; Architecture at the University of Johannesburg.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3113</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[edd6aafc-27b0-11ec-aa95-ab3ebc036f01]]></guid>
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    <item>
      <title>Aaron Cometbus and Scott Satterwhite, "A Punkhouse in the Deep South: The Oral History Of 309" (UP of Florida, 2021)</title>
      <description>Told in personal interviews, A Punkhouse in the Deep South: The Oral History of 309 (University Press of Florida, 2021) is the collective story of a punk community in an unlikely town and region, a hub of radical counterculture that drew artists and musicians from throughout the conservative South and earned national renown. The house at 309 6th Avenue has long been a crossroads for punk rock, activism, veganism, and queer culture in Pensacola, a quiet Gulf Coast city at the border of Florida and Alabama. In this book from Aaron Cometbus and Scott Satterwhite, residents of 309 narrate the colorful and often comical details of communal life in the crowded and dilapidated house over its 30-year existence. Each voice adds to the picture of a lively community that worked together to provide for their own needs while making a positive, lasting impact on their surrounding area. Together, these participants show that punk is more than music and teenage rebellion. It is about alternatives to standard narratives of living, acceptance for the marginalized in a rapidly changing world, and building a sense of family from the ground up.
Learn more about the 309 Punk Project here. 
Scott Satterwhite is a historian, educator, and journalist who teaches writing and literature at the University of West Florida.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>128</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Satterwhite</itunes:subtitle>
      <itunes:summary>Told in personal interviews, A Punkhouse in the Deep South: The Oral History of 309 (University Press of Florida, 2021) is the collective story of a punk community in an unlikely town and region, a hub of radical counterculture that drew artists and musicians from throughout the conservative South and earned national renown. The house at 309 6th Avenue has long been a crossroads for punk rock, activism, veganism, and queer culture in Pensacola, a quiet Gulf Coast city at the border of Florida and Alabama. In this book from Aaron Cometbus and Scott Satterwhite, residents of 309 narrate the colorful and often comical details of communal life in the crowded and dilapidated house over its 30-year existence. Each voice adds to the picture of a lively community that worked together to provide for their own needs while making a positive, lasting impact on their surrounding area. Together, these participants show that punk is more than music and teenage rebellion. It is about alternatives to standard narratives of living, acceptance for the marginalized in a rapidly changing world, and building a sense of family from the ground up.
Learn more about the 309 Punk Project here. 
Scott Satterwhite is a historian, educator, and journalist who teaches writing and literature at the University of West Florida.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Told in personal interviews, <a href="https://bookshop.org/a/12343/9780813068527"><em>A Punkhouse in the Deep South: The Oral History of 309</em></a><em> </em>(University Press of Florida, 2021) is the collective story of a punk community in an unlikely town and region, a hub of radical counterculture that drew artists and musicians from throughout the conservative South and earned national renown. The house at 309 6th Avenue has long been a crossroads for punk rock, activism, veganism, and queer culture in Pensacola, a quiet Gulf Coast city at the border of Florida and Alabama. In this book from Aaron Cometbus and Scott Satterwhite, residents of 309 narrate the colorful and often comical details of communal life in the crowded and dilapidated house over its 30-year existence. Each voice adds to the picture of a lively community that worked together to provide for their own needs while making a positive, lasting impact on their surrounding area. Together, these participants show that punk is more than music and teenage rebellion. It is about alternatives to standard narratives of living, acceptance for the marginalized in a rapidly changing world, and building a sense of family from the ground up.</p><p>Learn more about the 309 Punk Project <a href="https://www.309punkproject.org/">here.</a> </p><p><a href="https://uwf.edu/cassh/departments/english/faculty/c-scott-satterwhite.html">Scott Satterwhite</a> is a historian, educator, and journalist who teaches writing and literature at the University of West Florida.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3977</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>David Kunzle, "Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870" (UP of Mississippi, 2021)</title>
      <description>Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story.
Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1086</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Kunzle</itunes:subtitle>
      <itunes:summary>Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story.
Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781496833990"><em>Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870</em></a> (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in <em>Punch, </em>where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in <em>Punch</em> has been almost completely ignored. Exceptionally, George Cruikshank revived just once in<em> The Bottle, </em>independently, the whole serious, contrasting Hogarthian picture story.</p><p>Numerous comic strips and picture stories appeared in periodicals other than <em>Punch</em> by artists who were likewise largely ignored. Like the <em>Punch </em>luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of <em>Punch </em>by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In <em>Rebirth of the English Comic Strip</em>, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4488</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN8911032165.mp3?updated=1633788915" length="0" type="audio/mpeg"/>
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    <item>
      <title>Cyrus R. K. Patell, "Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe" (Bloomsbury, 2021)</title>
      <description>From A New Hope to The Rise of Skywalker and beyond, this book offers the first complete assessment and philosophical exploration of the Star Wars universe.
Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe (Bloomsbury, 2021) examines the ways in which these iconic films were shaped by global cultural mythologies and world cinema, as well as philosophical ideas from the fields of aesthetics and political theory, and now serve as a platform for public philosophy. Cyrus R. K. Patell also looks at how this ever-expanding universe of cultural products and enterprises became a global brand and asks: can a corporate entity be considered a "filmmaker and philosopher"?
More than any other film franchise, Lucasfilm's Star Wars has become part of the global cultural imagination. The new generation of Lucasfilm artists is full of passionate fans of the Star Wars universe, who have now been given the chance to build on George Lucas's oeuvre. Within these pages, Patell explores what it means for films and their creators to become part of cultural history in this unprecedented way.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cyrus R. K. Patell</itunes:subtitle>
      <itunes:summary>From A New Hope to The Rise of Skywalker and beyond, this book offers the first complete assessment and philosophical exploration of the Star Wars universe.
Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe (Bloomsbury, 2021) examines the ways in which these iconic films were shaped by global cultural mythologies and world cinema, as well as philosophical ideas from the fields of aesthetics and political theory, and now serve as a platform for public philosophy. Cyrus R. K. Patell also looks at how this ever-expanding universe of cultural products and enterprises became a global brand and asks: can a corporate entity be considered a "filmmaker and philosopher"?
More than any other film franchise, Lucasfilm's Star Wars has become part of the global cultural imagination. The new generation of Lucasfilm artists is full of passionate fans of the Star Wars universe, who have now been given the chance to build on George Lucas's oeuvre. Within these pages, Patell explores what it means for films and their creators to become part of cultural history in this unprecedented way.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From <em>A New Hope</em> to <em>The Rise of Skywalker </em>and beyond, this book offers the first complete assessment and philosophical exploration of the <em>Star Wars</em> universe.</p><p><a href="https://bookshop.org/a/12343/9781350100602"><em>Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe</em></a><em> </em>(Bloomsbury, 2021) examines the ways in which these iconic films were shaped by global cultural mythologies and world cinema, as well as philosophical ideas from the fields of aesthetics and political theory, and now serve as a platform for public philosophy. Cyrus R. K. Patell also looks at how this ever-expanding universe of cultural products and enterprises became a global brand and asks: can a corporate entity be considered a "filmmaker and philosopher"?</p><p>More than any other film franchise, Lucasfilm's <em>Star Wars</em> has become part of the global cultural imagination. The new generation of Lucasfilm artists is full of passionate fans of the <em>Star Wars </em>universe, who have now been given the chance to build on George Lucas's oeuvre. Within these pages, Patell explores what it means for films and their creators to become part of cultural history in this unprecedented way.</p><p><em>Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at </em><a href="mailto:galina.limorenko@epfl.ch"><em>galina.limorenko@epfl.ch</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3792</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mike Dines et al., "The Punk Reader: Research Transmissions from the Local and the Global" (Intellect, 2019)</title>
      <description>Intellect’s Global Punk Series (2019-present) has produced edited collections of interdisciplinary and multidisciplinary work into local, national, global, and trans-global punk scenes. Series editors, Russ Bestley, Mike Dines, Alastair “Gords” Gordon, and Paula Guerra discuss the inception, creation, and production of the series in this New Books Network Interview. In addition to the punk series, they discuss the Punk Scholars Network, additional books on punk coming out on the imprint, and DIY Academic publishing. Volumes 1 and 2 of the series are currently available and the next two titles will be out this fall. Scholars interested in participating in the series or learning more about the PSN can contact Dines (M.Dines@mdx.ac.uk) or Bestley (r.bestley@lcc.arts.ac.uk).  
The Punk Reader: Research Transmissions from the Local and the Global (2019) is the first edited volume to explore and critically interrogate punk culture in relation to contemporary, radicalized globalization. Documenting disparate international punk scenes, including Mexico, China, Malaysia and Iran.
Trans-Global Punk Scenes (2021) brings together contributors from a range of disciplines to examine the global influence of punk in the new millennium, with a focus on punk demographics, the evolution of subcultural punk styles, and the notion of punk identity across cultural and geographic boundaries. International in scope and analytical in perspective, the chapters offer insight into punk scenes in New Zealand, Indonesia, Singapore, Ireland, South Africa, Mexico, the UK and US, Siberia and the Philippines.
Punk Identities, Punk Utopias: Global Punk and Media (December 2021) This new volume in the acclaimed Global Punk series extends the critical inquiry to reflect broader social, political, and technological concerns impacting punk scenes around the world, with international contributors, ranging through topics from digital technology and new media to gender, ethnicity, identity, and representation.
Punk! Las Américas Edition (December 2021) This book challenges the dominant vision of punk – particularly its white masculine protagonists and deep Anglocentrism – by analyzing punk as a critical lens into the disputed territories of 'America', a term that hides the heterogeneous struggles, global histories, hopes and despairs of late twentieth and early twenty-first-century experience. Compiling academic essays and punk paraphernalia (interviews, zines, poetry, and visual segments) into a single volume, the book seeks to explore punk life through its multiple registers, through vivid musical dialogues, excessive visual displays, and underground literary expression.
 Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Russ Bestley, Mike Dines, Alastair “Gords” Gordon, and Paula Guerra </itunes:subtitle>
      <itunes:summary>Intellect’s Global Punk Series (2019-present) has produced edited collections of interdisciplinary and multidisciplinary work into local, national, global, and trans-global punk scenes. Series editors, Russ Bestley, Mike Dines, Alastair “Gords” Gordon, and Paula Guerra discuss the inception, creation, and production of the series in this New Books Network Interview. In addition to the punk series, they discuss the Punk Scholars Network, additional books on punk coming out on the imprint, and DIY Academic publishing. Volumes 1 and 2 of the series are currently available and the next two titles will be out this fall. Scholars interested in participating in the series or learning more about the PSN can contact Dines (M.Dines@mdx.ac.uk) or Bestley (r.bestley@lcc.arts.ac.uk).  
The Punk Reader: Research Transmissions from the Local and the Global (2019) is the first edited volume to explore and critically interrogate punk culture in relation to contemporary, radicalized globalization. Documenting disparate international punk scenes, including Mexico, China, Malaysia and Iran.
Trans-Global Punk Scenes (2021) brings together contributors from a range of disciplines to examine the global influence of punk in the new millennium, with a focus on punk demographics, the evolution of subcultural punk styles, and the notion of punk identity across cultural and geographic boundaries. International in scope and analytical in perspective, the chapters offer insight into punk scenes in New Zealand, Indonesia, Singapore, Ireland, South Africa, Mexico, the UK and US, Siberia and the Philippines.
Punk Identities, Punk Utopias: Global Punk and Media (December 2021) This new volume in the acclaimed Global Punk series extends the critical inquiry to reflect broader social, political, and technological concerns impacting punk scenes around the world, with international contributors, ranging through topics from digital technology and new media to gender, ethnicity, identity, and representation.
Punk! Las Américas Edition (December 2021) This book challenges the dominant vision of punk – particularly its white masculine protagonists and deep Anglocentrism – by analyzing punk as a critical lens into the disputed territories of 'America', a term that hides the heterogeneous struggles, global histories, hopes and despairs of late twentieth and early twenty-first-century experience. Compiling academic essays and punk paraphernalia (interviews, zines, poetry, and visual segments) into a single volume, the book seeks to explore punk life through its multiple registers, through vivid musical dialogues, excessive visual displays, and underground literary expression.
 Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Intellect’s <a href="https://www.intellectbooks.com/global-punk-series">Global Punk Series</a> (2019-present) has produced edited collections of interdisciplinary and multidisciplinary work into local, national, global, and trans-global punk scenes. Series editors, Russ Bestley, Mike Dines, Alastair “Gords” Gordon, and Paula Guerra discuss the inception, creation, and production of the series in this New Books Network Interview. In addition to the punk series, they discuss the <a href="https://www.punkscholarsnetwork.com/">Punk Scholars Network</a>, additional books on punk coming out on the imprint, and DIY Academic publishing. Volumes 1 and 2 of the series are currently available and the next two titles will be out this fall. Scholars interested in participating in the series or learning more about the PSN can contact Dines (<a href="mailto:M.Dines@mdx.ac.uk">M.Dines@mdx.ac.uk</a>) or Bestley (<a href="mailto:r.bestley@lcc.arts.ac.uk">r.bestley@lcc.arts.ac.uk</a>).  </p><p><a href="https://www.intellectbooks.com/the-punk-reader"><em>The Punk Reader: Research Transmissions from the Local and the Global</em></a> (2019) is the first edited volume to explore and critically interrogate punk culture in relation to contemporary, radicalized globalization. Documenting disparate international punk scenes, including Mexico, China, Malaysia and Iran.</p><p><a href="https://www.intellectbooks.com/trans-global-punk-scenes"><em>Trans-Global Punk Scenes </em></a><em>(2021) </em>brings together contributors from a range of disciplines to examine the global influence of punk in the new millennium, with a focus on punk demographics, the evolution of subcultural punk styles, and the notion of punk identity across cultural and geographic boundaries. International in scope and analytical in perspective, the chapters offer insight into punk scenes in New Zealand, Indonesia, Singapore, Ireland, South Africa, Mexico, the UK and US, Siberia and the Philippines.</p><p><a href="https://www.intellectbooks.com/punk-identities-punk-utopias"><em>Punk Identities, Punk Utopias: Global Punk and Media</em></a> (December 2021) This new volume in the acclaimed Global Punk series extends the critical inquiry to reflect broader social, political, and technological concerns impacting punk scenes around the world, with international contributors, ranging through topics from digital technology and new media to gender, ethnicity, identity, and representation.</p><p><a href="https://www.intellectbooks.com/punk-las-americas-edition"><em>Punk! Las Américas Edition</em></a> (December 2021) This book challenges the dominant vision of punk – particularly its white masculine protagonists and deep Anglocentrism – by analyzing punk as a critical lens into the disputed territories of 'America', a term that hides the heterogeneous struggles, global histories, hopes and despairs of late twentieth and early twenty-first-century experience. Compiling academic essays and punk paraphernalia (interviews, zines, poetry, and visual segments) into a single volume, the book seeks to explore punk life through its multiple registers, through vivid musical dialogues, excessive visual displays, and underground literary expression.</p><p><em> </em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
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      <title>Jessica Luther and Kavitha Davidson, "Loving Sports When They Don't Love You Back" (U Texas Press, 2020)</title>
      <description>Today we are joined by Jessica Luther, a freelance investigative journalist, and Kavitha Davidson, a sport and culture writer with the Athletic, who together are the authors of Loving Sports When They Don’t Love You Back: Dilemmas of the Modern Fan (University of Texas Press, 2020). Our free-flowing conversation covered the use of indigenous American imagery by sporting teams in the United States, athletes and domestic violence, and falling out of love and into love with sports.
Loving Sports When They Don’t Love You Back is a comprehensive book that examines fourteen issues facing contemporary sports fans, including: football and CTE, doping, racist mascots, unequal pay, LGBTQ+ participation, representation in sports media, domestic violence, bad owners, the NCAA and amateurism, and the cost of building stadiums and hosting mega-events like the Olympics and World Cup. Rather than ‘sticking to dribbling,’ Luther and Davidson demonstrate the inherent politics of sports culture. In each chapter, they address the different ways that sports influence political issues and showcase how some athletes, organizers and fans have responded to the failure of sporting life to live up to our expectations. For example, in their chapter on racist mascots, Luther and Davidson trace out the human costs of awful caricatures like Chief Wahoo, but also highlight how even teams that work closely with American Indian groups still open the door for native people’s disparagement by their rival fans.
Their work is both aimed at people who might feel left out of sporting life, including women, people of color, or LGBTQ+ fans. Their chapter on representation in sports media, for example, offers an innovative oral history of media figures from marginalized groups. At the same time, they also address issues facing all sports fans including how to justify (or not) watching the NFL and college football when so many players are suffering from CTE.
Their work offers fresh critiques of sports from within a progressive and capitalist framework. In their chapters on the MLB’s free market system, they note that it has done a better job of producing competitive parity than the NFL’s salary cap and they also point out that it benefits players whose salaries are constrained by the cartelization of the leagues. They strongly critique the NCAA’s approach to player compensation and I look forward to hearing them both more in the future on Name, Image and Likeness rights. They take seriously the problems of stadium building, especially gentrification, but still consider the possibilities for people’s enjoyment of a new arena. Their chapter “Watching Women’s Basketball When People Tell You You’re the Only One” offers hope for fans who want to support a league with genuinely revolutionary potential.
Loving Sports When They Don’t Love You Back is a wide-ranging analysis and discussion of many of the key issues facing sports fans from two leading sports writers. Their work will be of general interest to sports fans, but particularly useful for people teaching about sports history, sociology or politics.
Keith Rathbone is a senior lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 11 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jessica Luther and Kavitha Davidson</itunes:subtitle>
      <itunes:summary>Today we are joined by Jessica Luther, a freelance investigative journalist, and Kavitha Davidson, a sport and culture writer with the Athletic, who together are the authors of Loving Sports When They Don’t Love You Back: Dilemmas of the Modern Fan (University of Texas Press, 2020). Our free-flowing conversation covered the use of indigenous American imagery by sporting teams in the United States, athletes and domestic violence, and falling out of love and into love with sports.
Loving Sports When They Don’t Love You Back is a comprehensive book that examines fourteen issues facing contemporary sports fans, including: football and CTE, doping, racist mascots, unequal pay, LGBTQ+ participation, representation in sports media, domestic violence, bad owners, the NCAA and amateurism, and the cost of building stadiums and hosting mega-events like the Olympics and World Cup. Rather than ‘sticking to dribbling,’ Luther and Davidson demonstrate the inherent politics of sports culture. In each chapter, they address the different ways that sports influence political issues and showcase how some athletes, organizers and fans have responded to the failure of sporting life to live up to our expectations. For example, in their chapter on racist mascots, Luther and Davidson trace out the human costs of awful caricatures like Chief Wahoo, but also highlight how even teams that work closely with American Indian groups still open the door for native people’s disparagement by their rival fans.
Their work is both aimed at people who might feel left out of sporting life, including women, people of color, or LGBTQ+ fans. Their chapter on representation in sports media, for example, offers an innovative oral history of media figures from marginalized groups. At the same time, they also address issues facing all sports fans including how to justify (or not) watching the NFL and college football when so many players are suffering from CTE.
Their work offers fresh critiques of sports from within a progressive and capitalist framework. In their chapters on the MLB’s free market system, they note that it has done a better job of producing competitive parity than the NFL’s salary cap and they also point out that it benefits players whose salaries are constrained by the cartelization of the leagues. They strongly critique the NCAA’s approach to player compensation and I look forward to hearing them both more in the future on Name, Image and Likeness rights. They take seriously the problems of stadium building, especially gentrification, but still consider the possibilities for people’s enjoyment of a new arena. Their chapter “Watching Women’s Basketball When People Tell You You’re the Only One” offers hope for fans who want to support a league with genuinely revolutionary potential.
Loving Sports When They Don’t Love You Back is a wide-ranging analysis and discussion of many of the key issues facing sports fans from two leading sports writers. Their work will be of general interest to sports fans, but particularly useful for people teaching about sports history, sociology or politics.
Keith Rathbone is a senior lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Jessica Luther, a freelance investigative journalist, and Kavitha Davidson, a sport and culture writer with the Athletic, who together are the authors of <a href="https://bookshop.org/a/12343/9781477313138"><em>Loving Sports When They Don’t Love You Back: Dilemmas of the Modern Fan</em></a><em> </em>(University of Texas Press, 2020). Our free-flowing conversation covered the use of indigenous American imagery by sporting teams in the United States, athletes and domestic violence, and falling out of love and into love with sports.</p><p><em>Loving Sports When They Don’t Love You Back</em> is a comprehensive book that examines fourteen issues facing contemporary sports fans, including: football and CTE, doping, racist mascots, unequal pay, LGBTQ+ participation, representation in sports media, domestic violence, bad owners, the NCAA and amateurism, and the cost of building stadiums and hosting mega-events like the Olympics and World Cup. Rather than ‘sticking to dribbling,’ Luther and Davidson demonstrate the inherent politics of sports culture. In each chapter, they address the different ways that sports influence political issues and showcase how some athletes, organizers and fans have responded to the failure of sporting life to live up to our expectations. For example, in their chapter on racist mascots, Luther and Davidson trace out the human costs of awful caricatures like Chief Wahoo, but also highlight how even teams that work closely with American Indian groups still open the door for native people’s disparagement by their rival fans.</p><p>Their work is both aimed at people who might feel left out of sporting life, including women, people of color, or LGBTQ+ fans. Their chapter on representation in sports media, for example, offers an innovative oral history of media figures from marginalized groups. At the same time, they also address issues facing all sports fans including how to justify (or not) watching the NFL and college football when so many players are suffering from CTE.</p><p>Their work offers fresh critiques of sports from within a progressive and capitalist framework. In their chapters on the MLB’s free market system, they note that it has done a better job of producing competitive parity than the NFL’s salary cap and they also point out that it benefits players whose salaries are constrained by the cartelization of the leagues. They strongly critique the NCAA’s approach to player compensation and I look forward to hearing them both more in the future on Name, Image and Likeness rights. They take seriously the problems of stadium building, especially gentrification, but still consider the possibilities for people’s enjoyment of a new arena. Their chapter “Watching Women’s Basketball When People Tell You You’re the Only One” offers hope for fans who want to support a league with genuinely revolutionary potential.</p><p><em>Loving Sports When They Don’t Love You Back</em> is a wide-ranging analysis and discussion of many of the key issues facing sports fans from two leading sports writers. Their work will be of general interest to sports fans, but particularly useful for people teaching about sports history, sociology or politics.</p><p><em>Keith Rathbone is a senior lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at </em><a href="mailto:keith.rathbone@mq.edu.au"><em>keith.rathbone@mq.edu.au</em></a> and follow him at <em>@keithrathbone </em>on twitter.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3115</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>John Wigger, "PTL: The Rise and Fall of Jim and Tammy Faye Bakker's Evangelical Empire" (Oxford UP, 2017)</title>
      <description>In 1974 Jim and Tammy Bakker launched their television show, the "PTL Club," from a former furniture store in Charlotte, N.C. with half a dozen friends. By 1987 they stood at the center of a ministry empire that included their own satellite network, a 2300-acre theme park visited by six million people a year, and millions of adoring fans. The Bakkers led a life of conspicuous consumption perfectly aligned with the prosperity gospel they preached. They bought vacation homes, traveled first-class with an entourage and proclaimed that God wanted everyone to be healthy and wealthy.
When it all fell apart, after revelations of a sex scandal and massive financial mismanagement, all of America watched more than two years of federal investigation and trial as Jim was eventually convicted on 24 counts of fraud and conspiracy. He would go on to serve five years in federal prison.
PTL: The Rise and Fall of Jim and Tammy Faye Bakker's Evangelical Empire (Oxford UP, 2017) is more than just the spectacular story of the rise and fall of the Bakkers, John Wigger traces their lives from humble beginnings to wealth, fame, and eventual disgrace. At its core, PTL is the story of a group of people committed to religious innovation, who pushed the boundaries of evangelical religion's engagement with American culture.
Drawing on trial transcripts, videotapes, newspaper articles, and interviews with key insiders, dissidents, and lawyers, Wigger reveals the power of religion to redirect American culture. This is the story of a grand vision gone wrong, of the power of big religion in American life and its limits.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 05 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>159</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Wigger</itunes:subtitle>
      <itunes:summary>In 1974 Jim and Tammy Bakker launched their television show, the "PTL Club," from a former furniture store in Charlotte, N.C. with half a dozen friends. By 1987 they stood at the center of a ministry empire that included their own satellite network, a 2300-acre theme park visited by six million people a year, and millions of adoring fans. The Bakkers led a life of conspicuous consumption perfectly aligned with the prosperity gospel they preached. They bought vacation homes, traveled first-class with an entourage and proclaimed that God wanted everyone to be healthy and wealthy.
When it all fell apart, after revelations of a sex scandal and massive financial mismanagement, all of America watched more than two years of federal investigation and trial as Jim was eventually convicted on 24 counts of fraud and conspiracy. He would go on to serve five years in federal prison.
PTL: The Rise and Fall of Jim and Tammy Faye Bakker's Evangelical Empire (Oxford UP, 2017) is more than just the spectacular story of the rise and fall of the Bakkers, John Wigger traces their lives from humble beginnings to wealth, fame, and eventual disgrace. At its core, PTL is the story of a group of people committed to religious innovation, who pushed the boundaries of evangelical religion's engagement with American culture.
Drawing on trial transcripts, videotapes, newspaper articles, and interviews with key insiders, dissidents, and lawyers, Wigger reveals the power of religion to redirect American culture. This is the story of a grand vision gone wrong, of the power of big religion in American life and its limits.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1974 Jim and Tammy Bakker launched their television show, the<em> "</em>PTL Club," from a former furniture store in Charlotte, N.C. with half a dozen friends. By 1987 they stood at the center of a ministry empire that included their own satellite network, a 2300-acre theme park visited by six million people a year, and millions of adoring fans. The Bakkers led a life of conspicuous consumption perfectly aligned with the prosperity gospel they preached. They bought vacation homes, traveled first-class with an entourage and proclaimed that God wanted everyone to be healthy and wealthy.</p><p>When it all fell apart, after revelations of a sex scandal and massive financial mismanagement, all of America watched more than two years of federal investigation and trial as Jim was eventually convicted on 24 counts of fraud and conspiracy. He would go on to serve five years in federal prison.</p><p><a href="https://bookshop.org/a/12343/9780199379712"><em>PTL: The Rise and Fall of Jim and Tammy Faye Bakker's Evangelical Empire</em></a><em> </em>(Oxford UP, 2017) is more than just the spectacular story of the rise and fall of the Bakkers, John Wigger traces their lives from humble beginnings to wealth, fame, and eventual disgrace. At its core, PTL is the story of a group of people committed to religious innovation, who pushed the boundaries of evangelical religion's engagement with American culture.</p><p>Drawing on trial transcripts, videotapes, newspaper articles, and interviews with key insiders, dissidents, and lawyers, Wigger reveals the power of religion to redirect American culture. This is the story of a grand vision gone wrong, of the power of big religion in American life and its limits.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1705</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Shayna Maskell, "Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983" (U Illinois Press, 2021)</title>
      <description>Washington, DC is known as the birthplace of hardcore punk. The raw, innovative, new sound coming out of the nation’s capital in the late 1970s is examined in Shayna Maskell’s Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983 (U Illinois Press, 2021). Maskell examines the DC hardcore scene between 1978 and 1983, focusing on the bands Bad Brains, Minor Threat, State of Alert (S.OA.), Government Issue (G.I.), and Faith. She explores the culturally, historical, and political impact of DC as the site for the emergence of hardcore punk. A brief history of Washington DC situates the scene in a broader cultural narrative that moves beyond just the music’s aesthetics. Focusing on race, class, and gender in the hardcore scene and specifically on the ways in which the scene embodied and embraced white, middle-class masculinity, Maskell presents the complicated and at times contradictory representations of these signifiers that were born out of hardcore. Maskell uses interviews with participants, albums, and ephemera—zines, posters, flyers—to document and analyze this historical moment. Maskell's work is a strong examination of hardcore and its broader impact in the punk subculture, especially when it intersects with race, class, and gender.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 28 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>99</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shayna Maskell</itunes:subtitle>
      <itunes:summary>Washington, DC is known as the birthplace of hardcore punk. The raw, innovative, new sound coming out of the nation’s capital in the late 1970s is examined in Shayna Maskell’s Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983 (U Illinois Press, 2021). Maskell examines the DC hardcore scene between 1978 and 1983, focusing on the bands Bad Brains, Minor Threat, State of Alert (S.OA.), Government Issue (G.I.), and Faith. She explores the culturally, historical, and political impact of DC as the site for the emergence of hardcore punk. A brief history of Washington DC situates the scene in a broader cultural narrative that moves beyond just the music’s aesthetics. Focusing on race, class, and gender in the hardcore scene and specifically on the ways in which the scene embodied and embraced white, middle-class masculinity, Maskell presents the complicated and at times contradictory representations of these signifiers that were born out of hardcore. Maskell uses interviews with participants, albums, and ephemera—zines, posters, flyers—to document and analyze this historical moment. Maskell's work is a strong examination of hardcore and its broader impact in the punk subculture, especially when it intersects with race, class, and gender.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Washington, DC is known as the birthplace of hardcore punk. The raw, innovative, new sound coming out of the nation’s capital in the late 1970s is examined in Shayna Maskell’s <a href="https://www.press.uillinois.edu/books/catalog/69thm3tp9780252044182.html"><em>Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983</em></a> (U Illinois Press, 2021). Maskell examines the DC hardcore scene between 1978 and 1983, focusing on the bands Bad Brains, Minor Threat, State of Alert (S.OA.), Government Issue (G.I.), and Faith. She explores the culturally, historical, and political impact of DC as the site for the emergence of hardcore punk. A brief history of Washington DC situates the scene in a broader cultural narrative that moves beyond just the music’s aesthetics. Focusing on race, class, and gender in the hardcore scene and specifically on the ways in which the scene embodied and embraced white, middle-class masculinity, Maskell presents the complicated and at times contradictory representations of these signifiers that were born out of hardcore. Maskell uses interviews with participants, albums, and ephemera—zines, posters, flyers—to document and analyze this historical moment. Maskell's work is a strong examination of hardcore and its broader impact in the punk subculture, especially when it intersects with race, class, and gender.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3445</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Amanda Konkle and Charles Burnetts, "Perspectives on Crazy Ex-Girlfriend: Nuanced Postnetwork Television" (Syracuse UP, 2020)</title>
      <description>The new collection, Perspectives on Crazy Ex-Girlfriend: Nuanced Postnetwork Television (Syracuse University Press, 2021) by Amanda Konkle and Charles Burnetts explores the hit series with an off-putting title and a decidedly retrograde premise. The CW dramedy Crazy Ex-Girlfriend is a surprising choice for critical analysis. But, loyal viewers quickly came to appreciate the show’s sharp cultural critique through masterful parody, and this strategy has made it a critical darling and earned it several awards throughout its run. In ways not often seen on traditional network television, the show transcends conventional genre boundaries—the Hollywood musical, the romantic comedy, the music video—while resisting stereotypes associated with contemporary life. The essays in this collection underscore the show’s ability to distinguish itself within the current television market. Focusing on themes of feminism, gender identity, and mental health, contributors explore the ways in which the show challenged viewer expectations, as well as the role television critics play in identifying a show’s “authenticity” or quality.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amanda Konkle</itunes:subtitle>
      <itunes:summary>The new collection, Perspectives on Crazy Ex-Girlfriend: Nuanced Postnetwork Television (Syracuse University Press, 2021) by Amanda Konkle and Charles Burnetts explores the hit series with an off-putting title and a decidedly retrograde premise. The CW dramedy Crazy Ex-Girlfriend is a surprising choice for critical analysis. But, loyal viewers quickly came to appreciate the show’s sharp cultural critique through masterful parody, and this strategy has made it a critical darling and earned it several awards throughout its run. In ways not often seen on traditional network television, the show transcends conventional genre boundaries—the Hollywood musical, the romantic comedy, the music video—while resisting stereotypes associated with contemporary life. The essays in this collection underscore the show’s ability to distinguish itself within the current television market. Focusing on themes of feminism, gender identity, and mental health, contributors explore the ways in which the show challenged viewer expectations, as well as the role television critics play in identifying a show’s “authenticity” or quality.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The new collection, <a href="https://bookshop.org/a/12343/9780815637134"><em>Perspectives on Crazy Ex-Girlfriend: Nuanced Postnetwork Television</em></a> (Syracuse University Press, 2021) by Amanda Konkle and Charles Burnetts explores the hit series with an off-putting title and a decidedly retrograde premise. The CW dramedy Crazy Ex-Girlfriend is a surprising choice for critical analysis. But, loyal viewers quickly came to appreciate the show’s sharp cultural critique through masterful parody, and this strategy has made it a critical darling and earned it several awards throughout its run. In ways not often seen on traditional network television, the show transcends conventional genre boundaries—the Hollywood musical, the romantic comedy, the music video—while resisting stereotypes associated with contemporary life. The essays in this collection underscore the show’s ability to distinguish itself within the current television market. Focusing on themes of feminism, gender identity, and mental health, contributors explore the ways in which the show challenged viewer expectations, as well as the role television critics play in identifying a show’s “authenticity” or quality.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3085</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jennifer Kaufmann-Buhler, "Open Plan: A Design History of the American Office" (Bloomsbury, 2021)</title>
      <description>Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 22 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Kaufmann-Buhler</itunes:subtitle>
      <itunes:summary>Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book <a href="https://bookshop.org/a/12343/9781350044722"><em>Open Plan: A Design History of the American Office</em></a> (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes.</p><p><a href="http://nushelledesilva.com/"><em>Nushelle de Silva</em></a><em> is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3005</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ruth Aylett and Patricia A. Vargas, "Living with Robots: What Every Anxious Human Needs to Know" (MIT Press, 2021)</title>
      <description>There's a lot of hype about robots; some of it is scary and some of it utopian. In this accessible book, two robotics experts reveal the truth about what robots can and can't do, how they work, and what we can reasonably expect their future capabilities to be. It will not only make you think differently about the capabilities of robots; it will make you think differently about the capabilities of humans.
Ruth Aylett and Patricia Vargas discuss the history of our fascination with robots—from chatbots and prosthetics to autonomous cars and robot swarms. They show us the ways in which robots outperform humans and the ways they fall woefully short of our superior talents. They explain how robots see, feel, hear, think, and learn; describe how robots can cooperate; and consider robots as pets, butlers, and companions. Finally, they look at robots that raise ethical and social issues: killer robots, sexbots, and robots that might be gunning for your job. Living with Robots: What Every Anxious Human Needs to Know (MIT Press, 2021) equips readers to look at robots concretely—as human-made artifacts rather than placeholders for our anxieties.
Find out: •Why robots can swim and fly but find it difficult to walk •Which robot features are inspired by animals and insects•Why we develop feelings for robots •Which human abilities are hard for robots to emulate.
 Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 21 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ruth Aylett and Patricia A. Vargas</itunes:subtitle>
      <itunes:summary>There's a lot of hype about robots; some of it is scary and some of it utopian. In this accessible book, two robotics experts reveal the truth about what robots can and can't do, how they work, and what we can reasonably expect their future capabilities to be. It will not only make you think differently about the capabilities of robots; it will make you think differently about the capabilities of humans.
Ruth Aylett and Patricia Vargas discuss the history of our fascination with robots—from chatbots and prosthetics to autonomous cars and robot swarms. They show us the ways in which robots outperform humans and the ways they fall woefully short of our superior talents. They explain how robots see, feel, hear, think, and learn; describe how robots can cooperate; and consider robots as pets, butlers, and companions. Finally, they look at robots that raise ethical and social issues: killer robots, sexbots, and robots that might be gunning for your job. Living with Robots: What Every Anxious Human Needs to Know (MIT Press, 2021) equips readers to look at robots concretely—as human-made artifacts rather than placeholders for our anxieties.
Find out: •Why robots can swim and fly but find it difficult to walk •Which robot features are inspired by animals and insects•Why we develop feelings for robots •Which human abilities are hard for robots to emulate.
 Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There's a lot of hype about robots; some of it is scary and some of it utopian. In this accessible book, two robotics experts reveal the truth about what robots can and can't do, how they work, and what we can reasonably expect their future capabilities to be. It will not only make you think differently about the capabilities of robots; it will make you think differently about the capabilities of humans.</p><p>Ruth Aylett and Patricia Vargas discuss the history of our fascination with robots—from chatbots and prosthetics to autonomous cars and robot swarms. They show us the ways in which robots outperform humans and the ways they fall woefully short of our superior talents. They explain how robots see, feel, hear, think, and learn; describe how robots can cooperate; and consider robots as pets, butlers, and companions. Finally, they look at robots that raise ethical and social issues: killer robots, sexbots, and robots that might be gunning for your job. <a href="https://bookshop.org/a/12343/9780262045810"><em>Living with Robots: What Every Anxious Human Needs to Know</em></a><em> </em>(MIT Press, 2021) equips readers to look at robots concretely—as human-made artifacts rather than placeholders for our anxieties.</p><p>Find out: •Why robots can swim and fly but find it difficult to walk •Which robot features are inspired by animals and insects•Why we develop feelings for robots •Which human abilities are hard for robots to emulate.</p><p><em> Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at </em><a href="mailto:galina.limorenko@epfl.ch"><em>galina.limorenko@epfl.ch</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3836</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mathias Clasen, "A Very Nervous Person's Guide to Horror Movies" (Oxford UP, 2021)</title>
      <description>Horror fans are attracted to movies designed to scare us, but others shudder already at the thought of the sweat-drenched nightmares that terrifying movies often trigger. The fear of sleepless nights and the widespread beliefs that horror movies can have negative psychological effects and display immorality make some of us very, very nervous about them. In A Very Nervous Person's Guide To Horror Movies (Oxford University Press, 2021) horror expert Mathias Clasen examines the psychological science of horror to address myths and correct misunderstandings surrounding the genre. Clasen addresses questions such as What are the effects of horror films on our mental and physical health? Why do they often cause nightmares? Aren't horror movies immoral and a bad influence on children and adolescents? Shouldn't we be concerned about what the current popularity of horror movies says about society and its values? While media psychologists have demonstrated that horror films indeed have the potential to harm us, Clasen reveals that the scientific evidence also contains a second story that is often overlooked: horror movies can also help us confront and manage fear and often foster prosocial values.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>101</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Mathias Clasen</itunes:subtitle>
      <itunes:summary>Horror fans are attracted to movies designed to scare us, but others shudder already at the thought of the sweat-drenched nightmares that terrifying movies often trigger. The fear of sleepless nights and the widespread beliefs that horror movies can have negative psychological effects and display immorality make some of us very, very nervous about them. In A Very Nervous Person's Guide To Horror Movies (Oxford University Press, 2021) horror expert Mathias Clasen examines the psychological science of horror to address myths and correct misunderstandings surrounding the genre. Clasen addresses questions such as What are the effects of horror films on our mental and physical health? Why do they often cause nightmares? Aren't horror movies immoral and a bad influence on children and adolescents? Shouldn't we be concerned about what the current popularity of horror movies says about society and its values? While media psychologists have demonstrated that horror films indeed have the potential to harm us, Clasen reveals that the scientific evidence also contains a second story that is often overlooked: horror movies can also help us confront and manage fear and often foster prosocial values.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Horror fans are attracted to movies designed to scare us, but others shudder already at the thought of the sweat-drenched nightmares that terrifying movies often trigger. The fear of sleepless nights and the widespread beliefs that horror movies can have negative psychological effects and display immorality make some of us very, very nervous about them. In <a href="https://bookshop.org/a/12343/9780197535905"><em>A Very Nervous Person's Guide To Horror Movies</em></a><em> </em>(Oxford University Press, 2021) horror expert <a href="https://cc.au.dk/en/recreational-fear-lab/">Mathias Clasen </a>examines the psychological science of horror to address myths and correct misunderstandings surrounding the genre. Clasen addresses questions such as What are the effects of horror films on our mental and physical health? Why do they often cause nightmares? Aren't horror movies immoral and a bad influence on children and adolescents? Shouldn't we be concerned about what the current popularity of horror movies says about society and its values? While media psychologists have demonstrated that horror films indeed have the potential to harm us, Clasen reveals that the scientific evidence also contains a second story that is often overlooked: horror movies can also help us confront and manage fear and often foster prosocial values.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2864</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Kristian Petersen, "Muslims in the Movies: A Global Anthology" (Ilex Foundation, 2021)</title>
      <description>Kristian Petersen’s new edited volume Muslims in the Movies: A Global Anthology (Ilex Foundation and Harvard University Press, 2021), introduces the subject of Muslims and film. The volume contains nineteen chapters that engage a range of film industries, including Hollywood and Bollywood, but also movies from the Philippines, Indonesia, Nigeria, Italy, Australia, Saudi Arabia, and much more. This collection challenges its readers to taking seriously the complex ways in Muslims are represented in films throughout the globe, be it through a close analysis of a film, such as Wajda, or films about North American Muslims, such as Malcolm X or Muhammad Ali. In other instances, authors guide the readers through accessible analysis of particular Muslims in movies and cinematography, which lead to discussions of islamophobia, diaspora politics, issues of gender and sexuality, identity politics and much more. The overall study then welcomes viewers to rethink the ways in which films can be studied as a critical text and opens up possibilities for multidimensional engagement with Muslims in diverse film genres, such as sci-fi, romantic comedies, and biopics. This accessibly written volume will be a great text to incorporate into courses on Islam in film or popular culture, and will be of interest to students of Islam, gender and sexuality studies, media and cultural studies, diaspora and immigration studies and much more.
 Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 17 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>245</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kristian Petersen</itunes:subtitle>
      <itunes:summary>Kristian Petersen’s new edited volume Muslims in the Movies: A Global Anthology (Ilex Foundation and Harvard University Press, 2021), introduces the subject of Muslims and film. The volume contains nineteen chapters that engage a range of film industries, including Hollywood and Bollywood, but also movies from the Philippines, Indonesia, Nigeria, Italy, Australia, Saudi Arabia, and much more. This collection challenges its readers to taking seriously the complex ways in Muslims are represented in films throughout the globe, be it through a close analysis of a film, such as Wajda, or films about North American Muslims, such as Malcolm X or Muhammad Ali. In other instances, authors guide the readers through accessible analysis of particular Muslims in movies and cinematography, which lead to discussions of islamophobia, diaspora politics, issues of gender and sexuality, identity politics and much more. The overall study then welcomes viewers to rethink the ways in which films can be studied as a critical text and opens up possibilities for multidimensional engagement with Muslims in diverse film genres, such as sci-fi, romantic comedies, and biopics. This accessibly written volume will be a great text to incorporate into courses on Islam in film or popular culture, and will be of interest to students of Islam, gender and sexuality studies, media and cultural studies, diaspora and immigration studies and much more.
 Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kristian Petersen’s new edited volume <a href="https://bookshop.org/a/12343/9780674257788"><em>Muslims in the Movies: A Global Anthology</em></a> (Ilex Foundation and Harvard University Press, 2021), introduces the subject of Muslims and film. The volume contains nineteen chapters that engage a range of film industries, including Hollywood and Bollywood, but also movies from the Philippines, Indonesia, Nigeria, Italy, Australia, Saudi Arabia, and much more. This collection challenges its readers to taking seriously the complex ways in Muslims are represented in films throughout the globe, be it through a close analysis of a film, such as <em>Wajda</em>, or films about North American Muslims, such as Malcolm X or Muhammad Ali. In other instances, authors guide the readers through accessible analysis of particular Muslims in movies and cinematography, which lead to discussions of islamophobia, diaspora politics, issues of gender and sexuality, identity politics and much more. The overall study then welcomes viewers to rethink the ways in which films can be studied as a critical text and opens up possibilities for multidimensional engagement with Muslims in diverse film genres, such as sci-fi, romantic comedies, and biopics. This accessibly written volume will be a great text to incorporate into courses on Islam in film or popular culture, and will be of interest to students of Islam, gender and sexuality studies, media and cultural studies, diaspora and immigration studies and much more.</p><p><em> Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found </em><a href="https://www.queensu.ca/religion/people/faculty/m-shobhana-xavier"><em>here</em></a><em> and </em><a href="https://queensu.academia.edu/ShobhanaXavier."><em>here</em></a><em>. She may be reached at </em><a href="mailto:shobhana.xavier@queensu.ca"><em>shobhana.xavier@queensu.ca</em></a><em>. You can follow her on Twitter via @shobhanaxavier.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3844</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Thomas Michael Kersen, "Where Misfits Fit: Counterculture and Influence in the Ozarks" (UP of Mississippi, 2021)</title>
      <description>All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner.
In Where Misfits Fit: Counterculture and Influence in the Ozarks (University Press of Mississippi, 2021), Dr. Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves―a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li’l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Cities: Community Media Representations of Place and Identity at a Tug of War Festival. This book is about the media representations of place and identity at an annual interstate tug of war festival where cities in two states across the Mississippi River from each other come together one week during the summer as rivals to duke it out on the rope. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>200</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas Michael Kersen</itunes:subtitle>
      <itunes:summary>All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner.
In Where Misfits Fit: Counterculture and Influence in the Ozarks (University Press of Mississippi, 2021), Dr. Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves―a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li’l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Cities: Community Media Representations of Place and Identity at a Tug of War Festival. This book is about the media representations of place and identity at an annual interstate tug of war festival where cities in two states across the Mississippi River from each other come together one week during the summer as rivals to duke it out on the rope. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner.</p><p>In <a href="https://bookshop.org/a/12343/9781496835420"><em>Where Misfits Fit: Counterculture and Influence in the Ozarks</em></a><em> </em>(University Press of Mississippi, 2021), <a href="https://www.jsums.edu/criminaljustice/dr-thomas-michael-kersen/">Dr. Thomas Michael Kersen</a> explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves―a place where community could be reimagined in a variety of ways. It is in these communities that <em>communitas, </em>or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li’l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas.</p><p><em>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “</em><a href="https://link.springer.com/article/10.1007/s12147-020-09266-z"><em>The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant</em></a><em>,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Cities: Community Media Representations of Place and Identity at a Tug of War Festival. This book is about the media representations of place and identity at an annual interstate tug of war festival where cities in two states across the Mississippi River from each other come together one week during the summer as rivals to duke it out on the rope. You can learn more about Dr. Johnston on his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3432</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Martin Harris, "Leatherface Vs. Tricky Dick: The Texas Chain Saw Massacre as Political Satire" (Headpress, 2021)</title>
      <description>The Watergate scandal was a horror show. What better way to satirize it than with a horror movie? The Texas Chain Saw Massacre written by Tobe Hooper and Kim Henkel premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon brought an uncertain end to the most corrupt and criminal presidency in American history. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film. In his new book, Leatherface vs. Tricky Dick: The Texas Chain Saw Massacre as Political Satire (Headpress, 2021), Martin Harris presents a fascinating minute-by-minute exploration of the many uncanny connections between The Texas Chain Saw Massacre and Watergate, as well as other ways the film comments on contemporary politics via satire and (very) dark humor. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>100</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Martin Harris</itunes:subtitle>
      <itunes:summary>The Watergate scandal was a horror show. What better way to satirize it than with a horror movie? The Texas Chain Saw Massacre written by Tobe Hooper and Kim Henkel premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon brought an uncertain end to the most corrupt and criminal presidency in American history. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film. In his new book, Leatherface vs. Tricky Dick: The Texas Chain Saw Massacre as Political Satire (Headpress, 2021), Martin Harris presents a fascinating minute-by-minute exploration of the many uncanny connections between The Texas Chain Saw Massacre and Watergate, as well as other ways the film comments on contemporary politics via satire and (very) dark humor. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Watergate scandal was a horror show. What better way to satirize it than with a horror movie? <em>The Texas Chain Saw Massacre </em>written by Tobe Hooper and Kim Henkel<em> </em>premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon brought an uncertain end to the most corrupt and criminal presidency in American history. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film. In his new book, <a href="https://bookshop.org/a/12343/9781909394810"><em>Leatherface vs. Tricky Dick: The Texas Chain Saw Massacre as Political Satire</em></a> (Headpress, 2021), Martin Harris presents a fascinating minute-by-minute exploration of the many uncanny connections between <em>The Texas Chain Saw Massacre</em> and Watergate, as well as other ways the film comments on contemporary politics via satire and (very) dark humor. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3675</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Bernard F. Dick, "Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood" (U Kentucky Press, 2021)</title>
      <description>From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. In Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood (University of Kentucky Press, 2021), Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity. 
The book also traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio only to emerge in triumph at another. Corporate raiders vie for power and control through the buying and selling of film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more.
Bernard F. Dick is professor emeritus of communications and English at Fairleigh Dickinson University (Teaneck campus). He holds a doctorate in classics from Fordham University and is the author of numerous film books including Anatomy of Film, Hal Wallis, and That Was Entertainment.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bernard F. Dick</itunes:subtitle>
      <itunes:summary>From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. In Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood (University of Kentucky Press, 2021), Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity. 
The book also traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio only to emerge in triumph at another. Corporate raiders vie for power and control through the buying and selling of film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more.
Bernard F. Dick is professor emeritus of communications and English at Fairleigh Dickinson University (Teaneck campus). He holds a doctorate in classics from Fordham University and is the author of numerous film books including Anatomy of Film, Hal Wallis, and That Was Entertainment.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. In<em> </em><a href="https://bookshop.org/a/12343/9780813122021"><em>Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood</em></a> (University of Kentucky Press, 2021), Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity. </p><p>The book also traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio only to emerge in triumph at another. Corporate raiders vie for power and control through the buying and selling of film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more.</p><p>Bernard F. Dick is professor emeritus of communications and English at Fairleigh Dickinson University (Teaneck campus). He holds a doctorate in classics from Fordham University and is the author of numerous film books including <em>Anatomy of Film, Hal Wallis, </em>and <em>That Was Entertainment.</em></p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3724</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN5745541343.mp3?updated=1631302697" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cameron Crookston, "The Cultural Impact of Rupaul's Drag Race: Why Are We All Gagging?" (Intellect, 2021)</title>
      <description>In The Cultural Impact of RuPaul's Drag Race: Why are we all Gagging? (Intellect, 2021) Cameron Crookston has compiled chapters from scholars in theatre and performance studies, English literature, cultural anthropology, media studies, linguistics, sociology, and marketing. The collection analyzes the global impact of RuPaul's drag race on local, live cultures, fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness. The collection goes beyond the mere analysis of the show itself and examines the profound effect that RuPaul's Drag Race has had on the cultures that surround it: audience cultures, economics, branding, queer politics, and all points in between. What was once a cult show marketed primarily to gay men, Drag Race has drawn both praise and criticism for its ability to market itself to broader, straighter, and increasingly younger fans. The show's depiction of drag as both a celebrated form of entertainment and as a potentially lucrative career path has created an explosion of aspiring queens in unprecedented numbers and had far-reaching impacts on drag as both an art form and a career. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cameron Crookston</itunes:subtitle>
      <itunes:summary>In The Cultural Impact of RuPaul's Drag Race: Why are we all Gagging? (Intellect, 2021) Cameron Crookston has compiled chapters from scholars in theatre and performance studies, English literature, cultural anthropology, media studies, linguistics, sociology, and marketing. The collection analyzes the global impact of RuPaul's drag race on local, live cultures, fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness. The collection goes beyond the mere analysis of the show itself and examines the profound effect that RuPaul's Drag Race has had on the cultures that surround it: audience cultures, economics, branding, queer politics, and all points in between. What was once a cult show marketed primarily to gay men, Drag Race has drawn both praise and criticism for its ability to market itself to broader, straighter, and increasingly younger fans. The show's depiction of drag as both a celebrated form of entertainment and as a potentially lucrative career path has created an explosion of aspiring queens in unprecedented numbers and had far-reaching impacts on drag as both an art form and a career. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781789382563"><em>The Cultural Impact of RuPaul's Drag Race: Why are we all Gagging?</em></a> (Intellect, 2021) Cameron Crookston has compiled chapters from scholars in theatre and performance studies, English literature, cultural anthropology, media studies, linguistics, sociology, and marketing. The collection analyzes the global impact of RuPaul's drag race on<em> </em>local, live cultures, fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness. The collection goes beyond the mere analysis of the show itself and examines the profound effect that RuPaul's Drag Race has had on the cultures that surround it: audience cultures, economics, branding, queer politics, and all points in between. What was once a cult show marketed primarily to gay men, Drag Race has drawn both praise and criticism for its ability to market itself to broader, straighter, and increasingly younger fans. The show's depiction of drag as both a celebrated form of entertainment and as a potentially lucrative career path has created an explosion of aspiring queens in unprecedented numbers and had far-reaching impacts on drag as both an art form and a career. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3264</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[799909d2-075d-11ec-9e90-6f2475a72efd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8526293024.mp3?updated=1630086746" length="0" type="audio/mpeg"/>
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    <item>
      <title>Gerd Horten, "Don't Need No Thought Control: Western Culture in East Germany and the Fall of the Berlin Wall" (Berghahn Books, 2020)</title>
      <description>The fall of the Berlin Wall is typically understood as the culmination of political-economic trends that fatally weakened the East German state. Meanwhile, comparatively little attention has been paid to the cultural dimension of these dramatic events, particularly the role played by Western mass media and consumer culture. With a focus on the 1970s and 1980s, Don't Need No Thought Control: Western Culture in East Germany and the Fall of the Berlin Wall (Berghahn Books, 2020) explores the dynamic interplay of popular unrest, intensifying economic crises, and cultural policies under Erich Honecker. It shows how the widespread influence of (and public demands for) Western cultural products forced GDR leaders into a series of grudging accommodations that undermined state power to a hitherto underappreciated extent.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 02 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gerd Horten</itunes:subtitle>
      <itunes:summary>The fall of the Berlin Wall is typically understood as the culmination of political-economic trends that fatally weakened the East German state. Meanwhile, comparatively little attention has been paid to the cultural dimension of these dramatic events, particularly the role played by Western mass media and consumer culture. With a focus on the 1970s and 1980s, Don't Need No Thought Control: Western Culture in East Germany and the Fall of the Berlin Wall (Berghahn Books, 2020) explores the dynamic interplay of popular unrest, intensifying economic crises, and cultural policies under Erich Honecker. It shows how the widespread influence of (and public demands for) Western cultural products forced GDR leaders into a series of grudging accommodations that undermined state power to a hitherto underappreciated extent.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The fall of the Berlin Wall is typically understood as the culmination of political-economic trends that fatally weakened the East German state. Meanwhile, comparatively little attention has been paid to the cultural dimension of these dramatic events, particularly the role played by Western mass media and consumer culture. With a focus on the 1970s and 1980s, <a href="https://bookshop.org/a/12343/9781789207330"><em>Don't Need No Thought Control: Western Culture in East Germany and the Fall of the Berlin Wall</em></a><em> </em>(Berghahn Books, 2020) explores the dynamic interplay of popular unrest, intensifying economic crises, and cultural policies under Erich Honecker. It shows how the widespread influence of (and public demands for) Western cultural products forced GDR leaders into a series of grudging accommodations that undermined state power to a hitherto underappreciated extent.</p><p><em>Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5534</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1c5dda6c-0501-11ec-8d59-4b0eff94b493]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1363953740.mp3?updated=1629827057" length="0" type="audio/mpeg"/>
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      <title>Caseen Gaines, "Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way" (Sourcebooks, 2021)</title>
      <description>Caseen Gaines' Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical Shuffle Along. Created by Black writers and composers and performed by an all-Black cast, Shuffle Along was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of Shuffle Along came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for Shuffle Along's place in the American musical theatre canon as a flawed but inspired work of Black creativity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 31 Aug 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Caseen Gaines</itunes:subtitle>
      <itunes:summary>Caseen Gaines' Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical Shuffle Along. Created by Black writers and composers and performed by an all-Black cast, Shuffle Along was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of Shuffle Along came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for Shuffle Along's place in the American musical theatre canon as a flawed but inspired work of Black creativity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Caseen Gaines' <a href="https://bookshop.org/a/12343/9781492688815"><em>Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way</em></a> (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical <em>Shuffle Along</em>. Created by Black writers and composers and performed by an all-Black cast, <em>Shuffle Along</em> was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of <em>Shuffle Along</em> came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for <em>Shuffle Along's</em> place in the American musical theatre canon as a flawed but inspired work of Black creativity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2846</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[62f7f84a-01e1-11ec-aefc-bb43df4a24a7]]></guid>
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    <item>
      <title>P. J. Boczkowski and E. Mitchelstein, "The Digital Environment: How We Live, Learn, Work, and Play Now" (MIT Press, 2021)</title>
      <description>Increasingly we live through our personal screens; we work, play, socialize, and learn digitally. The shift to remote everything during the pandemic was another step in a decades-long march toward the digitization of everyday life made possible by innovations in media, information, and communication technology. In The Digital Environment: How We Live, Learn, Work, and Play Now (MIT Press, 2021), Pablo Boczkowski and Eugenia Mitchelstein offer a new way to understand the role of the digital in our daily lives, calling on us to turn our attention from our discrete devices and apps to the array of artifacts and practices that make up the digital environment that envelops every aspect of our social experience.
Boczkowski and Mitchelstein explore a series of issues raised by the digital takeover of everyday life, drawing on interviews with a variety of experts. They show how existing inequities of gender, race, ethnicity, education, and class are baked into the design and deployment of technology, and describe emancipatory practices that counter this--including the use of Twitter as a platform for activism through such hashtags as #BlackLivesMatter and #MeToo. They discuss the digitization of parenting, schooling, and dating--noting, among other things, that today we can both begin and end relationships online. They describe how digital media shape our consumption of sports, entertainment, and news, and consider the dynamics of political campaigns, disinformation, and social activism. Finally, they report on developments in three areas that will be key to our digital future: data science, virtual reality, and space exploration.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 17 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with P. J. Boczkowski and E. Mitchelstein</itunes:subtitle>
      <itunes:summary>Increasingly we live through our personal screens; we work, play, socialize, and learn digitally. The shift to remote everything during the pandemic was another step in a decades-long march toward the digitization of everyday life made possible by innovations in media, information, and communication technology. In The Digital Environment: How We Live, Learn, Work, and Play Now (MIT Press, 2021), Pablo Boczkowski and Eugenia Mitchelstein offer a new way to understand the role of the digital in our daily lives, calling on us to turn our attention from our discrete devices and apps to the array of artifacts and practices that make up the digital environment that envelops every aspect of our social experience.
Boczkowski and Mitchelstein explore a series of issues raised by the digital takeover of everyday life, drawing on interviews with a variety of experts. They show how existing inequities of gender, race, ethnicity, education, and class are baked into the design and deployment of technology, and describe emancipatory practices that counter this--including the use of Twitter as a platform for activism through such hashtags as #BlackLivesMatter and #MeToo. They discuss the digitization of parenting, schooling, and dating--noting, among other things, that today we can both begin and end relationships online. They describe how digital media shape our consumption of sports, entertainment, and news, and consider the dynamics of political campaigns, disinformation, and social activism. Finally, they report on developments in three areas that will be key to our digital future: data science, virtual reality, and space exploration.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Increasingly we live through our personal screens; we work, play, socialize, and learn digitally. The shift to remote everything during the pandemic was another step in a decades-long march toward the digitization of everyday life made possible by innovations in media, information, and communication technology. In <a href="https://bookshop.org/a/12343/9780262046190"><em>The Digital Environment: How We Live, Learn, Work, and Play Now</em></a><em> </em>(MIT Press, 2021), Pablo Boczkowski and Eugenia Mitchelstein offer a new way to understand the role of the digital in our daily lives, calling on us to turn our attention from our discrete devices and apps to the array of artifacts and practices that make up the digital environment that envelops every aspect of our social experience.</p><p>Boczkowski and Mitchelstein explore a series of issues raised by the digital takeover of everyday life, drawing on interviews with a variety of experts. They show how existing inequities of gender, race, ethnicity, education, and class are baked into the design and deployment of technology, and describe emancipatory practices that counter this--including the use of Twitter as a platform for activism through such hashtags as #BlackLivesMatter and #MeToo. They discuss the digitization of parenting, schooling, and dating--noting, among other things, that today we can both begin and end relationships online. They describe how digital media shape our consumption of sports, entertainment, and news, and consider the dynamics of political campaigns, disinformation, and social activism. Finally, they report on developments in three areas that will be key to our digital future: data science, virtual reality, and space exploration.</p><p><em>Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at </em><a href="mailto:galina.limorenko@epfl.ch"><em>galina.limorenko@epfl.ch</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3818</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN3850599235.mp3?updated=1626359215" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Páraic Kerrigan, "LGBTQ Visibility, Media and Sexuality in Ireland" (Routledge, 2020)</title>
      <description>“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television.
Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 11 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Páraic Kerrigan</itunes:subtitle>
      <itunes:summary>“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television.
Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“<a href="https://www.youtube.com/watch?v=oKuFrdnxbHQ">We know what we want, and one day, our prince will come</a>,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s <em>Upwardly Mobile</em>. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In <em>LGBTQ Visibility, Media, and Sexuality in Ireland, </em>Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the <em>Late Late Show, </em>queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television.</p><p><a href="https://www.averillearls.com/"><em>Avrill Earls</em></a><em> is the Executive Producer of </em><a href="https://digpodcast.org/"><em>Dig: A History Podcast</em></a><em> (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4417</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alison Rose Jefferson, "Living the California Dream: African American Leisure Sites during the Jim Crow Era" (U Nebraska Press, 2020)</title>
      <description>Living the California Dream: African American Leisure Sites During the Jim Crow Era (Nebraska, 2020) is about the places where the past and future meet. Throughout the early twentieth century, African Americans moved to California for jobs, for the beautiful weather and landscapes, and to start futures for themselves and their families. Like their white neighbors, they found sites of play and fun across the Southern California environment, from lakes to beaches to country clubs. Dr. Alison Rose Jefferson, an independent scholar and conservation consultant, describes several instance of place making - imbuing beaches and other locations with meaning and memories for the African Americans across the region - and how whites in Southern California reacted with racist backlash against Black leisure in public places. Jefferson, who has worked closely with various groups in greater Los Angeles to promote public memory of the sites covered in the book, describes how contestation over the meaning of these places has continued into the present day. At its core, this is a book about people having fun, and how people have made meaning, or resisted those meanings, at places where people have always flocked for a good time.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 09 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alison Rose Jefferson</itunes:subtitle>
      <itunes:summary>Living the California Dream: African American Leisure Sites During the Jim Crow Era (Nebraska, 2020) is about the places where the past and future meet. Throughout the early twentieth century, African Americans moved to California for jobs, for the beautiful weather and landscapes, and to start futures for themselves and their families. Like their white neighbors, they found sites of play and fun across the Southern California environment, from lakes to beaches to country clubs. Dr. Alison Rose Jefferson, an independent scholar and conservation consultant, describes several instance of place making - imbuing beaches and other locations with meaning and memories for the African Americans across the region - and how whites in Southern California reacted with racist backlash against Black leisure in public places. Jefferson, who has worked closely with various groups in greater Los Angeles to promote public memory of the sites covered in the book, describes how contestation over the meaning of these places has continued into the present day. At its core, this is a book about people having fun, and how people have made meaning, or resisted those meanings, at places where people have always flocked for a good time.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781496201300"><em>Living the California Dream: African American Leisure Sites During the Jim Crow Era</em></a> (Nebraska, 2020) is about the places where the past and future meet. Throughout the early twentieth century, African Americans moved to California for jobs, for the beautiful weather and landscapes, and to start futures for themselves and their families. Like their white neighbors, they found sites of play and fun across the Southern California environment, from lakes to beaches to country clubs. Dr. Alison Rose Jefferson, an independent scholar and conservation consultant, describes several instance of place making - imbuing beaches and other locations with meaning and memories for the African Americans across the region - and how whites in Southern California reacted with racist backlash against Black leisure in public places. Jefferson, who has worked closely with various groups in greater Los Angeles to promote public memory of the sites covered in the book, describes how contestation over the meaning of these places has continued into the present day. At its core, this is a book about people having fun, and how people have made meaning, or resisted those meanings, at places where people have always flocked for a good time.</p><p><em>Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4090</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a2c780a4-eef3-11eb-bea5-af23425f561a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1805250252.mp3?updated=1627402003" length="0" type="audio/mpeg"/>
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    <item>
      <title>Malcolm James, "Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos" (Bloomsbury, 2020)</title>
      <description>How can music change the world? In Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos (Bloomsbury, 2020), Malcolm James, Senior Lecturer in Media and Cultural Studies at the University of Sussex, introduces the concept of sonic intimacy to think through the social, cultural, and political importance of three key moments in the history of British music. The book blends the history of music, society, and technology to show the moments of community and resistance fostered by the vibe of sound systems and the hype of Jungle Pirate Radio, along with the advent of new modes of engagement fostered by Grime on YouTube. With important implications for the future of critical scholarship, as well as our current cultural context, the book is essential reading for cultural studies and social science scholars, as well as for anyone interested in music and culture.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 04 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>240</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Malcolm James</itunes:subtitle>
      <itunes:summary>How can music change the world? In Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos (Bloomsbury, 2020), Malcolm James, Senior Lecturer in Media and Cultural Studies at the University of Sussex, introduces the concept of sonic intimacy to think through the social, cultural, and political importance of three key moments in the history of British music. The book blends the history of music, society, and technology to show the moments of community and resistance fostered by the vibe of sound systems and the hype of Jungle Pirate Radio, along with the advent of new modes of engagement fostered by Grime on YouTube. With important implications for the future of critical scholarship, as well as our current cultural context, the book is essential reading for cultural studies and social science scholars, as well as for anyone interested in music and culture.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can music change the world? In <a href="https://bookshop.org/a/12343/9781501320729"><em>Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos</em></a><em> </em>(Bloomsbury, 2020), <a href="https://twitter.com/mookron">Malcolm James</a>, <a href="https://profiles.sussex.ac.uk/p355671-malcolm-james/about">Senior Lecturer in Media and Cultural Studies at the University of Sussex</a>, introduces the concept of sonic intimacy to think through the social, cultural, and political importance of three key moments in the history of British music. The book blends the history of music, society, and technology to show the moments of community and resistance fostered by the vibe of sound systems and the hype of Jungle Pirate Radio, along with the advent of new modes of engagement fostered by Grime on YouTube. With important implications for the future of critical scholarship, as well as our current cultural context, the book is essential reading for cultural studies and social science scholars, as well as for anyone interested in music and culture.</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2163</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[95d1d53c-ebd5-11eb-81b4-c7390053d825]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8176619553.mp3?updated=1627058963" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jessica Hopper, "The First Collection of Criticism by a Living Female Rock Critic" (MCD x Fsg Originals, 2021)</title>
      <description>Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic (MCD x Fsg Originals, 2021) features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey.
 Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 30 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jessica Hopper</itunes:subtitle>
      <itunes:summary>Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic (MCD x Fsg Originals, 2021) features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey.
 Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. <a href="https://bookshop.org/a/12343/9780374538996">The First Collection of Criticism by a Living Female Rock Critic</a> (MCD x Fsg Originals, 2021) features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey.</p><p><em> </em><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3330</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8a1f12c8-e8a5-11eb-bd86-db1b149f6352]]></guid>
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    <item>
      <title>Chenshu Zhou, "Cinema Off Screen: Moviegoing in Socialist China" (U California Press, 2021)</title>
      <description>At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen: Moviegoing in Socialist China (U California Press, 2021) advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.
Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 28 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>408</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chenshu Zhou</itunes:subtitle>
      <itunes:summary>At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen: Moviegoing in Socialist China (U California Press, 2021) advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.
Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. <a href="https://bookshop.org/a/12343/9780520343382"><em>Cinema Off Screen: Moviegoing in Socialist China</em></a><em> </em>(U California Press, 2021) advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, <em>Cinema Off Screen</em> decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.</p><p><em>Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5165</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b2df43e4-e4cd-11eb-a33b-3fb656fe1a73]]></guid>
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    <item>
      <title>Alison K. Smith, "Cabbage and Caviar: A History of Food in Russia" (Reaktion Books, 2021)</title>
      <description>When people think of Russian food, they generally think either of the opulent luxury of the tsarist aristocracy or of post-Soviet elites, signified above all by caviar, or on the other hand of poverty and hunger--of cabbage and potatoes and porridge. Both of these visions have a basis in reality, but both are incomplete. The history of food and drink in Russia includes fasts and feasts, scarcity and, for some, at least, abundance. It includes dishes that came out of the northern, forested regions and ones that incorporate foods from the wider Russian Empire and later from the Soviet Union. Cabbage and Caviar: A History of Food in Russia (Reaktion Books, 2021) places Russian food and drink in the context of Russian history and shows off the incredible (and largely unknown) variety of Russian food.
Alison Smith is Professor and Chair of History at the University of Toronto. 
Steven Seegel is Professor of Slavic and Eurasian Studies at The University of Texas at Austin.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 27 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alison K. Smith</itunes:subtitle>
      <itunes:summary>When people think of Russian food, they generally think either of the opulent luxury of the tsarist aristocracy or of post-Soviet elites, signified above all by caviar, or on the other hand of poverty and hunger--of cabbage and potatoes and porridge. Both of these visions have a basis in reality, but both are incomplete. The history of food and drink in Russia includes fasts and feasts, scarcity and, for some, at least, abundance. It includes dishes that came out of the northern, forested regions and ones that incorporate foods from the wider Russian Empire and later from the Soviet Union. Cabbage and Caviar: A History of Food in Russia (Reaktion Books, 2021) places Russian food and drink in the context of Russian history and shows off the incredible (and largely unknown) variety of Russian food.
Alison Smith is Professor and Chair of History at the University of Toronto. 
Steven Seegel is Professor of Slavic and Eurasian Studies at The University of Texas at Austin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When people think of Russian food, they generally think either of the opulent luxury of the tsarist aristocracy or of post-Soviet elites, signified above all by caviar, or on the other hand of poverty and hunger--of cabbage and potatoes and porridge. Both of these visions have a basis in reality, but both are incomplete. The history of food and drink in Russia includes fasts and feasts, scarcity and, for some, at least, abundance. It includes dishes that came out of the northern, forested regions and ones that incorporate foods from the wider Russian Empire and later from the Soviet Union. <a href="https://bookshop.org/a/12343/9781789143645"><em>Cabbage and Caviar: A History of Food in Russia</em></a><em> </em>(Reaktion Books, 2021) places Russian food and drink in the context of Russian history and shows off the incredible (and largely unknown) variety of Russian food.</p><p>Alison Smith is Professor and Chair of History at the University of Toronto. </p><p><a href="https://www.stevenseegel.com/"><em>Steven Seegel</em></a><em> is Professor of Slavic and Eurasian Studies at The University of Texas at Austin.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3656</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[43421a32-e4ac-11eb-a22f-8b4abcd8dbe1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7138788854.mp3?updated=1626271565" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joseph P. Laycock, "Dangerous Games: What the Moral Panic over Role-Playing Games Says about Play, Religion, and Imagined Worlds" (U California Press, 2015)</title>
      <description>The 1980s saw the peak of a moral panic over fantasy role-playing games such as Dungeons and Dragons. A coalition of moral entrepreneurs that included representatives from the Christian Right, the field of psychology, and law enforcement claimed that these games were not only psychologically dangerous but an occult religion masquerading as a game. Dangerous Games: What the Moral Panic over Role-Playing Games Says about Play, Religion, and Imagined Worlds (University of California Press, 2015) by Joseph Laycock, explores both the history and the sociological significance of this panic.
Fantasy role-playing games do share several functions in common with religion. However, religion—as a socially constructed world of shared meaning—can also be compared to a fantasy role-playing game. In fact, the claims of the moral entrepreneurs, in which they presented themselves as heroes battling a dark conspiracy, often resembled the very games of imagination they condemned as evil. By attacking the imagination, they preserved the taken-for-granted status of their own socially constructed reality. Interpreted in this way, the panic over fantasy-role playing games yields new insights about how humans play and how they construct and maintain meaningful worlds together.
Joseph Laycock is an associate professor of religious studies at Texas State University. He has written several books on new religious movements and American religious history, including one on The Satanic Temple. He is also a co-editor for the journal Nova Religio.
Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 26 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joseph P. Laycock</itunes:subtitle>
      <itunes:summary>The 1980s saw the peak of a moral panic over fantasy role-playing games such as Dungeons and Dragons. A coalition of moral entrepreneurs that included representatives from the Christian Right, the field of psychology, and law enforcement claimed that these games were not only psychologically dangerous but an occult religion masquerading as a game. Dangerous Games: What the Moral Panic over Role-Playing Games Says about Play, Religion, and Imagined Worlds (University of California Press, 2015) by Joseph Laycock, explores both the history and the sociological significance of this panic.
Fantasy role-playing games do share several functions in common with religion. However, religion—as a socially constructed world of shared meaning—can also be compared to a fantasy role-playing game. In fact, the claims of the moral entrepreneurs, in which they presented themselves as heroes battling a dark conspiracy, often resembled the very games of imagination they condemned as evil. By attacking the imagination, they preserved the taken-for-granted status of their own socially constructed reality. Interpreted in this way, the panic over fantasy-role playing games yields new insights about how humans play and how they construct and maintain meaningful worlds together.
Joseph Laycock is an associate professor of religious studies at Texas State University. He has written several books on new religious movements and American religious history, including one on The Satanic Temple. He is also a co-editor for the journal Nova Religio.
Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 1980s saw the peak of a moral panic over fantasy role-playing games such as <em>Dungeons and Dragons</em>. A coalition of moral entrepreneurs that included representatives from the Christian Right, the field of psychology, and law enforcement claimed that these games were not only psychologically dangerous but an occult religion masquerading as a game. <a href="https://bookshop.org/a/12343/9780520284920"><em>Dangerous Games:</em><strong><em> </em></strong><em>What the Moral Panic over Role-Playing Games Says about Play, Religion, and Imagined Worlds</em></a><em> </em>(University of California Press, 2015) by Joseph Laycock, explores both the history and the sociological significance of this panic.</p><p>Fantasy role-playing games do share several functions in common with religion. However, religion—as a socially constructed world of shared meaning—can also be compared to a fantasy role-playing game. In fact, the claims of the moral entrepreneurs, in which they presented themselves as heroes battling a dark conspiracy, often resembled the very games of imagination they condemned as evil. By attacking the imagination, they preserved the taken-for-granted status of their own socially constructed reality. Interpreted in this way, the panic over fantasy-role playing games yields new insights about how humans play and how they construct and maintain meaningful worlds together.</p><p><a href="https://sites.google.com/site/joelaycock/">Joseph Laycock</a> is an associate professor of religious studies at Texas State University. He has written several books on new religious movements and American religious history, including one on The Satanic Temple. He is also a co-editor for the journal <em>Nova Religio</em>.</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is currently a PhD student of English Literature with Université Laval in Quebec.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4556</itunes:duration>
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      <title>James Leo Cahill and Luca Caminati, "Cinema of Exploration: Essays on an Adventurous Film Practice" (Routledge, 2020)</title>
      <description>Drawing together 18 contributions from leading international scholars, Cinema of Exploration: Essays on an Adventurous Film Practice (Routledge, 2021) conceptualizes the history and theory of cinema’s century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus. In my conversation with them, James and Leo review the theory behind cinema of exploration and discuss how they recruited the hours of the various essays.
The essays in this collection are ideal for a broad range of scholars, graduate students, and advanced undergraduate students in cinema and media studies, cultural studies, and cognate fields. 
James Leo Cahill is Director of the Cinema Studies Institute and Associate Professor of Cinema Studies and French at the University of Toronto. He is author of Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé (2019) and general editor of Discourse: Journal for Theoretical Studies in Media and Culture.
Luca Caminati is Professor of Film Studies at Concordia University in Montreal. He is the author of Orientalismo eretico. Pier Paolo Pasolini e il cinema del Terzo Mondo (2007), Il cinema come happening: Pasolini's Primitivism and the Sixties Italian Art Scene (2010), and Roberto Rossellini documentarista. Una cultura della realtà (2012), along with many articles and book chapters on Italian cinema and media. He is currently serving as associate editor for the journal Italica.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 22 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Leo Cahill and Luca Caminati</itunes:subtitle>
      <itunes:summary>Drawing together 18 contributions from leading international scholars, Cinema of Exploration: Essays on an Adventurous Film Practice (Routledge, 2021) conceptualizes the history and theory of cinema’s century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus. In my conversation with them, James and Leo review the theory behind cinema of exploration and discuss how they recruited the hours of the various essays.
The essays in this collection are ideal for a broad range of scholars, graduate students, and advanced undergraduate students in cinema and media studies, cultural studies, and cognate fields. 
James Leo Cahill is Director of the Cinema Studies Institute and Associate Professor of Cinema Studies and French at the University of Toronto. He is author of Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé (2019) and general editor of Discourse: Journal for Theoretical Studies in Media and Culture.
Luca Caminati is Professor of Film Studies at Concordia University in Montreal. He is the author of Orientalismo eretico. Pier Paolo Pasolini e il cinema del Terzo Mondo (2007), Il cinema come happening: Pasolini's Primitivism and the Sixties Italian Art Scene (2010), and Roberto Rossellini documentarista. Una cultura della realtà (2012), along with many articles and book chapters on Italian cinema and media. He is currently serving as associate editor for the journal Italica.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Drawing together 18 contributions from leading international scholars, <a href="https://bookshop.org/a/12343/9781138602984"><em>Cinema of Exploration: Essays on an Adventurous Film Practice</em></a> (Routledge, 2021) conceptualizes the history and theory of cinema’s century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus. In my conversation with them, James and Leo review the theory behind cinema of exploration and discuss how they recruited the hours of the various essays.</p><p>The essays in this collection are ideal for a broad range of scholars, graduate students, and advanced undergraduate students in cinema and media studies, cultural studies, and cognate fields. </p><p>James Leo Cahill is Director of the Cinema Studies Institute and Associate Professor of Cinema Studies and French at the University of Toronto. He is author of <em>Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé</em> (2019) and general editor of <em>Discourse: Journal for Theoretical Studies in Media and Culture</em>.</p><p>Luca Caminati is Professor of Film Studies at Concordia University in Montreal. He is the author of <em>Orientalismo eretico. Pier Paolo Pasolini e il cinema del Terzo Mondo</em> (2007), <em>Il cinema come happening</em>: <em>Pasolini's Primitivism and the Sixties Italian Art Scene</em> (2010), and <em>Roberto Rossellini documentarista. Una cultura della realtà </em>(2012), along with many articles and book chapters on Italian cinema and media. He is currently serving as associate editor for the journal <em>Italica</em>.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alyssa Goldstein Sepinwall, "Slave Revolt on Screen: The Haitian Revolution in Film and Video Games" (UP of Mississippi, 2021)</title>
      <description>Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall’s Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins’ Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt.
Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 22 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1034</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alyssa Goldstein Sepinwall</itunes:subtitle>
      <itunes:summary>Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall’s Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins’ Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt.
Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall’s <a href="https://bookshop.org/a/12343/9781496833112"><em>Slave Revolt on Screen: The Haitian Revolution in Film and Video Games</em></a> (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as <em>Assassins’ Creed</em> do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His <em>Top Five</em> contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt.</p><p>Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include <em>The Abbé Grégoire and the French Revolution: The Making of Modern Universalism</em> and <em>Haitian History: New Perspectives</em>. She also has a number of articles in journals and edited collections such as <em>Journal of Modern History</em>, <em>Journal of Haitian Studies</em>, <em>Journal of American Culture</em>, and <em>Raoul Peck: Power, Politics, and the Cinematic Imagination</em>. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the <a href="https://www.thewha.org/files/pdf/whb/26.1.pdf"><em>World History Bulletin</em> on France in world history</a>.</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4244</itunes:duration>
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      <title>Gina G. Warren, "Hatched: Dispatches from the Backyard Chicken Movement" (U Washington Press, 2021)</title>
      <description>Guest Gina Warren discusses her newest book Hatched: Dispatches from the Backyard Chicken Movement, published May 2021 by University of Washington Press. Warren chronicles her experience in starting a backyard chicken flock from bringing home day old chicks, feeding and housing them, and eventually butchering and cooking them as meat. Rather than offering practical advice or a how-to-guide to raising chickens, Warren instead demonstrates thoughtful grappling with what it means to be an ethical eater in a capitalist society.
Warren’s journey with ethical eating begins as a vegetarian seeking alternative ways to acquire animal protein while causing the least amount of harm to animals and the environment and taking an active role in producing her own food. Warren states her mission clearly: “I chose to increase the overlapping territory in the Venn diagram between what I consume and what goods I can understand as part of a continuous process.” While raising a small flock of egg-laying chickens, Warren interrogates the industrial food system and the cruelties inflicted on poultry. However, Warren is also critical of the backyard chicken movement and the inequities in class privilege it can reveal. The Silicon Valley Tour de Coop brings up some complex paradoxes, revealing that the ability to raise chickens may be a product of privilege, and chicken zoning regulations are largely products of environmental racism and redlining. While raising animals and plants for food in urban areas can be a powerful act of undermining capitalism with agriculture, Warren points out many ways that these are still exclusive and incomplete actions. Similarly, in her chapter about dumpster diving for food to feed herself and her chickens, Warren acknowledges that being white, young, and female – “someone who doesn’t look like they need to be dumpster diving” - protects her in an encounter with the police.
Warren writes with unflinching and unsentimental candor about the end of the chickens’ lives when she teaches a small group of interested learners about humane butchering. Her respect for their lives and pragmatic gratitude for their deaths is moving. The final chapters explore the act of eating meat, and Warren describes some delicious sounding preparations of liver pate, chicken feet, and stir-fried intestines, as well as the pleasure and pride of preparing meals for friends and family that align with her ethical values.
Warren’s creative writing MFA and English PhD serve her well in blending narrative and research with a journalistic style that is accessible and entertaining while also mounting a well-supported critique of food systems.
Gina G. Warren writes about animals, the natural world, and human relationships for publications such as Orion, Creative Nonfiction, and Terrain.org. She raises a flock of chickens in her backyard.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 20 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gina G. Warren</itunes:subtitle>
      <itunes:summary>Guest Gina Warren discusses her newest book Hatched: Dispatches from the Backyard Chicken Movement, published May 2021 by University of Washington Press. Warren chronicles her experience in starting a backyard chicken flock from bringing home day old chicks, feeding and housing them, and eventually butchering and cooking them as meat. Rather than offering practical advice or a how-to-guide to raising chickens, Warren instead demonstrates thoughtful grappling with what it means to be an ethical eater in a capitalist society.
Warren’s journey with ethical eating begins as a vegetarian seeking alternative ways to acquire animal protein while causing the least amount of harm to animals and the environment and taking an active role in producing her own food. Warren states her mission clearly: “I chose to increase the overlapping territory in the Venn diagram between what I consume and what goods I can understand as part of a continuous process.” While raising a small flock of egg-laying chickens, Warren interrogates the industrial food system and the cruelties inflicted on poultry. However, Warren is also critical of the backyard chicken movement and the inequities in class privilege it can reveal. The Silicon Valley Tour de Coop brings up some complex paradoxes, revealing that the ability to raise chickens may be a product of privilege, and chicken zoning regulations are largely products of environmental racism and redlining. While raising animals and plants for food in urban areas can be a powerful act of undermining capitalism with agriculture, Warren points out many ways that these are still exclusive and incomplete actions. Similarly, in her chapter about dumpster diving for food to feed herself and her chickens, Warren acknowledges that being white, young, and female – “someone who doesn’t look like they need to be dumpster diving” - protects her in an encounter with the police.
Warren writes with unflinching and unsentimental candor about the end of the chickens’ lives when she teaches a small group of interested learners about humane butchering. Her respect for their lives and pragmatic gratitude for their deaths is moving. The final chapters explore the act of eating meat, and Warren describes some delicious sounding preparations of liver pate, chicken feet, and stir-fried intestines, as well as the pleasure and pride of preparing meals for friends and family that align with her ethical values.
Warren’s creative writing MFA and English PhD serve her well in blending narrative and research with a journalistic style that is accessible and entertaining while also mounting a well-supported critique of food systems.
Gina G. Warren writes about animals, the natural world, and human relationships for publications such as Orion, Creative Nonfiction, and Terrain.org. She raises a flock of chickens in her backyard.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Guest Gina Warren discusses her newest book<em> </em><a href="https://bookshop.org/a/12343/9780295748627"><em>Hatched: Dispatches from the Backyard Chicken Movement</em></a><em>,</em> published May 2021 by University of Washington Press. Warren chronicles her experience in starting a backyard chicken flock from bringing home day old chicks, feeding and housing them, and eventually butchering and cooking them as meat. Rather than offering practical advice or a how-to-guide to raising chickens, Warren instead demonstrates thoughtful grappling with what it means to be an ethical eater in a capitalist society.</p><p>Warren’s journey with ethical eating begins as a vegetarian seeking alternative ways to acquire animal protein while causing the least amount of harm to animals and the environment and taking an active role in producing her own food. Warren states her mission clearly: “I chose to increase the overlapping territory in the Venn diagram between what I consume and what goods I can understand as part of a continuous process.” While raising a small flock of egg-laying chickens, Warren interrogates the industrial food system and the cruelties inflicted on poultry. However, Warren is also critical of the backyard chicken movement and the inequities in class privilege it can reveal. The Silicon Valley Tour de Coop brings up some complex paradoxes, revealing that the ability to raise chickens may be a product of privilege, and chicken zoning regulations are largely products of environmental racism and redlining. While raising animals and plants for food in urban areas can be a powerful act of undermining capitalism with agriculture, Warren points out many ways that these are still exclusive and incomplete actions. Similarly, in her chapter about dumpster diving for food to feed herself and her chickens, Warren acknowledges that being white, young, and female – “someone who doesn’t look like they need to be dumpster diving” - protects her in an encounter with the police.</p><p>Warren writes with unflinching and unsentimental candor about the end of the chickens’ lives when she teaches a small group of interested learners about humane butchering. Her respect for their lives and pragmatic gratitude for their deaths is moving. The final chapters explore the act of eating meat, and Warren describes some delicious sounding preparations of liver pate, chicken feet, and stir-fried intestines, as well as the pleasure and pride of preparing meals for friends and family that align with her ethical values.</p><p>Warren’s creative writing MFA and English PhD serve her well in blending narrative and research with a journalistic style that is accessible and entertaining while also mounting a well-supported critique of food systems.</p><p><strong>Gina G. Warren</strong> writes about animals, the natural world, and human relationships for publications such as <em>Orion</em>, <em>Creative Nonfiction</em>, and <em>Terrain.org</em>. She raises a flock of chickens in her backyard.</p><p><a href="http://www.carrietippen.com/">Carrie Helms Tippen</a> is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, <a href="http://www.inventingauthenticity.com/"><em>Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</em></a> (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in <em>Gastronomica,</em> <em>Food and Foodways</em>, <em>American Studies</em>, <em>Southern Quarterly</em>, and <em>Food, Culture, and Society</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4662</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/NBN1372365011.mp3?updated=1625586544" length="0" type="audio/mpeg"/>
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      <title>Knitting and Politics in the Age of Trump: A Discussion with Carrie Battan</title>
      <description>Today we are talking to a New Yorker staff writer Carrie Battan about her piece from March of this year "How Politics Tested Ravelry and the Crafting Community" – about how a quote unquote “nice website about yarn” got involved in radical politics.
Battan began contributing to The New Yorker in 2015 and became a staff writer in 2018. She has contributed to the New York Times, New York magazine, GQ, Rolling Stone, and the Web site Pitchfork, where she worked as a staff writer from 2011 to 2014. She lives in Brooklyn.
Agata Popeda is a Polish-American journalist. Interested in everything, with a particular weakness for literature and foreign relations.
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      <pubDate>Tue, 20 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carrie Battan</itunes:subtitle>
      <itunes:summary>Today we are talking to a New Yorker staff writer Carrie Battan about her piece from March of this year "How Politics Tested Ravelry and the Crafting Community" – about how a quote unquote “nice website about yarn” got involved in radical politics.
Battan began contributing to The New Yorker in 2015 and became a staff writer in 2018. She has contributed to the New York Times, New York magazine, GQ, Rolling Stone, and the Web site Pitchfork, where she worked as a staff writer from 2011 to 2014. She lives in Brooklyn.
Agata Popeda is a Polish-American journalist. Interested in everything, with a particular weakness for literature and foreign relations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are talking to a <em>New Yorker</em> staff writer Carrie Battan about her piece from March of this year "<a href="https://www.newyorker.com/magazine/2021/03/29/how-politics-tested-ravelry-and-the-crafting-community">How Politics Tested Ravelry and the Crafting Community</a>" – about how a quote unquote “nice website about yarn” got involved in radical politics.</p><p>Battan began contributing to The New Yorker in 2015 and became a staff writer in 2018. She has contributed to the <em>New York Times, New York </em>magazine, <em>GQ,</em> <em>Rolling Stone</em>, and the Web site Pitchfork, where she worked as a staff writer from 2011 to 2014. She lives in Brooklyn.</p><p>Agata Popeda is a Polish-American journalist. Interested in everything, with a particular weakness for literature and foreign relations.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2143</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[be20af66-e597-11eb-a75e-03cc698725e8]]></guid>
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      <title>Pablo Palomino, "The Invention of Latin American Music" (Oxford UP, 2020)</title>
      <description>Pablo Palomino's The Invention of Latin American Music (Oxford UP, 2020) reconstructs the transnational history of the category of Latin American music during the first half of the twentieth century, from a longer perspective that begins in the nineteenth century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors such as intellectuals, musicologists, policymakers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. Palomino proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces—imperial, economic, and ideological. The author argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history. The book will be published in Spanish in 2021 by Fondo de Cultura Económica as La invención de la música latinoamericana."
Patricio Simonetto a Marie Skłodowska-Curie Fellow at the Institute of the Americas (University College London).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 20 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pablo Palomino</itunes:subtitle>
      <itunes:summary>Pablo Palomino's The Invention of Latin American Music (Oxford UP, 2020) reconstructs the transnational history of the category of Latin American music during the first half of the twentieth century, from a longer perspective that begins in the nineteenth century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors such as intellectuals, musicologists, policymakers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. Palomino proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces—imperial, economic, and ideological. The author argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history. The book will be published in Spanish in 2021 by Fondo de Cultura Económica as La invención de la música latinoamericana."
Patricio Simonetto a Marie Skłodowska-Curie Fellow at the Institute of the Americas (University College London).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Pablo Palomino's <a href="https://bookshop.org/a/12343/9780190687410"><em>The Invention of Latin American Music</em></a> (Oxford UP, 2020) reconstructs the transnational history of the category of Latin American music during the first half of the twentieth century, from a longer perspective that begins in the nineteenth century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors such as intellectuals, musicologists, policymakers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. Palomino proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces—imperial, economic, and ideological. The author argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history. The book will be published in Spanish in 2021 by Fondo de Cultura Económica as <em>La invención de la música latinoamericana</em>."</p><p><em>Patricio Simonetto a Marie Skłodowska-Curie Fellow at the Institute of the Americas (University College London).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3083</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN3091347383.mp3?updated=1625592252" length="0" type="audio/mpeg"/>
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      <title>Eric C. Rath, "Oishii: The History of Sushi" (Reaktion Books, 2021)</title>
      <description>Sushi and sashimi are by now a global sensation and have become perhaps the best known of Japanese foods—but they are also the most widely misunderstood. Oishii: The History of Sushi (Reaktion Books, 2020) reveals that sushi began as a fermented food with a sour taste, used as a means to preserve fish. This book, the first history of sushi in English, traces sushi’s development from China to Japan and then internationally, and from street food to high-class cuisine. Included are two dozen historical and original recipes that show the diversity of sushi and how to prepare it. Written by an expert on Japanese food history, Oishii is a must read for understanding sushi’s past, its variety and sustainability, and how it became one of the world’s greatest anonymous cuisines.
 Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 14 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eric C. Rath</itunes:subtitle>
      <itunes:summary>Sushi and sashimi are by now a global sensation and have become perhaps the best known of Japanese foods—but they are also the most widely misunderstood. Oishii: The History of Sushi (Reaktion Books, 2020) reveals that sushi began as a fermented food with a sour taste, used as a means to preserve fish. This book, the first history of sushi in English, traces sushi’s development from China to Japan and then internationally, and from street food to high-class cuisine. Included are two dozen historical and original recipes that show the diversity of sushi and how to prepare it. Written by an expert on Japanese food history, Oishii is a must read for understanding sushi’s past, its variety and sustainability, and how it became one of the world’s greatest anonymous cuisines.
 Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sushi and sashimi are by now a global sensation and have become perhaps the best known of Japanese foods—but they are also the most widely misunderstood. <a href="https://bookshop.org/a/12343/9781789143836"><em>Oishii: The History of Sushi</em></a><em> </em>(Reaktion Books, 2020) reveals that sushi began as a fermented food with a sour taste, used as a means to preserve fish. This book, the first history of sushi in English, traces sushi’s development from China to Japan and then internationally, and from street food to high-class cuisine. Included are two dozen historical and original recipes that show the diversity of sushi and how to prepare it. Written by an expert on Japanese food history, Oishii is a must read for understanding sushi’s past, its variety and sustainability, and how it became one of the world’s greatest anonymous cuisines.</p><p><em> </em><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3244</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[52ecc39a-d9b9-11eb-b940-f7617c1079aa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8116864016.mp3?updated=1625067760" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Wright and Dawson Barrett, "Punks in Peoria: Making a Scene in the American Heartland" (U Illinois Press, 2021)</title>
      <description>In Punks in Peoria: Making a Scene in the American Heartland (University of Illinois, 2021) Jonathan Wright and Dawson Barret explore do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. Peoria, Illinois the quintessential Midwest town, where "if it could play in Peoria, it could play anywhere," was fertile ground for the boredom- and anger-fueled fury of punk rock. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the region's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for community—the shared sense of otherness that, even for one night only, could unite outsiders and discontents under the banner of music. Punks in Peoria examines the rich history of this punk scene, including a soundtrack to listen along. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 12 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Wright and Dawson Barrett</itunes:subtitle>
      <itunes:summary>In Punks in Peoria: Making a Scene in the American Heartland (University of Illinois, 2021) Jonathan Wright and Dawson Barret explore do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. Peoria, Illinois the quintessential Midwest town, where "if it could play in Peoria, it could play anywhere," was fertile ground for the boredom- and anger-fueled fury of punk rock. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the region's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for community—the shared sense of otherness that, even for one night only, could unite outsiders and discontents under the banner of music. Punks in Peoria examines the rich history of this punk scene, including a soundtrack to listen along. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780252085796"><em>Punks in Peoria: Making a Scene in the American Heartland</em></a> (University of Illinois, 2021) Jonathan Wright and Dawson Barret explore do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. Peoria, Illinois the quintessential Midwest town, where "if it could play in Peoria, it could play anywhere," was fertile ground for the boredom- and anger-fueled fury of punk rock. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the region's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for community—the shared sense of otherness that, even for one night only, could unite outsiders and discontents under the banner of music. <em>Punks in Peoria</em> examines the rich history of this punk scene, including a <a href="https://shop.alonasdreamrecords.com/album/punks-in-peoria">soundtrack</a> to listen along. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3682</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f43e112a-d67d-11eb-be77-a370923e4f3d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7644653497.mp3?updated=1624712878" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alan McDougall, "Contested Fields: A Global History of Modern Football" (U Toronto Press, 2020)</title>
      <description>Today we are joined by Alan McDougall, Professor of History at the University of Guelph, and the author of Contested Fields: A Global History of Modern Football (University of Toronto Press, 2020). In our conversation we discussed football’s role in global migrations from the 19th to the 21st century, global football’s changing economic conditions from grassroots pastime to neo-liberal ‘big business,’ and the many roles that spectators and stadiums have played in shaping the game.
In Contested Fields, McDougall offers an innovative history of football since 1863. Rather than proceed chronologically, examining football emanating from England outward only colonial lines, his work is organized thematically with chapters on: migrations, money, competitions, gender, race, space, spectators, and confrontations. Through his themed chapters, McDougall draws together parallel phenomenon that typically appear only in national histories. For example, his chapter on spaces looks at the development of stadiums and their uses in diverse national and international contexts. In the chapter on confrontations, he traces the similarities and differences between the ways states – including authoritarian, democratic, post-colonial and developing -- used football for political ends.
Throughout McDougall’s thematic approach allows him to transcend the usual conventions of football writing. For instance, although incisive commentary on gender emerges in many sections of the book, he uses his chapter on the gender politics of football inside and outside of Europe to rewrite the origins of the game. Eschewing the language of ‘women’s football’ he reframes the games origins as a history of resistance and oppression. Similarly, his chapter on spectatorship pushes past the more common discussion of hooliganism to draw on the transnational links between fan movements around the globe.
An pioneering and pithy account, pitched to people interested in global and transnational histories, readers interested in sport and sports studies will undoubtedly find its approaches and conclusions insightful.
Keith Rathbone is a senior lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 12 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alan McDougall</itunes:subtitle>
      <itunes:summary>Today we are joined by Alan McDougall, Professor of History at the University of Guelph, and the author of Contested Fields: A Global History of Modern Football (University of Toronto Press, 2020). In our conversation we discussed football’s role in global migrations from the 19th to the 21st century, global football’s changing economic conditions from grassroots pastime to neo-liberal ‘big business,’ and the many roles that spectators and stadiums have played in shaping the game.
In Contested Fields, McDougall offers an innovative history of football since 1863. Rather than proceed chronologically, examining football emanating from England outward only colonial lines, his work is organized thematically with chapters on: migrations, money, competitions, gender, race, space, spectators, and confrontations. Through his themed chapters, McDougall draws together parallel phenomenon that typically appear only in national histories. For example, his chapter on spaces looks at the development of stadiums and their uses in diverse national and international contexts. In the chapter on confrontations, he traces the similarities and differences between the ways states – including authoritarian, democratic, post-colonial and developing -- used football for political ends.
Throughout McDougall’s thematic approach allows him to transcend the usual conventions of football writing. For instance, although incisive commentary on gender emerges in many sections of the book, he uses his chapter on the gender politics of football inside and outside of Europe to rewrite the origins of the game. Eschewing the language of ‘women’s football’ he reframes the games origins as a history of resistance and oppression. Similarly, his chapter on spectatorship pushes past the more common discussion of hooliganism to draw on the transnational links between fan movements around the globe.
An pioneering and pithy account, pitched to people interested in global and transnational histories, readers interested in sport and sports studies will undoubtedly find its approaches and conclusions insightful.
Keith Rathbone is a senior lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Alan McDougall, Professor of History at the University of Guelph, and the author of <a href="https://bookshop.org/a/12343/9781487594565"><em>Contested Fields: A Global History of Modern Football</em></a><em> </em>(University of Toronto Press, 2020). In our conversation we discussed football’s role in global migrations from the 19th to the 21st century, global football’s changing economic conditions from grassroots pastime to neo-liberal ‘big business,’ and the many roles that spectators and stadiums have played in shaping the game.</p><p>In <em>Contested Fields</em>, McDougall offers an innovative history of football since 1863. Rather than proceed chronologically, examining football emanating from England outward only colonial lines, his work is organized thematically with chapters on: migrations, money, competitions, gender, race, space, spectators, and confrontations. Through his themed chapters, McDougall draws together parallel phenomenon that typically appear only in national histories. For example, his chapter on spaces looks at the development of stadiums and their uses in diverse national and international contexts. In the chapter on confrontations, he traces the similarities and differences between the ways states – including authoritarian, democratic, post-colonial and developing -- used football for political ends.</p><p>Throughout McDougall’s thematic approach allows him to transcend the usual conventions of football writing. For instance, although incisive commentary on gender emerges in many sections of the book, he uses his chapter on the gender politics of football inside and outside of Europe to rewrite the origins of the game. Eschewing the language of ‘women’s football’ he reframes the games origins as a history of resistance and oppression. Similarly, his chapter on spectatorship pushes past the more common discussion of hooliganism to draw on the transnational links between fan movements around the globe.</p><p>An pioneering and pithy account, pitched to people interested in global and transnational histories, readers interested in sport and sports studies will undoubtedly find its approaches and conclusions insightful.</p><p><em>Keith Rathbone is a senior lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3656</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[788cb686-d6a9-11eb-92b9-33e23179c719]]></guid>
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    </item>
    <item>
      <title>Jeanne Pitre Soileau, "Yo' Mama, Mary Mack, and Boudreaux and Thibodeaux: Louisiana Children's Folklore and Play" (UP of Mississippi, 2016)</title>
      <description>Children’s folklore is simultaneously a conservator of tradition and a site for creativity and innovation. For over five decades, Dr. Jeanne Pitre Soileau documented and collected the jokes, chants, rhymes, and games that that she observed on school playgrounds throughout her career as a public school teacher in southern Louisiana. From the early days of integration to the first decade of the 21st century, Dr. Soileau has taken note of the evolving forms in which children’s play take and its reflections of contemporary times. Her book, Yo’ Mama, Mary Mack, and Boudreaux and Thibodeaux: Lousiana Children’s Folklore and Play (University Press of Mississippi, 2016), examines forty-four years of children’s folklore and play collected in southern Louisiana schools. The book has won the 2018 Chicago Folklore Prize for excellence in folklore scholarship and the 2018 Opie Prize for the best published scholarly book on children’s folklore.
In this podcast, we hear about Dr. Soileau’s early fascination with the sounds of children chanting and handclapping at Louisiana school playground and her subsequent efforts to collect and document them and mores. She shares the playground jokes she heard, the “dozens,” an African American insult ritual with specific patterns with “clean” and “dirty” versions. We also discuss chants and ring games that were played among girls, some of which had origins from the late 19th century, but still expressed expectations of womanhood. The rhymes and playing that children engaged with were often reflective of current trends and popular culture. While the 21st century saw the rise of electronic media in the play of children, traditional rings games and chants still persisted on the playground. Such inventions did not replace these familiar games, but simply added to them, allowing for a different type of creativity and play for children.
Dr. Jeanne Soileau was born in New Orleans and taught public school and university classes in Louisiana for forty-seven years. Though retired, she continues to collect and study children’s folklore. Her upcoming publication What The Children Said: Child Lore of Southern Louisiana (University Press of Mississippi, 2021) will explore children’s play and its influence on learning about race, history, and sexuality.
Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 06 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeanne Pitre Soileau</itunes:subtitle>
      <itunes:summary>Children’s folklore is simultaneously a conservator of tradition and a site for creativity and innovation. For over five decades, Dr. Jeanne Pitre Soileau documented and collected the jokes, chants, rhymes, and games that that she observed on school playgrounds throughout her career as a public school teacher in southern Louisiana. From the early days of integration to the first decade of the 21st century, Dr. Soileau has taken note of the evolving forms in which children’s play take and its reflections of contemporary times. Her book, Yo’ Mama, Mary Mack, and Boudreaux and Thibodeaux: Lousiana Children’s Folklore and Play (University Press of Mississippi, 2016), examines forty-four years of children’s folklore and play collected in southern Louisiana schools. The book has won the 2018 Chicago Folklore Prize for excellence in folklore scholarship and the 2018 Opie Prize for the best published scholarly book on children’s folklore.
In this podcast, we hear about Dr. Soileau’s early fascination with the sounds of children chanting and handclapping at Louisiana school playground and her subsequent efforts to collect and document them and mores. She shares the playground jokes she heard, the “dozens,” an African American insult ritual with specific patterns with “clean” and “dirty” versions. We also discuss chants and ring games that were played among girls, some of which had origins from the late 19th century, but still expressed expectations of womanhood. The rhymes and playing that children engaged with were often reflective of current trends and popular culture. While the 21st century saw the rise of electronic media in the play of children, traditional rings games and chants still persisted on the playground. Such inventions did not replace these familiar games, but simply added to them, allowing for a different type of creativity and play for children.
Dr. Jeanne Soileau was born in New Orleans and taught public school and university classes in Louisiana for forty-seven years. Though retired, she continues to collect and study children’s folklore. Her upcoming publication What The Children Said: Child Lore of Southern Louisiana (University Press of Mississippi, 2021) will explore children’s play and its influence on learning about race, history, and sexuality.
Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Children’s folklore is simultaneously a conservator of tradition and a site for creativity and innovation. For over five decades, Dr. Jeanne Pitre Soileau documented and collected the jokes, chants, rhymes, and games that that she observed on school playgrounds throughout her career as a public school teacher in southern Louisiana. From the early days of integration to the first decade of the 21st century, Dr. Soileau has taken note of the evolving forms in which children’s play take and its reflections of contemporary times. Her book, <a href="https://bookshop.org/books/yo-mama-mary-mack-and-boudreaux-and-thibodeaux-louisiana-children-s-folklore-and-play/9781496826329"><em>Yo’ Mama, Mary Mack, and Boudreaux and Thibodeaux: Lousiana Children’s Folklore and Play</em></a><em> (</em>University Press of Mississippi, 2016), examines forty-four years of children’s folklore and play collected in southern Louisiana schools. The book has won the 2018 Chicago Folklore Prize for excellence in folklore scholarship and the 2018 Opie Prize for the best published scholarly book on children’s folklore.</p><p>In this podcast, we hear about Dr. Soileau’s early fascination with the sounds of children chanting and handclapping at Louisiana school playground and her subsequent efforts to collect and document them and mores. She shares the playground jokes she heard, the “dozens,” an African American insult ritual with specific patterns with “clean” and “dirty” versions. We also discuss chants and ring games that were played among girls, some of which had origins from the late 19th century, but still expressed expectations of womanhood. The rhymes and playing that children engaged with were often reflective of current trends and popular culture. While the 21st century saw the rise of electronic media in the play of children, traditional rings games and chants still persisted on the playground. Such inventions did not replace these familiar games, but simply added to them, allowing for a different type of creativity and play for children.</p><p>Dr. Jeanne Soileau was born in New Orleans and taught public school and university classes in Louisiana for forty-seven years. Though retired, she continues to collect and study children’s folklore. Her upcoming publication <a href="https://www.upress.state.ms.us/Books/W/What-the-Children-Said">What The Children Said: Child Lore of Southern Louisiana</a> (University Press of Mississippi, 2021) will explore children’s play and its influence on learning about race, history, and sexuality.</p><p><em>Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3184</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8113855e-d358-11eb-a21f-8764d829d06b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2923499487.mp3?updated=1624569439" length="0" type="audio/mpeg"/>
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    <item>
      <title>Benjamin Lorr, "The Secret Life of Groceries: The Dark Miracle of the American Supermarket" (Penguin, 2020)</title>
      <description>This episode of the New Books in Economic and Business History is an interview with New York writer Benjamin Lorr. Benjamin Lorr is the author of ofHell-Bent: Obsession, Pain, and the Search for Something Like Transcendence in Competitive Yoga, a book that explores the Bikram Yoga community and movement. His second book, The Secret Life of Groceries: The Dark Miracle of the American Supermarket is "an extraordinary investigation into the human lives at the heart of the American grocery store. The miracle of the supermarket has never been more apparent. Like the doctors and nurses who care for the sick, suddenly the men and women who stock our shelves and operate our warehouses are understood as ‘essential’ workers, providing a quality of life we all too easily take for granted. But the sad truth is that the grocery industry has been failing these workers for decades.
In this page-turning expose, author Benjamin Lorr pulls back the curtain on the highly secretive grocery industry. Combining deep sourcing, immersive reporting, and sharp, often laugh-out-loud prose, Lorr leads a wild investigation, asking what does it take to run a supermarket? How does our food get on the shelves? And who suffers for our increasing demands for convenience and efficiency?"
Listen to the interview, read more about Benjamin Lorr, or buy his book The Secret Life of Groceries: The Dark Miracle of the American Supermarket.

Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. New Books Network en español editor. Edita CEO.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 29 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Benjamin Lorr</itunes:subtitle>
      <itunes:summary>This episode of the New Books in Economic and Business History is an interview with New York writer Benjamin Lorr. Benjamin Lorr is the author of ofHell-Bent: Obsession, Pain, and the Search for Something Like Transcendence in Competitive Yoga, a book that explores the Bikram Yoga community and movement. His second book, The Secret Life of Groceries: The Dark Miracle of the American Supermarket is "an extraordinary investigation into the human lives at the heart of the American grocery store. The miracle of the supermarket has never been more apparent. Like the doctors and nurses who care for the sick, suddenly the men and women who stock our shelves and operate our warehouses are understood as ‘essential’ workers, providing a quality of life we all too easily take for granted. But the sad truth is that the grocery industry has been failing these workers for decades.
In this page-turning expose, author Benjamin Lorr pulls back the curtain on the highly secretive grocery industry. Combining deep sourcing, immersive reporting, and sharp, often laugh-out-loud prose, Lorr leads a wild investigation, asking what does it take to run a supermarket? How does our food get on the shelves? And who suffers for our increasing demands for convenience and efficiency?"
Listen to the interview, read more about Benjamin Lorr, or buy his book The Secret Life of Groceries: The Dark Miracle of the American Supermarket.

Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. New Books Network en español editor. Edita CEO.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode of the New Books in Economic and Business History is an interview with New York writer Benjamin Lorr. Benjamin Lorr is the author of of<a href="https://bookshop.org/books/hell-bent-obsession-pain-and-the-search-for-something-like-transcendence-in-competitive-yoga/9781250042781"><em>Hell-Bent: Obsession, Pain, and the Search for Something Like Transcendence in Competitive Yoga</em></a>, a book that explores the Bikram Yoga community and movement. His second book, <a href="https://bookshop.org/books/the-secret-life-of-groceries-the-dark-miracle-of-the-american-supermarket-9781094180014/9780553459395"><em>The Secret Life of Groceries: The Dark Miracle of the American Supermarket</em></a> is "an extraordinary investigation into the human lives at the heart of the American grocery store. The miracle of the supermarket has never been more apparent. Like the doctors and nurses who care for the sick, suddenly the men and women who stock our shelves and operate our warehouses are understood as ‘essential’ workers, providing a quality of life we all too easily take for granted. But the sad truth is that the grocery industry has been failing these workers for decades.</p><p>In this page-turning expose, author Benjamin Lorr pulls back the curtain on the highly secretive grocery industry. Combining deep sourcing, immersive reporting, and sharp, often laugh-out-loud prose, Lorr leads a wild investigation, asking what does it take to run a supermarket? How does our food get on the shelves? And who suffers for our increasing demands for convenience and efficiency?"</p><p>Listen to the interview, read more about <a href="https://www.benjaminlorr.net/">Benjamin Lorr</a>, or buy his book <a href="https://bookshop.org/books/the-secret-life-of-groceries-the-dark-miracle-of-the-american-supermarket/9780553459395"><em>The Secret Life of Groceries: The Dark Miracle of the American Supermarket</em></a>.</p><p><br></p><p><a href="https://www.linkedin.com/in/paula-de-la-cruz-fernandez-ph-d-6b36437/"><em>Paula De La Cruz-Fernandez</em></a><em> is a consultant, historian, and digital editor. </em><a href="https://www.linkedin.com/company/72734215/admin/"><em>New Books Network en español</em></a><em> editor. </em><a href="https://www.edita.us/"><em>Edita</em></a><em> CEO.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[065f4562-cc57-11eb-bc19-a3b10ea79142]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7626692295.mp3?updated=1704044578" length="0" type="audio/mpeg"/>
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      <title>Alessandro Testa, "Rituality and Social (Dis)Order: The Historical Anthropology of Popular Carnival in Europe" (Routledge, 2020)</title>
      <description>Rituality and Social (Dis)Order: The Historical Anthropology of Popular Carnival in Europe (Routledge, 2020) is the first comparative historical anthropology of popular European Carnival in the English language, with a focus on its symbolic, religious, and political dimensions and transformations throughout the centuries. It builds on a variety of theories of social change and social structures, questioning existing assumptions about what folklore is and how cultural gaps and differences take shape and reproduce through ritual forms of collective action. It also challenges recent interpretations about the performative and political dimension of European festive culture, especially in its carnivalesque declension. While presenting and exploring the most important features and characteristics of European pre-modern Carnival and discussing its origins and developments, Dr. Alessandro Testa offers fresh evidence and up-to-date analyses about its transversal and long-lasting significance in European societies.
Dr. Alessandro Testa is Assistant Professor in Anthropology at the Institute of Sociological Studies, Charles University, Prague.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 25 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alessandro Testa</itunes:subtitle>
      <itunes:summary>Rituality and Social (Dis)Order: The Historical Anthropology of Popular Carnival in Europe (Routledge, 2020) is the first comparative historical anthropology of popular European Carnival in the English language, with a focus on its symbolic, religious, and political dimensions and transformations throughout the centuries. It builds on a variety of theories of social change and social structures, questioning existing assumptions about what folklore is and how cultural gaps and differences take shape and reproduce through ritual forms of collective action. It also challenges recent interpretations about the performative and political dimension of European festive culture, especially in its carnivalesque declension. While presenting and exploring the most important features and characteristics of European pre-modern Carnival and discussing its origins and developments, Dr. Alessandro Testa offers fresh evidence and up-to-date analyses about its transversal and long-lasting significance in European societies.
Dr. Alessandro Testa is Assistant Professor in Anthropology at the Institute of Sociological Studies, Charles University, Prague.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367617226"><em>Rituality and Social (Dis)Order: The Historical Anthropology of Popular Carnival in Europe</em></a> (Routledge, 2020) is the first comparative historical anthropology of popular European Carnival in the English language, with a focus on its symbolic, religious, and political dimensions and transformations throughout the centuries. It builds on a variety of theories of social change and social structures, questioning existing assumptions about what folklore is and how cultural gaps and differences take shape and reproduce through ritual forms of collective action. It also challenges recent interpretations about the performative and political dimension of European festive culture, especially in its carnivalesque declension. While presenting and exploring the most important features and characteristics of European pre-modern Carnival and discussing its origins and developments, Dr. Alessandro Testa offers fresh evidence and up-to-date analyses about its transversal and long-lasting significance in European societies.</p><p>Dr. Alessandro Testa is Assistant Professor in Anthropology at the Institute of Sociological Studies, Charles University, Prague.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3846</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eeb06470-cad3-11eb-aa49-4b2d73e18757]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3821784173.mp3?updated=1623429321" length="0" type="audio/mpeg"/>
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    <item>
      <title>Susan E. Kirtley, "Typical Girls: The Rhetoric of Womanhood in Comic Strips" (Ohio State UP, 2021)</title>
      <description>In her new book Typical Girls: The Rhetoric of Womanhood in Comic Strips (Ohio State Press, 2021) Susan Kirtley examines female-created comics that were nationally syndicated starting in the late 1970s-2010. Kirtley uncovers the understudied and developing history of these strips, defining and exploring the ramifications of this expression of women’s roles at a time of great change in history and in comic art. This impressive, engaging, and timely study illustrates how these comics express the complexities of women’s experiences, especially as such experiences were shaped by shifting and often competing notions of womanhood and feminism. Including the comics of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls is an important history of the representation of womanhood and women’s rights in popular comic strips.
 Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 25 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>95</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Susan E. Kirtley</itunes:subtitle>
      <itunes:summary>In her new book Typical Girls: The Rhetoric of Womanhood in Comic Strips (Ohio State Press, 2021) Susan Kirtley examines female-created comics that were nationally syndicated starting in the late 1970s-2010. Kirtley uncovers the understudied and developing history of these strips, defining and exploring the ramifications of this expression of women’s roles at a time of great change in history and in comic art. This impressive, engaging, and timely study illustrates how these comics express the complexities of women’s experiences, especially as such experiences were shaped by shifting and often competing notions of womanhood and feminism. Including the comics of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls is an important history of the representation of womanhood and women’s rights in popular comic strips.
 Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book <a href="https://ohiostatepress.org/books/titles/9780814214572.html"><em>Typical Girls: The Rhetoric of Womanhood in Comic Strips</em> </a>(Ohio State Press, 2021) Susan Kirtley examines female-created comics that were nationally syndicated starting in the late 1970s-2010. Kirtley uncovers the understudied and developing history of these strips, defining and exploring the ramifications of this expression of women’s roles at a time of great change in history and in comic art. This impressive, engaging, and timely study illustrates how these comics express the complexities of women’s experiences, especially as such experiences were shaped by shifting and often competing notions of womanhood and feminism. Including the comics of Lynn Johnston (<em>For Better or For Worse</em>), Cathy Guisewite (<em>Cathy</em>), Nicole Hollander (<em>Sylvia</em>), Lynda Barry (<em>Ernie Pook’s Comeek</em>), Barbara Brandon-Croft (<em>Where I’m Coming From</em>), Alison Bechdel (<em>Dykes to Watch Out For</em>), and Jan Eliot (<em>Stone Soup</em>), <em>Typical Girls </em>is an important history of the representation of womanhood and women’s rights in popular comic strips.</p><p><em> </em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3038</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c50f5c76-cb81-11eb-a65a-f31ff7ea1dcf]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8774533339.mp3?updated=1623504960" length="0" type="audio/mpeg"/>
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    <item>
      <title>Annelise Heinz, "Mahjong: A Chinese Game and the Making of Modern American Culture" (Oxford UP, 2021)</title>
      <description>Mahjong: many have played the game, but few are familiar with its rich and complex history. In Mahjong: A Chinese Game and the Making of Modern American Culture (Oxford University Press, 2021), Annelise Heinz (University of Oregon) follows this beloved pastime from the International Settlement in Shanghai, to the detention facilities on Angel Island Immigration Station, to Wright-Patterson Air Force Base in Ohio, to Jewish American bungalow colonies in the Catskill Mountains—and beyond. 
Heinz examines the intersection of leisure and Orientalism to show how the game shaped the lives and identities of Chinese and Americans alike over half a century. Equally fascinating is Heinz’s discussion of mahjong’s evolving materiality, from artisanal bone-and-ivory production to mass-manufactured plastic. To tell this story, Heinz combines a wide array of sources, including not only manuscript material and newspapers, but also novels, popular music, and dozens of oral history interviews. Mahjong will interest scholars of American culture; women’s, gender, and sexuality studies; race and immigration; Jewish studies; and business history—as well as mahjong fans and players of all backgrounds. Pung!
Ian Shin is Assistant Professor of History and American Culture at the University of Michigan.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 24 Jun 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Annelise Heinz</itunes:subtitle>
      <itunes:summary>Mahjong: many have played the game, but few are familiar with its rich and complex history. In Mahjong: A Chinese Game and the Making of Modern American Culture (Oxford University Press, 2021), Annelise Heinz (University of Oregon) follows this beloved pastime from the International Settlement in Shanghai, to the detention facilities on Angel Island Immigration Station, to Wright-Patterson Air Force Base in Ohio, to Jewish American bungalow colonies in the Catskill Mountains—and beyond. 
Heinz examines the intersection of leisure and Orientalism to show how the game shaped the lives and identities of Chinese and Americans alike over half a century. Equally fascinating is Heinz’s discussion of mahjong’s evolving materiality, from artisanal bone-and-ivory production to mass-manufactured plastic. To tell this story, Heinz combines a wide array of sources, including not only manuscript material and newspapers, but also novels, popular music, and dozens of oral history interviews. Mahjong will interest scholars of American culture; women’s, gender, and sexuality studies; race and immigration; Jewish studies; and business history—as well as mahjong fans and players of all backgrounds. Pung!
Ian Shin is Assistant Professor of History and American Culture at the University of Michigan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mahjong: many have played the game, but few are familiar with its rich and complex history. In <a href="https://bookshop.org/a/12343/9780190081799"><em>Mahjong: A Chinese Game and the Making of Modern American Culture</em></a><em> </em>(Oxford University Press, 2021),<a href="https://history.uoregon.edu/profile/heinzam/"> Annelise Heinz</a> (University of Oregon) follows this beloved pastime from the International Settlement in Shanghai, to the detention facilities on Angel Island Immigration Station, to Wright-Patterson Air Force Base in Ohio, to Jewish American bungalow colonies in the Catskill Mountains—and beyond. </p><p>Heinz examines the intersection of leisure and Orientalism to show how the game shaped the lives and identities of Chinese and Americans alike over half a century. Equally fascinating is Heinz’s discussion of mahjong’s evolving materiality, from artisanal bone-and-ivory production to mass-manufactured plastic. To tell this story, Heinz combines a wide array of sources, including not only manuscript material and newspapers, but also novels, popular music, and dozens of oral history interviews. <em>Mahjong</em> will interest scholars of American culture; women’s, gender, and sexuality studies; race and immigration; Jewish studies; and business history—as well as mahjong fans and players of all backgrounds. <em>Pung!</em></p><p><em>Ian Shin is Assistant Professor of History and American Culture at the University of Michigan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4479</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/NBN1200969484.mp3?updated=1623406737" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Badia Ahad-legardy, "Afro-Nostalgia: Feeling Good in Contemporary Black Culture" (U Illinois Press, 2021)</title>
      <description>Nostalgia has received increasing attention for its role in shaping contemporary social and political life in the United States. Dr. Badia Ahad-Legardy distinguishes Afro-Nostalgia as a framework to think about the relationship between affect, black historical memory, and joy. Afro-Nostalgia: Feeling Good in Contemporary Black Culture (University of Illinois Press, 2021) mines black aesthetic practices that return to the past to generate good feelings for black audiences and makers. The past is not always available for black people as a site of good feelings, when one considers the realities of slavery, Jim Crow segregation, and racial inequality. Yet, contemporary cultural producers explore nostalgia through the subjects of slavery, food, visual culture, and music. Ahad-Legardy weaves together personal reflections and analyzes an eclectic archive to show how black people can turn to the past as a foundation from which to build hope for the present and future. She shows that despite the real traumas of the past and present for African Americans, nostalgia has the capacity to produce black joy.
Dr. Badia Ahad-Legardy is a Professor in the Department of English and Vice Provost for Faculty Affairs at Loyola University Chicago. She is also the author of Freud Upside Down: African American Literature and Psychoanalytic Culture from the University of Illinois Press.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 23 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>245</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Badia Ahad-legardy</itunes:subtitle>
      <itunes:summary>Nostalgia has received increasing attention for its role in shaping contemporary social and political life in the United States. Dr. Badia Ahad-Legardy distinguishes Afro-Nostalgia as a framework to think about the relationship between affect, black historical memory, and joy. Afro-Nostalgia: Feeling Good in Contemporary Black Culture (University of Illinois Press, 2021) mines black aesthetic practices that return to the past to generate good feelings for black audiences and makers. The past is not always available for black people as a site of good feelings, when one considers the realities of slavery, Jim Crow segregation, and racial inequality. Yet, contemporary cultural producers explore nostalgia through the subjects of slavery, food, visual culture, and music. Ahad-Legardy weaves together personal reflections and analyzes an eclectic archive to show how black people can turn to the past as a foundation from which to build hope for the present and future. She shows that despite the real traumas of the past and present for African Americans, nostalgia has the capacity to produce black joy.
Dr. Badia Ahad-Legardy is a Professor in the Department of English and Vice Provost for Faculty Affairs at Loyola University Chicago. She is also the author of Freud Upside Down: African American Literature and Psychoanalytic Culture from the University of Illinois Press.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nostalgia has received increasing attention for its role in shaping contemporary social and political life in the United States. Dr. Badia Ahad-Legardy distinguishes Afro-Nostalgia as a framework to think about the relationship between affect, black historical memory, and joy. <a href="https://bookshop.org/a/12343/9780252085666"><em>Afro-Nostalgia: Feeling Good in Contemporary Black Culture</em></a> (University of Illinois Press, 2021) mines black aesthetic practices that return to the past to generate good feelings for black audiences and makers. The past is not always available for black people as a site of good feelings, when one considers the realities of slavery, Jim Crow segregation, and racial inequality. Yet, contemporary cultural producers explore nostalgia through the subjects of slavery, food, visual culture, and music. Ahad-Legardy weaves together personal reflections and analyzes an eclectic archive to show how black people can turn to the past as a foundation from which to build hope for the present and future. She shows that despite the real traumas of the past and present for African Americans, nostalgia has the capacity to produce black joy.</p><p>Dr. <a href="https://www.luc.edu/english/people/faculty/directory/badiaahad/">Badia Ahad-Legardy</a> is a Professor in the Department of English and Vice Provost for Faculty Affairs at Loyola University Chicago. She is also the author of Freud Upside Down: African American Literature and Psychoanalytic Culture from the University of Illinois Press.</p><p><em>Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3078</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dc5ab668-ca1a-11eb-8b89-23ffa9b65a55]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3925600529.mp3?updated=1623305943" length="0" type="audio/mpeg"/>
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    <item>
      <title>Gemma Commane, "Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity" (Bloomsbury, 2020)</title>
      <description>What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity (Bloomsbury, 2020) explores the social, sexual and political significance of women who are labelled bad or dirty. Through case studies (including Empress Stah, RubberDoll or Doris La Trine), the book challenges the notion that sexual, slutty, bad, or dirty women are not worth listening to.
Gemma Commane speaks to Pierre d'Alancaisez about her study of neo-burlesque, queer performances, and explicit entertainment as sites of power, possibility, and success.
Gemma Commane is Lecturer in Media and Communications at the Birmingham School of Media, Birmingham City University. She is active in research in the fields of media and cultural studies, and gender and sexuality.
 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 22 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gemma Commane</itunes:subtitle>
      <itunes:summary>What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity (Bloomsbury, 2020) explores the social, sexual and political significance of women who are labelled bad or dirty. Through case studies (including Empress Stah, RubberDoll or Doris La Trine), the book challenges the notion that sexual, slutty, bad, or dirty women are not worth listening to.
Gemma Commane speaks to Pierre d'Alancaisez about her study of neo-burlesque, queer performances, and explicit entertainment as sites of power, possibility, and success.
Gemma Commane is Lecturer in Media and Communications at the Birmingham School of Media, Birmingham City University. She is active in research in the fields of media and cultural studies, and gender and sexuality.
 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. <a href="https://bookshop.org/a/12343/9781350185357"><em>Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity</em></a><em> </em>(Bloomsbury, 2020) explores the social, sexual and political significance of women who are labelled bad or dirty. Through case studies (including <a href="http://www.empressstah.com/">Empress Stah</a>, <a href="https://rubberdoll.net/">RubberDoll</a> or <a href="https://burdy.co/featured-act/doris-la-trine/">Doris La Trine</a>), the book challenges the notion that sexual, slutty, bad, or dirty women are not worth listening to.</p><p>Gemma Commane speaks to Pierre d'Alancaisez about her study of neo-burlesque, queer performances, and explicit entertainment as sites of power, possibility, and success.</p><p><a href="https://gemmacommane.wordpress.com/about/">Gemma Commane</a> is Lecturer in Media and Communications at the Birmingham School of Media, Birmingham City University. She is active in research in the fields of media and cultural studies, and gender and sexuality.</p><p><em> </em><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3452</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9da3e87c-c614-11eb-a09b-c3fad766e32e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3162300415.mp3?updated=1622907912" length="0" type="audio/mpeg"/>
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    <item>
      <title>Lisa Z. Sigel, "The People's Porn: A History of Handmade Pornography in America" (Reaktion Books, 2020)</title>
      <description>The People's Porn: A History of Handmade Pornography in America (Reaktion Books, 2020) is a beautifully written and groundbreaking historical study of homemade, handmade and amateur pornographic artifacts. Covering everything from erotic scrimshaw to amateur videos on the web, Lisa Sigel offers a fascinating account of what ordinary people thought about sexuality and desire. This hidden chapter of American sexual history is not only a much-needed counterbalance to ahistorical arguments which dominate pornography today, it’s also a reminder of humanity’s prodigious tendency to create and communicate sexual desires. At times, the images and objects presented in this book might appear shocking, crude, grotesque, problematic, confrontational, unrestrained, unruly; but in the end they are deeply human.
Zachary Lowell holds an MA in global studies from Humboldts Universtität zu Berlin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 18 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lisa Z. Sigel</itunes:subtitle>
      <itunes:summary>The People's Porn: A History of Handmade Pornography in America (Reaktion Books, 2020) is a beautifully written and groundbreaking historical study of homemade, handmade and amateur pornographic artifacts. Covering everything from erotic scrimshaw to amateur videos on the web, Lisa Sigel offers a fascinating account of what ordinary people thought about sexuality and desire. This hidden chapter of American sexual history is not only a much-needed counterbalance to ahistorical arguments which dominate pornography today, it’s also a reminder of humanity’s prodigious tendency to create and communicate sexual desires. At times, the images and objects presented in this book might appear shocking, crude, grotesque, problematic, confrontational, unrestrained, unruly; but in the end they are deeply human.
Zachary Lowell holds an MA in global studies from Humboldts Universtität zu Berlin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789142266"><em>The People's Porn: A History of Handmade Pornography in America</em></a><em> </em>(Reaktion Books, 2020) is a beautifully written and groundbreaking historical study of homemade, handmade and amateur pornographic artifacts. Covering everything from erotic scrimshaw to amateur videos on the web, Lisa Sigel offers a fascinating account of what ordinary people thought about sexuality and desire. This hidden chapter of American sexual history is not only a much-needed counterbalance to ahistorical arguments which dominate pornography today, it’s also a reminder of humanity’s prodigious tendency to create and communicate sexual desires. At times, the images and objects presented in this book might appear shocking, crude, grotesque, problematic, confrontational, unrestrained, unruly; but in the end they are deeply human.</p><p><em>Zachary Lowell holds an MA in global studies from Humboldts Universtität zu Berlin.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4203</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5266f25c-c626-11eb-8a07-1737945f55b4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1015640566.mp3?updated=1622915438" length="0" type="audio/mpeg"/>
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    <item>
      <title>Mark Mordue, "Boy On Fire: The Young Nick Cave" (HarperCollins, 2020)</title>
      <description>Boy On Fire: The Young Nick Cave (HarperCollins, 2020) is the first volume of a long-awaited, near-mythical biography of Nick Cave by award-winning writer, Mark Mordue.
A beautiful, profound and poetic biography of the formative years of the dark prince of Australian rock 'n' roll, Boy on Fire is Nick Cave's creation story. This is a portrait of the artist as, first, a boy, and then as a young man. A deeply insightful work which charts his family, friends, influences, milieu and, most of all, his music, it reveals how Nick Cave shaped himself into the extraordinary artist he would become.
As well as a powerfully compelling biography of a singular, uncompromising artist, Boy on Fire is a fascinating social and cultural biography, a vivid and evocative rendering of a time and place, from the fast-running dark river and ghost gums of Wangaratta, to the nascent punk scene which hit staid 1970s Melbourne like an atom bomb, right through to the torn wallpaper, sticky carpet and the manic, wild energy of nights at the Crystal Ballroom.
Mark Mordue is an award-winning Australian writer, journalist, editor, and teacher. In addition to Boy On Fire, his new biography of the young Nick Cave, Mark is the author of Dastgah: Diary of a Headtrip, a roadtrip memoir, and Darlinghurst Funeral Rites, a poetry collection. Mark is co-winner of the 2014 Peter Blazey Fellowship, which recognises an outstanding manuscript in the fields of biography, autobiography or life, and is winner of the 2010 Pascall Prize: Australian Critic of the Year. His work has consistently appeared across mainstream, alternative and literary publications. Mark has also been the editor of three national magazines in Australia: Stiletto in the 1980s; Australian Style in the 1990s; and Neighbourhood Paper from 2017 to 2019. His poetry, fiction, essays and memoir work have appeared in Australian literary journals including HEAT, Meanjin, Griffith Review, and Overland. Mark teaches at the University of New South Wales in Sydney.
Dr Matthew Thompson is a literary nonfiction specialist who recently moved from rural Australia to the Pacific Northwest of America. He is the author of MAYHEM, Running With The Blood God, and My Colombian Death. For more information visit https://matthewthompsonwriting.com/
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Mordue</itunes:subtitle>
      <itunes:summary>Boy On Fire: The Young Nick Cave (HarperCollins, 2020) is the first volume of a long-awaited, near-mythical biography of Nick Cave by award-winning writer, Mark Mordue.
A beautiful, profound and poetic biography of the formative years of the dark prince of Australian rock 'n' roll, Boy on Fire is Nick Cave's creation story. This is a portrait of the artist as, first, a boy, and then as a young man. A deeply insightful work which charts his family, friends, influences, milieu and, most of all, his music, it reveals how Nick Cave shaped himself into the extraordinary artist he would become.
As well as a powerfully compelling biography of a singular, uncompromising artist, Boy on Fire is a fascinating social and cultural biography, a vivid and evocative rendering of a time and place, from the fast-running dark river and ghost gums of Wangaratta, to the nascent punk scene which hit staid 1970s Melbourne like an atom bomb, right through to the torn wallpaper, sticky carpet and the manic, wild energy of nights at the Crystal Ballroom.
Mark Mordue is an award-winning Australian writer, journalist, editor, and teacher. In addition to Boy On Fire, his new biography of the young Nick Cave, Mark is the author of Dastgah: Diary of a Headtrip, a roadtrip memoir, and Darlinghurst Funeral Rites, a poetry collection. Mark is co-winner of the 2014 Peter Blazey Fellowship, which recognises an outstanding manuscript in the fields of biography, autobiography or life, and is winner of the 2010 Pascall Prize: Australian Critic of the Year. His work has consistently appeared across mainstream, alternative and literary publications. Mark has also been the editor of three national magazines in Australia: Stiletto in the 1980s; Australian Style in the 1990s; and Neighbourhood Paper from 2017 to 2019. His poetry, fiction, essays and memoir work have appeared in Australian literary journals including HEAT, Meanjin, Griffith Review, and Overland. Mark teaches at the University of New South Wales in Sydney.
Dr Matthew Thompson is a literary nonfiction specialist who recently moved from rural Australia to the Pacific Northwest of America. He is the author of MAYHEM, Running With The Blood God, and My Colombian Death. For more information visit https://matthewthompsonwriting.com/
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781838953690"><em>Boy On Fire: The Young Nick Cave</em></a><em> </em>(HarperCollins, 2020) is the first volume of a long-awaited, near-mythical biography of Nick Cave by award-winning writer, Mark Mordue.</p><p>A beautiful, profound and poetic biography of the formative years of the dark prince of Australian rock 'n' roll, <em>Boy on Fire</em> is Nick Cave's creation story. This is a portrait of the artist as, first, a boy, and then as a young man. A deeply insightful work which charts his family, friends, influences, milieu and, most of all, his music, it reveals how Nick Cave shaped himself into the extraordinary artist he would become.</p><p>As well as a powerfully compelling biography of a singular, uncompromising artist, <em>Boy on Fire</em> is a fascinating social and cultural biography, a vivid and evocative rendering of a time and place, from the fast-running dark river and ghost gums of Wangaratta, to the nascent punk scene which hit staid 1970s Melbourne like an atom bomb, right through to the torn wallpaper, sticky carpet and the manic, wild energy of nights at the Crystal Ballroom.</p><p>Mark Mordue is an award-winning Australian writer, journalist, editor, and teacher. In addition to <em>Boy On Fire</em>, his new biography of the young Nick Cave, Mark is the author of <em>Dastgah: Diary of a Headtrip</em>, a roadtrip memoir, and <em>Darlinghurst Funeral Rites</em>, a poetry collection. Mark is co-winner of the 2014 Peter Blazey Fellowship, which recognises an outstanding manuscript in the fields of biography, autobiography or life, and is winner of the 2010 Pascall Prize: Australian Critic of the Year. His work has consistently appeared across mainstream, alternative and literary publications. Mark has also been the editor of three national magazines in Australia: <em>Stiletto</em> in the 1980s; <em>Australian Style</em> in the 1990s; and <em>Neighbourhood Paper</em> from 2017 to 2019. His poetry, fiction, essays and memoir work have appeared in Australian literary journals including <em>HEAT</em>, <em>Meanjin</em>, <em>Griffith Review</em>, and <em>Overland</em>. Mark teaches at the University of New South Wales in Sydney.</p><p><em>Dr Matthew Thompson is a literary nonfiction specialist who recently moved from rural Australia to the Pacific Northwest of America. He is the author of MAYHEM, Running With The Blood God, and My Colombian Death. For more information visit </em><a href="https://matthewthompsonwriting.com/"><em>https://matthewthompsonwriting.com/</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>6170</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ebce7b06-c23c-11eb-8d01-7f4eaea28c73]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2735606948.mp3?updated=1622485515" length="0" type="audio/mpeg"/>
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    <item>
      <title>François Matarasso, "A Restless Art: How Participation Won, and Why it Matters" (CGF, 2019)</title>
      <description>It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of orthodoxy that one of art’s core roles is to reach out to audiences beyond art institutions - and paradoxically it is often art institutions that mandate this function. How can we reconcile the somewhat forgotten history - and ongoing practice - of the community arts with the recent rise of participatory art, social practice, or outreach and engagement?
François Matarasso speaks to Pierre d'Alancaisez about his long-term engagement in community art practice, the meanings of participation and cultural democracy, and his proposals for thinking about cultural and artistic participation as a fundamental human right. We talk about the history of the community arts movement in the UK, his influential 1997 paper Use or Ornament, ways of supporting cultural democracy through projects like Fun Palaces, and reaching peak culture.
François Matarasso is a community artist, writer, and researcher, and one of the co-creators of the 2020 Rome Charter.
A Restless Art is available as an open-access download here and in print here.
 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with François Matarasso</itunes:subtitle>
      <itunes:summary>It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of orthodoxy that one of art’s core roles is to reach out to audiences beyond art institutions - and paradoxically it is often art institutions that mandate this function. How can we reconcile the somewhat forgotten history - and ongoing practice - of the community arts with the recent rise of participatory art, social practice, or outreach and engagement?
François Matarasso speaks to Pierre d'Alancaisez about his long-term engagement in community art practice, the meanings of participation and cultural democracy, and his proposals for thinking about cultural and artistic participation as a fundamental human right. We talk about the history of the community arts movement in the UK, his influential 1997 paper Use or Ornament, ways of supporting cultural democracy through projects like Fun Palaces, and reaching peak culture.
François Matarasso is a community artist, writer, and researcher, and one of the co-creators of the 2020 Rome Charter.
A Restless Art is available as an open-access download here and in print here.
 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of orthodoxy that one of art’s core roles is to reach out to audiences beyond art institutions - and paradoxically it is often art institutions that mandate this function. How can we reconcile the somewhat forgotten history - and ongoing practice - of the community arts with the recent rise of participatory art, social practice, or outreach and engagement?</p><p>François Matarasso speaks to Pierre d'Alancaisez about his long-term engagement in community art practice, the meanings of participation and cultural democracy, and his proposals for thinking about cultural and artistic participation as a fundamental human right. We talk about the history of the community arts movement in the UK, his influential 1997 paper <a href="https://www.artshealthresources.org.uk/wp-content/uploads/2017/01/1997-Matarasso-Use-or-Ornament-The-Social-Impact-of-Participation-in-the-Arts-1.pdf"><em>Use or Ornament</em></a>, ways of supporting cultural democracy through projects like <a href="https://funpalaces.co.uk/">Fun Palaces</a>, and reaching peak culture.</p><p><a href="https://parliamentofdreams.com/">François Matarasso</a> is a community artist, writer, and researcher, and one of the co-creators of the <a href="https://www.2020romecharter.org/">2020 Rome Charter</a>.</p><p>A Restless Art is available as an open-access download <a href="https://arestlessart.com/the-book/download-a-digital-copy/">here</a> and in print <a href="https://www.amazon.com/Restless-Art-2019-participation-Portuguese/dp/1903080207">here</a>.</p><p><em> </em><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3859</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN7594016400.mp3?updated=1622567925" length="0" type="audio/mpeg"/>
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    <item>
      <title>Eviatar Zerubavel, "Taken for Granted: The Remarkable Power of the Unremarkable" (Princeton UP, 2018)</title>
      <description>Why is the term "openly gay" so widely used but "openly straight" is not? What are the unspoken assumptions behind terms like "male nurse," "working mom," and "white trash"? Offering a revealing and provocative look at the word choices we make every day without even realizing it, Taken for Granted exposes the subtly encoded ways we talk about race, gender, sexual orientation, religion, social status, and more.
In Taken for Granted: The Remarkable Power of the Unremarkable (Princeton UP, 2018), Eviatar Zerubavel describes how the words we use―such as when we mark "the best female basketball player" but leave her male counterpart unmarked―provide telling clues about the things many of us take for granted. By marking "women's history" or "Black History Month," we are also reinforcing the apparent normality of the history of white men. When we mark something as being special or somehow noticeable, that which goes unmarked―such as maleness, whiteness, straightness, and able-bodiedness―is assumed to be ordinary by default. Zerubavel shows how this tacit normalizing of certain identities, practices, and ideas helps to maintain their cultural dominance―including the power to dictate what others take for granted.
A little book about a very big idea, Taken for Granted draws our attention to what we implicitly assume to be normal―and in the process unsettles the very notion of normality.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 15 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eviatar Zerubavel</itunes:subtitle>
      <itunes:summary>Why is the term "openly gay" so widely used but "openly straight" is not? What are the unspoken assumptions behind terms like "male nurse," "working mom," and "white trash"? Offering a revealing and provocative look at the word choices we make every day without even realizing it, Taken for Granted exposes the subtly encoded ways we talk about race, gender, sexual orientation, religion, social status, and more.
In Taken for Granted: The Remarkable Power of the Unremarkable (Princeton UP, 2018), Eviatar Zerubavel describes how the words we use―such as when we mark "the best female basketball player" but leave her male counterpart unmarked―provide telling clues about the things many of us take for granted. By marking "women's history" or "Black History Month," we are also reinforcing the apparent normality of the history of white men. When we mark something as being special or somehow noticeable, that which goes unmarked―such as maleness, whiteness, straightness, and able-bodiedness―is assumed to be ordinary by default. Zerubavel shows how this tacit normalizing of certain identities, practices, and ideas helps to maintain their cultural dominance―including the power to dictate what others take for granted.
A little book about a very big idea, Taken for Granted draws our attention to what we implicitly assume to be normal―and in the process unsettles the very notion of normality.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is the term "openly gay" so widely used but "openly straight" is not? What are the unspoken assumptions behind terms like "male nurse," "working mom," and "white trash"? Offering a revealing and provocative look at the word choices we make every day without even realizing it, <em>Taken for Granted</em> exposes the subtly encoded ways we talk about race, gender, sexual orientation, religion, social status, and more.</p><p>In <a href="https://press.princeton.edu/books/ebook/9781400889464/taken-for-granted"><em>Taken for Granted: The Remarkable Power of the Unremarkable</em></a> (Princeton UP, 2018), Eviatar Zerubavel describes how the words we use―such as when we mark "the best female basketball player" but leave her male counterpart unmarked―provide telling clues about the things many of us take for granted. By marking "women's history" or "Black History Month," we are also reinforcing the apparent normality of the history of white men. When we mark something as being special or somehow noticeable, that which goes unmarked―such as maleness, whiteness, straightness, and able-bodiedness―is assumed to be ordinary by default. Zerubavel shows how this tacit normalizing of certain identities, practices, and ideas helps to maintain their cultural dominance―including the power to dictate what others take for granted.</p><p>A little book about a very big idea, <em>Taken for Granted</em> draws our attention to what we implicitly assume to be normal―and in the process unsettles the very notion of normality.</p><p><em>Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2422</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Peter Morey, "Islamophobia and the Novel" (Columbia UP, 2018)</title>
      <description>In an era of rampant Islamophobia, literary representations of Muslims and anti Muslim bigotry tell us a lot about changing concepts of cultural difference. In Islamophobia and the Novel (Columbia University Press, 2018), Peter Morey, Professor at the University of Birmingham, analyzes how recent works of fiction have framed and responded to the rise of anti-Muslim prejudice, showing how their portrayals of Muslims both reflect and refute the ideological preoccupations of media and politicians in the post-9/11 West. Morey discusses novels embodying a range of positions—from the avowedly secular to the religious, and from texts that appear to underwrite Western assumptions of cultural superiority to those that recognize and critique neoimperial impulses. Contemporary literature’s capacity to unveil the conflicted nature of anti-Muslim bigotry expands our range of resources to combat Islamophobia. This, in turn, might contribute to Islamophobia’s eventual dismantling. In our conversation we discussed anti-Muslim prejudice, the tension between narrative and power, literature and its relationship to Islamophobia, the “market for the Muslim,” stereotyping, authenticity and the burden of representation, aesthetic expectations, economic constraints, multiculturalism, securitization, effects of 9/11, the global novel, and Critical Muslim Literary Studies.﻿
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 11 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Morey</itunes:subtitle>
      <itunes:summary>In an era of rampant Islamophobia, literary representations of Muslims and anti Muslim bigotry tell us a lot about changing concepts of cultural difference. In Islamophobia and the Novel (Columbia University Press, 2018), Peter Morey, Professor at the University of Birmingham, analyzes how recent works of fiction have framed and responded to the rise of anti-Muslim prejudice, showing how their portrayals of Muslims both reflect and refute the ideological preoccupations of media and politicians in the post-9/11 West. Morey discusses novels embodying a range of positions—from the avowedly secular to the religious, and from texts that appear to underwrite Western assumptions of cultural superiority to those that recognize and critique neoimperial impulses. Contemporary literature’s capacity to unveil the conflicted nature of anti-Muslim bigotry expands our range of resources to combat Islamophobia. This, in turn, might contribute to Islamophobia’s eventual dismantling. In our conversation we discussed anti-Muslim prejudice, the tension between narrative and power, literature and its relationship to Islamophobia, the “market for the Muslim,” stereotyping, authenticity and the burden of representation, aesthetic expectations, economic constraints, multiculturalism, securitization, effects of 9/11, the global novel, and Critical Muslim Literary Studies.﻿
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In an era of rampant Islamophobia, literary representations of Muslims and anti Muslim bigotry tell us a lot about changing concepts of cultural difference. In <a href="https://bookshop.org/a/12343/9780231177740"><em>Islamophobia and the Novel</em></a> (Columbia University Press, 2018), <a href="https://www.birmingham.ac.uk/staff/profiles/english/morey-peter.aspx">Peter Morey</a>, Professor at the University of Birmingham, analyzes how recent works of fiction have framed and responded to the rise of anti-Muslim prejudice, showing how their portrayals of Muslims both reflect and refute the ideological preoccupations of media and politicians in the post-9/11 West. Morey discusses novels embodying a range of positions—from the avowedly secular to the religious, and from texts that appear to underwrite Western assumptions of cultural superiority to those that recognize and critique neoimperial impulses. Contemporary literature’s capacity to unveil the conflicted nature of anti-Muslim bigotry expands our range of resources to combat Islamophobia. This, in turn, might contribute to Islamophobia’s eventual dismantling. In our conversation we discussed anti-Muslim prejudice, the tension between narrative and power, literature and its relationship to Islamophobia, the “market for the Muslim,” stereotyping, authenticity and the burden of representation, aesthetic expectations, economic constraints, multiculturalism, securitization, effects of 9/11, the global novel, and Critical Muslim Literary Studies.<em>﻿</em></p><p><a href="http://drkristianpetersen.com/"><em>Kristian Petersen</em></a><em> is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his </em><a href="http://drkristianpetersen.com/"><em>website</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/BabaKristian"><em>@BabaKristian</em></a><em>, or email him at </em><a href="mailto:kjpetersen@unomaha.edu"><em>kpeterse@odu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3654</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[96f269fc-ca17-11eb-9f09-2352f9cbdbb7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5458606494.mp3?updated=1623349095" length="0" type="audio/mpeg"/>
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      <title>Heather Berg, "Porn Work: Sex, Labor, and Late Capitalism" (UNC Press, 2021)</title>
      <description>Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. Porn Work takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. Blending extensive fieldwork with feminist and antiwork theorizing, Porn Work: Sex, Labor, and Late Capitalism (UNC Press, 2021) details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 03 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heather Berg</itunes:subtitle>
      <itunes:summary>Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. Porn Work takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. Blending extensive fieldwork with feminist and antiwork theorizing, Porn Work: Sex, Labor, and Late Capitalism (UNC Press, 2021) details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. <em>Porn Work</em> takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. Blending extensive fieldwork with feminist and antiwork theorizing, <a href="https://bookshop.org/a/12343/9781469661926"><em>Porn Work: Sex, Labor, and Late Capitalism</em></a> (UNC Press, 2021) details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better.</p><p><a href="https://www.kent.ac.uk/social-policy-sociology-social-research/people/2025/stuart-rachel"><em>Rachel Stuart</em></a><em> is a sex work researcher whose primary interest is the lived experiences of sex workers.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4279</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN3948934079.mp3?updated=1621439616" length="0" type="audio/mpeg"/>
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    <item>
      <title>Dianne Jacob, "Will Write for Food" (Hachette Go, 2021)</title>
      <description>Do you have a cookbook in you? Thinking about a memoir with recipes? How about a food blog? Have you ever yearned to be an Instagram Influencer or dreamt of joining the waning ranks of restaurant reviewers?
If that’s the case, stop whatever you are doing and get ahold of Will Write for Food: Pursue Your Passion and Bring Home the Dough Writing Recipes, Cookbooks, Blogs and More by Dianne Jacob, out this month in its fourth edition by Hachette Books. It’s no exaggeration to say that Dianne Jacob is America’s foremost food writing guru, and Will Write For Food, first published in 2005, offers the most comprehensive, unvarnished look at the always developing and perennially competitive world of food writing on the market today. Will Write for Food has been translated into Korean, Chinese, and Spanish, and is used as a textbook in universities and culinary schools. Will Write for Food has received three international awards for excellence, including the Cordon D’Or International award for Best Literary Food Reference Book in 2005. The second edition won the Gourman World Cookbook Award in 2010 for best book in the USA in its category, and the third edition won a Silver Nautilus award in the Creative Process category. Now a fourth edition is being released in May 2021 by Hachette Go.
When Jacob first wrote Will Write for Food, she confesses to having a somewhat “snobby” view of food bloggers, a segment of the food writing world that was just gaining momentum. In the latest iteration of Will Write for Food, Jacob dedicates a lengthy and comprehensive chapter to food blogging, charting the meteoric rise of the superstars such as David Lebovitz, Deb Perlman (The SmittenKitchen), and Ree Drummond (The Pioneer Woman), as well as outlining the considerable challenges to making a food blog pay.
Will Write for Food also delves into the knotty problem of cultural appropriation, at a moment when food writing is becoming more global and inclusive, and offers solid advice on how to celebrate foreign cuisines not by purloining them but by assiduous attribution and helping to shine a generous spotlight on the chefs and restauranteurs creating these innovations.
Will Write for Food deftly navigates the immense role played by social media in food writing today — another aspect of the guild that Jacob confesses was not on her radar screen when she wrote the first edition of the book. And while social media stardom is not a sure path to success in food writing, Jacob is at pains to point out that it is an important part of the food writer’s toolbox, as is photography and videography, and a strong writer’s voice, adroit recipe writing skills, and an ability to convey the sensual aspects of food to the page.
Dianne Jacob is a writing coach, author, and free-lance editor. She has coached food writers around the world, and many have signed with major publishers and appeared in leading broadsheets, websites, podcasts, and magazines. Dianne’s popular blog and indispensable newsletter helps writers and bloggers keep up with trends, issues, and techniques in the world of food writing. Dianne is a popular speaker and teacher throughout the world. She is the co-author of two cookbooks with Chicago chef Craig Priebe, The United States of Pizza (Rizzoli, 2015) and Grilled Pizzas &amp; Piadinas (DK Publishing, 2008). Find out more about Dianne on her website, www.diannej.com.
Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dianne Jacob</itunes:subtitle>
      <itunes:summary>Do you have a cookbook in you? Thinking about a memoir with recipes? How about a food blog? Have you ever yearned to be an Instagram Influencer or dreamt of joining the waning ranks of restaurant reviewers?
If that’s the case, stop whatever you are doing and get ahold of Will Write for Food: Pursue Your Passion and Bring Home the Dough Writing Recipes, Cookbooks, Blogs and More by Dianne Jacob, out this month in its fourth edition by Hachette Books. It’s no exaggeration to say that Dianne Jacob is America’s foremost food writing guru, and Will Write For Food, first published in 2005, offers the most comprehensive, unvarnished look at the always developing and perennially competitive world of food writing on the market today. Will Write for Food has been translated into Korean, Chinese, and Spanish, and is used as a textbook in universities and culinary schools. Will Write for Food has received three international awards for excellence, including the Cordon D’Or International award for Best Literary Food Reference Book in 2005. The second edition won the Gourman World Cookbook Award in 2010 for best book in the USA in its category, and the third edition won a Silver Nautilus award in the Creative Process category. Now a fourth edition is being released in May 2021 by Hachette Go.
When Jacob first wrote Will Write for Food, she confesses to having a somewhat “snobby” view of food bloggers, a segment of the food writing world that was just gaining momentum. In the latest iteration of Will Write for Food, Jacob dedicates a lengthy and comprehensive chapter to food blogging, charting the meteoric rise of the superstars such as David Lebovitz, Deb Perlman (The SmittenKitchen), and Ree Drummond (The Pioneer Woman), as well as outlining the considerable challenges to making a food blog pay.
Will Write for Food also delves into the knotty problem of cultural appropriation, at a moment when food writing is becoming more global and inclusive, and offers solid advice on how to celebrate foreign cuisines not by purloining them but by assiduous attribution and helping to shine a generous spotlight on the chefs and restauranteurs creating these innovations.
Will Write for Food deftly navigates the immense role played by social media in food writing today — another aspect of the guild that Jacob confesses was not on her radar screen when she wrote the first edition of the book. And while social media stardom is not a sure path to success in food writing, Jacob is at pains to point out that it is an important part of the food writer’s toolbox, as is photography and videography, and a strong writer’s voice, adroit recipe writing skills, and an ability to convey the sensual aspects of food to the page.
Dianne Jacob is a writing coach, author, and free-lance editor. She has coached food writers around the world, and many have signed with major publishers and appeared in leading broadsheets, websites, podcasts, and magazines. Dianne’s popular blog and indispensable newsletter helps writers and bloggers keep up with trends, issues, and techniques in the world of food writing. Dianne is a popular speaker and teacher throughout the world. She is the co-author of two cookbooks with Chicago chef Craig Priebe, The United States of Pizza (Rizzoli, 2015) and Grilled Pizzas &amp; Piadinas (DK Publishing, 2008). Find out more about Dianne on her website, www.diannej.com.
Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Do you have a cookbook in you? Thinking about a memoir with recipes? How about a food blog? Have you ever yearned to be an Instagram Influencer or dreamt of joining the waning ranks of restaurant reviewers?</p><p>If that’s the case, stop whatever you are doing and get ahold of <a href="https://bookshop.org/a/12343/9780306873997"><em>Will Write for Food: Pursue Your Passion and Bring Home the Dough Writing Recipes, Cookbooks, Blogs and More</em></a> by Dianne Jacob, out this month in its fourth edition by Hachette Books. It’s no exaggeration to say that Dianne Jacob is America’s foremost food writing guru, and <em>Will Write For Food</em>, first published in 2005, offers the most comprehensive, unvarnished look at the always developing and perennially competitive world of food writing on the market today. <em>Will Write for Food</em> has been translated into Korean, Chinese, and Spanish, and is used as a textbook in universities and culinary schools. <em>Will Write for Food </em>has received three international awards for excellence, including the Cordon D’Or International award for Best Literary Food Reference Book in 2005. The second edition won the Gourman World Cookbook Award in 2010 for best book in the USA in its category, and the third edition won a Silver Nautilus award in the Creative Process category. Now a fourth edition is being released in May 2021 by Hachette Go.</p><p>When Jacob first wrote <em>Will Write for Food</em>, she confesses to having a somewhat “snobby” view of food bloggers, a segment of the food writing world that was just gaining momentum. In the latest iteration of <em>Will Write for Food</em>, Jacob dedicates a lengthy and comprehensive chapter to food blogging, charting the meteoric rise of the superstars such as David Lebovitz, Deb Perlman (The SmittenKitchen), and Ree Drummond (The Pioneer Woman), as well as outlining the considerable challenges to making a food blog pay.</p><p><em>Will Write for Food</em> also delves into the knotty problem of cultural appropriation, at a moment when food writing is becoming more global and inclusive, and offers solid advice on how to celebrate foreign cuisines not by purloining them but by assiduous attribution and helping to shine a generous spotlight on the chefs and restauranteurs creating these innovations.</p><p><em>Will Write for Food</em> deftly navigates the immense role played by social media in food writing today — another aspect of the guild that Jacob confesses was not on her radar screen when she wrote the first edition of the book. And while social media stardom is not a sure path to success in food writing, Jacob is at pains to point out that it is an important part of the food writer’s toolbox, as is photography and videography, and a strong writer’s voice, adroit recipe writing skills, and an ability to convey the sensual aspects of food to the page.</p><p>Dianne Jacob is a writing coach, author, and free-lance editor. She has coached food writers around the world, and many have signed with major publishers and appeared in leading broadsheets, websites, podcasts, and magazines. Dianne’s popular blog and indispensable newsletter helps writers and bloggers keep up with trends, issues, and techniques in the world of food writing. Dianne is a popular speaker and teacher throughout the world. She is the co-author of two cookbooks with Chicago chef Craig Priebe, <em>The United States of Pizza</em> (Rizzoli, 2015) and <em>Grilled Pizzas &amp; Piadinas</em> (DK Publishing, 2008). Find out more about Dianne on her website, <a href="http://www.diannej.com/">www.diannej.com</a>.</p><p><a href="https://jennifereremeeva.com/"><em>Jennifer Eremeeva</em></a><em> is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of </em><a href="https://amzn.to/2QbzIKW"><em>Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow</em></a><em> and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3003</itunes:duration>
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    <item>
      <title>Jordan A. Stein, "When Novels Were Books" (Harvard UP, 2020)</title>
      <description>For most of the eighteenth century, the format, size, and price of the earliest novels meant that they would have been sold and bought alongside Protestant religious texts. In When Novels Were Books (Harvard UP, 2020) Jordan Alexander Stein brings the insights of book history into conversation with literary criticism. He explores the antecedents that stretch the story of the novel all the way to the early seventeenth century. The norms of character representation that emerged in Protestant conversion narratives were picked up by the earliest proto-novels. Spiritual and literary rhetorical forms, book trade markets, and networks of readers mingled for much of the novel's eighteenth-century development. The material features of novels as books opens new vistas for literary studies and the historiography of the rise of the Anglophone novel. This is a must read for those interested in book history, literary studies, or book culture in the seventeenth and eighteenth centuries.
Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jordan A. Stein</itunes:subtitle>
      <itunes:summary>For most of the eighteenth century, the format, size, and price of the earliest novels meant that they would have been sold and bought alongside Protestant religious texts. In When Novels Were Books (Harvard UP, 2020) Jordan Alexander Stein brings the insights of book history into conversation with literary criticism. He explores the antecedents that stretch the story of the novel all the way to the early seventeenth century. The norms of character representation that emerged in Protestant conversion narratives were picked up by the earliest proto-novels. Spiritual and literary rhetorical forms, book trade markets, and networks of readers mingled for much of the novel's eighteenth-century development. The material features of novels as books opens new vistas for literary studies and the historiography of the rise of the Anglophone novel. This is a must read for those interested in book history, literary studies, or book culture in the seventeenth and eighteenth centuries.
Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For most of the eighteenth century, the format, size, and price of the earliest novels meant that they would have been sold and bought alongside Protestant religious texts. In <a href="https://bookshop.org/a/12343/9780674987043"><em>When Novels Were Books</em></a> (Harvard UP, 2020) <a href="https://www.fordham.edu/info/24123/jordan_alexander_stein">Jordan Alexander Stein</a> brings the insights of book history into conversation with literary criticism. He explores the antecedents that stretch the story of the novel all the way to the early seventeenth century. The norms of character representation that emerged in Protestant conversion narratives were picked up by the earliest proto-novels. Spiritual and literary rhetorical forms, book trade markets, and networks of readers mingled for much of the novel's eighteenth-century development. The material features of novels as books opens new vistas for literary studies and the historiography of the rise of the Anglophone novel. This is a must read for those interested in book history, literary studies, or book culture in the seventeenth and eighteenth centuries.</p><p><a href="https://www.linkedin.com/in/ryandavidshelton/"><em>Ryan David Shelton</em></a><em> (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2337</itunes:duration>
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      <title>Patrick Maille, "The Cards: The Evolution and Power of Tarot" (UP of Mississippi, 2021)</title>
      <description>In The Cards: The History and Power of Tarot (University Press of Mississippi, 2021), Patrick Maille examines the history of Tarot cards and their place in popular culture. The Cards starts with an extensive review of the history of Tarot from its roots as a game to its supposed connection to ancient Egyptian magic, through its place in secret societies, and to its current use in meditation and psychology. Part Two delves into specific areas of popular culture—art, television, movies, and comics—and how Tarot is used in works such as The Andy Griffith Show, Dark Shadows, Neil Gaiman's Books of Magic, and Live and Let Die. While Tarot means many different things to many different people, the cards somehow strike universal chords that can resonate through popular culture. The symbolism within the cards, and the cards as symbols themselves, make Tarot an excellent device for the media of popular culture in numerous ways. The cards are evocative images in their own right, but the mystical fascination they inspire makes them a fantastic tool to be used in our favorite shows and stories.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 01 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patrick Maille</itunes:subtitle>
      <itunes:summary>In The Cards: The History and Power of Tarot (University Press of Mississippi, 2021), Patrick Maille examines the history of Tarot cards and their place in popular culture. The Cards starts with an extensive review of the history of Tarot from its roots as a game to its supposed connection to ancient Egyptian magic, through its place in secret societies, and to its current use in meditation and psychology. Part Two delves into specific areas of popular culture—art, television, movies, and comics—and how Tarot is used in works such as The Andy Griffith Show, Dark Shadows, Neil Gaiman's Books of Magic, and Live and Let Die. While Tarot means many different things to many different people, the cards somehow strike universal chords that can resonate through popular culture. The symbolism within the cards, and the cards as symbols themselves, make Tarot an excellent device for the media of popular culture in numerous ways. The cards are evocative images in their own right, but the mystical fascination they inspire makes them a fantastic tool to be used in our favorite shows and stories.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781496833006"><em>The Cards: The History and Power of Tarot</em> </a>(University Press of Mississippi, 2021), Patrick Maille examines the history of Tarot cards and their place in popular culture. <em>The Cards</em> starts with an extensive review of the history of Tarot from its roots as a game to its supposed connection to ancient Egyptian magic, through its place in secret societies, and to its current use in meditation and psychology. Part Two delves into specific areas of popular culture—art, television, movies, and comics—and how Tarot is used in works such as <em>The Andy Griffith Show, Dark Shadows, </em>Neil Gaiman's <em>Books of Magic</em>, and <em>Live and Let Die</em>. While Tarot means many different things to many different people, the cards somehow strike universal chords that can resonate through popular culture. The symbolism within the cards, and the cards as symbols themselves, make Tarot an excellent device for the media of popular culture in numerous ways.<em> </em>The cards are evocative images in their own right, but the mystical fascination they inspire makes them a fantastic tool to be used in our favorite shows and stories.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3786</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN2753933113.mp3?updated=1621084022" length="0" type="audio/mpeg"/>
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    <item>
      <title>Julie Golia, "Newspaper Confessions: A History of Advice Columns in a Pre-Internet Age" (Oxford UP, 2021)</title>
      <description>Julie Golia's new book Newspaper Confessions: A History of Advice Columns in a Pre-Internet Age (Oxford UP, 2021) chronicles the history of the newspaper advice column, a genre that has shaped Americans’ relationships with media, their experiences with popular therapy, and their virtual interactions across generations. Emerging in the 1890s, advice columns became unprecedented virtual forums where readers could debate the most resonant cultural crises of the day with strangers in an anonymous yet public forum. The columns are important—and overlooked—precursors to today’s digital culture: forums, social media groups, chat rooms, and other online communities that define how present-day American communicate with each other. This book charts the rise of the advice column and its impact on the newspaper industry. It analyzes the advice given in a diverse sample of columns across several decades, emphasizing the ways that advice columnists framed their counsel as modern, yet upheld the racial and gendered status quo of the day. It shows how advice columnists were forerunners to the modern celebrity journalist, while also serving as educators to audience of millions. This book includes in-depth case studies of specific columns, demonstrating how these forums transformed into active and participatory virtual communities of confession, advice, debate, and empathy.
Julie Golia is a Curator of History, Social Sciences, and Government Information, New York Public Library. 
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 01 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julie Golia</itunes:subtitle>
      <itunes:summary>Julie Golia's new book Newspaper Confessions: A History of Advice Columns in a Pre-Internet Age (Oxford UP, 2021) chronicles the history of the newspaper advice column, a genre that has shaped Americans’ relationships with media, their experiences with popular therapy, and their virtual interactions across generations. Emerging in the 1890s, advice columns became unprecedented virtual forums where readers could debate the most resonant cultural crises of the day with strangers in an anonymous yet public forum. The columns are important—and overlooked—precursors to today’s digital culture: forums, social media groups, chat rooms, and other online communities that define how present-day American communicate with each other. This book charts the rise of the advice column and its impact on the newspaper industry. It analyzes the advice given in a diverse sample of columns across several decades, emphasizing the ways that advice columnists framed their counsel as modern, yet upheld the racial and gendered status quo of the day. It shows how advice columnists were forerunners to the modern celebrity journalist, while also serving as educators to audience of millions. This book includes in-depth case studies of specific columns, demonstrating how these forums transformed into active and participatory virtual communities of confession, advice, debate, and empathy.
Julie Golia is a Curator of History, Social Sciences, and Government Information, New York Public Library. 
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.juliegolia.com/bio">Julie Golia</a>'s new book <a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780197527788.001.0001/oso-9780197527788">Newspaper Confessions: A History of Advice Columns in a Pre-Internet Age</a> (Oxford UP, 2021) chronicles the history of the newspaper advice column, a genre that has shaped Americans’ relationships with media, their experiences with popular therapy, and their virtual interactions across generations. Emerging in the 1890s, advice columns became unprecedented virtual forums where readers could debate the most resonant cultural crises of the day with strangers in an anonymous yet public forum. The columns are important—and overlooked—precursors to today’s digital culture: forums, social media groups, chat rooms, and other online communities that define how present-day American communicate with each other. This book charts the rise of the advice column and its impact on the newspaper industry. It analyzes the advice given in a diverse sample of columns across several decades, emphasizing the ways that advice columnists framed their counsel as modern, yet upheld the racial and gendered status quo of the day. It shows how advice columnists were forerunners to the modern celebrity journalist, while also serving as educators to audience of millions. This book includes in-depth case studies of specific columns, demonstrating how these forums transformed into active and participatory virtual communities of confession, advice, debate, and empathy.</p><p>Julie Golia is a Curator of History, Social Sciences, and Government Information, New York Public Library. </p><p><em>Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3174</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN8348395908.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sergio Rigoletto, "Le norme traviate: Saggi sul genere e sulla sessualità nel cinema e nella televisione italiana" (Meltemi Publishers, 2020)</title>
      <description>What does it mean to “upend a norm,” which is the translation of the title of Sergio Rigoletto’s recent study “Upended norms: essays on gender and sexuality in Italian cinema and television.”
Rigoletto focuses on Italian audiovisual texts from the mid-20th century until today, asking questions about how these media helped mark the boundaries of social norms in Italy as well as chart the threats to those boundaries made by sexually active women, foreigners, drag queens, homosexuals and other queer subjects. How these threats move from the background (Fellini’s La Dolce Vita, 1960) to centerstage, in films like Ferzan Ozpetek’s The Ignorant Fairies (2001) and Luca Guadagnino’s Call me by Your Name (2017). What do these movements tell us about gendered subjects in Italian mainstream and popular media? What do they reveal about norms? These are some of the themes that Rigoletto’s (University of Oregon) Le norme traviate studies.
Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2021). She is President of the American Association for Italian Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 31 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sergio Rigoletto</itunes:subtitle>
      <itunes:summary>What does it mean to “upend a norm,” which is the translation of the title of Sergio Rigoletto’s recent study “Upended norms: essays on gender and sexuality in Italian cinema and television.”
Rigoletto focuses on Italian audiovisual texts from the mid-20th century until today, asking questions about how these media helped mark the boundaries of social norms in Italy as well as chart the threats to those boundaries made by sexually active women, foreigners, drag queens, homosexuals and other queer subjects. How these threats move from the background (Fellini’s La Dolce Vita, 1960) to centerstage, in films like Ferzan Ozpetek’s The Ignorant Fairies (2001) and Luca Guadagnino’s Call me by Your Name (2017). What do these movements tell us about gendered subjects in Italian mainstream and popular media? What do they reveal about norms? These are some of the themes that Rigoletto’s (University of Oregon) Le norme traviate studies.
Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2021). She is President of the American Association for Italian Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean to “upend a norm,” which is the translation of the title of Sergio Rigoletto’s recent study “Upended norms: essays on gender and sexuality in Italian cinema and television.”</p><p>Rigoletto focuses on Italian audiovisual texts from the mid-20th century until today, asking questions about how these media helped mark the boundaries of social norms in Italy as well as chart the threats to those boundaries made by sexually active women, foreigners, drag queens, homosexuals and other queer subjects. How these threats move from the background (Fellini’s <em>La Dolce Vita, </em>1960) to centerstage, in films like Ferzan Ozpetek’s <em>The Ignorant Fairies</em> (2001) and Luca Guadagnino’s <em>Call me by Your Name</em> (2017). What do these movements tell us about gendered subjects in Italian mainstream and popular media? What do they reveal about norms? These are some of the themes that Rigoletto’s (University of Oregon) <em>Le norme traviate </em>studies.</p><p><em>Ellen Nerenberg is a founding editor of </em><a href="http://www.gendersexualityitaly.com/"><em>g/s/i-gender/sexuality/Italy</em></a><em>. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is </em>La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer<em>, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2021). She is President of the American Association for Italian Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3719</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[33392598-b4de-11eb-9abe-a7b38e1253a0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4022083420.mp3?updated=1621015360" length="0" type="audio/mpeg"/>
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    <item>
      <title>Benjamin Piekut, "Henry Cow: The World Is a Problem" (Duke UP, 2019)</title>
      <description>Benjamin Piekut's Henry Cow: The World is a Problem (Duke UP, 2019) provides a compelling case study of the problems and possibilities of collective improvisation through the story of Henry Cow, the cult favorite British rock band active from 1968-1978. Engaging with free jazz, Maoism, and live electronics, Henry Cow pushed the boundaries of what a rock band could be. They set a standard for artistic independence that would be an inspiration to the punks that followed them, even if Henry Cow's epic freak-outs were sonic worlds away from the punks' three chord assaults. Drawing on a trove of first-hand documents (Henry Cow was the rare rock band to record minutes at their weekly meetings), Piekut's book is a tribute to a band that never stopped challenging themselves and their audience.
 Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 28 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Benjamin Piekut</itunes:subtitle>
      <itunes:summary>Benjamin Piekut's Henry Cow: The World is a Problem (Duke UP, 2019) provides a compelling case study of the problems and possibilities of collective improvisation through the story of Henry Cow, the cult favorite British rock band active from 1968-1978. Engaging with free jazz, Maoism, and live electronics, Henry Cow pushed the boundaries of what a rock band could be. They set a standard for artistic independence that would be an inspiration to the punks that followed them, even if Henry Cow's epic freak-outs were sonic worlds away from the punks' three chord assaults. Drawing on a trove of first-hand documents (Henry Cow was the rare rock band to record minutes at their weekly meetings), Piekut's book is a tribute to a band that never stopped challenging themselves and their audience.
 Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Benjamin Piekut's <a href="https://bookshop.org/a/12343/9781478004660"><em>Henry Cow: The World is a Problem</em></a><em> </em>(Duke UP, 2019) provides a compelling case study of the problems and possibilities of collective improvisation through the story of Henry Cow, the cult favorite British rock band active from 1968-1978. Engaging with free jazz, Maoism, and live electronics, Henry Cow pushed the boundaries of what a rock band could be. They set a standard for artistic independence that would be an inspiration to the punks that followed them, even if Henry Cow's epic freak-outs were sonic worlds away from the punks' three chord assaults. Drawing on a trove of first-hand documents (Henry Cow was the rare rock band to record minutes at their weekly meetings), Piekut's book is a tribute to a band that never stopped challenging themselves and their audience.</p><p><em> </em><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2883</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN8450754270.mp3?updated=1620854761" length="0" type="audio/mpeg"/>
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    <item>
      <title>Blake Scott Ball, "Charlie Brown's America: The Popular Politics of Peanuts" (Oxford UP, 2021)</title>
      <description>Despite—or because of—its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang.
In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table.
Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America.
Charlie Brown's America: The Popular Politics of Peanuts (Oxford UP, 2021) covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang.
Blake Scott Ball is Assistant Professor of History at Huntingdon College.
Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Blake Scott Ball</itunes:subtitle>
      <itunes:summary>Despite—or because of—its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang.
In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table.
Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America.
Charlie Brown's America: The Popular Politics of Peanuts (Oxford UP, 2021) covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang.
Blake Scott Ball is Assistant Professor of History at Huntingdon College.
Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite—or because of—its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang.</p><p>In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table.</p><p>Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America.</p><p><a href="https://bookshop.org/a/12343/9780190090463"><em>Charlie Brown's America: The Popular Politics of Peanuts</em></a> (Oxford UP, 2021) covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang.</p><p>Blake Scott Ball is Assistant Professor of History at Huntingdon College.</p><p><em>Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4294</itunes:duration>
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      <title>Makis Solomos, "From Music to Sound: The Emergence of Sound in 20th and 21st-century Music" (Routledge, 2019)</title>
      <description>In From Music to Sound: The Emergence of Sound in 20th and 21st-century Music (Routledge, 2019), Makis Solomos (Professor of Musicology, University of Vincennes in Saint-Denis “Paris 8”) argues that the 20th century bears witness to a kind of paradigm shift relating to the subject matter of music, a shift “from a musical culture centered on the note to a culture of sound” (5). Crucially, Solomos sets out to track this transformation as a change that is music-internal: that is, one that may be understood with reference to the new aesthetic and cultural forms of particular compositions that put sound at stake. Solomos draws on analysis, listening, and the aesthetic writings of composers themselves to argue for the “emergence” of sound-as-such as a topic of 20th- and 21st-century music, one consequence of the increasing complexity of music since 1900. 
His first sole-author monograph in English, From Music to Sound is an accessible and engaging entry point into Solomos’s work for an Anglophone audience that draws not only on his long career as a musicologist with extensive experience of contemporary music but also as a specialist in the musical thought of Theodor Adorno and the music of Iannis Xenakis. The book's attention to the contingency of the six themes around which Solomos organises this history—timbre, noise, listening, immersion, the composition of sound as material, and “sound-space”—marks it out not only as a contribution to the history of contemporary music but also to its historiography. Composers and works likely familiar to listeners are marshaled to develop these themes: Russolo, Webern, Schaeffer, Xenakis, Tristan Murail. Its rich selection of music examples provides ample points of departure into the work of composers perhaps less well known to listeners: François-Bernard Mâche, Fausto Romitelli, and Dmitri Kourliandski, among others. Though the principal focus of the book rests squarely on the tradition of Western art music composition, Solomos is careful to acknowledge that this titular transition from “music to sound” is not the exclusive preserve of institutional music culture: examples from recorded rock, jazz, and post-rock help round out the picture by pointing to the role that sound-studio cultures—and, we might say, technique and technics in general—play in the objectification of sound across genre lines.
Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Makis Solomos</itunes:subtitle>
      <itunes:summary>In From Music to Sound: The Emergence of Sound in 20th and 21st-century Music (Routledge, 2019), Makis Solomos (Professor of Musicology, University of Vincennes in Saint-Denis “Paris 8”) argues that the 20th century bears witness to a kind of paradigm shift relating to the subject matter of music, a shift “from a musical culture centered on the note to a culture of sound” (5). Crucially, Solomos sets out to track this transformation as a change that is music-internal: that is, one that may be understood with reference to the new aesthetic and cultural forms of particular compositions that put sound at stake. Solomos draws on analysis, listening, and the aesthetic writings of composers themselves to argue for the “emergence” of sound-as-such as a topic of 20th- and 21st-century music, one consequence of the increasing complexity of music since 1900. 
His first sole-author monograph in English, From Music to Sound is an accessible and engaging entry point into Solomos’s work for an Anglophone audience that draws not only on his long career as a musicologist with extensive experience of contemporary music but also as a specialist in the musical thought of Theodor Adorno and the music of Iannis Xenakis. The book's attention to the contingency of the six themes around which Solomos organises this history—timbre, noise, listening, immersion, the composition of sound as material, and “sound-space”—marks it out not only as a contribution to the history of contemporary music but also to its historiography. Composers and works likely familiar to listeners are marshaled to develop these themes: Russolo, Webern, Schaeffer, Xenakis, Tristan Murail. Its rich selection of music examples provides ample points of departure into the work of composers perhaps less well known to listeners: François-Bernard Mâche, Fausto Romitelli, and Dmitri Kourliandski, among others. Though the principal focus of the book rests squarely on the tradition of Western art music composition, Solomos is careful to acknowledge that this titular transition from “music to sound” is not the exclusive preserve of institutional music culture: examples from recorded rock, jazz, and post-rock help round out the picture by pointing to the role that sound-studio cultures—and, we might say, technique and technics in general—play in the objectification of sound across genre lines.
Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780367192136"><em>From Music to Sound: The Emergence of Sound in 20th and 21st-century Music</em></a> (Routledge, 2019), <a href="https://musidanse.univ-paris8.fr/spip.php?article1222">Makis Solomos</a> (Professor of Musicology, University of Vincennes in Saint-Denis “Paris 8”) argues that the 20th century bears witness to a kind of paradigm shift relating to the subject matter of music, a shift “from a musical culture centered on the note to a culture of sound” (5). Crucially, Solomos sets out to track this transformation as a change that is music-internal: that is, one that may be understood with reference to the new aesthetic and cultural forms of particular compositions that put sound at stake. Solomos draws on analysis, listening, and the aesthetic writings of composers themselves to argue for the “emergence” of sound-as-such as a topic of 20th- and 21st-century music, one consequence of the increasing complexity of music since 1900. </p><p>His first sole-author monograph in English, <em>From Music to Sound</em> is an accessible and engaging entry point into Solomos’s work for an Anglophone audience that draws not only on his long career as a musicologist with extensive experience of contemporary music but also as a specialist in the musical thought of Theodor Adorno and the music of Iannis Xenakis. The book's attention to the contingency of the six themes around which Solomos organises this history—timbre, noise, listening, immersion, the composition of sound as material, and “sound-space”—marks it out not only as a contribution to the history of contemporary music but also to its historiography. Composers and works likely familiar to listeners are marshaled to develop these themes: Russolo, Webern, Schaeffer, Xenakis, Tristan Murail. Its rich selection of music examples provides ample points of departure into the work of composers perhaps less well known to listeners: François-Bernard Mâche, Fausto Romitelli, and Dmitri Kourliandski, among others. Though the principal focus of the book rests squarely on the tradition of Western art music composition, Solomos is careful to acknowledge that this titular transition from “music to sound” is not the exclusive preserve of institutional music culture: examples from recorded rock, jazz, and post-rock help round out the picture by pointing to the role that sound-studio cultures—and, we might say, technique and technics in general—play in the objectification of sound across genre lines.</p><p><a href="https://www.eamonnbell.com/?utm_source=nbn&amp;utm_medium=podbio&amp;utm_campaign=nbn_solomos"><em>Eamonn Bell</em></a><em> (</em><a href="https://twitter.com/_eamonnbell"><em>@_eamonnbell</em></a><em>) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines </em><a href="https://redbook.space/?utm_source=nbn&amp;utm_medium=podbio&amp;utm_campaign=nbn_solomos"><em>the story of the compact disc</em></a><em> from a viewpoint between musicology and media studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4589</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/NBN4266825394.mp3?updated=1620154046" length="0" type="audio/mpeg"/>
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      <title>Katrina Phillips, "Staging Indigeneity: Salvage Tourism and the Performance of Native American History" (UNC Press, 2021)</title>
      <description>As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. Locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, Staging Indigeneity: Salvage Tourism and the Performance of Native American History (University of North Carolina Press, 2021) reveals how they constituted what Dr. Katrina Phillips calls "salvage tourism.” Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
Dr. Katrina Phillips is assistant professor of American Indian history at Macalester College.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katrina Phillips</itunes:subtitle>
      <itunes:summary>As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. Locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, Staging Indigeneity: Salvage Tourism and the Performance of Native American History (University of North Carolina Press, 2021) reveals how they constituted what Dr. Katrina Phillips calls "salvage tourism.” Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
Dr. Katrina Phillips is assistant professor of American Indian history at Macalester College.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. Locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, <a href="https://bookshop.org/a/12343/9781469662312"><em>Staging Indigeneity: Salvage Tourism and the Performance of Native American History</em></a> (University of North Carolina Press, 2021) reveals how they constituted what Dr. Katrina Phillips calls "salvage tourism.” Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.</p><p><a href="https://www.macalester.edu/history/facultystaff/katrinaphillips/#:~:text=Katrina%20Phillips%2C%20an%20enrolled%20member,D.">Dr. Katrina Phillips</a> is assistant professor of American Indian history at Macalester College.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3414</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c91e67a2-add2-11eb-abe5-87fda701dec4]]></guid>
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      <title>Michael D. Nichols, "Religion and Myth in the Marvel Cinematic Universe" (McFarland, 2021)</title>
      <description>Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth. Michael D. Nichols's Religion and Myth in the Marvel Cinematic Universe (McFarland, 2021) is first book to analyze the Marvel output as modern myth, comparing it to epics, symbols, rituals, and stories from world religious traditions.
Nichols places the exploits of Iron Man, Captain America, Black Panther, and the other stars of the Marvel films alongside the legends of Achilles, Gilgamesh, Arjuna, the Buddha, and many others. It examines their origin stories and rites of passage, the monsters, shadow-selves, and familial conflicts they contend with, and the symbols of death and the battle against it that stalk them at every turn. The films deal with timeless human dilemmas and questions, evoking an enduring sense of adventure and wonder common across world mythic traditions.
Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael D. Nichols</itunes:subtitle>
      <itunes:summary>Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth. Michael D. Nichols's Religion and Myth in the Marvel Cinematic Universe (McFarland, 2021) is first book to analyze the Marvel output as modern myth, comparing it to epics, symbols, rituals, and stories from world religious traditions.
Nichols places the exploits of Iron Man, Captain America, Black Panther, and the other stars of the Marvel films alongside the legends of Achilles, Gilgamesh, Arjuna, the Buddha, and many others. It examines their origin stories and rites of passage, the monsters, shadow-selves, and familial conflicts they contend with, and the symbols of death and the battle against it that stalk them at every turn. The films deal with timeless human dilemmas and questions, evoking an enduring sense of adventure and wonder common across world mythic traditions.
Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth. Michael D. Nichols's <a href="https://bookshop.org/a/12343/9781476681597"><em>Religion and Myth in the Marvel Cinematic Universe</em></a> (McFarland, 2021) is first book to analyze the Marvel output as modern myth, comparing it to epics, symbols, rituals, and stories from world religious traditions.</p><p>Nichols places the exploits of Iron Man, Captain America, Black Panther, and the other stars of the Marvel films alongside the legends of Achilles, Gilgamesh, Arjuna, the Buddha, and many others. It examines their origin stories and rites of passage, the monsters, shadow-selves, and familial conflicts they contend with, and the symbols of death and the battle against it that stalk them at every turn. The films deal with timeless human dilemmas and questions, evoking an enduring sense of adventure and wonder common across world mythic traditions.</p><p><em>Raj Balkaran is a scholar, educator, consultant, and life coach. For information see </em><a href="https://rajbalkaran.com/"><em>rajbalkaran.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2672</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[92df0218-ada6-11eb-aca3-b352818616a9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4354014206.mp3?updated=1620221796" length="0" type="audio/mpeg"/>
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    <item>
      <title>Amanda Ciafone, "Counter-Cola: A Multinational History of the Global Corporation" (U California Press, 2019)</title>
      <description>Today I talked to Amanda Ciafone's (University of Illinois, Urbana-Champaign) about her book Counter-Cola: A Multinational History of the Global Corporation (University of California Press, 2019). Counter-Cola charts the history of one of the world’s most influential and widely known corporations, The Coca-Cola Company. Over the past 130 years, the corporation has sought to make its products, brands, and business central to daily life in over 200 countries. Amanda Ciafone uses this example of global capitalism to reveal the pursuit of corporate power within the key economic transformations—liberal, developmentalist, neoliberal—of the twentieth and twenty-first centuries. Coca-Cola's success has not gone uncontested. People throughout the world have redeployed the corporation, its commodities, and brand images to challenge the injustices of daily life under capitalism. As Ciafone shows, assertions of national economic interests, critiques of cultural homogenization, fights for workers’ rights, movements for environmental justice, and debates over public health have obliged the corporation to justify itself in terms of the common good, demonstrating capitalism’s imperative to either assimilate critiques or reveal its limits. 
This book is a great source to study the history of globalization and global capitalism through the analysis of the particular history of the US-headquartered and textbook case multinational, the Coca-Cola Company, through the twentieth century. Counter-Cola looks at how the strategies of the multinational company, mostly devised at its headquarters in Atlanta, Giorgia, developed in Colombia and India as nationalism, financial dependency, workers’ unrest, social movements, and health considerations unfolded and were opposed to the overarching and assumed benefits of the multinational in both locations. Amanda Ciafone is a cultural historian of capitalism, especially interested in culture industries and the role of the media in constructing meaning around economic and social relations.
Check out Professor Ciafone’s additional and research materials related to her book Counter-Cola: A Multinational History of the Global Corporation that are available in a digitally accessible Scalar companion that is available on her faculty profile website.
Paula De La Cruz-Fernandez is an economic and business historian. Author of Gendered Capitalism: Sewing Machines and Multinational Business in Spain and Mexico, 1850-1940 (Routledge 2021)
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amanda Ciafone</itunes:subtitle>
      <itunes:summary>Today I talked to Amanda Ciafone's (University of Illinois, Urbana-Champaign) about her book Counter-Cola: A Multinational History of the Global Corporation (University of California Press, 2019). Counter-Cola charts the history of one of the world’s most influential and widely known corporations, The Coca-Cola Company. Over the past 130 years, the corporation has sought to make its products, brands, and business central to daily life in over 200 countries. Amanda Ciafone uses this example of global capitalism to reveal the pursuit of corporate power within the key economic transformations—liberal, developmentalist, neoliberal—of the twentieth and twenty-first centuries. Coca-Cola's success has not gone uncontested. People throughout the world have redeployed the corporation, its commodities, and brand images to challenge the injustices of daily life under capitalism. As Ciafone shows, assertions of national economic interests, critiques of cultural homogenization, fights for workers’ rights, movements for environmental justice, and debates over public health have obliged the corporation to justify itself in terms of the common good, demonstrating capitalism’s imperative to either assimilate critiques or reveal its limits. 
This book is a great source to study the history of globalization and global capitalism through the analysis of the particular history of the US-headquartered and textbook case multinational, the Coca-Cola Company, through the twentieth century. Counter-Cola looks at how the strategies of the multinational company, mostly devised at its headquarters in Atlanta, Giorgia, developed in Colombia and India as nationalism, financial dependency, workers’ unrest, social movements, and health considerations unfolded and were opposed to the overarching and assumed benefits of the multinational in both locations. Amanda Ciafone is a cultural historian of capitalism, especially interested in culture industries and the role of the media in constructing meaning around economic and social relations.
Check out Professor Ciafone’s additional and research materials related to her book Counter-Cola: A Multinational History of the Global Corporation that are available in a digitally accessible Scalar companion that is available on her faculty profile website.
Paula De La Cruz-Fernandez is an economic and business historian. Author of Gendered Capitalism: Sewing Machines and Multinational Business in Spain and Mexico, 1850-1940 (Routledge 2021)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Amanda Ciafone's (University of Illinois, Urbana-Champaign) about her book <a href="https://bookshop.org/a/12343/9780520299023"><em>Counter-Cola: A Multinational History of the Global Corporation</em></a> (University of California Press, 2019). Counter-Cola charts the history of one of the world’s most influential and widely known corporations, The Coca-Cola Company. Over the past 130 years, the corporation has sought to make its products, brands, and business central to daily life in over 200 countries. Amanda Ciafone uses this example of global capitalism to reveal the pursuit of corporate power within the key economic transformations—liberal, developmentalist, neoliberal—of the twentieth and twenty-first centuries. Coca-Cola's success has not gone uncontested. People throughout the world have redeployed the corporation, its commodities, and brand images to challenge the injustices of daily life under capitalism. As Ciafone shows, assertions of national economic interests, critiques of cultural homogenization, fights for workers’ rights, movements for environmental justice, and debates over public health have obliged the corporation to justify itself in terms of the common good, demonstrating capitalism’s imperative to either assimilate critiques or reveal its limits. </p><p>This book is a great source to study the history of globalization and global capitalism through the analysis of the particular history of the US-headquartered and textbook case multinational, the Coca-Cola Company, through the twentieth century. Counter-Cola looks at how the strategies of the multinational company, mostly devised at its headquarters in Atlanta, Giorgia, developed in Colombia and India as nationalism, financial dependency, workers’ unrest, social movements, and health considerations unfolded and were opposed to the overarching and assumed benefits of the multinational in both locations. Amanda Ciafone is a cultural historian of capitalism, especially interested in culture industries and the role of the media in constructing meaning around economic and social relations.</p><p>Check out Professor Ciafone’s additional and research materials related to her book Counter-Cola: A Multinational History of the Global Corporation that are available in a <a href="https://scalar.usc.edu/works/counter-cola/index">digitally accessible Scalar companion that is available on her faculty profile website</a>.</p><p><a href="https://www.linkedin.com/in/paula-de-la-cruz-fernandez-ph-d-6b36437/"><em>Paula De La Cruz-Fernandez</em></a><em> is an economic and business historian. Author of </em>Gendered Capitalism: Sewing Machines and Multinational Business in Spain and Mexico, 1850-1940<em> (Routledge 2021)</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2813</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9482aaac-acde-11eb-905f-f7c44be0731c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7787551635.mp3?updated=1620135928" length="0" type="audio/mpeg"/>
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    <item>
      <title>Nicole Tersigni, "Men to Avoid in Art and Life" (Chronicle Books, 2020)</title>
      <description>Today I talked to Nicole Tersigni about her book Men to Avoid in Art and Life" (Chronicle Books, 2020).
Nicole Tersigni is a comedic writer experienced in improve comedy and women’s advocacy. She lives in metro Detroit with her husband, daughter, and two dogs.
This episode takes a romp through five types of men to avoid like the plague: the mansplainer, the concern troll, the comedian, the sexpert, and the patronize. Tersigni talks through what each type means and an example from her book pairing an older painting (often from either the Metropolitan Museum of Art or the Rijksmuseum) with her own contemporary caption. In turn, host Dan Hill adds in what type of emotional response stood out among the women depicted per type of men, e.g. anger in response to mansplainers, contempt for concern trolls, fear in response to sexperts, and the slightest of smiles in dealing with a patronizer.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicole Tersigni</itunes:subtitle>
      <itunes:summary>Today I talked to Nicole Tersigni about her book Men to Avoid in Art and Life" (Chronicle Books, 2020).
Nicole Tersigni is a comedic writer experienced in improve comedy and women’s advocacy. She lives in metro Detroit with her husband, daughter, and two dogs.
This episode takes a romp through five types of men to avoid like the plague: the mansplainer, the concern troll, the comedian, the sexpert, and the patronize. Tersigni talks through what each type means and an example from her book pairing an older painting (often from either the Metropolitan Museum of Art or the Rijksmuseum) with her own contemporary caption. In turn, host Dan Hill adds in what type of emotional response stood out among the women depicted per type of men, e.g. anger in response to mansplainers, contempt for concern trolls, fear in response to sexperts, and the slightest of smiles in dealing with a patronizer.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Nicole Tersigni about her book Men to Avoid in Art and Life" (Chronicle Books, 2020).</p><p>Nicole Tersigni is a comedic writer experienced in improve comedy and women’s advocacy. She lives in metro Detroit with her husband, daughter, and two dogs.</p><p>This episode takes a romp through five types of men to avoid like the plague: the mansplainer, the concern troll, the comedian, the sexpert, and the patronize. Tersigni talks through what each type means and an example from her book pairing an older painting (often from either the Metropolitan Museum of Art or the Rijksmuseum) with her own contemporary caption. In turn, host Dan Hill adds in what type of emotional response stood out among the women depicted per type of men, e.g. anger in response to mansplainers, contempt for concern trolls, fear in response to sexperts, and the slightest of smiles in dealing with a patronizer.</p><p>Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (<a href="https://www.sensorylogic.com/">https://www.sensorylogic.com</a>). To check out his related “Dan Hill’s EQ Spotlight” blog, visit <a href="https://emotionswizard.com/">https://emotionswizard.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1703</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1335248612.mp3?updated=1619532041" length="0" type="audio/mpeg"/>
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    <item>
      <title>David Monod, "Vaudeville and the Making of Modern Entertainment, 1890–1925" (UNC Press, 2020)</title>
      <description>Vaudeville is one of the most famous styles of theater in American history, a font of showbiz legend and the training ground for a generation of stars. It’s also one of the least studied. In his new book, Vaudeville and the Making of Modern Entertainment, 1890-1925 (UNC Press, 2020), Professor David Monod examines Vaudeville as both a cultural form and a for-profit industry, connecting the two to produce a remarkably cohesive portrait of a vast phenomenon. The genre, he argues, was related to a distinctly American form of modernity, offering its vast audiences an enjoyable respite from the pace of modern life—and a way to express and understand the world-shaking experiences of their era.
Sam Backer is a PhD candidate in History at Johns Hopkins, where his work focuses on the intersection of art, culture, and capitalism. He is also a freelance journalist and a podcaster. He is currently a host on “Money 4 Nothing,” a podcast about music and capitalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 19 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>987</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Monod</itunes:subtitle>
      <itunes:summary>Vaudeville is one of the most famous styles of theater in American history, a font of showbiz legend and the training ground for a generation of stars. It’s also one of the least studied. In his new book, Vaudeville and the Making of Modern Entertainment, 1890-1925 (UNC Press, 2020), Professor David Monod examines Vaudeville as both a cultural form and a for-profit industry, connecting the two to produce a remarkably cohesive portrait of a vast phenomenon. The genre, he argues, was related to a distinctly American form of modernity, offering its vast audiences an enjoyable respite from the pace of modern life—and a way to express and understand the world-shaking experiences of their era.
Sam Backer is a PhD candidate in History at Johns Hopkins, where his work focuses on the intersection of art, culture, and capitalism. He is also a freelance journalist and a podcaster. He is currently a host on “Money 4 Nothing,” a podcast about music and capitalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Vaudeville is one of the most famous styles of theater in American history, a font of showbiz legend and the training ground for a generation of stars. It’s also one of the least studied. In his new book, <a href="https://bookshop.org/a/12343/9781469660554"><em>Vaudeville and the Making of Modern Entertainment, 1890-1925</em></a><em> </em>(UNC Press, 2020),<em> </em>Professor David Monod examines Vaudeville as both a cultural form and a for-profit industry, connecting the two to produce a remarkably cohesive portrait of a vast phenomenon. The genre, he argues, was related to a distinctly American form of modernity, offering its vast audiences an enjoyable respite from the pace of modern life—and a way to express and understand the world-shaking experiences of their era.</p><p><em>Sam Backer is a PhD candidate in History at Johns Hopkins, where his work focuses on the intersection of art, culture, and capitalism. He is also a freelance journalist and a podcaster. He is currently a host on “Money 4 Nothing,” a podcast about music and capitalism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3551</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN8158772063.mp3?updated=1620075373" length="0" type="audio/mpeg"/>
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    <item>
      <title>Stephanie Burt, "After Callimachus: Poems" (Princeton UP, 2020)</title>
      <description>Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers.
Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context.
After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephanie Burt</itunes:subtitle>
      <itunes:summary>Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers.
Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context.
After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In <a href="https://press.princeton.edu/books/hardcover/9780691180199/after-callimachus"><em>After Callimachus</em></a><em> </em>(Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers.</p><p>Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context.</p><p><em>After Callimachus</em> is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation.</p><p><em>Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3173</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mary Pilon, "The Monopolists: Obsession, Fury, and the Scandal Behind the World's Favorite Board Game" (Bloomsbury, 2015)</title>
      <description>The inside story of the world's most famous board game-a buried piece of American history with an epic scandal that continues today.
The Monopolists: Obsession, Fury, and the Scandal Behind the World's Favorite Board Game (Bloomsbury, 2015) reveals the unknown story of how Monopoly came into existence, the reinvention of its history by Parker Brothers and multiple media outlets, the lost female originator of the game, and one man's lifelong obsession to tell the true story about the game's questionable origins.
Most think it was invented by an unemployed Pennsylvanian who sold his game to Parker Brothers during the Great Depression in 1935 and lived happily--and richly--ever after. That story, however, is not exactly true. Ralph Anspach, a professor fighting to sell his Anti-Monopoly board game decades later, unearthed the real story, which traces back to Abraham Lincoln, the Quakers, and a forgotten feminist named Lizzie Magie who invented her nearly identical Landlord's Game more than thirty years before Parker Brothers sold their version of Monopoly. Her game--underpinned by morals that were the exact opposite of what Monopoly represents today--was embraced by a constellation of left-wingers from the Progressive Era through the Great Depression, including members of Franklin Roosevelt's famed Brain Trust.
A gripping social history of corporate greed that illuminates the cutthroat nature of American business over the last century, The Monopolists reads like the best detective fiction, told through Monopoly's real-life winners and losers.
Mary Pilon is a journalist, screenwriter, and author of the bestselling books "The Monopolists" and "The Kevin Show" as well as co-host and co-author of “Twisted: The Story of Larry Nassar and the Women Who Brought Him Down.” Her work regularly appears in the New Yorker, Esquire, Bloomberg BusinessWeek, Vice, New York, and The New York Times, among other publications.
Dr. Lee Pierce (they &amp; she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast RhetoricLee Speaking. Connect with Lee on Gmail and social media @rhetoriclee.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>984</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Pilon</itunes:subtitle>
      <itunes:summary>The inside story of the world's most famous board game-a buried piece of American history with an epic scandal that continues today.
The Monopolists: Obsession, Fury, and the Scandal Behind the World's Favorite Board Game (Bloomsbury, 2015) reveals the unknown story of how Monopoly came into existence, the reinvention of its history by Parker Brothers and multiple media outlets, the lost female originator of the game, and one man's lifelong obsession to tell the true story about the game's questionable origins.
Most think it was invented by an unemployed Pennsylvanian who sold his game to Parker Brothers during the Great Depression in 1935 and lived happily--and richly--ever after. That story, however, is not exactly true. Ralph Anspach, a professor fighting to sell his Anti-Monopoly board game decades later, unearthed the real story, which traces back to Abraham Lincoln, the Quakers, and a forgotten feminist named Lizzie Magie who invented her nearly identical Landlord's Game more than thirty years before Parker Brothers sold their version of Monopoly. Her game--underpinned by morals that were the exact opposite of what Monopoly represents today--was embraced by a constellation of left-wingers from the Progressive Era through the Great Depression, including members of Franklin Roosevelt's famed Brain Trust.
A gripping social history of corporate greed that illuminates the cutthroat nature of American business over the last century, The Monopolists reads like the best detective fiction, told through Monopoly's real-life winners and losers.
Mary Pilon is a journalist, screenwriter, and author of the bestselling books "The Monopolists" and "The Kevin Show" as well as co-host and co-author of “Twisted: The Story of Larry Nassar and the Women Who Brought Him Down.” Her work regularly appears in the New Yorker, Esquire, Bloomberg BusinessWeek, Vice, New York, and The New York Times, among other publications.
Dr. Lee Pierce (they &amp; she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast RhetoricLee Speaking. Connect with Lee on Gmail and social media @rhetoriclee.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The inside story of the world's most famous board game-a buried piece of American history with an epic scandal that continues today.</p><p><a href="https://www.bloomsbury.com/us/the-monopolists-9781608199631/"><em>The Monopolists: Obsession, Fury, and the Scandal Behind the World's Favorite Board Game</em></a><em> </em>(Bloomsbury, 2015) reveals the unknown story of how Monopoly came into existence, the reinvention of its history by Parker Brothers and multiple media outlets, the lost female originator of the game, and one man's lifelong obsession to tell the true story about the game's questionable origins.</p><p>Most think it was invented by an unemployed Pennsylvanian who sold his game to Parker Brothers during the Great Depression in 1935 and lived happily--and richly--ever after. That story, however, is not exactly true. Ralph Anspach, a professor fighting to sell his Anti-Monopoly board game decades later, unearthed the real story, which traces back to Abraham Lincoln, the Quakers, and a forgotten feminist named Lizzie Magie who invented her nearly identical Landlord's Game more than thirty years before Parker Brothers sold their version of Monopoly. Her game--underpinned by morals that were the exact opposite of what Monopoly represents today--was embraced by a constellation of left-wingers from the Progressive Era through the Great Depression, including members of Franklin Roosevelt's famed Brain Trust.</p><p>A gripping social history of corporate greed that illuminates the cutthroat nature of American business over the last century, <em>The Monopolists</em> reads like the best detective fiction, told through Monopoly's real-life winners and losers.</p><p><a href="https://www.marypilon.com/">Mary Pilon</a> is a journalist, screenwriter, and author of the bestselling books <a href="http://marypilon.com/">"The Monopolists" </a>and<a href="http://marypilon.com/"> "The Kevin Show"</a> as well as co-host and co-author of <a href="https://www.audible.com/pd/Twisted-Audiobook/B07SW1JH6L">“Twisted: The Story of Larry Nassar and the Women Who Brought Him Down.” </a>Her work regularly appears in the New Yorker, Esquire, Bloomberg BusinessWeek, Vice, New York, and The New York Times, among other publications.</p><p><a href="https://leempierce.com/">Dr. Lee Pierce</a> (they &amp; she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast <a href="https://rhetoricleespeaking.podbean.com/">RhetoricLee Speaking</a>. Connect with Lee on Gmail and social media @rhetoriclee.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3220</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a0a44a5c-a9cd-11eb-9187-cbe36e57b085]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6682107117.mp3?updated=1619798727" length="0" type="audio/mpeg"/>
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    <item>
      <title>Kathleen Collins, "From Rabbit Ears to the Rabbit Hole: A Life with Television" (UP of Mississippi, 2021)</title>
      <description>In her new book From Rabbit Ears to the Rabbit Hole: A Life with Television (University of Mississippi Press, 2021) TV scholar and fan Kathleen Collins reflects on how her life as a consumer of television has intersected with the cultural and technological evolution of the medium itself. In a narrative bridging television studies, memoir, and comic, literary nonfiction, Collins takes readers alongside her from the 1960s through to the present, reminiscing and commiserating about some of what has transpired over the last five decades in the US, in media culture, and in what constitutes a shared cultural history.
In a personal, critical, and entertaining meditation on her relationship with TV—as avid consumer and critic—she considers the concept and institution of TV as well as reminiscing about beloved, derided, or completely forgotten content. She describes the shifting role of TV in her life, in a progression that is far from unique, but rather representative of a largely collective experience. It affords a parallel coming of age, that of the author and her coprotagonist, television. By turns playful and serious, wry and poignant, it is a testament to the profound and positive effect TV can have on a life and, by extrapolation, on the culture.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 13 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathleen Collins</itunes:subtitle>
      <itunes:summary>In her new book From Rabbit Ears to the Rabbit Hole: A Life with Television (University of Mississippi Press, 2021) TV scholar and fan Kathleen Collins reflects on how her life as a consumer of television has intersected with the cultural and technological evolution of the medium itself. In a narrative bridging television studies, memoir, and comic, literary nonfiction, Collins takes readers alongside her from the 1960s through to the present, reminiscing and commiserating about some of what has transpired over the last five decades in the US, in media culture, and in what constitutes a shared cultural history.
In a personal, critical, and entertaining meditation on her relationship with TV—as avid consumer and critic—she considers the concept and institution of TV as well as reminiscing about beloved, derided, or completely forgotten content. She describes the shifting role of TV in her life, in a progression that is far from unique, but rather representative of a largely collective experience. It affords a parallel coming of age, that of the author and her coprotagonist, television. By turns playful and serious, wry and poignant, it is a testament to the profound and positive effect TV can have on a life and, by extrapolation, on the culture.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book <a href="https://bookshop.org/a/12343/9781496832290"><em>From</em> <em>Rabbit Ears to the Rabbit Hole: A Life with Television</em></a> (University of Mississippi Press, 2021) TV scholar and fan <a href="https://katcoindustries.com/">Kathleen Collins</a> reflects on how her life as a consumer of television has intersected with the cultural and technological evolution of the medium itself. In a narrative bridging television studies, memoir, and comic, literary nonfiction, Collins takes readers alongside her from the 1960s through to the present, reminiscing and commiserating about some of what has transpired over the last five decades in the US, in media culture, and in what constitutes a shared cultural history.</p><p>In a personal, critical, and entertaining meditation on her relationship with TV—as avid consumer and critic—she considers the concept and institution of TV as well as reminiscing about beloved, derided, or completely forgotten content. She describes the shifting role of TV in her life, in a progression that is far from unique, but rather representative of a largely collective experience. It affords a parallel coming of age, that of the author and her coprotagonist, television. By turns playful and serious, wry and poignant, it is a testament to the profound and positive effect TV can have on a life and, by extrapolation, on the culture.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3338</itunes:duration>
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      <title>William G. Acree, "Staging Frontiers: The Making of Modern Popular Culture in Argentina and Uruguay" (U New Mexico Press, 2019)</title>
      <description>Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American best sellers. But when these stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life.
In Staging Frontiers: The Making of Modern Popular Culture in Argentina and Uruguay (University of New Mexico Press), William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region’s most dominant attractions on the eve of the twentieth century. Staging Frontiers further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.
Staging Frontiers is the winner of the 2020 Best Book in the Nineteenth Century Award from the LASA Nineteenth Century Section. The book has just been published in Spanish as well (Prometeo Editorial, 2021).
Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 12 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with William G. Acree</itunes:subtitle>
      <itunes:summary>Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American best sellers. But when these stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life.
In Staging Frontiers: The Making of Modern Popular Culture in Argentina and Uruguay (University of New Mexico Press), William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region’s most dominant attractions on the eve of the twentieth century. Staging Frontiers further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.
Staging Frontiers is the winner of the 2020 Best Book in the Nineteenth Century Award from the LASA Nineteenth Century Section. The book has just been published in Spanish as well (Prometeo Editorial, 2021).
Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American best sellers. But when these stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life.</p><p>In <a href="https://bookshop.org/a/12343/9780826361042"><em>Staging Frontiers: The Making of Modern Popular Culture in Argentina and Uruguay</em></a><em> </em>(University of New Mexico Press), William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region’s most dominant attractions on the eve of the twentieth century. <em>Staging Frontiers </em>further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.</p><p><em>Staging Frontiers </em>is the winner of the 2020 Best Book in the Nineteenth Century Award from the LASA Nineteenth Century Section. The book has just been published in Spanish as well (Prometeo Editorial, 2021).</p><p><a href="https://msoe.academia.edu/CandelaMarini"><em>Candela Marini</em></a><em> is an Assistant Professor of Cultural Studies and Spanish at MSOE University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4136</itunes:duration>
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    <item>
      <title>Scott Berkun, "How Design Makes the World" (2020)</title>
      <description>Everything you use, from your home to your smartphone, from highways to supermarkets, was designed by someone. What did they get right? Where did they go wrong? And what can we learn from how these experts think that can help us improve our own lives?
In How Design Makes The World, bestselling author and designer Scott Berkun reveals how designers, from software engineers to city planners, have succeeded and failed us. From the airplane armrest to the Facebook “like” button, and everything in between, Berkun shows how design helps or hinders everyone, and offers a new way to think about the world around you.
Whether you spend time in a studio or a boardroom, an office or the outdoors, How Design Makes the World empowers you to ask better questions—and to understand the designs in everything that matters.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Berkun</itunes:subtitle>
      <itunes:summary>Everything you use, from your home to your smartphone, from highways to supermarkets, was designed by someone. What did they get right? Where did they go wrong? And what can we learn from how these experts think that can help us improve our own lives?
In How Design Makes The World, bestselling author and designer Scott Berkun reveals how designers, from software engineers to city planners, have succeeded and failed us. From the airplane armrest to the Facebook “like” button, and everything in between, Berkun shows how design helps or hinders everyone, and offers a new way to think about the world around you.
Whether you spend time in a studio or a boardroom, an office or the outdoors, How Design Makes the World empowers you to ask better questions—and to understand the designs in everything that matters.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Everything you use, from your home to your smartphone, from highways to supermarkets, was designed by someone. What did they get right? Where did they go wrong? And what can we learn from how these experts think that can help us improve our own lives?</p><p>In <a href="https://bookshop.org/a/12343/9780983873181"><em>How Design Makes The World</em></a>, bestselling author and designer Scott Berkun reveals how designers, from software engineers to city planners, have succeeded and failed us. From the airplane armrest to the Facebook “like” button, and everything in between, Berkun shows how design helps or hinders everyone, and offers a new way to think about the world around you.</p><p>Whether you spend time in a studio or a boardroom, an office or the outdoors, <em>How Design Makes the World</em> empowers you to ask better questions—and to understand the designs in everything that matters.</p><p><em>Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3225</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Christina Ward, "American Advertising Cookbooks: How Corporations Taught Us to Love Bananas, Spam, and Jell-O" (Process, 2018)</title>
      <description>Christina Ward’s newest book American Advertising Cookbooks: How Corporations Taught Us to Love Spam, Bananas, and Jell-O (Process Media, 2019) examines a familiar but understudied sub-genre of commercially published cookbooks. Advertising cookbooks were most popular in the middle decades of the 20th century. They are usually published by a company or industry interest group rather than an individual chef or writer, and they serve as instructions for consumers to use the products of that company or industry. As Ward explains, advertising cookbooks introduced American consumers to new convenience foods like Jell-O and SPAM or to unfamiliar ingredients like pineapples and bananas. 
Ward tells a history of cookbooks that draws a direct line between Puritan austerity and gender roles, Amelia Simmons, World’s Fairs, Home Economists, and Jell-O recipes. Essentially, Ward argues that American cooks at each stage needed (or wanted) experts to tell them how to eat and cook. Advertising cookbooks fill a specific gap in knowledge home cooks can’t rely on inherited or communally held knowledge to use new ingredients or appliances. Part of this story is also the story of advertising itself and how it changed dramatically with Edward Bernays through the practices of “psychological coercion” and the birth of public relations. The book is organized into photo chapters that provide readers with an archive of examples of advertising cookbooks at work with their garish colors (the result of low quality printing, Ward suggests) and unusual combinations in elaborate arrangements. The cookbooks give today’s readers a lot to laugh at (like ham wrapped bananas with cheese sauce), but Ward also highlights the “sinister side” of advertising cookbooks. The United Fruit Company brought pineapples and bananas to consumers in creative ways, but they also participated in colonial projects that created the term “banana republic.” Similarly, advertising cookbooks played into ethnic stereotypes and created racist caricatures such as Aunt Jemima and Uncle Ben. Advertising cookbooks play a unique role in American food culture; it isn’t always clear if the cookbooks created demand or responded to an existing demand in the market. Either way, Ward suggests that these cookbooks represent an American cuisine and culture worthy of more scholarly attention.
Christina Ward is an author and editor at Feral House. She is a contributor to Serious Eats, Edible Milwaukee, The Wall Street Journal, The Milwaukee Journal/Sentinel, Remedy Quarterly, and Runcible Spoon magazines.
Eliza Weeks is a recent graduate of the Master of Food Studies program at Chatham University in Pittsburgh, PA. 
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 10 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christina Ward</itunes:subtitle>
      <itunes:summary>Christina Ward’s newest book American Advertising Cookbooks: How Corporations Taught Us to Love Spam, Bananas, and Jell-O (Process Media, 2019) examines a familiar but understudied sub-genre of commercially published cookbooks. Advertising cookbooks were most popular in the middle decades of the 20th century. They are usually published by a company or industry interest group rather than an individual chef or writer, and they serve as instructions for consumers to use the products of that company or industry. As Ward explains, advertising cookbooks introduced American consumers to new convenience foods like Jell-O and SPAM or to unfamiliar ingredients like pineapples and bananas. 
Ward tells a history of cookbooks that draws a direct line between Puritan austerity and gender roles, Amelia Simmons, World’s Fairs, Home Economists, and Jell-O recipes. Essentially, Ward argues that American cooks at each stage needed (or wanted) experts to tell them how to eat and cook. Advertising cookbooks fill a specific gap in knowledge home cooks can’t rely on inherited or communally held knowledge to use new ingredients or appliances. Part of this story is also the story of advertising itself and how it changed dramatically with Edward Bernays through the practices of “psychological coercion” and the birth of public relations. The book is organized into photo chapters that provide readers with an archive of examples of advertising cookbooks at work with their garish colors (the result of low quality printing, Ward suggests) and unusual combinations in elaborate arrangements. The cookbooks give today’s readers a lot to laugh at (like ham wrapped bananas with cheese sauce), but Ward also highlights the “sinister side” of advertising cookbooks. The United Fruit Company brought pineapples and bananas to consumers in creative ways, but they also participated in colonial projects that created the term “banana republic.” Similarly, advertising cookbooks played into ethnic stereotypes and created racist caricatures such as Aunt Jemima and Uncle Ben. Advertising cookbooks play a unique role in American food culture; it isn’t always clear if the cookbooks created demand or responded to an existing demand in the market. Either way, Ward suggests that these cookbooks represent an American cuisine and culture worthy of more scholarly attention.
Christina Ward is an author and editor at Feral House. She is a contributor to Serious Eats, Edible Milwaukee, The Wall Street Journal, The Milwaukee Journal/Sentinel, Remedy Quarterly, and Runcible Spoon magazines.
Eliza Weeks is a recent graduate of the Master of Food Studies program at Chatham University in Pittsburgh, PA. 
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Christina Ward’s newest book <a href="https://bookshop.org/a/12343/9781934170748"><em>American Advertising Cookbooks: How Corporations Taught Us to Love Spam, Bananas, and Jell-O </em></a>(Process Media, 2019) examines a familiar but understudied sub-genre of commercially published cookbooks. Advertising cookbooks were most popular in the middle decades of the 20th century. They are usually published by a company or industry interest group rather than an individual chef or writer, and they serve as instructions for consumers to use the products of that company or industry. As Ward explains, advertising cookbooks introduced American consumers to new convenience foods like Jell-O and SPAM or to unfamiliar ingredients like pineapples and bananas. </p><p>Ward tells a history of cookbooks that draws a direct line between Puritan austerity and gender roles, Amelia Simmons, World’s Fairs, Home Economists, and Jell-O recipes. Essentially, Ward argues that American cooks at each stage needed (or wanted) experts to tell them how to eat and cook. Advertising cookbooks fill a specific gap in knowledge home cooks can’t rely on inherited or communally held knowledge to use new ingredients or appliances. Part of this story is also the story of advertising itself and how it changed dramatically with Edward Bernays through the practices of “psychological coercion” and the birth of public relations. The book is organized into photo chapters that provide readers with an archive of examples of advertising cookbooks at work with their garish colors (the result of low quality printing, Ward suggests) and unusual combinations in elaborate arrangements. The cookbooks give today’s readers a lot to laugh at (like ham wrapped bananas with cheese sauce), but Ward also highlights the “sinister side” of advertising cookbooks. The United Fruit Company brought pineapples and bananas to consumers in creative ways, but they also participated in colonial projects that created the term “banana republic.” Similarly, advertising cookbooks played into ethnic stereotypes and created racist caricatures such as Aunt Jemima and Uncle Ben. Advertising cookbooks play a unique role in American food culture; it isn’t always clear if the cookbooks created demand or responded to an existing demand in the market. Either way, Ward suggests that these cookbooks represent an American cuisine and culture worthy of more scholarly attention.</p><p><a href="https://www.christinaward.net/">Christina Ward</a> is an author and editor at Feral House. She is a contributor to Serious Eats, Edible Milwaukee, The Wall Street Journal, The Milwaukee Journal/Sentinel, Remedy Quarterly, and Runcible Spoon magazines.</p><p><em>Eliza Weeks is a recent graduate of the Master of Food Studies program at Chatham University in Pittsburgh, PA. </em></p><p><a href="http://www.carrietippen.com/"><em>Carrie Helms Tippen</em></a><em> is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, </em><a href="http://www.inventingauthenticity.com/"><em>Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</em></a><em> (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3522</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Susan Lee Johnson, "Writing Kit Carson: Fallen Heroes in a Changing West" (UNC Press, 2020)</title>
      <description>The only constant in Western history is change. Susan Lee Johnson, Harry Reid Endowed Chair in the History of the Intermountain West at UNLV, knows this better than most. Author of the Bancroft Prize Winning "Roaring Camp," (2000), Johnson's new book is a testament to the changing nature of Western history. In Writing Kit Carson: Fallen Heroes in a Changing West (UNC Press, 2020) Johnson writes about shifting ideas about the region's meaning across the span of the twentieth century through the lens of two mid-twentieth century "minor historians" of Kit Carson: Quantrille McClung, a librarian at the Denver Public Library, and Bernice Blackwelder, a former CIA employee and radio entertainer. Johnson tells the history of these two women's often mundane, quintessentially American, lives in the urban 20th century West, and their fasciation with Kit Carson, the 19th century explorer (if you ask some historians) or colonizer (if you ask many others). Johnson's intensely personal book is less a history of Carson, and more a history of how history is written, and the practical facts of life - an uncomfortable desk, a pesky spouse - that go into creating knowledge and what happens when new knowledge hits the mainstream. As Kit Carson's tangled legacy shows, once knowledge is created, it's difficult to keep it corralled.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Susan Lee Johnson</itunes:subtitle>
      <itunes:summary>The only constant in Western history is change. Susan Lee Johnson, Harry Reid Endowed Chair in the History of the Intermountain West at UNLV, knows this better than most. Author of the Bancroft Prize Winning "Roaring Camp," (2000), Johnson's new book is a testament to the changing nature of Western history. In Writing Kit Carson: Fallen Heroes in a Changing West (UNC Press, 2020) Johnson writes about shifting ideas about the region's meaning across the span of the twentieth century through the lens of two mid-twentieth century "minor historians" of Kit Carson: Quantrille McClung, a librarian at the Denver Public Library, and Bernice Blackwelder, a former CIA employee and radio entertainer. Johnson tells the history of these two women's often mundane, quintessentially American, lives in the urban 20th century West, and their fasciation with Kit Carson, the 19th century explorer (if you ask some historians) or colonizer (if you ask many others). Johnson's intensely personal book is less a history of Carson, and more a history of how history is written, and the practical facts of life - an uncomfortable desk, a pesky spouse - that go into creating knowledge and what happens when new knowledge hits the mainstream. As Kit Carson's tangled legacy shows, once knowledge is created, it's difficult to keep it corralled.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The only constant in Western history is change. Susan Lee Johnson, Harry Reid Endowed Chair in the History of the Intermountain West at UNLV, knows this better than most. Author of the Bancroft Prize Winning "Roaring Camp," (2000), Johnson's new book is a testament to the changing nature of Western history. In <a href="https://bookshop.org/a/12343/9781469658834"><em>Writing Kit Carson: Fallen Heroes in a Changing West</em> </a>(UNC Press, 2020) Johnson writes about shifting ideas about the region's meaning across the span of the twentieth century through the lens of two mid-twentieth century "minor historians" of Kit Carson: Quantrille McClung, a librarian at the Denver Public Library, and Bernice Blackwelder, a former CIA employee and radio entertainer. Johnson tells the history of these two women's often mundane, quintessentially American, lives in the urban 20th century West, and their fasciation with Kit Carson, the 19th century explorer (if you ask some historians) or colonizer (if you ask many others). Johnson's intensely personal book is less a history of Carson, and more a history of how history is written, and the practical facts of life - an uncomfortable desk, a pesky spouse - that go into creating knowledge and what happens when new knowledge hits the mainstream. As Kit Carson's tangled legacy shows, once knowledge is created, it's difficult to keep it corralled.</p><p><em>Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4561</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lindsay Gardner, "Why We Cook: Women on Food, Identity, and Connection" (Workman, 2021)</title>
      <description>Why We Cook: Women on Food, Identity, and Connection (Workman, 2021) includes essays, recipes, interviews and profiles of more than 100 women in the world of food; from restaurateurs and activists, to food writers, professional chefs, and home cooks. Curated, researched and beautifully illustrated by author and artist Lindsay Gardner, it brings together the stories and perspectives of a diverse array of female voices who are transforming food across the world.
Find more about the book at here.
Visit the author’s website here and follow her work on social media @lindsaygardnerart
Daniela Gutiérrez Flores is a PhD Candidate at the University of Chicago.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lindsay Gardner</itunes:subtitle>
      <itunes:summary>Why We Cook: Women on Food, Identity, and Connection (Workman, 2021) includes essays, recipes, interviews and profiles of more than 100 women in the world of food; from restaurateurs and activists, to food writers, professional chefs, and home cooks. Curated, researched and beautifully illustrated by author and artist Lindsay Gardner, it brings together the stories and perspectives of a diverse array of female voices who are transforming food across the world.
Find more about the book at here.
Visit the author’s website here and follow her work on social media @lindsaygardnerart
Daniela Gutiérrez Flores is a PhD Candidate at the University of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781523509744"><em>Why We Cook: Women on Food, Identity, and Connection</em></a> (Workman, 2021) includes essays, recipes, interviews and profiles of more than 100 women in the world of food; from restaurateurs and activists, to food writers, professional chefs, and home cooks. Curated, researched and beautifully illustrated by author and artist Lindsay Gardner, it brings together the stories and perspectives of a diverse array of female voices who are transforming food across the world.</p><p>Find more about the book at <a href="https://whywecookbook.com/">here</a>.</p><p>Visit the author’s website <a href="https://lindsaygardnerart.com/">here</a> and follow her work on social media @lindsaygardnerart</p><p><em>Daniela Gutiérrez Flores is a PhD Candidate at the University of Chicago.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3203</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jean Burgess and Nancy K. Baym, "Twitter: A Biography" (NYU Press, 2020)</title>
      <description>As Twitter enters its own adolescence, both the users and the creators of this famous social media platform find themselves engaging with a tool that certainly could not have been imagined at its inception. In their engaging book Twitter: A Biography (NYU Press, 2020), Jean Burgess and Nancy K. Baym (@nancybaym) tell the fascinating and surprising story of how this platform developed from a quirky SMS tool for publicly sharing intimate details of personal life to a major source of late-breaking news, political activism, and even governmental communication. This story explores how many of Twitter's most ubiquitous and iconic conventions were not systematically rolled out from a centralized corporate strategy, but so often driven by users who continued to innovate within the limitations of the platform they had to democratically create the platform they desired. Yet this story highlights the tensions along the way as Twitter has adapted to new and unforeseen challenges, business models, and social consequences as the experiments of social media have become increasingly powerful, influential, and contested. This book is a must read for anyone interested in the wild and changing landscape of internet communication and communities.
 Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 06 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jean Burgess and Nancy K. Baym</itunes:subtitle>
      <itunes:summary>As Twitter enters its own adolescence, both the users and the creators of this famous social media platform find themselves engaging with a tool that certainly could not have been imagined at its inception. In their engaging book Twitter: A Biography (NYU Press, 2020), Jean Burgess and Nancy K. Baym (@nancybaym) tell the fascinating and surprising story of how this platform developed from a quirky SMS tool for publicly sharing intimate details of personal life to a major source of late-breaking news, political activism, and even governmental communication. This story explores how many of Twitter's most ubiquitous and iconic conventions were not systematically rolled out from a centralized corporate strategy, but so often driven by users who continued to innovate within the limitations of the platform they had to democratically create the platform they desired. Yet this story highlights the tensions along the way as Twitter has adapted to new and unforeseen challenges, business models, and social consequences as the experiments of social media have become increasingly powerful, influential, and contested. This book is a must read for anyone interested in the wild and changing landscape of internet communication and communities.
 Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As Twitter enters its own adolescence, both the users and the creators of this famous social media platform find themselves engaging with a tool that certainly could not have been imagined at its inception. In their engaging book <a href="https://bookshop.org/a/12343/9781479811069"><em>Twitter: A Biography</em></a> (NYU Press, 2020), Jean Burgess and Nancy K. Baym (@nancybaym) tell the fascinating and surprising story of how this platform developed from a quirky SMS tool for publicly sharing intimate details of personal life to a major source of late-breaking news, political activism, and even governmental communication. This story explores how many of Twitter's most ubiquitous and iconic conventions were not systematically rolled out from a centralized corporate strategy, but so often driven by users who continued to innovate within the limitations of the platform they had to democratically create the platform they desired. Yet this story highlights the tensions along the way as Twitter has adapted to new and unforeseen challenges, business models, and social consequences as the experiments of social media have become increasingly powerful, influential, and contested. This book is a must read for anyone interested in the wild and changing landscape of internet communication and communities.</p><p><em> </em><a href="https://www.linkedin.com/in/ryandavidshelton/"><em>Ryan David Shelton</em></a><em> (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2489</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Maureen Mahon, "Black Diamond Queens: African American Women and Rock and Roll" (Duke UP, 2020)</title>
      <description>Maureen Mahon’s book, Black Diamond Queens: African American Women and Rock and Roll (Duke University Press, 2020), focuses on the contributions to rock and roll by African American women from Big Mama Thornton to Tina Turner, and the erasure and marginalization of most of these women in other histories of popular music. Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll and puts them back into a narrative that generally emphasizes the role of white male guitar players in the development of the genre. She considers how the racialized vocal timbre of African American women’s voices has shaped rock from the girl groups of the early 1960s to the background singers who created the sound of some of the most iconic tracks recorded by the bands of the British invasion. Running throughout the book is a deep analysis of how the stereotypes about Black women crashed into the lived experiences of her subjects, affecting their careers, their relationships, and their music. By uncovering this hidden history, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 04 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maureen Mahon</itunes:subtitle>
      <itunes:summary>Maureen Mahon’s book, Black Diamond Queens: African American Women and Rock and Roll (Duke University Press, 2020), focuses on the contributions to rock and roll by African American women from Big Mama Thornton to Tina Turner, and the erasure and marginalization of most of these women in other histories of popular music. Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll and puts them back into a narrative that generally emphasizes the role of white male guitar players in the development of the genre. She considers how the racialized vocal timbre of African American women’s voices has shaped rock from the girl groups of the early 1960s to the background singers who created the sound of some of the most iconic tracks recorded by the bands of the British invasion. Running throughout the book is a deep analysis of how the stereotypes about Black women crashed into the lived experiences of her subjects, affecting their careers, their relationships, and their music. By uncovering this hidden history, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Maureen Mahon’s book, <a href="https://bookshop.org/a/12343/9781478011224"><em>Black Diamond Queens: African American Women and Rock and Roll</em> </a>(Duke University Press, 2020), focuses on the contributions to rock and roll by African American women from Big Mama Thornton to Tina Turner, and the erasure and marginalization of most of these women in other histories of popular music. Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll and puts them back into a narrative that generally emphasizes the role of white male guitar players in the development of the genre. She considers how the racialized vocal timbre of African American women’s voices has shaped rock from the girl groups of the early 1960s to the background singers who created the sound of some of the most iconic tracks recorded by the bands of the British invasion. Running throughout the book is a deep analysis of how the stereotypes about Black women crashed into the lived experiences of her subjects, affecting their careers, their relationships, and their music. By uncovering this hidden history, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Carol Dyhouse, "Love Lives: From Cinderella to Frozen" (Oxford UP, 2021)</title>
      <description>Cinderella stories captured the imagination of girls in the 1950s, when dreams of meeting the right man could seem like a happy ending, a solution to life's problems. But over the next fifty years women's lives were transformed, not by the magic wand of a fairy godmother, nor by marrying princes, but by education, work, birth control--and feminism. However, while widening opportunities for women were seen as progress, feminists were regularly caricatured as man-haters, cast in the role of ugly sisters, witches or wicked fairies in the fairy-tale.
Carol Dyhouse's new book Love Lives: From Cinderella to Frozen (Oxford UP, 2021) is about the reshaping of women's lives, loves and dreams since 1950, the year in which Walt Disney's film Cinderella gave expression to popular ideas of romance, and at a time when marriage was a major determinant of female life chances and teenage girls dreamed of Mr Right and happy endings. It ends with the runaway success of Disney's Frozen, in 2013--a film with relevance to very different times. Along the way, it illuminates how women's expectations and emotional landscapes have shifted, asking bold questions about how women's lives have been transformed since 1950. How have women's changing life experiences been mirrored in new expectations about marriage, intimacy, and family life? How have new forms of independence through education and work, and greater control over childbearing, altered women's life ambitions? And were feminists right to believe that sexual equality would improve relationships between men and women?
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 May 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carol Dyhouse</itunes:subtitle>
      <itunes:summary>Cinderella stories captured the imagination of girls in the 1950s, when dreams of meeting the right man could seem like a happy ending, a solution to life's problems. But over the next fifty years women's lives were transformed, not by the magic wand of a fairy godmother, nor by marrying princes, but by education, work, birth control--and feminism. However, while widening opportunities for women were seen as progress, feminists were regularly caricatured as man-haters, cast in the role of ugly sisters, witches or wicked fairies in the fairy-tale.
Carol Dyhouse's new book Love Lives: From Cinderella to Frozen (Oxford UP, 2021) is about the reshaping of women's lives, loves and dreams since 1950, the year in which Walt Disney's film Cinderella gave expression to popular ideas of romance, and at a time when marriage was a major determinant of female life chances and teenage girls dreamed of Mr Right and happy endings. It ends with the runaway success of Disney's Frozen, in 2013--a film with relevance to very different times. Along the way, it illuminates how women's expectations and emotional landscapes have shifted, asking bold questions about how women's lives have been transformed since 1950. How have women's changing life experiences been mirrored in new expectations about marriage, intimacy, and family life? How have new forms of independence through education and work, and greater control over childbearing, altered women's life ambitions? And were feminists right to believe that sexual equality would improve relationships between men and women?
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cinderella stories captured the imagination of girls in the 1950s, when dreams of meeting the right man could seem like a happy ending, a solution to life's problems. But over the next fifty years women's lives were transformed, not by the magic wand of a fairy godmother, nor by marrying princes, but by education, work, birth control--and feminism. However, while widening opportunities for women were seen as progress, feminists were regularly caricatured as man-haters, cast in the role of ugly sisters, witches or wicked fairies in the fairy-tale.</p><p>Carol Dyhouse's new book <a href="https://global.oup.com/academic/product/love-lives-9780198855460?cc=us&amp;lang=en&amp;"><em>Love Lives: From Cinderella to Frozen</em></a> (Oxford UP, 2021) is about the reshaping of women's lives, loves and dreams since 1950, the year in which Walt Disney's film <em>Cinderella</em> gave expression to popular ideas of romance, and at a time when marriage was a major determinant of female life chances and teenage girls dreamed of Mr Right and happy endings. It ends with the runaway success of Disney's <em>Frozen</em>, in 2013--a film with relevance to very different times. Along the way, it illuminates how women's expectations and emotional landscapes have shifted, asking bold questions about how women's lives have been transformed since 1950. How have women's changing life experiences been mirrored in new expectations about marriage, intimacy, and family life? How have new forms of independence through education and work, and greater control over childbearing, altered women's life ambitions? And were feminists right to believe that sexual equality would improve relationships between men and women?</p><p><em>Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3388</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Nikki Lane, "The Black Queer Work of Ratchet: Race, Gender, Sexuality, and the (Anti)Politics of Respectability" (Palgrave MacMillan, 2019)</title>
      <description>Nikki Lane's The Black Queer Work of Ratchet: Race, Gender, Sexuality, and the (Anti)Politics of Respectability (Palgrave MacMillan, 2019) enters as a corrective to the tendency to trivialize and (mis)appropriate African American language practices. The word ratchet has entered into a wider (whiter) American discourse the same way that many words in African American English have--through hip-hop and social media. Generally, ratchet refers to behaviors and cultural expressions of Black people that sit outside of normative, middle-class respectable codes of conduct. Ratchet can function both as a tool for critiquing bad Black behavior, and as a tool for resisting the notion that there are such things as "good" and "bad" behavior in the first place. This book takes seriously the way ratchet operates in the everyday lives of middle-class and upwardly mobile Black Queer women in Washington, DC who, because of their sexuality, are situated outside of the norms of (Black) respectability. The book introduces the concept of "ratchet/boojie cultural politics" which draws from a rich body of Black intellectual traditions which interrogate the debates concerning what is and is not "acceptable" Black (middle-class) behavior. Placing issues of non-normative sexuality at the center of the conversation about notions of propriety within normative modes of Black middle-class behavior, this book discusses what it means for Black Queer women's bodies to be present within ratchet/boojie cultural projects, asking what Black Queer women's increasing visibility does for the everyday experiences of Black queer people more broadly.

This work makes reference to a few songs that really give a depth of understanding the concept of boujee and ratchet. I suggest listeners who are not familiar go and check out Migos and Kanye West - I Don't Like ft. 
 Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 29 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nikki Lane</itunes:subtitle>
      <itunes:summary>Nikki Lane's The Black Queer Work of Ratchet: Race, Gender, Sexuality, and the (Anti)Politics of Respectability (Palgrave MacMillan, 2019) enters as a corrective to the tendency to trivialize and (mis)appropriate African American language practices. The word ratchet has entered into a wider (whiter) American discourse the same way that many words in African American English have--through hip-hop and social media. Generally, ratchet refers to behaviors and cultural expressions of Black people that sit outside of normative, middle-class respectable codes of conduct. Ratchet can function both as a tool for critiquing bad Black behavior, and as a tool for resisting the notion that there are such things as "good" and "bad" behavior in the first place. This book takes seriously the way ratchet operates in the everyday lives of middle-class and upwardly mobile Black Queer women in Washington, DC who, because of their sexuality, are situated outside of the norms of (Black) respectability. The book introduces the concept of "ratchet/boojie cultural politics" which draws from a rich body of Black intellectual traditions which interrogate the debates concerning what is and is not "acceptable" Black (middle-class) behavior. Placing issues of non-normative sexuality at the center of the conversation about notions of propriety within normative modes of Black middle-class behavior, this book discusses what it means for Black Queer women's bodies to be present within ratchet/boojie cultural projects, asking what Black Queer women's increasing visibility does for the everyday experiences of Black queer people more broadly.

This work makes reference to a few songs that really give a depth of understanding the concept of boujee and ratchet. I suggest listeners who are not familiar go and check out Migos and Kanye West - I Don't Like ft. 
 Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nikki Lane's <a href="https://bookshop.org/a/12343/9783030233181"><em>The Black Queer Work of Ratchet: Race, Gender, Sexuality, and the (Anti)Politics of Respectability</em></a> (Palgrave MacMillan, 2019) enters as a corrective to the tendency to trivialize and (mis)appropriate African American language practices. The word <em>ratchet</em> has entered into a wider (whiter) American discourse the same way that many words in African American English have--through hip-hop and social media. Generally, <em>ratchet</em> refers to behaviors and cultural expressions of Black people that sit outside of normative, middle-class respectable codes of conduct. <em>Ratchet</em> can function both as a tool for critiquing bad Black behavior, and as a tool for resisting the notion that there are such things as "good" and "bad" behavior in the first place. This book takes seriously the way <em>ratchet</em> operates in the everyday lives of middle-class and upwardly mobile Black Queer women in Washington, DC who, because of their sexuality, are situated outside of the norms of (Black) respectability. The book introduces the concept of "ratchet/boojie cultural politics" which draws from a rich body of Black intellectual traditions which interrogate the debates concerning what is and is not "acceptable" Black (middle-class) behavior. Placing issues of non-normative sexuality at the center of the conversation about notions of propriety within normative modes of Black middle-class behavior, this book discusses what it means for Black Queer women's bodies to be present within ratchet/boojie cultural projects, asking what Black Queer women's increasing visibility does for the everyday experiences of Black queer people more broadly.</p><p><br></p><p>This work makes reference to a few songs that really give a depth of understanding the concept of boujee and ratchet. I suggest listeners who are not familiar go and check out Migos and Kanye West -<a href="https://www.youtube.com/watch?v=WI81b4sB-sY"> I Don't Like ft</a>. </p><p><em> </em><a href="https://www.kent.ac.uk/social-policy-sociology-social-research/people/2025/stuart-rachel"><em>Rachel Stuart</em></a><em> is a sex work researcher whose primary interest is the lived experiences of sex workers.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4435</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4a297732-9f6f-11eb-9130-2b5500329f4a]]></guid>
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    <item>
      <title>Jack Black, "Race, Racism and Political Correctness in Comedy: A Psychoanalytic Exploration" (Routledge, 2021)</title>
      <description>Jack Black, Race, Racism and Political Correctness in Comedy (Routledge 2021). In what ways is comedy subversive? This vital new book critically considers the importance of comedy in challenging and redefining our relations to race and racism through the lens of political correctness.
On this episode of New Books Network, your host Lee M. Pierce (they) interviews author Jack Black (he) about psychoanalysis, PC culture, The Office, and the subversive potential of comedy to change our collective experience. Race, Racism and Political Correctness in Comedy engages with the social and cultural tensions inherent to our understandings of political correctness, arguing that comedy can subversively redefine our approach to ‘PC debates’, contestations surrounding free speech and the popular portrayal of political correctness in the media and society. Aided by the work of both Slavoj Žižek and Alenka Zupančič, this unique analysis adopts a psychoanalytic/philosophical framework to explore issues of race, racism and political correctness in the widely acclaimed BBC ‘mockumentary’, The Office (UK), as well as a variety of television comedies. Jack Black is a Senior Lecturer at Sheffield Hallam University. After completing his postgraduate studies at Loughborough University, his research has continued to explore the interrelationships between sociology, media and communications and cultural studies.
The clip from The Office discussed in the interview is here.
Connect with Jack on Twitter @jackstblack and with Lee @rhetoriclee. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 28 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jack Black</itunes:subtitle>
      <itunes:summary>Jack Black, Race, Racism and Political Correctness in Comedy (Routledge 2021). In what ways is comedy subversive? This vital new book critically considers the importance of comedy in challenging and redefining our relations to race and racism through the lens of political correctness.
On this episode of New Books Network, your host Lee M. Pierce (they) interviews author Jack Black (he) about psychoanalysis, PC culture, The Office, and the subversive potential of comedy to change our collective experience. Race, Racism and Political Correctness in Comedy engages with the social and cultural tensions inherent to our understandings of political correctness, arguing that comedy can subversively redefine our approach to ‘PC debates’, contestations surrounding free speech and the popular portrayal of political correctness in the media and society. Aided by the work of both Slavoj Žižek and Alenka Zupančič, this unique analysis adopts a psychoanalytic/philosophical framework to explore issues of race, racism and political correctness in the widely acclaimed BBC ‘mockumentary’, The Office (UK), as well as a variety of television comedies. Jack Black is a Senior Lecturer at Sheffield Hallam University. After completing his postgraduate studies at Loughborough University, his research has continued to explore the interrelationships between sociology, media and communications and cultural studies.
The clip from The Office discussed in the interview is here.
Connect with Jack on Twitter @jackstblack and with Lee @rhetoriclee. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jack Black, <a href="https://bookshop.org/a/12343/9780367508951"><em>Race, Racism and Political Correctness in Comedy</em></a> (Routledge 2021). In what ways is comedy subversive? This vital new book critically considers the importance of comedy in challenging and redefining our relations to race and racism through the lens of political correctness.</p><p>On this episode of New Books Network, your host Lee M. Pierce (they) interviews author Jack Black (he) about psychoanalysis, PC culture, The Office, and the subversive potential of comedy to change our collective experience. <em>Race, Racism and Political Correctness in Comedy</em> engages with the social and cultural tensions inherent to our understandings of political correctness, arguing that comedy can subversively redefine our approach to ‘PC debates’, contestations surrounding free speech and the popular portrayal of political correctness in the media and society. Aided by the work of both Slavoj Žižek and Alenka Zupančič, this unique analysis adopts a psychoanalytic/philosophical framework to explore issues of race, racism and political correctness in the widely acclaimed BBC ‘mockumentary’, The Office (UK), as well as a variety of television comedies. Jack Black is a Senior Lecturer at Sheffield Hallam University. After completing his postgraduate studies at Loughborough University, his research has continued to explore the interrelationships between sociology, media and communications and cultural studies.</p><p>The clip from The Office discussed in the interview is <a href="https://www.youtube.com/watch?v=lOO0l2r3uJ4">here</a>.</p><p>Connect with Jack on Twitter @jackstblack and with Lee @rhetoriclee. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3946</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/NBN2316814396.mp3?updated=1618601152" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alfred L. Martin, Jr., "The Generic Closet: Black Gayness and the Black-Cast Sitcom" (Indiana UP, 2021)</title>
      <description>How do race and sexuality intersect in the American sitcom? In The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press, 2021),  Alfred L Martin, an assistant professor of communication studies at The University of Iowa, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 27 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>216</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alfred L. Martin, Jr.</itunes:subtitle>
      <itunes:summary>How do race and sexuality intersect in the American sitcom? In The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press, 2021),  Alfred L Martin, an assistant professor of communication studies at The University of Iowa, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do race and sexuality intersect in the American sitcom? In <em>The Generic Closet: Black Gayness and the Black-Cast Sitcom </em>(Indiana University Press, 2021)<em>, </em> <a href="https://twitter.com/AlfredLMartin">Alfred L Martin</a>, an <a href="https://clas.uiowa.edu/commstudies/people/alfred-martin">assistant professor of communication studies at The University of Iowa</a>, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2562</itunes:duration>
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    </item>
    <item>
      <title>Bernadette Barton, "The Pornification of America: How Raunch Culture Is Ruining Our Society" (NYU Press, 2021)</title>
      <description>Bernadette Barton, Ph.D. exposes the double standard we attach to women’s sexuality in The Pornification of America: How Raunch Culture is Ruining Our Society (NYU Press, 2021) Pictures of half-naked girls and women can easily be found on screens, billboards, and advertisement across the United States of America. There are pole-dancing courses that can be purchased by women who desire to stay fit. Men share dick pics to nonconsensual passengers on planes and trains. The last American President has also bragged about grabbing women “by their pussy.”
This pornification of society is what Barton calls “raunch culture.” In this book, she explores what raunch culture is, why it matters, and how it is ruining America. She exposes how what is shown on the internet has a driving force in what is displayed on the programs, advertisement, and social media we watch. These images then make their way to content that is displayed on our cellphones, available for us to purchase in the fashion industry, and fantasies/desires we have when engaging in sexual intercourse. From twerking and breast implants, to fake nails and push-up bras, Barton explores just how much we encounter raunch culture on a daily basis – porn has become normalized.
Drawing on interviews, television shows, movies, and social media, Barton argues that raunch culture matters not because it is sexy, but because it is sexist. She shows how young women are encouraged to be sexy like porn stars, and to be grateful for getting cat-called or receiving unsolicited dick pics. In male politicians vote to restrict women’s access to birth control and abortion.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant“, was published in Gender Issues Journal. He researches culture, social identity, and collective representation as it is presented in everyday social interactions. He is currently studying the social interactions that people engage in at two annual festivals that take place during the summer months along the banks of the Mississippi River. You can learn more about him on his website, Google Scholar, follow him on Twitter @ProfessorJohnst, or email him at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 23 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bernadette Barton</itunes:subtitle>
      <itunes:summary>Bernadette Barton, Ph.D. exposes the double standard we attach to women’s sexuality in The Pornification of America: How Raunch Culture is Ruining Our Society (NYU Press, 2021) Pictures of half-naked girls and women can easily be found on screens, billboards, and advertisement across the United States of America. There are pole-dancing courses that can be purchased by women who desire to stay fit. Men share dick pics to nonconsensual passengers on planes and trains. The last American President has also bragged about grabbing women “by their pussy.”
This pornification of society is what Barton calls “raunch culture.” In this book, she explores what raunch culture is, why it matters, and how it is ruining America. She exposes how what is shown on the internet has a driving force in what is displayed on the programs, advertisement, and social media we watch. These images then make their way to content that is displayed on our cellphones, available for us to purchase in the fashion industry, and fantasies/desires we have when engaging in sexual intercourse. From twerking and breast implants, to fake nails and push-up bras, Barton explores just how much we encounter raunch culture on a daily basis – porn has become normalized.
Drawing on interviews, television shows, movies, and social media, Barton argues that raunch culture matters not because it is sexy, but because it is sexist. She shows how young women are encouraged to be sexy like porn stars, and to be grateful for getting cat-called or receiving unsolicited dick pics. In male politicians vote to restrict women’s access to birth control and abortion.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant“, was published in Gender Issues Journal. He researches culture, social identity, and collective representation as it is presented in everyday social interactions. He is currently studying the social interactions that people engage in at two annual festivals that take place during the summer months along the banks of the Mississippi River. You can learn more about him on his website, Google Scholar, follow him on Twitter @ProfessorJohnst, or email him at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.moreheadstate.edu/Caudill-College-of-Arts,-Humanities-and-Social-Sci/Sociology,-Social-Work-and-Criminology/Faculty-and-Staff/Bernadette-Barton">Bernadette Barton, Ph.D.</a> exposes the double standard we attach to women’s sexuality in <a href="https://bookshop.org/a/12343/9781479894437"><em>The Pornification of America: How Raunch Culture is Ruining Our Society</em></a><em> </em>(NYU Press, 2021) Pictures of half-naked girls and women can easily be found on screens, billboards, and advertisement across the United States of America. There are pole-dancing courses that can be purchased by women who desire to stay fit. Men share dick pics to nonconsensual passengers on planes and trains. The last American President has also bragged about grabbing women “by their pussy.”</p><p>This pornification of society is what Barton calls “raunch culture.” In this book, she explores what raunch culture is, why it matters, and how it is ruining America. She exposes how what is shown on the internet has a driving force in what is displayed on the programs, advertisement, and social media we watch. These images then make their way to content that is displayed on our cellphones, available for us to purchase in the fashion industry, and fantasies/desires we have when engaging in sexual intercourse. From twerking and breast implants, to fake nails and push-up bras, Barton explores just how much we encounter raunch culture on a daily basis – porn has become normalized.</p><p>Drawing on interviews, television shows, movies, and social media, Barton argues that raunch culture matters not because it is sexy, but because it is sexist. She shows how young women are encouraged to be sexy like porn stars, and to be grateful for getting cat-called or receiving unsolicited dick pics. In male politicians vote to restrict women’s access to birth control and abortion.</p><p><em>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “</em><a href="https://link.springer.com/article/10.1007/s12147-020-09266-z"><em>The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant</em></a><em>“, was published in Gender Issues Journal. He researches culture, social identity, and collective representation as it is presented in everyday social interactions. He is currently studying the social interactions that people engage in at two annual festivals that take place during the summer months along the banks of the Mississippi River. You can learn more about him on his </em><a href="https://www.wmpenn.edu/person/michael-o-johnston-ph-d/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/professorjohnst?lang=en"><em>@ProfessorJohnst</em></a><em>, or email him at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2431</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN4760368615.mp3?updated=1617975496" length="0" type="audio/mpeg"/>
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    <item>
      <title>Steven Capsuto, "Alternate Channels: Queer Images on 20th-Century TV" (2020)</title>
      <description>Steven Capsuto's book Alternate Channels: Queer Images on 20th-Century TV (2020) explores the fight for lesbian and gay visibility on 20th-century American television, as gay activists faced off with powerful, often vicious "traditional values" crusaders, with TV executives caught in the crossfire.
It documents countless programs, characters, and political skirmishes, examining lesbian and gay portrayals and the few pioneering depictions of bisexual and trans people.
The first edition was a semifinalist for what is now the Stonewall Book Award and has been widely used in universities. This revised edition, fact-checked from scratch, reinstates material that the original publisher cut and adds about 100 photos of TV shows from the early days to the year 2000.
The author built this account of events from archival materials, a thousand broadcast recordings, and his interviews with showrunners, network and studio executives, and early activists.
Steven Capsuto began researching sexual-minority images on television in 1987 while volunteering with a lesbian and gay crisis hotline. Since 1990, he has given video-illustrated lectures in dozens of cities about televised LGBTQ portrayals. The first edition of his book, Alternate Channels, was a semifinalist for what is now the Stonewall Book Award. From the 1980's to 2000's oversaw the GLBT Library/Archives of Philadelphia (first the library and later the archives). He has served as a historical consultant or researcher on documentaries such as After Stonewall, TV Revolution, and The Question of Equality, and for the 2020 documentary series Visible: Out on Television. 
John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University.
Morris Ardoin is author of Stone Motel: Memoirs of a Cajun Boy. He earned a bachelor’s in journalism from Louisiana State University and a master’s in communication from the University of Louisiana. A public relations practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 23 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Capsuto</itunes:subtitle>
      <itunes:summary>Steven Capsuto's book Alternate Channels: Queer Images on 20th-Century TV (2020) explores the fight for lesbian and gay visibility on 20th-century American television, as gay activists faced off with powerful, often vicious "traditional values" crusaders, with TV executives caught in the crossfire.
It documents countless programs, characters, and political skirmishes, examining lesbian and gay portrayals and the few pioneering depictions of bisexual and trans people.
The first edition was a semifinalist for what is now the Stonewall Book Award and has been widely used in universities. This revised edition, fact-checked from scratch, reinstates material that the original publisher cut and adds about 100 photos of TV shows from the early days to the year 2000.
The author built this account of events from archival materials, a thousand broadcast recordings, and his interviews with showrunners, network and studio executives, and early activists.
Steven Capsuto began researching sexual-minority images on television in 1987 while volunteering with a lesbian and gay crisis hotline. Since 1990, he has given video-illustrated lectures in dozens of cities about televised LGBTQ portrayals. The first edition of his book, Alternate Channels, was a semifinalist for what is now the Stonewall Book Award. From the 1980's to 2000's oversaw the GLBT Library/Archives of Philadelphia (first the library and later the archives). He has served as a historical consultant or researcher on documentaries such as After Stonewall, TV Revolution, and The Question of Equality, and for the 2020 documentary series Visible: Out on Television. 
John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University.
Morris Ardoin is author of Stone Motel: Memoirs of a Cajun Boy. He earned a bachelor’s in journalism from Louisiana State University and a master’s in communication from the University of Louisiana. A public relations practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Steven Capsuto's book <a href="https://bookshop.org/a/12343/9780997825497"><em>Alternate Channels: Queer Images on 20th-Century TV</em></a><em> </em>(2020) explores the fight for lesbian and gay visibility on 20th-century American television, as gay activists faced off with powerful, often vicious "traditional values" crusaders, with TV executives caught in the crossfire.</p><p>It documents countless programs, characters, and political skirmishes, examining lesbian and gay portrayals and the few pioneering depictions of bisexual and trans people.</p><p>The first edition was a semifinalist for what is now the Stonewall Book Award and has been widely used in universities. This revised edition, fact-checked from scratch, reinstates material that the original publisher cut and adds about 100 photos of TV shows from the early days to the year 2000.</p><p>The author built this account of events from archival materials, a thousand broadcast recordings, and his interviews with showrunners, network and studio executives, and early activists.</p><p>Steven Capsuto began researching sexual-minority images on television in 1987 while volunteering with a lesbian and gay crisis hotline. Since 1990, he has given video-illustrated lectures in dozens of cities about televised LGBTQ portrayals. The first edition of his book, <em>Alternate Channels</em>, was a semifinalist for what is now the Stonewall Book Award. From the 1980's to 2000's oversaw the GLBT Library/Archives of Philadelphia (first the library and later the archives). He has served as a historical consultant or researcher on documentaries such as <em>After Stonewall, TV Revolution, </em>and <em>The Question of Equality</em>, and for the 2020 documentary series <em>Visible: Out on Television. </em></p><p><em>John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University.</em></p><p><em>Morris Ardoin is author of Stone Motel: Memoirs of a Cajun Boy. He earned a bachelor’s in journalism from Louisiana State University and a master’s in communication from the University of Louisiana. A public relations practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at </em><a href="http://www.morrisardoin.com/"><em>www.morrisardoin.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3370</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1656792695.mp3?updated=1618063691" length="0" type="audio/mpeg"/>
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    <item>
      <title>Joel Waldfogel, "Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture" (Princeton UP, 2020)</title>
      <description>Digitization is reshaping creative industries. Old gatekeepers in music, publishing, television, movies, and other industries no longer play such an important role, and digital piracy makes it easy for consumers to avoid paying companies, artists, and writers for what they produce. On the other hand, independents can now cheaply produce and distribute creative works both to niche and mass market audiences.
In Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture (Princeton UP, 2020), Economist Joel Waldfogel uses data about the quantity, quality, and mass appeal of these works to make the case that this has on balance made us all better off, resulting in a digital renaissance.
In this interview, we discuss the findings in his book and how he arrives at them. I also get his perspective on some developments since his book came out, like the rise of Spotify, non-fungible tokens (NFTs), and the impact of the pandemic on digitization. He also unwittingly gives me the opportunity to tell everyone with an Amazon device in the house to say “Alexa, Beethoven’s pathetic!” and enjoy the result.
If you want to buy the NFT for Waldfogel’s famously Scroogey paper “The Deadweight Loss of Christmas,” he is open to bids and promises to donate the proceeds to charity, unlike Scrooge. You can also follow him on Twitter.
Host Peter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new digital economy-focused Master's program in Applied Economics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 21 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joel Waldfogel</itunes:subtitle>
      <itunes:summary>Digitization is reshaping creative industries. Old gatekeepers in music, publishing, television, movies, and other industries no longer play such an important role, and digital piracy makes it easy for consumers to avoid paying companies, artists, and writers for what they produce. On the other hand, independents can now cheaply produce and distribute creative works both to niche and mass market audiences.
In Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture (Princeton UP, 2020), Economist Joel Waldfogel uses data about the quantity, quality, and mass appeal of these works to make the case that this has on balance made us all better off, resulting in a digital renaissance.
In this interview, we discuss the findings in his book and how he arrives at them. I also get his perspective on some developments since his book came out, like the rise of Spotify, non-fungible tokens (NFTs), and the impact of the pandemic on digitization. He also unwittingly gives me the opportunity to tell everyone with an Amazon device in the house to say “Alexa, Beethoven’s pathetic!” and enjoy the result.
If you want to buy the NFT for Waldfogel’s famously Scroogey paper “The Deadweight Loss of Christmas,” he is open to bids and promises to donate the proceeds to charity, unlike Scrooge. You can also follow him on Twitter.
Host Peter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new digital economy-focused Master's program in Applied Economics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Digitization is reshaping creative industries. Old gatekeepers in music, publishing, television, movies, and other industries no longer play such an important role, and digital piracy makes it easy for consumers to avoid paying companies, artists, and writers for what they produce. On the other hand, independents can now cheaply produce and distribute creative works both to niche and mass market audiences.</p><p>In <a href="https://bookshop.org/a/12343/9780691208640"><em>Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture</em></a> (Princeton UP, 2020), <a href="https://carlsonschool.umn.edu/faculty/joel-waldfogel">Economist Joel Waldfogel</a> uses data about the quantity, quality, and mass appeal of these works to make the case that this has on balance made us all better off, resulting in a digital renaissance.</p><p>In this interview, we discuss the findings in his book and how he arrives at them. I also get his perspective on some developments since his book came out, like the rise of Spotify, non-fungible tokens (NFTs), and the impact of the pandemic on digitization. He also unwittingly gives me the opportunity to tell everyone with an Amazon device in the house to say “Alexa, Beethoven’s pathetic!” and enjoy the result.</p><p>If you want to buy the NFT for Waldfogel’s famously Scroogey paper “<a href="https://www.aeaweb.org/research/did-holiday-gift-giving-just-create-loss">The Deadweight Loss of Christmas</a>,” he is open to bids and promises to donate the proceeds to charity, unlike Scrooge. You can also follow him <a href="https://twitter.com/jwaldfogel?lang=en">on Twitter</a>.</p><p><em>Host </em><a href="https://www.usfca.edu/faculty/peter-lorentzen"><em>Peter Lorentzen</em></a><em> is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new </em><a href="https://www.usfca.edu/arts-sciences/graduate-programs/applied-economics/program-overview"><em>digital economy-focused Master's program in Applied Economics.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2819</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ebe3fb52-9898-11eb-9584-6fc12fbb7c02]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5122141109.mp3?updated=1617907015" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bill Nowlin, "Vinyl Ventures: My Fifty Years at Rounder Records" (Equinox, 2021)</title>
      <description>In Vinyl Ventures: My Fifty Years at Rounder Records (Equinox, 2021), founder Bill Nowlin combines memoir with a history of the founding and evolution of Rounder as he talks about his experiences as one of the labels three founders. Rounder Records was born in 1970, a "hobby that got out of control," a fledgling record company more or less conceived while the Sixties were still in flower, which began on just over $1,000. Founded by three friends just out of college, the Boston-area company produced over 3,000 record albums, the most active company of the last half-century specializing in roots music and its contemporary offshoots. Rounder won 56 Grammy Awards and documented a swath of music that in many cases might otherwise never have been presented to a broader public. It's arguably a quintessentially American success story. This book focuses on the early years up to and just through when Rounder evolved to a second stage, with a generational change that has kept the label healthy and flourishing when so many other cultural enterprises from the era have folded or gone dark. It's the story of three people with no background in business who took an idea and, through hard work and passion, built up something of lasting cultural significance. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 20 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bill Nowlin</itunes:subtitle>
      <itunes:summary>In Vinyl Ventures: My Fifty Years at Rounder Records (Equinox, 2021), founder Bill Nowlin combines memoir with a history of the founding and evolution of Rounder as he talks about his experiences as one of the labels three founders. Rounder Records was born in 1970, a "hobby that got out of control," a fledgling record company more or less conceived while the Sixties were still in flower, which began on just over $1,000. Founded by three friends just out of college, the Boston-area company produced over 3,000 record albums, the most active company of the last half-century specializing in roots music and its contemporary offshoots. Rounder won 56 Grammy Awards and documented a swath of music that in many cases might otherwise never have been presented to a broader public. It's arguably a quintessentially American success story. This book focuses on the early years up to and just through when Rounder evolved to a second stage, with a generational change that has kept the label healthy and flourishing when so many other cultural enterprises from the era have folded or gone dark. It's the story of three people with no background in business who took an idea and, through hard work and passion, built up something of lasting cultural significance. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781800500068"><em>Vinyl Ventures: My Fifty Years at Rounder Records</em></a> (Equinox, 2021), founder Bill Nowlin combines memoir with a history of the founding and evolution of Rounder as he talks about his experiences as one of the labels three founders. Rounder Records was born in 1970, a "hobby that got out of control," a fledgling record company more or less conceived while the Sixties were still in flower, which began on just over $1,000. Founded by three friends just out of college, the Boston-area company produced over 3,000 record albums, the most active company of the last half-century specializing in roots music and its contemporary offshoots. Rounder won 56 Grammy Awards and documented a swath of music that in many cases might otherwise never have been presented to a broader public. It's arguably a quintessentially American success story. This book focuses on the early years up to and just through when Rounder evolved to a second stage, with a generational change that has kept the label healthy and flourishing when so many other cultural enterprises from the era have folded or gone dark. It's the story of three people with no background in business who took an idea and, through hard work and passion, built up something of lasting cultural significance. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2787</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e8acd016-9632-11eb-987d-bb0faf22fd9b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1595889497.mp3?updated=1617644613" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Regina N. Bradley, "Chronicling Stankonia: The Rise of the Hip-Hop South" (UNC Press, 2021)</title>
      <description>Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity.
Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University
Check out Bradley's podcast about Southern hip-hop, Bottom of the Map. 
Bradley also has another OutKast book coming in August 2021, An OutKast Reader:
Essays on Race, Gender, and the Postmodern South (UGA Press). 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Regina N. Bradley</itunes:subtitle>
      <itunes:summary>Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity.
Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University
Check out Bradley's podcast about Southern hip-hop, Bottom of the Map. 
Bradley also has another OutKast book coming in August 2021, An OutKast Reader:
Essays on Race, Gender, and the Postmodern South (UGA Press). 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781469661964"><em>Chronicling Stankonia: The Rise of the Hip-Hop South</em></a> (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. <em>Chronicling Stankonia</em> reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity.</p><p><a href="https://www.redclayscholar.com/">Dr. Regina N. Bradley</a> is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University</p><p>Check out Bradley's podcast about Southern hip-hop, <a href="https://www.bottomofthemap.media/"><em>Bottom of the Map</em></a><em>. </em></p><p>Bradley also has another OutKast book coming in August 2021, <a href="https://ugapress.org/book/9780820360157/an-outkast-reader/"><em>An OutKast Reader:</em></a></p><p><a href="https://ugapress.org/book/9780820360157/an-outkast-reader/"><em>Essays on Race, Gender, and the Postmodern South</em></a><em> </em>(UGA Press). </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3923</itunes:duration>
      <guid isPermaLink="false"><![CDATA[42783f1c-93be-11eb-8bd7-cfebaa350552]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2700499136.mp3?updated=1617373240" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Jean So, "Redlining Culture: A Data History of Racial Inequality and Postwar Fiction" (Columbia UP, 2020)</title>
      <description>What is the story of race in American fiction? In Redlining Culture: A Data History of Racial Inequality and Postwar Fiction (Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences. The book is essential reading for anyone interested in race and literature, along with anyone interested in explaining and understanding why race continues to be essential to understanding contemporary culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 16 Apr 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An Interview with Richard Jean So</itunes:subtitle>
      <itunes:summary>What is the story of race in American fiction? In Redlining Culture: A Data History of Racial Inequality and Postwar Fiction (Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences. The book is essential reading for anyone interested in race and literature, along with anyone interested in explaining and understanding why race continues to be essential to understanding contemporary culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the story of race in American fiction? In <a href="https://bookshop.org/a/12343/9780231197731"><em>Redlining Culture: A Data History of Racial Inequality and Postwar Fiction</em></a><em> </em>(Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences. The book is essential reading for anyone interested in race and literature, along with anyone interested in explaining and understanding why race continues to be essential to understanding contemporary culture.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien">Dave O'Brien</a> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2788</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ffeda1f8-9301-11eb-b39c-73e231b66b43]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1100474832.mp3?updated=1617292357" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Y. Yvon Wang, "Reinventing Licentiousness: Pornography and Modern China" (Cornell UP, 2021)</title>
      <description>Y. Yvon Wang draws on previously untapped archives--ranging from police archives and surveys to ephemeral texts and pictures--to argue that pornography in China represents a unique configuration of power and desire that both reflects and shapes historical processes. On the one hand, since the late imperial period, pornography has democratized pleasure in China and opened up new possibilities of imagining desire. On the other, ongoing controversies over its definition and control show how the regulatory ideas of premodern cultural politics and the popular products of early modern cultural markets have contoured the globalized world.
Reinventing Licentiousness: Pornography and Modern China (Cornell University Press, 2021) emphasizes the material factors, particularly at the grassroots level of consumption and trade, that governed proper sexual desire and led to ideological shifts around the definition of pornography. By linking the past to the present and beyond, Wang's social and intellectual history showcases circulated pornographic material as a motor for cultural change. The result is an astonishing foray into what historicizing pornography can mean for our understandings of desire, legitimacy, capitalism, and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 16 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An introduction with Y. Yvon Wang</itunes:subtitle>
      <itunes:summary>Y. Yvon Wang draws on previously untapped archives--ranging from police archives and surveys to ephemeral texts and pictures--to argue that pornography in China represents a unique configuration of power and desire that both reflects and shapes historical processes. On the one hand, since the late imperial period, pornography has democratized pleasure in China and opened up new possibilities of imagining desire. On the other, ongoing controversies over its definition and control show how the regulatory ideas of premodern cultural politics and the popular products of early modern cultural markets have contoured the globalized world.
Reinventing Licentiousness: Pornography and Modern China (Cornell University Press, 2021) emphasizes the material factors, particularly at the grassroots level of consumption and trade, that governed proper sexual desire and led to ideological shifts around the definition of pornography. By linking the past to the present and beyond, Wang's social and intellectual history showcases circulated pornographic material as a motor for cultural change. The result is an astonishing foray into what historicizing pornography can mean for our understandings of desire, legitimacy, capitalism, and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Y. Yvon Wang draws on previously untapped archives--ranging from police archives and surveys to ephemeral texts and pictures--to argue that pornography in China represents a unique configuration of power and desire that both reflects and shapes historical processes. On the one hand, since the late imperial period, pornography has democratized pleasure in China and opened up new possibilities of imagining desire. On the other, ongoing controversies over its definition and control show how the regulatory ideas of premodern cultural politics and the popular products of early modern cultural markets have contoured the globalized world.</p><p><a href="https://bookshop.org/a/12343/9781501752971"><em>Reinventing Licentiousness: Pornography and Modern China</em></a><em> </em>(Cornell University Press, 2021) emphasizes the material factors, particularly at the grassroots level of consumption and trade, that governed proper sexual desire and led to ideological shifts around the definition of pornography. By linking the past to the present and beyond, Wang's social and intellectual history showcases circulated pornographic material as a motor for cultural change. The result is an astonishing foray into what historicizing pornography can mean for our understandings of desire, legitimacy, capitalism, and culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4506</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[782a6c52-9260-11eb-8e79-8f6812f083b0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9628630869.mp3?updated=1617223100" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ralph Keyes, "The Hidden History of Coined Words" (Oxford UP, 2021)</title>
      <description>Successful word-coinages--those that stay in currency for a good long time--tend to conceal their beginnings. We take them at face value and rarely when and where they were first minted. Engaging, illuminating, and authoritative, Ralph Keyes's The Hidden History of Coined Words (Oxford University Press, 2021) explores the etymological underworld of terms and expressions and uncovers plenty of hidden gems.
He also finds some fascinating patterns, such as that successful neologisms are as likely to be created by chance as by design. A remarkable number of new words were coined whimsically, originally intended to troll or taunt. Knickers, for example, resulted from a hoax; big bang from an insult. Casual wisecracking produced software, crowdsource, and blog. More than a few resulted from happy accidents, such as typos, mistranslations, and mishearing (bigly and buttonhole), or from being taken entirely out of context (robotics). Neologizers (a Thomas Jefferson coinage) include not just scholars and writers but cartoonists, columnists, children's book authors. Wimp originated with a book series, as did goop, and nerd from a book by Dr. Seuss. Coinages are often contested, controversy swirling around such terms as gonzo, mojo, and booty call. Keyes considers all contenders, while also leading us through the fray between new word partisans, and those who resist them strenuously. He concludes with advice about how to make your own successful coinage.
The Hidden History of Coined Words will appeal not just to word mavens but history buffs, trivia contesters, and anyone who loves the immersive power of language.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 15 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ralph Keyes</itunes:subtitle>
      <itunes:summary>Successful word-coinages--those that stay in currency for a good long time--tend to conceal their beginnings. We take them at face value and rarely when and where they were first minted. Engaging, illuminating, and authoritative, Ralph Keyes's The Hidden History of Coined Words (Oxford University Press, 2021) explores the etymological underworld of terms and expressions and uncovers plenty of hidden gems.
He also finds some fascinating patterns, such as that successful neologisms are as likely to be created by chance as by design. A remarkable number of new words were coined whimsically, originally intended to troll or taunt. Knickers, for example, resulted from a hoax; big bang from an insult. Casual wisecracking produced software, crowdsource, and blog. More than a few resulted from happy accidents, such as typos, mistranslations, and mishearing (bigly and buttonhole), or from being taken entirely out of context (robotics). Neologizers (a Thomas Jefferson coinage) include not just scholars and writers but cartoonists, columnists, children's book authors. Wimp originated with a book series, as did goop, and nerd from a book by Dr. Seuss. Coinages are often contested, controversy swirling around such terms as gonzo, mojo, and booty call. Keyes considers all contenders, while also leading us through the fray between new word partisans, and those who resist them strenuously. He concludes with advice about how to make your own successful coinage.
The Hidden History of Coined Words will appeal not just to word mavens but history buffs, trivia contesters, and anyone who loves the immersive power of language.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Successful word-coinages--those that stay in currency for a good long time--tend to conceal their beginnings. We take them at face value and rarely when and where they were first minted. Engaging, illuminating, and authoritative, <a href="https://ralphkeyes.com/">Ralph Keyes</a>'s <a href="https://global.oup.com/academic/product/the-hidden-history-of-coined-words-9780190466763?cc=us&amp;lang=en&amp;"><em>The Hidden History of Coined Words</em></a> (Oxford University Press, 2021) explores the etymological underworld of terms and expressions and uncovers plenty of hidden gems.</p><p>He also finds some fascinating patterns, such as that successful neologisms are as likely to be created by chance as by design. A remarkable number of new words were coined whimsically, originally intended to troll or taunt. Knickers, for example, resulted from a hoax; big bang from an insult. Casual wisecracking produced software, crowdsource, and blog. More than a few resulted from happy accidents, such as typos, mistranslations, and mishearing (bigly and buttonhole), or from being taken entirely out of context (robotics). Neologizers (a Thomas Jefferson coinage) include not just scholars and writers but cartoonists, columnists, children's book authors. Wimp originated with a book series, as did goop, and nerd from a book by Dr. Seuss. Coinages are often contested, controversy swirling around such terms as gonzo, mojo, and booty call. Keyes considers all contenders, while also leading us through the fray between new word partisans, and those who resist them strenuously. He concludes with advice about how to make your own successful coinage.</p><p><em>The Hidden History of Coined Words</em> will appeal not just to word mavens but history buffs, trivia contesters, and anyone who loves the immersive power of language.</p><p><em>Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3304</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Maria San Filippo, "Provocauteurs and Provocations: Screening Sex in 21st Century Media" (Indiana UP, 2021)</title>
      <description>Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms.
While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations: Screening Sex in 21st Century Media (Indiana UP, 2021), award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex.
Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies--from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity--to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape. 
A trailer for the books is available on YouTube. Both of San Filippo's IUP books are 30% off (through May) using code SANFILIPPO at iupress.org
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maria San Filippo</itunes:subtitle>
      <itunes:summary>Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms.
While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations: Screening Sex in 21st Century Media (Indiana UP, 2021), award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex.
Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies--from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity--to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape. 
A trailer for the books is available on YouTube. Both of San Filippo's IUP books are 30% off (through May) using code SANFILIPPO at iupress.org
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms.</p><p>While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In <a href="https://bookshop.org/a/12343/9780253052117"><em>Provocauteurs and Provocations: Screening Sex in 21st Century Media</em> </a>(Indiana UP, 2021), award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex.</p><p>Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies--from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity--to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape. </p><p>A trailer for the books is <a href="https://youtu.be/3grKydo_FXI">available on YouTube</a>. Both of San Filippo's IUP books are 30% off (through May) using code SANFILIPPO at <a href="http://iupress.org/">iupress.org</a></p><p><a href="https://www.kent.ac.uk/social-policy-sociology-social-research/people/2025/stuart-rachel"><em>Rachel Stuart</em></a><em> is a sex work researcher whose primary interest is the lived experiences of sex workers.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4370</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sibbie O'Sullivan, "My Private Lennon: Explorations from a Fan Who Never Screamed" (Mad Creek Books, 2020)</title>
      <description>In My Private Lennon: Explorations From a Fan Who Never Screamed (Mad Creek Press, 2020), Sibbie O'Sullivan offers a new point of view from which to consider the Beatles’ impact on society and on the individual. In a series of linked autobiographical essays that explore the musical, cultural, and personal aspects of intense music fandom, Sibbie O’Sullivan dismantles the grand narrative of the fifteen-year-old hysterical female Beatles fan and replaces it with an introspective and often humorous tale about how the band shaped her intellectual and artistic development.
My Private Lennon charts the author’s realization that the Beatles, especially John Lennon, were a crucial force in her development. A radical departure from other books written by Beatles fans, My Private Lennon invites its readers to consider subjects not usually found in works about Lennon and the band, such as the constraints of memory, the male body, grief, the female breast, race, cultural issues, and the importance of privacy in our over-mediated world. In pieces that engage cultural issues and historical contexts, My Private Lennon creates a witty and provocative intimacy with readers who value the power of art to change one’s life and who love John Lennon and the Beatles.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 09 Apr 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sibbie O'Sullivan</itunes:subtitle>
      <itunes:summary>In My Private Lennon: Explorations From a Fan Who Never Screamed (Mad Creek Press, 2020), Sibbie O'Sullivan offers a new point of view from which to consider the Beatles’ impact on society and on the individual. In a series of linked autobiographical essays that explore the musical, cultural, and personal aspects of intense music fandom, Sibbie O’Sullivan dismantles the grand narrative of the fifteen-year-old hysterical female Beatles fan and replaces it with an introspective and often humorous tale about how the band shaped her intellectual and artistic development.
My Private Lennon charts the author’s realization that the Beatles, especially John Lennon, were a crucial force in her development. A radical departure from other books written by Beatles fans, My Private Lennon invites its readers to consider subjects not usually found in works about Lennon and the band, such as the constraints of memory, the male body, grief, the female breast, race, cultural issues, and the importance of privacy in our over-mediated world. In pieces that engage cultural issues and historical contexts, My Private Lennon creates a witty and provocative intimacy with readers who value the power of art to change one’s life and who love John Lennon and the Beatles.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<em> </em><a href="https://bookshop.org/a/12343/9780814255667"><em>My Private Lennon: Explorations From a Fan Who Never Screamed</em></a><em> </em>(Mad Creek Press, 2020)<em>, </em>Sibbie O'Sullivan offers a new point of view from which to consider the Beatles’ impact on society and on the individual. In a series of linked autobiographical essays that explore the musical, cultural, and personal aspects of intense music fandom, Sibbie O’Sullivan dismantles the grand narrative of the fifteen-year-old hysterical female Beatles fan and replaces it with an introspective and often humorous tale about how the band shaped her intellectual and artistic development.</p><p><em>My Private Lennon </em>charts the author’s realization that the Beatles, especially John Lennon, were a crucial force in her development. A radical departure from other books written by Beatles fans, <em>My Private Lennon </em>invites its readers to consider subjects not usually found in works about Lennon and the band, such as the constraints of memory, the male body, grief, the female breast, race, cultural issues, and the importance of privacy in our over-mediated world. In pieces that engage cultural issues and historical contexts, <em>My Private Lennon </em>creates a witty and provocative intimacy with readers who value the power of art to change one’s life and who love John Lennon and the Beatles.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3443</itunes:duration>
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      <title>R. Harde and J. Wesselius, "Consumption and the Literary Cookbook" (Routledge, 2020)</title>
      <description>Consumption and the Literary Cookbook, edited by Roxanne Harde and Janet Wesselius (published 2021 by Routledge) examines the ways in which recipe authors and readers engage with one another through reading, cooking and eating the foods contained within the pages of Literary Cookbooks. The editors define literary cookbooks as novels and memoirs that include recipes, cookbooks that include narrative, and children's books that include recipes. Divided into three parts­– “Textual Consumption,” “Consumption and Community,” and “Cultural Consumption”– the collection explores a diverse cross section of cooking literature and food culture from nineteenth century manuscript cookbooks to cookbooks built on the narratives of childhood classics Alice in Wonderland and Anne of Green Gables. Through this assortment of historical documents and cultural touchstones, Harde and Wesselius and their contributors work to convince scholars of literature and food studies that literary cookbooks offer unique insight into the era, society, and region they represent. The collection creates a foundation for an in-depth study of consumption as it pertains to the intellectual consumption of information, emotional connection and release through empathetic consumption, and of course, the physical consumption of the edible results of the recipes contained within each book. Ardent cooks and cookbook consumers, Harde and Wesselius hope that this collection will liberate literary cookbooks from kitchen shelves and incorporate them into both literature and food studies as important tools for understanding culture and society.
Roxanne Harde is Professor of English at the University of Alberta's Augustana campus where she also serves as Chair of Department of Fine Arts and humanities. A Fullbright Scholar, Roxanne researches and teaches American literature and culture focusing on American women writers, children's literature, and popular culture. Find her on Twitter @ProfessorRoxy.
Janet Wesselius is Professor of Philosophy at the University of Alberta's Augustana campus. In addition to her work in feminist epistemology, she has published on philosophy and children’s literature.
Eliza Weeks is a recent graduate of the Master of Food Studies program at Chatham University in Pittsburgh, PA. She hopes to do work related to amplifying diverse and often marginalized voices within the food system so that the opportunity to represent and share food and food culture is not limited to the privileged few. When Eliza is not on the job hunt she enjoys adventuring through new recipes, sharing food and stories with others, and cohosting her podcast Dear Human.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 08 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Roxanne Harde, Janet Wesselius and Eliza Weeks</itunes:subtitle>
      <itunes:summary>Consumption and the Literary Cookbook, edited by Roxanne Harde and Janet Wesselius (published 2021 by Routledge) examines the ways in which recipe authors and readers engage with one another through reading, cooking and eating the foods contained within the pages of Literary Cookbooks. The editors define literary cookbooks as novels and memoirs that include recipes, cookbooks that include narrative, and children's books that include recipes. Divided into three parts­– “Textual Consumption,” “Consumption and Community,” and “Cultural Consumption”– the collection explores a diverse cross section of cooking literature and food culture from nineteenth century manuscript cookbooks to cookbooks built on the narratives of childhood classics Alice in Wonderland and Anne of Green Gables. Through this assortment of historical documents and cultural touchstones, Harde and Wesselius and their contributors work to convince scholars of literature and food studies that literary cookbooks offer unique insight into the era, society, and region they represent. The collection creates a foundation for an in-depth study of consumption as it pertains to the intellectual consumption of information, emotional connection and release through empathetic consumption, and of course, the physical consumption of the edible results of the recipes contained within each book. Ardent cooks and cookbook consumers, Harde and Wesselius hope that this collection will liberate literary cookbooks from kitchen shelves and incorporate them into both literature and food studies as important tools for understanding culture and society.
Roxanne Harde is Professor of English at the University of Alberta's Augustana campus where she also serves as Chair of Department of Fine Arts and humanities. A Fullbright Scholar, Roxanne researches and teaches American literature and culture focusing on American women writers, children's literature, and popular culture. Find her on Twitter @ProfessorRoxy.
Janet Wesselius is Professor of Philosophy at the University of Alberta's Augustana campus. In addition to her work in feminist epistemology, she has published on philosophy and children’s literature.
Eliza Weeks is a recent graduate of the Master of Food Studies program at Chatham University in Pittsburgh, PA. She hopes to do work related to amplifying diverse and often marginalized voices within the food system so that the opportunity to represent and share food and food culture is not limited to the privileged few. When Eliza is not on the job hunt she enjoys adventuring through new recipes, sharing food and stories with others, and cohosting her podcast Dear Human.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367611361"><em>Consumption and the Literary Cookbook</em></a>, edited by Roxanne Harde and Janet Wesselius (published 2021 by Routledge) examines the ways in which recipe authors and readers engage with one another through reading, cooking and eating the foods contained within the pages of Literary Cookbooks. The editors define literary cookbooks as novels and memoirs that include recipes, cookbooks that include narrative, and children's books that include recipes. Divided into three parts­– “Textual Consumption,” “Consumption and Community,” and “Cultural Consumption”<em>– </em>the collection explores a diverse cross section of cooking literature and food culture from nineteenth century manuscript cookbooks to cookbooks built on the narratives of childhood classics <em>Alice in Wonderland </em>and <em>Anne of Green Gables. </em>Through this assortment of historical documents and cultural touchstones, Harde and Wesselius and their contributors work to convince scholars of literature and food studies that literary cookbooks offer unique insight into the era, society, and region they represent. The collection creates a foundation for an in-depth study of consumption as it pertains to the intellectual consumption of information, emotional connection and release through empathetic consumption, and of course, the physical consumption of the edible results of the recipes contained within each book. Ardent cooks and cookbook consumers, Harde and Wesselius hope that this collection will liberate literary cookbooks from kitchen shelves and incorporate them into both literature and food studies as important tools for understanding culture and society.</p><p><a href="https://apps.ualberta.ca/directory/person/rharde">Roxanne Harde</a> is Professor of English at the University of Alberta's Augustana campus where she also serves as Chair of Department of Fine Arts and humanities. A Fullbright Scholar, Roxanne researches and teaches American literature and culture focusing on American women writers, children's literature, and popular culture. Find her on Twitter @ProfessorRoxy.</p><p><a href="https://apps.ualberta.ca/directory/person/jcw3">Janet Wesselius</a> is Professor of Philosophy at the University of Alberta's Augustana campus. In addition to her work in feminist epistemology, she has published on philosophy and children’s literature.</p><p>Eliza Weeks is a recent graduate of the Master of Food Studies program at Chatham University in Pittsburgh, PA. She hopes to do work related to amplifying diverse and often marginalized voices within the food system so that the opportunity to represent and share food and food culture is not limited to the privileged few. When Eliza is not on the job hunt she enjoys adventuring through new recipes, sharing food and stories with others, and cohosting her podcast Dear Human.</p><p><a href="http://www.carrietippen.com/">Carrie Helms Tippen</a> is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, <a href="http://www.inventingauthenticity.com/"><em>Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</em></a> (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in <em>Gastronomica,</em> <em>Food and Foodways</em>, <em>American Studies</em>, <em>Southern Quarterly</em>, and <em>Food, Culture, and Society</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3864</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Danielle Fuentes Morgan, "Laughing to Keep from Dying: African American Satire in the 21st Century" (U Illinois Press, 2020)</title>
      <description>The election of Barack Obama propelled the idea of a post-racial United States, or that the country had moved beyond race as a defining feature of social difference and beyond racism as an everyday reality. 
Dr. Danielle Fuentes Morgan examines the ways in which African American comedians and cultural producers took aim at such claims through the lens of satire. In her book, Laughing to Keep from Dying: African American Satire in the Twenty First Century (University of Illinois Press, 2020), Morgan demonstrates and argues for satire’s capacity for social justice through its expression of Black interiority and individuality that troubles simplistic renderings of Black people. Morgan examines texts such as Insecure, Get Out, and comedy by Chris Rock and Dave Chapelle, to show how African American satire fulfills or stymies possibilities for liberation. In expressing Black interiority, satire not only provokes revolutionary laughter but aids in African American psychic and physical survival. During the interview we discussed the main concepts in the book, a range of satirical texts, and Dr. Morgan’s approach to teaching and writing about African American satire. Laughing to Keep from Dying probes satire’s potential for liberation and survival embedded within Black laughter, giving new meaning to the term seriously funny.
Danielle Fuentes Morgan is an Assistant Professor in the Department of English at Santa Clara University.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 08 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>108</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Danielle Fuentes Morgan</itunes:subtitle>
      <itunes:summary>The election of Barack Obama propelled the idea of a post-racial United States, or that the country had moved beyond race as a defining feature of social difference and beyond racism as an everyday reality. 
Dr. Danielle Fuentes Morgan examines the ways in which African American comedians and cultural producers took aim at such claims through the lens of satire. In her book, Laughing to Keep from Dying: African American Satire in the Twenty First Century (University of Illinois Press, 2020), Morgan demonstrates and argues for satire’s capacity for social justice through its expression of Black interiority and individuality that troubles simplistic renderings of Black people. Morgan examines texts such as Insecure, Get Out, and comedy by Chris Rock and Dave Chapelle, to show how African American satire fulfills or stymies possibilities for liberation. In expressing Black interiority, satire not only provokes revolutionary laughter but aids in African American psychic and physical survival. During the interview we discussed the main concepts in the book, a range of satirical texts, and Dr. Morgan’s approach to teaching and writing about African American satire. Laughing to Keep from Dying probes satire’s potential for liberation and survival embedded within Black laughter, giving new meaning to the term seriously funny.
Danielle Fuentes Morgan is an Assistant Professor in the Department of English at Santa Clara University.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The election of Barack Obama propelled the idea of a post-racial United States, or that the country had moved beyond race as a defining feature of social difference and beyond racism as an everyday reality. </p><p>Dr. Danielle Fuentes Morgan examines the ways in which African American comedians and cultural producers took aim at such claims through the lens of satire. In her book, <a href="https://bookshop.org/a/12343/9780252085307"><em>Laughing to Keep from Dying: African American Satire in the Twenty First Century</em></a><em> </em>(University of Illinois Press, 2020), Morgan demonstrates and argues for satire’s capacity for social justice through its expression of Black interiority and individuality that troubles simplistic renderings of Black people. Morgan examines texts such as <em>Insecure</em>, <em>Get Out</em>, and comedy by Chris Rock and Dave Chapelle, to show how African American satire fulfills or stymies possibilities for liberation. In expressing Black interiority, satire not only provokes revolutionary laughter but aids in African American psychic and physical survival. During the interview we discussed the main concepts in the book, a range of satirical texts, and Dr. Morgan’s approach to teaching and writing about African American satire. Laughing to Keep from Dying probes satire’s potential for liberation and survival embedded within Black laughter, giving new meaning to the term seriously funny.</p><p>Danielle Fuentes Morgan is an Assistant Professor in the Department of English at Santa Clara University.</p><p><em>Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3008</itunes:duration>
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    <item>
      <title>Lucas Richert, "Break on Through: Radical Psychiatry and the American Counterculture" (MIT Press, 2020)</title>
      <description>"Antipsychiatry," Esalen, psychedelics, and DSM III: Radical challenges to psychiatry and the conventional treatment of mental health in the 1970s. The upheavals of the 1960s gave way to a decade of disruptions in the 1970s, and among the rattled fixtures of American society was mainstream psychiatry. A "Radical Caucus" formed within the psychiatric profession and the "antipsychiatry" movement arose. Critics charged that the mental health establishment was complicit with the military-industrial complex, patients were released from mental institutions, and powerful antipsychotic drugs became available. Meanwhile, practitioners and patients experimented with new approaches to mental health, from primal screaming and the therapeutic use of psychedelics to a new reliance on quantification. 
In Break on Through: Radical Psychiatry and the American Counterculture (MIT Press, 2020), Lucas Richert investigates the radical challenges to psychiatry and to the conventional treatment of mental health that emerged in the 1970s and the lessons they offer for current debates. Drawing on archives and government documents, medical journals, and interviews, and interweaving references to pop (counter)culture into his account, Richert offers fascinating stories of the decade's radical mental health practices. He discusses anti-Vietnam War activism and the new diagnosis of post-traumatic stress disorder given to some veterans; the radical psychiatrists who fought the system (and each other); the entry of New Age-style therapies, including Esalen's Human Potential Movement, into the laissez-faire therapeutic marketplace of the 1970s; the development of DSM III; and the use of LSD, cannabis, and MDMA. Many of these issues have resonance today. Debates over medical marijuana and microdoses of psychedelics echo debates of the 1970s. With rising rates of such disorders as anxiety and depression, practitioners and patients continue to search for therapeutic breakthroughs.
 C.J. Valasek is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California San Diego.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 05 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>280</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lucas Richert</itunes:subtitle>
      <itunes:summary>"Antipsychiatry," Esalen, psychedelics, and DSM III: Radical challenges to psychiatry and the conventional treatment of mental health in the 1970s. The upheavals of the 1960s gave way to a decade of disruptions in the 1970s, and among the rattled fixtures of American society was mainstream psychiatry. A "Radical Caucus" formed within the psychiatric profession and the "antipsychiatry" movement arose. Critics charged that the mental health establishment was complicit with the military-industrial complex, patients were released from mental institutions, and powerful antipsychotic drugs became available. Meanwhile, practitioners and patients experimented with new approaches to mental health, from primal screaming and the therapeutic use of psychedelics to a new reliance on quantification. 
In Break on Through: Radical Psychiatry and the American Counterculture (MIT Press, 2020), Lucas Richert investigates the radical challenges to psychiatry and to the conventional treatment of mental health that emerged in the 1970s and the lessons they offer for current debates. Drawing on archives and government documents, medical journals, and interviews, and interweaving references to pop (counter)culture into his account, Richert offers fascinating stories of the decade's radical mental health practices. He discusses anti-Vietnam War activism and the new diagnosis of post-traumatic stress disorder given to some veterans; the radical psychiatrists who fought the system (and each other); the entry of New Age-style therapies, including Esalen's Human Potential Movement, into the laissez-faire therapeutic marketplace of the 1970s; the development of DSM III; and the use of LSD, cannabis, and MDMA. Many of these issues have resonance today. Debates over medical marijuana and microdoses of psychedelics echo debates of the 1970s. With rising rates of such disorders as anxiety and depression, practitioners and patients continue to search for therapeutic breakthroughs.
 C.J. Valasek is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California San Diego.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"Antipsychiatry," Esalen, psychedelics, and DSM III: Radical challenges to psychiatry and the conventional treatment of mental health in the 1970s. The upheavals of the 1960s gave way to a decade of disruptions in the 1970s, and among the rattled fixtures of American society was mainstream psychiatry. A "Radical Caucus" formed within the psychiatric profession and the "antipsychiatry" movement arose. Critics charged that the mental health establishment was complicit with the military-industrial complex, patients were released from mental institutions, and powerful antipsychotic drugs became available. Meanwhile, practitioners and patients experimented with new approaches to mental health, from primal screaming and the therapeutic use of psychedelics to a new reliance on quantification. </p><p>In <a href="https://bookshop.org/a/12343/9780262539579"><em>Break on Through: Radical Psychiatry and the American Counterculture</em></a> (MIT Press, 2020), Lucas Richert investigates the radical challenges to psychiatry and to the conventional treatment of mental health that emerged in the 1970s and the lessons they offer for current debates. Drawing on archives and government documents, medical journals, and interviews, and interweaving references to pop (counter)culture into his account, Richert offers fascinating stories of the decade's radical mental health practices. He discusses anti-Vietnam War activism and the new diagnosis of post-traumatic stress disorder given to some veterans; the radical psychiatrists who fought the system (and each other); the entry of New Age-style therapies, including Esalen's Human Potential Movement, into the laissez-faire therapeutic marketplace of the 1970s; the development of DSM III; and the use of LSD, cannabis, and MDMA. Many of these issues have resonance today. Debates over medical marijuana and microdoses of psychedelics echo debates of the 1970s. With rising rates of such disorders as anxiety and depression, practitioners and patients continue to search for therapeutic breakthroughs.</p><p><em> </em><a href="https://cjvalasek.com/"><em>C.J. Valasek</em></a><em> is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California San Diego.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2764</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN6156231999.mp3?updated=1616327983" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amanda Ann Klein, "Millennials Killed the Video Star: MTV's Transition to Reality Programming" (Duke UP, 2021)</title>
      <description>In Millennials Killed the Video Star: MTV’s Transition to Reality Programming (Duke University Press, 2021), Dr. Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.
Dr. Amanda Ann Klein is associate professor in the Department of English at East Carolina University.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 05 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>90</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amanda Ann Klein</itunes:subtitle>
      <itunes:summary>In Millennials Killed the Video Star: MTV’s Transition to Reality Programming (Duke University Press, 2021), Dr. Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.
Dr. Amanda Ann Klein is associate professor in the Department of English at East Carolina University.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478010265"><em>Millennials Killed the Video Star: MTV’s Transition to Reality Programming</em></a><em> </em>(Duke University Press, 2021), Dr. Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as <em>The Real World</em> and <em>Teen Mom</em>, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.</p><p>Dr. Amanda Ann Klein is associate professor in the Department of English at East Carolina University.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3385</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[476550e2-89bd-11eb-8a9f-e7af67539969]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2433221452.mp3?updated=1616273849" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>M. I. Devine, "Warhol's Mother's Pantry: Art, America, and the Mom in Pop" (Mad Creek Books, 2020)</title>
      <description>In Warhol's Mother's Pantry: Art America and the Mom in Pop (Mad Creek Press, 2020), M.I. Devine introduces readers to a collection of 21st-century multi-genre essays inspired by Andy Warhol's mother, Julia, that provide a literary and cultural history of new pop humanism. "Here are Leonard Cohen’s last songs and Molly Bloom’s last words; Vampire Weekend’s Rostam and Philip Larkin too; Stevie Smith, John Donne, and Kendrick Lamar; sonnets and selfies; early cinema and post–9/11 film, pop hooks, and pop art." Devine's series of essays examines his histories and relationships with pop culture and art. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 02 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>89</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with M. I. Devine</itunes:subtitle>
      <itunes:summary>In Warhol's Mother's Pantry: Art America and the Mom in Pop (Mad Creek Press, 2020), M.I. Devine introduces readers to a collection of 21st-century multi-genre essays inspired by Andy Warhol's mother, Julia, that provide a literary and cultural history of new pop humanism. "Here are Leonard Cohen’s last songs and Molly Bloom’s last words; Vampire Weekend’s Rostam and Philip Larkin too; Stevie Smith, John Donne, and Kendrick Lamar; sonnets and selfies; early cinema and post–9/11 film, pop hooks, and pop art." Devine's series of essays examines his histories and relationships with pop culture and art. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814256060"><em>Warhol's Mother's Pantry: Art America and the Mom in Pop</em></a> (Mad Creek Press, 2020), <a href="https://www.midevine.com/">M.I. Devine</a> introduces readers to a collection of 21st-century multi-genre essays inspired by Andy Warhol's mother, Julia, that provide a literary and cultural history of new pop humanism.<em> </em>"Here are Leonard Cohen’s last songs and Molly Bloom’s last words; Vampire Weekend’s Rostam and Philip Larkin too; Stevie Smith, John Donne, and Kendrick Lamar; sonnets and selfies; early cinema and post–9/11 film, pop hooks, and pop art." Devine's series of essays examines his histories and relationships with pop culture and art. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2969</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ef0e2eb6-89ba-11eb-a0df-7f0f0bc878c5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4703664654.mp3?updated=1616273156" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Doug Bierend. "In Search of Mycotopia: Citizen Science, Fungi Fanatics, and the Untapped Potential of Mushrooms" (Chelsea Green, 2021)</title>
      <description>From ecology to fermentation, in pop culture and in medicine—mushrooms are everywhere. With an explorer’s eye, author Doug Bierend guides readers through the weird, wonderful world of fungi and the amazing modern mycological movement.
In Search of Mycotopia: Citizen Science, Fungi Fanatics, and the Untapped Potential of Mushrooms (Chelsea Green, 2021) introduces us to an incredible, essential, and oft-overlooked kingdom of life—fungi—and all the potential it holds for our future, through the work and research being done by an unforgettable community of mushroom-mad citizen scientists and microbe devotees. This entertaining and mind-expanding book will captivate readers who are curious about the hidden worlds and networks that make up our planet.
Bierend uncovers a vanguard of mycologists; growers, independent researchers, ecologists, entrepreneurs, and amateur enthusiasts exploring and advocating for fungi’s capacity to improve and heal. From decontaminating landscapes and waterways to achieving food security, In Search of Mycotopia demonstrates how humans can work with fungi to better live with nature—and with one another.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 02 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Doug Bierend</itunes:subtitle>
      <itunes:summary>From ecology to fermentation, in pop culture and in medicine—mushrooms are everywhere. With an explorer’s eye, author Doug Bierend guides readers through the weird, wonderful world of fungi and the amazing modern mycological movement.
In Search of Mycotopia: Citizen Science, Fungi Fanatics, and the Untapped Potential of Mushrooms (Chelsea Green, 2021) introduces us to an incredible, essential, and oft-overlooked kingdom of life—fungi—and all the potential it holds for our future, through the work and research being done by an unforgettable community of mushroom-mad citizen scientists and microbe devotees. This entertaining and mind-expanding book will captivate readers who are curious about the hidden worlds and networks that make up our planet.
Bierend uncovers a vanguard of mycologists; growers, independent researchers, ecologists, entrepreneurs, and amateur enthusiasts exploring and advocating for fungi’s capacity to improve and heal. From decontaminating landscapes and waterways to achieving food security, In Search of Mycotopia demonstrates how humans can work with fungi to better live with nature—and with one another.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From ecology to fermentation, in pop culture and in medicine—mushrooms are everywhere. With an explorer’s eye, author Doug Bierend guides readers through the weird, wonderful world of fungi and the amazing modern mycological movement.</p><p><a href="https://bookshop.org/a/12343/9781603589796"><em>In Search of Mycotopia: Citizen Science, Fungi Fanatics, and the Untapped Potential of Mushrooms</em></a> (Chelsea Green, 2021) introduces us to an incredible, essential, and oft-overlooked kingdom of life—fungi—and all the potential it holds for our future, through the work and research being done by an unforgettable community of mushroom-mad citizen scientists and microbe devotees. This entertaining and mind-expanding book will captivate readers who are curious about the hidden worlds and networks that make up our planet.</p><p>Bierend uncovers a vanguard of mycologists; growers, independent researchers, ecologists, entrepreneurs, and amateur enthusiasts exploring and advocating for fungi’s capacity to improve and heal. From decontaminating landscapes and waterways to achieving food security, In Search of Mycotopia demonstrates how humans can work with fungi to better live with nature—and with one another.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8646b2f0-7861-11eb-9fde-b742b609cbb5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN6372182581.mp3?updated=1614628363" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tyler Sonnichsen, "Capitals of Punk: DC, Paris, and Circulation in the Urban Underground" (Palgrave MacMillan, 2019)</title>
      <description>This one's personal.
Tyler Sonnichsen's Capitals of Punk: DC, Paris, and Circulation in the Urban Underground (Palgrave, 2019) was an amazing book for me to read and speak with its author about. While I am always fascinated by the different approaches to and thematic areas covered by the books I explore for the podcast, this one took me back to my years as a Montreal teenager, cutting my own hair, sewing my own dresses/skirts, and running around town after the loudest, fastest (sometimes angriest) music I could find. And it brings the stories of some of my favourite sounds from that era (and since) together with my love of and fascination for France and French culture. That's never happened before for me on the podcast. 
Capitals of Punk looks at the movement -between France and the United States, Paris and DC- of music, people, a broader (sub)cultural phenomenon that included writing, art, ideas, an ethos for creating and living. Drawing on interviews and the extensive archives kept by musicians, promoters, and fans on both sides of the Atlantic, the book traces how the underground music scenes of these two capital cities learned from and influenced each other. A musical geography that illuminates a counterculture across spaces and times, the book will appeal to punks young and old (!), and to anyone interested in the varieties of French and American music and urban history.
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tyler Sonnichsen</itunes:subtitle>
      <itunes:summary>This one's personal.
Tyler Sonnichsen's Capitals of Punk: DC, Paris, and Circulation in the Urban Underground (Palgrave, 2019) was an amazing book for me to read and speak with its author about. While I am always fascinated by the different approaches to and thematic areas covered by the books I explore for the podcast, this one took me back to my years as a Montreal teenager, cutting my own hair, sewing my own dresses/skirts, and running around town after the loudest, fastest (sometimes angriest) music I could find. And it brings the stories of some of my favourite sounds from that era (and since) together with my love of and fascination for France and French culture. That's never happened before for me on the podcast. 
Capitals of Punk looks at the movement -between France and the United States, Paris and DC- of music, people, a broader (sub)cultural phenomenon that included writing, art, ideas, an ethos for creating and living. Drawing on interviews and the extensive archives kept by musicians, promoters, and fans on both sides of the Atlantic, the book traces how the underground music scenes of these two capital cities learned from and influenced each other. A musical geography that illuminates a counterculture across spaces and times, the book will appeal to punks young and old (!), and to anyone interested in the varieties of French and American music and urban history.
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This one's personal.</p><p>Tyler Sonnichsen's <a href="https://bookshop.org/a/12343/9789811359675"><em>Capitals of Punk: DC, Paris, and Circulation in the Urban Underground</em></a> (Palgrave, 2019) was an amazing book for me to read and speak with its author about. While I am always fascinated by the different approaches to and thematic areas covered by the books I explore for the podcast, this one took me back to my years as a Montreal teenager, cutting my own hair, sewing my own dresses/skirts, and running around town after the loudest, fastest (sometimes angriest) music I could find. And it brings the stories of some of my favourite sounds from that era (and since) together with my love of and fascination for France and French culture. That's never happened before for me on the podcast. </p><p><em>Capitals of Punk</em> looks at the movement -between France and the United States, Paris and DC- of music, people, a broader (sub)cultural phenomenon that included writing, art, ideas, an ethos for creating and living. Drawing on interviews and the extensive archives kept by musicians, promoters, and fans on both sides of the Atlantic, the book traces how the underground music scenes of these two capital cities learned from and influenced each other. A musical geography that illuminates a counterculture across spaces and times, the book will appeal to punks young and old (!), and to anyone interested in the varieties of French and American music and urban history.</p><p><em>Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3438</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[28501ab8-874f-11eb-b958-a7a48eeb1fbd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5375001503.mp3?updated=1616006082" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nate Chinen, "Playing Changes: Jazz for the New Century" (Vintage, 2019)</title>
      <description>Nate Chinen's Playing Changes: Jazz for the New Century (Vintage, 2019) is an essential guide to 21st century jazz. Named a best book of the year by NPR, GQ, Billboard, JazzTimes and many more, Chinen's book profiles many of the most exciting voices in jazz, from Kamasi Washington to Henry Threadgill to Cécile McLorin Salvant. Chinen shows that contemporary jazz thrives off its interplay with genres including classical, hip-hop, R&amp;B, and rock. Jazz, now as always, is an ever-evolving polyglot genre, not a set of canonical works captured in amber. This is a great book for jazz aficionados looking to expand their knowledge of today's foremost players or for general music fans looking for a window into the diverse and exciting world of jazz. 
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 26 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nate Chinen</itunes:subtitle>
      <itunes:summary>Nate Chinen's Playing Changes: Jazz for the New Century (Vintage, 2019) is an essential guide to 21st century jazz. Named a best book of the year by NPR, GQ, Billboard, JazzTimes and many more, Chinen's book profiles many of the most exciting voices in jazz, from Kamasi Washington to Henry Threadgill to Cécile McLorin Salvant. Chinen shows that contemporary jazz thrives off its interplay with genres including classical, hip-hop, R&amp;B, and rock. Jazz, now as always, is an ever-evolving polyglot genre, not a set of canonical works captured in amber. This is a great book for jazz aficionados looking to expand their knowledge of today's foremost players or for general music fans looking for a window into the diverse and exciting world of jazz. 
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nate Chinen's <a href="https://bookshop.org/a/12343/9781101873496"><em>Playing Changes: Jazz for the New Century</em></a> (Vintage, 2019) is an essential guide to 21st century jazz. Named a best book of the year by NPR, GQ, Billboard, JazzTimes and many more, Chinen's book profiles many of the most exciting voices in jazz, from Kamasi Washington to Henry Threadgill to Cécile McLorin Salvant. Chinen shows that contemporary jazz thrives off its interplay with genres including classical, hip-hop, R&amp;B, and rock. Jazz, now as always, is an ever-evolving polyglot genre, not a set of canonical works captured in amber. This is a great book for jazz aficionados looking to expand their knowledge of today's foremost players or for general music fans looking for a window into the diverse and exciting world of jazz. </p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3620</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0ea82486-84c3-11eb-8d64-c7d952b20814]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9003310318.mp3?updated=1615726077" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Angela Firkus, "America's Early Women Celebrities: The Famous and Scorned from Martha Washington to Silent Film Star Mary Fuller" (McFarland, 2021)</title>
      <description>Hello Everyone and welcome back to New Books in History, a network on the New Books Network. I’m Jana Byars, your host, and I’m here today with Angela Firkus, Professor of History at Cottey College in Nevada, Missouri to talk about her new book, America’s Early Women Celebrities: The Famous and Scorned from Martha Washington to Silent Film Star Mary Fuller, out this year, 2021 with McFarland &amp; Company.
Well before television and the internet, there were women who sought fame, flirted with infamy, and actively engaged with their fan base. In today’s pop culture world, it can be hard to understand what the lives of these women were like. In their pre-suffrage world, women who attracted attention were considered scandalous and it was largely uncommon for women to become celebrities. Women who rose to fame in those times had to put up with societal standards for women on top of the lack of privacy and free speech.
This book provides the details and context to let us know the women who captured America’s heart in the18th and 19th centuries. Rather than looking at influential women who strictly avoided notoriety, it covers the lives of 18 celebrities like Lydia Maria Child, Sojourner Truth, and Jane Addams. The conversation covers the meaning of celebrity and how women use power.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 23 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>940</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Angela Firkus</itunes:subtitle>
      <itunes:summary>Hello Everyone and welcome back to New Books in History, a network on the New Books Network. I’m Jana Byars, your host, and I’m here today with Angela Firkus, Professor of History at Cottey College in Nevada, Missouri to talk about her new book, America’s Early Women Celebrities: The Famous and Scorned from Martha Washington to Silent Film Star Mary Fuller, out this year, 2021 with McFarland &amp; Company.
Well before television and the internet, there were women who sought fame, flirted with infamy, and actively engaged with their fan base. In today’s pop culture world, it can be hard to understand what the lives of these women were like. In their pre-suffrage world, women who attracted attention were considered scandalous and it was largely uncommon for women to become celebrities. Women who rose to fame in those times had to put up with societal standards for women on top of the lack of privacy and free speech.
This book provides the details and context to let us know the women who captured America’s heart in the18th and 19th centuries. Rather than looking at influential women who strictly avoided notoriety, it covers the lives of 18 celebrities like Lydia Maria Child, Sojourner Truth, and Jane Addams. The conversation covers the meaning of celebrity and how women use power.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hello Everyone and welcome back to New Books in History, a network on the New Books Network. I’m Jana Byars, your host, and I’m here today with <a href="https://cottey.edu/academics/meet-our-professors/angela-firkus/">Angela Firkus</a>, Professor of History at Cottey College in Nevada, Missouri to talk about her new book, <a href="https://bookshop.org/books/america-s-early-women-celebrities-the-famous-and-scorned-from-martha-washington-to-silent-film-star-mary-fuller/9781476680231"><em>America’s Early Women Celebrities: The Famous and Scorned from Martha Washington to Silent Film Star Mary Fuller</em></a>, out this year, 2021 with McFarland &amp; Company.</p><p>Well before television and the internet, there were women who sought fame, flirted with infamy, and actively engaged with their fan base. In today’s pop culture world, it can be hard to understand what the lives of these women were like. In their pre-suffrage world, women who attracted attention were considered scandalous and it was largely uncommon for women to become celebrities. Women who rose to fame in those times had to put up with societal standards for women on top of the lack of privacy and free speech.</p><p>This book provides the details and context to let us know the women who captured America’s heart in the18th and 19th centuries. Rather than looking at influential women who strictly avoided notoriety, it covers the lives of 18 celebrities like Lydia Maria Child, Sojourner Truth, and Jane Addams. The conversation covers the meaning of celebrity and how women use power.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2937</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[009c0154-836b-11eb-b504-731490c95bdc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9509629146.mp3?updated=1615578323" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas C. Hubka, "How the Working-Class Home Became Modern, 1900-1940" (U Minnesota Press, 2020)</title>
      <description>At the turn of the nineteenth century, the average American family still lived by kerosene light, ate in the kitchen, and used an outhouse. By 1940, electric lights, dining rooms, and bathrooms were the norm as the traditional working-class home was fast becoming modern—a fact largely missing from the story of domestic innovation and improvement in twentieth-century America, where such benefits seem to count primarily among the upper classes and the post–World War II denizens of suburbia. Examining the physical evidence of America’s working-class houses, Thomas C. Hubka revises our understanding of how widespread domestic improvement transformed the lives of Americans in the modern era. His work, focused on the broad central portion of the housing population, recalibrates longstanding ideas about the nature and development of the “middle class” and its new measure of improvement, “standards of living.”
In How the Working-Class Home Became Modern, 1900–1940 (University of Minnesota Press, 2020), Hubka analyzes a period when millions of average Americans saw accelerated improvement in their housing and domestic conditions. These improvements were intertwined with the acquisition of entirely new mechanical conveniences, new types of rooms and patterns of domestic life, and such innovations—from public utilities and kitchen appliances to remodeled and multi-unit housing—are at the center of the story Hubka tells. It is a narrative, amply illustrated and finely detailed, that traces changes in household hygiene, sociability, and privacy practices that launched large portions of the working classes into the middle class—and that, in Hubka’s telling, reconfigures and enriches the standard account of the domestic transformation of the American home.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 19 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas C. Hubka</itunes:subtitle>
      <itunes:summary>At the turn of the nineteenth century, the average American family still lived by kerosene light, ate in the kitchen, and used an outhouse. By 1940, electric lights, dining rooms, and bathrooms were the norm as the traditional working-class home was fast becoming modern—a fact largely missing from the story of domestic innovation and improvement in twentieth-century America, where such benefits seem to count primarily among the upper classes and the post–World War II denizens of suburbia. Examining the physical evidence of America’s working-class houses, Thomas C. Hubka revises our understanding of how widespread domestic improvement transformed the lives of Americans in the modern era. His work, focused on the broad central portion of the housing population, recalibrates longstanding ideas about the nature and development of the “middle class” and its new measure of improvement, “standards of living.”
In How the Working-Class Home Became Modern, 1900–1940 (University of Minnesota Press, 2020), Hubka analyzes a period when millions of average Americans saw accelerated improvement in their housing and domestic conditions. These improvements were intertwined with the acquisition of entirely new mechanical conveniences, new types of rooms and patterns of domestic life, and such innovations—from public utilities and kitchen appliances to remodeled and multi-unit housing—are at the center of the story Hubka tells. It is a narrative, amply illustrated and finely detailed, that traces changes in household hygiene, sociability, and privacy practices that launched large portions of the working classes into the middle class—and that, in Hubka’s telling, reconfigures and enriches the standard account of the domestic transformation of the American home.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At the turn of the nineteenth century, the average American family still lived by kerosene light, ate in the kitchen, and used an outhouse. By 1940, electric lights, dining rooms, and bathrooms were the norm as the traditional working-class home was fast becoming modern—a fact largely missing from the story of domestic innovation and improvement in twentieth-century America, where such benefits seem to count primarily among the upper classes and the post–World War II denizens of suburbia. Examining the physical evidence of America’s working-class houses, Thomas C. Hubka revises our understanding of how widespread domestic improvement transformed the lives of Americans in the modern era. His work, focused on the broad central portion of the housing population, recalibrates longstanding ideas about the nature and development of the “middle class” and its new measure of improvement, “standards of living.”</p><p>In <a href="https://bookshop.org/a/12343/9780816693016"><em>How the Working-Class Home Became Modern, 1900–1940</em></a> (University of Minnesota Press, 2020), Hubka analyzes a period when millions of average Americans saw accelerated improvement in their housing and domestic conditions. These improvements were intertwined with the acquisition of entirely new mechanical conveniences, new types of rooms and patterns of domestic life, and such innovations—from public utilities and kitchen appliances to remodeled and multi-unit housing—are at the center of the story Hubka tells. It is a narrative, amply illustrated and finely detailed, that traces changes in household hygiene, sociability, and privacy practices that launched large portions of the working classes into the middle class—and that, in Hubka’s telling, reconfigures and enriches the standard account of the domestic transformation of the American home.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2242</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dbe1aece-7eae-11eb-94c9-172ed1577e01]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8270406282.mp3?updated=1615057702" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steven Blush, "Bustin' Balls: World Team Tennis 1974-1978, Pro Sports, Pop Culture and Progressive Politics" (Feral Press, 2020)</title>
      <description>Steven Blush's new book Bustin' Balls (Feral Press, 2020) tells the strange but true story of World Team Tennis (1974-1978) that attempted to transform the prim and proper individual sport of tennis into a rowdy blue-collar league. Billie Jean King and her partners merged feminism and civil rights with queer lifestyle, pop culture, and a progressive political agenda to create a dazzling platform for the finest tennis players of the day to become overnight stars. Filled with rare photographs and images of WTT ephemera, this book recounts King's vision of a competitive tennis league with mixed-sex teams and looser rules that encouraged fast and aggressive play propelled tennis into a television fixture and the players into household names.
Bustin' Balls presents in-depth stories and history of the WTT and tennis in the 1970s, including Evonne Goolagong who fought racism throughout her life as the first indigenous woman to win at Wimbledon and a member of the Pittsburgh Triangles. Chris Evert of the Los Angeles Strings became America’s sweetheart. Billie Jean King played for the Philadelphia Freedoms at the height of Bicentennial fervor and was feted by Elton John in the song, “Philadelphia Freedom.” While tabloids followed the nightlife exploits and made pin-ups of Ilie Nastase, Jimmy Connors, and Vitas Gerulitis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 18 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Blush</itunes:subtitle>
      <itunes:summary>Steven Blush's new book Bustin' Balls (Feral Press, 2020) tells the strange but true story of World Team Tennis (1974-1978) that attempted to transform the prim and proper individual sport of tennis into a rowdy blue-collar league. Billie Jean King and her partners merged feminism and civil rights with queer lifestyle, pop culture, and a progressive political agenda to create a dazzling platform for the finest tennis players of the day to become overnight stars. Filled with rare photographs and images of WTT ephemera, this book recounts King's vision of a competitive tennis league with mixed-sex teams and looser rules that encouraged fast and aggressive play propelled tennis into a television fixture and the players into household names.
Bustin' Balls presents in-depth stories and history of the WTT and tennis in the 1970s, including Evonne Goolagong who fought racism throughout her life as the first indigenous woman to win at Wimbledon and a member of the Pittsburgh Triangles. Chris Evert of the Los Angeles Strings became America’s sweetheart. Billie Jean King played for the Philadelphia Freedoms at the height of Bicentennial fervor and was feted by Elton John in the song, “Philadelphia Freedom.” While tabloids followed the nightlife exploits and made pin-ups of Ilie Nastase, Jimmy Connors, and Vitas Gerulitis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://stevenblush.com/">Steven Blush</a>'s new book <a href="https://bookshop.org/a/12343/9781627310994"><em>Bustin' Balls</em></a><em> </em>(Feral Press, 2020) tells the strange but true story of World Team Tennis (1974-1978) that attempted to transform the prim and proper individual sport of tennis into a rowdy blue-collar league. Billie Jean King and her partners merged feminism and civil rights with queer lifestyle, pop culture, and a progressive political agenda to create a dazzling platform for the finest tennis players of the day to become overnight stars. Filled with rare photographs and images of WTT ephemera, this book recounts King's vision of a competitive tennis league with mixed-sex teams and looser rules that encouraged fast and aggressive play propelled tennis into a television fixture and the players into household names.</p><p><em>Bustin' Balls</em> presents in-depth stories and history of the WTT and tennis in the 1970s, including Evonne Goolagong who fought racism throughout her life as the first indigenous woman to win at Wimbledon and a member of the Pittsburgh Triangles. Chris Evert of the Los Angeles Strings became America’s sweetheart. Billie Jean King played for the Philadelphia Freedoms at the height of Bicentennial fervor and was feted by Elton John in the song, “Philadelphia Freedom.” While tabloids followed the nightlife exploits and made pin-ups of Ilie Nastase, Jimmy Connors, and Vitas Gerulitis.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3234</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3bfc31ba-7e9d-11eb-9cf2-fbe95aa76946]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7956782405.mp3?updated=1615052401" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karen Jones, "Calamity: The Many Lives of Calamity Jane" (Yale UP, 2020)</title>
      <description>Calamity Jane is an enigma of Western history. Clad in men’s clothing, she rode across the American West in the latter half of the 19th century, making a name for herself as a military scout, a hard drinker, dime-novel mainstay, and performer. Even after her death, Martha Jane Canary has proven immortal in Hollywood portrayals and, most recently, in an Emmy Award nominated performance by Robin Weigert in HBO’s series Deadwood (2004-2006, 20189. 
Hidden beyond over a century of mythos, the real Calamity Jane can be hard to discern. In Calamity: The Many Lives of Calamity Jane (Yale UP, 2020), Dr. Karen Jones embraces the paradoxes and inconsistencies in Canary’s life story. Dr. Jones, professor of environmental and cultural history at the University of Kent, uses cultural and gender analysis to uncover the meanings of Calamity Jane as a character of the Wild West mythology – rather than playing the role of “truth detective,” Jones instead analyzes Jane’s many stories to uncover deeper meanings behind the stories about her life. In the case of Calamity Jane, it’s often the fiction that’s more revealing than truth.
 Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 08 Mar 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karen Jones</itunes:subtitle>
      <itunes:summary>Calamity Jane is an enigma of Western history. Clad in men’s clothing, she rode across the American West in the latter half of the 19th century, making a name for herself as a military scout, a hard drinker, dime-novel mainstay, and performer. Even after her death, Martha Jane Canary has proven immortal in Hollywood portrayals and, most recently, in an Emmy Award nominated performance by Robin Weigert in HBO’s series Deadwood (2004-2006, 20189. 
Hidden beyond over a century of mythos, the real Calamity Jane can be hard to discern. In Calamity: The Many Lives of Calamity Jane (Yale UP, 2020), Dr. Karen Jones embraces the paradoxes and inconsistencies in Canary’s life story. Dr. Jones, professor of environmental and cultural history at the University of Kent, uses cultural and gender analysis to uncover the meanings of Calamity Jane as a character of the Wild West mythology – rather than playing the role of “truth detective,” Jones instead analyzes Jane’s many stories to uncover deeper meanings behind the stories about her life. In the case of Calamity Jane, it’s often the fiction that’s more revealing than truth.
 Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Calamity Jane is an enigma of Western history. Clad in men’s clothing, she rode across the American West in the latter half of the 19th century, making a name for herself as a military scout, a hard drinker, dime-novel mainstay, and performer. Even after her death, Martha Jane Canary has proven immortal in Hollywood portrayals and, most recently, in an Emmy Award nominated performance by Robin Weigert in HBO’s series <em>Deadwood</em> (2004-2006, 20189. </p><p>Hidden beyond over a century of mythos, the real Calamity Jane can be hard to discern. In <a href="https://bookshop.org/a/12343/9780300212808"><em>Calamity: The Many Lives of Calamity Jane</em></a><em> </em>(Yale UP, 2020), Dr. <a href="https://www.kent.ac.uk/history/people/400/jones-karen">Karen Jones</a> embraces the paradoxes and inconsistencies in Canary’s life story. Dr. Jones, professor of environmental and cultural history at the University of Kent, uses cultural and gender analysis to uncover the meanings of Calamity Jane as a character of the Wild West mythology – rather than playing the role of “truth detective,” Jones instead analyzes Jane’s many stories to uncover deeper meanings behind the stories about her life. In the case of Calamity Jane, it’s often the fiction that’s more revealing than truth.</p><p><em> Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3645</itunes:duration>
      <guid isPermaLink="false"><![CDATA[40799a5c-7f2e-11eb-a59c-fb3813e53388]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1672006633.mp3?updated=1615071306" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Evan Friss, "The Cycling City: Bicycles and Urban America in the 1890s" (U Chicago Press, 2015)</title>
      <description>Today on New Books in History, Dr. Evan Friss, associate professor of history at James Madison University in Harrisonburg, Virginia in the US to talk about The Cycling City: Bicycles and Urban America in the 1890s (University of Chicago Press, 2015). This book was originally released in 2015 by the University of Chicago press and we are chatting on the occasion of its paperback release in January.
Cycling has experienced a renaissance in the United States, as cities around the country promote the bicycle as an alternative means of transportation. In the process, debates about the nature of bicycles—where they belong, how they should be ridden, how cities should or should not accommodate them—have played out in the media, on city streets, and in city halls. Very few people recognize, however, that these questions are more than a century old.
The Cycling City is a sharp history of the bicycle’s rise and fall in the late nineteenth century. In the 1890s, American cities were home to more cyclists, more cycling infrastructure, more bicycle friendly legislation, and a richer cycling culture than anywhere else in the world. Evan Friss unearths the hidden history of the cycling city, demonstrating that diverse groups of cyclists managed to remap cities with new roads, paths, and laws, challenge social conventions, and even dream up a new urban ideal inspired by the bicycle. When cities were chaotic and filthy, bicycle advocates imagined an improved landscape in which pollution was negligible, transportation was silent and rapid, leisure spaces were democratic, and the divisions between city and country were blurred. Friss argues that when the utopian vision of a cycling city faded by the turn of the century, its death paved the way for today’s car-centric cities—and ended the prospect of a true American cycling city ever being built.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>923</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Evan Friss</itunes:subtitle>
      <itunes:summary>Today on New Books in History, Dr. Evan Friss, associate professor of history at James Madison University in Harrisonburg, Virginia in the US to talk about The Cycling City: Bicycles and Urban America in the 1890s (University of Chicago Press, 2015). This book was originally released in 2015 by the University of Chicago press and we are chatting on the occasion of its paperback release in January.
Cycling has experienced a renaissance in the United States, as cities around the country promote the bicycle as an alternative means of transportation. In the process, debates about the nature of bicycles—where they belong, how they should be ridden, how cities should or should not accommodate them—have played out in the media, on city streets, and in city halls. Very few people recognize, however, that these questions are more than a century old.
The Cycling City is a sharp history of the bicycle’s rise and fall in the late nineteenth century. In the 1890s, American cities were home to more cyclists, more cycling infrastructure, more bicycle friendly legislation, and a richer cycling culture than anywhere else in the world. Evan Friss unearths the hidden history of the cycling city, demonstrating that diverse groups of cyclists managed to remap cities with new roads, paths, and laws, challenge social conventions, and even dream up a new urban ideal inspired by the bicycle. When cities were chaotic and filthy, bicycle advocates imagined an improved landscape in which pollution was negligible, transportation was silent and rapid, leisure spaces were democratic, and the divisions between city and country were blurred. Friss argues that when the utopian vision of a cycling city faded by the turn of the century, its death paved the way for today’s car-centric cities—and ended the prospect of a true American cycling city ever being built.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today on New Books in History, <a href="https://www.jmu.edu/history/people/all-people/friss-evan.shtml">Dr. Evan Friss</a>, associate professor of history at James Madison University in Harrisonburg, Virginia in the US to talk about <a href="https://bookshop.org/a/12343/9780226758800"><em>The Cycling City: Bicycles and Urban America in the 1890s</em></a> (University of Chicago Press, 2015). This book was originally released in 2015 by the University of Chicago press and we are chatting on the occasion of its paperback release in January.</p><p>Cycling has experienced a renaissance in the United States, as cities around the country promote the bicycle as an alternative means of transportation. In the process, debates about the nature of bicycles—where they belong, how they should be ridden, how cities should or should not accommodate them—have played out in the media, on city streets, and in city halls. Very few people recognize, however, that these questions are more than a century old.</p><p><em>The Cycling City</em> is a sharp history of the bicycle’s rise and fall in the late nineteenth century. In the 1890s, American cities were home to more cyclists, more cycling infrastructure, more bicycle friendly legislation, and a richer cycling culture than anywhere else in the world. Evan Friss unearths the hidden history of the cycling city, demonstrating that diverse groups of cyclists managed to remap cities with new roads, paths, and laws, challenge social conventions, and even dream up a new urban ideal inspired by the bicycle. When cities were chaotic and filthy, bicycle advocates imagined an improved landscape in which pollution was negligible, transportation was silent and rapid, leisure spaces were democratic, and the divisions between city and country were blurred. Friss argues that when the utopian vision of a cycling city faded by the turn of the century, its death paved the way for today’s car-centric cities—and ended the prospect of a true American cycling city ever being built.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3411</itunes:duration>
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      <title>Ethan Pollock, "Without the Banya We Would Perish" (Oxford UP, 2019)</title>
      <description>Blog Post:
In Without the Banya We Would Perish: A History of the Russian Bathhouse (Oxford University Press, 2019), Dr. Ethan Pollock discusses one of life’s basic questions—How do people get clean?—in a way that embeds those everyday practices into a sophisticated historical context. 
From legends about medieval Kievan rulers, to everyday Russians in the Soviet era, the banya has been a consistent part of everyday life. While its existence has been continuous, the meanings assigned to the banya have been at once diffuse, contradictory, and reflective of prevailing cultural and political trends and questions. Dr. Pollock’s book addresses these themes and more, in this fascinating historical survey.
Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 04 Mar 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ethan Pollock</itunes:subtitle>
      <itunes:summary>Blog Post:
In Without the Banya We Would Perish: A History of the Russian Bathhouse (Oxford University Press, 2019), Dr. Ethan Pollock discusses one of life’s basic questions—How do people get clean?—in a way that embeds those everyday practices into a sophisticated historical context. 
From legends about medieval Kievan rulers, to everyday Russians in the Soviet era, the banya has been a consistent part of everyday life. While its existence has been continuous, the meanings assigned to the banya have been at once diffuse, contradictory, and reflective of prevailing cultural and political trends and questions. Dr. Pollock’s book addresses these themes and more, in this fascinating historical survey.
Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Blog Post</strong>:</p><p>In <a href="https://bookshop.org/a/12343/9780195395488"><em>Without the Banya We Would Perish: A History of the Russian Bathhouse</em></a> (Oxford University Press, 2019), Dr. <a href="https://www.brown.edu/academics/history/people/ethan-m-pollock">Ethan Pollock</a> discusses one of life’s basic questions—How do people get clean?—in a way that embeds those everyday practices into a sophisticated historical context. </p><p>From legends about medieval Kievan rulers, to everyday Russians in the Soviet era, the banya has been a consistent part of everyday life. While its existence has been continuous, the meanings assigned to the banya have been at once diffuse, contradictory, and reflective of prevailing cultural and political trends and questions. Dr. Pollock’s book addresses these themes and more, in this fascinating historical survey.</p><p><em>Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4115</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Evan Rapport, "Damaged: Musicality and Race in Early American Punk" (UP of Mississippi, 2020)</title>
      <description>Damaged: Musicality and Race in Early American Punk (University Press of Mississippi, 2020) is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. 
Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 01 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>87</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Evan Rapport</itunes:subtitle>
      <itunes:summary>Damaged: Musicality and Race in Early American Punk (University Press of Mississippi, 2020) is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. 
Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781496831224"><em>Damaged: Musicality and Race in Early American Punk</em></a><em> </em>(University Press of Mississippi, 2020) is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, <em>Damaged </em>provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.</p><p><a href="https://twitter.com/profrapps?lang=en">Evan Rapport</a> outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. </p><p>Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4127</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN7502140059.mp3?updated=1613033321" length="0" type="audio/mpeg"/>
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    <item>
      <title>Stephanie Russo, "The Afterlife of Anne Boleyn: Representations of Anne Boleyn in Fiction and on the Screen" (Palgrave Macmillan, 2020)</title>
      <description>In the centuries since her execution in 1536, Anne Boleyn’s presence in Western culture has grown to extraordinary proportions. In The Afterlife of Anne Boleyn: Representations of Anne Boleyn in Fiction and on the Screen (Palgrave Macmillan), Stephanie Russo describes the various ways in which her life has been interpreted and how these interpretations reflect the interests and developments of their respective eras. This process began with her contemporaries, who began memorializing her even before her death. That she was the subject of so much of their attention reflected in no small measure her prominent role in England’s adoption of Protestantism, which exerted a predominant influence in how she was interpreted for over a century and a half. As the controversies in England over religion ebbed in the 18th century the focus became more exclusively upon Anne as a person, as her activities and her relationships proved an enduring source of material for both novelists and playwrights. Russo shows how this interest as only grown over time, with Anne Boleyn’s life today serving as subject matter for everything from postfeminist novels to salacious cable television series – all of which help perpetuate our interest about this enigmatic and elusive figure.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 01 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the centuries since her execution in 1536, Anne Boleyn’s presence in Western culture has grown to extraordinary proportions. In The Afterlife of Anne Boleyn: Representations of Anne Boleyn in Fiction and on the Screen (Palgrave Macmillan), Stephanie Russo describes the various ways in which her life has been interpreted and how these interpretations reflect the interests and developments of their respective eras. This process began with her contemporaries, who began memorializing her even before her death. That she was the subject of so much of their attention reflected in no small measure her prominent role in England’s adoption of Protestantism, which exerted a predominant influence in how she was interpreted for over a century and a half. As the controversies in England over religion ebbed in the 18th century the focus became more exclusively upon Anne as a person, as her activities and her relationships proved an enduring source of material for both novelists and playwrights. Russo shows how this interest as only grown over time, with Anne Boleyn’s life today serving as subject matter for everything from postfeminist novels to salacious cable television series – all of which help perpetuate our interest about this enigmatic and elusive figure.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the centuries since her execution in 1536, Anne Boleyn’s presence in Western culture has grown to extraordinary proportions. In <a href="https://bookshop.org/a/12343/9783030586126"><em>The Afterlife of Anne Boleyn: Representations of Anne Boleyn in Fiction and on the Screen</em></a> (Palgrave Macmillan), Stephanie Russo describes the various ways in which her life has been interpreted and how these interpretations reflect the interests and developments of their respective eras. This process began with her contemporaries, who began memorializing her even before her death. That she was the subject of so much of their attention reflected in no small measure her prominent role in England’s adoption of Protestantism, which exerted a predominant influence in how she was interpreted for over a century and a half. As the controversies in England over religion ebbed in the 18th century the focus became more exclusively upon Anne as a person, as her activities and her relationships proved an enduring source of material for both novelists and playwrights. Russo shows how this interest as only grown over time, with Anne Boleyn’s life today serving as subject matter for everything from postfeminist novels to salacious cable television series – all of which help perpetuate our interest about this enigmatic and elusive figure.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3002</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b45af4c-7911-11eb-a66c-9f527694cdb8]]></guid>
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    <item>
      <title>Enrico Bonadio, "Protecting Art in the Street: A Guide to Copyright in Street Art and Graffiti" (Dokument Forlag, 2020)</title>
      <description>There has recently been a sharp increase in cases where corporations have been sued by street and graffiti artists because their artworks had been used and exploited without the artists’ authorization, for example in advertising campaigns, as backdrops in promotional videos, or as decorating elements of products. This trend shows and confirms that these forms of art are vulnerable. They are actually more exposed to unauthorized exploitation (and destruction as well) than works of fine art, because they are placed in the public eye.
Protecting Art in the Street: A Guide to Copyright in Street Art and Graffiti (Dokument Forlag, 2020) explains, with words and images, how copyright laws apply to street art and graffiti, and how they can be of help to creators within these artistic communities. Knowledge about these issues does matter. There has recently been a spike in legal actions or complaints against corporations and individuals that have tried to exploit commercially street artworks without the artists’ consent; and more importantly without sharing with them any profit. Also, legal actions have been brought by street artists to fight the destruction of their pieces.
By adopting a simple language, Protecting Art in the Street constitutes an easy-to-understand guide aimed at navigating street artists and graffiti writers through otherwise difficult and intricate legal issues concerning the protection of their artistic outputs.
Nick Pozek is Assistant Director at the Parker School of Foreign &amp; Comparative Law at Columbia University
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Enrico Bonadio</itunes:subtitle>
      <itunes:summary>There has recently been a sharp increase in cases where corporations have been sued by street and graffiti artists because their artworks had been used and exploited without the artists’ authorization, for example in advertising campaigns, as backdrops in promotional videos, or as decorating elements of products. This trend shows and confirms that these forms of art are vulnerable. They are actually more exposed to unauthorized exploitation (and destruction as well) than works of fine art, because they are placed in the public eye.
Protecting Art in the Street: A Guide to Copyright in Street Art and Graffiti (Dokument Forlag, 2020) explains, with words and images, how copyright laws apply to street art and graffiti, and how they can be of help to creators within these artistic communities. Knowledge about these issues does matter. There has recently been a spike in legal actions or complaints against corporations and individuals that have tried to exploit commercially street artworks without the artists’ consent; and more importantly without sharing with them any profit. Also, legal actions have been brought by street artists to fight the destruction of their pieces.
By adopting a simple language, Protecting Art in the Street constitutes an easy-to-understand guide aimed at navigating street artists and graffiti writers through otherwise difficult and intricate legal issues concerning the protection of their artistic outputs.
Nick Pozek is Assistant Director at the Parker School of Foreign &amp; Comparative Law at Columbia University
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There has recently been a sharp increase in cases where corporations have been sued by street and graffiti artists because their artworks had been used and exploited without the artists’ authorization, for example in advertising campaigns, as backdrops in promotional videos, or as decorating elements of products. This trend shows and confirms that these forms of art are vulnerable. They are actually more exposed to unauthorized exploitation (and destruction as well) than works of fine art, because they are placed in the public eye.</p><p><a href="https://bookshop.org/a/12343/9789188369352"><em>Protecting Art in the Street: A Guide to Copyright in Street Art and Graffiti</em></a> (Dokument Forlag, 2020) explains, with words and images, how copyright laws apply to street art and graffiti, and how they can be of help to creators within these artistic communities. Knowledge about these issues does matter. There has recently been a spike in legal actions or complaints against corporations and individuals that have tried to exploit commercially street artworks without the artists’ consent; and more importantly without sharing with them any profit. Also, legal actions have been brought by street artists to fight the destruction of their pieces.</p><p>By adopting a simple language, <em>Protecting Art in the Street</em> constitutes an easy-to-understand guide aimed at navigating street artists and graffiti writers through otherwise difficult and intricate legal issues concerning the protection of their artistic outputs.</p><p><a href="http://www.nickpozek.com/"><em>Nick Pozek</em></a><em> is Assistant Director at the Parker School of Foreign &amp; Comparative Law at Columbia University</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2516</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Candacy Taylor, "Overground Railroad: The Green Book and the Roots of Black Travel in America" (Abrams Press, 2020)</title>
      <description>Today I talked to Candacy Taylor about her book Overground Railroad: The Green Book and the Roots of Black Travel in America (Abrams Press, 2020).
Taylor is an award-winning author, photographer and cultural documentarian. She’s been a fellow at Harvard University under the direction of Henry Louis Gates Jr. and her projects have been funded by organizations ranging from National Geographic to The National Endowment for the Humanities. Her work has received extensive media coverage in places like the PBS Newshour and The New Yorker.
This episode covers the African-American travel guidebook made famous by the Academy-award-winning movie Green Book. Taylor’s book more accurately and completely covers the more than 10,000 former black- and white-owned businesses establishments that served black travelers during the era from 1936-1967, when editions of the guidebook helped black motorists find gas stations, restaurants and lodging that catered to them in segregated America. The episode also addresses the reasons why 75% of those sites are now gone, falling victim to everything from urban renewal and redlining to soaring incarceration rates that have devasted black communities across America.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Candacy Taylor</itunes:subtitle>
      <itunes:summary>Today I talked to Candacy Taylor about her book Overground Railroad: The Green Book and the Roots of Black Travel in America (Abrams Press, 2020).
Taylor is an award-winning author, photographer and cultural documentarian. She’s been a fellow at Harvard University under the direction of Henry Louis Gates Jr. and her projects have been funded by organizations ranging from National Geographic to The National Endowment for the Humanities. Her work has received extensive media coverage in places like the PBS Newshour and The New Yorker.
This episode covers the African-American travel guidebook made famous by the Academy-award-winning movie Green Book. Taylor’s book more accurately and completely covers the more than 10,000 former black- and white-owned businesses establishments that served black travelers during the era from 1936-1967, when editions of the guidebook helped black motorists find gas stations, restaurants and lodging that catered to them in segregated America. The episode also addresses the reasons why 75% of those sites are now gone, falling victim to everything from urban renewal and redlining to soaring incarceration rates that have devasted black communities across America.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Candacy Taylor about her book <a href="https://bookshop.org/a/12343/9781419738173"><em>Overground Railroad: The Green Book and the Roots of Black Travel in America</em></a> (Abrams Press, 2020).</p><p>Taylor is an award-winning author, photographer and cultural documentarian. She’s been a fellow at Harvard University under the direction of Henry Louis Gates Jr. and her projects have been funded by organizations ranging from <em>National Geographic</em> to The National Endowment for the Humanities. Her work has received extensive media coverage in places like the <em>PBS Newshour</em> and <em>The New Yorker</em>.</p><p>This episode covers the African-American travel guidebook made famous by the Academy-award-winning movie <em>Green Book</em>. Taylor’s book more accurately and completely covers the more than 10,000 former black- and white-owned businesses establishments that served black travelers during the era from 1936-1967, when editions of the guidebook helped black motorists find gas stations, restaurants and lodging that catered to them in segregated America. The episode also addresses the reasons why 75% of those sites are now gone, falling victim to everything from urban renewal and redlining to soaring incarceration rates that have devasted black communities across America.</p><p>Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (<a href="https://www.sensorylogic.com/">https://www.sensorylogic.com</a>). To check out his related “Dan Hill’s EQ Spotlight” blog, visit <a href="https://emotionswizard.com/">https://emotionswizard.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2239</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[41409f12-7763-11eb-99e2-dbcdf7e5a5d8]]></guid>
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    </item>
    <item>
      <title>Robert L. Stone, "Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community" (U of Mississippi Press, 2020)</title>
      <description>Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars.
In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation.
In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 23 Feb 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert L. Stone</itunes:subtitle>
      <itunes:summary>Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars.
In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation.
In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Folklorist <a href="https://dos.myflorida.com/historical/preservation/florida-folklife-program/florida-folklife-40th-anniversary/the-people-that-got-us-here/robert-stone/">Robert L. Stone</a> presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in <a href="https://bookshop.org/a/12343/9781496831507"><em>Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community</em></a><em> </em>(University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars.</p><p>In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation.</p><p>In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3681</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN1043394241.mp3?updated=1613034771" length="0" type="audio/mpeg"/>
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    <item>
      <title>Paola Bonifazio, "The Photoromance: A Feminist Reading of Popular Culture" (MIT Press, 2020)</title>
      <description>Paola Bonifazio’s The Photoromance. A Feminist Reading of Popular Culture (MIT Press, 2020) is the first feminist reading of photoromances that examines both its industry and its fandom, arguing for their relevance as transmedia narratives in a transnational market. The photoromance, a form of graphic storytelling that uses photographs instead of drawings, reached a readership of millions in the 1960s. Despite its popularity, the photoromance was—and still is—widely scorned as a medium, and its largely female audience derided as naïve, pathetic, and uneducated. Bonifazio reframes and problematizes the “natural” association between this genre and the female readers, claiming that the photoromance is relevant to both feminism and media culture. She investigates how female readers powered the Italian photoromance’s industry success and discusses the photoromance as the precursor of the phenomenon of convergence culture—as in the case of Senso, a photoromance inspired by director Luchino Visconti’s Senso.
Nicoletta Marini Maio is professor of Italian and Film Studies at Dickinson College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 19 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paola Bonifazio</itunes:subtitle>
      <itunes:summary>Paola Bonifazio’s The Photoromance. A Feminist Reading of Popular Culture (MIT Press, 2020) is the first feminist reading of photoromances that examines both its industry and its fandom, arguing for their relevance as transmedia narratives in a transnational market. The photoromance, a form of graphic storytelling that uses photographs instead of drawings, reached a readership of millions in the 1960s. Despite its popularity, the photoromance was—and still is—widely scorned as a medium, and its largely female audience derided as naïve, pathetic, and uneducated. Bonifazio reframes and problematizes the “natural” association between this genre and the female readers, claiming that the photoromance is relevant to both feminism and media culture. She investigates how female readers powered the Italian photoromance’s industry success and discusses the photoromance as the precursor of the phenomenon of convergence culture—as in the case of Senso, a photoromance inspired by director Luchino Visconti’s Senso.
Nicoletta Marini Maio is professor of Italian and Film Studies at Dickinson College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Paola Bonifazio’s <a href="https://bookshop.org/a/12343/9780262539289"><em>The Photoromance. A Feminist Reading of Popular Culture</em></a> (MIT Press, 2020) is the first feminist reading of photoromances that examines both its industry and its fandom, arguing for their relevance as transmedia narratives in a transnational market. The photoromance, a form of graphic storytelling that uses photographs instead of drawings, reached a readership of millions in the 1960s. Despite its popularity, the photoromance was—and still is—widely scorned as a medium, and its largely female audience derided as naïve, pathetic, and uneducated. Bonifazio reframes and problematizes the “natural” association between this genre and the female readers, claiming that the photoromance is relevant to both feminism and media culture. She investigates how female readers powered the Italian photoromance’s industry success and discusses the photoromance as the precursor of the phenomenon of convergence culture—as in the case of <em>Senso</em>, a photoromance inspired by director Luchino Visconti’s <em>Senso</em>.</p><p><a href="https://www.dickinson.edu/site/custom_scripts/dc_faculty_profile_index.php?fac=marinin"><em>Nicoletta Marini Maio</em></a><em> is professor of Italian and Film Studies at Dickinson College.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3577</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[17a2c0e4-6a21-11eb-a231-c77e03225c0f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4483978503.mp3?updated=1612797751" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily Willingham, "Phallacy: Life Lessons from the Animal Penis" (Avery, 2020)</title>
      <description>The fallacy sold to many of us is that the penis signals dominance and power. But this wry and penetrating book reveals that in fact nature did not shape the penis–or the human attached to it–to have the upper…hand.
Phallacy looks closely at some of nature’s more remarkable examples of penises and the many lessons to learn from them. In tracing how we ended up positioning our nondescript penis as a pulsing, awe-inspiring shaft of all masculinity and human dominance, Phallacy also shows what can we do to put that penis back where it belongs.
Emphasizing our human capacities for impulse control, Phallacy ultimately challenges the toxic message that the penis makes the man and the man can’t control himself. With instructive illustrations of unusual genitalia and tales of animal mating rituals that will make you particularly happy you are not a bedbug, Phallacy shows where humans fit on the continuum from fun to fatal phalli and why the human penis is an implement for intimacy, not intimidation.
Emily Anthes is a science journalist and author. Her books include Frankenstein’s Cat: Cuddling Up to Biotech’s Brave New Beasts and The Great Indoors: The Surprising Science of How Buildings Shape Our Behavior, Health, and Happiness. Read more about her work at emilyanthes.com or follow her on Twitter at @emilyanthes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 17 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily Willingham</itunes:subtitle>
      <itunes:summary>The fallacy sold to many of us is that the penis signals dominance and power. But this wry and penetrating book reveals that in fact nature did not shape the penis–or the human attached to it–to have the upper…hand.
Phallacy looks closely at some of nature’s more remarkable examples of penises and the many lessons to learn from them. In tracing how we ended up positioning our nondescript penis as a pulsing, awe-inspiring shaft of all masculinity and human dominance, Phallacy also shows what can we do to put that penis back where it belongs.
Emphasizing our human capacities for impulse control, Phallacy ultimately challenges the toxic message that the penis makes the man and the man can’t control himself. With instructive illustrations of unusual genitalia and tales of animal mating rituals that will make you particularly happy you are not a bedbug, Phallacy shows where humans fit on the continuum from fun to fatal phalli and why the human penis is an implement for intimacy, not intimidation.
Emily Anthes is a science journalist and author. Her books include Frankenstein’s Cat: Cuddling Up to Biotech’s Brave New Beasts and The Great Indoors: The Surprising Science of How Buildings Shape Our Behavior, Health, and Happiness. Read more about her work at emilyanthes.com or follow her on Twitter at @emilyanthes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The fallacy sold to many of us is that the penis signals dominance and power. But this wry and penetrating book reveals that in fact nature did not shape the penis–or the human attached to it–to have the upper…hand.</p><p><em>Phallacy</em> looks closely at some of nature’s more remarkable examples of penises and the many lessons to learn from them. In tracing how we ended up positioning our nondescript penis as a pulsing, awe-inspiring shaft of all masculinity and human dominance, <em>Phallacy</em> also shows what can we do to put that penis back where it belongs.</p><p>Emphasizing our human capacities for impulse control, <em>Phallacy</em> ultimately challenges the toxic message that the penis makes the man and the man can’t control himself. With instructive illustrations of unusual genitalia and tales of animal mating rituals that will make you particularly happy you are not a bedbug, <em>Phallacy</em> shows where humans fit on the continuum from fun to fatal phalli and why the human penis is an implement for intimacy, not intimidation.</p><p><em>Emily Anthes is a science journalist and author. Her books include </em><a href="https://bookshop.org/books/frankenstein-s-cat-cuddling-up-to-biotech-s-brave-new-beasts/9780374534240"><em>Frankenstein’s Cat: Cuddling Up to Biotech’s Brave New Beasts</em></a><em> and </em><a href="https://bookshop.org/books/the-great-indoors-the-surprising-science-of-how-buildings-shape-our-behavior-health-and-happiness/9780374166632"><em>The Great Indoors: The Surprising Science of How Buildings Shape Our Behavior, Health, and Happiness</em></a><em>. Read more about her work at </em><a href="http://emilyanthes.com/"><em>emilyanthes.com</em></a><em> or follow her on Twitter at </em><a href="https://twitter.com/EmilyAnthes"><em>@emilyanthes</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2572</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/NBN7792167737.mp3?updated=1612724083" length="0" type="audio/mpeg"/>
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    <item>
      <title>Meenakshi Gigi Durham, "MeToo: How Rape Culture in the Media Impacts Us All" (Polity, 2021)</title>
      <description>We are joined today by Meenakshi Gigi Durham, Professor in the School of Journalism and Mass Communication at the University of Iowa in the writers’ heaven that is Iowa City, Iowa. She also holds a joint appointment in the Department of Gender, Women’s Studies, and Sexuality Studies at Iowa. She is here today to talk to us about her upcoming book: Me Too: The Impact of Rape Culture in the Media (Polity Press, 2021).
Professor Durham is the author of the quite famous The Lolita Effect: The Media Sexualization of Young Girls and What We Can Do About It (Overlook Press, 2008) and Technosex: Precarious Corporealities, Mediated Sexualities, and the Ethics of Embodied Technics (Palgrave 2016) – both of which address modern, mass media explorations of the sexuality and gender.
In the wake of the MeToo movement, revelations of sexual assault and harassment continue to disrupt sexual politics across the globe. Reports of recurrent and widespread misconduct - in workplaces from doctors' offices to factory floors - are precipitating firings, legal actions, street protests, and policy punditry. Meenakshi Gigi Durham situates media culture as a place in which these broader social struggles are enacted and reproduced. The media figures whose depravity sparked the #MeToo movement are symbolic markers of the complexities of sexual desire and consent. Pop culture sparks controversies about rape culture; social media users have launched feminist resistance that turned to real-world activism; investigative journalists have broken stories of assault, offering a platform for survivors to speak truth to patriarchal power. Arguing that the media are a linchpin in these events, Durham provides a feminist account of the interrelated contexts of media production, representation, and reception. She situates media as the key site where the establishment of sexuality and social relations takes place and traces the media's powerful role in both reifying and challenging rape culture.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 15 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>156</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Meenakshi Gigi Durham</itunes:subtitle>
      <itunes:summary>We are joined today by Meenakshi Gigi Durham, Professor in the School of Journalism and Mass Communication at the University of Iowa in the writers’ heaven that is Iowa City, Iowa. She also holds a joint appointment in the Department of Gender, Women’s Studies, and Sexuality Studies at Iowa. She is here today to talk to us about her upcoming book: Me Too: The Impact of Rape Culture in the Media (Polity Press, 2021).
Professor Durham is the author of the quite famous The Lolita Effect: The Media Sexualization of Young Girls and What We Can Do About It (Overlook Press, 2008) and Technosex: Precarious Corporealities, Mediated Sexualities, and the Ethics of Embodied Technics (Palgrave 2016) – both of which address modern, mass media explorations of the sexuality and gender.
In the wake of the MeToo movement, revelations of sexual assault and harassment continue to disrupt sexual politics across the globe. Reports of recurrent and widespread misconduct - in workplaces from doctors' offices to factory floors - are precipitating firings, legal actions, street protests, and policy punditry. Meenakshi Gigi Durham situates media culture as a place in which these broader social struggles are enacted and reproduced. The media figures whose depravity sparked the #MeToo movement are symbolic markers of the complexities of sexual desire and consent. Pop culture sparks controversies about rape culture; social media users have launched feminist resistance that turned to real-world activism; investigative journalists have broken stories of assault, offering a platform for survivors to speak truth to patriarchal power. Arguing that the media are a linchpin in these events, Durham provides a feminist account of the interrelated contexts of media production, representation, and reception. She situates media as the key site where the establishment of sexuality and social relations takes place and traces the media's powerful role in both reifying and challenging rape culture.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are joined today by <a href="https://clas.uiowa.edu/sjmc/people/meenakshi-gigi-durham">Meenakshi Gigi Durham</a>, Professor in the School of Journalism and Mass Communication at the University of Iowa in the writers’ heaven that is Iowa City, Iowa. She also holds a joint appointment in the Department of Gender, Women’s Studies, and Sexuality Studies at Iowa. She is here today to talk to us about her upcoming book: <a href="https://bookshop.org/books/metoo-how-rape-culture-in-the-media-impacts-us-all-9781509535200/9781509535194"><em>Me Too: The Impact of Rape Culture in the Media</em></a> (Polity Press, 2021).</p><p>Professor Durham is the author of the quite famous <em>The Lolita Effect: The Media Sexualization of Young Girls and What We Can Do About It </em>(Overlook Press, 2008) and <em>Technosex: Precarious Corporealities, Mediated Sexualities, and the Ethics of Embodied Technics </em>(Palgrave 2016) – both of which address modern, mass media explorations of the sexuality and gender.</p><p>In the wake of the MeToo movement, revelations of sexual assault and harassment continue to disrupt sexual politics across the globe. Reports of recurrent and widespread misconduct - in workplaces from doctors' offices to factory floors - are precipitating firings, legal actions, street protests, and policy punditry. Meenakshi Gigi Durham situates media culture as a place in which these broader social struggles are enacted and reproduced. The media figures whose depravity sparked the #MeToo movement are symbolic markers of the complexities of sexual desire and consent. Pop culture sparks controversies about rape culture; social media users have launched feminist resistance that turned to real-world activism; investigative journalists have broken stories of assault, offering a platform for survivors to speak truth to patriarchal power. Arguing that the media are a linchpin in these events, Durham provides a feminist account of the interrelated contexts of media production, representation, and reception. She situates media as the key site where the establishment of sexuality and social relations takes place and traces the media's powerful role in both reifying and challenging rape culture.</p><p><a href="https://www.sit.edu/sit_faculty/jana-byars-phd/"><em>Jana Byars</em></a><em> is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3324</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1c87d6b6-6892-11eb-abc6-436d734639b8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7722157378.mp3?updated=1612626384" length="0" type="audio/mpeg"/>
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      <title>Howard Sherman, "Another Day's Begun: Thornton Wilder’s Our Town in the 21st Century" (Bloomsbury Publishing, 2021)</title>
      <description>Howard Sherman's Another Day's Begun: Thornton Wilder's Our Town in the 21st Century (Bloomsbury Publishing, 2021) provides a fascinating tour of contemporary productions of Wilder's great play. 
Why does this play from 1938 continue to speak to contemporary audiences, and how does it speak differently in different settings? How is it both timeless and continually timely? And how have contemporary stagings dealt with its reputation as a wholesome, dull chestnut? Whether performed in a maximum security prison, at a hospital, or at prestigious theatres like Manchester's Royal Exchange Theatre, Our Town communicates a universal message about paying careful attention to the small details of life. The "our" of its title refers not just to fictional Grover's Corners, New Hampshire, but to all of us.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 15 Feb 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Interview with Howard Sherman</itunes:subtitle>
      <itunes:summary>Howard Sherman's Another Day's Begun: Thornton Wilder's Our Town in the 21st Century (Bloomsbury Publishing, 2021) provides a fascinating tour of contemporary productions of Wilder's great play. 
Why does this play from 1938 continue to speak to contemporary audiences, and how does it speak differently in different settings? How is it both timeless and continually timely? And how have contemporary stagings dealt with its reputation as a wholesome, dull chestnut? Whether performed in a maximum security prison, at a hospital, or at prestigious theatres like Manchester's Royal Exchange Theatre, Our Town communicates a universal message about paying careful attention to the small details of life. The "our" of its title refers not just to fictional Grover's Corners, New Hampshire, but to all of us.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Howard Sherman's <a href="https://bookshop.org/a/12343/9781350123434"><em>Another Day's Begun: Thornton Wilder's Our Town in the 21st Century</em></a> (Bloomsbury Publishing, 2021) provides a fascinating tour of contemporary productions of Wilder's great play. </p><p>Why does this play from 1938 continue to speak to contemporary audiences, and how does it speak differently in different settings? How is it both timeless and continually timely? And how have contemporary stagings dealt with its reputation as a wholesome, dull chestnut? Whether performed in a maximum security prison, at a hospital, or at prestigious theatres like Manchester's Royal Exchange Theatre, <em>Our Town </em>communicates a universal message about paying careful attention to the small details of life. The "our" of its title refers not just to fictional Grover's Corners, New Hampshire, but to all of us.</p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2850</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5dbe5fb0-6897-11eb-8e59-f750b14d00e6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5836019524.mp3?updated=1612628629" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jeremy Black, "A History of the 20th Century: Conflict, Technology &amp; Rock'n'roll" (Sirius Entertainment, 2021)</title>
      <description>Jeremy Black – professor of history at Exeter University, and one of the world’s most prolific writers – has just published an outstanding illustrated history of the twentieth century, in A History of the 20th Century: Conflict, Technology &amp; Rock'n'roll (Sirius Entertainment, 2021). 
In 250 pages, and with copious and superbly chosen illustrations, he unpacks the realities of rapid population growth and the political, economic and cultural changes that came in its wake. 
Thinking about the reality of American dominance of the West, and the rise and fall of rival anti-imperial powers elsewhere, while never forgetting the importance of experiences in the so-called “third world,” Black pulls together themes that explain the horrors and achievements of this period – and which never fail to surprise.
Crawford Gribben is a professor of history at Queen’s University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Feb 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>910</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Interview with Jeremy Black</itunes:subtitle>
      <itunes:summary>Jeremy Black – professor of history at Exeter University, and one of the world’s most prolific writers – has just published an outstanding illustrated history of the twentieth century, in A History of the 20th Century: Conflict, Technology &amp; Rock'n'roll (Sirius Entertainment, 2021). 
In 250 pages, and with copious and superbly chosen illustrations, he unpacks the realities of rapid population growth and the political, economic and cultural changes that came in its wake. 
Thinking about the reality of American dominance of the West, and the rise and fall of rival anti-imperial powers elsewhere, while never forgetting the importance of experiences in the so-called “third world,” Black pulls together themes that explain the horrors and achievements of this period – and which never fail to surprise.
Crawford Gribben is a professor of history at Queen’s University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jeremy Black – professor of history at Exeter University, and one of the world’s most prolific writers – has just published an outstanding illustrated history of the twentieth century, in <a href="https://bookshop.org/a/12343/9781839406713"><em>A History of the 20th Century: Conflict, Technology &amp; Rock'n'roll</em></a> (Sirius Entertainment, 2021). </p><p>In 250 pages, and with copious and superbly chosen illustrations, he unpacks the realities of rapid population growth and the political, economic and cultural changes that came in its wake. </p><p>Thinking about the reality of American dominance of the West, and the rise and fall of rival anti-imperial powers elsewhere, while never forgetting the importance of experiences in the so-called “third world,” Black pulls together themes that explain the horrors and achievements of this period – and which never fail to surprise.</p><p><a href="https://pure.qub.ac.uk/portal/en/persons/crawford-gribben(9c12859e-6933-4880-b397-d8e6382b0052).html"><em>Crawford Gribben</em></a><em> is a professor of history at Queen’s University Belfast.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2320</itunes:duration>
      <guid isPermaLink="false"><![CDATA[077883de-67bf-11eb-ab61-2f7e9869b4f7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN1592967602.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Paul O. Jenkins, "Bluegrass Ambassadors: The McLain Family Band in Appalachia and the World" (West Virginia UP, 2020)</title>
      <description>Today I talked to Paul O. Jenkins about his book Bluegrass Ambassadors: The McLain Family Band in Appalachia and the World (West Virginia UP, 2020). This episode covers a band that defies expectations. Coming from Hindman, Kentucky, this band formed in 1968 served as ambassadors of U.S. culture in over 60 countries. T were also fairly unique in being an intergenerational band and by having female band members who were both singers and musicians. roles beyond being singers to be musicians as well. The episode explores how bluegrass music varies from country music, and how musically inventive the group was. Finally, comparisons to the Beatles close out the episode.
Paul O. Jenkins is the University Librarian at Franklin Pierce University. A music lover since childhood, he has written books and articles on numerous musicians, including Richard Dyer-Bennet, the McLain Family Band, and the Beatles.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 11 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul O. Jenkins</itunes:subtitle>
      <itunes:summary>Today I talked to Paul O. Jenkins about his book Bluegrass Ambassadors: The McLain Family Band in Appalachia and the World (West Virginia UP, 2020). This episode covers a band that defies expectations. Coming from Hindman, Kentucky, this band formed in 1968 served as ambassadors of U.S. culture in over 60 countries. T were also fairly unique in being an intergenerational band and by having female band members who were both singers and musicians. roles beyond being singers to be musicians as well. The episode explores how bluegrass music varies from country music, and how musically inventive the group was. Finally, comparisons to the Beatles close out the episode.
Paul O. Jenkins is the University Librarian at Franklin Pierce University. A music lover since childhood, he has written books and articles on numerous musicians, including Richard Dyer-Bennet, the McLain Family Band, and the Beatles.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Paul O. Jenkins about his book <a href="https://bookshop.org/a/12343/9781949199680"><em>Bluegrass Ambassadors: The McLain Family Band in Appalachia and the World</em></a> (West Virginia UP, 2020). This episode covers a band that defies expectations. Coming from Hindman, Kentucky, this band formed in 1968 served as ambassadors of U.S. culture in over 60 countries. T were also fairly unique in being an intergenerational band and by having female band members who were both singers and musicians. roles beyond being singers to be musicians as well. The episode explores how bluegrass music varies from country music, and how musically inventive the group was. Finally, comparisons to the Beatles close out the episode.</p><p>Paul O. Jenkins is the University Librarian at Franklin Pierce University. A music lover since childhood, he has written books and articles on numerous musicians, including Richard Dyer-Bennet, the McLain Family Band, and the Beatles.</p><p><em>Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (</em><a href="https://www.sensorylogic.com/"><em>https://www.sensorylogic.com</em></a><em>). To check out his related “Dan Hill’s EQ Spotlight” blog, visit </em><a href="https://emotionswizard.com/"><em>https://emotionswizard.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2031</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ca91d464-5f46-11eb-a401-73a5bc53391d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN9544991930.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>R. Roberts and J. Smith, "War Fever: Boston, Baseball, and America in the Shadow of the Great War" (Basic Books, 2020)</title>
      <description>In the fall of 1918, a fever gripped Boston. The streets emptied as paranoia about the deadly Spanish flu spread. Newspapermen and vigilante investigators aggressively sought to discredit anyone who looked or sounded German. 
And as the war raged on, the enemy seemed to be lurking everywhere: prowling in submarines off the coast of Cape Cod, arriving on passenger ships in the harbor, or disguised as the radicals lecturing workers about the injustice of a sixty-hour workweek. 
War Fever: Boston, Baseball, and America in the Shadow of the Great War (Basic Books, 2020) explores this delirious moment in American history through the stories of three men: Karl Muck, the German conductor of the Boston Symphony Orchestra, accused of being an enemy spy; Charles Whittlesey, a Harvard law graduate who became an unlikely hero in Europe; and the most famous baseball player of all time, Babe Ruth, poised to revolutionize the game he loved. Together, they offer a gripping narrative of America at war and American culture in upheaval.
Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD Candidate in History at Queen's University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 09 Feb 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>904</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Interview with Randy Roberts</itunes:subtitle>
      <itunes:summary>In the fall of 1918, a fever gripped Boston. The streets emptied as paranoia about the deadly Spanish flu spread. Newspapermen and vigilante investigators aggressively sought to discredit anyone who looked or sounded German. 
And as the war raged on, the enemy seemed to be lurking everywhere: prowling in submarines off the coast of Cape Cod, arriving on passenger ships in the harbor, or disguised as the radicals lecturing workers about the injustice of a sixty-hour workweek. 
War Fever: Boston, Baseball, and America in the Shadow of the Great War (Basic Books, 2020) explores this delirious moment in American history through the stories of three men: Karl Muck, the German conductor of the Boston Symphony Orchestra, accused of being an enemy spy; Charles Whittlesey, a Harvard law graduate who became an unlikely hero in Europe; and the most famous baseball player of all time, Babe Ruth, poised to revolutionize the game he loved. Together, they offer a gripping narrative of America at war and American culture in upheaval.
Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD Candidate in History at Queen's University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fall of 1918, a fever gripped Boston. The streets emptied as paranoia about the deadly Spanish flu spread. Newspapermen and vigilante investigators aggressively sought to discredit anyone who looked or sounded German. </p><p>And as the war raged on, the enemy seemed to be lurking everywhere: prowling in submarines off the coast of Cape Cod, arriving on passenger ships in the harbor, or disguised as the radicals lecturing workers about the injustice of a sixty-hour workweek. </p><p><a href="https://bookshop.org/a/12343/9781541672680"><em>War Fever: Boston, Baseball, and America in the Shadow of the Great War</em></a><em> </em>(Basic Books, 2020) explores this delirious moment in American history through the stories of three men: Karl Muck, the German conductor of the Boston Symphony Orchestra, accused of being an enemy spy; Charles Whittlesey, a Harvard law graduate who became an unlikely hero in Europe; and the most famous baseball player of all time, Babe Ruth, poised to revolutionize the game he loved. Together, they offer a gripping narrative of America at war and American culture in upheaval.</p><p><em>Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD Candidate in History at Queen's University Belfast.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1605</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[078b31e4-630c-11eb-8190-67cd05d022ee]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3176460961.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kimberly Mack, "Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White" (U Mass Press, 2020)</title>
      <description>The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. 
Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White (University of Massachusetts Press, 2020) unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression. 
Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Feb 2021 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Interview with Kimberly Mack</itunes:subtitle>
      <itunes:summary>The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. 
Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White (University of Massachusetts Press, 2020) unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression. 
Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. </p><p><a href="https://www.umasspress.com/9781625345509/fictional-blues/"><em>Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White</em></a> (University of Massachusetts Press, 2020) unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression. </p><p>Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, <a href="https://kimberlymack.com/">Kimberly Mack</a> demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency.</p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2851</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[39dbe1e8-60be-11eb-bf5f-5ff08578fdcb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5154916912.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Barbara Black, "Hotel London: How Victorian Commercial Hospitality Shaped a Nation and Its Stories" (Ohio State UP, 2019)</title>
      <description>During the nineteenth century, the grand hotel emerged as a vital part of London life. Originally catering to elite visitors needing a place to stay in the short term, they soon came to perform a variety of roles in the social and cultural life of the city. 
In Hotel London: How Victorian Commercial Hospitality Shaped a Nation and Its Stories (The Ohio State University Press, 2019), Barbara Black describes what these majestic establishments represented to those who worked in them and those who patronized them. As she explains, hotels embodied a convergence of various trends, as steam locomotives brought an increasing number of affluent travelers to the capital. What the grand hotels offered them was a temporary fantasy of luxury in an environment that was neither public nor private but one that offered a mixture of the two. For some, hotels were a place of mystery and potential danger; for others, a destination where they could engage in behavior that would otherwise be restricted in public. Though many of these grand hotels have been demolished or repurposed, their legacy lives on in the literature of the era – an enduring testament to the impression they left upon their age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 02 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barbara Black</itunes:subtitle>
      <itunes:summary>During the nineteenth century, the grand hotel emerged as a vital part of London life. Originally catering to elite visitors needing a place to stay in the short term, they soon came to perform a variety of roles in the social and cultural life of the city. 
In Hotel London: How Victorian Commercial Hospitality Shaped a Nation and Its Stories (The Ohio State University Press, 2019), Barbara Black describes what these majestic establishments represented to those who worked in them and those who patronized them. As she explains, hotels embodied a convergence of various trends, as steam locomotives brought an increasing number of affluent travelers to the capital. What the grand hotels offered them was a temporary fantasy of luxury in an environment that was neither public nor private but one that offered a mixture of the two. For some, hotels were a place of mystery and potential danger; for others, a destination where they could engage in behavior that would otherwise be restricted in public. Though many of these grand hotels have been demolished or repurposed, their legacy lives on in the literature of the era – an enduring testament to the impression they left upon their age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the nineteenth century, the grand hotel emerged as a vital part of London life. Originally catering to elite visitors needing a place to stay in the short term, they soon came to perform a variety of roles in the social and cultural life of the city. </p><p>In <a href="https://bookshop.org/a/12343/9780814214176"><em>Hotel London: How Victorian Commercial Hospitality Shaped a Nation and Its Stories</em></a> (The Ohio State University Press, 2019), Barbara Black describes what these majestic establishments represented to those who worked in them and those who patronized them. As she explains, hotels embodied a convergence of various trends, as steam locomotives brought an increasing number of affluent travelers to the capital. What the grand hotels offered them was a temporary fantasy of luxury in an environment that was neither public nor private but one that offered a mixture of the two. For some, hotels were a place of mystery and potential danger; for others, a destination where they could engage in behavior that would otherwise be restricted in public. Though many of these grand hotels have been demolished or repurposed, their legacy lives on in the literature of the era – an enduring testament to the impression they left upon their age.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3604</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[346e4112-5dc9-11eb-9154-3b2510d7a48d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN7485160403.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sabrina Mittermeier, "A Cultural History of the Disneyland Theme Parks: Middle Class Kingdoms" (Intellect, 2020)</title>
      <description>How should we understand the theme park in our globalised world? In A Cultural History of the Disneyland Theme Parks: Middle Class Kingdoms (Intellect, 2020), Dr. Sabrina Mittermeier, a postdoctoral researcher and lecturer in American cultural history at the University of Kassel, Germany, presents a detailed and engaging cultural history of Disneyland’s theme parks to tell the story of this now global phenomenon. The book has detailed case studies of each of the theme parks, from the original Disneyland as a cultural product of the 1950s, through the transcultural space of Tokyo Disneyland, to the authentically Disney, distinctly Chinese theme park in Shanghai. The story of EuroDisney, and DisneyWorld in Florida further develop the book’s argument for the need to understand wealth and class as key drivers for the audience these parks seek to attract. The book will be essential reading across humanities and social science, and for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 29 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>205</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sabrina Mittermeier</itunes:subtitle>
      <itunes:summary>How should we understand the theme park in our globalised world? In A Cultural History of the Disneyland Theme Parks: Middle Class Kingdoms (Intellect, 2020), Dr. Sabrina Mittermeier, a postdoctoral researcher and lecturer in American cultural history at the University of Kassel, Germany, presents a detailed and engaging cultural history of Disneyland’s theme parks to tell the story of this now global phenomenon. The book has detailed case studies of each of the theme parks, from the original Disneyland as a cultural product of the 1950s, through the transcultural space of Tokyo Disneyland, to the authentically Disney, distinctly Chinese theme park in Shanghai. The story of EuroDisney, and DisneyWorld in Florida further develop the book’s argument for the need to understand wealth and class as key drivers for the audience these parks seek to attract. The book will be essential reading across humanities and social science, and for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand the theme park in our globalised world? In <a href="https://bookshop.org/a/12343/9781789383270"><em>A Cultural History of the Disneyland Theme Parks: Middle Class Kingdoms</em></a> (Intellect, 2020), Dr. <a href="https://twitter.com/S_Mittermeier">Sabrina Mittermeier</a>, a <a href="https://uni-kassel.academia.edu/SabrinaMittermeier/CurriculumVitae">postdoctoral researcher and lecturer in American cultural history at the University of Kassel</a>, Germany, presents a detailed and engaging cultural history of Disneyland’s theme parks to tell the story of this now global phenomenon. The book has detailed case studies of each of the theme parks, from the original Disneyland as a cultural product of the 1950s, through the transcultural space of Tokyo Disneyland, to the authentically Disney, distinctly Chinese theme park in Shanghai. The story of EuroDisney, and DisneyWorld in Florida further develop the book’s argument for the need to understand wealth and class as key drivers for the audience these parks seek to attract. The book will be essential reading across humanities and social science, and for anyone interested in contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2250</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5ce4d95a-5c0a-11eb-b628-6b2ce2dbf462]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4019650500.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Rosenhouse, "Games for Your Mind: The History and Future of Logic Puzzles" (Princeton UP, 2020)</title>
      <description>Jason Rosenhouse's Games for Your Mind: The History and Future of Logic Puzzles (Princeton UP, 2020) is about a panoply of logic puzzles. You’ll find Mastermind and sudoku discussed early on, and then you’ll be hit with an incredible array of some of the most intriguing logic puzzles that have ever been devised. Some will be familiar to you, but some will almost certainly be brain-teasers you have never heard of. It’s absolutely amazing what a truly deep field grew from recreational pastimes – and this book is an absolute treasure trove of stuff you can’t help thinking about. If you like logic, you’re certain to be sucked in – but you’ll enjoy the ride.
Logic puzzles were first introduced to the public by Lewis Carroll in the late nineteenth century and have been popular ever since. Games like Sudoku and Mastermind are fun and engrossing recreational activities, but they also share deep foundations in mathematical logic and are worthy of serious intellectual inquiry. Games for Your Mind explores the history and future of logic puzzles while enabling you to test your skill against a variety of puzzles yourself.
In this informative and entertaining book, Jason Rosenhouse begins by introducing readers to logic and logic puzzles and goes on to reveal the rich history of these puzzles. He shows how Carroll's puzzles presented Aristotelian logic as a game for children, yet also informed his scholarly work on logic. He reveals how another pioneer of logic puzzles, Raymond Smullyan, drew on classic puzzles about liars and truthtellers to illustrate Kurt Gödel's theorems and illuminate profound questions in mathematical logic. Rosenhouse then presents a new vision for the future of logic puzzles based on nonclassical logic, which is used today in computer science and automated reasoning to manipulate large and sometimes contradictory sets of data.
Featuring a wealth of sample puzzles ranging from simple to extremely challenging, this lively and engaging book brings together many of the most ingenious puzzles ever devised, including the Hardest Logic Puzzle Ever, metapuzzles, paradoxes, and the logic puzzles in detective stories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 25 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Beineke and Jason Rosenhouse</itunes:subtitle>
      <itunes:summary>Jason Rosenhouse's Games for Your Mind: The History and Future of Logic Puzzles (Princeton UP, 2020) is about a panoply of logic puzzles. You’ll find Mastermind and sudoku discussed early on, and then you’ll be hit with an incredible array of some of the most intriguing logic puzzles that have ever been devised. Some will be familiar to you, but some will almost certainly be brain-teasers you have never heard of. It’s absolutely amazing what a truly deep field grew from recreational pastimes – and this book is an absolute treasure trove of stuff you can’t help thinking about. If you like logic, you’re certain to be sucked in – but you’ll enjoy the ride.
Logic puzzles were first introduced to the public by Lewis Carroll in the late nineteenth century and have been popular ever since. Games like Sudoku and Mastermind are fun and engrossing recreational activities, but they also share deep foundations in mathematical logic and are worthy of serious intellectual inquiry. Games for Your Mind explores the history and future of logic puzzles while enabling you to test your skill against a variety of puzzles yourself.
In this informative and entertaining book, Jason Rosenhouse begins by introducing readers to logic and logic puzzles and goes on to reveal the rich history of these puzzles. He shows how Carroll's puzzles presented Aristotelian logic as a game for children, yet also informed his scholarly work on logic. He reveals how another pioneer of logic puzzles, Raymond Smullyan, drew on classic puzzles about liars and truthtellers to illustrate Kurt Gödel's theorems and illuminate profound questions in mathematical logic. Rosenhouse then presents a new vision for the future of logic puzzles based on nonclassical logic, which is used today in computer science and automated reasoning to manipulate large and sometimes contradictory sets of data.
Featuring a wealth of sample puzzles ranging from simple to extremely challenging, this lively and engaging book brings together many of the most ingenious puzzles ever devised, including the Hardest Logic Puzzle Ever, metapuzzles, paradoxes, and the logic puzzles in detective stories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://educ.jmu.edu/~rosenhjd/">Jason Rosenhouse</a>'s <a href="https://bookshop.org/a/12343/9780691174075"><em>Games for Your Mind: The History and Future of Logic Puzzles</em></a><em> </em>(Princeton UP, 2020) is about a panoply of logic puzzles. You’ll find Mastermind and sudoku discussed early on, and then you’ll be hit with an incredible array of some of the most intriguing logic puzzles that have ever been devised. Some will be familiar to you, but some will almost certainly be brain-teasers you have never heard of. It’s absolutely amazing what a truly deep field grew from recreational pastimes – and this book is an absolute treasure trove of stuff you can’t help thinking about. If you like logic, you’re certain to be sucked in – but you’ll enjoy the ride.</p><p>Logic puzzles were first introduced to the public by Lewis Carroll in the late nineteenth century and have been popular ever since. Games like Sudoku and Mastermind are fun and engrossing recreational activities, but they also share deep foundations in mathematical logic and are worthy of serious intellectual inquiry. <em>Games for Your Mind</em> explores the history and future of logic puzzles while enabling you to test your skill against a variety of puzzles yourself.</p><p>In this informative and entertaining book, Jason Rosenhouse begins by introducing readers to logic and logic puzzles and goes on to reveal the rich history of these puzzles. He shows how Carroll's puzzles presented Aristotelian logic as a game for children, yet also informed his scholarly work on logic. He reveals how another pioneer of logic puzzles, Raymond Smullyan, drew on classic puzzles about liars and truthtellers to illustrate Kurt Gödel's theorems and illuminate profound questions in mathematical logic. Rosenhouse then presents a new vision for the future of logic puzzles based on nonclassical logic, which is used today in computer science and automated reasoning to manipulate large and sometimes contradictory sets of data.</p><p>Featuring a wealth of sample puzzles ranging from simple to extremely challenging, this lively and engaging book brings together many of the most ingenious puzzles ever devised, including the Hardest Logic Puzzle Ever, metapuzzles, paradoxes, and the logic puzzles in detective stories.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3374</itunes:duration>
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    <item>
      <title>David C. Lane, "Other End of the Needle: Continuity and Change Among Tattoo Workers" (Rutgers UP, 2020)</title>
      <description>In The Other End of the Needle (Rutgers University Press, 2020), David C. Lane, Ph.D. investigates the intricacies of the tattoo industry. Particularly, Lane found that tattooing is more complex than simply the tattoos that people wear. Using qualitative data and an accessible writing style, Lane explains the complexity of tattoo work as a type of social activity. His central argument is that tattooing is a social world, where people must be socialized, manage a system of stratification, create spaces conducive for labor, develop sets of beliefs and values, struggle to retain control over their tools, and contend with changes that in turn affect their labor. Earlier research has examined tattoos and their meanings.
Yet, Lane notes, prior research has focused almost exclusively on the tattoos—the outcome of an intricate social process—and have ignored the significance of tattoo workers themselves. "Tattooists," as Lane dubs them, make decisions, but they work within a social world that constrains and shapes the outcome of their labor—the tattoo. The goal of this book is to help readers understand the world of tattoo work as an intricate and nuanced form of work. Lane ultimately asks new questions about the social processes occurring prior to the tattoo’s existence.
David C. Lane is currently recruiting participants for his next study on identity management and past trauma experienced by people who have tattoos. The goal of this study is to understand how tattoos are used by people to develop their own identity. If you are interested in participating please go to http://tattoostudyisu.com.   
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent study, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant”, was published in Gender Issues Journal. His interests include the sociology of art and culture, sociology of death and dying, and sociology of sex and gender. He is currently working on a research project about obituary writing as an art world. More can be found about Michael O. Johnston, Ph.D. by going to his website, Google Scholar, following him on Twitter @ProfessorJohnst, or emailing him at johnstonmo at wmpenn dot edu.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>169</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David C. Lane</itunes:subtitle>
      <itunes:summary>In The Other End of the Needle (Rutgers University Press, 2020), David C. Lane, Ph.D. investigates the intricacies of the tattoo industry. Particularly, Lane found that tattooing is more complex than simply the tattoos that people wear. Using qualitative data and an accessible writing style, Lane explains the complexity of tattoo work as a type of social activity. His central argument is that tattooing is a social world, where people must be socialized, manage a system of stratification, create spaces conducive for labor, develop sets of beliefs and values, struggle to retain control over their tools, and contend with changes that in turn affect their labor. Earlier research has examined tattoos and their meanings.
Yet, Lane notes, prior research has focused almost exclusively on the tattoos—the outcome of an intricate social process—and have ignored the significance of tattoo workers themselves. "Tattooists," as Lane dubs them, make decisions, but they work within a social world that constrains and shapes the outcome of their labor—the tattoo. The goal of this book is to help readers understand the world of tattoo work as an intricate and nuanced form of work. Lane ultimately asks new questions about the social processes occurring prior to the tattoo’s existence.
David C. Lane is currently recruiting participants for his next study on identity management and past trauma experienced by people who have tattoos. The goal of this study is to understand how tattoos are used by people to develop their own identity. If you are interested in participating please go to http://tattoostudyisu.com.   
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent study, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant”, was published in Gender Issues Journal. His interests include the sociology of art and culture, sociology of death and dying, and sociology of sex and gender. He is currently working on a research project about obituary writing as an art world. More can be found about Michael O. Johnston, Ph.D. by going to his website, Google Scholar, following him on Twitter @ProfessorJohnst, or emailing him at johnstonmo at wmpenn dot edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/books/the-other-end-of-the-needle-continuity-and-change-among-tattoo-workers/9781978807471"><em>The Other End of the Needle</em></a><em> </em>(Rutgers University Press, 2020), <a href="https://criminaljustice.illinoisstate.edu/faculty_staff/profile.php?ulid=dclane1">David C. Lane, Ph.D.</a> investigates the intricacies of the tattoo industry. Particularly, Lane found that tattooing is more complex than simply the tattoos that people wear. Using qualitative data and an accessible writing style, Lane explains the complexity of tattoo work as a type of social activity. His central argument is that tattooing is a social world, where people must be socialized, manage a system of stratification, create spaces conducive for labor, develop sets of beliefs and values, struggle to retain control over their tools, and contend with changes that in turn affect their labor. Earlier research has examined tattoos and their meanings.</p><p>Yet, Lane notes, prior research has focused almost exclusively on the tattoos—the outcome of an intricate social process—and have ignored the significance of tattoo workers themselves. "Tattooists," as Lane dubs them, make decisions, but they work within a social world that constrains and shapes the outcome of their labor—the tattoo. The goal of this book is to help readers understand the world of tattoo work as an intricate and nuanced form of work. Lane ultimately asks new questions about the social processes occurring prior to the tattoo’s existence.</p><p>David C. Lane is currently recruiting participants for his next study on identity management and past trauma experienced by people who have tattoos. The goal of this study is to understand how tattoos are used by people to develop their own identity. If you are interested in participating please go to <a href="http://tattoostudyisu.com/">http://tattoostudyisu.com</a>.   </p><p><em>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent study, “</em><a href="https://link.springer.com/article/10.1007/s12147-020-09266-z"><em>The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant</em></a><em>”, was published in Gender Issues Journal. His interests include the sociology of art and culture, sociology of death and dying, and sociology of sex and gender. He is currently working on a research project about obituary writing as an art world. More can be found about Michael O. Johnston, Ph.D. by going to his </em><a href="https://www.wmpenn.edu/person/michael-o-johnston-ph-d/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, following him on Twitter </em><a href="https://twitter.com/professorjohnst?lang=en"><em>@ProfessorJohnst</em></a><em>, or emailing him at johnstonmo at wmpenn dot edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2946</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Thomas Doherty, "Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century" (Columbia UP, 2020)</title>
      <description>In Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century (Columbia University Press, 2020), Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh’s ascent to fame and proceeding through the trial and execution of the accused kidnapper, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.” He casts the affair as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the template for the way the media would treat breaking news ever after. An engrossing account of an endlessly fascinating case, Little Lindy Is Kidnapped sheds new light on an enduring quality of journalism ever since: the media’s eye on a crucial part of the story—itself.
Thomas Doherty is professor of American studies at Brandeis University. His previous Columbia University Press books include Hollywood and Hitler, 1933–1939 (2013) and Show Trial: Hollywood, HUAC, and the Birth of the Blacklist (2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 11 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas Doherty</itunes:subtitle>
      <itunes:summary>In Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century (Columbia University Press, 2020), Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh’s ascent to fame and proceeding through the trial and execution of the accused kidnapper, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.” He casts the affair as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the template for the way the media would treat breaking news ever after. An engrossing account of an endlessly fascinating case, Little Lindy Is Kidnapped sheds new light on an enduring quality of journalism ever since: the media’s eye on a crucial part of the story—itself.
Thomas Doherty is professor of American studies at Brandeis University. His previous Columbia University Press books include Hollywood and Hitler, 1933–1939 (2013) and Show Trial: Hollywood, HUAC, and the Birth of the Blacklist (2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780231198486"><em>Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century</em></a><em> </em>(Columbia University Press, 2020), Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh’s ascent to fame and proceeding through the trial and execution of the accused kidnapper, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.” He casts the affair as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the template for the way the media would treat breaking news ever after. An engrossing account of an endlessly fascinating case, <em>Little Lindy Is Kidnapped</em> sheds new light on an enduring quality of journalism ever since: the media’s eye on a crucial part of the story—itself.</p><p>Thomas Doherty is professor of American studies at Brandeis University. His previous Columbia University Press books include <em>Hollywood and Hitler, 1933–1939</em> (2013) and <em>Show Trial: Hollywood, HUAC, and the Birth of the Blacklist</em> (2018).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4700</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Daniel Horowitz, "Entertaining Entrepreneurs: Reality TV's Shark Tank and the American Dream in Uncertain Times" (UNC Press, 2020)</title>
      <description>The Great Recession threatened the well-being of tens of millions of Americans, dramatically weakened the working class, hollowed out the middle class, and strengthened the position of the very wealthy. Against this backdrop, the hit reality show Shark Tank premiered in 2009. Featuring ambitious entrepreneurs chasing support from celebrity investors, the show offered a version of the American Dream that still seemed possible to many, where a bright idea and a well-honed pitch could lift a bootstrap business to new heights of success. More than a decade later, Shark Tank still airs regularly on multiple networks, and its formula has sparked imitators everywhere, from elite universities to elementary school classrooms.
In Entertaining Entrepreneurs: Reality TV's Shark Tank and the American Dream in Uncertain Times (UNC Press, 2020), Daniel Horowitz shows how Shark Tank's version of entrepreneurship disguises and distorts the opportunities and traps of capitalism. Digging into today's cult of the entrepreneur, Horowitz charts its rise from the rubble of economic crisis and its spread as a mainstay of American culture, and he explores its flawed view of what it really takes to succeed in business.
Horowitz offers more than a look at one television phenomenon. He is the perfect guide to the portrayal of entrepreneurship in business school courses, pitch competitions, popular how-to books, and scholarly works, as well as the views of real-world venture capitalists.
Nick Pozek is Assistant Director at the Parker School of Foreign &amp; Comparative Law at Columbia University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An intervierw with Daniel Horowitz</itunes:subtitle>
      <itunes:summary>The Great Recession threatened the well-being of tens of millions of Americans, dramatically weakened the working class, hollowed out the middle class, and strengthened the position of the very wealthy. Against this backdrop, the hit reality show Shark Tank premiered in 2009. Featuring ambitious entrepreneurs chasing support from celebrity investors, the show offered a version of the American Dream that still seemed possible to many, where a bright idea and a well-honed pitch could lift a bootstrap business to new heights of success. More than a decade later, Shark Tank still airs regularly on multiple networks, and its formula has sparked imitators everywhere, from elite universities to elementary school classrooms.
In Entertaining Entrepreneurs: Reality TV's Shark Tank and the American Dream in Uncertain Times (UNC Press, 2020), Daniel Horowitz shows how Shark Tank's version of entrepreneurship disguises and distorts the opportunities and traps of capitalism. Digging into today's cult of the entrepreneur, Horowitz charts its rise from the rubble of economic crisis and its spread as a mainstay of American culture, and he explores its flawed view of what it really takes to succeed in business.
Horowitz offers more than a look at one television phenomenon. He is the perfect guide to the portrayal of entrepreneurship in business school courses, pitch competitions, popular how-to books, and scholarly works, as well as the views of real-world venture capitalists.
Nick Pozek is Assistant Director at the Parker School of Foreign &amp; Comparative Law at Columbia University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Great Recession threatened the well-being of tens of millions of Americans, dramatically weakened the working class, hollowed out the middle class, and strengthened the position of the very wealthy. Against this backdrop, the hit reality show <em>Shark Tank</em> premiered in 2009. Featuring ambitious entrepreneurs chasing support from celebrity investors, the show offered a version of the American Dream that still seemed possible to many, where a bright idea and a well-honed pitch could lift a bootstrap business to new heights of success. More than a decade later, <em>Shark Tank</em> still airs regularly on multiple networks, and its formula has sparked imitators everywhere, from elite universities to elementary school classrooms.</p><p>In <a href="https://bookshop.org/a/12343/9781469659435"><em>Entertaining Entrepreneurs: Reality TV's Shark Tank and the American Dream in Uncertain Times</em></a><em> </em>(UNC Press, 2020), Daniel Horowitz shows how <em>Shark Tank</em>'s version of entrepreneurship disguises and distorts the opportunities and traps of capitalism. Digging into today's cult of the entrepreneur, Horowitz charts its rise from the rubble of economic crisis and its spread as a mainstay of American culture, and he explores its flawed view of what it really takes to succeed in business.</p><p>Horowitz offers more than a look at one television phenomenon. He is the perfect guide to the portrayal of entrepreneurship in business school courses, pitch competitions, popular how-to books, and scholarly works, as well as the views of real-world venture capitalists.</p><p><a href="http://www.nickpozek.com/"><em>Nick Pozek</em></a><em> is Assistant Director at the Parker School of Foreign &amp; Comparative Law at Columbia University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1878</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mike Miley, "Truth and Consequences: Game Shows in Fiction and Film" (UP Mississippi, 2020)</title>
      <description>Although nearly every other television form or genre has undergone a massive critical and popular reassessment or resurgence in the past twenty years, the game show’s reputation has remained both remarkably stagnant and remarkably low. Scholarship on game shows concerns itself primarily with the history and aesthetics of the form, and few works assess the influence the format has had on American society or how the aesthetics and rhythms of contemporary life model themselves on the aesthetics and rhythms of game shows.
In Truth and Consequences: Game Shows in Fiction and Film (University Press of Mississippi, 2020), author Mike Miley seeks to broaden the conversation about game shows by studying how they are represented in fiction and film. Writers and filmmakers find the game show to be the ideal metaphor for life in a media-saturated era, from selfhood to love to family to state power. The book is divided into “rounds,” each chapter looking at different themes that books and movies explore via the game show.
By studying over two dozen works of fiction and film—bestsellers, blockbusters, disasters, modern legends, forgotten gems, award winners, self-published curios, and everything in between—Truth and Consequences argues that game shows offer a deeper understanding of modern-day America, a land of high-stakes spectacle where a game-show host can become president of the United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mike Miley</itunes:subtitle>
      <itunes:summary>Although nearly every other television form or genre has undergone a massive critical and popular reassessment or resurgence in the past twenty years, the game show’s reputation has remained both remarkably stagnant and remarkably low. Scholarship on game shows concerns itself primarily with the history and aesthetics of the form, and few works assess the influence the format has had on American society or how the aesthetics and rhythms of contemporary life model themselves on the aesthetics and rhythms of game shows.
In Truth and Consequences: Game Shows in Fiction and Film (University Press of Mississippi, 2020), author Mike Miley seeks to broaden the conversation about game shows by studying how they are represented in fiction and film. Writers and filmmakers find the game show to be the ideal metaphor for life in a media-saturated era, from selfhood to love to family to state power. The book is divided into “rounds,” each chapter looking at different themes that books and movies explore via the game show.
By studying over two dozen works of fiction and film—bestsellers, blockbusters, disasters, modern legends, forgotten gems, award winners, self-published curios, and everything in between—Truth and Consequences argues that game shows offer a deeper understanding of modern-day America, a land of high-stakes spectacle where a game-show host can become president of the United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Although nearly every other television form or genre has undergone a massive critical and popular reassessment or resurgence in the past twenty years, the game show’s reputation has remained both remarkably stagnant and remarkably low. Scholarship on game shows concerns itself primarily with the history and aesthetics of the form, and few works assess the influence the format has had on American society or how the aesthetics and rhythms of contemporary life model themselves on the aesthetics and rhythms of game shows.</p><p>In <a href="https://bookshop.org/a/12343/9781496825384"><em>Truth and Consequences: Game Shows in Fiction and Film</em></a><em> </em>(University Press of Mississippi, 2020), author Mike Miley seeks to broaden the conversation about game shows by studying how they are represented in fiction and film. Writers and filmmakers find the game show to be the ideal metaphor for life in a media-saturated era, from selfhood to love to family to state power. The book is divided into “rounds,” each chapter looking at different themes that books and movies explore via the game show.</p><p>By studying over two dozen works of fiction and film—bestsellers, blockbusters, disasters, modern legends, forgotten gems, award winners, self-published curios, and everything in between—<em>Truth and Consequences </em>argues that game shows offer a deeper understanding of modern-day America, a land of high-stakes spectacle where a game-show host can become president of the United States.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3984</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a7165e1e-4ae3-11eb-80e8-67622b232fdf]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2751763803.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Courtenay Stallings, "Laura's Ghost: Women Speak about Twin Peaks" (Fayetteville Mafia Press, 2020)</title>
      <description>In this episode Miranda Corcoran speaks to Courtenay Stallings about her new book, Laura’s Ghost: Women Speak about Twin Peaks (Fayetteville Mafia Press, 2020). Laura’s Ghost is unique exploration of an iconic television series. The book focuses on the character of Laura Palmer, the beautiful homecoming queen whose murder sets in motion the mysteries at the heart of David Lynch’s eccentric small town. Through conversations with women involved in both the show itself and the Twin Peaks fan community, Laura’s Ghost explores Laura’s legacy from a host of different perspectives. Stallings speaks with the actor Sheryl Lee about her experience of playing Laura Palmer, with filmmaker Jennifer Lynch about writing Laura’s backstory in The Secret Diary of Laura Palmer, and with a range of artists, authors, performers and teachers about Laura’s impact on their lives. In this way, Laura’s Ghost excavates the layers of complexity embedded in Laura’s character, framing her as a friend, a daughter, a mischief-maker, a rebel and, most importantly, a survivor.
Courtenay Stallings is a writer and professor based in Los Angeles.
Content Warning: This episode discusses sexual abuse and incest.
Resources for sexual abuse and domestic violence survivors can be found here and here.
The author is donating 10% of all proceeds she personally receives to The Rape, Abuse &amp; Incest National 
Network.
Miranda Corcoran is a lecturer in twenty-first-century literature in University College Cork. She is a regular contributor to Diabolique and blogs about popular culture here. You can follow her on Twitter @middleagedwitch
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Courtenay Stallings</itunes:subtitle>
      <itunes:summary>In this episode Miranda Corcoran speaks to Courtenay Stallings about her new book, Laura’s Ghost: Women Speak about Twin Peaks (Fayetteville Mafia Press, 2020). Laura’s Ghost is unique exploration of an iconic television series. The book focuses on the character of Laura Palmer, the beautiful homecoming queen whose murder sets in motion the mysteries at the heart of David Lynch’s eccentric small town. Through conversations with women involved in both the show itself and the Twin Peaks fan community, Laura’s Ghost explores Laura’s legacy from a host of different perspectives. Stallings speaks with the actor Sheryl Lee about her experience of playing Laura Palmer, with filmmaker Jennifer Lynch about writing Laura’s backstory in The Secret Diary of Laura Palmer, and with a range of artists, authors, performers and teachers about Laura’s impact on their lives. In this way, Laura’s Ghost excavates the layers of complexity embedded in Laura’s character, framing her as a friend, a daughter, a mischief-maker, a rebel and, most importantly, a survivor.
Courtenay Stallings is a writer and professor based in Los Angeles.
Content Warning: This episode discusses sexual abuse and incest.
Resources for sexual abuse and domestic violence survivors can be found here and here.
The author is donating 10% of all proceeds she personally receives to The Rape, Abuse &amp; Incest National 
Network.
Miranda Corcoran is a lecturer in twenty-first-century literature in University College Cork. She is a regular contributor to Diabolique and blogs about popular culture here. You can follow her on Twitter @middleagedwitch
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Miranda Corcoran speaks to Courtenay Stallings about her new book, <a href="https://bookshop.org/a/12343/9781949024081"><em>Laura’s Ghost: Women Speak about Twin Peaks</em></a> (Fayetteville Mafia Press, 2020). <em>Laura’s Ghost </em>is unique exploration of an iconic television series. The book focuses on the character of Laura Palmer, the beautiful homecoming queen whose murder sets in motion the mysteries at the heart of David Lynch’s eccentric small town. Through conversations with women involved in both the show itself and the <em>Twin Peaks </em>fan community, <em>Laura’s Ghost</em> explores Laura’s legacy from a host of different perspectives. Stallings speaks with the actor Sheryl Lee about her experience of playing Laura Palmer, with filmmaker Jennifer Lynch about writing Laura’s backstory in <em>The Secret Diary of Laura Palmer</em>, and with a range of artists, authors, performers and teachers about Laura’s impact on their lives. In this way, <em>Laura’s Ghost </em>excavates the layers of complexity embedded in Laura’s character, framing her as a friend, a daughter, a mischief-maker, a rebel and, most importantly, a survivor.</p><p>Courtenay Stallings is a writer and professor based in Los Angeles.</p><p><strong>Content Warning: This episode discusses sexual abuse and incest.</strong></p><p><strong>Resources for sexual abuse and domestic violence survivors can be found </strong><a href="http://www.rainn.org/"><strong>here</strong></a><strong> and </strong><a href="http://www.thehotline.org/"><strong>here</strong></a><strong>.</strong></p><p><strong>The author is donating 10% of all proceeds she personally receives to The Rape, Abuse &amp; Incest National </strong></p><p><strong>Network.</strong></p><p><a href="http://research.ucc.ie/profiles/A014/miranda.corcoran@ucc.ie"><em>Miranda Corcoran</em></a><em> is a lecturer in twenty-first-century literature in University College Cork. She is a regular contributor to Diabolique and blogs about popular culture here. You can follow her on Twitter </em><a href="https://twitter.com/middleagedwitch?lang=en"><em>@middleagedwitch</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3104</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a4d9a73c-4476-11eb-9b56-87952687e024]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN5391504494.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Burek Pierce, "Narratives, Nerdfighters, and New Media" (U Iowa Press, 2020)</title>
      <description>Nerdfighteria started over a decade ago by brothers Hank and John Green who decided to provide literacy themed programming on their website and YouTube channel. With almost three million members, Nerdfighteria is more than just a space for fans to talk about the work of John Green and other young adult authors. In her new book, Narratives, Nerd Fighters, and New Media (University of Iowa Press, 2020), Jennifer Burek Pierce explores the ways the media platforms created by the Green brothers have become spaces for fans to not only learn about the writing of John Green, and more recently his brother Hank as well, but to also share their own fan art and make connections with one another. Burek Pierce examines the ways in which readers use videos and other activities to engage authors and other readers. Nerdfighters are readers and Burek Pierce's work examines not only the online community they have created, but how this community tells us about reading in the digital age. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 05 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Burek Pierce</itunes:subtitle>
      <itunes:summary>Nerdfighteria started over a decade ago by brothers Hank and John Green who decided to provide literacy themed programming on their website and YouTube channel. With almost three million members, Nerdfighteria is more than just a space for fans to talk about the work of John Green and other young adult authors. In her new book, Narratives, Nerd Fighters, and New Media (University of Iowa Press, 2020), Jennifer Burek Pierce explores the ways the media platforms created by the Green brothers have become spaces for fans to not only learn about the writing of John Green, and more recently his brother Hank as well, but to also share their own fan art and make connections with one another. Burek Pierce examines the ways in which readers use videos and other activities to engage authors and other readers. Nerdfighters are readers and Burek Pierce's work examines not only the online community they have created, but how this community tells us about reading in the digital age. 
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nerdfighteria started over a decade ago by brothers Hank and John Green who decided to provide literacy themed programming on their website and YouTube channel. With almost three million members, Nerdfighteria is more than just a space for fans to talk about the work of John Green and other young adult authors. In her new book, <a href="https://bookshop.org/a/12343/9781609387181"><em>Narratives, Nerd Fighters, and New Media </em></a>(University of Iowa Press, 2020), <a href="https://www.slis.uiowa.edu/research-profiles/pierce-jennifer-burek">Jennifer Burek Pierce</a> explores the ways the media platforms created by the Green brothers have become spaces for fans to not only learn about the writing of John Green, and more recently his brother Hank as well, but to also share their own fan art and make connections with one another. Burek Pierce examines the ways in which readers use videos and other activities to engage authors and other readers. Nerdfighters are readers and Burek Pierce's work examines not only the online community they have created, but how this community tells us about reading in the digital age. </p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2754</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f2d5ad2a-42fd-11eb-84fc-b3e8dfbbc9ea]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN3953550805.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anthony Valerio, "Before the Sidewalk Ended: A Walk with Shel Silverstein" (Daisy H. Productions, 2020)</title>
      <description>Anthony Valerio's Before the Sidewalk Ended: A Walk with Shel Silverstein (Daisy H. Productions, 2020) is a startling portrait of the great writer of children's books, songs and plays Shel Silverstein. What he was like as a man and a friend. What interested and inspired him. Some of the women in his life. The loving, often hilarious relationship between Shel Silverstein and Anthony Valerio depicted in these pages entertains as much as informs. Take a ground-breaking walk beside them through Greenwich Village on a routine workday, their stops, their conversations. Lending beauty and life to this charming memoir of an historical time and place are never before seen photos by the great graphic artist and photographer Dave Barry. About Anthony Valerio, Shel Silverstein wrote: "He knows his people. He knows his craft. He gets in, tells his story and gets out. It's what good writing should be." 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 04 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>194</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anthony Valerio</itunes:subtitle>
      <itunes:summary>Anthony Valerio's Before the Sidewalk Ended: A Walk with Shel Silverstein (Daisy H. Productions, 2020) is a startling portrait of the great writer of children's books, songs and plays Shel Silverstein. What he was like as a man and a friend. What interested and inspired him. Some of the women in his life. The loving, often hilarious relationship between Shel Silverstein and Anthony Valerio depicted in these pages entertains as much as informs. Take a ground-breaking walk beside them through Greenwich Village on a routine workday, their stops, their conversations. Lending beauty and life to this charming memoir of an historical time and place are never before seen photos by the great graphic artist and photographer Dave Barry. About Anthony Valerio, Shel Silverstein wrote: "He knows his people. He knows his craft. He gets in, tells his story and gets out. It's what good writing should be." 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Anthony Valerio's <a href="https://bookshop.org/a/12343/9780977282425"><em>Before the Sidewalk Ended: A Walk with Shel Silverstein</em></a> (Daisy H. Productions, 2020) is a startling portrait of the great writer of children's books, songs and plays Shel Silverstein. What he was like as a man and a friend. What interested and inspired him. Some of the women in his life. The loving, often hilarious relationship between Shel Silverstein and Anthony Valerio depicted in these pages entertains as much as informs. Take a ground-breaking walk beside them through Greenwich Village on a routine workday, their stops, their conversations. Lending beauty and life to this charming memoir of an historical time and place are never before seen photos by the great graphic artist and photographer Dave Barry. About Anthony Valerio, Shel Silverstein wrote: "He knows his people. He knows his craft. He gets in, tells his story and gets out. It's what good writing should be." </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1763</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b4e09fd8-4231-11eb-97b7-578001be2053]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN8528565000.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kyle Riismandel, "Neighborhood of Fear: The Suburban Crisis in American Culture, 1975–2001" (Johns Hopkins UP, 2020)</title>
      <description>One of the lures that drew Americans to the suburbs in the years after World War II was the promise of a secure life. By the mid-1970s, however, it seemed that this security was under threat from a variety of sources. In Neighborhood of Fear: The Suburban Crisis in American Culture, 1975–2001 (Johns Hopkins University Press, 2020), Kyle Riismandel examines the anxiety felt by American suburbanites during those decades, and what their responses reveal about the politics and society of that era. As Riismandel explains, many of these fears were mirrored and amplified by the popular culture of the era, with movies and television shows shaping perceptions of the problems suburbanites faced. Keyed by events such as the meltdown of the Three Mile Island reactor, the discoveries of pollution at Love Canal, and the kidnapping of Adam Walsh, suburbanites mobilized to prevent bar similar threats from endangering their neighborhoods. As Riismandel illustrates, their opposition was typically very localized, and often embodied both the distrust of government and the concern for cultural decay reflected in the New Right politics so prevalent during the era.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 29 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>881</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kyle Riismandel</itunes:subtitle>
      <itunes:summary>One of the lures that drew Americans to the suburbs in the years after World War II was the promise of a secure life. By the mid-1970s, however, it seemed that this security was under threat from a variety of sources. In Neighborhood of Fear: The Suburban Crisis in American Culture, 1975–2001 (Johns Hopkins University Press, 2020), Kyle Riismandel examines the anxiety felt by American suburbanites during those decades, and what their responses reveal about the politics and society of that era. As Riismandel explains, many of these fears were mirrored and amplified by the popular culture of the era, with movies and television shows shaping perceptions of the problems suburbanites faced. Keyed by events such as the meltdown of the Three Mile Island reactor, the discoveries of pollution at Love Canal, and the kidnapping of Adam Walsh, suburbanites mobilized to prevent bar similar threats from endangering their neighborhoods. As Riismandel illustrates, their opposition was typically very localized, and often embodied both the distrust of government and the concern for cultural decay reflected in the New Right politics so prevalent during the era.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the lures that drew Americans to the suburbs in the years after World War II was the promise of a secure life. By the mid-1970s, however, it seemed that this security was under threat from a variety of sources. In <a href="https://bookshop.org/a/12343/9781421439549"><em>Neighborhood of Fear: The Suburban Crisis in American Culture, 1975–2001</em></a><em> </em>(Johns Hopkins University Press, 2020), Kyle Riismandel examines the anxiety felt by American suburbanites during those decades, and what their responses reveal about the politics and society of that era. As Riismandel explains, many of these fears were mirrored and amplified by the popular culture of the era, with movies and television shows shaping perceptions of the problems suburbanites faced. Keyed by events such as the meltdown of the Three Mile Island reactor, the discoveries of pollution at Love Canal, and the kidnapping of Adam Walsh, suburbanites mobilized to prevent bar similar threats from endangering their neighborhoods. As Riismandel illustrates, their opposition was typically very localized, and often embodied both the distrust of government and the concern for cultural decay reflected in the New Right politics so prevalent during the era.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2557</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[31020bf4-3e56-11eb-b196-df8795aa5b32]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2596435286.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Charles R. Acland, "American Blockbuster: Movies, Technology, and Wonder" (Duke UP, 2020)</title>
      <description>Ben-Hur (1959), Jaws (1975), Avatar (2009), Wonder Woman (2017): the blockbuster movie has held a dominant position in American popular culture for decades. In American Blockbuster: Movies, Technology, and Wonder (Duke University Press, 2020), Charles R. Acland charts the origins, impact, and dynamics of this most visible, entertaining, and disparaged cultural form. Acland narrates how blockbusters emerged from Hollywood's turn to a hit-driven focus during the industry's business crisis in the 1950s. Movies became bigger, louder, and more spectacular. They also became prototypes for ideas and commodities associated with the future of technology and culture, accelerating the prominence of technological innovation in modern American life. Acland shows that blockbusters continue to be more than just movies; they are industrial strategies and complex cultural machines designed to normalize the ideologies of our technological age.
Charles R. Acland is Distinguished University Research Professor of Communication Studies at Concordia University, Montreal. He is the author of Swift Viewing: The Popular Life of Subliminal Influence and Screen Traffic: Movies, Multiplexes, and Global Culture, and coeditor of Useful Cinema, all also published by Duke University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 29 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>80</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Charles R. Acland</itunes:subtitle>
      <itunes:summary>Ben-Hur (1959), Jaws (1975), Avatar (2009), Wonder Woman (2017): the blockbuster movie has held a dominant position in American popular culture for decades. In American Blockbuster: Movies, Technology, and Wonder (Duke University Press, 2020), Charles R. Acland charts the origins, impact, and dynamics of this most visible, entertaining, and disparaged cultural form. Acland narrates how blockbusters emerged from Hollywood's turn to a hit-driven focus during the industry's business crisis in the 1950s. Movies became bigger, louder, and more spectacular. They also became prototypes for ideas and commodities associated with the future of technology and culture, accelerating the prominence of technological innovation in modern American life. Acland shows that blockbusters continue to be more than just movies; they are industrial strategies and complex cultural machines designed to normalize the ideologies of our technological age.
Charles R. Acland is Distinguished University Research Professor of Communication Studies at Concordia University, Montreal. He is the author of Swift Viewing: The Popular Life of Subliminal Influence and Screen Traffic: Movies, Multiplexes, and Global Culture, and coeditor of Useful Cinema, all also published by Duke University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Ben-Hur</em> (1959), <em>Jaws</em> (1975), <em>Avatar</em> (2009), <em>Wonder Woman</em> (2017): the blockbuster movie has held a dominant position in American popular culture for decades. In <a href="https://bookshop.org/a/12343/9781478009504"><em>American Blockbuster: Movies, Technology, and Wonder</em></a><em> </em>(Duke University Press, 2020), Charles R. Acland charts the origins, impact, and dynamics of this most visible, entertaining, and disparaged cultural form. Acland narrates how blockbusters emerged from Hollywood's turn to a hit-driven focus during the industry's business crisis in the 1950s. Movies became bigger, louder, and more spectacular. They also became prototypes for ideas and commodities associated with the future of technology and culture, accelerating the prominence of technological innovation in modern American life. Acland shows that blockbusters continue to be more than just movies; they are industrial strategies and complex cultural machines designed to normalize the ideologies of our technological age.</p><p>Charles R. Acland is Distinguished University Research Professor of Communication Studies at Concordia University, Montreal. He is the author of <em>Swift Viewing: The Popular Life of Subliminal Influence</em> and <em>Screen Traffic: Movies, Multiplexes, and Global Culture</em>, and coeditor of <em>Useful Cinema</em>, all also published by Duke University Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4637</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d1e7e926-3f05-11eb-a5a4-33fc814d97d1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN4886411824.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pete Croatto, "From Hang Time to Prime Time: Business, Entertainment, and the Birth of the Modern-Day NBA" (Atria Books, 2020)</title>
      <description>The birth of the modern-day NBA is often attributed to Magic Johnson, Larry Bird, Michael Jordan and David Stern. In From Hang Time to Prime Time: Business, Entertainment, and the Birth of the Modern-Day NBA (Atria Books, 2020), Pete Croatto pays homage to those legendary figures, while putting their contributions to the game in the context of some of the cultural, business and technological forces that built the NBA into a pop culture juggernaut. Croatto examines how the ABA/NBA merger, CBS’s personality-driven coverage of key players, the expansion of cable television, the emergence of hip-hop culture and a brilliant marketing team at NBA Entertainment transformed a fledgling league searching for its identity into a global phenomenon.
The breadth and depth of this thoroughly researched book (Croatto interviewed over 300 sources) is staggering, and yet, the author managed to present the narrative in a breezy, easy to read narrative. From Hang Time to Prime Time has something for everyone, appealing to die-hard and casual basketball fans alike. The reader will learn about building a business, marketing a product, music, fashion, technology and more.
Paul Knepper was born and raised in New York and currently resides in Austin. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers Who Almost Won It All, is available on Amazon and other sites. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 21 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>181</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pete Croatto</itunes:subtitle>
      <itunes:summary>The birth of the modern-day NBA is often attributed to Magic Johnson, Larry Bird, Michael Jordan and David Stern. In From Hang Time to Prime Time: Business, Entertainment, and the Birth of the Modern-Day NBA (Atria Books, 2020), Pete Croatto pays homage to those legendary figures, while putting their contributions to the game in the context of some of the cultural, business and technological forces that built the NBA into a pop culture juggernaut. Croatto examines how the ABA/NBA merger, CBS’s personality-driven coverage of key players, the expansion of cable television, the emergence of hip-hop culture and a brilliant marketing team at NBA Entertainment transformed a fledgling league searching for its identity into a global phenomenon.
The breadth and depth of this thoroughly researched book (Croatto interviewed over 300 sources) is staggering, and yet, the author managed to present the narrative in a breezy, easy to read narrative. From Hang Time to Prime Time has something for everyone, appealing to die-hard and casual basketball fans alike. The reader will learn about building a business, marketing a product, music, fashion, technology and more.
Paul Knepper was born and raised in New York and currently resides in Austin. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers Who Almost Won It All, is available on Amazon and other sites. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The birth of the modern-day NBA is often attributed to Magic Johnson, Larry Bird, Michael Jordan and David Stern. In <a href="https://bookshop.org/a/12343/9781982103958"><em>From Hang Time to Prime Time: Business, Entertainment, and the Birth of the Modern-Day NBA</em></a><em> </em>(Atria Books, 2020)<em>, </em>Pete<em> </em>Croatto pays homage to those legendary figures, while putting their contributions to the game in the context of some of the cultural, business and technological forces that built the NBA into a pop culture juggernaut. Croatto examines how the ABA/NBA merger, CBS’s personality-driven coverage of key players, the expansion of cable television, the emergence of hip-hop culture and a brilliant marketing team at NBA Entertainment transformed a fledgling league searching for its identity into a global phenomenon.</p><p>The breadth and depth of this thoroughly researched book (Croatto interviewed over 300 sources) is staggering, and yet, the author managed to present the narrative in a breezy, easy to read narrative. <em>From Hang Time to Prime Time </em>has something for everyone, appealing to die-hard and casual basketball fans alike. The reader will learn about building a business, marketing a product, music, fashion, technology and more.</p><p><em>Paul Knepper was born and raised in New York and currently resides in Austin. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers Who Almost Won It All, is available on Amazon and other sites. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3475</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f81c0b90-3807-11eb-9885-abf699a6b33b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2591351633.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Laurent Fintoni, "Bedroom Beats &amp; B-Sides: Instrumental Hip-Hop &amp; Electronic Music at the Turn of the Century" (Velocity Press, 2020)</title>
      <description>In Bedroom Beats &amp; B-Sides: Instrumental Hip-Hop &amp; Electronic Music at the Turn of the Century (Velocity Press, 2020), Laurent Fintoni explores the rise of a new generation of bedroom producers at the turn of the century through the stories of various instrumental hip-hop and electronic music scenes. From trip-hop, downtempo, and IDM to leftfield hip-hop, glitch, and beats, the book explores how these scenes acted as incubators for new ideas about composition and performance that are now taken for granted. Combining social, cultural, and musical history with extensive research and over 100 interviews, the book tells the B-side stories of hip-hop and electronic music from the 1990s to the 2010s. Using the format of a beat tape, it explores the evolution of a modern beat culture from local scenes to global community via the diverse groups of idealists on the fringes who made it happen and the external forces that shaped their efforts. Before the uniformity of streaming services, always-on social media, and online tutorials for everything, this is a portrait of independence and experimentation amid historical change.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 21 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laurent Fintoni</itunes:subtitle>
      <itunes:summary>In Bedroom Beats &amp; B-Sides: Instrumental Hip-Hop &amp; Electronic Music at the Turn of the Century (Velocity Press, 2020), Laurent Fintoni explores the rise of a new generation of bedroom producers at the turn of the century through the stories of various instrumental hip-hop and electronic music scenes. From trip-hop, downtempo, and IDM to leftfield hip-hop, glitch, and beats, the book explores how these scenes acted as incubators for new ideas about composition and performance that are now taken for granted. Combining social, cultural, and musical history with extensive research and over 100 interviews, the book tells the B-side stories of hip-hop and electronic music from the 1990s to the 2010s. Using the format of a beat tape, it explores the evolution of a modern beat culture from local scenes to global community via the diverse groups of idealists on the fringes who made it happen and the external forces that shaped their efforts. Before the uniformity of streaming services, always-on social media, and online tutorials for everything, this is a portrait of independence and experimentation amid historical change.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781913231040"><em>Bedroom Beats &amp; B-Sides: Instrumental Hip-Hop &amp; Electronic Music at the Turn of the Century</em></a> (Velocity Press, 2020), <a href="http://www.laurentfintoni.com/">Laurent Fintoni</a> explores the rise of a new generation of bedroom producers at the turn of the century through the stories of various instrumental hip-hop and electronic music scenes. From trip-hop, downtempo, and IDM to leftfield hip-hop, glitch, and beats, the book explores how these scenes acted as incubators for new ideas about composition and performance that are now taken for granted. Combining social, cultural, and musical history with extensive research and over 100 interviews, the book tells the B-side stories of hip-hop and electronic music from the 1990s to the 2010s. Using the format of a beat tape, it explores the evolution of a modern beat culture from local scenes to global community via the diverse groups of idealists on the fringes who made it happen and the external forces that shaped their efforts. Before the uniformity of streaming services, always-on social media, and online tutorials for everything, this is a portrait of independence and experimentation amid historical change.</p><p><em>Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3395</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[408a93d4-37fd-11eb-9bf5-cfef6d71d339]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5176222942.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa Harper, "The Ways of the Bushwalker: On Foot in Australia" (U Washington Press, 2020)</title>
      <description>Today I talked to Melissa Harper about her book The Ways of the Bushwalker: On Foot in Australia (University of Washington Press, 2020). Australians have always loved to step out in nature, whether off-track or along a marked route. Bushwalking – an organised long-distance walk in rugged terrain that requires maps and camping equipment, or a family day out – is one of our most popular pastimes. This landmark book, now updated, was the first to delve into its rich and sometimes quirky history.

From the earliest days of European settlement, colonists found pleasure in leisurely strolls through the bush, collecting flowers, sketching, bird watching and picnicking. Yet over time, walking for the sake of walking became the dominant motive. Walking clubs proliferated, railways organised mystery hikes attended by thousands, and Paddy Pallin established his equipment business. Bushwalking – serious walking – was invented.

Whether you are inclined to put on your walking boots and pack your sleeping bag, or would rather stay in a luxury hut, this surefooted and witty book reveals how the ordinary act of walking can become extraordinary.

Melissa Harper is a senior lecturer in communications and arts at the University of Queensland. She has published widely on the history of walking in Australia, including the acclaimed first edition of Ways of the Bushwalker. She wrote the chapter about the billy in Symbols of Australia and is currently working on a history of fine dining.
Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). bede.haines@holdingredlich.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 21 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melissa Harper</itunes:subtitle>
      <itunes:summary>Today I talked to Melissa Harper about her book The Ways of the Bushwalker: On Foot in Australia (University of Washington Press, 2020). Australians have always loved to step out in nature, whether off-track or along a marked route. Bushwalking – an organised long-distance walk in rugged terrain that requires maps and camping equipment, or a family day out – is one of our most popular pastimes. This landmark book, now updated, was the first to delve into its rich and sometimes quirky history.

From the earliest days of European settlement, colonists found pleasure in leisurely strolls through the bush, collecting flowers, sketching, bird watching and picnicking. Yet over time, walking for the sake of walking became the dominant motive. Walking clubs proliferated, railways organised mystery hikes attended by thousands, and Paddy Pallin established his equipment business. Bushwalking – serious walking – was invented.

Whether you are inclined to put on your walking boots and pack your sleeping bag, or would rather stay in a luxury hut, this surefooted and witty book reveals how the ordinary act of walking can become extraordinary.

Melissa Harper is a senior lecturer in communications and arts at the University of Queensland. She has published widely on the history of walking in Australia, including the acclaimed first edition of Ways of the Bushwalker. She wrote the chapter about the billy in Symbols of Australia and is currently working on a history of fine dining.
Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). bede.haines@holdingredlich.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Melissa Harper about her book <a href="https://bookshop.org/a/12343/9780868409689"><em>The Ways of the Bushwalker: On Foot in Australia</em></a> (University of Washington Press, 2020). Australians have always loved to step out in nature, whether off-track or along a marked route. Bushwalking – an organised long-distance walk in rugged terrain that requires maps and camping equipment, or a family day out – is one of our most popular pastimes. This landmark book, now updated, was the first to delve into its rich and sometimes quirky history.</p><p><br></p><p>From the earliest days of European settlement, colonists found pleasure in leisurely strolls through the bush, collecting flowers, sketching, bird watching and picnicking. Yet over time, walking for the sake of walking became the dominant motive. Walking clubs proliferated, railways organised mystery hikes attended by thousands, and Paddy Pallin established his equipment business. Bushwalking – serious walking – was invented.</p><p><br></p><p>Whether you are inclined to put on your walking boots and pack your sleeping bag, or would rather stay in a luxury hut, this surefooted and witty book reveals how the ordinary act of walking can become extraordinary.</p><p><br></p><p>Melissa Harper is a senior lecturer in communications and arts at the University of Queensland. She has published widely on the history of walking in Australia, including the acclaimed first edition of <em>Ways of the Bushwalker. </em>She wrote the chapter about the billy in Symbols of Australia and is currently working on a history of fine dining.</p><p><em>Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). bede.haines@holdingredlich.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3625</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN5021644209.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>R. Garofalo, E. T. Allen, A. Snyder, "Honk!: A Street Band Renaissance of Music and Activism" (Routledge, 2019)</title>
      <description>HONK! A Street Band Renaissance of Music and Activism (Routledge, 2020), edited by Reebee Garofalo, Erin T. Allen, and Andrew Snyder, explores a fast-growing and transnational movement of street bands—particularly brass and percussion ensembles—and examines how this exciting phenomenon mobilizes communities to reimagine public spaces, protest injustice, and assert their activism. Through the joy of participatory music making, HONK! bands foster active musical engagement in street protests while encouraging grassroots organization, representing a manifestation of cultural activity that exists at the intersections of community, activism, and music. This collection of twenty essays considers the parallels between the diversity of these movements and the diversity of the musical repertoire these bands play and share. 
Learn more at this website. 
Reebee Garofalo is a member of the Organizing Committee for the Somerville HONK! Festival and a longtime scholar of popular music studies. He is Professor Emeritus at the University of Massachusetts Boston.
Erin T. Allen is a PhD candidate in Ethnomusicology at Ohio State University with a dissertation focused on the HONK! community in the United States. She is an ethnomusicologist who plays trumpet with Chicago’s Environmental Encroachment.
Andrew Snyder received his PhD in Ethnomusicology at the University of California, Berkeley in 2018 with a dissertation about brass bands in Rio de Janeiro. He is an ethnomusicologist who plays trumpet and co-founded San Francisco’s Mission Delirium, and this month he began a research postdoc at the Ethnomusicology Institute at the New University of Lisbon in Portugal.
Emily Ruth Allen (@emmyru91) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 21 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Reebee Garofalo, Erin T. Allen, and Andrew Snyder</itunes:subtitle>
      <itunes:summary>HONK! A Street Band Renaissance of Music and Activism (Routledge, 2020), edited by Reebee Garofalo, Erin T. Allen, and Andrew Snyder, explores a fast-growing and transnational movement of street bands—particularly brass and percussion ensembles—and examines how this exciting phenomenon mobilizes communities to reimagine public spaces, protest injustice, and assert their activism. Through the joy of participatory music making, HONK! bands foster active musical engagement in street protests while encouraging grassroots organization, representing a manifestation of cultural activity that exists at the intersections of community, activism, and music. This collection of twenty essays considers the parallels between the diversity of these movements and the diversity of the musical repertoire these bands play and share. 
Learn more at this website. 
Reebee Garofalo is a member of the Organizing Committee for the Somerville HONK! Festival and a longtime scholar of popular music studies. He is Professor Emeritus at the University of Massachusetts Boston.
Erin T. Allen is a PhD candidate in Ethnomusicology at Ohio State University with a dissertation focused on the HONK! community in the United States. She is an ethnomusicologist who plays trumpet with Chicago’s Environmental Encroachment.
Andrew Snyder received his PhD in Ethnomusicology at the University of California, Berkeley in 2018 with a dissertation about brass bands in Rio de Janeiro. He is an ethnomusicologist who plays trumpet and co-founded San Francisco’s Mission Delirium, and this month he began a research postdoc at the Ethnomusicology Institute at the New University of Lisbon in Portugal.
Emily Ruth Allen (@emmyru91) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367030711"><em>HONK! A Street Band Renaissance of Music and Activism</em></a> (Routledge, 2020), edited by Reebee Garofalo, Erin T. Allen, and Andrew Snyder, explores a fast-growing and transnational movement of street bands—particularly brass and percussion ensembles—and examines how this exciting phenomenon mobilizes communities to reimagine public spaces, protest injustice, and assert their activism. Through the joy of participatory music making, HONK! bands foster active musical engagement in street protests while encouraging grassroots organization, representing a manifestation of cultural activity that exists at the intersections of community, activism, and music. This collection of twenty essays considers the parallels between the diversity of these movements and the diversity of the musical repertoire these bands play and share. </p><p>Learn more at <a href="http://www.honkrenaissance.net/">this website</a>. </p><p>Reebee Garofalo is a member of the Organizing Committee for the Somerville HONK! Festival and a longtime scholar of popular music studies. He is Professor Emeritus at the University of Massachusetts Boston.</p><p>Erin T. Allen is a PhD candidate in Ethnomusicology at Ohio State University with a dissertation focused on the HONK! community in the United States. She is an ethnomusicologist who plays trumpet with Chicago’s Environmental Encroachment.</p><p>Andrew Snyder received his PhD in Ethnomusicology at the University of California, Berkeley in 2018 with a dissertation about brass bands in Rio de Janeiro. He is an ethnomusicologist who plays trumpet and co-founded San Francisco’s Mission Delirium, and this month he began a research postdoc at the Ethnomusicology Institute at the New University of Lisbon in Portugal.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5408</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT1274056329.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa Harper, "The Ways of the Bushwalker: On Foot in Australia" (U Washington Press, 2020)</title>
      <description>Today I talked to Melissa Harper about her book The Ways of the Bushwalker: On Foot in Australia (University of Washington Press, 2020). Australians have always loved to step out in nature, whether off-track or along a marked route. Bushwalking – an organised long-distance walk in rugged terrain that requires maps and camping equipment, or a family day out – is one of our most popular pastimes. This landmark book, now updated, was the first to delve into its rich and sometimes quirky history.

From the earliest days of European settlement, colonists found pleasure in leisurely strolls through the bush, collecting flowers, sketching, bird watching and picnicking. Yet over time, walking for the sake of walking became the dominant motive. Walking clubs proliferated, railways organised mystery hikes attended by thousands, and Paddy Pallin established his equipment business. Bushwalking – serious walking – was invented.

Whether you are inclined to put on your walking boots and pack your sleeping bag, or would rather stay in a luxury hut, this surefooted and witty book reveals how the ordinary act of walking can become extraordinary.

Melissa Harper is a senior lecturer in communications and arts at the University of Queensland. She has published widely on the history of walking in Australia, including the acclaimed first edition of Ways of the Bushwalker. She wrote the chapter about the billy in Symbols of Australia and is currently working on a history of fine dining.
Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). bede.haines@holdingredlich.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 21 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melissa Harper</itunes:subtitle>
      <itunes:summary>Today I talked to Melissa Harper about her book The Ways of the Bushwalker: On Foot in Australia (University of Washington Press, 2020). Australians have always loved to step out in nature, whether off-track or along a marked route. Bushwalking – an organised long-distance walk in rugged terrain that requires maps and camping equipment, or a family day out – is one of our most popular pastimes. This landmark book, now updated, was the first to delve into its rich and sometimes quirky history.

From the earliest days of European settlement, colonists found pleasure in leisurely strolls through the bush, collecting flowers, sketching, bird watching and picnicking. Yet over time, walking for the sake of walking became the dominant motive. Walking clubs proliferated, railways organised mystery hikes attended by thousands, and Paddy Pallin established his equipment business. Bushwalking – serious walking – was invented.

Whether you are inclined to put on your walking boots and pack your sleeping bag, or would rather stay in a luxury hut, this surefooted and witty book reveals how the ordinary act of walking can become extraordinary.

Melissa Harper is a senior lecturer in communications and arts at the University of Queensland. She has published widely on the history of walking in Australia, including the acclaimed first edition of Ways of the Bushwalker. She wrote the chapter about the billy in Symbols of Australia and is currently working on a history of fine dining.
Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). bede.haines@holdingredlich.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Melissa Harper about her book <a href="https://bookshop.org/a/12343/9780868409689"><em>The Ways of the Bushwalker: On Foot in Australia</em></a> (University of Washington Press, 2020). Australians have always loved to step out in nature, whether off-track or along a marked route. Bushwalking – an organised long-distance walk in rugged terrain that requires maps and camping equipment, or a family day out – is one of our most popular pastimes. This landmark book, now updated, was the first to delve into its rich and sometimes quirky history.</p><p><br></p><p>From the earliest days of European settlement, colonists found pleasure in leisurely strolls through the bush, collecting flowers, sketching, bird watching and picnicking. Yet over time, walking for the sake of walking became the dominant motive. Walking clubs proliferated, railways organised mystery hikes attended by thousands, and Paddy Pallin established his equipment business. Bushwalking – serious walking – was invented.</p><p><br></p><p>Whether you are inclined to put on your walking boots and pack your sleeping bag, or would rather stay in a luxury hut, this surefooted and witty book reveals how the ordinary act of walking can become extraordinary.</p><p><br></p><p>Melissa Harper is a senior lecturer in communications and arts at the University of Queensland. She has published widely on the history of walking in Australia, including the acclaimed first edition of <em>Ways of the Bushwalker. </em>She wrote the chapter about the billy in Symbols of Australia and is currently working on a history of fine dining.</p><p><em>Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). bede.haines@holdingredlich.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3625</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f02b62e6-4504-11eb-be2b-cbe8bf30acad]]></guid>
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    <item>
      <title>Sharon Marcus, "The Drama of Celebrity" (Princeton UP, 2020)</title>
      <description>Sharon Marcus’s new book, The Drama of Celebrity (Princeton UP, 2020), sets out to help us understand celebrity culture and how it has shifted and evolved since its contemporary inception in the early 1800s. Marcus highlights the celebrity concept throughout western history, indicating some of the same dynamics at work in classical Greece that we see in our current popular culture landscape. This culture has three components that are generally all present in some form: the celebrities themselves, who may achieve that role through some form of performance or other attention-generating experience or event, a media of some kind (radio, newspaper, magazines, social media) that focuses attention on individual celebrities, and the fans or citizens who engage with the celebrities. Marcus delineates this “three-legged stool” of celebrity culture and notes that while aspects of it have changed over the years—especially the form of media—the structure and foundation continues to operate as an interactive ecosystem. Marcus opens up her tracing of this culture with Sarah Bernhardt, who embodied a kind of prototype of what we see and consider modern celebrity culture. With Bernhardt as an iconic example as well as a Virgil-like guide, Marcus explores contemporary celebrity, and also the critique of celebrity, asking the question of how we should understand these phenomena in the age of Trump, both in the United States and elsewhere.
The Drama of Celebrity also dives into the racial and gender dynamics that have long been at work in the value placed on those who achieve fame and celebrity status. Without shifting the thesis to focus only on the role of gender and celebrity, Marcus teases out the dichotomous approach to male celebrity and female celebrity, and the different standards that are applied to both the individual celebrity themselves and their fans. As we move through different media and different performative formats that promote or garner an individual fame and celebrity, Marcus also compels the reader to consider the opposing ideas of American individualism and the production of mass culture, and how these antithetical dimensions are united within celebrity culture. This is a fascinating examination of the idea and the mechanics of celebrity and will be of interest to a broad array of readers.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>485</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sharon Marcus</itunes:subtitle>
      <itunes:summary>Sharon Marcus’s new book, The Drama of Celebrity (Princeton UP, 2020), sets out to help us understand celebrity culture and how it has shifted and evolved since its contemporary inception in the early 1800s. Marcus highlights the celebrity concept throughout western history, indicating some of the same dynamics at work in classical Greece that we see in our current popular culture landscape. This culture has three components that are generally all present in some form: the celebrities themselves, who may achieve that role through some form of performance or other attention-generating experience or event, a media of some kind (radio, newspaper, magazines, social media) that focuses attention on individual celebrities, and the fans or citizens who engage with the celebrities. Marcus delineates this “three-legged stool” of celebrity culture and notes that while aspects of it have changed over the years—especially the form of media—the structure and foundation continues to operate as an interactive ecosystem. Marcus opens up her tracing of this culture with Sarah Bernhardt, who embodied a kind of prototype of what we see and consider modern celebrity culture. With Bernhardt as an iconic example as well as a Virgil-like guide, Marcus explores contemporary celebrity, and also the critique of celebrity, asking the question of how we should understand these phenomena in the age of Trump, both in the United States and elsewhere.
The Drama of Celebrity also dives into the racial and gender dynamics that have long been at work in the value placed on those who achieve fame and celebrity status. Without shifting the thesis to focus only on the role of gender and celebrity, Marcus teases out the dichotomous approach to male celebrity and female celebrity, and the different standards that are applied to both the individual celebrity themselves and their fans. As we move through different media and different performative formats that promote or garner an individual fame and celebrity, Marcus also compels the reader to consider the opposing ideas of American individualism and the production of mass culture, and how these antithetical dimensions are united within celebrity culture. This is a fascinating examination of the idea and the mechanics of celebrity and will be of interest to a broad array of readers.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sharon Marcus’s new book, <a href="https://bookshop.org/a/12343/9780691210186"><em>The Drama of Celebrity</em></a><em> </em>(Princeton UP, 2020), sets out to help us understand celebrity culture and how it has shifted and evolved since its contemporary inception in the early 1800s. Marcus highlights the celebrity concept throughout western history, indicating some of the same dynamics at work in classical Greece that we see in our current popular culture landscape. This culture has three components that are generally all present in some form: the celebrities themselves, who may achieve that role through some form of performance or other attention-generating experience or event, a media of some kind (radio, newspaper, magazines, social media) that focuses attention on individual celebrities, and the fans or citizens who engage with the celebrities. Marcus delineates this “three-legged stool” of celebrity culture and notes that while aspects of it have changed over the years—especially the form of media—the structure and foundation continues to operate as an interactive ecosystem. Marcus opens up her tracing of this culture with Sarah Bernhardt, who embodied a kind of prototype of what we see and consider modern celebrity culture. With Bernhardt as an iconic example as well as a Virgil-like guide, Marcus explores contemporary celebrity, and also the critique of celebrity, asking the question of how we should understand these phenomena in the age of Trump, both in the United States and elsewhere.</p><p><em>The Drama of Celebrity</em> also dives into the racial and gender dynamics that have long been at work in the value placed on those who achieve fame and celebrity status. Without shifting the thesis to focus only on the role of gender and celebrity, Marcus teases out the dichotomous approach to male celebrity and female celebrity, and the different standards that are applied to both the individual celebrity themselves and their fans. As we move through different media and different performative formats that promote or garner an individual fame and celebrity, Marcus also compels the reader to consider the opposing ideas of American individualism and the production of mass culture, and how these antithetical dimensions are united within celebrity culture. This is a fascinating examination of the idea and the mechanics of celebrity and will be of interest to a broad array of readers.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, </em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0">Women and the White House: Gender, Popular Culture, and Presidential Politics</a> (University Press of Kentucky, 2012), <em>as well as co-editor of</em> <a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/">Mad Men and Politics: Nostalgia and the Remaking of Modern America</a> (Bloomsbury Academic, 2015).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3093</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bd69b62e-3bc6-11eb-a5ab-a7be8ae01ccd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4664190223.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Waleed F. Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)</title>
      <description>It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? 
In Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press, 2020), Waleed F. Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity. Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging—how and why they vary, and what’s at stake in their circulation.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 15 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? </itunes:subtitle>
      <itunes:summary>It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? 
In Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press, 2020), Waleed F. Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity. Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging—how and why they vary, and what’s at stake in their circulation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? </p><p>In<em> </em><a href="https://bookshop.org/a/12343/9780815636816"><em>Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation</em></a> (Syracuse University Press, 2020), Waleed F. Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity. Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging—how and why they vary, and what’s at stake in their circulation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4010</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[49c68e6a-3408-11eb-bcbe-57436283ba41]]></guid>
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    </item>
    <item>
      <title>Jack Zipes on Life as a Folklorist, Folklore Studies and Publishing Fairy Tales</title>
      <description>Today I talked with Jack Zipes about a life in Folklore Studies, about some of his many publications, and about publishing fairy tales. 
Jack Zipes is Professor Emeritus of German at the University of Minnesota and has previously held professorships at New York University, the University of Munich, the University of Wisconsin, and the University of Florida. In addition to his scholarly work, he is an active storyteller in public schools and has worked with children's theaters in France, Germany, Canada, and the United States. In 1997 he founded a storytelling and creative drama program, Neighborhood Bridges, in collaboration with the Children's Theatre Company of Minneapolis that is still thriving in the elementary schools of the Twin Cities and in other cities of the United States. Most recently, in 2018, he founded a small publishing house called Little Mole and Honey Bear with the motto to unbury talented and neglected writers and illustrators of fairy-tale books from the interwar years 1919-1940 before he himself is buried.
Rachel Hopkin PhD is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Today I talked with Jack Zipes about a life in Folklore Studies, about some of his many publications, and about publishing fairy tales....</itunes:subtitle>
      <itunes:summary>Today I talked with Jack Zipes about a life in Folklore Studies, about some of his many publications, and about publishing fairy tales. 
Jack Zipes is Professor Emeritus of German at the University of Minnesota and has previously held professorships at New York University, the University of Munich, the University of Wisconsin, and the University of Florida. In addition to his scholarly work, he is an active storyteller in public schools and has worked with children's theaters in France, Germany, Canada, and the United States. In 1997 he founded a storytelling and creative drama program, Neighborhood Bridges, in collaboration with the Children's Theatre Company of Minneapolis that is still thriving in the elementary schools of the Twin Cities and in other cities of the United States. Most recently, in 2018, he founded a small publishing house called Little Mole and Honey Bear with the motto to unbury talented and neglected writers and illustrators of fairy-tale books from the interwar years 1919-1940 before he himself is buried.
Rachel Hopkin PhD is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked with Jack Zipes about a life in Folklore Studies, about some of his many publications, and about publishing fairy tales. </p><p>Jack Zipes is Professor Emeritus of German at the University of Minnesota and has previously held professorships at New York University, the University of Munich, the University of Wisconsin, and the University of Florida. In addition to his scholarly work, he is an active storyteller in public schools and has worked with children's theaters in France, Germany, Canada, and the United States. In 1997 he founded a storytelling and creative drama program, Neighborhood Bridges, in collaboration with the Children's Theatre Company of Minneapolis that is still thriving in the elementary schools of the Twin Cities and in other cities of the United States. Most recently, in 2018, he founded a small publishing house called Little Mole and Honey Bear with the motto to unbury talented and neglected writers and illustrators of fairy-tale books from the interwar years 1919-1940 before he himself is buried.</p><p><a href="http://rachelhopkin.com/"><em>Rachel Hopkin</em></a><em> PhD is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT7378360333.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tony Bolden, "Groove Theory: The Blues Foundation of Funk" (UP of Mississippi, 2020)</title>
      <description>Groove Theory: The Blues Foundation of Funk (University Press of Mississippi, 2020) by Tony Bolden, an Associate Professor of African and African American Studies at the University of Kansas, and author of Afro-Blue: Improvisation in African American Poetry and Culture (University of Illinois Press, 2003), is a history of funk artists such as George Clinton who developed a new aesthetic style through the Black Arts Era of the 1960s and 1970s. Bolden defines these artists such as Clinton as Gil Scot Heron of the band The Last Poets as “organic intellectuals” who helped fashion a new Black aesthetic in their development of funk music and culture. The book has an “Introduction” section, six concise chapters, including an extensive notes section and selected bibliography.
Bolden’s main premise is that “blues and funk are not just musical forms; they are interrelated concepts. And blues is “like the nucleus” of rock as well as rhythm and blues, which includes soul and funk” (4). In many respects, the text is a history of the variant interrelated Black vernacular forms that flourished during the twentieth century that overlap and are intermingled within the funk aesthetic. Groove Theory is interdisciplinary in scope in that it engages a broad spectrum of academic disciplines including history, literary studies, and musicology to advance an argument about the meaning, style, and structure of funk as type of aesthetical practice in the history of African Americans. Bolden uses a myriad of sources such as poetry, literature, memoirs, interviews, and song lyrics to support his analysis.
The first part of the book contains three chapters that discusses both the historical and theoretical foundations of funk as a genre of music and cultural style. Chapter One titled “Groove Theory: Liner Notes on Funk Aesthetics” discusses how the funk “operates as a distinct form of black vernacular epistemology” and the Chapter Two “Blue Funk: The Ugly Beauty of Stank” focuses on the development of funk as an idea in the blues era. The last chapter in this part of the text Chapter Three “Sly Stone and the Gospel of Funk” concerns the impact of Sly Stone on the development of the funk sound.
Part two of Groove Theory contains three chapters that consider the relationship between blue funk and the black fantastic. This section also brings into the discussion the role of women in the development of the funk genre. In Chapter Four, Chaka Khan’s impact on funk music and culture while the following Chapter Five “Funky Bluesology: Gil Scott Heron As Black Organic Intellectual” considers the role of Heron in the advancement of the funk aesthetic. The final chapter “The Kinkiness of Turquoise: Betty Davis’s Liberated Funk-Rock” concerns the legacy of Betty Davis the famed Black woman rocker of the funk era. Bolden ends his text with an “Outro” that considers the lasting impact of funk music on American music culture.
Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). Follow me on twitter: @DrHettie2017
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bolden offers a history of funk artists such as George Clinton who developed a new aesthetic style through the Black Arts Era of the 1960s and 1970s....</itunes:subtitle>
      <itunes:summary>Groove Theory: The Blues Foundation of Funk (University Press of Mississippi, 2020) by Tony Bolden, an Associate Professor of African and African American Studies at the University of Kansas, and author of Afro-Blue: Improvisation in African American Poetry and Culture (University of Illinois Press, 2003), is a history of funk artists such as George Clinton who developed a new aesthetic style through the Black Arts Era of the 1960s and 1970s. Bolden defines these artists such as Clinton as Gil Scot Heron of the band The Last Poets as “organic intellectuals” who helped fashion a new Black aesthetic in their development of funk music and culture. The book has an “Introduction” section, six concise chapters, including an extensive notes section and selected bibliography.
Bolden’s main premise is that “blues and funk are not just musical forms; they are interrelated concepts. And blues is “like the nucleus” of rock as well as rhythm and blues, which includes soul and funk” (4). In many respects, the text is a history of the variant interrelated Black vernacular forms that flourished during the twentieth century that overlap and are intermingled within the funk aesthetic. Groove Theory is interdisciplinary in scope in that it engages a broad spectrum of academic disciplines including history, literary studies, and musicology to advance an argument about the meaning, style, and structure of funk as type of aesthetical practice in the history of African Americans. Bolden uses a myriad of sources such as poetry, literature, memoirs, interviews, and song lyrics to support his analysis.
The first part of the book contains three chapters that discusses both the historical and theoretical foundations of funk as a genre of music and cultural style. Chapter One titled “Groove Theory: Liner Notes on Funk Aesthetics” discusses how the funk “operates as a distinct form of black vernacular epistemology” and the Chapter Two “Blue Funk: The Ugly Beauty of Stank” focuses on the development of funk as an idea in the blues era. The last chapter in this part of the text Chapter Three “Sly Stone and the Gospel of Funk” concerns the impact of Sly Stone on the development of the funk sound.
Part two of Groove Theory contains three chapters that consider the relationship between blue funk and the black fantastic. This section also brings into the discussion the role of women in the development of the funk genre. In Chapter Four, Chaka Khan’s impact on funk music and culture while the following Chapter Five “Funky Bluesology: Gil Scott Heron As Black Organic Intellectual” considers the role of Heron in the advancement of the funk aesthetic. The final chapter “The Kinkiness of Turquoise: Betty Davis’s Liberated Funk-Rock” concerns the legacy of Betty Davis the famed Black woman rocker of the funk era. Bolden ends his text with an “Outro” that considers the lasting impact of funk music on American music culture.
Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). Follow me on twitter: @DrHettie2017
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781496830609"><em>Groove Theory: The Blues Foundation of Funk</em></a> (University Press of Mississippi, 2020) by Tony Bolden, an Associate Professor of African and African American Studies at the University of Kansas, and author of <em>Afro-Blue: Improvisation in African American Poetry and Culture</em> (University of Illinois Press, 2003), is a history of funk artists such as George Clinton who developed a new aesthetic style through the Black Arts Era of the 1960s and 1970s. Bolden defines these artists such as Clinton as Gil Scot Heron of the band The Last Poets as “organic intellectuals” who helped fashion a new Black aesthetic in their development of funk music and culture. The book has an “Introduction” section, six concise chapters, including an extensive notes section and selected bibliography.</p><p>Bolden’s main premise is that “blues and funk are not just musical forms; they are interrelated concepts. And blues is “like the nucleus” of rock as well as rhythm and blues, which includes soul and funk” (4). In many respects, the text is a history of the variant interrelated Black vernacular forms that flourished during the twentieth century that overlap and are intermingled within the funk aesthetic. <em>Groove Theory </em>is interdisciplinary in scope in that it engages a broad spectrum of academic disciplines including history, literary studies, and musicology to advance an argument about the meaning, style, and structure of funk as type of aesthetical practice in the history of African Americans. Bolden uses a myriad of sources such as poetry, literature, memoirs, interviews, and song lyrics to support his analysis.</p><p>The first part of the book contains three chapters that discusses both the historical and theoretical foundations of funk as a genre of music and cultural style. Chapter One titled “Groove Theory: Liner Notes on Funk Aesthetics” discusses how the funk “operates as a distinct form of black vernacular epistemology” and the Chapter Two “Blue Funk: The Ugly Beauty of Stank” focuses on the development of funk as an idea in the blues era. The last chapter in this part of the text Chapter Three “Sly Stone and the Gospel of Funk” concerns the impact of Sly Stone on the development of the funk sound.</p><p>Part two of <em>Groove Theory</em> contains three chapters that consider the relationship between blue funk and the black fantastic. This section also brings into the discussion the role of women in the development of the funk genre. In Chapter Four, Chaka Khan’s impact on funk music and culture while the following Chapter Five “Funky Bluesology: Gil Scott Heron As Black Organic Intellectual” considers the role of Heron in the advancement of the funk aesthetic. The final chapter “The Kinkiness of Turquoise: Betty Davis’s Liberated Funk-Rock” concerns the legacy of Betty Davis the famed Black woman rocker of the funk era. Bolden ends his text with an “Outro” that considers the lasting impact of funk music on American music culture.</p><p><a href="http://hettiewilliams.com/"><em>Hettie V. Williams</em></a><em> Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). Follow me on twitter: @DrHettie2017</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3671</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>N. Mclaughlin and J. Braniff, "How Belfast Got the Blues: A Cultural History of Popular Music in The 1960s" (Intellect, 2020)</title>
      <description>There is no shortage of books about the British Invasion or the history of R&amp;B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison’s hometown. Yet, in How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s (Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland’s first Blues singer—and find unexpected meaning in the film, Charlie is My Darling, directed by Peter Whitehead, that even die-hard Rolling Stones fans probably don’t know about.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Braniff and McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues...</itunes:subtitle>
      <itunes:summary>There is no shortage of books about the British Invasion or the history of R&amp;B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison’s hometown. Yet, in How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s (Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland’s first Blues singer—and find unexpected meaning in the film, Charlie is My Darling, directed by Peter Whitehead, that even die-hard Rolling Stones fans probably don’t know about.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There is no shortage of books about the British Invasion or the history of R&amp;B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison’s hometown. Yet, in <em>How Belfast </em><a href="https://bookshop.org/a/12343/9781789382747"><em>Got the Blues: A Cultural History of Popular Music in the 1960s</em></a><em> </em>(Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland’s first Blues singer—and find unexpected meaning in the film, <em>Charlie is My Darling</em>, directed by Peter Whitehead, that even die-hard <em>Rolling Stones </em>fans probably don’t know about.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4275</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Timothy Hampton, "Bob Dylan: How the Songs Work" (Zone Books, 2020)</title>
      <description>Timothy Hampton's Bob Dylan: How the Songs Work (Zone Books, 2020) is a fascinating and meticulous study of Bob Dylan's songwriting craft. Hampton discusses how Dylan incorporated and then transcended the Greenwich Village folk music tradition, how he reinvented himself as a visionary poet in the mid sixties, how he learned from poets as diverse as Rimbaud, Brecht, and Petrarch, and how his late-career work draws on and extends the themes he's been pursuing for his whole life. Hampton's book is written in a clear and accessible style and should appeal to anyone interested in the technique of this master songwriter.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 11 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Hampton offers a fascinating and meticulous study of Bob Dylan's songwriting craft...</itunes:subtitle>
      <itunes:summary>Timothy Hampton's Bob Dylan: How the Songs Work (Zone Books, 2020) is a fascinating and meticulous study of Bob Dylan's songwriting craft. Hampton discusses how Dylan incorporated and then transcended the Greenwich Village folk music tradition, how he reinvented himself as a visionary poet in the mid sixties, how he learned from poets as diverse as Rimbaud, Brecht, and Petrarch, and how his late-career work draws on and extends the themes he's been pursuing for his whole life. Hampton's book is written in a clear and accessible style and should appeal to anyone interested in the technique of this master songwriter.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Timothy Hampton's <a href="https://bookshop.org/a/12343/9781942130154"><em>Bob Dylan: How the Songs Work</em></a> (Zone Books, 2020) is a fascinating and meticulous study of Bob Dylan's songwriting craft. Hampton discusses how Dylan incorporated and then transcended the Greenwich Village folk music tradition, how he reinvented himself as a visionary poet in the mid sixties, how he learned from poets as diverse as Rimbaud, Brecht, and Petrarch, and how his late-career work draws on and extends the themes he's been pursuing for his whole life. Hampton's book is written in a clear and accessible style and should appeal to anyone interested in the technique of this master songwriter.</p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is </em><a href="https://www.andyjboyd.com/"><em>AndyJBoyd.com</em></a><em>, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Samantha Langsdale and Elizabeth Rae Coody, "Monstrous Women in Comics" (UP of Mississippi, 2020)</title>
      <description>In their new collection, Monstrous Women in Comics (University Press of Mississippi, 2020), Samantha Langsdale and Elizabeth Rae Coody put together a critical volume on the ways women are made monstrous in popular culture. This edited volume examines the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. The five sections of this book look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.
The collection includes contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. She has written extensively on popular culture in the classroom, youth’s out of school literacy practices, music-based pedagogy, and punk, including her book "Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics" (Peter Lang, 2018). She's a diehard Cubs fan and will miss The Winchester Brothers when they are gone.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book the ways women are made monstrous in popular culture...</itunes:subtitle>
      <itunes:summary>In their new collection, Monstrous Women in Comics (University Press of Mississippi, 2020), Samantha Langsdale and Elizabeth Rae Coody put together a critical volume on the ways women are made monstrous in popular culture. This edited volume examines the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. The five sections of this book look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.
The collection includes contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. She has written extensively on popular culture in the classroom, youth’s out of school literacy practices, music-based pedagogy, and punk, including her book "Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics" (Peter Lang, 2018). She's a diehard Cubs fan and will miss The Winchester Brothers when they are gone.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their new collection, <a href="https://bookshop.org/a/12343/9781496827630"><em>Monstrous Women in Comics</em></a><em> </em>(University Press of Mississippi, 2020), <a href="http://samanthalangsdale.blogspot.com/">Samantha Langsdale</a> and <a href="http://www.elizabethcoody.com/">Elizabeth Rae Coody</a> put together a critical volume on the ways women are made monstrous in popular culture. This edited volume examines the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. The five sections of this book look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.</p><p>The collection includes contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang.</p><p><em>Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. She has written extensively on popular culture in the classroom, youth’s out of school literacy practices, music-based pedagogy, and punk, including her book "Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics" (Peter Lang, 2018). She's a diehard Cubs fan and will miss The Winchester Brothers when they are gone.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3403</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bc106de8-29b2-11eb-a231-fb225fd60d39]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8182665687.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rebecca Harrison, "The Empire Strikes Back" (Bloomsbury, 2020)</title>
      <description>Why does The Empire Strikes Back matter? In BFI Classics Series's The Empire Strikes Back (Bloomsbury, 2020), Rebecca Harrison, a lecturer in Film and Television Studies at the University of Glasgow, tells the story of the film’s production and reception, and analyses the film’s on-screen representations. The book is framed through the idea of disruption, with The Empire Strikes Back discussed as a film that disrupted the industry, genre and cinematic conventions, and critical expectation. Moreover, the book disrupts conventional narratives of both the film and the Star Wars franchise more generally, for example centring the role of women in the history of Empire’s production. The book is essential reading as both a scholarly text, across and beyond humanities and media studies, and for any general reader interested in cinema and Star Wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 30 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Harrison tells the story of the film’s production and reception, and analyses the film’s on-screen representations...</itunes:subtitle>
      <itunes:summary>Why does The Empire Strikes Back matter? In BFI Classics Series's The Empire Strikes Back (Bloomsbury, 2020), Rebecca Harrison, a lecturer in Film and Television Studies at the University of Glasgow, tells the story of the film’s production and reception, and analyses the film’s on-screen representations. The book is framed through the idea of disruption, with The Empire Strikes Back discussed as a film that disrupted the industry, genre and cinematic conventions, and critical expectation. Moreover, the book disrupts conventional narratives of both the film and the Star Wars franchise more generally, for example centring the role of women in the history of Empire’s production. The book is essential reading as both a scholarly text, across and beyond humanities and media studies, and for any general reader interested in cinema and Star Wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does <em>The Empire Strikes Back</em> matter? In BFI Classics Series's <a href="https://bookshop.org/a/12343/9781911239970"><em>The Empire Strikes Back</em></a> (Bloomsbury, 2020), Rebecca Harrison, a lecturer in Film and Television Studies at the University of Glasgow, tells the story of the film’s production and reception, and analyses the film’s on-screen representations. The book is framed through the idea of disruption, with <em>The Empire Strikes Back</em> discussed as a film that disrupted the industry, genre and cinematic conventions, and critical expectation. Moreover, the book disrupts conventional narratives of both the film and the <em>Star Wars </em>franchise more generally, for example centring the role of women in the history of <em>Empire</em>’s production. The book is essential reading as both a scholarly text, across and beyond humanities and media studies, and for any general reader interested in cinema and <em>Star Wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2709</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>D. G. Young, "Irony and Outrage: The Polarized Landscape of Rage, Fear, and Laughter in the United States" (Oxford UP, 2019)</title>
      <description>On this episode of the New Books Network, Dr. Lee Pierce (s/t) Dr. Dannagal Goldthwaite Young (s/h) about why liberals love satire and conservative love outrage and how the two are merging and diverging in today’s world of media consolidation and political polarization.
In Irony and Outrage: The Polarized Landscape of Rage, Fear, and Laughter in the United States (Oxford UP, 2019), Young looks at two distinct genres of communication—irony and outrage—and their respective appeals to liberals and conservatives. Whereas liberal minds lean toward the ambiguity and play of irony, as exemplified in the daily show, conservative minds lean toward certainty and vigilance, as exemplified by Sean Hannity. Young argues that the roles that these two genres play for their viewers are strikingly similar: galvanizing the opinion of the left or the right, mobilizing citizens around certain causes, and expressing a frustration with traditional news coverage while offering alternative sources of information and meaning. One key way in which they differ, however, concludes Young, is in their capacity to be exploited by special interests and political elites.
Read Young's article, "The Lincoln Project and the Conservative Aesthetic." 

We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, @rhetoriclee on Twitter, Instagram, Facebook and Gmail for interview previews, the best book selfies, and new episode alerts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 27 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Young looks at two distinct genres of communication—irony and outrage—and their respective appeals to liberals and conservatives...</itunes:subtitle>
      <itunes:summary>On this episode of the New Books Network, Dr. Lee Pierce (s/t) Dr. Dannagal Goldthwaite Young (s/h) about why liberals love satire and conservative love outrage and how the two are merging and diverging in today’s world of media consolidation and political polarization.
In Irony and Outrage: The Polarized Landscape of Rage, Fear, and Laughter in the United States (Oxford UP, 2019), Young looks at two distinct genres of communication—irony and outrage—and their respective appeals to liberals and conservatives. Whereas liberal minds lean toward the ambiguity and play of irony, as exemplified in the daily show, conservative minds lean toward certainty and vigilance, as exemplified by Sean Hannity. Young argues that the roles that these two genres play for their viewers are strikingly similar: galvanizing the opinion of the left or the right, mobilizing citizens around certain causes, and expressing a frustration with traditional news coverage while offering alternative sources of information and meaning. One key way in which they differ, however, concludes Young, is in their capacity to be exploited by special interests and political elites.
Read Young's article, "The Lincoln Project and the Conservative Aesthetic." 

We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, @rhetoriclee on Twitter, Instagram, Facebook and Gmail for interview previews, the best book selfies, and new episode alerts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the New Books Network, <a href="https://leempierce.com/">Dr. Lee Pierce</a> (s/t) Dr. <a href="https://sites.google.com/view/dgoldyoung/home">Dannagal Goldthwaite Young</a> (s/h) about why liberals love satire and conservative love outrage and how the two are merging and diverging in today’s world of media consolidation and political polarization.</p><p>In <a href="https://bookshop.org/a/12343/9780190913083"><em>Irony and Outrage: The Polarized Landscape of Rage, Fear, and Laughter in the United States</em></a> (Oxford UP, 2019), Young looks at two distinct genres of communication—irony and outrage—and their respective appeals to liberals and conservatives. Whereas liberal minds lean toward the ambiguity and play of irony, as exemplified in the daily show, conservative minds lean toward certainty and vigilance, as exemplified by Sean Hannity. Young argues that the roles that these two genres play for their viewers are strikingly similar: galvanizing the opinion of the left or the right, mobilizing citizens around certain causes, and expressing a frustration with traditional news coverage while offering alternative sources of information and meaning. One key way in which they differ, however, concludes Young, is in their capacity to be exploited by special interests and political elites.</p><p>Read Young's article, "<a href="https://link.springer.com/article/10.1007/s12115-020-00537-9">The Lincoln Project and the Conservative Aesthetic</a>." </p><p><br></p><p>We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, @rhetoriclee on<a href="https://twitter.com/RhetoricLee"> Twitter</a>,<a href="http://www.instagram.com/rhetoricleespeaking"> </a><a href="http://www.instagram.com/rhetoriclee/">Instagram</a>, <a href="http://www.facebook.com/rhetoriclee">Facebook</a> and Gmail for interview previews, the best book selfies, and new episode alerts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3791</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[516bac54-25f3-11eb-828e-af4f530316ab]]></guid>
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    <item>
      <title>Travis Vogan, "ABC Sports: The Rise and Fall of Network Sports Television" (U California Press, 2018)</title>
      <description>Today we are joined by Travis Vogan, Associate Professor of Journalism and American Studies at the University of Iowa, and the author of ABC Sports: The Rise and Fall of Network Sports Television (University of California Press, 2018). In our conversation, we discussed the special role that ABC Sports played in the promotion of sports television, the innovations of sports broadcasting executive Roone Arledge, and the collapse of network sport broadcasting in the cable-TV era.
In ABC Sports, Vogan traces the cultural impact of ABC Sports rise in the 1950s until its demise in the 1990s. Under the aegis of Roone Arledge, ABC developed a innovative approach to sports programming that changed viewers experiences for the better. They foregrounded narrative, introduced documentary style reporting, developed new film and recording practices. Along the way, the network produced iconic sports programming such as Wide World of Sports and Monday Night Football. They nurtured a range of media personalities including Howard Cosell who helped the network navigate some of the eras most fraught sports coverage including the Munich Olympics Massacre. Their influence revolutionized the aesthetic experience, widening sports TV audiences, transformed the Olympics into a mega-event, introducing new media processes to the fledgling ABC News channel, and propelled ABC from America’s third place network to the top of the charts in the 1970s. Their reliance on costly but glossy production ultimately undid the ABC Sports division. In the 1980s and 1990s, the birth of cable television, especially ESPN, and a hostile takeover of their parent company ended Arledge’s era of sports television innovation but its legacies remain relevant today.
Vogan’s work offers insights into the interplay between sports and the media, and it offers insightful ways to think about how the two shaped viewers experiences and provided models for other media enterprises to change the wider media landscape. This book will be of interest to all who study sports and media studies.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>178</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Vogan traces the cultural impact of ABC Sports rise in the 1950s until its demise in the 1990s....</itunes:subtitle>
      <itunes:summary>Today we are joined by Travis Vogan, Associate Professor of Journalism and American Studies at the University of Iowa, and the author of ABC Sports: The Rise and Fall of Network Sports Television (University of California Press, 2018). In our conversation, we discussed the special role that ABC Sports played in the promotion of sports television, the innovations of sports broadcasting executive Roone Arledge, and the collapse of network sport broadcasting in the cable-TV era.
In ABC Sports, Vogan traces the cultural impact of ABC Sports rise in the 1950s until its demise in the 1990s. Under the aegis of Roone Arledge, ABC developed a innovative approach to sports programming that changed viewers experiences for the better. They foregrounded narrative, introduced documentary style reporting, developed new film and recording practices. Along the way, the network produced iconic sports programming such as Wide World of Sports and Monday Night Football. They nurtured a range of media personalities including Howard Cosell who helped the network navigate some of the eras most fraught sports coverage including the Munich Olympics Massacre. Their influence revolutionized the aesthetic experience, widening sports TV audiences, transformed the Olympics into a mega-event, introducing new media processes to the fledgling ABC News channel, and propelled ABC from America’s third place network to the top of the charts in the 1970s. Their reliance on costly but glossy production ultimately undid the ABC Sports division. In the 1980s and 1990s, the birth of cable television, especially ESPN, and a hostile takeover of their parent company ended Arledge’s era of sports television innovation but its legacies remain relevant today.
Vogan’s work offers insights into the interplay between sports and the media, and it offers insightful ways to think about how the two shaped viewers experiences and provided models for other media enterprises to change the wider media landscape. This book will be of interest to all who study sports and media studies.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Travis Vogan, Associate Professor of Journalism and American Studies at the University of Iowa, and the author of <a href="https://bookshop.org/a/12343/9780520292963"><em>ABC Sports: The Rise and Fall of Network Sports Television</em></a><em> </em>(University of California Press, 2018). In our conversation, we discussed the special role that ABC Sports played in the promotion of sports television, the innovations of sports broadcasting executive Roone Arledge, and the collapse of network sport broadcasting in the cable-TV era.</p><p>In <em>ABC Sports, </em>Vogan traces the cultural impact of ABC Sports rise in the 1950s until its demise in the 1990s. Under the aegis of Roone Arledge, ABC developed a innovative approach to sports programming that changed viewers experiences for the better. They foregrounded narrative, introduced documentary style reporting, developed new film and recording practices. Along the way, the network produced iconic sports programming such as <em>Wide World of Sports</em> and <em>Monday Night Football</em>. They nurtured a range of media personalities including Howard Cosell who helped the network navigate some of the eras most fraught sports coverage including the Munich Olympics Massacre. Their influence revolutionized the aesthetic experience, widening sports TV audiences, transformed the Olympics into a mega-event, introducing new media processes to the fledgling ABC News channel, and propelled ABC from America’s third place network to the top of the charts in the 1970s. Their reliance on costly but glossy production ultimately undid the ABC Sports division. In the 1980s and 1990s, the birth of cable television, especially ESPN, and a hostile takeover of their parent company ended Arledge’s era of sports television innovation but its legacies remain relevant today.</p><p>Vogan’s work offers insights into the interplay between sports and the media, and it offers insightful ways to think about how the two shaped viewers experiences and provided models for other media enterprises to change the wider media landscape. This book will be of interest to all who study sports and media studies.</p><p><em>Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3428</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Emily J. H. Contois, "Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture" (UNC Press, 2020)</title>
      <description>In Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (UNC Press, 2020), Emily Contois argues that the figure of The Dude was invented (or perhaps only capitalized on) by marketing and advertising firms to combat “gender contamination” and sell what may be perceived as “feminine” foods to men. Contois suggests that this figure coalesced in response to the 2008 recession and the “gender crisis” that it created. Not only were job losses higher for men during this “mancession,” but struggling companies sought to improve sales by marketing products to men that had previously been targeted exclusively at women including diet sodas and low-calorie yogurts, as well as cookbooks, food television, and weight loss programs. In short, The Dude – represented by Jeff Bridges’s famous character in The Big Lebowski – is a male figure who “resit[s] the demands of manhood like competitiveness and breadwinning” by “simply opt[ing] out of the struggle.” 
Contois devotes an entire chapter to the figure of Guy Fieri, who embodies the carefully crafted ambivalence of the Dude. Contois explains that while the Dude somehow seems to be breaking gender stereotypes by offering a pathway for defying social expectations and un-gendering products, the Dude only serves to reinforce binary gender and hegemonic masculinities. Contois concludes that most of the marketing campaigns featuring the Dude have essentially failed or changed course. Notably, Coke Zero and Weight Watchers for Men have had design and marketing makeovers to Coca-Cola Zero Sugar and WW. Still others have repurposed the Dude into a gender inclusive message that uncritically accepts not caring about consequences of the food system. Contois’s final word of the book is directed to media strategists and designers, asking them to think more carefully about the role that they play in forming and reforming expectations and performances of gender in the real world. “Advertisers can do better,” Contois asks, “so why aren’t they?”
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 19 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Contois argues that the figure of The Dude was invented (or perhaps only capitalized on) by marketing and advertising firms to combat “gender contamination” and sell what may be perceived as “feminine” foods to men...</itunes:subtitle>
      <itunes:summary>In Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (UNC Press, 2020), Emily Contois argues that the figure of The Dude was invented (or perhaps only capitalized on) by marketing and advertising firms to combat “gender contamination” and sell what may be perceived as “feminine” foods to men. Contois suggests that this figure coalesced in response to the 2008 recession and the “gender crisis” that it created. Not only were job losses higher for men during this “mancession,” but struggling companies sought to improve sales by marketing products to men that had previously been targeted exclusively at women including diet sodas and low-calorie yogurts, as well as cookbooks, food television, and weight loss programs. In short, The Dude – represented by Jeff Bridges’s famous character in The Big Lebowski – is a male figure who “resit[s] the demands of manhood like competitiveness and breadwinning” by “simply opt[ing] out of the struggle.” 
Contois devotes an entire chapter to the figure of Guy Fieri, who embodies the carefully crafted ambivalence of the Dude. Contois explains that while the Dude somehow seems to be breaking gender stereotypes by offering a pathway for defying social expectations and un-gendering products, the Dude only serves to reinforce binary gender and hegemonic masculinities. Contois concludes that most of the marketing campaigns featuring the Dude have essentially failed or changed course. Notably, Coke Zero and Weight Watchers for Men have had design and marketing makeovers to Coca-Cola Zero Sugar and WW. Still others have repurposed the Dude into a gender inclusive message that uncritically accepts not caring about consequences of the food system. Contois’s final word of the book is directed to media strategists and designers, asking them to think more carefully about the role that they play in forming and reforming expectations and performances of gender in the real world. “Advertisers can do better,” Contois asks, “so why aren’t they?”
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781469660745"><em>Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture</em></a><em> </em>(UNC Press, 2020)<em>, </em><a href="https://emilycontois.com/">Emily Contois</a> argues that the figure of The Dude was invented (or perhaps only capitalized on) by marketing and advertising firms to combat “gender contamination” and sell what may be perceived as “feminine” foods to men. Contois suggests that this figure coalesced in response to the 2008 recession and the “gender crisis” that it created. Not only were job losses higher for men during this “mancession,” but struggling companies sought to improve sales by marketing products to men that had previously been targeted exclusively at women including diet sodas and low-calorie yogurts, as well as cookbooks, food television, and weight loss programs. In short, The Dude – represented by Jeff Bridges’s famous character in <em>The Big Lebowski – </em>is a male figure who “resit[s] the demands of manhood like competitiveness and breadwinning” by “simply opt[ing] out of the struggle.” </p><p>Contois devotes an entire chapter to the figure of Guy Fieri, who embodies the carefully crafted ambivalence of the Dude. Contois explains that while the Dude somehow <em>seems </em>to be breaking gender stereotypes by offering a pathway for defying social expectations and un-gendering products, the Dude only serves to reinforce binary gender and hegemonic masculinities. Contois concludes that most of the marketing campaigns featuring the Dude have essentially failed or changed course. Notably, Coke Zero and Weight Watchers for Men have had design and marketing makeovers to Coca-Cola Zero Sugar and WW. Still others have repurposed the Dude into a gender inclusive message that uncritically accepts not caring about consequences of the food system. Contois’s final word of the book is directed to media strategists and designers, asking them to think more carefully about the role that they play in forming and reforming expectations and performances of gender in the real world. “Advertisers <em>can</em> do better,” Contois asks, “so why aren’t they?”</p><p><a href="https://www.chatham.edu/english/facultydetails.cfm?FacultyID=439"><em>Carrie Helms Tippen</em></a><em> is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, </em><a href="http://www.inventingauthenticity.com/">Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</a> (University of Arkansas Press)<em>, examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in </em>Food and Foodways<em>, </em>American Studies<em>, </em>Southern Quarterly<em>, and </em>Food, Culture, and Society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4006</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT3402949574.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christina Meyer, "Producing Mass Entertainment: The Serial Life of the Yellow Kid" (Ohio State UP, 2019)</title>
      <description>The Yellow Kid was a ubiquitous figure at the end of the nineteenth century. Originally created by Richard F. Outcault, the Kid first appeared as a character in the comic strip Hogan’s Alley. He was an immensely popular figure, and quickly migrated to other comic strips, as well as appearing on merchandise and various consumer products. As one of the first popular serial characters, the Yellow Kid was emblematic of an emerging consumer culture. In Producing Mass Entertainment: The Serial Life of the Yellow Kid (Ohio State UP, 2019), Christina Meyer uses the mobility of the Yellow Kid as a prism through which to explore a range of issues surrounding serialisation, cultural production and consumption, and authorship. Meyer’s book is an insightful, rigorously researched account of turn-of-the-century popular culture and the role of comic strips in that development of that culture.
Christina Meyer is Visiting Professor of American Studies at the John F. Kennedy Institute for North American Studies, Freie Universität Berlin. She is also the author of War and Trauma Images in Vietnam War Representations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Nov 2020 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Yellow Kid was a ubiquitous figure at the end of the nineteenth century...</itunes:subtitle>
      <itunes:summary>The Yellow Kid was a ubiquitous figure at the end of the nineteenth century. Originally created by Richard F. Outcault, the Kid first appeared as a character in the comic strip Hogan’s Alley. He was an immensely popular figure, and quickly migrated to other comic strips, as well as appearing on merchandise and various consumer products. As one of the first popular serial characters, the Yellow Kid was emblematic of an emerging consumer culture. In Producing Mass Entertainment: The Serial Life of the Yellow Kid (Ohio State UP, 2019), Christina Meyer uses the mobility of the Yellow Kid as a prism through which to explore a range of issues surrounding serialisation, cultural production and consumption, and authorship. Meyer’s book is an insightful, rigorously researched account of turn-of-the-century popular culture and the role of comic strips in that development of that culture.
Christina Meyer is Visiting Professor of American Studies at the John F. Kennedy Institute for North American Studies, Freie Universität Berlin. She is also the author of War and Trauma Images in Vietnam War Representations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Yellow Kid was a ubiquitous figure at the end of the nineteenth century. Originally created by Richard F. Outcault, the Kid first appeared as a character in the comic strip <em>Hogan’s Alley</em>. He was an immensely popular figure, and quickly migrated to other comic strips, as well as appearing on merchandise and various consumer products. As one of the first popular serial characters, the Yellow Kid was emblematic of an emerging consumer culture. In <a href="https://bookshop.org/a/12343/9780814255605"><em>Producing Mass Entertainment: The Serial Life of the Yellow Kid</em></a><em> </em>(Ohio State UP, 2019), Christina Meyer uses the mobility of the Yellow Kid as a prism through which to explore a range of issues surrounding serialisation, cultural production and consumption, and authorship. Meyer’s book is an insightful, rigorously researched account of turn-of-the-century popular culture and the role of comic strips in that development of that culture.</p><p>Christina Meyer is Visiting Professor of American Studies at the John F. Kennedy Institute for North American Studies, Freie Universität Berlin. She is also the author of War and Trauma Images in Vietnam War Representations.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4885</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63b8f132-203a-11eb-90a9-2b90aea2fb71]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4550013958.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sujatha Fernandes, "Cuban Hustle: Culture, Politics, Everyday Life" (Duke, UP 2020)</title>
      <description>Cuban resourcefulness is on full display in Cuban Hustle: Culture, Politics, Everyday Life (Duke 2020), as sociologist Sujatha Fernandes presents an array of strategies not just for survival but for the invention of expressive practices and community-building spaces. Enduring years of Special Period economics and a transition away from Fidel Castro’s leadership as well as shifting political contexts in Latin America, the United States and Europe, Cubans continue to struggle but also find ways to flourish. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Fernandes presents an array of strategies not just for survival but for the invention of expressive practices and community-building spaces...</itunes:subtitle>
      <itunes:summary>Cuban resourcefulness is on full display in Cuban Hustle: Culture, Politics, Everyday Life (Duke 2020), as sociologist Sujatha Fernandes presents an array of strategies not just for survival but for the invention of expressive practices and community-building spaces. Enduring years of Special Period economics and a transition away from Fidel Castro’s leadership as well as shifting political contexts in Latin America, the United States and Europe, Cubans continue to struggle but also find ways to flourish. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cuban resourcefulness is on full display in <em>Cuban Hustle: Culture, Politics, Everyday Life</em> (Duke 2020), as sociologist <a href="https://www.sujathafernandes.com/about/">Sujatha Fernandes</a> presents an array of strategies not just for survival but for the invention of expressive practices and community-building spaces. Enduring years of Special Period economics and a transition away from Fidel Castro’s leadership as well as shifting political contexts in Latin America, the United States and Europe, Cubans continue to struggle but also find ways to flourish. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2584</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[509d401a-1f97-11eb-93d7-57d72286d4d2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8852739512.mp3?updated=1735916394" length="0" type="audio/mpeg"/>
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    <item>
      <title>E. Goldberg et al, "Bollywood Horrors: Religion, Violence and Cinematic Fears in India" (Bloomsbury, 2020)</title>
      <description>Bollywood Horrors: Religion, Violence and Cinematic Fears in India (Bloomsbury, 2020) is a multi-faceted and wide-ranging collection that examines cinematic representations of real-life horror, the religious aspects of horror imagery and themes, and the ways in which Hindi films have projected “cinematic fears” onto the screen. Part I, “Atrocity”, deals with Bollywood's representation of the real horrors of communal violence, rape culture, and human trafficking. In Part II (“Religion”) the role of myth, ritual, and colonial constructions in producing the generic conventions of Hindi horror are discussed. Contributors focus on the stereotype of the tantric magician found in Indian literature beginning in the medieval period; the myth of the fearsome goddess Durga's slaying of the Buffalo Demon; and the surprising role of religion in the importation of Gothic tropes into Indian films, told through the little-known story of Sir Devendra Prasad Varma. The final part - “Cinematic Fears” - explores three particular facets or exemplars of Bollywood horror: the 2002 film Raaz, the role of non-domestic haunted or uncanny spaces in Hindi cinema, and the aesthetics of film posters and song booklets advertising horror films.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The authors offer is a multi-faceted and wide-ranging collection that examines cinematic representations of real-life horror...</itunes:subtitle>
      <itunes:summary>Bollywood Horrors: Religion, Violence and Cinematic Fears in India (Bloomsbury, 2020) is a multi-faceted and wide-ranging collection that examines cinematic representations of real-life horror, the religious aspects of horror imagery and themes, and the ways in which Hindi films have projected “cinematic fears” onto the screen. Part I, “Atrocity”, deals with Bollywood's representation of the real horrors of communal violence, rape culture, and human trafficking. In Part II (“Religion”) the role of myth, ritual, and colonial constructions in producing the generic conventions of Hindi horror are discussed. Contributors focus on the stereotype of the tantric magician found in Indian literature beginning in the medieval period; the myth of the fearsome goddess Durga's slaying of the Buffalo Demon; and the surprising role of religion in the importation of Gothic tropes into Indian films, told through the little-known story of Sir Devendra Prasad Varma. The final part - “Cinematic Fears” - explores three particular facets or exemplars of Bollywood horror: the 2002 film Raaz, the role of non-domestic haunted or uncanny spaces in Hindi cinema, and the aesthetics of film posters and song booklets advertising horror films.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350143159"><em>Bollywood Horrors: Religion, Violence and Cinematic Fears in India</em></a> (Bloomsbury, 2020) is a multi-faceted and wide-ranging collection that examines cinematic representations of real-life horror, the religious aspects of horror imagery and themes, and the ways in which Hindi films have projected “cinematic fears” onto the screen. Part I, “Atrocity”, deals with Bollywood's representation of the real horrors of communal violence, rape culture, and human trafficking. In Part II (“Religion”) the role of myth, ritual, and colonial constructions in producing the generic conventions of Hindi horror are discussed. Contributors focus on the stereotype of the tantric magician found in Indian literature beginning in the medieval period; the myth of the fearsome goddess Durga's slaying of the Buffalo Demon; and the surprising role of religion in the importation of Gothic tropes into Indian films, told through the little-known story of Sir Devendra Prasad Varma. The final part - “Cinematic Fears” - explores three particular facets or exemplars of Bollywood horror: the 2002 film Raaz, the role of non-domestic haunted or uncanny spaces in Hindi cinema, and the aesthetics of film posters and song booklets advertising horror films.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2961</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Vanessa Diaz, "Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood" (Duke UP, 2020)</title>
      <description>While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it.
Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Nov 2020 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles...</itunes:subtitle>
      <itunes:summary>While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it.
Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In <a href="https://bookshop.org/a/12343/9781478009436"><em>Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood</em></a> (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it.</p><p>Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University.</p><p><em>Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8bc44660-2047-11eb-a18d-cb356e4f5859]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5316376258.mp3?updated=1756096058" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Frederick Luis Aldama, "Graphic Indigeneity: Comics in the Americas and Australasia" (UP of Mississippi, 2020)</title>
      <description>In Graphic Indigeneity: Comics in the Americas and Australasia (UP of Mississippi, 2020), Frederick Luis Aldama brings together comics scholars Joshua T. Anderson, Chad A. Barbour, Susan Bernardin, Mike Borkent, Jeremy M. Carnes, Philip Cass, Jordan Clapper, James J. Donahue, Dennin Ellis, Jessica Fontaine, Jonathan Ford, Lee Francis IV, Enrique García, Javier García Liendo, Brenna Clarke Gray, Brian Montes, Arij Ouweneel, Kevin Patrick, Candida Rifkind, Jessica Rutherford, and Jorge Santos to present a comprehensive collection examining Indigenous comic book artists and the history of representations of Indigenous peoples throughout comic book history.
This collection highlights the representations and misrepresentations of Indigenous subjects and experiences in comics throughout the Americas and Australasia. In addition, it looked at the work of Indigenous comic artists highlighting texts such as Daniel Parada’s Zotz, Puerto Rican comics Turey el Taíno and La Borinqueña, and Moonshot: The Indigenous Comics Collection. An important volume for comic history and historians, Aldama and contributors bring together the first comprehensive text that show the powerful voices of Indigenous arts and start to address the ways in which the field must start to understand how colonial and imperial domination represented throughout the history of comics still impact Indigenous people and cultures.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital in people's lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Almada presents a comprehensive collection examining Indigenous comic book artists and the history of representations of Indigenous peoples throughout comic book history....</itunes:subtitle>
      <itunes:summary>In Graphic Indigeneity: Comics in the Americas and Australasia (UP of Mississippi, 2020), Frederick Luis Aldama brings together comics scholars Joshua T. Anderson, Chad A. Barbour, Susan Bernardin, Mike Borkent, Jeremy M. Carnes, Philip Cass, Jordan Clapper, James J. Donahue, Dennin Ellis, Jessica Fontaine, Jonathan Ford, Lee Francis IV, Enrique García, Javier García Liendo, Brenna Clarke Gray, Brian Montes, Arij Ouweneel, Kevin Patrick, Candida Rifkind, Jessica Rutherford, and Jorge Santos to present a comprehensive collection examining Indigenous comic book artists and the history of representations of Indigenous peoples throughout comic book history.
This collection highlights the representations and misrepresentations of Indigenous subjects and experiences in comics throughout the Americas and Australasia. In addition, it looked at the work of Indigenous comic artists highlighting texts such as Daniel Parada’s Zotz, Puerto Rican comics Turey el Taíno and La Borinqueña, and Moonshot: The Indigenous Comics Collection. An important volume for comic history and historians, Aldama and contributors bring together the first comprehensive text that show the powerful voices of Indigenous arts and start to address the ways in which the field must start to understand how colonial and imperial domination represented throughout the history of comics still impact Indigenous people and cultures.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital in people's lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781496828026"><em>Graphic Indigeneity: Comics in the Americas and Australasia</em></a><em> </em>(UP of Mississippi, 2020), Frederick Luis Aldama brings together comics scholars Joshua T. Anderson, Chad A. Barbour, Susan Bernardin, Mike Borkent, Jeremy M. Carnes, Philip Cass, Jordan Clapper, James J. Donahue, Dennin Ellis, Jessica Fontaine, Jonathan Ford, Lee Francis IV, Enrique García, Javier García Liendo, Brenna Clarke Gray, Brian Montes, Arij Ouweneel, Kevin Patrick, Candida Rifkind, Jessica Rutherford, and Jorge Santos to present a comprehensive collection examining Indigenous comic book artists and the history of representations of Indigenous peoples throughout comic book history.</p><p>This collection highlights the representations and misrepresentations of Indigenous subjects and experiences in comics throughout the Americas and Australasia. In addition, it looked at the work of Indigenous comic artists highlighting texts such as Daniel Parada’s <em>Zotz</em>, Puerto Rican comics <em>Turey el Taíno</em> and <em>La Borinqueña</em>, and <em>Moonshot: The Indigenous Comics Collection</em>. An important volume for comic history and historians, Aldama and contributors bring together the first comprehensive text that show the powerful voices of Indigenous arts and start to address the ways in which the field must start to understand how colonial and imperial domination represented throughout the history of comics still impact Indigenous people and cultures.</p><p><em>Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital in people's lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her </em><a href="http://www.rebekahjbuchanan.com/"><em>website</em></a><em>, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at</em><a href="mailto:rj-buchanan@wiu.edu"><em> rj-buchanan@wiu.edu.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3102</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[351cca7e-1c39-11eb-97ac-7b13805c32ec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8125746986.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ido Hartogsohn, "American Trip: Set, Setting, and the Psychedelic Experience in the Twentieth Century" (MIT Press, 2020)</title>
      <description>Are psychedelics invaluable therapeutic medicines, or dangerously unpredictable drugs that precipitate psychosis? Tools for spiritual communion or cognitive enhancers that spark innovation? Activators for one’s private muse or part of a political movement? In the 1950s and 1960s, researchers studied psychedelics in all these incarnations, often arriving at contradictory results. In American Trip: Set, Setting, and the Psychedelic Experience in the Twentieth Century (MIT Press, 2020), Ido Hartogsohn examines how the psychedelic experience in midcentury America was shaped by historical, social, and cultural forces—by set (the mindset of the user) and setting (the environment in which the experience takes place). In this interview, Hartogsohn discusses the roles psychedelics have played worldwide, and what renewed interest in their medical value can offer individuals and society.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, she edits Points, the blog of the Alcohol and Drugs History Society.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Are psychedelics invaluable therapeutic medicines, or dangerously unpredictable drugs that precipitate psychosis?</itunes:subtitle>
      <itunes:summary>Are psychedelics invaluable therapeutic medicines, or dangerously unpredictable drugs that precipitate psychosis? Tools for spiritual communion or cognitive enhancers that spark innovation? Activators for one’s private muse or part of a political movement? In the 1950s and 1960s, researchers studied psychedelics in all these incarnations, often arriving at contradictory results. In American Trip: Set, Setting, and the Psychedelic Experience in the Twentieth Century (MIT Press, 2020), Ido Hartogsohn examines how the psychedelic experience in midcentury America was shaped by historical, social, and cultural forces—by set (the mindset of the user) and setting (the environment in which the experience takes place). In this interview, Hartogsohn discusses the roles psychedelics have played worldwide, and what renewed interest in their medical value can offer individuals and society.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, she edits Points, the blog of the Alcohol and Drugs History Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Are psychedelics invaluable therapeutic medicines, or dangerously unpredictable drugs that precipitate psychosis? Tools for spiritual communion or cognitive enhancers that spark innovation? Activators for one’s private muse or part of a political movement? In the 1950s and 1960s, researchers studied psychedelics in all these incarnations, often arriving at contradictory results. In <a href="https://bookshop.org/a/12343/9780262539142"><em>American Trip: Set, Setting, and the Psychedelic Experience in the Twentieth Century</em></a><em> </em>(MIT Press, 2020), Ido Hartogsohn examines how the psychedelic experience in midcentury America was shaped by historical, social, and cultural forces—by set (the mindset of the user) and setting (the environment in which the experience takes place). In this interview, Hartogsohn discusses the roles psychedelics have played worldwide, and what renewed interest in their medical value can offer individuals and society.</p><p><a href="http://www.emilydufton.com/"><em>Emily Dufton</em></a><em> is the author of </em><a href="https://www.basicbooks.com/titles/emily-dufton/grass-roots/9780465096169/"><em>Grass Roots: The Rise and Fall and Rise of Marijuana in America</em></a><em> (Basic Books, 2017). A drug historian and writer, she edits </em><a href="https://pointsadhsblog.wordpress.com/"><em>Points</em></a><em>, the blog of the Alcohol and Drugs History Society.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4003</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0bedc270-1c4d-11eb-8f5c-8328bdf2bc71]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9571057328.mp3?updated=1605708340" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Glancy, "Cary Grant: The Making of a Hollywood Legend" (Oxford UP, 2020)</title>
      <description>Cary Grant: The Making of a Hollywood Legend (Oxford University Press, 2020) tells the incredible story of how a sad, neglected boy became the suave, glamorous star many know and idolize. The first biography to be based on Grant's own personal papers, this book takes us on a fascinating journey from the actor's difficult childhood through years of struggle in music halls and vaudeville, a hit-and-miss career in Broadway musicals, and three decades of film stardom during Hollywood's golden age.
Mark Glancy is Reader in Film History at Queen Mary University of London. His media work includes appearances on the BBC Radio Four programmes Archive Hour, Back Row, and Great Lives, as well as many articles on film history for the magazines BBC History and History Revealed. Most recently, he served as the editorial consultant and on-screen contributor to the feature-length documentary film Becoming Cary Grant (2017). His Twitter handle is @Mark_Glancy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 11 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Glancy tells the incredible story of how a sad, neglected boy became the suave, glamorous star many know and idolize...</itunes:subtitle>
      <itunes:summary>Cary Grant: The Making of a Hollywood Legend (Oxford University Press, 2020) tells the incredible story of how a sad, neglected boy became the suave, glamorous star many know and idolize. The first biography to be based on Grant's own personal papers, this book takes us on a fascinating journey from the actor's difficult childhood through years of struggle in music halls and vaudeville, a hit-and-miss career in Broadway musicals, and three decades of film stardom during Hollywood's golden age.
Mark Glancy is Reader in Film History at Queen Mary University of London. His media work includes appearances on the BBC Radio Four programmes Archive Hour, Back Row, and Great Lives, as well as many articles on film history for the magazines BBC History and History Revealed. Most recently, he served as the editorial consultant and on-screen contributor to the feature-length documentary film Becoming Cary Grant (2017). His Twitter handle is @Mark_Glancy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780190053130"><em>Cary Grant: The Making of a Hollywood Legend</em></a> (Oxford University Press, 2020) tells the incredible story of how a sad, neglected boy became the suave, glamorous star many know and idolize. The first biography to be based on Grant's own personal papers, this book takes us on a fascinating journey from the actor's difficult childhood through years of struggle in music halls and vaudeville, a hit-and-miss career in Broadway musicals, and three decades of film stardom during Hollywood's golden age.</p><p>Mark Glancy is Reader in Film History at Queen Mary University of London. His media work includes appearances on the BBC Radio Four programmes <em>Archive Hour</em>, <em>Back Row, </em>and <em>Great Lives</em>, as well as many articles on film history for the magazines<em> BBC History</em> and <em>History Revealed</em>. Most recently, he served as the editorial consultant and on-screen contributor to the feature-length documentary film <em>Becoming Cary Grant </em>(2017). His Twitter handle is @Mark_Glancy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4076</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[415e7d0a-1b8a-11eb-8f22-5f5d2e842c43]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3033817579.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>C. Thi Nguyen, "Games: Agency as Art" (Oxford UP, 2020)</title>
      <description>Monopoly, Solitaire, football and Minecraft are all games, but for C. Thi Nyugen they are also an art form – specifically, the art form of agency, our capacity to set goals and pursue them. In Games: Agency as Art (Oxford UP, 2020), Nguyen argues that a game designer sculpts agency by specifying the goals and abilities of the potential player – what the player should care about and what their abilities are in the game environment. The resulting disposable ends and interesting struggles yields valuable aesthetic experiences that enhance our capacities for autonomous agency. Yet Nyugen, an associate professor of philosophy at the University of Utah, also warns of the harmful effects of the gamification of real life, when the simple goals and motivations in games leak into our real- world agency and can lead to social and moral disaster.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>233</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Monopoly, Solitaire, football and Minecraft are all games, but for C. Thi Nyugen they are also an art form – specifically, the art form of agency...</itunes:subtitle>
      <itunes:summary>Monopoly, Solitaire, football and Minecraft are all games, but for C. Thi Nyugen they are also an art form – specifically, the art form of agency, our capacity to set goals and pursue them. In Games: Agency as Art (Oxford UP, 2020), Nguyen argues that a game designer sculpts agency by specifying the goals and abilities of the potential player – what the player should care about and what their abilities are in the game environment. The resulting disposable ends and interesting struggles yields valuable aesthetic experiences that enhance our capacities for autonomous agency. Yet Nyugen, an associate professor of philosophy at the University of Utah, also warns of the harmful effects of the gamification of real life, when the simple goals and motivations in games leak into our real- world agency and can lead to social and moral disaster.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Monopoly, Solitaire, football and Minecraft are all games, but for C. Thi Nyugen they are also an art form – specifically, the art form of agency, our capacity to set goals and pursue them. In <a href="https://bookshop.org/a/12343/9780190052089"><em>Games: Agency as Art</em></a> (Oxford UP, 2020), Nguyen argues that a game designer sculpts agency by specifying the goals and abilities of the potential player – what the player should care about and what their abilities are in the game environment. The resulting disposable ends and interesting struggles yields valuable aesthetic experiences that enhance our capacities for autonomous agency. Yet Nyugen, an associate professor of philosophy at the University of Utah, also warns of the harmful effects of the gamification of real life, when the simple goals and motivations in games leak into our real- world agency and can lead to social and moral disaster.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4045</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3df774ac-2114-11eb-99de-a369903dffd1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4700953244.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Billy Coleman, "Harnessing Harmony: Music, Power, and Politics in the United States, 1788-1865" (UNC Press, 2020)</title>
      <description>CAN you hear the people sing? Political music is often understood as the property of the common people, used as a potent (and noisy) weapon against the interests of the powerful. This is particularly true within the unruly context of the early American republic, when rowdy public demonstrations typically went along with democratic politics.
In Harnessing Harmony: Music, Power, and Politics in the United States, 1788-1865 (UNC Press, 2020), Billy Coleman pushes back against such assumptions, revealing an influential strand of conservative music-making that exerted influence on public life from the beginning of Washington’s government until the Civil War. Tying musical practice to visions of natural hierarchy, an intergenerational group of elites employed tempo and melody in an effort control the disorder they saw threatening the nation. Expanding our understanding of both the cultural and political dynamics of the early republic, Coleman provides a deft and theoretically innovative account of an underexamined intellectual tradition, challenging numerous assumptions about the meaning and importance of music along the way.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 06 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>835</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Billy Coleman reveals an influential strand of conservative music-making that exerted influence on public life from the beginning of Washington’s government until the Civil War.</itunes:subtitle>
      <itunes:summary>CAN you hear the people sing? Political music is often understood as the property of the common people, used as a potent (and noisy) weapon against the interests of the powerful. This is particularly true within the unruly context of the early American republic, when rowdy public demonstrations typically went along with democratic politics.
In Harnessing Harmony: Music, Power, and Politics in the United States, 1788-1865 (UNC Press, 2020), Billy Coleman pushes back against such assumptions, revealing an influential strand of conservative music-making that exerted influence on public life from the beginning of Washington’s government until the Civil War. Tying musical practice to visions of natural hierarchy, an intergenerational group of elites employed tempo and melody in an effort control the disorder they saw threatening the nation. Expanding our understanding of both the cultural and political dynamics of the early republic, Coleman provides a deft and theoretically innovative account of an underexamined intellectual tradition, challenging numerous assumptions about the meaning and importance of music along the way.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>CAN </em>you hear the people sing? Political music is often understood as the property of the common people, used as a potent (and noisy) weapon against the interests of the powerful. This is particularly true within the unruly context of the early American republic, when rowdy public demonstrations typically went along with democratic politics.</p><p>In <a href="https://bookshop.org/a/12343/9781469658872"><em>Harnessing Harmony: Music, Power, and Politics in the United States, 1788-1865</em></a> (UNC Press, 2020), Billy Coleman pushes back against such assumptions, revealing an influential strand of conservative music-making that exerted influence on public life from the beginning of Washington’s government until the Civil War. Tying musical practice to visions of natural hierarchy, an intergenerational group of elites employed tempo and melody in an effort control the disorder they saw threatening the nation. Expanding our understanding of both the cultural and political dynamics of the early republic, Coleman provides a deft and theoretically innovative account of an underexamined intellectual tradition, challenging numerous assumptions about the meaning and importance of music along the way.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4184</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9f58c3e0-1561-11eb-8606-078918a651af]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2636274653.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily J. Lordi, "The Meaning of Soul: Black Music and Resilience Since the 1960s" (Duke UP, 2020)</title>
      <description>Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In The Meaning of Soul: Black Music and Resilience Since the 1960s (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.
Emily J. Lordi is an Associate Professor of English at Vanderbilt University. The Meaning of Soul is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as Billboard, The Atlantic, and NPR.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 30 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians...</itunes:subtitle>
      <itunes:summary>Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In The Meaning of Soul: Black Music and Resilience Since the 1960s (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.
Emily J. Lordi is an Associate Professor of English at Vanderbilt University. The Meaning of Soul is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as Billboard, The Atlantic, and NPR.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In <a href="https://bookshop.org/a/12343/9781478009597"><em>The Meaning of Soul: Black Music and Resilience Since the 1960s</em></a> (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.</p><p><a href="http://www.emilylordi.com/">Emily J. Lordi</a> is an Associate Professor of English at Vanderbilt University. <em>The Meaning of Soul </em>is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as <em>Billboard, The Atlantic, </em>and<em> NPR.</em></p><p><em>Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3336</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Warren Hoffman, "The Great White Way: Race and the Broadway Musical", 2nd edition (Rutgers UP, 2020)</title>
      <description>Warren Hoffman’s The Great White Way: Race and the Broadway Musical, 2nd edition (Rutgers UP, 2020) explores the ways that race and racism have shaped the American musical from Show Boat to Hamilton. Perhaps surprisingly, Hoffman’s analysis isn’t limited to shows with characters of color like West Side Story; he writes about how the assumption of whiteness shapes apparently race-free musicals like The Music Man and Oklahoma! His book also includes a fascinating discussion of how diverse casting has created both opportunity and controversy, from an all-black Hello, Dolly! to Book of Mormon. This is a book equally valuable to theatre scholars and to fans of the Broadway musical who want to engage more critically with this rich and multi-faceted art form.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 28 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Hoffman explores the ways that race and racism have shaped the American musical from Show Boat to Hamilton....</itunes:subtitle>
      <itunes:summary>Warren Hoffman’s The Great White Way: Race and the Broadway Musical, 2nd edition (Rutgers UP, 2020) explores the ways that race and racism have shaped the American musical from Show Boat to Hamilton. Perhaps surprisingly, Hoffman’s analysis isn’t limited to shows with characters of color like West Side Story; he writes about how the assumption of whiteness shapes apparently race-free musicals like The Music Man and Oklahoma! His book also includes a fascinating discussion of how diverse casting has created both opportunity and controversy, from an all-black Hello, Dolly! to Book of Mormon. This is a book equally valuable to theatre scholars and to fans of the Broadway musical who want to engage more critically with this rich and multi-faceted art form.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Warren Hoffman’s <a href="https://bookshop.org/a/12343/9781978807112"><em>The Great White Way: Race and the Broadway Musical</em></a>, 2nd edition (Rutgers UP, 2020) explores the ways that race and racism have shaped the American musical from <em>Show Boat</em> to <em>Hamilton</em>. Perhaps surprisingly, Hoffman’s analysis isn’t limited to shows with characters of color like <em>West Side Story</em>; he writes about how the assumption of whiteness shapes apparently race-free musicals like <em>The Music Man</em> and <em>Oklahoma! </em>His book also includes a fascinating discussion of how diverse casting has created both opportunity and controversy, from an all-black <em>Hello, Dolly!</em> to <em>Book of Mormon</em>. This is a book equally valuable to theatre scholars and to fans of the Broadway musical who want to engage more critically with this rich and multi-faceted art form.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3361</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT6159395890.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Neil Shister, "Radical Ritual: How Burning Man Changed the World" (Counterpoint, 2019)</title>
      <description>Written from Neil Shister’s perspective as a journalist, student of American culture, and six-time participant in Burning Man, Radical Ritual: How Burning Man Changed the World (Counterpoint, 2019) presents the event as vitally, historically important. Shister contends that Burning Man is a significant player in the avant-garde, forging new social paradigms as liberal democracy unravels. Burning Man’s contribution to this new order is postmodern, a fusion of sixties humanism with state-of-the-art Silicon Valley wizardry.
Shister is not alone in his opinion. In 2018, the Smithsonian dedicated its entire Renwick Gallery, located next door to the White House, to an exhibition of Burning Man art and culture. The festival intertwines conservative and progressive ideas. On one hand it is a celebration of self-reliance, personal accountability, and individual freedom; on the other hand it is based on strong values of inclusion, consensual decision making, and centered, collaborative endeavor.
In a wonderful mix of narrative storytelling and reportage, Radical Ritual discusses how Burning Man has impacted the art world, disaster relief, urban renewal, the utilization of renewable energy, and even the corporate governance of Google. The story concludes with the sudden death in April 2018 of Larry Harvey, now renowned as the philosophical epicenter of the movement.
Neil Shister has been a correspondent with Time Magazine, television critic for The Miami Herald, and editor of Atlanta Magazine. He’s taught at Hampshire College, Boston University, and George Washington University.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 26 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Shister contends that Burning Man is a significant player in the avant-garde, forging new social paradigms as liberal democracy unravels. Burning Man’s contribution to this new order is postmodern, a fusion of sixties humanism with state-of-the-art Silicon Valley wizardry...</itunes:subtitle>
      <itunes:summary>Written from Neil Shister’s perspective as a journalist, student of American culture, and six-time participant in Burning Man, Radical Ritual: How Burning Man Changed the World (Counterpoint, 2019) presents the event as vitally, historically important. Shister contends that Burning Man is a significant player in the avant-garde, forging new social paradigms as liberal democracy unravels. Burning Man’s contribution to this new order is postmodern, a fusion of sixties humanism with state-of-the-art Silicon Valley wizardry.
Shister is not alone in his opinion. In 2018, the Smithsonian dedicated its entire Renwick Gallery, located next door to the White House, to an exhibition of Burning Man art and culture. The festival intertwines conservative and progressive ideas. On one hand it is a celebration of self-reliance, personal accountability, and individual freedom; on the other hand it is based on strong values of inclusion, consensual decision making, and centered, collaborative endeavor.
In a wonderful mix of narrative storytelling and reportage, Radical Ritual discusses how Burning Man has impacted the art world, disaster relief, urban renewal, the utilization of renewable energy, and even the corporate governance of Google. The story concludes with the sudden death in April 2018 of Larry Harvey, now renowned as the philosophical epicenter of the movement.
Neil Shister has been a correspondent with Time Magazine, television critic for The Miami Herald, and editor of Atlanta Magazine. He’s taught at Hampshire College, Boston University, and George Washington University.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Written from Neil Shister’s perspective as a journalist, student of American culture, and six-time participant in <a href="https://bookshop.org/a/12343/9781640092198"><em>Burning Man, Radical Ritual: How Burning Man Changed the World</em></a><em> </em>(Counterpoint, 2019) presents the event as vitally, historically important. Shister contends that Burning Man is a significant player in the avant-garde, forging new social paradigms as liberal democracy unravels. Burning Man’s contribution to this new order is postmodern, a fusion of sixties humanism with state-of-the-art Silicon Valley wizardry.</p><p>Shister is not alone in his opinion. In 2018, the Smithsonian dedicated its entire Renwick Gallery, located next door to the White House, to an exhibition of Burning Man art and culture. The festival intertwines conservative and progressive ideas. On one hand it is a celebration of self-reliance, personal accountability, and individual freedom; on the other hand it is based on strong values of inclusion, consensual decision making, and centered, collaborative endeavor.</p><p>In a wonderful mix of narrative storytelling and reportage, <em>Radical Ritual</em> discusses how Burning Man has impacted the art world, disaster relief, urban renewal, the utilization of renewable energy, and even the corporate governance of Google. The story concludes with the sudden death in April 2018 of Larry Harvey, now renowned as the philosophical epicenter of the movement.</p><p>Neil Shister has been a correspondent with <em>Time </em>Magazine, television critic for The <em>Miami Herald, </em>and editor of <em>Atlanta </em>Magazine. He’s taught at Hampshire College, Boston University, and George Washington University.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3492</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2bfc2cd4-0cba-11eb-96da-4ba52ea4067b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2408064542.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lissette Lopez Szwydky, "Transmedia Adaptation in the Nineteenth Century" (Ohio State UP, 2020)</title>
      <description>In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020)
A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more.
Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/
Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 26 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Szwydky explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more...</itunes:subtitle>
      <itunes:summary>In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020)
A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more.
Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/
Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of <em>New Books in Literary Studies </em>we speak with Lissette Lopez Szwydky, author of the new book <a href="https://bookshop.org/a/12343/9780814214237"><em>Transmedia Adaptation in the Nineteenth Century</em></a> (Ohio State UP, 2020)</p><p>A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. <em>Transmedia Adaptation in the Nineteenth Century</em> explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more.</p><p>Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at <a href="http://www.lissettesz.com/">http://www.lissettesz.com/</a></p><p><em>Transmedia Adaptation in the Nineteenth Century</em> is now available on the Ohio State University Press website <a href="https://ohiostatepress.org/books/titles/9780814214237.html">https://ohiostatepress.org/books/titles/9780814214237.html</a> and other online retailers.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3786</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT7097822347.mp3?updated=1604416579" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simone C. Drake, "Are You Entertained?: Black Popular Culture in the Twenty-First Century" (Duke UP, 2020)</title>
      <description>Simone C. Drake and Dwan K. Henderson's Are You Entertained?: Black Popular Culture in the Twenty-First Century (Duke UP, 2020) is an engaging and interdisciplinary exploration of contemporary black popular culture and how to think about this broad and diverse landscape, especially in relation to power, capitalism, gender identity, and presidential politics. Simone C. Drake and Dwan K. Henderson have pulled together a fascinating array of scholars of popular culture, cultural critics, as well as those who have produced popular artifacts. A number of the cultural voices in Are You Entertained? are presented in interviews at the end of each section of the book, with artists thinking through questions about black popular culture from an expansive perspective as a maker of art and as someone who creates within the context of politics, economics, and culture. Are You Entertained? is a dynamic, interdisciplinary and transdisciplinary analysis of contemporary shifts, trends, and debates within the context of seeing and understanding black popular culture.
The book is divided into four thematic sections that pull together chapters that speak across academic disciplines and cultural artifacts to focus on the topics of “Performing Blackness,” “Politicizing Blackness,” “Owning Blackness,” and “Loving Blackness.” This approach weaves together the conversations in each chapter in an organic fashion, pulling together conceptual ideas as well as providing the reader with deep dives into films, music, television, visual art, theater, advertising, fashion, web series, and more. Embedded within the book are not only scholarly analyses of different kinds and sites of popular culture, but also images of fine art that are critiqued in context and extend the discussion of what the “pop” in popular culture means when discussing different forms of art and culture. Drake and Henderson have assembled authors and analysis that take the reader on an enlightening journey not only through popular culture artifacts, but also complex conversations about commodification, capitalism, and consumerism, and the tension between art and profit. The idea for this edited volume was to trace how and where black culture (high, low, popular) has moved from the margins to the mainstream, and what this means in terms of artistic ownership. Within this stream of analysis, there is the enduring dynamic that often surrounds black art and production, which centers around the unequal treatment and consumption, in all dimensions, of black art. This book not only takes up the question of black popular culture in the 21st century, but also provides the reader with actual engagement with art and critique, an experiential and academic undertaking for both the reader and the authors/editors.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 22 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>479</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The authors offer an engaging and interdisciplinary exploration of contemporary black popular culture and how to think about this broad and diverse landscape, especially in relation to power, capitalism, gender identity, and presidential politics...</itunes:subtitle>
      <itunes:summary>Simone C. Drake and Dwan K. Henderson's Are You Entertained?: Black Popular Culture in the Twenty-First Century (Duke UP, 2020) is an engaging and interdisciplinary exploration of contemporary black popular culture and how to think about this broad and diverse landscape, especially in relation to power, capitalism, gender identity, and presidential politics. Simone C. Drake and Dwan K. Henderson have pulled together a fascinating array of scholars of popular culture, cultural critics, as well as those who have produced popular artifacts. A number of the cultural voices in Are You Entertained? are presented in interviews at the end of each section of the book, with artists thinking through questions about black popular culture from an expansive perspective as a maker of art and as someone who creates within the context of politics, economics, and culture. Are You Entertained? is a dynamic, interdisciplinary and transdisciplinary analysis of contemporary shifts, trends, and debates within the context of seeing and understanding black popular culture.
The book is divided into four thematic sections that pull together chapters that speak across academic disciplines and cultural artifacts to focus on the topics of “Performing Blackness,” “Politicizing Blackness,” “Owning Blackness,” and “Loving Blackness.” This approach weaves together the conversations in each chapter in an organic fashion, pulling together conceptual ideas as well as providing the reader with deep dives into films, music, television, visual art, theater, advertising, fashion, web series, and more. Embedded within the book are not only scholarly analyses of different kinds and sites of popular culture, but also images of fine art that are critiqued in context and extend the discussion of what the “pop” in popular culture means when discussing different forms of art and culture. Drake and Henderson have assembled authors and analysis that take the reader on an enlightening journey not only through popular culture artifacts, but also complex conversations about commodification, capitalism, and consumerism, and the tension between art and profit. The idea for this edited volume was to trace how and where black culture (high, low, popular) has moved from the margins to the mainstream, and what this means in terms of artistic ownership. Within this stream of analysis, there is the enduring dynamic that often surrounds black art and production, which centers around the unequal treatment and consumption, in all dimensions, of black art. This book not only takes up the question of black popular culture in the 21st century, but also provides the reader with actual engagement with art and critique, an experiential and academic undertaking for both the reader and the authors/editors.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Simone C. Drake and Dwan K. Henderson's <a href="https://bookshop.org/a/12343/9781478006787"><em>Are You Entertained?: Black Popular Culture in the Twenty-First Century</em></a> (Duke UP, 2020) is an engaging and interdisciplinary exploration of contemporary black popular culture and how to think about this broad and diverse landscape, especially in relation to power, capitalism, gender identity, and presidential politics. Simone C. Drake and Dwan K. Henderson have pulled together a fascinating array of scholars of popular culture, cultural critics, as well as those who have produced popular artifacts. A number of the cultural voices in <em>Are You Entertained? </em>are presented in interviews at the end of each section of the book, with artists thinking through questions about black popular culture from an expansive perspective as a maker of art and as someone who creates within the context of politics, economics, and culture. <em>Are You Entertained?</em> is a dynamic, interdisciplinary and transdisciplinary analysis of contemporary shifts, trends, and debates within the context of seeing and understanding black popular culture.</p><p>The book is divided into four thematic sections that pull together chapters that speak across academic disciplines and cultural artifacts to focus on the topics of “Performing Blackness,” “Politicizing Blackness,” “Owning Blackness,” and “Loving Blackness.” This approach weaves together the conversations in each chapter in an organic fashion, pulling together conceptual ideas as well as providing the reader with deep dives into films, music, television, visual art, theater, advertising, fashion, web series, and more. Embedded within the book are not only scholarly analyses of different kinds and sites of popular culture, but also images of fine art that are critiqued in context and extend the discussion of what the “pop” in popular culture means when discussing different forms of art and culture. Drake and Henderson have assembled authors and analysis that take the reader on an enlightening journey not only through popular culture artifacts, but also complex conversations about commodification, capitalism, and consumerism, and the tension between art and profit. The idea for this edited volume was to trace how and where black culture (high, low, popular) has moved from the margins to the mainstream, and what this means in terms of artistic ownership. Within this stream of analysis, there is the enduring dynamic that often surrounds black art and production, which centers around the unequal treatment and consumption, in all dimensions, of black art. This book not only takes up the question of black popular culture in the 21st century, but also provides the reader with actual engagement with art and critique, an experiential and academic undertaking for both the reader and the authors/editors.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3398</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bf22d740-1496-11eb-8ab4-478f19d3d694]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6425091076.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sianne Ngai, "Theory of the Gimmick: Aesthetic Judgment and Capitalist Form" (Harvard UP, 2020)</title>
      <description>In Theory of the Gimmick: Aesthetic Judgment and Capitalist Form (Harvard University Press, 2020), Sianne Ngai continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life. In this witty and penetrating book-length treatment of the affective experience of the “gimmick,” Ngai draws upon formalist literary criticism, post-Kantian aesthetic philosophy, and Marxist political economy in order to illuminate the historical production of this attractive yet unsettling cultural form. From The Magic Mountain to It Follows, smiley faces to subprime mortgages, Ngai’s image of the surprisingly ubiquitous gimmick emerges from a careful evaluation of the capitalist subject’s fundamental discomfort surrounding the coupling of value to labor-time.
Michael Eby is a writer and researcher on contemporary art and digital culture. He lives in New York and tweets @michaeleby2020.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 20 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ngai continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life...</itunes:subtitle>
      <itunes:summary>In Theory of the Gimmick: Aesthetic Judgment and Capitalist Form (Harvard University Press, 2020), Sianne Ngai continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life. In this witty and penetrating book-length treatment of the affective experience of the “gimmick,” Ngai draws upon formalist literary criticism, post-Kantian aesthetic philosophy, and Marxist political economy in order to illuminate the historical production of this attractive yet unsettling cultural form. From The Magic Mountain to It Follows, smiley faces to subprime mortgages, Ngai’s image of the surprisingly ubiquitous gimmick emerges from a careful evaluation of the capitalist subject’s fundamental discomfort surrounding the coupling of value to labor-time.
Michael Eby is a writer and researcher on contemporary art and digital culture. He lives in New York and tweets @michaeleby2020.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780674984547"><em>Theory of the Gimmick: Aesthetic Judgment and Capitalist Form</em></a> (Harvard University Press, 2020)<em>, </em><a href="https://english.uchicago.edu/people/sianne-ngai">Sianne Ngai</a> continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life. In this witty and penetrating book-length treatment of the affective experience of the “gimmick,” Ngai draws upon formalist literary criticism, post-Kantian aesthetic philosophy, and Marxist political economy in order to illuminate the historical production of this attractive yet unsettling cultural form. From <em>The Magic Mountain </em>to <em>It Follows</em>, smiley faces to subprime mortgages, Ngai’s image of the surprisingly ubiquitous gimmick emerges from a careful evaluation of the capitalist subject’s fundamental discomfort surrounding the coupling of value to labor-time.</p><p><em>Michael Eby is a writer and researcher on contemporary art and digital culture. He lives in New York and tweets @michaeleby2020.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5664</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4303a30e-07e6-11eb-b2b3-e3e8b3eaef3c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1338828726.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eric San Juan, "The Films of Martin Scorsese: Gangsters, Greed, and Guilt" (Rowman and Littlefield, 2020)</title>
      <description>Few mainstream filmmakers have as pronounced a disregard for the supposed rules of filmmaking as Martin Scorsese. His inventiveness displays a reaction against the “right” way to make a movie, frequently eschewing traditional cinematic language in favor of something flashy, unexpected and contrary to the way “proper” films are done. Yet despite this, he’s become one of the most influential directors of the last fifty years, a critical darling (though rarely a box office titan), and a fan favorite.
In this book, Eric San Juan guides readers through the crooks, the mobsters, the loners, the moguls, and the nobodies of Scorsese's 26-movie filmography. The Films of Martin Scorsese: Gangsters, Greed, and Guilt (Rowman and Littlefield, 2020) examines the techniques that have made him one of the most innovative directors in history. The book further looks at the themes that are the engine driving all of this, including themes of self-sabotage, alienation, faith, and guilt.
Eric San Juan has written a number of books, including one on Akira Kurosawa and co-authored two books on the films of Alfred Hitchcock. His Twitter handle is @ericsanjuan.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 20 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Few mainstream filmmakers have as pronounced a disregard for the supposed rules of filmmaking as Martin Scorsese...</itunes:subtitle>
      <itunes:summary>Few mainstream filmmakers have as pronounced a disregard for the supposed rules of filmmaking as Martin Scorsese. His inventiveness displays a reaction against the “right” way to make a movie, frequently eschewing traditional cinematic language in favor of something flashy, unexpected and contrary to the way “proper” films are done. Yet despite this, he’s become one of the most influential directors of the last fifty years, a critical darling (though rarely a box office titan), and a fan favorite.
In this book, Eric San Juan guides readers through the crooks, the mobsters, the loners, the moguls, and the nobodies of Scorsese's 26-movie filmography. The Films of Martin Scorsese: Gangsters, Greed, and Guilt (Rowman and Littlefield, 2020) examines the techniques that have made him one of the most innovative directors in history. The book further looks at the themes that are the engine driving all of this, including themes of self-sabotage, alienation, faith, and guilt.
Eric San Juan has written a number of books, including one on Akira Kurosawa and co-authored two books on the films of Alfred Hitchcock. His Twitter handle is @ericsanjuan.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Few mainstream filmmakers have as pronounced a disregard for the supposed rules of filmmaking as Martin Scorsese. His inventiveness displays a reaction against the “right” way to make a movie, frequently eschewing traditional cinematic language in favor of something flashy, unexpected and contrary to the way “proper” films are done. Yet despite this, he’s become one of the most influential directors of the last fifty years, a critical darling (though rarely a box office titan), and a fan favorite.</p><p>In this book, Eric San Juan guides readers through the crooks, the mobsters, the loners, the moguls, and the nobodies of Scorsese's 26-movie filmography. <a href="https://bookshop.org/a/12343/9781538127650"><em>The Films of Martin Scorsese: Gangsters, Greed, and Guilt</em></a> (Rowman and Littlefield, 2020) examines the techniques that have made him one of the most innovative directors in history. The book further looks at the themes that are the engine driving all of this, including themes of self-sabotage, alienation, faith, and guilt.</p><p>Eric San Juan has written a number of books, including one on Akira Kurosawa and co-authored two books on the films of Alfred Hitchcock. His Twitter handle is @ericsanjuan.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2e75dfac-0812-11eb-a7fe-23e29a1f5065]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6067320151.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Howe, "Teen Spirit: How Adolescence Transformed the Adult World" (Cornell UP, 2020)</title>
      <description>Paul Howe's book Teen Spirit: How Adolescence Transformed the Adult World (Cornell UP, 2020) offers a novel and provocative perspective on how we came to be living in an age of political immaturity and social turmoil. Award-winning author, Paul Howe, argues it's because a teenage mentality has slowly gripped the adult world.
Howe contends that many features of how we live today--some regrettable, others beneficial--can be traced to the emergence of a more defined adolescent stage of life in the early twentieth century, when young people started spending their formative, developmental years with peers, particularly in formal school settings. He shows how adolescent qualities have slowly seeped upwards, where they have gradually reshaped the norms and habits of adulthood. The effects over the long haul, Howe contends, have been profound, in both the private realm and in the public arena of political, economic, and social interaction. Our teenage traits remain part of us as we move into adulthood. We now need instruction manuals for adulting
Teen Spirit challenges our assumptions about the boundaries between adolescence and adulthood. Yet despite a cultural system that seems to be built on the ethos of Generation Me, it's not all bad. In fact, there is an equally impressive rise in creativity, diversity, and tolerance within society: all traits stemming from core components of the adolescent character. Howe's bold and suggestive approach to analyzing the teen in all of us helps make sense of the impulsivity driving society and to think anew about civic re-engagement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 16 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>159</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Howe offers a novel and provocative perspective on how we came to be living in an age of political immaturity and social turmoil...</itunes:subtitle>
      <itunes:summary>Paul Howe's book Teen Spirit: How Adolescence Transformed the Adult World (Cornell UP, 2020) offers a novel and provocative perspective on how we came to be living in an age of political immaturity and social turmoil. Award-winning author, Paul Howe, argues it's because a teenage mentality has slowly gripped the adult world.
Howe contends that many features of how we live today--some regrettable, others beneficial--can be traced to the emergence of a more defined adolescent stage of life in the early twentieth century, when young people started spending their formative, developmental years with peers, particularly in formal school settings. He shows how adolescent qualities have slowly seeped upwards, where they have gradually reshaped the norms and habits of adulthood. The effects over the long haul, Howe contends, have been profound, in both the private realm and in the public arena of political, economic, and social interaction. Our teenage traits remain part of us as we move into adulthood. We now need instruction manuals for adulting
Teen Spirit challenges our assumptions about the boundaries between adolescence and adulthood. Yet despite a cultural system that seems to be built on the ethos of Generation Me, it's not all bad. In fact, there is an equally impressive rise in creativity, diversity, and tolerance within society: all traits stemming from core components of the adolescent character. Howe's bold and suggestive approach to analyzing the teen in all of us helps make sense of the impulsivity driving society and to think anew about civic re-engagement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Paul Howe's book <a href="https://bookshop.org/a/12343/9781501749827"><em>Teen Spirit: How Adolescence Transformed the Adult World</em></a> (Cornell UP, 2020) offers a novel and provocative perspective on how we came to be living in an age of political immaturity and social turmoil. Award-winning author, Paul Howe, argues it's because a teenage mentality has slowly gripped the adult world.</p><p>Howe contends that many features of how we live today--some regrettable, others beneficial--can be traced to the emergence of a more defined adolescent stage of life in the early twentieth century, when young people started spending their formative, developmental years with peers, particularly in formal school settings. He shows how adolescent qualities have slowly seeped upwards, where they have gradually reshaped the norms and habits of adulthood. The effects over the long haul, Howe contends, have been profound, in both the private realm and in the public arena of political, economic, and social interaction. Our teenage traits remain part of us as we move into adulthood. We now need instruction manuals for adulting</p><p><em>Teen Spirit</em> challenges our assumptions about the boundaries between adolescence and adulthood. Yet despite a cultural system that seems to be built on the ethos of Generation Me, it's not all bad. In fact, there is an equally impressive rise in creativity, diversity, and tolerance within society: all traits stemming from core components of the adolescent character. Howe's bold and suggestive approach to analyzing the teen in all of us helps make sense of the impulsivity driving society and to think anew about civic re-engagement.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4393</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT1536689826.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Barbara Keys, "The Ideal of Global Sport: From Peace to Human Rights" (U Pennsylvania Press, 2019)</title>
      <description>Today we are joined by Barbara Keys, Professor of US and International History at Durham University, and author and editor of The Ideal of Global Sport: From Peace to Human Rights (University of Pennsylvania Press, 2019). In our conversation, we discussed the origins of Olympism’s moral claims, the nexus between sport and human rights, and why it can be hard to understand the human costs of contemporary mega-events.
In The Ideal of Global Sport, Keys joins nine scholars in a critical examination of what she calls the “liturgy” of Olympism: namely that international sports “promote peace;” “teach fair play and mutual understanding;” “combat racial, ethnic gender, religious, and national discrimination;” “fight poverty;” “protect the environment;” and promote human rights.” A series of thematic articles, each chapter touches on one or more of the above themes. The authors come from a wide range of disciplines, including history, political science, and anthropology. Their different theoretical perspectives allow them to raise a host of questions about Olympism’s most grandiose claims.
These scholars do more than simply test the so-called “moral” defenses of sport. They also try to understand why “so many people make (such moral claims) and why so may people believe them…. The claims are important far beyond the question of their veracity: they constitute a system of meaning and a way of imagining the international. As a set of beliefs, the shape behaviour and practice.”
The Ideal of Global Sport is divided into two parts. Part 1 examines the core Olympic ideals of friendship, anti-discrimination, democratization, and peace. Simon Creak, Joon Seok Hong, and Roland Burke find very little evidence for strong links between any of these official Olympic values and instead point to the way that these ideals have been mobilized to serve particular political agendas. Robert Skinner’s chapter on anti-Apartheid sport posits that sport played a role in a much larger anti-discrimination movement.
In a provocative second half, scholars address the intersection between sport and human rights. Jules Boykoff illustrates the human cost of mega-events. Susan Brownell investigates different metrics for understanding the “human rights impact” of sport. In her own chapter, Keys paints a picture of sports and human rights organizations working with and against each other for mutual and opposite goals. Sporting group wanted to reframe human rights away from enumerated ideals and towards more marketable language, but other organizations like Amnesty International and Human Rights Watch are also increasingly interested in partnering with FIFA and the IOC.
Each one of these essays in this volume offers enticing insights into the ways that power and human rights intersect in the sports sphere and scholars interested in those themes are strongly encouraged to read this book.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 16 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>174</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In our conversation, we discussed the origins of Olympism’s moral claims, the nexus between sport and human rights, and why it can be hard to understand the human costs of contemporary mega-events....</itunes:subtitle>
      <itunes:summary>Today we are joined by Barbara Keys, Professor of US and International History at Durham University, and author and editor of The Ideal of Global Sport: From Peace to Human Rights (University of Pennsylvania Press, 2019). In our conversation, we discussed the origins of Olympism’s moral claims, the nexus between sport and human rights, and why it can be hard to understand the human costs of contemporary mega-events.
In The Ideal of Global Sport, Keys joins nine scholars in a critical examination of what she calls the “liturgy” of Olympism: namely that international sports “promote peace;” “teach fair play and mutual understanding;” “combat racial, ethnic gender, religious, and national discrimination;” “fight poverty;” “protect the environment;” and promote human rights.” A series of thematic articles, each chapter touches on one or more of the above themes. The authors come from a wide range of disciplines, including history, political science, and anthropology. Their different theoretical perspectives allow them to raise a host of questions about Olympism’s most grandiose claims.
These scholars do more than simply test the so-called “moral” defenses of sport. They also try to understand why “so many people make (such moral claims) and why so may people believe them…. The claims are important far beyond the question of their veracity: they constitute a system of meaning and a way of imagining the international. As a set of beliefs, the shape behaviour and practice.”
The Ideal of Global Sport is divided into two parts. Part 1 examines the core Olympic ideals of friendship, anti-discrimination, democratization, and peace. Simon Creak, Joon Seok Hong, and Roland Burke find very little evidence for strong links between any of these official Olympic values and instead point to the way that these ideals have been mobilized to serve particular political agendas. Robert Skinner’s chapter on anti-Apartheid sport posits that sport played a role in a much larger anti-discrimination movement.
In a provocative second half, scholars address the intersection between sport and human rights. Jules Boykoff illustrates the human cost of mega-events. Susan Brownell investigates different metrics for understanding the “human rights impact” of sport. In her own chapter, Keys paints a picture of sports and human rights organizations working with and against each other for mutual and opposite goals. Sporting group wanted to reframe human rights away from enumerated ideals and towards more marketable language, but other organizations like Amnesty International and Human Rights Watch are also increasingly interested in partnering with FIFA and the IOC.
Each one of these essays in this volume offers enticing insights into the ways that power and human rights intersect in the sports sphere and scholars interested in those themes are strongly encouraged to read this book.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Barbara Keys, Professor of US and International History at Durham University, and author and editor of <a href="https://bookshop.org/a/12343/9780812251500"><em>The Ideal of Global Sport: From Peace to Human Rights </em></a>(University of Pennsylvania Press, 2019). In our conversation, we discussed the origins of Olympism’s moral claims, the nexus between sport and human rights, and why it can be hard to understand the human costs of contemporary mega-events.</p><p>In <em>The Ideal of Global Sport</em>, Keys joins nine scholars in a critical examination of what she calls the “liturgy” of Olympism: namely that international sports “promote peace;” “teach fair play and mutual understanding;” “combat racial, ethnic gender, religious, and national discrimination;” “fight poverty;” “protect the environment;” and promote human rights.” A series of thematic articles, each chapter touches on one or more of the above themes. The authors come from a wide range of disciplines, including history, political science, and anthropology. Their different theoretical perspectives allow them to raise a host of questions about Olympism’s most grandiose claims.</p><p>These scholars do more than simply test the so-called “moral” defenses of sport. They also try to understand why “so many people make (such moral claims) and why so may people believe them…. The claims are important far beyond the question of their veracity: they constitute a system of meaning and a way of imagining the international. As a set of beliefs, the shape behaviour and practice.”</p><p><em>The Ideal of Global Sport</em> is divided into two parts. Part 1 examines the core Olympic ideals of friendship, anti-discrimination, democratization, and peace. Simon Creak, Joon Seok Hong, and Roland Burke find very little evidence for strong links between any of these official Olympic values and instead point to the way that these ideals have been mobilized to serve particular political agendas. Robert Skinner’s chapter on anti-Apartheid sport posits that sport played a role in a much larger anti-discrimination movement.</p><p>In a provocative second half, scholars address the intersection between sport and human rights. Jules Boykoff illustrates the human cost of mega-events. Susan Brownell investigates different metrics for understanding the “human rights impact” of sport. In her own chapter, Keys paints a picture of sports and human rights organizations working with and against each other for mutual and opposite goals. Sporting group wanted to reframe human rights away from enumerated ideals and towards more marketable language, but other organizations like Amnesty International and Human Rights Watch are also increasingly interested in partnering with FIFA and the IOC.</p><p>Each one of these essays in this volume offers enticing insights into the ways that power and human rights intersect in the sports sphere and scholars interested in those themes are strongly encouraged to read this book.</p><p><em>Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3165</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6db5c824-05ad-11eb-ad5f-9fef5cb7a3d8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6688828986.mp3?updated=1625648122" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Locke, "Queen of the Gangsters: Stories by Margie Harris" (Off-Trail Publications, 2011)</title>
      <description>Queen of the Gangsters: Stories by Margie Harris (Off-Trail Publications, 2011), is the first anthology of work of crime fiction writer Margie Harris. Edited by John Locke, Queen of the Gangsters bring the work of Harris, the first woman hardboiled crime fiction writer in history, to a larger audience. During the height of the 1930s gangster pulps, Harris wrote some of the roughest, toughest stories to be published in pulps such as Gangland Stories and Mobs. Readers question whether a woman could write stories that were so mired in the underworld. Harris was a mystery. She had spent time in the Chicago underworld, interviewed death-row inmates in San Francisco, and knew the lingo of the crime world that made her fiction come to life. Margie Harris is still a mystery today. Little is known of her life and what became of her after she finished writing for the pulps. In this collection of eight stories, Locke also presents readers with a biography of Harris, covering the limited details known about her life and her writing.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>During the height of the 1930s gangster pulps, Harris wrote some of the roughest, toughest stories to be published in pulps such as Gangland Stories and Mobs...</itunes:subtitle>
      <itunes:summary>Queen of the Gangsters: Stories by Margie Harris (Off-Trail Publications, 2011), is the first anthology of work of crime fiction writer Margie Harris. Edited by John Locke, Queen of the Gangsters bring the work of Harris, the first woman hardboiled crime fiction writer in history, to a larger audience. During the height of the 1930s gangster pulps, Harris wrote some of the roughest, toughest stories to be published in pulps such as Gangland Stories and Mobs. Readers question whether a woman could write stories that were so mired in the underworld. Harris was a mystery. She had spent time in the Chicago underworld, interviewed death-row inmates in San Francisco, and knew the lingo of the crime world that made her fiction come to life. Margie Harris is still a mystery today. Little is known of her life and what became of her after she finished writing for the pulps. In this collection of eight stories, Locke also presents readers with a biography of Harris, covering the limited details known about her life and her writing.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/Queen-Gangsters-Vol-Broadwalk-Empire/dp/193503118X"><em>Queen of the Gangsters: Stories by Margie Harris</em></a> (Off-Trail Publications, 2011), is the first anthology of work of crime fiction writer Margie Harris. Edited by John Locke, <em>Queen of the Gangsters</em> bring the work of Harris, the first woman hardboiled crime fiction writer in history, to a larger audience. During the height of the 1930s gangster pulps, Harris wrote some of the roughest, toughest stories to be published in pulps such as <em>Gangland Stories</em> and <em>Mobs</em>. Readers question whether a woman could write stories that were so mired in the underworld. Harris was a mystery. She had spent time in the Chicago underworld, interviewed death-row inmates in San Francisco, and knew the lingo of the crime world that made her fiction come to life. Margie Harris is still a mystery today. Little is known of her life and what became of her after she finished writing for the pulps. In this collection of eight stories, Locke also presents readers with a biography of Harris, covering the limited details known about her life and her writing.</p><p><em>Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her </em><a href="https://rebekahjbuchanan.com/"><em>website</em></a><em>, follow her on Twitter</em><a href="https://twitter.com/rj_buchanan"><em> @rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4047</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT5413279895.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joel Miller, "Memoir of a Roadie: Axl Said I made a Great Cup of Tea…" (2020)</title>
      <description>In his new book, Memoir of a Roadie: Axl said I made a great Cup of Tea…Scott Weiland liked The Carpenters…and Ozzy Drinks Rosé (2020) Joel Miller recounts his time in the early 2000s as a road for Stone Temple Pilots, Guns N’ Roses, Poison, and The Cranberries. Using his journal entries from being on the road, Miller shares what it was like for a young man in his early 20s to be on the road, learning about what it meant to be a roadie. Often humorous and also thoughtful, Miller brings readers into the backstage world of the hardworking crews that make sure performances and tours go on without a hitch (or at least without a hitch for the fans). Although the book does share insight into some of the biggest names in rock-n-roll during the time Miller was a roadie, the focus on the day to day life and Miller’s attempt at trying to navigate the world during this time is what readers will find most interesting.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Joel Miller recounts his time in the early 2000s as a road for Stone Temple Pilots, Guns N’ Roses, Poison, and The Cranberries...</itunes:subtitle>
      <itunes:summary>In his new book, Memoir of a Roadie: Axl said I made a great Cup of Tea…Scott Weiland liked The Carpenters…and Ozzy Drinks Rosé (2020) Joel Miller recounts his time in the early 2000s as a road for Stone Temple Pilots, Guns N’ Roses, Poison, and The Cranberries. Using his journal entries from being on the road, Miller shares what it was like for a young man in his early 20s to be on the road, learning about what it meant to be a roadie. Often humorous and also thoughtful, Miller brings readers into the backstage world of the hardworking crews that make sure performances and tours go on without a hitch (or at least without a hitch for the fans). Although the book does share insight into some of the biggest names in rock-n-roll during the time Miller was a roadie, the focus on the day to day life and Miller’s attempt at trying to navigate the world during this time is what readers will find most interesting.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="https://bookshop.org/a/12343/9798670742405"><em>Memoir of a Roadie: Axl said I made a great Cup of Tea…Scott Weiland liked The Carpenters…and Ozzy Drinks Rosé</em></a> (2020) Joel Miller recounts his time in the early 2000s as a road for Stone Temple Pilots, Guns N’ Roses, Poison, and The Cranberries. Using his journal entries from being on the road, Miller shares what it was like for a young man in his early 20s to be on the road, learning about what it meant to be a roadie. Often humorous and also thoughtful, Miller brings readers into the backstage world of the hardworking crews that make sure performances and tours go on without a hitch (or at least without a hitch for the fans). Although the book does share insight into some of the biggest names in rock-n-roll during the time Miller was a roadie, the focus on the day to day life and Miller’s attempt at trying to navigate the world during this time is what readers will find most interesting.</p><p><em>Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her </em><a href="https://rebekahjbuchanan.com/"><em>website</em></a><em>, follow her on Twitter</em><a href="https://twitter.com/rj_buchanan"><em> @rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3735</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6af9b23a-028d-11eb-976f-b75a9ffe5353]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8964927025.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dave O’Brien, "Culture is Bad for You: Inequality in the Cultural and Creative Industries" (Manchester UP, 2020)</title>
      <description>It would be hard to overstate the importance of culture. It teaches us, heals us, rips us apart and puts us back together in new and surprising ways. Given its fundamental importance to the human experience, it would make sense that looking at the sort of people who produce it for us, thinking about who they are, what their experiences are, and what that may say about the cultural products they then make. There is no product without a producer, and cultural products are no different, so understanding cultural products means thinking more critically about who produces them.
This is the goal of the recently published ​Culture is Bad for You: Inequality in the Cultural and Creative Industries (Manchester University Press, 2020). Written by Orian Brook, Mark Taylor and, my guest today, Dave O’Brien, the book combines quantitative data analysis with personal interviews to weave together the complicated picture of who the people behind some of our most cherished experiences are.
Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries, based in the School of History of Art at Edinburgh University. He is also the author of ​Cultural Policy: Management, Value and Modernity in the Creative Industries​ (Routledge).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 12 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>189</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book combines quantitative data analysis with personal interviews to weave together the complicated picture of who the people behind some of our most cherished experiences are.</itunes:subtitle>
      <itunes:summary>It would be hard to overstate the importance of culture. It teaches us, heals us, rips us apart and puts us back together in new and surprising ways. Given its fundamental importance to the human experience, it would make sense that looking at the sort of people who produce it for us, thinking about who they are, what their experiences are, and what that may say about the cultural products they then make. There is no product without a producer, and cultural products are no different, so understanding cultural products means thinking more critically about who produces them.
This is the goal of the recently published ​Culture is Bad for You: Inequality in the Cultural and Creative Industries (Manchester University Press, 2020). Written by Orian Brook, Mark Taylor and, my guest today, Dave O’Brien, the book combines quantitative data analysis with personal interviews to weave together the complicated picture of who the people behind some of our most cherished experiences are.
Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries, based in the School of History of Art at Edinburgh University. He is also the author of ​Cultural Policy: Management, Value and Modernity in the Creative Industries​ (Routledge).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It would be hard to overstate the importance of culture. It teaches us, heals us, rips us apart and puts us back together in new and surprising ways. Given its fundamental importance to the human experience, it would make sense that looking at the sort of people who produce it for us, thinking about who they are, what their experiences are, and what that may say about the cultural products they then make. There is no product without a producer, and cultural products are no different, so understanding cultural products means thinking more critically about who produces them.</p><p>This is the goal of the recently published ​<a href="https://bookshop.org/a/12343/9781526144164"><em>Culture is Bad for You: Inequality in the Cultural and Creative Industries</em></a> (Manchester University Press, 2020). Written by Orian Brook, Mark Taylor and, my guest today, Dave O’Brien, the book combines quantitative data analysis with personal interviews to weave together the complicated picture of who the people behind some of our most cherished experiences are.</p><p>Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries, based in the School of History of Art at Edinburgh University. He is also the author of ​Cultural Policy: Management, Value and Modernity in the Creative Industries​ (Routledge).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3439</itunes:duration>
      <guid isPermaLink="false"><![CDATA[0d9f4d50-027b-11eb-97a5-0b10e594647c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2957820875.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Glenn Kenny, "Made Men: The Story of Goodfellas" (Hanover Square, 2020)</title>
      <description>For the thirtieth anniversary of its premiere comes the vivid and immersive history behind Martin Scorsese’s signature film Goodfellas, hailed by critics as the greatest mob movie ever made.
In the first ever behind-the-scenes story of Goodfellas, film critic Glenn Kenny chronicles the making and afterlife of the film that introduced America to the real modern gangster—brutal, ruthless, yet darkly appealing, the villain we can’t get enough of. Featuring interviews with the film’s major players, including Martin Scorsese and Robert De Niro, Made Men: The Story of Goodfellas (Hanover Square, 2020) shines a light on the lives and stories wrapped up in the Goodfellas universe, and why its enduring legacy is still essential to charting the trajectory of American culture thirty years later.
Glen Kenny is a long-time film critic based in New York. He currently writes for RogerEbert.com and the New York Times. His Twitter handle is @Glenn_Kenny.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 30 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>75</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the first ever behind-the-scenes story of Goodfellas, film critic Glenn Kenny chronicles the making and afterlife of the film that introduced America to the real modern gangster—brutal, ruthless...</itunes:subtitle>
      <itunes:summary>For the thirtieth anniversary of its premiere comes the vivid and immersive history behind Martin Scorsese’s signature film Goodfellas, hailed by critics as the greatest mob movie ever made.
In the first ever behind-the-scenes story of Goodfellas, film critic Glenn Kenny chronicles the making and afterlife of the film that introduced America to the real modern gangster—brutal, ruthless, yet darkly appealing, the villain we can’t get enough of. Featuring interviews with the film’s major players, including Martin Scorsese and Robert De Niro, Made Men: The Story of Goodfellas (Hanover Square, 2020) shines a light on the lives and stories wrapped up in the Goodfellas universe, and why its enduring legacy is still essential to charting the trajectory of American culture thirty years later.
Glen Kenny is a long-time film critic based in New York. He currently writes for RogerEbert.com and the New York Times. His Twitter handle is @Glenn_Kenny.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the thirtieth anniversary of its premiere comes the vivid and immersive history behind Martin Scorsese’s signature film Goodfellas, hailed by critics as the greatest mob movie ever made.</p><p>In the first ever behind-the-scenes story of Goodfellas, film critic Glenn Kenny chronicles the making and afterlife of the film that introduced America to the real modern gangster—brutal, ruthless, yet darkly appealing, the villain we can’t get enough of. Featuring interviews with the film’s major players, including Martin Scorsese and Robert De Niro, <a href="https://bookshop.org/a/12343/9781335016508"><em>Made Men: The Story of Goodfellas</em></a> (Hanover Square, 2020) shines a light on the lives and stories wrapped up in the Goodfellas universe, and why its enduring legacy is still essential to charting the trajectory of American culture thirty years later.</p><p>Glen Kenny is a long-time film critic based in New York. He currently writes for RogerEbert.com and the <a href="https://www.nytimes.com/by/glenn-kenny"><em>New York Times</em></a>. His Twitter handle is @Glenn_Kenny.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3658</itunes:duration>
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    </item>
    <item>
      <title>Carla Yanni, "Living on Campus: An Architectural History of the American Dormitory" (U Minnesota Press, 2019)</title>
      <description>Every fall on move-in day, parents tearfully bid farewell to their beloved sons and daughters at college dormitories: it is an age-old ritual. The residence hall has come to mark the threshold between childhood and adulthood, housing young people during a transformational time in their lives. Whether a Gothic stone pile, a quaint Colonial box, or a concrete slab, the dormitory is decidedly unhomelike, yet it takes center stage in the dramatic arc of many American families. This richly illustrated book examines the architecture of dormitories in the United States from the eighteenth century to 1968, asking fundamental questions: Why have American educators believed for so long that housing students is essential to educating them? And how has architecture validated that idea? Living on Campus: An Architectural History of the American Dormitory (University of Minnesota Press, 2019) is the first architectural history of this critical building type. 
Grounded in extensive archival research, Carla Yanni’s study highlights the opinions of architects, professors, and deans, and also includes the voices of students. For centuries, academic leaders in the United States asserted that on-campus living enhanced the moral character of youth; that somewhat dubious claim nonetheless influenced the design and planning of these ubiquitous yet often overlooked campus buildings. Through nuanced architectural analysis and detailed social history, Yanni offers unexpected glimpses into the past: double-loaded corridors (which made surveillance easy but echoed with noise), staircase plans (which prevented roughhousing but offered no communal space), lavish lounges in women’s halls (intended to civilize male visitors), specially designed upholstered benches for courting couples, mixed-gender saunas for students in the radical 1960s, and lazy rivers for the twenty-first century’s stressed-out undergraduates. 
Against the backdrop of sweeping societal changes, communal living endured because it bolstered networking, if not studying. Housing policies often enabled discrimination according to class, race, and gender, despite the fact that deans envisioned the residence hall as a democratic alternative to the elitist fraternity. Yanni focuses on the dormitory as a place of exclusion as much as a site of fellowship, and considers the uncertain future of residence halls in the age of distance learning.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 22 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Every fall on move-in day, parents tearfully bid farewell to their beloved sons and daughters at college dormitories: it is an age-old ritual...</itunes:subtitle>
      <itunes:summary>Every fall on move-in day, parents tearfully bid farewell to their beloved sons and daughters at college dormitories: it is an age-old ritual. The residence hall has come to mark the threshold between childhood and adulthood, housing young people during a transformational time in their lives. Whether a Gothic stone pile, a quaint Colonial box, or a concrete slab, the dormitory is decidedly unhomelike, yet it takes center stage in the dramatic arc of many American families. This richly illustrated book examines the architecture of dormitories in the United States from the eighteenth century to 1968, asking fundamental questions: Why have American educators believed for so long that housing students is essential to educating them? And how has architecture validated that idea? Living on Campus: An Architectural History of the American Dormitory (University of Minnesota Press, 2019) is the first architectural history of this critical building type. 
Grounded in extensive archival research, Carla Yanni’s study highlights the opinions of architects, professors, and deans, and also includes the voices of students. For centuries, academic leaders in the United States asserted that on-campus living enhanced the moral character of youth; that somewhat dubious claim nonetheless influenced the design and planning of these ubiquitous yet often overlooked campus buildings. Through nuanced architectural analysis and detailed social history, Yanni offers unexpected glimpses into the past: double-loaded corridors (which made surveillance easy but echoed with noise), staircase plans (which prevented roughhousing but offered no communal space), lavish lounges in women’s halls (intended to civilize male visitors), specially designed upholstered benches for courting couples, mixed-gender saunas for students in the radical 1960s, and lazy rivers for the twenty-first century’s stressed-out undergraduates. 
Against the backdrop of sweeping societal changes, communal living endured because it bolstered networking, if not studying. Housing policies often enabled discrimination according to class, race, and gender, despite the fact that deans envisioned the residence hall as a democratic alternative to the elitist fraternity. Yanni focuses on the dormitory as a place of exclusion as much as a site of fellowship, and considers the uncertain future of residence halls in the age of distance learning.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every fall on move-in day, parents tearfully bid farewell to their beloved sons and daughters at college dormitories: it is an age-old ritual. The residence hall has come to mark the threshold between childhood and adulthood, housing young people during a transformational time in their lives. Whether a Gothic stone pile, a quaint Colonial box, or a concrete slab, the dormitory is decidedly unhomelike, yet it takes center stage in the dramatic arc of many American families. This richly illustrated book examines the architecture of dormitories in the United States from the eighteenth century to 1968, asking fundamental questions: Why have American educators believed for so long that housing students is essential to educating them? And how has architecture validated that idea? <a href="https://bookshop.org/a/12343/9781517904562"><em>Living on Campus: An Architectural History of the American Dormitory</em></a> (University of Minnesota Press, 2019) is the first architectural history of this critical building type. </p><p>Grounded in extensive archival research, Carla Yanni’s study highlights the opinions of architects, professors, and deans, and also includes the voices of students. For centuries, academic leaders in the United States asserted that on-campus living enhanced the moral character of youth; that somewhat dubious claim nonetheless influenced the design and planning of these ubiquitous yet often overlooked campus buildings. Through nuanced architectural analysis and detailed social history, Yanni offers unexpected glimpses into the past: double-loaded corridors (which made surveillance easy but echoed with noise), staircase plans (which prevented roughhousing but offered no communal space), lavish lounges in women’s halls (intended to civilize male visitors), specially designed upholstered benches for courting couples, mixed-gender saunas for students in the radical 1960s, and lazy rivers for the twenty-first century’s stressed-out undergraduates. </p><p>Against the backdrop of sweeping societal changes, communal living endured because it bolstered networking, if not studying. Housing policies often enabled discrimination according to class, race, and gender, despite the fact that deans envisioned the residence hall as a democratic alternative to the elitist fraternity. Yanni focuses on the dormitory as a place of exclusion as much as a site of fellowship, and considers the uncertain future of residence halls in the age of distance learning.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1808</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Bethany Klein, "Selling Out: Culture, Commerce and Popular Music" (Bloomsbury, 2020)</title>
      <description>How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 21 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>188</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Klein explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’...</itunes:subtitle>
      <itunes:summary>How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the music industry work in the modern world? In <a href="https://bookshop.org/a/12343/9781501339301">S<em>elling Out: Culture, Commerce and Popular Mu</em>sic</a> (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2617</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Karen E. H. Skinazi, "Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture" (Rutgers UP, 2018)</title>
      <description>Media portrayals of Orthodox Jewish women frequently depict powerless, silent individuals who are at best naive to live an Orthodox lifestyle, and who are at worst, coerced into it. In Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture (Rutgers University Press, 2018), Karen E. H. Skinazi delves beyond this stereotype to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves.
She examines Orthodox women as they appear in memoirs, comics, novels, and movies, and speaks with the authors, filmmakers, and musicians who create these representations. Throughout the work, Skinazi threads lines from the poem “Eshes Chayil,” the Biblical description of an Orthodox “Woman of Valor.” This proverb unites Orthodoxy and feminism in a complex relationship, where Orthodox women continuously question, challenge, and negotiate Orthodox and feminist values.
Ultimately, these women create paths that unite their work, passions, and families under the framework of an “Eshes Chayil,” a woman who situates religious conviction within her own power.
Dr. Karen E. H. Skinazi is a Senior Lecturer (associate professor) and the Director of Liberal Arts at the University of Bristol in the UK. She published a critical edition of the 1916 novel Marion: The Story of an Artist’s Model (McGill-Queen’s UP, 2012) by Winnifred Eaton/Onoto Watanna, the first Asian North American novelist. She is currently working on a project examining the productive interface between Muslim and Jewish women’s lives, literature, and activism.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com.
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      <pubDate>Mon, 21 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Skinazi delves beyond this stereotype to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves...</itunes:subtitle>
      <itunes:summary>Media portrayals of Orthodox Jewish women frequently depict powerless, silent individuals who are at best naive to live an Orthodox lifestyle, and who are at worst, coerced into it. In Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture (Rutgers University Press, 2018), Karen E. H. Skinazi delves beyond this stereotype to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves.
She examines Orthodox women as they appear in memoirs, comics, novels, and movies, and speaks with the authors, filmmakers, and musicians who create these representations. Throughout the work, Skinazi threads lines from the poem “Eshes Chayil,” the Biblical description of an Orthodox “Woman of Valor.” This proverb unites Orthodoxy and feminism in a complex relationship, where Orthodox women continuously question, challenge, and negotiate Orthodox and feminist values.
Ultimately, these women create paths that unite their work, passions, and families under the framework of an “Eshes Chayil,” a woman who situates religious conviction within her own power.
Dr. Karen E. H. Skinazi is a Senior Lecturer (associate professor) and the Director of Liberal Arts at the University of Bristol in the UK. She published a critical edition of the 1916 novel Marion: The Story of an Artist’s Model (McGill-Queen’s UP, 2012) by Winnifred Eaton/Onoto Watanna, the first Asian North American novelist. She is currently working on a project examining the productive interface between Muslim and Jewish women’s lives, literature, and activism.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Media portrayals of Orthodox Jewish women frequently depict powerless, silent individuals who are at best naive to live an Orthodox lifestyle, and who are at worst, coerced into it. In <a href="https://bookshop.org/a/12343/9780813596013"><em>Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture</em></a> (Rutgers University Press, 2018), Karen E. H. Skinazi delves beyond this stereotype to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves.</p><p>She examines Orthodox women as they appear in memoirs, comics, novels, and movies, and speaks with the authors, filmmakers, and musicians who create these representations. Throughout the work, Skinazi threads lines from the poem “Eshes Chayil,” the Biblical description of an Orthodox “Woman of Valor.” This proverb unites Orthodoxy and feminism in a complex relationship, where Orthodox women continuously question, challenge, and negotiate Orthodox and feminist values.</p><p>Ultimately, these women create paths that unite their work, passions, and families under the framework of an “Eshes Chayil,” a woman who situates religious conviction within her own power.</p><p>Dr. <a href="https://research-information.bris.ac.uk/en/persons/karen-skinazi">Karen E. H. Skinazi</a> is a Senior Lecturer (associate professor) and the Director of Liberal Arts at the University of Bristol in the UK. She published a critical edition of the 1916 novel <em>Marion: The Story of an Artist’s Model</em> (McGill-Queen’s UP, 2012) by Winnifred Eaton/Onoto Watanna, the first Asian North American novelist. She is currently working on a project examining the productive interface between Muslim and Jewish women’s lives, literature, and activism.</p><p><em>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of </em><a href="https://bookshop.org/a/12343/9781439918951"><em>Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism</em></a><em>. Visit him online at </em><a href="http://ZalmanNewfield.com"><em>ZalmanNewfield.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3664</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Julia Sneeringer, "A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69" (Bloomsbury, 2018)</title>
      <description>The Beatles’ sojourn in the St. Pauli district of Hamburg during the early 1960s is part of music legend. As Julia Sneeringer reveals in A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69 (Bloomsbury, 2018), though, this was just the most famous episode in the neighborhood’s momentous engagement with rock ‘n’ roll during that period, one of importance not just to music history but to the history of modern Germany. Located as it was outside the walls of the medieval city, St. Pauli was known for centuries as the entertainment quarter of Hamburg. The neighborhood had only recently recovered from the hardships of the postwar era when German club owners began booking English bands to play the new style of music that had just been introduced in Europe. The performances quickly proved a hit among teenage Germans, who flocked to out-of-the-way venues to watch the acts perform. As Sneeringer details, the encounters changed everyone involved, giving the musicians the chance to hone their skills and develop their style while through their participation the young men and women in the audience pushed against the conservative social boundaries imposed on them by their families and their society.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 18 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>800</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Beatles’ sojourn in the St. Pauli district of Hamburg during the early 1960s is part of music legend....</itunes:subtitle>
      <itunes:summary>The Beatles’ sojourn in the St. Pauli district of Hamburg during the early 1960s is part of music legend. As Julia Sneeringer reveals in A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69 (Bloomsbury, 2018), though, this was just the most famous episode in the neighborhood’s momentous engagement with rock ‘n’ roll during that period, one of importance not just to music history but to the history of modern Germany. Located as it was outside the walls of the medieval city, St. Pauli was known for centuries as the entertainment quarter of Hamburg. The neighborhood had only recently recovered from the hardships of the postwar era when German club owners began booking English bands to play the new style of music that had just been introduced in Europe. The performances quickly proved a hit among teenage Germans, who flocked to out-of-the-way venues to watch the acts perform. As Sneeringer details, the encounters changed everyone involved, giving the musicians the chance to hone their skills and develop their style while through their participation the young men and women in the audience pushed against the conservative social boundaries imposed on them by their families and their society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Beatles’ sojourn in the St. Pauli district of Hamburg during the early 1960s is part of music legend. As Julia Sneeringer reveals in <a href="https://bookshop.org/a/12343/9781350139534"><em>A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69</em></a> (Bloomsbury, 2018), though, this was just the most famous episode in the neighborhood’s momentous engagement with rock ‘n’ roll during that period, one of importance not just to music history but to the history of modern Germany. Located as it was outside the walls of the medieval city, St. Pauli was known for centuries as the entertainment quarter of Hamburg. The neighborhood had only recently recovered from the hardships of the postwar era when German club owners began booking English bands to play the new style of music that had just been introduced in Europe. The performances quickly proved a hit among teenage Germans, who flocked to out-of-the-way venues to watch the acts perform. As Sneeringer details, the encounters changed everyone involved, giving the musicians the chance to hone their skills and develop their style while through their participation the young men and women in the audience pushed against the conservative social boundaries imposed on them by their families and their society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4325</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jack Santino, "Public Performances: Studies in the Carnivalesque and Ritualesque" (UP Colorado, 2017)</title>
      <description>Public Performances: Studies in the Carnivalesque and Ritualesque (University Press of Colorado) offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—the volume provides rich and comprehensive insight into public performance as an assertion of political power.
Dr. Jack Santino is professor of folklore and popular culture and has served as director of the Bowling Green Center for Popular Culture Studies. He was the Alexis de Tocqueville Distinguished Professor at the University of Paris, Sorbonne, 2010–2011. He was a Fulbright Scholar to Northern Ireland and has conducted research in Spain and France. His documentary film on Pullman Porters, Miles of Smiles, Years of Struggle, received four Emmy awards. His research centers on rituals and celebrations, with a particular focus on carnival and political and public ritual as reflective of political, social, and cultural identity. He is the author of numerous books and articles.
Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Santino offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share...</itunes:subtitle>
      <itunes:summary>Public Performances: Studies in the Carnivalesque and Ritualesque (University Press of Colorado) offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—the volume provides rich and comprehensive insight into public performance as an assertion of political power.
Dr. Jack Santino is professor of folklore and popular culture and has served as director of the Bowling Green Center for Popular Culture Studies. He was the Alexis de Tocqueville Distinguished Professor at the University of Paris, Sorbonne, 2010–2011. He was a Fulbright Scholar to Northern Ireland and has conducted research in Spain and France. His documentary film on Pullman Porters, Miles of Smiles, Years of Struggle, received four Emmy awards. His research centers on rituals and celebrations, with a particular focus on carnival and political and public ritual as reflective of political, social, and cultural identity. He is the author of numerous books and articles.
Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781607326342"><em>Public Performances: Studies in the Carnivalesque and Ritualesque</em></a> (University Press of Colorado) offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—the volume provides rich and comprehensive insight into public performance as an assertion of political power.</p><p>Dr. <a href="https://www.bgsu.edu/arts-and-sciences/cultural-and-critical-studies/popular-culture/faculty-and-staff/jack-santino.html">Jack Santino</a> is professor of folklore and popular culture and has served as director of the Bowling Green Center for Popular Culture Studies. He was the Alexis de Tocqueville Distinguished Professor at the University of Paris, Sorbonne, 2010–2011. He was a Fulbright Scholar to Northern Ireland and has conducted research in Spain and France. His documentary film on Pullman Porters, Miles of Smiles, Years of Struggle, received four Emmy awards. His research centers on rituals and celebrations, with a particular focus on carnival and political and public ritual as reflective of political, social, and cultural identity. He is the author of numerous books and articles.</p><p><em>Dr. </em><a href="https://memphis.academia.edu/IsabelMachado"><em>Isabel Machado</em></a><em> is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4116</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jessica Pierce, "Run, Spot, Run: The Ethics of Keeping Pets" (U Chicago Press, 2016)</title>
      <description>A life shared with pets brings many emotions. We feel love for our companions, certainly, and happiness at the thought that we’re providing them with a safe, healthy life. But there’s another emotion, less often acknowledged, that can be nearly as powerful: guilt. When we see our cats gazing wistfully out the window, or watch a goldfish swim lazy circles in a bowl, we can’t help but wonder: are we doing the right thing, keeping these independent beings locked up, subject to our control? Is keeping pets actually good for the pets themselves?
That’s the question that animates Jessica Pierce’s powerful Run, Spot, Run: The Ethics of Keeping Pets (University of Chicago Press). A lover of pets herself (including, over the years, dogs, cats, fish, rats, hermit crabs, and more), Pierce understands the joys that pets bring us. But she also refuses to deny the ambiguous ethics at the heart of the relationship, and through a mix of personal stories, philosophical reflections, and scientifically informed analyses of animal behavior and natural history, she puts pet-keeping to the test.
Is it ethical to keep pets at all? Are some species more suited to the relationship than others? Are there species one should never attempt to own? And are there ways that we can improve our pets’ lives, so that we can be confident that we are giving them as much as they give us?
Deeply empathetic, yet rigorous and unflinching in her thinking, Pierce has written a book that is sure to help any pet owner, unsettling assumptions but also giving them the knowledge to build deeper, better relationships with the animals with whom they’ve chosen to share their lives.
Jessica Pierce is an American bioethicist, philosopher, and writer. She currently has a loose affiliation with the Center for Bioethics and Humanities, University of Colorado Denver, but considers herself mostly independent.
Mark Molloy is the reviews editor at MAKE: A Literary Magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What obligations do we have to our pets?</itunes:subtitle>
      <itunes:summary>A life shared with pets brings many emotions. We feel love for our companions, certainly, and happiness at the thought that we’re providing them with a safe, healthy life. But there’s another emotion, less often acknowledged, that can be nearly as powerful: guilt. When we see our cats gazing wistfully out the window, or watch a goldfish swim lazy circles in a bowl, we can’t help but wonder: are we doing the right thing, keeping these independent beings locked up, subject to our control? Is keeping pets actually good for the pets themselves?
That’s the question that animates Jessica Pierce’s powerful Run, Spot, Run: The Ethics of Keeping Pets (University of Chicago Press). A lover of pets herself (including, over the years, dogs, cats, fish, rats, hermit crabs, and more), Pierce understands the joys that pets bring us. But she also refuses to deny the ambiguous ethics at the heart of the relationship, and through a mix of personal stories, philosophical reflections, and scientifically informed analyses of animal behavior and natural history, she puts pet-keeping to the test.
Is it ethical to keep pets at all? Are some species more suited to the relationship than others? Are there species one should never attempt to own? And are there ways that we can improve our pets’ lives, so that we can be confident that we are giving them as much as they give us?
Deeply empathetic, yet rigorous and unflinching in her thinking, Pierce has written a book that is sure to help any pet owner, unsettling assumptions but also giving them the knowledge to build deeper, better relationships with the animals with whom they’ve chosen to share their lives.
Jessica Pierce is an American bioethicist, philosopher, and writer. She currently has a loose affiliation with the Center for Bioethics and Humanities, University of Colorado Denver, but considers herself mostly independent.
Mark Molloy is the reviews editor at MAKE: A Literary Magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A life shared with pets brings many emotions. We feel love for our companions, certainly, and happiness at the thought that we’re providing them with a safe, healthy life. But there’s another emotion, less often acknowledged, that can be nearly as powerful: guilt. When we see our cats gazing wistfully out the window, or watch a goldfish swim lazy circles in a bowl, we can’t help but wonder: are we doing the right thing, keeping these independent beings locked up, subject to our control? Is keeping pets actually good for the pets themselves?</p><p>That’s the question that animates Jessica Pierce’s powerful <a href="https://bookshop.org/a/12343/9780226209890"><em>Run, Spot, Run: The Ethics of Keeping Pets</em></a> (University of Chicago Press). A lover of pets herself (including, over the years, dogs, cats, fish, rats, hermit crabs, and more), Pierce understands the joys that pets bring us. But she also refuses to deny the ambiguous ethics at the heart of the relationship, and through a mix of personal stories, philosophical reflections, and scientifically informed analyses of animal behavior and natural history, she puts pet-keeping to the test.</p><p>Is it ethical to keep pets at all? Are some species more suited to the relationship than others? Are there species one should never attempt to own? And are there ways that we can improve our pets’ lives, so that we can be confident that we are giving them as much as they give us?</p><p>Deeply empathetic, yet rigorous and unflinching in her thinking, Pierce has written a book that is sure to help any pet owner, unsettling assumptions but also giving them the knowledge to build deeper, better relationships with the animals with whom they’ve chosen to share their lives.</p><p><a href="https://en.wikipedia.org/wiki/Jessica_Pierce">Jessica Pierce</a> is an American bioethicist, philosopher, and writer. She currently has a loose affiliation with the Center for Bioethics and Humanities, University of Colorado Denver, but considers herself mostly independent.</p><p><a href="https://www.linkedin.com/in/markgmolloy/"><em>Mark Molloy</em></a><em> is the reviews editor at MAKE: A Literary Magazine.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4398</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Laura Westengard, "Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma" (U Nebraska Press, 2019)</title>
      <description>In Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma (University of Nebraska Press), Laura Westengard examines the intersection of queerness and the gothic.
Westengard’s scope is broad enough to encompass Lady Gaga’s meat dress, lesbian pulp fiction, Dracula, queer literature, and sadomasochistic performance art. What brings these diverse cultural objects together is the way they re-appropriate tropes of the gothic that have been used to marginalize queer and gender-variant people throughout history.
If mainstream culture depicts queer people as predatory, monstrous, and threatening, the artists analyzed in Gothic Queer Culture find beauty and meaning in gothic tropes: in the crypt-like undergrounds of lesbian bars, the vampiric performance art of Ron Athey, and in the Frankensteinian practice of juxtaposing conflicting genres in the same text.
The gothic then becomes a way to process trauma and rewrite the often-conservative genre of the gothic as something proudly queer, unsettled, and unsettling.
Laura Westengard is an associate professor of English at the New York City College of Technology, City University of New York.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 10 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Westengard examines the intersection of queerness and the gothic...</itunes:subtitle>
      <itunes:summary>In Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma (University of Nebraska Press), Laura Westengard examines the intersection of queerness and the gothic.
Westengard’s scope is broad enough to encompass Lady Gaga’s meat dress, lesbian pulp fiction, Dracula, queer literature, and sadomasochistic performance art. What brings these diverse cultural objects together is the way they re-appropriate tropes of the gothic that have been used to marginalize queer and gender-variant people throughout history.
If mainstream culture depicts queer people as predatory, monstrous, and threatening, the artists analyzed in Gothic Queer Culture find beauty and meaning in gothic tropes: in the crypt-like undergrounds of lesbian bars, the vampiric performance art of Ron Athey, and in the Frankensteinian practice of juxtaposing conflicting genres in the same text.
The gothic then becomes a way to process trauma and rewrite the often-conservative genre of the gothic as something proudly queer, unsettled, and unsettling.
Laura Westengard is an associate professor of English at the New York City College of Technology, City University of New York.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781496217028"><em>Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma</em> </a>(University of Nebraska Press), Laura Westengard examines the intersection of queerness and the gothic.</p><p>Westengard’s scope is broad enough to encompass Lady Gaga’s meat dress, lesbian pulp fiction, Dracula, queer literature, and sadomasochistic performance art. What brings these diverse cultural objects together is the way they re-appropriate tropes of the gothic that have been used to marginalize queer and gender-variant people throughout history.</p><p>If mainstream culture depicts queer people as predatory, monstrous, and threatening, the artists analyzed in <em>Gothic Queer Culture</em> find beauty and meaning in gothic tropes: in the crypt-like undergrounds of lesbian bars, the vampiric performance art of Ron Athey, and in the Frankensteinian practice of juxtaposing conflicting genres in the same text.</p><p>The gothic then becomes a way to process trauma and rewrite the often-conservative genre of the gothic as something proudly queer, unsettled, and unsettling.</p><p><a href="http://www.citytech.cuny.edu/faculty/Lwestengard">Laura Westengard</a> is an associate professor of English at the New York City College of Technology, City University of New York.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is </em><a href="http://AndyJBoyd.com"><em>AndyJBoyd.com</em></a><em>, and he can be reached at </em><a href="mailto:andyjamesboyd@gmail.com"><em>andyjamesboyd@gmail.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3800</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Isabella Cosse, "Mafalda: A Social And Political History of a Global Comic" (Duke UP, 2019)</title>
      <description>Isabella Cosse’s Mafalda: A Social And Political History of a Global Comic (Duke University Press) is the definitive account of the most famous comic from Latin America, the Argentine strip Mafalda (1964-1973).
Mafalda, a four-year-old girl living in a Buenos Aires apartment with her middle-class family, became an international symbol of dissent through her humorous, yet pointed critiques of authoritarianism. Cosse’s work of cultural history carefully situates the comic in the context of social modernization and political polarization in Argentina.
Cosse reveals that the various characters reflect the heterogeneity of the Argentine middle classes during the years prior to the military dictatorship, when censorship was on the rise and standards of living grew more precarious for social sectors accustomed to modern comforts. Gender roles and generational change were also central themes in the comic, which used humor to explore the ways that middle-class families grappled with shifting configurations of power within the family and society more broadly.
Cosse analyzes the processes by which Mafalda has acquired new meanings in a changing Argentina before, during, and after the military dictatorship. But this book is also transnational in scope, for Cosse follows Mafalda to the other countries where the comic found great success and resonated politically: Spain, Italy, and Mexico. Cosse’s award-winning work was first published in Spanish in 2014, and the English translation with Duke is part of the press’s series Latin America in Translation/En Traducción/Em Tradução.
Isabella Cosse is an independent researcher for the National Science and Technology Research Council and the University of Buenos Aires.
Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about youth, higher education, transnationalism, and social class in twentieth-century Mexico. She is also the author of a book on a binational program for Mexican migrant children. She is on Twitter (@rachelgnew).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 08 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Cosse offers the definitive account of the most famous comic from Latin America, the Argentine strip Mafalda (1964-1973)....</itunes:subtitle>
      <itunes:summary>Isabella Cosse’s Mafalda: A Social And Political History of a Global Comic (Duke University Press) is the definitive account of the most famous comic from Latin America, the Argentine strip Mafalda (1964-1973).
Mafalda, a four-year-old girl living in a Buenos Aires apartment with her middle-class family, became an international symbol of dissent through her humorous, yet pointed critiques of authoritarianism. Cosse’s work of cultural history carefully situates the comic in the context of social modernization and political polarization in Argentina.
Cosse reveals that the various characters reflect the heterogeneity of the Argentine middle classes during the years prior to the military dictatorship, when censorship was on the rise and standards of living grew more precarious for social sectors accustomed to modern comforts. Gender roles and generational change were also central themes in the comic, which used humor to explore the ways that middle-class families grappled with shifting configurations of power within the family and society more broadly.
Cosse analyzes the processes by which Mafalda has acquired new meanings in a changing Argentina before, during, and after the military dictatorship. But this book is also transnational in scope, for Cosse follows Mafalda to the other countries where the comic found great success and resonated politically: Spain, Italy, and Mexico. Cosse’s award-winning work was first published in Spanish in 2014, and the English translation with Duke is part of the press’s series Latin America in Translation/En Traducción/Em Tradução.
Isabella Cosse is an independent researcher for the National Science and Technology Research Council and the University of Buenos Aires.
Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about youth, higher education, transnationalism, and social class in twentieth-century Mexico. She is also the author of a book on a binational program for Mexican migrant children. She is on Twitter (@rachelgnew).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Isabella Cosse’s <a href="https://bookshop.org/a/12343/9781478006381"><em>Mafalda: A Social And Political History of a Global Comic</em></a> (Duke University Press) is the definitive account of the most famous comic from Latin America, the Argentine strip <em>Mafalda </em>(1964-1973).</p><p>Mafalda, a four-year-old girl living in a Buenos Aires apartment with her middle-class family, became an international symbol of dissent through her humorous, yet pointed critiques of authoritarianism. Cosse’s work of cultural history carefully situates the comic in the context of social modernization and political polarization in Argentina.</p><p>Cosse reveals that the various characters reflect the heterogeneity of the Argentine middle classes during the years prior to the military dictatorship, when censorship was on the rise and standards of living grew more precarious for social sectors accustomed to modern comforts. Gender roles and generational change were also central themes in the comic, which used humor to explore the ways that middle-class families grappled with shifting configurations of power within the family and society more broadly.</p><p>Cosse analyzes the processes by which Mafalda has acquired new meanings in a changing Argentina before, during, and after the military dictatorship. But this book is also transnational in scope, for Cosse follows <em>Mafalda </em>to the other countries where the comic found great success and resonated politically: Spain, Italy, and Mexico. Cosse’s award-winning work was first published in Spanish in 2014, and the English translation with Duke is part of the press’s series <em>Latin America</em> <em>in Translation/En Traducción/Em Tradução</em>.</p><p><a href="https://es.wikipedia.org/wiki/Isabella_Cosse">Isabella Cosse</a> is an independent researcher for the National Science and Technology Research Council and the University of Buenos Aires.</p><p><a href="https://rachelgnewman.com/"><em>Rachel Grace Newman</em></a><em> is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about youth, higher education, transnationalism, and social class in twentieth-century Mexico. She is also the author of a </em><a href="https://www.worldcat.org/title/ninos-migrantes-entre-michoacan-y-california-pertenencia-estado-nacion-y-educacion-1976-1987/oclc/900268592"><em>book</em></a><em> on a binational program for Mexican migrant children. She is on Twitter (@rachelgnew).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2142</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4494d20a-eacd-11ea-b0d2-af540aeb85f5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1170160407.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Judith Mair, "The Routledge Handbook of Festivals" (Routledge, 2018)</title>
      <description>The Routledge Handbook of Festivals (Routledge, 2018) offers a comprehensive evaluation of the most current research, debates, and controversies surrounding festivals. It covers a wide range of theories, concepts and contexts, such as sustainability, festival marketing and management, the strategic use of festivals, and their futures. The handbook features a variety of disciplinary, cultural, and national perspectives from an international team of authors.
The handbook was edited by Dr. Judith Mair, Associate Professor and Discipline Leader of the Tourism Discipline Group in the University of Queensland Business School.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 07 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Mair offers a comprehensive evaluation of the most current research, debates, and controversies surrounding festivals...</itunes:subtitle>
      <itunes:summary>The Routledge Handbook of Festivals (Routledge, 2018) offers a comprehensive evaluation of the most current research, debates, and controversies surrounding festivals. It covers a wide range of theories, concepts and contexts, such as sustainability, festival marketing and management, the strategic use of festivals, and their futures. The handbook features a variety of disciplinary, cultural, and national perspectives from an international team of authors.
The handbook was edited by Dr. Judith Mair, Associate Professor and Discipline Leader of the Tourism Discipline Group in the University of Queensland Business School.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781138735811"><em>The Routledge Handbook of Festivals</em></a> (Routledge, 2018) offers a comprehensive evaluation of the most current research, debates, and controversies surrounding festivals. It covers a wide range of theories, concepts and contexts, such as sustainability, festival marketing and management, the strategic use of festivals, and their futures. The handbook features a variety of disciplinary, cultural, and national perspectives from an international team of authors.</p><p>The handbook was edited by Dr. Judith Mair, Associate Professor and Discipline Leader of the Tourism Discipline Group in the University of Queensland Business School.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2819</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0e11e9fc-ea19-11ea-abb6-4b8a3a2cedc6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9934383595.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stooges Brass Band, "Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game" (U Mississippi Press, 2020)</title>
      <description>Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game (University of Mississippi Press, 2020) is a collaboration between musician and ethnomusicologist Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present. It is the culmination of five years of interviews, research, and writing. Told with humor and candor, it’s as much a personal account of the Stooges’ careers as it is a story of the city’s musicians and, even more generally, a coming-of-age tale about Black men in the United States at the turn of the twenty-first century.
DeCoste and the band members take readers into the barrooms, practice rooms, studios, tour vans, and streets where the music is made and brotherhoods are shaped and strengthened. Comprised of lively firsthand accounts and honest dialogue, Can’t Be Faded is a dynamic approach to collaborative research that offers a sensitive portrait of the humans behind the horns.
The Stooges Brass Band is based in New Orleans, Louisiana. They are known for incorporating elements of hip-hop, funk, and R&amp;B into a more traditional brass band framework. In April 2011, the Stooges Brass Band won the Best Contemporary Brass Band award from the Big Easy Music Awards.
This episode features four members of the Stooges Brass Band: Walter Ramsey, tuba player, trombonist, and leader of the group; Al Growe, trombonist; Garfield Bogan, trombonist, drummer, and vocalist; and Andrew Baham, trumpet player and producer.
Alongside the Stooges Brass Band is co-author Kyle DeCoste, a PhD candidate in ethnomusicology at Columbia University. His dissertation explores the cultural politics of childhood in Black popular music in the United States.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 07 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Can't Be Faded" is a collaboration between musician and ethnomusicologist Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present...</itunes:subtitle>
      <itunes:summary>Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game (University of Mississippi Press, 2020) is a collaboration between musician and ethnomusicologist Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present. It is the culmination of five years of interviews, research, and writing. Told with humor and candor, it’s as much a personal account of the Stooges’ careers as it is a story of the city’s musicians and, even more generally, a coming-of-age tale about Black men in the United States at the turn of the twenty-first century.
DeCoste and the band members take readers into the barrooms, practice rooms, studios, tour vans, and streets where the music is made and brotherhoods are shaped and strengthened. Comprised of lively firsthand accounts and honest dialogue, Can’t Be Faded is a dynamic approach to collaborative research that offers a sensitive portrait of the humans behind the horns.
The Stooges Brass Band is based in New Orleans, Louisiana. They are known for incorporating elements of hip-hop, funk, and R&amp;B into a more traditional brass band framework. In April 2011, the Stooges Brass Band won the Best Contemporary Brass Band award from the Big Easy Music Awards.
This episode features four members of the Stooges Brass Band: Walter Ramsey, tuba player, trombonist, and leader of the group; Al Growe, trombonist; Garfield Bogan, trombonist, drummer, and vocalist; and Andrew Baham, trumpet player and producer.
Alongside the Stooges Brass Band is co-author Kyle DeCoste, a PhD candidate in ethnomusicology at Columbia University. His dissertation explores the cultural politics of childhood in Black popular music in the United States.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781496830036"><em>Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game </em></a>(University of Mississippi Press, 2020) is a collaboration between musician and ethnomusicologist Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present. It is the culmination of five years of interviews, research, and writing. Told with humor and candor, it’s as much a personal account of the Stooges’ careers as it is a story of the city’s musicians and, even more generally, a coming-of-age tale about Black men in the United States at the turn of the twenty-first century.</p><p>DeCoste and the band members take readers into the barrooms, practice rooms, studios, tour vans, and streets where the music is made and brotherhoods are shaped and strengthened. Comprised of lively firsthand accounts and honest dialogue, <em>Can’t Be Faded</em> is a dynamic approach to collaborative research that offers a sensitive portrait of the humans behind the horns.</p><p>The Stooges Brass Band is based in New Orleans, Louisiana. They are known for incorporating elements of hip-hop, funk, and R&amp;B into a more traditional brass band framework. In April 2011, the Stooges Brass Band won the Best Contemporary Brass Band award from the Big Easy Music Awards.</p><p>This episode features four members of the Stooges Brass Band: Walter Ramsey, tuba player, trombonist, and leader of the group; Al Growe, trombonist; Garfield Bogan, trombonist, drummer, and vocalist; and Andrew Baham, trumpet player and producer.</p><p>Alongside the Stooges Brass Band is co-author Kyle DeCoste, a PhD candidate in ethnomusicology at Columbia University. His dissertation explores the cultural politics of childhood in Black popular music in the United States.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4989</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[087ec0d8-ea1d-11ea-b45b-6bd053c7bd63]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2060902769.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>C. De Beukelaer and K. M. Spence, "Global Cultural Economy" (Routledge, 2018)</title>
      <description>How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world.
The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 04 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>184</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand the role of cultural industries in contemporary society?</itunes:subtitle>
      <itunes:summary>How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world.
The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand the role of cultural industries in contemporary society? In <a href="https://bookshop.org/a/12343/9781138670099"><em>Global Cultural Economy</em></a> (Routledge) <a href="https://findanexpert.unimelb.edu.au/profile/749374-christiaan-de-beukelaer">Christiaan De Beukelaer</a>, a senior lecturer in cultural policy at the University of Melbourne, and <a href="https://twitter.com/endzoftheearth">Kim-Marie Spence</a>, <a href="https://www.solent.ac.uk/staff-profiles/academic-profiles/kim-marie-spence/kim-marie-spence">a postdoctoral researcher at Solent University</a>, explore and explain the interrelationship between culture and economy across the world.</p><p>The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dana Renga, "Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond" (Palgrave MacMillan, 20</title>
      <description>In Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond (Palgrave MacMillan, 2019), Dana Renga offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, her book examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.
Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Dana Renga offers the first comprehensive study of recent, popular Italian television...</itunes:subtitle>
      <itunes:summary>In Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond (Palgrave MacMillan, 2019), Dana Renga offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, her book examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.
Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9783030115029"><em>Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond</em></a> (Palgrave MacMillan, 2019), Dana Renga offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, her book examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.</p><p><em>Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3405</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b474148a-e32c-11ea-a101-c3ed611d46ce]]></guid>
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    <item>
      <title>Elspeth H. Brown, "Work! A Queer History of Modelling" (Duke UP, 2019)</title>
      <description>From the haute couture runways of Paris and New York and editorial photo shoots for glossy fashion magazines to reality television, models have been a ubiquitous staple of twentieth- and twenty-first-century American consumer culture. In Work! A Queer History of Modelling (Duke University Press, 2019), Elspeth H. Brown traces the history of modeling from the advent of photographic modeling in the early twentieth century to the rise of the supermodel in the 1980s. Brown outlines how the modeling industry sanitized and commercialized models' sex appeal in order to elicit and channel desire into buying goods. She shows how this new form of sexuality—whether exhibited in the Ziegfeld Follies girls' performance of Anglo-Saxon femininity or in African American models' portrayal of black glamour in the 1960s—became a central element in consumer capitalism and a practice that has always been shaped by queer sensibilities. By outlining the paradox that queerness lies at the center of capitalist heteronormativity and telling the largely unknown story of queer models and photographers, Brown offers an out of the ordinary history of twentieth-century American culture and capitalism.
Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Brown traces the history of modeling from the advent of photographic modeling in the early twentieth century to the rise of the supermodel in the 1980s....</itunes:subtitle>
      <itunes:summary>From the haute couture runways of Paris and New York and editorial photo shoots for glossy fashion magazines to reality television, models have been a ubiquitous staple of twentieth- and twenty-first-century American consumer culture. In Work! A Queer History of Modelling (Duke University Press, 2019), Elspeth H. Brown traces the history of modeling from the advent of photographic modeling in the early twentieth century to the rise of the supermodel in the 1980s. Brown outlines how the modeling industry sanitized and commercialized models' sex appeal in order to elicit and channel desire into buying goods. She shows how this new form of sexuality—whether exhibited in the Ziegfeld Follies girls' performance of Anglo-Saxon femininity or in African American models' portrayal of black glamour in the 1960s—became a central element in consumer capitalism and a practice that has always been shaped by queer sensibilities. By outlining the paradox that queerness lies at the center of capitalist heteronormativity and telling the largely unknown story of queer models and photographers, Brown offers an out of the ordinary history of twentieth-century American culture and capitalism.
Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the haute couture runways of Paris and New York and editorial photo shoots for glossy fashion magazines to reality television, models have been a ubiquitous staple of twentieth- and twenty-first-century American consumer culture. In <a href="https://bookshop.org/a/12343/9781478000334"><em>Work! A Queer History of Modelling</em></a> (Duke University Press, 2019), <a href="https://www.elspethbrown.org/">Elspeth H. Brown</a> traces the history of modeling from the advent of photographic modeling in the early twentieth century to the rise of the supermodel in the 1980s. Brown outlines how the modeling industry sanitized and commercialized models' sex appeal in order to elicit and channel desire into buying goods. She shows how this new form of sexuality—whether exhibited in the Ziegfeld Follies girls' performance of Anglo-Saxon femininity or in African American models' portrayal of black glamour in the 1960s—became a central element in consumer capitalism and a practice that has always been shaped by queer sensibilities. By outlining the paradox that queerness lies at the center of capitalist heteronormativity and telling the largely unknown story of queer models and photographers, Brown offers an out of the ordinary history of twentieth-century American culture and capitalism.</p><p><a href="https://anth.uic.edu/profiles/lakshita-malik/"><em>Lakshita Malik</em></a><em> is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2756</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lauren Michele Jackson, "White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation" (Beacon, 2019)</title>
      <description>In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 19 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jackson demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality...</itunes:subtitle>
      <itunes:summary>In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/0807011800/?tag=newbooinhis-20"><em>White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation</em></a> (Beacon, 2019), <a href="http://www.laurjackson.com/">Lauren Michele Jackson</a> analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3722</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kyle Barnett, "Record Cultures: The Transformation of the U.S. Recording Industry" (U Michigan Press, 2020)</title>
      <description>In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.
Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.
Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.
Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 13 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s...</itunes:subtitle>
      <itunes:summary>In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.
Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.
Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.
Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.press.umich.edu/9901441/record_cultures"><em>Record Cultures: The Transformation of the U.S. Recording Industry</em></a> (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.</p><p>Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.</p><p><a href="https://www.bellarmine.edu/communication/faculty/">Kyle Barnett</a> is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.</p><p><a href="https://kimberlymack.com/"><em>Kimberly Mack</em></a><em> holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “</em><a href="https://longreads.com/2019/02/22/johnny-rotten-my-mom-and-me/"><em>Johnny Rotten, My Mom, and Me</em></a><em>.”</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4078</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Nate Marshall, "Finna: Poems" (One World, 2020)</title>
      <description>In Finna: Poems (One World), his new collection of poetry, Nate Marshall examines the way that pop culture influences Black vernacular, the role of storytelling, family, and place.
Marshall defines finna as: fin·na /ˈfinə/ contraction: (1) going to; intending to [rooted in African American Vernacular English] (2) eye dialect spelling of “fixing to” (3) Black possibility; Black futurity; Blackness as tomorrow.
His poems focus on the language of hope when Black lives and Black bodies are confronted with white supremacy, racism, and violence in our present culture.
Finna uses Black vernacular to explore the erasure of peoples in the American narrative, ask how gendered language can provoke violence; and how it expands notions of possibility and hope. Timely and lyrical, Marshall’s work is what is needed in language during this time in our history.
Sharp, lyrical poems celebrating the Black vernacular—its influence on pop culture, its necessity for familial survival, its rite in storytelling and in creating the safety found only within its intimacy
These poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy, and the use of the Black vernacular in America’s vast reserve of racial and gendered epithets. Finna explores the erasure of peoples in the American narrative; asks how gendered language can provoke violence; and finally, how the Black vernacular, expands our notions of possibility, giving us a new language of hope:
nothing about our people is romantic
&amp; it shouldn’t be. our people deserve
poetry without meter. we deserve our
own jagged rhythm &amp; our own uneven
walk towards sun. you make happening happen.
we happen to love. this is our greatest
action.
Nate Marshall is an award-winning writer, rapper, educator, and editor.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Nate Marshall examines the way that pop culture influences Black vernacular, the role of storytelling, family, and place...</itunes:subtitle>
      <itunes:summary>In Finna: Poems (One World), his new collection of poetry, Nate Marshall examines the way that pop culture influences Black vernacular, the role of storytelling, family, and place.
Marshall defines finna as: fin·na /ˈfinə/ contraction: (1) going to; intending to [rooted in African American Vernacular English] (2) eye dialect spelling of “fixing to” (3) Black possibility; Black futurity; Blackness as tomorrow.
His poems focus on the language of hope when Black lives and Black bodies are confronted with white supremacy, racism, and violence in our present culture.
Finna uses Black vernacular to explore the erasure of peoples in the American narrative, ask how gendered language can provoke violence; and how it expands notions of possibility and hope. Timely and lyrical, Marshall’s work is what is needed in language during this time in our history.
Sharp, lyrical poems celebrating the Black vernacular—its influence on pop culture, its necessity for familial survival, its rite in storytelling and in creating the safety found only within its intimacy
These poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy, and the use of the Black vernacular in America’s vast reserve of racial and gendered epithets. Finna explores the erasure of peoples in the American narrative; asks how gendered language can provoke violence; and finally, how the Black vernacular, expands our notions of possibility, giving us a new language of hope:
nothing about our people is romantic
&amp; it shouldn’t be. our people deserve
poetry without meter. we deserve our
own jagged rhythm &amp; our own uneven
walk towards sun. you make happening happen.
we happen to love. this is our greatest
action.
Nate Marshall is an award-winning writer, rapper, educator, and editor.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Finna-Poems-Nate-Marshall/dp/0593132459/?tag=newbooinhis-20"><em>Finna: Poems</em></a><em> </em>(One World), his new collection of poetry, Nate Marshall examines the way that pop culture influences Black vernacular, the role of storytelling, family, and place.</p><p>Marshall defines finna as: fin·na /ˈfinə/ contraction: (1) going to; intending to [rooted in African American Vernacular English] (2) eye dialect spelling of “fixing to” (3) Black possibility; Black futurity; Blackness as tomorrow.</p><p>His poems focus on the language of hope when Black lives and Black bodies are confronted with white supremacy, racism, and violence in our present culture.</p><p><em>Finna</em> uses Black vernacular to explore the erasure of peoples in the American narrative, ask how gendered language can provoke violence; and how it expands notions of possibility and hope. Timely and lyrical, Marshall’s work is what is needed in language during this time in our history.</p><p>Sharp, lyrical poems celebrating the Black vernacular—its influence on pop culture, its necessity for familial survival, its rite in storytelling and in creating the safety found only within its intimacy</p><p>These poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy, and the use of the Black vernacular in America’s vast reserve of racial and gendered epithets. Finna explores the erasure of peoples in the American narrative; asks how gendered language can provoke violence; and finally, how the Black vernacular, expands our notions of possibility, giving us a new language of hope:</p><p>nothing about our people is romantic</p><p>&amp; it shouldn’t be. our people deserve</p><p>poetry without meter. we deserve our</p><p>own jagged rhythm &amp; our own uneven</p><p>walk towards sun. you make happening happen.</p><p>we happen to love. this is our greatest</p><p>action.</p><p><a href="https://www.nate-marshall.com/about"><em>Nate Marshall</em></a> is an award-winning writer, rapper, educator, and editor.</p><p><em>Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her </em><a href="https://rebekahjbuchanan.com/"><em>website</em></a><em>, follow her on Twitter</em><a href="https://twitter.com/rj_buchanan"><em> @rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3299</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cd236e9e-d4cd-11ea-a8a0-4bb1b26e81cc]]></guid>
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    <item>
      <title>Jennifer Atkins, "New Orleans Carnival Balls: The Secret Side of Mardi Gras, 1870-1920" (LSU Press, 2017)</title>
      <description>In New Orleans Carnival Balls: The Secret Side of Mardi Gras, 1870-1920 (LSU Press, 2017), Dr. Jennifer Atkins draws back the curtain on the origin of the exclusive Mardi Gras balls, bringing to light unique traditions unseen by outsiders.
The oldest Carnival organizations emerged in the mid-nineteenth century and ruled Mardi Gras from the Civil War until World War I. For these organizations, Carnival balls became magical realms where krewesmen reinforced their elite identity through sculpted tableaux vivants performances, mock coronations, and romantic ballroom dancing.
They used costume and movement to reaffirm their group identity, and the crux of these performances relied on a specific mode of expression—dancing. Using the concept of dance as a lens for examining Carnival balls, Atkins delves deeper into the historical context and distinctive rituals of Mardi Gras in New Orleans.
Jennifer Atkins is graduate program director at Florida State University’s School of Dance.
Emily Ruth Allen (@emmyru91) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 10 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Atkins draws back the curtain on the origin of the exclusive Mardi Gras balls, bringing to light unique traditions unseen by outsiders...</itunes:subtitle>
      <itunes:summary>In New Orleans Carnival Balls: The Secret Side of Mardi Gras, 1870-1920 (LSU Press, 2017), Dr. Jennifer Atkins draws back the curtain on the origin of the exclusive Mardi Gras balls, bringing to light unique traditions unseen by outsiders.
The oldest Carnival organizations emerged in the mid-nineteenth century and ruled Mardi Gras from the Civil War until World War I. For these organizations, Carnival balls became magical realms where krewesmen reinforced their elite identity through sculpted tableaux vivants performances, mock coronations, and romantic ballroom dancing.
They used costume and movement to reaffirm their group identity, and the crux of these performances relied on a specific mode of expression—dancing. Using the concept of dance as a lens for examining Carnival balls, Atkins delves deeper into the historical context and distinctive rituals of Mardi Gras in New Orleans.
Jennifer Atkins is graduate program director at Florida State University’s School of Dance.
Emily Ruth Allen (@emmyru91) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/New-Orleans-Carnival-Balls-1870-1920/dp/0807167568/?tag=newbooinhis-20"><em>New Orleans Carnival Balls: The Secret Side of Mardi Gras, 1870-1920</em></a> (LSU Press, 2017), Dr. Jennifer Atkins draws back the curtain on the origin of the exclusive Mardi Gras balls, bringing to light unique traditions unseen by outsiders.</p><p>The oldest Carnival organizations emerged in the mid-nineteenth century and ruled Mardi Gras from the Civil War until World War I. For these organizations, Carnival balls became magical realms where krewesmen reinforced their elite identity through sculpted tableaux vivants performances, mock coronations, and romantic ballroom dancing.</p><p>They used costume and movement to reaffirm their group identity, and the crux of these performances relied on a specific mode of expression—dancing. Using the concept of dance as a lens for examining Carnival balls, Atkins delves deeper into the historical context and distinctive rituals of Mardi Gras in New Orleans.</p><p><a href="https://dance.fsu.edu/jen-atkins/">Jennifer Atkins</a> is graduate program director at Florida State University’s School of Dance.</p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3987</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>M. Hennefeld and N. Sammond, "Abjection Incorporated: Mediating the Politics of Pleasure and Violence" (Duke UP, 2020)</title>
      <description>From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse.
The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others.
Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga.
Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics.
Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny.
Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto.
Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The authors move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others...</itunes:subtitle>
      <itunes:summary>From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse.
The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others.
Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga.
Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics.
Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny.
Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto.
Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse.</p><p>The contributors to <a href="https://www.amazon.com/Abjection-Incorporated-Mediating-Politics-Pleasure/dp/1478001895/?tag=newbooinhis-20"><em>Abjection Incorporated: Mediating the Politics of Pleasure and Violence</em></a><em> </em>(Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others.</p><p>Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga.</p><p>Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics.</p><p><a href="https://cla.umn.edu/about/directory/profile/mhennefe">Maggie Hennefeld</a> is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny.</p><p><a href="https://www.cinema.utoronto.ca/people/directories/all-faculty/nicholas-sammond">Nicholas Sammond</a> is Associate Professor of Cinema Studies at the University of Toronto.</p><p><em>Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4364</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b9d8e166-d293-11ea-b9d3-1ff447634ab8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4333335115.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natalia Milanesio, "¡Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina" (U Pittsburgh Press, 2019)</title>
      <description>Under dictatorship in Argentina, sex and sexuality were regulated to the point where sex education, explicit images, and even suggestive material were prohibited. With the return to democracy in 1983, Argentines experienced new freedoms, including sexual freedoms. The explosion of the availability and ubiquity of sexual material became known as the destape, and it uncovered sexuality in provocative ways. This was a mass-media phenomenon, but it went beyond this. In ¡Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina (University of Pittsburgh Press, 2019), Natalia Milanesio shows that the destape was a profound transformation of the way Argentines talked, understood, and experienced sexuality, a change in manners, morals, and personal freedoms.
Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University. You can tweet her and suggest books at @MariniCandela
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 05 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>With the return to democracy in 1983, Argentines experienced new freedoms, including sexual freedoms...</itunes:subtitle>
      <itunes:summary>Under dictatorship in Argentina, sex and sexuality were regulated to the point where sex education, explicit images, and even suggestive material were prohibited. With the return to democracy in 1983, Argentines experienced new freedoms, including sexual freedoms. The explosion of the availability and ubiquity of sexual material became known as the destape, and it uncovered sexuality in provocative ways. This was a mass-media phenomenon, but it went beyond this. In ¡Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina (University of Pittsburgh Press, 2019), Natalia Milanesio shows that the destape was a profound transformation of the way Argentines talked, understood, and experienced sexuality, a change in manners, morals, and personal freedoms.
Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University. You can tweet her and suggest books at @MariniCandela
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Under dictatorship in Argentina, sex and sexuality were regulated to the point where sex education, explicit images, and even suggestive material were prohibited. With the return to democracy in 1983, Argentines experienced new freedoms, including sexual freedoms. The explosion of the availability and ubiquity of sexual material became known as the <em>destape</em>, and it uncovered sexuality in provocative ways. This was a mass-media phenomenon, but it went beyond this. In <a href="https://www.amazon.com/dp/0822945843/?tag=newbooinhis-20"><em>¡Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina</em></a> (University of Pittsburgh Press, 2019), <a href="https://www.uh.edu/class/history/faculty-and-staff/milanesio_n/">Natalia Milanesio</a> shows that the <em>destape</em> was a profound transformation of the way Argentines talked, understood, and experienced sexuality, a change in manners, morals, and personal freedoms.</p><p><em>Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University. You can tweet her and suggest books at @MariniCandela</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3884</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2b7ae62a-cf5b-11ea-85a5-2f40889d604e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9470412975.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Caridad Svich, "Mitchell and Trask’s Hedwig and the Angry Inch" (Routledge, 2019</title>
      <description>Mitchell and Trask’s Hedwig and the Angry Inch (Routledge, 2019) is Caridad Svich’s love letter to the 1998 musical that introduced the world to its favorite East German ex-pat genderqueer rock star, Hedwig. A tribute both to the New York that spawned the musical and the glam rock that inspired it, this book contextualizes the show in a way that allows the reader to appreciate both its “ahead of its time” daring and its retro cool. This is a book for long-term “Hedheads” and new converts alike.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book is Caridad Svich’s love letter to the 1998 musical that introduced the world to its favorite East German ex-pat genderqueer rock star, Hedwig...</itunes:subtitle>
      <itunes:summary>Mitchell and Trask’s Hedwig and the Angry Inch (Routledge, 2019) is Caridad Svich’s love letter to the 1998 musical that introduced the world to its favorite East German ex-pat genderqueer rock star, Hedwig. A tribute both to the New York that spawned the musical and the glam rock that inspired it, this book contextualizes the show in a way that allows the reader to appreciate both its “ahead of its time” daring and its retro cool. This is a book for long-term “Hedheads” and new converts alike.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/1138354163/?tag=newbooinhis-20"><em>Mitchell and Trask’s Hedwig and the Angry Inch</em></a> (Routledge, 2019) is <a href="https://caridadsvich.com/about/">Caridad Svich</a>’s love letter to the 1998 musical that introduced the world to its favorite East German ex-pat genderqueer rock star, Hedwig. A tribute both to the New York that spawned the musical and the glam rock that inspired it, this book contextualizes the show in a way that allows the reader to appreciate both its “ahead of its time” daring and its retro cool. This is a book for long-term “Hedheads” and new converts alike.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3094</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aea93428-ce9a-11ea-bb26-077d1e260122]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3550130896.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martin James, "State of Base: The Origins of Jungle/Drum and Bass" (Velocity Press, 2020)</title>
      <description>The reissue and revision of Martin James’ State of Bass: The Origins of Jungle/Drum &amp; Bass (Velocity Press, 2020) examines the origins and progression of British Junglism in the 1990s.
Rave culture’s clashes with UK government and police drove the scene into a dark space, but jungle/drum &amp; bass emerged to capture a new audience of youth, creating what James labels as the first truly Black British music scene. James draws on interviews with key participants in the early junglism scene, examining social, cultural, and musical roots of the scene that became a global phenomenon.
Originally published in 1997, State of Bass: The Origins of Jungle/Drum &amp; Bass extends the original text to include the award of the Mercury Prize to Reprazent and brings new perspectives to the story of the UK’s most crucial subterranean scene.
Martin James is an internationally published music critic who has contributed to some of the UK’s leading music magazines.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 31 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>James  examines the origins and progression of British Junglism in the 1990s...</itunes:subtitle>
      <itunes:summary>The reissue and revision of Martin James’ State of Bass: The Origins of Jungle/Drum &amp; Bass (Velocity Press, 2020) examines the origins and progression of British Junglism in the 1990s.
Rave culture’s clashes with UK government and police drove the scene into a dark space, but jungle/drum &amp; bass emerged to capture a new audience of youth, creating what James labels as the first truly Black British music scene. James draws on interviews with key participants in the early junglism scene, examining social, cultural, and musical roots of the scene that became a global phenomenon.
Originally published in 1997, State of Bass: The Origins of Jungle/Drum &amp; Bass extends the original text to include the award of the Mercury Prize to Reprazent and brings new perspectives to the story of the UK’s most crucial subterranean scene.
Martin James is an internationally published music critic who has contributed to some of the UK’s leading music magazines.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The reissue and revision of Martin James’ <a href="https://www.amazon.com/State-Bass-Origins-Jungle-Drum/dp/191323102X/?tag=newbooinhis-20"><em>State of Bass: The Origins of Jungle/Drum &amp; Bass</em></a> (Velocity Press, 2020) examines the origins and progression of British Junglism in the 1990s.</p><p>Rave culture’s clashes with UK government and police drove the scene into a dark space, but jungle/drum &amp; bass emerged to capture a new audience of youth, creating what James labels as the first truly Black British music scene. James draws on interviews with key participants in the early junglism scene, examining social, cultural, and musical roots of the scene that became a global phenomenon.</p><p>Originally published in 1997, <em>State of Bass: The Origins of Jungle/Drum &amp; Bass</em> extends the original text to include the award of the Mercury Prize to Reprazent and brings new perspectives to the story of the UK’s most crucial subterranean scene.</p><p><a href="https://www.solent.ac.uk/staff-profiles/academic-profiles/martin-james/martin-james">Martin James</a> is an internationally published music critic who has contributed to some of the UK’s leading music magazines.</p><p><em>Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her </em><a href="https://rebekahjbuchanan.com/"><em>website</em></a><em>, follow her on Twitter</em><a href="https://twitter.com/rj_buchanan"><em> @rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[96b9dcd0-ce6f-11ea-a6cd-538a295613b2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3004088935.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brett Dakin, "American Daredevil: Comics, Communism, and The Battles of Lev Gleason" (Chapterhouse Publishing, 2020)</title>
      <description>In American Daredevil: Comics, Communism, and The Battles of Lev Gleason (Chapterhouse Publishing, 2020), Brett Dakin, Gleason’s great-nephew delves into the life of his famous relative.
Gleason rose to the top of the comic publishing world during its Golden Age, publishing Daredevil and Crime Does Not Pay among other titles. Dakin explores the family archives and FBI files to give readers a comprehensive look into the life of Gleason and his Progressive activism.
Gleason’s experiences with the House Un-American Activities Committee and Dr. Frederic Wertham and other Anti-Comic activists give a glimpse into important political and social activism of the 1940s and 50s in American history. Dakin not only presents the story of Great-Uncle Lev, but he also gives readers insight into his research into Gleason’s life, career, and disappearance from public.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 30 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gleason’s experiences with the House Un-American Activities Committee and Dr. Frederic Wertham and other Anti-Comic activists give a glimpse into important political and social activism of the 1940s and 50s in American history...</itunes:subtitle>
      <itunes:summary>In American Daredevil: Comics, Communism, and The Battles of Lev Gleason (Chapterhouse Publishing, 2020), Brett Dakin, Gleason’s great-nephew delves into the life of his famous relative.
Gleason rose to the top of the comic publishing world during its Golden Age, publishing Daredevil and Crime Does Not Pay among other titles. Dakin explores the family archives and FBI files to give readers a comprehensive look into the life of Gleason and his Progressive activism.
Gleason’s experiences with the House Un-American Activities Committee and Dr. Frederic Wertham and other Anti-Comic activists give a glimpse into important political and social activism of the 1940s and 50s in American history. Dakin not only presents the story of Great-Uncle Lev, but he also gives readers insight into his research into Gleason’s life, career, and disappearance from public.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/American-Daredevil-Communism-Battles-Gleason/dp/1988247454/?tag=newbooinhis-20"><em>American Daredevil: Comics, Communism, and The Battles of Lev Gleason</em></a> (Chapterhouse Publishing, 2020), <a href="https://childmind.org/bio/brett-dakin/">Brett Dakin</a>, Gleason’s great-nephew delves into the life of his famous relative.</p><p>Gleason rose to the top of the comic publishing world during its Golden Age, publishing <em>Daredevil</em> and <em>Crime Does Not Pay</em> among other titles. Dakin explores the family archives and FBI files to give readers a comprehensive look into the life of Gleason and his Progressive activism.</p><p>Gleason’s experiences with the House Un-American Activities Committee and Dr. Frederic Wertham and other Anti-Comic activists give a glimpse into important political and social activism of the 1940s and 50s in American history. Dakin not only presents the story of Great-Uncle Lev, but he also gives readers insight into his research into Gleason’s life, career, and disappearance from public.</p><p><a href="https://wiu.academia.edu/RebekahBuchanan"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of </em><a href="https://www.amazon.com/Rebekah-J-Buchanan/dp/1433123916/?tag=newbooinhis-20">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018)<em>. You can find more about her on her website, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dad09a1e-cdbe-11ea-825b-c3f0a4afc555]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2141819368.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin J. Bryne, "Minstrel Traditions: Mediated Blackface in the Jazz Age" (Routledge, 2020)</title>
      <description>The Blackface minstrel show is typically thought of a form tied to the 19th century. While the style was indeed developed during the Antebellum period, its history stretches well into 20th- and even 21st-century America. Far from being the endpoint posited by much of the existing literature on the topic, the Jazz age of the 1920s actually saw a flourishing of Minstrel activity, as new forms of media allowed the circulation of Blackface images in ever greater profusion. This circulation, these images, and the performances that lay behind them make up the focus of Dr. Kevin James Byrne’s Minstrel Traditions: Mediated Blackface in the Jazz Age (Routledge, 2020). 
Minstrel Traditions examines the technologically-mediated interactions that developed between live performances and their circulating images during this fraught period. It does so through a set of case studies: the last musical of Bert Williams, the live career of (now-former) pancake brand/performer Aunt Jemima, amateur minstrel shows and the companies that provided them with material, Black vaudeville performers, and Black Broadway. By examining how Blackface transitioned from live performance to images circulating through the mass media, Dr. Byrne provides an insightful account that deepens our understanding of the enormous, baleful influence the form exerted on 20th century culture.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 29 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bryne examines the technologically-mediated interactions that developed between live performances and their circulating images during this fraught period...</itunes:subtitle>
      <itunes:summary>The Blackface minstrel show is typically thought of a form tied to the 19th century. While the style was indeed developed during the Antebellum period, its history stretches well into 20th- and even 21st-century America. Far from being the endpoint posited by much of the existing literature on the topic, the Jazz age of the 1920s actually saw a flourishing of Minstrel activity, as new forms of media allowed the circulation of Blackface images in ever greater profusion. This circulation, these images, and the performances that lay behind them make up the focus of Dr. Kevin James Byrne’s Minstrel Traditions: Mediated Blackface in the Jazz Age (Routledge, 2020). 
Minstrel Traditions examines the technologically-mediated interactions that developed between live performances and their circulating images during this fraught period. It does so through a set of case studies: the last musical of Bert Williams, the live career of (now-former) pancake brand/performer Aunt Jemima, amateur minstrel shows and the companies that provided them with material, Black vaudeville performers, and Black Broadway. By examining how Blackface transitioned from live performance to images circulating through the mass media, Dr. Byrne provides an insightful account that deepens our understanding of the enormous, baleful influence the form exerted on 20th century culture.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Blackface minstrel show is typically thought of a form tied to the 19th century. While the style was indeed developed during the Antebellum period, its history stretches well into 20th- and even 21st-century America. Far from being the endpoint posited by much of the existing literature on the topic, the Jazz age of the 1920s actually saw a flourishing of Minstrel activity, as new forms of media allowed the circulation of Blackface images in ever greater profusion. This circulation, these images, and the performances that lay behind them make up the focus of Dr. <a href="https://tftv.arizona.edu/people/directory/kjbyrne/">Kevin James Byrne</a>’s <a href="https://www.amazon.com/dp/0367367645/?tag=newbooinhis-20"><em>Minstrel Traditions: Mediated Blackface in the Jazz Age</em></a> (Routledge, 2020)<em>. </em></p><p><em>Minstrel Traditions</em> examines the technologically-mediated interactions that developed between live performances and their circulating images during this fraught period. It does so through a set of case studies: the last musical of Bert Williams, the live career of (now-former) pancake brand/performer Aunt Jemima, amateur minstrel shows and the companies that provided them with material, Black vaudeville performers, and Black Broadway. By examining how Blackface transitioned from live performance to images circulating through the mass media, Dr. Byrne provides an insightful account that deepens our understanding of the enormous, baleful influence the form exerted on 20th century culture.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4022</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[98ffe63a-cc47-11ea-800e-fbb5ed33b0fa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5681516957.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Joker: How a “Typical Hoodlum” Character of the ‘40s Attained Cult Status Today</title>
      <description>From the time of his introduction in the Detective Comics in 1940s, the Joker is a character that has both fascinated and repelled the collective psyche of the fans of the comic subculture and beyond.
In a new book titled “The Sign of the Joker: The Clown Prince of Crime as a Sign” published in the Brill Research Perspectives series, Joel West of the University of Toronto, Canada, analyzes the history and personality of the character, speculates on the character’s sexuality, and ultimately suggests what exactly gave the Joker his iconic status today.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 29 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joel West</itunes:subtitle>
      <itunes:summary>From the time of his introduction in the Detective Comics in 1940s, the Joker is a character that has both fascinated and repelled the collective psyche of the fans of the comic subculture and beyond.
In a new book titled “The Sign of the Joker: The Clown Prince of Crime as a Sign” published in the Brill Research Perspectives series, Joel West of the University of Toronto, Canada, analyzes the history and personality of the character, speculates on the character’s sexuality, and ultimately suggests what exactly gave the Joker his iconic status today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the time of his introduction in the Detective Comics in 1940s, the Joker is a character that has both fascinated and repelled the collective psyche of the fans of the comic subculture and beyond.</p><p>In a new book titled “<em>The Sign of the Joker: The Clown Prince of Crime as a Sign” </em>published in the Brill Research Perspectives series, Joel West of the University of Toronto, Canada, analyzes the history and personality of the character, speculates on the character’s sexuality, and ultimately suggests what exactly gave the Joker his iconic status today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1529</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3a79ed10-e58e-11ec-a25a-a776e6d3c78f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBN2234826008.mp3?updated=1654447292" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Junior Tomlin, "Junior Tomlin: Flyer and Cover Art" (Velocity Press, 2020)</title>
      <description>Junior Tomlin: Flyer &amp; Cover Art (Velocity Press, 2020) showcases the artwork of Junior Tomlin. Featuring flyers and record covers Tomlin has created for the rave scene starting in the late 1980s, this is the first book which comprehensively and cohesively documents his work in this important UK subculture. Raised in Ladbroke Grove, west London, Tomlin’s Afrofuturism work is influenced by surrealism, science fiction, futurism, and comics. Tomlin has been dubbed “The Salvador Dali of Rave” and this magnificent collection of his work speaks to why.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 28 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Featuring flyers and record covers Tomlin has created for the rave scene starting in the late 1980s, this is the first book which comprehensively and cohesively documents his work in this important UK subculture</itunes:subtitle>
      <itunes:summary>Junior Tomlin: Flyer &amp; Cover Art (Velocity Press, 2020) showcases the artwork of Junior Tomlin. Featuring flyers and record covers Tomlin has created for the rave scene starting in the late 1980s, this is the first book which comprehensively and cohesively documents his work in this important UK subculture. Raised in Ladbroke Grove, west London, Tomlin’s Afrofuturism work is influenced by surrealism, science fiction, futurism, and comics. Tomlin has been dubbed “The Salvador Dali of Rave” and this magnificent collection of his work speaks to why.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/Junior-Tomlin-Flyer-Cover-Art/dp/1913231038/?tag=newbooinhis-20"><em>Junior Tomlin: Flyer &amp; Cover Art</em></a> (Velocity Press, 2020) showcases the artwork of <a href="http://juniortomlin.com/">Junior Tomlin</a>. Featuring flyers and record covers Tomlin has created for the rave scene starting in the late 1980s, this is the first book which comprehensively and cohesively documents his work in this important UK subculture. Raised in Ladbroke Grove, west London, Tomlin’s Afrofuturism work is influenced by surrealism, science fiction, futurism, and comics. Tomlin has been dubbed “The Salvador Dali of Rave” and this magnificent collection of his work speaks to why.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f39f4624-caa5-11ea-8452-8b4070f76c9f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7712694788.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Justin Gomer, "White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights" (UNC Press, 2020)</title>
      <description>Justin Gomer is the author of White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights, published by the University of North Carolina Press in 2020.
White Balance explores the connection between politics and film from the 1970s to the 1990s. Gomer illustrates the myriad of ways that Hollywood relied on and helped solidify an emerging ideology of colorblindness in the wake of the civil rights movement.
From films like Dirty Harry to Rocky, Gomer is able to show just how much politics and film are intertwined during this period and held to reinforce each other in order to gradually chip away at the gains made during the Civil Rights Movement.
Justin Gomer is an Assistant Professor of American Studies at the California State University-Long Beach.
Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>765</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gomer illustrates the myriad of ways that Hollywood relied on and helped solidify an emerging ideology of colorblindness in the wake of the civil rights movement...</itunes:subtitle>
      <itunes:summary>Justin Gomer is the author of White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights, published by the University of North Carolina Press in 2020.
White Balance explores the connection between politics and film from the 1970s to the 1990s. Gomer illustrates the myriad of ways that Hollywood relied on and helped solidify an emerging ideology of colorblindness in the wake of the civil rights movement.
From films like Dirty Harry to Rocky, Gomer is able to show just how much politics and film are intertwined during this period and held to reinforce each other in order to gradually chip away at the gains made during the Civil Rights Movement.
Justin Gomer is an Assistant Professor of American Studies at the California State University-Long Beach.
Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Justin Gomer is the author of <a href="https://www.amazon.com/White-Balance-Hollywood-Colorblind-Undermined/dp/1469655802/?tag=newbooinhis-20"><em>White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights</em></a>, published by the University of North Carolina Press in 2020.</p><p><em>White Balance</em> explores the connection between politics and film from the 1970s to the 1990s. Gomer illustrates the myriad of ways that Hollywood relied on and helped solidify an emerging ideology of colorblindness in the wake of the civil rights movement.</p><p>From films like <em>Dirty Harry</em> to <em>Rocky</em>, Gomer is able to show just how much politics and film are intertwined during this period and held to reinforce each other in order to gradually chip away at the gains made during the Civil Rights Movement.</p><p><a href="http://www.cla.csulb.edu/programs/americanstudies/faculty/justin-gomer-faculty-bio/">Justin Gomer</a> is an Assistant Professor of American Studies at the California State University-Long Beach.</p><p><a href="https://twitter.com/thetattooedgrad"><em>Derek Litvak</em></a><em> is a Ph.D. student in the department of history at the University of Maryland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4193</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[95c5af9a-c918-11ea-aa46-1b37f6cd7874]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4927608358.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas Bishop, "Every Home a Fortress: Cold War Fatherhood and the Family Fallout Shelter" (UMass Press, 2020)</title>
      <description>In Every Home a Fortress: Cold War Fatherhood and the Family Fallout Shelter (University of Massachusetts Press, 2020), Thomas Bishop details the remarkable cultural history and personal stories behind an iconic figure of Cold War masculinity—the fallout shelter father, who, with spade in hand and the canned goods he has amassed, sought to save his family from atomic warfare. Putting policy documents and presidential addresses into conversation with previously unmined personal letters, diaries, local media coverage, and antinuclear ephemera, Bishop demonstrates that the nuclear crisis years of 1957 to 1963 were not just pivotal for the history of international relations but were also a transitional moment in the social histories of the white middle class and American fatherhood. During this era, public concerns surrounding civil defense shaped private family conversations, and the fallout shelter emerged as a site at which ideas of nationhood, national security, and masculinity collided with the complex reality of trying to raise and protect a family in the nuclear age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>162</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bishop details the remarkable cultural history and personal stories behind an iconic figure of Cold War masculinity—the fallout shelter father...</itunes:subtitle>
      <itunes:summary>In Every Home a Fortress: Cold War Fatherhood and the Family Fallout Shelter (University of Massachusetts Press, 2020), Thomas Bishop details the remarkable cultural history and personal stories behind an iconic figure of Cold War masculinity—the fallout shelter father, who, with spade in hand and the canned goods he has amassed, sought to save his family from atomic warfare. Putting policy documents and presidential addresses into conversation with previously unmined personal letters, diaries, local media coverage, and antinuclear ephemera, Bishop demonstrates that the nuclear crisis years of 1957 to 1963 were not just pivotal for the history of international relations but were also a transitional moment in the social histories of the white middle class and American fatherhood. During this era, public concerns surrounding civil defense shaped private family conversations, and the fallout shelter emerged as a site at which ideas of nationhood, national security, and masculinity collided with the complex reality of trying to raise and protect a family in the nuclear age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/162534483X/?tag=newbooinhis-20"><em>Every Home a Fortress: Cold War Fatherhood and the Family Fallout Shelter</em></a> (University of Massachusetts Press, 2020), <a href="https://staff.lincoln.ac.uk/a1de57e2-de8d-4800-a17a-a8fc896159aa#:~:text=Senior%20Lecturer%20in%20American%20History%20%2F%20Programme%20Leader&amp;text=Tom%20Bishop%20is%20a%20Lecturer%20in%20American%20History%20in%20College%20of%20Arts.&amp;text=Before%20that%20he%20was%20a,He%20completed%20his%20Ph.">Thomas Bishop</a> details the remarkable cultural history and personal stories behind an iconic figure of Cold War masculinity—the fallout shelter father, who, with spade in hand and the canned goods he has amassed, sought to save his family from atomic warfare. Putting policy documents and presidential addresses into conversation with previously unmined personal letters, diaries, local media coverage, and antinuclear ephemera, Bishop demonstrates that the nuclear crisis years of 1957 to 1963 were not just pivotal for the history of international relations but were also a transitional moment in the social histories of the white middle class and American fatherhood. During this era, public concerns surrounding civil defense shaped private family conversations, and the fallout shelter emerged as a site at which ideas of nationhood, national security, and masculinity collided with the complex reality of trying to raise and protect a family in the nuclear age.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1523</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Emily Wallace, "Road Sides: An Illustrated Companion to Dining and Driving in the American South" (U Texas Press, 2019)</title>
      <description>In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019).
Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity.
Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice.
While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers.
Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers.
Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel.
Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director &amp; deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product...</itunes:subtitle>
      <itunes:summary>In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019).
Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity.
Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice.
While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers.
Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers.
Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel.
Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director &amp; deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book <a href="https://www.amazon.com/Road-Sides-Illustrated-Companion-American/dp/1477316566/?tag=newbooinhis-20"><em>Road Sides: An Illustrated Companion to Dining and Driving in the American South</em></a> (University of Texas Press, 2019).</p><p><em>Road Sides</em> pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity.</p><p><em>Road Sides</em> is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice.</p><p>While <em>Road Sides</em> is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers.</p><p>Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers.</p><p>Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel.</p><p><a href="http://eewallace.com/">Emily Wallace</a> is a writer and illustrator with a masters in folklore who serves as art director &amp; deputy editor of <em>Southern Cultures Quarterly</em> at UNC-Chapel Hill, and has written and illustrated work for other publications including <em>The Washington Post, Southern Living, The Oxford American, </em>and<em> GOOD</em>. In 2015, Wallace was nominated for a James Beard Award in humor writing.</p><p><em>Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, </em><a href="https://www.amazon.com/Inventing-Authenticity-Cookbook-Redefine-Southern-ebook/dp/B07DL2D9G9/?tag=newbooinhis-20"><em>Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</em></a><em> (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[22c0954a-c914-11ea-807c-9f3283ab0d04]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9684428557.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Manuel Betancourt, "Judy Garland's Judy at Carnegie Hall" (Bloomsbury Academic, 2020)</title>
      <description>In Judy Garland's Judy at Carnegie Hall (Bloomsbury Academic, 2020), Manuel Betancourt explores what makes Judy Garland’s landmark album great, and why it holds such a central place in queer culture.
A hit when released in 1961 (it was the first album by a woman ever to win the Grammy award for Best Album), Judy at Carnegie Hall quickly came to occupy a central place in the gay imaginary. And yet by 1967 characters in the play The Boys in the Band would mock Judy fandom as the height of outdated cliché.
What accounts for Judy Garland’s strange temporality, somehow always so ten years ago? Why is there such an intense association between Garland and nostalgia, and between Garland and nostalgia’s twin, failure? Why can we accept Judy Garland as a comeback kid but not as a success?
Betancourt’s book explores these questions and more in a deep dive into the nature of queer fandom.
Manuel Betancourt is a writer based out of Los Angeles. He earned his Ph.D. in English Literature from Rutgers University, USA.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached atandyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 23 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Betancourt explores what makes Judy Garland’s landmark album great, and why it holds such a central place in queer culture...</itunes:subtitle>
      <itunes:summary>In Judy Garland's Judy at Carnegie Hall (Bloomsbury Academic, 2020), Manuel Betancourt explores what makes Judy Garland’s landmark album great, and why it holds such a central place in queer culture.
A hit when released in 1961 (it was the first album by a woman ever to win the Grammy award for Best Album), Judy at Carnegie Hall quickly came to occupy a central place in the gay imaginary. And yet by 1967 characters in the play The Boys in the Band would mock Judy fandom as the height of outdated cliché.
What accounts for Judy Garland’s strange temporality, somehow always so ten years ago? Why is there such an intense association between Garland and nostalgia, and between Garland and nostalgia’s twin, failure? Why can we accept Judy Garland as a comeback kid but not as a success?
Betancourt’s book explores these questions and more in a deep dive into the nature of queer fandom.
Manuel Betancourt is a writer based out of Los Angeles. He earned his Ph.D. in English Literature from Rutgers University, USA.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached atandyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Judy-Garlands-Carnegie-Hall-33/dp/1501355104/?tag=newbooinhis-20"><em>Judy Garland's Judy at Carnegie Hall</em></a><em> </em>(Bloomsbury Academic, 2020), Manuel Betancourt explores what makes Judy Garland’s landmark album great, and why it holds such a central place in queer culture.</p><p>A hit when released in 1961 (it was the first album by a woman ever to win the Grammy award for Best Album), <em>Judy at Carnegie Hall</em> quickly came to occupy a central place in the gay imaginary. And yet by 1967 characters in the play <em>The Boys in the Band</em> would mock Judy fandom as the height of outdated cliché.</p><p>What accounts for Judy Garland’s strange temporality, somehow always so ten years ago? Why is there such an intense association between Garland and nostalgia, and between Garland and nostalgia’s twin, failure? Why can we accept Judy Garland as a comeback kid but not as a success?</p><p>Betancourt’s book explores these questions and more in a deep dive into the nature of queer fandom.</p><p><a href="http://mbetancourt.com/">Manuel Betancourt</a> is a writer based out of Los Angeles. He earned his Ph.D. in English Literature from Rutgers University, USA.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is </em><a href="http://AndyJBoyd.com"><em>AndyJBoyd.com</em></a><em>, and he can be reached atandyjamesboyd@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3794</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT4637281240.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Greil Marcus, “Under the Red White and Blue" (Yale UP, 2020)</title>
      <description>If Jay Gatsby is the embodiment of patriotism, what does that mean for America? Join NBN host Lee Pierce and author Greil Marcus as they take a deep dive into how F. Scott Fitzgerald’s vision of the American Dream has been understood, portrayed, distorted, misused, and kept alive.
In Under the Red White and Blue: Patriotism, Disenchantment, and the Stubborn Myth of The Great Gatsby" (Yale University Press, 2020), renowned critic Greil Marcus takes on the fascinating legacy of F. Scott Fitzgerald’s The Great Gatsby.
An enthralling parable (or a cheap metaphor) of the American Dream as a beckoning finger toward a con game, a kind of virus infecting artists of all sorts over nearly a century, Fitzgerald’s story has become a key to American culture and American life itself.
Marcus follows the arc of The Great Gatsby from 1925 into the ways it has insinuated itself into works by writers such as Philip Roth and Raymond Chandler; found echoes in the work of performers from Jelly Roll Morton to Lana Del Rey; and continued to rewrite both its own story and that of the country at large in the hands of dramatists and filmmakers from the 1920s to John Collins’s 2006 Gatz and Baz Luhrmann’s critically reviled (here celebrated) 2013 movie version—the fourth, so far.
Greil Marcus has written many books, including Mystery Train, Lipstick Traces, The Old, Weird America, and The History of Rock 'n' Roll in Ten Songs. With Werner Sollors he is the editor of A New Literary History of America.
We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>80</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Fitzgerald’s story has become a key to American culture and American life itself...</itunes:subtitle>
      <itunes:summary>If Jay Gatsby is the embodiment of patriotism, what does that mean for America? Join NBN host Lee Pierce and author Greil Marcus as they take a deep dive into how F. Scott Fitzgerald’s vision of the American Dream has been understood, portrayed, distorted, misused, and kept alive.
In Under the Red White and Blue: Patriotism, Disenchantment, and the Stubborn Myth of The Great Gatsby" (Yale University Press, 2020), renowned critic Greil Marcus takes on the fascinating legacy of F. Scott Fitzgerald’s The Great Gatsby.
An enthralling parable (or a cheap metaphor) of the American Dream as a beckoning finger toward a con game, a kind of virus infecting artists of all sorts over nearly a century, Fitzgerald’s story has become a key to American culture and American life itself.
Marcus follows the arc of The Great Gatsby from 1925 into the ways it has insinuated itself into works by writers such as Philip Roth and Raymond Chandler; found echoes in the work of performers from Jelly Roll Morton to Lana Del Rey; and continued to rewrite both its own story and that of the country at large in the hands of dramatists and filmmakers from the 1920s to John Collins’s 2006 Gatz and Baz Luhrmann’s critically reviled (here celebrated) 2013 movie version—the fourth, so far.
Greil Marcus has written many books, including Mystery Train, Lipstick Traces, The Old, Weird America, and The History of Rock 'n' Roll in Ten Songs. With Werner Sollors he is the editor of A New Literary History of America.
We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If Jay Gatsby is the embodiment of patriotism, what does that mean for America? Join NBN host <a href="https://www.geneseo.edu/communication/lee-pierce">Lee Pierce</a> and author Greil Marcus as they take a deep dive into how F. Scott Fitzgerald’s vision of the American Dream has been understood, portrayed, distorted, misused, and kept alive.</p><p>In <a href="https://www.amazon.com/Under-Red-White-Blue-Disenchantment/dp/0300228902/?tag=newbooinhis-20"><em>Under the Red White and Blue: Patriotism, Disenchantment, and the Stubborn Myth of The Great Gatsby</em></a>" (Yale University Press, 2020), renowned critic Greil Marcus takes on the fascinating legacy of F. Scott Fitzgerald’s <em>The Great Gatsby</em>.</p><p>An enthralling parable (or a cheap metaphor) of the American Dream as a beckoning finger toward a con game, a kind of virus infecting artists of all sorts over nearly a century, Fitzgerald’s story has become a key to American culture and American life itself.</p><p>Marcus follows the arc of <em>The Great Gatsby </em>from 1925 into the ways it has insinuated itself into works by writers such as Philip Roth and Raymond Chandler; found echoes in the work of performers from Jelly Roll Morton to Lana Del Rey; and continued to rewrite both its own story and that of the country at large in the hands of dramatists and filmmakers from the 1920s to John Collins’s 2006 Gatz and Baz Luhrmann’s critically reviled (here celebrated) 2013 movie version—the fourth, so far.</p><p><a href="https://greilmarcus.net/">Greil Marcus</a> has written many books, including <em>Mystery Train, Lipstick Traces, The Old, Weird America</em>, and <em>The History of Rock 'n' Roll in Ten Songs</em>. With Werner Sollors he is the editor of <em>A New Literary History of America</em>.</p><p><em>We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on </em><a href="https://greilmarcus.net/"><em>Twitter</em></a><em>, </em><a href="http://www.instagram.com/rhetoricleespeaking"><em>Instagram</em></a><em>, and </em><a href="http://www.facebook.com/rhetoriclee"><em>Facebook</em></a><em> for interview previews, the best book selfies, and new episode alerts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3624</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fbd350cc-bf9e-11ea-9b1e-b31e808f9f9e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3195668542.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Bonanos, "Flash: The Making of Weegee the Famous" (Henry Holt, 2018)</title>
      <description>In the middle of the twentieth century, a newspaper photographer who went by the name of Weegee took memorable pictures of New York City’s street life that appeared everywhere from tabloid newspapers to seminars on the history of photography. Christopher Bonanos’ book Flash: The Making of Weegee the Famous (Henry Holt and Company, 2018), winner of the National Book Critics Circle Award, tells the story of his life from his childhood as an immigrant street kid on the Lower East Side to his years photographing murder scenes to his experiments with caricatures of celebrities. As Bonanos observes, Weegee “very early on grasped that the distinction between high culture and low culture was growing blurry.” Out of that insight he made a career and a body of work that tell us a lot about New York City, its journalism, and photography.
Robert W. Snyder, professor emeritus of American Studies and Journalism at Rutgers-University-Newark and Manhattan Borough Historian, is the author of Crossing Broadway: Washington Heights and the Promise of New York and co-author of All the Nations Under Heaven: Immigrants, Migrants and the Making of New York. He can be reached at rwsnyder@newark.rutgers.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>753</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the middle of the twentieth century, a newspaper photographer who went by the name of Weegee took memorable pictures of New York City’s street life...</itunes:subtitle>
      <itunes:summary>In the middle of the twentieth century, a newspaper photographer who went by the name of Weegee took memorable pictures of New York City’s street life that appeared everywhere from tabloid newspapers to seminars on the history of photography. Christopher Bonanos’ book Flash: The Making of Weegee the Famous (Henry Holt and Company, 2018), winner of the National Book Critics Circle Award, tells the story of his life from his childhood as an immigrant street kid on the Lower East Side to his years photographing murder scenes to his experiments with caricatures of celebrities. As Bonanos observes, Weegee “very early on grasped that the distinction between high culture and low culture was growing blurry.” Out of that insight he made a career and a body of work that tell us a lot about New York City, its journalism, and photography.
Robert W. Snyder, professor emeritus of American Studies and Journalism at Rutgers-University-Newark and Manhattan Borough Historian, is the author of Crossing Broadway: Washington Heights and the Promise of New York and co-author of All the Nations Under Heaven: Immigrants, Migrants and the Making of New York. He can be reached at rwsnyder@newark.rutgers.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the middle of the twentieth century, a newspaper photographer who went by the name of Weegee took memorable pictures of New York City’s street life that appeared everywhere from tabloid newspapers to seminars on the history of photography. <a href="https://twitter.com/heybonanos?lang=en">Christopher Bonanos</a>’ book <a href="https://www.amazon.com/dp/1627793062/?tag=newbooinhis-20"><em>Flash: The Making of Weegee the Famous</em></a> (Henry Holt and Company, 2018), winner of the National Book Critics Circle Award, tells the story of his life from his childhood as an immigrant street kid on the Lower East Side to his years photographing murder scenes to his experiments with caricatures of celebrities. As Bonanos observes, Weegee “very early on grasped that the distinction between high culture and low culture was growing blurry.” Out of that insight he made a career and a body of work that tell us a lot about New York City, its journalism, and photography.</p><p><em>Robert W. Snyder, professor emeritus of American Studies and Journalism at Rutgers-University-Newark and Manhattan Borough Historian, is the author of Crossing Broadway: Washington Heights and the Promise of New York and co-author of All the Nations Under Heaven: Immigrants, Migrants and the Making of New York. He can be reached at rwsnyder@newark.rutgers.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2559</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Hafsa Lodi, "Modesty: A Fashion Paradox" (Neem Tree Press, 2020)</title>
      <description>Modest fashion is a growing, global multi-billion-dollar market. As a fashion trend, it has increasingly made its way into high-profile runways, has been endorsed by celebrities, and profiled in major fashion publications and news outlets.  
Hafsa Lodi’s Modesty: A Fashion Paradox (Neem Tree Press, 2020) investigates how and why modest fashion became a mainstream global retail trend. It looks at the causes and key players behind the global modest fashion trend, while also exploring the controversies that surround the concept.
Lodi interviewed over 40 important actors in the modest fashion movement, including designers, models, influencers, and entrepreneurs but also drew on personal experiences from her childhood in the United States and career as a fashion journalist in the Middle East to understand its history, evolution, and contradictions. 
Hafsa Lodi is an American journalist who has been covering fashion for a decade. She has a BA from the Ryerson School of Journalism in Toronto and an MA in Islamic Law from the School of Oriental and African Studies in London. While living in Dubai, Hafsa has written for The National newspaper, Luxury Magazine, Mojeh Magazine, Velvet Magazine, Savoir Flair, and Vogue India, in addition to working as an online fashion editor for one of the Middle East’s largest luxury retailers, Boutique 1. 
@HafsaLodi (Twitter) 
@hafsalodi (Instagram) 
Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.  
 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>127</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Modest fashion is a growing, global multi-billion-dollar market...</itunes:subtitle>
      <itunes:summary>Modest fashion is a growing, global multi-billion-dollar market. As a fashion trend, it has increasingly made its way into high-profile runways, has been endorsed by celebrities, and profiled in major fashion publications and news outlets.  
Hafsa Lodi’s Modesty: A Fashion Paradox (Neem Tree Press, 2020) investigates how and why modest fashion became a mainstream global retail trend. It looks at the causes and key players behind the global modest fashion trend, while also exploring the controversies that surround the concept.
Lodi interviewed over 40 important actors in the modest fashion movement, including designers, models, influencers, and entrepreneurs but also drew on personal experiences from her childhood in the United States and career as a fashion journalist in the Middle East to understand its history, evolution, and contradictions. 
Hafsa Lodi is an American journalist who has been covering fashion for a decade. She has a BA from the Ryerson School of Journalism in Toronto and an MA in Islamic Law from the School of Oriental and African Studies in London. While living in Dubai, Hafsa has written for The National newspaper, Luxury Magazine, Mojeh Magazine, Velvet Magazine, Savoir Flair, and Vogue India, in addition to working as an online fashion editor for one of the Middle East’s largest luxury retailers, Boutique 1. 
@HafsaLodi (Twitter) 
@hafsalodi (Instagram) 
Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.  
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Modest fashion is a growing, global multi-billion-dollar market. As a fashion trend, it has increasingly made its way into high-profile runways, has been endorsed by celebrities, and profiled in major fashion publications and news outlets.  </p><p>Hafsa Lodi’s <a href="https://www.amazon.com/Modesty-Fashion-Paradox-Uncovering-Controversies/dp/1911107267/?tag=newbooinhis-20"><em>Modesty: A Fashion Paradox</em></a> (Neem Tree Press, 2020) investigates how and why modest fashion became a mainstream global retail trend. It looks at the causes and key players behind the global modest fashion trend, while also exploring the controversies that surround the concept.</p><p>Lodi interviewed over 40 important actors in the modest fashion movement, including designers, models, influencers, and entrepreneurs but also drew on personal experiences from her childhood in the United States and career as a fashion journalist in the Middle East to understand its history, evolution, and contradictions. </p><p>Hafsa Lodi is an American journalist who has been covering fashion for a decade. She has a BA from the Ryerson School of Journalism in Toronto and an MA in Islamic Law from the School of Oriental and African Studies in London. While living in Dubai, Hafsa has written for <em>The National </em>newspaper, <em>Luxury Magazine</em>, <em>Mojeh Magazine</em>, <em>Velvet Magazine</em>, <em>Savoir Flair, </em>and <em>Vogue India</em>, in addition to working as an online fashion editor for one of the Middle East’s largest luxury retailers, <em>Boutique 1</em>. </p><p>@HafsaLodi (Twitter) </p><p><a href="https://www.instagram.com/hafsalodi/">@hafsalodi</a> (Instagram) </p><p><em>Dr. </em><a href="https://memphis.academia.edu/IsabelMachado"><em>Isabel Machado</em></a><em> is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.</em>  </p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2799</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Creshema R. Murray, "Leadership Through the Lens: Interrogating Production, Presentation, and Power" (Rowman and Littlefield, 2017)</title>
      <description>Television informs our perceptions and expectations of leaders and offers a guide to understanding how we, as organizational actors, should communicate, act, and relate.
Join NBN host Lee Pierce (s/t) and editor/contributor Dr. Creshema Murray as they discuss Leadership Through the Lens: Interrogating Production, Presentation, and Power (Rowman and Littlefield, 2017) an edited collection of television case studies about how the pervasive medium impacts our expectations of leadership, organizational life, and pedagogy.
Looking at a variety of case studies, including classroom research in television media, The Americans, Black women in cable television news, workgroups, Total Divas, and electronic church leaders (to name just a few) this intriguing edited collection considers leadership and television through three predominant themes: production of knowledge, presentation of identity, and power of opportunity
Recorded just after the murder of George Floyd, the interview focuses particularly on the complexities of race and leadership in the case studies of Angela Rye’s “rye-roll” during Trump’s campaign, Shonda Rhymes construction of Black womanhood in How to Get Away with Murder and Scandal, and even a detour back to the Cosby Show in terms of what television has meant for Black America amidst ongoing structural oppression.
We hope you enjoy listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The book examines how TV impacts our expectations of leadership, organizational life, and pedagogy.</itunes:subtitle>
      <itunes:summary>Television informs our perceptions and expectations of leaders and offers a guide to understanding how we, as organizational actors, should communicate, act, and relate.
Join NBN host Lee Pierce (s/t) and editor/contributor Dr. Creshema Murray as they discuss Leadership Through the Lens: Interrogating Production, Presentation, and Power (Rowman and Littlefield, 2017) an edited collection of television case studies about how the pervasive medium impacts our expectations of leadership, organizational life, and pedagogy.
Looking at a variety of case studies, including classroom research in television media, The Americans, Black women in cable television news, workgroups, Total Divas, and electronic church leaders (to name just a few) this intriguing edited collection considers leadership and television through three predominant themes: production of knowledge, presentation of identity, and power of opportunity
Recorded just after the murder of George Floyd, the interview focuses particularly on the complexities of race and leadership in the case studies of Angela Rye’s “rye-roll” during Trump’s campaign, Shonda Rhymes construction of Black womanhood in How to Get Away with Murder and Scandal, and even a detour back to the Cosby Show in terms of what television has meant for Black America amidst ongoing structural oppression.
We hope you enjoy listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Television informs our perceptions and expectations of leaders and offers a guide to understanding how we, as organizational actors, should communicate, act, and relate.</p><p>Join NBN host <a href="https://leempierce.com/">Lee Pierce</a> (s/t) and editor/contributor <a href="https://www.uhd.edu/academics/humanities/undergraduate-programs/communication-studies/Pages/bios-murray.aspx">Dr. Creshema Murray</a> as they discuss <a href="https://www.amazon.com/dp/1498561535/?tag=newbooinhis-20"><em>Leadership Through the Lens: Interrogating Production, Presentation, and Power</em></a> (Rowman and Littlefield, 2017) an edited collection of television case studies about how the pervasive medium impacts our expectations of leadership, organizational life, and pedagogy.</p><p>Looking at a variety of case studies, including classroom research in television media, <em>The Americans, </em>Black women in cable television news, workgroups, <em>Total Divas, </em>and electronic church leaders (to name just a few) this intriguing edited collection considers leadership and television through three predominant themes: production of knowledge, presentation of identity, and power of opportunity</p><p>Recorded just after the murder of George Floyd, the interview focuses particularly on the complexities of race and leadership in the case studies of Angela Rye’s “rye-roll” during Trump’s campaign, Shonda Rhymes construction of Black womanhood in <em>How to Get Away with Murder </em>and <em>Scandal, </em>and even a detour back to the <em>Cosby Show </em>in terms of what television has meant for Black America amidst ongoing structural oppression.</p><p>We hope you enjoy listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on <a href="https://twitter.com/RhetoricLee">Twitter</a>, <a href="http://www.instagram.com/rhetoricleespeaking">Instagram</a>, and <a href="http://www.facebook.com/rhetoriclee">Facebook</a> for interview previews, the best book selfies, and new episode alerts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2883</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8b27e942-b4b2-11ea-bdba-fb1ee67870c4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8501978191.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Grace Elizabeth Hale, "Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture" (UNC Press, 2020)</title>
      <description>In Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture (University of North Carolina Press), Grace Elizabeth Hale tells the epic story of the Athens, Georgia music scene.
Hale explains how a small college town hard to get to even from Atlanta gave rise to dozens of great bands. Some of them are household names like R.E.M. and The B-52’s, but perhaps more interesting is the great music you might not know: the jittery dance-punk of Pylon, or the anguished, poetic songwriting of Vic Chesnutt.
Hale also explores how these bands negotiated questions of race, class, sexuality, and authenticity. Cool Town shows how Athens, Georgia created a model of how you could “make it” without ever leaving your small town, and how a homegrown scene could feel like the biggest thing in the world.
Grace Elizabeth Hale is the Commonwealth Professor of American Studies and History at the University of Virginia.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached atandyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 03 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Grace Elizabeth Hale tells the epic story of the Athens, Georgia music scene...</itunes:subtitle>
      <itunes:summary>In Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture (University of North Carolina Press), Grace Elizabeth Hale tells the epic story of the Athens, Georgia music scene.
Hale explains how a small college town hard to get to even from Atlanta gave rise to dozens of great bands. Some of them are household names like R.E.M. and The B-52’s, but perhaps more interesting is the great music you might not know: the jittery dance-punk of Pylon, or the anguished, poetic songwriting of Vic Chesnutt.
Hale also explores how these bands negotiated questions of race, class, sexuality, and authenticity. Cool Town shows how Athens, Georgia created a model of how you could “make it” without ever leaving your small town, and how a homegrown scene could feel like the biggest thing in the world.
Grace Elizabeth Hale is the Commonwealth Professor of American Studies and History at the University of Virginia.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached atandyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Cool-Town-Launched-Alternative-American/dp/1469654873/?tag=newbooinhis-20"><em>Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture</em></a> (University of North Carolina Press), Grace Elizabeth Hale tells the epic story of the Athens, Georgia music scene.</p><p>Hale explains how a small college town hard to get to even from Atlanta gave rise to dozens of great bands. Some of them are household names like R.E.M. and The B-52’s, but perhaps more interesting is the great music you might not know: the jittery dance-punk of Pylon, or the anguished, poetic songwriting of Vic Chesnutt.</p><p>Hale also explores how these bands negotiated questions of race, class, sexuality, and authenticity. Cool Town shows how Athens, Georgia created a model of how you could “make it” without ever leaving your small town, and how a homegrown scene could feel like the biggest thing in the world.</p><p><a href="https://history.virginia.edu/people/profile/gh5x">Grace Elizabeth Hale</a> is the Commonwealth Professor of American Studies and History at the University of Virginia.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is </em><a href="http://AndyJBoyd.com"><em>AndyJBoyd.com</em></a><em>, and he can be reached atandyjamesboyd@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4985</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kennan Ferguson, "Cookbooks Politics" (U Penn Press, 2020)</title>
      <description>Many of us have stacks of cookbooks on our shelves, which we look through for ideas and inspiration, or to transport us to distant places with different foods, smells, experiences, and sometimes memories of our visits. Kennan Ferguson, Professor of Political Science at the University of Wisconsin-Milwaukee, argues that there is more going on in those cookbooks than just recipes. In fact, Cookbooks Politics (University of Pennsylvania Press, 2020) traces a variety of politics through a myriad of different kinds of cookbooks. Ferguson came to this project in an effort to try to understand where politics interacts with our everyday experiences. Cooking and seeking out recipes to guide our cooking is a very common experience that many of us pursue. At the same time, the compilation of recipes into a book—published with glossy photos, or copied and stapled in a church basement—creates a space where there is inclusion and exclusion.
Ferguson explores these dynamics in Cookbook Politics, coming to see how the culture and mores of a community are communicated through the cookbook as text. Some of the earlier American cookbooks not only provided recipes, but also went so far as to instruct women on how to manage their servants, thus also highlighting economic and class dimensions embedded in the conveying of cooking instruction and domestic management. Other cookbooks convey a sense of the nation-state and can serve, in unexpected ways, as a form of international relations and diplomacy. The most famous example of this is Julia Child, and how she served in an unofficial capacity as an American diplomat in bringing French cuisine and experiences to the United States. Ferguson devotes a chapter to examining the way that Child was able to shape the American imaginary of France in the post-war period, and how her cookbook also brings with it a discussion of Parisian manners and French disposition, while also noting that this relationship was interestingly one-sided, since Julia Child is not much known outside of the United States.
Ferguson also focuses attention on how we read and use cookbooks, not just in what they convey to us about nations, or regions, manners, or class, social position, and domesticity. Cookbook Politics asks us to consider what we do with our recipes, what we choose to omit, cross-out, or add in, and in so doing, we change the text, making it essentially a democratic text and format, where the person who engages the recipe may also alter it. This is distinct from how we engage more traditional texts in political theory, which we may confront and argue with, but which we don’t usually alter to our liking the way we do with a recipe. Ferguson’s Cookbook Politics examines and analyzes the democratic dimensions of cookbooks, while also teaching us how we might read cookbooks to best grasp contextual politics, urging us to pay attention to what is being communicated in unexpected and often under-explored political theory texts.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 01 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>445</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ferguson argues that there is more going on in cookbooks than just recipes...</itunes:subtitle>
      <itunes:summary>Many of us have stacks of cookbooks on our shelves, which we look through for ideas and inspiration, or to transport us to distant places with different foods, smells, experiences, and sometimes memories of our visits. Kennan Ferguson, Professor of Political Science at the University of Wisconsin-Milwaukee, argues that there is more going on in those cookbooks than just recipes. In fact, Cookbooks Politics (University of Pennsylvania Press, 2020) traces a variety of politics through a myriad of different kinds of cookbooks. Ferguson came to this project in an effort to try to understand where politics interacts with our everyday experiences. Cooking and seeking out recipes to guide our cooking is a very common experience that many of us pursue. At the same time, the compilation of recipes into a book—published with glossy photos, or copied and stapled in a church basement—creates a space where there is inclusion and exclusion.
Ferguson explores these dynamics in Cookbook Politics, coming to see how the culture and mores of a community are communicated through the cookbook as text. Some of the earlier American cookbooks not only provided recipes, but also went so far as to instruct women on how to manage their servants, thus also highlighting economic and class dimensions embedded in the conveying of cooking instruction and domestic management. Other cookbooks convey a sense of the nation-state and can serve, in unexpected ways, as a form of international relations and diplomacy. The most famous example of this is Julia Child, and how she served in an unofficial capacity as an American diplomat in bringing French cuisine and experiences to the United States. Ferguson devotes a chapter to examining the way that Child was able to shape the American imaginary of France in the post-war period, and how her cookbook also brings with it a discussion of Parisian manners and French disposition, while also noting that this relationship was interestingly one-sided, since Julia Child is not much known outside of the United States.
Ferguson also focuses attention on how we read and use cookbooks, not just in what they convey to us about nations, or regions, manners, or class, social position, and domesticity. Cookbook Politics asks us to consider what we do with our recipes, what we choose to omit, cross-out, or add in, and in so doing, we change the text, making it essentially a democratic text and format, where the person who engages the recipe may also alter it. This is distinct from how we engage more traditional texts in political theory, which we may confront and argue with, but which we don’t usually alter to our liking the way we do with a recipe. Ferguson’s Cookbook Politics examines and analyzes the democratic dimensions of cookbooks, while also teaching us how we might read cookbooks to best grasp contextual politics, urging us to pay attention to what is being communicated in unexpected and often under-explored political theory texts.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Many of us have stacks of cookbooks on our shelves, which we look through for ideas and inspiration, or to transport us to distant places with different foods, smells, experiences, and sometimes memories of our visits. <a href="https://uwm.edu/political-science/people/ferguson-kennan/">Kennan Ferguson</a>, Professor of Political Science at the University of Wisconsin-Milwaukee, argues that there is more going on in those cookbooks than just recipes. In fact, <a href="https://www.amazon.com/dp/0812252268/?tag=newbooinhis-20"><em>Cookbooks Politics</em></a> (University of Pennsylvania Press, 2020) traces a variety of politics through a myriad of different kinds of cookbooks. Ferguson came to this project in an effort to try to understand where politics interacts with our everyday experiences. Cooking and seeking out recipes to guide our cooking is a very common experience that many of us pursue. At the same time, the compilation of recipes into a book—published with glossy photos, or copied and stapled in a church basement—creates a space where there is inclusion and exclusion.</p><p>Ferguson explores these dynamics in <em>Cookbook Politics</em>, coming to see how the culture and mores of a community are communicated through the cookbook as text. Some of the earlier American cookbooks not only provided recipes, but also went so far as to instruct women on how to manage their servants, thus also highlighting economic and class dimensions embedded in the conveying of cooking instruction and domestic management. Other cookbooks convey a sense of the nation-state and can serve, in unexpected ways, as a form of international relations and diplomacy. The most famous example of this is Julia Child, and how she served in an unofficial capacity as an American diplomat in bringing French cuisine and experiences to the United States. Ferguson devotes a chapter to examining the way that Child was able to shape the American imaginary of France in the post-war period, and how her cookbook also brings with it a discussion of Parisian manners and French disposition, while also noting that this relationship was interestingly one-sided, since Julia Child is not much known outside of the United States.</p><p>Ferguson also focuses attention on how we read and use cookbooks, not just in what they convey to us about nations, or regions, manners, or class, social position, and domesticity. <em>Cookbook Politics</em> asks us to consider what we do with our recipes, what we choose to omit, cross-out, or add in, and in so doing, we change the text, making it essentially a democratic text and format, where the person who engages the recipe may also alter it. This is distinct from how we engage more traditional texts in political theory, which we may confront and argue with, but which we don’t usually alter to our liking the way we do with a recipe. Ferguson’s <em>Cookbook Politics</em> examines and analyzes the democratic dimensions of cookbooks, while also teaching us how we might read cookbooks to best grasp contextual politics, urging us to pay attention to what is being communicated in unexpected and often under-explored political theory texts.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, </em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0">Women and the White House: Gender, Popular Culture, and Presidential Politics</a> (University Press of Kentucky, 2012), <em>as well as co-editor of</em> <a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/">Mad Men and Politics: Nostalgia and the Remaking of Modern America</a> (Bloomsbury Academic, 2015).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
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      <itunes:duration>3151</itunes:duration>
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      <title>Greg Garrett, "A Long, Long Way: Hollywood’s Unfinished Journey from Racism to Reconciliation" (Oxford UP, 2020)</title>
      <description>In his powerful new book, A Long, Long Way: Hollywood’s Unfinished Journey from Racism to Reconciliation (Oxford University Press, 2020), Greg Garrett brings his signature brand of theologically motivated cultural criticism to bear on this history.
After more than a century of cinema, he argues, movies have altered our cultural perspectives in the same way that religious narratives have. And in fact, religious traditions offer powerful correctives to our cultural narratives.
A Long, Long Way incorporates both cinematic and religious truth-telling to the subject of race and reconciliation. In acknowledging the racist history of America's national art form, Garrett offers the possibility of hope for the future.
Greg Garrett is a professor at Baylor University, teaching classes in creative writing &amp; religion and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 24 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Garrett brings his signature brand of theologically motivated cultural criticism to bear on this history...</itunes:subtitle>
      <itunes:summary>In his powerful new book, A Long, Long Way: Hollywood’s Unfinished Journey from Racism to Reconciliation (Oxford University Press, 2020), Greg Garrett brings his signature brand of theologically motivated cultural criticism to bear on this history.
After more than a century of cinema, he argues, movies have altered our cultural perspectives in the same way that religious narratives have. And in fact, religious traditions offer powerful correctives to our cultural narratives.
A Long, Long Way incorporates both cinematic and religious truth-telling to the subject of race and reconciliation. In acknowledging the racist history of America's national art form, Garrett offers the possibility of hope for the future.
Greg Garrett is a professor at Baylor University, teaching classes in creative writing &amp; religion and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his powerful new book, <a href="https://www.amazon.com/Long-Way-Hollywoods-Unfinished-Reconciliation/dp/0190906251/?tag=newbooinhis-20"><em>A Long, Long Way: Hollywood’s Unfinished Journey from Racism to Reconciliation</em></a> (Oxford University Press, 2020), Greg Garrett brings his signature brand of theologically motivated cultural criticism to bear on this history.</p><p>After more than a century of cinema, he argues, movies have altered our cultural perspectives in the same way that religious narratives have. And in fact, religious traditions offer powerful correctives to our cultural narratives.</p><p><em>A Long, Long Way </em>incorporates both cinematic and religious truth-telling to the subject of race and reconciliation. In acknowledging the racist history of America's national art form, Garrett offers the possibility of hope for the future.</p><p><a href="https://www.baylor.edu/english/index.php?id=950514">Greg Garrett</a> is a professor at Baylor University, teaching classes in creative writing &amp; religion and culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3893</itunes:duration>
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      <title>David Slucki et al., "Laughter After: Humor and the Holocaust" (Wayne State UP, 2020)</title>
      <description>In Laughter After: Humor and the Holocaust (Wayne State University Press, 2020), Co-editors David Slucki, Loti Smorgon Associate Professor of Contemporary Jewish Life and Culture at the Australian Centre for Jewish Civilisation at Monash University, Gabriel N. Finder, professor in the department of German Languages and Literatures and former director of the Jewish Studies Program at the University of Virginia and Avinoam Patt, the Doris and Simon Konover Professor of Judaic Studies and director of the Center for Judaic Studies and Contemporary Jewish Life at the University of Connecticut, have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust.
This book comes at an important moment in the trajectory of Holocaust memory. As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations.
Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah?
This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception.
Dr Max Kaiser teaches at the University of Melbourne. He can be reached at kaiserm@unimelb.edu.au
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 22 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>188</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book examines what is at stake in deploying humor in representing the Holocaust...</itunes:subtitle>
      <itunes:summary>In Laughter After: Humor and the Holocaust (Wayne State University Press, 2020), Co-editors David Slucki, Loti Smorgon Associate Professor of Contemporary Jewish Life and Culture at the Australian Centre for Jewish Civilisation at Monash University, Gabriel N. Finder, professor in the department of German Languages and Literatures and former director of the Jewish Studies Program at the University of Virginia and Avinoam Patt, the Doris and Simon Konover Professor of Judaic Studies and director of the Center for Judaic Studies and Contemporary Jewish Life at the University of Connecticut, have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust.
This book comes at an important moment in the trajectory of Holocaust memory. As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations.
Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah?
This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception.
Dr Max Kaiser teaches at the University of Melbourne. He can be reached at kaiserm@unimelb.edu.au
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Laughter-After-Holocaust-David-Slucki/dp/081434738X/?tag=newbooinhis-20"><em>Laughter After: Humor and the Holocaust </em></a>(Wayne State University Press, 2020), Co-editors <a href="https://research.monash.edu/en/persons/david-slucki">David Slucki</a>, Loti Smorgon Associate Professor of Contemporary Jewish Life and Culture at the Australian Centre for Jewish Civilisation at Monash University, <a href="http://jewishstudies.as.virginia.edu/faculty/profile/gf6n">Gabriel N. Finder</a>, professor in the department of German Languages and Literatures and former director of the Jewish Studies Program at the University of Virginia and <a href="https://www.hartford.edu/directory/arts-science/patt-avinoam.aspx">Avinoam Patt</a>, the Doris and Simon Konover Professor of Judaic Studies and director of the Center for Judaic Studies and Contemporary Jewish Life at the University of Connecticut, have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust.</p><p>This book comes at an important moment in the trajectory of Holocaust memory. As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations.</p><p>Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah?</p><p>This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception.</p><p><em>Dr </em><a href="https://unimelb.academia.edu/MaxKaiser"><em>Max Kaiser</em></a><em> teaches at the University of Melbourne. He can be reached at kaiserm@unimelb.edu.au</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4335</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Scott Laderman, "Empire in Waves: A Political History of Surfing" (U California Press, 2014)</title>
      <description>Since 2020 has been such a horrifying year (and it’s only June!), it would be nice to relax a bit this summer and talk about something fun and apolitical like surfing. After all, what’s more chill then hanging at the beach and catching some waves?
But wait a minute! Empire in Waves: A Political History of Surfing (University of California Press, 2014) is about imperialism, white supremacy, Apartheid, Cold War politics in Central America and Southeast Asia, genocide, and the ways in which large corporations commodify and suck the very soul out of vibrant countercultures. Scott Laderman tells us “surfing is not a mindless entertainment, but a cultural force born of empire (at least in its modern phase), reliant on Western power, and invested in neoliberal capitalism.” Whoa, total bummer, dude! Empire in Waves is part of the University of California Press’ “Sports in World History” series and uses surfing as a prism to explore a number of crucial political, economic, and cultural issues.
Scott Laderman is a professor of history at the University of Minnesota, Duluth – home of the best surfing in the upper Midwest.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford, 2018). When he’s not quietly reading or happily talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 19 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>741</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Laderman tells us “surfing is not a mindless entertainment, but a cultural force born of empire (at least in its modern phase), reliant on Western power, and invested in neoliberal capitalism.”</itunes:subtitle>
      <itunes:summary>Since 2020 has been such a horrifying year (and it’s only June!), it would be nice to relax a bit this summer and talk about something fun and apolitical like surfing. After all, what’s more chill then hanging at the beach and catching some waves?
But wait a minute! Empire in Waves: A Political History of Surfing (University of California Press, 2014) is about imperialism, white supremacy, Apartheid, Cold War politics in Central America and Southeast Asia, genocide, and the ways in which large corporations commodify and suck the very soul out of vibrant countercultures. Scott Laderman tells us “surfing is not a mindless entertainment, but a cultural force born of empire (at least in its modern phase), reliant on Western power, and invested in neoliberal capitalism.” Whoa, total bummer, dude! Empire in Waves is part of the University of California Press’ “Sports in World History” series and uses surfing as a prism to explore a number of crucial political, economic, and cultural issues.
Scott Laderman is a professor of history at the University of Minnesota, Duluth – home of the best surfing in the upper Midwest.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford, 2018). When he’s not quietly reading or happily talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since 2020 has been such a horrifying year (and it’s only June!), it would be nice to relax a bit this summer and talk about something fun and apolitical like surfing. After all, what’s more chill then hanging at the beach and catching some waves?</p><p>But wait a minute! <a href="https://www.amazon.com/dp/0520279115/?tag=newbooinhis-20"><em>Empire in Waves: A Political History of Surfing</em></a> (University of California Press, 2014) is about imperialism, white supremacy, Apartheid, Cold War politics in Central America and Southeast Asia, genocide, and the ways in which large corporations commodify and suck the very soul out of vibrant countercultures. <a href="https://cla.d.umn.edu/history-political-science-and-international-studies/faculty-staff/dr-scott-laderman">Scott Laderman</a> tells us “surfing is not a mindless entertainment, but a cultural force born of empire (at least in its modern phase), reliant on Western power, and invested in neoliberal capitalism.” Whoa, total bummer, dude! <em>Empire in Waves</em> is part of the University of California Press’ “Sports in World History” series and uses surfing as a prism to explore a number of crucial political, economic, and cultural issues.</p><p>Scott Laderman is a professor of history at the University of Minnesota, Duluth – home of the best surfing in the upper Midwest.</p><p><a href="https://michaelvann.academia.edu"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford, 2018). When he’s not quietly reading or happily talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4626</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jeremy Black, "The World of James Bond: The Lives and Times of 007" (Rowman and Littlefield, 2017)</title>
      <description>This book by renowned Professor of History Jeremy Black presents an insightful and hugely entertaining exploration of the political and cultural context of the Bond books and films. In The World of James Bond: The Lives and Times of 007 (Rowman and Littlefield, 2017), Jeremy Black offers a historian’s interpretation from the perspective of the 21st century, assessing James Bond in terms of the greatly changing world order of the Bond years—a lifetime that stretches from 1953, when the first novel appeared, to the present. Black argues that the Bond novels—the Flemng books as well as the often-neglected novels authored by others after Fleming died in 1964—and films drew on popular fears and anxieties in order to reduce the implausibility of the villains and their villainy.
The novels and films also presented potent images of national character, explored the rapidly changing relationship between a declining Britain and an ascendant United States, charted the course of the Cold War and the subsequent post-1990 world, and offered an evolving but always potent demonology. Bond was, and still is, an important aspect of post–World War II popular culture throughout the Western world. This was particularly so after Hollywood commenced the Bond film series,
thus making him not only a character designed for the American film market but also a world product and a figure of globalization. Professor Black's well-informed and well-argued analysis provides a fascinating history of the enduring and evolving appeal of the character of James Bond.
Professor Jeremy Black MBE, Is Professor of History Emeritus at the University of Exeter. And a Senior Associate at the Foreign Policy Research Institute. A graduate of Queens College, Cambridge with a First, he is the author of well over one-hundred books. In 2008 he was awarded the “Samuel Eliot Morison Award for Lifetime Achievement.”
Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, and the University of Rouen’s online periodical Cercles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 18 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Black presents an insightful and hugely entertaining exploration of the political and cultural context of the Bond books and films...</itunes:subtitle>
      <itunes:summary>This book by renowned Professor of History Jeremy Black presents an insightful and hugely entertaining exploration of the political and cultural context of the Bond books and films. In The World of James Bond: The Lives and Times of 007 (Rowman and Littlefield, 2017), Jeremy Black offers a historian’s interpretation from the perspective of the 21st century, assessing James Bond in terms of the greatly changing world order of the Bond years—a lifetime that stretches from 1953, when the first novel appeared, to the present. Black argues that the Bond novels—the Flemng books as well as the often-neglected novels authored by others after Fleming died in 1964—and films drew on popular fears and anxieties in order to reduce the implausibility of the villains and their villainy.
The novels and films also presented potent images of national character, explored the rapidly changing relationship between a declining Britain and an ascendant United States, charted the course of the Cold War and the subsequent post-1990 world, and offered an evolving but always potent demonology. Bond was, and still is, an important aspect of post–World War II popular culture throughout the Western world. This was particularly so after Hollywood commenced the Bond film series,
thus making him not only a character designed for the American film market but also a world product and a figure of globalization. Professor Black's well-informed and well-argued analysis provides a fascinating history of the enduring and evolving appeal of the character of James Bond.
Professor Jeremy Black MBE, Is Professor of History Emeritus at the University of Exeter. And a Senior Associate at the Foreign Policy Research Institute. A graduate of Queens College, Cambridge with a First, he is the author of well over one-hundred books. In 2008 he was awarded the “Samuel Eliot Morison Award for Lifetime Achievement.”
Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, and the University of Rouen’s online periodical Cercles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This book by renowned Professor of History <a href="https://jeremyblackhistorian.wordpress.com/">Jeremy Black</a> presents an insightful and hugely entertaining exploration of the political and cultural context of the Bond books and films. In <a href="https://www.amazon.com/dp/1442276118/?tag=newbooinhis-20"><em>The World of James Bond: The Lives and Times of 007</em></a> (Rowman and Littlefield, 2017), Jeremy Black offers a historian’s interpretation from the perspective of the 21st century, assessing James Bond in terms of the greatly changing world order of the Bond years—a lifetime that stretches from 1953, when the first novel appeared, to the present. Black argues that the Bond novels—the Flemng books as well as the often-neglected novels authored by others after Fleming died in 1964—and films drew on popular fears and anxieties in order to reduce the implausibility of the villains and their villainy.</p><p>The novels and films also presented potent images of national character, explored the rapidly changing relationship between a declining Britain and an ascendant United States, charted the course of the Cold War and the subsequent post-1990 world, and offered an evolving but always potent demonology. Bond was, and still is, an important aspect of post–World War II popular culture throughout the Western world. This was particularly so after Hollywood commenced the Bond film series,</p><p>thus making him not only a character designed for the American film market but also a world product and a figure of globalization. Professor Black's well-informed and well-argued analysis provides a fascinating history of the enduring and evolving appeal of the character of James Bond.</p><p>Professor Jeremy Black MBE, Is Professor of History Emeritus at the University of Exeter. And a Senior Associate at the Foreign Policy Research Institute. A graduate of Queens College, Cambridge with a First, he is the author of well over one-hundred books. In 2008 he was awarded the “Samuel Eliot Morison Award for Lifetime Achievement.”</p><p><em>Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, and the University of Rouen’s online periodical Cercles.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2131</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>R. Farrugia and K. D. Hay, "Women Rapping Revolution: Hip Hop and Community Building in Detroit" (U California Press, 2020)</title>
      <description>On this episode of the New Books Network, Lee Pierce (s/t) interviews Rebekah Farrugia and Kellie D. Hay of Oakland University on their new book Women Rapping Revolution.(University of California Press, 2020). Detroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project.
Focusing on the Foundation, a women-centered hip-hop collective, Women Rapping Revolution argues that the hip-hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.
Resources mentioned in the show: Farrugia and Hay,“The Politics and Place of a ‘Legendary’ Hip Hop Track in Detroit,” Journal of Music and Politics.
Rebekah Farrugia is Professor of Media Studies in the Department of Communication, Journalism, and Public Relations at Oakland University. She is the author of Beyond the Dance Floor: Female DJs, Technology, and Electronic Dance Music Culture. Connect @b3kkaf on Twitter and @rebekah.farrugia.7 on Facebook.
Kellie D. Hay is Professor of Cultural Studies in the Department of Communication, Journalism, and Public Relations at Oakland University. She has authored many articles about music, politics, and cultural identity, and specializes in critical qualitative methodologies. Connect @obihay on Twitter, @kellie.hay.37 on Facebook and by email at hay@oakland.edu.
We’d love to hear your thoughts on this interview and the book, Women Rapping Revolution.
Connect with your host @rhetoriclee on Instagram, Facebook, Twitter, and Gmail.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 17 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The authors draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project....</itunes:subtitle>
      <itunes:summary>On this episode of the New Books Network, Lee Pierce (s/t) interviews Rebekah Farrugia and Kellie D. Hay of Oakland University on their new book Women Rapping Revolution.(University of California Press, 2020). Detroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project.
Focusing on the Foundation, a women-centered hip-hop collective, Women Rapping Revolution argues that the hip-hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.
Resources mentioned in the show: Farrugia and Hay,“The Politics and Place of a ‘Legendary’ Hip Hop Track in Detroit,” Journal of Music and Politics.
Rebekah Farrugia is Professor of Media Studies in the Department of Communication, Journalism, and Public Relations at Oakland University. She is the author of Beyond the Dance Floor: Female DJs, Technology, and Electronic Dance Music Culture. Connect @b3kkaf on Twitter and @rebekah.farrugia.7 on Facebook.
Kellie D. Hay is Professor of Cultural Studies in the Department of Communication, Journalism, and Public Relations at Oakland University. She has authored many articles about music, politics, and cultural identity, and specializes in critical qualitative methodologies. Connect @obihay on Twitter, @kellie.hay.37 on Facebook and by email at hay@oakland.edu.
We’d love to hear your thoughts on this interview and the book, Women Rapping Revolution.
Connect with your host @rhetoriclee on Instagram, Facebook, Twitter, and Gmail.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the New Books Network, <a href="http://leempierce.com/">Lee Pierce</a> (s/t) interviews <a href="https://oakland.edu/cj/top-links/faculty/farrugia">Rebekah Farrugia</a> and <a href="https://oakland.edu/cj/top-links/faculty/hay">Kellie D. Hay</a> of Oakland University on their new book <a href="https://www.amazon.com/Women-Rapping-Revolution-Community-California-ebook/dp/B086S4LLXM/?tag=newbooinhis-20"><em>Women Rapping Revolution</em></a>.(University of California Press, 2020). Detroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project.</p><p>Focusing on the Foundation, a women-centered hip-hop collective, <em>Women Rapping Revolution </em>argues that the hip-hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.</p><p>Resources mentioned in the show: Farrugia and Hay,“The Politics and Place of a ‘Legendary’ Hip Hop Track in Detroit,” <em>Journal of Music and Politics.</em></p><p><a href="https://oakland.edu/cj/top-links/faculty/farrugia">Rebekah Farrugia</a> is Professor of Media Studies in the Department of Communication, Journalism, and Public Relations at Oakland University. She is the author of <em>Beyond the Dance Floor: Female DJs, Technology, and Electronic Dance Music Culture</em>. Connect @b3kkaf on Twitter and @rebekah.farrugia.7 on Facebook.</p><p><a href="https://oakland.edu/cj/top-links/faculty/hay">Kellie D. Hay</a> is Professor of Cultural Studies in the Department of Communication, Journalism, and Public Relations at Oakland University. She has authored many articles about music, politics, and cultural identity, and specializes in critical qualitative methodologies. Connect @obihay on Twitter, @kellie.hay.37 on Facebook and by email at hay@oakland.edu.</p><p>We’d love to hear your thoughts on this interview and the book, <em>Women Rapping Revolution</em>.</p><p><em>Connect with your host @rhetoriclee on Instagram, Facebook, Twitter, and Gmail.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3051</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ab97412c-a75c-11ea-adff-07faceec5f73]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4321302009.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jon Wilkman, "Screening Reality: How Documentary Filmmakers Reimagined America" (Bloomsbury, 2020)</title>
      <description>Screening Reality: How Documentary Filmmakers Reimagined America (Bloomsbury, 2020) is a widescreen view of how American “truth” has been discovered, defined, projected, televised, and streamed during more than one hundred years of dramatic change, through World Wars I and II, the dawn of mass media, the social and political turmoil of the sixties and seventies, and the communications revolution that led to a twenty-first century of empowered yet divided Americans.
In the telling, professional filmmaker Jon Wilkman draws on his own experience, as well as the stories of inventors, adventurers, journalists, entrepreneurs, artists, and activists who framed and filtered the world to inform, persuade, awe, and entertain. Interweaving American and motion picture history, and an inquiry into the nature of truth on screen, Screening Reality is essential and fascinating reading for anyone looking to expand an understanding of the American experience and today's truth-challenged times.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 08 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Wilkman offers a a widescreen view of how American “truth” has been discovered, defined, projected, televised, and streamed,,,</itunes:subtitle>
      <itunes:summary>Screening Reality: How Documentary Filmmakers Reimagined America (Bloomsbury, 2020) is a widescreen view of how American “truth” has been discovered, defined, projected, televised, and streamed during more than one hundred years of dramatic change, through World Wars I and II, the dawn of mass media, the social and political turmoil of the sixties and seventies, and the communications revolution that led to a twenty-first century of empowered yet divided Americans.
In the telling, professional filmmaker Jon Wilkman draws on his own experience, as well as the stories of inventors, adventurers, journalists, entrepreneurs, artists, and activists who framed and filtered the world to inform, persuade, awe, and entertain. Interweaving American and motion picture history, and an inquiry into the nature of truth on screen, Screening Reality is essential and fascinating reading for anyone looking to expand an understanding of the American experience and today's truth-challenged times.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/1635571030/?tag=newbooinhis-20"><em>Screening Reality: How Documentary Filmmakers Reimagined America</em></a> (Bloomsbury, 2020) is a widescreen view of how American “truth” has been discovered, defined, projected, televised, and streamed during more than one hundred years of dramatic change, through World Wars I and II, the dawn of mass media, the social and political turmoil of the sixties and seventies, and the communications revolution that led to a twenty-first century of empowered yet divided Americans.</p><p>In the telling, professional filmmaker <a href="http://wilkman.com/about/jon-wilkman/">Jon Wilkman</a> draws on his own experience, as well as the stories of inventors, adventurers, journalists, entrepreneurs, artists, and activists who framed and filtered the world to inform, persuade, awe, and entertain. Interweaving American and motion picture history, and an inquiry into the nature of truth on screen, Screening Reality is essential and fascinating reading for anyone looking to expand an understanding of the American experience and today's truth-challenged times.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4277</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[82a23e62-9ec8-11ea-945f-0fba366c828c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5568080410.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019)</title>
      <description>It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 05 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies....</itunes:subtitle>
      <itunes:summary>It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with <a href="https://en.wikipedia.org/wiki/Barry_Keith_Grant">Barry Keith Grant</a>, <a href="https://www.linkedin.com/in/scott-henderson-632b2a122/?originalSubdomain=ca">Scott Henderson</a> (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. <a href="https://www.amazon.com/dp/1477319395/?tag=newbooinhis-20"><em>Comics and Pop Culture: Adaptation from Panel to Frame</em></a> (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3893</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ce622e1e-9e02-11ea-94c4-2fce79fe2d49]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3489232599.mp3?updated=1728248429" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kenneth Womack, "Solid State: The Story of Abbey Road and The End of The Beatles" (Cornell UP, 2019)</title>
      <description>To what degree did each of The Beatles exhibit emotional intelligence in the band’s final year?
You'll find out in the discussion I had with Kenneth Womack about his new book Solid State: The Story of Abbey Road and The End of The Beatles (Cornell University Press, 2019).
Womack is the author of a two-volume biography of the life and work of Beatles producer George Martin. His forthcoming book, John Lennon, 1980: The Last Days in the Life, will be available in October 2020.
Topics covered in this episode include:
--Womack explains what Solid State refers to and where Abbey Road might rank in the band’s legacy. (Fortunately, the Magical Mystery Tour album wasn’t a top-three choice of his!)
--Using the Big 5 model for personality traits, what might be the dominant traits of The Beatles given the options of openness, conscientiousness, extraversion, agreeableness, and neuroticism.
--Why the band had reached a point where, like a bad marriage, it couldn’t survive any longer.
For a transcript of this episode, click here.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 04 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>To what degree did each of The Beatles exhibit emotional intelligence in the band’s final year?</itunes:subtitle>
      <itunes:summary>To what degree did each of The Beatles exhibit emotional intelligence in the band’s final year?
You'll find out in the discussion I had with Kenneth Womack about his new book Solid State: The Story of Abbey Road and The End of The Beatles (Cornell University Press, 2019).
Womack is the author of a two-volume biography of the life and work of Beatles producer George Martin. His forthcoming book, John Lennon, 1980: The Last Days in the Life, will be available in October 2020.
Topics covered in this episode include:
--Womack explains what Solid State refers to and where Abbey Road might rank in the band’s legacy. (Fortunately, the Magical Mystery Tour album wasn’t a top-three choice of his!)
--Using the Big 5 model for personality traits, what might be the dominant traits of The Beatles given the options of openness, conscientiousness, extraversion, agreeableness, and neuroticism.
--Why the band had reached a point where, like a bad marriage, it couldn’t survive any longer.
For a transcript of this episode, click here.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>To what degree did each of The Beatles exhibit emotional intelligence in the band’s final year?</em></p><p>You'll find out in the discussion I had with <a href="https://kennethwomack.com/">Kenneth Womack</a> about his new book <a href="https://www.amazon.com/dp/1501746855/?tag=newbooinhis-20"><em>Solid State: The Story of Abbey Road and The End of The Beatles</em></a><em> </em>(Cornell University Press, 2019).</p><p>Womack is the author of a two-volume biography of the life and work of Beatles producer George Martin. His forthcoming book, <em>John Lennon, 1980: The Last Days in the Life</em>, will be available in October 2020.</p><p>Topics covered in this episode include:</p><p>--Womack explains what <em>Solid State</em> refers to and where <em>Abbey Road</em> might rank in the band’s legacy. (Fortunately, the <em>Magical Mystery Tour</em> album wasn’t a top-three choice of his!)</p><p>--Using the Big 5 model for personality traits, what might be the dominant traits of The Beatles given the options of openness, conscientiousness, extraversion, agreeableness, and neuroticism.</p><p>--Why the band had reached a point where, like a bad marriage, it couldn’t survive any longer.</p><p>For a transcript of this episode, click <a href="https://newbooksnetwork.com/wp-content/uploads/2020/06/003eqspotlightwomack.pdf">here</a>.</p><p><a href="https://www.sensorylogic.com"><em>Dan Hill</em></a><em>, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit https://emotionswizard.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2857</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fb68476e-b7b0-11ea-bda4-1f8def5ddf77]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8272828519.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dale Cockrell, "Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917" (Norton, 2019)</title>
      <description>Most books about American music ask how it sounded, who wrote it, or who performed it. In his new book, Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917 (Norton, 2019), Dale Cockrell asks a different question: where is American music? His answer is in the brothels, dance halls, concert saloons, and cabarets of nineteenth-century New York City. Cockrell tells a story of popular music created and enjoyed within a sexualized and commercial environment that featured robust and constant exchange between black and white people during slavery times and the deepening segregation of Reconstruction-era America. Weaving together material from police reports and governmental investigations, Cockrell has found a rich source of information about the life of working-class people in urban America, and in the process has uncovered a network of musicians and spaces that nurtured American popular culture. These places of unbridled behavior were sometimes sites of degradation including for the prostitutes forced by circumstance (or worse) into sex work, but also sometimes places of joy as the working class escaping from a life of hard labor and little pay, and places of safety for gay people whose lives were criminalized outside the dives where they could gather together. The book is geared for a general audience, but rests on a bed of solid scholarship and innovative research.
Dale Cockrell is Professor Emeritus of Musicology at Vanderbilt University. A scholar of American popular culture, he is known for his work on minstrelsy and The Pa’s Fiddle Project, an education outreach program centered around the music found in the Little House on the Prairie books by Laura Ingalls Wilder. In 2016, Cockrell received the Lifetime Achievement Award from the Society of American Music.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 02 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>99</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Where is American music?</itunes:subtitle>
      <itunes:summary>Most books about American music ask how it sounded, who wrote it, or who performed it. In his new book, Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917 (Norton, 2019), Dale Cockrell asks a different question: where is American music? His answer is in the brothels, dance halls, concert saloons, and cabarets of nineteenth-century New York City. Cockrell tells a story of popular music created and enjoyed within a sexualized and commercial environment that featured robust and constant exchange between black and white people during slavery times and the deepening segregation of Reconstruction-era America. Weaving together material from police reports and governmental investigations, Cockrell has found a rich source of information about the life of working-class people in urban America, and in the process has uncovered a network of musicians and spaces that nurtured American popular culture. These places of unbridled behavior were sometimes sites of degradation including for the prostitutes forced by circumstance (or worse) into sex work, but also sometimes places of joy as the working class escaping from a life of hard labor and little pay, and places of safety for gay people whose lives were criminalized outside the dives where they could gather together. The book is geared for a general audience, but rests on a bed of solid scholarship and innovative research.
Dale Cockrell is Professor Emeritus of Musicology at Vanderbilt University. A scholar of American popular culture, he is known for his work on minstrelsy and The Pa’s Fiddle Project, an education outreach program centered around the music found in the Little House on the Prairie books by Laura Ingalls Wilder. In 2016, Cockrell received the Lifetime Achievement Award from the Society of American Music.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Most books about American music ask how it sounded, who wrote it, or who performed it. In his new book, <a href="https://www.amazon.com/dp/0393608948/?tag=newbooinhis-20"><em>Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917</em></a> (Norton, 2019), <a href="https://www.dalecockrell.com/">Dale Cockrell</a> asks a different question: where is American music? His answer is in the brothels, dance halls, concert saloons, and cabarets of nineteenth-century New York City. Cockrell tells a story of popular music created and enjoyed within a sexualized and commercial environment that featured robust and constant exchange between black and white people during slavery times and the deepening segregation of Reconstruction-era America. Weaving together material from police reports and governmental investigations, Cockrell has found a rich source of information about the life of working-class people in urban America, and in the process has uncovered a network of musicians and spaces that nurtured American popular culture. These places of unbridled behavior were sometimes sites of degradation including for the prostitutes forced by circumstance (or worse) into sex work, but also sometimes places of joy as the working class escaping from a life of hard labor and little pay, and places of safety for gay people whose lives were criminalized outside the dives where they could gather together. The book is geared for a general audience, but rests on a bed of solid scholarship and innovative research.</p><p>Dale Cockrell is Professor Emeritus of Musicology at Vanderbilt University. A scholar of American popular culture, he is known for his work on minstrelsy and The Pa’s Fiddle Project, an education outreach program centered around the music found in the Little House on the Prairie books by Laura Ingalls Wilder. In 2016, Cockrell received the Lifetime Achievement Award from the Society of American Music.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3646</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[747a1ed0-9d20-11ea-b5e2-7baa9388285e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1554868947.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)</title>
      <description>Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)
Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.
John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 02 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Greene offers the the reader a theory of everything...</itunes:subtitle>
      <itunes:summary>Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)
Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.
John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.briangreene.org/">Brian Greene</a> is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the <a href="https://www.worldsciencefestival.com/">World Science Festival</a>. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book <a href="https://www.amazon.com/dp/0593171721/?tag=newbooinhis-20"><em>Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe</em></a> (Random House, 2020)</p><p><em>Until the End of Time</em> gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.</p><p><a href="https://www.aalto.fi/en/people/john-weston"><em>John Weston</em></a><em> is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at </em><a href="mailto:john.weston@aalto.fi"><em>john.weston@aalto.fi</em></a><em> and </em><a href="https://twitter.com/johnwphd"><em>@johnwphd</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>7237</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Brian Crim, "Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television" (Rutgers UP, 2020)</title>
      <description>In his new book, Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television (Rutgers University Press, 2020), Brian Crim explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years. The supernatural and extraterrestrial are rich and complex spaces with which to examine important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II. Planet Auschwitz explores why the Holocaust continues to set the standard for horror in the modern era and asks if the Holocaust is imaginable here on Earth, at least by those who perpetrated it, why not in a galaxy far, far away? The pervasive use of Holocaust imagery and plotlines in horror and science fiction reflects both our preoccupation with its enduring trauma and our persistent need to “work through” its many legacies.
Brian Crim is Professor of History at the University of Lynchburg in Viriginia.
Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 29 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Crim explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years...</itunes:subtitle>
      <itunes:summary>In his new book, Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television (Rutgers University Press, 2020), Brian Crim explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years. The supernatural and extraterrestrial are rich and complex spaces with which to examine important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II. Planet Auschwitz explores why the Holocaust continues to set the standard for horror in the modern era and asks if the Holocaust is imaginable here on Earth, at least by those who perpetrated it, why not in a galaxy far, far away? The pervasive use of Holocaust imagery and plotlines in horror and science fiction reflects both our preoccupation with its enduring trauma and our persistent need to “work through” its many legacies.
Brian Crim is Professor of History at the University of Lynchburg in Viriginia.
Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="https://www.amazon.com/dp/1978801610/?tag=newbooinhis-20"><em>Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television</em></a> (Rutgers University Press, 2020), <a href="https://www.lynchburg.edu/academics/majors-and-minors/history/faculty-and-staff/brian-crim/">Brian Crim</a> explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years. The supernatural and extraterrestrial are rich and complex spaces with which to examine important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II. Planet Auschwitz explores why the Holocaust continues to set the standard for horror in the modern era and asks if the Holocaust is imaginable here on Earth, at least by those who perpetrated it, why not in a galaxy far, far away? The pervasive use of Holocaust imagery and plotlines in horror and science fiction reflects both our preoccupation with its enduring trauma and our persistent need to “work through” its many legacies.</p><p>Brian Crim is Professor of History at the University of Lynchburg in Viriginia.</p><p><em>Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3978</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>E. Engelhardt and L. Smith, "The Food We Eat, the Stories We Tell: Contemporary Appalachian Table" (Ohio UP, 2019)</title>
      <description>In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection.
Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book.
The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place.
Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. .
Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky. 
Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia. 
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 25 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia....</itunes:subtitle>
      <itunes:summary>In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection.
Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book.
The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place.
Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. .
Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky. 
Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia. 
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this this interview, <a href="https://www.chatham.edu/english/facultydetails.cfm?FacultyID=439">Carrie Tippen</a> talks with <a href="https://americanstudies.unc.edu/elizabeth-engelhardt/">Elizabeth Engelhardt</a>, co-editor of the new collection <a href="https://www.amazon.com/dp/0821423924/?tag=newbooinhis-20"><em>The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables</em></a> (Ohio University Press, 2019), also edited by <a href="https://rsfsocialfinance.org/person/lora-smith/">Lora Smith</a> and published by Ohio University Press. We are also joined by <a href="http://www.courtneybalestier.com/hire-me/">Courtney Balestier</a> who is a contributor to the collection.</p><p>Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the <a href="https://growappalachia.berea.edu/afs/">Appalachian Food Summit</a>, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book.</p><p>The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place.</p><p>Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. .</p><p>Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky. </p><p>Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia. </p><p><em>Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, </em><a href="http://www.inventingauthenticity.com/"><em>Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</em></a><em> (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3337</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ashley Mears, "Very Important People: Status and Beauty in the Global Party Circuit" (Princeton UP, 2020) </title>
      <description>Ashley Mears’ new book Very Important People: Status and Beauty in the Global Party Circuit (Princeton University Press, 2020) provides readers with a closer look at the global party circuit. A lifestyle that offers million-dollar birthday parties, megayachts on the French Riviera, and $40,000 bottles of champagne. In today’s New Gilded Age, the world’s moneyed classes have taken conspicuous consumption to new extremes. In Very Important People, sociologist, author, and former fashion model Ashley Mears takes readers inside the exclusive global nightclub and party circuit—from New York City and the Hamptons to Miami and Saint-Tropez—to reveal the intricate economy of beauty, status, and money that lies behind these spectacular displays of wealth and leisure.
Mears spent eighteen months in this world of “models and bottles” to write this captivating, sometimes funny, sometimes heartbreaking narrative. She describes how clubs and restaurants pay promoters to recruit beautiful young women to their venues in order to attract men and get them to spend huge sums in the ritual of bottle service. These “girls” enhance the status of the men and enrich club owners, exchanging their bodily capital for as little as free drinks and a chance to party with men who are rich or aspire to be. Though they are priceless assets in the party circuit, these women are regarded as worthless as long-term relationship prospects, and their bodies are constantly assessed against men’s money.
A story of extreme gender inequality in a seductive world, Very Important People unveils troubling realities behind moneyed leisure in an age of record economic disparity.
Ashley Mears, Ph.D. is a Associate Professor of Sociology at Boston University.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. He researches place and the process of place making as it is presented in everyday life. You can learn more about his research by going to his website, following him on twitter @ProfessorJohnst, or emailing him at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 22 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The global party circuit. . . lifestyle that offers million-dollar birthday parties, megayachts on the French Riviera, and $40,000 bottles of champagne....</itunes:subtitle>
      <itunes:summary>Ashley Mears’ new book Very Important People: Status and Beauty in the Global Party Circuit (Princeton University Press, 2020) provides readers with a closer look at the global party circuit. A lifestyle that offers million-dollar birthday parties, megayachts on the French Riviera, and $40,000 bottles of champagne. In today’s New Gilded Age, the world’s moneyed classes have taken conspicuous consumption to new extremes. In Very Important People, sociologist, author, and former fashion model Ashley Mears takes readers inside the exclusive global nightclub and party circuit—from New York City and the Hamptons to Miami and Saint-Tropez—to reveal the intricate economy of beauty, status, and money that lies behind these spectacular displays of wealth and leisure.
Mears spent eighteen months in this world of “models and bottles” to write this captivating, sometimes funny, sometimes heartbreaking narrative. She describes how clubs and restaurants pay promoters to recruit beautiful young women to their venues in order to attract men and get them to spend huge sums in the ritual of bottle service. These “girls” enhance the status of the men and enrich club owners, exchanging their bodily capital for as little as free drinks and a chance to party with men who are rich or aspire to be. Though they are priceless assets in the party circuit, these women are regarded as worthless as long-term relationship prospects, and their bodies are constantly assessed against men’s money.
A story of extreme gender inequality in a seductive world, Very Important People unveils troubling realities behind moneyed leisure in an age of record economic disparity.
Ashley Mears, Ph.D. is a Associate Professor of Sociology at Boston University.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. He researches place and the process of place making as it is presented in everyday life. You can learn more about his research by going to his website, following him on twitter @ProfessorJohnst, or emailing him at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.bu.edu/sociology/faculty-staff/faculty/ashley-mears/">Ashley Mears</a>’ new book <a href="https://www.amazon.com/dp/0691168652/?tag=newbooinhis-20"><em>Very Important People: Status and Beauty in the Global Party Circuit</em></a> (Princeton University Press, 2020) provides readers with a closer look at the global party circuit. A lifestyle that offers million-dollar birthday parties, megayachts on the French Riviera, and $40,000 bottles of champagne. In today’s New Gilded Age, the world’s moneyed classes have taken conspicuous consumption to new extremes. In Very Important People, sociologist, author, and former fashion model Ashley Mears takes readers inside the exclusive global nightclub and party circuit—from New York City and the Hamptons to Miami and Saint-Tropez—to reveal the intricate economy of beauty, status, and money that lies behind these spectacular displays of wealth and leisure.</p><p>Mears spent eighteen months in this world of “models and bottles” to write this captivating, sometimes funny, sometimes heartbreaking narrative. She describes how clubs and restaurants pay promoters to recruit beautiful young women to their venues in order to attract men and get them to spend huge sums in the ritual of bottle service. These “girls” enhance the status of the men and enrich club owners, exchanging their bodily capital for as little as free drinks and a chance to party with men who are rich or aspire to be. Though they are priceless assets in the party circuit, these women are regarded as worthless as long-term relationship prospects, and their bodies are constantly assessed against men’s money.</p><p>A story of extreme gender inequality in a seductive world, Very Important People unveils troubling realities behind moneyed leisure in an age of record economic disparity.</p><p>Ashley Mears, Ph.D. is a Associate Professor of Sociology at Boston University.</p><p><em>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. He researches place and the process of place making as it is presented in everyday life. You can learn more about his research by going to his website, following him on twitter @ProfessorJohnst, or emailing him at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3155</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Stacy Wolf, "Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America" (Oxford UP, 2019)</title>
      <description>On this episode, Lee Pierce (she/they) interviews Stacy Wolf of Princeton University about her book Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America (Oxford University Press, 2019), an exploration of the complexities of amateur and local theatre across the United States. From backstage moms to tiny divas to dinner theatres, Wolf demonstrates that this charming pastime of American culture that is anything but past. On the contrary, musical theatre continues to be an important culture touchstone for many and a pipeline to national phenomenon such as the High School Music franchise. Told in a stunning voice with a wealth of attention to its case studies and examples, Beyond Broadway feels like backstage pass combined with a cross-country road trip in early Fall. A must read for anyone interested in the untold story of musical theater, American culture, and truly embedded ethnography with a ground-up point of view.
I hope you enjoy listening as I much as I enjoyed chatting with Stacy about this fascinating book. I’d love to hear from you at rhetoriclee@gmail.com or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd. ~lee
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>From backstage moms to tiny divas to dinner theatres, Wolf demonstrates that this charming pastime of American culture that is anything but past...</itunes:subtitle>
      <itunes:summary>On this episode, Lee Pierce (she/they) interviews Stacy Wolf of Princeton University about her book Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America (Oxford University Press, 2019), an exploration of the complexities of amateur and local theatre across the United States. From backstage moms to tiny divas to dinner theatres, Wolf demonstrates that this charming pastime of American culture that is anything but past. On the contrary, musical theatre continues to be an important culture touchstone for many and a pipeline to national phenomenon such as the High School Music franchise. Told in a stunning voice with a wealth of attention to its case studies and examples, Beyond Broadway feels like backstage pass combined with a cross-country road trip in early Fall. A must read for anyone interested in the untold story of musical theater, American culture, and truly embedded ethnography with a ground-up point of view.
I hope you enjoy listening as I much as I enjoyed chatting with Stacy about this fascinating book. I’d love to hear from you at rhetoriclee@gmail.com or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd. ~lee
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, <a href="http://leempierce.com/">Lee Pierce</a> (she/they) interviews <a href="https://ams.princeton.edu/people/core-faculty/stacy-wolf">Stacy Wolf</a> of Princeton University about her book <a href="https://www.amazon.com/dp/0190639539/?tag=newbooinhis-20"><em>Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America</em></a> (Oxford University Press, 2019)<em>, </em>an exploration of the complexities of amateur and local theatre across the United States. From backstage moms to tiny divas to dinner theatres, Wolf demonstrates that this charming pastime of American culture that is anything but past. On the contrary, musical theatre continues to be an important culture touchstone for many and a pipeline to national phenomenon such as the <em>High School Music </em>franchise. Told in a stunning voice with a wealth of attention to its case studies and examples, <em>Beyond Broadway </em>feels like backstage pass combined with a cross-country road trip in early Fall. A must read for anyone interested in the untold story of musical theater, American culture, and truly embedded ethnography with a ground-up point of view.</p><p>I hope you enjoy listening as I much as I enjoyed chatting with Stacy about this fascinating book. I’d love to hear from you at <a href="mailto:rhetoriclee@gmail.com">rhetoriclee@gmail.com</a> or connect with me on <a href="https://twitter.com/RhetoricLee">Twitter</a>, <a href="http://www.instagram.com/rhetoricleespeaking">Instagram</a>, and <a href="http://www.facebook.com/rhetoriclee">Facebook</a> @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd. ~lee</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4022</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Nick Prior, "Popular Music, Digital Technology and Society" (SAGE, 2018)</title>
      <description>Nick Prior—Professor of Cultural Sociology at the University of Edinburgh—discusses his new book, Popular Music, Digital Technology and Society (SAGE Publications, 2018). The book explores the social, cultural and industrial contexts for the changes that have taken place in popular music since the widespread adoption of digital technology by creators, distributors, and listeners from the early 1980s onward. Joining insights from the sociology of culture with key analytic categories from science and technology studies (STS), Prior examines a variety of contexts in which these changes have been felt, including the novel spaces and structures of both music production and consumption afforded by digitalization, the co-construction of vocal subjects and vocal sound-processing technologies, the tactical use of portable media by young urbanites to mediate their relationship to the city, and the conjunction of music and play in the ever-growing video game sector. In addition to an acute sense for their embeddedness in the social lives of their various users, Prior also demonstrates a notable fluency with the technologies he describes as well as a distinctively musical interest in the sounds that they have been used to produce.
Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Prior explores the social, cultural and industrial contexts for the changes that have taken place in popular music since the widespread adoption of digital technology by creators, distributors, and listeners from the early 1980s onward...</itunes:subtitle>
      <itunes:summary>Nick Prior—Professor of Cultural Sociology at the University of Edinburgh—discusses his new book, Popular Music, Digital Technology and Society (SAGE Publications, 2018). The book explores the social, cultural and industrial contexts for the changes that have taken place in popular music since the widespread adoption of digital technology by creators, distributors, and listeners from the early 1980s onward. Joining insights from the sociology of culture with key analytic categories from science and technology studies (STS), Prior examines a variety of contexts in which these changes have been felt, including the novel spaces and structures of both music production and consumption afforded by digitalization, the co-construction of vocal subjects and vocal sound-processing technologies, the tactical use of portable media by young urbanites to mediate their relationship to the city, and the conjunction of music and play in the ever-growing video game sector. In addition to an acute sense for their embeddedness in the social lives of their various users, Prior also demonstrates a notable fluency with the technologies he describes as well as a distinctively musical interest in the sounds that they have been used to produce.
Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.sociology.ed.ac.uk/people/staff/prior_nick">Nick Prior</a>—Professor of Cultural Sociology at the University of Edinburgh—discusses his new book, <a href="https://www.amazon.com/dp/1848600453/?tag=newbooinhis-20"><em>Popular Music, Digital Technology and Society</em></a> (SAGE Publications, 2018). The book explores the social, cultural and industrial contexts for the changes that have taken place in popular music since the widespread adoption of digital technology by creators, distributors, and listeners from the early 1980s onward. Joining insights from the sociology of culture with key analytic categories from science and technology studies (STS), Prior examines a variety of contexts in which these changes have been felt, including the novel spaces and structures of both music production and consumption afforded by digitalization, the co-construction of vocal subjects and vocal sound-processing technologies, the tactical use of portable media by young urbanites to mediate their relationship to the city, and the conjunction of music and play in the ever-growing video game sector. In addition to an acute sense for their embeddedness in the social lives of their various users, Prior also demonstrates a notable fluency with the technologies he describes as well as a distinctively musical interest in the sounds that they have been used to produce.</p><p><a href="https://www.eamonnbell.com/"><em>Eamonn Bell</em></a><em> (</em><a href="https://twitter.com/_eamonnbell"><em>@_eamonnbell</em></a><em>) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines </em><a href="https://redbook.space/"><em>the story of the c</em></a><em>ompact disc from a viewpoint between musicology and media studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4281</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rebecca J. Kissane and Sarah Winslow, "Whose Game?: Gender and Power in Fantasy Sports" (Temple UP, 2020)</title>
      <description>Fantasy sports have the opportunity to provide a sporting community in which gendered physical presence plays no role—a space where men and women can compete and interact on a level playing field. Whose Game?: Gender and Power in Fantasy Sports (Temple UP, 2020) shows, however, that while many turn to this space to socialize with friends or participate in a uniquely active and competitive fandom, men who play also depend on fantasy sports to perform a boyhood vision of masculinity otherwise inaccessible to them. Authors Rebecca Kissane and Sarah Winslow draw on a rich array of survey, interview, and observational data to examine how gender, race, and class frame the experiences of everyday fantasy sports players.
This pioneering book examines gendered structures and processes, such as jock statsculinity—a nerdish form of masculine one-upmanship—and how women are often rendered as outsiders. Ultimately, Whose Game? demonstrates that fantasy sports are more than just an inconsequential leisure activity. This online world bleeds into participants’ social lives in gendered ways—forging and strengthening relationships but also taking participants’ time and attention to generate negative emotions, stress, discord, and unproductivity.
In this interview, Dr. Kissane, Dr. Winslow, and I discuss displays of masculinity, “jock statsculinity” as a type of hybrid masculinity, and connections to social networks, exclusionary practices, and heterosexuality. Whose Game? is an excellent analysis of how fantasy sports contributes to the production and reproduction of gender in leisure activities. Likewise, the book contributes to the literature on the intersection of gender, class, and sexuality in sport. I recommend this book for students, professors, and anyone else interested in sociology of sport, gender and masculinity, media, and sexuality.
Dr. Rebecca Kissane is an Associate Professor of Sociology at Lafayette College and Editor-in-Chief of Sociology Compass.
Dr. Sarah Winslow is the Senior Associate Director of the Honors College, Director of the National Scholars Program, and Associate Professor in the Department of Sociology, Anthropology, and Criminal Justice at Clemson University.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
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      <pubDate>Thu, 07 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Fantasy sports have the opportunity to provide a sporting community in which gendered physical presence plays no role—a space where men and women can compete and interact on a level playing field. Whose Game?: Gender and Power in Fantasy Sports (Temple UP, 2020) shows, however, that while many turn to this space to socialize with friends or participate in a uniquely active and competitive fandom, men who play also depend on fantasy sports to perform a boyhood vision of masculinity otherwise inaccessible to them. Authors Rebecca Kissane and Sarah Winslow draw on a rich array of survey, interview, and observational data to examine how gender, race, and class frame the experiences of everyday fantasy sports players.
This pioneering book examines gendered structures and processes, such as jock statsculinity—a nerdish form of masculine one-upmanship—and how women are often rendered as outsiders. Ultimately, Whose Game? demonstrates that fantasy sports are more than just an inconsequential leisure activity. This online world bleeds into participants’ social lives in gendered ways—forging and strengthening relationships but also taking participants’ time and attention to generate negative emotions, stress, discord, and unproductivity.
In this interview, Dr. Kissane, Dr. Winslow, and I discuss displays of masculinity, “jock statsculinity” as a type of hybrid masculinity, and connections to social networks, exclusionary practices, and heterosexuality. Whose Game? is an excellent analysis of how fantasy sports contributes to the production and reproduction of gender in leisure activities. Likewise, the book contributes to the literature on the intersection of gender, class, and sexuality in sport. I recommend this book for students, professors, and anyone else interested in sociology of sport, gender and masculinity, media, and sexuality.
Dr. Rebecca Kissane is an Associate Professor of Sociology at Lafayette College and Editor-in-Chief of Sociology Compass.
Dr. Sarah Winslow is the Senior Associate Director of the Honors College, Director of the National Scholars Program, and Associate Professor in the Department of Sociology, Anthropology, and Criminal Justice at Clemson University.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fantasy sports have the opportunity to provide a sporting community in which gendered physical presence plays no role—a space where men and women can compete and interact on a level playing field. <a href="https://www.amazon.com/dp/1439918864/?tag=newbooinhis-20"><em>Whose Game?: Gender and Power in Fantasy Sports</em></a> (Temple UP, 2020) shows, however, that while many turn to this space to socialize with friends or participate in a uniquely active and competitive fandom, men who play also depend on fantasy sports to perform a boyhood vision of masculinity otherwise inaccessible to them. Authors <a href="https://sites.lafayette.edu/kissaner/">Rebecca Kissane</a> and <a href="https://www.clemson.edu/cbshs/faculty-staff/profiles/SWINSLO">Sarah Winslow</a> draw on a rich array of survey, interview, and observational data to examine how gender, race, and class frame the experiences of everyday fantasy sports players.</p><p>This pioneering book examines gendered structures and processes, such as jock statsculinity—a nerdish form of masculine one-upmanship—and how women are often rendered as outsiders. Ultimately, <em>Whose Game?</em> demonstrates that fantasy sports are more than just an inconsequential leisure activity. This online world bleeds into participants’ social lives in gendered ways—forging and strengthening relationships but also taking participants’ time and attention to generate negative emotions, stress, discord, and unproductivity.</p><p>In this interview, Dr. Kissane, Dr. Winslow, and I discuss displays of masculinity, “jock statsculinity” as a type of hybrid masculinity, and connections to social networks, exclusionary practices, and heterosexuality. <em>Whose Game? </em>is an excellent analysis of how fantasy sports contributes to the production and reproduction of gender in leisure activities. Likewise, the book contributes to the literature on the intersection of gender, class, and sexuality in sport. I recommend this book for students, professors, and anyone else interested in sociology of sport, gender and masculinity, media, and sexuality.</p><p>Dr. Rebecca Kissane is an Associate Professor of Sociology at Lafayette College and Editor-in-Chief of Sociology Compass.</p><p>Dr. Sarah Winslow is the Senior Associate Director of the Honors College, Director of the National Scholars Program, and Associate Professor in the Department of Sociology, Anthropology, and Criminal Justice at Clemson University.</p><p><em>Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3972</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4657c838-84dc-11ea-9208-fbafb77515d6]]></guid>
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    </item>
    <item>
      <title>J. Packer and E. Stoneman, "A Feeling of Wrongness: Pessimistic Rhetoric on the Fringes of Popular Culture" (Penn State UP, 2019)</title>
      <description>On this episode, Lee Pierce (she/they) interviews Joe Packer of Central Michigan University about A Feeling of Wrongness: Pessimistic Rhetoric on the Fringes of Popular Culture (Penn State UP, 2019), an intriguing book attempting to rescue pessimism from the dustbin of public emotion and philosophical thought. From the work of H.P. Lovecraft to Rick and Morty to True Detective, Packer and Stoneman find the best of pessimistic philosophy reflected back in the weird affects of these cultural touchstones. A Feeling of Wrongness explores how these texts twist genres, upend common tropes, and disturb conventional narrative structures in a way that catches their audience off guard, resulting in belief without cognition, a more rhetorically effective form of pessimism than philosophical pessimism.
I hope you enjoy listening as I much as I enjoyed chatting with Joe about this fascinating book. I’d love to hear from you at rhetoriclee@gmail.com or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On this episode, Lee Pierce (she/they) interviews Joe Packer of Central Michigan University about A Feeling of Wrongness: Pessimistic Rhetoric on the Fringes of Popular Culture (Penn State UP, 2019), an intriguing book attempting to rescue pessimism from the dustbin of public emotion and philosophical thought. From the work of H.P. Lovecraft to Rick and Morty to True Detective, Packer and Stoneman find the best of pessimistic philosophy reflected back in the weird affects of these cultural touchstones. A Feeling of Wrongness explores how these texts twist genres, upend common tropes, and disturb conventional narrative structures in a way that catches their audience off guard, resulting in belief without cognition, a more rhetorically effective form of pessimism than philosophical pessimism.
I hope you enjoy listening as I much as I enjoyed chatting with Joe about this fascinating book. I’d love to hear from you at rhetoriclee@gmail.com or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, <a href="http://leempierce.com/">Lee Pierce</a> (she/they) interviews <a href="https://www.cmich.edu/colleges/cam/com/FacultyandStaff/Pages/default.aspx">Joe Packer</a> of Central Michigan University about A Feeling of Wrongness: Pessimistic Rhetoric on the Fringes of Popular Culture (Penn State UP, 2019)<em>,</em> an intriguing book attempting to rescue pessimism from the dustbin of public emotion and philosophical thought. From the work of H.P. Lovecraft to <em>Rick and Morty </em>to <em>True Detective, </em>Packer and Stoneman find the best of pessimistic philosophy reflected back in the weird affects of these cultural touchstones. <em>A Feeling of Wrongness </em>explores how these texts twist genres, upend common tropes, and disturb conventional narrative structures in a way that catches their audience off guard, resulting in belief without cognition, a more rhetorically effective form of pessimism than philosophical pessimism.</p><p>I hope you enjoy listening as I much as I enjoyed chatting with Joe about this fascinating book. I’d love to hear from you at <a href="mailto:rhetoriclee@gmail.com">rhetoriclee@gmail.com</a> or connect with me on <a href="https://twitter.com/RhetoricLee">Twitter</a>, <a href="http://www.instagram.com/rhetoricleespeaking">Instagram</a>, and <a href="http://www.facebook.com/rhetoriclee">Facebook</a> @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4014</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/LIT7299621941.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tyler Bickford, "Tween Pop: Children’s Music and Public Culture" (Duke UP, 2020)</title>
      <description>In his new book, Tween Pop: Children’s Music and Public Culture (Duke University Press, 2020), Tyler Bickford explores how the tween music market rose during the mid to late 2000s. Bickford addresses the ways in which the music industry seized only childishness as a key element in legitimizing children's participation in public culture. Starting with how Kidz Bop and Disney’s High School Musical (2006), Bickford argues that tween music culture flourished due to the commodification of childhood and the rise of television and pop music stars. Focusing on the ways that femininity and whiteness are markers are innocence and childhood, Bickford examines Miley Cyrus/Hannah Montana through a postfeminist discourse of work life balance, Taylor Swift’s longstanding relationship with girlhood and whiteness, and Justin Bieber’s label as child prodigy as a way to cement his position as a super star. In outlining how tween pop imagined and positioned childhood as both intimate and public as well as a cultural identity to be marketed to, Bickford demonstrates the importance of children's music to core questions of identity politics, consumer culture, and the public sphere.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 05 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bickford addresses the ways in which the music industry seized only childishness as a key element in legitimizing children's participation in public culture...</itunes:subtitle>
      <itunes:summary>In his new book, Tween Pop: Children’s Music and Public Culture (Duke University Press, 2020), Tyler Bickford explores how the tween music market rose during the mid to late 2000s. Bickford addresses the ways in which the music industry seized only childishness as a key element in legitimizing children's participation in public culture. Starting with how Kidz Bop and Disney’s High School Musical (2006), Bickford argues that tween music culture flourished due to the commodification of childhood and the rise of television and pop music stars. Focusing on the ways that femininity and whiteness are markers are innocence and childhood, Bickford examines Miley Cyrus/Hannah Montana through a postfeminist discourse of work life balance, Taylor Swift’s longstanding relationship with girlhood and whiteness, and Justin Bieber’s label as child prodigy as a way to cement his position as a super star. In outlining how tween pop imagined and positioned childhood as both intimate and public as well as a cultural identity to be marketed to, Bickford demonstrates the importance of children's music to core questions of identity politics, consumer culture, and the public sphere.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="https://www.amazon.com/dp/1478008199/?tag=newbooinhis-20"><em>Tween Pop: Children’s Music and Public Culture </em></a>(Duke University Press, 2020)<em>, </em><a href="http://www.englishlit.pitt.edu/person/tyler-bickford">Tyler Bickford</a> explores how the tween music market rose during the mid to late 2000s. Bickford addresses the ways in which the music industry seized only childishness as a key element in legitimizing children's participation in public culture. Starting with how Kidz Bop and Disney’s <em>High School Musical </em>(2006), Bickford argues that tween music culture flourished due to the commodification of childhood and the rise of television and pop music stars. Focusing on the ways that femininity and whiteness are markers are innocence and childhood, Bickford examines Miley Cyrus/Hannah Montana through a postfeminist discourse of work life balance, Taylor Swift’s longstanding relationship with girlhood and whiteness, and Justin Bieber’s label as child prodigy as a way to cement his position as a super star. In outlining how tween pop imagined and positioned childhood as both intimate and public as well as a cultural identity to be marketed to, Bickford demonstrates the importance of children's music to core questions of identity politics, consumer culture, and the public sphere.</p><p><a href="https://wiu.academia.edu/RebekahBuchanan"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of </em><a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018)<em>. You can find more about her on her website, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4551</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9bae7c06-8a58-11ea-abfc-bb3b907a512f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1206343935.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>James Shapiro, "Shakespeare in a Divided America" (Penguin, 2020)</title>
      <description>In Shakespeare in a Divided America: What His Plays Tell Us About Our Past and Future (Penguin, 2020) renowned Shakespeare scholar James Shapiro turns his attention to the reception of Shakespeare in the US from the colonial period to the present. Shapiro brings us a John Quincy Adams morbidly obsessed with Othello, an Abraham Lincoln who preferred Edwin Booth’s acting over the bombastic performances of his younger brother John Wilkes, and a female Romeo who took America by storm in the during the period of Manifest Destiny.
By turns funny, surprising, and profound, Shakespeare in a Divided America shows us the ways Shakespeare has been enlisted in the service both sides in every major conflict in American history. This is a book that will appeal equally to history buffs and Shakespeare fans, as well as the casual reader looking for a new lens with which to view the history of our fractured nation.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 29 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Shapiro turns his attention to the reception of Shakespeare in the US from the colonial period to the present...</itunes:subtitle>
      <itunes:summary>In Shakespeare in a Divided America: What His Plays Tell Us About Our Past and Future (Penguin, 2020) renowned Shakespeare scholar James Shapiro turns his attention to the reception of Shakespeare in the US from the colonial period to the present. Shapiro brings us a John Quincy Adams morbidly obsessed with Othello, an Abraham Lincoln who preferred Edwin Booth’s acting over the bombastic performances of his younger brother John Wilkes, and a female Romeo who took America by storm in the during the period of Manifest Destiny.
By turns funny, surprising, and profound, Shakespeare in a Divided America shows us the ways Shakespeare has been enlisted in the service both sides in every major conflict in American history. This is a book that will appeal equally to history buffs and Shakespeare fans, as well as the casual reader looking for a new lens with which to view the history of our fractured nation.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/0525522298/?tag=newbooinhis-20"><em>Shakespeare in a Divided America: What His Plays Tell Us About Our Past and Future</em></a> (Penguin, 2020) renowned Shakespeare scholar <a href="http://www.jamesshapiro.net/">James Shapiro</a> turns his attention to the reception of Shakespeare in the US from the colonial period to the present. Shapiro brings us a John Quincy Adams morbidly obsessed with Othello, an Abraham Lincoln who preferred Edwin Booth’s acting over the bombastic performances of his younger brother John Wilkes, and a female Romeo who took America by storm in the during the period of Manifest Destiny.</p><p>By turns funny, surprising, and profound, <em>Shakespeare in a Divided America</em> shows us the ways Shakespeare has been enlisted in the service both sides in every major conflict in American history. This is a book that will appeal equally to history buffs and Shakespeare fans, as well as the casual reader looking for a new lens with which to view the history of our fractured nation.</p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd</em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4232</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/LIT7755968872.mp3" length="0" type="audio/mpeg"/>
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      <title>Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)</title>
      <description>Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.
The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.
Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).
Adam McNeil is a History PhD student at Rutgers University-New Brunswick.
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      <pubDate>Tue, 28 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How involved with slavery were American universities? And what does their involvement mean for us?</itunes:subtitle>
      <itunes:summary>Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.
The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.
Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).
Adam McNeil is a History PhD student at Rutgers University-New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/0820354422/?tag=newbooinhis-20"><em>Slavery and the University: Histories and Legacies</em></a> (University of Georgia Press, 2019), edited by <a href="https://www.history.northwestern.edu/people/faculty/core-faculty/leslie-m-harris.html">Leslie M. Harris</a>, J<a href="https://history.stanford.edu/people/james-t-campbell">ames T. Campbell</a>, and <a href="https://en.wikipedia.org/wiki/Alfred_Brophy">Alfred L. Brophy</a>, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.</p><p>The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of <em>Slavery and the University</em> stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.</p><p>Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of <em>Slavery in New York</em> and the coeditor, with Daina Ramey Berry, of <em>Slavery and Freedom in Savannah</em> (Georgia).</p><p><em>Adam McNeil is a History PhD student at Rutgers University-New Brunswick.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3575</itunes:duration>
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      <title>Caspar Melville, "It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City" (Manchester UP, 2019)</title>
      <description>How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does music help us to understand the contemporary city?</itunes:subtitle>
      <itunes:summary>How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does music help us to understand the contemporary city? In <a href="https://www.amazon.com/dp/1526131250/?tag=newbooinhis-20"><em>It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City</em></a> (Manchester UP, 2019), <a href="https://twitter.com/CasparMelville">Caspar Melville</a>, co-chair of the <a href="https://www.soas.ac.uk/staff/staff86379.php">Centre for Creative Industries, Media and Screen Studies </a>at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2730</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Peter La Chapelle, "I’d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music" (U Chicago Press, 2019)</title>
      <description>Historians, musicologists, and sociologists have long studied the relationship between politics and music. Peter La Chapelle’s new book, I’d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music (University of Chicago Press, 2019) traces interactions between country music and politics beginning with two late nineteenth-century politicians who fiddled to their supporters and ending with the 2016 election season. He establishes some long-standing associations between celebrity candidates, populist insurgents, outsider politics and country music. La Chapelle also does not shy away from exposing the ways that racist and anti-Semitic political figures have used country music to support their beliefs. While today many people think of country music as a politically conservative genre, La Chapelle brings to light a more complex story of politicians across the spectrum looking to country music to support their beliefs, publicize their campaigns, and establish their authenticity with their constituents.
Peter La Chapelle is a professor of history at Nevada State College. A cultural historian, his research centers on the intersections between country music, politics, and national identity in the United States.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>La Chapelle traces interactions between country music and politics beginning with two late nineteenth-century politicians who fiddled to their supporters and ending with the 2016 election season...</itunes:subtitle>
      <itunes:summary>Historians, musicologists, and sociologists have long studied the relationship between politics and music. Peter La Chapelle’s new book, I’d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music (University of Chicago Press, 2019) traces interactions between country music and politics beginning with two late nineteenth-century politicians who fiddled to their supporters and ending with the 2016 election season. He establishes some long-standing associations between celebrity candidates, populist insurgents, outsider politics and country music. La Chapelle also does not shy away from exposing the ways that racist and anti-Semitic political figures have used country music to support their beliefs. While today many people think of country music as a politically conservative genre, La Chapelle brings to light a more complex story of politicians across the spectrum looking to country music to support their beliefs, publicize their campaigns, and establish their authenticity with their constituents.
Peter La Chapelle is a professor of history at Nevada State College. A cultural historian, his research centers on the intersections between country music, politics, and national identity in the United States.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Historians, musicologists, and sociologists have long studied the relationship between politics and music. <a href="https://nsc.edu/faculty/peter-lachapelle/">Peter La Chapelle</a>’s new book, <a href="https://www.amazon.com/dp/0226923002/?tag=newbooinhis-20"><em>I’d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music</em></a> (University of Chicago Press, 2019) traces interactions between country music and politics beginning with two late nineteenth-century politicians who fiddled to their supporters and ending with the 2016 election season. He establishes some long-standing associations between celebrity candidates, populist insurgents, outsider politics and country music. La Chapelle also does not shy away from exposing the ways that racist and anti-Semitic political figures have used country music to support their beliefs. While today many people think of country music as a politically conservative genre, La Chapelle brings to light a more complex story of politicians across the spectrum looking to country music to support their beliefs, publicize their campaigns, and establish their authenticity with their constituents.</p><p>Peter La Chapelle is a professor of history at Nevada State College. A cultural historian, his research centers on the intersections between country music, politics, and national identity in the United States.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3623</itunes:duration>
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      <title>Joseph Rex Young, "George R.R. Martin and the Fantasy Form" (Routledge, 2019)</title>
      <description>“In the game of thrones you either win or you die”––with over 10 million viewers per episode of Game of Thrones, one of the most successful television shows of all time, George R.R. Martin definitely wins. The success of the show is even more amazing considering it’s genre television––fantasy, to be exact. Some assert that the power of George R.R. Martin’s A Song of Ice and Fire, the book series upon which the crowning jewel of HBO is based, comes from the author’s willingness to ignore the conventions of the fantasy genre. Not so, argues Dr. Joseph Young in his new book, George R. R. Martin and the Fantasy Form (Routledge, 2019)
Using the frameworks of literary theory relevant to modern fantasy, Dr. Young undertakes a compelling examination of George R. R. Martin’s A Song of Ice and Fire and his employment of the structural demands and thematic aptitudes of the genre. Examining Martin’s approaches to his obligations and licenses as a fantasist, Young persuasively argues that the power of A Song of Ice and Fire derives not from Martin’s abandonment of genre convention, but from his ability to employ those conventions in ways that further, rather than constrain, his authorial program.
Written in clear and accessible prose, George R. R. Martin and the Fantasy Form is a timely work which encourages a reassessment of Martin and his approach to his most famous novels. This is an important book for both students and critics of Martin’s work, arguing for a reading of A Song of Ice and Fire as a wide-ranging example of what modern fantasy can accomplish when employed with an eye to its capabilities and purpose.
Dr. Joseph Rex Young lives and works in Dunedin, New Zealand, where he pursues his research interests in Gothic literature, neo-Romanticism, and the intellectual history and structure of modern fantasy narrative. He has taught at universities in Bosnia and Herzegovina, Germany, and New Zealand.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“In the game of thrones you either win or you die."</itunes:subtitle>
      <itunes:summary>“In the game of thrones you either win or you die”––with over 10 million viewers per episode of Game of Thrones, one of the most successful television shows of all time, George R.R. Martin definitely wins. The success of the show is even more amazing considering it’s genre television––fantasy, to be exact. Some assert that the power of George R.R. Martin’s A Song of Ice and Fire, the book series upon which the crowning jewel of HBO is based, comes from the author’s willingness to ignore the conventions of the fantasy genre. Not so, argues Dr. Joseph Young in his new book, George R. R. Martin and the Fantasy Form (Routledge, 2019)
Using the frameworks of literary theory relevant to modern fantasy, Dr. Young undertakes a compelling examination of George R. R. Martin’s A Song of Ice and Fire and his employment of the structural demands and thematic aptitudes of the genre. Examining Martin’s approaches to his obligations and licenses as a fantasist, Young persuasively argues that the power of A Song of Ice and Fire derives not from Martin’s abandonment of genre convention, but from his ability to employ those conventions in ways that further, rather than constrain, his authorial program.
Written in clear and accessible prose, George R. R. Martin and the Fantasy Form is a timely work which encourages a reassessment of Martin and his approach to his most famous novels. This is an important book for both students and critics of Martin’s work, arguing for a reading of A Song of Ice and Fire as a wide-ranging example of what modern fantasy can accomplish when employed with an eye to its capabilities and purpose.
Dr. Joseph Rex Young lives and works in Dunedin, New Zealand, where he pursues his research interests in Gothic literature, neo-Romanticism, and the intellectual history and structure of modern fantasy narrative. He has taught at universities in Bosnia and Herzegovina, Germany, and New Zealand.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“In the game of thrones you either win or you die”––with over 10 million viewers per episode of <em>Game of Thrones</em>, one of the most successful television shows of all time, George R.R. Martin definitely wins. The success of the show is even more amazing considering it’s genre television––fantasy, to be exact. Some assert that the power of George R.R. Martin’s <em>A Song of Ice and Fire</em>, the book series upon which the crowning jewel of HBO is based, comes from the author’s willingness to ignore the conventions of the fantasy genre. Not so, argues Dr. Joseph Young in his new book, <a href="https://www.amazon.com/dp/1138502162/?tag=newbooinhis-20"><em>George R. R. Martin and the Fantasy Form</em></a> (Routledge, 2019)</p><p>Using the frameworks of literary theory relevant to modern fantasy, Dr. Young undertakes a compelling examination of George R. R. Martin’s <em>A Song of Ice and Fire</em> and his employment of the structural demands and thematic aptitudes of the genre. Examining Martin’s approaches to his obligations and licenses as a fantasist, Young persuasively argues that the power of <em>A Song of Ice and Fire</em> derives not from Martin’s abandonment of genre convention, but from his ability to employ those conventions in ways that further, rather than constrain, his authorial program.</p><p>Written in clear and accessible prose, <em>George R. R. Martin and the Fantasy Form</em> is a timely work which encourages a reassessment of Martin and his approach to his most famous novels. This is an important book for both students and critics of Martin’s work, arguing for a reading of <em>A Song of Ice and Fire</em> as a wide-ranging example of what modern fantasy can accomplish when employed with an eye to its capabilities and purpose.</p><p><a href="https://www.routledge.com/authors/i18810-joseph-young">Dr. Joseph Rex Young</a> lives and works in Dunedin, New Zealand, where he pursues his research interests in Gothic literature, neo-Romanticism, and the intellectual history and structure of modern fantasy narrative. He has taught at universities in Bosnia and Herzegovina, Germany, and New Zealand.</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is a PhD student at Université Laval in Quebec City.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5403</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Conor Picken and Matthew Dischinger, "Southern Comforts: Drinking and the US South" (LSU Press, 2020)</title>
      <description>In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series.
This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film.
Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change.
Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination...</itunes:subtitle>
      <itunes:summary>In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series.
This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film.
Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change.
Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this this interview, <a href="https://www.chatham.edu/english/facultydetails.cfm?FacultyID=439">Carrie Tippen</a> talks with <a href="https://www.bellarmine.edu/arts-and-sciences/undergraduate/bachelor-of-arts-in-english/picken/">Conor Picken</a> and <a href="https://english.gsu.edu/profile/matt-dischinger/">Matthew Dischinger</a> about their edited collection, <a href="https://www.amazon.com/dp/0807171735/?tag=newbooinhis-20"><em>Southern Comforts: Drinking and the US South</em></a> from Louisiana State University Press’s Southern Literary Studies Series.</p><p>This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film.</p><p>Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change.</p><p>Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics.</p><p><em>Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, </em><a href="http://www.inventingauthenticity.com/"><em>Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</em></a><em> (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3657</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Margaret Hillenbrand, "Negative Exposures: Knowing What Not to Know in Contemporary China" (Duke UP, 2020)</title>
      <description>The fact that secrecy and the concealment of information is important in today’s China is hardly a secret in itself, yet the ways that this secrecy is structured and sustained in such a vast society is not especially well understood. A lot more must be at play than simply the PRC state’s vast censorship apparatus when it comes to obscuring everything from the leadership’s private lives to dark chapters of country’s recent history.
Margaret Hillenbrand’s Negative Exposures: Knowing What Not to Know in Contemporary China (Duke University Press, 2020) sheds unique light on the operation of what she calls China’s culture of ‘public secrecy’. Focusing on the storied afterlives and artistic re-purposings of photographic images from key junctures of China’s twentieth-century – the Nanjing Massacre, the Cultural Revolution and the Tiananmen Square protests – Hillenbrand shows how they expose the subtle contours of what it is permissible and what impermissible to know. The book’s highly original and at times haunting exploration of photographic afterlives in art, literature and online offers up a nuanced but also forceful picture of how secrecy reigns in the PRC, and indeed beyond.
 Ed Pulford is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 02 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>316</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Focusing on the storied afterlives and artistic re-purposings of photographic images from key junctures of China’s twentieth-century – the Nanjing Massacre, the Cultural Revolution and the Tiananmen Square protests – Hillenbrand shows how they expose the subtle contours of what it is permissible and what impermissible to know...</itunes:subtitle>
      <itunes:summary>The fact that secrecy and the concealment of information is important in today’s China is hardly a secret in itself, yet the ways that this secrecy is structured and sustained in such a vast society is not especially well understood. A lot more must be at play than simply the PRC state’s vast censorship apparatus when it comes to obscuring everything from the leadership’s private lives to dark chapters of country’s recent history.
Margaret Hillenbrand’s Negative Exposures: Knowing What Not to Know in Contemporary China (Duke University Press, 2020) sheds unique light on the operation of what she calls China’s culture of ‘public secrecy’. Focusing on the storied afterlives and artistic re-purposings of photographic images from key junctures of China’s twentieth-century – the Nanjing Massacre, the Cultural Revolution and the Tiananmen Square protests – Hillenbrand shows how they expose the subtle contours of what it is permissible and what impermissible to know. The book’s highly original and at times haunting exploration of photographic afterlives in art, literature and online offers up a nuanced but also forceful picture of how secrecy reigns in the PRC, and indeed beyond.
 Ed Pulford is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The fact that secrecy and the concealment of information is important in today’s China is hardly a secret in itself, yet the ways that this secrecy is structured and sustained in such a vast society is not especially well understood. A lot more must be at play than simply the PRC state’s vast censorship apparatus when it comes to obscuring everything from the leadership’s private lives to dark chapters of country’s recent history.</p><p><a href="https://www.orinst.ox.ac.uk/people/margaret-hillenbrand">Margaret Hillenbrand</a>’s <a href="https://www.amazon.com/dp/1478008008/?tag=newbooinhis-20"><em>Negative Exposures: Knowing What Not to Know in Contemporary China</em></a> (Duke University Press, 2020) sheds unique light on the operation of what she calls China’s culture of ‘public secrecy’. Focusing on the storied afterlives and artistic re-purposings of photographic images from key junctures of China’s twentieth-century – the Nanjing Massacre, the Cultural Revolution and the Tiananmen Square protests – Hillenbrand shows how they expose the subtle contours of what it is permissible and what impermissible to know. The book’s highly original and at times haunting exploration of photographic afterlives in art, literature and online offers up a nuanced but also forceful picture of how secrecy reigns in the PRC, and indeed beyond.</p><p><strong><em> </em></strong><a href="http://edpulf.org/"><strong><em>Ed Pulford</em></strong></a><em> is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3701</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)</title>
      <description>Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.
The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 30 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>According to Cook, a paradox paradox is a sophisticated kind of magic trick...</itunes:subtitle>
      <itunes:summary>Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.
The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In <a href="https://www.amazon.com/dp/0262043467/?tag=newbooinhis-20"><em>Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy</em></a> (MIT Press, 2020), <a href="https://www.linkedin.com/in/matt-cook-349811132/">Matt Cook</a> and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.</p><p>The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's <em>Pirates of Penzance. </em>Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3259</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kunio Hara, "Joe Hisaishi's Soundtrack for My Neighbor Totoro" (Bloomsbury Academic, 2020)</title>
      <description>A beloved Japanese anime move released in 1988, My Neighbor Totoro tells the story of two sisters, Satsuki and Mei, as they deal with the separation from their mother who is in the hospital, and their adventures with the forest creatures they meet called the Totoro. In Joe Hisaishi's Soundtrack for My Neighbor Totoro Soundtrack (Bloomsbury Academic, 2020), Kunio Hara analyzes the film’s score and image song collection composed by Joe Hisaishi. The movie’s catchy theme song, along with the rest of the music, contribute to the film’s nostalgic exploration of children’s inner lives and the power of imagination to combat the very real traumas of childhood. Part of the 33 1/3 Japan Series, this short book explores the collaboration between Hisaishi and Miyazaki Hayao, the film’s creator and director. Hara considers his subject from a variety of perspectives, from a musical analysis of key sections of the score and image album to an investigation of the film’s importance as an icon of Japanese pop culture.
Kunio Hara is an Associate Professor of Music History in the School of Music at the University of South Carolina. His research centers on nostalgia, exoticism, and Orientalism in late Romantic opera and music in post-war Japan.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Hara explores the collaboration between Hisaishi and Miyazaki Hayao, the film’s creator and director...</itunes:subtitle>
      <itunes:summary>A beloved Japanese anime move released in 1988, My Neighbor Totoro tells the story of two sisters, Satsuki and Mei, as they deal with the separation from their mother who is in the hospital, and their adventures with the forest creatures they meet called the Totoro. In Joe Hisaishi's Soundtrack for My Neighbor Totoro Soundtrack (Bloomsbury Academic, 2020), Kunio Hara analyzes the film’s score and image song collection composed by Joe Hisaishi. The movie’s catchy theme song, along with the rest of the music, contribute to the film’s nostalgic exploration of children’s inner lives and the power of imagination to combat the very real traumas of childhood. Part of the 33 1/3 Japan Series, this short book explores the collaboration between Hisaishi and Miyazaki Hayao, the film’s creator and director. Hara considers his subject from a variety of perspectives, from a musical analysis of key sections of the score and image album to an investigation of the film’s importance as an icon of Japanese pop culture.
Kunio Hara is an Associate Professor of Music History in the School of Music at the University of South Carolina. His research centers on nostalgia, exoticism, and Orientalism in late Romantic opera and music in post-war Japan.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A beloved Japanese anime move released in 1988, <em>My Neighbor Totoro </em>tells the story of two sisters, Satsuki and Mei, as they deal with the separation from their mother who is in the hospital, and their adventures with the forest creatures they meet called the Totoro. In <em>Joe Hisaishi's Soundtrack for My Neighbor Totoro Soundtrack</em> (Bloomsbury Academic, 2020), Kunio Hara analyzes the film’s score and image song collection composed by Joe Hisaishi. The movie’s catchy theme song, along with the rest of the music, contribute to the film’s nostalgic exploration of children’s inner lives and the power of imagination to combat the very real traumas of childhood. Part of the 33 1/3 Japan Series, this short book explores the collaboration between Hisaishi and Miyazaki Hayao, the film’s creator and director. Hara considers his subject from a variety of perspectives, from a musical analysis of key sections of the score and image album to an investigation of the film’s importance as an icon of Japanese pop culture.</p><p><a href="https://sc.edu/study/colleges_schools/music/faculty-staff/Hara.php">Kunio Hara</a> is an Associate Professor of Music History in the School of Music at the University of South Carolina. His research centers on nostalgia, exoticism, and Orientalism in late Romantic opera and music in post-war Japan.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Joseph Reagle, "Hacking Life: Systematized Living and its Discontents" (MIT Press, 2019)</title>
      <description>Life hackers track and analyze the food they eat, the hours they sleep, the money they spend, and how they're feeling on any given day. They share tips on the most efficient ways to tie shoelaces and load the dishwasher; they employ a tomato-shaped kitchen timer as a time-management tool. They see everything as a system composed of parts that can be decomposed and recomposed, with algorithmic rules that can be understood, optimized, and subverted. In Hacking Life: Systematized Living and its Discontents (MIT Press, 2019), Joseph Reagle examines these attempts to systematize living and finds that they are the latest in a long series of self-improvement methods. Life hacking, he writes, is self-help for the digital age's creative class.
Reagle chronicles the history of life hacking, from Benjamin Franklin's Poor Richard's Almanack through Stephen Covey's 7 Habits of Highly Effective People and Timothy Ferriss's The 4-Hour Workweek. He describes personal outsourcing, polyphasic sleep, the quantified self movement, and hacks for pickup artists. Life hacks can be useful, useless, and sometimes harmful (for example, if you treat others as cogs in your machine). Life hacks have strengths and weaknesses, which are sometimes like two sides of a coin: being efficient is not the same thing as being effective; being precious about minimalism does not mean you are living life unfettered; and compulsively checking your vital signs is its own sort of illness. With Hacking Life, Reagle sheds light on a question even non-hackers ponder: what does it mean to live a good life in the new millennium?
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Reagle examines these attempts to systematize living and finds that they are the latest in a long series of self-improvement methods...</itunes:subtitle>
      <itunes:summary>Life hackers track and analyze the food they eat, the hours they sleep, the money they spend, and how they're feeling on any given day. They share tips on the most efficient ways to tie shoelaces and load the dishwasher; they employ a tomato-shaped kitchen timer as a time-management tool. They see everything as a system composed of parts that can be decomposed and recomposed, with algorithmic rules that can be understood, optimized, and subverted. In Hacking Life: Systematized Living and its Discontents (MIT Press, 2019), Joseph Reagle examines these attempts to systematize living and finds that they are the latest in a long series of self-improvement methods. Life hacking, he writes, is self-help for the digital age's creative class.
Reagle chronicles the history of life hacking, from Benjamin Franklin's Poor Richard's Almanack through Stephen Covey's 7 Habits of Highly Effective People and Timothy Ferriss's The 4-Hour Workweek. He describes personal outsourcing, polyphasic sleep, the quantified self movement, and hacks for pickup artists. Life hacks can be useful, useless, and sometimes harmful (for example, if you treat others as cogs in your machine). Life hacks have strengths and weaknesses, which are sometimes like two sides of a coin: being efficient is not the same thing as being effective; being precious about minimalism does not mean you are living life unfettered; and compulsively checking your vital signs is its own sort of illness. With Hacking Life, Reagle sheds light on a question even non-hackers ponder: what does it mean to live a good life in the new millennium?
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Life hackers track and analyze the food they eat, the hours they sleep, the money they spend, and how they're feeling on any given day. They share tips on the most efficient ways to tie shoelaces and load the dishwasher; they employ a tomato-shaped kitchen timer as a time-management tool. They see everything as a system composed of parts that can be decomposed and recomposed, with algorithmic rules that can be understood, optimized, and subverted. In <a href="http://www.amazon.com/dp/0262038153/?tag=newbooinhis-20"><em>Hacking Life: Systematized Living and its Discontents</em></a> (MIT Press, 2019), <a href="https://reagle.org/joseph/">Joseph Reagle</a> examines these attempts to systematize living and finds that they are the latest in a long series of self-improvement methods. Life hacking, he writes, is self-help for the digital age's creative class.</p><p>Reagle chronicles the history of life hacking, from Benjamin Franklin's <em>Poor Richard's Almanack</em> through Stephen Covey's <em>7 Habits of Highly Effective People</em> and Timothy Ferriss's <em>The 4-Hour Workweek</em>. He describes personal outsourcing, polyphasic sleep, the quantified self movement, and hacks for pickup artists. Life hacks can be useful, useless, and sometimes harmful (for example, if you treat others as cogs in your machine). Life hacks have strengths and weaknesses, which are sometimes like two sides of a coin: being efficient is not the same thing as being effective; being precious about minimalism does not mean you are living life unfettered; and compulsively checking your vital signs is its own sort of illness. With <em>Hacking Life</em>, Reagle sheds light on a question even non-hackers ponder: what does it mean to live a good life in the new millennium?</p><p><a href="http://www.nuigalway.ie/business-public-policy-law/school-of-law/staff/johndanaher/"><em>John Danaher</em></a><em> is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast </em><a href="https://philosophicaldisquisitions.blogspot.com/p/podcast.html"><em>Philosophical Disquisitions</em></a><em>. You can find it here on </em><a href="https://podcasts.apple.com/ie/podcast/philosophical-disquisitions/id447661909"><em>Apple Podcasts</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4571</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT9378226213.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Kristen Hoerl, "Bad Sixties: Hollywood Memories of the Counterculture, Antiwar, and Black Power Movements" (UP of Mississippi, 2018)</title>
      <description>On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews Kristen Hoerl (she/hers) on her impressive new book The Bad Sixties: Hollywood Memories of the Counterculture, Antiwar, and Black Power Movements (University Press of Mississippi, 2018).
The Bad Sixties explores the construction of “the sixties” in Hollywood media, from Family Ties and The Wonder Years to Law and Order, arguing that these texts have proved dismissive, if not adversarial, to the role of dissent in fostering progressive social change. These stories portray a period in which urban riots, antiwar protests, sexual experimentation, drug abuse, and feminism led to national division and moral decay. According to Hoerl, these messages supply distorted civics lessons about what we should value and how we might legitimately participate in our democracy. Hoerl describes our contemporary relationship to the sixties, shaped by these media portrayals, as “selective amnesia.” Selective amnesia removes the spectacular events and figures that define the late-1960s from their motives and context, flattening their meaning into reductive stereotypes. Despite popular television and film, Hoerl explains, memory of 1960s activism still offers a potent resource for imagining how we can strive collectively to achieve social justice and equality. Winner of the 2018 Book Award from the American Studies Division of the National Communication Association. Dr. Hoerl can be reached at khoerl2@unl.edu if you have feedback or questions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Hoerl explores the construction of “the sixties” in Hollywood media, from Family Ties and The Wonder Years to Law and Order, arguing that these texts have proved dismissive, if not adversarial, to the role of dissent in fostering progressive social change...</itunes:subtitle>
      <itunes:summary>On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews Kristen Hoerl (she/hers) on her impressive new book The Bad Sixties: Hollywood Memories of the Counterculture, Antiwar, and Black Power Movements (University Press of Mississippi, 2018).
The Bad Sixties explores the construction of “the sixties” in Hollywood media, from Family Ties and The Wonder Years to Law and Order, arguing that these texts have proved dismissive, if not adversarial, to the role of dissent in fostering progressive social change. These stories portray a period in which urban riots, antiwar protests, sexual experimentation, drug abuse, and feminism led to national division and moral decay. According to Hoerl, these messages supply distorted civics lessons about what we should value and how we might legitimately participate in our democracy. Hoerl describes our contemporary relationship to the sixties, shaped by these media portrayals, as “selective amnesia.” Selective amnesia removes the spectacular events and figures that define the late-1960s from their motives and context, flattening their meaning into reductive stereotypes. Despite popular television and film, Hoerl explains, memory of 1960s activism still offers a potent resource for imagining how we can strive collectively to achieve social justice and equality. Winner of the 2018 Book Award from the American Studies Division of the National Communication Association. Dr. Hoerl can be reached at khoerl2@unl.edu if you have feedback or questions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the New Books Network, <a href="http://leempierce.com/">Dr. Lee Pierce</a> (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews <a href="https://comm.unl.edu/kristen-hoerl">Kristen Hoerl </a>(she/hers) on her impressive new book <a href="http://www.amazon.com/dp/1496826302/?tag=newbooinhis-20"><em>The Bad Sixties: Hollywood Memories of the Counterculture, Antiwar, and Black Power Movements</em></a> (University Press of Mississippi, 2018).</p><p><em>The Bad Sixties</em> explores the construction of “the sixties” in Hollywood media, from <em>Family Ties</em> and <em>The Wonder Years</em> to <em>Law and Order</em>, arguing that these texts have proved dismissive, if not adversarial, to the role of dissent in fostering progressive social change. These stories portray a period in which urban riots, antiwar protests, sexual experimentation, drug abuse, and feminism led to national division and moral decay. According to Hoerl, these messages supply distorted civics lessons about what we should value and how we might legitimately participate in our democracy. Hoerl describes our contemporary relationship to the sixties, shaped by these media portrayals, as “selective amnesia.” Selective amnesia removes the spectacular events and figures that define the late-1960s from their motives and context, flattening their meaning into reductive stereotypes. Despite popular television and film, Hoerl explains, memory of 1960s activism still offers a potent resource for imagining how we can strive collectively to achieve social justice and equality. Winner of the 2018 Book Award from the American Studies Division of the National Communication Association. Dr. Hoerl can be reached at <a href="mailto:khoerl2@unl.edu">khoerl2@unl.edu</a> if you have feedback or questions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3440</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[feab7326-69de-11ea-8b93-fba5298077e4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6155242148.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Nick Crossley, "Connecting Sounds: The Social Life of Music" (Manchester UP, 2020)</title>
      <description>What does music tell us about society? In Connecting Sounds: The Social Life of Music (Manchester University Press, 2020), Nick Crossley, Professor of Sociology at the University of Manchester, introduces a relational sociology of music. The book thinks through the social and individual practices of music, the music industry, and the music ‘worlds’ of mainstreams, alternatives, and subcultures. The book also considers music’s relation to inequalities, including of patterns of taste, politics, and the public sphere. As well as the sociological perspective, Connecting Sounds discusses the role of individuals, as they use music for meaning and sense of identity, and as practitioners and consumers. Packed with examples, as well as a rich range of theoretical discussions, the book is essential reading for social science and music scholars, as well as for anyone interested in the role of music in our social world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 16 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does music tell us about society?</itunes:subtitle>
      <itunes:summary>What does music tell us about society? In Connecting Sounds: The Social Life of Music (Manchester University Press, 2020), Nick Crossley, Professor of Sociology at the University of Manchester, introduces a relational sociology of music. The book thinks through the social and individual practices of music, the music industry, and the music ‘worlds’ of mainstreams, alternatives, and subcultures. The book also considers music’s relation to inequalities, including of patterns of taste, politics, and the public sphere. As well as the sociological perspective, Connecting Sounds discusses the role of individuals, as they use music for meaning and sense of identity, and as practitioners and consumers. Packed with examples, as well as a rich range of theoretical discussions, the book is essential reading for social science and music scholars, as well as for anyone interested in the role of music in our social world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does music tell us about society? In <a href="http://www.amazon.com/dp/1526126036/?tag=newbooinhis-20"><em>Connecting Sounds: The Social Life of Music</em></a> (Manchester University Press, 2020), <a href="https://www.research.manchester.ac.uk/portal/en/researchers/nick-crossley(07f41776-b12d-40be-8eec-539e3eaa876a).html">Nick Crossley</a>, Professor of Sociology at the University of Manchester, introduces a relational sociology of music. The book thinks through the social and individual practices of music, the music industry, and the music ‘worlds’ of mainstreams, alternatives, and subcultures. The book also considers music’s relation to inequalities, including of patterns of taste, politics, and the public sphere. As well as the sociological perspective, <em>Connecting Sounds</em> discusses the role of individuals, as they use music for meaning and sense of identity, and as practitioners and consumers. Packed with examples, as well as a rich range of theoretical discussions, the book is essential reading for social science and music scholars, as well as for anyone interested in the role of music in our social world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2306</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3cdc18c8-6172-11ea-aa98-d75d56f29136]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9518109497.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>B. J. Hollars, "Midwestern Strange: Hunting Monsters, Martians, and the Weird in Flyover Country" (U Nebraska Press, 2019)</title>
      <description>For a year, B. J. Hollars traveled the Midwest, or Flyover country as he refers to it, in search of monsters, aliens, and oddities. Midwestern Strange: Hunting Monsters, Martians, and the Weird in Flyover Country (University of Nebraska Press, 2019) documents his encounters with the weird and wonderful. Hollars examines aliens who share pancakes with a plumber, Mothman, Hodag, and other strange creatures and experiences in small town America. In Midwestern Strange, Hollars shares his visits with the people who have experienced and study these creatures. His goal is not to debunk the mysteries but instead to seek them out as a way to show the importance of these stories and experiences to small towns and the people who are part of the lore. Hollars deftly combines memoir and journalism offering informative and often humorous stories of the monsters, Martians, and weird that may encourage you to take a road trip through flyover country and visit some unusual Midwest landmarks.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>66</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Hollars examines aliens who share pancakes with a plumber, Mothman, Hodag, and other strange creatures and experiences in small town America...</itunes:subtitle>
      <itunes:summary>For a year, B. J. Hollars traveled the Midwest, or Flyover country as he refers to it, in search of monsters, aliens, and oddities. Midwestern Strange: Hunting Monsters, Martians, and the Weird in Flyover Country (University of Nebraska Press, 2019) documents his encounters with the weird and wonderful. Hollars examines aliens who share pancakes with a plumber, Mothman, Hodag, and other strange creatures and experiences in small town America. In Midwestern Strange, Hollars shares his visits with the people who have experienced and study these creatures. His goal is not to debunk the mysteries but instead to seek them out as a way to show the importance of these stories and experiences to small towns and the people who are part of the lore. Hollars deftly combines memoir and journalism offering informative and often humorous stories of the monsters, Martians, and weird that may encourage you to take a road trip through flyover country and visit some unusual Midwest landmarks.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For a year, <a href="http://www.bjhollars.com/">B. J. Hollars</a> traveled the Midwest, or Flyover country as he refers to it, in search of monsters, aliens, and oddities. <a href="http://www.amazon.com/dp/1496215605/?tag=newbooinhis-20"><em>Midwestern Strange: Hunting Monsters, Martians, and the Weird in Flyover Country</em></a> (University of Nebraska Press, 2019) documents his encounters with the weird and wonderful. Hollars examines aliens who share pancakes with a plumber, Mothman, Hodag, and other strange creatures and experiences in small town America. In <em>Midwestern Strange, </em>Hollars shares his visits with the people who have experienced and study these creatures. His goal is not to debunk the mysteries but instead to seek them out as a way to show the importance of these stories and experiences to small towns and the people who are part of the lore. Hollars deftly combines memoir and journalism offering informative and often humorous stories of the monsters, Martians, and weird that may encourage you to take a road trip through flyover country and visit some unusual Midwest landmarks.</p><p><a href="https://wiu.academia.edu/RebekahBuchanan"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of </em><a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018)<em>. You can find more about her on her website, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2689</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1c4bc82c-5fe9-11ea-876b-4feaf3de825e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5042907259.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Great Books: Hillary Chute on Art Spiegelman's "Maus"</title>
      <description> Art Spiegelman's Maus is the story of an American cartoonist's efforts to uncover and record his father's story of survival of the Holocaust. It is also a cartoon, where the Jews are mice, the Nazis cats, the Poles dogs, and the French, well, you'll have to read it.
It's a story of survival and also a story of silences, and how the next generation can find and make sense of stories that seem to defy representation in their sheer horror. It's also a triumph in story-telling and a serious meditation on good and evil; on the nature of Romantic; familiar and filial love; on America's legacy of absorbing immigrants who arrive with often unspeakable traumas in a past that finds little resonance in a culture obsessed with entertainment and fast news.
Maus upended the conventions of representing the Holocaust and historical trauma for a far greater audience than the American Jewish communities. It broke several rules: it spoke about past suffering to outsiders, it used low-culture to represent catastrophes, and it refused to turn the catastrophe of the Holocaust into a redemptive tale.
It charted a way for others to take possession of their parents' stories without betraying them but also without letting them overwhelm the next generation, analogous to Alex Haley's magisterial Roots. I spoke with Hillary Chute, a scholar of cartoons and American literature and Distinguished Professor of English and Art + Design at Northeastern University.
Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It"
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle> Art Spiegelman's Maus is the story of an American cartoonist's efforts to uncover and record his father's story of survival of the Holocaust...</itunes:subtitle>
      <itunes:summary> Art Spiegelman's Maus is the story of an American cartoonist's efforts to uncover and record his father's story of survival of the Holocaust. It is also a cartoon, where the Jews are mice, the Nazis cats, the Poles dogs, and the French, well, you'll have to read it.
It's a story of survival and also a story of silences, and how the next generation can find and make sense of stories that seem to defy representation in their sheer horror. It's also a triumph in story-telling and a serious meditation on good and evil; on the nature of Romantic; familiar and filial love; on America's legacy of absorbing immigrants who arrive with often unspeakable traumas in a past that finds little resonance in a culture obsessed with entertainment and fast news.
Maus upended the conventions of representing the Holocaust and historical trauma for a far greater audience than the American Jewish communities. It broke several rules: it spoke about past suffering to outsiders, it used low-culture to represent catastrophes, and it refused to turn the catastrophe of the Holocaust into a redemptive tale.
It charted a way for others to take possession of their parents' stories without betraying them but also without letting them overwhelm the next generation, analogous to Alex Haley's magisterial Roots. I spoke with Hillary Chute, a scholar of cartoons and American literature and Distinguished Professor of English and Art + Design at Northeastern University.
Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It"
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p> Art Spiegelman's <a href="http://www.amazon.com/dp/0141014083/?tag=newbooinhis-20"><em>Maus</em></a> is the story of an American cartoonist's efforts to uncover and record his father's story of survival of the Holocaust. It is also a cartoon, where the Jews are mice, the Nazis cats, the Poles dogs, and the French, well, you'll have to read it.</p><p>It's a story of survival and also a story of silences, and how the next generation can find and make sense of stories that seem to defy representation in their sheer horror. It's also a triumph in story-telling and a serious meditation on good and evil; on the nature of Romantic; familiar and filial love; on America's legacy of absorbing immigrants who arrive with often unspeakable traumas in a past that finds little resonance in a culture obsessed with entertainment and fast news.</p><p><em>Maus</em> upended the conventions of representing the Holocaust and historical trauma for a far greater audience than the American Jewish communities. It broke several rules: it spoke about past suffering to outsiders, it used low-culture to represent catastrophes, and it refused to turn the catastrophe of the Holocaust into a redemptive tale.</p><p>It charted a way for others to take possession of their parents' stories without betraying them but also without letting them overwhelm the next generation, analogous to Alex Haley's magisterial <em>Roots</em>. I spoke with <a href="https://cssh.northeastern.edu/people/faculty/hillary-chute/">Hillary Chute</a>, a scholar of cartoons and American literature and Distinguished Professor of English and Art + Design at Northeastern University.</p><p><a href="https://as.nyu.edu/content/nyu-as/as/faculty/ulrich-c-baer.html"><em>Uli Baer</em></a><em> is a professor at New York University. He is also the host of the excellent podcast "</em><a href="https://www.ulrichbaer.com/"><strong><em>Think About It</em></strong></a><em>"</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3618</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ba3be572-057a-11ea-b9a0-3b81e52c9600]]></guid>
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    <item>
      <title>M. Maloney, S. Roberts, and T. Graham, "Gender, Masculinity and Video Gaming: Analysing Reddit’s r/gaming Community" (Palgrave, 2019)</title>
      <description>What can online social spaces like Reddit’s r/gaming reveal about gender attitudes, masculinized spaces, and turning points in gamer communities? In their new book Gender, Masculinity and Video Gaming: Analysing Reddit’s r/gaming Community (Palgrave Pivot, 2019), Marcus Maloney, Steven Roberts, and Timothy Graham utilize computational and qualitative methods to explore conversations happing on the social media platform Reddit’s gaming subreddit. They explore masculine and feminine gendered comments and discourse using the online platform’s functions like upvoting and downvoting, in addition to textual analysis of comments. Maloney, Roberts, and Graham reveal a continuum of discourses from marginalization to inclusion and contribute to our greater understanding of gendered discourse online.
This book would be a great addition to any gender course, both undergraduate and graduate, as it provides clear theoretical analysis of a popular social media platform. This book will be of interest to Sociologists of gender and culture, as well as scholars of media studies, gender studies, and cultural studies.
Sarah E. Patterson is a Postdoctoral Fellow at the University of Michigan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 09 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What can online social spaces like Reddit’s r/gaming reveal about gender attitudes, masculinized spaces, and turning points in gamer communities?</itunes:subtitle>
      <itunes:summary>What can online social spaces like Reddit’s r/gaming reveal about gender attitudes, masculinized spaces, and turning points in gamer communities? In their new book Gender, Masculinity and Video Gaming: Analysing Reddit’s r/gaming Community (Palgrave Pivot, 2019), Marcus Maloney, Steven Roberts, and Timothy Graham utilize computational and qualitative methods to explore conversations happing on the social media platform Reddit’s gaming subreddit. They explore masculine and feminine gendered comments and discourse using the online platform’s functions like upvoting and downvoting, in addition to textual analysis of comments. Maloney, Roberts, and Graham reveal a continuum of discourses from marginalization to inclusion and contribute to our greater understanding of gendered discourse online.
This book would be a great addition to any gender course, both undergraduate and graduate, as it provides clear theoretical analysis of a popular social media platform. This book will be of interest to Sociologists of gender and culture, as well as scholars of media studies, gender studies, and cultural studies.
Sarah E. Patterson is a Postdoctoral Fellow at the University of Michigan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can online social spaces like Reddit’s r/gaming reveal about gender attitudes, masculinized spaces, and turning points in gamer communities? In their new book <a href="http://www.amazon.com/dp/3030282619/?tag=newbooinhis-20"><em>Gender, Masculinity and Video Gaming: Analysing Reddit’s r/gaming Community</em></a> (Palgrave Pivot, 2019), <a href="https://pureportal.coventry.ac.uk/en/persons/marcus-maloney">Marcus Maloney</a>, <a href="https://research.monash.edu/en/persons/steven-roberts">Steven Roberts</a>, and <a href="https://researchers.anu.edu.au/researchers/graham-tj">Timothy Graham</a> utilize computational and qualitative methods to explore conversations happing on the social media platform Reddit’s gaming subreddit. They explore masculine and feminine gendered comments and discourse using the online platform’s functions like upvoting and downvoting, in addition to textual analysis of comments. Maloney, Roberts, and Graham reveal a continuum of discourses from marginalization to inclusion and contribute to our greater understanding of gendered discourse online.</p><p>This book would be a great addition to any gender course, both undergraduate and graduate, as it provides clear theoretical analysis of a popular social media platform. This book will be of interest to Sociologists of gender and culture, as well as scholars of media studies, gender studies, and cultural studies.</p><p><em>Sarah E. Patterson is a Postdoctoral Fellow at the University of Michigan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2382</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3a4f1122-5bbf-11ea-9fd1-8bfda96d6c71]]></guid>
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    <item>
      <title>Lynn Neal, "Religion in Vogue: Christianity and Fashion in America" (NYU Press, 2019)</title>
      <description>Christian imagery, symbols, and motifs have long been used and incorporated in fashion. Famous designers such as Coco Chanel, Gianni Versace, and Dolce and Gabbana have made Christianity trendy and fashionable. But there is a history that precedes the seemingly recent fusion of Christianity and fashion. Lynn Neal traces this history in Religion in Vogue: Christianity and Fashion in America (NYU Press, 2019). Through an analysis of fashion magazines and the designs of prominent fashion designers, Neal examines the history of Christianity and fashion starting in the mid-twentieth century to the beginning of the twenty-first century. Neal convincingly demonstrates that the history of Christianity and fashion provides an avenue through which to study Christianity in the United States more broadly.
Lynn Neal is Professor of Religious Studies at Wake Forest University.
Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Mar 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Christian imagery, symbols, and motifs have long been used and incorporated in fashion.,,</itunes:subtitle>
      <itunes:summary>Christian imagery, symbols, and motifs have long been used and incorporated in fashion. Famous designers such as Coco Chanel, Gianni Versace, and Dolce and Gabbana have made Christianity trendy and fashionable. But there is a history that precedes the seemingly recent fusion of Christianity and fashion. Lynn Neal traces this history in Religion in Vogue: Christianity and Fashion in America (NYU Press, 2019). Through an analysis of fashion magazines and the designs of prominent fashion designers, Neal examines the history of Christianity and fashion starting in the mid-twentieth century to the beginning of the twenty-first century. Neal convincingly demonstrates that the history of Christianity and fashion provides an avenue through which to study Christianity in the United States more broadly.
Lynn Neal is Professor of Religious Studies at Wake Forest University.
Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Christian imagery, symbols, and motifs have long been used and incorporated in fashion. Famous designers such as Coco Chanel, Gianni Versace, and Dolce and Gabbana have made Christianity trendy and fashionable. But there is a history that precedes the seemingly recent fusion of Christianity and fashion. <a href="https://religion.wfu.edu/meet-our-faculty/dr-lynn-neal">Lynn Neal</a> traces this history in <a href="http://www.amazon.com/dp/1479813591/?tag=newbooinhis-20"><em>Religion in Vogue: Christianity and Fashion in America </em></a>(NYU Press, 2019). Through an analysis of fashion magazines and the designs of prominent fashion designers, Neal examines the history of Christianity and fashion starting in the mid-twentieth century to the beginning of the twenty-first century. Neal convincingly demonstrates that the history of Christianity and fashion provides an avenue through which to study Christianity in the United States more broadly.</p><p>Lynn Neal is Professor of Religious Studies at Wake Forest University.</p><p><em>Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3246</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT1434489631.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erika Engstrom, "Feminism, Gender, and Politics in NBC’s Parks and Recreation" (Peter Lang, 2017)</title>
      <description>Erika Engstrom is Professor of Communication Studies at the University of Nevada, Las Vegas. Her latest book, Feminism, Gender, and Politics in NBC’s Parks and Recreation (Peter Lang, 2017), analyzes the various ways the series presented feminism as a positive force, such as the satirical portrayal of patriarchy; alternative depictions of masculinity; the feminist ideology and political career of main character Leslie Knope; the inclusion of actual political figures; and depictions of love and romance as related to feminist thinking.
A much-needed treatment that adds to the literature on feminism in media and popular culture, this book serves as an ideal resource for instructors and scholars of gender and mass media, women’s studies, and media criticism by investigating Parks and Recreation’s place in the continuum of other feminist-leaning television programs.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Mar 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Engstrom analyzes the various ways the series presented feminism as a positive force, such as the satirical portrayal of patriarchy...</itunes:subtitle>
      <itunes:summary>Erika Engstrom is Professor of Communication Studies at the University of Nevada, Las Vegas. Her latest book, Feminism, Gender, and Politics in NBC’s Parks and Recreation (Peter Lang, 2017), analyzes the various ways the series presented feminism as a positive force, such as the satirical portrayal of patriarchy; alternative depictions of masculinity; the feminist ideology and political career of main character Leslie Knope; the inclusion of actual political figures; and depictions of love and romance as related to feminist thinking.
A much-needed treatment that adds to the literature on feminism in media and popular culture, this book serves as an ideal resource for instructors and scholars of gender and mass media, women’s studies, and media criticism by investigating Parks and Recreation’s place in the continuum of other feminist-leaning television programs.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.unlv.edu/news/expert/erika-engstrom">Erika Engstrom</a> is Professor of Communication Studies at the University of Nevada, Las Vegas. Her latest book, <a href="http://www.amazon.com/dp/1433133555/?tag=newbooinhis-20"><em>Feminism, Gender, and Politics in NBC’s Parks and Recreation</em></a> (Peter Lang, 2017), analyzes the various ways the series presented feminism as a positive force, such as the satirical portrayal of patriarchy; alternative depictions of masculinity; the feminist ideology and political career of main character Leslie Knope; the inclusion of actual political figures; and depictions of love and romance as related to feminist thinking.</p><p>A much-needed treatment that adds to the literature on feminism in media and popular culture, this book serves as an ideal resource for instructors and scholars of gender and mass media, women’s studies, and media criticism by investigating <em>Parks and Recreation’s</em> place in the continuum of other feminist-leaning television programs.</p><p><a href="https://georgian.edu/academics/faculty/marci-mazzarotto/"><em>Marci Mazzarotto</em></a><em> is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3123</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[413f4a28-5684-11ea-afb6-5fe6acea9168]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9014268454.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)</title>
      <description>How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does the world of book reviews work?</itunes:subtitle>
      <itunes:summary>How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the world of book reviews work? In <a href="http://www.amazon.com/dp/069116746X/?tag=newbooinhis-20"><em>Inside the Critics’ Circle: Book Reviewing in Uncertain Times </em></a>(Princeton University Press, 2020), <a href="https://twitter.com/ChongSOC">Phillipa Chong</a>, <a href="https://www.phillipachong.com/">assistant professor in sociology</a> at <a href="https://socialsciences.mcmaster.ca/people/chong-phillipa">McMaster University</a>, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[578cf6dc-5359-11ea-b952-0bc323ebdb67]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2792649761.mp3?updated=1663953394" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>L. Benjamin Rolsky, "The Rise and Fall of the Religious Left" (Columbia UP, 2019)</title>
      <description>As someone who grew up watching All in the Family and Sanford and Son, I’ve long been familiar with Norman Lear and his work. What I didn’t know, as a young child sitting cross-legged in front of the TV set in the 1970s, was how prominent a political figure Lear was at the time. In his new book, The Rise and Fall of the Religious Left: Politics, Television, and Popular Culture in the 1970s and Beyond (Columbia University Press, 2019), Professor L. Benjamin Rolsky makes the case for understanding Lear as a key protagonist in the culture wars of the late 20th century. As a religious liberal, Lear was committed to engaging politics on explicitly moral grounds in defense of what he saw as the public interest. Other players in the culture wars—including television networks, Hollywood, the FCC, televangelists, and Ronald Reagan himself—had their own interpretations of what constituted the public interest. As a result, Rolsky’s interdisciplinary analysis concludes, prime-time television itself became a contested political space and the site of some of the definitive cultural clashes of our fractious times.
Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment. Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email clane@fullerton.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rolsky makes the case for understanding Norman Lear as a key protagonist in the culture wars of the late 20th century...</itunes:subtitle>
      <itunes:summary>As someone who grew up watching All in the Family and Sanford and Son, I’ve long been familiar with Norman Lear and his work. What I didn’t know, as a young child sitting cross-legged in front of the TV set in the 1970s, was how prominent a political figure Lear was at the time. In his new book, The Rise and Fall of the Religious Left: Politics, Television, and Popular Culture in the 1970s and Beyond (Columbia University Press, 2019), Professor L. Benjamin Rolsky makes the case for understanding Lear as a key protagonist in the culture wars of the late 20th century. As a religious liberal, Lear was committed to engaging politics on explicitly moral grounds in defense of what he saw as the public interest. Other players in the culture wars—including television networks, Hollywood, the FCC, televangelists, and Ronald Reagan himself—had their own interpretations of what constituted the public interest. As a result, Rolsky’s interdisciplinary analysis concludes, prime-time television itself became a contested political space and the site of some of the definitive cultural clashes of our fractious times.
Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment. Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email clane@fullerton.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As someone who grew up watching <em>All in the Family</em> and <em>Sanford and Son</em>, I’ve long been familiar with Norman Lear and his work. What I didn’t know, as a young child sitting cross-legged in front of the TV set in the 1970s, was how prominent a political figure Lear was at the time. In his new book, <a href="http://www.amazon.com/dp/0231193637/?tag=newbooinhis-20"><em>The Rise and Fall of the Religious Left: Politics, Television, and Popular Culture in the 1970s and Beyond</em></a> (Columbia University Press, 2019), Professor <a href="https://www.benjirolsky.com/">L. Benjamin Rolsky</a> makes the case for understanding Lear as a key protagonist in the culture wars of the late 20th century. As a religious liberal, Lear was committed to engaging politics on explicitly moral grounds in defense of what he saw as the public interest. Other players in the culture wars—including television networks, Hollywood, the FCC, televangelists, and Ronald Reagan himself—had their own interpretations of what constituted the public interest. As a result, Rolsky’s interdisciplinary analysis concludes, prime-time television itself became a contested political space and the site of some of the definitive cultural clashes of our fractious times.</p><p><a href="http://amst.fullerton.edu/faculty/c_lane.aspx">Carrie Lane</a><em> is a Professor of American Studies at California State University, Fullerton and author of </em><a href="http://www.cornellpress.cornell.edu/book/?GCOI=80140100974400">A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment</a><em>. Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email </em><a href="mailto:clane@fullerton.edu">clane@fullerton.edu</a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3593</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[207401aa-54b1-11ea-bf27-1788a4fad46d]]></guid>
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    </item>
    <item>
      <title>Roger Gilles, "Women on the Move: The Forgotten Era of Women’s Bicycle Racing" (U Nebraska Press, 2018)</title>
      <description>Today we are joined by Roger Gilles, Director of the Honors College and Professor of Writing at Grand Valley State University, and author of Women on the Move: The Forgotten Era of Women’s Bicycle Racing (University of Nebraska Press, 2018). In our conversation, we discussed the rise of women’s velodrome racing in the American Midwest in the 1890s, the business of six-day cycling, and the gender politics of women’s racing.
In Women on the Move, Gilles recovers the history of women’s cycle racing in the 1890s. Female scorchers like Tillie “The Terrible Swede” Anderson, Lizzie Glaw, and Dottie Farnsworth barnstormed across the Midwest from Oklahoma City to Pittsburgh. Their sport proved to be popular, even more so than men’s endurance six-day events. They raced on steeply banked short tracks, pedalled at speeds up to 30 miles per hour, braved severe injuries from crashes, dealt with wardrobe malfunctions, and won enormous prizes. They were America’s first famous female athletes.
Gilles’ work traces the intersections that gave rise to women’s bicycle racing in the 1890s. Tillie Anderson and the other racers navigated the cycling boom, which followed the invention of the safety bike; the rise of the suffrage movement; the increasing industrialization of midwestern cities; the migration of millions of Europeans to the United States; and the gender politics of the Victorian era.
The craze ended almost as quickly as it began in the early 20th century – replaced by automobile racing, undermined by charges of fixing, undercut by lower revenues, and damaged by the increasingly strategic and tactical insight of the racers that made the sport more professional but less exciting for spectators.
Women on the Move restores women’s racing to the pantheon of 19th century American sport and will appeal to readers interested in the overlap between cycling, sports business, migration, and gender.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gilles recovers the history of women’s cycle racing in the 1890s...</itunes:subtitle>
      <itunes:summary>Today we are joined by Roger Gilles, Director of the Honors College and Professor of Writing at Grand Valley State University, and author of Women on the Move: The Forgotten Era of Women’s Bicycle Racing (University of Nebraska Press, 2018). In our conversation, we discussed the rise of women’s velodrome racing in the American Midwest in the 1890s, the business of six-day cycling, and the gender politics of women’s racing.
In Women on the Move, Gilles recovers the history of women’s cycle racing in the 1890s. Female scorchers like Tillie “The Terrible Swede” Anderson, Lizzie Glaw, and Dottie Farnsworth barnstormed across the Midwest from Oklahoma City to Pittsburgh. Their sport proved to be popular, even more so than men’s endurance six-day events. They raced on steeply banked short tracks, pedalled at speeds up to 30 miles per hour, braved severe injuries from crashes, dealt with wardrobe malfunctions, and won enormous prizes. They were America’s first famous female athletes.
Gilles’ work traces the intersections that gave rise to women’s bicycle racing in the 1890s. Tillie Anderson and the other racers navigated the cycling boom, which followed the invention of the safety bike; the rise of the suffrage movement; the increasing industrialization of midwestern cities; the migration of millions of Europeans to the United States; and the gender politics of the Victorian era.
The craze ended almost as quickly as it began in the early 20th century – replaced by automobile racing, undermined by charges of fixing, undercut by lower revenues, and damaged by the increasingly strategic and tactical insight of the racers that made the sport more professional but less exciting for spectators.
Women on the Move restores women’s racing to the pantheon of 19th century American sport and will appeal to readers interested in the overlap between cycling, sports business, migration, and gender.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by <a href="https://www.gvsu.edu/writing/roger-gilles-58.htm">Roger Gilles</a>, Director of the Honors College and Professor of Writing at Grand Valley State University, and author of <a href="http://www.amazon.com/dp/1496204174/?tag=newbooinhis-20"><em>Women on the Move: The Forgotten Era of Women’s Bicycle Racing</em></a> (University of Nebraska Press, 2018). In our conversation, we discussed the rise of women’s velodrome racing in the American Midwest in the 1890s, the business of six-day cycling, and the gender politics of women’s racing.</p><p>In <em>Women on the Move</em>, Gilles recovers the history of women’s cycle racing in the 1890s. Female scorchers like Tillie “The Terrible Swede” Anderson, Lizzie Glaw, and Dottie Farnsworth barnstormed across the Midwest from Oklahoma City to Pittsburgh. Their sport proved to be popular, even more so than men’s endurance six-day events. They raced on steeply banked short tracks, pedalled at speeds up to 30 miles per hour, braved severe injuries from crashes, dealt with wardrobe malfunctions, and won enormous prizes. They were America’s first famous female athletes.</p><p>Gilles’ work traces the intersections that gave rise to women’s bicycle racing in the 1890s. Tillie Anderson and the other racers navigated the cycling boom, which followed the invention of the safety bike; the rise of the suffrage movement; the increasing industrialization of midwestern cities; the migration of millions of Europeans to the United States; and the gender politics of the Victorian era.</p><p>The craze ended almost as quickly as it began in the early 20th century – replaced by automobile racing, undermined by charges of fixing, undercut by lower revenues, and damaged by the increasingly strategic and tactical insight of the racers that made the sport more professional but less exciting for spectators.</p><p><em>Women on the Move</em> restores women’s racing to the pantheon of 19th century American sport and will appeal to readers interested in the overlap between cycling, sports business, migration, and gender.</p><p><em>Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3684</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d9b8be16-4904-11ea-9a99-7314b5a93f60]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4953719936.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Blain Roberts, "Pageants, Parlors, and Pretty Women: Race and Beauty in the Twentieth-Century South" (UNC Press, 2016)</title>
      <description>Professor Blain Roberts of California State University, Fresno, talks about intersections of race, identity, and memory in the South in a wide-ranging discussion that starts in the segregated beauty parlors of the Jim Crow era and ends with remembrances of slavery in modern-day Charleston, South Carolina.
From the South's pageant queens to the importance of beauty parlors to African American communities, it is easy to see the ways beauty is enmeshed in southern culture. But as Blain Roberts shows in this incisive work, the pursuit of beauty in the South was linked to the tumultuous racial divides of the region, where the Jim Crow-era cosmetics industry came of age selling the idea of makeup that emphasized whiteness, and where, in the 1950s and 1960s, black-owned beauty shops served as crucial sites of resistance for civil rights activists. In these times of strained relations in the South, beauty became a signifier of power and affluence while it reinforced racial strife.
In Pageants, Parlors, and Pretty Women: Race and Beauty in the Twentieth-Century South (University of North Carolina Press, 2016), Roberts examines a range of beauty products, practices, and rituals--cosmetics, hairdressing, clothing, and beauty contests--in settings that range from tobacco farms of the Great Depression to 1950s and 1960s college campuses. In so doing, she uncovers the role of female beauty in the economic and cultural modernization of the South. By showing how battles over beauty came to a head during the civil rights movement, Roberts sheds new light on the tactics southerners used to resist and achieve desegregation.
Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Roberts talks about intersections of race, identity, and memory in the South in a wide-ranging discussion that starts in the segregated beauty parlors of the Jim Crow era...</itunes:subtitle>
      <itunes:summary>Professor Blain Roberts of California State University, Fresno, talks about intersections of race, identity, and memory in the South in a wide-ranging discussion that starts in the segregated beauty parlors of the Jim Crow era and ends with remembrances of slavery in modern-day Charleston, South Carolina.
From the South's pageant queens to the importance of beauty parlors to African American communities, it is easy to see the ways beauty is enmeshed in southern culture. But as Blain Roberts shows in this incisive work, the pursuit of beauty in the South was linked to the tumultuous racial divides of the region, where the Jim Crow-era cosmetics industry came of age selling the idea of makeup that emphasized whiteness, and where, in the 1950s and 1960s, black-owned beauty shops served as crucial sites of resistance for civil rights activists. In these times of strained relations in the South, beauty became a signifier of power and affluence while it reinforced racial strife.
In Pageants, Parlors, and Pretty Women: Race and Beauty in the Twentieth-Century South (University of North Carolina Press, 2016), Roberts examines a range of beauty products, practices, and rituals--cosmetics, hairdressing, clothing, and beauty contests--in settings that range from tobacco farms of the Great Depression to 1950s and 1960s college campuses. In so doing, she uncovers the role of female beauty in the economic and cultural modernization of the South. By showing how battles over beauty came to a head during the civil rights movement, Roberts sheds new light on the tactics southerners used to resist and achieve desegregation.
Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Professor <a href="http://www.fresnostate.edu/socialsciences/historydept/faculty/faculty-broberts.html">Blain Roberts</a> of California State University, Fresno, talks about intersections of race, identity, and memory in the South in a wide-ranging discussion that starts in the segregated beauty parlors of the Jim Crow era and ends with remembrances of slavery in modern-day Charleston, South Carolina.</p><p>From the South's pageant queens to the importance of beauty parlors to African American communities, it is easy to see the ways beauty is enmeshed in southern culture. But as Blain Roberts shows in this incisive work, the pursuit of beauty in the South was linked to the tumultuous racial divides of the region, where the Jim Crow-era cosmetics industry came of age selling the idea of makeup that emphasized whiteness, and where, in the 1950s and 1960s, black-owned beauty shops served as crucial sites of resistance for civil rights activists. In these times of strained relations in the South, beauty became a signifier of power and affluence while it reinforced racial strife.</p><p>In <a href="http://www.amazon.com/dp/1469614200/?tag=newbooinhis-20"><em>Pageants, Parlors, and Pretty Women: Race and Beauty in the Twentieth-Century South</em></a> (University of North Carolina Press, 2016), Roberts examines a range of beauty products, practices, and rituals--cosmetics, hairdressing, clothing, and beauty contests--in settings that range from tobacco farms of the Great Depression to 1950s and 1960s college campuses. In so doing, she uncovers the role of female beauty in the economic and cultural modernization of the South. By showing how battles over beauty came to a head during the civil rights movement, Roberts sheds new light on the tactics southerners used to resist and achieve desegregation.</p><p><a href="https://wws.princeton.edu/faculty-research/faculty/baenglis"><em>Beth A. English</em></a><em> is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the </em><a href="https://southernlaborstudies.org/"><em>Southern Labor History Association</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2287</itunes:duration>
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    <item>
      <title>Kyle Devine, "Decomposed: The Political Ecology of Music" (MIT Press, 2019)</title>
      <description>What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 05 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>151</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the human and environmental cost of music?</itunes:subtitle>
      <itunes:summary>What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the human and environmental cost of music? In <a href="http://www.amazon.com/dp/0262537788/?tag=newbooinhis-20"><em>Decomposed: The Political Ecology of Music </em></a>(MIT Press, 2019)<em>,</em><a href="https://twitter.com/kyledevinephd">Kyle Devine</a>, an <a href="https://www.hf.uio.no/imv/english/people/aca/tenured/kylerd/">Associate Professor</a> in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2575</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f301addc-44e1-11ea-854c-ef0db931d92f]]></guid>
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      <title>Sean Jacobs, "Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization" (Indiana UP, 2019)</title>
      <description>Sean Jacobs, Associate Professor of International Affairs at The New School in New York City. Jacobs is also the founder and editor of the acclaimed Africa is A Country website, a leader His new book Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization, published by Indiana University Press in 2019.
In it, Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age. Using South Africa since the 1994 “transition” from Apartheid to democracy as his case study, Jacobs analysis demonstrates the importance of not only understanding an ever-changing media landscape as part of any study of politics, but also how the media shapes how public goods as made accessible to whom and how.
Media in Postapartheid South Africa is also a study of how the processes and structures of colonialism mix with the discursive tricks of political elites during Apartheid and after 1994, and how the media shapes how South Africans see themselves, in advertising, soap operas and reality shows.
Susan Thomson is associate professor of peace and conflict studies at Colgate University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 04 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age...</itunes:subtitle>
      <itunes:summary>Sean Jacobs, Associate Professor of International Affairs at The New School in New York City. Jacobs is also the founder and editor of the acclaimed Africa is A Country website, a leader His new book Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization, published by Indiana University Press in 2019.
In it, Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age. Using South Africa since the 1994 “transition” from Apartheid to democracy as his case study, Jacobs analysis demonstrates the importance of not only understanding an ever-changing media landscape as part of any study of politics, but also how the media shapes how public goods as made accessible to whom and how.
Media in Postapartheid South Africa is also a study of how the processes and structures of colonialism mix with the discursive tricks of political elites during Apartheid and after 1994, and how the media shapes how South Africans see themselves, in advertising, soap operas and reality shows.
Susan Thomson is associate professor of peace and conflict studies at Colgate University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.newschool.edu/international-affairs/faculty/sean-jacobs/">Sean Jacobs</a>, Associate Professor of International Affairs at The New School in New York City. Jacobs is also the founder and editor of the acclaimed <a href="https://africasacountry.com/"><em>Africa is A Country</em></a> website, a leader His new book <a href="http://www.amazon.com/dp/0253025427/?tag=newbooinhis-20"><em>Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization</em></a>, published by Indiana University Press in 2019.</p><p>In it, Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age. Using South Africa since the 1994 “transition” from Apartheid to democracy as his case study, Jacobs analysis demonstrates the importance of not only understanding an ever-changing media landscape as part of any study of politics, but also how the media shapes how public goods as made accessible to whom and how.</p><p><em>Media in Postapartheid South Africa </em>is also a study of how the processes and structures of colonialism mix with the discursive tricks of political elites during Apartheid and after 1994, and how the media shapes how South Africans see themselves, in advertising, soap operas and reality shows.</p><p><a href="https://www.colgate.edu/about/directory/sthomson"><em>Susan Thomson</em></a><em> is associate professor of peace and conflict studies at Colgate University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3713</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fbc186ae-436a-11ea-bb17-9f44435f4c03]]></guid>
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    <item>
      <title>Allison Ochs, "Would I Have Sexted Back in the 80s?" (Amsterdam UP, 2019)</title>
      <description>In her new books, Would I Have Sexted Back in the 80s?: A Modern Guide to Parenting Digital Teens, Derived from Lessons of the Past (Amsterdam University Press, 2019), Allison Ochs combines experiences from her childhood with her research and expertise on teens and teen culture to write about experiences of teens and parents in navigating smartphones and increasing access to digital spaces. Ochs work examines social media, bullying, porn, gaming, sexting, and media usage, addressing some of the major questions and concerns of parents today. Ochs combines her stories of the past, talking about how being a teenager has in some ways changed, but in others continues to be a difficult space to navigate and fit in. Would I Have Sexted Back in the 80s? gives suggestions on how to approach teens about emotional issues that all teens experience with the additional to the availability and usage of digital devices. Her works encourages readers to think about how they talk with teens learning to navigate the digital world.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 31 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ochs combines experiences from her childhood with her research and expertise on teens and teen culture to write about experiences of teens and parents in navigating smartphones and increasing access to digital spaces...</itunes:subtitle>
      <itunes:summary>In her new books, Would I Have Sexted Back in the 80s?: A Modern Guide to Parenting Digital Teens, Derived from Lessons of the Past (Amsterdam University Press, 2019), Allison Ochs combines experiences from her childhood with her research and expertise on teens and teen culture to write about experiences of teens and parents in navigating smartphones and increasing access to digital spaces. Ochs work examines social media, bullying, porn, gaming, sexting, and media usage, addressing some of the major questions and concerns of parents today. Ochs combines her stories of the past, talking about how being a teenager has in some ways changed, but in others continues to be a difficult space to navigate and fit in. Would I Have Sexted Back in the 80s? gives suggestions on how to approach teens about emotional issues that all teens experience with the additional to the availability and usage of digital devices. Her works encourages readers to think about how they talk with teens learning to navigate the digital world.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new books, <a href="http://www.amazon.com/dp/9463721916/?tag=newbooinhis-20"><em>Would I Have Sexted Back in the 80s?: A Modern Guide to Parenting Digital Teens, Derived from Lessons of the Past</em></a> (Amsterdam University Press, 2019), <a href="https://www.linkedin.com/in/allison-ochs-26a35910b/?originalSubdomain=ch">Allison Ochs</a> combines experiences from her childhood with her research and expertise on teens and teen culture to write about experiences of teens and parents in navigating smartphones and increasing access to digital spaces. Ochs work examines social media, bullying, porn, gaming, sexting, and media usage, addressing some of the major questions and concerns of parents today. Ochs combines her stories of the past, talking about how being a teenager has in some ways changed, but in others continues to be a difficult space to navigate and fit in. <em>Would I Have Sexted Back in the 80s?</em> gives suggestions on how to approach teens about emotional issues that all teens experience with the additional to the availability and usage of digital devices. Her works encourages readers to think about how they talk with teens learning to navigate the digital world.</p><p><a href="https://wiu.academia.edu/RebekahBuchanan"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of </em><a href="https://www.peterlang.com/view/product/30541"><em>Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</em></a><em> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4036</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3e157314-414d-11ea-8dc2-8fc5274dc719]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8887480095.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)</title>
      <description>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.
Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 30 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change...</itunes:subtitle>
      <itunes:summary>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.
Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.</p><p>Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. <a href="http://www.amazon.com/dp/1620368315/?tag=newbooinhis-20"><em>Going Alt-Ac: A Guide to Alternative Academic Careers</em></a> (Stylus Publishing, 2020) by <a href="https://styluspub.presswarehouse.com/browse/author/2a07e59f-b1c2-4cc9-95e5-57f26cb59fc5/Kathryn-E-Linder?page=1">Kathryn E. Linder</a>, <a href="https://styluspub.presswarehouse.com/browse/author/b942fd05-5d35-4095-8f84-df50f428d8f3/Kevin-Kelly?page=1">Kevin Kelly</a>, and <a href="https://styluspub.presswarehouse.com/browse/author/a0500dde-c9b8-476b-b278-24a474aa5399/Thomas-J-Tobin?page=1">Thomas J. Tobin</a> offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.</p><p><em>Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to </em><a href="mailto:zeb.larson@gmail.com"><em>zeb.larson@gmail.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2370</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[384a932c-4046-11ea-993b-db8f08c17345]]></guid>
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    <item>
      <title>Carol Dyhouse, "Hearthrobs: A History of Women and Desire" (Oxford UP, 2017)</title>
      <description>What can a cultural history of the heartthrob teach us about women, desire, and social change? From dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types or simply good companions, female fantasies about men tell us as much about the history of women as about masculine icons.
When girls were supposed to be shrinking violets, passionate females risked being seen as "unbridled," or dangerously out of control. Change came slowly, and young women remained trapped in double-binds. You may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Sexual desire could be dangerous: a rash guide to making choices. Show attraction too openly and you might be judged "fast" and undesirable.
Education and wage-earning brought independence and a widening of cultural horizons. Young women in the early twentieth century showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances, as tango-dancer, Arab tribesman, or desert lover. Contemporary critics were sniffy about "shop-girl" taste in literature and in men, but as consumers, girls had new clout.
In Hearthrobs: A History of Women and Desire (Oxford University Press, 2017), social and cultural historian Carol Dyhouse draws upon literature, cinema, and popular romance to show how the changing position of women has shaped their dreams about men, from Lord Byron in the early nineteenth century to boy-bands in the early twenty-first. Reflecting on the history of women as consumers and on the nature of fantasy, escapism, and "fandom," she takes us deep into the world of gender and the imagination. A great deal of feminist literature has shown women as objects of the "male gaze": this book looks at men through the eyes of women.
In this interview, Jana Byars, the academic director of SIT Amsterdam, talks with Dyhouse about Hearthrobes. Though clearly rooted in her earlier academic work, this divergence into popular history provides a smart and delightful read. Jana and Carol talk about the female gaze, male stereotypes, and the power of popular culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>684</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What can a cultural history of the heartthrob teach us about women, desire, and social change?</itunes:subtitle>
      <itunes:summary>What can a cultural history of the heartthrob teach us about women, desire, and social change? From dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types or simply good companions, female fantasies about men tell us as much about the history of women as about masculine icons.
When girls were supposed to be shrinking violets, passionate females risked being seen as "unbridled," or dangerously out of control. Change came slowly, and young women remained trapped in double-binds. You may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Sexual desire could be dangerous: a rash guide to making choices. Show attraction too openly and you might be judged "fast" and undesirable.
Education and wage-earning brought independence and a widening of cultural horizons. Young women in the early twentieth century showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances, as tango-dancer, Arab tribesman, or desert lover. Contemporary critics were sniffy about "shop-girl" taste in literature and in men, but as consumers, girls had new clout.
In Hearthrobs: A History of Women and Desire (Oxford University Press, 2017), social and cultural historian Carol Dyhouse draws upon literature, cinema, and popular romance to show how the changing position of women has shaped their dreams about men, from Lord Byron in the early nineteenth century to boy-bands in the early twenty-first. Reflecting on the history of women as consumers and on the nature of fantasy, escapism, and "fandom," she takes us deep into the world of gender and the imagination. A great deal of feminist literature has shown women as objects of the "male gaze": this book looks at men through the eyes of women.
In this interview, Jana Byars, the academic director of SIT Amsterdam, talks with Dyhouse about Hearthrobes. Though clearly rooted in her earlier academic work, this divergence into popular history provides a smart and delightful read. Jana and Carol talk about the female gaze, male stereotypes, and the power of popular culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can a cultural history of the heartthrob teach us about women, desire, and social change? From dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types or simply good companions, female fantasies about men tell us as much about the history of women as about masculine icons.</p><p>When girls were supposed to be shrinking violets, passionate females risked being seen as "unbridled," or dangerously out of control. Change came slowly, and young women remained trapped in double-binds. You may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Sexual desire could be dangerous: a rash guide to making choices. Show attraction too openly and you might be judged "fast" and undesirable.</p><p>Education and wage-earning brought independence and a widening of cultural horizons. Young women in the early twentieth century showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances, as tango-dancer, Arab tribesman, or desert lover. Contemporary critics were sniffy about "shop-girl" taste in literature and in men, but as consumers, girls had new clout.</p><p>In <a href="http://www.amazon.com/dp/0198765835/?tag=newbooinhis-20"><em>Hearthrobs: A History of Women and Desire</em></a> (Oxford University Press, 2017), social and cultural historian <a href="http://www.sussex.ac.uk/profiles/790">Carol Dyhouse</a> draws upon literature, cinema, and popular romance to show how the changing position of women has shaped their dreams about men, from Lord Byron in the early nineteenth century to boy-bands in the early twenty-first. Reflecting on the history of women as consumers and on the nature of fantasy, escapism, and "fandom," she takes us deep into the world of gender and the imagination. A great deal of feminist literature has shown women as objects of the "male gaze": this book looks at men through the eyes of women.</p><p>In this interview, Jana Byars, the academic director of SIT Amsterdam, talks with Dyhouse about Hearthrobes. Though clearly rooted in her earlier academic work, this divergence into popular history provides a smart and delightful read. Jana and Carol talk about the female gaze, male stereotypes, and the power of popular culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1894</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ebony Elizabeth Thomas, "The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games" (NYU Press, 2019)</title>
      <description>Ebony Elizabeth Thomas has written a beautiful, captivating, and thoughtful book about the idea of our imaginations, especially our cultural imaginations, and the images and concepts that we all consume, especially as young readers and audience members. The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (NYU Press, 2019) dives into the question of, as Thomas explains, “why magical stories are written for some people and not for others.” Thomas explores the narratives of magical and fantastical stories, especially ones that currently dominate our Anglo-American cultural landscape, and discerns a kind of “imagination gap” in so many of these literary and visual artifacts. The Dark Fantastic provides a framework to consider this imagination gap, by braiding together scholarship from across a variety of disciplines to think about this space within literature and visual popular culture. Thomas theorizes a tool to examine many of these narratives, the cycle through which to contextualize the Dark Other within these fantastical narratives, noting that the Dark Other is the “engine that drives the fantastic.”
The Dark Fantastic spends time analyzing and interrogating a variety of televisual and cinematic artifacts, noting how the Dark Other cycle operates in each of these narratives. In exploring these narratives, and considering who the protagonist is in so many cultural artifacts, the imagination gap becomes not only obvious but quite distinct. Thomas is concerned about this gap, because of the implication it has for readers and for film and television viewers—not only in regard to representation, but also in terms of learning how to imagine, how to dream, how to think conceptually, and how to center one’s self within these fictional spaces and created worlds.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
 
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      <pubDate>Mon, 20 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>393</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Thomas dives into the question of, why magical stories are written for some people and not for others...</itunes:subtitle>
      <itunes:summary>Ebony Elizabeth Thomas has written a beautiful, captivating, and thoughtful book about the idea of our imaginations, especially our cultural imaginations, and the images and concepts that we all consume, especially as young readers and audience members. The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (NYU Press, 2019) dives into the question of, as Thomas explains, “why magical stories are written for some people and not for others.” Thomas explores the narratives of magical and fantastical stories, especially ones that currently dominate our Anglo-American cultural landscape, and discerns a kind of “imagination gap” in so many of these literary and visual artifacts. The Dark Fantastic provides a framework to consider this imagination gap, by braiding together scholarship from across a variety of disciplines to think about this space within literature and visual popular culture. Thomas theorizes a tool to examine many of these narratives, the cycle through which to contextualize the Dark Other within these fantastical narratives, noting that the Dark Other is the “engine that drives the fantastic.”
The Dark Fantastic spends time analyzing and interrogating a variety of televisual and cinematic artifacts, noting how the Dark Other cycle operates in each of these narratives. In exploring these narratives, and considering who the protagonist is in so many cultural artifacts, the imagination gap becomes not only obvious but quite distinct. Thomas is concerned about this gap, because of the implication it has for readers and for film and television viewers—not only in regard to representation, but also in terms of learning how to imagine, how to dream, how to think conceptually, and how to center one’s self within these fictional spaces and created worlds.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.gse.upenn.edu/academics/faculty-directory/thomas">Ebony Elizabeth Thomas</a> has written a beautiful, captivating, and thoughtful book about the idea of our imaginations, especially our cultural imaginations, and the images and concepts that we all consume, especially as young readers and audience members. <a href="http://www.amazon.com/dp/1479800651/?tag=newbooinhis-20"><em>The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games</em></a> (NYU Press, 2019) dives into the question of, as Thomas explains, “why magical stories are written for some people and not for others.” Thomas explores the narratives of magical and fantastical stories, especially ones that currently dominate our Anglo-American cultural landscape, and discerns a kind of “imagination gap” in so many of these literary and visual artifacts. <em>The Dark Fantastic</em> provides a framework to consider this imagination gap, by braiding together scholarship from across a variety of disciplines to think about this space within literature and visual popular culture. Thomas theorizes a tool to examine many of these narratives, the cycle through which to contextualize the Dark Other within these fantastical narratives, noting that the Dark Other is the “engine that drives the fantastic.”</p><p><em>The Dark Fantastic</em> spends time analyzing and interrogating a variety of televisual and cinematic artifacts, noting how the Dark Other cycle operates in each of these narratives. In exploring these narratives, and considering who the protagonist is in so many cultural artifacts, the imagination gap becomes not only obvious but quite distinct. Thomas is concerned about this gap, because of the implication it has for readers and for film and television viewers—not only in regard to representation, but also in terms of learning how to imagine, how to dream, how to think conceptually, and how to center one’s self within these fictional spaces and created worlds.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, </em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0">Women and the White House: Gender, Popular Culture, and Presidential Politics</a> (University Press of Kentucky, 2012), as well as co-editor of <a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/">Mad Men and Politics: Nostalgia and the Remaking of Modern America</a> (Bloomsbury Academic, 2015).</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3967</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT3515046156.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Benedict Dyson, "Imagining Politics: Interpretations in Political Science and Political Television" (U Michigan Press, 2019)</title>
      <description>Stephen Dyson has provided a fascinating and engaging analysis of political science, the discipline, and political television in his new book, Imagining Politics: Interpretations in Political Science and Political Television (University of Michigan Press, 2019). By examining particular popular culture narratives, in this case, nine popular and engaging television series, Dyson is not only analyzing the tropes and themes of these series, but he is braiding them together with broader disciplinary frameworks and concepts from political science. Thus, this book presents dual interpretative perspectives—from political science and from televisual narratives. Dyson’s larger point is that politics itself is a form of narrative that political scientists attempt to explain and make sense of through our own narrative constructions by way of conceptual theories of interpretation. In so doing, Imagining Politics is weaving together fictional and non-fictional narratives to compel the reader to consider how we frame and think about our understanding of politics and how we explain politics, especially in a discipline largely developed and devoted to making sense out of public life within contemporary western democracies.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 13 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>392</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Dyson is not only analyzing the tropes and themes of these series, but he is braiding them together with broader disciplinary frameworks and concepts from political science...</itunes:subtitle>
      <itunes:summary>Stephen Dyson has provided a fascinating and engaging analysis of political science, the discipline, and political television in his new book, Imagining Politics: Interpretations in Political Science and Political Television (University of Michigan Press, 2019). By examining particular popular culture narratives, in this case, nine popular and engaging television series, Dyson is not only analyzing the tropes and themes of these series, but he is braiding them together with broader disciplinary frameworks and concepts from political science. Thus, this book presents dual interpretative perspectives—from political science and from televisual narratives. Dyson’s larger point is that politics itself is a form of narrative that political scientists attempt to explain and make sense of through our own narrative constructions by way of conceptual theories of interpretation. In so doing, Imagining Politics is weaving together fictional and non-fictional narratives to compel the reader to consider how we frame and think about our understanding of politics and how we explain politics, especially in a discipline largely developed and devoted to making sense out of public life within contemporary western democracies.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.stephenbenedictdyson.com/">Stephen Dyson</a> has provided a fascinating and engaging analysis of political science, the discipline, and political television in his new book, <a href="http://www.amazon.com/dp/0472054244/?tag=newbooinhis-20"><em>Imagining Politics: Interpretations in Political Science and Political Television</em></a> (University of Michigan Press, 2019). By examining particular popular culture narratives, in this case, nine popular and engaging television series, Dyson is not only analyzing the tropes and themes of these series, but he is braiding them together with broader disciplinary frameworks and concepts from political science. Thus, this book presents dual interpretative perspectives—from political science and from televisual narratives. Dyson’s larger point is that politics itself is a form of narrative that political scientists attempt to explain and make sense of through our own narrative constructions by way of conceptual theories of interpretation. In so doing, <em>Imagining Politics</em> is weaving together fictional and non-fictional narratives to compel the reader to consider how we frame and think about our understanding of politics and how we explain politics, especially in a discipline largely developed and devoted to making sense out of public life within contemporary western democracies.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, </em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0">Women and the White House: Gender, Popular Culture, and Presidential Politics</a> (University Press of Kentucky, 2012).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2709</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[89ce1a3c-2680-11ea-af8c-b37084cca831]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1377092493.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hillary Reinsberg, "Zagat 2020 New York City Restaurants: Special 40th Anniversary Edition" (Zagat, 2019)</title>
      <description>The red Zagat guide to restaurants was a fixture to a generation of New York diners before Google bought the brand and stopped publishing copies of the book. In time for the 40th Anniversary, new owners The Infatuation, and Editor in Chief Hillary Reinsberg released a new version and it is selling well and attracting renewed interest in the brand. Host Allen Salkin talks to Reinsberg about Zagat 2020 New York City Restaurants: Special 40th Anniversary Edition (Zagat, 2019) and asks Reinsberg if more cities will be receiving print guides and covers a lot of other topics in food and media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The red Zagat guide to restaurants was a fixture to a generation of New York diners before Google bought the brand and stopped publishing copies of the book...</itunes:subtitle>
      <itunes:summary>The red Zagat guide to restaurants was a fixture to a generation of New York diners before Google bought the brand and stopped publishing copies of the book. In time for the 40th Anniversary, new owners The Infatuation, and Editor in Chief Hillary Reinsberg released a new version and it is selling well and attracting renewed interest in the brand. Host Allen Salkin talks to Reinsberg about Zagat 2020 New York City Restaurants: Special 40th Anniversary Edition (Zagat, 2019) and asks Reinsberg if more cities will be receiving print guides and covers a lot of other topics in food and media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The red Zagat guide to restaurants was a fixture to a generation of New York diners before Google bought the brand and stopped publishing copies of the book. In time for the 40th Anniversary, new owners The Infatuation, and Editor in Chief <a href="https://www.theinfatuation.com/contributor/hillary-reinsberg">Hillary Reinsberg</a> released a new version and it is selling well and attracting renewed interest in the brand. Host <a href="https://allensalkin.com/">Allen Salkin</a> talks to Reinsberg about <a href="http://www.amazon.com/dp/0578483610/?tag=newbooinhis-20"><em>Zagat 2020 New York City Restaurants: Special 40th Anniversary Edition</em></a> (Zagat, 2019) and asks Reinsberg if more cities will be receiving print guides and covers a lot of other topics in food and media.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3921</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fbbf74ea-24de-11ea-90c1-eb524ec4105a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7939213321.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Evan Friss, "On Bicycles: A 200-Year History of Cycling in New York City" (Columbia UP, 2019)</title>
      <description>Evan Friss, an associate professor of history at James Madison University, historicizes the bicycle’s place in New York City’s social, economic, infrastructural and cultural politics.
On Bicycles: A 200-Year History of Cycling in New York City (Columbia UP, 2019) curates a history of the key moments and individuals who worked to integrate the bicycle and the bicyclist into the urban fabric. Friss explores the long-standing debate over what a bicycle is—cars and walkers, he contends, had specific places on city streets. The bicycle was a different story. New Yorkers strove to define and redefine the relationship among New York City, its people, and their bicycles. Beginning with the fad of velocipedes and the arrival of the first modern bicycles on city streets in the second half of the nineteenth century, On Bicycles highlights key moments in cycling history. With each era, a diverse cohort of cyclists and municipal officials tasked with integrating—or banning—bicycles from city streets. Cyclists turned to bikes as a form of exercise as recreation, as a liberating technology, and as transportation. In Friss’s capable telling, cycling is a window into the nature of transportation, streets, and urban life.
Kara Murphy Schlichting  is an assistant professor of history at Queens College, CUNY and author of New York Recentered: Building the Metropolis from the Shore.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>669</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Friss historicizes the bicycle’s place in New York City’s social, economic, infrastructural and cultural politics...</itunes:subtitle>
      <itunes:summary>Evan Friss, an associate professor of history at James Madison University, historicizes the bicycle’s place in New York City’s social, economic, infrastructural and cultural politics.
On Bicycles: A 200-Year History of Cycling in New York City (Columbia UP, 2019) curates a history of the key moments and individuals who worked to integrate the bicycle and the bicyclist into the urban fabric. Friss explores the long-standing debate over what a bicycle is—cars and walkers, he contends, had specific places on city streets. The bicycle was a different story. New Yorkers strove to define and redefine the relationship among New York City, its people, and their bicycles. Beginning with the fad of velocipedes and the arrival of the first modern bicycles on city streets in the second half of the nineteenth century, On Bicycles highlights key moments in cycling history. With each era, a diverse cohort of cyclists and municipal officials tasked with integrating—or banning—bicycles from city streets. Cyclists turned to bikes as a form of exercise as recreation, as a liberating technology, and as transportation. In Friss’s capable telling, cycling is a window into the nature of transportation, streets, and urban life.
Kara Murphy Schlichting  is an assistant professor of history at Queens College, CUNY and author of New York Recentered: Building the Metropolis from the Shore.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.jmu.edu/history/people/all-people/friss-evan.shtml">Evan Friss</a>, an associate professor of history at James Madison University, historicizes the bicycle’s place in New York City’s social, economic, infrastructural and cultural politics.</p><p><a href="http://www.amazon.com/dp/0231182562/?tag=newbooinhis-20"><em>On Bicycles: A 200-Year History of Cycling in New York City</em></a> (Columbia UP, 2019) curates a history of the key moments and individuals who worked to integrate the bicycle and the bicyclist into the urban fabric. Friss explores the long-standing debate over what a bicycle is—cars and walkers, he contends, had specific places on city streets. The bicycle was a different story. New Yorkers strove to define and redefine the relationship among New York City, its people, and their bicycles. Beginning with the fad of velocipedes and the arrival of the first modern bicycles on city streets in the second half of the nineteenth century, On Bicycles highlights key moments in cycling history. With each era, a diverse cohort of cyclists and municipal officials tasked with integrating—or banning—bicycles from city streets. Cyclists turned to bikes as a form of exercise as recreation, as a liberating technology, and as transportation. In Friss’s capable telling, cycling is a window into the nature of transportation, streets, and urban life.</p><p><a href="https://www.karaschlichting.com/about-1"><em>Kara Murphy Schlichting</em></a><em> </em> is an assistant professor of history at Queens College, CUNY and author of New York R<em>ecentered: Building the Metropolis from the Shore.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2966</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff364d04-20cb-11ea-bb05-d789384a867f]]></guid>
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    </item>
    <item>
      <title>Andrea Kitta, "The Kiss of Death: Contagion, Contamination, and Folklore" (Utah State UP, 2019)</title>
      <description>Disease is a social issue and not just a medical one. This is the central tenet underlying The Kiss of Death: Contagion, Contamination, and Folklore (Utah State University Press 2019) by Andrea Kitta, Associate Professor in the English department at East Carolina University, examines the discourses and metaphors of contagion and contamination in vernacular beliefs and practices across a number of media and forms. Using ethnographic, media, and narrative analysis, chapters discuss the changing representations of vampires and zombies in popular culture, the online discussions of Slenderman in relation to adolescent experiences of bullying, the misogyny embedded in legends about kisses that kill, and the racialized nature of patient-zero narratives that surrounding the spread of things like ebola, and the ways in which the HPV vaccine to homophobia. Issues like tellability and the stigmatized vernacular loom large throughout. Although folklorists will already recognize the social importance of vernacular narrative and belief, The Kiss of Death also shows how medical professionals have often failed to take vernacular forms into account. Through attention to narrative and vernacular belief, folklorists can model new forms of engaging with public health professionals and local communities.
Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 17 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Disease is a social issue and not just a medical one...</itunes:subtitle>
      <itunes:summary>Disease is a social issue and not just a medical one. This is the central tenet underlying The Kiss of Death: Contagion, Contamination, and Folklore (Utah State University Press 2019) by Andrea Kitta, Associate Professor in the English department at East Carolina University, examines the discourses and metaphors of contagion and contamination in vernacular beliefs and practices across a number of media and forms. Using ethnographic, media, and narrative analysis, chapters discuss the changing representations of vampires and zombies in popular culture, the online discussions of Slenderman in relation to adolescent experiences of bullying, the misogyny embedded in legends about kisses that kill, and the racialized nature of patient-zero narratives that surrounding the spread of things like ebola, and the ways in which the HPV vaccine to homophobia. Issues like tellability and the stigmatized vernacular loom large throughout. Although folklorists will already recognize the social importance of vernacular narrative and belief, The Kiss of Death also shows how medical professionals have often failed to take vernacular forms into account. Through attention to narrative and vernacular belief, folklorists can model new forms of engaging with public health professionals and local communities.
Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Disease is a social issue and not just a medical one. This is the central tenet underlying <a href="http://www.amazon.com/dp/1607329263/?tag=newbooinhis-20"><em>The Kiss of Death: Contagion, Contamination, and Folklore</em></a> (Utah State University Press 2019) by <a href="https://english.ecu.edu/people/faculty/andrea-kitta/">Andrea Kitta</a>, Associate Professor in the English department at East Carolina University, examines the discourses and metaphors of contagion and contamination in vernacular beliefs and practices across a number of media and forms. Using ethnographic, media, and narrative analysis, chapters discuss the changing representations of vampires and zombies in popular culture, the online discussions of Slenderman in relation to adolescent experiences of bullying, the misogyny embedded in legends about kisses that kill, and the racialized nature of patient-zero narratives that surrounding the spread of things like ebola, and the ways in which the HPV vaccine to homophobia. Issues like tellability and the stigmatized vernacular loom large throughout. Although folklorists will already recognize the social importance of vernacular narrative and belief, <em>The Kiss of Death</em> also shows how medical professionals have often failed to take vernacular forms into account. Through attention to narrative and vernacular belief, folklorists can model new forms of engaging with public health professionals and local communities.</p><p><em>Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4181</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64fc5dd8-1b7f-11ea-ac22-0fdac7bdf065]]></guid>
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    <item>
      <title>Joshua Sperber, "Consumer Management in the Internet Age: How Customers Became Managers in the Modern Workplace" (Lexington, 2019)</title>
      <description>In Consumer Management in the Internet Age: How Customers Became Managers in the Modern Workplace (Lexington Books, 2019), Joshua Sperber analyzes online consumer management, a practice in which customers monitor, report on, and—sometimes unwittingly—discipline workers through writing and posting online reviews. Sperber uses case studies of the websites Yelp and Rate My Professors (RMP), to explore how online reviewing, a popular contemporary hobby, tells us much about the collapse of the barriers separating work and leisure as well as our need for collective purpose and community wherever we can find it. This book explores the economic implications of online reviews, as reviews provide both valuable free content for websites and surveillance of, respectively, restaurant servers and college instructors.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 16 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sperber analyzes online consumer management, a practice in which customers monitor, report on, and—sometimes unwittingly—discipline workers through writing and posting online reviews...</itunes:subtitle>
      <itunes:summary>In Consumer Management in the Internet Age: How Customers Became Managers in the Modern Workplace (Lexington Books, 2019), Joshua Sperber analyzes online consumer management, a practice in which customers monitor, report on, and—sometimes unwittingly—discipline workers through writing and posting online reviews. Sperber uses case studies of the websites Yelp and Rate My Professors (RMP), to explore how online reviewing, a popular contemporary hobby, tells us much about the collapse of the barriers separating work and leisure as well as our need for collective purpose and community wherever we can find it. This book explores the economic implications of online reviews, as reviews provide both valuable free content for websites and surveillance of, respectively, restaurant servers and college instructors.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/149859221X/?tag=newbooinhis-20"><em>Consumer Management in the Internet Age: How Customers Became Managers in the Modern Workplace</em></a> (Lexington Books, 2019), <a href="https://www.averett.edu/academics/majors-and-programs/undergraduate/historypolitical-science/historypolitical-science-faculty/">Joshua Sperber</a> analyzes online consumer management, a practice in which customers monitor, report on, and—sometimes unwittingly—discipline workers through writing and posting online reviews. Sperber uses case studies of the websites Yelp and Rate My Professors (RMP), to explore how online reviewing, a popular contemporary hobby, tells us much about the collapse of the barriers separating work and leisure as well as our need for collective purpose and community wherever we can find it. This book explores the economic implications of online reviews, as reviews provide both valuable free content for websites and surveillance of, respectively, restaurant servers and college instructors.</p><p><em>Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her </em><a href="http://www.rebekahjbuchanan.com/"><em>website</em></a><em>, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at</em><a href="mailto:rj-buchanan@wiu.edu"><em> rj-buchanan@wiu.edu.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3794</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6b840cda-1a8c-11ea-9829-4fc9976ca39b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1088170874.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Gabe Logan, "The Early Years of Chicago Soccer, 1887-1939" (Lexington Books, 2019)</title>
      <description>The thriving metropolis of Chicago was the land of opportunity for a wide variety of ethnic groups. As individuals from nations where soccer reigned began arriving in the area, they instituted teams and leagues that supported “their” game. Ultimately the sport grew, and with the passage of time, eventually developed a following among native-born sons and daughters of these immigrants (including the development of high school teams throughout the city and leagues affiliated with the parks movement).
The sport was also an attraction for athletes who worked at various corporations; a mechanism whereby employers often tried to increase the loyalty of their workers. Additionally, there were players and associations that challenged employer dominance by creating teams that favored unions and even radical political affiliations (such as the communists).
Gabe Logan’s new book The Early Years of Chicago Soccer, 1887-1939 (Lexington Books, 2019) shows why the sport was significant to a substantial percentage of the population of Chicago, and how it was utilized to build associations of various kinds: be they ethnic, union, or political.
Jorge Iber is a professor of history at Texas Tech University.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 12 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>147</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The thriving metropolis of Chicago was the land of opportunity for a wide variety of ethnic groups...</itunes:subtitle>
      <itunes:summary>The thriving metropolis of Chicago was the land of opportunity for a wide variety of ethnic groups. As individuals from nations where soccer reigned began arriving in the area, they instituted teams and leagues that supported “their” game. Ultimately the sport grew, and with the passage of time, eventually developed a following among native-born sons and daughters of these immigrants (including the development of high school teams throughout the city and leagues affiliated with the parks movement).
The sport was also an attraction for athletes who worked at various corporations; a mechanism whereby employers often tried to increase the loyalty of their workers. Additionally, there were players and associations that challenged employer dominance by creating teams that favored unions and even radical political affiliations (such as the communists).
Gabe Logan’s new book The Early Years of Chicago Soccer, 1887-1939 (Lexington Books, 2019) shows why the sport was significant to a substantial percentage of the population of Chicago, and how it was utilized to build associations of various kinds: be they ethnic, union, or political.
Jorge Iber is a professor of history at Texas Tech University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The thriving metropolis of Chicago was the land of opportunity for a wide variety of ethnic groups. As individuals from nations where soccer reigned began arriving in the area, they instituted teams and leagues that supported “their” game. Ultimately the sport grew, and with the passage of time, eventually developed a following among native-born sons and daughters of these immigrants (including the development of high school teams throughout the city and leagues affiliated with the parks movement).</p><p>The sport was also an attraction for athletes who worked at various corporations; a mechanism whereby employers often tried to increase the loyalty of their workers. Additionally, there were players and associations that challenged employer dominance by creating teams that favored unions and even radical political affiliations (such as the communists).</p><p><a href="https://www.nmu.edu/history/gabe-logan">Gabe Logan</a>’s new book <a href="http://www.amazon.com/dp/1498599036/?tag=newbooinhis-20"><em>The Early Years of Chicago Soccer, 1887-1939</em></a><em> </em>(Lexington Books, 2019) shows why the sport was significant to a substantial percentage of the population of Chicago, and how it was utilized to build associations of various kinds: be they ethnic, union, or political.</p><p><a href="https://www.depts.ttu.edu/artsandsciences/DeanOffice/aboutIber.php"><em>Jorge Iber</em></a><em> is a professor of history at Texas Tech University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2808</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b0fd0d2e-1b46-11ea-a439-bb6c77871edf]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1300487887.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Alison Rowley, "Putin Kitsch in America" (McGill-Queen's UP, 2019)</title>
      <description>In her book, Putin Kitsch in America (McGill-Queen’s University Press, 2019), Alison Rowley examines the outsized influence that Vladimir Putin, both the man and the myth, have had on US political discourse in the last decade. Starting with the 2008 election, Rowley demonstrates how Putin’s frontier masculinity--best illustrated by the ubiquitous shirtless picture--has served as an important foil for US political figures, particularly Barack Obama and Donald Trump. Rowley examines various kitsch mediums, from seemingly innocuous coloring books and finger puppets, to more risque Putin bikinis and thongs, to the x-rated Trump-Putin slash fiction. Importantly, Rowley’s head-first plunge into Putin kitsch would not have been possible without the internet and on-demand printing and publishing services. Her book therefore also offers thoughtful commentary on what it means to be a political in the digital age, and offers Putin kitsch as an optimistic counterpoint to the quite dire predictions about democracy’s relationship to the internet.
Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.  
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 12 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rowley examines the outsized influence that Vladimir Putin, both the man and the myth, have had on US political discourse in the last decade....</itunes:subtitle>
      <itunes:summary>In her book, Putin Kitsch in America (McGill-Queen’s University Press, 2019), Alison Rowley examines the outsized influence that Vladimir Putin, both the man and the myth, have had on US political discourse in the last decade. Starting with the 2008 election, Rowley demonstrates how Putin’s frontier masculinity--best illustrated by the ubiquitous shirtless picture--has served as an important foil for US political figures, particularly Barack Obama and Donald Trump. Rowley examines various kitsch mediums, from seemingly innocuous coloring books and finger puppets, to more risque Putin bikinis and thongs, to the x-rated Trump-Putin slash fiction. Importantly, Rowley’s head-first plunge into Putin kitsch would not have been possible without the internet and on-demand printing and publishing services. Her book therefore also offers thoughtful commentary on what it means to be a political in the digital age, and offers Putin kitsch as an optimistic counterpoint to the quite dire predictions about democracy’s relationship to the internet.
Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.  
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book, <a href="http://www.amazon.com/dp/0773559019/?tag=newbooinhis-20"><em>Putin Kitsch in America</em></a> (McGill-Queen’s University Press, 2019), <a href="https://www.concordia.ca/artsci/history/faculty.html?fpid=alison-rowley">Alison Rowley</a> examines the outsized influence that Vladimir Putin, both the man and the myth, have had on US political discourse in the last decade. Starting with the 2008 election, Rowley demonstrates how Putin’s frontier masculinity--best illustrated by the ubiquitous shirtless picture--has served as an important foil for US political figures, particularly Barack Obama and Donald Trump. Rowley examines various kitsch mediums, from seemingly innocuous coloring books and finger puppets, to more risque Putin bikinis and thongs, to the x-rated Trump-Putin slash fiction. Importantly, Rowley’s head-first plunge into Putin kitsch would not have been possible without the internet and on-demand printing and publishing services. Her book therefore also offers thoughtful commentary on what it means to be a political in the digital age, and offers Putin kitsch as an optimistic counterpoint to the quite dire predictions about democracy’s relationship to the internet.</p><p><a href="https://www.linkedin.com/in/chelsea-gibson-b086b0b5/"><em>Chelsea Gibson</em></a><em> is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.  </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4150</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a1c2a104-184c-11ea-af87-037f0b1c9045]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8330243193.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Simone Knox and Kai Hanno Schwind, "Friends: A Reading of the Sitcom" (Palgrave Macmillan, 2019)</title>
      <description>What does Friends mean to us now? In Friends: A Reading of the Sitcom (Palgrave Macmillan, 2019), Simone Knox, an Associate Professor in the Department of Film, Theatre, and Television at the University of Reading, and Kai Hanno Schwind, an Associate Professor in the School of Arts, Design and Media at Kristiania University College, explore this question in one of the first major academic books about the show. They think through the importance of the show 25 years after the first broadcast, along with the recent critical reception and ‘backlash’, and the global influence of the show. The book also offers a detailed engagement with theories of humour and comedy, theories of performance, along with analysis of Friends’ relationship to genre, sceneography, and production process. The book will be essential reading for humanities and media and communications scholars, as well as anyone interested in Friends!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does Friends mean to us now?</itunes:subtitle>
      <itunes:summary>What does Friends mean to us now? In Friends: A Reading of the Sitcom (Palgrave Macmillan, 2019), Simone Knox, an Associate Professor in the Department of Film, Theatre, and Television at the University of Reading, and Kai Hanno Schwind, an Associate Professor in the School of Arts, Design and Media at Kristiania University College, explore this question in one of the first major academic books about the show. They think through the importance of the show 25 years after the first broadcast, along with the recent critical reception and ‘backlash’, and the global influence of the show. The book also offers a detailed engagement with theories of humour and comedy, theories of performance, along with analysis of Friends’ relationship to genre, sceneography, and production process. The book will be essential reading for humanities and media and communications scholars, as well as anyone interested in Friends!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does <em>Friends </em>mean to us now? In <a href="http://www.amazon.com/dp/3030254283/?tag=newbooinhis-20"><em>Friends: A Reading of the Sitcom</em></a> (Palgrave Macmillan, 2019), <a href="https://twitter.com/simoneknox">Simone Knox</a>, an Associate Professor in the Department of Film, Theatre, and Television at the University of Reading, and <a href="https://twitter.com/kaischwind">Kai Hanno Schwind</a>, an Associate Professor in the School of Arts, Design and Media at Kristiania University College, explore this question in one of the first major academic books about the show. They think through the importance of the show 25 years after the first broadcast, along with the recent critical reception and ‘backlash’, and the global influence of the show. The book also offers a detailed engagement with theories of humour and comedy, theories of performance, along with analysis of <em>Friends</em>’ relationship to genre, sceneography, and production process. The book will be essential reading for humanities and media and communications scholars, as well as anyone interested in <em>Friends</em>!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2551</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[00d8ff86-1b53-11ea-bb88-87790420301e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9709307021.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Alexandra D'Arcy, "Discourse-Pragmatic Variation in Context: Eight hundred years of LIKE" (John Benjamins, 2017)</title>
      <description>Like is a ubiquitous feature of English with a deep history in the language, exhibiting regular and constrained variable grammars over time. Alexandra D'Arcy's book Discourse-Pragmatic Variation in Context: Eight hundred years of LIKE (John Benjamins, 2017) explores the various contexts of like, each of which contributes to the reality of contemporary vernaculars: its historical context, its developmental context, its social context, and its ideological context. The final chapter examines the ways in which these contexts overlap and inform current understanding of acquisition, structure, change, and embedding. The volume also features an extensive appendix, containing numerous examples of like in its pragmatic functions from a range of English corpora, both diachronic and synchronic. The volume will be of interest to students and scholars of English historical linguistics, grammaticalization, language variation and change, discourse-pragmatics and the interface of these fields with formal linguistic theory.
Carrie Gillon and Megan Figueroa are the hosts of the terrific The Vocal Fries, a podcast about language and linguistic discrimination. You can find it on Apple Podcasts here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 04 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Like" is a ubiquitous feature of English with a deep history in the language, exhibiting regular and constrained variable grammars over time...</itunes:subtitle>
      <itunes:summary>Like is a ubiquitous feature of English with a deep history in the language, exhibiting regular and constrained variable grammars over time. Alexandra D'Arcy's book Discourse-Pragmatic Variation in Context: Eight hundred years of LIKE (John Benjamins, 2017) explores the various contexts of like, each of which contributes to the reality of contemporary vernaculars: its historical context, its developmental context, its social context, and its ideological context. The final chapter examines the ways in which these contexts overlap and inform current understanding of acquisition, structure, change, and embedding. The volume also features an extensive appendix, containing numerous examples of like in its pragmatic functions from a range of English corpora, both diachronic and synchronic. The volume will be of interest to students and scholars of English historical linguistics, grammaticalization, language variation and change, discourse-pragmatics and the interface of these fields with formal linguistic theory.
Carrie Gillon and Megan Figueroa are the hosts of the terrific The Vocal Fries, a podcast about language and linguistic discrimination. You can find it on Apple Podcasts here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Like</em> is a ubiquitous feature of English with a deep history in the language, exhibiting regular and constrained variable grammars over time. <a href="https://www.uvic.ca/humanities/linguistics/people/faculty/darcyalexandra.php">Alexandra D'Arcy</a>'s book <a href="http://www.amazon.com/dp/9027259526/?tag=newbooinhis-20"><em>Discourse-Pragmatic Variation in Context: Eight hundred years of LIKE</em></a> (John Benjamins, 2017) explores the various contexts of <em>like</em>, each of which contributes to the reality of contemporary vernaculars: its historical context, its developmental context, its social context, and its ideological context. The final chapter examines the ways in which these contexts overlap and inform current understanding of acquisition, structure, change, and embedding. The volume also features an extensive appendix, containing numerous examples of <em>like </em>in its pragmatic functions from a range of English corpora, both diachronic and synchronic. The volume will be of interest to students and scholars of English historical linguistics, grammaticalization, language variation and change, discourse-pragmatics and the interface of these fields with formal linguistic theory.</p><p><a href="https://twitter.com/carrie_gee?lang=en"><em>Carrie Gillon</em></a><em> and </em><a href="https://twitter.com/megandfigueroa?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor"><em>Megan Figueroa</em></a><em> are the hosts of the terrific </em><a href="https://vocalfriespod.fireside.fm/"><em>The Vocal Fries</em></a><em>, a podcast about language and linguistic discrimination. You can find it on Apple Podcasts </em><a href="https://podcasts.apple.com/us/podcast/the-vocal-fries/id1260191014"><em>here</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4305</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[31e3e7ae-f8e3-11e9-8f54-afddeee7ffcf]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7721478795.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)</title>
      <description>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.
However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.
In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at?</itunes:subtitle>
      <itunes:summary>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.
However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.
In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.</p><p>However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.</p><p>In <a href="http://www.amazon.com/dp/1324001569/?tag=newbooinhis-20"><em>How Charts Lie: Getting Smarter about Visual Information</em></a> (W. W. Norton, 2019), data visualization expert <a href="http://albertocairo.com/">Alberto Cairo</a> teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, <em>How Charts Lie</em> demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3452</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT4286302875.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ann K. McClellan, "Sherlock’s World: Fan Fiction and the Reimagining of BBC’s Sherlock" (U Iowa Press, 2018)</title>
      <description>In Sherlock’s World: Fan Fiction and the Reimagining of BBC’s Sherlock (University of Iowa Press, 2018), Ann K. McClellan explores fan fiction inspired by one of the most-watch BBC series in history. Even after 130 years, Sherlock Holmes is still one of the most popular detectives ever to appear in print and on the screen. The recent BBC series Sherlock, set in modern-day London, brings Sherlock, John Watson, and other characters and events from Sir Arthur Conan Doyle’s nineteenth century London to a new group of fans. The series has inspired a large fan following across the globe, and with it fan fiction that continues to reimagine the characters beyond their lives in London.
McClellan examines the series through the lenses of fan fiction studies, genre studies, and world building. Grounding the recent series and fandom in the larger historical fandom culture of Sir Arthur Conan Doyle’s popular detective, McClellan deftly presents how fan culture has evolved throughout the past century. Focusing on fan fiction, Sherlock’s World presents the ways that fans both change the canon as well as establish its position as the source text for their work. McClellan focuses on slash, world building, alternate universe, and real person fiction fan fiction as ways to explore how fans have pushed the boundaries of genre, character, canon, and reality.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 26 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>McClellan explores fan fiction inspired by one of the most-watch BBC series in history...</itunes:subtitle>
      <itunes:summary>In Sherlock’s World: Fan Fiction and the Reimagining of BBC’s Sherlock (University of Iowa Press, 2018), Ann K. McClellan explores fan fiction inspired by one of the most-watch BBC series in history. Even after 130 years, Sherlock Holmes is still one of the most popular detectives ever to appear in print and on the screen. The recent BBC series Sherlock, set in modern-day London, brings Sherlock, John Watson, and other characters and events from Sir Arthur Conan Doyle’s nineteenth century London to a new group of fans. The series has inspired a large fan following across the globe, and with it fan fiction that continues to reimagine the characters beyond their lives in London.
McClellan examines the series through the lenses of fan fiction studies, genre studies, and world building. Grounding the recent series and fandom in the larger historical fandom culture of Sir Arthur Conan Doyle’s popular detective, McClellan deftly presents how fan culture has evolved throughout the past century. Focusing on fan fiction, Sherlock’s World presents the ways that fans both change the canon as well as establish its position as the source text for their work. McClellan focuses on slash, world building, alternate universe, and real person fiction fan fiction as ways to explore how fans have pushed the boundaries of genre, character, canon, and reality.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1609386167/?tag=newbooinhis-20"><em>Sherlock’s World: Fan Fiction and the Reimagining of BBC’s Sherlock</em></a> (University of Iowa Press, 2018), <a href="https://campus.plymouth.edu/president/administration-office-staff/ann-mcclellan/">Ann K. McClellan</a> explores fan fiction inspired by one of the most-watch BBC series in history. Even after 130 years, Sherlock Holmes is still one of the most popular detectives ever to appear in print and on the screen. The recent BBC series Sherlock, set in modern-day London, brings Sherlock, John Watson, and other characters and events from Sir Arthur Conan Doyle’s nineteenth century London to a new group of fans. The series has inspired a large fan following across the globe, and with it fan fiction that continues to reimagine the characters beyond their lives in London.</p><p>McClellan examines the series through the lenses of fan fiction studies, genre studies, and world building. Grounding the recent series and fandom in the larger historical fandom culture of Sir Arthur Conan Doyle’s popular detective, McClellan deftly presents how fan culture has evolved throughout the past century. Focusing on fan fiction, Sherlock’s World presents the ways that fans both change the canon as well as establish its position as the source text for their work. McClellan focuses on slash, world building, alternate universe, and real person fiction fan fiction as ways to explore how fans have pushed the boundaries of genre, character, canon, and reality.</p><p><a href="https://wiu.academia.edu/RebekahBuchanan"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of </em><a href="https://www.peterlang.com/view/product/30541"><em>Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</em></a><em> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at</em><a href="mailto:rj-buchanan@wiu.edu"><em> rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4174</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[188dc186-094f-11ea-b061-8b95a4d2e17f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2379086765.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lincoln A. Mitchell, "San Francisco Year Zero" (Rutgers UP, 2019)</title>
      <description>1978 was the year that changed San Francisco forever, writes Lincoln A. Mitchell in San Francisco Year Zero: Political Upheaval, Punk Rock and a Third-Place Baseball Team (Rutgers University Press, 2019). After the long hangover from the heady 1960s and summer of love, San Francisco was, by the late ‘70s, a city in transition and a city in crisis. The election of Harvey Milk, the first openly gay American elected official, and the re-election of left-wing mayor George Moscone seemed to indicate a rejection of political centrism and an embrace of leftist municipal politics. That all changed in November when an assassin’s bullet killed both leaders, bringing Diane Feinstein to power and putting the city on a path to economic inequality and broadly liberal social politics. Behind the political chaos, the culture of the Grateful Dead was giving way to the punk rock scene, and a mediocre-yet-lovable Giants team was capturing the hearts of its fans and banishing all fears of a possible relocation to the east coast. 1978 created today’s San Francisco, for good and ill, and Mitchell tells the story of a city he loves in vivid detail and a keen sense of narrative. San Francisco has long been an easy city to stereotype – San Francisco Year Zero urges readers to embrace the complications hidden just out of sight below the city’s foggy surface.
Stephen Hausmann is an Assistant Professor of US History at the University of St. Thomas in Minnesota. He teaches courses on modern US history, environmental history, and Indigenous history and is currently working on his book manuscript, an environmental history of the Black Hills of South Dakota and Wyoming.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>1978 was the year that changed San Francisco forever..</itunes:subtitle>
      <itunes:summary>1978 was the year that changed San Francisco forever, writes Lincoln A. Mitchell in San Francisco Year Zero: Political Upheaval, Punk Rock and a Third-Place Baseball Team (Rutgers University Press, 2019). After the long hangover from the heady 1960s and summer of love, San Francisco was, by the late ‘70s, a city in transition and a city in crisis. The election of Harvey Milk, the first openly gay American elected official, and the re-election of left-wing mayor George Moscone seemed to indicate a rejection of political centrism and an embrace of leftist municipal politics. That all changed in November when an assassin’s bullet killed both leaders, bringing Diane Feinstein to power and putting the city on a path to economic inequality and broadly liberal social politics. Behind the political chaos, the culture of the Grateful Dead was giving way to the punk rock scene, and a mediocre-yet-lovable Giants team was capturing the hearts of its fans and banishing all fears of a possible relocation to the east coast. 1978 created today’s San Francisco, for good and ill, and Mitchell tells the story of a city he loves in vivid detail and a keen sense of narrative. San Francisco has long been an easy city to stereotype – San Francisco Year Zero urges readers to embrace the complications hidden just out of sight below the city’s foggy surface.
Stephen Hausmann is an Assistant Professor of US History at the University of St. Thomas in Minnesota. He teaches courses on modern US history, environmental history, and Indigenous history and is currently working on his book manuscript, an environmental history of the Black Hills of South Dakota and Wyoming.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>1978 was the year that changed San Francisco forever, writes <a href="http://lincolnmitchell.com/">Lincoln A. Mitchell</a> in <a href="http://www.amazon.com/dp/1978807341/?tag=newbooinhis-20"><em>San Francisco Year Zero: Political Upheaval, Punk Rock and a Third-Place Baseball Team</em></a> (Rutgers University Press, 2019). After the long hangover from the heady 1960s and summer of love, San Francisco was, by the late ‘70s, a city in transition and a city in crisis. The election of Harvey Milk, the first openly gay American elected official, and the re-election of left-wing mayor George Moscone seemed to indicate a rejection of political centrism and an embrace of leftist municipal politics. That all changed in November when an assassin’s bullet killed both leaders, bringing Diane Feinstein to power and putting the city on a path to economic inequality and broadly liberal social politics. Behind the political chaos, the culture of the Grateful Dead was giving way to the punk rock scene, and a mediocre-yet-lovable Giants team was capturing the hearts of its fans and banishing all fears of a possible relocation to the east coast. 1978 created today’s San Francisco, for good and ill, and Mitchell tells the story of a city he loves in vivid detail and a keen sense of narrative. San Francisco has long been an easy city to stereotype – <em>San Francisco Year Zero</em> urges readers to embrace the complications hidden just out of sight below the city’s foggy surface.</p><p><em>Stephen Hausmann is an Assistant Professor of US History at the University of St. Thomas in Minnesota. He teaches courses on modern US history, environmental history, and Indigenous history and is currently working on his book manuscript, an environmental history of the Black Hills of South Dakota and Wyoming.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3140</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6ed0cbde-0615-11ea-8348-73be621d5ce4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9341689172.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Alizart, "Dogs" (Polity, 2019)</title>
      <description>Man’s best friend, domesticated since prehistoric times, a travelling companion for explorers and artists, thinkers and walkers, equally happy curled up by the fire and bounding through the great outdoors―dogs matter to us because we love them. But is that all there is to the canine’s good-natured voracity and affectionate dependency?
In his new book Dogs (Polity, 2019), Mark Alizart dispenses with the well-worn clichés concerning dogs and their masters, seeing them not as submissive pets but rather as unexpected life coaches, ready to teach us the elusive recipes for contentment and joy. Dogs have faced their fate in life with a certain detachment that is not easy to understand. Unlike other animals in a similar situation, they have not become hardened, nor have they let themselves die a little inside. On the contrary, they seem to have softened. This book is devoted to understanding this miracle, the miracle of the joy of dogs – to understanding it and, if at all possible, to learning how it’s done.
Weaving elegantly and eruditely between historical myth and pop-culture anecdote, between the peculiar views of philosophers and the even more bizarre findings of science, Alizart offers us a surprising new portrait of the dog as thinker―a thinker who may perhaps know the true secret of our humanity.
Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Alizart offers us a surprising new portrait of the dog as thinker―a thinker who may perhaps know the true secret of our humanity...</itunes:subtitle>
      <itunes:summary>Man’s best friend, domesticated since prehistoric times, a travelling companion for explorers and artists, thinkers and walkers, equally happy curled up by the fire and bounding through the great outdoors―dogs matter to us because we love them. But is that all there is to the canine’s good-natured voracity and affectionate dependency?
In his new book Dogs (Polity, 2019), Mark Alizart dispenses with the well-worn clichés concerning dogs and their masters, seeing them not as submissive pets but rather as unexpected life coaches, ready to teach us the elusive recipes for contentment and joy. Dogs have faced their fate in life with a certain detachment that is not easy to understand. Unlike other animals in a similar situation, they have not become hardened, nor have they let themselves die a little inside. On the contrary, they seem to have softened. This book is devoted to understanding this miracle, the miracle of the joy of dogs – to understanding it and, if at all possible, to learning how it’s done.
Weaving elegantly and eruditely between historical myth and pop-culture anecdote, between the peculiar views of philosophers and the even more bizarre findings of science, Alizart offers us a surprising new portrait of the dog as thinker―a thinker who may perhaps know the true secret of our humanity.
Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Man’s best friend, domesticated since prehistoric times, a travelling companion for explorers and artists, thinkers and walkers, equally happy curled up by the fire and bounding through the great outdoors―dogs matter to us because we love them. But is that all there is to the canine’s good-natured voracity and affectionate dependency?</p><p>In his new book <a href="http://www.amazon.com/dp/1509537287/?tag=newbooinhis-20"><em>Dogs</em></a> (Polity, 2019), <a href="https://fr.wikipedia.org/wiki/Mark_Alizart">Mark Alizart</a> dispenses with the well-worn clichés concerning dogs and their masters, seeing them not as submissive pets but rather as unexpected life coaches, ready to teach us the elusive recipes for contentment and joy. Dogs have faced their fate in life with a certain detachment that is not easy to understand. Unlike other animals in a similar situation, they have not become hardened, nor have they let themselves die a little inside. On the contrary, they seem to have softened. This book is devoted to understanding this miracle, the miracle of the joy of dogs – to understanding it and, if at all possible, to learning how it’s done.</p><p>Weaving elegantly and eruditely between historical myth and pop-culture anecdote, between the peculiar views of philosophers and the even more bizarre findings of science, Alizart offers us a surprising new portrait of the dog as thinker―a thinker who may perhaps know the true secret of our humanity.</p><p><em>Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2856</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2ea5dca0-0306-11ea-afb5-2752cdbd3691]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5591395420.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Rees, "Before the Refrigerator: How We Used to Get Ice" (Johns Hopkins UP, 2018)</title>
      <description>Frederic Tudor was the “Ice King” of early nineteenth-century America. It was Tudor who realized that ice, harvested from New England ponds and rivers could be shipped to the Caribbean. Shipping was cheap, because ships often went empty to pick up cargo; insulation could be made from sawdust, a waste product of the New England lumber industry. His first shipment was in 1806; after failure and adaptation, he was shipping ice throughout the Caribbean, and using leftover ice to bring back tropical fruit. In 1833, he began to ship ice to India, which would become his most lucrative market.
Tudor’s story is just one of those told by Jonathan Rees in his book Before the Refrigerator: How We Used to Get Ice (Johns Hopkins University Press, 2018). It’s the third book he’s written about what Rees calls “the modern cold chain.” That might not sound very exciting. But Rees is describing something very interesting indeed: how complex technological systems can develop without any central controlling force. There were no monopolies in refrigeration, no central government agencies. It just…happened. With a lot of work. How it did is the subject of our conversation.
Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 14 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>621</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Frederic Tudor was the “Ice King” of early nineteenth-century America..</itunes:subtitle>
      <itunes:summary>Frederic Tudor was the “Ice King” of early nineteenth-century America. It was Tudor who realized that ice, harvested from New England ponds and rivers could be shipped to the Caribbean. Shipping was cheap, because ships often went empty to pick up cargo; insulation could be made from sawdust, a waste product of the New England lumber industry. His first shipment was in 1806; after failure and adaptation, he was shipping ice throughout the Caribbean, and using leftover ice to bring back tropical fruit. In 1833, he began to ship ice to India, which would become his most lucrative market.
Tudor’s story is just one of those told by Jonathan Rees in his book Before the Refrigerator: How We Used to Get Ice (Johns Hopkins University Press, 2018). It’s the third book he’s written about what Rees calls “the modern cold chain.” That might not sound very exciting. But Rees is describing something very interesting indeed: how complex technological systems can develop without any central controlling force. There were no monopolies in refrigeration, no central government agencies. It just…happened. With a lot of work. How it did is the subject of our conversation.
Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Frederic Tudor was the “Ice King” of early nineteenth-century America. It was Tudor who realized that ice, harvested from New England ponds and rivers could be shipped to the Caribbean. Shipping was cheap, because ships often went empty to pick up cargo; insulation could be made from sawdust, a waste product of the New England lumber industry. His first shipment was in 1806; after failure and adaptation, he was shipping ice throughout the Caribbean, and using leftover ice to bring back tropical fruit. In 1833, he began to ship ice to India, which would become his most lucrative market.</p><p>Tudor’s story is just one of those told by <a href="https://chroniclevitae.com/people/72-jonathan-rees/profile">Jonathan Rees</a> in his book Before the Refrigerator: How We Used to Get Ice (Johns Hopkins University Press, 2018). It’s the <em>third</em> book he’s written about what Rees calls “the modern cold chain.” That might not sound very exciting. But Rees is describing something very interesting indeed: how complex technological systems can develop without any central controlling force. There were no monopolies in refrigeration, no central government agencies. It just…happened. With a lot of work. How it did is the subject of our conversation.</p><p><em>Al Zambone is a historian and the host of the podcast </em><a href="http://historicallythinking.org/"><em>Historically Thinking</em></a><em>. You can subscribe to Historically Thinking on </em><a href="https://podcasts.apple.com/us/podcast/historically-thinking-conversations/id965914326"><em>Apple Podcasts</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3284</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a881b1aa-de32-11e9-a73b-8fa78153678f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6300810369.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Liz Gloyn, "Tracking Classical Monsters in Popular Culture" (Bloomsbury Academic, 2019)</title>
      <description>What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In Tracking Classical Monsters in Popular Culture (Bloomsbury Academic, 2019), the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world.
Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book.
Aven McMaster and Mark Sundaram are historians and the hosts of the excellent podcast The Endless Knot.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is it about ancient monsters that popular culture still finds so enthralling?</itunes:subtitle>
      <itunes:summary>What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In Tracking Classical Monsters in Popular Culture (Bloomsbury Academic, 2019), the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world.
Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book.
Aven McMaster and Mark Sundaram are historians and the hosts of the excellent podcast The Endless Knot.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In <a href="http://www.amazon.com/dp/1350109614/?tag=newbooinhis-20"><em>Tracking Classical Monsters in Popular Culture</em></a> (Bloomsbury Academic, 2019), the first in-depth study of how post-classical societies use the creatures from ancient myth, <a href="https://pure.royalholloway.ac.uk/portal/en/persons/elizabeth-gloyn(263b1146-5f8a-4c99-a909-01c78a7caef2).html">Liz Gloyn</a> reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world.</p><p>Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book.</p><p><a href="https://www.thorneloe.ca/faculty/dr-aven-mcmaster"><em>Aven McMaster</em></a><em> and </em><a href="https://twitter.com/alliterative?lang=en"><em>Mark Sundaram</em></a><em> are historians and the hosts of the excellent podcast </em><a href="http://www.alliterative.net/"><strong><em>The Endless Knot</em></strong></a><strong><em>.</em></strong></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4103</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63c83eb8-f74a-11e9-b4da-9756b90940cd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9980756156.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jim Clarke, "Science Fiction and Catholicism: The Rise and Fall of the Robot Papacy" (Gylphi, 2019)</title>
      <description>Ah, science fiction: Aliens? Absolutely. Robots? Of course. But why are there so many priests in space? As Jim Clarke writes in Science Fiction and Catholicism: The Rise and Fall of the Robot Papacy (Gylphi, 2019), science fiction has had an obsession with Roman Catholicism for over a century. The religion is the genre’s dark twin as well as its dirty secret. In this first ever study of the relationship between Catholicism and science fiction, Jim Clarke explores the genre's co-dependence and antagonism with the largest sect of Christianity. Tracking its origins all the way back to the pamphlet wars of the Enlightenment and speculative fiction's Gothic origins, Clarke unveils a story of robot Popes, Jesuit missions to the stars, first contact between aliens and the Inquisition, and rewritings of the Reformation. Featuring close readings of over fifty SF texts, he examines how the genre’s greatest invention might just be the imaginary Catholicism it repeatedly and obsessively depicts, a faux Catholicism at odds with the religion's own intriguing interest in both science and the possibility of alien life.
Jim Clarke is Senior Lecturer and Course Director of English and Journalism at Coventry University, where he lectures on Science Fiction and Fantasy literature. He is the author of The Aesthetics of Anthony Burgess, and has written extensively on JG Ballard, Doctor Who, and Iain M Banks. He is principal investigator on the “Ponying the Slovos” project, which investigates invented languages in translation.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Science fiction has had an obsession with Roman Catholicism for over a century...</itunes:subtitle>
      <itunes:summary>Ah, science fiction: Aliens? Absolutely. Robots? Of course. But why are there so many priests in space? As Jim Clarke writes in Science Fiction and Catholicism: The Rise and Fall of the Robot Papacy (Gylphi, 2019), science fiction has had an obsession with Roman Catholicism for over a century. The religion is the genre’s dark twin as well as its dirty secret. In this first ever study of the relationship between Catholicism and science fiction, Jim Clarke explores the genre's co-dependence and antagonism with the largest sect of Christianity. Tracking its origins all the way back to the pamphlet wars of the Enlightenment and speculative fiction's Gothic origins, Clarke unveils a story of robot Popes, Jesuit missions to the stars, first contact between aliens and the Inquisition, and rewritings of the Reformation. Featuring close readings of over fifty SF texts, he examines how the genre’s greatest invention might just be the imaginary Catholicism it repeatedly and obsessively depicts, a faux Catholicism at odds with the religion's own intriguing interest in both science and the possibility of alien life.
Jim Clarke is Senior Lecturer and Course Director of English and Journalism at Coventry University, where he lectures on Science Fiction and Fantasy literature. He is the author of The Aesthetics of Anthony Burgess, and has written extensively on JG Ballard, Doctor Who, and Iain M Banks. He is principal investigator on the “Ponying the Slovos” project, which investigates invented languages in translation.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ah, science fiction: Aliens? Absolutely. Robots? Of course. But why are there so many priests in space? As <a href="https://www.coventry.ac.uk/life-on-campus/staff-directory/arts-and-humanities/dr-jim-clarke/">Jim Clarke</a> writes in <a href="http://www.amazon.com/dp/1780240848/?tag=newbooinhis-20"><em>Science Fiction and Catholicism: The Rise and Fall of the Robot Papacy</em></a> (Gylphi, 2019), science fiction has had an obsession with Roman Catholicism for over a century. The religion is the genre’s dark twin as well as its dirty secret. In this first ever study of the relationship between Catholicism and science fiction, Jim Clarke explores the genre's co-dependence and antagonism with the largest sect of Christianity. Tracking its origins all the way back to the pamphlet wars of the Enlightenment and speculative fiction's Gothic origins, Clarke unveils a story of robot Popes, Jesuit missions to the stars, first contact between aliens and the Inquisition, and rewritings of the Reformation. Featuring close readings of over fifty SF texts, he examines how the genre’s greatest invention might just be the imaginary Catholicism it repeatedly and obsessively depicts, a faux Catholicism at odds with the religion's own intriguing interest in both science and the possibility of alien life.</p><p>Jim Clarke is Senior Lecturer and Course Director of English and Journalism at Coventry University, where he lectures on Science Fiction and Fantasy literature. He is the author of <em>The Aesthetics of Anthony Burgess</em>, and has written extensively on JG Ballard, Doctor Who, and Iain M Banks. He is principal investigator on the “Ponying the Slovos” project, which investigates invented languages in translation.</p><p><em>Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2730</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a9389554-fef9-11e9-8e7c-dbf7028f8edf]]></guid>
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    <item>
      <title>Nina Sun Eidsheim, "The Race of Sound: Listening, Timbre and Vocality in African American Music" (Duke UP, 2019)</title>
      <description>In 2018, Nicolle R. Holliday and Daniel Villarreal published the results of a study they conducted asking people to rank how “black” President Obama sounded when given four different examples of his speech. Dr. Nina Sun Eidsheim’s latest book, The Race of Sound: Listening Timbre and Vocality in African American Music (Duke University Press, 2019) explores the values, stereotypes, and cultural norms that underline such a question. Through examples ranging from black opera singers in the nineteenth century to user’s responses to the vocal synthesis technology called Vocaloid, Eidsheim sheds light on the ways that listeners invest racial and gendered meanings in vocal timbre. Contending that vocal timbre is an even stronger marker for race and gender than physical appearance, Eidsheim explores the consequences of and reasons for the cognitive dissonance caused by of the seeming “mismatch” between the bodies and vocal timbres of African American jazz singer Jimmy Scott and Norwegian child singer and Billie Holiday impersonator, Angelina Jordan. She takes on the significant political and social results of essentialized understandings of race, gender, age, and ethnicity that support cultural constructions of identity and investigates the central role vocal timbre plays in creating and reinforcing those ideas.
Nina Sun Eidsheim is a Professor of Musicology in the Herb Alpert School of Music at the University of California at Los Angeles.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 04 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>90</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Eidsheim contents that vocal timbre is an even stronger marker for race and gender than physical appearance...</itunes:subtitle>
      <itunes:summary>In 2018, Nicolle R. Holliday and Daniel Villarreal published the results of a study they conducted asking people to rank how “black” President Obama sounded when given four different examples of his speech. Dr. Nina Sun Eidsheim’s latest book, The Race of Sound: Listening Timbre and Vocality in African American Music (Duke University Press, 2019) explores the values, stereotypes, and cultural norms that underline such a question. Through examples ranging from black opera singers in the nineteenth century to user’s responses to the vocal synthesis technology called Vocaloid, Eidsheim sheds light on the ways that listeners invest racial and gendered meanings in vocal timbre. Contending that vocal timbre is an even stronger marker for race and gender than physical appearance, Eidsheim explores the consequences of and reasons for the cognitive dissonance caused by of the seeming “mismatch” between the bodies and vocal timbres of African American jazz singer Jimmy Scott and Norwegian child singer and Billie Holiday impersonator, Angelina Jordan. She takes on the significant political and social results of essentialized understandings of race, gender, age, and ethnicity that support cultural constructions of identity and investigates the central role vocal timbre plays in creating and reinforcing those ideas.
Nina Sun Eidsheim is a Professor of Musicology in the Herb Alpert School of Music at the University of California at Los Angeles.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2018, Nicolle R. Holliday and Daniel Villarreal published the results of a study they conducted asking people to rank how “black” President Obama sounded when given four different examples of his speech. Dr. <a href="https://schoolofmusic.ucla.edu/people/nina-eidsheim/">Nina Sun Eidsheim</a>’s latest book, <a href="http://www.amazon.com/dp/0822368684/?tag=newbooinhis-20"><em>The Race of Sound: Listening Timbre and Vocality in African American Music</em></a> (Duke University Press, 2019) explores the values, stereotypes, and cultural norms that underline such a question. Through examples ranging from black opera singers in the nineteenth century to user’s responses to the vocal synthesis technology called Vocaloid, Eidsheim sheds light on the ways that listeners invest racial and gendered meanings in vocal timbre. Contending that vocal timbre is an even stronger marker for race and gender than physical appearance, Eidsheim explores the consequences of and reasons for the cognitive dissonance caused by of the seeming “mismatch” between the bodies and vocal timbres of African American jazz singer Jimmy Scott and Norwegian child singer and Billie Holiday impersonator, Angelina Jordan. She takes on the significant political and social results of essentialized understandings of race, gender, age, and ethnicity that support cultural constructions of identity and investigates the central role vocal timbre plays in creating and reinforcing those ideas.</p><p>Nina Sun Eidsheim is a Professor of Musicology in the Herb Alpert School of Music at the University of California at Los Angeles.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4156</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kathryn Conrad on University Press Publishing</title>
      <description>As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.
How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.
Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 03 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do university presses do, and how do they do it?</itunes:subtitle>
      <itunes:summary>As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.
How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.
Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.</p><p>How do they do it? Today I talked to <a href="https://uapress.arizona.edu/2019/06/kathryn-conrad-president-aupresses">Kathryn Conrad</a>, the president of the <a href="http://www.aupresses.org/">Association of University Presses</a>, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.</p><p><em>Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2425</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8cc22b5c-fd6d-11e9-8792-475c3f35a550]]></guid>
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      <title>Aisha Shillingford and Terry Marshall, "Black Freedom Beyond Borders: Re-Imaging Gender in Wakanda" (WDL, 2019)</title>
      <description>Wakanda Dream Lab’s anthology, Black Freedom Beyond Borders: Re-Imaging Gender in Wakanda, features the work of writers, artists, and activists, as they imagine gender justice through the framework of Wakanda. The various stories and pieces are creative and thought-provoking as they center the voices, experiences, and visions of Black and Native women, femmes, girls, and trans and gender non-conforming people. In this interview, we chat with Aisha Shillingford and Terry Marshall about their own work and the work of Wakanda Dream Lab. We go on to discuss the process of putting together the anthology, what makes Wakanda so special, and what they want readers to learn from the book. Black Freedom Beyond Borders: Re-Imaging Gender in Wakanda shows the importance of speculative writing in envisioning liberation and justice.
A huge shoutout to the many people involved in this project!
Follow Wakanda Dream Lab’s work on their website and on their Instagram.
Download the anthology for free here!
Adrian King (they/them) is a PhD student in American Culture at the University of Michigan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 28 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>180</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Black Freedom" features the work of writers, artists, and activists, as they imagine gender justice through the framework of Wakanda...</itunes:subtitle>
      <itunes:summary>Wakanda Dream Lab’s anthology, Black Freedom Beyond Borders: Re-Imaging Gender in Wakanda, features the work of writers, artists, and activists, as they imagine gender justice through the framework of Wakanda. The various stories and pieces are creative and thought-provoking as they center the voices, experiences, and visions of Black and Native women, femmes, girls, and trans and gender non-conforming people. In this interview, we chat with Aisha Shillingford and Terry Marshall about their own work and the work of Wakanda Dream Lab. We go on to discuss the process of putting together the anthology, what makes Wakanda so special, and what they want readers to learn from the book. Black Freedom Beyond Borders: Re-Imaging Gender in Wakanda shows the importance of speculative writing in envisioning liberation and justice.
A huge shoutout to the many people involved in this project!
Follow Wakanda Dream Lab’s work on their website and on their Instagram.
Download the anthology for free here!
Adrian King (they/them) is a PhD student in American Culture at the University of Michigan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Wakanda Dream Lab’s anthology<em>, Black Freedom Beyond Borders: Re-Imaging Gender in Wakanda</em>, features the work of writers, artists, and activists, as they imagine gender justice through the framework of Wakanda. The various stories and pieces are creative and thought-provoking as they center the voices, experiences, and visions of Black and Native women, femmes, girls, and trans and gender non-conforming people. In this interview, we chat with <a href="https://www.wakandadreamlab.com/about">Aisha Shillingford</a> and <a href="https://www.wakandadreamlab.com/about">Terry Marshall</a> about their own work and the work of Wakanda Dream Lab. We go on to discuss the process of putting together the anthology, what makes Wakanda so special, and what they want readers to learn from the book. <em>Black Freedom Beyond Borders: Re-Imaging Gender</em> in Wakanda shows the importance of speculative writing in envisioning liberation and justice.</p><p>A huge shoutout to the many people involved in this project!</p><p>Follow Wakanda Dream Lab’s work on their <a href="https://www.wakandadreamlab.com/">website</a> and on their <a href="https://www.instagram.com/wakandadreamlab/">Instagram</a>.</p><p>Download the anthology for free <a href="https://www.wakandadreamlab.com/re-imaginegender">here</a>!</p><p><em>Adrian King (they/them) is a PhD student in American Culture at the University of Michigan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2845</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3df7b7f0-f401-11e9-b309-375d9aad5ff4]]></guid>
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    <item>
      <title>Andreas Bernard, "Theory of the Hashtag" (Polity, 2019)</title>
      <description>In his short book, Theory of the Hashtag (Polity, 2019), Andreas Bernard traces the origins and career of the hashtag. Following the history of the # sign through its origins in the Middle Ages and how it became a common symbol through its placement on American typewriters and touch tone phones. He examines the hashtag’s role in changing how we define and discuss keywords. Focusing on the use of the # on Twitter and Instagram, Bernard looks at how the sign is used in activism and marketing, addressing these different fields and how they apply the hashtag to meet their own needs. In this short volume, Bernard gives insight into the symbol that has changed how we bundle discourse and organize public discussion and debate. Although other texts have talked about the hashtag as a form of social media activism, with his analysis of the history of the symbol and it’s use by marketing and advertising corporation, Bernard forces readers to think about the hashtag’s complexities and the ways in which the use of the symbol is changing the public sphere.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 25 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bernard examines the hashtag’s role in changing how we define and discuss keywords...</itunes:subtitle>
      <itunes:summary>In his short book, Theory of the Hashtag (Polity, 2019), Andreas Bernard traces the origins and career of the hashtag. Following the history of the # sign through its origins in the Middle Ages and how it became a common symbol through its placement on American typewriters and touch tone phones. He examines the hashtag’s role in changing how we define and discuss keywords. Focusing on the use of the # on Twitter and Instagram, Bernard looks at how the sign is used in activism and marketing, addressing these different fields and how they apply the hashtag to meet their own needs. In this short volume, Bernard gives insight into the symbol that has changed how we bundle discourse and organize public discussion and debate. Although other texts have talked about the hashtag as a form of social media activism, with his analysis of the history of the symbol and it’s use by marketing and advertising corporation, Bernard forces readers to think about the hashtag’s complexities and the ways in which the use of the symbol is changing the public sphere.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his short book, <a href="http://www.amazon.com/dp/1509538941/?tag=newbooinhis-20"><em>Theory of the Hashtag</em></a> (Polity, 2019), <a href="https://www.leuphana.de/en/institutes/icam/team/andreas-bernard.html">Andreas Bernard</a> traces the origins and career of the hashtag. Following the history of the # sign through its origins in the Middle Ages and how it became a common symbol through its placement on American typewriters and touch tone phones. He examines the hashtag’s role in changing how we define and discuss keywords. Focusing on the use of the # on Twitter and Instagram, Bernard looks at how the sign is used in activism and marketing, addressing these different fields and how they apply the hashtag to meet their own needs. In this short volume, Bernard gives insight into the symbol that has changed how we bundle discourse and organize public discussion and debate. Although other texts have talked about the hashtag as a form of social media activism, with his analysis of the history of the symbol and it’s use by marketing and advertising corporation, Bernard forces readers to think about the hashtag’s complexities and the ways in which the use of the symbol is changing the public sphere.</p><p><a href="https://wiu.academia.edu/RebekahBuchanan"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of </em><a href="https://www.peterlang.com/view/product/30541"><em>Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</em></a><em> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2462</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT2152914413.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)</title>
      <description>The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 24 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The things that make people academics do not necessarily make them good teachers...</itunes:subtitle>
      <itunes:summary>The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. <a href="https://www.plattsburgh.edu/academics/schools/arts-sciences/history/faculty/neuhaus.html">Jessamyn Neuhaus</a>’s <a href="http://www.amazon.com/dp/1949199061/?tag=newbooinhis-20"><em>Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers</em></a><em> </em>(West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.</p><p><a href="http://www.stephenpimpare.com/"><em>Stephen Pimpare</em></a><em> is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of </em>The New Victorians<em> (New Press, 2004), </em>A Peoples History of Poverty in America<em> (New Press, 2008), winner of the Michael Harrington Award, and </em>Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen<em> (Oxford, 2017).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1963</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT3756886452.mp3?updated=1571231703" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Noah Cohan, "We Average Unbeautiful Watchers: Fan Narratives and the Reading of American Sport" (U Nebraska, 2019)</title>
      <description>Today we are joined by Noah Cohan, Lecturer in American Culture Studies at Washington University in St. Louis, and the author of We Average Unbeautiful Watchers: Fan Narratives and the Reading of American Sport (University of Nebraska Press, 2019). In our conversation, we discussed the nature of sports narrative, the way that fictional and non-fictional accounts can illuminate the lived experiences of fans, and the role sports blogs have played in reshaping sports narratives beyond the capitalist and competitive frameworks promoted by major leagues such as the NBA and the MLB.
In We Average Unbeautiful Watchers, Cohan investigates “the behavior of American sports fans to understand (its) cultural relevance beyond mere consumerism.” He argues that sports contain all the elements of traditional stories: beginnings, middles, ends, plots, characters, rising action, declension, and a causal trajectory. These narrative pieces allow fans to enact “consumptive, receptive, and appropriative” activities that are “fundamentally acts of narrative interpretation and (re-) creation.” Creative fans transform sporting activities into spaces for self-reflection and authorship and in doing so fundamentally remake sports to suit their individual agendas.
Cohan investigates five different types of sports narratives: fictions, fictional memoirs, memoirs, film, and blogs. These narratives include classics in the field, such as Don DeLillo’s Underworld, and Frederick Exley’s A Fan’s Notes, but he mostly engages with relatively novel accounts such as Matthew Quick’s narrative metafiction Silver Linings Playbook, Scott Raab’s memoir of the early 2000s Cleveland Cavaliers, The Whore of Akron and the feminist sports blog Power Forward. These diverse genres of athletic storytelling allow Cohan to comment on how fans have used fictional and non-fictional accounts to build their own identities, address questions of social inequity, work through mental illness, and appreciate sports in new ways. His work also suggests that a more flexible understanding of fandom might allow us to rethink sports in meaningful ways, improving the way we play games, as well as open up new pathways to fandom, making it more inclusive for women, people of color, and LGBTQ people.
Cohan’s work will appeal to a broad range of scholars, but especially to those with an interest in the intersections between sports, literature, and narrative.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 18 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In "We Average Unbeautiful Watchers," Cohan investigates “the behavior of American sports fans to understand (its) cultural relevance beyond mere consumerism.”</itunes:subtitle>
      <itunes:summary>Today we are joined by Noah Cohan, Lecturer in American Culture Studies at Washington University in St. Louis, and the author of We Average Unbeautiful Watchers: Fan Narratives and the Reading of American Sport (University of Nebraska Press, 2019). In our conversation, we discussed the nature of sports narrative, the way that fictional and non-fictional accounts can illuminate the lived experiences of fans, and the role sports blogs have played in reshaping sports narratives beyond the capitalist and competitive frameworks promoted by major leagues such as the NBA and the MLB.
In We Average Unbeautiful Watchers, Cohan investigates “the behavior of American sports fans to understand (its) cultural relevance beyond mere consumerism.” He argues that sports contain all the elements of traditional stories: beginnings, middles, ends, plots, characters, rising action, declension, and a causal trajectory. These narrative pieces allow fans to enact “consumptive, receptive, and appropriative” activities that are “fundamentally acts of narrative interpretation and (re-) creation.” Creative fans transform sporting activities into spaces for self-reflection and authorship and in doing so fundamentally remake sports to suit their individual agendas.
Cohan investigates five different types of sports narratives: fictions, fictional memoirs, memoirs, film, and blogs. These narratives include classics in the field, such as Don DeLillo’s Underworld, and Frederick Exley’s A Fan’s Notes, but he mostly engages with relatively novel accounts such as Matthew Quick’s narrative metafiction Silver Linings Playbook, Scott Raab’s memoir of the early 2000s Cleveland Cavaliers, The Whore of Akron and the feminist sports blog Power Forward. These diverse genres of athletic storytelling allow Cohan to comment on how fans have used fictional and non-fictional accounts to build their own identities, address questions of social inequity, work through mental illness, and appreciate sports in new ways. His work also suggests that a more flexible understanding of fandom might allow us to rethink sports in meaningful ways, improving the way we play games, as well as open up new pathways to fandom, making it more inclusive for women, people of color, and LGBTQ people.
Cohan’s work will appeal to a broad range of scholars, but especially to those with an interest in the intersections between sports, literature, and narrative.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by <a href="https://amcs.wustl.edu/people/noah-cohan">Noah Cohan</a>, Lecturer in American Culture Studies at Washington University in St. Louis, and the author of <a href="http://www.amazon.com/dp/0803295944/?tag=newbooinhis-20"><em>We Average Unbeautiful Watchers: Fan Narratives and the Reading of American Sport</em></a> (University of Nebraska Press, 2019). In our conversation, we discussed the nature of sports narrative, the way that fictional and non-fictional accounts can illuminate the lived experiences of fans, and the role sports blogs have played in reshaping sports narratives beyond the capitalist and competitive frameworks promoted by major leagues such as the NBA and the MLB.</p><p>In <em>We Average Unbeautiful Watchers</em>, Cohan investigates “the behavior of American sports fans to understand (its) cultural relevance beyond mere consumerism.” He argues that sports contain all the elements of traditional stories: beginnings, middles, ends, plots, characters, rising action, declension, and a causal trajectory. These narrative pieces allow fans to enact “consumptive, receptive, and appropriative” activities that are “fundamentally acts of narrative interpretation and (re-) creation.” Creative fans transform sporting activities into spaces for self-reflection and authorship and in doing so fundamentally remake sports to suit their individual agendas.</p><p>Cohan investigates five different types of sports narratives: fictions, fictional memoirs, memoirs, film, and blogs. These narratives include classics in the field, such as Don DeLillo’s <em>Underworld</em>, and Frederick Exley’s <em>A Fan’s Notes</em>, but he mostly engages with relatively novel accounts such as Matthew Quick’s narrative metafiction Silver <em>Linings Playboo</em>k, Scott Raab’s memoir of the early 2000s Cleveland Cavaliers, <em>The Whore of Akron</em> and the feminist sports blog Power Forward. These diverse genres of athletic storytelling allow Cohan to comment on how fans have used fictional and non-fictional accounts to build their own identities, address questions of social inequity, work through mental illness, and appreciate sports in new ways. His work also suggests that a more flexible understanding of fandom might allow us to rethink sports in meaningful ways, improving the way we play games, as well as open up new pathways to fandom, making it more inclusive for women, people of color, and LGBTQ people.</p><p>Cohan’s work will appeal to a broad range of scholars, but especially to those with an interest in the intersections between sports, literature, and narrative.</p><p><em>Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled </em>A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948<em>, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4046</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b73b81be-ea9c-11e9-aaac-a3e64f64c1db]]></guid>
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    <item>
      <title>Lucas Richert, “Strange Trips: Science, Culture, and the Regulation of Drugs” (McGill-Queens UP, 2018)</title>
      <description>Strange Trips isn’t only the title of Dr. Lucas Richert’s new book; it’s also a good description of the journey substances take from the black market to the doctor’s black bag—and, sometimes, back to the black market again. In Strange Trips: Science, Culture, and the Regulation of Drugs (McGill-Queens UP, 2019), Richert investigates the myths, meanings, and boundaries of recreational drugs, palliative care drugs, and pharmaceuticals, as well as struggles over product innovation, consumer protection, and freedom of choice in the medical marketplace. Focusing primarily on the United States and Canada, Richert shows how perceptions of products can swiftly change, and incorporates analyses of popular culture, science, politics and history to trace the strange trips drugs consistently go on as their uses evolve.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, she edits Points, the blog of the Alcohol and Drugs History Society.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 11 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Richert investigates the myths, meanings, and boundaries of recreational drugs, palliative care drugs, and pharmaceuticals, as well as struggles over product innovation, consumer protection, and freedom of choice in the medical marketplace...</itunes:subtitle>
      <itunes:summary>Strange Trips isn’t only the title of Dr. Lucas Richert’s new book; it’s also a good description of the journey substances take from the black market to the doctor’s black bag—and, sometimes, back to the black market again. In Strange Trips: Science, Culture, and the Regulation of Drugs (McGill-Queens UP, 2019), Richert investigates the myths, meanings, and boundaries of recreational drugs, palliative care drugs, and pharmaceuticals, as well as struggles over product innovation, consumer protection, and freedom of choice in the medical marketplace. Focusing primarily on the United States and Canada, Richert shows how perceptions of products can swiftly change, and incorporates analyses of popular culture, science, politics and history to trace the strange trips drugs consistently go on as their uses evolve.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, she edits Points, the blog of the Alcohol and Drugs History Society.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Strange Trips</em> isn’t only the title of Dr. <a href="https://apps.pharmacy.wisc.edu/sopdir/lucas_richert/">Lucas Richert</a>’s new book; it’s also a good description of the journey substances take from the black market to the doctor’s black bag—and, sometimes, back to the black market again. In <a href="http://www.amazon.com/dp/0773556370/?tag=newbooinhis-20"><em>Strange Trips: Science, Culture, and the Regulation of Drug</em>s</a> (McGill-Queens UP, 2019), Richert investigates the myths, meanings, and boundaries of recreational drugs, palliative care drugs, and pharmaceuticals, as well as struggles over product innovation, consumer protection, and freedom of choice in the medical marketplace. Focusing primarily on the United States and Canada, Richert shows how perceptions of products can swiftly change, and incorporates analyses of popular culture, science, politics and history to trace the strange trips drugs consistently go on as their uses evolve.</p><p><a href="http://www.emilydufton.com/"><em>Emily Dufton</em></a><em> is the author of </em><a href="https://www.basicbooks.com/titles/emily-dufton/grass-roots/9780465096169/"><em>Grass Roots: The Rise and Fall and Rise of Marijuana in America</em></a><em> (Basic Books, 2017). A drug historian and writer, she edits </em><a href="https://pointsadhsblog.wordpress.com/"><em>Points</em></a><em>, the blog of the Alcohol and Drugs History Society.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3104</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[61f8c2c2-e536-11e9-9dd0-3bd92bad1e81]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3620715022.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rafia Zafar, "Recipes for Respect: African American Meals and Meaning" (U Georgia Press, 2019)</title>
      <description>In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways.
Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 11 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Zafar discusses the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s...</itunes:subtitle>
      <itunes:summary>In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways.
Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this this interview, <a href="https://www.chatham.edu/english/facultydetails.cfm?FacultyID=439">Dr. Carrie Tippen</a> talks with <a href="https://artsci.wustl.edu/faculty-staff/rafia-zafar">Rafia Zafar</a> about her 2019 book <em>Recipes for Respect: African American Meals and Meaning, </em>from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s <em>Taste of Country Cooking </em>from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways.</p><p><a href="https://artsci.wustl.edu/faculty-staff/rafia-zafar">Rafia Zafar</a> is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program.</p><p><em>Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, </em><a href="http://www.inventingauthenticity.com/"><em>I</em>nventing Authenticity: How Cookbook Writers Redefine Southern Identity</a> <em>(University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in </em>Food and Foodways, American Studies, Southern Quarterly, <em>and</em> Food, Culture, and Society<em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3801</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT8483615504.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ebony Elizabeth Thomas, "The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games" (NYU Press, 2019)</title>
      <description>Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter.
Dr. Ebony Elizabeth Thomas's book The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (NYU Press, 2019) is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world.
In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 03 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>179</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"The Dark Fantastic" is an engaging and provocative exploration of race in popular youth and young adult speculative fiction...</itunes:subtitle>
      <itunes:summary>Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter.
Dr. Ebony Elizabeth Thomas's book The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (NYU Press, 2019) is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world.
In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter.</p><p>Dr. <a href="https://scholar.gse.upenn.edu/thomas">Ebony Elizabeth Thomas</a>'s book <a href="http://www.amazon.com/dp/1479800651/?tag=newbooinhis-20"><em>The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games</em></a> (NYU Press, 2019) is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s <em>The Vampire Diaries</em>, Rue from Suzanne Collins’s <em>The Hunger Games</em>, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s <em>Harry Potter</em>. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world.</p><p>In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3138</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[17076a2e-dd44-11e9-9e7a-bb3a875a51fc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8194191373.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Jensen Wallach, "What We Need Ourselves: How Food has Shaped African American Life" (Rowman and Littlefield, 2019)</title>
      <description>In this this interview, Dr. Carrie Tippen talks with Jennifer Jensen Wallach about the her book Getting What We Need Ourselves: How Food has Shaped African American Life (Rowman &amp; Littlefield, 2019). The book covers a wide chronology and geography from the continent of Africa pre-Transatlantic slave trade to lunch counter sit-ins of the Civil Rights Era to haute cuisine of Harlem in the present. Wallach’s wide-ranging history demonstrates that there is not one story of African American foodways. Instead, as Wallach writes, “The history of black food traditions can be most accurately conceptualized as a web of ongoing conversations, debates, and reinventions rather than as a single, uninterrupted line leading directly back to the African continent.” In each chapter, Wallach contextualizes and complicates key moments of the story of African American foodways to emphasize the multiplicity of meanings that food may have and the “cultural compromises” that people of color have had to make throughout American history. Wallach calls for historians and students of food culture to accept a difficult lesson: “there are often multiple plausible theories for how certain recipes and techniques were created,” and so we must be content to leave these multiple origin stories to stand side by side, resisting the temptation to simplify.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The history of black food traditions can be most accurately conceptualized as a web of ongoing conversations, debates, and reinventions...</itunes:subtitle>
      <itunes:summary>In this this interview, Dr. Carrie Tippen talks with Jennifer Jensen Wallach about the her book Getting What We Need Ourselves: How Food has Shaped African American Life (Rowman &amp; Littlefield, 2019). The book covers a wide chronology and geography from the continent of Africa pre-Transatlantic slave trade to lunch counter sit-ins of the Civil Rights Era to haute cuisine of Harlem in the present. Wallach’s wide-ranging history demonstrates that there is not one story of African American foodways. Instead, as Wallach writes, “The history of black food traditions can be most accurately conceptualized as a web of ongoing conversations, debates, and reinventions rather than as a single, uninterrupted line leading directly back to the African continent.” In each chapter, Wallach contextualizes and complicates key moments of the story of African American foodways to emphasize the multiplicity of meanings that food may have and the “cultural compromises” that people of color have had to make throughout American history. Wallach calls for historians and students of food culture to accept a difficult lesson: “there are often multiple plausible theories for how certain recipes and techniques were created,” and so we must be content to leave these multiple origin stories to stand side by side, resisting the temptation to simplify.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this this interview, <a href="https://www.chatham.edu/english/facultydetails.cfm?FacultyID=439">Dr. Carrie Tippen</a> talks with <a href="https://jenniferjensenwallachblog.wordpress.com/">Jennifer Jensen Wallach</a> about the her book <a href="http://www.amazon.com/dp/1442253908/?tag=newbooinhis-20"><em>Getting What We Need Ourselves: How Food has Shaped African American Life</em></a> (Rowman &amp; Littlefield, 2019). The book covers a wide chronology and geography from the continent of Africa pre-Transatlantic slave trade to lunch counter sit-ins of the Civil Rights Era to haute cuisine of Harlem in the present. Wallach’s wide-ranging history demonstrates that there is not one story of African American foodways. Instead, as Wallach writes, “The history of black food traditions can be most accurately conceptualized as a web of ongoing conversations, debates, and reinventions rather than as a single, uninterrupted line leading directly back to the African continent.” In each chapter, Wallach contextualizes and complicates key moments of the story of African American foodways to emphasize the multiplicity of meanings that food may have and the “cultural compromises” that people of color have had to make throughout American history. Wallach calls for historians and students of food culture to accept a difficult lesson: “there are often multiple plausible theories for how certain recipes and techniques were created,” and so we must be content to leave these multiple origin stories to stand side by side, resisting the temptation to simplify.</p><p><em>Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[026bc560-d0dd-11e9-b4b6-3b575c29c0cd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7993577032.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily Dufton, "Grass Roots: The Rise and Fall and Rise of Marijuana in America" (Basic Books, 2017)</title>
      <description>Marijuana. Weed. Cannabis. Pot. Whatever term you use, this intoxicant and medical product leads to long discussions. Emily Dufton visits the podcast to talk about the ups and downs and highs and lows of cannabis in the United States, all detailed in her book Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). She sheds light on the pro-marijuana activism in the 1970s and anti-marijuana parents' movement in the 1980s. Overall, she recounts a fascinating story about the acceptance of demonization of weed and what this suggests about the present moment.
Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. 

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 30 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Dufton visits the podcast to talk about the ups and downs and highs and lows of cannabis in the United State...</itunes:subtitle>
      <itunes:summary>Marijuana. Weed. Cannabis. Pot. Whatever term you use, this intoxicant and medical product leads to long discussions. Emily Dufton visits the podcast to talk about the ups and downs and highs and lows of cannabis in the United States, all detailed in her book Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). She sheds light on the pro-marijuana activism in the 1970s and anti-marijuana parents' movement in the 1980s. Overall, she recounts a fascinating story about the acceptance of demonization of weed and what this suggests about the present moment.
Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. 

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marijuana. Weed. Cannabis. Pot. Whatever term you use, this intoxicant and medical product leads to long discussions. <a href="http://www.emilydufton.com/about">Emily Dufton</a> visits the podcast to talk about the ups and downs and highs and lows of cannabis in the United States, all detailed in her book <a href="http://www.amazon.com/dp/0465096166/?tag=newbooinhis-20"><em>Grass Roots: The Rise and Fall and Rise of Marijuana in America</em></a> (Basic Books, 2017). She sheds light on the pro-marijuana activism in the 1970s and anti-marijuana parents' movement in the 1980s. Overall, she recounts a fascinating story about the acceptance of demonization of weed and what this suggests about the present moment.</p><p><a href="https://apps.pharmacy.wisc.edu/sopdir/lucas_richert/"><em>Lucas Richert</em></a><em> is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. </p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2174</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fec715c6-c5c5-11e9-84ab-a7a81192e5b2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1439362516.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer C. Lena, "Entitled: Discriminating Tastes and the Expansion of the Arts" ( Princeton UP, 2019)</title>
      <description>How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 29 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lena charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art...</itunes:subtitle>
      <itunes:summary>How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did American elites change the meaning of Art? In <a href="http://www.amazon.com/dp/0691158916/?tag=newbooinhis-20"><em>Entitled: Discriminating Tastes and the Expansion of the Arts</em></a> (Princeton University Press, 2019), <a href="https://sociology.columbia.edu/content/jennifer-carroll-lena">Jennifer C. Lena</a>, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2172</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c259bf04-c524-11e9-b681-fbba8b75bbf3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2891599317.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Suzanne Scott, "Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry" (NYU Press, 2019)</title>
      <description>Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community.
Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 26 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>489</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Scott provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan...</itunes:subtitle>
      <itunes:summary>Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community.
Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://rtf.utexas.edu/faculty/suzanne-scott">Suzanne Scott</a>’s new book <a href="http://www.amazon.com/dp/1479879576/?tag=newbooinhis-20"><em>Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry</em></a> (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community.</p><p><em>Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning </em>Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2385</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Carol J. Adams, "Burger" (Bloomsbury, 2018)</title>
      <description>In this this interview, Dr. Carrie Tippen talks with Carol J. Adams about two new books: Burger, from the Object Lessons series by Bloomsbury (2018), and Protest Kitchen, a cookbook with over 50 vegan recipes and practical daily actions from Conari press. Both books were published in 2018. Audiences probably know Adams best as the author of The Sexual Politics of Meat, now available in a 25th anniversary edition from Bloomsbury. In Burger, Adams offers a history of the hamburger as a cultural object, as much a food item as a symbol in American culture. Through the lens of a vegan feminist critique (Adams describes herself as “a heretic to the religion of the burger”), Adams explores the links between the hamburger and American identity through a history of cattle and colonialism, technology and slaughter, gender and marketing, and the “Teflon” burger’s insistence on maintaining its hold even through “Mad Cow” scares and indisputable evidence of environmental crises. Adams concludes by looking toward the future plant-based “Moonshot” burgers which, as Adams argues, have the ability to replace the beef patty as “the unmarked, slaughterless burger” without losing the cultural symbolism of the Burger. Protest Kitchen is a cookbook that pairs recipes with specific social and environmental problems and describes how those recipes are acts of resistance or steps toward solving that problem. Adams and Messina take on climate change, food justice, and misogyny while offering advice for “cultivating compassion” and self-care as an act of resistance. Together, the two books are an excellent example of the ways that Adams’s work has always spoken easily to both scholars and popular audiences, and the ways that her work is both highly theoretical and remarkably practical.
Carol J. Adams is a feminist-vegan advocate, activist, and independent scholar. She is the co-editor of several important anthologies, including most recently Ecofeminism: Feminist Intersections with Other Animals and the Earth (with Lori Gruen). Carol is also the author of books on living as a vegan including Even Vegans Die: A Practical Guide to Caregiving, Acceptance, and Protecting Your Legacy of Compassion, with co-authors Patti Breitman, and Virginia Messina. Follow Adams on Twitter at _CarolJAdams.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In "Burger," Adams offers a history of the hamburger as a cultural object</itunes:subtitle>
      <itunes:summary>In this this interview, Dr. Carrie Tippen talks with Carol J. Adams about two new books: Burger, from the Object Lessons series by Bloomsbury (2018), and Protest Kitchen, a cookbook with over 50 vegan recipes and practical daily actions from Conari press. Both books were published in 2018. Audiences probably know Adams best as the author of The Sexual Politics of Meat, now available in a 25th anniversary edition from Bloomsbury. In Burger, Adams offers a history of the hamburger as a cultural object, as much a food item as a symbol in American culture. Through the lens of a vegan feminist critique (Adams describes herself as “a heretic to the religion of the burger”), Adams explores the links between the hamburger and American identity through a history of cattle and colonialism, technology and slaughter, gender and marketing, and the “Teflon” burger’s insistence on maintaining its hold even through “Mad Cow” scares and indisputable evidence of environmental crises. Adams concludes by looking toward the future plant-based “Moonshot” burgers which, as Adams argues, have the ability to replace the beef patty as “the unmarked, slaughterless burger” without losing the cultural symbolism of the Burger. Protest Kitchen is a cookbook that pairs recipes with specific social and environmental problems and describes how those recipes are acts of resistance or steps toward solving that problem. Adams and Messina take on climate change, food justice, and misogyny while offering advice for “cultivating compassion” and self-care as an act of resistance. Together, the two books are an excellent example of the ways that Adams’s work has always spoken easily to both scholars and popular audiences, and the ways that her work is both highly theoretical and remarkably practical.
Carol J. Adams is a feminist-vegan advocate, activist, and independent scholar. She is the co-editor of several important anthologies, including most recently Ecofeminism: Feminist Intersections with Other Animals and the Earth (with Lori Gruen). Carol is also the author of books on living as a vegan including Even Vegans Die: A Practical Guide to Caregiving, Acceptance, and Protecting Your Legacy of Compassion, with co-authors Patti Breitman, and Virginia Messina. Follow Adams on Twitter at _CarolJAdams.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this this interview, <a href="https://www.chatham.edu/english/facultydetails.cfm?FacultyID=439">Dr. Carrie Tippen</a> talks with <a href="http://www.caroljadams.com/">Carol J. Adams</a> about two new books: <a href="http://www.amazon.com/dp/1501329464/?tag=newbooinhis-20"><em>Burger</em></a><em>,</em> from the Object Lessons series by Bloomsbury (2018), and <a href="https://www.amazon.com/Protest-Kitchen-Injustice-Planet-Resistance/dp/157324743X"><em>Protest Kitchen</em></a><em>, </em>a cookbook with over 50 vegan recipes and practical daily actions from Conari press. Both books were published in 2018. Audiences probably know Adams best as the author of <a href="https://www.bloomsbury.com/us/the-sexual-politics-of-meat-25th-anniversary-edition-9781501312830/"><em>The Sexual Politics of Meat</em></a><em>, </em>now available in a 25th anniversary edition from Bloomsbury. In <em>Burger, </em>Adams offers a history of the hamburger as a cultural object, as much a food item as a symbol in American culture. Through the lens of a vegan feminist critique (Adams describes herself as “a heretic to the religion of the burger”), Adams explores the links between the hamburger and American identity through a history of cattle and colonialism, technology and slaughter, gender and marketing, and the “Teflon” burger’s insistence on maintaining its hold even through “Mad Cow” scares and indisputable evidence of environmental crises. Adams concludes by looking toward the future plant-based “Moonshot” burgers which, as Adams argues, have the ability to replace the beef patty as “the unmarked, slaughterless burger” without losing the cultural symbolism of the Burger. <em>Protest Kitchen </em>is a cookbook that pairs recipes with specific social and environmental problems and describes how those recipes are acts of resistance or steps toward solving that problem. Adams and Messina take on climate change, food justice, and misogyny while offering advice for “cultivating compassion” and self-care as an act of resistance. Together, the two books are an excellent example of the ways that Adams’s work has always spoken easily to both scholars and popular audiences, and the ways that her work is both highly theoretical and remarkably practical.</p><p>Carol J. Adams is a feminist-vegan advocate, activist, and independent scholar. She is the co-editor of several important anthologies, including most recently <a href="https://www.bloomsbury.com/us/ecofeminism-feminist-intersections-with-other-animals-and-the-earth-9781628926224/"><em>Ecofeminism: Feminist Intersections with Other Animals and the Earth</em></a> (with Lori Gruen). Carol is also the author of books on living as a vegan including <a href="https://www.amazon.com/Even-Vegans-Die-Caregiving-Acceptance/dp/1590565533"><em>Even Vegans Die: A Practical Guide to Caregiving, Acceptance, and Protecting Your Legacy of Compassion</em></a><em>, </em>with co-authors Patti Breitman, and Virginia Messina. Follow Adams on Twitter at <a href="https://twitter.com/_CarolJAdams">_CarolJAdams.</a></p><p><em>Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, </em><a href="http://www.inventingauthenticity.com/"><em>Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</em></a><em> (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4006</itunes:duration>
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    <item>
      <title>Mike Jay, "Mescaline: A Global History of the First Psychedelic" (Yale UP, 2019)</title>
      <description>Psychedelics are not terribly new. And the drug mescaline is certainly not new. Mike Jay's new book, Mescaline: A Global History of the First Psychedelic (Yale University Press, 2019), tells two trippy stories: one that is about Indigenous use and another about Western society's adoption of the drug in culture and medicine. He discusses perceptions of mescaline in science, culture, and the psychedelic renaissance. The book - and the discussion - is eye-opening.
Mike Jay is a freelance writer and public intellectual. He is the author of over a dozen books and regularly contributes to the the London Review of Books, the Wall Street Journal and the Literary Review. He works as a curator and exhibit designer for the Wellcome Trust in London.
Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. 

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 07 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Psychedelics are not terribly new. And the drug mescaline is certainly not new...</itunes:subtitle>
      <itunes:summary>Psychedelics are not terribly new. And the drug mescaline is certainly not new. Mike Jay's new book, Mescaline: A Global History of the First Psychedelic (Yale University Press, 2019), tells two trippy stories: one that is about Indigenous use and another about Western society's adoption of the drug in culture and medicine. He discusses perceptions of mescaline in science, culture, and the psychedelic renaissance. The book - and the discussion - is eye-opening.
Mike Jay is a freelance writer and public intellectual. He is the author of over a dozen books and regularly contributes to the the London Review of Books, the Wall Street Journal and the Literary Review. He works as a curator and exhibit designer for the Wellcome Trust in London.
Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. 

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Psychedelics are not terribly new. And the drug mescaline is certainly not new. <a href="https://mikejay.net/">Mike Jay</a>'s new book, <a href="http://www.amazon.com/dp/0300231075/?tag=newbooinhis-20"><em>Mescaline: A Global History of the First Psychedelic</em></a> (Yale University Press, 2019), tells two trippy stories: one that is about Indigenous use and another about Western society's adoption of the drug in culture and medicine. He discusses perceptions of mescaline in science, culture, and the psychedelic renaissance. The book - and the discussion - is eye-opening.</p><p>Mike Jay is a freelance writer and public intellectual. He is the author of over a dozen books and regularly contributes to the the <em>London Review of Books</em>, the <em>Wall Street Journal</em> and the <em>Literary Review</em>. He works as a curator and exhibit designer for the Wellcome Trust in London.</p><p><a href="https://apps.pharmacy.wisc.edu/sopdir/lucas_richert/"><em>Lucas Richert</em></a><em> is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. </p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1781</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3883e5dc-b496-11e9-b500-c38a7656fa7b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6884011567.mp3?updated=1663946770" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Gibbons, "Unlimited Replays: Video Games and Classical Music" (Oxford UP, 2018)</title>
      <description>Video games are a significant part of popular entertainment in the twenty-first century. From Words with Friends to Grand Theft Auto, most people spend at least some of their leisure time with video games. In his book, Unlimited Replays: Video Games and Classical Music (Oxford University Press, 2018), William Gibbons examines the intersection between video games and classical music. From close readings of the scores of specific games to an analysis of games with characters related to classical music, Gibbons asks what happens when highbrow art meets lowbrow entertainment. Often classical music enhances the visual and storytelling elements of a game by sonically marking characters or situations as wealthy or sophisticated, as also happens in film and TV scores. Gibbons finds unexpected connections and layering of signification as video game scores exploit musical references from sources as far flung as Stanley Kubrick’s films to Richard Wagner’s Lohengrin. He ends the book with an account of how orchestras are trying to use the immense popularity of gaming to raise money and attract new audiences by playing concerts of video game music.
William Gibbons is an associate professor of musicology and Associate Dean of the College of Fine Arts at Texas Christian University. His research centers on how canonical classical music repertoires function outside their initial time of compositions. In addition to his first book, Building the Operatic Music (University of Rochester Press), he has published numerous journal articles including in American Music, 19th-Century Music Review, and Opera Quarterly, and has co-edited a volume on video game music published in 2014 and another forthcoming later this year both from Routledge Press.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 06 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>87</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gibbons examines the intersection between video games and classical music...</itunes:subtitle>
      <itunes:summary>Video games are a significant part of popular entertainment in the twenty-first century. From Words with Friends to Grand Theft Auto, most people spend at least some of their leisure time with video games. In his book, Unlimited Replays: Video Games and Classical Music (Oxford University Press, 2018), William Gibbons examines the intersection between video games and classical music. From close readings of the scores of specific games to an analysis of games with characters related to classical music, Gibbons asks what happens when highbrow art meets lowbrow entertainment. Often classical music enhances the visual and storytelling elements of a game by sonically marking characters or situations as wealthy or sophisticated, as also happens in film and TV scores. Gibbons finds unexpected connections and layering of signification as video game scores exploit musical references from sources as far flung as Stanley Kubrick’s films to Richard Wagner’s Lohengrin. He ends the book with an account of how orchestras are trying to use the immense popularity of gaming to raise money and attract new audiences by playing concerts of video game music.
William Gibbons is an associate professor of musicology and Associate Dean of the College of Fine Arts at Texas Christian University. His research centers on how canonical classical music repertoires function outside their initial time of compositions. In addition to his first book, Building the Operatic Music (University of Rochester Press), he has published numerous journal articles including in American Music, 19th-Century Music Review, and Opera Quarterly, and has co-edited a volume on video game music published in 2014 and another forthcoming later this year both from Routledge Press.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Video games are a significant part of popular entertainment in the twenty-first century. From Words with Friends to Grand Theft Auto, most people spend at least some of their leisure time with video games. In his book, <a href="http://www.amazon.com/dp/0190265264/?tag=newbooinhis-20"><em>Unlimited Replays: Video Games and Classical Music</em></a> (Oxford University Press, 2018), <a href="https://finearts.tcu.edu/faculty_staff/william-gibbons/">William Gibbons</a> examines the intersection between video games and classical music. From close readings of the scores of specific games to an analysis of games with characters related to classical music, Gibbons asks what happens when highbrow art meets lowbrow entertainment. Often classical music enhances the visual and storytelling elements of a game by sonically marking characters or situations as wealthy or sophisticated, as also happens in film and TV scores. Gibbons finds unexpected connections and layering of signification as video game scores exploit musical references from sources as far flung as Stanley Kubrick’s films to Richard Wagner’s Lohengrin. He ends the book with an account of how orchestras are trying to use the immense popularity of gaming to raise money and attract new audiences by playing concerts of video game music.</p><p>William Gibbons is an associate professor of musicology and Associate Dean of the College of Fine Arts at Texas Christian University. His research centers on how canonical classical music repertoires function outside their initial time of compositions. In addition to his first book, Building the Operatic Music (University of Rochester Press), he has published numerous journal articles including in American Music, 19th-Century Music Review, and Opera Quarterly, and has co-edited a volume on video game music published in 2014 and another forthcoming later this year both from Routledge Press.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3636</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT9796120623.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Krishnendu Ray, "The Ethnic Restaurateur" (Bloomsbury, 2016)</title>
      <description>Academic discussions of ethnic food have tended to focus on the attitudes of consumers, rather than the creators and producers. In this ground-breaking new book, The Ethnic Restaurateur (Bloomsbury, 2016), Krishnendu Ray reverses this trend by exploring the culinary world from the perspective of the ethnic restaurateur.
Focusing on New York City, he examines the lived experience, work, memories, and aspirations of immigrants working in the food industry. He shows how migrants become established in new places, creating a taste of home and playing a key role in influencing food cultures as a result of transactions between producers, consumers and commentators.
Based on extensive interviews with immigrant restaurateurs and students, chefs and alumni at the Culinary Institute of America, ethnographic observation at immigrant eateries and haute institutional kitchens as well as historical sources such as the US census, newspaper coverage of restaurants, reviews, menus, recipes, and guidebooks, Ray reveals changing tastes in a major American city between the late 19th and through the 20th century.
Written by one of the most outstanding scholars in the field, The Ethnic Restaurateur is an essential read for students and academics in food studies, culinary arts, sociology, urban studies and indeed anyone interested in popular culture and cooking in the United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 31 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Focusing on New York City, Ray examines the lived experience, work, memories, and aspirations of immigrants working in the food industry.</itunes:subtitle>
      <itunes:summary>Academic discussions of ethnic food have tended to focus on the attitudes of consumers, rather than the creators and producers. In this ground-breaking new book, The Ethnic Restaurateur (Bloomsbury, 2016), Krishnendu Ray reverses this trend by exploring the culinary world from the perspective of the ethnic restaurateur.
Focusing on New York City, he examines the lived experience, work, memories, and aspirations of immigrants working in the food industry. He shows how migrants become established in new places, creating a taste of home and playing a key role in influencing food cultures as a result of transactions between producers, consumers and commentators.
Based on extensive interviews with immigrant restaurateurs and students, chefs and alumni at the Culinary Institute of America, ethnographic observation at immigrant eateries and haute institutional kitchens as well as historical sources such as the US census, newspaper coverage of restaurants, reviews, menus, recipes, and guidebooks, Ray reveals changing tastes in a major American city between the late 19th and through the 20th century.
Written by one of the most outstanding scholars in the field, The Ethnic Restaurateur is an essential read for students and academics in food studies, culinary arts, sociology, urban studies and indeed anyone interested in popular culture and cooking in the United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Academic discussions of ethnic food have tended to focus on the attitudes of consumers, rather than the creators and producers. In this ground-breaking new book, <a href="http://www.amazon.com/dp/085785836X/?tag=newbooinhis-20"><em>The Ethnic Restaurateur</em></a> (Bloomsbury, 2016), <a href="https://steinhardt.nyu.edu/faculty/Krishnendu_Ray">Krishnendu Ray</a> reverses this trend by exploring the culinary world from the perspective of the ethnic restaurateur.</p><p>Focusing on New York City, he examines the lived experience, work, memories, and aspirations of immigrants working in the food industry. He shows how migrants become established in new places, creating a taste of home and playing a key role in influencing food cultures as a result of transactions between producers, consumers and commentators.</p><p>Based on extensive interviews with immigrant restaurateurs and students, chefs and alumni at the Culinary Institute of America, ethnographic observation at immigrant eateries and haute institutional kitchens as well as historical sources such as the US census, newspaper coverage of restaurants, reviews, menus, recipes, and guidebooks, Ray reveals changing tastes in a major American city between the late 19th and through the 20th century.</p><p>Written by one of the most outstanding scholars in the field, The Ethnic Restaurateur is an essential read for students and academics in food studies, culinary arts, sociology, urban studies and indeed anyone interested in popular culture and cooking in the United States.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2856</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8fc985d0-acbd-11e9-be32-3fb07bab4420]]></guid>
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    </item>
    <item>
      <title>Howard Philips Smith, "Unveiling the Muse: The Lost History of Gay Carnival in New Orleans" (UP of Mississippi, 2017)</title>
      <description>Howard Philips Smith has been investigating and writing about the gay history of New Orleans for over two decades. Raised on a small farm in rural Southern Mississippi, he studied French literature and taught English in a French lycée in Bordeaux thanks to a Fulbright Scholarship before moving to New Orleans in the 1980s. After a decade in the Crescent City, Smith moved to Los Angeles and completed his novel The Cult of the Mask, based on the experiences of New Orleans’ gay community before the onslaught of AIDS. The research for this work resulted in two books: Unveiling the Muse and Southern Decadence. In this interview, we discuss Unveiling the Muse: The Lost History of Gay Carnival in New Orleans (University Press of Mississippi, 2017) a thorough investigation of the history of New Orleans’ Mardi Gras krewes.
Gay Carnival krewes were first formed in New Orleans in the late 1950s, growing out of costume parties. Their balls were often held in clandestine locations to avoid harassment. Despite their rich history and important contribution to the city’s defining festival, gay New Orleans Carnival remained a hidden and almost lost history thanks in part to moments of crisis such as the AIDS epidemic and Hurricane Katrina. In Unveiling the Muse Howard Philips Smith not only recovers the story of these organizations and the fascinating people behind it, but also compiles an impressive collection of information/documents/sources/images that will certainly be extremely useful to those investigating not only the history of New Orleans, but also of festivities and of queer urban experiences across the globe. The book contains a list of all the balls, themes, and royalty of each krewe, along with stunning images of the colorful ephemera associated with the gay Mardi Gras balls: posters, invitations, costume and stage set sketches, and programs. Also of note are the photographs of the everyday lives and celebrations of queer people in the city in the post-World War II era, which help Philips contextualize these stories.
Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 30 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Howard Philips Smith has been investigating and writing about the gay history of New Orleans for over two decades...</itunes:subtitle>
      <itunes:summary>Howard Philips Smith has been investigating and writing about the gay history of New Orleans for over two decades. Raised on a small farm in rural Southern Mississippi, he studied French literature and taught English in a French lycée in Bordeaux thanks to a Fulbright Scholarship before moving to New Orleans in the 1980s. After a decade in the Crescent City, Smith moved to Los Angeles and completed his novel The Cult of the Mask, based on the experiences of New Orleans’ gay community before the onslaught of AIDS. The research for this work resulted in two books: Unveiling the Muse and Southern Decadence. In this interview, we discuss Unveiling the Muse: The Lost History of Gay Carnival in New Orleans (University Press of Mississippi, 2017) a thorough investigation of the history of New Orleans’ Mardi Gras krewes.
Gay Carnival krewes were first formed in New Orleans in the late 1950s, growing out of costume parties. Their balls were often held in clandestine locations to avoid harassment. Despite their rich history and important contribution to the city’s defining festival, gay New Orleans Carnival remained a hidden and almost lost history thanks in part to moments of crisis such as the AIDS epidemic and Hurricane Katrina. In Unveiling the Muse Howard Philips Smith not only recovers the story of these organizations and the fascinating people behind it, but also compiles an impressive collection of information/documents/sources/images that will certainly be extremely useful to those investigating not only the history of New Orleans, but also of festivities and of queer urban experiences across the globe. The book contains a list of all the balls, themes, and royalty of each krewe, along with stunning images of the colorful ephemera associated with the gay Mardi Gras balls: posters, invitations, costume and stage set sketches, and programs. Also of note are the photographs of the everyday lives and celebrations of queer people in the city in the post-World War II era, which help Philips contextualize these stories.
Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://howardphilipssmith.com/">Howard Philips Smith</a> has been investigating and writing about the gay history of New Orleans for over two decades. Raised on a small farm in rural Southern Mississippi, he studied French literature and taught English in a French lycée in Bordeaux thanks to a Fulbright Scholarship before moving to New Orleans in the 1980s. After a decade in the Crescent City, Smith moved to Los Angeles and completed his novel <em>The Cult of the Mask</em>, based on the experiences of New Orleans’ gay community before the onslaught of AIDS. The research for this work resulted in two books: <em>Unveiling the Muse</em> and <em>Southern Decadence</em>. In this interview, we discuss <a href="http://www.amazon.com/dp/1496814010/?tag=newbooinhis-20"><em>Unveiling the Muse: The Lost History of Gay Carnival in New Orleans</em></a> (University Press of Mississippi, 2017) a thorough investigation of the history of New Orleans’ Mardi Gras krewes.</p><p>Gay Carnival krewes were first formed in New Orleans in the late 1950s, growing out of costume parties. Their balls were often held in clandestine locations to avoid harassment. Despite their rich history and important contribution to the city’s defining festival, gay New Orleans Carnival remained a hidden and almost lost history thanks in part to moments of crisis such as the AIDS epidemic and Hurricane Katrina. In <em>Unveiling the Muse</em> Howard Philips Smith not only recovers the story of these organizations and the fascinating people behind it, but also compiles an impressive collection of information/documents/sources/images that will certainly be extremely useful to those investigating not only the history of New Orleans, but also of festivities and of queer urban experiences across the globe. The book contains a list of all the balls, themes, and royalty of each krewe, along with stunning images of the colorful ephemera associated with the gay Mardi Gras balls: posters, invitations, costume and stage set sketches, and programs. Also of note are the photographs of the everyday lives and celebrations of queer people in the city in the post-World War II era, which help Philips contextualize these stories.</p><p><a href="https://udem.academia.edu/IsabelMachado"><em>Isabel Machado</em></a><em> is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the </em><a href="https://www.sexinghistory.com/"><em>Sexing History</em></a><em> podcast.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3838</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a8e63094-ac9b-11e9-97bb-530c3e185599]]></guid>
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    </item>
    <item>
      <title>David Resnick, "Representing Education In Film: How Hollywood Portrays Educational Thought, Settings and Issues" (Palgrave Macmillan, 2018)</title>
      <description>David Resnick combines two of his passions, movies and education, in his book, Representing Education In Film: How Hollywood Portrays Educational Thought, Settings and Issues (Palgrave Macmillan, 2018). Films are powerful messengers which both project and reflect particular values, ideas and social behavior. Using many examples of Hollywood movies, Resnick analyzes the way movies perform in a variety of formal and informal educational settings, including sports, arts and religion. In this lively and engaging interview David Resnick shares insights he gained through decades of experience in education and research.
Renee Garfinkel is a Jerusalem-based psychologist, writer, and television &amp; radio commentator.  Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Using many examples of Hollywood movies, Resnick analyzes the way movies perform in a variety of formal and informal educational settings...</itunes:subtitle>
      <itunes:summary>David Resnick combines two of his passions, movies and education, in his book, Representing Education In Film: How Hollywood Portrays Educational Thought, Settings and Issues (Palgrave Macmillan, 2018). Films are powerful messengers which both project and reflect particular values, ideas and social behavior. Using many examples of Hollywood movies, Resnick analyzes the way movies perform in a variety of formal and informal educational settings, including sports, arts and religion. In this lively and engaging interview David Resnick shares insights he gained through decades of experience in education and research.
Renee Garfinkel is a Jerusalem-based psychologist, writer, and television &amp; radio commentator.  Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://education.biu.ac.il/sites/education/files/shared/dr_rznyq_dvd_0.pdf">David Resnick</a> combines two of his passions, movies and education, in his book, <a href="http://www.amazon.com/dp/1137599286/?tag=newbooinhis-20"><em>Representing Education In Film: How Hollywood Portrays Educational Thought, Settings and Issues</em></a> (Palgrave Macmillan, 2018). Films are powerful messengers which both project and reflect particular values, ideas and social behavior. Using many examples of Hollywood movies, Resnick analyzes the way movies perform in a variety of formal and informal educational settings, including sports, arts and religion. In this lively and engaging interview David Resnick shares insights he gained through decades of experience in education and research.</p><p><em>Renee Garfinkel is a Jerusalem-based psychologist, writer, and television &amp; radio commentator.  Write her at </em><a href="mailto:r.garfinkel@yahoo.com"><em>r.garfinkel@yahoo.com</em></a><em> or tweet @embracingwisdom</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3189</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3e446040-ac77-11e9-b594-37bc5218b254]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1856881860.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title> Vicki Howard, "From Main Street to Mall: The Rise and Fall of the American Department Store" (U Pennsylvania Press, 2015)</title>
      <description>This week we take a break from fun and games to talk about business and consumerism–which, to be sure, is for some people also fun and games.
As Vicki Howard reminds us in her new book, From Main Street to Mall: The Rise and Fall of the American Department Store (University of Pennsylvania Press, 2015), it used to be that America was filled with department stores. Congenital nostalgics remember places like Wanamaker’s in Philadelphia; they even print books about the big-city department stores of Days Gone By. But that ignores the important place that department stores held in small towns all around the country.
Vicki Howard has already written on the history of the wedding industry. Now she and Al Zambone talk about the department store, how they began, what they offered people that hadn’t existed before, and how they were undone by the same forces that created them. Zambone gets a little autobiographical, too, but please forgive him. Enjoy.
Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 24 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>530</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This week we take a break from fun and games to talk about business and consumerism–which, to be sure, is for some people also fun and games.
As Vicki Howard reminds us in her new book, From Main Street to Mall: The Rise and Fall of the American Department Store (University of Pennsylvania Press, 2015), it used to be that America was filled with department stores. Congenital nostalgics remember places like Wanamaker’s in Philadelphia; they even print books about the big-city department stores of Days Gone By. But that ignores the important place that department stores held in small towns all around the country.
Vicki Howard has already written on the history of the wedding industry. Now she and Al Zambone talk about the department store, how they began, what they offered people that hadn’t existed before, and how they were undone by the same forces that created them. Zambone gets a little autobiographical, too, but please forgive him. Enjoy.
Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This week we take a break from fun and games to talk about business and consumerism–which, to be sure, is for some people also fun and games.</p><p>As <a href="https://www.essex.ac.uk/people/howar27507/vicki-howard">Vicki Howard</a> reminds us in her new book, <a href="http://www.amazon.com/dp/0812247280/?tag=newbooinhis-20"><em>From Main</em> <em>Street to Mall: The Rise and Fall of the American Department Store </em></a>(University of Pennsylvania Press, 2015), it used to be that America was filled with department stores. Congenital nostalgics remember places like Wanamaker’s in Philadelphia; they even print books about the big-city department stores of Days Gone By. But that ignores the important place that department stores held in small towns all around the country.</p><p>Vicki Howard has already written on the history of the wedding industry. Now she and Al Zambone talk about the department store, how they began, what they offered people that hadn’t existed before, and how they were undone by the same forces that created them. Zambone gets a little autobiographical, too, but please forgive him. Enjoy.</p><p><em>Al Zambone is a historian and the host of the podcast </em><a href="http://historicallythinking.org/"><em>Historically Thinking</em></a><em>. You can subscribe to Historically Thinking on </em><a href="https://podcasts.apple.com/us/podcast/historically-thinking-conversations/id965914326"><em>Apple Podcasts</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2657</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7aa1ba22-8703-11e9-b694-7b7f18010b62]]></guid>
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    <item>
      <title>Tricia Starks, "Smoking Under the Tsars: A History of Tobacco in Imperial Russia" (Cornell UP, 2018)</title>
      <description>How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book’s rich prose. From Tolstoy’s anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period.
Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender.
Kimberly St. Julian-Varnon is a History Instructor at Lee College.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 22 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>95</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How and when did Russia become a country of smokers?</itunes:subtitle>
      <itunes:summary>How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book’s rich prose. From Tolstoy’s anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period.
Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender.
Kimberly St. Julian-Varnon is a History Instructor at Lee College.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, <a href="http://www.amazon.com/dp/1501722050/?tag=newbooinhis-20"><em>Smoking Under the Tsars: A History of Tobacco in Imperial Russia</em></a> (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book’s rich prose. From Tolstoy’s anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period.</p><p><a href="https://fulbright.uark.edu/departments/history/directory/faculty/uid/tstarks/name/Trish+Starks/">Tricia Starks</a> is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender.</p><p><a href="http://kstjulian7.wixsite.com/ksvarnon"><em>Kimberly St. Julian-Varnon</em></a> <em>is a History Instructor at Lee College.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3609</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Emilie Le Beau Lucchesi, "This Is Really War: The Incredible True Story of a Navy Nurse POW in the Occupied Philippines" (Chicago Review Press, 2019)</title>
      <description>In her new book, This Is Really War: The Incredible True Story of a Navy Nurse POW in the Occupied Philippines (Chicago Review Press, 2019), Emilie Le Beau Lucchesi presents the largely unknown story of the US Navy nurses captured by the Japanese in the Philippines during World War II. Focusing on what she calls the “twelve anchors,” Lucchesi examines the lives of these women as they lived in prison camps throughout the Philippines, while at the same time continuing to work as nurses, and often the only medical professionals, in each camp. Focusing on the story of navy nurse Dorothy Still, Lucchesi starts at the attack on Pearl Harbor, chronicling the Japanese attack on the Philippines and the capture of thousands of Americans, including Dorothy. The narrative follows Dorothy, Chief Nurse Laura Cobb, and ten other navy nurses who continued to work in a makeshift hospital in the civilian prison camp they were sent to. Recounting their experiences with death, disease, malnutrition, starvation, and overcrowded conditions, This is Really War, follows these “twelve anchors” during the over two years that they spent imprisoned until the prison camps were liberated.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 19 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lucchesi presents the largely unknown story of the US Navy nurses captured by the Japanese in the Philippines during World War II...</itunes:subtitle>
      <itunes:summary>In her new book, This Is Really War: The Incredible True Story of a Navy Nurse POW in the Occupied Philippines (Chicago Review Press, 2019), Emilie Le Beau Lucchesi presents the largely unknown story of the US Navy nurses captured by the Japanese in the Philippines during World War II. Focusing on what she calls the “twelve anchors,” Lucchesi examines the lives of these women as they lived in prison camps throughout the Philippines, while at the same time continuing to work as nurses, and often the only medical professionals, in each camp. Focusing on the story of navy nurse Dorothy Still, Lucchesi starts at the attack on Pearl Harbor, chronicling the Japanese attack on the Philippines and the capture of thousands of Americans, including Dorothy. The narrative follows Dorothy, Chief Nurse Laura Cobb, and ten other navy nurses who continued to work in a makeshift hospital in the civilian prison camp they were sent to. Recounting their experiences with death, disease, malnutrition, starvation, and overcrowded conditions, This is Really War, follows these “twelve anchors” during the over two years that they spent imprisoned until the prison camps were liberated.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="http://www.amazon.com/dp/1641600764/?tag=newbooinhis-20"><em>This Is Really War: The Incredible True Story of a Navy Nurse POW in the Occupied Philippines</em></a> (Chicago Review Press, 2019)<em>, </em><a href="http://www.emilie-lucchesi.com/">Emilie Le Beau Lucchesi</a> presents the largely unknown story of the US Navy nurses captured by the Japanese in the Philippines during World War II. Focusing on what she calls the “twelve anchors,” Lucchesi examines the lives of these women as they lived in prison camps throughout the Philippines, while at the same time continuing to work as nurses, and often the only medical professionals, in each camp. Focusing on the story of navy nurse Dorothy Still, Lucchesi starts at the attack on Pearl Harbor, chronicling the Japanese attack on the Philippines and the capture of thousands of Americans, including Dorothy. The narrative follows Dorothy, Chief Nurse Laura Cobb, and ten other navy nurses who continued to work in a makeshift hospital in the civilian prison camp they were sent to. Recounting their experiences with death, disease, malnutrition, starvation, and overcrowded conditions, <em>This is Really War</em>, follows these “twelve anchors” during the over two years that they spent imprisoned until the prison camps were liberated.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3941</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6a49ee2e-a26f-11e9-badc-5f540d0f72fa]]></guid>
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    <item>
      <title>Ann Powers, "Good Booty: Love and Sex, Black and White, Body and Soul in American Music" (Dey St. Books, 2017)</title>
      <description>In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more.
Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 17 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music...</itunes:subtitle>
      <itunes:summary>In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more.
Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0062463691/?tag=newbooinhis-20"><em>Good Booty: Love and Sex, Black and White, Body and Soul in American Music</em></a> (Dey St. Books, HarperCollins, 2017), <a href="https://www.npr.org/people/140955737/ann-powers">Ann Powers </a>explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. <em>Good Booty</em> begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more.</p><p><a href="https://www.utoledo.edu/al/english/faculty/mack.html"><em>Kimberly Mack</em></a><em> holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, </em>Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White<em>, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including </em>Music Connection, Relix, Village Voice, PopMatters<em>, and </em>Hot Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3819</itunes:duration>
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    <item>
      <title>Susan Brownell, "The Anthropology of Sport: Bodies, Borders, Biopolitics" (U California Press, 2018)</title>
      <description>As my first guest, I’d would like to introduce Susan Brownell, Professor of Anthropology at the University of Missouri – St Louis, one of the authors of The Anthropology of Sport: Bodies, Borders, Biopolitics (University of California Press, 2018). During the course of the interview, we covered the subfield of sport anthropology, the marginalization of traditional games, the recent Caster Semenya case, and the contemporary transnationalism of sport.
In The Anthropology of Sport, understandably, the authors enlighten us about what the subfield entails, how anthropology is well suited to dissect the nature of sport, and provide us with ample anecdotes and observations of the world of sport through an ‘anthropological gaze.’ The chapters are structured in a way that cover all the relevant aspects in the study of sport, including history, class, race/ethnicity, sex/gender, nationalism, and globalization. Two important additions to the field of sport studies include a chapter on sport, health, and the environment (3), as well as sport as a cultural performance (6). In the former, which can be taken as a foundational text on the subject, the history of sport medicine and non-Western perspectives on sport and the body are enlightening, with anecdotes about the history of yoga and the Falun Gong movement. In the latter, the performative turn and ritual theory are used to dissect the contemporary global sport mega-event infrastructure. In conclusion, the authors point out that “more than any other form of human activity, sport embodies some of the fundamental questions that anthropology poses” (258), and this book lives up to its lofty title.
Brownell, Besnier, and Carter’s work is a new text in a yet undefined field – it may be the start of something new. If interested in the global nature of sport today, The Anthropology of Sport is a necessary read.
Tom Fabian is a PhD candidate at the University of Western Ontario (London, Ontario, Canada) and an assistant professor of sport management at St. Francis Xavier University (Antigonish, Nova Scotia, Canada). His field, broadly, is the sociocultural history of sport, and he focuses on the globalization of folk games. Specifically, he is interested in the safeguarding of folk games through the UNESCO heritagization process, as well as the trend of adopting traditional games as national sports. Secondary research interests include the histories of the Universiade, volleyball, and Hungarian water polo. If you have a title to suggest for this podcast, please contact him at tfabian@uwo.ca.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 15 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In The Anthropology of Sport, understandably, the authors enlighten us about what the subfield entails, how anthropology is well suited to dissect the nature of sport, and provide us with ample anecdotes and observations of the world of sport through an ‘anthropological gaze.’</itunes:subtitle>
      <itunes:summary>As my first guest, I’d would like to introduce Susan Brownell, Professor of Anthropology at the University of Missouri – St Louis, one of the authors of The Anthropology of Sport: Bodies, Borders, Biopolitics (University of California Press, 2018). During the course of the interview, we covered the subfield of sport anthropology, the marginalization of traditional games, the recent Caster Semenya case, and the contemporary transnationalism of sport.
In The Anthropology of Sport, understandably, the authors enlighten us about what the subfield entails, how anthropology is well suited to dissect the nature of sport, and provide us with ample anecdotes and observations of the world of sport through an ‘anthropological gaze.’ The chapters are structured in a way that cover all the relevant aspects in the study of sport, including history, class, race/ethnicity, sex/gender, nationalism, and globalization. Two important additions to the field of sport studies include a chapter on sport, health, and the environment (3), as well as sport as a cultural performance (6). In the former, which can be taken as a foundational text on the subject, the history of sport medicine and non-Western perspectives on sport and the body are enlightening, with anecdotes about the history of yoga and the Falun Gong movement. In the latter, the performative turn and ritual theory are used to dissect the contemporary global sport mega-event infrastructure. In conclusion, the authors point out that “more than any other form of human activity, sport embodies some of the fundamental questions that anthropology poses” (258), and this book lives up to its lofty title.
Brownell, Besnier, and Carter’s work is a new text in a yet undefined field – it may be the start of something new. If interested in the global nature of sport today, The Anthropology of Sport is a necessary read.
Tom Fabian is a PhD candidate at the University of Western Ontario (London, Ontario, Canada) and an assistant professor of sport management at St. Francis Xavier University (Antigonish, Nova Scotia, Canada). His field, broadly, is the sociocultural history of sport, and he focuses on the globalization of folk games. Specifically, he is interested in the safeguarding of folk games through the UNESCO heritagization process, as well as the trend of adopting traditional games as national sports. Secondary research interests include the histories of the Universiade, volleyball, and Hungarian water polo. If you have a title to suggest for this podcast, please contact him at tfabian@uwo.ca.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As my first guest, I’d would like to introduce <a href="https://www.umsl.edu/divisions/artscience/anthro/Faculty%20and%20Staff/susanbrownell.html">Susan Brownell</a>, Professor of Anthropology at the University of Missouri – St Louis, one of the authors of <a href="http://www.amazon.com/dp/0520289013/?tag=newbooinhis-20"><em>The Anthropology of Sport: Bodies, Borders, Biopolitics</em></a> (University of California Press, 2018). During the course of the interview, we covered the subfield of sport anthropology, the marginalization of traditional games, the recent Caster Semenya case, and the contemporary transnationalism of sport.</p><p>In The Anthropology of Sport, understandably, the authors enlighten us about what the subfield entails, how anthropology is well suited to dissect the nature of sport, and provide us with ample anecdotes and observations of the world of sport through an ‘anthropological gaze.’ The chapters are structured in a way that cover all the relevant aspects in the study of sport, including history, class, race/ethnicity, sex/gender, nationalism, and globalization. Two important additions to the field of sport studies include a chapter on sport, health, and the environment (3), as well as sport as a cultural performance (6). In the former, which can be taken as a foundational text on the subject, the history of sport medicine and non-Western perspectives on sport and the body are enlightening, with anecdotes about the history of yoga and the Falun Gong movement. In the latter, the performative turn and ritual theory are used to dissect the contemporary global sport mega-event infrastructure. In conclusion, the authors point out that “more than any other form of human activity, sport embodies some of the fundamental questions that anthropology poses” (258), and this book lives up to its lofty title.</p><p>Brownell, Besnier, and Carter’s work is a new text in a yet undefined field – it may be the start of something new. If interested in the global nature of sport today, The Anthropology of Sport is a necessary read.</p><p><em>Tom Fabian is a PhD candidate at the University of Western Ontario (London, Ontario, Canada) and an assistant professor of sport management at St. Francis Xavier University (Antigonish, Nova Scotia, Canada). His field, broadly, is the sociocultural history of sport, and he focuses on the globalization of folk games. Specifically, he is interested in the safeguarding of folk games through the UNESCO heritagization process, as well as the trend of adopting traditional games as national sports. Secondary research interests include the histories of the Universiade, volleyball, and Hungarian water polo. If you have a title to suggest for this podcast, please contact him at tfabian@uwo.ca.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3239</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/LIT5141204875.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Kerry Eggers, "Jail Blazers: How the Portland Trail Blazers Became the Bad Boys of Basketball" (Sport Publishing, 2018)</title>
      <description>In the late ’90s and early 2000s, the Portland Trail Blazers were one of the hottest teams in the NBA. For almost a decade, they won 60 percent of their games while making it to the Western Conference Finals twice. However, what happened off-court was just as unforgettable as what they did on the court.
When someone asked Blazers general manager Bob Whitsitt about his team’s chemistry, he replied that he’d “never studied chemistry in college.” And with that, the “Jail Blazers” were born. Built in a similar fashion to a fantasy team, the team had skills, but their issues ended up being their undoing. In fact, many consider it the darkest period in franchise history.
While fans across the country were watching the skills of Damon Stoudamire, Rasheed Wallace, and Zach Randolph, those in Portland couldn’t have been more disappointed in the players’ off-court actions. This, many have mentioned, included a very racial element—which carried over to the players as well. As forward Rasheed Wallace said, “We’re not really going to worry about what the hell [the fans] think about us. They really don’t matter to us. They can boo us every day, but they’re still going to ask for our autographs if they see us on the street. That’s why they’re fans and we’re NBA players.”
In his book Jail Blazers: How the Portland Trail Blazers Became the Bad Boys of Basketball (Sport Publishing, 2018), Kerry Eggers, who covered the Trail Blazers during this controversial era, goes back to share the stories from the players, coaches, management, and those in Portland when the players were in the headlines as much for their play as for their legal issues.
Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and is currently working on his first book about the New York Knicks teams of the 1990s. You can reach him at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 11 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the late ’90s and early 2000s, the Portland Trail Blazers were one of the hottest teams in the NBA...</itunes:subtitle>
      <itunes:summary>In the late ’90s and early 2000s, the Portland Trail Blazers were one of the hottest teams in the NBA. For almost a decade, they won 60 percent of their games while making it to the Western Conference Finals twice. However, what happened off-court was just as unforgettable as what they did on the court.
When someone asked Blazers general manager Bob Whitsitt about his team’s chemistry, he replied that he’d “never studied chemistry in college.” And with that, the “Jail Blazers” were born. Built in a similar fashion to a fantasy team, the team had skills, but their issues ended up being their undoing. In fact, many consider it the darkest period in franchise history.
While fans across the country were watching the skills of Damon Stoudamire, Rasheed Wallace, and Zach Randolph, those in Portland couldn’t have been more disappointed in the players’ off-court actions. This, many have mentioned, included a very racial element—which carried over to the players as well. As forward Rasheed Wallace said, “We’re not really going to worry about what the hell [the fans] think about us. They really don’t matter to us. They can boo us every day, but they’re still going to ask for our autographs if they see us on the street. That’s why they’re fans and we’re NBA players.”
In his book Jail Blazers: How the Portland Trail Blazers Became the Bad Boys of Basketball (Sport Publishing, 2018), Kerry Eggers, who covered the Trail Blazers during this controversial era, goes back to share the stories from the players, coaches, management, and those in Portland when the players were in the headlines as much for their play as for their legal issues.
Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and is currently working on his first book about the New York Knicks teams of the 1990s. You can reach him at paulknepper@gmail.com and follow him on Twitter @paulieknep.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the late ’90s and early 2000s, the Portland Trail Blazers were one of the hottest teams in the NBA. For almost a decade, they won 60 percent of their games while making it to the Western Conference Finals twice. However, what happened off-court was just as unforgettable as what they did on the court.</p><p>When someone asked Blazers general manager Bob Whitsitt about his team’s chemistry, he replied that he’d “never studied chemistry in college.” And with that, the “Jail Blazers” were born. Built in a similar fashion to a fantasy team, the team had skills, but their issues ended up being their undoing. In fact, many consider it the darkest period in franchise history.</p><p>While fans across the country were watching the skills of Damon Stoudamire, Rasheed Wallace, and Zach Randolph, those in Portland couldn’t have been more disappointed in the players’ off-court actions. This, many have mentioned, included a very racial element—which carried over to the players as well. As forward Rasheed Wallace said, “We’re not really going to worry about what the hell [the fans] think about us. They really don’t matter to us. They can boo us every day, but they’re still going to ask for our autographs if they see us on the street. That’s why they’re fans and we’re NBA players.”</p><p>In his book <a href="http://www.amazon.com/dp/1683582608/?tag=newbooinhis-20"><em>Jail Blazers: How the Portland Trail Blazers Became the Bad Boys of Basketball</em></a> (Sport Publishing, 2018), <a href="https://twitter.com/kerryeggers?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Kerry Eggers</a>, who covered the Trail Blazers during this controversial era, goes back to share the stories from the players, coaches, management, and those in Portland when the players were in the headlines as much for their play as for their legal issues.</p><p><em>Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and is currently working on his first book about the New York Knicks teams of the 1990s. You can reach him at </em><a href="mailto:paulknepper@gmail.com"><em>paulknepper@gmail.com</em></a><em> and follow him on Twitter </em><a href="https://twitter.com/paulieknep?lang=en"><em>@paulieknep</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1827</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Tanisha C. Ford, "Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion" (St. Martins Press, 2019)</title>
      <description>In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today.
The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses.
Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion (St. Martins Press, 2019) is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution―from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too.
Adam McNeil is a PhD Student in the Department of History at Rutgers University-New Brunswick.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 10 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today...</itunes:subtitle>
      <itunes:summary>In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today.
The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses.
Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion (St. Martins Press, 2019) is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution―from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too.
Adam McNeil is a PhD Student in the Department of History at Rutgers University-New Brunswick.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this highly engaging book, fashionista and pop culture expert <a href="https://twitter.com/SoulistaPhD?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Tanisha C. Ford</a> investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today.</p><p>The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses.</p><p><a href="http://www.amazon.com/dp/1250173531/?tag=newbooinhis-20"><em>Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion</em></a> (St. Martins Press, 2019) is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution―from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too.</p><p><em>Adam McNeil is a PhD Student in the Department of History at Rutgers University-New Brunswick.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4179</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lynn Downey, "Levi Strauss: The Man Who Gave Blue Jeans to the World" (U Massachusetts Press, 2016)</title>
      <description>Nearly every consumer today is familiar with the name Levi Strauss thank to the jeans that bear his name. As Lynn Downey explains in her book Levi Strauss: The Man Who Gave Blue Jeans to the World (University of Massachusetts Press, 2016), to understand the man behind the brand requires sorting through decades of popular legends created to fill a vacuum of knowledge. Born Löb Strauß, he changed his name to Levis Strauss when he emigrated as a young man from Bavaria to the United States. Once in New York City he joined the dry goods firm established by his brothers, moving to California in 1853 to establish a branch of the firm in San Francisco. There Strauss prospered with the gold rush-era boom, becoming a leading Bay Area businessman and civic philanthropist. It was this status that led Jacob Davis, a Nevada tailor, to seek his help in patenting his design for riveted pants. Together they succeeded in establishing a patent that became the foundation for the brand known today throughout the world, thanks to Strauss’s decision to trademark the brand prior to the patent’s expiration.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 09 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Nearly every consumer today is familiar with the name Levi Strauss thank to the jeans that bear his name...</itunes:subtitle>
      <itunes:summary>Nearly every consumer today is familiar with the name Levi Strauss thank to the jeans that bear his name. As Lynn Downey explains in her book Levi Strauss: The Man Who Gave Blue Jeans to the World (University of Massachusetts Press, 2016), to understand the man behind the brand requires sorting through decades of popular legends created to fill a vacuum of knowledge. Born Löb Strauß, he changed his name to Levis Strauss when he emigrated as a young man from Bavaria to the United States. Once in New York City he joined the dry goods firm established by his brothers, moving to California in 1853 to establish a branch of the firm in San Francisco. There Strauss prospered with the gold rush-era boom, becoming a leading Bay Area businessman and civic philanthropist. It was this status that led Jacob Davis, a Nevada tailor, to seek his help in patenting his design for riveted pants. Together they succeeded in establishing a patent that became the foundation for the brand known today throughout the world, thanks to Strauss’s decision to trademark the brand prior to the patent’s expiration.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nearly every consumer today is familiar with the name Levi Strauss thank to the jeans that bear his name. As <a href="http://lynndowney.com/">Lynn Downey</a> explains in her book <a href="http://www.amazon.com/dp/1625342993/?tag=newbooinhis-20"><em>Levi Strauss: The Man Who Gave Blue Jeans to the World</em></a> (University of Massachusetts Press, 2016), to understand the man behind the brand requires sorting through decades of popular legends created to fill a vacuum of knowledge. Born Löb Strauß, he changed his name to Levis Strauss when he emigrated as a young man from Bavaria to the United States. Once in New York City he joined the dry goods firm established by his brothers, moving to California in 1853 to establish a branch of the firm in San Francisco. There Strauss prospered with the gold rush-era boom, becoming a leading Bay Area businessman and civic philanthropist. It was this status that led Jacob Davis, a Nevada tailor, to seek his help in patenting his design for riveted pants. Together they succeeded in establishing a patent that became the foundation for the brand known today throughout the world, thanks to Strauss’s decision to trademark the brand prior to the patent’s expiration.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3181</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f8c5010-9e93-11e9-b77a-ab95630fae6a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2096927718.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Diana Pasulka, "American Cosmic: UFOs, Religion, Technology" (Oxford UP, 2019)</title>
      <description>More than half of American adults and more than seventy-five percent of young Americans believe in intelligent extraterrestrial life. This level of belief rivals that of belief in God. In American Cosmic: UFOs, Religion, Technology (Oxford University Press, 2019), professor Diana Pasulka examines the mechanisms at work behind the thriving belief system in extraterrestrial life, a system she asserts is changing and even supplanting traditional religions.
Over the course of a six-year ethnographic study, Pasulka interviewed successful and influential scientists, professionals, and Silicon Valley entrepreneurs who believe in extraterrestrial intelligence, thereby disproving the common misconception that only fringe members of society believe in UFOs. She argues that widespread belief in aliens is due to a number of factors including their ubiquity in modern media such as The X-Files, which can influence memory, and the believability lent to that media by the search for planets that might support life. American Cosmic explores the intriguing question of how people interpret unexplainable experiences and argues that the media is replacing religion as a cultural authority that offers believers answers about non-human intelligent life.
Diana Walsh Pasulka is a Professor of Religious Studies at the University of North Carolina, Wilmington and Chair of the Department of Philosophy and Religion. Her research focuses on religion and technology, including supernatural belief and its connections to digital technologies and environments. She is also a history and religion consultant for movies and television, including The Conjuring (from 2013).
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 08 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>More than half of American adults and more than seventy-five percent of young Americans believe in intelligent extraterrestrial life...</itunes:subtitle>
      <itunes:summary>More than half of American adults and more than seventy-five percent of young Americans believe in intelligent extraterrestrial life. This level of belief rivals that of belief in God. In American Cosmic: UFOs, Religion, Technology (Oxford University Press, 2019), professor Diana Pasulka examines the mechanisms at work behind the thriving belief system in extraterrestrial life, a system she asserts is changing and even supplanting traditional religions.
Over the course of a six-year ethnographic study, Pasulka interviewed successful and influential scientists, professionals, and Silicon Valley entrepreneurs who believe in extraterrestrial intelligence, thereby disproving the common misconception that only fringe members of society believe in UFOs. She argues that widespread belief in aliens is due to a number of factors including their ubiquity in modern media such as The X-Files, which can influence memory, and the believability lent to that media by the search for planets that might support life. American Cosmic explores the intriguing question of how people interpret unexplainable experiences and argues that the media is replacing religion as a cultural authority that offers believers answers about non-human intelligent life.
Diana Walsh Pasulka is a Professor of Religious Studies at the University of North Carolina, Wilmington and Chair of the Department of Philosophy and Religion. Her research focuses on religion and technology, including supernatural belief and its connections to digital technologies and environments. She is also a history and religion consultant for movies and television, including The Conjuring (from 2013).
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>More than half of American adults and more than seventy-five percent of young Americans believe in intelligent extraterrestrial life. This level of belief rivals that of belief in God. In <a href="http://www.amazon.com/dp/019069288X/?tag=newbooinhis-20"><em>American Cosmic: UFOs, Religion, Technology </em></a>(Oxford University Press, 2019), professor Diana Pasulka examines the mechanisms at work behind the thriving belief system in extraterrestrial life, a system she asserts is changing and even supplanting traditional religions.</p><p>Over the course of a six-year ethnographic study, Pasulka interviewed successful and influential scientists, professionals, and Silicon Valley entrepreneurs who believe in extraterrestrial intelligence, thereby disproving the common misconception that only fringe members of society believe in UFOs. She argues that widespread belief in aliens is due to a number of factors including their ubiquity in modern media such as <em>The X-Files</em>, which can influence memory, and the believability lent to that media by the search for planets that might support life. <em>American Cosmic</em> explores the intriguing question of how people interpret unexplainable experiences and argues that the media is replacing religion as a cultural authority that offers believers answers about non-human intelligent life.</p><p><a href="https://www.americancosmic.com/about-the-author/">Diana Walsh Pasulka</a> is a Professor of Religious Studies at the University of North Carolina, Wilmington and Chair of the Department of Philosophy and Religion. Her research focuses on religion and technology, including supernatural belief and its connections to digital technologies and environments. She is also a history and religion consultant for movies and television, including <em>The Conjuring</em> (from 2013).</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is a PhD student at Université Laval in Quebec City.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3507</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2b036846-9e53-11e9-9347-03023638d2a2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9037638616.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Stephen Hardy and Andrew Holman, "Hockey: A Global History" (U Illinois Press, 2018)</title>
      <description>Today we are joined by Stephen Hardy, retired professor of kinesiology and affiliate professor of history at the University of New Hampshire, and Andrew Holman, professor of history at and the director of Canadian studies at Bridgewater State University.  Hardy and Holman are the co-authors of Hockey: A Global History (University of Illinois Press, 2018).  In our conversation, we discussed the popularization of the Montreal game in the 19th; the rise of divergent styles of hockey in Canada, the USA, and Europe; and the increasing commercialization of hockey.
In Hockey, Hardy and Holman offer a comprehensive and engaging history of the fastest game from it’s origins in a series of stick based contests, including early hockey, bandy, and polo through to the development of our contemporary commercial hockey best exhibited by the NHL and KHL.
Their work offers an innovative periodization that gives order to the tensions and contradictions inherent in the disorderly expansion and contraction of the global game.  They chose to concentrate on the convergences and divergences of the hockey world beginning with the codification and spread of the Montreal game in the late 19th and early 20th centuries.  Their second section addresses the expansion of hockey beyond Montreal throughout the rest of Canada, the northern US, and Europe.  The third part of Hockey covers 1920 until 1972, a period of  divergence in which American, Canadian, and European hockey leagues developed unique cultural characteristic expressed through national rules and styles.  The final section of the book analyses the convergence hockey through the lens of globalization and commercialization.
Hardy and Holman’s work will appeal to scholars interested in the spread of hockey but more broadly to people interested in how different cultural products diffuse through the creation of global networks.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 03 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In "Hockey," Hardy and Holman offer a comprehensive and engaging history of the fastest game from it’s origins in a series of stick based contests, including early hockey, bandy, and polo through to the development of our contemporary commercial hockey best exhibited by the NHL and KHL.</itunes:subtitle>
      <itunes:summary>Today we are joined by Stephen Hardy, retired professor of kinesiology and affiliate professor of history at the University of New Hampshire, and Andrew Holman, professor of history at and the director of Canadian studies at Bridgewater State University.  Hardy and Holman are the co-authors of Hockey: A Global History (University of Illinois Press, 2018).  In our conversation, we discussed the popularization of the Montreal game in the 19th; the rise of divergent styles of hockey in Canada, the USA, and Europe; and the increasing commercialization of hockey.
In Hockey, Hardy and Holman offer a comprehensive and engaging history of the fastest game from it’s origins in a series of stick based contests, including early hockey, bandy, and polo through to the development of our contemporary commercial hockey best exhibited by the NHL and KHL.
Their work offers an innovative periodization that gives order to the tensions and contradictions inherent in the disorderly expansion and contraction of the global game.  They chose to concentrate on the convergences and divergences of the hockey world beginning with the codification and spread of the Montreal game in the late 19th and early 20th centuries.  Their second section addresses the expansion of hockey beyond Montreal throughout the rest of Canada, the northern US, and Europe.  The third part of Hockey covers 1920 until 1972, a period of  divergence in which American, Canadian, and European hockey leagues developed unique cultural characteristic expressed through national rules and styles.  The final section of the book analyses the convergence hockey through the lens of globalization and commercialization.
Hardy and Holman’s work will appeal to scholars interested in the spread of hockey but more broadly to people interested in how different cultural products diffuse through the creation of global networks.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by <a href="https://chhs.unh.edu/person/stephen-hardy">Stephen Hardy</a>, retired professor of kinesiology and affiliate professor of history at the University of New Hampshire, and <a href="http://webhost.bridgew.edu/a2holman/">Andrew Holman</a>, professor of history at and the director of Canadian studies at Bridgewater State University.  Hardy and Holman are the co-authors of <a href="http://www.amazon.com/dp/0252083970/?tag=newbooinhis-20"><em>Hockey: A Global History </em></a>(University of Illinois Press, 2018).  In our conversation, we discussed the popularization of the Montreal game in the 19th; the rise of divergent styles of hockey in Canada, the USA, and Europe; and the increasing commercialization of hockey.</p><p>In <em>Hockey, </em>Hardy and Holman offer a comprehensive and engaging history of the fastest game from it’s origins in a series of stick based contests, including early hockey, bandy, and polo through to the development of our contemporary commercial hockey best exhibited by the NHL and KHL.</p><p>Their work offers an innovative periodization that gives order to the tensions and contradictions inherent in the disorderly expansion and contraction of the global game.  They chose to concentrate on the convergences and divergences of the hockey world beginning with the codification and spread of the Montreal game in the late 19th and early 20th centuries.  Their second section addresses the expansion of hockey beyond Montreal throughout the rest of Canada, the northern US, and Europe.  The third part of <em>Hockey </em>covers 1920 until 1972, a period of  divergence in which American, Canadian, and European hockey leagues developed unique cultural characteristic expressed through national rules and styles.  The final section of the book analyses the convergence hockey through the lens of globalization and commercialization.</p><p>Hardy and Holman’s work will appeal to scholars interested in the spread of hockey but more broadly to people interested in how different cultural products diffuse through the creation of global networks.</p><p><em>Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth-century French social and cultural history. His manuscript, entitled</em> A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948<em>, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4281</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d6cddf30-94ee-11e9-a04b-3bb0a2c830ec]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6265485224.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>M. D. Foster and J. A. Tolbert, "The Folkloresque: Reframing Folklore in a Popular Culture World" (Utah State UP, 2015)</title>
      <description>This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the "folkloresque." With "folkloresque," Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline. Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes--integration, portrayal, and parody--the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts. Michael Dylan Foster and Jeffrey A. Tolbert's edited collection The Folkloresque: Reframing Folklore in a Popular Culture World (Utah State University Press, 2015) challenges disciplinary and genre boundaries; suggests productive new approaches for interpreting folklore, popular culture, literature, film, and contemporary media; and encourages a rethinking of traditional works and older interpretive paradigms.
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 02 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the "folkloresque."</itunes:subtitle>
      <itunes:summary>This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the "folkloresque." With "folkloresque," Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline. Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes--integration, portrayal, and parody--the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts. Michael Dylan Foster and Jeffrey A. Tolbert's edited collection The Folkloresque: Reframing Folklore in a Popular Culture World (Utah State University Press, 2015) challenges disciplinary and genre boundaries; suggests productive new approaches for interpreting folklore, popular culture, literature, film, and contemporary media; and encourages a rethinking of traditional works and older interpretive paradigms.
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the "folkloresque." With "folkloresque," Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline. Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes--integration, portrayal, and parody--the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts. <a href="https://ealc.ucdavis.edu/people/michael-dylan-foster">Michael Dylan Foster</a> and <a href="https://harrisburg.psu.edu/faculty-and-staff/jeffrey-tolbert">Jeffrey A. Tolbert</a>'s edited collection <a href="http://www.amazon.com/dp/1607324172/?tag=newbooinhis-20"><em>The Folkloresque: Reframing Folklore in a Popular Culture World </em></a>(Utah State University Press, 2015) challenges disciplinary and genre boundaries; suggests productive new approaches for interpreting folklore, popular culture, literature, film, and contemporary media; and encourages a rethinking of traditional works and older interpretive paradigms.</p><p><a href="http://rachelhopkin.com/"><em>Rachel Hopkin</em></a><em> is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3140</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[25db9946-9454-11e9-ac21-ebf72a40385a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7759929185.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Rea, "China's Chaplin: Comic Stories and Farces by Xu Zhuodai" (Cornell UP, 2019)</title>
      <description>Hoaxes! Jokes! Farces and fun! Cristopher Rea's China’s Chaplin (Cornell University Press, 2019) introduces the imagination of Xu Zhuodai (1880–1958), a comic dynamo who made Shanghai laugh through the tumultuous decades of the pre-Mao era. Xu was a popular and prolific literary humorist who styled himself variously as Master of the Broken Chamberpot Studio, Dr. Split-Crotch Pants, Dr. Hairy Li, and Old Man Soy Sauce. He was also an entrepreneur who founded gymnastics academies, theater troupes, film companies, magazines, and a home condiments business. While pursuing this varied career, Xu Zhuodai made a name for himself as a “Charlie Chaplin of the East.” He wrote and acted in stage comedies and slapstick films, compiled joke books, penned humorous advice columns, dabbled in parodic verse, and wrote innumerable works of comic fiction. China’s Chaplin contains a selection of Xu’s best stories and stage plays (plus a smattering of jokes) that will answer the questions that keep you up at night. What is a father’s duty when he and his son are courting the same prostitute? What ingenious method might save the world from economic crisis after a world war? Who is Shanghai’s most outrageous grandmother? What is the best revenge against plagiarists, thieves, landlords, or spouses? And why should you never, never, never pull a hair from a horse’s tail?
Victoria Oana Lupascu is a PhD candidate in dual-title doctoral program in Comparative Literature and Asian Studies at the Pennsylvania State University. Her areas of interest include 20th and 21st Chinese literature and visual art, medical humanities and Global South studies. 

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 01 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>276</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rea introduces the imagination of Xu Zhuodai (1880–1958), a comic dynamo who made Shanghai laugh...</itunes:subtitle>
      <itunes:summary>Hoaxes! Jokes! Farces and fun! Cristopher Rea's China’s Chaplin (Cornell University Press, 2019) introduces the imagination of Xu Zhuodai (1880–1958), a comic dynamo who made Shanghai laugh through the tumultuous decades of the pre-Mao era. Xu was a popular and prolific literary humorist who styled himself variously as Master of the Broken Chamberpot Studio, Dr. Split-Crotch Pants, Dr. Hairy Li, and Old Man Soy Sauce. He was also an entrepreneur who founded gymnastics academies, theater troupes, film companies, magazines, and a home condiments business. While pursuing this varied career, Xu Zhuodai made a name for himself as a “Charlie Chaplin of the East.” He wrote and acted in stage comedies and slapstick films, compiled joke books, penned humorous advice columns, dabbled in parodic verse, and wrote innumerable works of comic fiction. China’s Chaplin contains a selection of Xu’s best stories and stage plays (plus a smattering of jokes) that will answer the questions that keep you up at night. What is a father’s duty when he and his son are courting the same prostitute? What ingenious method might save the world from economic crisis after a world war? Who is Shanghai’s most outrageous grandmother? What is the best revenge against plagiarists, thieves, landlords, or spouses? And why should you never, never, never pull a hair from a horse’s tail?
Victoria Oana Lupascu is a PhD candidate in dual-title doctoral program in Comparative Literature and Asian Studies at the Pennsylvania State University. Her areas of interest include 20th and 21st Chinese literature and visual art, medical humanities and Global South studies. 

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hoaxes! Jokes! Farces and fun! <a href="https://asia.ubc.ca/persons/christopher-rea/">Cristopher Rea</a>'s <a href="http://www.amazon.com/dp/1939161045/?tag=newbooinhis-20"><em>China’s Chaplin</em></a> (Cornell University Press, 2019) introduces the imagination of Xu Zhuodai (1880–1958), a comic dynamo who made Shanghai laugh through the tumultuous decades of the pre-Mao era. Xu was a popular and prolific literary humorist who styled himself variously as Master of the Broken Chamberpot Studio, Dr. Split-Crotch Pants, Dr. Hairy Li, and Old Man Soy Sauce. He was also an entrepreneur who founded gymnastics academies, theater troupes, film companies, magazines, and a home condiments business. While pursuing this varied career, Xu Zhuodai made a name for himself as a “Charlie Chaplin of the East.” He wrote and acted in stage comedies and slapstick films, compiled joke books, penned humorous advice columns, dabbled in parodic verse, and wrote innumerable works of comic fiction. China’s Chaplin contains a selection of Xu’s best stories and stage plays (plus a smattering of jokes) that will answer the questions that keep you up at night. What is a father’s duty when he and his son are courting the same prostitute? What ingenious method might save the world from economic crisis after a world war? Who is Shanghai’s most outrageous grandmother? What is the best revenge against plagiarists, thieves, landlords, or spouses? And why should you never, never, never pull a hair from a horse’s tail?</p><p><a href="https://complit.la.psu.edu/people/vol103"><em>Victoria Oana Lupascu</em></a><em> is a PhD candidate in dual-title doctoral program in Comparative Literature and Asian Studies at the Pennsylvania State University. Her areas of interest include 20th and 21st Chinese literature and visual art, medical humanities and Global South studies. </p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2413</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT5547125346.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeanette M. Fregulia, "A Rich and Tantalizing Brew: A History of How Coffee Connected the World" (U Arkansas Press, 2019))</title>
      <description>In this this interview, Carrie Tippen talks with Jeanette M. Fregulia about the movements of coffee beans, coffee drinking, and coffee houses from Ethiopia and Yemen, across the Mediterranean region, through Western Europe, and to the Americas. In A Rich and Tantalizing Brew: A History of How Coffee Connected the World (University of Arkansas Press, 2019), Fregulia examines the geographic movements of coffee beans through global trade as well as the social and cultural movements of coffee drinking from a medicine to an aid in religious ritual to an elite domestic drink to a public event in the coffee house. Covering a wide ranging chronology from the sixth century to today, the story of coffee as it moves East to West shares much in common with the movements of other foods like chocolate, sugar, tea, and olives, but Fregulia argues that coffee is unique among global foodstuffs for the way it transformed social structures and social behaviors to become part of the pubic sphere. Fregulia’s history decenters the European perspective of global market and cultural exchanges by drawing on archives of primary sources from Islamic histories as well as European travel narratives. For early modern Europeans, Fregulia argues, consuming coffee was a product of imperialism and Orientalism, arising from the general acquisitiveness of early modern Europeans who “consumed the East in new forms of art and architecture, in the pages of travel narratives, with the collection of artifacts, and in luxurious adornments for the body” (99). Fregulia brings a new perspective to a familiar drink by intertwining cultural, political, economic, religious, and legal histories altogether through the story of one rich and tantalizing brew.
Jeanette M. Fregulia is Associate Professor of History and Chair of the History at Carroll College in Helena, Montana. Jeanette’s research focuses on merchants and material, cultural, and social exchanges between early modern Italy and the Eastern Mediterranean, as well as on the role of gender in the history of Mediterranean exchanges. In addition to PhD in Renaissance Italian History, she holds a Master’s Degree in Middle East Area Studies from the University of London, School of Oriental and African Studies, and continues to actively pursue research in the history of the Middle East and Islam.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Fregulia examines the geographic movements of coffee beans through global trade as well as the social and cultural movements of coffee drinking from a medicine to an aid in religious ritual to an elite domestic drink to a public event in the coffee house...</itunes:subtitle>
      <itunes:summary>In this this interview, Carrie Tippen talks with Jeanette M. Fregulia about the movements of coffee beans, coffee drinking, and coffee houses from Ethiopia and Yemen, across the Mediterranean region, through Western Europe, and to the Americas. In A Rich and Tantalizing Brew: A History of How Coffee Connected the World (University of Arkansas Press, 2019), Fregulia examines the geographic movements of coffee beans through global trade as well as the social and cultural movements of coffee drinking from a medicine to an aid in religious ritual to an elite domestic drink to a public event in the coffee house. Covering a wide ranging chronology from the sixth century to today, the story of coffee as it moves East to West shares much in common with the movements of other foods like chocolate, sugar, tea, and olives, but Fregulia argues that coffee is unique among global foodstuffs for the way it transformed social structures and social behaviors to become part of the pubic sphere. Fregulia’s history decenters the European perspective of global market and cultural exchanges by drawing on archives of primary sources from Islamic histories as well as European travel narratives. For early modern Europeans, Fregulia argues, consuming coffee was a product of imperialism and Orientalism, arising from the general acquisitiveness of early modern Europeans who “consumed the East in new forms of art and architecture, in the pages of travel narratives, with the collection of artifacts, and in luxurious adornments for the body” (99). Fregulia brings a new perspective to a familiar drink by intertwining cultural, political, economic, religious, and legal histories altogether through the story of one rich and tantalizing brew.
Jeanette M. Fregulia is Associate Professor of History and Chair of the History at Carroll College in Helena, Montana. Jeanette’s research focuses on merchants and material, cultural, and social exchanges between early modern Italy and the Eastern Mediterranean, as well as on the role of gender in the history of Mediterranean exchanges. In addition to PhD in Renaissance Italian History, she holds a Master’s Degree in Middle East Area Studies from the University of London, School of Oriental and African Studies, and continues to actively pursue research in the history of the Middle East and Islam.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this this interview, Carrie Tippen talks with <a href="https://www.carroll.edu/faculty/fregulia-jeanette">Jeanette M. Fregulia</a> about the movements of coffee beans, coffee drinking, and coffee houses from Ethiopia and Yemen, across the Mediterranean region, through Western Europe, and to the Americas. In <a href="http://www.amazon.com/dp/1682260879/?tag=newbooinhis-20"><em>A Rich and Tantalizing Brew: A History of How Coffee Connected the World</em></a> (University of Arkansas Press, 2019), Fregulia examines the geographic movements of coffee beans through global trade as well as the social and cultural movements of coffee drinking from a medicine to an aid in religious ritual to an elite domestic drink to a public event in the coffee house. Covering a wide ranging chronology from the sixth century to today, the story of coffee as it moves East to West shares much in common with the movements of other foods like chocolate, sugar, tea, and olives, but Fregulia argues that coffee is unique among global foodstuffs for the way it transformed social structures and social behaviors to become part of the pubic sphere. Fregulia’s history decenters the European perspective of global market and cultural exchanges by drawing on archives of primary sources from Islamic histories as well as European travel narratives. For early modern Europeans, Fregulia argues, consuming coffee was a product of imperialism and Orientalism, arising from the general acquisitiveness of early modern Europeans who “consumed the East in new forms of art and architecture, in the pages of travel narratives, with the collection of artifacts, and in luxurious adornments for the body” (99). Fregulia brings a new perspective to a familiar drink by intertwining cultural, political, economic, religious, and legal histories altogether through the story of one rich and tantalizing brew.</p><p>Jeanette M. Fregulia is Associate Professor of History and Chair of the History at Carroll College in Helena, Montana. Jeanette’s research focuses on merchants and material, cultural, and social exchanges between early modern Italy and the Eastern Mediterranean, as well as on the role of gender in the history of Mediterranean exchanges. In addition to PhD in Renaissance Italian History, she holds a Master’s Degree in Middle East Area Studies from the University of London, School of Oriental and African Studies, and continues to actively pursue research in the history of the Middle East and Islam.</p><p><a href="https://www.chatham.edu/english/facultydetails.cfm?FacultyID=439"><em>Carrie Helms Tippen</em></a><em> is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, </em><a href="http://www.inventingauthenticity.com/">Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</a><em> (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in </em>Food and Foodways, American Studies, Southern Quarterly,<em> and </em>Food, Culture, and Society<em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2837</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[55629da4-8ea0-11e9-9a8b-53956df7a032]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4618923978.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kimberly Alexander, "Treasures Afoot: Shoe Stories from the Georgian Era" (Johns Hopkins UP, 2018)</title>
      <description>“Fashion is universal,” writes my guest Kimberly Alexander in her book Treasures Afoot: Shoe Stories from the Georgian Era (Johns Hopkins UP, 2018), “enabling historians across time, place, and culture to form an understanding of the people who made clothes and who wore them. But shoes are different. As shoe scholar June Swann opines, ‘No other garment or accessory maintains the imprint of its wearer–even over long spans of time.’ A shoe molds to the foot and captures a facet of the physical characteristics of its wearer, as well as, by extension, an element of his or her personal history. We can study how much wear occurred and on what part of the shoe, how a shoe was altered or repaired, why a shoe or a pair of shoes were saved and handed down–and, from this, form a idea of the ordinary lives of the people who wore them.”
Together Kimberly and I discuss her new book; why shoes are important; why fashion is important; and even how to talk about material culture in class.
Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>526</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A shoe molds to the foot and captures a facet of the physical characteristics of its wearer, as well as, by extension, an element of his or her personal history...</itunes:subtitle>
      <itunes:summary>“Fashion is universal,” writes my guest Kimberly Alexander in her book Treasures Afoot: Shoe Stories from the Georgian Era (Johns Hopkins UP, 2018), “enabling historians across time, place, and culture to form an understanding of the people who made clothes and who wore them. But shoes are different. As shoe scholar June Swann opines, ‘No other garment or accessory maintains the imprint of its wearer–even over long spans of time.’ A shoe molds to the foot and captures a facet of the physical characteristics of its wearer, as well as, by extension, an element of his or her personal history. We can study how much wear occurred and on what part of the shoe, how a shoe was altered or repaired, why a shoe or a pair of shoes were saved and handed down–and, from this, form a idea of the ordinary lives of the people who wore them.”
Together Kimberly and I discuss her new book; why shoes are important; why fashion is important; and even how to talk about material culture in class.
Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Fashion is universal,” writes my guest <a href="https://cola.unh.edu/person/kimberly-alexander">Kimberly Alexander</a> in her book <a href="http://www.amazon.com/dp/142142584X/?tag=newbooinhis-20"><em>Treasures Afoot: Shoe Stories from the Georgian Era</em></a> (Johns Hopkins UP, 2018), “enabling historians across time, place, and culture to form an understanding of the people who made clothes and who wore them. But shoes are different. As shoe scholar June Swann opines, ‘No other garment or accessory maintains the imprint of its wearer–even over long spans of time.’ A shoe molds to the foot and captures a facet of the physical characteristics of its wearer, as well as, by extension, an element of his or her personal history. We can study how much wear occurred and on what part of the shoe, how a shoe was altered or repaired, why a shoe or a pair of shoes were saved and handed down–and, from this, form a idea of the ordinary lives of the people who wore them.”</p><p>Together Kimberly and I discuss her new book; why shoes are important; why fashion is important; and even how to talk about material culture in class.</p><p><em>Al Zambone is a historian and the host of the podcast </em><a href="http://historicallythinking.org/"><em>Historically Thinking</em></a><em>. You can subscribe to Historically Thinking on </em><a href="https://podcasts.apple.com/us/podcast/historically-thinking-conversations/id965914326"><em>Apple Podcasts</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3881</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5e91a1c0-86dc-11e9-b1d0-7f341c138ef9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3173833332.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amanda Littauer, "Bad Girls: Young Women, Sex, and Rebellion before the Sixties" (UNC Press, 2015)</title>
      <description>In her innovative and revealing study of midcentury American sex and culture, Bad Girls: Young Women, Sex, and Rebellion before the Sixties (University of North Carolina Press, 2015),  Amanda Littauer traces the origins of the "sexual revolution" of the 1960s. She argues that sexual liberation was much more than a reaction to 1950s repression because it largely involved the mainstreaming of a counterculture already on the rise among girls and young women decades earlier. From World War II–era "victory girls" to teen lesbians in the 1940s and 1950s, these nonconforming women and girls navigated and resisted intense social and interpersonal pressures to fit existing mores, using the upheavals of the era to pursue new sexual freedoms.
Building on a new generation of research on postwar society, Littauer tells the history of diverse young women who stood at the center of major cultural change and helped transform a society bound by conservative sexual morality into one more open to individualism, plurality, and pleasure in modern sexual life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 26 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>533</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Amanda Littauer traces the origins of the "sexual revolution" of the 1960s...</itunes:subtitle>
      <itunes:summary>In her innovative and revealing study of midcentury American sex and culture, Bad Girls: Young Women, Sex, and Rebellion before the Sixties (University of North Carolina Press, 2015),  Amanda Littauer traces the origins of the "sexual revolution" of the 1960s. She argues that sexual liberation was much more than a reaction to 1950s repression because it largely involved the mainstreaming of a counterculture already on the rise among girls and young women decades earlier. From World War II–era "victory girls" to teen lesbians in the 1940s and 1950s, these nonconforming women and girls navigated and resisted intense social and interpersonal pressures to fit existing mores, using the upheavals of the era to pursue new sexual freedoms.
Building on a new generation of research on postwar society, Littauer tells the history of diverse young women who stood at the center of major cultural change and helped transform a society bound by conservative sexual morality into one more open to individualism, plurality, and pleasure in modern sexual life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her innovative and revealing study of midcentury American sex and culture, <a href="http://www.amazon.com/dp/1469623781/?tag=newbooinhis-20"><em>Bad Girls: Young Women, Sex, and Rebellion before the Sixtie</em></a><em>s</em> (University of North Carolina Press, 2015),  <a href="https://www.niu.edu/cswgs/about/faculty-staff/Amanda-Littauer.shtml">Amanda Littauer</a> traces the origins of the "sexual revolution" of the 1960s. She argues that sexual liberation was much more than a reaction to 1950s repression because it largely involved the mainstreaming of a counterculture already on the rise among girls and young women decades earlier. From World War II–era "victory girls" to teen lesbians in the 1940s and 1950s, these nonconforming women and girls navigated and resisted intense social and interpersonal pressures to fit existing mores, using the upheavals of the era to pursue new sexual freedoms.</p><p>Building on a new generation of research on postwar society, Littauer tells the history of diverse young women who stood at the center of major cultural change and helped transform a society bound by conservative sexual morality into one more open to individualism, plurality, and pleasure in modern sexual life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4734</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a03473f6-8ed3-11e9-9f1f-f35bbc9437a2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1744696683.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gregory H. Wolf, "Wrigley Field: The Friendly Confines at Clark and Addison" (SABR, 2019)</title>
      <description>Wrigley Field is one of a handful of sports stadiums to have transcended its athletic purpose to become a true American landmark. Nestled in its neighborhood on the north side of Chicago, the park may be a throwback to a bygone era of baseball, but a recent renovation has positioned it for a long future. Gregory H. Wolf has edited Wrigley Field: The Friendly Confines at Clark and Addison, a new volume from the Society for American Baseball Research (SABR).  Wolf is a professor of German studies and holder of the Dennis and Jean Bauman Endowed Chair in the Humanities at North Central College in Naperville, Ill. He is a member of SABR, for which he has edited nine books.
Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Wrigley Field is one of a handful of sports stadiums to have transcended its athletic purpose to become a true American landmark...</itunes:subtitle>
      <itunes:summary>Wrigley Field is one of a handful of sports stadiums to have transcended its athletic purpose to become a true American landmark. Nestled in its neighborhood on the north side of Chicago, the park may be a throwback to a bygone era of baseball, but a recent renovation has positioned it for a long future. Gregory H. Wolf has edited Wrigley Field: The Friendly Confines at Clark and Addison, a new volume from the Society for American Baseball Research (SABR).  Wolf is a professor of German studies and holder of the Dennis and Jean Bauman Endowed Chair in the Humanities at North Central College in Naperville, Ill. He is a member of SABR, for which he has edited nine books.
Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Wrigley Field is one of a handful of sports stadiums to have transcended its athletic purpose to become a true American landmark. Nestled in its neighborhood on the north side of Chicago, the park may be a throwback to a bygone era of baseball, but a recent renovation has positioned it for a long future. <a href="https://www.northcentralcollege.edu/profile/ghwolf">Gregory H. Wolf</a> has edited <a href="http://www.amazon.com/dp/1970159014/?tag=newbooinhis-20"><em>Wrigley Field: The Friendly Confines at Clark and Addison</em></a>, a new volume from the Society for American Baseball Research (SABR).  Wolf is a professor of German studies and holder of the Dennis and Jean Bauman Endowed Chair in the Humanities at North Central College in Naperville, Ill. He is a <a href="https://sabr.org/author/gregory-h-wolf">member</a> of SABR, for which he has edited nine books.</p><p><em>Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4323</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[261662fe-8e1b-11e9-a288-97a77d3aeb2b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9863201570.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amos Mac and Rocco Kayiatos, "Original Plumbing: The Best of Ten Years of Trans Male Culture" (Amethyst Editions, 2019)</title>
      <description>When Amos Mac and Rocco Kayiatos first launch Original Plumbing in 2009, they created a magazine the world desperately needed: a creative and celebratory biannual publication about trans men, by trans men. For ten years, OP was an inspired response to the lack of meaningful representation of trans lives and culture. Each issue was filled with gorgeous, moving, hilarious, and sexy narratives that pushed back against marginalizing stereotypes. Taken together, these stories met mainstream media’s violence with self-love, dismissal with determination, and repression with resistance.
Collecting the best of the magazine’s entire twenty-issue run, Original Plumbing: The Best Ten Years of Trans Male Culture (Amethyst Editions, 2019) is a remarkable full-color archive that includes interviews with trailblazers like Janet Mock and Silas Howard; cutting-edge artwork and photography; mediations on love, relationships, and family; political essays and personal reflections; and much, much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>95</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>When Amos Mac and Rocco Kayiatos first launch Original Plumbing in 2009, they created a magazine the world desperately needed: a creative and celebratory biannual publication about trans men, by trans men...</itunes:subtitle>
      <itunes:summary>When Amos Mac and Rocco Kayiatos first launch Original Plumbing in 2009, they created a magazine the world desperately needed: a creative and celebratory biannual publication about trans men, by trans men. For ten years, OP was an inspired response to the lack of meaningful representation of trans lives and culture. Each issue was filled with gorgeous, moving, hilarious, and sexy narratives that pushed back against marginalizing stereotypes. Taken together, these stories met mainstream media’s violence with self-love, dismissal with determination, and repression with resistance.
Collecting the best of the magazine’s entire twenty-issue run, Original Plumbing: The Best Ten Years of Trans Male Culture (Amethyst Editions, 2019) is a remarkable full-color archive that includes interviews with trailblazers like Janet Mock and Silas Howard; cutting-edge artwork and photography; mediations on love, relationships, and family; political essays and personal reflections; and much, much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When <a href="https://www.amosmac.com/">Amos Mac</a> and <a href="http://www.roccokayiatos.com/">Rocco Kayiatos</a> first launch <em>Original Plumbing </em>in 2009, they created a magazine the world desperately needed: a creative and celebratory biannual publication about trans men, by trans men. For ten years, <em>OP </em>was an inspired response to the lack of meaningful representation of trans lives and culture. Each issue was filled with gorgeous, moving, hilarious, and sexy narratives that pushed back against marginalizing stereotypes. Taken together, these stories met mainstream media’s violence with self-love, dismissal with determination, and repression with resistance.</p><p>Collecting the best of the magazine’s entire twenty-issue run, <a href="http://www.amazon.com/dp/1936932598/?tag=newbooinhis-20"><em>Original Plumbing: The Best Ten Years of Trans Male Culture </em></a>(Amethyst Editions, 2019) is a remarkable full-color archive that includes interviews with trailblazers like Janet Mock and Silas Howard; cutting-edge artwork and photography; mediations on love, relationships, and family; political essays and personal reflections; and much, much more.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3267</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[20a47036-8f6f-11e9-b13e-a3f56d78922b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8576484510.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amy Lippert, "Consuming Identities: Visual Culture in Nineteenth-Century San Francisco" (Oxford UP, 2018)</title>
      <description>Along with the rapid expansion of the market economy and industrial production methods, such innovations as photography, lithography, and steam printing created a pictorial revolution in nineteenth-century society. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. Consuming Identities: Visual Culture in Nineteenth-Century San Francisco (Oxford University Press, 2018) explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which people navigated the bewildering host of changes taking hold around them in the second half of the nineteenth century, from the spread of capitalism and class formation to immigration and urbanization. Amy K. Defalco Lippert, Assistant Professor of American History and the College at the University of Chicago, argues that images themselves were inextricably associated with these world-changing forces; they were commodities, but as representations of people, they also possessed special cultural qualities that gave them new meaning and significance.
Visual media transcended traditional boundaries of language and culture that divided diverse groups within the same urban space. From the 1848 conquest of California and the gold discovery to the disastrous earthquake and fire of 1906, San Francisco anticipated broader cultural transformations in the commodification, implementation, and popularity of images. For the city's inhabitants and sojourners, an array of imagery came to mediate, intersect with, and even constitute social interaction in a world where virtual reality was becoming normative.
____________________________________________________________________________
Ryan Tripp is adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 25 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>532</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lippert explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush...</itunes:subtitle>
      <itunes:summary>Along with the rapid expansion of the market economy and industrial production methods, such innovations as photography, lithography, and steam printing created a pictorial revolution in nineteenth-century society. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. Consuming Identities: Visual Culture in Nineteenth-Century San Francisco (Oxford University Press, 2018) explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which people navigated the bewildering host of changes taking hold around them in the second half of the nineteenth century, from the spread of capitalism and class formation to immigration and urbanization. Amy K. Defalco Lippert, Assistant Professor of American History and the College at the University of Chicago, argues that images themselves were inextricably associated with these world-changing forces; they were commodities, but as representations of people, they also possessed special cultural qualities that gave them new meaning and significance.
Visual media transcended traditional boundaries of language and culture that divided diverse groups within the same urban space. From the 1848 conquest of California and the gold discovery to the disastrous earthquake and fire of 1906, San Francisco anticipated broader cultural transformations in the commodification, implementation, and popularity of images. For the city's inhabitants and sojourners, an array of imagery came to mediate, intersect with, and even constitute social interaction in a world where virtual reality was becoming normative.
____________________________________________________________________________
Ryan Tripp is adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Along with the rapid expansion of the market economy and industrial production methods, such innovations as photography, lithography, and steam printing created a pictorial revolution in nineteenth-century society. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. <a href="http://www.amazon.com/dp/0190268972/?tag=newbooinhis-20"><em>Consuming Identities: Visual Culture in Nineteenth-Century San Francisco</em></a> (Oxford University Press, 2018) explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which people navigated the bewildering host of changes taking hold around them in the second half of the nineteenth century, from the spread of capitalism and class formation to immigration and urbanization. <a href="https://history.uchicago.edu/directory/amy-lippert">Amy K. Defalco Lippert</a>, Assistant Professor of American History and the College at the University of Chicago, argues that images themselves were inextricably associated with these world-changing forces; they were commodities, but as representations of people, they also possessed special cultural qualities that gave them new meaning and significance.</p><p>Visual media transcended traditional boundaries of language and culture that divided diverse groups within the same urban space. From the 1848 conquest of California and the gold discovery to the disastrous earthquake and fire of 1906, San Francisco anticipated broader cultural transformations in the commodification, implementation, and popularity of images. For the city's inhabitants and sojourners, an array of imagery came to mediate, intersect with, and even constitute social interaction in a world where virtual reality was becoming normative.</p><p>____________________________________________________________________________</p><p><em>Ryan Tripp is adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>7100</itunes:duration>
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    </item>
    <item>
      <title>Stephen R. Duncan, "The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground" (Johns Hopkins UP, 2018)</title>
      <description>The art and antics of rebellious figures in 1950s American nightlife―from the Beat Generation to eccentric jazz musicians and comedians―have long fascinated fans and scholars alike. In The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground(Johns Hopkins University Press, 2018), Stephen R. Duncan flips the frame, focusing on the New York and San Francisco bars, nightclubs, and coffeehouses from which these cultural icons emerged. Duncan shows that the sexy, smoky sites of bohemian Greenwich Village and North Beach offered not just entertainment but doorways to a new sociopolitical consciousness.
This book is a collective biography of the places that harbored beatniks, blabbermouths, hipsters, playboys, and partisans who altered the shape of postwar liberal politics and culture. Throughout this period, Duncan argues, nightspots were crucial―albeit informal―institutions of the American democratic public sphere. Amid the Red Scare’s repressive politics, the urban underground of New York and San Francisco acted as both a fallout shelter for left-wingers and a laboratory for social experimentation.
Touching on literary figures from Norman Mailer and Amiri Baraka to Susan Sontag as well as performers ranging from Dave Brubeck to Maya Angelou to Lenny Bruce, The Rebel Café profiles hot spots such as the Village Vanguard, the hungry i, the Black Cat Cafe, and the White Horse Tavern. Ultimately, the book provides a deeper view of 1950s America, not simply as the black-and-white precursor to the Technicolor flamboyance of the sixties but as a rich period of artistic expression and identity formation that blended cultural production and politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 24 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>531</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book is a collective biography of the places that harbored beatniks, blabbermouths, hipsters, playboys, and partisans who altered the shape of postwar liberal politics and culture...</itunes:subtitle>
      <itunes:summary>The art and antics of rebellious figures in 1950s American nightlife―from the Beat Generation to eccentric jazz musicians and comedians―have long fascinated fans and scholars alike. In The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground(Johns Hopkins University Press, 2018), Stephen R. Duncan flips the frame, focusing on the New York and San Francisco bars, nightclubs, and coffeehouses from which these cultural icons emerged. Duncan shows that the sexy, smoky sites of bohemian Greenwich Village and North Beach offered not just entertainment but doorways to a new sociopolitical consciousness.
This book is a collective biography of the places that harbored beatniks, blabbermouths, hipsters, playboys, and partisans who altered the shape of postwar liberal politics and culture. Throughout this period, Duncan argues, nightspots were crucial―albeit informal―institutions of the American democratic public sphere. Amid the Red Scare’s repressive politics, the urban underground of New York and San Francisco acted as both a fallout shelter for left-wingers and a laboratory for social experimentation.
Touching on literary figures from Norman Mailer and Amiri Baraka to Susan Sontag as well as performers ranging from Dave Brubeck to Maya Angelou to Lenny Bruce, The Rebel Café profiles hot spots such as the Village Vanguard, the hungry i, the Black Cat Cafe, and the White Horse Tavern. Ultimately, the book provides a deeper view of 1950s America, not simply as the black-and-white precursor to the Technicolor flamboyance of the sixties but as a rich period of artistic expression and identity formation that blended cultural production and politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The art and antics of rebellious figures in 1950s American nightlife―from the Beat Generation to eccentric jazz musicians and comedians―have long fascinated fans and scholars alike. In <a href="http://www.amazon.com/dp/1421426331/?tag=newbooinhis-20"><em>The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground</em></a>(Johns Hopkins University Press, 2018), <a href="https://bcc-cuny.digication.com/history_faculty_resources/Stephen_Duncan">Stephen R. Duncan</a> flips the frame, focusing on the New York and San Francisco bars, nightclubs, and coffeehouses from which these cultural icons emerged. Duncan shows that the sexy, smoky sites of bohemian Greenwich Village and North Beach offered not just entertainment but doorways to a new sociopolitical consciousness.</p><p>This book is a collective biography of the places that harbored beatniks, blabbermouths, hipsters, playboys, and partisans who altered the shape of postwar liberal politics and culture. Throughout this period, Duncan argues, nightspots were crucial―albeit informal―institutions of the American democratic public sphere. Amid the Red Scare’s repressive politics, the urban underground of New York and San Francisco acted as both a fallout shelter for left-wingers and a laboratory for social experimentation.</p><p>Touching on literary figures from Norman Mailer and Amiri Baraka to Susan Sontag as well as performers ranging from Dave Brubeck to Maya Angelou to Lenny Bruce, <em>The Rebel Café</em> profiles hot spots such as the Village Vanguard, the hungry i, the Black Cat Cafe, and the White Horse Tavern. Ultimately, the book provides a deeper view of 1950s America, not simply as the black-and-white precursor to the Technicolor flamboyance of the sixties but as a rich period of artistic expression and identity formation that blended cultural production and politics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2813</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[11d04744-8c93-11e9-bc22-df429feb301e]]></guid>
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    </item>
    <item>
      <title>Anne A. Cheng, "Ornamentalism" (Oxford UP, 2019)</title>
      <description>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ornamentalism offers arguably the first sustained theory of the yellow woman...</itunes:subtitle>
      <itunes:summary>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, <a href="http://leempierce.com/">Dr. Lee Pierce</a> (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. <a href="https://english.princeton.edu/people/anne-cheng">Anne Cheng</a> (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: <a href="http://www.amazon.com/dp/0190604611/?tag=newbooinhis-20"><em>Ornamentalism</em></a> (Oxford University Press, 2019). <em>Ornamentalism</em> offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4066</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT1469210374.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Eleonor Gilburd, "To See Paris and Die: The Soviet Lives of Western Culture" (Harvard UP, 2018)</title>
      <description>Josef Stalin’s death in 1953 marked a noticeable shift in Soviet attitudes towards the West.  A nation weary of war and terror welcomed with relief the new regime of Nikita Khrushchev and its focus on peaceful cooperation with foreign powers.  A year after Stalin’s death, author and commentator Ilya Ehrenburg published the novel that would give a name to this era, “The Thaw,” which probed the limits of cultural expression, now expanded by Khrushchev’s political pivot.
One of the critical hallmarks of The Thaw is an almost immediate deluge of foreign culture into the Soviet Union, which for most of the population was entirely new: in pre-revolutionary Russia, culture was the prerogative of wealthy aristocrats and intellectuals, and for the much of the first three decades of the nascent Soviet state, access to foreign culture was strictly forbidden.  Suddenly, the vast country was flooded with international books, films, paintings, and music.  The impact was seismic, and the reverberations are still felt today.
To See Paris and Die: The Soviet Lives of Western Culture(Harvard University Press, 2018), by Eleonor Gilburd, is a deep dive into this phenomenon, which spans period from the death of Stalin in 1953 to the invasion of Czechoslovakia in 1968.  Gilburd looks at the perfect cultural and social storm created by the combination of more liberal politics, foreign culture and the technology to make it accessible to 11 time zones.  But Gilburd doesn’t limit herself to the impact of culture on the Soviet population, rather she examines the ways in which Soviet cultural interpreters made foreign cultural artifacts “about us.” In Gilburd’s study, we see how translators dug deep into Russian street language to bring Holden Caufield to the page, how film distributors brought Fellini’s neorealism to the steppes of Kazakhstan, and how Ilya Ehrenburg gently reintroduced a nation to the beauty of French Impressionism.  This is as much a story of translators, commentators, and curators as it is of their audience.
“To See Paris and Die: The Soviet Lives of Western Culture” was short-listed for the 2019 Pushkin House Prize.
Eleonor Gilburd is an Assistant Professor of Soviet History and the College at the University of Chicago, and the author of “The Thaw: Soviet Society and Culture during the 1950s and 1960s.”  She received her Ph.D. from the University of California Berkley in 2010.
Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England.  Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life.  She is the in-house travel blogger for Alexander &amp; Roberts, and the award-winning author of  Lenin Lives Next Door:  Marriage, Martinis, and Mayhem in Moscow.  Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 19 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gilburd looks at the perfect cultural and social storm created by the combination of more liberal politics, foreign culture and the technology to make it accessible to 11 time zones...</itunes:subtitle>
      <itunes:summary>Josef Stalin’s death in 1953 marked a noticeable shift in Soviet attitudes towards the West.  A nation weary of war and terror welcomed with relief the new regime of Nikita Khrushchev and its focus on peaceful cooperation with foreign powers.  A year after Stalin’s death, author and commentator Ilya Ehrenburg published the novel that would give a name to this era, “The Thaw,” which probed the limits of cultural expression, now expanded by Khrushchev’s political pivot.
One of the critical hallmarks of The Thaw is an almost immediate deluge of foreign culture into the Soviet Union, which for most of the population was entirely new: in pre-revolutionary Russia, culture was the prerogative of wealthy aristocrats and intellectuals, and for the much of the first three decades of the nascent Soviet state, access to foreign culture was strictly forbidden.  Suddenly, the vast country was flooded with international books, films, paintings, and music.  The impact was seismic, and the reverberations are still felt today.
To See Paris and Die: The Soviet Lives of Western Culture(Harvard University Press, 2018), by Eleonor Gilburd, is a deep dive into this phenomenon, which spans period from the death of Stalin in 1953 to the invasion of Czechoslovakia in 1968.  Gilburd looks at the perfect cultural and social storm created by the combination of more liberal politics, foreign culture and the technology to make it accessible to 11 time zones.  But Gilburd doesn’t limit herself to the impact of culture on the Soviet population, rather she examines the ways in which Soviet cultural interpreters made foreign cultural artifacts “about us.” In Gilburd’s study, we see how translators dug deep into Russian street language to bring Holden Caufield to the page, how film distributors brought Fellini’s neorealism to the steppes of Kazakhstan, and how Ilya Ehrenburg gently reintroduced a nation to the beauty of French Impressionism.  This is as much a story of translators, commentators, and curators as it is of their audience.
“To See Paris and Die: The Soviet Lives of Western Culture” was short-listed for the 2019 Pushkin House Prize.
Eleonor Gilburd is an Assistant Professor of Soviet History and the College at the University of Chicago, and the author of “The Thaw: Soviet Society and Culture during the 1950s and 1960s.”  She received her Ph.D. from the University of California Berkley in 2010.
Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England.  Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life.  She is the in-house travel blogger for Alexander &amp; Roberts, and the award-winning author of  Lenin Lives Next Door:  Marriage, Martinis, and Mayhem in Moscow.  Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Josef Stalin’s death in 1953 marked a noticeable shift in Soviet attitudes towards the West.  A nation weary of war and terror welcomed with relief the new regime of Nikita Khrushchev and its focus on peaceful cooperation with foreign powers.  A year after Stalin’s death, author and commentator Ilya Ehrenburg published the novel that would give a name to this era, “The Thaw,” which probed the limits of cultural expression, now expanded by Khrushchev’s political pivot.</p><p>One of the critical hallmarks of The Thaw is an almost immediate deluge of foreign culture into the Soviet Union, which for most of the population was entirely new: in pre-revolutionary Russia, culture was the prerogative of wealthy aristocrats and intellectuals, and for the much of the first three decades of the nascent Soviet state, access to foreign culture was strictly forbidden.  Suddenly, the vast country was flooded with international books, films, paintings, and music.  The impact was seismic, and the reverberations are still felt today.</p><p><a href="http://www.amazon.com/dp/0674980719/?tag=newbooinhis-20"><em>To See Paris and Die: The Soviet Lives of Western Culture</em></a>(Harvard University Press, 2018), by <a href="https://history.uchicago.edu/directory/eleonor-gilburd">Eleonor Gilburd</a>, is a deep dive into this phenomenon, which spans period from the death of Stalin in 1953 to the invasion of Czechoslovakia in 1968.  Gilburd looks at the perfect cultural and social storm created by the combination of more liberal politics, foreign culture and the technology to make it accessible to 11 time zones.  But Gilburd doesn’t limit herself to the impact of culture on the Soviet population, rather she examines the ways in which Soviet cultural interpreters made foreign cultural artifacts “about us.” In Gilburd’s study, we see how translators dug deep into Russian street language to bring Holden Caufield to the page, how film distributors brought Fellini’s neorealism to the steppes of Kazakhstan, and how Ilya Ehrenburg gently reintroduced a nation to the beauty of French Impressionism.  This is as much a story of translators, commentators, and curators as it is of their audience.</p><p>“To See Paris and Die: The Soviet Lives of Western Culture” was short-listed for the 2019 Pushkin House Prize.</p><p>Eleonor Gilburd is an Assistant Professor of Soviet History and the College at the University of Chicago, and the author of “The Thaw: Soviet Society and Culture during the 1950s and 1960s.”  She received her Ph.D. from the University of California Berkley in 2010.</p><p><em>Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England.  Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life.  She is the in-house travel blogger for Alexander &amp; Roberts, and the award-winning author of  </em><a href="https://amzn.to/2QbzIKW">Lenin Lives Next Door:  Marriage, Martinis, and Mayhem in Moscow</a>.<em>  Follow Jennifer on </em><a href="https://twitter.com/JWeremeeva"><em>Twitter</em></a><em>, </em><a href="https://www.instagram.com/jennifereremeeva/"><em>Instagram</em></a><em>, and </em><a href="https://www.facebook.com/jweremeeva"><em>Facebook</em></a><em> or visit jennifereremeeva.com for more information.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>5231</itunes:duration>
      <guid isPermaLink="false"><![CDATA[3ae35184-885c-11e9-9af5-dfedceba600b]]></guid>
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    </item>
    <item>
      <title>Kara Ritzheimer, "'Trash,' Censorship, and National Identity in Early Twentieth-Century Germany" (Cambridge UP, 2016)</title>
      <description>Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. In her book, “Trash,” Censorship, and National Identity in Early Twentieth-Century Germany (Cambridge University Press, 2016), Kara Ritzheimer explains how both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these laws became a lightning rod for criticism of the young republic. Nazi leaders subsequently refashioned anti-'trash' rhetoric to justify the stringent censorship regime they imposed on Germany.
Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 18 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights...</itunes:subtitle>
      <itunes:summary>Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. In her book, “Trash,” Censorship, and National Identity in Early Twentieth-Century Germany (Cambridge University Press, 2016), Kara Ritzheimer explains how both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these laws became a lightning rod for criticism of the young republic. Nazi leaders subsequently refashioned anti-'trash' rhetoric to justify the stringent censorship regime they imposed on Germany.
Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. In her book, <a href="http://www.amazon.com/dp/1107583446/?tag=newbooinhis-20"><em>“Trash,” Censorship, and National Identity in Early Twentieth-Century Germany</em></a> (Cambridge University Press, 2016), <a href="https://liberalarts.oregonstate.edu/users/kara-ritzheimer">Kara Ritzheimer</a> explains how both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these laws became a lightning rod for criticism of the young republic. Nazi leaders subsequently refashioned anti-'trash' rhetoric to justify the stringent censorship regime they imposed on Germany.</p><p><em>Michael E. O’Sullivan is </em><a href="https://www.marist.edu/liberal-arts/faculty/michael-osullivan"><em>Professor of History at Marist College</em></a><em> where he teaches courses about Modern Europe. He published </em><a href="https://www.amazon.com/Disruptive-Power-Catholic-Miracles-1918-1965/dp/1487503431/ref=sr_1_1?ie=UTF8&amp;qid=1521234797&amp;sr=8-1&amp;keywords=Disruptive+Power+Michael+O%27Sullivan"><em>Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965</em></a><em> with University of Toronto Press in 2018.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3544</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2d6cd326-8646-11e9-b593-5b8ef0517a62]]></guid>
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    <item>
      <title>Emily Wilcox, "Revolutionary Bodies: Chinese Dance and the Socialist Legacy" (U California Press, 2018)</title>
      <description>What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field.
Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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      <pubDate>Tue, 18 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>274</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China?</itunes:subtitle>
      <itunes:summary>What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field.
Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that <a href="https://sites.lsa.umich.edu/eewilcox/">Emily Wilcox</a>, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in <a href="http://www.amazon.com/dp/0520300572/?tag=newbooinhis-20"><em>Revolutionary Bodies: Chinese Dance and the Socialist Legacy</em></a> (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field.</p><p><em>Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4048</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Sara K. Eskridge, "Rube Tube: CBS and Rural Comedy in the Sixties" (U Missouri Press, 2019)</title>
      <description>The television comedies of the 1960s set in the American South epitomize American innocence. But in their original historical, social, and commercial context, their portrayals of southern life and their omissions of political events and people of color raise questions about how these television programs have been embraced, then and now. How were these shows a response to the Red Scare of the 1950s? Why did they become hits? What insights can they give us to contemporary questions about media portrayals of rural America?
Sara K. Eskridge is the author of Rube Tube: CBS and Rural Comedy in the Sixties (University of Missouri Press, 2019). As this book was published, she was a professor of history at Randolph Macon College in Ashland, Virginia. She has since been appointed as a professor at Western Governors University.
Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com.

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      <pubDate>Fri, 14 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The television comedies of the 1960s set in the American South epitomize American innocence...</itunes:subtitle>
      <itunes:summary>The television comedies of the 1960s set in the American South epitomize American innocence. But in their original historical, social, and commercial context, their portrayals of southern life and their omissions of political events and people of color raise questions about how these television programs have been embraced, then and now. How were these shows a response to the Red Scare of the 1950s? Why did they become hits? What insights can they give us to contemporary questions about media portrayals of rural America?
Sara K. Eskridge is the author of Rube Tube: CBS and Rural Comedy in the Sixties (University of Missouri Press, 2019). As this book was published, she was a professor of history at Randolph Macon College in Ashland, Virginia. She has since been appointed as a professor at Western Governors University.
Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The television comedies of the 1960s set in the American South epitomize American innocence. But in their original historical, social, and commercial context, their portrayals of southern life and their omissions of political events and people of color raise questions about how these television programs have been embraced, then and now. How were these shows a response to the Red Scare of the 1950s? Why did they become hits? What insights can they give us to contemporary questions about media portrayals of rural America?</p><p><a href="https://twitter.com/SouthernDuality">Sara K. Eskridge</a> is the author of <a href="http://www.amazon.com/dp/0826221653/?tag=newbooinhis-20"><em>Rube Tube: CBS and Rural Comedy in the Sixties</em></a> (University of Missouri Press, 2019). As this book was published, she was a professor of history at Randolph Macon College in Ashland, Virginia. She has since been appointed as a professor at Western Governors University.</p><p><em>Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is </em><a href="http://www.nathanbierma.com/"><em>www.nathanbierma.com</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3140</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63b4b44c-8472-11e9-91f3-5b3e9e506814]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1631600323.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>E. Douglas Bomberger, "Making Music American: 1917 and the Transformation of Culture" (Oxford UP, 2018)</title>
      <description>There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger’s new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One.
Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp.
Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever.
E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 13 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One....</itunes:subtitle>
      <itunes:summary>There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger’s new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One.
Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp.
Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever.
E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. <a href="https://www.etown.edu/depts/music/faculty.aspx">E. Douglas Bomberger</a>’s new book <a href="http://www.amazon.com/dp/0190872314/?tag=newbooinhis-20"><em>Making Music American: 1917 and the Transformation of Culture</em></a> from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One.</p><p>Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp.</p><p>Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever.</p><p>E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3715</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e4821306-83cf-11e9-af16-f3ca4978d6c3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2364058161.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Clare Daniel, "Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era" (U Massachusetts Press, 2017)</title>
      <description>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews Dr. Clare Daniel (she/hers)--Administrative Assistant Professor of Women’s Leadership at Tulane University--on her judicious new book Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era from University of Massachusetts Press (2017). Mediating Morality is a contemporary exploration of the construction of teen pregnancy in legal events, activism, media campaigns, television, film, and across many domains of popular-political culture since the dismantling of the welfare state, which Daniel definitively places in the year 1996. Daniel argues that these domains of public thought have merged to reconstruct teen pregnancy as a privatized and deeply personal issue of moral failure--what Daniel, following Lauren Berlant, describes as intimate citizenship--rather than symptomatic of ineffective policies that reproduce racist, classist, and sexist structures of inequality. In addition to engaging readings of popular culture texts such as the movie The Pregnancy Pact and pregnancy prevention campaigns, Mediating Morality is also closely attuned to the legal and political events since 1996 that have authorized and capitalized upon an approach to teen pregnancy that absolves the state of responsibility.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Mediating Morality" is a contemporary exploration of the construction of teen pregnancy in legal events, activism, media campaigns, television, film, and across many domains of popular-political culture since the dismantling of the welfare state, which Daniel definitively places in the year 1996...</itunes:subtitle>
      <itunes:summary>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews Dr. Clare Daniel (she/hers)--Administrative Assistant Professor of Women’s Leadership at Tulane University--on her judicious new book Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era from University of Massachusetts Press (2017). Mediating Morality is a contemporary exploration of the construction of teen pregnancy in legal events, activism, media campaigns, television, film, and across many domains of popular-political culture since the dismantling of the welfare state, which Daniel definitively places in the year 1996. Daniel argues that these domains of public thought have merged to reconstruct teen pregnancy as a privatized and deeply personal issue of moral failure--what Daniel, following Lauren Berlant, describes as intimate citizenship--rather than symptomatic of ineffective policies that reproduce racist, classist, and sexist structures of inequality. In addition to engaging readings of popular culture texts such as the movie The Pregnancy Pact and pregnancy prevention campaigns, Mediating Morality is also closely attuned to the legal and political events since 1996 that have authorized and capitalized upon an approach to teen pregnancy that absolves the state of responsibility.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, <a href="http://leempierce.com/">Dr. Lee Pierce</a> (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews <a href="https://newcomb.tulane.edu/content/clare-daniel-phd">Dr. Clare Daniel </a>(she/hers)--Administrative Assistant Professor of Women’s Leadership at Tulane University--on her judicious new book <a href="http://www.amazon.com/dp/1625342675/?tag=newbooinhis-20"><em>Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era</em></a> from University of Massachusetts Press (2017). <em>Mediating Morality </em>is a contemporary exploration of the construction of teen pregnancy in legal events, activism, media campaigns, television, film, and across many domains of popular-political culture since the dismantling of the welfare state, which Daniel definitively places in the year 1996. Daniel argues that these domains of public thought have merged to reconstruct teen pregnancy as a privatized and deeply personal issue of moral failure--what Daniel, following Lauren Berlant, describes as intimate citizenship--rather than symptomatic of ineffective policies that reproduce racist, classist, and sexist structures of inequality. In addition to engaging readings of popular culture texts such as the movie <em>The Pregnancy Pact </em>and pregnancy prevention campaigns, <em>Mediating Morality </em>is also closely attuned to the legal and political events since 1996 that have authorized and capitalized upon an approach to teen pregnancy that absolves the state of responsibility.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3748</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cd41649c-8241-11e9-a9eb-bf9a5a2d7388]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2922191176.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian Cremins, "Captain Marvel and the Art of Nostalgia" (UP of Mississippi, 2017)</title>
      <description>Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s.
Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

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      <pubDate>Tue, 11 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Cremins explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel...</itunes:subtitle>
      <itunes:summary>Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s.
Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

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      <content:encoded>
        <![CDATA[<p><a href="http://dept.harpercollege.edu/english/faculty_cremins.html">Brian Cremins</a>' book <a href="http://www.amazon.com/dp/1496808762/?tag=newbooinhis-20"><em>Captain Marvel and the Art of Nostalgia</em></a> (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s.</p><p>Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. <em>Captain Marvel and the Art of Nostalgia</em> details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture.</p><p><em>Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her </em><a href="http://www.rebekahjbuchanan.com/"><em>website</em></a><em>, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at</em><a href="mailto:rj-buchanan@wiu.edu"><em> rj-buchanan@wiu.edu</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4030</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3172b0ea-82d0-11e9-9037-fbdd82f70931]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3544814138.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Helgren, "American Girls and Global Responsibility: A New Relation to the World during the Early Cold War" (Rutgers UP, 2017)</title>
      <description>In her book, American Girls and Global Responsibility: A New Relation to the World during the Early Cold War (Rutgers University Press, 2017), Jennifer Helgren traces the creation of a new internationalist girl citizenship in the first two decades following World War II by uncovering the activism of girls organizations including Camp Fire Girls, YWCA Y-Teens, and the Girl Scouts. Helgren shows how anxieties about nuclear warfare led educators, psychologists, and government groups to encourage girls to develop their “natural” skills as nurturers and caretakers and become homemakers to the world. These organizations taught girls to understand their responsibility to their family, nation, and globe as united, and girls between 10 and 17 years old promoted democratic education, global citizenship, and intercultural tolerance. Using girls’ essays in magazines like Seventeen alongside their personal letters, pen pal exchanges, and oral histories, Helgren demonstrates that girls internalized an internationalist ethos that fostered seemingly contradictory ideas--they reinforced traditional gender roles while offering a political model of girlhood and challenged American racism while simultaneously promoting a benign image of America’s new global power. During the Second Red Scare, this internationalist identity came under attack as conservatives claimed that the YWCA and Girl Scouts had been infiltrated by communists, and in response these organizations were forced to limit their defense of multilateral cooperation. By the late 1950s, however, the groups learned how effectively balance their American and international aims by integrating their activism with state-sponsored programs like the People-to-People Program established under President Eisenhower. By analyzing this moment of international experimentation and hope about a new, peaceful world system, Helgren demonstrates the ways that gender and age combined to form a new category of citizenship for America’s girls.
Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.    

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      <pubDate>Tue, 04 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jennifer Helgren traces the creation of a new internationalist girl citizenship in the first two decades following World War II by uncovering the activism of girls organizations including Camp Fire Girls, YWCA Y-Teens, and the Girl Scouts...</itunes:subtitle>
      <itunes:summary>In her book, American Girls and Global Responsibility: A New Relation to the World during the Early Cold War (Rutgers University Press, 2017), Jennifer Helgren traces the creation of a new internationalist girl citizenship in the first two decades following World War II by uncovering the activism of girls organizations including Camp Fire Girls, YWCA Y-Teens, and the Girl Scouts. Helgren shows how anxieties about nuclear warfare led educators, psychologists, and government groups to encourage girls to develop their “natural” skills as nurturers and caretakers and become homemakers to the world. These organizations taught girls to understand their responsibility to their family, nation, and globe as united, and girls between 10 and 17 years old promoted democratic education, global citizenship, and intercultural tolerance. Using girls’ essays in magazines like Seventeen alongside their personal letters, pen pal exchanges, and oral histories, Helgren demonstrates that girls internalized an internationalist ethos that fostered seemingly contradictory ideas--they reinforced traditional gender roles while offering a political model of girlhood and challenged American racism while simultaneously promoting a benign image of America’s new global power. During the Second Red Scare, this internationalist identity came under attack as conservatives claimed that the YWCA and Girl Scouts had been infiltrated by communists, and in response these organizations were forced to limit their defense of multilateral cooperation. By the late 1950s, however, the groups learned how effectively balance their American and international aims by integrating their activism with state-sponsored programs like the People-to-People Program established under President Eisenhower. By analyzing this moment of international experimentation and hope about a new, peaceful world system, Helgren demonstrates the ways that gender and age combined to form a new category of citizenship for America’s girls.
Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.    

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book, <a href="http://www.amazon.com/dp/0813575796/?tag=newbooinhis-20"><em>American Girls and Global Responsibility: A New Relation to the World during the Early Cold War </em></a>(Rutgers University Press, 2017), <a href="https://www.pacific.edu/academics/schools-and-colleges/college-of-the-pacific/academics/departments-and-programs/history/faculty-directory/jennifer-helgren.html">Jennifer Helgren</a> traces the creation of a new internationalist girl citizenship in the first two decades following World War II by uncovering the activism of girls organizations including Camp Fire Girls, YWCA Y-Teens, and the Girl Scouts. Helgren shows how anxieties about nuclear warfare led educators, psychologists, and government groups to encourage girls to develop their “natural” skills as nurturers and caretakers and become homemakers to the world. These organizations taught girls to understand their responsibility to their family, nation, and globe as united, and girls between 10 and 17 years old promoted democratic education, global citizenship, and intercultural tolerance. Using girls’ essays in magazines like <em>Seventeen</em> alongside their personal letters, pen pal exchanges, and oral histories, Helgren demonstrates that girls internalized an internationalist ethos that fostered seemingly contradictory ideas--they reinforced traditional gender roles while offering a political model of girlhood and challenged American racism while simultaneously promoting a benign image of America’s new global power. During the Second Red Scare, this internationalist identity came under attack as conservatives claimed that the YWCA and Girl Scouts had been infiltrated by communists, and in response these organizations were forced to limit their defense of multilateral cooperation. By the late 1950s, however, the groups learned how effectively balance their American and international aims by integrating their activism with state-sponsored programs like the People-to-People Program established under President Eisenhower. By analyzing this moment of international experimentation and hope about a new, peaceful world system, Helgren demonstrates the ways that gender and age combined to form a new category of citizenship for America’s girls.</p><p><a href="https://www.linkedin.com/in/chelsea-gibson-b086b0b5/"><em>Chelsea Gibson</em></a><em> is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.    </p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3762</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2ef3a570-7d91-11e9-8e82-0faecc1bbe76]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6470782576.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>John Etty, "Graphic Satire in the Soviet Union: Krokodil’s Political Cartoons" (UP of Mississippi, 2019)</title>
      <description>In Graphic Satire in the Soviet Union: Krokodil’s Political Cartoons (University Press of Mississippi, 2019), Dr. John Etty explains how Krokodil magazine provided a venue in which the state, the the magazine’s editors, and readers all participated in defining what it was permissible to laugh at in the USSR. A standard view of Krokodil as propaganda would suggest that the magazine largely functioned as an arm of state ideology. In some cases, Krokodil did serve this function, but more often than not, its contents were the product of a process of co-creation, with all three groups playing a creative role in producing the magazine’s contents. With an engaging mix of visual analysis and theoretical sophistication, the author provides a window into everyday reading materials consumed by Soviet citizens.
Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

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      <pubDate>Thu, 30 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>89</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>John Etty explains how Krokodil magazine provided a venue in which the state, the the magazine’s editors, and readers all participated in defining what it was permissible to laugh at in the USSR...</itunes:subtitle>
      <itunes:summary>In Graphic Satire in the Soviet Union: Krokodil’s Political Cartoons (University Press of Mississippi, 2019), Dr. John Etty explains how Krokodil magazine provided a venue in which the state, the the magazine’s editors, and readers all participated in defining what it was permissible to laugh at in the USSR. A standard view of Krokodil as propaganda would suggest that the magazine largely functioned as an arm of state ideology. In some cases, Krokodil did serve this function, but more often than not, its contents were the product of a process of co-creation, with all three groups playing a creative role in producing the magazine’s contents. With an engaging mix of visual analysis and theoretical sophistication, the author provides a window into everyday reading materials consumed by Soviet citizens.
Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1496821084/?tag=newbooinhis-20"><em>Graphic Satire in the Soviet Union: Krokodil’s Political Cartoons</em></a> (University Press of Mississippi, 2019), Dr. <a href="https://twitter.com/john_etty?lang=en">John Etty</a> explains how <em>Krokodil</em> magazine provided a venue in which the state, the the magazine’s editors, and readers all participated in defining what it was permissible to laugh at in the USSR. A standard view of <em>Krokodil</em> as propaganda would suggest that the magazine largely functioned as an arm of state ideology. In some cases, <em>Krokodil</em> did serve this function, but more often than not, its contents were the product of a process of co-creation, with all three groups playing a creative role in producing the magazine’s contents. With an engaging mix of visual analysis and theoretical sophistication, the author provides a window into everyday reading materials consumed by Soviet citizens.</p><p><em>Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2657</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6943bfd4-7c98-11e9-8770-c3cd6aac8e9a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4987330441.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark D. White, "Batman and Ethics" (Wiley Blackwell, 2019)</title>
      <description>Mark D. White's new book Batman and Ethics (Wiley Blackwell, 2019) focuses on the comic book character Batman, particularly from the early 1970s through 2011, exploring Batman’s motivations, his mission, aspects of the mission that do not always work together, and how Batman implements and executes his mission. This book aims at two goals, one goal is situating Batman, and how he operates, within the utilitarian and deontological schools of philosophical thought, the other goal is to encourage the reader to consider the contradictions that we all face in our decision making by taking us through so many of the conflicts that arise within the Batman oeuvre. While the book focuses specifically on the comic book version of Batman, the many other forms of Batman are lurking in the background, since the cinematic and televisual Batman comes from the original comic book source material. The moral conflicts that Batman repeatedly faces remain part of the enduring understandings of the character, and Batman and Ethics dives deep into these complexities, with substantial textual references, to flesh out the moral inconsistencies and assess Batman’s reasoning and choices. This book may be appealing for use in courses that examine ethics, moral reasoning, or political theory, but the book may be equally of interest to those who are fascinated by Batman in general and want to think and learn more about this dark and often-isolated superhero.
Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She is co-editor, with Linda Beail, of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloombury Academic, 2015).

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 24 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>White focuses on the comic book character Batman, particularly from the early 1970s through 2011, exploring Batman’s motivations, his mission, aspects of the mission that do not always work together, and how Batman implements and executes his mission...</itunes:subtitle>
      <itunes:summary>Mark D. White's new book Batman and Ethics (Wiley Blackwell, 2019) focuses on the comic book character Batman, particularly from the early 1970s through 2011, exploring Batman’s motivations, his mission, aspects of the mission that do not always work together, and how Batman implements and executes his mission. This book aims at two goals, one goal is situating Batman, and how he operates, within the utilitarian and deontological schools of philosophical thought, the other goal is to encourage the reader to consider the contradictions that we all face in our decision making by taking us through so many of the conflicts that arise within the Batman oeuvre. While the book focuses specifically on the comic book version of Batman, the many other forms of Batman are lurking in the background, since the cinematic and televisual Batman comes from the original comic book source material. The moral conflicts that Batman repeatedly faces remain part of the enduring understandings of the character, and Batman and Ethics dives deep into these complexities, with substantial textual references, to flesh out the moral inconsistencies and assess Batman’s reasoning and choices. This book may be appealing for use in courses that examine ethics, moral reasoning, or political theory, but the book may be equally of interest to those who are fascinated by Batman in general and want to think and learn more about this dark and often-isolated superhero.
Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She is co-editor, with Linda Beail, of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloombury Academic, 2015).

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      <content:encoded>
        <![CDATA[<p><a href="https://www.profmdwhite.com/">Mark D. White</a>'s new book <a href="http://www.amazon.com/dp/1119038022/?tag=newbooinhis-20"><em>Batman and Ethics</em></a> (Wiley Blackwell, 2019) focuses on the comic book character Batman, particularly from the early 1970s through 2011, exploring Batman’s motivations, his mission, aspects of the mission that do not always work together, and how Batman implements and executes his mission. This book aims at two goals, one goal is situating Batman, and how he operates, within the utilitarian and deontological schools of philosophical thought, the other goal is to encourage the reader to consider the contradictions that we all face in our decision making by taking us through so many of the conflicts that arise within the Batman oeuvre. While the book focuses specifically on the comic book version of Batman, the many other forms of Batman are lurking in the background, since the cinematic and televisual Batman comes from the original comic book source material. The moral conflicts that Batman repeatedly faces remain part of the enduring understandings of the character, and <em>Batman and Ethics</em> dives deep into these complexities, with substantial textual references, to flesh out the moral inconsistencies and assess Batman’s reasoning and choices. This book may be appealing for use in courses that examine ethics, moral reasoning, or political theory, but the book may be equally of interest to those who are fascinated by Batman in general and want to think and learn more about this dark and often-isolated superhero.</p><p><em>Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She is co-editor, with Linda Beail, of </em>Mad Men and Politics: Nostalgia and the Remaking of Modern America <em>(Bloombury Academic, 2015).</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2863</itunes:duration>
      <guid isPermaLink="false"><![CDATA[bb77bfdc-7665-11e9-8b90-27bc226d7c64]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9565753658.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jerry T. Watkins III, "Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism" (UP of Florida, 2018)</title>
      <description>As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism.
Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 21 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Watkins re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War...</itunes:subtitle>
      <itunes:summary>As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism.
Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the title suggests, <a href="https://www.wm.edu/as/history/faculty/faculty-list/watkins_j.php">Jerry T. Watkins III</a>’s <a href="http://www.amazon.com/dp/0813056918/?tag=newbooinhis-20"><em>Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism </em></a>(University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, <em>Queering the Redneck Riviera</em> offers new insights about the relationships between sexuality and capitalism.</p><p><a href="https://udem.academia.edu/IsabelMachado"><em>Isabel Machado</em></a><em> is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on </em>Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras<em>, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the </em><a href="https://www.sexinghistory.com/">Sexing History</a><em> podcast.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3248</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT9123740168.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Miller-Davenport, "Gateway State: Hawai’i and the Cultural Transformation of American Empire" (Princeton UP, 2019)</title>
      <description>One of my talking points when hanging out with my fellow diplomatic historians is the painful absence of scholarship on Hawaii. Too many political histories treat Hawaii’s statehood as a kind of historical inevitability, an event that was bound to pass the moment the kingdom was annexed. As I would frequently pontificate, “nobody has unpacked the imperial history of the islands in sufficient detail, nor the fact that their political fate diverged sharply from a number of other possessions.”
For better and for worse, Sarah Miller-Davenport has robbed me of this particular talking point by writing a new book on the process of Hawaiian statehood, American imperialism and its relationship to mainland politics and society shortly after statehood. Gateway State: Hawai’i and the Cultural Transformation of American Empire (Princeton University Press, 2019) takes a close look at some of the narratives that have grown up around the islands and unpacks them. She notes that the process of becoming a state was not a foregone conclusion and was in many ways predicated on Hawaii acting as a gatekeeper to Asia. She also notes that while the island’s racism was less fixed in certain ways than mainland racial norms, racism persisted in more subtle forms on the island. What emerges is a close look at how multiculturalism in service of egalitarianism can nevertheless be adapted to imperial norms.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 21 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>506</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Miller-Davenport takes a close look at some of the narratives that have grown up around the islands and unpacks them...</itunes:subtitle>
      <itunes:summary>One of my talking points when hanging out with my fellow diplomatic historians is the painful absence of scholarship on Hawaii. Too many political histories treat Hawaii’s statehood as a kind of historical inevitability, an event that was bound to pass the moment the kingdom was annexed. As I would frequently pontificate, “nobody has unpacked the imperial history of the islands in sufficient detail, nor the fact that their political fate diverged sharply from a number of other possessions.”
For better and for worse, Sarah Miller-Davenport has robbed me of this particular talking point by writing a new book on the process of Hawaiian statehood, American imperialism and its relationship to mainland politics and society shortly after statehood. Gateway State: Hawai’i and the Cultural Transformation of American Empire (Princeton University Press, 2019) takes a close look at some of the narratives that have grown up around the islands and unpacks them. She notes that the process of becoming a state was not a foregone conclusion and was in many ways predicated on Hawaii acting as a gatekeeper to Asia. She also notes that while the island’s racism was less fixed in certain ways than mainland racial norms, racism persisted in more subtle forms on the island. What emerges is a close look at how multiculturalism in service of egalitarianism can nevertheless be adapted to imperial norms.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of my talking points when hanging out with my fellow diplomatic historians is the painful absence of scholarship on Hawaii. Too many political histories treat Hawaii’s statehood as a kind of historical inevitability, an event that was bound to pass the moment the kingdom was annexed. As I would frequently pontificate, “nobody has unpacked the imperial history of the islands in sufficient detail, nor the fact that their political fate diverged sharply from a number of other possessions.”</p><p>For better and for worse, <a href="https://www.sheffield.ac.uk/history/staff/sarah-miller-davenport">Sarah Miller-Davenport</a> has robbed me of this particular talking point by writing a new book on the process of Hawaiian statehood, American imperialism and its relationship to mainland politics and society shortly after statehood. <a href="http://www.amazon.com/dp/0691181233/?tag=newbooinhis-20"><em>Gateway State: Hawai’i and the Cultural Transformation of American Empire</em></a> (Princeton University Press, 2019) takes a close look at some of the narratives that have grown up around the islands and unpacks them. She notes that the process of becoming a state was not a foregone conclusion and was in many ways predicated on Hawaii acting as a gatekeeper to Asia. She also notes that while the island’s racism was less fixed in certain ways than mainland racial norms, racism persisted in more subtle forms on the island. What emerges is a close look at how multiculturalism in service of egalitarianism can nevertheless be adapted to imperial norms.</p><p><em>Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to </em><a href="mailto:zeb.larson@gmail.com"><em>zeb.larson@gmail.com</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3432</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dan Golding, "Star Wars after Lucas: A Critical Guide to the Future of the Galaxy" (U Minnesota Press, 2019)</title>
      <description>In 2012 George Lucas shocked the entertainment world by selling the Star Wars franchise, along with Lucasfilm, to Disney. This is the story of how, over the next five years, Star Wars went from near-certain extinction to the release of a new movie trilogy, two stand-alone films, and two animated series. In Star Wars after Lucas: A Critical Guide to the Future of the Galaxy(University of Minnesota Press, 2019), Dan Golding examines the current status of Star Wars, as well as the similarities and differences between the old and the new. His book is a great mix of both academic and popular that will give readers a useful sense of Lucas’ creation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 13 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Golding examines the current status of Star Wars, as well as the similarities and differences between the old and the new...</itunes:subtitle>
      <itunes:summary>In 2012 George Lucas shocked the entertainment world by selling the Star Wars franchise, along with Lucasfilm, to Disney. This is the story of how, over the next five years, Star Wars went from near-certain extinction to the release of a new movie trilogy, two stand-alone films, and two animated series. In Star Wars after Lucas: A Critical Guide to the Future of the Galaxy(University of Minnesota Press, 2019), Dan Golding examines the current status of Star Wars, as well as the similarities and differences between the old and the new. His book is a great mix of both academic and popular that will give readers a useful sense of Lucas’ creation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2012 George Lucas shocked the entertainment world by selling the Star Wars franchise, along with Lucasfilm, to Disney. This is the story of how, over the next five years, <em>Star Wars</em> went from near-certain extinction to the release of a new movie trilogy, two stand-alone films, and two animated series. In <a href="http://www.amazon.com/dp/1517905427/?tag=newbooinhis-20"><em>Star Wars after Lucas: A Critical Guide to the Future of the Galaxy</em></a>(University of Minnesota Press, 2019), <a href="http://dangolding.com/">Dan Golding</a> examines the current status of Star Wars, as well as the similarities and differences between the old and the new. His book is a great mix of both academic and popular that will give readers a useful sense of Lucas’ creation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4527</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b6a70740-7004-11e9-a93a-4b11298bd8b2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9636704018.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Nicholas Baer et al. "Unwatchable" (Rutgers UP, 2019)</title>
      <description>We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Edited by Nicholas Baer of the University of Chicago, Maggie Hennefeld of the University of Minnesota, Twin Cities, Laura Horak, and Gunnar Iversen, both of Carelton University, Unwatchable (Rutgers University Press, 2019) is interesting on both an academic and popular level.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>We all have images that we find unwatchable...</itunes:subtitle>
      <itunes:summary>We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Edited by Nicholas Baer of the University of Chicago, Maggie Hennefeld of the University of Minnesota, Twin Cities, Laura Horak, and Gunnar Iversen, both of Carelton University, Unwatchable (Rutgers University Press, 2019) is interesting on both an academic and popular level.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Edited by <a href="https://societyoffellows.uchicago.edu/directory/nicholas-baer">Nicholas Baer</a> of the University of Chicago, <a href="https://cla.umn.edu/about/directory/profile/mhennefe">Maggie Hennefeld</a> of the University of Minnesota, Twin Cities, <a href="https://carleton.ca/filmstudies/people/laura-horak/">Laura Horak</a>, and <a href="https://carleton.ca/filmstudies/people/gunnar-iversen/">Gunnar Iversen</a>, both of Carelton University, <a href="http://www.amazon.com/dp/081359958X/?tag=newbooinhis-20"><em>Unwatchable</em></a> (Rutgers University Press, 2019) is interesting on both an academic and popular level.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3660</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1b3d25bc-6eb2-11e9-abf4-d79961c9f5ac]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1272691526.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fernando Orejuela and Stephanie Shonekan, "Black Lives Matter and Music: Protest, Intervention, Reflection" (Indiana UP, 2018)</title>
      <description>Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In Fernando Orejuela and Stephanie Shonekan's collection of essays, Black Lives Matter and Music: Protest, Intervention, Reflection (Indiana University Press, 2018), contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Music has always been integral to the Black Lives Matter movement in the United States...</itunes:subtitle>
      <itunes:summary>Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In Fernando Orejuela and Stephanie Shonekan's collection of essays, Black Lives Matter and Music: Protest, Intervention, Reflection (Indiana University Press, 2018), contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In <a href="http://www.indiana.edu/~folklore/people/orejuela.shtml">Fernando Orejuela</a> and <a href="https://www.umass.edu/afroam/member/stephanie-shonekan">Stephanie Shonekan</a>'s collection of essays, <a href="http://www.amazon.com/dp/0253038421/?tag=newbooinhis-20"><em>Black Lives Matter and Music: Protest, Intervention, Reflection</em></a> (Indiana University Press, 2018), contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.</p><p><em>Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3513</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Crystal Abidin, "Internet Celebrity: Understanding Fame Online" (Emerald Publishing, 2018)</title>
      <description>What does it mean to be famous on the Internet? How do people become Internet celebrities, and what can that celebrity be used to do? Dr. Crystal Abidin offers anthropological insight into these questions in her book Internet Celebrity: Understanding Fame Online (Emerald Publishing, 2018). Drawing on case studies from around the world, Dr. Abidin identifies the qualities that contribute to the making of internet celebrity. She explains how some internet celebrities become professional influencers and explores the global implications of the influencer industry. This accessibly written book is aimed at popular audiences and will be indispensable for undergraduate courses about digital culture, for academics who want a clear and cogent introduction to internet celebrity, and for anyone who wants to understand the online worlds in which we increasingly live.
Dannah Dennis is an anthropologist currently working as a Teaching Fellow at New York University Shanghai. You can find her on Twitter @dannahdennis.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does it mean to be famous on the Internet?</itunes:subtitle>
      <itunes:summary>What does it mean to be famous on the Internet? How do people become Internet celebrities, and what can that celebrity be used to do? Dr. Crystal Abidin offers anthropological insight into these questions in her book Internet Celebrity: Understanding Fame Online (Emerald Publishing, 2018). Drawing on case studies from around the world, Dr. Abidin identifies the qualities that contribute to the making of internet celebrity. She explains how some internet celebrities become professional influencers and explores the global implications of the influencer industry. This accessibly written book is aimed at popular audiences and will be indispensable for undergraduate courses about digital culture, for academics who want a clear and cogent introduction to internet celebrity, and for anyone who wants to understand the online worlds in which we increasingly live.
Dannah Dennis is an anthropologist currently working as a Teaching Fellow at New York University Shanghai. You can find her on Twitter @dannahdennis.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean to be famous on the Internet? How do people become Internet celebrities, and what can that celebrity be used to do? <a href="https://wishcrys.com/about-me/">Dr. Crystal Abidin</a> offers anthropological insight into these questions in her book <a href="http://www.amazon.com/dp/1787560791/?tag=newbooinhis-20"><em>Internet Celebrity: Understanding</em> <em>Fame Online</em></a> (Emerald Publishing, 2018). Drawing on case studies from around the world, Dr. Abidin identifies the qualities that contribute to the making of internet celebrity. She explains how some internet celebrities become professional influencers and explores the global implications of the influencer industry. This accessibly written book is aimed at popular audiences and will be indispensable for undergraduate courses about digital culture, for academics who want a clear and cogent introduction to internet celebrity, and for anyone who wants to understand the online worlds in which we increasingly live.</p><p><em>Dannah Dennis is an anthropologist currently working as a Teaching Fellow at New York University Shanghai. You can find her on Twitter @dannahdennis.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76f17abe-65b3-11e9-b065-cfb128f2fa3d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8124647310.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Vivi Lachs, "Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London, 1884-1914" (Wayne State UP, 2018)</title>
      <description>In Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London, 1884-1914 (Wayne State University Press, 2018), Vivi Lachs, social and cultural historian, Yiddishist, performer, and associate research fellow at Birkbeck, University of London, looks at London's Yiddish popular culture. She positions it in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture. This book breaks lots of new ground, and is an exciting, entertaining and revealing peek into this vibrant and noisy world.
Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>164</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lachs looks at London's Yiddish popular culture...</itunes:subtitle>
      <itunes:summary>In Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London, 1884-1914 (Wayne State University Press, 2018), Vivi Lachs, social and cultural historian, Yiddishist, performer, and associate research fellow at Birkbeck, University of London, looks at London's Yiddish popular culture. She positions it in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture. This book breaks lots of new ground, and is an exciting, entertaining and revealing peek into this vibrant and noisy world.
Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0814343554/?tag=newbooinhis-20"><em>Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London, 1884-1914</em></a> (Wayne State University Press, 2018), <a href="https://pure.royalholloway.ac.uk/portal/en/persons/vivi-lachs(342ab5ba-c5fe-4f7f-b5a5-9133a2bdcc8d).html">Vivi Lachs</a>, social and cultural historian, Yiddishist, performer, and associate research fellow at Birkbeck, University of London, looks at London's Yiddish popular culture. She positions it in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture. This book breaks lots of new ground, and is an exciting, entertaining and revealing peek into this vibrant and noisy world.</p><p><em>Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at </em><a href="mailto:kaiser@student.unimelb.edu.au"><em>kaiser@student.unimelb.edu.au</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2333</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT8561344896.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Eliot Borenstein, "Plots Against Russia: Conspiracy and Fantasy after Socialism" (Cornell UP, 2019)</title>
      <description>Since the demise of the Soviet Union in 1991, conspiratorial thinking has taken deep root in contemporary Russia, moving from the margins to the forefront of cultural, historical, and political discourse and fueled by centuries-long prejudices and new paranoias. In his characteristically witty, irreverent style, Eliot Borenstein (Professor of Russian &amp; Slavic Studies, Collegiate Professor in the Faculty of Arts and Sciences, Acting Chair of East Asian Studies, and Senior Academic Convenor for the Global Network at New York University), draws on popular fiction, television, internet, public political pronouncements, religious literature, and other materials to trace the origins, history, and modern manifestations of Russian konspirologiia in Plots Against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019). We discuss popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia, the dynamics of paranoia and melodrama and the roles of anti-Semitism and homophobia in framing and shaping conspiracy theories, the construct of Russophobia as a key element in nationalist ideology, and the influence of the changing U.S.-Russia relationship on konspirologiia in recent years.
Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 16 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Borenstein discusses popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia</itunes:subtitle>
      <itunes:summary>Since the demise of the Soviet Union in 1991, conspiratorial thinking has taken deep root in contemporary Russia, moving from the margins to the forefront of cultural, historical, and political discourse and fueled by centuries-long prejudices and new paranoias. In his characteristically witty, irreverent style, Eliot Borenstein (Professor of Russian &amp; Slavic Studies, Collegiate Professor in the Faculty of Arts and Sciences, Acting Chair of East Asian Studies, and Senior Academic Convenor for the Global Network at New York University), draws on popular fiction, television, internet, public political pronouncements, religious literature, and other materials to trace the origins, history, and modern manifestations of Russian konspirologiia in Plots Against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019). We discuss popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia, the dynamics of paranoia and melodrama and the roles of anti-Semitism and homophobia in framing and shaping conspiracy theories, the construct of Russophobia as a key element in nationalist ideology, and the influence of the changing U.S.-Russia relationship on konspirologiia in recent years.
Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the demise of the Soviet Union in 1991, conspiratorial thinking has taken deep root in contemporary Russia, moving from the margins to the forefront of cultural, historical, and political discourse and fueled by centuries-long prejudices and new paranoias. In his characteristically witty, irreverent style, <a href="http://as.nyu.edu/content/nyu-as/as/faculty/eliot-borenstein.html">Eliot Borenstein</a> (Professor of Russian &amp; Slavic Studies, Collegiate Professor in the Faculty of Arts and Sciences, Acting Chair of East Asian Studies, and Senior Academic Convenor for the Global Network at New York University), draws on popular fiction, television, internet, public political pronouncements, religious literature, and other materials to trace the origins, history, and modern manifestations of Russian <em>konspirologiia </em>in <a href="http://www.amazon.com/dp/1501716336/?tag=newbooinhis-20"><em>Plots Against Russia: Conspiracy and Fantasy after Socialism </em></a>(Cornell University Press, 2019). We discuss popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia, the dynamics of paranoia and melodrama and the roles of anti-Semitism and homophobia in framing and shaping conspiracy theories, the construct of Russophobia as a key element in nationalist ideology, and the influence of the changing U.S.-Russia relationship on <em>konspirologiia </em>in recent years.</p><p><em>Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at </em><a href="https://twitter.com/RussRLGNWatch"><em>https://twitter.com/RussRLGNWatch</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3158</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Racquel J. Gates, "Double Negative: The Black Image and Popular Culture" (Duke UP, 2018)</title>
      <description>Racquel J. Gates’ new book, Double Negative: The Black Image and Popular Culture (Duke University Press, 2018), interrogates understandings of African-American representations on screen.  This book is an important analysis of the concepts of negative and positive representations, especially in regard to the narrow space that these binary classifications create. Gates takes on not only the concept of representation, but also the texts where the images are presented, leading the reader through a variety of popular culture venues. Double Negative presents a careful typology of negativity, with extensive and diverse examples of each distinct variation. This analysis also integrates texts that are often dismissed or undermined. Instead, Gates provides valuable and nuanced interpretations of genres, reclaiming popular culture artifacts that are often excluded from scholarly or critical analysis. Gates explores many of the less respectable images and presentations of African-Americans, considering not only the images themselves and the narratives in which they are presented, but also the historical context in which the popular culture artifacts are engaged and consumed. Double Negative also takes up a metanalysis of celebrity in context of representation, especially in the entwining of race and gender. This is a fascinating book, examining important political questions and understandings through popular culture texts.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 03 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>336</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gates interrogates understandings of African-American representations on screen...</itunes:subtitle>
      <itunes:summary>Racquel J. Gates’ new book, Double Negative: The Black Image and Popular Culture (Duke University Press, 2018), interrogates understandings of African-American representations on screen.  This book is an important analysis of the concepts of negative and positive representations, especially in regard to the narrow space that these binary classifications create. Gates takes on not only the concept of representation, but also the texts where the images are presented, leading the reader through a variety of popular culture venues. Double Negative presents a careful typology of negativity, with extensive and diverse examples of each distinct variation. This analysis also integrates texts that are often dismissed or undermined. Instead, Gates provides valuable and nuanced interpretations of genres, reclaiming popular culture artifacts that are often excluded from scholarly or critical analysis. Gates explores many of the less respectable images and presentations of African-Americans, considering not only the images themselves and the narratives in which they are presented, but also the historical context in which the popular culture artifacts are engaged and consumed. Double Negative also takes up a metanalysis of celebrity in context of representation, especially in the entwining of race and gender. This is a fascinating book, examining important political questions and understandings through popular culture texts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.csi.cuny.edu/campus-directory/racquel-gates">Racquel J. Gates</a>’ new book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QtWkGaqOsHNkWHxqEkznteIAAAFpyccMawEAAAFKAXIftB8/https://www.amazon.com/dp/1478000546/?creativeASIN=1478000546&amp;linkCode=w61&amp;imprToken=Cr.hdMEyzkbaNG9XhtJs-Q&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Double Negative: The Black Image and Popular Culture</em></a> (Duke University Press, 2018), interrogates understandings of African-American representations on screen.  This book is an important analysis of the concepts of negative and positive representations, especially in regard to the narrow space that these binary classifications create. Gates takes on not only the concept of representation, but also the texts where the images are presented, leading the reader through a variety of popular culture venues. <em>Double Negative</em> presents a careful typology of negativity, with extensive and diverse examples of each distinct variation. This analysis also integrates texts that are often dismissed or undermined. Instead, Gates provides valuable and nuanced interpretations of genres, reclaiming popular culture artifacts that are often excluded from scholarly or critical analysis. Gates explores many of the less respectable images and presentations of African-Americans, considering not only the images themselves and the narratives in which they are presented, but also the historical context in which the popular culture artifacts are engaged and consumed. <em>Double Negative</em> also takes up a metanalysis of celebrity in context of representation, especially in the entwining of race and gender. This is a fascinating book, examining important political questions and understandings through popular culture texts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2748</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT1644429034.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Nancy Yunhwa Rao, "Chinatown Opera Theater in North America" (U Illinois Press, 2017)</title>
      <description>The story of popular entertainment in American immigrant communities is only just beginning to be told. Chinatown Opera Theater in North America by Nancy Yunhwa Rao from University of Illinois Press (2017) addresses the history of Cantonese Opera performed in Chinatowns in cities across North America with a primary focus on San Francisco, New York City, and Vancouver during the 1920s. Using a wealth of archival material, including extensive records from the U.S. Immigration Service, Rao provides an enormous amount of information about the theaters, companies, performers, and repertoire of this operatic genre. She contextualizes the performance of Cantonese Opera within the cultural life of Chinese communities, explains the print materials and recordings that circulated the music, and details the significant impact that exclusionary governmental immigration policies had on this theatrical tradition and Chinese immigrants in Canada and the United States. Rao’s book not only offers information about this performance tradition that has never been published before, it also provides a model for the kind of work that still needs to be done on musical and theatrical entertainment in many other ethnic communities in North America. Chinatown Opera Theater in North America has been awarded the 2019 Association for Asian-American Studies Performance and Media Studies Book Award, the Irving Lowens Book Award from the Society for American Music for the best book published in 2017, and the 2018 Music in American Culture Award from the American Musicological Society.
Nancy Yunhwa Rao is a professor of music at Rutgers University where she is the Head of Music Theory. One of the leading scholars in the study of Chinese American music, her work has appeared in many journals including the Cambridge Opera Journal, the Journal of the Society for American Music, and Music Theory Spectrum. She has received an NEH Research Fellowship and ACLS Scholar in China Fellowship to support her work on the intersections between China and the West, particularly in contemporary Chinese music. In 2007, she won the Irving Lowens Article Award from the Society for American Music for an essay on the music of Ruth Crawford Seeger.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 03 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The story of popular entertainment in American immigrant communities is only just beginning to be told...</itunes:subtitle>
      <itunes:summary>The story of popular entertainment in American immigrant communities is only just beginning to be told. Chinatown Opera Theater in North America by Nancy Yunhwa Rao from University of Illinois Press (2017) addresses the history of Cantonese Opera performed in Chinatowns in cities across North America with a primary focus on San Francisco, New York City, and Vancouver during the 1920s. Using a wealth of archival material, including extensive records from the U.S. Immigration Service, Rao provides an enormous amount of information about the theaters, companies, performers, and repertoire of this operatic genre. She contextualizes the performance of Cantonese Opera within the cultural life of Chinese communities, explains the print materials and recordings that circulated the music, and details the significant impact that exclusionary governmental immigration policies had on this theatrical tradition and Chinese immigrants in Canada and the United States. Rao’s book not only offers information about this performance tradition that has never been published before, it also provides a model for the kind of work that still needs to be done on musical and theatrical entertainment in many other ethnic communities in North America. Chinatown Opera Theater in North America has been awarded the 2019 Association for Asian-American Studies Performance and Media Studies Book Award, the Irving Lowens Book Award from the Society for American Music for the best book published in 2017, and the 2018 Music in American Culture Award from the American Musicological Society.
Nancy Yunhwa Rao is a professor of music at Rutgers University where she is the Head of Music Theory. One of the leading scholars in the study of Chinese American music, her work has appeared in many journals including the Cambridge Opera Journal, the Journal of the Society for American Music, and Music Theory Spectrum. She has received an NEH Research Fellowship and ACLS Scholar in China Fellowship to support her work on the intersections between China and the West, particularly in contemporary Chinese music. In 2007, she won the Irving Lowens Article Award from the Society for American Music for an essay on the music of Ruth Crawford Seeger.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The story of popular entertainment in American immigrant communities is only just beginning to be told. <a href="https://aax-us-east.amazon-adsystem.com/x/c/QuORo7MkgJy1fRs7KWehWN0AAAFpyb800wEAAAFKATOba2w/https://www.amazon.com/dp/0252082036/?creativeASIN=0252082036&amp;linkCode=w61&amp;imprToken=ervfn6eizCSqXXSeOtAz.A&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Chinatown Opera Theater in North America</em></a> by Nancy Yunhwa Rao from University of Illinois Press (2017) addresses the history of Cantonese Opera performed in Chinatowns in cities across North America with a primary focus on San Francisco, New York City, and Vancouver during the 1920s. Using a wealth of archival material, including extensive records from the U.S. Immigration Service, Rao provides an enormous amount of information about the theaters, companies, performers, and repertoire of this operatic genre. She contextualizes the performance of Cantonese Opera within the cultural life of Chinese communities, explains the print materials and recordings that circulated the music, and details the significant impact that exclusionary governmental immigration policies had on this theatrical tradition and Chinese immigrants in Canada and the United States. Rao’s book not only offers information about this performance tradition that has never been published before, it also provides a model for the kind of work that still needs to be done on musical and theatrical entertainment in many other ethnic communities in North America. <em>Chinatown Opera Theater in North America</em> has been awarded the 2019 Association for Asian-American Studies Performance and Media Studies Book Award, the Irving Lowens Book Award from the Society for American Music for the best book published in 2017, and the 2018 Music in American Culture Award from the American Musicological Society.</p><p><a href="http://www.masongross.rutgers.edu/music/faculty/nancy-yunhwa-rao">Nancy Yunhwa Rao</a> is a professor of music at Rutgers University where she is the Head of Music Theory. One of the leading scholars in the study of Chinese American music, her work has appeared in many journals including the <em>Cambridge Opera Journal, </em>the<em> Journal of the Society for American Music, </em>and<em> Music Theory Spectrum. </em>She has received an NEH Research Fellowship and ACLS Scholar in China Fellowship to support her work on the intersections between China and the West, particularly in contemporary Chinese music. In 2007, she won the Irving Lowens Article Award from the Society for American Music for an essay on the music of Ruth Crawford Seeger.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3496</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/LIT5064111587.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Michael Mario Albrecht, "Masculinity in Contemporary Quality Television" (Routledge, 2015)</title>
      <description>On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Michael Mario Albrecht (he/his)--to discuss a sweeping exploration of masculinity, economic crisis, and some of the great television shows of the last decade: Masculinity in Contemporary Quality Television from Routledge Press in 2015. Drawing upon studies of contemporary television programs, including popular series viewed internationally such as Mad Men, The League, Hung, Breaking Bad, Louie, and Girls, this book explores the ways in which popular cultural texts address widely circulating discourses of the ostensible ’crisis of masculinity’ in contemporary culture. A rich study of masculinity and its representation in contemporary television, the book will appeal to scholars and students of cultural and media studies, popular culture, television studies and cultural sociology with interests in gender, masculinities, and sexuality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 26 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Albrecht explores the ways in which popular cultural texts address widely circulating discourses of the ostensible ’crisis of masculinity’ in contemporary culture...</itunes:subtitle>
      <itunes:summary>On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Michael Mario Albrecht (he/his)--to discuss a sweeping exploration of masculinity, economic crisis, and some of the great television shows of the last decade: Masculinity in Contemporary Quality Television from Routledge Press in 2015. Drawing upon studies of contemporary television programs, including popular series viewed internationally such as Mad Men, The League, Hung, Breaking Bad, Louie, and Girls, this book explores the ways in which popular cultural texts address widely circulating discourses of the ostensible ’crisis of masculinity’ in contemporary culture. A rich study of masculinity and its representation in contemporary television, the book will appeal to scholars and students of cultural and media studies, popular culture, television studies and cultural sociology with interests in gender, masculinities, and sexuality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the New Books Network, Dr. <a href="http://leempierce.com/">Lee Pierce</a> (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. <a href="http://www.michaelmario.com">Michael Mario Albrecht</a> (he/his)--to discuss a sweeping exploration of masculinity, economic crisis, and some of the great television shows of the last decade: <a href="https://aax-us-east.amazon-adsystem.com/x/c/QpUrL1ibJsoBEps1roNjLVoAAAFpoBNgvgEAAAFKATeG4LE/https://www.amazon.com/dp/1138053694/?creativeASIN=1138053694&amp;linkCode=w61&amp;imprToken=oYki-V4UwWtbwhvHnRxF1g&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Masculinity in Contemporary Quality Television</em></a> from Routledge Press in 2015. Drawing upon studies of contemporary television programs, including popular series viewed internationally such as Mad Men, The League, Hung, Breaking Bad, Louie, and Girls, this book explores the ways in which popular cultural texts address widely circulating discourses of the ostensible ’crisis of masculinity’ in contemporary culture. A rich study of masculinity and its representation in contemporary television, the book will appeal to scholars and students of cultural and media studies, popular culture, television studies and cultural sociology with interests in gender, masculinities, and sexuality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3488</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4e4f292e-4bd4-11e9-9027-ffc9fa1c4cd6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2199872478.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ron Keurajian, "Baseball Hall of Fame Autographs: A Reference Guide" (McFarland, 2018)</title>
      <description>Today we are joined by Ron Keurajian, author of the book Baseball Hall of Fame Autographs: A Reference Guide (Second Edition)(McFarland, 2018). Keurajian is a commercial banker by trade but has spent 35 years documenting and cataloging autographs. This second edition, which expands on his original 2012 work, contains more than 100 new pages of information, and he analyzes 988 autographs. That includes autographs and forgeries of every baseball Hall of Famer, from Hank Aaron to Robin Yount. Keurajian also devotes a chapter to autographs of the top 50 players not in the Hall Fame, plus a chapter about the signatures of the infamous 1919 Black Sox who fixed the 1919 World Series. Digging into probate, court, military and deed records in more than 30 states, Keurajian provides historical perspective behind every autograph. He does not mince words when it comes to exposing forgeries and backs up his assertions with evidence. Many of the autographs shown in the book are reproduced from the Hall of Fame archives and includes the collections of Frederick Long and August Hermann. “The autograph hobby is not for the faint of heart,” Keurajian writes, while cautioning the novice collector to be careful and “collect what you like, but don’t bite off more than you can chew.” It’s sound advice, an Keurajian is a collector and student of signatures who speaks from experience.
Bob D’Angelo was a sports journalist and sports copy editor for more than three decades and is currently a digital national content editor for Cox Media Group. He received his master’s degree in history from Southern New Hampshire University in May 2018. He is the author of Never Fear: The Life &amp; Times of Forest K. Ferguson Jr. (2015), reviews books on his blog, Bob D’Angelo’s Books &amp; Blogs, and has reviewed books for Sport  In American History. Can be reached at bdangelo57@gmail.com.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 26 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Keurajian provides historical perspective behind every autograph. He does not mince words when it comes to exposing forgeries and backs up his assertions with evidence...</itunes:subtitle>
      <itunes:summary>Today we are joined by Ron Keurajian, author of the book Baseball Hall of Fame Autographs: A Reference Guide (Second Edition)(McFarland, 2018). Keurajian is a commercial banker by trade but has spent 35 years documenting and cataloging autographs. This second edition, which expands on his original 2012 work, contains more than 100 new pages of information, and he analyzes 988 autographs. That includes autographs and forgeries of every baseball Hall of Famer, from Hank Aaron to Robin Yount. Keurajian also devotes a chapter to autographs of the top 50 players not in the Hall Fame, plus a chapter about the signatures of the infamous 1919 Black Sox who fixed the 1919 World Series. Digging into probate, court, military and deed records in more than 30 states, Keurajian provides historical perspective behind every autograph. He does not mince words when it comes to exposing forgeries and backs up his assertions with evidence. Many of the autographs shown in the book are reproduced from the Hall of Fame archives and includes the collections of Frederick Long and August Hermann. “The autograph hobby is not for the faint of heart,” Keurajian writes, while cautioning the novice collector to be careful and “collect what you like, but don’t bite off more than you can chew.” It’s sound advice, an Keurajian is a collector and student of signatures who speaks from experience.
Bob D’Angelo was a sports journalist and sports copy editor for more than three decades and is currently a digital national content editor for Cox Media Group. He received his master’s degree in history from Southern New Hampshire University in May 2018. He is the author of Never Fear: The Life &amp; Times of Forest K. Ferguson Jr. (2015), reviews books on his blog, Bob D’Angelo’s Books &amp; Blogs, and has reviewed books for Sport  In American History. Can be reached at bdangelo57@gmail.com.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Ron Keurajian, author of the book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qg11VTFB1BVapmqecdhgKBwAAAFphjfnGQEAAAFKAeRt2ok/https://www.amazon.com/dp/1476671400/?creativeASIN=1476671400&amp;linkCode=w61&amp;imprToken=tKORzXxfSO69-McXoIQtww&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Baseball Hall of Fame Autographs: A Reference Guide (Second Edition)</em></a>(McFarland, 2018). Keurajian is a commercial banker by trade but has spent 35 years documenting and cataloging autographs. This second edition, which expands on his original 2012 work, contains more than 100 new pages of information, and he analyzes 988 autographs. That includes autographs and forgeries of every baseball Hall of Famer, from Hank Aaron to Robin Yount. Keurajian also devotes a chapter to autographs of the top 50 players not in the Hall Fame, plus a chapter about the signatures of the infamous 1919 Black Sox who fixed the 1919 World Series. Digging into probate, court, military and deed records in more than 30 states, Keurajian provides historical perspective behind every autograph. He does not mince words when it comes to exposing forgeries and backs up his assertions with evidence. Many of the autographs shown in the book are reproduced from the Hall of Fame archives and includes the collections of Frederick Long and August Hermann. “The autograph hobby is not for the faint of heart,” Keurajian writes, while cautioning the novice collector to be careful and “collect what you like, but don’t bite off more than you can chew.” It’s sound advice, an Keurajian is a collector and student of signatures who speaks from experience.</p><p><em>Bob D’Angelo was a sports journalist and sports copy editor for more than three decades and is currently a digital national content editor for Cox Media Group. He received his master’s degree in history from Southern New Hampshire University in May 2018. He is the author of </em><a href="https://www.amazon.com/Never-Fear-Times-Forest-Ferguson/dp/1329047850/ref=sr_1_7?ie=UTF8&amp;qid=1527975338&amp;sr=8-7&amp;keywords=Bob+D%27Angelo">Never Fear: The Life &amp; Times of Forest K. Ferguson Jr</a><em>. (2015), reviews books on his blog, </em><a href="https://bobdangelobooks.weebly.com/the-sports-bookie">Bob D’Angelo’s Books &amp; Blogs</a><em>, and has reviewed books for </em><a href="https://ussporthistory.com/">Sport  In American History</a><em>. Can be reached at bdangelo57@gmail.com.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2666</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[da10cbc4-48d3-11e9-aa89-0b0e83947575]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7456077386.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Discussion of Massive Online Peer Review and Open Access Publishing</title>
      <description>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.
You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic...</itunes:subtitle>
      <itunes:summary>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.
You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor <a href="https://www.sandiego.edu/peace/about/biography.php?profile_id=2082">Austin Choi-Fitzpatrick</a>, whose book, <em>The Good Drone: How Social Movements Democratize Surveillance</em> (forthcoming with <a href="https://mitpress.mit.edu/">MIT Press</a>) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.</p><p>You can participate in the MOPR process of <em>The Good Drone</em> through this link: <a href="https://thegooddrone.pubpub.org/">https://thegooddrone.pubpub.org/</a></p><p><a href="http://www.felipegsantos.com/"><em>Felipe G. Santos </em></a><em>is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1935</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c1a1af28-44c7-11e9-860b-df10a783333f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1662614011.mp3?updated=1711745249" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Claire Pamment, "Comic Performance in Pakistan: The Bhānd" (Palgrave Macmillan, 2017)</title>
      <description>Claire Pamment’s book Comic Performance in Pakistan: The Bhānd (Palgrave Macmillan, 2017) is a fantastic new book centered on the Punjabi folk art of the Bhānd, or comic performance. Pamment explores the history and present of the Bhānd and Bhānd artists through a thoroughly interdisciplinary lens that engages performance studies, ethnography, history, and the study of Religion. In our conversation on this wonderful new book, we talked about the pre-colonial Islamicate and colonial history of the Bhānd, the way in which this genre complicates the boundaries of Hindu and Muslim folk art, the manner in which the bhānd has disturbed and unsettled class and gender hierarchies in Pakistan, the political work of the bhānd, and the bhānd in the era of satellite television. This lyrically written book on a long-running and hugely important tradition of Islamicate humor will interest much scholars of Islam, South Asia, Anthropology, and Performance Studies.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 15 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Claire Pamment’s book is a fantastic new book centered on the Punjabi folk art of the Bhānd, or comic performance...</itunes:subtitle>
      <itunes:summary>Claire Pamment’s book Comic Performance in Pakistan: The Bhānd (Palgrave Macmillan, 2017) is a fantastic new book centered on the Punjabi folk art of the Bhānd, or comic performance. Pamment explores the history and present of the Bhānd and Bhānd artists through a thoroughly interdisciplinary lens that engages performance studies, ethnography, history, and the study of Religion. In our conversation on this wonderful new book, we talked about the pre-colonial Islamicate and colonial history of the Bhānd, the way in which this genre complicates the boundaries of Hindu and Muslim folk art, the manner in which the bhānd has disturbed and unsettled class and gender hierarchies in Pakistan, the political work of the bhānd, and the bhānd in the era of satellite television. This lyrically written book on a long-running and hugely important tradition of Islamicate humor will interest much scholars of Islam, South Asia, Anthropology, and Performance Studies.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.wm.edu/as/tsd/theatre/facultydirectory/pamment_c.php">Claire Pamment</a>’s book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QoGIfkReMwu3lLXej_b_pa4AAAFpX3CcpQEAAAFKAXIWR5s/https://www.amazon.com/dp/1137566302/?creativeASIN=1137566302&amp;linkCode=w61&amp;imprToken=TO3m3kudauqtbtt2ARxFpw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Comic Performance in Pakistan: The Bhānd</em></a> (Palgrave Macmillan, 2017) is a fantastic new book centered on the Punjabi folk art of the Bhānd, or comic performance. Pamment explores the history and present of the Bhānd and Bhānd artists through a thoroughly interdisciplinary lens that engages performance studies, ethnography, history, and the study of Religion. In our conversation on this wonderful new book, we talked about the pre-colonial Islamicate and colonial history of the Bhānd, the way in which this genre complicates the boundaries of Hindu and Muslim folk art, the manner in which the bhānd has disturbed and unsettled class and gender hierarchies in Pakistan, the political work of the bhānd, and the bhānd in the era of satellite television. This lyrically written book on a long-running and hugely important tradition of Islamicate humor will interest much scholars of Islam, South Asia, Anthropology, and Performance Studies.</p><p><a href="https://www.fandm.edu/sherali-tareen"><em>SherAli Tareen</em></a><em> is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available </em><a href="https://fandm.academia.edu/SheraliTareen/"><em>here</em></a><em>. He can be reached at </em><a href="mailto:sherali.tareen@fandm.edu"><em>sherali.tareen@fandm.edu</em></a><em>. Listener feedback is most welcome.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3290</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a6c4f88c-4331-11e9-b0dc-2baee12a1620]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7407277098.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amit Pinchevski, "Transmitted Wounds: Media and the Mediation of Trauma" (Oxford UP, 2019)</title>
      <description>What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself.
Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well.
Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities.
Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media.
Tal Zalmanovich is a cultural historian of modern Britain. She’s a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 13 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness?</itunes:subtitle>
      <itunes:summary>What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself.
Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well.
Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities.
Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media.
Tal Zalmanovich is a cultural historian of modern Britain. She’s a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QoalhIqR1kaLeZlZup6ocxQAAAFpSXnkGAEAAAFKAfd_Qz4/https://www.amazon.com/dp/0190625589/?creativeASIN=0190625589&amp;linkCode=w61&amp;imprToken=mnLa9OF4kKl7FwAmZ1MwwA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Transmitted Wounds: Media and the Mediation of Trauma</em></a> (Oxford University Press, 2019), <a href="http://huji.academia.edu/AmitPinchevski">Amit Pinchevski</a> carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself.</p><p>Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. <em>Transmitted Wounds</em> takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well.</p><p><em>Transmitted Wounds</em> offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities.</p><p>Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of <em>By Way of Interruption: Levinas and the Ethics of Communication</em> (Duquesne University Press 2005) and coeditor of two books, <em>Media Witnessing: Testimony in the Age of Mass Communication</em> (Palgrave Macmillan, 2009) and <em>Ethics of Media</em> (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media.</p><p><em>Tal Zalmanovich is a cultural historian of modern Britain. She’s a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il</p><p></em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3058</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5eb64066-4262-11e9-ac85-1b16b6cb4390]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1114398537.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Suk-Young Kim, "K-Pop Live: Fans, Idols, and Multimedia Performance" (Stanford UP, 2018)</title>
      <description>Given its expanding multimedia presence in Asia and around the world for many years now, K-pop is a phenomenon that is hard to ignore. This “animal that thrives on excess,” as Suk-Young Kim puts it (p. 6) is more than just music, however, as it offers us a way of looking at a host of fascinating and important subjects in politics, economics, anthropology and performance studies.
Suk-Young Kim's book K-Pop Live: Fans, Idols, and Multimedia Performance (Stanford University Press, 2018) transports us into K-pop's dizzying world of production, consumption, participation and neoliberal commerce. As well as navigating the geopolitical and technological conditions that have enabled K-pop’s emergence and success, Kim takes us up close to the fans and stars themselves through her ethnographic work at gigs, conventions and TV recordings. Combining all the passion of a true fan with clear-headed analysis of postmodern subjects' interactions with big business and the state, this is a must-read for anyone curious about contemporary Korean cultural history, digital technologies, or how BIGBANG perfect their dance moves.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 13 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>263</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Given its expanding multimedia presence in Asia and around the world for many years now, K-pop is a phenomenon that is hard to ignore...</itunes:subtitle>
      <itunes:summary>Given its expanding multimedia presence in Asia and around the world for many years now, K-pop is a phenomenon that is hard to ignore. This “animal that thrives on excess,” as Suk-Young Kim puts it (p. 6) is more than just music, however, as it offers us a way of looking at a host of fascinating and important subjects in politics, economics, anthropology and performance studies.
Suk-Young Kim's book K-Pop Live: Fans, Idols, and Multimedia Performance (Stanford University Press, 2018) transports us into K-pop's dizzying world of production, consumption, participation and neoliberal commerce. As well as navigating the geopolitical and technological conditions that have enabled K-pop’s emergence and success, Kim takes us up close to the fans and stars themselves through her ethnographic work at gigs, conventions and TV recordings. Combining all the passion of a true fan with clear-headed analysis of postmodern subjects' interactions with big business and the state, this is a must-read for anyone curious about contemporary Korean cultural history, digital technologies, or how BIGBANG perfect their dance moves.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Given its expanding multimedia presence in Asia and around the world for many years now, K-pop is a phenomenon that is hard to ignore. This “animal that thrives on excess,” as <a href="http://www.tft.ucla.edu/2016/07/suk-young-kim/">Suk-Young Kim</a> puts it (p. 6) is more than just music, however, as it offers us a way of looking at a host of fascinating and important subjects in politics, economics, anthropology and performance studies.</p><p>Suk-Young Kim's book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QtwwdGO8GBuBtFdtPRdApYQAAAFpU2VhWgEAAAFKAVtbM1g/https://www.amazon.com/dp/150360599X/?creativeASIN=150360599X&amp;linkCode=w61&amp;imprToken=gJ9peoLvsQKx6ZwBqwUing&amp;slotNum=0&amp;tag=newbooinhis-20"><em>K-Pop Live: Fans, Idols, and Multimedia Performance</em></a> (Stanford University Press, 2018) transports us into K-pop's dizzying world of production, consumption, participation and neoliberal commerce. As well as navigating the geopolitical and technological conditions that have enabled K-pop’s emergence and success, Kim takes us up close to the fans and stars themselves through her ethnographic work at gigs, conventions and TV recordings. Combining all the passion of a true fan with clear-headed analysis of postmodern subjects' interactions with big business and the state, this is a must-read for anyone curious about contemporary Korean cultural history, digital technologies, or how BIGBANG perfect their dance moves.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3320</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Reece Peck, "Fox Populism: Branding Conservatism as Working Class" (Cambridge UP, 2019)</title>
      <description>Reece Peck's Fox Populism: Branding Conservatism as Working Class (Cambridge University Press, 2019) offers a unique argument of why the Fox News Channel has been both a commercial successful and wielded enormous political influence. Peck focuses on the importance of the tabloid sensibilities and populist style of Fox News. He traces the history of Fox's counter-elite brand from Murdoch to O’Reilly to Hannity. Using the network's coverage of the economic recession as a case study, Peck shows how producers and hosts how use style to frame news events and create a coalition of working-class and business-class people.
Peck is assistant professor of media culture at College of Staten Island, City University of New York.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Mar 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>331</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Peck traces the history of Fox's counter-elite brand from Murdoch to O’Reilly to Hannity...</itunes:subtitle>
      <itunes:summary>Reece Peck's Fox Populism: Branding Conservatism as Working Class (Cambridge University Press, 2019) offers a unique argument of why the Fox News Channel has been both a commercial successful and wielded enormous political influence. Peck focuses on the importance of the tabloid sensibilities and populist style of Fox News. He traces the history of Fox's counter-elite brand from Murdoch to O’Reilly to Hannity. Using the network's coverage of the economic recession as a case study, Peck shows how producers and hosts how use style to frame news events and create a coalition of working-class and business-class people.
Peck is assistant professor of media culture at College of Staten Island, City University of New York.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.csi.cuny.edu/campus-directory/reece-peck">Reece Peck</a>'s <a href="https://aax-us-east.amazon-adsystem.com/x/c/QrRXR20YLsZRPkglW2bxgPsAAAFpOmhNKgEAAAFKAf7PBUY/https://www.amazon.com/dp/1108721788/?creativeASIN=1108721788&amp;linkCode=w61&amp;imprToken=KQIPHLmG4-rFONsAg5C7qw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Fox Populism: Branding Conservatism as Working Class</em></a> (Cambridge University Press, 2019) offers a unique argument of why the Fox News Channel has been both a commercial successful and wielded enormous political influence. Peck focuses on the importance of the tabloid sensibilities and populist style of Fox News. He traces the history of Fox's counter-elite brand from Murdoch to O’Reilly to Hannity. Using the network's coverage of the economic recession as a case study, Peck shows how producers and hosts how use style to frame news events and create a coalition of working-class and business-class people.</p><p>Peck is assistant professor of media culture at College of Staten Island, City University of New York.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1468</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8fad7442-3d2f-11e9-8023-134ab9aaf5de]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6851401375.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeffrey D. Long, "Perspectives on Reincarnation: Hindu, Christian, Scientific" (MDPI Books, 2019)</title>
      <description>What happens after you die? The book brings together fascinating theological and religious studies perspectives on a controversial yet pervasive idea: reincarnation. An estimated 1 on 5 Americans subscribe to this belief, despite their religious background. Why is this? What are the philosophical, spiritual, pragmatic merits of subscribing to reincarnation? What about the pitfalls?  Does believing in reincarnation counter Christian teachings? Is it a uniquely Hindu practice? Join us as we explore these and other questions with Dr. Jeffrey D. Long, Professor of Religion and Asian Studies at Elizabethtown College (PA) and editor of the open access peer-reviewed book Perspectives on Reincarnation: Hindu, Christian, Scientific(MDPI Books, 2019).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 04 Mar 2019 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What happens after you die? The book brings together fascinating theological and religious studies perspectives on a controversial yet pervasive idea: reincarnation...</itunes:subtitle>
      <itunes:summary>What happens after you die? The book brings together fascinating theological and religious studies perspectives on a controversial yet pervasive idea: reincarnation. An estimated 1 on 5 Americans subscribe to this belief, despite their religious background. Why is this? What are the philosophical, spiritual, pragmatic merits of subscribing to reincarnation? What about the pitfalls?  Does believing in reincarnation counter Christian teachings? Is it a uniquely Hindu practice? Join us as we explore these and other questions with Dr. Jeffrey D. Long, Professor of Religion and Asian Studies at Elizabethtown College (PA) and editor of the open access peer-reviewed book Perspectives on Reincarnation: Hindu, Christian, Scientific(MDPI Books, 2019).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happens after you die? The book brings together fascinating theological and religious studies perspectives on a controversial yet pervasive idea: reincarnation. An estimated 1 on 5 Americans subscribe to this belief, despite their religious background. Why is this? What are the philosophical, spiritual, pragmatic merits of subscribing to reincarnation? What about the pitfalls?  Does believing in reincarnation counter Christian teachings? Is it a uniquely Hindu practice? Join us as we explore these and other questions with Dr. <a href="https://www.etown.edu/depts/religious-studies/faculty.aspx">Jeffrey D. Long</a>, Professor of Religion and Asian Studies at Elizabethtown College (PA) and editor of the open access peer-reviewed book <a href="https://www.mdpi.com/books/pdfview/book/1097"><em>Perspectives on Reincarnation: Hindu, Christian, Scientific</em></a>(MDPI Books, 2019).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4426</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[136e1ddc-3843-11e9-b954-cb02ad591509]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1423001345.mp3?updated=1708553226" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexander Langlands, "Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts" (Norton, 2017)</title>
      <description>Alexander Langlands is a British archaeologist, historian, writer, and broadcaster.  His most recent book, Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts, was published by Norton to great acclaim in 2017 and has just been reissued as a paperback.  Cræft is an antiquated spelling of “craft” and in the book, Langlands explores what the word meant when it first appeared in English over a thousand years ago. Our modern understanding of the term, Langlands argues, is at some remove from its original meaning.  When it first began to appear in the writings of Anglo-Saxons, the term referred to “power or skill in the context of knowledge, ability, and a kind of learning” (17). In Cræft, Langlands combines scholarly research with personal anecdotes as he discusses a range of pursuits which he himself has undertaken, including hay-making, hedgerow planting, dry wall building, and roof thatching.
Folklorist Millie Rahn describes Cræft as follows: “This beautifully-written book is basically a cautionary tale about the loss of knowledge, wisdom, power, and skill embedded in tradition, and our ignoring that knowledge at our peril. It's not a treatise; more a paean to the human condition. Not the first to lament our intellectual, spiritual, and physical disconnect with the modern world, or acknowledge the periodic arts and crafts revivals, the writer says we have the power to transform our world and ourselves if we go back to our roots as humans, as ‘makers’. That's where he distinguishes ‘craeft’ from the art and connoisseurship of ‘craft’-- the whole cycle of ‘making’ rooted (all puns intended) in our agricultural processes.”
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 04 Mar 2019 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Cræft is an antiquated spelling of “craft” and in the book, Langlands explores what the word meant when it first appeared in English over a thousand years ago...</itunes:subtitle>
      <itunes:summary>Alexander Langlands is a British archaeologist, historian, writer, and broadcaster.  His most recent book, Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts, was published by Norton to great acclaim in 2017 and has just been reissued as a paperback.  Cræft is an antiquated spelling of “craft” and in the book, Langlands explores what the word meant when it first appeared in English over a thousand years ago. Our modern understanding of the term, Langlands argues, is at some remove from its original meaning.  When it first began to appear in the writings of Anglo-Saxons, the term referred to “power or skill in the context of knowledge, ability, and a kind of learning” (17). In Cræft, Langlands combines scholarly research with personal anecdotes as he discusses a range of pursuits which he himself has undertaken, including hay-making, hedgerow planting, dry wall building, and roof thatching.
Folklorist Millie Rahn describes Cræft as follows: “This beautifully-written book is basically a cautionary tale about the loss of knowledge, wisdom, power, and skill embedded in tradition, and our ignoring that knowledge at our peril. It's not a treatise; more a paean to the human condition. Not the first to lament our intellectual, spiritual, and physical disconnect with the modern world, or acknowledge the periodic arts and crafts revivals, the writer says we have the power to transform our world and ourselves if we go back to our roots as humans, as ‘makers’. That's where he distinguishes ‘craeft’ from the art and connoisseurship of ‘craft’-- the whole cycle of ‘making’ rooted (all puns intended) in our agricultural processes.”
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://alexlanglands.wordpress.com">Alexander Langlands</a> is a British archaeologist, historian, writer, and broadcaster.  His most recent book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QrAo-gblBev8oEHkLPd5xYQAAAFpFW1wywEAAAFKAc52SH8/https://www.amazon.com/dp/0393635902/?creativeASIN=0393635902&amp;linkCode=w61&amp;imprToken=kXkgxKULMTFa5l5PwcMcDA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts</em></a>, was published by Norton to great acclaim in 2017 and has just been reissued as a paperback.  Cræft is an antiquated spelling of “craft” and in the book, Langlands explores what the word meant when it first appeared in English over a thousand years ago. Our modern understanding of the term, Langlands argues, is at some remove from its original meaning.  When it first began to appear in the writings of Anglo-Saxons, the term referred to “power or skill in the context of knowledge, ability, and a kind of learning” (17). In <em>Cræft</em>, Langlands combines scholarly research with personal anecdotes as he discusses a range of pursuits which he himself has undertaken, including hay-making, hedgerow planting, dry wall building, and roof thatching.</p><p>Folklorist Millie Rahn describes <em>Cræft</em> as follows: “This beautifully-written book is basically a cautionary tale about the loss of knowledge, wisdom, power, and skill embedded in tradition, and our ignoring that knowledge at our peril. It's not a treatise; more a paean to the human condition. Not the first to lament our intellectual, spiritual, and physical disconnect with the modern world, or acknowledge the periodic arts and crafts revivals, the writer says we have the power to transform our world and ourselves if we go back to our roots as humans, as ‘makers’. That's where he distinguishes ‘craeft’ from the art and connoisseurship of ‘craft’-- the whole cycle of ‘making’ rooted (all puns intended) in our agricultural processes.”</p><p><a href="http://rachelhopkin.com/"><em>Rachel Hopkin</em></a><em> is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3425</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[afa9497e-383e-11e9-ac27-7bee35cefffa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7931812942.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bernadete Barton, "Stripped: More Stories from Exotic Dancers" (NYU Press, 2017)</title>
      <description>Women get into stripping for money, writes Dr. Bernadete Barton, and the experience the girls have throughout their career in exotic dancing varies. Dr. Barton uses Stripped: More Stories from Exotic Dancers, Completely Revised and Updated Edition (NYU Press, 2017) to take readers inside countless strip bars and clubs, from upscale to back road and specialty lap dancing, table dancing, topless only, and peep shows, to provide up close and personal exposure to the lives of exotic dancers. Join us as Dr. Barton takes a no holds barred approach to explaining the transformation of the strip club since the original publication of this research, the change in behavior both male and female patrons show in the clubs, and the the impact technology has had on strip clubs. Dr. Barton also gifts us with a sneak peek of her newest book project on the effects of raunch culture beyond the walls of the strip club.
Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 28 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Women get into stripping for money, writes Dr. Bernadete Barton, and the experience the girls have throughout their career in exotic dancing varies...</itunes:subtitle>
      <itunes:summary>Women get into stripping for money, writes Dr. Bernadete Barton, and the experience the girls have throughout their career in exotic dancing varies. Dr. Barton uses Stripped: More Stories from Exotic Dancers, Completely Revised and Updated Edition (NYU Press, 2017) to take readers inside countless strip bars and clubs, from upscale to back road and specialty lap dancing, table dancing, topless only, and peep shows, to provide up close and personal exposure to the lives of exotic dancers. Join us as Dr. Barton takes a no holds barred approach to explaining the transformation of the strip club since the original publication of this research, the change in behavior both male and female patrons show in the clubs, and the the impact technology has had on strip clubs. Dr. Barton also gifts us with a sneak peek of her newest book project on the effects of raunch culture beyond the walls of the strip club.
Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Women get into stripping for money, writes <a href="http://www.bernadettebarton.com/">Dr. Bernadete Barton</a>, and the experience the girls have throughout their career in exotic dancing varies. Dr. Barton uses <a href="https://aax-us-east.amazon-adsystem.com/x/c/QtaBZ5DJ6v8iKocFHJ7uuWwAAAFpAhOMagEAAAFKAY-BmhU/https://www.amazon.com/dp/1479815691/?creativeASIN=1479815691&amp;linkCode=w61&amp;imprToken=Sd1rXfRMX1lp5hSl2RlqUQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Stripped: More Stories from Exotic Dancers</em></a>, Completely Revised and Updated Edition (NYU Press, 2017) to take readers inside countless strip bars and clubs, from upscale to back road and specialty lap dancing, table dancing, topless only, and peep shows, to provide up close and personal exposure to the lives of exotic dancers. Join us as Dr. Barton takes a no holds barred approach to explaining the transformation of the strip club since the original publication of this research, the change in behavior both male and female patrons show in the clubs, and the the impact technology has had on strip clubs. Dr. Barton also gifts us with a sneak peek of her newest book project on the effects of raunch culture beyond the walls of the strip club.</p><p><a href="https://www.wmpenn.edu/person/michael-o-johnston-ph-d/">Michael O. Johnston</a><em> is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3536</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4a34c620-377d-11e9-aca4-ffb71c7a3c24]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9742802115.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jacob Johanssen, "Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data" (Routledge, 2018)</title>
      <description>How can insights from psychoanalysis help us understand digital culture? in Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data (Routledge, 2018), Jacob Johanssen, a senior lecturer in the University of Westminster's School of Media and Communication, draws on the work of Freud and Anzieu to explore both traditional and new forms of media. The book uses research projects on the Embarrassing Bodies television show, and on digital labour, to show how psychoanalysis can inform research methods and explain how people engage with TV, use Twitter, and present themselves online. Moreover, the book grapples with the rise of big data, offering new perspectives on content providers such as Netflix. Packed with rich analysis and a wealth of examples, the book will be essential reading across cultural and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 28 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can insights from psychoanalysis help us understand digital culture? </itunes:subtitle>
      <itunes:summary>How can insights from psychoanalysis help us understand digital culture? in Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data (Routledge, 2018), Jacob Johanssen, a senior lecturer in the University of Westminster's School of Media and Communication, draws on the work of Freud and Anzieu to explore both traditional and new forms of media. The book uses research projects on the Embarrassing Bodies television show, and on digital labour, to show how psychoanalysis can inform research methods and explain how people engage with TV, use Twitter, and present themselves online. Moreover, the book grapples with the rise of big data, offering new perspectives on content providers such as Netflix. Packed with rich analysis and a wealth of examples, the book will be essential reading across cultural and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can insights from psychoanalysis help us understand digital culture? in <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qro8AMPsvUFaSs9R65-EQKgAAAFpEKJiZQEAAAFKAWiq2vY/https://www.amazon.com/dp/113848444X/?creativeASIN=113848444X&amp;linkCode=w61&amp;imprToken=LAqD31-xJJjVr-FrJdYMng&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data</em></a> (Routledge, 2018), <a href="https://twitter.com/Jacob_PhD">Jacob Johanssen</a>, a senior lecturer in the University of Westminster's School of Media and Communication, draws on the work of Freud and Anzieu to explore both traditional and new forms of media. The book uses research projects on the <em>Embarrassing Bodies</em> television show, and on digital labour, to show how psychoanalysis can inform research methods and explain how people engage with TV, use Twitter, and present themselves online. Moreover, the book grapples with the rise of big data, offering new perspectives on content providers such as Netflix. Packed with rich analysis and a wealth of examples, the book will be essential reading across cultural and media studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2229</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ffd2c7b2-3777-11e9-a6ff-236346342bab]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1336433725.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bradford Vivian, "Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture" (Oxford UP, 2017)</title>
      <description>On this episode of New Books in Communications, Lee Pierce (she/they) interviews Dr. Bradford Vivian (he/his) of Penn State University on his fabulous new book Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press, 2017). In this book, Dr. Vivian asks readers to reconsider our almost sacred regard for the act of witnessing in public culture and consider witnessing as a rhetorical act that we recognize not only because of the transparent truth of the witness testimony but because that testimony conforms to particular expectations of witnessing, which Dr. Vivian calls the “topoi” or commonplaces of witnessing including authenticity, impossibility, and regret. Investigating a variety of public culture texts—from 19th-century speeches to the 9/11 Memorial—Dr. Vivian explores the ambiguity of witnessing as an act of memory and culture and how that act normalizes who has the right to speak truth and how.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 27 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In this book, Dr. Vivian asks readers to reconsider our almost sacred regard for the act of witnessing in public culture,,,</itunes:subtitle>
      <itunes:summary>On this episode of New Books in Communications, Lee Pierce (she/they) interviews Dr. Bradford Vivian (he/his) of Penn State University on his fabulous new book Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press, 2017). In this book, Dr. Vivian asks readers to reconsider our almost sacred regard for the act of witnessing in public culture and consider witnessing as a rhetorical act that we recognize not only because of the transparent truth of the witness testimony but because that testimony conforms to particular expectations of witnessing, which Dr. Vivian calls the “topoi” or commonplaces of witnessing including authenticity, impossibility, and regret. Investigating a variety of public culture texts—from 19th-century speeches to the 9/11 Memorial—Dr. Vivian explores the ambiguity of witnessing as an act of memory and culture and how that act normalizes who has the right to speak truth and how.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of New Books in Communications, Lee Pierce (she/they) interviews Dr. <a href="https://cas.la.psu.edu/people/bjv113">Bradford Vivian</a> (he/his) of Penn State University on his fabulous new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QroNwfxoECFoyv-X5peaCkcAAAFpAioqXgEAAAFKAcmFvPY/https://www.amazon.com/dp/0190611081/?creativeASIN=0190611081&amp;linkCode=w61&amp;imprToken=l2ZT85yA6PXebPSxmuWytQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture</em></a> (Oxford University Press, 2017). In this book, Dr. Vivian asks readers to reconsider our almost sacred regard for the act of witnessing in public culture and consider witnessing as a rhetorical act that we recognize not only because of the transparent truth of the witness testimony but because that testimony conforms to particular expectations of witnessing, which Dr. Vivian calls the “topoi” or commonplaces of witnessing including authenticity, impossibility, and regret. Investigating a variety of public culture texts—from 19th-century speeches to the 9/11 Memorial—Dr. Vivian explores the ambiguity of witnessing as an act of memory and culture and how that act normalizes who has the right to speak truth and how.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3676</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bdfe4680-3773-11e9-8ef5-337bd0fb3e1d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4643852735.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kendall Phillips, "A Place of Darkness: The Rhetoric of Horror in Early American Cinema" (U Texas, 2018)</title>
      <description>On this episode of the New Books Network, Lee Pierce (she/they) interviews Dr. Kendall Phillips (he) of Syracuse University on his fabulous new book A Place of Darkness: The Rhetoric of Horror in Early American Cinema (University of Texas, 2018). In it, Phillips explores the emergence of the horror film genre before it was horror and a post-Civil War national American identity. Dr. Phillips discusses the unique role of Universal Studio’s 1931 Dracula, the turning point of the Phantom’s revelation in The Phantom of the Opera, and what horror was before it was horror. Along the way, Dr. Phillips discusses how shifts in filming technologies and international politics at the turn of the century forged a distinctly American identity based upon incredulousness, narrative depth, and rationality. 
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      <pubDate>Wed, 20 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Phillips explores the emergence of the horror film genre before it was horror and a post-Civil War national American identity...</itunes:subtitle>
      <itunes:summary>On this episode of the New Books Network, Lee Pierce (she/they) interviews Dr. Kendall Phillips (he) of Syracuse University on his fabulous new book A Place of Darkness: The Rhetoric of Horror in Early American Cinema (University of Texas, 2018). In it, Phillips explores the emergence of the horror film genre before it was horror and a post-Civil War national American identity. Dr. Phillips discusses the unique role of Universal Studio’s 1931 Dracula, the turning point of the Phantom’s revelation in The Phantom of the Opera, and what horror was before it was horror. Along the way, Dr. Phillips discusses how shifts in filming technologies and international politics at the turn of the century forged a distinctly American identity based upon incredulousness, narrative depth, and rationality. 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the New Books Network, Lee Pierce (she/they) interviews <a href="http://vpa.syr.edu/faculty-staff/kendall-phillips">Dr. Kendall Phillips (he) of Syracuse University</a> on his fabulous new book <em>A Place of Darkness: The Rhetoric of Horror in Early American Cinema</em> (University of Texas, 2018). In it, Phillips explores the emergence of the horror film genre before it was horror and a post-Civil War national American identity. Dr. Phillips discusses the unique role of Universal Studio’s 1931 <em>Dracula, </em>the turning point of the Phantom’s revelation in <em>The Phantom of the Opera, </em>and what horror was before it was horror. Along the way, Dr. Phillips discusses how shifts in filming technologies and international politics at the turn of the century forged a distinctly American identity based upon incredulousness, narrative depth, and rationality. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3357</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9838123e-320d-11e9-9bb4-d3052e32601e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2200914253.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>W. K. Stratton, "The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film" (Bloomsbury, 2019)</title>
      <description>On June 18, 1969, "The Wild Bunch" premiered to critical success. Over the past 50 years it has been rightly recognized as one of the landmark films from the end of the Hollywood studio system. Yet it was developed out of chaos, with a controversial director who had already largely burned his bridges with Hollywood studios. Sam Peckinpah worked for years to film a story that both illustrated the end of the “Old West” and also showed how newer filmmakers wanted to proceed with their newfound independence. W. K. Stratton’s book The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film (Bloomsbury, 2019) describes all of these activities as it wonderfully tells the story of the film.
 
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      <pubDate>Tue, 12 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On June 18, 1969, "The Wild Bunch" premiered to critical success...</itunes:subtitle>
      <itunes:summary>On June 18, 1969, "The Wild Bunch" premiered to critical success. Over the past 50 years it has been rightly recognized as one of the landmark films from the end of the Hollywood studio system. Yet it was developed out of chaos, with a controversial director who had already largely burned his bridges with Hollywood studios. Sam Peckinpah worked for years to film a story that both illustrated the end of the “Old West” and also showed how newer filmmakers wanted to proceed with their newfound independence. W. K. Stratton’s book The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film (Bloomsbury, 2019) describes all of these activities as it wonderfully tells the story of the film.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On June 18, 1969, "The Wild Bunch" premiered to critical success. Over the past 50 years it has been rightly recognized as one of the landmark films from the end of the Hollywood studio system. Yet it was developed out of chaos, with a controversial director who had already largely burned his bridges with Hollywood studios. Sam Peckinpah worked for years to film a story that both illustrated the end of the “Old West” and also showed how newer filmmakers wanted to proceed with their newfound independence. <a href="https://www.wkstratton.com/">W. K. Stratton</a>’s book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhTPIyK-CT01SJ1X4xvmLvIAAAFozzdWxgEAAAFKAUhFph4/https://www.amazon.com/dp/1632862123/?creativeASIN=1632862123&amp;linkCode=w61&amp;imprToken=GKDmvhzpkZjINYbESdJFqw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film</em></a> (Bloomsbury, 2019) describes all of these activities as it wonderfully tells the story of the film.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3496</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a8d947fe-2d33-11e9-8cc5-57eb4f23f5c5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6368933534.mp3?updated=1704229447" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nathan Holmes, "Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination" (SUNY Press, 2018)</title>
      <description>The so-called Urban Crisis of the 1970s continues to loom large in narratives of US urban politics and history, but what can we learn about the period from movies? In Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination (SUNY Press, 2018), Nathan Holmes burrows down into some key visual texts -- including Klute, Serpico, and the Taking of Pelham 123 -- and tells us about cities, suburbs, anxieties about modernism, identity, politics, and more.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 11 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The so-called Urban Crisis of the 1970s continues to loom large in narratives of US urban politics and history...</itunes:subtitle>
      <itunes:summary>The so-called Urban Crisis of the 1970s continues to loom large in narratives of US urban politics and history, but what can we learn about the period from movies? In Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination (SUNY Press, 2018), Nathan Holmes burrows down into some key visual texts -- including Klute, Serpico, and the Taking of Pelham 123 -- and tells us about cities, suburbs, anxieties about modernism, identity, politics, and more.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The so-called Urban Crisis of the 1970s continues to loom large in narratives of US urban politics and history, but what can we learn about the period from movies? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qns6WmkbLUTJ9mgse5MMy24AAAFosyz0KAEAAAFKAVnZ-bE/https://www.amazon.com/dp/1438471211/?creativeASIN=1438471211&amp;linkCode=w61&amp;imprToken=E6PpIm.FAh5tuH6TJiVG-g&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination</em></a> (SUNY Press, 2018), <a href="https://www.purchase.edu/live/profiles/2145-nathan-holmes">Nathan Holmes</a> burrows down into some key visual texts -- including Klute, Serpico, and the Taking of Pelham 123 -- and tells us about cities, suburbs, anxieties about modernism, identity, politics, and more.</p><p><a href="http://www.stephenpimpare.com/"><em>Stephen Pimpare</em></a><em> is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of </em>The New Victorians (New Press, 2004)<em>, </em>A Peoples History of Poverty in America (New Press, 2008)<em>, winner of the Michael Harrington Award, and</em> Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1495</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[93c6398a-2a18-11e9-91a4-c3b2077c82ee]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1538997525.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter Hopsicker and Mark Dyreson, "A Half Century of Super Bowls: National and Global Perspectives on America's Grandest Spectacle" (Routledge, 2018)</title>
      <description>The Super Bowl is a singular spectacle in American culture. More than just a championship football game, the Super Bowl has become an unparalleled display of nationalism, consumerism, and culture. But despite its impact in the United States, the Super Bowl has never caught on around the world the way many Americans might assume.
Peter Hopsicker and Mark Dyreson look at the magnitude of the Super Bowl as a cultural event in the United States, and the relative lack of interest in the Super Bowl worldwide, in A Half Century of Super Bowls: National and Global Perspectives on America's Grandest Spectacle (Routledge, 2018).
Peter Hopsicker is a professor of kinesiology at Penn State University Altoona. Mark Dyreson is a professor of kinesiology and history at Penn State University and managing editor of the International Journal of the History of Sport. Both are members of Penn State's Center for the Study of Sports in Society.
Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nbierma.com.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 31 Jan 2019 14:35:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Super Bowl is a singular spectacle in American culture. More than just a championship football game...</itunes:subtitle>
      <itunes:summary>The Super Bowl is a singular spectacle in American culture. More than just a championship football game, the Super Bowl has become an unparalleled display of nationalism, consumerism, and culture. But despite its impact in the United States, the Super Bowl has never caught on around the world the way many Americans might assume.
Peter Hopsicker and Mark Dyreson look at the magnitude of the Super Bowl as a cultural event in the United States, and the relative lack of interest in the Super Bowl worldwide, in A Half Century of Super Bowls: National and Global Perspectives on America's Grandest Spectacle (Routledge, 2018).
Peter Hopsicker is a professor of kinesiology at Penn State University Altoona. Mark Dyreson is a professor of kinesiology and history at Penn State University and managing editor of the International Journal of the History of Sport. Both are members of Penn State's Center for the Study of Sports in Society.
Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nbierma.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Super Bowl is a singular spectacle in American culture. More than just a championship football game, the Super Bowl has become an unparalleled display of nationalism, consumerism, and culture. But despite its impact in the United States, the Super Bowl has never caught on around the world the way many Americans might assume.</p><p><a href="https://altoona.psu.edu/person/peter-m-hopsicker-phd">Peter Hopsicker</a> and <a href="https://hhd.psu.edu/contact/mark-dyreson-phd">Mark Dyreson</a> look at the magnitude of the Super Bowl as a cultural event in the United States, and the relative lack of interest in the Super Bowl worldwide, in <a href="https://aax-us-east.amazon-adsystem.com/x/c/QtlEt8GR3gVab991Khgtep4AAAFom96ZSgEAAAFKAfk8reo/https://www.amazon.com/dp/1138591424/?creativeASIN=1138591424&amp;linkCode=w61&amp;imprToken=7-Ya3zHMHVD5aPRQgXtPQg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>A Half Century of Super Bowls: National and Global Perspectives on America's Grandest Spectacle</em></a> (Routledge, 2018).</p><p>Peter Hopsicker is a professor of kinesiology at Penn State University Altoona. Mark Dyreson is a professor of kinesiology and history at Penn State University and managing editor of the <em>International Journal of the History of Sport</em>. Both are members of Penn State's Center for the Study of Sports in Society.</p><p><em>Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is </em><a href="http://www.nbierma.com/"><em>www.nbierma.com</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2345</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[35ac426a-2566-11e9-8cb1-eb3fe13bb21e]]></guid>
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    </item>
    <item>
      <title>David J. Puglia, "Tradition, Urban Identity, and the Baltimore 'Hon': The Folk in the City" (Lexington Books, 2018)</title>
      <description>Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii).
Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv).
As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”.
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 31 Jan 2019 14:04:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Baltimore, the word "hon" has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses...</itunes:subtitle>
      <itunes:summary>Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii).
Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv).
As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”.
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Folklorist <a href="https://davidjpuglia.commons.gc.cuny.edu">David J. Puglia</a> is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii).</p><p>Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv).</p><p>As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, <em>Tradition, Urban Identity, and the Baltimore “Hon" is “</em>an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”.</p><p><em>Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3672</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ebe6dcca-2561-11e9-91e1-3b3836ca157f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3758186114.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katie Beswick, "Social Housing In Performance: The English Council Estate On and Off Stage" (Methuen Drama, 2018)</title>
      <description>How has the council estate been represented on stage? In Social Housing In Performance: The English Council Estate On and Off Stage (Methuen Drama, 2018),  Dr. Katie Beswick, a lecturer in drama at the University of Exeter, explores this question using a mixture of dramatic and social theory, along with examples from a variety of theatre performances and forms. The book sets out the history of social housing and the council estate, along with a reading of the (mis)representations of the estate across contemporary media. The book shows the longstanding and complex relationship between theatre, class, and the estate, using examples including high profile state pieces, as well as site specific theatre. The book will be essential reading for theatre and performance scholars, along with anyone interested in issues of class and culture, as well as housing, space and place.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 22 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How has the council estate been represented on stage?</itunes:subtitle>
      <itunes:summary>How has the council estate been represented on stage? In Social Housing In Performance: The English Council Estate On and Off Stage (Methuen Drama, 2018),  Dr. Katie Beswick, a lecturer in drama at the University of Exeter, explores this question using a mixture of dramatic and social theory, along with examples from a variety of theatre performances and forms. The book sets out the history of social housing and the council estate, along with a reading of the (mis)representations of the estate across contemporary media. The book shows the longstanding and complex relationship between theatre, class, and the estate, using examples including high profile state pieces, as well as site specific theatre. The book will be essential reading for theatre and performance scholars, along with anyone interested in issues of class and culture, as well as housing, space and place.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How has the council estate been represented on stage? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvhFwgr5TGqNlWz4hdZe_90AAAFoa2hAigEAAAFKAes10E0/https://www.amazon.com/dp/147428521X/?creativeASIN=147428521X&amp;linkCode=w61&amp;imprToken=FzzZKjaDgT3ARof-Nji2Yw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Social Housing In Performance: The English Council Estate On and Off Stage</em></a> (Methuen Drama, 2018),  <a href="https://twitter.com/elfinkate?lang=en">Dr. Katie Beswick</a>, <a href="https://humanities.exeter.ac.uk/drama/staff/kbeswick/">a lecturer in drama at the University of Exeter</a>, explores this question using a mixture of dramatic and social theory, along with examples from a variety of theatre performances and forms. The book sets out the history of social housing and the council estate, along with a reading of the (mis)representations of the estate across contemporary media. The book shows the longstanding and complex relationship between theatre, class, and the estate, using examples including high profile state pieces, as well as site specific theatre. The book will be essential reading for theatre and performance scholars, along with anyone interested in issues of class and culture, as well as housing, space and place.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[817c1bf2-1d87-11e9-b905-2fb5f6e54828]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4765791060.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tim Mohr, "Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall" (Algonquin Books, 2018)</title>
      <description>In Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall (Algonquin Books, 2018), Tim Mohr examines East Germany punk rock and its role in the collapse of the East German dictatorship. Starting in the late 1970s, a small group of East Berlin teens started listening to the Sex Pistols through British military radio broadcast to troops in West Berlin. Punk became life-changing. With so much future dictated for teens by the East German dictatorship, punk was a revolutionary philosophy that gave the youth a way to reject the society around them and build a new one. In Burning Down the Haus, Mohr shares the stories of the early punk scene as it formed in East Berlin, as youth formed bands and created sites of resistance. Mohr relates how the youth endured torture by the Stasi (East German secret police), being spied on by friends and their families, being fired from jobs and expelled from school, and imprisoned and beaten by police. The punks fought back, pushing to bring down the East German government throughout the 1980s. Instead of leaving East Berlin, the young people chose to remain and fight against the regime, creating revolution in their own communities. Through interviews with individuals who were part of the scene as well as letters, Stasi files, and other primary research, Mohr presents a comprehensive exploration into the lives and histories of the young people who openly fought to end the East German dictatorship by using the ideologies of punk rock and creating their own scene.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Tim Mohr examines East Germany punk rock and its role in the collapse of the East German dictatorship...</itunes:subtitle>
      <itunes:summary>In Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall (Algonquin Books, 2018), Tim Mohr examines East Germany punk rock and its role in the collapse of the East German dictatorship. Starting in the late 1970s, a small group of East Berlin teens started listening to the Sex Pistols through British military radio broadcast to troops in West Berlin. Punk became life-changing. With so much future dictated for teens by the East German dictatorship, punk was a revolutionary philosophy that gave the youth a way to reject the society around them and build a new one. In Burning Down the Haus, Mohr shares the stories of the early punk scene as it formed in East Berlin, as youth formed bands and created sites of resistance. Mohr relates how the youth endured torture by the Stasi (East German secret police), being spied on by friends and their families, being fired from jobs and expelled from school, and imprisoned and beaten by police. The punks fought back, pushing to bring down the East German government throughout the 1980s. Instead of leaving East Berlin, the young people chose to remain and fight against the regime, creating revolution in their own communities. Through interviews with individuals who were part of the scene as well as letters, Stasi files, and other primary research, Mohr presents a comprehensive exploration into the lives and histories of the young people who openly fought to end the East German dictatorship by using the ideologies of punk rock and creating their own scene.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhaDmHrsj0ChwrduAJR_PWIAAAFoH-GwmwEAAAFKAWqWTWQ/https://www.amazon.com/dp/1616208430/?creativeASIN=1616208430&amp;linkCode=w61&amp;imprToken=qlNgwp38xYEkKUU8LUGiww&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall</em></a> (Algonquin Books, 2018)<em>, </em><a href="https://en.wikipedia.org/wiki/Tim_Mohr">Tim Mohr</a> examines East Germany punk rock and its role in the collapse of the East German dictatorship. Starting in the late 1970s, a small group of East Berlin teens started listening to the Sex Pistols through British military radio broadcast to troops in West Berlin. Punk became life-changing. With so much future dictated for teens by the East German dictatorship, punk was a revolutionary philosophy that gave the youth a way to reject the society around them and build a new one. In <em>Burning Down the Haus</em>, Mohr shares the stories of the early punk scene as it formed in East Berlin, as youth formed bands and created sites of resistance. Mohr relates how the youth endured torture by the Stasi (East German secret police), being spied on by friends and their families, being fired from jobs and expelled from school, and imprisoned and beaten by police. The punks fought back, pushing to bring down the East German government throughout the 1980s. Instead of leaving East Berlin, the young people chose to remain and fight against the regime, creating revolution in their own communities. Through interviews with individuals who were part of the scene as well as letters, Stasi files, and other primary research, Mohr presents a comprehensive exploration into the lives and histories of the young people who openly fought to end the East German dictatorship by using the ideologies of punk rock and creating their own scene.</p><p><em>Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her </em><a href="http://rebekahjbuchanan.com/"><em>website</em></a><em>, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3875</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[75edce9c-177a-11e9-966a-2f59d6e80c84]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4164618593.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joe Street, "Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash" (UP of Florida, 2016)</title>
      <description>When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession. Yet director Don Siegel denied any attempt to make a political statement with the film. Joe Street’s book Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash (University Press of Florida, 2016) discusses all five "Dirty Harry" films and helps to better explain the importance of them both cinematically and socially.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 07 Jan 2019 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession...</itunes:subtitle>
      <itunes:summary>When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession. Yet director Don Siegel denied any attempt to make a political statement with the film. Joe Street’s book Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash (University Press of Florida, 2016) discusses all five "Dirty Harry" films and helps to better explain the importance of them both cinematically and socially.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession. Yet director Don Siegel denied any attempt to make a political statement with the film. <a href="https://www.northumbria.ac.uk/about-us/our-staff/s/dr-joe-street/">Joe Street</a>’s book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QgBdoWC3y_1VNamW8kj-4yEAAAFnwsd7yQEAAAFKATLnjUc/https://www.amazon.com/dp/0813064716/?creativeASIN=0813064716&amp;linkCode=w61&amp;imprToken=IRzqU9GD4taQT1XnUw-tUw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash</em></a> (University Press of Florida, 2016) discusses all five "Dirty Harry" films and helps to better explain the importance of them both cinematically and socially.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3990</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2bdcc100-11d0-11e9-a43a-3b788205e482]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6088176597.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David LaRocca, "The Philosophy of War Films" (U Press of Kentucky, 2018)</title>
      <description>Films that feature war as a theme have been made almost since the beginning of the industry. In The Philosophy of War Films (University Press of Kentucky, 2018), part of the "Philosophy of Popular Culture Series," David LaRocca brings together a number of prominent authors to discuss the genre as a way to consider how war films have impacted us. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 31 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:title>Films that feature war as a theme have been made almost since the beginning of the industry...</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Films that feature war as a theme have been made almost since the beginning of the industry. In The Philosophy of War Films (University Press of Kentucky, 2018), part of the "Philosophy of Popular Culture Series," David LaRocca brings together a number of prominent authors to discuss the genre as a way to consider how war films have impacted us. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Films that feature war as a theme have been made almost since the beginning of the industry. In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QiQCxwbv6HQn52fs2PC1gR8AAAFnwrvTIgEAAAFKAU5bxEU/https://www.amazon.com/dp/0813141680/?creativeASIN=0813141680&amp;linkCode=w61&amp;imprToken=FthjHLpJ-BqGdEBEifw7ow&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Philosophy of War Films</em></a> (University Press of Kentucky, 2018), part of the "Philosophy of Popular Culture Series," <a href="http://www.davidlarocca.org/David_LaRocca.org/David_LaRocca.html">David LaRocca</a> brings together a number of prominent authors to discuss the genre as a way to consider how war films have impacted us. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3578</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3d5800f0-0ac5-11e9-a1ea-7f106ce83e42]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6276365397.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christian B. Long, "The Imaginary Geography of Hollywood Cinema 1960-2000" (Intellect, 2017)</title>
      <description>While most every live-action film takes place in a specific location, the role of these places has not often been studied. In his new book The Imaginary Geography of Hollywood Cinema 1960-2000 (Intellect, 2017), Christian B. Long examines American films in the late 20th century to get a better understanding of locales to filmmaking. From Burt Reynolds’ use of the southern United States to the role of cities and suburbs, he shows why location can often add to the understanding of a movie.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 28 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>While most every live-action film takes place in a specific location, the role of these places has not often been studied...</itunes:subtitle>
      <itunes:summary>While most every live-action film takes place in a specific location, the role of these places has not often been studied. In his new book The Imaginary Geography of Hollywood Cinema 1960-2000 (Intellect, 2017), Christian B. Long examines American films in the late 20th century to get a better understanding of locales to filmmaking. From Burt Reynolds’ use of the southern United States to the role of cities and suburbs, he shows why location can often add to the understanding of a movie.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While most every live-action film takes place in a specific location, the role of these places has not often been studied. In his new book <a href="https://www.amazon.com/dp/1783208295/?tag=newbooinhis-20"><em>The Imaginary Geography of Hollywood Cinema 1960-2000</em></a> (Intellect, 2017), <a href="https://communication-arts.uq.edu.au/profile/1474/christian-long">Christian B. Long</a> examines American films in the late 20th century to get a better understanding of locales to filmmaking. From Burt Reynolds’ use of the southern United States to the role of cities and suburbs, he shows why location can often add to the understanding of a movie.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3939</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[68fbe05a-052a-11e9-b6c0-cb501e07eb54]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6741862308.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katherine K. Preston, "Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America" (Oxford UP, 2017)</title>
      <description>Katherine Preston’s new book, Opera for the People: English-Language Opera &amp; Women Managers in Late 19th-Century America (Oxford University Press, 2017) is the first complete overview of the repertoire, companies, performers, and managers that provided English-language opera to Americans after the Civil War. Preston is one of the pioneers of the musicological study of American musical culture during the nineteenth century. In one of her earlier books, Opera on the Road: Traveling Opera Troupes in the United States, 1825–60 (University of Illinois Press, 1993), Preston established that opera was one of the most popular forms of entertainment in the United States. In Opera for the People, Preston focuses on English-language opera companies that traveled throughout the United States during the second half of the nineteenth century bringing European operas and operettas performed in English translation to big cities and small towns alike. She argues that the middle-class audience cultivated by English-language troupes eventually turned their attention to musical theater beginning around 1900. Many of the troupes Preston examines were managed by their leading prima donnas, which complicates the traditional view of nineteenth-century American women as confined to the private sphere. Despite wielding significant artistic and economic power, these women were accepted by their peers and the musical press. Bolstered by her stringent attention to detail and impressive primary research, Preston’s monograph finishes the account of the history of opera in America she began twenty-five years ago
Katherine K. Preston is the David N. and Margaret C. Bottoms Professor (emerita) at the College of William and Mary. She has published multiple books including Music for Hire: Professional Musicians in Washington, D.C. 1877-1900 and a scholarly edition of George Bristow’s Symphony No. 2, along with many articles in journals and collected editions. A past president of the Society for American Music, Preston has been active in promoting the study of American music throughout her career and has received fellowships from the National Endowment for the Humanities, the National Humanities Center, and the Fulbright Foundation. She will deliver the annual American Musicological Society lecture at the Library of Congress on April 16, 2019, which will be available on the Library’s website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Katherine Preston’s new book, Opera for the People: English-Language Opera &amp; Women Managers in Late 19th-Century America (Oxford University Press, 2017) is the first complete overview of the repertoire, companies, performers, and managers that provided English-language opera to Americans after the Civil War...</itunes:subtitle>
      <itunes:summary>Katherine Preston’s new book, Opera for the People: English-Language Opera &amp; Women Managers in Late 19th-Century America (Oxford University Press, 2017) is the first complete overview of the repertoire, companies, performers, and managers that provided English-language opera to Americans after the Civil War. Preston is one of the pioneers of the musicological study of American musical culture during the nineteenth century. In one of her earlier books, Opera on the Road: Traveling Opera Troupes in the United States, 1825–60 (University of Illinois Press, 1993), Preston established that opera was one of the most popular forms of entertainment in the United States. In Opera for the People, Preston focuses on English-language opera companies that traveled throughout the United States during the second half of the nineteenth century bringing European operas and operettas performed in English translation to big cities and small towns alike. She argues that the middle-class audience cultivated by English-language troupes eventually turned their attention to musical theater beginning around 1900. Many of the troupes Preston examines were managed by their leading prima donnas, which complicates the traditional view of nineteenth-century American women as confined to the private sphere. Despite wielding significant artistic and economic power, these women were accepted by their peers and the musical press. Bolstered by her stringent attention to detail and impressive primary research, Preston’s monograph finishes the account of the history of opera in America she began twenty-five years ago
Katherine K. Preston is the David N. and Margaret C. Bottoms Professor (emerita) at the College of William and Mary. She has published multiple books including Music for Hire: Professional Musicians in Washington, D.C. 1877-1900 and a scholarly edition of George Bristow’s Symphony No. 2, along with many articles in journals and collected editions. A past president of the Society for American Music, Preston has been active in promoting the study of American music throughout her career and has received fellowships from the National Endowment for the Humanities, the National Humanities Center, and the Fulbright Foundation. She will deliver the annual American Musicological Society lecture at the Library of Congress on April 16, 2019, which will be available on the Library’s website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Katherine Preston’s new book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QgovSuui_mnSNGUzTSqmK5UAAAFnp1xZlgEAAAFKAZTJYK4/https://www.amazon.com/dp/0199371652/?creativeASIN=0199371652&amp;linkCode=w61&amp;imprToken=Q9o80ykZ4H2cIV5whXhdYA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Opera for the People: English-Language Opera &amp; Women Managers in Late 19th-Century America</em></a> (Oxford University Press, 2017) is the first complete overview of the repertoire, companies, performers, and managers that provided English-language opera to Americans after the Civil War. Preston is one of the pioneers of the musicological study of American musical culture during the nineteenth century. In one of her earlier books, <em>Opera on the Road: Traveling Opera Troupes in the United States, 1825–60 </em>(University of Illinois Press, 1993), Preston established that opera was one of the most popular forms of entertainment in the United States. In <em>Opera for the People, </em>Preston focuses on English-language opera companies that traveled throughout the United States during the second half of the nineteenth century bringing European operas and operettas performed in English translation to big cities and small towns alike. She argues that the middle-class audience cultivated by English-language troupes eventually turned their attention to musical theater beginning around 1900. Many of the troupes Preston examines were managed by their leading prima donnas, which complicates the traditional view of nineteenth-century American women as confined to the private sphere. Despite wielding significant artistic and economic power, these women were accepted by their peers and the musical press. Bolstered by her stringent attention to detail and impressive primary research, Preston’s monograph finishes the account of the history of opera in America she began twenty-five years ago</p><p><a href="https://www.wm.edu/as/music/directory/preston_k.php">Katherine K. Preston</a> is the David N. and Margaret C. Bottoms Professor (emerita) at the College of William and Mary. She has published multiple books including <em>Music for Hire: Professional Musicians in Washington, D.C. 1877-1900 </em>and a scholarly edition of George Bristow’s Symphony No. 2, along with many articles in journals and collected editions. A past president of the Society for American Music, Preston has been active in promoting the study of American music throughout her career and has received fellowships from the National Endowment for the Humanities, the National Humanities Center, and the Fulbright Foundation. She will deliver the annual <a href="https://www.loc.gov/concerts/lecture-opera.html">American Musicological Society lecture</a> at the Library of Congress on April 16, 2019, which will be available on the Library’s website.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3753</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[222fbcce-01ff-11e9-b18c-b7ccc01d8ec2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7424135309.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Margot Finn, "Discriminating Taste: How Class Anxiety Created the American Food Revolution" (Rutgers UP, 2017)</title>
      <description>You eat what you are and are what you eat, right? There is an increasing number of Americans who pay great attention to the food they eat, buy organic vegetables, drink fine wines, and seek out exotic cuisine. The affordability of food across the class spectrum have become more accessible. The masses, however, still lack other forms of capital (social, cultural, and culinary) necessary to fully understand and enjoy the delights of its consumption. Further, people also seek to differentiate themselves from being labeled as an unrefined eater (e.g., the common person who lives on junk food), the food snob, a gourmet, and possibly even a foodie.
In her new book Discriminating Taste: How Class Anxiety Created the American Food Revolution (Rutgers University Press, 2017), Dr. Margot Finn argues that the rise of gourmet, ethnic, diet, and organic foods must be understood in tandem with the economy. She offers an illuminating historical perspective on current trends in the production and consumption of food. Finn also presents a parallel with the Guilded Age as a time of class division and when gourmet dinners, international cuisines, slimming diets, and pure foods became fads.
Throughout her research, Finn identifies the key ways that “good food” has become conflated with high-brow culture. She considers how class serves as a false form for social stratification in culinary consumption. Finn particularly focuses on how taste hierarchies provide a false consciousness for middle-class professionals who tend to fetishize cultural commodities. The author provides a provocative exploration into the ideology of contemporary food culture. This piece teaches us to challenge the maxim that humans are what they eat.
Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:title>You eat what you are and are what you eat, right?</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>You eat what you are and are what you eat, right? There is an increasing number of Americans who pay great attention to the food they eat, buy organic vegetables, drink fine wines, and seek out exotic cuisine. The affordability of food across the class spectrum have become more accessible. The masses, however, still lack other forms of capital (social, cultural, and culinary) necessary to fully understand and enjoy the delights of its consumption. Further, people also seek to differentiate themselves from being labeled as an unrefined eater (e.g., the common person who lives on junk food), the food snob, a gourmet, and possibly even a foodie.
In her new book Discriminating Taste: How Class Anxiety Created the American Food Revolution (Rutgers University Press, 2017), Dr. Margot Finn argues that the rise of gourmet, ethnic, diet, and organic foods must be understood in tandem with the economy. She offers an illuminating historical perspective on current trends in the production and consumption of food. Finn also presents a parallel with the Guilded Age as a time of class division and when gourmet dinners, international cuisines, slimming diets, and pure foods became fads.
Throughout her research, Finn identifies the key ways that “good food” has become conflated with high-brow culture. She considers how class serves as a false form for social stratification in culinary consumption. Finn particularly focuses on how taste hierarchies provide a false consciousness for middle-class professionals who tend to fetishize cultural commodities. The author provides a provocative exploration into the ideology of contemporary food culture. This piece teaches us to challenge the maxim that humans are what they eat.
Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>You eat what you are and are what you eat, right? There is an increasing number of Americans who pay great attention to the food they eat, buy organic vegetables, drink fine wines, and seek out exotic cuisine. The affordability of food across the class spectrum have become more accessible. The masses, however, still lack other forms of capital (social, cultural, and culinary) necessary to fully understand and enjoy the delights of its consumption. Further, people also seek to differentiate themselves from being labeled as an unrefined eater (e.g., the common person who lives on junk food), the food snob, a gourmet, and possibly even a foodie.</p><p>In her new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qj2cTQHVIXHcWiYMUKADzBwAAAFnbrma-gEAAAFKAeUMNG8/https://www.amazon.com/dp/0813576857/ref=as_at?creativeASIN=0813576857&amp;linkCode=w61&amp;imprToken=sg1hGahUdjmD.XerBMAjwg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Discriminating Taste: How Class Anxiety Created the American Food Revolution</em></a> (Rutgers University Press, 2017), <a href="https://www.linkedin.com/in/smargot/">Dr. Margot Finn</a> argues that the rise of gourmet, ethnic, diet, and organic foods must be understood in tandem with the economy. She offers an illuminating historical perspective on current trends in the production and consumption of food. Finn also presents a parallel with the Guilded Age as a time of class division and when gourmet dinners, international cuisines, slimming diets, and pure foods became fads.</p><p>Throughout her research, Finn identifies the key ways that “good food” has become conflated with high-brow culture. She considers how class serves as a false form for social stratification in culinary consumption. Finn particularly focuses on how taste hierarchies provide a false consciousness for middle-class professionals who tend to fetishize cultural commodities. The author provides a provocative exploration into the ideology of contemporary food culture. This piece teaches us to challenge the maxim that humans are what they eat.</p><p><em>Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3196</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6977f15e-01fb-11e9-a1e3-cf43ed678c66]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5135476103.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Victoria Cann, "Girls Like This, Boys Like That: Understanding the (Re)Production of Gender in Contemporary Youth Cultures" (I.B.Tauris, 2018)</title>
      <description>How does cultural taste regulate our lives? In Girls Like This, Boys Like That: Understanding the (Re)Production of Gender in Contemporary Youth Cultures (I.B. Tauris, 2018), Dr. Victoria Cann, a lecturer in humanities at the University of East Anglia, explores the regulatory role of taste in the reproduction of gender. The book draws on detailed fieldwork with schools in Norfolk, England, using a range of methods including digital approaches to understand young people's experiences of taste and gender. The rich and detailed narratives of the young people are placed into dialogue with broader social and media theories, with crucial contributions to how we understand youth, gender, and taste. By showing how particular forms of cultural consumption and knowledge are valued, how others are given subordinate status, and the difficulty of transgressing boundaries, the book will be of interest to both social science and humanities readers, as well as anyone interested in the role of culture in contemporary society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 18 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does cultural taste regulate our lives?</itunes:subtitle>
      <itunes:summary>How does cultural taste regulate our lives? In Girls Like This, Boys Like That: Understanding the (Re)Production of Gender in Contemporary Youth Cultures (I.B. Tauris, 2018), Dr. Victoria Cann, a lecturer in humanities at the University of East Anglia, explores the regulatory role of taste in the reproduction of gender. The book draws on detailed fieldwork with schools in Norfolk, England, using a range of methods including digital approaches to understand young people's experiences of taste and gender. The rich and detailed narratives of the young people are placed into dialogue with broader social and media theories, with crucial contributions to how we understand youth, gender, and taste. By showing how particular forms of cultural consumption and knowledge are valued, how others are given subordinate status, and the difficulty of transgressing boundaries, the book will be of interest to both social science and humanities readers, as well as anyone interested in the role of culture in contemporary society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does cultural taste regulate our lives? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qu21dZdHqbd6MGwHoGJ4F9wAAAFnopN-UQEAAAFKAU1jkls/https://www.amazon.com/dp/1784535648/?creativeASIN=1784535648&amp;linkCode=w61&amp;imprToken=4zjf31GAJcPGiXzDPpMy7g&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Girls Like This, Boys Like That: Understanding the (Re)Production of Gender in Contemporary Youth Cultures </em></a>(I.B. Tauris, 2018), <a href="https://twitter.com/_canndo">Dr. Victoria Cann</a>, a lecturer in <a href="https://people.uea.ac.uk/en/persons/v-cann">humanities at the University of East Anglia</a>, explores the regulatory role of taste in the reproduction of gender. The book draws on detailed fieldwork with schools in Norfolk, England, using a range of methods including digital approaches to understand young people's experiences of taste and gender. The rich and detailed narratives of the young people are placed into dialogue with broader social and media theories, with crucial contributions to how we understand youth, gender, and taste. By showing how particular forms of cultural consumption and knowledge are valued, how others are given subordinate status, and the difficulty of transgressing boundaries, the book will be of interest to both social science and humanities readers, as well as anyone interested in the role of culture in contemporary society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2468</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5a5b1d54-01f1-11e9-a1de-67cc106d8bfb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2908041660.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tison Pugh, "The Queer Fantasies of the American Family Sitcom" (Rutgers UP, 2018)</title>
      <description>Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy. But Tison Pugh writes that the sitcom’s historic dogmatic insistence on an earnest innocence was doomed to fail, and that the weight of this strain reveals itself under close scrutiny. In The Queer Fantasies of the American Family Sitcom (Rutgers University Press, 2018), Pugh looks at six beloved sitcoms throughout television history in a way you have probably never viewed them before.
“Sexuality and queerness can never be banished from family sitcoms but instead percolate throughout various story lines that attempt to quell their disruptive force," Pugh writes. “In brief, queerness as a critical concept fractures cultural constructions of gendered and erotic normativity, dismantling rigid binary codes of licit and illicit desires and identities. Queer refers to contested sexual and gender identities but extends further to include identities that challenge regimes of normativity. More so, queerness exposes how deeply heteronormative narrative frameworks, such as that of the family sitcom, are structurally incapable of suturing over their aporias and contradictions, such that their surface normativity cannot withstand the steady erosion of their symptomatic queerness.”
Pugh is a professor of English at the University of Central Florida, and the author or co-author of several books on sexuality and literature, including Precious Perversions: Humor, Homosexuality, and the Southern Literary Canon (Louisiana State University Press, 2016).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 18 Dec 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy...</itunes:subtitle>
      <itunes:summary>Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy. But Tison Pugh writes that the sitcom’s historic dogmatic insistence on an earnest innocence was doomed to fail, and that the weight of this strain reveals itself under close scrutiny. In The Queer Fantasies of the American Family Sitcom (Rutgers University Press, 2018), Pugh looks at six beloved sitcoms throughout television history in a way you have probably never viewed them before.
“Sexuality and queerness can never be banished from family sitcoms but instead percolate throughout various story lines that attempt to quell their disruptive force," Pugh writes. “In brief, queerness as a critical concept fractures cultural constructions of gendered and erotic normativity, dismantling rigid binary codes of licit and illicit desires and identities. Queer refers to contested sexual and gender identities but extends further to include identities that challenge regimes of normativity. More so, queerness exposes how deeply heteronormative narrative frameworks, such as that of the family sitcom, are structurally incapable of suturing over their aporias and contradictions, such that their surface normativity cannot withstand the steady erosion of their symptomatic queerness.”
Pugh is a professor of English at the University of Central Florida, and the author or co-author of several books on sexuality and literature, including Precious Perversions: Humor, Homosexuality, and the Southern Literary Canon (Louisiana State University Press, 2016).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy. But <a href="http://english.cah.ucf.edu/staff.php?id=187">Tison Pugh</a> writes that the sitcom’s historic dogmatic insistence on an earnest innocence was doomed to fail, and that the weight of this strain reveals itself under close scrutiny. In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QniZM_W6fXoaAGRWi6bdPLEAAAFnmibwCwEAAAFKAaB7bRQ/https://www.amazon.com/dp/0813591716/?creativeASIN=0813591716&amp;linkCode=w61&amp;imprToken=yNwNUAxcW0-YqGg2He4xWA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Queer Fantasies of the American Family Sitcom</em></a> (Rutgers University Press, 2018), Pugh looks at six beloved sitcoms throughout television history in a way you have probably never viewed them before.</p><p>“Sexuality and queerness can never be banished from family sitcoms but instead percolate throughout various story lines that attempt to quell their disruptive force," Pugh writes. “In brief, queerness as a critical concept fractures cultural constructions of gendered and erotic normativity, dismantling rigid binary codes of licit and illicit desires and identities. Queer refers to contested sexual and gender identities but extends further to include identities that challenge regimes of normativity. More so, queerness exposes how deeply heteronormative narrative frameworks, such as that of the family sitcom, are structurally incapable of suturing over their aporias and contradictions, such that their surface normativity cannot withstand the steady erosion of their symptomatic queerness.”</p><p>Pugh is a professor of English at the University of Central Florida, and the author or co-author of several books on sexuality and literature, including <em>Precious Perversions: Humor, Homosexuality, and the Southern Literary Canon</em> (Louisiana State University Press, 2016).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3404</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7c581eba-01f2-11e9-b5a9-d3227dfb5e84]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3960429402.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patrick B. Mullen, "Right to the Juke Joint: A Personal History of American Music" (U Illinois Press, 2018)</title>
      <description>On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best."
Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 14 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music (University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir."</itunes:subtitle>
      <itunes:summary>On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best."
Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On its back cover, <a href="https://cfs.osu.edu/people/mullen-4">Patrick B. Mullen</a>’s Right to the <a href="https://aax-us-east.amazon-adsystem.com/x/c/QuWPGlaZURSkmhcbJ5Jv03QAAAFnlMtc4gEAAAFKAQYZoXE/https://www.amazon.com/dp/0252083288/?creativeASIN=0252083288&amp;linkCode=w61&amp;imprToken=4BqkfcNmb6oLTXTc8lXCdQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Juke Joint: A Personal History of American Music</em></a>(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best."</p><p><em>Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3223</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[87205a10-fbf8-11e8-bebd-7f4fee02dca8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9935718896.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Sarah Banet-Weiser, "Empowered: Popular Feminism and Popular Misogyny" (Duke UP, 2018)</title>
      <description>What is the relationship between popular misogyny and popular feminism? In Empowered: Popular Feminism and Popular Misogyny(Duke University Press, 2018), Sarah Banet-Weiser, Professor of Media and Communications and Head of Department at the LSE's Department of Media and Communications, explores these two interrelated ideas in order to analyse a range of examples including the body positivity movement, confidence, #gamergate, seduction communities, and women in tech. These examples, along with extensive discussion of media examples including advertising, and a theorisation of the 'economy of visibility', demonstrate the important work of popular feminism, its limits, and the misogynist backlash aimed at arresting feminism's progress. The book engages and explains our current politics, with important lessons for both sides of the Atlantic, as well as a media analysis with global implications. As a result the book is an important read across the social sciences, politics, and beyond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 10 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the relationship between popular misogyny and popular feminism?</itunes:subtitle>
      <itunes:summary>What is the relationship between popular misogyny and popular feminism? In Empowered: Popular Feminism and Popular Misogyny(Duke University Press, 2018), Sarah Banet-Weiser, Professor of Media and Communications and Head of Department at the LSE's Department of Media and Communications, explores these two interrelated ideas in order to analyse a range of examples including the body positivity movement, confidence, #gamergate, seduction communities, and women in tech. These examples, along with extensive discussion of media examples including advertising, and a theorisation of the 'economy of visibility', demonstrate the important work of popular feminism, its limits, and the misogynist backlash aimed at arresting feminism's progress. The book engages and explains our current politics, with important lessons for both sides of the Atlantic, as well as a media analysis with global implications. As a result the book is an important read across the social sciences, politics, and beyond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the relationship between popular misogyny and popular feminism? In <a href="https://www.dukeupress.edu/empowered"><em>Empowered: Popular Feminism and Popular Misogyny</em></a>(Duke University Press, 2018), <a href="https://twitter.com/sbanetweiser">Sarah Banet-Weiser</a>, Professor of Media and Communications and Head of Department at the LSE's Department of Media and Communications, explores these two interrelated ideas in order to analyse a range of examples including the body positivity movement, confidence, #gamergate, seduction communities, and women in tech. These examples, along with extensive discussion of media examples including advertising, and a theorisation of the 'economy of visibility', demonstrate the important work of popular feminism, its limits, and the misogynist backlash aimed at arresting feminism's progress. The book engages and explains our current politics, with important lessons for both sides of the Atlantic, as well as a media analysis with global implications. As a result the book is an important read across the social sciences, politics, and beyond.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2435</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[16a89472-fa50-11e8-83da-fba493b0645f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6873906092.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)</title>
      <description>McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!
 Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
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      <pubDate>Thu, 06 Dec 2018 13:04:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention...</itunes:subtitle>
      <itunes:summary>McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!
 Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/McKenzie_Wark">McKenzie Wark</a>’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvE0-zOplJN8ReY79aduX1wAAAFnajN8CQEAAAFKAfKc31U/https://www.amazon.com/dp/1786631903/ref=as_at?creativeASIN=1786631903&amp;linkCode=w61&amp;imprToken=zbjqVnRPdMcgHhrCGI3XPg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>General Intellects: Twenty-One Thinkers for the Twenty-First Century </em></a>(Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!</p><p> <em>Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work </em><a href="https://carlanappi.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3841</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a42c8696-f95b-11e8-a159-9758f80265b7]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2651628282.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julian Meyrick, Robert Phiddian and Tully Barnett, "What Matters?: Talking Value in Australian Culture" (Monash UP, 2018)</title>
      <description>How should we value culture? In What Matters? Talking Value in Australian Culture (Monash University Press, 2018), Professors Julian Meyrick, Robert Phiddian and Tully Barnett, from Flinders University's Laboratory Adelaide: The Value of Culture project, explore the troublesome question at the core of much contemporary cultural policy. The book charts the struggles over cultural data collection, both in the Australian setting and with implications for many more global debates. It draws on a wealth of examples from across humanities and literature, as well as cultural events. Setting out the importance of narratives, critiquing both the rise of digital platforms and the reductiveness of economic approaches, the book offers a radical alternative for those seeking to defend the value of culture in contemporary politics and society.
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      <pubDate>Thu, 06 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we value culture?</itunes:subtitle>
      <itunes:summary>How should we value culture? In What Matters? Talking Value in Australian Culture (Monash University Press, 2018), Professors Julian Meyrick, Robert Phiddian and Tully Barnett, from Flinders University's Laboratory Adelaide: The Value of Culture project, explore the troublesome question at the core of much contemporary cultural policy. The book charts the struggles over cultural data collection, both in the Australian setting and with implications for many more global debates. It draws on a wealth of examples from across humanities and literature, as well as cultural events. Setting out the importance of narratives, critiquing both the rise of digital platforms and the reductiveness of economic approaches, the book offers a radical alternative for those seeking to defend the value of culture in contemporary politics and society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we value culture? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QkneyyhsPaB3OnyDQbar_DIAAAFnahgnwwEAAAFKAbE3jSs/https://www.amazon.com/dp/1925523802/ref=as_at?creativeASIN=1925523802&amp;linkCode=w61&amp;imprToken=ChVIaTm2aT6-MrS98YzvJQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>What Matters? Talking Value</em> <em>in Australian Culture</em></a> (Monash University Press, 2018), Professors <a href="https://www.flinders.edu.au/people/julian.meyrick">Julian Meyrick</a>, <a href="https://www.flinders.edu.au/people/robert.phiddian">Robert Phiddian</a> and <a href="https://www.flinders.edu.au/people/tully.barnett#">Tully Barnett</a>, from Flinders University's <a href="http://blogs.flinders.edu.au/laboratory-adelaide/">Laboratory Adelaide: The Value of Culture</a> project, explore the troublesome question at the core of much contemporary cultural policy. The book charts the struggles over cultural data collection, both in the Australian setting and with implications for many more global debates. It draws on a wealth of examples from across humanities and literature, as well as cultural events. Setting out the importance of narratives, critiquing both the rise of digital platforms and the reductiveness of economic approaches, the book offers a radical alternative for those seeking to defend the value of culture in contemporary politics and society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2060</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[12758cd0-f8c9-11e8-b573-abd74ec04edd]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9106655176.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John C. Hajduk, "Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960" (Lexington Books, 2018)</title>
      <description>In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960(Lexington Books, 2018), John C. Hajduk examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk’s focus is on “gatekeepers” such as record executives and musician’s union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another.
Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take Music Wars through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and roll on the radio, as a means of self-preservation against increasing state interest in popular music’s potentially “disturbing” influence on the young.
Music Wars is an affecting account of a fascinating period—one with which most of us can identify. We live in a culture imbued not just with rock and roll, but with the history of rock and roll, and John Hajduk’s new book gives us a window into that reality.
Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>456</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960 (Lexington Books, 2018)...</itunes:subtitle>
      <itunes:summary>In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960(Lexington Books, 2018), John C. Hajduk examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk’s focus is on “gatekeepers” such as record executives and musician’s union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another.
Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take Music Wars through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and roll on the radio, as a means of self-preservation against increasing state interest in popular music’s potentially “disturbing” influence on the young.
Music Wars is an affecting account of a fascinating period—one with which most of us can identify. We live in a culture imbued not just with rock and roll, but with the history of rock and roll, and John Hajduk’s new book gives us a window into that reality.
Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhbmH4GXpeGgxIGmuoAW1loAAAFnFx7--wEAAAFKAVMebz4/https://www.amazon.com/dp/1498575870/ref=as_at?creativeASIN=1498575870&amp;linkCode=w61&amp;imprToken=TdymHtT.VIIlDZ-jharuog&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960</em></a>(Lexington Books, 2018), <a href="https://w.umwestern.edu/article/faculty-feature-john-hajduk/">John C. Hajduk</a> examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk’s focus is on “gatekeepers” such as record executives and musician’s union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another.</p><p>Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take <em>Music Wars</em> through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and roll on the radio, as a means of self-preservation against increasing state interest in popular music’s potentially “disturbing” influence on the young.</p><p><em>Music Wars</em> is an affecting account of a fascinating period—one with which most of us can identify. We live in a culture imbued not just with rock and roll, but with the history of rock and roll, and John Hajduk’s new book gives us a window into that reality.</p><p><em>Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.</p><p></em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3806</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[93acbf3a-f662-11e8-b41e-d37e45aa8d60]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5354670799.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Charles Sloane, "Is the Cemetery Dead?" (U Chicago Press, 2018)</title>
      <description>It is certain that we all will experience death in our life. What is less certain is how and where our bodies will be disposed of. In Is the Cemetery Dead? (University of Chicago Press, 2018), Dr. David Charles Sloane discussed how cemeteries have transformed across time and place. He also explores alternative methods to dispose of the human body and commemorate loved ones. Dr. Sloane explores the practices of cremation, aquamation, virtual cemeteries, memorial tattoos, roadside memorials, and even ghost bikes.
David Charles Sloane teaches courses in urban planning, policy, history, and community health planning at University of Southern California Price School of Public Policy. He facilitates Borthwick George Washington Lecture Series, a USC Price project in collaboration with the Fred W. Smith Library for the Study of George Washington at Mount Vernon. His research examines urban planning and public health, health disparities and community development, and public and private commemoration. He is also the author of The Last Great Necessity: Cemeteries in American History (1991), co-author of Medicine Moves to the Mall (2003), and editor of Planning Los Angeles (2012), as well as the author of several articles and book chapters on related topics.
Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 28 Nov 2018 12:50:34 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It is certain that we all will experience death in our life. What is less certain is how and where our bodies will be disposed of. In Is the Cemetery Dead? (University of Chicago Press, 2018), Dr. David Charles Sloane discussed how cemeteries have transformed across time and place. He also explores alternative methods to dispose of the human body and commemorate loved ones. Dr. Sloane explores the practices of cremation, aquamation, virtual cemeteries, memorial tattoos, roadside memorials, and even ghost bikes.
David Charles Sloane teaches courses in urban planning, policy, history, and community health planning at University of Southern California Price School of Public Policy. He facilitates Borthwick George Washington Lecture Series, a USC Price project in collaboration with the Fred W. Smith Library for the Study of George Washington at Mount Vernon. His research examines urban planning and public health, health disparities and community development, and public and private commemoration. He is also the author of The Last Great Necessity: Cemeteries in American History (1991), co-author of Medicine Moves to the Mall (2003), and editor of Planning Los Angeles (2012), as well as the author of several articles and book chapters on related topics.
Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is certain that we all will experience death in our life. What is less certain is how and where our bodies will be disposed of. In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qo42s4qxNJ6kjnVwDTYkRCYAAAFnNs5drwEAAAFKAVeZFw8/https://www.amazon.com/dp/022653944X/ref=as_at?creativeASIN=022653944X&amp;linkCode=w61&amp;imprToken=GcKxpAeuIkzulFN77kycfw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Is the Cemetery Dead?</em></a> (University of Chicago Press, 2018), Dr. David Charles Sloane discussed how cemeteries have transformed across time and place. He also explores alternative methods to dispose of the human body and commemorate loved ones. Dr. Sloane explores the practices of cremation, aquamation, virtual cemeteries, memorial tattoos, roadside memorials, and even ghost bikes.</p><p><a href="https://priceschool.usc.edu/people/david-sloane/">David Charles Sloane</a> teaches courses in urban planning, policy, history, and community health planning at University of Southern California Price School of Public Policy. He facilitates Borthwick George Washington Lecture Series, a USC Price project in collaboration with the Fred W. Smith Library for the Study of George Washington at Mount Vernon. His research examines urban planning and public health, health disparities and community development, and public and private commemoration. He is also the author of <em>The Last Great Necessity: Cemeteries in American History</em> (1991), co-author of <em>Medicine Moves to the Mall</em> (2003), and editor of <em>Planning Los Angeles</em> (2012), as well as the author of several articles and book chapters on related topics.</p><p><a href="https://www.wmpenn.edu/person/michael-o-johnston-ph-d/"><em>Michael O. Johnston</em></a><em> is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2607</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[65915916-f30c-11e8-bc77-c33d744f7bad]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8397144815.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jack David Eller, “Inventing American Tradition: From the Mayflower to Cinco de Mayo” (Reaktion Books, 2018)</title>
      <description>Americans gathering for Thanksgiving this week may assume they are continuing an unbroken chain of tradition that traces directly back to Massachusetts settlers in 1620. In fact, many of our most cherished Thanksgiving traditions are far more recent, and some are at odds with the historical record. When you examine various American traditions through the eyes of a historian and a cultural anthropologist, the gap between myth and fact can be vast. But that gap is instructive in revealing what Americans believe about ourselves. This is what Jack David Eller contends in Inventing American Tradition: From the Mayflower to Cinco de Mayo (Reaktion Books, 2018).

Eller is a retired professor of Anthropology at the Community College of Denver. His many books include Cultural Anthropology: Global Forces, Local Lives (Routledge, 3rd edition, 2016), and Culture and Diversity in the United States: So Many Ways to Be American (Routledge, 2015).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Nov 2018 11:00:44 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Americans gathering for Thanksgiving this week may assume they are continuing an unbroken chain of tradition that traces directly back to Massachusetts settlers in 1620. In fact, many of our most cherished Thanksgiving traditions are far more recent,</itunes:subtitle>
      <itunes:summary>Americans gathering for Thanksgiving this week may assume they are continuing an unbroken chain of tradition that traces directly back to Massachusetts settlers in 1620. In fact, many of our most cherished Thanksgiving traditions are far more recent, and some are at odds with the historical record. When you examine various American traditions through the eyes of a historian and a cultural anthropologist, the gap between myth and fact can be vast. But that gap is instructive in revealing what Americans believe about ourselves. This is what Jack David Eller contends in Inventing American Tradition: From the Mayflower to Cinco de Mayo (Reaktion Books, 2018).

Eller is a retired professor of Anthropology at the Community College of Denver. His many books include Cultural Anthropology: Global Forces, Local Lives (Routledge, 3rd edition, 2016), and Culture and Diversity in the United States: So Many Ways to Be American (Routledge, 2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Americans gathering for Thanksgiving this week may assume they are continuing an unbroken chain of tradition that traces directly back to Massachusetts settlers in 1620. In fact, many of our most cherished Thanksgiving traditions are far more recent, and some are at odds with the historical record. When you examine various American traditions through the eyes of a historian and a cultural anthropologist, the gap between myth and fact can be vast. But that gap is instructive in revealing what Americans believe about ourselves. This is what <a href="https://unco.academia.edu/JackEller">Jack David Eller</a> contends in <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qmf9sGkqizAqJ16bH5b684MAAAFnHStldQEAAAFKAXP9SnQ/https://www.amazon.com/dp/1780239866/ref=as_at?creativeASIN=1780239866&amp;linkCode=w61&amp;imprToken=Vfe3Umr1g2wqxgxWnAzZSA&amp;slotNum=0&amp;tag=newbooinhis-20">Inventing American Tradition: From the Mayflower to Cinco de Mayo</a> (Reaktion Books, 2018).</p><p>
Eller is a retired professor of Anthropology at the Community College of Denver. His many books include Cultural Anthropology: Global Forces, Local Lives (Routledge, 3rd edition, 2016), and Culture and Diversity in the United States: So Many Ways to Be American (Routledge, 2015).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2839</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79500]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3617591115.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Alicia Malone, “The Female Gaze:  Essential Movies Made by Women” (Mango Publishing Group, 2018)</title>
      <description>Today we will be talking to Alicia Malone, the author of The Female Gaze: Essential Movies Made by Women (Mango Publishing Group, 2018). Malone is a film critic and host on Turner Classic Films who has compiled a list of 52 films directed by women, from the early days of Hollywood to the present. Along with other guest critics, she discusses each movie to show how the female gaze is different from how men direct films.
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      <pubDate>Fri, 16 Nov 2018 11:00:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Today we will be talking to Alicia Malone, the author of The Female Gaze: Essential Movies Made by Women (Mango Publishing Group, 2018). Malone is a film critic and host on Turner Classic Films who has compiled a list of 52 films directed by women,</itunes:subtitle>
      <itunes:summary>Today we will be talking to Alicia Malone, the author of The Female Gaze: Essential Movies Made by Women (Mango Publishing Group, 2018). Malone is a film critic and host on Turner Classic Films who has compiled a list of 52 films directed by women, from the early days of Hollywood to the present. Along with other guest critics, she discusses each movie to show how the female gaze is different from how men direct films.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we will be talking to <a href="http://aliciamalone.com/">Alicia Malone</a>, the author of <a href="https://aax-us-east.amazon-adsystem.com/x/c/QviPsjBi-jFoShG0kGDgDkwAAAFnCfPAIQEAAAFKARzu4as/https://www.amazon.com/dp/1633538370/ref=as_at?creativeASIN=1633538370&amp;linkCode=w61&amp;imprToken=0XG6HT5TidjDOjDhbiQqaw&amp;slotNum=0&amp;tag=newbooinhis-20">The Female Gaze: Essential Movies Made by Women</a> (Mango Publishing Group, 2018). Malone is a film critic and host on Turner Classic Films who has compiled a list of 52 films directed by women, from the early days of Hollywood to the present. Along with other guest critics, she discusses each movie to show how the female gaze is different from how men direct films.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3685</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79417]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3697885024.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Horrocks, “The Joy of Sets: A Short History of the Television” (Reaktion Press, 2017)</title>
      <description>Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present than ever, thanks to screens on our walls and in our pockets. Chris Horrocks traces the cultural history of the television set in The Joy of Sets: A Short History of the Television (Reaktion Press, 2017). Horrocks is a filmmaker and professor in the School of Critical Studies and Creative Industries at Kingston University in London. His previous books include Cultures of Colour: Visual, Material, Textual (Berghahn, 2012), and Marshall McLuhan and Virtuality (Icon, 2000).
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      <pubDate>Thu, 08 Nov 2018 11:00:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present tha...</itunes:subtitle>
      <itunes:summary>Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present than ever, thanks to screens on our walls and in our pockets. Chris Horrocks traces the cultural history of the television set in The Joy of Sets: A Short History of the Television (Reaktion Press, 2017). Horrocks is a filmmaker and professor in the School of Critical Studies and Creative Industries at Kingston University in London. His previous books include Cultures of Colour: Visual, Material, Textual (Berghahn, 2012), and Marshall McLuhan and Virtuality (Icon, 2000).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present than ever, thanks to screens on our walls and in our pockets. <a href="https://www.kingston.ac.uk/staff/profile/dr-chris-horrocks-570/">Chris Horrocks</a> traces the cultural history of the television set in <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qpx4i-eFUp-Epzj2cBjJVQkAAAFm6W3vGwEAAAFKAeWo6As/https://www.amazon.com/dp/1780237588/ref=as_at?creativeASIN=1780237588&amp;linkCode=w61&amp;imprToken=E40VVgSRcK0FWqx2S4xNzg&amp;slotNum=0&amp;tag=newbooinhis-20">The Joy of Sets: A Short History of the Television</a> (Reaktion Press, 2017). Horrocks is a filmmaker and professor in the School of Critical Studies and Creative Industries at Kingston University in London. His previous books include Cultures of Colour: Visual, Material, Textual (Berghahn, 2012), and Marshall McLuhan and Virtuality (Icon, 2000).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79200]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8289653401.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cairns Craig, “The Wealth of the Nation: Scotland, Culture and Independence” (Edinburgh UP, 2018)</title>
      <description>Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 08 Nov 2018 11:00:12 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award,</itunes:subtitle>
      <itunes:summary>Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.abdn.ac.uk/sll/people/profiles/cairns.craig">Professor Cairns Craig</a>’s new book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QpVKjRsF9Ya1WCY57-MgO58AAAFm6YI8RwEAAAFKATyvWtw/https://www.amazon.com/dp/1474435580/ref=as_at?creativeASIN=1474435580&amp;linkCode=w61&amp;imprToken=I1OwPA-Pvw.d60EtrGUo4w&amp;slotNum=0&amp;tag=newbooinhis-20">The Wealth of the Nation: Scotland, Culture and Independence</a> (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4142</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79206]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2726380558.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>R. C. Romano and C. B. Potter, “Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past” (Rutgers UP,</title>
      <description>Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton. The show has taken Broadway and much of the United States by storm and is currently running on the West End in London as well. The popular interest in Alexander Hamilton prompted by the show’s success has generated new museum exhibits, numerous hot takes in the media, and even a successful effort to preserve Hamilton’s likeness on the ten dollar bill. The essays in this collection take on some of the questions and issues raised by the musical and its popularity. Some of the authors comment on the ways that Miranda’s interpretation of American history diverges from many historians’ understandings, while others take him to task for his portrayals of women and slavery. Miranda’s decision to cast non-white actors in most of the roles also comes under scrutiny in several essays. Aimed at a wide audience, including teachers, scholars, and fans the essays provide a diverse, sometimes contradictory, set of views on Hamilton, as well as suggestions for teaching the musical. It is not often that we see a new collective memory of the past form in real time, but that is what is happening because of the success Hamilton. This collection is one of the first attempts at analyzing the musical as a piece of art, an interpretation of America’s founders, and a phenomenal commercial success in the online age.

Renee C. Romano is the Robert S. Danforth Professor of History at Oberlin College in Ohio. She is the author or coeditor of many books and articles on racial politics of the post-WWII United States, African American history, civil rights, and historical memory. Her most recent book is Racial Reckoning: Prosecuting America’s Civil Rights Murders from Harvard University Press.

Claire Bond Potter is a professor history at the New School in New York and the executive editor of Public Seminar. In addition to her monograph, War on Crime: Bandits, G-Men and the Politics of Mass Culture, and scholarly articles, she is a prolific public historian whose writing has been published by many news outlets including The Guardian, the Washington Post. She is also the Director of the Digital Humanities Initiatives at the New School.



Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 07 Nov 2018 11:00:18 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton.</itunes:subtitle>
      <itunes:summary>Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton. The show has taken Broadway and much of the United States by storm and is currently running on the West End in London as well. The popular interest in Alexander Hamilton prompted by the show’s success has generated new museum exhibits, numerous hot takes in the media, and even a successful effort to preserve Hamilton’s likeness on the ten dollar bill. The essays in this collection take on some of the questions and issues raised by the musical and its popularity. Some of the authors comment on the ways that Miranda’s interpretation of American history diverges from many historians’ understandings, while others take him to task for his portrayals of women and slavery. Miranda’s decision to cast non-white actors in most of the roles also comes under scrutiny in several essays. Aimed at a wide audience, including teachers, scholars, and fans the essays provide a diverse, sometimes contradictory, set of views on Hamilton, as well as suggestions for teaching the musical. It is not often that we see a new collective memory of the past form in real time, but that is what is happening because of the success Hamilton. This collection is one of the first attempts at analyzing the musical as a piece of art, an interpretation of America’s founders, and a phenomenal commercial success in the online age.

Renee C. Romano is the Robert S. Danforth Professor of History at Oberlin College in Ohio. She is the author or coeditor of many books and articles on racial politics of the post-WWII United States, African American history, civil rights, and historical memory. Her most recent book is Racial Reckoning: Prosecuting America’s Civil Rights Murders from Harvard University Press.

Claire Bond Potter is a professor history at the New School in New York and the executive editor of Public Seminar. In addition to her monograph, War on Crime: Bandits, G-Men and the Politics of Mass Culture, and scholarly articles, she is a prolific public historian whose writing has been published by many news outlets including The Guardian, the Washington Post. She is also the Director of the Digital Humanities Initiatives at the New School.



Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://aax-us-east.amazon-adsystem.com/x/c/Qgj7uQo8XsjFvHgkBuCQSm4AAAFm5MyN2wEAAAFKAZ71gKg/https://www.amazon.com/dp/0813590302/ref=as_at?creativeASIN=0813590302&amp;linkCode=w61&amp;imprToken=IVtnSol0wbrYdnzcOgysXQ&amp;slotNum=0&amp;tag=newbooinhis-20">Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past</a> (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton. The show has taken Broadway and much of the United States by storm and is currently running on the West End in London as well. The popular interest in Alexander Hamilton prompted by the show’s success has generated new museum exhibits, numerous hot takes in the media, and even a successful effort to preserve Hamilton’s likeness on the ten dollar bill. The essays in this collection take on some of the questions and issues raised by the musical and its popularity. Some of the authors comment on the ways that Miranda’s interpretation of American history diverges from many historians’ understandings, while others take him to task for his portrayals of women and slavery. Miranda’s decision to cast non-white actors in most of the roles also comes under scrutiny in several essays. Aimed at a wide audience, including teachers, scholars, and fans the essays provide a diverse, sometimes contradictory, set of views on Hamilton, as well as suggestions for teaching the musical. It is not often that we see a new collective memory of the past form in real time, but that is what is happening because of the success Hamilton. This collection is one of the first attempts at analyzing the musical as a piece of art, an interpretation of America’s founders, and a phenomenal commercial success in the online age.</p><p>
<a href="https://www.oberlin.edu/renee-romano">Renee C. Romano</a> is the Robert S. Danforth Professor of History at Oberlin College in Ohio. She is the author or coeditor of many books and articles on racial politics of the post-WWII United States, African American history, civil rights, and historical memory. Her most recent book is Racial Reckoning: Prosecuting America’s Civil Rights Murders from Harvard University Press.</p><p>
<a href="https://www.newschool.edu/public-engagement/faculty-list/?id=4d7a-6732-4d7a-6734">Claire Bond Potter</a> is a professor history at the New School in New York and the executive editor of Public Seminar. In addition to her monograph, War on Crime: Bandits, G-Men and the Politics of Mass Culture<a href="https://www.rutgersuniversitypress.org/war-on-crime/9780813524870">,</a> and scholarly articles, she is a prolific public historian whose writing has been published by many news outlets including The Guardian, the Washington Post. She is also the Director of the Digital Humanities Initiatives at the New School.</p><p>
</p><p>
<a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/">Kristen M. Turner</a>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3995</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79169]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1654612618.mp3" length="0" type="audio/mpeg"/>
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      <title>Raymond Boyle, “The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways” (Palgrave, 2018)</title>
      <description>What are the hidden structures of the television industry? In The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (Palgrave, 2018), Raymond Boyle, a professor of communications at the University of Glasgow‘s Centre for Cultural Policy Research, explores this question by focusing on the idea of talent. The book offers a rich theoretical and empirical engagement with the contemporary television landscape, giving detailed analysis of the history of talent development, as well as the impact of digital and new platforms. The shifting landscape of talent, television, and the infrastructure of cultural intermediaries is illustrated with key case studies, ultimately showing how the winners and losers of the talent industry map onto existing inequalities. The book is essential reading for anyone interested in contemporary media.
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      <pubDate>Tue, 06 Nov 2018 11:00:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What are the hidden structures of the television industry? In The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (Palgrave, 2018), Raymond Boyle, a professor of communications at the University of Glasgow‘s Centre for Cul...</itunes:subtitle>
      <itunes:summary>What are the hidden structures of the television industry? In The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (Palgrave, 2018), Raymond Boyle, a professor of communications at the University of Glasgow‘s Centre for Cultural Policy Research, explores this question by focusing on the idea of talent. The book offers a rich theoretical and empirical engagement with the contemporary television landscape, giving detailed analysis of the history of talent development, as well as the impact of digital and new platforms. The shifting landscape of talent, television, and the infrastructure of cultural intermediaries is illustrated with key case studies, ultimately showing how the winners and losers of the talent industry map onto existing inequalities. The book is essential reading for anyone interested in contemporary media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the hidden structures of the television industry? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Quqg786baBUi_trDR9i5GrsAAAFm4GICMgEAAAFKAcydosc/https://www.amazon.com/dp/3319943782/ref=as_at?creativeASIN=3319943782&amp;linkCode=w61&amp;imprToken=gBpHNd-Yn4-mutOwpvZGeg&amp;slotNum=0&amp;tag=newbooinhis-20">The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways </a>(Palgrave, 2018), <a href="https://twitter.com/raymondboyle67">Raymond Boyle</a>, <a href="https://www.gla.ac.uk/schools/cca/staff/raymondboyle/#/researchinterests">a professor of communications at the University of Glasgow</a>‘s Centre for Cultural Policy Research, explores this question by focusing on the idea of talent. The book offers a rich theoretical and empirical engagement with the contemporary television landscape, giving detailed analysis of the history of talent development, as well as the impact of digital and new platforms. The shifting landscape of talent, television, and the infrastructure of cultural intermediaries is illustrated with key case studies, ultimately showing how the winners and losers of the talent industry map onto existing inequalities. The book is essential reading for anyone interested in contemporary media.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2426</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79120]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2795749705.mp3" length="0" type="audio/mpeg"/>
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      <title>Zachary Lechner, “The South of the Mind: American Imaginings of White Southernness, 1960–1980” (U Georgia Press, 2018)</title>
      <description>When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime.

Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960 to 1980. Lechner examines different forms of cultural production to see how the South was being understood at different moments. That understanding was in turn shaped by a desire to use elements of southern culture to overcome social and cultural problems in the United States. Shows like Andy Griffith showed a traditional southern way of life that was able to work past the problems of consumerist modernity, movies like Walking Tall showed men using violence to restore order and to end crime, and the musical counterculture found both musical technique and personal style to mine in country music and the South. This culminated in the election of Jimmy Carter in 1976, whose persona was built in part on having insight into overcoming the racial and social strife that had plagued the rest of the country.



Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 31 Oct 2018 10:00:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive,</itunes:subtitle>
      <itunes:summary>When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime.

Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960 to 1980. Lechner examines different forms of cultural production to see how the South was being understood at different moments. That understanding was in turn shaped by a desire to use elements of southern culture to overcome social and cultural problems in the United States. Shows like Andy Griffith showed a traditional southern way of life that was able to work past the problems of consumerist modernity, movies like Walking Tall showed men using violence to restore order and to end crime, and the musical counterculture found both musical technique and personal style to mine in country music and the South. This culminated in the election of Jimmy Carter in 1976, whose persona was built in part on having insight into overcoming the racial and social strife that had plagued the rest of the country.



Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime.</p><p>
<a href="https://twitter.com/ZacharyLechner">Zachary Lechner</a>’s <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhV1BLrZPp-r8ZHNXK3ceFcAAAFmvI3zRAEAAAFKAYXbK1g/https://www.amazon.com/dp/0820353906/ref=as_at?creativeASIN=0820353906&amp;linkCode=w61&amp;imprToken=DpfiK2j9l0fkR2yqiC5-tg&amp;slotNum=0&amp;tag=newbooinhis-20">The South of the Mind: American Imaginings of White Southernness, 1960–1980 </a>(University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960 to 1980. Lechner examines different forms of cultural production to see how the South was being understood at different moments. That understanding was in turn shaped by a desire to use elements of southern culture to overcome social and cultural problems in the United States. Shows like Andy Griffith showed a traditional southern way of life that was able to work past the problems of consumerist modernity, movies like Walking Tall showed men using violence to restore order and to end crime, and the musical counterculture found both musical technique and personal style to mine in country music and the South. This culminated in the election of Jimmy Carter in 1976, whose persona was built in part on having insight into overcoming the racial and social strife that had plagued the rest of the country.</p><p>
</p><p>
Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to <a href="mailto:zeb.larson@gmail.com">zeb.larson@gmail.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4612</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79018]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8819864228.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anthony Slide, “Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics” (UP of Mississippi, 2018)</title>
      <description>One of the major aspects of the popular film industry are the fans who want to collect material related to their favorite films, actors, and actresses. While this has become generally easier in the age of the Internet, there is a long history of people who literally spent their entire lives gathering things. In his new book Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics (University Press of Mississippi, 2018), Anthony Slide presents an overview of these collectors, as well as how the hobby began.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 30 Oct 2018 10:00:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>One of the major aspects of the popular film industry are the fans who want to collect material related to their favorite films, actors, and actresses. While this has become generally easier in the age of the Internet,</itunes:subtitle>
      <itunes:summary>One of the major aspects of the popular film industry are the fans who want to collect material related to their favorite films, actors, and actresses. While this has become generally easier in the age of the Internet, there is a long history of people who literally spent their entire lives gathering things. In his new book Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics (University Press of Mississippi, 2018), Anthony Slide presents an overview of these collectors, as well as how the hobby began.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the major aspects of the popular film industry are the fans who want to collect material related to their favorite films, actors, and actresses. While this has become generally easier in the age of the Internet, there is a long history of people who literally spent their entire lives gathering things. In his new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qq7jZoWqSxgSFKyBwLyykjYAAAFmtv6hIQEAAAFKAVpNEkY/https://www.amazon.com/dp/1496810538/ref=as_at?creativeASIN=1496810538&amp;linkCode=w61&amp;imprToken=QkKhV9XJd-o1.UKgP9RDYQ&amp;slotNum=0&amp;tag=newbooinhis-20">Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics</a> (University Press of Mississippi, 2018), <a href="http://www.anthonyslide.com/">Anthony Slide</a> presents an overview of these collectors, as well as how the hobby began.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2849</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78972]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2055592828.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James S. Bielo, “Ark Encounter: The Making of a Creationist Theme Park” (NYU Press, 2018)</title>
      <description>In his new book, Ark Encounter: The Making of a Creationist Theme Park (NYU Press, 2018), James Bielo, Assistant Professor of Anthropology at Miami University, goes behind the scenes at Grant County, Kentucky’s creationist theme park, which opened in July 2016. Entertainment has long been understood as important aspect of Christianity in the US, but the theme park, which includes a re-creation of Noah’s ark, provides a striking setting through which to ask questions such as how creationists present their beliefs to the broader public. Ark Encounter is, in part, a workplace ethnography, which describes the entwined conceptual and aesthetic work through which the park’s design team imagine how to most effectively and playfully communicate a controversial religious perspective.

Bielo’s findings are situated in discussion with other groundbreaking anthropological work on how categories such as ‘fundamentalist’ have been constructed over time, perhaps most notably Susan Harding’s scholarship. While the whole book is ethnographically rich and reflexive, an appendix describes in useful detail (for both readers and for those planning or currently engaged in their own research projects) the processes through which Bielo entered – and left – his fieldsite.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 24 Oct 2018 10:00:48 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book, Ark Encounter: The Making of a Creationist Theme Park (NYU Press, 2018), James Bielo, Assistant Professor of Anthropology at Miami University, goes behind the scenes at Grant County, Kentucky’s creationist theme park,</itunes:subtitle>
      <itunes:summary>In his new book, Ark Encounter: The Making of a Creationist Theme Park (NYU Press, 2018), James Bielo, Assistant Professor of Anthropology at Miami University, goes behind the scenes at Grant County, Kentucky’s creationist theme park, which opened in July 2016. Entertainment has long been understood as important aspect of Christianity in the US, but the theme park, which includes a re-creation of Noah’s ark, provides a striking setting through which to ask questions such as how creationists present their beliefs to the broader public. Ark Encounter is, in part, a workplace ethnography, which describes the entwined conceptual and aesthetic work through which the park’s design team imagine how to most effectively and playfully communicate a controversial religious perspective.

Bielo’s findings are situated in discussion with other groundbreaking anthropological work on how categories such as ‘fundamentalist’ have been constructed over time, perhaps most notably Susan Harding’s scholarship. While the whole book is ethnographically rich and reflexive, an appendix describes in useful detail (for both readers and for those planning or currently engaged in their own research projects) the processes through which Bielo entered – and left – his fieldsite.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QowQYBiP_tTdfYvfFWSwtEMAAAFmmCDnagEAAAFKAUQF1uI/https://www.amazon.com/dp/1479842796/ref=as_at?creativeASIN=1479842796&amp;linkCode=w61&amp;imprToken=TEanZLZBP7OgEr-gh6k2Ng&amp;slotNum=0&amp;tag=newbooinhis-20">Ark Encounter: The Making of a Creationist Theme Park </a>(NYU Press, 2018), <a href="https://miamioh.edu/cas/academics/departments/anthropology/about/faculty-staff/bielo/index.html">James Bielo</a>, Assistant Professor of Anthropology at Miami University, goes behind the scenes at Grant County, Kentucky’s creationist theme park, which opened in July 2016. Entertainment has long been understood as important aspect of Christianity in the US, but the theme park, which includes a re-creation of Noah’s ark, provides a striking setting through which to ask questions such as how creationists present their beliefs to the broader public. Ark Encounter is, in part, a workplace ethnography, which describes the entwined conceptual and aesthetic work through which the park’s design team imagine how to most effectively and playfully communicate a controversial religious perspective.</p><p>
Bielo’s findings are situated in discussion with other groundbreaking anthropological work on how categories such as ‘fundamentalist’ have been constructed over time, perhaps most notably Susan Harding’s scholarship. While the whole book is ethnographically rich and reflexive, an appendix describes in useful detail (for both readers and for those planning or currently engaged in their own research projects) the processes through which Bielo entered – and left – his fieldsite.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4860</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78822]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3165541468.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa Terras, “Picture-Book Professors: Academia and Children’s Literature” (Cambridge UP, 2018)</title>
      <description>How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to read, and will be of interest to every academic as well as the wider public too!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 23 Oct 2018 10:00:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh,</itunes:subtitle>
      <itunes:summary>How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to read, and will be of interest to every academic as well as the wider public too!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How have academics been represented in children’s books? In<a href="https://aax-us-east.amazon-adsystem.com/x/c/Qq1VpFtZzUquPNLgeTf2m0gAAAFml6W-WgEAAAFKARPGmSM/https://www.amazon.com/dp/1108438458/ref=as_at?creativeASIN=1108438458&amp;linkCode=w61&amp;imprToken=ep9.SlqPECgTYx4iyfbQgw&amp;slotNum=0&amp;tag=newbooinhis-20"> Picture-Book Professors: Academia and Children’s Literature </a>(Cambridge University Press, 2018), <a href="https://twitter.com/melissaterras">Melissa Terras</a>, <a href="https://www.ed.ac.uk/profile/professor-melissa-terras">Professor of Digital Cultural Heritage at the University of Edinburgh</a>, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to read, and will be of interest to every academic as well as the wider public too!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1935</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78769]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5187467815.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathryn Fuller-Seeley, “Jack Benny and the Golden Age of American Radio Comedy” (U California Press, 2017)</title>
      <description>Jack Benny was one of the first crossover stars in broadcast comedy, rising from the vaudeville circuit to star in radio, film, and television. Kathryn Fuller-Seeley chronicles Benny’s career in her book, Jack Benny and the Golden Age of American Radio Comedy (University of California Press, 2017). The book recently received a Special Jury Prize from the Theatre Library Association.

Kathryn Fuller-Seeley is Professor of Communication at the University of Texas at Austin. She is also the author of various books on film history, including At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture (Smithsonian Institution Press, 1996).






















Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 19 Oct 2018 10:00:12 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jack Benny was one of the first crossover stars in broadcast comedy, rising from the vaudeville circuit to star in radio, film, and television. Kathryn Fuller-Seeley chronicles Benny’s career in her book, Jack Benny and the Golden Age of American Radio...</itunes:subtitle>
      <itunes:summary>Jack Benny was one of the first crossover stars in broadcast comedy, rising from the vaudeville circuit to star in radio, film, and television. Kathryn Fuller-Seeley chronicles Benny’s career in her book, Jack Benny and the Golden Age of American Radio Comedy (University of California Press, 2017). The book recently received a Special Jury Prize from the Theatre Library Association.

Kathryn Fuller-Seeley is Professor of Communication at the University of Texas at Austin. She is also the author of various books on film history, including At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture (Smithsonian Institution Press, 1996).






















Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>
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Jack Benny was one of the first crossover stars in broadcast comedy, rising from the vaudeville circuit to star in radio, film, and television. Kathryn Fuller-Seeley chronicles Benny’s career in her book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QgfqlVVcn2H_LIOxjjoj5rEAAAFmeESFTAEAAAFKAZUTAaY/https://www.amazon.com/dp/0520295056/ref=as_at?creativeASIN=0520295056&amp;linkCode=w61&amp;imprToken=q5DkuZhyitYeWT.4NXd53Q&amp;slotNum=0&amp;tag=newbooinhis-20">Jack Benny and the Golden Age of American Radio Comedy</a> (University of California Press, 2017). The book recently received a Special Jury Prize from the Theatre Library Association.</p><p>
<a href="https://rtf.utexas.edu/faculty/kathryn-fuller-seeley">Kathryn Fuller-Seeley</a> is Professor of Communication at the University of Texas at Austin. She is also the author of various books on film history, including At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture (Smithsonian Institution Press, 1996).</p><p>
</p><p>
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</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4012</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78722]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6622715824.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeffrey Kahan, “Shakespeare and Superheroes” (ARC Humanities Press, 2018)</title>
      <description>What do Shakespeare and superheroes have in common? A penchant for lycra and capes? A flair for the dramatic? Well, according to Shakespeare scholar, English Professor and comic-book fan Jeffrey Kahan, the connection between Batman and the Bard runs much deeper. In his new book, Shakespeare and Superheroes (ARC Humanities Press, 2018), Kahan argues that Shakespeare’s work and the popular superhero comics of the past century are actually engaged in a meaningful dialogue with each other. Rather than simply exploring the influence of Shakespearean drama on the superhero genre or analysing the many comic-book adaptations of Shakespeare’s plays, Kahan instead tackles the much more profound question of how these diverse canons engage with broader philosophical and cultural issues. In doing so, he draws highly original parallels between their respective ethical and epistemological stances. Over the course of three chapters, Kahan dissects the shared approach to issues of morality and free will evidenced in Hamlet and CW’s Arrow, analyses the figure of Wonder Woman through the lens of Shakespearean crossdressing, and explores the existential meta-humour of Othello’s Iago and Marvel’s Deadpool. Refusing to adhere to conventional academic hierarchies, Shakespeare and Superheroes provides new insights and fresh perspectives that will appeal equally to scholars of Early Modern literature and twentieth-century popular culture.

In a truly fascinating interview, Kahan discusses the thematic parallels between popular comic books and Shakespeare’s plays, the benefits of reading distinct literary works intertextually, and the role of academia in the current political climate.

Kahan encourages acts of heroism in daily life on his FB page BE SUPER!



Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 18 Oct 2018 10:00:22 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do Shakespeare and superheroes have in common? A penchant for lycra and capes? A flair for the dramatic? Well, according to Shakespeare scholar, English Professor and comic-book fan Jeffrey Kahan, the connection between Batman and the Bard runs mu...</itunes:subtitle>
      <itunes:summary>What do Shakespeare and superheroes have in common? A penchant for lycra and capes? A flair for the dramatic? Well, according to Shakespeare scholar, English Professor and comic-book fan Jeffrey Kahan, the connection between Batman and the Bard runs much deeper. In his new book, Shakespeare and Superheroes (ARC Humanities Press, 2018), Kahan argues that Shakespeare’s work and the popular superhero comics of the past century are actually engaged in a meaningful dialogue with each other. Rather than simply exploring the influence of Shakespearean drama on the superhero genre or analysing the many comic-book adaptations of Shakespeare’s plays, Kahan instead tackles the much more profound question of how these diverse canons engage with broader philosophical and cultural issues. In doing so, he draws highly original parallels between their respective ethical and epistemological stances. Over the course of three chapters, Kahan dissects the shared approach to issues of morality and free will evidenced in Hamlet and CW’s Arrow, analyses the figure of Wonder Woman through the lens of Shakespearean crossdressing, and explores the existential meta-humour of Othello’s Iago and Marvel’s Deadpool. Refusing to adhere to conventional academic hierarchies, Shakespeare and Superheroes provides new insights and fresh perspectives that will appeal equally to scholars of Early Modern literature and twentieth-century popular culture.

In a truly fascinating interview, Kahan discusses the thematic parallels between popular comic books and Shakespeare’s plays, the benefits of reading distinct literary works intertextually, and the role of academia in the current political climate.

Kahan encourages acts of heroism in daily life on his FB page BE SUPER!



Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do Shakespeare and superheroes have in common? A penchant for lycra and capes? A flair for the dramatic? Well, according to Shakespeare scholar, English Professor and comic-book fan <a href="https://www.amazon.com/Books-Jeffrey-Kahan/s?ie=UTF8&amp;page=1&amp;rh=n%3A283155%2Cp_27%3AJeffrey%20Kahan">Jeffrey Kahan</a>, the connection between Batman and the Bard runs much deeper. In his new book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QlniXMhtung8qxCqWFwP26EAAAFmdGww0wEAAAFKARnUCCo/https://www.amazon.com/dp/1942401779/ref=as_at?creativeASIN=1942401779&amp;linkCode=w61&amp;imprToken=0nisQTPwml0Hcgeqare.Gw&amp;slotNum=0&amp;tag=newbooinhis-20">Shakespeare and Superheroes</a> (ARC Humanities Press, 2018), Kahan argues that Shakespeare’s work and the popular superhero comics of the past century are actually engaged in a meaningful dialogue with each other. Rather than simply exploring the influence of Shakespearean drama on the superhero genre or analysing the many comic-book adaptations of Shakespeare’s plays, Kahan instead tackles the much more profound question of how these diverse canons engage with broader philosophical and cultural issues. In doing so, he draws highly original parallels between their respective ethical and epistemological stances. Over the course of three chapters, Kahan dissects the shared approach to issues of morality and free will evidenced in Hamlet and CW’s Arrow, analyses the figure of Wonder Woman through the lens of Shakespearean crossdressing, and explores the existential meta-humour of Othello’s Iago and Marvel’s Deadpool. Refusing to adhere to conventional academic hierarchies, Shakespeare and Superheroes provides new insights and fresh perspectives that will appeal equally to scholars of Early Modern literature and twentieth-century popular culture.</p><p>
In a truly fascinating interview, Kahan discusses the <a href="https://www.facebook.com/groups/besuper/">thematic parallels</a> between popular comic books and Shakespeare’s plays, the benefits of reading distinct literary works intertextually, and the role of academia in the current political climate.</p><p>
Kahan encourages acts of heroism in daily life on his FB page <a href="https://www.facebook.com/groups/besuper/">BE SUPER!</a></p><p>
</p><p>
Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture <a href="https://amiddleagedwitch.wordpress.com/">HERE</a> and can also be found on <a href="https://twitter.com/middleagedwitch">Twitter.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3896</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78687]]></guid>
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    <item>
      <title>Robert Fink, Melinda Latour, and Zachary Wallmark, “The Relentless Pursuit of Tone: Timbre in Popular Music” (Oxford UP, 2018)</title>
      <description>In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with music examples, videos, and images can be accessed here.



Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Oct 2018 10:00:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music.</itunes:subtitle>
      <itunes:summary>In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with music examples, videos, and images can be accessed here.



Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Relentless-Pursuit-Tone-Timbre-Popular/dp/0199985235">The Relentless Pursuit of Tone: Timbre in Popular Music</a> (Oxford University Press, 2018), editors <a href="https://ucla.academia.edu/RobertFink">Robert Fink</a>, <a href="https://as.tufts.edu/music/people/faculty/latour">Melinda Latour</a>, and <a href="https://www.smu.edu/Meadows/AreasOfStudy/Music/Faculty/WallmarkZachary">Zachary Wallmark</a> curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with music examples, videos, and images can be accessed <a href="http://global.oup.com/us/companion.websites/9780190663186/res/">here</a>.</p><p>
</p><p>
<a href="https://engl.utoledo.edu/english/?page_id=2486">Kimberly Mack</a> holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4535</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78548]]></guid>
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      <title>Tim Jelfs, “The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism” (West Virginia UP, 2018)</title>
      <description>In The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism (West Virginia University Press, 2018), Tim Jelfs argues that debates about the nature of stuff—its moral valence, its spiritual value, and its status as either “goods” or “garbage”—have been at the heart of American cultural discourse for centuries, and reached a particularly fevered pitch in the 1980s. Bookended by Jimmy Carter’s “Crisis of Confidence” speech in 1979 and George H. W. Bush’s 1989 inaugural address, both of which lamented the apparent spiritual failings of materialism while at the same time avoiding a full condemnation of the same, Jelfs frames the 1980s as the “Age of Neoliberalism.” This period saw the resurgence of market-based responses to a series of crises, including oil price shocks and inflation. In this context, Jelfs examines texts as wide-ranging as political speeches, films, photography and other visual arts, and novels, using them to explore the particular nuances of American cultural discourse about stuff.

Tim Jelfs is Assistant Professor in American Studies at the University of Groningen. His research focuses on interdisciplinary studies of literature, film, art, and more, with particular interest in discussions of materialism in post-1945 American culture. In addition to his current book on “Goods and Garbage,” his next project examines conversations about crisis and narrative culture in the United States from 9/11 to Donald Trump.



David Fouser is an adjunct faculty member at Santa Monica College, Chapman University, and American Jewish University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Oct 2018 10:00:03 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism (West Virginia University Press, 2018), Tim Jelfs argues that debates about the nature of stuff—its moral valence, its spiritual value,</itunes:subtitle>
      <itunes:summary>In The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism (West Virginia University Press, 2018), Tim Jelfs argues that debates about the nature of stuff—its moral valence, its spiritual value, and its status as either “goods” or “garbage”—have been at the heart of American cultural discourse for centuries, and reached a particularly fevered pitch in the 1980s. Bookended by Jimmy Carter’s “Crisis of Confidence” speech in 1979 and George H. W. Bush’s 1989 inaugural address, both of which lamented the apparent spiritual failings of materialism while at the same time avoiding a full condemnation of the same, Jelfs frames the 1980s as the “Age of Neoliberalism.” This period saw the resurgence of market-based responses to a series of crises, including oil price shocks and inflation. In this context, Jelfs examines texts as wide-ranging as political speeches, films, photography and other visual arts, and novels, using them to explore the particular nuances of American cultural discourse about stuff.

Tim Jelfs is Assistant Professor in American Studies at the University of Groningen. His research focuses on interdisciplinary studies of literature, film, art, and more, with particular interest in discussions of materialism in post-1945 American culture. In addition to his current book on “Goods and Garbage,” his next project examines conversations about crisis and narrative culture in the United States from 9/11 to Donald Trump.



David Fouser is an adjunct faculty member at Santa Monica College, Chapman University, and American Jewish University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qgg2dQhuCo10qiLI03CpP04AAAFmYxovBQEAAAFKAUUdchE/https://www.amazon.com/dp/1946684244/ref=as_at?creativeASIN=1946684244&amp;linkCode=w61&amp;imprToken=qcSbXJPtk3IwXigb20yNUQ&amp;slotNum=0&amp;tag=newbooinhis-20">The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism</a> (West Virginia University Press, 2018), Tim Jelfs argues that debates about the nature of stuff—its moral valence, its spiritual value, and its status as either “goods” or “garbage”—have been at the heart of American cultural discourse for centuries, and reached a particularly fevered pitch in the 1980s. Bookended by Jimmy Carter’s “Crisis of Confidence” speech in 1979 and George H. W. Bush’s 1989 inaugural address, both of which lamented the apparent spiritual failings of materialism while at the same time avoiding a full condemnation of the same, Jelfs frames the 1980s as the “Age of Neoliberalism.” This period saw the resurgence of market-based responses to a series of crises, including oil price shocks and inflation. In this context, Jelfs examines texts as wide-ranging as political speeches, films, photography and other visual arts, and novels, using them to explore the particular nuances of American cultural discourse about stuff.</p><p>
<a href="https://www.rug.nl/staff/t.jelfs/">Tim Jelfs</a> is Assistant Professor in American Studies at the University of Groningen. His research focuses on interdisciplinary studies of literature, film, art, and more, with particular interest in discussions of materialism in post-1945 American culture. In addition to his current book on “Goods and Garbage,” his next project examines conversations about crisis and narrative culture in the United States from 9/11 to Donald Trump.</p><p>
</p><p>
David Fouser is an adjunct faculty member at Santa Monica College, Chapman University, and American Jewish University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3844</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78629]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8116251719.mp3" length="0" type="audio/mpeg"/>
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      <title>Deborah Jaramillo, “The Television Code: Regulating the Screen to Safeguard the Industry” (U Texas Press, 2018)</title>
      <description>If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen. But did you know that television had a code of its own? Its story has never been told at length until now.

Deborah Jaramillo, Associate Professor of Film and Television at Boston University, is the author of a new book called The Television Code: Regulating the Screen to Safeguard the Industry (University of Texas Press, 2018). Jaramillo tells the story of a young television industry’s attempt to police itself on controversial questions about content, fending off pressure from government regulators and finicky viewers. Jaramillo explores whether the federal government could have played a stronger role at this formative time in the industry, and what the code did and didn’t accomplish in its three decades of existence.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 09 Oct 2018 10:00:01 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen.</itunes:subtitle>
      <itunes:summary>If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen. But did you know that television had a code of its own? Its story has never been told at length until now.

Deborah Jaramillo, Associate Professor of Film and Television at Boston University, is the author of a new book called The Television Code: Regulating the Screen to Safeguard the Industry (University of Texas Press, 2018). Jaramillo tells the story of a young television industry’s attempt to police itself on controversial questions about content, fending off pressure from government regulators and finicky viewers. Jaramillo explores whether the federal government could have played a stronger role at this formative time in the industry, and what the code did and didn’t accomplish in its three decades of existence.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen. But did you know that television had a code of its own? Its story has never been told at length until now.</p><p>
<a href="http://www.bu.edu/com/profile/deborah-l-jaramillo/">Deborah Jaramillo</a>, Associate Professor of Film and Television at Boston University, is the author of a new book called <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qi9LiJc6I8AbsUvW9d72GEIAAAFmRUSsvgEAAAFKAbYZ5I4/https://www.amazon.com/dp/1477317015/ref=as_at?creativeASIN=1477317015&amp;linkCode=w61&amp;imprToken=POEgMKtHy892c6sUO.2UCw&amp;slotNum=0&amp;tag=newbooinhis-20">The Television Code: Regulating the Screen to Safeguard the Industry</a> (University of Texas Press, 2018). Jaramillo tells the story of a young television industry’s attempt to police itself on controversial questions about content, fending off pressure from government regulators and finicky viewers. Jaramillo explores whether the federal government could have played a stronger role at this formative time in the industry, and what the code did and didn’t accomplish in its three decades of existence.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3096</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78461]]></guid>
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      <title>Jonathan Waterlow, “It’s Only a Joke, Comrade! Humour, Trust and Everyday Life Under Stalin (1928-1941)” (CreateSpace, 2018)</title>
      <description>Jonathan Waterlow’s new book It’s Only a Joke, Comrade! Humour, Trust and Everyday Life Under Stalin (1928-1941) (CreateSpace, 2018) delves into the previously understudied realm of humor in the Stalinist period, exploring how average citizens used humor to understand the contradictions of their daily reality and to relieve the stress caused by Stalinist policies. By looking at the way Soviet leaders such as Kirov and Stalin were mocked he notes how people subversively commented on policies that left them hungry and poorly clothed, joking for example that after Kirov’s murder they would dine upon his brains, or how Stalin rid himself of pubic crabs by announcing he would create a crab collective farm, causing them to flee.  Jokes also touched on policy issues such as five-year plans, repression and even the Molotov-Ribbentrop pact, showing how people thought about these issues and discussed them among their cohort. Additionally, jokes revealed the intersectionality of new Soviet and older value systems as people would use traditional frame work, such as heaven and hell, as backdrop for their jokes about the Soviet system, joking, for example, that Lenin was smuggled into heaven as Marx’s garbage. Furthermore, Waterlow looks at the social aspects of telling jokes, which could have dire consequences if told to the wrong person and how jokes helped create and reinforce trust circles, challenging old notions of atomization in the USSR. This witty, well written and very humanizing book is a must read.



Samantha Lomb is an Assistant Professor at Vyatka State University in Kirov, Russia. Her research focuses on daily life, local politics and political participation in the Stalinist 1930s. Her book, Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the Draft 1936 Constitution, is now available online. Her research can be viewed here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 04 Oct 2018 10:00:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jonathan Waterlow’s new book It’s Only a Joke, Comrade! Humour, Trust and Everyday Life Under Stalin (1928-1941) (CreateSpace, 2018) delves into the previously understudied realm of humor in the Stalinist period,</itunes:subtitle>
      <itunes:summary>Jonathan Waterlow’s new book It’s Only a Joke, Comrade! Humour, Trust and Everyday Life Under Stalin (1928-1941) (CreateSpace, 2018) delves into the previously understudied realm of humor in the Stalinist period, exploring how average citizens used humor to understand the contradictions of their daily reality and to relieve the stress caused by Stalinist policies. By looking at the way Soviet leaders such as Kirov and Stalin were mocked he notes how people subversively commented on policies that left them hungry and poorly clothed, joking for example that after Kirov’s murder they would dine upon his brains, or how Stalin rid himself of pubic crabs by announcing he would create a crab collective farm, causing them to flee.  Jokes also touched on policy issues such as five-year plans, repression and even the Molotov-Ribbentrop pact, showing how people thought about these issues and discussed them among their cohort. Additionally, jokes revealed the intersectionality of new Soviet and older value systems as people would use traditional frame work, such as heaven and hell, as backdrop for their jokes about the Soviet system, joking, for example, that Lenin was smuggled into heaven as Marx’s garbage. Furthermore, Waterlow looks at the social aspects of telling jokes, which could have dire consequences if told to the wrong person and how jokes helped create and reinforce trust circles, challenging old notions of atomization in the USSR. This witty, well written and very humanizing book is a must read.



Samantha Lomb is an Assistant Professor at Vyatka State University in Kirov, Russia. Her research focuses on daily life, local politics and political participation in the Stalinist 1930s. Her book, Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the Draft 1936 Constitution, is now available online. Her research can be viewed here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://twitter.com/JonWaterlow?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Jonathan Waterlow</a>’s new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qm4VSaCWWJ_3nC2dfSBwwRAAAAFmLAI6yAEAAAFKAQXWWoc/https://www.amazon.com/dp/1985635828/ref=as_at?creativeASIN=1985635828&amp;linkCode=w61&amp;imprToken=NN5-smKSACzd5U-bHvhYrg&amp;slotNum=0&amp;tag=newbooinhis-20">It’s Only a Joke, Comrade! Humour, Trust and Everyday Life Under Stalin (1928-1941)</a> (CreateSpace, 2018) delves into the previously understudied realm of humor in the Stalinist period, exploring how average citizens used humor to understand the contradictions of their daily reality and to relieve the stress caused by Stalinist policies. By looking at the way Soviet leaders such as Kirov and Stalin were mocked he notes how people subversively commented on policies that left them hungry and poorly clothed, joking for example that after Kirov’s murder they would dine upon his brains, or how Stalin rid himself of pubic crabs by announcing he would create a crab collective farm, causing them to flee.  Jokes also touched on policy issues such as five-year plans, repression and even the Molotov-Ribbentrop pact, showing how people thought about these issues and discussed them among their cohort. Additionally, jokes revealed the intersectionality of new Soviet and older value systems as people would use traditional frame work, such as heaven and hell, as backdrop for their jokes about the Soviet system, joking, for example, that Lenin was smuggled into heaven as Marx’s garbage. Furthermore, Waterlow looks at the social aspects of telling jokes, which could have dire consequences if told to the wrong person and how jokes helped create and reinforce trust circles, challenging old notions of atomization in the USSR. This witty, well written and very humanizing book is a must read.</p><p>
</p><p>
<a href="https://samanthalomb.weebly.com/">Samantha Lomb</a> is an Assistant Professor at Vyatka State University in Kirov, Russia. Her research focuses on daily life, local politics and political participation in the Stalinist 1930s. Her book, Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the Draft 1936 Constitution, is now available online. Her research can be viewed <a href="https://vgu.academia.edu/samlomb">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3814</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78343]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2727239587.mp3" length="0" type="audio/mpeg"/>
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      <title>Joel R. Pruce, “The Mass Appeal of Human Rights” (Palgrave Macmillan, 2019)</title>
      <description>How can human rights campaigns function in consumer and celebrity society? In The Mass Appeal of Human Rights (Palgrave Macmillan, 2019), Joel Pruce, assistant professor in political science at the University of Dayton, explores this question through the framework of the Frankfurt School’s critical theory. Rich with examples and detailed histories of the evolution of both human rights campaigns and celebrity and consumerist practices, the book challenges us to rethink contemporary political movements. Including critical discussions of Amnesty International, Save Darfur, Paris Hilton, Pussy Riot, and Live8, the book is essential reading for anyone concerned with how to change the world for the better, rather than just for the benefit of celebrity and consumer capitalism.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 03 Oct 2018 10:00:54 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can human rights campaigns function in consumer and celebrity society? In The Mass Appeal of Human Rights (Palgrave Macmillan, 2019), Joel Pruce, assistant professor in political science at the University of Dayton,</itunes:subtitle>
      <itunes:summary>How can human rights campaigns function in consumer and celebrity society? In The Mass Appeal of Human Rights (Palgrave Macmillan, 2019), Joel Pruce, assistant professor in political science at the University of Dayton, explores this question through the framework of the Frankfurt School’s critical theory. Rich with examples and detailed histories of the evolution of both human rights campaigns and celebrity and consumerist practices, the book challenges us to rethink contemporary political movements. Including critical discussions of Amnesty International, Save Darfur, Paris Hilton, Pussy Riot, and Live8, the book is essential reading for anyone concerned with how to change the world for the better, rather than just for the benefit of celebrity and consumer capitalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can human rights campaigns function in consumer and celebrity society? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QiLSRYBnWyJ6yCaic9p8g64AAAFmIHk19wEAAAFKAehDv1Q/https://www.amazon.com/dp/331992074X/ref=as_at?creativeASIN=331992074X&amp;linkCode=w61&amp;imprToken=2Zkl3McLYGf-3JDzUXN6Gw&amp;slotNum=0&amp;tag=newbooinhis-20">The Mass Appeal of Human Rights</a> (Palgrave Macmillan, 2019), <a href="https://udayton.edu/directory/artssciences/politicalscience/pruce_joel.php">Joel Pruce</a>, assistant professor in political science at the University of Dayton, explores this question through the framework of the Frankfurt School’s critical theory. Rich with examples and detailed histories of the evolution of both human rights campaigns and celebrity and consumerist practices, the book challenges us to rethink contemporary political movements. Including critical discussions of Amnesty International, Save Darfur, Paris Hilton, Pussy Riot, and Live8, the book is essential reading for anyone concerned with how to change the world for the better, rather than just for the benefit of celebrity and consumer capitalism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2317</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78252]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7188723076.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Lee Naish, “Riffs &amp; Meaning: Manic Street Preachers and Know Your Enemy” (Headpress, 2018)</title>
      <description>In Riffs &amp; Meaning: Manic Street Preachers and Know Your Enemy (Headpress, 2018), Stephen Lee Naish tells the story of Welsh rock band Manic Street Preachers’ 2001 album Know Your Enemy. The record’s engagement with diverse and unexpected musical influences, as well as its mixed reception by critics and fans alike, inspired Naish to uncover the ways in which the album’s subversion of expectations ultimately benefitted the work, allowing for a reconsideration if its impact. Riffs &amp; Meaning contains musical histories of the band, including their launch of Know Your Enemy at a concert in Havana, Cuba; track-by-track analyses of the studio version of Know Your Enemy, along with the B-sides; interviews with fans about their feelings towards the record; and a discussion of the ways in which this release informed the band’s future musical directions.



Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Sep 2018 10:00:26 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Riffs &amp; Meaning: Manic Street Preachers and Know Your Enemy (Headpress, 2018), Stephen Lee Naish tells the story of Welsh rock band Manic Street Preachers’ 2001 album Know Your Enemy. The record’s engagement with diverse and unexpected musical influ...</itunes:subtitle>
      <itunes:summary>In Riffs &amp; Meaning: Manic Street Preachers and Know Your Enemy (Headpress, 2018), Stephen Lee Naish tells the story of Welsh rock band Manic Street Preachers’ 2001 album Know Your Enemy. The record’s engagement with diverse and unexpected musical influences, as well as its mixed reception by critics and fans alike, inspired Naish to uncover the ways in which the album’s subversion of expectations ultimately benefitted the work, allowing for a reconsideration if its impact. Riffs &amp; Meaning contains musical histories of the band, including their launch of Know Your Enemy at a concert in Havana, Cuba; track-by-track analyses of the studio version of Know Your Enemy, along with the B-sides; interviews with fans about their feelings towards the record; and a discussion of the ways in which this release informed the band’s future musical directions.



Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QigngcLDGpUHzbHQok6k3roAAAFluO7XcwEAAAFKAVRrQ9g/https://www.amazon.com/dp/1909394564/ref=as_at?creativeASIN=1909394564&amp;linkCode=w61&amp;imprToken=3wyLfGWtgVbW7GZ7nE9dlg&amp;slotNum=0&amp;tag=newbooinhis-20">Riffs &amp; Meaning: Manic Street Preachers and Know Your Enemy</a> (Headpress, 2018), <a href="https://headpress.com/">Stephen Lee Naish </a>tells the story of Welsh rock band Manic Street Preachers’ 2001 album Know Your Enemy. The record’s engagement with diverse and unexpected musical influences, as well as its mixed reception by critics and fans alike, inspired Naish to uncover the ways in which the album’s subversion of expectations ultimately benefitted the work, allowing for a reconsideration if its impact. Riffs &amp; Meaning contains musical histories of the band, including their launch of Know Your Enemy at a concert in Havana, Cuba; track-by-track analyses of the studio version of Know Your Enemy, along with the B-sides; interviews with fans about their feelings towards the record; and a discussion of the ways in which this release informed the band’s future musical directions.</p><p>
</p><p>
<a href="https://engl.utoledo.edu/english/?page_id=2486">Kimberly Mack </a>holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3277</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77736]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2979757903.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tessa Fontaine, “The Electric Woman: A Memoir in Death-Defying Acts” (FSG, 2018)</title>
      <description>Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?”

The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more.

Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow.



Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 27 Aug 2018 10:00:11 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all,</itunes:subtitle>
      <itunes:summary>Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?”

The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more.

Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow.



Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?”</p><p>
The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer <a href="http://www.tessafontaine.com/home.html">Tessa Fontaine</a> learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qh0rW-Ab2L9RBQiMU34Y8v4AAAFlZrVh0AEAAAFKAe6AyRk/https://www.amazon.com/dp/0374158371/ref=as_at?creativeASIN=0374158371&amp;linkCode=w61&amp;imprToken=8UFHHYchjY1ddy4pHX2IOg&amp;slotNum=0&amp;tag=newbooinhis-20">The Electric Woman: A Memoir in Death-Defying Acts </a>(FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more.</p><p>
Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the <a href="https://worldofwondershow.weebly.com/">World of Wonders</a> sideshow.</p><p>
</p><p>
Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter <a href="https://twitter.com/zoebossiere?lang=en">@zoebossiere</a> or head to <a href="http://www.zoebossiere.com">zoebossiere.com</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2930</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77394]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8963006505.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Becky Aikman, “Off the Cliff: How the Making of ‘Thelma &amp; Louise’ Drove Hollywood to the Edge” (Penguin, 2018)</title>
      <description>In Off the Cliff: How the Making of ‘Thelma &amp; Louise’ Drove Hollywood to the Edge (Penguin, 2018), Becky Aikman explores the making of Thelma &amp; Louise, a 1991 film that challenged traditional Hollywood culture. The film cast two women as the stars, running from their lives and the law. An outlaw film that was a long shot, but became one of the most influential films of the past 30 years. Aikman tells the story of how Callie Khouri wrote a script that she worked to see come to the big screen. Off the Cliff goes behind the scenes, examining how Khouri’s script got to Ridley Scott, how they found one studio—Pathé—to back it, and how through a series of sometimes lucky and very fortunate events came together to create this lasting feminist film milestone. Aikman draws on interviews with the actors, writers, and filmmakers to tell the story of Thelma &amp; Louise. Aikman’s work is an in-depth exploration into every aspect of Thelma &amp; Louise, from getting the movie off the ground, actor auditions, discussions of the filming of a number of the key scenes, and initial audience reaction. Aikman’s work is a must read for not only fans of the movie, but readers interested in film history and American cinema.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 23 Aug 2018 10:00:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Off the Cliff: How the Making of ‘Thelma &amp; Louise’ Drove Hollywood to the Edge (Penguin, 2018), Becky Aikman explores the making of Thelma &amp; Louise, a 1991 film that challenged traditional Hollywood culture. The film cast two women as the stars,</itunes:subtitle>
      <itunes:summary>In Off the Cliff: How the Making of ‘Thelma &amp; Louise’ Drove Hollywood to the Edge (Penguin, 2018), Becky Aikman explores the making of Thelma &amp; Louise, a 1991 film that challenged traditional Hollywood culture. The film cast two women as the stars, running from their lives and the law. An outlaw film that was a long shot, but became one of the most influential films of the past 30 years. Aikman tells the story of how Callie Khouri wrote a script that she worked to see come to the big screen. Off the Cliff goes behind the scenes, examining how Khouri’s script got to Ridley Scott, how they found one studio—Pathé—to back it, and how through a series of sometimes lucky and very fortunate events came together to create this lasting feminist film milestone. Aikman draws on interviews with the actors, writers, and filmmakers to tell the story of Thelma &amp; Louise. Aikman’s work is an in-depth exploration into every aspect of Thelma &amp; Louise, from getting the movie off the ground, actor auditions, discussions of the filming of a number of the key scenes, and initial audience reaction. Aikman’s work is a must read for not only fans of the movie, but readers interested in film history and American cinema.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QjsGmFel699L99U94FB6IM4AAAFlTlnyNAEAAAFKAeopR8s/https://www.amazon.com/dp/1594206716/ref=as_at?creativeASIN=1594206716&amp;linkCode=w61&amp;imprToken=h7SBVUG9qPKX0Dkvpe4wVQ&amp;slotNum=0&amp;tag=newbooinhis-20">Off the Cliff: How the Making of ‘Thelma &amp; Louise’ Drove Hollywood to the Edge</a> (Penguin, 2018), <a href="http://www.beckyaikman.com/">Becky Aikman</a> explores the making of Thelma &amp; Louise, a 1991 film that challenged traditional Hollywood culture. The film cast two women as the stars, running from their lives and the law. An outlaw film that was a long shot, but became one of the most influential films of the past 30 years. Aikman tells the story of how Callie Khouri wrote a script that she worked to see come to the big screen. Off the Cliff goes behind the scenes, examining how Khouri’s script got to Ridley Scott, how they found one studio—Pathé—to back it, and how through a series of sometimes lucky and very fortunate events came together to create this lasting feminist film milestone. Aikman draws on interviews with the actors, writers, and filmmakers to tell the story of Thelma &amp; Louise. Aikman’s work is an in-depth exploration into every aspect of Thelma &amp; Louise, from getting the movie off the ground, actor auditions, discussions of the filming of a number of the key scenes, and initial audience reaction. Aikman’s work is a must read for not only fans of the movie, but readers interested in film history and American cinema.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3153</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77281]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8485792392.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James P. Leary, “Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946” (U Wisconsin Press, 2015)</title>
      <description>Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 (University of Wisconsin Press) first appeared in 2015 when it comprised of a hardback book, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk or World Music” award from the Association for Recorded Sound Collections, was nominated for a Grammy for “Best Album Notes,” received universally superlative reviews, and sold out within a year.  The project has now been re-issued as a paperback, albeit without any accompanying discs; instead the related tracks and film footage are now available for online access care of the University of Wisconsin-Madison Library.

It’s not hard to fathom why this monumental work received so much acclaim. A groundbreaking multimedia endeavor, Folksongs of Another America is the product of decades of work by the distinguished folklorist, James P. Leary.  Leary is, amongst other things, Professor Emeritus of Folklore and Scandinavian Studies and Cofounder of the Center for the Study of Upper Midwestern Cultures at the University of Wisconsin–Madison, a former editor of the Journal of American Folklore, and a native of rural Wisconsin, which is one of the three states – along with Michigan and Minnesota – whose rich musical bounty is explored in this study.

Leary sifted through over 2,000 field recordings, made by fieldworkers Sidney Robertson, Alan Lomax, and Helene Stratman-Thomas during the 1930s and 40s, to select the 187 tunes and songs that feature here. Together the chosen pieces create the impression of a region populated by immigrants from a host of different lands, as well as by Native Americans, all with their own musical traditions. For every track, Leary offers extensive documentation, information about the performers, and full lyrics (including in the original language with English translation as necessary which, given that the collection includes twenty-five languages, is often the case).  The recordings themselves, which have been wonderfully restored and remastered, provide vivid aural experiences.

Folksongs of Another America is, as noted by a reviewer for Deutschlandradio Kultur, “an exceptional achievement that demonstrates for the first time the full worth and cultural wealth of the Upper Midwest for music listeners.”



Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 22 Aug 2018 10:00:42 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 (University of Wisconsin Press) first appeared in 2015 when it comprised of a hardback book, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk...</itunes:subtitle>
      <itunes:summary>Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 (University of Wisconsin Press) first appeared in 2015 when it comprised of a hardback book, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk or World Music” award from the Association for Recorded Sound Collections, was nominated for a Grammy for “Best Album Notes,” received universally superlative reviews, and sold out within a year.  The project has now been re-issued as a paperback, albeit without any accompanying discs; instead the related tracks and film footage are now available for online access care of the University of Wisconsin-Madison Library.

It’s not hard to fathom why this monumental work received so much acclaim. A groundbreaking multimedia endeavor, Folksongs of Another America is the product of decades of work by the distinguished folklorist, James P. Leary.  Leary is, amongst other things, Professor Emeritus of Folklore and Scandinavian Studies and Cofounder of the Center for the Study of Upper Midwestern Cultures at the University of Wisconsin–Madison, a former editor of the Journal of American Folklore, and a native of rural Wisconsin, which is one of the three states – along with Michigan and Minnesota – whose rich musical bounty is explored in this study.

Leary sifted through over 2,000 field recordings, made by fieldworkers Sidney Robertson, Alan Lomax, and Helene Stratman-Thomas during the 1930s and 40s, to select the 187 tunes and songs that feature here. Together the chosen pieces create the impression of a region populated by immigrants from a host of different lands, as well as by Native Americans, all with their own musical traditions. For every track, Leary offers extensive documentation, information about the performers, and full lyrics (including in the original language with English translation as necessary which, given that the collection includes twenty-five languages, is often the case).  The recordings themselves, which have been wonderfully restored and remastered, provide vivid aural experiences.

Folksongs of Another America is, as noted by a reviewer for Deutschlandradio Kultur, “an exceptional achievement that demonstrates for the first time the full worth and cultural wealth of the Upper Midwest for music listeners.”



Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://uwpress.wisc.edu/books/5231.htm">Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946</a> (University of Wisconsin Press) first appeared in 2015 when it comprised of a <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvbO2Vec8yJbqi3BtEaeCvIAAAFlbERYZAEAAAFKAcVU3q0/https://www.amazon.com/dp/0299301540/ref=as_at?creativeASIN=0299301540&amp;linkCode=w61&amp;imprToken=hB5w0qQNcC3eYLQIIGq5mQ&amp;slotNum=0&amp;tag=newbooinhis-20">hardback book</a>, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk or World Music” award from the Association for Recorded Sound Collections, was nominated for a Grammy for “Best Album Notes,” received universally superlative reviews, and sold out within a year.  The project has now been re-issued as a paperback, albeit without any accompanying discs; instead the related tracks and film footage are now available for online access care of the <a href="https://uwdc.library.wisc.edu/collections/localcenters/fsoaa/">University of Wisconsin-Madison Library</a>.</p><p>
It’s not hard to fathom why this monumental work received so much acclaim. A groundbreaking multimedia endeavor, Folksongs of Another America is the product of decades of work by the distinguished folklorist, <a href="https://clfs.wisc.edu/people/faculty/jim-leary">James P. Leary</a>.  Leary is, amongst other things, Professor Emeritus of Folklore and Scandinavian Studies and Cofounder of the Center for the Study of Upper Midwestern Cultures at the University of Wisconsin–Madison, a former editor of the Journal of American Folklore, and a native of rural Wisconsin, which is one of the three states – along with Michigan and Minnesota – whose rich musical bounty is explored in this study.</p><p>
Leary sifted through over 2,000 field recordings, made by fieldworkers Sidney Robertson, Alan Lomax, and Helene Stratman-Thomas during the 1930s and 40s, to select the 187 tunes and songs that feature here. Together the chosen pieces create the impression of a region populated by immigrants from a host of different lands, as well as by Native Americans, all with their own musical traditions. For every track, Leary offers extensive documentation, information about the performers, and full lyrics (including in the original language with English translation as necessary which, given that the collection includes twenty-five languages, is often the case).  The recordings themselves, which have been wonderfully restored and remastered, provide vivid aural experiences.</p><p>
Folksongs of Another America is, as noted by a reviewer for Deutschlandradio Kultur, “an exceptional achievement that demonstrates for the first time the full worth and cultural wealth of the Upper Midwest for music listeners.”</p><p>
</p><p>
<a href="http://rachelhopkin.com/">Rachel Hopkin</a> is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3254</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=77228]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4810875433.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jo Weldon, “Fierce: The History of Leopard Print” (Harper Design, 2018)</title>
      <description>Leopard print has a long history, as Jo Weldon shares in her new book, Fierce: The History of Leopard Print (Harper Design, 2018). In her illustrated text, Weldon chronicles the history of leopard print, situating it throughout popular culture. Starting in the early 1900s, Weldon examines the mass production of textiles and changes in the fashion industry to bring about the use of prints, colors, and patterns giving women more opportunities to use daring styles. In addition to fashion, Weldon explores influential individuals who changed popular culture with their choices in couture. Weldon’s book combines historical information about fashion, distinguishing features of large cats and large cat prints, and full color images of the compelling textile and its wearers. She argues that leopard print has been a powerful statement for women throughout history, adapting and changing to different fashion trends and technological advancements. Weldon’s book is a vivid illustration of a fashion statement that has not gone out of style.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.



Enter the code “NBN10” and get 10% off this book and any book at University Press Books, Berkeley.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 31 Jul 2018 10:00:52 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Leopard print has a long history, as Jo Weldon shares in her new book, Fierce: The History of Leopard Print (Harper Design, 2018). In her illustrated text, Weldon chronicles the history of leopard print, situating it throughout popular culture.</itunes:subtitle>
      <itunes:summary>Leopard print has a long history, as Jo Weldon shares in her new book, Fierce: The History of Leopard Print (Harper Design, 2018). In her illustrated text, Weldon chronicles the history of leopard print, situating it throughout popular culture. Starting in the early 1900s, Weldon examines the mass production of textiles and changes in the fashion industry to bring about the use of prints, colors, and patterns giving women more opportunities to use daring styles. In addition to fashion, Weldon explores influential individuals who changed popular culture with their choices in couture. Weldon’s book combines historical information about fashion, distinguishing features of large cats and large cat prints, and full color images of the compelling textile and its wearers. She argues that leopard print has been a powerful statement for women throughout history, adapting and changing to different fashion trends and technological advancements. Weldon’s book is a vivid illustration of a fashion statement that has not gone out of style.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.



Enter the code “NBN10” and get 10% off this book and any book at University Press Books, Berkeley.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Leopard print has a long history, as <a href="https://www.historyofleopardprint.com/">Jo Weldon</a> shares in her new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QgSEw0s4C3FRMLfNdm5ru5wAAAFkyQWirwEAAAFKAfX8XtQ/http://www.amazon.com/dp/006269295X/ref=as_at?creativeASIN=006269295X&amp;linkCode=w61&amp;imprToken=D0uIjA5A2oPUVsgCC4zKuw&amp;slotNum=0&amp;tag=newbooinhis-20">Fierce: The History of Leopard Print</a> (Harper Design, 2018). In her illustrated text, Weldon chronicles the history of leopard print, situating it throughout popular culture. Starting in the early 1900s, Weldon examines the mass production of textiles and changes in the fashion industry to bring about the use of prints, colors, and patterns giving women more opportunities to use daring styles. In addition to fashion, Weldon explores influential individuals who changed popular culture with their choices in couture. Weldon’s book combines historical information about fashion, distinguishing features of large cats and large cat prints, and full color images of the compelling textile and its wearers. She argues that leopard print has been a powerful statement for women throughout history, adapting and changing to different fashion trends and technological advancements. Weldon’s book is a vivid illustration of a fashion statement that has not gone out of style.</p><p>
</p><p>
<a href="http://rebekahjbuchanan.com/">Rebekah Buchanan</a> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of <a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p>
</p><p>
Enter the code “NBN10” and get 10% off <a href="https://www.universitypressbooks.com/book/9780062692955">this book</a> and any book at University Press Books, Berkeley.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2812</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76466]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8769798848.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Megan Condis, “Gaming Masculinity: Trolls, Fake Geeks, and the Battle for Online Culture” (U Iowa Press, 2018)</title>
      <description>Gaming has increasingly become part of mainstream culture, from the continued rise of console and PC gaming to the emergence of eSports. Gaming culture has also come under more scrutiny to the non-gaming public. The #Gamergate controversy showed the ugly side of gaming culture, and how gender is imbued within this culture. Gaming culture, as Professor Megan Condis argues, is a masculine institution. Within gaming, masculinity is not only favored but shapes a policing discourse that maintains gender boundaries. Additionally, the masculine politics of gaming culture has found cultural salience in our current political environment. By acting as trolls and using memes—two aspects key to gaming culture—the alt right uses these features of online culture toward their political ends. This book provides a much-needed gendered analysis of gaming culture. For those who consider themselves avid gamers to those who have never picked up a video game in their life, Megan Condis’ Gaming Masculinity: Trolls, Fake Geeks, and the Battle for Online Culture (University of Iowa Press, 2018) is a fascinating and illuminating read.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 Jul 2018 10:00:52 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gaming has increasingly become part of mainstream culture, from the continued rise of console and PC gaming to the emergence of eSports. Gaming culture has also come under more scrutiny to the non-gaming public.</itunes:subtitle>
      <itunes:summary>Gaming has increasingly become part of mainstream culture, from the continued rise of console and PC gaming to the emergence of eSports. Gaming culture has also come under more scrutiny to the non-gaming public. The #Gamergate controversy showed the ugly side of gaming culture, and how gender is imbued within this culture. Gaming culture, as Professor Megan Condis argues, is a masculine institution. Within gaming, masculinity is not only favored but shapes a policing discourse that maintains gender boundaries. Additionally, the masculine politics of gaming culture has found cultural salience in our current political environment. By acting as trolls and using memes—two aspects key to gaming culture—the alt right uses these features of online culture toward their political ends. This book provides a much-needed gendered analysis of gaming culture. For those who consider themselves avid gamers to those who have never picked up a video game in their life, Megan Condis’ Gaming Masculinity: Trolls, Fake Geeks, and the Battle for Online Culture (University of Iowa Press, 2018) is a fascinating and illuminating read.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gaming has increasingly become part of mainstream culture, from the continued rise of console and PC gaming to the emergence of eSports. Gaming culture has also come under more scrutiny to the non-gaming public. The #Gamergate controversy showed the ugly side of gaming culture, and how gender is imbued within this culture. Gaming culture, as Professor <a href="http://www.sfasu.edu/english/370.asp">Megan Condis</a> argues, is a masculine institution. Within gaming, masculinity is not only favored but shapes a policing discourse that maintains gender boundaries. Additionally, the masculine politics of gaming culture has found cultural salience in our current political environment. By acting as trolls and using memes—two aspects key to gaming culture—the alt right uses these features of online culture toward their political ends. This book provides a much-needed gendered analysis of gaming culture. For those who consider themselves avid gamers to those who have never picked up a video game in their life, Megan Condis’ <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qq0goZ0Pd1V5j9fgmSao144AAAFk0fPeLAEAAAFKAWyYWzs/http://www.amazon.com/dp/1609385659/ref=as_at?creativeASIN=1609385659&amp;linkCode=w61&amp;imprToken=2uaniugEoZmXAvbV8.-hdA&amp;slotNum=0&amp;tag=newbooinhis-20">Gaming Masculinity: Trolls, Fake Geeks, and the Battle for Online Culture</a> (University of Iowa Press, 2018) is a fascinating and illuminating read.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4352</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76305]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4804805572.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Blackwell, “The Blue Series: The Story Behind the Color” (Third Man Books, 2017)</title>
      <description>In The Blue Series: The Story Behind the Color (Third Man Books, 2017), Ben Blackwell invites readers behind the scenes for the making of Third Man Records’ 7-inch single Blue Series. Founded in 2009 in Nashville by songwriter, musician, and producer Jack White—formerly of the White Stripes—TMR has released dozens of Blue Series singles by an eclectic group of artists, including Beck, Dwight Yoakam, Wanda Jackson, Stephen Colbert, Insane Clown Posse, and Tom Jones. Beginning with a foreword by Rolling Stone senior writer David Fricke, and an interview with White, Blackwell includes artist accounts, biographical information, and recording credits for 40 7-inch singles. The Blue Series also features an interview with Jo McCaughey who shot the photos for each release, as well as the recollections of some of the songs’ key session players.



Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 Jul 2018 10:00:25 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In The Blue Series: The Story Behind the Color (Third Man Books, 2017), Ben Blackwell invites readers behind the scenes for the making of Third Man Records’ 7-inch single Blue Series. Founded in 2009 in Nashville by songwriter, musician,</itunes:subtitle>
      <itunes:summary>In The Blue Series: The Story Behind the Color (Third Man Books, 2017), Ben Blackwell invites readers behind the scenes for the making of Third Man Records’ 7-inch single Blue Series. Founded in 2009 in Nashville by songwriter, musician, and producer Jack White—formerly of the White Stripes—TMR has released dozens of Blue Series singles by an eclectic group of artists, including Beck, Dwight Yoakam, Wanda Jackson, Stephen Colbert, Insane Clown Posse, and Tom Jones. Beginning with a foreword by Rolling Stone senior writer David Fricke, and an interview with White, Blackwell includes artist accounts, biographical information, and recording credits for 40 7-inch singles. The Blue Series also features an interview with Jo McCaughey who shot the photos for each release, as well as the recollections of some of the songs’ key session players.



Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QvBq0jNr1INaWlhq1ApX3akAAAFkn9RFwwEAAAFKAaUdtI8/http://www.amazon.com/dp/0996401644/ref=as_at?creativeASIN=0996401644&amp;linkCode=w61&amp;imprToken=L7YQas16KJ6gnWSWKb6fiQ&amp;slotNum=0&amp;tag=newbooinhis-20">The Blue Series: The Story Behind the Color</a> (Third Man Books, 2017), <a href="http://www.trembleunderboomlights.blogspot.com">Ben Blackwell</a> invites readers behind the scenes for the making of <a href="https://thirdmanrecords.com/">Third Man Records</a>’ 7-inch single Blue Series. Founded in 2009 in Nashville by songwriter, musician, and producer Jack White—formerly of the White Stripes—TMR has released dozens of Blue Series singles by an eclectic group of artists, including Beck, Dwight Yoakam, Wanda Jackson, Stephen Colbert, Insane Clown Posse, and Tom Jones. Beginning with a foreword by Rolling Stone senior writer David Fricke, and an interview with White, Blackwell includes artist accounts, biographical information, and recording credits for 40 7-inch singles. The Blue Series also features an interview with Jo McCaughey who shot the photos for each release, as well as the recollections of some of the songs’ key session players.</p><p>
</p><p>
<a href="https://engl.utoledo.edu/english/?page_id=2486">Kimberly Mack </a>holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3790</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76268]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8336007556.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Ivan Jobs, “Backpack Ambassadors: How Youth Travel Integrated Europe” (U Chicago Press, 2017)</title>
      <description>Ever go backpacking through Europe? In Backpack Ambassadors: How Youth Travel Integrated Europe (University of Chicago Press, 2017), Richard Ivan Jobs traces the postwar cultural history of the making of Europe through the stories and perspectives of the young people who moved across the continent’s borders. A history of European integration from the end of the Second World War to the 1992 Treaty of Maastricht, the book emphasizes the roles that young people played in postwar recovery and reconciliation efforts, their participation in Europeanization, the upheavals of 1968, and the ways that young people’s movements were circumscribed by the Cold War and transformed by its end.

Backpack Ambassadors examines the emergence of a “community of practice” defined by young people themselves, a community complicated by gender, class, race, and other differences. While youth are the key agents in this history, the book also considers the policies, programs, and regulations of the states that sought to encourage and manage the movement of young travelers across Europe in various ways. Transnational in subject and method, the chapters of the book draw on multiple archives and sources from several countries, including interviews with former backpackers and the experiences of the author himself. Absorbing in its myriad stories and compelling in its analysis, Backpack Ambassadors is a must-read for anyone interested in research and writing that connects culture and politics while pushing past the limits of national history. Highly readable and human in its approach, the book is also a fantastic resource for those teaching European integration at the undergraduate or graduate levels.



Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Jul 2018 10:00:46 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ever go backpacking through Europe? In Backpack Ambassadors: How Youth Travel Integrated Europe (University of Chicago Press, 2017), Richard Ivan Jobs traces the postwar cultural history of the making of Europe through the stories and perspectives of t...</itunes:subtitle>
      <itunes:summary>Ever go backpacking through Europe? In Backpack Ambassadors: How Youth Travel Integrated Europe (University of Chicago Press, 2017), Richard Ivan Jobs traces the postwar cultural history of the making of Europe through the stories and perspectives of the young people who moved across the continent’s borders. A history of European integration from the end of the Second World War to the 1992 Treaty of Maastricht, the book emphasizes the roles that young people played in postwar recovery and reconciliation efforts, their participation in Europeanization, the upheavals of 1968, and the ways that young people’s movements were circumscribed by the Cold War and transformed by its end.

Backpack Ambassadors examines the emergence of a “community of practice” defined by young people themselves, a community complicated by gender, class, race, and other differences. While youth are the key agents in this history, the book also considers the policies, programs, and regulations of the states that sought to encourage and manage the movement of young travelers across Europe in various ways. Transnational in subject and method, the chapters of the book draw on multiple archives and sources from several countries, including interviews with former backpackers and the experiences of the author himself. Absorbing in its myriad stories and compelling in its analysis, Backpack Ambassadors is a must-read for anyone interested in research and writing that connects culture and politics while pushing past the limits of national history. Highly readable and human in its approach, the book is also a fantastic resource for those teaching European integration at the undergraduate or graduate levels.



Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ever go backpacking through Europe? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QlOp0vcuRc8ZDkOaO5DJce4AAAFknf73mAEAAAFKAdaTuhk/http://www.amazon.com/dp/022646203X/ref=as_at?creativeASIN=022646203X&amp;linkCode=w61&amp;imprToken=9DG828sdnsZbDh1PXtsBOA&amp;slotNum=0&amp;tag=newbooinhis-20">Backpack Ambassadors: How Youth Travel Integrated Europe</a> (University of Chicago Press, 2017), <a href="https://www.pacificu.edu/about/directory/people/richard-ivan-jobs-phd">Richard Ivan Jobs</a> traces the postwar cultural history of the making of Europe through the stories and perspectives of the young people who moved across the continent’s borders. A history of European integration from the end of the Second World War to the 1992 Treaty of Maastricht, the book emphasizes the roles that young people played in postwar recovery and reconciliation efforts, their participation in Europeanization, the upheavals of 1968, and the ways that young people’s movements were circumscribed by the Cold War and transformed by its end.</p><p>
Backpack Ambassadors examines the emergence of a “community of practice” defined by young people themselves, a community complicated by gender, class, race, and other differences. While youth are the key agents in this history, the book also considers the policies, programs, and regulations of the states that sought to encourage and manage the movement of young travelers across Europe in various ways. Transnational in subject and method, the chapters of the book draw on multiple archives and sources from several countries, including interviews with former backpackers and the experiences of the author himself. Absorbing in its myriad stories and compelling in its analysis, Backpack Ambassadors is a must-read for anyone interested in research and writing that connects culture and politics while pushing past the limits of national history. Highly readable and human in its approach, the book is also a fantastic resource for those teaching European integration at the undergraduate or graduate levels.</p><p>
</p><p>
Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: <a href="mailto:panchasi@sfu.ca">panchasi@sfu.ca</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3523</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76221]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5589571035.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>madison moore, “Fabulous: The Rise of the Beautiful Eccentric” (Yale UP, 2018)</title>
      <description>Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the Rise of the Beautiful Eccentric (Yale UP, 2018), madison moore explores some of the sites where fabulousness is highly valued, such as the street, the catwalk, the club (including the line to get in), and the body itself. Our hour-long conversation references many personal experiences that capture the ephemeral quality of fabulousness, which can appear in any place, at any time, through any body. madison also speaks of his participation in and organization of the worlds that his scholarship extends. A running theme of our conversation is that fabulousness is never without risk. As he writes, “You can’t understand fabulousness unless you get that it emerges from trauma, duress, exclusion, exhaustion, and depression, and that in some ways being fabulous is the only thing that can get us out of bed in the morning.” There are, of course, groups of people who actively police fabulousness. But its self-making potential resides in all bodies. It is a confidence, and a gift to be shared. You just have to look—and listen—for yourself.

madison moore is a dj, cultural critic, and assistant professor of gender, sexuality and women’s studies. He is also creative director and resident dj at OPULENCE, an art-collective and queer techno party. He has home bases in New York, London, and Berlin.



Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 23 Jul 2018 10:00:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the Rise of the Beautiful Eccentric (Yale UP, 2018), madison moore explores some of the sites where fabulousness is highly valued, such as the street,</itunes:subtitle>
      <itunes:summary>Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the Rise of the Beautiful Eccentric (Yale UP, 2018), madison moore explores some of the sites where fabulousness is highly valued, such as the street, the catwalk, the club (including the line to get in), and the body itself. Our hour-long conversation references many personal experiences that capture the ephemeral quality of fabulousness, which can appear in any place, at any time, through any body. madison also speaks of his participation in and organization of the worlds that his scholarship extends. A running theme of our conversation is that fabulousness is never without risk. As he writes, “You can’t understand fabulousness unless you get that it emerges from trauma, duress, exclusion, exhaustion, and depression, and that in some ways being fabulous is the only thing that can get us out of bed in the morning.” There are, of course, groups of people who actively police fabulousness. But its self-making potential resides in all bodies. It is a confidence, and a gift to be shared. You just have to look—and listen—for yourself.

madison moore is a dj, cultural critic, and assistant professor of gender, sexuality and women’s studies. He is also creative director and resident dj at OPULENCE, an art-collective and queer techno party. He has home bases in New York, London, and Berlin.



Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Did you catch that look? The theory of fabulousness is on the move. In his new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QnfqAq1WWOO4tFP1d6o0JrkAAAFkn0JwHQEAAAFKAdfW-N4/http://www.amazon.com/dp/0300204701/ref=as_at?creativeASIN=0300204701&amp;linkCode=w61&amp;imprToken=LHAT.sV.Yk0rH7n2XqSUBg&amp;slotNum=0&amp;tag=newbooinhis-20">Fabulous: the Rise of the Beautiful Eccentric</a> (Yale UP, 2018), <a href="http://www.madisonmooreonline.com/">madison moore</a> explores some of the sites where fabulousness is highly valued, such as the street, the catwalk, the club (including the line to get in), and the body itself. Our hour-long conversation references many personal experiences that capture the ephemeral quality of fabulousness, which can appear in any place, at any time, through any body. madison also speaks of his participation in and organization of the worlds that his scholarship extends. A running theme of our conversation is that fabulousness is never without risk. As he writes, “You can’t understand fabulousness unless you get that it emerges from trauma, duress, exclusion, exhaustion, and depression, and that in some ways being fabulous is the only thing that can get us out of bed in the morning.” There are, of course, groups of people who actively police fabulousness. But its self-making potential resides in all bodies. It is a confidence, and a gift to be shared. You just have to look—and listen—for yourself.</p><p>
madison moore is a dj, cultural critic, and assistant professor of gender, sexuality and women’s studies. He is also creative director and resident dj at OPULENCE, an art-collective and queer techno party. He has home bases in New York, London, and Berlin.</p><p>
</p><p>
Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of <a href="https://www.amazon.com/You-Can-Tell-Just-Looking/dp/0807042455">You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People</a> (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at <a href="mailto:mjamico@gmail.com">mjamico@gmail.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3769</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76247]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7355532014.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martin Shuster, “New Television: The Aesthetics and Politics of a Genre” (U Chicago Press, 2017)</title>
      <description>How should we understand our new golden age of television? In New Television: The Aesthetics and Politics of a Genre (University of Chicago Press, 2017), Martin Shuster, Director of Judaic Studies and Assistant Professor at Goucher College, interrogates New Television and offers both a defense and critique. Drawing on the work of the late Stanley Cavell, along with others including Hannah Arendt, the book explores the ontology of New Television, the medium of the screen, and the nature of storytelling. New Television has a vast range of examples, including chapters specifically focused on The Wire, Weeds and Justified. Along with detailed aesthetic philosophical discussion of each program, the book ultimately poses the problem of the politics of New Television, questioning the extent to which it offers critical, emancipatory, or regressive contributions to our understanding of modern life. The book is essential reading for anyone watching television, and also those who are not!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 19 Jul 2018 10:00:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand our new golden age of television? In New Television: The Aesthetics and Politics of a Genre (University of Chicago Press, 2017), Martin Shuster, Director of Judaic Studies and Assistant Professor at Goucher College,</itunes:subtitle>
      <itunes:summary>How should we understand our new golden age of television? In New Television: The Aesthetics and Politics of a Genre (University of Chicago Press, 2017), Martin Shuster, Director of Judaic Studies and Assistant Professor at Goucher College, interrogates New Television and offers both a defense and critique. Drawing on the work of the late Stanley Cavell, along with others including Hannah Arendt, the book explores the ontology of New Television, the medium of the screen, and the nature of storytelling. New Television has a vast range of examples, including chapters specifically focused on The Wire, Weeds and Justified. Along with detailed aesthetic philosophical discussion of each program, the book ultimately poses the problem of the politics of New Television, questioning the extent to which it offers critical, emancipatory, or regressive contributions to our understanding of modern life. The book is essential reading for anyone watching television, and also those who are not!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand our new golden age of television? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qo01_QtkoN422ndnyhcGGdIAAAFkmPjtlAEAAAFKAZD4Lmc/http://www.amazon.com/dp/022650395X/ref=as_at?creativeASIN=022650395X&amp;linkCode=w61&amp;imprToken=ZgZ97Kes6mcLFj3YEMOsZQ&amp;slotNum=0&amp;tag=newbooinhis-20">New Television: The Aesthetics and Politics of a Genre </a>(University of Chicago Press, 2017), <a href="https://www.goucher.edu/learn/academic-centers/geographies-of-justice/faculty/martin-shuster">Martin Shuster</a>, Director of Judaic Studies and Assistant Professor at Goucher College, interrogates New Television and offers both a defense and critique. Drawing on the work of the late Stanley Cavell, along with others including Hannah Arendt, the book explores the ontology of New Television, the medium of the screen, and the nature of storytelling. New Television has a vast range of examples, including chapters specifically focused on The Wire, Weeds and Justified. Along with detailed aesthetic philosophical discussion of each program, the book ultimately poses the problem of the politics of New Television, questioning the extent to which it offers critical, emancipatory, or regressive contributions to our understanding of modern life. The book is essential reading for anyone watching television, and also those who are not!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3268</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76162]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2748753051.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Nashawaty, “Caddyshack: The Making of a Hollywood Cinderella Story” (Flatiron Books, 2018)</title>
      <description>The 1960s and 1970s saw the rise of a new type of humor, based on sarcasm, improvisation and drugs. From The National Lampoon to Saturday Night Live, many new stars appeared, both as performers and writers. In his book, Caddyshack: The Making of a Cinderella Story (Flatiron Books, 2018), Entertainment Weekly film critic Chris Nashawaty tells the story of one of the best films to come out of that period. From its development by National Lampoon alumni to its cast of crazy comedians alongside of regular actors, the film has become one of the favorite examples of the time.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Jul 2018 10:00:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The 1960s and 1970s saw the rise of a new type of humor, based on sarcasm, improvisation and drugs. From The National Lampoon to Saturday Night Live, many new stars appeared, both as performers and writers. In his book,</itunes:subtitle>
      <itunes:summary>The 1960s and 1970s saw the rise of a new type of humor, based on sarcasm, improvisation and drugs. From The National Lampoon to Saturday Night Live, many new stars appeared, both as performers and writers. In his book, Caddyshack: The Making of a Cinderella Story (Flatiron Books, 2018), Entertainment Weekly film critic Chris Nashawaty tells the story of one of the best films to come out of that period. From its development by National Lampoon alumni to its cast of crazy comedians alongside of regular actors, the film has become one of the favorite examples of the time.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 1960s and 1970s saw the rise of a new type of humor, based on sarcasm, improvisation and drugs. From The National Lampoon to Saturday Night Live, many new stars appeared, both as performers and writers. In his book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QhzKke65pe7Ujz1dCYZrLh4AAAFklapOjAEAAAFKAaZ6vEM/http://www.amazon.com/dp/1250105951/ref=as_at?creativeASIN=1250105951&amp;linkCode=w61&amp;imprToken=r40dkd5pUQB9CwCrnRSnhQ&amp;slotNum=0&amp;tag=newbooinhis-20">Caddyshack: The Making of a Cinderella Story</a> (Flatiron Books, 2018), Entertainment Weekly film critic <a href="https://twitter.com/ChrisNashawaty?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Chris Nashawaty</a> tells the story of one of the best films to come out of that period. From its development by National Lampoon alumni to its cast of crazy comedians alongside of regular actors, the film has become one of the favorite examples of the time.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3300</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76171]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1314786722.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adrienne Rose Bitar, “Diet and the Disease of Civilization” (Rutgers UP, 2018)</title>
      <description>Diet books are a multi-billion dollar industry and in Diet and the Disease of Civilization (Rutgers University Press, 2018), Adrienne Rose Bitar explores the narratives of those books. Bitar looks at the ways in which diet books not only present American’s with dieting advice, but also create cultural narratives about how we should live. Through the exploration of hundreds of diet books over the past century (and sometimes more), Bitar examines four popular diets, viewing them as narratives for American culture. She looks at the Paleo Diet, the Garden of Eden Diet, The Pacific Island Diet and the Detox Diet as larger myths about American culture and social movements. Bitar’s work explores how diet books call for a healthier society by urging readers to create what they believe to be a more perfect world. She argues that diet books criticize excess, addiction, alienation, and the disruption and disappearance of traditional lifeways showing readers how to return to conditions that create optimal health and a more “natural” way of eating and existing in our world.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 17 Jul 2018 10:00:21 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Diet books are a multi-billion dollar industry and in Diet and the Disease of Civilization (Rutgers University Press, 2018), Adrienne Rose Bitar explores the narratives of those books. Bitar looks at the ways in which diet books not only present Americ...</itunes:subtitle>
      <itunes:summary>Diet books are a multi-billion dollar industry and in Diet and the Disease of Civilization (Rutgers University Press, 2018), Adrienne Rose Bitar explores the narratives of those books. Bitar looks at the ways in which diet books not only present American’s with dieting advice, but also create cultural narratives about how we should live. Through the exploration of hundreds of diet books over the past century (and sometimes more), Bitar examines four popular diets, viewing them as narratives for American culture. She looks at the Paleo Diet, the Garden of Eden Diet, The Pacific Island Diet and the Detox Diet as larger myths about American culture and social movements. Bitar’s work explores how diet books call for a healthier society by urging readers to create what they believe to be a more perfect world. She argues that diet books criticize excess, addiction, alienation, and the disruption and disappearance of traditional lifeways showing readers how to return to conditions that create optimal health and a more “natural” way of eating and existing in our world.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Diet books are a multi-billion dollar industry and in <a href="http://aax-us-east.amazon-adsystem.com/x/c/QmZfesqyLpMYuQ2VHHtTng0AAAFkkEAs4wEAAAFKAaQIrBU/http://www.amazon.com/dp/0813589649/ref=as_at?creativeASIN=0813589649&amp;linkCode=w61&amp;imprToken=mTvGGEBU48irHcxyaLk2JQ&amp;slotNum=0&amp;tag=newbooinhis-20">Diet and the Disease of Civilization</a> (Rutgers University Press, 2018), <a href="http://history.cornell.edu/adrienne-rose-johnson-bitar">Adrienne Rose Bitar</a> explores the narratives of those books. Bitar looks at the ways in which diet books not only present American’s with dieting advice, but also create cultural narratives about how we should live. Through the exploration of hundreds of diet books over the past century (and sometimes more), Bitar examines four popular diets, viewing them as narratives for American culture. She looks at the Paleo Diet, the Garden of Eden Diet, The Pacific Island Diet and the Detox Diet as larger myths about American culture and social movements. Bitar’s work explores how diet books call for a healthier society by urging readers to create what they believe to be a more perfect world. She argues that diet books criticize excess, addiction, alienation, and the disruption and disappearance of traditional lifeways showing readers how to return to conditions that create optimal health and a more “natural” way of eating and existing in our world.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3340</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76124]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7894571768.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Phil Proctor and Brad Shreiber, “Where’s my Fortune Cookie?” (Blurb, 2017)</title>
      <description>Firesign Theatre co-founder Phil Proctor shares stories from his life and career in his new memoir, Where’s My Fortune Cookie? (Blurb, 2017) co-written with Brad Shreiber. In Where’s My Fortune Cookie? Proctor shares the history of his work with Firesign Theatre and other comedy recordings in addition to his work on stage, film, and television. The book contains over 120 photographs documenting Phil’s life and career. Proctor’s early life as well as his 65-year career is documented in his new memoir that is told through stories of his professional and personal adventures. Proctor documents his experiences and at time psychic connections throughout his extraordinary life.

In this podcast, Proctor describes the Firesign Theatre, a comedy group that created counter-culture comedy and records starting in the 1960s. Through this work, the group worked alongside other psychedelic new age artists and activists to make a cultural difference. Firesign Theatre was responsible for reshaping comedy and culture and Phil shares some of these stories in his book. In addition, you can learn more about his book and his work on his new podcast, The Proctor Podcast, where he reads from his book and share his comedy genius with music, audio bytes and sound effects.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 13 Jul 2018 10:00:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Firesign Theatre co-founder Phil Proctor shares stories from his life and career in his new memoir, Where’s My Fortune Cookie? (Blurb, 2017) co-written with Brad Shreiber. In Where’s My Fortune Cookie? Proctor shares the history of his work with Firesi...</itunes:subtitle>
      <itunes:summary>Firesign Theatre co-founder Phil Proctor shares stories from his life and career in his new memoir, Where’s My Fortune Cookie? (Blurb, 2017) co-written with Brad Shreiber. In Where’s My Fortune Cookie? Proctor shares the history of his work with Firesign Theatre and other comedy recordings in addition to his work on stage, film, and television. The book contains over 120 photographs documenting Phil’s life and career. Proctor’s early life as well as his 65-year career is documented in his new memoir that is told through stories of his professional and personal adventures. Proctor documents his experiences and at time psychic connections throughout his extraordinary life.

In this podcast, Proctor describes the Firesign Theatre, a comedy group that created counter-culture comedy and records starting in the 1960s. Through this work, the group worked alongside other psychedelic new age artists and activists to make a cultural difference. Firesign Theatre was responsible for reshaping comedy and culture and Phil shares some of these stories in his book. In addition, you can learn more about his book and his work on his new podcast, The Proctor Podcast, where he reads from his book and share his comedy genius with music, audio bytes and sound effects.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Firesign Theatre co-founder <a href="http://www.planetproctor.com/">Phil Proctor</a> shares stories from his life and career in his new memoir, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QnQHHyb_JgaGymw5ArpVG3QAAAFke2uBFwEAAAFKAYQgW3Y/http://www.amazon.com/dp/138970503X/ref=as_at?creativeASIN=138970503X&amp;linkCode=w61&amp;imprToken=pjk-z59peXURmqBIcsfyjQ&amp;slotNum=0&amp;tag=newbooinhis-20">Where’s My Fortune Cookie?</a> (Blurb, 2017) co-written with <a href="http://brashcyber.com/">Brad Shreiber</a>. In Where’s My Fortune Cookie? Proctor shares the history of his work with Firesign Theatre and other comedy recordings in addition to his work on stage, film, and television. The book contains over 120 photographs documenting Phil’s life and career. Proctor’s early life as well as his 65-year career is documented in his new memoir that is told through stories of his professional and personal adventures. Proctor documents his experiences and at time psychic connections throughout his extraordinary life.</p><p>
In this podcast, Proctor describes the Firesign Theatre, a comedy group that created counter-culture comedy and records starting in the 1960s. Through this work, the group worked alongside other psychedelic new age artists and activists to make a cultural difference. Firesign Theatre was responsible for reshaping comedy and culture and Phil shares some of these stories in his book. In addition, you can learn more about his book and his work on his new podcast, <a href="http://theproctorpodcast.podbean.com/">The Proctor Podcast</a>, where he reads from his book and share his comedy genius with music, audio bytes and sound effects.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2631</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=75961]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5555074722.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rebekah J. Buchanan, “Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics” (Peter Lang, 2018)</title>
      <description>In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong.



Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 09 Jul 2018 10:00:46 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet,</itunes:subtitle>
      <itunes:summary>In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong.



Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as <a href="http://rebekahjbuchanan.com/">Rebekah J. Buchanan</a> notes in her new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qot0BLPzttVQ_FvPFdRjaDEAAAFkdMdf-AEAAAFKAbNLKPY/http://www.amazon.com/dp/1433123916/ref=as_at?creativeASIN=1433123916&amp;linkCode=w61&amp;imprToken=JGrCM4KgUeZGLQaHfbu8Tg&amp;slotNum=0&amp;tag=newbooinhis-20">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong.</p><p>
</p><p>
<a href="http://www.inpraiseofnothing.org/">Eric LeMay</a> is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at <a href="mailto:eric@ericlemay.org">eric@ericlemay.org</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2925</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=75847]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5054150451.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gary Bruce, “Through the Lion Gate: A History of the Berlin Zoo” (Oxford UP, 2017)</title>
      <description>In his new book, Through the Lion Gate: A History of the Berlin Zoo (Oxford University Press, 2017), Gary Bruce, professor of history at the University of Waterloo, provides the first English-language history of the Berlin Zoo from its inception in 1844 until German reunification in 1990. Bruce demonstrates how the Berlin Zoo was a critical facet of Berlin’s social and cultural life. The zoo was also used by those in political power throughout German history to communicate messages to the larger public. According to Bruce the zoo remained popular throughout its history, even in Berlin’s darkest times. It allowed ordinary Germans to escape the difficulties of modern urban life for an afternoon, letting them dream of far flung places.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 09 Jul 2018 10:00:12 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book, Through the Lion Gate: A History of the Berlin Zoo (Oxford University Press, 2017), Gary Bruce, professor of history at the University of Waterloo, provides the first English-language history of the Berlin Zoo from its inception in 184...</itunes:subtitle>
      <itunes:summary>In his new book, Through the Lion Gate: A History of the Berlin Zoo (Oxford University Press, 2017), Gary Bruce, professor of history at the University of Waterloo, provides the first English-language history of the Berlin Zoo from its inception in 1844 until German reunification in 1990. Bruce demonstrates how the Berlin Zoo was a critical facet of Berlin’s social and cultural life. The zoo was also used by those in political power throughout German history to communicate messages to the larger public. According to Bruce the zoo remained popular throughout its history, even in Berlin’s darkest times. It allowed ordinary Germans to escape the difficulties of modern urban life for an afternoon, letting them dream of far flung places.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QhrE8KHLuBl96JLHfiJ14kgAAAFkdQLlgQEAAAFKAcgZClQ/http://www.amazon.com/dp/0190234989/ref=as_at?creativeASIN=0190234989&amp;linkCode=w61&amp;imprToken=F3wpzxAmECy3vhlPuRXurQ&amp;slotNum=0&amp;tag=newbooinhis-20">Through the Lion Gate: A History of the Berlin Zoo</a> (Oxford University Press, 2017), <a href="https://uwaterloo.ca/history/people-profiles/gary-bruce">Gary Bruce,</a> professor of history at the University of Waterloo, provides the first English-language history of the Berlin Zoo from its inception in 1844 until German reunification in 1990. Bruce demonstrates how the Berlin Zoo was a critical facet of Berlin’s social and cultural life. The zoo was also used by those in political power throughout German history to communicate messages to the larger public. According to Bruce the zoo remained popular throughout its history, even in Berlin’s darkest times. It allowed ordinary Germans to escape the difficulties of modern urban life for an afternoon, letting them dream of far flung places.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3589</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=75857]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9295906940.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>M. L. Liebler, “Heaven Was Detroit: From Jazz to Hip-Hop and Beyond” (Wayne State UP, 2016)</title>
      <description>In Heaven Was Detroit: From Jazz to Hip-Hop and Beyond (Wayne State University Press, 2016), M. L. Liebler curates an exhaustive collection of essays about Detroit music by a diverse group of music scholars, journalists, and musicians. Instead of relying on familiar narratives about Motown and rock and roll, this anthology engages a vast array of musical genres and sub-genres, while sharing the oft-surprising hidden histories of artists, institutions, and communities integral to Detroit’s unique sound. Heaven Was Detroit begins with former California Poet Laureate Al Young’s meditation on his childhood obsession with early to mid-20th-century Detroit jazz and ends with an essay by Jarrett Koral about Jett Plastic Recordings, the 21st-century vinyl-only record label he runs out of his parents’ basement. In between are a mix of new and classic essays about Detroit jazz, blues, pre-Motown soul, Motown, rock, hip-hop, techno, and more.



Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 06 Jul 2018 10:00:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Heaven Was Detroit: From Jazz to Hip-Hop and Beyond (Wayne State University Press, 2016), M. L. Liebler curates an exhaustive collection of essays about Detroit music by a diverse group of music scholars, journalists, and musicians.</itunes:subtitle>
      <itunes:summary>In Heaven Was Detroit: From Jazz to Hip-Hop and Beyond (Wayne State University Press, 2016), M. L. Liebler curates an exhaustive collection of essays about Detroit music by a diverse group of music scholars, journalists, and musicians. Instead of relying on familiar narratives about Motown and rock and roll, this anthology engages a vast array of musical genres and sub-genres, while sharing the oft-surprising hidden histories of artists, institutions, and communities integral to Detroit’s unique sound. Heaven Was Detroit begins with former California Poet Laureate Al Young’s meditation on his childhood obsession with early to mid-20th-century Detroit jazz and ends with an essay by Jarrett Koral about Jett Plastic Recordings, the 21st-century vinyl-only record label he runs out of his parents’ basement. In between are a mix of new and classic essays about Detroit jazz, blues, pre-Motown soul, Motown, rock, hip-hop, techno, and more.



Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QkbRed5x4n8cp2qjPC9hbJkAAAFkV5oO7AEAAAFKARSrinE/http://www.amazon.com/dp/0814341225/ref=as_at?creativeASIN=0814341225&amp;linkCode=w61&amp;imprToken=ydlRS6O0hJ-uD0TWExmO.A&amp;slotNum=0&amp;tag=newbooinhis-20">Heaven Was Detroit: From Jazz to Hip-Hop and Beyond</a> (Wayne State University Press, 2016), <a href="http://www.mlliebler.com/">M. L. Liebler</a> curates an exhaustive collection of essays about Detroit music by a diverse group of music scholars, journalists, and musicians. Instead of relying on familiar narratives about Motown and rock and roll, this anthology engages a vast array of musical genres and sub-genres, while sharing the oft-surprising hidden histories of artists, institutions, and communities integral to Detroit’s unique sound. Heaven Was Detroit begins with former California Poet Laureate Al Young’s meditation on his childhood obsession with early to mid-20th-century Detroit jazz and ends with an essay by Jarrett Koral about Jett Plastic Recordings, the 21st-century vinyl-only record label he runs out of his parents’ basement. In between are a mix of new and classic essays about Detroit jazz, blues, pre-Motown soul, Motown, rock, hip-hop, techno, and more.</p><p>
</p><p>
<a href="https://engl.utoledo.edu/english/?page_id=2486">Kimberly Mack </a>holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3181</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=75301]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5137262490.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>M.J. Rymsza-Pawlowska, “History Comes Alive: Public History and Popular Culture in the 1970s” (UNC Press, 2017)</title>
      <description>In History Comes Alive: Public History and Popular Culture in the 1970s (University of North Carolina Press, 2017), historian M.J. Rymsza-Pawlowska examines Americans’ changing relationship to history in the 1960s and 1970s. Using the 1976 Bicentennial celebration and planning, Rymza-Pawlowska explores the new ways Americans engaged with the past. Starting with historical television such as Little House on the Prairie and the advent and success of miniseries such as Roots, Rymsza-Pawlowska examines the various ways Americans began to interact with history. Rymsza-Pawlowska characterizes Americans’ relationship with history prior to this time period as separate from the present. She argues that the shift in the ways in which popular culture interacted with history created more emotional connections to history—considering feelings and motivations of historic individuals. Through live interactions, immersive museums, historical fiction, and living history events, Americans’ relationship with history was forever changed. Rymsza-Pawlowska’s book is an important exploration into the foundation for the way in which we experience and practice history today.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 02 Jul 2018 10:00:39 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In History Comes Alive: Public History and Popular Culture in the 1970s (University of North Carolina Press, 2017), historian M.J. Rymsza-Pawlowska examines Americans’ changing relationship to history in the 1960s and 1970s.</itunes:subtitle>
      <itunes:summary>In History Comes Alive: Public History and Popular Culture in the 1970s (University of North Carolina Press, 2017), historian M.J. Rymsza-Pawlowska examines Americans’ changing relationship to history in the 1960s and 1970s. Using the 1976 Bicentennial celebration and planning, Rymza-Pawlowska explores the new ways Americans engaged with the past. Starting with historical television such as Little House on the Prairie and the advent and success of miniseries such as Roots, Rymsza-Pawlowska examines the various ways Americans began to interact with history. Rymsza-Pawlowska characterizes Americans’ relationship with history prior to this time period as separate from the present. She argues that the shift in the ways in which popular culture interacted with history created more emotional connections to history—considering feelings and motivations of historic individuals. Through live interactions, immersive museums, historical fiction, and living history events, Americans’ relationship with history was forever changed. Rymsza-Pawlowska’s book is an important exploration into the foundation for the way in which we experience and practice history today.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QlCBNMl5aCQz0TWARJuzdv0AAAFkUa55RAEAAAFKAXPgGK4/http://www.amazon.com/dp/1469633868/ref=as_at?creativeASIN=1469633868&amp;linkCode=w61&amp;imprToken=1T.9ru2deQRcHlLtpkj7PA&amp;slotNum=0&amp;tag=newbooinhis-20">History Comes Alive: Public History and Popular Culture in the 1970s</a> (University of North Carolina Press, 2017), historian <a href="https://www.american.edu/cas/faculty/rymszapa.cfm">M.J. Rymsza-Pawlowska</a> examines Americans’ changing relationship to history in the 1960s and 1970s. Using the 1976 Bicentennial celebration and planning, Rymza-Pawlowska explores the new ways Americans engaged with the past. Starting with historical television such as Little House on the Prairie and the advent and success of miniseries such as Roots, Rymsza-Pawlowska examines the various ways Americans began to interact with history. Rymsza-Pawlowska characterizes Americans’ relationship with history prior to this time period as separate from the present. She argues that the shift in the ways in which popular culture interacted with history created more emotional connections to history—considering feelings and motivations of historic individuals. Through live interactions, immersive museums, historical fiction, and living history events, Americans’ relationship with history was forever changed. Rymsza-Pawlowska’s book is an important exploration into the foundation for the way in which we experience and practice history today.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2888</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=75178]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1242597763.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natalie Robins, “The Untold Journey: The Life of Diana Trilling” (Columbia UP, 2017)</title>
      <description>In her new book, The Untold Journey: The Life of Diana Trilling (Columbia University Press, 2017), Natalie Robins examines the life of writer and socialite Diana Trilling (1905-1996). Trilling wrote for The Nation, Harpers, and Partisan Review as well as popular magazines McCalls and Vogue. In addition, she wrote Mrs. Harris: The Death of the Scarsdale Diet Doctor and four other books. The wife of professor and literary critic Lionel Trilling, Diana also edited his work, serving as his most trusted confidant. Robins shares the inner struggles Diana endured through her relationship with Lionel as well as her competing public and private work. In this thorough biography, Robins’ extensive and well-researched history of Trilling sheds insight into Diana’s life. She examines Trilling’s position in anticommunist liberal politics, family feminism, and the university literary circles. Spotlighting an influential member of New York City culture, Robins’ work on Diana Trilling is an important addition to literary and popular history of the 1960s.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 22 Jun 2018 14:00:43 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her new book, The Untold Journey: The Life of Diana Trilling (Columbia University Press, 2017), Natalie Robins examines the life of writer and socialite Diana Trilling (1905-1996). Trilling wrote for The Nation, Harpers,</itunes:subtitle>
      <itunes:summary>In her new book, The Untold Journey: The Life of Diana Trilling (Columbia University Press, 2017), Natalie Robins examines the life of writer and socialite Diana Trilling (1905-1996). Trilling wrote for The Nation, Harpers, and Partisan Review as well as popular magazines McCalls and Vogue. In addition, she wrote Mrs. Harris: The Death of the Scarsdale Diet Doctor and four other books. The wife of professor and literary critic Lionel Trilling, Diana also edited his work, serving as his most trusted confidant. Robins shares the inner struggles Diana endured through her relationship with Lionel as well as her competing public and private work. In this thorough biography, Robins’ extensive and well-researched history of Trilling sheds insight into Diana’s life. She examines Trilling’s position in anticommunist liberal politics, family feminism, and the university literary circles. Spotlighting an influential member of New York City culture, Robins’ work on Diana Trilling is an important addition to literary and popular history of the 1960s.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qmu54AEpgqIrfYbpb3U1dFAAAAFkJ8kFZgEAAAFKAdpXZu4/http://www.amazon.com/dp/0231182082/ref=as_at?creativeASIN=0231182082&amp;linkCode=w61&amp;imprToken=pqUrkxiLxZ-6MZAM3xkJiw&amp;slotNum=0&amp;tag=newbooinhis-20">The Untold Journey: The Life of Diana Trilling </a>(Columbia University Press, 2017), <a href="http://www.natalierobins.net/">Natalie Robins</a> examines the life of writer and socialite Diana Trilling (1905-1996). Trilling wrote for The Nation, Harpers, and Partisan Review as well as popular magazines McCalls and Vogue. In addition, she wrote Mrs. Harris: The Death of the Scarsdale Diet Doctor and four other books. The wife of professor and literary critic Lionel Trilling, Diana also edited his work, serving as his most trusted confidant. Robins shares the inner struggles Diana endured through her relationship with Lionel as well as her competing public and private work. In this thorough biography, Robins’ extensive and well-researched history of Trilling sheds insight into Diana’s life. She examines Trilling’s position in anticommunist liberal politics, family feminism, and the university literary circles. Spotlighting an influential member of New York City culture, Robins’ work on Diana Trilling is an important addition to literary and popular history of the 1960s.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3190</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74805]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8952193507.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sandra Jean Graham, “Spirituals and the Birth of a Black Entertainment Industry” (U Illinois Press, 2018)</title>
      <description>What happened in popular entertainment when African Americans could access the stage after the Civil War? In Spirituals and the Birth of a Black Entertainment Industry (University of Illinois Press, 2018), Sandra Graham tells the complex story of how folk spirituals composed by enslaved people but transformed for the stage became the core repertoire for the emerging black entertainment industry after 1865. She begins by telling the familiar story of the Fisk Jubilee Singers who first popularized the concert spiritual during their successful tours of the United States and Europe in the 1870s. She expands this narrative, however, by including the crucial contributions of choirs that followed in Fisk’s footsteps especially the Hampton Institute Singers and the Tennesseans. The truly ground-breaking work in the monograph, however, is her study of commercial spirituals and the performers who popularized them in all-black minstrel shows and, at the end of the nineteenth century, in plays with music, such as Uncle Tom’s Cabin, and black musicals such as Out of Bondage. These productions helped convince white audiences to embrace real African American entertainers, although their performances were constrained by stereotypes about black people first presented onstage in blackface minstrelsy. Graham brings her narrative to life by introducing her readers to composers, singers, and actors that were famous at the end of the nineteenth century but have since disappeared from our national consciousness. Her book’s website provides a wealth of information on jubilee choirs and their personnel, as well as excerpts from some of the early twentieth-century recordings she references in the text. The complicated interplay between black performers, the white men who generally managed and directed them, and the integrated audiences who enjoyed their work in this period solidified the racial politics that continues to shape popular entertainment today. 

Sandra Jean Graham is an Associate Professor in the Arts and Humanities Division at Babson College in Wellesley, Massachusetts. Graham is also the Faculty Director of the Sorenson Center for the Arts at Babson. An ethnomusicologist by training, Graham studies African American music and blackface minstrelsy in nineteenth-century America. Her work on spirituals and minstrelsy has appeared in books and journals including the Journal for the Society of American Music and American Music. Along with Chad Runyon, she produced a website on the nineteenth-century black actor and musician Sam Lucas. In addition to her scholarly activities, Graham is currently serving as the President of the Society for American Music.



Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Jun 2018 10:00:37 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What happened in popular entertainment when African Americans could access the stage after the Civil War? In Spirituals and the Birth of a Black Entertainment Industry (University of Illinois Press, 2018), Sandra Graham tells the complex story of how f...</itunes:subtitle>
      <itunes:summary>What happened in popular entertainment when African Americans could access the stage after the Civil War? In Spirituals and the Birth of a Black Entertainment Industry (University of Illinois Press, 2018), Sandra Graham tells the complex story of how folk spirituals composed by enslaved people but transformed for the stage became the core repertoire for the emerging black entertainment industry after 1865. She begins by telling the familiar story of the Fisk Jubilee Singers who first popularized the concert spiritual during their successful tours of the United States and Europe in the 1870s. She expands this narrative, however, by including the crucial contributions of choirs that followed in Fisk’s footsteps especially the Hampton Institute Singers and the Tennesseans. The truly ground-breaking work in the monograph, however, is her study of commercial spirituals and the performers who popularized them in all-black minstrel shows and, at the end of the nineteenth century, in plays with music, such as Uncle Tom’s Cabin, and black musicals such as Out of Bondage. These productions helped convince white audiences to embrace real African American entertainers, although their performances were constrained by stereotypes about black people first presented onstage in blackface minstrelsy. Graham brings her narrative to life by introducing her readers to composers, singers, and actors that were famous at the end of the nineteenth century but have since disappeared from our national consciousness. Her book’s website provides a wealth of information on jubilee choirs and their personnel, as well as excerpts from some of the early twentieth-century recordings she references in the text. The complicated interplay between black performers, the white men who generally managed and directed them, and the integrated audiences who enjoyed their work in this period solidified the racial politics that continues to shape popular entertainment today. 

Sandra Jean Graham is an Associate Professor in the Arts and Humanities Division at Babson College in Wellesley, Massachusetts. Graham is also the Faculty Director of the Sorenson Center for the Arts at Babson. An ethnomusicologist by training, Graham studies African American music and blackface minstrelsy in nineteenth-century America. Her work on spirituals and minstrelsy has appeared in books and journals including the Journal for the Society of American Music and American Music. Along with Chad Runyon, she produced a website on the nineteenth-century black actor and musician Sam Lucas. In addition to her scholarly activities, Graham is currently serving as the President of the Society for American Music.



Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happened in popular entertainment when African Americans could access the stage after the Civil War? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QkIuD4975qbWafvLEpCbDL4AAAFj6gdI4QEAAAFKAf1UmBo/http://www.amazon.com/dp/025208327X/ref=as_at?creativeASIN=025208327X&amp;linkCode=w61&amp;imprToken=95RHmq.xka7bppvDCPQdzg&amp;slotNum=0&amp;tag=newbooinhis-20">Spirituals and the Birth of a Black Entertainment Industry </a>(University of Illinois Press, 2018), <a href="http://www.babson.edu/Academics/faculty/profiles/Pages/Graham-Sandra.aspx">Sandra Graham</a> tells the complex story of how folk spirituals composed by enslaved people but transformed for the stage became the core repertoire for the emerging black entertainment industry after 1865. She begins by telling the familiar story of the Fisk Jubilee Singers who first popularized the concert spiritual during their successful tours of the United States and Europe in the 1870s. She expands this narrative, however, by including the crucial contributions of choirs that followed in Fisk’s footsteps especially the Hampton Institute Singers and the Tennesseans. The truly ground-breaking work in the monograph, however, is her study of commercial spirituals and the performers who popularized them in all-black minstrel shows and, at the end of the nineteenth century, in plays with music, such as Uncle Tom’s Cabin, and black musicals such as Out of Bondage. These productions helped convince white audiences to embrace real African American entertainers, although their performances were constrained by stereotypes about black people first presented onstage in blackface minstrelsy. Graham brings her narrative to life by introducing her readers to composers, singers, and actors that were famous at the end of the nineteenth century but have since disappeared from our national consciousness. Her book’s <a href="https://www.press.uillinois.edu/books/graham/spirituals/">website</a> provides a wealth of information on jubilee choirs and their personnel, as well as excerpts from some of the early twentieth-century recordings she references in the text. The complicated interplay between black performers, the white men who generally managed and directed them, and the integrated audiences who enjoyed their work in this period solidified the racial politics that continues to shape popular entertainment today. </p><p>
<a href="http://www.babson.edu/Academics/faculty/profiles/Pages/Graham-Sandra.aspx">Sandra Jean Graham</a> is an Associate Professor in the Arts and Humanities Division at Babson College in Wellesley, Massachusetts. Graham is also the Faculty Director of the Sorenson Center for the Arts at Babson. An ethnomusicologist by training, Graham studies African American music and blackface minstrelsy in nineteenth-century America. Her work on spirituals and minstrelsy has appeared in books and journals including the Journal for the Society of American Music and American Music. Along with Chad Runyon, she produced a <a href="http://popmusic.mtsu.edu/Lucas/lucas.html">website</a> on the nineteenth-century black actor and musician Sam Lucas. In addition to her scholarly activities, Graham is currently serving as the President of the Society for American Music.</p><p>
</p><p>
<a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/">Kristen M. Turner</a>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>173</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74520]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8483496023.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yaron Peleg, “Directed by God: Jewishness in Contemporary Israeli Film and Television” (University of Texas Press, 2016)</title>
      <description>As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. In his new book Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016), Yaron Peleg explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it.



Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Jun 2018 10:00:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community,</itunes:subtitle>
      <itunes:summary>As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. In his new book Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016), Yaron Peleg explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it.



Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. In his new book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QhN5oHd7JOM0uMDRXQ1KlEcAAAFj6ilHBQEAAAFKAUXCPuw/http://www.amazon.com/dp/1477309519/ref=as_at?creativeASIN=1477309519&amp;linkCode=w61&amp;imprToken=xwLAAjstDrSqoMG8Vtv7pA&amp;slotNum=0&amp;tag=newbooinhis-20">Directed by God: Jewishness in Contemporary Israeli Film and Television</a> (University of Texas Press, 2016), <a href="https://www.ames.cam.ac.uk/directory/pelegyaron">Yaron Peleg</a> explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it.</p><p>
</p><p>
<a href="https://www.politics.ox.ac.uk/academic-staff/yaacov-yadgar.html">Yaacov Yadgar</a> is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is <a href="http://www.sunypress.edu/p-6401-sovereign-jews.aspx">Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017)</a>. You can read more of Yadgar’s work <a href="https://www.politics.ox.ac.uk/academic-staff/yaacov-yadgar.html">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2865</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74529]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2795324400.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Cook, “Memory Songs: A Personal Journey into the Music that Shaped the 90s” (Unbound, 2018)</title>
      <description>Today on the New Books in Music podcast James Cook discuses his book, Memory Songs: A Personal Journey into the Music that Shaped the 90s (Unbound, 2018). The book details the author’s own adolescent musical obsessions from The Beatles to John Barry from Led Zeppelin to The Waterboys that led him to form his own band Flamingoes with his twin brother, Jude, and move to London in the early 1990s and begin the long the often perilous road to becoming a full-time working musician. The book is part memoir, part music criticism, part social history, and a vivid tale of life lived on the periphery of a vibrant era in British cultural history.

Originally a musician and songwriter, James Cook released two albums with his band Flamingoes: the acclaimed “Plastic Jewels” in 1995 and “Street Noise Invades the House” in 2007. Present from the start of the Britpop boom, The Flamingoes toured the UK and Europe extensively, selling 20,000 records worldwide. In 2009, one of James’ short stories was featured in the collection Vagabond Holes alongside work by Nick Cave and ManBooker winner D. B. C . Pierre. James has written about music for The Guardian and Litromagazine among others, and is currently working on a new book. He lives in London.



Stephen Lee Naish is a writer, independent researcher, and cultural critic. Originally from Leicester, UK, he now resides in Kingston, Ontario, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 07 Jun 2018 10:00:38 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Today on the New Books in Music podcast James Cook discuses his book, Memory Songs: A Personal Journey into the Music that Shaped the 90s (Unbound, 2018). The book details the author’s own adolescent musical obsessions from The Beatles to John Barry fr...</itunes:subtitle>
      <itunes:summary>Today on the New Books in Music podcast James Cook discuses his book, Memory Songs: A Personal Journey into the Music that Shaped the 90s (Unbound, 2018). The book details the author’s own adolescent musical obsessions from The Beatles to John Barry from Led Zeppelin to The Waterboys that led him to form his own band Flamingoes with his twin brother, Jude, and move to London in the early 1990s and begin the long the often perilous road to becoming a full-time working musician. The book is part memoir, part music criticism, part social history, and a vivid tale of life lived on the periphery of a vibrant era in British cultural history.

Originally a musician and songwriter, James Cook released two albums with his band Flamingoes: the acclaimed “Plastic Jewels” in 1995 and “Street Noise Invades the House” in 2007. Present from the start of the Britpop boom, The Flamingoes toured the UK and Europe extensively, selling 20,000 records worldwide. In 2009, one of James’ short stories was featured in the collection Vagabond Holes alongside work by Nick Cave and ManBooker winner D. B. C . Pierre. James has written about music for The Guardian and Litromagazine among others, and is currently working on a new book. He lives in London.



Stephen Lee Naish is a writer, independent researcher, and cultural critic. Originally from Leicester, UK, he now resides in Kingston, Ontario, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today on the New Books in Music podcast James Cook discuses his book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qr6aKssSeAad9eaD0fB5p0YAAAFj0SN54gEAAAFKAZg2lQ4/http://www.amazon.com/dp/1783525215/ref=as_at?creativeASIN=1783525215&amp;linkCode=w61&amp;imprToken=xeMX89uyhv31Q8ZwL1eHfw&amp;slotNum=0&amp;tag=newbooinhis-20">Memory Songs: A Personal Journey into the Music that Shaped the 90s</a> (Unbound, 2018). The book details the author’s own adolescent musical obsessions from The Beatles to John Barry from Led Zeppelin to The Waterboys that led him to form his own band Flamingoes with his twin brother, Jude, and move to London in the early 1990s and begin the long the often perilous road to becoming a full-time working musician. The book is part memoir, part music criticism, part social history, and a vivid tale of life lived on the periphery of a vibrant era in British cultural history.</p><p>
Originally a musician and songwriter, James Cook released two albums with his band Flamingoes: the acclaimed “Plastic Jewels” in 1995 and “Street Noise Invades the House” in 2007. Present from the start of the Britpop boom, The Flamingoes toured the UK and Europe extensively, selling 20,000 records worldwide. In 2009, one of James’ short stories was featured in the collection Vagabond Holes alongside work by Nick Cave and ManBooker winner D. B. C . Pierre. James has written about music for The Guardian and Litromagazine among others, and is currently working on a new book. He lives in London.</p><p>
</p><p>
Stephen Lee Naish is a writer, independent researcher, and cultural critic. Originally from Leicester, UK, he now resides in Kingston, Ontario, Canada.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2766</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74436]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9817646996.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Charles Hughes, “Country Soul: Making Music and Making Race in the American South” (UNC Press, 2015)</title>
      <description>As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all!



Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 06 Jun 2018 10:00:23 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important mu...</itunes:subtitle>
      <itunes:summary>As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all!



Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QrvOJnh8kaQald_vog_Wq_IAAAFjz4EeOgEAAAFKAZBz2m4/http://www.amazon.com/dp/1469622432/ref=as_at?creativeASIN=1469622432&amp;linkCode=w61&amp;imprToken=ELE7OP7v0ldE72.ONGitTg&amp;slotNum=0&amp;tag=newbooinhis-20">Country Soul: Making Music and Making Race in the American South</a> (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all!</p><p>
</p><p>
Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him <a href="https://twitter.com/culturedmodesty">@CulturedModesty</a> on Twitter to learn more about upcoming interviews.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2968</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74399]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1137810270.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Ramirez, “Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town” (Rutgers UP, 2018)</title>
      <description>The pursuit of a musical career crosses the mind of most children. But, for most, a vocation is nothing more than a farfetched fantasy that will never come true. Music is often considered more appropriate as a leisure activity that need be abandoned when a person enters adulthood. How are men and women to forge a career as a musician when it is largely considered taboo to pursue such a position as a lifetime career?

In Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town (Rutgers University Press, 2018), sociologist Dr. Michael Ramirez examines the lives of 48 independent rock musicians who sought out a music career in a college town that is renowned for its music scene. Ramirez used a life-course approach to understand the wealth of experience that led to some, but not all, individuals to fashion careers in the music industry. Ramirez recommends a nuanced understanding of factors—focusing on the intersections—that enable some people to pursue musical careers well into their adulthood.

Michael Ramirez, Ph.D. is Associate Professor of Sociology and Coordinator of the Women and Gender Studies Program at Texas A&amp;M University – Corpus Christi. He teaches courses and conducts research in the areas of gender, work, aging and the life course, film, as well as courses in Women and Gender Studies. Ramirez is currently working on a study about fatherhood in twenty-first century America.



Michael O. Johnston, Ph.D. is Assistant Professor of Sociology at William Penn University. You can read more about Johnston’s work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 18 May 2018 10:00:54 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The pursuit of a musical career crosses the mind of most children. But, for most, a vocation is nothing more than a farfetched fantasy that will never come true. Music is often considered more appropriate as a leisure activity that need be abandoned wh...</itunes:subtitle>
      <itunes:summary>The pursuit of a musical career crosses the mind of most children. But, for most, a vocation is nothing more than a farfetched fantasy that will never come true. Music is often considered more appropriate as a leisure activity that need be abandoned when a person enters adulthood. How are men and women to forge a career as a musician when it is largely considered taboo to pursue such a position as a lifetime career?

In Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town (Rutgers University Press, 2018), sociologist Dr. Michael Ramirez examines the lives of 48 independent rock musicians who sought out a music career in a college town that is renowned for its music scene. Ramirez used a life-course approach to understand the wealth of experience that led to some, but not all, individuals to fashion careers in the music industry. Ramirez recommends a nuanced understanding of factors—focusing on the intersections—that enable some people to pursue musical careers well into their adulthood.

Michael Ramirez, Ph.D. is Associate Professor of Sociology and Coordinator of the Women and Gender Studies Program at Texas A&amp;M University – Corpus Christi. He teaches courses and conducts research in the areas of gender, work, aging and the life course, film, as well as courses in Women and Gender Studies. Ramirez is currently working on a study about fatherhood in twenty-first century America.



Michael O. Johnston, Ph.D. is Assistant Professor of Sociology at William Penn University. You can read more about Johnston’s work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The pursuit of a musical career crosses the mind of most children. But, for most, a vocation is nothing more than a farfetched fantasy that will never come true. Music is often considered more appropriate as a leisure activity that need be abandoned when a person enters adulthood. How are men and women to forge a career as a musician when it is largely considered taboo to pursue such a position as a lifetime career?</p><p>
In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuGvbf_Fq4IReyWV79HWUCQAAAFjb1b2xQEAAAFKASBsIsk/http://www.amazon.com/dp/0813588111/ref=as_at?creativeASIN=0813588111&amp;linkCode=w61&amp;imprToken=IQKvWysduxnzEJ24SnlJ9w&amp;slotNum=0&amp;tag=newbooinhis-20">Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town</a> (Rutgers University Press, 2018), sociologist Dr. Michael Ramirez examines the lives of 48 independent rock musicians who sought out a music career in a college town that is renowned for its music scene. Ramirez used a life-course approach to understand the wealth of experience that led to some, but not all, individuals to fashion careers in the music industry. Ramirez recommends a nuanced understanding of factors—focusing on the intersections—that enable some people to pursue musical careers well into their adulthood.</p><p>
<a href="https://michaelramirezphd.weebly.com/">Michael Ramirez, Ph.D.</a> is Associate Professor of Sociology and Coordinator of the Women and Gender Studies Program at Texas A&amp;M University – Corpus Christi. He teaches courses and conducts research in the areas of gender, work, aging and the life course, film, as well as courses in Women and Gender Studies. Ramirez is currently working on a study about fatherhood in twenty-first century America.</p><p>
</p><p>
<a href="https://www.wmpenn.edu/person/michael-o-johnston-ph-d/">Michael O. Johnston, Ph.D.</a> is Assistant Professor of Sociology at William Penn University. You can read more about Johnston’s work <a href="https://profjohnston.weebly.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2933</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73662]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8658777973.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter Hoar, “The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940” (Otago University Press, 2018)</title>
      <description>In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century.  Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own.
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      <pubDate>Fri, 18 May 2018 10:00:36 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology,</itunes:subtitle>
      <itunes:summary>In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century.  Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QkHd9Fv1VL_oN7qze-oHp7cAAAFjaFpD0gEAAAFKAQ2vErs/http://www.amazon.com/dp/1988531195/ref=as_at?creativeASIN=1988531195&amp;linkCode=w61&amp;imprToken=cR.fXvmRLlxlba7jvUUO-g&amp;slotNum=0&amp;tag=newbooinhis-20">The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940</a> (Otago University Press, 2018), <a href="https://www.aut.ac.nz/profiles/peter-hoar2">Peter Hoar</a>, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century.  Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1072</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73612]]></guid>
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      <title>Gillian M. Rodger, “Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage” (U Illinois Press, 2018)</title>
      <description>In the 1870s, one of the most popular forms of entertainment attended by American working-class men was variety—a succession of unrelated bawdy acts that preceded its tamer later nineteenth-century cousin, vaudeville. Gillian M. Rodger, author of Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage (University of Illinois Press, 2018), introduces the reader to some of the stars of these shows—male impersonators, women who dressed and performed as men on stage. Focusing on the period between about 1870 and World War I, Rodger traces how their acts changed over time as American ideas about gender and class also changed. Along the way, Rodger presents a fascinating cast of characters who defied social and sexual norms on stage and off. A few women even managed to marry their same-sex partners. But Rodger’s book is about more than just an obscure theatrical performance practice because her work illuminates the intersections and connections between class, sexuality, and gender. Historical musicology tends to skew to the middle class, but male impersonation was entertainment for the working class. Through examining the content of these acts, as well as their reception, Rodger argues that during the second half of the nineteenth century, working class men began to guard their access to employment and the public sphere against competition from women, just as middle-class women began to break into the public sphere through work and political activity in support of women’s suffrage. The more realistic acts that lampooned middle-class masculinity that male impersonators once performed for an all-male working class audience became more focused on respectability and upholding conservative social values by the early twentieth century as audiences became mixed gender and more middle-class.

Gillian M. Rodger is a professor of ethnomusicology and musicology at the University of Wisconsin-Milwaukee. Her research centers on popular musical entertainment in the nineteenth century and American white working-class culture. In all her work, Rodger is interested in the dramatic function of songs in non-narrative entertainments and how those songs reflect contemporary ideas about gender, class, and sexuality. She has published articles in several journals including American Music and Musical Quarterly. Her first book, Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century (2010), surveys the history of variety beginning in the 1840s.



Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 May 2018 10:00:53 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the 1870s, one of the most popular forms of entertainment attended by American working-class men was variety—a succession of unrelated bawdy acts that preceded its tamer later nineteenth-century cousin, vaudeville. Gillian M. Rodger,</itunes:subtitle>
      <itunes:summary>In the 1870s, one of the most popular forms of entertainment attended by American working-class men was variety—a succession of unrelated bawdy acts that preceded its tamer later nineteenth-century cousin, vaudeville. Gillian M. Rodger, author of Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage (University of Illinois Press, 2018), introduces the reader to some of the stars of these shows—male impersonators, women who dressed and performed as men on stage. Focusing on the period between about 1870 and World War I, Rodger traces how their acts changed over time as American ideas about gender and class also changed. Along the way, Rodger presents a fascinating cast of characters who defied social and sexual norms on stage and off. A few women even managed to marry their same-sex partners. But Rodger’s book is about more than just an obscure theatrical performance practice because her work illuminates the intersections and connections between class, sexuality, and gender. Historical musicology tends to skew to the middle class, but male impersonation was entertainment for the working class. Through examining the content of these acts, as well as their reception, Rodger argues that during the second half of the nineteenth century, working class men began to guard their access to employment and the public sphere against competition from women, just as middle-class women began to break into the public sphere through work and political activity in support of women’s suffrage. The more realistic acts that lampooned middle-class masculinity that male impersonators once performed for an all-male working class audience became more focused on respectability and upholding conservative social values by the early twentieth century as audiences became mixed gender and more middle-class.

Gillian M. Rodger is a professor of ethnomusicology and musicology at the University of Wisconsin-Milwaukee. Her research centers on popular musical entertainment in the nineteenth century and American white working-class culture. In all her work, Rodger is interested in the dramatic function of songs in non-narrative entertainments and how those songs reflect contemporary ideas about gender, class, and sexuality. She has published articles in several journals including American Music and Musical Quarterly. Her first book, Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century (2010), surveys the history of variety beginning in the 1840s.



Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the 1870s, one of the most popular forms of entertainment attended by American working-class men was variety—a succession of unrelated bawdy acts that preceded its tamer later nineteenth-century cousin, vaudeville. <a href="http://uwm.edu/arts/directory/rodger-gillian/">Gillian M. Rodger</a>, author of <a href="http://aax-us-east.amazon-adsystem.com/x/c/QqoZJ_l2kuG8O-sKGSg5wyMAAAFjY9VPHAEAAAFKAUh8sPg/http://www.amazon.com/dp/0252083156/ref=as_at?creativeASIN=0252083156&amp;linkCode=w61&amp;imprToken=6GY9g8rHN36CHjohJRLt.g&amp;slotNum=0&amp;tag=newbooinhis-20">Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage</a> (University of Illinois Press, 2018), introduces the reader to some of the stars of these shows—male impersonators, women who dressed and performed as men on stage. Focusing on the period between about 1870 and World War I, Rodger traces how their acts changed over time as American ideas about gender and class also changed. Along the way, Rodger presents a fascinating cast of characters who defied social and sexual norms on stage and off. A few women even managed to marry their same-sex partners. But Rodger’s book is about more than just an obscure theatrical performance practice because her work illuminates the intersections and connections between class, sexuality, and gender. Historical musicology tends to skew to the middle class, but male impersonation was entertainment for the working class. Through examining the content of these acts, as well as their reception, Rodger argues that during the second half of the nineteenth century, working class men began to guard their access to employment and the public sphere against competition from women, just as middle-class women began to break into the public sphere through work and political activity in support of women’s suffrage. The more realistic acts that lampooned middle-class masculinity that male impersonators once performed for an all-male working class audience became more focused on respectability and upholding conservative social values by the early twentieth century as audiences became mixed gender and more middle-class.</p><p>
<a href="http://uwm.edu/arts/directory/rodger-gillian/">Gillian M. Rodger</a> is a professor of ethnomusicology and musicology at the University of Wisconsin-Milwaukee. Her research centers on popular musical entertainment in the nineteenth century and American white working-class culture. In all her work, Rodger is interested in the dramatic function of songs in non-narrative entertainments and how those songs reflect contemporary ideas about gender, class, and sexuality. She has published articles in several journals including American Music and Musical Quarterly. Her first book, Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century (2010), surveys the history of variety beginning in the 1840s.</p><p>
</p><p>
<a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/">Kristen M. Turner</a>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4052</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73590]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5325780616.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Discussion with Dahlia Schweitzer (“Going Viral”) and Rob Thomas (“Veronica Mars”)</title>
      <description>Follow-up interviews are always fun. Listen to my follow-up interview with Dahlia Schweitzer, author of Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018). I talk with her and Rob Thomas, the creator of Veronica Mars and the co-creator of iZombie and Party Down as well as the author of several young adult novels including Rats Saw God and Slave Day. In this interview we talk about how Schweitzer’s book discusses some of the ways in which Thomas’ series iZombie is ahead of its time, while Thomas shares some of the stories behind co-creating and writing iZombie. In addition, we discuss Thomas’ work on Veronica Mars, how the series came to be, as well as the ways in which it relates to Schweitzer’s new book. It’s a great interview for zombie lovers and marshmallows alike.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
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      <pubDate>Tue, 15 May 2018 10:00:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Follow-up interviews are always fun. Listen to my follow-up interview with Dahlia Schweitzer, author of Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018). I talk with her and Rob Thomas,</itunes:subtitle>
      <itunes:summary>Follow-up interviews are always fun. Listen to my follow-up interview with Dahlia Schweitzer, author of Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018). I talk with her and Rob Thomas, the creator of Veronica Mars and the co-creator of iZombie and Party Down as well as the author of several young adult novels including Rats Saw God and Slave Day. In this interview we talk about how Schweitzer’s book discusses some of the ways in which Thomas’ series iZombie is ahead of its time, while Thomas shares some of the stories behind co-creating and writing iZombie. In addition, we discuss Thomas’ work on Veronica Mars, how the series came to be, as well as the ways in which it relates to Schweitzer’s new book. It’s a great interview for zombie lovers and marshmallows alike.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Follow-up interviews are always fun. Listen to my follow-up <a href="http://newbooksnetwork.com/dahlia-schweitzer-going-viral-zombies-viruses-and-the-end-of-the-world-rutgers-up-2018/">interview</a> with Dahlia Schweitzer, author of <a href="http://aax-us-east.amazon-adsystem.com/x/c/Ql-DJbQQkde7oLWgyiRLK24AAAFjXvBfiAEAAAFKAf7vQDc/http://www.amazon.com/dp/081359314X/ref=as_at?creativeASIN=081359314X&amp;linkCode=w61&amp;imprToken=pFPNqQRmV5sQWU45o6jRYQ&amp;slotNum=0&amp;tag=newbooinhis-20">Going Viral: Zombies, Viruses, and the End of the World</a> (Rutgers University Press, 2018). I talk with her and <a href="http://slaverats.com/">Rob Thomas</a>, the creator of Veronica Mars and the co-creator of iZombie and Party Down as well as the author of several young adult novels including Rats Saw God and Slave Day. In this interview we talk about how Schweitzer’s book discusses some of the ways in which Thomas’ series iZombie is ahead of its time, while Thomas shares some of the stories behind co-creating and writing iZombie. In addition, we discuss Thomas’ work on Veronica Mars, how the series came to be, as well as the ways in which it relates to Schweitzer’s new book. It’s a great interview for zombie lovers and marshmallows alike.</p><p>
</p><p>
<a href="https://wiu.academia.edu/RebekahBuchanan">Rebekah Buchanan</a> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of <a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73559]]></guid>
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      <title>Sophia Rose Arjana, “Veiled Superheroes: Islam, Feminism, and Popular Culture” (Lexington Books, 2017)</title>
      <description>Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students.



M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu.
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      <pubDate>Mon, 14 May 2018 10:00:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan.</itunes:subtitle>
      <itunes:summary>Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students.



M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://aax-us-east.amazon-adsystem.com/x/c/QmxhTku050KqmsQ72LgRqe0AAAFjT1cG_gEAAAFKAVmVNyo/http://www.amazon.com/dp/1498536522/ref=as_at?creativeASIN=1498536522&amp;linkCode=w61&amp;imprToken=CyUtwZabxy.IpqvLA53RjQ&amp;slotNum=0&amp;tag=newbooinhis-20">Veiled Superheroes: Islam, Feminism, and Popular Culture </a>(Lexington Books, 2017) by <a href="https://www.wku.edu/philosophy-religion/religion/staff/sophia_arjana">Sophia Rose Arjana</a> (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation.  Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students.</p><p>
</p><p>
M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found <a href="https://faculty.ithaca.edu/mxavier/">here</a> and <a href="http://ithaca.academia.edu/ShobhanaXavier">here</a>. She may be reached at <a href="mailto:mxavier@ithaca.edu">mxavier@ithaca.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2666</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73519]]></guid>
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    </item>
    <item>
      <title>Gregory Snyder, “Skateboarding LA: Inside Professional Street Skateboarding” (NYU Press, 2017)</title>
      <description>Today we are joined by Gregory Snyder, an Associate Professor of Sociology at Baruch College, City University of New York (CUNY), and author of Skateboarding LA: Inside Professional Street Skateboarding (New York University Press, 2017).  In Skateboarding LA, Snyder explores the world of professional street skateboarding in order to explain how the skate subculture produce a rich urban community and significant profits for professional skaters in spite of the widespread illegality of the sport.

Based on almost a decade of ethnographic interviews with skateboarders, videographers, and promoters, Snyder de-centers notions of skateboarders as criminals and vandals. Instead he describes skaters as creative forces in the city: impromptu repair crews, street architects, amateur historians, urban explorers, and public space activists.  He shows how skaters see public spaces differently: stairs, benches, handrails, and fountains become potential obstacles for tricks.  They produce their own language to describe new maneuvers and produce the history of these unique sports spaces online in videos and in magazines.  And when those spaces are threatened, skateboarders organize publicly to save them as they did in the case of the West LA Library.

You do not need to be interested in extreme or lifestyle sports to enjoy Snyder’s work because his larger conclusions concern the abilities of subcultures to preserve and grow in spite of public opprobrium.  Anthropologists and ethnographers in the Birmingham School studied the way subcultures used pastiches of styles as a form of symbolic resistance to “win space.”  Previous histories of skateboarding adopted this theoretical model to investigate skateboarders as a resistance subculture.  Snyder rejects this view because it paints subcultural groups as ultimately futile, destined to become commodified by outside forces.  Snyder shows how the commodification of street skateboarding occurred largely on its own terms and generally through the efforts of professional and former professional skateboarders working in subcultural careers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 May 2018 10:00:28 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Today we are joined by Gregory Snyder, an Associate Professor of Sociology at Baruch College, City University of New York (CUNY), and author of Skateboarding LA: Inside Professional Street Skateboarding (New York University Press, 2017).</itunes:subtitle>
      <itunes:summary>Today we are joined by Gregory Snyder, an Associate Professor of Sociology at Baruch College, City University of New York (CUNY), and author of Skateboarding LA: Inside Professional Street Skateboarding (New York University Press, 2017).  In Skateboarding LA, Snyder explores the world of professional street skateboarding in order to explain how the skate subculture produce a rich urban community and significant profits for professional skaters in spite of the widespread illegality of the sport.

Based on almost a decade of ethnographic interviews with skateboarders, videographers, and promoters, Snyder de-centers notions of skateboarders as criminals and vandals. Instead he describes skaters as creative forces in the city: impromptu repair crews, street architects, amateur historians, urban explorers, and public space activists.  He shows how skaters see public spaces differently: stairs, benches, handrails, and fountains become potential obstacles for tricks.  They produce their own language to describe new maneuvers and produce the history of these unique sports spaces online in videos and in magazines.  And when those spaces are threatened, skateboarders organize publicly to save them as they did in the case of the West LA Library.

You do not need to be interested in extreme or lifestyle sports to enjoy Snyder’s work because his larger conclusions concern the abilities of subcultures to preserve and grow in spite of public opprobrium.  Anthropologists and ethnographers in the Birmingham School studied the way subcultures used pastiches of styles as a form of symbolic resistance to “win space.”  Previous histories of skateboarding adopted this theoretical model to investigate skateboarders as a resistance subculture.  Snyder rejects this view because it paints subcultural groups as ultimately futile, destined to become commodified by outside forces.  Snyder shows how the commodification of street skateboarding occurred largely on its own terms and generally through the efforts of professional and former professional skateboarders working in subcultural careers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by <a href="http://www.baruch.cuny.edu/wsas/academics/anthropology/gsnyder.htm">Gregory Snyder</a>, an Associate Professor of Sociology at Baruch College, City University of New York (CUNY), and author of <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qg30zytrpkpWMncjP_5u6VUAAAFjT4Es7AEAAAFKAVzlEQg/http://www.amazon.com/dp/0814769861/ref=as_at?creativeASIN=0814769861&amp;linkCode=w61&amp;imprToken=YF3L9jprlUzYbzbcrcnGvw&amp;slotNum=0&amp;tag=newbooinhis-20">Skateboarding LA: Inside Professional Street Skateboarding</a> (New York University Press, 2017).  In Skateboarding LA, Snyder explores the world of professional street skateboarding in order to explain how the skate subculture produce a rich urban community and significant profits for professional skaters in spite of the widespread illegality of the sport.</p><p>
Based on almost a decade of ethnographic interviews with skateboarders, videographers, and promoters, Snyder de-centers notions of skateboarders as criminals and vandals. Instead he describes skaters as creative forces in the city: impromptu repair crews, street architects, amateur historians, urban explorers, and public space activists.  He shows how skaters see public spaces differently: stairs, benches, handrails, and fountains become potential obstacles for tricks.  They produce their own language to describe new maneuvers and produce the history of these unique sports spaces online in videos and in magazines.  And when those spaces are threatened, skateboarders organize publicly to save them as they did in the case of the West LA Library.</p><p>
You do not need to be interested in extreme or lifestyle sports to enjoy Snyder’s work because his larger conclusions concern the abilities of subcultures to preserve and grow in spite of public opprobrium.  Anthropologists and ethnographers in the Birmingham School studied the way subcultures used pastiches of styles as a form of symbolic resistance to “win space.”  Previous histories of skateboarding adopted this theoretical model to investigate skateboarders as a resistance subculture.  Snyder rejects this view because it paints subcultural groups as ultimately futile, destined to become commodified by outside forces.  Snyder shows how the commodification of street skateboarding occurred largely on its own terms and generally through the efforts of professional and former professional skateboarders working in subcultural careers.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3750</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73527]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3207113705.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jesse Berrett, “Pigskin Nation: How the NFL Remade American Politics” (U Illinois Press, 2018)</title>
      <description>Today we are joined by Jesse Berrett, author of Pigskin Nation: How the NFL Remade American Politics (University of Illinois Press, 2018). Berrett is a high school history teacher at University High School in San Francisco. He earned a PhD in History at the University of California, Berkeley, and has worked as a rock critic, television columnist, and book reviewer. In his new book, Berrett looks at the National Football League of the late 1960s and early 1970s, and how President Richard M. Nixon channeled his love for football into a useful tool to achieve political goals. Going to college football games like the 1969 Texas-Arkansas clash, talking baseball or drawing up plays for NFL coaches was not only a truly passionate response by Nixon, but also a productive wedge issue that allowed the president to connect with the audience he most coveted — conservative, middle-class American fans, particularly in the South. Nixon always identified with the underdog, and using sports metaphors about teamwork, character and a strong ethic were themes he hammered home in his speeches. Nixon is a major theme in this book, and the sports angle provides a fresh perspective on a conflicted, fascinating political figure. But Pigskin Nation also looks at how NFL Commissioner Pete Rozelle saw a marketing bonanza and used politics to help pro football surpass major league baseball as America’s go-to sport.



Bob D’Angelo just completed work for his master’s degree in history at Southern New Hampshire University. He earned his bachelor’s degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. Bob currently is a national digital content editor for Cox Media Group. Bob can be reached at bdangelo57@gmail.com. For more information and reviews, be sure to visit Bob D’Angelo’s Books and Blogs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 09 May 2018 10:00:23 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Today we are joined by Jesse Berrett, author of Pigskin Nation: How the NFL Remade American Politics (University of Illinois Press, 2018). Berrett is a high school history teacher at University High School in San Francisco.</itunes:subtitle>
      <itunes:summary>Today we are joined by Jesse Berrett, author of Pigskin Nation: How the NFL Remade American Politics (University of Illinois Press, 2018). Berrett is a high school history teacher at University High School in San Francisco. He earned a PhD in History at the University of California, Berkeley, and has worked as a rock critic, television columnist, and book reviewer. In his new book, Berrett looks at the National Football League of the late 1960s and early 1970s, and how President Richard M. Nixon channeled his love for football into a useful tool to achieve political goals. Going to college football games like the 1969 Texas-Arkansas clash, talking baseball or drawing up plays for NFL coaches was not only a truly passionate response by Nixon, but also a productive wedge issue that allowed the president to connect with the audience he most coveted — conservative, middle-class American fans, particularly in the South. Nixon always identified with the underdog, and using sports metaphors about teamwork, character and a strong ethic were themes he hammered home in his speeches. Nixon is a major theme in this book, and the sports angle provides a fresh perspective on a conflicted, fascinating political figure. But Pigskin Nation also looks at how NFL Commissioner Pete Rozelle saw a marketing bonanza and used politics to help pro football surpass major league baseball as America’s go-to sport.



Bob D’Angelo just completed work for his master’s degree in history at Southern New Hampshire University. He earned his bachelor’s degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. Bob currently is a national digital content editor for Cox Media Group. Bob can be reached at bdangelo57@gmail.com. For more information and reviews, be sure to visit Bob D’Angelo’s Books and Blogs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by <a href="http://jesseberrett.com/">Jesse Berrett</a>, author of <a href="http://aax-us-east.amazon-adsystem.com/x/c/QkTYGMKzGoDBciQOT9HDFMcAAAFjRXOyNgEAAAFKAZ87u8w/http://www.amazon.com/dp/0252083326/ref=as_at?creativeASIN=0252083326&amp;linkCode=w61&amp;imprToken=q-TNhpz6-mA3bpjVkuWXZA&amp;slotNum=0&amp;tag=newbooinhis-20">Pigskin Nation: How the NFL Remade American Politics</a> (University of Illinois Press, 2018). Berrett is a high school history teacher at University High School in San Francisco. He earned a PhD in History at the University of California, Berkeley, and has worked as a rock critic, television columnist, and book reviewer. In his new book, Berrett looks at the National Football League of the late 1960s and early 1970s, and how President Richard M. Nixon channeled his love for football into a useful tool to achieve political goals. Going to college football games like the 1969 Texas-Arkansas clash, talking baseball or drawing up plays for NFL coaches was not only a truly passionate response by Nixon, but also a productive wedge issue that allowed the president to connect with the audience he most coveted — conservative, middle-class American fans, particularly in the South. Nixon always identified with the underdog, and using sports metaphors about teamwork, character and a strong ethic were themes he hammered home in his speeches. Nixon is a major theme in this book, and the sports angle provides a fresh perspective on a conflicted, fascinating political figure. But Pigskin Nation also looks at how NFL Commissioner Pete Rozelle saw a marketing bonanza and used politics to help pro football surpass major league baseball as America’s go-to sport.</p><p>
</p><p>
Bob D’Angelo just completed work for his master’s degree in history at Southern New Hampshire University. He earned his bachelor’s degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. Bob currently is a national digital content editor for Cox Media Group. Bob can be reached at <a href="mailto:bdangelo57@gmail.com">bdangelo57@gmail.com</a>. For more information and reviews, be sure to visit <a href="http://bobdangelobooks.weebly.com/the-sports-bookie">Bob D’Angelo’s Books and Blogs</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>162</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73406]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9158962368.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark A. McCutcheon, “The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology” (Athabasca UP, 2018)</title>
      <description>What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues that Shelley’s 1818 novel essentially reinvented the word “technology” for the modern age, establishing its connections with ominous notions of manmade monstrosity. In the twentieth century, this monstrous, Frankensteinian conception of technology was globalized and popularized largely through Marshall McLuhan’s media theory and its numerous, diverse adaptations in Canadian popular culture. The Medium is the Monster establishes Frankenstein, and its various adaptations, as the originating intertext for a modern conceptualisation of technology that has manifested with a unique potency in Canadian pop culture, informing works as disparate as David Cronenberg’s Videodrome, William Gibson’s Neuromancer, the fiction of Margaret Atwood, and even electronic dance music. Furthermore, McCutcheon undertakes an incisive of analysis of how Frankensteinian constructions of technology have shaped real-world discussions of science and industry, an intertextual discourse which he sees as most powerfully encapsulated in the rhetoric associated with the Alberta tar sands industry.

Over the course of the interview, McCutcheon provides some fascinating insights into changing cultural attitudes towards technology, the influence of Mary Shelley’s Frankenstein, the novel’s relationship to McLuhan’s media theory, and the surprising scope of Shelley’s cultural impact.



Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 03 May 2018 10:00:30 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenst...</itunes:subtitle>
      <itunes:summary>What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues that Shelley’s 1818 novel essentially reinvented the word “technology” for the modern age, establishing its connections with ominous notions of manmade monstrosity. In the twentieth century, this monstrous, Frankensteinian conception of technology was globalized and popularized largely through Marshall McLuhan’s media theory and its numerous, diverse adaptations in Canadian popular culture. The Medium is the Monster establishes Frankenstein, and its various adaptations, as the originating intertext for a modern conceptualisation of technology that has manifested with a unique potency in Canadian pop culture, informing works as disparate as David Cronenberg’s Videodrome, William Gibson’s Neuromancer, the fiction of Margaret Atwood, and even electronic dance music. Furthermore, McCutcheon undertakes an incisive of analysis of how Frankensteinian constructions of technology have shaped real-world discussions of science and industry, an intertextual discourse which he sees as most powerfully encapsulated in the rhetoric associated with the Alberta tar sands industry.

Over the course of the interview, McCutcheon provides some fascinating insights into changing cultural attitudes towards technology, the influence of Mary Shelley’s Frankenstein, the novel’s relationship to McLuhan’s media theory, and the surprising scope of Shelley’s cultural impact.



Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that <a href="http://engl.athabascau.ca/faculty/mmccutcheon.php">Mark A. McCutcheon</a> seeks to answer in his new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qhp3DB3-vBv5gJluKMOZvfQAAAFjEgzjEwEAAAFKASxfKk4/http://www.amazon.com/dp/1771992247/ref=as_at?creativeASIN=1771992247&amp;linkCode=w61&amp;imprToken=-GvbXocwbX9a-wV23qPYxg&amp;slotNum=0&amp;tag=newbooinhis-20">The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology</a>, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues that Shelley’s 1818 novel essentially reinvented the word “technology” for the modern age, establishing its connections with ominous notions of manmade monstrosity. In the twentieth century, this monstrous, Frankensteinian conception of technology was globalized and popularized largely through Marshall McLuhan’s media theory and its numerous, diverse adaptations in Canadian popular culture. The Medium is the Monster establishes Frankenstein, and its various adaptations, as the originating intertext for a modern conceptualisation of technology that has manifested with a unique potency in Canadian pop culture, informing works as disparate as David Cronenberg’s Videodrome, William Gibson’s Neuromancer, the fiction of Margaret Atwood, and even electronic dance music. Furthermore, McCutcheon undertakes an incisive of analysis of how Frankensteinian constructions of technology have shaped real-world discussions of science and industry, an intertextual discourse which he sees as most powerfully encapsulated in the rhetoric associated with the Alberta tar sands industry.</p><p>
Over the course of the interview, McCutcheon provides some fascinating insights into changing cultural attitudes towards technology, the influence of Mary Shelley’s Frankenstein, the novel’s relationship to McLuhan’s media theory, and the surprising scope of Shelley’s cultural impact.</p><p>
</p><p>
Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4729</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73239]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2689596914.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emilie Lucchesi, “Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz-Age Chicago” (Chicago Review, 2017)</title>
      <description>In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 May 2018 10:00:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering ...</itunes:subtitle>
      <itunes:summary>In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QqlnduBdfzRDVEwZYKh-vv0AAAFjEYDF-AEAAAFKAap5d1E/http://www.amazon.com/dp/1613736967/ref=as_at?creativeASIN=1613736967&amp;linkCode=w61&amp;imprToken=rAyMOd7uLIizgdi8nhAR-Q&amp;slotNum=0&amp;tag=newbooinhis-20">Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago</a> (Chicago Review Press, 2017), <a href="http://www.emilie-lucchesi.com/">Emilie Le Beau Lucchesi</a> presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3737</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73197]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7363705534.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Liechty, “Far Out: Countercultural Seekers and the Tourist Encounter in Nepal” (U of Chicago Press, 2017)</title>
      <description>How did Nepal become synonymous, in the minds of many Westerners, with the idea of a mystical paradise and a place to find enlightenment? How did Kathmandu become the subject of songs by countercultural icons such as Janis Joplin and Cat Stevens? What did Nepalis make of the strange seekers who turned up on their doorsteps? In his book Far Out: Countercultural Seekers and the Tourist Encounter in Nepal (University of Chicago Press, 2017), anthropologist and historian Mark Liechty offers a deeply researched and thoroughly engaging to all of these questions and more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 01 May 2018 10:00:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How did Nepal become synonymous, in the minds of many Westerners, with the idea of a mystical paradise and a place to find enlightenment? How did Kathmandu become the subject of songs by countercultural icons such as Janis Joplin and Cat Stevens?</itunes:subtitle>
      <itunes:summary>How did Nepal become synonymous, in the minds of many Westerners, with the idea of a mystical paradise and a place to find enlightenment? How did Kathmandu become the subject of songs by countercultural icons such as Janis Joplin and Cat Stevens? What did Nepalis make of the strange seekers who turned up on their doorsteps? In his book Far Out: Countercultural Seekers and the Tourist Encounter in Nepal (University of Chicago Press, 2017), anthropologist and historian Mark Liechty offers a deeply researched and thoroughly engaging to all of these questions and more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did Nepal become synonymous, in the minds of many Westerners, with the idea of a mystical paradise and a place to find enlightenment? How did Kathmandu become the subject of songs by countercultural icons such as Janis Joplin and Cat Stevens? What did Nepalis make of the strange seekers who turned up on their doorsteps? In his book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QljblXwP73-V9VSJ-HrbPgUAAAFjEUtMtQEAAAFKAaR5pLs/http://www.amazon.com/dp/022642894X/ref=as_at?creativeASIN=022642894X&amp;linkCode=w61&amp;imprToken=NIZ7MErNiiyRjf3kozX18w&amp;slotNum=0&amp;tag=newbooinhis-20">Far Out: Countercultural Seekers and the Tourist Encounter in Nepal</a> (University of Chicago Press, 2017), anthropologist and historian <a href="https://anth.uic.edu/uic-anthropology/people/faculty/liechty">Mark Liechty</a> offers a deeply researched and thoroughly engaging to all of these questions and more.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3808</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73187]]></guid>
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    </item>
    <item>
      <title>Pablo Piccato, “A History of Infamy: Crime, Truth, and Justice in Mexico” (U California Press, 2017)</title>
      <description>A History of Infamy: Crime, Truth, and Justice in Mexico (University of California Press, 2017) explores the definitive changes that the justice system as well as criminal ideas and practices underwent during the 1920s-1950s. For his most recent book, Pablo Piccato investigated spaces, actors, and fictions that shaped the complicated relationship between crime, justice, and truth during the consolidation of the post-revolution Mexican state. Through a series of compelling arguments, the author shows how impunity, the lack of transparency in judicial processes, and infamy are related to a constant quest for truth and justice that the state could not provide to Mexicans.  From the abolition of the jury system in the 20s, to the emergence of crime fiction, the author shows that men and women, the press, detectives, policemen, and even murderers themselves, shaped both ideas and practices in regards to violence, law-breaking, and the normalization of injustice in the country.



Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University-NYC campus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 27 Apr 2018 10:00:44 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A History of Infamy: Crime, Truth, and Justice in Mexico (University of California Press, 2017) explores the definitive changes that the justice system as well as criminal ideas and practices underwent during the 1920s-1950s. For his most recent book,</itunes:subtitle>
      <itunes:summary>A History of Infamy: Crime, Truth, and Justice in Mexico (University of California Press, 2017) explores the definitive changes that the justice system as well as criminal ideas and practices underwent during the 1920s-1950s. For his most recent book, Pablo Piccato investigated spaces, actors, and fictions that shaped the complicated relationship between crime, justice, and truth during the consolidation of the post-revolution Mexican state. Through a series of compelling arguments, the author shows how impunity, the lack of transparency in judicial processes, and infamy are related to a constant quest for truth and justice that the state could not provide to Mexicans.  From the abolition of the jury system in the 20s, to the emergence of crime fiction, the author shows that men and women, the press, detectives, policemen, and even murderers themselves, shaped both ideas and practices in regards to violence, law-breaking, and the normalization of injustice in the country.



Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University-NYC campus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://aax-us-east.amazon-adsystem.com/x/c/Qkxa2oju5cjfXPupJsTB0D4AAAFjAf1YhAEAAAFKAa7WC4s/http://www.amazon.com/dp/0520292626/ref=as_at?creativeASIN=0520292626&amp;linkCode=w61&amp;imprToken=j59jEkBI13zvGFervgmKag&amp;slotNum=0&amp;tag=newbooinhis-20">A History of Infamy: Crime, Truth, and Justice in Mexico </a>(University of California Press, 2017) explores the definitive changes that the justice system as well as criminal ideas and practices underwent during the 1920s-1950s. For his most recent book, <a href="https://history.columbia.edu/faculty/piccato-pablo-a/">Pablo Piccato</a> investigated spaces, actors, and fictions that shaped the complicated relationship between crime, justice, and truth during the consolidation of the post-revolution Mexican state. Through a series of compelling arguments, the author shows how impunity, the lack of transparency in judicial processes, and infamy are related to a constant quest for truth and justice that the state could not provide to Mexicans.  From the abolition of the jury system in the 20s, to the emergence of crime fiction, the author shows that men and women, the press, detectives, policemen, and even murderers themselves, shaped both ideas and practices in regards to violence, law-breaking, and the normalization of injustice in the country.</p><p>
</p><p>
<a href="https://www.pace.edu/dyson/sections/meet-the-faculty/faculty-profile?username=pfuentesperalta">Pamela Fuentes</a> is Assistant Professor in the Women’s and Gender Studies Department, Pace University-NYC campus.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4224</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73110]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8072938476.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bhoomi Thakore, “South Asians on the U.S. Screen: Just Like Everyone Else?” (Lexington Books, 2018)</title>
      <description>How does the portrayal of a character like Apu matter? What does the representation of South Asian TV characters tell us about society at large?  In her new book, South Asians on the U.S. Screen: Just Like Everyone Else? (Lexington Books, 2018), Bhoomi Thakore uses interviews and audience studies to explore these questions and more. By having participants list South Asian characters they’ve seen on TV, she learns a lot about representation in addition to the positive and negative characteristics attributed to these characters. Often times South Asians are relegated to minor characters in shows and Thakore explores how The Mindy Project breaks out of this mold. Exploring ideas and concepts including “forever foreigners,” assimilation, and acculturation, Thakore analyzes this media sociologically. The book also sheds light on the portrayal of South Asian female characters specifically, as well as how some shows emphasize the “every-day”-ness of some South Asian characters versus those portrayed as tokens. Overall, this work highlights important aspects that viewers of these shows may miss in passing. Thakore concludes by giving readers insights from the analysis at hand, but also provides larger insights in terms of racial relations and media portrayals in general.

This book is interesting and accessible to a wide audience. Folks interested in general sociology, race/ethnicity, or media studies will find the book enjoyable. This book would be useful for an upper level sociology of race/ethnicity course as well as graduate level courses, especially those that focus on race/ethnicity or media studies.



Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 Apr 2018 10:58:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does the portrayal of a character like Apu matter? What does the representation of South Asian TV characters tell us about society at large?  In her new book, South Asians on the U.S. Screen: Just Like Everyone Else? (Lexington Books, 2018),</itunes:subtitle>
      <itunes:summary>How does the portrayal of a character like Apu matter? What does the representation of South Asian TV characters tell us about society at large?  In her new book, South Asians on the U.S. Screen: Just Like Everyone Else? (Lexington Books, 2018), Bhoomi Thakore uses interviews and audience studies to explore these questions and more. By having participants list South Asian characters they’ve seen on TV, she learns a lot about representation in addition to the positive and negative characteristics attributed to these characters. Often times South Asians are relegated to minor characters in shows and Thakore explores how The Mindy Project breaks out of this mold. Exploring ideas and concepts including “forever foreigners,” assimilation, and acculturation, Thakore analyzes this media sociologically. The book also sheds light on the portrayal of South Asian female characters specifically, as well as how some shows emphasize the “every-day”-ness of some South Asian characters versus those portrayed as tokens. Overall, this work highlights important aspects that viewers of these shows may miss in passing. Thakore concludes by giving readers insights from the analysis at hand, but also provides larger insights in terms of racial relations and media portrayals in general.

This book is interesting and accessible to a wide audience. Folks interested in general sociology, race/ethnicity, or media studies will find the book enjoyable. This book would be useful for an upper level sociology of race/ethnicity course as well as graduate level courses, especially those that focus on race/ethnicity or media studies.



Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the portrayal of a character like Apu matter? What does the representation of South Asian TV characters tell us about society at large?  In her new book, <a href="http://www.amazon.com/dp/1498506585/?tag=newbooinhis-20">South Asians on the U.S. Screen: Just Like Everyone Else?</a> (Lexington Books, 2018), <a href="http://www.bhoomikthakore.com/">Bhoomi Thakore</a> uses interviews and audience studies to explore these questions and more. By having participants list South Asian characters they’ve seen on TV, she learns a lot about representation in addition to the positive and negative characteristics attributed to these characters. Often times South Asians are relegated to minor characters in shows and Thakore explores how The Mindy Project breaks out of this mold. Exploring ideas and concepts including “forever foreigners,” assimilation, and acculturation, Thakore analyzes this media sociologically. The book also sheds light on the portrayal of South Asian female characters specifically, as well as how some shows emphasize the “every-day”-ness of some South Asian characters versus those portrayed as tokens. Overall, this work highlights important aspects that viewers of these shows may miss in passing. Thakore concludes by giving readers insights from the analysis at hand, but also provides larger insights in terms of racial relations and media portrayals in general.</p><p>
This book is interesting and accessible to a wide audience. Folks interested in general sociology, race/ethnicity, or media studies will find the book enjoyable. This book would be useful for an upper level sociology of race/ethnicity course as well as graduate level courses, especially those that focus on race/ethnicity or media studies.</p><p>
</p><p>
<a href="http://thespattersearch.com/">Sarah E. Patterson</a> is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2328</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73074]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7271511317.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Gennari, “Flavor and Soul: Italian America and Its African American Edge” (U Chicago Press, 2017)</title>
      <description>In his book, Flavor and Soul: Italian America and Its African American Edge (University of Chicago Press, 2017), scholar John Gennari examines the intersectionalities between African American and Italian American cultures in the United States. Using an auto-ethnographic lens, Gennari explores this relationship, what he calls “the edge”, between the two cultures. Gennari examines the intersectionalities in music, film, sports, and foodways, spotlighting the edge as a way to highlight the ways in which the relationship between Italian American and African American cultures has been both joyous and beneficial as well as fraught with violence and suspicion. He posits that an Afro-Italian sensibility has vitalized American culture, even with the conflicts over urban spaces, political and personal respect, and overlapping histories of exclusion. Through his personal connections as well as critical and well-researched chapters on the intersections between these two cultures, Gennari gives readers a deeper understanding of the histories and relationships between African Americans and Italian Americans.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 Apr 2018 10:00:29 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his book, Flavor and Soul: Italian America and Its African American Edge (University of Chicago Press, 2017), scholar John Gennari examines the intersectionalities between African American and Italian American cultures in the United States.</itunes:subtitle>
      <itunes:summary>In his book, Flavor and Soul: Italian America and Its African American Edge (University of Chicago Press, 2017), scholar John Gennari examines the intersectionalities between African American and Italian American cultures in the United States. Using an auto-ethnographic lens, Gennari explores this relationship, what he calls “the edge”, between the two cultures. Gennari examines the intersectionalities in music, film, sports, and foodways, spotlighting the edge as a way to highlight the ways in which the relationship between Italian American and African American cultures has been both joyous and beneficial as well as fraught with violence and suspicion. He posits that an Afro-Italian sensibility has vitalized American culture, even with the conflicts over urban spaces, political and personal respect, and overlapping histories of exclusion. Through his personal connections as well as critical and well-researched chapters on the intersections between these two cultures, Gennari gives readers a deeper understanding of the histories and relationships between African Americans and Italian Americans.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qv5A2qOhI5VCip2P-7avo4oAAAFi95OZswEAAAFKAXrOlI0/http://www.amazon.com/dp/022642832X/ref=as_at?creativeASIN=022642832X&amp;linkCode=w61&amp;imprToken=oNWP82-ap4hC2sy8DFlBbA&amp;slotNum=0&amp;tag=newbooinhis-20">Flavor and Soul: Italian America and Its African American Edge</a> (University of Chicago Press, 2017), scholar <a href="https://www.uvm.edu/~english/?Page=JohnGennari.php">John Gennari</a> examines the intersectionalities between African American and Italian American cultures in the United States. Using an auto-ethnographic lens, Gennari explores this relationship, what he calls “the edge”, between the two cultures. Gennari examines the intersectionalities in music, film, sports, and foodways, spotlighting the edge as a way to highlight the ways in which the relationship between Italian American and African American cultures has been both joyous and beneficial as well as fraught with violence and suspicion. He posits that an Afro-Italian sensibility has vitalized American culture, even with the conflicts over urban spaces, political and personal respect, and overlapping histories of exclusion. Through his personal connections as well as critical and well-researched chapters on the intersections between these two cultures, Gennari gives readers a deeper understanding of the histories and relationships between African Americans and Italian Americans.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73044]]></guid>
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    </item>
    <item>
      <title>Imani Perry, “May We Forever Stand: A History of the Black National Anthem” (UNC Press, 2018)</title>
      <description>Colin Kaepernick’s refusal to stand for the national anthem in August 2016 prior to a preseason game reopened a national conversation about public performances of patriotism. What does a national anthem do to promote unity in a nation with a long running history of racial slavery, lynching, and segregation? Imani Perry answers this question in her recent book May We Forever Stand: A History of the Black National Anthem (University of North Carolina Press, 2018). Through her history of “Lift Every Voice and Sing,” Perry powerfully shows how and why throughout the Black liberation struggles in the twentieth and twenty-first century, Black Americans adopted the song as the “Black National Anthem.”



Adam McNeil is a soon-to-be Ph.D. in History and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 23 Apr 2018 10:00:21 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Colin Kaepernick’s refusal to stand for the national anthem in August 2016 prior to a preseason game reopened a national conversation about public performances of patriotism. What does a national anthem do to promote unity in a nation with a long runni...</itunes:subtitle>
      <itunes:summary>Colin Kaepernick’s refusal to stand for the national anthem in August 2016 prior to a preseason game reopened a national conversation about public performances of patriotism. What does a national anthem do to promote unity in a nation with a long running history of racial slavery, lynching, and segregation? Imani Perry answers this question in her recent book May We Forever Stand: A History of the Black National Anthem (University of North Carolina Press, 2018). Through her history of “Lift Every Voice and Sing,” Perry powerfully shows how and why throughout the Black liberation struggles in the twentieth and twenty-first century, Black Americans adopted the song as the “Black National Anthem.”



Adam McNeil is a soon-to-be Ph.D. in History and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Colin Kaepernick’s refusal to stand for the national anthem in August 2016 prior to a preseason game reopened a national conversation about public performances of patriotism. What does a national anthem do to promote unity in a nation with a long running history of racial slavery, lynching, and segregation? <a href="http://aas.princeton.edu/p/iperry/">Imani Perry</a> answers this question in her recent book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QsTo1qF4_or5BRkuYwmacoQAAAFi2dtAyQEAAAFKAQ0iWkg/http://www.amazon.com/dp/1469638606/ref=as_at?creativeASIN=1469638606&amp;linkCode=w61&amp;imprToken=7z3bRYB9SjTFiKKwm9fhXA&amp;slotNum=0&amp;tag=newbooinhis-20">May We Forever Stand: A History of the Black National Anthem </a>(University of North Carolina Press, 2018). Through her history of “Lift Every Voice and Sing,” Perry powerfully shows how and why throughout the Black liberation struggles in the twentieth and twenty-first century, Black Americans adopted the song as the “Black National Anthem.”</p><p>
</p><p>
Adam McNeil is a soon-to-be Ph.D. in History and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter <a href="https://twitter.com/culturedmodesty">@CulturedModesty</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3722</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72978]]></guid>
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    </item>
    <item>
      <title>Mehal Krayem, “Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama” (Melbourne UP, 2017)</title>
      <description>In her new book, Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama (Melbourne University Publishing, 2017), Mehal Krayem, a sociologist and researcher at the University of Technology Sydney, explores the representation of Arab and Muslim men in Australian film and television crime dramas.  In a series of case studies, including the television show East West 101 and groundbreaking films like The Combination and Cedar Boys, Krayem investigates how race and ethnicity, religion, gender, and class intersect in contemporary Australian depictions of Arab and Muslim men.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 Apr 2018 10:00:47 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her new book, Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama (Melbourne University Publishing, 2017), Mehal Krayem, a sociologist and researcher at the University of Technology Sydney,</itunes:subtitle>
      <itunes:summary>In her new book, Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama (Melbourne University Publishing, 2017), Mehal Krayem, a sociologist and researcher at the University of Technology Sydney, explores the representation of Arab and Muslim men in Australian film and television crime dramas.  In a series of case studies, including the television show East West 101 and groundbreaking films like The Combination and Cedar Boys, Krayem investigates how race and ethnicity, religion, gender, and class intersect in contemporary Australian depictions of Arab and Muslim men.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qlt4k47IznvjvCpgIwwUKbMAAAFi1AxbygEAAAFKAYSxnOA/http://www.amazon.com/dp/0522872182/ref=as_at?creativeASIN=0522872182&amp;linkCode=w61&amp;imprToken=DCAjqR0fdDmu5VjxB-egtw&amp;slotNum=0&amp;tag=newbooinhis-20">Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama </a>(Melbourne University Publishing, 2017), <a href="https://www.mup.com.au/authors/mehal-krayem">Mehal Krayem</a>, a sociologist and researcher at the University of Technology Sydney, explores the representation of Arab and Muslim men in Australian film and television crime dramas.  In a series of case studies, including the television show East West 101 and groundbreaking films like The Combination and Cedar Boys, Krayem investigates how race and ethnicity, religion, gender, and class intersect in contemporary Australian depictions of Arab and Muslim men.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1249</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72933]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4071061139.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joseph Esposito, “Dinner in Camelot: The Night America’s Greatest Scientists, Writers, and Scholars Partied at the Kennedy White House” (ForeEdge, 2018)</title>
      <description>In his new book, Dinner in Camelot: The Night America’s Greatest Scientists, Writers, and Scholars Partied at the Kennedy White House (ForeEdge, 2018), Joseph Esposito examines the night of April 49, 1962 when President John F. Kennedy and First Lady Jacqueline Kennedy hosted America’s leading scientists, writers, activists, and thinkers to honor 49 Nobel Prize Winners. With guests such as American hero and astronaut John Glenn, Linus and Ava Helen Pauling who had picketed the White House prior to the dinner, J. Robert Oppenheimer, and writers including Pearl Buck, John Dos Passos, Robert Frost, and James Baldwin the dinner served as one of the most important nights in the White House.

Esposito positions readers in the political climate of the time and shares a glimpse into a political climate where intellectuals and immigrants were honored, and even those with political differences could come together to honor one another for one night. Well researched, Esposito’s work gives a fascinating glimpse not only into a single night at the White House, but also a snapshot into the world of a number of the important and influential minds of the early 1960s. He shows us how this impressive gathering not only honored these important thinkers, but also created relationships and friendships for years to come.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 11 Apr 2018 10:00:20 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book, Dinner in Camelot: The Night America’s Greatest Scientists, Writers, and Scholars Partied at the Kennedy White House (ForeEdge, 2018), Joseph Esposito examines the night of April 49, 1962 when President John F.</itunes:subtitle>
      <itunes:summary>In his new book, Dinner in Camelot: The Night America’s Greatest Scientists, Writers, and Scholars Partied at the Kennedy White House (ForeEdge, 2018), Joseph Esposito examines the night of April 49, 1962 when President John F. Kennedy and First Lady Jacqueline Kennedy hosted America’s leading scientists, writers, activists, and thinkers to honor 49 Nobel Prize Winners. With guests such as American hero and astronaut John Glenn, Linus and Ava Helen Pauling who had picketed the White House prior to the dinner, J. Robert Oppenheimer, and writers including Pearl Buck, John Dos Passos, Robert Frost, and James Baldwin the dinner served as one of the most important nights in the White House.

Esposito positions readers in the political climate of the time and shares a glimpse into a political climate where intellectuals and immigrants were honored, and even those with political differences could come together to honor one another for one night. Well researched, Esposito’s work gives a fascinating glimpse not only into a single night at the White House, but also a snapshot into the world of a number of the important and influential minds of the early 1960s. He shows us how this impressive gathering not only honored these important thinkers, but also created relationships and friendships for years to come.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QqL_G9k7veGlDqu_pgWrCfEAAAFipsJiQwEAAAFKARfblsk/http://www.amazon.com/dp/1512600121/ref=as_at?creativeASIN=1512600121&amp;linkCode=w61&amp;imprToken=GQ4pJ7jkVAWrcHPh6gbCkw&amp;slotNum=0&amp;tag=newbooinhis-20">Dinner in Camelot: The Night America’s Greatest Scientists, Writers, and Scholars Partied at the Kennedy White House</a> (ForeEdge, 2018), <a href="https://www.josephaesposito.com/">Joseph Esposito</a> examines the night of April 49, 1962 when President John F. Kennedy and First Lady Jacqueline Kennedy hosted America’s leading scientists, writers, activists, and thinkers to honor 49 Nobel Prize Winners. With guests such as American hero and astronaut John Glenn, Linus and Ava Helen Pauling who had picketed the White House prior to the dinner, J. Robert Oppenheimer, and writers including Pearl Buck, John Dos Passos, Robert Frost, and James Baldwin the dinner served as one of the most important nights in the White House.</p><p>
Esposito positions readers in the political climate of the time and shares a glimpse into a political climate where intellectuals and immigrants were honored, and even those with political differences could come together to honor one another for one night. Well researched, Esposito’s work gives a fascinating glimpse not only into a single night at the White House, but also a snapshot into the world of a number of the important and influential minds of the early 1960s. He shows us how this impressive gathering not only honored these important thinkers, but also created relationships and friendships for years to come.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2816</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72688]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7609626971.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carolyn Day, “Consumptive Chic: A History of Beauty, Fashion, and Disease” (Bloomsbury, 2017)</title>
      <description>In her new book, Consumptive Chic: A History of Beauty, Fashion, and Disease (Bloomsbury, 2017), Carolyn Day tracks the relationship between dress, appearance, and tuberculosis in the eighteenth and early nineteenth centuries. Blending the histories of medicine and fashion, she charts multiple and often contested understandings of consumption and its socio-cultural significance.

Day’s focus on experiences of upper- and middle-class women highlights gendered critiques of fashionable activities that allegedly led to the disease: riding, dancing, “impractical” dress. Emerging alongside these criticisms was the belief that some sufferers acquired desirable characteristics of feminine beauty—what Day terms an “aesthetics of consumption”—via the incurable illness. Complemented by rich case studies and illustrations, Consumptive Chic reveals the entangled history of ill health and beauty, as eighteenth- and early nineteenth-century aesthetics took an especially lethal turn.

Carolyn Day is an Associate Professor of History at Furman University, where she teaches courses on modern European history, modern British history, and the history of medicine.



Jess Clark is an Assistant Professor of History at Brock University (St. Catharines, Ontario). She is currently writing a history of the beauty business in Victorian London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Apr 2018 10:00:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her new book, Consumptive Chic: A History of Beauty, Fashion, and Disease (Bloomsbury, 2017), Carolyn Day tracks the relationship between dress, appearance, and tuberculosis in the eighteenth and early nineteenth centuries.</itunes:subtitle>
      <itunes:summary>In her new book, Consumptive Chic: A History of Beauty, Fashion, and Disease (Bloomsbury, 2017), Carolyn Day tracks the relationship between dress, appearance, and tuberculosis in the eighteenth and early nineteenth centuries. Blending the histories of medicine and fashion, she charts multiple and often contested understandings of consumption and its socio-cultural significance.

Day’s focus on experiences of upper- and middle-class women highlights gendered critiques of fashionable activities that allegedly led to the disease: riding, dancing, “impractical” dress. Emerging alongside these criticisms was the belief that some sufferers acquired desirable characteristics of feminine beauty—what Day terms an “aesthetics of consumption”—via the incurable illness. Complemented by rich case studies and illustrations, Consumptive Chic reveals the entangled history of ill health and beauty, as eighteenth- and early nineteenth-century aesthetics took an especially lethal turn.

Carolyn Day is an Associate Professor of History at Furman University, where she teaches courses on modern European history, modern British history, and the history of medicine.



Jess Clark is an Assistant Professor of History at Brock University (St. Catharines, Ontario). She is currently writing a history of the beauty business in Victorian London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="https://www.bloomsbury.com/us/consumptive-chic-9781350009400/">Consumptive Chic: A History of Beauty, Fashion, and Disease</a> (Bloomsbury, 2017), Carolyn Day tracks the relationship between dress, appearance, and tuberculosis in the eighteenth and early nineteenth centuries. Blending the histories of medicine and fashion, she charts multiple and often contested understandings of consumption and its socio-cultural significance.</p><p>
Day’s focus on experiences of upper- and middle-class women highlights gendered critiques of fashionable activities that allegedly led to the disease: riding, dancing, “impractical” dress. Emerging alongside these criticisms was the belief that some sufferers acquired desirable characteristics of feminine beauty—what Day terms an “aesthetics of consumption”—via the incurable illness. Complemented by rich case studies and illustrations, Consumptive Chic reveals the entangled history of ill health and beauty, as eighteenth- and early nineteenth-century aesthetics took an especially lethal turn.</p><p>
<a href="http://www2.furman.edu/academics/history/Meet-Our-Faculty/Pages/Carolyn-Day.aspx">Carolyn Day</a> is an Associate Professor of History at Furman University, where she teaches courses on modern European history, modern British history, and the history of medicine.</p><p>
</p><p>
<a href="https://brocku.ca/humanities/history/faculty-staff/jessica-clark/">Jess Clark</a> is an Assistant Professor of History at Brock University (St. Catharines, Ontario). She is currently writing a history of the beauty business in Victorian London.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3150</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72650]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5782807054.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anamik Saha, “Race and the Cultural Industries” (Polity, 2018)</title>
      <description>How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 09 Apr 2018 10:00:54 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London.</itunes:subtitle>
      <itunes:summary>How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do the media make race? This question is at the heart of <a href="http://aax-us-east.amazon-adsystem.com/x/c/QmFVbUb0H5egX7kuHHcWG9MAAAFimtkqrgEAAAFKAQmVJw8/http://www.amazon.com/dp/1509505318/ref=as_at?creativeASIN=1509505318&amp;linkCode=w61&amp;imprToken=16JSTHn74u9.7XfuAlRfNA&amp;slotNum=0&amp;tag=newbooinhis-20">Race and the Cultural Industries</a> (Polity, 2018), the new book by <a href="https://www.gold.ac.uk/media-communications/staff/saha/">Anamik Saha</a>, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2926</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72537]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6630321840.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dahlia Schweitzer, “Going Viral: Zombies, Viruses, and the End of the World” (Rutgers UP, 2018)</title>
      <description>Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak narratives, Schweitzer’s book is a must read for individuals interested in a sociological read of the ways film and television illustrate larger, global concerns.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.




Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 29 Mar 2018 10:00:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak ...</itunes:subtitle>
      <itunes:summary>Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak narratives, Schweitzer’s book is a must read for individuals interested in a sociological read of the ways film and television illustrate larger, global concerns.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.




Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qib3O9n3dAVVAcsfipoFMGYAAAFiUyyT4gEAAAFKASBCR8w/http://www.amazon.com/dp/081359314X/ref=as_at?creativeASIN=081359314X&amp;linkCode=w61&amp;imprToken=0rAnBHTpiQaZdcS3Tkd6vw&amp;slotNum=0&amp;tag=newbooinhis-20">Going Viral: Zombies, Viruses, and the End of the World </a>(Rutgers University Press, 2018), <a href="http://thisisdahlia.com/">Dahlia Schweitzer</a> brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak narratives, Schweitzer’s book is a must read for individuals interested in a sociological read of the ways film and television illustrate larger, global concerns.</p><p>
</p><p>
<a href="https://wiu.academia.edu/RebekahBuchanan">Rebekah Buchanan</a> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of <a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p>
</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3951</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72117]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7747999905.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alex Wade, “Playback: A Genealogy of 1980s British Videogames” (Bloomsbury Academic, 2018)</title>
      <description>In his book Playback: A Genealogy of 1980s British Videogames (Bloomsbury Academic, 2018), Alex Wade examines the culture of bedroom coding, arcades, and format wars in 1980s Britain. Wade interviews gamers, developers and journalists to better understand the cultural habitus of early gaming. Wade expertly explores the bedroom culture of early coders, examining the ways in which games were copied and distributed among players. He situates gaming in the underground subcultures of arcades, connecting early arcade cultures to present-day gambling and gaming. Wade analyzes the ways that 1980s gaming gave rise to today’s gaming industry. Through his in-depth research into 1980s British gaming culture, Wade argues that video games give insight into social, political, and cultural landscapes in ways that deserve exploration and recognition. Wade’s work on gaming and gaming culture is essential reading in games studies and media and his focus on sociology of gaming makes for an appeal to a wide audience.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 23 Mar 2018 10:00:23 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his book Playback: A Genealogy of 1980s British Videogames (Bloomsbury Academic, 2018), Alex Wade examines the culture of bedroom coding, arcades, and format wars in 1980s Britain. Wade interviews gamers,</itunes:subtitle>
      <itunes:summary>In his book Playback: A Genealogy of 1980s British Videogames (Bloomsbury Academic, 2018), Alex Wade examines the culture of bedroom coding, arcades, and format wars in 1980s Britain. Wade interviews gamers, developers and journalists to better understand the cultural habitus of early gaming. Wade expertly explores the bedroom culture of early coders, examining the ways in which games were copied and distributed among players. He situates gaming in the underground subcultures of arcades, connecting early arcade cultures to present-day gambling and gaming. Wade analyzes the ways that 1980s gaming gave rise to today’s gaming industry. Through his in-depth research into 1980s British gaming culture, Wade argues that video games give insight into social, political, and cultural landscapes in ways that deserve exploration and recognition. Wade’s work on gaming and gaming culture is essential reading in games studies and media and his focus on sociology of gaming makes for an appeal to a wide audience.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his book <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qmi8-7AiUMCeQcbl2XHso1MAAAFiNLt2cAEAAAFKAb1WoW0/http://www.amazon.com/dp/1501341847/ref=as_at?creativeASIN=1501341847&amp;linkCode=w61&amp;imprToken=bK0gLK5n43v-YtKl1j7Kcg&amp;slotNum=0&amp;tag=newbooinhis-20">Playback: A Genealogy of 1980s British Videogames</a> (Bloomsbury Academic, 2018), <a href="http://www.bcu.ac.uk/research/-centres-of-excellence/centre-for-health-and-social-care-research/members/alex-christopher-wade">Alex Wade</a> examines the culture of bedroom coding, arcades, and format wars in 1980s Britain. Wade interviews gamers, developers and journalists to better understand the cultural habitus of early gaming. Wade expertly explores the bedroom culture of early coders, examining the ways in which games were copied and distributed among players. He situates gaming in the underground subcultures of arcades, connecting early arcade cultures to present-day gambling and gaming. Wade analyzes the ways that 1980s gaming gave rise to today’s gaming industry. Through his in-depth research into 1980s British gaming culture, Wade argues that video games give insight into social, political, and cultural landscapes in ways that deserve exploration and recognition. Wade’s work on gaming and gaming culture is essential reading in games studies and media and his focus on sociology of gaming makes for an appeal to a wide audience.</p><p>
</p><p>
<a href="https://wiu.academia.edu/RebekahBuchanan">Rebekah Buchanan</a> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of <a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3007</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71939]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9182914923.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christine E. Evans, “Between Truth and Time: A History of Soviet Central Television” (Yale UP, 2016)</title>
      <description>In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let’s Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens’ expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched.

Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee.



Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 09 Mar 2018 11:00:39 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame,</itunes:subtitle>
      <itunes:summary>In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let’s Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens’ expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched.

Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee.



Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qq5mQnVcP0IICRo-PmqhdEYAAAFiBh8zwQEAAAFKAfig1ek/http://www.amazon.com/dp/0300208480/ref=as_at?creativeASIN=0300208480&amp;linkCode=w61&amp;imprToken=v5a0Qkd.BdcvXsagdwkYqg&amp;slotNum=0&amp;tag=newbooinhis-20">Between Truth and Time: A History of Soviet Central Television</a> (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let’s Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens’ expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched.</p><p>
<a href="http://uwm.edu/history/people/evans-christine/">Christine E. Evans</a> is assistant professor of history at the University of Wisconsin-Milwaukee.</p><p>
</p><p>
Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at <a href="mailto:amandajswain@gmail.com">amandajswain@gmail.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3528</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71382]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8114417975.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Weinstein, “The Eddie Cantor Story: A Jewish Life in Performance and Politics” (Brandeis UP, 2017)</title>
      <description>Eddie Cantor was once among the most popular performers in the United States. He was influential and innovative on stage, radio, and film from the early twentieth century though the early 1960s. He is not widely known today, however, despite his importance in his time. In a new biography, David Weinstein discusses Cantor, his work, his times, and his politics. The Eddie Cantor Story: A Jewish Life in Performance and Politics (Brandeis University Press, 2017) explains the many ways Cantor’s work was representative of the period, but also the ways he pushed the boundaries of entertainment during his career. Cantor was Jewish and unlike many of his Jewish contemporaries in the business, he did not hide or shy away from his background either in performance or in politics.

In this episode of New Books in History, Weinstein discusses his biography of Cantor. He talks about Cantor’s career and his anti-Nazi activism and the importance of his Jewish heritage is shaping his career and political activism. Weinstein also discusses some of the more contradictory aspects of Cantor’s career, particularly his use of blackface.



Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th-century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 05 Mar 2018 11:00:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Eddie Cantor was once among the most popular performers in the United States. He was influential and innovative on stage, radio, and film from the early twentieth century though the early 1960s. He is not widely known today, however,</itunes:subtitle>
      <itunes:summary>Eddie Cantor was once among the most popular performers in the United States. He was influential and innovative on stage, radio, and film from the early twentieth century though the early 1960s. He is not widely known today, however, despite his importance in his time. In a new biography, David Weinstein discusses Cantor, his work, his times, and his politics. The Eddie Cantor Story: A Jewish Life in Performance and Politics (Brandeis University Press, 2017) explains the many ways Cantor’s work was representative of the period, but also the ways he pushed the boundaries of entertainment during his career. Cantor was Jewish and unlike many of his Jewish contemporaries in the business, he did not hide or shy away from his background either in performance or in politics.

In this episode of New Books in History, Weinstein discusses his biography of Cantor. He talks about Cantor’s career and his anti-Nazi activism and the importance of his Jewish heritage is shaping his career and political activism. Weinstein also discusses some of the more contradictory aspects of Cantor’s career, particularly his use of blackface.



Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th-century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Eddie Cantor was once among the most popular performers in the United States. He was influential and innovative on stage, radio, and film from the early twentieth century though the early 1960s. He is not widely known today, however, despite his importance in his time. In a new biography, <a href="https://www.davidmweinstein.com/">David Weinstein</a> discusses Cantor, his work, his times, and his politics. <a href="http://aax-us-east.amazon-adsystem.com/x/c/QvvWx3rToxHNJMJjoVT7EboAAAFh7ECzMgEAAAFKASIq-60/http://www.amazon.com/dp/1512600482/ref=as_at?creativeASIN=1512600482&amp;linkCode=w61&amp;imprToken=ebsNQhZPU079CpGA.1y93A&amp;slotNum=0&amp;tag=newbooinhis-20">The Eddie Cantor Story: A Jewish Life in Performance and Politics </a>(Brandeis University Press, 2017) explains the many ways Cantor’s work was representative of the period, but also the ways he pushed the boundaries of entertainment during his career. Cantor was Jewish and unlike many of his Jewish contemporaries in the business, he did not hide or shy away from his background either in performance or in politics.</p><p>
In this episode of New Books in History, Weinstein discusses his biography of Cantor. He talks about Cantor’s career and his anti-Nazi activism and the importance of his Jewish heritage is shaping his career and political activism. Weinstein also discusses some of the more contradictory aspects of Cantor’s career, particularly his use of blackface.</p><p>
</p><p>
Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th-century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at <a href="mailto:clamberson@angelo.edu">clamberson@angelo.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3671</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71353]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9099532684.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew Friedman, “Chefs, Drugs and Rock ‘n’ Roll” (Ecco Press, 2018)</title>
      <description>I first really got to know Andrew Friedman after the death of our mutual friend, the great food writer Josh Ozersky. Andrew is a widely respected food writer who has collaborated on numerous landmark cookbooks and chef memoirs. Now his labor of love, Chefs, Drugs and Rock &amp; Roll: How Food Lovers, Free Spirits, Misfits and Wanderers Created a New American Profession (Ecco Press, 2018), is making waves in the industry. Friedman charts a course starting in the mid 1960s and winding up in the early 1990s during which the profession of cheffing became what it is today: Respectable. But what a hot, heavy, up and down journey to get there! We conducted this interview on the front sun deck of a beautiful house in Silverlake, Los Angeles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 05 Mar 2018 11:00:10 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>I first really got to know Andrew Friedman after the death of our mutual friend, the great food writer Josh Ozersky. Andrew is a widely respected food writer who has collaborated on numerous landmark cookbooks and chef memoirs. Now his labor of love,</itunes:subtitle>
      <itunes:summary>I first really got to know Andrew Friedman after the death of our mutual friend, the great food writer Josh Ozersky. Andrew is a widely respected food writer who has collaborated on numerous landmark cookbooks and chef memoirs. Now his labor of love, Chefs, Drugs and Rock &amp; Roll: How Food Lovers, Free Spirits, Misfits and Wanderers Created a New American Profession (Ecco Press, 2018), is making waves in the industry. Friedman charts a course starting in the mid 1960s and winding up in the early 1990s during which the profession of cheffing became what it is today: Respectable. But what a hot, heavy, up and down journey to get there! We conducted this interview on the front sun deck of a beautiful house in Silverlake, Los Angeles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I first really got to know <a href="http://toqueland.com/andrew-friedman/">Andrew Friedman</a> after the death of our mutual friend, the great food writer Josh Ozersky. Andrew is a widely respected food writer who has collaborated on numerous landmark cookbooks and chef memoirs. Now his labor of love, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QhO1QRd_mrbqFsJxIpNEdbMAAAFh5vtexQEAAAFKAYDE6oU/http://www.amazon.com/dp/0062225855/ref=as_at?creativeASIN=0062225855&amp;linkCode=w61&amp;imprToken=yUfHHW8sE4dfXNgnq2-ooA&amp;slotNum=0&amp;tag=newbooinhis-20">Chefs, Drugs and Rock &amp; Roll: How Food Lovers, Free Spirits, Misfits and Wanderers Created a New American Profession</a> (Ecco Press, 2018), is making waves in the industry. Friedman charts a course starting in the mid 1960s and winding up in the early 1990s during which the profession of cheffing became what it is today: Respectable. But what a hot, heavy, up and down journey to get there! We conducted this interview on the front sun deck of a beautiful house in Silverlake, Los Angeles.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3989</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71335]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5247740948.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jon Kraszewski, “Reality TV” (Routledge, 2017)</title>
      <description>In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space and the way in which reality television uses and exploits that space in relation to their characters.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 01 Mar 2018 11:00:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities whe...</itunes:subtitle>
      <itunes:summary>In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space and the way in which reality television uses and exploits that space in relation to their characters.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QqINbb_OCR3cdC_J3KQSQvwAAAFh127wkgEAAAFKAdj1MUc/http://www.amazon.com/dp/041574198X/ref=as_at?creativeASIN=041574198X&amp;linkCode=w61&amp;imprToken=9lSPsPs5RZXEKLirSgpw3g&amp;slotNum=0&amp;tag=newbooinhis-20">Reality TV</a> (Routledge, 2017), author <a href="https://www.shu.edu/profiles/jonathankraszewski.cfm">Jon Kraszewski</a> explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space and the way in which reality television uses and exploits that space in relation to their characters.</p><p>
</p><p>
<a href="https://wiu.academia.edu/RebekahBuchanan">Rebekah Buchanan</a> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of <a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3279</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71236]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4640088221.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Frost, “Producer of Controversy: Stanley Kramer, Hollywood Liberalism and the Cold War” (UP of Kansas, 2017)</title>
      <description>While Stanley Kramer is considered a successful producer and director of many films as Hollywood moved out of the studio era, he also was criticized for his lesser skills as a director, as well as his liberal beliefs that permeated many of his movies. In Producer of Controversy: Stanley Kramer, Hollywood Liberalism and the Cold War (University Press of Kansas, 2017), Jennifer Frost, Associate Professor of History at the University of Auckland presents a new study of Kramer’s films, emphasizing four of his popular message films.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 21 Feb 2018 11:00:39 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>While Stanley Kramer is considered a successful producer and director of many films as Hollywood moved out of the studio era, he also was criticized for his lesser skills as a director, as well as his liberal beliefs that permeated many of his movies.</itunes:subtitle>
      <itunes:summary>While Stanley Kramer is considered a successful producer and director of many films as Hollywood moved out of the studio era, he also was criticized for his lesser skills as a director, as well as his liberal beliefs that permeated many of his movies. In Producer of Controversy: Stanley Kramer, Hollywood Liberalism and the Cold War (University Press of Kansas, 2017), Jennifer Frost, Associate Professor of History at the University of Auckland presents a new study of Kramer’s films, emphasizing four of his popular message films.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While Stanley Kramer is considered a successful producer and director of many films as Hollywood moved out of the studio era, he also was criticized for his lesser skills as a director, as well as his liberal beliefs that permeated many of his movies. In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QsaSuuJrdtn9y6m_7QEt1lcAAAFhqacR0AEAAAFKAZmWjv4/http://www.amazon.com/dp/0700624961/ref=as_at?creativeASIN=0700624961&amp;linkCode=w61&amp;imprToken=WXNEL9HCkVJ3hiLI3.ZbYQ&amp;slotNum=0&amp;tag=newbooinhis-20">Producer of Controversy: Stanley Kramer, Hollywood Liberalism and the Cold War</a> (University Press of Kansas, 2017), <a href="http://www.arts.auckland.ac.nz/people/jfro012">Jennifer Frost</a>, Associate Professor of History at the University of Auckland presents a new study of Kramer’s films, emphasizing four of his popular message films.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4084</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70923]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2817324983.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Grobe, “The Art of Confession: The Performance of Self from Robert Lowell to Reality TV” (NYU Press, 2017)</title>
      <description>Christopher Grobe’s The Art of Confession: The Performance of Self from Robert Lowell to Reality TV (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America. Grobe explores how confession—from the confessional poets of the 1960s to contemporary reality TV—is both constructed and authentic, artful even in its ostensible artlessness, and always on the move between and across media. The work’s archive is expansive, placing in conversation poetry, performance art, comedy, legal confession, film, and reality TV, genres whose conventions transform and whose boundaries blur when confronted with artists impulses to confess, to stage what Grobe calls “breakthroughs” out of both generic and sociocultural containment. Laying bare the ways confessional performances are stylized and mediated to elicit “a satiety of experience which can be taken as reality” while taking seriously artists’ attempts to reveal and perform an authentic self, Grobe demonstrates how confession energizes new ways of being, forms of collectivity, and political mobilization.

Christopher Grobe is an Assistant Professor of English at Amherst College where he teaches a wide range of courses on drama, poetics, performance, and performance culture and theory.



Petal Samuel is a postdoctoral fellow at the Carter G. Woodson Institute for African American and African Studies at the University of Virginia. She is completing Polluting the Soundscape: Noise Control and Afro-Caribbean Women’s Decolonial Soundscapes, a book project that traces the evolution of noise legislation and public discourses decrying noise as technologies of racial control in the Caribbean and Caribbean diaspora, while highlighting the ways Afro-Caribbean women writers have reclaimed noise against the grain of colonial injunctions to remain quiet as a condition of civic inclusion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 16 Feb 2018 11:00:33 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Christopher Grobe’s The Art of Confession: The Performance of Self from Robert Lowell to Reality TV (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America.</itunes:subtitle>
      <itunes:summary>Christopher Grobe’s The Art of Confession: The Performance of Self from Robert Lowell to Reality TV (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America. Grobe explores how confession—from the confessional poets of the 1960s to contemporary reality TV—is both constructed and authentic, artful even in its ostensible artlessness, and always on the move between and across media. The work’s archive is expansive, placing in conversation poetry, performance art, comedy, legal confession, film, and reality TV, genres whose conventions transform and whose boundaries blur when confronted with artists impulses to confess, to stage what Grobe calls “breakthroughs” out of both generic and sociocultural containment. Laying bare the ways confessional performances are stylized and mediated to elicit “a satiety of experience which can be taken as reality” while taking seriously artists’ attempts to reveal and perform an authentic self, Grobe demonstrates how confession energizes new ways of being, forms of collectivity, and political mobilization.

Christopher Grobe is an Assistant Professor of English at Amherst College where he teaches a wide range of courses on drama, poetics, performance, and performance culture and theory.



Petal Samuel is a postdoctoral fellow at the Carter G. Woodson Institute for African American and African Studies at the University of Virginia. She is completing Polluting the Soundscape: Noise Control and Afro-Caribbean Women’s Decolonial Soundscapes, a book project that traces the evolution of noise legislation and public discourses decrying noise as technologies of racial control in the Caribbean and Caribbean diaspora, while highlighting the ways Afro-Caribbean women writers have reclaimed noise against the grain of colonial injunctions to remain quiet as a condition of civic inclusion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Christopher Grobe’s <a href="http://aax-us-east.amazon-adsystem.com/x/c/QmAvX7I4cC7ZFYm66KddzoQAAAFhlRzJGQEAAAFKAf55meU/http://www.amazon.com/dp/1479882089/ref=as_at?creativeASIN=1479882089&amp;linkCode=w61&amp;imprToken=kgV8Z9ifLeMxF9wz7TqiGg&amp;slotNum=0&amp;tag=newbooinhis-20">The Art of Confession: The Performance of Self from Robert Lowell to Reality TV</a> (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America. Grobe explores how confession—from the confessional poets of the 1960s to contemporary reality TV—is both constructed and authentic, artful even in its ostensible artlessness, and always on the move between and across media. The work’s archive is expansive, placing in conversation poetry, performance art, comedy, legal confession, film, and reality TV, genres whose conventions transform and whose boundaries blur when confronted with artists impulses to confess, to stage what Grobe calls “breakthroughs” out of both generic and sociocultural containment. Laying bare the ways confessional performances are stylized and mediated to elicit “a satiety of experience which can be taken as reality” while taking seriously artists’ attempts to reveal and perform an authentic self, Grobe demonstrates how confession energizes new ways of being, forms of collectivity, and political mobilization.</p><p>
<a href="https://www.amherst.edu/people/facstaff/cgrobe">Christopher Grobe</a> is an Assistant Professor of English at Amherst College where he teaches a wide range of courses on drama, poetics, performance, and performance culture and theory.</p><p>
</p><p>
<a href="https://virginia.academia.edu/PetalSamuel">Petal Samuel</a> is a postdoctoral fellow at the Carter G. Woodson Institute for African American and African Studies at the University of Virginia. She is completing Polluting the Soundscape: Noise Control and Afro-Caribbean Women’s Decolonial Soundscapes, a book project that traces the evolution of noise legislation and public discourses decrying noise as technologies of racial control in the Caribbean and Caribbean diaspora, while highlighting the ways Afro-Caribbean women writers have reclaimed noise against the grain of colonial injunctions to remain quiet as a condition of civic inclusion.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4209</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70760]]></guid>
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    <item>
      <title>Douglas W. Shadle, “Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise” (Oxford UP, 2015)</title>
      <description>One of the most neglected areas of musicological research is art music written by nineteenth-century American composers, thus Douglas Shadle‘s book Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford University Press, 2015) is a welcome, and much needed, addition to the field. It is the first comprehensive survey of American nineteenth-century orchestral music. Organized chronologically, each chapter also features a detailed critical analysis of a major work. Shadle unearths, analyzes, and advocates for a repertoire that has been erased almost completely from the historical and performance record. Along the way, Shadle debunks or nuances some of the most common narratives in musicological historiography on American music. Written in a lively, approachable style, he provides contemporary assessments of the music, while also contextualizing American symphonic works within the musical, cultural, and political history of the United States. Despite focusing on nineteenth-century music and composers, Shadle’s work resonates with and informs some of the controversies that dog classical music today, including the continued dominance of pieces by white male composers in the repertoire of the nations leading orchestras. He challenges the arguments that critics made then, and some continue to make today, that uphold the systemic exclusion of non-canonical music and works by composers from marginalized groups. Learn more about Orchestrating the Nation here.

Douglas W. Shadle is an assistant professor of musicology at Vanderbilt University whose research centers primarily on American orchestral music and American musical culture in the nineteenth century. His work has appeared in many journals and collected editions including American Music, the Journal of the Society for American Music, and MLA Notes. His article How Santa Clause Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Controversy won the 2016 Society for American Music Irving Lowen’s Article Award and a 2015 ASCAP Deems Taylor/Virgil Thomson Award. Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise has been well-reviewed not only by musicologists, but also in the popular press in venues such as The New York Times, The New Yorker, and the Washington Post. It was also honored with an ASCAP Foundation Deems Taylor/Virgil Thomson Award in 2017. Currently, Shadle is working on a short monograph for the Oxford Keynote Series on Antonin Dvořak’s New World Symphony.



Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 Feb 2018 11:00:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>One of the most neglected areas of musicological research is art music written by nineteenth-century American composers, thus Douglas Shadle‘s book Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford University Press,...</itunes:subtitle>
      <itunes:summary>One of the most neglected areas of musicological research is art music written by nineteenth-century American composers, thus Douglas Shadle‘s book Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford University Press, 2015) is a welcome, and much needed, addition to the field. It is the first comprehensive survey of American nineteenth-century orchestral music. Organized chronologically, each chapter also features a detailed critical analysis of a major work. Shadle unearths, analyzes, and advocates for a repertoire that has been erased almost completely from the historical and performance record. Along the way, Shadle debunks or nuances some of the most common narratives in musicological historiography on American music. Written in a lively, approachable style, he provides contemporary assessments of the music, while also contextualizing American symphonic works within the musical, cultural, and political history of the United States. Despite focusing on nineteenth-century music and composers, Shadle’s work resonates with and informs some of the controversies that dog classical music today, including the continued dominance of pieces by white male composers in the repertoire of the nations leading orchestras. He challenges the arguments that critics made then, and some continue to make today, that uphold the systemic exclusion of non-canonical music and works by composers from marginalized groups. Learn more about Orchestrating the Nation here.

Douglas W. Shadle is an assistant professor of musicology at Vanderbilt University whose research centers primarily on American orchestral music and American musical culture in the nineteenth century. His work has appeared in many journals and collected editions including American Music, the Journal of the Society for American Music, and MLA Notes. His article How Santa Clause Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Controversy won the 2016 Society for American Music Irving Lowen’s Article Award and a 2015 ASCAP Deems Taylor/Virgil Thomson Award. Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise has been well-reviewed not only by musicologists, but also in the popular press in venues such as The New York Times, The New Yorker, and the Washington Post. It was also honored with an ASCAP Foundation Deems Taylor/Virgil Thomson Award in 2017. Currently, Shadle is working on a short monograph for the Oxford Keynote Series on Antonin Dvořak’s New World Symphony.



Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the most neglected areas of musicological research is art music written by nineteenth-century American composers, thus <a href="https://blair.vanderbilt.edu/bio/douglas-shadle">Douglas Shadle</a>‘s book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QrdwP-aqd_THT4uscFAXk6wAAAFhhgU6VAEAAAFKATf4ZWw/http://www.amazon.com/dp/0199358648/ref=as_at?creativeASIN=0199358648&amp;linkCode=w61&amp;imprToken=mQDwwH1IxOj-fjYL36zxrA&amp;slotNum=0&amp;tag=newbooinhis-20">Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise </a>(Oxford University Press, 2015) is a welcome, and much needed, addition to the field. It is the first comprehensive survey of American nineteenth-century orchestral music. Organized chronologically, each chapter also features a detailed critical analysis of a major work. Shadle unearths, analyzes, and advocates for a repertoire that has been erased almost completely from the historical and performance record. Along the way, Shadle debunks or nuances some of the most common narratives in musicological historiography on American music. Written in a lively, approachable style, he provides contemporary assessments of the music, while also contextualizing American symphonic works within the musical, cultural, and political history of the United States. Despite focusing on nineteenth-century music and composers, Shadle’s work resonates with and informs some of the controversies that dog classical music today, including the continued dominance of pieces by white male composers in the repertoire of the nations leading orchestras. He challenges the arguments that critics made then, and some continue to make today, that uphold the systemic exclusion of non-canonical music and works by composers from marginalized groups. Learn more about Orchestrating the Nation <a href="https://global.oup.com/academic/product/orchestrating-the-nation-9780199358649?cc=us&amp;lang=en&amp;">here</a>.</p><p>
<a href="https://blair.vanderbilt.edu/bio/douglas-shadle">Douglas W. Shadle</a> is an assistant professor of musicology at Vanderbilt University whose research centers primarily on American orchestral music and American musical culture in the nineteenth century. His work has appeared in many journals and collected editions including American Music, the Journal of the Society for American Music, and MLA Notes. His article How Santa Clause Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Controversy won the 2016 Society for American Music Irving Lowen’s Article Award and a 2015 ASCAP Deems Taylor/Virgil Thomson Award. Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise has been well-reviewed not only by musicologists, but also in the popular press in venues such as The New York Times, The New Yorker, and the Washington Post. It was also honored with an ASCAP Foundation Deems Taylor/Virgil Thomson Award in 2017. Currently, Shadle is working on a short monograph for the Oxford Keynote Series on Antonin Dvořak’s New World Symphony.</p><p>
</p><p>
<a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/">Kristen M. Turner</a>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3707</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70609]]></guid>
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    <item>
      <title>Carla M. Wilson, “Curious Impossibilities: Ten Cinematic Riffs” (Black Scat Books, 2017)</title>
      <description>In Impossible Conversations: Imaginary Interviews with World-Famous Artists (Black Scat Books, 2015), Carla M. Wilson imagined discussions with (you guessed it) world-famous artists. In this book—Curious Impossibilities: Ten Cinematic Riffs (Black Scat Books, 2017)—Wilson applies the same imaginative technique to film. She “talks” to ten renowned directors, including Orson Welles, Jean-Luc Godard, and eight others. Listen in.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 12 Feb 2018 11:00:03 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Impossible Conversations: Imaginary Interviews with World-Famous Artists (Black Scat Books, 2015), Carla M. Wilson imagined discussions with (you guessed it) world-famous artists. In this book—Curious Impossibilities: Ten Cinematic Riffs (Black Scat...</itunes:subtitle>
      <itunes:summary>In Impossible Conversations: Imaginary Interviews with World-Famous Artists (Black Scat Books, 2015), Carla M. Wilson imagined discussions with (you guessed it) world-famous artists. In this book—Curious Impossibilities: Ten Cinematic Riffs (Black Scat Books, 2017)—Wilson applies the same imaginative technique to film. She “talks” to ten renowned directors, including Orson Welles, Jean-Luc Godard, and eight others. Listen in.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In Impossible Conversations: Imaginary Interviews with World-Famous Artists (Black Scat Books, 2015), <a href="https://www.linkedin.com/in/carla-m-wilson-186118116">Carla M. Wilson</a> imagined discussions with (you guessed it) world-famous artists. In this book—<a href="http://aax-us-east.amazon-adsystem.com/x/c/QqGx_hm0YpfgKUWbJ5fJc6sAAAFhgTfayQEAAAFKARDy6tY/http://www.amazon.com/dp/0999262203/ref=as_at?creativeASIN=0999262203&amp;linkCode=w61&amp;imprToken=GfEMf6h.O48yVLbIErsTYA&amp;slotNum=0&amp;tag=newbooinhis-20">Curious Impossibilities: Ten Cinematic Riffs</a> (Black Scat Books, 2017)—Wilson applies the same imaginative technique to film. She “talks” to ten renowned directors, including Orson Welles, Jean-Luc Godard, and eight others. Listen in.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3508</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70580]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6046372580.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Kevin Patrick, “The Phantom Unmasked: America’s First Superhero” (U Iowa Press, 2017)</title>
      <description>In The Phantom Unmasked: America’s First Superhero (University of Iowa Press, 2017), Kevin Patrick examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States, The Phantom knows a long history and popularity in Australia, Sweden, and India. In The Phantom Unmasked, Patrick explores this history. By tracing the publication history of The Phantom and connecting its success to the media licensing industries starting in the 1930s and 40s, Patrick presents an under-explored history to show the role of this comic in international markets and its importance for understanding how international markets worked.

In The Phantom, Patrick assesses how historical, cultural, political, and economic conditions impacted The Phantom’s rise in popularity in Australia, Sweden, and India. In addition, he surveys Phans in order to explain how they have come to love the superhero. Well researched and informative, The Phantom Unmasked adds to the burgeoning comic history.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 02 Feb 2018 11:00:50 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In The Phantom Unmasked: America’s First Superhero (University of Iowa Press, 2017), Kevin Patrick examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States,</itunes:subtitle>
      <itunes:summary>In The Phantom Unmasked: America’s First Superhero (University of Iowa Press, 2017), Kevin Patrick examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States, The Phantom knows a long history and popularity in Australia, Sweden, and India. In The Phantom Unmasked, Patrick explores this history. By tracing the publication history of The Phantom and connecting its success to the media licensing industries starting in the 1930s and 40s, Patrick presents an under-explored history to show the role of this comic in international markets and its importance for understanding how international markets worked.

In The Phantom, Patrick assesses how historical, cultural, political, and economic conditions impacted The Phantom’s rise in popularity in Australia, Sweden, and India. In addition, he surveys Phans in order to explain how they have come to love the superhero. Well researched and informative, The Phantom Unmasked adds to the burgeoning comic history.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In T<a href="http://aax-us-east.amazon-adsystem.com/x/c/Qr1kZSpu5TuRQkD57p5uWA4AAAFhUauuXQEAAAFKAfq_fPc/http://www.amazon.com/dp/1609385004/ref=as_at?creativeASIN=1609385004&amp;linkCode=w61&amp;imprToken=eIunPcqSbAVcFoL8y.fORg&amp;slotNum=0&amp;tag=newbooinhis-20">he Phantom Unmasked: America’s First Superhero </a>(University of Iowa Press, 2017), <a href="https://fordham.academia.edu/KevinPatrick">Kevin Patrick</a> examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States, The Phantom knows a long history and popularity in Australia, Sweden, and India. In The Phantom Unmasked, Patrick explores this history. By tracing the publication history of The Phantom and connecting its success to the media licensing industries starting in the 1930s and 40s, Patrick presents an under-explored history to show the role of this comic in international markets and its importance for understanding how international markets worked.</p><p>
In The Phantom, Patrick assesses how historical, cultural, political, and economic conditions impacted The Phantom’s rise in popularity in Australia, Sweden, and India. In addition, he surveys Phans in order to explain how they have come to love the superhero. Well researched and informative, The Phantom Unmasked adds to the burgeoning comic history.</p><p>
</p><p>
<a href="https://wiu.academia.edu/RebekahBuchanan">Rebekah Buchanan</a> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of <a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4055</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70301]]></guid>
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    <item>
      <title>Zach Sands, “Film Comedy and the American Dream” (Routledge, 2017)</title>
      <description>On this episode Diana DePasquale talks to Zach Sands, author of Film Comedy and the American Dream (Routledge, 2017). Some of the films Zach writes about are Harvey, The Graduate, Blazing Saddles, The Jerk, Trading Place, and Office Space. 

Zach’s doctorate is in American Culture Studies with an Interdisciplinary Specialization in Critical Studies in Media and Film from Bowling Green State University, he holds a masters degree in Film and Literature from Northern Illinois University and a BA in Film Production from Columbia College in Chicago. He has taught courses in Film and media studies and in 2009 Zach was the recipient of a Fulbright Scholarship and traveled to Moldova. Zach blogs at misterspectator.blogspot.com



Diana DePasquale is an instructor in the School of Cultural and Critical Studies at Bowling Green State University. Currently a doctoral candidate in BGSU’s American Culture Studies program, Diana earned her M.A. in American Culture Studies from BGSU in 2012 and her B.A. in American Studies from Rutgers, the State University of New Jersey in 2010. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 25 Jan 2018 19:33:37 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On this episode Diana DePasquale talks to Zach Sands, author of Film Comedy and the American Dream (Routledge, 2017). Some of the films Zach writes about are Harvey, The Graduate, Blazing Saddles, The Jerk, Trading Place, and Office Space.</itunes:subtitle>
      <itunes:summary>On this episode Diana DePasquale talks to Zach Sands, author of Film Comedy and the American Dream (Routledge, 2017). Some of the films Zach writes about are Harvey, The Graduate, Blazing Saddles, The Jerk, Trading Place, and Office Space. 

Zach’s doctorate is in American Culture Studies with an Interdisciplinary Specialization in Critical Studies in Media and Film from Bowling Green State University, he holds a masters degree in Film and Literature from Northern Illinois University and a BA in Film Production from Columbia College in Chicago. He has taught courses in Film and media studies and in 2009 Zach was the recipient of a Fulbright Scholarship and traveled to Moldova. Zach blogs at misterspectator.blogspot.com



Diana DePasquale is an instructor in the School of Cultural and Critical Studies at Bowling Green State University. Currently a doctoral candidate in BGSU’s American Culture Studies program, Diana earned her M.A. in American Culture Studies from BGSU in 2012 and her B.A. in American Studies from Rutgers, the State University of New Jersey in 2010. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode Diana DePasquale talks to <a href="http://zachsandsportfolio.blogspot.com/">Zach Sands</a>, author of <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qn3AmoWk2B-nOUXIYUcQIz8AAAFhLs2zaQEAAAFKAXDpVPY/http://www.amazon.com/dp/1138096873/ref=as_at?creativeASIN=1138096873&amp;linkCode=w61&amp;imprToken=4S9PehJBAT-NHy08Vt.tXQ&amp;slotNum=0&amp;tag=newbooinhis-20">Film Comedy and the American Dream </a>(Routledge, 2017). Some of the films Zach writes about are Harvey, The Graduate, Blazing Saddles, The Jerk, Trading Place, and Office Space. </p><p>
Zach’s doctorate is in American Culture Studies with an Interdisciplinary Specialization in Critical Studies in Media and Film from Bowling Green State University, he holds a masters degree in Film and Literature from Northern Illinois University and a BA in Film Production from Columbia College in Chicago. He has taught courses in Film and media studies and in 2009 Zach was the recipient of a Fulbright Scholarship and traveled to Moldova. Zach blogs at <a href="http://misterspectator.blogspot.com">misterspectator.blogspot.com</a></p><p>
</p><p>
Diana DePasquale is an instructor in the School of Cultural and Critical Studies at Bowling Green State University. Currently a doctoral candidate in BGSU’s American Culture Studies program, Diana earned her M.A. in American Culture Studies from BGSU in 2012 and her B.A. in American Studies from Rutgers, the State University of New Jersey in 2010. Diana has been published in Studies in American Humor, and online at <a href="http://mediacommons.futureofthebook.org/imr/2014/08/20/inside-amy-schumer-just-enough-feminism-or-not-feminist-enough">In Media Res</a>. She is also a proud winner of The Moth Story Slam in Detroit.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1870</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70105]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3949359973.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Benjamin Teitelbaum, “Lions of the North: Sounds of the New Nordic Radical Nationalism” (Oxford UP, 2017)</title>
      <description>Music is frequently connected to leftist politics and seen as the soundtrack to social protest movements, most notably the civil rights movement. But the far right groups use music too. Benjamin Teitelbaum‘s Lions of the North: Sounds of the New Nordic Radical Nationalism (Oxford University Press, 2017) explores how Swedish and Nordic far right parties deployed music in the 2000’s to expand the reach of their ideas. Consciously rejecting the sounds of White Power music and the image of skinheads in favor of pop music, hip-hop, and reggae, leaders of Sweden’s far right parties used the change in music to make in-roads into mainstream political discourse.

In this podcast Teitelbaum discusses the shifting theoretical landscape that undergirds the radical nationalism and how this led to a variety of approaches toward music by far right parties. We explore how far right musicians and audiences came to use African-inspired musical forms in their effort to spread their ideas about Swedish nationalism. In addition to exploring questions of race, the conversation also examines the changing role of women in far right music and the vexed position of folk music. The podcast concludes with drawing some comparisons and contrasts between far right movements in the United States and Sweden.

Benjamin R. Teitelbaum is Assistant Professor of Ethnomusicology at the University of Colorado. Teitelbaum’s commentary on music and politics has appeared in major European and American media outlets, in addition to scholarly venues. He has contributed as an expert for NPR, Swedish Radio, Norwegian Radio, the BBC, Aftonbladet, Dagens Nyheter, Helsinge Sanomat and Berlingske, and he has authored op-eds in the New York Times, Foreign Policy, Dagbladet and the Wall Street Journal. Teitelbaum is also a musician who specializes in Swedish folk music and Sweden’s unofficial national instrument, the nyckelharpa. More information about him can be found on his website.



The host for this episode is Richard Schur, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 24 Jan 2018 15:21:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Music is frequently connected to leftist politics and seen as the soundtrack to social protest movements, most notably the civil rights movement. But the far right groups use music too. Benjamin Teitelbaum‘s Lions of the North: Sounds of the New Nordic...</itunes:subtitle>
      <itunes:summary>Music is frequently connected to leftist politics and seen as the soundtrack to social protest movements, most notably the civil rights movement. But the far right groups use music too. Benjamin Teitelbaum‘s Lions of the North: Sounds of the New Nordic Radical Nationalism (Oxford University Press, 2017) explores how Swedish and Nordic far right parties deployed music in the 2000’s to expand the reach of their ideas. Consciously rejecting the sounds of White Power music and the image of skinheads in favor of pop music, hip-hop, and reggae, leaders of Sweden’s far right parties used the change in music to make in-roads into mainstream political discourse.

In this podcast Teitelbaum discusses the shifting theoretical landscape that undergirds the radical nationalism and how this led to a variety of approaches toward music by far right parties. We explore how far right musicians and audiences came to use African-inspired musical forms in their effort to spread their ideas about Swedish nationalism. In addition to exploring questions of race, the conversation also examines the changing role of women in far right music and the vexed position of folk music. The podcast concludes with drawing some comparisons and contrasts between far right movements in the United States and Sweden.

Benjamin R. Teitelbaum is Assistant Professor of Ethnomusicology at the University of Colorado. Teitelbaum’s commentary on music and politics has appeared in major European and American media outlets, in addition to scholarly venues. He has contributed as an expert for NPR, Swedish Radio, Norwegian Radio, the BBC, Aftonbladet, Dagens Nyheter, Helsinge Sanomat and Berlingske, and he has authored op-eds in the New York Times, Foreign Policy, Dagbladet and the Wall Street Journal. Teitelbaum is also a musician who specializes in Swedish folk music and Sweden’s unofficial national instrument, the nyckelharpa. More information about him can be found on his website.



The host for this episode is Richard Schur, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Music is frequently connected to leftist politics and seen as the soundtrack to social protest movements, most notably the civil rights movement. But the far right groups use music too. <a href="https://www.colorado.edu/music/benjamin-r-teitelbaum">Benjamin Teitelbaum</a>‘s <a href="http://aax-us-east.amazon-adsystem.com/x/c/QgmVJrIYjVoMTH4-MsV0Z_8AAAFhKLU9oAEAAAFKAZVCRx4/http://www.amazon.com/dp/0190212608/ref=as_at?creativeASIN=0190212608&amp;linkCode=w61&amp;imprToken=P2PZjwWY6AVvOUnvbKwdKg&amp;slotNum=0&amp;tag=newbooinhis-20">Lions of the North: Sounds of the New Nordic Radical Nationalism</a> (Oxford University Press, 2017) explores how Swedish and Nordic far right parties deployed music in the 2000’s to expand the reach of their ideas. Consciously rejecting the sounds of White Power music and the image of skinheads in favor of pop music, hip-hop, and reggae, leaders of Sweden’s far right parties used the change in music to make in-roads into mainstream political discourse.</p><p>
In this podcast Teitelbaum discusses the shifting theoretical landscape that undergirds the radical nationalism and how this led to a variety of approaches toward music by far right parties. We explore how far right musicians and audiences came to use African-inspired musical forms in their effort to spread their ideas about Swedish nationalism. In addition to exploring questions of race, the conversation also examines the changing role of women in far right music and the vexed position of folk music. The podcast concludes with drawing some comparisons and contrasts between far right movements in the United States and Sweden.</p><p>
Benjamin R. Teitelbaum is Assistant Professor of Ethnomusicology at the University of Colorado. Teitelbaum’s commentary on music and politics has appeared in major European and American media outlets, in addition to scholarly venues. He has contributed as an expert for NPR, Swedish Radio, Norwegian Radio, the BBC, Aftonbladet, Dagens Nyheter, Helsinge Sanomat and Berlingske, and he has authored op-eds in the New York Times, Foreign Policy, Dagbladet and the Wall Street Journal. Teitelbaum is also a musician who specializes in Swedish folk music and Sweden’s unofficial national instrument, the nyckelharpa. More information about him can be found on his <a href="http://www.benjaminteitelbaum.com">website</a>.</p><p>
</p><p>
The host for this episode is <a href="http://www.drury.edu/english-and-writing/richard-schur">Richard Schur</a>, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2894</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70032]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2157845679.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Franz Rickaby, et al., “Pinery Boys: Songs and Songcatching in the Lumberjack Era” (U Wisconsin Press, 2017)</title>
      <description>Gretchen Dykstra‘s career to date has been both impressive and wide-ranging. She was the founding President of the Times Square Alliance, the former Commissioner of the NYC Department of Consumer Affairs, and the founding President of the 9/11 Memorial Foundation. She is also a writer, and in this New Books in Folklore episode, she is interviewed about her biography of her grandfather, Franz Rickaby, which features in Pinery Boys: Songs and Songcatching in the Lumberjack Era (University of Wisconsin Press, 2017)

Franz Rickaby was a young folk music collector and fiddler and between 1919 and 1923, he travelled extensively around the Upper Midwest, seeking out the songs and stories of logging industry workers. Even as he embarked on his venture, the region’s lumber business was in stark decline. Most of the original pine forests that had covered the area had been clear cut by that time, but although the environment had been depleted, a rich cache of folkloric material remained. Rickaby set about preserving this material—songs, ballads, and stories—in manuscript form and then presented in his seminal work Ballads and Songs of the Shanty-Boy. This tome provided, as folklorist James P. Leary writes in his introduction to Pinery Boys, “the foundation for our understanding of North Americas Anglophone lumberjack folksongs, song-makers, and singers” (3).

Alas, Rickaby himself died aged 35 shortly before Ballads and Songs of the Shanty-Boy appeared in print leaving the prominent Harvard-based folklorist George Kittredge to oversee its publication which took place in 1926. Rickaby’s wife Lillian, who had urged Kittredge to take up the task, wrote elsewhere that although she was sorry that her husband had not lived to see the finished product, “what are books to those who walk among the stars?” (70).

Gretchen Dykstra’s biography of her grandfather forms a significant part of Pinery Boys and offers valuable insight into the life and motivations of a man about whom little was previously known. Pinery Boys also includes the republication of Rickaby’s Ballads and Songs of the Shanty-Boy, along with other material he collected but which fell outside of the purview of his major work. In addition, and as mentioned earlier, the book’s introduction, which provides valuable context, is written by the University of Wisconsin’s James P. Leary. Leary, himself a distinguished scholar of the folk music of the Upper Midwest, also provides illuminating annotations to Rickaby’s work.

Incidentally, during the course of her New Books in Folklore interview, Dykstra mentions a recent recording of songs collected by her grandfather as performed by Brian Miller. More information about this recording, which is entitled Minnesota Lumberjack Songs: Irish and Scottish Music from the North Woods, can be found here.



Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 10 Jan 2018 15:00:05 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gretchen Dykstra‘s career to date has been both impressive and wide-ranging. She was the founding President of the Times Square Alliance, the former Commissioner of the NYC Department of Consumer Affairs, and the founding President of the 9/11 Memorial...</itunes:subtitle>
      <itunes:summary>Gretchen Dykstra‘s career to date has been both impressive and wide-ranging. She was the founding President of the Times Square Alliance, the former Commissioner of the NYC Department of Consumer Affairs, and the founding President of the 9/11 Memorial Foundation. She is also a writer, and in this New Books in Folklore episode, she is interviewed about her biography of her grandfather, Franz Rickaby, which features in Pinery Boys: Songs and Songcatching in the Lumberjack Era (University of Wisconsin Press, 2017)

Franz Rickaby was a young folk music collector and fiddler and between 1919 and 1923, he travelled extensively around the Upper Midwest, seeking out the songs and stories of logging industry workers. Even as he embarked on his venture, the region’s lumber business was in stark decline. Most of the original pine forests that had covered the area had been clear cut by that time, but although the environment had been depleted, a rich cache of folkloric material remained. Rickaby set about preserving this material—songs, ballads, and stories—in manuscript form and then presented in his seminal work Ballads and Songs of the Shanty-Boy. This tome provided, as folklorist James P. Leary writes in his introduction to Pinery Boys, “the foundation for our understanding of North Americas Anglophone lumberjack folksongs, song-makers, and singers” (3).

Alas, Rickaby himself died aged 35 shortly before Ballads and Songs of the Shanty-Boy appeared in print leaving the prominent Harvard-based folklorist George Kittredge to oversee its publication which took place in 1926. Rickaby’s wife Lillian, who had urged Kittredge to take up the task, wrote elsewhere that although she was sorry that her husband had not lived to see the finished product, “what are books to those who walk among the stars?” (70).

Gretchen Dykstra’s biography of her grandfather forms a significant part of Pinery Boys and offers valuable insight into the life and motivations of a man about whom little was previously known. Pinery Boys also includes the republication of Rickaby’s Ballads and Songs of the Shanty-Boy, along with other material he collected but which fell outside of the purview of his major work. In addition, and as mentioned earlier, the book’s introduction, which provides valuable context, is written by the University of Wisconsin’s James P. Leary. Leary, himself a distinguished scholar of the folk music of the Upper Midwest, also provides illuminating annotations to Rickaby’s work.

Incidentally, during the course of her New Books in Folklore interview, Dykstra mentions a recent recording of songs collected by her grandfather as performed by Brian Miller. More information about this recording, which is entitled Minnesota Lumberjack Songs: Irish and Scottish Music from the North Woods, can be found here.



Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/Gretchen_Dykstra">Gretchen Dykstra</a>‘s career to date has been both impressive and wide-ranging. She was the founding President of the Times Square Alliance, the former Commissioner of the NYC Department of Consumer Affairs, and the founding President of the 9/11 Memorial Foundation. She is also a writer, and in this New Books in Folklore episode, she is interviewed about her biography of her grandfather, Franz Rickaby, which features in <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qq5L40NDk-j7hjB7Nm7KgfQAAAFg3ShX1gEAAAFKAR60-74/http://www.amazon.com/dp/029931264X/ref=as_at?creativeASIN=029931264X&amp;linkCode=w61&amp;imprToken=FurQpKOB2YAmY8NgOMfpFA&amp;slotNum=0&amp;tag=newbooinhis-20">Pinery Boys: Songs and Songcatching in the Lumberjack Era</a> (University of Wisconsin Press, 2017)</p><p>
Franz Rickaby was a young folk music collector and fiddler and between 1919 and 1923, he travelled extensively around the Upper Midwest, seeking out the songs and stories of logging industry workers. Even as he embarked on his venture, the region’s lumber business was in stark decline. Most of the original pine forests that had covered the area had been clear cut by that time, but although the environment had been depleted, a rich cache of folkloric material remained. Rickaby set about preserving this material—songs, ballads, and stories—in manuscript form and then presented in his seminal work Ballads and Songs of the Shanty-Boy. This tome provided, as folklorist James P. Leary writes in his introduction to Pinery Boys, “the foundation for our understanding of North Americas Anglophone lumberjack folksongs, song-makers, and singers” (3).</p><p>
Alas, Rickaby himself died aged 35 shortly before Ballads and Songs of the Shanty-Boy appeared in print leaving the prominent Harvard-based folklorist George Kittredge to oversee its publication which took place in 1926. Rickaby’s wife Lillian, who had urged Kittredge to take up the task, wrote elsewhere that although she was sorry that her husband had not lived to see the finished product, “what are books to those who walk among the stars?” (70).</p><p>
Gretchen Dykstra’s biography of her grandfather forms a significant part of Pinery Boys and offers valuable insight into the life and motivations of a man about whom little was previously known. Pinery Boys also includes the republication of Rickaby’s Ballads and Songs of the Shanty-Boy, along with other material he collected but which fell outside of the purview of his major work. In addition, and as mentioned earlier, the book’s introduction, which provides valuable context, is written by the University of Wisconsin’s <a href="https://en.wikipedia.org/wiki/James_P._Leary">James P. Leary</a>. Leary, himself a distinguished scholar of the folk music of the Upper Midwest, also provides illuminating annotations to Rickaby’s work.</p><p>
Incidentally, during the course of her New Books in Folklore interview, Dykstra mentions a recent recording of songs collected by her grandfather as performed by Brian Miller. More information about this recording, which is entitled Minnesota Lumberjack Songs: Irish and Scottish Music from the North Woods, can be found <a href="https://uwpress.wisc.edu/books/5102.htm">here</a>.</p><p>
</p><p>
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3848</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69675]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4616241583.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew McKevitt, “Consuming Japan: Popular Culture and the Globalizing of 1980s America” (UNC Press, 2017)</title>
      <description>In Consuming Japan: Popular Culture and the Globalizing of 1980s America (UNC Press, 2017), Andrew McKevitt explores the intense and ultimately fleeting moment in 1980s America when the future looked Japanese. Would Japan’s remarkable post World War II economic success enable the East Asian nation to overtake the United States? Or could Japan’s globe-trotting corporations serve as a model for battered U.S. industries, pointing the way to a future of globalized commerce and culture? While popular films and literature recycled old anti-Asian imagery and crafted new ways of imagining the yellow peril, and formal U.S.-Japan relations remained locked in a holding pattern of Cold War complacency, a remarkable shift was happening in countless local places throughout the United States: Japanese goods were remaking American consumer life and injecting contemporary globalization into U.S. commerce and culture. What impact did the flood of billions of Japanese things have on the ways Americans produced, consumed, and thought about their place in the world?

From autoworkers to anime fans, Consuming Japan introduces new unorthodox actors into foreign-relations history, demonstrating how the flow of all things Japanese contributed to the globalizing of America in the late twentieth century.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 08 Jan 2018 11:00:42 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Consuming Japan: Popular Culture and the Globalizing of 1980s America (UNC Press, 2017), Andrew McKevitt explores the intense and ultimately fleeting moment in 1980s America when the future looked Japanese.</itunes:subtitle>
      <itunes:summary>In Consuming Japan: Popular Culture and the Globalizing of 1980s America (UNC Press, 2017), Andrew McKevitt explores the intense and ultimately fleeting moment in 1980s America when the future looked Japanese. Would Japan’s remarkable post World War II economic success enable the East Asian nation to overtake the United States? Or could Japan’s globe-trotting corporations serve as a model for battered U.S. industries, pointing the way to a future of globalized commerce and culture? While popular films and literature recycled old anti-Asian imagery and crafted new ways of imagining the yellow peril, and formal U.S.-Japan relations remained locked in a holding pattern of Cold War complacency, a remarkable shift was happening in countless local places throughout the United States: Japanese goods were remaking American consumer life and injecting contemporary globalization into U.S. commerce and culture. What impact did the flood of billions of Japanese things have on the ways Americans produced, consumed, and thought about their place in the world?

From autoworkers to anime fans, Consuming Japan introduces new unorthodox actors into foreign-relations history, demonstrating how the flow of all things Japanese contributed to the globalizing of America in the late twentieth century.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Ql2cxAWuRpn59YiGueoDAmEAAAFg0USo7QEAAAFKAZR7vR0/http://www.amazon.com/dp/1469634473/ref=as_at?creativeASIN=1469634473&amp;linkCode=w61&amp;imprToken=5jbHjhkSlh8ADcre6GqB-A&amp;slotNum=0&amp;tag=newbooinhis-20">Consuming Japan: Popular Culture and the Globalizing of 1980s America</a> (UNC Press, 2017), <a href="http://liberalarts.latech.edu/shss/faculty/mckevitt.php">Andrew McKevitt</a> explores the intense and ultimately fleeting moment in 1980s America when the future looked Japanese. Would Japan’s remarkable post World War II economic success enable the East Asian nation to overtake the United States? Or could Japan’s globe-trotting corporations serve as a model for battered U.S. industries, pointing the way to a future of globalized commerce and culture? While popular films and literature recycled old anti-Asian imagery and crafted new ways of imagining the yellow peril, and formal U.S.-Japan relations remained locked in a holding pattern of Cold War complacency, a remarkable shift was happening in countless local places throughout the United States: Japanese goods were remaking American consumer life and injecting contemporary globalization into U.S. commerce and culture. What impact did the flood of billions of Japanese things have on the ways Americans produced, consumed, and thought about their place in the world?</p><p>
From autoworkers to anime fans, Consuming Japan introduces new unorthodox actors into foreign-relations history, demonstrating how the flow of all things Japanese contributed to the globalizing of America in the late twentieth century.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2550</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69567]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2373212078.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elizabeth Bucar, “Pious Fashion: How Muslim Women Dress” (Harvard UP, 2017)</title>
      <description>We’ve featured a few books on fashion and the Muslim world recently, all part of an effort to re-orient the study of women in the Muslim and Arabic-speaking worlds. Elizabeth Bucar’s Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017) uses three different Muslim populations, Iran, Indonesia and Turkey, to look at what Muslim women wear and how it reflects individual agency. What’s so original about Bucar’s contribution is that it emphasizes how women dress, versus simply what they wear. Bucar looks at bad style, new media, global fashion, and religious authority in an account that gives agency to the subjects. But the book isn’t simply about Muslim women, but all women and is at its best when reminding the reader how dress functions in their own society.

Elizabeth Bucar is Associate Professor of Philosophy and Religion at Northeastern University. She was previously Assistant Professor of Religious Studies at the University of North Carolina, Greensboro. She is a religious ethicist who studies sexuality, gender, and moral transformation within Islamic and Christian traditions and communities and she received her PhD in religious ethics from the University of Chicago.



Nadirah Mansour is a graduate student at Princeton Universitys Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26and produces another Middle-East and North Africa-related podcast: Reintroducing.




Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 25 Dec 2017 20:33:21 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>We’ve featured a few books on fashion and the Muslim world recently, all part of an effort to re-orient the study of women in the Muslim and Arabic-speaking worlds. Elizabeth Bucar’s Pious Fashion: How Muslim Women Dress (Harvard University Press,</itunes:subtitle>
      <itunes:summary>We’ve featured a few books on fashion and the Muslim world recently, all part of an effort to re-orient the study of women in the Muslim and Arabic-speaking worlds. Elizabeth Bucar’s Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017) uses three different Muslim populations, Iran, Indonesia and Turkey, to look at what Muslim women wear and how it reflects individual agency. What’s so original about Bucar’s contribution is that it emphasizes how women dress, versus simply what they wear. Bucar looks at bad style, new media, global fashion, and religious authority in an account that gives agency to the subjects. But the book isn’t simply about Muslim women, but all women and is at its best when reminding the reader how dress functions in their own society.

Elizabeth Bucar is Associate Professor of Philosophy and Religion at Northeastern University. She was previously Assistant Professor of Religious Studies at the University of North Carolina, Greensboro. She is a religious ethicist who studies sexuality, gender, and moral transformation within Islamic and Christian traditions and communities and she received her PhD in religious ethics from the University of Chicago.



Nadirah Mansour is a graduate student at Princeton Universitys Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26and produces another Middle-East and North Africa-related podcast: Reintroducing.




Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’ve featured a few books on fashion and the Muslim world recently, all part of an effort to re-orient the study of women in the Muslim and Arabic-speaking worlds. Elizabeth Bucar’s <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qm-XP0PFrQGHNXVLtbbwwqQAAAFgj0UqXwEAAAFKAXzJ9tI/http://www.amazon.com/dp/0674976169/ref=as_at?creativeASIN=0674976169&amp;linkCode=w61&amp;imprToken=.g21kE35gbrXHzy8G3rQeQ&amp;slotNum=0&amp;tag=newbooinhis-20">Pious Fashion: How Muslim Women Dress</a> (Harvard University Press, 2017) uses three different Muslim populations, Iran, Indonesia and Turkey, to look at what Muslim women wear and how it reflects individual agency. What’s so original about Bucar’s contribution is that it emphasizes how women dress, versus simply what they wear. Bucar looks at bad style, new media, global fashion, and religious authority in an account that gives agency to the subjects. But the book isn’t simply about Muslim women, but all women and is at its best when reminding the reader how dress functions in their own society.</p><p>
<a href="https://www.northeastern.edu/cssh/faculty/elizabeth-bucar">Elizabeth Bucar</a> is Associate Professor of Philosophy and Religion at Northeastern University. She was previously Assistant Professor of Religious Studies at the University of North Carolina, Greensboro. She is a religious ethicist who studies sexuality, gender, and moral transformation within Islamic and Christian traditions and communities and she received her PhD in religious ethics from the University of Chicago.</p><p>
</p><p>
Nadirah Mansour is a graduate student at Princeton Universitys Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets <a href="https://twitter.com/namansour26">@NAMansour26</a>and produces another Middle-East and North Africa-related podcast: <a href="https://www.facebook.com/ReintroducingPodcast/">Reintroducing</a>.</p><p>
</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3676</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69332]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7460795939.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Hensler, “The New Boys of Summer: Baseball’s Radical Transformation in the Late Sixties” (Rowman and Littlefield, 2017)</title>
      <description>Today we are joined by Paul Hensler, author of the book The New Boys of Summer: Baseball’s Radical Transformation in the Late Sixties (Rowman and Littlefield, 2017). Paul is a baseball historian and a member of the Society for American Baseball Research. He has also written The American League in Transition, 1965-1975: How Competition Thrived When the Yankees Didn’t, and has written for NINE: A Journal of Baseball History and Culture and the Baseball Research Journal. Hensler, who owns a masters degree in history, examines the issues that were percolating not only in Major League Baseball as the 1960s drew to a close, but also the political, social and cultural upheaval caused by the Vietnam War, the Civil Rights movement and the baby boomers who were coming of age. Baseball was on the verge of expansion, was dealing with an ineffective commissioner and was in the early stages of a labor movement that would radically change the game. American society and culture were in flux, Hensler writes, and armed with meticulous research and a wealth of sources, he presents a view of baseball history that has been overlooked. From the “Year of the Pitcher” to the “Amazin’ Mets,” Hensler takes the reader through one of the most turbulent years in American history. It was a line of demarcation for baseball, too, and Hensler provides a refreshing narrative.



Bob D’Angelo earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at bdangelo57@gmail.com. For more information, visit Bob D’Angelo’s Books and Blogs.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Dec 2017 11:00:20 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Today we are joined by Paul Hensler, author of the book The New Boys of Summer: Baseball’s Radical Transformation in the Late Sixties (Rowman and Littlefield, 2017). Paul is a baseball historian and a member of the Society for American Baseball Researc...</itunes:subtitle>
      <itunes:summary>Today we are joined by Paul Hensler, author of the book The New Boys of Summer: Baseball’s Radical Transformation in the Late Sixties (Rowman and Littlefield, 2017). Paul is a baseball historian and a member of the Society for American Baseball Research. He has also written The American League in Transition, 1965-1975: How Competition Thrived When the Yankees Didn’t, and has written for NINE: A Journal of Baseball History and Culture and the Baseball Research Journal. Hensler, who owns a masters degree in history, examines the issues that were percolating not only in Major League Baseball as the 1960s drew to a close, but also the political, social and cultural upheaval caused by the Vietnam War, the Civil Rights movement and the baby boomers who were coming of age. Baseball was on the verge of expansion, was dealing with an ineffective commissioner and was in the early stages of a labor movement that would radically change the game. American society and culture were in flux, Hensler writes, and armed with meticulous research and a wealth of sources, he presents a view of baseball history that has been overlooked. From the “Year of the Pitcher” to the “Amazin’ Mets,” Hensler takes the reader through one of the most turbulent years in American history. It was a line of demarcation for baseball, too, and Hensler provides a refreshing narrative.



Bob D’Angelo earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at bdangelo57@gmail.com. For more information, visit Bob D’Angelo’s Books and Blogs.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by <a href="http://www.paulhensler.com/">Paul Hensler</a>, author of the book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QqLibh3XpC4E27gI9B1vDv8AAAFgcKtk2QEAAAFKAVq1gYk/http://www.amazon.com/dp/1538102595/ref=as_at?creativeASIN=1538102595&amp;linkCode=w61&amp;imprToken=Idy0S3yipriq6rHkLshTDg&amp;slotNum=0&amp;tag=newbooinhis-20">The New Boys of Summer: Baseball’s Radical Transformation in the Late Sixties</a> (<a href="https://rowman.com/ISBN/9781538102596/The-New-Boys-of-Summer-Baseball's-Radical-Transformation-in-the-Late-Sixties">Rowman and Littlefield, 2017</a>). Paul is a baseball historian and a member of the Society for American Baseball Research. He has also written The American League in Transition, 1965-1975: How Competition Thrived When the Yankees Didn’t, and has written for NINE: A Journal of Baseball History and Culture and the Baseball Research Journal. Hensler, who owns a masters degree in history, examines the issues that were percolating not only in Major League Baseball as the 1960s drew to a close, but also the political, social and cultural upheaval caused by the Vietnam War, the Civil Rights movement and the baby boomers who were coming of age. Baseball was on the verge of expansion, was dealing with an ineffective commissioner and was in the early stages of a labor movement that would radically change the game. American society and culture were in flux, Hensler writes, and armed with meticulous research and a wealth of sources, he presents a view of baseball history that has been overlooked. From the “Year of the Pitcher” to the “Amazin’ Mets,” Hensler takes the reader through one of the most turbulent years in American history. It was a line of demarcation for baseball, too, and Hensler provides a refreshing narrative.</p><p>
</p><p>
Bob D’Angelo earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at <a href="mailto:bdangelo57@gmail.com">bdangelo57@gmail.com</a>. For more information, visit <a href="http://bobdangelobooks.weebly.com/the-sports-bookie">Bob D’Angelo’s Books and Blogs</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3665</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69218]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5758517117.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Alfie Bown, “The Playstation Dreamworld” (Polity, 2017)</title>
      <description>How can Lacan help us to understand the subversive potential of video games? In The Playstation Dreamworld (Polity, 2017), Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong, explores this and many other questions of the modern condition. The book offers an accessible overview of key psychoanalytic theories to understand the video game, in particular the video game experience and its impact on the social world. The book uses a plethora of gaming examples, drawing out the ambivalences and potentials in even the most seemingly un-revolutionary games. These range from the transformation of space and urban experience in Pokemon Go, through the more corporate or reactionary experiences of Uncharted, through to the subversive elements of Papers Please. The book is essential reading for anyone interested in understanding how we live, through video games, now.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 20 Dec 2017 11:00:34 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can Lacan help us to understand the subversive potential of video games? In The Playstation Dreamworld (Polity, 2017), Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong, explores this and many other questions of the modern condition....</itunes:subtitle>
      <itunes:summary>How can Lacan help us to understand the subversive potential of video games? In The Playstation Dreamworld (Polity, 2017), Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong, explores this and many other questions of the modern condition. The book offers an accessible overview of key psychoanalytic theories to understand the video game, in particular the video game experience and its impact on the social world. The book uses a plethora of gaming examples, drawing out the ambivalences and potentials in even the most seemingly un-revolutionary games. These range from the transformation of space and urban experience in Pokemon Go, through the more corporate or reactionary experiences of Uncharted, through to the subversive elements of Papers Please. The book is essential reading for anyone interested in understanding how we live, through video games, now.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can Lacan help us to understand the subversive potential of video games? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QshcvraO1UTfV8jsjDu3IigAAAFgagOykQEAAAFKAetLFHc/http://www.amazon.com/dp/1509518037/ref=as_at?creativeASIN=1509518037&amp;linkCode=w61&amp;imprToken=W8J8WU3PC8c6.c2.6FHtFQ&amp;slotNum=0&amp;tag=newbooinhis-20">The Playstation Dreamworld</a> (<a href="https://www.wiley.com/en-us/The+PlayStation+Dreamworld-p-9781509518029">Polity</a>, 2017), <a href="http://www.hsmc.edu.hk/en/schools-departments/school-of-humanities-and-social-science/departments/english/academic-staff/?staffId=817">Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong</a>, explores this and many other questions of the modern condition. The book offers an accessible overview of key psychoanalytic theories to understand the video game, in particular the video game experience and its impact on the social world. The book uses a plethora of gaming examples, drawing out the ambivalences and potentials in even the most seemingly un-revolutionary games. These range from the transformation of space and urban experience in Pokemon Go, through the more corporate or reactionary experiences of Uncharted, through to the subversive elements of Papers Please. The book is essential reading for anyone interested in understanding how we live, through video games, now.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2618</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69161]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9489808893.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan W. White, “Midnight in America: Darkness, Sleep, and Dreams during the Civil War” (UNC Press, 2017)</title>
      <description>What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book Midnight in America: Darkness, Sleep, and Dreams during the Civil War (University of North Carolina Press, 2017).

Jonathan W. White is associate professor of American Studies at Christopher Newport University. He is the author of several books and almost one hundred articles, essays, and reviews about the Civil War. His earlier book, Emancipation, the Union Army, and the Reelection of Abraham Lincoln, was the winner and finalist for a number of book prizes.

Now he has written a book about a subject few, if anyone, has known much about—and that in itself is a feat for Civil War history. Midnight in America surveys the dreams of soldiers, civilians, African Americans, the dying, and Abraham Lincoln, including how those dreams were represented in popular culture. The dreams he includes are truly strange, with all the wacky juxtapositions we expect in our own dreaming. Indeed, what White’s book shows overall is that it is the dreams during the Civil War, and not any more the wakeful, sober analyses of official accounts, that most clearly reveal the life of the country, with all its fears, desires, and struggles.

Soldiers’ dreams of home (the most prominent ‘theme’ of their dreams) pivoted around feelings of vulnerability and mortality, and, consequently, the need for care and affection. We talk about how their dreams harbored fears of being cheated upon, forgotten, no longer important, and even replaced—fears many times instigated by not having received a letter from home recently. Dreaming is how we get through the day, even as, in their most free-ranging forms, dreams can reveal that which we are trying to escape. As we discuss in our conversation, surveying the content of these dreams offers a view of the emotional dynamics that underwrote ‘the war,’ as well as the dreamer’s drive to fight. We also discuss the differences between white and black cultures of dreaming. The stark divides of the relationships that appeared in the dreams of soldiers and their families back home were on full display in the daily lives of slaves. In contrast to white people, African-Americans gave dreaming a more central, ritualistic place in their cultural practices. And while in public slaveowners presented a ‘rational’ defense of slavery, their dreams evinced a complex recognition of the humanity of black people. The very “dream” of a perfect union, with clear differences between good and evil, especially as sentimentalized in popular culture, was premised on the fear of disunion, disconnection, and incompleteness in ones own life. For better and worse, the war was a dream.



 Michael Amico holds a PhD in American Studies from Yale University. His dissertation, “The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War,” is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 15 Dec 2017 12:59:05 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book Midnight in America: Darkness, Sleep, and Dreams during the Civil War (University of North Carolina Press, 2017). Jonathan W.</itunes:subtitle>
      <itunes:summary>What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book Midnight in America: Darkness, Sleep, and Dreams during the Civil War (University of North Carolina Press, 2017).

Jonathan W. White is associate professor of American Studies at Christopher Newport University. He is the author of several books and almost one hundred articles, essays, and reviews about the Civil War. His earlier book, Emancipation, the Union Army, and the Reelection of Abraham Lincoln, was the winner and finalist for a number of book prizes.

Now he has written a book about a subject few, if anyone, has known much about—and that in itself is a feat for Civil War history. Midnight in America surveys the dreams of soldiers, civilians, African Americans, the dying, and Abraham Lincoln, including how those dreams were represented in popular culture. The dreams he includes are truly strange, with all the wacky juxtapositions we expect in our own dreaming. Indeed, what White’s book shows overall is that it is the dreams during the Civil War, and not any more the wakeful, sober analyses of official accounts, that most clearly reveal the life of the country, with all its fears, desires, and struggles.

Soldiers’ dreams of home (the most prominent ‘theme’ of their dreams) pivoted around feelings of vulnerability and mortality, and, consequently, the need for care and affection. We talk about how their dreams harbored fears of being cheated upon, forgotten, no longer important, and even replaced—fears many times instigated by not having received a letter from home recently. Dreaming is how we get through the day, even as, in their most free-ranging forms, dreams can reveal that which we are trying to escape. As we discuss in our conversation, surveying the content of these dreams offers a view of the emotional dynamics that underwrote ‘the war,’ as well as the dreamer’s drive to fight. We also discuss the differences between white and black cultures of dreaming. The stark divides of the relationships that appeared in the dreams of soldiers and their families back home were on full display in the daily lives of slaves. In contrast to white people, African-Americans gave dreaming a more central, ritualistic place in their cultural practices. And while in public slaveowners presented a ‘rational’ defense of slavery, their dreams evinced a complex recognition of the humanity of black people. The very “dream” of a perfect union, with clear differences between good and evil, especially as sentimentalized in popular culture, was premised on the fear of disunion, disconnection, and incompleteness in ones own life. For better and worse, the war was a dream.



 Michael Amico holds a PhD in American Studies from Yale University. His dissertation, “The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War,” is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QrAdcRy1w0VfsGx2YNTNxP8AAAFgVjMmLgEAAAFKAaUx71I/http://www.amazon.com/dp/1469632047/ref=as_at?creativeASIN=1469632047&amp;linkCode=w61&amp;imprToken=.A9PpRvfA.NmuiPYjq1-dg&amp;slotNum=0&amp;tag=newbooinhis-20">Midnight in America: Darkness, Sleep, and Dreams during the Civil War</a> (<a href="https://www.uncpress.org/book/9781469632049/midnight-in-america/">University of North Carolina Press</a>, 2017).</p><p>
<a href="http://www.jonathanwhite.org/">Jonathan W. White</a> is associate professor of American Studies at Christopher Newport University. He is the author of several books and almost one hundred articles, essays, and reviews about the Civil War. His earlier book, Emancipation, the Union Army, and the Reelection of Abraham Lincoln, was the winner and finalist for a number of book prizes.</p><p>
Now he has written a book about a subject few, if anyone, has known much about—and that in itself is a feat for Civil War history. Midnight in America surveys the dreams of soldiers, civilians, African Americans, the dying, and Abraham Lincoln, including how those dreams were represented in popular culture. The dreams he includes are truly strange, with all the wacky juxtapositions we expect in our own dreaming. Indeed, what White’s book shows overall is that it is the dreams during the Civil War, and not any more the wakeful, sober analyses of official accounts, that most clearly reveal the life of the country, with all its fears, desires, and struggles.</p><p>
Soldiers’ dreams of home (the most prominent ‘theme’ of their dreams) pivoted around feelings of vulnerability and mortality, and, consequently, the need for care and affection. We talk about how their dreams harbored fears of being cheated upon, forgotten, no longer important, and even replaced—fears many times instigated by not having received a letter from home recently. Dreaming is how we get through the day, even as, in their most free-ranging forms, dreams can reveal that which we are trying to escape. As we discuss in our conversation, surveying the content of these dreams offers a view of the emotional dynamics that underwrote ‘the war,’ as well as the dreamer’s drive to fight. We also discuss the differences between white and black cultures of dreaming. The stark divides of the relationships that appeared in the dreams of soldiers and their families back home were on full display in the daily lives of slaves. In contrast to white people, African-Americans gave dreaming a more central, ritualistic place in their cultural practices. And while in public slaveowners presented a ‘rational’ defense of slavery, their dreams evinced a complex recognition of the humanity of black people. The very “dream” of a perfect union, with clear differences between good and evil, especially as sentimentalized in popular culture, was premised on the fear of disunion, disconnection, and incompleteness in ones own life. For better and worse, the war was a dream.</p><p>
</p><p>
 Michael Amico holds a PhD in American Studies from Yale University. His dissertation, “The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War,” is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of <a href="https://www.amazon.com/You-Can-Tell-Just-Looking/dp/0807042455">“You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013)</a>, a finalist for the Lambda Literary Award in Nonfiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3571</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69106]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8448192897.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brett L. Abrams, “Terry Bradshaw: From Super Bowl Champion to Television Personality” (Rowman and Littlefield, 2017)</title>
      <description>Today we are joined by Brett L. Abrams, author of the book Terry Bradshaw: From Super Bowl Champion to Television Personality (Rowman &amp; Littlefield, 2017). It is part of a series called Sports Icons and Issues in Popular Culture. Abrams, an archivist of electronic records in Washington. D.C., does more than just document the football career of Hall of Fame quarterback Terry Bradshaw, who won four Super Bowl titles during the 1970s with the Pittsburgh Steelers. Abrams goes beyond the nuts and bolts of a successful athletic career and explores Bradshaw’s foray into country and gospel singing, his acting in movies, his adventure as a part owner of a NASCAR team, and finally, his long and successful run as a NFL color commentator and later a studio analyst first for CBS, and then for Fox. Maligned during his playing career for a perceived lack of intelligence—a prejudicial view of Southerners mostly held by people north of the Mason-Dixon line, Bradshaw played off his L’il Abner, good o’l boy image to craft his own niche in the entertainment field. As Abrams writes in this well-researched book, Bradshaw demonstrated what it took for an entertainer to master many of those entertainment industries in the late 20th century. More people may now know Bradshaw as an enthusiastic football analyst, but he is much more than that.



 Bob D’Angelo is working on his masters degree in history at Southern New Hampshire University. He earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at bdangelo57@gmail.com. For more information, visit Bob D’Angelo’s Books and Blogs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 15 Dec 2017 12:55:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Today we are joined by Brett L. Abrams, author of the book Terry Bradshaw: From Super Bowl Champion to Television Personality (Rowman &amp; Littlefield, 2017). It is part of a series called Sports Icons and Issues in Popular Culture. Abrams,</itunes:subtitle>
      <itunes:summary>Today we are joined by Brett L. Abrams, author of the book Terry Bradshaw: From Super Bowl Champion to Television Personality (Rowman &amp; Littlefield, 2017). It is part of a series called Sports Icons and Issues in Popular Culture. Abrams, an archivist of electronic records in Washington. D.C., does more than just document the football career of Hall of Fame quarterback Terry Bradshaw, who won four Super Bowl titles during the 1970s with the Pittsburgh Steelers. Abrams goes beyond the nuts and bolts of a successful athletic career and explores Bradshaw’s foray into country and gospel singing, his acting in movies, his adventure as a part owner of a NASCAR team, and finally, his long and successful run as a NFL color commentator and later a studio analyst first for CBS, and then for Fox. Maligned during his playing career for a perceived lack of intelligence—a prejudicial view of Southerners mostly held by people north of the Mason-Dixon line, Bradshaw played off his L’il Abner, good o’l boy image to craft his own niche in the entertainment field. As Abrams writes in this well-researched book, Bradshaw demonstrated what it took for an entertainer to master many of those entertainment industries in the late 20th century. More people may now know Bradshaw as an enthusiastic football analyst, but he is much more than that.



 Bob D’Angelo is working on his masters degree in history at Southern New Hampshire University. He earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at bdangelo57@gmail.com. For more information, visit Bob D’Angelo’s Books and Blogs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by <a href="https://ussporthistory.com/contributors/brett-abrams/">Brett L. Abrams</a>, author of the book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QnubYgN7jGtlKT7aLYDMSD8AAAFgVp8yIgEAAAFKAZP2tMQ/http://www.amazon.com/dp/1442277637/ref=as_at?creativeASIN=1442277637&amp;linkCode=w61&amp;imprToken=yfw4ker08JkNY1x.jiFSdQ&amp;slotNum=0&amp;tag=newbooinhis-20">Terry Bradshaw: From Super Bowl Champion to Television Personality</a> (Rowman &amp; Littlefield, 2017). It is part of a series called <a href="https://rowman.com/Action/SERIES/RL/RLSIIPC">Sports Icons and Issues in Popular Culture</a>. Abrams, an archivist of electronic records in Washington. D.C., does more than just document the football career of Hall of Fame quarterback Terry Bradshaw, who won four Super Bowl titles during the 1970s with the Pittsburgh Steelers. Abrams goes beyond the nuts and bolts of a successful athletic career and explores Bradshaw’s foray into country and gospel singing, his acting in movies, his adventure as a part owner of a NASCAR team, and finally, his long and successful run as a NFL color commentator and later a studio analyst first for CBS, and then for Fox. Maligned during his playing career for a perceived lack of intelligence—a prejudicial view of Southerners mostly held by people north of the Mason-Dixon line, Bradshaw played off his L’il Abner, good o’l boy image to craft his own niche in the entertainment field. As Abrams writes in this well-researched book, Bradshaw demonstrated what it took for an entertainer to master many of those entertainment industries in the late 20th century. More people may now know Bradshaw as an enthusiastic football analyst, but he is much more than that.</p><p>
</p><p>
 Bob D’Angelo is working on his masters degree in history at Southern New Hampshire University. He earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at<a href="mailto:bdangelo57@gmail.com"> bdangelo57@gmail.com</a>. For more information, visit <a href="http://bobdangelobooks.weebly.com/the-sports-bookie">Bob D’Angelo’s Books and Blogs</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2852</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69110]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8856737149.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rebecca Tuhus-Dubrow, “Personal Stereo” (Bloomsbury Academic, 2017)</title>
      <description>Rebecca Tuhus-Dubrow‘s book, Personal Stereo (Bloomsbury Academic, 2017) , which is part of the Object Lessons series, offers a compelling and expertly researched study of the Sony Walkman, taking into account the device’s controversial origin story, the seismic cultural impact on society in the 1980s, the worries of diminishing social interactions, and the philosophical implications of listening to music within one’s own private bubble. All this is channeled through a personal nostalgic affection for the device.

Rebecca Tuhus-Dubrow is a writer-in-residence at the University of California, Irvine. Her writing has appeared in Slate, The Nation, The New York Times Book Review, the Los Angeles Review of Books, and Dissent, where she is a contributing editor. She was previously a contributing writer for the Boston Globe’s Ideas section, a columnist for the urban affairs website Next City, and a Journalism and Media Fellow at the UCLA Institute of the Environment and Sustainability.



Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Dec 2017 11:00:41 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rebecca Tuhus-Dubrow‘s book, Personal Stereo (Bloomsbury Academic, 2017) , which is part of the Object Lessons series, offers a compelling and expertly researched study of the Sony Walkman, taking into account the device’s controversial origin story,</itunes:subtitle>
      <itunes:summary>Rebecca Tuhus-Dubrow‘s book, Personal Stereo (Bloomsbury Academic, 2017) , which is part of the Object Lessons series, offers a compelling and expertly researched study of the Sony Walkman, taking into account the device’s controversial origin story, the seismic cultural impact on society in the 1980s, the worries of diminishing social interactions, and the philosophical implications of listening to music within one’s own private bubble. All this is channeled through a personal nostalgic affection for the device.

Rebecca Tuhus-Dubrow is a writer-in-residence at the University of California, Irvine. Her writing has appeared in Slate, The Nation, The New York Times Book Review, the Los Angeles Review of Books, and Dissent, where she is a contributing editor. She was previously a contributing writer for the Boston Globe’s Ideas section, a columnist for the urban affairs website Next City, and a Journalism and Media Fellow at the UCLA Institute of the Environment and Sustainability.



Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://rebeccatuhusdubrow.net/biography/">Rebecca Tuhus-Dubrow</a>‘s book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qgbj3D17k17U5UCWcPzP5V0AAAFgPT5woQEAAAFKAcfhwP4/http://www.amazon.com/dp/1501322818/ref=as_at?creativeASIN=1501322818&amp;linkCode=w61&amp;imprToken=wjUFGUQ9PezB9gfHbcl9Kw&amp;slotNum=0&amp;tag=newbooinhis-20">Personal Stereo</a> (<a href="https://www.bloomsbury.com/us/personal-stereo-9781501322839/">Bloomsbury Academic,</a> 2017) , which is part of the <a href="https://www.bloomsbury.com/us/series/object-lessons/?pg=6">Object Lessons series</a>, offers a compelling and expertly researched study of the Sony Walkman, taking into account the device’s controversial origin story, the seismic cultural impact on society in the 1980s, the worries of diminishing social interactions, and the philosophical implications of listening to music within one’s own private bubble. All this is channeled through a personal nostalgic affection for the device.</p><p>
<a href="https://twitter.com/BeccaTuDu">Rebecca Tuhus-Dubrow</a> is a writer-in-residence at the University of California, Irvine. Her writing has appeared in Slate, The Nation, The New York Times Book Review, the Los Angeles Review of Books, and Dissent, where she is a contributing editor. She was previously a contributing writer for the Boston Globe’s Ideas section, a columnist for the urban affairs website Next City, and a Journalism and Media Fellow at the UCLA Institute of the Environment and Sustainability.</p><p>
</p><p>
Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter <a href="https://twitter.com/RiffsandMeaning">@riffsandmeaning</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2132</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68982]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5219255982.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bob Batchelor, “Stan Lee: The Man Behind Marvel” (Rowman and Littlefield, 2017)</title>
      <description>In his new book, Stan Lee: The Man Behind Marvel  (Rowman and Littlefield, 2017), cultural historian and biographer Bob Batchelor examines the life of Marvel’s Stan Lee one of the most iconic figures in comic book history. Batchelor has written the first biography of Stan Lee. Starting with his childhood as a Depression-era New Yorker born to immigrant parents, Batchelor follows Lee’s career as a teenage editor at Marvel Comics, his stint as a playwright for the United States Army during World War II, and his unrelenting work ethic and drive that transformed the comic book industry and brought characters such as Spider Man, the Hulk, Iron Man, the Fantastic Four, the Avengers, and the X-Men to life. Batchelor explores the larger place in popular and American cultural history that Stan Lee has played over the past 70 years from comics to television to film, reflecting on the role of the superhero in the American experience. Well researched, Stan Lee: The Man Behind Marvel gives insight not only into well-known aspects of Lee’s life, but also presents readers with little known background into Lee’s past and what has made him the icon he is today. Batchelor’s book is a must read for Marvel and comic books fans.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 12 Dec 2017 11:00:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book, Stan Lee: The Man Behind Marvel (Rowman and Littlefield, 2017), cultural historian and biographer Bob Batchelor examines the life of Marvel’s Stan Lee one of the most iconic figures in comic book history.</itunes:subtitle>
      <itunes:summary>In his new book, Stan Lee: The Man Behind Marvel  (Rowman and Littlefield, 2017), cultural historian and biographer Bob Batchelor examines the life of Marvel’s Stan Lee one of the most iconic figures in comic book history. Batchelor has written the first biography of Stan Lee. Starting with his childhood as a Depression-era New Yorker born to immigrant parents, Batchelor follows Lee’s career as a teenage editor at Marvel Comics, his stint as a playwright for the United States Army during World War II, and his unrelenting work ethic and drive that transformed the comic book industry and brought characters such as Spider Man, the Hulk, Iron Man, the Fantastic Four, the Avengers, and the X-Men to life. Batchelor explores the larger place in popular and American cultural history that Stan Lee has played over the past 70 years from comics to television to film, reflecting on the role of the superhero in the American experience. Well researched, Stan Lee: The Man Behind Marvel gives insight not only into well-known aspects of Lee’s life, but also presents readers with little known background into Lee’s past and what has made him the icon he is today. Batchelor’s book is a must read for Marvel and comic books fans.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qu4tMges9E6AoYRVAc60B-MAAAFgM0cvugEAAAFKAeMmAEo/http://www.amazon.com/dp/1442277815/ref=as_at?creativeASIN=1442277815&amp;linkCode=w61&amp;imprToken=L4fNU6CvZlxBO56RR4Vb9g&amp;slotNum=0&amp;tag=newbooinhis-20">Stan Lee: The Man Behind Marvel </a> (Rowman and Littlefield, 2017), cultural historian and biographer <a href="http://www.bobbatchelor.com/">Bob Batchelor</a> examines the life of Marvel’s Stan Lee one of the most iconic figures in comic book history. Batchelor has written the first biography of Stan Lee. Starting with his childhood as a Depression-era New Yorker born to immigrant parents, Batchelor follows Lee’s career as a teenage editor at Marvel Comics, his stint as a playwright for the United States Army during World War II, and his unrelenting work ethic and drive that transformed the comic book industry and brought characters such as Spider Man, the Hulk, Iron Man, the Fantastic Four, the Avengers, and the X-Men to life. Batchelor explores the larger place in popular and American cultural history that Stan Lee has played over the past 70 years from comics to television to film, reflecting on the role of the superhero in the American experience. Well researched, Stan Lee: The Man Behind Marvel gives insight not only into well-known aspects of Lee’s life, but also presents readers with little known background into Lee’s past and what has made him the icon he is today. Batchelor’s book is a must read for Marvel and comic books fans.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4264</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68919]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6339354690.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Fleischman, “Inside Studio 54” (Rare Bird Books, 2017)</title>
      <description>Studio 54 opened its doors 40 years ago and since that time it has held a place in American popular culture. Studio 54 was the place to go dancing to great music, mingle with celebrities and beautiful people, and do drugs night after night. In his historical and cultural memoir as the owner of Studio 54, Mark Fleischman takes readers behind the scenes and the into the basement rooms and dark corners of the night club. Inside Studio 54: The Real Story of Sex, Drugs, and Rock ‘n Roll from Former Studio 54 Owner (Rare Bird Books, 2017) introduces readers to the Studio 54 of the 1980s which Fleischman took control over after the original owners went to jail for tax evasion. Fleischman shares stories of celebrities, drugs, and day in and day out partying. He presents how he initiated theme nights and created ways to make the night club a destination for cultural icons of the decade. Through his journey of making Studio 54 the in club of the 1980s after disco was declared dead, Fleischman also shares his story of addiction and recovery, finding a new life through Rancho La Puerta and sobriety. Fleischman’s Inside Studio 54 is a no-nonsense view of a cultural landmark that gives readers interested in popular, music and celebrity culture insight behind the scenes of the most famous night club in the world.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 08 Dec 2017 16:48:43 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Studio 54 opened its doors 40 years ago and since that time it has held a place in American popular culture. Studio 54 was the place to go dancing to great music, mingle with celebrities and beautiful people, and do drugs night after night.</itunes:subtitle>
      <itunes:summary>Studio 54 opened its doors 40 years ago and since that time it has held a place in American popular culture. Studio 54 was the place to go dancing to great music, mingle with celebrities and beautiful people, and do drugs night after night. In his historical and cultural memoir as the owner of Studio 54, Mark Fleischman takes readers behind the scenes and the into the basement rooms and dark corners of the night club. Inside Studio 54: The Real Story of Sex, Drugs, and Rock ‘n Roll from Former Studio 54 Owner (Rare Bird Books, 2017) introduces readers to the Studio 54 of the 1980s which Fleischman took control over after the original owners went to jail for tax evasion. Fleischman shares stories of celebrities, drugs, and day in and day out partying. He presents how he initiated theme nights and created ways to make the night club a destination for cultural icons of the decade. Through his journey of making Studio 54 the in club of the 1980s after disco was declared dead, Fleischman also shares his story of addiction and recovery, finding a new life through Rancho La Puerta and sobriety. Fleischman’s Inside Studio 54 is a no-nonsense view of a cultural landmark that gives readers interested in popular, music and celebrity culture insight behind the scenes of the most famous night club in the world.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Studio 54 opened its doors 40 years ago and since that time it has held a place in American popular culture. Studio 54 was the place to go dancing to great music, mingle with celebrities and beautiful people, and do drugs night after night. In his historical and cultural memoir as the owner of Studio 54, Mark Fleischman takes readers behind the scenes and the into the basement rooms and dark corners of the night club. <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qs7EMkx1sS1QVRALn_BIGF8AAAFgDtG3wgEAAAFKAfTq0Aw/http://www.amazon.com/dp/1945572574/ref=as_at?creativeASIN=1945572574&amp;linkCode=w61&amp;imprToken=.E96ydgt8Z9MfpkdIJdegA&amp;slotNum=0&amp;tag=newbooinhis-20">Inside Studio 54: The Real Story of Sex, Drugs, and Rock ‘n Roll from Former Studio 54 Owner</a> (<a href="http://www.rarebirdbooks.com/inside-studio-54-by-mark-fleischman/">Rare Bird Books</a>, 2017) introduces readers to the Studio 54 of the 1980s which Fleischman took control over after the original owners went to jail for tax evasion. Fleischman shares stories of celebrities, drugs, and day in and day out partying. He presents how he initiated theme nights and created ways to make the night club a destination for cultural icons of the decade. Through his journey of making Studio 54 the in club of the 1980s after disco was declared dead, Fleischman also shares his story of addiction and recovery, finding a new life through Rancho La Puerta and sobriety. Fleischman’s Inside Studio 54 is a no-nonsense view of a cultural landmark that gives readers interested in popular, music and celebrity culture insight behind the scenes of the most famous night club in the world.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3208</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68749]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6117091690.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kinneret Lahad, “A Table for One: A Critical Reading of Singlehood, Gender and Time” (Manchester UP, 2017)</title>
      <description>Why are you still single?

This question is often asked of single women, especially those who are deemed by loved ones or friends to be too old to be single. In her newest book, A Table for One: A Critical Reading of Singlehood, Gender and Time (Manchester University Press, 2017), Kinneret Lahad analyzes this undertheorized aspect of the gendered experience. Singlehood is inextricably linked to a post-structural analysis of time: not only are single women judged on their single status based on how old they are, but Lahad argues that being single often ages women at a faster rate in the eyes of others. This book offers a brilliant analysis of singlehood and how different aspects of popular culture depict this intersection of identity. From movies and television shows, popular stories, and online commentary, the ways that these aspects of our culture shapes the identity of a single woman is far-reaching and pervasive. This book is a great read for anyone interested in yet-to-be-fully-explored aspects of gender studies or anyone that has been bothered by the question “why are you still single?”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 05 Dec 2017 20:34:30 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Why are you still single? This question is often asked of single women, especially those who are deemed by loved ones or friends to be too old to be single. In her newest book, A Table for One: A Critical Reading of Singlehood,</itunes:subtitle>
      <itunes:summary>Why are you still single?

This question is often asked of single women, especially those who are deemed by loved ones or friends to be too old to be single. In her newest book, A Table for One: A Critical Reading of Singlehood, Gender and Time (Manchester University Press, 2017), Kinneret Lahad analyzes this undertheorized aspect of the gendered experience. Singlehood is inextricably linked to a post-structural analysis of time: not only are single women judged on their single status based on how old they are, but Lahad argues that being single often ages women at a faster rate in the eyes of others. This book offers a brilliant analysis of singlehood and how different aspects of popular culture depict this intersection of identity. From movies and television shows, popular stories, and online commentary, the ways that these aspects of our culture shapes the identity of a single woman is far-reaching and pervasive. This book is a great read for anyone interested in yet-to-be-fully-explored aspects of gender studies or anyone that has been bothered by the question “why are you still single?”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why are you still single?</p><p>
This question is often asked of single women, especially those who are deemed by loved ones or friends to be too old to be single. In her newest book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qnyt6FkXDo2EjgJaob6WwEcAAAFgKGDHkAEAAAFKAWiaSfY/http://www.amazon.com/dp/1526115395/ref=as_at?creativeASIN=1526115395&amp;linkCode=w61&amp;imprToken=t6i1nSW34CsPl0a5c00eng&amp;slotNum=0&amp;tag=newbooinhis-20">A Table for One: A Critical Reading of Singlehood, Gender and Time</a> (Manchester University Press, 2017), <a href="http://telaviv.academia.edu/KinneretLahad">Kinneret Lahad</a> analyzes this undertheorized aspect of the gendered experience. Singlehood is inextricably linked to a post-structural analysis of time: not only are single women judged on their single status based on how old they are, but Lahad argues that being single often ages women at a faster rate in the eyes of others. This book offers a brilliant analysis of singlehood and how different aspects of popular culture depict this intersection of identity. From movies and television shows, popular stories, and online commentary, the ways that these aspects of our culture shapes the identity of a single woman is far-reaching and pervasive. This book is a great read for anyone interested in yet-to-be-fully-explored aspects of gender studies or anyone that has been bothered by the question “why are you still single?”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3210</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68842]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5080867520.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jenny Natasha and Tom Boniface-Webb, “I Was Britpopped: The A-Z of Britpop” (Valley Press, 2017)</title>
      <description>I Was Britpopped: The A-Z of Britpop (Valley Press, 2017) is a comprehensive guide to the people, the bands, the places, and the events that shaped British music in the mid-to-late 1990s. Taking on the form of a A-Z guide, the book doesn’t gloss over even the most remote B-Side or bands who only fleetingly played a role in the genre. Every entry is carefully researched and expertly written to paint a picture of a music scene that was at once full of some of the most creative and inspirational individuals of a generation and trendy chancers wanting a bit of fame and some quick cash. The Britpop scene flashed before our eyes, yet it still lingers in the collective souls of those that lived it.

Authors Jenny Natasha and Tom Boniface-Webb grew up in the nineties and experienced the Britpop scene first hand. They met while they were both band members of the indie rock band the Requiems. Originally hailing from Wales, Jenny experienced the music of the early nineties with her group of girlfriends who saw Oasis perform at Knebworth in 1996. She was given a guitar for her sixteenth birthday, which led her to join various bands in London, where she resides. She currently works at MTV in Camden town. Tom Boniface-Webb was born in southeast England and destined for a life of music. He learned how to play the guitar at fifteen and played in a number of bands throughout the nineties and noughties. Today he is a writer and filmmaker living in New Zealand with his wife.



 Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 30 Nov 2017 11:00:47 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>I Was Britpopped: The A-Z of Britpop (Valley Press, 2017) is a comprehensive guide to the people, the bands, the places, and the events that shaped British music in the mid-to-late 1990s. Taking on the form of a A-Z guide,</itunes:subtitle>
      <itunes:summary>I Was Britpopped: The A-Z of Britpop (Valley Press, 2017) is a comprehensive guide to the people, the bands, the places, and the events that shaped British music in the mid-to-late 1990s. Taking on the form of a A-Z guide, the book doesn’t gloss over even the most remote B-Side or bands who only fleetingly played a role in the genre. Every entry is carefully researched and expertly written to paint a picture of a music scene that was at once full of some of the most creative and inspirational individuals of a generation and trendy chancers wanting a bit of fame and some quick cash. The Britpop scene flashed before our eyes, yet it still lingers in the collective souls of those that lived it.

Authors Jenny Natasha and Tom Boniface-Webb grew up in the nineties and experienced the Britpop scene first hand. They met while they were both band members of the indie rock band the Requiems. Originally hailing from Wales, Jenny experienced the music of the early nineties with her group of girlfriends who saw Oasis perform at Knebworth in 1996. She was given a guitar for her sixteenth birthday, which led her to join various bands in London, where she resides. She currently works at MTV in Camden town. Tom Boniface-Webb was born in southeast England and destined for a life of music. He learned how to play the guitar at fifteen and played in a number of bands throughout the nineties and noughties. Today he is a writer and filmmaker living in New Zealand with his wife.



 Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://aax-us-east.amazon-adsystem.com/x/c/QjDHeeWHKjME2yv30-2uSjIAAAFf_3-pMwEAAAFKAb5U8Ww/http://www.amazon.com/dp/1908853921/ref=as_at?creativeASIN=1908853921&amp;linkCode=w61&amp;imprToken=ThTBaUXdaD1H0MnoEtBrzg&amp;slotNum=0&amp;tag=newbooinhis-20">I Was Britpopped: The A-Z of Britpop</a> (<a href="http://www.valleypressuk.com/book/87/i_was_britpopped__the_a-z">Valley Press</a>, 2017) is a comprehensive guide to the people, the bands, the places, and the events that shaped British music in the mid-to-late 1990s. Taking on the form of a A-Z guide, the book doesn’t gloss over even the most remote B-Side or bands who only fleetingly played a role in the genre. Every entry is carefully researched and expertly written to paint a picture of a music scene that was at once full of some of the most creative and inspirational individuals of a generation and trendy chancers wanting a bit of fame and some quick cash. The Britpop scene flashed before our eyes, yet it still lingers in the collective souls of those that lived it.</p><p>
Authors Jenny Natasha and Tom Boniface-Webb grew up in the nineties and experienced the Britpop scene first hand. They met while they were both band members of the indie rock band the Requiems. Originally hailing from Wales, Jenny experienced the music of the early nineties with her group of girlfriends who saw Oasis perform at Knebworth in 1996. She was given a guitar for her sixteenth birthday, which led her to join various bands in London, where she resides. She currently works at MTV in Camden town. Tom Boniface-Webb was born in southeast England and destined for a life of music. He learned how to play the guitar at fifteen and played in a number of bands throughout the nineties and noughties. Today he is a writer and filmmaker living in New Zealand with his wife.</p><p>
</p><p>
 Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter <a href="https://twitter.com/RiffsandMeaning">@riffsandmeaning</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3712</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68682]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8822395948.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vanda Krefft, “The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox” (Harper, 2017)</title>
      <description>Though not a figure in the public imagination today, William Fox is a man whose legacy is visible in the numerous media enterprises that bear his name. Vanda Krefft‘s biography The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox (Harper, 2017) leads readers through the remarkable arc of Fox’s life, one that took him from the slums of New York City to the glittering lights of Hollywood. The immigrant son of Hungarian Jews, Fox got his start in the entertainment industry in 1904 as an exhibitor. Enjoying success but chafing under the restrictive terms of film distributors, in 1915 he expanded into production, creating the Fox Film Corporation. As Krefft explains, Fox favored a director-centric approach to film making, working with such legendary figures as John Ford and F. W. Murnau to produce some of the greatest films of the silent era. By the late 1920s he had built a vast entertainment empire, only to lose first his fortune and then his company in the economic collapse at the end of the decade, which left him to watch as others turned his studio into 20th Century Fox, one of the big six studios in Hollywood today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 27 Nov 2017 11:00:11 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Though not a figure in the public imagination today, William Fox is a man whose legacy is visible in the numerous media enterprises that bear his name. Vanda Krefft‘s biography The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William F...</itunes:subtitle>
      <itunes:summary>Though not a figure in the public imagination today, William Fox is a man whose legacy is visible in the numerous media enterprises that bear his name. Vanda Krefft‘s biography The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox (Harper, 2017) leads readers through the remarkable arc of Fox’s life, one that took him from the slums of New York City to the glittering lights of Hollywood. The immigrant son of Hungarian Jews, Fox got his start in the entertainment industry in 1904 as an exhibitor. Enjoying success but chafing under the restrictive terms of film distributors, in 1915 he expanded into production, creating the Fox Film Corporation. As Krefft explains, Fox favored a director-centric approach to film making, working with such legendary figures as John Ford and F. W. Murnau to produce some of the greatest films of the silent era. By the late 1920s he had built a vast entertainment empire, only to lose first his fortune and then his company in the economic collapse at the end of the decade, which left him to watch as others turned his studio into 20th Century Fox, one of the big six studios in Hollywood today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Though not a figure in the public imagination today, William Fox is a man whose legacy is visible in the numerous media enterprises that bear his name. <a href="https://www.vandakrefft.com/">Vanda Krefft</a>‘s biography <a href="http://aax-us-east.amazon-adsystem.com/x/c/QhcajeNM4HDKKi3PT7gq8uwAAAFf7yTCXQEAAAFKAZoYErE/http://www.amazon.com/dp/0061136069/ref=as_at?creativeASIN=0061136069&amp;linkCode=w61&amp;imprToken=bLaiDQVq82eGyrAw-qrB3Q&amp;slotNum=0&amp;tag=newbooinhis-20">The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox</a> (<a href="https://www.harpercollins.com/9780061136061/the-man-who-made-the-movies">Harper</a>, 2017) leads readers through the remarkable arc of Fox’s life, one that took him from the slums of New York City to the glittering lights of Hollywood. The immigrant son of Hungarian Jews, Fox got his start in the entertainment industry in 1904 as an exhibitor. Enjoying success but chafing under the restrictive terms of film distributors, in 1915 he expanded into production, creating the Fox Film Corporation. As Krefft explains, Fox favored a director-centric approach to film making, working with such legendary figures as John Ford and F. W. Murnau to produce some of the greatest films of the silent era. By the late 1920s he had built a vast entertainment empire, only to lose first his fortune and then his company in the economic collapse at the end of the decade, which left him to watch as others turned his studio into 20th Century Fox, one of the big six studios in Hollywood today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3893</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68600]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8834346668.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Power Sayeed, “1997: The Future that Never Happened (Zed Books, 2017)</title>
      <description>Richard Power Sayeed’s book,  1997: The Future that Never Happened (Zed Books, 2017), is a brilliant and exhaustively researched account of the late 1990s. The subject matter covered is broad. From music to politics, from feminism to the media, it paints a picture of an era in which those living and invested in British society never had it so good. The outlook was sunny, yet this positive future never materialised.

Richard Power Sayeed is a writer and documentary maker based in London. 1997: The Future that Never Happened his first book, and he has somehow managed to finish it without losing his love for the minutiae of nineties Britain.



Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 25 Nov 2017 19:02:39 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Richard Power Sayeed’s book, 1997: The Future that Never Happened (Zed Books, 2017), is a brilliant and exhaustively researched account of the late 1990s. The subject matter covered is broad. From music to politics, from feminism to the media,</itunes:subtitle>
      <itunes:summary>Richard Power Sayeed’s book,  1997: The Future that Never Happened (Zed Books, 2017), is a brilliant and exhaustively researched account of the late 1990s. The subject matter covered is broad. From music to politics, from feminism to the media, it paints a picture of an era in which those living and invested in British society never had it so good. The outlook was sunny, yet this positive future never materialised.

Richard Power Sayeed is a writer and documentary maker based in London. 1997: The Future that Never Happened his first book, and he has somehow managed to finish it without losing his love for the minutiae of nineties Britain.



Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Richard Power Sayeed’s book,  <a href="http://aax-us-east.amazon-adsystem.com/x/c/QlVvvYQ-SxRWZzemk51wShEAAAFf6zlfKQEAAAFKAbrLKKQ/http://www.amazon.com/dp/1786991993/ref=as_at?creativeASIN=1786991993&amp;linkCode=w61&amp;imprToken=iDGORENctkfQ2N4p6mbapQ&amp;slotNum=0&amp;tag=newbooinhis-20">1997: The Future that Never Happened</a> (<a href="https://www.zedbooks.net/shop/book/1997/">Zed Books</a>, 2017), is a brilliant and exhaustively researched account of the late 1990s. The subject matter covered is broad. From music to politics, from feminism to the media, it paints a picture of an era in which those living and invested in British society never had it so good. The outlook was sunny, yet this positive future never materialised.</p><p>
<a href="https://twitter.com/powersayeed?lang=en">Richard Power Sayeed</a> is a writer and documentary maker based in London. 1997: The Future that Never Happened his first book, and he has somehow managed to finish it without losing his love for the minutiae of nineties Britain.</p><p>
</p><p>
Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter <a href="https://twitter.com/RiffsandMeaning">@riffsandmeaning</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68569]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2261035080.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ian Brodie, “A Vulgar Art: A New Approach to Stand-Up Comedy” (UP of Mississippi, 2014).</title>
      <description>In A Vulgar Art: A New Approach to Stand-Up Comedy (The University Press of Mississippi, 2014), Ian Brodie, an associate professor of folklore at Cape Breton University, brings a folkloristic approach to the study of stand-up comedy. By focusing on comedic performance, Brodie shows stand-up comedy to be a collaborative act between comedian and audience similar to folk performance around the world, even as mediatization sees professional comedians transcend the initial performance to reach mass audiences.



Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Nov 2017 17:09:09 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In A Vulgar Art: A New Approach to Stand-Up Comedy (The University Press of Mississippi, 2014), Ian Brodie, an associate professor of folklore at Cape Breton University, brings a folkloristic approach to the study of stand-up comedy.</itunes:subtitle>
      <itunes:summary>In A Vulgar Art: A New Approach to Stand-Up Comedy (The University Press of Mississippi, 2014), Ian Brodie, an associate professor of folklore at Cape Breton University, brings a folkloristic approach to the study of stand-up comedy. By focusing on comedic performance, Brodie shows stand-up comedy to be a collaborative act between comedian and audience similar to folk performance around the world, even as mediatization sees professional comedians transcend the initial performance to reach mass audiences.



Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QsxYQjgt9LK-swTGx52jbZcAAAFfy1vlPQEAAAFKARBm7HA/http://www.amazon.com/dp/1628461829/ref=as_at?creativeASIN=1628461829&amp;linkCode=w61&amp;imprToken=hKtFsg7xvZtuyYwB-F-jiw&amp;slotNum=0&amp;tag=newbooinhis-20">A Vulgar Art: A New Approach to Stand-Up Comedy</a> (<a href="http://www.upress.state.ms.us/books/1918">The University Press of Mississippi</a>, 2014), <a href="https://www.cbu.ca/faculty-staff/faculty/ian-brodie/">Ian Brodie</a>, an associate professor of folklore at Cape Breton University, brings a folkloristic approach to the study of stand-up comedy. By focusing on comedic performance, Brodie shows stand-up comedy to be a collaborative act between comedian and audience similar to folk performance around the world, even as mediatization sees professional comedians transcend the initial performance to reach mass audiences.</p><p>
</p><p>
Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3007</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68410]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8520743553.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathryn Lofton, “Consuming Religion” (U. Chicago Press, 2017)</title>
      <description>Kathryn Lofton is a professor of religious studies and history at Yale University. Her book Consuming Religion (University of Chicago Press, 2017) offers a collection of eleven essays of cultural critique that reflect on the connections between religion, consumer culture, celebrity and the corporation. Her definition of religion is capacious and founded on Durkheim’s understanding of it as a form of social organization that determines who we are. In contemporary culture religion is an attempt to mass-produce relations of value and generate both control and freedom. Applying this definition to popular culture, she examines binge watching, the cubicle of the Action Office of Herman Miller, Purity Balls, Hotel Preston’s innovation in the Spiritual Menu offerings, and the fascination with the Kardashians. In an ethnographic study of the Wall Street firm Goldman Sachs, she demonstrates how the idea of corporate culture becomes a form of religion. Lofton challenges us to see religion everywhere in our construction of meaning and values.

This episode of New Books in American Studies was produced in cooperation with the Society for U.S. Intellectual History.





Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 20 Nov 2017 15:51:18 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kathryn Lofton is a professor of religious studies and history at Yale University. Her book Consuming Religion (University of Chicago Press, 2017) offers a collection of eleven essays of cultural critique that reflect on the connections between religio...</itunes:subtitle>
      <itunes:summary>Kathryn Lofton is a professor of religious studies and history at Yale University. Her book Consuming Religion (University of Chicago Press, 2017) offers a collection of eleven essays of cultural critique that reflect on the connections between religion, consumer culture, celebrity and the corporation. Her definition of religion is capacious and founded on Durkheim’s understanding of it as a form of social organization that determines who we are. In contemporary culture religion is an attempt to mass-produce relations of value and generate both control and freedom. Applying this definition to popular culture, she examines binge watching, the cubicle of the Action Office of Herman Miller, Purity Balls, Hotel Preston’s innovation in the Spiritual Menu offerings, and the fascination with the Kardashians. In an ethnographic study of the Wall Street firm Goldman Sachs, she demonstrates how the idea of corporate culture becomes a form of religion. Lofton challenges us to see religion everywhere in our construction of meaning and values.

This episode of New Books in American Studies was produced in cooperation with the Society for U.S. Intellectual History.





Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://religiousstudies.yale.edu/people/kathryn-lofton">Kathryn Lofton</a> is a professor of religious studies and history at Yale University. Her book <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qg4GzXxvKcIGB91jaepWn6sAAAFf0XNpTQEAAAFKAX4nrkc/http://www.amazon.com/dp/022648209X/ref=as_at?creativeASIN=022648209X&amp;linkCode=w61&amp;imprToken=VIMy0JGCNq4PW63pcKedIA&amp;slotNum=0&amp;tag=newbooinhis-20">Consuming Religion</a> (<a href="http://press.uchicago.edu/ucp/books/book/chicago/C/bo26691939.html">University of Chicago Press</a>, 2017) offers a collection of eleven essays of cultural critique that reflect on the connections between religion, consumer culture, celebrity and the corporation. Her definition of religion is capacious and founded on Durkheim’s understanding of it as a form of social organization that determines who we are. In contemporary culture religion is an attempt to mass-produce relations of value and generate both control and freedom. Applying this definition to popular culture, she examines binge watching, the cubicle of the Action Office of Herman Miller, Purity Balls, Hotel Preston’s innovation in the Spiritual Menu offerings, and the fascination with the Kardashians. In an ethnographic study of the Wall Street firm Goldman Sachs, she demonstrates how the idea of corporate culture becomes a form of religion. Lofton challenges us to see religion everywhere in our construction of meaning and values.</p><p>
This episode of New Books in American Studies was produced in cooperation with the <a href="https://s-usih.org">Society for U.S. Intellectual History.</a></p><p>
<a href="https://s-usih.org"></a></p><p>
</p><p>
Lilian Calles Barger, <a href="https://lilianbarger.com/">www.lilianbarger.com</a>, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68428]]></guid>
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    </item>
    <item>
      <title>Mary Tomsic, “Beyond the Silver Screen: A History of Women, Filmmaking and Film Culture in Australia, 1920-1990” (Melbourne UP, 2017)</title>
      <description>In her new book, Beyond the Silver Screen: A History of Women, Filmmaking and Film Culture in Australia, 1920-1990 (Melbourne University Publishing, 2017), Mary Tomsic, an ARC Postdoctoral Research Associate at the University of Melbourne, explores the history of women’s engagement with filmmaking and film culture in Australia. From early women in film, like Lottie Lyell, to feminist filmmakers of the 1970s, Tomsic charts women’s involvement with film as political and cultural action.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 17 Nov 2017 11:00:56 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her new book, Beyond the Silver Screen: A History of Women, Filmmaking and Film Culture in Australia, 1920-1990 (Melbourne University Publishing, 2017), Mary Tomsic, an ARC Postdoctoral Research Associate at the University of Melbourne,</itunes:subtitle>
      <itunes:summary>In her new book, Beyond the Silver Screen: A History of Women, Filmmaking and Film Culture in Australia, 1920-1990 (Melbourne University Publishing, 2017), Mary Tomsic, an ARC Postdoctoral Research Associate at the University of Melbourne, explores the history of women’s engagement with filmmaking and film culture in Australia. From early women in film, like Lottie Lyell, to feminist filmmakers of the 1970s, Tomsic charts women’s involvement with film as political and cultural action.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QvlJhEIWVwS6dQV7kO9jua0AAAFfeGk2fQEAAAFKAY5n_wQ/http://www.amazon.com/dp/0522872301/ref=as_at?creativeASIN=0522872301&amp;linkCode=w61&amp;imprToken=Jh1XwQxnnIJFeOtBr8dkow&amp;slotNum=0&amp;tag=newbooinhis-20">Beyond the Silver Screen: A History of Women, Filmmaking and Film Culture in Australia, 1920-1990</a> (<a href="https://www.mup.com.au/books/9780522871234-beyond-the-silver-screen">Melbourne University Publishing</a>, 2017), <a href="https://www.mup.com.au/authors/mary-tomsic">Mary Tomsic</a>, an ARC Postdoctoral Research Associate at the University of Melbourne, explores the history of women’s engagement with filmmaking and film culture in Australia. From early women in film, like Lottie Lyell, to feminist filmmakers of the 1970s, Tomsic charts women’s involvement with film as political and cultural action.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1077</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68077]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8226392211.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Adam J. Criblez, “Tall Tales and Short Shorts: Dr. J, Pistol Pete, and the Birth of the Modern NBA” (Rowman and Littlefield, 2017)</title>
      <description>Today we are joined by Adam J. Criblez, author of the book Tall Tales and Short Shorts: Dr. J, Pistol Pete, and The Birth of the Modern NBA (Rowman &amp; Littlefield, 2017). In his second book, Criblez tells the story of the most maligned decade of professional basketball the 1970s. Tall Tales and Short Shorts takes the reader from the retirement of Bill Russell in 1969, which ended the great dynasty of the Boston Celtics, to the emergence of Magic Johnson and Larry Bird in the late 1970s. During the 1970s, professional basketball dealt with expansion, the merger of the National Basketball Association and the American Basketball Association, illicit drug use, violence on the court and rising player salaries. The 1970s were a turbulent period in American history, as the Vietnam War ended ingloriously, Richard Nixon’s presidency was destroyed by the Watergate scandal, and the price of gasoline soared while public confidence waned. Basketball in the 1970s would be defined by stars such as Julius Erving, Kareem Abdul-Jabbar, Pete Maravich and Rick Barry; Criblez shines new light on the “Dark Ages” of the NBA, blending pro basketball with popular culture.



Bob D’Angelo is working on his masters degree in history at Southern New Hampshire University. He earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at bdangelo57@gmail.com. For more information, visit Bob D’Angelos Books and Blogs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 16 Nov 2017 21:59:11 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Today we are joined by Adam J. Criblez, author of the book Tall Tales and Short Shorts: Dr. J, Pistol Pete, and The Birth of the Modern NBA (Rowman &amp; Littlefield, 2017). In his second book, Criblez tells the story of the most maligned decade of profess...</itunes:subtitle>
      <itunes:summary>Today we are joined by Adam J. Criblez, author of the book Tall Tales and Short Shorts: Dr. J, Pistol Pete, and The Birth of the Modern NBA (Rowman &amp; Littlefield, 2017). In his second book, Criblez tells the story of the most maligned decade of professional basketball the 1970s. Tall Tales and Short Shorts takes the reader from the retirement of Bill Russell in 1969, which ended the great dynasty of the Boston Celtics, to the emergence of Magic Johnson and Larry Bird in the late 1970s. During the 1970s, professional basketball dealt with expansion, the merger of the National Basketball Association and the American Basketball Association, illicit drug use, violence on the court and rising player salaries. The 1970s were a turbulent period in American history, as the Vietnam War ended ingloriously, Richard Nixon’s presidency was destroyed by the Watergate scandal, and the price of gasoline soared while public confidence waned. Basketball in the 1970s would be defined by stars such as Julius Erving, Kareem Abdul-Jabbar, Pete Maravich and Rick Barry; Criblez shines new light on the “Dark Ages” of the NBA, blending pro basketball with popular culture.



Bob D’Angelo is working on his masters degree in history at Southern New Hampshire University. He earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at bdangelo57@gmail.com. For more information, visit Bob D’Angelos Books and Blogs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by <a href="http://semo.edu/history/faculty/criblez.html">Adam J. Criblez</a>, author of the book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QrlnWJgvALCs27rjWGF9xv8AAAFfu6mwqgEAAAFKAdR-_ew/http://www.amazon.com/dp/144227767X/ref=as_at?creativeASIN=144227767X&amp;linkCode=w61&amp;imprToken=9oIcpcHqFbag9QHkgVr3LQ&amp;slotNum=0&amp;tag=newbooinhis-20">Tall Tales and Short Shorts: Dr. J, Pistol Pete, and The Birth of the Modern NBA</a> (<a href="https://rowman.com/ISBN/9781442277670/Tall-Tales-and-Short-Shorts-Dr.-J-Pistol-Pete-and-the-Birth-of-the-Modern-NBA">Rowman &amp; Littlefield</a>, 2017). In his second book, Criblez tells the story of the most maligned decade of professional basketball the 1970s. Tall Tales and Short Shorts takes the reader from the retirement of Bill Russell in 1969, which ended the great dynasty of the Boston Celtics, to the emergence of Magic Johnson and Larry Bird in the late 1970s. During the 1970s, professional basketball dealt with expansion, the merger of the National Basketball Association and the American Basketball Association, illicit drug use, violence on the court and rising player salaries. The 1970s were a turbulent period in American history, as the Vietnam War ended ingloriously, Richard Nixon’s presidency was destroyed by the Watergate scandal, and the price of gasoline soared while public confidence waned. Basketball in the 1970s would be defined by stars such as Julius Erving, Kareem Abdul-Jabbar, Pete Maravich and Rick Barry; Criblez shines new light on the “Dark Ages” of the NBA, blending pro basketball with popular culture.</p><p>
</p><p>
Bob D’Angelo is working on his masters degree in history at Southern New Hampshire University. He earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at <a href="mailto:bdangelo57@gmail.com">bdangelo57@gmail.com</a>. For more information, visit <a href="http://bobdangelobooks.weebly.com/the-sports-bookie">Bob D’Angelos Books and Blogs</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2201</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68353]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1942183389.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessica M. Fishman, “Death Makes the News: How the Media Censor and Display the Dead” (NYU Press, 2017)</title>
      <description>In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the news.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Nov 2017 20:01:46 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years,</itunes:subtitle>
      <itunes:summary>In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the news.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qgs7TwRZKamEWYPkQbdhAqoAAAFfu0aiAgEAAAFKAVi-XYc/http://www.amazon.com/dp/0814760457/ref=as_at?creativeASIN=0814760457&amp;linkCode=w61&amp;imprToken=A61ghzSU0Y.5wEn4SJj86Q&amp;slotNum=0&amp;tag=newbooinhis-20">Death Makes the News: How the Media Censor and Display the Dead</a> (<a href="https://nyupress.org/books/9780814770757/">NYU Press</a>, 2017), <a href="https://www.asc.upenn.edu/people/faculty/jessica-fishman-phd">Jessica M. Fishman</a> examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the news.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2413</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68324]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3241045134.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew S. Rindge, “Profane Parables: Film and the American Dream” (Baylor UP, 2016)</title>
      <description>Material success and prosperity are the aspirational goal for many Americans. The myth of meritocracy embedded in this national ethos has made this dream a civil religion. In Profane Parables: Film and the American Dream (Baylor University Press, 2016), Matthew S. Rindge, Associate Professor of Religious Studies at Gonzaga University, explores critiques of this vision of contemporary America in popular cinema. Through a close investigation of the films Fight Club (1999), American Beauty (1999), and About Schmidt (2002) Rindge dissects constructions of the relationship between national success and the accompanying denial of death. Myth has long been a central motif in the study of religion so he frames film as parables that dismantle orthodox myths. Putting these films in conversation with biblical texts Rindge demonstrates how cinema can be situated as both myth-maker and myth deconstruction. In our conversation we discussed the prosperity gospel of American nationalism, creating a meaningful life, the denial of human fragility, biblical laments, and the field of religion and film.



Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 10 Nov 2017 15:29:42 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Material success and prosperity are the aspirational goal for many Americans. The myth of meritocracy embedded in this national ethos has made this dream a civil religion. In Profane Parables: Film and the American Dream (Baylor University Press,</itunes:subtitle>
      <itunes:summary>Material success and prosperity are the aspirational goal for many Americans. The myth of meritocracy embedded in this national ethos has made this dream a civil religion. In Profane Parables: Film and the American Dream (Baylor University Press, 2016), Matthew S. Rindge, Associate Professor of Religious Studies at Gonzaga University, explores critiques of this vision of contemporary America in popular cinema. Through a close investigation of the films Fight Club (1999), American Beauty (1999), and About Schmidt (2002) Rindge dissects constructions of the relationship between national success and the accompanying denial of death. Myth has long been a central motif in the study of religion so he frames film as parables that dismantle orthodox myths. Putting these films in conversation with biblical texts Rindge demonstrates how cinema can be situated as both myth-maker and myth deconstruction. In our conversation we discussed the prosperity gospel of American nationalism, creating a meaningful life, the denial of human fragility, biblical laments, and the field of religion and film.



Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Material success and prosperity are the aspirational goal for many Americans. The myth of meritocracy embedded in this national ethos has made this dream a civil religion. In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QquGFiQvTHwDyEHVa60YXc4AAAFfpn5Q2gEAAAFKAWw6QZM/http://www.amazon.com/dp/1481304291/ref=as_at?creativeASIN=1481304291&amp;linkCode=w61&amp;imprToken=hYbbysLDVfP4CFAAjq-o8Q&amp;slotNum=0&amp;tag=newbooinhis-20">Profane Parables: Film and the American Dream</a> (<a href="http://www.baylorpress.com/Book/43/467/Profane_Parables.html">Baylor University Press</a>, 2016), <a href="https://gonzaga.academia.edu/MatthewRindge">Matthew S. Rindge</a>, Associate Professor of Religious Studies at Gonzaga University, explores critiques of this vision of contemporary America in popular cinema. Through a close investigation of the films Fight Club (1999), American Beauty (1999), and About Schmidt (2002) Rindge dissects constructions of the relationship between national success and the accompanying denial of death. Myth has long been a central motif in the study of religion so he frames film as parables that dismantle orthodox myths. Putting these films in conversation with biblical texts Rindge demonstrates how cinema can be situated as both myth-maker and myth deconstruction. In our conversation we discussed the prosperity gospel of American nationalism, creating a meaningful life, the denial of human fragility, biblical laments, and the field of religion and film.</p><p>
</p><p>
<a href="http://drkristianpetersen.com">Kristian Petersen</a> is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of <a href="https://global.oup.com/academic/product/interpreting-islam-in-china-9780190634346?cc=us&amp;lang=en&amp;">Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab</a> (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his <a href="http://drkristianpetersen.com">website</a>, follow him on Twitter <a href="https://twitter.com/BabaKristian">@BabaKristian</a>, or email him at <a href="mailto:kjpetersen@unomaha.edu">kjpetersen@unomaha.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2592</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68230]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2146587398.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Kane, “Do You Have a Band?”: Poetry and Punk Rock in New York City” (Columbia UP, 2017)</title>
      <description>Often, poetry and punk rock are seen as distinct activities that occur in different locations with separate audiences. Many would also ascribe to them varying levels of cultural and political capital.

Daniel Kane, the author of Do You Have a Band?: Poetry and Punk Rock in New York City (Columbia University Press, 2017) challenges these notions and explores the interaction between the New York Schools of Poetry and early punk music. In this podcast, we discuss how poets, such as Frank O’Hara, Ted Berrigan, and Anne Waldman, affected the writing and careers of Lou Reed, Patti Smith, and Richard Hell. We also explore how punk rock, in turn, shaped the work of Elaine Myles and Dennis Cooper. Kane’s work helps re-map the relationships between poetry and punk rock.

Daniel Kane is Professor in English and American literature at the University of Sussex in Brighton. His books include We Saw the Light: Conversations Between the New American Cinema and Poetry (2009) and All Poets Welcome: The Lower East Side Poetry Scene in the 1960s (2003).



The host for this episode is Richard Schur, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 02 Nov 2017 16:34:25 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Often, poetry and punk rock are seen as distinct activities that occur in different locations with separate audiences. Many would also ascribe to them varying levels of cultural and political capital. Daniel Kane, the author of Do You Have a Band?</itunes:subtitle>
      <itunes:summary>Often, poetry and punk rock are seen as distinct activities that occur in different locations with separate audiences. Many would also ascribe to them varying levels of cultural and political capital.

Daniel Kane, the author of Do You Have a Band?: Poetry and Punk Rock in New York City (Columbia University Press, 2017) challenges these notions and explores the interaction between the New York Schools of Poetry and early punk music. In this podcast, we discuss how poets, such as Frank O’Hara, Ted Berrigan, and Anne Waldman, affected the writing and careers of Lou Reed, Patti Smith, and Richard Hell. We also explore how punk rock, in turn, shaped the work of Elaine Myles and Dennis Cooper. Kane’s work helps re-map the relationships between poetry and punk rock.

Daniel Kane is Professor in English and American literature at the University of Sussex in Brighton. His books include We Saw the Light: Conversations Between the New American Cinema and Poetry (2009) and All Poets Welcome: The Lower East Side Poetry Scene in the 1960s (2003).



The host for this episode is Richard Schur, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Often, poetry and punk rock are seen as distinct activities that occur in different locations with separate audiences. Many would also ascribe to them varying levels of cultural and political capital.</p><p>
Daniel Kane, the author of <a href="http://aax-us-east.amazon-adsystem.com/x/c/QpPbAniNlhbhyc8KzwF-kl4AAAFfbd_5CQEAAAFKAX7pF-k/http://www.amazon.com/dp/0231162979/ref=as_at?creativeASIN=0231162979&amp;linkCode=w61&amp;imprToken=URrum4UFml0szjZI1mnhJA&amp;slotNum=0&amp;tag=newbooinhis-20">Do You Have a Band?: Poetry and Punk Rock in New York City </a>(<a href="https://cup.columbia.edu/book/isbn/9780231162975">Columbia University Press</a>, 2017) challenges these notions and explores the interaction between the New York Schools of Poetry and early punk music. In this podcast, we discuss how poets, such as Frank O’Hara, Ted Berrigan, and Anne Waldman, affected the writing and careers of Lou Reed, Patti Smith, and Richard Hell. We also explore how punk rock, in turn, shaped the work of Elaine Myles and Dennis Cooper. Kane’s work helps re-map the relationships between poetry and punk rock.</p><p>
<a href="http://www.sussex.ac.uk/profiles/172671">Daniel Kane</a> is Professor in English and American literature at the University of Sussex in Brighton. His books include We Saw the Light: Conversations Between the New American Cinema and Poetry (2009) and All Poets Welcome: The Lower East Side Poetry Scene in the 1960s (2003).</p><p>
</p><p>
The host for this episode is <a href="http://www.drury.edu/english-and-writing/richard-schur">Richard Schur</a>, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1971</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67950]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2424242415.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joel Dinerstein, “The Origins of Cool in Postwar America” (U. Chicago Press, 2017)</title>
      <description>In his new book, The Origins of Cool in Postwar America (University of Chicago Press, 2017), Cultural Studies scholar Joel Dinerstein explores the cultural history of cool and the codes that defined the style and attitude of this relatively new concept. Using cultural icons such as Lester Young, Humphrey Bogart, Albert Camus, Billie Holiday, Jack Kerouac, Marlon Brando, Miles Davis, and Lorraine Hansberry to name a few, Dinerstein weaves an image of cool in the 1940s and 1950s as it intersects jazz, film noir, literature, and existentialism. Well researched and compellingly written, The Origins of Cool in Postwar America examines the ways in which popular culture works to define cool throughout the Cold War. Dinerstein’s work interrogates cool, presenting the way in which individuals show how cool is a way of rebellion and resistance against racism or other cultural and social norms. Cool brings a hope to individuals during cultural shifts that Dinerstein presents in this thorough and thoughtful exploration into cool and the icons who exuded the term.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 31 Oct 2017 10:00:42 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book, The Origins of Cool in Postwar America (University of Chicago Press, 2017), Cultural Studies scholar Joel Dinerstein explores the cultural history of cool and the codes that defined the style and attitude of this relatively new concept...</itunes:subtitle>
      <itunes:summary>In his new book, The Origins of Cool in Postwar America (University of Chicago Press, 2017), Cultural Studies scholar Joel Dinerstein explores the cultural history of cool and the codes that defined the style and attitude of this relatively new concept. Using cultural icons such as Lester Young, Humphrey Bogart, Albert Camus, Billie Holiday, Jack Kerouac, Marlon Brando, Miles Davis, and Lorraine Hansberry to name a few, Dinerstein weaves an image of cool in the 1940s and 1950s as it intersects jazz, film noir, literature, and existentialism. Well researched and compellingly written, The Origins of Cool in Postwar America examines the ways in which popular culture works to define cool throughout the Cold War. Dinerstein’s work interrogates cool, presenting the way in which individuals show how cool is a way of rebellion and resistance against racism or other cultural and social norms. Cool brings a hope to individuals during cultural shifts that Dinerstein presents in this thorough and thoughtful exploration into cool and the icons who exuded the term.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qoz6Yj0NVHu8tWFJk08Rc6AAAAFfbb-ubwEAAAFKAbczwqQ/http://www.amazon.com/dp/0226152650/ref=as_at?creativeASIN=0226152650&amp;linkCode=w61&amp;imprToken=V8TdIAEPvXogaRn0av0Scw&amp;slotNum=0&amp;tag=newbooinhis-20">The Origins of Cool in Postwar America </a>(<a href="http://press.uchicago.edu/ucp/books/book/chicago/O/bo6880323.html">University of Chicago Press</a>, 2017), Cultural Studies scholar <a href="http://www.joeldinerstein.com/">Joel Dinerstein</a> explores the cultural history of cool and the codes that defined the style and attitude of this relatively new concept. Using cultural icons such as Lester Young, Humphrey Bogart, Albert Camus, Billie Holiday, Jack Kerouac, Marlon Brando, Miles Davis, and Lorraine Hansberry to name a few, Dinerstein weaves an image of cool in the 1940s and 1950s as it intersects jazz, film noir, literature, and existentialism. Well researched and compellingly written, The Origins of Cool in Postwar America examines the ways in which popular culture works to define cool throughout the Cold War. Dinerstein’s work interrogates cool, presenting the way in which individuals show how cool is a way of rebellion and resistance against racism or other cultural and social norms. Cool brings a hope to individuals during cultural shifts that Dinerstein presents in this thorough and thoughtful exploration into cool and the icons who exuded the term.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4182</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68002]]></guid>
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      <title>Julia Fawcett, “Spectacular Disappearances: Celebrity and Privacy, 1696-1801” (U. Michigan Press, 2016)</title>
      <description>“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later.

Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire.



Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). 
Learn more about your ad choices. Visit megaphone.fm/adchoices
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      <pubDate>Mon, 09 Oct 2017 21:27:38 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy,</itunes:subtitle>
      <itunes:summary>“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later.

Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire.



Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts <a href="http://tdps.berkeley.edu/people/julia-fawcett/">Julia Fawcett</a>‘s new book, <a href="https://www.press.umich.edu/8861455/spectacular_disappearances">Spectacular Disappearances: Celebrity and Privacy, 1696-1801</a> (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later.</p><p>
Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire.</p><p>
</p><p>
Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2130</itunes:duration>
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      <title>Deborah Parker and Mark L. Parker, “Sucking Up: A Brief Consideration of Sycophancy” (U. of Virginia Press, 2017)</title>
      <description>Ever since Donald Trump was elected President, he’s created a non-stop torrent of news, so much so that members of the media regularly claim that he’s effectively trashed the traditional news cycle. Whether that’s true or not, it is hard to keep up with what’s going on in the White House, and each new uproar makes it difficult to remember what’s already happened. Take Trump’s first cabinet meeting, way back on June 12, 2017. Remember that? It began with Trump proclaiming, “Never has there been a president….with few exceptions…who’s passed more legislation, who’s done more things than I have.” This, despite the fact that he had yet to pass any major legislation through Congress.

Then it got odder. Trump listened as members of his Cabinet took turns praising him. Mike Pence started it off, saying, “The greatest privilege of my life is to serve as vice president to the president who’s keeping his word to the American people.” Alexander Acosta, the Secretary of Labor, said, “I am privileged to be here–deeply honored–and I want to thank you for your commitment to the American workers.” And Reince (Rein-ze) Priebus, still then the President’s Chief of Staff, said, “We thank you for the opportunity and the blessing to serve your agenda.” As all of the praise rained down on him, Trump just looked on, smiled, and nodded approvingly.

Whats going on? Not only here but in the endless praise disguised as press releases that’s coming from the White House and Trump’s own Twitter account? Is this just good old fashioned ass-kissing or is there something more sinister happening? In their new book, Sucking Up: A Brief Consideration of Sycophancy (University of Virginia Press, 2017), Mark and Deborah Parker explore this phenomenon of excessive flattery–why people do it and how it alters the social world that we all must share. The Parkers look at examples from literature, politics, and other disciplines to give us a portrait of this false-faced, slickly tongued, morally odious character, the sycophant.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 03 Oct 2017 21:31:36 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ever since Donald Trump was elected President, he’s created a non-stop torrent of news, so much so that members of the media regularly claim that he’s effectively trashed the traditional news cycle. Whether that’s true or not,</itunes:subtitle>
      <itunes:summary>Ever since Donald Trump was elected President, he’s created a non-stop torrent of news, so much so that members of the media regularly claim that he’s effectively trashed the traditional news cycle. Whether that’s true or not, it is hard to keep up with what’s going on in the White House, and each new uproar makes it difficult to remember what’s already happened. Take Trump’s first cabinet meeting, way back on June 12, 2017. Remember that? It began with Trump proclaiming, “Never has there been a president….with few exceptions…who’s passed more legislation, who’s done more things than I have.” This, despite the fact that he had yet to pass any major legislation through Congress.

Then it got odder. Trump listened as members of his Cabinet took turns praising him. Mike Pence started it off, saying, “The greatest privilege of my life is to serve as vice president to the president who’s keeping his word to the American people.” Alexander Acosta, the Secretary of Labor, said, “I am privileged to be here–deeply honored–and I want to thank you for your commitment to the American workers.” And Reince (Rein-ze) Priebus, still then the President’s Chief of Staff, said, “We thank you for the opportunity and the blessing to serve your agenda.” As all of the praise rained down on him, Trump just looked on, smiled, and nodded approvingly.

Whats going on? Not only here but in the endless praise disguised as press releases that’s coming from the White House and Trump’s own Twitter account? Is this just good old fashioned ass-kissing or is there something more sinister happening? In their new book, Sucking Up: A Brief Consideration of Sycophancy (University of Virginia Press, 2017), Mark and Deborah Parker explore this phenomenon of excessive flattery–why people do it and how it alters the social world that we all must share. The Parkers look at examples from literature, politics, and other disciplines to give us a portrait of this false-faced, slickly tongued, morally odious character, the sycophant.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ever since Donald Trump was elected President, he’s created a non-stop torrent of news, so much so that members of the media regularly claim that he’s effectively trashed the traditional news cycle. Whether that’s true or not, it is hard to keep up with what’s going on in the White House, and each new uproar makes it difficult to remember what’s already happened. Take Trump’s first cabinet meeting, way back on June 12, 2017. Remember that? It began with Trump proclaiming, “Never has there been a president….with few exceptions…who’s passed more legislation, who’s done more things than I have.” This, despite the fact that he had yet to pass any major legislation through Congress.</p><p>
Then it got odder. Trump listened as members of his Cabinet took turns praising him. Mike Pence started it off, saying, “The greatest privilege of my life is to serve as vice president to the president who’s keeping his word to the American people.” Alexander Acosta, the Secretary of Labor, said, “I am privileged to be here–deeply honored–and I want to thank you for your commitment to the American workers.” And Reince (Rein-ze) Priebus, still then the President’s Chief of Staff, said, “We thank you for the opportunity and the blessing to serve your agenda.” As all of the praise rained down on him, Trump just looked on, smiled, and nodded approvingly.</p><p>
Whats going on? Not only here but in the endless praise disguised as press releases that’s coming from the White House and Trump’s own Twitter account? Is this just good old fashioned ass-kissing or is there something more sinister happening? In their new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QueKf891oCem6psL9cLJJbwAAAFe4wR5AAEAAAFKAbuqgjU/http://www.amazon.com/dp/0813940893/ref=as_at?creativeASIN=0813940893&amp;linkCode=w61&amp;imprToken=MXj2MZtpVDuadWwniracHw&amp;slotNum=0&amp;tag=newbooinhis-20">Sucking Up: A Brief Consideration of Sycophancy</a> (<a href="http://www.upress.virginia.edu/title/5030">University of Virginia Press</a>, 2017), <a href="https://www.jmu.edu/english/people/full-time%20faculty/Parker%20Mark.shtml">Mark</a> and <a href="http://spanitalport.as.virginia.edu/people/dwp7k">Deborah Parker</a> explore this phenomenon of excessive flattery–why people do it and how it alters the social world that we all must share. The Parkers look at examples from literature, politics, and other disciplines to give us a portrait of this false-faced, slickly tongued, morally odious character, the sycophant.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2519</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67440]]></guid>
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      <title>Linda Simon, “Lost Girls: The Invention of the Flapper” (Reaktion Books, 2017)</title>
      <description>What are your impressions when you think of the flapper? Who is she in your mind? When and where does she exist?

In her new book Lost Girls: The Invention of the Flapper (Reaktion Books, 2017), Linda Simon tracks the historical narrative surrounding the flapper from the late-nineteenth century into the early decades of the twentieth century. Using sources from popular culture and from people of the time, Simon asserts that the image of the flapper did not appear out of a single historical moment but rather was invented over the decades. The flapper did not limit its impact to fashion and women’s attitudes, but also intersected with debates about race, immigration, politics, and the like. Simon’s book is an excellent and very accessible narrative on the flapper and will be of interest to anyone fascinated with gender and the history of the late-nineteenth to early-twentieth century.

Linda Simon is professor emerita of English at Skidmore College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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      <pubDate>Mon, 02 Oct 2017 10:00:33 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What are your impressions when you think of the flapper? Who is she in your mind? When and where does she exist? In her new book Lost Girls: The Invention of the Flapper (Reaktion Books, 2017), Linda Simon tracks the historical narrative surrounding th...</itunes:subtitle>
      <itunes:summary>What are your impressions when you think of the flapper? Who is she in your mind? When and where does she exist?

In her new book Lost Girls: The Invention of the Flapper (Reaktion Books, 2017), Linda Simon tracks the historical narrative surrounding the flapper from the late-nineteenth century into the early decades of the twentieth century. Using sources from popular culture and from people of the time, Simon asserts that the image of the flapper did not appear out of a single historical moment but rather was invented over the decades. The flapper did not limit its impact to fashion and women’s attitudes, but also intersected with debates about race, immigration, politics, and the like. Simon’s book is an excellent and very accessible narrative on the flapper and will be of interest to anyone fascinated with gender and the history of the late-nineteenth to early-twentieth century.

Linda Simon is professor emerita of English at Skidmore College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are your impressions when you think of the flapper? Who is she in your mind? When and where does she exist?</p><p>
In her new book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QhkVa2F_tZVSmuM978Wpf_UAAAFez1cadQEAAAFKAZWQyIU/http://www.amazon.com/dp/1780238126/ref=as_at?creativeASIN=1780238126&amp;linkCode=w61&amp;imprToken=X03Lc3FIV8UnVDKwL6QnIg&amp;slotNum=0&amp;tag=newbooinhis-20">Lost Girls: The Invention of the Flapper</a> (<a href="http://www.reaktionbooks.co.uk/display.asp?ISB=9781780238128">Reaktion Books</a>, 2017), <a href="http://www.skidmore.edu/english/faculty/simon.php">Linda Simon</a> tracks the historical narrative surrounding the flapper from the late-nineteenth century into the early decades of the twentieth century. Using sources from popular culture and from people of the time, Simon asserts that the image of the flapper did not appear out of a single historical moment but rather was invented over the decades. The flapper did not limit its impact to fashion and women’s attitudes, but also intersected with debates about race, immigration, politics, and the like. Simon’s book is an excellent and very accessible narrative on the flapper and will be of interest to anyone fascinated with gender and the history of the late-nineteenth to early-twentieth century.</p><p>
Linda Simon is professor emerita of English at Skidmore College.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2513</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67406]]></guid>
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      <title>Deanne Stillman, “Blood Brothers: The Story of the Strange Friendship between Sitting Bull and Buffalo Bill” (Simon &amp; Schuster, 2017)</title>
      <description>In the summer of 1885, the Lakota Sioux holy man Sitting Bull toured North America as a member of Buffalo Bill Cody’s famous “Wild West” show. His participation, as Deanne Stillman explains in her book Blood Brothers: The Story of the Strange Friendship between Sitting Bull and Buffalo Bill (Simon &amp; Schuster, 2017) linked two celebrities of Gilded Age America into an association that would endure for long afterward. Both men were legends of the American West–Cody for his service as a scout and prowess in killing bison, Sitting Bull for his role as a leader and his association with the Battle of Little Bighorn. Taking advantage of Sitting Bull’s relationship with Annie Oakley, another star performer in his show, Cody succeeded in enlisting his involvement, where he proved a popular draw. Though Sitting Bull’s time with the show was brief, he formed a bond with Cody deep enough to lead Cody to cross the country five years later in an unsuccessful effort to intervene in the events that led to Sitting Bull’s death.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 25 Sep 2017 10:00:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the summer of 1885, the Lakota Sioux holy man Sitting Bull toured North America as a member of Buffalo Bill Cody’s famous “Wild West” show. His participation, as Deanne Stillman explains in her book Blood Brothers: The Story of the Strange Friendshi...</itunes:subtitle>
      <itunes:summary>In the summer of 1885, the Lakota Sioux holy man Sitting Bull toured North America as a member of Buffalo Bill Cody’s famous “Wild West” show. His participation, as Deanne Stillman explains in her book Blood Brothers: The Story of the Strange Friendship between Sitting Bull and Buffalo Bill (Simon &amp; Schuster, 2017) linked two celebrities of Gilded Age America into an association that would endure for long afterward. Both men were legends of the American West–Cody for his service as a scout and prowess in killing bison, Sitting Bull for his role as a leader and his association with the Battle of Little Bighorn. Taking advantage of Sitting Bull’s relationship with Annie Oakley, another star performer in his show, Cody succeeded in enlisting his involvement, where he proved a popular draw. Though Sitting Bull’s time with the show was brief, he formed a bond with Cody deep enough to lead Cody to cross the country five years later in an unsuccessful effort to intervene in the events that led to Sitting Bull’s death.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the summer of 1885, the Lakota Sioux holy man Sitting Bull toured North America as a member of Buffalo Bill Cody’s famous “Wild West” show. His participation, as <a href="https://twitter.com/deannestillman2?lang=en">Deanne Stillman</a> explains in her book <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qhx8k21DGzRu5WXroY6ty5UAAAFesBnGrAEAAAFKAZb6UVs/http://www.amazon.com/dp/1476773521/ref=as_at?creativeASIN=1476773521&amp;linkCode=w61&amp;imprToken=BP2zI9E7Zh7hZs8V2UCwsA&amp;slotNum=0&amp;tag=newbooinhis-20">Blood Brothers: The Story of the Strange Friendship between Sitting Bull and Buffalo Bill</a> (<a href="http://www.simonandschuster.com/books/Blood-Brothers/Deanne-Stillman/9781476773520">Simon &amp; Schuster</a>, 2017) linked two celebrities of Gilded Age America into an association that would endure for long afterward. Both men were legends of the American West–Cody for his service as a scout and prowess in killing bison, Sitting Bull for his role as a leader and his association with the Battle of Little Bighorn. Taking advantage of Sitting Bull’s relationship with Annie Oakley, another star performer in his show, Cody succeeded in enlisting his involvement, where he proved a popular draw. Though Sitting Bull’s time with the show was brief, he formed a bond with Cody deep enough to lead Cody to cross the country five years later in an unsuccessful effort to intervene in the events that led to Sitting Bull’s death.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2695</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67330]]></guid>
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      <title>Stephen Pimpare, “Ghettos, Tramps, and Welfare Queens: Down and Out on the Silver Screen” (Oxford UP, 2017)</title>
      <description>In Stephen Pimpare‘s new book, Ghettos, Tramps, and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017), the reader is encouraged to think about how we portray poverty and people in poverty in movies. Overall, Pimpare argues that we use the “propertied gaze” (in connection with the sociological concept of the “male gaze”) to view people who are poor or homeless via film. That is, we see them as objects, as sources of redemption, or we do not even see them at all. Pimpare’s analysis is thoughtful and deep, taking the reader through almost 300 films. He ties the portrayals of people in poverty to well-known caricatures, including the welfare queen and the villain social worker, but he also make other connections seen elsewhere in the media, including the connection between poverty and crime, and the social and physical landscape of cities and their ties to poverty. Pimpare also pays special attention to what we do not see portrayed in films, including women and children, deep back stories for poor or homeless characters, or any full discussion of the structural and institutional forces at work.

This book will be enjoyed by a broad range of social scientists, including sociologists, political scientists, or those in Film Studies. This book would be useful in a class that revolves around analysis of poverty, tying the portrayals to everyday facts about poverty and homelessness (which are often missing from films!). Given his background in social welfare and political science, Pimpare provides the reader with a thoughtful analysis of how we see and do not see people in poverty in our everyday films.

Stephen Pimpare is the Host of New Books in Public Policy.



 Sarah E. Patterson is a Sociology postdoc at the University of Western Ontario. You can tweet her at @spattersearch
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 25 Sep 2017 10:00:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Stephen Pimpare‘s new book, Ghettos, Tramps, and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017), the reader is encouraged to think about how we portray poverty and people in poverty in movies. Overall,</itunes:subtitle>
      <itunes:summary>In Stephen Pimpare‘s new book, Ghettos, Tramps, and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017), the reader is encouraged to think about how we portray poverty and people in poverty in movies. Overall, Pimpare argues that we use the “propertied gaze” (in connection with the sociological concept of the “male gaze”) to view people who are poor or homeless via film. That is, we see them as objects, as sources of redemption, or we do not even see them at all. Pimpare’s analysis is thoughtful and deep, taking the reader through almost 300 films. He ties the portrayals of people in poverty to well-known caricatures, including the welfare queen and the villain social worker, but he also make other connections seen elsewhere in the media, including the connection between poverty and crime, and the social and physical landscape of cities and their ties to poverty. Pimpare also pays special attention to what we do not see portrayed in films, including women and children, deep back stories for poor or homeless characters, or any full discussion of the structural and institutional forces at work.

This book will be enjoyed by a broad range of social scientists, including sociologists, political scientists, or those in Film Studies. This book would be useful in a class that revolves around analysis of poverty, tying the portrayals to everyday facts about poverty and homelessness (which are often missing from films!). Given his background in social welfare and political science, Pimpare provides the reader with a thoughtful analysis of how we see and do not see people in poverty in our everyday films.

Stephen Pimpare is the Host of New Books in Public Policy.



 Sarah E. Patterson is a Sociology postdoc at the University of Western Ontario. You can tweet her at @spattersearch
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.stephenpimpare.com/">Stephen Pimpare</a>‘s new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qj7pfHFX4QZkU9EWdN24lWUAAAFetOdm4AEAAAFKAVhzH00/http://www.amazon.com/dp/0190660724/ref=as_at?creativeASIN=0190660724&amp;linkCode=w61&amp;imprToken=IqGAxyhky5aTpXsulPqPcw&amp;slotNum=0&amp;tag=newbooinhis-20">Ghettos, Tramps, and Welfare Queens: Down and Out on the Silver Screen</a> (<a href="https://global.oup.com/academic/product/ghettos-tramps-and-welfare-queens-9780190660727?cc=us&amp;lang=en&amp;">Oxford University Press</a>, 2017), the reader is encouraged to think about how we portray poverty and people in poverty in movies. Overall, Pimpare argues that we use the “propertied gaze” (in connection with the sociological concept of the “male gaze”) to view people who are poor or homeless via film. That is, we see them as objects, as sources of redemption, or we do not even see them at all. Pimpare’s analysis is thoughtful and deep, taking the reader through almost 300 films. He ties the portrayals of people in poverty to well-known caricatures, including the welfare queen and the villain social worker, but he also make other connections seen elsewhere in the media, including the connection between poverty and crime, and the social and physical landscape of cities and their ties to poverty. Pimpare also pays special attention to what we do not see portrayed in films, including women and children, deep back stories for poor or homeless characters, or any full discussion of the structural and institutional forces at work.</p><p>
This book will be enjoyed by a broad range of social scientists, including sociologists, political scientists, or those in Film Studies. This book would be useful in a class that revolves around analysis of poverty, tying the portrayals to everyday facts about poverty and homelessness (which are often missing from films!). Given his background in social welfare and political science, Pimpare provides the reader with a thoughtful analysis of how we see and do not see people in poverty in our everyday films.</p><p>
Stephen Pimpare is the Host of <a href="http://newbooksnetwork.com/category/politics-society/public-policy/">New Books in Public Policy</a>.</p><p>
</p><p>
 Sarah E. Patterson is a Sociology postdoc at the University of Western Ontario. You can tweet her at <a href="https://twitter.com/spattersearch">@spattersearch</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3754</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67337]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8290098280.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shaun Scott, “Millennials and the Moments that Made Us: A Cultural History of the U.S. from 1982-Present” (Zero Books, 2018)</title>
      <description>In Millennials and the Moments that Made Us: A Cultural History of the U.S. from 1982-Present (Zero Books, 2018), Shaun Scott critiques the America millennials inherited and using a pop culture lens to explore how they navigate it. Starting in 1982 as the birth of millennials, Scott examines how millennials have been impacted by the economic and social changes of the 1980s and neoliberalism. Scott takes readers through defining moments and experiences such as latchkey parents, changing representations of masculinity, pop culture feminism, September 11th, and Hurricane Katrina. He uses popular culture examples to define these moments comparing September 11th to Jay-Z’s The Blueprint and using the career of LeBron James to critique corporate relocation and its effects on economic livelihoods. Scott’s well-research book presents readers with a challenge to rethink how millennials are defined and critiqued as he challenges millennials to learn from the mistakes of the past and work for lasting change.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Sep 2017 10:00:50 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Millennials and the Moments that Made Us: A Cultural History of the U.S. from 1982-Present (Zero Books, 2018), Shaun Scott critiques the America millennials inherited and using a pop culture lens to explore how they navigate it.</itunes:subtitle>
      <itunes:summary>In Millennials and the Moments that Made Us: A Cultural History of the U.S. from 1982-Present (Zero Books, 2018), Shaun Scott critiques the America millennials inherited and using a pop culture lens to explore how they navigate it. Starting in 1982 as the birth of millennials, Scott examines how millennials have been impacted by the economic and social changes of the 1980s and neoliberalism. Scott takes readers through defining moments and experiences such as latchkey parents, changing representations of masculinity, pop culture feminism, September 11th, and Hurricane Katrina. He uses popular culture examples to define these moments comparing September 11th to Jay-Z’s The Blueprint and using the career of LeBron James to critique corporate relocation and its effects on economic livelihoods. Scott’s well-research book presents readers with a challenge to rethink how millennials are defined and critiqued as he challenges millennials to learn from the mistakes of the past and work for lasting change.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qo12oKU_jrIwv_dcGyAd26oAAAFeiuZeigEAAAFKAaH9jJI/http://www.amazon.com/dp/178535583X/ref=as_at?creativeASIN=178535583X&amp;linkCode=w61&amp;imprToken=GCcGh2H-aeBrschVuMpe3g&amp;slotNum=0&amp;tag=newbooinhis-20">Millennials and the Moments that Made Us: A Cultural History of the U.S. from 1982-Present</a> (<a href="http://www.zero-books.net/books/millennials-moments-made-us">Zero Books</a>, 2018), Shaun Scott critiques the America millennials inherited and using a pop culture lens to explore how they navigate it. Starting in 1982 as the birth of millennials, Scott examines how millennials have been impacted by the economic and social changes of the 1980s and neoliberalism. Scott takes readers through defining moments and experiences such as latchkey parents, changing representations of masculinity, pop culture feminism, September 11th, and Hurricane Katrina. He uses popular culture examples to define these moments comparing September 11th to Jay-Z’s The Blueprint and using the career of LeBron James to critique corporate relocation and its effects on economic livelihoods. Scott’s well-research book presents readers with a challenge to rethink how millennials are defined and critiqued as he challenges millennials to learn from the mistakes of the past and work for lasting change.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3646</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67234]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6075623869.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Noel Brown, “The Children’s Film: Genre, Nation and Narrative” (Wallflower Press, 2017)</title>
      <description>Noel Brown is a film and television scholar at Liverpool Hope University. His research has focused on Hollywood and British cinema (classical and contemporary), family entertainment, children’s culture and animation. His first three books were published by I.B. Tauris and include, The Hollywood Family Film: from Shirley Temple to Harry Potter, Family Films in Global Cinema: The World Beyond Disney, and British Children’s Cinema: from The Thief of Bagdad to Wallace and Gromit. Now his newest, The Children’s Film: Genre, Nation and Narrative (Wallflower Press, 2017) looks at children’s film to explore its cultural and social impact, and it shows the evolution of a beloved genre that has resonated across ages and generations.

The Children’s Film is part of the Short Cuts Series published by Wallflower Press, an imprint of Columbia University Press. Information on Noel Brown’s work is available at http://lhu.academia.edu/NoelBrown.



Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have includedNational Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’sBook Writers and Illustrators (SCBWI). She’salso a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18








Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 19 Aug 2017 19:17:42 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Noel Brown is a film and television scholar at Liverpool Hope University. His research has focused on Hollywood and British cinema (classical and contemporary), family entertainment, children’s culture and animation.</itunes:subtitle>
      <itunes:summary>Noel Brown is a film and television scholar at Liverpool Hope University. His research has focused on Hollywood and British cinema (classical and contemporary), family entertainment, children’s culture and animation. His first three books were published by I.B. Tauris and include, The Hollywood Family Film: from Shirley Temple to Harry Potter, Family Films in Global Cinema: The World Beyond Disney, and British Children’s Cinema: from The Thief of Bagdad to Wallace and Gromit. Now his newest, The Children’s Film: Genre, Nation and Narrative (Wallflower Press, 2017) looks at children’s film to explore its cultural and social impact, and it shows the evolution of a beloved genre that has resonated across ages and generations.

The Children’s Film is part of the Short Cuts Series published by Wallflower Press, an imprint of Columbia University Press. Information on Noel Brown’s work is available at http://lhu.academia.edu/NoelBrown.



Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have includedNational Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’sBook Writers and Illustrators (SCBWI). She’salso a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18








Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.hope.ac.uk/staff/brownn.html">Noel Brown</a> is a film and television scholar at Liverpool Hope University. His research has focused on Hollywood and British cinema (classical and contemporary), family entertainment, children’s culture and animation. His first three books were published by I.B. Tauris and include, The Hollywood Family Film: from Shirley Temple to Harry Potter, Family Films in Global Cinema: The World Beyond Disney, and British Children’s Cinema: from The Thief of Bagdad to Wallace and Gromit. Now his newest, <a href="http://www.amazon.com/dp/0231182694/?tag=newbooinhis-20">The Children’s Film: Genre, Nation and Narrative </a>(<a href="https://cup.columbia.edu/book/the-childrens-film/9780231182690">Wallflower Press</a>, 2017) looks at children’s film to explore its cultural and social impact, and it shows the evolution of a beloved genre that has resonated across ages and generations.</p><p>
The Children’s Film is part of the Short Cuts Series published by Wallflower Press, an imprint of Columbia University Press. Information on Noel Brown’s work is available at <a href="http://lhu.academia.edu/NoelBrown">http://lhu.academia.edu/NoelBrown</a>.</p><p>
</p><p>
Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have includedNational Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’sBook Writers and Illustrators (SCBWI). She’salso a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: <a href="https://twitter.com/sraab18">https://twitter.com/sraab18</a></p><p>
</p><p>
</p><p>
</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1519</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66837]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5692756093.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Geoff Martin and Erin Steuter, “Pop Culture Goes to War: Enlisting an Resisting Militarism in the War on Terror” (Lexington Books, 2010)</title>
      <description>Two professors from Mount Allison University in New Brunswick, Canada have published a book about how American popular culture reinforces militarism in the United States. In Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terror (Lexington Books, 2010) Geoff Martin and Erin Steuter argue that popular songs, Hollywood movies, professional sports, TV news and even children’s toys help generate public support for the use of military force to solve political problems such as international terrorism. At the same time, they also argue that other elements of popular culture such as The Daily Show, the Colbert Report and The Simpsons, for example, actively resist militarism with pointed political comedy and satire.

In this New Books Network interview, Steuter and Martin say their book was inspired in part by the ideas of the Reverend Martin Luther King Jr. who preached against the War in Vietnam. “We can no longer afford to worship the god of hate or bow before the altar of retaliation,” King declared in a speech delivered a year before he was assassinated in 1968. Professors Steuter and Martin argue that King’s opposition to militarism is as relevant today during the seemingly endless post 9/11 War on Terror, as it was then.

Erin Steuter teaches sociology at Mount Allison, in Sackville, New Brunswick while her partner, Geoff Martin is a professor of political science there.



Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. 

Laura Landon is a librarian at Mount Allison University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 16 Aug 2017 20:52:20 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Two professors from Mount Allison University in New Brunswick, Canada have published a book about how American popular culture reinforces militarism in the United States. In Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terr...</itunes:subtitle>
      <itunes:summary>Two professors from Mount Allison University in New Brunswick, Canada have published a book about how American popular culture reinforces militarism in the United States. In Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terror (Lexington Books, 2010) Geoff Martin and Erin Steuter argue that popular songs, Hollywood movies, professional sports, TV news and even children’s toys help generate public support for the use of military force to solve political problems such as international terrorism. At the same time, they also argue that other elements of popular culture such as The Daily Show, the Colbert Report and The Simpsons, for example, actively resist militarism with pointed political comedy and satire.

In this New Books Network interview, Steuter and Martin say their book was inspired in part by the ideas of the Reverend Martin Luther King Jr. who preached against the War in Vietnam. “We can no longer afford to worship the god of hate or bow before the altar of retaliation,” King declared in a speech delivered a year before he was assassinated in 1968. Professors Steuter and Martin argue that King’s opposition to militarism is as relevant today during the seemingly endless post 9/11 War on Terror, as it was then.

Erin Steuter teaches sociology at Mount Allison, in Sackville, New Brunswick while her partner, Geoff Martin is a professor of political science there.



Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. 

Laura Landon is a librarian at Mount Allison University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Two professors from Mount Allison University in New Brunswick, Canada have published a book about how American popular culture reinforces militarism in the United States. In <a href="http://www.amazon.com/dp/0739146807/?tag=newbooinhis-20">Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terror</a> (Lexington Books, 2010) <a href="https://www.mta.ca/uploadedFiles/Community/Academics/Faculty_of_Social_Sciences/Politics_and_International_Relations/Faculty_and_Staff/G%20Martin%20CV%20April%202017%5B2%5D.pdf">Geoff Martin</a> and <a href="https://mta.ca/Community/Academics/Faculty_of_Social_Sciences/Sociology/Faculty_and_Staff/Faculty_and_Staff/">Erin Steuter</a> argue that popular songs, Hollywood movies, professional sports, TV news and even children’s toys help generate public support for the use of military force to solve political problems such as international terrorism. At the same time, they also argue that other elements of popular culture such as The Daily Show, the Colbert Report and The Simpsons, for example, actively resist militarism with pointed political comedy and satire.</p><p>
In this New Books Network interview, Steuter and Martin say their book was inspired in part by the ideas of the Reverend Martin Luther King Jr. who preached against the War in Vietnam. “We can no longer afford to worship the god of hate or bow before the altar of retaliation,” King declared in a speech delivered a year before he was assassinated in 1968. Professors Steuter and Martin argue that King’s opposition to militarism is as relevant today during the seemingly endless post 9/11 War on Terror, as it was then.</p><p>
Erin Steuter teaches sociology at Mount Allison, in Sackville, New Brunswick while her partner, Geoff Martin is a professor of political science there.</p><p>
</p><p>
Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. </p><p>
Laura Landon is a librarian at Mount Allison University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3514</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66813]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7972637684.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patty Farmer, “Starring the Plaza: Hollywood, Broadway, and High Society Visit the World’s Favorite Hotel” (Beaufort Books, 2017)</title>
      <description>While many authors write about famous films, actors, or directors, Patty Farmer‘s book–Starring the Plaza: Hollywood, Broadway, and High Society Visit the World’s Favorite Hotel (Beaufort Books, 2017)–is about a famous hotel. Built in the early twentieth century, Manhattan’s Plaza Hotel has been visited by many celebrities and used as a backdrop in books, movies, and television. Patty illustrates the hotel with great stories and photographs.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 Aug 2017 10:00:16 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>While many authors write about famous films, actors, or directors, Patty Farmer‘s book–Starring the Plaza: Hollywood, Broadway, and High Society Visit the World’s Favorite Hotel (Beaufort Books, 2017)–is about a famous hotel.</itunes:subtitle>
      <itunes:summary>While many authors write about famous films, actors, or directors, Patty Farmer‘s book–Starring the Plaza: Hollywood, Broadway, and High Society Visit the World’s Favorite Hotel (Beaufort Books, 2017)–is about a famous hotel. Built in the early twentieth century, Manhattan’s Plaza Hotel has been visited by many celebrities and used as a backdrop in books, movies, and television. Patty illustrates the hotel with great stories and photographs.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While many authors write about famous films, actors, or directors, <a href="http://patty-farmer.com/">Patty Farmer</a>‘s book–<a href="http://www.amazon.com/dp/0825308461/?tag=newbooinhis-20">Starring the Plaza: Hollywood, Broadway, and High Society Visit the World’s Favorite Hotel</a> (Beaufort Books, 2017)–is about a famous hotel. Built in the early twentieth century, Manhattan’s Plaza Hotel has been visited by many celebrities and used as a backdrop in books, movies, and television. Patty illustrates the hotel with great stories and photographs.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2956</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66591]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6672084682.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Fiona Helmsley, “Girls Gone Old” (We Heard You Like Books, 2017)</title>
      <description>Fiona Helmsley‘s Girls Gone Old (We Heard You Like Books, 2017) is wildly honest, intense in its personal and cultural inquiry, and often brilliantly hilarious. Helmsley uses her keen eye, rich life experience, and incredible humor to get readers to consider and swallow hard truths, while also considering the wider cultural implications. A friend’s questions regarding the subject matter of her work (often continued reflection upon the complexity of her youth), posed on the night before her 40th birthday, acted as a springboard for this collection, and the 2016 presidential election results of cemented the deal. Helmsley has crafted sophisticated essays about the confluence of the late 20th-century television, art, and sexual fantasy; addiction and illness; school shootings and serial killers; family; Andy Warhol; ‘Mork and Mindy’; and the sleazy (yet sexy) misogyny of Axl Rose…” She stares down what many would avert our eyes from, and probes, with curiosity and openness the many contours of shame, until it becomes a terrain of connection for her readers.

Fiona Helmsley’s writing can be found online at websites like The Rumpus, Jezebel, The Weeklings, The Hairpin, PANK and in various anthologies like Ladyland and The Best Sex Writing of the Year. A multiple Pushcart nominee, her book of essays and stories, My Body Would be the Kindest of Strangers was released in 2015.



Barbara Lawhorn is an Assistant Professor at Western Illinois University. She’s into literacy activism, walking Banjo (the best dog in the history of the universe), running, baking and eating bread, and finding the wild places, within and in the world. Her most recent work can be found at The Longleaf Pine, BLYNKT, Nebo: A Literary Magazine, and Naugatuck River Review. Her favorite creative endeavors are her kids, Annaleigh and Jack.

 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 12 Aug 2017 12:15:46 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Fiona Helmsley‘s Girls Gone Old (We Heard You Like Books, 2017) is wildly honest, intense in its personal and cultural inquiry, and often brilliantly hilarious. Helmsley uses her keen eye, rich life experience,</itunes:subtitle>
      <itunes:summary>Fiona Helmsley‘s Girls Gone Old (We Heard You Like Books, 2017) is wildly honest, intense in its personal and cultural inquiry, and often brilliantly hilarious. Helmsley uses her keen eye, rich life experience, and incredible humor to get readers to consider and swallow hard truths, while also considering the wider cultural implications. A friend’s questions regarding the subject matter of her work (often continued reflection upon the complexity of her youth), posed on the night before her 40th birthday, acted as a springboard for this collection, and the 2016 presidential election results of cemented the deal. Helmsley has crafted sophisticated essays about the confluence of the late 20th-century television, art, and sexual fantasy; addiction and illness; school shootings and serial killers; family; Andy Warhol; ‘Mork and Mindy’; and the sleazy (yet sexy) misogyny of Axl Rose…” She stares down what many would avert our eyes from, and probes, with curiosity and openness the many contours of shame, until it becomes a terrain of connection for her readers.

Fiona Helmsley’s writing can be found online at websites like The Rumpus, Jezebel, The Weeklings, The Hairpin, PANK and in various anthologies like Ladyland and The Best Sex Writing of the Year. A multiple Pushcart nominee, her book of essays and stories, My Body Would be the Kindest of Strangers was released in 2015.



Barbara Lawhorn is an Assistant Professor at Western Illinois University. She’s into literacy activism, walking Banjo (the best dog in the history of the universe), running, baking and eating bread, and finding the wild places, within and in the world. Her most recent work can be found at The Longleaf Pine, BLYNKT, Nebo: A Literary Magazine, and Naugatuck River Review. Her favorite creative endeavors are her kids, Annaleigh and Jack.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.goodreads.com/author/show/3395206.Fiona_Helmsley">Fiona Helmsley</a>‘s <a href="http://www.amazon.com/dp/0996421858/?tag=newbooinhis-20">Girls Gone Old</a> (We Heard You Like Books, 2017) is wildly honest, intense in its personal and cultural inquiry, and often brilliantly hilarious. Helmsley uses her keen eye, rich life experience, and incredible humor to get readers to consider and swallow hard truths, while also considering the wider cultural implications. A friend’s questions regarding the subject matter of her work (often continued reflection upon the complexity of her youth), posed on the night before her 40th birthday, acted as a springboard for this collection, and the 2016 presidential election results of cemented the deal. Helmsley has crafted sophisticated essays about the confluence of the late 20th-century television, art, and sexual fantasy; addiction and illness; school shootings and serial killers; family; Andy Warhol; ‘Mork and Mindy’; and the sleazy (yet sexy) misogyny of Axl Rose…” She stares down what many would avert our eyes from, and probes, with curiosity and openness the many contours of shame, until it becomes a terrain of connection for her readers.</p><p>
Fiona Helmsley’s writing can be found online at websites like The Rumpus, Jezebel, The Weeklings, The Hairpin, PANK and in various anthologies like Ladyland and The Best Sex Writing of the Year. A multiple Pushcart nominee, her book of essays and stories, My Body Would be the Kindest of Strangers was released in 2015.</p><p>
</p><p>
Barbara Lawhorn is an Assistant Professor at Western Illinois University. She’s into literacy activism, walking Banjo (the best dog in the history of the universe), running, baking and eating bread, and finding the wild places, within and in the world. Her most recent work can be found at The Longleaf Pine, BLYNKT, Nebo: A Literary Magazine, and Naugatuck River Review. Her favorite creative endeavors are her kids, Annaleigh and Jack.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3896</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66679]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8266079609.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tanya Ann Kennedy, “Historicizing Post-Discourses: Postfeminism and Postracialism in United States Culture” (SUNY Press, 2017)</title>
      <description>Tanya Ann Kennedy‘s book, Historicizing Post-Discourses: Postfeminism and Postracialism in United States Culture (SUNY Press, 2017), is a complex and important exploration of our collective understanding of questions of racial and gender equality, or lack thereof. The text specifically interrogates the theoretical concepts of postracialism and postfeminism and the discourse surrounding these terms and their meaning. Kennedy examines these ideas, where they were initially linked together, and how they have been pursued separately, often without attention paid to the intersectional nature of how race and gender actually interact within American culture and society. Historicizing Post-Discourses examines these concepts within a variety of cultural venues, including television series like Mad Men, The Wire, and Gray’s Anatomy; within films like The Help, Perfect Stranger, The Blind Side, and Monsters Ball; within popular non-fiction like Lean-In and The End of Men; and in political speeches and rhetoric that have been integrated into our culture, often without historically clear contexts. Postracialism and postfeminism have become frameworks that often reify cultural and political tropes within American society, and Kennedy’s book explores how these frameworks and narratives reaffirm heroic notions of individualism and triumphalism, especially in our popular culture consumption.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 06 Aug 2017 13:54:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Tanya Ann Kennedy‘s book, Historicizing Post-Discourses: Postfeminism and Postracialism in United States Culture (SUNY Press, 2017), is a complex and important exploration of our collective understanding of questions of racial and gender equality,</itunes:subtitle>
      <itunes:summary>Tanya Ann Kennedy‘s book, Historicizing Post-Discourses: Postfeminism and Postracialism in United States Culture (SUNY Press, 2017), is a complex and important exploration of our collective understanding of questions of racial and gender equality, or lack thereof. The text specifically interrogates the theoretical concepts of postracialism and postfeminism and the discourse surrounding these terms and their meaning. Kennedy examines these ideas, where they were initially linked together, and how they have been pursued separately, often without attention paid to the intersectional nature of how race and gender actually interact within American culture and society. Historicizing Post-Discourses examines these concepts within a variety of cultural venues, including television series like Mad Men, The Wire, and Gray’s Anatomy; within films like The Help, Perfect Stranger, The Blind Side, and Monsters Ball; within popular non-fiction like Lean-In and The End of Men; and in political speeches and rhetoric that have been integrated into our culture, often without historically clear contexts. Postracialism and postfeminism have become frameworks that often reify cultural and political tropes within American society, and Kennedy’s book explores how these frameworks and narratives reaffirm heroic notions of individualism and triumphalism, especially in our popular culture consumption.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www2.umf.maine.edu/humanities/general-information/meet-the-faculty/tanya-ann-kennedy/">Tanya Ann Kennedy</a>‘s book, <a href="https://www.amazon.com/Historicizing-Post-Discourses-Postfeminism-Postracialism-Criticism/dp/1438464789/ref=sr_1_1?ie=UTF8&amp;qid=1501946046&amp;sr=8-1&amp;keywords=historicizing+postdiscourse">Historicizing Post-Discourses: Postfeminism and Postracialism in United States Culture</a> (SUNY Press, 2017), is a complex and important exploration of our collective understanding of questions of racial and gender equality, or lack thereof. The text specifically interrogates the theoretical concepts of postracialism and postfeminism and the discourse surrounding these terms and their meaning. Kennedy examines these ideas, where they were initially linked together, and how they have been pursued separately, often without attention paid to the intersectional nature of how race and gender actually interact within American culture and society. Historicizing Post-Discourses examines these concepts within a variety of cultural venues, including television series like Mad Men, The Wire, and Gray’s Anatomy; within films like The Help, Perfect Stranger, The Blind Side, and Monsters Ball; within popular non-fiction like Lean-In and The End of Men; and in political speeches and rhetoric that have been integrated into our culture, often without historically clear contexts. Postracialism and postfeminism have become frameworks that often reify cultural and political tropes within American society, and Kennedy’s book explores how these frameworks and narratives reaffirm heroic notions of individualism and triumphalism, especially in our popular culture consumption.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4388</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66612]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4754374772.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Don Nunley with Marshall Terrill, “Steve McQueen: Le Mans in the Rearview Mirror” (Dalton Watson, 2017)</title>
      <description>Steven McQueen was known as a great action star, but he also sometimes had a reputation for being troublesome on the set. Don Nunley worked with him as a prop man on Le Mans, a pet project of McQueen’s set around the 24-hour endurance auto race in France. This book is an homage to the film, which despite being a box-office disappointment, is widely regarded as one of the most beloved auto racing films of all time. Steve McQueen: Le Mans in the Rearview Mirror (Dalton Watson Fine Books, 2017) also contains many details and photographs from Nunley’s long career in Hollywood.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 Aug 2017 22:57:47 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Steven McQueen was known as a great action star, but he also sometimes had a reputation for being troublesome on the set. Don Nunley worked with him as a prop man on Le Mans, a pet project of McQueen’s set around the 24-hour endurance auto race in Fran...</itunes:subtitle>
      <itunes:summary>Steven McQueen was known as a great action star, but he also sometimes had a reputation for being troublesome on the set. Don Nunley worked with him as a prop man on Le Mans, a pet project of McQueen’s set around the 24-hour endurance auto race in France. This book is an homage to the film, which despite being a box-office disappointment, is widely regarded as one of the most beloved auto racing films of all time. Steve McQueen: Le Mans in the Rearview Mirror (Dalton Watson Fine Books, 2017) also contains many details and photographs from Nunley’s long career in Hollywood.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Steven McQueen was known as a great action star, but he also sometimes had a reputation for being troublesome on the set. <a href="http://www.imdb.com/name/nm0638047/">Don Nunley</a> worked with him as a prop man on Le Mans, a pet project of McQueen’s set around the 24-hour endurance auto race in France. This book is an homage to the film, which despite being a box-office disappointment, is widely regarded as one of the most beloved auto racing films of all time. <a href="http://www.amazon.com/dp/1854432893/?tag=newbooinhis-20">Steve McQueen: Le Mans in the Rearview Mirror</a> (Dalton Watson Fine Books, 2017) also contains many details and photographs from Nunley’s long career in Hollywood.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3063</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66568]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9979544676.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sophie Egan, “Devoured: How What We Eat Defines Who We Are” (William Morrow, 2017)</title>
      <description>In Devoured: How What We Eat Defines Who We Are  (William Morrow Books, 2017), food writer and Culinary Institute of America program director Sophie Egan takes readers on an eye-opening journey through the American food psyche, examining the connections between the values that define our national character—work, freedom, and progress—and our eating habits, the good and the bad. Egan explores why these values make for such an unstable, and often unhealthy, food culture and, paradoxically, why they also make Americas cuisine so great.

Egan raises a host of intriguing questions: Why does McDonalds have 107 items on its menu? Why are breakfast sandwiches, protein bars, and gluten-free anything so popular? Will bland, soulless meal replacements like Soylent revolutionize our definition of a meal? The search for answers takes her across the culinary landscape, from the prioritization of convenience over health to the unintended consequences of perks like free meals for employees; from the American obsession with having it our way to the surge of Starbucks, Chipotle, and other chains individualizing the eating experience; from high culture—artisan and organic and what exactly “natural” means—to low culture—the sale of 100 million Taco Bell Doritos Locos Tacos in ten weeks. She also looks at how America’s cuisine—like the nation itself—has been shaped by diverse influences from across the globe.

Devoured weaves together insights from the fields of psychology, anthropology, food science, and behavioral economics as well as myriad examples from daily life to create a powerful and unique look at food in America.

Sophie Egan is the director of programs and culinary nutrition for the Strategic Initiatives Group at The Culinary Institute of America. Holding degrees from Stanford and UC Berkeley, she has written for Sunset magazine and was named one of the UC Global Food Initiative’s 30 Under 30. Her writing has been published in WIRED, Bon Appetit, Time, The Wall Street Journal, KQED, and The New York Times Well blog. She is based in San Francisco.



Lori A. Flores is Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale, 2016). She is based in Brooklyn.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 24 Jul 2017 15:17:37 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Devoured: How What We Eat Defines Who We Are (William Morrow Books, 2017), food writer and Culinary Institute of America program director Sophie Egan takes readers on an eye-opening journey through the American food psyche,</itunes:subtitle>
      <itunes:summary>In Devoured: How What We Eat Defines Who We Are  (William Morrow Books, 2017), food writer and Culinary Institute of America program director Sophie Egan takes readers on an eye-opening journey through the American food psyche, examining the connections between the values that define our national character—work, freedom, and progress—and our eating habits, the good and the bad. Egan explores why these values make for such an unstable, and often unhealthy, food culture and, paradoxically, why they also make Americas cuisine so great.

Egan raises a host of intriguing questions: Why does McDonalds have 107 items on its menu? Why are breakfast sandwiches, protein bars, and gluten-free anything so popular? Will bland, soulless meal replacements like Soylent revolutionize our definition of a meal? The search for answers takes her across the culinary landscape, from the prioritization of convenience over health to the unintended consequences of perks like free meals for employees; from the American obsession with having it our way to the surge of Starbucks, Chipotle, and other chains individualizing the eating experience; from high culture—artisan and organic and what exactly “natural” means—to low culture—the sale of 100 million Taco Bell Doritos Locos Tacos in ten weeks. She also looks at how America’s cuisine—like the nation itself—has been shaped by diverse influences from across the globe.

Devoured weaves together insights from the fields of psychology, anthropology, food science, and behavioral economics as well as myriad examples from daily life to create a powerful and unique look at food in America.

Sophie Egan is the director of programs and culinary nutrition for the Strategic Initiatives Group at The Culinary Institute of America. Holding degrees from Stanford and UC Berkeley, she has written for Sunset magazine and was named one of the UC Global Food Initiative’s 30 Under 30. Her writing has been published in WIRED, Bon Appetit, Time, The Wall Street Journal, KQED, and The New York Times Well blog. She is based in San Francisco.



Lori A. Flores is Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale, 2016). She is based in Brooklyn.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<a href="http://www.amazon.com/dp/0062390996/?tag=newbooinhis-20"> Devoured: How What We Eat Defines Who We Are </a> (William Morrow Books, 2017), food writer and Culinary Institute of America program director Sophie Egan takes readers on an eye-opening journey through the American food psyche, examining the connections between the values that define our national character—work, freedom, and progress—and our eating habits, the good and the bad. Egan explores why these values make for such an unstable, and often unhealthy, food culture and, paradoxically, why they also make Americas cuisine so great.</p><p>
Egan raises a host of intriguing questions: Why does McDonalds have 107 items on its menu? Why are breakfast sandwiches, protein bars, and gluten-free anything so popular? Will bland, soulless meal replacements like Soylent revolutionize our definition of a meal? The search for answers takes her across the culinary landscape, from the prioritization of convenience over health to the unintended consequences of perks like free meals for employees; from the American obsession with having it our way to the surge of Starbucks, Chipotle, and other chains individualizing the eating experience; from high culture—artisan and organic and what exactly “natural” means—to low culture—the sale of 100 million Taco Bell Doritos Locos Tacos in ten weeks. She also looks at how America’s cuisine—like the nation itself—has been shaped by diverse influences from across the globe.</p><p>
Devoured weaves together insights from the fields of psychology, anthropology, food science, and behavioral economics as well as myriad examples from daily life to create a powerful and unique look at food in America.</p><p>
<a href="http://www.sophieegan.com/about/#sophie">Sophie Egan</a> is the director of programs and culinary nutrition for the Strategic Initiatives Group at The Culinary Institute of America. Holding degrees from Stanford and UC Berkeley, she has written for Sunset magazine and was named one of the UC Global Food Initiative’s<a href="https://30under30.universityofcalifornia.edu/"> 30 Under 30</a>. Her writing has been published in WIRED, Bon Appetit, Time, The Wall Street Journal, KQED, and<a href="https://well.blogs.nytimes.com/author/sophie-egan/?mcubz=2&amp;_r=0"> The New York Times Well blog</a>. She is based in San Francisco.</p><p>
</p><p>
<a href="http://www.loriaflores.com/">Lori A. Flores</a> is Associate Professor of History at Stony Brook University (SUNY) and the author of <a href="http://yalebooks.yale.edu/book/9780300196962/grounds-dreaming">Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale, 2016)</a>. She is based in Brooklyn.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3279</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66281]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5964306610.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ira Dworkin, “Congo Love Song: African American Culture and the Crisis of the Colonial State” (UNC Press, 2017)</title>
      <description>In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa.

Congo Love Song: African American Culture and the Crisis of the Colonial State (University of North Carolina Press, 2017) examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, the author brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism.

Author Ira Dworkin is an assistant professor of English at Texas A&amp;M University who specializes in African American and African Diaspora literature, American literature and culture, race and ethnicity studies, and transnational literatures. After Congo Love Song: African American Culture and the Crisis of the Colonial State, Dworkin’s current book project is focused on two autobiographies published by African Muslim and American Civil War soldier Nicholas Said in 1867 and 1873, tentatively titled Imperfectly Known: Nicholas Said and the Routes of African American Narrative. The work will consider the place of Africa, including Islamic religious traditions, in early African American narrative by examining oral accounts within African American communities, northern literary venues like the Atlantic Monthly, and publishing in the Reconstruction-era South.



James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page   or at james.stancil@intellectuwell.org.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 20 Jul 2017 21:51:44 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s...</itunes:subtitle>
      <itunes:summary>In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa.

Congo Love Song: African American Culture and the Crisis of the Colonial State (University of North Carolina Press, 2017) examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, the author brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism.

Author Ira Dworkin is an assistant professor of English at Texas A&amp;M University who specializes in African American and African Diaspora literature, American literature and culture, race and ethnicity studies, and transnational literatures. After Congo Love Song: African American Culture and the Crisis of the Colonial State, Dworkin’s current book project is focused on two autobiographies published by African Muslim and American Civil War soldier Nicholas Said in 1867 and 1873, tentatively titled Imperfectly Known: Nicholas Said and the Routes of African American Narrative. The work will consider the place of Africa, including Islamic religious traditions, in early African American narrative by examining oral accounts within African American communities, northern literary venues like the Atlantic Monthly, and publishing in the Reconstruction-era South.



James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page   or at james.stancil@intellectuwell.org.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa.</p><p>
<a href="http://www.amazon.com/dp/1469632713/?tag=newbooinhis-20">Congo Love Song: African American Culture and the Crisis of the Colonial State</a> (<a href="https://www.uncpress.org/book/9781469632711/congo-love-song/">University of North Carolina Press</a>, 2017) examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, the author brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism.</p><p>
Author<a href="http://iradworkin.com/"> Ira Dworkin</a> is an <a href="https://english.tamu.edu/dr-ira-dworkin/">assistant professor of English at Texas A&amp;M University</a> who specializes in African American and African Diaspora literature, American literature and culture, race and ethnicity studies, and transnational literatures. After Congo Love Song: African American Culture and the Crisis of the Colonial State, Dworkin’s current book project is focused on two autobiographies published by African Muslim and American Civil War soldier Nicholas Said in 1867 and 1873, tentatively titled Imperfectly Known: Nicholas Said and the Routes of African American Narrative. The work will consider the place of Africa, including Islamic religious traditions, in early African American narrative by examining oral accounts within African American communities, northern literary venues like the Atlantic Monthly, and publishing in the Reconstruction-era South.</p><p>
</p><p>
James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his <a href="https://www.linkedin.com/in/mrstancil">LinkedIn page</a>   or at <a href="mailto:james.stancil@intellectuwell.org">james.stancil@intellectuwell.org</a>.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3420</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66217]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7676643466.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patty Farmer, “Playboy Laughs: The Comedy, Comedians, and Cartoons of Playboy” (Beaufort Books, 2017)</title>
      <description>In her new book, Playboy Laughs: The Comedy, Comedians, and Cartoons of Playboy (Beaufort Books, 2017), Patty Farmer examines the relationship between Hugh Hefner’s Playboy empire and some of the most influential comedians and cartoonists of the past 50 years. Farmer explores the ways in which the Playboy Clubs and Resorts of the 1960s and 1970s established spaces for comedians to hone their acts, get paid, and started the careers for many comedians and musicians. She looks at the savvy business decisions of Hefner that led to clubs which have influenced popular culture and society in a variety of ways. Farmer describes how establishing these clubs challenged racial barriers as desegregated comedy clubs in the 1960s as well as gender barriers, giving a performance space to many rising female comedians such as Phyllis Diller and Joan Rivers. Farmer also looks at the role Playboy magazine played in launching the careers of many cartoonists such as Shel Silverstein and Al Jaffe and the meticulous attention to detail that Hefner paid to all cartoons and artists used throughout the magazine. Using interviews and oral histories, Farmer presents inside experiences from comedians and cartoonists who owe much of their career to Playboy magazine and Playboy Clubs.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchananor email her at rj-buchanan@wiu.edu.






Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 16 Jul 2017 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her new book, Playboy Laughs: The Comedy, Comedians, and Cartoons of Playboy (Beaufort Books, 2017), Patty Farmer examines the relationship between Hugh Hefner’s Playboy empire and some of the most influential comedians and cartoonists of the past 5...</itunes:subtitle>
      <itunes:summary>In her new book, Playboy Laughs: The Comedy, Comedians, and Cartoons of Playboy (Beaufort Books, 2017), Patty Farmer examines the relationship between Hugh Hefner’s Playboy empire and some of the most influential comedians and cartoonists of the past 50 years. Farmer explores the ways in which the Playboy Clubs and Resorts of the 1960s and 1970s established spaces for comedians to hone their acts, get paid, and started the careers for many comedians and musicians. She looks at the savvy business decisions of Hefner that led to clubs which have influenced popular culture and society in a variety of ways. Farmer describes how establishing these clubs challenged racial barriers as desegregated comedy clubs in the 1960s as well as gender barriers, giving a performance space to many rising female comedians such as Phyllis Diller and Joan Rivers. Farmer also looks at the role Playboy magazine played in launching the careers of many cartoonists such as Shel Silverstein and Al Jaffe and the meticulous attention to detail that Hefner paid to all cartoons and artists used throughout the magazine. Using interviews and oral histories, Farmer presents inside experiences from comedians and cartoonists who owe much of their career to Playboy magazine and Playboy Clubs.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchananor email her at rj-buchanan@wiu.edu.






Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book,<a href="http://www.amazon.com/dp/0825308437/?tag=newbooinhis-20"> Playboy Laughs: The Comedy, Comedians, and Cartoons of Playboy</a> (Beaufort Books, 2017), <a href="http://patty-farmer.com/">Patty Farmer</a> examines the relationship between Hugh Hefner’s Playboy empire and some of the most influential comedians and cartoonists of the past 50 years. Farmer explores the ways in which the Playboy Clubs and Resorts of the 1960s and 1970s established spaces for comedians to hone their acts, get paid, and started the careers for many comedians and musicians. She looks at the savvy business decisions of Hefner that led to clubs which have influenced popular culture and society in a variety of ways. Farmer describes how establishing these clubs challenged racial barriers as desegregated comedy clubs in the 1960s as well as gender barriers, giving a performance space to many rising female comedians such as Phyllis Diller and Joan Rivers. Farmer also looks at the role Playboy magazine played in launching the careers of many cartoonists such as Shel Silverstein and Al Jaffe and the meticulous attention to detail that Hefner paid to all cartoons and artists used throughout the magazine. Using interviews and oral histories, Farmer presents inside experiences from comedians and cartoonists who owe much of their career to Playboy magazine and Playboy Clubs.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a>or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p>
</p><p>
</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3216</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66122]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6716930557.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Franz Nicolay, “The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar”  (The New Press, 2016)</title>
      <description>What is the punk music scene like in Croatia, Serbia, Hungary, Russia, Ukraine, or Mongolia? Who listens to punk in Eastern Europe and in the Balkans? What kind of venues host punk shows?

Punk musician and writer Franz Nicolay explores these questions and much more in his Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar(The New Press, 2016). The book chronicles his various tours through Eastern Europe between May 2012 and July 2014. Traveling by himself in a rental car or by train with his wife, Nicolay explores cities and towns with small but devoted punk scenes and describes what he sees in Soviet post-industrial towns. Along the way, he learns what Russian punks think about the Pussy Riot controversy and he experiences first-hand political turmoil in the Ukraine.

Blending travel memoir, cultural criticism, and popular music studies, Nicolay’s writing explores the life of a touring musician, the people that they encounter on tour, and his response to what he sees and experiences. The resulting book is insightful, funny, and essential for anyone who wants to learn more about punk in Eastern Europe and the life of a touring musician.

Franz Nicolay is a New York musician, who has played with many acts, such as the Hold Steady, Against Me!, and the Dresden Dolls. He is a writer whose work appears at Slate.com and in the New York Times and teaches courses at Bard College. Fans can buy his music, explore his writing, and learn about his performances at his website.



Richard Schur, professor of English at Drury University, is the host for this podcast episode.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 12 Jul 2017 21:47:22 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the punk music scene like in Croatia, Serbia, Hungary, Russia, Ukraine, or Mongolia? Who listens to punk in Eastern Europe and in the Balkans? What kind of venues host punk shows? Punk musician and writer Franz Nicolay explores these questions ...</itunes:subtitle>
      <itunes:summary>What is the punk music scene like in Croatia, Serbia, Hungary, Russia, Ukraine, or Mongolia? Who listens to punk in Eastern Europe and in the Balkans? What kind of venues host punk shows?

Punk musician and writer Franz Nicolay explores these questions and much more in his Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar(The New Press, 2016). The book chronicles his various tours through Eastern Europe between May 2012 and July 2014. Traveling by himself in a rental car or by train with his wife, Nicolay explores cities and towns with small but devoted punk scenes and describes what he sees in Soviet post-industrial towns. Along the way, he learns what Russian punks think about the Pussy Riot controversy and he experiences first-hand political turmoil in the Ukraine.

Blending travel memoir, cultural criticism, and popular music studies, Nicolay’s writing explores the life of a touring musician, the people that they encounter on tour, and his response to what he sees and experiences. The resulting book is insightful, funny, and essential for anyone who wants to learn more about punk in Eastern Europe and the life of a touring musician.

Franz Nicolay is a New York musician, who has played with many acts, such as the Hold Steady, Against Me!, and the Dresden Dolls. He is a writer whose work appears at Slate.com and in the New York Times and teaches courses at Bard College. Fans can buy his music, explore his writing, and learn about his performances at his website.



Richard Schur, professor of English at Drury University, is the host for this podcast episode.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the punk music scene like in Croatia, Serbia, Hungary, Russia, Ukraine, or Mongolia? Who listens to punk in Eastern Europe and in the Balkans? What kind of venues host punk shows?</p><p>
Punk musician and writer <a href="http://franznicolay.com/">Franz Nicolay</a> explores these questions and much more in his <a href="http://www.amazon.com/dp/1620971798/?tag=newbooinhis-20">Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar</a>(The New Press, 2016). The book chronicles his various tours through Eastern Europe between May 2012 and July 2014. Traveling by himself in a rental car or by train with his wife, Nicolay explores cities and towns with small but devoted punk scenes and describes what he sees in Soviet post-industrial towns. Along the way, he learns what Russian punks think about the Pussy Riot controversy and he experiences first-hand political turmoil in the Ukraine.</p><p>
Blending travel memoir, cultural criticism, and popular music studies, Nicolay’s writing explores the life of a touring musician, the people that they encounter on tour, and his response to what he sees and experiences. The resulting book is insightful, funny, and essential for anyone who wants to learn more about punk in Eastern Europe and the life of a touring musician.</p><p>
Franz Nicolay is a New York musician, who has played with many acts, such as the Hold Steady, Against Me!, and the Dresden Dolls. He is a writer whose work appears at Slate.com and in the New York Times and teaches courses at Bard College. Fans can buy his music, explore his writing, and learn about his performances at his <a href="http://franznicolay.com">website.</a></p><p>
</p><p>
Richard Schur, professor of English at Drury University, is the host for this podcast episode.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66059]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6155697150.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Kushner, “Rise of the Dungeon Master: Gary Gygax and the Creation of D and D” (Nation Books, 2017)</title>
      <description>Rise of the Dungeon Master: Gary Gygax and the Creation of D and D (Nation Books, 2017) by David Kushner and illustrated by Koren Shadmi is a gorgeous depiction of the late E. Gary Gygax’s life and times. Gygax’s story and the tale of D and D’s genesis is ideally suited to the graphic novel format, and Kushner — who met and even gamed with Gygax — conveys these twin narratives well. Shadmi’s illustrations blend the mundane with the fantastical, and the striking cover art alone is sure to win Rise of the Dungeon Master a place on many comic collectors’ shelves. I happily recommend it to anyone looking for a short overview of the subject, and certainly anyone with a love of both comic books and D and D.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 23 Jun 2017 22:02:03 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rise of the Dungeon Master: Gary Gygax and the Creation of D and D (Nation Books, 2017) by David Kushner and illustrated by Koren Shadmi is a gorgeous depiction of the late E. Gary Gygax’s life and times. Gygax’s story and the tale of D and D’s genesis...</itunes:subtitle>
      <itunes:summary>Rise of the Dungeon Master: Gary Gygax and the Creation of D and D (Nation Books, 2017) by David Kushner and illustrated by Koren Shadmi is a gorgeous depiction of the late E. Gary Gygax’s life and times. Gygax’s story and the tale of D and D’s genesis is ideally suited to the graphic novel format, and Kushner — who met and even gamed with Gygax — conveys these twin narratives well. Shadmi’s illustrations blend the mundane with the fantastical, and the striking cover art alone is sure to win Rise of the Dungeon Master a place on many comic collectors’ shelves. I happily recommend it to anyone looking for a short overview of the subject, and certainly anyone with a love of both comic books and D and D.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1568585594/?tag=newbooinhis-20">Rise of the Dungeon Master: Gary Gygax and the Creation of D and D </a>(Nation Books, 2017) by <a href="http://www.davidkushner.com/about/">David Kushner</a> and illustrated by <a href="http://www.korenshadmi.com/">Koren Shadmi</a> is a gorgeous depiction of the late E. Gary Gygax’s life and times. Gygax’s story and the tale of D and D’s genesis is ideally suited to the graphic novel format, and Kushner — who met and even gamed with Gygax — conveys these twin narratives well. Shadmi’s illustrations blend the mundane with the fantastical, and the striking cover art alone is sure to win Rise of the Dungeon Master a place on many comic collectors’ shelves. I happily recommend it to anyone looking for a short overview of the subject, and certainly anyone with a love of both comic books and D and D.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1389</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=65303]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2046998651.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Danny Goldberg, “In Search of the Lost Chord: 1967 and the Hippie Idea” (Akashic Books, 2017)</title>
      <description>In his new book, In Search of the Lost Chord: 1967 and the Hippie Idea (Akashic Books, 2017), Danny Goldberg explores the political, social, and cultural influences of 1967–a pivotal year in American history. Goldberg, who graduated from high school in 1967 and was influenced by the cultural of the1960s, presents a subjective history on what he sees as the legacy of 1967 fifty years later. In In Search of the Lost Chord, Goldberg examines not only the music scene of 1967, but the role of psychedelics, hippies, protest culture, Eastern religions and spirituality, politics, the Black Power movement, and activists such as Martin Luther King, Jr., Muhammad Ali, Allen Ginsberg, Timothy Leary, Cora Weiss, and Tom Hayden. Goldberg’s book is well researched and informed by interviews of some of the most influential participants during 1967, giving readers a greater understanding of the complexities of this influential time in American culture.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.




Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 23 Jun 2017 21:09:34 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book, In Search of the Lost Chord: 1967 and the Hippie Idea (Akashic Books, 2017), Danny Goldberg explores the political, social, and cultural influences of 1967–a pivotal year in American history. Goldberg,</itunes:subtitle>
      <itunes:summary>In his new book, In Search of the Lost Chord: 1967 and the Hippie Idea (Akashic Books, 2017), Danny Goldberg explores the political, social, and cultural influences of 1967–a pivotal year in American history. Goldberg, who graduated from high school in 1967 and was influenced by the cultural of the1960s, presents a subjective history on what he sees as the legacy of 1967 fifty years later. In In Search of the Lost Chord, Goldberg examines not only the music scene of 1967, but the role of psychedelics, hippies, protest culture, Eastern religions and spirituality, politics, the Black Power movement, and activists such as Martin Luther King, Jr., Muhammad Ali, Allen Ginsberg, Timothy Leary, Cora Weiss, and Tom Hayden. Goldberg’s book is well researched and informed by interviews of some of the most influential participants during 1967, giving readers a greater understanding of the complexities of this influential time in American culture.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.




Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="http://www.amazon.com/dp/1617756156/?tag=newbooinhis-20">In Search of the Lost Chord: 1967 and the Hippie Idea</a> (Akashic Books, 2017), <a href="http://goldve.com/danny-goldberg/">Danny Goldberg</a> explores the political, social, and cultural influences of 1967–a pivotal year in American history. Goldberg, who graduated from high school in 1967 and was influenced by the cultural of the1960s, presents a subjective history on what he sees as the legacy of 1967 fifty years later. In In Search of the Lost Chord, Goldberg examines not only the music scene of 1967, but the role of psychedelics, hippies, protest culture, Eastern religions and spirituality, politics, the Black Power movement, and activists such as Martin Luther King, Jr., Muhammad Ali, Allen Ginsberg, Timothy Leary, Cora Weiss, and Tom Hayden. Goldberg’s book is well researched and informed by interviews of some of the most influential participants during 1967, giving readers a greater understanding of the complexities of this influential time in American culture.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p>
</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4257</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=65302]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7059154275.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Elison, et.al. “Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation” (Harvard UP, 2016)</title>
      <description>Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema.



Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 20 Jun 2017 17:51:16 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema?</itunes:subtitle>
      <itunes:summary>Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema.



Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? <a href="http://www.religion.ucsb.edu/people/faculty/william-elison/">William Elison</a>, Assistant Professor at University of California, Santa Barbara, <a href="https://faculty.washington.edu/novetzke/">Christian Lee Novetzke</a>, Professor at the University of Washington, and <a href="https://www.smith.edu/academics/faculty/andy-rotman">Andy Rotman</a>, Professor at Smith College offer a layered analysis of the 1977 blockbuster in <a href="http://www.amazon.com/dp/0674504488/?tag=newbooinhis-20">Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation</a> (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema.</p><p>
</p><p>
<a href="http://drkristianpetersen.com">Kristian Petersen</a> is an Assistant Professor in the <a href="http://www.unomaha.edu/religiousstudies/">Department of Religious Studies</a> at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his <a href="http://drkristianpetersen.com">website</a>, follow him on Twitter <a href="https://twitter.com/BabaKristian">@BabaKristian</a>, or email him at <a href="mailto:kjpetersen@unomaha.edu">kjpetersen@unomaha.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4417</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=65238]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2491156021.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Witwer, “Empire of Imagination: Gary Gygax and the Birth of Dungeons and Dragons” (Bloomsbury, 2015)</title>
      <description>Empire of Imagination: Gary Gygax and the Birth of Dungeons and Dragons (Bloomsbury, 2015) by Michael Witwer is an exceptional biography of the co-creator of Dungeons and Dragons, E. Gary Gygax. Witwer presents an honest, meticulously researched historical account of his subject’s life, while at the same time offering a compelling narrative for his readers. Lovers of Dungeons and Dragons will find much to love in this book, which was clearly a passion project for Witwer, who began the text in the context of research during his Master’s degree. I highly recommend Empire of Imagination to anyone with an interest in the story of this seminal, enormously important game and its brilliant albeit quirky creators.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Jun 2017 12:59:11 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Empire of Imagination: Gary Gygax and the Birth of Dungeons and Dragons (Bloomsbury, 2015) by Michael Witwer is an exceptional biography of the co-creator of Dungeons and Dragons, E. Gary Gygax. Witwer presents an honest,</itunes:subtitle>
      <itunes:summary>Empire of Imagination: Gary Gygax and the Birth of Dungeons and Dragons (Bloomsbury, 2015) by Michael Witwer is an exceptional biography of the co-creator of Dungeons and Dragons, E. Gary Gygax. Witwer presents an honest, meticulously researched historical account of his subject’s life, while at the same time offering a compelling narrative for his readers. Lovers of Dungeons and Dragons will find much to love in this book, which was clearly a passion project for Witwer, who began the text in the context of research during his Master’s degree. I highly recommend Empire of Imagination to anyone with an interest in the story of this seminal, enormously important game and its brilliant albeit quirky creators.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1632862794/?tag=newbooinhis-20">Empire of Imagination: Gary Gygax and the Birth of Dungeons and Dragons</a> (Bloomsbury, 2015) by <a href="https://geekdad.com/author/michael-witwer/">Michael Witwer</a> is an exceptional biography of the co-creator of Dungeons and Dragons, E. Gary Gygax. Witwer presents an honest, meticulously researched historical account of his subject’s life, while at the same time offering a compelling narrative for his readers. Lovers of Dungeons and Dragons will find much to love in this book, which was clearly a passion project for Witwer, who began the text in the context of research during his Master’s degree. I highly recommend Empire of Imagination to anyone with an interest in the story of this seminal, enormously important game and its brilliant albeit quirky creators.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3588</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=65220]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8134094791.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andre Sirois, “Hip-Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratization” (Peter Lang, 2016)</title>
      <description>What is the role of the deejay in shaping hip-hop? Did deejays shape the technology that is used to create the music or were they simply consumers of mixers, faders, and microphones? What is the relationship between deejays and the manufacturers that produced the technology that made hip-hop possible?

Andre Sirois explores these questions in his book, Hip-Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratization (which can be downloaded for free here). Sirois is both a scholar and a deejay, and his book brings academic discourse into dialogue with working deejays. Hip-Hop DJs and the Evolution of Technology (Peter Lang, 2016) draws on extensive interviews with the deejays that have shaped hip-hop and the technology manufacturers who made the products behind the deejays.

The podcast covers the history of deejays, examining the three legends that are considered the founders of hip-hop: DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash. He looks at how they transformed the role of the deejay through their digging in the crates, the development of deejaying techniques, and how they developed a collaborative ethos among deejays even as they sought to develop their own reputations. Then, Sirois explores other deejays, such as DJ Trix, DJ Craze, the Scratch Hamsters, and the Invisibl Skratch Piklz, who worked with manufacturers, including Vestax and Rane, to produce signature mixers and other equipment. (You can view Sirois’s collection of vintage mixers at djpedia). The podcast also examines the complicated ways that deejays and manufacturers worked together even though few deejays received significant economic benefit from these collaborations.

Dr. Andre Sirois, also known as DJ food stamp, is an instructor at the University of Oregon, where he teaches courses on filmmaking and popular culture in the media. He has over 17 years experience as a hip-hop, scratch, club, and radio DJ. His scratches have been featured on numerous artists songs, including the gold-selling single by Spose, “I’m Awesome.” He is one of the founders of DJistory/DJpedia, a non-profit organization and archive dedicated to preserving and telling histories of DJ technology and culture.



Richard Schur, Drury University professor of English and Director of the Honors Program, is the host for this podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 Jun 2017 19:57:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the role of the deejay in shaping hip-hop? Did deejays shape the technology that is used to create the music or were they simply consumers of mixers, faders, and microphones? What is the relationship between deejays and the manufacturers that p...</itunes:subtitle>
      <itunes:summary>What is the role of the deejay in shaping hip-hop? Did deejays shape the technology that is used to create the music or were they simply consumers of mixers, faders, and microphones? What is the relationship between deejays and the manufacturers that produced the technology that made hip-hop possible?

Andre Sirois explores these questions in his book, Hip-Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratization (which can be downloaded for free here). Sirois is both a scholar and a deejay, and his book brings academic discourse into dialogue with working deejays. Hip-Hop DJs and the Evolution of Technology (Peter Lang, 2016) draws on extensive interviews with the deejays that have shaped hip-hop and the technology manufacturers who made the products behind the deejays.

The podcast covers the history of deejays, examining the three legends that are considered the founders of hip-hop: DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash. He looks at how they transformed the role of the deejay through their digging in the crates, the development of deejaying techniques, and how they developed a collaborative ethos among deejays even as they sought to develop their own reputations. Then, Sirois explores other deejays, such as DJ Trix, DJ Craze, the Scratch Hamsters, and the Invisibl Skratch Piklz, who worked with manufacturers, including Vestax and Rane, to produce signature mixers and other equipment. (You can view Sirois’s collection of vintage mixers at djpedia). The podcast also examines the complicated ways that deejays and manufacturers worked together even though few deejays received significant economic benefit from these collaborations.

Dr. Andre Sirois, also known as DJ food stamp, is an instructor at the University of Oregon, where he teaches courses on filmmaking and popular culture in the media. He has over 17 years experience as a hip-hop, scratch, club, and radio DJ. His scratches have been featured on numerous artists songs, including the gold-selling single by Spose, “I’m Awesome.” He is one of the founders of DJistory/DJpedia, a non-profit organization and archive dedicated to preserving and telling histories of DJ technology and culture.



Richard Schur, Drury University professor of English and Director of the Honors Program, is the host for this podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the role of the deejay in shaping hip-hop? Did deejays shape the technology that is used to create the music or were they simply consumers of mixers, faders, and microphones? What is the relationship between deejays and the manufacturers that produced the technology that made hip-hop possible?</p><p>
<a href="https://cinema.uoregon.edu/andre-sirois-2">Andre Sirois</a> explores these questions in his book, <a href="http://www.amazon.com/dp/1433123363/?tag=newbooinhis-20">Hip-Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratization</a> (which can be downloaded for free <a href="https://drive.google.com/file/d/0B4XwHkFZ9D2nNTQ4OUx4WFFSSHc/view">here</a>). Sirois is both a scholar and a deejay, and his book brings academic discourse into dialogue with working deejays. Hip-Hop DJs and the Evolution of Technology (Peter Lang, 2016) draws on extensive interviews with the deejays that have shaped hip-hop and the technology manufacturers who made the products behind the deejays.</p><p>
The podcast covers the history of deejays, examining the three legends that are considered the founders of hip-hop: DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash. He looks at how they transformed the role of the deejay through their digging in the crates, the development of deejaying techniques, and how they developed a collaborative ethos among deejays even as they sought to develop their own reputations. Then, Sirois explores other deejays, such as DJ Trix, DJ Craze, the Scratch Hamsters, and the Invisibl Skratch Piklz, who worked with manufacturers, including Vestax and Rane, to produce signature mixers and other equipment. (You can view Sirois’s collection of vintage mixers at <a href="https://www.flickr.com/photos/djpedia/">djpedia</a>). The podcast also examines the complicated ways that deejays and manufacturers worked together even though few deejays received significant economic benefit from these collaborations.</p><p>
Dr. Andre Sirois, also known as DJ food stamp, is an instructor at the University of Oregon, where he teaches courses on filmmaking and popular culture in the media. He has over 17 years experience as a hip-hop, scratch, club, and radio DJ. His scratches have been featured on numerous artists songs, including the gold-selling single by Spose, “I’m Awesome.” He is one of the founders of DJistory/DJpedia, a non-profit organization and archive dedicated to preserving and telling histories of DJ technology and culture.</p><p>
</p><p>
<a href="http://www.drury.edu/english-and-writing/richard-schur">Richard Schur</a>, Drury University professor of English and Director of the Honors Program, is the host for this podcast.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>246</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=65038]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5535723780.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Youngquist, “A Pure Solar World: Sun Ra and the Birth of Afrofuturism” (U. Texas Press, 2016)</title>
      <description>The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth.

A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world.

Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 27 May 2017 19:38:41 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,</itunes:subtitle>
      <itunes:summary>The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth.

A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world.

Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth.</p><p>
<a href="http://www.amazon.com/dp/0292726368/?tag=newbooinhis-20">A Pure Solar World: Sun Ra and the Birth of Afrofuturism</a> (<a href="https://utpress.utexas.edu/books/youngquist-a-pure-solar-world">University of Texas Press</a>, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world.</p><p>
Author <a href="http://www.colorado.edu/english/people/paul-youngquist">Paul Youngquist </a>teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean.</p><p>
</p><p>
James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3219</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64824]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8439482297.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David M. Ewalt, “Of Dice and Men: The Story of Dungeons and Dragons and The People Who Play It” (Scribner, 2013)</title>
      <description>David M. Ewalt‘s book Of Dice and Men: The Story of Dungeons and Dragons and The People Who Play It (Scribner, 2013) is at once a love letter, cultural history, and succinct analysis of the roleplaying game phenomenon that started it all. Of Dice and Men was the first of a recent cluster of excellent commentary on D and D’s scope and impact, including Empire of Imagination and the recent Rise of the Dungeon Master. An engaging, entertaining, and informative read, Of Dice and Men is sure to interest gamers who may or may not quite realize the extent to which present popular culture owes its shape to this wondrous invention of E. Gary Gygax.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 26 May 2017 21:21:43 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>David M. Ewalt‘s book Of Dice and Men: The Story of Dungeons and Dragons and The People Who Play It (Scribner, 2013) is at once a love letter, cultural history, and succinct analysis of the roleplaying game phenomenon that started it all.</itunes:subtitle>
      <itunes:summary>David M. Ewalt‘s book Of Dice and Men: The Story of Dungeons and Dragons and The People Who Play It (Scribner, 2013) is at once a love letter, cultural history, and succinct analysis of the roleplaying game phenomenon that started it all. Of Dice and Men was the first of a recent cluster of excellent commentary on D and D’s scope and impact, including Empire of Imagination and the recent Rise of the Dungeon Master. An engaging, entertaining, and informative read, Of Dice and Men is sure to interest gamers who may or may not quite realize the extent to which present popular culture owes its shape to this wondrous invention of E. Gary Gygax.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.davidmewalt.com/">David M. Ewalt</a>‘s book <a href="http://davidmewalt.com/of-dice-and-men/">Of Dice and Men: The Story of Dungeons and Dragons and The People Who Play It</a> (Scribner, 2013) is at once a love letter, cultural history, and succinct analysis of the roleplaying game phenomenon that started it all. Of Dice and Men was the first of a recent cluster of excellent commentary on D and D’s scope and impact, including Empire of Imagination and the recent Rise of the Dungeon Master. An engaging, entertaining, and informative read, Of Dice and Men is sure to interest gamers who may or may not quite realize the extent to which present popular culture owes its shape to this wondrous invention of E. Gary Gygax.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2741</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64807]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7622588310.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stanley Corkin, “Connecting the Wire: Race, Space, and Postindustrial Baltimore” (U. Texas Press, 2017)</title>
      <description>Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality.

In Connecting The Wire: Race, Space, and Postindustrial Baltimore  (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture.

Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 16 May 2017 22:17:22 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life ...</itunes:subtitle>
      <itunes:summary>Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality.

In Connecting The Wire: Race, Space, and Postindustrial Baltimore  (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture.

Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality.</p><p>
In <a href="http://www.amazon.com/dp/1477311777/?tag=newbooinhis-20">Connecting The Wire: Race, Space, and Postindustrial Baltimore </a> (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture.</p><p>
Author <a href="http://artsci.uc.edu/departments/english/profiles/stanley_corkin.html">Stanley Corkin</a> is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston.</p><p>
</p><p>
James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64590]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7781820567.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Lee Naish, “Deconstructing Dirty Dancing” (Zero Books, 2017)</title>
      <description>When the film was released in 1987, critic Roger Ebert famously panned Dirty Dancing. Yet the movie continues to be the favorite of millions of fans. In Deconstructing Dirty Dancing (Zero Books, 2017), Stephen Lee Naish reviews the movie scene-by-scene, parsing the reasons why it remains such a popular film. He returns to the NBN to chat with Joel Tscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 16 May 2017 21:28:48 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>When the film was released in 1987, critic Roger Ebert famously panned Dirty Dancing. Yet the movie continues to be the favorite of millions of fans. In Deconstructing Dirty Dancing (Zero Books, 2017), Stephen Lee Naish reviews the movie scene-by-scene...</itunes:subtitle>
      <itunes:summary>When the film was released in 1987, critic Roger Ebert famously panned Dirty Dancing. Yet the movie continues to be the favorite of millions of fans. In Deconstructing Dirty Dancing (Zero Books, 2017), Stephen Lee Naish reviews the movie scene-by-scene, parsing the reasons why it remains such a popular film. He returns to the NBN to chat with Joel Tscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When the film was released in 1987, critic Roger Ebert famously panned Dirty Dancing. Yet the movie continues to be the favorite of millions of fans. In <a href="http://www.amazon.com/dp/1782799710/?tag=newbooinhis-20">Deconstructing Dirty Dancing</a> (<a href="http://www.zero-books.net/authors/stephen-lee-naish">Zero Books</a>, 2017), <a href="http://www.zero-books.net/authors/stephen-lee-naish">Stephen Lee Naish</a> reviews the movie scene-by-scene, parsing the reasons why it remains such a popular film. He returns to the NBN to chat with Joel Tscherne.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3952</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64580]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3564537721.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Le Zotte, “From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies” (UNC Press, 2017)</title>
      <description>In From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies (University of North Carolina Press, 2017), historian Jennifer Le Zotte examines the movement of selling secondhand goods for profit and charity. Focusing on thrift stores, flea markets, and garage sales, Le Zotte traces the history of selling used goods and clothing, from its questionable start to becoming a multimillion dollar business. In From Goodwill to Grunge, Le Zotte traces the origins of secondhand style as a political, economic, and social act. She explores the ways in which both conservative and progressive activists used secondhand clothing for political and economic gains. Starting in the early 1900s and progressing through the 1990s grunge rock scene, Le Zotte shows how buying secondhand clothing was an act of rebellion and empowerment for drag queens and war protestors as well as the use of rummage sales for religious and political activism for church groups and civil rights organizations. Extensively researched, Le Zotte’s contribution to research into fashion and secondhand makes for enjoyable and informative reading that grounds secondhand markets in a variety of popular cultural spaces.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 15 May 2017 18:36:33 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies (University of North Carolina Press, 2017), historian Jennifer Le Zotte examines the movement of selling secondhand goods for profit and charity.</itunes:subtitle>
      <itunes:summary>In From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies (University of North Carolina Press, 2017), historian Jennifer Le Zotte examines the movement of selling secondhand goods for profit and charity. Focusing on thrift stores, flea markets, and garage sales, Le Zotte traces the history of selling used goods and clothing, from its questionable start to becoming a multimillion dollar business. In From Goodwill to Grunge, Le Zotte traces the origins of secondhand style as a political, economic, and social act. She explores the ways in which both conservative and progressive activists used secondhand clothing for political and economic gains. Starting in the early 1900s and progressing through the 1990s grunge rock scene, Le Zotte shows how buying secondhand clothing was an act of rebellion and empowerment for drag queens and war protestors as well as the use of rummage sales for religious and political activism for church groups and civil rights organizations. Extensively researched, Le Zotte’s contribution to research into fashion and secondhand makes for enjoyable and informative reading that grounds secondhand markets in a variety of popular cultural spaces.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/146963189X/?tag=newbooinhis-20">From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies</a> (University of North Carolina Press, 2017), historian <a href="http://www.jenniferlezotte.com/">Jennifer Le Zotte</a> examines the movement of selling secondhand goods for profit and charity. Focusing on thrift stores, flea markets, and garage sales, Le Zotte traces the history of selling used goods and clothing, from its questionable start to becoming a multimillion dollar business. In From Goodwill to Grunge, Le Zotte traces the origins of secondhand style as a political, economic, and social act. She explores the ways in which both conservative and progressive activists used secondhand clothing for political and economic gains. Starting in the early 1900s and progressing through the 1990s grunge rock scene, Le Zotte shows how buying secondhand clothing was an act of rebellion and empowerment for drag queens and war protestors as well as the use of rummage sales for religious and political activism for church groups and civil rights organizations. Extensively researched, Le Zotte’s contribution to research into fashion and secondhand makes for enjoyable and informative reading that grounds secondhand markets in a variety of popular cultural spaces.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64547]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1910419011.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kate Daloz, “We Are As Gods: Back to the Land in the 1970s on a Quest for a New America” (PublicAffairs, 2016)</title>
      <description>Growing up in a geodesic dome is not a claim everyone can make, but author Kate Daloz can. Her book We Are As Gods: Back to the Land in the 1970s on a Quest for a New America (PublicAffairs, 2016) traces the path taken by many children of suburbia in the 1960s across the country who, like her parents, wanted to return to the land. Her subjects are Judy and Larry (her parents), the place they moved to, and the community they helped found.

One of many interesting discoveries in this book is the fact that the back to the land movement took place around the country, within the same demographic, and during the same two-to three-year period in the 1970s.

The causes? One was the growing concern with pollution described in Rachel Carson’s Silent Spring (1962). Another, which deserves fuller examination, is the apocalyptic mood stemming from the atomic threat of the 1960s. Baby boomers remember, with no small amount of incredulity, schoolroom bomb practice (“How would going under my desk protect me?”).

The answers that adults had were not reassuring, or they were naive. The younger generation felt imperiled, and adults were responsible. Cities weren’t safe either. By returning to the land, a person could face an uncertain future in a community of like-minded people, in home they had built themselves and that expressed their values.

So move this group did, but not all to become hippies. Some formed communes that rejected middle class baggage (monogamy, capitalism, child rearing). Others had advanced degrees, found professional work, and considered themselves “square.” Live in a rural setting and you adopt rural culture: community barn raising (even if it is a geodesic dome), self-generated work (Christmas trees farms, organic produce), shared resources.

The author shows that the effects of these communities since the 1970s have permeated throughout American culture. A new kind of fresh food market like Whole Foods and community food co-ops got their starts in such settings. So did recycling (a mainstay of farming culture). Whatever the circumstances that brought them into being, the results have reached far beyond their boundaries and continue to expand our lives.

Kate Daloz’s essays have been published in periodicals such as American Scholar. She is an adjunct professor in the MFA program at Manhattanville College and a consultant at the College Writing Center, Baruch College, CUNY.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 14 May 2017 14:49:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Growing up in a geodesic dome is not a claim everyone can make, but author Kate Daloz can. Her book We Are As Gods: Back to the Land in the 1970s on a Quest for a New America (PublicAffairs, 2016) traces the path taken by many children of suburbia in...</itunes:subtitle>
      <itunes:summary>Growing up in a geodesic dome is not a claim everyone can make, but author Kate Daloz can. Her book We Are As Gods: Back to the Land in the 1970s on a Quest for a New America (PublicAffairs, 2016) traces the path taken by many children of suburbia in the 1960s across the country who, like her parents, wanted to return to the land. Her subjects are Judy and Larry (her parents), the place they moved to, and the community they helped found.

One of many interesting discoveries in this book is the fact that the back to the land movement took place around the country, within the same demographic, and during the same two-to three-year period in the 1970s.

The causes? One was the growing concern with pollution described in Rachel Carson’s Silent Spring (1962). Another, which deserves fuller examination, is the apocalyptic mood stemming from the atomic threat of the 1960s. Baby boomers remember, with no small amount of incredulity, schoolroom bomb practice (“How would going under my desk protect me?”).

The answers that adults had were not reassuring, or they were naive. The younger generation felt imperiled, and adults were responsible. Cities weren’t safe either. By returning to the land, a person could face an uncertain future in a community of like-minded people, in home they had built themselves and that expressed their values.

So move this group did, but not all to become hippies. Some formed communes that rejected middle class baggage (monogamy, capitalism, child rearing). Others had advanced degrees, found professional work, and considered themselves “square.” Live in a rural setting and you adopt rural culture: community barn raising (even if it is a geodesic dome), self-generated work (Christmas trees farms, organic produce), shared resources.

The author shows that the effects of these communities since the 1970s have permeated throughout American culture. A new kind of fresh food market like Whole Foods and community food co-ops got their starts in such settings. So did recycling (a mainstay of farming culture). Whatever the circumstances that brought them into being, the results have reached far beyond their boundaries and continue to expand our lives.

Kate Daloz’s essays have been published in periodicals such as American Scholar. She is an adjunct professor in the MFA program at Manhattanville College and a consultant at the College Writing Center, Baruch College, CUNY.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Growing up in a geodesic dome is not a claim everyone can make, but author <a href="http://www.katedaloz.com/">Kate Daloz</a> can. Her book <a href="http://www.amazon.com/dp/1610392256/?tag=newbooinhis-20">We Are As Gods: Back to the Land in the 1970s on a Quest for a New America</a> (PublicAffairs, 2016) traces the path taken by many children of suburbia in the 1960s across the country who, like her parents, wanted to return to the land. Her subjects are Judy and Larry (her parents), the place they moved to, and the community they helped found.</p><p>
One of many interesting discoveries in this book is the fact that the back to the land movement took place around the country, within the same demographic, and during the same two-to three-year period in the 1970s.</p><p>
The causes? One was the growing concern with pollution described in Rachel Carson’s Silent Spring (1962). Another, which deserves fuller examination, is the apocalyptic mood stemming from the atomic threat of the 1960s. Baby boomers remember, with no small amount of incredulity, schoolroom bomb practice (“How would going under my desk protect me?”).</p><p>
The answers that adults had were not reassuring, or they were naive. The younger generation felt imperiled, and adults were responsible. Cities weren’t safe either. By returning to the land, a person could face an uncertain future in a community of like-minded people, in home they had built themselves and that expressed their values.</p><p>
So move this group did, but not all to become hippies. Some formed communes that rejected middle class baggage (monogamy, capitalism, child rearing). Others had advanced degrees, found professional work, and considered themselves “square.” Live in a rural setting and you adopt rural culture: community barn raising (even if it is a geodesic dome), self-generated work (Christmas trees farms, organic produce), shared resources.</p><p>
The author shows that the effects of these communities since the 1970s have permeated throughout American culture. A new kind of fresh food market like Whole Foods and community food co-ops got their starts in such settings. So did recycling (a mainstay of farming culture). Whatever the circumstances that brought them into being, the results have reached far beyond their boundaries and continue to expand our lives.</p><p>
Kate Daloz’s essays have been published in periodicals such as American Scholar. She is an adjunct professor in the MFA program at Manhattanville College and a consultant at the College Writing Center, Baruch College, CUNY.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3270</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64538]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3379180201.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maya Barzilai, “Golem: Modern Wars and Their Monsters” (NYU Press, 2016)</title>
      <description>This episode of New Books in Jewish Studies features Maya Barzilai, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of Golem: Modern Wars and Their Monsters (New York University Press, 2016). This timely book traces the evolution of the golem, a clay monster animated by a rabbi to serve and protect his community, from its presence in literature, drama, and cinema in the 1920s to its use as a reference in Israeli and American cultures during the second half of the 20th century.

Barzilai has also published a short article in The Forward last November, in which she has shown how the golem was used as a metaphor in the recent US presidential elections to describe Donald Trump as well as the media that “created” him.



Danielle Drori is a doctoral student at New York University. Her research focuses on the politicization of translation in early 20th century Hebrew literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 01 May 2017 19:08:08 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This episode of New Books in Jewish Studies features Maya Barzilai, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of Golem: Modern Wars and Their Monsters (New York University Press, 2016).</itunes:subtitle>
      <itunes:summary>This episode of New Books in Jewish Studies features Maya Barzilai, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of Golem: Modern Wars and Their Monsters (New York University Press, 2016). This timely book traces the evolution of the golem, a clay monster animated by a rabbi to serve and protect his community, from its presence in literature, drama, and cinema in the 1920s to its use as a reference in Israeli and American cultures during the second half of the 20th century.

Barzilai has also published a short article in The Forward last November, in which she has shown how the golem was used as a metaphor in the recent US presidential elections to describe Donald Trump as well as the media that “created” him.



Danielle Drori is a doctoral student at New York University. Her research focuses on the politicization of translation in early 20th century Hebrew literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode of New Books in Jewish Studies features <a href="https://lsa.umich.edu/neareast/people/faculty/brmaya.html">Maya Barzilai</a>, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of <a href="http://www.amazon.com/dp/1479889652/?tag=newbooinhis-20">Golem: Modern Wars and Their Monsters</a> (New York University Press, 2016). This timely book traces the evolution of the golem, a clay monster animated by a rabbi to serve and protect his community, from its presence in literature, drama, and cinema in the 1920s to its use as a reference in Israeli and American cultures during the second half of the 20th century.</p><p>
Barzilai has also published <a href="http://forward.com/opinion/354318/why-the-golem-is-a-perfect-metaphor-for-donald-trump/">a short articl</a>e in The Forward last November, in which she has shown how the golem was used as a metaphor in the recent US presidential elections to describe Donald Trump as well as the media that “created” him.</p><p>
</p><p>
Danielle Drori is a doctoral student at New York University. Her research focuses on the politicization of translation in early 20th century Hebrew literature.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1773</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64318]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9209322086.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathleen Collins, “Dr. Joyce Brothers: The Founding Mother of TV Psychology” (Rowman and Littlefield, 2016)</title>
      <description>In her book, Dr. Joyce Brothers: The Founding Mother of TV Psychology (Rowman and Littlefield, 2016), Kathleen Collins presents an extensive history of the woman who is arguably the most famous television psychologist. Starting with Brothers’ appearance as a boxing expert on the $64,000 Question in the 1950s, and bringing readers through her decades-long career in television and radio, Collins argues that Brothers created the personal approach to psychology that became the norm for television other popular media. Collins examines the different ways that Brothers created a career for herself for over 50 years, looking at her role as psychologist, as well as her roles as guest star, actor, and media celebrity. She looks at the ways Brothers used her savvy business sense to create a multilayered career that made vital contributions to psychology, television, and U.S. cultural history. Collins uses Brothers’ personal papers and her published interviews as well as her own interviews with Brothers’ daughter and colleagues to create a well-researched and informative exploration into this television icon.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 22 Apr 2017 17:47:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her book, Dr. Joyce Brothers: The Founding Mother of TV Psychology (Rowman and Littlefield, 2016), Kathleen Collins presents an extensive history of the woman who is arguably the most famous television psychologist.</itunes:subtitle>
      <itunes:summary>In her book, Dr. Joyce Brothers: The Founding Mother of TV Psychology (Rowman and Littlefield, 2016), Kathleen Collins presents an extensive history of the woman who is arguably the most famous television psychologist. Starting with Brothers’ appearance as a boxing expert on the $64,000 Question in the 1950s, and bringing readers through her decades-long career in television and radio, Collins argues that Brothers created the personal approach to psychology that became the norm for television other popular media. Collins examines the different ways that Brothers created a career for herself for over 50 years, looking at her role as psychologist, as well as her roles as guest star, actor, and media celebrity. She looks at the ways Brothers used her savvy business sense to create a multilayered career that made vital contributions to psychology, television, and U.S. cultural history. Collins uses Brothers’ personal papers and her published interviews as well as her own interviews with Brothers’ daughter and colleagues to create a well-researched and informative exploration into this television icon.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book, <a href="http://www.amazon.com/dp/1442268697/?tag=newbooinhis-20">Dr. Joyce Brothers: The Founding Mother of TV Psychology</a> (Rowman and Littlefield, 2016), <a href="http://www.jjay.cuny.edu/faculty/kathleen-collins-0">Kathleen Collins</a> presents an extensive history of the woman who is arguably the most famous television psychologist. Starting with Brothers’ appearance as a boxing expert on the $64,000 Question in the 1950s, and bringing readers through her decades-long career in television and radio, Collins argues that Brothers created the personal approach to psychology that became the norm for television other popular media. Collins examines the different ways that Brothers created a career for herself for over 50 years, looking at her role as psychologist, as well as her roles as guest star, actor, and media celebrity. She looks at the ways Brothers used her savvy business sense to create a multilayered career that made vital contributions to psychology, television, and U.S. cultural history. Collins uses Brothers’ personal papers and her published interviews as well as her own interviews with Brothers’ daughter and colleagues to create a well-researched and informative exploration into this television icon.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3221</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63450]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1974045836.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James A. Cosby, “Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll” (McFarland, 2016)</title>
      <description>Do you love Rock and Roll or is Rock and Roll music dead? Are you old enough to have put any money in a jukebox to hear your favorite song, watched American Bandstand, or spent any hours viewing music videos on MTV? It has been said that music can truly bring people together. Rock music today is universal and its popular history is well known. Yet few know how and why it really came about. Taking a fresh look at events long overlooked or misunderstood, Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll (McFarland, 2016) tells how some of the most disenfranchised people in a free and prosperous nation strove to make themselves heard and changed the world.

So where did it all begin? Not where you may think. Describing the genesis of rock and roll, author James A. Cosby covers everything from its deep roots in the Mississippi Delta and The Blues to key early figures, like deejay “Daddy-O” Dewey Phillips and gospel music star Sister Rosetta Tharpe. Also discussed are the importance of country music performers and the influence of the so-called holy rollers of the Pentecostal church who became crucial performers in Rock and Roll’s early years –artists like Elvis Presley, Jerry Lee Lewis and Little Richard.

James A. Cosby is an attorney by day and entertainment writer, book author, and music enthusiast by night. He is a regular contributor on pop culture matters for PopMatters.com as well as other media outlets. Cosby resides in Philadelphia, a great music city, and is currently conducting research for his second Rock and Roll book about the further history of the music genre from the early 1960s through the present day. Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll is his first book.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 18 Apr 2017 20:35:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Do you love Rock and Roll or is Rock and Roll music dead? Are you old enough to have put any money in a jukebox to hear your favorite song, watched American Bandstand, or spent any hours viewing music videos on MTV?</itunes:subtitle>
      <itunes:summary>Do you love Rock and Roll or is Rock and Roll music dead? Are you old enough to have put any money in a jukebox to hear your favorite song, watched American Bandstand, or spent any hours viewing music videos on MTV? It has been said that music can truly bring people together. Rock music today is universal and its popular history is well known. Yet few know how and why it really came about. Taking a fresh look at events long overlooked or misunderstood, Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll (McFarland, 2016) tells how some of the most disenfranchised people in a free and prosperous nation strove to make themselves heard and changed the world.

So where did it all begin? Not where you may think. Describing the genesis of rock and roll, author James A. Cosby covers everything from its deep roots in the Mississippi Delta and The Blues to key early figures, like deejay “Daddy-O” Dewey Phillips and gospel music star Sister Rosetta Tharpe. Also discussed are the importance of country music performers and the influence of the so-called holy rollers of the Pentecostal church who became crucial performers in Rock and Roll’s early years –artists like Elvis Presley, Jerry Lee Lewis and Little Richard.

James A. Cosby is an attorney by day and entertainment writer, book author, and music enthusiast by night. He is a regular contributor on pop culture matters for PopMatters.com as well as other media outlets. Cosby resides in Philadelphia, a great music city, and is currently conducting research for his second Rock and Roll book about the further history of the music genre from the early 1960s through the present day. Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll is his first book.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Do you love Rock and Roll or is Rock and Roll music dead? Are you old enough to have put any money in a jukebox to hear your favorite song, watched American Bandstand, or spent any hours viewing music videos on MTV? It has been said that music can truly bring people together. Rock music today is universal and its popular history is well known. Yet few know how and why it really came about. Taking a fresh look at events long overlooked or misunderstood, <a href="http://www.amazon.com/dp/1476662290/?tag=newbooinhis-20">Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll </a>(<a href="http://www.mcfarlandbooks.com/book-2.php?id=978-1-4766-6229-9">McFarland</a>, 2016) tells how some of the most disenfranchised people in a free and prosperous nation strove to make themselves heard and changed the world.</p><p>
So where did it all begin? Not where you may think. Describing the genesis of rock and roll, author <a href="http://www.popmatters.com/archive/contributor/1000/">James A. Cosby</a> covers everything from its deep roots in the Mississippi Delta and The Blues to key early figures, like deejay “Daddy-O” Dewey Phillips and gospel music star Sister Rosetta Tharpe. Also discussed are the importance of country music performers and the influence of the so-called holy rollers of the Pentecostal church who became crucial performers in Rock and Roll’s early years –artists like Elvis Presley, Jerry Lee Lewis and Little Richard.</p><p>
<a href="http://www.popmatters.com/archive/contributor/1000/">James A. Cosby</a> is an attorney by day and entertainment writer, book author, and music enthusiast by night. He is a regular contributor on pop culture matters for <a href="http://www.popmatters.com/">PopMatters.com</a> as well as other media outlets. Cosby resides in Philadelphia, a great music city, and is currently conducting research for his second Rock and Roll book about the further history of the music genre from the early 1960s through the present day. Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll is his first book.</p><p>
</p><p>
James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64034]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6009124347.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anna Harwell Celenza, “Jazz Italian Style: From its Origins in New Orleans to Fascist Italy and Sinatra” (Cambridge UP, 2017)</title>
      <description>In her new book, Jazz Italian Style: From its Origins in New Orleans to Fascist Italy and Sinatra (Cambridge University Press, 2017), Anna Harwell Celenza examines the arrival of jazz in Italy after World War I and the role of Mussolini in promoting jazz throughout Italy in the 1920s and 1930s. With the technology of the radio and gramophone, jazz became part of the local music culture and ethnic and national identities were not viewed across the new mediums. In Jazz Italian Style Celenza explores how Italians made jazz their own, creating a genre distinguishable from American varieties and influencing Italian-American musicians. Well researched and documented, Celenza’s work presents a narrative of jazz that is seldom heard and must be remembered. In addition, Celenza uses @JazzItalianStyl to promote Italian Jazz and share some of the music she recovers in her book.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 10 Apr 2017 21:41:10 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her new book, Jazz Italian Style: From its Origins in New Orleans to Fascist Italy and Sinatra (Cambridge University Press, 2017), Anna Harwell Celenza examines the arrival of jazz in Italy after World War I and the role of Mussolini in promoting ja...</itunes:subtitle>
      <itunes:summary>In her new book, Jazz Italian Style: From its Origins in New Orleans to Fascist Italy and Sinatra (Cambridge University Press, 2017), Anna Harwell Celenza examines the arrival of jazz in Italy after World War I and the role of Mussolini in promoting jazz throughout Italy in the 1920s and 1930s. With the technology of the radio and gramophone, jazz became part of the local music culture and ethnic and national identities were not viewed across the new mediums. In Jazz Italian Style Celenza explores how Italians made jazz their own, creating a genre distinguishable from American varieties and influencing Italian-American musicians. Well researched and documented, Celenza’s work presents a narrative of jazz that is seldom heard and must be remembered. In addition, Celenza uses @JazzItalianStyl to promote Italian Jazz and share some of the music she recovers in her book.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="http://www.amazon.com/dp/1107169771/?tag=newbooinhis-20">Jazz Italian Style: From its Origins in New Orleans to Fascist Italy and Sinatra</a> (Cambridge University Press, 2017), <a href="http://www.annacelenza.com/">Anna Harwell Celenza</a> examines the arrival of jazz in Italy after World War I and the role of Mussolini in promoting jazz throughout Italy in the 1920s and 1930s. With the technology of the radio and gramophone, jazz became part of the local music culture and ethnic and national identities were not viewed across the new mediums. In Jazz Italian Style Celenza explores how Italians made jazz their own, creating a genre distinguishable from American varieties and influencing Italian-American musicians. Well researched and documented, Celenza’s work presents a narrative of jazz that is seldom heard and must be remembered. In addition, Celenza uses <a href="https://twitter.com/jazzitalianstyl?lang=en">@JazzItalianStyl</a> to promote Italian Jazz and share some of the music she recovers in her book.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63863]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1881433875.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mia Mask, “Divas on the Screen: Black Women in American Film” (U. of Illinois Press, 2009)</title>
      <description>Five charismatic women navigate uneven terrain of racial gender and class stereotypes: Dorothy Dandridge, Pam Grier, Whoopi  Goldberg, Oprah Winfrey and Halle Berry. The quintet charisma, as explored by Dr. Mia Mask in Divas on The Screen: Black Women in American Film (University of Illinois Press, 2009), range from erotic and a phallic idol of perversity and sexuality to comedic, cathartic and capitalistic to beauty in the multicultural age. Dr. Mask, associate professor of film at Vassar College, says they are the building blocks of our black women stars today. And the building blocks focus on what can we learn from the complex and contradictory careers of successful black women? Where do we find African-Americans in the performative, other-directed, narcissistic culture? What does African-American stardom as a social phenomenon reveal about the aspirations of black folks in the 21st Century? How have African-Americans-in their struggle for inclusion in commercial entertainment-complied with dominant culture? (Introduction 4).

Divas on Screen considers Dandridge’s status as a sexual commodity in films revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier’s feminist-camp performances in sexploitation pictures and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg’s transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey’s daily television performance as self-made, self-help guru echoes Horatio Alger’s narratives of success. Finally, Mask analyzes Berry’s meteoric success by acknowledging the ways in which Dandridge’s career made Berry’s possible. Dr. Mask teaches African American cinema, documentary film history, seminars on special topics such as the horror film, and auteurs like Spike Lee. She also teaches feminist film theory, African national cinemas, and various genre courses. Dr. Mask also curated and edited the anthology Contemporary Black American Cinema: Race, Gender, Sexuality at the Movies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 29 Mar 2017 12:27:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Five charismatic women navigate uneven terrain of racial gender and class stereotypes: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey and Halle Berry. The quintet charisma, as explored by Dr. Mia Mask in Divas on The Screen: Black Women i...</itunes:subtitle>
      <itunes:summary>Five charismatic women navigate uneven terrain of racial gender and class stereotypes: Dorothy Dandridge, Pam Grier, Whoopi  Goldberg, Oprah Winfrey and Halle Berry. The quintet charisma, as explored by Dr. Mia Mask in Divas on The Screen: Black Women in American Film (University of Illinois Press, 2009), range from erotic and a phallic idol of perversity and sexuality to comedic, cathartic and capitalistic to beauty in the multicultural age. Dr. Mask, associate professor of film at Vassar College, says they are the building blocks of our black women stars today. And the building blocks focus on what can we learn from the complex and contradictory careers of successful black women? Where do we find African-Americans in the performative, other-directed, narcissistic culture? What does African-American stardom as a social phenomenon reveal about the aspirations of black folks in the 21st Century? How have African-Americans-in their struggle for inclusion in commercial entertainment-complied with dominant culture? (Introduction 4).

Divas on Screen considers Dandridge’s status as a sexual commodity in films revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier’s feminist-camp performances in sexploitation pictures and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg’s transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey’s daily television performance as self-made, self-help guru echoes Horatio Alger’s narratives of success. Finally, Mask analyzes Berry’s meteoric success by acknowledging the ways in which Dandridge’s career made Berry’s possible. Dr. Mask teaches African American cinema, documentary film history, seminars on special topics such as the horror film, and auteurs like Spike Lee. She also teaches feminist film theory, African national cinemas, and various genre courses. Dr. Mask also curated and edited the anthology Contemporary Black American Cinema: Race, Gender, Sexuality at the Movies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Five charismatic women navigate uneven terrain of racial gender and class stereotypes: Dorothy Dandridge, Pam Grier, Whoopi  Goldberg, Oprah Winfrey and Halle Berry. The quintet charisma, as explored by <a href="https://film.vassar.edu/bios/mimask.html">Dr. Mia Mask</a> in <a href="http://www.amazon.com/dp/0252076192/?tag=newbooinhis-20">Divas on The Screen: Black Women in American Film</a> (University of Illinois Press, 2009), range from erotic and a phallic idol of perversity and sexuality to comedic, cathartic and capitalistic to beauty in the multicultural age. Dr. Mask, associate professor of film at Vassar College, says they are the building blocks of our black women stars today. And the building blocks focus on what can we learn from the complex and contradictory careers of successful black women? Where do we find African-Americans in the performative, other-directed, narcissistic culture? What does African-American stardom as a social phenomenon reveal about the aspirations of black folks in the 21st Century? How have African-Americans-in their struggle for inclusion in commercial entertainment-complied with dominant culture? (Introduction 4).</p><p>
Divas on Screen considers Dandridge’s status as a sexual commodity in films revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier’s feminist-camp performances in sexploitation pictures and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg’s transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey’s daily television performance as self-made, self-help guru echoes Horatio Alger’s narratives of success. Finally, Mask analyzes Berry’s meteoric success by acknowledging the ways in which Dandridge’s career made Berry’s possible. Dr. Mask teaches African American cinema, documentary film history, seminars on special topics such as the horror film, and auteurs like Spike Lee. She also teaches feminist film theory, African national cinemas, and various genre courses. Dr. Mask also curated and edited the anthology Contemporary Black American Cinema: Race, Gender, Sexuality at the Movies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1271</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63591]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7541190407.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steve Aldous, “The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series” (McFarland, 2015)</title>
      <description>Who’s the black private dick

That’s a sex machine to all the chicks? (Shaft)

Ya damn right

Who is the man that would risk his neck

For his brother man? (Shaft)

Can you dig it?

Who’s the cat that won’t cop out

When there’s danger all about? (Shaft)

Right on

They say this cat Shaft is a bad mother – (Shut your mouth)

But I’m talkin’ ’bout Shaft – (Then we can dig it)

He’s a complicated man

But no one understands him but his woman

(John Shaft)

–Theme from Shaft by Isaac Hayes

Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for.

The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form.

Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 29 Mar 2017 10:00:37 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about?</itunes:subtitle>
      <itunes:summary>Who’s the black private dick

That’s a sex machine to all the chicks? (Shaft)

Ya damn right

Who is the man that would risk his neck

For his brother man? (Shaft)

Can you dig it?

Who’s the cat that won’t cop out

When there’s danger all about? (Shaft)

Right on

They say this cat Shaft is a bad mother – (Shut your mouth)

But I’m talkin’ ’bout Shaft – (Then we can dig it)

He’s a complicated man

But no one understands him but his woman

(John Shaft)

–Theme from Shaft by Isaac Hayes

Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for.

The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form.

Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who’s the black private dick</p><p>
That’s a sex machine to all the chicks? (Shaft)</p><p>
Ya damn right</p><p>
Who is the man that would risk his neck</p><p>
For his brother man? (Shaft)</p><p>
Can you dig it?</p><p>
Who’s the cat that won’t cop out</p><p>
When there’s danger all about? (Shaft)</p><p>
Right on</p><p>
They say this cat Shaft is a bad mother – (Shut your mouth)</p><p>
But I’m talkin’ ’bout Shaft – (Then we can dig it)</p><p>
He’s a complicated man</p><p>
But no one understands him but his woman</p><p>
(John Shaft)</p><p>
–Theme from Shaft by Isaac Hayes</p><p>
Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for.</p><p>
<a href="http://www.amazon.com/dp/0786499230/?tag=newbooinhis-20">The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series</a> (<a href="http://www.mcfarlandbooks.com/book-2.php?id=978-0-7864-9923-6">McFarland, 2015</a>) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form.</p><p>
<a href="http://www.stevealdous.co.uk/">Steve Aldous</a> is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2662</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63651]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5556848746.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karl Baden, “The Americans by Car” (Retroactive Press, 2016)</title>
      <description>The Americans by Car is Karl Baden’s latest book. An homage to Robert Frank’s The Americans and Lee Friedlander’s America by Car, Baden’s book “is a personal, more specific answer to the vague question of ‘how are we influenced,'” according to the artist. The photographs in the book were taken by Baden from his car and offer a snapshot of American life.

Karl Baden, a New York City native, he received his B.A. in Fine Arts at Syracuse University in 1974 and an M.F.A. in photography at University of Illinois at Chicago in 1979. Baden has taught at Boston College, Harvard, Clark University, and Rhode Island School of Design. He was Director of Photography at the Project Art Center, Cambridge, in the early 1980s, and served on the board and programming committee for the Photographic Resource Center, Boston. Baden has had numerous one person and group exhibitions and has received noteworthy fellowships.

Baden’s probably best known work is called “Every Day” which, this past February, marked thirty years since its start. In “Every Day,” Baden has taken a single photograph of his face every day. According to a recent interview, he’s only missed one day in the entire 30 years, 15 October 1991, It was a dumb moment of forgetfulness,” he said.

Karl currently lives in Cambridge, Massachusetts and is an Associate Professor of the Practice in the Morrissey College of Art and Science at Boston College. The Americans by Car is available through the photographer: badenk@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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      <pubDate>Sat, 25 Mar 2017 13:54:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Americans by Car is Karl Baden’s latest book. An homage to Robert Frank’s The Americans and Lee Friedlander’s America by Car, Baden’s book “is a personal, more specific answer to the vague question of ‘how are we influenced,</itunes:subtitle>
      <itunes:summary>The Americans by Car is Karl Baden’s latest book. An homage to Robert Frank’s The Americans and Lee Friedlander’s America by Car, Baden’s book “is a personal, more specific answer to the vague question of ‘how are we influenced,'” according to the artist. The photographs in the book were taken by Baden from his car and offer a snapshot of American life.

Karl Baden, a New York City native, he received his B.A. in Fine Arts at Syracuse University in 1974 and an M.F.A. in photography at University of Illinois at Chicago in 1979. Baden has taught at Boston College, Harvard, Clark University, and Rhode Island School of Design. He was Director of Photography at the Project Art Center, Cambridge, in the early 1980s, and served on the board and programming committee for the Photographic Resource Center, Boston. Baden has had numerous one person and group exhibitions and has received noteworthy fellowships.

Baden’s probably best known work is called “Every Day” which, this past February, marked thirty years since its start. In “Every Day,” Baden has taken a single photograph of his face every day. According to a recent interview, he’s only missed one day in the entire 30 years, 15 October 1991, It was a dumb moment of forgetfulness,” he said.

Karl currently lives in Cambridge, Massachusetts and is an Associate Professor of the Practice in the Morrissey College of Art and Science at Boston College. The Americans by Car is available through the photographer: badenk@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://americansbycar.blogspot.com/">The Americans by Car</a> is Karl Baden’s latest book. An homage to Robert Frank’s The Americans and Lee Friedlander’s America by Car, Baden’s book “is a personal, more specific answer to the vague question of ‘how are we influenced,'” according to the artist. The photographs in the book were taken by Baden from his car and offer a snapshot of American life.</p><p>
<a href="http://www.bc.edu/schools/cas/artdept/faculty/filmstudies/baden-karl.html">Karl Baden</a>, a New York City native, he received his B.A. in Fine Arts at Syracuse University in 1974 and an M.F.A. in photography at University of Illinois at Chicago in 1979. Baden has taught at Boston College, Harvard, Clark University, and Rhode Island School of Design. He was Director of Photography at the Project Art Center, Cambridge, in the early 1980s, and served on the board and programming committee for the Photographic Resource Center, Boston. Baden has had numerous one person and group exhibitions and has received noteworthy fellowships.</p><p>
Baden’s probably best known work is called “Every Day” which, this past February, marked thirty years since its start. In “Every Day,” Baden has taken a single photograph of his face every day. According to a recent interview, he’s only missed one day in the entire 30 years, 15 October 1991, It was a dumb moment of forgetfulness,” he said.</p><p>
Karl currently lives in Cambridge, Massachusetts and is an Associate Professor of the Practice in the Morrissey College of Art and Science at Boston College. The Americans by Car is available through the photographer: <a href="mailto:badenk@gmail.com">badenk@gmail.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4546</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63526]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6573446068.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laurence A. Rickels, “The Psycho Records” (Wallflower Press, 2016)</title>
      <description>Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films.

It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murderers straddling psychosis and psychopathy. Norman was perhaps the first such hero of variegated diagnosis. In the 1970s and 1980s we encountered less exalted figures, like the cannibal Leatherface from Texas Chainsaw Massacre and Freddy Krueger of Nightmare on Elm Street fame. Still less sophisticated mass murderers followed: the zombies revived post-9/11 and, eventually, motive-less serial killers captured with the aid of “objective” forensics. All these characters address the difficulty of separation and mourning, the pull toward fusion with Mother, the trauma of the cut, survival, and industrial killing–the intimate violence of Nazi doctors and the impersonal push-button battles of the Gulf War.

Many slasher and splatter films also tell the story of a newly emergent social category, subgenre, and audience member–the teen. Rickels devotes parts of the book to the postwar invention of adolescence, reading closely D. W. Winnicott’s papers on antisocial teenagers and juvenile delinquency. We all experience adolescence as a brush with psychopathy, Rickels tells us; for many it is the path not taken. Perhaps this explains the appeal of the psycho, our “near-miss double.” In psychoanalytic terms, “there but for the grace of the good object go I.” [5]

Other topics covered in our interview and in The Psycho Records include vampirism, the couple and the crowd, scream memories, laughter, and substitution. As those familiar with Rickels’ books might expect, we often touch on one of the great themes of his oeuvre: mourning. Listen in!



Laurence A. Rickels, PhD is a psychotherapist and scholar of literature, film, and psychoanalysis. He is Sigmund Freud Professor of Philosophy and Media at the European Graduate School (EGS) and most recently was professor of art and theory at the Staatliche Akademie der Bildenden Kunste in Karlsruhe, Germany.

Anna Fishzon, PhD is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Sicle Russia (Palgrave Macmillan, 2013).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 21 Mar 2017 12:45:10 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pat...</itunes:subtitle>
      <itunes:summary>Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films.

It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murderers straddling psychosis and psychopathy. Norman was perhaps the first such hero of variegated diagnosis. In the 1970s and 1980s we encountered less exalted figures, like the cannibal Leatherface from Texas Chainsaw Massacre and Freddy Krueger of Nightmare on Elm Street fame. Still less sophisticated mass murderers followed: the zombies revived post-9/11 and, eventually, motive-less serial killers captured with the aid of “objective” forensics. All these characters address the difficulty of separation and mourning, the pull toward fusion with Mother, the trauma of the cut, survival, and industrial killing–the intimate violence of Nazi doctors and the impersonal push-button battles of the Gulf War.

Many slasher and splatter films also tell the story of a newly emergent social category, subgenre, and audience member–the teen. Rickels devotes parts of the book to the postwar invention of adolescence, reading closely D. W. Winnicott’s papers on antisocial teenagers and juvenile delinquency. We all experience adolescence as a brush with psychopathy, Rickels tells us; for many it is the path not taken. Perhaps this explains the appeal of the psycho, our “near-miss double.” In psychoanalytic terms, “there but for the grace of the good object go I.” [5]

Other topics covered in our interview and in The Psycho Records include vampirism, the couple and the crowd, scream memories, laughter, and substitution. As those familiar with Rickels’ books might expect, we often touch on one of the great themes of his oeuvre: mourning. Listen in!



Laurence A. Rickels, PhD is a psychotherapist and scholar of literature, film, and psychoanalysis. He is Sigmund Freud Professor of Philosophy and Media at the European Graduate School (EGS) and most recently was professor of art and theory at the Staatliche Akademie der Bildenden Kunste in Karlsruhe, Germany.

Anna Fishzon, PhD is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Sicle Russia (Palgrave Macmillan, 2013).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Reading <a href="http://egs.edu/faculty/laurence-arthur-rickels">Laurence Rickels</a>‘ <a href="http://www.amazon.com/dp/0231181132/?tag=newbooinhis-20">The Psycho Records</a> (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films.</p><p>
It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murderers straddling psychosis and psychopathy. Norman was perhaps the first such hero of variegated diagnosis. In the 1970s and 1980s we encountered less exalted figures, like the cannibal Leatherface from Texas Chainsaw Massacre and Freddy Krueger of Nightmare on Elm Street fame. Still less sophisticated mass murderers followed: the zombies revived post-9/11 and, eventually, motive-less serial killers captured with the aid of “objective” forensics. All these characters address the difficulty of separation and mourning, the pull toward fusion with Mother, the trauma of the cut, survival, and industrial killing–the intimate violence of Nazi doctors and the impersonal push-button battles of the Gulf War.</p><p>
Many slasher and splatter films also tell the story of a newly emergent social category, subgenre, and audience member–the teen. Rickels devotes parts of the book to the postwar invention of adolescence, reading closely D. W. Winnicott’s papers on antisocial teenagers and juvenile delinquency. We all experience adolescence as a brush with psychopathy, Rickels tells us; for many it is the path not taken. Perhaps this explains the appeal of the psycho, our “near-miss double.” In psychoanalytic terms, “there but for the grace of the good object go I.” [5]</p><p>
Other topics covered in our interview and in The Psycho Records include vampirism, the couple and the crowd, scream memories, laughter, and substitution. As those familiar with Rickels’ books might expect, we often touch on one of the great themes of his oeuvre: mourning. Listen in!</p><p>
</p><p>
Laurence A. Rickels, PhD is a psychotherapist and scholar of literature, film, and psychoanalysis. He is Sigmund Freud Professor of Philosophy and Media at the European Graduate School (EGS) and most recently was professor of art and theory at the Staatliche Akademie der Bildenden Kunste in Karlsruhe, Germany.</p><p>
Anna Fishzon, PhD is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Sicle Russia (Palgrave Macmillan, 2013).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3264</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63423]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5698617882.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Pizzino, “Arresting Development: Comics at the Boundaries of Literature” (U of Texas Press, 2016)</title>
      <description>There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary. University of Georgia professor and comics scholar Christopher Pizzino argues that this history is as false as Clark Kent’s eyeglass prescription. Comics, he says, are still burdened by their early stigma, their status in modern culture tenuous at best.

In Arresting Development: Comics at the Boundaries of Literature (University of Texas Press, 2016), Pizzino offers up an educated and entertaining history of the comics medium, then devotes a chapter to each of four groundbreaking comic artists. In one, he looks at the film noir and manga-influenced work of Frank Miller, creator of The Dark Knight Returns and Sin City. Another chapter examines the work of Alison Bechdel, whose famed lesbian-centered comic strip, Dykes to Watch Out For, led to pop culture’s Bechdel Test, and whose autobiographical graphic novel Fun Home is now a hit musical. Charles Burns, whose Black Hole tells a haunting story of a teenage plague, is highlighted as an artist unable to sugarcoat his work even when he was trying to have his art published in Playboy magazine. And Gilbert Hernandez, best known for his innovative Love and Rockets series, created with his brother Jaime, shows himself to be nigh-fearless when it comes to his work, blending everything from erotica to violence to a biography of Mexican artist Frida Kahlo.

Join Pizzino and pop-culture junkie and author Gael Fashingbauer Cooper (no relation to Archie Comics’ Betty Cooper) for a lively look at comics and their evolution, and why the very idea that the medium has safely come of age may be working against it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 19 Mar 2017 14:09:42 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary.</itunes:subtitle>
      <itunes:summary>There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary. University of Georgia professor and comics scholar Christopher Pizzino argues that this history is as false as Clark Kent’s eyeglass prescription. Comics, he says, are still burdened by their early stigma, their status in modern culture tenuous at best.

In Arresting Development: Comics at the Boundaries of Literature (University of Texas Press, 2016), Pizzino offers up an educated and entertaining history of the comics medium, then devotes a chapter to each of four groundbreaking comic artists. In one, he looks at the film noir and manga-influenced work of Frank Miller, creator of The Dark Knight Returns and Sin City. Another chapter examines the work of Alison Bechdel, whose famed lesbian-centered comic strip, Dykes to Watch Out For, led to pop culture’s Bechdel Test, and whose autobiographical graphic novel Fun Home is now a hit musical. Charles Burns, whose Black Hole tells a haunting story of a teenage plague, is highlighted as an artist unable to sugarcoat his work even when he was trying to have his art published in Playboy magazine. And Gilbert Hernandez, best known for his innovative Love and Rockets series, created with his brother Jaime, shows himself to be nigh-fearless when it comes to his work, blending everything from erotica to violence to a biography of Mexican artist Frida Kahlo.

Join Pizzino and pop-culture junkie and author Gael Fashingbauer Cooper (no relation to Archie Comics’ Betty Cooper) for a lively look at comics and their evolution, and why the very idea that the medium has safely come of age may be working against it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary. University of Georgia professor and comics scholar <a href="http://www.english.uga.edu/directory/people/christopher-pizzino">Christopher Pizzino</a> argues that this history is as false as Clark Kent’s eyeglass prescription. Comics, he says, are still burdened by their early stigma, their status in modern culture tenuous at best.</p><p>
In <a href="http://www.amazon.com/dp/1477310681/?tag=newbooinhis-20">Arresting Development: Comics at the Boundaries of Literature</a> (University of Texas Press, 2016), Pizzino offers up an educated and entertaining history of the comics medium, then devotes a chapter to each of four groundbreaking comic artists. In one, he looks at the film noir and manga-influenced work of Frank Miller, creator of The Dark Knight Returns and Sin City. Another chapter examines the work of Alison Bechdel, whose famed lesbian-centered comic strip, Dykes to Watch Out For, led to pop culture’s Bechdel Test, and whose autobiographical graphic novel Fun Home is now a hit musical. Charles Burns, whose Black Hole tells a haunting story of a teenage plague, is highlighted as an artist unable to sugarcoat his work even when he was trying to have his art published in Playboy magazine. And Gilbert Hernandez, best known for his innovative Love and Rockets series, created with his brother Jaime, shows himself to be nigh-fearless when it comes to his work, blending everything from erotica to violence to a biography of Mexican artist Frida Kahlo.</p><p>
Join Pizzino and pop-culture junkie and author <a href="https://www.cnet.com/profiles/gaelfc/">Gael Fashingbauer Cooper</a> (no relation to Archie Comics’ Betty Cooper) for a lively look at comics and their evolution, and why the very idea that the medium has safely come of age may be working against it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1970</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63369]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6380325914.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gleb Tsipursky, “Socialist Fun: Youth, Consumption, and State-Sponsored Popular Culture in the Soviet Union, 1945-1970” (U. Pittsburgh Press, 2016)</title>
      <description>Socialist Fun: Youth, Consumption, and State-Sponsored Popular Culture in the Soviet Union, 1945-1970 (University of Pittsburgh Press, 2016) offers a compelling investigation of Soviet leisure culture. Gleb Tsipursky undertakes an unexpected approach to illuminate some aspects of the USSR history, which have been previously disregarded. Describing leisure activities that were popular in the Soviet Union, Tsipursky contributes to the discussion concerning the shaping of Soviet mentality and consciousness.

Briefly describing traditions that the Soviet Union was referring to when devising cultural programs, Socialist Fun focuses on the post-War period and offers a detailed analysis of leisure time activities during the Khrushchev and Brezhnev eras. Considering the developments of cultural programs devised and maintained by Stalin, Khrushchev, and Brezhnev, Tsipursky outlines his theory regarding the development of the Soviet society. Sponsored by the state, the cultural sphere in the USSR appears a part of gardening policies: through a variety of entertainment activities, the state was implementing strategies to shape and direct Soviet peoples thinking. In this regard, leisure culture was one of the areas that invited discreet methods of the states control. Tsipursky also puts his discussion of Soviet culture into broader historical, sociological, and ideological contexts. The Soviet Union is viewed as an alternative modernity project. As Tsipursky illustrates, this project was gradually evolving, receiving the utmost support during the Khrushchev era. The detailed analysis of cultural programs that Tsipursky provides also expands the understanding of the concept of New Soviet Men and Women. As Socialist Fun demonstrates, this concept was subject to modifications: over the decades, emphases on isolationist and militant aspects, supported by Stalin, shifted to more open and cosmopolitan nuances, maintained by Khrushchev.

Socialist Fun is based on a substantial analysis of archival materials; it also includes a vast amount of interviews that offer a glimpse into the life of Soviet people. The research offers a captivating narrative of how Soviet people organized their leisure time. Socialist Fun includes extensive information on club activities, dancing, music, theatre, literature, etc. In addition, a comprehensive survey highlights the history of jazz in the Soviet Union. This research is also supplemented with exclusive photos and stories shared by people who were creating and engaging in socialist fun.

Gleb Tsipursky is assistant professor of history at The Ohio State University.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Mar 2017 19:21:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Socialist Fun: Youth, Consumption, and State-Sponsored Popular Culture in the Soviet Union, 1945-1970 (University of Pittsburgh Press, 2016) offers a compelling investigation of Soviet leisure culture. Gleb Tsipursky undertakes an unexpected approach t...</itunes:subtitle>
      <itunes:summary>Socialist Fun: Youth, Consumption, and State-Sponsored Popular Culture in the Soviet Union, 1945-1970 (University of Pittsburgh Press, 2016) offers a compelling investigation of Soviet leisure culture. Gleb Tsipursky undertakes an unexpected approach to illuminate some aspects of the USSR history, which have been previously disregarded. Describing leisure activities that were popular in the Soviet Union, Tsipursky contributes to the discussion concerning the shaping of Soviet mentality and consciousness.

Briefly describing traditions that the Soviet Union was referring to when devising cultural programs, Socialist Fun focuses on the post-War period and offers a detailed analysis of leisure time activities during the Khrushchev and Brezhnev eras. Considering the developments of cultural programs devised and maintained by Stalin, Khrushchev, and Brezhnev, Tsipursky outlines his theory regarding the development of the Soviet society. Sponsored by the state, the cultural sphere in the USSR appears a part of gardening policies: through a variety of entertainment activities, the state was implementing strategies to shape and direct Soviet peoples thinking. In this regard, leisure culture was one of the areas that invited discreet methods of the states control. Tsipursky also puts his discussion of Soviet culture into broader historical, sociological, and ideological contexts. The Soviet Union is viewed as an alternative modernity project. As Tsipursky illustrates, this project was gradually evolving, receiving the utmost support during the Khrushchev era. The detailed analysis of cultural programs that Tsipursky provides also expands the understanding of the concept of New Soviet Men and Women. As Socialist Fun demonstrates, this concept was subject to modifications: over the decades, emphases on isolationist and militant aspects, supported by Stalin, shifted to more open and cosmopolitan nuances, maintained by Khrushchev.

Socialist Fun is based on a substantial analysis of archival materials; it also includes a vast amount of interviews that offer a glimpse into the life of Soviet people. The research offers a captivating narrative of how Soviet people organized their leisure time. Socialist Fun includes extensive information on club activities, dancing, music, theatre, literature, etc. In addition, a comprehensive survey highlights the history of jazz in the Soviet Union. This research is also supplemented with exclusive photos and stories shared by people who were creating and engaging in socialist fun.

Gleb Tsipursky is assistant professor of history at The Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0822963965/?tag=newbooinhis-20">Socialist Fun: Youth, Consumption, and State-Sponsored Popular Culture in the Soviet Union, 1945-1970</a> (University of Pittsburgh Press, 2016) offers a compelling investigation of Soviet leisure culture. <a href="http://glebtsipursky.com/">Gleb Tsipursky</a> undertakes an unexpected approach to illuminate some aspects of the USSR history, which have been previously disregarded. Describing leisure activities that were popular in the Soviet Union, Tsipursky contributes to the discussion concerning the shaping of Soviet mentality and consciousness.</p><p>
Briefly describing traditions that the Soviet Union was referring to when devising cultural programs, Socialist Fun focuses on the post-War period and offers a detailed analysis of leisure time activities during the Khrushchev and Brezhnev eras. Considering the developments of cultural programs devised and maintained by Stalin, Khrushchev, and Brezhnev, Tsipursky outlines his theory regarding the development of the Soviet society. Sponsored by the state, the cultural sphere in the USSR appears a part of gardening policies: through a variety of entertainment activities, the state was implementing strategies to shape and direct Soviet peoples thinking. In this regard, leisure culture was one of the areas that invited discreet methods of the states control. Tsipursky also puts his discussion of Soviet culture into broader historical, sociological, and ideological contexts. The Soviet Union is viewed as an alternative modernity project. As Tsipursky illustrates, this project was gradually evolving, receiving the utmost support during the Khrushchev era. The detailed analysis of cultural programs that Tsipursky provides also expands the understanding of the concept of New Soviet Men and Women. As Socialist Fun demonstrates, this concept was subject to modifications: over the decades, emphases on isolationist and militant aspects, supported by Stalin, shifted to more open and cosmopolitan nuances, maintained by Khrushchev.</p><p>
Socialist Fun is based on a substantial analysis of archival materials; it also includes a vast amount of interviews that offer a glimpse into the life of Soviet people. The research offers a captivating narrative of how Soviet people organized their leisure time. Socialist Fun includes extensive information on club activities, dancing, music, theatre, literature, etc. In addition, a comprehensive survey highlights the history of jazz in the Soviet Union. This research is also supplemented with exclusive photos and stories shared by people who were creating and engaging in socialist fun.</p><p>
<a href="https://history.osu.edu/people/tsipursky.1">Gleb Tsipursky</a> is assistant professor of history at The Ohio State University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3373</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63225]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2316091859.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nancy Wang Yuen, “Reel Inequality: Hollywood Actors and Racism” (Rutgers UP, 2017)</title>
      <description>How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically rigorous, prose should be read by anyone interested in Hollywood, and thus more global, culture. The book also has a twitter feed and website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Mar 2017 19:19:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University,</itunes:subtitle>
      <itunes:summary>How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically rigorous, prose should be read by anyone interested in Hollywood, and thus more global, culture. The book also has a twitter feed and website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we challenge the way film and television represents the world around us? In <a href="http://www.amazon.com/dp/0813586305/?tag=newbooinhis-20">Reel Inequality: Hollywood Actors and Racism</a> (Rutgers University Press, 2017) <a href="https://twitter.com/nancywyuen">Nancy Wan Yuen</a>, and <a href="https://www.biola.edu/directory/people/nancy_yuen">Associate Professor of Sociology at Biola University</a>, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically rigorous, prose should be read by anyone interested in Hollywood, and thus more global, culture. The book also has a <a href="https://twitter.com/ReelInequality">twitter feed</a> and <a href="http://www.nancywyuen.com/reel-inequality.html">website</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2316</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63214]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1147115236.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Braude, “Making Monte Carlo: A History of Speculation and Spectacle” (Simon and Schuster, 2016)</title>
      <description>Mark Braude’s Making Monte Carlo: A History of Speculation and Spectacle (Simon and Schuster, 2016) tells the captivating story of the rise of Monte Carlo as Europe’s most famous casino-resort from the second half of the nineteenth century to the end of the 1920s. In a series of fascinating chapters, Braude takes readers through the history of this modern, luxury playground, from the legalization of gambling in Monaco in 1855, through a rise of the site in the decades that followed, a period of decline after the First World War, and a revival during the Jazz Age of the interwar years.

Throughout, Making Monte Carlo follows the lives of individuals, families, companies, and a larger network of player-consumers, workers, and witnesses. Center-stage are the members of the Blanc family who first opened Le Grand Casino de Monte Carlo in 1858 and controlled the Societe des bains de mers (SBM). The SBM is Braude’s main archival source for the inside story of casino plans, management, and operations. The book also engages the lives and interests of the Grimaldis, the dynasty that presided over the tiny principality that became a haven for gaming and entertainments, a center of risk and adventure, of fantasy and speed. And then there are those who came to game, to work, to be entertained, and to watch. A number of participants would tell their stories, contributing to a mythologizing that made of Monte Carlo a destination whose imaginative dimensions exceeded by far its physical area.

Making Monte Carlo is at once a history of commercial and business interests and of the rapid and remarkable changes in modern culture that took place in the period covered by Braude’s chapters. This was an era of the proliferation of mass spectacle, of advertising and marketing, of innovations in the technologies of leisure, recreation, transport, and tourism. It was an age that saw the emergence of new forms of capitalist exploitation and imagination, of transformations in the idea of selling and in the selling of ideas. Considering the impact of Monte Carlo’s development on tourists rich and less-so, on the workers who made the casinos, hotels, and clubs run, and on all those (in Monaco and beyond its small territory) who witnessed the spectacle as it unfolded, the book will be a compelling read to anyone interested in the place itself, as well as all those cultural dreams it has sought to encourage and represent since its inauguration as a high-end, high-stakes capital.



Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 09 Mar 2017 21:13:23 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Mark Braude’s Making Monte Carlo: A History of Speculation and Spectacle (Simon and Schuster, 2016) tells the captivating story of the rise of Monte Carlo as Europe’s most famous casino-resort from the second half of the nineteenth century to the end o...</itunes:subtitle>
      <itunes:summary>Mark Braude’s Making Monte Carlo: A History of Speculation and Spectacle (Simon and Schuster, 2016) tells the captivating story of the rise of Monte Carlo as Europe’s most famous casino-resort from the second half of the nineteenth century to the end of the 1920s. In a series of fascinating chapters, Braude takes readers through the history of this modern, luxury playground, from the legalization of gambling in Monaco in 1855, through a rise of the site in the decades that followed, a period of decline after the First World War, and a revival during the Jazz Age of the interwar years.

Throughout, Making Monte Carlo follows the lives of individuals, families, companies, and a larger network of player-consumers, workers, and witnesses. Center-stage are the members of the Blanc family who first opened Le Grand Casino de Monte Carlo in 1858 and controlled the Societe des bains de mers (SBM). The SBM is Braude’s main archival source for the inside story of casino plans, management, and operations. The book also engages the lives and interests of the Grimaldis, the dynasty that presided over the tiny principality that became a haven for gaming and entertainments, a center of risk and adventure, of fantasy and speed. And then there are those who came to game, to work, to be entertained, and to watch. A number of participants would tell their stories, contributing to a mythologizing that made of Monte Carlo a destination whose imaginative dimensions exceeded by far its physical area.

Making Monte Carlo is at once a history of commercial and business interests and of the rapid and remarkable changes in modern culture that took place in the period covered by Braude’s chapters. This was an era of the proliferation of mass spectacle, of advertising and marketing, of innovations in the technologies of leisure, recreation, transport, and tourism. It was an age that saw the emergence of new forms of capitalist exploitation and imagination, of transformations in the idea of selling and in the selling of ideas. Considering the impact of Monte Carlo’s development on tourists rich and less-so, on the workers who made the casinos, hotels, and clubs run, and on all those (in Monaco and beyond its small territory) who witnessed the spectacle as it unfolded, the book will be a compelling read to anyone interested in the place itself, as well as all those cultural dreams it has sought to encourage and represent since its inauguration as a high-end, high-stakes capital.



Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://history.stanford.edu/people/mark-braude">Mark Braude’s</a> <a href="http://www.amazon.com/dp/1476709696/?tag=newbooinhis-20">Making Monte Carlo: A History of Speculation and Spectacl</a>e (Simon and Schuster, 2016) tells the captivating story of the rise of Monte Carlo as Europe’s most famous casino-resort from the second half of the nineteenth century to the end of the 1920s. In a series of fascinating chapters, Braude takes readers through the history of this modern, luxury playground, from the legalization of gambling in Monaco in 1855, through a rise of the site in the decades that followed, a period of decline after the First World War, and a revival during the Jazz Age of the interwar years.</p><p>
Throughout, Making Monte Carlo follows the lives of individuals, families, companies, and a larger network of player-consumers, workers, and witnesses. Center-stage are the members of the Blanc family who first opened Le Grand Casino de Monte Carlo in 1858 and controlled the Societe des bains de mers (SBM). The SBM is Braude’s main archival source for the inside story of casino plans, management, and operations. The book also engages the lives and interests of the Grimaldis, the dynasty that presided over the tiny principality that became a haven for gaming and entertainments, a center of risk and adventure, of fantasy and speed. And then there are those who came to game, to work, to be entertained, and to watch. A number of participants would tell their stories, contributing to a mythologizing that made of Monte Carlo a destination whose imaginative dimensions exceeded by far its physical area.</p><p>
Making Monte Carlo is at once a history of commercial and business interests and of the rapid and remarkable changes in modern culture that took place in the period covered by Braude’s chapters. This was an era of the proliferation of mass spectacle, of advertising and marketing, of innovations in the technologies of leisure, recreation, transport, and tourism. It was an age that saw the emergence of new forms of capitalist exploitation and imagination, of transformations in the idea of selling and in the selling of ideas. Considering the impact of Monte Carlo’s development on tourists rich and less-so, on the workers who made the casinos, hotels, and clubs run, and on all those (in Monaco and beyond its small territory) who witnessed the spectacle as it unfolded, the book will be a compelling read to anyone interested in the place itself, as well as all those cultural dreams it has sought to encourage and represent since its inauguration as a high-end, high-stakes capital.</p><p>
</p><p>
Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an <a href="panchasi@sfu.ca">email</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3756</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63114]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8256306664.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Damion Searls, “The Inkblots: Hermann Rorschach, His Iconic Test, and the Power of Seeing” (Crown, 2017)</title>
      <description>In his new book The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing (Crown, 2017), Damion Searls presents the first biography of Hermann Rorschach and the history of the Rorschach Test. A story that is largely untold, Searls starts with the childhood of Rorschach and brings readers through his growth as a psychiatrist as he created an experiment to probe the mind using a set of ten inkblots. As a visual artist, Rorschach incorporated his ability to think about visuals and his belief that what is seen is more important than what we say. After his early death, Rorschach’s Test found its way to America being used by the military, to test job applicants, to evaluate defendants and parents in custody battles and people suffering from mental illness. In addition, it has been used throughout advertising and incorporated in Hollywood and popular culture. A tragic figure, and one of the most influential psychiatrists in the twentieth century, The Inkblots allows readers to better understand how Rorschach and his test impacted psychiatry and psychological testing. Searls’ work is eloquently written and detailed, pulling in unpublished letters, diaries and interviews with family, friends and colleagues. Searls’ well researched text presents insight into the ways that art and science have impacted modern psychology and popular culture.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 07 Mar 2017 11:10:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing (Crown, 2017), Damion Searls presents the first biography of Hermann Rorschach and the history of the Rorschach Test. A story that is largely untold,</itunes:subtitle>
      <itunes:summary>In his new book The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing (Crown, 2017), Damion Searls presents the first biography of Hermann Rorschach and the history of the Rorschach Test. A story that is largely untold, Searls starts with the childhood of Rorschach and brings readers through his growth as a psychiatrist as he created an experiment to probe the mind using a set of ten inkblots. As a visual artist, Rorschach incorporated his ability to think about visuals and his belief that what is seen is more important than what we say. After his early death, Rorschach’s Test found its way to America being used by the military, to test job applicants, to evaluate defendants and parents in custody battles and people suffering from mental illness. In addition, it has been used throughout advertising and incorporated in Hollywood and popular culture. A tragic figure, and one of the most influential psychiatrists in the twentieth century, The Inkblots allows readers to better understand how Rorschach and his test impacted psychiatry and psychological testing. Searls’ work is eloquently written and detailed, pulling in unpublished letters, diaries and interviews with family, friends and colleagues. Searls’ well researched text presents insight into the ways that art and science have impacted modern psychology and popular culture.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book <a href="http://www.amazon.com/dp/0804136548/?tag=newbooinhis-20">The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing</a> (Crown, 2017), <a href="http://damionsearls.com/">Damion Searls </a>presents the first biography of Hermann Rorschach and the history of the Rorschach Test. A story that is largely untold, Searls starts with the childhood of Rorschach and brings readers through his growth as a psychiatrist as he created an experiment to probe the mind using a set of ten inkblots. As a visual artist, Rorschach incorporated his ability to think about visuals and his belief that what is seen is more important than what we say. After his early death, Rorschach’s Test found its way to America being used by the military, to test job applicants, to evaluate defendants and parents in custody battles and people suffering from mental illness. In addition, it has been used throughout advertising and incorporated in Hollywood and popular culture. A tragic figure, and one of the most influential psychiatrists in the twentieth century, The Inkblots allows readers to better understand how Rorschach and his test impacted psychiatry and psychological testing. Searls’ work is eloquently written and detailed, pulling in unpublished letters, diaries and interviews with family, friends and colleagues. Searls’ well researched text presents insight into the ways that art and science have impacted modern psychology and popular culture.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3416</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63055]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1120797848.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andre Carrington, “Speculative Blackness: The Future of Race in Science Fiction” (U. Minnesota Press, 2016)</title>
      <description>Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts.

Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics &amp; Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism.

In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African &amp; Black Diaspora. In 2015, he organized the first international Queers &amp; Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 03 Mar 2017 11:00:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories?</itunes:subtitle>
      <itunes:summary>Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts.

Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics &amp; Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism.

In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African &amp; Black Diaspora. In 2015, he organized the first international Queers &amp; Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In <a href="http://www.amazon.com/dp/0816678960/?tag=newbooinhis-20">Speculative Blackness: The Future of Race in Science Fiction</a> (<a href="https://www.upress.umn.edu/book-division/books/speculative-blackness">University of Minnesota Press</a>, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts.</p><p>
Author and professor <a href="http://drexel.edu/coas/faculty-research/faculty-directory/CarringtonAndre">Andre Carrington</a> earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics &amp; Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism.</p><p>
In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African &amp; Black Diaspora. In 2015, he organized the first international Queers &amp; Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors.</p><p>
</p><p>
James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3974</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63009]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8948886363.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mick Broderick, “Reconstructing Strangelove: Inside Stanley Kubrick’s ‘Nightmare Comedy'” (WallFlower Press, 2016)</title>
      <description>Stanley Kubrick is justly considered one of the greatest filmmakers, even with his limited output over his career. The first film he both produced and directed was Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, released in 1964. Mick Broderick has written an extensive overview of the film in his book Reconstructing Strangelove: Inside Stanley Kubrick’s ‘Nightmare Comedy’ (Wallflower Press, 2016). In addition to reviewing the creative, scientific, and political background of the screenplay, he also presents other interesting details, many of them based on his review of Stanley Kubrick’s private archives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 02 Mar 2017 11:00:30 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Stanley Kubrick is justly considered one of the greatest filmmakers, even with his limited output over his career. The first film he both produced and directed was Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, released in 1964.</itunes:subtitle>
      <itunes:summary>Stanley Kubrick is justly considered one of the greatest filmmakers, even with his limited output over his career. The first film he both produced and directed was Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, released in 1964. Mick Broderick has written an extensive overview of the film in his book Reconstructing Strangelove: Inside Stanley Kubrick’s ‘Nightmare Comedy’ (Wallflower Press, 2016). In addition to reviewing the creative, scientific, and political background of the screenplay, he also presents other interesting details, many of them based on his review of Stanley Kubrick’s private archives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stanley Kubrick is justly considered one of the greatest filmmakers, even with his limited output over his career. The first film he both produced and directed was Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, released in 1964. <a href="http://profiles.murdoch.edu.au/myprofile/michael-broderick/">Mick Broderick</a> has written an extensive overview of the film in his book <a href="http://www.amazon.com/dp/0231177097/?tag=newbooinhis-20">Reconstructing Strangelove: Inside Stanley Kubrick’s ‘Nightmare Comedy’ </a>(Wallflower Press, 2016). In addition to reviewing the creative, scientific, and political background of the screenplay, he also presents other interesting details, many of them based on his review of Stanley Kubrick’s private archives.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>245</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62977]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1532703082.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sherilyn Connelly, “Ponyville Confidential: The History and Culture of My Little Pony, 1981-2016” (McFarland, 2017)</title>
      <description>In Ponyville Confidential: The History and Culture of My Little Pony, 1981-2016 (McFarland, 2017), Sherilyn Connelly examines the long and complex history of Hasbro’s My Little Pony franchise. Since it debuted in the early 1980s, controversy has surrounded My Little Pony. Dismissed as solely toy advertisements and not serious enough, the series has been critiqued since its inception. In her new book, Connelly explores the history of the franchise through four generations of ponies, comparing it to cartoons geared towards boys such as Transformers which, despite their similarity, were largely spared the criticism the ponies generated. The book is a comprehensive examination of the series through Season 5 -Friendship is Magic as well as first three Equestria Girls films. Connelly uses archival research into popular media’s response to the series as well as fan response through listservs, petitions, and fan pages to present a wide-range of information examining the My Little Pony phenomena. In addition to its discussion of My Little Pony, Connelly’s book serves as an examination into how children’s television is mediated, discussed and gendered.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 23 Feb 2017 20:20:08 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Ponyville Confidential: The History and Culture of My Little Pony, 1981-2016 (McFarland, 2017), Sherilyn Connelly examines the long and complex history of Hasbro’s My Little Pony franchise. Since it debuted in the early 1980s,</itunes:subtitle>
      <itunes:summary>In Ponyville Confidential: The History and Culture of My Little Pony, 1981-2016 (McFarland, 2017), Sherilyn Connelly examines the long and complex history of Hasbro’s My Little Pony franchise. Since it debuted in the early 1980s, controversy has surrounded My Little Pony. Dismissed as solely toy advertisements and not serious enough, the series has been critiqued since its inception. In her new book, Connelly explores the history of the franchise through four generations of ponies, comparing it to cartoons geared towards boys such as Transformers which, despite their similarity, were largely spared the criticism the ponies generated. The book is a comprehensive examination of the series through Season 5 -Friendship is Magic as well as first three Equestria Girls films. Connelly uses archival research into popular media’s response to the series as well as fan response through listservs, petitions, and fan pages to present a wide-range of information examining the My Little Pony phenomena. In addition to its discussion of My Little Pony, Connelly’s book serves as an examination into how children’s television is mediated, discussed and gendered.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1476662096/?tag=newbooinhis-20">Ponyville Confidential: The History and Culture of My Little Pony, 1981-2016</a> (McFarland, 2017), <a href="http://sherilynconnelly.com/">Sherilyn Connelly</a> examines the long and complex history of Hasbro’s My Little Pony franchise. Since it debuted in the early 1980s, controversy has surrounded My Little Pony. Dismissed as solely toy advertisements and not serious enough, the series has been critiqued since its inception. In her new book, Connelly explores the history of the franchise through four generations of ponies, comparing it to cartoons geared towards boys such as Transformers which, despite their similarity, were largely spared the criticism the ponies generated. The book is a comprehensive examination of the series through Season 5 -Friendship is Magic as well as first three Equestria Girls films. Connelly uses archival research into popular media’s response to the series as well as fan response through listservs, petitions, and fan pages to present a wide-range of information examining the My Little Pony phenomena. In addition to its discussion of My Little Pony, Connelly’s book serves as an examination into how children’s television is mediated, discussed and gendered.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3710</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62837]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8122623833.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bob Moss, “Vibes from the Screen: Getting Greater Enjoyment from Films” (MCP Books, 2016)</title>
      <description>While there are many books that assist the viewer in learning how feature films are made, Bob Moss’s Vibes from the Screen: Getting Greater Enjoyment from Films (MCP Books, 2016) is particularly good at showing the artistry of filmmakers by presenting detailed examples from the best writers, directors, cinematographers, editors, and actors. In this handy guide, Moss draws from his extensive experience in teaching others, teachingseasoned cinephiles and casual viewers alike how to get the most out of the movie experience.

Checkout the book’s companion website at www.VibesfromtheScreen.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 21 Feb 2017 18:13:26 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>While there are many books that assist the viewer in learning how feature films are made, Bob Moss’s Vibes from the Screen: Getting Greater Enjoyment from Films (MCP Books, 2016) is particularly good at showing the artistry of filmmakers by presenting ...</itunes:subtitle>
      <itunes:summary>While there are many books that assist the viewer in learning how feature films are made, Bob Moss’s Vibes from the Screen: Getting Greater Enjoyment from Films (MCP Books, 2016) is particularly good at showing the artistry of filmmakers by presenting detailed examples from the best writers, directors, cinematographers, editors, and actors. In this handy guide, Moss draws from his extensive experience in teaching others, teachingseasoned cinephiles and casual viewers alike how to get the most out of the movie experience.

Checkout the book’s companion website at www.VibesfromtheScreen.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While there are many books that assist the viewer in learning how feature films are made, Bob Moss’s <a href="http://www.amazon.com/dp/1635050650/?tag=newbooinhis-20">Vibes from the Screen: Getting Greater Enjoyment from Films</a> (MCP Books, 2016) is particularly good at showing the artistry of filmmakers by presenting detailed examples from the best writers, directors, cinematographers, editors, and actors. In this handy guide, <a href="https://www.amazon.com/Bob-Moss/e/B01J2LEZJE/ref=dp_byline_cont_book_1">Moss</a> draws from his extensive experience in teaching others, teachingseasoned cinephiles and casual viewers alike how to get the most out of the movie experience.</p><p>
Checkout the book’s companion website at <a href="http://www.vibesfromthescreen.com/category/read-posts/">www.VibesfromtheScreen.com</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3803</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62816]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6714003062.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa Hidalgo, “Mozlandia: Morrissey Fans in the Borderlands” (Headpress, 2016)</title>
      <description>In Mozlandia: Morrissey Fans in the Borderlands (Headpress, 2016), Melissa Hidalgo  examines the world of Morrissey fandom in US-Mexico borderlands. As the frontman of The Smiths, Morrissey is regarded as one of the most influential and iconic musical performers to come out of the Manchester music scene. Yet, for the past three decades, Morrissey has made a name for himself as a solo performer, with committed and passionate fans across the world. As a solo performer, Morrissey has a larger fan base in borderland cities such as Los Angeles, the focus of Hidalgo’s work. In Mozlandia, Hidalgo deftly unpacks fandom, specifically as it plays out with Chicano/a, Latino/a, and Mexican fans. Hidalgo presents the ways in which fans contribute to the Morrissey community through MorrisseyOke, tribute bands, radio shows, plays and other literary tributes. By situating her work in the borderland city of Los Angeles, Hidalgo is able to present what a fan community looks like and the variety of ways fan culture is enacted. A fan of Morrissey herself, Hidalgo effectively weaves an academic lens with a true tribute book to Morrissey and his fan.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 13 Feb 2017 17:26:10 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Mozlandia: Morrissey Fans in the Borderlands (Headpress, 2016), Melissa Hidalgo examines the world of Morrissey fandom in US-Mexico borderlands. As the frontman of The Smiths, Morrissey is regarded as one of the most influential and iconic musical p...</itunes:subtitle>
      <itunes:summary>In Mozlandia: Morrissey Fans in the Borderlands (Headpress, 2016), Melissa Hidalgo  examines the world of Morrissey fandom in US-Mexico borderlands. As the frontman of The Smiths, Morrissey is regarded as one of the most influential and iconic musical performers to come out of the Manchester music scene. Yet, for the past three decades, Morrissey has made a name for himself as a solo performer, with committed and passionate fans across the world. As a solo performer, Morrissey has a larger fan base in borderland cities such as Los Angeles, the focus of Hidalgo’s work. In Mozlandia, Hidalgo deftly unpacks fandom, specifically as it plays out with Chicano/a, Latino/a, and Mexican fans. Hidalgo presents the ways in which fans contribute to the Morrissey community through MorrisseyOke, tribute bands, radio shows, plays and other literary tributes. By situating her work in the borderland city of Los Angeles, Hidalgo is able to present what a fan community looks like and the variety of ways fan culture is enacted. A fan of Morrissey herself, Hidalgo effectively weaves an academic lens with a true tribute book to Morrissey and his fan.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1909394424/?tag=newbooinhis-20">Mozlandia: Morrissey Fans in the Borderlands</a> (Headpress, 2016), Melissa Hidalgo  examines the world of Morrissey fandom in US-Mexico borderlands. As the frontman of The Smiths, Morrissey is regarded as one of the most influential and iconic musical performers to come out of the Manchester music scene. Yet, for the past three decades, Morrissey has made a name for himself as a solo performer, with committed and passionate fans across the world. As a solo performer, Morrissey has a larger fan base in borderland cities such as Los Angeles, the focus of Hidalgo’s work. In Mozlandia, Hidalgo deftly unpacks fandom, specifically as it plays out with Chicano/a, Latino/a, and Mexican fans. Hidalgo presents the ways in which fans contribute to the Morrissey community through MorrisseyOke, tribute bands, radio shows, plays and other literary tributes. By situating her work in the borderland city of Los Angeles, Hidalgo is able to present what a fan community looks like and the variety of ways fan culture is enacted. A fan of Morrissey herself, Hidalgo effectively weaves an academic lens with a true tribute book to Morrissey and his fan.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4694</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62667]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7379264141.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Etulain, “The Life and Legends of Calamity Jane” (U. Oklahoma Press, 2014)</title>
      <description>Calamity Jane was a celebrity of the 19th century American West, yet the woman portrayed in the newspapers and dime novels was one very different from the actual person. In The Life and Legends of Calamity Jane (University of Oklahoma Press, 2014), Richard Etulain sorts through over a century of fiction and half-truths to uncover who Calamity Jane was in real life. Born Martha Canary, she was orphaned at a young age and left to provide for her siblings. Working a variety of jobs, she came to Deadwood in 1876, where she soon received national press attention both for her unusual persona and her brief association with “Wild Bill” Hickok. Yet these accounts were usually more fabrication than fact, and often did not reflect the difficult circumstances of her life. Suffering from alcoholism, she lived an itinerant and unstable existence, one in which her drinking impeded her efforts to provide for herself and her daughter and led to her early death. Etulain’s biography gets to the truth of Calamity Jane’s life, as well as the development of her posthumous reputation in print, in movies, and on television.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 06 Feb 2017 11:00:51 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Calamity Jane was a celebrity of the 19th century American West, yet the woman portrayed in the newspapers and dime novels was one very different from the actual person. In The Life and Legends of Calamity Jane (University of Oklahoma Press, 2014),</itunes:subtitle>
      <itunes:summary>Calamity Jane was a celebrity of the 19th century American West, yet the woman portrayed in the newspapers and dime novels was one very different from the actual person. In The Life and Legends of Calamity Jane (University of Oklahoma Press, 2014), Richard Etulain sorts through over a century of fiction and half-truths to uncover who Calamity Jane was in real life. Born Martha Canary, she was orphaned at a young age and left to provide for her siblings. Working a variety of jobs, she came to Deadwood in 1876, where she soon received national press attention both for her unusual persona and her brief association with “Wild Bill” Hickok. Yet these accounts were usually more fabrication than fact, and often did not reflect the difficult circumstances of her life. Suffering from alcoholism, she lived an itinerant and unstable existence, one in which her drinking impeded her efforts to provide for herself and her daughter and led to her early death. Etulain’s biography gets to the truth of Calamity Jane’s life, as well as the development of her posthumous reputation in print, in movies, and on television.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Calamity Jane was a celebrity of the 19th century American West, yet the woman portrayed in the newspapers and dime novels was one very different from the actual person. In <a href="http://www.amazon.com/dp/080614632X/?tag=newbooinhis-20">The Life and Legends of Calamity Jane</a> (University of Oklahoma Press, 2014), <a href="http://richardetulain.com/">Richard Etulain</a> sorts through over a century of fiction and half-truths to uncover who Calamity Jane was in real life. Born Martha Canary, she was orphaned at a young age and left to provide for her siblings. Working a variety of jobs, she came to Deadwood in 1876, where she soon received national press attention both for her unusual persona and her brief association with “Wild Bill” Hickok. Yet these accounts were usually more fabrication than fact, and often did not reflect the difficult circumstances of her life. Suffering from alcoholism, she lived an itinerant and unstable existence, one in which her drinking impeded her efforts to provide for herself and her daughter and led to her early death. Etulain’s biography gets to the truth of Calamity Jane’s life, as well as the development of her posthumous reputation in print, in movies, and on television.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3529</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62594]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9925164260.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mitchel Roth, “Convict Cowboys: The Untold History of the Texas Prison Rodeo” (U. North Texas Press, 2016)</title>
      <description>For more than 50 years, Huntsville prison put on an annual rodeo throughout the month of October to entertain prisoners, locals, and visitors from across the nation. In his new book Convict Cowboys: The Untold History of the Texas Prison Rodeo (University of North Texas Press, 2016), Sam Houston State University criminal justice and criminology professor Mitchel Roth explores the history of the rodeo. The Texas Prison Rodeo began as a small event intended to serve essentially as recreation for prisoners, but grew into an important fundraiser and a nationally known show. It included a range of traditional rodeo events and contests, but also added other acts drawn from various forms of American popular entertainment as cultural sensibilities and prisoner interests changed. The rodeo was, in some ways, one of the more positive aspects of an otherwise brutal and underfunded prison system. Inmates were able to win prizes and interact with the free world, and the proceeds from the rodeo helped provide services the legislature refused to fund. The rodeo was also dangerous, however, and developed against the background of a prison system based on forced labor and corporal punishment.

In this episode of New Books in History, Roth discusses his new book. He tells listeners about the origins of the rodeo, its development over the decades, and its demise. Throughout its life, the racial and gender dynamics of the rodeo changed with time as did its main events. Its popularity grew to a height with Western nostalgia in the 1950s, but by the 1980s, changing prison populations and changing cultural norms surrounding issues like the treatment of animals brought the rodeo’s run to an end. In addition to discussing the life of the rodeo, Roth also discusses controversies surrounding it, the research he completed for the book, and his current project in this episode.



Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 01 Feb 2017 21:12:28 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>For more than 50 years, Huntsville prison put on an annual rodeo throughout the month of October to entertain prisoners, locals, and visitors from across the nation. In his new book Convict Cowboys: The Untold History of the Texas Prison Rodeo (Univers...</itunes:subtitle>
      <itunes:summary>For more than 50 years, Huntsville prison put on an annual rodeo throughout the month of October to entertain prisoners, locals, and visitors from across the nation. In his new book Convict Cowboys: The Untold History of the Texas Prison Rodeo (University of North Texas Press, 2016), Sam Houston State University criminal justice and criminology professor Mitchel Roth explores the history of the rodeo. The Texas Prison Rodeo began as a small event intended to serve essentially as recreation for prisoners, but grew into an important fundraiser and a nationally known show. It included a range of traditional rodeo events and contests, but also added other acts drawn from various forms of American popular entertainment as cultural sensibilities and prisoner interests changed. The rodeo was, in some ways, one of the more positive aspects of an otherwise brutal and underfunded prison system. Inmates were able to win prizes and interact with the free world, and the proceeds from the rodeo helped provide services the legislature refused to fund. The rodeo was also dangerous, however, and developed against the background of a prison system based on forced labor and corporal punishment.

In this episode of New Books in History, Roth discusses his new book. He tells listeners about the origins of the rodeo, its development over the decades, and its demise. Throughout its life, the racial and gender dynamics of the rodeo changed with time as did its main events. Its popularity grew to a height with Western nostalgia in the 1950s, but by the 1980s, changing prison populations and changing cultural norms surrounding issues like the treatment of animals brought the rodeo’s run to an end. In addition to discussing the life of the rodeo, Roth also discusses controversies surrounding it, the research he completed for the book, and his current project in this episode.



Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For more than 50 years, Huntsville prison put on an annual rodeo throughout the month of October to entertain prisoners, locals, and visitors from across the nation. In his new book C<a href="http://www.amazon.com/dp/1574416529/?tag=newbooinhis-20">onvict Cowboys: The Untold History of the Texas Prison Rodeo</a> (University of North Texas Press, 2016), Sam Houston State University criminal justice and criminology professor <a href="http://www.cjcenter.org/directory/index2.php?mode=view&amp;item=203">Mitchel Roth</a> explores the history of the rodeo. The Texas Prison Rodeo began as a small event intended to serve essentially as recreation for prisoners, but grew into an important fundraiser and a nationally known show. It included a range of traditional rodeo events and contests, but also added other acts drawn from various forms of American popular entertainment as cultural sensibilities and prisoner interests changed. The rodeo was, in some ways, one of the more positive aspects of an otherwise brutal and underfunded prison system. Inmates were able to win prizes and interact with the free world, and the proceeds from the rodeo helped provide services the legislature refused to fund. The rodeo was also dangerous, however, and developed against the background of a prison system based on forced labor and corporal punishment.</p><p>
In this episode of <a href="http://newbooksnetwork.com/category/history/">New Books in History</a>, Roth discusses his new book. He tells listeners about the origins of the rodeo, its development over the decades, and its demise. Throughout its life, the racial and gender dynamics of the rodeo changed with time as did its main events. Its popularity grew to a height with Western nostalgia in the 1950s, but by the 1980s, changing prison populations and changing cultural norms surrounding issues like the treatment of animals brought the rodeo’s run to an end. In addition to discussing the life of the rodeo, Roth also discusses controversies surrounding it, the research he completed for the book, and his current project in this episode.</p><p>
</p><p>
Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at <a href="mailto:clamberson@angelo.edu">clamberson@angelo.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>238</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62533]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8498211707.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James A. Davidson, “Hal Ashby and the Making of Harold and Maude” (McFarland, 2016)</title>
      <description>The original script was sold to a major Hollywood studio virtually overnight; the screenwriter was working as a pool boy and driver for the producer; the director was considered an acid freak by the studio heads; the star was a 74-year-old actress who didn’t know how to drive a car. The film flopped upon release but later became one of the great cult successes of all time. The unlikely creation of Harold and Maude, shot guerrilla-style in the San Francisco Bay Area by a crew of “New Hollywood” filmmakers in the winter of 1971, is the subject of James A. Davidson’s Hal Ashby and the Making of Harold and Maude (McFarland, 2016).

James A. Davidson has written a number of articles for Images Film Journal and Taste of Cinema and is co-owner of Second Sight Video &amp; Multimedia. He lives in Reno, Nevada.



Jasun Horsley is the author of Seen &amp; Not Seen: Confessions of a Movie Autist and several other books on “extra-consensual perceptions.” He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to http://auticulture.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 24 Jan 2017 22:02:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The original script was sold to a major Hollywood studio virtually overnight; the screenwriter was working as a pool boy and driver for the producer; the director was considered an acid freak by the studio heads; the star was a 74-year-old actress who ...</itunes:subtitle>
      <itunes:summary>The original script was sold to a major Hollywood studio virtually overnight; the screenwriter was working as a pool boy and driver for the producer; the director was considered an acid freak by the studio heads; the star was a 74-year-old actress who didn’t know how to drive a car. The film flopped upon release but later became one of the great cult successes of all time. The unlikely creation of Harold and Maude, shot guerrilla-style in the San Francisco Bay Area by a crew of “New Hollywood” filmmakers in the winter of 1971, is the subject of James A. Davidson’s Hal Ashby and the Making of Harold and Maude (McFarland, 2016).

James A. Davidson has written a number of articles for Images Film Journal and Taste of Cinema and is co-owner of Second Sight Video &amp; Multimedia. He lives in Reno, Nevada.



Jasun Horsley is the author of Seen &amp; Not Seen: Confessions of a Movie Autist and several other books on “extra-consensual perceptions.” He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to http://auticulture.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The original script was sold to a major Hollywood studio virtually overnight; the screenwriter was working as a pool boy and driver for the producer; the director was considered an acid freak by the studio heads; the star was a 74-year-old actress who didn’t know how to drive a car. The film flopped upon release but later became one of the great cult successes of all time. The unlikely creation of Harold and Maude, shot guerrilla-style in the San Francisco Bay Area by a crew of “New Hollywood” filmmakers in the winter of 1971, is the subject of James A. Davidson’s <a href="http://www.amazon.com/dp/1476663211/?tag=newbooinhis-20">Hal Ashby and the Making of Harold and Maude </a>(McFarland, 2016).</p><p>
<a href="http://martinezgazette.com/archives/24889">James A. Davidson</a> has written a number of articles for Images Film Journal and Taste of Cinema and is co-owner of Second Sight Video &amp; Multimedia. He lives in Reno, Nevada.</p><p>
</p><p>
<a href="https://en.wikipedia.org/wiki/Jason_Horsley">Jasun Horsley</a> is the author of <a href="http://www.zero-books.net/books/seen-not-seen">Seen &amp; Not Seen: Confessions of a Movie Autist</a> and several other books on “extra-consensual perceptions.” He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to <a href="http://auticulture.com">http://auticulture.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4160</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62376]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4327065408.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anthony Lioi, “Nerd Ecology: Defending the Earth with Unpopular Culture” (Bloomsbury Academic, 2016)</title>
      <description>In Nerd Ecology: Defending the Earth with Unpopular Culture (Bloomsbury Academic, 2016), Anthony Lioi examines literature, film, television, and comics through an ecocritical study of nerd culture. Lioi explores Star Trek, The Hunger Games, The Matrix, Lord of the Rings, Buffy the Vampire Slayer, Firefly, Green Lantern, and X-Men, among others to trace the history of nerd culture and how it intersects with ecocritical themes. Lioi’s work seeks to define and situate the nerd in the current landscape of popular culture and the refuge of science fiction for nerds. Through an ecocritical and postmodern lens, Lioi notes the importance of popular cultural texts in creating nerd alliances and the importance of the stories of nerd culture to embody planetary defenders. Well-researched and strongly theoretically-based, Nerd Ecology is a new take on examining the world of the nerd and popular culture as ethical and moral spaces to examine ecology.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 Jan 2017 20:50:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Nerd Ecology: Defending the Earth with Unpopular Culture (Bloomsbury Academic, 2016), Anthony Lioi examines literature, film, television, and comics through an ecocritical study of nerd culture. Lioi explores Star Trek, The Hunger Games,</itunes:subtitle>
      <itunes:summary>In Nerd Ecology: Defending the Earth with Unpopular Culture (Bloomsbury Academic, 2016), Anthony Lioi examines literature, film, television, and comics through an ecocritical study of nerd culture. Lioi explores Star Trek, The Hunger Games, The Matrix, Lord of the Rings, Buffy the Vampire Slayer, Firefly, Green Lantern, and X-Men, among others to trace the history of nerd culture and how it intersects with ecocritical themes. Lioi’s work seeks to define and situate the nerd in the current landscape of popular culture and the refuge of science fiction for nerds. Through an ecocritical and postmodern lens, Lioi notes the importance of popular cultural texts in creating nerd alliances and the importance of the stories of nerd culture to embody planetary defenders. Well-researched and strongly theoretically-based, Nerd Ecology is a new take on examining the world of the nerd and popular culture as ethical and moral spaces to examine ecology.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1472567633/?tag=newbooinhis-20">Nerd Ecology: Defending the Earth with Unpopular Culture</a> (Bloomsbury Academic, 2016), Anthony Lioi examines literature, film, television, and comics through an ecocritical study of nerd culture. Lioi explores Star Trek, The Hunger Games, The Matrix, Lord of the Rings, Buffy the Vampire Slayer, Firefly, Green Lantern, and X-Men, among others to trace the history of nerd culture and how it intersects with ecocritical themes. Lioi’s work seeks to define and situate the nerd in the current landscape of popular culture and the refuge of science fiction for nerds. Through an ecocritical and postmodern lens, Lioi notes the importance of popular cultural texts in creating nerd alliances and the importance of the stories of nerd culture to embody planetary defenders. Well-researched and strongly theoretically-based, Nerd Ecology is a new take on examining the world of the nerd and popular culture as ethical and moral spaces to examine ecology.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4032</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62347]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1704995612.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin Smokler, “Brat Pack America: A Love Letter to 80s Teen Movies” (Rare Bird Books, 2016)</title>
      <description>Kevin Smokler’s new book, Brat Pack America: A Love Letter to 80s Teen Movies (Rare Bird Books, 2016)is what everyone in their 40s who loved watching movies as they were growing up wants it to be. In Brat Pack America, Smokler takes readers on a journey through the fictional and sometimes not so fictional towns created throughout the teen movies of the 80s. Smokler gives readers a tour through America and the important locations that have endured over time in the hearts and minds of movie fans. Smokler looks at John Hughes America and Shermer, Illinois as well as memorable places such as Hill Valley, California and Astoria, Oregon. Brat Pack America is full of facts about 80s teen movies and the locations fans have come to know and love. But, Smokler also pushes beyond fandom, examining why these places have become so important to the fans of these films of this decade. Well researched and engagingly written, Brat Pack America is a book that brings back memories of those films we know and love.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 18 Jan 2017 19:48:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kevin Smokler’s new book, Brat Pack America: A Love Letter to 80s Teen Movies (Rare Bird Books, 2016)is what everyone in their 40s who loved watching movies as they were growing up wants it to be. In Brat Pack America,</itunes:subtitle>
      <itunes:summary>Kevin Smokler’s new book, Brat Pack America: A Love Letter to 80s Teen Movies (Rare Bird Books, 2016)is what everyone in their 40s who loved watching movies as they were growing up wants it to be. In Brat Pack America, Smokler takes readers on a journey through the fictional and sometimes not so fictional towns created throughout the teen movies of the 80s. Smokler gives readers a tour through America and the important locations that have endured over time in the hearts and minds of movie fans. Smokler looks at John Hughes America and Shermer, Illinois as well as memorable places such as Hill Valley, California and Astoria, Oregon. Brat Pack America is full of facts about 80s teen movies and the locations fans have come to know and love. But, Smokler also pushes beyond fandom, examining why these places have become so important to the fans of these films of this decade. Well researched and engagingly written, Brat Pack America is a book that brings back memories of those films we know and love.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.kevinsmokler.com/about-kevin.html#sthash.pdsK4JWy.nJhaxqCq.dpbs">Kevin Smokler’s </a>new book, <a href="http://www.amazon.com/dp/1942600674/?tag=newbooinhis-20">Brat Pack America: A Love Letter to 80s Teen Movies </a>(Rare Bird Books, 2016)is what everyone in their 40s who loved watching movies as they were growing up wants it to be. In Brat Pack America, Smokler takes readers on a journey through the fictional and sometimes not so fictional towns created throughout the teen movies of the 80s. Smokler gives readers a tour through America and the important locations that have endured over time in the hearts and minds of movie fans. Smokler looks at John Hughes America and Shermer, Illinois as well as memorable places such as Hill Valley, California and Astoria, Oregon. Brat Pack America is full of facts about 80s teen movies and the locations fans have come to know and love. But, Smokler also pushes beyond fandom, examining why these places have become so important to the fans of these films of this decade. Well researched and engagingly written, Brat Pack America is a book that brings back memories of those films we know and love.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3570</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61963]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7857693989.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helen Rappaport, “Victoria: The Heart and Mind of a Young Queen” (Harper Design, 2017)</title>
      <description>The term historical fiction covers a wide range from what the mystery writer Josephine Tey once dubbed “history with conversation” to outright invention shading into fantasy. But behind every story set in the past lies the past itself, as re-created by scholars from the available evidence. This interview features Helen Rappaport, whose latest work reveals the historical background behind the Masterpiece Theater miniseries Victoria, due to air in the United States this month. Rappaport served as historical consultant to the show.

The Queen Victoria who gave her name to an age famous for a prudishness so extreme that even tables had limbs, not legs, is nowhere evident in Rappaport’s book, the television series, or the novel by Daisy Goodwin, also titled Victoria, that gave rise to the series. Victoria: The Heart and Mind of a Young Queen (Harper Design, 2017) explores in vivid, compelling prose the letters, diaries, and other documents associated with the reign of a strong-minded, passionate, eager, inexperienced girl who took the throne just after her eighteenth birthday. This Victoria loved to ride, resisted marriage, fought to separate herself from her mother, detested her mother’s close adviser, and became infatuated with her prime minister before transferring her affections to Prince Albert, who initially did not impress her. Wildly devoted to her husband, she bore nine children but hated being pregnant and regarded newborn infants as ugly. Even her name caused controversy: christened Alexandrina, she switched to Victoria on taking the throne, overriding critics who insisted that Elizabeth or Charlotte were more suitable appellations for a British monarch. By the time she died sixty-three years later, entire generations understood the word “queen”as synonymous with “Victoria.”

Although the most powerful woman in the world, Victoria here makes some serious mistakes, as any eighteen-year-old thrust into the center of politics would. If she had no social media to record every misstep, she also had no publicity managers or image brokers to spin her rash remarks or misjudgments. As Daisy Goodwin notes in the foreword to this book, Victoria had to grow up in public, and she left a precious record of that journey in her own exquisite handwriting. But since this is the official companion volume to a television show, it also includes details about casting and costuming, as well as numerous photographs of the actors and background information about the times. It makes a perfect starting point for a discussion of history and historical fiction, their differences and similarities, and how to observe the requirements of one without violating the precepts of the other.



C. P. Lesley is the author of six novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, and The Swan Princess), a historical fiction series set in 1530s Russia, during the childhood of Ivan the Terrible. Find out more about her at http://www.cplesley.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 10 Jan 2017 23:21:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The term historical fiction covers a wide range from what the mystery writer Josephine Tey once dubbed “history with conversation” to outright invention shading into fantasy. But behind every story set in the past lies the past itself,</itunes:subtitle>
      <itunes:summary>The term historical fiction covers a wide range from what the mystery writer Josephine Tey once dubbed “history with conversation” to outright invention shading into fantasy. But behind every story set in the past lies the past itself, as re-created by scholars from the available evidence. This interview features Helen Rappaport, whose latest work reveals the historical background behind the Masterpiece Theater miniseries Victoria, due to air in the United States this month. Rappaport served as historical consultant to the show.

The Queen Victoria who gave her name to an age famous for a prudishness so extreme that even tables had limbs, not legs, is nowhere evident in Rappaport’s book, the television series, or the novel by Daisy Goodwin, also titled Victoria, that gave rise to the series. Victoria: The Heart and Mind of a Young Queen (Harper Design, 2017) explores in vivid, compelling prose the letters, diaries, and other documents associated with the reign of a strong-minded, passionate, eager, inexperienced girl who took the throne just after her eighteenth birthday. This Victoria loved to ride, resisted marriage, fought to separate herself from her mother, detested her mother’s close adviser, and became infatuated with her prime minister before transferring her affections to Prince Albert, who initially did not impress her. Wildly devoted to her husband, she bore nine children but hated being pregnant and regarded newborn infants as ugly. Even her name caused controversy: christened Alexandrina, she switched to Victoria on taking the throne, overriding critics who insisted that Elizabeth or Charlotte were more suitable appellations for a British monarch. By the time she died sixty-three years later, entire generations understood the word “queen”as synonymous with “Victoria.”

Although the most powerful woman in the world, Victoria here makes some serious mistakes, as any eighteen-year-old thrust into the center of politics would. If she had no social media to record every misstep, she also had no publicity managers or image brokers to spin her rash remarks or misjudgments. As Daisy Goodwin notes in the foreword to this book, Victoria had to grow up in public, and she left a precious record of that journey in her own exquisite handwriting. But since this is the official companion volume to a television show, it also includes details about casting and costuming, as well as numerous photographs of the actors and background information about the times. It makes a perfect starting point for a discussion of history and historical fiction, their differences and similarities, and how to observe the requirements of one without violating the precepts of the other.



C. P. Lesley is the author of six novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, and The Swan Princess), a historical fiction series set in 1530s Russia, during the childhood of Ivan the Terrible. Find out more about her at http://www.cplesley.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The term historical fiction covers a wide range from what the mystery writer Josephine Tey once dubbed “history with conversation” to outright invention shading into fantasy. But behind every story set in the past lies the past itself, as re-created by scholars from the available evidence. This interview features <a href="http://www.helenrappaport.com">Helen Rappaport</a>, whose latest work reveals the historical background behind the Masterpiece Theater miniseries <a href="http://www.pbs.org/wgbh/masterpiece/programs/features/news/victoria-air-masterpiece-pbs/">Victoria</a>, due to air in the United States this month. Rappaport served as historical consultant to the show.</p><p>
The Queen Victoria who gave her name to an age famous for a prudishness so extreme that even tables had limbs, not legs, is nowhere evident in Rappaport’s book, the television series, or the novel by Daisy Goodwin, also titled Victoria, that gave rise to the series. <a href="http://www.amazon.com/dp/0062568892/?tag=newbooinhis-20">Victoria: The Heart and Mind of a Young Queen</a> (<a href="https://www.harpercollins.com/9780062568892/victoria-the-heart-and-mind-of-a-young-queen">Harper Design</a>, 2017) explores in vivid, compelling prose the letters, diaries, and other documents associated with the reign of a strong-minded, passionate, eager, inexperienced girl who took the throne just after her eighteenth birthday. This Victoria loved to ride, resisted marriage, fought to separate herself from her mother, detested her mother’s close adviser, and became infatuated with her prime minister before transferring her affections to Prince Albert, who initially did not impress her. Wildly devoted to her husband, she bore nine children but hated being pregnant and regarded newborn infants as ugly. Even her name caused controversy: christened Alexandrina, she switched to Victoria on taking the throne, overriding critics who insisted that Elizabeth or Charlotte were more suitable appellations for a British monarch. By the time she died sixty-three years later, entire generations understood the word “queen”as synonymous with “Victoria.”</p><p>
Although the most powerful woman in the world, Victoria here makes some serious mistakes, as any eighteen-year-old thrust into the center of politics would. If she had no social media to record every misstep, she also had no publicity managers or image brokers to spin her rash remarks or misjudgments. As Daisy Goodwin notes in the foreword to this book, Victoria had to grow up in public, and she left a precious record of that journey in her own exquisite handwriting. But since this is the official companion volume to a television show, it also includes details about casting and costuming, as well as numerous photographs of the actors and background information about the times. It makes a perfect starting point for a discussion of history and historical fiction, their differences and similarities, and how to observe the requirements of one without violating the precepts of the other.</p><p>
</p><p>
C. P. Lesley is the author of six novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, and The Swan Princess), a historical fiction series set in 1530s Russia, during the childhood of Ivan the Terrible. Find out more about her at <a href="http://www.cplesley.com/">http://www.cplesley.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3460</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62214]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2583957152.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Westhhoff, “Original Gangtas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur, and the Birth of West Coast Rap” (Hachette, 2016)</title>
      <description>The real story behind the origin of gangsta rap is difficult to discern. Between the bombastic rhetoric and imagery, the larger-than-life characters, and the subsequent success of many of the individuals, it is hard to know exactly what to believe.

Ben Westhoff’s new book, Original Gangstas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur and the Birth of West Coast Rap (Hachette Books, 2016), sets the record straight with a clear account of the rise and dissolution of N.W.A., the founding of Death Row Records, and the events that led up to the deadly beef between Tupac Shakur and Notorious B.I.G. Based on scores of interviews with the principals, Westhoff provides a definitive account of 1990s gangsta rap’s birth and growth. It offers clarity on the confusing turn of events and explores in rich detail the murders of Tupac and Biggie. Westhoff’s book also provides a great opportunity to reflect on the legacy of gangsta rap, especially after the film Straight Outta Compton and the transformed images of Ice Cube, Snoop Dogg, and Dr. Dre.

Ben Westhoff is an award-winning journalist whose work has appeared in The Guardian, Rolling Stone, Vice, Pitchfork, and The Wall Street Journal. He spent three years as the music editor at LA Weekly and is the author Dirty South: OutKast, Lil Wayne, and Soulja Boy, and the Southern Rappers Who Reinvented Hip-Hop. His website can be found at http://benwesthoff.com.



Richard Schur is the host of this podcast and is Professor of English at Drury University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 09 Jan 2017 20:29:55 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The real story behind the origin of gangsta rap is difficult to discern. Between the bombastic rhetoric and imagery, the larger-than-life characters, and the subsequent success of many of the individuals, it is hard to know exactly what to believe.</itunes:subtitle>
      <itunes:summary>The real story behind the origin of gangsta rap is difficult to discern. Between the bombastic rhetoric and imagery, the larger-than-life characters, and the subsequent success of many of the individuals, it is hard to know exactly what to believe.

Ben Westhoff’s new book, Original Gangstas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur and the Birth of West Coast Rap (Hachette Books, 2016), sets the record straight with a clear account of the rise and dissolution of N.W.A., the founding of Death Row Records, and the events that led up to the deadly beef between Tupac Shakur and Notorious B.I.G. Based on scores of interviews with the principals, Westhoff provides a definitive account of 1990s gangsta rap’s birth and growth. It offers clarity on the confusing turn of events and explores in rich detail the murders of Tupac and Biggie. Westhoff’s book also provides a great opportunity to reflect on the legacy of gangsta rap, especially after the film Straight Outta Compton and the transformed images of Ice Cube, Snoop Dogg, and Dr. Dre.

Ben Westhoff is an award-winning journalist whose work has appeared in The Guardian, Rolling Stone, Vice, Pitchfork, and The Wall Street Journal. He spent three years as the music editor at LA Weekly and is the author Dirty South: OutKast, Lil Wayne, and Soulja Boy, and the Southern Rappers Who Reinvented Hip-Hop. His website can be found at http://benwesthoff.com.



Richard Schur is the host of this podcast and is Professor of English at Drury University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The real story behind the origin of gangsta rap is difficult to discern. Between the bombastic rhetoric and imagery, the larger-than-life characters, and the subsequent success of many of the individuals, it is hard to know exactly what to believe.</p><p>
Ben Westhoff’s new book, <a href="http://www.amazon.com/dp/0316383899/?tag=newbooinhis-20">Original Gangstas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur and the Birth of West Coast Rap</a> (Hachette Books, 2016), sets the record straight with a clear account of the rise and dissolution of N.W.A., the founding of Death Row Records, and the events that led up to the deadly beef between Tupac Shakur and Notorious B.I.G. Based on scores of interviews with the principals, Westhoff provides a definitive account of 1990s gangsta rap’s birth and growth. It offers clarity on the confusing turn of events and explores in rich detail the murders of Tupac and Biggie. Westhoff’s book also provides a great opportunity to reflect on the legacy of gangsta rap, especially after the film Straight Outta Compton and the transformed images of Ice Cube, Snoop Dogg, and Dr. Dre.</p><p>
<a href="http://benwesthoff.com/">Ben Westhoff</a> is an award-winning journalist whose work has appeared in The Guardian, Rolling Stone, Vice, Pitchfork, and The Wall Street Journal. He spent three years as the music editor at LA Weekly and is the author Dirty South: OutKast, Lil Wayne, and Soulja Boy, and the Southern Rappers Who Reinvented Hip-Hop. His website can be found at <a href="http://benwesthoff.com">http://benwesthoff.com</a>.</p><p>
</p><p>
Richard Schur is the host of this podcast and is Professor of English at Drury University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2788</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61920]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1319388291.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carroll Pursell, “From Playgrounds to PlayStation: The Interaction of Technology and Play” (Johns Hopkins UP, 2015)</title>
      <description>Carroll Pursell‘s From Playgrounds to PlayStation: The Interaction of Technology and Play (Johns Hopkins University Press, 2015) explores how play reflects and drives the evolution of American culture. Pursell engagingly examines the ways in which technology affects play and play shapes people. The objects that children (and adults) play with and play on, along with their games and the hobbies they pursue, can reinforce but also challenge gender roles and cultural norms. Inventors who often talk about “playing” at their work, as if motivated by the pure fun of invention have used new materials and technologies to reshape sports and gameplay, sometimes even crafting new, extreme forms of recreation, but always responding to popular demand. Drawing from a range of sources, including scholarly monographs, patent records, newspapers, and popular and technical journals, the book covers numerous modes and sites of play.



Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’s Book Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 29 Dec 2016 16:39:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Carroll Pursell‘s From Playgrounds to PlayStation: The Interaction of Technology and Play (Johns Hopkins University Press, 2015) explores how play reflects and drives the evolution of American culture. Pursell engagingly examines the ways in which tech...</itunes:subtitle>
      <itunes:summary>Carroll Pursell‘s From Playgrounds to PlayStation: The Interaction of Technology and Play (Johns Hopkins University Press, 2015) explores how play reflects and drives the evolution of American culture. Pursell engagingly examines the ways in which technology affects play and play shapes people. The objects that children (and adults) play with and play on, along with their games and the hobbies they pursue, can reinforce but also challenge gender roles and cultural norms. Inventors who often talk about “playing” at their work, as if motivated by the pure fun of invention have used new materials and technologies to reshape sports and gameplay, sometimes even crafting new, extreme forms of recreation, but always responding to popular demand. Drawing from a range of sources, including scholarly monographs, patent records, newspapers, and popular and technical journals, the book covers numerous modes and sites of play.



Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’s Book Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://history.cass.anu.edu.au/people/carroll-pursell">Carroll Pursell</a>‘s <a href="http://www.amazon.com/dp/1421416506/?tag=newbooinhis-20">From Playgrounds to PlayStation: The Interaction of Technology and Play</a> (Johns Hopkins University Press, 2015) explores how play reflects and drives the evolution of American culture. Pursell engagingly examines the ways in which technology affects play and play shapes people. The objects that children (and adults) play with and play on, along with their games and the hobbies they pursue, can reinforce but also challenge gender roles and cultural norms. Inventors who often talk about “playing” at their work, as if motivated by the pure fun of invention have used new materials and technologies to reshape sports and gameplay, sometimes even crafting new, extreme forms of recreation, but always responding to popular demand. Drawing from a range of sources, including scholarly monographs, patent records, newspapers, and popular and technical journals, the book covers numerous modes and sites of play.</p><p>
</p><p>
Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’s Book Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: <a href="https://twitter.com/sraab18">https://twitter.com/sraab18</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3029</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62064]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4456186988.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Houlbrook, “Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook” (U. of Chicago Press 2016)</title>
      <description>How should we understand the interwar years in Britain? In Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook (University of Chicago Press, 2016) Matt Houlbrook, Professor of Cultural History at the University of Birmingham,tells the fascinating and complex story of Netley Lucas, a character whose fragmented and complex story offers clues to the social changes of the period. Netley’s career as confidence trickster, fraudulent journalist and editor, and creator of counterfeit royal biographies, forms the basis of an engagement with anxieties over class boundaries, the reassertion of social norms, and the nature of the historical source. The book is resplendent with a complex cast of characters and offers a rich portrait of the period. Houlbrook raises the question of how to tell the story of the trickster, if it is possible to capture a life of half-truths and duplicity, and the struggle of historical practice, ultimately causing us to question the possibility of history itself. The book is a fascinating tale, as well as being of interest across the humanities and to the general reader.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Dec 2016 11:17:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand the interwar years in Britain? In Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook (University of Chicago Press, 2016) Matt Houlbrook, Professor of Cultural History at the University of Birmingha...</itunes:subtitle>
      <itunes:summary>How should we understand the interwar years in Britain? In Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook (University of Chicago Press, 2016) Matt Houlbrook, Professor of Cultural History at the University of Birmingham,tells the fascinating and complex story of Netley Lucas, a character whose fragmented and complex story offers clues to the social changes of the period. Netley’s career as confidence trickster, fraudulent journalist and editor, and creator of counterfeit royal biographies, forms the basis of an engagement with anxieties over class boundaries, the reassertion of social norms, and the nature of the historical source. The book is resplendent with a complex cast of characters and offers a rich portrait of the period. Houlbrook raises the question of how to tell the story of the trickster, if it is possible to capture a life of half-truths and duplicity, and the struggle of historical practice, ultimately causing us to question the possibility of history itself. The book is a fascinating tale, as well as being of interest across the humanities and to the general reader.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand the interwar years in Britain? In<a href="http://www.amazon.com/dp/022613315X/?tag=newbooinhis-20"> Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook</a> (University of Chicago Press, 2016) <a href="https://twitter.com/TricksterPrince">Matt Houlbrook</a>, <a href="http://www.birmingham.ac.uk/staff/profiles/history/houlbrook-matt.aspx">Professor of Cultural History at the University of Birmingham</a>,tells the fascinating and complex story of Netley Lucas, a character whose fragmented and complex story offers clues to the social changes of the period. Netley’s career as confidence trickster, fraudulent journalist and editor, and creator of counterfeit royal biographies, forms the basis of an engagement with anxieties over class boundaries, the reassertion of social norms, and the nature of the historical source. The book is resplendent with a complex cast of characters and offers a rich portrait of the period. Houlbrook raises the question of how to tell the story of the trickster, if it is possible to capture a life of half-truths and duplicity, and<a href="https://tricksterprince.wordpress.com"> the struggle of historical practice</a>, ultimately causing us to question the possibility of history itself. The book is a fascinating tale, as well as being of interest across the humanities and to the general reader.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2561</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61849]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9835370497.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gail Ashton, ed. “Medieval Afterlives in Contemporary Culture” (Bloomsbury Academic, 2015/2017)</title>
      <description>Dilapidated thirteenth-century walls as a playscape for today’s children, medieval relics made as fetish objects for twenty-first century enthusiasts, tourism at “the birthplace of King Arthur,” Harry Potter’s pageantry, Game of Thrones‘ swordplay, the Renaissance Faire, York’s mystery plays, America’s jousts, and Chaucer translated into a panoply languages: the European medieval endures in the global postmodern. In Medieval Afterlives in Contemporary Culture (Bloomsbury Academic; Hardcover 2015, Paperback 2017), Gail Ashton collects the work of 29 scholars studying the ongoing power and pleasure to be found in the ways that we resuscitate and remix remnants of the medieval world. This wide-ranging introduction to the study of contemporary medievalisms engages the questions of authority in interpretation, authenticity in translation and adaptation, and the accessibility of the past that inhere in the many ways that we engage the middle ages in the twenty-first century.

Do we think of the medieval, medievalism, and medievalists as a great premodern Other, or do we recognize within the medieval the roots and rhythms of speech and performance that still live in our own time and in our own tongues? How do we arrive at our ideas of the medieval, at the cultural markers we recognize as our own or as someone else’s based on time and distance? What does our ongoing reinterpretation of what makes something “medieval” reveal about how we produce and consume texts, create an identity based on historical claims, and come to feel that we belong to a community with a shared past? Through Medieval Afterlives in Contemporary Culture, Gail Ashton and the scholars that have contributed to this collection invite readers, writers, researchers, and educators to engage these questions by looking at our shared life today through the various ways that we play and replay a medieval past as a present to ourselves.



Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 14 Dec 2016 15:02:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Dilapidated thirteenth-century walls as a playscape for today’s children, medieval relics made as fetish objects for twenty-first century enthusiasts, tourism at “the birthplace of King Arthur,” Harry Potter’s pageantry, Game of Thrones‘ swordplay,</itunes:subtitle>
      <itunes:summary>Dilapidated thirteenth-century walls as a playscape for today’s children, medieval relics made as fetish objects for twenty-first century enthusiasts, tourism at “the birthplace of King Arthur,” Harry Potter’s pageantry, Game of Thrones‘ swordplay, the Renaissance Faire, York’s mystery plays, America’s jousts, and Chaucer translated into a panoply languages: the European medieval endures in the global postmodern. In Medieval Afterlives in Contemporary Culture (Bloomsbury Academic; Hardcover 2015, Paperback 2017), Gail Ashton collects the work of 29 scholars studying the ongoing power and pleasure to be found in the ways that we resuscitate and remix remnants of the medieval world. This wide-ranging introduction to the study of contemporary medievalisms engages the questions of authority in interpretation, authenticity in translation and adaptation, and the accessibility of the past that inhere in the many ways that we engage the middle ages in the twenty-first century.

Do we think of the medieval, medievalism, and medievalists as a great premodern Other, or do we recognize within the medieval the roots and rhythms of speech and performance that still live in our own time and in our own tongues? How do we arrive at our ideas of the medieval, at the cultural markers we recognize as our own or as someone else’s based on time and distance? What does our ongoing reinterpretation of what makes something “medieval” reveal about how we produce and consume texts, create an identity based on historical claims, and come to feel that we belong to a community with a shared past? Through Medieval Afterlives in Contemporary Culture, Gail Ashton and the scholars that have contributed to this collection invite readers, writers, researchers, and educators to engage these questions by looking at our shared life today through the various ways that we play and replay a medieval past as a present to ourselves.



Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dilapidated thirteenth-century walls as a playscape for today’s children, medieval relics made as fetish objects for twenty-first century enthusiasts, tourism at “the birthplace of King Arthur,” Harry Potter’s pageantry, Game of Thrones‘ swordplay, the Renaissance Faire, York’s mystery plays, America’s jousts, and Chaucer translated into a panoply languages: the European medieval endures in the global postmodern. In <a href="http://www.amazon.com/dp/135002161X/?tag=newbooinhis-20">Medieval Afterlives in Contemporary Culture</a> (Bloomsbury Academic; Hardcover 2015, Paperback 2017), <a href="https://gailashtonwriting.wordpress.com/about-gail/">Gail Ashton</a> collects the work of 29 scholars studying the ongoing power and pleasure to be found in the ways that we resuscitate and remix remnants of the medieval world. This wide-ranging introduction to the study of contemporary medievalisms engages the questions of authority in interpretation, authenticity in translation and adaptation, and the accessibility of the past that inhere in the many ways that we engage the middle ages in the twenty-first century.</p><p>
Do we think of the medieval, medievalism, and medievalists as a great premodern Other, or do we recognize within the medieval the roots and rhythms of speech and performance that still live in our own time and in our own tongues? How do we arrive at our ideas of the medieval, at the cultural markers we recognize as our own or as someone else’s based on time and distance? What does our ongoing reinterpretation of what makes something “medieval” reveal about how we produce and consume texts, create an identity based on historical claims, and come to feel that we belong to a community with a shared past? Through Medieval Afterlives in Contemporary Culture, Gail Ashton and the scholars that have contributed to this collection invite readers, writers, researchers, and educators to engage these questions by looking at our shared life today through the various ways that we play and replay a medieval past as a present to ourselves.</p><p>
</p><p>
Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at <a href="http://www.carlnellis.wordpress.com">carlnellis.wordpress.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2037</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61676]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9855069855.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian Eugenio Herrera, “Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance” (U. Michigan Press, 2015)</title>
      <description>In Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance (University of Michigan Press, 2015) Brian Eugenio Herrera examines the way in which Latina/o actors have communicated and influenced ideas about race and ethnicity in the U.S. through their performances on the stage and screen. Introducing the concept of the “Latin number,” Dr. Herrera analyzes a series of overlapping historical moments from 1930 to 1990 when media and audiences became fascinated with Latinas/os and their potential impact on U.S. society. As a fleeting phenomenon, in which the U.S. public rediscovers, consumes, and then disregards Latinas/os, “Latin numbers,” Herrera explains, comprise a form of “spectacular entertainment” that perpetuates the myth of Hispanics as perennial novelties. Building on the work of cultural historians, Herrera also employs the concept of “playing Latino” to describe the more enduring effects of Latina/o popular performance on U.S. systems of racial classification and knowledge production. Through detailed case studies, Herrera analyzes the ways in which Latinas/os have been typecast and stereotyped to “closet” or obscure ethnic, cultural, and regional distinctions among Hispanics, while simultaneously racializing them as non-white. Together, Herrera argues that the “Latin number” and “playing Latino” work in tandem to highlight the centrality of popular performance in rehearsing American audiences to think of Mexicans, Puerto Ricans, and Cubans in the more simplistic and monolithic terms of “Latino” and “Hispanic.”



David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity &amp; Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 10 Dec 2016 14:23:54 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance (University of Michigan Press, 2015) Brian Eugenio Herrera examines the way in which Latina/o actors have communicated and influenced ideas about race and ethnicity in the U...</itunes:subtitle>
      <itunes:summary>In Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance (University of Michigan Press, 2015) Brian Eugenio Herrera examines the way in which Latina/o actors have communicated and influenced ideas about race and ethnicity in the U.S. through their performances on the stage and screen. Introducing the concept of the “Latin number,” Dr. Herrera analyzes a series of overlapping historical moments from 1930 to 1990 when media and audiences became fascinated with Latinas/os and their potential impact on U.S. society. As a fleeting phenomenon, in which the U.S. public rediscovers, consumes, and then disregards Latinas/os, “Latin numbers,” Herrera explains, comprise a form of “spectacular entertainment” that perpetuates the myth of Hispanics as perennial novelties. Building on the work of cultural historians, Herrera also employs the concept of “playing Latino” to describe the more enduring effects of Latina/o popular performance on U.S. systems of racial classification and knowledge production. Through detailed case studies, Herrera analyzes the ways in which Latinas/os have been typecast and stereotyped to “closet” or obscure ethnic, cultural, and regional distinctions among Hispanics, while simultaneously racializing them as non-white. Together, Herrera argues that the “Latin number” and “playing Latino” work in tandem to highlight the centrality of popular performance in rehearsing American audiences to think of Mexicans, Puerto Ricans, and Cubans in the more simplistic and monolithic terms of “Latino” and “Hispanic.”



David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity &amp; Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.press.umich.edu/6010336/latin_numbers">Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance </a>(University of Michigan Press, 2015) <a href="http://scholar.princeton.edu/bherrera/biocv">Brian Eugenio Herrera</a> examines the way in which Latina/o actors have communicated and influenced ideas about race and ethnicity in the U.S. through their performances on the stage and screen. Introducing the concept of the “Latin number,” Dr. Herrera analyzes a series of overlapping historical moments from 1930 to 1990 when media and audiences became fascinated with Latinas/os and their potential impact on U.S. society. As a fleeting phenomenon, in which the U.S. public rediscovers, consumes, and then disregards Latinas/os, “Latin numbers,” Herrera explains, comprise a form of “spectacular entertainment” that perpetuates the myth of Hispanics as perennial novelties. Building on the work of cultural historians, Herrera also employs the concept of “playing Latino” to describe the more enduring effects of Latina/o popular performance on U.S. systems of racial classification and knowledge production. Through detailed case studies, Herrera analyzes the ways in which Latinas/os have been typecast and stereotyped to “closet” or obscure ethnic, cultural, and regional distinctions among Hispanics, while simultaneously racializing them as non-white. Together, Herrera argues that the “Latin number” and “playing Latino” work in tandem to highlight the centrality of popular performance in rehearsing American audiences to think of Mexicans, Puerto Ricans, and Cubans in the more simplistic and monolithic terms of “Latino” and “Hispanic.”</p><p>
</p><p>
<a href="http://dornsife.usc.edu/cf/hist/people/student-display.cfm?Person_ID=1035531">David-James Gonzales (DJ)</a> is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity &amp; Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3532</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61698]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4546125781.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Scott Bruce, ed., “The Penguin Book of the Undead: Fifteen Hundred Years of Supernatural Encounters” (Penguin, 2016)</title>
      <description>Like so many Americans, I’m a big fan of the undead. I look forward to a night of nail-biting when a new episode of The Walking Dead airs and I get excited when Hollywood gears up for the next big-budget film featuring zombie hordes. I also love those rarer literary takes on the undead, such as Colson Whitehead’s Zone One, and I even published my own riff on the genre entitled The Cliffs, which imagines what those familiar zombies might do in the Appalachian foothills where I live. If you share my enthusiasm for people not quite alive and not quite dead and, well, not quite people, you’re in for a post-Halloween treat. Medieval historian and former grave-digger Scott Bruce has assembled an anthology of tales about the undead that shows were not alone. Readers have been fascinated by spirits, ghosts, apparitions, demons, and zombies since the start of Western literature. Bruce’s anthology, The Penguin Book of the Undead: Fifteen Hundred Years of Supernatural Encounters (Penguin, 2016) begins with Homer’s Odyssey and ends with Hamlet, but between those classic stories, he gives us selections from a vast and surprising range of sources: histories, hagiography, personal letters, theological treaties, sagas, and collections of miracles and marvels. In these selections, which are by turns fascinating, surprising, heartbreaking and sometimes freaky, the undead have never been so fresh, so lively.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 28 Nov 2016 21:12:50 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Like so many Americans, I’m a big fan of the undead. I look forward to a night of nail-biting when a new episode of The Walking Dead airs and I get excited when Hollywood gears up for the next big-budget film featuring zombie hordes.</itunes:subtitle>
      <itunes:summary>Like so many Americans, I’m a big fan of the undead. I look forward to a night of nail-biting when a new episode of The Walking Dead airs and I get excited when Hollywood gears up for the next big-budget film featuring zombie hordes. I also love those rarer literary takes on the undead, such as Colson Whitehead’s Zone One, and I even published my own riff on the genre entitled The Cliffs, which imagines what those familiar zombies might do in the Appalachian foothills where I live. If you share my enthusiasm for people not quite alive and not quite dead and, well, not quite people, you’re in for a post-Halloween treat. Medieval historian and former grave-digger Scott Bruce has assembled an anthology of tales about the undead that shows were not alone. Readers have been fascinated by spirits, ghosts, apparitions, demons, and zombies since the start of Western literature. Bruce’s anthology, The Penguin Book of the Undead: Fifteen Hundred Years of Supernatural Encounters (Penguin, 2016) begins with Homer’s Odyssey and ends with Hamlet, but between those classic stories, he gives us selections from a vast and surprising range of sources: histories, hagiography, personal letters, theological treaties, sagas, and collections of miracles and marvels. In these selections, which are by turns fascinating, surprising, heartbreaking and sometimes freaky, the undead have never been so fresh, so lively.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Like so many Americans, I’m a big fan of the undead. I look forward to a night of nail-biting when a new episode of The Walking Dead airs and I get excited when Hollywood gears up for the next big-budget film featuring zombie hordes. I also love those rarer literary takes on the undead, such as Colson Whitehead’s Zone One, and I even published my own riff on the genre entitled The Cliffs, which imagines what those familiar zombies might do in the Appalachian foothills where I live. If you share my enthusiasm for people not quite alive and not quite dead and, well, not quite people, you’re in for a post-Halloween treat. Medieval historian and former grave-digger <a href="http://www.colorado.edu/history/scott-g-bruce">Scott Bruce</a> has assembled an anthology of tales about the undead that shows were not alone. Readers have been fascinated by spirits, ghosts, apparitions, demons, and zombies since the start of Western literature. Bruce’s anthology, <a href="http://www.amazon.com/dp/0143107682/?tag=newbooinhis-20">The Penguin Book of the Undead: Fifteen Hundred Years of Supernatural Encounters </a>(Penguin, 2016) begins with Homer’s Odyssey and ends with Hamlet, but between those classic stories, he gives us selections from a vast and surprising range of sources: histories, hagiography, personal letters, theological treaties, sagas, and collections of miracles and marvels. In these selections, which are by turns fascinating, surprising, heartbreaking and sometimes freaky, the undead have never been so fresh, so lively.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2293</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61523]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8712037845.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Leon Wildes, “John Lennon vs The U.S.A.: The Inside Story of the Most Bitterly Contested and Influential Deportation Case in United States History” (Ankerwycke, 2016)</title>
      <description>Leon Wildes is the author of John Lennon vs The U.S.A.: The Inside Story of the Most Bitterly Contested and Influential Deportation Case in United States History (Ankerwycke 2016). Wildes is an immigration attorney and the founder partner of Wildes &amp; Weinberg.

As immigration issues dominate the discussion of President-Elect Donald Trump’s transition to power, Wildes takes us back to the dramatic deportation case of John Lennon. Part legal analysis, part legal history, John Lennon vs. The U.S.A. shows the way presidential politics played out in the case against Lennon. Wildes, Lennon’s lawyer in the case, retells the case for the first time in this interesting new book.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 21 Nov 2016 18:53:29 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Leon Wildes is the author of John Lennon vs The U.S.A.: The Inside Story of the Most Bitterly Contested and Influential Deportation Case in United States History (Ankerwycke 2016). Wildes is an immigration attorney and the founder partner of Wildes &amp; W...</itunes:subtitle>
      <itunes:summary>Leon Wildes is the author of John Lennon vs The U.S.A.: The Inside Story of the Most Bitterly Contested and Influential Deportation Case in United States History (Ankerwycke 2016). Wildes is an immigration attorney and the founder partner of Wildes &amp; Weinberg.

As immigration issues dominate the discussion of President-Elect Donald Trump’s transition to power, Wildes takes us back to the dramatic deportation case of John Lennon. Part legal analysis, part legal history, John Lennon vs. The U.S.A. shows the way presidential politics played out in the case against Lennon. Wildes, Lennon’s lawyer in the case, retells the case for the first time in this interesting new book.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.wildeslaw.com/index.php/about-the-firm/partners">Leon Wildes</a> is the author of <a href="http://www.amazon.com/dp/1634254260/?tag=newbooinhis-20">John Lennon vs The U.S.A.: The Inside Story of the Most Bitterly Contested and Influential Deportation Case in United States History</a> (Ankerwycke 2016). Wildes is an immigration attorney and the founder partner of Wildes &amp; Weinberg.</p><p>
As immigration issues dominate the discussion of President-Elect Donald Trump’s transition to power, Wildes takes us back to the dramatic deportation case of John Lennon. Part legal analysis, part legal history, John Lennon vs. The U.S.A. shows the way presidential politics played out in the case against Lennon. Wildes, Lennon’s lawyer in the case, retells the case for the first time in this interesting new book.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1044</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61438]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3502577265.mp3" length="0" type="audio/mpeg"/>
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      <title>Kirsty Sedgman, “Locating the Audience: How People Found Value in National Theatre Wales” (Intellect Books 2016)</title>
      <description>The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 19 Nov 2016 19:26:14 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bris...</itunes:subtitle>
      <itunes:summary>The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The value of the arts is a constant and vital question in contemporary culture. In <a href="http://www.amazon.com/dp/1783205717/?tag=newbooinhis-20">Locating the Audience: How People Found Value in National Theatre Wales </a>(Intellect Books, 2016) <a href="https://twitter.com/KirstySedgman">Kirsty Sedgman</a>, <a href="http://www.bris.ac.uk/school-of-arts/people/kirsty-e-sedgman/overview.html">British Academy Research Fellow at the University of Bristol</a>, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2470</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61358]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9194357163.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Claudia Kalb, “Andy Warhol was a Hoarder: Inside the Mind of History’s Great Personalities” (Natl Geographic, 2016)</title>
      <description>All humans endure their private struggles, but rarely do we know what troubles our most famous public figures until now. In her recent book, Andy Warhol was a Hoarder: Inside the Mind of History’s Great Personalities (National Geographic, 2016), award-winning journalist Claudia Kalb shares her research into the mental health histories of several well-known and much-loved people. She discusses Princess Diana’s struggle with eating disorder and severe loneliness; the impact of Frank Lloyd Wrights narcissism on his architectural masterpieces and personal relationships; and Andy Warhol’s penchant for holding onto and storing decades’ worth of day-to-day objects. In our interview, Kalb talks about her keen interest in these people and their stories, and we discuss the way such stories humanize these idealized figures and universalize the human quest for mental and emotional well-being.

Claudia Kalb is an award-winning journalist who specializes in the fields of medicine, health, and science, former senior writer at Newsweek, and contributor to publications such as Smithsonian and Scientific American. Follow her on Twitter.



Eugenio Duarte, Ph.D. is a licensed psychologist and psychoanalyst practicing in New York City. He treats individuals and couples, with specialties in LGBTQ issues, eating and body image problems, and relationship problems. Follow him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 27 Oct 2016 17:50:26 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>All humans endure their private struggles, but rarely do we know what troubles our most famous public figures until now. In her recent book, Andy Warhol was a Hoarder: Inside the Mind of History’s Great Personalities (National Geographic, 2016),</itunes:subtitle>
      <itunes:summary>All humans endure their private struggles, but rarely do we know what troubles our most famous public figures until now. In her recent book, Andy Warhol was a Hoarder: Inside the Mind of History’s Great Personalities (National Geographic, 2016), award-winning journalist Claudia Kalb shares her research into the mental health histories of several well-known and much-loved people. She discusses Princess Diana’s struggle with eating disorder and severe loneliness; the impact of Frank Lloyd Wrights narcissism on his architectural masterpieces and personal relationships; and Andy Warhol’s penchant for holding onto and storing decades’ worth of day-to-day objects. In our interview, Kalb talks about her keen interest in these people and their stories, and we discuss the way such stories humanize these idealized figures and universalize the human quest for mental and emotional well-being.

Claudia Kalb is an award-winning journalist who specializes in the fields of medicine, health, and science, former senior writer at Newsweek, and contributor to publications such as Smithsonian and Scientific American. Follow her on Twitter.



Eugenio Duarte, Ph.D. is a licensed psychologist and psychoanalyst practicing in New York City. He treats individuals and couples, with specialties in LGBTQ issues, eating and body image problems, and relationship problems. Follow him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>All humans endure their private struggles, but rarely do we know what troubles our most famous public figures until now. In her recent book, <a href="http://www.amazon.com/dp/1426214669/?tag=newbooinhis-20">Andy Warhol was a Hoarder: Inside the Mind of History’s Great Personalities </a>(National Geographic, 2016), award-winning journalist Claudia Kalb shares her research into the mental health histories of several well-known and much-loved people. She discusses Princess Diana’s struggle with eating disorder and severe loneliness; the impact of Frank Lloyd Wrights narcissism on his architectural masterpieces and personal relationships; and Andy Warhol’s penchant for holding onto and storing decades’ worth of day-to-day objects. In our interview, Kalb talks about her keen interest in these people and their stories, and we discuss the way such stories humanize these idealized figures and universalize the human quest for mental and emotional well-being.</p><p>
<a href="http://claudiakalb.com/">Claudia Kalb</a> is an award-winning journalist who specializes in the fields of medicine, health, and science, former senior writer at Newsweek, and contributor to publications such as Smithsonian and Scientific American. Follow her on <a href="https://twitter.com/ClaudiaKalb">Twitter</a>.</p><p>
</p><p>
<a href="http://www.eugenioduartephd.com/">Eugenio Duarte, Ph.D.</a> is a licensed psychologist and psychoanalyst practicing in New York City. He treats individuals and couples, with specialties in LGBTQ issues, eating and body image problems, and relationship problems. Follow him on <a href="https://twitter.com/dreugenioduarte">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3468</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61011]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9523576036.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Lethem, “A Gambler’s Anatomy” (Doubleday, 2016)</title>
      <description>Jonathan Lethem’s latest novel, A Gambler’s Anatomy (Doubleday, 2016), traces the existential crisis of an international backgammon hustler who thinks he’s psychic and who, while plying his trade in Berlin, discovers a rare kind of tumor growing behind his face. His search for a physical cure, seemingly at odds with his spiritual quest for identity, takes him to California, where he becomes embroiled in conspiratorial circumstances which become increasingly indistinguishable from his growing inner turmoil.

JONATHAN LETHEM is the New York Times bestselling author of nine novels, including Dissident Gardens, The Fortress of Solitude, and Motherless Brooklyn; three short story collections; and two essay collections, including The Ecstasy of Influence, which was a National Book Critics Circle Award finalist. A recipient of the MacArthur Fellowship and winner of the National Book Critics Circle Award for Fiction, Lethem’s work has appeared in The New Yorker, Harper’s Magazine, Rolling Stone, Esquire, and The New York Times, among other publications.

The second part of this interview can be found at: http://auticulture.com/liminalist-78-5-termite-elephant-unknown-face-jonathan-lethem/



Jasun Horsley is the author of Seen &amp; Not Seen: Confessions of a Movie Autist and several other books on extra-consensual perceptions. He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to http://auticulture.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 21 Oct 2016 18:12:51 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jonathan Lethem’s latest novel, A Gambler’s Anatomy (Doubleday, 2016), traces the existential crisis of an international backgammon hustler who thinks he’s psychic and who, while plying his trade in Berlin,</itunes:subtitle>
      <itunes:summary>Jonathan Lethem’s latest novel, A Gambler’s Anatomy (Doubleday, 2016), traces the existential crisis of an international backgammon hustler who thinks he’s psychic and who, while plying his trade in Berlin, discovers a rare kind of tumor growing behind his face. His search for a physical cure, seemingly at odds with his spiritual quest for identity, takes him to California, where he becomes embroiled in conspiratorial circumstances which become increasingly indistinguishable from his growing inner turmoil.

JONATHAN LETHEM is the New York Times bestselling author of nine novels, including Dissident Gardens, The Fortress of Solitude, and Motherless Brooklyn; three short story collections; and two essay collections, including The Ecstasy of Influence, which was a National Book Critics Circle Award finalist. A recipient of the MacArthur Fellowship and winner of the National Book Critics Circle Award for Fiction, Lethem’s work has appeared in The New Yorker, Harper’s Magazine, Rolling Stone, Esquire, and The New York Times, among other publications.

The second part of this interview can be found at: http://auticulture.com/liminalist-78-5-termite-elephant-unknown-face-jonathan-lethem/



Jasun Horsley is the author of Seen &amp; Not Seen: Confessions of a Movie Autist and several other books on extra-consensual perceptions. He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to http://auticulture.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jonathan Lethem’s latest novel, <a href="http://www.amazon.com/dp/0385539908/?tag=newbooinhis-20">A Gambler’s Anatomy </a>(Doubleday, 2016), traces the existential crisis of an international backgammon hustler who thinks he’s psychic and who, while plying his trade in Berlin, discovers a rare kind of tumor growing behind his face. His search for a physical cure, seemingly at odds with his spiritual quest for identity, takes him to California, where he becomes embroiled in conspiratorial circumstances which become increasingly indistinguishable from his growing inner turmoil.</p><p>
JONATHAN LETHEM is the New York Times bestselling author of nine novels, including Dissident Gardens, The Fortress of Solitude, and Motherless Brooklyn; three short story collections; and two essay collections, including The Ecstasy of Influence, which was a National Book Critics Circle Award finalist. A recipient of the MacArthur Fellowship and winner of the National Book Critics Circle Award for Fiction, Lethem’s work has appeared in The New Yorker, Harper’s Magazine, Rolling Stone, Esquire, and The New York Times, among other publications.</p><p>
The second part of this interview can be found at: <a href="http://auticulture.com/liminalist-78-5-termite-elephant-unknown-face-jonathan-lethem/">http://auticulture.com/liminalist-78-5-termite-elephant-unknown-face-jonathan-lethem/</a></p><p>
</p><p>
<a href="https://en.wikipedia.org/wiki/Jason_Horsley">Jasun Horsley</a> is the author of <a href="http://www.zero-books.net/books/seen-not-seen">Seen &amp; Not Seen: Confessions of a Movie Autist</a> and several other books on extra-consensual perceptions. He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to <a href="http://auticulture.com/">http://auticulture.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4287</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60935]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1435024249.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jack Hamilton, “Just Around Midnight: Rock and Roll and the Racial Imagination” (Harvard UP, 2016)</title>
      <description>In Just Around Midnight: Rock and Roll and the Racial Imagination (Harvard University Press, 2016), Jack Hamilton examines major American and British recording artists of the 1960s to explain what happened during the decade to turn rock-n-roll white. By pairing musicians such as Sam Cooke and Bob Dylan or The Beatles and Motown, Hamilton explores the connections among artists and how artists influenced each other across racial and musical distinctions. Hamilton’s well-researched text seeks to expand how we think about the rock and roll canon and challenge how we think about music during the time period. He explores the ways in which rock and roll critics rebranded rock and roll as white and promoted and sold it as authentic to fans. Hamilton’s book challenges the racial categories of authenticity in the 1960s, and challenges readers to hear music differently.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 11 Oct 2016 22:00:39 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Just Around Midnight: Rock and Roll and the Racial Imagination (Harvard University Press, 2016), Jack Hamilton examines major American and British recording artists of the 1960s to explain what happened during the decade to turn rock-n-roll white.</itunes:subtitle>
      <itunes:summary>In Just Around Midnight: Rock and Roll and the Racial Imagination (Harvard University Press, 2016), Jack Hamilton examines major American and British recording artists of the 1960s to explain what happened during the decade to turn rock-n-roll white. By pairing musicians such as Sam Cooke and Bob Dylan or The Beatles and Motown, Hamilton explores the connections among artists and how artists influenced each other across racial and musical distinctions. Hamilton’s well-researched text seeks to expand how we think about the rock and roll canon and challenge how we think about music during the time period. He explores the ways in which rock and roll critics rebranded rock and roll as white and promoted and sold it as authentic to fans. Hamilton’s book challenges the racial categories of authenticity in the 1960s, and challenges readers to hear music differently.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0674416597/?tag=newbooinhis-20">Just Around Midnight: Rock and Roll and the Racial Imagination </a>(Harvard University Press, 2016), <a href="http://www.jack-hamilton.com/about">Jack Hamilton</a> examines major American and British recording artists of the 1960s to explain what happened during the decade to turn rock-n-roll white. By pairing musicians such as Sam Cooke and Bob Dylan or The Beatles and Motown, Hamilton explores the connections among artists and how artists influenced each other across racial and musical distinctions. Hamilton’s well-researched text seeks to expand how we think about the rock and roll canon and challenge how we think about music during the time period. He explores the ways in which rock and roll critics rebranded rock and roll as white and promoted and sold it as authentic to fans. Hamilton’s book challenges the racial categories of authenticity in the 1960s, and challenges readers to hear music differently.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://www.rebekahjbuchanan.com">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at<a href="mailto:rj-buchanan@wiu.edu"> rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3750</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60772]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1589121992.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alisa Solomon, “Wonder of Wonders: A Cultural History of Fiddler on the Roof” (Metropolitan, 2013)</title>
      <description>In Wonder of Wonders: A Cultural History of Fiddler on the Roof (Metropolitan, 2013), Alisa Solomon, Director of the Arts and Culture concentration in the MA program at Columbia University’s Graduate School of Journalism, traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone. She examines the pre-history of the first adaptations, the core story of the development of the broadway musical, and the fascinating afterlife of the musical including adaptations in Israel and Poland. This book is a great read and the essential volume on Fiddler on the Roof.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 03 Oct 2016 10:05:07 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Wonder of Wonders: A Cultural History of Fiddler on the Roof (Metropolitan, 2013), Alisa Solomon, Director of the Arts and Culture concentration in the MA program at Columbia University’s Graduate School of Journalism,</itunes:subtitle>
      <itunes:summary>In Wonder of Wonders: A Cultural History of Fiddler on the Roof (Metropolitan, 2013), Alisa Solomon, Director of the Arts and Culture concentration in the MA program at Columbia University’s Graduate School of Journalism, traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone. She examines the pre-history of the first adaptations, the core story of the development of the broadway musical, and the fascinating afterlife of the musical including adaptations in Israel and Poland. This book is a great read and the essential volume on Fiddler on the Roof.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1250058708/?tag=newbooinhis-20">Wonder of Wonders: A Cultural History of Fiddler on the Roof</a> (Metropolitan, 2013), <a href="http://alisasolomon.com/">Alisa Solomon</a>, Director of the Arts and Culture concentration in the MA program at Columbia University’s Graduate School of Journalism, traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone. She examines the pre-history of the first adaptations, the core story of the development of the broadway musical, and the fascinating afterlife of the musical including adaptations in Israel and Poland. This book is a great read and the essential volume on Fiddler on the Roof.</p><p>
</p><p>
<a href="https://unimelb.academia.edu/MaxKaiser">Max Kaiser</a> is a PhD candidate at the University of Melbourne. He can be reached at <a href="mailto:kaiser@student.unimelb.edu.au">kaiser@student.unimelb.edu.au</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60134]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6698121534.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Ensminger, “The Politics of Punk: Protest and Revolt from the Streets” (Rowman and Littlefield, 2016)</title>
      <description>Punk has long been viewed as a subculture of anger, disruption, and alternative political and lifestyle choices. In The Politics of Punk: Protest and Revolt from the Streets (Rowman and Littlefield, 2016) David Ensminger examines the various ways in which punk has created connections to various activist communities. Using interviews with musicians and subculture participants, oral histories, observations, and popular media reports, Ensminger follows the money trail, exploring where punk as a subculture has influenced communities and challenged dominant narratives. Ensminger positions punk’s beginnings in the larger political and social culture, connecting punk activism to the communities of which it was a part. He examines how punks were grassroots activists in ways that are often overlooked in traditional histories of the movement. Ensminger’s book appeals to scholars and readers interested in punk culture, popular music, activisms, and popular culture as Ensminger’s engaging work adds to the growing history of punk.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 30 Sep 2016 18:47:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Punk has long been viewed as a subculture of anger, disruption, and alternative political and lifestyle choices. In The Politics of Punk: Protest and Revolt from the Streets (Rowman and Littlefield, 2016) David Ensminger examines the various ways in wh...</itunes:subtitle>
      <itunes:summary>Punk has long been viewed as a subculture of anger, disruption, and alternative political and lifestyle choices. In The Politics of Punk: Protest and Revolt from the Streets (Rowman and Littlefield, 2016) David Ensminger examines the various ways in which punk has created connections to various activist communities. Using interviews with musicians and subculture participants, oral histories, observations, and popular media reports, Ensminger follows the money trail, exploring where punk as a subculture has influenced communities and challenged dominant narratives. Ensminger positions punk’s beginnings in the larger political and social culture, connecting punk activism to the communities of which it was a part. He examines how punks were grassroots activists in ways that are often overlooked in traditional histories of the movement. Ensminger’s book appeals to scholars and readers interested in punk culture, popular music, activisms, and popular culture as Ensminger’s engaging work adds to the growing history of punk.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Punk has long been viewed as a subculture of anger, disruption, and alternative political and lifestyle choices. In <a href="http://www.amazon.com/dp/1442254440/?tag=newbooinhis-20">The Politics of Punk: Protest and Revolt from the Streets</a> (Rowman and Littlefield, 2016) <a href="https://visualvitriol.wordpress.com/">David Ensminger</a> examines the various ways in which punk has created connections to various activist communities. Using interviews with musicians and subculture participants, oral histories, observations, and popular media reports, Ensminger follows the money trail, exploring where punk as a subculture has influenced communities and challenged dominant narratives. Ensminger positions punk’s beginnings in the larger political and social culture, connecting punk activism to the communities of which it was a part. He examines how punks were grassroots activists in ways that are often overlooked in traditional histories of the movement. Ensminger’s book appeals to scholars and readers interested in punk culture, popular music, activisms, and popular culture as Ensminger’s engaging work adds to the growing history of punk.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="https://rebekahjbuchanan.com/">website</a>, follow her on Twitter<a href="https://twitter.com/rj_buchanan"> @rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3466</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60594]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2671721515.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sali Tagliamonte, “Teen Talk: The Language of Adolescents” (Cambridge UP, 2016)</title>
      <description>Teenagers get a lot of bad press. Whether it’s how they look, how they dress, the things they say, the way they say it – it sometimes seems as if they can’t get anything right. And when it comes to language, it’s clear that teenagers are special. But though anecdotal evidence abounds, just how special, and in what ways, has rarely been the subject of detailed empirical research.

Sali Tagliamonte’s book Teen Talk: The Language of Adolescents (Cambridge University Press, 2016) is the first step towards filling that gap. Using a variety of data sources and approaches, the book zooms in on some of the “funky features” that set teen language apart. In this interview, we discuss several of the words and structures featured in the book: “just”, “stuff”, “weird”, “awesome”, and the much-maligned “like.” We also discuss the special ecological niche that teen language has in the process of language change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 26 Sep 2016 18:39:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Teenagers get a lot of bad press. Whether it’s how they look, how they dress, the things they say, the way they say it – it sometimes seems as if they can’t get anything right. And when it comes to language, it’s clear that teenagers are special.</itunes:subtitle>
      <itunes:summary>Teenagers get a lot of bad press. Whether it’s how they look, how they dress, the things they say, the way they say it – it sometimes seems as if they can’t get anything right. And when it comes to language, it’s clear that teenagers are special. But though anecdotal evidence abounds, just how special, and in what ways, has rarely been the subject of detailed empirical research.

Sali Tagliamonte’s book Teen Talk: The Language of Adolescents (Cambridge University Press, 2016) is the first step towards filling that gap. Using a variety of data sources and approaches, the book zooms in on some of the “funky features” that set teen language apart. In this interview, we discuss several of the words and structures featured in the book: “just”, “stuff”, “weird”, “awesome”, and the much-maligned “like.” We also discuss the special ecological niche that teen language has in the process of language change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Teenagers get a lot of bad press. Whether it’s how they look, how they dress, the things they say, the way they say it – it sometimes seems as if they can’t get anything right. And when it comes to language, it’s clear that teenagers are special. But though anecdotal evidence abounds, just how special, and in what ways, has rarely been the subject of detailed empirical research.</p><p>
<a href="http://individual.utoronto.ca/tagliamonte/">Sali Tagliamonte’s</a> book <a href="http://www.amazon.com/dp/1107676177/?tag=newbooinhis-20">Teen Talk: The Language of Adolescents </a>(Cambridge University Press, 2016) is the first step towards filling that gap. Using a variety of data sources and approaches, the book zooms in on some of the “funky features” that set teen language apart. In this interview, we discuss several of the words and structures featured in the book: “just”, “stuff”, “weird”, “awesome”, and the much-maligned “like.” We also discuss the special ecological niche that teen language has in the process of language change.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3469</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60457]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1706871076.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jade Doskow, “Lost Utopias” (Black Dog Publishing, 2016)</title>
      <description>Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. Lost Utopias (Black Dog Publishing, 2016) brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the Seattle Space Needle, the Eiffel Tower, Brussels Palais des Expositions and New York’s Unisphere. Doskow’s large-scale colorphotographs poignantly illustrate the utopian architecture and art that has surrounded the Worlds Fairs, across both the nineteenth and twentieth centuries. Presented in a large-scale hardback book, Doskow’s work carries a unique sense of both grandeur and dreaminess, whilst also reflecting upon the often temporary purposes that these structures once held. Jade Doskow is an award-winning photographer based in Peekskill, New York. She holds a BA in Philosophy of Art and Music from New York University and an MFA in Photography &amp; Video from the School of Visual Arts. She is currently on the photography faculty of the School of Visual Arts and the International Center of Photography, and was named by ‘American Photo’ as ‘One to Watch’ in 2013.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 21 Sep 2016 18:48:09 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay.</itunes:subtitle>
      <itunes:summary>Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. Lost Utopias (Black Dog Publishing, 2016) brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the Seattle Space Needle, the Eiffel Tower, Brussels Palais des Expositions and New York’s Unisphere. Doskow’s large-scale colorphotographs poignantly illustrate the utopian architecture and art that has surrounded the Worlds Fairs, across both the nineteenth and twentieth centuries. Presented in a large-scale hardback book, Doskow’s work carries a unique sense of both grandeur and dreaminess, whilst also reflecting upon the often temporary purposes that these structures once held. Jade Doskow is an award-winning photographer based in Peekskill, New York. She holds a BA in Philosophy of Art and Music from New York University and an MFA in Photography &amp; Video from the School of Visual Arts. She is currently on the photography faculty of the School of Visual Arts and the International Center of Photography, and was named by ‘American Photo’ as ‘One to Watch’ in 2013.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since 2007, American photographer <a href="http://www.jadedoskowphotography.com/">Jade Doskow</a> has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. <a href="http://www.amazon.com/dp/1911164112/?tag=newbooinhis-20">Lost Utopias</a> (Black Dog Publishing, 2016) brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the Seattle Space Needle, the Eiffel Tower, Brussels Palais des Expositions and New York’s Unisphere. Doskow’s large-scale colorphotographs poignantly illustrate the utopian architecture and art that has surrounded the Worlds Fairs, across both the nineteenth and twentieth centuries. Presented in a large-scale hardback book, Doskow’s work carries a unique sense of both grandeur and dreaminess, whilst also reflecting upon the often temporary purposes that these structures once held. Jade Doskow is an award-winning photographer based in Peekskill, New York. She holds a BA in Philosophy of Art and Music from New York University and an MFA in Photography &amp; Video from the School of Visual Arts. She is currently on the photography faculty of the School of Visual Arts and the International Center of Photography, and was named by ‘American Photo’ as ‘One to Watch’ in 2013.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3405</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60389]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9396123880.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Dennis Bartok and Jeff Joseph, “A Thousand Cuts: The Bizarre Underground World of Collectors and Dealers Who Saved the Movies ” (U. Press of Mississippi, 2016)</title>
      <description>While many fans collect all kinds of memorabilia related to their favorite movies, others actually seek out and collect the actual celluloid films. For their book, A Thousand Cuts: The Bizarre Underground World of Collectors and Dealers Who Saved the Movies (University Press of Mississippi, 2016) Dennis Bartok and Jeff Joseph interviewed many of these collectors and learned about the issues they faced, both in finding their own special treasures, as well as the legal issues suffered by some of them.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 19 Sep 2016 18:40:21 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>While many fans collect all kinds of memorabilia related to their favorite movies, others actually seek out and collect the actual celluloid films. For their book, A Thousand Cuts: The Bizarre Underground World of Collectors and Dealers Who Saved the M...</itunes:subtitle>
      <itunes:summary>While many fans collect all kinds of memorabilia related to their favorite movies, others actually seek out and collect the actual celluloid films. For their book, A Thousand Cuts: The Bizarre Underground World of Collectors and Dealers Who Saved the Movies (University Press of Mississippi, 2016) Dennis Bartok and Jeff Joseph interviewed many of these collectors and learned about the issues they faced, both in finding their own special treasures, as well as the legal issues suffered by some of them.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While many fans collect all kinds of memorabilia related to their favorite movies, others actually seek out and collect the actual celluloid films. For their book, <a href="http://www.amazon.com/dp/1496807731/?tag=newbooinhis-20">A Thousand Cuts: The Bizarre Underground World of Collectors and Dealers Who Saved the Movies</a> (University Press of Mississippi, 2016) <a href="http://www.imdb.com/name/nm1156853/">Dennis Bartok</a> and Jeff Joseph interviewed many of these collectors and learned about the issues they faced, both in finding their own special treasures, as well as the legal issues suffered by some of them.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3982</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60258]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5165027063.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David M. Krueger, “Myths of the Rune Stone: Viking Martyrs and the Birthplace of America” (U. of Minnesota Press, 2015)</title>
      <description>What do our myths say about us? Why do we choose to believe stories that have been disproven by science? In Myths of the Rune Stone: Viking Martyrs and the Birthplace of America (University of Minnesota Press, 2015), David M. Krueger takes an in-depth look at a legend that held tremendous power in one corner of Minnesota, helping to define a community’s identity for decades. In 1898, a Swedish immigrant farmer claimed to have discovered a large rock with writing carved into its surface in a field near Kensington, Minnesota. The writing was interpreted to tell a North American origin story, predating Christopher Columbus’ exploration, in which Viking missionaries reached what is now Minnesota in 1362 only to be massacred by Native Americans. The tales credibility and the inscription’s authenticity was quickly challenged and ultimately undermined by experts, but the myth took hold. Popular faith in the dubious artifact emerged as a local expression of American civil religion, which appealed to Scandinavian immigrants, Catholics, small town boosters and those looking to commemorate the white settlers who died in the Dakota War of 1862.

This book is a case study of how myths are created, propagated, and adapted over time and reveals something unique about America’s preoccupation with divine right and its troubled way of coming to terms with the history of the continent’s first residents. The multiple narratives around the stone would be effective in a variety of classroom settings and you can find resources for using the book in the classroom on the book’s website https://mythsoftherunestone.com. In our conversation we discussed myth, small town life and Minnesotan civic identity, martyrdom, secularization, the Cold War, Vikings, Marion devotion, Native Americans, Christian identity in Minnesota, American civil religion, and the multiple venues for using the book in the classroom.



Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 13 Sep 2016 21:19:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do our myths say about us? Why do we choose to believe stories that have been disproven by science? In Myths of the Rune Stone: Viking Martyrs and the Birthplace of America (University of Minnesota Press, 2015), David M.</itunes:subtitle>
      <itunes:summary>What do our myths say about us? Why do we choose to believe stories that have been disproven by science? In Myths of the Rune Stone: Viking Martyrs and the Birthplace of America (University of Minnesota Press, 2015), David M. Krueger takes an in-depth look at a legend that held tremendous power in one corner of Minnesota, helping to define a community’s identity for decades. In 1898, a Swedish immigrant farmer claimed to have discovered a large rock with writing carved into its surface in a field near Kensington, Minnesota. The writing was interpreted to tell a North American origin story, predating Christopher Columbus’ exploration, in which Viking missionaries reached what is now Minnesota in 1362 only to be massacred by Native Americans. The tales credibility and the inscription’s authenticity was quickly challenged and ultimately undermined by experts, but the myth took hold. Popular faith in the dubious artifact emerged as a local expression of American civil religion, which appealed to Scandinavian immigrants, Catholics, small town boosters and those looking to commemorate the white settlers who died in the Dakota War of 1862.

This book is a case study of how myths are created, propagated, and adapted over time and reveals something unique about America’s preoccupation with divine right and its troubled way of coming to terms with the history of the continent’s first residents. The multiple narratives around the stone would be effective in a variety of classroom settings and you can find resources for using the book in the classroom on the book’s website https://mythsoftherunestone.com. In our conversation we discussed myth, small town life and Minnesotan civic identity, martyrdom, secularization, the Cold War, Vikings, Marion devotion, Native Americans, Christian identity in Minnesota, American civil religion, and the multiple venues for using the book in the classroom.



Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do our myths say about us? Why do we choose to believe stories that have been disproven by science? In<a href="http://www.amazon.com/dp/0816696969/?tag=newbooinhis-20"> Myths of the Rune Stone: Viking Martyrs and the Birthplace of America </a>(University of Minnesota Press, 2015), <a href="https://davidkrueger.org/">David M. Krueger</a> takes an in-depth look at a legend that held tremendous power in one corner of Minnesota, helping to define a community’s identity for decades. In 1898, a Swedish immigrant farmer claimed to have discovered a large rock with writing carved into its surface in a field near Kensington, Minnesota. The writing was interpreted to tell a North American origin story, predating Christopher Columbus’ exploration, in which Viking missionaries reached what is now Minnesota in 1362 only to be massacred by Native Americans. The tales credibility and the inscription’s authenticity was quickly challenged and ultimately undermined by experts, but the myth took hold. Popular faith in the dubious artifact emerged as a local expression of American civil religion, which appealed to Scandinavian immigrants, Catholics, small town boosters and those looking to commemorate the white settlers who died in the Dakota War of 1862.</p><p>
This book is a case study of how myths are created, propagated, and adapted over time and reveals something unique about America’s preoccupation with divine right and its troubled way of coming to terms with the history of the continent’s first residents. The multiple narratives around the stone would be effective in a variety of classroom settings and you can find resources for using the book in the classroom on the book’s website <a href="https://mythsoftherunestone.com/">https://mythsoftherunestone.com</a>. In our conversation we discussed myth, small town life and Minnesotan civic identity, martyrdom, secularization, the Cold War, Vikings, Marion devotion, Native Americans, Christian identity in Minnesota, American civil religion, and the multiple venues for using the book in the classroom.</p><p>
</p><p>
<a href="http://drkristianpetersen.com">Kristian Petersen</a> is an Assistant Professor in the <a href="http://www.unomaha.edu/religiousstudies/">Department of Religious Studies</a> at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his <a href="http://drkristianpetersen.com">website</a>, follow him on Twitter <a href="https://twitter.com/BabaKristian">@BabaKristian</a>, or email him at <a href="mailto:kjpetersen@unomaha.edu">kjpetersen@unomaha.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3864</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60198]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8060165274.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Andrew Schulman, “Waking the Spirit: A Musician’s Journey Healing Body, Mind, and Soul (Picador 2016)</title>
      <description>What do the musical compositions of Bach, Gershwin, and the Beatles all have in common? Besides being great pieces of music, according to Andrew Schulman, they promote healing in intensive care (ICU) settings. Schulman is a classical guitar player and performer and author of Waking the Spirit: A Musician’s Journey Healing Body, Mind, and Soul (Picador, 2016). Schulman did not receive training as a music therapist and only began working in ICUs after he had a near-death experience at one. Waking the Spirit offers a gripping account of his medical journey and his decision to give back to others. As a result of his collaboration with his former doctors, Schulman became what he terms, a “medical musician.”

During the podcast, Schulman briefly describes his journey and reflects upon what he has learned about music from working in the ICU. He also talks about how his work in the ICU has made him a better concert performer. In our conversation, we explore how music heals, what forms of music seem most suited for healing, and the role of musicians and music therapists in ICUs.

Andrew Schulman is the resident musician in the Surgical Intensive Care Unit at Mount Sinai Beth Israel hospital in New York City and Berkshire Medical Center in Pittsfield, Massachusetts. He is the founder and artistic director of the Abaca String Band. He is also a solo guitarist and has appeared at Carnegie Hall, the Improv Comedy Club, and the White House. He lives in New York City with his wife, Wendy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 08 Sep 2016 18:53:12 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do the musical compositions of Bach, Gershwin, and the Beatles all have in common? Besides being great pieces of music, according to Andrew Schulman, they promote healing in intensive care (ICU) settings.</itunes:subtitle>
      <itunes:summary>What do the musical compositions of Bach, Gershwin, and the Beatles all have in common? Besides being great pieces of music, according to Andrew Schulman, they promote healing in intensive care (ICU) settings. Schulman is a classical guitar player and performer and author of Waking the Spirit: A Musician’s Journey Healing Body, Mind, and Soul (Picador, 2016). Schulman did not receive training as a music therapist and only began working in ICUs after he had a near-death experience at one. Waking the Spirit offers a gripping account of his medical journey and his decision to give back to others. As a result of his collaboration with his former doctors, Schulman became what he terms, a “medical musician.”

During the podcast, Schulman briefly describes his journey and reflects upon what he has learned about music from working in the ICU. He also talks about how his work in the ICU has made him a better concert performer. In our conversation, we explore how music heals, what forms of music seem most suited for healing, and the role of musicians and music therapists in ICUs.

Andrew Schulman is the resident musician in the Surgical Intensive Care Unit at Mount Sinai Beth Israel hospital in New York City and Berkshire Medical Center in Pittsfield, Massachusetts. He is the founder and artistic director of the Abaca String Band. He is also a solo guitarist and has appeared at Carnegie Hall, the Improv Comedy Club, and the White House. He lives in New York City with his wife, Wendy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do the musical compositions of Bach, Gershwin, and the Beatles all have in common? Besides being great pieces of music, according to Andrew Schulman, they promote healing in intensive care (ICU) settings. Schulman is a classical guitar player and performer and author of <a href="http://www.amazon.com/dp/1250055776/?tag=newbooinhis-20">Waking the Spirit: A Musician’s Journey Healing Body, Mind, and Soul</a> (Picador, 2016). Schulman did not receive training as a music therapist and only began working in ICUs after he had a near-death experience at one. Waking the Spirit offers a gripping account of his medical journey and his decision to give back to others. As a result of his collaboration with his former doctors, Schulman became what he terms, a “medical musician.”</p><p>
During the podcast, Schulman briefly describes his journey and reflects upon what he has learned about music from working in the ICU. He also talks about how his work in the ICU has made him a better concert performer. In our conversation, we explore how music heals, what forms of music seem most suited for healing, and the role of musicians and music therapists in ICUs.</p><p>
Andrew Schulman is the resident musician in the Surgical Intensive Care Unit at Mount Sinai Beth Israel hospital in New York City and Berkshire Medical Center in Pittsfield, Massachusetts. He is the founder and artistic director of the Abaca String Band. He is also a solo guitarist and has appeared at Carnegie Hall, the Improv Comedy Club, and the White House. He lives in New York City with his wife, Wendy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2959</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60051]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7437407148.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert K. Elder, et. al. “Hidden Hemingway: Inside the Ernest Hemingway Archives of Oak Park” (Kent State UP, 2016)</title>
      <description>Before the war, before the novels, before the four marriages and the safaris, the plane crashes and the bullfighting fascination, Ernest Hemingway was simply a young boy growing up in Oak Park, Illinois, a suburb of Chicago. Author Robert K. Elder lives in Oak Park, and for the colorful and interesting Hidden Hemingway: Inside the Ernest Hemingway Archives of Oak Park (Kent State University Press, 2016), he and his co-authors Aaron Vetch and Mark Cirino dug into multiple locations of the Hemingway archives. The legendary author’s life was as big as his fiction, and Elder and the documents preserved in the writer’s hometown help tell his story. Garrison Keillor said of the book, “Ernest Hemingway was the genuine literary giant of my youth: we groundlings studied him closely, we imitated and then we parodied him, we admired the fine figure he cut and envied his celebrity, and now fifty years later, it’s a privilege to look through his closet and read his stuff and discover him as a mortal man.” From ancestral documents and photos to Hemingway’s early prose, love letters, yearbook pages and more, a thorough picture of the writer emerges.

Elder and podcast host Gael Fashingbauer Cooper discuss the most enlightening, surprising and shocking archival discoveries, as well as how Hemingway’s most famous dig at his hometown was probably never said by him at all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Aug 2016 18:29:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Before the war, before the novels, before the four marriages and the safaris, the plane crashes and the bullfighting fascination, Ernest Hemingway was simply a young boy growing up in Oak Park, Illinois, a suburb of Chicago. Author Robert K.</itunes:subtitle>
      <itunes:summary>Before the war, before the novels, before the four marriages and the safaris, the plane crashes and the bullfighting fascination, Ernest Hemingway was simply a young boy growing up in Oak Park, Illinois, a suburb of Chicago. Author Robert K. Elder lives in Oak Park, and for the colorful and interesting Hidden Hemingway: Inside the Ernest Hemingway Archives of Oak Park (Kent State University Press, 2016), he and his co-authors Aaron Vetch and Mark Cirino dug into multiple locations of the Hemingway archives. The legendary author’s life was as big as his fiction, and Elder and the documents preserved in the writer’s hometown help tell his story. Garrison Keillor said of the book, “Ernest Hemingway was the genuine literary giant of my youth: we groundlings studied him closely, we imitated and then we parodied him, we admired the fine figure he cut and envied his celebrity, and now fifty years later, it’s a privilege to look through his closet and read his stuff and discover him as a mortal man.” From ancestral documents and photos to Hemingway’s early prose, love letters, yearbook pages and more, a thorough picture of the writer emerges.

Elder and podcast host Gael Fashingbauer Cooper discuss the most enlightening, surprising and shocking archival discoveries, as well as how Hemingway’s most famous dig at his hometown was probably never said by him at all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Before the war, before the novels, before the four marriages and the safaris, the plane crashes and the bullfighting fascination, Ernest Hemingway was simply a young boy growing up in Oak Park, Illinois, a suburb of Chicago. Author <a href="http://robelder.com/">Robert K. Elder</a> lives in Oak Park, and for the colorful and interesting <a href="http://www.amazon.com/dp/1606352733/?tag=newbooinhis-20">Hidden Hemingway: Inside the Ernest Hemingway Archives of Oak Park</a> (Kent State University Press, 2016), he and his co-authors Aaron Vetch and <a href="https://www.hemingwaysociety.org/mark-cirino">Mark Cirino</a> dug into multiple locations of the Hemingway archives. The legendary author’s life was as big as his fiction, and Elder and the documents preserved in the writer’s hometown help tell his story. Garrison Keillor said of the book, “Ernest Hemingway was the genuine literary giant of my youth: we groundlings studied him closely, we imitated and then we parodied him, we admired the fine figure he cut and envied his celebrity, and now fifty years later, it’s a privilege to look through his closet and read his stuff and discover him as a mortal man.” From ancestral documents and photos to Hemingway’s early prose, love letters, yearbook pages and more, a thorough picture of the writer emerges.</p><p>
Elder and podcast host Gael Fashingbauer Cooper discuss the most enlightening, surprising and shocking archival discoveries, as well as how Hemingway’s most famous dig at his hometown was probably never said by him at all.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3546</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=59887]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3956369532.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jean Chalaby, “The Format Age: Television’s Entertainment Revolution” (Polity, 2015)</title>
      <description>Television had been transformed by the rise of the format. In The Format Age: Television’s Entertainment Revolution Jean Chalaby, Professor of International Communication at City University London, charts the beginnings of the format for TV shows, through the globalization of the trade in TV formats, to conclude with reflections on the future of local and global TV markets. The book uses an eclectic set of theoretical frames, including Global Value Chains, World Systems Theory and work of the Annales School, to chart the political economy of the TV format. Using a wide range of examples, detailed case studies of local markets and local production systems (including the UK), the book shows how the format is now crucial to the modern television industry encompassing everything from the game show to the long form drama. The book will be of interest to all media and communications scholars, as well as anyone keen to know why we have the sorts of television programmes we have on our screens.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 29 Aug 2016 14:43:49 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Television had been transformed by the rise of the format. In The Format Age: Television’s Entertainment Revolution Jean Chalaby, Professor of International Communication at City University London, charts the beginnings of the format for TV shows,</itunes:subtitle>
      <itunes:summary>Television had been transformed by the rise of the format. In The Format Age: Television’s Entertainment Revolution Jean Chalaby, Professor of International Communication at City University London, charts the beginnings of the format for TV shows, through the globalization of the trade in TV formats, to conclude with reflections on the future of local and global TV markets. The book uses an eclectic set of theoretical frames, including Global Value Chains, World Systems Theory and work of the Annales School, to chart the political economy of the TV format. Using a wide range of examples, detailed case studies of local markets and local production systems (including the UK), the book shows how the format is now crucial to the modern television industry encompassing everything from the game show to the long form drama. The book will be of interest to all media and communications scholars, as well as anyone keen to know why we have the sorts of television programmes we have on our screens.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Television had been transformed by the rise of the format. In <a href="http://www.amazon.com/dp/1509502599/?tag=newbooinhis-20">The Format Age: Television’s Entertainment Revolution</a> <a href="http://www.city.ac.uk/people/academics/jean-chalaby">Jean Chalaby</a>, Professor of International Communication at City University London, charts the beginnings of the format for TV shows, through the globalization of the trade in TV formats, to conclude with reflections on the future of local and global TV markets. The book uses an eclectic set of theoretical frames, including Global Value Chains, World Systems Theory and work of the Annales School, to chart the political economy of the TV format. Using a wide range of examples, detailed case studies of local markets and local production systems (including the UK), the book shows how the format is now crucial to the modern television industry encompassing everything from the game show to the long form drama. The book will be of interest to all media and communications scholars, as well as anyone keen to know why we have the sorts of television programmes we have on our screens.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2506</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=59869]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4203096368.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>John Jodzio, “Knock Out” (Soft Skull Press, 2016)</title>
      <description>John Jodzio, oft and rightly compared to George Saunders, is lauded by Chuck Klosterman as “the best best kind of modern fiction writer: a thematic traditionalist who feels totally new.” It’s no wonder this hilarious and profound Minneapolis writer has cultivated a cult following who flock to his reading events. His most recent collection Knock Out: Stories (Soft Skull Press, 2016) features a cast of complex, compelling, and strange characters (an alcoholic bed and breakfast owner, a recovering meth addict and a kidnapped tiger, an agoraphobic mother raising her baby completely indoors, a former soap opera star paralyzed in a human cannon ball stunt gone bad, and a son trying to keep the opium den family business afloat– just to name a few) who ultimately reveal their own raw humanity, as well as our shared emotional experience without the baggage of sentimentality. Jodzio walks a tightrope between comedic gold and hitting the sweet spot of crack-your-ribcage-open-and-shatter-your-heart-like-a-geode. These artfully crafted stories are difficult to put down, and Jodzio’s plotting and pacing are so spot on that it’s a deceptively quick read. It’s only on rereading that we see how hard each sentence is working to reveal the world anew to us as readers.



Barbara Harroun is an Assistant Professor at Western Illinois University. Her work can be found at Fiction Southeast, Watershed Review, Rappahannock Review and Iron Horse Literary Review, among others. She can be found at barbaraharroun.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 27 Aug 2016 10:00:28 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>John Jodzio, oft and rightly compared to George Saunders, is lauded by Chuck Klosterman as “the best best kind of modern fiction writer: a thematic traditionalist who feels totally new.” It’s no wonder this hilarious and profound Minneapolis writer has...</itunes:subtitle>
      <itunes:summary>John Jodzio, oft and rightly compared to George Saunders, is lauded by Chuck Klosterman as “the best best kind of modern fiction writer: a thematic traditionalist who feels totally new.” It’s no wonder this hilarious and profound Minneapolis writer has cultivated a cult following who flock to his reading events. His most recent collection Knock Out: Stories (Soft Skull Press, 2016) features a cast of complex, compelling, and strange characters (an alcoholic bed and breakfast owner, a recovering meth addict and a kidnapped tiger, an agoraphobic mother raising her baby completely indoors, a former soap opera star paralyzed in a human cannon ball stunt gone bad, and a son trying to keep the opium den family business afloat– just to name a few) who ultimately reveal their own raw humanity, as well as our shared emotional experience without the baggage of sentimentality. Jodzio walks a tightrope between comedic gold and hitting the sweet spot of crack-your-ribcage-open-and-shatter-your-heart-like-a-geode. These artfully crafted stories are difficult to put down, and Jodzio’s plotting and pacing are so spot on that it’s a deceptively quick read. It’s only on rereading that we see how hard each sentence is working to reveal the world anew to us as readers.



Barbara Harroun is an Assistant Professor at Western Illinois University. Her work can be found at Fiction Southeast, Watershed Review, Rappahannock Review and Iron Horse Literary Review, among others. She can be found at barbaraharroun.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://johnjodzio.net">John Jodzio</a>, oft and rightly compared to George Saunders, is lauded by Chuck Klosterman as “the best best kind of modern fiction writer: a thematic traditionalist who feels totally new.” It’s no wonder this hilarious and profound Minneapolis writer has cultivated a cult following who flock to his reading events. His most recent collection <a href="http://www.amazon.com/dp/1593766351/?tag=newbooinhis-20">Knock Out: Stories</a> (Soft Skull Press, 2016) features a cast of complex, compelling, and strange characters (an alcoholic bed and breakfast owner, a recovering meth addict and a kidnapped tiger, an agoraphobic mother raising her baby completely indoors, a former soap opera star paralyzed in a human cannon ball stunt gone bad, and a son trying to keep the opium den family business afloat– just to name a few) who ultimately reveal their own raw humanity, as well as our shared emotional experience without the baggage of sentimentality. Jodzio walks a tightrope between comedic gold and hitting the sweet spot of crack-your-ribcage-open-and-shatter-your-heart-like-a-geode. These artfully crafted stories are difficult to put down, and Jodzio’s plotting and pacing are so spot on that it’s a deceptively quick read. It’s only on rereading that we see how hard each sentence is working to reveal the world anew to us as readers.</p><p>
</p><p>
Barbara Harroun is an Assistant Professor at Western Illinois University. Her work can be found at Fiction Southeast, Watershed Review, Rappahannock Review and Iron Horse Literary Review, among others. She can be found at <a href="http://www.barbaraharroun.com">barbaraharroun.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3194</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=59839]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2477177225.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Lee Naish, “Create or Die: Essays on the Artistry of Dennis Hopper” (Amsterdam UP, 2016)</title>
      <description>Stephen Lee Naish first became aware of Dennis Hopper watching David Lynch’s Blue Velvet, jumpstarting what would become a long examination of Hopper’s ambitions and creative output as an actor, filmmaker, photographer, sculptor, and painter. In his book, Create or Die: Essays on the Artistry of Dennis Hopper (Amsterdam University Press, 2016), Naish places Hopper’s work in its social and political context , showcasing the diverse career of a talented visual artist and pioneer in the American independent film movement.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 24 Aug 2016 13:16:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Stephen Lee Naish first became aware of Dennis Hopper watching David Lynch’s Blue Velvet, jumpstarting what would become a long examination of Hopper’s ambitions and creative output as an actor, filmmaker, photographer, sculptor, and painter.</itunes:subtitle>
      <itunes:summary>Stephen Lee Naish first became aware of Dennis Hopper watching David Lynch’s Blue Velvet, jumpstarting what would become a long examination of Hopper’s ambitions and creative output as an actor, filmmaker, photographer, sculptor, and painter. In his book, Create or Die: Essays on the Artistry of Dennis Hopper (Amsterdam University Press, 2016), Naish places Hopper’s work in its social and political context , showcasing the diverse career of a talented visual artist and pioneer in the American independent film movement.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://twitter.com/steleenaish?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Stephen Lee Naish</a> first became aware of Dennis Hopper watching David Lynch’s Blue Velvet, jumpstarting what would become a long examination of Hopper’s ambitions and creative output as an actor, filmmaker, photographer, sculptor, and painter. In his book, <a href="http://www.amazon.com/dp/9089648585/?tag=newbooinhis-20">Create or Die: Essays on the Artistry of Dennis Hopper</a> (Amsterdam University Press, 2016), Naish places Hopper’s work in its social and political context , showcasing the diverse career of a talented visual artist and pioneer in the American independent film movement.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3861</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=59786]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7715764366.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifier Keishin Armstrong, “Seinfeldia: How a Show About Nothing Changed Everything” (Simon and Schuster, 2016)</title>
      <description>Seinfeld is often referred to as the greatest television show of all time. Although this may be debated, there few who would argue that it holds a prominent place in television history and popular culture. In her new book, Seinfeldia: How a Show About Nothing Changed Everything (Simon and Schuster, 2016), author Jennifer Keishin Armstrong presents the history of Larry David and Jerry Seinfeld’s “silly little show” from its struggling beginnings to its life today beyond the screen. Keishin Armstrong brings readers behind-the-scenes of Seinfeld’s inception and into the world of a show which blurs the lines between television and reality. Well-researched and thoughtfully written, Seinfeldia introduces readers to the many levels of Seinfeld’s success. From David and Seinfeld’s unorthodox way of running a television show and the writers’ negotiating for their bit in a script to the myriad of ways Seinfeld is still relevant in todays popular culture, Seinfeldia presents a thorough and easy to read history of a show that has impacted television, culture, and fandom even almost 20 years after it first aired on network television. Those who fans will appreciate Keishin Armstrong’s commitment to showing all the details that went into such classic episodes as “The Junior Mint” and “The Contest” and those who are not may start to learn a little about why Seinfeld has such staying power.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 13 Aug 2016 10:00:33 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Seinfeld is often referred to as the greatest television show of all time. Although this may be debated, there few who would argue that it holds a prominent place in television history and popular culture. In her new book,</itunes:subtitle>
      <itunes:summary>Seinfeld is often referred to as the greatest television show of all time. Although this may be debated, there few who would argue that it holds a prominent place in television history and popular culture. In her new book, Seinfeldia: How a Show About Nothing Changed Everything (Simon and Schuster, 2016), author Jennifer Keishin Armstrong presents the history of Larry David and Jerry Seinfeld’s “silly little show” from its struggling beginnings to its life today beyond the screen. Keishin Armstrong brings readers behind-the-scenes of Seinfeld’s inception and into the world of a show which blurs the lines between television and reality. Well-researched and thoughtfully written, Seinfeldia introduces readers to the many levels of Seinfeld’s success. From David and Seinfeld’s unorthodox way of running a television show and the writers’ negotiating for their bit in a script to the myriad of ways Seinfeld is still relevant in todays popular culture, Seinfeldia presents a thorough and easy to read history of a show that has impacted television, culture, and fandom even almost 20 years after it first aired on network television. Those who fans will appreciate Keishin Armstrong’s commitment to showing all the details that went into such classic episodes as “The Junior Mint” and “The Contest” and those who are not may start to learn a little about why Seinfeld has such staying power.



Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seinfeld is often referred to as the greatest television show of all time. Although this may be debated, there few who would argue that it holds a prominent place in television history and popular culture. In her new book, <a href="http://www.amazon.com/dp/1476756104/?tag=newbooinhis-20">Seinfeldia: How a Show About Nothing Changed Everything</a> (Simon and Schuster, 2016), author <a href="https://jenniferkarmstrong.com/">Jennifer Keishin Armstrong</a> presents the history of Larry David and Jerry Seinfeld’s “silly little show” from its struggling beginnings to its life today beyond the screen. Keishin Armstrong brings readers behind-the-scenes of Seinfeld’s inception and into the world of a show which blurs the lines between television and reality. Well-researched and thoughtfully written, Seinfeldia introduces readers to the many levels of Seinfeld’s success. From David and Seinfeld’s unorthodox way of running a television show and the writers’ negotiating for their bit in a script to the myriad of ways Seinfeld is still relevant in todays popular culture, Seinfeldia presents a thorough and easy to read history of a show that has impacted television, culture, and fandom even almost 20 years after it first aired on network television. Those who fans will appreciate Keishin Armstrong’s commitment to showing all the details that went into such classic episodes as “The Junior Mint” and “The Contest” and those who are not may start to learn a little about why Seinfeld has such staying power.</p><p>
</p><p>
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="https://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3267</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=58649]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5696347335.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michelle Cruz Gonzales, “The Spitboy Rule: Tales of Xicana in a Female Punk Band” (PM Press, 2016)</title>
      <description>In her new book The Spitboy Rule: Tales of a Xicana in a Female Punk Band (PM Press, 2016), Michelle Cruz Gonzales tells her story as a member of a feminist hardcore punk band. The band, Spitboy, emerged in the early 90s in the Bay Areapunk scene. The book provides an insider’s view of the scene, what it was like touring, and how a young Xicana found herself in a genre of music that typically identifies itself as male and white.

Gonzales reflects on the gender and racial politics that shaped punk music and explores her political and racial awakening while performing in the band. She discusses how audiences responded to an all-women band and the roots of Spitboy’s conflict with the riot Grrrl bands. The Spitboy Rule is an unflinchingly honest look at Gonzales’s life in Spitboy and offers tremendous insight into the 90s punk scene. The podcast delves deep into all of these questions and explores Gonzalez’s recent career as a professor and writer.

Michelle Cruz Gonzales writes memoir and fiction and teaches English at Las Positas College. Born in East LA in 1969, MCG grew up in Tuolumne, a tiny California Gold Rush town. She played drums and wrote lyrics for three bands during the 1980s and 1990s: Bitch Fight, Spitboy, and Instant Girl. Gonzales currently lives in Oakland, California with her family. She blogs at https://pretty-bold-mexican-girl.com and some of her solo music can be heard at https://soundcloud.com/michelle-gonzales-52.



Richard Schur, Professor of English at Drury University, is the host for this podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 12 Aug 2016 15:44:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her new book The Spitboy Rule: Tales of a Xicana in a Female Punk Band (PM Press, 2016), Michelle Cruz Gonzales tells her story as a member of a feminist hardcore punk band. The band, Spitboy, emerged in the early 90s in the Bay Areapunk scene.</itunes:subtitle>
      <itunes:summary>In her new book The Spitboy Rule: Tales of a Xicana in a Female Punk Band (PM Press, 2016), Michelle Cruz Gonzales tells her story as a member of a feminist hardcore punk band. The band, Spitboy, emerged in the early 90s in the Bay Areapunk scene. The book provides an insider’s view of the scene, what it was like touring, and how a young Xicana found herself in a genre of music that typically identifies itself as male and white.

Gonzales reflects on the gender and racial politics that shaped punk music and explores her political and racial awakening while performing in the band. She discusses how audiences responded to an all-women band and the roots of Spitboy’s conflict with the riot Grrrl bands. The Spitboy Rule is an unflinchingly honest look at Gonzales’s life in Spitboy and offers tremendous insight into the 90s punk scene. The podcast delves deep into all of these questions and explores Gonzalez’s recent career as a professor and writer.

Michelle Cruz Gonzales writes memoir and fiction and teaches English at Las Positas College. Born in East LA in 1969, MCG grew up in Tuolumne, a tiny California Gold Rush town. She played drums and wrote lyrics for three bands during the 1980s and 1990s: Bitch Fight, Spitboy, and Instant Girl. Gonzales currently lives in Oakland, California with her family. She blogs at https://pretty-bold-mexican-girl.com and some of her solo music can be heard at https://soundcloud.com/michelle-gonzales-52.



Richard Schur, Professor of English at Drury University, is the host for this podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book <a href="http://www.amazon.com/dp/162963140X/?tag=newbooinhis-20">The Spitboy Rule: Tales of a Xicana in a Female Punk Band</a> (PM Press, 2016), <a href="http://www.pmpress.org/content/article.php/MichelleCruzGonzales">Michelle Cruz Gonzales</a> tells her story as a member of a feminist hardcore punk band. The band, Spitboy, emerged in the early 90s in the Bay Areapunk scene. The book provides an insider’s view of the scene, what it was like touring, and how a young Xicana found herself in a genre of music that typically identifies itself as male and white.</p><p>
Gonzales reflects on the gender and racial politics that shaped punk music and explores her political and racial awakening while performing in the band. She discusses how audiences responded to an all-women band and the roots of Spitboy’s conflict with the riot Grrrl bands. The Spitboy Rule is an unflinchingly honest look at Gonzales’s life in Spitboy and offers tremendous insight into the 90s punk scene. The podcast delves deep into all of these questions and explores Gonzalez’s recent career as a professor and writer.</p><p>
Michelle Cruz Gonzales writes memoir and fiction and teaches English at Las Positas College. Born in East LA in 1969, MCG grew up in Tuolumne, a tiny California Gold Rush town. She played drums and wrote lyrics for three bands during the 1980s and 1990s: Bitch Fight, Spitboy, and Instant Girl. Gonzales currently lives in Oakland, California with her family. She blogs at <a href="https://pretty-bold-mexican-girl.com">https://pretty-bold-mexican-girl.com</a> and some of her solo music can be heard at <a href="https://soundcloud.com/michelle-gonzales-52">https://soundcloud.com/michelle-gonzales-52</a>.</p><p>
</p><p>
Richard Schur, Professor of English at Drury University, is the host for this podcast.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=58573]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8281113778.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sue Matheson, “The Westerns and War Films of John Ford” (Rowman and Littlefield, 2016)</title>
      <description>While John Ford made films of more general subjects, he is best known for his movies that illustrated the American West and life during wartime. In her book, The Westerns and War Films of John Ford, Sue Matheson examines what was so special about his works, as well as how his films represented Ford’s view of America.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Jul 2016 13:59:52 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>While John Ford made films of more general subjects, he is best known for his movies that illustrated the American West and life during wartime. In her book, The Westerns and War Films of John Ford, Sue Matheson examines what was so special about his w...</itunes:subtitle>
      <itunes:summary>While John Ford made films of more general subjects, he is best known for his movies that illustrated the American West and life during wartime. In her book, The Westerns and War Films of John Ford, Sue Matheson examines what was so special about his works, as well as how his films represented Ford’s view of America.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While John Ford made films of more general subjects, he is best known for his movies that illustrated the American West and life during wartime. In her book, <a href="http://www.amazon.com/dp/1442261056/?tag=newbooinhis-20">The Westerns and War Films of John Ford</a>, Sue Matheson examines what was so special about his works, as well as how his films represented Ford’s view of America.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3517</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=58167]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6630167954.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bert Ashe, “Twisted: My Dreadlock Chronicles” (Agate Bolden, 2015)</title>
      <description>What’s missing from contemporary discussions of aesthetics and representation within the natural hair movement? Bert Ashe generously offers a response in Twisted: My Dreadlock Chronicles, an unprecedented account of black male identity as seen through our culture’s perceptions of hair. In this personal story that weaves together the cultural and political history of dreadlocks with the authors own mid-life journey to lock his hair, Ashe addresses the significance of black hair in the 20th and 21st centuries through an engaging and humorous literary style. Professor Ashe’s research focuses on late twentieth-century and early twenty-first century literature and culture. He teaches and writes about contemporary American culture, primarily post-Civil Rights Movement African American literature and culture (often referred to as post-blackness or the post-soul aesthetic), as well as the black vernacular triumvirate of black hair, basketball, and jazz. His first book, From Within the Frame: Storytelling in African-American Fiction (Routledge, 2002) tracks the development of the African American frame text, from Charles Chesnutt’s The Conjure Woman through John Edgar Wideman’s Doc’s Story. Dr. Bert Ashe is Associate Professor of English at the University of Richmond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 23 Jun 2016 18:08:14 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What’s missing from contemporary discussions of aesthetics and representation within the natural hair movement? Bert Ashe generously offers a response in Twisted: My Dreadlock Chronicles, an unprecedented account of black male identity as seen through ...</itunes:subtitle>
      <itunes:summary>What’s missing from contemporary discussions of aesthetics and representation within the natural hair movement? Bert Ashe generously offers a response in Twisted: My Dreadlock Chronicles, an unprecedented account of black male identity as seen through our culture’s perceptions of hair. In this personal story that weaves together the cultural and political history of dreadlocks with the authors own mid-life journey to lock his hair, Ashe addresses the significance of black hair in the 20th and 21st centuries through an engaging and humorous literary style. Professor Ashe’s research focuses on late twentieth-century and early twenty-first century literature and culture. He teaches and writes about contemporary American culture, primarily post-Civil Rights Movement African American literature and culture (often referred to as post-blackness or the post-soul aesthetic), as well as the black vernacular triumvirate of black hair, basketball, and jazz. His first book, From Within the Frame: Storytelling in African-American Fiction (Routledge, 2002) tracks the development of the African American frame text, from Charles Chesnutt’s The Conjure Woman through John Edgar Wideman’s Doc’s Story. Dr. Bert Ashe is Associate Professor of English at the University of Richmond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What’s missing from contemporary discussions of aesthetics and representation within the natural hair movement? <a href="http://english.richmond.edu/faculty/bashe/">Bert Ashe</a> generously offers a response in <a href="http://www.amazon.com/dp/1932841962/?tag=newbooinhis-20">Twisted: My Dreadlock Chronicles</a>, an unprecedented account of black male identity as seen through our culture’s perceptions of hair. In this personal story that weaves together the cultural and political history of dreadlocks with the authors own mid-life journey to lock his hair, Ashe addresses the significance of black hair in the 20th and 21st centuries through an engaging and humorous literary style. Professor Ashe’s research focuses on late twentieth-century and early twenty-first century literature and culture. He teaches and writes about contemporary American culture, primarily post-Civil Rights Movement African American literature and culture (often referred to as post-blackness or the post-soul aesthetic), as well as the black vernacular triumvirate of black hair, basketball, and jazz. His first book, From Within the Frame: Storytelling in African-American Fiction (Routledge, 2002) tracks the development of the African American frame text, from Charles Chesnutt’s The Conjure Woman through John Edgar Wideman’s Doc’s Story. Dr. Bert Ashe is Associate Professor of English at the University of Richmond.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2554</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=57759]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3944414771.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ed Berlin, “King of Ragtime: Scott Joplin and His Era” (Oxford UP, 2016)</title>
      <description>Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age. Yet Joplin aspired to be recognized not just as a successful writer of popular tunes but as a respected composer of classical music, an ambition that led him to write a ballet and two operas. In a new edition of his biography of Scott Joplin, King of Ragtime: Scott Joplin and His Era, the eminent ragtime scholar Ed Berlin reveals many new details that sharpen our understanding of Joplin’s life and the times in which it was lived. Tracing his life from his childhood in rural Texas to his death in New York City in 1917, he describes Joplin’s career as a musician and composer, setting it within the context of an African American community seeking to define its place within American society. Through his extensive research, Berlin sheds new light on Joplin’s personal life, his business affairs, and the public reception of his music, helping us to better understand the impact and legacy of this great American artist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 15 Jun 2016 21:23:09 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age.</itunes:subtitle>
      <itunes:summary>Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age. Yet Joplin aspired to be recognized not just as a successful writer of popular tunes but as a respected composer of classical music, an ambition that led him to write a ballet and two operas. In a new edition of his biography of Scott Joplin, King of Ragtime: Scott Joplin and His Era, the eminent ragtime scholar Ed Berlin reveals many new details that sharpen our understanding of Joplin’s life and the times in which it was lived. Tracing his life from his childhood in rural Texas to his death in New York City in 1917, he describes Joplin’s career as a musician and composer, setting it within the context of an African American community seeking to define its place within American society. Through his extensive research, Berlin sheds new light on Joplin’s personal life, his business affairs, and the public reception of his music, helping us to better understand the impact and legacy of this great American artist.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age. Yet Joplin aspired to be recognized not just as a successful writer of popular tunes but as a respected composer of classical music, an ambition that led him to write a ballet and two operas. In a new edition of his biography of Scott Joplin, <a href="http://www.amazon.com/dp/0199740321/?tag=newbooinhis-20">King of Ragtime: Scott Joplin and His Era</a>, the eminent ragtime scholar <a href="http://www.edwardaberlin.com">Ed Berlin</a> reveals many new details that sharpen our understanding of Joplin’s life and the times in which it was lived. Tracing his life from his childhood in rural Texas to his death in New York City in 1917, he describes Joplin’s career as a musician and composer, setting it within the context of an African American community seeking to define its place within American society. Through his extensive research, Berlin sheds new light on Joplin’s personal life, his business affairs, and the public reception of his music, helping us to better understand the impact and legacy of this great American artist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3728</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=57653]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7266734443.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Brian King, “Nude Reagan” (Spurl Editions, 2016)</title>
      <description>Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book, LAX: Photographs of Los Angeles 1980-84, was published by Spurl Editions in 2015. For his most recent book, King photographed twenty-three nude female models with a Fujifilm Instax Mini 8 camera in an empty Palm Springs office space. Each model wore the same Ronald Reagan mask, striking any pose she liked. Deliberately unsettling, these photographs depict Reagan as a demon and specter haunting the modern world. Evoking the dead conservative president, the models wear the hideous dark-eyed mask anemic and wrinkled and morph into unerotic, freakish wraiths. The colors of the photographs accentuate these figures’ eerie qualities: the camera’s unpredictable flash turns the bland office backdrop alternately into a mold green, a muddy gray, a brilliant white, or a dense, all-encompassing black setting. The womens’ shadows are sometimes starkly present, and at other times disappear. King was influenced by such disparate sources as Conrad Veidt’s The Man Who Laughs; Reagan’s own frozen, Brylcreem-lathered countenance; artist Maurizio Cattelan’s sardonic approach to politics in art; and Ralph Eugene Meatyard’s Southern Gothic photographs of masked children.



JOHN BRIAN KING is a Los Angeles native who graduated with a degree in photography from the California Institute of the Arts. He designed the film titles for over thirty films, including Boogie Nights, Punch-Drunk Love,and The Ring. He wrote and directed the feature film Redlands, an examination of creativity and horror in relation to photography. His book LAX: Photographs of Los Angeles 1980-84 was featured in the Los Angeles Times, Slate, Impose Magazine, LCeil de la Photographie, Yet Magazine, It’s Nice That, AnOther Magazine, and more. Nude Reagan is available through Spurl Editions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 13 Jun 2016 14:17:05 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book, LAX: Photographs of Los Angeles 1980-84, was published by Spurl Editions in 2015. For his most recent book,</itunes:subtitle>
      <itunes:summary>Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book, LAX: Photographs of Los Angeles 1980-84, was published by Spurl Editions in 2015. For his most recent book, King photographed twenty-three nude female models with a Fujifilm Instax Mini 8 camera in an empty Palm Springs office space. Each model wore the same Ronald Reagan mask, striking any pose she liked. Deliberately unsettling, these photographs depict Reagan as a demon and specter haunting the modern world. Evoking the dead conservative president, the models wear the hideous dark-eyed mask anemic and wrinkled and morph into unerotic, freakish wraiths. The colors of the photographs accentuate these figures’ eerie qualities: the camera’s unpredictable flash turns the bland office backdrop alternately into a mold green, a muddy gray, a brilliant white, or a dense, all-encompassing black setting. The womens’ shadows are sometimes starkly present, and at other times disappear. King was influenced by such disparate sources as Conrad Veidt’s The Man Who Laughs; Reagan’s own frozen, Brylcreem-lathered countenance; artist Maurizio Cattelan’s sardonic approach to politics in art; and Ralph Eugene Meatyard’s Southern Gothic photographs of masked children.



JOHN BRIAN KING is a Los Angeles native who graduated with a degree in photography from the California Institute of the Arts. He designed the film titles for over thirty films, including Boogie Nights, Punch-Drunk Love,and The Ring. He wrote and directed the feature film Redlands, an examination of creativity and horror in relation to photography. His book LAX: Photographs of Los Angeles 1980-84 was featured in the Los Angeles Times, Slate, Impose Magazine, LCeil de la Photographie, Yet Magazine, It’s Nice That, AnOther Magazine, and more. Nude Reagan is available through Spurl Editions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1943679010/?tag=newbooinhis-20">Nude Reagan</a> (Spurl Editions, 2016) is <a href="http://www.johnbrianking.com">John Brian King’s</a> second book of photography. His first book, <a href="https://www.amazon.com/LAX-Photographs-Los-Angeles-1980-84/dp/1943679002/ref=sr_1_2?s=books&amp;ie=UTF8&amp;qid=1465826653&amp;sr=1-2">LAX: Photographs of Los Angeles 1980-84</a>, was published by Spurl Editions in 2015. For his most recent book, King photographed twenty-three nude female models with a Fujifilm Instax Mini 8 camera in an empty Palm Springs office space. Each model wore the same Ronald Reagan mask, striking any pose she liked. Deliberately unsettling, these photographs depict Reagan as a demon and specter haunting the modern world. Evoking the dead conservative president, the models wear the hideous dark-eyed mask anemic and wrinkled and morph into unerotic, freakish wraiths. The colors of the photographs accentuate these figures’ eerie qualities: the camera’s unpredictable flash turns the bland office backdrop alternately into a mold green, a muddy gray, a brilliant white, or a dense, all-encompassing black setting. The womens’ shadows are sometimes starkly present, and at other times disappear. King was influenced by such disparate sources as Conrad Veidt’s The Man Who Laughs; Reagan’s own frozen, Brylcreem-lathered countenance; artist Maurizio Cattelan’s sardonic approach to politics in art; and Ralph Eugene Meatyard’s Southern Gothic photographs of masked children.</p><p>
</p><p>
JOHN BRIAN KING is a Los Angeles native who graduated with a degree in photography from the California Institute of the Arts. He designed the film titles for over thirty films, including Boogie Nights, Punch-Drunk Love,and The Ring. He wrote and directed the feature film Redlands, an examination of creativity and horror in relation to photography. His book LAX: Photographs of Los Angeles 1980-84 was featured in the Los Angeles Times, Slate, Impose Magazine, LCeil de la Photographie, Yet Magazine, It’s Nice That, AnOther Magazine, and more. Nude Reagan is available through <a href="http://www.spurleditions.com">Spurl Editions</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2879</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=57354]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7939634258.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yago Colas, “Ball Don’t Lie! Myth, Genealogy and Invention in the Cultures of Basketball” (Temple University Press, 2016)</title>
      <description>Leading up to this year’s NBA Finals, sports media outlets offered their take on the most important storylines of the series between the Cavaliers and Warriors. Who will claim his place as the game’s greatest current player, LeBron James or Stephen Curry? How will Cleveland fill the role of underdog? Can Golden State establish themselves as a new dynasty in the sport?

This term “storylines” has been appearing regularly in American sports media as of late, especially before big match-ups. Attention to storylines is based on the notion that the media-generated narratives surrounding an event are themselves worthy of analysis and interpretation. In other words, the storylines are the story. University of Michigan professor Yago Colas acknowledges the importance of these narratives in our understanding of sports. But rather than discussing narratives in order to gauge which ones are more “true,” as sports pundits do, he looks at the prejudices and moral assumptions at the root of our sports storylines. As Yago explains in his book–Ball Don’t Lie! Myth, Genealogy, and Invention in the Cultures of Basketball–(Temple University Press, 2016), narratives in sports, just like narratives in literature or politics, are grounded in particular ways of seeing the world. In his examination of the history and culture of basketball, he shows how storylines pass those perspectives on, from one generation of fans to the next. We learn that the narratives surrounding the 2016 NBA Finals are nothing new, even though the names and uniforms are different. The storylines we read and hear today are variations on those that have been present in basketball culture for decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 08 Jun 2016 14:47:36 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Leading up to this year’s NBA Finals, sports media outlets offered their take on the most important storylines of the series between the Cavaliers and Warriors. Who will claim his place as the game’s greatest current player,</itunes:subtitle>
      <itunes:summary>Leading up to this year’s NBA Finals, sports media outlets offered their take on the most important storylines of the series between the Cavaliers and Warriors. Who will claim his place as the game’s greatest current player, LeBron James or Stephen Curry? How will Cleveland fill the role of underdog? Can Golden State establish themselves as a new dynasty in the sport?

This term “storylines” has been appearing regularly in American sports media as of late, especially before big match-ups. Attention to storylines is based on the notion that the media-generated narratives surrounding an event are themselves worthy of analysis and interpretation. In other words, the storylines are the story. University of Michigan professor Yago Colas acknowledges the importance of these narratives in our understanding of sports. But rather than discussing narratives in order to gauge which ones are more “true,” as sports pundits do, he looks at the prejudices and moral assumptions at the root of our sports storylines. As Yago explains in his book–Ball Don’t Lie! Myth, Genealogy, and Invention in the Cultures of Basketball–(Temple University Press, 2016), narratives in sports, just like narratives in literature or politics, are grounded in particular ways of seeing the world. In his examination of the history and culture of basketball, he shows how storylines pass those perspectives on, from one generation of fans to the next. We learn that the narratives surrounding the 2016 NBA Finals are nothing new, even though the names and uniforms are different. The storylines we read and hear today are variations on those that have been present in basketball culture for decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Leading up to this year’s NBA Finals, sports media outlets offered their take on the most important storylines of the series between the Cavaliers and Warriors. Who will claim his place as the game’s greatest current player, LeBron James or Stephen Curry? How will Cleveland fill the role of underdog? Can Golden State establish themselves as a new dynasty in the sport?</p><p>
This term “storylines” has been appearing regularly in American sports media as of late, especially before big match-ups. Attention to storylines is based on the notion that the media-generated narratives surrounding an event are themselves worthy of analysis and interpretation. In other words, the storylines are the story. University of Michigan professor <a href="http://yagocolas.com">Yago Colas</a> acknowledges the importance of these narratives in our understanding of sports. But rather than discussing narratives in order to gauge which ones are more “true,” as sports pundits do, he looks at the prejudices and moral assumptions at the root of our sports storylines. As Yago explains in his book–<a href="http://www.amazon.com/Ball-Dont-Lie-Genealogy-Basketball/dp/1439912432/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;qid=1465315346&amp;sr=8-1">Ball Don’t Lie! Myth, Genealogy, and Invention in the Cultures of Basketball–</a>(Temple University Press, 2016), narratives in sports, just like narratives in literature or politics, are grounded in particular ways of seeing the world. In his examination of the history and culture of basketball, he shows how storylines pass those perspectives on, from one generation of fans to the next. We learn that the narratives surrounding the 2016 NBA Finals are nothing new, even though the names and uniforms are different. The storylines we read and hear today are variations on those that have been present in basketball culture for decades.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3374</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=57067]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1154856315.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cass Sunstein, “The World According to Star Wars” (Harper Collins, 2016)</title>
      <description>Cass Sunstein‘s son, Declan, got dad hooked on Star Wars. And dad, a Harvard Law professor, ended up writing a book about it. “If you’d told me a year ago that I’d write a book about Star Wars,” Sunstein recently told the Boston Globe,“I’d say it’s more likely that I’d become an astronaut or a poet.” In The World According to Star Wars (Harper Collins, 2016) Sunstein explores its lessons as they relate to childhood, fathers, the Dark Side and redemption. Calling it our Modern Myth, Sunstein says Star Wars also has a lot to teach us about constitutional law, economics, and political uprisings. From those topics, it answers questions like these. No one predicted the film’s massive success so how did it happen? When Star Wars heroes are told they are free to choose, what does that mean in their epic story world? What does it say about our never-ending ability to make the right decision when the chips are down in our real one? How are constitutional law opinions similar to serialized blockbusters? An intelligent book for a general audience, Sunstein doesn’t shy away from putting on his subjective movie critic’s hat and declaring which Star Wars is the best. Spoiler: He puts Empire Strikes Back at No. 1. Why? Listen to the podcast to find out.



John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 28 May 2016 15:05:48 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Cass Sunstein‘s son, Declan, got dad hooked on Star Wars. And dad, a Harvard Law professor, ended up writing a book about it. “If you’d told me a year ago that I’d write a book about Star Wars,” Sunstein recently told the Boston Globe,</itunes:subtitle>
      <itunes:summary>Cass Sunstein‘s son, Declan, got dad hooked on Star Wars. And dad, a Harvard Law professor, ended up writing a book about it. “If you’d told me a year ago that I’d write a book about Star Wars,” Sunstein recently told the Boston Globe,“I’d say it’s more likely that I’d become an astronaut or a poet.” In The World According to Star Wars (Harper Collins, 2016) Sunstein explores its lessons as they relate to childhood, fathers, the Dark Side and redemption. Calling it our Modern Myth, Sunstein says Star Wars also has a lot to teach us about constitutional law, economics, and political uprisings. From those topics, it answers questions like these. No one predicted the film’s massive success so how did it happen? When Star Wars heroes are told they are free to choose, what does that mean in their epic story world? What does it say about our never-ending ability to make the right decision when the chips are down in our real one? How are constitutional law opinions similar to serialized blockbusters? An intelligent book for a general audience, Sunstein doesn’t shy away from putting on his subjective movie critic’s hat and declaring which Star Wars is the best. Spoiler: He puts Empire Strikes Back at No. 1. Why? Listen to the podcast to find out.



John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/Cass_Sunstein">Cass Sunstein</a>‘s son, Declan, got dad hooked on Star Wars. And dad, a Harvard Law professor, ended up writing a book about it. “If you’d told me a year ago that I’d write a book about Star Wars,” Sunstein recently told the Boston Globe,“I’d say it’s more likely that I’d become an astronaut or a poet.” In <a href="http://www.amazon.com/dp/0062484222/?tag=newbooinhis-20">The World According to Star Wars</a> (Harper Collins, 2016) Sunstein explores its lessons as they relate to childhood, fathers, the Dark Side and redemption. Calling it our Modern Myth, Sunstein says Star Wars also has a lot to teach us about constitutional law, economics, and political uprisings. From those topics, it answers questions like these. No one predicted the film’s massive success so how did it happen? When Star Wars heroes are told they are free to choose, what does that mean in their epic story world? What does it say about our never-ending ability to make the right decision when the chips are down in our real one? How are constitutional law opinions similar to serialized blockbusters? An intelligent book for a general audience, Sunstein doesn’t shy away from putting on his subjective movie critic’s hat and declaring which Star Wars is the best. Spoiler: He puts Empire Strikes Back at No. 1. Why? Listen to the podcast to find out.</p><p>
</p><p>
John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2084</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55939]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9641720652.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Beineke and Rosenhouse, eds., “The Mathematics of Various Entertaining Subjects: Research in Recreational Math” (Princeton UP, 2015)</title>
      <description>Jennifer Beineke and Jason Rosenhouse‘s new book The Mathematics of Various Entertaining Subjects: Research in Recreational Math (Princeton University Press, 2015) covers a multitude of topics and is in many ways as entertaining as the various subjects it describes. Even though the book can be skimmed simply to expose one to various aspects of recreational mathematics, I think it’s fair to say that some mathematical background is needed to fully appreciate it. But even if you’re only willing to skim the book, you’re going to find sections which will make you want to dive in more deeply.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 23 May 2016 11:01:07 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jennifer Beineke and Jason Rosenhouse‘s new book The Mathematics of Various Entertaining Subjects: Research in Recreational Math (Princeton University Press, 2015) covers a multitude of topics and is in many ways as entertaining as the various subjects...</itunes:subtitle>
      <itunes:summary>Jennifer Beineke and Jason Rosenhouse‘s new book The Mathematics of Various Entertaining Subjects: Research in Recreational Math (Princeton University Press, 2015) covers a multitude of topics and is in many ways as entertaining as the various subjects it describes. Even though the book can be skimmed simply to expose one to various aspects of recreational mathematics, I think it’s fair to say that some mathematical background is needed to fully appreciate it. But even if you’re only willing to skim the book, you’re going to find sections which will make you want to dive in more deeply.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://mars.wne.edu/~jbeineke/WNE_Jennifer_Beineke/Welcome.html">Jennifer Beineke</a> and <a href="http://educ.jmu.edu/~rosenhjd/">Jason Rosenhouse</a>‘s new book <a href="https://press.princeton.edu/titles/10647.html">The Mathematics of Various Entertaining Subjects: Research in Recreational Math </a>(Princeton University Press, 2015) covers a multitude of topics and is in many ways as entertaining as the various subjects it describes. Even though the book can be skimmed simply to expose one to various aspects of recreational mathematics, I think it’s fair to say that some mathematical background is needed to fully appreciate it. But even if you’re only willing to skim the book, you’re going to find sections which will make you want to dive in more deeply.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3316</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55881]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7153771146.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brooke Hauser, “Enter Helen: The Invention of Helen Gurley Brown and the Rise of the Modern Single Woman”</title>
      <description>“Women’s history, if they had any, consisted in their being beautiful enough to become events in male lives,” the feminist academic Carolyn R. Heilbrun noted in a series of 1997 lectures, suggesting the need for new narratives and new ways of writing women’s lives.

Brooke Hauser‘s Enter Helen: The Invention of Helen Gurley Brown and the Rise of the Modern Single Woman is an exciting new entry into group of books that have emerged in the last few years to offer provocative and innovative biographical readings of women’s lives (Kate Bolick’s Spinster, for example). In Enter Helen, Hauser contextualizes Helen Gurley Brown’s experience, demonstrating how the times in which she lived affected her and she, in turn, affected them.

In many ways a misfit, Gurley Brown’s approach made many in the women’s movement uneasy. Rather than arguing for the overthrow of the patriarchy, she advocated that women use everything at their disposal to make it in a man’s world. Advice that might ring a little retro, it was nonetheless well intentioned. And, in a long career devoted to the advancement of women, Gurley Brown worked tirelessly to make visible narratives that might otherwise have remained unavailable to her readers.

She did not think she was beautiful and her life was far more than an event in the life of a man. It was the main event, and it’s a life whose impact continues to be felt to this day- particularly in the magazine and advertising industries but also in the lives of single women discovering and re-discovering her classic book.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 May 2016 11:05:05 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“Women’s history, if they had any, consisted in their being beautiful enough to become events in male lives,” the feminist academic Carolyn R. Heilbrun noted in a series of 1997 lectures, suggesting the need for new narratives and new ways of writing w...</itunes:subtitle>
      <itunes:summary>“Women’s history, if they had any, consisted in their being beautiful enough to become events in male lives,” the feminist academic Carolyn R. Heilbrun noted in a series of 1997 lectures, suggesting the need for new narratives and new ways of writing women’s lives.

Brooke Hauser‘s Enter Helen: The Invention of Helen Gurley Brown and the Rise of the Modern Single Woman is an exciting new entry into group of books that have emerged in the last few years to offer provocative and innovative biographical readings of women’s lives (Kate Bolick’s Spinster, for example). In Enter Helen, Hauser contextualizes Helen Gurley Brown’s experience, demonstrating how the times in which she lived affected her and she, in turn, affected them.

In many ways a misfit, Gurley Brown’s approach made many in the women’s movement uneasy. Rather than arguing for the overthrow of the patriarchy, she advocated that women use everything at their disposal to make it in a man’s world. Advice that might ring a little retro, it was nonetheless well intentioned. And, in a long career devoted to the advancement of women, Gurley Brown worked tirelessly to make visible narratives that might otherwise have remained unavailable to her readers.

She did not think she was beautiful and her life was far more than an event in the life of a man. It was the main event, and it’s a life whose impact continues to be felt to this day- particularly in the magazine and advertising industries but also in the lives of single women discovering and re-discovering her classic book.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Women’s history, if they had any, consisted in their being beautiful enough to become events in male lives,” the feminist academic Carolyn R. Heilbrun noted in a series of 1997 lectures, suggesting the need for new narratives and new ways of writing women’s lives.</p><p>
<a href="http://www.brookehauser.com/">Brooke Hauser</a>‘s <a href="http://www.amazon.com/Enter-Helen-Invention-Gurley-Modern/dp/0062342665/ref=sr_1_1?ie=UTF8&amp;qid=1463737354&amp;sr=8-1&amp;keywords=enter+helen">Enter Helen: The Invention of Helen Gurley Brown and the Rise of the Modern Single Woman</a> is an exciting new entry into group of books that have emerged in the last few years to offer provocative and innovative biographical readings of women’s lives (<a href="http://newbooksnetwork.com/kate-bolick-spinster-making-a-life-of-ones-own-crown-2015/">Kate Bolick’s Spinster, for example</a>). In Enter Helen, Hauser contextualizes Helen Gurley Brown’s experience, demonstrating how the times in which she lived affected her and she, in turn, affected them.</p><p>
In many ways a misfit, Gurley Brown’s approach made many in the women’s movement uneasy. Rather than arguing for the overthrow of the patriarchy, she advocated that women use everything at their disposal to make it in a man’s world. Advice that might ring a little retro, it was nonetheless well intentioned. And, in a long career devoted to the advancement of women, Gurley Brown worked tirelessly to make visible narratives that might otherwise have remained unavailable to her readers.</p><p>
She did not think she was beautiful and her life was far more than an event in the life of a man. It was the main event, and it’s a life whose impact continues to be felt to this day- particularly in the magazine and advertising industries but also in the lives of single women discovering and re-discovering<a href="http://www.amazon.com/Single-Girl-Helen-Gurley-Brown/dp/B000Q3YP8Y/ref=sr_1_2?ie=UTF8&amp;qid=1463738186&amp;sr=8-2&amp;keywords=sex+and+the+single+girl"> her classic book</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55851]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7274804014.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Braun, “This Program is Brought to You By . . . Distributing Television Online” (Yale UP, 2015)</title>
      <description>“One of the things that was most shocking to me getting into the media business, an MSNBC.com producer tells Josh Braun, was the realization that regular people were making it. Television to me . . . was just like sunlight. You push the button and it just comes off the screen. Today, television just comes off lots of screens. Computers, tablets, phones, city billboards, stadium jumbotrons. The path from the recording pictures to showing them to us their physical distribution is neither simple nor elegantly planned.

In This Program is Brought to You By . . . Distributing Television Online (Yale University Press 2015), Joshua Braun, an Assistant Professor of Journalism Studies in the Journalism Department at University of Massachusetts-Amherst, explores changes in the technology platforms for online news at MSNBC between 2007 and 2012. A book of media sociology, Braun uses a series of examples at MSNBC such as a more flexible video player, online community forums, and a blog for the Rachel Maddow Show, to make an argument about the shapes these distribution solutions take. Developed through project-based management, involving multiple teams with differing objectives and resources, each solution is ultimately unique to the particular task at hand. These digital systems, he argues, are a sociological phenomenon that come together like physical infrastructure such as power grids and highways.

Josh takes an inside look at MSNBC between 2007 and 2012, a time when the network was consolidating the brands of its television network and online news hub and rolling out new technologies internally like blogs, video players and community forums that could support viewer and visitor demands.

This Program is Brought to You By unmasks the magic behind the pictures and sounds that just come off the screen.



John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 07 May 2016 11:43:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“One of the things that was most shocking to me getting into the media business, an MSNBC.com producer tells Josh Braun, was the realization that regular people were making it. Television to me . . . was just like sunlight.</itunes:subtitle>
      <itunes:summary>“One of the things that was most shocking to me getting into the media business, an MSNBC.com producer tells Josh Braun, was the realization that regular people were making it. Television to me . . . was just like sunlight. You push the button and it just comes off the screen. Today, television just comes off lots of screens. Computers, tablets, phones, city billboards, stadium jumbotrons. The path from the recording pictures to showing them to us their physical distribution is neither simple nor elegantly planned.

In This Program is Brought to You By . . . Distributing Television Online (Yale University Press 2015), Joshua Braun, an Assistant Professor of Journalism Studies in the Journalism Department at University of Massachusetts-Amherst, explores changes in the technology platforms for online news at MSNBC between 2007 and 2012. A book of media sociology, Braun uses a series of examples at MSNBC such as a more flexible video player, online community forums, and a blog for the Rachel Maddow Show, to make an argument about the shapes these distribution solutions take. Developed through project-based management, involving multiple teams with differing objectives and resources, each solution is ultimately unique to the particular task at hand. These digital systems, he argues, are a sociological phenomenon that come together like physical infrastructure such as power grids and highways.

Josh takes an inside look at MSNBC between 2007 and 2012, a time when the network was consolidating the brands of its television network and online news hub and rolling out new technologies internally like blogs, video players and community forums that could support viewer and visitor demands.

This Program is Brought to You By unmasks the magic behind the pictures and sounds that just come off the screen.



John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“One of the things that was most shocking to me getting into the media business, an MSNBC.com producer tells Josh Braun, was the realization that regular people were making it. Television to me . . . was just like sunlight. You push the button and it just comes off the screen. Today, television just comes off lots of screens. Computers, tablets, phones, city billboards, stadium jumbotrons. The path from the recording pictures to showing them to us their physical distribution is neither simple nor elegantly planned.</p><p>
In <a href="http://www.amazon.com/dp/0300197500/?tag=newbooinhis-20">This Program is Brought to You By . . . Distributing Television Online</a> (Yale University Press 2015), <a href="http://www.umass.edu/journalism/facultyStaff/bio/braun">Joshua Braun</a>, an Assistant Professor of Journalism Studies in the Journalism Department at University of Massachusetts-Amherst, explores changes in the technology platforms for online news at MSNBC between 2007 and 2012. A book of media sociology, Braun uses a series of examples at MSNBC such as a more flexible video player, online community forums, and a blog for the Rachel Maddow Show, to make an argument about the shapes these distribution solutions take. Developed through project-based management, involving multiple teams with differing objectives and resources, each solution is ultimately unique to the particular task at hand. These digital systems, he argues, are a sociological phenomenon that come together like physical infrastructure such as power grids and highways.</p><p>
Josh takes an inside look at MSNBC between 2007 and 2012, a time when the network was consolidating the brands of its television network and online news hub and rolling out new technologies internally like blogs, video players and community forums that could support viewer and visitor demands.</p><p>
This Program is Brought to You By unmasks the magic behind the pictures and sounds that just come off the screen.</p><p>
</p><p>
John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3829</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55465]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3407278792.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian James DeMare, “Mao’s Cultural Army: Drama Troupes in Chinas Rural Revolution” (Cambridge UP, 2015)</title>
      <description>The Chinese Revolution was a profoundly theatrical event. Brian James DeMare’s new book explores the relationship between drama and political action in China, from the earliest era of communist Red Drama to the establishment of Mao’s cultural army and beyond. Mao’s Cultural Army: Drama Troupes in Chinas Rural Revolution (Cambridge University Press, 2015) looks carefully at the importance of propaganda teams and drama troupes during the Communists resistance of Japanese invasion, victory in the civil war, and efforts at state-building, and consolidation of their regime in the early years of the PRC. DeMare brings readers into the fascinating world of drama in this period, paying special attention to the material culture of dramatic troupes, the often-harrowing lives of their members (including children), the challenges they faced in navigating across rural and urban cultures, and some of the most popular and important works they performed. Its a tremendously engaging and enlightening study of an important topic.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 02 May 2016 09:45:08 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Chinese Revolution was a profoundly theatrical event. Brian James DeMare’s new book explores the relationship between drama and political action in China, from the earliest era of communist Red Drama to the establishment of Mao’s cultural army and ...</itunes:subtitle>
      <itunes:summary>The Chinese Revolution was a profoundly theatrical event. Brian James DeMare’s new book explores the relationship between drama and political action in China, from the earliest era of communist Red Drama to the establishment of Mao’s cultural army and beyond. Mao’s Cultural Army: Drama Troupes in Chinas Rural Revolution (Cambridge University Press, 2015) looks carefully at the importance of propaganda teams and drama troupes during the Communists resistance of Japanese invasion, victory in the civil war, and efforts at state-building, and consolidation of their regime in the early years of the PRC. DeMare brings readers into the fascinating world of drama in this period, paying special attention to the material culture of dramatic troupes, the often-harrowing lives of their members (including children), the challenges they faced in navigating across rural and urban cultures, and some of the most popular and important works they performed. Its a tremendously engaging and enlightening study of an important topic.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Chinese Revolution was a profoundly theatrical event. <a href="http://history.tulane.edu/web/people.asp?id=BrianDemare.txt">Brian James DeMare’s</a> new book explores the relationship between drama and political action in China, from the earliest era of communist Red Drama to the establishment of Mao’s cultural army and beyond. <a href="http://www.amazon.com/dp/1107076323/?tag=newbooinhis-20">Mao’s Cultural Army: Drama Troupes in Chinas Rural Revolution</a> (Cambridge University Press, 2015) looks carefully at the importance of propaganda teams and drama troupes during the Communists resistance of Japanese invasion, victory in the civil war, and efforts at state-building, and consolidation of their regime in the early years of the PRC. DeMare brings readers into the fascinating world of drama in this period, paying special attention to the material culture of dramatic troupes, the often-harrowing lives of their members (including children), the challenges they faced in navigating across rural and urban cultures, and some of the most popular and important works they performed. Its a tremendously engaging and enlightening study of an important topic.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3692</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55358]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9206862526.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Doug Bradley and Craig Werner, “We Gotta Get Out Of This Place: The Soundtrack of the Vietnam War” (U of Massachusetts Press, 2015)</title>
      <description>From the “Ballad of the Green Berets” to “Bad Moon Rising,” the music of the Vietnam War is woven through every vets memories. Vietnam vet Doug Bradley and his fellow University of Wisconsin professor Craig Werner first intended to whittle down a list of the top 20 songs of the war, and soon realized that was an impossible errand. No Vietnam veteran is alike, and hundreds of songs held meaning for those who fought there. It was a varied soundtrack of patriotism and protests, hard rock and soul music, love songs, Dear John songs and more.

Bradley and Werner’s book We Gotta Get Out Of This Place: The Soundtrack of the Vietnam War (University of Massachusetts Press, 2015) blends musical and personal histories, explaining the backgrounds of specific songs and artists as well as what they meant to the Vietnam soldiers. In a conversation with Gael Fashingbauer Cooper, they discuss everything from the generational differences between Vietnam soldiers and their World War II-veteran fathers to the importance of Bruce Springsteen’s “Born in the USA,” written a full decade after the war ended. Hanoi Hannah, Good Morning Vietnam DJ Adrian Cronauer, Jimi Hendrix, Creedence Clearwater Revival, Nancy Sinatra, Country Joe McDonald and his famous F cheer all played a role in the wars musical history. Take a musical trip through this sometimes personal and often poetic book. Country Joe himself said of it, We all love popular music and we all love soldiers. All we have left is memories. Maybe there is something to learn from this book, from their experiences, from the music. God, I hope so.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 30 Apr 2016 12:53:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>From the “Ballad of the Green Berets” to “Bad Moon Rising,” the music of the Vietnam War is woven through every vets memories. Vietnam vet Doug Bradley and his fellow University of Wisconsin professor Craig Werner first intended to whittle down a list ...</itunes:subtitle>
      <itunes:summary>From the “Ballad of the Green Berets” to “Bad Moon Rising,” the music of the Vietnam War is woven through every vets memories. Vietnam vet Doug Bradley and his fellow University of Wisconsin professor Craig Werner first intended to whittle down a list of the top 20 songs of the war, and soon realized that was an impossible errand. No Vietnam veteran is alike, and hundreds of songs held meaning for those who fought there. It was a varied soundtrack of patriotism and protests, hard rock and soul music, love songs, Dear John songs and more.

Bradley and Werner’s book We Gotta Get Out Of This Place: The Soundtrack of the Vietnam War (University of Massachusetts Press, 2015) blends musical and personal histories, explaining the backgrounds of specific songs and artists as well as what they meant to the Vietnam soldiers. In a conversation with Gael Fashingbauer Cooper, they discuss everything from the generational differences between Vietnam soldiers and their World War II-veteran fathers to the importance of Bruce Springsteen’s “Born in the USA,” written a full decade after the war ended. Hanoi Hannah, Good Morning Vietnam DJ Adrian Cronauer, Jimi Hendrix, Creedence Clearwater Revival, Nancy Sinatra, Country Joe McDonald and his famous F cheer all played a role in the wars musical history. Take a musical trip through this sometimes personal and often poetic book. Country Joe himself said of it, We all love popular music and we all love soldiers. All we have left is memories. Maybe there is something to learn from this book, from their experiences, from the music. God, I hope so.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the “Ballad of the Green Berets” to “Bad Moon Rising,” the music of the Vietnam War is woven through every vets memories. Vietnam vet <a href="http://www.doug-bradley.com/#!about/c1we1">Doug Bradley</a> and his fellow University of Wisconsin professor <a href="http://afroamericanstudies.wisc.edu/people/werner.html">Craig Werner</a> first intended to whittle down a list of the top 20 songs of the war, and soon realized that was an impossible errand. No Vietnam veteran is alike, and hundreds of songs held meaning for those who fought there. It was a varied soundtrack of patriotism and protests, hard rock and soul music, love songs, Dear John songs and more.</p><p>
Bradley and Werner’s book <a href="http://www.amazon.com/dp/1625341628/?tag=newbooinhis-20">We Gotta Get Out Of This Place: The Soundtrack of the Vietnam War</a> (University of Massachusetts Press, 2015) blends musical and personal histories, explaining the backgrounds of specific songs and artists as well as what they meant to the Vietnam soldiers. In a conversation with Gael Fashingbauer Cooper, they discuss everything from the generational differences between Vietnam soldiers and their World War II-veteran fathers to the importance of Bruce Springsteen’s “Born in the USA,” written a full decade after the war ended. Hanoi Hannah, Good Morning Vietnam DJ Adrian Cronauer, Jimi Hendrix, Creedence Clearwater Revival, Nancy Sinatra, Country Joe McDonald and his famous F cheer all played a role in the wars musical history. Take a musical trip through this sometimes personal and often poetic book. Country Joe himself said of it, We all love popular music and we all love soldiers. All we have left is memories. Maybe there is something to learn from this book, from their experiences, from the music. God, I hope so.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2546</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55339]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7489033186.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Roger Horowitz, “Kosher USA: How Coke Became Kosher and Other Tales of Modern Food” (Columbia UP, 2016)</title>
      <description>In Kosher USA: How Coke Became Kosher and Other Tales of Modern Food (Columbia University Press, 2016), Roger Horowitz, director of the Center for the History of Business, Technology, and Society at the Hagley Museum and Library, looks at points of intersection between Jewish law and modern industrial foodways during the 20th century. In revealing the hidden kosher histories of products such as Coke, Jell-O and kosher meat, Horowitz highlights controversies over rabbinic authority and consumption in American Jewish history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 21 Apr 2016 12:29:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Kosher USA: How Coke Became Kosher and Other Tales of Modern Food (Columbia University Press, 2016), Roger Horowitz, director of the Center for the History of Business, Technology, and Society at the Hagley Museum and Library,</itunes:subtitle>
      <itunes:summary>In Kosher USA: How Coke Became Kosher and Other Tales of Modern Food (Columbia University Press, 2016), Roger Horowitz, director of the Center for the History of Business, Technology, and Society at the Hagley Museum and Library, looks at points of intersection between Jewish law and modern industrial foodways during the 20th century. In revealing the hidden kosher histories of products such as Coke, Jell-O and kosher meat, Horowitz highlights controversies over rabbinic authority and consumption in American Jewish history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0231158327/?tag=newbooinhis-20">Kosher USA: How Coke Became Kosher and Other Tales of Modern Food</a> (Columbia University Press, 2016), <a href="http://www.rogerhorowitz.com/food-history.html">Roger Horowitz</a>, director of the Center for the History of Business, Technology, and Society at the Hagley Museum and Library, looks at points of intersection between Jewish law and modern industrial foodways during the 20th century. In revealing the hidden kosher histories of products such as Coke, Jell-O and kosher meat, Horowitz highlights controversies over rabbinic authority and consumption in American Jewish history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1946</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55061]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8212562317.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Harlan Lebo, “Citizen Kane: A Filmmakers Journey” (Thomas Dunne Books, 2016)</title>
      <description>Considered by many to be the greatest American film ever made, Citizen Kane was the product of Orson Welles, who made a movie that is still groundbreaking today. In his new book Citizen Kane: A Filmmaker’s Journey (Thomas Dunne Books, 2016), Harlan Lebo presents a wonderful overview of the film on its 75th anniversary. He used previous interviews with some of the people involved in the production, along with archival information not previously used by other writers. He is able to show how the movie deserves its reputation as a masterpiece.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 19 Apr 2016 12:07:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Considered by many to be the greatest American film ever made, Citizen Kane was the product of Orson Welles, who made a movie that is still groundbreaking today. In his new book Citizen Kane: A Filmmaker’s Journey (Thomas Dunne Books, 2016),</itunes:subtitle>
      <itunes:summary>Considered by many to be the greatest American film ever made, Citizen Kane was the product of Orson Welles, who made a movie that is still groundbreaking today. In his new book Citizen Kane: A Filmmaker’s Journey (Thomas Dunne Books, 2016), Harlan Lebo presents a wonderful overview of the film on its 75th anniversary. He used previous interviews with some of the people involved in the production, along with archival information not previously used by other writers. He is able to show how the movie deserves its reputation as a masterpiece.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Considered by many to be the greatest American film ever made, Citizen Kane was the product of Orson Welles, who made a movie that is still groundbreaking today. In his new book <a href="http://www.amazon.com/dp/1250077532/?tag=newbooinhis-20">Citizen Kane: A Filmmaker’s Journey</a> (Thomas Dunne Books, 2016), <a href="http://www.amazon.com/Harlan-Lebo/e/B001IODOYQ">Harlan Lebo</a> presents a wonderful overview of the film on its 75th anniversary. He used previous interviews with some of the people involved in the production, along with archival information not previously used by other writers. He is able to show how the movie deserves its reputation as a masterpiece.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4273</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55091]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3545687254.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jason Mittell, “Complex TV: The Poetics of Contemporary Television” (NYU Press 2015)</title>
      <description>We are said to be in a golden age of TV. The best stories today are told on television screens in serialized forms. The Wire, Lost, Breaking Bad, The Sopranos are a few of the shows that have elevated the cache of television, introducing riskier forms of storytelling in a medium that has been typically formulaic and convention bound. Fans and critics alike celebrate them for innovation and television networks are filled programming with more and more of them.

In Complex TV: The Poetics of Contemporary Television (NYU Press 2015), is film and television scholar Jason Mittell of Middlebury College offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Complex television, Mittell says, is not a genre. It is a storytelling mode and set of associated production and reception practices that span a wide range of programs across an array of genres. Through close analyses of key programs, includingThe Wire, Lost, Veronica Mars, and Mad Mento name a four, the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation.

Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time. It is not that the best stories today are on the small screen. Rather, that the most sophisticated, freshest, and the most complex techniques for telling them are.



John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Apr 2016 17:30:05 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>We are said to be in a golden age of TV. The best stories today are told on television screens in serialized forms. The Wire, Lost, Breaking Bad, The Sopranos are a few of the shows that have elevated the cache of television,</itunes:subtitle>
      <itunes:summary>We are said to be in a golden age of TV. The best stories today are told on television screens in serialized forms. The Wire, Lost, Breaking Bad, The Sopranos are a few of the shows that have elevated the cache of television, introducing riskier forms of storytelling in a medium that has been typically formulaic and convention bound. Fans and critics alike celebrate them for innovation and television networks are filled programming with more and more of them.

In Complex TV: The Poetics of Contemporary Television (NYU Press 2015), is film and television scholar Jason Mittell of Middlebury College offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Complex television, Mittell says, is not a genre. It is a storytelling mode and set of associated production and reception practices that span a wide range of programs across an array of genres. Through close analyses of key programs, includingThe Wire, Lost, Veronica Mars, and Mad Mento name a four, the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation.

Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time. It is not that the best stories today are on the small screen. Rather, that the most sophisticated, freshest, and the most complex techniques for telling them are.



John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are said to be in a golden age of TV. The best stories today are told on television screens in serialized forms. The Wire, Lost, Breaking Bad, The Sopranos are a few of the shows that have elevated the cache of television, introducing riskier forms of storytelling in a medium that has been typically formulaic and convention bound. Fans and critics alike celebrate them for innovation and television networks are filled programming with more and more of them.</p><p>
In <a href="http://www.amazon.com/dp/0814769608/?tag=newbooinhis-20">Complex TV: The Poetics of Contemporary Television</a> (NYU Press 2015), is film and television scholar <a href="http://www.middlebury.edu/academics/fmmc/faculty/node/2031">Jason Mittell</a> of Middlebury College offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Complex television, Mittell says, is not a genre. It is a storytelling mode and set of associated production and reception practices that span a wide range of programs across an array of genres. Through close analyses of key programs, includingThe Wire, Lost, Veronica Mars, and Mad Mento name a four, the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation.</p><p>
Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time. It is not that the best stories today are on the small screen. Rather, that the most sophisticated, freshest, and the most complex techniques for telling them are.</p><p>
</p><p>
John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter<a href="https://twitter.com/Nudgeblog"> @Nudgeblog</a> and contact him at <a href="mailto:nudgeblog@gmail.com">nudgeblog@gmail.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3980</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55041]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3650317967.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alfie Bown, “Enjoying It: Candy Crush and Capitalism” (Zero Books, 2015)</title>
      <description>What is enjoyment and what can contemporary critical theory tell us about it? In Enjoying It: Candy Crush and Capitalism (Zero Books, 2015), Alfie Bown, a lecturer at Hang Seng Management College and co-editor of Everyday Analysis and the Hong Kong Review of Books, talks through the political potential of new forms of enjoyment. Using Candy Crush Saga, Football Manager, Gangnam Style, Game of Thrones, and the act of reading critical theory itself, the book argues we need to take enjoyment seriously. Enjoyment is understood in relation to work and capitalism, unpacking ideas of productive and unproductive enjoyment and how they might serve or subvert power and control in modern life. The book will be of interest to scholars across philosophy, literary studies, and the social sciences, alongside anyone with a smart phone, tablet or love of the television box set!



Dave OBrien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 18 Apr 2016 15:38:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is enjoyment and what can contemporary critical theory tell us about it? In Enjoying It: Candy Crush and Capitalism (Zero Books, 2015), Alfie Bown, a lecturer at Hang Seng Management College and co-editor of Everyday Analysis and the Hong Kong Rev...</itunes:subtitle>
      <itunes:summary>What is enjoyment and what can contemporary critical theory tell us about it? In Enjoying It: Candy Crush and Capitalism (Zero Books, 2015), Alfie Bown, a lecturer at Hang Seng Management College and co-editor of Everyday Analysis and the Hong Kong Review of Books, talks through the political potential of new forms of enjoyment. Using Candy Crush Saga, Football Manager, Gangnam Style, Game of Thrones, and the act of reading critical theory itself, the book argues we need to take enjoyment seriously. Enjoyment is understood in relation to work and capitalism, unpacking ideas of productive and unproductive enjoyment and how they might serve or subvert power and control in modern life. The book will be of interest to scholars across philosophy, literary studies, and the social sciences, alongside anyone with a smart phone, tablet or love of the television box set!



Dave OBrien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is enjoyment and what can contemporary critical theory tell us about it? In <a href="http://www.amazon.com/dp/1785351559/?tag=newbooinhis-20">Enjoying It: Candy Crush and Capitalism</a> (Zero Books, 2015), <a href="http://www.hsmc.edu.hk/?option=com_departments&amp;dep=hum&amp;sid=61&amp;staff=817">Alfie Bown</a>, a lecturer at Hang Seng Management Colle<a href="http://www.hsmc.edu.hk/?option=com_departments&amp;dep=hum&amp;sid=61&amp;staff=817">g</a>e and co-editor of <a href="https://www.everydayanalysis.com">Everyday Analysis</a> and the <a href="https://hkrbooks.com">Hong Kong Review of Books</a>, talks through the political potential of new forms of enjoyment. Using Candy Crush Saga, Football Manager, Gangnam Style, Game of Thrones, and the act of reading critical theory itself, the book argues we need to take enjoyment seriously. Enjoyment is understood in relation to work and capitalism, unpacking ideas of productive and unproductive enjoyment and how they might serve or subvert power and control in modern life. The book will be of interest to scholars across philosophy, literary studies, and the social sciences, alongside anyone with a smart phone, tablet or love of the television box set!</p><p>
</p><p>
Dave OBrien is the host of New Books In Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets<a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1892</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=54991]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1339979620.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kimberly Fain, “Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies” (Praeger, 2015)</title>
      <description>While black men have been portrayed in film for over a hundred years, they have often been stereotyped or portrayed very badly. In her book Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies (Praeger, 2015), Kimberly Fain reviews the changing aspect of these roles and the African American actors who played them. Going decade by decade, she chooses specific films that do a particularly good job of showing these shifts. She also talks about how African American men began to use their popularity in other entertainment fields to give them power in the film industry.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sun, 03 Apr 2016 21:43:52 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>While black men have been portrayed in film for over a hundred years, they have often been stereotyped or portrayed very badly. In her book Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies (Praeger,</itunes:subtitle>
      <itunes:summary>While black men have been portrayed in film for over a hundred years, they have often been stereotyped or portrayed very badly. In her book Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies (Praeger, 2015), Kimberly Fain reviews the changing aspect of these roles and the African American actors who played them. Going decade by decade, she chooses specific films that do a particularly good job of showing these shifts. She also talks about how African American men began to use their popularity in other entertainment fields to give them power in the film industry.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While black men have been portrayed in film for over a hundred years, they have often been stereotyped or portrayed very badly. In her book <a href="http://www.amazon.com/dp/1440831904/?tag=newbooinhis-20">Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies</a> (Praeger, 2015), Kimberly Fain reviews the changing aspect of these roles and the African American actors who played them. Going decade by decade, she chooses specific films that do a particularly good job of showing these shifts. She also talks about how African American men began to use their popularity in other entertainment fields to give them power in the film industry.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3954</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=54742]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7928712693.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Roshanak Kheshti, “Modernity’s Ear: Listening to Race and Gender in World Music” (NYU Press, 2015)</title>
      <description>The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015), Roshanak Kheshti explores how these origins shape how listeners hear world music today.

Kheshti did fieldwork at Kinship Records, a pseudonym of a world music label, and examined how world music gets record, produced, marketed, and sold. Full of theoretical insights, Modernity’s Ear focuses on how listening and the ear have become key sites for the production of racial and gender identities and how listeners come to hear their own desires. Kheshti challenges earlier scholarly studies that criticize world music for appropriating ethnic sounds. Instead, she considers how music allows listeners to incorporate a wide range of sounds into their own culture. For example she discusses how Vampire Weekend, an alternative rock band, drew on Afro pop in their music. For Kheshti, this is a key example of how listeners came to make world music their own.

The book concludes with a discussion of Zora Neale Hurston’s recordings of African American folk songs and tales. Kheshti argues that Hurston understood all too well the dominant paradigms around such folk recordings, which viewed such recordings as valuable because they were authentic sounds. Hurston, however, refused such a position and chose to preform African American folk songs and stories herself rather than record “authentic” native voices. For Kheshti, Hurston’s decision demonstrates potential agency and the ability for world music performers to shape how they get heard.

Roshanak Kheshti is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 01 Apr 2016 10:35:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015),</itunes:subtitle>
      <itunes:summary>The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015), Roshanak Kheshti explores how these origins shape how listeners hear world music today.

Kheshti did fieldwork at Kinship Records, a pseudonym of a world music label, and examined how world music gets record, produced, marketed, and sold. Full of theoretical insights, Modernity’s Ear focuses on how listening and the ear have become key sites for the production of racial and gender identities and how listeners come to hear their own desires. Kheshti challenges earlier scholarly studies that criticize world music for appropriating ethnic sounds. Instead, she considers how music allows listeners to incorporate a wide range of sounds into their own culture. For example she discusses how Vampire Weekend, an alternative rock band, drew on Afro pop in their music. For Kheshti, this is a key example of how listeners came to make world music their own.

The book concludes with a discussion of Zora Neale Hurston’s recordings of African American folk songs and tales. Kheshti argues that Hurston understood all too well the dominant paradigms around such folk recordings, which viewed such recordings as valuable because they were authentic sounds. Hurston, however, refused such a position and chose to preform African American folk songs and stories herself rather than record “authentic” native voices. For Kheshti, Hurston’s decision demonstrates potential agency and the ability for world music performers to shape how they get heard.

Roshanak Kheshti is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In <a href="http://www.amazon.com/dp/1479817864/?tag=newbooinhis-20">Modernity’s Ear: Listening to Race and Gender in World Music</a> (NYU Press, 2015), <a href="http://www.ethnicstudies.ucsd.edu/faculty/kheshti.html">Roshanak Kheshti</a> explores how these origins shape how listeners hear world music today.</p><p>
Kheshti did fieldwork at Kinship Records, a pseudonym of a world music label, and examined how world music gets record, produced, marketed, and sold. Full of theoretical insights, Modernity’s Ear focuses on how listening and the ear have become key sites for the production of racial and gender identities and how listeners come to hear their own desires. Kheshti challenges earlier scholarly studies that criticize world music for appropriating ethnic sounds. Instead, she considers how music allows listeners to incorporate a wide range of sounds into their own culture. For example she discusses how Vampire Weekend, an alternative rock band, drew on Afro pop in their music. For Kheshti, this is a key example of how listeners came to make world music their own.</p><p>
The book concludes with a discussion of Zora Neale Hurston’s recordings of African American folk songs and tales. Kheshti argues that Hurston understood all too well the dominant paradigms around such folk recordings, which viewed such recordings as valuable because they were authentic sounds. Hurston, however, refused such a position and chose to preform African American folk songs and stories herself rather than record “authentic” native voices. For Kheshti, Hurston’s decision demonstrates potential agency and the ability for world music performers to shape how they get heard.</p><p>
Roshanak Kheshti is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3553</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=54628]]></guid>
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    <item>
      <title>Adam Kucharski, “The Perfect Bet: How Science and Math Are Taking the Luck Out of Gambling” (Basic Books, 2016)</title>
      <description>Adam Kucharski, who won the 2012 Wellcome Trust Science Writing Prize, has delivered another winner in an area rife with both winners and losers. The Perfect Bet: How Science and Math Are Taking the Luck Out of Gambling (Basic Books, 2016) is a brilliant, fascinating, and sometimes slightly terrifying look at how math and science are not just conquering gambling, the algorithms that math has devised and the computerized means of implementing them are paradoxically simultaneously removing risk and creating a lot more of it.



Jim Stein is an emeritus professor of mathematics at California State University, Long Beach. As has been noted, the word ’emeritus’ comes from the Latin ‘ex’ — meaning ‘out’ — and ‘meritus’ — meaning ‘ought to be’. Despite that, Jim still teaches a course a semester, either at CSULB or El Camino Community College. He is the author of L.A. Math: Romance, Crime and Mathematics in the City of Angels, Cosmic Numbers: The Numbers That Define the Universe, The Paranormal Equation, How Math Can Save Your Life, The Right Decision, and How Math Can Save the World. He responds to any and all emails addressed to jim.stein@csulb.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 31 Mar 2016 12:55:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Adam Kucharski, who won the 2012 Wellcome Trust Science Writing Prize, has delivered another winner in an area rife with both winners and losers. The Perfect Bet: How Science and Math Are Taking the Luck Out of Gambling (Basic Books,</itunes:subtitle>
      <itunes:summary>Adam Kucharski, who won the 2012 Wellcome Trust Science Writing Prize, has delivered another winner in an area rife with both winners and losers. The Perfect Bet: How Science and Math Are Taking the Luck Out of Gambling (Basic Books, 2016) is a brilliant, fascinating, and sometimes slightly terrifying look at how math and science are not just conquering gambling, the algorithms that math has devised and the computerized means of implementing them are paradoxically simultaneously removing risk and creating a lot more of it.



Jim Stein is an emeritus professor of mathematics at California State University, Long Beach. As has been noted, the word ’emeritus’ comes from the Latin ‘ex’ — meaning ‘out’ — and ‘meritus’ — meaning ‘ought to be’. Despite that, Jim still teaches a course a semester, either at CSULB or El Camino Community College. He is the author of L.A. Math: Romance, Crime and Mathematics in the City of Angels, Cosmic Numbers: The Numbers That Define the Universe, The Paranormal Equation, How Math Can Save Your Life, The Right Decision, and How Math Can Save the World. He responds to any and all emails addressed to jim.stein@csulb.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.lshtm.ac.uk/aboutus/people/kucharski.adam">Adam Kucharski</a>, who won the 2012 Wellcome Trust Science Writing Prize, has delivered another winner in an area rife with both winners and losers. <a href="http://www.amazon.com/dp/0465055958/?tag=newbooinhis-20">The Perfect Bet: How Science and Math Are Taking the Luck Out of Gambling</a> (Basic Books, 2016) is a brilliant, fascinating, and sometimes slightly terrifying look at how math and science are not just conquering gambling, the algorithms that math has devised and the computerized means of implementing them are paradoxically simultaneously removing risk and creating a lot more of it.</p><p>
</p><p>
Jim Stein is an emeritus professor of mathematics at California State University, Long Beach. As has been noted, the word ’emeritus’ comes from the Latin ‘ex’ — meaning ‘out’ — and ‘meritus’ — meaning ‘ought to be’. Despite that, Jim still teaches a course a semester, either at CSULB or El Camino Community College. He is the author of L.A. Math: Romance, Crime and Mathematics in the City of Angels, Cosmic Numbers: The Numbers That Define the Universe, The Paranormal Equation, How Math Can Save Your Life, The Right Decision, and How Math Can Save the World. He responds to any and all emails addressed to <a href="mailto:jim.stein@csulb.edu">jim.stein@csulb.edu</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3162</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=54511]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7134981965.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Phillip Penix-Tadsen, “Cultural Code: Video Games and Latin America” (MIT Press, 2016)</title>
      <description>Symbols have meanings that change depending upon the cultural context. But how do we discuss symbols, their meanings, and their cultural contexts without an adequate vocabulary? Phillip Penix-Tadsen, assistant professor of Spanish at the University of Delaware and author of the new book Cultural Code: Video Games and Latin America (MIT Press, 2016), offers insight in to how culture is signified in video games, with a particular emphasis on Latin America. In Cultural Code, Penix-Tadsen examines how Latin America is represented in some of the most popular of games, as well as how Latin American developers, themselves, represent their various countries. In so doing, Penix-Tadsen investigates the emergence of video games as cultural currency, and advances a vocabulary for describing how culture is integrated in to all aspects of gaming.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 Mar 2016 13:11:01 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Symbols have meanings that change depending upon the cultural context. But how do we discuss symbols, their meanings, and their cultural contexts without an adequate vocabulary? Phillip Penix-Tadsen, assistant professor of Spanish at the University of ...</itunes:subtitle>
      <itunes:summary>Symbols have meanings that change depending upon the cultural context. But how do we discuss symbols, their meanings, and their cultural contexts without an adequate vocabulary? Phillip Penix-Tadsen, assistant professor of Spanish at the University of Delaware and author of the new book Cultural Code: Video Games and Latin America (MIT Press, 2016), offers insight in to how culture is signified in video games, with a particular emphasis on Latin America. In Cultural Code, Penix-Tadsen examines how Latin America is represented in some of the most popular of games, as well as how Latin American developers, themselves, represent their various countries. In so doing, Penix-Tadsen investigates the emergence of video games as cultural currency, and advances a vocabulary for describing how culture is integrated in to all aspects of gaming.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Symbols have meanings that change depending upon the cultural context. But how do we discuss symbols, their meanings, and their cultural contexts without an adequate vocabulary? <a href="http://www.udel.edu/fllt/main/Personnel/ActiveFaculty/ptpt.html">Phillip Penix-Tadsen</a>, assistant professor of Spanish at the University of Delaware and author of the new book <a href="https://mitpress.mit.edu/books/cultural-code">Cultural Code: Video Games and Latin America</a> (MIT Press, 2016), offers insight in to how culture is signified in video games, with a particular emphasis on Latin America. In Cultural Code, Penix-Tadsen examines how Latin America is represented in some of the most popular of games, as well as how Latin American developers, themselves, represent their various countries. In so doing, Penix-Tadsen investigates the emergence of video games as cultural currency, and advances a vocabulary for describing how culture is integrated in to all aspects of gaming.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2778</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=53290]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3826926599.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Gondelman and J. Berkowitz, “You Blew It! An Awkward Look at the Many Ways in Which You’ve Already Ruined Your Life” (Penguin, 2015)</title>
      <description>Looking for a cheery, encouraging guide to improving your life? A reminder that nothing is really all that bad, and you can still pick yourself up and make a big success of yourself? Look elsewhere! In their new book You Blew It! (Penguin, 2015), writers Josh Gondelman and Joe Berkowitz dash those dreams against the rocks of reality, and instead point out that you’ve seriously blown it already, in every aspect of life from love and sex to roommates and career choice. And don’t forget family. Oh, how we sometimes wish we could forget family.

We’re kidding. Kind of. Gondelman and Berkowitz have hardly ruined their own lives – Gondelman is a stand-up comedian and Emmy-nominated writer for “Last Week Tonight with John Oliver,” and Berkowitz is a writer and editor for Fast Company. Their book is a fast and funny guide to the many pitfalls of everything from parties to Facebook. They list out friendships to avoid (the “Never Carries Cash Friend” and “Suddenly Got Really Religious Friend” are two examples) and advise you on how not to compliment someone (never tell someone she “cleans up nicely,” or tell him he looks like a random celebrity he may or may not find attractive).

Gondelman and Berkowitz join podcast host Gael Fashingbauer Cooper (who was once told she looked like Marie Osmond and still doesn’t know what to make of that) to discuss lives ruined and not ruined. Tune in and travel with them down the many roads to social disaster.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 10 Mar 2016 12:24:25 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Looking for a cheery, encouraging guide to improving your life? A reminder that nothing is really all that bad, and you can still pick yourself up and make a big success of yourself? Look elsewhere! In their new book You Blew It! (Penguin, 2015),</itunes:subtitle>
      <itunes:summary>Looking for a cheery, encouraging guide to improving your life? A reminder that nothing is really all that bad, and you can still pick yourself up and make a big success of yourself? Look elsewhere! In their new book You Blew It! (Penguin, 2015), writers Josh Gondelman and Joe Berkowitz dash those dreams against the rocks of reality, and instead point out that you’ve seriously blown it already, in every aspect of life from love and sex to roommates and career choice. And don’t forget family. Oh, how we sometimes wish we could forget family.

We’re kidding. Kind of. Gondelman and Berkowitz have hardly ruined their own lives – Gondelman is a stand-up comedian and Emmy-nominated writer for “Last Week Tonight with John Oliver,” and Berkowitz is a writer and editor for Fast Company. Their book is a fast and funny guide to the many pitfalls of everything from parties to Facebook. They list out friendships to avoid (the “Never Carries Cash Friend” and “Suddenly Got Really Religious Friend” are two examples) and advise you on how not to compliment someone (never tell someone she “cleans up nicely,” or tell him he looks like a random celebrity he may or may not find attractive).

Gondelman and Berkowitz join podcast host Gael Fashingbauer Cooper (who was once told she looked like Marie Osmond and still doesn’t know what to make of that) to discuss lives ruined and not ruined. Tune in and travel with them down the many roads to social disaster.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Looking for a cheery, encouraging guide to improving your life? A reminder that nothing is really all that bad, and you can still pick yourself up and make a big success of yourself? Look elsewhere! In their new book <a href="http://www.amazon.com/dp/B019NR6VOY/?tag=newbooinhis-20">You Blew It!</a> (Penguin, 2015), writers <a href="http://www.joshgondelman.com/">Josh Gondelman</a> and <a href="http://www.fastcocreate.com/user/joe-berkowitz">Joe Berkowitz</a> dash those dreams against the rocks of reality, and instead point out that you’ve seriously blown it already, in every aspect of life from love and sex to roommates and career choice. And don’t forget family. Oh, how we sometimes wish we could forget family.</p><p>
We’re kidding. Kind of. Gondelman and Berkowitz have hardly ruined their own lives – Gondelman is a stand-up comedian and Emmy-nominated writer for “Last Week Tonight with John Oliver,” and Berkowitz is a writer and editor for Fast Company. Their book is a fast and funny guide to the many pitfalls of everything from parties to Facebook. They list out friendships to avoid (the “Never Carries Cash Friend” and “Suddenly Got Really Religious Friend” are two examples) and advise you on how not to compliment someone (never tell someone she “cleans up nicely,” or tell him he looks like a random celebrity he may or may not find attractive).</p><p>
Gondelman and Berkowitz join podcast host Gael Fashingbauer Cooper (who was once told she looked like Marie Osmond and still doesn’t know what to make of that) to discuss lives ruined and not ruined. Tune in and travel with them down the many roads to social disaster.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2097</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=53429]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1159687454.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Nott, “Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960” (Oxford UP, 2016)</title>
      <description>In his new book Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960 (Oxford University Press, 2016), cultural historian James Nott charts the untold history of dancing and dance halls in Britain in the first half of the twentieth century. This exploration reveals the transformations of working-class communities, and of the changing notions of femininity, masculinity and leisure that occur in this period. To do so, Nott navigates us skillfully between the perspectives of the dance hall owners, dance teachers and innovators. He them leads us to consider the point of view of enthusiastic jiving individuals. Finally, we take our place on the sidelines with the onlookers and killjoys alarmed by this ‘craze.’

This kaleidoscope of voices and images illuminates the role of the dance hall as a social space. It is argued that the dance hall brought together men and women in search of fun, but also provided them with a safe space to try out identities and behaviors. Nott claims that the spread and success of the dance hall reached the whole country. He situates it within the democratization process of British culture that was led by commercialism in the 1920s and 1930s, and even more so after the Second World war.

Nott points to the American origins of the music and dances that dominated the dance hall. But also suggest that a national style was forged on the dance-floor and via the business models and publicity methods of the institution. Consequently, he maintains, a uniquely British space was born.

The story of the rise and fall of the dance hall is constructed through its economic history. Its financial success and decline are analyzed with sources from the day’s trade press, the archives of individual companies and the regulation and licensing records of towns and cities. The cultural role of the dance hall is revealed through its representation in local and national press. Oral interviews, contemporaneous social surveys and Mass Observation reports are woven together to construct the experience of going to the palais. The result is a superb analysis of gender and race relations, as well as a fascinating look at an industry that had once rivaled cinema as an ultimate pastime.

Dr James Nott is a social and cultural historian at the University of St Andrews. He is the author of Music for the People: Popular Music and dance in Interwar Britain (OUP, 2002) and co-editor of Classes, Politics and Cultures: Essays in British History in Honour of Ross McKibbin (OUP, 2011).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 02 Mar 2016 16:57:26 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960 (Oxford University Press, 2016), cultural historian James Nott charts the untold history of dancing and dance halls in Britain in the fi...</itunes:subtitle>
      <itunes:summary>In his new book Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960 (Oxford University Press, 2016), cultural historian James Nott charts the untold history of dancing and dance halls in Britain in the first half of the twentieth century. This exploration reveals the transformations of working-class communities, and of the changing notions of femininity, masculinity and leisure that occur in this period. To do so, Nott navigates us skillfully between the perspectives of the dance hall owners, dance teachers and innovators. He them leads us to consider the point of view of enthusiastic jiving individuals. Finally, we take our place on the sidelines with the onlookers and killjoys alarmed by this ‘craze.’

This kaleidoscope of voices and images illuminates the role of the dance hall as a social space. It is argued that the dance hall brought together men and women in search of fun, but also provided them with a safe space to try out identities and behaviors. Nott claims that the spread and success of the dance hall reached the whole country. He situates it within the democratization process of British culture that was led by commercialism in the 1920s and 1930s, and even more so after the Second World war.

Nott points to the American origins of the music and dances that dominated the dance hall. But also suggest that a national style was forged on the dance-floor and via the business models and publicity methods of the institution. Consequently, he maintains, a uniquely British space was born.

The story of the rise and fall of the dance hall is constructed through its economic history. Its financial success and decline are analyzed with sources from the day’s trade press, the archives of individual companies and the regulation and licensing records of towns and cities. The cultural role of the dance hall is revealed through its representation in local and national press. Oral interviews, contemporaneous social surveys and Mass Observation reports are woven together to construct the experience of going to the palais. The result is a superb analysis of gender and race relations, as well as a fascinating look at an industry that had once rivaled cinema as an ultimate pastime.

Dr James Nott is a social and cultural historian at the University of St Andrews. He is the author of Music for the People: Popular Music and dance in Interwar Britain (OUP, 2002) and co-editor of Classes, Politics and Cultures: Essays in British History in Honour of Ross McKibbin (OUP, 2011).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book <a href="http://www.amazon.com/dp/019960519X/?tag=newbooinhis-20">Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960 </a>(Oxford University Press, 2016), cultural historian <a href="http://www.st-andrews.ac.uk/history/staff/jamesnott.html">James Nott</a> charts the untold history of dancing and dance halls in Britain in the first half of the twentieth century. This exploration reveals the transformations of working-class communities, and of the changing notions of femininity, masculinity and leisure that occur in this period. To do so, Nott navigates us skillfully between the perspectives of the dance hall owners, dance teachers and innovators. He them leads us to consider the point of view of enthusiastic jiving individuals. Finally, we take our place on the sidelines with the onlookers and killjoys alarmed by this ‘craze.’</p><p>
This kaleidoscope of voices and images illuminates the role of the dance hall as a social space. It is argued that the dance hall brought together men and women in search of fun, but also provided them with a safe space to try out identities and behaviors. Nott claims that the spread and success of the dance hall reached the whole country. He situates it within the democratization process of British culture that was led by commercialism in the 1920s and 1930s, and even more so after the Second World war.</p><p>
Nott points to the American origins of the music and dances that dominated the dance hall. But also suggest that a national style was forged on the dance-floor and via the business models and publicity methods of the institution. Consequently, he maintains, a uniquely British space was born.</p><p>
The story of the rise and fall of the dance hall is constructed through its economic history. Its financial success and decline are analyzed with sources from the day’s trade press, the archives of individual companies and the regulation and licensing records of towns and cities. The cultural role of the dance hall is revealed through its representation in local and national press. Oral interviews, contemporaneous social surveys and Mass Observation reports are woven together to construct the experience of going to the palais. The result is a superb analysis of gender and race relations, as well as a fascinating look at an industry that had once rivaled cinema as an ultimate pastime.</p><p>
Dr James Nott is a social and cultural historian at the University of St Andrews. He is the author of Music for the People: Popular Music and dance in Interwar Britain (OUP, 2002) and co-editor of Classes, Politics and Cultures: Essays in British History in Honour of Ross McKibbin (OUP, 2011).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3702</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=53318]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT4793340428.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alan Sepinwall, “The Revolution Was Televised” (Touchstone, 2015)</title>
      <description>What do Tony Soprano and Archie Bunker have in common? Alan Sepinwall, longtime TV writer and critic, knows that the 1970s comedic bigot and 2000s Jersey mob boss are not as different as we may think. Both broke new ground in TV and made viewers sit up and take notice, although in very different ways. In his newly revised book, The Revolution Was Televised: How The Sopranos, Mad Men, Breaking Bad, Lost and Other Groundbreaking Dramas Changed TV Forever (Touchstone, revised edition December, 2015), Sepinwall takes readers on a spin through 12 television shows that changed the medium forever.

The book takes readers behind-the-scenes of 12 groundbreaking TV dramas, including “Oz,” “Deadwood,” “The Wire,” “The Shield,” and of course “Breaking Bad.” Sepinwall isn’t in it to merely recap the plots – he speaks to the writers, actors and directors who made the shows happen, and puts their information together with his own insights to show how this new form of drama developed. Sepinwall also discusses how his book, at first self-published, became a New York Times favorite, and shares what he’s added to this new version. (Spoiler alertâ€”don’t listen if you still don’t know how “The Sopranos” ended, but do tune in if you want Alan’s incisive take on Tony’s family’s final fade-to-black.)

You’ve seen the shows – now go behind the curtain with Sepinwall and podcast host Gael Fashingbauer Cooper as they remember the characters and plots that ushered in this new golden age of television.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 24 Feb 2016 15:42:23 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do Tony Soprano and Archie Bunker have in common? Alan Sepinwall, longtime TV writer and critic, knows that the 1970s comedic bigot and 2000s Jersey mob boss are not as different as we may think. Both broke new ground in TV and made viewers sit up...</itunes:subtitle>
      <itunes:summary>What do Tony Soprano and Archie Bunker have in common? Alan Sepinwall, longtime TV writer and critic, knows that the 1970s comedic bigot and 2000s Jersey mob boss are not as different as we may think. Both broke new ground in TV and made viewers sit up and take notice, although in very different ways. In his newly revised book, The Revolution Was Televised: How The Sopranos, Mad Men, Breaking Bad, Lost and Other Groundbreaking Dramas Changed TV Forever (Touchstone, revised edition December, 2015), Sepinwall takes readers on a spin through 12 television shows that changed the medium forever.

The book takes readers behind-the-scenes of 12 groundbreaking TV dramas, including “Oz,” “Deadwood,” “The Wire,” “The Shield,” and of course “Breaking Bad.” Sepinwall isn’t in it to merely recap the plots – he speaks to the writers, actors and directors who made the shows happen, and puts their information together with his own insights to show how this new form of drama developed. Sepinwall also discusses how his book, at first self-published, became a New York Times favorite, and shares what he’s added to this new version. (Spoiler alertâ€”don’t listen if you still don’t know how “The Sopranos” ended, but do tune in if you want Alan’s incisive take on Tony’s family’s final fade-to-black.)

You’ve seen the shows – now go behind the curtain with Sepinwall and podcast host Gael Fashingbauer Cooper as they remember the characters and plots that ushered in this new golden age of television.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do Tony Soprano and Archie Bunker have in common? <a href="http://www.amazon.com/dp/1476739676/?tag=newbooinhis-20">Alan Sepinwall</a>, longtime TV writer and critic, knows that the 1970s comedic bigot and 2000s Jersey mob boss are not as different as we may think. Both broke new ground in TV and made viewers sit up and take notice, although in very different ways. In his newly revised book, <a href="http://www.amazon.com/dp/1476739676/?tag=newbooinhis-20">The Revolution Was Televised: How The Sopranos, Mad Men, Breaking Bad, Lost and Other Groundbreaking Dramas Changed TV Forever</a> (Touchstone, revised edition December, 2015), Sepinwall takes readers on a spin through 12 television shows that changed the medium forever.</p><p>
The book takes readers behind-the-scenes of 12 groundbreaking TV dramas, including “Oz,” “Deadwood,” “The Wire,” “The Shield,” and of course “Breaking Bad.” Sepinwall isn’t in it to merely recap the plots – he speaks to the writers, actors and directors who made the shows happen, and puts their information together with his own insights to show how this new form of drama developed. Sepinwall also discusses how his book, at first self-published, became a New York Times favorite, and shares what he’s added to this new version. (Spoiler alertâ€”don’t listen if you still don’t know how “The Sopranos” ended, but do tune in if you want Alan’s incisive take on Tony’s family’s final fade-to-black.)</p><p>
You’ve seen the shows – now go behind the curtain with Sepinwall and podcast host Gael Fashingbauer Cooper as they remember the characters and plots that ushered in this new golden age of television.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>1864</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=53160]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT5786022435.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maris Kreisman, “Slaughterhouse 90210: Where Great Books Meet Pop Culture” (Flatiron Books, 2015)</title>
      <description>The concept sounds simple: Maris Kreizman‘s Slaughterhouse 90210: Where Great Books Meet Pop Culture (Flatiron Books, 2015), based on her popular Tumblr, pairs up classic celebrity and television images with relevant quotes from literature. But the blend of high and low culture makes for a delightful and insightful read.

Here is where Kurt Vonnegut meets Brenda Walsh, summing up life in the 90210 zip code via one of his most iconic “Slaughterhouse-Five” lines. Where a Joan Didion essay written decades before Taylor Swift was ever born sings out new insight into the pop star’s famously personal lyrics. And where a Joseph Heller quote from “Catch-22” sums up Donald Trump quite nicely, political ambitions and all.

Kreizman, a former book editor and current publishing-outreach lead at Kickstarter, joins fellow pop-culture junkie Gael Fashingbauer Cooper for a gleeful troop through the book, discussing favorite quote-photo pairings and why they work so well. Kreizman also shares behind-the-scenes info on the photos she wishes were in the book, and reveals which new shows would’ve fit nicely. (“Empire” is really all a big Dostoevsky novel when you get down to it, if ninenteenth-century Russia had hip-hop labels and private jets.) A book concept that may at first seem like a gimmick proves itself to be a rich new lens through which to view the relationship between modern entertainment and celebrity and literary wisdom of the ages. Sartre meets Seinfeld here, and they have a lot in common.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 28 Jan 2016 07:43:26 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The concept sounds simple: Maris Kreizman‘s Slaughterhouse 90210: Where Great Books Meet Pop Culture (Flatiron Books, 2015), based on her popular Tumblr, pairs up classic celebrity and television images with relevant quotes from literature.</itunes:subtitle>
      <itunes:summary>The concept sounds simple: Maris Kreizman‘s Slaughterhouse 90210: Where Great Books Meet Pop Culture (Flatiron Books, 2015), based on her popular Tumblr, pairs up classic celebrity and television images with relevant quotes from literature. But the blend of high and low culture makes for a delightful and insightful read.

Here is where Kurt Vonnegut meets Brenda Walsh, summing up life in the 90210 zip code via one of his most iconic “Slaughterhouse-Five” lines. Where a Joan Didion essay written decades before Taylor Swift was ever born sings out new insight into the pop star’s famously personal lyrics. And where a Joseph Heller quote from “Catch-22” sums up Donald Trump quite nicely, political ambitions and all.

Kreizman, a former book editor and current publishing-outreach lead at Kickstarter, joins fellow pop-culture junkie Gael Fashingbauer Cooper for a gleeful troop through the book, discussing favorite quote-photo pairings and why they work so well. Kreizman also shares behind-the-scenes info on the photos she wishes were in the book, and reveals which new shows would’ve fit nicely. (“Empire” is really all a big Dostoevsky novel when you get down to it, if ninenteenth-century Russia had hip-hop labels and private jets.) A book concept that may at first seem like a gimmick proves itself to be a rich new lens through which to view the relationship between modern entertainment and celebrity and literary wisdom of the ages. Sartre meets Seinfeld here, and they have a lot in common.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The concept sounds simple: <a href="https://www.linkedin.com/in/maris-kreizman-ab875742">Maris Kreizman</a>‘s <a href="http://www.amazon.com/dp/1250061105/?tag=newbooinhis-20">Slaughterhouse 90210: Where Great Books Meet Pop Culture</a> (Flatiron Books, 2015), based on her popular Tumblr, pairs up classic celebrity and television images with relevant quotes from literature. But the blend of high and low culture makes for a delightful and insightful read.</p><p>
Here is where Kurt Vonnegut meets Brenda Walsh, summing up life in the 90210 zip code via one of his most iconic “Slaughterhouse-Five” lines. Where a Joan Didion essay written decades before Taylor Swift was ever born sings out new insight into the pop star’s famously personal lyrics. And where a Joseph Heller quote from “Catch-22” sums up Donald Trump quite nicely, political ambitions and all.</p><p>
Kreizman, a former book editor and current publishing-outreach lead at Kickstarter, joins fellow pop-culture junkie Gael Fashingbauer Cooper for a gleeful troop through the book, discussing favorite quote-photo pairings and why they work so well. Kreizman also shares behind-the-scenes info on the photos she wishes were in the book, and reveals which new shows would’ve fit nicely. (“Empire” is really all a big Dostoevsky novel when you get down to it, if ninenteenth-century Russia had hip-hop labels and private jets.) A book concept that may at first seem like a gimmick proves itself to be a rich new lens through which to view the relationship between modern entertainment and celebrity and literary wisdom of the ages. Sartre meets Seinfeld here, and they have a lot in common.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2298</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=52788]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8643415326.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yael Raviv, “Falafel Nation: Cuisine and the Making of National Identity in Israel” (University of Nebraska Press, 2015)</title>
      <description>In the late nineteenth century, Jewish immigrants inspired by Zionism began to settle in Palestine. Their goal was not only to establish a politically sovereign state, but also to create a new, modern, Hebrew nation. With the establishment of the State of Israel in 1948, the Zionist movement realized its political goal. It then sought to acculturate the multitude of Jewish immigrant groups in the new state into a unified national culture. Yael Raviv highlights the role of food and cuisine in the construction of the Israeli nation.

Raviv’s book, Falafel Nation: Cuisine and the Making of National Identity in Israel (University of Nebraska Press, 2015) examines how national ideology impacted cuisine, and vice versa, during different periods of Jewish settlement in Palestine and Israel. Early settlers, inspired by socialist ideology and dedicated to agricultural work, viewed food as a necessity and treated culinary pleasure as a feature of bourgeois culture to be shunned. Working the land, and later buying “Hebrew” agricultural products, however, were patriotic performances of the nation. With increased Jewish migration, the situation changed. Cuisine emerged as an aspect of capitalist consumer culture, linked to individual choice and variety. As Israel became more cosmopolitan, its food scene grew. Israeli institutions professionalized cooking and emphasized ethnic diversity. Culinary pleasure, no longer shunned, even moved into the public sphere, as picnics and barbeques became a national obsession. Food Nation takes us on a historical journey through a century of Jewish foodways in Palestine and Israel, highlighting their essential role in creating an Israeli nation.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Dec 2015 12:47:17 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the late nineteenth century, Jewish immigrants inspired by Zionism began to settle in Palestine. Their goal was not only to establish a politically sovereign state, but also to create a new, modern, Hebrew nation.</itunes:subtitle>
      <itunes:summary>In the late nineteenth century, Jewish immigrants inspired by Zionism began to settle in Palestine. Their goal was not only to establish a politically sovereign state, but also to create a new, modern, Hebrew nation. With the establishment of the State of Israel in 1948, the Zionist movement realized its political goal. It then sought to acculturate the multitude of Jewish immigrant groups in the new state into a unified national culture. Yael Raviv highlights the role of food and cuisine in the construction of the Israeli nation.

Raviv’s book, Falafel Nation: Cuisine and the Making of National Identity in Israel (University of Nebraska Press, 2015) examines how national ideology impacted cuisine, and vice versa, during different periods of Jewish settlement in Palestine and Israel. Early settlers, inspired by socialist ideology and dedicated to agricultural work, viewed food as a necessity and treated culinary pleasure as a feature of bourgeois culture to be shunned. Working the land, and later buying “Hebrew” agricultural products, however, were patriotic performances of the nation. With increased Jewish migration, the situation changed. Cuisine emerged as an aspect of capitalist consumer culture, linked to individual choice and variety. As Israel became more cosmopolitan, its food scene grew. Israeli institutions professionalized cooking and emphasized ethnic diversity. Culinary pleasure, no longer shunned, even moved into the public sphere, as picnics and barbeques became a national obsession. Food Nation takes us on a historical journey through a century of Jewish foodways in Palestine and Israel, highlighting their essential role in creating an Israeli nation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the late nineteenth century, Jewish immigrants inspired by Zionism began to settle in Palestine. Their goal was not only to establish a politically sovereign state, but also to create a new, modern, Hebrew nation. With the establishment of the State of Israel in 1948, the Zionist movement realized its political goal. It then sought to acculturate the multitude of Jewish immigrant groups in the new state into a unified national culture. <a href="http://www.umamifestival.org/">Yael Raviv</a> highlights the role of food and cuisine in the construction of the Israeli nation.</p><p>
Raviv’s book, <a href="http://www.amazon.com/dp/0803290179/?tag=newbooinhis-20">Falafel Nation: Cuisine and the Making of National Identity in Israel </a>(University of Nebraska Press, 2015) examines how national ideology impacted cuisine, and vice versa, during different periods of Jewish settlement in Palestine and Israel. Early settlers, inspired by socialist ideology and dedicated to agricultural work, viewed food as a necessity and treated culinary pleasure as a feature of bourgeois culture to be shunned. Working the land, and later buying “Hebrew” agricultural products, however, were patriotic performances of the nation. With increased Jewish migration, the situation changed. Cuisine emerged as an aspect of capitalist consumer culture, linked to individual choice and variety. As Israel became more cosmopolitan, its food scene grew. Israeli institutions professionalized cooking and emphasized ethnic diversity. Culinary pleasure, no longer shunned, even moved into the public sphere, as picnics and barbeques became a national obsession. Food Nation takes us on a historical journey through a century of Jewish foodways in Palestine and Israel, highlighting their essential role in creating an Israeli nation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2573</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/food/?p=447]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT7118793942.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nahuel Ribke, “A Genre Approach to Celebrity Politics” (Palgrave Macmillan, 2015)</title>
      <description>From Ronald Reagan through Gilberto Gil to Donald Trump, our media channels are filled with celebrities vying for the highest political posts. In A Genre Approach to Celebrity Studies (Palgrave Macmillan, 2015), cultural historian Nahuel Ribke explores the historical trajectory that led to the current mass movement of celebrities into electoral politics. The book is a comparative project made up of short case studies. The range is impressive; it begins with the transition of Israeli models into the Israeli parliament, the meteoric rise of a charismatic journalist to the head of the treasury in Israel, goes on to Gilberto Gil’s tenure as minister of culture in Brazil and explores the contrasting political paths of the previously successful salsa partnership of the musicians Ruben Blades and Willie Colon. The book then moves on to North America to explore the American pattern of celebrity politics. The book ends with a return to Brazil and Argentina to look at two fascinating stories of ‘ordinary’ people-turned celebrities-turned politicians.

In addition to its contribution to the fields of celebrity and genre studies, this book is a vibrant narrative, bristling with the energy of its subjects.

Nahuel Ribke is a lecturer at the University of Tel Aviv, The Sverdlin Institute for Latin American History and Culture and Seminar Hakibutzim College, Depatment of Film and Communication.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 09 Nov 2015 13:51:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>From Ronald Reagan through Gilberto Gil to Donald Trump, our media channels are filled with celebrities vying for the highest political posts. In A Genre Approach to Celebrity Studies (Palgrave Macmillan, 2015),</itunes:subtitle>
      <itunes:summary>From Ronald Reagan through Gilberto Gil to Donald Trump, our media channels are filled with celebrities vying for the highest political posts. In A Genre Approach to Celebrity Studies (Palgrave Macmillan, 2015), cultural historian Nahuel Ribke explores the historical trajectory that led to the current mass movement of celebrities into electoral politics. The book is a comparative project made up of short case studies. The range is impressive; it begins with the transition of Israeli models into the Israeli parliament, the meteoric rise of a charismatic journalist to the head of the treasury in Israel, goes on to Gilberto Gil’s tenure as minister of culture in Brazil and explores the contrasting political paths of the previously successful salsa partnership of the musicians Ruben Blades and Willie Colon. The book then moves on to North America to explore the American pattern of celebrity politics. The book ends with a return to Brazil and Argentina to look at two fascinating stories of ‘ordinary’ people-turned celebrities-turned politicians.

In addition to its contribution to the fields of celebrity and genre studies, this book is a vibrant narrative, bristling with the energy of its subjects.

Nahuel Ribke is a lecturer at the University of Tel Aviv, The Sverdlin Institute for Latin American History and Culture and Seminar Hakibutzim College, Depatment of Film and Communication.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Ronald Reagan through Gilberto Gil to Donald Trump, our media channels are filled with celebrities vying for the highest political posts. In <a href="http://www.amazon.com/dp/113740938X/?tag=newbooinhis-20">A Genre Approach to Celebrity Studies</a> (Palgrave Macmillan, 2015), cultural historian <a href="http://telaviv.academia.edu/NahuelRibke">Nahuel Ribke</a> explores the historical trajectory that led to the current mass movement of celebrities into electoral politics. The book is a comparative project made up of short case studies. The range is impressive; it begins with the transition of Israeli models into the Israeli parliament, the meteoric rise of a charismatic journalist to the head of the treasury in Israel, goes on to Gilberto Gil’s tenure as minister of culture in Brazil and explores the contrasting political paths of the previously successful salsa partnership of the musicians Ruben Blades and Willie Colon. The book then moves on to North America to explore the American pattern of celebrity politics. The book ends with a return to Brazil and Argentina to look at two fascinating stories of ‘ordinary’ people-turned celebrities-turned politicians.</p><p>
In addition to its contribution to the fields of celebrity and genre studies, this book is a vibrant narrative, bristling with the energy of its subjects.</p><p>
Nahuel Ribke is a lecturer at the University of Tel Aviv, The Sverdlin Institute for Latin American History and Culture and Seminar Hakibutzim College, Depatment of Film and Communication.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2545</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/digitalculture/?p=188]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6585549032.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John McMillian, “Beatles vs. Stones” (Simon and Schuster, 2013)</title>
      <description>John McMillian‘s Beatles vs. Stones (Simon and Schuster, 2013) presents a compelling composite biography of the two seminal bands of the 1960s, examining both the myth-making and reality behind the great pop rivalry. More than just a history of the bands, Beatles vs. Stones explores the complex role both groups played in popular culture during the tumultuous decade of the 1960s. Although the “feud” was initially fodder for fan magazines and publicity stunts, as the bands and their audiences matured musically and politically, the divide came to reflect many of the key cultural divisions of the age. McMillian charts the makeover of the leather-clad Beatles from their early days in Germany to the “four loveable lads” who became an international sensation, and then that of the Rolling Stones, initially styled similarly to the Beatles, but quickly rebranded as their bad-boy antithesis.

Beatles vs. Stones takes a critical look at both the actual artists and the image they portrayed, delving lucidly into the Beatles and the Rolling Stones as business concerns, as cultural phenomena, and as artists often bewildered and at times disturbed by the cultural impact they themselves could not control.

A noted scholar of the New Left and the underground papers of the 1960s, McMillian currently serves as Associate Professor of History at Georgia State University. He is also the author of 2011’s Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media America, co-editor of two volumes, The Radical Reader and The New Left Revisited, and is the editor of the journal The Sixties: A Journal of History, Politics, and Culture.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 14 Sep 2015 11:58:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>John McMillian‘s Beatles vs. Stones (Simon and Schuster, 2013) presents a compelling composite biography of the two seminal bands of the 1960s, examining both the myth-making and reality behind the great pop rivalry.</itunes:subtitle>
      <itunes:summary>John McMillian‘s Beatles vs. Stones (Simon and Schuster, 2013) presents a compelling composite biography of the two seminal bands of the 1960s, examining both the myth-making and reality behind the great pop rivalry. More than just a history of the bands, Beatles vs. Stones explores the complex role both groups played in popular culture during the tumultuous decade of the 1960s. Although the “feud” was initially fodder for fan magazines and publicity stunts, as the bands and their audiences matured musically and politically, the divide came to reflect many of the key cultural divisions of the age. McMillian charts the makeover of the leather-clad Beatles from their early days in Germany to the “four loveable lads” who became an international sensation, and then that of the Rolling Stones, initially styled similarly to the Beatles, but quickly rebranded as their bad-boy antithesis.

Beatles vs. Stones takes a critical look at both the actual artists and the image they portrayed, delving lucidly into the Beatles and the Rolling Stones as business concerns, as cultural phenomena, and as artists often bewildered and at times disturbed by the cultural impact they themselves could not control.

A noted scholar of the New Left and the underground papers of the 1960s, McMillian currently serves as Associate Professor of History at Georgia State University. He is also the author of 2011’s Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media America, co-editor of two volumes, The Radical Reader and The New Left Revisited, and is the editor of the journal The Sixties: A Journal of History, Politics, and Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://history.gsu.edu/profile/john-mcmillian-2/">John McMillian</a>‘s <a href="http://www.amazon.com/dp/1439159696/?tag=newbooinhis-20">Beatles vs. Stones</a> (Simon and Schuster, 2013) presents a compelling composite biography of the two seminal bands of the 1960s, examining both the myth-making and reality behind the great pop rivalry. More than just a history of the bands, Beatles vs. Stones explores the complex role both groups played in popular culture during the tumultuous decade of the 1960s. Although the “feud” was initially fodder for fan magazines and publicity stunts, as the bands and their audiences matured musically and politically, the divide came to reflect many of the key cultural divisions of the age. McMillian charts the makeover of the leather-clad Beatles from their early days in Germany to the “four loveable lads” who became an international sensation, and then that of the Rolling Stones, initially styled similarly to the Beatles, but quickly rebranded as their bad-boy antithesis.</p><p>
Beatles vs. Stones takes a critical look at both the actual artists and the image they portrayed, delving lucidly into the Beatles and the Rolling Stones as business concerns, as cultural phenomena, and as artists often bewildered and at times disturbed by the cultural impact they themselves could not control.</p><p>
A noted scholar of the New Left and the underground papers of the 1960s, McMillian currently serves as Associate Professor of History at Georgia State University. He is also the author of 2011’s Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media America, co-editor of two volumes, The Radical Reader and The New Left Revisited, and is the editor of the journal The Sixties: A Journal of History, Politics, and Culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>4038</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinhistory.com/2015/09/14/john-mcmillian-beatles-vs-stones-simon-and-schuster-2013/]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT6041132297.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christina Dunbar-Hester, “Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism” (MIT Press, 2014)</title>
      <description>For the past few decades a major focus has been how the Internet, and Internet associated new media, allows for greater social and political participation globally. There is no disputing that the Internet has allowed for more participation, but the medium carries an inherent elitism and the need for expertise, which may limit accessibility. According to some advocates, old media like radio offer an alternative without the limitations of new media systems.

In her new book Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism (MIT Press, 2014), Christina Dunbar-Hester, an assistant professor in the School of Communication and Information at Rutgers University, explores the activist organization the Prometheus Project, and its role in advocating for greater community access to low power radio licenses. In an ethnographic examination of the medium of microradio, Dunbar-Hester examines the dichotomy of old versus new media, as well as the use of media for participatory and emancipatory politics on the local community level.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Wed, 25 Mar 2015 12:35:16 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>For the past few decades a major focus has been how the Internet, and Internet associated new media, allows for greater social and political participation globally. There is no disputing that the Internet has allowed for more participation,</itunes:subtitle>
      <itunes:summary>For the past few decades a major focus has been how the Internet, and Internet associated new media, allows for greater social and political participation globally. There is no disputing that the Internet has allowed for more participation, but the medium carries an inherent elitism and the need for expertise, which may limit accessibility. According to some advocates, old media like radio offer an alternative without the limitations of new media systems.

In her new book Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism (MIT Press, 2014), Christina Dunbar-Hester, an assistant professor in the School of Communication and Information at Rutgers University, explores the activist organization the Prometheus Project, and its role in advocating for greater community access to low power radio licenses. In an ethnographic examination of the medium of microradio, Dunbar-Hester examines the dichotomy of old versus new media, as well as the use of media for participatory and emancipatory politics on the local community level.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the past few decades a major focus has been how the Internet, and Internet associated new media, allows for greater social and political participation globally. There is no disputing that the Internet has allowed for more participation, but the medium carries an inherent elitism and the need for expertise, which may limit accessibility. According to some advocates, old media like radio offer an alternative without the limitations of new media systems.</p><p>
In her new book <a href="https://mitpress.mit.edu/books/low-power-people">Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism</a> (MIT Press, 2014), <a href="http://comminfo.rutgers.edu/directory/christdh/index.html">Christina Dunbar-Hester</a>, an assistant professor in the School of Communication and Information at Rutgers University, explores the activist organization the Prometheus Project, and its role in advocating for greater community access to low power radio licenses. In an ethnographic examination of the medium of microradio, Dunbar-Hester examines the dichotomy of old versus new media, as well as the use of media for participatory and emancipatory politics on the local community level.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>2562</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinafroamstudies.com/2015/03/25/christiana-dunbar-hester-low-power-to-the-people-pirates-protest-and-politics-in-fm-radio-activism-mit-press-2014/]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9781416601.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Clare Haru Crowston, “Credit, Fashion, Sex: Economies of Regard in Old Regime France”</title>
      <description>Anyone who’s been paying attention to the flurry around the French economist Thomas Piketty’s 2013 Capitalism in the Twenty-first Century (Le Capital au XXIe siecle) knows how a  la mode the economy is at the moment. Contemporary ideas and debates about capital, debt, and austerity are only part of what makes Clare Crowston‘s Credit, Fashion, Sex: Economies of Regard in Old Regime France (Duke University Press, 2013) such an interesting read in 2014. In this detailed study of the varied economic, political, social, and cultural meanings and practices of “credit” from the seventeenth through the eighteenth century, Crowston draws our attention to mutually constitutive worlds and systems of circulation. At once a genealogy of credit; an economic, social, and cultural history of fashion; and an examination of the roles of gender and desire in Old Regime France, Credit, Fashion, Sex makes an important contribution to our understanding of the origins of the French Revolution while respecting the historical integrity of the period that came before.

In addition to its conceptual and historiographical insights regarding credit and the complexities of Old Regime society, the book offers readers a fascinating and extensively-researched analysis of the everyday practices and systems of exchange that operated “behind the scenes” of more familiar stories. For example, the book illuminates the mythology and critiques surrounding Marie Antoinette, the queen who embodied like no one else the intersection between ideas about credit, fashion, and sexuality in the era before 1789. At the same time, Crowston gives us a glimpse of other figures and social actors who played vital roles in the society of the period: Rose Bertin, the queen’s dressmaker; the fashion merchants who made so much luxury and refinement possible, as well as all those wives not married to Louis XVI who traded on/in their husbands’ credit, participating in multiple economic and cultural systems of circulation and power.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 29 May 2014 13:01:16 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Anyone who’s been paying attention to the flurry around the French economist Thomas Piketty’s 2013 Capitalism in the Twenty-first Century (Le Capital au XXIe siecle) knows how a la mode the economy is at the moment.</itunes:subtitle>
      <itunes:summary>Anyone who’s been paying attention to the flurry around the French economist Thomas Piketty’s 2013 Capitalism in the Twenty-first Century (Le Capital au XXIe siecle) knows how a  la mode the economy is at the moment. Contemporary ideas and debates about capital, debt, and austerity are only part of what makes Clare Crowston‘s Credit, Fashion, Sex: Economies of Regard in Old Regime France (Duke University Press, 2013) such an interesting read in 2014. In this detailed study of the varied economic, political, social, and cultural meanings and practices of “credit” from the seventeenth through the eighteenth century, Crowston draws our attention to mutually constitutive worlds and systems of circulation. At once a genealogy of credit; an economic, social, and cultural history of fashion; and an examination of the roles of gender and desire in Old Regime France, Credit, Fashion, Sex makes an important contribution to our understanding of the origins of the French Revolution while respecting the historical integrity of the period that came before.

In addition to its conceptual and historiographical insights regarding credit and the complexities of Old Regime society, the book offers readers a fascinating and extensively-researched analysis of the everyday practices and systems of exchange that operated “behind the scenes” of more familiar stories. For example, the book illuminates the mythology and critiques surrounding Marie Antoinette, the queen who embodied like no one else the intersection between ideas about credit, fashion, and sexuality in the era before 1789. At the same time, Crowston gives us a glimpse of other figures and social actors who played vital roles in the society of the period: Rose Bertin, the queen’s dressmaker; the fashion merchants who made so much luxury and refinement possible, as well as all those wives not married to Louis XVI who traded on/in their husbands’ credit, participating in multiple economic and cultural systems of circulation and power.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Anyone who’s been paying attention to the flurry around the French economist Thomas Piketty’s 2013 Capitalism in the Twenty-first Century (Le Capital au XXIe siecle) knows how a  la mode the economy is at the moment. Contemporary ideas and debates about capital, debt, and austerity are only part of what makes <a href="http://www.history.illinois.edu/people/crowston">Clare Crowston</a>‘s <a href="http://www.amazon.com/dp/0822355280/?tag=newbooinhis-20">Credit, Fashion, Sex: Economies of Regard in Old Regime France</a> (Duke University Press, 2013) such an interesting read in 2014. In this detailed study of the varied economic, political, social, and cultural meanings and practices of “credit” from the seventeenth through the eighteenth century, Crowston draws our attention to mutually constitutive worlds and systems of circulation. At once a genealogy of credit; an economic, social, and cultural history of fashion; and an examination of the roles of gender and desire in Old Regime France, Credit, Fashion, Sex makes an important contribution to our understanding of the origins of the French Revolution while respecting the historical integrity of the period that came before.</p><p>
In addition to its conceptual and historiographical insights regarding credit and the complexities of Old Regime society, the book offers readers a fascinating and extensively-researched analysis of the everyday practices and systems of exchange that operated “behind the scenes” of more familiar stories. For example, the book illuminates the mythology and critiques surrounding Marie Antoinette, the queen who embodied like no one else the intersection between ideas about credit, fashion, and sexuality in the era before 1789. At the same time, Crowston gives us a glimpse of other figures and social actors who played vital roles in the society of the period: Rose Bertin, the queen’s dressmaker; the fashion merchants who made so much luxury and refinement possible, as well as all those wives not married to Louis XVI who traded on/in their husbands’ credit, participating in multiple economic and cultural systems of circulation and power.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3648</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/frenchstudies/?p=205]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT9813554446.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Konow, “Reel Terror: The Scary, Bloody, Gory, Hundred-Year History of Classic Horror Films” (St. Martin’s Press, 2012)</title>
      <description>Filmmakers discovered in the early twentieth century that Americans would gladly pay to be scared to death. As the decades marched on, dismissive critics regularly wrote obituaries for the relentlessly popular horror genre, even as other kinds of films (Blaxploitation, anyone?) disappeared from theaters.

David Konow, in Reel Terror: The Scary, Bloody, Gory, Hundred-Year History of Classic Horror Films (St. Martin’s Press, 2012), surveys the history of this much-maligned genre and explains why it refuses to die. As he demonstrates in one eminently readable chapter after another, it’s incredibly “fun” to be afraid. That simple fact helps explain why “the true fans of the genre couldn’t care less what the mainstream or the critics think about horror. It never kept them away from the theaters.”

Like all good books, Reel Terror‘s strengths stem from the talents of its author. Konow is possessed of a true encyclopedic knowledge of his subject matter and is a passionate advocate for horror. He’s also a dogged researcher, as evidenced by the dozens of original interviews he conducted with film directors, producers, and actors both obscure and famous. Ultimately, rabid fans of the genre who think they’ve heard all of the stories surrounding classics like Psycho, Night of the Living Dead and Jaws will find new insights in the pages of Reel Terror, and even those who have only a passing interest in such films will find themselves reconsidering their stance by the end of the book.

David Konow is the author of Bang Your Head: The Rise and Fall of Heavy Metal and Schock-O-Rama: The Films of Al Adamson. He has written for dozens of publications and websites, including LA Weekly, Guitar World, Fangoria, and TGDaily.com. He lives in Southern California and can be reached via Facebook or email (konowd@pacbell.net) .
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 17 Oct 2013 10:28:58 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Filmmakers discovered in the early twentieth century that Americans would gladly pay to be scared to death. As the decades marched on, dismissive critics regularly wrote obituaries for the relentlessly popular horror genre,</itunes:subtitle>
      <itunes:summary>Filmmakers discovered in the early twentieth century that Americans would gladly pay to be scared to death. As the decades marched on, dismissive critics regularly wrote obituaries for the relentlessly popular horror genre, even as other kinds of films (Blaxploitation, anyone?) disappeared from theaters.

David Konow, in Reel Terror: The Scary, Bloody, Gory, Hundred-Year History of Classic Horror Films (St. Martin’s Press, 2012), surveys the history of this much-maligned genre and explains why it refuses to die. As he demonstrates in one eminently readable chapter after another, it’s incredibly “fun” to be afraid. That simple fact helps explain why “the true fans of the genre couldn’t care less what the mainstream or the critics think about horror. It never kept them away from the theaters.”

Like all good books, Reel Terror‘s strengths stem from the talents of its author. Konow is possessed of a true encyclopedic knowledge of his subject matter and is a passionate advocate for horror. He’s also a dogged researcher, as evidenced by the dozens of original interviews he conducted with film directors, producers, and actors both obscure and famous. Ultimately, rabid fans of the genre who think they’ve heard all of the stories surrounding classics like Psycho, Night of the Living Dead and Jaws will find new insights in the pages of Reel Terror, and even those who have only a passing interest in such films will find themselves reconsidering their stance by the end of the book.

David Konow is the author of Bang Your Head: The Rise and Fall of Heavy Metal and Schock-O-Rama: The Films of Al Adamson. He has written for dozens of publications and websites, including LA Weekly, Guitar World, Fangoria, and TGDaily.com. He lives in Southern California and can be reached via Facebook or email (konowd@pacbell.net) .
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Filmmakers discovered in the early twentieth century that Americans would gladly pay to be scared to death. As the decades marched on, dismissive critics regularly wrote obituaries for the relentlessly popular horror genre, even as other kinds of films (Blaxploitation, anyone?) disappeared from theaters.</p><p>
<a href="http://www.amazon.com/David-Konow/e/B001K86WQ2">David Konow</a>, in <a href="http://www.amazon.com/dp/031266883X/?tag=newbooinhis-20">Reel Terror: The Scary, Bloody, Gory, Hundred-Year History of Classic Horror Films </a>(St. Martin’s Press, 2012), surveys the history of this much-maligned genre and explains why it refuses to die. As he demonstrates in one eminently readable chapter after another, it’s incredibly “fun” to be afraid. That simple fact helps explain why “the true fans of the genre couldn’t care less what the mainstream or the critics think about horror. It never kept them away from the theaters.”</p><p>
Like all good books, Reel Terror‘s strengths stem from the talents of its author. Konow is possessed of a true encyclopedic knowledge of his subject matter and is a passionate advocate for horror. He’s also a dogged researcher, as evidenced by the dozens of original interviews he conducted with film directors, producers, and actors both obscure and famous. Ultimately, rabid fans of the genre who think they’ve heard all of the stories surrounding classics like Psycho, Night of the Living Dead and Jaws will find new insights in the pages of Reel Terror, and even those who have only a passing interest in such films will find themselves reconsidering their stance by the end of the book.</p><p>
David Konow is the author of Bang Your Head: The Rise and Fall of Heavy Metal and Schock-O-Rama: The Films of Al Adamson. He has written for dozens of publications and websites, including LA Weekly, Guitar World, Fangoria, and TGDaily.com. He lives in Southern California and can be reached via <a href="https://www.facebook.com/david.konow.5">Facebook</a> or email (<a href="mailto:konowd@pacbell.net">konowd@pacbell.net</a>) .</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3655</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/film/?p=45]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT2294252131.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Allen Salkin “From Scratch: Inside the Food Network” (Putnam, 2013)</title>
      <description>When I was growing up the only cooking show on TV I remember was Julia Child. I sometimes watched “The French Chef,” not so much to learn anything about cooking, but rather just to watch Julia. She was a hoot. When I saw the famous “Saturday Night Live” in 1978, I wasn’t sure which was funnier–Dan Aykroyd as Julia or Julia herself.

Today, of course, cooking is very serious business on TV and the reason, of course, is the Food Network. It grew from virtually nothing twenty years ago to a massive cultural and economic force. It’s watched by millions and it makes millions more. It’s changed the way Americans (and many overseas) think about both food and television. It’s sky is full of stars.

How’d that happen? In his remarkably well researched, wonderfully written and engrossingly told From Scratch: Inside the Food Network (Putnam, 2013), former New York Times reporter Allen Salkin tells the–pardon the pun–saucy tale. Please listen in.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Sat, 05 Oct 2013 15:20:46 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>When I was growing up the only cooking show on TV I remember was Julia Child. I sometimes watched “The French Chef,” not so much to learn anything about cooking, but rather just to watch Julia. She was a hoot.</itunes:subtitle>
      <itunes:summary>When I was growing up the only cooking show on TV I remember was Julia Child. I sometimes watched “The French Chef,” not so much to learn anything about cooking, but rather just to watch Julia. She was a hoot. When I saw the famous “Saturday Night Live” in 1978, I wasn’t sure which was funnier–Dan Aykroyd as Julia or Julia herself.

Today, of course, cooking is very serious business on TV and the reason, of course, is the Food Network. It grew from virtually nothing twenty years ago to a massive cultural and economic force. It’s watched by millions and it makes millions more. It’s changed the way Americans (and many overseas) think about both food and television. It’s sky is full of stars.

How’d that happen? In his remarkably well researched, wonderfully written and engrossingly told From Scratch: Inside the Food Network (Putnam, 2013), former New York Times reporter Allen Salkin tells the–pardon the pun–saucy tale. Please listen in.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When I was growing up the only cooking show on TV I remember was Julia Child. I sometimes watched “The French Chef,” not so much to learn anything about cooking, but rather just to watch Julia. She was a hoot. When I saw the famous “Saturday Night Live” in 1978, I wasn’t sure which was funnier–Dan Aykroyd as Julia or Julia herself.</p><p>
Today, of course, cooking is very serious business on TV and the reason, of course, is the Food Network. It grew from virtually nothing twenty years ago to a massive cultural and economic force. It’s watched by millions and it makes millions more. It’s changed the way Americans (and many overseas) think about both food and television. It’s sky is full of stars.</p><p>
How’d that happen? In his remarkably well researched, wonderfully written and engrossingly told <a href="http://www.amazon.com/dp/0399159320/?tag=newbooinhis-20">From Scratch: Inside the Food Network</a> (Putnam, 2013), former New York Times reporter <a href="http://allensalkin.com/">Allen Salkin</a> tells the–pardon the pun–saucy tale. Please listen in.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3949</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/food/?p=211]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT1579205725.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richie Unterberger, “Won’t Get Fooled Again: The Who from Lifehouse to Quadrophenia” (Jawbone, 2011)</title>
      <description>Between 1969 and 1973, the Who hit their commercial and creative peak. The legendary English quartet produced three Billboard Top Ten albums, including two double LP “rock operas,” Tommy (1969) and Quadrophenia (1973). Sandwiched between them was the triumphant Who’s Next (1971),an album universally proclaimed as one of the greatest in pop music history.

But as Richie Unterberger shows in his engrossing Won’t Get Fooled Again: The Who from Lifehouse to Quadrophenia(Jawbone, 2011), this period in the band’s history was equally rife with turmoil and conflict. Guitarist Pete Townsend confronted failure in the form of the band’s aborted multimedia rock opera Lifehouse, which collapsed in a very public fashion in 1971. Two years later, the band broke ties with its longtime creative partner, producer and former manager Kit Lambert over missing publishing royalties. Finally, shows on the Who’s 1973 Quadrophenia tour were rife with jarring technical difficulties as the band attempted to replicate the album’s dense soundscapes in a live setting.

Thanks to his exhaustive research efforts and sparking prose, Unterberger gives the reader a first-hand look into the inner workings of this greatest of rock bands. This is the definitive book on the Who’s most important era and one of the best books ever written on these rock legends. I give it my highest recommendation.

Richie Unterberger is an acclaimed author and music historian, renowned for his meticulous research. A regular contributor to the All Music website, Mojo, Record Collector and many other publications, he has also written dozens of liner notes for CD reissues of classic 60s and 70s albums. His previous books include Unknown Legends of Rock ‘n’ Roll, Eight Miles High and Turn! Turn! Turn! He can be contacted through his website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 20 Sep 2013 20:03:36 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Between 1969 and 1973, the Who hit their commercial and creative peak. The legendary English quartet produced three Billboard Top Ten albums, including two double LP “rock operas,” Tommy (1969) and Quadrophenia (1973).</itunes:subtitle>
      <itunes:summary>Between 1969 and 1973, the Who hit their commercial and creative peak. The legendary English quartet produced three Billboard Top Ten albums, including two double LP “rock operas,” Tommy (1969) and Quadrophenia (1973). Sandwiched between them was the triumphant Who’s Next (1971),an album universally proclaimed as one of the greatest in pop music history.

But as Richie Unterberger shows in his engrossing Won’t Get Fooled Again: The Who from Lifehouse to Quadrophenia(Jawbone, 2011), this period in the band’s history was equally rife with turmoil and conflict. Guitarist Pete Townsend confronted failure in the form of the band’s aborted multimedia rock opera Lifehouse, which collapsed in a very public fashion in 1971. Two years later, the band broke ties with its longtime creative partner, producer and former manager Kit Lambert over missing publishing royalties. Finally, shows on the Who’s 1973 Quadrophenia tour were rife with jarring technical difficulties as the band attempted to replicate the album’s dense soundscapes in a live setting.

Thanks to his exhaustive research efforts and sparking prose, Unterberger gives the reader a first-hand look into the inner workings of this greatest of rock bands. This is the definitive book on the Who’s most important era and one of the best books ever written on these rock legends. I give it my highest recommendation.

Richie Unterberger is an acclaimed author and music historian, renowned for his meticulous research. A regular contributor to the All Music website, Mojo, Record Collector and many other publications, he has also written dozens of liner notes for CD reissues of classic 60s and 70s albums. His previous books include Unknown Legends of Rock ‘n’ Roll, Eight Miles High and Turn! Turn! Turn! He can be contacted through his website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Between 1969 and 1973, the Who hit their commercial and creative peak. The legendary English quartet produced three Billboard Top Ten albums, including two double LP “rock operas,” Tommy (1969) and Quadrophenia (1973). Sandwiched between them was the triumphant Who’s Next (1971),an album universally proclaimed as one of the greatest in pop music history.</p><p>
But as <a href="http://www.richieunterberger.com/">Richie Unterberger</a> shows in his engrossing <a href="http://www.amazon.com/dp/1906002355/?tag=newbooinhis-20">Won’t Get Fooled Again: The Who from Lifehouse to Quadrophenia</a>(Jawbone, 2011), this period in the band’s history was equally rife with turmoil and conflict. Guitarist Pete Townsend confronted failure in the form of the band’s aborted multimedia rock opera Lifehouse, which collapsed in a very public fashion in 1971. Two years later, the band broke ties with its longtime creative partner, producer and former manager Kit Lambert over missing publishing royalties. Finally, shows on the Who’s 1973 Quadrophenia tour were rife with jarring technical difficulties as the band attempted to replicate the album’s dense soundscapes in a live setting.</p><p>
Thanks to his exhaustive research efforts and sparking prose, Unterberger gives the reader a first-hand look into the inner workings of this greatest of rock bands. This is the definitive book on the Who’s most important era and one of the best books ever written on these rock legends. I give it my highest recommendation.</p><p>
Richie Unterberger is an acclaimed author and music historian, renowned for his meticulous research. A regular contributor to the All Music website, Mojo, Record Collector and many other publications, he has also written dozens of liner notes for CD reissues of classic 60s and 70s albums. His previous books include Unknown Legends of Rock ‘n’ Roll, Eight Miles High and Turn! Turn! Turn! He can be contacted through his <a href="http://www.richieunterberger.com/">website</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3996</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/popmusic/?p=719]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT8868543854.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew P. Haley, "Turning the Tables: Restaurants and the Rise of the American Middle Class, 1880-1920" (UNC Press, 2011)</title>
      <description>Restaurants almost feel indigenous to American landscape, whether you're weaving past them by the thousands when you're driving through a metropolis on the East or West Coast or whether, like me, you find yourself in a small town in the middle of the Midwest, which still manages to boast one Indian restaurant, two Middle Eastern restaurants, and a handful of Mexican and Chinese restaurants. But did you ever wonder just how someone living in Athens, Ohio, could end up eating seaweed egg drop soup on a Tuesday night in September? How exactly did we, as Americans, come to embrace such a rich and ethnically diverse restaurant culture?
This is one of the many fascinating questions that Andrew P. Haley explores in Turning the Tables: Restaurants and the Rise of the American Middle Class, 1880-1920 (University of North Carolina Press, 2011). Haley's book tells the story of a middle-class revolution, one that changed American restaurants from aristocratic establishments in the thrall of French culture and French food to democratic places where middle-class Americans with a few extra dollars could enjoy a night out without worrying about whether they had on the right evening gown or knew the correct pronunciation of "menu." Along the way, Haley makes insightful observations about subjects that range from the rise of middlebrow culture in America to the practice of tipping.
A winner of this year's James Beard Award for scholarly work, Turning the Tables is that rare book that's satisfying to read if you're interested in academic ideas like the history and origins of class consciousness or if you're just curious about why that stereotype of the snooty French waiter remains with us.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 07 Sep 2012 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew P. Haley</itunes:subtitle>
      <itunes:summary>Restaurants almost feel indigenous to American landscape, whether you're weaving past them by the thousands when you're driving through a metropolis on the East or West Coast or whether, like me, you find yourself in a small town in the middle of the Midwest, which still manages to boast one Indian restaurant, two Middle Eastern restaurants, and a handful of Mexican and Chinese restaurants. But did you ever wonder just how someone living in Athens, Ohio, could end up eating seaweed egg drop soup on a Tuesday night in September? How exactly did we, as Americans, come to embrace such a rich and ethnically diverse restaurant culture?
This is one of the many fascinating questions that Andrew P. Haley explores in Turning the Tables: Restaurants and the Rise of the American Middle Class, 1880-1920 (University of North Carolina Press, 2011). Haley's book tells the story of a middle-class revolution, one that changed American restaurants from aristocratic establishments in the thrall of French culture and French food to democratic places where middle-class Americans with a few extra dollars could enjoy a night out without worrying about whether they had on the right evening gown or knew the correct pronunciation of "menu." Along the way, Haley makes insightful observations about subjects that range from the rise of middlebrow culture in America to the practice of tipping.
A winner of this year's James Beard Award for scholarly work, Turning the Tables is that rare book that's satisfying to read if you're interested in academic ideas like the history and origins of class consciousness or if you're just curious about why that stereotype of the snooty French waiter remains with us.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Restaurants almost feel indigenous to American landscape, whether you're weaving past them by the thousands when you're driving through a metropolis on the East or West Coast or whether, like me, you find yourself in a small town in the middle of the Midwest, which still manages to boast one Indian restaurant, two Middle Eastern restaurants, and a handful of Mexican and Chinese restaurants. But did you ever wonder just how someone living in Athens, Ohio, could end up eating seaweed egg drop soup on a Tuesday night in September? How exactly did we, as Americans, come to embrace such a rich and ethnically diverse restaurant culture?</p><p>This is one of the many fascinating questions that <a href="http://ocean.otr.usm.edu/~w589232/">Andrew P. Haley</a> explores in <a href="http://www.amazon.com/dp/0807834742/?tag=newbooinhis-20"><em>Turning the Tables: Restaurants and the Rise of the American Middle Class, 1880-1920</em></a> (University of North Carolina Press, 2011). Haley's book tells the story of a middle-class revolution, one that changed American restaurants from aristocratic establishments in the thrall of French culture and French food to democratic places where middle-class Americans with a few extra dollars could enjoy a night out without worrying about whether they had on the right evening gown or knew the correct pronunciation of "menu." Along the way, Haley makes insightful observations about subjects that range from the rise of middlebrow culture in America to the practice of tipping.</p><p>A winner of this year's James Beard Award for scholarly work, Turning the Tables is that rare book that's satisfying to read if you're interested in academic ideas like the history and origins of class consciousness or if you're just curious about why that stereotype of the snooty French waiter remains with us.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3152</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[009f623c-d85b-11eb-a72b-734831c30409]]></guid>
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    </item>
    <item>
      <title>Jonathan Green, “Green’s Dictionary of Slang” (Hodder Education, 2010)</title>
      <description>Over the last thirty years, Jonathon Green has established himself as a major figure in lexicography, specialising in English slang. During this time he has accumulated a database of over half a million citations for more than 100,000 words and phrases, and these are the basis for the vast, authoritative and widely acclaimed Green’s Dictionary of Slang (Hodder Education, 2010), winner of the Dartmouth Medal as the American Library Association’s ‘outstanding reference work of the year’.

Slang’s definition is itself perhaps elusive, but to Green it is ‘counter-language’, by analogy with ‘counter-culture’, and possesses the same vivid qualities: it is irreverent, subversive and fun. It is, however, also important for what it tells us about how people live, interact and think, and is worthy of serious study.

In this interview we do not attempt to summarise the A-Z of slang (nor even the C-F), but we do talk about slang’s relation to culture, the history of its lexicography, and the day-to-day work of its researchers. We talk about the benefits of the internet for this work, as well as the limitations of user-generated alternatives and the challenges they pose to the professional scholar. And inevitably, we bring together the themes of the Oxford English Dictionary, canonical literature and comic-book porn.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Thu, 26 Jan 2012 15:55:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Over the last thirty years, Jonathon Green has established himself as a major figure in lexicography, specialising in English slang. During this time he has accumulated a database of over half a million citations for more than 100,</itunes:subtitle>
      <itunes:summary>Over the last thirty years, Jonathon Green has established himself as a major figure in lexicography, specialising in English slang. During this time he has accumulated a database of over half a million citations for more than 100,000 words and phrases, and these are the basis for the vast, authoritative and widely acclaimed Green’s Dictionary of Slang (Hodder Education, 2010), winner of the Dartmouth Medal as the American Library Association’s ‘outstanding reference work of the year’.

Slang’s definition is itself perhaps elusive, but to Green it is ‘counter-language’, by analogy with ‘counter-culture’, and possesses the same vivid qualities: it is irreverent, subversive and fun. It is, however, also important for what it tells us about how people live, interact and think, and is worthy of serious study.

In this interview we do not attempt to summarise the A-Z of slang (nor even the C-F), but we do talk about slang’s relation to culture, the history of its lexicography, and the day-to-day work of its researchers. We talk about the benefits of the internet for this work, as well as the limitations of user-generated alternatives and the challenges they pose to the professional scholar. And inevitably, we bring together the themes of the Oxford English Dictionary, canonical literature and comic-book porn.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the last thirty years, <a href="http://jonathongreen.co.uk/">Jonathon Green</a> has established himself as a major figure in lexicography, specialising in English slang. During this time he has accumulated a database of over half a million citations for more than 100,000 words and phrases, and these are the basis for the vast, authoritative and widely acclaimed <a href="http://www.amazon.com/dp/0550104402/?tag=newbooinhis-20">Green’s Dictionary of Slang</a> (Hodder Education, 2010), winner of the Dartmouth Medal as the American Library Association’s ‘outstanding reference work of the year’.</p><p>
Slang’s definition is itself perhaps elusive, but to Green it is ‘counter-language’, by analogy with ‘counter-culture’, and possesses the same vivid qualities: it is irreverent, subversive and fun. It is, however, also important for what it tells us about how people live, interact and think, and is worthy of serious study.</p><p>
In this interview we do not attempt to summarise the A-Z of slang (nor even the C-F), but we do talk about slang’s relation to culture, the history of its lexicography, and the day-to-day work of its researchers. We talk about the benefits of the internet for this work, as well as the limitations of user-generated alternatives and the challenges they pose to the professional scholar. And inevitably, we bring together the themes of the Oxford English Dictionary, canonical literature and comic-book porn.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3451</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/language/?p=102]]></guid>
      <enclosure url="https://traffic.megaphone.fm/LIT3835428733.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ethelia Ruiz Medrano, "Mexico's Indigenous Communities: Their Lands and Histories, 1500-2010" (U Colorado Press, 2010)</title>
      <description>In my work with pre-Hispanic and colonial Mexican pictorial texts, I often wish I could talk with the people who authored them. In the academic setting, sometimes we forget that these documents represent conversations about what was happening in the lives of many people at the time they were created and that some aspects of these materials that we have found in archives or ancient cities are still part of the cultural heritage and daily lives of the descendants of the creators. Ethelia Ruiz Medrano helps us realize that the study of popular culture also can mean the sharing of knowledge. Ruiz Medrano's research in the tiny town of Santa Maria Cuquila has led to a new way of thinking about our pasts and how they connect with our presents.
Ruiz Medrano's book Mexico's Indigenous Communities: Their Lands and Histories, 1500-2010 is a best-selling work on popular culture from the University of Colorado Press. Indigenous Communities traces a new context for our Amerindian heritage. Ruiz Medrano examines local administrative power and the resolution of community issues as functions of life today in much the same way as they were 500 years ago. At the same time, these communities are also rooted in the twenty first century. Many community members have relatives and friends in the United States. They keep in touch with cell phones and text messages while also seeking answers in their pictorial documents and oral and cultural accounts. Ruiz Medrano has become their student and her book offers a fascinating study of past and present, and of a community of teachers for this scholar-student.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Mon, 17 Oct 2011 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ethelia Ruiz Medrano</itunes:subtitle>
      <itunes:summary>In my work with pre-Hispanic and colonial Mexican pictorial texts, I often wish I could talk with the people who authored them. In the academic setting, sometimes we forget that these documents represent conversations about what was happening in the lives of many people at the time they were created and that some aspects of these materials that we have found in archives or ancient cities are still part of the cultural heritage and daily lives of the descendants of the creators. Ethelia Ruiz Medrano helps us realize that the study of popular culture also can mean the sharing of knowledge. Ruiz Medrano's research in the tiny town of Santa Maria Cuquila has led to a new way of thinking about our pasts and how they connect with our presents.
Ruiz Medrano's book Mexico's Indigenous Communities: Their Lands and Histories, 1500-2010 is a best-selling work on popular culture from the University of Colorado Press. Indigenous Communities traces a new context for our Amerindian heritage. Ruiz Medrano examines local administrative power and the resolution of community issues as functions of life today in much the same way as they were 500 years ago. At the same time, these communities are also rooted in the twenty first century. Many community members have relatives and friends in the United States. They keep in touch with cell phones and text messages while also seeking answers in their pictorial documents and oral and cultural accounts. Ruiz Medrano has become their student and her book offers a fascinating study of past and present, and of a community of teachers for this scholar-student.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In my work with pre-Hispanic and colonial Mexican pictorial texts, I often wish I could talk with the people who authored them. In the academic setting, sometimes we forget that these documents represent conversations about what was happening in the lives of many people at the time they were created and that some aspects of these materials that we have found in archives or ancient cities are still part of the cultural heritage and daily lives of the descendants of the creators. <a href="http://www.gf.org/fellows/12692-ethelia-ruiz-medrano">Ethelia Ruiz Medrano</a> helps us realize that the study of popular culture also can mean the sharing of knowledge. Ruiz Medrano's research in the tiny town of Santa Maria Cuquila has led to a new way of thinking about our pasts and how they connect with our presents.</p><p>Ruiz Medrano's book <a href="http://www.amazon.com/dp/1607321335/?tag=newbooinhis-20"><em>Mexico's Indigenous Communities: Their Lands and Histories, 1500-2010</em></a><em> </em>is a best-selling work on popular culture from the University of Colorado Press. <em>Indigenous Communities</em> traces a new context for our Amerindian heritage. Ruiz Medrano examines local administrative power and the resolution of community issues as functions of life today in much the same way as they were 500 years ago. At the same time, these communities are also rooted in the twenty first century. Many community members have relatives and friends in the United States. They keep in touch with cell phones and text messages while also seeking answers in their pictorial documents and oral and cultural accounts. Ruiz Medrano has become their student and her book offers a fascinating study of past and present, and of a community of teachers for this scholar-student.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3728</itunes:duration>
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      <title>Sheree Homer, “Catch that Rockabilly Fever: Personal Stories of Life on the Road and in the Studio” (McFarland, 2010)</title>
      <description>“On July 5, 1954, Elvis Presley, Scotty Moore, and Bill Black forever changed musical history,” writes Sheree Homer in Catch that Rockabilly Fever: Personal Stories of Life on the Road and in the Studio (McFarland, 2010). It was on this day that the trio recorded Arthur ‘Big Boy’ Crudup’s “That’s All Right” at Sam Phillips’ Sun Recording Studio in Memphis, Tennessee. Rockabilly was born. Rockabilly is a rambunctious musical style that combines the liveliest elements of country, gospel, and rhythm and blues. Homer captures the essence of rockabilly through biographical vignettes of forty-six rockabilly artists including Carl Mann, Elvis Presley, Ronnie Hawkins, Buddy Holly and the Crickets, Ricky Nelson, Laura Lee Perkins, High Noon, and Cari Lee Merritt. These portraits include legends as well as newcomers, southerners as well as Californians, pioneers as well as revivalists. Much of Homer’s material come from personal interviews with the artists themselves or those who were close to them. What better way is there to understand a musical style than through the lives of the people, both past and present, who make it?

Catch that Rockabilly Fever is a 2011 finalist in the Association for Recorded Sound Collections Awards for Excellence in the “Best Research in Recorded Rock and Pop Music” category.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Tue, 14 Jun 2011 15:27:29 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“On July 5, 1954, Elvis Presley, Scotty Moore, and Bill Black forever changed musical history,” writes Sheree Homer in Catch that Rockabilly Fever: Personal Stories of Life on the Road and in the Studio (McFarland, 2010).</itunes:subtitle>
      <itunes:summary>“On July 5, 1954, Elvis Presley, Scotty Moore, and Bill Black forever changed musical history,” writes Sheree Homer in Catch that Rockabilly Fever: Personal Stories of Life on the Road and in the Studio (McFarland, 2010). It was on this day that the trio recorded Arthur ‘Big Boy’ Crudup’s “That’s All Right” at Sam Phillips’ Sun Recording Studio in Memphis, Tennessee. Rockabilly was born. Rockabilly is a rambunctious musical style that combines the liveliest elements of country, gospel, and rhythm and blues. Homer captures the essence of rockabilly through biographical vignettes of forty-six rockabilly artists including Carl Mann, Elvis Presley, Ronnie Hawkins, Buddy Holly and the Crickets, Ricky Nelson, Laura Lee Perkins, High Noon, and Cari Lee Merritt. These portraits include legends as well as newcomers, southerners as well as Californians, pioneers as well as revivalists. Much of Homer’s material come from personal interviews with the artists themselves or those who were close to them. What better way is there to understand a musical style than through the lives of the people, both past and present, who make it?

Catch that Rockabilly Fever is a 2011 finalist in the Association for Recorded Sound Collections Awards for Excellence in the “Best Research in Recorded Rock and Pop Music” category.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“On July 5, 1954, Elvis Presley, Scotty Moore, and Bill Black forever changed musical history,” writes Sheree Homer in <a href="http://www.amazon.com/dp/078643841X/?tag=newbooinhis-20">Catch that Rockabilly Fever: Personal Stories of Life on the Road and in the Studio</a> (McFarland, 2010). It was on this day that the trio recorded Arthur ‘Big Boy’ Crudup’s “That’s All Right” at Sam Phillips’ Sun Recording Studio in Memphis, Tennessee. Rockabilly was born. Rockabilly is a rambunctious musical style that combines the liveliest elements of country, gospel, and rhythm and blues. Homer captures the essence of rockabilly through biographical vignettes of forty-six rockabilly artists including Carl Mann, Elvis Presley, Ronnie Hawkins, Buddy Holly and the Crickets, Ricky Nelson, Laura Lee Perkins, High Noon, and Cari Lee Merritt. These portraits include legends as well as newcomers, southerners as well as Californians, pioneers as well as revivalists. Much of Homer’s material come from personal interviews with the artists themselves or those who were close to them. What better way is there to understand a musical style than through the lives of the people, both past and present, who make it?</p><p>
Catch that Rockabilly Fever is a 2011 finalist in the Association for Recorded Sound Collections Awards for Excellence in the “Best Research in Recorded Rock and Pop Music” category.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
      </content:encoded>
      <itunes:duration>3679</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/popmusic/?p=43]]></guid>
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    <item>
      <title>Peter Filichia, “Broadway Musicals: The Biggest Hit and the Biggest Flop of the Season 1959-2009” (Applause, 2010)</title>
      <description>Speaking to long time theater critic Peter Filichia, one is reminded of listening to an old-time sportwriter talk about baseball. The Broadway he describes is full of colorful personalities, anecdotes, dates, numbers, and trivia. His spirit is enthusiastic and infectious: he’s turned his love of Broadway into a career. It’s a wonderful counterpoint to the all-too-typical theater discussions about what’s broken in the non-profit system or funding models.

His book, Broadway Musicals: The Biggest Hit and the Biggest Flop of the Season 1959-2009 (Applause, 2010), is more than just fun (though it is that!). The writing is clear and generous, and the stories occasionally revelatory. (Did you know that Edward Albee wrote a failed draft of the “Breakfast at Tiffany’s” musical? Did you know that Sir Peter Hall once suggested that the best way to get the effect of zero gravity was . . . trampolines?) What strikes me most, though, is how Filichia’s own personal experience feeds his work. Theater is an art that requires attendance. Unlike reading a book or renting a movie, there really are only a certain number of people that actually saw the original production of “Pippin” or “On the Town.” Either you were there or you weren’t. Experience, in theater, can’t be replicated by Netflix or a library card.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</description>
      <pubDate>Fri, 27 May 2011 16:19:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Speaking to long time theater critic Peter Filichia, one is reminded of listening to an old-time sportwriter talk about baseball. The Broadway he describes is full of colorful personalities, anecdotes, dates, numbers, and trivia.</itunes:subtitle>
      <itunes:summary>Speaking to long time theater critic Peter Filichia, one is reminded of listening to an old-time sportwriter talk about baseball. The Broadway he describes is full of colorful personalities, anecdotes, dates, numbers, and trivia. His spirit is enthusiastic and infectious: he’s turned his love of Broadway into a career. It’s a wonderful counterpoint to the all-too-typical theater discussions about what’s broken in the non-profit system or funding models.

His book, Broadway Musicals: The Biggest Hit and the Biggest Flop of the Season 1959-2009 (Applause, 2010), is more than just fun (though it is that!). The writing is clear and generous, and the stories occasionally revelatory. (Did you know that Edward Albee wrote a failed draft of the “Breakfast at Tiffany’s” musical? Did you know that Sir Peter Hall once suggested that the best way to get the effect of zero gravity was . . . trampolines?) What strikes me most, though, is how Filichia’s own personal experience feeds his work. Theater is an art that requires attendance. Unlike reading a book or renting a movie, there really are only a certain number of people that actually saw the original production of “Pippin” or “On the Town.” Either you were there or you weren’t. Experience, in theater, can’t be replicated by Netflix or a library card.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Speaking to long time theater critic <a href="http://www.theatermania.com/peterfilichia/">Peter Filichia</a>, one is reminded of listening to an old-time sportwriter talk about baseball. The Broadway he describes is full of colorful personalities, anecdotes, dates, numbers, and trivia. His spirit is enthusiastic and infectious: he’s turned his love of Broadway into a career. It’s a wonderful counterpoint to the all-too-typical theater discussions about what’s broken in the non-profit system or funding models.</p><p>
His book, <a href="http://www.amazon.com/dp/1423495624/?tag=newbooinhis-20">Broadway Musicals: The Biggest Hit and the Biggest Flop of the Season 1959-2009</a> (Applause, 2010), is more than just fun (though it is that!). The writing is clear and generous, and the stories occasionally revelatory. (Did you know that Edward Albee wrote a failed draft of the “Breakfast at Tiffany’s” musical? Did you know that Sir Peter Hall once suggested that the best way to get the effect of zero gravity was . . . trampolines?) What strikes me most, though, is how Filichia’s own personal experience feeds his work. Theater is an art that requires attendance. Unlike reading a book or renting a movie, there really are only a certain number of people that actually saw the original production of “Pippin” or “On the Town.” Either you were there or you weren’t. Experience, in theater, can’t be replicated by Netflix or a library card.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/popular-culture">https://newbooksnetwork.supportingcast.fm/popular-culture</a></p>]]>
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      <itunes:duration>2099</itunes:duration>
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